WEBVTT - INTERVIEW: TIWA Savage Talks 'This One Is Personal,' Davido, Tyla, Afrobeats, Ageism, Dating, Healing + More

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<v Speaker 1>Every day Breakfast Club. You don't feels for y'all done?

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<v Speaker 2>Yes, it's the world most dangerous morning to show the

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<v Speaker 2>Breakfast Club Charlamage the God DJ NV just hilarious, justin

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<v Speaker 2>and beyond here today. But Lauren Lerosa is and we

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<v Speaker 2>got a special guest in the building. She had a

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<v Speaker 2>new album came out in August called This One Is Personal?

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<v Speaker 2>Personal t Y Savage, good morning.

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<v Speaker 1>How you feeling.

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<v Speaker 3>I'm good. I feel blessed.

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<v Speaker 4>Every time I run into you in New York. You

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<v Speaker 4>just always look amazing. Really, yes, I love literally, You're

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<v Speaker 4>one of my favorite people to just run into because

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<v Speaker 4>it just be so effortless every.

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<v Speaker 1>Why are you in the same places as Lauren? Why

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<v Speaker 1>are you in the same places as I?

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<v Speaker 4>Like, she's in all these great places because she's this

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<v Speaker 4>huge superstar.

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<v Speaker 1>Okay, you know what You're right, Let me change my perspective.

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<v Speaker 4>I was able to say something to you, but not

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<v Speaker 4>in front of company. Some things you.

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<v Speaker 3>Need to check you're going to be best behavior.

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<v Speaker 2>Yes, the name of this album, This One is personal.

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<v Speaker 2>When I'm looking into the album, the first thing I

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<v Speaker 2>think is who is the main inspired this?

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<v Speaker 3>Yeah? It was, it was. It was hard. It was,

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<v Speaker 3>But honestly, I think I feel like it's like a

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<v Speaker 3>combination of different scenarios. I think that there's different things

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<v Speaker 3>that I've gone through that I really haven't I hadn't

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<v Speaker 3>dealt with and I was just moving and just going

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<v Speaker 3>on to different things. So it's just the last one

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<v Speaker 3>was just really like it was really bad.

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<v Speaker 4>Yeah, it was. It was really.

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<v Speaker 3>I don't want to give him too much credit because

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<v Speaker 3>I'm doing way better than him, so I don't want

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<v Speaker 3>to kick him while he's down.

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<v Speaker 1>So what there's specific moments are events that you drew

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<v Speaker 1>on while making this album.

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<v Speaker 3>Every single thing was something. It wasn't like, you know,

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<v Speaker 3>like when you're writing or you're in the studio and

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<v Speaker 3>you're kind of fabricating stuff. No, everything was like exactly

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<v Speaker 3>what I went through, every single emotion, every single line,

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<v Speaker 3>everything was like, yeah, it was deep. So and that

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<v Speaker 3>was really important for me for this project because doing

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<v Speaker 3>Aphrobe a lot of times is about feel good, right.

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<v Speaker 3>I decided to take a leap of faith and just

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<v Speaker 3>really put out my heart, which we don't really get

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<v Speaker 3>in in aphrob.

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<v Speaker 2>That's interesting because you know, when I'm here now, it

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<v Speaker 2>does sound like it's more traditional R and B. Yeah, right,

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<v Speaker 2>So you think it's I don't want to say impossible,

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<v Speaker 2>but it's hard to deliver these kind of messages with afrobeats.

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<v Speaker 3>I don't think so. But for me it was hard

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<v Speaker 3>for me because I'm from I fell in love with

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<v Speaker 3>R and B. That's like, that was what really got

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<v Speaker 3>me into doing music. Like you know, I saw Brandy

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<v Speaker 3>and that's how I was like, yeah, I started shedding

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<v Speaker 3>Brandy and listened to Brandy. So for me, that's my

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<v Speaker 3>comfort zone. So when I want to listen to something

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<v Speaker 3>to evoke some kind of emotion, I go back to

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<v Speaker 3>my R and B playlist. So I had to go

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<v Speaker 3>back to that for me. I mean, other people can

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<v Speaker 3>can do it with aphrobe but it wasn't it's not

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<v Speaker 3>typically what I would do. Yes, So I went back

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<v Speaker 3>to my first love.

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<v Speaker 4>I could feel the Brandy in it. But even too,

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<v Speaker 4>I think the sound and softness of your voice on

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<v Speaker 4>some of the songs, which I don't probably do a purpose.

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<v Speaker 4>It's just your voice, but it is very Brandy reminiscent.

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<v Speaker 3>Like nah, she's like my mentor man, like she's like yeah.

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<v Speaker 3>The reason why I even really really got into music was, yeah,

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<v Speaker 3>just studying her, like studying her harmonies, her vocal air

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<v Speaker 3>and everything was just yeah, man.

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<v Speaker 4>Do you guys have a personal relationship too, We're just

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<v Speaker 4>like aspirational mentor.

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<v Speaker 3>Well we have a song together. So we've done a

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<v Speaker 3>song together called Somebody's Son, And yeah, definitely obviously worked

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<v Speaker 3>with her, did the video and we're still you know,

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<v Speaker 3>in DMS and things were still Yeah, yeah, she's she's incredible.

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<v Speaker 3>You know they always say, don't meet your idol es. Yeah, no,

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<v Speaker 3>it was, yeah, she was. It was completely different. I

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<v Speaker 3>was so in awe of her, Like recording it in

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<v Speaker 3>the studio, I couldn't even stay.

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<v Speaker 4>I had to leave the studio.

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<v Speaker 3>Yeah, yeah, I couldn't stay. Like wow, yeah.

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<v Speaker 1>It was it was like did that fuck with your performance?

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<v Speaker 1>Was that message your performance?

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<v Speaker 3>Like do you feel like oh, I'd already recorded my part.

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<v Speaker 3>So when I was just sitting there just listening to

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<v Speaker 3>her in the studio, like I was just like wow,

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<v Speaker 3>I remembered when I was just like thirteen fourteen. I

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<v Speaker 3>had to just step out to be like, yoh God,

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<v Speaker 3>are you really doing this for me? Is this really

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<v Speaker 3>happening here? It was like a blessing of.

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<v Speaker 2>How did you decide which stories you were ready to

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<v Speaker 2>share on this album and which ones you want to

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<v Speaker 2>keep private.

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<v Speaker 3>I didn't keep anything I did. I just I put

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<v Speaker 3>everything out like. I was just like, yeah, I need

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<v Speaker 3>to and a lot of people doubted. A lot of

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<v Speaker 3>you know, people were like, m it's a bit too personal.

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<v Speaker 3>People are not really going to relate. It's a bit

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<v Speaker 3>too musical because I had like on ten percent, for instance,

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<v Speaker 3>I had like live instruments. I went to Nashville and

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<v Speaker 3>those are live horns, live guitars, live drum, live bass.

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<v Speaker 3>I even had like, instead of some songs, I didn't

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<v Speaker 3>put like a second verse, I put like a musical break.

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<v Speaker 3>And people are like, no, in the world of TikTok,

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<v Speaker 3>no one's really gonna no, one's really going to mess

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<v Speaker 3>with this type of music. So it was just like, yeah, no,

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<v Speaker 3>this is I studied music, so I need to I

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<v Speaker 3>need to go back to my root. And I wasn't

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<v Speaker 3>worried about streams or anything like. Seriously, I really.

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<v Speaker 2>Wasn't such an interesting song because you say that your

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<v Speaker 2>phone was in the studio from some guys somebody signed.

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<v Speaker 3>No, no, seriously no, it was in the middle of

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<v Speaker 3>the session. Yes, And I went to get some yes,

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<v Speaker 3>and I'm not like literally like I just got out

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<v Speaker 3>of that situation and I was like, I'm going to

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<v Speaker 3>be outside. I don't care like I want to just

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<v Speaker 3>you know, just be wild. And yeah, I got I

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<v Speaker 3>got a message and it was just like come over

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<v Speaker 3>and I was like, then I got a picture and

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<v Speaker 3>I was like, oh, oh my god, did you why

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<v Speaker 3>that's something?

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<v Speaker 4>It was a picture, not a video though, that was

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<v Speaker 4>a picture.

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<v Speaker 1>You know, we called it, we call it being digmatized.

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<v Speaker 4>Wa.

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<v Speaker 2>You're in the middle of a studio session. You work

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<v Speaker 2>towards your goals and your dreams.

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<v Speaker 3>And just ca yeah, because you know, it's like you know,

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<v Speaker 3>like when you're going to the gym, you're learning to

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<v Speaker 3>work out so you can you free your mind.

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<v Speaker 4>Okay, your phone was on ten percent though, did it

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<v Speaker 4>die in the car?

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<v Speaker 3>You just know I was fast, That's what I was.

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<v Speaker 3>I was. I was getting fast. I was I was

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<v Speaker 3>telling my driver like, you need to hurry out because

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<v Speaker 3>you know, when I get to his place, I want

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<v Speaker 3>to be able to call him and be like I'm downstairs.

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<v Speaker 1>You didn't have to drive if they had a charger.

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<v Speaker 3>No, no, I was my car, but was my driver

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<v Speaker 3>charge in your No, I didn't.

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<v Speaker 4>You were about the wrong thing. She was in the

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<v Speaker 4>back spring on the little sprit spray get look right

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<v Speaker 4>like she was getting you ready, already ready.

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<v Speaker 1>It was hold on that you got your mind cleared

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<v Speaker 1>and you went back to the studio.

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<v Speaker 3>I didn't go back that day. Iay, I know, I

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<v Speaker 3>was like I was in the rush. He wasn't trying

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<v Speaker 3>to kick me.

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<v Speaker 4>You spend the night, what day?

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<v Speaker 3>Forget a bit now.

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<v Speaker 2>I just want to know creatively, what came to you

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<v Speaker 2>after you.

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<v Speaker 4>Addicted?

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<v Speaker 1>Oh okay, all right.

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<v Speaker 3>Oh my god.

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<v Speaker 2>And it said it took you two years to make

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<v Speaker 2>this album, Yeah it did. Why because what were some

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<v Speaker 2>of the biggest challenges.

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<v Speaker 3>I would stop and start. Initially, I would like a

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<v Speaker 3>lot of people trying to convince me to go more

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<v Speaker 3>afro beat. So I would be in the studio and

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<v Speaker 3>I'll record a lot, and then I'll listen to it

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<v Speaker 3>and I'll start and I'll say, no, I want to

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<v Speaker 3>really do this type of project that's R and B leaning,

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<v Speaker 3>and I have to do it in my full chest.

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<v Speaker 3>I can't just dabble like I've been doing for years.

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<v Speaker 3>So it took me two years to just and also

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<v Speaker 3>like mentally to be ready emotionally to get through that,

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<v Speaker 3>to be able to sing sing, sing, And I think

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<v Speaker 3>when you're when you want to do like R and

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<v Speaker 3>B records, you have to singing. You can't just I

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<v Speaker 3>can kind of get away with it sometimes enough for me,

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<v Speaker 3>but vocally I had to get my chops up, so

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<v Speaker 3>it took me a while. Do you get a pushback

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<v Speaker 3>from some fans because like, you know, I know you dibble,

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<v Speaker 3>dabble into R and B, but now this project is

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<v Speaker 3>very much R and B.

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<v Speaker 4>It doesn't sound like afrobeats? Are they? How do they

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<v Speaker 4>feel about that? You're fans?

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<v Speaker 3>My real fans really know that this is what I

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<v Speaker 3>wanted to do. Anybody else I don't care. I'm not

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<v Speaker 3>seeking their opinion. Yeah, so I don't. But to be honest,

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<v Speaker 3>I've gotten so much love, yes, from even people that

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<v Speaker 3>weren't my fans, people who didn't even really listen to

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<v Speaker 3>your savage for instance, to be like yo, and a

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<v Speaker 3>lot of them don't even know I'm like jan so

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<v Speaker 3>they're like yeah, but they think I'm just like, you know,

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<v Speaker 3>an American singing like and they're like, who's this new whatever?

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<v Speaker 3>And I'm like, yo, she's African. Wow. Like, so it's

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<v Speaker 3>opening me up to like a whole new audience.

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<v Speaker 4>I was talking about how crazy it is. When I

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<v Speaker 4>was seeing you around for fashion week. There were a

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<v Speaker 4>lot of people that I was with who didn't know

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<v Speaker 4>who you were. But because you were so gorgeous and like,

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<v Speaker 4>you know, you're performing and you're walking in the shows,

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<v Speaker 4>They're like, who is this girl?

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<v Speaker 3>I don't know her?

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<v Speaker 4>But coming over here to the US, there probably are

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<v Speaker 4>a lot of people, even though you've been back and forth,

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<v Speaker 4>you know, that are discovering you. Now, what is that

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<v Speaker 4>like for you because you've been here.

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<v Speaker 3>Yeah, you know a lot of artists find it hard

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<v Speaker 3>because they're so big in their territory or whatever. They

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<v Speaker 3>find it hard to like, I don't know if it's

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<v Speaker 3>an ego thing, but they find it hard to like

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<v Speaker 3>go somewhere where maybe nobody knows who they are. Yeah, Like,

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<v Speaker 3>and I love that. I actually think that it's an

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<v Speaker 3>opportunity for me to reintroduce myself again and like learn

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<v Speaker 3>from maybe stuff that I've done and where people actually

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<v Speaker 3>know me and they know things about me that yeah,

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<v Speaker 3>I'm trying to like shy away from. So for me,

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<v Speaker 3>this is my introduction again to like a new market.

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<v Speaker 3>I love it. I love going to like you said,

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<v Speaker 3>places and they don't know, they don't know who I am,

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<v Speaker 3>and I'm just introducing myself. I'm starting all over again,

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<v Speaker 3>but this time I'm starting better because I've learned. Now

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<v Speaker 3>there's certain things that I may not do or I

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<v Speaker 3>may do it.

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<v Speaker 2>But when people look you up, you know, they say, oh,

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<v Speaker 2>she's the Queen of AfroB that's that's an expectation.

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<v Speaker 3>Yeah, yeah, And I know that.

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<v Speaker 1>You always reject the title quick, why is it?

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<v Speaker 3>I don't reject it, but I feel like i've you know,

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<v Speaker 3>when I've embraced it in the past, they feel like

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<v Speaker 3>I've done it and I've excluded other women or I've

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<v Speaker 3>felt like I'm the only one. And so now I

0:10:44.320 --> 0:10:46.760
<v Speaker 3>try to explain that, Yeah, I do embrace it. I

0:10:46.800 --> 0:10:49.360
<v Speaker 3>love it. I'm not shying away from it. But there

0:10:49.400 --> 0:10:52.480
<v Speaker 3>are other other women that you know should get that

0:10:53.400 --> 0:10:56.360
<v Speaker 3>or should get that. I get that spotlight.

0:10:56.880 --> 0:10:58.839
<v Speaker 1>You think people put African artists in a box.

0:10:59.160 --> 0:11:02.200
<v Speaker 3>All the time. I think even with award shows, like

0:11:03.760 --> 0:11:05.880
<v Speaker 3>you go to award shows and then there's a whole

0:11:05.880 --> 0:11:11.360
<v Speaker 3>continent in one category, like an aprob B category and

0:11:11.400 --> 0:11:14.920
<v Speaker 3>then you're like, I'm not doing what Berner's doing. I'm

0:11:14.920 --> 0:11:17.760
<v Speaker 3>not doing what Tyler's doing or whatever. It's just a

0:11:17.880 --> 0:11:21.800
<v Speaker 3>whole different like it's a continent, like we speak different languages.

0:11:21.840 --> 0:11:25.360
<v Speaker 3>So it's like, for me, it was really important for

0:11:25.360 --> 0:11:28.640
<v Speaker 3>me to also do this for them not to put

0:11:28.679 --> 0:11:31.760
<v Speaker 3>me in a box because I can't like R and

0:11:31.840 --> 0:11:35.480
<v Speaker 3>B is you know my background, and I can do

0:11:35.559 --> 0:11:38.640
<v Speaker 3>it authentically well, and I want that to be able

0:11:38.679 --> 0:11:41.160
<v Speaker 3>to inspire other people where you know, they want to

0:11:41.200 --> 0:11:43.400
<v Speaker 3>do a hip hop art album and you know what

0:11:43.559 --> 0:11:46.080
<v Speaker 3>I mean, do it well if you're going to do it.

0:11:46.120 --> 0:11:49.120
<v Speaker 3>But yeah, just because you're from a certain place doesn't

0:11:49.160 --> 0:11:50.920
<v Speaker 3>mean you should only do that type of music.

0:11:51.040 --> 0:11:55.959
<v Speaker 2>It's gonna be interesting to see how musical award shows

0:11:56.040 --> 0:11:59.160
<v Speaker 2>recognize this album, right, because yeah, because it should be

0:11:59.160 --> 0:12:03.760
<v Speaker 2>in the R and B Cady right in the know and.

0:12:04.720 --> 0:12:07.319
<v Speaker 3>Yeah, and that's that's nerve wrecking for me too. Actually,

0:12:07.400 --> 0:12:09.560
<v Speaker 3>But again, I think I've just blocked my mind to

0:12:09.679 --> 0:12:12.160
<v Speaker 3>like I'm not doing it forwards, I'm not doing it forever.

0:12:12.200 --> 0:12:15.240
<v Speaker 3>I'm doing it for like my core fans, Like that's

0:12:15.280 --> 0:12:17.599
<v Speaker 3>that's the only way I can Otherwise I wouldn't have

0:12:17.640 --> 0:12:19.599
<v Speaker 3>been able to do it. I would have snuck in

0:12:19.760 --> 0:12:24.319
<v Speaker 3>more aphrobeat records, more aphrobeat features and collapse, and it

0:12:24.360 --> 0:12:26.439
<v Speaker 3>would defeat the purpose, Like I wouldn't I wouldn't be

0:12:26.480 --> 0:12:28.760
<v Speaker 3>doing it with my full test. Yeah, so I need

0:12:28.760 --> 0:12:31.160
<v Speaker 3>to I needed to get away from that.

0:12:31.520 --> 0:12:34.000
<v Speaker 4>What's the background of your like, like, where does your

0:12:34.040 --> 0:12:36.840
<v Speaker 4>love for R and B come from? Because looking you up,

0:12:36.880 --> 0:12:39.640
<v Speaker 4>I saw that you wrote for Monica prior to you

0:12:39.640 --> 0:12:41.320
<v Speaker 4>do back you sung back up from Mary J.

0:12:41.400 --> 0:12:41.760
<v Speaker 3>Blanche.

0:12:42.320 --> 0:12:45.600
<v Speaker 4>You put vocals on one of Winnie Houston's Houston's last albums.

0:12:46.520 --> 0:12:48.280
<v Speaker 4>How did you fall? Like you don't you know not

0:12:48.320 --> 0:12:49.760
<v Speaker 4>even how did you fall? You don't fall into that

0:12:49.760 --> 0:12:51.560
<v Speaker 4>type of stuff, So what was the journey getting to

0:12:51.600 --> 0:12:53.120
<v Speaker 4>that point of those things?

0:12:53.440 --> 0:12:55.160
<v Speaker 3>It was It's like a snowball effect. So I was

0:12:55.160 --> 0:12:59.240
<v Speaker 3>in London. I started I went for backup, like the

0:12:59.280 --> 0:13:02.760
<v Speaker 3>auditions for like backup singing. I got it. I was

0:13:02.800 --> 0:13:04.840
<v Speaker 3>like excited, like yo, I'm getting paid to do this,

0:13:04.960 --> 0:13:09.640
<v Speaker 3>Like this is crazy. And then from there I'm watching

0:13:09.720 --> 0:13:12.840
<v Speaker 3>TV I see I want to be down Brandy and

0:13:12.880 --> 0:13:16.200
<v Speaker 3>I'm just obsessed by it. So I just really started

0:13:16.280 --> 0:13:19.080
<v Speaker 3>studying studying her, and then you just get into like

0:13:19.120 --> 0:13:22.959
<v Speaker 3>this rabbit hole where you're now discovering Monica and SWV

0:13:23.320 --> 0:13:25.480
<v Speaker 3>and Mary J. Blige and it's just going and going,

0:13:25.520 --> 0:13:28.720
<v Speaker 3>and then I'm just getting good at it, like and

0:13:28.720 --> 0:13:32.120
<v Speaker 3>then I'm getting gigs from just doing backup vocals from

0:13:32.120 --> 0:13:37.000
<v Speaker 3>doing backup vocals. My dad. My dad is like, you

0:13:37.040 --> 0:13:40.079
<v Speaker 3>can't do music unless you study for music African parents,

0:13:40.120 --> 0:13:45.040
<v Speaker 3>And I'm like right. So my first degree was an

0:13:45.080 --> 0:13:48.360
<v Speaker 3>account So I did accounts, gave him the degree. I said,

0:13:48.360 --> 0:13:49.760
<v Speaker 3>I want to go into music. He said, no, you

0:13:49.800 --> 0:13:52.320
<v Speaker 3>have to study music. I'm like that, Michael Jackson did

0:13:52.360 --> 0:13:54.880
<v Speaker 3>not go to school with music, Like that's not what

0:13:54.920 --> 0:13:57.880
<v Speaker 3>we do, and he forced me to go. In an

0:13:57.920 --> 0:14:01.559
<v Speaker 3>audition for Berkeley and Boston. I got a full scholarship.

0:14:02.360 --> 0:14:06.800
<v Speaker 3>Studied jazz, and then I studied songwriting and then like, yeah,

0:14:06.840 --> 0:14:09.920
<v Speaker 3>I just studied building my resume from there. Wow, that's

0:14:09.960 --> 0:14:11.040
<v Speaker 3>pretty insane.

0:14:11.480 --> 0:14:13.360
<v Speaker 1>On the song I'm Done, you say you don't want

0:14:13.360 --> 0:14:13.920
<v Speaker 1>to love again?

0:14:14.240 --> 0:14:14.880
<v Speaker 3>Yeah?

0:14:15.000 --> 0:14:16.040
<v Speaker 1>Do you feel that way for real?

0:14:16.200 --> 0:14:17.600
<v Speaker 3>I really, I really do.

0:14:18.000 --> 0:14:20.720
<v Speaker 1>What Yeah, gotta be careful what you say to the universe.

0:14:20.760 --> 0:14:26.120
<v Speaker 3>Now, Yeah, I know, I know, And I just that

0:14:26.240 --> 0:14:28.800
<v Speaker 3>place was dark, you know, it was really for me

0:14:28.880 --> 0:14:33.720
<v Speaker 3>to I, Ah, I'm scared that someone's gonna come or

0:14:33.760 --> 0:14:36.400
<v Speaker 3>the right person's gonna come, and I'm just gonna project

0:14:36.400 --> 0:14:42.360
<v Speaker 3>my trauma on them. Yeah, that's because I'm going to

0:14:42.400 --> 0:14:46.360
<v Speaker 3>give everything. I'm really honestly going to give everything. And

0:14:46.400 --> 0:14:50.600
<v Speaker 3>can I really do that again? And just unless God

0:14:50.640 --> 0:14:53.680
<v Speaker 3>opens up the heavens and says, this is my child,

0:14:53.800 --> 0:14:56.880
<v Speaker 3>this is who you're supposed to be with. I can't.

0:14:56.960 --> 0:14:58.960
<v Speaker 3>I can't see myself opening up like that again.

0:14:59.000 --> 0:15:03.440
<v Speaker 1>But if God is, if you know that you have unhealed.

0:15:03.080 --> 0:15:08.880
<v Speaker 3>Trumple, yeah, I would say about seventy percent eight I am.

0:15:09.560 --> 0:15:11.800
<v Speaker 3>I'm still doing it every day. I still yeah, I

0:15:11.840 --> 0:15:12.320
<v Speaker 3>still do it.

0:15:12.360 --> 0:15:14.960
<v Speaker 1>So you don't want to meet somebody until you are

0:15:14.960 --> 0:15:16.200
<v Speaker 1>a more healed version.

0:15:16.040 --> 0:15:20.360
<v Speaker 3>Of Yeah, I need to be completely like got you? Yeah, completely,

0:15:20.360 --> 0:15:21.520
<v Speaker 3>one hundred percent whole.

0:15:21.480 --> 0:15:22.720
<v Speaker 1>Because right now you're just toxic.

0:15:23.440 --> 0:15:24.280
<v Speaker 3>No I'm not.

0:15:26.720 --> 0:15:29.520
<v Speaker 4>No way, are you hurt still?

0:15:30.720 --> 0:15:31.040
<v Speaker 1>No?

0:15:31.320 --> 0:15:35.840
<v Speaker 3>I think nah that that situation, all those situations is done. No,

0:15:36.560 --> 0:15:40.600
<v Speaker 3>I'm just I'm just a bit. I'm just wary man,

0:15:40.720 --> 0:15:46.000
<v Speaker 3>because I can't I don't believe words. Yeah, yeah, yeah,

0:15:46.000 --> 0:15:48.400
<v Speaker 3>I don't believe Yeah, I don't believe. I don't believe words.

0:15:48.440 --> 0:15:51.640
<v Speaker 3>I'm just I'm hard now, Like, yeah, you have to

0:15:51.760 --> 0:15:53.040
<v Speaker 3>you have to really come hard.

0:15:54.280 --> 0:15:57.080
<v Speaker 2>You said this albums therapeutic for you. It was, so

0:15:57.280 --> 0:15:59.320
<v Speaker 2>have you ever actually gone to there?

0:15:59.520 --> 0:15:59.680
<v Speaker 3>Yeah?

0:15:59.720 --> 0:16:01.320
<v Speaker 4>Yeah, okay, And I still do.

0:16:02.440 --> 0:16:05.000
<v Speaker 3>Like before it used to be regular, like a couple

0:16:05.040 --> 0:16:09.040
<v Speaker 3>of times a week, but now it's like as of

0:16:09.080 --> 0:16:11.760
<v Speaker 3>when I need it, Like if I feel like, okay,

0:16:12.120 --> 0:16:14.760
<v Speaker 3>I need to just talk to someone about something, yeah,

0:16:14.800 --> 0:16:17.880
<v Speaker 3>then I still do. And I think we don't talk

0:16:17.920 --> 0:16:21.480
<v Speaker 3>about it a lot in my culture. Yeah, yeah, it's

0:16:21.520 --> 0:16:21.920
<v Speaker 3>a stigma.

0:16:22.000 --> 0:16:23.880
<v Speaker 1>I mean, I think it's just black people all across the.

0:16:23.880 --> 0:16:24.640
<v Speaker 3>World here as well.

0:16:25.200 --> 0:16:26.320
<v Speaker 1>I think it's changed.

0:16:26.440 --> 0:16:28.800
<v Speaker 3>I feel like more you guys are more open to it.

0:16:28.800 --> 0:16:30.400
<v Speaker 1>It's changed over the last several years.

0:16:30.480 --> 0:16:33.520
<v Speaker 3>Yeah, I think. So, yeah, you're not. And Niger's like, what, no,

0:16:33.760 --> 0:16:39.880
<v Speaker 3>just go to church, I believe right here.

0:16:39.920 --> 0:16:41.400
<v Speaker 4>I think it depends on the age of the person

0:16:41.440 --> 0:16:44.480
<v Speaker 4>you're talking to. Certain age of like it's like older

0:16:44.520 --> 0:16:46.920
<v Speaker 4>I know, like my family, older black women in my

0:16:46.960 --> 0:16:49.560
<v Speaker 4>family will tell you just go to church, but they

0:16:49.840 --> 0:16:53.160
<v Speaker 4>mean you need to speak to someone, yes, yeah, and

0:16:53.200 --> 0:16:55.560
<v Speaker 4>all the things. But we younger will say you should

0:16:55.560 --> 0:16:57.400
<v Speaker 4>probably do therapy or talk to a friend or something

0:16:57.440 --> 0:16:57.680
<v Speaker 4>like that.

0:16:57.760 --> 0:17:00.320
<v Speaker 3>Yeah, yeah, yeah, but a lot of people use chat

0:17:01.720 --> 0:17:04.440
<v Speaker 3>for therapy. Yeah, a lot of people say to me,

0:17:04.440 --> 0:17:07.040
<v Speaker 3>you're wasting your money, just put it into the chat.

0:17:07.119 --> 0:17:09.720
<v Speaker 3>I'm like, what crazy?

0:17:10.320 --> 0:17:12.480
<v Speaker 2>When did you realize that you just didn't want to

0:17:12.520 --> 0:17:15.320
<v Speaker 2>love again? Though, because I feel like that's a temporary thing.

0:17:15.359 --> 0:17:20.920
<v Speaker 3>Because one, yeah, I love my son, Yes, absolutely right,

0:17:21.200 --> 0:17:24.160
<v Speaker 3>I love my team, I love you know, my friends.

0:17:24.280 --> 0:17:27.280
<v Speaker 3>I've been married before. I'm like, yeah, I'm not I'm

0:17:27.320 --> 0:17:30.760
<v Speaker 3>not young. I'm forty five. Yeah, I'm good.

0:17:31.480 --> 0:17:36.080
<v Speaker 2>But you love other things like penis.

0:17:43.359 --> 0:17:46.880
<v Speaker 4>I don't know if I come attached to I've gone.

0:17:46.760 --> 0:17:50.199
<v Speaker 3>Like maybe like three years without. I know, it's not

0:17:50.240 --> 0:17:53.440
<v Speaker 3>something like I really like I'm crazy.

0:17:53.119 --> 0:17:57.840
<v Speaker 4>About Yeah, three hundred and sixty five days time time.

0:17:58.320 --> 0:17:59.680
<v Speaker 3>Yeah, I've done that.

0:18:00.440 --> 0:18:02.240
<v Speaker 1>So you don't need so so you have to be

0:18:02.240 --> 0:18:03.040
<v Speaker 1>in love to take it.

0:18:03.200 --> 0:18:05.080
<v Speaker 3>Yes, yes, I don't have to be with someone for

0:18:05.160 --> 0:18:08.800
<v Speaker 3>me to even think about it. Like I don't have toys, like, yeah.

0:18:08.840 --> 0:18:09.600
<v Speaker 1>I understand that.

0:18:09.760 --> 0:18:12.359
<v Speaker 3>Yeah, maybe I need to. Maybe that's what for my

0:18:12.440 --> 0:18:15.280
<v Speaker 3>Christmas present. Maybe people should get me some toys right now.

0:18:15.520 --> 0:18:17.639
<v Speaker 1>Now, you have a whole bunch of roles just for Christmas.

0:18:17.680 --> 0:18:21.120
<v Speaker 2>You're wondering why why all these boxes Buzzing't they're gonna

0:18:21.119 --> 0:18:22.080
<v Speaker 2>be checking them for bombs?

0:18:22.080 --> 0:18:26.320
<v Speaker 1>That go ahead.

0:18:26.720 --> 0:18:29.000
<v Speaker 4>I was gonna say you you recently got your fans going.

0:18:29.320 --> 0:18:31.399
<v Speaker 4>You're trying to figure out who you were talking about.

0:18:32.000 --> 0:18:34.240
<v Speaker 4>You did an interview, You did an interview. You talk

0:18:34.280 --> 0:18:37.520
<v Speaker 4>about the secret romance, and you know this the celebrity

0:18:37.560 --> 0:18:39.520
<v Speaker 4>you were dating, and it had to be on the

0:18:39.560 --> 0:18:41.439
<v Speaker 4>low and they would do parties at the house and

0:18:41.480 --> 0:18:43.280
<v Speaker 4>you would stay away from the people when the parties

0:18:43.280 --> 0:18:45.480
<v Speaker 4>would be going on. Now people want to know who

0:18:45.480 --> 0:18:47.080
<v Speaker 4>to because people think you're talking about whiz Kid.

0:18:47.200 --> 0:18:50.000
<v Speaker 3>Yeah, I know, and you know, my shout out to Wiskit.

0:18:50.080 --> 0:18:52.600
<v Speaker 3>I love risk It, I respect Whisky is not about

0:18:52.880 --> 0:18:56.200
<v Speaker 3>as skined I said the person was a public figure,

0:18:56.200 --> 0:18:58.240
<v Speaker 3>but I didn't he's not. He's not artist.

0:18:58.600 --> 0:18:59.840
<v Speaker 4>Oh so just like someone of them?

0:19:00.119 --> 0:19:04.600
<v Speaker 3>Yeah someone yeah, so yeah. Man. I woke up and

0:19:04.640 --> 0:19:06.919
<v Speaker 3>I saw that and I was just like, oh my god,

0:19:07.040 --> 0:19:11.600
<v Speaker 3>it's not Whisky. Yes not man, he's probably watching it, Like,

0:19:11.720 --> 0:19:13.800
<v Speaker 3>what the how did I get jacked into this?

0:19:13.840 --> 0:19:14.119
<v Speaker 1>Shiit?

0:19:14.400 --> 0:19:17.480
<v Speaker 3>Like, no, it's not No, it's not one hundred percent.

0:19:17.640 --> 0:19:20.080
<v Speaker 4>Were you wanting to like, because I mean, keeping it

0:19:20.480 --> 0:19:23.440
<v Speaker 4>private is a personal decision probably about both of you guys.

0:19:24.080 --> 0:19:26.520
<v Speaker 4>But initially I was about to say, but it gives.

0:19:26.760 --> 0:19:27.240
<v Speaker 4>That's how he.

0:19:27.240 --> 0:19:30.399
<v Speaker 3>Got me like, oh, you know, I cherished this so

0:19:30.640 --> 0:19:32.800
<v Speaker 3>much and I want this to be you know, I

0:19:32.840 --> 0:19:36.440
<v Speaker 3>want us to build a foundation, and and I'm like, oh, yeah,

0:19:36.720 --> 0:19:40.480
<v Speaker 3>you know, this is amazing. And then before and then

0:19:40.640 --> 0:19:43.280
<v Speaker 3>people are like, yow, how can you let someone treat

0:19:43.320 --> 0:19:45.159
<v Speaker 3>you like that? Like and it's like it didn't just

0:19:45.200 --> 0:19:48.520
<v Speaker 3>go from zero to a hundred, Like the way men

0:19:48.800 --> 0:19:51.920
<v Speaker 3>work with your psyche is like they chip a little

0:19:51.960 --> 0:19:54.040
<v Speaker 3>bit and then before you know it, you're like, yo,

0:19:54.040 --> 0:19:56.600
<v Speaker 3>how did I even get here? And yeah, so it's

0:19:56.640 --> 0:19:59.439
<v Speaker 3>like first it's like he doesn't want people to know.

0:19:59.720 --> 0:20:04.360
<v Speaker 3>Then the thing is like he'll change my name on

0:20:04.359 --> 0:20:06.800
<v Speaker 3>his phone, so if I'm calling him, people don't know

0:20:06.880 --> 0:20:10.760
<v Speaker 3>it's me or whatever. Then then it's like when we

0:20:10.800 --> 0:20:13.399
<v Speaker 3>go out, we go in separate place cars and we

0:20:13.520 --> 0:20:17.080
<v Speaker 3>leave separately. And then it's like, when we go out

0:20:17.160 --> 0:20:19.240
<v Speaker 3>you might see me with someone, it's because I don't

0:20:19.240 --> 0:20:21.280
<v Speaker 3>want people to know. And then it's and then it

0:20:21.440 --> 0:20:26.080
<v Speaker 3>just progressively just gets worse to the point where I'm

0:20:26.119 --> 0:20:29.399
<v Speaker 3>somewhere you're literally working the room, and you're telling me

0:20:29.440 --> 0:20:31.679
<v Speaker 3>it's because you don't want people to know.

0:20:31.880 --> 0:20:33.119
<v Speaker 4>And when you say work in the room, you mean

0:20:33.200 --> 0:20:34.160
<v Speaker 4>dealing with other women.

0:20:34.800 --> 0:20:36.800
<v Speaker 3>Yeah, yeah, that's crazy.

0:20:37.640 --> 0:20:41.200
<v Speaker 4>What did that do to you? Just mentally, because now

0:20:41.240 --> 0:20:42.800
<v Speaker 4>I'm kind of understanding the word that you don't want

0:20:42.800 --> 0:20:45.159
<v Speaker 4>to love again comes from. There's a lot to impact

0:20:45.200 --> 0:20:47.840
<v Speaker 4>and that's just one situation with one person.

0:20:48.119 --> 0:20:51.960
<v Speaker 3>Yeah, at the time, I didn't think it was that bad.

0:20:52.000 --> 0:20:53.959
<v Speaker 3>I didn't see how bad it was. Like my friends

0:20:53.960 --> 0:20:58.679
<v Speaker 3>are telling me you're crazy, like this is They're like,

0:20:59.119 --> 0:21:03.720
<v Speaker 3>this guy's plea and I'm like, no, look, I understand.

0:21:03.720 --> 0:21:06.520
<v Speaker 3>We haven't understanding. I know what he's doing, Like he

0:21:06.560 --> 0:21:09.520
<v Speaker 3>doesn't really like her, he's not You're just you're doing

0:21:09.560 --> 0:21:19.800
<v Speaker 3>this for me. And now now I'm talking about everyth

0:21:19.840 --> 0:21:24.400
<v Speaker 3>you guys, I'm like, I'm embarrassed even like how did

0:21:24.440 --> 0:21:27.760
<v Speaker 3>I yo? Because I used to be that type of

0:21:27.760 --> 0:21:31.199
<v Speaker 3>person to look at girls, I break guy's cars and

0:21:31.200 --> 0:21:33.440
<v Speaker 3>I'm like, yo, I can never get to that point

0:21:33.480 --> 0:21:35.600
<v Speaker 3>where the guy will get me to And then now

0:21:38.000 --> 0:21:43.520
<v Speaker 3>that girl is like accepting bullshit, Like it's so it's

0:21:43.600 --> 0:21:47.200
<v Speaker 3>so embarrassing for me to know that I allow that

0:21:47.240 --> 0:21:47.679
<v Speaker 3>to happen.

0:21:48.000 --> 0:21:49.600
<v Speaker 2>I want you to know it comes off in the

0:21:49.680 --> 0:21:51.639
<v Speaker 2>music because I think a lot of times when you

0:21:51.640 --> 0:21:53.959
<v Speaker 2>try to balance, you know, these themes of love and

0:21:54.000 --> 0:21:58.440
<v Speaker 2>heartbreak and faith, like sometimes you can feel performative rather

0:21:58.520 --> 0:21:59.120
<v Speaker 2>than authentic.

0:21:59.440 --> 0:22:02.080
<v Speaker 1>But when I'm listening to it, I'm driving, like who

0:22:02.119 --> 0:22:08.159
<v Speaker 1>heard her? Like somebody did a number? How did you

0:22:08.240 --> 0:22:08.760
<v Speaker 1>navigate that?

0:22:08.840 --> 0:22:11.479
<v Speaker 2>How did you navigate like balancing those themes to make

0:22:11.520 --> 0:22:13.719
<v Speaker 2>it feel authentic rather than performance.

0:22:14.680 --> 0:22:16.320
<v Speaker 3>I had the right people that I was working with,

0:22:16.359 --> 0:22:20.600
<v Speaker 3>the right writers. Yeah, I had. And it wasn't a lot.

0:22:20.640 --> 0:22:23.120
<v Speaker 3>It wasn't like a camp where it's just like we're

0:22:23.119 --> 0:22:24.320
<v Speaker 3>trying to make hits.

0:22:24.560 --> 0:22:24.760
<v Speaker 1>You know.

0:22:24.840 --> 0:22:28.320
<v Speaker 3>I was very vulnerable with these people. Like for the

0:22:28.359 --> 0:22:31.240
<v Speaker 3>first I would say, even week we didn't make music,

0:22:31.720 --> 0:22:34.000
<v Speaker 3>we were just hanging out in this house in Malibu

0:22:34.600 --> 0:22:36.840
<v Speaker 3>and I was just hearing their story and they were

0:22:36.840 --> 0:22:39.760
<v Speaker 3>hearing my story. So you know, it was more like

0:22:39.880 --> 0:22:44.280
<v Speaker 3>we bonded before we even started like recording, and yeah,

0:22:44.320 --> 0:22:47.200
<v Speaker 3>I was really really open and I said, listen, this

0:22:47.280 --> 0:22:52.040
<v Speaker 3>is like I'm due an album, I'm due a project,

0:22:52.119 --> 0:22:54.720
<v Speaker 3>but I can't until I get this out, I can't

0:22:54.760 --> 0:22:56.480
<v Speaker 3>do anything else. And there was a lot of times

0:22:56.520 --> 0:23:01.960
<v Speaker 3>I was crying, especially the first record. Yeah, that took

0:23:02.000 --> 0:23:06.280
<v Speaker 3>me like four attempts to record. Yeah, yeah that was.

0:23:06.680 --> 0:23:08.880
<v Speaker 3>That was really Even now when I listened to the album,

0:23:08.960 --> 0:23:12.359
<v Speaker 3>I skip that. Yeah, I can't listen to it. I

0:23:12.400 --> 0:23:17.040
<v Speaker 3>haven't been able to perform it. Yeah, it's been, Yeah

0:23:17.080 --> 0:23:18.000
<v Speaker 3>it was. It was tough.

0:23:19.040 --> 0:23:20.880
<v Speaker 2>So that's I was going to ask. The one song

0:23:20.960 --> 0:23:23.320
<v Speaker 2>on the album the hardest to write record is clearly

0:23:23.359 --> 0:23:23.720
<v Speaker 2>I'm done.

0:23:23.760 --> 0:23:26.880
<v Speaker 3>Yeah, I'm done done. Well yeah, But then I end

0:23:26.920 --> 0:23:30.200
<v Speaker 3>the record with Change with James funt Laury, where it's

0:23:30.240 --> 0:23:32.879
<v Speaker 3>basically just saying that I want to change back to

0:23:34.240 --> 0:23:37.200
<v Speaker 3>who God created me to be. So it's not changing

0:23:37.240 --> 0:23:40.560
<v Speaker 3>for a man, it's changing for changing for God. Going

0:23:40.600 --> 0:23:42.960
<v Speaker 3>back to a factory setting, like you.

0:23:42.920 --> 0:23:45.560
<v Speaker 1>Know interesting, Yeah, I don't know if you go back

0:23:45.600 --> 0:23:46.359
<v Speaker 1>to factory setting.

0:23:46.359 --> 0:23:49.080
<v Speaker 2>No, I think that you have these No, I think

0:23:49.119 --> 0:23:53.040
<v Speaker 2>you have these experiences and they they actually turn you

0:23:53.080 --> 0:23:54.359
<v Speaker 2>into a better version.

0:23:54.960 --> 0:23:57.680
<v Speaker 3>But don't you rebooth? You know, when something's like when

0:23:57.720 --> 0:23:59.720
<v Speaker 3>something and you switch it off, like your phone, you

0:23:59.760 --> 0:24:01.840
<v Speaker 3>canletely switch it off and then switch it back on

0:24:02.040 --> 0:24:05.359
<v Speaker 3>because it's just tweaking. I think I was like I

0:24:05.400 --> 0:24:06.280
<v Speaker 3>needed to switch off.

0:24:06.359 --> 0:24:08.119
<v Speaker 1>But what did you learn? Though? Like they always say,

0:24:08.160 --> 0:24:10.119
<v Speaker 1>you know, it's not a loss if you learn something

0:24:10.160 --> 0:24:10.439
<v Speaker 1>from the.

0:24:12.160 --> 0:24:15.280
<v Speaker 3>Learned what I learned when it's red, When it's a

0:24:15.320 --> 0:24:18.720
<v Speaker 3>red flag, it is a red flag. It's not off red,

0:24:18.800 --> 0:24:22.280
<v Speaker 3>it's not pink, it's not light red. It's what it is.

0:24:22.440 --> 0:24:26.800
<v Speaker 3>And I'm learning to accept. So yeah, yeah, I'm just

0:24:27.520 --> 0:24:31.479
<v Speaker 3>that's that's the main thing, and just valuing myself and

0:24:31.600 --> 0:24:36.840
<v Speaker 3>knowing that really, yeah, I I wasn't the problem and

0:24:37.800 --> 0:24:42.920
<v Speaker 3>I don't have to change for somebody, and I'm enough.

0:24:43.160 --> 0:24:45.520
<v Speaker 3>You know all the you know, cliche type of things,

0:24:45.560 --> 0:24:48.720
<v Speaker 3>but they're cliches because that's what it's. That's the truth.

0:24:48.960 --> 0:24:52.720
<v Speaker 3>So but mainly, if someone shows you who they are,

0:24:52.760 --> 0:24:56.320
<v Speaker 3>like really, just accept it from the first girl, like

0:24:56.400 --> 0:24:57.560
<v Speaker 3>save yourself the heartbreak.

0:24:58.040 --> 0:25:02.199
<v Speaker 2>Faith is another topic you examine, right, So, how has

0:25:02.240 --> 0:25:06.040
<v Speaker 2>your spirituality changed? I've grown after making this album.

0:25:06.600 --> 0:25:11.000
<v Speaker 3>I've always been a very like you know, I'm Christian.

0:25:11.040 --> 0:25:15.400
<v Speaker 3>I believe in Jesus, so I've always that. I think

0:25:15.480 --> 0:25:18.200
<v Speaker 3>it's just me going back, like I said, going back

0:25:18.240 --> 0:25:21.720
<v Speaker 3>to not just like I do this thing where I

0:25:21.960 --> 0:25:24.040
<v Speaker 3>just pray in the morning like quickly, like thank you

0:25:24.119 --> 0:25:26.520
<v Speaker 3>Jesus for the day, and then that's it. But now

0:25:26.600 --> 0:25:30.080
<v Speaker 3>I'm spending time yeah yeah, spending time with him and

0:25:30.200 --> 0:25:33.359
<v Speaker 3>knowing that it's important for me to take out time

0:25:33.400 --> 0:25:37.200
<v Speaker 3>in the day and be disciplined like that to me

0:25:37.440 --> 0:25:39.840
<v Speaker 3>has been like life changing.

0:25:40.200 --> 0:25:41.480
<v Speaker 1>So how to pray no more? Come about?

0:25:42.640 --> 0:25:49.080
<v Speaker 3>Ooh? So pray no More is like what if I

0:25:49.480 --> 0:25:52.280
<v Speaker 3>was to be in a relationship again. That's the song,

0:25:52.560 --> 0:25:56.479
<v Speaker 3>Like I'm saying, like you could pray about your career,

0:25:56.560 --> 0:25:59.000
<v Speaker 3>pray to God about money, pray to God about anything,

0:25:59.040 --> 0:26:00.760
<v Speaker 3>but when it comes to me and my love and

0:26:00.800 --> 0:26:02.480
<v Speaker 3>my loyalty, you don't need to pray no more. You

0:26:02.560 --> 0:26:03.480
<v Speaker 3>got you got me?

0:26:04.440 --> 0:26:06.600
<v Speaker 1>Yeah, because you know that if you do grow to

0:26:06.640 --> 0:26:08.760
<v Speaker 1>love somebody again, this is the real real.

0:26:08.800 --> 0:26:10.560
<v Speaker 3>Yeah yea, yeah, you know you don't need to like

0:26:10.640 --> 0:26:14.480
<v Speaker 3>pray no more, say no more like you got me? Yeah. Yeah.

0:26:15.680 --> 0:26:17.800
<v Speaker 4>I saw you were in the studio with Fab last night.

0:26:18.040 --> 0:26:19.199
<v Speaker 3>Mmm, you for me?

0:26:19.320 --> 0:26:22.199
<v Speaker 4>Because you for me? You sampled the original song with TMA.

0:26:22.320 --> 0:26:25.560
<v Speaker 4>Yeah h So we're getting a remix with Fabs that

0:26:25.640 --> 0:26:26.600
<v Speaker 4>was about to happen.

0:26:26.560 --> 0:26:31.240
<v Speaker 3>I hope, So I hope. So, yeah, we were there.

0:26:31.240 --> 0:26:33.840
<v Speaker 3>I played a couple of records and he definitely gravitated

0:26:33.880 --> 0:26:37.959
<v Speaker 3>to that. But I'm a bit because would he remix

0:26:38.040 --> 0:26:41.040
<v Speaker 3>a remix because he's already do you know what I mean?

0:26:41.080 --> 0:26:44.640
<v Speaker 3>Like I was a bit skeptical to ask and be like, h.

0:26:44.080 --> 0:26:46.560
<v Speaker 4>But he he was there, you didn't want to ask him.

0:26:46.920 --> 0:26:49.680
<v Speaker 3>No. I played other records that he loved as well,

0:26:49.720 --> 0:26:52.760
<v Speaker 3>but then he loved that too, So I'm hoping by

0:26:52.960 --> 0:26:55.240
<v Speaker 3>today or tomorrow I might get something.

0:26:55.240 --> 0:26:55.680
<v Speaker 4>I feel like that.

0:26:55.840 --> 0:26:56.760
<v Speaker 3>I hope that one.

0:26:56.960 --> 0:26:58.840
<v Speaker 1>Yeah, I feel like that makes the most SIPs.

0:26:59.280 --> 0:27:02.320
<v Speaker 3>Yeah really, but you know, like Lightland doesn't strike in

0:27:02.359 --> 0:27:04.679
<v Speaker 3>the same place twice, so is it kind of be like,

0:27:04.840 --> 0:27:06.560
<v Speaker 3>oh you should have left the original.

0:27:07.520 --> 0:27:10.440
<v Speaker 1>Maybe that's why you do it. You know what I'm saying,

0:27:10.480 --> 0:27:12.480
<v Speaker 1>you don't like it?

0:27:12.640 --> 0:27:14.680
<v Speaker 3>No, you can't tell someone like you can't have someone

0:27:14.720 --> 0:27:17.400
<v Speaker 3>like Favety something and be like no, you can't do that.

0:27:17.600 --> 0:27:20.160
<v Speaker 4>I feel like he's a way that can he can

0:27:20.800 --> 0:27:25.480
<v Speaker 4>like flip it, like he takes basically sampling his own like.

0:27:25.640 --> 0:27:27.760
<v Speaker 3>Yeah, he's too good, he's never he's not even ever

0:27:27.800 --> 0:27:30.280
<v Speaker 3>gonna go below. Yeah, he's too good.

0:27:30.720 --> 0:27:33.080
<v Speaker 4>He's too smooth, embrace New York and like just all

0:27:33.080 --> 0:27:34.679
<v Speaker 4>of it just feels like you're living like a different

0:27:34.760 --> 0:27:35.480
<v Speaker 4>life right now.

0:27:35.680 --> 0:27:40.800
<v Speaker 3>Yeah, New York is good when you have money. Yes,

0:27:41.840 --> 0:27:44.480
<v Speaker 3>I was living here and I don't have money. Yeah,

0:27:44.560 --> 0:27:47.400
<v Speaker 3>I hated New York. But being in New York when

0:27:47.440 --> 0:27:50.480
<v Speaker 3>you have a little little coin in your pocket, it's

0:27:50.520 --> 0:27:52.000
<v Speaker 3>just a great It's a great city.

0:27:53.000 --> 0:27:54.960
<v Speaker 2>The fact now you didn't put your first song to

0:27:55.000 --> 0:27:57.960
<v Speaker 2>you was in your thirties, So what would you say

0:27:57.960 --> 0:27:59.640
<v Speaker 2>to people who have a passion but feel like it's

0:27:59.640 --> 0:28:00.520
<v Speaker 2>too late the pursuit.

0:28:00.960 --> 0:28:03.320
<v Speaker 3>Yeah, man, that's that's my life. That's the story of

0:28:03.320 --> 0:28:06.359
<v Speaker 3>my life. And I feel like I resented God and

0:28:06.400 --> 0:28:09.440
<v Speaker 3>I resented my parents for so long. Yeah for making

0:28:09.480 --> 0:28:12.760
<v Speaker 3>me wait, Like for making me do two degrees because

0:28:12.800 --> 0:28:15.000
<v Speaker 3>I could have been out when I was twenty twenty one,

0:28:15.359 --> 0:28:17.920
<v Speaker 3>like doing two degrees and it made me work as

0:28:17.920 --> 0:28:18.600
<v Speaker 3>an accountant.

0:28:18.920 --> 0:28:22.240
<v Speaker 1>Well what God had to do with that, because now.

0:28:24.359 --> 0:28:27.119
<v Speaker 3>I just resented him, like like he I felt like

0:28:27.160 --> 0:28:29.040
<v Speaker 3>he should have made me, given me the opportunity a

0:28:29.040 --> 0:28:34.320
<v Speaker 3>lot sooner. But now looking at it, like I did

0:28:34.320 --> 0:28:37.520
<v Speaker 3>it in my thirties, when I'm much grounded, I'm not

0:28:37.600 --> 0:28:40.960
<v Speaker 3>phased by fame or money. I've seen people come and

0:28:41.000 --> 0:28:46.320
<v Speaker 3>go some way more humble. I understand how hard you

0:28:46.400 --> 0:28:49.200
<v Speaker 3>have to work for certain things that I've learned from

0:28:49.240 --> 0:28:53.160
<v Speaker 3>the great and also for me, Like I feel like

0:28:53.960 --> 0:28:56.920
<v Speaker 3>I can speak to people like you said, like even

0:28:56.960 --> 0:29:01.640
<v Speaker 3>models like who feel like if they're not successful by

0:29:01.640 --> 0:29:05.880
<v Speaker 3>twenty five, they need to retire. I think that's crazy.

0:29:06.040 --> 0:29:09.560
<v Speaker 3>Or a footballer like by the time you're like hitting

0:29:09.600 --> 0:29:12.200
<v Speaker 3>thirty you have to go to Saudi or something to

0:29:12.200 --> 0:29:14.280
<v Speaker 3>start playing, Like that's to me, that's crazy. If you're

0:29:14.320 --> 0:29:17.320
<v Speaker 3>still fit and you can still do it, it's.

0:29:16.440 --> 0:29:19.000
<v Speaker 2>A little different. Like you said, they got to be physically.

0:29:19.000 --> 0:29:21.320
<v Speaker 2>It's a physical thing. With music is more mental, it's

0:29:21.360 --> 0:29:23.920
<v Speaker 2>more emotional. I would think that the more experience you have.

0:29:24.400 --> 0:29:26.800
<v Speaker 3>Yeah, Like I always say to someone if I'm going

0:29:26.840 --> 0:29:30.520
<v Speaker 3>into operating table and that they give me two options

0:29:30.560 --> 0:29:32.760
<v Speaker 3>of a doctor a surgeon, and they say, this guy

0:29:32.880 --> 0:29:35.360
<v Speaker 3>is young and he's fresh, and he's only been doing

0:29:35.360 --> 0:29:37.520
<v Speaker 3>this for six months. And they're like, this guy's like

0:29:37.640 --> 0:29:40.720
<v Speaker 3>sixty something and he's you know, he's been operating on people,

0:29:40.760 --> 0:29:43.760
<v Speaker 3>he's never had any cases of whatever. I'm going to

0:29:43.840 --> 0:29:46.640
<v Speaker 3>go with the experienced guys. And I feel like with music,

0:29:47.680 --> 0:29:50.040
<v Speaker 3>the older you are, the longer you've been in the industry,

0:29:50.040 --> 0:29:52.960
<v Speaker 3>the more seasoned you are. I don't know why they

0:29:53.000 --> 0:29:55.160
<v Speaker 3>try and shut us out. The older we get like

0:29:55.280 --> 0:29:57.560
<v Speaker 3>it's just it's crazy to me, Like.

0:29:57.920 --> 0:29:59.680
<v Speaker 1>Yeah, well they're more difficult, you think.

0:30:00.920 --> 0:30:03.200
<v Speaker 3>When I started, people didn't realize how old I was,

0:30:03.640 --> 0:30:07.240
<v Speaker 3>so they became fans. And then by the time they realized,

0:30:07.280 --> 0:30:11.640
<v Speaker 3>they were like what, Yo, how old? But they're already

0:30:11.680 --> 0:30:15.160
<v Speaker 3>like turn hint to like they already like my fan,

0:30:15.360 --> 0:30:18.760
<v Speaker 3>like they already loved the brand. So yeah, but now

0:30:18.880 --> 0:30:22.400
<v Speaker 3>I think would I say it's difficult sometimes, like and

0:30:22.560 --> 0:30:24.800
<v Speaker 3>I don't shy away from it. That's usually one of

0:30:24.840 --> 0:30:26.760
<v Speaker 3>the first things I say to people, like, hey, you

0:30:26.800 --> 0:30:30.240
<v Speaker 3>know because and then when they find out, some people

0:30:30.280 --> 0:30:31.200
<v Speaker 3>actually be like, yo.

0:30:31.160 --> 0:30:35.520
<v Speaker 4>We can't because of your age. Yeah, brands are is

0:30:35.760 --> 0:30:38.800
<v Speaker 4>and be like what yeah, like they'll yeah, it's a

0:30:38.880 --> 0:30:41.760
<v Speaker 4>music industry. Well, I've heard from label friends that music

0:30:41.840 --> 0:30:43.880
<v Speaker 4>they always look for younger artists. But I didn't think

0:30:43.880 --> 0:30:46.760
<v Speaker 4>it was that point because you're established, like you have music,

0:30:46.800 --> 0:30:48.400
<v Speaker 4>you have things, you have numbers, Like.

0:30:48.360 --> 0:30:51.280
<v Speaker 3>I'm talking in terms of like opportunities they might say, hmm,

0:30:51.600 --> 0:30:54.760
<v Speaker 3>the demographic don't really you know, say they always try

0:30:54.800 --> 0:30:58.240
<v Speaker 3>and box me in this icon' oh we think she

0:30:58.280 --> 0:31:02.200
<v Speaker 3>can perform, Like if there's a festival or whatever and

0:31:02.240 --> 0:31:05.040
<v Speaker 3>there's like three dates, they sometimes try and box me

0:31:05.120 --> 0:31:08.480
<v Speaker 3>in like the icon stage or whatever. And but young

0:31:08.520 --> 0:31:10.920
<v Speaker 3>people really, like they really mess with me a lot,

0:31:11.600 --> 0:31:13.360
<v Speaker 3>and a lot of them don't even really know how

0:31:13.520 --> 0:31:15.600
<v Speaker 3>I am, but they will now.

0:31:17.040 --> 0:31:17.720
<v Speaker 1>Who cares.

0:31:18.440 --> 0:31:22.800
<v Speaker 2>I'm forty seven. I embrace every Okay, being alive is

0:31:22.840 --> 0:31:26.400
<v Speaker 2>a blessing. Yeah, consider to the alternative wake up dead,

0:31:27.440 --> 0:31:27.760
<v Speaker 2>And a.

0:31:27.680 --> 0:31:30.080
<v Speaker 3>Lot of people don't make it. That's right to our age,

0:31:30.160 --> 0:31:32.920
<v Speaker 3>Like to me when they throw it in my face,

0:31:33.040 --> 0:31:36.320
<v Speaker 3>they would say the forty five year old, and I'm like,

0:31:36.880 --> 0:31:42.280
<v Speaker 3>you're not. That's a blessing, like they always say. You

0:31:42.320 --> 0:31:45.400
<v Speaker 3>will see people in my comments being like, oh my god,

0:31:45.680 --> 0:31:47.920
<v Speaker 3>she's still singing. You should give it up. You should

0:31:47.920 --> 0:31:51.200
<v Speaker 3>just damn just like yeah, and it just gets me angry,

0:31:51.280 --> 0:31:53.120
<v Speaker 3>like I'm going to be doing this till I'm eighty,

0:31:53.400 --> 0:31:55.720
<v Speaker 3>Like I'm going to keep going.

0:31:55.840 --> 0:31:57.440
<v Speaker 2>I'm glad you said that because I saw you saying

0:31:57.480 --> 0:32:00.000
<v Speaker 2>that you were suggesting that this might be your final life.

0:32:00.680 --> 0:32:03.320
<v Speaker 1>Yeah, I think you were worn out.

0:32:03.480 --> 0:32:09.440
<v Speaker 3>Yeah, I was just drunk. Maybe I was drunk that night.

0:32:09.480 --> 0:32:11.520
<v Speaker 3>I was just like, oh my, I must have seen

0:32:11.560 --> 0:32:14.120
<v Speaker 3>something on an article, must have just pissed me off.

0:32:14.160 --> 0:32:16.480
<v Speaker 3>And I'm like, okay, fine, I'm not doing this again.

0:32:17.160 --> 0:32:19.320
<v Speaker 3>Turn Out wake comes the next morning and I'm like,

0:32:19.320 --> 0:32:21.480
<v Speaker 3>oh jeez, I need to make money.

0:32:22.400 --> 0:32:25.880
<v Speaker 1>Unctionately exhausting? Is it to just create music?

0:32:25.880 --> 0:32:27.840
<v Speaker 2>I don't think we ever talked to artists about that, Like,

0:32:27.880 --> 0:32:29.160
<v Speaker 2>you spend all of this time, like you said, you

0:32:29.240 --> 0:32:33.160
<v Speaker 2>spent traveling all around the world, and then you might

0:32:33.200 --> 0:32:34.880
<v Speaker 2>push something out and then be one person.

0:32:34.680 --> 0:32:36.880
<v Speaker 3>Like this is oh they give it like a three

0:32:36.920 --> 0:32:40.720
<v Speaker 3>out of ten exactly. Yeah. No, I'm not even gonna

0:32:40.760 --> 0:32:43.520
<v Speaker 3>lie that. That's you could talk about anything. I could

0:32:44.680 --> 0:32:48.240
<v Speaker 3>the controversies and I have had a lot, But when

0:32:48.240 --> 0:32:50.920
<v Speaker 3>it comes to music, that's the thing that gets me

0:32:51.800 --> 0:32:56.680
<v Speaker 3>because I put so much into it, and again everyone

0:32:56.720 --> 0:32:59.600
<v Speaker 3>didn't like Jesus, so who am I like? And it's

0:32:59.600 --> 0:33:05.840
<v Speaker 3>the music KI is subjective. So when that happened, I

0:33:05.920 --> 0:33:08.720
<v Speaker 3>just tend to what do I do? I just drink.

0:33:10.280 --> 0:33:13.280
<v Speaker 3>I just get over it. I just like, shall I

0:33:13.320 --> 0:33:16.959
<v Speaker 3>watch something, drink, hang out with my friends, invite the

0:33:17.000 --> 0:33:21.960
<v Speaker 3>next day. I forgot about it, but I need to

0:33:25.560 --> 0:33:28.800
<v Speaker 3>trust me he will be It's not it's even worse

0:33:28.840 --> 0:33:32.160
<v Speaker 3>than that. It's worse. I gave the PG version this

0:33:32.360 --> 0:33:33.560
<v Speaker 3>a lot. Yeah, it was really bad.

0:33:33.760 --> 0:33:41.000
<v Speaker 4>You gotta keep it PG for us.

0:33:41.680 --> 0:33:43.880
<v Speaker 2>In what way do you think this album marks your

0:33:43.920 --> 0:33:46.200
<v Speaker 2>growth though, not just as an artist, but as.

0:33:46.080 --> 0:33:50.960
<v Speaker 3>A person musically. I think you can hear like you could.

0:33:51.040 --> 0:33:54.000
<v Speaker 3>You could just hear like this growth and there's there's

0:33:54.000 --> 0:33:57.080
<v Speaker 3>confidence and like me attempting to do this, like I said,

0:33:57.120 --> 0:34:03.800
<v Speaker 3>like a night cheering girl doing straight up R and B. Yeah,

0:34:03.840 --> 0:34:07.040
<v Speaker 3>it just shows that I'm in a space where I'm

0:34:07.080 --> 0:34:12.160
<v Speaker 3>not doing music for TikTok moments. I'm not doing songs that. Yeah,

0:34:12.239 --> 0:34:14.600
<v Speaker 3>you can hear that this song, this twenty seconds of

0:34:14.680 --> 0:34:16.719
<v Speaker 3>this part is going to be a you know, a

0:34:16.800 --> 0:34:21.120
<v Speaker 3>viral moment. You could hear that. I'm comfortable and confident

0:34:21.200 --> 0:34:23.840
<v Speaker 3>in the woman I am now musically and just in life.

0:34:24.760 --> 0:34:29.120
<v Speaker 3>I'm not chasing anything. I'm enjoying. I'm enjoying being here,

0:34:29.200 --> 0:34:32.960
<v Speaker 3>like I'm enjoying doing the press runs. I'm enjoying waking

0:34:33.000 --> 0:34:34.799
<v Speaker 3>up early and they're like I have to do this

0:34:34.880 --> 0:34:37.240
<v Speaker 3>and I'm I'm actually enjoying it now.

0:34:37.920 --> 0:34:40.279
<v Speaker 1>What came out of the process that surprised you about.

0:34:40.000 --> 0:34:47.560
<v Speaker 3>Yourself saying no? Yeah, I think I feel like I

0:34:47.640 --> 0:34:49.600
<v Speaker 3>used to be a people pleaser. A lot of the

0:34:49.680 --> 0:34:53.960
<v Speaker 3>songs that became huge for me, I didn't like them.

0:34:54.320 --> 0:34:56.759
<v Speaker 3>A lot of my hit records I didn't like, but

0:34:56.840 --> 0:35:00.800
<v Speaker 3>I said yes, and I you know, but I've learned

0:35:00.800 --> 0:35:04.799
<v Speaker 3>how to just say no and be and but say

0:35:04.840 --> 0:35:09.799
<v Speaker 3>in a grace gracious way. Like in a session, I'll

0:35:09.800 --> 0:35:12.799
<v Speaker 3>say to the producer that's not for me. It's a

0:35:12.840 --> 0:35:14.880
<v Speaker 3>great record is going to be a hit. Whoever's going

0:35:14.920 --> 0:35:16.799
<v Speaker 3>to do that, But that's not where I'm at.

0:35:17.000 --> 0:35:18.600
<v Speaker 1>Boundaries are important.

0:35:18.560 --> 0:35:22.040
<v Speaker 3>Very very and but when you set boundaries, it's lonely.

0:35:23.760 --> 0:35:27.800
<v Speaker 3>I never I never realized how many people I was

0:35:27.840 --> 0:35:30.080
<v Speaker 3>going to lose by seting boundaries.

0:35:31.200 --> 0:35:33.200
<v Speaker 1>But they were They clearly weren't meant to be around

0:35:33.200 --> 0:35:33.600
<v Speaker 1>you anyway.

0:35:34.280 --> 0:35:37.360
<v Speaker 3>Yeah, that's what I'm learning. But it's still lonely, though,

0:35:37.440 --> 0:35:42.719
<v Speaker 3>because when you're used to being when you travel and

0:35:42.760 --> 0:35:44.680
<v Speaker 3>then it kind of like as an artist, you know

0:35:44.760 --> 0:35:48.120
<v Speaker 3>you're walking into somewhere and you have like ten twenty people,

0:35:48.239 --> 0:35:50.680
<v Speaker 3>and you know everyone's like oh, who's that to, like

0:35:51.080 --> 0:35:53.200
<v Speaker 3>me going to a ventage just be and my manager like,

0:35:54.440 --> 0:35:59.640
<v Speaker 3>it's an adjustment, but then it's also cheaper and like

0:35:59.680 --> 0:36:01.120
<v Speaker 3>you said, it's like peace of mind.

0:36:01.360 --> 0:36:03.000
<v Speaker 2>One thing I respect about what you just said though.

0:36:03.040 --> 0:36:05.600
<v Speaker 2>You said that you know you did songs that you

0:36:05.640 --> 0:36:07.919
<v Speaker 2>didn't want to do but they were still hit.

0:36:08.200 --> 0:36:08.600
<v Speaker 3>Yeah.

0:36:08.640 --> 0:36:10.840
<v Speaker 2>So a lot of people you talk about programming earlier,

0:36:10.840 --> 0:36:12.319
<v Speaker 2>a lot of people default setting would be like, well,

0:36:12.400 --> 0:36:12.959
<v Speaker 2>let me just keep.

0:36:12.880 --> 0:36:15.719
<v Speaker 1>Recording these songs. Yeah, they work, but they weren't making

0:36:15.760 --> 0:36:18.759
<v Speaker 1>you feel good. Nah nah, even with the success.

0:36:18.960 --> 0:36:23.720
<v Speaker 3>Yeah yeah, no, I mean it felt good to do. See,

0:36:23.760 --> 0:36:26.400
<v Speaker 3>I listened to like, you know, I would listen to

0:36:26.600 --> 0:36:28.799
<v Speaker 3>like my label or whatever and be like, Okay, I'll

0:36:28.800 --> 0:36:30.239
<v Speaker 3>do it, and then if it works out, I'm like,

0:36:30.360 --> 0:36:32.799
<v Speaker 3>you know, cool, you know you're right. You know, I'm

0:36:32.800 --> 0:36:36.880
<v Speaker 3>glad I listened to you. But I have to listen

0:36:36.920 --> 0:36:40.440
<v Speaker 3>to myself as well, and I have to motivate myself

0:36:40.480 --> 0:36:43.680
<v Speaker 3>and challenge myself and be like, yeah, no, I've done

0:36:43.719 --> 0:36:46.680
<v Speaker 3>this for the past ten years. I've done I know

0:36:46.760 --> 0:36:50.000
<v Speaker 3>how to do those type of afrobeat hit records. With

0:36:50.080 --> 0:36:54.560
<v Speaker 3>my eyes closed, I'm not excited anymore. Like I want

0:36:54.560 --> 0:36:57.360
<v Speaker 3>to be able to go on stage and sing records

0:36:57.400 --> 0:36:59.719
<v Speaker 3>and have people crying or like look at them and

0:36:59.800 --> 0:37:03.600
<v Speaker 3>they they know or I feel that they can feel

0:37:03.640 --> 0:37:06.640
<v Speaker 3>the music like I want to. I need that in

0:37:06.640 --> 0:37:11.040
<v Speaker 3>my catalog. Not everything is about this car and that

0:37:11.239 --> 0:37:14.000
<v Speaker 3>and look at my diamonds and I'm the Savage and

0:37:14.080 --> 0:37:18.000
<v Speaker 3>I'm this Like okay, we get it. Yeah, yeah, you.

0:37:18.000 --> 0:37:20.000
<v Speaker 1>Do something like that, that's gonna make me feel some

0:37:20.440 --> 0:37:21.040
<v Speaker 1>feel something.

0:37:21.160 --> 0:37:23.319
<v Speaker 3>Yeah, yeah, I needed that.

0:37:23.960 --> 0:37:26.720
<v Speaker 4>Yeah you are. You mentioned how coming to the US

0:37:27.160 --> 0:37:29.279
<v Speaker 4>gave you like kind of like a fresh start, and

0:37:29.360 --> 0:37:31.239
<v Speaker 4>you mentioned some of the controversies that you know have

0:37:31.320 --> 0:37:34.120
<v Speaker 4>been have that you've been through. How exhausting is it

0:37:34.160 --> 0:37:36.440
<v Speaker 4>to go through things like you know, the controversies that

0:37:36.440 --> 0:37:38.919
<v Speaker 4>we've had to see you talk about publicly and then

0:37:39.040 --> 0:37:40.920
<v Speaker 4>come back out with music and you know people are

0:37:40.920 --> 0:37:43.360
<v Speaker 4>gonna want to talk about these things.

0:37:44.400 --> 0:37:49.760
<v Speaker 3>It depends what controversy as well. It's been a lot.

0:37:51.920 --> 0:37:54.040
<v Speaker 3>The type of person I am me, I've said this before,

0:37:54.200 --> 0:37:57.480
<v Speaker 3>I laugh about things. I laugh like I would I

0:37:57.480 --> 0:37:59.960
<v Speaker 3>would make fun of myself because I feel that would

0:38:00.040 --> 0:38:01.479
<v Speaker 3>that was how I would cope with it. I feel

0:38:01.560 --> 0:38:04.400
<v Speaker 3>like if I make fun of it and I pretend

0:38:04.480 --> 0:38:08.319
<v Speaker 3>like it's not really getting to me. That's how I

0:38:08.400 --> 0:38:10.279
<v Speaker 3>used to deal with things, and I would put it

0:38:10.320 --> 0:38:12.719
<v Speaker 3>in my music. But the way I would put it

0:38:12.719 --> 0:38:15.680
<v Speaker 3>in my music would be like, you know, when I

0:38:15.719 --> 0:38:18.480
<v Speaker 3>talked about the sex tape and loaded, and I said,

0:38:18.600 --> 0:38:22.479
<v Speaker 3>who's never had sex before? You know, like, and that's

0:38:22.480 --> 0:38:24.160
<v Speaker 3>that's how I was able to kind of like try

0:38:24.200 --> 0:38:26.760
<v Speaker 3>and get through it. But in hindsight, did I really

0:38:26.800 --> 0:38:29.040
<v Speaker 3>deal with it? I don't think so. And that's what

0:38:29.120 --> 0:38:33.080
<v Speaker 3>I'm doing now. It's like I was hurt and and

0:38:33.120 --> 0:38:35.839
<v Speaker 3>it's okay for me to say I was hurt. I

0:38:35.880 --> 0:38:37.800
<v Speaker 3>was a victim. It happened to me as supposed to

0:38:37.960 --> 0:38:40.839
<v Speaker 3>just trying to let me make a hit out of it,

0:38:40.960 --> 0:38:43.120
<v Speaker 3>and you know, I don't care, and you know, like,

0:38:43.680 --> 0:38:48.480
<v Speaker 3>so now it's different. Now, it's like I am I'm

0:38:48.520 --> 0:38:51.880
<v Speaker 3>living in the truth, in my truth and admitting to

0:38:52.000 --> 0:38:55.680
<v Speaker 3>myself that, Yo, that shit hurt me.

0:38:55.880 --> 0:38:57.080
<v Speaker 1>Well, why couldn't you admit that that?

0:38:57.080 --> 0:38:59.279
<v Speaker 2>Of course that would hurt you if somebody tries to

0:38:59.280 --> 0:39:00.520
<v Speaker 2>blackmail you over sex tape.

0:39:00.600 --> 0:39:01.920
<v Speaker 1>Yes, they My.

0:39:02.080 --> 0:39:05.000
<v Speaker 3>People didn't see it like that. They thought I did

0:39:05.040 --> 0:39:08.560
<v Speaker 3>it for pr A lot of people thought, oh, she's

0:39:08.560 --> 0:39:11.719
<v Speaker 3>not relevant anymore, and she's doing this and I'm like, guys,

0:39:13.600 --> 0:39:18.040
<v Speaker 3>trust me. That's if I wanted to do that, I

0:39:18.040 --> 0:39:21.520
<v Speaker 3>would have had better lighting. I would have you know,

0:39:21.719 --> 0:39:23.560
<v Speaker 3>I would have set it up right. I would have

0:39:23.640 --> 0:39:27.200
<v Speaker 3>been in sexy lingerie. My facial expression would have been

0:39:27.719 --> 0:39:30.120
<v Speaker 3>not what it was like, you know what I mean,

0:39:30.160 --> 0:39:32.239
<v Speaker 3>it would it would have been completely different if I

0:39:32.280 --> 0:39:34.000
<v Speaker 3>really wanted to put that in your performance.

0:39:34.080 --> 0:39:37.120
<v Speaker 4>Yeah, I like so, I just want you to know.

0:39:37.160 --> 0:39:39.480
<v Speaker 2>Africa is a big continent, right But there's a lot

0:39:39.520 --> 0:39:42.239
<v Speaker 2>of people watching this interview who might have never even

0:39:42.280 --> 0:39:42.960
<v Speaker 2>heard that story.

0:39:43.120 --> 0:39:50.240
<v Speaker 1>But there's going to be a big google right now.

0:39:54.560 --> 0:39:55.360
<v Speaker 4>And they're gonna.

0:40:00.480 --> 0:40:01.560
<v Speaker 1>And you from God.

0:40:03.320 --> 0:40:06.080
<v Speaker 3>Not even denying it.

0:40:06.840 --> 0:40:12.000
<v Speaker 4>I just want the song too, so they listen to that.

0:40:14.400 --> 0:40:16.880
<v Speaker 4>Whatever happened to the Like, what was the end result

0:40:16.960 --> 0:40:19.120
<v Speaker 4>of that? Like, did you figure out who was trying

0:40:19.160 --> 0:40:20.560
<v Speaker 4>to do the extortion? Were they?

0:40:21.239 --> 0:40:21.319
<v Speaker 3>Like?

0:40:21.360 --> 0:40:21.400
<v Speaker 4>What?

0:40:21.800 --> 0:40:24.600
<v Speaker 3>Now? I didn't. I never, I didn't. I didn't pursue it.

0:40:24.719 --> 0:40:30.240
<v Speaker 3>I never. We tried, actually, but yeah, we couldn't. And

0:40:30.560 --> 0:40:33.400
<v Speaker 3>me trying was just like it was just too traumatic

0:40:33.400 --> 0:40:37.160
<v Speaker 3>for me to keep talking about it. And just yeah,

0:40:37.200 --> 0:40:38.719
<v Speaker 3>like I said, I just I just wanted to like,

0:40:38.840 --> 0:40:40.440
<v Speaker 3>just yeah, just move on.

0:40:40.440 --> 0:40:43.160
<v Speaker 1>From it happened to you, No, thank you. I think

0:40:43.160 --> 0:40:44.960
<v Speaker 1>it's also from Nigeria, so.

0:40:44.920 --> 0:40:48.759
<v Speaker 2>It's like it's very religious, and yeah, probably was a

0:40:48.800 --> 0:40:49.960
<v Speaker 2>lot harder on you. Yo.

0:40:50.080 --> 0:40:53.560
<v Speaker 3>They were like, how can you? How can you at

0:40:53.600 --> 0:40:57.160
<v Speaker 3>your age have a sex tape with someone? And I'm like,

0:40:57.280 --> 0:41:00.960
<v Speaker 3>first of all, I didn't even know, like you could

0:41:01.960 --> 0:41:04.520
<v Speaker 3>don't watch it, but I didn't know what was happening.

0:41:05.680 --> 0:41:08.880
<v Speaker 3>And the person was my boyfriend at the time, so

0:41:09.160 --> 0:41:10.800
<v Speaker 3>even if I wanted to do a sexy that was

0:41:10.880 --> 0:41:14.560
<v Speaker 3>my boyfriend. Like, but they saw it as being immoral.

0:41:15.360 --> 0:41:18.880
<v Speaker 3>They thought it was just dirty, and I'm like, I

0:41:19.000 --> 0:41:21.280
<v Speaker 3>know what some of you guys do is even worse

0:41:21.360 --> 0:41:25.560
<v Speaker 3>than this, But I I was a scapegoat and that

0:41:25.680 --> 0:41:29.560
<v Speaker 3>was that was painful for me. Man. It was really

0:41:29.560 --> 0:41:31.879
<v Speaker 3>painful because they brought my son into it and said

0:41:31.880 --> 0:41:35.160
<v Speaker 3>I was unfit mom, like my son, my son's going

0:41:35.200 --> 0:41:37.120
<v Speaker 3>to grow up and see this and he's going to

0:41:37.200 --> 0:41:39.719
<v Speaker 3>be disappointed in his mom and how can I do this?

0:41:39.880 --> 0:41:43.160
<v Speaker 3>And my parents? I had to talk to my parents

0:41:43.200 --> 0:41:47.759
<v Speaker 3>about this, and yeah, it was it was that hurt

0:41:47.840 --> 0:41:49.040
<v Speaker 3>me more than the actual thing.

0:41:49.320 --> 0:41:49.640
<v Speaker 1>Wow.

0:41:50.040 --> 0:41:53.440
<v Speaker 3>Yeah, it hurt me more like you're you're you're saying

0:41:53.480 --> 0:41:57.000
<v Speaker 3>that I'm I'm a bad mother for having.

0:41:56.719 --> 0:41:58.800
<v Speaker 1>Sex with something that was out of your control.

0:41:58.960 --> 0:42:03.239
<v Speaker 3>Yeah, like I mean, thank for my family. The first

0:42:03.320 --> 0:42:05.719
<v Speaker 3>thing my mom's my mom calls me and she's like,

0:42:07.280 --> 0:42:13.360
<v Speaker 3>I'm just happy you're again. In her own words, she's like,

0:42:13.680 --> 0:42:15.839
<v Speaker 3>don't listen to them more. I'm just happy that you're

0:42:15.920 --> 0:42:20.600
<v Speaker 3>enjoying yourself. And I was just like, yeah, just hearing

0:42:20.600 --> 0:42:21.400
<v Speaker 3>my mom say that.

0:42:21.520 --> 0:42:23.480
<v Speaker 4>Was just like did you know you?

0:42:23.640 --> 0:42:28.120
<v Speaker 1>Did you know you was being recorded? So it wasn't

0:42:28.120 --> 0:42:31.840
<v Speaker 1>the guy that put it out, Oh my god.

0:42:32.080 --> 0:42:35.160
<v Speaker 3>Okay, So he said he was trying to save it

0:42:35.239 --> 0:42:38.520
<v Speaker 3>and then he pressed scent by accident on Snapchat.

0:42:38.200 --> 0:42:42.280
<v Speaker 1>And that sounded like forever the movie the TV show happened.

0:42:43.360 --> 0:42:45.959
<v Speaker 4>Really there was a younger she was a younger girl though,

0:42:46.080 --> 0:42:48.920
<v Speaker 4>and she was giving herd and she was recorded and

0:42:48.960 --> 0:42:51.279
<v Speaker 4>he the video got released and she was like the

0:42:51.320 --> 0:42:54.400
<v Speaker 4>whole show. She's like fighting back again, like she had

0:42:54.520 --> 0:42:54.920
<v Speaker 4>moved school.

0:42:57.680 --> 0:43:02.160
<v Speaker 3>Yeah, because the thing was next to each other apparently.

0:43:02.239 --> 0:43:04.680
<v Speaker 3>So he said he was trying to save it. Showed

0:43:04.719 --> 0:43:06.520
<v Speaker 3>me later, but you didn't even tell Yeah, And then

0:43:06.560 --> 0:43:11.640
<v Speaker 3>he's precedent by accident again, and I later on found

0:43:11.640 --> 0:43:13.839
<v Speaker 3>out that it was a bet. It was that he

0:43:14.200 --> 0:43:17.399
<v Speaker 3>really bet with his friends or whatever, and it's like, was.

0:43:17.320 --> 0:43:18.320
<v Speaker 1>He younger than you?

0:43:18.320 --> 0:43:18.520
<v Speaker 3>No?

0:43:18.719 --> 0:43:20.799
<v Speaker 2>Okay, yeah, because I have a theory I always teld

0:43:21.239 --> 0:43:22.960
<v Speaker 2>women of a certain age, but lead these young boys

0:43:22.960 --> 0:43:24.440
<v Speaker 2>along because they recording everything.

0:43:24.560 --> 0:43:27.360
<v Speaker 3>What yes, yeah, now I'm not going to anyone's hotel.

0:43:27.400 --> 0:43:29.759
<v Speaker 3>You're coming because you can have cameras hitting and then yeah,

0:43:29.760 --> 0:43:33.319
<v Speaker 3>and you're coming to my safe space. But yeah, even

0:43:33.400 --> 0:43:37.480
<v Speaker 3>that itself was traumatic because he was my boyfriend. I

0:43:37.480 --> 0:43:41.160
<v Speaker 3>thought we were in a relationship and then I'm here

0:43:41.200 --> 0:43:44.799
<v Speaker 3>and later that it was a bet. M So did

0:43:44.840 --> 0:43:48.000
<v Speaker 3>you really like me? Or this was just planned from

0:43:48.040 --> 0:43:48.800
<v Speaker 3>the beginning.

0:43:49.239 --> 0:43:51.440
<v Speaker 4>Yeah, that that's got to be so scary for you,

0:43:51.520 --> 0:43:54.719
<v Speaker 4>even because you're bigger as an artist even now yeah

0:43:54.880 --> 0:43:58.839
<v Speaker 4>now now now, yeah, you're looking at your phone, you're

0:43:58.840 --> 0:44:01.880
<v Speaker 4>putting your phone down. That's why it's just really hard,

0:44:02.239 --> 0:44:04.839
<v Speaker 4>Like I'm not coming to your hotel to me, you're

0:44:04.840 --> 0:44:07.640
<v Speaker 4>coming to my place like or I'm getting a hotel

0:44:07.719 --> 0:44:11.759
<v Speaker 4>because I'm not bringing you around my son. So yeah, so.

0:44:13.680 --> 0:44:14.360
<v Speaker 1>More controversy.

0:44:14.480 --> 0:44:19.440
<v Speaker 4>Yeah, I just can't imagine being recorded on accident and leaking.

0:44:19.719 --> 0:44:21.120
<v Speaker 4>But okay, at.

0:44:21.040 --> 0:44:22.239
<v Speaker 3>Least shaven.

0:44:24.640 --> 0:44:29.880
<v Speaker 1>Very important. It's very important. Yes, Oh is she brand?

0:44:30.239 --> 0:44:41.000
<v Speaker 5>What we are not going to do that it was clean.

0:44:42.560 --> 0:44:45.839
<v Speaker 4>We had Ado here on the show. Oh god, well

0:44:45.880 --> 0:44:48.440
<v Speaker 4>he mentioned while he was here that you know that

0:44:49.600 --> 0:44:52.520
<v Speaker 4>you saw it. Yeah, what happened between you and t

0:44:52.719 --> 0:44:53.240
<v Speaker 4>R Savage?

0:44:53.280 --> 0:44:53.400
<v Speaker 1>Man?

0:44:53.400 --> 0:44:55.480
<v Speaker 4>I know you all were like really really close, like

0:44:56.719 --> 0:44:57.600
<v Speaker 4>cool man.

0:44:57.719 --> 0:44:59.560
<v Speaker 6>Like I said, you know what I'm saying, even with

0:45:00.440 --> 0:45:01.759
<v Speaker 6>the big three questions you asked me.

0:45:01.760 --> 0:45:02.239
<v Speaker 1>You know what I'm saying.

0:45:02.239 --> 0:45:04.480
<v Speaker 6>I remember when all of us you know what I'm

0:45:04.480 --> 0:45:06.560
<v Speaker 6>saying coming up together. You know what I'm saying to

0:45:06.560 --> 0:45:08.560
<v Speaker 6>me on t I you should stay in the same house.

0:45:08.800 --> 0:45:10.919
<v Speaker 6>It's like my big sister, Like, you know what I'm saying,

0:45:10.920 --> 0:45:13.120
<v Speaker 6>she saw me as a youngin you know what I'm saying.

0:45:13.719 --> 0:45:16.040
<v Speaker 6>But the situation with t I was, you know, it

0:45:16.080 --> 0:45:17.080
<v Speaker 6>was like kind of personal.

0:45:17.160 --> 0:45:17.759
<v Speaker 3>You know what I'm saying.

0:45:17.840 --> 0:45:23.040
<v Speaker 6>She's she's very very good friends with my the mom

0:45:23.080 --> 0:45:26.080
<v Speaker 6>and my daughter, my first daughter, which you know we

0:45:26.400 --> 0:45:29.600
<v Speaker 6>were in court having custody and that. So I just

0:45:29.920 --> 0:45:31.560
<v Speaker 6>felt like, you know what I'm saying, you my you

0:45:31.560 --> 0:45:34.800
<v Speaker 6>know what I'm saying, Help me, help me, my daughter

0:45:34.840 --> 0:45:36.719
<v Speaker 6>that type. So we just got a little argument. It

0:45:36.760 --> 0:45:38.719
<v Speaker 6>was nothing, you know what I'm saying. It was just

0:45:38.719 --> 0:45:40.120
<v Speaker 6>like brothers and sisters argument.

0:45:40.120 --> 0:45:40.239
<v Speaker 1>You know.

0:45:41.000 --> 0:45:43.440
<v Speaker 6>I haven't seen her since then, to be honest, but

0:45:43.520 --> 0:45:45.160
<v Speaker 6>she did reach out, and you know what I'm saying,

0:45:45.200 --> 0:45:48.799
<v Speaker 6>So probably if it happens, it happens, and I know bad,

0:45:48.840 --> 0:45:50.719
<v Speaker 6>but I love her. You know, I love her child

0:45:50.800 --> 0:45:53.000
<v Speaker 6>and I saw him grow up. You know what I'm saying.

0:45:53.040 --> 0:45:56.000
<v Speaker 6>She's an amazing person. She changed the game for females.

0:45:56.000 --> 0:45:58.240
<v Speaker 6>You know what I'm saying. She always have that respect.

0:45:58.360 --> 0:46:01.320
<v Speaker 6>You know, that's my sister. I would never let nothing happens.

0:46:01.680 --> 0:46:03.120
<v Speaker 6>She knows, you know what I'm saying.

0:46:03.480 --> 0:46:04.920
<v Speaker 1>What about wiz K? You love whiz Kid?

0:46:06.080 --> 0:46:08.360
<v Speaker 4>That is not That's not his system.

0:46:08.400 --> 0:46:11.280
<v Speaker 1>I'm just asking. I love everybody.

0:46:11.560 --> 0:46:12.879
<v Speaker 2>I do want to ask a question about the Big

0:46:12.880 --> 0:46:14.680
<v Speaker 2>Three though, Like if they call they called Bernard or

0:46:14.680 --> 0:46:17.360
<v Speaker 2>Rebel and they talk about Whizky he has the mystique,

0:46:17.400 --> 0:46:20.680
<v Speaker 2>what is what's your lane in that in that Big Three? Man?

0:46:20.719 --> 0:46:21.200
<v Speaker 6>I'm Joseph.

0:46:22.680 --> 0:46:23.440
<v Speaker 1>I'm just me.

0:46:24.120 --> 0:46:26.080
<v Speaker 4>I'm just me, Like I'm just.

0:46:25.760 --> 0:46:31.880
<v Speaker 1>Me, like a whirl. I like I used to work out.

0:46:31.960 --> 0:46:32.560
<v Speaker 1>That's what I thought.

0:46:32.600 --> 0:46:36.040
<v Speaker 6>Like people people, people know me as the outgoing guy. Yeah,

0:46:36.280 --> 0:46:38.920
<v Speaker 6>I'm saying they you know, free, you know what I'm saying.

0:46:39.880 --> 0:46:42.560
<v Speaker 6>I don't have that mistique or that rebel. You know

0:46:42.560 --> 0:46:42.960
<v Speaker 6>what I'm saying.

0:46:43.000 --> 0:46:45.000
<v Speaker 1>I can't act that way. I'm just me and people.

0:46:45.000 --> 0:46:47.560
<v Speaker 6>Some personal people be like, man, you're too free. You're

0:46:47.560 --> 0:46:49.280
<v Speaker 6>too free, so you don't you know you have superstar.

0:46:49.320 --> 0:46:53.040
<v Speaker 6>I'm like, bro, I've been listening. I'm going Disney two

0:46:53.120 --> 0:46:56.719
<v Speaker 6>years old. Like this does not Yeah, like I like

0:46:56.760 --> 0:46:58.920
<v Speaker 6>I always say, like if my dad walks in the woman, Like,

0:46:58.960 --> 0:47:00.839
<v Speaker 6>if you're walking on the road, you know what I'm saying,

0:47:00.840 --> 0:47:03.239
<v Speaker 6>my dad passes you by, you probably would even know

0:47:03.400 --> 0:47:06.160
<v Speaker 6>like that dude, got better, dog, I'm telling you. So

0:47:06.239 --> 0:47:08.719
<v Speaker 6>that's how I grew up. My manager be getting mad

0:47:08.760 --> 0:47:11.960
<v Speaker 6>like I'd be in the house, I being slippers, like

0:47:12.280 --> 0:47:12.719
<v Speaker 6>going away.

0:47:12.760 --> 0:47:16.080
<v Speaker 1>I'm like, bro, I'm home. You look good every time.

0:47:16.200 --> 0:47:16.840
<v Speaker 3>You know what I'm saying.

0:47:17.040 --> 0:47:18.800
<v Speaker 1>But the people that are born.

0:47:19.280 --> 0:47:23.279
<v Speaker 6>Artists, that's just how they They're coming out their room

0:47:23.400 --> 0:47:25.439
<v Speaker 6>like you know what I'm saying that people some people

0:47:25.480 --> 0:47:27.319
<v Speaker 6>are like that, you know what I'm saying, that's what

0:47:27.360 --> 0:47:29.960
<v Speaker 6>works for them and to be honest, it's worked for them.

0:47:30.239 --> 0:47:30.879
<v Speaker 1>You know what I'm saying.

0:47:31.160 --> 0:47:32.839
<v Speaker 6>What's worked for me, it's worked for me, and what's

0:47:32.840 --> 0:47:35.239
<v Speaker 6>worked for them, you know, it's worked for them. Maybe

0:47:35.280 --> 0:47:38.000
<v Speaker 6>if they like free like me, you know, maybe they

0:47:38.160 --> 0:47:40.440
<v Speaker 6>wouldn't get what they have, you know what I'm saying. So,

0:47:40.760 --> 0:47:42.960
<v Speaker 6>and maybe the way I am is what has helped me.

0:47:43.040 --> 0:47:46.279
<v Speaker 6>So it's just like everybody. I feel like every in

0:47:46.360 --> 0:47:48.960
<v Speaker 6>every industry, Like just like how you had the Big

0:47:49.000 --> 0:47:51.440
<v Speaker 6>Three back in the day with like jay Z. They

0:47:51.440 --> 0:47:56.960
<v Speaker 6>were all different kind of people, d different kind of people.

0:47:57.239 --> 0:47:59.360
<v Speaker 6>You know what I'm saying, Drake Outside, you know what

0:47:59.400 --> 0:48:01.680
<v Speaker 6>I'm saying. Kendrick is like, you don't even know what

0:48:01.680 --> 0:48:04.120
<v Speaker 6>that move is. So it's like they're different kind of

0:48:04.120 --> 0:48:06.520
<v Speaker 6>people and right, and that's okay, you know what I'm saying,

0:48:06.560 --> 0:48:07.280
<v Speaker 6>That's okay.

0:48:07.680 --> 0:48:09.600
<v Speaker 4>I saw you talk to Rolling Stone a bit about it,

0:48:09.640 --> 0:48:11.719
<v Speaker 4>about how you felt about it. Did you feel like

0:48:11.719 --> 0:48:15.279
<v Speaker 4>because it seemed like he was sorry for whatever transpired

0:48:15.320 --> 0:48:17.800
<v Speaker 4>and that y'all were good? Now was that the feeling

0:48:17.800 --> 0:48:18.480
<v Speaker 4>you got from it?

0:48:18.760 --> 0:48:23.360
<v Speaker 3>Well, we haven't seen a spoken since, so, yeah, we haven't.

0:48:23.400 --> 0:48:27.000
<v Speaker 3>I haven't seen him since then spoken, But I again,

0:48:29.719 --> 0:48:32.560
<v Speaker 3>I want to say, I think it was a miscommunication,

0:48:34.760 --> 0:48:38.600
<v Speaker 3>but there hasn't been any kind of communication between us.

0:48:38.920 --> 0:48:42.719
<v Speaker 3>But I definitely I was. I was hurt by how

0:48:42.760 --> 0:48:45.360
<v Speaker 3>it transpired. I mean, I don't know if he explained,

0:48:45.719 --> 0:48:48.160
<v Speaker 3>you know, what kind of happened.

0:48:48.440 --> 0:48:50.719
<v Speaker 4>Yeah, but you can explain it from your point of view.

0:48:52.719 --> 0:48:55.120
<v Speaker 3>So our kids are friends, and they've gone to the

0:48:55.120 --> 0:48:58.040
<v Speaker 3>same school since they were one. They're ten now, so

0:48:58.040 --> 0:49:00.000
<v Speaker 3>they've gone to the same they've been in the same

0:49:00.080 --> 0:49:05.440
<v Speaker 3>class for ten years. So I've now, I've known David

0:49:05.520 --> 0:49:08.640
<v Speaker 3>before that, but I've naturally grown a relationship with the

0:49:08.680 --> 0:49:15.600
<v Speaker 3>mother of their kid, and I didn't really know that,

0:49:15.840 --> 0:49:18.080
<v Speaker 3>you know, there was issues. I mean, I know that

0:49:18.120 --> 0:49:20.480
<v Speaker 3>he's moved on and he's married, you know whatever, but

0:49:21.680 --> 0:49:26.160
<v Speaker 3>I don't know what's going on apart from that, And

0:49:26.200 --> 0:49:29.040
<v Speaker 3>I guess I was. I was at an event and

0:49:29.239 --> 0:49:32.400
<v Speaker 3>she was too, so naturally like, hey, how are you

0:49:33.280 --> 0:49:37.560
<v Speaker 3>We're a partying drinking, doing snap and whatever. And he

0:49:37.640 --> 0:49:42.959
<v Speaker 3>saw that and he took it as I was betraying him,

0:49:44.040 --> 0:49:49.520
<v Speaker 3>and I'm like, what, how, Like, what's what's going on?

0:49:49.600 --> 0:49:51.520
<v Speaker 3>And that's why I said, I think it was as

0:49:51.760 --> 0:49:56.560
<v Speaker 3>miss misunderstanding, Like he felt like I knew what was happening,

0:49:56.960 --> 0:49:59.640
<v Speaker 3>and I was on her side, and that that's not

0:49:59.680 --> 0:50:01.880
<v Speaker 3>the case. Like, this is just a woman that I

0:50:01.960 --> 0:50:06.239
<v Speaker 3>know who's the mother to my son's friend. And we

0:50:06.239 --> 0:50:09.920
<v Speaker 3>were a social gathering and I see him, were, you know, chilling, So,

0:50:10.840 --> 0:50:12.640
<v Speaker 3>like I said, we haven't seen each other since. And

0:50:15.040 --> 0:50:17.480
<v Speaker 3>even if I did know, I don't think I would

0:50:17.480 --> 0:50:21.120
<v Speaker 3>have chosen a side either, Like I don't think I'm

0:50:21.239 --> 0:50:23.840
<v Speaker 3>going to be like, oh, because you guys are having issues,

0:50:23.960 --> 0:50:25.840
<v Speaker 3>I'm going to be on David's side. I'm going to

0:50:25.920 --> 0:50:28.680
<v Speaker 3>be on Sofia's side because our kids are friends and

0:50:28.719 --> 0:50:33.839
<v Speaker 3>it's not my business to take sides, like yeah, just

0:50:33.880 --> 0:50:37.280
<v Speaker 3>like I don't want anyone to take sides with my situation.

0:50:39.120 --> 0:50:42.120
<v Speaker 3>It's between me and the father and my son. I

0:50:42.160 --> 0:50:44.920
<v Speaker 3>don't think anyone should be dragged into it. But again,

0:50:45.080 --> 0:50:47.960
<v Speaker 3>he felt like I was. I should I should have

0:50:48.719 --> 0:50:52.320
<v Speaker 3>been loyal to him in that situation.

0:50:52.440 --> 0:50:55.160
<v Speaker 1>But how did that turn into you submitting a letter

0:50:55.200 --> 0:50:59.399
<v Speaker 1>to the police. If anything happened to me, it was him, So.

0:51:00.480 --> 0:51:04.560
<v Speaker 3>I think out of anger, maybe he might have made threats.

0:51:04.840 --> 0:51:07.640
<v Speaker 3>Do I think he was really gonna go ahead with it? No,

0:51:09.040 --> 0:51:12.240
<v Speaker 3>But again I'm not taking any risks, like I feel

0:51:12.280 --> 0:51:14.880
<v Speaker 3>like you could. You could be saying it around people

0:51:14.960 --> 0:51:18.560
<v Speaker 3>who want to now act out on what you're saying.

0:51:18.640 --> 0:51:20.399
<v Speaker 3>Do you know what I'm saying? And you know how

0:51:20.400 --> 0:51:23.799
<v Speaker 3>it is when your crew and his crew might end.

0:51:23.840 --> 0:51:26.000
<v Speaker 3>It might not even be here and I directly might

0:51:26.040 --> 0:51:27.920
<v Speaker 3>be someone from my crew fighting his crew whatever, and

0:51:28.000 --> 0:51:32.080
<v Speaker 3>it escalates again. Before I did that, though, I reached

0:51:32.120 --> 0:51:36.120
<v Speaker 3>out to members of his family. I'm not going to

0:51:36.160 --> 0:51:38.080
<v Speaker 3>say names, but people that are older than him, and

0:51:38.120 --> 0:51:42.680
<v Speaker 3>I said, listen, I'm hearing threats. Can we solve this?

0:51:42.800 --> 0:51:46.439
<v Speaker 3>And none of them came back to me. In fact,

0:51:46.480 --> 0:51:48.040
<v Speaker 3>one of them was just like, do what you need

0:51:48.080 --> 0:51:53.000
<v Speaker 3>to do. I was like, cool, Like, just for the record,

0:51:53.239 --> 0:51:57.359
<v Speaker 3>I want before I do anything, can we solve this?

0:51:57.640 --> 0:51:57.880
<v Speaker 3>You know?

0:51:58.040 --> 0:52:02.040
<v Speaker 2>And yeah, he said, you're like his big sister who

0:52:02.040 --> 0:52:04.040
<v Speaker 2>will always love you and would never let anything better.

0:52:04.280 --> 0:52:06.000
<v Speaker 3>No, yeah, that's why I said, I do I think

0:52:06.040 --> 0:52:07.839
<v Speaker 3>he was ever going to carry out No, I think

0:52:07.880 --> 0:52:10.359
<v Speaker 3>he was just you know, David is such a joy

0:52:10.520 --> 0:52:13.840
<v Speaker 3>like he's just a joyful no when I sort of

0:52:13.960 --> 0:52:17.040
<v Speaker 3>and he doesn't mean it so and I feel like

0:52:17.080 --> 0:52:20.240
<v Speaker 3>that too. I feel like he is like a brother

0:52:20.320 --> 0:52:23.399
<v Speaker 3>to me, and that's why it and we haven't seen

0:52:23.440 --> 0:52:25.160
<v Speaker 3>each other, and I'm sure it's going to be all love.

0:52:25.239 --> 0:52:29.040
<v Speaker 3>It's definitely all love for me. And I want him

0:52:29.040 --> 0:52:31.880
<v Speaker 3>to know I haven't spoken to you, David, but I

0:52:31.880 --> 0:52:33.480
<v Speaker 3>do want you to know that I do love you

0:52:33.520 --> 0:52:35.880
<v Speaker 3>and I've never I would never betray you or like

0:52:36.000 --> 0:52:38.399
<v Speaker 3>take sides. I just want you to know that I'm

0:52:38.400 --> 0:52:40.920
<v Speaker 3>always putting our kids first. So and that's why I

0:52:40.960 --> 0:52:43.440
<v Speaker 3>just feel like I have to be respectful to the

0:52:43.440 --> 0:52:44.240
<v Speaker 3>mother of a child.

0:52:47.320 --> 0:52:50.920
<v Speaker 1>So why did you say the Big three?

0:52:51.680 --> 0:52:57.560
<v Speaker 3>Oh my god, no no, no, no, no, no no,

0:52:58.160 --> 0:53:02.640
<v Speaker 3>So not fuck them life, but the narrative of the

0:53:02.640 --> 0:53:06.680
<v Speaker 3>Big three? Yeah, Like, f that narrative because this is

0:53:06.719 --> 0:53:10.479
<v Speaker 3>a continent, This is so many artists, and we keep

0:53:10.520 --> 0:53:14.239
<v Speaker 3>reducing it to three three artists every single time. When

0:53:14.280 --> 0:53:18.520
<v Speaker 3>we have diamonds, we have flavor, we have we have terms,

0:53:18.560 --> 0:53:23.400
<v Speaker 3>we have like the listen Rema like, yeah, I loves

0:53:23.400 --> 0:53:26.560
<v Speaker 3>I'm like my right, yeah, and I'm like they're like

0:53:26.920 --> 0:53:29.200
<v Speaker 3>and we don't include them in the top three. Why

0:53:29.320 --> 0:53:31.240
<v Speaker 3>Like so I'm like, f that narrative.

0:53:31.840 --> 0:53:34.799
<v Speaker 1>Yeah, I mean you're right, it's like you hear burna boy.

0:53:34.840 --> 0:53:37.160
<v Speaker 2>You hear with kids here, but for me and that

0:53:37.239 --> 0:53:39.480
<v Speaker 2>I listen to a lot of listen to a lot

0:53:39.520 --> 0:53:41.640
<v Speaker 2>of teams, and I'm like, I don't know why it.

0:53:41.719 --> 0:53:44.480
<v Speaker 1>Is just those three. Is it is it sales?

0:53:44.640 --> 0:53:46.000
<v Speaker 4>Is it maybe?

0:53:46.719 --> 0:53:48.720
<v Speaker 3>And I think they have a really strong fan base,

0:53:49.320 --> 0:53:52.919
<v Speaker 3>so their fan base is very They're they're active. Yeah,

0:53:53.040 --> 0:53:54.000
<v Speaker 3>they're very, very active.

0:53:54.000 --> 0:53:56.680
<v Speaker 1>Even you you you got to be in that conversation.

0:53:56.239 --> 0:53:59.520
<v Speaker 4>As well, like I mean, you know what I see

0:53:59.560 --> 0:54:01.040
<v Speaker 4>people do lot and I don't know if you see

0:54:01.080 --> 0:54:05.080
<v Speaker 4>this too. They put you, they put you in Tyler,

0:54:05.400 --> 0:54:07.320
<v Speaker 4>Like there's a conversation a lot with you and Tyler.

0:54:08.480 --> 0:54:08.680
<v Speaker 6>Yeah.

0:54:09.280 --> 0:54:12.880
<v Speaker 4>I think, well, I think it's because if you're not

0:54:12.920 --> 0:54:15.000
<v Speaker 4>from where you guys are from anybody that's like big

0:54:15.040 --> 0:54:16.759
<v Speaker 4>from a certain type of music, people just like to

0:54:16.800 --> 0:54:19.200
<v Speaker 4>talk about you guys. At one point, I saw conversations

0:54:19.200 --> 0:54:23.719
<v Speaker 4>with like Tims Tyler like just whoa who is the

0:54:23.800 --> 0:54:25.839
<v Speaker 4>girl now? And then even when they had when we

0:54:25.840 --> 0:54:29.760
<v Speaker 4>were having the colors conversation, people were having conversations about

0:54:29.920 --> 0:54:31.880
<v Speaker 4>dark skinned women from certain places being able to make

0:54:31.880 --> 0:54:33.879
<v Speaker 4>it versus lighter skinned women, and they got mad about

0:54:33.880 --> 0:54:36.360
<v Speaker 4>the color of the comments. Like I've seen the conversation

0:54:36.480 --> 0:54:41.080
<v Speaker 4>around you guys, but more so, uh should you more

0:54:41.160 --> 0:54:44.239
<v Speaker 4>so like a skin color thing. Really, Yes, I've seen

0:54:44.280 --> 0:54:44.720
<v Speaker 4>that conversation.

0:54:44.719 --> 0:54:45.200
<v Speaker 1>I've seen.

0:54:47.160 --> 0:54:51.960
<v Speaker 4>A star like You're like she she's kind of like

0:54:52.160 --> 0:54:54.920
<v Speaker 4>you big up her a lot, right, Yeah, I love

0:54:55.400 --> 0:54:58.840
<v Speaker 4>to see Yeah, I hate, not hate, but comparisons with you,

0:54:58.880 --> 0:55:02.399
<v Speaker 4>Irish Star. Really well maybe because we've we've like I've

0:55:03.480 --> 0:55:05.960
<v Speaker 4>we're both. I was signed to Don Jazzy and she's

0:55:06.000 --> 0:55:09.160
<v Speaker 4>with Don Jazzy now, and he's you know, anyone that has.

0:55:09.120 --> 0:55:15.200
<v Speaker 3>Ever ever been under him? Pause but yeah, no, yeah,

0:55:17.480 --> 0:55:19.480
<v Speaker 3>I don't want this to be taken out of context,

0:55:19.480 --> 0:55:22.319
<v Speaker 3>but yeah, anyone who's ever been associated with him knows

0:55:22.360 --> 0:55:25.800
<v Speaker 3>that he does not play that. So he yeah, he's

0:55:26.040 --> 0:55:30.000
<v Speaker 3>yeah and just But I love her regardless anyway, And

0:55:30.040 --> 0:55:35.120
<v Speaker 3>I just have to respect his artists. But regardless of that,

0:55:35.160 --> 0:55:35.719
<v Speaker 3>I love Ira.

0:55:36.239 --> 0:55:38.400
<v Speaker 4>I think too though in music, like whenever we were

0:55:38.400 --> 0:55:40.040
<v Speaker 4>talking without this earlier with Kardi, whenever you get to

0:55:40.040 --> 0:55:42.080
<v Speaker 4>a certain point, people just have to like there's that

0:55:42.200 --> 0:55:44.279
<v Speaker 4>competitive nature that comes in from the fans and just

0:55:44.320 --> 0:55:46.080
<v Speaker 4>the people in the critics, like it just happens.

0:55:46.239 --> 0:55:48.560
<v Speaker 3>Yeah, But I feel like as artists we have the

0:55:48.600 --> 0:55:55.200
<v Speaker 3>opportunity to what's the word. Yeah, earlier on, like I

0:55:55.239 --> 0:55:58.439
<v Speaker 3>saw that kind of coming with Ira, and I'm like, nah,

0:55:58.480 --> 0:56:02.359
<v Speaker 3>you guys are not going to build this awkwardness between us.

0:56:02.440 --> 0:56:06.640
<v Speaker 3>And I'm posting her, she's posting me. So the fans

0:56:06.680 --> 0:56:10.120
<v Speaker 3>can't even they can't even kind of like build that

0:56:10.200 --> 0:56:13.440
<v Speaker 3>narrative between the both of us, because earlier on we

0:56:13.440 --> 0:56:16.279
<v Speaker 3>were just like, yeah, let's get this conversation. This is

0:56:16.280 --> 0:56:18.080
<v Speaker 3>not even that it's not a topic.

0:56:18.440 --> 0:56:20.359
<v Speaker 4>I know you guys are from two different places, but

0:56:20.480 --> 0:56:24.799
<v Speaker 4>when the colored conversation was happening with Tyler, from your perspective,

0:56:25.800 --> 0:56:27.640
<v Speaker 4>how did you feel about the conversation and just how

0:56:27.640 --> 0:56:29.200
<v Speaker 4>she handled in people's reaction to it.

0:56:31.239 --> 0:56:42.359
<v Speaker 3>Who you guys are serious? Oh, I feel like two

0:56:42.440 --> 0:56:45.640
<v Speaker 3>truths can be real. At the same time, I feel like,

0:56:47.400 --> 0:56:51.319
<v Speaker 3>maybe I don't really know what the first thing she

0:56:51.400 --> 0:56:55.040
<v Speaker 3>said was that sparked the whole conversation, But I do

0:56:55.200 --> 0:56:58.360
<v Speaker 3>know that from where she's from, she's you know, she was.

0:56:58.480 --> 0:57:02.520
<v Speaker 3>I think she she doesn't. She doesn't consider they don't

0:57:02.560 --> 0:57:05.160
<v Speaker 3>call her black, they call her color colored because she's

0:57:05.320 --> 0:57:10.360
<v Speaker 3>because she's mixed. And I guess I get why that

0:57:10.440 --> 0:57:14.359
<v Speaker 3>would be such a huge thing here because of I mean,

0:57:14.400 --> 0:57:21.880
<v Speaker 3>the history behind that name. You know, I don't know

0:57:22.000 --> 0:57:24.080
<v Speaker 3>if I think I felt for her a little bit

0:57:24.120 --> 0:57:28.760
<v Speaker 3>because I feel like she's young and I don't think

0:57:28.800 --> 0:57:34.920
<v Speaker 3>she means to come across like that. But where we're from,

0:57:35.000 --> 0:57:39.160
<v Speaker 3>where I'm from, when something like this happens, like they say,

0:57:39.200 --> 0:57:41.520
<v Speaker 3>the elder will come and say it on behalf of

0:57:42.160 --> 0:57:43.840
<v Speaker 3>such and such, you apologize.

0:57:43.960 --> 0:57:44.160
<v Speaker 2>You know.

0:57:44.960 --> 0:57:48.520
<v Speaker 3>That's what I feel like, if if if if that

0:57:48.720 --> 0:57:53.400
<v Speaker 3>wasn't if that wasn't communicated, I would I would like

0:57:53.440 --> 0:57:58.120
<v Speaker 3>to say, you know, like on behalf of that her

0:57:58.240 --> 0:58:01.640
<v Speaker 3>or whatever, like we apologize, like you know, we didn't

0:58:01.680 --> 0:58:05.440
<v Speaker 3>mean it was, you know, because I don't think it

0:58:05.480 --> 0:58:07.280
<v Speaker 3>came from a bad place, you know what I mean,

0:58:07.320 --> 0:58:08.680
<v Speaker 3>I don't think it came from a bad place.

0:58:08.760 --> 0:58:10.400
<v Speaker 2>And they making it to me, they're making it bigger

0:58:10.400 --> 0:58:12.520
<v Speaker 2>than what it needs to be. I've heard her explain it,

0:58:12.600 --> 0:58:15.280
<v Speaker 2>and it makes perfect sense to me. When and then

0:58:15.280 --> 0:58:17.000
<v Speaker 2>you know, recently she put out an album and it

0:58:17.040 --> 0:58:18.880
<v Speaker 2>didn't do well and they were blaming the comments, and

0:58:18.920 --> 0:58:20.040
<v Speaker 2>I'm like, I don't think that.

0:58:21.120 --> 0:58:22.920
<v Speaker 4>Yeah, they were blaming you too, Charlamagne.

0:58:23.080 --> 0:58:23.280
<v Speaker 1>Yeah.

0:58:25.440 --> 0:58:29.960
<v Speaker 4>Question, he always says, you got to know if you

0:58:30.080 --> 0:58:33.280
<v Speaker 4>come to anywhere at that time when everyone's having that conversation,

0:58:33.480 --> 0:58:35.720
<v Speaker 4>is going to be asked, And I think that they

0:58:35.760 --> 0:58:38.760
<v Speaker 4>should have prepared her to at least glide through the question.

0:58:39.080 --> 0:58:41.240
<v Speaker 4>Like it was so like I'm not answering that, Like

0:58:41.440 --> 0:58:43.840
<v Speaker 4>it made it a thing of like well why not? Yeah,

0:58:43.960 --> 0:58:46.840
<v Speaker 4>which she described it in Vogue right after that, and

0:58:46.960 --> 0:58:49.280
<v Speaker 4>I was like, okay, girl, you could have just said that.

0:58:49.400 --> 0:58:52.120
<v Speaker 3>Yeah, but have you have you guys never earlier on

0:58:52.200 --> 0:58:57.000
<v Speaker 3>in your career made maybe mistakes you guys?

0:58:57.240 --> 0:59:00.600
<v Speaker 4>Ever he smelt, he smelled somebody's seats happened?

0:59:02.480 --> 0:59:04.120
<v Speaker 1>Was it? No?

0:59:04.680 --> 0:59:06.920
<v Speaker 3>Why because you wanted to smile? Was nice?

0:59:07.200 --> 0:59:11.240
<v Speaker 1>It was?

0:59:12.440 --> 0:59:14.240
<v Speaker 4>He's been done for a very no.

0:59:14.400 --> 0:59:18.360
<v Speaker 3>But yeah, so I feel like she's learning. Yeah, she'll

0:59:18.440 --> 0:59:20.680
<v Speaker 3>learned from that, and she'll know. She'll now know, like

0:59:20.920 --> 0:59:23.840
<v Speaker 3>when I'm going to certain interviews, like, yeah, I guess,

0:59:24.920 --> 0:59:27.080
<v Speaker 3>let me watch what type of interview is? Are they?

0:59:27.280 --> 0:59:30.560
<v Speaker 3>You know, do they ask hard questions? And let me

0:59:30.600 --> 0:59:32.959
<v Speaker 3>be prepared? Like you know, I think people do.

0:59:32.960 --> 0:59:35.720
<v Speaker 4>Don't when they're watching celebrities do the things that y'all

0:59:35.760 --> 0:59:38.320
<v Speaker 4>do with interviews and stuff, you don't realize that her

0:59:38.480 --> 0:59:41.040
<v Speaker 4>fans don't realize that you guys are people. So sometimes

0:59:41.080 --> 0:59:43.040
<v Speaker 4>even if she's prepared to answer the question, she might

0:59:43.040 --> 0:59:45.520
<v Speaker 4>be nervous and still she's sitting with you know, you

0:59:45.600 --> 0:59:47.280
<v Speaker 4>come here, you sit with like Charlotte Maye and he

0:59:47.360 --> 0:59:48.080
<v Speaker 4>makes people nervous.

0:59:48.320 --> 0:59:50.320
<v Speaker 3>Was not prepared for you guys to ask me this.

0:59:50.520 --> 0:59:56.520
<v Speaker 3>I'm like, no, no, no, I'm okay, yes, you're only

0:59:56.520 --> 0:59:57.000
<v Speaker 3>your business.

0:59:57.360 --> 0:59:58.200
<v Speaker 4>I'm really insure you.

0:59:58.720 --> 0:59:58.960
<v Speaker 1>I do.

0:59:59.040 --> 1:00:00.640
<v Speaker 2>I do want to know why do you think female

1:00:01.120 --> 1:00:03.640
<v Speaker 2>Why do you think female African artists don't get in

1:00:03.720 --> 1:00:04.760
<v Speaker 2>the Big three conversation?

1:00:05.120 --> 1:00:06.000
<v Speaker 1>Like why aren't they?

1:00:06.280 --> 1:00:13.600
<v Speaker 3>I think culturally still women are not what's the word misogy? Yes, yes,

1:00:13.640 --> 1:00:18.000
<v Speaker 3>so even culturally, not even just in music. For me,

1:00:18.080 --> 1:00:20.800
<v Speaker 3>I've said this before. When I got my tattoos, I

1:00:20.840 --> 1:00:24.320
<v Speaker 3>was I was trending. I'm going to go to hell.

1:00:24.680 --> 1:00:26.760
<v Speaker 3>You know what kind of mother am I? Nobody's going

1:00:26.840 --> 1:00:29.000
<v Speaker 3>to marry me with this. I'm never going to get

1:00:29.000 --> 1:00:31.720
<v Speaker 3>a day job. I'm like, yeah, I don't want to job.

1:00:32.560 --> 1:00:35.520
<v Speaker 3>But you know, like male artists are covered in tattoos

1:00:35.520 --> 1:00:38.280
<v Speaker 3>and they're like, yo, that's he's a rock star. So

1:00:38.640 --> 1:00:41.960
<v Speaker 3>not just the music, just in general, women are still

1:00:42.040 --> 1:00:46.600
<v Speaker 3>like undermind in my culture, so it's obviously going to

1:00:46.640 --> 1:00:47.760
<v Speaker 3>trickle down into music.

1:00:47.960 --> 1:00:48.760
<v Speaker 1>I feel like you do.

1:00:48.840 --> 1:00:52.680
<v Speaker 2>Very well with a podcast, I really, really really because

1:00:52.680 --> 1:00:54.720
<v Speaker 2>I saw you say how you had to sneak away

1:00:54.720 --> 1:00:56.720
<v Speaker 2>from your team because you wanted to be more out spoken,

1:00:56.760 --> 1:00:57.520
<v Speaker 2>and oh.

1:00:57.440 --> 1:01:01.480
<v Speaker 3>Yeah, I cursed him out. What No, there was a

1:01:01.520 --> 1:01:05.560
<v Speaker 3>guy and he said Tia does not support female artists

1:01:05.600 --> 1:01:08.880
<v Speaker 3>and she's not signed a female artist and what kind

1:01:08.880 --> 1:01:12.960
<v Speaker 3>of legacy is that? And I said, what are you crazy? Like,

1:01:13.760 --> 1:01:15.480
<v Speaker 3>first of all, I don't have I don't have a

1:01:15.480 --> 1:01:18.400
<v Speaker 3>problem with you having an opinion, but at least do

1:01:18.520 --> 1:01:21.840
<v Speaker 3>your research. No one has done in terms of females.

1:01:21.880 --> 1:01:24.160
<v Speaker 3>No one has done more songs with females than me,

1:01:25.000 --> 1:01:28.720
<v Speaker 3>like literally either me featuring them or then featuring me.

1:01:29.120 --> 1:01:31.440
<v Speaker 3>So you coming on and saying I don't support females,

1:01:31.520 --> 1:01:34.560
<v Speaker 3>that's already wrong, and you have such a huge platform,

1:01:34.600 --> 1:01:36.960
<v Speaker 3>and people were believing that instead of doing the research,

1:01:37.000 --> 1:01:39.320
<v Speaker 3>they're just like, yeah, it's true. And I'm like, wait,

1:01:39.360 --> 1:01:41.080
<v Speaker 3>how many of the songs that I've even done with

1:01:41.120 --> 1:01:44.600
<v Speaker 3>female arts have you guys even promoted Let's start with that, Like,

1:01:45.240 --> 1:01:47.400
<v Speaker 3>so you're not even encouraging us to even work with

1:01:47.440 --> 1:01:51.120
<v Speaker 3>each other because you act like you don't see us.

1:01:51.440 --> 1:01:56.000
<v Speaker 3>So I'm very as much as I'm reserved, I can

1:01:56.400 --> 1:01:59.960
<v Speaker 3>like I don't. Yeah, I'm not scared of no one,

1:02:00.040 --> 1:02:03.560
<v Speaker 3>and I would say any like yes, and if I'm convicted,

1:02:03.640 --> 1:02:07.120
<v Speaker 3>if I'm convicted that I'm saying the truth, my truth. Yeah,

1:02:07.160 --> 1:02:08.960
<v Speaker 3>you can't tell me nothing. I was cussing them out

1:02:09.000 --> 1:02:09.680
<v Speaker 3>in my language.

1:02:09.720 --> 1:02:11.320
<v Speaker 1>And that's why I want you to have a podcast.

1:02:11.360 --> 1:02:12.160
<v Speaker 1>I think it would be very good.

1:02:12.200 --> 1:02:13.640
<v Speaker 2>I think people should be able to ask you questions

1:02:13.680 --> 1:02:16.360
<v Speaker 2>because you have a level of experience, a level.

1:02:16.080 --> 1:02:21.959
<v Speaker 3>Of we feel to the they're always nervous every time

1:02:22.000 --> 1:02:25.480
<v Speaker 3>I go on because this I would trend force something you.

1:02:25.560 --> 1:02:29.640
<v Speaker 4>Always tell me how to like do it and making mistakes. Listen,

1:02:29.680 --> 1:02:31.240
<v Speaker 4>if you're on a platform, you will make them, but

1:02:31.320 --> 1:02:32.400
<v Speaker 4>you will learn how to do it in a way

1:02:32.400 --> 1:02:35.240
<v Speaker 4>that is like beneficial but like still authentic to you.

1:02:35.360 --> 1:02:36.640
<v Speaker 3>And I think I'll ever share that.

1:02:37.160 --> 1:02:43.840
<v Speaker 4>That's great you home to day. You have to have

1:02:43.840 --> 1:02:46.000
<v Speaker 4>already know I was talking way too.

1:02:46.440 --> 1:02:48.920
<v Speaker 2>That's why I can tell, like, everything you're saying is

1:02:48.920 --> 1:02:52.360
<v Speaker 2>all the reasons you should have a podcast.

1:02:53.000 --> 1:02:55.520
<v Speaker 3>Yeah, that's even the streaming thing is getting big like,

1:02:55.560 --> 1:02:58.440
<v Speaker 3>but the podcast, Yeah, but I I yeah, I make

1:02:58.480 --> 1:03:01.720
<v Speaker 3>them nervous, man, Like even the whole thing you asked

1:03:01.720 --> 1:03:05.680
<v Speaker 3>me about Tyler and David, I already know this is

1:03:07.280 --> 1:03:10.120
<v Speaker 3>I always think so I always think I'm very honest,

1:03:10.200 --> 1:03:15.040
<v Speaker 3>and even even me talking about the relationship and being

1:03:15.080 --> 1:03:16.920
<v Speaker 3>in a room or whatever, and a lot of people

1:03:17.160 --> 1:03:21.800
<v Speaker 3>were like, I was oversharing and I'm saying too much.

1:03:21.840 --> 1:03:23.960
<v Speaker 3>And they're even saying that you're doing this because you

1:03:24.000 --> 1:03:27.360
<v Speaker 3>want to promote your album, and I'm just like, I

1:03:27.400 --> 1:03:29.440
<v Speaker 3>don't even know how to lie. If I knew how

1:03:29.440 --> 1:03:31.360
<v Speaker 3>to lie or lie about my age when I first

1:03:31.400 --> 1:03:35.160
<v Speaker 3>came out, because I could have easily done that or

1:03:35.360 --> 1:03:38.280
<v Speaker 3>just lied about the whole situation or just created a

1:03:38.280 --> 1:03:41.040
<v Speaker 3>whole scenario. But my problem is I'll go to another

1:03:41.080 --> 1:03:43.640
<v Speaker 3>interview and I'll forget what I said and I kid

1:03:43.680 --> 1:03:45.439
<v Speaker 3>just said he's a doctor, and I'll be like, oh, yeah,

1:03:45.440 --> 1:03:48.240
<v Speaker 3>he's a basketball player, and I'll just trip myself, like.

1:03:49.360 --> 1:03:52.000
<v Speaker 2>Say, you should never lie because when you lie, you

1:03:52.160 --> 1:03:53.920
<v Speaker 2>when you tell the truth, you don't ever have to remember.

1:03:53.680 --> 1:03:54.160
<v Speaker 1>What you said.

1:03:54.440 --> 1:03:58.560
<v Speaker 3>Yeah, I don't know how to not share the truth

1:03:58.680 --> 1:04:02.440
<v Speaker 3>or just be so honest. Oh that gets me in

1:04:02.440 --> 1:04:03.280
<v Speaker 3>trouble a lot.

1:04:03.520 --> 1:04:05.440
<v Speaker 4>I think you're allowed to talk about like your mom

1:04:06.120 --> 1:04:09.520
<v Speaker 4>and you went through divorced relationship. You know this this

1:04:09.720 --> 1:04:12.720
<v Speaker 4>sex tape stuff. Music, you could be like a tunnel

1:04:12.960 --> 1:04:14.120
<v Speaker 4>and you to have your lady.

1:04:15.240 --> 1:04:16.720
<v Speaker 3>That's what I tried to do with the sex tape.

1:04:16.720 --> 1:04:19.480
<v Speaker 3>So I had an interview and I had just gotten

1:04:19.560 --> 1:04:21.680
<v Speaker 3>the video and then I was Angie Martinez. Yes. So

1:04:21.760 --> 1:04:24.280
<v Speaker 3>I was going there to promote a song and I'm like,

1:04:24.440 --> 1:04:28.080
<v Speaker 3>I'm just gonna say what is and my everyone was like, no,

1:04:28.160 --> 1:04:30.040
<v Speaker 3>you cannot. And I went there and I said it

1:04:30.080 --> 1:04:33.040
<v Speaker 3>and then they released it anyway, and I'm like, before

1:04:33.160 --> 1:04:36.600
<v Speaker 3>you embarrassed me or think that you're gonna get one

1:04:36.640 --> 1:04:39.640
<v Speaker 3>on me, I'm just gonna go on there and say listen,

1:04:41.800 --> 1:04:45.440
<v Speaker 3>was gonna come out and they're threatening me and I'm thinking,

1:04:46.680 --> 1:04:49.200
<v Speaker 3>I'm controlling my narrative, and then it backfires on me

1:04:50.360 --> 1:04:52.280
<v Speaker 3>because they now said I did it on purpose.

1:04:53.400 --> 1:04:55.440
<v Speaker 4>It's just to be mad at that, because at the

1:04:55.440 --> 1:04:58.800
<v Speaker 4>same time, whenever the sex tape conversation comes up, people

1:04:58.840 --> 1:05:01.120
<v Speaker 4>point to that interview, your explanation of it. So it

1:05:01.200 --> 1:05:03.000
<v Speaker 4>did control the narrative, like you got to learn the

1:05:03.080 --> 1:05:05.160
<v Speaker 4>high level winds and can't be down here with all

1:05:05.160 --> 1:05:08.480
<v Speaker 4>the low level Yeah yeah you entertainment.

1:05:08.720 --> 1:05:11.520
<v Speaker 3>Yes, okay, no, well no I don't but yeah, it's

1:05:11.840 --> 1:05:13.520
<v Speaker 3>still kind of there, but it's not it's not.

1:05:13.760 --> 1:05:15.520
<v Speaker 4>Very great for you to break artists through as well.

1:05:15.560 --> 1:05:16.320
<v Speaker 4>I think you should do it.

1:05:16.400 --> 1:05:19.040
<v Speaker 3>I don't think I have I don't think Okay, let

1:05:19.080 --> 1:05:21.120
<v Speaker 3>me just clear this out. It's not that I don't

1:05:21.160 --> 1:05:23.600
<v Speaker 3>want to help, but I don't think everybody's cut out

1:05:23.680 --> 1:05:28.120
<v Speaker 3>to sign artists, especially as an artist. Because you've seen

1:05:28.160 --> 1:05:30.000
<v Speaker 3>some artists. I'm not going to mention the name they've

1:05:30.000 --> 1:05:32.760
<v Speaker 3>signed other artists and what's happened to them. Yeah, because

1:05:32.760 --> 1:05:34.880
<v Speaker 3>there's still that competition is still not to say that

1:05:34.920 --> 1:05:37.680
<v Speaker 3>I'm in I'm going to be in competition, but I

1:05:37.720 --> 1:05:41.360
<v Speaker 3>don't have that mindset. I don't have that that heart

1:05:41.920 --> 1:05:44.200
<v Speaker 3>where I could wake up and my artists could be

1:05:44.200 --> 1:05:47.240
<v Speaker 3>trending about something and I would be heartbroken. I wondn't

1:05:47.240 --> 1:05:50.000
<v Speaker 3>be able to control it because I'm like what I

1:05:50.040 --> 1:05:51.720
<v Speaker 3>feel like the way I can give back is by

1:05:52.040 --> 1:05:55.480
<v Speaker 3>I'm opening a music school. So yeah, I'm partnering with

1:05:55.520 --> 1:05:59.120
<v Speaker 3>Berkeley College of Music. I'm going to also start with

1:05:59.240 --> 1:06:04.000
<v Speaker 3>like awarding scholarships to African students to come all the

1:06:04.000 --> 1:06:07.840
<v Speaker 3>way to Boston learn music, because I think like everybody

1:06:07.840 --> 1:06:10.800
<v Speaker 3>gets stuck on artists. But there's so many other parts

1:06:10.800 --> 1:06:13.680
<v Speaker 3>of music. There's music therapy to help you know when

1:06:13.760 --> 1:06:17.240
<v Speaker 3>you have canter patients, and you know, there's film scoring,

1:06:17.480 --> 1:06:22.360
<v Speaker 3>like creating music for movies. There's music education. So yeah,

1:06:22.400 --> 1:06:24.439
<v Speaker 3>so there's other parts of it. So that's my way

1:06:24.520 --> 1:06:29.520
<v Speaker 3>of helping people. I don't have the I don't have

1:06:29.600 --> 1:06:32.080
<v Speaker 3>the gift to sign other artists, but I can give

1:06:32.160 --> 1:06:32.959
<v Speaker 3>back in.

1:06:32.880 --> 1:06:34.880
<v Speaker 2>That way that is you are very that's a very

1:06:34.880 --> 1:06:37.000
<v Speaker 2>self aware thing to say, yeah, and I can't.

1:06:37.040 --> 1:06:39.760
<v Speaker 3>I can't do it, like and not everybody can do that,

1:06:39.800 --> 1:06:42.760
<v Speaker 3>and they'll be very selfish of me to sign somebody

1:06:42.840 --> 1:06:45.200
<v Speaker 3>else that I feel like, if I want to sign

1:06:45.200 --> 1:06:48.360
<v Speaker 3>somebody else, I need to be out of the game. Yeah,

1:06:48.400 --> 1:06:51.640
<v Speaker 3>because I'm going to be like you releasing something, and

1:06:51.680 --> 1:06:54.120
<v Speaker 3>you're releasing something. Even if I say there's no competition,

1:06:54.160 --> 1:06:56.400
<v Speaker 3>they still will be a little bit. So I'm not

1:06:56.480 --> 1:06:57.520
<v Speaker 3>I'm not there yet.

1:06:58.000 --> 1:07:02.960
<v Speaker 2>Wow, my last quar No, I understand I like this

1:07:03.000 --> 1:07:05.000
<v Speaker 2>stelf aware because there's a lot of people that are

1:07:05.040 --> 1:07:06.800
<v Speaker 2>coming to my mind right now, and I'm like, I

1:07:06.800 --> 1:07:07.920
<v Speaker 2>wish they took that advice.

1:07:09.160 --> 1:07:12.200
<v Speaker 1>There's a lot of American artists. I'm like, you know what, Yeah,

1:07:12.840 --> 1:07:16.640
<v Speaker 1>there's one in particular saying it.

1:07:16.920 --> 1:07:23.200
<v Speaker 3>J No, you don't think he should have signed.

1:07:23.840 --> 1:07:25.560
<v Speaker 2>I mean, I think I think it was good that

1:07:25.680 --> 1:07:28.600
<v Speaker 2>he did because he introduced us to a lot of people.

1:07:28.640 --> 1:07:32.360
<v Speaker 2>But I feel like he had the best roster of

1:07:32.600 --> 1:07:35.240
<v Speaker 2>artists of any of of the artists of those of

1:07:35.280 --> 1:07:39.600
<v Speaker 2>that new generation. He had Harry Lennox, Earth Gang and

1:07:40.480 --> 1:07:44.000
<v Speaker 2>Jed and it's just like, yeah, and I feel like

1:07:44.600 --> 1:07:47.560
<v Speaker 2>him being as big as he was, I don't know,

1:07:47.600 --> 1:07:49.120
<v Speaker 2>I just felt like he could have just made all

1:07:49.160 --> 1:07:52.200
<v Speaker 2>of them bigger, you know. I just felt like Dreamville

1:07:52.200 --> 1:07:53.960
<v Speaker 2>could have been a lot, lot, a lot bigger.

1:07:54.520 --> 1:07:57.880
<v Speaker 1>And I've heard recently that he feels the same way that. Really,

1:07:58.080 --> 1:07:59.760
<v Speaker 1>I could be completely wrong, I could just making it,

1:08:00.480 --> 1:08:05.480
<v Speaker 1>but that's what I've heard. That's why, that's why they disbanded.

1:08:05.920 --> 1:08:07.520
<v Speaker 4>What you just did there where you got him to

1:08:07.760 --> 1:08:09.440
<v Speaker 4>have a conversation and now that's going to be a

1:08:09.440 --> 1:08:11.720
<v Speaker 4>clip and people are going to be discussing that your

1:08:11.760 --> 1:08:14.720
<v Speaker 4>podcast will go off. Girl, Yeah, maybe maybe you guys

1:08:14.720 --> 1:08:17.000
<v Speaker 4>should invite me more off and and maybe have me

1:08:17.040 --> 1:08:17.800
<v Speaker 4>speak or we.

1:08:17.760 --> 1:08:20.000
<v Speaker 2>Could just launch the Tear or Savage podcast on the

1:08:20.000 --> 1:08:21.080
<v Speaker 2>Black Effect Podcast.

1:08:21.120 --> 1:08:24.880
<v Speaker 3>Now yeah, no, one hundred percent. I would Oh my god,

1:08:24.880 --> 1:08:27.400
<v Speaker 3>that would be sick, I think. So we're saying this

1:08:27.520 --> 1:08:29.320
<v Speaker 3>on air, like, don't you think this is one of

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<v Speaker 3>the things that should go out that you guys should

1:08:32.360 --> 1:08:33.559
<v Speaker 3>you should cut out?

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<v Speaker 2>My last question, what do you hope your listeners take

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<v Speaker 2>away from this album emotionally, spiritually and in terms of healing.

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<v Speaker 3>I would love them to listen to it from start

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<v Speaker 3>to finish, not like shuffle it and go on the journey,

1:08:48.920 --> 1:08:54.919
<v Speaker 3>and know that I went through I went through heartache

1:08:54.960 --> 1:08:59.519
<v Speaker 3>where it felt like a disease, like to minimize you know,

1:08:59.520 --> 1:09:02.240
<v Speaker 3>a lot of people people say it's just a heartache,

1:09:02.280 --> 1:09:06.240
<v Speaker 3>it's not like you've got cancer or whatever, and it's like, yeah,

1:09:06.240 --> 1:09:10.200
<v Speaker 3>it's not, but it can feel like the end of

1:09:10.200 --> 1:09:12.880
<v Speaker 3>the world. So I want them to know that they're

1:09:13.920 --> 1:09:17.400
<v Speaker 3>whatever they're going through is valid, and but also listen

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<v Speaker 3>to it to the end and know that you can

1:09:20.640 --> 1:09:23.120
<v Speaker 3>get through it and you can heal. And that last

1:09:23.120 --> 1:09:25.559
<v Speaker 3>song changed, you know. That's why I say listen to

1:09:25.600 --> 1:09:27.880
<v Speaker 3>it like, you know, like a journey of emotions and

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<v Speaker 3>know that at the end of the day, everything does

1:09:30.439 --> 1:09:34.120
<v Speaker 3>work out and and it will work out. It has

1:09:34.200 --> 1:09:34.760
<v Speaker 3>to work out.

1:09:35.280 --> 1:09:37.799
<v Speaker 2>Yeah, well it's t y savage.

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<v Speaker 1>Ladies and gentlemen, thank you for joining us the conversation.

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<v Speaker 1>It's the breakfast Club, every day Breakfast Club. Feels y'all done.