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Speaker 1: And his drink Chess motherfucking podcast. He's a legendary Queen's rapper.

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Speaker 1: He's agreed. Is your boy in o R He's a

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Speaker 1: Miami hip hop and lioneer up his dj e FN.

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast and yet number one

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Speaker 1: source for drunk back drinkes motherfuckings New Year's z. Let's

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Speaker 1: this time for drink champs. Drink up, motherfucker mother he said,

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Speaker 1: gree hopus on your boy in O R up his

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Speaker 1: DJ e F and his drinks has mother podcasting. Yeah,

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Speaker 1: my ba right now, right now, come on, somebody responsible

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Speaker 1: right now. When it come to two man groups, if

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Speaker 1: it wasn't for them, yeah, well we got the White Charger.

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Speaker 1: You gotta relax, all right when it comes to two

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Speaker 1: man groups. If it wasn't for these two brothers right

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Speaker 1: here standing in front of us, I don't think that

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Speaker 1: me and this brother to the left of me would

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Speaker 1: even exist. These guys not only stood to test the

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Speaker 1: time when hip hop you had to be a real

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Speaker 1: m C meaning you had to know how to rhyme,

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Speaker 1: you know how, you had to have to do beat,

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Speaker 1: You had to you had to do all of that,

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Speaker 1: and these guys are the epito epitome. You go, oh

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Speaker 1: that you got still the test of time. You stuck together.

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Speaker 1: I know it's rough because it's be rough with this nigga,

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Speaker 1: So I know it's rough with me. It's not like

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Speaker 1: I'm perfect, but it'd be rough for him with me.

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Speaker 1: But the thing is, you gotta stood together for over

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Speaker 1: the time you're stood together, you represented Long Island's strongest

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Speaker 1: Right now in the building, what drink Champs? We got

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Speaker 1: my personal favorite group, e mother fucking be empty Max.

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Speaker 1: So I'm gonna I want to take it to the

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Speaker 1: very beginning because first off, just the name EPMD how

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Speaker 1: how what? What was your thought process when you say

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Speaker 1: we're gonna be a group because everybody prior to that

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Speaker 1: they didn't have names like that. Well, Pat's got the

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Speaker 1: real I'm gonna give you mine thing too. At the end,

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Speaker 1: I just think of that, I tell you by all

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Speaker 1: the time. You know, run d m C is who

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Speaker 1: we we look after Me and Paris drove to Manhattan

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Speaker 1: to buy sucking mcs from Long Island. You know when

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Speaker 1: the first thing came out, were great? Yeah, yeah, but

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Speaker 1: you know Paris you know figured that you know Erican Parish.

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Speaker 1: You know, we wanted to make money, so epm D

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Speaker 1: making dollars. But run DMC again you can tell, took

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Speaker 1: the line the whole. It was okay with it. So

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Speaker 1: he's like, yo, you know, go ahead. You guys were

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Speaker 1: actually on depth JAM and run DMC never was on

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Speaker 1: depth jam. Is that correct? You know we end up

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Speaker 1: in later but were managed by Russia. So when we

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Speaker 1: got managed by Rush, Leo took it because it was

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Speaker 1: spelled e p e e m D m D, just

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Speaker 1: like it was spelled e P e E m D.

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Speaker 1: When we got signed the Rush. He changed management, Yeah,

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Speaker 1: Ruch management. They changed in the logo and got the

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Speaker 1: guy yea, yeah, Hayes, famous guy now and who changed

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Speaker 1: the logo to fall of us and look it up

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Speaker 1: like that. That's because past car, I'm the P double

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Speaker 1: E M D. That's what so we in the rhyme,

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Speaker 1: we spelled it that way, you know, because we forget

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Speaker 1: that that was it was like that on that on

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Speaker 1: this small wifee hey, hey mom, and and look that's

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Speaker 1: that's mama law brother in law. Come on, yo, I

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Speaker 1: think losses. I saw you with overseas. You know you

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Speaker 1: booge you overseas though, yeah, it's different, it's different, just

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Speaker 1: differing over the seas. You gotta work up differ over

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Speaker 1: one of the overseas. You know you are not a

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Speaker 1: different person on the headlines overseas. The whole big thing.

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Speaker 1: I can't moving for him. The music was louder. What

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Speaker 1: is this? Let people know? That's how that's how you know,

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Speaker 1: that's how you know good people because you know, I

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Speaker 1: see the story a totally opposite way. You know what.

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Speaker 1: I want to keep it between you because at that time,

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Speaker 1: when you guys came out, it was a tough time

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Speaker 1: in hip hop, meaning you actually had to really really

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Speaker 1: be good like right now, these people will say but

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Speaker 1: they could get on and they have, but that's not

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Speaker 1: the time you guys came out. Question. When you guys

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Speaker 1: came out, you guys actually had to know how to rhyme.

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Speaker 1: You guys formed a crazy crew. But but but let's

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Speaker 1: I just want to describe those moments, how hard it

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Speaker 1: was back then to these young guys, and you gotta

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Speaker 1: take a shot, yo, No, I'm sorry, listen, yes yo.

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Speaker 1: Basically us coming from long Allen, you know who Gainst

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Speaker 1: Brooklyn Queens. We always felt we had to work harder.

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Speaker 1: But once Public Enemy dropped, then rock Him and Wine

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Speaker 1: Dance dropped. You know, I went to Wine dask one

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Speaker 1: day and it was six bodies out there. They kept barbecue,

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Speaker 1: and they kept barbecue like this is this is nothing.

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Speaker 1: They're like, yo, that's like yo, come on, you gotta

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Speaker 1: keep what the six bodies and this is the time

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Speaker 1: for people think your little house. And I was like, no,

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Speaker 1: they got to confuse, no question. So me and he

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Speaker 1: always just you know, kept our pin down, feeling like,

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Speaker 1: you know, you had care of restaurant coming from the Bronx,

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Speaker 1: you had Big Daddy Kane, you had Slick Rick Lotty Dotty.

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Speaker 1: So when we came in, you know, we just wanted

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Speaker 1: to have that impact. Always felt that we had to

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Speaker 1: work harder and then at the end wind up coming off.

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Speaker 1: Now let's take it to this slow down baby, right

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Speaker 1: what man? What? I don't know, I don't know what

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Speaker 1: some of that wash, but I know you can that

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Speaker 1: whole fucking hole. We were back there though the world

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Speaker 1: was going to a war. We just got off a

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Speaker 1: sleeping back records on the Death Jam that first time. Yeah,

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Speaker 1: that was your first Yeah, yeah, Khali, they had they

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Speaker 1: had ordered the record he was on with his fresh

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Speaker 1: Weeping Back. It was nice. Move was on the label. Two.

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Speaker 1: We had a pretty good labels, Moves on the preg

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Speaker 1: Mat was on there with the first single Zoom Zoom

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Speaker 1: Zoom man Tronics so not and we had parents was dead.

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Speaker 1: I didn't. I wasn't even it was yeah. So basically

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Speaker 1: between we got caught in between labels. But they was like, yo,

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Speaker 1: keep working though, so it was like wow, we kept

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Speaker 1: the legs moving. Then we went in the studio. We

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Speaker 1: put down the Rampage because the way we was feeling,

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Speaker 1: we felt like an album was going to be held up.

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Speaker 1: You know. Most people was like, yo, you got you

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Speaker 1: got past the sophomore drinks with Unfinished Business. So Eric

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Speaker 1: and I was like, yo, you know what you see

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Speaker 1: the cover were standing in the swamp with the guns

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Speaker 1: pointing out us, you know, the helicopters above, and then

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Speaker 1: the rampage because we that's the same album as I'm Mad.

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Speaker 1: Here's a little story album. What made you guys want

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Speaker 1: to work with l L? Because but Leo and then

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Speaker 1: put LL on us because you know why, this is

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Speaker 1: the reason why I'm telling you as an outside of

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Speaker 1: looking at because I really wasn't a part of hip hop.

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Speaker 1: I was just a fan of the guy on the

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Speaker 1: on the benches and um at that time, AL was

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Speaker 1: kind of crossover and you guys were kind of representing

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Speaker 1: the underground hip street. But you just heard it just

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Speaker 1: now the reason why Leo and then felt that L

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Speaker 1: should be on this on this lane. So it was

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Speaker 1: so when Mama said, Leo, any, so you heard the

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Speaker 1: next album, Mama said, not exactly was the panther. Everything

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Speaker 1: came up after hanging, he said, hanging with these guys

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Speaker 1: and then Marley and then Bang that album came out

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Speaker 1: because because you guys was like the official you guys

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Speaker 1: with the original the reginal m O P. What I

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Speaker 1: mean by that is the audience that you guys brung

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Speaker 1: out at that time was super streak, like I can't

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Speaker 1: I'm scared of you. I kind of kind of still

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Speaker 1: scared of y'all. Want to look at I'm a fan,

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Speaker 1: but at that time, that's that's why I always wondered,

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Speaker 1: like why did they have L? Because and now I'm

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Speaker 1: being for queens, but L was kind of like, you know,

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Speaker 1: doing and doing like he was like you know he

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Speaker 1: was different. Yeah, but the big L was still talk talk.

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Speaker 1: It's always giving Sunday, like you don't get rust. So

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Speaker 1: you know we knew, we knew that. Yeah, we wanted

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Speaker 1: to bring you know, we even got this thing and like, no,

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Speaker 1: let's get back because we just had l We just

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Speaker 1: to the I was on on the d N with

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Speaker 1: just two hours ago. But let's get back to the

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Speaker 1: first beat was House had to Squash. The first peep

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Speaker 1: we had was the rock kimb. This is the I

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Speaker 1: was getting to that. Yeah, thank you for going there first.

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Speaker 1: How did this happen? This is Long Island because we

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Speaker 1: two towns away. Kim was my mentor. This is to me.

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Speaker 1: I'm like, when I heard him, I thought the name

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Speaker 1: was rock wind somebody like you know some things we

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Speaker 1: rock wind came out rock Winds. That's why I thought

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Speaker 1: that was hard. All of a sudden, you gotta relax.

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Speaker 1: All of a sudden. He was two towns over. So

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Speaker 1: the record came out, so me and parents like, yo,

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Speaker 1: this is the most eliship we ever heard. The alert

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Speaker 1: came the next day and played Nobody Beats the Beis.

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Speaker 1: That was another big gas record. Nobody yea but rock him,

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Speaker 1: I ain't no joke. You can get the smack, but

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Speaker 1: this ain't no joke. Paris came back and said, like

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Speaker 1: a digma smack, you smack me and I smack you back.

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Speaker 1: I'm just and the right. I never caught that man, Yeah,

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Speaker 1: but the two towns did because it's long allee. Okay,

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Speaker 1: Kim made this ship called father Leader, said, brother said him,

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Speaker 1: I never dun be coming fill leading. That's why I

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Speaker 1: drug him in the danger zone. So he went and

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Speaker 1: I'm when I kemping not working with him. Let's keep

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Speaker 1: me my Palas was in front of both. We're not

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Speaker 1: walking with him though. We come to the students. You

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Speaker 1: know it comes on the anniversary of the first coached ship,

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Speaker 1: doesn't in front of us, shakes the mic nor and

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Speaker 1: rolls it like dice like you know like and rolls

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Speaker 1: the mike to y'all. I don't. I don't know this

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Speaker 1: because he was wrong. So it used to be called

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Speaker 1: the building in Manhattan, right. So him and Palas at

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Speaker 1: the bar talking. How you know old niggas came out

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Speaker 1: Old niggas like building. So him and he at the

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Speaker 1: bar talking, and Pie said, you're either talking with you

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Speaker 1: were quick so p called me over and he squatted

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Speaker 1: the be right there in the bar. Yeah, was right there.

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Speaker 1: That was the first one where the first one that

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Speaker 1: they they caught me in the building by myself on

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Speaker 1: the folly floor. It was looking like it was like

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Speaker 1: like the following video said something like, yat, you're stressing me.

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Speaker 1: I never even heard that word stressing me the blue

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Speaker 1: you wanted. So I'm looking, I'm waiting for I'm like, yeah,

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Speaker 1: we're looking easily. I can't find them nowhere in the building.

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Speaker 1: So I was like, yo, let me check in the

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Speaker 1: spot where we never go. You know, you got all

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Speaker 1: these winds. We don't go in that wing over. I'm

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Speaker 1: gonna keep him moving. I walked past the door. I

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Speaker 1: come in and Eric and Rock Chim is like this

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Speaker 1: nose to know the way. We're just in perpects office.

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Speaker 1: So that's the counting. Yeah, all of space and see

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Speaker 1: ye perfect. I'm sorry he continue. So once I've seen

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Speaker 1: that scene, I already knew it was a situation, you know,

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Speaker 1: big respect to Rock him. I was like, um, basically,

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Speaker 1: I don't even know what's going on in here, but

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Speaker 1: to see them a little correct must be in the

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Speaker 1: miss understanding. Rock him, was smooth with it and we

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Speaker 1: rolled out. But when I got there and I was like, yo,

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Speaker 1: what's up, he was like nah, Like East said, na,

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Speaker 1: your man stressed out to me? What did that mean?

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Speaker 1: Stressed me? You know what I mean now? But it

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Speaker 1: wasn't in the hip hop sling yet you just yet

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Speaker 1: he came out late. Yeah, that's a late term. You

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Speaker 1: know that came out. He came out early with that.

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Speaker 1: He said to me, he said, he said that to you,

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Speaker 1: to me about he was the one who had the problem.

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Speaker 1: It was something happened to I was something happened with

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Speaker 1: the album. And he's my mentor. So what happened was

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Speaker 1: I just told the girls I didn't like the new

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Speaker 1: one like I liked the past album that and it

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Speaker 1: came back to me somehow, you know, not that. I

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Speaker 1: was like, yo, how can I thish you When I'm

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Speaker 1: on one side of the tape I got happy now

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Speaker 1: with the people president the other side it is Businmarpe like,

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Speaker 1: I'm I talk about you all the time, But why

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Speaker 1: is that always like that? Why is it like are

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Speaker 1: people wrong with us? Like why it's not? But it's

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Speaker 1: the people around it that started to beat you don't

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Speaker 1: got no be your your friends and start just like

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Speaker 1: it's just like queens, right queens. You know, Core Mega

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Speaker 1: will have beef with nas on Nas will have beef

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Speaker 1: with I'm just making examples and a campone. But then

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Speaker 1: all actually we all together, So why do we can't

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Speaker 1: get along with each other? Like when I look at Compton,

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Speaker 1: I'd be like damn sometimes because you know, they're all

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Speaker 1: beef on with each other, and I'm like, damn, Why

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Speaker 1: is it like that for our community? Well? I think

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Speaker 1: probably because we wasn't advanced with the business and we

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Speaker 1: have to learned. So we was dealing with a business

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Speaker 1: that was more than advance than us. We were just

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Speaker 1: coming up out of the hood. So as years go on,

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Speaker 1: we learned the game. We know the game, but for

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Speaker 1: the new cats, they don't know the game. So they

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Speaker 1: learned in the game and then top and inside of that,

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Speaker 1: that's where the miscommunication and a little funny business go down.

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Speaker 1: But me and Cuba man friends Matthew because Cuba on

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Speaker 1: the tour bus when you book with n W A

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Speaker 1: Paris told him how to get how to do it.

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Speaker 1: That's right out to break up, to leave the well

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Speaker 1: in the way it comes for like two months because

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Speaker 1: you know, you get opened up West Coast Base. He

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Speaker 1: opened up for us like people introducing hing as a

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Speaker 1: group on the scott and then he went because he's

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Speaker 1: working with and then he came to ter five days

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Speaker 1: so so so so yeah, yeah, you gotta relax. So

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Speaker 1: please please please place, please place, please place. What up?

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Speaker 1: Drink Champs Army Wednesday at ten nine Central on BT.

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Speaker 1: Executive producer Wanda Sykes invites you to put your judgments

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Speaker 1: to good use. Face Value is the only game show

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Speaker 1: where profiling pays. Contests are asked hilarious questions about people

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Speaker 1: purely based on their looks. When they get them right,

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Speaker 1: they get cash. Just when you think someone has done

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Speaker 1: a particularly scandalous thing because of what's on the surface,

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Speaker 1: the truth flips the script on your assumptions. Prepared to

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Speaker 1: laugh NonStop with your host Di Encole and Tiffany Hatters,

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Speaker 1: see just how much we all have in common, and

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Speaker 1: watch the money stack as if stereotypes following your Face

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Speaker 1: Value all New Wednesdays at ten nine Central, followed by

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Speaker 1: Hip Hop Mogul and Clapback King fifty Sketch Variety Series

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Speaker 1: fifty Central only on BT for extras and exclusives. Make

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Speaker 1: sure you visit BT dot com slash Forward slash Face Value.

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Speaker 1: It Ain't Over. BT is bringing lyrics and laughter this

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Speaker 1: fall with Fitty Every Wednesday at ten thirty Central on BT.

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Speaker 1: Hip Hop Mogul and clapback King Curtis fifty Cent Jackson,

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Speaker 1: one of our favorite guests here at Drink Champs, delivers

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Speaker 1: a hot remix of sketch comedy as you Know It

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Speaker 1: to Bet. Fifty leads a cast of comic upstarts every

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Speaker 1: week for jaw dropping sketches and hilarious pranks. Sprinkle with

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Speaker 1: the same irreverence and spark that fifty Cent brings the

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Speaker 1: hip hop. His variety series, fifty Central pushes play on games, music,

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Speaker 1: hitting camera stunts, dance battles, and celebrity cameos for the

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Speaker 1: ultimate late night party. Make fifty Central You're late night

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Speaker 1: comedy destination Wednesdays at ten thirty Central right after Face Value.

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Speaker 1: The game show with Profiling pays only on BT for

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Speaker 1: extras and exclusives. Make sure you visit BET dot com

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Speaker 1: forward slash fifty Central. That's BT dot com Forward slash

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Speaker 1: fifty Central, So you're telling me that way? Ice Cub

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Speaker 1: came in New York. Y'all connected with him, no reason

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Speaker 1: on the tour Lose the West. We was talking. He

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Speaker 1: came on out bus and just stayed for like four

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Speaker 1: or five days. Why but why we was running was

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Speaker 1: ring shows. You know, stay on y'all bucks. Yeah, yeah,

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Speaker 1: we started wrapping, you know, started kicking l a. I

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Speaker 1: would get he would come pick me up in the Suzuki,

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Speaker 1: go to crib and go chills me and I ain't

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Speaker 1: gonna lie. I point your shots. I'm sorry. You know

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Speaker 1: you know why because you know it's nothing will take one. Yeah,

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Speaker 1: let them more that I would like to do in

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Speaker 1: my life. Don't drink driving drunk. Just look at kid

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Speaker 1: and saying slow down, you got chip, I'm not drinking.

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Speaker 1: But when I'm just the hip, you know, you know

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Speaker 1: he yeah, that's the best bocket in the world. Ain't

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Speaker 1: the best? Who's the best? The best in the world.

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Speaker 1: We make it right here, Betty, But can we side

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Speaker 1: by this seriously for real? Because to see you in

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Speaker 1: the sea loan and this is I'm just happy. But

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Speaker 1: definitely we always not been behind the gun, but always

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00:19:19,040 --> 00:19:21,720
Speaker 1: been the people who somebody who said they ain't gonna

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Speaker 1: do it again, or the crews. We had every rapper

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Speaker 1: that we had, they wasn't good enough. And then we

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Speaker 1: showed the doctor effects. When we showed Reggie, we showed Murray,

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Speaker 1: we showed Solo, We everyone that was behind the gun. Nobody.

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Speaker 1: We got turned down by them, turned by by a

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Speaker 1: lot of labels, but we believed in them. Going over

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Speaker 1: here to you, you chose to do something and people

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Speaker 1: probably were looking at you like you was crazy. I'm

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Speaker 1: the sidebar and so you know what I did that.

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Speaker 1: I was real with me and my car saying that,

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Speaker 1: even if I didn't know it, I felt it like, yeah,

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00:19:57,359 --> 00:20:01,600
Speaker 1: motherfucker's that you have me underneath the because the game

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00:20:01,680 --> 00:20:04,160
Speaker 1: then changed. Look at me now, I changed with the game.

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00:20:04,400 --> 00:20:07,399
Speaker 1: Look at my new check. Yes, it's very very, it's

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00:20:07,480 --> 00:20:12,320
Speaker 1: very Look at my show. Look at the guests has

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00:20:12,400 --> 00:20:14,800
Speaker 1: come to see me. Yes, and we having fun. I

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Speaker 1: want to think he said, yeah, I had to come.

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Speaker 1: He had to because he said he could one. I

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Speaker 1: had to come because the numbers. You know what that feelings.

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Speaker 1: So I felt that for him. That's why I said

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Speaker 1: that from you and crazy, but I'm add on to

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Speaker 1: you eight because our culture, like I have went to accounts, Yes,

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Speaker 1: I went to accounts office. And I've seen Mick Jag

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Speaker 1: all these other white guys. They touring and they celebrate that,

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Speaker 1: they talk, they celebrate the day. Been in this game

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00:20:51,440 --> 00:20:54,520
Speaker 1: for twenty years, yes, but hip hop if you if

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Speaker 1: you once you have ten years, they call you old,

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00:20:57,359 --> 00:20:59,800
Speaker 1: they call you washed up, they say you don't got

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Speaker 1: it on more. And I just, I just I just

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Speaker 1: want to play my part of saying you please tell

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Speaker 1: these people to be quiet. I just want to play

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Speaker 1: my part of changing that for hip hop. Because the

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00:21:12,680 --> 00:21:16,520
Speaker 1: more and and and it's awesome that you broke up Europe,

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00:21:16,680 --> 00:21:19,800
Speaker 1: the more old school you are in Europe, the more

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00:21:20,359 --> 00:21:24,240
Speaker 1: they love you. They love you with Europe. So why

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00:21:24,600 --> 00:21:28,880
Speaker 1: we can't reverse that the coach and make that ship.

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Speaker 1: Because the thing about it is, if it wasn't for

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Speaker 1: a P M D, there wouldn't be a mob D,

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Speaker 1: there wouldn't be a coonent, there wouldn't be an m

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Speaker 1: O P. So why shouldn't not be celebrated because we

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00:21:39,720 --> 00:21:43,000
Speaker 1: came up differently. Don't forget Flay, Folks don't say old

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Speaker 1: school and Mick Jagger old school, Old schools just a name.

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Speaker 1: We gotta put the age on it. I heard one

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Speaker 1: Rappititel said about four years ago, Jayson needs to stop

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Speaker 1: rapping and give somebody else a shot. No, you gotta

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Speaker 1: step the game up. If you think that he imposed

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Speaker 1: to be here. You know we're the only coach of

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00:22:04,520 --> 00:22:07,040
Speaker 1: fucking vibstration was sent me to. Just dropped the album

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Speaker 1: with number one for McCarty is still getting Grammys. It

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Speaker 1: don't matter if they look at their coaches. They look

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00:22:13,160 --> 00:22:15,960
Speaker 1: at them and they still give them props and enjoy them.

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Speaker 1: And as they told you a legend, so nobody should

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Speaker 1: disrespect that. Like somebody to say, listen, what are we

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Speaker 1: doing now? I'm still touring. We're still making twenty thousand

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Speaker 1: dollars a night, So Pepper still making forty thollars a night.

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00:22:36,400 --> 00:22:39,119
Speaker 1: Hands they always look and say what are you doing now?

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Speaker 1: That's why I said what I said about you. You

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00:22:41,480 --> 00:22:44,080
Speaker 1: don't never know what they're doing. At least actpers don't

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00:22:44,119 --> 00:22:48,000
Speaker 1: just making thing. Nobody's doing nothing. Everyone era is on

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00:22:48,119 --> 00:22:51,200
Speaker 1: the road and some Peppers they had they was towing

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Speaker 1: so much they had to take a break. Making forty

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Speaker 1: thousand dollars a night from June to September. How much money?

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Speaker 1: Is that exactly? I'm just saying that anybody is doing that.

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Speaker 1: So when you so, how do we change that in

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Speaker 1: hip hop? How do we actually like because me and

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00:23:10,800 --> 00:23:14,359
Speaker 1: my partner d right, me and DJ Fan, that's that

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00:23:14,520 --> 00:23:16,680
Speaker 1: was our dream is to say, you know what we said,

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00:23:16,680 --> 00:23:18,440
Speaker 1: we're gonna start the show, but we only want to

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00:23:18,880 --> 00:23:20,840
Speaker 1: We didn't want to interview the new people, not because

381
00:23:20,920 --> 00:23:23,280
Speaker 1: we got something personal with it, but we don't know

382
00:23:23,359 --> 00:23:26,560
Speaker 1: their history. Like I know your history. I know what

383
00:23:26,720 --> 00:23:28,959
Speaker 1: you guys been through, right, I know. So it's easier

384
00:23:29,000 --> 00:23:30,840
Speaker 1: for me to interview you because it's easier for me

385
00:23:30,920 --> 00:23:33,359
Speaker 1: to sit then chop it up and we have these

386
00:23:33,400 --> 00:23:35,760
Speaker 1: stories that you oversee smacking me back of my head

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00:23:36,160 --> 00:23:38,000
Speaker 1: and like you know, and then like you I was

388
00:23:38,080 --> 00:23:42,679
Speaker 1: just performing. Every just came bound. What's at still has

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00:23:42,720 --> 00:23:46,280
Speaker 1: twenty five million people, but you out how the partners

390
00:23:46,320 --> 00:23:49,040
Speaker 1: bumped out. But how do we actually how do we

391
00:23:49,200 --> 00:23:51,280
Speaker 1: actually change that in the hip hop? How do we

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00:23:51,600 --> 00:23:54,040
Speaker 1: that this is what I mean piece all the time? Okay,

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00:23:54,680 --> 00:24:00,359
Speaker 1: we're the only jard who don't got categories. If Jens

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00:24:00,400 --> 00:24:03,320
Speaker 1: Joplin was here, Brindy Spills wouldn't be in a category

395
00:24:03,720 --> 00:24:06,119
Speaker 1: because you'd be like bitch you and pop right, So

396
00:24:06,280 --> 00:24:10,879
Speaker 1: to be heavy metal pop a turn of music should have.

397
00:24:11,600 --> 00:24:13,919
Speaker 1: We shouldn't be Mary Dave Blosses something pepper. I mean

398
00:24:14,280 --> 00:24:17,080
Speaker 1: Blosses and Um and all the other black singers are

399
00:24:17,160 --> 00:24:22,879
Speaker 1: in hip hop category. It's a culture, so it should

400
00:24:22,960 --> 00:24:25,320
Speaker 1: be it's trapping what it is. It should be trapped.

401
00:24:25,359 --> 00:24:27,720
Speaker 1: If it should be you know, club music, it should

402
00:24:27,720 --> 00:24:30,560
Speaker 1: be club hip hop. It should have cindgories. Even jazz

403
00:24:30,600 --> 00:24:34,720
Speaker 1: got he listening jazz, adult jazz, bady jazz. It got

404
00:24:35,680 --> 00:24:39,120
Speaker 1: said categories. We wouldn't be having no problems. So you're

405
00:24:39,119 --> 00:24:41,480
Speaker 1: telling me Drake should be like in them. It's something

406
00:24:41,520 --> 00:24:45,560
Speaker 1: else below slow rap. I don't know, no, no, no,

407
00:24:46,600 --> 00:24:51,000
Speaker 1: it's independent because here's a dope. Hip hop artis hip

408
00:24:51,040 --> 00:24:54,760
Speaker 1: hop too, But a lot of stuff should be labeled

409
00:24:54,840 --> 00:24:58,600
Speaker 1: something else. You can't call no disrespect, but you can't

410
00:24:58,720 --> 00:25:02,080
Speaker 1: call this new music hip hop, no disrespect of them

411
00:25:02,119 --> 00:25:04,720
Speaker 1: were gonna be labeled something else because the coach that

412
00:25:04,840 --> 00:25:07,639
Speaker 1: we come from, it's not that. That's not it's not

413
00:25:10,720 --> 00:25:13,359
Speaker 1: the one under one umbrella. And you know, if it

414
00:25:13,440 --> 00:25:16,120
Speaker 1: has nothing to do with m C and radical skills,

415
00:25:16,359 --> 00:25:19,000
Speaker 1: the boom bat with the high hat like a real

416
00:25:19,200 --> 00:25:21,920
Speaker 1: m C. You had to have BDP rock Cam. I

417
00:25:22,080 --> 00:25:25,760
Speaker 1: came through the door, you know what I mean the party,

418
00:25:25,920 --> 00:25:28,560
Speaker 1: you have things. You know, we have certain things that

419
00:25:28,680 --> 00:25:31,800
Speaker 1: we said before, how your hip hop was was the coach?

420
00:25:32,200 --> 00:25:35,320
Speaker 1: We fired elements. If you're adding B box, it's wrapping

421
00:25:35,400 --> 00:25:37,600
Speaker 1: DJ an't your fee and breakdancing and you want to

422
00:25:37,640 --> 00:25:40,760
Speaker 1: add I mean be box newcast. But but it's a coach.

423
00:25:41,320 --> 00:25:45,160
Speaker 1: But you gotta follow the same laws as from seventy

424
00:25:45,240 --> 00:25:48,960
Speaker 1: eight that went down to you know, rise or whatever

425
00:25:49,040 --> 00:25:51,200
Speaker 1: else where. Stop that, you know what I'm saying. But

426
00:25:51,800 --> 00:25:53,880
Speaker 1: just right here, you can't call this because just don't

427
00:25:53,920 --> 00:25:56,680
Speaker 1: fit the culture the coach and hip hop is something.

428
00:25:56,720 --> 00:25:59,800
Speaker 1: But you know, but they don't have nothing else to call. Say,

429
00:26:00,000 --> 00:26:02,439
Speaker 1: throw it in there. They threw TLC in there too.

430
00:26:03,600 --> 00:26:06,240
Speaker 1: Whenever they can throw in there that looks like it's urban,

431
00:26:06,560 --> 00:26:09,680
Speaker 1: it's under hip hop coaching. But we got to realize

432
00:26:09,720 --> 00:26:11,919
Speaker 1: we walked away kind of from the game and stopped

433
00:26:12,040 --> 00:26:14,840
Speaker 1: working and being productive productive, you know, back there like

434
00:26:14,880 --> 00:26:17,000
Speaker 1: a ninety two when we've seen them dropping music and

435
00:26:17,080 --> 00:26:18,879
Speaker 1: we felt that was like popped and we dropped the

436
00:26:19,640 --> 00:26:22,640
Speaker 1: We didn't say that's what they said. What the Saw

437
00:26:22,760 --> 00:26:26,120
Speaker 1: said earlier? He said, Mike Saw said, silence is almost

438
00:26:26,280 --> 00:26:31,679
Speaker 1: co signed. Yeah, so when you saw you here, Yeah right,

439
00:26:32,080 --> 00:26:35,440
Speaker 1: I said, did something real on Instagram two weeks ago.

440
00:26:35,520 --> 00:26:38,440
Speaker 1: That was real? Yeah, And I told us my Saw said,

441
00:26:38,560 --> 00:26:43,680
Speaker 1: he said, you said silence is almost except acceptance, you know.

442
00:26:43,840 --> 00:26:45,560
Speaker 1: So it's like what we did was we left the

443
00:26:45,560 --> 00:26:47,600
Speaker 1: bank vault open with all the gap in it, and

444
00:26:47,640 --> 00:26:49,679
Speaker 1: they came in and took a couple of bundles. Nobody

445
00:26:49,720 --> 00:26:51,800
Speaker 1: said nothing, so they just started taking the money back

446
00:26:52,680 --> 00:26:55,120
Speaker 1: so we could sit back and complain. Or what you did.

447
00:26:55,200 --> 00:26:57,920
Speaker 1: You opened up before him and you drew a line

448
00:26:58,359 --> 00:27:00,119
Speaker 1: and you said, this is what I'm gonna do. And

449
00:27:00,200 --> 00:27:02,159
Speaker 1: this is not old school. These guys are legends and

450
00:27:02,200 --> 00:27:05,240
Speaker 1: they deserved the respect. Right now. You can interview whoever

451
00:27:05,280 --> 00:27:07,840
Speaker 1: you want because you're big, but you choose to give

452
00:27:07,960 --> 00:27:11,399
Speaker 1: us a platform, which is dope, Like who's doing this?

453
00:27:11,920 --> 00:27:13,280
Speaker 1: But I don't think this is what I bug out

454
00:27:13,359 --> 00:27:16,640
Speaker 1: or not to be going. But the radio DJs who

455
00:27:16,680 --> 00:27:20,640
Speaker 1: we remember that was all playing our ships, y'all still

456
00:27:20,880 --> 00:27:24,320
Speaker 1: our age, y'all forgot that who you know? How you

457
00:27:24,400 --> 00:27:26,119
Speaker 1: have that you don't know you wantn't hip hop at

458
00:27:26,160 --> 00:27:30,720
Speaker 1: one time. Now you'll change. That was bugging me out

459
00:27:30,720 --> 00:27:33,320
Speaker 1: because they all got the same jobs and they forgot

460
00:27:33,400 --> 00:27:37,879
Speaker 1: that that we existed, or that music existed. That's the

461
00:27:37,880 --> 00:27:40,639
Speaker 1: point I don't understand. So what what what? What is?

462
00:27:40,680 --> 00:27:43,360
Speaker 1: What is Eric Sherman listening to right now? I'll play

463
00:27:43,440 --> 00:27:47,240
Speaker 1: old old. I feel like I just play Army but

464
00:27:47,359 --> 00:27:50,040
Speaker 1: Me and Powers gotta album that we're gonna call Dynamic Duels.

465
00:27:50,080 --> 00:27:55,640
Speaker 1: And y'all written down your company. You had a rug company. Okay,

466
00:27:55,720 --> 00:27:58,720
Speaker 1: you're going up. You never gave me lett's. Let's get

467
00:27:58,760 --> 00:28:03,840
Speaker 1: those ship good. I've been I've been, I've been hating

468
00:28:03,840 --> 00:28:07,120
Speaker 1: for a long time. I've been, Hey, I'm playing. I've

469
00:28:07,160 --> 00:28:10,240
Speaker 1: been seeing everybody with a rug besides me. Problem is playing.

470
00:28:11,800 --> 00:28:13,640
Speaker 1: We got a new acronym. I don't know what you're doing.

471
00:28:13,960 --> 00:28:17,000
Speaker 1: I don't know what you're doing right now, but I've

472
00:28:17,040 --> 00:28:25,760
Speaker 1: been stopping, stopping, relax. I'm gonna be honest. It's now

473
00:28:25,800 --> 00:28:37,719
Speaker 1: we're on the road. I'm gonna say, Okay, all right,

474
00:28:37,760 --> 00:28:40,240
Speaker 1: that's what we're gonna do. That's what we're gonna do.

475
00:28:41,440 --> 00:28:45,920
Speaker 1: Drink chaps, rub goes to the office, our ship goes

476
00:28:45,960 --> 00:28:49,520
Speaker 1: to a shop check. But damn, I'm not gonna lie

477
00:28:49,800 --> 00:28:58,239
Speaker 1: like I'm not taking that one. That was another one. Yeah, yo,

478
00:28:58,720 --> 00:29:01,280
Speaker 1: drink chap. I'm so sorry. So I know that. The

479
00:29:01,360 --> 00:29:11,120
Speaker 1: interview right last, what is that? Because that better? You

480
00:29:11,200 --> 00:29:12,880
Speaker 1: know what? You know what, you know what I want.

481
00:29:13,040 --> 00:29:17,560
Speaker 1: I'm gonna be honest with you. We interviewed Onyx, and

482
00:29:18,000 --> 00:29:23,120
Speaker 1: Onyx gave me a pair of sneakers and then they

483
00:29:23,160 --> 00:29:25,640
Speaker 1: asked me what size was it. I said, it doesn't matter.

484
00:29:26,640 --> 00:29:29,960
Speaker 1: I'm never wearing me. I'm putting it right in my crib.

485
00:29:30,080 --> 00:29:33,600
Speaker 1: So you know, Leo, please, really you're gonna go, You're

486
00:29:33,600 --> 00:29:38,640
Speaker 1: gonna go. I'm gonna keep my nephew out. But Leo

487
00:29:38,800 --> 00:29:41,760
Speaker 1: told me. One day I went to Leo's house, right,

488
00:29:42,200 --> 00:29:45,400
Speaker 1: and he gave me the biggest lesson in hip hop ever.

489
00:29:46,840 --> 00:29:50,080
Speaker 1: He said to me he had moved to Park right

490
00:29:50,360 --> 00:29:53,880
Speaker 1: ninety some ship uptown right whatever. Right. It was a

491
00:29:53,880 --> 00:29:56,240
Speaker 1: twenty million our house and he said, do you like

492
00:29:56,360 --> 00:29:58,920
Speaker 1: my house? I really didn't like it, but I had

493
00:29:58,960 --> 00:30:04,040
Speaker 1: to say, yes, it's Leo Combs, It's Leo with it.

494
00:30:04,720 --> 00:30:06,560
Speaker 1: You know what? He told me this? This, this taught

495
00:30:06,600 --> 00:30:10,240
Speaker 1: me hip hop in two sentences. He said do you

496
00:30:10,360 --> 00:30:13,560
Speaker 1: like this house? I said yes. He said, make sure

497
00:30:13,600 --> 00:30:15,920
Speaker 1: you had enough you next year so I can invite

498
00:30:15,960 --> 00:30:23,040
Speaker 1: you again. WHOA. At first I wanted to snuffle because

499
00:30:23,080 --> 00:30:25,960
Speaker 1: I'm like, what, that's the most dispectful shaw. You could

500
00:30:25,960 --> 00:30:29,520
Speaker 1: have a tell somebody. He basically told me, you're only

501
00:30:29,680 --> 00:30:33,480
Speaker 1: here because you're right now. That was real though, So

502
00:30:33,720 --> 00:30:37,360
Speaker 1: if you're not hot next year, just remember this house

503
00:30:37,360 --> 00:30:46,200
Speaker 1: because you won't be bad. Whoa. That's ill. But it

504
00:30:46,360 --> 00:30:54,040
Speaker 1: taught me something so valuable that never never never appreciate

505
00:30:54,120 --> 00:30:57,440
Speaker 1: your position, because your position can be taken. Another thing

506
00:30:58,240 --> 00:31:02,440
Speaker 1: is Miami Weather taught me to say about m I'm sorry.

507
00:31:02,480 --> 00:31:05,000
Speaker 1: I know I'm going all over the place, but right no,

508
00:31:05,520 --> 00:31:09,920
Speaker 1: one day, I'm sitting on my balcony because it's not

509
00:31:10,000 --> 00:31:12,840
Speaker 1: a terrorist. When you get a little money, it's called balcony.

510
00:31:15,640 --> 00:31:19,240
Speaker 1: So I'm sitting on my balcony, right. I wrote three blunts,

511
00:31:19,480 --> 00:31:21,880
Speaker 1: all right, and I went upstairs to take a peek.

512
00:31:22,480 --> 00:31:24,840
Speaker 1: Not a ship, but for some reason, I went upstairs

513
00:31:25,120 --> 00:31:28,800
Speaker 1: and I had the ship all right, and it rained,

514
00:31:30,080 --> 00:31:33,800
Speaker 1: meaning the three blunts I just rolled they all and

515
00:31:33,880 --> 00:31:39,040
Speaker 1: it taught me a valuable lesson. Don't ever appreciate your position,

516
00:31:40,480 --> 00:31:43,000
Speaker 1: do your position, but then get the funk out of there.

517
00:31:43,680 --> 00:31:48,840
Speaker 1: And I understood that after Leo told me, and is

518
00:31:48,960 --> 00:31:54,680
Speaker 1: this music industry? Is it really that bad? All? Am

519
00:31:54,720 --> 00:31:58,640
Speaker 1: I overdoing some stories that I think about? No, I

520
00:31:58,680 --> 00:32:01,960
Speaker 1: don't think you're overdoing it. I the your perception, like

521
00:32:02,120 --> 00:32:04,000
Speaker 1: what it was to be a B boy hip hop,

522
00:32:04,160 --> 00:32:06,120
Speaker 1: just to be a doping c and to be the best,

523
00:32:06,840 --> 00:32:09,000
Speaker 1: And then in doing that you don't realize until you

524
00:32:09,040 --> 00:32:11,400
Speaker 1: start running into the trouble. Shoot, So you got to

525
00:32:11,440 --> 00:32:14,920
Speaker 1: take the burden with the success. Okay. So in the beginning,

526
00:32:15,080 --> 00:32:17,440
Speaker 1: me and Eric just wanted to be dope strictly business

527
00:32:17,520 --> 00:32:20,080
Speaker 1: unfinished business. But then as you become the best, and

528
00:32:20,200 --> 00:32:23,320
Speaker 1: you know, you got the haters before they was haters,

529
00:32:23,360 --> 00:32:25,080
Speaker 1: So then you get songs like so what you're saying?

530
00:32:25,240 --> 00:32:28,280
Speaker 1: So what you're saying? Okay, but no, that's normal. You'd

531
00:32:28,280 --> 00:32:30,040
Speaker 1: be trying to get your craft off and you just

532
00:32:30,160 --> 00:32:31,960
Speaker 1: be dealing with a lot of let's take it there.

533
00:32:32,080 --> 00:32:34,360
Speaker 1: You know what you're saying, who is your talking about?

534
00:32:35,320 --> 00:32:37,120
Speaker 1: The people who thought we wasn't gonna make it back.

535
00:32:37,200 --> 00:32:40,600
Speaker 1: Everybody wasn't going to get past the right okaycause the

536
00:32:40,640 --> 00:32:43,560
Speaker 1: sophomore jenks for people that don't know that's their second album, correct,

537
00:32:43,600 --> 00:32:47,600
Speaker 1: because they always say rappers falling off after their second album. Right,

538
00:32:48,480 --> 00:32:51,800
Speaker 1: take us through there. We came first of all, sitting

539
00:32:51,840 --> 00:32:53,960
Speaker 1: on the bends in the Iraq because you guys were

540
00:32:54,040 --> 00:32:56,120
Speaker 1: gold the first album first. I think me and he

541
00:32:56,200 --> 00:33:04,160
Speaker 1: probably went platinum or that. You know what I mean?

542
00:33:04,360 --> 00:33:06,800
Speaker 1: So no, not now, now you're going back in the

543
00:33:06,880 --> 00:33:11,320
Speaker 1: studio and you you are you aware? Shoo? Yeah? No,

544
00:33:11,560 --> 00:33:14,840
Speaker 1: first we first we dropped, totally dropped, strictly business, went

545
00:33:14,920 --> 00:33:17,280
Speaker 1: on the Run's House tour, came off the road or

546
00:33:17,400 --> 00:33:19,120
Speaker 1: amped up, but it was it was It was a

547
00:33:19,200 --> 00:33:25,920
Speaker 1: talk Runs's House with house reality. There was Runs House

548
00:33:28,440 --> 00:33:32,160
Speaker 1: everything about hip hop. I offended myself. It was a

549
00:33:32,280 --> 00:33:38,200
Speaker 1: Rugs house, TPMD Public and me JAPND the sometimes says

550
00:33:38,200 --> 00:33:42,600
Speaker 1: the sonic opened up some goddamn it. What's my man name?

551
00:33:43,320 --> 00:33:50,280
Speaker 1: What's his name? D Daddy? The original? But getting you

552
00:33:50,520 --> 00:33:52,600
Speaker 1: so yeah, So we came off the road or hype

553
00:33:52,720 --> 00:33:54,480
Speaker 1: and went in the studio and you say you hype

554
00:33:54,600 --> 00:33:57,440
Speaker 1: was was you guys like gas like? I think gas

555
00:33:57,640 --> 00:33:59,760
Speaker 1: was an understatement. I'm gonna be honest, if I wouldn't

556
00:33:59,760 --> 00:34:03,800
Speaker 1: went on tour with no hold. We didn't have no

557
00:34:03,960 --> 00:34:06,360
Speaker 1: money for a tour bus run. DMC let us ride

558
00:34:06,360 --> 00:34:09,160
Speaker 1: on their tour bus for free, right, So we woke

559
00:34:09,239 --> 00:34:15,440
Speaker 1: up on the got up and we see the shell

560
00:34:15,560 --> 00:34:20,720
Speaker 1: tolls right there, brand new brand and an unlimited supply

561
00:34:21,120 --> 00:34:24,360
Speaker 1: of Adidas anything you want and this ship and I

562
00:34:24,400 --> 00:34:28,600
Speaker 1: mean not like one, two or three pass right, there

563
00:34:28,640 --> 00:34:32,279
Speaker 1: were stadium, stadium everything. We went through two or three

564
00:34:32,400 --> 00:34:35,640
Speaker 1: nights in one and then dreaded. Yeah, but thinking about

565
00:34:35,640 --> 00:34:38,200
Speaker 1: that album. Yeah, so we went in there. We came

566
00:34:38,239 --> 00:34:41,200
Speaker 1: off the road run of Jinks, so more Jinks went

567
00:34:41,280 --> 00:34:45,120
Speaker 1: in the studio back to Charlie Murrauders and nothing. I

568
00:34:45,239 --> 00:34:47,600
Speaker 1: just was sitting there, nothing, no lyrics, no music, no

569
00:34:47,800 --> 00:34:53,120
Speaker 1: nonk just was nothing. Was siding right, just wet was

570
00:34:53,200 --> 00:34:55,800
Speaker 1: he thinking about? We know if we just know we

571
00:34:55,880 --> 00:34:57,439
Speaker 1: just got to come off and it was gonna happen

572
00:34:57,640 --> 00:35:00,800
Speaker 1: and we ended up looking like Cooper Good and society

573
00:35:01,920 --> 00:35:06,719
Speaker 1: was swinging at the end, so we had to step

574
00:35:06,800 --> 00:35:11,640
Speaker 1: yeah exactly, you know, and then we adjusted. Then we

575
00:35:11,719 --> 00:35:13,600
Speaker 1: went there. Veric went back in there then, so what

576
00:35:13,719 --> 00:35:15,840
Speaker 1: you're saying that whatever, because it was on the scenes

577
00:35:16,719 --> 00:35:19,680
Speaker 1: and um, the DJ was playing jazz b so the

578
00:35:19,760 --> 00:35:25,520
Speaker 1: soul and whatever, and he was playing the a mixed

579
00:35:25,640 --> 00:35:29,239
Speaker 1: version was just to beat whatever. So I went up

580
00:35:29,280 --> 00:35:31,600
Speaker 1: there and got the record from him and bring it

581
00:35:31,719 --> 00:35:36,640
Speaker 1: home on the DJ plate. So we we had that

582
00:35:37,480 --> 00:35:39,640
Speaker 1: and that wade off the dance floor like yo, holdie,

583
00:35:39,680 --> 00:35:43,399
Speaker 1: let me get that, and we made so what you're saying,

584
00:35:43,440 --> 00:35:46,440
Speaker 1: and after that started taking off what you're saying, and

585
00:35:46,520 --> 00:35:52,080
Speaker 1: then they then the big payback and the demo came

586
00:35:53,239 --> 00:35:57,320
Speaker 1: riding high. Yeah, yo ya yo, we built our destiny.

587
00:35:57,360 --> 00:35:59,640
Speaker 1: We actually built the sixth We built the cold building

588
00:35:59,640 --> 00:36:03,799
Speaker 1: that called sixty eight command kid, contract you build it's

589
00:36:03,800 --> 00:36:07,839
Speaker 1: not the record that before. Yo. We took a three

590
00:36:07,920 --> 00:36:10,480
Speaker 1: fifty engine out of seven before and put it in

591
00:36:10,560 --> 00:36:19,360
Speaker 1: the city. And say that again, you took a sim

592
00:36:19,600 --> 00:36:22,160
Speaker 1: We took a sixty eight come out, took the engine

593
00:36:22,200 --> 00:36:24,920
Speaker 1: out of a seventy four and over fifty four barrel

594
00:36:25,000 --> 00:36:27,279
Speaker 1: carp put it in the sixties. We used to be

595
00:36:27,360 --> 00:36:30,000
Speaker 1: drag racing all that other stuff. We stripped down. The

596
00:36:30,719 --> 00:36:33,239
Speaker 1: top had like whatever the top one, so we haven't

597
00:36:33,600 --> 00:36:38,719
Speaker 1: had to take the binal off and furious early domin

598
00:36:39,640 --> 00:36:41,920
Speaker 1: that's the wall pass almost died on the most like

599
00:36:42,000 --> 00:36:45,280
Speaker 1: the first let's get to the story. What happened. What happened?

600
00:36:45,480 --> 00:36:49,399
Speaker 1: Tell us yall was in just moving the motorcycon Yeah,

601
00:36:49,520 --> 00:36:51,960
Speaker 1: we know, we used to be wilding. Yeah, so you know,

602
00:36:52,080 --> 00:36:54,960
Speaker 1: long story short, somebody wasn't paying attention drift over the

603
00:36:55,040 --> 00:36:57,480
Speaker 1: yellow lines and it was trying to brace for impact

604
00:36:58,320 --> 00:37:00,720
Speaker 1: and proud of the star football playing so he playing football,

605
00:37:01,120 --> 00:37:03,719
Speaker 1: quarterback and kicker. You know, that's why the demo was

606
00:37:04,040 --> 00:37:06,319
Speaker 1: taking long because probably was going to school playing ball

607
00:37:06,600 --> 00:37:08,560
Speaker 1: and I was here waiting on it. So eighty five

608
00:37:08,600 --> 00:37:12,840
Speaker 1: we gotta came out. You know. No, there's more to

609
00:37:13,000 --> 00:37:15,680
Speaker 1: that though, because we used to have to communicate them

610
00:37:16,440 --> 00:37:22,400
Speaker 1: everything about y'all. You're disappointed me that I die because Paris, Paris,

611
00:37:22,640 --> 00:37:26,400
Speaker 1: my first time driving. He almost up, so I dropping

612
00:37:26,680 --> 00:37:33,600
Speaker 1: to drop the stick. So I'm going stopping the new

613
00:37:33,640 --> 00:37:36,560
Speaker 1: mag to the section where chicken funk up. I went

614
00:37:36,680 --> 00:37:39,960
Speaker 1: right through it. The question wasn't something didn't work right?

615
00:37:40,400 --> 00:37:45,320
Speaker 1: That was we wouldn't want to under sanction crazy, But

616
00:37:45,480 --> 00:37:49,880
Speaker 1: that all led to businesses do everything about apm B.

617
00:37:50,719 --> 00:37:53,720
Speaker 1: I'm mad that y'all fucking me out. Like my history.

618
00:37:53,760 --> 00:37:55,839
Speaker 1: I'm going back and I'm talking to my history later

619
00:37:56,320 --> 00:38:00,920
Speaker 1: and me and gotta show you my history book. I

620
00:38:02,280 --> 00:38:05,480
Speaker 1: gotta shot on my history y'all. Listen, my nigga, you

621
00:38:05,520 --> 00:38:12,239
Speaker 1: ain't telling me about the crash. All this stuff may

622
00:38:12,280 --> 00:38:15,239
Speaker 1: apm D crazy, especially with the We came out late

623
00:38:15,320 --> 00:38:19,120
Speaker 1: eighty eight. So we watched rock Kim Kane late with

624
00:38:19,160 --> 00:38:22,080
Speaker 1: cranmem understands j He said he was still spending money

625
00:38:22,080 --> 00:38:27,160
Speaker 1: for eight people see him and see him. People sack

626
00:38:27,239 --> 00:38:30,520
Speaker 1: this person's sowing. So like, how y'all, how did these

627
00:38:30,560 --> 00:38:33,319
Speaker 1: people influence y'all? Because they're the same error So yeah,

628
00:38:33,320 --> 00:38:36,439
Speaker 1: they were, but they was out before us before came.

629
00:38:36,840 --> 00:38:38,480
Speaker 1: So I heard that. We got to listen to Chris

630
00:38:39,000 --> 00:38:43,080
Speaker 1: Rob came before that, so we had to come. Everybody

631
00:38:43,120 --> 00:38:46,760
Speaker 1: else out there was dangerous because he was to sleep.

632
00:38:47,080 --> 00:38:50,359
Speaker 1: I mean like because they all came out that state

633
00:38:50,400 --> 00:38:53,440
Speaker 1: time and business fum Brent, which I used to see

634
00:38:53,520 --> 00:38:56,640
Speaker 1: him at the Pancake House with big on top. He

635
00:38:56,719 --> 00:38:58,680
Speaker 1: used to panc house. He just mean one time in

636
00:38:58,719 --> 00:39:02,000
Speaker 1: pancake House at the pan business team man with truck jewels. Yeah,

637
00:39:02,080 --> 00:39:04,480
Speaker 1: like just nothing you told me he ya just be

638
00:39:04,640 --> 00:39:11,480
Speaker 1: making a demo yalla, Yeah, yo, listen, man, we scribed

639
00:39:11,719 --> 00:39:17,560
Speaker 1: very bad. This was at the park House. Yeah, we're

640
00:39:17,560 --> 00:39:19,520
Speaker 1: sitting there business trying to give us the beat too.

641
00:39:19,719 --> 00:39:24,840
Speaker 1: Ain't don't have stepping back? Yeah, yeah, I didn't have

642
00:39:24,880 --> 00:39:28,680
Speaker 1: antal hashta we did we have knes ain't't have? He said,

643
00:39:28,719 --> 00:39:30,360
Speaker 1: now that's okay, we went and made this. My thing

644
00:39:30,719 --> 00:39:35,840
Speaker 1: comes to me. Yeah, all right, you matched. I was

645
00:39:36,080 --> 00:39:39,799
Speaker 1: about to go ask you I want to step Kim

646
00:39:40,280 --> 00:39:42,360
Speaker 1: King wasn't about to step it to him? Yeah that

647
00:39:42,520 --> 00:39:48,400
Speaker 1: was you need that you liked after that? It's my

648
00:39:48,520 --> 00:39:54,600
Speaker 1: thing because yeah, yeah, right, you know what I think

649
00:39:54,640 --> 00:39:57,040
Speaker 1: of I think I saw the Weeding Hall. I'm sorry,

650
00:39:57,239 --> 00:39:59,880
Speaker 1: God damn, I think I saw weed and Hall him

651
00:39:59,880 --> 00:40:01,560
Speaker 1: at that time. But I'm sorry. What year was that?

652
00:40:02,560 --> 00:40:07,400
Speaker 1: Seven November? I came out eight eight album drop, And

653
00:40:07,480 --> 00:40:10,080
Speaker 1: now I wanted to describe eighty eight because I'm like

654
00:40:10,200 --> 00:40:13,719
Speaker 1: it that like my favorite. Well the only reason why

655
00:40:13,840 --> 00:40:15,279
Speaker 1: the nineties. Of course it is not like it, but

656
00:40:15,440 --> 00:40:21,319
Speaker 1: eighty eight was said every came out. Yeah, I'm asking right,

657
00:40:21,320 --> 00:40:23,680
Speaker 1: because my favorite. Like when I was thinking of my

658
00:40:23,760 --> 00:40:26,279
Speaker 1: favorite era hip hop that I lived in, it has

659
00:40:26,320 --> 00:40:29,920
Speaker 1: to be ninety of course, but eighty eight was what

660
00:40:30,200 --> 00:40:34,360
Speaker 1: made my ninety eight ship. I want to actually describe.

661
00:40:34,600 --> 00:40:36,960
Speaker 1: I want to as a fan, I want to. I

662
00:40:37,000 --> 00:40:39,520
Speaker 1: want you to tell us that year, because what was it?

663
00:40:40,440 --> 00:40:44,040
Speaker 1: It was putting, it was it was now nice and small,

664
00:40:44,120 --> 00:40:49,040
Speaker 1: special Lass, special Lass short, n W A like MC likes.

665
00:40:50,400 --> 00:40:58,399
Speaker 1: You had audio at n W eight after they came

666
00:40:58,560 --> 00:41:02,719
Speaker 1: saying yeah, yeah, anybody came the same year. Because I

667
00:41:02,800 --> 00:41:09,880
Speaker 1: want you to describe that it was hard because you

668
00:41:09,960 --> 00:41:13,440
Speaker 1: have the music, the industry, in the artists. It's funny,

669
00:41:13,440 --> 00:41:15,520
Speaker 1: you know, we really think about one of the most

670
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671
00:41:18,719 --> 00:41:22,520
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672
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673
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674
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676
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677
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678
00:41:39,040 --> 00:41:41,120
Speaker 1: Like I said, I didn't think about it much, you know,

679
00:41:41,520 --> 00:41:44,840
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680
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682
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683
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702
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704
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705
00:43:09,520 --> 00:43:11,320
Speaker 1: like you know, Big Daddy came after the show. He

706
00:43:11,400 --> 00:43:14,560
Speaker 1: had to he had to slip us with the don parison.

707
00:43:14,719 --> 00:43:17,520
Speaker 1: We wasn't advanced like yeah, okay, so we knew we

708
00:43:17,600 --> 00:43:23,200
Speaker 1: had to step it got off road like no, you

709
00:43:23,280 --> 00:43:29,160
Speaker 1: know to tell when we've done the whole town the doon. Yo.

710
00:43:29,360 --> 00:43:32,640
Speaker 1: He was really there already and still he's only star

711
00:43:32,760 --> 00:43:35,320
Speaker 1: ready yea, but he knew it. Kin knew when he

712
00:43:35,400 --> 00:43:39,680
Speaker 1: was he doing. Yeah, he's talking Donna already here. Yeah, yeah,

713
00:43:39,760 --> 00:43:42,480
Speaker 1: right down he's talking about that makes a Big Dady came.

714
00:43:45,200 --> 00:43:48,239
Speaker 1: I don't know if it's true, but it's just ripping

715
00:43:48,320 --> 00:43:59,520
Speaker 1: the room. She said, she makes He says, because you

716
00:43:59,640 --> 00:44:02,919
Speaker 1: know what, but that year, if it wasn't for that year,

717
00:44:03,880 --> 00:44:07,520
Speaker 1: I don't think I could ever appreciate my year, like

718
00:44:07,680 --> 00:44:11,719
Speaker 1: because my success has always been been a sweet meaning.

719
00:44:12,719 --> 00:44:17,680
Speaker 1: We came out n seven and my partner, who is

720
00:44:17,760 --> 00:44:23,000
Speaker 1: my best friend, he went to jail, ye and that

721
00:44:23,160 --> 00:44:30,279
Speaker 1: impact Tony was tell why we didn't understand was the

722
00:44:30,320 --> 00:44:39,960
Speaker 1: old nigger ship right there? He said it shook New

723
00:44:40,080 --> 00:44:44,839
Speaker 1: York way up right, like it was really bad ship.

724
00:44:44,920 --> 00:44:46,320
Speaker 1: You know what's supposed to be on the remix to

725
00:44:46,400 --> 00:44:51,160
Speaker 1: to you? And why Biggie Small so crazy? There's a

726
00:44:51,200 --> 00:44:54,839
Speaker 1: crazy ship. You know. When I watched Biggs interview, right,

727
00:44:55,200 --> 00:44:58,279
Speaker 1: I mean, I'm excuse me, I watched Big movie, right,

728
00:44:59,160 --> 00:45:01,680
Speaker 1: And if you were member when he was making these

729
00:45:01,800 --> 00:45:05,239
Speaker 1: last phone calls, that ship made me cry because he

730
00:45:05,400 --> 00:45:10,280
Speaker 1: called me and he said, he said, Yo, I'm jumping

731
00:45:10,320 --> 00:45:13,200
Speaker 1: on this record. But back then, you know, we had bootlegs.

732
00:45:14,000 --> 00:45:15,800
Speaker 1: So when he played me the record, I knew that

733
00:45:16,040 --> 00:45:17,840
Speaker 1: it wasn't coming. I didn't know what it wasn't that,

734
00:45:18,160 --> 00:45:22,680
Speaker 1: So I'm saying, how you get this? And I've gotten

735
00:45:22,760 --> 00:45:29,040
Speaker 1: nasen my Rix worked for a Bad Boys who did

736
00:45:29,160 --> 00:45:31,840
Speaker 1: the record. He just randomly played it for him and

737
00:45:31,840 --> 00:45:33,520
Speaker 1: I was like, Yo, these the new niggas coming around

738
00:45:33,520 --> 00:45:36,040
Speaker 1: from Queens and he heard it, but he went to

739
00:45:36,320 --> 00:45:38,040
Speaker 1: l A and he he must have heard it again

740
00:45:38,960 --> 00:45:41,680
Speaker 1: and he called the nigga wanted to sign Kapom. I

741
00:45:41,680 --> 00:45:43,560
Speaker 1: ain't gonna lie. I thought I thought it was over.

742
00:45:45,480 --> 00:45:47,439
Speaker 1: He was not in until Tim Noory at this time,

743
00:45:48,520 --> 00:45:51,680
Speaker 1: like we made him outside of Roy seven and Kapoem

744
00:45:51,760 --> 00:45:54,359
Speaker 1: keep the rhyme, and he was like, I'm I'm I'm

745
00:45:54,520 --> 00:45:56,720
Speaker 1: signing you. And I was like, I feel like we parted,

746
00:46:01,160 --> 00:46:04,120
Speaker 1: but I was so scared. It's Biggie Smooth also scared.

747
00:46:04,200 --> 00:46:11,160
Speaker 1: And but bring it back is the era if I,

748
00:46:11,920 --> 00:46:15,239
Speaker 1: if I didn't eight didn't happen as me as a

749
00:46:15,360 --> 00:46:21,080
Speaker 1: fan night wouldn't be as important. So yeah, I came

750
00:46:21,120 --> 00:46:25,000
Speaker 1: out with the toughest of the topic, like how was

751
00:46:25,080 --> 00:46:28,640
Speaker 1: those tours back then? Like how was it? Like I

752
00:46:28,719 --> 00:46:30,360
Speaker 1: get your perfect example, but this one too, because you

753
00:46:30,360 --> 00:46:32,799
Speaker 1: asked the question. I'm just gonna say it. We all

754
00:46:32,840 --> 00:46:36,960
Speaker 1: are rush Big Daddy Kane is Tan House down with

755
00:46:37,120 --> 00:46:40,360
Speaker 1: the l COJ tour EPD Tan House down too. So

756
00:46:40,520 --> 00:46:42,719
Speaker 1: me and part Pills that we tanned House down enough

757
00:46:42,800 --> 00:46:44,680
Speaker 1: that we should go on after you. Yeah, we should

758
00:46:44,680 --> 00:46:47,200
Speaker 1: go in after King. Yeah, you know it was Detroit

759
00:46:48,360 --> 00:46:51,319
Speaker 1: was crazy back then. Was it was that heavy D two.

760
00:46:51,880 --> 00:46:57,000
Speaker 1: I tell you how big big so Leo Coleman has

761
00:46:57,080 --> 00:47:03,160
Speaker 1: Rushman because Kane wasn't Russia, Okay, so he made the

762
00:47:03,880 --> 00:47:06,360
Speaker 1: cold because being Pattis said, you know, so we had

763
00:47:06,440 --> 00:47:09,399
Speaker 1: cal Blanche over then over that position because the French

764
00:47:09,440 --> 00:47:13,000
Speaker 1: management the next day, Kane comes out with a hot

765
00:47:13,120 --> 00:47:20,040
Speaker 1: tub speedos the stage. He said, ladies, I got three

766
00:47:20,120 --> 00:47:24,000
Speaker 1: things to tell you, m m m m. And the

767
00:47:24,200 --> 00:47:27,720
Speaker 1: paint stopped coming off the ceiling and the life pictures

768
00:47:27,760 --> 00:47:32,920
Speaker 1: stop coming off the stadiums. We said, yo yo, leo yo.

769
00:47:33,560 --> 00:47:44,080
Speaker 1: To change the order that night, I'm gonna tell you.

770
00:47:44,520 --> 00:47:46,200
Speaker 1: Let me tell you one thing, right, I will tell

771
00:47:46,200 --> 00:47:49,480
Speaker 1: you one thing when one night I'm gonna roll with Cane.

772
00:47:49,600 --> 00:47:53,560
Speaker 1: You right at had you know, put it in the mouth.

773
00:47:53,920 --> 00:47:57,200
Speaker 1: But the problem was nobody never saw the video, so

774
00:47:57,440 --> 00:48:01,520
Speaker 1: everybody like threw him to the back, meaning they was like, oh,

775
00:48:01,640 --> 00:48:04,080
Speaker 1: you gotta go on first. But I got a real

776
00:48:04,320 --> 00:48:07,160
Speaker 1: stage performance, Like he's like busting rounds without the records,

777
00:48:08,000 --> 00:48:10,000
Speaker 1: go out to hit crickets to go with it. But

778
00:48:10,239 --> 00:48:12,200
Speaker 1: he's gonna kill you on stage, and you're gonna have

779
00:48:12,280 --> 00:48:15,000
Speaker 1: a bit put up a dana in their mouth and

780
00:48:15,160 --> 00:48:17,840
Speaker 1: all that. Like anything, they're gonna dance. They got scooped.

781
00:48:17,840 --> 00:48:20,680
Speaker 1: They got he had to fake scoop and scrap. He

782
00:48:20,760 --> 00:48:24,040
Speaker 1: didn't have Kane scooping scrap. What was the nigga's name, Well,

783
00:48:28,280 --> 00:48:31,759
Speaker 1: you know he had dance surrept e book showtime and look.

784
00:48:32,440 --> 00:48:35,759
Speaker 1: So one day I forget what artists it was, but

785
00:48:35,840 --> 00:48:39,239
Speaker 1: they was like, yo ocummally gotta come on first. So

786
00:48:39,480 --> 00:48:42,080
Speaker 1: I came and grabbed me l A l A and

787
00:48:42,200 --> 00:48:45,680
Speaker 1: till on WI that's it. I said, I had nothing else.

788
00:48:46,040 --> 00:48:49,560
Speaker 1: He said, it's nothing else, nothing else, so ot combs

789
00:48:50,719 --> 00:48:53,640
Speaker 1: and I kid you not. He had twelve minutes. He

790
00:48:53,800 --> 00:48:57,399
Speaker 1: did the best twelve minutes I've ever seen in life.

791
00:48:57,840 --> 00:49:02,080
Speaker 1: And then people said, I can close from that one.

792
00:49:02,760 --> 00:49:05,799
Speaker 1: But but that's how it is. Sometimes people just come

793
00:49:05,840 --> 00:49:09,680
Speaker 1: out there. What you're doing? Check band. I'm sorry, I'm interrupting.

794
00:49:09,920 --> 00:49:13,640
Speaker 1: I'm scheming. I got my first contract itself. This is

795
00:49:13,760 --> 00:49:16,640
Speaker 1: classic moment. No, we got the classic. E. P and

796
00:49:16,719 --> 00:49:19,880
Speaker 1: D y'are my favorite artist in sparfit Listen. I've been

797
00:49:19,920 --> 00:49:24,000
Speaker 1: backing with yall since nineteen ninety. Listen. I've been Let's basically,

798
00:49:24,040 --> 00:49:28,839
Speaker 1: let's been locked up together. My next favorite group, B's

799
00:49:28,880 --> 00:49:31,719
Speaker 1: Capona Noriega. I'll never followed nobody else after that. I

800
00:49:31,800 --> 00:49:33,640
Speaker 1: was just stuck there. So this is a real classic

801
00:49:33,760 --> 00:49:35,520
Speaker 1: moment for me. You got a contract, ye, I got

802
00:49:35,600 --> 00:49:41,200
Speaker 1: my contract. Damn, I got it. I got it. I

803
00:49:42,160 --> 00:49:47,920
Speaker 1: learned about the side, got me and Mike's gonna make

804
00:49:48,000 --> 00:49:57,680
Speaker 1: a movie the next time. I'm here to Tuesday. Okay,

805
00:49:57,719 --> 00:50:04,680
Speaker 1: I'm guys coming to you. Yeah, what do you want

806
00:50:04,719 --> 00:50:10,640
Speaker 1: to know? What's got our party? That's why are you

807
00:50:10,680 --> 00:50:18,520
Speaker 1: hanging out? Hanging out? Yeah, yeah, we're gonna get him tomorrow.

808
00:50:18,640 --> 00:50:21,239
Speaker 1: Matter of fact, I'm bringing home. I'm bringing dr TC

809
00:50:22,800 --> 00:50:25,839
Speaker 1: for you. I'm hating you. I they call me okay

810
00:50:27,280 --> 00:50:32,160
Speaker 1: making make it connect? So what what? What? What is

811
00:50:32,239 --> 00:50:37,719
Speaker 1: your favorite? APM B back you got the chill? You

812
00:50:37,800 --> 00:50:42,279
Speaker 1: got's the check? Yeah? Yeah, favorite? Yeah yeah, And that's

813
00:50:42,320 --> 00:50:44,200
Speaker 1: a big song because a lot of people thought we

814
00:50:44,239 --> 00:50:45,719
Speaker 1: were on the West coast because of that, that West

815
00:50:45,760 --> 00:50:48,960
Speaker 1: Coast Phil but they thought apps from West coast period.

816
00:50:49,040 --> 00:50:51,640
Speaker 1: All the sounds weak because why anybody was doing Jane Brown.

817
00:50:51,680 --> 00:50:55,000
Speaker 1: We were saying record like like l A was doing,

818
00:50:55,480 --> 00:50:57,120
Speaker 1: like there was a gang banging too. Like we do

819
00:50:57,200 --> 00:50:58,799
Speaker 1: a show in l A. We'll be the every two

820
00:50:58,800 --> 00:51:00,840
Speaker 1: weeks and we at this get your ringing. They'd be

821
00:51:00,920 --> 00:51:05,520
Speaker 1: helicopters and the time your customer hit boo fight start yo.

822
00:51:05,560 --> 00:51:07,400
Speaker 1: Our shows used to be so wild in l A

823
00:51:07,480 --> 00:51:09,360
Speaker 1: and Texas that they we used to have to do

824
00:51:09,480 --> 00:51:11,640
Speaker 1: you guys to chill about four or five times tonight,

825
00:51:11,920 --> 00:51:18,000
Speaker 1: right because the gunshots matter of fact is they're like, yeah,

826
00:51:18,440 --> 00:51:21,239
Speaker 1: start that all was, Yeah, they'd be so close to

827
00:51:21,320 --> 00:51:26,880
Speaker 1: the state. The big payback then about the big payback? Yo,

828
00:51:26,960 --> 00:51:30,200
Speaker 1: we shot that in uh West Coast. We just basically

829
00:51:30,280 --> 00:51:32,640
Speaker 1: wanted to do something different, so we reached Agett out

830
00:51:32,680 --> 00:51:35,600
Speaker 1: to Easy Easy. He hooked it up where Dr dre

831
00:51:35,760 --> 00:51:38,480
Speaker 1: icequ them could come out show with some love and

832
00:51:38,600 --> 00:51:44,120
Speaker 1: we just wanted to show the camaraderie with the I

833
00:51:44,200 --> 00:51:47,279
Speaker 1: feel like, I feel like you should explain that more

834
00:51:47,760 --> 00:51:50,520
Speaker 1: because a lot of us, a lot of a lot

835
00:51:50,560 --> 00:51:53,319
Speaker 1: of the young people, they just see uh straight out

836
00:51:53,320 --> 00:51:56,400
Speaker 1: of Compton yea, and they actually think easy he's a

837
00:51:56,480 --> 00:52:04,319
Speaker 1: dog skinned person, right. I mean it wasn't Darsky life,

838
00:52:04,360 --> 00:52:07,279
Speaker 1: but but in the movie. But let's pick up that

839
00:52:07,400 --> 00:52:10,480
Speaker 1: actor because that actor killed it so much that I

840
00:52:10,560 --> 00:52:18,320
Speaker 1: thought he was like So I want you to describe that, like,

841
00:52:18,480 --> 00:52:20,680
Speaker 1: you know, just you know, the West Coast connection, because

842
00:52:20,719 --> 00:52:22,640
Speaker 1: a lot of people, you know what they think, they

843
00:52:22,760 --> 00:52:26,200
Speaker 1: think that the East Coast West Coast beef was real

844
00:52:26,360 --> 00:52:29,600
Speaker 1: when in the all actuality that that means some of

845
00:52:29,680 --> 00:52:32,640
Speaker 1: our number one markets, as New York Loves us. Yeah,

846
00:52:33,200 --> 00:52:34,600
Speaker 1: what did you so you know what I mean how

847
00:52:34,719 --> 00:52:36,439
Speaker 1: big he was in California. You just what I'm saying,

848
00:52:36,480 --> 00:52:39,160
Speaker 1: Like l A l A after l A l A.

849
00:52:40,160 --> 00:52:43,520
Speaker 1: Our records was going number one in l A. But

850
00:52:43,920 --> 00:52:46,600
Speaker 1: we was shocked because they're like, yeah, because it was

851
00:52:46,640 --> 00:52:51,520
Speaker 1: already a problem. But we're not not with the actual

852
00:52:52,400 --> 00:52:57,560
Speaker 1: people them, but with us. You know, Eric Wright working

853
00:52:57,640 --> 00:52:59,759
Speaker 1: with n W. Way, he was kind of doing the

854
00:52:59,840 --> 00:53:02,120
Speaker 1: same anything we were doing on the East coast. So

855
00:53:02,600 --> 00:53:04,600
Speaker 1: there was Michelle A, there was the d O C.

856
00:53:05,080 --> 00:53:07,600
Speaker 1: They were signed to Atlantic Records. I had K Solo

857
00:53:07,680 --> 00:53:11,480
Speaker 1: on Atlantic Records and through there. The communication was there

858
00:53:11,600 --> 00:53:13,520
Speaker 1: once we came through on the second album, like hey,

859
00:53:13,600 --> 00:53:16,040
Speaker 1: we want to do something different, the big payback. We

860
00:53:16,120 --> 00:53:18,440
Speaker 1: got respect for y'all, You've got respect for us. And

861
00:53:18,520 --> 00:53:20,719
Speaker 1: they showed up and they came to the Beverly Hill

862
00:53:20,800 --> 00:53:27,719
Speaker 1: gun Range with their own weapons. The girls. He was

863
00:53:27,920 --> 00:53:31,239
Speaker 1: really out there was mad ship. You see that, you

864
00:53:31,440 --> 00:53:37,440
Speaker 1: take apart, serious about serious about range was shot like yo,

865
00:53:37,520 --> 00:53:39,720
Speaker 1: they didn't even yet, they didn't even need their weapons

866
00:53:39,960 --> 00:53:42,560
Speaker 1: need yep. So now you just said you just said

867
00:53:42,600 --> 00:53:45,720
Speaker 1: case solo, right, Yeah, the case solo was your artists

868
00:53:46,200 --> 00:53:49,359
Speaker 1: and then red Man was your arts and at one

869
00:53:49,440 --> 00:53:52,640
Speaker 1: point we thought that they were the same person, like

870
00:53:55,760 --> 00:53:57,759
Speaker 1: like Humpy Hump. At one point we thought they was

871
00:53:57,800 --> 00:54:00,560
Speaker 1: the same person. And then it was out like they

872
00:54:00,680 --> 00:54:05,719
Speaker 1: had problems because they both had afros wild Yeah, uh no,

873
00:54:06,640 --> 00:54:10,920
Speaker 1: I'm correct, But did they ever have problems? We have

874
00:54:11,000 --> 00:54:13,960
Speaker 1: problems later on, but he would guest squad and he

875
00:54:14,080 --> 00:54:16,160
Speaker 1: was hit squad. Yeah yeah, but I had to do

876
00:54:16,239 --> 00:54:19,840
Speaker 1: with it that. That was just so talking at one time. Okay,

877
00:54:19,960 --> 00:54:22,080
Speaker 1: you know, not to give him prop still, but again

878
00:54:22,160 --> 00:54:24,440
Speaker 1: he was just like talking. But I mean again, everything

879
00:54:24,640 --> 00:54:27,840
Speaker 1: is done now. But there wasn't no between the crews.

880
00:54:27,880 --> 00:54:32,160
Speaker 1: It was just him, him and him talking about what

881
00:54:32,800 --> 00:54:35,880
Speaker 1: did he Oh he said something about y'all. Yeah, about

882
00:54:36,960 --> 00:54:40,239
Speaker 1: this about Reggie and me and death at one point,

883
00:54:40,520 --> 00:54:44,040
Speaker 1: yeah he did. Yeah, okay, so yeah he signs over

884
00:54:44,080 --> 00:54:51,600
Speaker 1: there yea, what the death Roma and its producer Sam

885
00:54:51,680 --> 00:54:55,160
Speaker 1: Snead That was someone's producer too, along with Paris that

886
00:54:55,200 --> 00:54:59,359
Speaker 1: went to death Row too. So now Keith Burby's also y'all.

887
00:54:59,480 --> 00:55:01,719
Speaker 1: This more y'all was together. He was signed to me.

888
00:55:03,120 --> 00:55:06,040
Speaker 1: So how did you Let's let's describe that. When did

889
00:55:06,080 --> 00:55:08,520
Speaker 1: you first meet Keith Murray. Murray his name was Keepy

890
00:55:08,600 --> 00:55:15,920
Speaker 1: Keith right, and I saw a tape of him battling

891
00:55:16,120 --> 00:55:19,840
Speaker 1: Big Daddy Kane at a dined up for Kane's birthday.

892
00:55:20,200 --> 00:55:25,240
Speaker 1: Wait a minute, Wait a minute, right, he said a tape.

893
00:55:25,480 --> 00:55:30,120
Speaker 1: You didn't say, you big Yes, yes, okay, I have it.

894
00:55:30,600 --> 00:55:34,520
Speaker 1: You have it I haven't on DVD. Keith Murray battle

895
00:55:34,600 --> 00:55:39,759
Speaker 1: Kaney Kane and a diner. Yes, what year was this?

896
00:55:39,920 --> 00:55:42,040
Speaker 1: He said? He and he said, he said you have

897
00:55:42,120 --> 00:55:45,239
Speaker 1: to take the skills A little boy who said that

898
00:55:45,320 --> 00:55:49,479
Speaker 1: to who? Kane said to the Murray? And I feel

899
00:55:49,480 --> 00:55:51,239
Speaker 1: like because I feel like keep Murray spoke with Dust

900
00:55:51,239 --> 00:55:56,840
Speaker 1: his old likes nothing that he was a kid. He

901
00:55:56,960 --> 00:56:00,560
Speaker 1: was like fifteen years old. Battle Cane. Now what Kane

902
00:56:00,640 --> 00:56:05,000
Speaker 1: is this? It's first Kane, brand new, It's the hot

903
00:56:05,120 --> 00:56:11,920
Speaker 1: Kane right, the game Kane Kane was his birthday, this

904
00:56:12,080 --> 00:56:15,320
Speaker 1: is since he born. Was Kane's family too. That was

905
00:56:15,360 --> 00:56:18,759
Speaker 1: also Keith Murray's uncle, so they was in Brooklyn. They

906
00:56:18,840 --> 00:56:21,080
Speaker 1: was family. It happened to be going to Dinah for

907
00:56:21,200 --> 00:56:24,160
Speaker 1: Kane's birthday. After after after a show that happened in Manhattan,

908
00:56:24,680 --> 00:56:27,040
Speaker 1: and Murray happened to be with with his was his uncle.

909
00:56:27,520 --> 00:56:30,680
Speaker 1: And then he said keeping on the rap, So Keith

910
00:56:30,960 --> 00:56:35,799
Speaker 1: not scared when that came kind of and then Kane

911
00:56:35,880 --> 00:56:43,440
Speaker 1: just you know, got loose because no, no he didn't.

912
00:56:43,680 --> 00:56:46,000
Speaker 1: But it wasn't even like like that though. He just said, like,

913
00:56:47,160 --> 00:56:48,800
Speaker 1: you know, came looked at him like he was you know,

914
00:56:50,360 --> 00:56:54,320
Speaker 1: you know that's that's cute. So now I asked him earlier.

915
00:56:55,160 --> 00:56:58,239
Speaker 1: Now I gotta ask you, what are you listening to? Now?

916
00:56:58,960 --> 00:57:02,120
Speaker 1: Oh man, I'm listening to a little bit of everything.

917
00:57:02,719 --> 00:57:04,960
Speaker 1: You know, I stick to the to our generation, the

918
00:57:05,040 --> 00:57:08,360
Speaker 1: legends and stuff like that. You know, it's definitely what

919
00:57:08,520 --> 00:57:10,560
Speaker 1: is the panther and animal that kills? I'm like the

920
00:57:10,600 --> 00:57:14,400
Speaker 1: show for blood coming out the guilts. Yo. We was

921
00:57:14,520 --> 00:57:18,160
Speaker 1: Sucking Gold Create a Go, Yeah, I can remember that.

922
00:57:18,360 --> 00:57:20,280
Speaker 1: Was that the cassette tape? Right? Was that? What album

923
00:57:20,360 --> 00:57:25,400
Speaker 1: is that? That was eighties six eight seven No. Eighty six? Yeah, yeah,

924
00:57:25,520 --> 00:57:28,160
Speaker 1: before this is my thing a customer Gold co Creative

925
00:57:28,760 --> 00:57:31,680
Speaker 1: like we used to study that. We studied that, you understand,

926
00:57:31,720 --> 00:57:34,120
Speaker 1: remember we said it eighth grade. We was driving to

927
00:57:34,200 --> 00:57:37,200
Speaker 1: the Lancey Street to pick up Sucking Season. It's like

928
00:57:37,360 --> 00:57:39,160
Speaker 1: that because I used to d Jack and I gotta

929
00:57:39,160 --> 00:57:41,920
Speaker 1: get back to y'all making a car too, because that

930
00:57:42,280 --> 00:57:44,760
Speaker 1: was crazy. Y'all made a car, build the car, still

931
00:57:44,800 --> 00:57:53,360
Speaker 1: got the cars listened to my dad really cover Definitely

932
00:57:53,640 --> 00:57:57,320
Speaker 1: Yeah that that's great. So so you do you do you?

933
00:57:57,920 --> 00:58:00,800
Speaker 1: Is there anybody from the new generation you actually do

934
00:58:01,040 --> 00:58:08,440
Speaker 1: funk with? Might be bad? Drew Kendrew's album Yeah, like Yo,

935
00:58:08,560 --> 00:58:13,000
Speaker 1: sit Down, Humble, sit down, a young cat like that

936
00:58:13,200 --> 00:58:16,080
Speaker 1: already that advanced to do a single like that, sit

937
00:58:16,160 --> 00:58:18,960
Speaker 1: down and you know what the crazy shi it is.

938
00:58:19,760 --> 00:58:22,480
Speaker 1: It's musical though the album like you know, you know,

939
00:58:22,640 --> 00:58:24,880
Speaker 1: you know, you know. The thing about Dre is like

940
00:58:25,000 --> 00:58:28,680
Speaker 1: if you listen to the content album, uh, it might

941
00:58:28,760 --> 00:58:31,800
Speaker 1: not be as lyrically impactful, but if you listen to

942
00:58:31,920 --> 00:58:36,160
Speaker 1: it a music at that point, it's still phenomenal. It's

943
00:58:36,280 --> 00:58:40,480
Speaker 1: that sonically you're saying, definitely here for two of you, right,

944
00:58:40,520 --> 00:58:43,360
Speaker 1: because if you're trying to hear the chronic, you're you're not, No,

945
00:58:43,480 --> 00:58:46,600
Speaker 1: it's not the chronic. It ain't that Like the sounding

946
00:58:46,640 --> 00:58:49,800
Speaker 1: of the music sounds on it like that. That's why

947
00:58:49,840 --> 00:58:52,960
Speaker 1: everybody that was there, because I feel like producers make

948
00:58:53,000 --> 00:58:57,800
Speaker 1: better music than like regular artists. Like if you're a producer, like, yeah,

949
00:58:57,880 --> 00:59:00,560
Speaker 1: definitely because the track comes first and back in the

950
00:59:00,640 --> 00:59:02,720
Speaker 1: track to let me start running. And that's how we

951
00:59:02,880 --> 00:59:05,240
Speaker 1: did most of our music because it beat that we

952
00:59:05,360 --> 00:59:09,400
Speaker 1: picked for y'all. Like because right now we have Capona,

953
00:59:09,480 --> 00:59:14,680
Speaker 1: Noriega Mob, Deep Um m O P Salt and pepper

954
00:59:16,040 --> 00:59:21,920
Speaker 1: Um Black Star hopefully hopefully put us earlier because I

955
00:59:22,000 --> 00:59:25,360
Speaker 1: feeling good. No duels is coming coming in front of

956
00:59:25,400 --> 00:59:30,400
Speaker 1: me right now. Nation you're casting me that, my sister,

957
00:59:30,640 --> 00:59:32,280
Speaker 1: you're just gonna be but you're just gonna be in

958
00:59:32,440 --> 00:59:38,040
Speaker 1: in a category with pepperm that we're only working with

959
00:59:38,240 --> 00:59:44,160
Speaker 1: groups on the groups, only groups big businesses. But I'm

960
00:59:44,200 --> 00:59:46,280
Speaker 1: also hating because I felt like I should have coming

961
00:59:46,320 --> 00:59:50,320
Speaker 1: with that. That's why I want to say have no

962
00:59:50,400 --> 00:59:54,880
Speaker 1: one now. I said old Ship because because like the crib,

963
00:59:54,960 --> 00:59:58,320
Speaker 1: we're sitting there, like I wanted to make sure saying

964
00:59:58,400 --> 01:00:02,240
Speaker 1: no stupid dra it's like right down, you know, so

965
01:00:02,800 --> 01:00:05,760
Speaker 1: we're just doing that, you know what doing But so

966
01:00:06,040 --> 01:00:08,160
Speaker 1: you know, nor we can't leave out a a boogie

967
01:00:08,320 --> 01:00:14,360
Speaker 1: and Davies. But I also like that for zombies too.

968
01:00:14,400 --> 01:00:17,640
Speaker 1: That's another you know, I've changed a lot of great

969
01:00:17,680 --> 01:00:19,440
Speaker 1: things about Flat for zob I haven't been able to

970
01:00:19,480 --> 01:00:21,720
Speaker 1: get into the stiff. Yeah, I haven't had time, but

971
01:00:21,840 --> 01:00:26,360
Speaker 1: I have been on a book. To dude from um

972
01:00:26,440 --> 01:00:32,880
Speaker 1: South Carolina was Nick Nick Nick, He's dangerous. I just

973
01:00:32,960 --> 01:00:35,320
Speaker 1: met him at Charlotte Made they got balled, he got,

974
01:00:35,640 --> 01:00:37,479
Speaker 1: they got And I told him that, you know, because

975
01:00:37,520 --> 01:00:40,960
Speaker 1: that's where we come from. We come from Zerk's first generation.

976
01:00:41,080 --> 01:00:44,480
Speaker 1: Spreading it to k O. King Glows, Yes, you know

977
01:00:44,640 --> 01:00:47,640
Speaker 1: he is, he's really dangers. King Glos is ill. He's ill.

978
01:00:48,040 --> 01:00:50,440
Speaker 1: He's ill. I like King close too as well. Um,

979
01:00:50,960 --> 01:00:52,800
Speaker 1: I feel like he gott to drop something. He does.

980
01:00:53,240 --> 01:00:55,240
Speaker 1: He gotta drop something like can you already gave him

981
01:00:55,240 --> 01:00:56,400
Speaker 1: the props? You know what I'm saying, Like, you know,

982
01:00:56,480 --> 01:00:58,440
Speaker 1: like yo, you know they missed his name, you know,

983
01:00:58,560 --> 01:01:01,640
Speaker 1: like yo. But again, it's not to find something to work.

984
01:01:02,440 --> 01:01:07,280
Speaker 1: Anybody just afraid. What's good? Man? Man? You know these days, man,

985
01:01:07,320 --> 01:01:09,920
Speaker 1: stamps dot Com is making a trip very short for you.

986
01:01:10,160 --> 01:01:12,200
Speaker 1: That's right. But these days you can get practically everything

987
01:01:12,280 --> 01:01:14,680
Speaker 1: on demand, that's right, man, So who who's still going

988
01:01:14,720 --> 01:01:16,680
Speaker 1: to the post office When you get it on demand?

989
01:01:16,720 --> 01:01:18,320
Speaker 1: It comes to your career picking up and all that.

990
01:01:18,440 --> 01:01:21,200
Speaker 1: Stamps dot Com, that's it. That's all they need. That's right.

991
01:01:21,240 --> 01:01:23,480
Speaker 1: Anything you can do at the post office you can

992
01:01:23,600 --> 01:01:25,960
Speaker 1: now do right from your desk with Stamps dot Com.

993
01:01:26,040 --> 01:01:28,720
Speaker 1: Stamps dot Com by in print official US postage for

994
01:01:28,920 --> 01:01:31,560
Speaker 1: any letter or package using your own computer and printer.

995
01:01:31,920 --> 01:01:34,880
Speaker 1: And unlike the post office, stamps dot Com never closes,

996
01:01:35,120 --> 01:01:38,200
Speaker 1: so you can get posted whenever you need it. Seven see.

997
01:01:38,240 --> 01:01:41,040
Speaker 1: I use stamps dot com to deliver you know, expensive jury,

998
01:01:41,320 --> 01:01:44,840
Speaker 1: to deliver my cats, you know, food, to deliver my dogs,

999
01:01:45,200 --> 01:01:47,400
Speaker 1: toe nails. I would do things like that with stamps

1000
01:01:47,440 --> 01:01:49,280
Speaker 1: dot Com. Yeah, man, you know, I just don't want

1001
01:01:49,280 --> 01:01:50,800
Speaker 1: to deal with the lines at the post office. I

1002
01:01:50,840 --> 01:01:52,520
Speaker 1: love the post office, but man, if I could just

1003
01:01:52,640 --> 01:01:54,360
Speaker 1: use stamps dot com, it's gonna save me a lot

1004
01:01:54,440 --> 01:01:56,360
Speaker 1: of time, a lot of headache, and just a lot

1005
01:01:56,440 --> 01:01:57,680
Speaker 1: of just a lot of time I could be doing

1006
01:01:57,720 --> 01:01:59,840
Speaker 1: other things, you know, So right now, use our name

1007
01:01:59,880 --> 01:02:03,400
Speaker 1: for this special offer. That's Champs C H A M

1008
01:02:03,520 --> 01:02:06,440
Speaker 1: p S. Tell them the IFS four week trial includes

1009
01:02:06,520 --> 01:02:09,560
Speaker 1: postage and digital scale. Don't wait. Go to stamps dot

1010
01:02:09,600 --> 01:02:12,120
Speaker 1: com before you do anything else. Click on the radio

1011
01:02:12,160 --> 01:02:14,080
Speaker 1: microphone at the top of the homepage and type in

1012
01:02:14,280 --> 01:02:18,240
Speaker 1: Champs that Stamps dot com. Enter Champs Stamps dot com.

1013
01:02:18,680 --> 01:02:20,960
Speaker 1: Never go to the post office again. That's Champs c

1014
01:02:21,640 --> 01:02:25,960
Speaker 1: A MPs. Free chance, baby, let's do. That's why I

1015
01:02:26,080 --> 01:02:29,200
Speaker 1: was doing hipore. I'm never gonna I'm never gonna put

1016
01:02:29,240 --> 01:02:32,800
Speaker 1: myself in the position where I changed. Could you can

1017
01:02:32,920 --> 01:02:35,440
Speaker 1: win doing hip hop? I told you you have to

1018
01:02:35,560 --> 01:02:38,920
Speaker 1: conform to this. You don't gotta do this. People are

1019
01:02:38,960 --> 01:02:41,960
Speaker 1: looking for what you do. Exactly. Do what you're doing.

1020
01:02:42,040 --> 01:02:45,040
Speaker 1: You will win. And that's why I'll tell you something.

1021
01:02:45,200 --> 01:02:47,680
Speaker 1: That's why, Like I was laid on Kadgy album, this

1022
01:02:48,000 --> 01:02:50,800
Speaker 1: album is me too. I was late, right, so I

1023
01:02:50,920 --> 01:02:53,000
Speaker 1: kept looking at Twitter and people can I'm telling me,

1024
01:02:53,080 --> 01:02:57,720
Speaker 1: how dope it is? So like like an analyst, I

1025
01:02:57,840 --> 01:03:02,840
Speaker 1: downloaded it want to him and I just my balcony,

1026
01:03:03,280 --> 01:03:06,600
Speaker 1: my son. I was in my balcony. I was in

1027
01:03:06,680 --> 01:03:10,680
Speaker 1: my balcony and I listened to and to tell you

1028
01:03:10,760 --> 01:03:13,920
Speaker 1: the truth, you know, because I'm an artist first, you

1029
01:03:14,080 --> 01:03:17,080
Speaker 1: always kind of like listen to your music to say

1030
01:03:17,400 --> 01:03:19,800
Speaker 1: fuck you, like not not not in a bad way,

1031
01:03:20,080 --> 01:03:22,160
Speaker 1: but I listened to it and be like, I feel

1032
01:03:22,160 --> 01:03:25,240
Speaker 1: like I'm better. Leo Cohmen said, all arts and assholes.

1033
01:03:25,920 --> 01:03:30,640
Speaker 1: He's right, is right, I don't think I'm like that,

1034
01:03:30,960 --> 01:03:39,760
Speaker 1: you assholes straight now start. I wanted to hate and

1035
01:03:40,000 --> 01:03:43,160
Speaker 1: not a bone hate, no, because you know why. I

1036
01:03:43,280 --> 01:03:46,040
Speaker 1: just I just want to compare myself to every new artist.

1037
01:03:46,040 --> 01:03:47,439
Speaker 1: I want to be like, Yo, I could, I could

1038
01:03:47,440 --> 01:03:49,560
Speaker 1: beat you. But when I listened to that, but we

1039
01:03:49,680 --> 01:03:51,960
Speaker 1: feel that way, that was like, yeah, we do, you

1040
01:03:52,000 --> 01:03:55,000
Speaker 1: feel that too, But but there's nobody to go against.

1041
01:03:55,520 --> 01:03:59,600
Speaker 1: You can't compare yourself to that. No, but when I'm rhyming,

1042
01:03:59,800 --> 01:04:02,800
Speaker 1: but when I'm not preju them but the majority. Right.

1043
01:04:03,120 --> 01:04:05,400
Speaker 1: But when I heard this album, I'm not gonna lie

1044
01:04:05,480 --> 01:04:08,240
Speaker 1: to you, it made me remember how much I loved

1045
01:04:08,320 --> 01:04:10,919
Speaker 1: hip hop. It made me remember how much I loved

1046
01:04:11,000 --> 01:04:13,960
Speaker 1: you guys. It made me remember how much I loved

1047
01:04:14,200 --> 01:04:17,760
Speaker 1: anas album madn't even remember how much would be no

1048
01:04:17,960 --> 01:04:20,520
Speaker 1: time like thats album like like it kind of like

1049
01:04:20,560 --> 01:04:24,200
Speaker 1: no time like that. Nineties will never we well, it's

1050
01:04:24,240 --> 01:04:27,920
Speaker 1: sad to say we will never experience nothing like that.

1051
01:04:28,480 --> 01:04:31,760
Speaker 1: When every group had their own identity, nobody had to

1052
01:04:31,880 --> 01:04:34,600
Speaker 1: rund like nobody, everybody had their own sound and we

1053
01:04:34,800 --> 01:04:37,760
Speaker 1: all won. How do you have to do that? You know,

1054
01:04:40,000 --> 01:04:45,080
Speaker 1: don't want now It's totally the opposite. Everybody sounds the same,

1055
01:04:45,160 --> 01:04:52,800
Speaker 1: you know, the crazy big you know you got the

1056
01:04:52,840 --> 01:04:55,680
Speaker 1: other day, I looked at you looked at somebody's instagram, right,

1057
01:04:56,640 --> 01:04:59,560
Speaker 1: and the guys on the instagram, and he sounds just

1058
01:04:59,800 --> 01:05:03,000
Speaker 1: like future right. But the guy says, these other rappers

1059
01:05:03,080 --> 01:05:08,360
Speaker 1: want to copy me, like nigga, you comy here right

1060
01:05:08,520 --> 01:05:11,920
Speaker 1: right right, So I'm just like anybody else coming in.

1061
01:05:12,680 --> 01:05:15,800
Speaker 1: But that's how crazy it is that nobody checks it.

1062
01:05:15,920 --> 01:05:20,280
Speaker 1: Nobody says yo back then, like you said, biting was bad,

1063
01:05:20,760 --> 01:05:24,080
Speaker 1: like yo, Me and Capone went all out not to

1064
01:05:24,200 --> 01:05:26,920
Speaker 1: be compared to Mam d Like you don't understand, like

1065
01:05:27,240 --> 01:05:29,480
Speaker 1: when we came out and we our first record was

1066
01:05:29,680 --> 01:05:31,400
Speaker 1: l A l A and he was on the same

1067
01:05:31,480 --> 01:05:36,080
Speaker 1: record with Mam Dight, so they automatically that's the fake

1068
01:05:36,200 --> 01:05:37,840
Speaker 1: version of Mom Deep. That's what I run the mom

1069
01:05:37,960 --> 01:05:41,520
Speaker 1: Deep mom me and this nigga. We did everything in

1070
01:05:41,680 --> 01:05:45,920
Speaker 1: our nature to not be compared to them, nigga. So

1071
01:05:46,000 --> 01:05:50,080
Speaker 1: that's why we did That's why we did that. Yeah,

1072
01:05:50,440 --> 01:05:52,600
Speaker 1: we just wanted to get away from that. But the

1073
01:05:52,720 --> 01:05:56,160
Speaker 1: thing is nowadays, if they say you sound like that guy,

1074
01:05:56,520 --> 01:06:02,920
Speaker 1: it's actually things because never be you listen, no that's

1075
01:06:02,960 --> 01:06:05,960
Speaker 1: where the God tell me all the time. My sister

1076
01:06:06,040 --> 01:06:08,640
Speaker 1: called me Michael Jackson at the crib not because of that,

1077
01:06:08,840 --> 01:06:11,680
Speaker 1: because no matter what you do, young kid, you will

1078
01:06:11,720 --> 01:06:15,720
Speaker 1: never be me. That's right. This is thirty years. You

1079
01:06:15,760 --> 01:06:19,480
Speaker 1: didn't even did three yet after you finished, how can

1080
01:06:19,520 --> 01:06:22,680
Speaker 1: you eat after this? I'm still toring. How are you

1081
01:06:22,760 --> 01:06:26,920
Speaker 1: gonna eat? I'm just saying I want to realize if

1082
01:06:26,920 --> 01:06:29,240
Speaker 1: I can be there and see, how are you eating?

1083
01:06:29,280 --> 01:06:34,800
Speaker 1: Because nobody's coming to watch you in ten years, So

1084
01:06:35,080 --> 01:06:38,520
Speaker 1: how are you gonna eat? If you didn't say, then

1085
01:06:38,600 --> 01:06:41,400
Speaker 1: you want to disrespect me, I'm feel sorry for you

1086
01:06:41,760 --> 01:06:43,840
Speaker 1: because you will never be me. You will never sell

1087
01:06:43,920 --> 01:06:46,440
Speaker 1: these records, you'll never have number one albums, You'll never

1088
01:06:46,560 --> 01:06:48,800
Speaker 1: be torn, You'll never be in these arenas. To do

1089
01:06:48,960 --> 01:06:55,400
Speaker 1: Summer Jam, you need eighteen a hundred new people them

1090
01:06:55,440 --> 01:06:59,160
Speaker 1: you won't pack it. And we got if any one

1091
01:06:59,200 --> 01:07:02,360
Speaker 1: of us going to it was CNN, NAS, EPM, D,

1092
01:07:02,520 --> 01:07:05,000
Speaker 1: whatever and two more other groups, we can pack forty

1093
01:07:05,080 --> 01:07:12,840
Speaker 1: one thousand when nobody radio. Usually I can give people

1094
01:07:12,920 --> 01:07:17,600
Speaker 1: drunk to talk like talking, and you're just so long,

1095
01:07:17,640 --> 01:07:22,120
Speaker 1: you're so drunk. I'm gonna trying to get you now,

1096
01:07:22,240 --> 01:07:28,120
Speaker 1: because again, they gotta just right who you are. Don't

1097
01:07:28,200 --> 01:07:31,960
Speaker 1: let nobody take this from you. Me and Paris are humble, too,

1098
01:07:32,280 --> 01:07:36,120
Speaker 1: humble to a fault. Sometimes I'm like, let the niggas

1099
01:07:36,120 --> 01:07:38,600
Speaker 1: ain't us. Look at that they over they would never

1100
01:07:38,760 --> 01:07:42,560
Speaker 1: be us, and look at they say, Oh that's hip hop.

1101
01:07:42,960 --> 01:07:45,640
Speaker 1: That's why we was like the crossover. But that's why,

1102
01:07:45,880 --> 01:07:50,240
Speaker 1: that's why I drink camps. We won't be humble. For

1103
01:07:50,400 --> 01:07:53,000
Speaker 1: you were right, We're gonna we're gonna represent a P

1104
01:07:53,200 --> 01:07:56,200
Speaker 1: M D. Not only tonight, We're gonna represent apn D

1105
01:07:56,360 --> 01:07:59,840
Speaker 1: every f Look how you won. Nobody was expecting YouTube

1106
01:08:00,040 --> 01:08:03,640
Speaker 1: in they can't win with this. They know people on there,

1107
01:08:04,160 --> 01:08:06,240
Speaker 1: we're watching these old you can talk about no nothing,

1108
01:08:06,320 --> 01:08:08,960
Speaker 1: none of that. You know what I love about this show,

1109
01:08:09,080 --> 01:08:10,640
Speaker 1: Like a lot of times we listened to it while

1110
01:08:10,640 --> 01:08:13,520
Speaker 1: we're traveling and you get to hear the stories that

1111
01:08:13,640 --> 01:08:18,000
Speaker 1: you didn't know exact know about Black Time. Keep mry.

1112
01:08:18,640 --> 01:08:23,040
Speaker 1: I'm Rickith like like kiss, we're saying, when was I

1113
01:08:23,360 --> 01:08:30,280
Speaker 1: don't know about it? Any little brothers? For ye remember

1114
01:08:30,360 --> 01:08:34,960
Speaker 1: in Philly, Snoop said understood, like, yoh, shoot, we saw

1115
01:08:35,000 --> 01:08:37,280
Speaker 1: a P and D B one. We're like oh, should

1116
01:08:37,280 --> 01:08:38,920
Speaker 1: we made it now? I mean we're on the video,

1117
01:08:39,080 --> 01:08:42,439
Speaker 1: the P and D. Like the stories that people give

1118
01:08:42,560 --> 01:08:45,360
Speaker 1: y'all from on this show, like the ship that we learned.

1119
01:08:45,439 --> 01:08:50,080
Speaker 1: I know something, you can bet what comes out when

1120
01:08:50,120 --> 01:08:52,960
Speaker 1: that's what you know what it is. We gotta give

1121
01:08:53,000 --> 01:08:56,000
Speaker 1: our artists they flowers when they can smell them, give

1122
01:08:56,040 --> 01:08:59,400
Speaker 1: them their trees when they lory. Stop right now, please stop. Yeah.

1123
01:09:00,000 --> 01:09:02,760
Speaker 1: Stranger in Detroit came to my room and told me

1124
01:09:02,880 --> 01:09:08,160
Speaker 1: the same ship. Do not let nobody, don't compone, let

1125
01:09:08,240 --> 01:09:13,000
Speaker 1: them represent you and congratulate you. Why you living? That's right.

1126
01:09:13,120 --> 01:09:16,720
Speaker 1: Don't let nobody give you pops when you're dead you

1127
01:09:16,800 --> 01:09:20,599
Speaker 1: supposed to get. And that's and that's the thing. That's

1128
01:09:20,640 --> 01:09:23,840
Speaker 1: the thing is, I'm glad you don't seen I've seen.

1129
01:09:24,080 --> 01:09:27,439
Speaker 1: I seen our culture suffers from that. I've seen that

1130
01:09:27,640 --> 01:09:29,360
Speaker 1: every other culture. Like I said, I went to this

1131
01:09:29,400 --> 01:09:33,200
Speaker 1: account office and the accounts you know all you know

1132
01:09:33,479 --> 01:09:36,519
Speaker 1: older rock bands. I was the only black guy there,

1133
01:09:37,160 --> 01:09:41,280
Speaker 1: but they they was collecting checks and they was doing that,

1134
01:09:41,400 --> 01:09:44,200
Speaker 1: and I'm like damn, and I'm like, yo, why why

1135
01:09:44,280 --> 01:09:47,240
Speaker 1: we don't do that? In like why we like it

1136
01:09:47,360 --> 01:09:49,840
Speaker 1: doesn't cost me nothing to tell you. I let you

1137
01:09:49,960 --> 01:09:53,599
Speaker 1: know right, no doubt. It don't cost me nothing, don't

1138
01:09:53,600 --> 01:09:55,840
Speaker 1: cost me nothing to say. Every time I see Eric

1139
01:09:55,880 --> 01:09:58,519
Speaker 1: Sherman to me and him to be like like, you

1140
01:09:58,560 --> 01:10:01,519
Speaker 1: know we are playing around here, and but you know

1141
01:10:01,680 --> 01:10:06,200
Speaker 1: he shows me respect, I respect. Why why don't we

1142
01:10:06,320 --> 01:10:08,599
Speaker 1: do that in public? I don't know. I'm not saying us.

1143
01:10:08,760 --> 01:10:12,439
Speaker 1: I'm saying generally, but most people won't. They don't want

1144
01:10:12,479 --> 01:10:14,920
Speaker 1: to do that. I don't want to say that. If

1145
01:10:15,000 --> 01:10:18,439
Speaker 1: I grew up listening to you and if you made

1146
01:10:18,880 --> 01:10:21,800
Speaker 1: what component Noriega is, I can't tell you that to you,

1147
01:10:22,080 --> 01:10:24,840
Speaker 1: no question, and I gotta say, that's why we did

1148
01:10:24,960 --> 01:10:28,519
Speaker 1: this component Noriega. We tried to be epm so I

1149
01:10:28,600 --> 01:10:31,479
Speaker 1: talked about to his face. I'm like, yo, and I'm like,

1150
01:10:31,640 --> 01:10:34,160
Speaker 1: as a man, I tell run can see today face.

1151
01:10:34,439 --> 01:10:37,120
Speaker 1: I let them people know today faces. I don't care

1152
01:10:37,200 --> 01:10:39,640
Speaker 1: who it is. If you influence me, I'm giving this

1153
01:10:39,760 --> 01:10:42,439
Speaker 1: to you. But people be like, yo, I know what

1154
01:10:42,600 --> 01:10:45,240
Speaker 1: I'm saying, but that but that's only us. I'm not

1155
01:10:45,400 --> 01:10:48,639
Speaker 1: sweating him. I'm not joking that. I think that's awesome.

1156
01:10:51,160 --> 01:10:54,000
Speaker 1: The thing about it is me and Compon be the

1157
01:10:54,080 --> 01:10:56,479
Speaker 1: fakest people in the world. If we ain't say we

1158
01:10:56,680 --> 01:10:59,080
Speaker 1: was influenced by you, right, if we I me and

1159
01:10:59,320 --> 01:11:02,479
Speaker 1: would be the corniest dudes in the world. We say, Yo,

1160
01:11:03,160 --> 01:11:05,880
Speaker 1: you know he was trying to be epm like we were.

1161
01:11:06,720 --> 01:11:09,599
Speaker 1: But that doesn't make us bad bad because we were

1162
01:11:09,680 --> 01:11:13,040
Speaker 1: following R D MC. I mean we eight for y'all.

1163
01:11:13,160 --> 01:11:17,760
Speaker 1: It's rock boxing MCS for us, and we relately eight three.

1164
01:11:17,840 --> 01:11:20,880
Speaker 1: It's a little sun of be minds for the rock

1165
01:11:21,080 --> 01:11:25,479
Speaker 1: another shot. But wasn't that saying about today's come on?

1166
01:11:25,520 --> 01:11:28,200
Speaker 1: Obviously there wasn't the leaders for them. Yo. I noticed

1167
01:11:28,240 --> 01:11:32,280
Speaker 1: my glass is the biggest in there. I watch, I watched,

1168
01:11:32,479 --> 01:11:34,439
Speaker 1: we say that too. We're going back to it too.

1169
01:11:34,960 --> 01:11:37,080
Speaker 1: If we would have said something when they got that far,

1170
01:11:37,240 --> 01:11:39,840
Speaker 1: we didn't say anything because we left stuff to get

1171
01:11:39,840 --> 01:11:41,880
Speaker 1: out of hand and it got like this. So I

1172
01:11:41,880 --> 01:11:44,479
Speaker 1: would say that our generation dropped the ball, strop the ball.

1173
01:11:44,640 --> 01:11:48,240
Speaker 1: But we're starting to work. It was parented, even the

1174
01:11:48,360 --> 01:11:51,160
Speaker 1: parenting that like us as not us as parents, but

1175
01:11:51,360 --> 01:11:55,120
Speaker 1: the parents too. Our parents was the last parents that

1176
01:11:55,320 --> 01:11:58,519
Speaker 1: parented children too. And I don't like to switch the

1177
01:11:58,920 --> 01:12:00,559
Speaker 1: Do you know what somebody tell me the other day,

1178
01:12:00,920 --> 01:12:04,640
Speaker 1: it's that um and I agree with them. But they

1179
01:12:04,720 --> 01:12:07,200
Speaker 1: said to me, you said you don't like this new

1180
01:12:07,360 --> 01:12:10,439
Speaker 1: generation of hip hop. I think it's okay. They said,

1181
01:12:10,479 --> 01:12:14,360
Speaker 1: what is your fault? Yeah, and they said, because you

1182
01:12:14,400 --> 01:12:18,320
Speaker 1: didn't say nothing right. And I said, it's a similar

1183
01:12:18,360 --> 01:12:20,840
Speaker 1: to what my song said earlier. And I said, what

1184
01:12:21,040 --> 01:12:22,960
Speaker 1: they said, you didn't. You didn't say nothing like when

1185
01:12:23,000 --> 01:12:26,840
Speaker 1: you knew it was bullshit happening. You never said nothing right.

1186
01:12:27,560 --> 01:12:29,880
Speaker 1: You just sat nobody said, and that's what we do,

1187
01:12:31,360 --> 01:12:34,360
Speaker 1: what it to ourselves. And then by time we did

1188
01:12:34,479 --> 01:12:39,280
Speaker 1: really because because you know what a mile out we

1189
01:12:39,439 --> 01:12:41,880
Speaker 1: actually it was actually about lyrics when we just came out,

1190
01:12:42,000 --> 01:12:44,839
Speaker 1: I was actually about beats. Right now, it's about melody.

1191
01:12:45,400 --> 01:12:49,519
Speaker 1: If you have a great melody, they can do you.

1192
01:12:50,600 --> 01:12:54,320
Speaker 1: But if you have a great melody, I sing along melody. Everybody,

1193
01:12:55,920 --> 01:12:57,719
Speaker 1: don't forget our error. We had to go to power

1194
01:12:57,760 --> 01:13:02,599
Speaker 1: Play studio. We had a Queen's gone on the power point.

1195
01:13:02,960 --> 01:13:07,519
Speaker 1: I tried. I was there for us the power point.

1196
01:13:07,560 --> 01:13:09,839
Speaker 1: We our sounds. What you say It came with the play.

1197
01:13:10,720 --> 01:13:13,120
Speaker 1: We used the caress when you stop for sleeping bag Yo,

1198
01:13:13,160 --> 01:13:18,040
Speaker 1: paul Us out them over Koreo. The little came. The

1199
01:13:18,080 --> 01:13:22,000
Speaker 1: Internet was the name, I was dead. You don't have

1200
01:13:22,040 --> 01:13:26,160
Speaker 1: to wait and Paul pulling do y'all me pulling before y'all,

1201
01:13:26,400 --> 01:13:34,000
Speaker 1: I don't know. I was so broken, was so wrong,

1202
01:13:35,240 --> 01:13:37,280
Speaker 1: Like when the Niggers told me to come, I was like,

1203
01:13:37,479 --> 01:13:40,120
Speaker 1: I didn't know how to get there. But I just like, yo,

1204
01:13:40,200 --> 01:13:42,720
Speaker 1: I'm getting there. But I was broken. But me and

1205
01:13:42,800 --> 01:13:45,879
Speaker 1: Prods got signed for fifty hundred hours our first contract.

1206
01:13:46,520 --> 01:13:55,360
Speaker 1: Yeah you need us using came with loading hours. Okay,

1207
01:13:55,439 --> 01:13:59,400
Speaker 1: hold on, keep keep picking up this, mam, bes mam

1208
01:13:59,479 --> 01:14:04,160
Speaker 1: forever you We need you on drink doing it right now,

1209
01:14:05,120 --> 01:14:06,960
Speaker 1: Like you know what the crazy thing is a lot

1210
01:14:07,000 --> 01:14:11,560
Speaker 1: of people don't know that that's what I get my

1211
01:14:11,720 --> 01:14:15,800
Speaker 1: humor from. My humor comes from Bismobu. Mark was the

1212
01:14:15,880 --> 01:14:18,840
Speaker 1: first person that made me listen to a record and

1213
01:14:18,920 --> 01:14:21,320
Speaker 1: then laugh when he said I'm gonna put you know,

1214
01:14:21,680 --> 01:14:23,640
Speaker 1: pick a book and put it on the basketball and

1215
01:14:23,760 --> 01:14:27,439
Speaker 1: passed like damn. Because I visualized that. I was like, yeah,

1216
01:14:27,479 --> 01:14:34,000
Speaker 1: that's a family. And so a lot of people asked

1217
01:14:34,040 --> 01:14:36,559
Speaker 1: me and I say, my humor comes from bis mom.

1218
01:14:37,200 --> 01:14:40,280
Speaker 1: But again these people don't know who bis Macky is,

1219
01:14:41,160 --> 01:14:43,599
Speaker 1: so they stand back it. But the kids know from

1220
01:14:43,680 --> 01:14:49,040
Speaker 1: your guys now little kids. Yeah, yeah, but that's where

1221
01:14:49,120 --> 01:14:51,720
Speaker 1: it came from. That was like the first like comedic

1222
01:14:52,560 --> 01:14:58,519
Speaker 1: rapper and since then it hasn't been one. Right now,

1223
01:14:58,640 --> 01:15:01,360
Speaker 1: I'm taking over that but a ship, but I'm taking

1224
01:15:01,400 --> 01:15:04,599
Speaker 1: over it from a media standpoint. And at the end

1225
01:15:04,640 --> 01:15:08,200
Speaker 1: of the day, I can never forget my forefathers, Like

1226
01:15:08,520 --> 01:15:11,000
Speaker 1: he's gonna be gonna be gonna He had never heard that,

1227
01:15:11,880 --> 01:15:15,160
Speaker 1: but never to this day, this mark is still the

1228
01:15:15,200 --> 01:15:18,200
Speaker 1: same way he wasn't with the grand and you know,

1229
01:15:18,360 --> 01:15:23,280
Speaker 1: on the same page. You know, you had a big shots.

1230
01:15:23,320 --> 01:15:25,880
Speaker 1: You look, I've been following a long gun. To listen,

1231
01:15:25,920 --> 01:15:31,120
Speaker 1: I'm listening. I'm gonna tell you nigga song Um, I

1232
01:15:31,240 --> 01:15:35,160
Speaker 1: heard this nigga say, I knew a girl named Kenya

1233
01:15:35,400 --> 01:15:38,200
Speaker 1: from West Virginia. Oh bo, I would I like to

1234
01:15:38,280 --> 01:15:42,040
Speaker 1: stick something in you? I was a rapper from that moment.

1235
01:15:43,120 --> 01:15:49,320
Speaker 1: I did not understand from you. You made me grant mad.

1236
01:15:49,400 --> 01:15:52,360
Speaker 1: And I'm gonna be honest with Wow. When I heard that,

1237
01:15:54,080 --> 01:15:56,439
Speaker 1: he knows it, I said, it's just like seventeen millions.

1238
01:15:59,280 --> 01:16:02,640
Speaker 1: But but that ship right there, it was like I

1239
01:16:02,760 --> 01:16:05,120
Speaker 1: gotta wrap now, like I gotta do. I didn't know

1240
01:16:05,200 --> 01:16:06,720
Speaker 1: how I was gonna wrap. I didn't know how I

1241
01:16:06,800 --> 01:16:10,880
Speaker 1: was gonna make it. But but from that from those

1242
01:16:10,920 --> 01:16:15,200
Speaker 1: who brokeers right there. But let's get back to let's

1243
01:16:15,200 --> 01:16:20,080
Speaker 1: get back to ep MD. I was gonna say, arguably

1244
01:16:20,840 --> 01:16:25,120
Speaker 1: but probably the best two man group ever in life,

1245
01:16:25,520 --> 01:16:28,639
Speaker 1: in existence. I'm standing in front of both for y'all.

1246
01:16:29,080 --> 01:16:30,880
Speaker 1: I felt like one of y'all is gonna come. I

1247
01:16:31,000 --> 01:16:33,280
Speaker 1: felt like it was just one person. I was like, damn, wow,

1248
01:16:33,360 --> 01:16:37,599
Speaker 1: that's crazy up Like, but then, how is your brother?

1249
01:16:38,160 --> 01:16:41,160
Speaker 1: Was all on you? That's my man. You know what's

1250
01:16:41,200 --> 01:16:58,559
Speaker 1: his name? His name the Tiger Bone were missing some elements.

1251
01:16:59,240 --> 01:17:02,640
Speaker 1: That's okay, he said. He said, you gotta check out

1252
01:17:02,720 --> 01:17:06,519
Speaker 1: nor his show. What it's called Drink Chance. He says,

1253
01:17:06,520 --> 01:17:09,640
Speaker 1: the dopest ship ever. I mean here, we take like

1254
01:17:09,760 --> 01:17:12,519
Speaker 1: four hour rides. We listened to the music, hours into

1255
01:17:12,560 --> 01:17:14,679
Speaker 1: the hip hop and everything. To take the arts track.

1256
01:17:21,720 --> 01:17:24,200
Speaker 1: You're like, yo, I didn't know that you get this.

1257
01:17:24,320 --> 01:17:27,360
Speaker 1: It's like behind the music and that's and that's what

1258
01:17:27,479 --> 01:17:31,280
Speaker 1: it's because it's because you know why the thing is,

1259
01:17:31,600 --> 01:17:34,040
Speaker 1: we don't have an inside the NBA for hip hop.

1260
01:17:34,240 --> 01:17:37,000
Speaker 1: We don't have it. So when you look at Kenney Smith,

1261
01:17:37,000 --> 01:17:41,320
Speaker 1: who's from left Rack. By the way, I threw that

1262
01:17:41,439 --> 01:17:47,679
Speaker 1: in there, that was a shot. Ye. I watched Kenney Smith.

1263
01:17:47,880 --> 01:17:50,240
Speaker 1: I watched Charles Barkley, And even though I don't agree

1264
01:17:50,240 --> 01:17:53,240
Speaker 1: with Charles Barkley, it's like, you know what, you can't

1265
01:17:53,360 --> 01:17:56,920
Speaker 1: argue with him because he played the game. He actually

1266
01:17:57,240 --> 01:18:01,200
Speaker 1: played the game, so even and I don't even like

1267
01:18:01,360 --> 01:18:02,880
Speaker 1: funk with him, and I don't know, I don't sunk

1268
01:18:02,880 --> 01:18:05,080
Speaker 1: with his views at all, Like I don't funk with

1269
01:18:05,120 --> 01:18:07,599
Speaker 1: his views at all, But I can't say I don't

1270
01:18:07,680 --> 01:18:10,360
Speaker 1: funk with him right because he played the game at

1271
01:18:10,360 --> 01:18:12,400
Speaker 1: a high level and then he's giving back and his

1272
01:18:12,520 --> 01:18:16,000
Speaker 1: opinion should be his opinion, so we all sat back. Me,

1273
01:18:16,840 --> 01:18:20,680
Speaker 1: if it's that bad, where is our version of that?

1274
01:18:21,600 --> 01:18:24,040
Speaker 1: Why don't we have that? Why don't we have it?

1275
01:18:24,280 --> 01:18:26,560
Speaker 1: And I only to have that? Well, why don't we

1276
01:18:26,720 --> 01:18:31,519
Speaker 1: have people that want to show love back to the coulchure,

1277
01:18:31,600 --> 01:18:36,320
Speaker 1: like like I have no problems even talk about but

1278
01:18:36,439 --> 01:18:38,760
Speaker 1: I have no problems with telling you. I have no

1279
01:18:38,880 --> 01:18:42,360
Speaker 1: problem telling you if it wasn't for E. P m D.

1280
01:18:42,479 --> 01:18:45,320
Speaker 1: Then be a component arm right paying super homage like

1281
01:18:45,360 --> 01:18:48,840
Speaker 1: we pay homage to run see but in this generation,

1282
01:18:49,400 --> 01:18:52,760
Speaker 1: you would have people who use your music build their

1283
01:18:52,800 --> 01:18:55,280
Speaker 1: whole career, like when they freestyle and they walked past me,

1284
01:18:55,400 --> 01:19:00,439
Speaker 1: and yeah, like like that only makes you were How

1285
01:19:00,479 --> 01:19:03,160
Speaker 1: did y'all feel that? It was kinda like y'all know

1286
01:19:03,479 --> 01:19:05,160
Speaker 1: you like work, you like when people You're like, when

1287
01:19:05,160 --> 01:19:13,559
Speaker 1: people freestyle over your music. I don't okay people saying kills.

1288
01:19:13,680 --> 01:19:15,640
Speaker 1: Back in the day, when somebody used your music or

1289
01:19:15,680 --> 01:19:20,680
Speaker 1: said your rhyme, it was homage. It was homed. I

1290
01:19:20,800 --> 01:19:24,160
Speaker 1: seen they, dude, I kid you now. I walked to MTV, right,

1291
01:19:24,560 --> 01:19:27,519
Speaker 1: I want the MTV. The dude put out the freestyle

1292
01:19:27,720 --> 01:19:31,200
Speaker 1: that day of my music and walked right by me.

1293
01:19:32,240 --> 01:19:35,280
Speaker 1: And I looked at the nigger and I'm like, damn,

1294
01:19:35,360 --> 01:19:37,400
Speaker 1: do you know you rombed up a band from TV.

1295
01:19:37,920 --> 01:19:44,719
Speaker 1: I want to shank you. I want to shiver that alone.

1296
01:19:45,920 --> 01:19:49,160
Speaker 1: But the fact is you walked right by me, right right.

1297
01:19:49,760 --> 01:19:52,080
Speaker 1: And the people from MTV was trying to tell him like, yeah,

1298
01:19:54,080 --> 01:19:57,080
Speaker 1: introduced me, and he didn't even know I was that

1299
01:19:57,439 --> 01:20:00,840
Speaker 1: like they introduced me. He was like, this is Norrie, alright, cool,

1300
01:20:07,000 --> 01:20:09,160
Speaker 1: give me that. I don't know. I don't und on

1301
01:20:09,240 --> 01:20:13,559
Speaker 1: my ship Like I was so mad, but I had

1302
01:20:13,640 --> 01:20:17,759
Speaker 1: to actually relax. Yeah, but I didn't want to relax.

1303
01:20:18,120 --> 01:20:21,200
Speaker 1: That's crazy And I'm like I was crazy, Like how

1304
01:20:21,280 --> 01:20:23,280
Speaker 1: can't you not You ever see the cartoons, like when

1305
01:20:23,600 --> 01:20:26,600
Speaker 1: the ship, like I know, Steven was coming out of

1306
01:20:26,640 --> 01:20:28,400
Speaker 1: my ship because I was like, I'm trying to keep

1307
01:20:28,479 --> 01:20:32,760
Speaker 1: holding down, and I'm like, that's the thing about it is, Yeah,

1308
01:20:32,880 --> 01:20:36,320
Speaker 1: I know who you were. I knew who Rock Him was.

1309
01:20:36,880 --> 01:20:40,639
Speaker 1: I knew who not was we who. I knew who Mama.

1310
01:20:41,280 --> 01:20:43,439
Speaker 1: I knew who dress was. I knew Black she was.

1311
01:20:43,840 --> 01:20:48,080
Speaker 1: I knew So if I actually touched your record, he

1312
01:20:48,160 --> 01:20:50,200
Speaker 1: said to me, why did you do that? I can

1313
01:20:50,240 --> 01:20:54,559
Speaker 1: say because I love you, right, not because I'm rhymbing

1314
01:20:54,640 --> 01:20:56,599
Speaker 1: on something that's hot. And then and then it bothers

1315
01:20:56,640 --> 01:20:59,680
Speaker 1: me because I even blame the producers. I blame the

1316
01:20:59,720 --> 01:21:03,080
Speaker 1: engine because before you tell these nigga rhyme on this ship,

1317
01:21:03,680 --> 01:21:09,200
Speaker 1: tell who it is. We went in rhyme on somebody

1318
01:21:09,240 --> 01:21:11,960
Speaker 1: else's dope ship. If we couldn't represent it like what

1319
01:21:12,120 --> 01:21:14,639
Speaker 1: they did this, it's like, I'm not going to get

1320
01:21:14,680 --> 01:21:20,040
Speaker 1: one raw. So many if I can't right, so many,

1321
01:21:20,960 --> 01:21:23,920
Speaker 1: so many people would call me to re create band

1322
01:21:23,960 --> 01:21:28,360
Speaker 1: from tv O and I tell him no, not because

1323
01:21:28,479 --> 01:21:31,519
Speaker 1: it can't be re created. But one of my best

1324
01:21:31,680 --> 01:21:35,639
Speaker 1: friends in hip hop was named Big Punt. He's not around,

1325
01:21:36,479 --> 01:21:39,000
Speaker 1: so there's no way we can we create this moment, right.

1326
01:21:39,160 --> 01:21:44,160
Speaker 1: Let's let that moment die die, right, And it's my record.

1327
01:21:45,320 --> 01:21:50,800
Speaker 1: I paid for these motherfucker's so I darn you motherfuckers

1328
01:21:50,840 --> 01:21:52,640
Speaker 1: trying to do it, and then you're sending me their

1329
01:21:52,720 --> 01:21:57,920
Speaker 1: links and I'd be like, I don't want to play right,

1330
01:21:59,240 --> 01:22:01,000
Speaker 1: They'd be sending me legs too. I look at it,

1331
01:22:01,720 --> 01:22:05,080
Speaker 1: I say, relaxed. In my mind, I think that Pete

1332
01:22:05,160 --> 01:22:11,320
Speaker 1: Rock felt with what's the kid from Chicago Cheap No

1333
01:22:12,920 --> 01:22:17,280
Speaker 1: the Big Back when he did um women, it's over beat.

1334
01:22:17,520 --> 01:22:21,840
Speaker 1: You're not supposed touch women? Yeah, Yo, listen, Les Letten,

1335
01:22:21,840 --> 01:22:24,839
Speaker 1: I'm gonna be honest. They can't touch any EPND record

1336
01:22:25,720 --> 01:22:29,080
Speaker 1: y'all got. Y'all made too much. You can't telling the

1337
01:22:29,240 --> 01:22:33,680
Speaker 1: people that used them because to the young guys, Yo

1338
01:22:33,840 --> 01:22:35,800
Speaker 1: and I the most sample dudes in the hip hop

1339
01:22:35,880 --> 01:22:39,599
Speaker 1: hop like from all Our Beat if you do the history, yeah,

1340
01:22:39,960 --> 01:22:42,760
Speaker 1: tons of beat for beat, beat for beat, and they

1341
01:22:42,840 --> 01:22:47,800
Speaker 1: just do it us. Let's go. Did you like when

1342
01:22:48,200 --> 01:22:50,720
Speaker 1: artists well at that time we had because we was

1343
01:22:50,800 --> 01:22:52,280
Speaker 1: kind of off the grid, so it kind of helped

1344
01:22:52,360 --> 01:22:55,320
Speaker 1: us out a little, you know what I mean from

1345
01:22:55,400 --> 01:22:57,320
Speaker 1: Mario Wins. I don't want to know. I know. I mean,

1346
01:22:59,640 --> 01:23:07,280
Speaker 1: that's kind me, don't She's like, out your customer sample. Goddamn,

1347
01:23:07,320 --> 01:23:09,519
Speaker 1: I got that's so classic, man. Let me just tell you.

1348
01:23:11,840 --> 01:23:14,280
Speaker 1: And Jealous he come and talk to me, to your customer,

1349
01:23:19,240 --> 01:23:22,560
Speaker 1: drink your shoes, do your customers custom Me too, But

1350
01:23:22,680 --> 01:23:25,599
Speaker 1: Puppy was destroying pa to let's make some mus drinking.

1351
01:23:28,680 --> 01:23:30,479
Speaker 1: I don't come up with DMX. I don't know why.

1352
01:23:30,640 --> 01:23:32,320
Speaker 1: But you know, I don't know. I don't know why

1353
01:23:32,360 --> 01:23:35,320
Speaker 1: I even called He called Forty called me and said

1354
01:23:36,680 --> 01:23:41,360
Speaker 1: Forty called me and said, Drake the sample to DMX records.

1355
01:23:41,760 --> 01:23:43,600
Speaker 1: He feels like d MS and this sam for it.

1356
01:23:44,520 --> 01:23:47,280
Speaker 1: So he called me. You know, naturally, I'm the plot,

1357
01:23:49,160 --> 01:23:52,000
Speaker 1: made it happen, put him on the phone with DMX,

1358
01:23:52,960 --> 01:24:04,360
Speaker 1: and the dog didn't give a fuck. Yeah, I gotta

1359
01:24:04,360 --> 01:24:08,320
Speaker 1: get the poet each other. No, I'm gonna get out.

1360
01:24:09,479 --> 01:24:14,040
Speaker 1: But that's what But that's what that should be like.

1361
01:24:17,280 --> 01:24:20,040
Speaker 1: But that shows me right there, Drake had the consideration

1362
01:24:21,360 --> 01:24:24,280
Speaker 1: to the right. And but you know what you know

1363
01:24:24,360 --> 01:24:28,880
Speaker 1: what to me. I respect that if I'm gonna touch

1364
01:24:28,920 --> 01:24:31,400
Speaker 1: your record, I'm gonna actually reach out to you. So

1365
01:24:31,560 --> 01:24:34,280
Speaker 1: y'all listen. I feel like I'm gonna do this, and

1366
01:24:34,439 --> 01:24:37,320
Speaker 1: because you know what it is like a couple of brothers,

1367
01:24:37,920 --> 01:24:41,160
Speaker 1: uh touched my record. It's called sometimes, right, it's about

1368
01:24:41,160 --> 01:24:44,680
Speaker 1: my father, my father. It's about my father passed away. Right.

1369
01:24:45,360 --> 01:24:47,719
Speaker 1: So when I say sometimes I want to cry and pray.

1370
01:24:48,080 --> 01:24:52,160
Speaker 1: Sometimes sometimes I want you. Sometimes sometimes I get drunk

1371
01:24:52,280 --> 01:24:54,840
Speaker 1: or goddamn day. Sometimes I want to go back around

1372
01:24:54,920 --> 01:24:57,519
Speaker 1: the way. Sometimes I want to ride a smoke. Sometimes

1373
01:24:57,600 --> 01:25:01,880
Speaker 1: sometimes I got money, and I still feel bro when

1374
01:25:01,920 --> 01:25:05,040
Speaker 1: I say things like that, you can't take this sometimes

1375
01:25:05,080 --> 01:25:11,120
Speaker 1: and be like sometimes I want a bit. Sometimes sometimes

1376
01:25:13,840 --> 01:25:16,400
Speaker 1: I don't like it, right, Like, I don't like it

1377
01:25:17,439 --> 01:25:21,400
Speaker 1: because this is about my father. Would you actually listen

1378
01:25:21,479 --> 01:25:26,080
Speaker 1: to the record? You listen to the right. You don't

1379
01:25:26,160 --> 01:25:29,759
Speaker 1: understand that this is not what you can this record

1380
01:25:30,120 --> 01:25:32,040
Speaker 1: tell these people they do it. They send it to

1381
01:25:32,120 --> 01:25:34,799
Speaker 1: me and I mind you. So I'm gonna be honest.

1382
01:25:35,120 --> 01:25:39,640
Speaker 1: I don't own the record, so when they sample it,

1383
01:25:39,800 --> 01:25:43,720
Speaker 1: they don't actually have to like me, right, But I

1384
01:25:43,840 --> 01:25:51,760
Speaker 1: don't clear it In my mind, I'm a foul and

1385
01:25:51,880 --> 01:25:56,080
Speaker 1: I don't like you taking the card way. But what

1386
01:25:56,280 --> 01:25:59,360
Speaker 1: it actually is, it's like it's just like it's just

1387
01:25:59,479 --> 01:26:02,240
Speaker 1: like y'all, y'all yo, nigga just say slow down, baby,

1388
01:26:02,400 --> 01:26:04,880
Speaker 1: and then the nigga just he just takes it and

1389
01:26:04,960 --> 01:26:14,360
Speaker 1: he makes it big baby. Right. So, so do you

1390
01:26:14,479 --> 01:26:16,360
Speaker 1: have a problem with that or no? I have a

1391
01:26:16,439 --> 01:26:19,439
Speaker 1: major I know that that that when um, what was

1392
01:26:19,439 --> 01:26:24,120
Speaker 1: the kid that used rampage over? Oh no, not Joey,

1393
01:26:24,840 --> 01:26:30,280
Speaker 1: No man, what's the kid who did rampage over with

1394
01:26:30,520 --> 01:26:39,000
Speaker 1: l O cool J? Just God? That was I thought

1395
01:26:39,000 --> 01:26:45,759
Speaker 1: it wasn't even queens. But they didn't get in contact

1396
01:26:45,880 --> 01:26:48,400
Speaker 1: to actually use it. You didn't jump out there ump

1397
01:26:50,720 --> 01:26:53,800
Speaker 1: look at like the people used our records. They turned

1398
01:26:53,840 --> 01:26:56,120
Speaker 1: them into classics for themselves. You got jay Z, ain't

1399
01:26:56,160 --> 01:26:58,840
Speaker 1: no nigger. It's my thing. You got jay Z. You

1400
01:26:58,920 --> 01:27:06,080
Speaker 1: got to your next Yeah yeah, yeah, so yeah, thank you,

1401
01:27:06,200 --> 01:27:14,120
Speaker 1: Kim Serman, Kanye West Gold, they go to fa it's

1402
01:27:14,160 --> 01:27:17,519
Speaker 1: my things. Get at me, dog, Let's get the balls

1403
01:27:17,560 --> 01:27:19,759
Speaker 1: out of making it. Taking and see shaking the breaking

1404
01:27:20,400 --> 01:27:23,000
Speaker 1: the degrees and start baking them. Sees like the Tato's

1405
01:27:23,040 --> 01:27:27,760
Speaker 1: beats kicking like catle Yeah, and then the ropridies. Did

1406
01:27:27,880 --> 01:27:31,479
Speaker 1: he being override the rough prizes? Didn't he being over Yeah?

1407
01:27:31,720 --> 01:27:35,919
Speaker 1: I love that? But see that now now that's respect.

1408
01:27:36,080 --> 01:27:39,240
Speaker 1: So now it's now because for me, if a person

1409
01:27:39,360 --> 01:27:41,320
Speaker 1: calls me and they say, you know, I want to

1410
01:27:41,360 --> 01:27:43,479
Speaker 1: do it over like again, some of these joints I don't,

1411
01:27:43,640 --> 01:27:46,840
Speaker 1: I don't own, so when they say that, it kind

1412
01:27:46,840 --> 01:27:50,040
Speaker 1: of press me at ease. So do these people call

1413
01:27:50,080 --> 01:27:52,479
Speaker 1: you prior today? Samp with your record? So they're not

1414
01:27:52,600 --> 01:27:54,160
Speaker 1: some of them reach up, But it's really like you said,

1415
01:27:54,200 --> 01:27:56,719
Speaker 1: for its publishing, they don't. They don't have the callers.

1416
01:27:58,920 --> 01:28:01,080
Speaker 1: They gotta you know, let's they taking the rhymes or

1417
01:28:01,120 --> 01:28:03,600
Speaker 1: something like that or or whatever or whatever we'd be

1418
01:28:03,720 --> 01:28:06,920
Speaker 1: seeing and I publish it, you know. So like I said,

1419
01:28:07,080 --> 01:28:09,679
Speaker 1: I didn't get a call for Mario, but he still

1420
01:28:09,720 --> 01:28:18,920
Speaker 1: got the money, righty, let me take some because I

1421
01:28:18,960 --> 01:28:22,360
Speaker 1: can go with y'all for seventeen thousand millions. This is dope.

1422
01:28:22,479 --> 01:28:24,679
Speaker 1: We finally remit it because it's tipping like you're damn

1423
01:28:25,080 --> 01:28:27,599
Speaker 1: you know. So we didn't go into my amy because

1424
01:28:27,760 --> 01:28:29,439
Speaker 1: she was not gonna be on point with the rugs.

1425
01:28:29,520 --> 01:28:32,840
Speaker 1: I really I really doubted crazy. I'm sorry, I gotta

1426
01:28:32,840 --> 01:28:38,800
Speaker 1: I gotta gotta seeing that at least because this is

1427
01:28:40,600 --> 01:28:44,920
Speaker 1: rugs dot com. But you know what, um, we have

1428
01:28:45,600 --> 01:28:48,280
Speaker 1: depth Brooks dot com. This is the website we have

1429
01:28:48,640 --> 01:28:51,519
Speaker 1: at depth rugs on Instagram and you know what we

1430
01:28:51,720 --> 01:28:55,000
Speaker 1: wanted the rugs he's hitting right now because you didn't

1431
01:28:55,880 --> 01:29:03,960
Speaker 1: rush wen't make it working. Do you remember that? He actually, no, no,

1432
01:29:04,640 --> 01:29:08,559
Speaker 1: we wasn't even specting this this way. He was even dope,

1433
01:29:09,160 --> 01:29:11,720
Speaker 1: you want to spect to component. I told them as

1434
01:29:11,720 --> 01:29:20,360
Speaker 1: soon as I say, I said, but as far as that,

1435
01:29:20,560 --> 01:29:23,759
Speaker 1: we just knew that in the short period of time, Ali,

1436
01:29:25,920 --> 01:29:28,519
Speaker 1: a short period of time, were working a short period

1437
01:29:28,520 --> 01:29:30,320
Speaker 1: of time. But this is my this is my number,

1438
01:29:30,400 --> 01:29:32,360
Speaker 1: it's my partner. And kind of so he was like,

1439
01:29:33,080 --> 01:29:34,880
Speaker 1: you know, I'm saying, okay, yo, I got something I

1440
01:29:34,920 --> 01:29:37,920
Speaker 1: can kick done quick. I hope I can. You know

1441
01:29:37,920 --> 01:29:40,920
Speaker 1: what I'm saying? So and say come on hit me.

1442
01:29:40,960 --> 01:29:44,080
Speaker 1: One day he said, do you see these rocks? He niggers. Guy,

1443
01:29:44,640 --> 01:29:47,320
Speaker 1: I say, let me just tell you. I want to

1444
01:29:47,320 --> 01:29:49,519
Speaker 1: just tell you what I want my house. You know,

1445
01:29:49,600 --> 01:29:51,559
Speaker 1: I had burned the story up earlier and I didn't

1446
01:29:51,640 --> 01:29:54,800
Speaker 1: bring it full circle. I said, I went to Leo's house, right,

1447
01:29:55,200 --> 01:29:57,240
Speaker 1: and Leo he had all this ship and the thing

1448
01:29:57,439 --> 01:30:00,720
Speaker 1: is everything that he Picassos. I don't give a funk

1449
01:30:00,720 --> 01:30:02,960
Speaker 1: about Pocasso. I don't even like that name. Who is

1450
01:30:03,040 --> 01:30:08,000
Speaker 1: that name? Right? And then I said honest, I said honest.

1451
01:30:08,040 --> 01:30:11,479
Speaker 1: I said, I just had gave me sneakers, sneakers right size,

1452
01:30:11,920 --> 01:30:14,000
Speaker 1: and it didn't matter side, because this is how I

1453
01:30:14,080 --> 01:30:16,840
Speaker 1: want my whole house to be his hip hop memorability. Man,

1454
01:30:17,360 --> 01:30:19,800
Speaker 1: Like I want I want a painting of E. F.

1455
01:30:20,000 --> 01:30:21,880
Speaker 1: M D in my kids room, and I want to

1456
01:30:21,960 --> 01:30:25,080
Speaker 1: pay in the rock him in my face. I want

1457
01:30:25,120 --> 01:30:26,880
Speaker 1: to do like I want to have a Caress one

1458
01:30:26,960 --> 01:30:29,960
Speaker 1: tennis ball, like I want to like I wanna because

1459
01:30:30,160 --> 01:30:34,360
Speaker 1: that's that's that's the that's my pocas. Yeah. Like we

1460
01:30:34,439 --> 01:30:36,640
Speaker 1: did the show with Run DMC in September. I got

1461
01:30:36,760 --> 01:30:39,200
Speaker 1: the pair Adidas. I had Run signed to datas and

1462
01:30:39,240 --> 01:30:43,080
Speaker 1: I had DMC signed to put them in the glass case. Yo,

1463
01:30:43,200 --> 01:30:45,559
Speaker 1: and they even got the special edition jam Master Jay

1464
01:30:45,600 --> 01:30:51,040
Speaker 1: Adidas crib. Then boom oh there's run signature, There goes DMCs,

1465
01:30:51,080 --> 01:30:56,439
Speaker 1: there goes the limited different jam Master James. Yeah, yeah, yeah, yeah,

1466
01:30:56,439 --> 01:30:59,439
Speaker 1: I know I got right, and I think there was

1467
01:30:59,479 --> 01:31:04,559
Speaker 1: only like mad and I gotta pare. What's epm D's

1468
01:31:04,600 --> 01:31:11,000
Speaker 1: favorite at right, hippo besides eight nineties nineties? Yeah, for

1469
01:31:11,160 --> 01:31:15,519
Speaker 1: so much stuff. Nothing like it in the squad time frame,

1470
01:31:15,680 --> 01:31:17,920
Speaker 1: like when that was in the Holy ninety two that

1471
01:31:21,400 --> 01:31:25,240
Speaker 1: the old movie with the r I was thinking that.

1472
01:31:25,320 --> 01:31:27,120
Speaker 1: You remember the Queen's movie didn't got shot up? That

1473
01:31:27,200 --> 01:31:30,600
Speaker 1: was oh shift, I'm not proud of it. Yeah, we

1474
01:31:30,680 --> 01:31:32,560
Speaker 1: want to queens when we did a shot Yeah, that

1475
01:31:32,640 --> 01:31:34,599
Speaker 1: was mean nothing to see to see it. It's nothing

1476
01:31:35,640 --> 01:31:38,800
Speaker 1: when you went to go see the movie. No, no,

1477
01:31:40,160 --> 01:31:45,640
Speaker 1: I wasn't coming on my side. I'm totally but I

1478
01:31:45,800 --> 01:31:49,920
Speaker 1: remember you because your memory is crazy. This nigger right, yeah, yeah,

1479
01:31:50,479 --> 01:31:53,920
Speaker 1: he's a drink chan is a drinking chance. Came in.

1480
01:31:54,920 --> 01:31:57,200
Speaker 1: He's official drink chance. You want a drink champ. You

1481
01:31:57,280 --> 01:32:00,439
Speaker 1: gotta go back to Long Island. That's it. And look

1482
01:32:00,520 --> 01:32:03,000
Speaker 1: look we gave you the stamp. You're a drink chap

1483
01:32:03,080 --> 01:32:07,800
Speaker 1: now and you're gonna be a crown. How was it?

1484
01:32:08,680 --> 01:32:13,880
Speaker 1: How was it? Oh? Pay the fall actually was ill

1485
01:32:14,040 --> 01:32:17,000
Speaker 1: because so wood on the on on on the state

1486
01:32:17,520 --> 01:32:21,120
Speaker 1: where you saying that camera can really punched the kid.

1487
01:32:21,439 --> 01:32:23,240
Speaker 1: I was hit him and dragged him out the car.

1488
01:32:23,520 --> 01:32:25,160
Speaker 1: He really punched him. The mentor was like that we

1489
01:32:25,240 --> 01:32:27,040
Speaker 1: kind of cut you know, can't really hit the kid.

1490
01:32:27,240 --> 01:32:31,439
Speaker 1: You know, I was auditioned for our pa. You did

1491
01:32:31,720 --> 01:32:34,479
Speaker 1: it was me that you could You could have got that.

1492
01:32:34,560 --> 01:32:36,679
Speaker 1: I was fat at the time. Now you can do it. No, yeah,

1493
01:32:37,200 --> 01:32:40,960
Speaker 1: looking like fat at the time, Like now I who

1494
01:32:41,080 --> 01:32:46,479
Speaker 1: was fat was good? But what was the name when

1495
01:32:46,479 --> 01:32:50,880
Speaker 1: you was out blogging right there? It was crazy? Told

1496
01:32:50,920 --> 01:32:53,200
Speaker 1: you I can't do this kind of movie star too?

1497
01:32:53,200 --> 01:32:55,880
Speaker 1: And man, little bit, what's the state properant? Let me

1498
01:32:55,920 --> 01:32:57,400
Speaker 1: tell you. Let me tell you about I'll pay the

1499
01:32:57,439 --> 01:33:01,400
Speaker 1: fall because you ask, right. The funny thing about paying

1500
01:33:01,560 --> 01:33:06,280
Speaker 1: for was I actually auditioned to be our pole? What

1501
01:33:06,560 --> 01:33:12,599
Speaker 1: Harris who is hazy? Actually he actually uh resents your call.

1502
01:33:13,200 --> 01:33:15,960
Speaker 1: He rehearsed with me and he told me he knew

1503
01:33:15,960 --> 01:33:19,040
Speaker 1: I wasn't getting role. He was like, y'all you wild

1504
01:33:20,960 --> 01:33:26,040
Speaker 1: way too far and I'm big at the time. He's like,

1505
01:33:26,120 --> 01:33:29,880
Speaker 1: you're not getting this right, that's crazy. But I went

1506
01:33:30,000 --> 01:33:33,120
Speaker 1: and I still tried. Right, But the people love me

1507
01:33:33,280 --> 01:33:36,400
Speaker 1: so much that like, you're not our pole, We're gonna

1508
01:33:36,560 --> 01:33:40,720
Speaker 1: so the next role. That's that's what the next role was.

1509
01:33:41,160 --> 01:33:44,479
Speaker 1: And that you broke it up was me getting beat

1510
01:33:44,560 --> 01:33:48,400
Speaker 1: up by Cam. That that role when he snuffed him

1511
01:33:48,400 --> 01:33:51,560
Speaker 1: from that was that was my next ship. And and

1512
01:33:51,680 --> 01:33:55,200
Speaker 1: then the director said, nobody thinks Cam's gonna beat your like,

1513
01:33:55,360 --> 01:34:01,600
Speaker 1: this is gonna be vle you. You can happen. And

1514
01:34:01,800 --> 01:34:05,960
Speaker 1: then what happened was the director was Charles Anthony Stone

1515
01:34:06,000 --> 01:34:09,080
Speaker 1: with Charles Stone, Anthony the third one of the like

1516
01:34:09,200 --> 01:34:13,160
Speaker 1: I know his name was a third Charlestone, the third. Yeah,

1517
01:34:13,160 --> 01:34:15,559
Speaker 1: because I would always remember that because I'm like, damn,

1518
01:34:15,640 --> 01:34:18,479
Speaker 1: like I always see that movies when they said the third, like,

1519
01:34:18,560 --> 01:34:30,479
Speaker 1: I never think that's what I was. So I'm gonna

1520
01:34:30,479 --> 01:34:34,080
Speaker 1: be honest with you. And I never said this payton

1521
01:34:34,160 --> 01:34:39,479
Speaker 1: Forth was made up. That role never existed. The director

1522
01:34:39,640 --> 01:34:44,400
Speaker 1: just wanted me so so he just said, just do something.

1523
01:34:44,960 --> 01:34:47,559
Speaker 1: So when he came. When I came, I was actually

1524
01:34:47,640 --> 01:34:49,360
Speaker 1: on tour. I think he was on tour with me.

1525
01:34:49,479 --> 01:34:52,240
Speaker 1: And then we was on tour and I had one

1526
01:34:52,400 --> 01:34:56,920
Speaker 1: day to go in New York. So I landed and

1527
01:34:57,040 --> 01:34:59,960
Speaker 1: they said make something up, and I made it up

1528
01:35:00,880 --> 01:35:06,160
Speaker 1: all that ship. What they said, No, I kind of exaggerated.

1529
01:35:06,320 --> 01:35:11,840
Speaker 1: What they said was exaggerate. You gotta be the guy

1530
01:35:12,000 --> 01:35:17,560
Speaker 1: that say, introduced Alpo to a z I mean a

1531
01:35:17,760 --> 01:35:22,120
Speaker 1: z to Alphole. So I'm talking to a z uh,

1532
01:35:22,479 --> 01:35:25,439
Speaker 1: which was what was his name in the movie Ace,

1533
01:35:26,240 --> 01:35:28,760
Speaker 1: So I'm talking to Ace. But so what they told

1534
01:35:28,800 --> 01:35:33,560
Speaker 1: me was um Ace had never heard of Alphole, So

1535
01:35:33,720 --> 01:35:36,720
Speaker 1: you gotta exaggerate. So that's what I just said. I

1536
01:35:36,800 --> 01:35:38,320
Speaker 1: just made it up. One of the there's one take

1537
01:35:38,360 --> 01:35:44,600
Speaker 1: it raises. I was asked, I made it up. It

1538
01:35:44,680 --> 01:35:47,040
Speaker 1: was so good that when I finished, like I was like,

1539
01:35:47,080 --> 01:35:48,840
Speaker 1: I was like, I did that ship. I was like water,

1540
01:35:49,200 --> 01:35:59,960
Speaker 1: like waters, like sla it's not even what they don't

1541
01:36:00,160 --> 01:36:03,080
Speaker 1: he said, don't don't say no, Yasamin. You heard like

1542
01:36:03,200 --> 01:36:06,200
Speaker 1: something that you can relate to the nineties. So I

1543
01:36:06,280 --> 01:36:09,880
Speaker 1: had no I just all Emperor, and I didn't there's

1544
01:36:09,960 --> 01:36:13,240
Speaker 1: one take. The reason why I said water because I

1545
01:36:13,320 --> 01:36:15,160
Speaker 1: had nothing else to say. I didn't want to say cool.

1546
01:36:16,160 --> 01:36:17,960
Speaker 1: I don't want to make a peace because I'm like

1547
01:36:18,000 --> 01:36:20,720
Speaker 1: a piece might be dated. So I didn't know that

1548
01:36:20,840 --> 01:36:24,240
Speaker 1: this is a time piece, right, So so when I

1549
01:36:24,320 --> 01:36:28,080
Speaker 1: said water, I was fucking up. It was actually a

1550
01:36:28,200 --> 01:36:37,920
Speaker 1: mistake like water, No no, No, you gotta say water.

1551
01:36:37,920 --> 01:36:41,000
Speaker 1: You gotta say water. Whatever you like. Water. But E

1552
01:36:41,200 --> 01:36:45,560
Speaker 1: P M D. You guys are so much an inspiration

1553
01:36:46,080 --> 01:36:51,800
Speaker 1: not to just us meet poem e f N your

1554
01:36:51,840 --> 01:36:55,879
Speaker 1: inspiration to hip hop. You gout still test the times.

1555
01:36:56,040 --> 01:36:59,640
Speaker 1: You guys still looking a good out here doing a

1556
01:36:59,760 --> 01:37:02,960
Speaker 1: death frogs. I'm not gonna drink chance work, So I'm

1557
01:37:02,960 --> 01:37:07,720
Speaker 1: gonna take that because you were saying, stop drissing. You

1558
01:37:07,760 --> 01:37:16,280
Speaker 1: know what you said? Locked up crystal clear? Crystal clear? Right.

1559
01:37:16,880 --> 01:37:19,879
Speaker 1: So we so you're working on a new album. Donnamic

1560
01:37:19,960 --> 01:37:23,120
Speaker 1: duo is big business. Dynamic duels, all of you working

1561
01:37:23,200 --> 01:37:26,800
Speaker 1: with other dynamic the best of the best that we

1562
01:37:27,080 --> 01:37:29,439
Speaker 1: think it was the best dynamic duals. So how far

1563
01:37:29,439 --> 01:37:33,200
Speaker 1: are you in this album? Right now? We knew, but

1564
01:37:33,280 --> 01:37:36,880
Speaker 1: we gotta stuff and then we pick to see what

1565
01:37:36,960 --> 01:37:40,559
Speaker 1: we're gonna do with on what records. Remember we used

1566
01:37:40,560 --> 01:37:43,559
Speaker 1: to do that, used to pick beats early. Now we Hollywood,

1567
01:37:43,600 --> 01:37:45,439
Speaker 1: we don't even do ship like that. You gotts. Once

1568
01:37:45,479 --> 01:37:47,160
Speaker 1: you get back to it, the first thing you think

1569
01:37:47,240 --> 01:37:48,880
Speaker 1: is like, why did I leave this in the first place?

1570
01:37:49,479 --> 01:37:51,760
Speaker 1: So when we did beats exchange and beats, you know,

1571
01:37:52,080 --> 01:37:57,439
Speaker 1: going over concepts and because we're gonna do I was

1572
01:37:57,479 --> 01:38:00,880
Speaker 1: thinking about doing like ghost Face and a Due Jane

1573
01:38:01,600 --> 01:38:04,640
Speaker 1: for storytelling and then exact and see how we right

1574
01:38:04,920 --> 01:38:07,360
Speaker 1: you know so, and then coming there with them and

1575
01:38:07,439 --> 01:38:10,120
Speaker 1: mix it together with them. Are they doing the storytelling

1576
01:38:10,160 --> 01:38:13,559
Speaker 1: the ghosts singing j to the eight to the end

1577
01:38:13,640 --> 01:38:16,360
Speaker 1: to the end, then having the you know coming, Yeah,

1578
01:38:16,479 --> 01:38:22,599
Speaker 1: what you enjoy better producing or the beats even though

1579
01:38:22,640 --> 01:38:25,320
Speaker 1: agetting the rhyme is something that because me and Pass

1580
01:38:25,479 --> 01:38:30,120
Speaker 1: we do it because he's like, yeah, and I'm sorry

1581
01:38:30,200 --> 01:38:32,920
Speaker 1: your parents did strictly for this album and people you

1582
01:38:32,960 --> 01:38:35,880
Speaker 1: don't know about this stuff that you know Y did. Yeah.

1583
01:38:38,640 --> 01:38:41,360
Speaker 1: I started coming in late like like like what to

1584
01:38:41,439 --> 01:38:43,559
Speaker 1: what you're saying? Then we was started going and keep

1585
01:38:43,640 --> 01:38:45,960
Speaker 1: doing something su But again the first one was you

1586
01:38:46,040 --> 01:38:48,200
Speaker 1: know I was I was watching. Now I learned to

1587
01:38:48,240 --> 01:38:51,760
Speaker 1: produce from from him and Charlie as a producer. Like

1588
01:38:51,920 --> 01:38:53,960
Speaker 1: when you when you sample, is it is it still

1589
01:38:54,040 --> 01:38:57,000
Speaker 1: lookal their sampling or you you suggest to get away

1590
01:38:57,040 --> 01:39:00,800
Speaker 1: from that. I do it because I don't know nothing

1591
01:39:00,880 --> 01:39:03,840
Speaker 1: else far. The essence of the culture is to be

1592
01:39:03,960 --> 01:39:08,479
Speaker 1: able to take the sample. So why would you do that? Right?

1593
01:39:08,720 --> 01:39:10,880
Speaker 1: Like you should just supposed to feel good, making to

1594
01:39:10,920 --> 01:39:12,960
Speaker 1: beat right, and how am I later? Then you run

1595
01:39:13,000 --> 01:39:17,600
Speaker 1: into something okay, but making music making music though, I

1596
01:39:17,680 --> 01:39:21,200
Speaker 1: went by because that's what makes you you. Because we

1597
01:39:21,280 --> 01:39:23,920
Speaker 1: got suthed, like Eric Clapton came and guys and begin

1598
01:39:24,600 --> 01:39:28,559
Speaker 1: business and Roger came and guys more bounced. But again

1599
01:39:28,800 --> 01:39:30,800
Speaker 1: Eric was cool. You don't need Eric Clapton on the charge,

1600
01:39:30,840 --> 01:39:35,840
Speaker 1: just like you know what I'm saying. But like this

1601
01:39:36,160 --> 01:39:39,400
Speaker 1: missed when this guy hit it was wait what happened

1602
01:39:39,439 --> 01:39:42,040
Speaker 1: talking about that? No business? You got what I need?

1603
01:39:42,200 --> 01:39:44,880
Speaker 1: Was missed the game up? He funked it up. That's

1604
01:39:44,880 --> 01:39:48,640
Speaker 1: why everybody was getting what did he do at no?

1605
01:39:48,760 --> 01:39:51,000
Speaker 1: Because that was the sample that he didn't or something

1606
01:39:51,080 --> 01:39:53,280
Speaker 1: he didn't clear right, and the record blew up and

1607
01:39:53,400 --> 01:39:56,320
Speaker 1: blew up and then everybody stopped coming. And this is

1608
01:39:56,760 --> 01:40:00,560
Speaker 1: this when um they want to attention? No, was this

1609
01:40:00,720 --> 01:40:03,200
Speaker 1: the was this the error? After that? Like, because now

1610
01:40:03,640 --> 01:40:05,800
Speaker 1: we sat for somebody's music, they say they want a

1611
01:40:05,880 --> 01:40:09,720
Speaker 1: hundred percent of your public? Was that from from the

1612
01:40:09,800 --> 01:40:13,360
Speaker 1: Reservoir Dorms on Jay Z's album, Yes, Isaac is one

1613
01:40:13,360 --> 01:40:16,800
Speaker 1: of a hundred percent. Gave unt do that. We gave

1614
01:40:16,840 --> 01:40:20,439
Speaker 1: it to him because Jay wanted to record bad, but

1615
01:40:21,800 --> 01:40:24,759
Speaker 1: you would do all said that was your weight floso

1616
01:40:24,800 --> 01:40:31,280
Speaker 1: because you flosom flosom. Just now, let's make it that

1617
01:40:31,479 --> 01:40:33,880
Speaker 1: was good. That was good. No what I'm saying, but

1618
01:40:34,000 --> 01:40:37,360
Speaker 1: that's what you game, right right right. That's some people.

1619
01:40:37,479 --> 01:40:42,519
Speaker 1: Sometimes we get up, we give up because music listen

1620
01:40:45,560 --> 01:40:48,000
Speaker 1: of nothing. How do you get paid if you got

1621
01:40:48,080 --> 01:40:52,200
Speaker 1: to give him a hunt like that with all of them,

1622
01:40:52,760 --> 01:40:57,280
Speaker 1: all of them that joints. So yeah, yeah, whatever you want,

1623
01:40:57,280 --> 01:41:00,320
Speaker 1: you still got good, still get in the public. Don't

1624
01:41:00,600 --> 01:41:03,160
Speaker 1: get the dumb. It come from everything else, touring and

1625
01:41:03,240 --> 01:41:05,920
Speaker 1: everything you know in the puppis and checks and all.

1626
01:41:06,000 --> 01:41:08,360
Speaker 1: You know, if the bracket this fire is fire is

1627
01:41:08,400 --> 01:41:10,679
Speaker 1: worth the sample. So what's what is one of the samples?

1628
01:41:10,920 --> 01:41:14,320
Speaker 1: What's what's the best thing about hip hop? Hip hop

1629
01:41:14,479 --> 01:41:18,639
Speaker 1: is was the identity of everybody having the own identity.

1630
01:41:19,360 --> 01:41:22,000
Speaker 1: It was the dopeest thing. Like everybody that you knew,

1631
01:41:22,040 --> 01:41:24,640
Speaker 1: that was tribe, that was daylight, that was public, that

1632
01:41:24,760 --> 01:41:30,439
Speaker 1: was seeing it, I was That was all that Nigga said.

1633
01:41:30,479 --> 01:41:33,519
Speaker 1: It's the identity of everybody having their own identity. Let's

1634
01:41:33,520 --> 01:41:41,080
Speaker 1: make a noise for that, just says smooth, slick and

1635
01:41:41,280 --> 01:41:44,320
Speaker 1: he trying to go over. Yah. Yeah, noise kid, right,

1636
01:41:45,840 --> 01:41:48,200
Speaker 1: bring that back, bring that back? Listen E P M D.

1637
01:41:48,960 --> 01:41:51,599
Speaker 1: I love you, thank you, love me really really really

1638
01:41:51,680 --> 01:41:53,720
Speaker 1: like I'm not saying this just because y'all hear. I'm

1639
01:41:53,760 --> 01:41:58,120
Speaker 1: saying this because real ship. I remember selling crack to

1640
01:41:58,200 --> 01:42:02,240
Speaker 1: your music. I'm not proud of that, but this, like

1641
01:42:02,479 --> 01:42:06,760
Speaker 1: I shot come to you, to you, I apologized. I

1642
01:42:06,880 --> 01:42:09,759
Speaker 1: saw a crack for one day and I was outside

1643
01:42:09,800 --> 01:42:16,080
Speaker 1: the hoard story stating for the robbery map on the radio.

1644
01:42:17,280 --> 01:42:20,720
Speaker 1: I had two crack bows on my mother's Lincoln Continental

1645
01:42:21,040 --> 01:42:24,160
Speaker 1: mark five on the floor. Why are you selling cracking?

1646
01:42:25,000 --> 01:42:29,600
Speaker 1: My man was doing it. Yeah, I was influencing. I

1647
01:42:29,720 --> 01:42:31,560
Speaker 1: was like, oh this ship, I mean influence like this.

1648
01:42:32,040 --> 01:42:34,920
Speaker 1: And it was early and so we didn't do a show.

1649
01:42:35,240 --> 01:42:36,880
Speaker 1: They were just playing on the radio and it was

1650
01:42:36,960 --> 01:42:39,200
Speaker 1: my man and he didn't force me and nothing. I

1651
01:42:39,520 --> 01:42:45,000
Speaker 1: just said, no, just look hard and funk. Yeah, so

1652
01:42:45,200 --> 01:42:47,920
Speaker 1: we put the capsules out. I'm going to go rob

1653
01:42:48,000 --> 01:42:50,840
Speaker 1: with nothing to do, so put the mask on, sat down.

1654
01:42:50,960 --> 01:42:52,840
Speaker 1: It's all on one day. You so crack had a

1655
01:42:52,920 --> 01:42:55,160
Speaker 1: mask and you robbed it in one day and get

1656
01:42:55,240 --> 01:42:58,720
Speaker 1: him to come out. So we went it and we

1657
01:42:58,880 --> 01:43:01,400
Speaker 1: was waiting too long and we up but that right

1658
01:43:01,439 --> 01:43:03,559
Speaker 1: there was a sign like yo. But I told proud

1659
01:43:03,640 --> 01:43:05,840
Speaker 1: Mada like I thought I got wrong. I try to

1660
01:43:06,360 --> 01:43:11,240
Speaker 1: even get wrong. Stop showing the day story. But we

1661
01:43:11,800 --> 01:43:14,280
Speaker 1: got now, and they got me that now they got yo,

1662
01:43:14,400 --> 01:43:17,320
Speaker 1: this yo, this is gonna be ya. This was before

1663
01:43:17,360 --> 01:43:20,160
Speaker 1: the whoever you gotta tell our stuff stuff so a

1664
01:43:20,240 --> 01:43:22,160
Speaker 1: little so when I saw me telling me I was

1665
01:43:22,320 --> 01:43:24,960
Speaker 1: pressing them, I was like, hey, yo, listen, man. The

1666
01:43:25,120 --> 01:43:28,560
Speaker 1: niggas robbed me being right now, like y'all. He was

1667
01:43:28,600 --> 01:43:31,479
Speaker 1: on the wrong side. He was on outside of the building,

1668
01:43:32,160 --> 01:43:35,000
Speaker 1: but that was not the neighborhood. But no, actually he

1669
01:43:35,200 --> 01:43:37,519
Speaker 1: got away though he was gone. He just had the

1670
01:43:37,560 --> 01:43:41,320
Speaker 1: double I was walking around with the false in d

1671
01:43:41,520 --> 01:43:45,639
Speaker 1: nigger the far. I don't know how I got. It's

1672
01:43:45,720 --> 01:43:49,400
Speaker 1: his birthday, so I'm like, yo, you know you want something, Yeah,

1673
01:43:50,200 --> 01:43:54,160
Speaker 1: good bottle of champagne or something. I saw a nigga,

1674
01:43:54,320 --> 01:43:57,960
Speaker 1: No he no, lie in the building with a white

1675
01:43:58,000 --> 01:44:02,080
Speaker 1: woman's wig going and the white face mask right like

1676
01:44:02,200 --> 01:44:04,920
Speaker 1: a wig face like a president mask. It was a

1677
01:44:04,960 --> 01:44:09,479
Speaker 1: white lady. But it threw me. I wanted to look

1678
01:44:09,479 --> 01:44:16,280
Speaker 1: at things about it. I think he got me. So

1679
01:44:18,360 --> 01:44:23,360
Speaker 1: so I'm in the building and then we outside, so

1680
01:44:23,880 --> 01:44:26,600
Speaker 1: the forcing didn't even leave. That's why I think he

1681
01:44:26,640 --> 01:44:32,240
Speaker 1: set me up. So I go into building. Right, it's

1682
01:44:32,280 --> 01:44:33,720
Speaker 1: on the third floor, so I don't have to take

1683
01:44:33,720 --> 01:44:35,880
Speaker 1: the elevator. So I go open the door to woke

1684
01:44:35,960 --> 01:44:37,880
Speaker 1: up in the project. To woke up stairs to the

1685
01:44:37,960 --> 01:44:41,200
Speaker 1: first floor. The dude said, come back down. You got

1686
01:44:41,280 --> 01:44:44,040
Speaker 1: the gun of my man's stomach, you know. But no, okay,

1687
01:44:44,720 --> 01:44:46,599
Speaker 1: he got the gun of my man's stomach and said

1688
01:44:46,600 --> 01:44:49,599
Speaker 1: come back here on a shoot. So I'm moving slow

1689
01:44:50,120 --> 01:44:52,160
Speaker 1: at a thousand dollars in my pocket. I had a

1690
01:44:52,200 --> 01:44:55,679
Speaker 1: white shirt on that the world be free, ring one

1691
01:44:55,840 --> 01:44:58,560
Speaker 1: with the world. I got on the two chains. I

1692
01:44:58,640 --> 01:45:01,599
Speaker 1: got my busy box. Now he snapped my business. Now

1693
01:45:01,760 --> 01:45:04,800
Speaker 1: mass at me going all the way home with no music.

1694
01:45:07,880 --> 01:45:09,880
Speaker 1: He tells me to take the chains off. So on

1695
01:45:10,000 --> 01:45:14,600
Speaker 1: this slow motion, so he snapped brown first one. I'm like,

1696
01:45:14,720 --> 01:45:20,000
Speaker 1: this is crazy, man, because I couldn't win. I gotta

1697
01:45:20,360 --> 01:45:26,200
Speaker 1: I was snaps snap if you don't come back, So

1698
01:45:27,160 --> 01:45:32,120
Speaker 1: he shot bow right. Let so serious, you know, no,

1699
01:45:32,840 --> 01:45:34,639
Speaker 1: it was over because when I walked outside and look

1700
01:45:34,640 --> 01:45:36,960
Speaker 1: at what happened, I'm like I knew to set me up,

1701
01:45:37,000 --> 01:45:39,759
Speaker 1: because how you know that something happened to me? Because

1702
01:45:39,800 --> 01:45:42,439
Speaker 1: he's shot to let the man's know that it's over.

1703
01:45:43,840 --> 01:45:46,599
Speaker 1: So I went back the next day with the fork green,

1704
01:45:46,680 --> 01:45:49,000
Speaker 1: I got a dog and my cousin Mail and the

1705
01:45:49,040 --> 01:45:52,040
Speaker 1: Fiords went to stout out the club. So outside the

1706
01:45:52,120 --> 01:45:56,400
Speaker 1: club until it was over. When outside opening, no, we

1707
01:45:56,439 --> 01:45:58,200
Speaker 1: didn't care who was there. Open the trunk up out

1708
01:45:58,240 --> 01:46:00,639
Speaker 1: the businses still stop busting out the club. I'm shooting

1709
01:46:00,680 --> 01:46:08,840
Speaker 1: everybody upright. So the next day Light comes and says,

1710
01:46:09,720 --> 01:46:12,320
Speaker 1: I heard what happened to stat Nolan. But that part

1711
01:46:12,400 --> 01:46:14,720
Speaker 1: didn't get me. The only part that was I was

1712
01:46:14,800 --> 01:46:20,160
Speaker 1: scared about was Paris finding out. So his man called

1713
01:46:20,200 --> 01:46:23,439
Speaker 1: him to, YO, your man got robbed. So oh, he

1714
01:46:23,520 --> 01:46:26,280
Speaker 1: called this is when? So what you're saying this out right?

1715
01:46:26,600 --> 01:46:28,360
Speaker 1: So Paris just me and says you got wrong, like

1716
01:46:28,720 --> 01:46:35,360
Speaker 1: you know everybody robbed me. So I'm lying to him

1717
01:46:36,160 --> 01:46:39,280
Speaker 1: why his man lived in you know it's so He's like, yo,

1718
01:46:39,360 --> 01:46:40,920
Speaker 1: you know your point you got you got robbed b

1719
01:46:41,120 --> 01:46:43,200
Speaker 1: And I'm like, Yo, that's what you're saying is out?

1720
01:46:43,360 --> 01:46:46,120
Speaker 1: You know that the gun talks in the record. The

1721
01:46:46,200 --> 01:46:48,680
Speaker 1: whole ship, so I have to go back. But look

1722
01:46:48,720 --> 01:46:50,960
Speaker 1: y'all went back and do that then because it got

1723
01:46:51,080 --> 01:46:53,200
Speaker 1: back there. Yo, they came and tried to clip up

1724
01:46:53,280 --> 01:46:55,760
Speaker 1: last night they got yeah, oh my god, the a

1725
01:46:55,880 --> 01:47:00,280
Speaker 1: p m D. I ain't gonna lie. Listen, listen, we

1726
01:47:00,360 --> 01:47:03,519
Speaker 1: almost got jam Rolls kill yeah big time before he

1727
01:47:03,600 --> 01:47:11,960
Speaker 1: went to the NBA Ohio right jail ross hip hop.

1728
01:47:12,200 --> 01:47:15,559
Speaker 1: These girls is good friends as you see. You see

1729
01:47:15,600 --> 01:47:18,040
Speaker 1: in the past, I mean and in the past five

1730
01:47:18,080 --> 01:47:22,000
Speaker 1: you got the epn D had someone a documentary. We're

1731
01:47:22,000 --> 01:47:26,280
Speaker 1: in the spot. Ohio comes to Detroit, No Detroit, come

1732
01:47:26,320 --> 01:47:32,000
Speaker 1: to Ohio and tennis arena. The pieces Detroit a big

1733
01:47:32,040 --> 01:47:41,559
Speaker 1: bamboo feel like they was they was. They destroyed this arena.

1734
01:47:42,200 --> 01:47:44,439
Speaker 1: So now they messed up by putting chairs and seat

1735
01:47:44,640 --> 01:47:49,120
Speaker 1: right in the ep m D concert right now. See

1736
01:47:49,400 --> 01:47:54,800
Speaker 1: we got ten thousands up in there. Now. I'm the

1737
01:47:54,960 --> 01:47:57,560
Speaker 1: only one that got to test that night too. Exactly,

1738
01:47:57,920 --> 01:48:01,800
Speaker 1: you got a pistol on your We're running the right

1739
01:48:01,880 --> 01:48:05,599
Speaker 1: so we want to do now Niggas is busting every angle.

1740
01:48:06,160 --> 01:48:10,559
Speaker 1: Now this is a moving vand Jalen J six something

1741
01:48:11,640 --> 01:48:13,640
Speaker 1: much finding way to get out of here. Man, So

1742
01:48:13,840 --> 01:48:17,000
Speaker 1: he jumped in the moving band. Luckily. I don't know

1743
01:48:17,560 --> 01:48:24,760
Speaker 1: how are you another stopped? You know, we came out

1744
01:48:24,840 --> 01:48:27,160
Speaker 1: the venue. Everybody came out at the same time. We

1745
01:48:27,280 --> 01:48:31,960
Speaker 1: had another door van rolling. Jalen jumping kept it moving.

1746
01:48:33,200 --> 01:48:35,400
Speaker 1: He would have been there because there was on us.

1747
01:48:36,720 --> 01:48:39,800
Speaker 1: No the time in Cana when there was there was

1748
01:48:40,040 --> 01:48:42,360
Speaker 1: a boke of the boots coming by my head. Really

1749
01:48:42,439 --> 01:48:45,800
Speaker 1: talk about we in North Carolinas, the niggas called them boys,

1750
01:48:45,840 --> 01:48:49,479
Speaker 1: called them that game we're going to at the party,

1751
01:48:50,640 --> 01:48:53,920
Speaker 1: we walk in there, specializing them going there first, right

1752
01:48:55,320 --> 01:48:58,680
Speaker 1: he had made already. Yeah, of course he didn't go

1753
01:48:58,760 --> 01:49:01,599
Speaker 1: in there right, all the sudd and we're walking there

1754
01:49:01,720 --> 01:49:03,519
Speaker 1: next me and my man pounds out there with us.

1755
01:49:03,680 --> 01:49:06,000
Speaker 1: I mean the at the party with the guy wants

1756
01:49:06,000 --> 01:49:10,240
Speaker 1: something the drugs may he said the stuff. Yeah, I

1757
01:49:10,360 --> 01:49:17,000
Speaker 1: was right, I thought, man, because one day all the

1758
01:49:17,120 --> 01:49:20,560
Speaker 1: niggers was like, ain't no stars in here, so, you know,

1759
01:49:20,760 --> 01:49:23,160
Speaker 1: kind of playing us conduct. My man wasn't having it

1760
01:49:23,400 --> 01:49:26,439
Speaker 1: hit the boom the dudes gun dropped. So when the

1761
01:49:26,520 --> 01:49:30,560
Speaker 1: gun dropped, it was rolling towards the inside. So we

1762
01:49:30,680 --> 01:49:33,960
Speaker 1: want to go after the pistol, you know, and it

1763
01:49:34,320 --> 01:49:38,880
Speaker 1: was moving fast on my children. So we're backstrapped and said,

1764
01:49:38,880 --> 01:49:46,200
Speaker 1: we ain't gonna get that, so we ran. Now, I'm

1765
01:49:46,320 --> 01:49:49,360
Speaker 1: dirty pound light in this. My man is in top shape.

1766
01:49:49,920 --> 01:49:55,240
Speaker 1: You know. I'm neck and neck with this nick going.

1767
01:49:56,000 --> 01:49:59,479
Speaker 1: They're coming from out the cause under the tires, I

1768
01:49:59,600 --> 01:50:03,080
Speaker 1: mean busting. I don't know how we lived. I jumped

1769
01:50:03,120 --> 01:50:07,160
Speaker 1: in a ditch somewhere in the back and the guy

1770
01:50:07,680 --> 01:50:13,519
Speaker 1: sitting something goes from the highway has stopped. But I'm like,

1771
01:50:14,120 --> 01:50:24,400
Speaker 1: I'm yelling. Nigga's like all right. I'm like yo yo,

1772
01:50:25,080 --> 01:50:28,560
Speaker 1: So so we get back. Big daddy can't hear about it.

1773
01:50:29,040 --> 01:50:30,920
Speaker 1: Him and a certain man Terminy had them big guns.

1774
01:50:31,040 --> 01:50:33,000
Speaker 1: It's like, yo, I like to happy yesterday. Man, the

1775
01:50:33,120 --> 01:50:37,679
Speaker 1: nigga's going down now. But like, okay, But I gotta

1776
01:50:37,720 --> 01:50:39,800
Speaker 1: bring it back to what you said earlier, because I

1777
01:50:39,960 --> 01:50:44,240
Speaker 1: feel like you said that um Uh Kane went on

1778
01:50:44,439 --> 01:50:46,840
Speaker 1: after y'all, But then you said Kane came on with

1779
01:50:46,920 --> 01:50:50,639
Speaker 1: a speedo. I just gotta get to this. I gotta Actually,

1780
01:50:51,720 --> 01:50:59,280
Speaker 1: I don't know you talk about we were stage the speedo, yes,

1781
01:51:00,200 --> 01:51:03,280
Speaker 1: the hotel and a hotel yes, yo. We used to

1782
01:51:03,360 --> 01:51:07,160
Speaker 1: get escorted to the county line a lot. We used

1783
01:51:07,200 --> 01:51:09,720
Speaker 1: to have the hostage negotiate to get our people back,

1784
01:51:09,800 --> 01:51:11,360
Speaker 1: and then they'd be like, whoa, you could have your

1785
01:51:11,400 --> 01:51:14,200
Speaker 1: boys backed as long as you leave the state. Me

1786
01:51:14,320 --> 01:51:20,000
Speaker 1: and Paris fort Hammer and at him fifty of this handling.

1787
01:51:20,960 --> 01:51:22,560
Speaker 1: They got there, They got in mind there, but we

1788
01:51:22,640 --> 01:51:26,559
Speaker 1: had to fight him and some of the police department. Yes,

1789
01:51:28,040 --> 01:51:30,439
Speaker 1: was understanding. But when nolla Ice was opening for us,

1790
01:51:31,200 --> 01:51:41,160
Speaker 1: ever understanding. Ham told Hammond told told have it from Oakland.

1791
01:51:41,760 --> 01:51:48,840
Speaker 1: Hammond told Hammond, yeah. Hammon told us too, don't have

1792
01:51:49,080 --> 01:51:52,240
Speaker 1: your man dancing on the speakers. So we said, okay, cool,

1793
01:51:52,320 --> 01:51:56,920
Speaker 1: it's your door Nika Thiny from Queen's you know, for

1794
01:51:57,080 --> 01:51:59,840
Speaker 1: rocking right people more. He didn't want to hear all that.

1795
01:52:00,000 --> 01:52:03,479
Speaker 1: That's what you do. He jumped on the speakers anyway.

1796
01:52:03,640 --> 01:52:08,000
Speaker 1: While now when when she is over, somebody come to

1797
01:52:08,360 --> 01:52:11,200
Speaker 1: to findy talking mess. So Powders comes over to say

1798
01:52:11,840 --> 01:52:14,880
Speaker 1: to see what's going on. So do you know it's

1799
01:52:14,960 --> 01:52:18,559
Speaker 1: puffed up at p p broke the glasses, the frame,

1800
01:52:19,120 --> 01:52:25,320
Speaker 1: the cheek, boom, nigga, everything came up right. So again

1801
01:52:25,400 --> 01:52:27,120
Speaker 1: we're six two and a half. Have you said chocolate

1802
01:52:27,160 --> 01:52:37,240
Speaker 1: brown you don't like yo yo? So I thought, wow,

1803
01:52:38,120 --> 01:52:41,160
Speaker 1: we're going to a hallway and we stuck met Paris

1804
01:52:41,240 --> 01:52:46,320
Speaker 1: and Solo and we trapped. But about you know, it's

1805
01:52:46,320 --> 01:52:51,080
Speaker 1: about fifty of them anyway, just before the Georgian she

1806
01:52:51,200 --> 01:52:56,080
Speaker 1: can be the ice and she hamdls kind of down together.

1807
01:52:56,320 --> 01:53:00,080
Speaker 1: Russell Simmons had the call and had to holding a

1808
01:53:00,160 --> 01:53:05,559
Speaker 1: couple of days exactly. So yeah, but he called Leo

1809
01:53:07,280 --> 01:53:09,680
Speaker 1: onto No, no, he could get on the day they

1810
01:53:09,720 --> 01:53:12,479
Speaker 1: got the mount handled. But the way the whole thing

1811
01:53:12,560 --> 01:53:15,680
Speaker 1: went down at the end, everything ended right from the

1812
01:53:15,760 --> 01:53:19,160
Speaker 1: let your police man who only gets down just opened

1813
01:53:19,200 --> 01:53:23,439
Speaker 1: the back door. We left. Somebody stole our mic that night,

1814
01:53:23,960 --> 01:53:26,400
Speaker 1: and we had the audacity after we tore that place

1815
01:53:26,520 --> 01:53:29,719
Speaker 1: up to go to the prestin and see if anybody

1816
01:53:29,800 --> 01:53:35,639
Speaker 1: turned in the mike. I wasn't get a little more story,

1817
01:53:36,160 --> 01:53:38,080
Speaker 1: like all right, we gotta stop. He was boys, But

1818
01:53:38,200 --> 01:53:45,200
Speaker 1: we fought mostly getting step to it, getting like taking

1819
01:53:45,200 --> 01:53:47,120
Speaker 1: advantage of and I'm not gonna step to me if

1820
01:53:47,160 --> 01:53:54,080
Speaker 1: I'm looking at them, like are you serious? Used like

1821
01:53:54,120 --> 01:53:57,519
Speaker 1: I'm gonna see Paris was this friend of the football.

1822
01:53:57,560 --> 01:54:00,439
Speaker 1: We was like, did you see us? Parents? Like no,

1823
01:54:00,640 --> 01:54:03,680
Speaker 1: but I'm saying but they didn't like a couple of

1824
01:54:03,840 --> 01:54:06,800
Speaker 1: rappers are I'm like, damn, you ain't gonna win, man,

1825
01:54:06,920 --> 01:54:08,400
Speaker 1: Like in my head when I look at like, you know,

1826
01:54:08,840 --> 01:54:12,280
Speaker 1: coming down. But that was like we coming and again

1827
01:54:12,360 --> 01:54:14,479
Speaker 1: and we scat something that I'm gonna come up to

1828
01:54:14,560 --> 01:54:16,160
Speaker 1: dress room. I'm missing on name, but they come like

1829
01:54:16,280 --> 01:54:22,599
Speaker 1: just room, not just within them and everything. A couple

1830
01:54:22,600 --> 01:54:29,920
Speaker 1: of you, like y'all arrested, y'all out. You know, you

1831
01:54:30,320 --> 01:54:33,400
Speaker 1: know the little bathroom they have in the production office

1832
01:54:33,440 --> 01:54:35,520
Speaker 1: when you're cooking up your money. Ye know. We stayed

1833
01:54:35,520 --> 01:54:37,080
Speaker 1: in there with the cups. They stayed on the phone

1834
01:54:37,120 --> 01:54:40,160
Speaker 1: with Russian management. Yeah, we coups sit in the ride.

1835
01:54:40,200 --> 01:54:43,640
Speaker 1: We got twenty five thousand people like that going and

1836
01:54:43,760 --> 01:54:47,600
Speaker 1: everything everything joint, where's the young artist? Where City boyd?

1837
01:54:47,760 --> 01:54:58,520
Speaker 1: And I'm young? Really? Yeah? The right not shut the games. Yeah,

1838
01:54:59,480 --> 01:55:04,840
Speaker 1: but this is what what they're describing as me as

1839
01:55:04,880 --> 01:55:08,080
Speaker 1: a CEO, I want you to understand what the fun

1840
01:55:08,280 --> 01:55:13,920
Speaker 1: they're saying. Like Rush management was crazy. Everybody. If you

1841
01:55:14,120 --> 01:55:16,800
Speaker 1: wasn't on the depth jat, you had to be on

1842
01:55:17,000 --> 01:55:23,000
Speaker 1: Rush and that eventually turned into violater that's true, and

1843
01:55:23,120 --> 01:55:27,000
Speaker 1: eventually heavy and then and then because I felt like

1844
01:55:27,000 --> 01:55:29,560
Speaker 1: I was on depth jam my whole career, but I wasn't.

1845
01:55:29,960 --> 01:55:35,080
Speaker 1: I was. I was on I guess rush um Russ

1846
01:55:35,120 --> 01:55:37,800
Speaker 1: excuse me. I felt I felt like he was like

1847
01:55:38,160 --> 01:55:40,800
Speaker 1: fuck it and he gave it to baby Chris. That's

1848
01:55:40,840 --> 01:55:45,440
Speaker 1: what That's what his name was. It wasn't baby. And

1849
01:55:45,520 --> 01:55:48,120
Speaker 1: actually Chris Lighty name is actually not even Chris because

1850
01:55:48,200 --> 01:55:51,960
Speaker 1: like his real name is Daryl Lightdy. So baby chrismas

1851
01:55:52,040 --> 01:56:01,480
Speaker 1: because it's Mike mke Lightley. But but the truth Chris

1852
01:56:02,480 --> 01:56:06,560
Speaker 1: was his father. That's why they call him baby Chris. Wow.

1853
01:56:07,520 --> 01:56:10,600
Speaker 1: So Chris Ldy's real name. And that's how I know

1854
01:56:10,720 --> 01:56:13,600
Speaker 1: because like when he first signed me, you'll send meifty,

1855
01:56:14,160 --> 01:56:17,680
Speaker 1: send me fifteen thousand or whatever. And then I kept

1856
01:56:17,720 --> 01:56:20,200
Speaker 1: going to the Western Union back in the days you

1857
01:56:20,240 --> 01:56:22,880
Speaker 1: were sending that ship, like you're sending that type of ship,

1858
01:56:24,480 --> 01:56:33,520
Speaker 1: Chris ldy and there was like, no, You're closet, was like,

1859
01:56:34,320 --> 01:56:37,360
Speaker 1: and I finally called Clordia and Claudia was like, his

1860
01:56:37,480 --> 01:56:39,640
Speaker 1: name is Daryl Lighty and know was that whole ship?

1861
01:56:39,680 --> 01:56:41,680
Speaker 1: I didn't know that. But he's why they called him

1862
01:56:41,760 --> 01:56:45,160
Speaker 1: baby Chris is because his father name was Chris. So

1863
01:56:45,320 --> 01:56:49,320
Speaker 1: the reason why I want everybody to know is one

1864
01:56:49,360 --> 01:56:54,760
Speaker 1: of the best situations, best places I've ever seen in life,

1865
01:56:54,920 --> 01:56:58,880
Speaker 1: was one seventy Varry. You remember that christ You could

1866
01:56:58,960 --> 01:57:02,080
Speaker 1: roll dice there. You get a haircut and you get

1867
01:57:02,120 --> 01:57:06,520
Speaker 1: some pussy. If you never us into that's kind of

1868
01:57:06,560 --> 01:57:12,920
Speaker 1: what we tell you something. It was like the bad

1869
01:57:13,000 --> 01:57:14,960
Speaker 1: boys on them. It was telling to be like that.

1870
01:57:15,080 --> 01:57:18,280
Speaker 1: It was bad the depth jam first one seventy back,

1871
01:57:18,800 --> 01:57:20,640
Speaker 1: and then then they had another office and there was

1872
01:57:20,640 --> 01:57:25,320
Speaker 1: my chump king. I'm seventy back, was it one? So

1873
01:57:25,440 --> 01:57:29,920
Speaker 1: we started off Elizabeth Street was like the town, right,

1874
01:57:30,200 --> 01:57:34,120
Speaker 1: but then one seventy bag. Yeah, it was like for me,

1875
01:57:35,760 --> 01:57:39,320
Speaker 1: it was like a hood outside of the hook meeting

1876
01:57:39,920 --> 01:57:49,200
Speaker 1: Grand Temptation would have much money, grant nothing. I used

1877
01:57:49,240 --> 01:57:58,160
Speaker 1: to call us like, yeah, old day, but I'm gonna

1878
01:57:58,160 --> 01:58:03,360
Speaker 1: be honest. That office I felt like the hood outside

1879
01:58:03,400 --> 01:58:05,880
Speaker 1: of the hood. But it also felt like this is

1880
01:58:06,080 --> 01:58:09,480
Speaker 1: this when you make it. This is people you to

1881
01:58:09,600 --> 01:58:13,280
Speaker 1: sell a million records like you. Every it's different like you,

1882
01:58:13,920 --> 01:58:17,320
Speaker 1: you was ninety eight, the next like guys you know

1883
01:58:17,440 --> 01:58:20,840
Speaker 1: against and a million million records categories like you was.

1884
01:58:21,480 --> 01:58:24,480
Speaker 1: I remember, I remember you was balaning despot with me.

1885
01:58:24,720 --> 01:58:27,480
Speaker 1: You and M and Peter guns in them like one, two,

1886
01:58:27,560 --> 01:58:31,040
Speaker 1: and three. Don't get rabbits are light, super thug and

1887
01:58:31,240 --> 01:58:38,320
Speaker 1: fucking Peter Gunn your video I remember. I remember I

1888
01:58:38,440 --> 01:58:40,800
Speaker 1: was like, damn, I gotta take him down. Take him down.

1889
01:58:42,440 --> 01:58:45,720
Speaker 1: You did, and I remember we did um um, what's

1890
01:58:45,720 --> 01:58:49,600
Speaker 1: the dude from um mtvtr was name not all right? No,

1891
01:58:49,840 --> 01:58:53,080
Speaker 1: no the way guy, I'm Johnny. I'm not a john

1892
01:58:55,920 --> 01:58:59,360
Speaker 1: I remember being on the beach interviewing that day. I'm like, Dad,

1893
01:58:59,360 --> 01:59:03,560
Speaker 1: you know we got the one that was it was

1894
01:59:03,720 --> 01:59:06,280
Speaker 1: ringing so hard, like I'm like, yo, Leo, listen, man,

1895
01:59:07,360 --> 01:59:10,760
Speaker 1: we gotta you know, be dropped another record like like no,

1896
01:59:11,240 --> 01:59:13,840
Speaker 1: we are right. And then Maxwell we got another one

1897
01:59:13,880 --> 01:59:22,520
Speaker 1: album that he'd be Max but I maxt One got

1898
01:59:22,600 --> 01:59:24,640
Speaker 1: beef for me, Max One. I I gotta tell you

1899
01:59:24,680 --> 01:59:28,280
Speaker 1: what because I said on the record, I said, um,

1900
01:59:28,320 --> 01:59:32,240
Speaker 1: your niggas is gay like the Maxwell video and he

1901
01:59:32,360 --> 01:59:36,040
Speaker 1: never he never forgot that, like they actually ring the

1902
01:59:36,120 --> 01:59:39,720
Speaker 1: Violator like he actually I'm a super shoot at this time,

1903
01:59:39,800 --> 01:59:43,320
Speaker 1: like I'm super shooter, Like I don't have shooters. I

1904
01:59:43,480 --> 01:59:47,040
Speaker 1: am the shooter. So he came to Violator because he

1905
01:59:47,120 --> 01:59:50,440
Speaker 1: was a street dude nobody do it. And I'm like,

1906
01:59:51,280 --> 01:59:54,440
Speaker 1: just like I said, Yo, what did you do to Maxwell?

1907
01:59:58,320 --> 02:00:00,040
Speaker 1: It was at this time, I just say dumb it

1908
02:00:00,160 --> 02:00:02,560
Speaker 1: in my round. I didn't I didn't know people actually

1909
02:00:02,720 --> 02:00:09,080
Speaker 1: listen to me. So some MAXs I was only a

1910
02:00:09,120 --> 02:00:14,320
Speaker 1: million people. He told them, niggas you tell Nora, me

1911
02:00:14,400 --> 02:00:17,840
Speaker 1: and him gotta fight like and Chris is like, yo, no,

1912
02:00:18,120 --> 02:00:23,240
Speaker 1: he's gonna shoot. You don't want to fight. But I

1913
02:00:23,400 --> 02:00:25,280
Speaker 1: just thought it was the dopest thing that the R

1914
02:00:25,320 --> 02:00:29,400
Speaker 1: and B to fight me like I actually I told

1915
02:00:29,480 --> 02:00:34,600
Speaker 1: everybody little to me and another thing before we go,

1916
02:00:34,760 --> 02:00:36,680
Speaker 1: that's so big. I want to go and start get

1917
02:00:36,720 --> 02:00:40,120
Speaker 1: into the middle place. But love is a situation where

1918
02:00:40,240 --> 02:00:42,600
Speaker 1: we need that more. Like you said before that some

1919
02:00:42,840 --> 02:00:44,320
Speaker 1: point we can change the love of ship by Nigga

1920
02:00:44,360 --> 02:00:46,640
Speaker 1: is just loving this stead of the head said, and

1921
02:00:46,720 --> 02:00:51,160
Speaker 1: then Michael Epp said to over forty. The only reason

1922
02:00:51,360 --> 02:00:54,680
Speaker 1: that I'm gonna put these up it was necessary. I

1923
02:00:54,680 --> 02:00:57,040
Speaker 1: don't give if you called me a fat fun or

1924
02:00:57,200 --> 02:01:00,520
Speaker 1: your music sucks or whatever. I'm going home. That's because

1925
02:01:00,560 --> 02:01:03,120
Speaker 1: my to year old son needs his dad. That's right.

1926
02:01:03,400 --> 02:01:06,240
Speaker 1: The only way I'm going if I'm put in the

1927
02:01:06,360 --> 02:01:10,080
Speaker 1: position right I'm protecting my family or put in the city,

1928
02:01:10,120 --> 02:01:12,120
Speaker 1: but I gotta get out then I'm putting these up.

1929
02:01:12,360 --> 02:01:14,960
Speaker 1: But other than that, though I can't see you being

1930
02:01:15,840 --> 02:01:18,160
Speaker 1: this is the point seven four year years old and saying, Yo,

1931
02:01:18,720 --> 02:01:21,880
Speaker 1: I'm talking these streets like a funk that nigga you know,

1932
02:01:21,960 --> 02:01:25,760
Speaker 1: and you're here nigga's talking mess or on the web

1933
02:01:25,880 --> 02:01:29,080
Speaker 1: and doing this ship on the text and oh at

1934
02:01:29,120 --> 02:01:33,880
Speaker 1: this age, I'm not fighting you money, I'm not just

1935
02:01:35,240 --> 02:01:40,440
Speaker 1: Here's the problem is hip hop gotta start taking responsibility,

1936
02:01:41,040 --> 02:01:44,200
Speaker 1: meaning there's no way you should fight. There's no way

1937
02:01:44,280 --> 02:01:46,720
Speaker 1: you should fight. This gotta be somebody that's in the

1938
02:01:46,840 --> 02:01:54,840
Speaker 1: club saying what I know? Are you talking to? Who? Like? Right?

1939
02:01:55,200 --> 02:01:59,520
Speaker 1: And we gotta that's that's that's the thing, is Hill,

1940
02:02:00,160 --> 02:02:03,640
Speaker 1: everybody that's here. We gotta start taking responsibility. And because

1941
02:02:03,720 --> 02:02:05,840
Speaker 1: you know why, and this is the reason why we

1942
02:02:06,080 --> 02:02:09,320
Speaker 1: started this, because we gotta actually protect our legends like

1943
02:02:09,440 --> 02:02:13,840
Speaker 1: we actually do. Like if you see I told you

1944
02:02:15,040 --> 02:02:19,160
Speaker 1: now he's black, he's black. But I remember I remember

1945
02:02:19,680 --> 02:02:23,640
Speaker 1: seeing Prince just just go somewhere and I'm just seeing

1946
02:02:23,680 --> 02:02:28,200
Speaker 1: the club just just who just behind that there just

1947
02:02:29,280 --> 02:02:31,720
Speaker 1: and it came in by itself and he levitated. In

1948
02:02:31,800 --> 02:02:36,640
Speaker 1: my mind, did see him walk in my mind definitely,

1949
02:02:37,280 --> 02:02:40,160
Speaker 1: but it was like, damn, I saw that. I mean

1950
02:02:40,480 --> 02:02:44,680
Speaker 1: I saw it. Button. That's that's exactly like if rock

1951
02:02:44,760 --> 02:02:47,200
Speaker 1: Kim coming to the club, if EPMD comeing to the club,

1952
02:02:47,400 --> 02:02:51,040
Speaker 1: Careras coming to the club, and anything that happened anywhere

1953
02:02:51,120 --> 02:02:54,280
Speaker 1: around y'all, it's my fault. Now, it's my fault, like

1954
02:02:54,360 --> 02:02:57,680
Speaker 1: I made it happen. It's my fault because I could

1955
02:02:57,720 --> 02:03:03,520
Speaker 1: have prevented it. I gotta set the presidents. I know

1956
02:03:03,600 --> 02:03:07,440
Speaker 1: I'm dyslexic. I gotta set the presidents. I said it right, Yes,

1957
02:03:08,640 --> 02:03:17,440
Speaker 1: the president. I gotta presidents so that the next generation

1958
02:03:17,600 --> 02:03:21,879
Speaker 1: set the presidents. Yes, very important about that. It's very important.

1959
02:03:22,000 --> 02:03:25,080
Speaker 1: We have to. But no, we left the game. There's

1960
02:03:25,120 --> 02:03:28,960
Speaker 1: been no one there here that That's why I apologize

1961
02:03:29,040 --> 02:03:31,880
Speaker 1: to to to soldier boy because from the boys said, listen,

1962
02:03:32,240 --> 02:03:35,040
Speaker 1: you arguing at me, But we had nobody to tell

1963
02:03:35,120 --> 02:03:38,200
Speaker 1: us exactly, so only did what I knew, right, he

1964
02:03:38,400 --> 02:03:45,000
Speaker 1: was argent apologized right, Yes, I didn't know. We didn't

1965
02:03:45,200 --> 02:03:47,400
Speaker 1: head him to go on. See we had something to

1966
02:03:47,480 --> 02:03:50,520
Speaker 1: go on when we came. You know that it was

1967
02:03:50,560 --> 02:03:58,240
Speaker 1: a way from Baby Christ was yes, do it right

1968
02:03:58,280 --> 02:04:03,360
Speaker 1: exactly and that and that's the reason why. UM, if anybody,

1969
02:04:04,280 --> 02:04:06,160
Speaker 1: if you're listening to this, like I told I was

1970
02:04:06,200 --> 02:04:10,560
Speaker 1: telling you outside, Pete, I was telling you outside that

1971
02:04:10,840 --> 02:04:13,200
Speaker 1: I had checked into this hotel, right, and when I

1972
02:04:13,320 --> 02:04:18,960
Speaker 1: checked into this hotel that didn't sound good at all,

1973
02:04:21,760 --> 02:04:24,640
Speaker 1: but I had checked into this I had checked into

1974
02:04:24,720 --> 02:04:27,960
Speaker 1: this hotel, right. And when I checked into this hotel,

1975
02:04:28,520 --> 02:04:30,480
Speaker 1: the guy says to me, thank you, and I said,

1976
02:04:30,560 --> 02:04:32,680
Speaker 1: thank you for what? And he goes, you put me

1977
02:04:32,800 --> 02:04:36,480
Speaker 1: on the duck down right. A part of me wanted

1978
02:04:36,480 --> 02:04:38,840
Speaker 1: to smack the ship out of there. That's how the

1979
02:04:38,880 --> 02:04:41,000
Speaker 1: fund can I put you on a duck down? But

1980
02:04:41,120 --> 02:04:44,400
Speaker 1: then another part of me was like, damn, I gotta

1981
02:04:44,440 --> 02:04:47,760
Speaker 1: recognize what I'm doing. Because he's twenty three years old.

1982
02:04:48,560 --> 02:04:52,120
Speaker 1: He didn't know. So when he aired the duck down interview,

1983
02:04:52,480 --> 02:04:55,960
Speaker 1: he went and he did his research and he went

1984
02:04:56,120 --> 02:04:59,160
Speaker 1: and he you know, he actually knew Smith and Wesson

1985
02:04:59,400 --> 02:05:02,840
Speaker 1: was and he knew it, but he was open. So

1986
02:05:03,000 --> 02:05:05,800
Speaker 1: part of me still want to smack him because I'm like, damn.

1987
02:05:06,360 --> 02:05:08,040
Speaker 1: But then the other part of me was like, this

1988
02:05:08,160 --> 02:05:11,600
Speaker 1: guy don't even know him, nor he wasn't educated. He

1989
02:05:11,720 --> 02:05:15,600
Speaker 1: don't even know. He's looking at me like the podcast,

1990
02:05:16,680 --> 02:05:18,680
Speaker 1: and that's what you said your video the other day.

1991
02:05:18,960 --> 02:05:20,640
Speaker 1: You're seen in a video and he was like, no,

1992
02:05:20,920 --> 02:05:23,640
Speaker 1: tell his name is who he is, But I don't killing, No,

1993
02:05:23,760 --> 02:05:25,560
Speaker 1: I don't, you don't care. But I just felt that

1994
02:05:25,640 --> 02:05:27,440
Speaker 1: because I said I wanted to say, because I was me.

1995
02:05:28,560 --> 02:05:33,800
Speaker 1: I wanted me to get. But the thing about it is,

1996
02:05:34,560 --> 02:05:38,000
Speaker 1: think about it is I don't care if people have

1997
02:05:38,160 --> 02:05:40,640
Speaker 1: to look at me like that and I could kill

1998
02:05:40,800 --> 02:05:43,880
Speaker 1: still represent hip hop. I'm gonna say one thing before

1999
02:05:43,920 --> 02:05:48,000
Speaker 1: we get this is no disrespect far as what's going on,

2000
02:05:49,320 --> 02:05:52,360
Speaker 1: and no, you know we nowhere near white and black thing.

2001
02:05:53,640 --> 02:05:57,360
Speaker 1: If we don't make a stance, they would want to

2002
02:05:57,400 --> 02:06:01,560
Speaker 1: start the error off with martial matters. Yes, you know

2003
02:06:01,600 --> 02:06:03,680
Speaker 1: what I thought about that the number one rapper in

2004
02:06:03,800 --> 02:06:06,760
Speaker 1: the world, the number one selling rapper in the world

2005
02:06:06,960 --> 02:06:10,560
Speaker 1: is Imminem. And it's not gonna do it because he's

2006
02:06:10,560 --> 02:06:14,640
Speaker 1: incredibly nice. But that's what the culture is going through.

2007
02:06:14,880 --> 02:06:17,680
Speaker 1: If they can rewrite it, you know what I'm talking

2008
02:06:17,680 --> 02:06:19,440
Speaker 1: about eating I'm so sorry to cut you up. You

2009
02:06:19,480 --> 02:06:21,960
Speaker 1: know what I thought about the other day, and this

2010
02:06:22,120 --> 02:06:25,120
Speaker 1: is the reason why I love what we're doing because

2011
02:06:25,160 --> 02:06:28,560
Speaker 1: I thought about it. I said, Yo, what happens if

2012
02:06:28,640 --> 02:06:32,080
Speaker 1: hip hop is just tarnished for the next hundred years? Right?

2013
02:06:32,920 --> 02:06:36,320
Speaker 1: And what happens when they actually go do research? You

2014
02:06:36,440 --> 02:06:39,240
Speaker 1: know what, They could actually look up love and hip hop.

2015
02:06:40,480 --> 02:06:43,920
Speaker 1: That's horrible, I'm just saying. But it's televised, so think

2016
02:06:43,920 --> 02:06:47,000
Speaker 1: about it. So think about my thing. My thing is

2017
02:06:47,800 --> 02:06:52,040
Speaker 1: they can actually go and pull up because the history

2018
02:06:52,120 --> 02:06:55,720
Speaker 1: books is gonna up. It's gonna life up. So just imagine.

2019
02:06:56,040 --> 02:06:58,840
Speaker 1: It's his story. But it goes back to what Eric said,

2020
02:06:58,960 --> 02:07:01,320
Speaker 1: we have to have We should have categories for hip

2021
02:07:01,360 --> 02:07:04,520
Speaker 1: hop so everything is not just shoved under hip hop

2022
02:07:05,000 --> 02:07:09,920
Speaker 1: one label before before it gets written off the way

2023
02:07:10,000 --> 02:07:11,640
Speaker 1: he said. But you know he's been gonna suck it up.

2024
02:07:11,800 --> 02:07:15,440
Speaker 1: It's gonna his story, gonna suck it up, because Yo, glory,

2025
02:07:15,560 --> 02:07:18,480
Speaker 1: if we don't work like like he said, we stopped working.

2026
02:07:19,120 --> 02:07:22,440
Speaker 1: So now and have you said to you might wait

2027
02:07:22,440 --> 02:07:26,160
Speaker 1: with the records, you can't do it. You know there's

2028
02:07:26,200 --> 02:07:29,720
Speaker 1: people out there. Even if don't worry about about what

2029
02:07:29,920 --> 02:07:33,080
Speaker 1: you think about what mainstream is, it's when he make

2030
02:07:33,160 --> 02:07:37,040
Speaker 1: the records and do you it's gonna come. It's gonna

2031
02:07:37,280 --> 02:07:40,280
Speaker 1: yo that that when I tell you that it's gonna

2032
02:07:40,360 --> 02:07:43,240
Speaker 1: be blessed and it's gonna come, that the world will

2033
02:07:43,280 --> 02:07:46,880
Speaker 1: hear it. I promise you the world is gonna hear it.

2034
02:07:47,280 --> 02:07:50,000
Speaker 1: It's a different type of buying. Now. The world don't

2035
02:07:50,040 --> 02:07:56,320
Speaker 1: woke up. People. People don't woke up now. They woke

2036
02:07:56,400 --> 02:07:58,840
Speaker 1: up and they went to the run. They want to

2037
02:07:59,120 --> 02:08:04,880
Speaker 1: they want to hear I'm telling you, tip, we just

2038
02:08:05,000 --> 02:08:07,520
Speaker 1: did a new deal with Title and hit Squad Digital.

2039
02:08:08,040 --> 02:08:10,960
Speaker 1: So these are the power moves that we're breaking news

2040
02:08:11,160 --> 02:08:19,200
Speaker 1: right now. Yeah, okay, I want you to describe what

2041
02:08:19,280 --> 02:08:21,000
Speaker 1: you just said, because you said you did a deal

2042
02:08:21,160 --> 02:08:25,920
Speaker 1: with Title Digital, So that means you're an artist's owner. Yes,

2043
02:08:26,080 --> 02:08:28,880
Speaker 1: that's correct, and I want people to understand what that means.

2044
02:08:29,480 --> 02:08:31,000
Speaker 1: That means that you can be an artists and we're

2045
02:08:31,000 --> 02:08:33,560
Speaker 1: gonna chicken. That means you could be an artist and

2046
02:08:33,640 --> 02:08:36,880
Speaker 1: you can still own your ship too. That's correct, And

2047
02:08:36,960 --> 02:08:41,880
Speaker 1: this is what we do. So basically that all the

2048
02:08:41,960 --> 02:08:43,920
Speaker 1: work that we put in back in the early parts

2049
02:08:44,000 --> 02:08:47,160
Speaker 1: of our career is coming back around. So we self contained,

2050
02:08:47,240 --> 02:08:49,880
Speaker 1: independent in house, and this is the way we're gonna

2051
02:08:49,880 --> 02:08:52,840
Speaker 1: fund on it because in the technology era, it's all

2052
02:08:52,880 --> 02:08:56,040
Speaker 1: about content. Now they even think download it's gonna be

2053
02:08:56,080 --> 02:08:57,720
Speaker 1: out in a minute, and it's all about to watch.

2054
02:08:57,880 --> 02:09:02,440
Speaker 1: Think you think you know what you're doing it. Let

2055
02:09:02,480 --> 02:09:05,280
Speaker 1: me ask you this. Do you like streaming because to me,

2056
02:09:06,080 --> 02:09:08,120
Speaker 1: I like streaming because I feel like your hate is

2057
02:09:08,160 --> 02:09:10,320
Speaker 1: even listening to you, to you because they feel like

2058
02:09:10,360 --> 02:09:13,400
Speaker 1: they're not supporting you. Oh yeah, but yeah there right,

2059
02:09:14,000 --> 02:09:19,480
Speaker 1: you see membership So you know we just covered the

2060
02:09:19,720 --> 02:09:24,240
Speaker 1: bass part. Even if you press it, you're watching, you

2061
02:09:24,320 --> 02:09:28,000
Speaker 1: got vib'll reported even the Hayters tuned into what we're

2062
02:09:28,000 --> 02:09:35,520
Speaker 1: actually doing. The scream well one album one of albums up.

2063
02:09:36,000 --> 02:09:39,520
Speaker 1: That's terrible, right dad for the artist. But on the record,

2064
02:09:41,680 --> 02:09:43,760
Speaker 1: if you're only you're good in the streaming, it's money.

2065
02:09:44,000 --> 02:09:46,520
Speaker 1: So yo. Big shout out to Daniel for the you know,

2066
02:09:46,640 --> 02:09:50,680
Speaker 1: making the squad coming, Chance for having that bigot they

2067
02:09:50,760 --> 02:09:54,240
Speaker 1: got second over the school nory got me up less,

2068
02:09:54,440 --> 02:09:57,200
Speaker 1: that's not that's the drink Chance, got me up? Promise

2069
02:09:57,280 --> 02:10:00,520
Speaker 1: you hold up time out? Can we give all uh

2070
02:10:01,520 --> 02:10:05,600
Speaker 1: social media tags? Ye? What you give it out? Give

2071
02:10:05,680 --> 02:10:09,280
Speaker 1: it out? Tell them? Oh yeah you have my bad

2072
02:10:09,600 --> 02:10:12,720
Speaker 1: Oh I thought I didn't. Eric sermon Eric I c

2073
02:10:12,880 --> 02:10:16,200
Speaker 1: K Underscore Sermon on Instagram and I am Eric Sermon

2074
02:10:16,280 --> 02:10:20,000
Speaker 1: on Twitter, and of course death runs on Instagram and

2075
02:10:20,040 --> 02:10:27,880
Speaker 1: death words dot Com on www whatever yo, and I'm

2076
02:10:27,920 --> 02:10:31,560
Speaker 1: on the on Instagram, on pm D Underscore Mike Underscore

2077
02:10:31,680 --> 02:10:34,240
Speaker 1: doc on Twitter, on p m D of E p

2078
02:10:34,440 --> 02:10:38,800
Speaker 1: m D and then uh Facebook, p m D, VP

2079
02:10:38,960 --> 02:10:41,040
Speaker 1: m D. I got a Facebook. That's how you know

2080
02:10:41,160 --> 02:10:46,880
Speaker 1: you got got I ain't got one either, But listen

2081
02:10:46,880 --> 02:10:49,880
Speaker 1: to my brothers. I'm gonna be honest. Yeah, I really

2082
02:10:49,920 --> 02:10:53,680
Speaker 1: appreciated y'all. You called for us and BK, we are not.

2083
02:10:54,320 --> 02:10:57,320
Speaker 1: You called and you came, and no, you called for

2084
02:10:57,480 --> 02:11:00,840
Speaker 1: uce be heard. You have me, And you know what,

2085
02:11:02,160 --> 02:11:05,280
Speaker 1: I don't want this to be the first second I wanted.

2086
02:11:05,320 --> 02:11:11,160
Speaker 1: I want you to always come back because why and

2087
02:11:11,360 --> 02:11:14,520
Speaker 1: why why we got this platform. I don't know how

2088
02:11:14,640 --> 02:11:17,840
Speaker 1: long we're gonna have this platform at this level. So

2089
02:11:17,960 --> 02:11:19,320
Speaker 1: you know what I want to do. I want to

2090
02:11:19,840 --> 02:11:22,880
Speaker 1: continue to support people that I want to support. And

2091
02:11:23,000 --> 02:11:26,320
Speaker 1: that's why y'all, y'all hear. Because but the thing about

2092
02:11:26,360 --> 02:11:29,840
Speaker 1: it is, we don't know, oh we do know how

2093
02:11:29,880 --> 02:11:33,440
Speaker 1: about that? We do know that hip hop should be celebrated.

2094
02:11:34,280 --> 02:11:36,520
Speaker 1: And that's that's my last meeting with Leo Colins, the

2095
02:11:36,640 --> 02:11:39,200
Speaker 1: last time I've seen him. He said, do you know

2096
02:11:39,480 --> 02:11:44,440
Speaker 1: like this is working? I said no, He said, because

2097
02:11:44,600 --> 02:11:49,200
Speaker 1: hip hop has never had a celebration. We always tear

2098
02:11:49,280 --> 02:11:53,040
Speaker 1: each other down. Even why do you why didn't he

2099
02:11:53,160 --> 02:11:58,480
Speaker 1: fix it? I'm fixing it. I'm saying, saying, but didn't

2100
02:11:58,480 --> 02:12:02,760
Speaker 1: tell you that? No, I didn't. Some now I got smart,

2101
02:12:04,240 --> 02:12:09,360
Speaker 1: but but I just wanted to take the compliment. I

2102
02:12:09,440 --> 02:12:12,920
Speaker 1: definitely didn't want to get back. But the thing about

2103
02:12:13,000 --> 02:12:17,720
Speaker 1: it is, I thought he had a point because hip

2104
02:12:17,760 --> 02:12:22,840
Speaker 1: hop like, why the funk we can't. So the thing

2105
02:12:22,960 --> 02:12:25,000
Speaker 1: that hip hop really is in the colleges, in the

2106
02:12:25,120 --> 02:12:29,000
Speaker 1: high school, how to teach and celebrates, you know everything.

2107
02:12:29,760 --> 02:12:33,360
Speaker 1: Let me tell you something big. One day, I'm like

2108
02:12:33,560 --> 02:12:38,320
Speaker 1: Kentucky somewhere right and some guy he does a step

2109
02:12:39,280 --> 02:12:40,800
Speaker 1: and as so as he does a step, the other

2110
02:12:40,880 --> 02:12:44,080
Speaker 1: guy goes, oh, shoo you for him such and they're like, yeah,

2111
02:12:45,760 --> 02:12:48,520
Speaker 1: they're doing this ship together. It's a white guy and

2112
02:12:48,600 --> 02:12:51,320
Speaker 1: a black guy. But you know what it was that

2113
02:12:51,520 --> 02:12:55,600
Speaker 1: fraternity run them together. Yes, that's what the hip hop is. YO,

2114
02:12:55,760 --> 02:12:58,720
Speaker 1: No racism in hip hop there's no racism hip hop.

2115
02:12:58,920 --> 02:13:02,440
Speaker 1: We're supposed to were are fraternity. So no matter where

2116
02:13:02,480 --> 02:13:05,120
Speaker 1: you're at or where else, no matter what right, no

2117
02:13:05,280 --> 02:13:08,520
Speaker 1: matter like you be from New Orleans, we're supposed to

2118
02:13:08,520 --> 02:13:14,720
Speaker 1: say hip hop, hip hop. Yeah, yeah, that's what my mom.

2119
02:13:14,760 --> 02:13:20,600
Speaker 1: They did that then. So that's what I'm trying to

2120
02:13:20,720 --> 02:13:23,760
Speaker 1: tell people. I'm trying to say is that hip hop

2121
02:13:23,840 --> 02:13:25,960
Speaker 1: is supposed to be a real fraternity. Now, before you

2122
02:13:26,000 --> 02:13:31,120
Speaker 1: get about of here, I've been trying to start something

2123
02:13:31,160 --> 02:13:35,919
Speaker 1: called a hip hop Union, which means we want everybody

2124
02:13:36,000 --> 02:13:39,080
Speaker 1: to get one percent of their profits, not a lot.

2125
02:13:40,000 --> 02:13:44,160
Speaker 1: And the problem is when if DMX has a problem,

2126
02:13:45,080 --> 02:13:48,840
Speaker 1: DMX needs to be held down, the hip Hop Union

2127
02:13:48,920 --> 02:13:52,360
Speaker 1: takes care to try to do that, like Cool Cool

2128
02:13:52,600 --> 02:13:56,400
Speaker 1: when he's in trouble, donate. And the thing about it is,

2129
02:13:56,880 --> 02:13:59,120
Speaker 1: the thing about it is, I know it sounds unpossible

2130
02:13:59,160 --> 02:14:02,320
Speaker 1: because we dine niggers right right exactly, and we're all

2131
02:14:04,000 --> 02:14:06,320
Speaker 1: but so many people want they want to sit back.

2132
02:14:06,360 --> 02:14:08,400
Speaker 1: But the thing about it is, we gotta think about

2133
02:14:08,400 --> 02:14:10,920
Speaker 1: the less four right, Like how about I love this?

2134
02:14:11,280 --> 02:14:17,800
Speaker 1: How about like Chier that's he said he he did

2135
02:14:17,960 --> 02:14:20,440
Speaker 1: something and he admitted and he took his cry, but

2136
02:14:20,560 --> 02:14:23,120
Speaker 1: my son said he never did it, and he still

2137
02:14:23,240 --> 02:14:27,320
Speaker 1: maintains that to this day. He did eight years and

2138
02:14:27,400 --> 02:14:29,640
Speaker 1: he said he never did it, but he never had

2139
02:14:29,640 --> 02:14:33,240
Speaker 1: a lawyer. And the thing about the hip hop union,

2140
02:14:34,920 --> 02:14:39,200
Speaker 1: we should all be together and now somebody set up. Man,

2141
02:14:39,360 --> 02:14:44,760
Speaker 1: don't talking about no, no, no no, But because Nori,

2142
02:14:44,920 --> 02:14:49,560
Speaker 1: then we would be the only billion, multibillion dollar industry

2143
02:14:50,440 --> 02:14:53,680
Speaker 1: that don't have a union protection. That's in boxing right

2144
02:14:53,840 --> 02:14:57,000
Speaker 1: right the d next to Yeah. But that's what I

2145
02:14:57,080 --> 02:15:00,200
Speaker 1: gotta say. I'm gonna tell you something. I'm sorry, and

2146
02:15:00,400 --> 02:15:03,160
Speaker 1: I don't hope everybody's listening. I don't know, but you know,

2147
02:15:03,720 --> 02:15:08,000
Speaker 1: the other day we've seen DMX on stage. Amount of

2148
02:15:08,120 --> 02:15:11,840
Speaker 1: us really appreciated it, right, We didn't appreciate. Not not

2149
02:15:12,000 --> 02:15:14,560
Speaker 1: the fact that we didn't appreciate on stage, but we

2150
02:15:14,840 --> 02:15:18,120
Speaker 1: were just like, that's all. That's all kid, Our kids

2151
02:15:18,120 --> 02:15:21,200
Speaker 1: gonna look a little different. So if he needs help,

2152
02:15:22,000 --> 02:15:24,400
Speaker 1: the thing, I can't do it by myself. What's happening?

2153
02:15:24,520 --> 02:15:26,800
Speaker 1: We do the hip hop union and people just say,

2154
02:15:26,840 --> 02:15:29,760
Speaker 1: you know what, that's permanent headlock. Yeah, but you guys

2155
02:15:29,800 --> 02:15:32,840
Speaker 1: want to do it to know true. But if he

2156
02:15:33,040 --> 02:15:38,720
Speaker 1: does want to do it right for us to understand

2157
02:15:38,720 --> 02:15:40,880
Speaker 1: what I'm saying, because it's like it's like it's it's

2158
02:15:40,920 --> 02:15:42,600
Speaker 1: just it's just like it's just like yo, yo, because

2159
02:15:42,640 --> 02:15:44,320
Speaker 1: the rock guys do it all the time like it's

2160
02:15:44,360 --> 02:15:51,240
Speaker 1: nothing because you know, just at it like like like

2161
02:15:51,440 --> 02:15:56,160
Speaker 1: like they make you pay to do a movie, That's

2162
02:15:56,160 --> 02:15:58,880
Speaker 1: what I'm saying. Sac So they actually make you say,

2163
02:15:59,000 --> 02:16:01,520
Speaker 1: he goes this, I'm out the money and then you're

2164
02:16:01,560 --> 02:16:03,480
Speaker 1: a part of the union and then now you do

2165
02:16:03,600 --> 02:16:06,280
Speaker 1: the movie and then then you get paid. Why why

2166
02:16:06,400 --> 02:16:10,640
Speaker 1: why hip hop is thirty fucking five forty years old?

2167
02:16:11,160 --> 02:16:14,920
Speaker 1: Why we can't do that? Why we can't actually take

2168
02:16:14,960 --> 02:16:18,160
Speaker 1: care of like it's been so it's been so many

2169
02:16:18,280 --> 02:16:21,400
Speaker 1: different times where I'm like, yo, damn, I know if

2170
02:16:21,600 --> 02:16:24,480
Speaker 1: I cut the check or I know if I do it,

2171
02:16:25,400 --> 02:16:29,440
Speaker 1: it might be perceived bad because they're like what he thinking, Yeah,

2172
02:16:29,960 --> 02:16:31,480
Speaker 1: like you know what I'm saying. So you know what

2173
02:16:31,520 --> 02:16:38,440
Speaker 1: I'm saying. I say okay, and you know it's okay,

2174
02:16:38,480 --> 02:16:40,480
Speaker 1: and you comfortable way then you pick up the phone

2175
02:16:40,520 --> 02:16:43,760
Speaker 1: and be like you get a bed right, And that's

2176
02:16:44,160 --> 02:16:47,400
Speaker 1: because because because you know and then come out a

2177
02:16:47,480 --> 02:16:50,080
Speaker 1: better person. This is what I'm sayings the point because

2178
02:16:50,120 --> 02:16:53,520
Speaker 1: I want that for you, because if we don't protect ourselves,

2179
02:16:53,640 --> 02:16:56,520
Speaker 1: nobody's gonna protect us. And I know we're kicking it.

2180
02:16:56,680 --> 02:17:00,040
Speaker 1: We're talking together with this ship is real, like that's you.

2181
02:17:00,680 --> 02:17:03,400
Speaker 1: I love, not seen when I seen certain people, when

2182
02:17:03,440 --> 02:17:05,880
Speaker 1: I've seen them that I can help, but I've seen

2183
02:17:06,040 --> 02:17:09,880
Speaker 1: also these niggas are niggas, and I'm a nigger too,

2184
02:17:10,560 --> 02:17:14,400
Speaker 1: and he might take it personally if I stepped in

2185
02:17:14,520 --> 02:17:19,520
Speaker 1: a certain way. So I sat back and I said, damn, first,

2186
02:17:19,600 --> 02:17:22,440
Speaker 1: we started with the hip hop flag. Remember you started

2187
02:17:22,480 --> 02:17:24,280
Speaker 1: with the hip hop flag. I feel like, you know,

2188
02:17:25,400 --> 02:17:30,000
Speaker 1: I'm sorry, I'm getting deep gein d but I stay

2189
02:17:30,040 --> 02:17:32,800
Speaker 1: at the W hotels, right. I love the W, I

2190
02:17:32,920 --> 02:17:36,840
Speaker 1: really do. But every W has a gay flag out there?

2191
02:17:37,360 --> 02:17:40,160
Speaker 1: Am I saying? No? Am I saying, don't take the

2192
02:17:40,240 --> 02:17:44,720
Speaker 1: gay flag out? No? But that's it's it's an automatic identification.

2193
02:17:45,440 --> 02:17:49,560
Speaker 1: It's an automatic identification that you're kind is welcome man. Right.

2194
02:17:50,680 --> 02:17:52,480
Speaker 1: I felt like we should have a hip hop flag

2195
02:17:53,720 --> 02:17:57,000
Speaker 1: that no matter where you go, you see this flag

2196
02:17:57,040 --> 02:18:01,200
Speaker 1: and you know you welcome. You understand, because I could

2197
02:18:01,240 --> 02:18:04,000
Speaker 1: go to the restaurant right now, right, and I can

2198
02:18:04,080 --> 02:18:07,080
Speaker 1: go and I got I got a little bit brad,

2199
02:18:07,400 --> 02:18:12,240
Speaker 1: so whatever, but I won't know if I'm accepted to

2200
02:18:12,400 --> 02:18:15,680
Speaker 1: the bill comes. I want to know I'm accepted prior

2201
02:18:15,800 --> 02:18:18,400
Speaker 1: to that. I want to walk into a restaurant and say,

2202
02:18:18,440 --> 02:18:21,440
Speaker 1: oh ship, I know I'm good in that because they

2203
02:18:21,520 --> 02:18:23,560
Speaker 1: got the hip hop the same way, and I'm not

2204
02:18:23,680 --> 02:18:25,800
Speaker 1: comparing hip hop the gage like I'm not doing that.

2205
02:18:25,840 --> 02:18:28,880
Speaker 1: I understand they play, understand, I understand, I understand. But

2206
02:18:29,000 --> 02:18:31,880
Speaker 1: at the same token, that's the respect. When you look

2207
02:18:32,320 --> 02:18:34,360
Speaker 1: and you say, damn you see that, you see that

2208
02:18:34,520 --> 02:18:43,880
Speaker 1: black big business business down right, I have to say, yeah,

2209
02:18:45,640 --> 02:18:52,880
Speaker 1: seeing copon real right off to getting you hear stuff

2210
02:18:52,879 --> 02:18:55,480
Speaker 1: and you don't know now you're seeing like yo nigas

2211
02:18:56,160 --> 02:18:58,280
Speaker 1: he was at the house for the album, like yoll

2212
02:18:58,600 --> 02:19:09,360
Speaker 1: and then and then like what do you think I can't.

2213
02:19:17,560 --> 02:19:19,080
Speaker 1: Before we get out of here, we just want to

2214
02:19:19,120 --> 02:19:21,560
Speaker 1: remind you that you can buy drink Champs gear at

2215
02:19:21,600 --> 02:19:24,640
Speaker 1: your local DTLR store, so look up the store nearest

2216
02:19:24,680 --> 02:19:27,160
Speaker 1: to you. You can also buy drink Champs gear and

2217
02:19:27,320 --> 02:19:30,120
Speaker 1: other merch at drink Champs dot com or eight and

2218
02:19:30,240 --> 02:19:33,400
Speaker 1: nine dot com. Check us on Revolt TV every Thursday

2219
02:19:33,480 --> 02:19:36,840
Speaker 1: night at ten pm. Then unedited audio drops Monday nights

2220
02:19:36,879 --> 02:19:40,240
Speaker 1: going into Tuesday at midnight. Then check for the United

2221
02:19:40,360 --> 02:19:43,800
Speaker 1: video Wednesdays on Revolt dot TV, Drink Champs dot Com,

2222
02:19:44,120 --> 02:19:46,400
Speaker 1: or you can go directly to YouTube. Look out for

2223
02:19:46,480 --> 02:19:49,320
Speaker 1: Nori's new food show coming soon, as well as new

2224
02:19:49,360 --> 02:19:53,160
Speaker 1: project featuring the upcoming single Uno mass Produced and featuring

2225
02:19:53,240 --> 02:19:56,840
Speaker 1: Farrell Check from My Coming Home documentaries Coming Home Vietnam

2226
02:19:56,959 --> 02:20:00,840
Speaker 1: documentary right now currently airing on Revolt TV and coming soon,

2227
02:20:01,280 --> 02:20:04,720
Speaker 1: Coming Home Colombia. Follow us at Drink Champs on i G,

2228
02:20:05,200 --> 02:20:09,160
Speaker 1: Twitter and Facebook, and Nori at the Real Noriega on Instagram,

2229
02:20:09,560 --> 02:20:12,640
Speaker 1: at Noriega on Twitter, and me e f N at

2230
02:20:12,680 --> 02:20:14,880
Speaker 1: Who's Crazy on i G and at d j e

2231
02:20:15,080 --> 02:20:17,360
Speaker 1: f N on Twitter. And until next week, we had

2232
02:20:17,400 --> 02:20:18,000
Speaker 1: to hear peace