1 00:00:01,639 --> 00:00:02,480 Speaker 1: No worry. 2 00:00:02,880 --> 00:00:10,039 Speaker 2: Now, it's funny to listen to Conway with the poodles 3 00:00:10,039 --> 00:00:10,880 Speaker 2: next to you. 4 00:00:10,880 --> 00:00:14,920 Speaker 3: You know what I'm saying, balance, keep the energy right. 5 00:00:17,320 --> 00:00:21,040 Speaker 3: Shout out to Conway, the machine God, don't make mistakes 6 00:00:21,360 --> 00:00:28,080 Speaker 3: available on DSPs now, congrats on the release. Can for 7 00:00:28,120 --> 00:00:29,840 Speaker 3: sure macky, Now. 8 00:00:32,560 --> 00:00:33,120 Speaker 2: What does that mean? 9 00:00:33,159 --> 00:00:38,560 Speaker 3: That means the machine and Spano and that's Spano. 10 00:00:38,720 --> 00:00:39,479 Speaker 4: You get me to it. 11 00:00:39,880 --> 00:00:46,280 Speaker 3: Okay, I'm saying nothing like a poodle with a cash 12 00:00:46,320 --> 00:00:48,040 Speaker 3: net sweater and listening to Conway. 13 00:00:48,080 --> 00:00:49,839 Speaker 2: Letting you know you gotta got it on you all 14 00:00:49,840 --> 00:00:51,400 Speaker 2: the time. I got names with me all the time, 15 00:00:51,440 --> 00:00:57,400 Speaker 2: all the time. No sounds great? 16 00:00:58,400 --> 00:01:04,120 Speaker 3: Yeah, man. I expressed my my mixing concerns with the 17 00:01:04,240 --> 00:01:06,600 Speaker 3: Chad over the week and though I was like, yo, bro, 18 00:01:06,640 --> 00:01:09,520 Speaker 3: who mixed this? So we need to be able to 19 00:01:09,560 --> 00:01:11,640 Speaker 3: hit the machine. They got to turn the machine vocals up? 20 00:01:11,640 --> 00:01:15,880 Speaker 2: Man, what it is? And I was talking to an 21 00:01:15,880 --> 00:01:17,920 Speaker 2: engineer that will remain nameless. 22 00:01:19,319 --> 00:01:20,360 Speaker 3: Okay, Gurule said, what. 23 00:01:21,920 --> 00:01:25,119 Speaker 2: Happy birthday, Goo, Happy birthday Guru. A lot of times, 24 00:01:25,160 --> 00:01:27,720 Speaker 2: so many rappers cut on two tracks, which is, you know, 25 00:01:27,760 --> 00:01:29,760 Speaker 2: just pulling up the beat without the actual beat stems. 26 00:01:30,120 --> 00:01:32,440 Speaker 2: So sometimes it don't even be the mixer. Like, the 27 00:01:32,480 --> 00:01:34,559 Speaker 2: mixer doesn't have much to work with, so you can't 28 00:01:34,560 --> 00:01:37,160 Speaker 2: even always blame it on them anyone that's trying to 29 00:01:37,200 --> 00:01:38,920 Speaker 2: mix the master because they don't have the beat stems. 30 00:01:39,120 --> 00:01:40,440 Speaker 2: They just got a two track and they got to 31 00:01:40,440 --> 00:01:43,160 Speaker 2: work with what they got with the vocals, so it 32 00:01:43,200 --> 00:01:44,920 Speaker 2: can get difficult in that regard. 33 00:01:45,040 --> 00:01:46,640 Speaker 3: I'm not sure if that was the case here, but 34 00:01:46,920 --> 00:01:47,480 Speaker 3: that makes sense. 35 00:01:47,560 --> 00:01:49,880 Speaker 2: Yeah, well, what did Chad say, snitch? 36 00:01:49,920 --> 00:01:52,560 Speaker 3: Then don't even say anything. He just said, you know, 37 00:01:53,400 --> 00:01:57,200 Speaker 3: it wasn't the usual the guy that mixed it wasn't 38 00:01:57,200 --> 00:02:01,440 Speaker 3: the guy that they normally use, so I think was 39 00:02:01,440 --> 00:02:04,040 Speaker 3: a little off, but it was nonetheless, I mean, real, 40 00:02:04,160 --> 00:02:06,720 Speaker 3: really good album. I think Conway, I said it before 41 00:02:06,760 --> 00:02:08,320 Speaker 3: I say it again, I think he's the best wrap 42 00:02:08,360 --> 00:02:12,280 Speaker 3: out right now. You know, he put out a really 43 00:02:12,280 --> 00:02:14,480 Speaker 3: dope album. Yeah, features that I never would have to 44 00:02:14,560 --> 00:02:15,480 Speaker 3: Jill Scott. 45 00:02:15,520 --> 00:02:18,239 Speaker 2: Rapping Conway and Jill. Jill might be the best rapper 46 00:02:18,280 --> 00:02:20,120 Speaker 2: out right now. Like I was like, oh, that threw 47 00:02:20,200 --> 00:02:23,640 Speaker 2: me off, but like and Jill getting them them freaking. 48 00:02:23,240 --> 00:02:25,400 Speaker 3: Start talk and she was Jill was talking. She was 49 00:02:25,480 --> 00:02:26,760 Speaker 3: getting her Miss Scott bad. 50 00:02:26,880 --> 00:02:29,160 Speaker 2: She was she was backing up all that. Uh yeah, 51 00:02:29,280 --> 00:02:31,760 Speaker 2: that Mike game, that video they went, they went viral. 52 00:02:31,680 --> 00:02:33,520 Speaker 3: Wake Me Up to Eat Pussy All was like, oh 53 00:02:33,560 --> 00:02:36,160 Speaker 3: ship Jill, Yeah that's how you okay. 54 00:02:35,919 --> 00:02:37,240 Speaker 2: This saint thing? Why did I get married? 55 00:02:37,320 --> 00:02:37,440 Speaker 1: No? 56 00:02:37,440 --> 00:02:39,400 Speaker 3: No, no, no, no, definitely not just Jilly from Philly. 57 00:02:39,880 --> 00:02:42,400 Speaker 3: Definitely Jilly from Philly for sure, for sure. 58 00:02:42,440 --> 00:02:44,120 Speaker 2: But it was dope to air rap. I do want 59 00:02:44,120 --> 00:02:46,120 Speaker 2: to know how that that came together. We should ask 60 00:02:46,160 --> 00:02:46,560 Speaker 2: Conway that. 61 00:02:47,160 --> 00:02:51,280 Speaker 3: Yeah, we will favorite track on the album for me, 62 00:02:53,600 --> 00:02:54,760 Speaker 3: I love the stressed joint. 63 00:02:55,080 --> 00:02:56,200 Speaker 2: Stresses is my favorite. 64 00:02:56,280 --> 00:02:58,839 Speaker 3: Yeah, I love Stressed so much More? Is really dope 65 00:02:58,880 --> 00:03:04,519 Speaker 3: to so much More? Or lock and Load the first track? Yeah, uh, 66 00:03:04,880 --> 00:03:08,799 Speaker 3: tear gas obviously with Wayne and Ross's. Like I said, Wayne, 67 00:03:08,840 --> 00:03:10,560 Speaker 3: Wayne went to a whole another level on that. 68 00:03:10,600 --> 00:03:13,040 Speaker 2: Verse, I'm a little disappointed in you, to be quite honest. 69 00:03:13,360 --> 00:03:14,720 Speaker 3: Well, I wasn't on the album. 70 00:03:15,000 --> 00:03:17,200 Speaker 2: There is a podcaster on the album, and he does 71 00:03:17,600 --> 00:03:20,000 Speaker 2: show out and he does sound really good. Shout out 72 00:03:20,040 --> 00:03:21,960 Speaker 2: to Wallow. Wallow is on at the end of my 73 00:03:22,000 --> 00:03:24,800 Speaker 2: favorite record. Yeah, And I was like, that's crazy because 74 00:03:25,080 --> 00:03:28,760 Speaker 2: Maul might be the closest podcaster to Conway. Meanwhile, Maul 75 00:03:28,840 --> 00:03:30,720 Speaker 2: is not on this album. You could be inspirational. Come on, 76 00:03:30,760 --> 00:03:32,080 Speaker 2: give me your inspirational. 77 00:03:31,600 --> 00:03:35,120 Speaker 3: Speech, my inspirational speech. Okay, you got to get up 78 00:03:35,120 --> 00:03:37,120 Speaker 3: in the morning, no matter what nobody says, because rent 79 00:03:37,160 --> 00:03:37,600 Speaker 3: is due. 80 00:03:38,120 --> 00:03:42,320 Speaker 2: Oh yeah, they should have picked a Wallow. Yeah Wallow 81 00:03:42,360 --> 00:03:42,960 Speaker 2: does that for real. 82 00:03:43,040 --> 00:03:43,760 Speaker 3: Yeah he got it. 83 00:03:44,040 --> 00:03:45,960 Speaker 2: He got it, and he's been like jailing ship, so 84 00:03:46,000 --> 00:03:46,800 Speaker 2: we know it's how to inspire. 85 00:03:46,920 --> 00:03:51,440 Speaker 3: Yeah. Everybody goes to jail, comes home and con a 86 00:03:51,440 --> 00:03:53,240 Speaker 3: little bit. Yeah. Like if you do some years and 87 00:03:53,280 --> 00:03:55,480 Speaker 3: you don't come home as an inspiration, like you wasted 88 00:03:55,520 --> 00:03:55,839 Speaker 3: your time. 89 00:03:55,880 --> 00:03:57,160 Speaker 2: You did your time in vain. 90 00:03:57,280 --> 00:03:59,720 Speaker 3: Yeah, exactly, exactly. But shout out to Conway man. Really 91 00:03:59,720 --> 00:04:02,720 Speaker 3: really good album. If you didn't hear it, check it out. God, 92 00:04:03,080 --> 00:04:07,440 Speaker 3: God don't make mistakes. Available now on Shady. 93 00:04:07,600 --> 00:04:11,360 Speaker 2: Since we're right on music out the Gate. That Earth 94 00:04:11,360 --> 00:04:14,240 Speaker 2: Gang album is really good, ghetto Gods. 95 00:04:15,760 --> 00:04:17,080 Speaker 3: I started listening to it on the way over. 96 00:04:17,920 --> 00:04:22,120 Speaker 2: Its goot, Jid Cole Music, Soul Child, Ari Lennoxy, Little Green, 97 00:04:22,200 --> 00:04:27,599 Speaker 2: Nick Cannon on there. It's it's really dope. Mm hm. 98 00:04:27,640 --> 00:04:29,560 Speaker 2: Outside of Conway. That's that's all I was listening to. 99 00:04:29,600 --> 00:04:30,360 Speaker 2: Over the weekend. 100 00:04:31,120 --> 00:04:34,200 Speaker 3: I was listening to Vadoido put a put put a 101 00:04:34,839 --> 00:04:37,480 Speaker 3: tape out, or probably only want to say he put 102 00:04:37,520 --> 00:04:41,800 Speaker 3: a project out about two weeks ago, Long Run Volume two. Okay, 103 00:04:42,680 --> 00:04:44,839 Speaker 3: Vado's wrapping his ass off man, and I'm happy to 104 00:04:44,880 --> 00:04:48,880 Speaker 3: hear Vodo back on his ship Uh. His energy seems 105 00:04:48,920 --> 00:04:50,680 Speaker 3: like you know, he's he's back in the space where 106 00:04:50,680 --> 00:04:53,440 Speaker 3: he's ready to really like go full throttle with. 107 00:04:53,400 --> 00:04:54,160 Speaker 2: This with this music. 108 00:04:54,160 --> 00:04:57,400 Speaker 3: Ship Man is always aside from being a one of 109 00:04:57,400 --> 00:04:59,159 Speaker 3: the one of my homies and a good friend of mine, 110 00:04:59,400 --> 00:05:02,400 Speaker 3: he's always one of my favorite rappers, like Vodo is like, 111 00:05:02,520 --> 00:05:03,680 Speaker 3: you know, I like the type of rap I like 112 00:05:03,720 --> 00:05:07,520 Speaker 3: the slick talking, witty bars, charismatic. He's always been one 113 00:05:07,560 --> 00:05:10,440 Speaker 3: of those rappers. And I didn't even know this project 114 00:05:10,480 --> 00:05:12,680 Speaker 3: was out. I had I saw a video he posted 115 00:05:12,680 --> 00:05:15,200 Speaker 3: on his on his Instagram, and I saw that he 116 00:05:15,240 --> 00:05:17,120 Speaker 3: had put this project out, and I started listening to it, 117 00:05:17,160 --> 00:05:19,320 Speaker 3: and I was very surprised. Man, Like, he really put 118 00:05:19,320 --> 00:05:21,040 Speaker 3: together a dope ass project. 119 00:05:21,200 --> 00:05:22,520 Speaker 2: I mean he usually he usually does. 120 00:05:22,880 --> 00:05:24,680 Speaker 3: Yeah, but it's been a little minute, you know what 121 00:05:24,680 --> 00:05:26,360 Speaker 3: I mean. So it was good to see that, you know, 122 00:05:26,400 --> 00:05:29,120 Speaker 3: he was back, and you know, he's put out a project. 123 00:05:29,160 --> 00:05:32,880 Speaker 3: Long Run Volume two, respect the jokes with Lloyd Banks 124 00:05:32,920 --> 00:05:35,800 Speaker 3: and Dave East. The pressure record I Love Talk to 125 00:05:35,839 --> 00:05:38,680 Speaker 3: You is his dope Auntie's Kitchen. He got some ship 126 00:05:38,760 --> 00:05:39,240 Speaker 3: on here, man. 127 00:05:39,360 --> 00:05:41,240 Speaker 2: I think the couple therapy set him back a little bit. 128 00:05:42,680 --> 00:05:44,920 Speaker 3: I'd be wanting to forget that V did that ship man. 129 00:05:45,760 --> 00:05:47,360 Speaker 3: It was bad. It was It was just a bad. 130 00:05:47,440 --> 00:05:50,840 Speaker 3: It was a it's a mustan stained on V's jacket now, 131 00:05:50,880 --> 00:05:53,279 Speaker 3: man for sure. Yeah, mustard, it might be mustard. And 132 00:05:53,400 --> 00:05:54,320 Speaker 3: catch up whatever you. 133 00:05:54,240 --> 00:05:56,200 Speaker 2: Can't get out in the wash. Yeah, that one just 134 00:05:56,200 --> 00:05:56,839 Speaker 2: has to stay there. 135 00:05:56,880 --> 00:05:58,720 Speaker 3: But I'm happy for V. Man. Shout out the Vital 136 00:05:58,800 --> 00:06:01,360 Speaker 3: Long Run Volume two of l on DSPs. Now check 137 00:06:01,400 --> 00:06:04,800 Speaker 3: that out. Uh Al Dope put a song out him 138 00:06:04,800 --> 00:06:08,239 Speaker 3: and Spanish Ran put a song out Still Hope Dope record. 139 00:06:09,040 --> 00:06:15,000 Speaker 3: Uh my manor Digga duh he's uh he's been in 140 00:06:15,000 --> 00:06:17,400 Speaker 3: New York for a couple of days. Got a chance 141 00:06:17,440 --> 00:06:19,600 Speaker 3: to catch up with him and the crew. Shout out 142 00:06:19,640 --> 00:06:22,920 Speaker 3: the groundworks. He got a joint coming, digg d got 143 00:06:22,960 --> 00:06:24,760 Speaker 3: a joint coming with money Bag Yoka. 144 00:06:25,360 --> 00:06:27,640 Speaker 2: That's an interesting yeah, lab. 145 00:06:27,560 --> 00:06:30,040 Speaker 3: Yeah, it's just dope that Diggers is getting that he's 146 00:06:30,080 --> 00:06:33,520 Speaker 3: getting the respect and the notoriety now in the US 147 00:06:34,000 --> 00:06:35,839 Speaker 3: and he's got He's a huge artist in the UK. 148 00:06:36,279 --> 00:06:38,680 Speaker 3: You know, one of the biggest drill artists out of 149 00:06:38,680 --> 00:06:40,880 Speaker 3: the UK. Shout out to my man Ferg. He put 150 00:06:40,920 --> 00:06:43,159 Speaker 3: me on the Digga D a couple of years ago. 151 00:06:43,760 --> 00:06:46,600 Speaker 3: Shout out to international Ferg for that. Look. But you 152 00:06:46,640 --> 00:06:49,560 Speaker 3: had Digga D money bag Yo record coming. I think 153 00:06:49,600 --> 00:06:51,520 Speaker 3: I sent it to you right word for. 154 00:06:51,600 --> 00:06:54,159 Speaker 2: A lot of play. Yeah, and can you at least 155 00:06:54,160 --> 00:06:56,839 Speaker 2: get on Digga D's album, Like, can you represent this 156 00:06:56,880 --> 00:06:58,359 Speaker 2: podcast somehow on someone's album? 157 00:06:58,400 --> 00:07:01,480 Speaker 3: You want me to give a spot inspirational all but 158 00:07:01,560 --> 00:07:07,960 Speaker 3: see Digga, he gotta make the inspirational record stop selling 159 00:07:07,960 --> 00:07:12,800 Speaker 3: that Wreg. Digga is a he's you know that drill music, man, 160 00:07:12,840 --> 00:07:15,240 Speaker 3: I don't know I could fit into my inspirational pocket and. 161 00:07:15,280 --> 00:07:18,600 Speaker 2: The drill scene, I mean, the drill rap leads for 162 00:07:18,680 --> 00:07:20,400 Speaker 2: a lot of ad libs that you could throw in there. 163 00:07:21,120 --> 00:07:23,360 Speaker 3: You can definitely have. Maybe Digga let me add lim 164 00:07:23,400 --> 00:07:24,160 Speaker 3: on one of his joints. 165 00:07:24,240 --> 00:07:25,560 Speaker 2: Give me like a UK accident. 166 00:07:26,320 --> 00:07:28,400 Speaker 3: I don't want to disrespect the UK. My UK accent 167 00:07:28,440 --> 00:07:30,000 Speaker 3: is terrible. Wow, because we need them as allies. When 168 00:07:30,040 --> 00:07:33,360 Speaker 3: Russia invades exactly. Don't want to disrespect our allies. And 169 00:07:33,440 --> 00:07:35,440 Speaker 3: we need the UK, we need we need the English 170 00:07:35,400 --> 00:07:35,960 Speaker 3: all right. 171 00:07:36,600 --> 00:07:38,360 Speaker 2: Which is so crazy talk about going back to your 172 00:07:38,360 --> 00:07:42,280 Speaker 2: ex us in the UK. Why why are we such 173 00:07:42,640 --> 00:07:43,680 Speaker 2: good friends with him still? 174 00:07:44,320 --> 00:07:45,560 Speaker 3: Why wouldn't we be? 175 00:07:45,560 --> 00:07:47,760 Speaker 2: Because we tried to get away from the abusive relationship 176 00:07:47,800 --> 00:07:49,240 Speaker 2: that we were in, and then we ended up being 177 00:07:49,240 --> 00:07:51,000 Speaker 2: more of an abusive relationship to our next part of 178 00:07:51,000 --> 00:07:53,960 Speaker 2: the Native Americans. And then we was like, yo, let's. 179 00:07:53,680 --> 00:07:56,800 Speaker 3: Fight, want to double back. We got to double backs, 180 00:07:56,800 --> 00:07:57,040 Speaker 3: and then. 181 00:07:57,000 --> 00:07:59,680 Speaker 2: They wanted then they wanted our new relationship after we 182 00:07:59,720 --> 00:08:00,000 Speaker 2: had come. 183 00:08:00,440 --> 00:08:02,160 Speaker 3: Well, it's hard not to love the UK. What is 184 00:08:02,200 --> 00:08:05,720 Speaker 3: it not to love about the UK? Great food, great art. 185 00:08:05,920 --> 00:08:08,080 Speaker 3: That's actually the only insult I can say about the UK. 186 00:08:08,200 --> 00:08:08,960 Speaker 3: You don't like their food? 187 00:08:09,000 --> 00:08:10,920 Speaker 2: Their food is I mean outside of like the real 188 00:08:11,000 --> 00:08:13,760 Speaker 2: cultural shit in the UK. The typical UK food is awful. 189 00:08:14,240 --> 00:08:17,840 Speaker 3: No, but I mean you get like Caribbean food we making, yeah, 190 00:08:17,880 --> 00:08:20,000 Speaker 3: West Indian, like that whole culture over there. Man. 191 00:08:20,240 --> 00:08:22,640 Speaker 2: I know that I'm just saying the regular like what 192 00:08:22,960 --> 00:08:24,600 Speaker 2: was it's not Elizabeth cuisine? 193 00:08:24,760 --> 00:08:28,680 Speaker 3: No? No, we don't you know, we don't want Queen Elizabeth cuisine. 194 00:08:28,720 --> 00:08:30,440 Speaker 3: We don't want that. We want to go to the 195 00:08:30,560 --> 00:08:33,520 Speaker 3: right restaurants in the hood. Get the grateful, the sauce 196 00:08:33,559 --> 00:08:35,800 Speaker 3: we need, the real season and the soul we need 197 00:08:35,800 --> 00:08:37,559 Speaker 3: to sol It's a lot of soulo over in the UK. 198 00:08:37,600 --> 00:08:39,720 Speaker 2: Oh for sure. And they be yelling out certain blocks 199 00:08:39,720 --> 00:08:43,080 Speaker 2: in London that I'm that sound like so prestige and shit, 200 00:08:43,160 --> 00:08:44,959 Speaker 2: and then I find out it's the Projects. 201 00:08:44,600 --> 00:08:47,200 Speaker 3: Yeah, because they have such like inviting accents. Yeah, like 202 00:08:47,240 --> 00:08:49,800 Speaker 3: you think they're like the most like respectful men, and 203 00:08:49,800 --> 00:08:52,240 Speaker 3: then it's like, oh, these guys are fucking. 204 00:08:52,160 --> 00:08:56,000 Speaker 2: Treacherous yelling out sir Weldon. I'm like, that sounds like 205 00:08:56,000 --> 00:08:59,720 Speaker 2: a nice place, sir. Let's go to Sir Weldon Projects. 206 00:09:00,080 --> 00:09:01,400 Speaker 3: Yeah. Yeah, you don't want to go over there. You 207 00:09:01,400 --> 00:09:02,559 Speaker 3: don't want to go over there, but shout out the 208 00:09:02,559 --> 00:09:05,320 Speaker 3: digg D. Play some ship, yeah, play some of it. 209 00:09:05,320 --> 00:09:15,040 Speaker 5: Man the left like people upstart start from re rocks, 210 00:09:15,040 --> 00:09:19,240 Speaker 5: then't hit your money in the sheep rock and don't. 211 00:09:18,520 --> 00:09:19,280 Speaker 3: I gotta rehab. 212 00:09:20,360 --> 00:09:23,200 Speaker 2: I like hearing them on this type of sound, Yeah, 213 00:09:23,880 --> 00:09:27,040 Speaker 2: especially when it's with like an actual reputable artist from 214 00:09:27,040 --> 00:09:27,400 Speaker 2: that sound. 215 00:09:27,520 --> 00:09:27,760 Speaker 3: Yeah. 216 00:09:28,480 --> 00:09:29,120 Speaker 2: Yeah, No, I like that. 217 00:09:29,160 --> 00:09:30,679 Speaker 3: I like that type of ship shout out to dig 218 00:09:30,760 --> 00:09:31,880 Speaker 3: a d feature money bag. 219 00:09:32,000 --> 00:09:32,080 Speaker 1: Yo. 220 00:09:32,360 --> 00:09:34,199 Speaker 2: At what point are they not your young boys anymore? 221 00:09:35,240 --> 00:09:39,680 Speaker 2: At what what point are my adult boys sliding? What's 222 00:09:39,679 --> 00:09:42,040 Speaker 2: the age cut off for young boys? And why were 223 00:09:42,040 --> 00:09:44,040 Speaker 2: you always sending the young boys to go slide because they 224 00:09:44,040 --> 00:09:46,520 Speaker 2: can't get charged before eighteen? 225 00:09:46,840 --> 00:09:48,439 Speaker 3: You know, I've always said on this show, I think 226 00:09:48,480 --> 00:09:50,839 Speaker 3: a lot of the you know, I know what the 227 00:09:50,880 --> 00:09:53,839 Speaker 3: gang culture started out as, but a lot of it 228 00:09:53,920 --> 00:09:57,040 Speaker 3: is now turned into like a manipulation thing, with older 229 00:09:57,080 --> 00:10:02,400 Speaker 3: guys praying on younger innocent kids are not of felling 230 00:10:02,400 --> 00:10:05,920 Speaker 3: them on drill missions and fucking dummy missions and crash missions. 231 00:10:05,960 --> 00:10:09,000 Speaker 2: Like it's crazy, the amount of felonies per week. I 232 00:10:09,080 --> 00:10:11,960 Speaker 2: hear on DSPs that the young boys are. 233 00:10:11,840 --> 00:10:15,400 Speaker 3: Committing Listen, I understand it, you know, but it is 234 00:10:15,480 --> 00:10:18,720 Speaker 3: it is a dangerous line that we've approaching with with 235 00:10:18,760 --> 00:10:21,520 Speaker 3: this with this sound, because now kids are saying that 236 00:10:21,520 --> 00:10:24,520 Speaker 3: they can monetize this this message and this music and 237 00:10:24,520 --> 00:10:27,160 Speaker 3: its energy. But the only thing is they're really living 238 00:10:27,200 --> 00:10:29,160 Speaker 3: these rhyms and living these lyrics, you know what I mean. 239 00:10:29,200 --> 00:10:31,320 Speaker 3: And it's like that's the bad part. It's okay to 240 00:10:31,360 --> 00:10:33,640 Speaker 3: line in your raps. I promise you like artists have 241 00:10:33,640 --> 00:10:34,400 Speaker 3: been doing it for years. 242 00:10:34,840 --> 00:10:37,079 Speaker 2: I see the blame game going around. I don't know 243 00:10:37,120 --> 00:10:39,400 Speaker 2: how we'd stumble it into this. But who's to blame 244 00:10:39,440 --> 00:10:42,520 Speaker 2: for drill music? That's that's the new Oh, that's the 245 00:10:42,559 --> 00:10:44,600 Speaker 2: new debate. That's the new one. And of course everyone, 246 00:10:44,679 --> 00:10:46,880 Speaker 2: let's just debate it and blame someone. Let's never fix it, 247 00:10:46,960 --> 00:10:49,280 Speaker 2: let's just try to point fingers on who's the one 248 00:10:49,480 --> 00:10:52,439 Speaker 2: for it. I just this is going to move on 249 00:10:52,480 --> 00:10:53,840 Speaker 2: to the next thing very soon. 250 00:10:54,280 --> 00:10:56,280 Speaker 3: But listen, like I said, I understand it that you 251 00:10:56,320 --> 00:10:58,880 Speaker 3: know in my error was gangster rap, you know what 252 00:10:58,920 --> 00:11:01,240 Speaker 3: I mean. They tried to the FBI stepped in and 253 00:11:01,280 --> 00:11:03,320 Speaker 3: tried to band that music, but they bought all the 254 00:11:03,360 --> 00:11:05,560 Speaker 3: CDs to smash them to get a steam roller. 255 00:11:05,679 --> 00:11:06,760 Speaker 2: Yeah, at least they bought them. 256 00:11:07,320 --> 00:11:09,559 Speaker 3: It's like, buy the CDs, you can do whatever you 257 00:11:09,600 --> 00:11:10,440 Speaker 3: want after you purchase it. 258 00:11:10,520 --> 00:11:12,320 Speaker 2: Yeah, the FEDS streaming right now. I don't know if 259 00:11:12,320 --> 00:11:15,240 Speaker 2: they're really putting too much money in the artist pockets. 260 00:11:15,400 --> 00:11:17,120 Speaker 3: Yeah, but as you know, again, and we got to 261 00:11:17,120 --> 00:11:22,320 Speaker 3: find a way to not let the art imitate real life. 262 00:11:22,440 --> 00:11:23,920 Speaker 2: Well, I don't think people really want to solve shit, 263 00:11:23,960 --> 00:11:26,240 Speaker 2: because all those people they're like professional panelists, even if 264 00:11:26,280 --> 00:11:28,640 Speaker 2: they're not really on a panel. If shit gets fixed, 265 00:11:28,679 --> 00:11:30,560 Speaker 2: I have nothing to talk about, so it'll be a 266 00:11:31,000 --> 00:11:32,080 Speaker 2: let's make sure shit isn't. 267 00:11:32,120 --> 00:11:33,720 Speaker 3: We're great at creating newer problems. 268 00:11:33,720 --> 00:11:34,880 Speaker 2: I least move on to the next one. It never 269 00:11:34,920 --> 00:11:36,800 Speaker 2: gets fixed, and then we double back next year, like, 270 00:11:36,840 --> 00:11:38,440 Speaker 2: oh wait, remember when we were mad at Jerman. 271 00:11:38,480 --> 00:11:39,240 Speaker 3: It's still a problem. 272 00:11:39,320 --> 00:11:43,320 Speaker 2: Yeah, Oh y'all forgot, Like, no, you forgot. You moved 273 00:11:43,360 --> 00:11:44,040 Speaker 2: on to the next thing. 274 00:11:45,920 --> 00:11:50,760 Speaker 3: Aside from that record, it was a Kodak. Kodak put 275 00:11:50,760 --> 00:11:54,640 Speaker 3: out his album. I don't think we talked about it, 276 00:11:54,640 --> 00:11:54,880 Speaker 3: do we? 277 00:11:55,240 --> 00:11:57,800 Speaker 2: No? Nor did I listen. I'll be quite honest with you. 278 00:11:58,440 --> 00:12:00,480 Speaker 3: Well, you know, colde Out, I'll talk about them. Kodak 279 00:12:00,520 --> 00:12:03,000 Speaker 3: is one of my favorite favorite artists, probably the other 280 00:12:03,120 --> 00:12:05,760 Speaker 3: of the younger artists. He's probably my favorite, him and 281 00:12:05,960 --> 00:12:09,040 Speaker 3: Stove God. But uh yeah, he put out back for everything. 282 00:12:11,360 --> 00:12:13,880 Speaker 2: Kodak is working man, he's going on the press run. 283 00:12:14,080 --> 00:12:16,160 Speaker 3: Yeah, he's you know, he's He had the incident in 284 00:12:16,320 --> 00:12:19,400 Speaker 3: l A unfortunately when he was shot. He spoke about 285 00:12:19,400 --> 00:12:23,440 Speaker 3: that on on platforms already. Hopefully he's recovering. He looks 286 00:12:23,480 --> 00:12:27,040 Speaker 3: he seems to be in better spirits and physically doing better. 287 00:12:27,440 --> 00:12:29,320 Speaker 3: He posted a picture with he was hanging out with 288 00:12:29,400 --> 00:12:32,600 Speaker 3: Ed Shearon over the week and it said we got 289 00:12:32,640 --> 00:12:34,440 Speaker 3: a lot of music on the way, a lot of looks. 290 00:12:34,600 --> 00:12:35,240 Speaker 2: Put that together. 291 00:12:36,080 --> 00:12:37,880 Speaker 3: Ed looked like he was comfortable though. Man, he was 292 00:12:37,920 --> 00:12:40,240 Speaker 3: wearing the chain. He had the jewelry on. 293 00:12:40,840 --> 00:12:41,920 Speaker 2: Justin Bieber did it too, you. 294 00:12:41,800 --> 00:12:44,079 Speaker 3: Know what I mean. So it's like, you know, you know, 295 00:12:44,160 --> 00:12:46,040 Speaker 3: once they put the jury on, that means they're comfortable. 296 00:12:46,120 --> 00:12:48,600 Speaker 2: Was it his chain or was he wearing Kodak's chain. 297 00:12:48,720 --> 00:12:52,280 Speaker 3: No, he's wearing KODAKX chain. Yeah, you know what I mean. 298 00:12:52,480 --> 00:12:53,880 Speaker 3: He gave him. They gave him the piece, you know, 299 00:12:53,880 --> 00:12:55,920 Speaker 3: once he put the piece on him. Now, Ed Shearon 300 00:12:56,000 --> 00:12:58,640 Speaker 3: has he has the Yak energy. He's a super grimlin. Now. 301 00:12:59,240 --> 00:13:00,880 Speaker 2: I don't know anything you just said, but I just 302 00:13:00,880 --> 00:13:04,960 Speaker 2: don't believe speaking to ya Jack terms that's the Yak language. 303 00:13:05,080 --> 00:13:06,480 Speaker 3: So Ed Shearon is a super grimlin. 304 00:13:06,520 --> 00:13:06,640 Speaker 2: Now. 305 00:13:06,679 --> 00:13:09,240 Speaker 3: I can't wait to hear his slow jam over the guitars. 306 00:13:09,240 --> 00:13:11,439 Speaker 3: He's a super grimlin. Now, Oh my god, I think 307 00:13:11,440 --> 00:13:13,040 Speaker 3: we're gonna get some great music out of this Honestly, 308 00:13:13,120 --> 00:13:14,839 Speaker 3: Kodak is one of those artists I think that it 309 00:13:14,880 --> 00:13:17,880 Speaker 3: will surprise people. He can rap on anything. He plays 310 00:13:17,920 --> 00:13:20,439 Speaker 3: with a lot of melodies. He does a lot of 311 00:13:20,480 --> 00:13:22,679 Speaker 3: his own hooks. Usually, that's what I look at for artists. 312 00:13:22,720 --> 00:13:25,000 Speaker 3: They do a lot of their own hooks and their 313 00:13:25,080 --> 00:13:28,080 Speaker 3: melodies and stuff like that. Linking up with a guy 314 00:13:28,160 --> 00:13:30,840 Speaker 3: like Ed Sheeran is not awkward to me because it's like, Okay, 315 00:13:30,880 --> 00:13:33,200 Speaker 3: this is a kid that wants to do this type 316 00:13:33,200 --> 00:13:33,480 Speaker 3: of shit. 317 00:13:34,040 --> 00:13:35,439 Speaker 2: Is Kodak signed to Atlantic? 318 00:13:36,040 --> 00:13:36,480 Speaker 3: I believe? 319 00:13:36,520 --> 00:13:40,920 Speaker 2: So? Okay, Yeah, see how easy I guess that. One 320 00:13:41,400 --> 00:13:44,600 Speaker 2: don't need to fact check that. I mean, listen, Julie, 321 00:13:44,600 --> 00:13:45,200 Speaker 2: I see the movie. 322 00:13:46,440 --> 00:13:48,120 Speaker 3: But I don't give a fuck as long as we 323 00:13:48,160 --> 00:13:49,320 Speaker 3: get some great music out of it. 324 00:13:49,480 --> 00:13:51,440 Speaker 2: No, I get it. I am, I am fucking I 325 00:13:51,480 --> 00:13:54,560 Speaker 2: know the game. But sometimes that like put put Kodak's 326 00:13:54,600 --> 00:13:56,440 Speaker 2: chain on and listen. Now, it may sound like a hater. 327 00:13:56,480 --> 00:13:57,160 Speaker 2: Maybe they just want to have. 328 00:13:57,200 --> 00:14:00,520 Speaker 3: Fucking fun, but we always sound like hate this okay for. 329 00:14:00,480 --> 00:14:03,360 Speaker 2: Sure, but good for them. I hope good music comes. 330 00:14:03,200 --> 00:14:04,160 Speaker 3: Out of it. That's all I want. 331 00:14:04,280 --> 00:14:07,520 Speaker 2: Kodak at the end of the day, keeps safe and 332 00:14:07,640 --> 00:14:09,959 Speaker 2: away from all Crime, but I will listen to the album. 333 00:14:10,200 --> 00:14:14,680 Speaker 3: I definitely will back for everything. Kodak Black available now. Uh, 334 00:14:15,960 --> 00:14:17,440 Speaker 3: I don't know what other music we got. 335 00:14:18,000 --> 00:14:22,080 Speaker 2: Robert glasper Black Radio three, if you know anything about 336 00:14:22,120 --> 00:14:24,880 Speaker 2: that series, I was really looking forward to that. He's 337 00:14:24,920 --> 00:14:30,400 Speaker 2: got Killing Mike, BJ Chicago, Kid Q Tip, Yeba, her Music, 338 00:14:30,480 --> 00:14:33,080 Speaker 2: Soul Child Music. So Child's been doing a lot lately. Uh, 339 00:14:33,200 --> 00:14:37,080 Speaker 2: letus see Aunt Clemens, Jennifer Hudson, PJ Morton, Tied All 340 00:14:37,280 --> 00:14:39,320 Speaker 2: a whole bunch more. But if you know anything about 341 00:14:39,320 --> 00:14:43,160 Speaker 2: those Black Radio series, Robert, Robert goes out on that 342 00:14:43,160 --> 00:14:46,200 Speaker 2: type of shit. So definitely enjoyed that album. But I 343 00:14:46,400 --> 00:14:48,240 Speaker 2: like that we got right into music right away. Demarris 344 00:14:48,280 --> 00:14:50,640 Speaker 2: looks very bored. She wants to get to the to 345 00:14:50,680 --> 00:14:51,359 Speaker 2: the messiness. 346 00:14:51,520 --> 00:14:53,240 Speaker 1: No, I'm just making sure you guys cover all the 347 00:14:53,320 --> 00:14:54,080 Speaker 1: music that came out. 348 00:14:54,200 --> 00:14:55,440 Speaker 2: Would you listen to it over the weekend? 349 00:14:56,080 --> 00:14:57,400 Speaker 1: I have actually not listened. 350 00:14:57,440 --> 00:14:59,880 Speaker 3: Anita caught up in the Rapture? 351 00:15:02,920 --> 00:15:05,400 Speaker 2: Are you caught up in the rapture? Yes, I've been 352 00:15:05,440 --> 00:15:07,600 Speaker 2: in the rapture before. Have you of love? 353 00:15:07,800 --> 00:15:09,440 Speaker 3: Yes, of course, speak on it. 354 00:15:09,760 --> 00:15:12,520 Speaker 2: The rapture is like when everything is dead and like 355 00:15:12,680 --> 00:15:13,520 Speaker 2: the world's over right. 356 00:15:14,280 --> 00:15:15,920 Speaker 1: Well everything he's dying. 357 00:15:16,600 --> 00:15:19,720 Speaker 3: Jesus comes back and he he takes the souls of 358 00:15:19,760 --> 00:15:22,960 Speaker 3: those that are saved and who have given their their 359 00:15:23,000 --> 00:15:23,640 Speaker 3: life to Christ. 360 00:15:23,720 --> 00:15:25,320 Speaker 2: Jesus been taking his sweet ass time. 361 00:15:25,960 --> 00:15:26,360 Speaker 3: You ready? 362 00:15:26,400 --> 00:15:27,120 Speaker 1: I'm ready for him? 363 00:15:27,160 --> 00:15:30,600 Speaker 2: What is it not? You your heyesus? What has been 364 00:15:30,680 --> 00:15:37,080 Speaker 2: twenty twenty two years? What is Jesus doing? Man? You 365 00:15:37,080 --> 00:15:38,400 Speaker 2: don't know what's going on here? 366 00:15:38,440 --> 00:15:39,840 Speaker 3: How much time do you need Jesus? 367 00:15:39,880 --> 00:15:41,160 Speaker 2: And what type of shape is Jesus? 368 00:15:41,240 --> 00:15:42,920 Speaker 3: So I know Jesus is black? What God, lady is 369 00:15:43,960 --> 00:15:45,800 Speaker 3: Jesus gotta be black? Come on to Mars. He has 370 00:15:45,800 --> 00:15:47,240 Speaker 3: to be. Ain't no, Ain't no white person. You know, 371 00:15:47,320 --> 00:15:50,080 Speaker 3: Jesus would have been here way way before this. 372 00:15:50,640 --> 00:15:52,880 Speaker 2: Or he's avoiding the chaos that he created like a 373 00:15:52,880 --> 00:15:53,680 Speaker 2: white person. 374 00:15:53,640 --> 00:15:54,520 Speaker 4: Or he's already here. 375 00:15:55,280 --> 00:15:55,520 Speaker 1: Mmm. 376 00:15:57,040 --> 00:15:59,320 Speaker 2: Well he needs to speak up a little louder. He 377 00:15:59,360 --> 00:16:00,880 Speaker 2: needs to make his Is this known in the room 378 00:16:00,960 --> 00:16:02,080 Speaker 2: before he was walking on water? 379 00:16:02,720 --> 00:16:05,000 Speaker 3: Yeah? Turn the water to wine? Yeah? Like what are 380 00:16:05,000 --> 00:16:07,520 Speaker 3: we doing here? Yeah? I'm over here drinking mint tea. 381 00:16:07,520 --> 00:16:10,960 Speaker 3: I wouldn't wine. Hurry up, Jesus, Yeah, go to live 382 00:16:11,000 --> 00:16:14,120 Speaker 3: and fucking change the water into do Yeah? Like the 383 00:16:14,160 --> 00:16:15,160 Speaker 3: fuck is going on here? 384 00:16:15,360 --> 00:16:18,520 Speaker 1: Forty two, Dug and SG released a project together called 385 00:16:18,600 --> 00:16:19,360 Speaker 1: Last Ones. 386 00:16:19,240 --> 00:16:24,200 Speaker 3: Left forty two Dug and chef G s G s G. 387 00:16:24,360 --> 00:16:27,880 Speaker 1: Who's s G E s TG? Oh E s tgh 388 00:16:27,920 --> 00:16:29,400 Speaker 1: So I thought it was s so? Is it E 389 00:16:29,480 --> 00:16:29,680 Speaker 1: s T? 390 00:16:29,800 --> 00:16:29,840 Speaker 2: Or? 391 00:16:29,880 --> 00:16:32,080 Speaker 3: Is it? I say STG? I didn't know who he 392 00:16:32,120 --> 00:16:32,960 Speaker 3: was talking ABOUTO. 393 00:16:33,160 --> 00:16:34,720 Speaker 1: Was SG like established? 394 00:16:35,120 --> 00:16:36,880 Speaker 3: I don't know, I say E s T It might 395 00:16:36,920 --> 00:16:39,440 Speaker 3: be it might be S two, Yeah. 396 00:16:39,520 --> 00:16:42,560 Speaker 1: Probably say Eastern him and forty two Doug released the 397 00:16:42,600 --> 00:16:44,120 Speaker 1: project which I got to check out because I like 398 00:16:44,200 --> 00:16:45,000 Speaker 1: forty two Dug a lot. 399 00:16:45,080 --> 00:16:46,680 Speaker 3: You like forty two Doug. I like ees TG, like 400 00:16:46,880 --> 00:16:49,800 Speaker 3: es TG be talking that ship talk about. 401 00:16:51,680 --> 00:16:53,560 Speaker 2: He's a very he already said it. It's okay. He's 402 00:16:53,800 --> 00:16:56,560 Speaker 2: very He's a very privately tell you this information. 403 00:16:56,640 --> 00:16:59,480 Speaker 3: He's a very intricate. He knows how to look at 404 00:16:59,480 --> 00:17:02,160 Speaker 3: what's going on in his environment and put it into 405 00:17:02,240 --> 00:17:04,560 Speaker 3: words on a nice a nice a nice beautiful melody, 406 00:17:04,600 --> 00:17:07,440 Speaker 3: understand poetic. He's a poet, if you will. 407 00:17:07,600 --> 00:17:09,680 Speaker 1: Ace Hood also came out with the album as well. 408 00:17:10,320 --> 00:17:11,680 Speaker 3: Oh did I like a hood. 409 00:17:11,440 --> 00:17:14,520 Speaker 1: Man Memories Inside Never Die Independent. 410 00:17:15,359 --> 00:17:17,200 Speaker 2: I'm definitely I fun. 411 00:17:18,040 --> 00:17:19,920 Speaker 3: I like, I know a Hood is independent, and I'm 412 00:17:19,920 --> 00:17:21,199 Speaker 3: sure he's making a lot of money. 413 00:17:21,520 --> 00:17:22,240 Speaker 2: He's doing yoga. 414 00:17:22,400 --> 00:17:23,840 Speaker 1: Yeah, but that's his wife. 415 00:17:24,320 --> 00:17:25,520 Speaker 3: That's when you know they're making a lot of money. 416 00:17:25,520 --> 00:17:27,560 Speaker 3: Whenever you see dudes doing yoga, that means they're totally 417 00:17:27,640 --> 00:17:30,720 Speaker 3: comfortable financially, Like when you have time to just relaxing 418 00:17:30,720 --> 00:17:32,040 Speaker 3: through yoga, or you. 419 00:17:31,920 --> 00:17:34,120 Speaker 2: Have a queen that's telling you to stop stressing. He's 420 00:17:34,119 --> 00:17:36,600 Speaker 2: not in the rapture of love anymore. He was with 421 00:17:36,640 --> 00:17:37,240 Speaker 2: that with cal It. 422 00:17:37,760 --> 00:17:40,840 Speaker 3: He's actually in love now, he's in love. 423 00:17:40,880 --> 00:17:42,600 Speaker 2: There's not no rapture. Jesus isn't coming. 424 00:17:42,720 --> 00:17:44,439 Speaker 3: I like, I like Ace Hood man. I like the 425 00:17:44,600 --> 00:17:46,359 Speaker 3: I like the way he moves. I like Paul's. I 426 00:17:46,400 --> 00:17:50,479 Speaker 3: don't that sounds crazy. He moves well. I mean as 427 00:17:50,520 --> 00:17:52,639 Speaker 3: far as like the way he's not. He's never in 428 00:17:52,680 --> 00:17:55,359 Speaker 3: the headlines with some crazy ship. He doesn't. He's not 429 00:17:55,440 --> 00:17:59,960 Speaker 3: in no beefs. He just makes music, does yoga. Love 430 00:18:00,119 --> 00:18:03,000 Speaker 3: was his his wife, his kids, raises his family. 431 00:18:03,359 --> 00:18:03,960 Speaker 2: You don't know that. 432 00:18:04,720 --> 00:18:10,960 Speaker 3: I mean, would you take one yoga picture class? That 433 00:18:11,000 --> 00:18:11,720 Speaker 3: means you're a great guy. 434 00:18:11,760 --> 00:18:13,760 Speaker 2: You know that that is true? Why do they have 435 00:18:13,880 --> 00:18:15,119 Speaker 2: more yoga? 436 00:18:15,320 --> 00:18:17,840 Speaker 3: No? I want to though. I did all the yoga spots, 437 00:18:17,880 --> 00:18:20,960 Speaker 3: like the yoga spots that got closed during the pandemic. 438 00:18:21,320 --> 00:18:23,720 Speaker 3: So it was kind of like, you know, you're gonna less. 439 00:18:23,720 --> 00:18:25,040 Speaker 3: You want to open the app and do it in 440 00:18:25,040 --> 00:18:25,840 Speaker 3: your home. I'm not doing that. 441 00:18:27,400 --> 00:18:28,200 Speaker 1: You guys do yoga. 442 00:18:28,359 --> 00:18:29,960 Speaker 2: I did it for the first time during quarantine in 443 00:18:30,000 --> 00:18:31,440 Speaker 2: my house like on the Zoom ship. 444 00:18:31,560 --> 00:18:35,960 Speaker 3: Yeah, did did it open up your hips? Oh? I didn't. 445 00:18:36,160 --> 00:18:37,639 Speaker 2: I didn't check to see if they opened up more. 446 00:18:40,200 --> 00:18:42,840 Speaker 2: I think my mind raises too much for yoga. But 447 00:18:42,920 --> 00:18:46,240 Speaker 2: that's what like just but I need to really work 448 00:18:46,280 --> 00:18:46,520 Speaker 2: at it. 449 00:18:46,800 --> 00:18:48,560 Speaker 1: You got to take it's a it's a practice. 450 00:18:48,920 --> 00:18:50,880 Speaker 3: You need to be actually in a real yoga studio 451 00:18:50,920 --> 00:18:51,880 Speaker 3: with like other yogi's. 452 00:18:52,520 --> 00:18:54,480 Speaker 2: That's well, no, because I find then I feel like 453 00:18:54,480 --> 00:18:56,240 Speaker 2: I'm being judged because like I need to do it 454 00:18:56,280 --> 00:18:58,600 Speaker 2: my way. You guys are really good world what's they're 455 00:18:58,760 --> 00:19:01,679 Speaker 2: just likest fitting vegans in the same They're the exactly you. 456 00:19:01,640 --> 00:19:04,440 Speaker 3: Struggle and they help you because you're mad like your world. 457 00:19:04,480 --> 00:19:05,000 Speaker 1: They binge you. 458 00:19:05,320 --> 00:19:07,159 Speaker 2: Yeah, they bend me over that. 459 00:19:07,240 --> 00:19:09,159 Speaker 1: Yeah they you I don't know it. 460 00:19:09,240 --> 00:19:10,720 Speaker 3: Make sure you flex, will make sure the hips open 461 00:19:10,800 --> 00:19:11,200 Speaker 3: up correctly? 462 00:19:11,240 --> 00:19:12,920 Speaker 4: Would you guys ever try hot yoga. 463 00:19:13,080 --> 00:19:14,520 Speaker 3: Yes, I want to do all of that. Ship man, 464 00:19:14,520 --> 00:19:15,440 Speaker 3: I want to do hot yoga. 465 00:19:15,640 --> 00:19:16,919 Speaker 2: That's just what they just turn to eat up. 466 00:19:17,000 --> 00:19:21,000 Speaker 1: Yes, it's a sauna and it's intense, and you would 467 00:19:21,040 --> 00:19:21,560 Speaker 1: do it faster. 468 00:19:22,240 --> 00:19:23,879 Speaker 2: Yeah, I would just feel like I would want to 469 00:19:23,880 --> 00:19:26,000 Speaker 2: do it at home on the zoom. I wouldn't want 470 00:19:26,000 --> 00:19:28,320 Speaker 2: to go. Don't sit next to me and fart, don't 471 00:19:28,320 --> 00:19:30,359 Speaker 2: touch my hips, like if I'm doing it wrong, just 472 00:19:30,440 --> 00:19:31,080 Speaker 2: let me do it, just. 473 00:19:31,040 --> 00:19:32,440 Speaker 3: Let you do it wrong. Yeah, I want to. I 474 00:19:32,520 --> 00:19:35,879 Speaker 3: definitely want. It makes you past, yeah, because it's releasing, 475 00:19:35,880 --> 00:19:40,000 Speaker 3: its relaxing and muscles. It's you know, you're meditating. Yeah, yeah, 476 00:19:40,320 --> 00:19:43,199 Speaker 3: your body is in very uncompromising positions. 477 00:19:43,480 --> 00:19:45,760 Speaker 2: Well we did the yoga meditation thing. That's what I'm 478 00:19:45,800 --> 00:19:47,880 Speaker 2: thinking of because that's where my mind was going. 479 00:19:47,920 --> 00:19:49,320 Speaker 1: Yeah, meditation I couldn't like. 480 00:19:49,960 --> 00:19:51,800 Speaker 2: And then I was trying to focus on her voice, 481 00:19:51,800 --> 00:19:54,120 Speaker 2: and then I got more annoyed at her, like when 482 00:19:54,160 --> 00:19:55,480 Speaker 2: is she going to shut up? So I can try 483 00:19:55,480 --> 00:19:57,160 Speaker 2: to think? It was just too much. 484 00:19:57,240 --> 00:19:59,399 Speaker 3: I need to find like a weed yoga class. I 485 00:19:59,440 --> 00:20:01,240 Speaker 3: didn't find it to just turn my brain off, right, 486 00:20:01,280 --> 00:20:03,480 Speaker 3: like let us smoke weed and then like do yoga. 487 00:20:03,640 --> 00:20:04,840 Speaker 1: You should have as their hosted. 488 00:20:06,000 --> 00:20:06,600 Speaker 2: That would be cool. 489 00:20:06,720 --> 00:20:08,720 Speaker 3: Now you you see the marriage, see what happens when 490 00:20:08,720 --> 00:20:10,800 Speaker 3: you start using your peanut ass head. 491 00:20:11,800 --> 00:20:13,840 Speaker 2: Jesus, that was on a Monday. 492 00:20:14,280 --> 00:20:18,440 Speaker 3: I'm sorry I talked to hr. Sorry, but you can 493 00:20:18,440 --> 00:20:22,560 Speaker 3: you imagine more like in the tights leading the yoga class, 494 00:20:22,640 --> 00:20:25,280 Speaker 3: you're gonna be a bag baggy jeans. Your pants are loose, 495 00:20:25,359 --> 00:20:28,520 Speaker 3: right the marriage yoga pants are No, they have loose 496 00:20:28,600 --> 00:20:29,120 Speaker 3: yoga pants. 497 00:20:29,480 --> 00:20:30,320 Speaker 2: You have to do one. 498 00:20:30,400 --> 00:20:32,359 Speaker 3: They have loose yoga pants. I have to wear the 499 00:20:32,400 --> 00:20:35,760 Speaker 3: tight ones. Yeah, I'm not wearing no tight yoga pants. 500 00:20:35,760 --> 00:20:38,240 Speaker 3: I'm let you know that right now. I can wear loose. 501 00:20:38,520 --> 00:20:41,280 Speaker 3: We've had the yoga like me and these pants those 502 00:20:41,280 --> 00:20:42,600 Speaker 3: were great. Those are like yoga pants. 503 00:20:42,640 --> 00:20:43,600 Speaker 2: No, those are pajamas. 504 00:20:43,720 --> 00:20:45,560 Speaker 3: No, but I'm saying yoga pants are just like that. 505 00:20:46,400 --> 00:20:50,080 Speaker 2: Get hammer pants. You need to wear tights, not thinking nothing. 506 00:20:50,600 --> 00:20:52,480 Speaker 1: Yoga and hammer pants will weed. 507 00:20:52,600 --> 00:20:55,240 Speaker 3: It's not hammer pants, it's yoga pants. But they're like 508 00:20:55,320 --> 00:20:57,080 Speaker 3: free flowing, so that the body you. 509 00:20:57,000 --> 00:20:58,840 Speaker 1: Have got free flowing yoga pants. 510 00:20:58,920 --> 00:21:01,240 Speaker 3: Yeah, I want to do I want to smoke weed. Actually, 511 00:21:01,280 --> 00:21:02,639 Speaker 3: let's do let's do that I'm gonna set up I'm 512 00:21:02,640 --> 00:21:04,760 Speaker 3: gonnahit mad at as the club. We're gonna set up 513 00:21:04,960 --> 00:21:08,960 Speaker 3: a weed yoga yoga session. Listen, a hot weed yoga 514 00:21:09,000 --> 00:21:10,640 Speaker 3: because I want to steam thero on a hot box 515 00:21:10,680 --> 00:21:12,399 Speaker 3: the room. You don't have to smoke, but you have 516 00:21:12,440 --> 00:21:13,440 Speaker 3: to stay in the room while we smoke. 517 00:21:13,760 --> 00:21:17,000 Speaker 2: Can I just take shrooms and you do shrooms and yoga. 518 00:21:17,119 --> 00:21:20,080 Speaker 1: So men's yoga pants are kind of loose around the 519 00:21:20,119 --> 00:21:22,600 Speaker 1: balls part, but the rest are so they're tight on 520 00:21:22,640 --> 00:21:23,680 Speaker 1: your THI kind of. 521 00:21:23,600 --> 00:21:28,520 Speaker 2: Like hammer fans. Yeah, that's what I'm saying. 522 00:21:28,600 --> 00:21:31,320 Speaker 1: No, it's tight on like your thigh. It has like 523 00:21:31,359 --> 00:21:33,040 Speaker 1: stretch right here, so it's tight right here, but it's 524 00:21:33,080 --> 00:21:35,080 Speaker 1: loose around your butt because you. 525 00:21:35,000 --> 00:21:36,040 Speaker 3: Need to be able to you know what I mean, 526 00:21:36,280 --> 00:21:38,200 Speaker 3: like bend in, stretch and ship like that. 527 00:21:38,600 --> 00:21:41,040 Speaker 2: Does meditation really work though? Like what is it taking 528 00:21:41,040 --> 00:21:42,440 Speaker 2: away from meditation? 529 00:21:42,760 --> 00:21:45,720 Speaker 3: It's just the release of energy and uh, you know, 530 00:21:45,760 --> 00:21:48,080 Speaker 3: it gives you a chance to like center yourself and 531 00:21:48,440 --> 00:21:51,879 Speaker 3: calm calm yourself a little bit. It's really just releasing 532 00:21:51,920 --> 00:21:55,920 Speaker 3: the energy, breathing and you know, clearing your thoughts and 533 00:21:56,080 --> 00:21:58,600 Speaker 3: because sometimes we think so much and anxiety levels are 534 00:21:58,640 --> 00:22:02,480 Speaker 3: high especially now everything going on in the world. Yeah, 535 00:22:02,520 --> 00:22:03,560 Speaker 3: see those are yoga pants. 536 00:22:04,240 --> 00:22:06,760 Speaker 2: It was just still kind of tight though they're not 537 00:22:06,840 --> 00:22:07,280 Speaker 2: that tight. 538 00:22:07,960 --> 00:22:09,280 Speaker 3: But also, I'm not. 539 00:22:09,240 --> 00:22:11,560 Speaker 2: Letting my girl go to yoga class when this man 540 00:22:11,600 --> 00:22:14,439 Speaker 2: got his meat swinging in the tight slash loose. No, 541 00:22:14,520 --> 00:22:16,320 Speaker 2: but you got to because you know he's not wearing draws. 542 00:22:16,359 --> 00:22:17,520 Speaker 3: He's no, he's definitely. 543 00:22:17,600 --> 00:22:21,240 Speaker 1: I don't think you should wear draws during yoga, Huh, 544 00:22:21,320 --> 00:22:22,800 Speaker 1: I don't. I don't think men should wear draws. 545 00:22:22,800 --> 00:22:22,879 Speaker 2: Now. 546 00:22:22,960 --> 00:22:24,720 Speaker 1: You need to breathe like fully. 547 00:22:24,720 --> 00:22:27,119 Speaker 2: But I'm in different positions with meats. Forget it. 548 00:22:27,160 --> 00:22:30,479 Speaker 3: Yeah, if I'm stretching and bending and my ship just swinging, 549 00:22:31,400 --> 00:22:32,000 Speaker 3: that's not good. 550 00:22:32,200 --> 00:22:32,720 Speaker 2: You gotta keep it. 551 00:22:33,480 --> 00:22:35,560 Speaker 3: You need to have your ship like compressed, like together, 552 00:22:35,680 --> 00:22:38,400 Speaker 3: so it's not just you know what I mean, that's 553 00:22:38,400 --> 00:22:41,440 Speaker 3: why she do it your house or this already sounds 554 00:22:41,440 --> 00:22:42,879 Speaker 3: like I want to do I want to do a 555 00:22:42,880 --> 00:22:43,800 Speaker 3: weird yoga class. 556 00:22:43,920 --> 00:22:44,720 Speaker 1: I think that'll be dope. 557 00:22:44,800 --> 00:22:46,439 Speaker 3: Yeah, that's fire. I'm with it. 558 00:22:46,600 --> 00:22:47,119 Speaker 2: Let's set it up. 559 00:22:47,160 --> 00:22:48,720 Speaker 3: You can do shrooms, but you definitely have to hot 560 00:22:48,720 --> 00:22:50,720 Speaker 3: box in the room with us though. That's fine, all right. 561 00:22:50,800 --> 00:22:54,520 Speaker 2: Bet I took a hit of that ship from Astor 562 00:22:54,560 --> 00:22:55,879 Speaker 2: club that had our logo on it that I got 563 00:22:55,920 --> 00:22:58,399 Speaker 2: at the Conway listening. Yeah, took two puffs. I was 564 00:22:58,440 --> 00:22:59,000 Speaker 2: out for the count. 565 00:22:59,040 --> 00:23:01,840 Speaker 3: Put you down to two plus down. 566 00:23:02,280 --> 00:23:03,680 Speaker 2: I was like, this shit, get my logo on it. 567 00:23:03,760 --> 00:23:06,639 Speaker 2: Let me see, let me see what I'm attaching myself to. Like, 568 00:23:06,880 --> 00:23:07,480 Speaker 2: let me see. 569 00:23:07,760 --> 00:23:09,960 Speaker 3: I made sure Matt. Matt made sure that the pre 570 00:23:10,119 --> 00:23:13,040 Speaker 3: rolls for the Conway listening event that the weed was 571 00:23:13,040 --> 00:23:13,399 Speaker 3: was great. 572 00:23:13,520 --> 00:23:13,919 Speaker 2: It was. 573 00:23:14,359 --> 00:23:16,280 Speaker 3: I said, if you're gonna put me and Rory's beards 574 00:23:16,280 --> 00:23:18,480 Speaker 3: on this like, it better be some some great weed. 575 00:23:18,520 --> 00:23:19,639 Speaker 3: And that was like, of course it is. 576 00:23:19,760 --> 00:23:21,840 Speaker 2: I trust you, especially when it comes to weed. So 577 00:23:21,840 --> 00:23:22,960 Speaker 2: I was like, I know it's gonna be good, but 578 00:23:23,040 --> 00:23:24,639 Speaker 2: let me let me just see what my face is on. 579 00:23:24,680 --> 00:23:25,360 Speaker 3: That was some good week. 580 00:23:25,440 --> 00:23:27,080 Speaker 2: I was down and on your face. 581 00:23:27,280 --> 00:23:29,439 Speaker 3: Hell yeah, shout out to Matt and Ben, shout out 582 00:23:29,440 --> 00:23:32,240 Speaker 3: the ash the club. So yeah, man, how was your week? 583 00:23:32,280 --> 00:23:34,800 Speaker 2: A weekend, I slept the entire weekend. Yeah, I have 584 00:23:34,920 --> 00:23:35,760 Speaker 2: nothing cool to say. 585 00:23:36,160 --> 00:23:36,680 Speaker 3: I need it. 586 00:23:37,160 --> 00:23:38,840 Speaker 2: Tamars was sending us stuff like in the middle of 587 00:23:38,880 --> 00:23:39,080 Speaker 2: the day. 588 00:23:39,160 --> 00:23:41,440 Speaker 3: Well, we had a photo shoot Saturday that we both 589 00:23:41,840 --> 00:23:45,240 Speaker 3: thinking about. On Friday, we were both thinking about canceling. 590 00:23:45,560 --> 00:23:48,159 Speaker 3: I like, it's a weird thing. I can kind of 591 00:23:48,200 --> 00:23:51,199 Speaker 3: like based off of Rory's text messages in the chat, 592 00:23:51,400 --> 00:23:53,040 Speaker 3: I know when him and I are like on the 593 00:23:53,080 --> 00:23:56,040 Speaker 3: same like, because he was like, oh, we have a 594 00:23:56,040 --> 00:23:59,120 Speaker 3: photo shoot today, and I was like, he wants to cancel. 595 00:23:59,400 --> 00:24:01,920 Speaker 2: Yeah, that was the last one. That was the last 596 00:24:01,920 --> 00:24:04,200 Speaker 2: one when it was on a Tuesday, huh, because Benner 597 00:24:04,240 --> 00:24:06,159 Speaker 2: had said a week Priory, y'all want to do a 598 00:24:06,200 --> 00:24:07,080 Speaker 2: photo shoot and it was. 599 00:24:07,000 --> 00:24:10,800 Speaker 1: On Friday the last time as well, yes, all. 600 00:24:10,760 --> 00:24:13,640 Speaker 2: Right, fine, let's say it was on a Friday. There 601 00:24:13,720 --> 00:24:15,840 Speaker 2: was just no like, you can't just say like, hey, 602 00:24:15,920 --> 00:24:17,440 Speaker 2: y'all want to do a photo shoot a week ago 603 00:24:17,480 --> 00:24:20,520 Speaker 2: and then we're like yeah, and then don't I remind 604 00:24:20,560 --> 00:24:22,080 Speaker 2: no one, don't tell no one. I haven't talked to 605 00:24:22,119 --> 00:24:24,000 Speaker 2: a photographer. I don't know what I'm bringing. And then 606 00:24:24,040 --> 00:24:26,879 Speaker 2: that morning I'm like, wait, this was just added to 607 00:24:26,920 --> 00:24:27,440 Speaker 2: the calendar. 608 00:24:27,880 --> 00:24:30,240 Speaker 3: Yeah, yeah, I was tight. It was cool, though, I 609 00:24:30,240 --> 00:24:31,879 Speaker 3: mean I think we got what we needed. 610 00:24:33,520 --> 00:24:35,440 Speaker 2: I don't know what to do in photo shoots. We're 611 00:24:35,480 --> 00:24:36,520 Speaker 2: not the same post. 612 00:24:37,520 --> 00:24:40,639 Speaker 3: Yeah, what do you do? We just have to stand 613 00:24:40,720 --> 00:24:42,520 Speaker 3: there and just kind of like look at the camera. 614 00:24:42,760 --> 00:24:45,040 Speaker 2: Do you practice facial like what do models do to 615 00:24:45,119 --> 00:24:45,600 Speaker 2: like prepare? 616 00:24:46,400 --> 00:24:48,080 Speaker 3: Well, this is something we should We asked to do 617 00:24:48,520 --> 00:24:52,560 Speaker 3: m and she was like, she'd be walking. Yeah, man, 618 00:24:52,600 --> 00:24:59,720 Speaker 3: but she she she takes photos to. 619 00:24:58,880 --> 00:24:59,440 Speaker 2: When I'm walking. 620 00:24:59,480 --> 00:25:01,920 Speaker 3: I'm like, hey, she definitely takes more photos than she walks. 621 00:25:01,920 --> 00:25:04,720 Speaker 3: But I think what we did was was was it 622 00:25:04,760 --> 00:25:08,520 Speaker 3: we had the music playing and we're just having conversation laughing. 623 00:25:08,560 --> 00:25:10,080 Speaker 3: I don't think we need to stand in polls, but 624 00:25:10,119 --> 00:25:13,239 Speaker 3: you know, we just had some conversations laughing. Jawa just 625 00:25:13,440 --> 00:25:16,840 Speaker 3: snapping the camera and you know, you said, we got it. 626 00:25:17,640 --> 00:25:20,280 Speaker 3: You see still, Yeah, we saw some of it. Looked good. 627 00:25:20,320 --> 00:25:21,800 Speaker 3: It looked good. Yeah, it looked good. I think we 628 00:25:21,840 --> 00:25:22,560 Speaker 3: got some good shots. 629 00:25:22,600 --> 00:25:26,200 Speaker 4: So that was Friday question. Should men smiling pictures? 630 00:25:26,400 --> 00:25:26,600 Speaker 3: No? 631 00:25:26,960 --> 00:25:29,880 Speaker 1: I love women's smiling pictures because I smile all my pictures. 632 00:25:30,160 --> 00:25:33,159 Speaker 2: I don't know how to smile, like just on cues 633 00:25:33,240 --> 00:25:36,000 Speaker 2: to smile. I don't have like that in that makes 634 00:25:36,040 --> 00:25:36,440 Speaker 2: you happy. 635 00:25:37,520 --> 00:25:40,680 Speaker 3: Nothing makes you happy. He's the most depressed soul on 636 00:25:40,720 --> 00:25:41,159 Speaker 3: the planet. 637 00:25:42,600 --> 00:25:43,240 Speaker 1: She's very here. 638 00:25:44,640 --> 00:25:47,359 Speaker 3: She's right. She thinks the marriage is wearing her cousin. 639 00:25:52,119 --> 00:25:53,760 Speaker 3: The marriage has on a poodle jacket. 640 00:25:53,800 --> 00:25:57,200 Speaker 2: So I didn't feel violated at our photo shoot. 641 00:25:57,560 --> 00:25:59,120 Speaker 3: You No, it wasn't It wasn't invasive. 642 00:25:59,359 --> 00:26:01,560 Speaker 2: Well, I mean when not IG models. No, And I 643 00:26:01,560 --> 00:26:04,480 Speaker 2: don't want to go on another IB photographer, Uh real, 644 00:26:04,800 --> 00:26:05,800 Speaker 2: actually to rub ice. 645 00:26:05,760 --> 00:26:07,560 Speaker 1: Cream on nipples and pour sprinkles on them. 646 00:26:07,640 --> 00:26:09,520 Speaker 3: No, No, he would have been He would have been 647 00:26:09,560 --> 00:26:11,040 Speaker 3: beat to a pulpe if he asked me to put 648 00:26:11,040 --> 00:26:12,480 Speaker 3: ice on my nipples. 649 00:26:12,880 --> 00:26:16,320 Speaker 2: If that's all these photographers are hoarding those nudes, aren't they? 650 00:26:16,440 --> 00:26:16,720 Speaker 3: Who? 651 00:26:17,080 --> 00:26:19,560 Speaker 2: All these IG photographers are hoarding those nudes? Aren't they? 652 00:26:19,760 --> 00:26:20,359 Speaker 3: Absolutely? 653 00:26:20,480 --> 00:26:21,119 Speaker 2: That's nasty. 654 00:26:21,720 --> 00:26:23,520 Speaker 3: But I mean you know it's a vault. It's kind 655 00:26:23,560 --> 00:26:24,520 Speaker 3: of like you know they. 656 00:26:24,400 --> 00:26:25,480 Speaker 2: Even know they sharing that shit. 657 00:26:25,520 --> 00:26:28,600 Speaker 3: Oh yeah with other photographers, a hundred with everybody. 658 00:26:28,560 --> 00:26:30,560 Speaker 2: Yeah, they probably got secret only fans. 659 00:26:31,280 --> 00:26:35,280 Speaker 3: That's sick. The thought of that is crazy photographers having 660 00:26:35,280 --> 00:26:37,720 Speaker 3: a secret onlyfan accounts of like girls. 661 00:26:37,880 --> 00:26:40,639 Speaker 2: I had followed a photographer at one point and he 662 00:26:40,720 --> 00:26:44,159 Speaker 2: had done an IG live and I don't think this 663 00:26:44,200 --> 00:26:46,880 Speaker 2: woman was aware that she was on IG live during 664 00:26:46,880 --> 00:26:48,840 Speaker 2: the shoot. And you know, these chicks be half naked 665 00:26:48,840 --> 00:26:50,960 Speaker 2: and be covering for the photo. But to get to 666 00:26:51,040 --> 00:26:54,760 Speaker 2: that post, you're pretty much but ass naked. Yeah, And 667 00:26:54,840 --> 00:26:56,800 Speaker 2: when I saw that, I got off that ship so quick. 668 00:26:56,840 --> 00:26:59,680 Speaker 2: I was like, how can someone contact this girl? She's 669 00:26:59,760 --> 00:27:02,080 Speaker 2: asked naked on I g live like on some sneak cameras. 670 00:27:02,119 --> 00:27:04,879 Speaker 2: She probably doesn't even unfollow that photographer so fucking fast. 671 00:27:04,960 --> 00:27:05,680 Speaker 1: That's so sick. 672 00:27:06,520 --> 00:27:08,800 Speaker 2: But thank god, I didn't feel violated. Even when I 673 00:27:08,840 --> 00:27:11,080 Speaker 2: had to change my pants, no one looked at me. 674 00:27:11,359 --> 00:27:14,639 Speaker 3: No, we gave each other a correct amount of space. 675 00:27:15,480 --> 00:27:17,480 Speaker 1: It was a I've never seen each other naked on 676 00:27:17,520 --> 00:27:19,560 Speaker 1: accident before Rory myself. 677 00:27:19,720 --> 00:27:22,320 Speaker 3: No, I don't know how me and Rory would ever 678 00:27:22,320 --> 00:27:25,719 Speaker 3: see each other naked on accident like that. 679 00:27:25,760 --> 00:27:27,600 Speaker 1: Like you might walk in the green room or something 680 00:27:27,600 --> 00:27:28,960 Speaker 1: and he was getting changed things. 681 00:27:29,119 --> 00:27:31,040 Speaker 2: But I don't like draws at a live show. 682 00:27:31,920 --> 00:27:33,360 Speaker 3: Why would he be like no draws. 683 00:27:33,720 --> 00:27:36,320 Speaker 1: No, I didn't mean like no draws, but naked, Well, 684 00:27:36,520 --> 00:27:37,280 Speaker 1: I draws. 685 00:27:37,359 --> 00:27:39,840 Speaker 3: I've walked around the green room and you think I 686 00:27:39,840 --> 00:27:42,040 Speaker 3: don't think I've seen Rory in underwear of course, like 687 00:27:42,080 --> 00:27:43,600 Speaker 3: we shared dressing rooms, like. 688 00:27:43,800 --> 00:27:45,680 Speaker 2: And I wear briefs, which you think I'm just running 689 00:27:45,680 --> 00:27:46,840 Speaker 2: around that naked. 690 00:27:46,520 --> 00:27:49,480 Speaker 3: Though, Like that's like, yo, man, why am I walking 691 00:27:49,520 --> 00:27:51,520 Speaker 3: into the green room and like this is what you 692 00:27:51,560 --> 00:27:53,159 Speaker 3: do to prepare for a live show, Like you just 693 00:27:53,160 --> 00:28:00,240 Speaker 3: get naked hot yoga yoga naked too hot? Yeah, ain't 694 00:28:00,280 --> 00:28:01,000 Speaker 3: that hot in here? Fam? 695 00:28:01,080 --> 00:28:03,880 Speaker 2: You go open the window, turn TheRoom, turn the green room. 696 00:28:04,119 --> 00:28:05,880 Speaker 3: No no, no, no no, we're not doing that. We're not going 697 00:28:06,119 --> 00:28:08,159 Speaker 3: I bet not ever see Rory naked in the fucking 698 00:28:08,160 --> 00:28:08,680 Speaker 3: green room. 699 00:28:08,920 --> 00:28:10,080 Speaker 2: Are you trying to set boundaries? 700 00:28:10,359 --> 00:28:12,520 Speaker 3: Yes? I need that is a boundary we are gonna 701 00:28:12,520 --> 00:28:15,159 Speaker 3: set and is set in stone. Get naked in the 702 00:28:15,160 --> 00:28:15,920 Speaker 3: fucking green room. Mail. 703 00:28:15,920 --> 00:28:20,600 Speaker 2: Boundaries are not respected ever, sell it to me. Women 704 00:28:21,000 --> 00:28:23,920 Speaker 2: have boundaries and we should respect them when they set them, 705 00:28:23,960 --> 00:28:27,560 Speaker 2: even before they set them. We should respect uh things 706 00:28:27,640 --> 00:28:30,080 Speaker 2: that go without saying type of boundaries. Men, You could 707 00:28:30,160 --> 00:28:32,080 Speaker 2: never set a boundary to a woman. If you set 708 00:28:32,119 --> 00:28:35,760 Speaker 2: a boundary with a woman. For example, let's say we 709 00:28:35,840 --> 00:28:37,960 Speaker 2: used to deal with each other, but we still have 710 00:28:37,960 --> 00:28:39,520 Speaker 2: to see each other, and I say I don't want 711 00:28:39,520 --> 00:28:42,720 Speaker 2: to get physical or anything. Please respect my boundaries. Don't 712 00:28:42,720 --> 00:28:45,360 Speaker 2: try nothing, don't allude to anything. Don't put me in 713 00:28:45,400 --> 00:28:50,040 Speaker 2: an uncomfortable situation. Yeah, a girl will take that as 714 00:28:50,360 --> 00:28:55,800 Speaker 2: Let me try harder to fuss again, now, Roles reversed. 715 00:28:56,480 --> 00:28:58,200 Speaker 2: If a woman said, hey, I don't want to try nothing, 716 00:28:58,240 --> 00:29:00,560 Speaker 2: don't do anything, and I pull my meat out, I 717 00:29:00,600 --> 00:29:02,640 Speaker 2: am a creep, as I should. 718 00:29:02,360 --> 00:29:04,200 Speaker 3: Be labeled as one, yes, and you're going to jail. 719 00:29:04,440 --> 00:29:06,600 Speaker 2: But that woman should be label to fucking creep too. 720 00:29:06,600 --> 00:29:09,720 Speaker 2: When I set boundaries, male boundaries are not respected. That's 721 00:29:09,720 --> 00:29:12,720 Speaker 2: why the dick grabbing the club is still so widely accepted. 722 00:29:13,320 --> 00:29:16,120 Speaker 3: Well, if I walk in the house and uh, the 723 00:29:16,240 --> 00:29:19,520 Speaker 3: girl is in on my ex girl or my girlfriend whoever, 724 00:29:20,280 --> 00:29:23,560 Speaker 3: is in a towel and she says, respect my boundaries, 725 00:29:24,880 --> 00:29:26,640 Speaker 3: don't touch me while I'm in my towel. I don't 726 00:29:26,640 --> 00:29:27,960 Speaker 3: want to have sex with you right now. 727 00:29:28,680 --> 00:29:30,400 Speaker 2: You know you're going down a slippery slope. 728 00:29:31,120 --> 00:29:32,880 Speaker 3: No, I would have respect that boundary. But now if 729 00:29:32,920 --> 00:29:34,440 Speaker 3: she walks in the room and I'm rubbing one out, 730 00:29:34,440 --> 00:29:35,000 Speaker 3: she can't get. 731 00:29:34,920 --> 00:29:39,760 Speaker 2: Mad hold on. But I wait, so you walked into 732 00:29:39,760 --> 00:29:42,760 Speaker 2: her house and just started rubbing one out. I think 733 00:29:42,800 --> 00:29:44,920 Speaker 2: you have definitely violated a boundary line. 734 00:29:45,400 --> 00:29:49,680 Speaker 3: This is my ex girl, so tenty times it's what 735 00:29:50,440 --> 00:29:52,280 Speaker 3: a couple of loss You kids walk into my house 736 00:29:52,280 --> 00:29:53,440 Speaker 3: and start beating off looking. 737 00:29:53,280 --> 00:29:54,720 Speaker 2: For over here. 738 00:29:54,880 --> 00:29:56,600 Speaker 3: I can't walk in my ex girl's house and rubb 739 00:29:56,600 --> 00:29:57,800 Speaker 3: one out in the bathroom. 740 00:29:58,360 --> 00:29:59,640 Speaker 2: In the bathroom, if you want to shut the door 741 00:29:59,680 --> 00:30:01,360 Speaker 2: and quiet leave, you do that to yourself. 742 00:30:01,400 --> 00:30:03,040 Speaker 3: Just I'm not talking about right in the living room, 743 00:30:03,120 --> 00:30:04,760 Speaker 3: Like she just come out the kitchen, and I'm like. 744 00:30:04,680 --> 00:30:06,760 Speaker 2: You're also creepy if you just go quietly in somebody's 745 00:30:06,760 --> 00:30:07,560 Speaker 2: bathroom and beat off. 746 00:30:07,600 --> 00:30:09,240 Speaker 3: But we like, what if I'm hornying and I'm thinking like, yeah, 747 00:30:09,240 --> 00:30:10,480 Speaker 3: I'm going to my ex girl, shes gonna give me 748 00:30:10,520 --> 00:30:13,520 Speaker 3: something right now, like boundaries and you walking and she's 749 00:30:13,560 --> 00:30:15,880 Speaker 3: in a tower. You really think it's going like, oh, yes, 750 00:30:15,960 --> 00:30:19,560 Speaker 3: you got that thing ready for me. You should just leave. Yeah, 751 00:30:19,720 --> 00:30:22,200 Speaker 3: it's kind of you just like leave the house, but 752 00:30:22,280 --> 00:30:23,760 Speaker 3: y'all want to leave something behind for it. 753 00:30:24,480 --> 00:30:26,400 Speaker 2: Don't not on the clean towels, No nice towel. 754 00:30:26,440 --> 00:30:28,120 Speaker 3: I'm gonna I'm gonna nut in the shower. 755 00:30:28,920 --> 00:30:29,800 Speaker 2: Is the shower running? 756 00:30:29,880 --> 00:30:30,120 Speaker 3: Yeah? 757 00:30:31,160 --> 00:30:33,440 Speaker 1: Why are you in the show because at that point 758 00:30:33,480 --> 00:30:35,120 Speaker 1: I'm wondering because what if I came over it was 759 00:30:35,200 --> 00:30:37,840 Speaker 1: like I want to talk about mail boundaries and now 760 00:30:37,960 --> 00:30:42,800 Speaker 1: you're back to the horny cast. Yeah, small, it's small, Small, 761 00:30:42,800 --> 00:30:43,080 Speaker 1: it's me. 762 00:30:43,280 --> 00:30:45,640 Speaker 2: It's painted as me though, right, I always look like 763 00:30:45,640 --> 00:30:49,120 Speaker 2: the creepy, fucking horny horny dog. Without question, you need 764 00:30:49,120 --> 00:30:51,920 Speaker 2: to beat off before you come here in your own shower. 765 00:30:51,960 --> 00:30:54,640 Speaker 3: That sounds like you kind of did something with that 766 00:30:54,640 --> 00:30:56,600 Speaker 3: that was like a double entango. You need to beat 767 00:30:56,600 --> 00:30:57,760 Speaker 3: it off before you come here. 768 00:30:58,200 --> 00:31:04,560 Speaker 2: Come on, it's me You're gonna lose this rap bat. 769 00:31:06,600 --> 00:31:08,520 Speaker 2: But to Marius, why do you guys not respect our boundaries? 770 00:31:08,680 --> 00:31:10,200 Speaker 2: Why are male boundaries seen as a joke? 771 00:31:10,280 --> 00:31:12,560 Speaker 3: Yeah, women always they tap dance all over our boundaries. 772 00:31:12,560 --> 00:31:14,320 Speaker 1: And then if we don't want to know when you 773 00:31:14,400 --> 00:31:16,480 Speaker 1: have real boundaries on when you don't. If you have 774 00:31:16,560 --> 00:31:19,920 Speaker 1: real boundaries, we won't step over that. It's just if 775 00:31:19,920 --> 00:31:20,760 Speaker 1: the boundary is real. 776 00:31:21,440 --> 00:31:23,960 Speaker 3: What's the real boundary for men? That you've ever like 777 00:31:23,960 --> 00:31:25,440 Speaker 3: a man that ever gave you a boundary you knew 778 00:31:25,440 --> 00:31:25,880 Speaker 3: it was real? 779 00:31:26,680 --> 00:31:29,040 Speaker 1: Well, I know if I you can feel it, it's 780 00:31:29,040 --> 00:31:30,920 Speaker 1: a vibe. You can feel it like I can feel 781 00:31:30,920 --> 00:31:33,080 Speaker 1: when a boundary is real, because I know if I 782 00:31:33,080 --> 00:31:35,440 Speaker 1: step over this boundary, you might embarrass me. So like 783 00:31:35,520 --> 00:31:36,680 Speaker 1: that's like a real boundary. 784 00:31:36,800 --> 00:31:39,120 Speaker 3: But see, women, y'all just you see see that's what 785 00:31:39,160 --> 00:31:41,120 Speaker 3: I don't like about women, because y'all are like, y'all 786 00:31:41,160 --> 00:31:44,080 Speaker 3: are like so up and down sometimmy, y'all would want 787 00:31:44,160 --> 00:31:46,360 Speaker 3: us to cross the boundary. Like if y'all be like, yo, 788 00:31:46,360 --> 00:31:48,440 Speaker 3: we're not having sex. Oh for sure that happened, right, 789 00:31:48,440 --> 00:31:50,720 Speaker 3: and you had a conversation with come over, you and 790 00:31:50,800 --> 00:31:52,800 Speaker 3: your towel, you're like, oh, I didn't know you was 791 00:31:52,800 --> 00:31:55,040 Speaker 3: gonna get here this soon, or you and your towel, right, yeah, 792 00:31:55,160 --> 00:31:59,160 Speaker 3: then they may have a sex. Like y'all be wanting 793 00:31:59,240 --> 00:32:01,800 Speaker 3: us to low key like kind of like grab the 794 00:32:01,840 --> 00:32:03,440 Speaker 3: ass a little bit, flirt, kiss on your neck. 795 00:32:03,480 --> 00:32:05,400 Speaker 1: That's some woman. That's some woman. Don't put it all 796 00:32:05,480 --> 00:32:07,280 Speaker 1: on them. That's woman that's afraid to ask for what 797 00:32:07,320 --> 00:32:09,000 Speaker 1: they want. I don't play that game because I make 798 00:32:09,040 --> 00:32:11,480 Speaker 1: it very clear what I want and what I don't want. Well, 799 00:32:11,680 --> 00:32:13,680 Speaker 1: I never want to put somebody in a situation whereever 800 00:32:13,760 --> 00:32:15,280 Speaker 1: like oh, well I thought you wanted it. No, No, 801 00:32:15,320 --> 00:32:16,040 Speaker 1: if I wanted it, you. 802 00:32:16,160 --> 00:32:18,239 Speaker 3: Know, but women, see, I don't believe because women if 803 00:32:18,440 --> 00:32:21,320 Speaker 3: if you if I'm going to my girlfriend or ex 804 00:32:21,360 --> 00:32:24,000 Speaker 3: girlfriends house and she's in a tower, she's mad at me. No, 805 00:32:24,040 --> 00:32:27,520 Speaker 3: we're not doing nothing whatever, alright, cool, Like if she 806 00:32:27,640 --> 00:32:30,920 Speaker 3: runs with this like for a week or two, and 807 00:32:31,000 --> 00:32:36,040 Speaker 3: like I don't try to try anything. Her next thing is, oh, 808 00:32:36,040 --> 00:32:39,760 Speaker 3: you must be fucking somebody for sure. It's like you 809 00:32:39,880 --> 00:32:42,400 Speaker 3: just told me that we can't have sex, so I 810 00:32:42,400 --> 00:32:44,000 Speaker 3: have to fun someone else. Yeah, like I gott it. 811 00:32:44,080 --> 00:32:45,240 Speaker 3: Like what you want me to do? Just be a 812 00:32:45,280 --> 00:32:47,560 Speaker 3: fucking the pope and just sit home and pray. 813 00:32:47,680 --> 00:32:48,400 Speaker 2: Beat off in the shower. 814 00:32:48,520 --> 00:32:49,600 Speaker 1: He's not sitt home and praying. 815 00:32:50,240 --> 00:32:52,840 Speaker 3: Well, he's praying on somebody else. He's not by itself, 816 00:32:52,880 --> 00:32:54,760 Speaker 3: but and he's getting them mon. Yeah, you know what 817 00:32:54,800 --> 00:32:57,400 Speaker 3: I'm saying. So it's like you it's like women want 818 00:32:57,600 --> 00:33:01,800 Speaker 3: Catholic respect our boundaries. But when we respect the boundaries, 819 00:33:02,000 --> 00:33:03,920 Speaker 3: it must be a reason why we respecting the boundary. 820 00:33:04,120 --> 00:33:05,560 Speaker 3: Or you must be seeing somebody else, you must be 821 00:33:05,640 --> 00:33:08,160 Speaker 3: dating somebody else, you must be sucking somebody else. 822 00:33:08,320 --> 00:33:10,360 Speaker 2: Or even the boundary of I don't feel like fucking. 823 00:33:10,080 --> 00:33:13,520 Speaker 3: Tonight, Oh no, you bet not ever do that I 824 00:33:13,560 --> 00:33:16,600 Speaker 3: have before women was not respecting. When women want the dick, 825 00:33:16,640 --> 00:33:19,280 Speaker 3: they want to dick grab while I was sleeping, and 826 00:33:19,360 --> 00:33:20,840 Speaker 3: you better be hot, and you bet and it be 827 00:33:21,040 --> 00:33:23,080 Speaker 3: it better be a big load you let out because 828 00:33:23,080 --> 00:33:26,400 Speaker 3: if it's not because you know that's what women do. 829 00:33:26,800 --> 00:33:28,720 Speaker 3: If you if you busting, it's not a lot. Oh 830 00:33:28,760 --> 00:33:31,600 Speaker 3: what you was doing, what I was doing, that's all 831 00:33:31,640 --> 00:33:34,239 Speaker 3: I got in the tank. So why you see, Look 832 00:33:34,280 --> 00:33:36,640 Speaker 3: you ready to write your mom more. Look y'all do that. 833 00:33:37,040 --> 00:33:38,480 Speaker 2: And that's why you don't pull out, so they never 834 00:33:38,560 --> 00:33:39,200 Speaker 2: know anytime. 835 00:33:41,600 --> 00:33:43,720 Speaker 3: To the women and children at home, I know that's. 836 00:33:43,640 --> 00:33:46,120 Speaker 2: How you get children, don't That's how they got here. 837 00:33:46,160 --> 00:33:48,560 Speaker 2: Rory just said, if you don't ever pull out, they'll 838 00:33:48,600 --> 00:33:48,920 Speaker 2: never know. 839 00:33:50,200 --> 00:33:51,720 Speaker 3: If you don't ever pull out there. 840 00:33:52,400 --> 00:33:53,720 Speaker 1: We don't know. 841 00:33:54,000 --> 00:33:57,920 Speaker 3: We know, yo. I tried to really make that make sense, like, wait, 842 00:33:58,080 --> 00:34:00,840 Speaker 3: if you don't ever pull out there right there, they're 843 00:34:00,840 --> 00:34:01,720 Speaker 3: gonna know if you don't. 844 00:34:01,600 --> 00:34:03,880 Speaker 2: Pull out, you know, I'm saying they'll never know the amount. 845 00:34:04,240 --> 00:34:05,840 Speaker 1: Yes, I know. 846 00:34:06,240 --> 00:34:08,360 Speaker 3: They sit on the toilet for like seven minutes and 847 00:34:08,440 --> 00:34:09,040 Speaker 3: then it comes. 848 00:34:09,680 --> 00:34:12,319 Speaker 1: And use every bit of God's strength and pray and 849 00:34:12,440 --> 00:34:13,319 Speaker 1: push that shit out. 850 00:34:13,480 --> 00:34:16,120 Speaker 3: Yeah, being it fart and then it be fun. 851 00:34:16,160 --> 00:34:19,799 Speaker 2: Push it out. Don't make I'm thinking that's not gonna 852 00:34:19,800 --> 00:34:20,320 Speaker 2: get you pregnant. 853 00:34:20,680 --> 00:34:21,680 Speaker 1: Prayer, it's the prayer. 854 00:34:21,880 --> 00:34:22,560 Speaker 3: It's the prayer. 855 00:34:22,600 --> 00:34:24,919 Speaker 2: It's no small sperms graphic works. 856 00:34:24,920 --> 00:34:26,720 Speaker 1: I'm gonna make it hard for the motherfucker's the swim 857 00:34:26,800 --> 00:34:27,480 Speaker 1: as possible. 858 00:34:28,000 --> 00:34:30,600 Speaker 3: Yeah, how do we get there? I thought we were 859 00:34:30,600 --> 00:34:31,160 Speaker 3: just talking. 860 00:34:30,960 --> 00:34:33,600 Speaker 2: About because look, we were talking about our boundaries and 861 00:34:33,600 --> 00:34:34,960 Speaker 2: they weren't respected. We had to move on to the 862 00:34:34,960 --> 00:34:35,279 Speaker 2: next thing. 863 00:34:35,320 --> 00:34:37,720 Speaker 3: Okay, so that was the next day. Okay, cool, got. 864 00:34:37,600 --> 00:34:39,200 Speaker 2: It had to change anything with our boundaries. 865 00:34:39,239 --> 00:34:42,920 Speaker 3: But yes, women do not respect men's boundaries. And if 866 00:34:42,960 --> 00:34:49,120 Speaker 3: they do, it's because they're either seeing somebody else, they 867 00:34:49,360 --> 00:34:51,000 Speaker 3: just had sex with somebody else, and they don't want 868 00:34:51,000 --> 00:34:52,239 Speaker 3: to have two dicks in the same day. 869 00:34:53,640 --> 00:34:57,440 Speaker 1: Mall's logic, right if a woman. 870 00:34:57,280 --> 00:35:00,360 Speaker 3: Says, oh, we not having sex unfortunately, but I know 871 00:35:00,440 --> 00:35:04,160 Speaker 3: it's still do the double header? Okay, the double headers? 872 00:35:04,440 --> 00:35:05,480 Speaker 3: You date double headers? 873 00:35:05,520 --> 00:35:08,360 Speaker 2: I didn't know, Oh god, I did not know. 874 00:35:08,440 --> 00:35:10,640 Speaker 3: I haven't had a double header in years. And are 875 00:35:10,640 --> 00:35:12,560 Speaker 3: you the first game or the second game? The day 876 00:35:12,600 --> 00:35:13,320 Speaker 3: game of the night. 877 00:35:13,160 --> 00:35:15,959 Speaker 2: Game and both I've been to Mattinee and the night show. 878 00:35:18,239 --> 00:35:19,799 Speaker 2: I didn't know. I didn't know. 879 00:35:19,840 --> 00:35:21,680 Speaker 3: Man, I don't mind being the double head as long 880 00:35:21,719 --> 00:35:24,640 Speaker 3: as I'm the first game. I don't want to be. 881 00:35:24,680 --> 00:35:26,719 Speaker 3: I don't want to be the second game. I don't 882 00:35:26,880 --> 00:35:27,799 Speaker 3: if I don't tell me. 883 00:35:28,200 --> 00:35:29,800 Speaker 2: I don't want to. I don't even be in the season. 884 00:35:30,880 --> 00:35:31,440 Speaker 3: You forfeit. 885 00:35:31,640 --> 00:35:34,080 Speaker 2: Yeah, I'm too old to compete with double headers. 886 00:35:34,239 --> 00:35:36,000 Speaker 3: Oh no, no, no, I'm not doing that no more. That's 887 00:35:36,000 --> 00:35:38,319 Speaker 3: over it. Those days, I please don't. If you've had 888 00:35:38,360 --> 00:35:40,279 Speaker 3: sex with somebody else, please don't come see me later 889 00:35:40,280 --> 00:35:42,560 Speaker 3: on that day. What hurts for that week? I'm not 890 00:35:42,640 --> 00:35:44,600 Speaker 3: don't even come see me that week? Please, I don't 891 00:35:44,600 --> 00:35:45,120 Speaker 3: want know. 892 00:35:45,440 --> 00:35:48,680 Speaker 2: It definitely hurts. When you start adding things up and 893 00:35:48,680 --> 00:35:50,920 Speaker 2: she and she leave her period calendar open by accident, 894 00:35:50,960 --> 00:35:52,920 Speaker 2: you start looking like, wait, what, hold on, what's that 895 00:35:52,960 --> 00:35:53,359 Speaker 2: little dop? 896 00:35:53,440 --> 00:35:53,480 Speaker 3: Me? 897 00:35:57,680 --> 00:36:00,319 Speaker 2: Hold on? What's the green dot means? And what's the 898 00:36:00,320 --> 00:36:00,800 Speaker 2: red dot me? 899 00:36:01,960 --> 00:36:02,799 Speaker 3: The green dot mees? 900 00:36:02,840 --> 00:36:02,920 Speaker 2: Go? 901 00:36:03,800 --> 00:36:04,920 Speaker 3: Hold on, I was. 902 00:36:04,840 --> 00:36:07,960 Speaker 2: At your house on Friday night. Yeah it means, why 903 00:36:08,000 --> 00:36:08,799 Speaker 2: is there two dots here? 904 00:36:09,560 --> 00:36:11,399 Speaker 3: That's letting me know? Because I had sex with him? 905 00:36:11,760 --> 00:36:13,279 Speaker 3: Then I had sex with him. So either one of 906 00:36:13,320 --> 00:36:16,120 Speaker 3: these two gentlemen, if my period doesn't come on this date, 907 00:36:16,800 --> 00:36:17,520 Speaker 3: make a phone call. 908 00:36:17,600 --> 00:36:19,480 Speaker 2: Only chicks with a lot of their period calendar and 909 00:36:19,480 --> 00:36:21,440 Speaker 2: their doctor men. 910 00:36:21,320 --> 00:36:23,120 Speaker 3: Won't lie to their You think women lie to their doctors? 911 00:36:23,400 --> 00:36:24,719 Speaker 2: What all the time? 912 00:36:25,239 --> 00:36:26,760 Speaker 3: No, don't do the same reason. 913 00:36:27,360 --> 00:36:29,600 Speaker 1: I've lied to my doctor before when I was younger. 914 00:36:30,040 --> 00:36:30,960 Speaker 3: Are you sexually active? 915 00:36:31,520 --> 00:36:33,879 Speaker 1: No, not that you can't lie about that, but they 916 00:36:33,920 --> 00:36:35,920 Speaker 1: just don't have a lot of questions. Like they ask 917 00:36:35,960 --> 00:36:39,480 Speaker 1: you a lot of questions. They want to know what 918 00:36:39,560 --> 00:36:41,600 Speaker 1: drugs do you do? How many drugs have you done? 919 00:36:42,000 --> 00:36:42,160 Speaker 3: What? 920 00:36:42,239 --> 00:36:43,960 Speaker 1: Like, It's just like a lot of ship. It's like 921 00:36:44,239 --> 00:36:46,480 Speaker 1: certain stuff you don't need. You need to know if 922 00:36:46,520 --> 00:36:48,960 Speaker 1: I've had anything going on with the inside of my body. 923 00:36:49,000 --> 00:36:51,080 Speaker 1: You need to know, if I smoke. You need to 924 00:36:51,080 --> 00:36:53,160 Speaker 1: know a certain things. You don't need to know everything 925 00:36:53,200 --> 00:36:54,280 Speaker 1: that goes on in my life. 926 00:36:54,880 --> 00:36:58,000 Speaker 3: Every doctor asks used drugs? I told him yeah. 927 00:36:58,040 --> 00:36:59,000 Speaker 2: I hate When the doctor. 928 00:36:58,840 --> 00:37:00,560 Speaker 3: Told out, he looked that he looked up over top 929 00:37:00,560 --> 00:37:01,840 Speaker 3: of the glasses like he was waiting for me the 930 00:37:01,880 --> 00:37:03,600 Speaker 3: name with drugs. I was like weed. 931 00:37:03,840 --> 00:37:05,520 Speaker 1: Yeah, there was like you do drugs? I'm like yeah, 932 00:37:05,560 --> 00:37:06,719 Speaker 1: but you had to say how he looked at He 933 00:37:06,760 --> 00:37:08,640 Speaker 1: was like, they look at you mad crazy. I'm like, y'all, 934 00:37:08,640 --> 00:37:10,000 Speaker 1: I don't do I just said I don't do heroin 935 00:37:10,080 --> 00:37:12,000 Speaker 1: because you want to know if I do heroin, so 936 00:37:12,040 --> 00:37:14,759 Speaker 1: that you know if I have any Like, No, they 937 00:37:14,760 --> 00:37:16,960 Speaker 1: don't need to know that they want to know taking medication. 938 00:37:17,080 --> 00:37:19,520 Speaker 2: Yes, they need to know if something will mix bad 939 00:37:19,560 --> 00:37:22,080 Speaker 2: with it. Yeah, you're taking fucking perks and you also 940 00:37:22,120 --> 00:37:24,400 Speaker 2: need to take another medicine. They're going to be like, hey, 941 00:37:24,520 --> 00:37:27,160 Speaker 2: maybe we shouldn't give you this medicine. I just hate 942 00:37:27,160 --> 00:37:29,080 Speaker 2: when they asked me how many drinks per week? Do 943 00:37:29,080 --> 00:37:31,000 Speaker 2: you think you hate? 944 00:37:31,000 --> 00:37:35,239 Speaker 3: Who's keeping count? And come on, like, doc, you can 945 00:37:35,320 --> 00:37:37,080 Speaker 3: just show up with all the like empty costs of ego. 946 00:37:36,920 --> 00:37:39,040 Speaker 1: Bottles, like look, that's why we lie. I told the 947 00:37:39,080 --> 00:37:40,960 Speaker 1: truth and they asked that question and then they sent 948 00:37:41,000 --> 00:37:42,799 Speaker 1: me to the site. It was like, oh, yeah, you know, 949 00:37:42,840 --> 00:37:44,399 Speaker 1: we want to have you talk to someone. And they 950 00:37:44,400 --> 00:37:45,960 Speaker 1: made me take a depression test and it's like, this 951 00:37:46,000 --> 00:37:47,280 Speaker 1: is why they want to tell you all the truth. 952 00:37:48,320 --> 00:37:49,520 Speaker 2: And I don't need to take a test to tell 953 00:37:49,520 --> 00:37:51,399 Speaker 2: you I'm depressed, doctor, And first of all, your medical doctor, 954 00:37:51,440 --> 00:37:53,520 Speaker 2: leave me the fuck alone. But no women lie to 955 00:37:53,560 --> 00:37:55,879 Speaker 2: their doctor the same way off that perception ship when 956 00:37:55,880 --> 00:37:57,560 Speaker 2: they try to set their boundaries when they really want 957 00:37:57,560 --> 00:37:58,919 Speaker 2: to fuck and be like, hey, we're not doing anything 958 00:37:58,960 --> 00:38:00,719 Speaker 2: because they want to make it look like idea. But 959 00:38:01,160 --> 00:38:02,480 Speaker 2: they do the same thing with the doctor. They don't 960 00:38:02,520 --> 00:38:05,120 Speaker 2: want to look crazy. How many sexual partners do you 961 00:38:05,120 --> 00:38:06,439 Speaker 2: have at the time? They don't count the one guy 962 00:38:06,440 --> 00:38:08,360 Speaker 2: that was you know, that one night to them, that 963 00:38:08,400 --> 00:38:11,359 Speaker 2: don't count as partner. The doctor about your body count 964 00:38:11,440 --> 00:38:12,000 Speaker 2: is fucking crazy. 965 00:38:12,080 --> 00:38:13,520 Speaker 1: No, because why do they need to know that? 966 00:38:13,960 --> 00:38:17,400 Speaker 2: Truly, what do you do if you're there for STD 967 00:38:17,520 --> 00:38:18,160 Speaker 2: tests and things. 968 00:38:18,040 --> 00:38:19,960 Speaker 1: Of that nature and so you're gonna test me regardless. 969 00:38:20,840 --> 00:38:22,400 Speaker 2: Yeah, it still helps to know. 970 00:38:22,920 --> 00:38:26,080 Speaker 1: No, I don't scientifically don't help them with shit. Every 971 00:38:26,080 --> 00:38:27,040 Speaker 1: time they ask me, I tell. 972 00:38:26,960 --> 00:38:30,640 Speaker 3: Him to Yo, Demarris is sick. 973 00:38:30,840 --> 00:38:32,800 Speaker 2: You worse than the girl that says she has five bodies? 974 00:38:32,880 --> 00:38:35,920 Speaker 2: I thought I thought the five body shit was crazy. 975 00:38:36,400 --> 00:38:40,799 Speaker 3: Oh my god. I was watching TV and infomercials came 976 00:38:40,800 --> 00:38:43,680 Speaker 3: on late night and Peter pop Off. You're familiar with 977 00:38:43,719 --> 00:38:48,640 Speaker 3: Peter pop Off, the the evangelistical, Yes, god, I'm not. 978 00:38:49,080 --> 00:38:50,279 Speaker 2: It's a hilarious name, though. 979 00:38:50,640 --> 00:38:52,719 Speaker 3: Peter pop Off is Solad spring Water. 980 00:38:52,880 --> 00:38:53,600 Speaker 2: Is he a porn star? 981 00:38:54,040 --> 00:38:55,719 Speaker 3: No, he's a he's a he's a he's a he's 982 00:38:55,719 --> 00:38:57,080 Speaker 3: a preacher or pastor whatever. 983 00:38:57,200 --> 00:38:59,000 Speaker 2: Wait, there's a preacher called Peter pop Off. 984 00:38:59,040 --> 00:39:02,120 Speaker 3: Absolutely look him up, making millions and millions of dollars 985 00:39:02,120 --> 00:39:05,120 Speaker 3: a year. Televangelist, Yes, televangelist, that's exactly what it is. 986 00:39:05,200 --> 00:39:06,879 Speaker 3: So it's a thief kind of like my favorite show, 987 00:39:07,680 --> 00:39:11,000 Speaker 3: Righteous Gemstones. Okay, one of my favorite shows on HBO, 988 00:39:11,040 --> 00:39:14,720 Speaker 3: one of my favorite series. Peter Popoff is selling spring 989 00:39:14,800 --> 00:39:19,840 Speaker 3: water and washing people sends away two stories watching it. 990 00:39:19,880 --> 00:39:22,000 Speaker 3: I don't know how I landed on this infomercial. Yeah, 991 00:39:22,239 --> 00:39:25,560 Speaker 3: a lady says she smoked crack for twenty five years 992 00:39:26,040 --> 00:39:28,600 Speaker 3: and then when she got the water from Peter, she's 993 00:39:28,600 --> 00:39:32,200 Speaker 3: been clean for five The funny thing about that is 994 00:39:32,760 --> 00:39:34,560 Speaker 3: you need water to make crack. 995 00:39:35,880 --> 00:39:37,520 Speaker 2: You can put it in the crack, you know what, 996 00:39:37,680 --> 00:39:38,800 Speaker 2: You can bless the crack. 997 00:39:38,719 --> 00:39:43,280 Speaker 3: Right, So I just didn't understand, Like, Okay, Peter Popoff 998 00:39:43,280 --> 00:39:47,200 Speaker 3: sent you this bottle of spring water, quote unquote, and 999 00:39:47,239 --> 00:39:49,040 Speaker 3: now you don't want to smoke crack anymore. You've been 1000 00:39:49,080 --> 00:39:51,480 Speaker 3: a crackhead for twenty five years, and ever since you 1001 00:39:51,560 --> 00:39:54,160 Speaker 3: drank the spring water, you are now sober for five years. 1002 00:39:54,440 --> 00:39:57,920 Speaker 3: But water is one of the main components and main 1003 00:39:58,040 --> 00:39:59,959 Speaker 3: ingredients in cooking crack cocer. 1004 00:40:00,000 --> 00:40:01,880 Speaker 2: Allegedly you've read that on Wikipedia. 1005 00:40:02,800 --> 00:40:05,279 Speaker 3: Allegedly. I saw a minister society. I just wanted to 1006 00:40:05,480 --> 00:40:07,279 Speaker 3: cooke that wrong by the way, I just I just 1007 00:40:07,320 --> 00:40:07,960 Speaker 3: want to know. 1008 00:40:09,360 --> 00:40:10,360 Speaker 2: Cut the crack in that is. 1009 00:40:10,360 --> 00:40:14,200 Speaker 3: I never I just want to know what the How 1010 00:40:14,280 --> 00:40:16,479 Speaker 3: was Peter pop How was he on TV getting this off? 1011 00:40:16,680 --> 00:40:19,520 Speaker 3: How has nobody canceled this ship yet? Who is behind? 1012 00:40:19,600 --> 00:40:20,759 Speaker 3: Who is behind this ship? 1013 00:40:20,920 --> 00:40:21,840 Speaker 2: They haven't canceled? 1014 00:40:21,840 --> 00:40:22,399 Speaker 3: Fucking Joe? 1015 00:40:22,760 --> 00:40:24,480 Speaker 2: Who's the guy in Houston. 1016 00:40:24,360 --> 00:40:25,560 Speaker 3: Joel Ostin Olstein? 1017 00:40:26,400 --> 00:40:30,280 Speaker 1: Remember he's on the Remember he locked. 1018 00:40:30,080 --> 00:40:35,360 Speaker 3: Your niggas out. It's crazy your niggas. Lord told me no, 1019 00:40:35,640 --> 00:40:38,120 Speaker 3: The Lord said, no, stay in your own ship. Let's 1020 00:40:38,200 --> 00:40:41,600 Speaker 3: let let these waters, these hurricane waters, wash us and listen. 1021 00:40:41,719 --> 00:40:44,440 Speaker 2: No, it survived, y'all be all right, go build a 1022 00:40:44,440 --> 00:40:44,920 Speaker 2: fucking arc. 1023 00:40:45,200 --> 00:40:47,080 Speaker 1: While Peter pop Off is oldest fuck he's seventy five 1024 00:40:47,160 --> 00:40:47,520 Speaker 1: years old. 1025 00:40:47,600 --> 00:40:48,720 Speaker 3: How much what is his network? 1026 00:40:49,200 --> 00:40:50,440 Speaker 2: I got to see his tax returns. 1027 00:40:50,840 --> 00:40:52,719 Speaker 3: Peter Popof is selling spring water. 1028 00:40:53,440 --> 00:40:56,280 Speaker 2: But as opposed, I mean, that's that's the regular hustle 1029 00:40:56,600 --> 00:40:57,520 Speaker 2: at four am. 1030 00:40:57,640 --> 00:41:00,520 Speaker 3: It's not though, bring water. 1031 00:41:01,760 --> 00:41:04,839 Speaker 2: People would say doctor Sebbe and fucking Peter pop Off 1032 00:41:04,880 --> 00:41:05,480 Speaker 2: for the same person. 1033 00:41:05,520 --> 00:41:07,560 Speaker 3: No way you could argue that. No way you cannot 1034 00:41:07,640 --> 00:41:11,719 Speaker 3: argue that doctor Sebbe wasn't selling spring water. He wasn't 1035 00:41:11,760 --> 00:41:13,839 Speaker 3: saying you drink this water and you won't smoke crack. 1036 00:41:13,920 --> 00:41:16,480 Speaker 3: Ever again, doctor Sevee did not say that. 1037 00:41:16,600 --> 00:41:18,960 Speaker 2: He was saying, eat this plant and you'll live to 1038 00:41:18,960 --> 00:41:19,760 Speaker 2: one hundred and fifty. 1039 00:41:20,600 --> 00:41:22,799 Speaker 3: Nah. Well yes, and no, he. 1040 00:41:24,280 --> 00:41:25,440 Speaker 2: Didn't say one hundred and fifty. 1041 00:41:25,760 --> 00:41:28,279 Speaker 3: But he did say, you eat like this, you live healthy, live, 1042 00:41:28,360 --> 00:41:29,080 Speaker 3: and it's been proven. 1043 00:41:29,080 --> 00:41:29,799 Speaker 2: I'm just talking shit. 1044 00:41:30,280 --> 00:41:32,200 Speaker 3: I'm just saying somebody needs to get. 1045 00:41:32,080 --> 00:41:34,320 Speaker 1: White man coming for doctor Sebbey during black. 1046 00:41:35,560 --> 00:41:40,640 Speaker 3: Well today is well, yeah, tomorrow's the first, so back 1047 00:41:40,680 --> 00:41:44,680 Speaker 3: back why yeah, back to white power. We have some Listen, 1048 00:41:44,760 --> 00:41:46,400 Speaker 3: they gave us the short this month of the year. 1049 00:41:46,440 --> 00:41:47,120 Speaker 3: What you want us to do? 1050 00:41:47,200 --> 00:41:48,800 Speaker 1: We have exciting news coming today. 1051 00:41:49,520 --> 00:41:52,759 Speaker 2: Before we get to that, Who's who's the Jamaican or 1052 00:41:52,800 --> 00:41:56,240 Speaker 2: the fake Jamaican lady that was like miss clear, Miss. 1053 00:41:56,080 --> 00:42:00,839 Speaker 3: Clee, she don't watch it. She passed away if he is, but. 1054 00:42:00,760 --> 00:42:01,640 Speaker 1: She was coming out. 1055 00:42:01,640 --> 00:42:01,839 Speaker 3: Listen. 1056 00:42:01,880 --> 00:42:03,680 Speaker 2: People can pass away. I can still say they were scammers. 1057 00:42:03,680 --> 00:42:06,120 Speaker 2: Oh yeah, scammers do die. Yeah, absolutely, rest in peace 1058 00:42:06,120 --> 00:42:09,480 Speaker 2: and prayers were family and the tender swindler is not 1059 00:42:09,640 --> 00:42:10,520 Speaker 2: guilty of anything. 1060 00:42:11,080 --> 00:42:13,200 Speaker 3: No, I see people trying to just dumb yeah, like, 1061 00:42:13,239 --> 00:42:15,440 Speaker 3: don't get mad at the tender swindler because he had game. 1062 00:42:16,120 --> 00:42:18,760 Speaker 3: He was running game and if you was paying fucking 1063 00:42:18,840 --> 00:42:20,920 Speaker 3: fifteen dollars per minute while he was on hold for 1064 00:42:20,920 --> 00:42:23,120 Speaker 3: forty five and then Miss Cleo said, hey, you should 1065 00:42:23,200 --> 00:42:24,799 Speaker 3: leave the person that you don't like. 1066 00:42:26,440 --> 00:42:27,920 Speaker 2: Listen. I can't be mad at Miss clear. I'm mad 1067 00:42:28,000 --> 00:42:29,000 Speaker 2: like running game. 1068 00:42:29,200 --> 00:42:31,480 Speaker 3: It's all about That's why Peter pop Off. I'm not 1069 00:42:31,680 --> 00:42:33,960 Speaker 3: mad at. It's like, it's like, okay, but who was 1070 00:42:34,000 --> 00:42:36,520 Speaker 3: behind it? Because for him to be on TV doing that, 1071 00:42:37,200 --> 00:42:41,000 Speaker 3: somebody's pushing that Aquafina is he just blessing to SIGNI 1072 00:42:41,200 --> 00:42:44,640 Speaker 3: that's the worst water in the world. Aquafina design Wani 1073 00:42:44,680 --> 00:42:46,680 Speaker 3: by far. We always have this water talk by the way, 1074 00:42:46,719 --> 00:42:48,560 Speaker 3: so we don't have to go down, but Aquafina desni. 1075 00:42:49,440 --> 00:42:51,040 Speaker 3: We need to take all of those bottles and throw 1076 00:42:51,080 --> 00:42:51,800 Speaker 3: them shit somewhere. 1077 00:42:51,880 --> 00:42:53,640 Speaker 2: Did you call THEE again the number of the Peter 1078 00:42:53,719 --> 00:42:54,480 Speaker 2: pop Off number. 1079 00:42:54,960 --> 00:42:58,600 Speaker 3: I started to just for like jokes, but then I'm 1080 00:42:58,640 --> 00:43:01,040 Speaker 3: really looking at that shit like and I started thinking, like, Yo, 1081 00:43:01,080 --> 00:43:03,799 Speaker 3: there's a bigger there's somebody bigger behind this shit because 1082 00:43:03,800 --> 00:43:06,680 Speaker 3: they're pushing this shit on TV, which Anam was it. 1083 00:43:06,680 --> 00:43:10,919 Speaker 3: It might have been bet if I'm not mistaken. Huh yeah, 1084 00:43:10,920 --> 00:43:12,360 Speaker 3: Like that's what I was like, Wait a minute, like 1085 00:43:12,480 --> 00:43:14,760 Speaker 3: what is going on here? And of course the crackhead 1086 00:43:14,840 --> 00:43:19,240 Speaker 3: was black black lady smoke crack twenty five years white 1087 00:43:19,239 --> 00:43:21,640 Speaker 3: man gives a Poland spring and she don't want crack 1088 00:43:21,719 --> 00:43:22,040 Speaker 3: no more. 1089 00:43:22,239 --> 00:43:23,839 Speaker 2: I need to see what Peter Popoff looks like. 1090 00:43:24,200 --> 00:43:26,120 Speaker 3: He looks like the scary old man that you know 1091 00:43:26,320 --> 00:43:27,640 Speaker 3: used to sit in the school. 1092 00:43:27,680 --> 00:43:29,920 Speaker 1: It's crazy that he's even back because he got debunked 1093 00:43:30,000 --> 00:43:33,719 Speaker 1: years ago in nineteen eighty six. Well because he was 1094 00:43:33,800 --> 00:43:37,240 Speaker 1: using a concealed earpiece during his preachings to receive radio 1095 00:43:37,280 --> 00:43:39,960 Speaker 1: messages from his wife, who gave him the names, addresses, 1096 00:43:40,000 --> 00:43:43,560 Speaker 1: and ailments of audience members during his led during his 1097 00:43:43,640 --> 00:43:46,279 Speaker 1: religious services. So he was going up to people saying, 1098 00:43:46,320 --> 00:43:47,880 Speaker 1: I know your God's telling me you're going through this 1099 00:43:47,920 --> 00:43:49,080 Speaker 1: guy's telling me going through that. And it was a 1100 00:43:49,080 --> 00:43:51,480 Speaker 1: wife's wife, my wife in Google. 1101 00:43:51,640 --> 00:43:52,399 Speaker 3: My wife was God. 1102 00:43:52,840 --> 00:43:56,200 Speaker 2: Who's the famous one that can talk to your dead relatives? 1103 00:43:57,560 --> 00:43:58,640 Speaker 2: He's like the most famous or. 1104 00:43:58,600 --> 00:44:04,840 Speaker 3: What we go working ghosts, the little kid from success, 1105 00:44:05,840 --> 00:44:07,840 Speaker 3: these mad people that can talk to people. 1106 00:44:08,600 --> 00:44:12,520 Speaker 1: H Tyler Henry or no, it was another one John Edward. 1107 00:44:12,880 --> 00:44:15,680 Speaker 2: I forgot, but my mom and aunt went to them 1108 00:44:15,719 --> 00:44:18,680 Speaker 2: ships forever, and I used to fucking hate it. Right 1109 00:44:19,640 --> 00:44:24,120 Speaker 2: then my mom her pardon, my aunt and my cousin's 1110 00:44:24,120 --> 00:44:27,600 Speaker 2: wife went to one in Long Island, and I I 1111 00:44:27,640 --> 00:44:29,920 Speaker 2: have to kind of take it back. They got their 1112 00:44:29,920 --> 00:44:33,440 Speaker 2: ship red and it was accurate, down to the fucking 1113 00:44:33,520 --> 00:44:36,360 Speaker 2: tea of everything, like a bunch of shit that you 1114 00:44:36,360 --> 00:44:38,680 Speaker 2: probably couldn't know. So I think there are some people 1115 00:44:38,680 --> 00:44:39,200 Speaker 2: out there that. 1116 00:44:39,120 --> 00:44:40,719 Speaker 1: Can probably definitely are. 1117 00:44:41,120 --> 00:44:43,719 Speaker 2: I just don't think they're on four AM on a 1118 00:44:43,800 --> 00:44:48,040 Speaker 2: Viacom channel giving out water like gard War like Nordward. 1119 00:44:48,200 --> 00:44:50,279 Speaker 4: Yeah, like he knows a lot of shit about people 1120 00:44:50,320 --> 00:44:51,560 Speaker 4: and we don't even know where he gets stuff. 1121 00:44:51,640 --> 00:44:52,600 Speaker 2: He talks to their manager. 1122 00:44:52,880 --> 00:44:57,160 Speaker 1: Oh I'm sorry, I don't I'm not experienced, moss face. 1123 00:44:57,239 --> 00:44:57,760 Speaker 1: I can't. 1124 00:44:58,120 --> 00:45:00,600 Speaker 3: Whenever, whenever nard Ward want to do more, I'm gonna 1125 00:45:00,600 --> 00:45:03,279 Speaker 3: give him the most false information ever and saying like, no, 1126 00:45:03,400 --> 00:45:03,960 Speaker 3: I don't even know. 1127 00:45:03,960 --> 00:45:04,319 Speaker 2: What this is. 1128 00:45:04,400 --> 00:45:07,520 Speaker 3: Oh yeah, I don't believe in that though. I don't 1129 00:45:07,520 --> 00:45:08,880 Speaker 3: believe in psychics. 1130 00:45:08,640 --> 00:45:09,480 Speaker 2: Really, why. 1131 00:45:11,719 --> 00:45:14,040 Speaker 3: Only because I feel like I feel like the psychic 1132 00:45:14,120 --> 00:45:20,560 Speaker 3: thing is very broad right for the most part, like 1133 00:45:20,640 --> 00:45:23,480 Speaker 3: they tell you your relative, I'm seeing the letter P 1134 00:45:23,840 --> 00:45:27,120 Speaker 3: letter D. It's like it's uncle PAULI. 1135 00:45:27,520 --> 00:45:30,280 Speaker 2: So okay, I was with that shit too, and I was, 1136 00:45:30,600 --> 00:45:33,200 Speaker 2: come on, I was pissed at my family for always 1137 00:45:33,200 --> 00:45:35,680 Speaker 2: going shit wasting all that money because ninety nine point 1138 00:45:35,719 --> 00:45:37,000 Speaker 2: nine percent of the time you just go and don't 1139 00:45:37,000 --> 00:45:39,320 Speaker 2: get read. You wait in line for fucking five hours, 1140 00:45:39,320 --> 00:45:41,560 Speaker 2: and then he reads some member in the audience, who 1141 00:45:41,600 --> 00:45:43,399 Speaker 2: I was like, that person's planted mom, Like. 1142 00:45:43,520 --> 00:45:44,160 Speaker 3: Yeah, yeah. 1143 00:45:44,160 --> 00:45:49,799 Speaker 2: So when my cousin's sister got everything red, it wasn't 1144 00:45:49,840 --> 00:45:53,440 Speaker 2: generic shit, like he went down to exactly where my 1145 00:45:53,560 --> 00:45:57,600 Speaker 2: cousin was when my other cousin had passed, what he 1146 00:45:57,680 --> 00:46:00,920 Speaker 2: was doing, throwing shoes down to explain my entire tattoo 1147 00:46:01,080 --> 00:46:05,120 Speaker 2: with Missy's name, and it got like really fucking creepy 1148 00:46:05,719 --> 00:46:08,520 Speaker 2: down to every like what everyone did when she passed. 1149 00:46:08,520 --> 00:46:13,000 Speaker 2: It was weird, down to her saying certain things about 1150 00:46:13,280 --> 00:46:15,640 Speaker 2: her husband's new relationship and the kids. 1151 00:46:15,719 --> 00:46:16,000 Speaker 3: It was. 1152 00:46:16,480 --> 00:46:19,160 Speaker 2: It wasn't the generic shit like is there anyone that's 1153 00:46:19,160 --> 00:46:22,320 Speaker 2: adopted in here? Oh, yes, your dead sister loves you 1154 00:46:22,400 --> 00:46:22,840 Speaker 2: like it was. 1155 00:46:22,880 --> 00:46:24,399 Speaker 3: It wasn't none of that ship you think I don't 1156 00:46:24,400 --> 00:46:25,920 Speaker 3: know that my dead relative loves. 1157 00:46:25,800 --> 00:46:28,640 Speaker 2: Like I'm saying, that's the scammer shit, but I felt 1158 00:46:28,719 --> 00:46:32,239 Speaker 2: that's what everything was until this happened to her. 1159 00:46:32,480 --> 00:46:35,160 Speaker 3: He's give me the mega million numbers. How about that 1160 00:46:35,400 --> 00:46:36,960 Speaker 3: there's well being? 1161 00:46:37,120 --> 00:46:39,040 Speaker 2: You think the dead knows the magamillion numbers? 1162 00:46:39,400 --> 00:46:40,800 Speaker 3: The psychic should. Yeah. 1163 00:46:41,640 --> 00:46:44,480 Speaker 1: You're describing as a medium. Yes, and that's someone who 1164 00:46:44,480 --> 00:46:47,400 Speaker 1: can commune with with spirits. 1165 00:46:47,480 --> 00:46:49,640 Speaker 3: Like when weether, they're still in between the real world 1166 00:46:49,719 --> 00:46:51,520 Speaker 3: and like the afterlife. Is that it? 1167 00:46:52,400 --> 00:46:52,560 Speaker 1: No? 1168 00:46:52,600 --> 00:46:55,040 Speaker 3: They like once they com clearly moved on to another realm, 1169 00:46:55,040 --> 00:46:56,319 Speaker 3: like they can still communicate with them. 1170 00:46:56,760 --> 00:47:00,400 Speaker 2: Did you watch that that uh dead series on on Netflix? 1171 00:47:00,440 --> 00:47:01,920 Speaker 2: I forgot the name of it, but it just it 1172 00:47:01,960 --> 00:47:04,080 Speaker 2: dealt with mediums. It dealt with people that had near 1173 00:47:04,080 --> 00:47:07,799 Speaker 2: death experiences. It dealt with recarnation. It was interesting, to 1174 00:47:07,840 --> 00:47:10,279 Speaker 2: say the least, if they got that many people to 1175 00:47:10,400 --> 00:47:11,120 Speaker 2: lie on camera. 1176 00:47:11,480 --> 00:47:13,680 Speaker 3: Then do you feel like we die when we sleep? 1177 00:47:13,719 --> 00:47:15,839 Speaker 3: Like a little bit, like, do you feel like that's 1178 00:47:15,840 --> 00:47:17,680 Speaker 3: how it is when you die? No? 1179 00:47:18,719 --> 00:47:19,239 Speaker 2: I don't think so. 1180 00:47:19,280 --> 00:47:20,560 Speaker 3: I think that's how it is when we die. 1181 00:47:20,760 --> 00:47:21,840 Speaker 1: You think it's like going to sleep. 1182 00:47:21,840 --> 00:47:23,600 Speaker 3: I think it's like going to sleep. And we just 1183 00:47:23,880 --> 00:47:25,320 Speaker 3: wake up if we're still alive. 1184 00:47:25,800 --> 00:47:28,560 Speaker 2: Well, a lot of near death experiences are based on 1185 00:47:29,040 --> 00:47:32,120 Speaker 2: this is what they say. A theory is based off 1186 00:47:32,200 --> 00:47:34,600 Speaker 2: of your brain releasing when you die, your brain releases 1187 00:47:34,600 --> 00:47:37,080 Speaker 2: all as DMT. DMT is also what our brain produces 1188 00:47:37,120 --> 00:47:39,759 Speaker 2: to dream, and when you die releases the most it 1189 00:47:39,800 --> 00:47:41,799 Speaker 2: ever can. And if you don't die, you just have 1190 00:47:41,840 --> 00:47:44,319 Speaker 2: a near death experience where people you're floating above your 1191 00:47:44,360 --> 00:47:46,680 Speaker 2: own body, or you can watch you in the ambulance, 1192 00:47:46,760 --> 00:47:49,279 Speaker 2: you can watch you getting operated on. That is all 1193 00:47:49,360 --> 00:47:53,400 Speaker 2: based off of what what our brain uses to dream 1194 00:47:53,440 --> 00:47:55,520 Speaker 2: more or less. And this isn't just a theory, It's 1195 00:47:55,520 --> 00:47:57,719 Speaker 2: not a fact by any means. So yeah, there is 1196 00:47:57,840 --> 00:48:01,680 Speaker 2: aspects I think of death your dreams and when you're sleeping, 1197 00:48:02,040 --> 00:48:04,839 Speaker 2: but I don't think it's like dying per se. 1198 00:48:05,480 --> 00:48:08,479 Speaker 3: I I was looking at something a few weeks ago 1199 00:48:08,520 --> 00:48:11,480 Speaker 3: about the effects of smoking weed, that what it has 1200 00:48:11,560 --> 00:48:14,479 Speaker 3: on your sleep and everything like that, and it was saying, 1201 00:48:14,520 --> 00:48:20,920 Speaker 3: how you know you lose your ability to like dream, 1202 00:48:21,280 --> 00:48:23,239 Speaker 3: and she's like that, and I think doctor gad he 1203 00:48:23,320 --> 00:48:24,799 Speaker 3: told us that, And that's when I started like really 1204 00:48:24,800 --> 00:48:27,400 Speaker 3: researching that. And I have noticed that sometimes when I 1205 00:48:27,400 --> 00:48:30,080 Speaker 3: don't smoke for like a week. Yeah, my dreams are 1206 00:48:30,120 --> 00:48:34,720 Speaker 3: a lot more vivid and intense. But when I'm high, 1207 00:48:35,040 --> 00:48:37,120 Speaker 3: I just like pass out and then forgot I even 1208 00:48:37,120 --> 00:48:37,800 Speaker 3: fell asleep. 1209 00:48:37,560 --> 00:48:39,400 Speaker 2: And nonum's your brain. The same thing with alcohol, you 1210 00:48:39,400 --> 00:48:42,480 Speaker 2: don't when you get drunk, you rarely have dreams, and 1211 00:48:42,520 --> 00:48:43,880 Speaker 2: if you do, you can't remember them. 1212 00:48:44,120 --> 00:48:46,560 Speaker 3: Well, you have dreams because you tell God that I'm 1213 00:48:46,600 --> 00:48:48,480 Speaker 3: never going to do this again. If you just take 1214 00:48:48,560 --> 00:48:50,839 Speaker 3: this pain away and this feeling and this alcohol out 1215 00:48:50,840 --> 00:48:53,399 Speaker 3: of my system, I promise I won't drink anymore. And then, 1216 00:48:53,600 --> 00:48:56,600 Speaker 3: like great American people, we lie to God all the 1217 00:48:56,640 --> 00:48:59,200 Speaker 3: time and we drink the next anti doctors. 1218 00:48:58,880 --> 00:49:05,000 Speaker 2: Yeah about our STDs and drug havits. But I microdos 1219 00:49:05,040 --> 00:49:08,359 Speaker 2: a little bit on the lithium, and I will say 1220 00:49:08,440 --> 00:49:12,800 Speaker 2: that my dreams weren't super vivid and intense. 1221 00:49:13,360 --> 00:49:15,160 Speaker 3: Yeah, you've been telling me about the lithium like you've 1222 00:49:15,160 --> 00:49:16,239 Speaker 3: been microdos in it. 1223 00:49:16,280 --> 00:49:20,040 Speaker 2: And the dreams are are not crazy per se. The 1224 00:49:20,080 --> 00:49:24,360 Speaker 2: first week, yes, they weren't like the happiest of dreams. 1225 00:49:24,400 --> 00:49:28,920 Speaker 2: They were super fucking intense. But when I say Nighttime 1226 00:49:28,960 --> 00:49:32,439 Speaker 2: is a fucking like the right movie for real, off 1227 00:49:32,440 --> 00:49:36,000 Speaker 2: that ship because again it's it's not shutting your your 1228 00:49:36,040 --> 00:49:39,000 Speaker 2: brain down. And as he was saying, you need rem 1229 00:49:39,120 --> 00:49:41,879 Speaker 2: sleep and alcohol and weed can stop from rems sleep 1230 00:49:41,920 --> 00:49:45,080 Speaker 2: because it's not letting your fucking brain have it. And 1231 00:49:45,160 --> 00:49:47,880 Speaker 2: you dream the most during rem them. Shit is kind 1232 00:49:47,920 --> 00:49:50,840 Speaker 2: of crazy. That might be a whole other world lithium 1233 00:49:51,040 --> 00:49:51,560 Speaker 2: in dreaming. 1234 00:49:52,520 --> 00:49:54,319 Speaker 3: I want to try, I want I want to do 1235 00:49:54,680 --> 00:49:55,440 Speaker 3: of lithium. 1236 00:49:55,840 --> 00:49:56,400 Speaker 2: I think you should. 1237 00:49:56,440 --> 00:49:57,160 Speaker 3: Yeah, I'm try it. 1238 00:49:57,640 --> 00:49:58,239 Speaker 2: I think you should. 1239 00:49:58,600 --> 00:49:58,960 Speaker 3: Yeah. 1240 00:49:59,080 --> 00:50:01,520 Speaker 4: Do you guys believe that your life flashes before your 1241 00:50:01,520 --> 00:50:02,359 Speaker 4: eyes when you die? 1242 00:50:03,800 --> 00:50:06,720 Speaker 1: When you die, I hope now I'm trying to escape 1243 00:50:06,719 --> 00:50:07,040 Speaker 1: that shit. 1244 00:50:10,480 --> 00:50:12,359 Speaker 3: My life flashed before my eyes when the cops pull 1245 00:50:12,400 --> 00:50:15,600 Speaker 3: up behind me. That's part of being black in America 1246 00:50:15,600 --> 00:50:19,800 Speaker 3: at it. But I do think that at some point, 1247 00:50:19,880 --> 00:50:24,359 Speaker 3: if you feel like you're dying, I think that your 1248 00:50:24,360 --> 00:50:27,960 Speaker 3: brain is so powerful that you can definitely, you know, 1249 00:50:28,400 --> 00:50:30,560 Speaker 3: relive a lot of moments, start to just flash your 1250 00:50:30,560 --> 00:50:32,759 Speaker 3: head and things like that, because I think in a 1251 00:50:32,800 --> 00:50:35,400 Speaker 3: weird way, not that I ever had a near death experience, 1252 00:50:35,480 --> 00:50:37,640 Speaker 3: but I think that when you feel like you're dying, 1253 00:50:37,719 --> 00:50:41,760 Speaker 3: I feel like your brain is just like on overload, 1254 00:50:41,880 --> 00:50:44,719 Speaker 3: like it's so much you're thinking about, oh my god, 1255 00:50:44,760 --> 00:50:46,200 Speaker 3: I'm never going to be able to see this person again. 1256 00:50:46,239 --> 00:50:48,080 Speaker 3: I'm never going to experience this like this is it. 1257 00:50:48,120 --> 00:50:50,319 Speaker 3: I'm dying, like so your brain is all over. So 1258 00:50:50,360 --> 00:50:53,440 Speaker 3: I do think that when we say life flashes, I 1259 00:50:53,480 --> 00:50:57,520 Speaker 3: do think you're getting like a flash of like everything 1260 00:50:57,560 --> 00:50:59,879 Speaker 3: you've ever seen and experience in your life at one time. 1261 00:51:00,000 --> 00:51:01,879 Speaker 3: It's just like running through your mind because you feel 1262 00:51:01,880 --> 00:51:04,520 Speaker 3: like this is it. This is everything that I experienced, 1263 00:51:04,520 --> 00:51:06,560 Speaker 3: and this is it, Like it's over. So I do 1264 00:51:07,040 --> 00:51:09,799 Speaker 3: think so. I mean, thankfully I've never had a near 1265 00:51:09,800 --> 00:51:10,520 Speaker 3: death experience. 1266 00:51:11,040 --> 00:51:15,640 Speaker 2: Well, I mean, your body naturally protects you in traumatic moments, 1267 00:51:15,800 --> 00:51:18,480 Speaker 2: whether that be blacking out or going into shock where 1268 00:51:18,480 --> 00:51:21,160 Speaker 2: you can't feel shit when physical pain. So I'm sure 1269 00:51:21,200 --> 00:51:24,960 Speaker 2: when you're dying, your brain is protecting you more or 1270 00:51:25,040 --> 00:51:28,400 Speaker 2: less from the death that's currently happening. So yeah, I 1271 00:51:28,400 --> 00:51:30,560 Speaker 2: think that might be a distraction, like, hey, check out 1272 00:51:30,560 --> 00:51:34,000 Speaker 2: this real, mama, chalk out this TikTok of your life. 1273 00:51:34,680 --> 00:51:36,680 Speaker 3: I remember one time my mom was beating my ass 1274 00:51:36,680 --> 00:51:40,400 Speaker 3: and I had like an outer body experience. Likely I 1275 00:51:40,440 --> 00:51:41,759 Speaker 3: really thought my mom was trying to kill me. 1276 00:51:41,880 --> 00:51:42,719 Speaker 2: Beat the DMT at it. 1277 00:51:42,800 --> 00:51:45,520 Speaker 3: Oh my god, she was letting me have it. This day, 1278 00:51:45,719 --> 00:51:47,680 Speaker 3: I forgot what I I think I was. I was 1279 00:51:47,680 --> 00:51:49,800 Speaker 3: supposed to have a It was like I might have 1280 00:51:49,840 --> 00:51:52,600 Speaker 3: been about eleven or ten years old, and I think 1281 00:51:52,640 --> 00:51:55,560 Speaker 3: I was having a birthday party that day. So like 1282 00:51:55,600 --> 00:51:58,080 Speaker 3: I remember three of my friends from school had spent 1283 00:51:58,120 --> 00:52:00,440 Speaker 3: the night and everybody was getting dressed, and I think 1284 00:52:00,440 --> 00:52:02,560 Speaker 3: I was doing something. I was acting up because my 1285 00:52:02,560 --> 00:52:04,799 Speaker 3: friends were over, you know, kind of showing out, and 1286 00:52:04,880 --> 00:52:07,120 Speaker 3: my mom kept talking to me, repeating, til hurry up, 1287 00:52:07,160 --> 00:52:08,799 Speaker 3: do this, do this, like we gotta go, we gotta go. 1288 00:52:09,840 --> 00:52:13,320 Speaker 3: I'm bullshitting, and my mom just came in the room 1289 00:52:13,719 --> 00:52:17,160 Speaker 3: and just started fucking going to town on my ass. 1290 00:52:17,760 --> 00:52:19,640 Speaker 3: And I was trying to get like under the bed, 1291 00:52:20,440 --> 00:52:23,440 Speaker 3: like to get to get away from her. And then 1292 00:52:23,560 --> 00:52:25,839 Speaker 3: like it's the bed seemed my room, you know how 1293 00:52:25,840 --> 00:52:28,120 Speaker 3: when you're younger, your room seems so big for sure, 1294 00:52:28,560 --> 00:52:31,320 Speaker 3: Like my room was not that big, but I promise 1295 00:52:31,400 --> 00:52:33,719 Speaker 3: you it was like the bed underneath the bed was 1296 00:52:33,800 --> 00:52:36,120 Speaker 3: so big. I was like, how can she still get 1297 00:52:36,160 --> 00:52:37,600 Speaker 3: under here? Like I was she still hitting me. 1298 00:52:37,640 --> 00:52:38,280 Speaker 2: She's an adult. 1299 00:52:39,440 --> 00:52:43,759 Speaker 3: Reach I remember that ship and like that moment, I 1300 00:52:43,760 --> 00:52:45,520 Speaker 3: felt like my mom was greaty, that might be my 1301 00:52:45,560 --> 00:52:49,319 Speaker 3: near death experience. Yeah, I felt like my mom. I 1302 00:52:49,360 --> 00:52:53,319 Speaker 3: was trying to like just like teleport out of my 1303 00:52:53,320 --> 00:52:55,719 Speaker 3: fucking bedroom at that point, Like mentally, I was like, 1304 00:52:55,760 --> 00:52:57,560 Speaker 3: how do I get from underneath this bed and just 1305 00:52:57,560 --> 00:52:59,640 Speaker 3: like into another room? Yeah, Like I was like, can 1306 00:52:59,680 --> 00:53:01,279 Speaker 3: I flow through this wall right now? Because she is 1307 00:53:01,400 --> 00:53:02,839 Speaker 3: under here whaeling me out? 1308 00:53:03,080 --> 00:53:05,680 Speaker 2: You had to click your uptowns three times to get out. 1309 00:53:05,600 --> 00:53:08,759 Speaker 1: Of the bronx. Did you have to button up your 1310 00:53:08,800 --> 00:53:10,920 Speaker 1: button up and go enjoy your party? 1311 00:53:11,040 --> 00:53:14,719 Speaker 3: Oh? Yeah, Snoddy knows and everything. And you know what 1312 00:53:14,760 --> 00:53:16,760 Speaker 3: the great part about it is once I got dressed, 1313 00:53:16,760 --> 00:53:18,759 Speaker 3: like once my mom stopped hitting me, telling me, all right, 1314 00:53:18,800 --> 00:53:20,800 Speaker 3: now get your ass dressed. Of course, I'm go in 1315 00:53:20,840 --> 00:53:22,400 Speaker 3: the living room in my homies just all sitting there 1316 00:53:22,400 --> 00:53:24,080 Speaker 3: on the couch like nobody. 1317 00:53:23,840 --> 00:53:28,239 Speaker 1: Saying fucking worst niggas was sitting there like. 1318 00:53:29,320 --> 00:53:30,960 Speaker 3: Yo, this nigga mobs just crazy. 1319 00:53:31,080 --> 00:53:31,759 Speaker 2: Was your sister there? 1320 00:53:32,040 --> 00:53:32,799 Speaker 3: Of course she was. 1321 00:53:33,200 --> 00:53:34,759 Speaker 2: She has to come on the podcast. When she laughed 1322 00:53:34,800 --> 00:53:37,719 Speaker 2: at me, I want to interview your sister. Please, don't 1323 00:53:37,840 --> 00:53:39,719 Speaker 2: know what do you want to take an episode off? 1324 00:53:40,000 --> 00:53:41,080 Speaker 2: Just met the maras and your sister. 1325 00:53:41,440 --> 00:53:44,000 Speaker 3: No, thank you, thank you, but no, thank you. 1326 00:53:44,080 --> 00:53:45,480 Speaker 1: Well, we weren't really asking you. 1327 00:53:46,400 --> 00:53:48,640 Speaker 2: Yeah, we're just gonna say when episode's canceled and not 1328 00:53:48,760 --> 00:53:50,080 Speaker 2: tell you everyone's gonna show it. 1329 00:53:50,120 --> 00:53:52,440 Speaker 3: But you, why do you want to interview. 1330 00:53:52,160 --> 00:53:54,160 Speaker 1: My family because she's fucking hilarious. 1331 00:53:54,200 --> 00:53:54,880 Speaker 2: I love your sister. 1332 00:53:55,160 --> 00:53:56,440 Speaker 3: I love my sister. I don't want to and I 1333 00:53:56,480 --> 00:53:59,239 Speaker 3: don't want to be interviewed. Well we do, though I know. 1334 00:54:01,160 --> 00:54:03,120 Speaker 2: You can tell us what you want. I don't understand 1335 00:54:03,160 --> 00:54:05,000 Speaker 2: what you have to do with this outside of you 1336 00:54:05,080 --> 00:54:07,120 Speaker 2: being one of the topics of conversation in the interview. 1337 00:54:07,160 --> 00:54:08,759 Speaker 1: And it's not like it's a regular sister, it's a twin. 1338 00:54:08,840 --> 00:54:11,040 Speaker 1: Like we ain't trying to interview bigs like it's a twin. 1339 00:54:12,920 --> 00:54:15,160 Speaker 3: No, no, no. 1340 00:54:15,080 --> 00:54:15,960 Speaker 2: But I understand that. 1341 00:54:16,040 --> 00:54:18,440 Speaker 3: But no, yeah, yeah, yeah, but no, I think. 1342 00:54:18,320 --> 00:54:20,000 Speaker 2: There'd be some fun childhood stories. 1343 00:54:20,760 --> 00:54:23,120 Speaker 3: Oh no, I have listen, I had a great childhood. 1344 00:54:23,120 --> 00:54:26,239 Speaker 3: I'm not gonna lie, like, looking back, I've had, you know, 1345 00:54:26,800 --> 00:54:30,200 Speaker 3: those asshoops I deserved looking back, I absolutely deserve to 1346 00:54:30,239 --> 00:54:30,960 Speaker 3: have my ass beat. 1347 00:54:31,920 --> 00:54:36,280 Speaker 2: Do you blame anything on your sister? Got her blame? 1348 00:54:36,800 --> 00:54:40,960 Speaker 3: Nah, not blame I remember trying to take asshoopings for 1349 00:54:41,040 --> 00:54:41,480 Speaker 3: my sister. 1350 00:54:41,760 --> 00:54:43,480 Speaker 2: I don't try to sound cool. 1351 00:54:43,719 --> 00:54:46,400 Speaker 3: You know I did, right, noble, I did. She'll tell 1352 00:54:46,400 --> 00:54:48,400 Speaker 3: you that I tried to take asshoms for her before. 1353 00:54:48,560 --> 00:54:50,040 Speaker 2: Being stand up in your bedroom. 1354 00:54:50,239 --> 00:54:54,960 Speaker 3: Yeah, stand as a child hit me? Did your mother 1355 00:54:55,040 --> 00:54:55,560 Speaker 3: hit you? Like? 1356 00:54:55,640 --> 00:54:56,440 Speaker 6: Ah? 1357 00:54:56,440 --> 00:54:59,120 Speaker 3: That ship? My mom's had this one belt. I promise 1358 00:54:59,200 --> 00:55:01,799 Speaker 3: you this belt should be illegal. That wasn't leave. That 1359 00:55:01,840 --> 00:55:04,799 Speaker 3: ship was like steel and like I think it was 1360 00:55:04,840 --> 00:55:06,759 Speaker 3: the you know, the belt, the whip that wonder woman has. 1361 00:55:06,840 --> 00:55:08,120 Speaker 2: I heard that's what made you a vegan. 1362 00:55:08,239 --> 00:55:11,719 Speaker 3: That's what I heard getting beat that belt specifically for 1363 00:55:11,760 --> 00:55:20,799 Speaker 3: the level. Yeah, what happened with you was having something 1364 00:55:20,840 --> 00:55:23,640 Speaker 3: I think you said a studio session over the weekend. 1365 00:55:23,680 --> 00:55:24,720 Speaker 3: Weren't you? 1366 00:55:24,719 --> 00:55:27,600 Speaker 2: No, I was been with Aaron Ray last weekend. I 1367 00:55:27,640 --> 00:55:28,480 Speaker 2: slept this a weekend. 1368 00:55:28,760 --> 00:55:30,760 Speaker 3: Okay, damn, that was a week already. 1369 00:55:30,880 --> 00:55:32,200 Speaker 1: It was time is fine. 1370 00:55:32,600 --> 00:55:36,879 Speaker 2: I did watch eight Miles on TV. Eight Mile, Yeah, 1371 00:55:37,040 --> 00:55:38,600 Speaker 2: I had watched eight Mile in a really long time. 1372 00:55:39,239 --> 00:55:42,839 Speaker 2: A great movie. But Macay Feiffer's wig in that movie 1373 00:55:42,920 --> 00:55:44,000 Speaker 2: is fucking insane. 1374 00:55:44,080 --> 00:55:44,680 Speaker 3: It's disturbing. 1375 00:55:44,800 --> 00:55:45,440 Speaker 1: Is it a classic? 1376 00:55:45,520 --> 00:55:47,880 Speaker 2: It's on top of his shape up, yeah, but not 1377 00:55:47,960 --> 00:55:50,080 Speaker 2: the way you shape dreads up. It's on top of it. 1378 00:55:50,400 --> 00:55:52,600 Speaker 3: It's just sitting on top of his head. Disgusting. 1379 00:55:52,880 --> 00:55:54,359 Speaker 1: Is it a classic eight mile? 1380 00:55:54,560 --> 00:55:56,880 Speaker 3: Yeah? Yeah, I think it's classic movie, a classic movie. 1381 00:55:57,960 --> 00:56:01,439 Speaker 2: I do think Lotto watched eminem in that that round. 1382 00:56:01,440 --> 00:56:02,759 Speaker 2: He shouldn't have went to the finals? 1383 00:56:04,160 --> 00:56:05,279 Speaker 3: What did what was his verse? 1384 00:56:05,320 --> 00:56:07,800 Speaker 2: What was he smoked him? 1385 00:56:08,160 --> 00:56:09,960 Speaker 3: You think Lotto smoked rabbit? 1386 00:56:10,320 --> 00:56:10,600 Speaker 2: Yes? 1387 00:56:12,000 --> 00:56:14,080 Speaker 3: Was that the was that the championship round? No? 1388 00:56:14,160 --> 00:56:15,520 Speaker 2: I was to get into the championship. 1389 00:56:15,560 --> 00:56:19,719 Speaker 3: Oh, Lotto was the the dude. It wasn't the dude 1390 00:56:19,719 --> 00:56:22,680 Speaker 3: with the do rag, was it? No? That was it 1391 00:56:22,719 --> 00:56:23,560 Speaker 3: was a dude with the braids. 1392 00:56:24,080 --> 00:56:28,480 Speaker 2: That was lickety split. I just watch the movie, man. 1393 00:56:28,480 --> 00:56:30,800 Speaker 3: Why does your brain retain these these names? 1394 00:56:31,320 --> 00:56:34,560 Speaker 1: Somebody sent me that fucking that that scene from Loving 1395 00:56:34,600 --> 00:56:37,600 Speaker 1: Basketball and I Rory imitated. I was fucking screaming. 1396 00:56:38,000 --> 00:56:38,520 Speaker 3: Was I right? Though? 1397 00:56:40,840 --> 00:56:42,479 Speaker 1: You were entirely to our point. 1398 00:56:43,800 --> 00:56:44,960 Speaker 2: I don't know if we can play this for the 1399 00:56:45,000 --> 00:56:46,279 Speaker 2: for YouTube, maybe won't be able to hear this. 1400 00:56:46,320 --> 00:56:56,680 Speaker 6: But on the last Day's beat, I'll split a racist. 1401 00:56:54,840 --> 00:56:57,880 Speaker 4: This doesn't die in this movie? 1402 00:57:00,239 --> 00:57:01,000 Speaker 2: And nother lyrics. 1403 00:57:01,040 --> 00:57:08,279 Speaker 3: Yes, so I'm likes Gonna Field. 1404 00:57:09,080 --> 00:57:11,239 Speaker 2: How do you know all the lyrics I love all 1405 00:57:11,280 --> 00:57:13,920 Speaker 2: these the one you comitt suicide. 1406 00:57:13,440 --> 00:57:17,760 Speaker 1: Dude, I can't talk shit. I know the parody version 1407 00:57:17,800 --> 00:57:19,640 Speaker 1: from Malibu's Most Wanted. 1408 00:57:19,720 --> 00:57:20,480 Speaker 3: I know all of. 1409 00:57:20,400 --> 00:57:23,720 Speaker 2: Those traffic traffic looking for some chapstick. There's a Ford Maverick. 1410 00:57:24,040 --> 00:57:27,880 Speaker 2: I don't know the lyrics A million dollars. I just 1411 00:57:27,880 --> 00:57:31,680 Speaker 2: think I think Big Lotto should do a collab with 1412 00:57:31,680 --> 00:57:32,120 Speaker 2: this Lotto. 1413 00:57:32,320 --> 00:57:35,720 Speaker 1: That'll be funny. Should battle him big little, small Little. 1414 00:57:36,040 --> 00:57:38,280 Speaker 2: But yeah, M got washed on that one. That's just 1415 00:57:38,680 --> 00:57:41,000 Speaker 2: how I feel. And who made popa doc like this? 1416 00:57:41,600 --> 00:57:43,840 Speaker 2: Crazy scary lyricists. We've never even seen him rap. 1417 00:57:44,600 --> 00:57:46,040 Speaker 3: He was standing over like he was the leader of 1418 00:57:46,080 --> 00:57:46,320 Speaker 3: the game. 1419 00:57:47,000 --> 00:57:48,040 Speaker 2: We've never seen him rap. 1420 00:57:48,480 --> 00:57:50,400 Speaker 3: That movie was it was a good movie because we 1421 00:57:50,480 --> 00:57:53,160 Speaker 3: I don't think we've seen that in a movie before 1422 00:57:53,200 --> 00:57:53,640 Speaker 3: that happened. 1423 00:57:53,720 --> 00:57:55,640 Speaker 2: Yeah, oh no, it's a it's an amazing movie. 1424 00:57:55,680 --> 00:57:57,640 Speaker 3: Yeah, there was definitely some parts and it was like 1425 00:57:57,680 --> 00:58:00,640 Speaker 3: it doesn't happen like that. No, run around like a 1426 00:58:00,640 --> 00:58:03,480 Speaker 3: gang and they all rap like this doesn't happen like that, 1427 00:58:03,520 --> 00:58:06,360 Speaker 3: doesn't happen like that. I went to the movies to see. 1428 00:58:06,160 --> 00:58:08,120 Speaker 2: A mile Actually, I think I probably did too. 1429 00:58:08,280 --> 00:58:09,800 Speaker 1: But you was talking about me for going to the 1430 00:58:09,840 --> 00:58:11,280 Speaker 1: movies to go see stomp the Yard. 1431 00:58:12,200 --> 00:58:14,520 Speaker 3: Stop you on an eight mile or two? Totally, they're 1432 00:58:14,640 --> 00:58:18,880 Speaker 3: kind of not though what they're kind of kind of 1433 00:58:18,920 --> 00:58:21,520 Speaker 3: the same. Nah man, no way, I'm not letting y'all 1434 00:58:21,560 --> 00:58:22,000 Speaker 3: do that. Stop. 1435 00:58:23,000 --> 00:58:25,720 Speaker 1: He's talking, you got served a rap battling. 1436 00:58:25,480 --> 00:58:26,440 Speaker 2: You got served? 1437 00:58:26,800 --> 00:58:29,600 Speaker 3: What you got served? You Got served is a way 1438 00:58:29,600 --> 00:58:31,320 Speaker 3: better movie than fucking Stomped the Yard. 1439 00:58:31,400 --> 00:58:34,760 Speaker 1: Okay, but eight mile eight mile, it's the same thing. 1440 00:58:34,800 --> 00:58:38,880 Speaker 1: It's like the whole hero becomes you win, that whole 1441 00:58:38,920 --> 00:58:42,439 Speaker 1: thing underdog wins. Like it's the same ship, the same 1442 00:58:42,600 --> 00:58:43,960 Speaker 1: kind of movie, it's the same genre. 1443 00:58:44,080 --> 00:58:44,400 Speaker 4: Okay. 1444 00:58:44,600 --> 00:58:47,600 Speaker 2: All I know is em and is Brittany Murphy rest 1445 00:58:47,600 --> 00:58:47,919 Speaker 2: in peace? 1446 00:58:48,000 --> 00:58:48,240 Speaker 3: Yes? 1447 00:58:49,680 --> 00:58:53,360 Speaker 2: Him fucking in the factory. That scene was wild, Like 1448 00:58:53,360 --> 00:58:54,720 Speaker 2: I want to know who wrote that and where that 1449 00:58:54,760 --> 00:58:58,960 Speaker 2: inspiration came from. He was on lunch at a fucking plant, 1450 00:58:59,800 --> 00:59:02,840 Speaker 2: a fucking auto plant, and she just came up to 1451 00:59:03,000 --> 00:59:04,760 Speaker 2: a lunch truck and they didn't even say a word 1452 00:59:04,760 --> 00:59:06,880 Speaker 2: to each other. They just knew to run next to 1453 00:59:07,360 --> 00:59:10,360 Speaker 2: the toxic machine that would crush both of us. 1454 00:59:10,440 --> 00:59:12,400 Speaker 3: You know the look, you know the look when it's 1455 00:59:12,400 --> 00:59:13,080 Speaker 3: like she wanted to. 1456 00:59:13,600 --> 00:59:15,760 Speaker 2: Never gotten the look where we should go into an 1457 00:59:15,800 --> 00:59:17,520 Speaker 2: industrial plant next to us. 1458 00:59:17,600 --> 00:59:21,120 Speaker 1: You maybe like a COVID gotten the work look. 1459 00:59:21,520 --> 00:59:25,960 Speaker 3: And then after he beat, after he beat, they underwear 1460 00:59:25,960 --> 00:59:26,280 Speaker 3: back on. 1461 00:59:26,440 --> 00:59:28,640 Speaker 2: She went, my friends think you're crazy. I think both 1462 00:59:28,680 --> 00:59:29,320 Speaker 2: y'all are crazy. 1463 00:59:30,400 --> 00:59:33,160 Speaker 3: That's why she gave the pussy. You know girls like crazy, Absolutely, 1464 00:59:33,400 --> 00:59:33,880 Speaker 3: that's why she did. 1465 00:59:33,960 --> 00:59:36,360 Speaker 2: But imagine right after you nut, she goes, my friends 1466 00:59:36,400 --> 00:59:37,800 Speaker 2: think you're crazy. 1467 00:59:37,360 --> 00:59:39,280 Speaker 3: And she gave him some pussy after didn't he like, 1468 00:59:39,520 --> 00:59:41,520 Speaker 3: wasn't he battling by the truck It. 1469 00:59:41,480 --> 00:59:42,800 Speaker 2: Was balleting and exhibit and. 1470 00:59:44,520 --> 00:59:48,200 Speaker 3: He was, I forgot, it's a sick a movie, like, 1471 00:59:48,400 --> 00:59:50,400 Speaker 3: I don't even think his bars was like that impressed 1472 00:59:50,520 --> 00:59:51,800 Speaker 3: to get some pussy right after. 1473 00:59:51,600 --> 00:59:53,560 Speaker 2: That, I mean he kind of tore exhibit up and 1474 00:59:53,600 --> 00:59:56,000 Speaker 2: he defended the gay dude to show like how progressive. 1475 00:59:55,520 --> 00:59:58,600 Speaker 4: He was in two thousand and three, except he use. 1476 00:59:58,560 --> 00:59:59,560 Speaker 2: Gay slurs while he was. 1477 01:00:01,480 --> 01:00:04,360 Speaker 3: That movie was all over. That movie was all over 1478 01:00:04,400 --> 01:00:05,680 Speaker 3: the fucking place, man. 1479 01:00:07,040 --> 01:00:10,520 Speaker 2: That's fucking Chetta Bob. When plaquesco on himself that it 1480 01:00:10,640 --> 01:00:13,200 Speaker 2: was an interesting movie. That'll get rich of I trying 1481 01:00:14,800 --> 01:00:16,120 Speaker 2: a mile is probably better than get rich ofd I 1482 01:00:16,160 --> 01:00:19,560 Speaker 2: trying We might need to save the breakdown and get 1483 01:00:19,600 --> 01:00:22,120 Speaker 2: Richard I trying. That movie is all over the fucking place. 1484 01:00:22,480 --> 01:00:24,760 Speaker 3: Eight miles better than Get rich of that trying, but. 1485 01:00:24,760 --> 01:00:25,520 Speaker 2: I like to get rich of that. 1486 01:00:25,760 --> 01:00:29,200 Speaker 3: I did too. Script is just it was like a good, 1487 01:00:29,280 --> 01:00:32,040 Speaker 3: bad written movie. That script is just literally all over 1488 01:00:32,080 --> 01:00:35,400 Speaker 3: the place. But eight Miles definitely to me a better 1489 01:00:35,400 --> 01:00:36,120 Speaker 3: movie than Get Richard. 1490 01:00:36,160 --> 01:00:38,400 Speaker 2: I trying gangst Grandpa, and I'm proud of it. 1491 01:00:42,760 --> 01:00:51,800 Speaker 3: Yo, nobody's ever telling their grandfather in court Grandpa, I'm 1492 01:00:51,840 --> 01:00:53,480 Speaker 3: proud of it. 1493 01:00:53,520 --> 01:00:56,160 Speaker 2: In Young fifty, they put that fucking make pounds of 1494 01:00:56,200 --> 01:00:59,400 Speaker 2: makeup on him. Looked like a makeup tutorial when he 1495 01:00:59,440 --> 01:01:00,000 Speaker 2: was in high school. 1496 01:01:00,360 --> 01:01:02,320 Speaker 3: I want to know that big ass apartment that fifty 1497 01:01:02,360 --> 01:01:04,920 Speaker 3: got when he he moved out for free. Yeah, like 1498 01:01:04,960 --> 01:01:07,000 Speaker 3: I would have. Oh yeah, it was clean it up, 1499 01:01:07,040 --> 01:01:08,440 Speaker 3: you know, so much space he had. 1500 01:01:08,440 --> 01:01:11,640 Speaker 2: And my favorite ship was and they threw some wild 1501 01:01:12,040 --> 01:01:15,640 Speaker 2: loud ass party, mad chicks smoking, drinking fifty in the 1502 01:01:15,640 --> 01:01:19,600 Speaker 2: bedroom with the thinnest door ever writing rons may if 1503 01:01:19,600 --> 01:01:21,440 Speaker 2: you're bout there and fuck with the bitches. 1504 01:01:21,280 --> 01:01:21,680 Speaker 3: Write that. 1505 01:01:23,840 --> 01:01:25,160 Speaker 1: Right, you get some inspiration. 1506 01:01:26,960 --> 01:01:28,800 Speaker 2: Oh but yeah, that was my That was my weekend 1507 01:01:28,840 --> 01:01:30,640 Speaker 2: sleeping eight mile having to be. 1508 01:01:30,600 --> 01:01:32,840 Speaker 3: On Uh what did I do this weekend? 1509 01:01:32,840 --> 01:01:36,240 Speaker 2: I went to ask the club of course, Uh, because. 1510 01:01:35,960 --> 01:01:37,400 Speaker 3: You know, the homies from the UK here, so they 1511 01:01:37,520 --> 01:01:38,200 Speaker 3: want to go get something. 1512 01:01:38,240 --> 01:01:39,240 Speaker 1: The homies from the. 1513 01:01:39,240 --> 01:01:41,320 Speaker 2: UK didn't didn't tell us about that. We can't hang 1514 01:01:41,360 --> 01:01:42,200 Speaker 2: with the homies in the UK. 1515 01:01:42,400 --> 01:01:44,680 Speaker 3: The who the bloats? I don't know if they want 1516 01:01:44,680 --> 01:01:46,040 Speaker 3: me to call them the bloats? Is that what they 1517 01:01:46,080 --> 01:01:46,480 Speaker 3: call each other? 1518 01:01:46,520 --> 01:01:49,920 Speaker 1: The blokes, yo, is funny as fuck. 1519 01:01:50,600 --> 01:01:52,120 Speaker 3: I don't want to London. 1520 01:01:52,120 --> 01:01:55,080 Speaker 2: Bloke is fun mean, I don't know. 1521 01:01:55,200 --> 01:01:57,520 Speaker 3: Like your pal, like your brother, your mate, your mate, 1522 01:01:57,800 --> 01:02:00,120 Speaker 3: like your soul mate or no. And the UK they 1523 01:02:00,120 --> 01:02:03,560 Speaker 3: say mate to like your host mate. Like you're like, 1524 01:02:04,280 --> 01:02:08,320 Speaker 3: I'm not listening to take into the fish and chips. No, 1525 01:02:08,480 --> 01:02:11,120 Speaker 3: I didn't. But my homeboy for he took them around 1526 01:02:11,160 --> 01:02:13,400 Speaker 3: and showed them the city and ship. So okay, they 1527 01:02:13,440 --> 01:02:15,160 Speaker 3: got to see some of Harlem and you know, other 1528 01:02:15,200 --> 01:02:15,880 Speaker 3: parts of the city. 1529 01:02:15,920 --> 01:02:17,600 Speaker 1: So that's what you were telling we were gonna link 1530 01:02:17,680 --> 01:02:19,320 Speaker 1: up when we were supposed to go to London. Listeners 1531 01:02:19,400 --> 01:02:21,400 Speaker 1: were supposed to go to London. Our London trip got canceled, 1532 01:02:21,400 --> 01:02:23,200 Speaker 1: but Mas said, He's like, now we're gonna be letting London. 1533 01:02:23,680 --> 01:02:26,040 Speaker 3: I know I wanted to. I wanted to. I would 1534 01:02:26,080 --> 01:02:28,720 Speaker 3: love to be in London with Jay elect. 1535 01:02:29,880 --> 01:02:31,480 Speaker 1: But you said, you know the drill rappers, So those 1536 01:02:31,480 --> 01:02:33,080 Speaker 1: were the drill rappers she was gonna bring around. 1537 01:02:33,320 --> 01:02:36,880 Speaker 3: Yeah, yeah, you gotta tap in with all the weapons 1538 01:02:36,880 --> 01:02:40,360 Speaker 3: are registered. I'm cool. The weapons are never registered. You 1539 01:02:40,360 --> 01:02:40,720 Speaker 3: know that. 1540 01:02:40,720 --> 01:02:43,080 Speaker 2: That's that's the best weapons, the one the number sir. 1541 01:02:44,040 --> 01:02:45,720 Speaker 1: They hit a little, they smoke a little different. 1542 01:02:45,800 --> 01:02:48,080 Speaker 3: Yeah, yeah, yeah. When it's when you're not registered, they 1543 01:02:48,120 --> 01:02:50,480 Speaker 3: just stay. It's a little more aggressive with the weapons. 1544 01:02:50,560 --> 01:02:52,160 Speaker 2: I just sometimes when there's duct tape on the hand, 1545 01:02:52,200 --> 01:02:53,120 Speaker 2: it's just a reflag for me. 1546 01:02:53,200 --> 01:02:55,240 Speaker 3: Let's just grip. You just need that certain you know, 1547 01:02:56,040 --> 01:02:59,400 Speaker 3: put the knife all away anyway, I get it. That 1548 01:02:59,480 --> 01:03:02,880 Speaker 3: was one of the uh the guy that was one 1549 01:03:02,880 --> 01:03:05,000 Speaker 3: of the guys that, Yeah, I was gonna make sure 1550 01:03:05,040 --> 01:03:07,120 Speaker 3: that we linked up with in London. 1551 01:03:07,160 --> 01:03:09,440 Speaker 2: Did you guys do the drop challenge? What is that 1552 01:03:09,440 --> 01:03:12,520 Speaker 2: like you and the crew to drop the drop challenge? 1553 01:03:13,200 --> 01:03:16,320 Speaker 3: Yeah? And the fellas are you talking about the When 1554 01:03:16,320 --> 01:03:17,800 Speaker 3: I've seen girls like drop. 1555 01:03:17,600 --> 01:03:19,960 Speaker 1: The basement, they just low and. 1556 01:03:19,920 --> 01:03:20,760 Speaker 2: They just all dropped. 1557 01:03:20,800 --> 01:03:22,360 Speaker 3: But guys, are guys doing that. 1558 01:03:22,360 --> 01:03:24,840 Speaker 2: With the crew. Yes, ganggang all, we're all just gonna drop. 1559 01:03:25,440 --> 01:03:26,959 Speaker 3: I don't want to do that. I don't want to drop. 1560 01:03:27,320 --> 01:03:29,160 Speaker 3: Guys are doing that. I thought that was for the 1561 01:03:29,160 --> 01:03:32,840 Speaker 3: girls like theo at meuse you like on TikTok and 1562 01:03:32,840 --> 01:03:34,480 Speaker 3: ship like that. So I don't know what they're doing 1563 01:03:34,520 --> 01:03:36,640 Speaker 3: on TikTok as the maras. Yeah, that's why. 1564 01:03:36,720 --> 01:03:38,960 Speaker 1: Just the men are doing it in more creative ways. 1565 01:03:38,960 --> 01:03:41,560 Speaker 2: But yes, come, we ain't done the drop challenge for 1566 01:03:41,600 --> 01:03:44,120 Speaker 2: the crew, Like why we all can't just sit down 1567 01:03:44,160 --> 01:03:44,880 Speaker 2: like drop sitting? 1568 01:03:45,000 --> 01:03:46,880 Speaker 3: We need our TikTok up and running is our TikTok 1569 01:03:46,960 --> 01:03:47,400 Speaker 3: up and running? 1570 01:03:47,440 --> 01:03:48,480 Speaker 2: Yet we have take for weeks. 1571 01:03:48,520 --> 01:03:51,000 Speaker 1: It's up. I don't know about running, so we can 1572 01:03:51,080 --> 01:03:52,400 Speaker 1: start Julian and run it. 1573 01:03:52,520 --> 01:03:54,600 Speaker 2: Yeah, I would just drop challenge tomorrow. 1574 01:03:54,600 --> 01:03:57,040 Speaker 3: It's walking, so we need to get TikTok running. It's 1575 01:03:57,040 --> 01:03:59,760 Speaker 3: walking right now, Okay, we need to drugs. 1576 01:03:59,800 --> 01:04:01,440 Speaker 1: You got tiktoks and I'm gonna tell so you know 1577 01:04:01,480 --> 01:04:04,160 Speaker 1: what lines to memorize and everything, and we're gonna do it. 1578 01:04:04,240 --> 01:04:06,120 Speaker 3: Okay. So I want to do the drop as long 1579 01:04:06,120 --> 01:04:08,240 Speaker 3: as we don't look crazy doing it. I don't want to. 1580 01:04:08,560 --> 01:04:09,760 Speaker 3: I've seen some girls doing like. 1581 01:04:09,680 --> 01:04:11,520 Speaker 1: Get drop right now. Let me say your knees work. 1582 01:04:11,600 --> 01:04:14,000 Speaker 3: You got me twisted if you think that I'm I. 1583 01:04:13,960 --> 01:04:15,520 Speaker 2: Mean we have If we're going to do the drop Challenge, 1584 01:04:15,560 --> 01:04:17,040 Speaker 2: we have to see what the knees is like. 1585 01:04:17,080 --> 01:04:20,200 Speaker 1: You need an audition. You might not make it make 1586 01:04:20,200 --> 01:04:20,800 Speaker 1: the final club. 1587 01:04:21,000 --> 01:04:23,520 Speaker 2: Meg is busy with court. It's your time to show 1588 01:04:23,520 --> 01:04:29,160 Speaker 2: the knee game. Modestyt that's the new thing. You got moneys, 1589 01:04:29,240 --> 01:04:29,880 Speaker 2: you got monies? 1590 01:04:30,160 --> 01:04:35,280 Speaker 3: Why why you were laughing? So yeah, you gotta ask 1591 01:04:35,320 --> 01:04:36,120 Speaker 3: me all of a sudden, you. 1592 01:04:36,040 --> 01:04:37,280 Speaker 2: All, I'm not laughing because I'm dead. 1593 01:04:37,320 --> 01:04:40,160 Speaker 3: As if you think that I'm squatted, y'all got me 1594 01:04:40,280 --> 01:04:40,680 Speaker 3: all the ways. 1595 01:04:40,800 --> 01:04:41,160 Speaker 4: Squad. 1596 01:04:42,920 --> 01:04:43,720 Speaker 3: My knees are shot. 1597 01:04:43,880 --> 01:04:45,400 Speaker 2: You want to do yoga, they're gonna make me squad. 1598 01:04:45,920 --> 01:04:48,360 Speaker 3: It's not really a well, yeah there's certain squad, but 1599 01:04:48,400 --> 01:04:51,040 Speaker 3: it's not like dropped down. What does drop down? Low? 1600 01:04:51,480 --> 01:04:52,880 Speaker 2: Is that the drop Challenge? 1601 01:04:53,400 --> 01:04:55,880 Speaker 3: Yeah? No, I think that's for women only. Women have 1602 01:04:55,920 --> 01:04:56,680 Speaker 3: better kneeds than man. 1603 01:04:56,720 --> 01:04:59,280 Speaker 2: Should we go to Miami? I feel like everyone's in 1604 01:04:59,280 --> 01:04:59,880 Speaker 2: Miami right now. 1605 01:05:00,120 --> 01:05:01,040 Speaker 3: What's going on in Miami? 1606 01:05:01,120 --> 01:05:03,120 Speaker 2: And Kanye's there? Soone goes I. 1607 01:05:03,080 --> 01:05:05,120 Speaker 3: Don't want to go to Miami and Kanye's there. 1608 01:05:05,240 --> 01:05:06,840 Speaker 2: I saw a game, well, game was out there for 1609 01:05:06,880 --> 01:05:08,600 Speaker 2: the Kanye Show. I saw he's on Drink Champs. I'm 1610 01:05:08,640 --> 01:05:09,240 Speaker 2: excited for that. 1611 01:05:09,280 --> 01:05:10,200 Speaker 3: He was on Drink Champs. 1612 01:05:10,640 --> 01:05:13,160 Speaker 2: Game story, Game's career is crazy. 1613 01:05:13,160 --> 01:05:15,440 Speaker 3: He's singing a lot with the starts out. So many shits, 1614 01:05:15,480 --> 01:05:20,040 Speaker 3: so many situations, so many ups and downs, turmoil, beefs 1615 01:05:20,560 --> 01:05:25,480 Speaker 3: uh music, beef's real life, beef, social media beef, social 1616 01:05:25,520 --> 01:05:29,280 Speaker 3: media beef. He's been through the fucking butcher house. 1617 01:05:29,440 --> 01:05:32,600 Speaker 1: Yeah, as long as he's transparent, I think it'll be 1618 01:05:32,640 --> 01:05:33,080 Speaker 1: really good. 1619 01:05:33,520 --> 01:05:36,840 Speaker 3: But he said something. He said that Kanye has done 1620 01:05:36,840 --> 01:05:39,640 Speaker 3: more for him in two weeks than Doctor Dre has 1621 01:05:39,640 --> 01:05:41,200 Speaker 3: done for him in his entire career. 1622 01:05:41,760 --> 01:05:44,000 Speaker 2: That was in the trailer. I would like, I don't 1623 01:05:44,000 --> 01:05:45,640 Speaker 2: know what context you can add to that, but that's 1624 01:05:45,720 --> 01:05:48,240 Speaker 2: kind of nuts. I also not game, but I also 1625 01:05:48,360 --> 01:05:50,120 Speaker 2: know he dedicated his first three albums to how much 1626 01:05:50,160 --> 01:05:51,200 Speaker 2: Doctor Dre was doing for him. 1627 01:05:51,240 --> 01:05:56,800 Speaker 3: This is why I'm saying, fam like, what did what 1628 01:05:56,840 --> 01:05:58,520 Speaker 3: do you think Kanye has done for the game in 1629 01:05:58,520 --> 01:06:01,400 Speaker 3: the last two weeks? He was uh did a record 1630 01:06:01,400 --> 01:06:02,600 Speaker 3: with him? We know who got the record? Easy? 1631 01:06:02,600 --> 01:06:04,320 Speaker 2: I love the record, And he was in the swamp, 1632 01:06:05,000 --> 01:06:06,040 Speaker 2: dancing in the rain. 1633 01:06:05,920 --> 01:06:07,600 Speaker 3: Boots at the Donda. 1634 01:06:07,680 --> 01:06:12,640 Speaker 2: Yeah, get fucked the documentary. Fuck Doctor's advocate, Fuck all 1635 01:06:12,640 --> 01:06:13,000 Speaker 2: that shit. 1636 01:06:13,320 --> 01:06:14,160 Speaker 3: Okay, I was. 1637 01:06:14,160 --> 01:06:15,040 Speaker 2: In the pond. 1638 01:06:15,840 --> 01:06:18,920 Speaker 3: See this is what I just yo. 1639 01:06:19,360 --> 01:06:19,880 Speaker 2: I want to see. 1640 01:06:19,880 --> 01:06:22,200 Speaker 3: I want to see the whole interview too, man, But 1641 01:06:22,320 --> 01:06:24,440 Speaker 3: we could just talk about that clip he said what 1642 01:06:24,480 --> 01:06:27,600 Speaker 3: he said, Kanye has done for me more for me 1643 01:06:27,640 --> 01:06:29,640 Speaker 3: in the last two weeks than doctor Dre has done 1644 01:06:29,640 --> 01:06:33,240 Speaker 3: for me my entire career. That's just not true. Kanye 1645 01:06:33,400 --> 01:06:34,919 Speaker 3: may have done a lot for you in the last 1646 01:06:34,920 --> 01:06:37,720 Speaker 3: two weeks. Game, we in you know, suit to Kanye 1647 01:06:37,760 --> 01:06:40,560 Speaker 3: for that, but come on, you can't just say more 1648 01:06:40,600 --> 01:06:43,160 Speaker 3: than doctor Dre has done for you in your entire career. 1649 01:06:43,720 --> 01:06:47,560 Speaker 3: Like we've gotten arguably classic projects of you from Doctor. 1650 01:06:47,800 --> 01:06:50,040 Speaker 2: I would wouldn't argue. I would say classic projects. 1651 01:06:50,840 --> 01:06:52,280 Speaker 3: Easy is not a classic song. 1652 01:06:52,520 --> 01:06:54,640 Speaker 2: It's a good song, good song, and it was a 1653 01:06:54,640 --> 01:06:56,680 Speaker 2: good show, good show. Even though I still don't think. 1654 01:06:56,520 --> 01:06:59,120 Speaker 1: That was Game, Game said it was him. 1655 01:06:59,560 --> 01:07:02,800 Speaker 3: It's not a classic though that also wasn't Game at 1656 01:07:02,840 --> 01:07:06,200 Speaker 3: the don the two show. Listen, man, Yeah, the little 1657 01:07:07,240 --> 01:07:11,720 Speaker 3: that was future manure. We get to start naming mad 1658 01:07:11,800 --> 01:07:16,400 Speaker 3: rappers that was like that was that was that was memes. 1659 01:07:16,400 --> 01:07:17,920 Speaker 3: That wasn't memes. 1660 01:07:18,880 --> 01:07:20,919 Speaker 1: Yeah, is wrong. 1661 01:07:21,000 --> 01:07:23,240 Speaker 3: That's a magic going to the show and Mims come 1662 01:07:23,240 --> 01:07:25,320 Speaker 3: out with a mask on, rapping all the game's lyrics. 1663 01:07:27,320 --> 01:07:29,720 Speaker 2: At this point in life, nothing would shock me at all. 1664 01:07:29,600 --> 01:07:31,520 Speaker 3: That's what I'm saying. Like, so that whole mass ship, 1665 01:07:31,520 --> 01:07:33,720 Speaker 3: I know that's what artists are doing. It's like now 1666 01:07:33,720 --> 01:07:35,720 Speaker 3: I'm book shows and other cities. I don't even have 1667 01:07:35,800 --> 01:07:37,280 Speaker 3: to go just put the mask on and go out 1668 01:07:37,280 --> 01:07:38,160 Speaker 3: there and do a couple of records. 1669 01:07:38,240 --> 01:07:40,280 Speaker 2: Jeremih did it without a mask. So what I'm saying, 1670 01:07:40,840 --> 01:07:42,560 Speaker 2: just send this man's out in sunglass what not. 1671 01:07:42,960 --> 01:07:44,760 Speaker 3: Let's do it. I like the idea of it, but 1672 01:07:44,800 --> 01:07:46,320 Speaker 3: I mean, I don't think you could get away with 1673 01:07:46,360 --> 01:07:46,840 Speaker 3: that for long. 1674 01:07:46,920 --> 01:07:49,480 Speaker 2: Well, that is actually one of the interviews that I'm 1675 01:07:49,520 --> 01:07:52,360 Speaker 2: looking forward to in a long time. I know that's 1676 01:07:52,360 --> 01:07:54,720 Speaker 2: gonna get messy, so shout out to Fen and NOI. 1677 01:07:55,000 --> 01:07:57,680 Speaker 3: Yeah, I'm definitely gonna watch that whole interview. Uh again, 1678 01:07:57,760 --> 01:07:59,800 Speaker 3: I just don't agree that. I think that's a little 1679 01:07:59,840 --> 01:08:01,720 Speaker 3: un fair to say that Kanye did more for you 1680 01:08:01,760 --> 01:08:03,240 Speaker 3: in two weeks than doctor Dre has done for you. 1681 01:08:03,440 --> 01:08:06,320 Speaker 2: But we know game to say, he just be saying 1682 01:08:06,360 --> 01:08:06,800 Speaker 2: a lot of shit. 1683 01:08:06,960 --> 01:08:08,880 Speaker 3: Yeah, I get it, but it's like, come on, man, 1684 01:08:09,160 --> 01:08:12,160 Speaker 3: don't and again and again. Maybe he said I'm completely 1685 01:08:12,200 --> 01:08:14,280 Speaker 3: joking right after that clip. Yeah, who knows. 1686 01:08:14,720 --> 01:08:16,599 Speaker 2: But and Norri's messy too, so there could be mad 1687 01:08:16,600 --> 01:08:17,960 Speaker 2: context of that, and he was like, let's put the 1688 01:08:17,960 --> 01:08:21,720 Speaker 2: g I understand. I mean, we're messy. Fucking Bowow said 1689 01:08:21,760 --> 01:08:23,280 Speaker 2: he was going to bring a million cash. We didn't 1690 01:08:23,280 --> 01:08:24,520 Speaker 2: show the million cash. 1691 01:08:24,680 --> 01:08:27,280 Speaker 3: He also didn't bring I would listen to I would 1692 01:08:27,280 --> 01:08:29,360 Speaker 3: have showed up with a million in cash, bro, Like, 1693 01:08:29,439 --> 01:08:30,720 Speaker 3: you know how ridiculous that is. 1694 01:08:31,000 --> 01:08:34,440 Speaker 2: That interview wouldn't get out. You know, we'd be done podcasting. 1695 01:08:35,439 --> 01:08:37,360 Speaker 3: I'm out ye. 1696 01:08:40,320 --> 01:08:42,479 Speaker 1: Spoil or spoiler, spoil or spoiler? 1697 01:08:42,560 --> 01:08:49,400 Speaker 3: All right, well, Euphoria, it's over. It's over that show. 1698 01:08:50,280 --> 01:08:51,680 Speaker 3: But okay, I have a lot of things to say 1699 01:08:51,680 --> 01:08:53,639 Speaker 3: about it. One, I think that the way they shot 1700 01:08:53,680 --> 01:08:57,080 Speaker 3: it and the uh, the whole concept of them sitting 1701 01:08:57,120 --> 01:08:59,400 Speaker 3: in the audience getting to watch themselves type of thing, 1702 01:09:00,200 --> 01:09:02,840 Speaker 3: that that was a great genius way of shooting a 1703 01:09:03,040 --> 01:09:06,320 Speaker 3: series or adding that element into you know, the whole show, 1704 01:09:06,400 --> 01:09:07,960 Speaker 3: that was dope to me. I thought that was fire. 1705 01:09:10,439 --> 01:09:13,920 Speaker 3: I'm concerned about those those young ladies and gentlemen. I 1706 01:09:13,920 --> 01:09:15,400 Speaker 3: think they have real life issues in real life away 1707 01:09:15,400 --> 01:09:17,920 Speaker 3: from the set. I think you almost have me. I 1708 01:09:17,920 --> 01:09:18,760 Speaker 3: think you almost have to. 1709 01:09:18,840 --> 01:09:19,759 Speaker 2: They're too good at acting. 1710 01:09:20,080 --> 01:09:22,679 Speaker 3: After that that reading that storyline and having to jump 1711 01:09:22,720 --> 01:09:25,479 Speaker 3: into those characters. We should do a mental health check 1712 01:09:25,600 --> 01:09:29,519 Speaker 3: on all of those actresses and actors, like for at 1713 01:09:29,560 --> 01:09:31,439 Speaker 3: least the next two years, because they get ready to 1714 01:09:31,439 --> 01:09:33,439 Speaker 3: go into production for the next season, like in a couple. 1715 01:09:33,280 --> 01:09:35,680 Speaker 2: Of months twenty twenty four. Season three is coming out. 1716 01:09:35,800 --> 01:09:37,559 Speaker 3: Yeah, so, which means they're probably going to shoot towards 1717 01:09:37,560 --> 01:09:39,760 Speaker 3: the end of this year. Yeah, next year, we need 1718 01:09:39,800 --> 01:09:43,680 Speaker 3: to keep checking those India and Angus, she needs a 1719 01:09:43,960 --> 01:09:45,320 Speaker 3: do you think Angus did he die? Do you think 1720 01:09:45,320 --> 01:09:45,880 Speaker 3: he's dead? 1721 01:09:47,240 --> 01:09:48,080 Speaker 1: Angus? Then die. 1722 01:09:50,000 --> 01:09:51,000 Speaker 3: Fez. We don't know that. 1723 01:09:51,479 --> 01:09:53,760 Speaker 2: I called it one right to the stomach, right so. 1724 01:09:54,000 --> 01:09:57,080 Speaker 3: Right in the appendix. Definitely locked up and then like 1725 01:09:57,280 --> 01:09:58,679 Speaker 3: they you know, they went to the whole way again. 1726 01:09:58,760 --> 01:10:00,400 Speaker 3: His body wasn't there of like. 1727 01:10:00,400 --> 01:10:02,639 Speaker 1: He better lie, he better lie and say, well, tell 1728 01:10:02,680 --> 01:10:06,040 Speaker 1: the truth, not lie he's because there's no point your 1729 01:10:06,080 --> 01:10:08,000 Speaker 1: brother's dad tell the truth. He killed him? 1730 01:10:08,520 --> 01:10:10,800 Speaker 3: Okay, Yeah, I thought. I looked at that when he 1731 01:10:10,800 --> 01:10:12,320 Speaker 3: stabbed him in the neck, and I was like, there's 1732 01:10:12,360 --> 01:10:14,400 Speaker 3: so many ways I would have gotten out of I'm like, yo, listen, 1733 01:10:15,640 --> 01:10:17,320 Speaker 3: he picked up a gun and he was about to 1734 01:10:17,479 --> 01:10:19,640 Speaker 3: try to kill us when my brother stabbed him. But 1735 01:10:19,720 --> 01:10:21,880 Speaker 3: like when you try to like dispose the body and 1736 01:10:21,920 --> 01:10:23,720 Speaker 3: move the body, that's when it's a different one. 1737 01:10:23,720 --> 01:10:25,600 Speaker 1: When he went to stab him, I'm like, dog, you 1738 01:10:25,600 --> 01:10:26,160 Speaker 1: ain't even. 1739 01:10:26,360 --> 01:10:29,800 Speaker 2: You know that ship of course he was sitting there. 1740 01:10:29,880 --> 01:10:32,559 Speaker 2: That kid doesn't have lines. He just has reactions like. 1741 01:10:32,840 --> 01:10:33,559 Speaker 4: He's just a dude. 1742 01:10:34,960 --> 01:10:37,120 Speaker 3: That's what I was like, it's about to pop. 1743 01:10:37,160 --> 01:10:40,360 Speaker 1: You pop first when Faye dropped the glass and then 1744 01:10:40,439 --> 01:10:41,840 Speaker 1: I said, I respects. 1745 01:10:43,000 --> 01:10:45,000 Speaker 3: It was. It was a really good show. It was 1746 01:10:45,760 --> 01:10:47,280 Speaker 3: it got a little weird. 1747 01:10:47,680 --> 01:10:49,519 Speaker 1: They could have they could have written this season better. 1748 01:10:49,600 --> 01:10:52,760 Speaker 3: Yeah, it was a little really yeah it was. It 1749 01:10:52,800 --> 01:10:55,200 Speaker 3: was a good show, good good ending, good finale. I 1750 01:10:55,200 --> 01:10:58,599 Speaker 3: don't want to, you know, lose that message. But it 1751 01:10:58,680 --> 01:11:00,960 Speaker 3: was just like all right, man, Like it was just 1752 01:11:01,040 --> 01:11:04,799 Speaker 3: some shit was just way too unbelievable. 1753 01:11:04,840 --> 01:11:08,439 Speaker 2: In what ways. I mean, we did kind of Season 1754 01:11:08,439 --> 01:11:11,400 Speaker 2: two did turn more into the drug dealer crime shit, 1755 01:11:11,479 --> 01:11:13,080 Speaker 2: but that started in the beginning, and I was a 1756 01:11:13,080 --> 01:11:15,559 Speaker 2: little skeptical. I was like, eh, I about to make 1757 01:11:15,640 --> 01:11:17,720 Speaker 2: this a real like this murder crime show. 1758 01:11:17,920 --> 01:11:22,080 Speaker 1: Why has Glauri not fucked zenda up yet? She gave 1759 01:11:22,080 --> 01:11:25,040 Speaker 1: her like five thousand dollars, like ten thousand dollars worth 1760 01:11:25,080 --> 01:11:27,840 Speaker 1: of pills and Zendaia can't pay it. She tried to 1761 01:11:27,880 --> 01:11:30,240 Speaker 1: sex traffickers and day I got out of it. So 1762 01:11:30,320 --> 01:11:31,240 Speaker 1: she's just But. 1763 01:11:31,280 --> 01:11:34,799 Speaker 2: You do realize the last two episodes were basically one day, right. 1764 01:11:34,720 --> 01:11:37,440 Speaker 1: Yeah, so we don't know sure. 1765 01:11:37,320 --> 01:11:40,879 Speaker 2: Any of that. And it felt like Zendaia's like closing 1766 01:11:40,920 --> 01:11:44,320 Speaker 2: monologue of her being sober and all that almost felt 1767 01:11:44,360 --> 01:11:48,320 Speaker 2: like in a hallucination of someone that was high. Like 1768 01:11:49,960 --> 01:11:52,799 Speaker 2: I'm serious, Like I know it seems like the closing monologue, 1769 01:11:52,840 --> 01:11:54,760 Speaker 2: I think she's still high as fucked and that was 1770 01:11:55,439 --> 01:11:56,479 Speaker 2: her way of coping with it. 1771 01:11:56,600 --> 01:11:59,080 Speaker 4: I think she says that she's sober until the end 1772 01:11:59,120 --> 01:11:59,760 Speaker 4: of the school year. 1773 01:12:00,200 --> 01:12:03,920 Speaker 2: Yes, but again, we do know addics lie, especially about 1774 01:12:03,920 --> 01:12:05,559 Speaker 2: being sober, right, if. 1775 01:12:05,439 --> 01:12:07,479 Speaker 3: They don't lie about anything, it's about I'm not I 1776 01:12:07,479 --> 01:12:09,960 Speaker 3: haven't smoked it in ten days. Yeah, you smoked ten 1777 01:12:10,000 --> 01:12:11,000 Speaker 3: minutes ago. Smell it. 1778 01:12:11,160 --> 01:12:14,639 Speaker 1: Jewels is done. She's done, like she's we won't see 1779 01:12:14,640 --> 01:12:16,200 Speaker 1: her next season. We might see her, but we won't 1780 01:12:16,200 --> 01:12:16,439 Speaker 1: release it. 1781 01:12:16,479 --> 01:12:18,000 Speaker 2: We might see ashtra before we see her. 1782 01:12:18,160 --> 01:12:23,280 Speaker 1: Yeah, when she was like said Jewels was my first love, 1783 01:12:23,400 --> 01:12:25,640 Speaker 1: you know or maybe, and then was walking away, I said, oh, 1784 01:12:25,640 --> 01:12:27,080 Speaker 1: it isn't done for Jewels. When she gave it a 1785 01:12:27,120 --> 01:12:27,960 Speaker 1: forehead kiss. 1786 01:12:28,400 --> 01:12:30,479 Speaker 2: No, she's not done because that was the kiss goodbye, 1787 01:12:30,680 --> 01:12:34,599 Speaker 2: because Nate has the the USB with the video. Even 1788 01:12:34,640 --> 01:12:37,000 Speaker 2: though to the cops, yeah, we're gonna see her again, 1789 01:12:37,680 --> 01:12:39,320 Speaker 2: she's not going to nowhere. She may not be with 1790 01:12:39,680 --> 01:12:40,360 Speaker 2: fucking ruthe. 1791 01:12:40,360 --> 01:12:41,800 Speaker 3: I thought he was gonna kill his pops and then 1792 01:12:41,880 --> 01:12:43,760 Speaker 3: kill her. So thought. I thought the murder suicide was 1793 01:12:43,760 --> 01:12:45,439 Speaker 3: on the way too. They looked like they were just 1794 01:12:45,479 --> 01:12:48,439 Speaker 3: having like sex for days with no shower. It wasn't 1795 01:12:48,439 --> 01:12:50,360 Speaker 3: a shower and there was it. I doubt it, That's 1796 01:12:50,360 --> 01:12:53,360 Speaker 3: what I'm saying. Like they was just having sex, smoking 1797 01:12:53,400 --> 01:12:55,559 Speaker 3: cigarettes and fucking and doing meth. 1798 01:12:55,520 --> 01:12:57,280 Speaker 2: If you're into that sort of thing. That looked like 1799 01:12:57,280 --> 01:12:58,800 Speaker 2: an ill warehouse to be in. 1800 01:12:58,880 --> 01:13:02,280 Speaker 3: Yeah, like a warehouse a stink man. 1801 01:13:02,360 --> 01:13:03,200 Speaker 2: The dude was just like. 1802 01:13:05,800 --> 01:13:07,920 Speaker 1: He had the dick sock, like the draws with the 1803 01:13:07,960 --> 01:13:08,639 Speaker 1: sock that hold. 1804 01:13:09,120 --> 01:13:10,120 Speaker 3: When he got up to walk out. 1805 01:13:10,040 --> 01:13:12,479 Speaker 1: Of I was fucking screaming. I said, what type of 1806 01:13:12,560 --> 01:13:13,760 Speaker 1: nasty ship that I was? 1807 01:13:13,800 --> 01:13:18,479 Speaker 3: That was a party, that was a nasty yesterday. Again, Queens, 1808 01:13:19,920 --> 01:13:20,759 Speaker 3: that's fresh medals. 1809 01:13:20,800 --> 01:13:21,800 Speaker 2: I know fresh metals when. 1810 01:13:21,680 --> 01:13:24,240 Speaker 3: I see it. That Queens be with town, you know 1811 01:13:24,320 --> 01:13:27,280 Speaker 3: the town. Yeah, it was a really good finale though, 1812 01:13:27,479 --> 01:13:31,240 Speaker 3: I enjoyed it. Again, I think that in there, they're 1813 01:13:31,280 --> 01:13:33,639 Speaker 3: definitely Gearings. Gearings in day up to be the biggest 1814 01:13:33,640 --> 01:13:36,280 Speaker 3: actress in Hollywood. I could see it coming. 1815 01:13:36,160 --> 01:13:39,640 Speaker 2: That actor and not actor. The director and writer. The 1816 01:13:39,720 --> 01:13:42,639 Speaker 2: amount of work they do on like two second scenes 1817 01:13:43,080 --> 01:13:46,040 Speaker 2: is insane. Like, I know, they spent a whole day 1818 01:13:46,360 --> 01:13:48,640 Speaker 2: just on that take a photo and put it up 1819 01:13:48,680 --> 01:13:52,439 Speaker 2: on the house turnaround shot, which was two seconds. Like, 1820 01:13:53,200 --> 01:13:55,479 Speaker 2: I just can't say enough about that show, about the 1821 01:13:55,560 --> 01:13:56,920 Speaker 2: matter of detail that they put in that ship. 1822 01:13:57,240 --> 01:13:58,240 Speaker 1: I don't think shot. 1823 01:13:58,520 --> 01:14:01,840 Speaker 2: I don't think the writing was that lazy this this season. 1824 01:14:01,840 --> 01:14:04,680 Speaker 1: Actually there were a lot of plot holes. But you know, 1825 01:14:04,840 --> 01:14:07,479 Speaker 1: they also said that director is an asshole, so he 1826 01:14:07,600 --> 01:14:10,559 Speaker 1: had a couple TIFFs with a couple of the artists. 1827 01:14:10,560 --> 01:14:12,640 Speaker 1: That's why you don't see Barbie were not Barbie her 1828 01:14:12,680 --> 01:14:15,320 Speaker 1: own name is Barbie. But kat you can see her 1829 01:14:15,400 --> 01:14:17,400 Speaker 1: like that because she had a tiff with the director. 1830 01:14:17,520 --> 01:14:20,599 Speaker 1: So she just had that little thing where she broke 1831 01:14:20,680 --> 01:14:22,600 Speaker 1: up with that boy and gas lit him and that 1832 01:14:22,720 --> 01:14:23,000 Speaker 1: was it. 1833 01:14:23,520 --> 01:14:26,240 Speaker 2: Well she was a gas letter. But no, I mean, 1834 01:14:26,920 --> 01:14:29,000 Speaker 2: I can't say enough about the show. Two years a 1835 01:14:29,000 --> 01:14:29,320 Speaker 2: while to. 1836 01:14:29,320 --> 01:14:31,439 Speaker 3: Wait though, Yeah, that's a that's a that's a while. 1837 01:14:31,640 --> 01:14:33,600 Speaker 2: But then again, season one, season two, I felt like 1838 01:14:33,640 --> 01:14:36,080 Speaker 2: we waited a super long time because of COVID. I 1839 01:14:36,080 --> 01:14:38,000 Speaker 2: had to go back to watch season one because I 1840 01:14:38,000 --> 01:14:39,240 Speaker 2: forgot what the cappin. 1841 01:14:39,840 --> 01:14:40,320 Speaker 1: The uh. 1842 01:14:41,760 --> 01:14:43,160 Speaker 3: Isn't day of record at the end of the show. 1843 01:14:43,240 --> 01:14:43,720 Speaker 3: Sounded great. 1844 01:14:43,760 --> 01:14:44,400 Speaker 2: She sounded really good. 1845 01:14:44,640 --> 01:14:47,360 Speaker 3: She sounded really good. So I'm tired of the title it. 1846 01:14:48,080 --> 01:14:50,559 Speaker 2: You know what I'm saying. She was exhausted the entire series. 1847 01:14:51,000 --> 01:14:55,839 Speaker 3: She sounded she sounded great, her labyrinth, I'm tired. 1848 01:14:56,160 --> 01:14:59,519 Speaker 1: Did anybody drop a tear when her little her little 1849 01:14:59,520 --> 01:15:02,000 Speaker 1: boot with that app with the Macintosh apple on his 1850 01:15:02,080 --> 01:15:04,320 Speaker 1: underneath and the song tour was singing a song turn 1851 01:15:04,320 --> 01:15:05,120 Speaker 1: I wrote about her. 1852 01:15:05,800 --> 01:15:07,360 Speaker 3: You didn't like that song. You wasn't feeling it. It 1853 01:15:07,400 --> 01:15:08,840 Speaker 3: didn't tug at the heart strings a little bit. 1854 01:15:08,920 --> 01:15:09,880 Speaker 4: Whole four minutes. 1855 01:15:09,920 --> 01:15:12,000 Speaker 1: It made me long, but it was about the song 1856 01:15:12,080 --> 01:15:12,599 Speaker 1: was about her. 1857 01:15:12,880 --> 01:15:16,840 Speaker 2: It made me want to buy Android. I almost switched 1858 01:15:17,600 --> 01:15:20,439 Speaker 2: of the record both looking at that tattoo while he 1859 01:15:20,479 --> 01:15:22,719 Speaker 2: was singing. It was like a green bubbles that. 1860 01:15:24,120 --> 01:15:26,160 Speaker 3: I'm ready to get away from all of my Mac books. 1861 01:15:26,280 --> 01:15:28,479 Speaker 3: Like the fuck. It was a good show though, Man, 1862 01:15:28,520 --> 01:15:31,760 Speaker 3: I really like the show. I'm anxious to see what 1863 01:15:31,920 --> 01:15:34,120 Speaker 3: the next season looks like. Where they go with it? 1864 01:15:34,640 --> 01:15:37,000 Speaker 3: Yeah too, Like what direction do they go from? Here? 1865 01:15:37,160 --> 01:15:37,960 Speaker 1: Are you guys gonna watch? 1866 01:15:38,040 --> 01:15:40,599 Speaker 3: Somebody gets clean, somebody's somebody showed by things in dare 1867 01:15:40,640 --> 01:15:44,960 Speaker 3: gets sober and she yea boy, No, she becomes like 1868 01:15:45,000 --> 01:15:46,680 Speaker 3: an uber driver or something like that, because he'll be 1869 01:15:46,720 --> 01:15:47,599 Speaker 3: in like an uber eacht. 1870 01:15:47,720 --> 01:15:50,840 Speaker 1: She's sixteen, Yeah, so she g ride a bike and 1871 01:15:50,840 --> 01:15:51,439 Speaker 1: deliver uber. 1872 01:15:51,760 --> 01:15:55,000 Speaker 2: Yeah she didn't when she was high and she was fine. 1873 01:15:55,000 --> 01:15:56,479 Speaker 3: How old do you have to be to do each? 1874 01:15:56,600 --> 01:15:57,479 Speaker 1: I'm pretty sure eighteen. 1875 01:15:57,479 --> 01:15:58,519 Speaker 2: I would hope eighteen eighteen. 1876 01:15:59,040 --> 01:16:02,000 Speaker 3: I would pray eight that shit because they tell you, Alex, 1877 01:16:02,760 --> 01:16:05,200 Speaker 3: she's riding a bike and the delivery person pulls up 1878 01:16:05,200 --> 01:16:06,200 Speaker 3: in the Corolla. 1879 01:16:06,080 --> 01:16:08,760 Speaker 1: Yes, that's because they do that because if your car 1880 01:16:08,840 --> 01:16:11,519 Speaker 1: doesn't get approved then you have to say you're on 1881 01:16:11,560 --> 01:16:11,840 Speaker 1: a bike. 1882 01:16:11,960 --> 01:16:13,160 Speaker 2: Yeah, my age didn't get approved. 1883 01:16:13,560 --> 01:16:15,960 Speaker 1: I'm still going So, oh, are you guys going to 1884 01:16:16,000 --> 01:16:17,800 Speaker 1: see the pre Are you going to watch the prequel 1885 01:16:17,880 --> 01:16:19,120 Speaker 1: series for Game of Thrones? 1886 01:16:19,520 --> 01:16:21,360 Speaker 2: I didn't watch Game of Thrones to begin with. 1887 01:16:22,400 --> 01:16:24,320 Speaker 3: I watched Game of Thrones. I'm not a Gotti, like 1888 01:16:24,600 --> 01:16:28,000 Speaker 3: you know half of the world is, but it's a Thrones. 1889 01:16:28,200 --> 01:16:29,960 Speaker 3: It's the people that watch Game of Thrones. I call 1890 01:16:30,040 --> 01:16:33,200 Speaker 3: them Gotti's, just like a whole culture of them. 1891 01:16:33,400 --> 01:16:35,280 Speaker 2: He was also a member of the Italian Mob. 1892 01:16:35,400 --> 01:16:37,160 Speaker 3: Yeah, you didn't know that it was dragons. 1893 01:16:37,240 --> 01:16:43,080 Speaker 1: So you're telling me that both of y'all, both of 1894 01:16:43,160 --> 01:16:46,479 Speaker 1: y'all that weren't Game of Thrones. 1895 01:16:46,520 --> 01:16:48,759 Speaker 3: Face. I watched it, but not like I definitely missed 1896 01:16:48,760 --> 01:16:50,000 Speaker 3: half of like two seasons. 1897 01:16:50,040 --> 01:16:51,000 Speaker 2: I didn't watch any of it. 1898 01:16:51,160 --> 01:16:52,400 Speaker 3: Yeah, like, I know I watched some of it. 1899 01:16:52,640 --> 01:16:53,800 Speaker 1: Or were you just trying to be like one of 1900 01:16:53,800 --> 01:16:55,519 Speaker 1: those people who just like people that say I don't 1901 01:16:55,560 --> 01:16:57,080 Speaker 1: like Beyonce are like, are you trying to be one 1902 01:16:57,080 --> 01:16:57,559 Speaker 1: of those people? 1903 01:16:57,720 --> 01:16:59,799 Speaker 3: It doesn't like he's not into the whole dragon culture. 1904 01:17:00,000 --> 01:17:00,880 Speaker 2: I'm not really into that. 1905 01:17:01,080 --> 01:17:02,960 Speaker 1: It's madding people in. They're like half of the people 1906 01:17:02,960 --> 01:17:03,519 Speaker 1: are redheaded. 1907 01:17:04,280 --> 01:17:06,400 Speaker 2: That's fine. I told you I'm self hating, so that 1908 01:17:06,520 --> 01:17:08,000 Speaker 2: now I'm definitely not gonna watch it. I don't want 1909 01:17:08,000 --> 01:17:10,160 Speaker 2: to find that that's not a good sell. 1910 01:17:10,439 --> 01:17:12,519 Speaker 3: Yeah, red aheads of there, he's not going. 1911 01:17:12,600 --> 01:17:16,760 Speaker 2: That's the only one I support. That's definitely what is 1912 01:17:17,840 --> 01:17:19,759 Speaker 2: so Travis Kelsey fuck with traps? 1913 01:17:19,920 --> 01:17:22,600 Speaker 1: But like, seriously, you really don't You don't want to 1914 01:17:22,640 --> 01:17:24,040 Speaker 1: watch it, or you just never find the time. 1915 01:17:24,240 --> 01:17:26,120 Speaker 2: By the time I would have watched it, it was too late. 1916 01:17:26,160 --> 01:17:28,120 Speaker 2: There was already like ten seasons, and like. 1917 01:17:28,200 --> 01:17:28,920 Speaker 1: It's never too late. 1918 01:17:28,960 --> 01:17:31,320 Speaker 2: Each episode three hours, Like who has that type of 1919 01:17:31,360 --> 01:17:31,920 Speaker 2: time to catch it? 1920 01:17:32,000 --> 01:17:34,479 Speaker 3: You? I think you would actually like Game of Thrones. 1921 01:17:34,880 --> 01:17:37,799 Speaker 3: I just I don't think that your anxiety and your 1922 01:17:38,360 --> 01:17:41,320 Speaker 3: ADHD will allow you to shit in like binge Game 1923 01:17:41,320 --> 01:17:41,799 Speaker 3: of Thrones. 1924 01:17:41,880 --> 01:17:42,920 Speaker 2: I don't think I could ever do that. 1925 01:17:42,960 --> 01:17:43,519 Speaker 3: Yeah, I don't think. 1926 01:17:43,560 --> 01:17:45,880 Speaker 2: So catch me up and put me in the last season. 1927 01:17:45,920 --> 01:17:46,680 Speaker 2: Maybe I'll watch it. 1928 01:17:47,040 --> 01:17:48,840 Speaker 1: I'm gonna come over and we're gonna watch Game of Thrones. 1929 01:17:49,160 --> 01:17:50,639 Speaker 2: Are you gonna sit there for four years? 1930 01:17:50,800 --> 01:17:51,040 Speaker 3: Yeah? 1931 01:17:51,400 --> 01:17:51,840 Speaker 2: Is not how long? 1932 01:17:51,880 --> 01:17:51,920 Speaker 3: It? 1933 01:17:51,920 --> 01:17:54,200 Speaker 2: Shit tastes a fish like shit to do. 1934 01:17:54,439 --> 01:17:57,120 Speaker 1: They're crazy. Shit is it's only eight seasons and each 1935 01:17:57,160 --> 01:17:58,360 Speaker 1: season has ten episodes. 1936 01:17:58,400 --> 01:18:01,760 Speaker 3: I saw enough episode, like the episodes are a couple, and. 1937 01:18:01,760 --> 01:18:04,360 Speaker 1: It's not that many Dixon. It's way more Dix in 1938 01:18:04,400 --> 01:18:06,800 Speaker 1: season two of You for It than there is And yeah, 1939 01:18:06,840 --> 01:18:08,599 Speaker 1: I'm all dicks Euphoria. 1940 01:18:08,680 --> 01:18:13,440 Speaker 3: The producers of Euphoria do we know their names? Zendaya, 1941 01:18:13,560 --> 01:18:15,479 Speaker 3: No more Dix. I'm pretty sure she calls if she 1942 01:18:15,800 --> 01:18:18,439 Speaker 3: walks on the set and say, listen, no Dixon. Season 1943 01:18:18,560 --> 01:18:21,679 Speaker 3: was it four? Coming up? Three? Three? No Dixon season three? 1944 01:18:21,720 --> 01:18:22,719 Speaker 3: There won't be any dicks. 1945 01:18:23,240 --> 01:18:24,680 Speaker 4: Drake executively produces it. 1946 01:18:25,280 --> 01:18:28,880 Speaker 3: Drake, no Dix in season three of Euphoria. Please. 1947 01:18:29,240 --> 01:18:30,879 Speaker 2: I doubt he's on the dick committee. 1948 01:18:30,880 --> 01:18:33,799 Speaker 3: No Drake. But if Drake says, y'all listen, a man's 1949 01:18:33,840 --> 01:18:34,799 Speaker 3: don't want to see Dix. 1950 01:18:35,000 --> 01:18:35,200 Speaker 1: Yo. 1951 01:18:36,680 --> 01:18:38,960 Speaker 3: You know, if Drake calls HBO, listen, mans don't want 1952 01:18:38,960 --> 01:18:40,480 Speaker 3: to see Tings swinging. 1953 01:18:40,200 --> 01:18:42,000 Speaker 2: It would have said, all right, your best friend's name 1954 01:18:42,040 --> 01:18:44,160 Speaker 2: is Chubbs. Don't don't call me with that type of shit. 1955 01:18:46,080 --> 01:18:50,200 Speaker 3: Mans don't want to see Tings swinging in balls? All right? Whatever, 1956 01:18:50,280 --> 01:18:52,400 Speaker 3: Drake gotta say, Drake, get it done. Please, we don't 1957 01:18:52,400 --> 01:18:55,479 Speaker 3: want to see that this sick zoom call like the 1958 01:18:55,520 --> 01:18:58,400 Speaker 3: fuck because I don't think the dis got the It 1959 01:18:58,439 --> 01:19:01,040 Speaker 3: didn't emphasize anything. It didn't like make the story any 1960 01:19:01,160 --> 01:19:01,800 Speaker 3: like more real. 1961 01:19:02,320 --> 01:19:06,160 Speaker 2: It was represented. We were seeing mal you didn't feel seen. 1962 01:19:06,200 --> 01:19:09,559 Speaker 3: No, No, I didn't want to see I was like, 1963 01:19:09,600 --> 01:19:12,280 Speaker 3: all right, man, Like what the fuck is going on here? Man? 1964 01:19:12,560 --> 01:19:15,519 Speaker 3: It's just a difference in seeing dick on camera than titties. 1965 01:19:15,520 --> 01:19:18,360 Speaker 3: I'm sorry, women, I think more people enjoy seeing titties 1966 01:19:18,360 --> 01:19:20,120 Speaker 3: than dicks. I don't think you enjoyed seeing those dicks 1967 01:19:20,120 --> 01:19:22,360 Speaker 3: the mars as like eighty percent of other women with 1968 01:19:22,400 --> 01:19:23,120 Speaker 3: that watched the show. 1969 01:19:23,240 --> 01:19:26,040 Speaker 1: I'm a gay, I don't pay me No, it's she 1970 01:19:26,160 --> 01:19:27,240 Speaker 1: has a boyfriend. 1971 01:19:27,479 --> 01:19:31,960 Speaker 2: She could still be a gay with a boyfriend. Yeah. 1972 01:19:32,360 --> 01:19:34,160 Speaker 3: I know the world is progressive and changed every day, 1973 01:19:34,200 --> 01:19:35,599 Speaker 3: but you have to break this down on me. Now, 1974 01:19:35,960 --> 01:19:37,240 Speaker 3: how can you be a gay and have. 1975 01:19:37,200 --> 01:19:40,600 Speaker 2: A Boyfriendale got a renewed for four more stand up 1976 01:19:40,600 --> 01:19:43,080 Speaker 2: specials with Netflix. I'm sure he'll break it down for us. 1977 01:19:43,640 --> 01:19:47,160 Speaker 3: Say no more. David was gonna get exactly. 1978 01:19:46,800 --> 01:19:49,479 Speaker 2: If he gives us four more transgender stand ups, I 1979 01:19:49,560 --> 01:19:51,960 Speaker 2: might have an issue. I don't think you don't do 1980 01:19:52,040 --> 01:19:53,559 Speaker 2: that it is an obsession. At this point, I. 1981 01:19:53,520 --> 01:19:55,320 Speaker 3: Don't think he's gonna do that, but he's gonna definitely 1982 01:19:55,320 --> 01:19:56,240 Speaker 3: get to the bottom. 1983 01:19:55,960 --> 01:19:57,920 Speaker 2: Of so many ship I just said for sure the 1984 01:19:58,000 --> 01:20:00,000 Speaker 2: last one he ended without. This is my last time 1985 01:20:00,040 --> 01:20:01,759 Speaker 2: making any transgender jokes. 1986 01:20:02,439 --> 01:20:04,639 Speaker 3: If we know anything about Dave Chffel, we know he's alive. 1987 01:20:05,240 --> 01:20:08,880 Speaker 3: We'll see he's not done. We'll see because they're not done. 1988 01:20:08,960 --> 01:20:12,120 Speaker 2: But uh yeah, anything else with euphor you. 1989 01:20:11,400 --> 01:20:12,719 Speaker 3: No great show? 1990 01:20:13,120 --> 01:20:13,320 Speaker 1: Uh? 1991 01:20:14,439 --> 01:20:18,040 Speaker 3: Great acting? Uh? I think I don't. I don't think 1992 01:20:18,120 --> 01:20:20,040 Speaker 3: I looked at any of the characters and thought that 1993 01:20:20,080 --> 01:20:21,720 Speaker 3: they did a bad job. I think each and every 1994 01:20:21,760 --> 01:20:23,800 Speaker 3: one of the characters did a great job. 1995 01:20:24,200 --> 01:20:27,800 Speaker 2: They finally let Fees act, Yeah, which I was happy for. 1996 01:20:28,280 --> 01:20:29,920 Speaker 2: I kind of feel like they've been holding him back 1997 01:20:30,320 --> 01:20:32,519 Speaker 2: as an actual, like a real actor. Yeah, because he 1998 01:20:32,920 --> 01:20:34,880 Speaker 2: spass during that scene in a good way. 1999 01:20:35,000 --> 01:20:38,960 Speaker 3: I think he's dead. I think he died. I think 2000 01:20:39,000 --> 01:20:40,720 Speaker 3: they once once they hit his his little brother with 2001 01:20:40,760 --> 01:20:42,800 Speaker 3: the head shot. I think he died. At the same time. 2002 01:20:42,880 --> 01:20:44,120 Speaker 2: I think they might they might put him in a 2003 01:20:44,160 --> 01:20:46,720 Speaker 2: coma for two episodes just to decide see what the 2004 01:20:46,760 --> 01:20:49,240 Speaker 2: fan was in a lot of blood. He got shot 2005 01:20:49,280 --> 01:20:50,240 Speaker 2: where you usually die. 2006 01:20:50,360 --> 01:20:51,760 Speaker 3: Yeah, so that's what I'm saying. I think he's done. 2007 01:20:51,800 --> 01:20:54,240 Speaker 1: He's a he's a fan favorite. I don't see him dying. 2008 01:20:55,680 --> 01:20:57,680 Speaker 3: I think anybody on that show can die, except in there. 2009 01:20:58,880 --> 01:20:59,880 Speaker 3: They're all expendable. 2010 01:20:59,880 --> 01:21:01,920 Speaker 2: I just want to know what Ashtray's plan was. 2011 01:21:03,040 --> 01:21:04,479 Speaker 3: He had no plan, he had no pain. 2012 01:21:04,520 --> 01:21:06,080 Speaker 1: He was just he knew he was gonna die. 2013 01:21:06,560 --> 01:21:09,480 Speaker 3: Yeah. He went out like, uh, what's what's the what's 2014 01:21:09,520 --> 01:21:13,240 Speaker 3: the two? What's the ladies that drove to the Grand 2015 01:21:13,240 --> 01:21:16,400 Speaker 3: Canyon and drove off the ship in the eighties, Belvin Luise, 2016 01:21:16,840 --> 01:21:17,479 Speaker 3: He went out like. 2017 01:21:18,960 --> 01:21:22,360 Speaker 1: Or Chris Brown or which McCall and taking takers? 2018 01:21:22,560 --> 01:21:22,760 Speaker 2: Yeah? 2019 01:21:22,800 --> 01:21:24,400 Speaker 3: Sure, Queen of Tief and set it off. Yeah, it's 2020 01:21:24,439 --> 01:21:25,040 Speaker 3: all the same ship. 2021 01:21:25,439 --> 01:21:25,759 Speaker 1: Yeah. 2022 01:21:25,800 --> 01:21:28,280 Speaker 3: Yeah, they went out, Denzel and Train to Day, they 2023 01:21:28,280 --> 01:21:29,120 Speaker 3: all went out the same way. 2024 01:21:29,240 --> 01:21:32,360 Speaker 2: Fast was standing outside that bathroom door, knocking like his 2025 01:21:32,560 --> 01:21:35,200 Speaker 2: girl had his cell phone in there. Yo, come on, 2026 01:21:35,320 --> 01:21:39,200 Speaker 2: open up, man, come on like a come on. 2027 01:21:41,080 --> 01:21:42,680 Speaker 3: Yeah. His little brother went out like a g THO. 2028 01:21:42,920 --> 01:21:44,559 Speaker 3: I'm not gonna lie when he acts like he was dead, 2029 01:21:44,600 --> 01:21:46,840 Speaker 3: and he sat up had that shotgun. 2030 01:21:48,120 --> 01:21:50,080 Speaker 2: How are we gonna Feeluh? Yeah, what's Shorty's name? That 2031 01:21:50,160 --> 01:21:55,200 Speaker 2: did the whole play Lexi, Lexi. I can't wait till 2032 01:21:55,240 --> 01:21:58,519 Speaker 2: Lexi's ass sees what really happened, because you know, she 2033 01:21:58,640 --> 01:22:01,360 Speaker 2: was like, men, ain't ship. I saved him the first seed. 2034 01:22:01,400 --> 01:22:02,800 Speaker 2: He wasn't there to support me. 2035 01:22:02,880 --> 01:22:05,360 Speaker 1: This is man, she knows what he does for a living. 2036 01:22:05,400 --> 01:22:06,440 Speaker 1: She's probably worried. 2037 01:22:06,560 --> 01:22:08,519 Speaker 2: Then then just gonna find out that, No, he's dead. 2038 01:22:10,439 --> 01:22:11,200 Speaker 3: I think he's dead. 2039 01:22:11,560 --> 01:22:14,000 Speaker 1: I don't think. I think if he was to die, 2040 01:22:14,120 --> 01:22:16,920 Speaker 1: it would have been a bigger deal. They would have 2041 01:22:16,920 --> 01:22:17,680 Speaker 1: made it a bigger thing. 2042 01:22:18,760 --> 01:22:20,160 Speaker 3: I mean, we saw the blood pouring. 2043 01:22:20,800 --> 01:22:22,200 Speaker 1: That's not no, they would have made That's. 2044 01:22:22,080 --> 01:22:23,360 Speaker 3: Like you know when you go to the cookout and 2045 01:22:23,400 --> 01:22:26,559 Speaker 3: you uh, the kool aid that's on the thing, no 2046 01:22:26,600 --> 01:22:29,000 Speaker 3: matter how tight you close it, it's still leaks everywhere. 2047 01:22:29,080 --> 01:22:30,799 Speaker 3: That's what Fes was doing. He was just leaking everywhere 2048 01:22:30,840 --> 01:22:32,080 Speaker 3: it was he did. 2049 01:22:32,200 --> 01:22:33,559 Speaker 2: He did have the wear thow to try to put 2050 01:22:33,560 --> 01:22:34,960 Speaker 2: his thumb in the wound. I thought that was actually 2051 01:22:35,000 --> 01:22:39,280 Speaker 2: pretty unrealistic. Yeah, you screaming at your man's gunshots everywhere, like, 2052 01:22:39,479 --> 01:22:40,519 Speaker 2: let me put my thumb in there. 2053 01:22:40,680 --> 01:22:40,840 Speaker 3: Yeah. 2054 01:22:40,840 --> 01:22:42,479 Speaker 1: I was telling him to like stop screaming. 2055 01:22:42,560 --> 01:22:45,200 Speaker 3: Clearly didn't watch Loan Survivor. You got to pack it 2056 01:22:45,240 --> 01:22:45,800 Speaker 3: with some dirt. 2057 01:22:45,960 --> 01:22:48,600 Speaker 2: Fan Loan Survivor. If you want to talk about anxiety 2058 01:22:48,640 --> 01:22:51,400 Speaker 2: trying to watch a movie, I couldn't breathe during that time. 2059 01:22:51,600 --> 01:22:53,960 Speaker 3: That's a classic movie. I don't know about classic, but 2060 01:22:54,080 --> 01:22:56,000 Speaker 3: Long Survivor is a classic movie, so really good. If 2061 01:22:56,040 --> 01:22:58,040 Speaker 3: you have anxiety, do not watch that movie. 2062 01:22:58,080 --> 01:22:58,920 Speaker 1: I do have anxiety. 2063 01:22:59,560 --> 01:23:01,439 Speaker 2: You will from start he has a from but from 2064 01:23:01,479 --> 01:23:04,840 Speaker 2: start to finish that that whole movie is like again. 2065 01:23:05,360 --> 01:23:07,120 Speaker 3: You saw fast they was moving in them sandals up 2066 01:23:07,160 --> 01:23:10,480 Speaker 3: the mountains. Fam you can't move that fast and crocs. 2067 01:23:11,120 --> 01:23:13,599 Speaker 2: I didn't know the full story before I watched the movie, 2068 01:23:13,600 --> 01:23:17,840 Speaker 2: and then obviously I went back and the research spoilert 2069 01:23:17,880 --> 01:23:21,240 Speaker 2: at the drop spoiler spoiler when the fucking when they 2070 01:23:21,240 --> 01:23:21,920 Speaker 2: shot down. 2071 01:23:21,720 --> 01:23:25,280 Speaker 3: The marriage is spoilerlerts spoiler spoiler. 2072 01:23:25,120 --> 01:23:27,240 Speaker 2: The helicopters got shot down too. I was like, nah, 2073 01:23:27,280 --> 01:23:31,280 Speaker 2: hold on, how does he survive this? 2074 01:23:31,880 --> 01:23:34,439 Speaker 3: He was like, go left. They started going to the left. 2075 01:23:34,280 --> 01:23:35,680 Speaker 3: They said left is no good. 2076 01:23:35,720 --> 01:23:36,400 Speaker 2: Left it is no good. 2077 01:23:37,720 --> 01:23:38,679 Speaker 3: Left is no good. 2078 01:23:38,880 --> 01:23:42,840 Speaker 2: Just casually, Nah, we gotta go back. 2079 01:23:43,200 --> 01:23:44,680 Speaker 1: Y'all think I'm gonn watch that when I go home. 2080 01:23:44,720 --> 01:23:46,759 Speaker 3: I have you never seen Long Survivor In case anyone 2081 01:23:46,880 --> 01:23:48,519 Speaker 3: doesn't have Wikipedia in front of them, what is the 2082 01:23:48,560 --> 01:23:52,280 Speaker 3: Long Survivor about? Lone Survivor is about a platoon that 2083 01:23:52,400 --> 01:23:56,240 Speaker 3: goes to the mountains of Afghanistan and they bump into 2084 01:23:56,920 --> 01:24:00,320 Speaker 3: this Aliban, a member of the Taliban, and he's a 2085 01:24:00,400 --> 01:24:04,040 Speaker 3: kid and it's a guy. It's an older man from 2086 01:24:04,080 --> 01:24:07,559 Speaker 3: the village and a younger kid that's obviously from enemy 2087 01:24:07,640 --> 01:24:09,600 Speaker 3: territory and they're walking like their goat to something in 2088 01:24:09,640 --> 01:24:13,840 Speaker 3: the mountains with radios with radios, and they bump into 2089 01:24:13,920 --> 01:24:15,960 Speaker 3: the platoon that's on a stakeout because they're trying to 2090 01:24:16,080 --> 01:24:20,200 Speaker 3: kill one of the leaders of the terrorist group. And 2091 01:24:20,320 --> 01:24:23,400 Speaker 3: instead of half of the platoon said we should kill 2092 01:24:23,479 --> 01:24:25,080 Speaker 3: him because he's going to get back to his village. 2093 01:24:25,080 --> 01:24:27,040 Speaker 3: He's going to tell him where we're at. They're going 2094 01:24:27,080 --> 01:24:29,479 Speaker 3: to find us. But he was a kid, and they 2095 01:24:29,520 --> 01:24:31,200 Speaker 3: were just like, yo, I don't want to kill a kid, 2096 01:24:31,520 --> 01:24:33,960 Speaker 3: and they let him go, and sure enough, he ran 2097 01:24:34,000 --> 01:24:37,599 Speaker 3: back to the village told everybody, and then they hunted 2098 01:24:37,600 --> 01:24:38,200 Speaker 3: them down in the. 2099 01:24:38,120 --> 01:24:39,360 Speaker 2: Mountains at the country. 2100 01:24:39,680 --> 01:24:43,200 Speaker 3: Yeah and yeah, they got into a big ass shootout 2101 01:24:43,200 --> 01:24:48,839 Speaker 3: and only one god survived. One soldier survived the survivor, 2102 01:24:49,280 --> 01:24:51,760 Speaker 3: which is played by Mark Wilboroy. I forgot the real 2103 01:24:52,320 --> 01:24:54,800 Speaker 3: soldier's name that he was depicted, but it was based 2104 01:24:54,840 --> 01:24:57,559 Speaker 3: on a true story. I think it's a classic movie. 2105 01:24:57,800 --> 01:25:00,080 Speaker 3: So I think that gunfight scene in the mountains was like. 2106 01:25:00,240 --> 01:25:04,479 Speaker 2: Marcus Latrell, Marcus Marcus Latrell, who does He does a 2107 01:25:04,479 --> 01:25:07,200 Speaker 2: lot of press now, there's a lot of interviews. Yeah, 2108 01:25:07,920 --> 01:25:09,320 Speaker 2: he's political and ship now. 2109 01:25:09,360 --> 01:25:11,680 Speaker 3: But great movies, most of great movie. You didn't see 2110 01:25:11,680 --> 01:25:14,040 Speaker 3: a really great movie. One of the most epic gun 2111 01:25:14,160 --> 01:25:15,800 Speaker 3: battle scenes we've ever seen. 2112 01:25:15,920 --> 01:25:18,519 Speaker 2: And it's not a scene, it's the movie. 2113 01:25:18,560 --> 01:25:21,599 Speaker 3: It's the whole movie. Yeah, so I love that movie. 2114 01:25:24,479 --> 01:25:25,719 Speaker 2: I'm trying to think of anything else. 2115 01:25:26,000 --> 01:25:27,880 Speaker 1: No, nothing else we'll talk about. 2116 01:25:27,720 --> 01:25:30,479 Speaker 2: We got to We have a big, big announcement that 2117 01:25:30,560 --> 01:25:33,880 Speaker 2: you'll see today at three pm Eastern Standard time. 2118 01:25:34,080 --> 01:25:37,559 Speaker 1: Yeah. So go subscribe to our our social media handles. 2119 01:25:37,600 --> 01:25:42,720 Speaker 1: Go subscribe to our Instagram and our Twitter, Facebook and YouTube, 2120 01:25:42,720 --> 01:25:44,800 Speaker 1: and we have some stuff coming. It's gonna be fun. 2121 01:25:45,600 --> 01:25:45,800 Speaker 3: Yeah. 2122 01:25:45,800 --> 01:25:46,280 Speaker 2: I'm excited. 2123 01:25:46,280 --> 01:25:47,639 Speaker 1: I'm excited, you guys excited. 2124 01:25:48,520 --> 01:25:52,559 Speaker 3: I'm excited. Man, I think I love well, I'm not excited, 2125 01:25:52,720 --> 01:25:55,639 Speaker 3: I'm I'm you don't get excited. I'm happy. 2126 01:25:56,040 --> 01:25:57,080 Speaker 2: I've never seen you excited. 2127 01:25:57,080 --> 01:25:57,799 Speaker 3: I'm joyful. 2128 01:25:58,000 --> 01:25:59,040 Speaker 1: I've seen all excited. 2129 01:25:59,439 --> 01:26:02,880 Speaker 3: Ye I'm sorry that you saw that first of all, 2130 01:26:02,880 --> 01:26:08,640 Speaker 3: But when did you see that? Fuck? Yeah, when did 2131 01:26:08,640 --> 01:26:09,320 Speaker 3: you see me excited? 2132 01:26:09,479 --> 01:26:13,960 Speaker 1: Job is my thirteenth free You were excited? Were I 2133 01:26:14,040 --> 01:26:15,360 Speaker 1: got to think about it. You were excited. 2134 01:26:15,920 --> 01:26:17,040 Speaker 3: I don't excited. 2135 01:26:17,200 --> 01:26:20,639 Speaker 1: I'm not really excited. Sometimes we're happy to it comes 2136 01:26:20,680 --> 01:26:21,439 Speaker 1: into work excited. 2137 01:26:21,600 --> 01:26:23,400 Speaker 3: I'm happy to see y'all because you know, once we 2138 01:26:23,439 --> 01:26:25,080 Speaker 3: spend out weekends away from each other, even though we 2139 01:26:25,240 --> 01:26:26,320 Speaker 3: text throughout the weekend. 2140 01:26:26,439 --> 01:26:29,400 Speaker 1: No, y'all do not text me weekend. 2141 01:26:29,640 --> 01:26:32,200 Speaker 3: Well, Rory and I have days where y'all got to 2142 01:26:32,240 --> 01:26:35,080 Speaker 3: remember something. Rory and I have been doing this twice 2143 01:26:35,080 --> 01:26:40,839 Speaker 3: a week for years. Like that, shit gets like tiring, 2144 01:26:41,000 --> 01:26:42,680 Speaker 3: like we don't It's times where I like, I'll see 2145 01:26:42,720 --> 01:26:44,040 Speaker 3: y'all text and I'm just like, I don't even want 2146 01:26:44,040 --> 01:26:47,000 Speaker 3: to talk about anything that's related. It's a real thing. 2147 01:26:47,040 --> 01:26:49,280 Speaker 3: I didn't understand this when like corporate people's like, oh, 2148 01:26:49,520 --> 01:26:51,519 Speaker 3: don't talk to me about work. Now I understand. I 2149 01:26:51,560 --> 01:26:53,280 Speaker 3: get it. It's like you don't even want to, you 2150 01:26:53,320 --> 01:26:54,800 Speaker 3: don't remember you don't want to remember that you do 2151 01:26:54,840 --> 01:26:57,280 Speaker 3: a show so over the weekend. Sometimes we all text. 2152 01:26:57,360 --> 01:26:59,680 Speaker 3: If it's not something that's like like Damaris when you 2153 01:26:59,760 --> 01:27:02,120 Speaker 3: hit he hit me on the side, like yo, I 2154 01:27:02,240 --> 01:27:04,040 Speaker 3: respond to you. But if it's like in a group 2155 01:27:04,080 --> 01:27:06,080 Speaker 3: chat and you send videos and clips yo, which I think, 2156 01:27:06,240 --> 01:27:07,720 Speaker 3: it's like I don't even want to look at that 2157 01:27:07,760 --> 01:27:09,840 Speaker 3: ship only because it's work. 2158 01:27:10,640 --> 01:27:11,919 Speaker 4: The usually just a memes. 2159 01:27:12,160 --> 01:27:14,599 Speaker 3: Yeah, but when it's funny ship, when it's funny time, 2160 01:27:14,640 --> 01:27:17,559 Speaker 3: when we laughing at somebody, or it's like somebody's at 2161 01:27:17,200 --> 01:27:19,960 Speaker 3: adding this DJ and somebody finds a clip of him 2162 01:27:20,000 --> 01:27:22,679 Speaker 3: on the social media DJing and we're having fun laughing, 2163 01:27:23,000 --> 01:27:23,800 Speaker 3: I jump in on that. 2164 01:27:23,800 --> 01:27:25,640 Speaker 4: Wait wait, wait, you guys are laughing at me. 2165 01:27:25,720 --> 01:27:29,600 Speaker 3: Oh yeah, laughing with you and your sex Lene, you 2166 01:27:29,680 --> 01:27:31,320 Speaker 3: and your sex slaves that go to the stumble in 2167 01:27:31,400 --> 01:27:33,320 Speaker 3: every what is it? Every what? What night? Is it? 2168 01:27:33,360 --> 01:27:33,719 Speaker 4: Saturday? 2169 01:27:33,720 --> 01:27:34,200 Speaker 2: Every day? 2170 01:27:34,360 --> 01:27:38,000 Speaker 3: Every Saturday? To your sex layer, to your are. 2171 01:27:37,600 --> 01:27:38,479 Speaker 1: We going this weekend? 2172 01:27:39,360 --> 01:27:41,439 Speaker 3: Yeah? In the sex Layer, we'll go to the stumbling 2173 01:27:41,479 --> 01:27:44,679 Speaker 3: Let's go Saturday there, stumble in. Oh boy, we're gonna 2174 01:27:44,680 --> 01:27:47,120 Speaker 3: stumble in the stumble in Saturday stumbling and stumble out. 2175 01:27:47,760 --> 01:27:48,599 Speaker 3: You have food there if. 2176 01:27:48,560 --> 01:27:49,760 Speaker 2: You stumbling, who knows fool? 2177 01:27:49,800 --> 01:27:50,559 Speaker 3: Yeah you vegan? 2178 01:27:50,640 --> 01:27:53,320 Speaker 4: No, we have a we have a yeah, we have 2179 01:27:53,360 --> 01:27:54,320 Speaker 4: a bear burger. 2180 01:27:54,360 --> 01:27:55,519 Speaker 2: You consider pussy vegan. 2181 01:27:56,080 --> 01:27:58,200 Speaker 3: Really, yeah, I'm there. 2182 01:27:58,439 --> 01:28:01,200 Speaker 1: You don't want to stumbling. I just love how you 2183 01:28:01,360 --> 01:28:06,880 Speaker 1: just told the listeners exactly how. But you make my 2184 01:28:07,080 --> 01:28:09,360 Speaker 1: job harder when you just said, yeah, when you send 2185 01:28:09,400 --> 01:28:11,439 Speaker 1: us clips and stuff that we need to approve, I 2186 01:28:11,479 --> 01:28:13,640 Speaker 1: don't respond to that. But you know the jokes in 2187 01:28:13,680 --> 01:28:15,519 Speaker 1: the meis I write right in the chat. 2188 01:28:15,600 --> 01:28:17,679 Speaker 3: Okay, But here's the thing though, demarriage. At the same time, 2189 01:28:17,680 --> 01:28:19,400 Speaker 3: on top of all of that, I just trust that 2190 01:28:19,479 --> 01:28:21,679 Speaker 3: you know exactly what rory and not looking for. 2191 01:28:22,320 --> 01:28:25,000 Speaker 2: It's trust. And this is actually a good teaser into 2192 01:28:25,080 --> 01:28:27,080 Speaker 2: what we're launching today. 2193 01:28:27,360 --> 01:28:29,760 Speaker 3: Like it's really that because you know what we're looking for. 2194 01:28:29,800 --> 01:28:31,439 Speaker 3: You know the aesthetic, you know what's funny, you know 2195 01:28:31,479 --> 01:28:33,360 Speaker 3: how we want to deliver this thing, how we want 2196 01:28:33,360 --> 01:28:35,280 Speaker 3: to package this thing. So most of the time, when 2197 01:28:35,280 --> 01:28:37,400 Speaker 3: you say, what do y'all think, it's like themarriage, you 2198 01:28:37,520 --> 01:28:38,760 Speaker 3: think it's good. Run it. 2199 01:28:40,439 --> 01:28:42,799 Speaker 2: I'm still gonna check them shits, but like I'll. 2200 01:28:42,720 --> 01:28:45,000 Speaker 3: Check it, but it's like I'm not gonna com find 2201 01:28:45,040 --> 01:28:47,280 Speaker 3: comb through it and be like, oh D, the coloring 2202 01:28:47,360 --> 01:28:48,840 Speaker 3: right here is a little off, all D. You can 2203 01:28:48,880 --> 01:28:51,040 Speaker 3: put this right here and move this. It's like, D, 2204 01:28:51,240 --> 01:28:56,200 Speaker 3: let me see funny, laughable, put it out. So as 2205 01:28:56,200 --> 01:28:59,519 Speaker 3: long as Rory's not too pale, as long as that, yeah, 2206 01:28:59,520 --> 01:29:01,200 Speaker 3: as long as I don't look too gray. 2207 01:29:01,400 --> 01:29:03,200 Speaker 2: As long as no one said the N word, that can't. 2208 01:29:03,560 --> 01:29:06,880 Speaker 3: As long as Rory didn't say, you know anything crazy 2209 01:29:06,920 --> 01:29:09,960 Speaker 3: that's gonna get us canceled. Run this ship, that's all. 2210 01:29:10,320 --> 01:29:11,000 Speaker 3: But it's out of love. 2211 01:29:11,160 --> 01:29:12,840 Speaker 2: I'm not going to save this place like I don't 2212 01:29:12,840 --> 01:29:15,320 Speaker 2: want to America out. I don't want to say what 2213 01:29:15,360 --> 01:29:15,639 Speaker 2: the fuck. 2214 01:29:16,360 --> 01:29:18,439 Speaker 1: I'm just saying, listen, I'm letting him hang him. 2215 01:29:18,600 --> 01:29:20,240 Speaker 3: But I'd rather do that. I'd rather you put something 2216 01:29:20,240 --> 01:29:21,680 Speaker 3: out and I hate it. And I was like, what 2217 01:29:21,720 --> 01:29:21,960 Speaker 3: the fuck? 2218 01:29:22,120 --> 01:29:24,160 Speaker 1: You rather I put something out and you hate it? 2219 01:29:24,360 --> 01:29:27,560 Speaker 3: Then? Just because no, no, no, I've double checked sometimes that 2220 01:29:27,680 --> 01:29:29,880 Speaker 3: all the times. But I'm saying, if you haven't noticed, Jamis, 2221 01:29:29,960 --> 01:29:33,840 Speaker 3: this is not We're not running this company the prototypical. 2222 01:29:33,240 --> 01:29:35,479 Speaker 1: Way that I haven't. 2223 01:29:36,240 --> 01:29:37,400 Speaker 3: We like making mistakes here. 2224 01:29:37,479 --> 01:29:39,600 Speaker 1: Yeah, I've noticed, I've noticed. 2225 01:29:39,360 --> 01:29:41,679 Speaker 3: We like making mistakes. Let's make mistakes. Because we're human. 2226 01:29:42,080 --> 01:29:44,640 Speaker 3: This isn't fucking seeing c NBC, MSNBC. 2227 01:29:44,840 --> 01:29:46,200 Speaker 2: I have to think they make more mistakes. 2228 01:29:46,200 --> 01:29:49,320 Speaker 3: But fuck it, let's just we know what the funk 2229 01:29:49,360 --> 01:29:50,840 Speaker 3: we're doing here. Everybody knows their job. 2230 01:29:51,280 --> 01:29:51,439 Speaker 1: Well. 2231 01:29:51,479 --> 01:29:55,479 Speaker 3: Yeah, so subscribe to the ship to describe today we're live. 2232 01:29:55,600 --> 01:29:57,280 Speaker 2: He can take and bleep it. 2233 01:29:57,360 --> 01:30:04,000 Speaker 1: Yeah, and subscribe, he keeps saying again, Yeah, you. 2234 01:30:04,120 --> 01:30:07,040 Speaker 3: Just expose her lady parts. I don't think she Okay, 2235 01:30:07,160 --> 01:30:09,880 Speaker 3: Ed's gonna blur it, Okay, blur out Bailey's lady parts. 2236 01:30:09,920 --> 01:30:12,360 Speaker 2: Please get her name correct. Her name is Baisley. 2237 01:30:12,800 --> 01:30:14,800 Speaker 3: My boys dog is Bailey's. That's why I call it. 2238 01:30:15,000 --> 01:30:18,200 Speaker 3: It's the same is Bailey's and Baisley's same ships. 2239 01:30:18,200 --> 01:30:18,919 Speaker 4: Irish cream. 2240 01:30:19,120 --> 01:30:21,840 Speaker 3: Yes, that's the that's the color of her coat is 2241 01:30:21,880 --> 01:30:23,559 Speaker 3: the same color as Bailey's irice creams. 2242 01:30:23,560 --> 01:30:23,920 Speaker 2: That's why. 2243 01:30:24,240 --> 01:30:26,560 Speaker 3: That's why his name is Bailey's. Shout out to Bailey's 2244 01:30:26,640 --> 01:30:28,840 Speaker 3: and shout out to Baisley. We actually I should make 2245 01:30:28,880 --> 01:30:31,360 Speaker 3: a play day for though. They will get along and 2246 01:30:31,400 --> 01:30:34,959 Speaker 3: he hasn't any sex yet as ah As Bays has sexy. 2247 01:30:34,920 --> 01:30:38,720 Speaker 2: Just with her flamingo Baisley is. Here's the thing, so Baisley's. 2248 01:30:38,320 --> 01:30:43,599 Speaker 3: Fixed, but she has that thing still get hot. 2249 01:30:44,120 --> 01:30:49,040 Speaker 2: Here's the thing, Baislely. Baisley is a stud. Baisley does 2250 01:30:49,080 --> 01:30:51,759 Speaker 2: not get fuck. She does the fucking. She gets behind 2251 01:30:51,800 --> 01:30:52,880 Speaker 2: dogs like she has a dick. 2252 01:30:53,040 --> 01:30:56,280 Speaker 3: Okay, so she doesn't know how her things work yet. 2253 01:30:56,800 --> 01:30:59,240 Speaker 2: No, she just knows what she wants. I think she 2254 01:30:59,240 --> 01:30:59,960 Speaker 2: wants to transition. 2255 01:31:00,400 --> 01:31:03,200 Speaker 3: Oh, she wants to basically, do you identify what do 2256 01:31:03,200 --> 01:31:04,240 Speaker 3: you identify as today? 2257 01:31:04,600 --> 01:31:07,720 Speaker 2: When there's a dog getting behind that thing like she's 2258 01:31:07,760 --> 01:31:11,440 Speaker 2: a grown man, Like what do you? What are you? 2259 01:31:11,479 --> 01:31:12,880 Speaker 2: People trying to scissor with the dog? 2260 01:31:12,920 --> 01:31:14,040 Speaker 3: Basically got pretty much. 2261 01:31:14,120 --> 01:31:16,360 Speaker 2: Yeah, but she'll do it to male dogs. 2262 01:31:16,400 --> 01:31:18,680 Speaker 3: It's a little nasty, like this little peg the. 2263 01:31:18,640 --> 01:31:19,400 Speaker 2: Stallion over here. 2264 01:31:20,600 --> 01:31:22,400 Speaker 1: Okay, this podcast. 2265 01:31:22,560 --> 01:31:25,320 Speaker 2: I don't know what she identifies as has it's not 2266 01:31:25,400 --> 01:31:27,680 Speaker 2: just a woman. I'll tell you that you wantn't. 2267 01:31:27,320 --> 01:31:31,760 Speaker 1: Stop putting pink on her because you're cam her identity. 2268 01:31:31,960 --> 01:31:34,320 Speaker 3: Clearly, she wants a leather collaring with spikes on it. 2269 01:31:34,680 --> 01:31:35,240 Speaker 3: I believe it. 2270 01:31:35,760 --> 01:31:37,439 Speaker 2: She probably be at the Stumbling when I'm asleep. 2271 01:31:38,720 --> 01:31:40,960 Speaker 3: The stumbling. That just sounds like a nasty place. 2272 01:31:41,000 --> 01:31:41,840 Speaker 1: We're really going to. 2273 01:31:42,040 --> 01:31:43,759 Speaker 2: We're going to the stumbling I'm excited. 2274 01:31:43,800 --> 01:31:45,360 Speaker 3: I'm all not going, mom, I'm going on. 2275 01:31:45,800 --> 01:31:46,479 Speaker 2: You know, I'm gonna go. 2276 01:31:46,560 --> 01:31:53,200 Speaker 3: I promise my hopes up. She's in the I hate what. 2277 01:31:55,520 --> 01:31:58,439 Speaker 2: She's in, the rapture of love, just the rapture of love. 2278 01:31:58,920 --> 01:32:01,479 Speaker 3: What's up, man, talk, we'll talk on came. 2279 01:32:02,880 --> 01:32:03,960 Speaker 2: Table this one, yo. 2280 01:32:04,040 --> 01:32:07,640 Speaker 3: Did you hear demarus? I hate when a nigga DeMars 2281 01:32:07,680 --> 01:32:10,400 Speaker 3: I didn't do anything. Don't bring that energy for whatever 2282 01:32:10,439 --> 01:32:16,200 Speaker 3: you be doing when you're not with us. I hate 2283 01:32:16,240 --> 01:32:17,479 Speaker 3: when a nigga. Get my hopes. 2284 01:32:18,880 --> 01:32:20,639 Speaker 1: That'll be all, folks, Thank you so much. 2285 01:32:20,640 --> 01:32:22,320 Speaker 3: Oh man, Jesus Christ. 2286 01:32:22,600 --> 01:32:24,559 Speaker 2: Everyone, have a wonderful week. We will be back. 2287 01:32:24,600 --> 01:32:26,719 Speaker 3: Oh man, have a wonderful week every day this week. 2288 01:32:26,800 --> 01:32:29,559 Speaker 3: Yeah yeah, I feel like we're shooting every day this week. 2289 01:32:30,439 --> 01:32:35,080 Speaker 3: But you have a subscriber. Anything else we need to plug? 2290 01:32:35,120 --> 01:32:36,960 Speaker 2: No, yes, just that for now? 2291 01:32:37,360 --> 01:32:40,400 Speaker 3: Okay? Cool. Well I'm that nigga. He's just Ginger. That's Basely, 2292 01:32:40,479 --> 01:32:44,720 Speaker 3: the freak freaky dog of the of Jersey City. If 2293 01:32:44,760 --> 01:32:45,760 Speaker 3: you see on the streets run. 2294 01:32:45,880 --> 01:32:47,679 Speaker 2: Oh no, she be in the boroughs too, going crazy. 2295 01:32:48,320 --> 01:32:50,479 Speaker 3: Oh she's a little oh you a little toddy, a 2296 01:32:50,479 --> 01:32:51,320 Speaker 3: little hotty toddy. 2297 01:32:51,920 --> 01:32:53,479 Speaker 2: Uh, she's discovering herself. 2298 01:32:53,640 --> 01:32:59,000 Speaker 3: Okay ah, basis in the whole phase. I like that, 2299 01:32:59,120 --> 01:33:01,240 Speaker 3: basis in the whole face. And we'll talk to y'all soon. 2300 01:33:01,720 --> 01:33:03,040 Speaker 2: Peace my daughter 2301 01:33:05,400 --> 01:33:06,880 Speaker 1: Willian now