WEBVTT - Michelle Monaghan

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<v Speaker 1>I was getting ready to drive to the Warner Brothers

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<v Speaker 1>to read with Shane, and I called Bonnie up in

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<v Speaker 1>New York and her agent her assistant put me on

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<v Speaker 1>hold because I'm calling her up to be to say

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<v Speaker 1>to her, I can't go in and do this, like

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<v Speaker 1>this is like way over my head, this material. I

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<v Speaker 1>have no idea what I'm doing. And in that moment,

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<v Speaker 1>of course, I hear myself telling me it's I'm on

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<v Speaker 1>hold for ages, and all of a sudden, I just

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<v Speaker 1>hang up the damn phone, and I was like, you

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<v Speaker 1>know what that means. I have to go in.

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<v Speaker 2>I have to do this audition, you know, and say, God,

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<v Speaker 2>I did because it changed my life.

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<v Speaker 3>Hi.

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<v Speaker 1>I'm Michelle Montiman, and I am very happy to be here.

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<v Speaker 4>Hi, everybody, we're back. Well, your back off the beat

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<v Speaker 4>is back and I am back me being your host,

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<v Speaker 4>Ryan Bomgarterner, and you know who else is back, My guest,

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<v Speaker 4>Michelle Monahan. Technically she's here for the first time, but

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<v Speaker 4>she is back in my heart. She's had an incredible

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<v Speaker 4>and incredibly prolific career, starring in movies like Kiss Kiss

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<v Speaker 4>Bang Bang, Gone, Baby Gone, The Mission Impossible franchises, Pixels,

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<v Speaker 4>Patriots Day, and most recently Maxine Plus. She's been in

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<v Speaker 4>spectacular shows Boston Public, The Original True Detective, The Path, Echoes,

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<v Speaker 4>and a brand news series that I am enjoying very much,

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<v Speaker 4>Apple TV Plus's Bad Monkey with Vince Vaughan. She's such

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<v Speaker 4>a complex and versatile actor. She has an epic career.

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<v Speaker 4>But before we got into that, there's one thing I

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<v Speaker 4>have to address with her. While doing my usual research

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<v Speaker 4>for this converse, I came across one tiny detail that, well,

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<v Speaker 4>it truly rocked me, and I don't think I would

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<v Speaker 4>be doing just as her her story or to you

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<v Speaker 4>listeners if I didn't address it head on. Michelle is

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<v Speaker 4>a blue ribbon hog wrestler. I repeat. As a child,

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<v Speaker 4>Michelle wrestled hogs with such skill she was proclaimed the

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<v Speaker 4>best of the best of all other hog wrestling children. Now,

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<v Speaker 4>what is hog wrestling? Why are so many children doing it?

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<v Speaker 4>What happens when the hog wins? And most of all,

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<v Speaker 4>why did she leave behind a promising career in hog

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<v Speaker 4>wrestling for Hollywood. We're about to find out and learn

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<v Speaker 4>all about this ancient Iowan tradition. Here she is champion

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<v Speaker 4>hog wrestler. Michelle Monaghan Bubble and Squeak. I love it,

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<v Speaker 4>Bubble and squeak.

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<v Speaker 5>Gana bubble and squeaker, cooking every move from the nut before.

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<v Speaker 4>Hi Michelle, Hi Brian.

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<v Speaker 1>How are you.

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<v Speaker 4>I'm doing all right? How are you?

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<v Speaker 1>I'm great? Thank you?

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<v Speaker 4>Yeah? Where are you hanging out here this summer? Are you?

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<v Speaker 4>Are you overseas?

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<v Speaker 1>I was overseas and i just returned from Thailand, so

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<v Speaker 1>I'm back in Los Angeles.

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<v Speaker 4>All right, Well, welcome home.

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<v Speaker 1>Thank you.

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<v Speaker 4>Yeah. I have been diving into your your life and

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<v Speaker 4>career here a little bit, and now I'm a bigger

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<v Speaker 4>fan now than I was before. I understand. You grew

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<v Speaker 4>up in Iowa. Winthrop.

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<v Speaker 1>I did Winthrop, Iowa, very small town in northeast Iowa. Yeah.

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<v Speaker 4>What do you think that gave you as a base?

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<v Speaker 1>Oh gosh, it's such a good it's such a great question.

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<v Speaker 1>I mean, I think it's interesting. You know, growing up

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<v Speaker 1>you don't know any different, right, It's like wherever you

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<v Speaker 1>grew up is that's your backyard, and that's what you're

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<v Speaker 1>familiar with. It gave me a strong sense of community.

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<v Speaker 1>I grew up in a town of a little over

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<v Speaker 1>seven hundred people. I had thirty nine people in my

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<v Speaker 1>graduating class. We were a tight knit community and you

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<v Speaker 1>really loved your neighbors and you were just there for

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<v Speaker 1>one another. So I think it gave me a great

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<v Speaker 1>kind of backbone, also a strong work ethic. My dad

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<v Speaker 1>was a farmer, My mom also ran a daycare from home.

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<v Speaker 1>We fostered children all growing up. My parents were really

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<v Speaker 1>incredible members of the community. And so that's what it

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<v Speaker 1>gave me. It gave me my family and my community

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<v Speaker 1>for sure. And then what's so interesting about kind of

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<v Speaker 1>coming from a small town like that, I guess to

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<v Speaker 1>kind of think everything is possible and maybe nothing is possible,

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<v Speaker 1>and depending on how maybe who are raised. You know,

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<v Speaker 1>I happen to be raised with like you can do

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<v Speaker 1>anything you want to do. And I was naive enough

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<v Speaker 1>to think, like, yeah I can, why not? And so

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<v Speaker 1>I set out for bigger cities and kind of greater things.

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<v Speaker 1>And then once I discovered, you know, the rest of

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<v Speaker 1>the world, I sort of never looked back. But it's

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<v Speaker 1>always maintained having had that great small town as a foundation.

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<v Speaker 4>Yeah, I mean, part of the reason I ask, right

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<v Speaker 4>is because you and now this is so dumb, all right, Admittedly,

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<v Speaker 4>but you think about like I don't know, particularly people

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<v Speaker 4>who have families and the entertainment business who start out

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<v Speaker 4>maybe at a super young age. You're from la or

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<v Speaker 4>for you're from New York, and not that there's anything

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<v Speaker 4>wrong with both of those places. My children will come

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<v Speaker 4>from those places but same but but but a diverse

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<v Speaker 4>a different kind of upbringing in background. There is going

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<v Speaker 4>to be something about you that is different that now

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<v Speaker 4>people may not be able to articulate what that thing is.

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<v Speaker 4>But like you, for example, you were a blue ribbon

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<v Speaker 4>hog wrestler. Now what this Now? What this true? No one,

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<v Speaker 4>No one would be able to say, oh, yeah, she's

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<v Speaker 4>the hog wrestler. But that experience in and of itself

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<v Speaker 4>is is you're going to present yourself to the world

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<v Speaker 4>in at least a slightly different way with it with

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<v Speaker 4>a slightly different perspective.

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<v Speaker 1>Yeah. Yeah, yeah, it's funny you mentioned that, but yes

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<v Speaker 1>it's true. I don't think they do that anymore at

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<v Speaker 1>our County Fair. I don't think Peter would be down

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<v Speaker 1>for it. But that was a normal that was like

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<v Speaker 1>a normal, that was a normal thing that you would

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<v Speaker 1>enter into a hog wrestling contest, and people probably still

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<v Speaker 1>don't know what it is, but you basically my best friend,

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<v Speaker 1>and she's still my best friend. I just saw a

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<v Speaker 1>couple of weeks ago in Iowa. I was back there

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<v Speaker 1>and she and I were probably I don't know, everybody

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<v Speaker 1>did it from around town. I mean, that was just

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<v Speaker 1>the thing you did. You get in a big, probably

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<v Speaker 1>about fifteen foot diameter pin and it's full of mud,

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<v Speaker 1>and there's a hog in there, and there's a barrel,

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<v Speaker 1>and you run around and you chase the hog and

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<v Speaker 1>you try to, like as fast as you can get

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<v Speaker 1>the hog into the barrel. It's actually cruel and unusual

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<v Speaker 1>when I now look back at it.

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<v Speaker 3>But at the time, my friend and I happened to

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<v Speaker 3>be really good at it, and we won the Blue

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<v Speaker 3>Ribbon that summer, and so that is, you know, But

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<v Speaker 3>you're right, like those are the things that defined me.

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<v Speaker 1>You know. It's just like I just said, I was

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<v Speaker 1>suspect from my brother's wedding, and we were laughing because

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<v Speaker 1>I was looking at all the cornfields that are just

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<v Speaker 1>surround my mom and dad's house. Of course, I used

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<v Speaker 1>to go like God. I used to walk beans, I

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<v Speaker 1>used to cancel, I used to pick up rock like

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<v Speaker 1>all those things that are just very Midwestern. Yeah, but

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<v Speaker 1>that really really defined me. Those were my first jobs.

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<v Speaker 1>I spent so much time in those fields, and you know,

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<v Speaker 1>I still when I go back, I have so much

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<v Speaker 1>nostalgia for it.

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<v Speaker 4>Well, you know, I grew up in large part the

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<v Speaker 4>same way. So just I mean, just to make you

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<v Speaker 4>feel like you have nothing to worry about. Mine were

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<v Speaker 4>distinctly Southern as opposed to the Midwestern, right, got it.

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<v Speaker 4>So it was more shrimping, okay, but but frog gigging

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<v Speaker 4>a thing that I that I have done. Yes, this

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<v Speaker 4>is Oh my god, have I never told the maybe

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<v Speaker 4>I'm going to get canceled? And I was just like

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<v Speaker 4>trying to make you feel better, you know, because they

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<v Speaker 4>were by the way, they were eaten, so they uh,

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<v Speaker 4>this is in the middle of the night dark you

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<v Speaker 4>wear my this is when I was a kid. This

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<v Speaker 4>is not a joke. My mining helmets, you know, uh no,

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<v Speaker 4>not mining lights on the on your forehead like like

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<v Speaker 4>a miner. You go with a cane pole in a

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<v Speaker 4>canoe down a creek a little river, and you shine

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<v Speaker 4>from your forehead the light onto the banks and you

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<v Speaker 4>see the underbelly of the frog and the frog freezes

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<v Speaker 4>in the light and then oh my god, all right, producers,

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<v Speaker 4>it's got this. Then you you have a long other

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<v Speaker 4>pole with a little gig on it. Yeah, and you

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<v Speaker 4>get the thing as close as you can through the

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<v Speaker 4>frog and then yeah, and then you can you gig it. Yeah,

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<v Speaker 4>and then you take them home and you eat it.

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<v Speaker 1>But that, yeah, it's frog hunting. It's frog hunting.

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<v Speaker 4>Hunting.

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<v Speaker 1>We go, we go deer hunting, you know where I

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<v Speaker 1>come from, but we also eat the deer. But also like,

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<v Speaker 1>how do they how do they? You know, frog legs.

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<v Speaker 1>I've had frog legs before in France, and that's just

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<v Speaker 1>another form of frog gigging. But it's just, uh, it's

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<v Speaker 1>the French French gigging. I guess I don't know.

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<v Speaker 4>All right, enough about frogs and hogs. What else did

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<v Speaker 4>you do as a kid, Like, did you have other

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<v Speaker 4>hot Were you into sports or I.

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<v Speaker 1>Wasn't wasn't Yeah, I wasn't. I wasn't into sports at all.

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<v Speaker 1>I like being around sports, Like I I was a

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<v Speaker 1>track manager. I was like a wrestling cheerleader. For one year,

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<v Speaker 1>I did sill which are otherwise known as like the flags.

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<v Speaker 1>I did that for several years. In high school, which

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<v Speaker 1>I loved and I still like to throw a flag

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<v Speaker 1>around the backyard. I babysat. I mean, I did a

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<v Speaker 1>speech class, I did debates. Yeah, my brother did drama.

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<v Speaker 1>And then, you know, for lack of anything else to do,

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<v Speaker 1>I sort of followed in my brother's footsteps and I

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<v Speaker 1>joined him in the school play. And I think that

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<v Speaker 1>was the first time and I didn't have any desire

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<v Speaker 1>to be an actress at that point at all. It

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<v Speaker 1>took me until my early twenties to discover that, but

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<v Speaker 1>I remember that feeling of being on stage, and I

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<v Speaker 1>remember loving that kind of collaboration with everyone so much.

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<v Speaker 1>So that was probably my first introduction to what ultimately

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<v Speaker 1>I was going to I was going to do.

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<v Speaker 4>Yeah, you moved it to Chicago, the big city to

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<v Speaker 4>study journalism. Was journalism the plan that journal was that

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<v Speaker 4>the plan.

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<v Speaker 1>Journalism was always the plan. You know. I grew up

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<v Speaker 1>in a family that we loved current events. We watched

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<v Speaker 1>we sat down and watched the nightly news of Tom

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<v Speaker 1>Brokaw every single night. I loved journalism. I loved the news,

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<v Speaker 1>and I really really wanted to be a journalist and an

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<v Speaker 1>investigative journalist. Broadcast news. And when I think about it,

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<v Speaker 1>I'm like, maybe that was the closest thing I thought

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<v Speaker 1>that I could be, to be on camera. Maybe that

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<v Speaker 1>had something to do with it too. I don't know,

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<v Speaker 1>because when you grew up in a town, it was

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<v Speaker 1>like some I heard people, I don't even think, like

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<v Speaker 1>you think you could be an actor or anything like that.

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<v Speaker 1>So I went and I studied journalism at Columbia College

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<v Speaker 1>in Chicago, and you know, I loved it. It was

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<v Speaker 1>it was really my dream. And I had started modeling

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<v Speaker 1>in Chicago, and I modeled for Montgomery Ward for Target,

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<v Speaker 1>and that's really how I put myself through school. I

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<v Speaker 1>really thought that that was the end all and be all.

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<v Speaker 1>And then I realized my senior year I wasn't. I

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<v Speaker 1>wasn't cut out for journalism. I didn't. I found out

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<v Speaker 1>I was going to have to go back to small

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<v Speaker 1>markets such as Iowa and essentially be a one man band,

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<v Speaker 1>you know. And I was like, wait a second. I

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<v Speaker 1>really liked the big city. The modeling was going pretty well.

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<v Speaker 1>I was paying my bills and saving some money, and uh,

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<v Speaker 1>and then I had this overwhelming feeling I needed to

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<v Speaker 1>move to New York and I had a buddy that

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<v Speaker 1>moved there, and I moved. I moved in with him,

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<v Speaker 1>coincided with a terrible breakup with someone, so it just

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<v Speaker 1>all the cards kind of fell into right into place,

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<v Speaker 1>and moved to New York.

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<v Speaker 4>Okay, so before before New York, how did you start model? Like?

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<v Speaker 4>Did you find an agent? Did you there's a mid photo?

0:13:49.200 --> 0:13:52.600
<v Speaker 1>So I was scouted in Iowa and like Cedar Rapids,

0:13:52.720 --> 0:13:57.240
<v Speaker 1>Iowa and yeah, yeah, So it was one of those

0:13:57.240 --> 0:13:59.360
<v Speaker 1>things like we think that you could be a model

0:13:59.400 --> 0:14:02.319
<v Speaker 1>that can take some photos. And I loved the sound

0:14:02.360 --> 0:14:06.080
<v Speaker 1>of that, you know, I'd been told that before and

0:14:06.800 --> 0:14:08.560
<v Speaker 1>didn't really think too much of it. But I was

0:14:08.600 --> 0:14:12.120
<v Speaker 1>also the gal looking through all those Sears catalogs and

0:14:12.760 --> 0:14:15.480
<v Speaker 1>you know, just loving all the ladies in there, you know,

0:14:15.600 --> 0:14:18.520
<v Speaker 1>loving all the models. And so when I had the

0:14:18.559 --> 0:14:22.040
<v Speaker 1>opportunity to take some test photos, I guess I got

0:14:22.160 --> 0:14:25.560
<v Speaker 1>very excited. And shortly thereafter I was able to secure

0:14:25.960 --> 0:14:29.960
<v Speaker 1>an agent and agency Elite Model Agency in Chicago, and

0:14:30.200 --> 0:14:34.120
<v Speaker 1>my dad would drive me four and a half hours.

0:14:34.480 --> 0:14:37.160
<v Speaker 1>This was a big deal for him to take time

0:14:37.200 --> 0:14:40.800
<v Speaker 1>off of work to take me into Chicago to dry.

0:14:40.840 --> 0:14:42.680
<v Speaker 1>He wouldn't even he never missed a day work in

0:14:42.720 --> 0:14:45.400
<v Speaker 1>his life unless it was to drive me into work

0:14:45.440 --> 0:14:48.360
<v Speaker 1>for Montgomery Wards. That was a really big deal, Like,

0:14:48.480 --> 0:14:50.520
<v Speaker 1>you know, they really believed in me, and you know,

0:14:50.600 --> 0:14:52.840
<v Speaker 1>I was making I was probably making six hundred bucks

0:14:52.880 --> 0:14:56.240
<v Speaker 1>for the day, which is a lot of money. Yeah,

0:14:56.280 --> 0:14:58.640
<v Speaker 1>and you know he didn't even make me payper gas.

0:14:58.680 --> 0:15:04.080
<v Speaker 1>So that was awfully sweet. So that was it. That

0:15:04.240 --> 0:15:06.360
<v Speaker 1>was it, And so I knew, you know, while I

0:15:06.400 --> 0:15:09.040
<v Speaker 1>was in high school, I was able to make that money.

0:15:09.040 --> 0:15:11.640
<v Speaker 1>And so I thought, gosh, I grew up very humble, humble,

0:15:11.960 --> 0:15:14.360
<v Speaker 1>and my folks were always like, listen, we want you

0:15:14.360 --> 0:15:17.600
<v Speaker 1>to go to college, but we can't help out that much,

0:15:17.640 --> 0:15:21.120
<v Speaker 1>you know. And so you know, I saw a great opportunity.

0:15:21.120 --> 0:15:23.160
<v Speaker 1>I was like, listen, I love modeling. I can make

0:15:23.280 --> 0:15:26.520
<v Speaker 1>some tuition here and I can go to college and

0:15:26.560 --> 0:15:29.480
<v Speaker 1>studying journalism in a big city. Like perfect.

0:15:29.640 --> 0:15:33.480
<v Speaker 4>Yeah, that's awesome. So okay, so then you go, it's

0:15:33.520 --> 0:15:35.880
<v Speaker 4>the perfect time you decide I'm not going back to

0:15:35.920 --> 0:15:38.480
<v Speaker 4>small markets, I'm going to the big city. For you.

0:15:38.560 --> 0:15:42.240
<v Speaker 4>At that moment, was it about just getting to New

0:15:42.320 --> 0:15:44.200
<v Speaker 4>York or did you have a plan.

0:15:44.640 --> 0:15:47.320
<v Speaker 1>Okay, yeah, I wanted to live in New York. By

0:15:47.320 --> 0:15:48.960
<v Speaker 1>that time, I had been there for a couple of

0:15:49.200 --> 0:15:52.480
<v Speaker 1>jobs and gigs, and there was just something so special

0:15:52.480 --> 0:15:56.120
<v Speaker 1>about that city that I felt really connected to, and

0:15:56.960 --> 0:15:59.840
<v Speaker 1>I really there was this feeling that something was going

0:15:59.880 --> 0:16:02.480
<v Speaker 1>to happened for me there and I didn't know what

0:16:02.520 --> 0:16:05.240
<v Speaker 1>it was, but I knew that I'd be okay because

0:16:05.240 --> 0:16:07.840
<v Speaker 1>I could continue to model and I would just kind

0:16:07.840 --> 0:16:11.000
<v Speaker 1>of make my way, and for an entire year, that's

0:16:11.240 --> 0:16:13.480
<v Speaker 1>kind of what I did. I just went on casting,

0:16:13.640 --> 0:16:15.760
<v Speaker 1>so I made enough money to pay my rent. I

0:16:15.800 --> 0:16:20.960
<v Speaker 1>found another roommate, and it was great. And then commercials

0:16:20.960 --> 0:16:22.200
<v Speaker 1>started coming through.

0:16:22.720 --> 0:16:25.360
<v Speaker 4>Through the modeling, through the through the model, through.

0:16:25.280 --> 0:16:28.240
<v Speaker 1>The modeling, right and then you know, I think it

0:16:28.280 --> 0:16:31.080
<v Speaker 1>was like a secret dealtorant commercial. It was a it

0:16:31.120 --> 0:16:33.240
<v Speaker 1>was a face wash commercial. It was a clean and clear.

0:16:33.320 --> 0:16:35.720
<v Speaker 1>There was a Tampax commercial. And there it was like

0:16:36.000 --> 0:16:39.160
<v Speaker 1>all of it was going and then, you know, and

0:16:39.200 --> 0:16:41.160
<v Speaker 1>it was great because I was making money and I was,

0:16:41.320 --> 0:16:43.080
<v Speaker 1>you know, kind of paying off my loans now at

0:16:43.080 --> 0:16:47.280
<v Speaker 1>that stage. And then sure enough, an audition came through

0:16:47.640 --> 0:16:51.680
<v Speaker 1>my modeling agent for a role on the show called

0:16:51.800 --> 0:16:56.280
<v Speaker 1>Young Americans, and it was this yeah on CW and

0:16:56.320 --> 0:17:00.120
<v Speaker 1>I think it came through the modeling agencies because they

0:17:00.120 --> 0:17:04.520
<v Speaker 1>were looking for a model type and the agent was saying, listen,

0:17:04.560 --> 0:17:06.800
<v Speaker 1>you've had good luck doing these commercials. You know you

0:17:06.840 --> 0:17:09.280
<v Speaker 1>should give it a shot. And I thought, yeah, I

0:17:09.320 --> 0:17:13.280
<v Speaker 1>don't have anything else. Sleeper was like why not? And

0:17:13.840 --> 0:17:17.440
<v Speaker 1>I got the gig. I got the gig and they

0:17:17.440 --> 0:17:20.800
<v Speaker 1>were like, can you be on a train to Baltimore

0:17:20.920 --> 0:17:23.560
<v Speaker 1>tomorrow at ten am? And I was like wait what?

0:17:24.600 --> 0:17:26.760
<v Speaker 1>And sure enough, you know, I was on a train

0:17:26.800 --> 0:17:30.640
<v Speaker 1>at Baltimore and started working with Kate Bosworth and Kate

0:17:30.720 --> 0:17:33.960
<v Speaker 1>Minnig and Ian Summerhoulder. It was such a wonderful cast,

0:17:34.840 --> 0:17:37.120
<v Speaker 1>but I had no idea what I was doing when

0:17:37.119 --> 0:17:38.879
<v Speaker 1>I mean to tell you like, it took me a

0:17:38.920 --> 0:17:41.480
<v Speaker 1>whole season to learn what my mark was. I mean,

0:17:41.520 --> 0:17:44.760
<v Speaker 1>I was so green. It was so green, but it

0:17:44.800 --> 0:17:47.920
<v Speaker 1>was it was such an amazing opportunity. And I think

0:17:48.000 --> 0:17:51.120
<v Speaker 1>that's really when I was like, wow, I loved it again.

0:17:51.160 --> 0:17:53.399
<v Speaker 1>It was that collaboration. I was familiar with the camera

0:17:54.520 --> 0:17:58.400
<v Speaker 1>from modeling, so I felt comfortable with it and I

0:17:58.440 --> 0:18:01.560
<v Speaker 1>loved the people. And then it was when I got

0:18:01.600 --> 0:18:03.880
<v Speaker 1>back to New York after that gig, I thought Oh wow,

0:18:03.920 --> 0:18:06.000
<v Speaker 1>Maybe I should find an agent, you know, maybe I

0:18:06.000 --> 0:18:07.919
<v Speaker 1>should take this more seriously.

0:18:08.240 --> 0:18:09.720
<v Speaker 4>How many episodes did you do on that?

0:18:10.520 --> 0:18:14.919
<v Speaker 1>I think I did gosh, I'd hate to say maybe five, okay,

0:18:15.119 --> 0:18:17.320
<v Speaker 1>and it got it got canceled after the first season,

0:18:17.480 --> 0:18:19.040
<v Speaker 1>and it was just a I think I was just

0:18:19.080 --> 0:18:21.480
<v Speaker 1>a guest star. But I think I did five.

0:18:21.840 --> 0:18:22.040
<v Speaker 6>Five.

0:18:22.240 --> 0:18:25.080
<v Speaker 4>But you were there long enough to you know, because

0:18:25.320 --> 0:18:27.960
<v Speaker 4>a lot of guest stars sometimes it's hard to have

0:18:28.040 --> 0:18:31.640
<v Speaker 4>the time and feel comfortable enough to figure things out.

0:18:31.800 --> 0:18:34.720
<v Speaker 4>But being there five weeks doing five episodes or however

0:18:34.760 --> 0:18:38.280
<v Speaker 4>long it was for five episodes, you can kind of

0:18:38.680 --> 0:18:42.040
<v Speaker 4>get your feet under you feel comfortable with the people,

0:18:42.240 --> 0:18:44.160
<v Speaker 4>you know, all of those things that are just sort

0:18:44.160 --> 0:18:46.480
<v Speaker 4>of inherently difficult totally.

0:18:46.600 --> 0:18:49.240
<v Speaker 1>And we were all just a bunch of young kids too,

0:18:49.440 --> 0:18:52.120
<v Speaker 1>so it was all it felt like summer camp in Baltimore.

0:18:52.200 --> 0:18:56.560
<v Speaker 1>We were jet skiing on a lake and are yeah,

0:18:56.720 --> 0:18:58.000
<v Speaker 1>I come on, man, it.

0:18:58.040 --> 0:19:01.800
<v Speaker 5>Was like we were having a you know, for sure,

0:19:01.840 --> 0:19:04.960
<v Speaker 5>I felt co Yeah, this I old girl felt right

0:19:05.000 --> 0:19:05.400
<v Speaker 5>at home.

0:19:05.520 --> 0:19:09.080
<v Speaker 1>I was good. I was totally good. I was like,

0:19:09.160 --> 0:19:12.000
<v Speaker 1>do they have beer in Baltimore? They do fantastic.

0:19:33.720 --> 0:19:39.440
<v Speaker 4>Well, pretty shortly after that role on Boston Public. Yes,

0:19:40.520 --> 0:19:45.160
<v Speaker 4>now talk about what kind of doors that opened for you,

0:19:45.440 --> 0:19:50.760
<v Speaker 4>because this in terms of shows, would you consider it break?

0:19:51.400 --> 0:19:54.240
<v Speaker 1>Yeah, it was definitely my first break. It was a

0:19:54.400 --> 0:19:56.920
<v Speaker 1>really big break. And I think, if I remember it correctly,

0:19:58.040 --> 0:20:02.600
<v Speaker 1>I had auditioned for a David Kelly show at the time,

0:20:03.520 --> 0:20:06.400
<v Speaker 1>and I didn't get the gig. But then he turned

0:20:06.440 --> 0:20:10.960
<v Speaker 1>around and he wrote me Kimberly woods As. I can't

0:20:10.960 --> 0:20:13.040
<v Speaker 1>believe I remember that name, but it was because it

0:20:13.080 --> 0:20:16.960
<v Speaker 1>was like my first gig, and that was a big

0:20:17.000 --> 0:20:20.359
<v Speaker 1>deal because I was living in New York at the time,

0:20:20.520 --> 0:20:24.080
<v Speaker 1>and I remember having to come out to LA living

0:20:24.119 --> 0:20:26.960
<v Speaker 1>in Manhattan Beach in a little apartment. I was shooting

0:20:27.000 --> 0:20:31.440
<v Speaker 1>at Rosecrant Studios, And again, that was an amazing cast,

0:20:31.680 --> 0:20:34.359
<v Speaker 1>just such a beautiful, welcoming cast, and I got to

0:20:34.400 --> 0:20:41.040
<v Speaker 1>play this teacher, this young teacher, and I learned a

0:20:41.080 --> 0:20:43.119
<v Speaker 1>lot on that show. I mean, that's really where I

0:20:43.200 --> 0:20:46.040
<v Speaker 1>learned how to act. That was just that was the

0:20:46.080 --> 0:20:49.160
<v Speaker 1>beginning because I had never studied acting. So every job

0:20:49.280 --> 0:20:52.320
<v Speaker 1>that I went to from there in on out was

0:20:52.760 --> 0:20:57.480
<v Speaker 1>really acting one on one, acting two two. It's I

0:20:57.560 --> 0:21:04.520
<v Speaker 1>learned everything from my fellow coast and directors.

0:21:03.320 --> 0:21:07.679
<v Speaker 4>You get a huge role in a very very big film,

0:21:07.840 --> 0:21:11.440
<v Speaker 4>Kiss Kiss, Bang bang. Is this happening at the same

0:21:11.520 --> 0:21:15.280
<v Speaker 4>time the Boston public is happening, So.

0:21:15.240 --> 0:21:21.359
<v Speaker 1>Boston Public happens, And then yes, it's happening. It's basically

0:21:21.440 --> 0:21:25.520
<v Speaker 1>happening right around the same time I'm in town. I

0:21:25.600 --> 0:21:29.200
<v Speaker 1>auditioned for the role, and originally it was somebody else

0:21:29.240 --> 0:21:32.000
<v Speaker 1>that was going to play Robert's part, and then I

0:21:32.080 --> 0:21:35.080
<v Speaker 1>knew they they they were interested me, and I think

0:21:35.080 --> 0:21:37.399
<v Speaker 1>the movie kind of went away for a few months,

0:21:37.680 --> 0:21:41.199
<v Speaker 1>and then I randomly got a call saying, you know,

0:21:41.359 --> 0:21:46.200
<v Speaker 1>Shane Black wants you to come in and read with him.

0:21:46.760 --> 0:21:49.360
<v Speaker 1>I remember calling it my agent at the time who

0:21:49.359 --> 0:21:52.000
<v Speaker 1>I got after Young Americans, who I'm still with today.

0:21:52.040 --> 0:21:53.840
<v Speaker 1>By the way, twenty six years I was with her

0:21:53.960 --> 0:21:54.520
<v Speaker 1>last night.

0:21:54.640 --> 0:21:56.080
<v Speaker 4>We realized, what's for you?

0:21:56.359 --> 0:21:59.840
<v Speaker 1>Thank you? Yeah, well that's a testament to her, my friend.

0:22:00.400 --> 0:22:02.320
<v Speaker 4>Twenty six years with the same agent.

0:22:02.480 --> 0:22:02.720
<v Speaker 3>Yeah.

0:22:02.760 --> 0:22:05.000
<v Speaker 1>I basically knocked on her door in New York when

0:22:05.000 --> 0:22:08.119
<v Speaker 1>I had that job of young Americans, and I said,

0:22:09.080 --> 0:22:12.159
<v Speaker 1>I have this job, but I don't have an agent.

0:22:12.600 --> 0:22:15.000
<v Speaker 1>So first of all, that got me in the door, right,

0:22:17.520 --> 0:22:21.000
<v Speaker 1>and I was like, I don't know, but I think

0:22:21.000 --> 0:22:23.399
<v Speaker 1>maybe this is what I'm supposed to do. I don't

0:22:23.440 --> 0:22:25.720
<v Speaker 1>know really what I'm doing, but I promised all work hard,

0:22:25.760 --> 0:22:27.800
<v Speaker 1>and she was like, I believe you. Let's give it

0:22:27.800 --> 0:22:33.120
<v Speaker 1>a shot. And so I remember calling her. I was flow.

0:22:33.280 --> 0:22:35.400
<v Speaker 1>They flew me out here. I was staying at what

0:22:35.600 --> 0:22:38.639
<v Speaker 1>was the Renaissance Hotel in Hollywood. It was close to

0:22:38.680 --> 0:22:41.919
<v Speaker 1>Warner Brothers, and I was getting ready to drive to

0:22:41.960 --> 0:22:44.119
<v Speaker 1>the Warner Brothers to read with Shane, and I called

0:22:44.160 --> 0:22:48.680
<v Speaker 1>Bonnie up in New York and her agent, her assistant

0:22:48.720 --> 0:22:50.720
<v Speaker 1>put me on hold because I'm calling her up to

0:22:50.800 --> 0:22:52.840
<v Speaker 1>be to say to her, I can't go in and

0:22:52.880 --> 0:22:55.040
<v Speaker 1>do this, like this is like way over my head,

0:22:55.119 --> 0:22:57.879
<v Speaker 1>this material. I have no idea what I'm doing. And

0:22:57.960 --> 0:23:01.080
<v Speaker 1>in that moment, of course, I hear myself telling me

0:23:01.600 --> 0:23:04.399
<v Speaker 1>I'm on hold for ages, and all of a sudden,

0:23:04.440 --> 0:23:06.359
<v Speaker 1>I just hang up the damn phone, and I was like,

0:23:06.400 --> 0:23:09.159
<v Speaker 1>you know what that means. I have to go in.

0:23:09.320 --> 0:23:10.639
<v Speaker 1>I have to do this.

0:23:10.560 --> 0:23:14.639
<v Speaker 2>Audition, you know, and say, God I did because it

0:23:14.760 --> 0:23:15.880
<v Speaker 2>changed my life.

0:23:17.200 --> 0:23:19.679
<v Speaker 1>Wow. And that's just a number of times now I

0:23:19.720 --> 0:23:22.120
<v Speaker 1>always go up against that I can't do this or oh,

0:23:22.160 --> 0:23:24.280
<v Speaker 1>I'm scared to do this or you know that fear

0:23:24.280 --> 0:23:26.160
<v Speaker 1>of me. And I always go back to that moment

0:23:26.160 --> 0:23:28.760
<v Speaker 1>because that was such a fundamental moment and the perseverance

0:23:28.880 --> 0:23:31.080
<v Speaker 1>you know that it takes to be an actor, because

0:23:31.119 --> 0:23:34.360
<v Speaker 1>it did. It was an integral moment that changed my life.

0:23:34.400 --> 0:23:36.040
<v Speaker 1>And I sat down and I read with Shane. It

0:23:36.080 --> 0:23:38.080
<v Speaker 1>was a great reading, and I think the following week

0:23:38.119 --> 0:23:39.679
<v Speaker 1>they offered me the role and I went in and

0:23:39.720 --> 0:23:43.240
<v Speaker 1>I read with Robert and it was an amazing It

0:23:43.280 --> 0:23:47.240
<v Speaker 1>was amazing, and that that experience is one of the

0:23:47.320 --> 0:23:50.879
<v Speaker 1>highlights of my career. I just had such an amazing

0:23:50.960 --> 0:23:54.160
<v Speaker 1>time working with Robert and Shane and of course Val.

0:23:54.359 --> 0:23:57.640
<v Speaker 1>We were all super tight and again I learned so much.

0:23:57.720 --> 0:23:59.879
<v Speaker 1>Robert taught me how to improv on that on that

0:24:00.240 --> 0:24:02.760
<v Speaker 1>on that film, not that we needed better words than

0:24:02.800 --> 0:24:06.080
<v Speaker 1>Shading Black's words because they're so brilliant, but you know, Robert,

0:24:06.240 --> 0:24:09.199
<v Speaker 1>you know, Oh, so that was awesome. That was like,

0:24:09.359 --> 0:24:11.560
<v Speaker 1>that was a huge turning point for me. And I

0:24:11.560 --> 0:24:14.159
<v Speaker 1>think it was in the middle of shooting that I

0:24:14.440 --> 0:24:17.679
<v Speaker 1>got an audition for North Country and then that was

0:24:17.720 --> 0:24:23.520
<v Speaker 1>a very another really big film for me, and the

0:24:23.560 --> 0:24:27.560
<v Speaker 1>cast was incredible and still very dear to me. Nicky

0:24:27.600 --> 0:24:29.640
<v Speaker 1>Carro and Charlie's and Jeremy.

0:24:30.800 --> 0:24:33.480
<v Speaker 4>Yeah, I mean you go on to run at this time?

0:24:33.520 --> 0:24:37.359
<v Speaker 4>Do you give credit to kiss Kiss Bang Bang? Is that? What?

0:24:37.520 --> 0:24:37.880
<v Speaker 4>Did it?

0:24:38.119 --> 0:24:40.720
<v Speaker 1>A hundred? I would say one hundred percent. It's interesting.

0:24:40.760 --> 0:24:43.480
<v Speaker 6>There was a film that I did, and it's important

0:24:43.560 --> 0:24:46.560
<v Speaker 6>for actors to hear this too. I did a small

0:24:46.760 --> 0:24:50.680
<v Speaker 6>role in Constantine with Keanu Reeves. This was so many

0:24:50.720 --> 0:24:52.959
<v Speaker 6>years ago, was structured by Francis Lawrence and I get

0:24:53.000 --> 0:24:56.000
<v Speaker 6>a call from Francis Lawrence after I shoot it and

0:24:56.040 --> 0:24:58.560
<v Speaker 6>he says, I'm so sorry, but I have to cut

0:24:58.560 --> 0:24:59.639
<v Speaker 6>you out of the film.

0:25:00.119 --> 0:25:03.320
<v Speaker 1>Well, I'm so green. I call it Bonnie my agent,

0:25:03.760 --> 0:25:05.800
<v Speaker 1>and I'm like, do I have to give the money back? Like,

0:25:06.200 --> 0:25:08.760
<v Speaker 1>I'm so naive? Right, He's liked, of course, you don't

0:25:08.800 --> 0:25:10.280
<v Speaker 1>have to give them money back. Of course you don't

0:25:10.280 --> 0:25:12.320
<v Speaker 1>have to give them money back. Well, it turns out

0:25:12.359 --> 0:25:15.520
<v Speaker 1>like the acting was he assured me, it was good.

0:25:15.840 --> 0:25:17.760
<v Speaker 1>He's like, but it was just the storyline was too long,

0:25:17.800 --> 0:25:20.040
<v Speaker 1>and it was it was unnecessary, so they had to

0:25:20.040 --> 0:25:24.720
<v Speaker 1>cut me out. But what happened with that cut footage

0:25:24.760 --> 0:25:28.760
<v Speaker 1>is that Francis Lawrence actually happened to give it to

0:25:28.840 --> 0:25:31.960
<v Speaker 1>JJ Abrams and he said, you're getting ready to cast

0:25:32.000 --> 0:25:35.480
<v Speaker 1>this film. There's this actress that I worked with who's

0:25:35.560 --> 0:25:40.480
<v Speaker 1>really good. Here have a look. And JJ Abrams saw

0:25:40.560 --> 0:25:44.080
<v Speaker 1>that because I've never even seen it myself, I should

0:25:44.200 --> 0:25:46.560
<v Speaker 1>ask Francis. I ran into him a year ago and

0:25:46.600 --> 0:25:50.639
<v Speaker 1>he apologized again for cutting.

0:25:50.359 --> 0:25:51.680
<v Speaker 5>Me out of the throm. I was like, are you

0:25:51.800 --> 0:25:56.199
<v Speaker 5>kidding me, dude? You got me mission impossible three. So

0:25:57.000 --> 0:26:01.000
<v Speaker 5>that's a great story. So that was like bang bang

0:26:01.119 --> 0:26:03.280
<v Speaker 5>put me on the map. But it was like Hollywood

0:26:03.320 --> 0:26:05.560
<v Speaker 5>works in those mysterious ways. You know, just because you

0:26:05.600 --> 0:26:08.080
<v Speaker 5>get cut out of something doesn't mean. I always remind

0:26:08.119 --> 0:26:11.600
<v Speaker 5>people it's not because it wasn't good necessarily, and people

0:26:12.080 --> 0:26:12.760
<v Speaker 5>people talk.

0:26:13.040 --> 0:26:14.960
<v Speaker 1>You know, this is a small town, this is a

0:26:14.960 --> 0:26:17.800
<v Speaker 1>small industry, and people want to work with talented people,

0:26:17.840 --> 0:26:21.760
<v Speaker 1>good people, like minded people. And so that's that's that

0:26:21.880 --> 0:26:24.440
<v Speaker 1>got me the audition for JJ and then I read

0:26:24.440 --> 0:26:26.480
<v Speaker 1>with Tom and then that was that was it.

0:26:26.520 --> 0:26:30.920
<v Speaker 4>And it makes a whole lot of sense psychologically also, right,

0:26:31.000 --> 0:26:33.840
<v Speaker 4>because I'm going to assume that your work was really

0:26:33.880 --> 0:26:36.240
<v Speaker 4>good in Constantine. By the way, when you start talking

0:26:36.280 --> 0:26:40.760
<v Speaker 4>about Constantine. I'm like, dang it when my researcher there's

0:26:40.960 --> 0:26:43.080
<v Speaker 4>I don't see Constantine here. And then you start telling

0:26:43.080 --> 0:26:44.800
<v Speaker 4>the story and I'm like, oh, okay, well that makes

0:26:44.840 --> 0:26:50.520
<v Speaker 4>sense why it's not okay? Yeah no, but but also right,

0:26:50.560 --> 0:26:53.679
<v Speaker 4>you do good work on a story that makes the

0:26:53.720 --> 0:26:56.720
<v Speaker 4>movie too long or it's you know, superfluous whatever, which

0:26:56.760 --> 0:26:59.800
<v Speaker 4>is nobody knows until you put it together. But you've

0:26:59.800 --> 0:27:04.720
<v Speaker 4>all got just go with me. You also have Francis

0:27:04.760 --> 0:27:09.720
<v Speaker 4>who now feels bad, right, no, but I mean for real,

0:27:10.040 --> 0:27:15.919
<v Speaker 4>and so like I'm sure that he just wanted to

0:27:15.960 --> 0:27:18.120
<v Speaker 4>do you a solid because he felt like you were

0:27:18.119 --> 0:27:20.960
<v Speaker 4>really good and whatever. But he also in his mind

0:27:21.160 --> 0:27:25.480
<v Speaker 4>is going like, man, that sucks because she was really good.

0:27:25.600 --> 0:27:27.400
<v Speaker 4>But you know what, let me see, let me see

0:27:27.440 --> 0:27:30.240
<v Speaker 4>if I can do something that is how hot. People

0:27:30.359 --> 0:27:33.440
<v Speaker 4>never talk about that, but that like it does work.

0:27:33.480 --> 0:27:37.879
<v Speaker 4>That because good people who are doing good work, like

0:27:38.000 --> 0:27:42.119
<v Speaker 4>people want to support that and continue to help in

0:27:42.200 --> 0:27:44.840
<v Speaker 4>a way. And that's why, which I think, which is

0:27:44.880 --> 0:27:46.879
<v Speaker 4>where you're going, not to take your words, but like

0:27:47.280 --> 0:27:52.280
<v Speaker 4>sometimes doing those smaller things are really important because of

0:27:52.320 --> 0:27:55.479
<v Speaker 4>a relationship because you know and you never know what

0:27:55.560 --> 0:27:56.399
<v Speaker 4>it could breed.

0:27:56.640 --> 0:27:59.440
<v Speaker 1>That's exactly right. I couldn't. I couldn't agree with that more.

0:27:59.520 --> 0:28:00.480
<v Speaker 1>That's exactly right.

0:28:01.600 --> 0:28:04.840
<v Speaker 4>Yeah. I got to mention this because of my old

0:28:04.920 --> 0:28:10.560
<v Speaker 4>pal Amy Ryan. You work on Gone, Baby Gone with

0:28:10.680 --> 0:28:14.920
<v Speaker 4>Casey Affleck. Now you've done the action, You've done the

0:28:15.000 --> 0:28:17.679
<v Speaker 4>kiss kiss bang bang, You've done some television. Is this

0:28:17.840 --> 0:28:23.200
<v Speaker 4>like your first like drama drama? Right? How was that

0:28:23.400 --> 0:28:28.040
<v Speaker 4>experience different for you? And really just you can talk

0:28:28.080 --> 0:28:29.160
<v Speaker 4>about Amy Ryan.

0:28:29.760 --> 0:28:33.840
<v Speaker 1>Yeah, I Oh, she's amazing. I think my first stab

0:28:33.880 --> 0:28:36.120
<v Speaker 1>at the drama, I would say, was North Country. That's

0:28:36.200 --> 0:28:38.800
<v Speaker 1>kind of oh right, yeah, no, no, no, no no,

0:28:38.960 --> 0:28:42.920
<v Speaker 1>but that was but that was totally different. Gone Baby

0:28:42.920 --> 0:28:48.280
<v Speaker 1>Gone was It's just an intense film. The subject matter

0:28:48.400 --> 0:28:52.800
<v Speaker 1>I felt very very close to. It was emotional, it

0:28:52.840 --> 0:28:57.400
<v Speaker 1>felt personal. It was just in working with Ben and

0:28:57.600 --> 0:29:01.400
<v Speaker 1>Amy who Amy is just so extraord in that role.

0:29:02.040 --> 0:29:03.880
<v Speaker 1>That was one of the times that I'd seen an

0:29:03.920 --> 0:29:08.040
<v Speaker 1>actress just so lived in, like so lived in a role,

0:29:08.760 --> 0:29:11.720
<v Speaker 1>lost and lost in the role and in all the

0:29:11.760 --> 0:29:16.520
<v Speaker 1>best ways. I mean, she was so fantastic. And also

0:29:16.600 --> 0:29:22.120
<v Speaker 1>just shooting in Boston with Ben and Casey, their hometown,

0:29:23.440 --> 0:29:26.880
<v Speaker 1>everything felt very so, very real and raw. For me

0:29:27.000 --> 0:29:30.239
<v Speaker 1>for that film, and it's it's still like when I

0:29:30.280 --> 0:29:32.840
<v Speaker 1>really think about it, it's still affecting like it really

0:29:33.360 --> 0:29:36.800
<v Speaker 1>and it's oftentimes the film that people will come up

0:29:37.320 --> 0:29:41.200
<v Speaker 1>and still want to talk about, which is like so

0:29:41.400 --> 0:29:45.560
<v Speaker 1>rare to have a film that's still so thought provoking,

0:29:45.640 --> 0:29:48.760
<v Speaker 1>so provocative that people want to weigh in on what

0:29:48.800 --> 0:29:50.920
<v Speaker 1>would you do at the end? You know? That was

0:29:51.160 --> 0:29:54.520
<v Speaker 1>that was just people walked away from that film shook,

0:29:55.360 --> 0:29:59.120
<v Speaker 1>and it was because of all of those performances and Harris.

0:29:59.200 --> 0:30:02.000
<v Speaker 1>I'd never seen a method actor before until I met

0:30:02.160 --> 0:30:05.959
<v Speaker 1>Ed Harris. I remember, you know, sitting in the makeup

0:30:06.000 --> 0:30:08.520
<v Speaker 1>trailer and he'd come in and I'd start chatting him

0:30:08.600 --> 0:30:12.880
<v Speaker 1>up naively, and he wasn't chatting me back up, and

0:30:13.000 --> 0:30:15.400
<v Speaker 1>I kind of just thought, what's going on here? I

0:30:15.440 --> 0:30:18.680
<v Speaker 1>really was still at that point pretty naive about various

0:30:18.720 --> 0:30:22.280
<v Speaker 1>processes of actors, and it was clear, you know that

0:30:22.360 --> 0:30:25.720
<v Speaker 1>he was in his using his very specific headspace and

0:30:25.880 --> 0:30:30.160
<v Speaker 1>in his character. So that was very informative for me

0:30:30.240 --> 0:30:32.920
<v Speaker 1>that role. I mean, I just I have so much

0:30:32.920 --> 0:30:35.600
<v Speaker 1>respect for Amy Ryan's I've been a fan of hers

0:30:35.600 --> 0:30:36.719
<v Speaker 1>from that day forward.

0:30:37.160 --> 0:30:41.440
<v Speaker 4>Yeah, well, she is fantastic part of why I bring

0:30:41.520 --> 0:30:42.920
<v Speaker 4>up that movie as well, and I hope that you

0:30:42.920 --> 0:30:45.000
<v Speaker 4>don't take this the wrong way. I don't know what

0:30:45.160 --> 0:30:50.400
<v Speaker 4>that even means, but I think that my brain associates

0:30:50.400 --> 0:30:55.640
<v Speaker 4>you probably first from that movie, and then you did

0:30:56.000 --> 0:31:00.640
<v Speaker 4>Patriots Day, and you've worked time and again those guys.

0:31:01.080 --> 0:31:03.760
<v Speaker 4>I thought you were a boss tonight, Like that's what

0:31:03.840 --> 0:31:08.440
<v Speaker 4>I thought. I just sort of assumed that you were

0:31:08.440 --> 0:31:10.800
<v Speaker 4>in that crew, and I think part of it, which

0:31:10.880 --> 0:31:13.480
<v Speaker 4>is really where I'm finally about to get to a question,

0:31:13.520 --> 0:31:18.120
<v Speaker 4>which is ya, you seem to have found people or

0:31:18.200 --> 0:31:20.880
<v Speaker 4>people have found you that you like to work with,

0:31:21.320 --> 0:31:26.720
<v Speaker 4>and the relationships and the associations and the projects keep multiplying.

0:31:27.360 --> 0:31:31.880
<v Speaker 4>Is that just because you guys enjoyed working together? Is

0:31:31.880 --> 0:31:36.400
<v Speaker 4>there something about that crew I guess in particular that

0:31:36.880 --> 0:31:39.440
<v Speaker 4>you keep wanting to go back into it. I guess

0:31:39.520 --> 0:31:42.080
<v Speaker 4>just talk to me a little bit about that.

0:31:42.080 --> 0:31:45.760
<v Speaker 1>That's so interesting. Yeah, I mean I always say I

0:31:45.800 --> 0:31:48.040
<v Speaker 1>think it's just you really just connect with people. I mean,

0:31:48.040 --> 0:31:53.320
<v Speaker 1>when you're working that intensely for that many days in

0:31:53.360 --> 0:31:56.600
<v Speaker 1>a row, You're either going to really really like somebody

0:31:56.600 --> 0:31:59.400
<v Speaker 1>and go like, hey we should do this again. You know,

0:32:00.080 --> 0:32:01.800
<v Speaker 1>we're gonna say, were you going to say, like, this

0:32:01.840 --> 0:32:04.640
<v Speaker 1>was a great experience. We don't need to repeat this,

0:32:04.720 --> 0:32:07.000
<v Speaker 1>but it was good and I learned something and whatever,

0:32:07.600 --> 0:32:11.000
<v Speaker 1>and there are it has been those experiences, you know. Specifically,

0:32:11.040 --> 0:32:16.040
<v Speaker 1>it was Mark Wahlberg. We did Patriots Day, and I

0:32:16.040 --> 0:32:19.760
<v Speaker 1>don't have a lot of scenes in that film, but

0:32:19.880 --> 0:32:23.360
<v Speaker 1>those scenes that we had were really intimate and really emotional,

0:32:23.720 --> 0:32:27.920
<v Speaker 1>and we just really connected. I really respect Mark as

0:32:27.960 --> 0:32:32.280
<v Speaker 1>an actor so much. He's incredibly disciplined. It reminds me

0:32:32.320 --> 0:32:36.040
<v Speaker 1>a lot of Tom Cruise actually, and there's just a

0:32:36.800 --> 0:32:39.680
<v Speaker 1>I don't know, there's just a real quiet confidence that

0:32:39.720 --> 0:32:43.080
<v Speaker 1>I just respect about him, and specifically in that role.

0:32:43.760 --> 0:32:46.880
<v Speaker 1>And a couple of years ago, they were pretty family

0:32:46.920 --> 0:32:49.680
<v Speaker 1>planned together, you know, and Mark was said, hey, what

0:32:49.760 --> 0:32:52.400
<v Speaker 1>about Michelle. We had a good time, Like that was

0:32:52.440 --> 0:32:54.240
<v Speaker 1>a drama and we had a good time making that.

0:32:54.400 --> 0:32:56.760
<v Speaker 1>He was like, so he was like, this is you know,

0:32:56.840 --> 0:32:59.640
<v Speaker 1>in action comedies, Like I think I think that we'd

0:32:59.680 --> 0:33:02.000
<v Speaker 1>be good this. You know, we could, we could pull

0:33:02.040 --> 0:33:04.840
<v Speaker 1>it off. And so for me, I was so grateful

0:33:04.840 --> 0:33:07.240
<v Speaker 1>to get to reutine with him, because again, I think

0:33:07.240 --> 0:33:11.200
<v Speaker 1>he's so great. He's one of these just great actors

0:33:11.200 --> 0:33:14.880
<v Speaker 1>that just understands tone so well and can play the

0:33:14.880 --> 0:33:17.520
<v Speaker 1>comedy and the drama and the action. I mean, he

0:33:17.920 --> 0:33:20.840
<v Speaker 1>can really do it all. He's a really unique performer

0:33:20.920 --> 0:33:23.240
<v Speaker 1>like that, and I just I doore working with him,

0:33:23.720 --> 0:33:25.320
<v Speaker 1>no doubt we're going to get to do it again.

0:33:26.720 --> 0:33:28.800
<v Speaker 4>Yeah. Oh is that a spoiler alert?

0:33:29.080 --> 0:33:33.040
<v Speaker 1>Yeah? Maybe did something? No?

0:33:36.200 --> 0:33:44.440
<v Speaker 4>All right? Do you do you have a preferred genre?

0:33:45.000 --> 0:33:48.720
<v Speaker 4>I mean I worked in so many different types of

0:33:48.840 --> 0:33:54.720
<v Speaker 4>movies action, comedy, deep, dark, boiling over drama. Is there

0:33:54.760 --> 0:34:00.320
<v Speaker 4>something that you prefer? And if so or not, are

0:34:00.360 --> 0:34:03.040
<v Speaker 4>you looking for a balance or do you not care

0:34:03.080 --> 0:34:05.680
<v Speaker 4>about that? Do you not concern yourself with that? I?

0:34:06.000 --> 0:34:09.000
<v Speaker 1>Yes, this is such a good question. It's funny because

0:34:09.000 --> 0:34:11.560
<v Speaker 1>I've been doing this now for so long, over twenty years,

0:34:11.560 --> 0:34:15.000
<v Speaker 1>and I really have dabbled in it all in all

0:34:15.040 --> 0:34:18.319
<v Speaker 1>of different genres. I've kind of started out in the

0:34:18.360 --> 0:34:22.440
<v Speaker 1>comedy space, you know, even the Heartbreak Kid, Made of Honor,

0:34:22.920 --> 0:34:28.040
<v Speaker 1>the rom com com Baby Gone, then did a Shift, Action,

0:34:28.360 --> 0:34:31.440
<v Speaker 1>and so all of those are real facets of me,

0:34:31.640 --> 0:34:35.400
<v Speaker 1>you know, they're my personality traits. I really I love drama.

0:34:35.400 --> 0:34:38.239
<v Speaker 1>I'm an emotional person. I love to connect and so

0:34:38.320 --> 0:34:40.440
<v Speaker 1>I would say like that would be my first instinct.

0:34:40.440 --> 0:34:43.000
<v Speaker 1>I loved the emotion. I love playing the heart and

0:34:43.040 --> 0:34:45.880
<v Speaker 1>the soul and the nuance and all of those things.

0:34:46.560 --> 0:34:50.160
<v Speaker 1>But I find comedy to be the most challenging, and

0:34:50.200 --> 0:34:53.120
<v Speaker 1>I think that's why I'm drawn to comedy. I feel

0:34:53.160 --> 0:34:56.840
<v Speaker 1>really grateful to be doing comedy now with Bad Monkey

0:34:56.880 --> 0:34:59.920
<v Speaker 1>coming out with Vince Faughn and Bill Lawrence White loaded.

0:35:00.520 --> 0:35:02.800
<v Speaker 1>I was in the middle of shooting a TV series

0:35:02.840 --> 0:35:05.880
<v Speaker 1>for Netflix called Echoes a couple of years ago, and

0:35:05.960 --> 0:35:08.840
<v Speaker 1>it was such an intense experience that I remember telling myself,

0:35:09.280 --> 0:35:12.480
<v Speaker 1>I'm drinking comedy after this, like enough with the drama.

0:35:12.480 --> 0:35:15.520
<v Speaker 7>It's like this is too much. It's like, oh my god,

0:35:15.560 --> 0:35:19.799
<v Speaker 7>it's so exhausting. And then sure enough, you know, Bill

0:35:19.920 --> 0:35:22.279
<v Speaker 7>the Lawrence called about three or four months later, and

0:35:22.320 --> 0:35:25.280
<v Speaker 7>I thought, wow, heck, I really manifested that one quick

0:35:26.000 --> 0:35:28.080
<v Speaker 7>with Bad Monkey. But I was so grateful because I

0:35:28.120 --> 0:35:31.160
<v Speaker 7>really wanted to get back to my comedic roots and

0:35:31.960 --> 0:35:33.680
<v Speaker 7>I and I and I am giving you a long

0:35:33.719 --> 0:35:36.799
<v Speaker 7>winded answer here, but it was interesting going toe to

0:35:36.800 --> 0:35:39.000
<v Speaker 7>toe with Vince because I was like, WHOA.

0:35:38.920 --> 0:35:43.400
<v Speaker 1>I feel a little rusty. I was like, oh my gosh,

0:35:43.560 --> 0:35:47.359
<v Speaker 1>I feel our little Dusty a little rusty, and he's click,

0:35:47.440 --> 0:35:53.080
<v Speaker 1>you know, he im proms like lightning lightning fast. And

0:35:53.360 --> 0:35:55.439
<v Speaker 1>that was a great challenge for me to get back

0:35:55.480 --> 0:35:58.959
<v Speaker 1>in and understand, you know, get back into tones. Bill

0:35:59.000 --> 0:36:03.960
<v Speaker 1>has really specific Tony's very like satirical, but he's also

0:36:04.840 --> 0:36:09.480
<v Speaker 1>it's also super grounded and real and vulnerable at the

0:36:09.480 --> 0:36:12.200
<v Speaker 1>same time. So you kind of play this, you kind

0:36:12.200 --> 0:36:16.000
<v Speaker 1>of play that that balance. And so I would say

0:36:16.040 --> 0:36:19.120
<v Speaker 1>I live in the space of dramedy. I would say,

0:36:19.160 --> 0:36:22.839
<v Speaker 1>that's what I'm I'm gearing up to to do. Is

0:36:23.560 --> 0:36:25.600
<v Speaker 1>something in the space that.

0:36:26.760 --> 0:36:28.120
<v Speaker 4>Is such a hedge?

0:36:28.360 --> 0:36:32.000
<v Speaker 1>Yeah, it is, I know, it is.

0:36:33.239 --> 0:36:33.640
<v Speaker 6>It is.

0:36:33.960 --> 0:36:36.719
<v Speaker 1>It is. It's such a hedge. But it's so true though,

0:36:36.760 --> 0:36:40.319
<v Speaker 1>and it's its own genre now. But I feel like

0:36:40.800 --> 0:36:44.360
<v Speaker 1>that's the truest to life, to me, right and to

0:36:45.360 --> 0:36:47.680
<v Speaker 1>all of us right, Like, I feel like that's the

0:36:47.719 --> 0:36:50.760
<v Speaker 1>space in which we all live in. That's my life.

0:36:50.800 --> 0:36:54.239
<v Speaker 1>I'm equal parts drama and I'm equal parts comedy. I mean,

0:36:54.239 --> 0:36:57.560
<v Speaker 1>that's it. You know, I'm either laughing or I'm crying,

0:36:57.880 --> 0:37:01.680
<v Speaker 1>you know, And so I think creatively that's where I'm

0:37:01.800 --> 0:37:03.359
<v Speaker 1>kind of at. I'm kind of you know, and when

0:37:03.400 --> 0:37:05.879
<v Speaker 1>I look at a lot of the work that I've done,

0:37:06.560 --> 0:37:09.760
<v Speaker 1>you know, True Detectives. I mean, that's straight up drama.

0:37:09.960 --> 0:37:13.760
<v Speaker 1>The Path was very much drama, you know, Bad Monkey,

0:37:13.960 --> 0:37:17.600
<v Speaker 1>very comedic. White Lotus now it's like, we know, we

0:37:17.640 --> 0:37:20.319
<v Speaker 1>know what that's onto it, that's its own genre. But

0:37:20.400 --> 0:37:21.239
<v Speaker 1>I'm loving that.

0:37:23.840 --> 0:37:25.000
<v Speaker 4>What is White Loatus?

0:37:25.080 --> 0:37:27.560
<v Speaker 1>Yeah, I mean I think that's a comedy. It's it's

0:37:27.640 --> 0:37:30.160
<v Speaker 1>I think it's a dark comedy. Yeah, I do. I

0:37:30.160 --> 0:37:31.800
<v Speaker 1>think it's a dark comedy.

0:37:32.040 --> 0:37:34.320
<v Speaker 4>What happens in season three, Oh my gosh.

0:37:34.320 --> 0:37:39.560
<v Speaker 1>You know, I can't. I'd lose my home, probably take

0:37:39.600 --> 0:37:40.240
<v Speaker 1>my children.

0:37:41.040 --> 0:37:41.239
<v Speaker 3>You know.

0:37:42.480 --> 0:37:45.920
<v Speaker 1>All I can say is because it's been said before,

0:37:46.120 --> 0:37:48.399
<v Speaker 1>you know, this season is is like one and two

0:37:48.440 --> 0:37:53.120
<v Speaker 1>on steroids. It is very big. We have much bigger

0:37:53.200 --> 0:37:55.799
<v Speaker 1>set pieces. We we spend a lot of time, of

0:37:55.840 --> 0:37:58.040
<v Speaker 1>course in the White Lotus hotel, but we also venture

0:37:58.080 --> 0:38:00.359
<v Speaker 1>outside of the hotel, and that's something I don't think

0:38:00.360 --> 0:38:04.000
<v Speaker 1>that we've previously seen in the earlier seasons. We have

0:38:04.040 --> 0:38:09.359
<v Speaker 1>a really big cast. It's it's even more international, and

0:38:09.480 --> 0:38:13.880
<v Speaker 1>it's in Thailand, so there are very specific elements of Thailand.

0:38:14.040 --> 0:38:15.880
<v Speaker 1>There's a lot of light and a lot of dark,

0:38:16.000 --> 0:38:19.479
<v Speaker 1>and it's it's perfect for the tone of a white

0:38:19.480 --> 0:38:21.680
<v Speaker 1>lotus because we can just explore all of that.

0:38:22.719 --> 0:38:27.360
<v Speaker 4>Good answer, very good. I wasn't I wasn't even supposed

0:38:27.360 --> 0:38:29.400
<v Speaker 4>to ask you, it says here, But I did anyway

0:38:29.440 --> 0:38:31.600
<v Speaker 4>because I knew it. I knew you wouldn't. I knew

0:38:31.600 --> 0:38:56.440
<v Speaker 4>you wouldn't answer. After Boston Public you, I mean, thankfully

0:38:56.560 --> 0:38:59.080
<v Speaker 4>for you. You went on and you were doing a lot

0:38:59.160 --> 0:39:03.879
<v Speaker 4>of film, but not so much television. True Detective kind

0:39:03.880 --> 0:39:07.640
<v Speaker 4>of brought you back. But I mean that was like

0:39:08.719 --> 0:39:15.440
<v Speaker 4>really early early iteration of this, like what do you

0:39:15.480 --> 0:39:21.080
<v Speaker 4>call it? Very early iteration, very and so very film,

0:39:21.239 --> 0:39:24.719
<v Speaker 4>almost like, well, here's a story that we want to

0:39:24.760 --> 0:39:28.480
<v Speaker 4>take eight hours to tell instead of two correct, right, correct,

0:39:28.520 --> 0:39:29.400
<v Speaker 4>instead of a movie.

0:39:29.680 --> 0:39:32.920
<v Speaker 1>Yes. And I remember having those exact conversations because it

0:39:32.960 --> 0:39:36.520
<v Speaker 1>was such an early iteration of television that people didn't

0:39:36.520 --> 0:39:39.560
<v Speaker 1>even want to refer to it as television, right, right,

0:39:39.760 --> 0:39:42.279
<v Speaker 1>because there was still that stigma, which of course no

0:39:42.360 --> 0:39:44.839
<v Speaker 1>longer exists, but that was at the forefront of that.

0:39:45.640 --> 0:39:49.239
<v Speaker 1>And I remember probably been saying, like, Matthew mcconnie's never

0:39:49.280 --> 0:39:52.480
<v Speaker 1>done television. Matthew went on a big break and a

0:39:52.480 --> 0:39:56.560
<v Speaker 1>big hiatus. You know, if you recall, and he'll say this,

0:39:56.640 --> 0:39:58.320
<v Speaker 1>he was like, I didn't want to do wrong comms anymore,

0:39:58.320 --> 0:40:00.040
<v Speaker 1>didn't want to do these comedies. I really wanted to

0:40:00.040 --> 0:40:04.440
<v Speaker 1>to explore different genres and really push my work creatively.

0:40:04.520 --> 0:40:08.480
<v Speaker 1>And on the heels of that came True Detective, and

0:40:08.560 --> 0:40:11.360
<v Speaker 1>so I think people were surprised that that was something

0:40:11.440 --> 0:40:14.560
<v Speaker 1>he was doing. So and then there was Woody, and

0:40:14.600 --> 0:40:18.359
<v Speaker 1>then Nick hadn't you know, I think this was the

0:40:18.400 --> 0:40:20.560
<v Speaker 1>first series that he'd written.

0:40:21.680 --> 0:40:23.319
<v Speaker 4>Did that help bring you in?

0:40:24.239 --> 0:40:27.920
<v Speaker 1>Yeah? Yeah, I mean listen, that writing brought me in.

0:40:28.040 --> 0:40:31.360
<v Speaker 1>I mean obviously in Matthew and Woody, but the writing

0:40:31.520 --> 0:40:36.200
<v Speaker 1>was so incredible. And I remember that Carrie sent me

0:40:37.120 --> 0:40:40.319
<v Speaker 1>three of the episodes, I think the first two and

0:40:40.360 --> 0:40:43.719
<v Speaker 1>then the real pivotal one for my character. And I

0:40:43.719 --> 0:40:45.919
<v Speaker 1>can't remember what episode that was, but it was five

0:40:46.040 --> 0:40:49.279
<v Speaker 1>or six, it was somewhere down the line. And when

0:40:49.320 --> 0:40:51.720
<v Speaker 1>I read that one, I was like, oh my gosh,

0:40:51.760 --> 0:40:53.799
<v Speaker 1>I need to know. I need to know everything if

0:40:53.840 --> 0:40:58.160
<v Speaker 1>between and I remember zooming with Carrie at the time,

0:40:58.280 --> 0:41:02.040
<v Speaker 1>taking a meeting with him, and he was wonderful and

0:41:02.120 --> 0:41:04.800
<v Speaker 1>I could tell that he was a very special creative

0:41:05.640 --> 0:41:09.759
<v Speaker 1>and I thought, yeah, let's let's do it. And I'm

0:41:09.840 --> 0:41:12.080
<v Speaker 1>so grateful I went on that journey because it was

0:41:12.160 --> 0:41:14.720
<v Speaker 1>It wasn't long after I remember just being on set

0:41:14.800 --> 0:41:17.800
<v Speaker 1>that I felt that it felt palpable, that I really

0:41:17.800 --> 0:41:21.040
<v Speaker 1>did feel like we were embarking on something really special.

0:41:23.840 --> 0:41:32.120
<v Speaker 4>Bad Monkey out well right now with Vince Vaughan, Jody Turner, Smith,

0:41:32.239 --> 0:41:33.840
<v Speaker 4>Rob Delaney, amazing cast.

0:41:33.880 --> 0:41:34.560
<v Speaker 1>Meredith Hagner.

0:41:34.719 --> 0:41:40.080
<v Speaker 4>Yeah, yeah, Meredith Hagner, I have to ask you, so,

0:41:40.080 --> 0:41:42.480
<v Speaker 4>so Bill, you were allowed to improv?

0:41:43.000 --> 0:41:48.640
<v Speaker 1>Oh? Yes, I mean the fact is, with Bill's writing,

0:41:48.760 --> 0:41:52.400
<v Speaker 1>you don't you don't have to. You don't have to improv.

0:41:52.440 --> 0:41:55.440
<v Speaker 1>I mean because his writing is genius. But he comes

0:41:55.520 --> 0:41:58.000
<v Speaker 1>out of the world and it's like improv and writing,

0:41:58.040 --> 0:42:01.360
<v Speaker 1>and so he's not pressure with his words. In fact,

0:42:01.400 --> 0:42:04.160
<v Speaker 1>he's so quick that when he's on set and he's

0:42:04.200 --> 0:42:06.400
<v Speaker 1>standing over by the monitors, he may think of a

0:42:06.400 --> 0:42:08.239
<v Speaker 1>better line, what he thinks is a better line than

0:42:08.239 --> 0:42:12.000
<v Speaker 1>what he wrote, you know. And so what happens with

0:42:12.239 --> 0:42:14.160
<v Speaker 1>Vince and he, who have known each other for over

0:42:14.239 --> 0:42:17.400
<v Speaker 1>thirty years, so they have a real comedic shorthand, is

0:42:17.400 --> 0:42:19.879
<v Speaker 1>that you essentially turn up as prepared as you can

0:42:19.920 --> 0:42:22.680
<v Speaker 1>be so that you can get the words on the page.

0:42:23.280 --> 0:42:27.120
<v Speaker 1>So then when they when they say let's play, you

0:42:27.320 --> 0:42:31.399
<v Speaker 1>just like you just get ready to roll because you've

0:42:31.440 --> 0:42:34.640
<v Speaker 1>got Bill over at the monitors just like shouting different

0:42:34.680 --> 0:42:37.359
<v Speaker 1>lines at you, different takes. And by the way, there's

0:42:37.440 --> 0:42:39.879
<v Speaker 1>nothing It sounds terrible to say, and I shouldn't lean

0:42:39.920 --> 0:42:42.360
<v Speaker 1>on it too much, but there is nothing more gratifying

0:42:42.400 --> 0:42:46.680
<v Speaker 1>than hearing Bill Lawrence or Mike White like laughing over

0:42:46.719 --> 0:42:49.280
<v Speaker 1>there at the It's just it's it's just the most

0:42:49.360 --> 0:42:51.200
<v Speaker 1>like it fills your cup in a way. You're like, oh,

0:42:51.239 --> 0:42:53.640
<v Speaker 1>I got I got it. I made you laugh, like

0:42:54.040 --> 0:42:56.800
<v Speaker 1>I got your tone. And you know, because I consider

0:42:56.920 --> 0:43:00.440
<v Speaker 1>these guys comedic geniuses, you know, So it was very

0:43:00.560 --> 0:43:03.760
<v Speaker 1>much like that. And Vince is so funny and so quick,

0:43:03.800 --> 0:43:06.239
<v Speaker 1>and even if I didn't say something that was right

0:43:06.400 --> 0:43:08.840
<v Speaker 1>or funny, that their caliber and they just pick you

0:43:08.880 --> 0:43:10.480
<v Speaker 1>right up and they roll with it and they make it.

0:43:10.520 --> 0:43:12.799
<v Speaker 1>They make it good. So it was a really fun

0:43:13.000 --> 0:43:15.279
<v Speaker 1>loose environment because I was coming off the heels, of

0:43:15.280 --> 0:43:18.680
<v Speaker 1>course of doing a lot of dramatic stuff. So to

0:43:18.719 --> 0:43:22.640
<v Speaker 1>come into a creative environment where like anything goes basically

0:43:22.640 --> 0:43:24.359
<v Speaker 1>and Bill was like, I'm gonna push you so far,

0:43:24.440 --> 0:43:26.680
<v Speaker 1>you're gonna you're gonna be so uncomfortable, you're not gonna

0:43:26.680 --> 0:43:28.440
<v Speaker 1>want to do it, but just do it anyway and

0:43:28.440 --> 0:43:30.200
<v Speaker 1>we'll figure it out and that we'll go this direction,

0:43:30.920 --> 0:43:33.680
<v Speaker 1>you know. And I appreciated that because he gave me

0:43:33.760 --> 0:43:36.440
<v Speaker 1>the opportunity to just make just make a jackass out

0:43:36.480 --> 0:43:38.680
<v Speaker 1>of myself, you know, And that's kind of what you

0:43:38.760 --> 0:43:40.719
<v Speaker 1>need to do. And that's why I say, you know,

0:43:41.719 --> 0:43:44.719
<v Speaker 1>comedy is hard, because half the battle and comedy is

0:43:44.719 --> 0:43:46.680
<v Speaker 1>just getting out of your own way, right. And then

0:43:46.719 --> 0:43:48.239
<v Speaker 1>once you get out of your own way, and you're

0:43:48.280 --> 0:43:52.560
<v Speaker 1>with supportive people who just love the process no matter what.

0:43:52.640 --> 0:43:54.920
<v Speaker 1>They just like to have a good time, which is

0:43:55.480 --> 0:43:59.440
<v Speaker 1>everything that Bill is and everything that Vince is, you know,

0:43:59.600 --> 0:44:01.839
<v Speaker 1>you're going to be in good hands.

0:44:02.520 --> 0:44:06.360
<v Speaker 4>I did a small role in a movie with Vince

0:44:07.280 --> 0:44:12.000
<v Speaker 4>sixteen years ago. Now what's what's significant about this is

0:44:13.320 --> 0:44:16.760
<v Speaker 4>this was during the other writer strike.

0:44:17.440 --> 0:44:20.880
<v Speaker 1>Oh yes, it was two and eight because I just

0:44:20.920 --> 0:44:23.520
<v Speaker 1>had my daughter and we were on strike and I

0:44:23.600 --> 0:44:27.120
<v Speaker 1>was home. Yes, I remember it, yes, of course, So.

0:44:27.120 --> 0:44:29.759
<v Speaker 4>The writers were on strike and we shot this movie.

0:44:30.000 --> 0:44:34.279
<v Speaker 4>Vince was a producer, so he was able under his

0:44:34.400 --> 0:44:38.560
<v Speaker 4>title of producer to alter the dialogue.

0:44:38.600 --> 0:44:40.000
<v Speaker 1>Oh you're kiddings right.

0:44:40.200 --> 0:44:44.760
<v Speaker 4>So writers couldn't. So when you were just telling that story,

0:44:44.800 --> 0:44:48.960
<v Speaker 4>it was bringing back this like crazy flashbacks of us

0:44:49.600 --> 0:44:54.680
<v Speaker 4>assembling in his trailer in the morning before shooting and

0:44:54.960 --> 0:45:00.440
<v Speaker 4>essentially rewriting the script and then getting on set. And

0:45:00.480 --> 0:45:03.680
<v Speaker 4>he had one of those I don't even know what

0:45:03.719 --> 0:45:07.080
<v Speaker 4>you would call it, except like a classic Vince Vaughn

0:45:07.440 --> 0:45:12.400
<v Speaker 4>monologue where he just goes on. And we were scheduled

0:45:12.400 --> 0:45:14.640
<v Speaker 4>to do this for a day and a half, this

0:45:15.440 --> 0:45:19.360
<v Speaker 4>extended scene. And I am telling you, I'm not exaggerating.

0:45:20.320 --> 0:45:24.640
<v Speaker 4>Every single take this speech was different. This speech was

0:45:24.760 --> 0:45:27.759
<v Speaker 4>dramatically different. It was it was you know, and there

0:45:27.800 --> 0:45:30.839
<v Speaker 4>were words you're like, yep, I know what you mean,

0:45:31.360 --> 0:45:35.400
<v Speaker 4>Like I mean, like ninety seconds ish of a speech

0:45:35.560 --> 0:45:39.080
<v Speaker 4>that was different every single time. And now here's the

0:45:39.120 --> 0:45:41.279
<v Speaker 4>story I don't think I've ever told. And I don't

0:45:41.320 --> 0:45:43.080
<v Speaker 4>know if he would like me telling this story, but

0:45:43.200 --> 0:45:45.279
<v Speaker 4>I guess we just were talking about him. So I'm

0:45:45.320 --> 0:45:49.000
<v Speaker 4>going to tell it. On the second day that we

0:45:49.000 --> 0:45:52.319
<v Speaker 4>were shooting this scene, and of course the coverage was

0:45:52.360 --> 0:45:57.160
<v Speaker 4>on him to start with, and then it moved, and

0:45:57.840 --> 0:46:00.919
<v Speaker 4>on the second day, where he was still ill improvising,

0:46:01.239 --> 0:46:05.600
<v Speaker 4>not on camera anymore, by the way the cameras are

0:46:05.640 --> 0:46:10.120
<v Speaker 4>directed at me and someone else, he found a joke

0:46:10.800 --> 0:46:13.880
<v Speaker 4>that he liked, and so he said, well, we have

0:46:13.920 --> 0:46:17.160
<v Speaker 4>to turn around. We have to get it. We have

0:46:17.280 --> 0:46:19.960
<v Speaker 4>to get it again. We have to because I've found

0:46:19.960 --> 0:46:22.600
<v Speaker 4>this thing. And this was the only other thing I'll

0:46:22.600 --> 0:46:25.480
<v Speaker 4>say is this was not an intimate two person scene.

0:46:25.520 --> 0:46:28.680
<v Speaker 4>There were like four of us who were sort of involved. Yeah,

0:46:28.760 --> 0:46:31.560
<v Speaker 4>I don't know, one hundred extras, some of which may

0:46:31.560 --> 0:46:35.080
<v Speaker 4>have been at home by this point that we're behind him.

0:46:35.560 --> 0:46:38.839
<v Speaker 4>Everybody was called back in and we did another day

0:46:39.920 --> 0:46:43.680
<v Speaker 4>because he had found he had found something in this monologue,

0:46:44.080 --> 0:46:46.120
<v Speaker 4>and that's my memory of him, and I respect it.

0:46:46.160 --> 0:46:47.160
<v Speaker 4>I respect the hell out of it.

0:46:47.360 --> 0:46:51.680
<v Speaker 1>That's that's that's the interesting thing right about him. Because

0:46:52.520 --> 0:46:56.520
<v Speaker 1>I finished the scene and I'm like, whoo, we're turning around. God,

0:46:56.560 --> 0:47:00.759
<v Speaker 1>does that feel good? That feels great? What do I

0:47:00.840 --> 0:47:03.600
<v Speaker 1>have to do tomorrow? You know what I mean? Of course,

0:47:03.680 --> 0:47:06.040
<v Speaker 1>I'm like, is there at present as I am for

0:47:06.120 --> 0:47:08.640
<v Speaker 1>the other side, of course, but like I like, at

0:47:08.680 --> 0:47:11.840
<v Speaker 1>that point, like I let go of the words you

0:47:11.880 --> 0:47:15.040
<v Speaker 1>know what I mean. I'm like, I'm I'm like, it's okay.

0:47:15.200 --> 0:47:18.480
<v Speaker 1>But it just goes to show how much he loves

0:47:18.520 --> 0:47:21.720
<v Speaker 1>his job and that his brain is just always clicking.

0:47:21.760 --> 0:47:25.240
<v Speaker 1>He's always looking to find a joke to better himself.

0:47:25.600 --> 0:47:29.040
<v Speaker 1>And he's just so smart. He's such an astute actor,

0:47:29.840 --> 0:47:31.439
<v Speaker 1>you know, and all you gotta do is just sit

0:47:31.520 --> 0:47:34.239
<v Speaker 1>down and hang out with him for fifteen minutes, like

0:47:34.440 --> 0:47:38.440
<v Speaker 1>in between takes. And this guy just knows everything about everything.

0:47:38.520 --> 0:47:42.440
<v Speaker 1>So it's no surprise that he can turn around and

0:47:42.680 --> 0:47:46.719
<v Speaker 1>every take be different because he knows so much. He's

0:47:46.760 --> 0:47:49.880
<v Speaker 1>so literate, you know, he's like a resource. He's like

0:47:49.920 --> 0:47:53.920
<v Speaker 1>an encyclopedia of jokes and information that he could well,

0:47:54.000 --> 0:47:56.200
<v Speaker 1>information that he can turns into jokes on a dime.

0:47:56.400 --> 0:47:56.600
<v Speaker 6>You know.

0:47:57.160 --> 0:48:03.000
<v Speaker 4>Yeah, Well that out now. I'm very very excited to

0:48:03.040 --> 0:48:05.480
<v Speaker 4>see it. I tried to get an advanced copy, but

0:48:05.600 --> 0:48:08.080
<v Speaker 4>nobody would send it to me. Uh. And then White

0:48:08.080 --> 0:48:12.080
<v Speaker 4>Lotus season three. Of course, when is this coming out?

0:48:12.400 --> 0:48:15.239
<v Speaker 1>Twenty twenty five? I think early twenty twenty five, so

0:48:15.280 --> 0:48:18.480
<v Speaker 1>I don't know. I'm guessing I'm hoping maybe first quarter.

0:48:19.200 --> 0:48:22.120
<v Speaker 4>How long were you in Thailand seven? I'm not digging.

0:48:22.360 --> 0:48:24.960
<v Speaker 1>No, you're not. No, you're totally good. Seven seven months,

0:48:25.000 --> 0:48:32.279
<v Speaker 1>seven months, yes, yes, months, Yes, it's seven months.

0:48:32.400 --> 0:48:36.760
<v Speaker 4>Oh my god, I left. They have so much money.

0:48:36.920 --> 0:48:39.520
<v Speaker 1>Oh my god, it's crazy. Seven months.

0:48:39.640 --> 0:48:39.879
<v Speaker 3>Yeah.

0:48:40.120 --> 0:48:43.040
<v Speaker 1>You you basically when you sign on to do it,

0:48:43.600 --> 0:48:48.560
<v Speaker 1>you basically sign up to just go to wherever you're shooting.

0:48:48.680 --> 0:48:48.879
<v Speaker 7>Right.

0:48:48.960 --> 0:48:53.600
<v Speaker 1>This is how they did season one and two for

0:48:53.680 --> 0:48:56.600
<v Speaker 1>whatever that time period is. You know that that that

0:48:56.680 --> 0:48:59.879
<v Speaker 1>shoot schedule is. And for us it was a six

0:49:00.080 --> 0:49:02.400
<v Speaker 1>and a half six and a half seven months, And

0:49:02.440 --> 0:49:04.200
<v Speaker 1>it was a no brainer for me because this is

0:49:04.280 --> 0:49:07.359
<v Speaker 1>you know, I've always wanted to work with Mike White, fortunately,

0:49:07.560 --> 0:49:10.560
<v Speaker 1>because it is such a big ensemble and there's so

0:49:10.640 --> 0:49:15.719
<v Speaker 1>many multiple storylines that eventually the storyline that you're a

0:49:15.760 --> 0:49:17.600
<v Speaker 1>part of will have a bit of a break and

0:49:17.640 --> 0:49:20.200
<v Speaker 1>then another storyline. So I did get to come home

0:49:20.239 --> 0:49:21.920
<v Speaker 1>for a week or two at a time. My family

0:49:21.960 --> 0:49:25.000
<v Speaker 1>came out and visited for a few months, so I

0:49:25.080 --> 0:49:28.719
<v Speaker 1>wasn't super disconnected, thank goodness, because seven months is a

0:49:28.719 --> 0:49:31.680
<v Speaker 1>really long time, and oddly it went by so fast.

0:49:33.239 --> 0:49:35.320
<v Speaker 1>It went by, so when you're you know, listen, we

0:49:35.600 --> 0:49:41.560
<v Speaker 1>we were a beautiful, beautiful country surrounded by ocean, you know,

0:49:41.840 --> 0:49:44.520
<v Speaker 1>beautiful hotels. I mean, this is not lost on me.

0:49:44.640 --> 0:49:46.080
<v Speaker 1>This is a once in a line. Was like, this

0:49:46.120 --> 0:49:48.000
<v Speaker 1>is seven months that I get, I get to be

0:49:48.080 --> 0:49:51.080
<v Speaker 1>here and I get to do you know, it was

0:49:51.280 --> 0:49:54.120
<v Speaker 1>pretty pretty rad. It was pretty rad.

0:49:54.680 --> 0:50:00.399
<v Speaker 4>Well, congratulations on that and everything else. I am such

0:50:00.480 --> 0:50:03.279
<v Speaker 4>a big fan of you and your work and your

0:50:03.560 --> 0:50:07.400
<v Speaker 4>approach and you're the variety of projects and styles that

0:50:08.080 --> 0:50:10.520
<v Speaker 4>you have been fortunate to do, and we have been

0:50:10.600 --> 0:50:13.640
<v Speaker 4>fortunate that you have been able to do as well.

0:50:13.760 --> 0:50:17.120
<v Speaker 4>You taking a little time off now after Thailand.

0:50:16.719 --> 0:50:19.279
<v Speaker 1>I am I'm taking some time off. I'm taking some

0:50:19.320 --> 0:50:20.920
<v Speaker 1>time off. Yeah, I'm going to chill out and be

0:50:20.960 --> 0:50:21.880
<v Speaker 1>at home for a while.

0:50:22.440 --> 0:50:27.640
<v Speaker 4>Well, good congratulations. I also do have to mention mac

0:50:27.800 --> 0:50:31.879
<v Speaker 4>sack sack scene the new Tie West, a twenty four

0:50:32.040 --> 0:50:35.000
<v Speaker 4>horror film. Are you are you happy with that now

0:50:35.040 --> 0:50:36.399
<v Speaker 4>that that's done too?

0:50:36.960 --> 0:50:40.200
<v Speaker 1>Yes? I really. I was such a huge fan of

0:50:40.280 --> 0:50:43.720
<v Speaker 1>those first two films of X and Pearl. I wanted

0:50:43.719 --> 0:50:47.280
<v Speaker 1>to collaborate with Tie so so badly on the third installment,

0:50:47.360 --> 0:50:50.760
<v Speaker 1>and I said, you know, just whatever you got, whatever

0:50:50.880 --> 0:50:54.759
<v Speaker 1>role you got, buddy, I'm in And I was excited. Man.

0:50:54.800 --> 0:50:56.960
<v Speaker 1>It was such a cool cast and you know, led

0:50:57.000 --> 0:50:59.600
<v Speaker 1>by just the incredible Mia Goth And it was a

0:50:59.640 --> 0:51:02.440
<v Speaker 1>really really fun project. And it was the first project,

0:51:03.320 --> 0:51:06.200
<v Speaker 1>no kidding, in about fifteen years that I got to

0:51:06.239 --> 0:51:10.400
<v Speaker 1>shoot in la Is shot in la Yes, yeah, so

0:51:10.480 --> 0:51:12.439
<v Speaker 1>I was like, wait, I get to shoot down the road.

0:51:12.600 --> 0:51:15.359
<v Speaker 1>This is the best gig ever.

0:51:16.000 --> 0:51:18.840
<v Speaker 4>That's awesome. Yeah, yeah, it's been a while for me

0:51:18.920 --> 0:51:22.720
<v Speaker 4>as well. Well if you haven't seen, by the way, guys,

0:51:23.000 --> 0:51:27.959
<v Speaker 4>all three of ty West horror films ex Pearl, Maxine

0:51:28.200 --> 0:51:33.359
<v Speaker 4>check them out for sure and Bad Monkey out now. Yeah,

0:51:33.440 --> 0:51:37.640
<v Speaker 4>available now. And of course no one will be watching

0:51:37.640 --> 0:51:40.960
<v Speaker 4>White Lotus whenever Mike decides to send that out. Michelle,

0:51:41.040 --> 0:51:44.040
<v Speaker 4>thank you so much, thank you, thank you so much

0:51:44.080 --> 0:51:46.520
<v Speaker 4>for coming by. I appreciate it so much and I

0:51:46.560 --> 0:51:48.920
<v Speaker 4>can't wait to see everything you've got going. Thank you

0:51:48.960 --> 0:51:50.239
<v Speaker 4>so much, Thank.

0:51:49.960 --> 0:51:52.680
<v Speaker 1>You so much. Such a pleasure to talk with.

0:51:52.680 --> 0:52:08.000
<v Speaker 4>You, Michelle. That was great. Thank you so much for

0:52:08.120 --> 0:52:11.200
<v Speaker 4>joining me today. I can't believe you're not giving us

0:52:11.200 --> 0:52:14.120
<v Speaker 4>any intel on White Lotus. I thought we were closer

0:52:14.719 --> 0:52:17.520
<v Speaker 4>than that. But I guess I'll just have to return

0:52:17.560 --> 0:52:20.919
<v Speaker 4>those matching friendship necklaces I got for us. Anyway, check

0:52:20.960 --> 0:52:26.760
<v Speaker 4>out Michelle in Bad Monkey. It's on now and White

0:52:26.760 --> 0:52:31.080
<v Speaker 4>Lotus coming in the very near future for your listening pleasure.

0:52:31.120 --> 0:52:33.720
<v Speaker 4>I'm going to be back next Tuesday, same time, same place,

0:52:34.040 --> 0:52:36.560
<v Speaker 4>and we may be talking a little football. That's right.

0:52:36.719 --> 0:52:40.120
<v Speaker 4>Week one of the NFL is upon us and we

0:52:40.160 --> 0:52:42.600
<v Speaker 4>have a Hall of Famer. I'll talk to you next week.

0:52:51.560 --> 0:52:54.520
<v Speaker 4>Off the Beat is hosted and executive produced by me

0:52:54.880 --> 0:52:59.360
<v Speaker 4>Brian Baumgartner, alongside our executive producer, Ling Lee. Our senior

0:52:59.400 --> 0:53:04.320
<v Speaker 4>producer is Diego Tapia. Our talent producer is Ryan Papa Zachary.

0:53:04.680 --> 0:53:08.480
<v Speaker 4>Our theme song Bubble and Squeak, performed by the one

0:53:08.520 --> 0:53:10.080
<v Speaker 4>and only Creed Bretton