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Speaker 1: Hey, everybody, just starting off the show right away to say,

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Speaker 1: this is the week, the big week you've been waiting

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Speaker 1: for tickets. Get your tickets. Get your tickets. The link

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Speaker 1: is in our bios. You can go to on Location Live.

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Speaker 1: That's what it's called, right Joel. And it's this Thursday.

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Speaker 1: This Thursday, everybody, we are doing a live show with

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Speaker 1: Johnny c McGinley. And I think we've got two special guests.

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Speaker 1: Now I haven't told I think the second surprise to yourself. No,

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Speaker 1: I think this, you know, the first special guests. I

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Speaker 1: think the second one I'm going to keep as a

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Speaker 1: surprise for you. I'm going to work it out with

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Speaker 1: Joel and Daniel, but I want to surprise you with

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Speaker 1: a special guest. Wow. Well then all I gotta say

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Speaker 1: is be sure to get your ticket. Yes, don't you

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Speaker 1: miss it. Don't you miss it, don't you miss it? Yeah,

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Speaker 1: go to onlocation uh live dot com. And it's going

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Speaker 1: to be this Thursday, nine nine. By the way, if

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Speaker 1: you're on the East coast of the United States of America,

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Speaker 1: it's going to be nine nine at nine. Uh. Yeah,

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Speaker 1: there you go. And a lot of you international folks

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Speaker 1: are asking me, Hey, I can't stay up that late? Um?

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Speaker 1: Can I listen? Can I watch it the next day? Yes?

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Speaker 1: You can watch it for up to a week after, right, Joel, Yes,

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Speaker 1: just grab it, get a ticket and you can watch

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Speaker 1: it whenever you want for up to a week after. Um,

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Speaker 1: that's it. Click on the link in our bios or

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Speaker 1: go to onlocationlive dot com. See you Thursday. Can't wait?

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Speaker 1: How much do you think I need to offer the

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Speaker 1: ice cream truck man to give me some hours off

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Speaker 1: of the melody? Are you really? Is it really an

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Speaker 1: issue like that? Is it truly a listen? Somebody once

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Speaker 1: said that no is just the beginning of a conversation,

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Speaker 1: and I feel like his insistence on playing pop goes

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Speaker 1: the Weasel twenty four seven is the beginning of a

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Speaker 1: conversation between he and I may make a suggestion, go

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Speaker 1: ahead if you can somehow get a petition going. That's

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Speaker 1: a lot of work. I know, a Crisp Undy, How

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Speaker 1: much time does it? Crisp Hundy guests not gonna get

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Speaker 1: you much. He's gonna be like. The reason why I

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Speaker 1: keep it on is because when people walk by, they

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Speaker 1: automatically think, oh, I want ice cream. It's summer, right,

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Speaker 1: it's in New York right now. It is bro But

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Speaker 1: I think we could come to some sort of arrangement

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Speaker 1: like how about you play it at the top of

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Speaker 1: the hour for five minutes, Pop goes the weasel, bam,

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Speaker 1: everybody come and get it. Uh huh, and then and

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Speaker 1: then when you're parked there all day, you don't keep

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Speaker 1: it on a loople. I'm worried, frankly about the entire

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Speaker 1: neighborhood sanity. I feel like the real solution is get

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Speaker 1: him additional songs, alternating music stuff. So is not what

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Speaker 1: would be on the song, what's in the what are

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Speaker 1: in the ice cream truck? What's in the catalog for

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Speaker 1: ice cream truck? The catalog? I don't know, but I

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Speaker 1: don't understand. I'm i'm, I have so many questions, like

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Speaker 1: does his rig have other songs? M he's just choosing

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Speaker 1: like he's sitting there like, hell, let me see uh

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Speaker 1: coming around a mountain. No, it would be great if

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Speaker 1: he had some of our songs, like well, what you

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Speaker 1: trying to get into? But in that ice cream truck

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Speaker 1: bound do do Do Do Do Do Do Do? Yeah,

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Speaker 1: that would be amazing. Do do Do Do Do Do

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Speaker 1: Do Do Do Do I'm sure. I'm sure I'll eventually

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Speaker 1: zone it out, you know, like I used to. I

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Speaker 1: grew up next to a train track, and you know, eventually,

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Speaker 1: have a certain amount of time you never even hear

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Speaker 1: the trains, and when you occasionally did, it was kind

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Speaker 1: of nice. I'm thinking that maybe, you know, I just

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Speaker 1: moved back to New York. I haven't been here since

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Speaker 1: before the pandemic, and I'm thinking that eventually I'll just

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Speaker 1: zone out, tune out Pop goes to Weasel. But so far,

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Speaker 1: I'm very aware of Pop goes to weasel at all. Two?

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Speaker 1: Do you know the do you know how they do

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Speaker 1: you know how it is? This is a torture technique

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Speaker 1: they use on people? Yes? Yes, do you know how?

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Speaker 1: Do you know the actual lyrics to Pop goes to Weasel?

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Speaker 1: Have you gone into the rabbit hole yet? Have you been? Like?

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Speaker 1: But I got binoculars and I stare at the truck

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Speaker 1: and I'm like a hit man. I stare at the

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Speaker 1: truck and when I walk by sometimes I look at

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Speaker 1: the tiny little wire that goes to the to the

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Speaker 1: pa um you know speaker. Okay, I see how easy

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Speaker 1: it would be to clip you know, if I had

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Speaker 1: like some head shears. I could I could just sort

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Speaker 1: of reach and got reaching here. Now you can't do

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Speaker 1: anything because you'd be snitching on yourself if anything happens

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Speaker 1: to this poor guy's ice cream truck. Now, people are

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Speaker 1: gonna be like Zach Braft did that shit. No, I'm

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Speaker 1: gonna be like, here's what I'm gonna do. I'm gonna

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Speaker 1: snip that fucking wire and then I'm gonna leave him

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Speaker 1: an crisp hundy and envelope and say this is for

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Speaker 1: wire repair. Come get some ice cream, Come get some

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Speaker 1: ice cream. Hey, come get some ice cream. You want

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Speaker 1: some fucking ice cream? I know you fucking want it.

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Speaker 1: You want come come get some ice I do like it.

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Speaker 1: I like it. That could be a fucking rock ballat

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Speaker 1: just Power Chords. You fuck you want some ice cream

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Speaker 1: you want to get Come get some ice cream. I'll

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Speaker 1: drizzle hot chocolate on it, all around them, all around

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Speaker 1: your ice cream. I'll dribble chocolate on it. Oh kids,

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Speaker 1: come get some ice cream. Yeah, all right, we've taken

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Speaker 1: it too far. That's these areas. Um, Hey, I miss you,

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Speaker 1: I love you both. We don't have Daniel here today. Everyone, Um, so,

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Speaker 1: no one will say Zach, I love you. Oh sorry,

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Speaker 1: Ron Button, you honor me, you you honor you know

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Speaker 1: I had I've had a lot of technical issues already.

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Speaker 1: You had technical issues in the beginning. Yeah. Yeah. And

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Speaker 1: Daniel's not here. I know it's a sign. I bet

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Speaker 1: he's probably riding that poll right now, trying and get

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Speaker 1: some money. How about your boy to baby he came

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Speaker 1: crashing down this week, huh. I don't. I don't even

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Speaker 1: I haven't even paid attention to what he said. The

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Speaker 1: baby decided to go full like horrible homeward. I saw today.

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Speaker 1: I saw today. He's finally like someone got to him

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Speaker 1: and he's like, I apologize. I didn't even see what

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Speaker 1: he said, but like he was doubling down, canceled on him.

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Speaker 1: Everybody was canceling him. Do Elipa took the fucking song,

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Speaker 1: the number one song that they have together down Lallapaloosa

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Speaker 1: kicked him off there like he can't perform here anymore.

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Speaker 1: I don't know anything about the baby other than that

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Speaker 1: song I've been listening to for like a half a

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Speaker 1: year with du Alipa um and I like it when

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Speaker 1: he goes do Alipa with the baby. But I never

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Speaker 1: knew anything about him, and man did he He fucked up.

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Speaker 1: He stepped in it, and he didn't even apologize really

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Speaker 1: until someone someone got to him and said, bro, you're

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Speaker 1: losing all your show. The half asked apology, Let's be real,

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Speaker 1: He was like, I needed education to know he was there,

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Speaker 1: free breathes. He esucation as a tool to not reoffend,

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Speaker 1: but you cannot use education as an excuse to have

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Speaker 1: originally offended somebody, like and it's ridiculous, Like you can't

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Speaker 1: believe what he said, Donald, I'm not even listening. We

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Speaker 1: don't sense ourselfing pious. I'm not even repeat what this

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Speaker 1: fucking dude said at his concert. You gotta read and

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Speaker 1: it's so fun up. It was like, really, he just

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Speaker 1: started saying the most homophobic and saying shit at his

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Speaker 1: concert And uh, I don't know what kind of education

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Speaker 1: he needs to learn that that's horrible to say. And

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Speaker 1: then his did you see his first attempt an apology

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Speaker 1: to well, it wasn't an apology. It was like it

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Speaker 1: was it made it worse. What do you say? Basically,

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Speaker 1: he was saying, like, um, gay people love my show.

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Speaker 1: They know they I mean, I'm trying to say it

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Speaker 1: without saying the shit he said. But he was like,

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Speaker 1: they don't they don't have Yeah, basically he was Basically

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Speaker 1: he was saying all this horrible stuff about gay people

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Speaker 1: and AIDS, and then in his apology he was like, my,

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Speaker 1: my gay fans know what I'm talking about. They don't

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Speaker 1: have AIDS. They're clean, they're not They're not like that.

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Speaker 1: What Yeah, that by the way, by the way, by

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Speaker 1: the way, by the way, I'm making it even better

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Speaker 1: for him, like you gotta. I don't really want to

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Speaker 1: talk about on the show because I don't want the

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Speaker 1: words to come out of mouth. But read what this

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Speaker 1: fucking dude said. Do Alipa with the Baby. I can't

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Speaker 1: listen to that song anymore, really, but you can listen. Yeah, okay,

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Speaker 1: that's done. I'm gonna listen to the original do Elippa.

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Speaker 1: Don't worry. I know you're an avid listener. Do Elippa.

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Speaker 1: I'm gonna listen to the one before the remixpart on board.

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Speaker 1: Um yeah, I like Elipa. Should we get into the show, baby,

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Speaker 1: we should totally get into the show. I do miss you. No,

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Speaker 1: you don't. I don't feel it. I don't feel it either.

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Speaker 1: From you. I've been lifting, I've been staying big for you.

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Speaker 1: I found a gym. Where are you going? I'm not

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Speaker 1: trying to tell you, but we'll edit it out. I'll

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Speaker 1: tell you off the air twenty ears. We'll edit it out.

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Speaker 1: What well, now you're taking my ship. My ship was

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Speaker 1: so good that it's no longer mine. I got people

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Speaker 1: on my Instagram call me t ears, and I don't

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Speaker 1: know how I feel about it. No, don't. By the way,

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Speaker 1: t ears is really tears, and that's what I feel

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Speaker 1: and saw when you call me. All right, let's get

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Speaker 1: into it, Joel. Did you hear our time one hundred thing?

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Speaker 1: Donal and I did. I saw that you did it.

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Speaker 1: I haven't listened to it. Don't worry about it. I

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Speaker 1: just can't believe it. Like you know, I just can't

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Speaker 1: believe that people close to us don't even listen to

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Speaker 1: our ship. Donald, I didn't listen to it. The woman

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Speaker 1: who brought me into this world is demanding my attention

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Speaker 1: for a full well. She slid into my DMS, that woman,

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Speaker 1: So you tell her she sure did? She sure did.

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Speaker 1: I confirmed it with her. She was like, yes, it's

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Speaker 1: me something I turned off my DMS by the way.

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Speaker 1: I don't want to hear it from anybody ever again.

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Speaker 1: Why it seems reason because stupidly I was bored, you know,

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Speaker 1: occasionally and reading dms from strangers, which are ninety nine

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Speaker 1: percent wonderful and those of you who used to dm me,

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Speaker 1: I love you and thank you, but occasionally you'd read

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Speaker 1: a troll and it was like putting me in the

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Speaker 1: worst move, and I was like, why the fuck am

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Speaker 1: I reading this? Like why am I reading this? And

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Speaker 1: I have to It's like a cognitive behavioral thing. I

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Speaker 1: have to like remove the thing, like otherwise I will

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Speaker 1: still do it. I'll be sitting there pooping, going hey,

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Speaker 1: I'll check stranger dms and then I'll read I have

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Speaker 1: to remove the thing, right, So I just turned off

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Speaker 1: the ability for people I don't follow to dm me.

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Speaker 1: I'm sorry some of you were delightful, but we'll just

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Speaker 1: be imaginary. That's how I gain weight, dude. Man. It's

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Speaker 1: like I'll buy a bunch of junk food and I'll

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Speaker 1: look at it and I'll be like, the only way

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Speaker 1: this works is if I remove this from the house

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Speaker 1: and then I'll eat it. Yeah, exactly and exactly. It's

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Speaker 1: like now that it's gone, I'm good, and then I'll

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Speaker 1: go out and get it again. That's a behavioral technique.

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Speaker 1: You just you remove the thing that's causing you the harm.

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Speaker 1: I never have sugar in the house. I just can't.

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Speaker 1: I'm a crack addct with it. Although it's funny, it's

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Speaker 1: harder being in New York as opposed to being in

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Speaker 1: LA because when you when no, when you when you

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Speaker 1: h what do you call a delivery? Whatever? Delivery at

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Speaker 1: you use postmats. It's here in two seconds, so like

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Speaker 1: you can be like stoned here, Like I want Ben

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Speaker 1: and Jerry's. The other night, I was like I needed

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Speaker 1: Ben and Jerry's right. So I go on the app

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Speaker 1: and I'm like, um, three pints of Ben and Jerry's. Right.

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Speaker 1: Guy rings my bell. I go, okay, you can just

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Speaker 1: um leave it in the elevator, thank you so much.

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Speaker 1: I buzz them in. Elevator comes up. There's just three

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Speaker 1: stacked pints of Ben and Jerry's in the elevator. That's

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Speaker 1: just like Benson. Dude, that ship is like Benson, and

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Speaker 1: you're just oh my god, that shit is just like Benson.

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Speaker 1: But it's like but it's but you don't even but

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Speaker 1: no contact with no contact, Benson, Like, that's what it

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Speaker 1: feels like. Put in the elevator, and in the elevator,

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Speaker 1: it's like when you're sick in bed and you ring

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Speaker 1: the bell but it didn't mean yes, and they slide

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Speaker 1: it under the door. Yes, but dude, it's here in

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Speaker 1: seconds because everything's everything around the ground is New York City.

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Speaker 1: So it's like my ice cream took the elevator up alone,

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Speaker 1: all right? Six seven stories about shore. We made a

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Speaker 1: bunch of nurses stories. Never should so yet around here, yeah,

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Speaker 1: around this ship was hilarious. Season five. Season five is

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Speaker 1: the funniest season I think so far, Right, I think

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Speaker 1: I have to say I think I have to say

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Speaker 1: that season five. I know we talked about it being

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Speaker 1: slightly whackier. I think it's the funniest season so far

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Speaker 1: so far. Yeah, so far. It doesn't have the most

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Speaker 1: heart though, so far, even with even with Judy and

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Speaker 1: the baby and everything like that. So far, season five

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Speaker 1: doesn't have the moments like seasons one through four have had,

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Speaker 1: where your where you're gonna sorry. I think there's I

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Speaker 1: think there's some We'll get there. And by the way,

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Speaker 1: I'm just judging by how many notes I take down,

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Speaker 1: Like I take notes obviously when I laugh or when

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Speaker 1: I think something's an interesting conversation for the fans that

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Speaker 1: are listening and for us, and I just find a

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Speaker 1: season five, I'm taking like five people, so we won't

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Speaker 1: even get to all this stock because I'm going, that's hilarious,

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Speaker 1: that's so funny, Oh my god, that was great, what

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Speaker 1: the hell you know? And I'm just crying. I can

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Speaker 1: only judge by the anecdotal evidence of how many notes

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Speaker 1: I take that I'm I'm personally finding this season to

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Speaker 1: be so fucking frank, I'm laughing out loud pretty much. Yea,

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Speaker 1: every every few second, not seconds, I'd say every thirty

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Speaker 1: forty seconds. I'm laughing. There's a laugh, there's a chuckle,

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Speaker 1: there's a laugh, or I do Julie's favorite line, that's

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Speaker 1: that's so funny. That's actually pretty by the way, you know,

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Speaker 1: people have pointed out that we say that's so funny,

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Speaker 1: or at least I do definitely on this podcast all

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Speaker 1: the time, and I think you do too. And it's

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Speaker 1: definitely a comedy writer thing because they're they're around humor

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Speaker 1: so much. That's often they're sitting in the room, and

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Speaker 1: they might they're digesting someone's joke pitch, and they'll be like,

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Speaker 1: that's very funny, that's very funny, but they're not necessarily

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Speaker 1: laughing because they're kind of just like dig And I wonder, right,

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Speaker 1: I wonder if that came you're you're you're doing your

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Speaker 1: own writer's room now, so you know, but I wonder

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Speaker 1: if that came from Bill in the writer's room of

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Speaker 1: people being people like digesting someone's funny pitch and being like, yeah,

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Speaker 1: that's very funny, that's very funny. And then well, why

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Speaker 1: the fuck aren't you laughing because I'm thinking about it,

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Speaker 1: I'm digesting it. But I do that all the time

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Speaker 1: on here, Like I may have laughed and when I

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Speaker 1: watched it on the show, but then you and then

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Speaker 1: you then you remind me of the joke, and I'm like, yes,

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Speaker 1: that's very funny, that's funny, but it's funny. People have

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Speaker 1: pointed out to me, like, you know, you say that's

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Speaker 1: so funny all the time in the podcast, and that's

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Speaker 1: the thing your character hates about Julie oh Way, Mandy's great.

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Speaker 1: I have to say she did such a great job,

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Speaker 1: and I think, you know, I'm gonna say, I wish

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Speaker 1: we had had her on now. I'm sure she would

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Speaker 1: have come on, um because you know, we're friendly and

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Speaker 1: I could have asked her and I didn't. But maybe,

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Speaker 1: well maybe we have her on another time. But special episode.

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Speaker 1: She um she really? Uh was she? You can't say

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Speaker 1: she's not a good comedian. She was. She was. Actually

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Speaker 1: she was very funny. She did uh the pratfall with

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Speaker 1: the fucking popcorn. I'll make more. I love I just

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Speaker 1: love the I love the character of like a beautiful

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Speaker 1: clutz that's just so falling off the deck. Let's get

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Speaker 1: into the show, dude, Let's get to we're gonna talk

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Speaker 1: about the deck. Who built the deck? Dude? Who? First

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Speaker 1: of all, I bought a half ac or what a

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Speaker 1: let's let's build just for the audience a girl I

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Speaker 1: barely know, Like it's brand new. It's one thing to

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Speaker 1: be like, oh my god, let's get you know, I

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Speaker 1: don't know what. Let's buy something small together, like that's

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Speaker 1: a big enough stuff. This isn't even cohabitation yet, but

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Speaker 1: this is like, oh, let's buy a plot of land together,

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Speaker 1: which is really weird, very weird, and then let's just

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Speaker 1: build a deck on it. Well, all we can afford,

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Speaker 1: I assume was the deck. Who built the deck? Dude, Well,

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Speaker 1: I hired a contractor. I'm sure I don't know that

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Speaker 1: any anyone in the history of the world has ever said, Hey,

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Speaker 1: I can't afford the house yet, so let's just build

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Speaker 1: a front board. Already the show starts off already, and

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Speaker 1: you're like, all right, this is this is out there already,

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Speaker 1: and then can you imagine that? Can you imagine there's

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Speaker 1: a plot of land next to your house and and

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Speaker 1: it's empty, and somebody comes and builds a deck like

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Speaker 1: the doing dude, right, just we talked about it in

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Speaker 1: the show The neighbors automatically the next door neighbors fucking

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Speaker 1: hate you, but you play poker with them. They invited

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Speaker 1: you to poker, but they hate you. Yes, they hate you.

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Speaker 1: And then on one side they offer to sell me

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Speaker 1: their baby. What neighborhood is where on one side, on

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Speaker 1: one side they're like super yuppies, right, and on the

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Speaker 1: other side they're like trying to sell me their baby.

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Speaker 1: It's a very nice Yeah, totally totally. That sounds like

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Speaker 1: that nice. It was definitely nice. It would probably a

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Speaker 1: valley village where we shot at that man engine and

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Speaker 1: then um ya van Nys is probably more accurate. And

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Speaker 1: then Mandy does it very as you said, Donald, very

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Speaker 1: funny backwards fall off the deck that there's no way

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Speaker 1: she did, because that's a definitely dangerous stunt that a

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Speaker 1: stunt woman did, because that's how you break a spine

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Speaker 1: if you don't know what the fuck you're doing. Because

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Speaker 1: that woman, that woman, whoever she is, I mean, obviously

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Speaker 1: she hit a map, but she went backwards in a

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Speaker 1: chair off a deck, which is totally dangerous. Yes, for all,

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Speaker 1: so you could laugh people that are listening, well, the

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Speaker 1: tag was great. Also, I ate what did she say?

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Speaker 1: I ate glass? Oh did she say there's or something

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00:18:43,680 --> 00:18:46,719
Speaker 1: like that? Anyway, by the way, Jenny doesn't even get

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Speaker 1: up to help her. What the fuss there? Can you

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Speaker 1: imagine your lover falls off backwards off a deck and

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Speaker 1: you don't get up. He just sits there like that's

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Speaker 1: a nightmare, just waiting for the just waiting for the

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Speaker 1: I can't. That's a nightmare of mine. But that's not

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Speaker 1: even when the that's not even when the freak when

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Speaker 1: the opening starts. Oh, it's no, there's so much more

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Speaker 1: so Carlo, I know this cold open its long, so long.

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Speaker 1: Carla really wants a baby, right, Yes, and somehow she

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Speaker 1: upsets the janitor. Yes. Now everyone cringes when they hear

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Speaker 1: the period. All the men cringe when they hear and

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Speaker 1: it's true. I must admit it's so immature. But I

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Speaker 1: think whenever a period does come up, you sort of

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Speaker 1: I sort of cringe a little bit. And I don't

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Speaker 1: want to know too many specifics. In fact, when when

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Speaker 1: when Casey was filling us in on how the whole

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Speaker 1: tampon things works, I don't even know it. I really don't.

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Speaker 1: I don't even know a lot of that, like the

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Speaker 1: the disposal, the removal. I don't really know too much.

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Speaker 1: I'm a fake doctor and my my knowledge around the

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Speaker 1: men sees cycle is limited, is what I'm saying. Yeah,

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Speaker 1: that's how I tune out when that shit happens. That's

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Speaker 1: how ye When, if ever, Casey doesn't want me to

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Speaker 1: jump on top of her and wants a sex break,

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Speaker 1: all she has to say I got my period, and

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Speaker 1: I'm like, oh, yeah, that shit left. That shit last

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Speaker 1: three weeks. Guys, like she's probably live. Casey's had her

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Speaker 1: period for seven years, so the janitor wants to develop

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Speaker 1: a baby with gills that he can go treasure hunting. Yes, yes,

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Speaker 1: And then and then Judy Carla upsets him and he

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Speaker 1: sweat says, I swear on my unborn fish baby's left

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Speaker 1: she will pay. Yeah, I forgot what did What did

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00:20:32,960 --> 00:20:36,040
Speaker 1: the janitor do to piss off Judy Carla? He was

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Speaker 1: talking about how he wants to have kids and made

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Speaker 1: her No, am I wrong? Jowel Yeah, it's the hot nurse. No.

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Speaker 1: Later on he does that to get back at her.

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Speaker 1: That's how she makes her, That's how he makes Oh yeah,

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Speaker 1: he has revengers that he tells that he has, says,

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Speaker 1: do you look like young car But I thank him

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00:20:54,000 --> 00:20:58,199
Speaker 1: making her wanting to get pregnant so trivial. Uh, that

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Speaker 1: upsets I forgot what you know? Usually we watched this,

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00:21:00,600 --> 00:21:03,560
Speaker 1: I watched this right before we go live. But this year,

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Speaker 1: this week our schedule changed a little bit. So I'm

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00:21:05,800 --> 00:21:07,919
Speaker 1: a smineing rusty of all the things we watched this

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00:21:08,000 --> 00:21:11,359
Speaker 1: last week from yeah, um yeah, Scott Rabbidu, my stand

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Speaker 1: in has a line we always love that. He's the

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Speaker 1: one who says, yo, glass man, Now what is glass man?

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Speaker 1: Is that a thing when you rebound off the backboard

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00:21:21,560 --> 00:21:24,240
Speaker 1: in the NBA, it's made of glass. If it's in

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00:21:24,280 --> 00:21:28,680
Speaker 1: a gym, usually the gym backboard is made of it's glass. Like, oh,

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00:21:28,800 --> 00:21:34,399
Speaker 1: so that's a real term, glass man. I mean yeah, sure, Uh,

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00:21:35,440 --> 00:21:37,120
Speaker 1: it's a great it's a great nick it's a great

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Speaker 1: nickname for somebody who is like you could call somebody

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Speaker 1: Winds in the NBA, and that's a good nickname because

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00:21:43,200 --> 00:21:46,120
Speaker 1: they clean the glass, you know, they clean the boards.

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00:21:46,160 --> 00:21:49,080
Speaker 1: So that's a regular thing that that that good rebounders

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00:21:49,080 --> 00:21:52,359
Speaker 1: have nicknames related to glass. Yeah. So like Mtumbo was

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00:21:52,480 --> 00:21:56,520
Speaker 1: Mountain Mtumbo because he could block the shot. Uh you

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Speaker 1: know what I mean, let's not related as a glass No,

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00:21:58,920 --> 00:22:01,280
Speaker 1: what was Dennis Rodman? So glass related? No, he was

396
00:22:01,320 --> 00:22:03,600
Speaker 1: the worm because he was slippery and could get to

397
00:22:03,640 --> 00:22:07,600
Speaker 1: the he could get a rebound easily. Like glassman is like,

398
00:22:08,440 --> 00:22:11,639
Speaker 1: it's just it's it's not a bunch of like you

399
00:22:11,680 --> 00:22:13,720
Speaker 1: don't use it for everything. I just used that as

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Speaker 1: a as a as another version of what glass is.

401
00:22:18,119 --> 00:22:20,720
Speaker 1: What glass means. You know, who used to often break

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Speaker 1: the backboards before they made them unbreakable. A young man

403
00:22:23,720 --> 00:22:26,520
Speaker 1: named Darryl Dunkin he had. He had a bunch of nicknames.

404
00:22:26,520 --> 00:22:29,200
Speaker 1: What were those nicknames? Do you know? Um the Chocolate

405
00:22:29,240 --> 00:22:35,800
Speaker 1: thunder and um and glass Breaker, the Doctor Duncan Stein

406
00:22:35,920 --> 00:22:38,640
Speaker 1: I think was one of them. Dude, he passed away.

407
00:22:38,720 --> 00:22:41,440
Speaker 1: I don't know who ever decided God rest the soul.

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00:22:41,480 --> 00:22:43,080
Speaker 1: I don't know Daryl du I don't know who ever

409
00:22:43,080 --> 00:22:46,040
Speaker 1: decided in the NBA to stop having the glass the

410
00:22:46,040 --> 00:22:48,280
Speaker 1: backboards be breakable. But when I was a child, that

411
00:22:48,359 --> 00:22:50,320
Speaker 1: was very I used to go to nets games because

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Speaker 1: that was my father loved it. I had zero interest.

413
00:22:53,160 --> 00:22:55,960
Speaker 1: I was just like the snacks and Duncan the mascot.

414
00:22:57,080 --> 00:23:01,880
Speaker 1: I'd always always be looking for Duncan and my father

415
00:23:01,920 --> 00:23:04,480
Speaker 1: would scream and it would be embarrassing and that was

416
00:23:04,520 --> 00:23:07,199
Speaker 1: the experience, and I'd get ice cream. But um, I

417
00:23:07,240 --> 00:23:09,480
Speaker 1: do remember how fun it was when Daryl Dawkins would

418
00:23:09,480 --> 00:23:12,760
Speaker 1: break shit. Yeah he did. He did it a couple

419
00:23:12,760 --> 00:23:14,720
Speaker 1: of times. Shack did it a couple of times too.

420
00:23:15,200 --> 00:23:17,120
Speaker 1: There are a few players that did it. Michael Jordan's

421
00:23:17,119 --> 00:23:19,119
Speaker 1: done it, um, but not in the NBA, but like

422
00:23:19,160 --> 00:23:21,360
Speaker 1: at a charity game anyway. So let's get back into

423
00:23:21,359 --> 00:23:26,080
Speaker 1: the show. Let's talk about Mickey. Okay, Yeah, Turk wants

424
00:23:26,119 --> 00:23:30,600
Speaker 1: to eat ribs while having sex. Yeah, that sounds like you.

425
00:23:30,600 --> 00:23:32,160
Speaker 1: You might like. No, I don't know how to eat ribs.

426
00:23:32,200 --> 00:23:35,280
Speaker 1: That's too messy. But you love ribs and you love sex.

427
00:23:35,400 --> 00:23:38,040
Speaker 1: I'll do two things, both of those things. It's like

428
00:23:38,240 --> 00:23:41,000
Speaker 1: remember those old school res peanut butter commercials, like you

429
00:23:41,080 --> 00:23:43,159
Speaker 1: got your peanut butter, my chocolate. You've got your chocolate

430
00:23:43,160 --> 00:23:45,240
Speaker 1: and my peanut butter. Do you remember those? You know

431
00:23:45,240 --> 00:23:47,520
Speaker 1: who loves like you? You love ribs and you love

432
00:23:47,560 --> 00:23:49,720
Speaker 1: sex with your wife. Yeah, it sounds like perfect for you.

433
00:23:51,480 --> 00:23:55,199
Speaker 1: It does. Okay, McCann it kills though, Okay, now the

434
00:23:55,280 --> 00:23:58,560
Speaker 1: lot comes out of Mhad's character gets a giant jump

435
00:23:58,600 --> 00:24:01,879
Speaker 1: forward in this episode. We learned that his wife was

436
00:24:02,040 --> 00:24:05,800
Speaker 1: killed and he's a person of interest but he but

437
00:24:05,840 --> 00:24:08,000
Speaker 1: he's also got a sexy nurse on his lap, so

438
00:24:08,040 --> 00:24:10,439
Speaker 1: he's not really mourning. No, and she died like a

439
00:24:10,480 --> 00:24:14,320
Speaker 1: week ago. No. Yeah, And then later he does get

440
00:24:14,400 --> 00:24:16,920
Speaker 1: dragged away by the cops, but well, there's also him

441
00:24:16,960 --> 00:24:22,280
Speaker 1: trying to convince Julie to hide the hammer for him. Yes,

442
00:24:22,400 --> 00:24:26,000
Speaker 1: poor innocent, poor innocent Mandy Moore is taking the hammer

443
00:24:26,080 --> 00:24:28,080
Speaker 1: and being like, sure, I guess I can hide this

444
00:24:28,240 --> 00:24:33,040
Speaker 1: for you. So he did it. I mean I remember

445
00:24:33,080 --> 00:24:35,800
Speaker 1: it being a bit nebulous if if, if mick Head

446
00:24:35,880 --> 00:24:37,840
Speaker 1: was the killer or not. But this is pretty clear

447
00:24:37,920 --> 00:24:39,320
Speaker 1: that he did it. I mean, why is he asking

448
00:24:39,480 --> 00:24:41,439
Speaker 1: Mandy Moore to hide his hammer? I think he totally

449
00:24:41,480 --> 00:24:43,800
Speaker 1: did it. I think he totally did it. But it

450
00:24:43,840 --> 00:24:47,160
Speaker 1: doesn't stick. I guess maybe he gets off because he's back,

451
00:24:47,200 --> 00:24:50,640
Speaker 1: he gets off. Maybe maybe the cops, maybe the cop man.

452
00:24:50,760 --> 00:24:53,119
Speaker 1: Well I know why, because Mandy Moore's fingerprints are all

453
00:24:53,160 --> 00:24:55,400
Speaker 1: over the hammer. Well, didn't you wipe it down? Note?

454
00:24:55,440 --> 00:24:57,800
Speaker 1: Didn't you wipe the hammer down with your sleeves? Yes?

455
00:24:57,960 --> 00:25:00,679
Speaker 1: I did with my with my stup top. Okay, all right,

456
00:25:00,680 --> 00:25:03,000
Speaker 1: we'll be right back after these quick words, we'll be

457
00:25:03,080 --> 00:25:13,879
Speaker 1: right back. Don't don't don't panic. You right back, and

458
00:25:14,040 --> 00:25:20,040
Speaker 1: we're bad, bad. So the guy in Ecologist is so handsome,

459
00:25:20,480 --> 00:25:22,520
Speaker 1: and he's by the way, he's a very handsome man,

460
00:25:22,840 --> 00:25:27,120
Speaker 1: and I have to say that sometimes. Of course, as

461
00:25:27,119 --> 00:25:29,439
Speaker 1: we all know, people that are this beautiful aren't always

462
00:25:29,440 --> 00:25:32,000
Speaker 1: the best actors. I thought this guy did a very

463
00:25:32,000 --> 00:25:36,040
Speaker 1: fine job for being a character whose sole purposes. Oh

464
00:25:36,160 --> 00:25:39,520
Speaker 1: my goodness, Ye're so handsome. Absolutely, and he comes back.

465
00:25:39,560 --> 00:25:41,800
Speaker 1: He's on the show. He comes back on the show

466
00:25:41,840 --> 00:25:44,000
Speaker 1: a couple of times. Okay, well, it's a very funny.

467
00:25:44,080 --> 00:25:46,880
Speaker 1: Runner Jordan is obsessed with getting paps mirrors. She says

468
00:25:46,880 --> 00:25:50,560
Speaker 1: she has a lot of Papa because she she I

469
00:25:50,600 --> 00:25:52,440
Speaker 1: get I don't think as I understand it, a peraps

470
00:25:52,480 --> 00:25:59,720
Speaker 1: mirror is not a comfortable things. Not eleven times, but

471
00:26:00,240 --> 00:26:03,200
Speaker 1: it's gone quite a few times. Also, oh my god,

472
00:26:03,359 --> 00:26:05,439
Speaker 1: Sarah Chalk, by the way, I texted her after I

473
00:26:05,440 --> 00:26:07,439
Speaker 1: watched this because we were texting about something else, and

474
00:26:07,480 --> 00:26:09,440
Speaker 1: I said, by the way, I hope you're not getting

475
00:26:09,480 --> 00:26:11,760
Speaker 1: tired of me saying this, but this fucking episode. You

476
00:26:11,800 --> 00:26:14,720
Speaker 1: are so funny. Her and Judy were great in this episode.

477
00:26:15,040 --> 00:26:17,600
Speaker 1: Of course, it's we should mention that it's Judy's episode.

478
00:26:17,640 --> 00:26:19,000
Speaker 1: We tried to get her. I don't know what to

479
00:26:19,080 --> 00:26:21,199
Speaker 1: come on. What happened Juel? She ignored this. Judy does

480
00:26:21,359 --> 00:26:24,960
Speaker 1: not even this happens last time too, where I think

481
00:26:25,160 --> 00:26:27,040
Speaker 1: maybe like I emailed her and she's like, oh I

482
00:26:27,080 --> 00:26:29,159
Speaker 1: just didn't see it. So hopefully that's oh, well, we

483
00:26:29,400 --> 00:26:31,399
Speaker 1: have Judy on. We gotta get Jude on this Anyway,

484
00:26:31,440 --> 00:26:33,560
Speaker 1: this is the episode that Judy. Because Judy's always so

485
00:26:33,600 --> 00:26:35,480
Speaker 1: great on this podcast, we want to have her back.

486
00:26:35,480 --> 00:26:37,919
Speaker 1: But anyway, this is the episode. It's called Her Story two.

487
00:26:38,040 --> 00:26:41,280
Speaker 1: It's the time that Judy does the narration. What are

488
00:26:41,320 --> 00:26:47,120
Speaker 1: you laughing at? I swear I'm not. I'm just happen

489
00:26:47,160 --> 00:26:49,159
Speaker 1: to be in a good mood. Are you? Are you

490
00:26:49,200 --> 00:26:52,160
Speaker 1: annoyed by my Sarahtony, I'm not annoyed at all. I'm

491
00:26:52,280 --> 00:26:55,640
Speaker 1: very happy. This is exact all. All right, So look,

492
00:26:55,960 --> 00:26:57,840
Speaker 1: so it doesn't last long. If you want to do

493
00:26:57,880 --> 00:26:59,639
Speaker 1: this in an hour, I'm surebably can't. I got to

494
00:26:59,640 --> 00:27:01,760
Speaker 1: go back to I gotta go back to my writer's room. Okay,

495
00:27:01,760 --> 00:27:05,760
Speaker 1: I was kidding. It was a joke, Zach. Carla turns

496
00:27:05,760 --> 00:27:09,679
Speaker 1: into storm. That ship was hilarious. When okay, when the

497
00:27:09,760 --> 00:27:12,880
Speaker 1: janitor says, you know who that is? We should go back.

498
00:27:12,920 --> 00:27:15,720
Speaker 1: So the guy's handsome. The girl's really handsome too. She

499
00:27:15,800 --> 00:27:20,000
Speaker 1: did a great job, Nurse Martini. Yes, but when the

500
00:27:20,119 --> 00:27:22,280
Speaker 1: janitor says, you know who she minded me of? That

501
00:27:22,359 --> 00:27:25,879
Speaker 1: re minded me of a young Carla. And then Judy

502
00:27:26,000 --> 00:27:33,000
Speaker 1: turns around and Carla turns into storm. Yeah, that shit fire.

503
00:27:33,080 --> 00:27:35,720
Speaker 1: And now wait, whose storm? I mean, I knew it

504
00:27:35,760 --> 00:27:38,280
Speaker 1: was a Marvel thing, right, or say, of the X Men,

505
00:27:38,440 --> 00:27:42,320
Speaker 1: she is the black female like head of the X Men.

506
00:27:42,440 --> 00:27:45,520
Speaker 1: Sometimes she's the leader, but oftentimes she's sort of just

507
00:27:45,600 --> 00:27:49,399
Speaker 1: like main dude's right hand lady. But she's she's dope,

508
00:27:49,440 --> 00:27:52,240
Speaker 1: she's she's also a queen from who plays her in

509
00:27:52,280 --> 00:27:54,200
Speaker 1: the halle Berry Player And I don't know who the

510
00:27:54,280 --> 00:27:55,760
Speaker 1: young hallie. I don't know who the young lady is

511
00:27:55,800 --> 00:27:59,040
Speaker 1: that plays her now, but halle Berry played her originally anyway,

512
00:27:59,080 --> 00:28:03,200
Speaker 1: but I've never seen one, dude. Oh man, they're they're

513
00:28:03,320 --> 00:28:05,320
Speaker 1: I've never seen an X Men. We don't yell, they're

514
00:28:05,359 --> 00:28:08,439
Speaker 1: not the best. The logan, the logan is really good.

515
00:28:08,520 --> 00:28:12,879
Speaker 1: And uh days of the first x Men? Uh, what

516
00:28:13,040 --> 00:28:17,080
Speaker 1: is the first class? That one's fire x Men first class.

517
00:28:17,400 --> 00:28:19,560
Speaker 1: But you heard MICHAELA. Cole might be playing her in

518
00:28:19,640 --> 00:28:21,320
Speaker 1: the new Black Panther, right, because that was what I

519
00:28:21,400 --> 00:28:24,800
Speaker 1: was about to say, because she connects to Black Panther. Uh,

520
00:28:26,160 --> 00:28:30,639
Speaker 1: the two of them, the two of them are yeah, dude, dude, Yeah,

521
00:28:30,840 --> 00:28:34,240
Speaker 1: she is incredible. I'm so happy that I hope she

522
00:28:34,280 --> 00:28:38,040
Speaker 1: gets her big Marble or whatever it is payday because

523
00:28:38,840 --> 00:28:46,080
Speaker 1: she's a fucking extraordinary talent. Mhm yeah, um, Judy. By

524
00:28:46,080 --> 00:28:48,280
Speaker 1: the way, the effects of this were really well done.

525
00:28:48,520 --> 00:28:50,920
Speaker 1: Um you know Scrubs. We weren't a big V effects show,

526
00:28:50,960 --> 00:28:53,880
Speaker 1: and sometimes when we did them they looked man like

527
00:28:53,960 --> 00:28:57,440
Speaker 1: that butterfly. But this was really well done. You shattering

528
00:28:57,480 --> 00:28:59,840
Speaker 1: looked great. I remember this. I remember shooting this up.

529
00:29:00,080 --> 00:29:04,040
Speaker 1: So I remember at the end when you're when Mandy

530
00:29:04,400 --> 00:29:06,920
Speaker 1: runs is over in the corner crying. I remember my

531
00:29:07,000 --> 00:29:09,320
Speaker 1: point of view from it. I don't remember ever watching

532
00:29:09,320 --> 00:29:11,920
Speaker 1: this episode, but I remember shooting it and to see

533
00:29:12,320 --> 00:29:15,040
Speaker 1: the opposite side. I remember I was standing there and

534
00:29:15,160 --> 00:29:18,400
Speaker 1: making jokes while the two girls ran over, and I

535
00:29:18,440 --> 00:29:20,680
Speaker 1: remember that the camera was over there, and to see

536
00:29:20,720 --> 00:29:24,160
Speaker 1: all of that was was crazy. You know why I

537
00:29:24,240 --> 00:29:28,040
Speaker 1: remember it too because of you know, one of my

538
00:29:28,160 --> 00:29:34,920
Speaker 1: most favorite h action stars ever in in any movie,

539
00:29:35,000 --> 00:29:40,320
Speaker 1: I talk about, you know, Billy d Williams more than

540
00:29:40,320 --> 00:29:42,400
Speaker 1: I should. You know what I mean, Like, no, you don't.

541
00:29:42,440 --> 00:29:46,200
Speaker 1: You in all seriousness, it was very significant for you.

542
00:29:46,200 --> 00:29:48,640
Speaker 1: You said when in the Star Wars universe there was

543
00:29:48,680 --> 00:29:52,640
Speaker 1: this African American hero, right, and it really like it

544
00:29:52,720 --> 00:29:55,440
Speaker 1: puts you because there was a black guy in Star

545
00:29:55,480 --> 00:29:57,959
Speaker 1: Wars is more like the fact that he just spoke

546
00:29:58,440 --> 00:30:03,280
Speaker 1: you know, you know, Billyde's African American. That that was

547
00:30:03,680 --> 00:30:06,840
Speaker 1: dope too. But just to finally see a black face

548
00:30:06,880 --> 00:30:09,480
Speaker 1: in Star Wars was amazing. And also not just that,

549
00:30:09,960 --> 00:30:12,480
Speaker 1: not just that, he was also freaking like one of

550
00:30:12,520 --> 00:30:15,920
Speaker 1: the dopest pilots in the universe. And then when Harrison Ford,

551
00:30:16,200 --> 00:30:19,920
Speaker 1: when Harrison Ford's character is removed, they use him as

552
00:30:20,040 --> 00:30:22,480
Speaker 1: that character to show you that it could work, you know,

553
00:30:23,080 --> 00:30:25,480
Speaker 1: and that was really dope. You know, like a lot

554
00:30:25,480 --> 00:30:27,320
Speaker 1: of people, we don't talk about that enough. To be

555
00:30:27,360 --> 00:30:31,560
Speaker 1: honest with you, They removed the Han Solo character and

556
00:30:31,880 --> 00:30:36,280
Speaker 1: in place is Lando Calrissian, and you learned to love

557
00:30:36,360 --> 00:30:39,400
Speaker 1: this character. By the end of the movie. You're like, dude,

558
00:30:39,400 --> 00:30:41,800
Speaker 1: I love this dude, you know what I mean? And

559
00:30:41,920 --> 00:30:44,680
Speaker 1: that's that's that's really important. And it was a black

560
00:30:44,720 --> 00:30:47,920
Speaker 1: guy and they don't really talk about that enough, and

561
00:30:48,000 --> 00:30:51,040
Speaker 1: George isn't given enough credit for that. Also because when

562
00:30:51,040 --> 00:30:52,880
Speaker 1: Glenn Turman was on the show, he told us that

563
00:30:52,920 --> 00:30:55,000
Speaker 1: story of how he was up for Han Solo and

564
00:30:55,040 --> 00:30:57,280
Speaker 1: the reason why it didn't work was because you know,

565
00:30:57,360 --> 00:31:00,200
Speaker 1: there's gonna be a white princess Leia, and America is

566
00:31:00,200 --> 00:31:02,360
Speaker 1: not ready or the world's not ready, I should say

567
00:31:02,600 --> 00:31:08,480
Speaker 1: for that. And uh, and he really, you know, showed

568
00:31:08,920 --> 00:31:10,920
Speaker 1: you you could be ready for it, if you really,

569
00:31:10,960 --> 00:31:14,120
Speaker 1: if you really just close not close your eyes, but

570
00:31:14,160 --> 00:31:17,000
Speaker 1: if you really just fell in love. I don't know

571
00:31:17,000 --> 00:31:19,240
Speaker 1: how to put this, man, if you really just he

572
00:31:19,360 --> 00:31:21,160
Speaker 1: put it in the movie and it made it. It

573
00:31:21,240 --> 00:31:24,800
Speaker 1: made the movie twenty times better. Also, like, just look

574
00:31:24,800 --> 00:31:27,200
Speaker 1: at the things that Billy Dan Williams does in this

575
00:31:27,320 --> 00:31:30,200
Speaker 1: in this show where he get his reaction to me

576
00:31:30,320 --> 00:31:33,560
Speaker 1: going Lando Calarissian. If you watch The Empire Strikes Back,

577
00:31:33,920 --> 00:31:37,200
Speaker 1: he has so much expression in the movie and gives

578
00:31:37,320 --> 00:31:41,560
Speaker 1: so much freaking His performance is masterful, you know what

579
00:31:41,600 --> 00:31:43,600
Speaker 1: I mean. It's one of my favorite movies ever. Obviously

580
00:31:43,680 --> 00:31:45,800
Speaker 1: you can tell. But to have him on the show

581
00:31:46,080 --> 00:31:49,760
Speaker 1: and to have that performance and to know that, you know,

582
00:31:49,840 --> 00:31:53,680
Speaker 1: this could work, Uh, you could have a black action

583
00:31:53,760 --> 00:31:56,360
Speaker 1: hero somebody who does all of the things that the

584
00:31:56,360 --> 00:31:59,240
Speaker 1: white guy does, you know. To have that in the

585
00:31:59,080 --> 00:32:01,000
Speaker 1: in that movie and then to have him on the

586
00:32:01,000 --> 00:32:04,200
Speaker 1: show was just like beyond incredible. So my reaction, but

587
00:32:04,640 --> 00:32:08,800
Speaker 1: my reaction is sincere. That's not me acting. That's me

588
00:32:08,880 --> 00:32:12,719
Speaker 1: fucking for real, for real, screaming at the fact that

589
00:32:12,760 --> 00:32:16,560
Speaker 1: I'm in a scene with Billy D williams Akland. They

590
00:32:16,880 --> 00:32:18,600
Speaker 1: did they? If I was directing this episode, I would

591
00:32:18,600 --> 00:32:20,760
Speaker 1: have made sure to hide him from you. Did they hide?

592
00:32:20,840 --> 00:32:24,120
Speaker 1: No? No No? No, you see him? He was in our face.

593
00:32:24,240 --> 00:32:26,920
Speaker 1: He was in my face the whole time, you know

594
00:32:26,920 --> 00:32:31,440
Speaker 1: what I mean. I was just seeing that Quentin Tarantino hid.

595
00:32:31,680 --> 00:32:36,320
Speaker 1: Uh what's his name? That amazing German actor who played

596
00:32:36,360 --> 00:32:41,520
Speaker 1: the Nazi in Glorious Bass. Crap, this is annoying German?

597
00:32:41,640 --> 00:32:46,840
Speaker 1: Or look up Christophe Waltz. Yeah, Christoph Waltz. Yes, isn't

598
00:32:46,840 --> 00:32:51,200
Speaker 1: he German? Am I right? Yes? Anyway, he's an extraordinary actor.

599
00:32:51,200 --> 00:32:53,959
Speaker 1: And I was read on the interwebs recently that Tarantino

600
00:32:54,360 --> 00:32:57,480
Speaker 1: didn't include him in rehearsals because he didn't want anyone

601
00:32:57,520 --> 00:32:59,120
Speaker 1: getting to know him. He wanted him to come on

602
00:32:59,280 --> 00:33:03,040
Speaker 1: set in his fucking Nazi uniform and scare the shit

603
00:33:03,080 --> 00:33:05,480
Speaker 1: out of everybody. And I just thought that was really cool.

604
00:33:06,600 --> 00:33:11,800
Speaker 1: Austrian German. Yes, Billy D. So there he is. It's

605
00:33:11,840 --> 00:33:16,040
Speaker 1: a seminal moment for you. This I just wanted to

606
00:33:16,040 --> 00:33:19,680
Speaker 1: finish all your what you said by saying, what a

607
00:33:19,760 --> 00:33:24,200
Speaker 1: what a what a beautiful paragraph for the case for

608
00:33:24,360 --> 00:33:29,880
Speaker 1: inclusion of all different types of people in the superhero world,

609
00:33:30,560 --> 00:33:34,280
Speaker 1: because little boys like you grow up going I see myself.

610
00:33:34,320 --> 00:33:36,920
Speaker 1: I mean, it's the ultimate articulation of that. You seeing

611
00:33:37,520 --> 00:33:40,000
Speaker 1: Billy D in a movie and having it make you

612
00:33:40,040 --> 00:33:41,800
Speaker 1: want to become an actor and making you feel like

613
00:33:41,840 --> 00:33:45,920
Speaker 1: you could achieve your goals. That's really fucking awesome. Yeah.

614
00:33:46,280 --> 00:33:48,200
Speaker 1: The only thing that for a while I was pissed

615
00:33:48,200 --> 00:33:50,480
Speaker 1: off that he was a two bid hustler. But hey man,

616
00:33:50,600 --> 00:33:55,960
Speaker 1: that's cool. I remember being so mad. I remember being

617
00:33:56,040 --> 00:33:58,440
Speaker 1: so mad and so caught up in the fact that

618
00:33:58,720 --> 00:34:00,920
Speaker 1: he was a twopid hustler. But when you think about it,

619
00:34:01,000 --> 00:34:03,440
Speaker 1: so is Han Solo, you know what I mean. It's

620
00:34:03,480 --> 00:34:06,480
Speaker 1: like there was the same character, but because Billy D

621
00:34:07,320 --> 00:34:10,239
Speaker 1: was that, you know, it's it's the same story arc,

622
00:34:10,520 --> 00:34:13,000
Speaker 1: but Billy D even comes in, you know, Lando even

623
00:34:13,040 --> 00:34:16,200
Speaker 1: comes in as a noble man. You know, he's the

624
00:34:16,480 --> 00:34:20,400
Speaker 1: leader of this big ass city. You know, we're getting

625
00:34:20,440 --> 00:34:23,520
Speaker 1: so off topic, but I know I don't care what Listen,

626
00:34:23,520 --> 00:34:25,680
Speaker 1: that's our specialty. Listen, let's get back to it and

627
00:34:25,719 --> 00:34:28,760
Speaker 1: say Um, there's so much going on in this episode.

628
00:34:28,760 --> 00:34:31,280
Speaker 1: There's the sex Gong, I mean thinking things in this episode.

629
00:34:31,320 --> 00:34:34,160
Speaker 1: There's like there's like ten things that people love about

630
00:34:34,200 --> 00:34:38,840
Speaker 1: Scrubs that that we get referenced. There's including Lando and

631
00:34:39,200 --> 00:34:43,439
Speaker 1: the deck. There's the sex God. Yeah, buddy, and now

632
00:34:43,520 --> 00:34:48,640
Speaker 1: you have extraordinary hearing. So funny. Anyway, by way, this

633
00:34:48,719 --> 00:34:53,440
Speaker 1: was so funny when Mandy Moore, who's you know, up

634
00:34:53,440 --> 00:34:56,240
Speaker 1: to this point was known as sort of an UM

635
00:34:56,280 --> 00:35:00,600
Speaker 1: an innocent actress and an innocent singer. UM that we

636
00:35:00,680 --> 00:35:04,080
Speaker 1: had her banging on the fucking wall to fake like

637
00:35:04,160 --> 00:35:07,400
Speaker 1: she's having sex and she goes shot up and taking

638
00:35:07,480 --> 00:35:14,879
Speaker 1: you stupid bitch. That was hilarious. I remember even thinking

639
00:35:14,880 --> 00:35:17,720
Speaker 1: at the time as her boyfriend, I were thinking, like, yes, Mandy,

640
00:35:17,840 --> 00:35:22,320
Speaker 1: go for it. That was awesome. Um, that was hilarious.

641
00:35:22,320 --> 00:35:25,359
Speaker 1: And now you have incredible hearing. Yeah. Wait, don't get

642
00:35:25,360 --> 00:35:28,200
Speaker 1: to kay yet. You have incredible hearing. I ring the

643
00:35:28,200 --> 00:35:32,359
Speaker 1: sex gog and you go, yeah, and it's back at

644
00:35:32,360 --> 00:35:38,279
Speaker 1: our old apartment. He then so then Carla has the

645
00:35:38,360 --> 00:35:41,880
Speaker 1: voice over UM obviously as we said, and then she

646
00:35:42,040 --> 00:35:43,759
Speaker 1: disses you somehow, and I go, don't listen to her

647
00:35:43,760 --> 00:35:49,160
Speaker 1: brown bear. Your body's fierce like Tay Digs and that

648
00:35:49,320 --> 00:35:51,200
Speaker 1: that that became. I don't know if I improve that

649
00:35:51,320 --> 00:35:54,680
Speaker 1: or not, but that was totally improv d That became

650
00:35:54,680 --> 00:35:59,319
Speaker 1: a running thing of me to this day when you

651
00:35:59,320 --> 00:36:03,920
Speaker 1: look good, saying you look like I told tags about

652
00:36:03,920 --> 00:36:06,440
Speaker 1: this shit. He laughs about it. He thinks it's funny.

653
00:36:07,160 --> 00:36:09,399
Speaker 1: Of course, Why would Tay Diggs not love the fact

654
00:36:09,440 --> 00:36:11,919
Speaker 1: that we're using him as an icon of a handsome man.

655
00:36:12,880 --> 00:36:16,400
Speaker 1: He is handsome. Still, He's not Donald fas On, no

656
00:36:16,480 --> 00:36:21,400
Speaker 1: offense tag Joel, just Joel, just let out by Joel,

657
00:36:21,480 --> 00:36:23,600
Speaker 1: just let it up. Oh yes, I'm gonna keep it

658
00:36:23,640 --> 00:36:26,640
Speaker 1: one hundred. I'm gonna keeping one hundred. I think I'm

659
00:36:26,680 --> 00:36:28,560
Speaker 1: a handsome man. Like look, come on, I still got

660
00:36:28,600 --> 00:36:32,759
Speaker 1: a baby face right, yeah, but still beautiful. That is

661
00:36:32,760 --> 00:36:37,880
Speaker 1: one handsome dude him Yeah, Idriss Albam, them too is handsome.

662
00:36:38,040 --> 00:36:40,840
Speaker 1: That's like handsome handsome. Yes, but it's all if you.

663
00:36:40,960 --> 00:36:43,960
Speaker 1: That's if you like really hot man. I like them.

664
00:36:44,440 --> 00:36:49,600
Speaker 1: I like I like my men A strong with the

665
00:36:49,719 --> 00:36:55,239
Speaker 1: dad bought you baby, thank you. I love you so much. Man.

666
00:36:55,840 --> 00:36:57,880
Speaker 1: I don't want to address Elba. I don't want to

667
00:36:57,960 --> 00:37:00,440
Speaker 1: ride indres el butt and y illegal, I want to you.

668
00:37:06,080 --> 00:37:11,759
Speaker 1: Oh oh, you're making me blush, although if Indusable was like,

669
00:37:11,800 --> 00:37:16,759
Speaker 1: get on, you're riding me just once real, just once

670
00:37:16,800 --> 00:37:24,560
Speaker 1: real quick? Um all right, so uh okay, so then

671
00:37:24,640 --> 00:37:27,399
Speaker 1: ta Diggs Okay. Now I apparently was jad was called

672
00:37:27,480 --> 00:37:32,160
Speaker 1: Joanna until he was three. Yes, learn yes, um. And

673
00:37:32,280 --> 00:37:36,000
Speaker 1: we also learned that Jordan says something very outrageous that

674
00:37:36,360 --> 00:37:40,240
Speaker 1: they're at the bar, and she says one of those

675
00:37:40,280 --> 00:37:42,920
Speaker 1: boys could be the baby I gave up in high school,

676
00:37:47,160 --> 00:37:49,440
Speaker 1: which is one of those scrubs one liners that might

677
00:37:49,480 --> 00:37:51,560
Speaker 1: just zip by you and you don't really do the

678
00:37:51,640 --> 00:37:54,880
Speaker 1: math and figure it out. But she's saying that she

679
00:37:55,000 --> 00:37:57,040
Speaker 1: can't flirt with one of those boys because there's a

680
00:37:57,160 --> 00:38:00,640
Speaker 1: chance one of them that it's the sl She doesn't

681
00:38:00,640 --> 00:38:03,480
Speaker 1: go there's a certain age that she doesn't go below

682
00:38:04,200 --> 00:38:07,359
Speaker 1: because because she doesn't know whatever whatever happened to that

683
00:38:07,480 --> 00:38:09,319
Speaker 1: child that she gave up in high school, and she

684
00:38:09,360 --> 00:38:13,200
Speaker 1: doesn't want to ask. That is so dark, but the

685
00:38:13,200 --> 00:38:16,680
Speaker 1: hardest I laughed the whole fucking episode when Sarah I

686
00:38:17,239 --> 00:38:20,200
Speaker 1: somehow reveals yeah, but she reveals that she's she's a

687
00:38:20,200 --> 00:38:26,839
Speaker 1: little bit by jazz drunk, gets drunk where she gets

688
00:38:26,920 --> 00:38:31,680
Speaker 1: drunk to lesbian. Oh my god, dear listener, if you

689
00:38:31,719 --> 00:38:33,640
Speaker 1: want to know what makes me laugh, go watch this

690
00:38:33,680 --> 00:38:37,799
Speaker 1: episode and watch Sarah drunk in the bar, leaning on

691
00:38:37,840 --> 00:38:43,480
Speaker 1: the bar, going so, Carol, do you like jazz? Yeah?

692
00:38:43,520 --> 00:38:49,600
Speaker 1: I do? Really? How much do you like? Jess? I

693
00:38:49,800 --> 00:38:52,759
Speaker 1: videotaped that ship. I video taped it off my laptop

694
00:38:52,840 --> 00:38:55,080
Speaker 1: and sent it to Bill and was like, he goes,

695
00:38:55,120 --> 00:38:57,800
Speaker 1: why are you setting this? I go, because how fucking

696
00:38:57,840 --> 00:39:01,440
Speaker 1: funny is it? Sarah playing someone who gets by when

697
00:39:01,480 --> 00:39:04,400
Speaker 1: they're drunk, hitting on a woman named Carl, asking her

698
00:39:04,440 --> 00:39:08,080
Speaker 1: if she likes jazz, and Sarah's face She's like, so,

699
00:39:08,640 --> 00:39:13,320
Speaker 1: Carol do you like jazz? And then the woman nods

700
00:39:13,320 --> 00:39:25,319
Speaker 1: and she goes, you do much? How much? For some

701
00:39:25,360 --> 00:39:32,720
Speaker 1: reason in the whole episode that was crying. I literally

702
00:39:32,719 --> 00:39:36,520
Speaker 1: went back and videotaped it on the screen to show Bill. Um,

703
00:39:37,480 --> 00:39:41,840
Speaker 1: so uh okay, so we have before we get to

704
00:39:41,840 --> 00:39:45,479
Speaker 1: an intervention, we gotta get to this meme. I've seen

705
00:39:45,760 --> 00:39:49,000
Speaker 1: or I've seen the scene either on YouTube, but somehow

706
00:39:49,000 --> 00:39:52,319
Speaker 1: it popped up on The Hangovers. Hangovers I think of

707
00:39:52,320 --> 00:39:54,560
Speaker 1: it all the time made me laugh very that still

708
00:39:54,560 --> 00:39:58,160
Speaker 1: makes it laugh so hard, Like it's the perfect articulation

709
00:39:58,400 --> 00:40:00,680
Speaker 1: of and if you're twenty five, I was listening to this.

710
00:40:00,800 --> 00:40:04,840
Speaker 1: You think we're joking, but that that display of going

711
00:40:04,840 --> 00:40:07,799
Speaker 1: around a table showing people at four different ages, and

712
00:40:07,840 --> 00:40:10,600
Speaker 1: how I hangover hurts the next day, Like Mandy's the

713
00:40:10,600 --> 00:40:14,640
Speaker 1: young one, and she's like, hi, morning, and then Sarah's yeah,

714
00:40:14,680 --> 00:40:17,600
Speaker 1: Sarah's next, Sarah's next, and she's like, please, Sarah's hurts

715
00:40:17,600 --> 00:40:20,600
Speaker 1: a little bit, please stop talking. And then Jude's and

716
00:40:20,640 --> 00:40:24,319
Speaker 1: then barely able to keep it together. Yeah, and then

717
00:40:24,640 --> 00:40:28,560
Speaker 1: and then Jordan's like asleep with glasses. Yeah, she's not

718
00:40:28,640 --> 00:40:32,239
Speaker 1: even like she's just she's like comatose with glasses on

719
00:40:32,560 --> 00:40:37,000
Speaker 1: and shakes her Jordan Rooney, Jordan delicious. A hangover is

720
00:40:37,080 --> 00:40:40,279
Speaker 1: no joke anymore. Donald, we're in our forties. It's like, uh,

721
00:40:40,440 --> 00:40:42,520
Speaker 1: it's it's like a two day It's like a two

722
00:40:42,600 --> 00:40:44,920
Speaker 1: day experience. If you go big. I get nervous when

723
00:40:44,920 --> 00:40:48,400
Speaker 1: I don't get a hangover. Now, how about that? What

724
00:40:48,440 --> 00:40:50,279
Speaker 1: do you mean? Like if I drink and I don't

725
00:40:50,320 --> 00:40:52,960
Speaker 1: get a hangover, I'm like, did I drink last night?

726
00:40:53,080 --> 00:40:57,359
Speaker 1: You know what I mean? You can't remember no, like

727
00:40:57,520 --> 00:40:59,920
Speaker 1: if I don't get a like sometimes you sometimes I

728
00:41:00,080 --> 00:41:02,960
Speaker 1: drink and I drink water. You know, also when I

729
00:41:03,040 --> 00:41:05,600
Speaker 1: drink and so I won't have a hangover the next day. Now,

730
00:41:05,640 --> 00:41:08,360
Speaker 1: it's always a refreshing thing, but I'm always worried, like,

731
00:41:08,440 --> 00:41:10,920
Speaker 1: wait a second, but did I drink last night? Because

732
00:41:11,080 --> 00:41:13,040
Speaker 1: also remember Casey wants to give us these like it

733
00:41:13,080 --> 00:41:16,360
Speaker 1: was such an old person thing. Casey's like, here, y'all

734
00:41:16,760 --> 00:41:20,680
Speaker 1: put this patch on and the patch was like vitamins

735
00:41:20,680 --> 00:41:23,319
Speaker 1: and stuff like that. The pat I mean, I'm sure

736
00:41:23,520 --> 00:41:25,360
Speaker 1: some of you listening I've seen this before. But it's like,

737
00:41:25,360 --> 00:41:27,279
Speaker 1: if you know you're gonna go have a big party night,

738
00:41:27,320 --> 00:41:29,480
Speaker 1: you put this patch on your skin, and it's like

739
00:41:29,600 --> 00:41:33,759
Speaker 1: giving you whatever nutrients so you don't get hung over.

740
00:41:33,920 --> 00:41:35,920
Speaker 1: I don't even know if it's psychosomatic or it really works,

741
00:41:35,920 --> 00:41:37,400
Speaker 1: but I remember we all it was like such an

742
00:41:37,400 --> 00:41:40,239
Speaker 1: old moment. We're all going out one night, like like

743
00:41:41,200 --> 00:41:45,239
Speaker 1: you know something maybe before the pandemic, and Casey's like,

744
00:41:45,280 --> 00:41:46,840
Speaker 1: all right, we know we're gonna have a big, big

745
00:41:46,960 --> 00:41:49,120
Speaker 1: night and she's passing out patches for us to put

746
00:41:49,200 --> 00:41:51,600
Speaker 1: on our skin. That should work, though, man, I just

747
00:41:51,640 --> 00:41:54,840
Speaker 1: had to taste in my mouth though. That was the

748
00:41:54,880 --> 00:41:56,880
Speaker 1: only thing like it. I had, like a vitamin taste

749
00:41:56,880 --> 00:41:59,040
Speaker 1: in my mouth after like the next day. I don't

750
00:41:59,040 --> 00:42:01,640
Speaker 1: think that does anything. I guess I don't know. I mean,

751
00:42:01,680 --> 00:42:04,920
Speaker 1: if I V does, why can't this Because IVY is

752
00:42:05,160 --> 00:42:07,319
Speaker 1: what you need, which is hydration. I don't know if

753
00:42:07,320 --> 00:42:09,239
Speaker 1: the patches of creation, I mean they've got all of

754
00:42:09,239 --> 00:42:11,320
Speaker 1: these powders now that are out that you can hydrate

755
00:42:11,400 --> 00:42:13,239
Speaker 1: yourself with. I don't know that this thing in La.

756
00:42:13,280 --> 00:42:14,640
Speaker 1: You know, you can come and have a hire a

757
00:42:14,680 --> 00:42:18,080
Speaker 1: guy in New York too. I'm sure it's to come

758
00:42:18,160 --> 00:42:20,759
Speaker 1: give you an IV. Thinking about doing that because there's

759
00:42:20,760 --> 00:42:26,600
Speaker 1: no but listen, here's the here's the thing though you

760
00:42:26,719 --> 00:42:28,960
Speaker 1: call the IVY guy. Yeah, but that's from drinking. That's

761
00:42:28,960 --> 00:42:31,759
Speaker 1: from drinking. I'm talking about Like, look, dude, you can

762
00:42:31,880 --> 00:42:34,920
Speaker 1: drink a lot of water and still be dehydrated. You

763
00:42:34,960 --> 00:42:37,440
Speaker 1: know what I mean. There's it's there's more to it,

764
00:42:37,760 --> 00:42:43,520
Speaker 1: and so an IV is actually hydrating your system completely,

765
00:42:43,600 --> 00:42:46,040
Speaker 1: like to the utmost where you can't, like you, there

766
00:42:46,040 --> 00:42:48,359
Speaker 1: are people that drink gallons and gallons and gallons of

767
00:42:48,400 --> 00:42:51,080
Speaker 1: water right and piss it all out, and so you

768
00:42:51,120 --> 00:42:52,759
Speaker 1: know what I mean, right, this is right into your

769
00:42:52,760 --> 00:42:59,040
Speaker 1: bloodstream water. I've never done that, by the way, I

770
00:42:59,120 --> 00:43:02,440
Speaker 1: want to think also, no, you've done that hungover and

771
00:43:02,440 --> 00:43:13,600
Speaker 1: got an IV got an ivy after working out? You

772
00:43:13,640 --> 00:43:17,200
Speaker 1: know that. Um. I think we've mentioned this on the show,

773
00:43:17,239 --> 00:43:20,560
Speaker 1: but there was an old wives tale that doctors listening

774
00:43:20,680 --> 00:43:22,960
Speaker 1: or nurses listening. You might know if it's true or not,

775
00:43:23,000 --> 00:43:26,759
Speaker 1: but that when doctors were so hungover that they would

776
00:43:26,760 --> 00:43:30,839
Speaker 1: start an IV line on themselves, put the baggy under

777
00:43:30,840 --> 00:43:33,960
Speaker 1: their armpit, right, and then put the jacket on and

778
00:43:34,000 --> 00:43:36,200
Speaker 1: walk around and be just slowly squeezing it as they

779
00:43:36,239 --> 00:43:38,400
Speaker 1: walked around. The story is true because I told a

780
00:43:38,400 --> 00:43:41,279
Speaker 1: lot of people it was. We've heard that, we heard that,

781
00:43:41,400 --> 00:43:43,160
Speaker 1: We did hear that. I think JD said that was

782
00:43:43,160 --> 00:43:45,520
Speaker 1: a real thing, the real JD. But um, I don't know.

783
00:43:45,560 --> 00:43:49,680
Speaker 1: Maybe maybe in two thousand and twenty one that's frowned

784
00:43:49,760 --> 00:43:52,600
Speaker 1: upon more than back in the day. But no, man,

785
00:43:53,520 --> 00:43:57,279
Speaker 1: there you can they they labeled the thing as for

786
00:43:57,360 --> 00:44:00,640
Speaker 1: the perfect hangover, like nobody's going out now, But I

787
00:44:00,640 --> 00:44:03,279
Speaker 1: guess people are drinking, and if you want to, I

788
00:44:03,320 --> 00:44:05,280
Speaker 1: guess people are going out. Did you see that freaking

789
00:44:05,320 --> 00:44:09,239
Speaker 1: concert and where was that? People around? People around? Did

790
00:44:09,280 --> 00:44:20,200
Speaker 1: you see that? Shit? I ain't trying to yo. People

791
00:44:20,239 --> 00:44:23,200
Speaker 1: are out in New York, but um, it's all in

792
00:44:23,200 --> 00:44:26,600
Speaker 1: the streets. Every every restaurant has a little hut built

793
00:44:26,600 --> 00:44:30,200
Speaker 1: in front of it where you can go, uh, you know,

794
00:44:30,520 --> 00:44:32,560
Speaker 1: drink and eat and so it's outside. I mean some

795
00:44:32,600 --> 00:44:34,360
Speaker 1: people you can choose to eat inside, but I'm not

796
00:44:34,360 --> 00:44:36,840
Speaker 1: doing I'm not eating inside. It's I imagine it's a

797
00:44:36,840 --> 00:44:39,400
Speaker 1: lot tougher in New York too, because that is a

798
00:44:39,440 --> 00:44:43,640
Speaker 1: city where you eat out pretty much every night, right,

799
00:44:43,680 --> 00:44:46,879
Speaker 1: But I'm saying you're not inside like you can you

800
00:44:46,920 --> 00:44:51,480
Speaker 1: can have your meal, you know. Now every single restaurant

801
00:44:51,520 --> 00:44:54,000
Speaker 1: has outdoor seating because they've been able. They're allowed to

802
00:44:54,000 --> 00:44:56,120
Speaker 1: take over parking spots in front of the restaurant, so

803
00:44:56,160 --> 00:45:01,520
Speaker 1: they've built a deck, you know, with walls, so everybody's

804
00:45:01,520 --> 00:45:04,799
Speaker 1: got outdoor seating. Now, can I just say, okay, let's

805
00:45:04,800 --> 00:45:06,440
Speaker 1: get back to the show. Can I just say one thing?

806
00:45:06,480 --> 00:45:08,759
Speaker 1: And I know it's cutting to the end, but the

807
00:45:08,920 --> 00:45:14,560
Speaker 1: Doctor Dad plot thickens. Did you catch this? The Doctor

808
00:45:14,680 --> 00:45:17,360
Speaker 1: Dad musical is hilarious. Did you catch the how the

809
00:45:17,400 --> 00:45:23,120
Speaker 1: plot thickens? Though? Yeah? Because Kelso's son, yes, is has

810
00:45:23,120 --> 00:45:27,200
Speaker 1: written a musical about about his father called Doctor Deaths

811
00:45:27,280 --> 00:45:31,839
Speaker 1: Very that's that's successful. It's it's clear now that is successful.

812
00:45:32,640 --> 00:45:34,920
Speaker 1: It's really doing well where it is. It's like in

813
00:45:35,000 --> 00:45:40,200
Speaker 1: province doing it's doing very, very well. But and yes,

814
00:45:40,360 --> 00:45:44,000
Speaker 1: go ahead, you can reveal Kelso's son is now dating

815
00:45:46,239 --> 00:45:52,880
Speaker 1: the man the gentleman playing dead doctor Dad. Y lines

816
00:45:52,920 --> 00:45:57,080
Speaker 1: have been blurred. The lines have been blurred. No, no,

817
00:45:57,840 --> 00:46:01,480
Speaker 1: we need someone to one day, right like write an

818
00:46:01,600 --> 00:46:05,160
Speaker 1: essay that tracks every single thing that's happened to Kelso's son,

819
00:46:05,719 --> 00:46:07,919
Speaker 1: because it just gets more and more crazy. But yes,

820
00:46:08,160 --> 00:46:13,120
Speaker 1: Kelso's son is sleeping with the star of his musical,

821
00:46:13,239 --> 00:46:26,040
Speaker 1: Doctor Dad, the man playing Doctor Dad. Okay, um, right

822
00:46:26,120 --> 00:46:29,680
Speaker 1: now we reveal so there's we have an intervention, right

823
00:46:30,920 --> 00:46:33,960
Speaker 1: because I'm a committophobe. First of all, it's such bullshit

824
00:46:34,080 --> 00:46:37,680
Speaker 1: that JD would not want to commit to Julie. She's amazing,

825
00:46:37,840 --> 00:46:40,160
Speaker 1: she's perfect for him. I had a lot of trouble

826
00:46:40,160 --> 00:46:42,680
Speaker 1: with this plot point, just because she says that's so funny.

827
00:46:42,920 --> 00:46:45,080
Speaker 1: I know that. Then there's an intervention and his friends

828
00:46:45,080 --> 00:46:46,879
Speaker 1: are like, you're just making up a bullshit reason because

829
00:46:46,880 --> 00:46:51,600
Speaker 1: you're a committophobe. And then he finally says it, says

830
00:46:51,640 --> 00:46:53,840
Speaker 1: all the right things, says, no, you are awesome and

831
00:46:53,840 --> 00:46:55,919
Speaker 1: you're amazing, and you're beautiful and you're funny and you're

832
00:46:56,239 --> 00:46:58,799
Speaker 1: you're a dream girl. And she's like, whoaa, calm down,

833
00:46:58,880 --> 00:47:01,040
Speaker 1: I don't even know if I want commitment and babies

834
00:47:01,040 --> 00:47:05,200
Speaker 1: in marriage right, And he's like, what now? What now? Yeah,

835
00:47:05,239 --> 00:47:08,319
Speaker 1: I think Uncle Buck was a great choice to try

836
00:47:08,320 --> 00:47:10,280
Speaker 1: and get that so funny. That's one of the funniest

837
00:47:10,280 --> 00:47:12,799
Speaker 1: movies in my lifetime. I've never seen. I've never seen

838
00:47:12,920 --> 00:47:14,600
Speaker 1: Uncle Buck. I'm sorry it might be dated now, but

839
00:47:14,640 --> 00:47:17,080
Speaker 1: that's one of the you never see you should have seen, Joel.

840
00:47:17,200 --> 00:47:20,919
Speaker 1: Joel looked at me as though, I said, I'm hurt, hurt,

841
00:47:22,360 --> 00:47:24,040
Speaker 1: I've never seen Uncle Buck. Do I need to watch it?

842
00:47:24,040 --> 00:47:25,719
Speaker 1: It'll hold up. I don't know if it holds up.

843
00:47:25,760 --> 00:47:27,360
Speaker 1: I haven't seen it, and I haven't seen it in

844
00:47:27,360 --> 00:47:31,360
Speaker 1: a couple of years. But that is whoa. It's Macaulay

845
00:47:31,400 --> 00:47:34,880
Speaker 1: Halkins and what we choose, that's what John Candy is

846
00:47:35,400 --> 00:47:40,040
Speaker 1: is plays Uncle Buck like it's it's a the John

847
00:47:40,160 --> 00:47:43,879
Speaker 1: Hughes movie, Like, what the fuck, dude, you've never seen

848
00:47:43,960 --> 00:47:48,680
Speaker 1: Uncle Buck, I've never seen it. I think it holds up.

849
00:47:48,800 --> 00:47:51,280
Speaker 1: It has been a minute. It's like I can't understand, guarantee.

850
00:47:51,360 --> 00:47:53,319
Speaker 1: But the kid, I'm the dude who played the Boy

851
00:47:53,360 --> 00:47:55,440
Speaker 1: who Could Fly is the bad guy in it. You

852
00:47:55,440 --> 00:47:58,640
Speaker 1: ever seen the Boy who Could Fly? Zach never saw

853
00:47:58,680 --> 00:48:00,719
Speaker 1: the boy? You guys never seen a boy who could fly?

854
00:48:01,920 --> 00:48:05,600
Speaker 1: Oh my goodness, we don't have down here on your mic. Sorry,

855
00:48:05,640 --> 00:48:13,200
Speaker 1: but if you're Donald Donald, I have to get the

856
00:48:13,280 --> 00:48:16,719
Speaker 1: babies back on their store. You got this. You know

857
00:48:16,719 --> 00:48:18,879
Speaker 1: who the star the Boy who Could Fly is? Yo,

858
00:48:18,960 --> 00:48:24,000
Speaker 1: it's freaking up. Oh my gosh. Uh. It's the dude

859
00:48:24,040 --> 00:48:26,800
Speaker 1: from The Boy who Could Fly and from the Facts

860
00:48:26,800 --> 00:48:29,960
Speaker 1: of Life, the one who played Natalie. She's one of

861
00:48:29,960 --> 00:48:34,000
Speaker 1: the stars of this movie. You never really you've never seen. Wait,

862
00:48:34,200 --> 00:48:35,680
Speaker 1: her name is on the tip of my tongue. What

863
00:48:35,800 --> 00:48:41,359
Speaker 1: is it? Mandy Cone is also one of the star

864
00:48:41,560 --> 00:48:43,560
Speaker 1: You've never seen The Boy who Could Fly? Calm down,

865
00:48:43,600 --> 00:48:49,520
Speaker 1: I'm gonna write it down. Whoa, whoa, whoa, Okay, I'm in.

866
00:48:51,680 --> 00:48:54,320
Speaker 1: How about the flashback to your girlfriend Whitney the Snapper

867
00:48:54,360 --> 00:48:59,360
Speaker 1: and she's like, ah lah leave now. Yeah, but you

868
00:48:59,480 --> 00:49:02,600
Speaker 1: but that's a she was a beautiful young woman. Anybody

869
00:49:02,680 --> 00:49:04,800
Speaker 1: was kicking her out because she was a snapper. Snap.

870
00:49:05,200 --> 00:49:09,359
Speaker 1: We can still do it only in a TV show.

871
00:49:09,719 --> 00:49:13,359
Speaker 1: Jad breaking up with with Mandy Moore because she says,

872
00:49:13,440 --> 00:49:18,000
Speaker 1: that's so funny. But actually the real reason at the

873
00:49:18,120 --> 00:49:20,960
Speaker 1: end is more believable that she'd be like, Oh, I

874
00:49:21,000 --> 00:49:23,719
Speaker 1: don't want anything you're talking about. Yeah, I'm glad you

875
00:49:23,719 --> 00:49:26,080
Speaker 1: brought it up. I don't know that I want marriage,

876
00:49:25,360 --> 00:49:29,680
Speaker 1: and Jad's already thinking about it and she's not at

877
00:49:29,719 --> 00:49:32,839
Speaker 1: all I know. But again it was a little like, so, dude,

878
00:49:32,840 --> 00:49:35,680
Speaker 1: it's so early, you bought a deck together, Like, calm

879
00:49:35,719 --> 00:49:38,799
Speaker 1: down at all. But this is when my producer head goes, oh,

880
00:49:38,880 --> 00:49:42,480
Speaker 1: clearly Mandy could only do two episodes. It goes back

881
00:49:42,520 --> 00:49:44,480
Speaker 1: to the first It goes back to the first one.

882
00:49:44,480 --> 00:49:47,040
Speaker 1: It's a two parter. Elliott warned you that this is

883
00:49:47,040 --> 00:49:50,000
Speaker 1: going to happen. You get you're a committable, you go

884
00:49:50,040 --> 00:49:52,279
Speaker 1: in too deep too, I know, but I tried, bro,

885
00:49:52,440 --> 00:49:54,759
Speaker 1: I tried to commit it to this one. Yeah, and

886
00:49:54,800 --> 00:49:57,399
Speaker 1: she said, she said, you went too fast. You did

887
00:49:57,480 --> 00:49:59,600
Speaker 1: go too fast at the end. Ultimately, at the end,

888
00:50:00,000 --> 00:50:03,600
Speaker 1: you've gone to Yeah, he's sort of a dick to

889
00:50:03,640 --> 00:50:07,520
Speaker 1: her at the end. I mean, he says that joke.

890
00:50:07,600 --> 00:50:10,439
Speaker 1: That's so mean. He's a dick to her the whole time.

891
00:50:12,360 --> 00:50:13,880
Speaker 1: What does he say? She fell off the deck and

892
00:50:13,920 --> 00:50:15,400
Speaker 1: he doesn't even go to help her. He was a

893
00:50:15,480 --> 00:50:21,000
Speaker 1: dick the whole time. No, there's like a um, there's

894
00:50:21,080 --> 00:50:24,200
Speaker 1: something like I go, I go, But she's not saying

895
00:50:24,239 --> 00:50:27,839
Speaker 1: that's so funny now or something like that. By the way,

896
00:50:27,880 --> 00:50:30,000
Speaker 1: who says this, Ask him if he remembers me from

897
00:50:30,000 --> 00:50:33,120
Speaker 1: my pelvic exam about the hot kind of cultures? That

898
00:50:33,200 --> 00:50:36,480
Speaker 1: shit that Sarah says, that shit. She goes, tell tell

899
00:50:36,560 --> 00:50:38,719
Speaker 1: him if he remembers me from my pelvic exam. As

900
00:50:38,760 --> 00:50:44,359
Speaker 1: Judy's walking in, and she yells it again. Yeah. And

901
00:50:44,400 --> 00:50:47,920
Speaker 1: then and then when when in the context when she says,

902
00:50:48,480 --> 00:50:51,480
Speaker 1: I like to keep a clean shot, right, that's right.

903
00:50:51,640 --> 00:50:55,480
Speaker 1: So she's so, she's they're having a conversation about about

904
00:50:55,520 --> 00:50:58,360
Speaker 1: She goes, so, let me tell you about my first exam.

905
00:50:58,560 --> 00:51:02,120
Speaker 1: He's down there, and I'm like and and he says this,

906
00:51:02,400 --> 00:51:04,279
Speaker 1: And then I look at him and I say, well,

907
00:51:04,320 --> 00:51:07,080
Speaker 1: I like to clean keep a clean shop. And then

908
00:51:07,200 --> 00:51:09,879
Speaker 1: he looks at me and says but it was her

909
00:51:10,000 --> 00:51:14,279
Speaker 1: describing that shit was so funny, Sarah. There's something about

910
00:51:14,360 --> 00:51:17,640
Speaker 1: the way Sarah's vocal and intonation is in this episode

911
00:51:17,640 --> 00:51:20,239
Speaker 1: that's just being extra funny. I can't do it. But

912
00:51:20,280 --> 00:51:23,799
Speaker 1: she's like, well, I do like to keep a clean shot, right,

913
00:51:24,200 --> 00:51:29,560
Speaker 1: She's she's she's amazing. She's so funny. Chris, what about

914
00:51:29,600 --> 00:51:32,879
Speaker 1: Christa's showing up in in the school girl outfit? Yeah,

915
00:51:32,920 --> 00:51:40,000
Speaker 1: with pigtails? Call me j J. I really got to

916
00:51:40,040 --> 00:51:42,840
Speaker 1: tell you, man, I feel like Judy did an excellent

917
00:51:42,960 --> 00:51:48,560
Speaker 1: job as the shed the storyteller this episode. You know, um,

918
00:51:50,239 --> 00:51:56,160
Speaker 1: and I think I think, I think Bill thought this

919
00:51:56,239 --> 00:51:59,680
Speaker 1: could work and it and it didn't. But because it

920
00:51:59,719 --> 00:52:05,520
Speaker 1: was it's once it's taken out of the main characters,

921
00:52:05,640 --> 00:52:10,200
Speaker 1: maybe the audience didn't buy it. But it seems like

922
00:52:10,600 --> 00:52:13,759
Speaker 1: when watching the show, if you're a part of this

923
00:52:13,840 --> 00:52:17,120
Speaker 1: group and you do the voiceover, it works, you know

924
00:52:17,120 --> 00:52:19,040
Speaker 1: what I mean, all of us it worked, you know

925
00:52:19,040 --> 00:52:22,920
Speaker 1: what I mean? It really did. It's a great conceit. Yeah. Um,

926
00:52:23,600 --> 00:52:26,560
Speaker 1: But when we went into season nine, for some reason,

927
00:52:27,000 --> 00:52:30,120
Speaker 1: people had a hard time. Well it's a big ass.

928
00:52:30,360 --> 00:52:33,640
Speaker 1: I mean, I think if you designed season nine again,

929
00:52:33,840 --> 00:52:37,719
Speaker 1: you might give it. I understand the reasoning. It's the

930
00:52:37,719 --> 00:52:39,719
Speaker 1: story of a young kid coming into the world. That's

931
00:52:39,719 --> 00:52:41,839
Speaker 1: so people responded to him. But I think, you know,

932
00:52:41,920 --> 00:52:44,360
Speaker 1: there might be some thought to like having it be

933
00:52:44,440 --> 00:52:50,239
Speaker 1: you right, yeah, why why? Um n y, you know,

934
00:52:50,400 --> 00:52:51,640
Speaker 1: like you know what I mean. Oh yeah, of course

935
00:52:51,680 --> 00:52:54,440
Speaker 1: anybody or Neil. Neil was gone. But you know what

936
00:52:54,400 --> 00:52:56,960
Speaker 1: I'm you know what I mean, Like it's like, it's like,

937
00:52:57,239 --> 00:53:01,800
Speaker 1: I think that's where it put too much on Carrie

938
00:53:01,800 --> 00:53:07,440
Speaker 1: Biche sure shoulders. She's a wonderful actress and very, very talented,

939
00:53:07,560 --> 00:53:10,600
Speaker 1: but there was just so much history with all of us, right,

940
00:53:10,760 --> 00:53:14,440
Speaker 1: and you're asking the audience to embrace a new character

941
00:53:15,160 --> 00:53:18,000
Speaker 1: that they didn't just spend eight years with and they're like, no,

942
00:53:18,239 --> 00:53:24,160
Speaker 1: fuck this, which I understand with this much hindsight. The

943
00:53:24,160 --> 00:53:27,479
Speaker 1: show ends with the legendary Carrie Brothers song Ride, which

944
00:53:27,520 --> 00:53:30,600
Speaker 1: is a really, really good song, which will end the

945
00:53:30,600 --> 00:53:32,960
Speaker 1: show with today. I also want to say that the

946
00:53:33,000 --> 00:53:37,799
Speaker 1: way the show also ends is metaphorically is great too.

947
00:53:38,320 --> 00:53:41,280
Speaker 1: JD is having this dilemma and all of these people

948
00:53:42,360 --> 00:53:45,760
Speaker 1: rushed to his aid to help him with this girl.

949
00:53:49,120 --> 00:53:52,120
Speaker 1: Carla really has the big dilemma, you know, what I mean,

950
00:53:52,280 --> 00:53:54,560
Speaker 1: She's the one that's really going through it. JD is

951
00:53:54,600 --> 00:53:56,520
Speaker 1: going through something that he didn't want to be with

952
00:53:56,560 --> 00:53:59,279
Speaker 1: the girl anyway, and they wound up breaking up. You

953
00:53:59,320 --> 00:54:02,120
Speaker 1: know what I mean. Carl is really going through it.

954
00:54:02,480 --> 00:54:06,359
Speaker 1: There's a possibility that because of her age, she might

955
00:54:06,400 --> 00:54:11,760
Speaker 1: not be able to have kids. And when Jad's talking

956
00:54:11,800 --> 00:54:15,040
Speaker 1: and he's telling everybody about what happened with Julie and

957
00:54:15,960 --> 00:54:18,040
Speaker 1: Carla is not paying attention, and she goes up to

958
00:54:18,120 --> 00:54:23,080
Speaker 1: him and goes, you're doing don't let this one get

959
00:54:23,120 --> 00:54:26,279
Speaker 1: away whatever. She says, this one's a keeper and runs off.

960
00:54:26,560 --> 00:54:31,000
Speaker 1: It really does put in perspective. You know, this dude's

961
00:54:31,040 --> 00:54:34,160
Speaker 1: going through so much, but it's really trivial compared to

962
00:54:34,160 --> 00:54:36,839
Speaker 1: what she's going through in a lot of ways. You know. Yeah,

963
00:54:36,920 --> 00:54:38,960
Speaker 1: but it's all relative. I mean, you really can't compare

964
00:54:39,440 --> 00:54:42,000
Speaker 1: as apples to Orange is no doubt, but no, but

965
00:54:42,040 --> 00:54:46,120
Speaker 1: I'm saying, like, I hear what you're saying, but it's

966
00:54:46,280 --> 00:54:51,399
Speaker 1: unfair to compare anyone's whatever the tragedy in someone's life

967
00:54:51,480 --> 00:54:53,560
Speaker 1: is to somebody else's, you know, it's all I have

968
00:54:53,640 --> 00:54:56,319
Speaker 1: these moments where I'm you know, whining to a man

969
00:54:56,360 --> 00:54:58,480
Speaker 1: decludes about something and I catch myself and I go,

970
00:54:58,520 --> 00:55:00,680
Speaker 1: oh my god, I feel so stupid. I'm complaining about

971
00:55:00,680 --> 00:55:02,279
Speaker 1: this to you. Look at what you've gone through. And

972
00:55:02,360 --> 00:55:04,480
Speaker 1: she's like, no, that's you. Can't think of it like that.

973
00:55:04,480 --> 00:55:07,880
Speaker 1: Everyone's life is, everyone's problems are relative. And I'm sitting

974
00:55:07,920 --> 00:55:09,400
Speaker 1: here and I'm and I want to help you, and

975
00:55:09,400 --> 00:55:11,600
Speaker 1: I want to advise you with whatever's going on with

976
00:55:11,640 --> 00:55:14,160
Speaker 1: your life, and just like you advise me. And so

977
00:55:14,360 --> 00:55:15,800
Speaker 1: you know, it's all we all, we all have to

978
00:55:15,840 --> 00:55:18,600
Speaker 1: be there for each other. Some people's problems in the

979
00:55:18,640 --> 00:55:21,400
Speaker 1: macro will, of course be way greater than others. But

980
00:55:21,480 --> 00:55:22,839
Speaker 1: it's a good thing to remember. It's a good thing

981
00:55:22,840 --> 00:55:24,719
Speaker 1: to remember when you're complaining about some bullshit like an

982
00:55:24,719 --> 00:55:27,040
Speaker 1: ice cream truck and then there's people sleeping on the street.

983
00:55:27,520 --> 00:55:30,520
Speaker 1: I heard that. That's real talk. But I'm still gonna

984
00:55:30,520 --> 00:55:34,279
Speaker 1: snip that fucking w I'm gonna leave. I'm gonna leave

985
00:55:34,320 --> 00:55:36,200
Speaker 1: him with chrisp Pondy and be like, sorry, this is

986
00:55:36,239 --> 00:55:40,360
Speaker 1: for repairs next week. Next week, all right, let's go

987
00:55:40,400 --> 00:55:42,319
Speaker 1: to break. We're gonna go to break, and we'll be

988
00:55:42,440 --> 00:55:54,320
Speaker 1: right back with Donald phase on. Hey, and we're bad

989
00:55:55,320 --> 00:56:02,160
Speaker 1: and We're bad, and nobody Little Oh the Mom and

990
00:56:02,239 --> 00:56:09,239
Speaker 1: no Little Oh the Mom and Lambda Lambda lamb oh,

991
00:56:09,520 --> 00:56:16,120
Speaker 1: maga move Hey guys, Dan and Daniel fucked up. Yeah,

992
00:56:16,239 --> 00:56:19,439
Speaker 1: it's just that simple. What really happened was that our

993
00:56:19,520 --> 00:56:23,239
Speaker 1: collective team that never fucks up finally decided to fuck up.

994
00:56:23,520 --> 00:56:26,000
Speaker 1: I decided to make it. I feel bad for the

995
00:56:26,040 --> 00:56:28,360
Speaker 1: caller that is the recipient of your fuck up. They

996
00:56:28,400 --> 00:56:30,319
Speaker 1: probably told all their friends and family they were going

997
00:56:30,400 --> 00:56:32,879
Speaker 1: to be on fake Doctor's real friends. But guess what

998
00:56:32,960 --> 00:56:35,400
Speaker 1: you're not on tonight, You're not on today. I'm so

999
00:56:35,600 --> 00:56:39,200
Speaker 1: sorry Joel and Daniel how to mix up about who

1000
00:56:39,320 --> 00:56:43,799
Speaker 1: was recording what? Daniel I wasn't there, So okay, up,

1001
00:56:43,840 --> 00:56:47,000
Speaker 1: it's all me, all me, I own it. Well, had

1002
00:56:47,000 --> 00:56:49,359
Speaker 1: an audio mix up and did not record the poor

1003
00:56:49,400 --> 00:56:51,920
Speaker 1: caller who's told all their friends and family they were

1004
00:56:51,920 --> 00:56:54,880
Speaker 1: gonna be on fake Doctors. You better send them some GTS,

1005
00:56:54,920 --> 00:56:57,359
Speaker 1: kambucha or something. I will, I will see, I will

1006
00:56:57,360 --> 00:57:00,560
Speaker 1: get them something. You better. Will you please take the

1007
00:57:00,600 --> 00:57:03,560
Speaker 1: iHeart credit card and get them something, Because if you

1008
00:57:03,560 --> 00:57:08,040
Speaker 1: don't want to buy, appreciate, will you can buy? They

1009
00:57:08,040 --> 00:57:12,760
Speaker 1: can buy me something. Give them a Hyundai for God's sakes. Well, anyway,

1010
00:57:13,080 --> 00:57:16,480
Speaker 1: we're very we're very sorry to you, the audience and

1011
00:57:16,560 --> 00:57:19,680
Speaker 1: the caller because we just don't have the audio. It

1012
00:57:19,720 --> 00:57:23,760
Speaker 1: doesn't exist. Um, Joel, you never mess up, but you

1013
00:57:23,800 --> 00:57:26,160
Speaker 1: did well. I'm gonna say I'm gonna I'm gonna say this.

1014
00:57:26,240 --> 00:57:29,960
Speaker 1: It'll be a very interesting show. But I don't fault

1015
00:57:30,120 --> 00:57:33,320
Speaker 1: Joel for it. I fault Daniel for not being there

1016
00:57:33,320 --> 00:57:38,720
Speaker 1: for Yeah, it's my fault. I file got corrupted in

1017
00:57:38,800 --> 00:57:40,880
Speaker 1: place of where the caller, in place of where the

1018
00:57:40,880 --> 00:57:43,360
Speaker 1: caller would go. We're now going to play the Casey

1019
00:57:43,440 --> 00:57:57,960
Speaker 1: song because it's a Bob Casey come down here and

1020
00:58:00,720 --> 00:58:02,440
Speaker 1: on that note, all right, we love you guys. On

1021
00:58:02,480 --> 00:58:04,800
Speaker 1: that note, we love you. Where do they buy T shirts?

1022
00:58:04,880 --> 00:58:06,840
Speaker 1: Joel tell them there's all sorts of merch in the shop,

1023
00:58:08,200 --> 00:58:11,479
Speaker 1: Cotton Bireau. You type in fake doctors and it's gonna

1024
00:58:11,480 --> 00:58:13,960
Speaker 1: pop right up, y'all dope shirts. So many of you

1025
00:58:13,960 --> 00:58:16,320
Speaker 1: have sent me so many, like sweatshirts and like little

1026
00:58:16,360 --> 00:58:18,520
Speaker 1: T shirts with my face on it. That's wild to me.

1027
00:58:19,680 --> 00:58:22,120
Speaker 1: You can buy a Joel Monique onesie for your child.

1028
00:58:22,600 --> 00:58:24,960
Speaker 1: There's all sorts of cool stuff. You go to cottonbier

1029
00:58:25,040 --> 00:58:27,800
Speaker 1: dot com and then search for fake doctors and you'll

1030
00:58:27,800 --> 00:58:31,520
Speaker 1: see all our wacky, silly merch um. We love you,

1031
00:58:32,080 --> 00:58:37,520
Speaker 1: we care about you. Be safe, be kind, Donald, respect, respect.

1032
00:58:37,560 --> 00:58:39,840
Speaker 1: He's right and here to play us out is the

1033
00:58:39,960 --> 00:59:06,280
Speaker 1: amazing Carrie Brothers with his song Ryan you w Everything

1034
00:59:07,000 --> 00:59:19,760
Speaker 1: one time, the sky all never toose. You were to

1035
00:59:20,240 --> 00:59:28,040
Speaker 1: say my tonight. If I told you reasons why you

1036
00:59:28,400 --> 00:59:55,600
Speaker 1: leave your life right right you sigh? Oh my pieces

1037
00:59:55,920 --> 01:00:09,400
Speaker 1: broken this time I could never show told you say

1038
01:00:09,920 --> 01:00:16,800
Speaker 1: my heart. And if I told you reasons why you

1039
01:00:17,280 --> 01:01:36,840
Speaker 1: leave your line right right right, so say stars, briss work,

1040
01:01:38,160 --> 01:01:40,040
Speaker 1: You'll be your alive