1
00:00:00,040 --> 00:00:03,600
Speaker 1: An illegal alien from Guatemala charged with raping a child

2
00:00:03,680 --> 00:00:07,480
Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador

3
00:00:07,720 --> 00:00:11,840
Speaker 1: accused of murdering a Texas man of Venezuelan charged with

4
00:00:11,920 --> 00:00:15,840
Speaker 1: filming and selling child pornography in Michigan. These are just

5
00:00:15,920 --> 00:00:19,680
Speaker 1: some of the heinous migrant criminals caught because of President

6
00:00:19,720 --> 00:00:23,320
Speaker 1: Donald J. Trump's leadership. I'm Christy nom the United States

7
00:00:23,320 --> 00:00:28,120
Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border

8
00:00:28,160 --> 00:00:31,680
Speaker 1: crossings are at the lowest levels ever recorded, and over

9
00:00:31,760 --> 00:00:34,960
Speaker 1: one hundred thousand illegal aliens have been arrested. If you

10
00:00:35,040 --> 00:00:38,920
Speaker 1: are here illegally, your next you will be fined nearly

11
00:00:39,000 --> 00:00:43,000
Speaker 1: one thousand dollars a day, imprisoned, and deported. You will

12
00:00:43,040 --> 00:00:46,680
Speaker 1: never return. But if you register using our CBP home

13
00:00:46,720 --> 00:00:50,120
Speaker 1: app and leave now, you could be allowed to return legally.

14
00:00:50,479 --> 00:00:55,240
Speaker 1: Do what's right. Leave now. Under President Trump, America's laws,

15
00:00:55,400 --> 00:00:57,840
Speaker 1: border and families will be protected.

16
00:00:57,920 --> 00:01:00,000
Speaker 2: Sponsored by the United States Department of Homeland Security.

17
00:01:00,120 --> 00:01:03,960
Speaker 3: Let's take a Dylan Brooks right shout to him. But

18
00:01:04,000 --> 00:01:06,600
Speaker 3: I'm just saying things like that. That's where it starts.

19
00:01:06,400 --> 00:01:12,000
Speaker 4: Getting us dealing. Brooks is a legend. No, he's not

20
00:01:13,680 --> 00:01:17,840
Speaker 4: from my point, and Dylan Brooks could be from some

21
00:01:18,040 --> 00:01:18,839
Speaker 4: Canada or something.

22
00:01:18,920 --> 00:01:21,200
Speaker 5: Right, he's from Ontario.

23
00:01:21,360 --> 00:01:24,480
Speaker 4: He could be somebody that's the first from his neighborhood,

24
00:01:24,520 --> 00:01:27,679
Speaker 4: bro who did what he's doing in America.

25
00:01:27,720 --> 00:01:30,640
Speaker 6: But not even to them, he's a legend. He might

26
00:01:30,840 --> 00:01:33,240
Speaker 6: when he goes on the campus of Oregon, he probably

27
00:01:33,400 --> 00:01:34,160
Speaker 6: he's a legend.

28
00:01:34,840 --> 00:01:35,399
Speaker 4: That's the fact.

29
00:01:35,480 --> 00:01:37,280
Speaker 5: How many guys from organ make it to the league

30
00:01:38,959 --> 00:01:40,440
Speaker 5: and have a career, not man.

31
00:01:46,360 --> 00:01:51,600
Speaker 7: My graduates from my school being false back drop bag drop,

32
00:01:52,240 --> 00:01:53,880
Speaker 7: Mike drop back drop.

33
00:02:05,320 --> 00:02:07,960
Speaker 3: All right, guys, welcome back e y l. Yeah, we

34
00:02:08,080 --> 00:02:11,400
Speaker 3: are in our second home, l A. We're out here

35
00:02:11,440 --> 00:02:12,440
Speaker 3: all the time, so.

36
00:02:12,560 --> 00:02:15,919
Speaker 8: It's officially maybe it's officially placed. Atlanta is our second home.

37
00:02:16,000 --> 00:02:17,280
Speaker 8: Oh yeah, Atlanta's the second.

38
00:02:19,400 --> 00:02:23,880
Speaker 4: Man. I got to make Cali. I love Atlanta. Yeah,

39
00:02:24,240 --> 00:02:25,720
Speaker 4: blame you. Atlanta is the ship.

40
00:02:25,919 --> 00:02:27,919
Speaker 9: Yeah. I got love for both places. Man.

41
00:02:28,040 --> 00:02:30,960
Speaker 3: But we was coming out here for the weekend and

42
00:02:30,960 --> 00:02:33,239
Speaker 3: we wanted to, you know, make it as impactful as possible.

43
00:02:33,280 --> 00:02:35,520
Speaker 3: So we're like, who can we interview? And I shot

44
00:02:35,520 --> 00:02:37,760
Speaker 3: to AV He's like, Yo, what about some we live

45
00:02:37,800 --> 00:02:39,600
Speaker 3: out there. I'm like, yeah, let's do that. Let's reach

46
00:02:39,639 --> 00:02:44,480
Speaker 3: out and the bro set it up right, shouting.

47
00:02:45,680 --> 00:02:47,639
Speaker 4: Yeah my boys schmurder too, man.

48
00:02:48,040 --> 00:02:51,880
Speaker 3: Yeah, so they they set it up and we're here.

49
00:02:52,000 --> 00:02:54,280
Speaker 3: So I'm a fan. I told you that before when

50
00:02:54,320 --> 00:02:56,360
Speaker 3: we connected with nineteen Keys at the BT.

51
00:02:56,560 --> 00:02:57,399
Speaker 9: What was that last year?

52
00:02:57,840 --> 00:03:00,639
Speaker 5: Last year, last last June, last year radio room.

53
00:03:00,760 --> 00:03:04,320
Speaker 4: That's June. So that's about a year. Yeah, year around sure,

54
00:03:05,000 --> 00:03:05,840
Speaker 4: year works.

55
00:03:05,880 --> 00:03:09,959
Speaker 3: So you know it's it's been dope to see your rise.

56
00:03:10,680 --> 00:03:13,440
Speaker 3: Been following you on the ground, you know, watching the freestyles,

57
00:03:13,480 --> 00:03:15,400
Speaker 3: watching everything that you've been doing.

58
00:03:15,440 --> 00:03:17,720
Speaker 9: So first and foremost, congratulations.

59
00:03:17,040 --> 00:03:20,160
Speaker 4: Thank you man, thank you. Congratulations to y'all. Two man,

60
00:03:20,639 --> 00:03:23,560
Speaker 4: I was just actually watching the Blast episode.

61
00:03:24,000 --> 00:03:25,239
Speaker 9: Yeah, how'd you feel about it?

62
00:03:25,360 --> 00:03:27,760
Speaker 4: Like, God, I love it, Bro, I love I love

63
00:03:27,880 --> 00:03:32,760
Speaker 4: Vic too. Vict is like he's he's like the embodiment

64
00:03:32,919 --> 00:03:36,920
Speaker 4: of like what you have to do, like as the

65
00:03:37,240 --> 00:03:39,800
Speaker 4: homey or like as the friend. That's a part of

66
00:03:39,880 --> 00:03:43,160
Speaker 4: business that like take matters into your own hands to

67
00:03:43,280 --> 00:03:45,680
Speaker 4: kind of like simplify a lot of things for artists.

68
00:03:45,680 --> 00:03:48,320
Speaker 4: So shout out to Vic, man, I love him for that.

69
00:03:48,560 --> 00:03:51,560
Speaker 9: Yeah, that dope one family did we did that here?

70
00:03:51,640 --> 00:03:52,480
Speaker 9: Actually know what I'm.

71
00:03:52,400 --> 00:03:57,280
Speaker 3: Saying, the fact, But yeah, man, so let's let's jump

72
00:03:57,320 --> 00:03:59,760
Speaker 3: right into it. I gotta it's gonna be a fun conversation,

73
00:03:59,840 --> 00:04:03,560
Speaker 3: lot to talk about. But first, all right, so everybody

74
00:04:03,600 --> 00:04:05,120
Speaker 3: knows you out there. You're making a bus.

75
00:04:05,200 --> 00:04:05,600
Speaker 4: Yeah.

76
00:04:05,640 --> 00:04:06,880
Speaker 9: Are you signed to a label?

77
00:04:07,120 --> 00:04:07,320
Speaker 4: Yes?

78
00:04:07,760 --> 00:04:08,760
Speaker 9: What label you signed to?

79
00:04:08,920 --> 00:04:15,080
Speaker 4: I'm signed to the best label in the world, Atlantic Records,

80
00:04:15,160 --> 00:04:18,520
Speaker 4: completely unbiased opinion. Yes, yes, all right?

81
00:04:18,560 --> 00:04:19,760
Speaker 9: So when did that?

82
00:04:19,839 --> 00:04:23,120
Speaker 3: Because she was independent for a long time, yes, So

83
00:04:23,160 --> 00:04:24,200
Speaker 3: talk me through that.

84
00:04:24,520 --> 00:04:26,160
Speaker 9: How did that happen? The thought process?

85
00:04:26,200 --> 00:04:28,840
Speaker 3: I'm sure you kind of like debated it in your

86
00:04:28,839 --> 00:04:30,240
Speaker 3: mind whether that was a good idea or not.

87
00:04:30,320 --> 00:04:33,440
Speaker 9: Maybe you didn't like, you know, going to a label did?

88
00:04:33,560 --> 00:04:34,520
Speaker 9: How did that come about?

89
00:04:35,000 --> 00:04:37,960
Speaker 4: Well? For me, Bro, I was always somebody that was

90
00:04:38,040 --> 00:04:41,920
Speaker 4: just like I just always kind of thought past where

91
00:04:41,960 --> 00:04:46,000
Speaker 4: I was at the moment. And for me, growing up

92
00:04:46,040 --> 00:04:47,880
Speaker 4: in the Bay Area, we got, like I said all

93
00:04:47,920 --> 00:04:50,080
Speaker 4: the time, we got a lack of infrastructure when it

94
00:04:50,120 --> 00:04:55,480
Speaker 4: comes to the hip hop music scene. So it was

95
00:04:55,560 --> 00:04:58,040
Speaker 4: hard for me to kind of develop the team that

96
00:04:58,120 --> 00:05:00,920
Speaker 4: I needed to kind of help me do find what

97
00:05:00,960 --> 00:05:04,320
Speaker 4: it was that I represent as an artist. So I

98
00:05:04,400 --> 00:05:07,240
Speaker 4: had to go elsewhere, and through going elsewhere, I ended

99
00:05:07,320 --> 00:05:09,320
Speaker 4: up leaving the Bay Area and coming down here to

100
00:05:09,400 --> 00:05:12,000
Speaker 4: Los Angeles. And when I came down to Los Angeles,

101
00:05:12,279 --> 00:05:15,640
Speaker 4: I started getting their rooms and learning different things, and

102
00:05:15,839 --> 00:05:20,400
Speaker 4: through that I kind of started developing like more appreciation

103
00:05:20,640 --> 00:05:24,120
Speaker 4: for the major side of things, because it was like

104
00:05:24,160 --> 00:05:26,320
Speaker 4: you get to kind of take advantage of like all

105
00:05:26,360 --> 00:05:31,240
Speaker 4: these different opportunities and relationships versus like you going through

106
00:05:31,240 --> 00:05:34,040
Speaker 4: this uphill battle. Especially for me, it was tough because,

107
00:05:34,080 --> 00:05:36,680
Speaker 4: like I said, I couldn't really develop a team, so

108
00:05:36,760 --> 00:05:40,960
Speaker 4: I had to hire one. So I partnered with Atlantic

109
00:05:41,160 --> 00:05:45,560
Speaker 4: back in like twenty twenty, like right before the pandemic.

110
00:05:45,680 --> 00:05:49,440
Speaker 4: My first single on Atlantic came out two days before

111
00:05:49,480 --> 00:05:53,880
Speaker 4: the pandemic. So for me, partnering with the majors, it

112
00:05:53,960 --> 00:05:58,599
Speaker 4: was always about being able to get my music scene

113
00:05:59,240 --> 00:06:03,000
Speaker 4: like from a order perspective, because I didn't really relate

114
00:06:03,480 --> 00:06:06,240
Speaker 4: to where I'm from. I don't really sound like the

115
00:06:06,279 --> 00:06:09,599
Speaker 4: typical Bay Area artists or have the typical sound, so

116
00:06:09,640 --> 00:06:13,800
Speaker 4: I always needed like more platforming in different relationships to

117
00:06:13,839 --> 00:06:15,960
Speaker 4: help me elevate what it was I was trying to do.

118
00:06:16,600 --> 00:06:19,520
Speaker 4: And you know, partner with the major label was easier

119
00:06:19,560 --> 00:06:21,599
Speaker 4: for me to do that than to take the independent up.

120
00:06:21,960 --> 00:06:25,919
Speaker 8: So at first, before you got to Atlanta, you were independent,

121
00:06:25,960 --> 00:06:28,880
Speaker 8: but you were Columbia. Yeah right, so talk about that

122
00:06:28,920 --> 00:06:32,839
Speaker 8: because you went from major to independent back to major. Yeah,

123
00:06:32,920 --> 00:06:34,599
Speaker 8: you know, there was still some money that was made.

124
00:06:34,600 --> 00:06:36,039
Speaker 8: There was a lot of money that should oh I

125
00:06:36,080 --> 00:06:37,400
Speaker 8: should what was that?

126
00:06:37,520 --> 00:06:42,279
Speaker 4: Like I always say, bro Columbia was like, so my

127
00:06:42,440 --> 00:06:46,320
Speaker 4: sister Chelsea, Chelsea Blfe, she just became the VP of

128
00:06:46,600 --> 00:06:50,479
Speaker 4: UMG Nashville. Shout out to Chelsea. But she's like the

129
00:06:50,560 --> 00:06:53,960
Speaker 4: person that really got me into the industry. Like when

130
00:06:54,040 --> 00:06:56,120
Speaker 4: I was driving down from the Bay Area, I was

131
00:06:56,120 --> 00:06:59,360
Speaker 4: working with Nick Nack. Y'all remember Nick Nack, I know

132
00:06:59,400 --> 00:07:02,680
Speaker 4: the name. Nick was a producer. He produced like these

133
00:07:02,680 --> 00:07:05,080
Speaker 4: hose ain't loyal from Chris Brown, but he from the

134
00:07:05,120 --> 00:07:08,320
Speaker 4: Bay A legend. Yeah, but he was like the first

135
00:07:08,360 --> 00:07:12,480
Speaker 4: person him and like starting six young Mirth. They were

136
00:07:12,520 --> 00:07:14,960
Speaker 4: like the first people I've seen move from the Bay

137
00:07:15,320 --> 00:07:18,000
Speaker 4: and come to Los Angeles and really start making the

138
00:07:18,120 --> 00:07:21,520
Speaker 4: name in the music industry. So I started getting in

139
00:07:21,560 --> 00:07:23,680
Speaker 4: touch with them, and I start doing the same thing

140
00:07:23,920 --> 00:07:26,480
Speaker 4: driving down from the Bay, linking up with them down here,

141
00:07:27,120 --> 00:07:29,520
Speaker 4: and through being down here, I was watching Nick and

142
00:07:29,640 --> 00:07:33,200
Speaker 4: Mirth like go to different major sessions and writing for

143
00:07:33,280 --> 00:07:36,280
Speaker 4: different people, and I was just learning things and I

144
00:07:36,400 --> 00:07:40,040
Speaker 4: was like, damn, I think I need to move down here.

145
00:07:40,560 --> 00:07:45,360
Speaker 4: So Chelsea was actually an intern at Innerscope at the time,

146
00:07:45,440 --> 00:07:47,680
Speaker 4: so she was just kind of like getting into the game.

147
00:07:47,760 --> 00:07:50,280
Speaker 4: She was working under Manny Smith. Shut out the Manny

148
00:07:51,240 --> 00:07:54,360
Speaker 4: and Chelsea brought me in for a meeting and my

149
00:07:54,600 --> 00:07:59,360
Speaker 4: music was terrible, but my raps was good. My music

150
00:07:59,480 --> 00:08:02,200
Speaker 4: was terrible, but my raps was good. And Manny he's

151
00:08:02,200 --> 00:08:04,280
Speaker 4: seen the potential in me. He was just like, keep

152
00:08:04,320 --> 00:08:08,440
Speaker 4: doing your thing. And that was like two weeks after that.

153
00:08:08,560 --> 00:08:11,880
Speaker 4: I met Kendrick Lamar. This is right before a Good

154
00:08:12,000 --> 00:08:15,520
Speaker 4: kid Man City. So Kendricks seen a freestyle I did.

155
00:08:16,080 --> 00:08:18,640
Speaker 4: He was like, bro, you dope, Like keep doing your thing.

156
00:08:19,400 --> 00:08:22,360
Speaker 4: A couple of weeks later, Chelsea was like, come down

157
00:08:22,400 --> 00:08:25,080
Speaker 4: to Vegas. I never even told this story. It's crazy.

158
00:08:25,600 --> 00:08:29,800
Speaker 4: Chelsea was like, come to Vegas. Kendrick's performing at rehab right,

159
00:08:29,960 --> 00:08:33,160
Speaker 4: like he fucks with you, Like, come down here. So

160
00:08:33,200 --> 00:08:35,640
Speaker 4: I jump in my Camaro. I got a Camaro at

161
00:08:35,640 --> 00:08:38,520
Speaker 4: the time, right boom. I take that nine hour drive

162
00:08:38,600 --> 00:08:42,200
Speaker 4: from the Bay all the way to Vegas. So I

163
00:08:42,240 --> 00:08:45,240
Speaker 4: get down there, me and my homie, my homie j Kine.

164
00:08:46,120 --> 00:08:48,760
Speaker 4: So we get down there and I'm on the side

165
00:08:48,760 --> 00:08:50,839
Speaker 4: of the stage. So he getting ready to perform. He

166
00:08:51,000 --> 00:08:53,280
Speaker 4: see me on the side of the stage. He like like,

167
00:08:53,320 --> 00:08:57,160
Speaker 4: come up here. So I'm like like look in the round,

168
00:08:57,320 --> 00:09:02,480
Speaker 4: you know, ka like come up here. So I go

169
00:09:02,600 --> 00:09:05,120
Speaker 4: up there boom. I'm chilling and I'm just watching the

170
00:09:05,160 --> 00:09:08,360
Speaker 4: show and I was like, this is what I want

171
00:09:08,440 --> 00:09:11,520
Speaker 4: to do. I was like, this is what I want

172
00:09:11,559 --> 00:09:14,560
Speaker 4: to do. Like I was already rapping, but like I

173
00:09:14,640 --> 00:09:17,280
Speaker 4: was around people that was working in the industry. When

174
00:09:17,280 --> 00:09:20,480
Speaker 4: I seen somebody that like I related to as a rapper,

175
00:09:21,240 --> 00:09:23,240
Speaker 4: I was like, this, what the hell I want to do?

176
00:09:23,360 --> 00:09:24,720
Speaker 9: And Rehab looked back then too.

177
00:09:24,760 --> 00:09:29,360
Speaker 4: It lit just like twenty thirteen, twenty twelve, somewhere around

178
00:09:29,440 --> 00:09:32,000
Speaker 4: it was there. Yeah, like it was. It was lit.

179
00:09:32,880 --> 00:09:36,840
Speaker 3: So that's what showed you like this is this is possible,

180
00:09:36,960 --> 00:09:37,160
Speaker 3: you know.

181
00:09:37,240 --> 00:09:39,320
Speaker 4: So I'm about to tell you the whole story. So

182
00:09:40,640 --> 00:09:43,720
Speaker 4: I look at Chelsea. So I'm like Chelse, I'm like,

183
00:09:44,040 --> 00:09:46,199
Speaker 4: this is what I want to do. She like, sim

184
00:09:46,240 --> 00:09:49,680
Speaker 4: you gotta move to LA. She was like, it's it's

185
00:09:49,760 --> 00:09:52,719
Speaker 4: not the right like the proper resources for you down there.

186
00:09:52,760 --> 00:09:56,760
Speaker 4: You gotta move. So I come down to La. Come

187
00:09:56,800 --> 00:09:59,600
Speaker 4: to La. I'm hustling at the time, doing my ding.

188
00:09:59,679 --> 00:10:03,440
Speaker 4: I gotta couple of dollars, right, I go broken ninety days.

189
00:10:04,800 --> 00:10:05,480
Speaker 4: That's where I go.

190
00:10:06,559 --> 00:10:08,319
Speaker 5: That's the name of the bio Player.

191
00:10:10,880 --> 00:10:11,200
Speaker 9: Challenge.

192
00:10:11,400 --> 00:10:14,920
Speaker 4: I go broken ninety days because I'm thinking, I gotta

193
00:10:15,000 --> 00:10:18,440
Speaker 4: buy the DJ's drinks and do all these different things

194
00:10:18,480 --> 00:10:21,320
Speaker 4: and buy the tables in the club. So I'm just

195
00:10:21,400 --> 00:10:24,480
Speaker 4: blowing it. But I'm not realizing, like I'm supposed to

196
00:10:24,520 --> 00:10:27,800
Speaker 4: be spending my money on developing my craft. So I

197
00:10:27,840 --> 00:10:31,319
Speaker 4: ain't went brought no studio, I ain't went brought no laptop,

198
00:10:31,720 --> 00:10:34,560
Speaker 4: I ain't got no software. I'm just going to sessions

199
00:10:34,559 --> 00:10:37,200
Speaker 4: with Chelse every day. To the point some people just

200
00:10:37,200 --> 00:10:40,520
Speaker 4: think I'm the weed man, you know what I'm saying,

201
00:10:40,600 --> 00:10:43,960
Speaker 4: Like I'm just rolling up, Like they texted Chelsea like

202
00:10:44,000 --> 00:10:49,880
Speaker 4: who's this? So boom. So I started making a little

203
00:10:49,880 --> 00:10:52,360
Speaker 4: money just hustling doing my thing, So I go get

204
00:10:52,400 --> 00:10:55,439
Speaker 4: me a studio. I get a studio in a rehearsal

205
00:10:55,480 --> 00:10:59,400
Speaker 4: hall right where they playing drums and everything so you

206
00:10:59,400 --> 00:11:02,080
Speaker 4: can hear the in the back of my music. So

207
00:11:02,200 --> 00:11:05,599
Speaker 4: me and Chells get the studio, I meet Phonics and

208
00:11:06,040 --> 00:11:09,240
Speaker 4: Dee Brooks. They was like the first people that kind

209
00:11:09,280 --> 00:11:13,360
Speaker 4: of told me like how music was changing, because this

210
00:11:13,520 --> 00:11:15,440
Speaker 4: was at the time of when we was going from

211
00:11:15,520 --> 00:11:21,000
Speaker 4: like the Drake Cole Kendrick CD kind of air into

212
00:11:21,120 --> 00:11:24,440
Speaker 4: like the streaming era to where it was more melody driven.

213
00:11:25,520 --> 00:11:28,640
Speaker 4: So through that I started writing with them for a

214
00:11:28,640 --> 00:11:31,120
Speaker 4: lot of different people. Then we got a meeting to

215
00:11:31,200 --> 00:11:35,760
Speaker 4: go play some records at Columbia. We got the Columbia

216
00:11:35,840 --> 00:11:38,000
Speaker 4: and I was playing the records that we was writing

217
00:11:38,040 --> 00:11:41,080
Speaker 4: for people and they was like, uh, man, we want

218
00:11:41,120 --> 00:11:43,520
Speaker 4: to sign, you want to put this out. But the

219
00:11:43,559 --> 00:11:46,560
Speaker 4: records really wasn't me. It wasn't like me rapping and

220
00:11:46,600 --> 00:11:48,560
Speaker 4: who I was. It was me doing what I think

221
00:11:48,559 --> 00:11:52,520
Speaker 4: would work for other people. But I needed the money

222
00:11:52,559 --> 00:11:55,000
Speaker 4: at the time. You know what I'm saying, Because I'm

223
00:11:55,080 --> 00:11:58,160
Speaker 4: paying for this studio, I'm going broke. So they like,

224
00:11:58,160 --> 00:12:00,160
Speaker 4: we're gonna give you one hundred and fifty thousand, I'm

225
00:12:00,200 --> 00:12:06,480
Speaker 4: like running, running, Yeah, where do I sign? Because I'm

226
00:12:06,520 --> 00:12:10,360
Speaker 4: already knowing like I'm probably only gonna put like one

227
00:12:10,440 --> 00:12:12,640
Speaker 4: or two songs out and get dropped because I don't

228
00:12:12,679 --> 00:12:14,960
Speaker 4: even know what I'm doing, you know what I mean?

229
00:12:16,559 --> 00:12:18,880
Speaker 9: Content was it like three albums? To it like it was?

230
00:12:19,360 --> 00:12:23,120
Speaker 4: It was like a two project that was like three albums.

231
00:12:23,120 --> 00:12:27,360
Speaker 4: I think three albums three albums. And really, honestly that

232
00:12:27,520 --> 00:12:31,720
Speaker 4: happened because of Chelse because I had no buzz, nothing

233
00:12:31,880 --> 00:12:33,520
Speaker 4: like it was. She was the new A and R.

234
00:12:33,640 --> 00:12:36,800
Speaker 4: She got hired over there and the first person she

235
00:12:36,960 --> 00:12:39,320
Speaker 4: signed was me, you know what I mean? So she

236
00:12:39,400 --> 00:12:42,880
Speaker 4: brought me, Yeah, shut out to Chelse because that really

237
00:12:43,000 --> 00:12:47,560
Speaker 4: kind of like helped boost like my thought process on

238
00:12:47,640 --> 00:12:50,040
Speaker 4: what it is I need to do to better myself

239
00:12:50,480 --> 00:12:52,640
Speaker 4: to where when I got to Atlantic, I was more

240
00:12:52,679 --> 00:12:53,480
Speaker 4: prepared and kind of.

241
00:12:53,480 --> 00:12:55,079
Speaker 5: Knew how to you gotta go through that to get

242
00:12:55,080 --> 00:12:55,280
Speaker 5: to this.

243
00:12:55,960 --> 00:12:58,400
Speaker 4: I'm bad for being sous.

244
00:12:58,559 --> 00:13:00,400
Speaker 5: What'd you do with the one fifty book?

245
00:13:00,840 --> 00:13:04,480
Speaker 4: Or did you? Nah? So I learned a little bit

246
00:13:04,520 --> 00:13:07,760
Speaker 4: from when I moved to La So don't get me wrong,

247
00:13:07,880 --> 00:13:10,640
Speaker 4: I fucked off a lot of the money. I wouldn't

248
00:13:10,640 --> 00:13:12,520
Speaker 4: bought a Maserati.

249
00:13:12,559 --> 00:13:16,440
Speaker 3: Like you got it up front one fifty up front, yeah, yeah,

250
00:13:16,480 --> 00:13:20,439
Speaker 3: So I wouldn't got a Maserati just doing all kind

251
00:13:20,480 --> 00:13:20,760
Speaker 3: of shit.

252
00:13:20,840 --> 00:13:25,400
Speaker 4: But I invested into my studio I started paying like

253
00:13:25,480 --> 00:13:28,440
Speaker 4: different songwriters to come by the studio and teach me

254
00:13:28,480 --> 00:13:31,000
Speaker 4: how to write hooks in different things like that. Phoenix

255
00:13:31,040 --> 00:13:33,000
Speaker 4: and d Brooks played a big part in that as well.

256
00:13:33,480 --> 00:13:36,720
Speaker 4: But I invested in myself getting better as an artist

257
00:13:37,679 --> 00:13:41,720
Speaker 4: and through that. By the time that deal was over with,

258
00:13:41,920 --> 00:13:45,680
Speaker 4: I dropped one song. I dropped one song for the hotel,

259
00:13:46,080 --> 00:13:48,480
Speaker 4: and it was a whole regime change. Like three weeks

260
00:13:48,520 --> 00:13:50,319
Speaker 4: after I dropped the song, and.

261
00:13:50,280 --> 00:13:52,280
Speaker 3: They let they just let you go, let me go.

262
00:13:52,640 --> 00:13:54,920
Speaker 3: And you didn't have anything you did have like anything

263
00:13:54,960 --> 00:13:55,960
Speaker 3: that you old them anything like that.

264
00:13:56,080 --> 00:13:56,360
Speaker 9: Nothing.

265
00:13:56,440 --> 00:13:58,880
Speaker 4: See, that's the good thing about labels. I'll be telling

266
00:13:59,040 --> 00:14:02,520
Speaker 4: like I'd be telling us that. Like I'll be like,

267
00:14:03,520 --> 00:14:06,600
Speaker 4: like you could just go get like a quick three

268
00:14:06,720 --> 00:14:09,400
Speaker 4: hundred right quick and just get them people with they

269
00:14:09,400 --> 00:14:12,800
Speaker 4: won't get out there like it ain't like the streets

270
00:14:12,800 --> 00:14:15,240
Speaker 4: where it's like you could even pay a nigga back

271
00:14:15,280 --> 00:14:17,839
Speaker 4: in the streets. He gonna always remind you remember, let

272
00:14:17,880 --> 00:14:19,520
Speaker 4: you hold that three hundred thousands.

273
00:14:19,520 --> 00:14:20,360
Speaker 5: Man, you old me this.

274
00:14:20,880 --> 00:14:24,840
Speaker 4: Like it's different. It's like it's business like you know,

275
00:14:24,960 --> 00:14:27,560
Speaker 4: you take what you get from when you However, the

276
00:14:27,600 --> 00:14:28,640
Speaker 4: business deal go is.

277
00:14:28,600 --> 00:14:28,920
Speaker 9: How I go.

278
00:14:29,480 --> 00:14:31,600
Speaker 3: So one of the things that I so from my

279
00:14:31,640 --> 00:14:35,920
Speaker 3: advantage point, the major label gives you that start them right,

280
00:14:36,000 --> 00:14:37,920
Speaker 3: It gives you like the push it it pushes you

281
00:14:37,960 --> 00:14:38,800
Speaker 3: on different platforms.

282
00:14:38,840 --> 00:14:40,320
Speaker 9: They play your song on the radio. That you know.

283
00:14:40,720 --> 00:14:43,440
Speaker 3: The downside to that is most of the time they

284
00:14:43,480 --> 00:14:45,240
Speaker 3: own your music. They own the master's right.

285
00:14:47,480 --> 00:14:49,280
Speaker 4: Sit downside, depending on how you look at.

286
00:14:49,160 --> 00:14:53,320
Speaker 9: It, them only your master's all right, what's your what's

287
00:14:53,360 --> 00:14:53,840
Speaker 9: your take on.

288
00:14:53,800 --> 00:14:56,200
Speaker 4: That some people can't do ship with their own masters?

289
00:14:59,160 --> 00:15:07,040
Speaker 4: Und you just making thirty five dollars every ninety days

290
00:15:07,080 --> 00:15:10,320
Speaker 4: off your music and you own your rights, why not

291
00:15:10,440 --> 00:15:12,920
Speaker 4: give up a percentage to get.

292
00:15:12,960 --> 00:15:15,520
Speaker 3: So you're comfortable with not owning your masters at the

293
00:15:15,600 --> 00:15:19,680
Speaker 3: moment because you see in the future you want to

294
00:15:19,720 --> 00:15:22,360
Speaker 3: own your masters. But right now you're looking at it

295
00:15:22,360 --> 00:15:25,440
Speaker 3: from a standpoint where your sacrifice not only your masses

296
00:15:25,520 --> 00:15:28,280
Speaker 3: now to get to the point where you have start them,

297
00:15:28,600 --> 00:15:29,680
Speaker 3: so your masses.

298
00:15:29,400 --> 00:15:33,840
Speaker 4: Deeper and deeper than stardom. For me, it's also learning

299
00:15:33,960 --> 00:15:37,760
Speaker 4: the industry, it's learning the game. So let's say one

300
00:15:37,840 --> 00:15:40,680
Speaker 4: day I'm not in a situation with Atlantic, I'll still

301
00:15:40,720 --> 00:15:42,600
Speaker 4: know who to call and who to talk to, and

302
00:15:42,640 --> 00:15:46,040
Speaker 4: who does what and what department at Apple? Who does

303
00:15:46,080 --> 00:15:48,280
Speaker 4: what is Spotify? And who I need to talk to

304
00:15:48,280 --> 00:15:51,280
Speaker 4: to get playlisted over there. So it's deeper than just

305
00:15:51,400 --> 00:15:54,920
Speaker 4: start them. It's learning the system. So one day I'm

306
00:15:54,920 --> 00:15:57,240
Speaker 4: going to have to create my own and then I'll

307
00:15:57,280 --> 00:15:59,160
Speaker 4: know who to go to to make that sport.

308
00:15:59,240 --> 00:16:01,920
Speaker 5: Yeah, relationship, it's one of those advantages.

309
00:16:01,960 --> 00:16:04,960
Speaker 8: And it's I think even for us when when Charlomagne

310
00:16:05,000 --> 00:16:06,680
Speaker 8: was you know, we were over at Black Effect, it

311
00:16:06,680 --> 00:16:09,600
Speaker 8: was like, figure about what everybody's doing, because at some

312
00:16:09,640 --> 00:16:12,080
Speaker 8: point what y'all are building would be bigger and you'll

313
00:16:12,120 --> 00:16:14,360
Speaker 8: know the people to go to. Exactly, you said something

314
00:16:14,440 --> 00:16:16,520
Speaker 8: very important. You said that you didn't have the team,

315
00:16:16,560 --> 00:16:18,960
Speaker 8: you had to build one. And it made me think

316
00:16:18,960 --> 00:16:21,600
Speaker 8: of this this line on sacrifices, and you were saying,

317
00:16:21,800 --> 00:16:24,320
Speaker 8: the people that I'm with ain't the people I should

318
00:16:24,320 --> 00:16:24,880
Speaker 8: have made it with.

319
00:16:26,160 --> 00:16:28,120
Speaker 5: That's pretty complex, right.

320
00:16:28,000 --> 00:16:31,200
Speaker 8: So like talk about that because it's like you are

321
00:16:31,280 --> 00:16:33,840
Speaker 8: aware that these an't the people I should have been around,

322
00:16:34,520 --> 00:16:36,440
Speaker 8: the people on the other side of the people that

323
00:16:36,880 --> 00:16:39,960
Speaker 8: really gave me the push to get here. How do you, like,

324
00:16:40,000 --> 00:16:40,840
Speaker 8: how do you manage that?

325
00:16:41,480 --> 00:16:45,000
Speaker 4: So, like I said, bro in the Bay, it was

326
00:16:45,040 --> 00:16:47,280
Speaker 4: tough for me to develop a team in the Bay areas.

327
00:16:47,720 --> 00:16:52,119
Speaker 4: It's tough. It's tough trying to break through, and everybody

328
00:16:52,160 --> 00:16:54,840
Speaker 4: got their own things going on, and it's not like

329
00:16:54,960 --> 00:16:59,920
Speaker 4: my friends are passionate about my dream. As I am.

330
00:16:59,640 --> 00:17:02,200
Speaker 5: Money, it comes with a lot of questions. How do

331
00:17:02,280 --> 00:17:02,680
Speaker 5: I save?

332
00:17:02,960 --> 00:17:05,560
Speaker 8: Where should I invest? Can I build wealth to pass on?

333
00:17:05,880 --> 00:17:08,120
Speaker 8: It's hard to know where to get the answers. That's

334
00:17:08,160 --> 00:17:10,880
Speaker 8: why the people at Fidelity do what they do. They

335
00:17:10,920 --> 00:17:13,200
Speaker 8: make it easier for you to get information to make

336
00:17:13,240 --> 00:17:17,000
Speaker 8: better money decisions. They've got articles and videos, tips and apps,

337
00:17:17,119 --> 00:17:20,600
Speaker 8: and insights and perspectives that can make planning, saving and

338
00:17:20,840 --> 00:17:23,800
Speaker 8: investing less stressful. And when you want to talk it through,

339
00:17:24,000 --> 00:17:26,600
Speaker 8: there's a real person on the other end with real answers.

340
00:17:26,880 --> 00:17:29,760
Speaker 8: Helping people is what they do and as a part

341
00:17:29,800 --> 00:17:32,360
Speaker 8: of their two hundred and fifty million dollar invest in

342
00:17:32,359 --> 00:17:36,560
Speaker 8: My Education initiative, Fidelity is supporting eligible students from underserved

343
00:17:36,600 --> 00:17:40,679
Speaker 8: communities in the Boston, Dallas, Fort Worth, and Raley Durham

344
00:17:40,760 --> 00:17:45,200
Speaker 8: areas by combining scholarships with ongoing assistance, mentorship, and better

345
00:17:45,320 --> 00:17:49,840
Speaker 8: paths to post graduation employment. Want to learn more, Visitfidelity

346
00:17:49,920 --> 00:17:52,200
Speaker 8: dot com slash black Wealth.

347
00:17:52,200 --> 00:17:57,040
Speaker 4: You know. So it's tough to make them a part

348
00:17:57,080 --> 00:17:59,399
Speaker 4: of that sometimes when it's like you growing at a

349
00:17:59,440 --> 00:18:02,760
Speaker 4: certain page and they not like kind of growing at

350
00:18:02,840 --> 00:18:04,720
Speaker 4: the job that they need to do to help keep

351
00:18:04,720 --> 00:18:07,960
Speaker 4: you there, you know what I mean. So it was

352
00:18:08,080 --> 00:18:10,159
Speaker 4: very tough for me to try to like put a

353
00:18:10,200 --> 00:18:12,800
Speaker 4: team together amongst who I was around, So I had

354
00:18:12,800 --> 00:18:15,880
Speaker 4: to go find outsource help. So the people who ended

355
00:18:15,960 --> 00:18:18,720
Speaker 4: up helping me, like my production company who I'm signed to,

356
00:18:18,920 --> 00:18:22,040
Speaker 4: Star Island, shout out to them. They're based out of Philadelphia,

357
00:18:22,880 --> 00:18:25,879
Speaker 4: but that happened through a relationship that I had with

358
00:18:25,960 --> 00:18:28,920
Speaker 4: someone that they introduced me to them. We've seen eye

359
00:18:29,080 --> 00:18:31,440
Speaker 4: eye on the same things I seen. They just as

360
00:18:31,480 --> 00:18:34,239
Speaker 4: passionate about what they do as I am with what

361
00:18:34,320 --> 00:18:36,600
Speaker 4: I do, and I'm like, you know what, I need

362
00:18:36,600 --> 00:18:38,679
Speaker 4: to link with them. They ended up getting me my

363
00:18:38,760 --> 00:18:42,119
Speaker 4: deal Tolantic, you know what I mean. So it's like

364
00:18:43,000 --> 00:18:46,119
Speaker 4: sometimes you gotta kind of reach out, you know, and

365
00:18:46,240 --> 00:18:49,360
Speaker 4: get outsource help. But that don't mean you gotta forget

366
00:18:49,400 --> 00:18:51,560
Speaker 4: who didn't help. It's still as you grow, you'll be

367
00:18:51,640 --> 00:18:53,960
Speaker 4: able to open new doors and find new roles for

368
00:18:54,040 --> 00:18:55,560
Speaker 4: people that was there before.

369
00:18:55,480 --> 00:18:57,800
Speaker 3: And I want to go back to the label thing

370
00:18:57,840 --> 00:19:00,760
Speaker 3: because that was pretty insightful. It's like, sometimes you have

371
00:19:00,840 --> 00:19:03,960
Speaker 3: to infiltrate the system to learn the system exactly to

372
00:19:04,320 --> 00:19:07,359
Speaker 3: create your own system. And that's something that Dane, you know,

373
00:19:07,440 --> 00:19:10,520
Speaker 3: Dan Dane always tell us that all the time, Like,

374
00:19:11,400 --> 00:19:12,639
Speaker 3: you know, cause we work with a lot of different

375
00:19:12,640 --> 00:19:15,840
Speaker 3: corporate relationships, like we gotta show a Revolt shout out

376
00:19:15,880 --> 00:19:19,159
Speaker 3: to Revolt. He did an episode with us and he

377
00:19:19,240 --> 00:19:22,240
Speaker 3: came in and he seems like a movie production. It

378
00:19:22,280 --> 00:19:23,879
Speaker 3: was like one hundred different camera men and all of that,

379
00:19:23,920 --> 00:19:25,679
Speaker 3: and he was like, Yo, how much does this on

380
00:19:26,200 --> 00:19:27,119
Speaker 3: cost to do this?

381
00:19:28,119 --> 00:19:28,560
Speaker 9: I don't know?

382
00:19:28,840 --> 00:19:31,360
Speaker 3: And he was like, well, why don't you know. I'm like, well,

383
00:19:31,400 --> 00:19:33,639
Speaker 3: this is this isn't our production, it's their production. He

384
00:19:33,680 --> 00:19:36,000
Speaker 3: was like, you turn into talent that quick. He's like,

385
00:19:36,040 --> 00:19:38,000
Speaker 3: you're supposed to know. Like he was like, even if

386
00:19:38,000 --> 00:19:40,800
Speaker 3: it's not, you're not paying for it. Now you understand

387
00:19:40,880 --> 00:19:43,879
Speaker 3: how a higher level production works and you can say, Okay,

388
00:19:44,000 --> 00:19:46,080
Speaker 3: this is needed, this isn't needed, this is no da

389
00:19:46,160 --> 00:19:47,600
Speaker 3: da da. And then when he said that to me,

390
00:19:47,680 --> 00:19:50,000
Speaker 3: I'm like, damn, he's right, you know what I'm saying

391
00:19:50,000 --> 00:19:53,080
Speaker 3: because now it's like when we're producing shows like that,

392
00:19:53,600 --> 00:19:58,439
Speaker 3: we already have the inside information because we've learned it.

393
00:19:58,840 --> 00:19:59,280
Speaker 5: A lot of.

394
00:19:59,200 --> 00:20:02,480
Speaker 3: People just go through it's just talent. They never take

395
00:20:02,480 --> 00:20:04,720
Speaker 3: the time to learn the business. But it's like that's

396
00:20:04,720 --> 00:20:07,360
Speaker 3: really like being an intern, Like you got the inside

397
00:20:07,359 --> 00:20:11,240
Speaker 3: a vantage point of how a corporate structure works.

398
00:20:11,560 --> 00:20:12,600
Speaker 9: And that's actually what we did.

399
00:20:12,640 --> 00:20:14,520
Speaker 3: Even like I said with iHeart, like you know, now

400
00:20:14,560 --> 00:20:17,919
Speaker 3: we see how contracts work, how to run a podcast

401
00:20:18,000 --> 00:20:20,360
Speaker 3: now exactly. Now we can run a podcast that we're

402
00:20:20,440 --> 00:20:22,400
Speaker 3: kind of merit off of. You know, we take some things,

403
00:20:22,440 --> 00:20:25,879
Speaker 3: we add different things. So I think people need to

404
00:20:26,240 --> 00:20:28,679
Speaker 3: fully understand that, like whether no matter what you do,

405
00:20:28,720 --> 00:20:31,919
Speaker 3: you play sports, you do music, whatever, it's okay not

406
00:20:32,000 --> 00:20:34,920
Speaker 3: to be the owner, but you should be learning.

407
00:20:34,640 --> 00:20:37,760
Speaker 4: Shit understand what's going on. That's a fact because it's

408
00:20:37,800 --> 00:20:44,080
Speaker 4: like you never know how you're going to need something,

409
00:20:44,359 --> 00:20:45,920
Speaker 4: you know what I mean, or when you're going to

410
00:20:46,000 --> 00:20:48,560
Speaker 4: need it. So it's like you could be going through

411
00:20:48,560 --> 00:20:50,879
Speaker 4: something you might think like, oh, okay, this is how

412
00:20:50,920 --> 00:20:53,160
Speaker 4: I've seen it done over here, so let me kind

413
00:20:53,160 --> 00:20:55,840
Speaker 4: of see how this works over here. Let me apply

414
00:20:56,040 --> 00:20:58,680
Speaker 4: something over here. But if you never see that you'll

415
00:20:58,720 --> 00:20:59,600
Speaker 4: never know to do that.

416
00:21:00,000 --> 00:21:00,480
Speaker 9: That's a fact.

417
00:21:00,680 --> 00:21:02,919
Speaker 4: So I agree with that bro in thousand.

418
00:21:03,960 --> 00:21:07,199
Speaker 3: So let me ask you this as far as you

419
00:21:08,119 --> 00:21:10,720
Speaker 3: have a very unique way of marketing yourself on social media,

420
00:21:11,320 --> 00:21:14,760
Speaker 3: right like freestyles and your active.

421
00:21:14,600 --> 00:21:16,240
Speaker 9: It's similar to Larussell.

422
00:21:16,359 --> 00:21:18,159
Speaker 3: Like, I feel like you guys because a lot of

423
00:21:18,280 --> 00:21:22,360
Speaker 3: artists don't utilize social media like they have like eight posts.

424
00:21:22,680 --> 00:21:24,640
Speaker 3: They're like very like artsy with it, Like they got

425
00:21:24,640 --> 00:21:27,479
Speaker 3: like one post like with a banana and it's just

426
00:21:27,600 --> 00:21:30,919
Speaker 3: like no caption. I understand it. I guess a mystique.

427
00:21:31,400 --> 00:21:34,040
Speaker 3: But you guys, you on Instagram like every day like it.

428
00:21:34,200 --> 00:21:36,280
Speaker 3: So what's your strategy with that? Like you're just going

429
00:21:36,359 --> 00:21:38,000
Speaker 3: to just put out ten posts a day?

430
00:21:38,280 --> 00:21:43,480
Speaker 4: Now? See the Russell's different. L Russell do but six

431
00:21:43,560 --> 00:21:47,239
Speaker 4: posts a day, like on a good day. On a

432
00:21:47,280 --> 00:21:51,119
Speaker 4: good day, I might give you two. But I tried to.

433
00:21:52,560 --> 00:21:56,399
Speaker 4: I try to curate like things of culture, you know

434
00:21:56,400 --> 00:21:58,600
Speaker 4: what I mean, like things that we haven't seen in

435
00:21:58,600 --> 00:22:04,360
Speaker 4: a while. Like I always like, like what would hip

436
00:22:04,400 --> 00:22:07,080
Speaker 4: hop in the early two thousands look like in twenty

437
00:22:07,119 --> 00:22:11,000
Speaker 4: twenty three. That's how I kind of approach social media.

438
00:22:11,160 --> 00:22:14,600
Speaker 4: So it's like like what would Pop be doing courtside?

439
00:22:15,200 --> 00:22:17,159
Speaker 4: You know what I'm saying with the camera out, Like

440
00:22:17,440 --> 00:22:19,960
Speaker 4: how would hold be rapping? What would he be addressing?

441
00:22:20,440 --> 00:22:23,040
Speaker 4: So for me, I'm always trying to find like cultural

442
00:22:23,119 --> 00:22:25,840
Speaker 4: moments that we as a culture could kind of be

443
00:22:26,040 --> 00:22:29,359
Speaker 4: like damn, this makes me feel something or just this

444
00:22:29,480 --> 00:22:32,520
Speaker 4: makes me remember a time in hip hop that I

445
00:22:32,640 --> 00:22:36,040
Speaker 4: was growing up or something like that. So for me,

446
00:22:36,119 --> 00:22:39,439
Speaker 4: it's always looking for cultural moments. I'm not like just

447
00:22:39,480 --> 00:22:45,800
Speaker 4: into like freestyling every day, like or just posting music

448
00:22:45,920 --> 00:22:48,960
Speaker 4: every day. Like I post the things that I like

449
00:22:49,080 --> 00:22:52,000
Speaker 4: to do, and I try to time into the culture

450
00:22:52,040 --> 00:22:54,120
Speaker 4: that I love and show people how we could all

451
00:22:54,160 --> 00:22:55,600
Speaker 4: come together through social media.

452
00:22:55,720 --> 00:22:57,680
Speaker 5: Yeah, you said that community is your thing.

453
00:22:57,880 --> 00:23:01,920
Speaker 8: Yeah, building community, said, I'm listening to you and you're

454
00:23:01,920 --> 00:23:05,680
Speaker 8: talking about Mom and Mom was big on community for homes,

455
00:23:06,440 --> 00:23:10,080
Speaker 8: have real estate, right for a restaurant. I'm like, you

456
00:23:10,119 --> 00:23:13,479
Speaker 8: watch Mom do all that, and you still said, I

457
00:23:13,520 --> 00:23:16,400
Speaker 8: want to go into the world of entertainment. So talk

458
00:23:16,400 --> 00:23:18,440
Speaker 8: about the lessons that you work you learn from Mom

459
00:23:18,520 --> 00:23:22,120
Speaker 8: watching her bill community and being an entrepreneur. That made

460
00:23:22,119 --> 00:23:23,800
Speaker 8: you say, well, I want to be an entrepreneur, but

461
00:23:23,840 --> 00:23:24,760
Speaker 8: I want to do it in music.

462
00:23:25,200 --> 00:23:28,119
Speaker 4: Bro, I was an entertainer before my mama was a

463
00:23:28,160 --> 00:23:33,639
Speaker 4: real estate agent. Like I just knew as a kid,

464
00:23:34,240 --> 00:23:36,800
Speaker 4: like this was what I was going to do. Rather

465
00:23:36,880 --> 00:23:39,480
Speaker 4: it was in sports, you know what I mean, whether

466
00:23:39,560 --> 00:23:42,639
Speaker 4: it was in music, whether it was in movies, whatever

467
00:23:42,680 --> 00:23:44,600
Speaker 4: it was going to be. I just knew I was

468
00:23:44,640 --> 00:23:48,400
Speaker 4: going to be in entertainment. And I love what my

469
00:23:48,440 --> 00:23:50,480
Speaker 4: mom do, you know what I mean, Like my mom

470
00:23:50,680 --> 00:23:53,160
Speaker 4: always like you should do this, you should do that, jumping.

471
00:23:53,200 --> 00:23:57,200
Speaker 4: Really it's just not something I'm passionate about. Like I'm

472
00:23:57,240 --> 00:24:02,600
Speaker 4: passionate about entertaining people with information, you know what I mean,

473
00:24:02,640 --> 00:24:05,640
Speaker 4: and learning things and showing people how like you could

474
00:24:05,640 --> 00:24:08,200
Speaker 4: grow up and it's cool to grow, like I be

475
00:24:08,240 --> 00:24:11,359
Speaker 4: feeling like in hip hop sometimes like they make it

476
00:24:11,359 --> 00:24:14,000
Speaker 4: like we all got to just be like a young

477
00:24:14,080 --> 00:24:16,639
Speaker 4: wild nigga, you know what I mean, Like we can't

478
00:24:16,720 --> 00:24:19,399
Speaker 4: just grow up, you know what I mean, and post

479
00:24:19,440 --> 00:24:22,359
Speaker 4: our cribs, post our families and different things like that.

480
00:24:22,520 --> 00:24:25,919
Speaker 4: So I try to be like a representation of that.

481
00:24:27,440 --> 00:24:30,520
Speaker 4: And my mom was crazy is she was a rapper.

482
00:24:31,880 --> 00:24:33,959
Speaker 4: My mom was a rapper before she was a real

483
00:24:34,119 --> 00:24:38,040
Speaker 4: estate agent. So technically I'm the version of my mom

484
00:24:38,119 --> 00:24:43,720
Speaker 4: that didn't make it first, didn't make it in music

485
00:24:43,720 --> 00:24:45,280
Speaker 4: because she made it in real estate.

486
00:24:45,359 --> 00:24:47,160
Speaker 9: So she invested in real estate.

487
00:24:46,960 --> 00:24:48,840
Speaker 4: Too, right, Yeah, she's heavy in real estate.

488
00:24:49,040 --> 00:24:51,760
Speaker 3: So I know you're not passionate about that, but do

489
00:24:51,800 --> 00:24:54,840
Speaker 3: you like consult what Like is there a situation where

490
00:24:54,840 --> 00:24:56,359
Speaker 3: it's like, all, I'm gonna give you some money and

491
00:24:56,359 --> 00:24:58,240
Speaker 3: then you like you do it or I'm investing you.

492
00:24:58,560 --> 00:25:01,960
Speaker 4: Nah? Like we just literally we got a property, me

493
00:25:02,000 --> 00:25:04,359
Speaker 4: and one of my partners right here, not like literally

494
00:25:04,359 --> 00:25:08,439
Speaker 4: bro about two miles away in Hollywood Boulevard. Yeah, Like

495
00:25:08,640 --> 00:25:11,520
Speaker 4: I got a media company that was that we're actually started.

496
00:25:11,600 --> 00:25:13,919
Speaker 4: So that's why we was talking about infiltrating the system.

497
00:25:14,320 --> 00:25:17,520
Speaker 4: These same cameras you got, we just bought. So you

498
00:25:17,560 --> 00:25:19,600
Speaker 4: know what I mean, I can show you. I'll show

499
00:25:19,640 --> 00:25:22,080
Speaker 4: you my whole thing and my setup. But we're getting

500
00:25:22,119 --> 00:25:24,919
Speaker 4: ready to produce a lot of different shows out of

501
00:25:24,920 --> 00:25:27,720
Speaker 4: our space. So we got a fourth floor unit and

502
00:25:27,800 --> 00:25:30,879
Speaker 4: on the first floors for podcasts and television and film.

503
00:25:30,920 --> 00:25:33,440
Speaker 4: The second floor we got to watch room. The third

504
00:25:33,440 --> 00:25:35,720
Speaker 4: floor we got a studio, and the fourth floors for

505
00:25:35,800 --> 00:25:39,600
Speaker 4: gaming and AI. So I'm all about like innovation, That's

506
00:25:39,600 --> 00:25:43,360
Speaker 4: what I'm passionate about. But real estate is not something

507
00:25:43,400 --> 00:25:45,480
Speaker 4: to where I could just sit here and tell you, well,

508
00:25:45,520 --> 00:25:48,120
Speaker 4: the market is doing this somebody, you know what I mean,

509
00:25:48,240 --> 00:25:50,160
Speaker 4: Like that ain't what I do. I talk to my mom,

510
00:25:50,200 --> 00:25:51,720
Speaker 4: I let her know what I want to do, and

511
00:25:51,760 --> 00:25:53,560
Speaker 4: then I invest in things kind of around that.

512
00:25:53,720 --> 00:25:56,320
Speaker 3: So content a content house, Yeah, it's a good idea,

513
00:25:56,480 --> 00:26:00,639
Speaker 3: especially in LA. Yeah, everybody's making content and really you

514
00:26:00,720 --> 00:26:03,399
Speaker 3: hit every everyone. You got a studio recordings through down there,

515
00:26:03,960 --> 00:26:06,000
Speaker 3: so you got the podcast, recording, studio, gaming studio.

516
00:26:06,040 --> 00:26:08,200
Speaker 9: That's everything. That's everything that's people are doing right now.

517
00:26:08,600 --> 00:26:11,320
Speaker 3: So talk about So we spoke to Acon and he

518
00:26:11,440 --> 00:26:14,159
Speaker 3: was talking about like how music for him. He was like,

519
00:26:14,200 --> 00:26:15,600
Speaker 3: if you look at all of the people that's really

520
00:26:15,640 --> 00:26:17,640
Speaker 3: been successful as far as like making a lot of money,

521
00:26:17,680 --> 00:26:19,520
Speaker 3: they ain't through it through music. He was like, his

522
00:26:19,600 --> 00:26:22,680
Speaker 3: thing was always just using music as a catalyst to

523
00:26:22,720 --> 00:26:26,200
Speaker 3: get into the door, to build your name, to get recognition,

524
00:26:26,760 --> 00:26:28,840
Speaker 3: and then just start spinning off and doing other things.

525
00:26:30,119 --> 00:26:32,480
Speaker 3: Obviously you still knewer in the game, but if that

526
00:26:32,640 --> 00:26:35,040
Speaker 3: something that you thought about or you're thinking about as

527
00:26:35,040 --> 00:26:39,360
Speaker 3: far as like, you know, using your stardom and then

528
00:26:39,440 --> 00:26:41,119
Speaker 3: you know, branching off and doing other stuff.

529
00:26:41,920 --> 00:26:45,800
Speaker 4: I agree with that until a concept, a certain word,

530
00:26:46,600 --> 00:26:50,440
Speaker 4: a certain word was through because all of this shit

531
00:26:50,600 --> 00:26:55,040
Speaker 4: happened through music, you know what I mean. Like, so, yes,

532
00:26:55,119 --> 00:26:58,600
Speaker 4: we may not obtain the money through real estate we

533
00:26:58,640 --> 00:27:02,160
Speaker 4: can make, but music is what gave us the money

534
00:27:02,160 --> 00:27:06,560
Speaker 4: to go into realistic So one thousand percent that's something

535
00:27:06,560 --> 00:27:09,000
Speaker 4: that I definitely want to do. Like I was talking

536
00:27:09,000 --> 00:27:11,280
Speaker 4: to Joe, That's who kind of taught me that. I know,

537
00:27:11,359 --> 00:27:16,000
Speaker 4: y'all know Joe, No, Joe Budden, Oh yeahah yeah, Joe.

538
00:27:16,840 --> 00:27:19,879
Speaker 4: I think Joe told me like two years ago, like

539
00:27:20,800 --> 00:27:22,680
Speaker 4: he was like, Bro, you're going to do good and rap,

540
00:27:22,680 --> 00:27:24,760
Speaker 4: You're gonna do all these different things, but you should

541
00:27:24,800 --> 00:27:28,120
Speaker 4: really lock into your other passions because it comes down

542
00:27:28,160 --> 00:27:31,120
Speaker 4: to what else can you do outside of music? Because

543
00:27:31,119 --> 00:27:34,560
Speaker 4: you have to do it again in different spaces. So

544
00:27:34,800 --> 00:27:37,199
Speaker 4: that's the whole reason why I wanted to create a

545
00:27:37,320 --> 00:27:40,160
Speaker 4: content house because it was like, what's the one thing

546
00:27:40,280 --> 00:27:44,000
Speaker 4: I'm missing to make me feel like I'm not giving

547
00:27:44,080 --> 00:27:48,280
Speaker 4: my best every day? And what I noticed is which

548
00:27:48,280 --> 00:27:50,840
Speaker 4: is something I'm fixing now. My schedule used to be

549
00:27:50,960 --> 00:27:54,119
Speaker 4: so scattered, you know what I mean, I'll be at

550
00:27:54,119 --> 00:27:56,800
Speaker 4: a session this day. I'm doing a podcast this day.

551
00:27:56,840 --> 00:27:59,679
Speaker 4: Somebody called me to do this video popping up. I

552
00:27:59,720 --> 00:28:02,760
Speaker 4: didn't really like create a balance, and because of that,

553
00:28:02,800 --> 00:28:05,199
Speaker 4: I would be recording at this studio or recording at

554
00:28:05,240 --> 00:28:08,159
Speaker 4: this studio with this engineer and this different engineer, my

555
00:28:08,240 --> 00:28:10,760
Speaker 4: music would kind of be sounding a little bit all

556
00:28:10,800 --> 00:28:14,160
Speaker 4: over the place. So I needed somewhere to like centralize

557
00:28:14,480 --> 00:28:17,960
Speaker 4: my creativity. And that was the whole point of the

558
00:28:18,080 --> 00:28:23,200
Speaker 4: content space. So what we're doing there is creating different podcasts,

559
00:28:23,200 --> 00:28:27,840
Speaker 4: creating different television shows, creating music and different brands for

560
00:28:27,960 --> 00:28:31,720
Speaker 4: different people, and gaming and different ideas like that. So

561
00:28:31,760 --> 00:28:33,360
Speaker 4: that's definitely something that.

562
00:28:33,760 --> 00:28:36,439
Speaker 3: So is that studio like anybody can just rent out

563
00:28:36,520 --> 00:28:38,240
Speaker 3: or is like in house, like these people are like

564
00:28:38,320 --> 00:28:39,280
Speaker 3: kind of like signed to you.

565
00:28:39,440 --> 00:28:41,960
Speaker 4: It's something people could rent out, but just not the public.

566
00:28:42,080 --> 00:28:45,200
Speaker 4: The public can't rent it out. But if you connected

567
00:28:45,280 --> 00:28:48,160
Speaker 4: and know how to get in touch with the studio manager,

568
00:28:48,280 --> 00:28:50,840
Speaker 4: the studio manager will lock you in to get through.

569
00:28:50,920 --> 00:28:53,480
Speaker 5: So you're building that right, So you're building the studio manager.

570
00:28:53,680 --> 00:28:56,280
Speaker 4: It's because we got it already. Shout out the brad,

571
00:28:56,480 --> 00:29:01,040
Speaker 4: my man, we got a studio manager. We're actually looking

572
00:29:01,080 --> 00:29:05,240
Speaker 4: for a producer right now to come in and produce

573
00:29:05,280 --> 00:29:08,040
Speaker 4: a lot of these different ideas that we haven't. We

574
00:29:08,400 --> 00:29:11,960
Speaker 4: just sat down with three different people this week, so

575
00:29:12,080 --> 00:29:14,920
Speaker 4: it's it's food like coming together. I plan to have

576
00:29:15,040 --> 00:29:18,720
Speaker 4: everything up and running by August first. But like we

577
00:29:19,040 --> 00:29:21,560
Speaker 4: were coming together strong, do.

578
00:29:21,560 --> 00:29:22,800
Speaker 5: You plan to scale it? So?

579
00:29:22,880 --> 00:29:25,200
Speaker 8: I know you started here, but real estate is a

580
00:29:25,240 --> 00:29:28,000
Speaker 8: global thing, right and so you got ties to Philly.

581
00:29:28,120 --> 00:29:30,960
Speaker 8: We know in New York is a vision to scale

582
00:29:31,000 --> 00:29:32,320
Speaker 8: this model and do it throughout.

583
00:29:35,200 --> 00:29:37,760
Speaker 4: And like even when you like walk in, like I

584
00:29:37,800 --> 00:29:39,560
Speaker 4: want to take y'all so y'all can see it. But

585
00:29:39,640 --> 00:29:42,280
Speaker 4: it's like when you walk in, it's more of like

586
00:29:43,280 --> 00:29:46,720
Speaker 4: a museum of culture, you know what I'm saying. Like

587
00:29:46,760 --> 00:29:49,800
Speaker 4: it's like like I got paintings coming in. It's like

588
00:29:51,080 --> 00:29:54,000
Speaker 4: Mount Rushmore is a like New York rappers, and Mount

589
00:29:54,080 --> 00:29:57,240
Speaker 4: Rushmore is La Rappers, and Mount Rushmore is a Southern

590
00:29:57,320 --> 00:30:00,840
Speaker 4: rappers and like a podcast painting. So it's like kind

591
00:30:00,880 --> 00:30:04,120
Speaker 4: of like a real creative house for our culture to

592
00:30:04,160 --> 00:30:07,000
Speaker 4: where people come in. It's like you actually want to

593
00:30:07,000 --> 00:30:08,400
Speaker 4: be creative and want to work.

594
00:30:08,800 --> 00:30:12,240
Speaker 3: It's like a fathe house, you know, fhase Claim, Oh

595
00:30:12,320 --> 00:30:15,280
Speaker 3: thank god. Fays Claim is this big video gaming crew.

596
00:30:15,560 --> 00:30:17,520
Speaker 3: They got like a billion dollar valuation, the huge like

597
00:30:17,560 --> 00:30:19,480
Speaker 3: all of a lot of rappers and athletes and all that.

598
00:30:19,560 --> 00:30:22,160
Speaker 4: But I think I heard of him. My voice from

599
00:30:22,200 --> 00:30:24,320
Speaker 4: game over was telling me about that. Yeah.

600
00:30:24,440 --> 00:30:26,640
Speaker 3: Yeah, So they created a whole culture. My son put

601
00:30:26,680 --> 00:30:29,960
Speaker 3: me on to him because he's a gamer. So I

602
00:30:30,040 --> 00:30:32,800
Speaker 3: started doing research on them, and they've created a whole culture.

603
00:30:33,320 --> 00:30:35,480
Speaker 3: It's they have a house and they got like twelve

604
00:30:35,520 --> 00:30:38,800
Speaker 3: different people. It's like, you know, different personalities, but they

605
00:30:38,880 --> 00:30:43,040
Speaker 3: played video games. But it's like that house is just

606
00:30:43,120 --> 00:30:45,959
Speaker 3: like a cultural phenomenon, you know what I mean. So

607
00:30:46,840 --> 00:30:49,280
Speaker 3: the idea of doing something like that for the hip

608
00:30:49,280 --> 00:30:50,440
Speaker 3: hop twist, I think it's dope.

609
00:30:50,520 --> 00:30:53,200
Speaker 4: Yeah, Like I'm gonna be hosting, like I'm getting ready

610
00:30:53,200 --> 00:30:55,520
Speaker 4: to drop a new project soon. I'm gonna be doing

611
00:30:55,520 --> 00:30:58,600
Speaker 4: my listening party there, you know what I mean, for an.

612
00:30:58,480 --> 00:31:00,000
Speaker 5: Exclusive fifty people.

613
00:31:00,400 --> 00:31:03,880
Speaker 4: Like I was just with Dave Chappelle the other night,

614
00:31:04,200 --> 00:31:06,200
Speaker 4: you know, and we was he was talking, I was

615
00:31:06,200 --> 00:31:08,680
Speaker 4: showing him the studio and everything. We was talking about

616
00:31:08,760 --> 00:31:12,440
Speaker 4: possibly him coming through and doing like something private, you

617
00:31:12,520 --> 00:31:14,520
Speaker 4: know what I mean, just like making it like a

618
00:31:14,600 --> 00:31:18,360
Speaker 4: place of like yeah, like cultural shit. We even came

619
00:31:18,440 --> 00:31:21,320
Speaker 4: up with this idea having a restaurant that's open twelve

620
00:31:21,360 --> 00:31:25,320
Speaker 4: days a year, you know, and like each once a yeah,

621
00:31:25,440 --> 00:31:28,760
Speaker 4: like a pop up thing, and you like different people exactly,

622
00:31:29,320 --> 00:31:32,240
Speaker 4: you invite different people, so like we it's it's coming

623
00:31:32,280 --> 00:31:33,240
Speaker 4: together real cool.

624
00:31:34,920 --> 00:31:37,760
Speaker 5: Yeah, wow, yeah, I like that. Twelve days a year

625
00:31:37,800 --> 00:31:39,920
Speaker 5: that means once a month, yeah, anybody.

626
00:31:40,280 --> 00:31:43,040
Speaker 4: Each day, each day of the month would be a

627
00:31:43,040 --> 00:31:46,600
Speaker 4: different theme. So like let's say January would do Italian

628
00:31:46,760 --> 00:31:51,320
Speaker 4: February it'd be soul food. Uh, March would be like

629
00:31:51,520 --> 00:31:54,000
Speaker 4: Chinese food, like something different every time.

630
00:31:54,120 --> 00:31:55,760
Speaker 5: The time is come, lads and gentlemen.

631
00:31:55,800 --> 00:31:57,520
Speaker 4: Invest Fest that's right, that's right.

632
00:31:57,560 --> 00:32:00,040
Speaker 5: Invest Best twenty twenty three is here.

633
00:32:00,000 --> 00:32:03,680
Speaker 3: In August twenty fifth, twenty sixth, and twenty seventh in Atlanta, Georgia.

634
00:32:03,760 --> 00:32:06,080
Speaker 9: We are taking into a new level, bigger than ever.

635
00:32:06,160 --> 00:32:11,000
Speaker 3: This year we're gonna do twenty thousand people in Atlanta, Georgia.

636
00:32:11,200 --> 00:32:13,040
Speaker 5: I want you to do yourself a favor. Head over

637
00:32:13,040 --> 00:32:14,680
Speaker 5: to investments dot com right now.

638
00:32:14,760 --> 00:32:18,600
Speaker 3: We will have activations for on Friday, Saturday and Sunday,

639
00:32:18,800 --> 00:32:23,040
Speaker 3: three days musical performances. Billionaires everything is going to be

640
00:32:23,040 --> 00:32:28,640
Speaker 3: a completely life changing experience. Vendor, marketplace, food truck village.

641
00:32:28,640 --> 00:32:29,640
Speaker 3: You know how we do.

642
00:32:29,360 --> 00:32:32,760
Speaker 5: Don't wait, don't hesitate that over now creative House.

643
00:32:33,720 --> 00:32:37,160
Speaker 3: Yeah, we actually had similar ideas to that. We actually

644
00:32:37,200 --> 00:32:39,280
Speaker 3: actually implement it, but just for the events. Shout out

645
00:32:39,280 --> 00:32:42,040
Speaker 3: to the United Masters. We have a franchise with them

646
00:32:42,080 --> 00:32:44,880
Speaker 3: called Earn Your Masters. We do south By Southwest, we

647
00:32:45,000 --> 00:32:48,080
Speaker 3: do are Seen It and we did New York Fashion

648
00:32:48,120 --> 00:32:50,640
Speaker 3: Week and it's like a pop up event and we

649
00:32:50,760 --> 00:32:53,360
Speaker 3: like interview like Timberland, and we have like musical artists

650
00:32:53,400 --> 00:32:55,000
Speaker 3: perform until we perform.

651
00:32:55,080 --> 00:32:57,040
Speaker 9: It's just kind of like a bunch of just random stuff,

652
00:32:57,080 --> 00:32:57,520
Speaker 9: just cultural.

653
00:32:57,960 --> 00:33:00,200
Speaker 3: But that idea for the house was something that that

654
00:33:00,280 --> 00:33:02,239
Speaker 3: you know, originally thought about it even like going back

655
00:33:02,280 --> 00:33:04,640
Speaker 3: to the Reil world the exactly like.

656
00:33:06,320 --> 00:33:10,760
Speaker 4: From that, you know that was the first social media. Yeah, yeah, yeah,

657
00:33:10,800 --> 00:33:12,720
Speaker 4: that was the first social media. That was the first

658
00:33:12,720 --> 00:33:17,440
Speaker 4: time we seen I say social media, And I'm gonna

659
00:33:17,440 --> 00:33:19,800
Speaker 4: say why I say social media because I feel like

660
00:33:19,880 --> 00:33:24,080
Speaker 4: reality TV is a form of social media, But I

661
00:33:24,120 --> 00:33:27,360
Speaker 4: feel like it was the first time we seen people

662
00:33:27,440 --> 00:33:33,280
Speaker 4: we didn't know from nowhere just on a public platform

663
00:33:34,200 --> 00:33:35,800
Speaker 4: being becoming a celebrity.

664
00:33:36,040 --> 00:33:36,560
Speaker 9: That's a fact.

665
00:33:36,640 --> 00:33:36,840
Speaker 5: Yeah.

666
00:33:37,080 --> 00:33:39,720
Speaker 4: So that's why I say it's more social media than

667
00:33:40,000 --> 00:33:42,720
Speaker 4: even though it was reality TV. But it's like, that's

668
00:33:42,720 --> 00:33:45,600
Speaker 4: what social media is today. It's like everybody has a

669
00:33:45,600 --> 00:33:48,640
Speaker 4: public platform for them to have an opinion. Every day person,

670
00:33:48,800 --> 00:33:51,000
Speaker 4: you know what I mean, be somebody in real world.

671
00:33:51,120 --> 00:33:54,120
Speaker 4: Was like the first kind of concept we've seen there.

672
00:33:54,600 --> 00:33:55,240
Speaker 5: That's a fact.

673
00:33:55,760 --> 00:33:57,400
Speaker 8: That's a fact. I never thought about it like that,

674
00:33:57,480 --> 00:34:00,800
Speaker 8: but a fact. Shout to the original New York caste.

675
00:34:00,520 --> 00:34:07,720
Speaker 3: Jersey Shue or too so you you you you have

676
00:34:07,760 --> 00:34:12,320
Speaker 3: an interesting song the goat. Yeah, speaking of the Mount Rushmore,

677
00:34:12,360 --> 00:34:14,360
Speaker 3: that made me think about that. There's always debates on

678
00:34:14,400 --> 00:34:18,600
Speaker 3: the goats, right, who's the the Lebron Jordan top five,

679
00:34:18,680 --> 00:34:22,040
Speaker 3: top four basketball players, who's the top four lyricists, top

680
00:34:22,080 --> 00:34:25,279
Speaker 3: five that all alive? Yes, spin on it is that

681
00:34:25,320 --> 00:34:28,279
Speaker 3: we all goats, we all goots. But everybody can't be

682
00:34:28,320 --> 00:34:29,960
Speaker 3: a goat. Let's be honest, you.

683
00:34:29,960 --> 00:34:31,719
Speaker 9: Can, can you really?

684
00:34:32,160 --> 00:34:39,400
Speaker 4: Because we're in the United States Constitution, is there laws

685
00:34:39,480 --> 00:34:39,880
Speaker 4: for a go.

686
00:34:40,400 --> 00:34:42,000
Speaker 9: I'm just saying because.

687
00:34:43,719 --> 00:34:45,839
Speaker 8: The goat, Well, we got first give comments to LLL

688
00:34:46,200 --> 00:34:48,640
Speaker 8: because before ll we never heard the word go.

689
00:34:48,760 --> 00:34:49,719
Speaker 9: But I think Muhamma Ali.

690
00:34:49,880 --> 00:34:51,000
Speaker 4: I don't know if that's true.

691
00:34:51,200 --> 00:34:54,319
Speaker 8: If I went back and looked, he called himself the

692
00:34:54,320 --> 00:34:55,000
Speaker 8: greatest of all time.

693
00:34:55,040 --> 00:34:58,000
Speaker 9: Mohammad Ali called himself the acronym L.

694
00:34:58,760 --> 00:35:02,200
Speaker 4: He heard us that it was somebody before LLL. But

695
00:35:02,239 --> 00:35:04,840
Speaker 4: I can't remember the story, so I shouldn't even have

696
00:35:04,880 --> 00:35:08,240
Speaker 4: said that. But I heard it was somebody.

697
00:35:07,840 --> 00:35:09,680
Speaker 5: He was running with that he named his album that.

698
00:35:10,080 --> 00:35:12,920
Speaker 9: He definitely he was. Yeah, he said he was vocal,

699
00:35:12,960 --> 00:35:13,720
Speaker 9: he was very vocal.

700
00:35:13,760 --> 00:35:14,200
Speaker 5: Acronym.

701
00:35:14,320 --> 00:35:17,479
Speaker 4: He owned it. He was the first one that owned it. Yeah,

702
00:35:17,600 --> 00:35:22,480
Speaker 4: I think you can't anybody could be a go because

703
00:35:22,520 --> 00:35:25,839
Speaker 4: there's no law or there's no real criteria to say

704
00:35:25,880 --> 00:35:27,399
Speaker 4: who's the greatest of all time?

705
00:35:27,480 --> 00:35:31,120
Speaker 3: But do you do you water that? Like the word legend, right,

706
00:35:33,160 --> 00:35:36,320
Speaker 3: it gets watered down. Legend definitely is everybody a legend?

707
00:35:36,480 --> 00:35:39,640
Speaker 3: But I think the legend there could be multiple.

708
00:35:39,760 --> 00:35:42,680
Speaker 8: Right, when you say greatest, it almost become singular, right,

709
00:35:42,680 --> 00:35:45,640
Speaker 8: like you're the greatest to do something, then you're the

710
00:35:45,680 --> 00:35:49,759
Speaker 8: best to do it. Legend is like multiple. You could

711
00:35:49,760 --> 00:35:52,120
Speaker 8: be a legend in different genres and different things.

712
00:35:52,320 --> 00:35:54,960
Speaker 3: But I understand why you said that, and I appreciate

713
00:35:55,000 --> 00:35:58,640
Speaker 3: the message. I think like, let's take a Dylan Brooks

714
00:35:58,719 --> 00:36:02,239
Speaker 3: right shout to him. But I'm just saying things like

715
00:36:02,320 --> 00:36:05,680
Speaker 3: that. That's where it starts getting dyling. Brooks is a legend.

716
00:36:06,400 --> 00:36:14,200
Speaker 4: No, he's not from my point. And Dylan Brooks could

717
00:36:14,239 --> 00:36:15,960
Speaker 4: be from some Canada or something.

718
00:36:15,760 --> 00:36:18,080
Speaker 5: Right, he's from Ontario.

719
00:36:18,200 --> 00:36:21,319
Speaker 4: He could be somebody that's the first from his neighborhood,

720
00:36:21,400 --> 00:36:24,520
Speaker 4: bro who did what he's doing in America.

721
00:36:24,560 --> 00:36:27,480
Speaker 6: But not even to them, he's a legend. He might

722
00:36:27,719 --> 00:36:30,080
Speaker 6: when he goes on the canvas of Oregon, he probably

723
00:36:30,480 --> 00:36:31,319
Speaker 6: a legend.

724
00:36:31,719 --> 00:36:33,640
Speaker 5: That's the fact. How many guys from organ make it

725
00:36:33,680 --> 00:36:37,319
Speaker 5: to the league and have a career, not man.

726
00:36:44,040 --> 00:36:44,680
Speaker 4: Leaves way.

727
00:36:44,880 --> 00:36:47,040
Speaker 5: I'll see you in the NBA next season, my brother to.

728
00:36:47,000 --> 00:36:49,560
Speaker 3: A false reality though, because a lot of even in rap, right,

729
00:36:49,680 --> 00:36:54,879
Speaker 3: there's rappers where you start to disregard like a true

730
00:36:55,000 --> 00:36:57,279
Speaker 3: legend right and say like, yo, he's not all of it,

731
00:36:57,360 --> 00:36:59,359
Speaker 3: and it's like that comfort.

732
00:36:59,600 --> 00:37:02,520
Speaker 4: It's so a legend. Yes, yes, it's a hurricane Chris,

733
00:37:02,520 --> 00:37:03,279
Speaker 4: a leegend.

734
00:37:03,960 --> 00:37:09,160
Speaker 9: Hurricane Chris Aby that legend word is just so strong.

735
00:37:08,960 --> 00:37:14,680
Speaker 4: It is Hurricane Chris is Hurricane Chris alleged No, because

736
00:37:14,719 --> 00:37:15,759
Speaker 4: he has a legendary soon.

737
00:37:15,880 --> 00:37:18,560
Speaker 3: Yes, is he not a legend because he hasn't his

738
00:37:19,040 --> 00:37:21,560
Speaker 3: body of work. I think in order to be a legend,

739
00:37:21,600 --> 00:37:26,000
Speaker 3: it's like a resume, right, the resume doesn't doesn't check

740
00:37:26,080 --> 00:37:28,480
Speaker 3: those one thing doesn't make you legendary.

741
00:37:28,480 --> 00:37:30,280
Speaker 4: It's the pure definition of legend.

742
00:37:30,640 --> 00:37:34,440
Speaker 3: Doing things that nobody has ever done, being extremely consistent,

743
00:37:35,680 --> 00:37:41,359
Speaker 3: doing it on larger scales, being a pioneer. These are

744
00:37:41,400 --> 00:37:43,640
Speaker 3: all things that you know, you can say you do.

745
00:37:43,880 --> 00:37:45,560
Speaker 3: You check a lot of these boxes, you a legend.

746
00:37:46,280 --> 00:37:49,840
Speaker 4: Okay, I think Hurricane Chris checks off about three of

747
00:37:49,880 --> 00:37:50,400
Speaker 4: those things.

748
00:37:50,840 --> 00:37:51,040
Speaker 5: Three.

749
00:37:51,400 --> 00:37:53,560
Speaker 4: Yeah, what's the consistency?

750
00:37:53,880 --> 00:37:54,200
Speaker 9: All right?

751
00:37:55,440 --> 00:37:58,880
Speaker 4: He did something legendary, and he did something most people

752
00:37:58,920 --> 00:38:00,400
Speaker 4: can't do, which is make it ricord.

753
00:38:00,400 --> 00:38:00,920
Speaker 9: That's the fact.

754
00:38:02,280 --> 00:38:07,120
Speaker 4: And what was the other when you said he consistency pioneer, pioneer,

755
00:38:07,200 --> 00:38:08,520
Speaker 4: he pioneered some ship.

756
00:38:08,480 --> 00:38:09,280
Speaker 9: With the pioneer.

757
00:38:13,120 --> 00:38:15,120
Speaker 5: Hey maybe, but that's not his though.

758
00:38:15,840 --> 00:38:20,080
Speaker 4: He pioneer turned to DJ's name.

759
00:38:21,360 --> 00:38:22,880
Speaker 5: That's what I'm saying. It was a DJ. It's a

760
00:38:22,920 --> 00:38:23,920
Speaker 5: DJ's name out.

761
00:38:24,520 --> 00:38:25,480
Speaker 4: Yeah, he's from Dallas.

762
00:38:26,080 --> 00:38:27,960
Speaker 8: The same the same day we met you, we met him.

763
00:38:28,000 --> 00:38:33,120
Speaker 8: He's like, that's mine. Yeah, Radio Room.

764
00:38:33,719 --> 00:38:37,360
Speaker 4: He was the first one to make a DJ, Exactly,

765
00:38:39,320 --> 00:38:40,080
Speaker 4: he's a legend.

766
00:38:40,400 --> 00:38:43,080
Speaker 8: No, he's out the first we came him that Veric

767
00:38:43,120 --> 00:38:46,080
Speaker 8: Beef for President makes the DJ the legend. The song

768
00:38:46,160 --> 00:38:48,719
Speaker 8: is not even rockets Eric Beef for President, but Bay's

769
00:38:48,800 --> 00:38:51,720
Speaker 8: the hook. But Eric Beef for President makes the DJ

770
00:38:52,000 --> 00:38:54,600
Speaker 8: on the forefront. Very Beef for President was the name

771
00:38:54,640 --> 00:38:57,960
Speaker 8: of the song exactly. But if Jazzy Jeff doesn't have

772
00:38:58,040 --> 00:38:58,640
Speaker 8: a song.

773
00:39:00,160 --> 00:39:01,560
Speaker 4: We sound like dinosaurs.

774
00:39:04,600 --> 00:39:06,960
Speaker 9: All right, where are we going next? Africa?

775
00:39:07,040 --> 00:39:10,880
Speaker 8: I want to go to Africa, man, And because I

776
00:39:10,920 --> 00:39:13,080
Speaker 8: watched that trip that you took and it was powerful,

777
00:39:13,480 --> 00:39:15,600
Speaker 8: and we drove down those roads. We went to Legos,

778
00:39:15,680 --> 00:39:19,360
Speaker 8: Nigeria ourselves, and to see you do it, I was like, wow,

779
00:39:19,600 --> 00:39:21,840
Speaker 8: he gets it. So I want to know what inspired

780
00:39:21,880 --> 00:39:23,719
Speaker 8: that trip because most people and we just came from

781
00:39:23,800 --> 00:39:26,920
Speaker 8: African and shout everybody at African. You know that we

782
00:39:26,960 --> 00:39:30,600
Speaker 8: had were honored out there, and we understood the mission

783
00:39:30,760 --> 00:39:34,879
Speaker 8: of connecting diaspora and bigger than just talking about it,

784
00:39:35,080 --> 00:39:37,040
Speaker 8: actually going to see the people and putting your feet

785
00:39:37,040 --> 00:39:38,880
Speaker 8: on the ground. So I want to know what inspired

786
00:39:38,920 --> 00:39:40,560
Speaker 8: you and and we'll take it from there.

787
00:39:41,560 --> 00:39:45,600
Speaker 4: So I was sitting in Atlanta when I was on tour,

788
00:39:45,920 --> 00:39:48,319
Speaker 4: and I was talking to this guy and I was like,

789
00:39:49,040 --> 00:39:51,080
Speaker 4: you know, saying all these different things, bro, where I

790
00:39:51,160 --> 00:39:54,560
Speaker 4: want to go? And he was like, uh, I said

791
00:39:54,560 --> 00:39:56,879
Speaker 4: something like I'm an African American man. We was talking

792
00:39:56,880 --> 00:39:58,880
Speaker 4: about something. He was like, oh, you ever been to Africa?

793
00:40:00,160 --> 00:40:03,600
Speaker 4: Like nah? He was like, so you're an African American

794
00:40:03,640 --> 00:40:06,440
Speaker 4: man and you've never been to Africa. And I was

795
00:40:06,480 --> 00:40:11,520
Speaker 4: like damn. And it hurt even more that a white

796
00:40:11,600 --> 00:40:14,440
Speaker 4: dude said it was like damn. So I said, I

797
00:40:14,440 --> 00:40:16,880
Speaker 4: need to go to Africa. So I started looking into like,

798
00:40:17,160 --> 00:40:18,799
Speaker 4: you know, what I could do to go and all

799
00:40:18,840 --> 00:40:21,520
Speaker 4: these different things. So I got a homie named Io

800
00:40:21,680 --> 00:40:25,640
Speaker 4: who's from Nigeria. I met through my guy Frank shut

801
00:40:25,640 --> 00:40:31,360
Speaker 4: out Frank, and Io was telling me he was actually

802
00:40:31,400 --> 00:40:33,560
Speaker 4: getting ready to go back over there and do some

803
00:40:33,640 --> 00:40:35,960
Speaker 4: things for the kids, and you know, telling me how

804
00:40:36,040 --> 00:40:40,200
Speaker 4: like everybody comes over there and they usually bring like

805
00:40:40,280 --> 00:40:43,399
Speaker 4: clothes or money, but they never really bring things to

806
00:40:43,680 --> 00:40:47,520
Speaker 4: help these kids or whatever. So I was like, man,

807
00:40:48,080 --> 00:40:51,160
Speaker 4: let's go, Like I'm down to go. So we all

808
00:40:51,200 --> 00:40:53,759
Speaker 4: go over there, and immediately when we get over there,

809
00:40:53,880 --> 00:40:57,400
Speaker 4: we realized like, well right before we kind of knew

810
00:40:57,840 --> 00:41:01,959
Speaker 4: like it was a there not as advanced in technology

811
00:41:02,000 --> 00:41:05,000
Speaker 4: as we are over here right as far like they

812
00:41:05,040 --> 00:41:07,439
Speaker 4: got computers and different things like that, but they don't

813
00:41:07,480 --> 00:41:11,319
Speaker 4: have it in abundance like we do. So we was

814
00:41:11,320 --> 00:41:14,640
Speaker 4: already talking about bringing laptops over there for the kids.

815
00:41:14,680 --> 00:41:17,279
Speaker 4: But I got a homegirl who works in AI. She

816
00:41:17,400 --> 00:41:19,279
Speaker 4: has a dope program, and we was like, we could

817
00:41:19,320 --> 00:41:21,760
Speaker 4: put onto the laptops where it can help the kids

818
00:41:21,800 --> 00:41:25,600
Speaker 4: learn to navigate through the computer faster. So we go

819
00:41:25,719 --> 00:41:31,120
Speaker 4: over there, Bro, and immediately, Doug, when I get over there,

820
00:41:32,480 --> 00:41:35,400
Speaker 4: it was like a culture shock. It was like a

821
00:41:35,440 --> 00:41:40,040
Speaker 4: real culture shock because the first thing is so hot.

822
00:41:40,400 --> 00:41:41,279
Speaker 9: At the airport.

823
00:41:41,600 --> 00:41:44,319
Speaker 3: Bro, the airport like a bus term no disrespect, but

824
00:41:44,560 --> 00:41:45,520
Speaker 3: we I'll let you finish.

825
00:41:45,560 --> 00:41:47,040
Speaker 9: But we got a story, all right.

826
00:41:49,000 --> 00:41:49,200
Speaker 10: Bro.

827
00:41:49,360 --> 00:41:52,440
Speaker 4: It was so hot to where immediately like it make

828
00:41:52,560 --> 00:41:56,360
Speaker 4: you take the labels off. You feel like you're not

829
00:41:56,520 --> 00:41:59,160
Speaker 4: You're not worried about getting fly every day. You ain't

830
00:41:59,200 --> 00:42:01,759
Speaker 4: worried about your fit, you ain't worried about that. So

831
00:42:02,960 --> 00:42:07,120
Speaker 4: that process puts you in humanity, you know what I'm saying.

832
00:42:07,200 --> 00:42:10,600
Speaker 4: So now you moving like how you don't have to

833
00:42:10,640 --> 00:42:12,560
Speaker 4: move over here? A lot of it over here, is

834
00:42:12,600 --> 00:42:15,640
Speaker 4: about elitists and status and all these different things. What

835
00:42:15,760 --> 00:42:18,239
Speaker 4: kind of shoes you got on over there? Is like

836
00:42:18,840 --> 00:42:21,680
Speaker 4: you know what you really contributing to our people? You

837
00:42:21,719 --> 00:42:23,359
Speaker 4: know what I mean? Like, how are you helping us

838
00:42:23,400 --> 00:42:27,160
Speaker 4: as a people? So I get over there, man, and

839
00:42:27,200 --> 00:42:29,320
Speaker 4: I'm moving through. So we were staying on the island,

840
00:42:29,360 --> 00:42:31,399
Speaker 4: and then we were going to the mainland every day.

841
00:42:32,000 --> 00:42:34,280
Speaker 4: So he going into the main land and I'm seeing

842
00:42:34,440 --> 00:42:39,280
Speaker 4: just like cows and like people just like selling everything

843
00:42:39,400 --> 00:42:42,240
Speaker 4: they could find and like doing all these different things.

844
00:42:42,760 --> 00:42:45,680
Speaker 4: So I met this kid kids in front of the

845
00:42:45,760 --> 00:42:49,560
Speaker 4: stories rapping or whatever. I'm like, Dan, this kid kind

846
00:42:49,600 --> 00:42:52,640
Speaker 4: of dope. I end up posting the kid or whatever. Yeah,

847
00:42:52,760 --> 00:42:59,359
Speaker 4: posted them and went up. Everybody in Nigeria start start

848
00:42:59,400 --> 00:43:02,000
Speaker 4: tagging them every thing, right, so I immediately start getting

849
00:43:02,160 --> 00:43:04,880
Speaker 4: hit Yo, we want you to come to this radio station.

850
00:43:05,000 --> 00:43:05,080
Speaker 9: Yo.

851
00:43:05,200 --> 00:43:07,200
Speaker 4: He wants you to come to this thing, like, Yo,

852
00:43:07,280 --> 00:43:09,880
Speaker 4: we want you to come to Africa today. It's like

853
00:43:09,920 --> 00:43:11,839
Speaker 4: to see and in Africa over there. So now I'm

854
00:43:11,840 --> 00:43:15,040
Speaker 4: on a press run, you know what I mean. I'm

855
00:43:15,080 --> 00:43:17,960
Speaker 4: on an organic press run just like literally went there

856
00:43:18,000 --> 00:43:20,520
Speaker 4: to see the city. I'm on a press run and

857
00:43:20,560 --> 00:43:24,800
Speaker 4: I'm bringing Lucky with me, bringing them with me, talking

858
00:43:24,840 --> 00:43:27,719
Speaker 4: about everything. So on the first day we go do

859
00:43:27,800 --> 00:43:31,200
Speaker 4: some interviews and I'm like, man, I'm hungry. So we

860
00:43:31,320 --> 00:43:34,279
Speaker 4: go over to this restaurant across the street. We get

861
00:43:34,320 --> 00:43:36,920
Speaker 4: some food and I'm like, what you want to eat?

862
00:43:37,239 --> 00:43:42,360
Speaker 4: And he like like, I don't know, you know what

863
00:43:42,440 --> 00:43:47,080
Speaker 4: I mean? Like, I'm like what you mean? So my homie, like, Lucky,

864
00:43:47,120 --> 00:43:51,480
Speaker 4: you ever ate at a restaurant? He like no, how

865
00:43:51,680 --> 00:43:55,359
Speaker 4: was he fourteen? He was like, you ever had a hamburger?

866
00:43:55,400 --> 00:43:59,319
Speaker 4: And he was like no, it's like pretty much like

867
00:43:59,400 --> 00:44:02,719
Speaker 4: you east right, and like these things called bones every day,

868
00:44:02,719 --> 00:44:06,920
Speaker 4: which is like these like small chicken uh they like

869
00:44:07,040 --> 00:44:12,600
Speaker 4: chicken gizzards kind of. So we get him a hamburger, bro,

870
00:44:12,719 --> 00:44:15,520
Speaker 4: and I watched me at the hamburger and it immediately

871
00:44:15,520 --> 00:44:18,560
Speaker 4: made me just be like, Bro, we got life fucked up.

872
00:44:19,880 --> 00:44:23,160
Speaker 4: We got life fucked up over here. Bro, we be

873
00:44:23,280 --> 00:44:26,360
Speaker 4: so consumed with the bullshit to where it's like we

874
00:44:26,400 --> 00:44:29,440
Speaker 4: don't even really see the life in front of us.

875
00:44:30,040 --> 00:44:33,040
Speaker 4: So from that day, from when I seen that, I

876
00:44:33,160 --> 00:44:36,239
Speaker 4: just started living in it, bro, you know what I mean? Like,

877
00:44:36,320 --> 00:44:38,880
Speaker 4: I just start going where the people was at if

878
00:44:38,880 --> 00:44:41,719
Speaker 4: people was hitting me like, Yo, you got this going on.

879
00:44:41,840 --> 00:44:44,880
Speaker 4: I'm like, I'm pulling up the veto had a concert.

880
00:44:45,000 --> 00:44:48,120
Speaker 4: I pulled up. He brought me out on stage. You know.

881
00:44:48,280 --> 00:44:52,280
Speaker 4: So one thing I noticed was just like the love

882
00:44:53,000 --> 00:44:55,319
Speaker 4: I'm doing all this movement. I ain't looked over my

883
00:44:55,400 --> 00:44:58,440
Speaker 4: shoulder one time. I ain't feel like nobody was about

884
00:44:58,440 --> 00:45:01,120
Speaker 4: to rob me one time. I ain't like nobody was

885
00:45:01,560 --> 00:45:04,880
Speaker 4: finna take my jury or do something to my son.

886
00:45:05,000 --> 00:45:08,240
Speaker 4: Not one time. Now they gonna ask you for some money.

887
00:45:08,440 --> 00:45:10,160
Speaker 4: They're gonna ask you for some money, you know what

888
00:45:10,239 --> 00:45:10,640
Speaker 4: I mean.

889
00:45:10,840 --> 00:45:12,319
Speaker 5: I saw when you pulled up with the van.

890
00:45:12,560 --> 00:45:14,360
Speaker 4: Yeah, they gonna ask you for a little money. But

891
00:45:14,960 --> 00:45:17,359
Speaker 4: it wasn't like I felt threatened if I didn't give

892
00:45:17,440 --> 00:45:19,480
Speaker 4: him any you know what I mean. It was just

893
00:45:19,560 --> 00:45:22,800
Speaker 4: like God, like this is this is how it should

894
00:45:22,800 --> 00:45:27,520
Speaker 4: feel with us amongst our people. It shouldn't feel like

895
00:45:27,560 --> 00:45:29,680
Speaker 4: I gotta have a gun to go to this spot

896
00:45:29,719 --> 00:45:33,479
Speaker 4: because Bro might take my chain, or I gotta park

897
00:45:33,560 --> 00:45:36,080
Speaker 4: my car over here because you know, like, it didn't

898
00:45:36,120 --> 00:45:38,600
Speaker 4: feel like that now. One time, it just felt like love.

899
00:45:39,320 --> 00:45:42,200
Speaker 4: So it just really put me in a space bro

900
00:45:42,320 --> 00:45:45,480
Speaker 4: of like living and just letting life happen instead of

901
00:45:45,480 --> 00:45:46,480
Speaker 4: trying to make it happen.

902
00:45:46,600 --> 00:45:47,440
Speaker 9: How long was you there for?

903
00:45:47,640 --> 00:45:50,680
Speaker 4: Two weeks? Was there for two weeks? I was supposed

904
00:45:50,680 --> 00:45:54,000
Speaker 4: to go to Ghana the second week, and then I

905
00:45:54,120 --> 00:45:56,360
Speaker 4: just fell in love with the people in Nigeria. I

906
00:45:56,480 --> 00:46:00,719
Speaker 4: was like, Bro, I'm staying here. Fuck it here with

907
00:46:00,760 --> 00:46:01,280
Speaker 4: the people.

908
00:46:02,280 --> 00:46:05,760
Speaker 5: You said something. So is that what you found because.

909
00:46:05,600 --> 00:46:08,879
Speaker 8: You said this quote, you said that we buy things

910
00:46:08,880 --> 00:46:11,160
Speaker 8: here to showcase a part of ourselves that.

911
00:46:11,160 --> 00:46:12,400
Speaker 5: We never took time to find.

912
00:46:12,560 --> 00:46:14,560
Speaker 8: And so I'm wondering, is that what you found that

913
00:46:14,640 --> 00:46:17,239
Speaker 8: in a piece of saying like this is what life should.

914
00:46:16,960 --> 00:46:20,440
Speaker 4: Be, Bro? Like, I ain't really if you peak like

915
00:46:20,520 --> 00:46:23,160
Speaker 4: the last Like, since I got back, I ain't really

916
00:46:23,200 --> 00:46:27,200
Speaker 4: been wearing jewelry. I wear my watch, you know what

917
00:46:27,280 --> 00:46:29,359
Speaker 4: I'm saying. But it's like I don't really wear it

918
00:46:29,400 --> 00:46:33,000
Speaker 4: because over there it made me realize like, like, bro,

919
00:46:33,120 --> 00:46:36,759
Speaker 4: this shit don't make me a better rapper. It don't

920
00:46:36,800 --> 00:46:39,600
Speaker 4: make me a better person, you know what I'm saying, Like,

921
00:46:40,200 --> 00:46:42,799
Speaker 4: it's just something to show people to get them to

922
00:46:42,800 --> 00:46:44,920
Speaker 4: pay attention to me. I could find another way to

923
00:46:44,960 --> 00:46:47,440
Speaker 4: do that. I'm creative enough to find another way to

924
00:46:47,480 --> 00:46:49,719
Speaker 4: do that. So It's like, I ain't about to just

925
00:46:49,880 --> 00:46:52,120
Speaker 4: feel like I got to just put on jurelry every

926
00:46:52,200 --> 00:46:54,520
Speaker 4: day to go do an interview or make people rock

927
00:46:54,600 --> 00:46:56,920
Speaker 4: with my music. You're either gonna rock with it or

928
00:46:56,960 --> 00:47:00,359
Speaker 4: you not. And I'm at peace with that. I'm not

929
00:47:00,400 --> 00:47:01,919
Speaker 4: trying to impress you.

930
00:47:01,920 --> 00:47:04,560
Speaker 9: No more liberating a feeling.

931
00:47:04,719 --> 00:47:07,600
Speaker 4: Yeah, it is what it is, like, let life happen

932
00:47:07,840 --> 00:47:09,600
Speaker 4: however it's gonna happen. It's gonna happen.

933
00:47:09,760 --> 00:47:12,440
Speaker 9: And that was that was because of Nigeria.

934
00:47:12,280 --> 00:47:13,480
Speaker 4: Oh cousin Nigeria.

935
00:47:13,560 --> 00:47:13,719
Speaker 5: Bro.

936
00:47:14,560 --> 00:47:17,440
Speaker 4: The whole time, Like the first two days was rough.

937
00:47:18,360 --> 00:47:22,600
Speaker 4: Why because you can't really shower the way we shower

938
00:47:22,680 --> 00:47:26,600
Speaker 4: over here, because we can't drink they water so as

939
00:47:26,760 --> 00:47:29,200
Speaker 4: nice as a house that we was in, the shower

940
00:47:29,320 --> 00:47:32,359
Speaker 4: thing was still like a sprinkler. So it's like I'm

941
00:47:32,480 --> 00:47:34,919
Speaker 4: washing my body, but I can't really wash my face.

942
00:47:34,960 --> 00:47:37,760
Speaker 4: I'm washing my face with a bottle of water, brushing

943
00:47:37,760 --> 00:47:40,319
Speaker 4: my teeth with a bottle of water, you know. So

944
00:47:40,400 --> 00:47:44,240
Speaker 4: it was just like it was. It was a culture shot.

945
00:47:44,440 --> 00:47:46,279
Speaker 4: But it's like once you get used to it, you

946
00:47:46,360 --> 00:47:49,279
Speaker 4: get used to the heat, you ain't really tripping off

947
00:47:49,400 --> 00:47:54,279
Speaker 4: like clothes and what you gotta wear and like all

948
00:47:54,320 --> 00:47:57,160
Speaker 4: these different things. It's just like like it's people in

949
00:47:57,239 --> 00:48:02,080
Speaker 4: the club actually party, yeah, not a parties is Chris dance.

950
00:48:02,160 --> 00:48:04,239
Speaker 5: You didn't move around with any security? You know.

951
00:48:04,239 --> 00:48:07,200
Speaker 4: I had security. I had Top like here, Yeah, I'm

952
00:48:07,200 --> 00:48:09,920
Speaker 4: like like security of the world.

953
00:48:10,400 --> 00:48:12,000
Speaker 5: Yeah, okay, you know what I'm saying.

954
00:48:12,000 --> 00:48:12,840
Speaker 4: We had cops.

955
00:48:13,000 --> 00:48:14,160
Speaker 5: Yeah yeah, yeah, Like.

956
00:48:14,440 --> 00:48:17,719
Speaker 4: I ain't want of them rappers to becoming on my

957
00:48:17,880 --> 00:48:24,160
Speaker 4: jeil every day. No security, yeah, ain't. I was running around.

958
00:48:25,440 --> 00:48:27,399
Speaker 4: I got my son out there. I got to get

959
00:48:27,400 --> 00:48:29,759
Speaker 4: back home. Yeah, I got to get back home.

960
00:48:29,800 --> 00:48:35,560
Speaker 9: Bro, that's a fact. That's how we was moving, man, everywhere.

961
00:48:35,600 --> 00:48:38,279
Speaker 8: They slept at the house yeah yeah, yeah, outside waiting

962
00:48:38,280 --> 00:48:38,520
Speaker 8: for us.

963
00:48:38,920 --> 00:48:41,640
Speaker 4: They was at the crib like serious.

964
00:48:41,760 --> 00:48:41,960
Speaker 9: Yeah.

965
00:48:41,960 --> 00:48:44,480
Speaker 5: I was like I thought that part got left out there.

966
00:48:44,520 --> 00:48:47,839
Speaker 4: I was like, wait, did you have Noah, I definitely did,

967
00:48:48,040 --> 00:48:51,400
Speaker 4: but safety first, no going over there like it showed

968
00:48:51,400 --> 00:48:53,360
Speaker 4: me and then like I shot the music video that

969
00:48:53,440 --> 00:48:56,239
Speaker 4: we just dropped Top g over there and even how

970
00:48:56,280 --> 00:48:57,160
Speaker 4: that happened.

971
00:48:56,800 --> 00:48:59,560
Speaker 9: Like I was in the project, bro, like one.

972
00:48:59,360 --> 00:49:02,720
Speaker 4: Of the worst hoods over there, it's called Legos Island.

973
00:49:02,800 --> 00:49:04,040
Speaker 9: How that happened?

974
00:49:04,719 --> 00:49:11,000
Speaker 4: Dog, I'm in the I'm in the crib. Now keep

975
00:49:11,000 --> 00:49:14,680
Speaker 4: in mind, I bring a studio over there. So my

976
00:49:14,840 --> 00:49:18,440
Speaker 4: crazy ass like I brought like a laptop with like

977
00:49:18,480 --> 00:49:22,759
Speaker 4: a mic and like a studio setup. So my ass

978
00:49:24,040 --> 00:49:28,600
Speaker 4: over there finding random people on the street that's singing, like, bro,

979
00:49:28,800 --> 00:49:31,279
Speaker 4: come to the crib, like get on the sprinter, like,

980
00:49:31,360 --> 00:49:34,680
Speaker 4: come to the crib. Like I'm to the point. My

981
00:49:34,760 --> 00:49:37,000
Speaker 4: homie eye was like, shit, you can't be you got

982
00:49:37,000 --> 00:49:42,360
Speaker 4: to kill yeah, like everybody coming over there. So I'm like,

983
00:49:42,520 --> 00:49:45,399
Speaker 4: I'm a chill So I'm bringing people to the crib, bro,

984
00:49:46,400 --> 00:49:51,560
Speaker 4: and they just recording like they recording, they recording, and

985
00:49:51,600 --> 00:49:54,520
Speaker 4: I'm like, damn, these dudes is talented his hell, Like

986
00:49:54,600 --> 00:49:58,200
Speaker 4: you know, they talented his hell. So the engineer who

987
00:49:58,239 --> 00:50:01,799
Speaker 4: I had engineering, I kept telling and I'm like, no,

988
00:50:01,960 --> 00:50:04,120
Speaker 4: we had got back the day we had got back

989
00:50:04,160 --> 00:50:07,480
Speaker 4: from taking the laptops to the school. We've got a

990
00:50:07,560 --> 00:50:10,439
Speaker 4: hundred laptops to the school. We went and did that.

991
00:50:10,520 --> 00:50:13,400
Speaker 4: I got back in my homie self, who was the

992
00:50:13,520 --> 00:50:16,640
Speaker 4: engineer that was engineering all the kids that was over there.

993
00:50:16,920 --> 00:50:18,920
Speaker 4: He was like, Bro, is this something you wanted to do?

994
00:50:19,320 --> 00:50:21,000
Speaker 4: Like before you get up out of here? Because I

995
00:50:21,040 --> 00:50:23,839
Speaker 4: was leaving in two days, and I was like, man,

996
00:50:24,480 --> 00:50:27,480
Speaker 4: I did want to shoot a video, but I couldn't

997
00:50:27,520 --> 00:50:29,719
Speaker 4: really get it how I wanted to get it. He

998
00:50:29,880 --> 00:50:32,279
Speaker 4: was like, what you wanted to look like. I was like, bro,

999
00:50:32,360 --> 00:50:34,880
Speaker 4: I want to show Nigeria, Like I don't want to

1000
00:50:34,920 --> 00:50:38,680
Speaker 4: show the island, you know what I mean? Like we

1001
00:50:38,760 --> 00:50:41,399
Speaker 4: could show that too, Like, let's show both sides. Let's

1002
00:50:41,400 --> 00:50:44,920
Speaker 4: show the difference between the island and the mainland. So

1003
00:50:44,960 --> 00:50:47,360
Speaker 4: if you watch the video, it's a conversation with me

1004
00:50:47,440 --> 00:50:50,400
Speaker 4: and myself, like that's kind of like the island and

1005
00:50:50,480 --> 00:50:54,399
Speaker 4: the mainland. So I'm starting off in the mansion right

1006
00:50:54,440 --> 00:50:56,600
Speaker 4: where I'm in the crib. That's the island where the

1007
00:50:56,640 --> 00:50:59,760
Speaker 4: cribs is nice and it's gold trimming on the towel

1008
00:51:00,160 --> 00:51:01,120
Speaker 4: marble and everything.

1009
00:51:02,080 --> 00:51:02,640
Speaker 9: Island.

1010
00:51:03,000 --> 00:51:07,719
Speaker 4: Uh nah, it's Lego's island. So these were the big

1011
00:51:07,760 --> 00:51:10,000
Speaker 4: cribs and everything. But then when you going to the

1012
00:51:10,040 --> 00:51:14,160
Speaker 4: mainland's more poverty. So we're showing both sides of it.

1013
00:51:14,239 --> 00:51:16,520
Speaker 4: So I'm like, I'm telling him that I want to

1014
00:51:16,560 --> 00:51:20,040
Speaker 4: show that. He like, I got the perfect people for you.

1015
00:51:20,280 --> 00:51:23,960
Speaker 4: So he called his production crew called Whack People, and

1016
00:51:24,320 --> 00:51:29,239
Speaker 4: they come through and literally broke like two hours, like

1017
00:51:29,400 --> 00:51:32,319
Speaker 4: just pull up to the crib. They're like, yeah, bro,

1018
00:51:32,400 --> 00:51:34,279
Speaker 4: what you want to do. I'm like, man, I want

1019
00:51:34,280 --> 00:51:36,480
Speaker 4: to shoot a video, but like I wanted to look clean.

1020
00:51:37,080 --> 00:51:39,279
Speaker 4: I don't want it to look like we just had

1021
00:51:39,280 --> 00:51:42,280
Speaker 4: a regular DSL OR camera and we just shot whatever.

1022
00:51:42,400 --> 00:51:45,760
Speaker 4: And he was like, nah, I got you. You was like, uh,

1023
00:51:45,960 --> 00:51:49,680
Speaker 4: it was like give me, give me a couple hours, right,

1024
00:51:49,800 --> 00:51:52,279
Speaker 4: So he called back in like six hours. He was like,

1025
00:51:52,320 --> 00:51:55,960
Speaker 4: when you want to shoot. I'm like, shit, we can

1026
00:51:56,000 --> 00:51:59,839
Speaker 4: shoot now. You're like, I'm on the way. So they

1027
00:52:00,040 --> 00:52:03,719
Speaker 4: pull up. Bro, they got all the equipment. We go

1028
00:52:03,800 --> 00:52:07,879
Speaker 4: to this spot with my man Vector. That's his neighborhood

1029
00:52:07,960 --> 00:52:11,200
Speaker 4: that he was at, so that whole community over there.

1030
00:52:11,600 --> 00:52:13,799
Speaker 4: Vector take care of a lot of that community. He's

1031
00:52:13,840 --> 00:52:16,480
Speaker 4: a big staple over there. He's like, what Kendrick Lamar

1032
00:52:16,640 --> 00:52:20,759
Speaker 4: Is does. He's deck to them over there. So go

1033
00:52:20,840 --> 00:52:23,200
Speaker 4: meet Vector. Tell him what I want to do. He's like,

1034
00:52:23,320 --> 00:52:26,880
Speaker 4: come on, bro, take you through. We go through the neighborhood.

1035
00:52:27,120 --> 00:52:28,520
Speaker 5: Earners, what's going on? Listen?

1036
00:52:28,719 --> 00:52:33,040
Speaker 8: Eylu is relaunching, revamping, retooling. That's why we're creating a

1037
00:52:33,200 --> 00:52:35,719
Speaker 8: new educational experience that's more expensive.

1038
00:52:35,880 --> 00:52:38,279
Speaker 9: Shoty, tell what we got Yes twenty twenty three.

1039
00:52:38,960 --> 00:52:40,840
Speaker 11: He's got a lot in store, a lot playing for

1040
00:52:40,880 --> 00:52:44,600
Speaker 11: you guys, So you know that EYLU already includes monthly

1041
00:52:44,640 --> 00:52:47,600
Speaker 11: financial planning calls with Me, book Club calls with Troy,

1042
00:52:48,080 --> 00:52:50,759
Speaker 11: real estate calls an MG the Mortgage Got Access to

1043
00:52:51,040 --> 00:52:54,520
Speaker 11: the Home Buying Blueprint Volume one and Volume two. Part

1044
00:52:54,560 --> 00:52:58,319
Speaker 11: of the revamp will include twenty seven local chapters from

1045
00:52:58,360 --> 00:53:02,520
Speaker 11: across the United States, five interactive teachings hands on not

1046
00:53:02,600 --> 00:53:07,480
Speaker 11: just pre recorded videos, plus fifteen brand new curriculums.

1047
00:53:07,800 --> 00:53:09,440
Speaker 5: The biggest just got bigger.

1048
00:53:09,880 --> 00:53:15,160
Speaker 10: Head over to eyluniversity dot com. That's eyl U n

1049
00:53:15,280 --> 00:53:20,520
Speaker 10: I V E R s I t y dot com.

1050
00:53:20,560 --> 00:53:21,120
Speaker 5: See it there.

1051
00:53:22,760 --> 00:53:24,959
Speaker 8: This episode is brought to you by P and C Bank.

1052
00:53:25,360 --> 00:53:28,120
Speaker 8: A lot of people think podcasts about work are boring,

1053
00:53:28,360 --> 00:53:32,200
Speaker 8: and sure they definitely can be, But understanding of professionals

1054
00:53:32,280 --> 00:53:35,520
Speaker 8: routine shows us how they achieve their success little by little,

1055
00:53:35,920 --> 00:53:39,560
Speaker 8: day after day. It's like banking with P and C Bank.

1056
00:53:40,040 --> 00:53:42,840
Speaker 8: It might seem boring to save, plan and make calculated

1057
00:53:42,880 --> 00:53:45,960
Speaker 8: decisions with your bank, but keeping your money boring is

1058
00:53:46,000 --> 00:53:49,359
Speaker 8: what helps you live or more happily fulfilled life. P

1059
00:53:49,440 --> 00:53:54,280
Speaker 8: and C Bank Brilliantly Boring since eighteen sixty five. Brilliantly

1060
00:53:54,320 --> 00:53:56,960
Speaker 8: Boring since eighteen sixty five is a service mark of

1061
00:53:56,960 --> 00:54:00,240
Speaker 8: the PNC Financial Service Group, Inc. P and C Bank

1062
00:54:00,640 --> 00:54:03,360
Speaker 8: National Association member fdic.

1063
00:54:05,960 --> 00:54:06,240
Speaker 4: Erners.

1064
00:54:06,239 --> 00:54:06,640
Speaker 5: What's Up?

1065
00:54:06,719 --> 00:54:09,160
Speaker 8: You ever walk into a small business and everything just

1066
00:54:09,320 --> 00:54:12,520
Speaker 8: works like The checkout is fast, the receipts are digital,

1067
00:54:13,040 --> 00:54:16,000
Speaker 8: tipping is a breeze, and you're out the door before

1068
00:54:16,040 --> 00:54:20,200
Speaker 8: the line even builds Odds are they're using Square? We

1069
00:54:20,320 --> 00:54:22,880
Speaker 8: love supporting businesses that run on Square because it just

1070
00:54:22,920 --> 00:54:26,160
Speaker 8: feels seamless. Whether it's a local coffee shop, a vendor

1071
00:54:26,200 --> 00:54:28,480
Speaker 8: at a pop up market, or even one of our

1072
00:54:28,520 --> 00:54:32,160
Speaker 8: merch partners, Square makes it easy for them to take payments,

1073
00:54:32,400 --> 00:54:36,120
Speaker 8: manage inventory, and run their business with confidence, all from

1074
00:54:36,200 --> 00:54:39,600
Speaker 8: one simple system. If you're a business owner or even

1075
00:54:39,719 --> 00:54:43,239
Speaker 8: just thinking about launching something soon, Square is hands down

1076
00:54:43,239 --> 00:54:46,320
Speaker 8: one of the best tools out there to help you start, run,

1077
00:54:46,520 --> 00:54:49,840
Speaker 8: and grow. It's not just about payments, it's about giving

1078
00:54:49,880 --> 00:54:52,520
Speaker 8: you time back so you can focus on what matters

1079
00:54:52,560 --> 00:54:55,840
Speaker 8: most Ready. To see how Square can transform your business,

1080
00:54:56,080 --> 00:55:00,719
Speaker 8: visit Square dot com, backslash, go, backslash, eyl to learn

1081
00:55:00,760 --> 00:55:05,959
Speaker 8: more that Square dot com backslash, go, backslash, euyl, don't wait,

1082
00:55:06,280 --> 00:55:09,080
Speaker 8: don't hesitate. Let's square handle the back end so you

1083
00:55:09,120 --> 00:55:10,760
Speaker 8: can keep pushing your vision forward.

1084
00:55:13,000 --> 00:55:16,680
Speaker 1: An illegal alien from Guatemala charged with raping a child

1085
00:55:16,680 --> 00:55:20,480
Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador

1086
00:55:20,719 --> 00:55:24,880
Speaker 1: accused of murdering a Texas man of Venezuelan charged with

1087
00:55:24,960 --> 00:55:28,840
Speaker 1: filming and selling child pornography in Michigan. These are just

1088
00:55:28,920 --> 00:55:32,680
Speaker 1: some of the heinous migrant criminals caught because of President

1089
00:55:32,719 --> 00:55:36,320
Speaker 1: Donald J. Trump's leadership. I'm Christy Noman, the United States

1090
00:55:36,320 --> 00:55:41,120
Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border

1091
00:55:41,160 --> 00:55:44,719
Speaker 1: crossings are at the lowest levels ever recorded, and over

1092
00:55:44,760 --> 00:55:48,000
Speaker 1: one hundred thousand illegal aliens have been arrested. If you

1093
00:55:48,040 --> 00:55:51,920
Speaker 1: are here illegally, your next you will be fined nearly

1094
00:55:52,000 --> 00:55:56,000
Speaker 1: one thousand dollars a day, imprisoned, and deported. You will

1095
00:55:56,040 --> 00:55:59,680
Speaker 1: never return. But if you register using our CBP home

1096
00:55:59,719 --> 00:56:03,120
Speaker 1: app and leave now, you could be allowed to return legally.

1097
00:56:03,480 --> 00:56:08,200
Speaker 1: Do what's right. Leave now. Under President Trump, America's laws,

1098
00:56:08,400 --> 00:56:10,800
Speaker 1: border and families will be protected.

1099
00:56:10,960 --> 00:56:13,080
Speaker 2: Sponsored by the United States Department of Homeland Security.

1100
00:56:13,680 --> 00:56:17,080
Speaker 4: We just filmed a video bro like all night and

1101
00:56:17,120 --> 00:56:20,640
Speaker 4: we just chilling, like we're eating, like I'm taking the

1102
00:56:20,800 --> 00:56:26,600
Speaker 4: herbal shots and everything. Yeah, they gel off every day.

1103
00:56:27,920 --> 00:56:30,239
Speaker 4: But I was just over there, bro, just rocking with

1104
00:56:30,320 --> 00:56:32,640
Speaker 4: the people. I had my son with me outside. Bro,

1105
00:56:32,719 --> 00:56:36,280
Speaker 4: It's like twelve midnight. We just out there the neighborhood,

1106
00:56:36,360 --> 00:56:38,319
Speaker 4: kicking in with the kids, and it was just love.

1107
00:56:39,400 --> 00:56:43,200
Speaker 4: It was love. So it's definitely a something that's a

1108
00:56:43,239 --> 00:56:45,640
Speaker 4: part of my life at this point. Because we actually

1109
00:56:45,760 --> 00:56:50,200
Speaker 4: ended up signing Lucky. Yeah, so we got him a

1110
00:56:50,239 --> 00:56:53,239
Speaker 4: spot over there. He has a studio over there now

1111
00:56:53,360 --> 00:56:56,640
Speaker 4: because he was living in a straw house with seven

1112
00:56:56,719 --> 00:57:02,200
Speaker 4: siblings his parents, don't you know, us fortunate. So we

1113
00:57:02,280 --> 00:57:04,759
Speaker 4: actually you know, got him in a better situation and

1114
00:57:04,800 --> 00:57:07,359
Speaker 4: he's making music. But the thing that impressed us about

1115
00:57:07,440 --> 00:57:09,920
Speaker 4: Lucky the most was more than the music and everything.

1116
00:57:10,640 --> 00:57:13,480
Speaker 4: He said the main thing he wanted in life was

1117
00:57:13,520 --> 00:57:16,720
Speaker 4: to learn because he never really had the chance to

1118
00:57:16,720 --> 00:57:20,000
Speaker 4: go to school. So we're helping him, you know, get

1119
00:57:20,000 --> 00:57:22,840
Speaker 4: in school and learning. So more than just putting his

1120
00:57:22,960 --> 00:57:25,960
Speaker 4: music out and like trying to turn him to a

1121
00:57:26,040 --> 00:57:29,240
Speaker 4: rap store, it's like allowing him the ability to grow

1122
00:57:29,320 --> 00:57:31,880
Speaker 4: up and have a dream for like a lot of

1123
00:57:32,000 --> 00:57:34,800
Speaker 4: kids over there don't really get the time to dream,

1124
00:57:35,360 --> 00:57:37,280
Speaker 4: you know, so that's something that we want to provide

1125
00:57:37,280 --> 00:57:37,640
Speaker 4: for him.

1126
00:57:38,080 --> 00:57:39,440
Speaker 5: So that's context. Man.

1127
00:57:39,440 --> 00:57:44,040
Speaker 8: We talk about education reform here, but we missed the

1128
00:57:44,080 --> 00:57:46,200
Speaker 8: part where it's like there's people who only have access

1129
00:57:46,240 --> 00:57:46,960
Speaker 8: to education.

1130
00:57:48,040 --> 00:57:48,840
Speaker 5: So that that's big.

1131
00:57:48,880 --> 00:57:50,080
Speaker 8: I mean, when you were there in one of the

1132
00:57:50,120 --> 00:57:52,720
Speaker 8: things we saw was the amount of youth. There's so

1133
00:57:52,840 --> 00:57:55,680
Speaker 8: much youth. And so we always look at Africa as

1134
00:57:55,680 --> 00:57:59,600
Speaker 8: a place, especially Nigeria, as a place of like tremendous resources.

1135
00:57:59,720 --> 00:58:04,440
Speaker 8: Right imagine if you give or you help import education,

1136
00:58:04,680 --> 00:58:08,960
Speaker 8: import mindset, import infrastructure and business, what does the country

1137
00:58:08,960 --> 00:58:11,280
Speaker 8: look like? What does the concertent look like? Is that

1138
00:58:11,400 --> 00:58:14,240
Speaker 8: something that you plan to do going forward? Continuocy going

1139
00:58:14,240 --> 00:58:15,560
Speaker 8: to Africa, going to different countries.

1140
00:58:15,560 --> 00:58:19,840
Speaker 4: And so me and Victor actually is working on a

1141
00:58:19,960 --> 00:58:24,400
Speaker 4: project together and we actually are shooting a documentary that

1142
00:58:24,520 --> 00:58:27,560
Speaker 4: we started over there, and it's called Bridge the Gap

1143
00:58:28,280 --> 00:58:31,520
Speaker 4: and it speaks on and the documentary will be the

1144
00:58:31,560 --> 00:58:35,840
Speaker 4: first documentary produced by my media company that I was

1145
00:58:35,840 --> 00:58:39,800
Speaker 4: telling you guys about. But it goes into the difference

1146
00:58:40,040 --> 00:58:42,880
Speaker 4: between and so does the project we're making with the

1147
00:58:42,960 --> 00:58:45,840
Speaker 4: music to it. It goes into the difference between the

1148
00:58:45,960 --> 00:58:51,600
Speaker 4: African and the African American and statistically a whole bunch

1149
00:58:51,600 --> 00:58:54,360
Speaker 4: of different things that we cover and why we are

1150
00:58:54,560 --> 00:58:59,320
Speaker 4: the way we are, and really kind of highlighting that too,

1151
00:59:00,040 --> 00:59:04,760
Speaker 4: motivate people over here to stop looking at Africa as

1152
00:59:04,800 --> 00:59:08,080
Speaker 4: a place with just kids with flies in they face

1153
00:59:08,320 --> 00:59:11,600
Speaker 4: that like what America shows us over here, Like like

1154
00:59:11,840 --> 00:59:15,400
Speaker 4: a lot of Americans think that a lot of Africans

1155
00:59:15,480 --> 00:59:18,040
Speaker 4: don't rock with us over there. And I asked that

1156
00:59:18,160 --> 00:59:22,520
Speaker 4: question over there, and that's not necessarily true. The media

1157
00:59:22,640 --> 00:59:26,280
Speaker 4: paints that perception, so we look at them that way

1158
00:59:26,320 --> 00:59:30,360
Speaker 4: and there's this combative spirit. But really, bro, our people

1159
00:59:30,400 --> 00:59:33,480
Speaker 4: love us. They love us over there. So if we

1160
00:59:33,600 --> 00:59:36,280
Speaker 4: took time to actually go over there and like, Okay,

1161
00:59:36,920 --> 00:59:41,320
Speaker 4: let's build a school, let's build a gymnasium, let's build studios,

1162
00:59:41,440 --> 00:59:44,080
Speaker 4: let's build Like I've seen three gas stations the whole

1163
00:59:44,080 --> 00:59:47,000
Speaker 4: time I was there. Bro, Like, let's go build some

1164
00:59:47,040 --> 00:59:49,560
Speaker 4: gas stations over there, you know what I mean? Like,

1165
00:59:49,600 --> 00:59:52,480
Speaker 4: what's the process. Even if we can't figure out how

1166
00:59:52,520 --> 00:59:54,640
Speaker 4: to do it, let's figure the process out so the

1167
00:59:54,680 --> 00:59:57,680
Speaker 4: next generation can't. But I feel like that's something we

1168
00:59:57,720 --> 00:59:59,919
Speaker 4: need to look forward to. Because on some real shit,

1169
01:00:00,120 --> 01:00:05,400
Speaker 4: like America ain't doing too good right now, jump, you

1170
01:00:05,480 --> 01:00:07,360
Speaker 4: know what I mean, And eventually we're gonna have to

1171
01:00:07,360 --> 01:00:10,160
Speaker 4: go over there and to see what's going on with

1172
01:00:10,200 --> 01:00:14,320
Speaker 4: our people. So it's important that we start somewhere. We

1173
01:00:14,400 --> 01:00:17,360
Speaker 4: gotta start somewhere. But that's definitely something I'm interested in.

1174
01:00:17,480 --> 01:00:21,960
Speaker 4: It's you know, getting some things going over there and

1175
01:00:22,000 --> 01:00:25,160
Speaker 4: bringing more people back over there so we could unify

1176
01:00:25,240 --> 01:00:25,680
Speaker 4: over there.

1177
01:00:25,840 --> 01:00:26,800
Speaker 9: You know. It's interesting.

1178
01:00:26,840 --> 01:00:29,400
Speaker 3: We we've been tapping in a lot with the continent,

1179
01:00:29,800 --> 01:00:32,400
Speaker 3: and we were in DC a while ago and we

1180
01:00:32,400 --> 01:00:36,040
Speaker 3: were talking to some people from East Africa and one

1181
01:00:36,120 --> 01:00:38,840
Speaker 3: of the women specifically, she was talking about the movie

1182
01:00:38,840 --> 01:00:39,360
Speaker 3: Black Panther.

1183
01:00:40,160 --> 01:00:42,120
Speaker 9: Right, very insightful you from from the Bay Area.

1184
01:00:42,200 --> 01:00:45,000
Speaker 3: So like the Black Panther movie, especially that first one,

1185
01:00:45,240 --> 01:00:47,880
Speaker 3: it's a lot of hitting messages in that, you know.

1186
01:00:47,920 --> 01:00:50,400
Speaker 3: I mean, obviously the Black Panthers Black Panther Party is

1187
01:00:50,400 --> 01:00:55,240
Speaker 3: starting in Oakland, but as far as like how she

1188
01:00:55,320 --> 01:00:57,000
Speaker 3: described it to me was el She was like, you know,

1189
01:00:57,080 --> 01:01:00,000
Speaker 3: it's it's like a parent that has a child right

1190
01:01:00,280 --> 01:01:04,400
Speaker 3: where the child might have been abducted and the parent

1191
01:01:04,480 --> 01:01:05,840
Speaker 3: didn't really fight for the child.

1192
01:01:06,280 --> 01:01:07,440
Speaker 9: So it's two parts to this.

1193
01:01:07,600 --> 01:01:12,200
Speaker 3: Now, the child starts to act out right, becomes more

1194
01:01:12,440 --> 01:01:16,440
Speaker 3: sexually active, joins gangs. It's all out of like frustration

1195
01:01:17,040 --> 01:01:20,840
Speaker 3: because they have an attachment to their biological parents but

1196
01:01:21,000 --> 01:01:24,240
Speaker 3: they don't necessarily know them. But they've never really gotten

1197
01:01:24,280 --> 01:01:27,720
Speaker 3: over that feeling of just being kicked out and left

1198
01:01:27,760 --> 01:01:29,760
Speaker 3: alone and not like you never came back from me.

1199
01:01:30,320 --> 01:01:34,280
Speaker 3: And then the parents have some sort of a grief

1200
01:01:34,400 --> 01:01:37,760
Speaker 3: and they kind of feel some sort of blame for

1201
01:01:37,920 --> 01:01:42,000
Speaker 3: not going after the child. So it's trauma on both sides.

1202
01:01:42,560 --> 01:01:44,320
Speaker 3: And it's like the only way to really hell that

1203
01:01:44,400 --> 01:01:47,439
Speaker 3: trauma is to be reconnected. And it was like kill

1204
01:01:47,480 --> 01:01:49,960
Speaker 3: Monger in the movie, like he's a very rebellious person,

1205
01:01:50,560 --> 01:01:54,440
Speaker 3: and it's like his story to me is like the

1206
01:01:54,480 --> 01:01:58,560
Speaker 3: story of African Americans, right, and it's like I feel

1207
01:01:58,560 --> 01:02:02,200
Speaker 3: like we've both been played against each other where it's

1208
01:02:02,200 --> 01:02:05,680
Speaker 3: like we look at it, not everybody, but there's been

1209
01:02:05,880 --> 01:02:09,240
Speaker 3: a campaign in the media to be like all these

1210
01:02:09,280 --> 01:02:11,120
Speaker 3: Africans don't care about you, d D D DA, like

1211
01:02:11,160 --> 01:02:12,200
Speaker 3: they sold you to slavery.

1212
01:02:12,240 --> 01:02:14,720
Speaker 9: D Then the Africans it's like, well.

1213
01:02:15,520 --> 01:02:19,520
Speaker 3: They're slaves, like they they're nonsense, they they're always troublemakers

1214
01:02:19,520 --> 01:02:19,840
Speaker 3: in America.

1215
01:02:19,880 --> 01:02:21,560
Speaker 9: They always get in trouble, they're killing each other, they

1216
01:02:21,640 --> 01:02:22,040
Speaker 9: doing all of.

1217
01:02:22,040 --> 01:02:25,280
Speaker 3: That right, But it's like there's reasons for both sides

1218
01:02:25,320 --> 01:02:29,440
Speaker 3: why there's dysfunction, and now I think it's dope, And

1219
01:02:29,520 --> 01:02:31,600
Speaker 3: especially with the music is now we're starting to bridge

1220
01:02:31,600 --> 01:02:34,000
Speaker 3: that gap and we're realizing that there's more similarities than

1221
01:02:34,640 --> 01:02:38,360
Speaker 3: and we have expertise that could be beneficial because we

1222
01:02:38,480 --> 01:02:40,840
Speaker 3: went through a system in America that nobody has ever

1223
01:02:40,880 --> 01:02:44,120
Speaker 3: gone and we survived it, and they have the resources.

1224
01:02:44,360 --> 01:02:45,760
Speaker 9: So it's like, if we can if.

1225
01:02:45,640 --> 01:02:49,600
Speaker 3: We can let our expertise with their traditions and their resources,

1226
01:02:49,640 --> 01:02:50,960
Speaker 3: now that's an unstoppable combination.

1227
01:02:51,160 --> 01:02:55,160
Speaker 4: It's very unstable. Would make us like the most dominique

1228
01:02:56,800 --> 01:02:59,880
Speaker 4: placed on earth, you know what I mean. Like I'm

1229
01:03:00,120 --> 01:03:03,880
Speaker 4: fully for it, bro Like I'm all for that's a

1230
01:03:03,920 --> 01:03:06,680
Speaker 4: great that's a great analogy you just broke down to.

1231
01:03:06,800 --> 01:03:10,400
Speaker 4: I gotta rewatch the movie now from that perspect because

1232
01:03:10,440 --> 01:03:13,480
Speaker 4: that's dope. You know what's crazy. Somebody told me over there.

1233
01:03:14,760 --> 01:03:18,919
Speaker 4: It was like it was like one of the main

1234
01:03:19,000 --> 01:03:23,400
Speaker 4: reasons like we look at you guys with an eye

1235
01:03:23,480 --> 01:03:27,400
Speaker 4: up is because you guys put your data in retirement homes,

1236
01:03:29,160 --> 01:03:31,680
Speaker 4: and I said what you mean. They was like, you

1237
01:03:31,720 --> 01:03:34,920
Speaker 4: guys put your grandparents and your mother's in retirement homes

1238
01:03:34,920 --> 01:03:37,000
Speaker 4: when those are the people who have the information to

1239
01:03:37,040 --> 01:03:40,160
Speaker 4: feed the children. How the kids supposed to learn when

1240
01:03:40,160 --> 01:03:42,920
Speaker 4: you in the midst of living life and learning yourself,

1241
01:03:43,240 --> 01:03:45,560
Speaker 4: those are the people that lived it. They're supposed to

1242
01:03:45,640 --> 01:03:49,560
Speaker 4: pass that down. That's something we don't do that over here.

1243
01:03:50,360 --> 01:03:52,280
Speaker 4: And I never looked at it like that.

1244
01:03:52,280 --> 01:03:54,360
Speaker 8: That was one of the conversations we had waycon as well,

1245
01:03:54,400 --> 01:03:56,600
Speaker 8: and he was like, the wisdom of the eldest. Yea,

1246
01:03:56,960 --> 01:03:59,600
Speaker 8: even at a level of successful quote unquote success that

1247
01:03:59,680 --> 01:04:02,919
Speaker 8: he's had, he's still before he makes a decision, checks

1248
01:04:02,960 --> 01:04:05,280
Speaker 8: in with his eldest because they have wisdom, even if

1249
01:04:05,320 --> 01:04:07,320
Speaker 8: it's not in a business sense, they have wisdom of

1250
01:04:07,360 --> 01:04:10,960
Speaker 8: life anything. That's one of the things that's missing that

1251
01:04:11,000 --> 01:04:14,080
Speaker 8: when we talk about generational gaps, it's like, how do

1252
01:04:14,160 --> 01:04:17,320
Speaker 8: we keep our elders as a part of the lineage

1253
01:04:17,320 --> 01:04:20,120
Speaker 8: of information to a younger generation. Right, we talk about

1254
01:04:20,120 --> 01:04:22,960
Speaker 8: the population being so young in Africa, but do they

1255
01:04:23,040 --> 01:04:27,000
Speaker 8: know those traditions of tapping in with the elders, right,

1256
01:04:27,080 --> 01:04:30,280
Speaker 8: Because there's a certain level of knowledge that they can

1257
01:04:30,320 --> 01:04:35,360
Speaker 8: pass down right, and you add that knowledge to the creativity, innovation,

1258
01:04:35,800 --> 01:04:38,360
Speaker 8: and the energy that the youth have and that becomes

1259
01:04:38,400 --> 01:04:39,320
Speaker 8: an unsolveable force.

1260
01:04:39,760 --> 01:04:40,960
Speaker 5: But we got to realize it though.

1261
01:04:41,360 --> 01:04:44,480
Speaker 3: But I think that was done intentionally because it's African

1262
01:04:44,520 --> 01:04:49,520
Speaker 3: tradition where elders are respected, and it's African tradition. Like

1263
01:04:49,680 --> 01:04:52,560
Speaker 3: I went to the Louver in Paris, which is like

1264
01:04:52,600 --> 01:04:55,280
Speaker 3: the most well respected museum of all time, and it

1265
01:04:55,360 --> 01:04:57,640
Speaker 3: was interesting to me because I was looking at the Egyptian.

1266
01:04:58,960 --> 01:05:00,960
Speaker 3: You can spend a whole day in the Egyptian. It's

1267
01:05:01,000 --> 01:05:03,400
Speaker 3: crazy how much artifacts they actually stole from Africa.

1268
01:05:03,440 --> 01:05:04,280
Speaker 9: But that's a different story.

1269
01:05:04,880 --> 01:05:08,320
Speaker 3: The thing that I noticed from African art and African

1270
01:05:08,520 --> 01:05:11,240
Speaker 3: artifacts as opposed to the European art and the European

1271
01:05:11,960 --> 01:05:15,080
Speaker 3: artifacts is that most of the African arts had men

1272
01:05:15,120 --> 01:05:18,320
Speaker 3: and women together. The Europeans was just like just men,

1273
01:05:19,360 --> 01:05:22,080
Speaker 3: you know what I'm saying, or a woman. So it's

1274
01:05:22,120 --> 01:05:25,320
Speaker 3: like the family structure that's always been part of African

1275
01:05:25,320 --> 01:05:28,880
Speaker 3: tradition and elders. So it's like even the Willie Lynch,

1276
01:05:29,040 --> 01:05:32,600
Speaker 3: like this is a manuscript of how to make a slave.

1277
01:05:33,320 --> 01:05:36,120
Speaker 3: One of the things is play old versus young, play

1278
01:05:36,320 --> 01:05:37,120
Speaker 3: men versus women.

1279
01:05:37,160 --> 01:05:40,160
Speaker 9: We see the same thing happening. We see like even

1280
01:05:40,200 --> 01:05:41,000
Speaker 9: now to this day.

1281
01:05:40,920 --> 01:05:45,960
Speaker 3: You see social media everybody debating about relationships and should

1282
01:05:46,000 --> 01:05:47,919
Speaker 3: you pay for a date? It's just men and women

1283
01:05:47,960 --> 01:05:50,200
Speaker 3: going back and forth. And then it's like the number

1284
01:05:50,200 --> 01:05:53,480
Speaker 3: one thing that hip hop has done over the last.

1285
01:05:53,400 --> 01:05:56,320
Speaker 9: Decade is yo, you old, rapper? Like you old?

1286
01:05:57,000 --> 01:06:00,760
Speaker 4: I hate when people do that. It's well, everything we

1287
01:06:00,880 --> 01:06:04,200
Speaker 4: talk about is pros and cons right, and it's ways

1288
01:06:04,200 --> 01:06:07,640
Speaker 4: that we fix that because I hate when people say

1289
01:06:08,080 --> 01:06:10,640
Speaker 4: the old rapper, or you washed up, or is this

1290
01:06:10,720 --> 01:06:13,680
Speaker 4: and that right? Because what we're really doing is we

1291
01:06:13,880 --> 01:06:15,280
Speaker 4: tearing down our elders.

1292
01:06:15,720 --> 01:06:15,919
Speaker 5: Right.

1293
01:06:16,040 --> 01:06:19,760
Speaker 4: That can help open up more doors and more lanes

1294
01:06:20,000 --> 01:06:22,960
Speaker 4: for us to have more platforms to create more revenue.

1295
01:06:23,600 --> 01:06:26,360
Speaker 4: The problem with that is a lot of our elders

1296
01:06:26,560 --> 01:06:29,800
Speaker 4: be still trying to rap like us. It's like nigga

1297
01:06:29,960 --> 01:06:32,800
Speaker 4: rap like the adult you is. Some of these rappers

1298
01:06:32,840 --> 01:06:35,280
Speaker 4: still be forty seven talking about they got bitches in

1299
01:06:35,360 --> 01:06:38,000
Speaker 4: the club and still driving Bentley's Nigga. You married with

1300
01:06:38,040 --> 01:06:39,560
Speaker 4: three kids and got businesses.

1301
01:06:39,720 --> 01:06:43,280
Speaker 8: But there's part that goes with that, right, and you

1302
01:06:44,080 --> 01:06:46,560
Speaker 8: come from this this generation was like, we never saw

1303
01:06:46,680 --> 01:06:48,560
Speaker 8: our artists grow old.

1304
01:06:48,600 --> 01:06:50,600
Speaker 4: We never we never got I was about to get

1305
01:06:50,640 --> 01:06:54,640
Speaker 4: into that hip hop is relatively fifty year of it, right,

1306
01:06:55,280 --> 01:06:59,880
Speaker 4: So at anything with age, you get wiser. So as

1307
01:06:59,880 --> 01:07:03,840
Speaker 4: we he continue to grow as a culture, I think

1308
01:07:04,120 --> 01:07:07,400
Speaker 4: the labels as the old rapper or washed up or

1309
01:07:07,440 --> 01:07:10,360
Speaker 4: all those things will continue to go away because the

1310
01:07:10,400 --> 01:07:12,720
Speaker 4: dude who's twenty five now is gonna be thirty in

1311
01:07:12,840 --> 01:07:14,920
Speaker 4: five years and his life is going to be different.

1312
01:07:15,080 --> 01:07:17,880
Speaker 4: So he'll understand the person he was dishing five years

1313
01:07:17,920 --> 01:07:21,439
Speaker 4: ago because he'll be in that business playing that role

1314
01:07:21,480 --> 01:07:23,240
Speaker 4: at that person he was dis and just left.

1315
01:07:23,320 --> 01:07:25,200
Speaker 3: And you can have mental Like Kara said something that

1316
01:07:25,240 --> 01:07:28,240
Speaker 3: I was extremely insightful. He was like, all people have

1317
01:07:28,360 --> 01:07:29,480
Speaker 3: wisdom that young.

1318
01:07:29,280 --> 01:07:30,880
Speaker 4: People don't have one thousand percent.

1319
01:07:31,040 --> 01:07:35,320
Speaker 3: Young people have energy and information that older people don't have.

1320
01:07:35,960 --> 01:07:36,720
Speaker 9: They need each other.

1321
01:07:37,920 --> 01:07:42,880
Speaker 3: The information and the youthfulness is not the most beneficial

1322
01:07:42,920 --> 01:07:45,200
Speaker 3: if you don't have wisdom, but the wisdom is not

1323
01:07:45,240 --> 01:07:47,800
Speaker 3: even really that beneficial if you don't have new ideas.

1324
01:07:48,080 --> 01:07:51,000
Speaker 3: So it's like both have to respect each other, like

1325
01:07:51,120 --> 01:07:53,520
Speaker 3: old people have to respect young people and young people

1326
01:07:53,600 --> 01:07:55,439
Speaker 3: have to respect old people. And that's how you really

1327
01:07:55,480 --> 01:07:57,240
Speaker 3: and like you said, now with hip hop you have

1328
01:07:57,400 --> 01:07:59,600
Speaker 3: mentors like you have Buster Robs, you have jay Z

1329
01:07:59,840 --> 01:08:01,920
Speaker 3: have but not it's like we didn't have they that

1330
01:08:02,040 --> 01:08:07,360
Speaker 3: wasn't there before. Right now elder statesmen who have been respected.

1331
01:08:07,920 --> 01:08:10,280
Speaker 3: Who's not like you know homeless, Like these are people

1332
01:08:10,320 --> 01:08:12,640
Speaker 3: that got money that you know, people respect. That's our

1333
01:08:12,640 --> 01:08:15,400
Speaker 3: culture still respects, right, like we should watch look like

1334
01:08:15,400 --> 01:08:18,519
Speaker 3: that's still something that's But now it's like as a

1335
01:08:18,560 --> 01:08:22,040
Speaker 3: young rapper, I can sit down with X, Y and Z,

1336
01:08:22,479 --> 01:08:25,960
Speaker 3: get information, give game, and now I'll be better suited

1337
01:08:26,120 --> 01:08:27,600
Speaker 3: as opposed to just trying to wing it.

1338
01:08:27,600 --> 01:08:29,960
Speaker 8: But this is new, like even this is this is new, right,

1339
01:08:30,040 --> 01:08:32,599
Speaker 8: Like I grew up listening to the Big Daddy can

1340
01:08:32,720 --> 01:08:35,479
Speaker 8: carry us one. After a while, they couldn't even do

1341
01:08:35,520 --> 01:08:38,320
Speaker 8: a show because nobody was interested. Like now like they're

1342
01:08:38,320 --> 01:08:41,240
Speaker 8: still doing they're on tour now. It's the only genre

1343
01:08:41,400 --> 01:08:43,280
Speaker 8: you think about it inside of music where it's like

1344
01:08:43,840 --> 01:08:46,720
Speaker 8: our artists couldn't get on right because even like think

1345
01:08:46,760 --> 01:08:49,639
Speaker 8: about Jay, right, Jay's fifty three years old, that love

1346
01:08:49,680 --> 01:08:50,280
Speaker 8: was fifty five.

1347
01:08:51,920 --> 01:08:52,919
Speaker 5: They looked at differently.

1348
01:08:53,160 --> 01:08:55,479
Speaker 8: Right, they're not too far apart, but they ll never

1349
01:08:55,600 --> 01:08:57,680
Speaker 8: there was never a space where it was like, yo,

1350
01:08:57,800 --> 01:09:00,439
Speaker 8: this could be the Rollerstones or you guys can even

1351
01:09:00,439 --> 01:09:02,200
Speaker 8: in R and B we see it like now where

1352
01:09:02,200 --> 01:09:03,519
Speaker 8: Anita Baker, She's still torn.

1353
01:09:04,040 --> 01:09:05,640
Speaker 5: So like this is a brand.

1354
01:09:05,360 --> 01:09:08,479
Speaker 8: New genre of letting our artists age, letting them let

1355
01:09:08,600 --> 01:09:11,320
Speaker 8: the mature, letting them go through life experience and explaining

1356
01:09:11,320 --> 01:09:13,000
Speaker 8: what that is. I think, like you said, the issue

1357
01:09:13,040 --> 01:09:16,840
Speaker 8: is that at forty six, like I'm in I'm forty one,

1358
01:09:16,920 --> 01:09:18,920
Speaker 8: Like I want to hear about what life is at

1359
01:09:18,920 --> 01:09:21,040
Speaker 8: this point because at this and Noah said it right,

1360
01:09:21,120 --> 01:09:23,639
Speaker 8: I've been I've been wealthy a lot longer than I've

1361
01:09:23,640 --> 01:09:25,559
Speaker 8: been broke, which is true. I watched you at twenty

1362
01:09:25,600 --> 01:09:28,360
Speaker 8: when when you drop thematic, you're about to be fifty

1363
01:09:28,439 --> 01:09:30,120
Speaker 8: fifty now like it's thirty years a well.

1364
01:09:30,640 --> 01:09:33,360
Speaker 5: It's talking about and now it's changed. It's changed exactly.

1365
01:09:33,439 --> 01:09:36,280
Speaker 4: So it's like we're watching Nas, We're watching Jay, We're

1366
01:09:36,280 --> 01:09:38,760
Speaker 4: watching certain people do it. Like I'm saying, I think

1367
01:09:38,760 --> 01:09:42,599
Speaker 4: the problem is because hip hop is rooted in youthful culture.

1368
01:09:43,080 --> 01:09:45,600
Speaker 4: I feel like a lot of elder statesmen feel like

1369
01:09:45,680 --> 01:09:48,479
Speaker 4: they have to stay young and that's not relatively the

1370
01:09:48,560 --> 01:09:51,679
Speaker 4: case anymore. We need y'all to grow up, to set

1371
01:09:51,720 --> 01:09:54,360
Speaker 4: an example, to give us the wisdom on what not

1372
01:09:54,439 --> 01:09:56,559
Speaker 4: to do on hotder, Like we don't want to go

1373
01:09:56,600 --> 01:09:59,880
Speaker 4: broke when we get youall age right rap about how

1374
01:10:00,640 --> 01:10:03,240
Speaker 4: we don't do that exactly, y'all don't tell us that.

1375
01:10:03,360 --> 01:10:06,960
Speaker 4: Y'all tell us keep going, so you keep keep your

1376
01:10:06,960 --> 01:10:09,920
Speaker 4: foot on their neck, you know what I'm saying. Yeah,

1377
01:10:10,040 --> 01:10:12,280
Speaker 4: and then you d M and my producer trying to

1378
01:10:12,280 --> 01:10:14,479
Speaker 4: get a beat and all it's like that sounds you

1379
01:10:14,520 --> 01:10:17,040
Speaker 4: feel me? No, Like, don't do that. Continue to be

1380
01:10:17,160 --> 01:10:19,559
Speaker 4: who you were, but just innovate your thing.

1381
01:10:19,720 --> 01:10:22,080
Speaker 8: So when you're creating, because I think you're in the

1382
01:10:22,160 --> 01:10:24,320
Speaker 8: part and Cold had it. I think he said the

1383
01:10:24,320 --> 01:10:26,120
Speaker 8: best when he made the song Middle Child.

1384
01:10:26,280 --> 01:10:28,839
Speaker 5: Yeah, like he really is in the general.

1385
01:10:28,880 --> 01:10:29,719
Speaker 4: You know what's crazy?

1386
01:10:30,240 --> 01:10:31,000
Speaker 5: What's that process? Like?

1387
01:10:31,040 --> 01:10:33,120
Speaker 4: It was kindmatic Cold for making that song.

1388
01:10:33,320 --> 01:10:34,000
Speaker 9: You wanted to do it.

1389
01:10:34,000 --> 01:10:38,080
Speaker 4: I want to make that, bro, because that's really who

1390
01:10:38,160 --> 01:10:41,240
Speaker 4: I am. Bro. He is too, he is too. But

1391
01:10:41,280 --> 01:10:47,000
Speaker 4: when I heard it, I said, it's like it's it's

1392
01:10:47,120 --> 01:10:50,800
Speaker 4: like him. He he just thinks ship. I think like

1393
01:10:50,920 --> 01:10:53,040
Speaker 4: a lot of should I feel and think like I'll

1394
01:10:53,080 --> 01:10:54,640
Speaker 4: be like I'm gonna do this and then here just

1395
01:10:55,120 --> 01:10:58,559
Speaker 4: this motherfucker. I love Cold though shout out the cold.

1396
01:11:00,280 --> 01:11:03,519
Speaker 8: What you're saying when you're trying to create as a

1397
01:11:03,520 --> 01:11:06,680
Speaker 8: middle child and knowing that the dynamics, like, how does

1398
01:11:06,680 --> 01:11:07,679
Speaker 8: that affect your process?

1399
01:11:09,240 --> 01:11:15,240
Speaker 4: So what's crazy is Africa changed it before Africa was

1400
01:11:15,320 --> 01:11:24,120
Speaker 4: hit chasing. So that's why you will see certain elements

1401
01:11:24,760 --> 01:11:28,559
Speaker 4: of what people love for me not match the music

1402
01:11:29,560 --> 01:11:32,320
Speaker 4: for the longest. Like I just kind of figured that

1403
01:11:32,400 --> 01:11:36,640
Speaker 4: out where results take time. So like Sacrifices, that's a

1404
01:11:36,680 --> 01:11:41,920
Speaker 4: simber record people love that never end up broke overnight.

1405
01:11:43,400 --> 01:11:44,280
Speaker 5: On God.

1406
01:11:45,520 --> 01:11:49,160
Speaker 4: Lessons pop out things like that, right, But when you're

1407
01:11:49,160 --> 01:11:52,760
Speaker 4: in the business, you would attempt new things, you know

1408
01:11:52,800 --> 01:11:54,760
Speaker 4: what I mean. Coca Cola gonna try to sell you

1409
01:11:54,800 --> 01:11:56,960
Speaker 4: some cherry coke now really eat buy it or not?

1410
01:11:57,280 --> 01:12:00,240
Speaker 4: You know what I'm saying, It's up to you. Up

1411
01:12:01,120 --> 01:12:04,560
Speaker 4: Street Nigga and Soul Tizes. Those are good records to me,

1412
01:12:05,120 --> 01:12:07,479
Speaker 4: but to the audience who's here from me right now,

1413
01:12:07,479 --> 01:12:10,879
Speaker 4: they don't necessarily want to hear that. But I've chased

1414
01:12:11,200 --> 01:12:14,040
Speaker 4: other audience that I feel may be a broader streaming

1415
01:12:14,120 --> 01:12:17,760
Speaker 4: audience or a radio audience, and those different things so

1416
01:12:17,840 --> 01:12:20,720
Speaker 4: I feel like that's confused my process until I went

1417
01:12:20,760 --> 01:12:23,080
Speaker 4: to Africa and I really just sat with myself, like,

1418
01:12:23,160 --> 01:12:27,120
Speaker 4: you know what, it's an honor in life for people

1419
01:12:27,160 --> 01:12:31,960
Speaker 4: to even want something from you, you know what I'm saying,

1420
01:12:32,640 --> 01:12:35,960
Speaker 4: Like just to even like, no, people wake up and

1421
01:12:36,160 --> 01:12:39,200
Speaker 4: want to hear me rap? Why would I not give

1422
01:12:39,240 --> 01:12:43,000
Speaker 4: them that every day? Why would I not just rap

1423
01:12:43,120 --> 01:12:45,800
Speaker 4: for what people want to hear me do? So my

1424
01:12:46,120 --> 01:12:48,559
Speaker 4: latest music that I'm getting ready to put out, my

1425
01:12:48,640 --> 01:12:52,599
Speaker 4: new project is called Don't Call Me Now coming soon,

1426
01:12:53,200 --> 01:12:56,720
Speaker 4: but it's rap based. It's what you see on Instagram

1427
01:12:56,760 --> 01:12:59,599
Speaker 4: and what you see in the radio freestyles in song

1428
01:12:59,760 --> 01:13:03,360
Speaker 4: for man, you know, and it's taking me time to

1429
01:13:03,479 --> 01:13:06,080
Speaker 4: figure out how to do that, like the Ja Morant thing,

1430
01:13:06,880 --> 01:13:10,320
Speaker 4: that's the freestyle in a song for Matt. But it's

1431
01:13:10,520 --> 01:13:12,599
Speaker 4: it takes time, you know what I mean. I don't

1432
01:13:12,600 --> 01:13:16,360
Speaker 4: have I didn't come up like how some of these

1433
01:13:16,439 --> 01:13:20,440
Speaker 4: rappers came up with a producer and a song choreographer

1434
01:13:20,520 --> 01:13:23,160
Speaker 4: and people to structure they records. I've learned this shit

1435
01:13:23,320 --> 01:13:26,120
Speaker 4: on my own, on the fly for the last fifteen

1436
01:13:26,200 --> 01:13:29,000
Speaker 4: years of my life. So I'm not going to always

1437
01:13:29,040 --> 01:13:31,439
Speaker 4: get the production right. I'm not going to always get

1438
01:13:31,439 --> 01:13:33,880
Speaker 4: the hook right, but I'll learn from my mistakes. The

1439
01:13:33,920 --> 01:13:35,120
Speaker 4: next time I will.

1440
01:13:35,400 --> 01:13:36,840
Speaker 9: Jam Morant talk about that.

1441
01:13:36,840 --> 01:13:41,160
Speaker 3: That's an interesting if the story is an interesting story period. Yeah,

1442
01:13:41,360 --> 01:13:44,479
Speaker 3: very unfortunate situation, but you took a different approach. I

1443
01:13:44,520 --> 01:13:48,920
Speaker 3: feel like you wasn't extremely.

1444
01:13:48,479 --> 01:13:53,040
Speaker 9: Hard on him. Yeah, but you wasn't soft on him either.

1445
01:13:53,120 --> 01:13:54,320
Speaker 4: Yeah.

1446
01:13:54,800 --> 01:13:56,400
Speaker 9: Walking through that process.

1447
01:13:56,080 --> 01:14:01,720
Speaker 4: Africa, Africa bro understanding who I Yeah, Bro, I'm an incubator.

1448
01:14:02,720 --> 01:14:05,400
Speaker 4: I'm somebody that can help the older people understand the

1449
01:14:05,479 --> 01:14:08,240
Speaker 4: young people and the young people understand the old people.

1450
01:14:08,920 --> 01:14:12,519
Speaker 4: You feel me. So anything in our culture that goes

1451
01:14:12,600 --> 01:14:16,000
Speaker 4: on that needs to be addressed, I'm the person to

1452
01:14:16,080 --> 01:14:19,320
Speaker 4: say something. That's who I am. That's my identity in

1453
01:14:19,360 --> 01:14:22,400
Speaker 4: the game. So the first time Joall did it, it

1454
01:14:22,520 --> 01:14:25,479
Speaker 4: was like I was on tour. I'm like, come on, Joe,

1455
01:14:25,560 --> 01:14:28,280
Speaker 4: what the fuck you? But I'm like this, obviously he

1456
01:14:28,439 --> 01:14:32,599
Speaker 4: legged drunk, you know what I'm saying, Like yeah, But

1457
01:14:32,640 --> 01:14:35,760
Speaker 4: then you do it the second time, you bugging right.

1458
01:14:35,880 --> 01:14:40,719
Speaker 4: So now it's like, Okay, you got people who don't

1459
01:14:40,840 --> 01:14:45,200
Speaker 4: understand our culture, right, who don't understand what it's like

1460
01:14:45,280 --> 01:14:48,200
Speaker 4: having millions of dollars who don't understand what it's like

1461
01:14:48,240 --> 01:14:50,360
Speaker 4: trying to bring people out the hood that come from

1462
01:14:50,400 --> 01:14:53,280
Speaker 4: that culture, and they're around you, and certain things find

1463
01:14:53,360 --> 01:14:57,360
Speaker 4: you just based off who you located next to, and

1464
01:14:57,439 --> 01:15:00,479
Speaker 4: they all got something to say, he's a thug, he's this,

1465
01:15:00,680 --> 01:15:02,559
Speaker 4: he's but y'all ain't never had to live that life,

1466
01:15:02,960 --> 01:15:04,599
Speaker 4: you know what I'm saying. And then you got people

1467
01:15:04,640 --> 01:15:06,960
Speaker 4: that's saying, oh, why is it wrong for him to

1468
01:15:06,960 --> 01:15:10,360
Speaker 4: carry a gun? And motherfucker, because he's a fucking two

1469
01:15:10,400 --> 01:15:14,559
Speaker 4: hundred million dollar man, that's a public face for the NBA.

1470
01:15:14,720 --> 01:15:17,599
Speaker 4: He's a role model. So for me, it was more

1471
01:15:17,680 --> 01:15:21,519
Speaker 4: so about getting everybody to understand the two right, and

1472
01:15:21,560 --> 01:15:25,679
Speaker 4: even within that, understanding the role we as musicians playing

1473
01:15:25,720 --> 01:15:29,600
Speaker 4: this shit because it's like, we'll let rappers do that

1474
01:15:29,640 --> 01:15:32,439
Speaker 4: shit and it's cool all day. But because he got

1475
01:15:32,439 --> 01:15:34,599
Speaker 4: two hundred million dollars and he played for the NBA,

1476
01:15:34,680 --> 01:15:36,760
Speaker 4: we gonna look at him like a thug but a

1477
01:15:36,920 --> 01:15:42,960
Speaker 4: rappers cool. Like, it's too much hypocrisy in it, you

1478
01:15:43,000 --> 01:15:45,200
Speaker 4: know what I mean. So if we're gonna talk about it,

1479
01:15:45,280 --> 01:15:47,439
Speaker 4: we got to talk about the role we play in it.

1480
01:15:47,920 --> 01:15:50,680
Speaker 4: We make songs about killing niggas and shoot niggas. And

1481
01:15:50,680 --> 01:15:53,200
Speaker 4: I'm not saying we shouldn't, because that's certain people's lives

1482
01:15:53,200 --> 01:15:55,080
Speaker 4: and their stories and what they've seen and what they've

1483
01:15:55,120 --> 01:15:58,280
Speaker 4: been through. But we all ain't got a fall victim

1484
01:15:58,320 --> 01:16:01,559
Speaker 4: to that, you know what I mean? And I'm address

1485
01:16:01,600 --> 01:16:03,920
Speaker 4: it every time I can and let people know, Like,

1486
01:16:04,680 --> 01:16:06,679
Speaker 4: look at me, Bro, I ain't never killed the nigga

1487
01:16:06,720 --> 01:16:09,240
Speaker 4: in my life, you know what I'm saying, Like I

1488
01:16:09,280 --> 01:16:11,799
Speaker 4: ain't never shot a gun outside of a shooting range.

1489
01:16:12,600 --> 01:16:15,679
Speaker 4: It's like, I don't need to, and all black people

1490
01:16:15,800 --> 01:16:18,000
Speaker 4: ain't got to, Like we all ain't got to be

1491
01:16:18,120 --> 01:16:21,200
Speaker 4: that way, and we not. But that's how mainstream media

1492
01:16:21,280 --> 01:16:23,880
Speaker 4: want to portray us. So when joshuaw a gun, it's

1493
01:16:23,920 --> 01:16:26,760
Speaker 4: easy for them to go from two hundred million dollar

1494
01:16:26,880 --> 01:16:30,880
Speaker 4: NBA player to a thug. It's like, nah, bro, hold on,

1495
01:16:31,080 --> 01:16:33,720
Speaker 4: check this out for a minute. Understand where he coming from.

1496
01:16:33,800 --> 01:16:36,840
Speaker 4: It's pressure on bro, I said. In fact, there's a

1497
01:16:36,880 --> 01:16:39,760
Speaker 4: lot of pressure. I'm going back to that bar.

1498
01:16:39,800 --> 01:16:41,760
Speaker 8: As you said, Man, it's a prilipicion honor for people

1499
01:16:41,760 --> 01:16:45,439
Speaker 8: to want something for you every day, and the drama

1500
01:16:45,479 --> 01:16:48,559
Speaker 8: rant is a great example of it.

1501
01:16:48,720 --> 01:16:51,639
Speaker 5: Like when you still in those freestyles.

1502
01:16:52,040 --> 01:16:54,000
Speaker 8: I remember the first time I heard that La Leaka

1503
01:16:54,080 --> 01:16:57,280
Speaker 8: street style and I was like, oh my god, like

1504
01:16:58,760 --> 01:16:59,400
Speaker 8: heard you, I heard this thing?

1505
01:16:59,479 --> 01:17:00,680
Speaker 5: Did another on my did you hear this?

1506
01:17:00,880 --> 01:17:01,120
Speaker 4: You hear this?

1507
01:17:01,680 --> 01:17:02,679
Speaker 5: Can I put it in the request?

1508
01:17:02,880 --> 01:17:03,120
Speaker 4: Yeah?

1509
01:17:03,560 --> 01:17:05,639
Speaker 8: Because when I heard that La Leaks freestyle, it made

1510
01:17:05,640 --> 01:17:07,840
Speaker 8: me think back to being Segul. It's one of my

1511
01:17:07,880 --> 01:17:11,880
Speaker 8: favorite rappers. Okay, shout out to Shinty. Yeah yeah, my birthday,

1512
01:17:11,920 --> 01:17:14,400
Speaker 8: my forty birthday. It was a moment, but it made

1513
01:17:14,400 --> 01:17:18,519
Speaker 8: me think back A thousand bars okay at some point, Okay,

1514
01:17:19,040 --> 01:17:21,599
Speaker 8: can we get at a thousand bars a lot?

1515
01:17:22,479 --> 01:17:23,720
Speaker 4: That's that's a lot.

1516
01:17:24,080 --> 01:17:26,559
Speaker 9: It's a lot of bars. Say twenty minutes.

1517
01:17:26,600 --> 01:17:29,599
Speaker 8: He did, well, it was like a ten minute him

1518
01:17:29,640 --> 01:17:32,360
Speaker 8: and him and Bleak they did And I heard it before, right, Yeah,

1519
01:17:32,360 --> 01:17:35,000
Speaker 8: I know, I know because you comfort, I know, you study.

1520
01:17:36,040 --> 01:17:38,800
Speaker 4: It's not it's one of them things where it's a

1521
01:17:38,920 --> 01:17:40,920
Speaker 4: free fall where you just let it all out, you

1522
01:17:41,000 --> 01:17:43,479
Speaker 4: know what I mean. But I'm at this space where

1523
01:17:43,520 --> 01:17:46,160
Speaker 4: it's like, bro, I say so much in my reps,

1524
01:17:46,240 --> 01:17:49,800
Speaker 4: like the way I write, I think a thousand bars

1525
01:17:49,880 --> 01:17:54,920
Speaker 4: for me would sound like a fucking dictionary biology class

1526
01:17:55,000 --> 01:17:58,280
Speaker 4: that people don't want to sit through cannabis. Yeah, because

1527
01:17:58,280 --> 01:18:01,360
Speaker 4: I'm very passionate about the ship I say. I hate

1528
01:18:01,479 --> 01:18:03,439
Speaker 4: just saying ship to say it like I have a

1529
01:18:03,479 --> 01:18:07,000
Speaker 4: hard time making songs about nothing. You know, people could

1530
01:18:07,080 --> 01:18:08,840
Speaker 4: just go in there and be like million dollars on

1531
01:18:08,960 --> 01:18:11,840
Speaker 4: my wrist, bad ass bitch, she gonna suck my dicks

1532
01:18:11,880 --> 01:18:13,840
Speaker 4: when there's an empty my clip. I'm with the ship.

1533
01:18:14,120 --> 01:18:18,040
Speaker 9: I said, hit record right there, yo, but.

1534
01:18:18,080 --> 01:18:20,360
Speaker 4: It's like, what the fuck did I say? A whole

1535
01:18:20,400 --> 01:18:23,479
Speaker 4: lot of records like that. I like that, but it's like,

1536
01:18:23,560 --> 01:18:26,360
Speaker 4: what did I just say? It's like what I just say,

1537
01:18:26,520 --> 01:18:29,000
Speaker 4: And that's no offense to people who make music like that.

1538
01:18:29,160 --> 01:18:31,720
Speaker 4: It's just for me that ship don't sit right with

1539
01:18:31,920 --> 01:18:33,920
Speaker 4: my soul for what I like to listen to them,

1540
01:18:33,960 --> 01:18:35,920
Speaker 4: for what I like to make, you know what I mean.

1541
01:18:35,960 --> 01:18:38,519
Speaker 4: I feel like when I'm getting on them, I gotta

1542
01:18:38,600 --> 01:18:40,679
Speaker 4: say something because one day, bro, I'm gonna be gone

1543
01:18:41,200 --> 01:18:43,080
Speaker 4: and I ain't gonna be here. You know what I mean.

1544
01:18:43,280 --> 01:18:46,080
Speaker 4: What people gonna have left is my words and my music.

1545
01:18:46,200 --> 01:18:48,680
Speaker 4: So I wanted to mean something. I don't want it

1546
01:18:48,720 --> 01:18:51,280
Speaker 4: to just be some ship I put together.

1547
01:18:51,640 --> 01:18:52,559
Speaker 5: So we don't please.

1548
01:18:53,120 --> 01:18:56,519
Speaker 3: We met, you met your brothers. Interesting story. Yeah, tell

1549
01:18:56,600 --> 01:19:01,479
Speaker 3: us that manage your family business. But y'all just recently met. Yeah,

1550
01:19:02,160 --> 01:19:03,080
Speaker 3: that's an interesting story.

1551
01:19:03,280 --> 01:19:07,360
Speaker 4: Yeah. So my dad bro, you know street cat, you know,

1552
01:19:07,600 --> 01:19:10,680
Speaker 4: doing this thing, and he handed up in prison when

1553
01:19:10,720 --> 01:19:13,200
Speaker 4: I was young, when we both was young. But my

1554
01:19:13,320 --> 01:19:16,200
Speaker 4: brother he kind of was more so like my dad.

1555
01:19:16,400 --> 01:19:18,240
Speaker 4: He was more in the streets and shit. And my

1556
01:19:18,400 --> 01:19:22,120
Speaker 4: mom she kind of when I was younger, my mom

1557
01:19:22,280 --> 01:19:25,400
Speaker 4: kind of like segregated me from like the streets, like

1558
01:19:25,600 --> 01:19:28,559
Speaker 4: just totally moved me from that life. Because my mom

1559
01:19:28,720 --> 01:19:32,080
Speaker 4: was in the streets and when I was young, she

1560
01:19:32,240 --> 01:19:35,599
Speaker 4: just kind of moved me from it. So I naturally

1561
01:19:35,840 --> 01:19:38,799
Speaker 4: just like was always into the arts and different things.

1562
01:19:38,880 --> 01:19:42,040
Speaker 4: So we never really crossed paths or whatever, even though

1563
01:19:42,080 --> 01:19:45,719
Speaker 4: we was probably around each other a lot, but didn't

1564
01:19:45,760 --> 01:19:47,680
Speaker 4: have the same interest in life to even have a

1565
01:19:47,760 --> 01:19:53,160
Speaker 4: conversation or nothing like that. So my dad passed years ago,

1566
01:19:54,080 --> 01:19:56,000
Speaker 4: and I remember meeting him when I was younger, and

1567
01:19:56,000 --> 01:19:57,360
Speaker 4: I used to always be like, man, I got a

1568
01:19:57,479 --> 01:20:00,960
Speaker 4: brother somewhere, my brother somewhere, and and I started doing

1569
01:20:01,080 --> 01:20:06,080
Speaker 4: music and one day my uncle street Life he hit me.

1570
01:20:07,120 --> 01:20:08,960
Speaker 4: He was like, man, you got a brother, bro, Like

1571
01:20:09,120 --> 01:20:11,760
Speaker 4: he just came home, like you should get in touch

1572
01:20:11,840 --> 01:20:14,960
Speaker 4: with me, a cool dude. And then it's like I

1573
01:20:15,200 --> 01:20:18,080
Speaker 4: just had the freestyle come out Lebron post me. So

1574
01:20:18,200 --> 01:20:23,040
Speaker 4: I'm like, here they go with this shit, Here come

1575
01:20:23,240 --> 01:20:27,400
Speaker 4: this shit, right. So I'm telling my mom and shit,

1576
01:20:27,680 --> 01:20:30,519
Speaker 4: like I'm telling my mom like she's like, nah, you do,

1577
01:20:30,800 --> 01:20:32,880
Speaker 4: She's like, ya, remember you met him. I'm like, yeah,

1578
01:20:32,960 --> 01:20:35,280
Speaker 4: I do. But I'm like I don't really know. So

1579
01:20:36,680 --> 01:20:39,599
Speaker 4: we end up talking on Instagram and then we would,

1580
01:20:39,640 --> 01:20:42,000
Speaker 4: you know, talk here and there, back and forth. And

1581
01:20:42,120 --> 01:20:46,000
Speaker 4: then one day I was in Philly drunk as hell.

1582
01:20:47,000 --> 01:20:49,360
Speaker 4: You know them nights when like you be out late

1583
01:20:49,600 --> 01:20:51,760
Speaker 4: drinking and you go to sleep at like five in

1584
01:20:51,840 --> 01:20:54,320
Speaker 4: the morning and he wake up at seven thirty still

1585
01:20:54,479 --> 01:20:57,080
Speaker 4: licks like can't go back to sleep. It was one

1586
01:20:57,160 --> 01:21:00,439
Speaker 4: of them days. So I end up calling and we

1587
01:21:00,600 --> 01:21:03,559
Speaker 4: was just on the phone for like four hours, and shit,

1588
01:21:04,320 --> 01:21:08,400
Speaker 4: ever since then, we've just been rocking. Ever since then, Doug,

1589
01:21:08,520 --> 01:21:10,920
Speaker 4: we've just been traveling the world and rapping and.

1590
01:21:12,120 --> 01:21:15,000
Speaker 5: Trapping and trapping.

1591
01:21:15,560 --> 01:21:16,599
Speaker 9: How's that bench?

1592
01:21:16,680 --> 01:21:19,080
Speaker 3: Just you know, because it's once again going back to

1593
01:21:19,200 --> 01:21:22,680
Speaker 3: that story where it's like long lost people that's being reunited,

1594
01:21:22,800 --> 01:21:25,800
Speaker 3: like obviously a lot of time was lost, But how's

1595
01:21:25,840 --> 01:21:29,479
Speaker 3: that like been as far as just like connecting with

1596
01:21:29,560 --> 01:21:31,439
Speaker 3: somebody that you never really had a relationship with.

1597
01:21:31,880 --> 01:21:35,120
Speaker 4: I feel like it worked out better as we got

1598
01:21:35,200 --> 01:21:37,960
Speaker 4: older because I was so one track minded when I

1599
01:21:38,160 --> 01:21:41,760
Speaker 4: was younger, and for what he was involved in, I

1600
01:21:41,800 --> 01:21:44,080
Speaker 4: would have been like, I ain't going around that nigga.

1601
01:21:45,000 --> 01:21:48,120
Speaker 4: Other would have just totally separated myself and been closed off.

1602
01:21:48,520 --> 01:21:52,080
Speaker 4: With me being older and him being older and having

1603
01:21:52,160 --> 01:21:54,519
Speaker 4: an understanding of certain things he been through and me

1604
01:21:54,640 --> 01:21:57,080
Speaker 4: having a certain understanding of things I've been through, we

1605
01:21:57,240 --> 01:22:01,040
Speaker 4: was able to have a conversation and that we related

1606
01:22:01,640 --> 01:22:05,160
Speaker 4: to each other through through different scenarios. So it's things

1607
01:22:05,200 --> 01:22:07,240
Speaker 4: he been through in the streets that I've been through music,

1608
01:22:07,720 --> 01:22:09,479
Speaker 4: you know what I mean. We could relate through it

1609
01:22:09,560 --> 01:22:12,840
Speaker 4: through communication. But if we never would have been able

1610
01:22:12,920 --> 01:22:15,640
Speaker 4: to live life to experience them things what we have

1611
01:22:15,760 --> 01:22:19,040
Speaker 4: to talk about, you know. So I feel like it

1612
01:22:19,200 --> 01:22:23,000
Speaker 4: kind of worked out as we got older than it

1613
01:22:23,160 --> 01:22:26,120
Speaker 4: did younger, you know what I mean. But I got

1614
01:22:26,360 --> 01:22:29,640
Speaker 4: like siblings and shit that we was cooler when we

1615
01:22:29,840 --> 01:22:32,160
Speaker 4: was younger, and I don't even talk to they As

1616
01:22:33,640 --> 01:22:39,040
Speaker 4: I got a younger brother, I got an older sister.

1617
01:22:39,479 --> 01:22:44,040
Speaker 4: I got another sister in Texas and another sister in Atlanta.

1618
01:22:45,800 --> 01:22:48,840
Speaker 4: And I think I got another brother, but I'm not

1619
01:22:49,000 --> 01:22:49,759
Speaker 4: one hundred percent.

1620
01:22:49,920 --> 01:22:52,280
Speaker 5: After the new album, we have four.

1621
01:22:54,600 --> 01:22:54,840
Speaker 4: Yeah.

1622
01:22:55,160 --> 01:22:59,360
Speaker 8: Yeah, Perhaps it's interesting because you talk about man J

1623
01:22:59,439 --> 01:23:01,519
Speaker 8: and we talked about new music on the way. I

1624
01:23:01,640 --> 01:23:04,080
Speaker 8: wonder what you define as success because you don't take

1625
01:23:04,120 --> 01:23:06,160
Speaker 8: me as a guy that's like, hey, I got this

1626
01:23:06,280 --> 01:23:10,439
Speaker 8: many streams or I sold this many records. So how

1627
01:23:10,479 --> 01:23:12,679
Speaker 8: do you quantify success for your music?

1628
01:23:13,200 --> 01:23:17,960
Speaker 4: Achieving a goal? Just like whatever my goal was for it?

1629
01:23:18,160 --> 01:23:26,880
Speaker 4: Like last year. Last year, my goal was to put

1630
01:23:26,960 --> 01:23:33,000
Speaker 4: out a project and find where my fans were. That

1631
01:23:33,240 --> 01:23:37,400
Speaker 4: was literally my definition of success for twenty twenty two.

1632
01:23:38,240 --> 01:23:43,200
Speaker 4: Bright ended up on Jimmy Kimmel the breakfast club funk

1633
01:23:43,360 --> 01:23:46,160
Speaker 4: Master Flex. I didn't imagine none of it. I thought

1634
01:23:46,200 --> 01:23:48,840
Speaker 4: that was gonna happen two three years later, you know

1635
01:23:48,880 --> 01:23:51,719
Speaker 4: what I mean. So for me, it's just like achieving

1636
01:23:51,760 --> 01:23:55,240
Speaker 4: a goal, like right now, like I want to make

1637
01:23:55,600 --> 01:23:56,760
Speaker 4: five million.

1638
01:23:56,600 --> 01:24:01,520
Speaker 9: Dollars, Like that's my goal by any means necessary.

1639
01:24:01,200 --> 01:24:04,040
Speaker 4: That's my year. Like this year, I wanted to just

1640
01:24:04,200 --> 01:24:08,960
Speaker 4: like have five million dollars tucked like, all right, that's

1641
01:24:09,080 --> 01:24:12,599
Speaker 4: over there, Like that's my new goal. And then I'm

1642
01:24:12,640 --> 01:24:15,519
Speaker 4: pretty sure when I do that, I'm gonna want one

1643
01:24:15,600 --> 01:24:18,320
Speaker 4: hundred million, you know what I mean. So it changes,

1644
01:24:18,880 --> 01:24:21,920
Speaker 4: it changes every day, but it's like that's my new goal.

1645
01:24:22,160 --> 01:24:25,720
Speaker 4: Like that's what's gonna make me feel successful. Is the

1646
01:24:25,840 --> 01:24:28,519
Speaker 4: day that I know I got five million tucked right now?

1647
01:24:30,680 --> 01:24:34,519
Speaker 3: So you got the NBA Playoffs, Yeah, getting your jersey

1648
01:24:34,640 --> 01:24:35,880
Speaker 3: from Kevin Durant.

1649
01:24:35,800 --> 01:24:39,879
Speaker 9: Yeah, but it was a partnership with the NBA ESPN.

1650
01:24:40,880 --> 01:24:45,160
Speaker 4: ESPN was deal with that, so basically we were able

1651
01:24:45,240 --> 01:24:49,559
Speaker 4: to make the music for the commercials. So something I've

1652
01:24:49,920 --> 01:24:53,720
Speaker 4: realized is my music does better on other platforms and

1653
01:24:53,840 --> 01:24:58,920
Speaker 4: on streaming suits because the people who listen to my music,

1654
01:24:59,040 --> 01:25:01,519
Speaker 4: what I've realized is they have a tough time navigating

1655
01:25:01,520 --> 01:25:04,640
Speaker 4: through the internet. So I don't have a lot of

1656
01:25:04,800 --> 01:25:09,160
Speaker 4: like young kids that listen to me. They will in

1657
01:25:09,240 --> 01:25:11,680
Speaker 4: the next two to three years as they grow up,

1658
01:25:11,880 --> 01:25:15,200
Speaker 4: you know, and experienced life more, but it's hard for

1659
01:25:15,240 --> 01:25:17,600
Speaker 4: them to navigate through the internet. For who listens to

1660
01:25:17,680 --> 01:25:21,080
Speaker 4: me currently, So I found ways to find platforms that

1661
01:25:21,200 --> 01:25:24,919
Speaker 4: they like to live on, like the NBA or the NFL,

1662
01:25:25,160 --> 01:25:29,720
Speaker 4: or video games, you leisure, video games, Joe Budden's podcasts,

1663
01:25:30,560 --> 01:25:33,720
Speaker 4: different platforms that I know my demographic pays attention to

1664
01:25:33,800 --> 01:25:37,240
Speaker 4: because they're a very inquisitive demographic. So I have to

1665
01:25:37,320 --> 01:25:40,080
Speaker 4: go to those platforms. And the NBA was one of them.

1666
01:25:40,160 --> 01:25:46,000
Speaker 4: So they noticed that I just be at a lot

1667
01:25:46,040 --> 01:25:48,320
Speaker 4: of games. I'm just a big Hoop fan because I

1668
01:25:48,400 --> 01:25:50,920
Speaker 4: played Hoop. I feel like a lot of Hoopers relate

1669
01:25:51,000 --> 01:25:53,280
Speaker 4: to my music because I tell a lot of stories

1670
01:25:53,320 --> 01:25:56,519
Speaker 4: that Hoopers go through. So I've you know, cool with

1671
01:25:56,640 --> 01:26:00,280
Speaker 4: Draymond Green, cool with Kevin Durant, cool Lebron James. And

1672
01:26:00,360 --> 01:26:03,920
Speaker 4: they could see that. So I was making music for

1673
01:26:04,320 --> 01:26:08,439
Speaker 4: Madden last year in two K and when I did

1674
01:26:08,960 --> 01:26:12,040
Speaker 4: the Warriors halftime show in December for the Celtics, they

1675
01:26:12,160 --> 01:26:14,679
Speaker 4: was like, Yo, we want to kind of figure something

1676
01:26:14,720 --> 01:26:18,639
Speaker 4: out for ESPN, like a song or something for the playoffs.

1677
01:26:19,320 --> 01:26:20,760
Speaker 4: And it was like, let's do it. So we had

1678
01:26:20,800 --> 01:26:24,599
Speaker 4: a conversation about us, you know, making music for the commercial.

1679
01:26:24,680 --> 01:26:26,439
Speaker 4: So they sent us a bunch of clips and stuff

1680
01:26:26,479 --> 01:26:30,519
Speaker 4: to watch and me, Raven and my boy Jada Great,

1681
01:26:30,680 --> 01:26:33,320
Speaker 4: we just sat in there and we came up with

1682
01:26:33,439 --> 01:26:37,519
Speaker 4: a bunch of ideas and next thing we know, like

1683
01:26:37,760 --> 01:26:41,120
Speaker 4: they was all over espn FO. Yeah.

1684
01:26:41,560 --> 01:26:45,439
Speaker 5: So you're a Warriors guy. Oh man, let's just put

1685
01:26:45,479 --> 01:26:45,920
Speaker 5: us out there.

1686
01:26:46,080 --> 01:26:51,320
Speaker 4: Yes, okay, I am a Golden State Warrior, but Simba

1687
01:26:54,040 --> 01:27:00,080
Speaker 4: is a Golden No, Simba is a Los Angeles Warrior son.

1688
01:27:02,040 --> 01:27:04,800
Speaker 9: Los Angeles Warriors son. So you you're a Lakers fan.

1689
01:27:05,960 --> 01:27:11,080
Speaker 3: Lakers are clipping Lakers, Lakers, Warriors and the Suns West

1690
01:27:11,160 --> 01:27:12,000
Speaker 3: You just West Coast.

1691
01:27:12,080 --> 01:27:14,479
Speaker 5: I mean, I'm fans of players, so that's my thing.

1692
01:27:14,680 --> 01:27:16,080
Speaker 5: You got three teams in the same division.

1693
01:27:16,160 --> 01:27:20,040
Speaker 3: I've never I've never supported institutions. I only support individuals.

1694
01:27:20,400 --> 01:27:21,640
Speaker 4: So I'm stealing that.

1695
01:27:22,000 --> 01:27:25,000
Speaker 5: I'm telling you right here, it's an easy time.

1696
01:27:25,080 --> 01:27:25,840
Speaker 4: I'm stealing that.

1697
01:27:26,280 --> 01:27:27,320
Speaker 5: You can't steal because it's.

1698
01:27:28,560 --> 01:27:31,880
Speaker 4: No bro, that's me. I've never been a fan of it,

1699
01:27:32,120 --> 01:27:35,479
Speaker 4: like no offense. I've never been a fan of the Lakers.

1700
01:27:35,760 --> 01:27:37,679
Speaker 4: I was a fan of the Lakers so long because

1701
01:27:37,720 --> 01:27:39,720
Speaker 4: they had Kobe Bryant. You a fan of Kobe and

1702
01:27:39,800 --> 01:27:41,360
Speaker 4: I was a fan of Kobe. That was my fair

1703
01:27:41,400 --> 01:27:42,360
Speaker 4: It's my favorite player.

1704
01:27:42,439 --> 01:27:42,599
Speaker 5: Ever.

1705
01:27:43,040 --> 01:27:46,200
Speaker 4: I was a fan of the Lakers when they got Palgasol.

1706
01:27:46,960 --> 01:27:49,760
Speaker 4: I was a fan of Lakers when Lebron came, you

1707
01:27:49,840 --> 01:27:52,840
Speaker 4: know what I mean. So in that gap between them,

1708
01:27:53,280 --> 01:27:56,040
Speaker 4: I went back to my that's the fact that my

1709
01:27:56,200 --> 01:27:59,040
Speaker 4: Warriors start turning up because I was with the Warriors.

1710
01:27:59,360 --> 01:28:01,920
Speaker 8: As a guy who likes the front running team, right

1711
01:28:01,960 --> 01:28:07,200
Speaker 8: because no, why, that's why. Here's why Kobe's winning championships.

1712
01:28:07,280 --> 01:28:09,600
Speaker 8: I'm with them, Warriors winning championships.

1713
01:28:09,920 --> 01:28:10,479
Speaker 5: I'm with them.

1714
01:28:10,600 --> 01:28:13,719
Speaker 4: But I was with Kobe when he wasn't winning championship exactly.

1715
01:28:13,920 --> 01:28:16,960
Speaker 4: That was like in the nineties, bro Kobe took Brandy

1716
01:28:17,080 --> 01:28:18,479
Speaker 4: to the prom. Where do we talk?

1717
01:28:18,600 --> 01:28:19,120
Speaker 5: That's a fact.

1718
01:28:19,600 --> 01:28:22,240
Speaker 4: That's a fact, my idol dog. I wanted to take

1719
01:28:22,280 --> 01:28:25,679
Speaker 4: Brandy to the prom so bad. I wasn't old enough

1720
01:28:25,720 --> 01:28:27,720
Speaker 4: to go to no prom. But Kobe did.

1721
01:28:27,960 --> 01:28:28,240
Speaker 5: He did.

1722
01:28:28,320 --> 01:28:30,559
Speaker 8: He definitely did that. He definitely did that and won

1723
01:28:31,400 --> 01:28:32,880
Speaker 8: three years after that, four years after that.

1724
01:28:33,040 --> 01:28:37,439
Speaker 4: Yeah. So and then Shaq left. And you say we

1725
01:28:37,520 --> 01:28:38,719
Speaker 4: had a rough few years.

1726
01:28:38,840 --> 01:28:40,559
Speaker 5: I like that. You said we we had a rough

1727
01:28:40,640 --> 01:28:41,120
Speaker 5: few years.

1728
01:28:41,200 --> 01:28:43,560
Speaker 4: But in a rough few years, I was going to

1729
01:28:43,600 --> 01:28:48,040
Speaker 4: them we believe games, watching my dog, Baron Davis, Stephen Jackson,

1730
01:28:48,720 --> 01:28:52,479
Speaker 4: Matt Barnes. I was watching the Donald Foyle and them boys.

1731
01:28:52,640 --> 01:28:55,240
Speaker 4: I was, I was, I was dad.

1732
01:28:56,240 --> 01:28:59,439
Speaker 5: I respect that that's different than what he's going to say.

1733
01:28:59,479 --> 01:29:01,960
Speaker 5: That's my it is different. You're gonna tell me Lebron

1734
01:29:02,040 --> 01:29:02,920
Speaker 5: that you listen.

1735
01:29:04,160 --> 01:29:06,120
Speaker 3: I have three players that I've supported over the last

1736
01:29:06,160 --> 01:29:08,679
Speaker 3: twenty five years of basketball. You gotta really I played

1737
01:29:08,680 --> 01:29:11,679
Speaker 3: basketball every single day of my life for twenty years.

1738
01:29:11,920 --> 01:29:16,720
Speaker 9: I'm like basketball, it was my life. Latreull's Spreewall was my.

1739
01:29:16,880 --> 01:29:21,120
Speaker 3: First guy on Golden State actually, and then when he

1740
01:29:21,160 --> 01:29:24,439
Speaker 3: got to the Knicks as well, Alan Iverson when he

1741
01:29:24,479 --> 01:29:25,200
Speaker 3: got into the league.

1742
01:29:25,360 --> 01:29:27,600
Speaker 5: That's new Latrell and the nexs he was with.

1743
01:29:28,240 --> 01:29:30,120
Speaker 3: Not as much as Golden State. But I always was

1744
01:29:30,160 --> 01:29:32,840
Speaker 3: a Latrun's seedball fan. That's why I wore fifteen. I'm saying, like,

1745
01:29:33,000 --> 01:29:35,040
Speaker 3: this is different. I remember with La Treil's people fan.

1746
01:29:35,040 --> 01:29:36,799
Speaker 3: But I'm gonna tell you the entire star lineup.

1747
01:29:36,600 --> 01:29:38,120
Speaker 5: That he was with. But I was watching them play

1748
01:29:38,320 --> 01:29:40,360
Speaker 5: Gollary Fish and you you was in Golden State with it?

1749
01:29:40,439 --> 01:29:41,880
Speaker 5: You got me, you gonna go.

1750
01:29:42,439 --> 01:29:44,280
Speaker 3: I wore fifteen because of spre ball. He never won

1751
01:29:44,320 --> 01:29:47,200
Speaker 3: a championship in Golden State. It's a great player, Alan Iverson,

1752
01:29:47,520 --> 01:29:52,519
Speaker 3: great player. I wasn't Alan Iverson. Ai fantasis.

1753
01:29:52,600 --> 01:29:54,000
Speaker 5: You're not six You weren't a Sixers fan.

1754
01:29:54,080 --> 01:29:55,680
Speaker 3: I was a Sixers fan. So I was moving for

1755
01:29:55,760 --> 01:29:59,680
Speaker 3: the Sixes because here and then, when Lebron gets into

1756
01:29:59,720 --> 01:30:02,000
Speaker 3: the leagu then what it was Lebron?

1757
01:30:02,080 --> 01:30:03,880
Speaker 5: Then you're not rocking with the Sixes no more.

1758
01:30:04,479 --> 01:30:05,920
Speaker 3: He was off the he was out of the Sixes.

1759
01:30:05,960 --> 01:30:07,599
Speaker 3: I think it wasn't he came in two thousand and three.

1760
01:30:07,640 --> 01:30:09,400
Speaker 3: Bron came in two thousand and three. Well, y'all, I

1761
01:30:09,439 --> 01:30:11,479
Speaker 3: had just won a m v P when Lebron came in.

1762
01:30:12,479 --> 01:30:14,679
Speaker 3: My alliances Lebron.

1763
01:30:15,080 --> 01:30:17,160
Speaker 5: There's no loyalty, no loyalty.

1764
01:30:18,240 --> 01:30:19,559
Speaker 4: He still rock with his guy.

1765
01:30:19,600 --> 01:30:21,240
Speaker 5: I've been with Lebron for twenty years, y'all. I was

1766
01:30:21,240 --> 01:30:21,880
Speaker 5: still playing bro.

1767
01:30:22,160 --> 01:30:23,920
Speaker 4: But that don't mean you can't like somebody.

1768
01:30:24,280 --> 01:30:25,200
Speaker 9: Was it changes?

1769
01:30:25,320 --> 01:30:28,600
Speaker 4: No loyalty, No, I'm change. That's not saying because you

1770
01:30:28,800 --> 01:30:30,280
Speaker 4: like the Russell you can't like Simba.

1771
01:30:30,400 --> 01:30:31,240
Speaker 5: I like both of y'all.

1772
01:30:31,280 --> 01:30:32,439
Speaker 4: Okay, So there's no loyalty.

1773
01:30:32,720 --> 01:30:35,040
Speaker 5: No, it's not what you just said. This is the

1774
01:30:35,120 --> 01:30:38,000
Speaker 5: team sport. That's individual Nope, that's team sport.

1775
01:30:38,120 --> 01:30:40,360
Speaker 8: No, no, no no, Because if he tides to go

1776
01:30:40,439 --> 01:30:41,800
Speaker 8: at you, you're gonna go back at him, and it's

1777
01:30:41,840 --> 01:30:43,240
Speaker 8: gonna be an individual thing is if.

1778
01:30:43,200 --> 01:30:45,000
Speaker 4: The Lakers go with the Warriors, they're gonna go back

1779
01:30:45,040 --> 01:30:45,479
Speaker 4: at each other.

1780
01:30:46,080 --> 01:30:48,519
Speaker 9: Way swim for playing switch teams, Bro, most players don't

1781
01:30:48,760 --> 01:30:48,960
Speaker 9: the same.

1782
01:30:49,120 --> 01:30:50,800
Speaker 4: That's my brother. By the way, I'm just using that.

1783
01:30:51,080 --> 01:30:51,639
Speaker 5: It's loyalty.

1784
01:30:51,760 --> 01:30:56,479
Speaker 8: Right when I found out about the game of basketball

1785
01:30:57,200 --> 01:31:00,360
Speaker 8: the eighties, the Bulls is my team to day.

1786
01:31:00,560 --> 01:31:02,479
Speaker 5: I don't care the Bulls of my team. Yeah, but

1787
01:31:03,320 --> 01:31:05,120
Speaker 5: downs we ain't win since ninety I get it.

1788
01:31:05,280 --> 01:31:08,880
Speaker 4: So just because you're loyal to a Fox, don't mean

1789
01:31:08,960 --> 01:31:11,920
Speaker 4: there's no loyal I said, that's not loyal you just

1790
01:31:12,080 --> 01:31:15,160
Speaker 4: like my homie Kirk, he's a Dallas Cowboys fan. Every

1791
01:31:15,360 --> 01:31:19,400
Speaker 4: year they're going to the Super Bowl every year. Bro,

1792
01:31:19,520 --> 01:31:20,880
Speaker 4: you're just loyal to a fault.

1793
01:31:21,240 --> 01:31:24,320
Speaker 8: I'm realistic though my loyalty. I know, like this is

1794
01:31:24,320 --> 01:31:27,080
Speaker 8: not a championship team every Like when we got Derrick Rose,

1795
01:31:27,120 --> 01:31:29,880
Speaker 8: I'm like, I'm Lloyd got a chance to go to

1796
01:31:30,000 --> 01:31:31,120
Speaker 8: State Warriors.

1797
01:31:32,280 --> 01:31:38,200
Speaker 4: Because of Draymond Green, Klay Thompson, Steph Curry, Michael Petrice Baron, Davis,

1798
01:31:38,360 --> 01:31:43,800
Speaker 4: Matt Barnes, Stephen Jackson. What was my boy Jason Richardson what.

1799
01:31:44,360 --> 01:31:47,840
Speaker 4: I'm loyal to the Lakers because of Lebron James, Kobe Bryant,

1800
01:31:47,880 --> 01:31:49,760
Speaker 4: and Magic Johnson. Even though I was too young for

1801
01:31:49,880 --> 01:31:53,160
Speaker 4: Magic Johnson, I watched his highlights. Okay, I'm loyal to

1802
01:31:53,280 --> 01:31:56,040
Speaker 4: the Phoenix Suns only because of their fan base and

1803
01:31:56,120 --> 01:31:56,679
Speaker 4: Kevin Durant.

1804
01:31:58,400 --> 01:32:01,120
Speaker 5: See it, So before Kevin, you weren't walking with them.

1805
01:32:01,520 --> 01:32:06,559
Speaker 4: Not until Kevin Durant. Because I'm lord of Kevin Durant, Brooklyn.

1806
01:32:06,640 --> 01:32:10,840
Speaker 4: That's my guy wherever he goes, and I'm gonna be

1807
01:32:10,880 --> 01:32:11,240
Speaker 4: at the game.

1808
01:32:11,280 --> 01:32:13,560
Speaker 3: Speaking of basketball, got you. You made a comment that

1809
01:32:13,640 --> 01:32:16,719
Speaker 3: you recently recanted. You said you was educated, you received

1810
01:32:16,800 --> 01:32:18,880
Speaker 3: education on it with Michael Jordan.

1811
01:32:19,080 --> 01:32:22,880
Speaker 4: I was going to save this apology. I was gonna

1812
01:32:22,960 --> 01:32:30,439
Speaker 4: save this apology for Gilbert Arena show, for fuck it, Michael,

1813
01:32:32,000 --> 01:32:38,920
Speaker 4: Michael Jeffrey Jordans aka the Black Cat, ak a Black

1814
01:32:39,080 --> 01:32:45,400
Speaker 4: Jesus Jesus aka the number one shoot ever. I apologize.

1815
01:32:46,240 --> 01:32:52,000
Speaker 4: I apologize. You are the greatest basketball player of all time,

1816
01:32:52,640 --> 01:32:55,760
Speaker 4: of all time. If there's ever a goat, even though

1817
01:32:55,760 --> 01:32:58,400
Speaker 4: I said no one's the goat, We're all the goat.

1818
01:32:58,680 --> 01:33:03,000
Speaker 4: If there's ever a goat, it's because of you. I'm sorry.

1819
01:33:03,400 --> 01:33:07,120
Speaker 4: I apologize. You are the greatest of all time.

1820
01:33:08,240 --> 01:33:11,599
Speaker 5: Uh and as a life long Chicago fan, I stand

1821
01:33:11,640 --> 01:33:12,240
Speaker 5: by that statement.

1822
01:33:12,600 --> 01:33:16,000
Speaker 9: Michael is definitely eas a go. He's he's a goal

1823
01:33:16,080 --> 01:33:18,840
Speaker 9: for sure. Start with the A he had his moment.

1824
01:33:19,280 --> 01:33:20,200
Speaker 9: He's definitely a goal.

1825
01:33:20,240 --> 01:33:22,720
Speaker 5: He's a he said the and you're saying it's two

1826
01:33:22,720 --> 01:33:23,120
Speaker 5: different things.

1827
01:33:23,240 --> 01:33:26,920
Speaker 3: I got schooled. I got schooled when the education happened.

1828
01:33:26,960 --> 01:33:29,040
Speaker 3: Like what they were like, give you statistics, they were

1829
01:33:29,040 --> 01:33:31,280
Speaker 3: showing you game feel like, Bro, they do.

1830
01:33:32,800 --> 01:33:33,360
Speaker 5: Study with him.

1831
01:33:33,640 --> 01:33:35,519
Speaker 4: I'm gonna tell you who it was. I didn't even

1832
01:33:35,560 --> 01:33:38,760
Speaker 4: tell nobody who gave me the Listen, I'm gonna see

1833
01:33:38,760 --> 01:33:40,519
Speaker 4: it right here. It was Katie.

1834
01:33:40,960 --> 01:33:41,240
Speaker 9: Katie.

1835
01:33:41,360 --> 01:33:44,160
Speaker 5: Katie gave you a lesson, Bro, What better person?

1836
01:33:44,640 --> 01:33:48,400
Speaker 4: I went to k So let me that. I went

1837
01:33:48,439 --> 01:33:54,040
Speaker 4: to Kd's house after Game four right in Phoenix. Yes, Bro,

1838
01:33:55,720 --> 01:33:59,800
Speaker 4: he literally put me through Michael Jordan's school, literally like

1839
01:34:00,200 --> 01:34:03,800
Speaker 4: from the beginning, dog Like, Bro, how could you can't

1840
01:34:03,880 --> 01:34:06,639
Speaker 4: never say that again? You gotta understand they wouldn't even

1841
01:34:06,920 --> 01:34:10,559
Speaker 4: pick guards in the top five of players before Mike.

1842
01:34:10,680 --> 01:34:12,880
Speaker 4: It was a big man's league. People like Great Hill

1843
01:34:13,000 --> 01:34:14,960
Speaker 4: and all these people start gett drafted like.

1844
01:34:15,040 --> 01:34:15,599
Speaker 5: He's just going.

1845
01:34:15,800 --> 01:34:18,439
Speaker 4: There's no stopping pop, there's no fade away. You gotta

1846
01:34:18,479 --> 01:34:20,760
Speaker 4: understand I'm able to dribble the way I dribble across

1847
01:34:20,880 --> 01:34:22,920
Speaker 4: people over because Mike went to the front office to

1848
01:34:22,960 --> 01:34:26,439
Speaker 4: sit people can't keep playing this aggressive that he was

1849
01:34:26,560 --> 01:34:31,439
Speaker 4: just on me, And I'm like, damn, I didn't know

1850
01:34:31,560 --> 01:34:34,600
Speaker 4: all of that. And the part that got me was

1851
01:34:34,680 --> 01:34:39,000
Speaker 4: when he told me he won MVP Defensive Player of

1852
01:34:39,080 --> 01:34:43,720
Speaker 4: the Year, Yes, and All Team NB eight in the

1853
01:34:44,000 --> 01:34:45,080
Speaker 4: same season.

1854
01:34:45,160 --> 01:34:46,360
Speaker 5: I believe the year was eighty eight.

1855
01:34:46,920 --> 01:34:51,000
Speaker 4: I said, dog, I am foul. I am foul, and

1856
01:34:51,120 --> 01:34:54,679
Speaker 4: I apologized, but I did not understand it. I felt

1857
01:34:54,760 --> 01:34:59,000
Speaker 4: like Mike was first because he was like doing things first.

1858
01:34:59,479 --> 01:35:01,280
Speaker 4: It made him look a lot better than he was.

1859
01:35:01,720 --> 01:35:04,960
Speaker 4: But when Kevin broke it down and showed me the

1860
01:35:05,120 --> 01:35:09,400
Speaker 4: stats and showed me everything he created, the way people

1861
01:35:09,520 --> 01:35:13,960
Speaker 4: finish around the basket, the way Kyrie finished, just certain things,

1862
01:35:14,040 --> 01:35:19,800
Speaker 4: the crossover Kobe had just Jimmy Butler's crossed, so like

1863
01:35:20,280 --> 01:35:23,519
Speaker 4: he just broke it down. Yeah, he broke it down.

1864
01:35:23,680 --> 01:35:26,439
Speaker 8: Ray Allen just had a similar argument. He broke it Jordan,

1865
01:35:27,160 --> 01:35:29,479
Speaker 8: I mean, you take the you're just gonna stick with

1866
01:35:29,560 --> 01:35:34,439
Speaker 8: the A I'm loyal. I mean, he broke it down

1867
01:35:34,560 --> 01:35:37,080
Speaker 8: so cold up something. But like I said, Michael, he's

1868
01:35:38,120 --> 01:35:39,840
Speaker 8: he's definitely, he's an icon.

1869
01:35:40,080 --> 01:35:43,800
Speaker 4: He showed me some game where like like Mike was

1870
01:35:43,880 --> 01:35:45,840
Speaker 4: just having a bad game where it was looking like

1871
01:35:45,920 --> 01:35:48,960
Speaker 4: he didn't even want to play, and then some dude

1872
01:35:49,040 --> 01:35:50,640
Speaker 4: said something in the fourth quarter like.

1873
01:35:50,720 --> 01:35:51,479
Speaker 9: I was just watching that.

1874
01:35:51,680 --> 01:35:53,960
Speaker 4: Yeah, it was like you off the night Champ or something,

1875
01:35:54,160 --> 01:35:56,160
Speaker 4: and he just came out and dropped twenty three and

1876
01:35:56,240 --> 01:35:56,840
Speaker 4: won the game.

1877
01:35:56,920 --> 01:35:58,760
Speaker 9: We just watching that actually today, Big, I was just

1878
01:35:58,800 --> 01:35:59,120
Speaker 9: watching it.

1879
01:35:59,240 --> 01:36:01,720
Speaker 4: K He showed me that that, Bro. I was yeah,

1880
01:36:02,800 --> 01:36:04,599
Speaker 4: I'm sorry, Mike, I'm sorry.

1881
01:36:05,040 --> 01:36:08,439
Speaker 3: Before we leave, we got to talk about this artificial intelligence. Yeah,

1882
01:36:08,680 --> 01:36:12,200
Speaker 3: this is something that is very controversial. Timberland.

1883
01:36:12,240 --> 01:36:14,920
Speaker 4: You heard his talk with Big, Yeah, like it it

1884
01:36:15,040 --> 01:36:15,439
Speaker 4: was okay.

1885
01:36:15,840 --> 01:36:18,840
Speaker 3: Yeah, I thought it was okay too. Drake songs hard hard,

1886
01:36:19,760 --> 01:36:21,920
Speaker 3: so hard. So a lot of peoples going back and

1887
01:36:22,000 --> 01:36:23,679
Speaker 3: forth with this. Some people like it, some people don't

1888
01:36:23,760 --> 01:36:25,400
Speaker 3: like it. What's your thoughts on this?

1889
01:36:25,720 --> 01:36:26,160
Speaker 5: I like it.

1890
01:36:28,640 --> 01:36:30,879
Speaker 4: Like I said earlier, Bro, I'm a fan of innovation,

1891
01:36:32,120 --> 01:36:35,880
Speaker 4: so I understand that it's you know, hasn't been regulated yet,

1892
01:36:35,960 --> 01:36:38,920
Speaker 4: even though I'm reading things about it becoming that. I

1893
01:36:39,000 --> 01:36:42,280
Speaker 4: see Universal just did a deal with an AI company.

1894
01:36:42,840 --> 01:36:44,679
Speaker 4: I think Warner is getting ready to do some things

1895
01:36:44,760 --> 01:36:47,479
Speaker 4: with an AI company, and pretty sure Sony is too.

1896
01:36:49,080 --> 01:36:53,240
Speaker 4: But I think it's great. I think people are scared

1897
01:36:53,280 --> 01:36:56,760
Speaker 4: of it because I think it replaces us in a

1898
01:36:56,840 --> 01:36:59,760
Speaker 4: lot of ways. But at the same time, it helps

1899
01:36:59,840 --> 01:37:01,800
Speaker 4: us in a lot of ways. And it's nothing like

1900
01:37:02,120 --> 01:37:05,080
Speaker 4: one thing about humans, bro, It's nothing like human and

1901
01:37:05,200 --> 01:37:08,840
Speaker 4: human interaction, you know what I mean. So no matter

1902
01:37:08,920 --> 01:37:12,760
Speaker 4: how much the AI can duplicate our emotions and all

1903
01:37:12,840 --> 01:37:16,400
Speaker 4: these different things, it ain't lived our life and they

1904
01:37:16,439 --> 01:37:19,080
Speaker 4: can't tell our story like we can, you know what

1905
01:37:19,160 --> 01:37:21,599
Speaker 4: I mean. So it might be able to say things

1906
01:37:21,640 --> 01:37:24,000
Speaker 4: we've been a part of a lot faster, a lot

1907
01:37:24,120 --> 01:37:27,200
Speaker 4: more efficient. But let's use it as a tool. Let's

1908
01:37:27,280 --> 01:37:29,280
Speaker 4: use it as a tool to make us more faster

1909
01:37:29,400 --> 01:37:32,160
Speaker 4: and efficient rather than looking at it, looking at it

1910
01:37:32,240 --> 01:37:35,240
Speaker 4: as something that's gonna take our jobs or whatever it

1911
01:37:35,320 --> 01:37:37,920
Speaker 4: may be. But I think it's dope, bro. I can't

1912
01:37:37,960 --> 01:37:41,160
Speaker 4: wait to hear the joint Biggie and Tupac mixtape like

1913
01:37:41,560 --> 01:37:45,840
Speaker 4: I can't wait to hear Kendrick and Drake album.

1914
01:37:45,920 --> 01:37:46,760
Speaker 9: Would you do a song with?

1915
01:37:47,000 --> 01:37:47,040
Speaker 8: Like?

1916
01:37:47,040 --> 01:37:48,879
Speaker 9: Would you do a song with Tupac on the aio?

1917
01:37:49,439 --> 01:37:51,080
Speaker 4: I got a jay Z feature at the crib?

1918
01:37:51,320 --> 01:37:51,559
Speaker 5: Do you.

1919
01:37:54,760 --> 01:37:55,479
Speaker 4: Me and pop got?

1920
01:37:55,560 --> 01:38:04,160
Speaker 3: That's what I'm talking about one way or another?

1921
01:38:04,439 --> 01:38:04,639
Speaker 4: Yeah?

1922
01:38:05,040 --> 01:38:05,200
Speaker 9: Is that?

1923
01:38:05,479 --> 01:38:05,519
Speaker 4: Like?

1924
01:38:05,880 --> 01:38:06,840
Speaker 5: And I know you love Jay?

1925
01:38:06,920 --> 01:38:09,240
Speaker 4: We have a mutual Yeah, it's my favorite ever? Bro?

1926
01:38:09,600 --> 01:38:12,640
Speaker 5: Is that is that the dream you like? We have

1927
01:38:12,720 --> 01:38:13,479
Speaker 5: to do in real life?

1928
01:38:13,760 --> 01:38:16,800
Speaker 4: Drake Future and Drake I mean J Future and Drake

1929
01:38:16,920 --> 01:38:21,200
Speaker 4: those are my three and j Cole Kendrick would be

1930
01:38:21,280 --> 01:38:21,679
Speaker 4: my fifth.

1931
01:38:21,800 --> 01:38:24,080
Speaker 9: I told you you remember the conversation I had with

1932
01:38:24,160 --> 01:38:25,439
Speaker 9: you about that song.

1933
01:38:26,400 --> 01:38:29,000
Speaker 4: Yeah, those are like my favor My number one would

1934
01:38:29,000 --> 01:38:32,080
Speaker 4: be Whole for sure, because, like I always say, he

1935
01:38:32,200 --> 01:38:32,799
Speaker 4: the reason.

1936
01:38:32,640 --> 01:38:36,000
Speaker 5: I rap, like like whole he tapped in.

1937
01:38:37,560 --> 01:38:41,920
Speaker 4: No but uh, Lenny's my guy. Earl is my guy?

1938
01:38:43,960 --> 01:38:44,360
Speaker 4: Who else?

1939
01:38:44,400 --> 01:38:44,519
Speaker 5: Are?

1940
01:38:44,840 --> 01:38:51,080
Speaker 4: Guru? Shows me a lot of support, a lot of

1941
01:38:51,160 --> 01:38:55,639
Speaker 4: a lot of But I haven't physically talked to him

1942
01:38:55,760 --> 01:38:59,080
Speaker 4: or met him in person, but he's literally the reason

1943
01:38:59,200 --> 01:39:02,080
Speaker 4: I rap, bro Like he was the one that made

1944
01:39:02,120 --> 01:39:06,320
Speaker 4: me be like, oh okay, I ain't gotta just you know,

1945
01:39:06,800 --> 01:39:11,160
Speaker 4: rap about shooting them upucker, you know what I mean?

1946
01:39:11,360 --> 01:39:14,920
Speaker 4: Selling drugs and all this, even though Hove talked about it,

1947
01:39:15,520 --> 01:39:18,360
Speaker 4: he talked about the thugs that come with it. Hopefully

1948
01:39:18,360 --> 01:39:19,840
Speaker 4: you don't have to go through that. He wasn't just

1949
01:39:19,960 --> 01:39:22,559
Speaker 4: like I'm on the corner selling drugs. Just the greatest

1950
01:39:22,600 --> 01:39:24,760
Speaker 4: life ever, you know what I'm saying. Like he was

1951
01:39:24,840 --> 01:39:27,280
Speaker 4: really telling you, like nigga, change is cool to cop

1952
01:39:27,439 --> 01:39:30,680
Speaker 4: the most important, you know what I'm saying, front, the

1953
01:39:30,800 --> 01:39:33,679
Speaker 4: place where it's the shakiest. But he said, niggas don't

1954
01:39:33,680 --> 01:39:37,000
Speaker 4: come around along because they eighthyst pray to God so

1955
01:39:37,160 --> 01:39:40,479
Speaker 4: long that the eighthyist front the other side where other

1956
01:39:40,560 --> 01:39:42,880
Speaker 4: guys don't talk too much, and the dudes ran up.

1957
01:39:42,960 --> 01:39:44,680
Speaker 4: Let's say, the girls ran down the tomp and so

1958
01:39:44,840 --> 01:39:46,760
Speaker 4: them dudes to trust. I don't know what the fuck

1959
01:39:46,800 --> 01:39:49,160
Speaker 4: they thought. Niggas just like us. I'm from where the

1960
01:39:49,240 --> 01:39:54,680
Speaker 4: beef is inevitable, half price for the new. You know

1961
01:39:54,720 --> 01:39:59,960
Speaker 4: what I'm saying. That ship, that ship, if you ain't living,

1962
01:40:01,200 --> 01:40:03,880
Speaker 4: that ship made me be like, damn, I could rap

1963
01:40:03,960 --> 01:40:06,640
Speaker 4: about what's going on around me. I ain't necessarily got

1964
01:40:06,760 --> 01:40:10,320
Speaker 4: to be like doing it, you know. And that's really

1965
01:40:10,360 --> 01:40:12,720
Speaker 4: where I got my staff from. How many classics as

1966
01:40:12,760 --> 01:40:16,720
Speaker 4: you have I think the only jay Z album that's

1967
01:40:16,840 --> 01:40:24,599
Speaker 4: not a classic is Kingdom Come in Blueprint three.

1968
01:40:26,439 --> 01:40:29,000
Speaker 9: Okay, everyone else is a classic.

1969
01:40:29,120 --> 01:40:34,200
Speaker 4: And I could be biased, obviously I could be. But

1970
01:40:34,439 --> 01:40:39,000
Speaker 4: to me, they're all classics because they're all revelations of

1971
01:40:39,080 --> 01:40:41,960
Speaker 4: where he was at life in life at that moment,

1972
01:40:42,840 --> 01:40:45,240
Speaker 4: and they are great bodies of work, and they're all

1973
01:40:45,400 --> 01:40:47,120
Speaker 4: things we could go back to. Like I could go

1974
01:40:47,200 --> 01:40:49,840
Speaker 4: to Magna Carter right now and learn some ship. I

1975
01:40:49,880 --> 01:40:52,120
Speaker 4: can go to four four four right now, and it's

1976
01:40:52,160 --> 01:40:54,080
Speaker 4: some ship. I was just going through with my being,

1977
01:40:54,760 --> 01:40:56,960
Speaker 4: you know what I'm saying, And I was telling her like,

1978
01:40:57,080 --> 01:40:59,479
Speaker 4: it's the same ship. I could go to Blueprint one,

1979
01:40:59,720 --> 01:41:03,519
Speaker 4: Blue blue Print to Blueprint two point five Black album,

1980
01:41:04,080 --> 01:41:08,400
Speaker 4: uh one, Get Value one, Like it's They're all classics

1981
01:41:08,560 --> 01:41:09,320
Speaker 4: in their own way.

1982
01:41:09,560 --> 01:41:10,840
Speaker 9: So shout out the whole.

1983
01:41:11,000 --> 01:41:14,840
Speaker 4: Yeah, that's the goat of all times.

1984
01:41:14,960 --> 01:41:15,760
Speaker 9: Shout out the whole.

1985
01:41:15,920 --> 01:41:20,960
Speaker 4: The goat for sure, we said the goat you can

1986
01:41:21,040 --> 01:41:24,439
Speaker 4: call the hold is definitely the Michael Jordan's right.

1987
01:41:24,560 --> 01:41:24,920
Speaker 9: They stay.

1988
01:41:25,000 --> 01:41:27,960
Speaker 3: Like I said, it's loyalty. Speaking of loyalty, So this

1989
01:41:28,080 --> 01:41:30,000
Speaker 3: is the last story I'll talk about hip hop. I'm

1990
01:41:30,040 --> 01:41:32,559
Speaker 3: so loyal. That's why I'm surprised you say I'm not loyal.

1991
01:41:32,600 --> 01:41:36,880
Speaker 3: I'm probably the most loyal person ever. NOAs my son's

1992
01:41:36,960 --> 01:41:40,200
Speaker 3: name is not said so obviously like Nas, that's my

1993
01:41:40,400 --> 01:41:44,120
Speaker 3: favorite ever. So it was tough times for for for

1994
01:41:44,360 --> 01:41:46,920
Speaker 3: Nas when takeover came out, right, he was a big

1995
01:41:47,080 --> 01:41:48,120
Speaker 3: nos and huge nos.

1996
01:41:48,880 --> 01:41:50,400
Speaker 9: Still a takeover came.

1997
01:41:50,479 --> 01:41:51,720
Speaker 3: He called me this call me on my on my

1998
01:41:52,040 --> 01:41:59,040
Speaker 3: mother's house phone, right like, yo, yo, your man is done.

1999
01:42:00,040 --> 01:42:02,800
Speaker 5: Oh don't tell the story like what you're talking. Tell

2000
01:42:02,800 --> 01:42:03,360
Speaker 5: the story like that.

2001
01:42:03,520 --> 01:42:05,560
Speaker 9: Yo. You heard you heard the takeover joint. I'm like

2002
01:42:05,600 --> 01:42:06,519
Speaker 9: what you're talking about right now?

2003
01:42:06,560 --> 01:42:06,680
Speaker 5: Bro?

2004
01:42:06,960 --> 01:42:09,519
Speaker 3: He played me take over over the phone. I listened

2005
01:42:09,560 --> 01:42:12,400
Speaker 3: to it. That's how loyal I am. I said, yes,

2006
01:42:12,479 --> 01:42:12,920
Speaker 3: it is wack.

2007
01:42:13,439 --> 01:42:15,760
Speaker 5: That part of that part of the story is true.

2008
01:42:16,479 --> 01:42:17,960
Speaker 5: That part, I promise you.

2009
01:42:18,439 --> 01:42:20,960
Speaker 4: I promise you that part of the story is true

2010
01:42:21,080 --> 01:42:23,000
Speaker 4: because I could not.

2011
01:42:23,840 --> 01:42:24,280
Speaker 5: You can't.

2012
01:42:24,439 --> 01:42:24,920
Speaker 9: I could not.

2013
01:42:25,200 --> 01:42:25,599
Speaker 5: That's true.

2014
01:42:28,600 --> 01:42:29,960
Speaker 4: Takeover was better than ether.

2015
01:42:30,479 --> 01:42:33,880
Speaker 5: No, No, we're not gonna do that. But that part

2016
01:42:33,880 --> 01:42:35,439
Speaker 5: of the story was true. The other part was not.

2017
01:42:35,479 --> 01:42:37,360
Speaker 8: I didn't say your man. Dad said, Yo, you said

2018
01:42:37,360 --> 01:42:39,639
Speaker 8: it's got a problem over. I didn't say it's over.

2019
01:42:39,760 --> 01:42:43,400
Speaker 5: I said, got a problem and then that problem not

2020
01:42:43,640 --> 01:42:45,040
Speaker 5: before Ether because then he drank over.

2021
01:42:45,040 --> 01:42:47,400
Speaker 4: It was better than either a lot of people say

2022
01:42:47,479 --> 01:42:52,519
Speaker 4: that it was that's a song. You're saying everything induction lyrics.

2023
01:42:52,840 --> 01:42:55,240
Speaker 4: Ether just have more shock value.

2024
01:42:55,560 --> 01:42:57,800
Speaker 3: You gotta look at it like this from me when

2025
01:42:57,880 --> 01:43:01,040
Speaker 3: Ether came out, the impact that it had on New

2026
01:43:01,120 --> 01:43:03,120
Speaker 3: York City, I don't know about everyone else in the

2027
01:43:03,200 --> 01:43:05,080
Speaker 3: world was Oh, no impact that it had.

2028
01:43:05,240 --> 01:43:07,160
Speaker 4: It felt like they felt like that in the world.

2029
01:43:07,320 --> 01:43:07,840
Speaker 9: Yeah, it was.

2030
01:43:08,439 --> 01:43:10,800
Speaker 4: I went to school to take and it was just

2031
01:43:10,960 --> 01:43:14,440
Speaker 4: like it was mazing.

2032
01:43:14,760 --> 01:43:16,200
Speaker 8: We have to get to the radio to see, like

2033
01:43:16,240 --> 01:43:18,160
Speaker 8: remember and he had the whole thing with the whole

2034
01:43:18,200 --> 01:43:19,040
Speaker 8: It was a moment.

2035
01:43:19,240 --> 01:43:21,599
Speaker 4: It was it was that was a crazy moment as

2036
01:43:21,680 --> 01:43:24,479
Speaker 4: a kid, like and I'm as a whole fan, I'm like,

2037
01:43:25,720 --> 01:43:28,719
Speaker 4: what you go? And then he just came was super

2038
01:43:28,880 --> 01:43:29,280
Speaker 4: ugly en.

2039
01:43:29,320 --> 01:43:35,360
Speaker 5: I was like, yeah, they apologize and it was like, oh, you.

2040
01:43:35,439 --> 01:43:38,240
Speaker 4: Know, Takeover is better than either.

2041
01:43:39,000 --> 01:43:42,120
Speaker 3: So we asked ice Cube his top five I don't

2042
01:43:42,120 --> 01:43:43,600
Speaker 3: know if you saw that that's been trending online. We

2043
01:43:43,640 --> 01:43:45,519
Speaker 3: asked in his top five battles on the Wall top

2044
01:43:45,880 --> 01:43:47,759
Speaker 3: he didn't even have take Up, take Out, Takeover.

2045
01:43:47,800 --> 01:43:50,719
Speaker 5: It wasn't in the top he had no Vaciline Ether

2046
01:43:51,040 --> 01:43:52,080
Speaker 5: undeniably number one.

2047
01:43:52,280 --> 01:43:55,600
Speaker 4: He had because Cuba is a West Coast nigga and

2048
01:43:55,840 --> 01:44:00,400
Speaker 4: just Ether so aggressive, like he just you know, que

2049
01:44:00,439 --> 01:44:03,800
Speaker 4: West Coast of the court. West Coast music is rooted

2050
01:44:03,840 --> 01:44:04,400
Speaker 4: in aggression.

2051
01:44:04,560 --> 01:44:07,280
Speaker 3: I didn't realize how I'm not from that era, so

2052
01:44:07,320 --> 01:44:09,000
Speaker 3: I never really grew up on n w Ain't nothing

2053
01:44:09,040 --> 01:44:11,240
Speaker 3: like that. But I had to go back and listen

2054
01:44:11,280 --> 01:44:16,120
Speaker 3: to no vassel and Crazy. It's hard no Vasselines, who

2055
01:44:16,320 --> 01:44:18,599
Speaker 3: is one of the greats Bro? Now that's like, that's

2056
01:44:18,680 --> 01:44:22,080
Speaker 3: a hard one of the goats bro. Like he's cold.

2057
01:44:22,240 --> 01:44:25,920
Speaker 3: Like we were talking about the other day, like who's

2058
01:44:25,920 --> 01:44:27,840
Speaker 3: the Barrelyris this Cube or Scarface?

2059
01:44:28,600 --> 01:44:29,080
Speaker 5: That's tough.

2060
01:44:30,160 --> 01:44:31,280
Speaker 9: Face Face is tough though.

2061
01:44:31,400 --> 01:44:33,439
Speaker 5: Face has one of my favorite albums all time to Fix,

2062
01:44:33,920 --> 01:44:35,400
Speaker 5: like Fixed.

2063
01:44:35,160 --> 01:44:38,759
Speaker 4: Fix because if you think about it, they like represent

2064
01:44:39,080 --> 01:44:43,599
Speaker 4: the same, you know what I mean? They represent the same.

2065
01:44:43,840 --> 01:44:44,439
Speaker 5: That's a tough one.

2066
01:44:45,040 --> 01:44:46,640
Speaker 9: It's like d m X. He kind of like that

2067
01:44:46,720 --> 01:44:47,519
Speaker 9: type of person too.

2068
01:44:48,560 --> 01:44:51,800
Speaker 4: X was man. That was my favorite, like for a

2069
01:44:51,920 --> 01:44:53,080
Speaker 4: long time when I was.

2070
01:44:53,080 --> 01:44:59,560
Speaker 8: A kid like X in your in your uh creative laboratory,

2071
01:45:00,080 --> 01:45:01,800
Speaker 8: you had the New York Mount Rushmore.

2072
01:45:01,800 --> 01:45:02,320
Speaker 5: Who wasn't.

2073
01:45:03,280 --> 01:45:07,880
Speaker 4: I'm not gonna tell you new show coming soon soon

2074
01:45:07,960 --> 01:45:10,920
Speaker 4: you it will be revealed, y'all. I appreciate you, brother.

2075
01:45:11,080 --> 01:45:11,280
Speaker 7: Man.

2076
01:45:12,520 --> 01:45:14,320
Speaker 9: What do you want the people to be aware of?

2077
01:45:14,479 --> 01:45:14,600
Speaker 5: You know?

2078
01:45:14,680 --> 01:45:17,040
Speaker 3: You say you got the new project dropping? Yeah, what's

2079
01:45:17,080 --> 01:45:18,439
Speaker 3: the what's the end for everything?

2080
01:45:18,960 --> 01:45:21,639
Speaker 4: Man? New project on the way, don't call me now

2081
01:45:21,880 --> 01:45:24,280
Speaker 4: coming soon. We got a date coming for you soon.

2082
01:45:24,880 --> 01:45:28,280
Speaker 4: Most importantly, man, y'all stay aware of self stair where

2083
01:45:28,320 --> 01:45:32,120
Speaker 4: a positive energy stallware. These brothers stay where Everybody in

2084
01:45:32,160 --> 01:45:34,719
Speaker 4: the culture, man, that's doing their part to keep us moving,

2085
01:45:35,200 --> 01:45:40,120
Speaker 4: keep us moving forward, creating black businesses, taking people off

2086
01:45:40,200 --> 01:45:43,800
Speaker 4: the streets and putting them in meetings. Let's be aware

2087
01:45:43,800 --> 01:45:46,960
Speaker 4: of that man. Till then let's keep doing we doing.

2088
01:45:47,720 --> 01:45:51,280
Speaker 3: Appreciate you man, Like I said, I really appreciate the music.

2089
01:45:51,800 --> 01:45:54,599
Speaker 3: I'm a fan, so I'm watching rooting for you man,

2090
01:45:54,720 --> 01:45:56,599
Speaker 3: So you know, keep going man.

2091
01:45:56,560 --> 01:45:59,320
Speaker 4: Same here, bro, I appreciate your platform. I'm coming to

2092
01:45:59,439 --> 01:46:02,280
Speaker 4: investment it is you.

2093
01:46:03,800 --> 01:46:08,360
Speaker 3: Heard it first spit yes, Ai God, thanks for rocking

2094
01:46:08,400 --> 01:46:09,519
Speaker 3: what us. We'll see you next week.

2095
01:46:09,680 --> 01:46:10,280
Speaker 9: Pete please.

2096
01:46:10,600 --> 01:46:14,200
Speaker 1: An illegal alien from Guatemala charged with raping a child

2097
01:46:14,280 --> 01:46:18,040
Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador

2098
01:46:18,320 --> 01:46:22,400
Speaker 1: accused of murdering a Texas man of Venezuelan charged with

2099
01:46:22,520 --> 01:46:26,360
Speaker 1: filming and selling child pornography in Michigan. These are just

2100
01:46:26,520 --> 01:46:30,240
Speaker 1: some of the heinous migrant criminals caught because of President

2101
01:46:30,320 --> 01:46:33,840
Speaker 1: Donald J. Trump's leadership. I'm Christy Noman, the United States

2102
01:46:33,920 --> 01:46:38,679
Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border

2103
01:46:38,720 --> 01:46:42,240
Speaker 1: crossings are at the lowest levels ever recorded, and over

2104
01:46:42,360 --> 01:46:45,519
Speaker 1: one hundred thousand illegal aliens have been arrested. If you

2105
01:46:45,640 --> 01:46:49,439
Speaker 1: are here illegally, your next you will be fine nearly

2106
01:46:49,560 --> 01:46:53,519
Speaker 1: one thousand dollars a day, imprisoned, and deported. You will

2107
01:46:53,640 --> 01:46:57,240
Speaker 1: never return. But if you register using our CBP home

2108
01:46:57,320 --> 01:47:00,679
Speaker 1: app and leave now, you could be allowed to reach legally.

2109
01:47:01,080 --> 01:47:05,719
Speaker 1: Do what's right. Leave now. Under President Trump, America's laws,

2110
01:47:06,000 --> 01:47:07,880
Speaker 1: border and families.

2111
01:47:07,600 --> 01:47:10,000
Speaker 2: Will be protected. Sponsored by the United States Department of

2112
01:47:10,000 --> 01:47:10,599
Speaker 2: Homeland Security,