1 00:00:01,760 --> 00:00:04,439 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,360 --> 00:00:12,039 Speaker 1: Welcome to you, and that's what you really miss podcasts. 4 00:00:12,240 --> 00:00:15,720 Speaker 1: This is season four, episode nineteen, if you can believe 5 00:00:15,720 --> 00:00:17,640 Speaker 1: it or not, called Sweet Dreams. 6 00:00:18,120 --> 00:00:22,280 Speaker 2: It originally aired on April eighteenth, two thousand and thirteen. 7 00:00:23,040 --> 00:00:24,240 Speaker 2: Somehow we're on episode nineteen. 8 00:00:24,280 --> 00:00:27,240 Speaker 1: Okay, I don't know how that happened in the news, 9 00:00:27,280 --> 00:00:29,040 Speaker 1: So what was going on in the world. The number 10 00:00:29,080 --> 00:00:30,880 Speaker 1: one song is new and it was When I Was 11 00:00:30,920 --> 00:00:32,680 Speaker 1: Your Man by Bruno Mar's great song. 12 00:00:33,520 --> 00:00:36,760 Speaker 2: The number one movie was forty two starring Chadwick Boseman. 13 00:00:36,960 --> 00:00:41,479 Speaker 2: This was like the rise of Chadwick Boseman doing just 14 00:00:42,000 --> 00:00:44,240 Speaker 2: the most like categorice back to back to back. 15 00:00:44,120 --> 00:00:47,520 Speaker 1: To back to back Glee News this week. On April 16 00:00:47,520 --> 00:00:50,680 Speaker 1: twenty fourth, the casting critically celebrated the final day of 17 00:00:50,680 --> 00:00:54,120 Speaker 1: filming season four with a cake made by Charme City Cakes, 18 00:00:54,120 --> 00:00:56,360 Speaker 1: which was such a big deal back then because charm 19 00:00:56,440 --> 00:01:00,840 Speaker 1: City was like such a phenomenon at that point. And 20 00:01:00,880 --> 00:01:07,800 Speaker 1: they made this huge, slurpy looking, big quench slurpy looking 21 00:01:07,840 --> 00:01:11,240 Speaker 1: cup and it was a cake and. 22 00:01:11,240 --> 00:01:14,839 Speaker 2: It's also the iconic photo of all of us leaning 23 00:01:14,880 --> 00:01:17,319 Speaker 2: in and Chris with a knife to the back of 24 00:01:17,319 --> 00:01:17,720 Speaker 2: my neck. 25 00:01:18,760 --> 00:01:20,560 Speaker 1: It does look like it's going into the back of 26 00:01:20,560 --> 00:01:22,080 Speaker 1: my neck, but I think it was meant to be 27 00:01:22,120 --> 00:01:22,720 Speaker 1: into the cake. 28 00:01:23,680 --> 00:01:25,080 Speaker 2: No, he's I mean he's looking at me. 29 00:01:26,280 --> 00:01:27,160 Speaker 1: Okay. 30 00:01:28,680 --> 00:01:31,560 Speaker 2: This was like part of that time where having these 31 00:01:31,600 --> 00:01:35,920 Speaker 2: celebrations was also such like a nice little break. But 32 00:01:35,959 --> 00:01:39,280 Speaker 2: it was so we had like the fifth hundred song, 33 00:01:39,360 --> 00:01:42,760 Speaker 2: the six hundred song, like all those little celebrations that 34 00:01:42,840 --> 00:01:44,200 Speaker 2: kept happening, and. 35 00:01:44,200 --> 00:01:44,920 Speaker 1: Which one is this? 36 00:01:45,680 --> 00:01:47,920 Speaker 2: And they would allow cakes for everybody's birthday and we 37 00:01:47,920 --> 00:01:51,040 Speaker 2: were like crafty, really got it done, like we were 38 00:01:51,040 --> 00:01:53,040 Speaker 2: always looking for a reason to celebrate. 39 00:01:52,640 --> 00:01:56,880 Speaker 1: Something and eat some sweet treats. Yes, this episode was 40 00:01:56,960 --> 00:01:59,040 Speaker 1: directed by Ellendie Keane. She's back. 41 00:01:59,680 --> 00:02:01,800 Speaker 2: She's been here in a while, No, she hasn't. 42 00:02:01,920 --> 00:02:06,360 Speaker 1: She gets really interesting episodes, I will say that. And 43 00:02:06,400 --> 00:02:10,320 Speaker 1: this was written by on Paper Ross Maxwell, our friend Ross. 44 00:02:11,480 --> 00:02:15,040 Speaker 1: Very interesting. This is a very interesting episode, and we'll 45 00:02:15,080 --> 00:02:15,720 Speaker 1: talk about it. 46 00:02:15,800 --> 00:02:19,480 Speaker 2: And we have a Dina and zellback and Eenie leaks, 47 00:02:19,800 --> 00:02:22,160 Speaker 2: which is just to what we needed. 48 00:02:22,639 --> 00:02:29,120 Speaker 1: Heaven, true Heaven, This isn't there's this is a this 49 00:02:29,240 --> 00:02:32,720 Speaker 1: is a hot pot, a melting pot of songs if 50 00:02:32,760 --> 00:02:36,160 Speaker 1: you will sure is okay? We start with next to 51 00:02:36,200 --> 00:02:38,720 Speaker 1: Me by Emily Sunday performed by Rachel and Shelby. 52 00:02:39,440 --> 00:02:42,160 Speaker 2: I would just like to say that back then I 53 00:02:42,200 --> 00:02:46,920 Speaker 2: saw Emily Sunday at a music festival perform Actually it 54 00:02:47,040 --> 00:02:49,760 Speaker 2: might have been this same year, and it was one 55 00:02:49,760 --> 00:02:54,600 Speaker 2: of the most magical performances that I've ever seen. Oh okay, 56 00:02:54,960 --> 00:02:57,600 Speaker 2: Like Unreal Fight for Your Right to Party by the 57 00:02:57,600 --> 00:03:00,840 Speaker 2: Beastie Boys performed by f and Puck. 58 00:03:01,160 --> 00:03:04,400 Speaker 1: You Have More Friends Than You Know by Glee but 59 00:03:04,520 --> 00:03:07,359 Speaker 1: Really by Mervyn Warren and Jeff Mark. 60 00:03:07,600 --> 00:03:11,679 Speaker 2: Don't Stop Believing. This new Tune by Journey performed by 61 00:03:11,919 --> 00:03:14,720 Speaker 2: Rachel and all of us O g Glee. 62 00:03:16,360 --> 00:03:22,040 Speaker 1: And outcast Bike Lee, also performed by the new Directions. Okay, 63 00:03:22,680 --> 00:03:25,679 Speaker 1: let's talk about these fun fun facts. 64 00:03:26,240 --> 00:03:28,960 Speaker 2: Well, this first fun fact isn't not a fun fact 65 00:03:29,080 --> 00:03:32,280 Speaker 2: really fun No, And I had a feeling I didn't 66 00:03:32,280 --> 00:03:35,080 Speaker 2: know for sure, but watching it. This is in the 67 00:03:35,120 --> 00:03:37,240 Speaker 2: back of my mind the entire time for some reason, 68 00:03:38,440 --> 00:03:40,120 Speaker 2: because we're getting to the end of the season. 69 00:03:40,800 --> 00:03:47,920 Speaker 1: And yeah, also it feels final in a really strange way, 70 00:03:48,920 --> 00:03:51,400 Speaker 1: like without really knowing it's his last episode that we're 71 00:03:51,400 --> 00:03:53,880 Speaker 1: going to see him in It feels really final in 72 00:03:53,960 --> 00:03:55,280 Speaker 1: some ways, does it not? 73 00:03:56,000 --> 00:03:59,680 Speaker 2: It does? So this is Corey's last episode of Glee, 74 00:04:00,320 --> 00:04:03,600 Speaker 2: And when we got to that Don't Stop Believe in 75 00:04:04,120 --> 00:04:07,520 Speaker 2: number that's I was like, Oh, I think I think 76 00:04:07,520 --> 00:04:11,280 Speaker 2: this is it. There was also something about that day 77 00:04:11,320 --> 00:04:16,720 Speaker 2: when we were filming it that also felt weird and 78 00:04:16,839 --> 00:04:19,039 Speaker 2: not like any sort of like in a premonition way 79 00:04:19,080 --> 00:04:22,600 Speaker 2: at all, not implying that, but it felt like, oh, 80 00:04:22,640 --> 00:04:24,559 Speaker 2: this is the last time we're actually doing this song, 81 00:04:24,640 --> 00:04:28,120 Speaker 2: and the song meant so much like to the show, right, 82 00:04:28,560 --> 00:04:32,200 Speaker 2: And so there was like a finality already tied to 83 00:04:32,320 --> 00:04:36,360 Speaker 2: this number into this episode in like a superficial way, 84 00:04:37,200 --> 00:04:40,640 Speaker 2: and now knowing in hindsight that this is the last 85 00:04:40,640 --> 00:04:45,039 Speaker 2: appearance of Finn, last appearance of Corey on Glee, had 86 00:04:45,120 --> 00:04:49,200 Speaker 2: some actual wait to do it for sure. 87 00:04:50,040 --> 00:04:52,600 Speaker 1: This episode features the return of Shelby corkeran or for 88 00:04:52,640 --> 00:04:55,800 Speaker 1: our friend Adina Menzella after hold On to sixteen and 89 00:04:55,880 --> 00:04:59,839 Speaker 1: season three. Wow, this also marks our final appearance in 90 00:04:59,839 --> 00:05:00,479 Speaker 1: this series. 91 00:05:01,160 --> 00:05:03,200 Speaker 2: Wow, I've missed her on the show. 92 00:05:03,520 --> 00:05:03,960 Speaker 1: I have to. 93 00:05:04,480 --> 00:05:06,920 Speaker 2: Also returning for the first time this season is Nini 94 00:05:07,000 --> 00:05:10,600 Speaker 2: Leaks as coach roz Washington. We've been asking, we've been 95 00:05:10,600 --> 00:05:13,840 Speaker 2: asking for more coach Roznyfore do we get some? 96 00:05:14,680 --> 00:05:17,680 Speaker 1: Oh my god, this is the last episode where Puck 97 00:05:17,720 --> 00:05:19,920 Speaker 1: appears as a mean character. 98 00:05:20,400 --> 00:05:24,040 Speaker 2: Just really was like a big episode in that way, 99 00:05:24,880 --> 00:05:27,960 Speaker 2: which is so odd because the episode doesn't feel no, 100 00:05:28,000 --> 00:05:30,120 Speaker 2: not at all that's significant in terms of like what's 101 00:05:30,160 --> 00:05:31,120 Speaker 2: happening in it. 102 00:05:31,120 --> 00:05:34,520 Speaker 1: It has its moments of finality, but it doesn't the 103 00:05:34,600 --> 00:05:36,760 Speaker 1: overall episode, I agree, is not like that. 104 00:05:36,920 --> 00:05:40,760 Speaker 2: I don't know, because that way, it feels like it 105 00:05:40,800 --> 00:05:42,680 Speaker 2: should be a season finale. 106 00:05:42,320 --> 00:05:44,760 Speaker 1: Issue, right right, but exactly, but it's not. 107 00:05:45,640 --> 00:05:49,080 Speaker 2: This the outfit Rachel war during her voiceover about her 108 00:05:49,120 --> 00:05:52,000 Speaker 2: Funny Girl audition and when she says the line hello 109 00:05:52,040 --> 00:05:55,520 Speaker 2: gorgeous as a reference to the Funny Girl movie opening. 110 00:05:55,680 --> 00:05:58,760 Speaker 1: That doesn't surpress me at all. The song you Have 111 00:05:58,800 --> 00:06:00,880 Speaker 1: More Friends Than You Know was written by Mervin Warren 112 00:06:01,000 --> 00:06:04,400 Speaker 1: and Jeff Marks. Were a show centered on the it 113 00:06:04,520 --> 00:06:11,080 Speaker 1: Gets Better campaign, and a portion of the proceeds from 114 00:06:11,200 --> 00:06:14,520 Speaker 1: digital sales of the track went to the Driver Project. 115 00:06:15,200 --> 00:06:19,360 Speaker 2: Love that. That's so nice. It's also it's so special 116 00:06:19,400 --> 00:06:21,800 Speaker 2: when like the show can do tie ins like that. Yeah, 117 00:06:21,839 --> 00:06:25,159 Speaker 2: great organizations and Ryan is so good about that. For sure, 118 00:06:26,240 --> 00:06:28,920 Speaker 2: this is the third time in the series. I don't stop. 119 00:06:28,960 --> 00:06:32,120 Speaker 2: Even as sung on the show, it doesn't feel right. 120 00:06:32,720 --> 00:06:34,640 Speaker 1: It feels like there's one hundred more than that. 121 00:06:34,960 --> 00:06:37,280 Speaker 2: I feel like we did it a billion times. 122 00:06:38,600 --> 00:06:41,039 Speaker 1: There were also like tidbits we've done in like I 123 00:06:41,040 --> 00:06:43,360 Speaker 1: guess spets. 124 00:06:43,360 --> 00:06:43,880 Speaker 2: I felt like I. 125 00:06:43,880 --> 00:06:46,160 Speaker 1: Also did it on The X Factor, we did it 126 00:06:46,200 --> 00:06:49,440 Speaker 1: on Oprah, so like I feel like we were out 127 00:06:49,480 --> 00:06:51,000 Speaker 1: in the world doing it more too. 128 00:06:51,400 --> 00:06:54,599 Speaker 2: I mean, we also did it on tour every single night. 129 00:06:56,279 --> 00:06:58,400 Speaker 2: The first was of course in the pilot, the second 130 00:06:58,440 --> 00:07:01,080 Speaker 2: time was a journey to regionals, and then this, right, 131 00:07:01,200 --> 00:07:04,680 Speaker 2: I think we do it four times total, maybe by 132 00:07:04,680 --> 00:07:05,200 Speaker 2: the end event. 133 00:07:05,080 --> 00:07:07,640 Speaker 1: Including rehearsals. Well, we do do it in the rehearsal 134 00:07:07,680 --> 00:07:12,320 Speaker 1: when when Quinn is pregnant and she runs out because 135 00:07:12,360 --> 00:07:14,200 Speaker 1: she had like a breakfast bruder and you remember that. 136 00:07:14,600 --> 00:07:17,480 Speaker 1: So there's like moments that we do it that's not 137 00:07:18,080 --> 00:07:19,520 Speaker 1: technically it. 138 00:07:27,680 --> 00:07:29,880 Speaker 2: Okay, Jenna, do you want to hear the episode summary? 139 00:07:30,000 --> 00:07:32,680 Speaker 2: I would love to hear it the new directions get 140 00:07:32,720 --> 00:07:35,400 Speaker 2: ready for regionals where dreams will be the theme. 141 00:07:36,000 --> 00:07:36,160 Speaker 1: Right. 142 00:07:36,640 --> 00:07:38,600 Speaker 2: I don't know why I felt like RuPaul. 143 00:07:38,760 --> 00:07:41,400 Speaker 1: An yeah, the theme. 144 00:07:41,520 --> 00:07:44,680 Speaker 2: It's not on the main stage. The new directions get 145 00:07:44,680 --> 00:07:48,200 Speaker 2: ready for regionals where dreams will be the theme. Rachel 146 00:07:48,200 --> 00:07:51,120 Speaker 2: auditions for the Broadway revival of Funny Girl. 147 00:07:51,720 --> 00:07:54,280 Speaker 1: That's funny, Funny is the old. 148 00:07:55,680 --> 00:07:57,600 Speaker 2: Oh Okay Girl. 149 00:07:58,680 --> 00:08:05,920 Speaker 1: There's a lot that happens in this episode. Will and 150 00:08:06,160 --> 00:08:12,040 Speaker 1: Finn are still on the outs, and Finn is not there. 151 00:08:12,760 --> 00:08:16,080 Speaker 1: Mister Shoe is back in a big way, and the 152 00:08:16,080 --> 00:08:20,280 Speaker 1: theme is for regionals it's dreams. He wants to do 153 00:08:20,320 --> 00:08:23,000 Speaker 1: all these songs about dreams in his antiquated ways and 154 00:08:23,240 --> 00:08:26,800 Speaker 1: old person kind of songs that were all written original 155 00:08:26,840 --> 00:08:29,239 Speaker 1: in the eighties, and we're like, this kind of reminds 156 00:08:29,280 --> 00:08:36,160 Speaker 1: me of the movie drum Line, and you know, and 157 00:08:36,200 --> 00:08:41,280 Speaker 1: then he's very mean. He's really just shoots Marley Dunn 158 00:08:41,280 --> 00:08:43,559 Speaker 1: when she wants to share some of her original songs. 159 00:08:43,880 --> 00:08:47,080 Speaker 1: She's feeling brave from you know, and feeling like a 160 00:08:47,160 --> 00:08:51,560 Speaker 1: new sense of purpose after the unfortunate and tragic events 161 00:08:51,559 --> 00:08:55,440 Speaker 1: that happened the week before, and so she proposes to 162 00:08:56,200 --> 00:08:59,360 Speaker 1: the idea to sing some new original songs at regionals 163 00:08:59,360 --> 00:09:02,400 Speaker 1: like we've done with for and mister Shu was very, 164 00:09:02,960 --> 00:09:05,319 Speaker 1: very rough on her, very angry. 165 00:09:05,400 --> 00:09:08,840 Speaker 2: He comes in hot. He's like furious that he found 166 00:09:08,880 --> 00:09:11,360 Speaker 2: out they had this secret glee club meeting, where everyone's 167 00:09:11,400 --> 00:09:16,920 Speaker 2: sort of like airing him out, like we can't do this. Also, 168 00:09:16,960 --> 00:09:20,520 Speaker 2: those scenes are always so fun to shoot. They really are, 169 00:09:20,559 --> 00:09:22,240 Speaker 2: like in the auditorium you get the group because it 170 00:09:22,280 --> 00:09:25,680 Speaker 2: actually does feel like you're sort of conspiring. Yes, like 171 00:09:25,800 --> 00:09:28,840 Speaker 2: teachers that year, and so like we're always acting up 172 00:09:28,880 --> 00:09:33,040 Speaker 2: in those scenes even more. Yeah. And so then when 173 00:09:33,280 --> 00:09:35,559 Speaker 2: we get back to the choir room he found out 174 00:09:35,600 --> 00:09:36,920 Speaker 2: we had the secret meeting. 175 00:09:37,640 --> 00:09:38,760 Speaker 1: And you're disappointed. 176 00:09:39,200 --> 00:09:41,360 Speaker 2: Yeah, he gives us like a dressing down of like 177 00:09:43,600 --> 00:09:44,440 Speaker 2: male rage. 178 00:09:44,800 --> 00:09:49,520 Speaker 1: Oh man, I'm like, is he mad that? Like he 179 00:09:49,559 --> 00:09:50,440 Speaker 1: didn't get married? 180 00:09:51,520 --> 00:09:52,559 Speaker 2: Yeah, I think gets. 181 00:09:52,600 --> 00:09:55,080 Speaker 1: You know, Finn still mad. You know the whole thing 182 00:09:55,120 --> 00:09:57,640 Speaker 1: with Finn in the Kissing of Emma, it's like, I 183 00:09:57,640 --> 00:09:59,600 Speaker 1: don't know, he's taking it out on the wrong people. 184 00:10:00,000 --> 00:10:06,280 Speaker 3: It was like classic straight men not processing their emotions 185 00:10:06,320 --> 00:10:10,439 Speaker 3: properly and then taking it out on children. Yes, also 186 00:10:10,520 --> 00:10:13,120 Speaker 3: his best friends in the whole world. You see a 187 00:10:13,240 --> 00:10:16,000 Speaker 3: problem with this power dynamic. 188 00:10:16,360 --> 00:10:21,480 Speaker 1: See your problem here now, Like it doesn't work and 189 00:10:21,600 --> 00:10:26,280 Speaker 1: people are acting a little bit weird. After the attempt 190 00:10:26,280 --> 00:10:27,760 Speaker 1: the attempt at school shooting as. 191 00:10:27,600 --> 00:10:29,079 Speaker 2: Well, which I do appreciate. 192 00:10:30,200 --> 00:10:32,840 Speaker 1: We're acknowledging that we just don't go back to normal, right. 193 00:10:32,760 --> 00:10:35,360 Speaker 2: Yes, talk about Tina Steampunk? 194 00:10:35,679 --> 00:10:40,559 Speaker 1: Oh god, okay, I hated steam. Yeah, I saw it. 195 00:10:40,600 --> 00:10:45,560 Speaker 1: I'm just miserably steampunk. Everybody loved it. And then you 196 00:10:45,600 --> 00:10:48,800 Speaker 1: feel like a complete downer when people like I love 197 00:10:48,960 --> 00:10:50,839 Speaker 1: this and you're like, do you have to wear it? 198 00:10:51,360 --> 00:10:53,800 Speaker 1: Do you love it? You try it on, you try 199 00:10:53,880 --> 00:10:56,120 Speaker 1: getting in all of these layers, putting on all this 200 00:10:56,200 --> 00:10:58,800 Speaker 1: make up, taking in air and hair, and then you 201 00:10:59,040 --> 00:11:05,040 Speaker 1: telling me you no, it's fine, it's a phase, it'll 202 00:11:05,040 --> 00:11:07,160 Speaker 1: go back to normal. But it was. It was funny, 203 00:11:07,200 --> 00:11:10,360 Speaker 1: and it felt strange because it felt like early teena 204 00:11:10,440 --> 00:11:14,200 Speaker 1: days where that was the norm, like all these crazy 205 00:11:14,280 --> 00:11:15,400 Speaker 1: looks all the time. 206 00:11:15,760 --> 00:11:18,199 Speaker 2: It felt reminiscent of that, which was nice to see. 207 00:11:18,440 --> 00:11:21,040 Speaker 2: I'm glad it's not like a long term thing for 208 00:11:21,120 --> 00:11:22,000 Speaker 2: your own sanity. 209 00:11:22,440 --> 00:11:25,240 Speaker 1: I'm also glad that the Sam twin is not a 210 00:11:25,240 --> 00:11:32,280 Speaker 1: long term thing, although I'm grateful that it happened. An yeah, yeah, yeah, 211 00:11:32,320 --> 00:11:36,160 Speaker 1: maybe too Sam. He really had a field day with 212 00:11:36,200 --> 00:11:39,960 Speaker 1: this though, Cord playing Sam and then pretending to have 213 00:11:40,000 --> 00:11:42,320 Speaker 1: a twin brother, a British twin. 214 00:11:42,160 --> 00:11:45,160 Speaker 2: Brother also Australian. Oh, I don't know. 215 00:11:45,200 --> 00:11:46,839 Speaker 1: It was like that's how we were towing the line there. 216 00:11:46,920 --> 00:11:51,880 Speaker 1: I don't know, but yes, we took it a little 217 00:11:52,600 --> 00:11:55,960 Speaker 1: a couple of scenes too far. But it was kind 218 00:11:56,040 --> 00:11:58,920 Speaker 1: of funny, like it's so ridiculous at this point that 219 00:11:59,000 --> 00:12:02,000 Speaker 1: like again where we're I think already's on it or 220 00:12:02,080 --> 00:12:04,320 Speaker 1: blames like how long are we going to let this 221 00:12:04,440 --> 00:12:07,359 Speaker 1: go on? You know, we're all done with it. 222 00:12:07,000 --> 00:12:11,720 Speaker 2: I did sort of love it though, because seeing is 223 00:12:11,760 --> 00:12:15,720 Speaker 2: the one where one of the times when Chord runs 224 00:12:15,720 --> 00:12:19,120 Speaker 2: into the choir room as Evan and then storms out, 225 00:12:19,160 --> 00:12:21,920 Speaker 2: I was like, Coord is having so much fun right now. 226 00:12:22,080 --> 00:12:24,720 Speaker 2: I know that's the thing. She really, he really was. 227 00:12:25,800 --> 00:12:28,080 Speaker 2: But the more energy, the bigger he can be. Like 228 00:12:28,320 --> 00:12:31,400 Speaker 2: just like it's also fun. I mean imagine like it's 229 00:12:31,440 --> 00:12:33,840 Speaker 2: fun to watch it. Imagine being us in the room 230 00:12:34,480 --> 00:12:40,640 Speaker 2: watching him do this. It's insanity and it was so entertaining. Truly, truly, 231 00:12:40,800 --> 00:12:44,840 Speaker 2: it's strange. It was strange everybody who's acting a muck. 232 00:12:45,120 --> 00:12:47,360 Speaker 2: I feel like some of those things that when you 233 00:12:47,440 --> 00:12:52,160 Speaker 2: watch on the show, they work differently than how they 234 00:12:52,160 --> 00:12:55,199 Speaker 2: are in real life. Obviously, but like because when you're 235 00:12:55,240 --> 00:12:58,080 Speaker 2: doing it in real life, you're sort of taking it 236 00:12:58,080 --> 00:13:00,680 Speaker 2: out of context because you're obviously not watching all the 237 00:13:00,720 --> 00:13:02,960 Speaker 2: scenes in sequential order, So like we're just having a 238 00:13:02,960 --> 00:13:04,680 Speaker 2: great time, and then you're watching it on the show, 239 00:13:04,679 --> 00:13:08,359 Speaker 2: you're like, this is wild chaotic? Does this work. 240 00:13:08,679 --> 00:13:14,319 Speaker 1: Really really chaotic? And that's like the and that's kind 241 00:13:14,360 --> 00:13:17,440 Speaker 1: of like the arc of that whole story. 242 00:13:18,280 --> 00:13:20,679 Speaker 2: Yeah, I mean there's a little reference opening scene with 243 00:13:20,679 --> 00:13:23,480 Speaker 2: like Brittany talking about Mit and you both. I do 244 00:13:23,640 --> 00:13:26,360 Speaker 2: also like you beg Tina being done a little bit. 245 00:13:26,880 --> 00:13:29,319 Speaker 1: Oh, I love it. It's some of my favorites. 246 00:13:29,720 --> 00:13:33,679 Speaker 2: I love that both of you talking about it. I remember, 247 00:13:34,120 --> 00:13:36,640 Speaker 2: and I also like I want more of that. 248 00:13:37,720 --> 00:13:39,280 Speaker 1: That would have been fun. I would have really liked 249 00:13:39,320 --> 00:13:43,480 Speaker 1: to lean into that. I mean, it's just playing. It's 250 00:13:43,520 --> 00:13:46,040 Speaker 1: like playing to Brittany's whole thing, which is yes. 251 00:13:46,000 --> 00:13:48,800 Speaker 2: It's like she has a magical like aura around her 252 00:13:48,840 --> 00:13:50,839 Speaker 2: that transforms everyone who's. 253 00:13:50,559 --> 00:13:53,880 Speaker 1: With her totally totally. And I think this all stems 254 00:13:53,880 --> 00:13:57,560 Speaker 1: from like mister Shue and and Finn, right, so this 255 00:13:57,679 --> 00:14:00,400 Speaker 1: like bleeds into like the Finn storyline of going to 256 00:14:00,480 --> 00:14:04,880 Speaker 1: college partying it up kind of losing his way, not 257 00:14:05,120 --> 00:14:08,920 Speaker 1: being there helping at Ale, you know, at Kimley anymore. 258 00:14:09,640 --> 00:14:12,240 Speaker 1: And then mister Shue kind of coming to this resolve, 259 00:14:12,400 --> 00:14:16,680 Speaker 1: bringing Finn back in spoiler alert at the end to 260 00:14:16,720 --> 00:14:24,320 Speaker 1: help us with regionals and them kind of like moving forward, 261 00:14:24,360 --> 00:14:27,280 Speaker 1: which is also sad that this never fully gets like resolved. 262 00:14:28,080 --> 00:14:34,400 Speaker 1: But yeah, so Finn's going to college at the University 263 00:14:34,440 --> 00:14:38,360 Speaker 1: of Wima to become a teacher, and Puck is magically there. Also. 264 00:14:38,920 --> 00:14:42,520 Speaker 2: I liked how they fit, like fit in this Harlem 265 00:14:42,520 --> 00:14:43,320 Speaker 2: Shake was the song. 266 00:14:44,400 --> 00:14:50,160 Speaker 1: And I just hate these, like these viral moments. They're 267 00:14:50,240 --> 00:14:53,680 Speaker 1: not my favorite. I don't love them. I like them 268 00:14:53,760 --> 00:14:56,280 Speaker 1: like after they're over. Do you know it's like a 269 00:14:56,960 --> 00:14:58,400 Speaker 1: movie where you're like, I'm not going to see it. 270 00:14:58,520 --> 00:14:59,480 Speaker 1: So it's like kind of. 271 00:14:59,440 --> 00:15:04,000 Speaker 2: Like for having it done like this where it's not 272 00:15:04,200 --> 00:15:06,960 Speaker 2: us performing it and it's the actual song and it's 273 00:15:07,000 --> 00:15:11,400 Speaker 2: done by other people in the show felt within the environment, 274 00:15:11,840 --> 00:15:14,760 Speaker 2: like it's a real viral thing as opposed to us 275 00:15:14,880 --> 00:15:18,280 Speaker 2: doing I don't know what the fox say, you know what, 276 00:15:18,560 --> 00:15:23,120 Speaker 2: Like I feel like there's a difference, and there's a 277 00:15:23,160 --> 00:15:25,560 Speaker 2: difference in like seeing it, especially in like the college 278 00:15:25,640 --> 00:15:28,720 Speaker 2: environment and I really thought Eldie did a great job 279 00:15:29,280 --> 00:15:32,840 Speaker 2: she did directing this college portion because she did every 280 00:15:32,840 --> 00:15:35,480 Speaker 2: single scene. I was like, it is Glee, but it's 281 00:15:35,600 --> 00:15:39,280 Speaker 2: not Glee in a good way where it feels like 282 00:15:39,320 --> 00:15:43,760 Speaker 2: a college like Van Wilder Yes movie, Like it feels 283 00:15:43,760 --> 00:15:45,760 Speaker 2: like it's own new, separate thing, and I. 284 00:15:45,840 --> 00:15:51,560 Speaker 1: Like it kind should be popping out somewhere like yeah, yeah, And. 285 00:15:51,520 --> 00:15:54,920 Speaker 2: It worked, but it also still tied into the rest 286 00:15:55,000 --> 00:15:58,000 Speaker 2: and it was like if I'm sure, like I don't 287 00:15:58,000 --> 00:16:01,840 Speaker 2: know what their plan was, but like if that I 288 00:16:01,920 --> 00:16:04,160 Speaker 2: see the vision, like if that was going to continue 289 00:16:04,880 --> 00:16:08,360 Speaker 2: of like how that fit into the show. I actually 290 00:16:08,440 --> 00:16:12,600 Speaker 2: don't remember this happening, probably because it only wasn't one episode. Yeah, 291 00:16:12,640 --> 00:16:14,160 Speaker 2: I didn't remember it, and it's. 292 00:16:14,160 --> 00:16:18,280 Speaker 1: Very vivid in my mind. Ironically, I didn't remember that 293 00:16:18,480 --> 00:16:21,280 Speaker 1: Don't Stop was in this episode, and it took me 294 00:16:21,320 --> 00:16:26,360 Speaker 1: a second to remember shooting this again. Anyway, we'll get there. 295 00:16:28,280 --> 00:16:30,560 Speaker 1: But no, I agree with you. I think Ality did 296 00:16:30,600 --> 00:16:32,720 Speaker 1: a really good job and like creating a new world. 297 00:16:32,880 --> 00:16:35,240 Speaker 1: It's not the Glee world. It's totally new world that 298 00:16:35,320 --> 00:16:39,000 Speaker 1: he's living this like frat life with fit with Puck, 299 00:16:39,040 --> 00:16:41,440 Speaker 1: which I enjoyed. The two of them doing it together. 300 00:16:42,960 --> 00:16:46,880 Speaker 2: And also like, if one thing is consistent about the show, 301 00:16:46,960 --> 00:16:51,320 Speaker 2: it's like their friendship and how like they always have 302 00:16:51,400 --> 00:16:53,600 Speaker 2: each other's backs, and it's sort of like dumb and 303 00:16:53,640 --> 00:16:55,720 Speaker 2: Dumber about the end of the day. They're always going 304 00:16:55,760 --> 00:16:59,360 Speaker 2: to support each other. And great then sort of getting 305 00:16:59,360 --> 00:17:02,240 Speaker 2: caught up in the partying and not going to class anymore, 306 00:17:02,920 --> 00:17:06,960 Speaker 2: and Puck being there to be like, bro, what do 307 00:17:07,040 --> 00:17:09,199 Speaker 2: you do it? Yeah, and that leads him, you know, 308 00:17:09,280 --> 00:17:12,680 Speaker 2: back to the choir room. Everyone's so happy to see him. 309 00:17:12,720 --> 00:17:21,080 Speaker 2: It's nice that they have had that dynamic for full seasons. Yes, yes, 310 00:17:21,400 --> 00:17:26,800 Speaker 2: I appreciate the consistency, and I think you also feel 311 00:17:26,840 --> 00:17:30,200 Speaker 2: how much fun they're having as actors doing that and 312 00:17:30,240 --> 00:17:33,639 Speaker 2: like their friendship, and so it was nice to be 313 00:17:33,720 --> 00:17:36,800 Speaker 2: able to at least have another moment of that on 314 00:17:36,840 --> 00:17:37,400 Speaker 2: the show. 315 00:17:38,040 --> 00:17:42,000 Speaker 1: If I remember correctly. Also the Harlem Shake, there were 316 00:17:42,040 --> 00:17:44,919 Speaker 1: some crew members, key crew members that were in the 317 00:17:44,960 --> 00:17:46,320 Speaker 1: Harlem Shake number. 318 00:17:46,359 --> 00:17:48,000 Speaker 2: Really that does not surprise me. 319 00:17:48,080 --> 00:17:51,040 Speaker 1: That makes it either they dressed up for it afterwards, 320 00:17:51,080 --> 00:17:54,640 Speaker 1: but I believe that Joey, Camera and Patrick were in it, 321 00:17:54,680 --> 00:18:01,880 Speaker 1: and they Joey was wearing the Miley Cyrus mouse leotard, yes, 322 00:18:02,160 --> 00:18:03,359 Speaker 1: and they were in it. 323 00:18:03,400 --> 00:18:05,480 Speaker 2: Is that what this is for. There's a picture of 324 00:18:05,600 --> 00:18:10,119 Speaker 2: Joey in that leotard and it is wild. Yeah, Joey 325 00:18:10,119 --> 00:18:12,720 Speaker 2: you need to know is like the world's biggest Metallica fan. 326 00:18:14,280 --> 00:18:17,119 Speaker 1: And also likes just to such a personality and like 327 00:18:17,160 --> 00:18:18,160 Speaker 1: the sweetest. 328 00:18:17,800 --> 00:18:21,560 Speaker 2: Human and then he has like long, long, long hair 329 00:18:22,920 --> 00:18:30,119 Speaker 2: and then was in this filey sus stunning. It was 330 00:18:30,160 --> 00:18:30,800 Speaker 2: really stunning. 331 00:18:30,920 --> 00:18:33,600 Speaker 1: Anyway, we love that the pictures will operate our fun 332 00:18:33,720 --> 00:18:37,960 Speaker 1: crew members into numbers like that. Okay, So so she 333 00:18:38,560 --> 00:18:42,960 Speaker 1: Finn does come back and he's moving there, moving forward, 334 00:18:43,240 --> 00:18:47,600 Speaker 1: and at the end, mister Shee actually does let Marley 335 00:18:48,760 --> 00:18:53,360 Speaker 1: Uh teach the glee club one of her original songs, 336 00:18:53,640 --> 00:18:54,600 Speaker 1: the song. 337 00:18:54,920 --> 00:18:57,719 Speaker 2: One of the things I liked about Will's come around 338 00:18:57,880 --> 00:19:00,520 Speaker 2: in this episode was that it was more of an 339 00:19:00,560 --> 00:19:05,880 Speaker 2: internal one because we do like to talk everything out, 340 00:19:05,880 --> 00:19:07,520 Speaker 2: and I do like that about the show. I think 341 00:19:07,760 --> 00:19:10,840 Speaker 2: it's because it's always teaching something in that way. But 342 00:19:11,240 --> 00:19:13,920 Speaker 2: he goes off on all the students and then he's 343 00:19:13,960 --> 00:19:17,600 Speaker 2: sort of witnessed to what they're doing and you see 344 00:19:17,640 --> 00:19:19,080 Speaker 2: him struggling, like when he goes out of the room 345 00:19:19,119 --> 00:19:20,639 Speaker 2: after he has that outburst and he has like a 346 00:19:20,760 --> 00:19:22,560 Speaker 2: moment to himself and. 347 00:19:22,720 --> 00:19:24,359 Speaker 1: Yes, he feels bad. 348 00:19:24,680 --> 00:19:27,200 Speaker 2: Yeah. And then Marley teaches you know, some of the 349 00:19:27,280 --> 00:19:30,760 Speaker 2: kids one of her songs, and he overhears it and 350 00:19:30,840 --> 00:19:34,119 Speaker 2: he sees how they've sort of given up on him 351 00:19:34,600 --> 00:19:36,320 Speaker 2: in a way because he's already given up on them, 352 00:19:36,440 --> 00:19:38,840 Speaker 2: is what it feels like. And in that moment of 353 00:19:39,560 --> 00:19:44,840 Speaker 2: reconciliation in the auditorium between he and like him and Finn, 354 00:19:46,280 --> 00:19:49,520 Speaker 2: it it feels like I just don't have the energy 355 00:19:49,560 --> 00:19:50,880 Speaker 2: to be angry anymore. 356 00:19:51,119 --> 00:19:51,560 Speaker 1: Yeah. 357 00:19:51,720 --> 00:19:54,800 Speaker 2: Yeah, And it was nice because I feel like a 358 00:19:54,840 --> 00:19:59,399 Speaker 2: lot of the time shoots operating from a place of 359 00:19:59,520 --> 00:20:02,880 Speaker 2: extreme and it was nice to have just like this 360 00:20:03,040 --> 00:20:09,040 Speaker 2: real normal conversation because again, like we've talked about it 361 00:20:09,080 --> 00:20:12,160 Speaker 2: a billion times, but the balance of that within this 362 00:20:12,320 --> 00:20:16,359 Speaker 2: show is always the best part of this show. And 363 00:20:16,440 --> 00:20:19,840 Speaker 2: so and we love somebody coming back, and so Finn 364 00:20:19,960 --> 00:20:23,720 Speaker 2: coming back like that and grounding everybody and making everybody 365 00:20:23,800 --> 00:20:28,760 Speaker 2: feel positive, including Will, and understanding that I guess as 366 00:20:28,840 --> 00:20:33,480 Speaker 2: his best friend this eighteen or nineteen year old, that 367 00:20:33,600 --> 00:20:37,800 Speaker 2: relationship is worth working on because Beast, you know, in 368 00:20:37,840 --> 00:20:39,520 Speaker 2: the beginning of the episode is like you need to 369 00:20:39,520 --> 00:20:42,920 Speaker 2: get over it, like things are more important. She is 370 00:20:42,960 --> 00:20:46,680 Speaker 2: getting schooled a little bit this episode. He's stirling a bit, 371 00:20:46,720 --> 00:20:50,480 Speaker 2: and so it's nice that people to bring him back. 372 00:20:59,080 --> 00:21:01,919 Speaker 2: So before we go to Chel, there's one more thing 373 00:21:01,960 --> 00:21:04,960 Speaker 2: that's happening for school, and that's Coach Roz are. 374 00:21:06,320 --> 00:21:14,680 Speaker 1: The Golden Statue Trophy actress character that we get. Coach 375 00:21:14,760 --> 00:21:17,280 Speaker 1: Roz is back in town. She's taking over the Cheerios. 376 00:21:18,680 --> 00:21:22,800 Speaker 1: Becky and Blaine are you know, co captains of the 377 00:21:22,880 --> 00:21:30,360 Speaker 1: Cheerios under Roz's supervision, and Roz is convinced that they 378 00:21:30,400 --> 00:21:36,200 Speaker 1: put a hex on Sue, and she makes them recite 379 00:21:36,240 --> 00:21:41,720 Speaker 1: this wild oh that she's not going to put a 380 00:21:41,720 --> 00:21:42,439 Speaker 1: hex on her. 381 00:21:42,600 --> 00:21:48,320 Speaker 2: But isn't wrong her sixth sense about like not trusting 382 00:21:48,359 --> 00:21:50,879 Speaker 2: Blaine because he's up to something. He is up to something. 383 00:21:50,920 --> 00:21:55,200 Speaker 2: He was up to something, yeah, and so like she 384 00:21:55,200 --> 00:21:57,840 Speaker 2: she doesn't quite nail it, but she knows something is 385 00:21:57,880 --> 00:22:00,440 Speaker 2: afoot like that. 386 00:22:00,560 --> 00:22:05,680 Speaker 1: She also knows has the spidy sense that Becky was acting. 387 00:22:05,359 --> 00:22:08,760 Speaker 2: Strange, and I like that Becky's acting strange. It's just 388 00:22:08,800 --> 00:22:12,480 Speaker 2: her being quiet, like she wasn't talking back. She was 389 00:22:12,520 --> 00:22:15,240 Speaker 2: acting sort of like calm. 390 00:22:18,200 --> 00:22:26,560 Speaker 1: Soon, God, wait too soon? Actually never, but I'm waiting 391 00:22:26,600 --> 00:22:28,360 Speaker 1: for the reveal of this and I feel like it's 392 00:22:28,359 --> 00:22:31,760 Speaker 1: going to come out in the finale. But real yeah, 393 00:22:31,800 --> 00:22:38,520 Speaker 1: the uh but the oath is very funny. I have 394 00:22:38,640 --> 00:22:43,560 Speaker 1: to say, Mimmy giggle, are you a real Housewives watcher? 395 00:22:44,280 --> 00:22:47,320 Speaker 1: Some of them, not all of them? As someone who 396 00:22:47,800 --> 00:22:53,520 Speaker 1: has not I know, bad gay apologies, my only context 397 00:22:53,520 --> 00:22:58,760 Speaker 1: of seeing her is on Glee, same same, and she's 398 00:22:58,880 --> 00:23:02,240 Speaker 1: so good and the way she just like comes in 399 00:23:02,440 --> 00:23:05,760 Speaker 1: and seamlessly fits in with this show. She had had 400 00:23:05,800 --> 00:23:09,680 Speaker 1: some acting experience before, though this wasn't her first thing, 401 00:23:10,440 --> 00:23:11,000 Speaker 1: because it's. 402 00:23:10,840 --> 00:23:14,439 Speaker 2: Sure damn seems like she's had experience because she's up 403 00:23:14,480 --> 00:23:18,440 Speaker 2: there doing these crazyest monologues since she since the first 404 00:23:18,480 --> 00:23:22,080 Speaker 2: episode she was on, And it doesn't matter who she's 405 00:23:22,080 --> 00:23:24,960 Speaker 2: in a scene with, she's given it to him. 406 00:23:27,160 --> 00:23:29,880 Speaker 1: She has given it, and she always came so prepared. 407 00:23:30,480 --> 00:23:33,120 Speaker 1: I always remember being like, oh these you know sometimes 408 00:23:33,800 --> 00:23:37,320 Speaker 1: the reality start right that she's not like that she's 409 00:23:37,359 --> 00:23:40,800 Speaker 1: known for, I guess famous for. He comes in and 410 00:23:40,800 --> 00:23:42,880 Speaker 1: You're like, oh God, are they going to hold up 411 00:23:43,119 --> 00:23:45,760 Speaker 1: the day? Are they gonna be prepared? Are they gonna 412 00:23:45,800 --> 00:23:49,240 Speaker 1: know what to do? And I mean she has really 413 00:23:50,880 --> 00:23:53,960 Speaker 1: shown up and not only shown up, but delivered it 414 00:23:53,960 --> 00:23:55,400 Speaker 1: one hundred and times percent every. 415 00:23:55,240 --> 00:23:58,080 Speaker 2: Time I hear and I think that was also what 416 00:23:58,240 --> 00:24:01,800 Speaker 2: I was feeling and wondering. As one of the resident 417 00:24:01,880 --> 00:24:04,880 Speaker 2: sleuths of the Glee set, I would ask different departments 418 00:24:04,880 --> 00:24:07,760 Speaker 2: how different guest stars were behaving, because you know, people 419 00:24:07,800 --> 00:24:09,600 Speaker 2: come onto the show and act one way to us, 420 00:24:11,000 --> 00:24:13,320 Speaker 2: and then it's like, well, the real test is how 421 00:24:13,359 --> 00:24:16,000 Speaker 2: are you treating the crew and how are you treating 422 00:24:16,040 --> 00:24:21,200 Speaker 2: the people you think to you don't necessarily matter. That 423 00:24:21,240 --> 00:24:25,560 Speaker 2: didn't really ever happen on our show, luckily, but Nini 424 00:24:26,800 --> 00:24:30,760 Speaker 2: no notes nobody had anything bad, like really low key, 425 00:24:30,880 --> 00:24:34,560 Speaker 2: and you do think with a coach or that was 426 00:24:34,760 --> 00:24:38,679 Speaker 2: just maybe she's just cool just instinct. Yeah yeah, and 427 00:24:38,680 --> 00:24:41,080 Speaker 2: she's like nice to everyone. She's like just happy to 428 00:24:41,119 --> 00:24:42,800 Speaker 2: be there and like you do the damn thing. 429 00:24:43,080 --> 00:24:46,320 Speaker 1: Yeah, No, for sure, always showed up, just showed up. 430 00:24:50,040 --> 00:24:52,680 Speaker 1: That's pretty That's the extent of though. 431 00:24:54,480 --> 00:24:57,520 Speaker 2: I mean, Blaine is really onto something. 432 00:24:58,160 --> 00:25:00,400 Speaker 1: He is onto something. We're going to find it out. 433 00:25:00,480 --> 00:25:02,639 Speaker 1: I think we're going to find it out at the 434 00:25:02,720 --> 00:25:03,919 Speaker 1: end of the end of the season. 435 00:25:04,760 --> 00:25:06,640 Speaker 2: I also do love she's gonna have to come back, 436 00:25:07,760 --> 00:25:11,560 Speaker 2: circling back to Marley's original music that at the end 437 00:25:11,640 --> 00:25:14,199 Speaker 2: shoot ends up like acquiescing and being like, let's do 438 00:25:14,320 --> 00:25:18,320 Speaker 2: one of your songs. It is so special though, that 439 00:25:18,840 --> 00:25:22,800 Speaker 2: they did that full song the first song, and that 440 00:25:22,920 --> 00:25:26,400 Speaker 2: that money portion of that one to Trevor Parter Chad 441 00:25:26,520 --> 00:25:29,080 Speaker 2: is really special. And also shout out to Alex Knull 442 00:25:29,359 --> 00:25:33,960 Speaker 2: on some of the most beautiful vocals I've ever heard. Yeah, 443 00:25:34,840 --> 00:25:37,400 Speaker 2: because as that song kept going, it was like Alex. 444 00:25:37,720 --> 00:25:39,320 Speaker 2: It was one of those moments it was like, this 445 00:25:39,359 --> 00:25:41,959 Speaker 2: should be Alex, Like Alex's song as an artist, this 446 00:25:42,000 --> 00:25:42,960 Speaker 2: could be Alex's song. 447 00:25:43,160 --> 00:25:46,600 Speaker 1: Yeah, for sure. It's just sometimes you forget and you 448 00:25:46,640 --> 00:25:48,359 Speaker 1: haven't listened to it in a really long time, and 449 00:25:48,400 --> 00:25:50,080 Speaker 1: then you listen to the end of a song and 450 00:25:50,080 --> 00:25:56,439 Speaker 1: you're like, oh, that's all Alex. Yeah, speaking singing, Rachel 451 00:25:56,440 --> 00:25:59,400 Speaker 1: Berry is in New York and she decides she's going 452 00:25:59,440 --> 00:26:05,920 Speaker 1: to audition for the Funny Girl Revival, and obviously she's 453 00:26:05,920 --> 00:26:10,320 Speaker 1: idolized Barbara her whole life, and she's getting ready for 454 00:26:10,359 --> 00:26:14,919 Speaker 1: the audition and she's prepping Barbara, and then we find 455 00:26:16,119 --> 00:26:19,879 Speaker 1: somehow Shelby Corcoran shows to school. 456 00:26:20,240 --> 00:26:22,880 Speaker 2: Around the piano again, don't question that, Jenna. 457 00:26:23,520 --> 00:26:27,320 Speaker 1: I won't. I won't. I won't. I'm not and shall 458 00:26:27,520 --> 00:26:33,120 Speaker 1: be encouraged as Rachel to not only ditch the Barbara, 459 00:26:34,040 --> 00:26:38,359 Speaker 1: but to do something that showcases her as her own star, 460 00:26:38,600 --> 00:26:42,399 Speaker 1: because Barbara was one of a kind. And this is 461 00:26:42,480 --> 00:26:45,359 Speaker 1: kind of like the advice that I give to young 462 00:26:45,840 --> 00:26:54,199 Speaker 1: aspiring actors and musical theater pursuance, and the I always 463 00:26:54,240 --> 00:26:57,840 Speaker 1: just say, like, don't I spent my whole life growing 464 00:26:57,920 --> 00:27:04,040 Speaker 1: up trying to emulate and replicate Leya Slanga and some 465 00:27:04,520 --> 00:27:07,480 Speaker 1: Foster and all these wonderful people who had made it 466 00:27:07,560 --> 00:27:10,399 Speaker 1: so big, and then you realize that they made it 467 00:27:10,440 --> 00:27:14,400 Speaker 1: because they are so unique. And so I always tell 468 00:27:14,440 --> 00:27:18,680 Speaker 1: people like, be yourself, because there's already one of somebody else. 469 00:27:19,320 --> 00:27:21,760 Speaker 1: And I think that's what you know. The message was 470 00:27:21,800 --> 00:27:24,480 Speaker 1: that Shelby was trying to tell Rachel was like, you're 471 00:27:24,520 --> 00:27:26,520 Speaker 1: amazing on your own and you don't need to like 472 00:27:26,640 --> 00:27:29,639 Speaker 1: try to be Barbara. 473 00:27:29,080 --> 00:27:32,199 Speaker 2: So hard though, because when you have sort of that 474 00:27:32,280 --> 00:27:35,520 Speaker 2: north star, whoever that person is to you, that artists course, 475 00:27:36,080 --> 00:27:39,760 Speaker 2: it gives you something to aspire to get a teacher 476 00:27:39,840 --> 00:27:42,919 Speaker 2: and it's like, how do you let that go and 477 00:27:43,000 --> 00:27:46,000 Speaker 2: trust that what you have is going to enough. 478 00:27:46,359 --> 00:27:46,560 Speaker 1: Right. 479 00:27:47,119 --> 00:27:48,919 Speaker 2: That's the really scary thing. It's like jumping off a 480 00:27:48,920 --> 00:27:51,680 Speaker 2: cliff and just be like, I hope they love me. 481 00:27:51,800 --> 00:27:55,560 Speaker 1: Right, I have it exactly. Well, that's our industrength, it's 482 00:27:55,560 --> 00:27:59,600 Speaker 1: our business. Welcome, and when they tell you no every time, 483 00:27:59,640 --> 00:28:04,000 Speaker 1: you really well, I guess it wasn't, which is not true. 484 00:28:04,119 --> 00:28:07,920 Speaker 2: But it's not personal. It's not personal, you know, speaking 485 00:28:08,000 --> 00:28:13,960 Speaker 2: of I was at a wedding last week and there's 486 00:28:14,000 --> 00:28:17,960 Speaker 2: an entertainment business sort of wedding and not sort of 487 00:28:17,960 --> 00:28:23,280 Speaker 2: absolutely life, and I met a couple of people, one 488 00:28:23,480 --> 00:28:28,879 Speaker 2: being a writer and one being a producer. And for 489 00:28:28,920 --> 00:28:33,480 Speaker 2: any aspiring actors or people entertainment, they what they told 490 00:28:33,520 --> 00:28:37,760 Speaker 2: me about casting is exactly what Jenna was just saying 491 00:28:37,880 --> 00:28:42,040 Speaker 2: and what Adina preaches in this episode. Where so often 492 00:28:42,760 --> 00:28:44,520 Speaker 2: because we were like giving them shit, you know, the 493 00:28:44,560 --> 00:28:46,840 Speaker 2: old thing of like are you're only really watching ten 494 00:28:46,920 --> 00:28:52,280 Speaker 2: seconds of an audition tape? Like no, maybe fifteen, because 495 00:28:52,640 --> 00:28:56,240 Speaker 2: what it is it's so often not about your skill, 496 00:28:56,800 --> 00:29:00,480 Speaker 2: which sounds terrible and like a TV and film because 497 00:29:00,520 --> 00:29:04,240 Speaker 2: they know pretty like quickly if oh they'll be able 498 00:29:04,240 --> 00:29:05,760 Speaker 2: to do this, or they'll be able to get there. 499 00:29:06,200 --> 00:29:08,440 Speaker 2: It's more of like the vibe, and what the vibe 500 00:29:08,560 --> 00:29:12,440 Speaker 2: is is yourself and if you're bringing the vibe of 501 00:29:12,480 --> 00:29:14,840 Speaker 2: this character in your way to it. So it is 502 00:29:14,960 --> 00:29:17,800 Speaker 2: very specific, but it's not against if you come watch 503 00:29:17,800 --> 00:29:20,320 Speaker 2: the tape of Jenna and I'm like, oh, she's great, 504 00:29:20,480 --> 00:29:22,960 Speaker 2: That's just not the character I had in my head. 505 00:29:22,960 --> 00:29:24,920 Speaker 2: And unfortunately I'm the one the position of to. 506 00:29:24,880 --> 00:29:26,640 Speaker 1: Cast it totally. 507 00:29:26,840 --> 00:29:29,880 Speaker 2: So it's not a lack of like judging. It's not 508 00:29:30,000 --> 00:29:32,680 Speaker 2: judging someone on a lack of skill or ability. It's 509 00:29:32,800 --> 00:29:37,840 Speaker 2: more of more about are you like what you're giving 510 00:29:37,960 --> 00:29:40,360 Speaker 2: your personal self is does this match up with the 511 00:29:40,360 --> 00:29:43,600 Speaker 2: preconceived notions of all the producers and writers and director involved, Like, wait. 512 00:29:43,520 --> 00:29:45,560 Speaker 1: Are they're trying to accomplish for this story? It's like 513 00:29:45,640 --> 00:29:48,160 Speaker 1: much bigger than you, so and this. 514 00:29:48,280 --> 00:29:51,320 Speaker 2: Was like a really beautiful way to illustrate that simply 515 00:29:51,920 --> 00:29:55,200 Speaker 2: yes and not really get into it and effectively and 516 00:29:55,240 --> 00:29:59,360 Speaker 2: it's actual, like you just verified, real and good advice. 517 00:30:00,320 --> 00:30:03,080 Speaker 1: And then of course Shelby has to sing a song 518 00:30:03,120 --> 00:30:06,120 Speaker 1: with her, which was cute. I also liked that they 519 00:30:06,160 --> 00:30:09,240 Speaker 1: sort of do the little jab in the nod, like 520 00:30:09,320 --> 00:30:11,360 Speaker 1: we know what we're doing, and we're just accepting it. 521 00:30:12,000 --> 00:30:13,800 Speaker 1: You have to do at this point. I mean, they've 522 00:30:13,840 --> 00:30:16,800 Speaker 1: done poker Face, they've done every song under the sun. 523 00:30:17,320 --> 00:30:19,600 Speaker 1: Out of nowhere, Shelby just shows up at a piano 524 00:30:19,720 --> 00:30:22,200 Speaker 1: and they break into song. I don't mind it at all. 525 00:30:22,640 --> 00:30:25,240 Speaker 1: I just think it's funny because it is. It's such 526 00:30:25,800 --> 00:30:29,480 Speaker 1: a thing now and it's such a weird song to 527 00:30:29,680 --> 00:30:36,920 Speaker 1: choose to do for a sample number for Rachel. I 528 00:30:36,960 --> 00:30:40,280 Speaker 1: love this song. I love Emily Sonde. I listen to 529 00:30:40,280 --> 00:30:44,360 Speaker 1: this song still. But I was like, what an interesting 530 00:30:44,480 --> 00:30:47,640 Speaker 1: Like I wonder if they got the song offered to 531 00:30:47,720 --> 00:30:50,840 Speaker 1: them Ryan or somebody loved it and was like, let's 532 00:30:50,880 --> 00:30:55,200 Speaker 1: put this in here. I just didn't feel like, in 533 00:30:55,280 --> 00:30:58,840 Speaker 1: the context of the show necessary, but I was like, 534 00:30:59,160 --> 00:31:03,080 Speaker 1: it's a great number, right for them, it was just 535 00:31:03,120 --> 00:31:07,640 Speaker 1: like a sort of left yes exactly. It didn't mean 536 00:31:07,680 --> 00:31:11,360 Speaker 1: anything exactly. They sounded great. 537 00:31:12,400 --> 00:31:17,120 Speaker 2: I mean it is like, yeah, they tried to make 538 00:31:17,120 --> 00:31:20,920 Speaker 2: it work in terms of like next to me, they text. 539 00:31:20,800 --> 00:31:24,760 Speaker 1: To each other, yeah, like it didn't really hit. 540 00:31:24,720 --> 00:31:27,680 Speaker 2: For me, but watch it, like yeah, we'll watch them 541 00:31:27,680 --> 00:31:30,720 Speaker 2: saying anything together, right, Because fine, how did you feel 542 00:31:30,720 --> 00:31:33,080 Speaker 2: about the metanis of all this because obviously Leo went 543 00:31:33,120 --> 00:31:35,280 Speaker 2: on to do a Funny Girl on Broadway. 544 00:31:35,440 --> 00:31:38,760 Speaker 1: It's all crazy. I mean, it's all really strange. Of course, 545 00:31:38,880 --> 00:31:43,040 Speaker 1: like at this point we're going backwards like she was 546 00:31:43,120 --> 00:31:46,040 Speaker 1: just on Broadway doing it, and you're like, wow, like 547 00:31:46,240 --> 00:31:50,400 Speaker 1: this whole journey of Rachel Barry was to get Funny 548 00:31:50,400 --> 00:31:54,680 Speaker 1: Girl and to has idolized Barbara forever. It makes sense 549 00:31:54,720 --> 00:31:57,080 Speaker 1: to me. I'm not surprised by it at all. I 550 00:31:57,160 --> 00:32:01,200 Speaker 1: just think it's like it is. It takes me out 551 00:32:01,240 --> 00:32:04,560 Speaker 1: a little bit, but also is like just because I'm 552 00:32:04,600 --> 00:32:09,160 Speaker 1: like it is so meta, I'm like now outsider, like, wow, 553 00:32:09,240 --> 00:32:13,680 Speaker 1: that is really funny and weird that it all turned 554 00:32:13,680 --> 00:32:14,280 Speaker 1: out this way. 555 00:32:15,400 --> 00:32:18,920 Speaker 2: I mean, how it must have been so cool for 556 00:32:18,960 --> 00:32:22,000 Speaker 2: her to be able to like, I mean, it's a 557 00:32:22,000 --> 00:32:28,840 Speaker 2: real dream. It's Rachel Barry's dream. It's a real dream. Yeah, exactly. Yeah, 558 00:32:28,880 --> 00:32:31,040 Speaker 2: So I love when that sort of shit happens. 559 00:32:31,240 --> 00:32:39,720 Speaker 1: Totally, totally, totally. Rachel then decides to do goes to 560 00:32:39,760 --> 00:32:44,120 Speaker 1: our audition and decides to do don't stuff, believing yes, 561 00:32:44,640 --> 00:32:50,840 Speaker 1: and in her audition, we she imagines and dreams that 562 00:32:50,920 --> 00:32:53,160 Speaker 1: we are there, like it's the first time we're doing it, 563 00:32:53,880 --> 00:32:57,680 Speaker 1: like in the pilot. I actually forgot that we shot this. 564 00:32:58,120 --> 00:33:00,840 Speaker 1: It took me a second to go back to that 565 00:33:01,080 --> 00:33:03,080 Speaker 1: day when we shot this and was like, and then 566 00:33:03,120 --> 00:33:06,880 Speaker 1: I had I watched the cute bts on YouTube of 567 00:33:06,920 --> 00:33:15,080 Speaker 1: this from like the Glee epas, and was like, wow, okay, 568 00:33:15,120 --> 00:33:16,560 Speaker 1: I do vaguely remember this. 569 00:33:16,680 --> 00:33:24,440 Speaker 2: Now, I remember this day very vividly. Yeah, it wasn't 570 00:33:25,080 --> 00:33:26,400 Speaker 2: vibes weren't great. 571 00:33:26,840 --> 00:33:30,960 Speaker 1: Yeah, that's that's what I remembered when I remembered finally. 572 00:33:31,400 --> 00:33:34,440 Speaker 2: Yeah, and I don't mean to like bring it down, 573 00:33:34,720 --> 00:33:38,040 Speaker 2: bring it down or be gossipy, but it was just 574 00:33:38,080 --> 00:33:41,760 Speaker 2: a weird day and nothing necessarily happened that was bad, 575 00:33:42,760 --> 00:33:45,560 Speaker 2: Like the vibes were just I started to. 576 00:33:45,520 --> 00:33:49,240 Speaker 1: Be completely honest. There were inklings of things being talked 577 00:33:49,280 --> 00:33:56,719 Speaker 1: about that were rumors at the time for me at 578 00:33:56,800 --> 00:34:04,520 Speaker 1: least about what was howpen with Corey. Yes, and it 579 00:34:04,600 --> 00:34:07,800 Speaker 1: was the first time we had heard some things that 580 00:34:07,880 --> 00:34:13,160 Speaker 1: were like, oh, could this be true. It wasn't the 581 00:34:13,200 --> 00:34:14,719 Speaker 1: way he was acting by any means. There was no 582 00:34:14,840 --> 00:34:17,480 Speaker 1: kind of like I wasn't being we weren't being informed 583 00:34:17,480 --> 00:34:18,040 Speaker 1: in any way. 584 00:34:18,440 --> 00:34:21,880 Speaker 2: There was more distant I will say he was more distant, 585 00:34:21,920 --> 00:34:26,160 Speaker 2: and I think obviously it's easy with hindsight to I 586 00:34:26,200 --> 00:34:29,120 Speaker 2: don't know, maybe assign more meaning to these things. It 587 00:34:29,160 --> 00:34:32,960 Speaker 2: could have also just been like we're all tired that day, right, 588 00:34:34,120 --> 00:34:39,080 Speaker 2: But because when you're shooting on the stages, it's not 589 00:34:39,320 --> 00:34:41,279 Speaker 2: weird that you wouldn't all hang out in between takes 590 00:34:41,320 --> 00:34:43,440 Speaker 2: and things, because like you're surrounded by people, you're not 591 00:34:43,480 --> 00:34:46,400 Speaker 2: really paying attention. We're also on location. We're on location 592 00:34:46,560 --> 00:34:56,399 Speaker 2: downtown LA, and we like everyone was sort of very separate. Yes, 593 00:34:56,800 --> 00:35:00,640 Speaker 2: that's right, and it felt strange. I think it was 594 00:35:00,680 --> 00:35:06,080 Speaker 2: a combination of like doing this song again, we hadn't 595 00:35:06,080 --> 00:35:09,040 Speaker 2: worked with Leah in a long time, Yeah, and. 596 00:35:09,080 --> 00:35:11,480 Speaker 1: We were in our old clothes, like it was like 597 00:35:12,280 --> 00:35:15,560 Speaker 1: being time warped, like teleported. 598 00:35:16,400 --> 00:35:20,160 Speaker 2: Yeah, when nobody's super stoked to be doing a thing, 599 00:35:20,640 --> 00:35:22,719 Speaker 2: like I don't think anybody was super excited to be 600 00:35:22,800 --> 00:35:26,160 Speaker 2: doing Don't Stop Again. It was sweet. I have videos 601 00:35:26,160 --> 00:35:27,760 Speaker 2: of all of us on stage and things. I think 602 00:35:28,320 --> 00:35:32,120 Speaker 2: I believe so of I remember Summit taking a video 603 00:35:32,160 --> 00:35:35,640 Speaker 2: at least of all of us being complete idiots on stage. 604 00:35:35,640 --> 00:35:40,000 Speaker 2: And also I remember, for some reason like we were 605 00:35:40,000 --> 00:35:43,160 Speaker 2: all just like while we were on stage filming. We 606 00:35:43,160 --> 00:35:45,919 Speaker 2: were being insane and like making Corey laugh. 607 00:35:46,400 --> 00:35:52,480 Speaker 1: Wow. And we also hadn't seen Amber, we hadn't seen Chris, 608 00:35:52,640 --> 00:35:55,960 Speaker 1: we hadn't seen Leah. Lea and Corey were dating at 609 00:35:55,960 --> 00:35:59,960 Speaker 1: the time, so separated. Also was this couple that was 610 00:36:00,120 --> 00:36:03,279 Speaker 1: kind of doing their thing, like it was all like 611 00:36:03,400 --> 00:36:05,440 Speaker 1: and Kevin and I had been you and I were 612 00:36:05,640 --> 00:36:11,800 Speaker 1: in a different world with new people right living this show, 613 00:36:12,680 --> 00:36:13,080 Speaker 1: and so. 614 00:36:13,360 --> 00:36:17,000 Speaker 2: When you interact with people that, like everyone's been doing 615 00:36:17,040 --> 00:36:22,319 Speaker 2: their own thing, you show up to do this old thing. Yeah, yeah, 616 00:36:22,320 --> 00:36:27,399 Speaker 2: like this isn't doesn't feel great. Yeah, And I don't 617 00:36:27,400 --> 00:36:29,640 Speaker 2: know why. And it's not a complaint of like it. 618 00:36:29,680 --> 00:36:31,279 Speaker 1: Just wasn't the same as it used to be. 619 00:36:31,400 --> 00:36:35,000 Speaker 2: And we were fully clocking in and clocking out. That is, yes, 620 00:36:35,080 --> 00:36:37,640 Speaker 2: like we were all a bit removed. I think it 621 00:36:37,680 --> 00:36:40,239 Speaker 2: is what it felt like senioritis, if you will. 622 00:36:40,280 --> 00:36:44,040 Speaker 1: Like you're on episode nineteen, vibes were off, hard lives 623 00:36:44,080 --> 00:36:44,520 Speaker 1: were off. 624 00:36:45,080 --> 00:36:47,239 Speaker 2: It's crazy that we both have the same feeling but 625 00:36:47,360 --> 00:36:49,839 Speaker 2: can't necessarily pinpoint what we're doing on. 626 00:36:50,000 --> 00:36:53,000 Speaker 1: I honestly feel like there was a lot obviously happening 627 00:36:53,040 --> 00:36:54,640 Speaker 1: behind the scenes, a lot of drama a lot of 628 00:36:54,640 --> 00:36:55,600 Speaker 1: things that were. 629 00:36:56,239 --> 00:37:00,080 Speaker 2: In these serious things. I think you didn't really. 630 00:37:00,080 --> 00:37:03,520 Speaker 1: Privy too, yeah understand. And then additionally, it was like 631 00:37:03,920 --> 00:37:07,680 Speaker 1: being forced back together to be in a moment like 632 00:37:07,680 --> 00:37:12,359 Speaker 1: like old Jenna pre jaded Jenna on this in this 633 00:37:12,400 --> 00:37:15,360 Speaker 1: would be like crying and like oh this is so 634 00:37:15,520 --> 00:37:18,560 Speaker 1: nice and sentimental and how fun and like you know, 635 00:37:18,840 --> 00:37:24,600 Speaker 1: like how cool that we're doing this again. Jada Jenna 636 00:37:24,719 --> 00:37:27,719 Speaker 1: was like, what time are we out of here? Can 637 00:37:27,760 --> 00:37:30,439 Speaker 1: I go to lunch? Do you know what I mean? 638 00:37:30,920 --> 00:37:34,319 Speaker 1: Like you had none of the sentimental feeling that you 639 00:37:34,400 --> 00:37:37,319 Speaker 1: watch and you see that actually was very effective and 640 00:37:37,360 --> 00:37:40,480 Speaker 1: I'm glad it was, but it was very different behind 641 00:37:40,480 --> 00:37:40,960 Speaker 1: the scenes. 642 00:37:41,400 --> 00:37:43,560 Speaker 2: I feel like it was such a beautiful scene to watch. 643 00:37:43,640 --> 00:37:48,120 Speaker 2: I'm so happy that we have it to see. And 644 00:37:48,200 --> 00:37:54,440 Speaker 2: I remember like personally, for some reason, working like in 645 00:37:54,480 --> 00:37:59,239 Speaker 2: between takes it just like yeah, the Darren way of 646 00:37:59,719 --> 00:38:05,919 Speaker 2: getting people like everything's peachy and just like we're here, Yeah, 647 00:38:07,600 --> 00:38:08,440 Speaker 2: you get it done. 648 00:38:08,880 --> 00:38:09,440 Speaker 1: Just do it. 649 00:38:09,800 --> 00:38:14,120 Speaker 2: It's not that serious, keep it moving. It's hard when 650 00:38:14,160 --> 00:38:18,760 Speaker 2: like people like you have your routines. I can't speak 651 00:38:18,800 --> 00:38:21,680 Speaker 2: for like what Amber and Chris and Leah and Corey's 652 00:38:21,680 --> 00:38:25,600 Speaker 2: schedules were like, but we were used to still being 653 00:38:25,600 --> 00:38:28,600 Speaker 2: in the choir room. We were there very much in 654 00:38:28,600 --> 00:38:31,720 Speaker 2: the exact same schedule, where I think when you adapt 655 00:38:31,719 --> 00:38:34,400 Speaker 2: to other schedules and then you're like, you have to 656 00:38:34,440 --> 00:38:36,279 Speaker 2: come in for like half a day to do this 657 00:38:36,320 --> 00:38:37,759 Speaker 2: thing downtown. 658 00:38:38,000 --> 00:38:42,120 Speaker 1: A musical number out. 659 00:38:41,239 --> 00:38:43,960 Speaker 2: Of the cycle, Like oh god, we were there every 660 00:38:44,000 --> 00:38:45,040 Speaker 2: day and we didn't even want to do it. 661 00:38:45,520 --> 00:38:52,000 Speaker 1: Yeah, exactly. It was beautiful to watch. It was really beautiful. 662 00:38:52,320 --> 00:38:54,600 Speaker 1: I don't know that I buy that being her audition 663 00:38:54,719 --> 00:38:55,920 Speaker 1: song for Funny Girl. 664 00:38:58,120 --> 00:38:58,520 Speaker 2: A little bit. 665 00:38:58,800 --> 00:39:02,279 Speaker 1: It was cool about it, but she sounded so good 666 00:39:02,320 --> 00:39:05,279 Speaker 1: on it that like it doesn't even matter, Like that's 667 00:39:05,320 --> 00:39:06,920 Speaker 1: the truth, Like you go in with a song that 668 00:39:06,960 --> 00:39:09,640 Speaker 1: you're like, I would never choose that for an audition, 669 00:39:10,160 --> 00:39:12,920 Speaker 1: but like they saw something, you know, and that's all 670 00:39:12,960 --> 00:39:13,680 Speaker 1: that it takes. 671 00:39:14,360 --> 00:39:17,239 Speaker 2: So I did last a moment at the end. I 672 00:39:17,280 --> 00:39:22,400 Speaker 2: know it's corny and like classic musical theater thing of yeah, 673 00:39:22,760 --> 00:39:24,839 Speaker 2: of like something happened in the middle of it, and 674 00:39:25,200 --> 00:39:27,600 Speaker 2: it did because obviously she started imagining all of us 675 00:39:27,640 --> 00:39:34,360 Speaker 2: there and that moment was so nonperformative of her, yes, 676 00:39:34,560 --> 00:39:37,759 Speaker 2: very much so of talking about it where I was 677 00:39:37,760 --> 00:39:42,400 Speaker 2: actually surprised at how little was on it m and 678 00:39:42,400 --> 00:39:46,920 Speaker 2: that's not a dig I think she's phenomenal, sort of 679 00:39:46,920 --> 00:39:50,520 Speaker 2: in the same way that she was talking to Finn 680 00:39:50,960 --> 00:39:52,919 Speaker 2: at the end of this episode, where they're just sort 681 00:39:52,920 --> 00:39:56,520 Speaker 2: of like, this is the reality of the situation and 682 00:39:56,560 --> 00:39:58,879 Speaker 2: it doesn't and it's not above this tone and. 683 00:39:58,880 --> 00:40:01,160 Speaker 1: Really yah, yeah, yeah. 684 00:40:00,600 --> 00:40:03,640 Speaker 2: Not about this volume and we're just here and it 685 00:40:03,760 --> 00:40:08,840 Speaker 2: was yeah, it was really nice. It got me. It's like, 686 00:40:08,960 --> 00:40:11,920 Speaker 2: damn it, that's sweet, I know. 687 00:40:12,480 --> 00:40:15,280 Speaker 1: And the call the phone call too, yes, and and Rachel, 688 00:40:15,320 --> 00:40:16,280 Speaker 1: that was really sweet. 689 00:40:16,880 --> 00:40:18,319 Speaker 2: I was worried in the back of my head. I'm like, 690 00:40:18,440 --> 00:40:20,880 Speaker 2: don't let it just be the booking. I'm like, surely 691 00:40:20,880 --> 00:40:22,719 Speaker 2: we're getting a callback. I was like, oh, really nice 692 00:40:22,760 --> 00:40:25,239 Speaker 2: that it's just a callback, and you're so excited for 693 00:40:25,239 --> 00:40:27,560 Speaker 2: a callback exactly exactly. 694 00:40:28,480 --> 00:40:32,319 Speaker 1: It's huge. Well, Rachel gets a call back for a 695 00:40:32,320 --> 00:40:37,399 Speaker 1: funny girl and we are thrilled and and that is 696 00:40:39,080 --> 00:40:47,560 Speaker 1: pretty much what's happening storyline wise in this in this episode. Yeah, 697 00:40:47,960 --> 00:40:59,759 Speaker 1: it's a lot. A lot happened. A lot. There's some 698 00:41:00,239 --> 00:41:02,799 Speaker 1: that we didn't talk about, but let's rate them and 699 00:41:02,840 --> 00:41:07,799 Speaker 1: we can talk about its okay, next to me, I 700 00:41:07,840 --> 00:41:18,000 Speaker 1: would give a B plus Okay bye for your right b. 701 00:41:16,520 --> 00:41:20,680 Speaker 2: B Yeah, I do like shout out to Elid. I 702 00:41:20,719 --> 00:41:25,000 Speaker 2: think also the hilarity of this being the University of 703 00:41:25,040 --> 00:41:31,759 Speaker 2: Lima being this crazy and this big, I think is amazing. 704 00:41:31,960 --> 00:41:37,440 Speaker 2: And I think using this to see that world was great. 705 00:41:37,800 --> 00:41:40,960 Speaker 1: Look, I don't that song is not like my top song, 706 00:41:41,160 --> 00:41:43,640 Speaker 1: you know, I'm like, but in the context it was done, 707 00:41:43,960 --> 00:41:46,160 Speaker 1: it was done well right, Like that's kind of. 708 00:41:46,400 --> 00:41:48,000 Speaker 2: It's a perfect song for that situation. 709 00:41:48,080 --> 00:41:50,640 Speaker 1: Yeah. Yeah, you have more friends than you know. 710 00:41:55,400 --> 00:42:02,600 Speaker 2: B plus Yeah. I also I love the scrim revealing 711 00:42:02,680 --> 00:42:06,279 Speaker 2: a full orchestra and band just like just you know, 712 00:42:06,320 --> 00:42:09,640 Speaker 2: a couple of friends people. 713 00:42:09,680 --> 00:42:11,520 Speaker 1: And it was a sweet song. 714 00:42:12,000 --> 00:42:13,200 Speaker 2: She's got stagecraft. 715 00:42:19,000 --> 00:42:21,279 Speaker 1: Yeah, I mean it was. It was very straightforward. It's, 716 00:42:21,600 --> 00:42:31,000 Speaker 1: you know, an original song, Don't Stop Believing A plus yeah, 717 00:42:31,120 --> 00:42:33,640 Speaker 1: I give it as I mean, it's it's don't Stop 718 00:42:34,680 --> 00:42:43,520 Speaker 1: and an outcast, which is the final one. Plus yeah. 719 00:42:43,560 --> 00:42:46,839 Speaker 1: I'm you know, these these original songs are like they 720 00:42:46,880 --> 00:42:51,520 Speaker 1: don't naturally hit for me. And I will say obviously 721 00:42:51,560 --> 00:42:54,520 Speaker 1: we know that like before Branches is like a bop 722 00:42:54,600 --> 00:42:59,520 Speaker 1: for people, and like there's some other like like Loser 723 00:42:59,640 --> 00:43:02,920 Speaker 1: like me. We did on the tour and they were hits, 724 00:43:03,200 --> 00:43:06,440 Speaker 1: but these ones, like they don't necessarily they're not like 725 00:43:06,480 --> 00:43:10,399 Speaker 1: my favorite, but they were solid and people sounded really 726 00:43:10,440 --> 00:43:11,120 Speaker 1: good on them. 727 00:43:11,280 --> 00:43:17,120 Speaker 2: Yeah, I agree, but that's what you said, are let's 728 00:43:17,120 --> 00:43:22,839 Speaker 2: do some charty takes. Okay, Oh jeez. Cringe moments, there's 729 00:43:22,880 --> 00:43:26,840 Speaker 2: a couple. There's quite a few, mister Shue. 730 00:43:28,800 --> 00:43:31,239 Speaker 1: In overall. 731 00:43:32,840 --> 00:43:34,239 Speaker 2: This episode is a. 732 00:43:34,320 --> 00:43:42,600 Speaker 4: Little cringe and also the him telling unique to tone 733 00:43:42,719 --> 00:43:44,840 Speaker 4: the boob thing down was like beyond. 734 00:43:44,960 --> 00:43:47,520 Speaker 1: I was like, we've taken it a step too far now, 735 00:43:49,160 --> 00:43:53,080 Speaker 1: but giving the boobs to Blaine was very funny. 736 00:43:55,000 --> 00:43:57,279 Speaker 2: I thought it was hilarious and also of like, bro, 737 00:43:58,280 --> 00:44:01,200 Speaker 2: what is happening like this so out of character? 738 00:44:04,000 --> 00:44:07,399 Speaker 1: And ros coach Roz also as funny as she is 739 00:44:07,440 --> 00:44:10,000 Speaker 1: that it's not her fault that the stuff that she 740 00:44:10,120 --> 00:44:12,040 Speaker 1: says is wildly inappropriate. 741 00:44:13,000 --> 00:44:15,360 Speaker 2: I mean stuff specifically to Becky. 742 00:44:15,680 --> 00:44:17,719 Speaker 1: Oh yeah, no, it's. 743 00:44:17,920 --> 00:44:20,920 Speaker 2: And then another fat mom joke from. 744 00:44:20,800 --> 00:44:24,680 Speaker 1: Kid it's like the barfing, like it's like, come on, 745 00:44:24,719 --> 00:44:26,960 Speaker 1: you guys, we've got to move on. We've got to 746 00:44:27,000 --> 00:44:27,279 Speaker 1: move on. 747 00:44:27,320 --> 00:44:33,040 Speaker 2: This is I appreciate the structure of the joke of 748 00:44:33,080 --> 00:44:36,600 Speaker 2: what she was doing like the bit they had. It's 749 00:44:36,719 --> 00:44:37,760 Speaker 2: really funny. 750 00:44:37,400 --> 00:44:40,919 Speaker 1: For sure, and the delivery was spot on, yes, yes, 751 00:44:40,960 --> 00:44:47,719 Speaker 1: but it was like enough, really enough. The best dnswer. 752 00:44:48,680 --> 00:44:54,360 Speaker 2: Producer Sam had a suggestion and she said the diagonal 753 00:44:54,520 --> 00:44:55,600 Speaker 2: don't stop because you. 754 00:44:55,640 --> 00:44:57,880 Speaker 1: Have no idea how hard it was for us to 755 00:44:57,920 --> 00:45:01,759 Speaker 1: get into finally and did we? 756 00:45:02,960 --> 00:45:04,839 Speaker 2: I don't know, but I think we have to take 757 00:45:04,960 --> 00:45:05,960 Speaker 2: Sam's word on this. 758 00:45:06,239 --> 00:45:12,640 Speaker 1: Okay. Great best song don't stop here, Yeah, don't stop 759 00:45:13,680 --> 00:45:17,160 Speaker 1: and uh just for nostalgia purposes okay, And then best 760 00:45:17,160 --> 00:45:23,200 Speaker 1: report is by prop Oh. I feel like Sam Evans. 761 00:45:22,800 --> 00:45:29,799 Speaker 1: Evan Evans the twin himself was the prop or the boob. 762 00:45:31,120 --> 00:45:33,520 Speaker 2: Yeah, the chicken cutlet and the boob and the birth control. 763 00:45:34,040 --> 00:45:35,320 Speaker 1: So funny. 764 00:45:36,440 --> 00:45:38,799 Speaker 2: There's some good physical comedy in this one. 765 00:45:39,040 --> 00:45:39,680 Speaker 1: Yeah, for sure. 766 00:45:42,400 --> 00:45:45,840 Speaker 2: Best one ros in general. 767 00:45:46,200 --> 00:45:50,520 Speaker 1: Yes, definitely. Becky's saying mind your own gay business game. 768 00:45:51,640 --> 00:45:54,280 Speaker 1: It's really funny. That would never lose my mind. 769 00:45:56,000 --> 00:45:58,480 Speaker 2: We used that a lot, Yeah, we did after that. 770 00:45:59,120 --> 00:46:02,319 Speaker 2: I don't know why that's stuck so hard. It really did. 771 00:46:04,000 --> 00:46:09,600 Speaker 1: Her delivery too, It's just so perfect, it's really funny 772 00:46:09,840 --> 00:46:11,000 Speaker 1: performed MVP. 773 00:46:12,520 --> 00:46:18,800 Speaker 2: Oh man, it's hard. 774 00:46:19,200 --> 00:46:27,799 Speaker 1: I would say honorable mention Danini. Yeah, and I would say, 775 00:46:28,680 --> 00:46:32,920 Speaker 1: obviously I want to give it to Corey because I 776 00:46:32,920 --> 00:46:34,480 Speaker 1: think the last episode. 777 00:46:34,120 --> 00:46:36,040 Speaker 2: I think maybe it's a two hand everageen Corey. 778 00:46:36,480 --> 00:46:39,319 Speaker 1: Yeah. Yeah, this was a good one for them. 779 00:46:40,520 --> 00:46:44,640 Speaker 2: Should We found on TikTok this week one of my faves. 780 00:46:45,520 --> 00:46:52,359 Speaker 2: I love this trend junk Mom aka Pumpkinhead said I'm 781 00:46:52,360 --> 00:46:54,799 Speaker 2: going to give you storylines from a TV show, and 782 00:46:54,920 --> 00:46:56,839 Speaker 2: you tell me what the TV show is and if 783 00:46:56,920 --> 00:47:00,080 Speaker 2: they're fake or not, and then begins to rattle off 784 00:47:01,320 --> 00:47:04,480 Speaker 2: just some run of the mill, run of the mill 785 00:47:04,560 --> 00:47:08,040 Speaker 2: storylines from Glee point a wheelchair, gise, robtic legs, or 786 00:47:08,080 --> 00:47:10,960 Speaker 2: Christmas that break almost immediately. Womanlocks two gay men that 787 00:47:11,000 --> 00:47:13,759 Speaker 2: are not dating inside an elevator together and doesn't let 788 00:47:13,800 --> 00:47:16,680 Speaker 2: them out until they play saw games and they make 789 00:47:16,719 --> 00:47:20,960 Speaker 2: out with each other. Two teenagers have a pregnancy in 790 00:47:21,040 --> 00:47:22,960 Speaker 2: high school. They give up the baby up for adoption. 791 00:47:23,000 --> 00:47:25,600 Speaker 2: The baby is adopted by the mother of someone else 792 00:47:25,640 --> 00:47:27,960 Speaker 2: that goes to that high school, and then that mother 793 00:47:28,040 --> 00:47:31,040 Speaker 2: then hooks up with the father of that baby. Dennis 794 00:47:31,040 --> 00:47:35,920 Speaker 2: comes to school and individually drugs all the students. Anyway, 795 00:47:36,120 --> 00:47:39,160 Speaker 2: it continues on and it is hilarious and when you 796 00:47:39,200 --> 00:47:44,640 Speaker 2: put it like that, fine, it's whatever, very very good. 797 00:47:44,880 --> 00:47:46,920 Speaker 2: I like that a lot and I've never seen that 798 00:47:47,000 --> 00:47:49,160 Speaker 2: run before. It's really great. 799 00:47:49,200 --> 00:47:51,160 Speaker 1: It works very well for Glee too, because you're like, 800 00:47:51,400 --> 00:47:52,080 Speaker 1: that's fake. 801 00:47:52,800 --> 00:47:55,239 Speaker 2: There, and there were a lot of great tiktoks to 802 00:47:55,320 --> 00:47:57,680 Speaker 2: choose from, so I'm excited for you to see all 803 00:47:57,719 --> 00:47:58,880 Speaker 2: the tiktoks coming up. 804 00:48:00,040 --> 00:48:06,080 Speaker 1: Okay, good, well that is that is the episode that 805 00:48:06,239 --> 00:48:11,759 Speaker 1: is Sweet Dreams and also sadly Corey's last episode where 806 00:48:11,800 --> 00:48:20,040 Speaker 1: we will see Corey spin I know, very crazy. Okay, well, 807 00:48:20,040 --> 00:48:25,759 Speaker 1: that's sad. Well, thanks for joining us, and don't do 808 00:48:25,880 --> 00:48:30,720 Speaker 1: miss next week's recab. It's lights out. That is Paris 809 00:48:30,760 --> 00:48:31,520 Speaker 1: parklay is it not? 810 00:48:32,800 --> 00:48:35,880 Speaker 2: It is? And s JP is back and there's. 811 00:48:35,719 --> 00:48:38,320 Speaker 1: A power outage. McKinley, what's going to happen? Sure? 812 00:48:40,719 --> 00:48:43,680 Speaker 2: Okay, see you next week. Thank you for joining us, 813 00:48:43,680 --> 00:48:46,480 Speaker 2: and that's what you really missed. Thanks for listening and 814 00:48:46,600 --> 00:48:49,239 Speaker 2: follow us on Instagram at and that's what you really 815 00:48:49,239 --> 00:48:51,400 Speaker 2: miss pod. Make sure to write us a review and 816 00:48:51,520 --> 00:48:53,439 Speaker 2: leave us five stars. See you next time.