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Speaker 1: The Nicki Gleiser Podcast.

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Speaker 2: Hello, it's me. I'm Nicki Glazer. It's nick Lazer Podcast

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Speaker 2: Special Edition. This is one that I would think, if

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Speaker 2: you're not a swiftye, You're probably not gonna have a

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Speaker 2: good time, or you might. It might be a case

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Speaker 2: study of a swifty if you're interested in how the

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Speaker 2: brain of a swifty works. But like you gotta be

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Speaker 2: on board. I think to listen to this, so I

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Speaker 2: don't want any new listeners. I know I have a

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Speaker 2: lot of new Nikkei Glazer podcast listeners. I don't if

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Speaker 2: you are coming into the show and you're like, what

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Speaker 2: is this? This is a Taylor Swift torture Poets Department

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Speaker 2: gush session is what we've called them. It is me

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Speaker 2: and my friend Nora Hadidi, comedian out of Toronto. Toronto

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Speaker 2: or Toronto.

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Speaker 1: You know what. I saw you online with something like

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Speaker 1: this and you got it right. It's Toronto. You'd got

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Speaker 1: it right, Nikki.

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Speaker 2: I never know if I'm getting it right. It's one

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Speaker 2: of those words that when I say it, I kind

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Speaker 2: of just guess fifty to fifty. I know which options

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Speaker 2: I have because there is a Toronto. There is a

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Speaker 2: tea at the end that I want to pronounce, and

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Speaker 2: I don't like that you just blow through it. It's

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Speaker 2: not it's a silent tea. It is the way you

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Speaker 2: guys pronounce it, and it bugs me. But I was

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Speaker 2: corrected when I went to Toronto that I'm saying it wrong.

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Speaker 2: But I also get Vegas wrong. Now that's imprinted in

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Speaker 2: my head. Now I don't have to think about it.

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Speaker 2: But it used to. I used to say Vegas oh,

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Speaker 2: and people called me out for it. And then I

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Speaker 2: have a new one, which is encapsulate. I now know

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Speaker 2: what to do, but I never knew until last night.

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Speaker 2: I finally was like, Nick, you need to look this up,

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Speaker 2: because every time you say encapsulate, you want to say

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Speaker 2: in caps shoe late, like I want to put a show,

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Speaker 2: and that is not it. That might be the Canadian

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Speaker 2: way you say it because you guys throw you in

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Speaker 2: the cap. Yeah, yeah, it sounds good coming from your

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Speaker 2: Canadian accent. It sounds right. But yeah, well, we might

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Speaker 2: use that word today because we're going to use a

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Speaker 2: bunch of heady words as we make our way through

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Speaker 2: Torture Poets Part three. I had to we haven't done

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Speaker 2: this podcast since before the roast I think before my

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Speaker 2: life changed.

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Speaker 1: I'm so happy for you, but I did miss you.

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Speaker 1: I was like, I want my friend back, to send

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Speaker 1: me back.

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Speaker 2: Don't worry, I know I really did. Yeah, Because we

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Speaker 2: just send Taylor Swift memes all the time, all day long,

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Speaker 2: like four at a time. Sometimes I'll come to like

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Speaker 2: eight and I just get like to like, I do

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Speaker 2: the same thing to my friend Anya, who the besties

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Speaker 2: know but and you know too. I do that with

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Speaker 2: Anya where I'll give her like eight to watch and

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Speaker 2: I'm like, this is overkill, but she does watch them

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Speaker 2: all and yours. I go, I've seen a lot of

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Speaker 2: them because I'm getting the same content. But I've come

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Speaker 2: across some really interesting things from you, and it's just

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Speaker 2: so nice to have someone to send my interesting things.

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Speaker 2: Because here's something I just want to talk about at

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Speaker 2: the top of the show. I am jealous of people

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Speaker 2: who have other Swifties in their immediate lives that they

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Speaker 2: can be in a car with and sing Taylor Swift

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Speaker 2: to who they can talk about face to face, because

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Speaker 2: although I have someone in my life who is as

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Speaker 2: big of a Swifty as me, nor like, we don't

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Speaker 2: hang out enough to like really gush and that's when

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Speaker 2: the times you've been on the road with me have

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Speaker 2: been so special because we just talk about Taylor the

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Speaker 2: whole time, and kind of anyone else in the room

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Speaker 2: is hostage to this conversation. Get that gets really emotional

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Speaker 2: and they laugh themselves. They look at each other and laugh,

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Speaker 2: like Anya and Matt will kind of like look at

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Speaker 2: each other like all right, they're going. Nikki's like because

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Speaker 2: we talk about her like she's our best friend because

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Speaker 2: she is. Yeah, But I just like I saw this.

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Speaker 2: Did you see the video of the two girls singing.

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Speaker 2: I guess they were doing the Bridge to the Smallest

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Speaker 2: Man who Ever Lived in their car, which has been

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Speaker 2: my obsession this week. If you want to ask what

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Speaker 2: my favorite Taylor Swift Torture Poets song this week is,

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Speaker 2: it is the Bridge till the End of the Smallest

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Speaker 2: Man who Ever Lived? Not even the first parts I

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Speaker 2: just skipped to. I keep replaying the bridge, but anyway,

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Speaker 2: they were singing it together and it looked so much fun.

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Speaker 2: I want to sing that bridge with someone so fucking

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Speaker 2: bad in person, in real time, and I don't have

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Speaker 2: that in my life. There's no one who is going

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Speaker 2: to learn that. And I feel like I feel really

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Speaker 2: mad about it sometimes because I'm like, I have this

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Speaker 2: thing that I just kind of share with people online

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Speaker 2: and obsess over, but like I want someone in person.

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Speaker 2: I think I need to like just bring Like I

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Speaker 2: don't have room for you on my shows a lot

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Speaker 2: of time because I have too much openers, but I

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Speaker 2: should just bring you, just like keep me company and

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Speaker 2: like be It's such a big part of my personality.

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Speaker 2: I feel like it's an important thing that I need

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Speaker 2: in my life. So can you move to Saint Louis

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Speaker 2: and just talk to me about daylor Swift on a

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Speaker 2: daily basis and come over and.

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Speaker 1: Sing absolutely anything that gets me closer to Kansas City

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Speaker 1: is It's okay with me? I know.

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Speaker 2: Wait, wait, can we talk about Travis saying that if

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Speaker 2: he's ever roasted, he wants me to roast him?

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Speaker 1: Nikki, I lost it.

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Speaker 2: I couldn't believe much. I wasn't surprised because I knew him,

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Speaker 2: because I've worked on a show with him already, and

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Speaker 2: like we had a good rapport and I knew he

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Speaker 2: respected me comedically, so that didn't surprise and I had

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Speaker 2: a good set and everyone was saying that, But what

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Speaker 2: he did for me is that if he ever does one,

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Speaker 2: no one can like he's already booked me on his roast,

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Speaker 2: like it's gonna happen. I don't have if he Travis

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Speaker 2: Kelcey ever does a roast, which I think he's down

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Speaker 2: to do based on him saying that I'm already booked,

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Speaker 2: like I have a job waiting for me, and I've

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Speaker 2: never had that prior to a job even existing. But

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Speaker 2: I was just like that to me, there's some cool

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Speaker 2: things that celebrities can do for each other or people

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Speaker 2: like just anyone can do for each other. And it's

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Speaker 2: like saying, if I do this thing, I'm gonna have

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Speaker 2: this person on, Like he just gave me a job

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Speaker 2: and invested in me in a way that he doesn't

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Speaker 2: even have to follow through on, you know. But it's

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Speaker 2: a nod of confidence in my direction. That's just generous.

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Speaker 2: And I've gotten so many of those from so many

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Speaker 2: people who have microphones in front of their faces. So

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Speaker 2: I want to shout out to Travis for just being

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Speaker 2: saying my name on his podcast is like a nice

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Speaker 2: thing to do in this business, and it was coming

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Speaker 2: from a sincere place because he's a sincere guy. By

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Speaker 2: the way. I'm sorry. I'm just like on one today,

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Speaker 2: but I have so much in my heart and soul

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Speaker 2: about Swift, so things keep coming up and I'm like, ooh,

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Speaker 2: and I just have to say it before I forget it.

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Speaker 2: I saw I maybe I send it to you. I

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Speaker 2: don't think I did. Know this was on Reddit, so

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Speaker 2: I didn't have an immediate like DM of you. Because

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Speaker 2: usually on Instagram, if I see something that's juicy boom,

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Speaker 2: it's right away, but Reddit's a little more complicated. I

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Speaker 2: should have sent it, though, but I'm glad I get

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Speaker 2: to tell you now. When she says, uh, in so

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Speaker 2: high school, which we'll get to today, we might be

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Speaker 2: all over the map, because uh that's just the way

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Speaker 2: this goes. And she says, uh, you already know, babe,

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Speaker 2: Like you already know, babes through that whole thing. Did

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Speaker 2: you see it?

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Speaker 1: Yes, do something?

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Speaker 2: He said, yeah, I know. It's so cute, so it's

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Speaker 2: so fun to find it. And someone found it in

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Speaker 2: an article. He did it, I think in Vanity Fair

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Speaker 2: and he says you already know. He says you already

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Speaker 2: know so many times in it. I didn't read it,

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Speaker 2: but that's what I read, like the comments underneath it,

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Speaker 2: and people had read it and said he says it

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Speaker 2: a lot in the interview, and oh my god, I

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Speaker 2: am just like, it's the cutest fucking thing. That song

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Speaker 2: is so cute. I'm obsessed and you already know. Babe

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Speaker 2: is like, so I can't wait to see a compilation

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Speaker 2: that someone puts together of him saying that, like you know,

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Speaker 2: in interviews and stuff, and like, I love the the

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Speaker 2: things we're finding out about these songs four weeks in.

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Speaker 2: I think we are five weeks into this album, and

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Speaker 2: that the stuff that's still being uncovered that she's giving us.

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Speaker 2: We haven't even gotten into Era's tour Torture Poets department.

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Speaker 2: I know, I know, I can't even I'm I mean,

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Speaker 2: it's it's next level, Like let's jump in. Are you like,

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Speaker 2: how are you feeling about it?

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Speaker 1: I love it so much. At first, At first, I

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Speaker 1: was like, because I'm so used to just watching the

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Speaker 1: Aras tour, it took me a while to realize that

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Speaker 1: this was a new segment. Like I had to wrap

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Speaker 1: my mind around it, if that makes sense. Yeah, And

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Speaker 1: and for some reason, I was fixated on the clothes,

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Speaker 1: like that was initially what I was like, upset.

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Speaker 2: Me and I'm sassed. Love the skirt and the dress

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Speaker 2: in the bodice, Oh my god, obsessed with it? And

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Speaker 2: then I love it. I love it all. I mean,

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Speaker 2: she just can't do any wrong to me. I just

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Speaker 2: I was.

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Speaker 1: I was surprised at some of the songs she chose

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Speaker 1: because I feel like she chose these songs before the

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Speaker 1: album was out, so she did not know what people

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Speaker 1: are going to gravitate to.

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Speaker 2: Do you think, yes, I don't know. I mean it's

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Speaker 2: I she had five weeks, four and a half weeks

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Speaker 2: to get these things choreographed. Like she probably knew three

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Speaker 2: days in what the hit songs were, right.

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Speaker 1: Oh, from release you're saying, yes.

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Speaker 2: From release, she has three days. Now I'm not. I'm

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Speaker 2: saying like, this girl knows what like, she knows what

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Speaker 2: she's doing, so I wouldn't. Of course, she's probably like

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Speaker 2: had clear favorites. But I have thirty one songs to nail.

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Speaker 2: This many prior to the album coming out doesn't seem

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Speaker 2: likely to me. And it's not because she's not a genius.

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Speaker 2: It's just as like she is. I think she's giving

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Speaker 2: the fans what they want, and she waited for our reaction,

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Speaker 2: because that's enough time to choreograph this. Even though it

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Speaker 2: is so well choreographed, and it is so she is

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Speaker 2: so on point, and it is the I think it

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Speaker 2: is the Maybe it's because it's newer, but I think

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Speaker 2: it's the best era really of the tour. And I've

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Speaker 2: seen the tour twelve times have not seen this part,

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Speaker 2: so it could be based on the fact that it's

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Speaker 2: just new to me. But I love the transition to

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Speaker 2: so high School from but Daddy I love him. The

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Speaker 2: only thing that I'm looking for that I was disappointed in.

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Speaker 2: But actually I think I'm starting to really like it is.

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Speaker 2: You know, I we talked about but Daddy, I love him.

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Speaker 2: Where she's like, I'm having his baby. No, I'm not

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Speaker 2: Boom that part where it goes boom. I want like

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Speaker 2: a big moment there, So when she's walking it, she goes,

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Speaker 2: I'm having his baby and then she turns around so

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Speaker 2: I'm not. And then she turns back around on boom

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Speaker 2: and it's good, but it's not. It's not an I

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Speaker 2: wanted a really big moment in that, but then I

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Speaker 2: actually think then she does sheep. You know, if you've

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Speaker 2: seen the transition from but daddy, I love him into

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Speaker 2: So High School. It keeps going like I'm having his baby,

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Speaker 2: No I'm not. And then she twirls her hair and

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Speaker 2: starts getting into So High School and she walks forward

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Speaker 2: and then she walks over to the bleacher and then

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Speaker 2: I love how they didn't really see So High School

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Speaker 2: coming the crowd at least yeah, because it perfectly transitions.

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Speaker 2: She's like I She's like, she just goes, I feel

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Speaker 2: So High School and you like hear them on the

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Speaker 2: high they know it. They didn't know it from the first,

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Speaker 2: like noe. She that was probably so fun for her

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Speaker 2: to be like what are they gonna do when they

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Speaker 2: first hear it. So that's a fun moment to watch her.

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Speaker 1: Love stairs on So High School. And you sent me

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Speaker 1: I did not the bleachers, the bleachers on bleachers, And

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Speaker 1: you sent me this incredible photo of like how the

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Speaker 1: moves from So High School are from her at the games.

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Speaker 2: Yes, so at the very end, because I've watched the

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Speaker 2: choreography a bunch and I'm like, where are they doing

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Speaker 2: this moment where they're all one is pointing, one's going oh,

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Speaker 2: the other is like they're all all her dancers are

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Speaker 2: doing different movements right, like it kind of like poses

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Speaker 2: like pointing towards the field or whatever. And I'm like,

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Speaker 2: at what point does this happen? It happens that I

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Speaker 2: believe at the end, at the very end, she's like,

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Speaker 2: you already know, babe. And then if they all hit it,

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Speaker 2: because during the thing they have a great dance. I'm

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Speaker 2: so into Uh, you know how to ball on no air?

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Speaker 2: And she does that roll forward? How fun is that?

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Speaker 2: Like I love her choreography as someone who isn't the

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Speaker 2: strongest dancer, like I feel like if I work very,

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Speaker 2: very very hard, I could learn some of it. But

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Speaker 2: she is an amazing dancer. Like I I am so

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Speaker 2: in awe of how far she has come on this

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Speaker 2: tour in terms of making these dances her own and

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Speaker 2: and and they they are. She has has her own

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Speaker 2: style of dance now, like she has been doing dancing

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Speaker 2: now for so long. She hasn't been doing it as

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Speaker 2: long as she's been playing guitar or writing songs or singing.

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Speaker 2: But she is at the point now where she is

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Speaker 2: becoming a very good dancer and very like in her body,

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Speaker 2: like just comfortable dancing. And she's even made fun of

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Speaker 2: herself for being an act or dancer before. And I

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Speaker 2: have to say that is fallen away like she is

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Speaker 2: crushing these moves. She is so on point. I've been

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Speaker 2: trying to learn the bridge to the Smallest Man who

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Speaker 2: Ever Lived, which is the song that was coming up

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Speaker 2: next for us to dive into. So why don't we

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Speaker 2: just do it now? Yes, the Smallest Man who Ever Lived,

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Speaker 2: which I did not even realize was possibly a dick joke,

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Speaker 2: oh until so late. Well where she goes, uh uh,

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Speaker 2: you treat her, you treat her like and also ran

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Speaker 2: you didn't measure up in any measure of a man,

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Speaker 2: in any measure. I mean, she's at least seeing it there.

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Speaker 2: And by the way, this is actually good for like

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Speaker 2: let's say it's about a guy with a micro penis,

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Speaker 2: like literal micro. I don't think that's what she's saying.

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Speaker 2: But let's say I have a big problem with women

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Speaker 2: making fun of men for having small penises, and I

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Speaker 2: don't think that's what she's doing here, because I think

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Speaker 2: you can be in relationship with a man with a

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Speaker 2: small penis and have a more satisfying sexual relationship than

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Speaker 2: one with a big dick. I think it's actually more

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Speaker 2: likely that you will. But so I don't like small

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Speaker 2: penis shaming, but I like this because if this is

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Speaker 2: about someone who all a lot of the songs are

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Speaker 2: about this person, she was desperately in love with and

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Speaker 2: the problem with the relationship was not possibly that he'd

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Speaker 2: a small penis. So if if I was a man

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Speaker 2: with a small penis and heard this song and was like,

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Speaker 2: that's fucked up Taylor's calling him a guy with a

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Speaker 2: small dick, I'd be like, but she was madly in

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Speaker 2: love with that guy with a small dick, and they

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Speaker 2: you know what I mean. So I kind of I

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Speaker 2: like when there's mentions of small penises in a way

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Speaker 2: that's not disparaging.

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Speaker 1: Right, You're like, it's part and parcel of you. It's

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Speaker 1: not a reason why, but it is.

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Speaker 2: It could be. It could be a reason why you

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Speaker 2: are the way you are. It could be because men

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Speaker 2: are stigmatized so much for small penises by society, which

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Speaker 2: is what I'm trying to like rally against. They feel

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Speaker 2: less then, and so they can have personality traits probably

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Speaker 2: based on that. But I was like, oh I at first,

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Speaker 2: I was like, I don't think this is about as

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Speaker 2: a guy with a small dick. And then I read

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Speaker 2: that line and I was like, I think it is

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Speaker 2: and the Smallest Man who ever lived is just it's such.

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Speaker 1: A great title, it really is.

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Speaker 2: It's so it just is so evocative of the kind

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Speaker 2: of person she's singing about.

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Speaker 1: She's not afraid to go there, you know, like even

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Speaker 1: now she does it with such grace, but she's like,

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Speaker 1: this is the truth. She's not afraid to cut you up,

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Speaker 1: but she's like, dude, I mean, you got what you deserved.

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Speaker 1: I was inspired by her.

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Speaker 2: I think it was so opportune that this came out

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Speaker 2: as I was preparing for the roast, because I was like,

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Speaker 2: she didn't fucking hold back at all. Yes, Like she

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Speaker 2: just told the truth. So if you just do that

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Speaker 2: and you can be vicious and adorable at the same time.

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Speaker 1: And you were, Nikki, you especially when you would say

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Speaker 1: sorry after like that was so endearing.

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Speaker 2: It was like so real and j honestly what I

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Speaker 2: am most proud of myself about about this roast, And

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Speaker 2: I think that is the best choice I made. And

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Speaker 2: I didn't even make it as a choice. That was

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Speaker 2: not part. I never did that during my sets that

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Speaker 2: I was running it that's the only time I ever

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Speaker 2: said sorry, because I really did feel sorry, and it

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Speaker 2: felt like, Okay, I'm actually bringing more truth to this

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Speaker 2: moment by totally undercutting it, yeah than I would if

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Speaker 2: I was just hitting it. So it I was glad

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Speaker 2: I made that choice. But I think that that's, you know,

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Speaker 2: just as an artist, finding ways fresh ways to be authentic.

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Speaker 2: Even though I'm like, oh, these roast jokes are real,

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Speaker 2: I'm saying the truth. It's like, what's the real truth?

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Speaker 2: Though I have to say these people's faces and I

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Speaker 2: feel bad about it. Yeah, that's kind of the real truth.

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Speaker 2: So thank you for saying that. I saw a clip

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Speaker 2: of it, and I didn't realize I did it. I

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Speaker 2: mean I knew at the time I was doing it,

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Speaker 2: and I was like, oh, you're doing this new thing

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Speaker 2: that you never did, but it feels right. But then

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Speaker 2: watching a clip, I was like, oh, that's really I

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Speaker 2: come across as myself in this more than I said

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Speaker 2: I've ever seen. Like that's real. The real me is

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Speaker 2: that person that was like, I hate that I have

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Speaker 2: to do this. So that was I was glad I'd

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Speaker 2: made that choice, So thank you for saying that. Okay,

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Speaker 2: the smallest man who ever lived. I have been trying

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Speaker 2: to learn the choreography to the ending where she's marching,

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Speaker 2: where you send by someone who won me dead? Do

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Speaker 2: you sleep with the guy? And I've learned all of

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Speaker 2: the hand movements. I've learned where she gets shot. I

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00:16:06,280 --> 00:16:08,080
Speaker 2: have learned where she gets shot again. I have learned

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Speaker 2: where she her hand, her her feet, her knees touched

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Speaker 2: the ground, where her hand then touches the ground. Then

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Speaker 2: she comes back up again and she's like, you kicked

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Speaker 2: down the stage lights, but you're still performing, and he

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Speaker 2: didn't play, And then she falls play inside she hit

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Speaker 2: you are what you did? I'll forget you, and she is.

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Speaker 2: I love this version because she is all over the

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Speaker 2: map vocally, because she like will all of a sudden

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Speaker 2: go like like the way she sings it on this

365
00:16:36,440 --> 00:16:39,600
Speaker 2: the album track, I think she stays in that lower

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Speaker 2: zone the whole time. But when she goes, and there's

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Speaker 2: maybe background vocals that are hitting these notes. But in

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Speaker 2: the live one, she goes and you'll confess why you did,

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Speaker 2: Like in fifty years, will do this be all declassified

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Speaker 2: and you'll confess why you did it? And I'll say

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Speaker 2: good reddance, and she like she almost like hits a

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Speaker 2: different key on that one, and then but you won't,

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Speaker 2: You'll slip through. And then when she gets shot. I mean,

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Speaker 2: this performance is my favorite performance since Britney Spears I

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Speaker 2: Can't Get No Satisfaction VMAs two thousand and then Lady

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00:17:15,080 --> 00:17:20,800
Speaker 2: gagas Paparazzi VMAs two thousand and maybe nine or something.

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Speaker 2: I want to say, those two are my favorite live

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Speaker 2: performances ever. And then in Eras, my favorite is the

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Speaker 2: August transition into It's what's it called Illicit Affairs? And

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Speaker 2: then also my Tears Ricochet, and if you want to

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Speaker 2: know what the common theme to all of these are

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Speaker 2: is that she falls on her knees. I love just

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Speaker 2: collapsing in song of like it being so emotional that

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00:17:46,640 --> 00:17:51,000
Speaker 2: you collapse. It's so it's so I've like never loved

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00:17:51,000 --> 00:17:52,959
Speaker 2: something as much as this video. And I keep watching,

386
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Speaker 2: making people watch it, and no one is into it

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Speaker 2: as much as I am, and I can't even get

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Speaker 2: people to be as into it. I keep going, like

389
00:18:00,520 --> 00:18:02,000
Speaker 2: to find it. I go back to our feed where

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00:18:02,000 --> 00:18:03,200
Speaker 2: I shared it with you, because as soon as I

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Speaker 2: saw it, I was like, finally like a close up

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00:18:05,600 --> 00:18:08,960
Speaker 2: angle that's the other thing. Can someone get go to

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Speaker 2: a concert. I will pay you to go to a

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Speaker 2: Taylor Swiths concert with a and hold your phone steady

395
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Speaker 2: and track her in a way like people I film

396
00:18:18,800 --> 00:18:21,040
Speaker 2: her at shows, and I just say I'm very good

397
00:18:21,080 --> 00:18:23,760
Speaker 2: at it. I'm very good at capturing. I should put

398
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Speaker 2: some of my stuff like I've captured some of the

399
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Speaker 2: best close up stuff from fan angles that I've ever

400
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Speaker 2: seen because I watch it all and I need people

401
00:18:31,640 --> 00:18:33,520
Speaker 2: to hold their phones a little bit more steady for

402
00:18:33,640 --> 00:18:35,960
Speaker 2: us when you are in a good position to catch

403
00:18:35,960 --> 00:18:39,119
Speaker 2: her going down that catwalk. And here's another tip. If

404
00:18:39,160 --> 00:18:40,960
Speaker 2: you're going to can I just give some aras tour

405
00:18:41,000 --> 00:18:41,800
Speaker 2: tips please?

406
00:18:41,840 --> 00:18:43,720
Speaker 1: I was just gonna tell I'd make this a real

407
00:18:43,840 --> 00:18:45,960
Speaker 1: even like put it out there.

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Speaker 2: Eras tour tips for filming. You pick the screen or

409
00:18:52,760 --> 00:18:56,359
Speaker 2: pick her all right, let's not go back and forth.

410
00:18:56,400 --> 00:18:59,760
Speaker 2: And can I just say, when in doubt, pick the screen.

411
00:19:00,119 --> 00:19:02,120
Speaker 2: They're gonna go off of her a couple times here

412
00:19:02,119 --> 00:19:03,880
Speaker 2: and there, don't freak out and go back to her

413
00:19:03,920 --> 00:19:05,800
Speaker 2: on the stage. Just get it now. If you are

414
00:19:05,800 --> 00:19:07,719
Speaker 2: gonna film her, which I do think you should, if

415
00:19:07,760 --> 00:19:09,520
Speaker 2: you're on the floor seats if you have seats that

416
00:19:09,560 --> 00:19:13,160
Speaker 2: are I would say twenty five rows back or closer.

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00:19:13,520 --> 00:19:16,520
Speaker 2: Go on, watch her from the film on the floor.

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00:19:17,600 --> 00:19:19,960
Speaker 2: Hold your phone in a way that you're like, okay,

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00:19:20,320 --> 00:19:23,480
Speaker 2: just steady with both hands, and make sure that you

420
00:19:23,520 --> 00:19:26,160
Speaker 2: put it on a mode actually you don't need both hands,

421
00:19:26,160 --> 00:19:28,840
Speaker 2: but put it on when you tap on it. Make

422
00:19:28,880 --> 00:19:32,160
Speaker 2: sure like you can toggle the darkness and the brightness

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00:19:32,200 --> 00:19:34,320
Speaker 2: with a little sun. There's a toggle that you can

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00:19:34,400 --> 00:19:35,680
Speaker 2: go through the whole thing, but I would just put

425
00:19:35,680 --> 00:19:37,320
Speaker 2: it on kind of low after it gets dark because

426
00:19:37,320 --> 00:19:38,920
Speaker 2: she's gonna light up in the middle of it then,

427
00:19:39,560 --> 00:19:42,240
Speaker 2: and just zoom in on her and hold it really steady.

428
00:19:42,280 --> 00:19:44,679
Speaker 2: And if someone's hand comes in front of your camera,

429
00:19:45,040 --> 00:19:48,840
Speaker 2: like just like just leap slowly kind of try to

430
00:19:48,880 --> 00:19:51,439
Speaker 2: find a way out of it. Don't just immediately going, oh,

431
00:19:51,560 --> 00:19:53,800
Speaker 2: where is she, because you're so zoomed in that you're

432
00:19:53,800 --> 00:19:55,760
Speaker 2: not gonna find her very quickly unless you keep it

433
00:19:55,840 --> 00:19:58,600
Speaker 2: on her. So that is just a couple tips, I'm

434
00:19:58,640 --> 00:20:04,959
Speaker 2: sure that. And also find one person, like if I've

435
00:20:05,080 --> 00:20:07,120
Speaker 2: seen Aristore enough that I'm like when I go with people,

436
00:20:07,160 --> 00:20:09,240
Speaker 2: I go, don't worry about filming her, okay, Like I

437
00:20:09,280 --> 00:20:11,119
Speaker 2: got you, I'll film all the parts you need to know.

438
00:20:11,440 --> 00:20:13,399
Speaker 2: Just enjoy the shows your eyes. You're not gonna get

439
00:20:13,400 --> 00:20:14,920
Speaker 2: a better shot than me. You're right next to me,

440
00:20:14,960 --> 00:20:16,159
Speaker 2: and I've done this a bunch of times. I know

441
00:20:16,200 --> 00:20:17,520
Speaker 2: where she is on the stage. I know where to

442
00:20:17,520 --> 00:20:19,920
Speaker 2: get it. So I suggest taking someone like me. That's

443
00:20:20,040 --> 00:20:23,359
Speaker 2: obviously I'm joking, but I would just a.

444
00:20:23,240 --> 00:20:25,919
Speaker 1: Great service to provide people. Are you kidding me?

445
00:20:26,119 --> 00:20:28,840
Speaker 2: I also think like you don't. I would just kind

446
00:20:28,840 --> 00:20:30,879
Speaker 2: of be in the moment and I would capture some moments,

447
00:20:30,920 --> 00:20:33,520
Speaker 2: but try like most of her has been captured from

448
00:20:33,560 --> 00:20:37,560
Speaker 2: all angles and you don't need it. But I would

449
00:20:37,640 --> 00:20:39,960
Speaker 2: study if you have seats where she goes, what part

450
00:20:39,960 --> 00:20:41,680
Speaker 2: of the stage she goes to for each song, and

451
00:20:41,720 --> 00:20:43,840
Speaker 2: when she's gonna get closest to you, and just get

452
00:20:43,840 --> 00:20:46,000
Speaker 2: ready for those moments so you're not constantly on your

453
00:20:46,000 --> 00:20:49,159
Speaker 2: phone when she's like, you know, not near you, and

454
00:20:49,560 --> 00:20:51,479
Speaker 2: then you don't panic when she starts walking towards you.

455
00:20:51,560 --> 00:20:53,320
Speaker 2: I would always I would panic, you go like shit,

456
00:20:53,359 --> 00:20:55,120
Speaker 2: she's coming back, and then I miss her even being

457
00:20:55,119 --> 00:20:57,280
Speaker 2: close to me because I'm pulling up my phone. So

458
00:20:57,280 --> 00:20:59,040
Speaker 2: that's something I wish I would have done. But I

459
00:20:59,080 --> 00:21:02,119
Speaker 2: really do need people to shoot better footage of but Daddy,

460
00:21:02,119 --> 00:21:05,320
Speaker 2: I love him, and so high School and the smallest

461
00:21:05,320 --> 00:21:06,959
Speaker 2: man who ever left? And I don't even know what

462
00:21:07,000 --> 00:21:09,560
Speaker 2: the fuck is going on for the Torture Poets Department

463
00:21:09,880 --> 00:21:12,479
Speaker 2: choreography because I can't find a decent video of that.

464
00:21:12,760 --> 00:21:15,680
Speaker 2: The bed is tilted, it's moving around, she's flying around,

465
00:21:17,160 --> 00:21:20,400
Speaker 2: one of that hot dancer guys like tilted. I haven't

466
00:21:20,440 --> 00:21:23,640
Speaker 2: really studied that choreography yet, but it's it's so good.

467
00:21:23,720 --> 00:21:28,480
Speaker 2: What have been your favorite highlights of the ttpd eras?

468
00:21:29,600 --> 00:21:32,320
Speaker 1: Oh my god, that's a hard question, Nikki. I love

469
00:21:32,480 --> 00:21:35,679
Speaker 1: so I love it all so much. I love the

470
00:21:35,760 --> 00:21:38,879
Speaker 1: easter egg of how the bed from Tortured Poets is

471
00:21:39,000 --> 00:21:41,679
Speaker 1: kind of similar to the bed that she had and

472
00:21:41,760 --> 00:21:42,679
Speaker 1: you belong with me.

473
00:21:43,760 --> 00:21:46,679
Speaker 2: I saw that that was such a Sometimes I go,

474
00:21:46,760 --> 00:21:48,280
Speaker 2: did she mean that or is that just like the

475
00:21:48,280 --> 00:21:50,520
Speaker 2: same art director, and they like, of course.

476
00:21:50,320 --> 00:21:54,119
Speaker 1: She did, of course she did. And how much.

477
00:21:53,960 --> 00:21:55,879
Speaker 2: Stuff do you think we're missing? I had this. I

478
00:21:55,960 --> 00:21:58,440
Speaker 2: had a new thing. A thing occurred to me the

479
00:21:58,440 --> 00:22:01,359
Speaker 2: other night because I think some stuff she doesn't know

480
00:22:01,400 --> 00:22:03,080
Speaker 2: we're gonna get. So she hits this over the head

481
00:22:03,080 --> 00:22:05,359
Speaker 2: with it. But she only thinks that because we She

482
00:22:05,480 --> 00:22:07,760
Speaker 2: probably has tried to give us messages that we've missed

483
00:22:07,760 --> 00:22:10,760
Speaker 2: that no one's gotten. And I was thinking, if I

484
00:22:10,800 --> 00:22:12,840
Speaker 2: ever got like, this is a question, I'll post to

485
00:22:12,840 --> 00:22:14,359
Speaker 2: you if you ever got to ask her one question.

486
00:22:14,440 --> 00:22:15,960
Speaker 2: She has to tell you, the absolute tell you, and

487
00:22:16,440 --> 00:22:18,720
Speaker 2: it's a secret you will keep forever and you'll like

488
00:22:18,880 --> 00:22:20,720
Speaker 2: she can trust you with it. What do you want

489
00:22:20,720 --> 00:22:20,919
Speaker 2: to know?

490
00:22:21,520 --> 00:22:25,520
Speaker 1: In the Me music video? Why does this snake have

491
00:22:25,640 --> 00:22:31,560
Speaker 1: its left eye crossed over? And like shut?

492
00:22:32,080 --> 00:22:35,280
Speaker 2: Wait? In the what in the Me music video? Yeah? Wait,

493
00:22:35,280 --> 00:22:36,199
Speaker 2: there's a snake in me?

494
00:22:36,600 --> 00:22:39,000
Speaker 1: Yeah, and then it turns into a butterfly in the beginning.

495
00:22:39,119 --> 00:22:42,040
Speaker 2: Yeah yeah, okay, yes, Now I haven't revisited that video

496
00:22:42,040 --> 00:22:42,680
Speaker 2: in a while.

497
00:22:42,480 --> 00:22:45,760
Speaker 1: So that snake's I is visibly the left one is

498
00:22:45,840 --> 00:22:47,240
Speaker 1: visibly like close.

499
00:22:47,320 --> 00:22:48,199
Speaker 2: That's what you want to know?

500
00:22:49,240 --> 00:22:50,640
Speaker 1: Sorry? Is that crazy? Yes?

501
00:22:50,680 --> 00:22:53,960
Speaker 2: It's been driving me crazy for years now okay, okay,

502
00:22:54,200 --> 00:22:56,320
Speaker 2: that's good. But don't you want to know something juicier,

503
00:22:56,520 --> 00:22:59,240
Speaker 2: like what happened with you? And whatever? Like that's what

504
00:22:59,320 --> 00:23:03,320
Speaker 2: I want to mine. Mine would have been if we're

505
00:23:03,359 --> 00:23:06,240
Speaker 2: just doing like a swifty like fan level, like we're

506
00:23:06,240 --> 00:23:08,439
Speaker 2: not allowed to know too much. I want to know

507
00:23:08,520 --> 00:23:13,800
Speaker 2: what the fuck question is about? Heally, but I want

508
00:23:13,800 --> 00:23:19,040
Speaker 2: to know where this kiss happened. What did I just

509
00:23:19,080 --> 00:23:21,280
Speaker 2: can't wait to meet her, be friends with her someday

510
00:23:21,320 --> 00:23:23,959
Speaker 2: and be like, girl, we got to talk about this

511
00:23:24,080 --> 00:23:26,600
Speaker 2: and like, wait, did you ever find out if he

512
00:23:26,680 --> 00:23:27,359
Speaker 2: knew it was about?

513
00:23:27,440 --> 00:23:27,560
Speaker 1: Like?

514
00:23:27,920 --> 00:23:30,320
Speaker 2: And how fun was it knowing that he? Like, I

515
00:23:30,440 --> 00:23:33,600
Speaker 2: can't wait to just talk to her someday about all

516
00:23:33,680 --> 00:23:36,600
Speaker 2: of this stuff and how fucking great it must feel

517
00:23:36,960 --> 00:23:38,760
Speaker 2: to write about people who have hurt you and know

518
00:23:38,880 --> 00:23:42,040
Speaker 2: they have to hear it. It's so good, and to

519
00:23:42,160 --> 00:23:44,120
Speaker 2: just get your revenge in this way where you're like

520
00:23:44,400 --> 00:23:47,520
Speaker 2: the bell of the ball and everyone's singing this song

521
00:23:47,560 --> 00:23:49,440
Speaker 2: and this guy is gonna be haunted by it. I mean,

522
00:23:49,560 --> 00:23:53,240
Speaker 2: I've seen memes before where it's like girls saying that

523
00:23:53,359 --> 00:23:55,040
Speaker 2: I know my exes every time they hear a Taylor

524
00:23:55,040 --> 00:23:56,119
Speaker 2: Swift song, they're gonna think.

525
00:23:55,960 --> 00:23:56,679
Speaker 1: Of me, of me.

526
00:23:56,840 --> 00:23:59,399
Speaker 2: Yeah, I mean I love it too, because that's the

527
00:23:59,480 --> 00:24:01,720
Speaker 2: gift she given us of Like, if you're a big

528
00:24:01,800 --> 00:24:04,560
Speaker 2: enough fan, she's everywhere and they're gonna always have to

529
00:24:04,560 --> 00:24:06,160
Speaker 2: think about us. Yeah.

530
00:24:06,280 --> 00:24:09,680
Speaker 1: I feel like she started that trend really early on

531
00:24:09,920 --> 00:24:13,120
Speaker 1: with like you should Have Said No from Debut and

532
00:24:13,480 --> 00:24:16,159
Speaker 1: Better than Revenge, I feel like is the anthem of

533
00:24:16,200 --> 00:24:19,800
Speaker 1: that of like yes, I have the last word. I

534
00:24:19,880 --> 00:24:22,800
Speaker 1: write these bangers that everyone's going to listen to and

535
00:24:22,840 --> 00:24:25,680
Speaker 1: they're about you and there's nothing you can do about it,

536
00:24:25,720 --> 00:24:27,480
Speaker 1: Like yes, I love that.

537
00:24:27,720 --> 00:24:30,080
Speaker 2: It's so good. I used to write jokes when I

538
00:24:30,119 --> 00:24:32,640
Speaker 2: would about guys and sometimes they would be in the room,

539
00:24:32,680 --> 00:24:34,760
Speaker 2: and it was so fucking satisfying.

540
00:24:35,200 --> 00:24:36,280
Speaker 1: Oh my god.

541
00:24:36,840 --> 00:24:41,760
Speaker 2: Success, success in getting laughter about something that's mocking them

542
00:24:41,840 --> 00:24:45,400
Speaker 2: and only they know it's them is just so satisfying.

543
00:24:45,680 --> 00:24:47,440
Speaker 2: I don't even I don't like when people know who

544
00:24:47,440 --> 00:24:49,240
Speaker 2: I'm talking about. I want them to be the only

545
00:24:49,280 --> 00:24:52,520
Speaker 2: one and to know that I'm like that everyone's laughing

546
00:24:52,600 --> 00:24:55,480
Speaker 2: at them. It would be it's a sick thing, but

547
00:24:55,520 --> 00:24:59,040
Speaker 2: it feels so good. Oh God, So the smallest man

548
00:24:59,200 --> 00:25:02,560
Speaker 2: whoever lives? Okay, yeah, it's definitely about who I don't

549
00:25:02,560 --> 00:25:04,360
Speaker 2: ever say it to about You can say those names,

550
00:25:04,400 --> 00:25:07,680
Speaker 2: but I'm not saying names. Jehovah's witness suit. We kind

551
00:25:07,680 --> 00:25:11,879
Speaker 2: of that's painting a picture. Tried to buy some pills

552
00:25:11,960 --> 00:25:13,359
Speaker 2: from a friend of friends of mine. I like the

553
00:25:13,359 --> 00:25:16,119
Speaker 2: fact that she has friends who have friends that are

554
00:25:16,200 --> 00:25:18,760
Speaker 2: drug deal drugs. I mean, this is an edgy Taylor

555
00:25:18,760 --> 00:25:19,879
Speaker 2: Swift we haven't seen before.

556
00:25:20,280 --> 00:25:21,200
Speaker 1: She's being honest.

557
00:25:21,240 --> 00:25:24,560
Speaker 2: She started talking, of course, we all have friends mine

558
00:25:24,800 --> 00:25:27,240
Speaker 2: that that are friends with drug dealers, and I like

559
00:25:27,280 --> 00:25:30,600
Speaker 2: that she is too. That's cool. They just go So

560
00:25:30,680 --> 00:25:32,439
Speaker 2: this is where we think that this guy ghosted her.

561
00:25:32,480 --> 00:25:34,680
Speaker 2: They just ghosted you, now you know what it feels like.

562
00:25:35,000 --> 00:25:38,240
Speaker 1: Yes, ghosted her, absolutely.

563
00:25:38,119 --> 00:25:43,000
Speaker 2: Yes, he uh that's I want details on that so badly.

564
00:25:44,600 --> 00:25:46,760
Speaker 1: I feel like he got on a plane and then

565
00:25:46,840 --> 00:25:48,080
Speaker 1: she just never heard from him.

566
00:25:48,160 --> 00:25:51,000
Speaker 2: Why where do we get the plane thing from that?

567
00:25:51,320 --> 00:25:52,359
Speaker 2: Because I've heard that too.

568
00:25:52,880 --> 00:25:57,120
Speaker 1: Yeah, he went to like a show or like went

569
00:25:57,160 --> 00:26:00,040
Speaker 1: back to England and then I don't remember where I

570
00:26:00,080 --> 00:26:01,320
Speaker 1: read it, but I just feel like.

571
00:26:01,400 --> 00:26:03,879
Speaker 2: Yeah, I know that's been part of the narrative for me,

572
00:26:03,920 --> 00:26:05,960
Speaker 2: as well as this plain thing. But I guess that's

573
00:26:05,960 --> 00:26:08,399
Speaker 2: like how they would ever meet up is like they

574
00:26:08,600 --> 00:26:10,399
Speaker 2: they it's they don't drive to each other, they just

575
00:26:10,400 --> 00:26:13,040
Speaker 2: plain to each other because that's yeah, they're both on

576
00:26:13,040 --> 00:26:15,919
Speaker 2: the tour. I don't even want you back. I just

577
00:26:15,960 --> 00:26:18,480
Speaker 2: want to know if rusting my sparkling summer was the goal.

578
00:26:18,640 --> 00:26:21,680
Speaker 2: Oh my god, and I don't miss what we had,

579
00:26:21,720 --> 00:26:23,439
Speaker 2: but would someone give a message to the smallest man

580
00:26:23,440 --> 00:26:26,880
Speaker 2: whoever left? Okay, so like this is where she's solidly

581
00:26:26,920 --> 00:26:29,240
Speaker 2: being like I don't want to be with you like,

582
00:26:29,440 --> 00:26:33,480
Speaker 2: which you know, I think is an is a point

583
00:26:33,480 --> 00:26:35,120
Speaker 2: that needed to be made because it was a little

584
00:26:35,200 --> 00:26:37,040
Speaker 2: unclear before of like this guy just hurt her, because

585
00:26:37,040 --> 00:26:38,359
Speaker 2: there's been times when I've been hurt my guys, and

586
00:26:38,400 --> 00:26:41,000
Speaker 2: I would totally I acted. I'm acting like I'm really mad.

587
00:26:41,040 --> 00:26:43,280
Speaker 2: But there's a there's a little door that's left open,

588
00:26:43,640 --> 00:26:45,160
Speaker 2: and she's always closing big door.

589
00:26:45,240 --> 00:26:47,719
Speaker 1: What are you talking about? It's like the door is open,

590
00:26:47,920 --> 00:26:48,840
Speaker 1: please come back.

591
00:26:49,400 --> 00:26:50,800
Speaker 2: They have to put their shoe and the kind of

592
00:26:50,840 --> 00:26:53,080
Speaker 2: go like you know, yes.

593
00:26:53,480 --> 00:26:55,199
Speaker 1: Well that's what I like. I mean, I'm sorry if

594
00:26:55,200 --> 00:26:57,600
Speaker 1: I'm skipping ahead. But with I'm going to get you back.

595
00:26:57,720 --> 00:27:01,080
Speaker 1: It's like whether I'm going to kill you or marry you,

596
00:27:01,280 --> 00:27:02,359
Speaker 1: I'm gonna get you back.

597
00:27:02,400 --> 00:27:05,439
Speaker 2: And it's like, oh my god, I did not know

598
00:27:05,520 --> 00:27:09,080
Speaker 2: that double on Condra, Like what I'm gonna get I'm

599
00:27:09,119 --> 00:27:10,960
Speaker 2: gonna get revenge, Like I'm gonna get you back. I

600
00:27:11,000 --> 00:27:14,760
Speaker 2: did not even think about that. Oh really, idiot. No,

601
00:27:14,920 --> 00:27:18,280
Speaker 2: I mean it's I'm okay with not getting it because

602
00:27:18,280 --> 00:27:19,920
Speaker 2: it's so in your face. This is what I'm talking about.

603
00:27:19,920 --> 00:27:22,439
Speaker 2: Like Taylor sometimes has things are so blatant, and that

604
00:27:22,520 --> 00:27:24,119
Speaker 2: was a question I would want to ask her recently,

605
00:27:24,200 --> 00:27:26,359
Speaker 2: is like, what's the most obvious thing that you're like,

606
00:27:26,400 --> 00:27:28,560
Speaker 2: I can't believe they didn't see it, and like, because

607
00:27:28,560 --> 00:27:30,760
Speaker 2: you know there's something where that is glaring and we're

608
00:27:30,800 --> 00:27:32,000
Speaker 2: all missing it. I know it.

609
00:27:32,560 --> 00:27:35,320
Speaker 1: I saw this video last night that said the video

610
00:27:35,359 --> 00:27:37,800
Speaker 1: that has the most Easter eggs. She said, there's like

611
00:27:37,880 --> 00:27:41,680
Speaker 1: maybe hundreds or thousands is look what you made me do?

612
00:27:42,080 --> 00:27:43,960
Speaker 1: And I still, for the life of me, don't know

613
00:27:44,000 --> 00:27:45,000
Speaker 1: what she's talking about.

614
00:27:45,760 --> 00:27:49,400
Speaker 2: Well, some some of these messages are just we'll never

615
00:27:49,440 --> 00:27:52,359
Speaker 2: know because she's never confirmed or denied anything. That's why

616
00:27:52,400 --> 00:27:55,320
Speaker 2: I have to say, thank you, Amy. We think it's

617
00:27:55,320 --> 00:28:00,320
Speaker 2: about you know who what. We have no confirmation and

618
00:28:00,720 --> 00:28:04,359
Speaker 2: I will I will, you know, we can. We only

619
00:28:04,400 --> 00:28:07,119
Speaker 2: can suspect about almost like every we don't have details

620
00:28:07,160 --> 00:28:11,680
Speaker 2: about it. She's never confirmed anyone. Her songs are about anyone,

621
00:28:12,080 --> 00:28:16,760
Speaker 2: so there's always pausible deniability. Even though she did capitalized

622
00:28:16,800 --> 00:28:19,760
Speaker 2: k I am, and it's I'm like yeah, and.

623
00:28:19,920 --> 00:28:22,920
Speaker 1: She used to capitalize in her like old lyrics. Yeah,

624
00:28:22,920 --> 00:28:25,639
Speaker 1: little coded messages for us to know it's.

625
00:28:25,520 --> 00:28:29,600
Speaker 2: About sneaky smallest man. I want to think about any

626
00:28:30,080 --> 00:28:34,840
Speaker 2: other lyrics. I mean, oh god, just I would have

627
00:28:34,880 --> 00:28:37,359
Speaker 2: died for your sins, but instead I just died inside.

628
00:28:37,520 --> 00:28:40,680
Speaker 2: Oh my, I love because it wasn't sexy once it

629
00:28:40,720 --> 00:28:43,360
Speaker 2: wasn't forbidden. Okay, this is an interesting part. And you'll

630
00:28:43,360 --> 00:28:45,600
Speaker 2: confess why you did it, and I'll say good riddance.

631
00:28:45,640 --> 00:28:47,320
Speaker 2: So this is later, fifty years later, it's going to

632
00:28:47,360 --> 00:28:49,640
Speaker 2: be declassified. He'll confess why he did it, and she'll

633
00:28:49,640 --> 00:28:52,440
Speaker 2: say good riddance. That's interesting. She she'll say it then,

634
00:28:52,600 --> 00:28:54,959
Speaker 2: or she'll say it now. Yeah, she'll just go whatever,

635
00:28:56,400 --> 00:28:59,240
Speaker 2: but she says, and I'll say good riddance because it

636
00:28:59,240 --> 00:29:02,520
Speaker 2: wasn't sexy one, it wasn't forbidden. Now, this makes me

637
00:29:02,600 --> 00:29:07,360
Speaker 2: think that she might be someone who thought it wasn't

638
00:29:07,360 --> 00:29:08,640
Speaker 2: sexy once it wasn't forbidden.

639
00:29:08,680 --> 00:29:10,400
Speaker 1: Oh I did not even think of that.

640
00:29:11,560 --> 00:29:13,760
Speaker 2: Yeah, I don't know why that makes me think that

641
00:29:13,920 --> 00:29:17,760
Speaker 2: like it because I'll say good riddance, because I mean,

642
00:29:17,760 --> 00:29:21,680
Speaker 2: she's talking about something because because of what she did,

643
00:29:21,720 --> 00:29:23,960
Speaker 2: she'll say good riddance because it wasn't sexy once, it

644
00:29:23,960 --> 00:29:26,880
Speaker 2: wasn't forbidden. So she's admitting that. I think a little

645
00:29:26,880 --> 00:29:29,840
Speaker 2: bit here that she might be part of the problem.

646
00:29:30,160 --> 00:29:31,320
Speaker 2: It's right high on the problem.

647
00:29:31,400 --> 00:29:36,520
Speaker 1: It's me, yes, you're right that like I liked it, Yes, no,

648
00:29:36,560 --> 00:29:36,960
Speaker 1: you're And.

649
00:29:36,960 --> 00:29:40,360
Speaker 2: Then I like that someone called this out in a

650
00:29:40,400 --> 00:29:42,200
Speaker 2: review I saw, which I thought was funny, but I

651
00:29:42,240 --> 00:29:44,320
Speaker 2: think Taylor is in on it. You said normal girls

652
00:29:44,320 --> 00:29:46,960
Speaker 2: were boring, but you were gone by the morning, and

653
00:29:47,000 --> 00:29:49,440
Speaker 2: it's like, does that mean you're boring? Taylor like? Did

654
00:29:49,480 --> 00:29:52,840
Speaker 2: he like? It's It's kind of a funny two sentences

655
00:29:52,880 --> 00:29:55,239
Speaker 2: to put together. I don't think she meant it that way,

656
00:29:55,280 --> 00:29:57,960
Speaker 2: but I also think that she is. She might have

657
00:29:58,200 --> 00:30:00,320
Speaker 2: like she might have been like, we does that mean

658
00:30:00,320 --> 00:30:02,160
Speaker 2: you think I was boring? You kicked out the stage

659
00:30:02,240 --> 00:30:04,520
Speaker 2: lights but you're still performing? I mean that's I think

660
00:30:04,720 --> 00:30:07,600
Speaker 2: there's the footage of him kicking out stage lights possibly.

661
00:30:07,480 --> 00:30:09,840
Speaker 1: Oh is there? I mean, how could I not be?

662
00:30:10,680 --> 00:30:12,520
Speaker 2: I think it's just a guy who's causing a ruckus

663
00:30:12,520 --> 00:30:16,120
Speaker 2: on stage, okay, or you know, you're making things go

664
00:30:16,240 --> 00:30:19,840
Speaker 2: so things are going dark? And you're still You're still performing.

665
00:30:19,960 --> 00:30:22,640
Speaker 1: Way I thought about it was like you kicked off

666
00:30:22,680 --> 00:30:25,520
Speaker 1: the stage lights because her and they were in a

667
00:30:25,560 --> 00:30:28,240
Speaker 1: relationship that was on a world stage, so you didn't

668
00:30:28,280 --> 00:30:31,000
Speaker 1: want the attention. But you're still in the public eye.

669
00:30:31,080 --> 00:30:34,520
Speaker 1: You're still performing, right, you're still dating publicly?

670
00:30:35,040 --> 00:30:39,320
Speaker 2: Oh interesting and in place in sight your head, But

671
00:30:39,400 --> 00:30:41,880
Speaker 2: you are. But you are what you did is such

672
00:30:41,880 --> 00:30:45,160
Speaker 2: a good line, so simple, but so fucking good.

673
00:30:45,560 --> 00:30:48,160
Speaker 1: And it's like, yeah, all these excuses I made for

674
00:30:48,280 --> 00:30:50,880
Speaker 1: guys I've dated, and it's like, no, you are what

675
00:30:50,920 --> 00:30:54,479
Speaker 1: you did. They are the decisions that they've made and

676
00:30:54,520 --> 00:30:56,760
Speaker 1: the things that they've done. It's not separate.

677
00:30:57,560 --> 00:31:03,600
Speaker 2: And I'll forget you, but I'll never forgive. So, I mean,

678
00:31:04,440 --> 00:31:06,760
Speaker 2: I feel like we've heard. I'm like, how have we

679
00:31:06,840 --> 00:31:09,880
Speaker 2: not heard? All the way she works language in new

680
00:31:09,920 --> 00:31:13,120
Speaker 2: ways that maybe I'm naive to think this is the

681
00:31:13,120 --> 00:31:16,720
Speaker 2: most amazing poetry I've ever read, but it to me,

682
00:31:16,880 --> 00:31:19,240
Speaker 2: it truly is. And she is just doing stuff with

683
00:31:19,280 --> 00:31:22,200
Speaker 2: words that I just like in phrases. I love how

684
00:31:22,240 --> 00:31:25,960
Speaker 2: she just takes an old, worn phrase and makes it deconstruction,

685
00:31:26,040 --> 00:31:29,479
Speaker 2: it deconstructs it and makes it new again. I'll forget you,

686
00:31:29,480 --> 00:31:32,680
Speaker 2: but I'll never forgive It reminds me of when Lauren

687
00:31:32,720 --> 00:31:38,720
Speaker 2: Conrad said to Heidi Montag the Hills, I'll forgive you. Wait,

688
00:31:39,400 --> 00:31:41,760
Speaker 2: I forgive you. I don't forgive you. We know I'll

689
00:31:41,760 --> 00:31:45,160
Speaker 2: forgive you, and I want to forget you. Yes, Oh

690
00:31:45,440 --> 00:31:47,000
Speaker 2: that was so. That was such a good.

691
00:31:46,800 --> 00:31:49,200
Speaker 1: Moment with the tear going down her eye.

692
00:31:49,240 --> 00:31:51,640
Speaker 2: Oh yeah, one little tear. Oh my god. Want a

693
00:31:51,640 --> 00:31:55,520
Speaker 2: little uh droplet of vizin that they put in right

694
00:31:55,600 --> 00:31:57,320
Speaker 2: before the shot. And I'll forget you, but I'll never

695
00:31:57,360 --> 00:32:00,560
Speaker 2: forget the smallest man who ever lived. Okay, upside, Let's

696
00:32:00,560 --> 00:32:02,880
Speaker 2: get to the next song because we're Oh, I have

697
00:32:03,000 --> 00:32:05,160
Speaker 2: to go to break again. I'm gonna put in a

698
00:32:05,280 --> 00:32:09,080
Speaker 2: break before, but we're gonna cut all this out. Sorry, okay,

699
00:32:09,160 --> 00:32:10,960
Speaker 2: before we get to the next song. God, I thought

700
00:32:10,960 --> 00:32:12,480
Speaker 2: we were gonna get through more today, but we're not.

701
00:32:12,560 --> 00:32:14,560
Speaker 2: We're gonna go to break. We'll be back after this

702
00:32:14,880 --> 00:32:16,120
Speaker 2: with what's next?

703
00:32:16,400 --> 00:32:17,120
Speaker 1: The Alchemy?

704
00:32:17,360 --> 00:32:19,640
Speaker 2: The alchemy? Ooh, who are we to fight it? We'll

705
00:32:19,640 --> 00:32:22,680
Speaker 2: be back after this. All right, we're back. Let's talk

706
00:32:22,720 --> 00:32:27,440
Speaker 2: about the Alchemy. Travis Kelsey said this is one of

707
00:32:27,480 --> 00:32:32,640
Speaker 2: his favorite songs because it's about him, bitch, and so

708
00:32:32,760 --> 00:32:35,200
Speaker 2: high School and blank Space. I saw a meme that

709
00:32:35,320 --> 00:32:38,320
Speaker 2: was like, even Travis Kelsey has songs about him and

710
00:32:38,360 --> 00:32:40,840
Speaker 2: he has to admit Blank Space fucking is the best

711
00:32:40,920 --> 00:32:46,400
Speaker 2: song ever. Yeah, it rolls. Yeah, I loved that, and yeah,

712
00:32:46,440 --> 00:32:50,440
Speaker 2: Alchemy is definitely about him. Uh, let's let me look

713
00:32:50,440 --> 00:32:53,240
Speaker 2: at the lyrics, because it's this and so high School

714
00:32:53,360 --> 00:32:54,960
Speaker 2: kind of blend together for me. Even though I'm listening

715
00:32:55,040 --> 00:32:56,760
Speaker 2: to SO, I always have a lot.

716
00:32:56,480 --> 00:32:59,960
Speaker 1: More so high School was took the place of this song,

717
00:33:00,160 --> 00:33:03,800
Speaker 1: and then the Alchemy was on the anthology.

718
00:33:05,120 --> 00:33:07,400
Speaker 2: I don't really care where they are because they came

719
00:33:07,440 --> 00:33:10,040
Speaker 2: out like three hours apart, So it's all the same

720
00:33:10,080 --> 00:33:12,360
Speaker 2: to me. Does that look like but you're saying just

721
00:33:12,400 --> 00:33:14,440
Speaker 2: in terms of when you listen to the album through.

722
00:33:15,680 --> 00:33:19,760
Speaker 1: Yeah, I feel like, yeah, exactly.

723
00:33:19,480 --> 00:33:21,200
Speaker 2: This is too early for you because we haven't gotten

724
00:33:21,240 --> 00:33:23,280
Speaker 2: to school so high school yet, right, Yeah?

725
00:33:24,120 --> 00:33:27,200
Speaker 1: Yeah, And I guess maybe I put more weight onto

726
00:33:27,360 --> 00:33:32,080
Speaker 1: the original album because I like to listen to it

727
00:33:32,120 --> 00:33:34,400
Speaker 1: from start to end, and I think that she curates

728
00:33:34,440 --> 00:33:37,040
Speaker 1: it in a way that is listenable in one way.

729
00:33:37,760 --> 00:33:40,640
Speaker 2: You're right, yeah, but I don't think of it that way.

730
00:33:40,680 --> 00:33:42,680
Speaker 2: But yes, I think so high School would have been

731
00:33:43,240 --> 00:33:46,480
Speaker 2: a better first song about him than Alchemy.

732
00:33:46,880 --> 00:33:48,120
Speaker 1: Yes, that's how I feel.

733
00:33:50,080 --> 00:33:52,880
Speaker 2: Yeah, this was the first time we hear Oh my god.

734
00:33:53,040 --> 00:33:59,160
Speaker 2: I so when Chris, when Taylor and Travis start dating, Chris,

735
00:33:59,200 --> 00:34:01,360
Speaker 2: my boyfriend was like, do you think our next songs

736
00:34:01,360 --> 00:34:04,400
Speaker 2: are gonna be like? And then the we touched down

737
00:34:04,520 --> 00:34:07,320
Speaker 2: in a place and then I spike the ball and

738
00:34:07,400 --> 00:34:10,760
Speaker 2: you threw me like it's just gonna be all football metaphors,

739
00:34:10,800 --> 00:34:13,240
Speaker 2: and I was like, no, our girl is not that corny.

740
00:34:13,560 --> 00:34:16,279
Speaker 2: I go, I go, she she might, but she's going

741
00:34:16,320 --> 00:34:18,839
Speaker 2: to do it with a glitter pen way like she's

742
00:34:18,840 --> 00:34:22,440
Speaker 2: not gonna be I go, no, I'm sorry. I did

743
00:34:22,440 --> 00:34:23,839
Speaker 2: not say that the time I said at the time,

744
00:34:23,880 --> 00:34:25,680
Speaker 2: I said, no, she's not going to do that to us,

745
00:34:25,760 --> 00:34:28,560
Speaker 2: And because I literally I thought that that just sounded

746
00:34:28,560 --> 00:34:31,239
Speaker 2: too cheesy, But I did not realize how it could

747
00:34:31,280 --> 00:34:33,239
Speaker 2: be done in a way that would not make me

748
00:34:33,440 --> 00:34:35,480
Speaker 2: feel that way at all. And then the album came

749
00:34:35,520 --> 00:34:37,840
Speaker 2: out and I sent Chris the lyrics and I go,

750
00:34:37,960 --> 00:34:41,160
Speaker 2: I am eating crow. Absolutely, she's done it, but can

751
00:34:41,200 --> 00:34:43,239
Speaker 2: I plead? I go, I'll let you have this win

752
00:34:43,760 --> 00:34:45,919
Speaker 2: that you predicted what she would do. But I need

753
00:34:45,960 --> 00:34:48,640
Speaker 2: to tell you she's doing it ironically, and she's doing

754
00:34:48,640 --> 00:34:50,880
Speaker 2: it with like, with a little bit of irony, and

755
00:34:50,960 --> 00:34:52,759
Speaker 2: she's doing it with a glitter pen. And you're I

756
00:34:52,800 --> 00:34:54,719
Speaker 2: don't need you to understand what that means, but I

757
00:34:54,760 --> 00:34:58,359
Speaker 2: know what it means, and it's permissible. So I love

758
00:34:58,480 --> 00:35:01,360
Speaker 2: the football references and all of in so high school

759
00:35:01,400 --> 00:35:02,360
Speaker 2: in Alchemy.

760
00:35:02,360 --> 00:35:05,760
Speaker 1: My favorite line from this is he jokes that it's Heroin,

761
00:35:05,920 --> 00:35:07,439
Speaker 1: but this time with an E.

762
00:35:07,840 --> 00:35:09,080
Speaker 2: Yeah, he definitely made that joke.

763
00:35:09,719 --> 00:35:11,720
Speaker 1: Oh do you think he made it? Yeah?

764
00:35:11,800 --> 00:35:13,640
Speaker 2: I think that he was like, you're like Heroin but

765
00:35:13,680 --> 00:35:16,759
Speaker 2: with an E. And that just is and that's letting

766
00:35:16,840 --> 00:35:19,520
Speaker 2: us know that he's smarter than maybe he We think

767
00:35:19,560 --> 00:35:23,640
Speaker 2: he is swifty universe Hannahs and Sarah's because he knows

768
00:35:23,680 --> 00:35:26,120
Speaker 2: the difference than those spellings, which is not actually a

769
00:35:26,200 --> 00:35:28,120
Speaker 2: very easy thing to know the difference, and because sometimes

770
00:35:28,160 --> 00:35:31,440
Speaker 2: I get it confused. Yeah, I thought that was really cute.

771
00:35:32,040 --> 00:35:33,880
Speaker 2: But some people were saying that this song might be

772
00:35:33,880 --> 00:35:36,640
Speaker 2: about the other guy because of the mention of Heroin.

773
00:35:38,440 --> 00:35:40,080
Speaker 1: Oh, I didn't think of that.

774
00:35:40,840 --> 00:35:43,480
Speaker 2: Because it's like, because this time it's Heroin with an E,

775
00:35:43,680 --> 00:35:45,520
Speaker 2: Like last time it was Heroin without an E? Why

776
00:35:45,600 --> 00:35:47,719
Speaker 2: why say this time if there wasn't a last time?

777
00:35:49,719 --> 00:35:51,520
Speaker 2: I made that part up. But that's kind of why

778
00:35:51,520 --> 00:35:53,520
Speaker 2: I think maybe it could be because I think some

779
00:35:53,560 --> 00:35:55,880
Speaker 2: of these songs are a mixture of people. And I

780
00:35:55,960 --> 00:36:00,319
Speaker 2: also but Okay, if you're Travis and you like this

781
00:36:00,360 --> 00:36:02,279
Speaker 2: song is about me, he goes, Babe, I never made

782
00:36:02,320 --> 00:36:04,799
Speaker 2: a joke about Heroin with an E. What's that? And

783
00:36:04,880 --> 00:36:08,160
Speaker 2: she'd just be like, babes, come here and she just

784
00:36:08,280 --> 00:36:11,880
Speaker 2: kisses it and then he forgets. I don't know, Like,

785
00:36:12,040 --> 00:36:14,480
Speaker 2: do you think do you think she could, in a

786
00:36:14,680 --> 00:36:18,720
Speaker 2: song that's about Travis have snuck in some other guy stuff.

787
00:36:18,880 --> 00:36:19,560
Speaker 2: I think she could have.

788
00:36:20,000 --> 00:36:24,279
Speaker 1: She could have, And I wonder like, would she have

789
00:36:24,440 --> 00:36:27,799
Speaker 1: told him about her previous, her past and the guy

790
00:36:27,960 --> 00:36:30,640
Speaker 1: was dealing with drug issues? Okay, yeah, I.

791
00:36:30,560 --> 00:36:34,080
Speaker 2: Think no, I think she probably. That's what I would

792
00:36:34,080 --> 00:36:36,359
Speaker 2: like to ask Taylor. Taylor, when you date a new guy,

793
00:36:36,480 --> 00:36:39,279
Speaker 2: do you walk them through your romantic past? Because I

794
00:36:39,400 --> 00:36:41,480
Speaker 2: know that you want to because you're like me and

795
00:36:41,520 --> 00:36:43,200
Speaker 2: I would want to, But guys don't want to hear

796
00:36:43,239 --> 00:36:44,680
Speaker 2: that shit. Ever, Dude.

797
00:36:44,800 --> 00:36:47,280
Speaker 1: That's what's great about him is he went to the show.

798
00:36:47,400 --> 00:36:50,520
Speaker 1: He knows what she's about, he knows she's gonna write

799
00:36:50,560 --> 00:36:52,040
Speaker 1: about it. He knows that these are I.

800
00:36:52,000 --> 00:36:53,680
Speaker 2: Don't think he's thinking about it that much. I don't

801
00:36:53,719 --> 00:36:56,080
Speaker 2: think he's thinking that much about it right now. I

802
00:36:56,080 --> 00:36:58,080
Speaker 2: think he just likes a good bop. I really don't

803
00:36:58,080 --> 00:37:01,040
Speaker 2: think that he is like investigating these lyrics like we are,

804
00:37:02,000 --> 00:37:03,840
Speaker 2: and that is not an indictment. I love him and

805
00:37:03,920 --> 00:37:06,520
Speaker 2: he doesn't need to do that, like Chris loves me

806
00:37:06,640 --> 00:37:09,399
Speaker 2: and isn't like, let me, how did you write this joke?

807
00:37:09,440 --> 00:37:12,719
Speaker 2: And what inspired it? Like he likes He just likes me,

808
00:37:12,880 --> 00:37:15,080
Speaker 2: you know, like he doesn't need to delve into this stuff.

809
00:37:15,120 --> 00:37:17,320
Speaker 2: So I don't if we're looking for Travis to be

810
00:37:17,360 --> 00:37:19,359
Speaker 2: as SWIFTYE on the level that we are, you're gonna

811
00:37:19,360 --> 00:37:20,799
Speaker 2: be disappointed, and he shouldn't be.

812
00:37:21,160 --> 00:37:24,000
Speaker 1: Honestly, Well, I guess then. I think it would be

813
00:37:24,040 --> 00:37:26,320
Speaker 1: a bit cruel for her to say he jokes that

814
00:37:26,400 --> 00:37:29,200
Speaker 1: it's Heroin, but this time with an E. Because as

815
00:37:29,280 --> 00:37:32,080
Speaker 1: much as someone has hurt you, like a drug, addiction

816
00:37:32,239 --> 00:37:35,000
Speaker 1: is serious. So I don't think that she would make

817
00:37:35,080 --> 00:37:35,920
Speaker 1: that jest of it.

818
00:37:36,160 --> 00:37:39,160
Speaker 2: No, I'm just saying that she would say it if

819
00:37:39,400 --> 00:37:42,480
Speaker 2: if that person had said it, like if the person

820
00:37:42,520 --> 00:37:44,759
Speaker 2: that said it, because he jokes, it's him saying it.

821
00:37:44,840 --> 00:37:48,319
Speaker 2: So either Travis said this or someone else said this, right,

822
00:37:48,360 --> 00:37:49,959
Speaker 2: And if it was the someone else, I don't find

823
00:37:50,000 --> 00:37:53,479
Speaker 2: it bad if she's saying the joke for him, even

824
00:37:53,480 --> 00:37:55,600
Speaker 2: though I mean she talks about his drug addiction, like

825
00:37:55,880 --> 00:37:58,920
Speaker 2: but you wanted drugs more and I just watched it happen.

826
00:37:59,200 --> 00:38:01,279
Speaker 2: When I first heard that, I was like, Oh, what

827
00:38:02,800 --> 00:38:04,520
Speaker 2: we're learning about someone's drug addiction.

828
00:38:05,120 --> 00:38:07,239
Speaker 1: I think that's my like top two song on the

829
00:38:07,280 --> 00:38:07,840
Speaker 1: whole album.

830
00:38:07,920 --> 00:38:11,880
Speaker 2: Oh my god, it's so good. I'm obsessed with that song.

831
00:38:12,560 --> 00:38:15,719
Speaker 1: How you go back to like the bridge of the

832
00:38:15,800 --> 00:38:18,279
Speaker 1: Smallest Man who Ever Lived? Yeah, I go back to

833
00:38:18,320 --> 00:38:21,560
Speaker 1: the verses of Chloe or Samers if your march.

834
00:38:21,440 --> 00:38:24,440
Speaker 2: Oh really, the verses see the Thing That Grows and that.

835
00:38:24,440 --> 00:38:28,360
Speaker 1: Song I tell you, Oh go ahead, No. My favorite

836
00:38:28,400 --> 00:38:30,200
Speaker 1: part in that song is that I want to keep

837
00:38:30,239 --> 00:38:35,000
Speaker 1: skipping back to is I changed in? I changed into goddesses,

838
00:38:35,120 --> 00:38:39,080
Speaker 1: villains and fools, changed plans and lovers and outfits and rules,

839
00:38:39,480 --> 00:38:41,680
Speaker 1: all to outrun my desertion of you.

840
00:38:42,160 --> 00:38:45,439
Speaker 2: Desertion of you, desertion of you. And I just looked

841
00:38:45,440 --> 00:38:46,880
Speaker 2: at that. I was like kind of checking out the

842
00:38:46,960 --> 00:38:49,120
Speaker 2: lyrics before we got started, and I was like focused

843
00:38:49,160 --> 00:38:54,000
Speaker 2: on that exact uh verse because I loved I changed

844
00:38:54,000 --> 00:38:56,360
Speaker 2: into goddesses, villains and fools, change plans and lovers and

845
00:38:56,360 --> 00:38:59,520
Speaker 2: outfits and rules, and also outrun my desertions. So she's

846
00:39:00,239 --> 00:39:02,720
Speaker 2: why she out what is it to outrun a desertion?

847
00:39:03,200 --> 00:39:06,759
Speaker 1: He's gonna leave her, So she's changing anything about herself

848
00:39:06,800 --> 00:39:07,800
Speaker 1: to make him stay.

849
00:39:09,440 --> 00:39:14,359
Speaker 2: She's run, but it's her desertion of him, not his. Yeah,

850
00:39:14,400 --> 00:39:17,640
Speaker 2: she says, all to outrun my desertion, desertion of you.

851
00:39:18,239 --> 00:39:19,080
Speaker 2: It's her desertion.

852
00:39:20,280 --> 00:39:23,560
Speaker 1: Oh my god. Even though that's the words, I still believe.

853
00:39:23,640 --> 00:39:25,799
Speaker 1: I don't know how to explain this, Like maybe I'm

854
00:39:25,840 --> 00:39:27,799
Speaker 1: in lalla land. I don't care, but it's like.

855
00:39:27,840 --> 00:39:31,319
Speaker 2: I think she wants to leave him, trying to outrun it.

856
00:39:31,480 --> 00:39:34,359
Speaker 2: She's trying to like dress up and do things even

857
00:39:34,360 --> 00:39:37,560
Speaker 2: though she wants out. She's trying to save the fact

858
00:39:37,560 --> 00:39:41,080
Speaker 2: that she wants out All to outrun my desertion of you,

859
00:39:41,200 --> 00:39:42,960
Speaker 2: like I was deserving.

860
00:39:42,840 --> 00:39:43,920
Speaker 1: Him deserting her.

861
00:39:44,440 --> 00:39:47,720
Speaker 2: It's not though, it's literally all to outrun my desertion.

862
00:39:47,880 --> 00:39:49,640
Speaker 2: Of you, and I get what you're saying where you're like,

863
00:39:49,680 --> 00:39:51,640
Speaker 2: I don't care what she says. I know the feeling

864
00:39:51,640 --> 00:39:53,400
Speaker 2: that she's trying to convey, and I'm gonna go with that,

865
00:39:53,440 --> 00:39:55,400
Speaker 2: and I totally trust you to do that. But I

866
00:39:55,440 --> 00:39:58,319
Speaker 2: think it could also be the other thing, because.

867
00:39:58,000 --> 00:39:58,439
Speaker 1: It is.

868
00:40:00,880 --> 00:40:08,359
Speaker 2: Look at you looking off into the distance. Don't desert me. No,

869
00:40:08,520 --> 00:40:10,440
Speaker 2: you know the part of the song that really kills

870
00:40:10,480 --> 00:40:13,640
Speaker 2: me is if you want to break my cold, cold heart,

871
00:40:13,920 --> 00:40:15,839
Speaker 2: just say I loved you the way that you were.

872
00:40:15,920 --> 00:40:19,239
Speaker 2: Like She's all she's asking for is like these. If

873
00:40:19,280 --> 00:40:20,960
Speaker 2: you want to tear my world apart, just say you've

874
00:40:20,960 --> 00:40:24,000
Speaker 2: always wondered, Like all you have to all you have

875
00:40:24,040 --> 00:40:26,759
Speaker 2: to do to get me to not desert you is

876
00:40:26,960 --> 00:40:30,799
Speaker 2: say these two things. Say I love you the way

877
00:40:30,840 --> 00:40:33,800
Speaker 2: that you were. Just say that and I will stick around.

878
00:40:34,239 --> 00:40:35,920
Speaker 2: Or if you want to tear my world apart, if

879
00:40:35,960 --> 00:40:38,239
Speaker 2: you want to like you want to keep me, just

880
00:40:38,280 --> 00:40:40,560
Speaker 2: say you've always want like And if if we are

881
00:40:40,600 --> 00:40:42,840
Speaker 2: broken up and then you want to keep me or

882
00:40:42,840 --> 00:40:44,880
Speaker 2: get me back, just say I've always wondered what we

883
00:40:44,880 --> 00:40:47,320
Speaker 2: could have been. Like just she just wants a little

884
00:40:47,520 --> 00:40:50,040
Speaker 2: hope and she will not.

885
00:40:50,480 --> 00:40:52,480
Speaker 1: Blowing my mind right now, That is not what I

886
00:40:52,520 --> 00:40:53,640
Speaker 1: thought the song was about.

887
00:40:54,080 --> 00:40:56,799
Speaker 2: But also it is about like the fear of like

888
00:40:57,200 --> 00:41:00,320
Speaker 2: you wanting, wanting to knowing something's ending, and being terrified

889
00:41:00,360 --> 00:41:02,640
Speaker 2: of it ending because even though it might be good

890
00:41:02,680 --> 00:41:05,280
Speaker 2: and you want out, you think about your holograms stumbled

891
00:41:05,280 --> 00:41:07,920
Speaker 2: into my apartment, hands in the hair of somebody in darkness.

892
00:41:08,080 --> 00:41:11,080
Speaker 2: And by the way, this person is that she's thinking

893
00:41:11,080 --> 00:41:14,280
Speaker 2: about as bisexual because Chloe, sam or Sophia or Marcus,

894
00:41:14,280 --> 00:41:16,560
Speaker 2: which I thought was a little bit like someone's getting outed,

895
00:41:16,920 --> 00:41:19,319
Speaker 2: But maybe that person's already out. I don't know. As

896
00:41:19,320 --> 00:41:21,200
Speaker 2: a decade would play us for fools. And you saw

897
00:41:21,239 --> 00:41:23,640
Speaker 2: my bones out with somebody new who seemed like he

898
00:41:23,640 --> 00:41:26,520
Speaker 2: would have bullied you in school. Now she's either talking

899
00:41:26,560 --> 00:41:29,920
Speaker 2: about she's out with someone who looks like a football

900
00:41:29,920 --> 00:41:32,120
Speaker 2: player that would have bullied the guy before him, or

901
00:41:32,520 --> 00:41:34,479
Speaker 2: she's with some guy who looks like a little punk

902
00:41:34,520 --> 00:41:37,439
Speaker 2: kid who would have bullied the theater kid. I don't

903
00:41:37,480 --> 00:41:39,440
Speaker 2: know who this is about.

904
00:41:40,040 --> 00:41:42,879
Speaker 1: No, I feel like he's hooking up with somebody who

905
00:41:42,880 --> 00:41:44,520
Speaker 1: would have bullied him in school.

906
00:41:45,239 --> 00:41:48,040
Speaker 2: No, and you saw my you saw my bones out

907
00:41:48,040 --> 00:41:50,560
Speaker 2: with somebody new, So he saw her out with somebody

908
00:41:50,680 --> 00:41:53,160
Speaker 2: new who seemed like he would have bullied you in school.

909
00:41:53,239 --> 00:41:56,160
Speaker 1: Oh my god, Nikki, you are turning my world up

910
00:41:56,800 --> 00:41:57,600
Speaker 1: down today.

911
00:41:57,800 --> 00:42:02,799
Speaker 2: Yeah. Oh yeah, oh my good. Yes, you needed me,

912
00:42:02,880 --> 00:42:05,880
Speaker 2: but you needed drugs more. And my favorite like just

913
00:42:05,960 --> 00:42:09,480
Speaker 2: melody is and I couldn't watch it happened like that

914
00:42:09,640 --> 00:42:13,840
Speaker 2: is the most beautiful melody of it just conveys everything.

915
00:42:13,880 --> 00:42:16,200
Speaker 2: I just sometimes she just like nails the melody with

916
00:42:16,239 --> 00:42:19,400
Speaker 2: the words and it just that the watch it happened

917
00:42:19,600 --> 00:42:25,080
Speaker 2: ones kill me, absolutely kill me. I'm shredded. Wow, let's

918
00:42:25,080 --> 00:42:29,520
Speaker 2: get to sarready did that? No, that's okay. Clara Bow

919
00:42:30,680 --> 00:42:33,439
Speaker 2: love the lyrics. The song itself is beautiful, but it's

920
00:42:33,480 --> 00:42:37,160
Speaker 2: just not what I'm I'm just needing like fast bops

921
00:42:37,239 --> 00:42:39,799
Speaker 2: right now in my life. But I love the lyrics.

922
00:42:40,280 --> 00:42:43,719
Speaker 1: Yeah, and the content and the commentary because even now

923
00:42:43,760 --> 00:42:47,600
Speaker 1: it's like I'm thirty five and it's like you're always compared,

924
00:42:47,680 --> 00:42:50,560
Speaker 1: you never feel like you're good enough. Like I don't know.

925
00:42:50,600 --> 00:42:52,719
Speaker 1: I just loved the message of that. Yeah, it was

926
00:42:52,760 --> 00:42:53,520
Speaker 1: so beautiful.

927
00:42:53,640 --> 00:42:58,440
Speaker 2: It's nothing new two point zero. It's about like being replaced. Yeah,

928
00:42:58,480 --> 00:43:02,719
Speaker 2: and yeah, it's you're the crown is stained, but you're

929
00:43:02,760 --> 00:43:05,920
Speaker 2: the real queen. I mean, like she I honestly felt

930
00:43:05,960 --> 00:43:09,320
Speaker 2: like this. Let two weeks ago when the roast happen,

931
00:43:09,440 --> 00:43:12,239
Speaker 2: Like everyone's just like you're the queen. You literally are.

932
00:43:12,280 --> 00:43:13,960
Speaker 2: People are calling me a queen for the first time

933
00:43:13,960 --> 00:43:16,239
Speaker 2: in my life, and I'm just like, I know that.

934
00:43:16,320 --> 00:43:19,480
Speaker 2: It's they're comparing me to people and saying like this,

935
00:43:19,640 --> 00:43:22,360
Speaker 2: you're like her, but you actually do this like trying

936
00:43:22,400 --> 00:43:24,440
Speaker 2: to build me up by comparing me to other women.

937
00:43:24,480 --> 00:43:25,960
Speaker 1: By putting down other women.

938
00:43:26,320 --> 00:43:28,480
Speaker 2: Yeah, and you feel like there's all this attention on

939
00:43:28,520 --> 00:43:30,480
Speaker 2: you and you're you're the bell of the ball, like

940
00:43:30,560 --> 00:43:34,560
Speaker 2: you're you're the best going. And the truth is it's

941
00:43:34,600 --> 00:43:36,520
Speaker 2: that it might be for the time being, but is

942
00:43:36,600 --> 00:43:39,279
Speaker 2: only the time being. This is not an everlasting kind

943
00:43:39,280 --> 00:43:42,560
Speaker 2: of attention that you can ever count on, and it's

944
00:43:42,600 --> 00:43:44,759
Speaker 2: it will always break your heart every single time.

945
00:43:44,800 --> 00:43:45,239
Speaker 1: It is not.

946
00:43:45,480 --> 00:43:47,920
Speaker 2: You are not going to have a love affair with

947
00:43:47,960 --> 00:43:51,000
Speaker 2: show business that lasts a lifetime. It will divorce you

948
00:43:51,719 --> 00:43:54,360
Speaker 2: without and it will start fucking someone new, and it

949
00:43:54,400 --> 00:43:58,000
Speaker 2: will break your heart every goddamn time. So don't believe

950
00:43:58,040 --> 00:44:00,319
Speaker 2: them when they tell you they're the queen. You are

951
00:44:00,440 --> 00:44:03,080
Speaker 2: one person you were. You are someone that they told,

952
00:44:03,239 --> 00:44:05,520
Speaker 2: Oh you look like her, but you're better. And in

953
00:44:05,560 --> 00:44:07,719
Speaker 2: the end, someone's gonna tell a girl you look like

954
00:44:07,760 --> 00:44:09,839
Speaker 2: Taylor Swift in this light, we're loving it, and you've

955
00:44:09,840 --> 00:44:13,560
Speaker 2: got edge, but she never did. The future's bright, dazzling. Yes,

956
00:44:13,920 --> 00:44:15,719
Speaker 2: you're going to be replaced by the next thing. And

957
00:44:15,719 --> 00:44:18,680
Speaker 2: they're gonna say you're like Nikki Glazer, but you actually

958
00:44:19,680 --> 00:44:22,359
Speaker 2: I don't even know what they could say. Uh what

959
00:44:22,400 --> 00:44:24,480
Speaker 2: my biggest fear is of but that butt. But I

960
00:44:24,520 --> 00:44:26,160
Speaker 2: don't even want to think about it. But it's true

961
00:44:26,200 --> 00:44:29,920
Speaker 2: that it is. This made me hate show business. Also

962
00:44:30,000 --> 00:44:33,919
Speaker 2: the song that I saw her do for the first time,

963
00:44:34,920 --> 00:44:37,719
Speaker 2: Oh what was it? Well, uh, let's I don't even

964
00:44:37,719 --> 00:44:40,080
Speaker 2: think it's time to go to break yet. I told Olivia, though, schedule,

965
00:44:40,360 --> 00:44:41,640
Speaker 2: let's go to break and then we'll find out. What

966
00:44:41,680 --> 00:44:43,200
Speaker 2: song I'm talking about. Is the one that makes me

967
00:44:43,280 --> 00:44:46,439
Speaker 2: also hate Hollywood. All right, we're back. It's the one

968
00:44:46,480 --> 00:44:49,840
Speaker 2: that she the song that she played when I was

969
00:44:51,000 --> 00:44:53,400
Speaker 2: at Eras the first concert and I was up in

970
00:44:53,440 --> 00:44:55,120
Speaker 2: the stands and I was like, oh, this is our

971
00:44:55,160 --> 00:44:57,480
Speaker 2: secret song. I don't even know this song, but it's

972
00:44:57,480 --> 00:45:02,200
Speaker 2: the one about God damn it. I think it's off red,

973
00:45:02,280 --> 00:45:05,360
Speaker 2: but I could be wrong. And it's about being in

974
00:45:05,400 --> 00:45:08,960
Speaker 2: Hollywood and they moved to a farm or something. The

975
00:45:08,960 --> 00:45:09,759
Speaker 2: woman moves out.

976
00:45:09,840 --> 00:45:15,960
Speaker 1: Oh it's about Joni Mitchell. Really, yes, hold on, hold

977
00:45:16,000 --> 00:45:17,759
Speaker 1: on you.

978
00:45:17,840 --> 00:45:20,000
Speaker 2: The Swifties are screaming at their Oh.

979
00:45:19,880 --> 00:45:23,560
Speaker 1: I'm so sorry. I'm I'm usually a lot better.

980
00:45:26,640 --> 00:45:31,200
Speaker 2: In The fig and Fortune and The Lucky One, The

981
00:45:31,280 --> 00:45:33,799
Speaker 2: Lucky One. She played that song and I was like,

982
00:45:33,840 --> 00:45:36,960
Speaker 2: what is this? And then I was like, oh my god,

983
00:45:37,480 --> 00:45:39,840
Speaker 2: they tell you, they tell you the Lucky One, and

984
00:45:39,880 --> 00:45:43,919
Speaker 2: then she eventually, Yeah, she becomes famous in this town,

985
00:45:44,000 --> 00:45:45,839
Speaker 2: and you're the lucky one, and then you get out,

986
00:45:45,880 --> 00:45:47,480
Speaker 2: and then you're the lucky one when you get out,

987
00:45:47,560 --> 00:45:50,279
Speaker 2: as I think, what it's kind of about. All right,

988
00:45:50,320 --> 00:45:52,560
Speaker 2: So The Lucky One is a fucking great song. The

989
00:45:52,600 --> 00:45:55,640
Speaker 2: Alchemy Claire bo the Black Dog. This one is the

990
00:45:55,680 --> 00:45:59,720
Speaker 2: one that most people, I feel, are like, oh my god,

991
00:45:59,800 --> 00:46:02,480
Speaker 2: it's my favorite song of all time. I'm obsessed. I

992
00:46:02,480 --> 00:46:05,160
Speaker 2: can't stop listening to it, and I definitely think it's

993
00:46:05,160 --> 00:46:08,759
Speaker 2: that for me, but I just haven't really injected it

994
00:46:08,760 --> 00:46:11,360
Speaker 2: in my veins yet, but I do love it. What

995
00:46:11,440 --> 00:46:11,839
Speaker 2: about you.

996
00:46:12,280 --> 00:46:14,600
Speaker 1: I loved it for me. It was just so relatable,

997
00:46:14,719 --> 00:46:18,319
Speaker 1: how like she's you know, Taylor Swift and the guy

998
00:46:18,400 --> 00:46:21,000
Speaker 1: she's dating but is over with now forgot to turn

999
00:46:21,000 --> 00:46:24,120
Speaker 1: off his location and it pierces new holes in her

1000
00:46:24,160 --> 00:46:27,399
Speaker 1: heart and it's like just so honest and vulnerable and

1001
00:46:27,440 --> 00:46:31,680
Speaker 1: relatable and beautiful. And when we get to it, there's

1002
00:46:31,719 --> 00:46:34,880
Speaker 1: a song later on that really reminds me of The

1003
00:46:34,920 --> 00:46:38,560
Speaker 1: Black Dog and that experience too, which one I look

1004
00:46:38,600 --> 00:46:40,879
Speaker 1: in people's windows, I think when the album first came out,

1005
00:46:41,880 --> 00:46:44,719
Speaker 1: the windows, because it's like that same feeling of like,

1006
00:46:44,719 --> 00:46:46,520
Speaker 1: how don't you miss me? I just want to see

1007
00:46:46,520 --> 00:46:52,840
Speaker 1: you again? Like those two were perfectly encapsulated. Huh callback

1008
00:46:53,280 --> 00:46:56,640
Speaker 1: how I felt when like I went through my last

1009
00:46:56,640 --> 00:46:59,560
Speaker 1: breakup of The Black Dog and Yes, and I look

1010
00:46:59,560 --> 00:47:03,480
Speaker 1: in people windows like like I'm some deranged weirdo because

1011
00:47:03,520 --> 00:47:05,360
Speaker 1: I did it. I did it. I would walk around,

1012
00:47:05,400 --> 00:47:07,120
Speaker 1: I'd go to a park like is he here? Is

1013
00:47:07,160 --> 00:47:08,799
Speaker 1: he here? Am I gonna be okay?

1014
00:47:09,160 --> 00:47:16,520
Speaker 2: Yeah? And hoping you do? Yes? Yes? Interesting this song does, hasn't.

1015
00:47:16,560 --> 00:47:18,360
Speaker 2: I haven't related to it yet, but I don't. I

1016
00:47:18,360 --> 00:47:21,960
Speaker 2: guess I don't relate to that experience of yeah, because

1017
00:47:21,960 --> 00:47:23,920
Speaker 2: she saying, how do how you don't miss me? And

1018
00:47:24,000 --> 00:47:26,920
Speaker 2: I just don't understand how you don't miss me? And

1019
00:47:27,000 --> 00:47:33,120
Speaker 2: the black Dog I love just sonically, I love Old

1020
00:47:33,200 --> 00:47:35,799
Speaker 2: Habits does scream and it goes prayer and prayer and

1021
00:47:35,800 --> 00:47:38,359
Speaker 2: prayer like that that bass and that like banging that

1022
00:47:38,440 --> 00:47:41,640
Speaker 2: gets so intense, she sounds crazy. I love it.

1023
00:47:41,680 --> 00:47:44,000
Speaker 1: That was gonna be That was a possible name for

1024
00:47:44,080 --> 00:47:46,880
Speaker 1: the song. We saw the Voice notes come out this weekend,

1025
00:47:47,120 --> 00:47:49,840
Speaker 1: and so Old Habits Dice Screaming was going to be

1026
00:47:49,960 --> 00:47:52,560
Speaker 1: the name, But I actually prefer the black Dog.

1027
00:47:53,400 --> 00:47:56,000
Speaker 2: Yeah too, and so does the bar that it's named

1028
00:47:56,000 --> 00:48:02,200
Speaker 2: after her doing well man. Yeah, yeah, I love and

1029
00:48:02,280 --> 00:48:03,920
Speaker 2: you know, like but she's too young to know this

1030
00:48:04,000 --> 00:48:06,840
Speaker 2: song that wasn't intertwined in the tragic fabric of our dreaming.

1031
00:48:07,120 --> 00:48:11,840
Speaker 2: Eh yeah. The common theme which I also have in

1032
00:48:11,920 --> 00:48:15,160
Speaker 2: my stand up of being replaced by someone younger and

1033
00:48:15,280 --> 00:48:20,439
Speaker 2: finding a way to make it so like I feel

1034
00:48:20,480 --> 00:48:23,279
Speaker 2: like a lot of times, let's say I was dating

1035
00:48:23,280 --> 00:48:24,600
Speaker 2: a guy and he ends up with a young girl,

1036
00:48:24,640 --> 00:48:27,000
Speaker 2: I would like to tell myself, like they can't enjoy

1037
00:48:27,080 --> 00:48:29,880
Speaker 2: the thing, like she's yeah, she's maybe hotter and younger,

1038
00:48:29,880 --> 00:48:31,799
Speaker 2: but dude, she's not gonna be she's not gonna get

1039
00:48:31,840 --> 00:48:34,280
Speaker 2: our jokes and actually satisfying.

1040
00:48:36,800 --> 00:48:39,560
Speaker 1: They'll never have our personality and our humans. That's the

1041
00:48:39,600 --> 00:48:41,960
Speaker 1: one thing I think of, Like, no matter who you

1042
00:48:42,080 --> 00:48:44,200
Speaker 1: date after me, she will never make you laugh as

1043
00:48:44,239 --> 00:48:47,480
Speaker 1: much as I did ever ever. Ever, Yeah, that's I

1044
00:48:47,520 --> 00:48:48,279
Speaker 1: have that on.

1045
00:48:48,800 --> 00:48:51,960
Speaker 2: I know. I know There's been a couple of girls

1046
00:48:52,000 --> 00:48:54,239
Speaker 2: I've met before that I'm like, he better not go

1047
00:48:54,320 --> 00:48:56,360
Speaker 2: out with her because I think she might be funnier

1048
00:48:56,560 --> 00:48:59,040
Speaker 2: like where I've been Like uh oh, But overall that's

1049
00:48:59,040 --> 00:49:04,200
Speaker 2: where I really, I really, yeah, I'm pretty secure with

1050
00:49:04,200 --> 00:49:07,319
Speaker 2: my personality in relationship and even physically. I'm just like,

1051
00:49:07,440 --> 00:49:08,880
Speaker 2: you know, if you're into it, you're into it. And

1052
00:49:08,920 --> 00:49:11,960
Speaker 2: I don't question a lot, but I guess I when

1053
00:49:11,960 --> 00:49:14,000
Speaker 2: I think about like a fear of another woman, like

1054
00:49:14,239 --> 00:49:17,120
Speaker 2: someone ending up with one, I honestly just think I

1055
00:49:17,480 --> 00:49:19,600
Speaker 2: maybe I'm an arcist. I always think they're just not

1056
00:49:19,640 --> 00:49:23,279
Speaker 2: having a good time. I convince myself that yeah, like

1057
00:49:23,840 --> 00:49:28,080
Speaker 2: or maybe I go, oh, she understands sports better.

1058
00:49:27,840 --> 00:49:31,880
Speaker 1: Than I do, or she's a bikini model like I stalk,

1059
00:49:32,000 --> 00:49:36,080
Speaker 1: I so first stalk every like I'll just be honest

1060
00:49:36,080 --> 00:49:37,480
Speaker 1: with that, and I'm like, you know what, at the

1061
00:49:37,560 --> 00:49:40,399
Speaker 1: end of the day, I know what I am. I

1062
00:49:40,440 --> 00:49:43,759
Speaker 1: am not those things, but I am what I am.

1063
00:49:43,920 --> 00:49:46,400
Speaker 2: And what I will say is I know guys that

1064
00:49:46,440 --> 00:49:48,920
Speaker 2: have dated bikini models, legit bikini models, and they get

1065
00:49:48,960 --> 00:49:51,000
Speaker 2: tired of fucking them, no matter how cool they are,

1066
00:49:51,080 --> 00:49:53,879
Speaker 2: no matter how hot they are, like everyone, and they'll

1067
00:49:53,880 --> 00:49:55,799
Speaker 2: get tired of sucking them, just like they'll get tired

1068
00:49:55,800 --> 00:49:58,480
Speaker 2: of fucking you, because that's what a monogamous relationship is.

1069
00:49:58,760 --> 00:50:01,000
Speaker 2: So don't worry. If you're boyfriend is dating some new

1070
00:50:01,040 --> 00:50:03,480
Speaker 2: hot girl, he might get validation from outside world that

1071
00:50:03,520 --> 00:50:06,440
Speaker 2: will make him feel good, but like he liked fucking

1072
00:50:06,440 --> 00:50:08,839
Speaker 2: you as much as her, guaranteed, because it all goes

1073
00:50:08,880 --> 00:50:11,080
Speaker 2: to nil no matter how hot they are. And I

1074
00:50:11,160 --> 00:50:13,640
Speaker 2: know that just from having guy friends who fuck really

1075
00:50:13,680 --> 00:50:15,640
Speaker 2: hot girls. So that's just my like take away. I

1076
00:50:15,640 --> 00:50:18,880
Speaker 2: would never because of my experience hearing about guys and

1077
00:50:18,920 --> 00:50:21,359
Speaker 2: I'm like, her, you're trying to fucking her, and I'm

1078
00:50:21,400 --> 00:50:23,399
Speaker 2: just like, I don't even like feel it anymore. I'm like, oh,

1079
00:50:23,440 --> 00:50:27,120
Speaker 2: that's good news. So personality making a guy laugh, that'll

1080
00:50:27,120 --> 00:50:30,319
Speaker 2: never fade. Like that's something that's not recreatable, but all

1081
00:50:30,320 --> 00:50:32,439
Speaker 2: we all, no matter how good your body is, you're

1082
00:50:32,480 --> 00:50:37,600
Speaker 2: gonna it's gonna go. We're all gonna stabilize age. Yeah,

1083
00:50:37,680 --> 00:50:39,719
Speaker 2: well not even stag and age like guys will just

1084
00:50:39,800 --> 00:50:44,360
Speaker 2: get Guys sexually need newness, and uh it will. It

1085
00:50:44,400 --> 00:50:47,279
Speaker 2: will always stagnate. So don't think that some hot girl

1086
00:50:47,320 --> 00:50:49,880
Speaker 2: is gonna rock his world. If you write rock his

1087
00:50:49,960 --> 00:50:51,640
Speaker 2: world a little bit longer than you did, but it'll

1088
00:50:51,640 --> 00:50:54,439
Speaker 2: get to as much of a like. He doesn't care.

1089
00:50:54,680 --> 00:50:59,320
Speaker 2: Whatever point you. Here's the good news. When guys fucking

1090
00:50:59,320 --> 00:51:02,520
Speaker 2: a model for ten months, he's jerking off to memories

1091
00:51:02,520 --> 00:51:05,160
Speaker 2: of your body, probably because it's new. It Literally you

1092
00:51:05,239 --> 00:51:06,759
Speaker 2: might have like such a worse body than the girl

1093
00:51:06,800 --> 00:51:08,839
Speaker 2: he's without, not you, nor but like any girl I'm

1094
00:51:08,840 --> 00:51:10,800
Speaker 2: talking to right now, and I guarantee you because of

1095
00:51:10,840 --> 00:51:13,480
Speaker 2: the newness of it, he's probably thinking about girls that

1096
00:51:13,480 --> 00:51:16,000
Speaker 2: look like you and not her. So that's just my

1097
00:51:16,080 --> 00:51:19,440
Speaker 2: little uh detour to make everyone feel better about a

1098
00:51:19,440 --> 00:51:22,200
Speaker 2: thing is not easy. Because I saw a girl with

1099
00:51:22,239 --> 00:51:25,000
Speaker 2: an amazing body today. My plate's class, which there aren't

1100
00:51:25,000 --> 00:51:27,040
Speaker 2: many in Saint louis no offense. We're all pretty big

1101
00:51:27,120 --> 00:51:29,520
Speaker 2: like here, we don't look La Hot and Saint Louis.

1102
00:51:29,560 --> 00:51:31,279
Speaker 2: None of us do, right, but this girl did. And

1103
00:51:31,320 --> 00:51:33,439
Speaker 2: I was like, what the fuck? And I was so

1104
00:51:33,520 --> 00:51:35,479
Speaker 2: mad about it, and I was like, god, I bet

1105
00:51:35,520 --> 00:51:38,800
Speaker 2: like every guy would rather bang and I was just like, yeah,

1106
00:51:39,000 --> 00:51:41,319
Speaker 2: for a little bit, he'd rather bang her. And then

1107
00:51:41,960 --> 00:51:44,799
Speaker 2: we're all even, you know, okay, Yeah, so so hi,

1108
00:51:45,000 --> 00:51:48,719
Speaker 2: uh sorry, I'm gonna get you back. I love this.

1109
00:51:49,200 --> 00:51:51,600
Speaker 2: We all there's rumors that I'm gonna get you back.

1110
00:51:51,640 --> 00:51:54,400
Speaker 2: There's no spaces in it, because that's a lot. A

1111
00:51:54,480 --> 00:51:57,440
Speaker 2: thing that a certain band does in their songs. A

1112
00:51:57,440 --> 00:51:59,359
Speaker 2: lot is that they combine words and make a really

1113
00:51:59,360 --> 00:52:06,080
Speaker 2: long word. Okay, so that's a style that Wait a second,

1114
00:52:06,160 --> 00:52:07,880
Speaker 2: there is a lyric that I wanted to talk to

1115
00:52:07,920 --> 00:52:11,880
Speaker 2: you about about in lower case. I put you in

1116
00:52:12,200 --> 00:52:15,239
Speaker 2: something in lowercase. What's the what's the lyric? Because that

1117
00:52:15,360 --> 00:52:17,440
Speaker 2: is a folk that means that there's something in folklore

1118
00:52:17,480 --> 00:52:21,880
Speaker 2: about this person. Oh do you know what I'm saying?

1119
00:52:22,000 --> 00:52:24,080
Speaker 1: Because I think.

1120
00:52:23,880 --> 00:52:26,040
Speaker 2: That's her telling us that there is a folklore song

1121
00:52:26,080 --> 00:52:28,400
Speaker 2: about this person because it is she met Let me

1122
00:52:28,440 --> 00:52:29,680
Speaker 2: just find it, Taylor Swift.

1123
00:52:30,200 --> 00:52:32,600
Speaker 1: Lower wasn't that in Guilty of Sin?

1124
00:52:33,480 --> 00:52:36,359
Speaker 2: Yes? So we all know who guilty of Sin is about, right,

1125
00:52:36,960 --> 00:52:39,800
Speaker 2: So wait, let's find it. So sorry to everyone guilty.

1126
00:52:40,480 --> 00:52:42,719
Speaker 2: You can take this stuff out if this goes on

1127
00:52:42,760 --> 00:52:49,319
Speaker 2: too long, please editor. Okay, guilty as sin. Uh yeah,

1128
00:52:49,320 --> 00:52:52,040
Speaker 2: I keep my keep these longings locked. I keep these

1129
00:52:52,080 --> 00:52:57,160
Speaker 2: longings locked in lowercase inside of vault. Okay. Vault is

1130
00:52:57,640 --> 00:53:01,040
Speaker 2: obviously making us think of albums and songs that never

1131
00:53:01,080 --> 00:53:04,880
Speaker 2: made it. This might have been a song that was

1132
00:53:04,920 --> 00:53:08,120
Speaker 2: meant for folklore. It is in lowercase. It's a could

1133
00:53:08,160 --> 00:53:10,560
Speaker 2: be a vault track for folklore. I'm putting this together now,

1134
00:53:10,760 --> 00:53:16,160
Speaker 2: breaking news that is amazing kind of could fit on

1135
00:53:16,200 --> 00:53:19,760
Speaker 2: folklore if it was produced a little bit differently. And

1136
00:53:19,800 --> 00:53:21,839
Speaker 2: by the way, when she was making fil folklore, this

1137
00:53:21,880 --> 00:53:25,880
Speaker 2: is definitely when those fantasies were probably happening in the

1138
00:53:26,000 --> 00:53:30,359
Speaker 2: end of her relationship or when it was kind of stagnating. Right,

1139
00:53:31,120 --> 00:53:34,080
Speaker 2: So anyway back to uh, I'm gonna get you back.

1140
00:53:36,040 --> 00:53:37,839
Speaker 2: Oh sorry, I'm gonna get you back is the one

1141
00:53:37,840 --> 00:53:39,560
Speaker 2: in the lowercase. Not Guilty of Sin, but I'm gonna

1142
00:53:39,560 --> 00:53:42,640
Speaker 2: get you back. Everyone's saying that this is like Olivia

1143
00:53:42,719 --> 00:53:46,359
Speaker 2: Ravnigo already made this song like I'm Gonna get him

1144
00:53:46,360 --> 00:53:48,320
Speaker 2: back that song.

1145
00:53:48,239 --> 00:53:50,600
Speaker 1: Which I do, like, I don't know that song.

1146
00:53:50,760 --> 00:53:52,840
Speaker 2: What the fuck are people talking about when they say that,

1147
00:53:52,880 --> 00:53:54,799
Speaker 2: I don't give a fuck If the song is the

1148
00:53:54,840 --> 00:53:59,279
Speaker 2: same exact idea or theme, it's two different artists. It's

1149
00:53:59,320 --> 00:54:02,120
Speaker 2: like being like, and go, why did you paint those flowers?

1150
00:54:02,400 --> 00:54:05,240
Speaker 2: Monette painted flowers like that? What are you talking about?

1151
00:54:05,560 --> 00:54:09,080
Speaker 2: Don't you dare say that a girl can't write a

1152
00:54:09,120 --> 00:54:13,440
Speaker 2: similarly themed song about getting a guy back and in

1153
00:54:13,520 --> 00:54:17,200
Speaker 2: the same year, And that is I'll be the first

1154
00:54:17,200 --> 00:54:19,560
Speaker 2: to say if someone has like copied someone, Taylor's does

1155
00:54:19,600 --> 00:54:23,080
Speaker 2: not copy anyone, and she's certainly not gonna copy someone

1156
00:54:23,280 --> 00:54:26,600
Speaker 2: who she's being accused of, like having a tumultuous relationship with.

1157
00:54:26,680 --> 00:54:29,879
Speaker 2: It's an insane idea and we need more than want

1158
00:54:29,920 --> 00:54:33,320
Speaker 2: two songs about getting a guy back. End of discussion,

1159
00:54:35,160 --> 00:54:36,640
Speaker 2: But yeah, I like, I'm gonna get you back.

1160
00:54:36,800 --> 00:54:39,839
Speaker 1: And also this is a breakup album, and so all

1161
00:54:39,880 --> 00:54:42,920
Speaker 1: the phases of a breakup are valid on here, regardless

1162
00:54:42,920 --> 00:54:45,160
Speaker 1: of whether someone else made a song. Like, She's on

1163
00:54:45,200 --> 00:54:49,120
Speaker 1: her own journey writing her own songs getting through this.

1164
00:54:49,719 --> 00:54:53,920
Speaker 2: I did not know that the lyric was Lilac short skirt.

1165
00:54:54,440 --> 00:54:57,080
Speaker 2: The one that fits me. Lac skin. Okay, she's wearing

1166
00:54:57,120 --> 00:55:01,759
Speaker 2: a lilac short skirt in the the a Fortnite Your challenge, Yeah,

1167
00:55:01,840 --> 00:55:07,200
Speaker 2: Fortnite challenge. Yes, so we know this is and I

1168
00:55:07,239 --> 00:55:11,600
Speaker 2: who is she getting back? I think this could this

1169
00:55:11,640 --> 00:55:17,719
Speaker 2: be about Travis because that's short skirt. I feel like

1170
00:55:17,760 --> 00:55:20,920
Speaker 2: she was wearing during Maybe she was wearing it. I

1171
00:55:20,920 --> 00:55:24,440
Speaker 2: thought it was like shot recently, but maybe she just

1172
00:55:24,480 --> 00:55:25,160
Speaker 2: put it on again.

1173
00:55:25,640 --> 00:55:26,840
Speaker 1: I think so. Yeah.

1174
00:55:26,920 --> 00:55:29,000
Speaker 2: I like, once you fix your face, I'm going in.

1175
00:55:29,160 --> 00:55:31,920
Speaker 2: I think that's like like she probably said that to

1176
00:55:32,000 --> 00:55:34,000
Speaker 2: a guy, like his face was probably like who, and

1177
00:55:34,040 --> 00:55:35,560
Speaker 2: she was like, well, once you fix your face, I'm

1178
00:55:35,640 --> 00:55:38,080
Speaker 2: kiss you. Yeah, like I'm going in, like you could

1179
00:55:38,080 --> 00:55:39,400
Speaker 2: don't want to, Like sometimes a guy looks at you

1180
00:55:39,440 --> 00:55:40,839
Speaker 2: and you're like, I'm not gonna kiss you while you're

1181
00:55:40,840 --> 00:55:43,359
Speaker 2: making a face like that at me, like I don't know.

1182
00:55:43,440 --> 00:55:44,840
Speaker 2: That just made me kind of think.

1183
00:55:44,719 --> 00:55:48,800
Speaker 1: That it's just cute and flirty and honest and open,

1184
00:55:49,000 --> 00:55:49,239
Speaker 1: you know.

1185
00:55:50,160 --> 00:55:52,520
Speaker 2: Uh yeah, And this is like this is also like

1186
00:55:52,600 --> 00:55:54,680
Speaker 2: whether I'm gonna be your wife or gonna smash up

1187
00:55:54,719 --> 00:55:57,799
Speaker 2: your bike? Guy, I like bike. I haven't decided yet.

1188
00:55:57,960 --> 00:56:00,440
Speaker 2: But this is also like you gonna marry kiss he

1189
00:56:00,640 --> 00:56:04,000
Speaker 2: kill me just e. Then it's kind of that giving that.

1190
00:56:06,880 --> 00:56:09,759
Speaker 2: Let's see some other lyrics, small talk, big walk, act

1191
00:56:09,800 --> 00:56:11,680
Speaker 2: like I don't care what you did. I'm the aston

1192
00:56:11,719 --> 00:56:13,879
Speaker 2: Martin that steered you straight into the ditch then ran

1193
00:56:13,960 --> 00:56:15,440
Speaker 2: and hid Martin.

1194
00:56:15,600 --> 00:56:18,520
Speaker 1: That's an English car, isn't it.

1195
00:56:18,520 --> 00:56:24,600
Speaker 2: It is? Yeah, like an F one team. I think

1196
00:56:24,640 --> 00:56:29,080
Speaker 2: they were like excited she mentioned them, Um, yeah, sir,

1197
00:56:29,520 --> 00:56:31,640
Speaker 2: the song is really I think the song is so

1198
00:56:31,719 --> 00:56:33,160
Speaker 2: fun and I've liked it from the get go, but

1199
00:56:33,200 --> 00:56:36,200
Speaker 2: I don't hear people talking about it a lot. And

1200
00:56:36,239 --> 00:56:42,120
Speaker 2: then let's end this time together with the Albatross, even

1201
00:56:42,120 --> 00:56:44,440
Speaker 2: though it's not my favorite song and I don't have

1202
00:56:44,480 --> 00:56:45,799
Speaker 2: a lot to say about it, but let me look

1203
00:56:45,840 --> 00:56:47,960
Speaker 2: up the lyrics and maybe I'll stumble upon my feeling.

1204
00:56:48,920 --> 00:56:50,160
Speaker 2: Sell me on it, girl.

1205
00:56:50,440 --> 00:56:57,560
Speaker 1: The melody die Mann set Wild Winds Death to the Candle, Like,

1206
00:56:57,719 --> 00:56:59,319
Speaker 1: the melody is incredible.

1207
00:57:02,360 --> 00:57:05,120
Speaker 2: It doesn't grip me, but I do like, yeah, I

1208
00:57:05,160 --> 00:57:07,040
Speaker 2: don't know that the melody doesn't grip me, even though

1209
00:57:07,080 --> 00:57:08,880
Speaker 2: I do acknowledge that if I ever came up with

1210
00:57:08,880 --> 00:57:12,200
Speaker 2: a melody this good, I would just like quit comedy forever,

1211
00:57:12,360 --> 00:57:15,640
Speaker 2: like it's it's it is good, it's just not in

1212
00:57:15,680 --> 00:57:16,320
Speaker 2: my bones.

1213
00:57:16,760 --> 00:57:21,960
Speaker 1: Okay. I love the cross your thoughtless heart, Like what's

1214
00:57:22,040 --> 00:57:25,200
Speaker 1: crossing a thoughtless heart? Like someone's lying, they're crossing their

1215
00:57:25,240 --> 00:57:29,000
Speaker 1: heart but they're not thinking about it. Only liquor annoints you.

1216
00:57:29,680 --> 00:57:32,560
Speaker 2: Yeah, I like, I love only liquor. I like the

1217
00:57:32,720 --> 00:57:33,960
Speaker 2: I like the phrasing of that.

1218
00:57:35,400 --> 00:57:36,000
Speaker 1: Everything.

1219
00:57:36,520 --> 00:57:39,080
Speaker 2: Okay, let me see and when the sky rains fire

1220
00:57:39,120 --> 00:57:45,640
Speaker 2: on you and your person I love Persona. I really

1221
00:57:45,720 --> 00:57:48,720
Speaker 2: like that. I love that persona non granda. That is

1222
00:57:48,840 --> 00:57:52,640
Speaker 2: fun and I just like anything that she is here

1223
00:57:52,680 --> 00:57:55,120
Speaker 2: to destroy you. I mean, she's vicious in this album

1224
00:57:55,280 --> 00:57:58,360
Speaker 2: watch Out, She's it's so fun.

1225
00:57:58,920 --> 00:58:02,880
Speaker 1: I love it. And it was like, you know, just

1226
00:58:02,960 --> 00:58:05,120
Speaker 1: the same with your roast and the same with like

1227
00:58:05,160 --> 00:58:07,120
Speaker 1: what I'm trying to do in my life. Just be honest,

1228
00:58:07,760 --> 00:58:11,120
Speaker 1: does it matter? Other people's feelings are not your responsibility if.

1229
00:58:11,080 --> 00:58:15,280
Speaker 2: You're speaking your Troy, yes, love it. What other people

1230
00:58:15,320 --> 00:58:17,720
Speaker 2: think of you as none of your business. I mean there,

1231
00:58:18,080 --> 00:58:20,840
Speaker 2: but she also like gives no fucks because she's at

1232
00:58:20,880 --> 00:58:23,840
Speaker 2: the top, Like how could you like how great would

1233
00:58:23,840 --> 00:58:25,280
Speaker 2: it be? That's one thing that I have to say

1234
00:58:25,320 --> 00:58:28,240
Speaker 2: after this roast like people have been so nice to me.

1235
00:58:28,680 --> 00:58:30,480
Speaker 2: Everyone wants to be my friend. It's kind of like

1236
00:58:30,520 --> 00:58:32,280
Speaker 2: I'm the popular girl in school right now in the

1237
00:58:32,280 --> 00:58:34,880
Speaker 2: comedy world, and it feels really good to finally feel that,

1238
00:58:35,080 --> 00:58:36,840
Speaker 2: like to get that attention. It's just it's you know,

1239
00:58:37,480 --> 00:58:39,600
Speaker 2: that's why I was always the girl in school.

1240
00:58:39,640 --> 00:58:41,000
Speaker 1: I just wanted to be the popular girl.

1241
00:58:41,000 --> 00:58:45,680
Speaker 2: And it like feels nice. But I will say, but

1242
00:58:45,720 --> 00:58:47,880
Speaker 2: I'm not. I know, I know what it is now.

1243
00:58:47,920 --> 00:58:50,040
Speaker 2: I'm not like, oh my god, this is real like

1244
00:58:50,360 --> 00:58:53,160
Speaker 2: it it feels good, but I'm not like nuts over it.

1245
00:58:53,360 --> 00:58:54,800
Speaker 2: But I will say that.

1246
00:58:54,440 --> 00:58:57,200
Speaker 1: That's really healthy. You should give yourself credit for that.

1247
00:58:57,360 --> 00:58:59,640
Speaker 2: I am so proud of myself with how I'm handling this,

1248
00:58:59,760 --> 00:59:01,920
Speaker 2: Like I'm a little bit arrogant sometimes and I give

1249
00:59:01,960 --> 00:59:04,160
Speaker 2: myself credit in the way like that I need to

1250
00:59:04,360 --> 00:59:06,400
Speaker 2: that people have taught me, Like Nikki, lets some of

1251
00:59:06,440 --> 00:59:08,320
Speaker 2: this in you deserve it, But I really am not

1252
00:59:08,920 --> 00:59:10,880
Speaker 2: it's not. I don't think it's changing who I am.

1253
00:59:10,960 --> 00:59:13,960
Speaker 2: And I'm like not that. But it's still early, so

1254
00:59:14,280 --> 00:59:18,000
Speaker 2: just give it time then and then I'll change my

1255
00:59:18,080 --> 00:59:19,840
Speaker 2: number and I won't give you the new one more.

1256
00:59:20,400 --> 00:59:23,760
Speaker 2: Jk oh no no, I'd never do that to you.

1257
00:59:24,720 --> 00:59:27,080
Speaker 2: But yeah, I feel like the best part about it

1258
00:59:27,160 --> 00:59:30,040
Speaker 2: is that I don't have to suck up to anyone anymore,

1259
00:59:30,120 --> 00:59:31,920
Speaker 2: Like I don't have to Like, if you want to

1260
00:59:31,960 --> 00:59:34,160
Speaker 2: work with me, great, but like if you don't, it's okay.

1261
00:59:34,280 --> 00:59:36,760
Speaker 2: Other people do now that I would have never dreamed of.

1262
00:59:36,880 --> 00:59:39,280
Speaker 2: So I don't this lifeline that used to be you

1263
00:59:39,400 --> 00:59:40,880
Speaker 2: and me having to be nice to you and put

1264
00:59:40,960 --> 00:59:43,200
Speaker 2: up with your bullshit. I don't have to do that anymore,

1265
00:59:43,520 --> 00:59:46,160
Speaker 2: Like you would be lucky to work with me now.

1266
00:59:46,440 --> 00:59:48,560
Speaker 2: And I'm not saying that to be like, uh, I

1267
00:59:48,640 --> 00:59:51,560
Speaker 2: feel that way, like just based on the politics of

1268
00:59:51,680 --> 00:59:55,600
Speaker 2: the way. It just literally facts. It's my stock is

1269
00:59:55,680 --> 00:59:58,400
Speaker 2: up and I don't have to deal. And you know,

1270
00:59:58,480 --> 01:00:01,080
Speaker 2: that's what's nice about having power is that you don't

1271
01:00:01,240 --> 01:00:05,520
Speaker 2: have to And and fame is this like elusive illusion

1272
01:00:05,520 --> 01:00:07,640
Speaker 2: of power because ultimately if fad'es like we've learned in

1273
01:00:07,680 --> 01:00:09,560
Speaker 2: Clara Bow and all this stuff, But that is I

1274
01:00:09,600 --> 01:00:12,880
Speaker 2: will say, for Taylor to be able to throw people

1275
01:00:12,960 --> 01:00:18,040
Speaker 2: under the bus very publicly like she's doing is really

1276
01:00:18,040 --> 01:00:21,720
Speaker 2: fascinating to me because it's someone who truly has nothing

1277
01:00:21,760 --> 01:00:24,960
Speaker 2: to gain from anyone from kissing anyone's ass anymore if

1278
01:00:24,960 --> 01:00:28,680
Speaker 2: she doesn't want to. And what freedom is that? You know,

1279
01:00:28,760 --> 01:00:30,800
Speaker 2: you hope to find it before, Like you hope to

1280
01:00:30,840 --> 01:00:33,400
Speaker 2: be someone who doesn't kiss anyone's ass for things, but

1281
01:00:33,440 --> 01:00:36,760
Speaker 2: it's really subconscious, like I don't. I really try not to.

1282
01:00:36,920 --> 01:00:38,280
Speaker 2: I want to be clear. I don't try to kiss

1283
01:00:38,320 --> 01:00:40,400
Speaker 2: people's ass in this business to get things. But I'm

1284
01:00:40,480 --> 01:00:43,520
Speaker 2: overall a nice person, and I am aware of what

1285
01:00:43,680 --> 01:00:46,680
Speaker 2: being a pleasant person can get me as opposed to

1286
01:00:46,720 --> 01:00:48,160
Speaker 2: just maybe honest and being like I don't want to

1287
01:00:48,160 --> 01:00:49,240
Speaker 2: talk to you right now, you know, Like I'm not

1288
01:00:49,240 --> 01:00:51,880
Speaker 2: gonna say that to someone, but it is nice to

1289
01:00:52,040 --> 01:00:54,680
Speaker 2: have a fuck you power and like have it for

1290
01:00:54,800 --> 01:00:57,120
Speaker 2: literally like you could say you could throw anyone under

1291
01:00:57,120 --> 01:01:01,840
Speaker 2: the bus, and like she could changed the election. She

1292
01:01:01,840 --> 01:01:03,240
Speaker 2: could change world election.

1293
01:01:03,040 --> 01:01:04,800
Speaker 1: Hood, world election hood.

1294
01:01:05,160 --> 01:01:08,560
Speaker 2: She has more power than literally anyone has.

1295
01:01:08,720 --> 01:01:12,520
Speaker 1: Anyone she is and her like NYU doctorate. Like when

1296
01:01:12,520 --> 01:01:15,480
Speaker 1: they were introducing her for her honorary doctorated n YU,

1297
01:01:15,640 --> 01:01:18,560
Speaker 1: they were like, you know, she's a champion for artist rights.

1298
01:01:19,160 --> 01:01:21,760
Speaker 1: She like they listed all these things that she does

1299
01:01:21,960 --> 01:01:25,400
Speaker 1: outside of just music, and they are significant, like the

1300
01:01:25,400 --> 01:01:28,800
Speaker 1: way she fought stood up against Apple, and she fights

1301
01:01:28,880 --> 01:01:31,000
Speaker 1: for artists to own their work.

1302
01:01:31,280 --> 01:01:35,280
Speaker 2: And that guy who grabbed her ass, oh violence, Oh

1303
01:01:35,480 --> 01:01:38,440
Speaker 2: was that? Yeah? Do I want her to stop eating

1304
01:01:38,440 --> 01:01:40,320
Speaker 2: meat and talk about it? Oh? My god? Yes? Do

1305
01:01:40,360 --> 01:01:41,280
Speaker 2: I want her to go vegan?

1306
01:01:41,520 --> 01:01:41,600
Speaker 1: Like?

1307
01:01:42,040 --> 01:01:47,040
Speaker 2: Yeah, but I just I am so obsessed with the

1308
01:01:47,080 --> 01:01:50,240
Speaker 2: second chorus of but Daddy, I love him where she

1309
01:01:50,600 --> 01:01:52,960
Speaker 2: just jumps from side to side with her skirt and

1310
01:01:53,000 --> 01:01:56,160
Speaker 2: I'm so obsessed with that skirt, especially on so High

1311
01:01:56,160 --> 01:01:58,040
Speaker 2: School when she gets on the bleachers and they're doing

1312
01:01:58,120 --> 01:02:00,760
Speaker 2: all the like you know how the ball, I know, Aristotle,

1313
01:02:00,840 --> 01:02:04,080
Speaker 2: and then she brand new full throttle and she like

1314
01:02:04,120 --> 01:02:06,480
Speaker 2: tucks the skirp into beneath her legs so you don't

1315
01:02:06,520 --> 01:02:08,600
Speaker 2: see her crotch. It's such a smooth movie, and it

1316
01:02:08,640 --> 01:02:12,040
Speaker 2: looks so cool because she's never indecent, you know, yeah,

1317
01:02:12,240 --> 01:02:15,520
Speaker 2: you know on the chair dance, she'll like put her

1318
01:02:15,560 --> 01:02:18,040
Speaker 2: hand down, but she'll stop right before her pubic bone

1319
01:02:18,080 --> 01:02:20,480
Speaker 2: and slid off, like even when.

1320
01:02:20,320 --> 01:02:23,000
Speaker 1: She's like touch Miller, your boys play grand Theft Auto,

1321
01:02:23,120 --> 01:02:25,200
Speaker 1: Like she do you notice that move? Yeah?

1322
01:02:25,280 --> 01:02:28,360
Speaker 2: Yes, yes, And I love like where she's leaning back

1323
01:02:28,360 --> 01:02:31,000
Speaker 2: and they go back side to side. I'm so obsessed

1324
01:02:31,040 --> 01:02:32,920
Speaker 2: I cannot wait to see it. I'm going, I'm hopefully

1325
01:02:32,960 --> 01:02:35,080
Speaker 2: gonna go see her somewhere in Europe. But I still

1326
01:02:35,160 --> 01:02:37,200
Speaker 2: haven't gotten confirmation on those tickets. But I think I

1327
01:02:37,200 --> 01:02:38,840
Speaker 2: have another in we you.

1328
01:02:38,800 --> 01:02:41,440
Speaker 1: Know what we could do. We could get like I

1329
01:02:41,480 --> 01:02:43,560
Speaker 1: don't know, like just like a set of four of five, five,

1330
01:02:43,680 --> 01:02:46,440
Speaker 1: six tickets and just like all you bring your mom,

1331
01:02:46,760 --> 01:02:48,560
Speaker 1: like it'll be me, my cousin, my aun.

1332
01:02:49,520 --> 01:02:51,720
Speaker 2: How do you go about getting tickets? I'm I'm going

1333
01:02:51,760 --> 01:02:56,040
Speaker 2: to go on through Recell site sites and then they're available.

1334
01:02:55,680 --> 01:02:59,040
Speaker 1: And stubhob Yeah, I mean they're not the cheapest if

1335
01:02:59,080 --> 01:03:02,320
Speaker 1: I'm being honest, especially seated on because my aunt doesn't

1336
01:03:02,560 --> 01:03:04,440
Speaker 1: My aunt doesn't want to sit on the floor because

1337
01:03:04,440 --> 01:03:08,320
Speaker 1: it's three hours and she needs to sit down for

1338
01:03:08,360 --> 01:03:08,600
Speaker 1: a bit.

1339
01:03:08,800 --> 01:03:10,920
Speaker 2: Yeah, I think we're gonna go separate because I gotta

1340
01:03:10,960 --> 01:03:12,960
Speaker 2: be I gotta be standing all the time. Okay, I

1341
01:03:12,960 --> 01:03:15,840
Speaker 2: got to be on the floor. I got really Oh

1342
01:03:16,040 --> 01:03:18,400
Speaker 2: I'm not never. I'm never not being on the floor again.

1343
01:03:18,440 --> 01:03:20,880
Speaker 2: And I'll go if someone has tickets that I but

1344
01:03:21,280 --> 01:03:22,840
Speaker 2: it's just how I like to see it. I've seen

1345
01:03:22,880 --> 01:03:24,880
Speaker 2: it in every little different way, and that's how I

1346
01:03:24,960 --> 01:03:27,040
Speaker 2: like to be floor is king for you and I

1347
01:03:27,120 --> 01:03:29,760
Speaker 2: got I gotta see eras on the floor and I

1348
01:03:29,840 --> 01:03:32,040
Speaker 2: gotta be on I want to be on one of

1349
01:03:32,080 --> 01:03:35,000
Speaker 2: the sides because I want to see that fucking I

1350
01:03:35,000 --> 01:03:36,960
Speaker 2: want to see close up of the smallest Man who

1351
01:03:36,960 --> 01:03:38,960
Speaker 2: ever lived Bridge. And if you have don't know what

1352
01:03:39,000 --> 01:03:40,880
Speaker 2: I'm talking about, you need to go find the video

1353
01:03:41,040 --> 01:03:43,280
Speaker 2: right now and watch it a million times with me.

1354
01:03:43,480 --> 01:03:45,080
Speaker 2: And then if you ever meet me in person, can

1355
01:03:45,160 --> 01:03:47,560
Speaker 2: we just at the meet and greet sing the Bridge

1356
01:03:47,560 --> 01:03:49,360
Speaker 2: to the Smallest Man who Ever lived together? That is

1357
01:03:49,360 --> 01:03:51,760
Speaker 2: something I would like to do with besties who come

1358
01:03:51,760 --> 01:03:53,880
Speaker 2: to the show. But we have to go. This podcast

1359
01:03:53,880 --> 01:03:56,560
Speaker 2: has gone on far too long, and we will do

1360
01:03:56,640 --> 01:03:58,640
Speaker 2: another one to cover the rest of the songs soon.

1361
01:03:58,840 --> 01:04:00,800
Speaker 2: But this was so fun and it always is. I

1362
01:04:00,840 --> 01:04:04,600
Speaker 2: love you, Nora, I love you more, Nikki. Bye, guys,

1363
01:04:05,280 --> 01:04:07,720
Speaker 2: don't be cud and listen to Taylor