WEBVTT - 6 | The Concert

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<v Speaker 1>I didn't care where I landed. After I took off

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<v Speaker 1>on a tail in the Lives fifteen years ago. I

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<v Speaker 1>was just a scared little kid looking for a safe

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<v Speaker 1>place to hide. I snuck onto the first boat I

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<v Speaker 1>saw docked off the island shore. It was pure blind

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<v Speaker 1>luck that I happened.

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<v Speaker 2>To belong to Marcus.

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<v Speaker 3>Only you would leave a thirty foot yacht tied to

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<v Speaker 3>a rickety little fishing dog that's still here, isn't it

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<v Speaker 3>Gotta get creative if you want the full experience of

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<v Speaker 3>a place. It's a unique spot for cocktail hour. I'll

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<v Speaker 3>give you that. Make yourselves comfortable before we ship off.

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<v Speaker 3>Now it's a few hours back to the mainland. We

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<v Speaker 3>can't thank you enough for showing us around this place. Hmm,

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<v Speaker 3>it's just exquisite. Talk about a hidden gem for now, anyway,

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<v Speaker 3>mark my words. In ten years this island will be unrecognizable.

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<v Speaker 3>I'm trying to enjoy it while it's still my little secret.

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<v Speaker 3>You know what is that, Marc is sounds like your

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<v Speaker 3>crew is getting a little rowdy below deck. Just tired

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<v Speaker 3>a new bodyguard. I'm still breaking them in. What's going

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<v Speaker 3>on here?

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<v Speaker 2>You got it? Sells a stowaway.

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<v Speaker 3>Yeah, I can see that. What I don't understand is

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<v Speaker 3>why you're making a scene in front of my guests.

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<v Speaker 4>I'm sorry, Box.

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<v Speaker 2>I figured i'd come in and ask what you wren't

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<v Speaker 2>done with him?

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<v Speaker 4>All right?

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<v Speaker 2>You caught me?

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<v Speaker 4>Okay, just let me go and we can leave it

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<v Speaker 4>at that. I don't want to hurt you.

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<v Speaker 2>Man. This isn't a mouth on this one. It's a

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<v Speaker 2>punk like you.

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<v Speaker 3>I tried to warn you get your hands off me.

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<v Speaker 5>This morning.

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<v Speaker 3>Come on, boys, play nice.

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<v Speaker 2>There.

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<v Speaker 3>Now we can talk. What's your name? Kid?

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<v Speaker 2>Why should I tell you?

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<v Speaker 3>Well, as long as you're hero my yacht, tough guy,

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<v Speaker 3>you're my guest, and I prefer to call my guests

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<v Speaker 3>by name.

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<v Speaker 6>So Sneako, Nico, cute. That's short for something Nicholas. No

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<v Speaker 6>one calls me that Nicholas.

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<v Speaker 7>Huh.

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<v Speaker 3>I like that better has a certain gravitized nicholas.

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<v Speaker 7>Uh.

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<v Speaker 3>Thanks pretty strong for your age?

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<v Speaker 7>Huh?

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<v Speaker 3>What are you sixteen? Seventeen?

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<v Speaker 4>I'm fifteen.

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<v Speaker 3>I gotta say, for all your tough talk, you seem

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<v Speaker 3>a little spooked. I want to tell me what's going on.

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<v Speaker 4>I don't know.

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<v Speaker 3>Come on, you can trust me.

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<v Speaker 4>I'm sorry. I tried to hit a ride. I needed

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<v Speaker 4>somewhere to lay low. I didn't mean any disrespect sneaking

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<v Speaker 4>out of your boat.

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<v Speaker 3>It's a yacht kid yachts.

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<v Speaker 4>I just I didn't have anywhere else to go, all right? Please,

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<v Speaker 4>if you could just give me a ride, I'll be

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<v Speaker 4>out of your hair as soon as we land.

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<v Speaker 3>You've got a lot of nerve trying to pull something

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<v Speaker 3>like this.

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<v Speaker 4>I know, I know, I'm sorry.

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<v Speaker 3>I didn't say that was bad. Nerve like yours isn't

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<v Speaker 3>easy to come by. You must have gotten yourself into

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<v Speaker 3>a pretty serious situation.

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<v Speaker 4>You've got no idea.

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<v Speaker 3>I think you might be surprised, Nicholas. I've handled my

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<v Speaker 3>fair share of serious situations before. So what was your

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<v Speaker 3>plan after hitching a ride with this one?

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<v Speaker 4>I haven't gotten that far.

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<v Speaker 3>No, you haven't thought about what you're gonna do when

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<v Speaker 3>you get to the mainland, or how worry your family

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<v Speaker 3>will be when they notice.

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<v Speaker 4>Don't have any family, not anymore.

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<v Speaker 3>I see, Come on, Marcus, have a heart.

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<v Speaker 8>Let's bring him back with us.

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<v Speaker 3>Don't you have enough souvenirs?

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<v Speaker 8>There's always room for one more.

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<v Speaker 3>Please, I'm inclined to give him a ride, but I

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<v Speaker 3>have to ask you something.

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<v Speaker 6>First, Nicholas, what's that?

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<v Speaker 3>What are you willing to do for it?

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<v Speaker 2>What am I?

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<v Speaker 3>I'm offering you a golden ticket here. I want to

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<v Speaker 3>know you value my generosity. So what are you willing

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<v Speaker 3>to do for it?

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<v Speaker 2>Anything?

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<v Speaker 3>That's a good answer, kid, Let's get you a drink.

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<v Speaker 3>You think you can manage that right away?

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<v Speaker 1>Sir?

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<v Speaker 3>Thanks, I appreciate it, don't mention it. I've got you.

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<v Speaker 1>I don't know exactly what Marcus saw me that made

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<v Speaker 1>him take me under his wing. Could he sense my ambition,

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<v Speaker 1>resourcefulness or did he just see a lost puppy that

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<v Speaker 1>he could train to be his attack dog.

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<v Speaker 3>I apologize for my new employee. It doesn't really get

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<v Speaker 3>how I like things done.

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<v Speaker 9>You know.

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<v Speaker 3>I don't think he'll be around very long. You, on

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<v Speaker 3>the other hand, I have a good feeling about.

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<v Speaker 2>Whatever it was he saved my life.

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<v Speaker 1>By the time we reasure, Marcus had given me a job,

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<v Speaker 1>a place to live, everything I needed to start over

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<v Speaker 1>and survive. But the problem with owing everything that just

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<v Speaker 1>one person is how easily they can take it all away.

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<v Speaker 8>Under Water Episode six, The Concert.

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<v Speaker 2>Diego Marcus, What the fuck is this?

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<v Speaker 3>Due diligence. Let's got a move on, shall we, If

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<v Speaker 3>you'd be so kind as to lend a head.

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<v Speaker 2>Where are we taking them?

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<v Speaker 3>You're not really in a position to be asking questions

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<v Speaker 3>right now.

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<v Speaker 1>It's okay, I'm gonna figure this out, that's what God,

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<v Speaker 1>I'm gonna let anything happening.

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<v Speaker 3>Thanks.

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<v Speaker 2>I can take it from here. Can you at least

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<v Speaker 2>tell me what's going on?

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<v Speaker 3>I don't know, Nicholas. Can you tell me what you

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<v Speaker 3>were thinking running your mouth to a local about our business.

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<v Speaker 2>It's not like that. Diego's just been helping me out.

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<v Speaker 2>We could trust them.

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<v Speaker 3>He gave you away in three seconds flat when I

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<v Speaker 3>talked to him yesterday. But when did you eve he

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<v Speaker 3>was playing secretary while you were out with us. It's

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<v Speaker 3>bad enough you are unreachable, but the fact that you

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<v Speaker 3>deputize someone without asking my permission. Come on, man, he's homeled,

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<v Speaker 3>He knew Honor's name. He could have been anyone on

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<v Speaker 3>the other end of that call, and he would have

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<v Speaker 3>led me straight to her. You get that clearly. I

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<v Speaker 3>was wrong to think you can handle this job alone.

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<v Speaker 3>Now I'm gonna have to finish it myself.

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<v Speaker 2>Okay, you made your point. Just give me a chance

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<v Speaker 2>to talk to me.

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<v Speaker 3>I gave you that sha and you blew it. I'm

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<v Speaker 3>sorry about this. It's nothing personal.

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<v Speaker 2>I know I fucked up, but we ain't got to

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<v Speaker 2>do this.

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<v Speaker 3>You've left me no choice.

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<v Speaker 2>You divorce, you always have a choice.

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<v Speaker 3>How are you still so naive after working for me

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<v Speaker 3>all these years? You've been slipping ever since you went

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<v Speaker 3>off the rails in Chicago. This job was supposed to

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<v Speaker 3>get you back in line, but instead you've just proved

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<v Speaker 3>that I can't trust you.

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<v Speaker 2>Okay, I've been.

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<v Speaker 3>I don't want to hear it, Nicholas.

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<v Speaker 1>Chicago's when I knew I had to get out of

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<v Speaker 1>this shit. If I stay, I'm gonna lose what's left

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<v Speaker 1>for me.

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<v Speaker 4>Shut up.

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<v Speaker 3>All you had to do was get on or back

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<v Speaker 3>to New York. Instead, you put her at risk. You failed, Nicholas.

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<v Speaker 2>No, I'm sorry. So what happens now?

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<v Speaker 3>It's like I told you gotta tie up some loose ends.

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<v Speaker 2>Wait wait, I'm doing that.

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<v Speaker 3>Fucked up and you'll be dealt with too. But he

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<v Speaker 3>knows too much now, Nicholas s marky stop.

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<v Speaker 2>I can fix this.

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<v Speaker 3>That's not good enough. I need to know exactly what

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<v Speaker 3>you're willing to do to make this right?

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<v Speaker 2>What are you willing to do anything? I'll do anything.

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<v Speaker 3>Not gonna cut it this time?

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<v Speaker 2>Stop? Please, I'm sorry.

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<v Speaker 3>What this is what happens when you don't follow waters? Nicholas?

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<v Speaker 2>No?

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<v Speaker 1>What?

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<v Speaker 4>What? I fucking my good Nicholas?

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<v Speaker 3>Necholas?

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<v Speaker 7>No, here you go.

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<v Speaker 2>The fuck back?

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<v Speaker 3>Easy?

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<v Speaker 2>What the gun down?

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<v Speaker 3>Nicholas?

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<v Speaker 2>Where you hit? I'm okay, I missed.

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<v Speaker 3>Come on, man, you know what do you think you're doing?

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<v Speaker 2>I said, stay where you are? Can you walk me?

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<v Speaker 7>Yeah?

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<v Speaker 2>Yeah, I think so. I could get the funk out

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<v Speaker 2>of here and don't look back.

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<v Speaker 3>You hear me?

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<v Speaker 2>But how old about you? I'll be fine. I got

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<v Speaker 2>some ship to take care of. Yeah, I'm so sorry man,

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<v Speaker 2>I just I did go. I now we have finished this.

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<v Speaker 3>What are you gonna do?

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<v Speaker 9>Shoot me?

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<v Speaker 3>You'll be dead within the hour. There are people who

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<v Speaker 3>will come looking for me if I go dark. I'm

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<v Speaker 3>not gonna shoot you, Marcus. I just needed to make

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<v Speaker 3>sure you didn't hurt an innocent man. Go ahead, take

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<v Speaker 3>the gun so noble, you could just as easily have

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<v Speaker 3>saved yourself. Why let him go instead?

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<v Speaker 2>Because I know you're not about to let me off

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<v Speaker 2>this island alive. I don't think you ever were.

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<v Speaker 3>Smart. Kid?

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<v Speaker 1>Why bother lying by letting me have my freedom once

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<v Speaker 1>this job was over.

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<v Speaker 3>You've been a good employee all these years, loyal, obedient.

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<v Speaker 3>I thought you deserved to be put down with some

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<v Speaker 3>hope in your heart? Whose men as a kindness?

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<v Speaker 2>Kid? The crazy thing is.

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<v Speaker 3>You actually believe that shit every word, Nicholas. Now where

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<v Speaker 3>is Anna?

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<v Speaker 2>There's gonna be a memorial concert for her mother. She's

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<v Speaker 2>performing there.

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<v Speaker 3>You know where this venue is?

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<v Speaker 2>I do, then?

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<v Speaker 3>What are you waiting for? Move?

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<v Speaker 7>You'd take my breath away?

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<v Speaker 8>Yes, sounds great, Miss Thompson. Oh thank you. I'm just

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<v Speaker 8>glad you can't hear my nerves and my voice.

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<v Speaker 2>Not at all. We've got five minutes until places.

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<v Speaker 4>Anything I can get.

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<v Speaker 8>You another bottle of water would be great if you

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<v Speaker 8>don't mind. Of course you're gonna do great.

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<v Speaker 7>I hope you're right.

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<v Speaker 4>It's Nico. Go ahead.

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<v Speaker 8>Hey, uh, it's me Anna. I don't know if you've

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<v Speaker 8>already got your phone turned off for the show or whatever,

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<v Speaker 8>but I just wanted to make sure you were okay.

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<v Speaker 8>I really hope to see you out there.

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<v Speaker 5>Nico.

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<v Speaker 8>Okay, I I'll talk to you later. Bye, Come in,

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<v Speaker 8>you can leave the water there.

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<v Speaker 2>I don't worry.

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<v Speaker 8>This won't take a long Hey, I know you we

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<v Speaker 8>met in town.

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<v Speaker 5>That's right.

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<v Speaker 3>I didn't get a chance to say, you're even prettier

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<v Speaker 3>in person than people.

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<v Speaker 5>Let on, who are you?

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<v Speaker 8>Have you been following me ever since?

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<v Speaker 3>Of course? What did you really think you were just

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<v Speaker 3>gonna be able to run away from what you did?

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<v Speaker 8>I don't know what you're talking about.

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<v Speaker 2>Don't play dumb. It doesn't suit you. Stay the funck back.

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<v Speaker 3>There's no need for threats.

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<v Speaker 8>Anna.

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<v Speaker 3>Hurting you is in part of my.

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<v Speaker 9>Job description job?

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<v Speaker 8>Who do you work for?

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<v Speaker 6>You?

0:13:42.240 --> 0:13:44.319
<v Speaker 2>Rex? That's impossible.

0:13:44.600 --> 0:13:45.840
<v Speaker 8>That's interesting that you'd think.

0:13:45.840 --> 0:13:50.040
<v Speaker 5>So, here's that water for you? Miss?

0:13:51.280 --> 0:13:52.240
<v Speaker 6>Can I help you with something?

0:13:52.760 --> 0:13:52.840
<v Speaker 2>No?

0:13:54.160 --> 0:13:56.440
<v Speaker 3>I was just stopping by to wish Miss Thompson good luck.

0:13:57.559 --> 0:13:58.440
<v Speaker 2>We go way back.

0:13:58.520 --> 0:14:02.120
<v Speaker 8>They're about to call places. All right, I'm ready this way.

0:14:02.640 --> 0:14:06.160
<v Speaker 8>You know you're not supposed to say good luck backstage?

0:14:06.480 --> 0:14:13.840
<v Speaker 2>Of course, break a leg away, heading out right now?

0:14:16.840 --> 0:14:17.640
<v Speaker 5>You can wait right here.

0:14:17.679 --> 0:14:19.200
<v Speaker 4>We'll be starting in just a few minutes.

0:14:19.600 --> 0:14:21.240
<v Speaker 5>All right, is everything okay?

0:14:21.440 --> 0:14:24.200
<v Speaker 7>You look pale, just nervous.

0:14:24.400 --> 0:14:25.400
<v Speaker 5>It's totally normal.

0:14:25.640 --> 0:14:28.040
<v Speaker 8>Just take some deep breaths, do whatever makes you feel

0:14:28.040 --> 0:14:35.200
<v Speaker 8>grounded and safe. Okay, yeah, thanks, I left the voice

0:14:35.240 --> 0:14:36.280
<v Speaker 8>memo for you.

0:14:36.840 --> 0:14:39.120
<v Speaker 2>I'm sure you won't need it, but if your nervous

0:14:39.120 --> 0:14:41.400
<v Speaker 2>get the best of you tonight, just take a.

0:14:41.360 --> 0:14:48.160
<v Speaker 1>Listen, Ada a beautiful. I know you're scared right now,

0:14:48.560 --> 0:14:50.760
<v Speaker 1>but you were born to do this. Don't worry about

0:14:50.800 --> 0:14:53.160
<v Speaker 1>the crowd. Just pretend that I'm the only one out

0:14:53.160 --> 0:14:56.320
<v Speaker 1>there and I see you people. I'll bet her keep

0:14:56.320 --> 0:14:59.320
<v Speaker 1>it an eye on you, I'll bet he.

0:15:00.040 --> 0:15:00.640
<v Speaker 2>Are you safe?

0:15:02.200 --> 0:15:03.400
<v Speaker 3>You just focus on your breath.

0:15:04.440 --> 0:15:05.240
<v Speaker 2>Can't do that for me.

0:15:06.520 --> 0:15:12.520
<v Speaker 1>God, you got this on it, Miss Thompson.

0:15:13.680 --> 0:15:57.560
<v Speaker 5>We're starting, okay, I'm ready.

0:15:41.040 --> 0:15:41.800
<v Speaker 3>Good turnout.

0:15:42.160 --> 0:15:45.080
<v Speaker 2>People want to pay their respect, Jay Thompson, been a

0:15:45.120 --> 0:15:46.080
<v Speaker 2>lot too us.

0:15:46.920 --> 0:15:49.280
<v Speaker 3>A few days on the island and you're ready to

0:15:49.320 --> 0:15:53.000
<v Speaker 3>be a local again. Yes, I am kind of poetic.

0:15:53.040 --> 0:15:55.840
<v Speaker 3>Kit You may not have gotten to live here long,

0:15:56.640 --> 0:15:58.600
<v Speaker 3>but at least you get to die here.

0:15:59.240 --> 0:15:59.600
<v Speaker 2>Too bad.

0:15:59.600 --> 0:16:01.720
<v Speaker 1>You couldn't bring yourself to stay in New York and

0:16:01.800 --> 0:16:04.480
<v Speaker 1>let this island do your dirty words now?

0:16:05.040 --> 0:16:06.280
<v Speaker 2>You just as fucked as I am.

0:16:06.640 --> 0:16:08.440
<v Speaker 3>The hell are you talking about? Nicholas?

0:16:09.040 --> 0:16:11.760
<v Speaker 1>You've told me to protect honor, and the only way

0:16:11.760 --> 0:16:13.720
<v Speaker 1>to do that is to make sure that you can't

0:16:13.720 --> 0:16:14.680
<v Speaker 1>get anywhere near her.

0:16:15.320 --> 0:16:20.400
<v Speaker 7>Good evening, everyone, Thank you all for coming out to

0:16:20.480 --> 0:16:24.320
<v Speaker 7>say goodbye to one of our island's favorite daughters.

0:16:24.440 --> 0:16:26.720
<v Speaker 2>I may never get free of you, but at least

0:16:26.760 --> 0:16:28.640
<v Speaker 2>I'll go down not that she is.

0:16:28.920 --> 0:16:35.800
<v Speaker 7>Please join me in welcoming to the stage, Miss Anna Thompson.

0:16:35.480 --> 0:16:37.920
<v Speaker 3>Nicholas, What did you do?

0:16:45.040 --> 0:16:45.240
<v Speaker 7>Hi?

0:16:45.280 --> 0:16:45.720
<v Speaker 6>Everyone?

0:16:47.720 --> 0:16:50.640
<v Speaker 8>It's an honor to be with you tonight, and I

0:16:50.720 --> 0:16:52.479
<v Speaker 8>know my mom would be honored too.

0:16:53.320 --> 0:16:56.080
<v Speaker 3>Oh my god, it's her.

0:16:58.560 --> 0:16:59.520
<v Speaker 8>All right, let's do this.

0:17:03.280 --> 0:17:05.800
<v Speaker 3>Save the last dance for me.

0:17:08.920 --> 0:17:11.479
<v Speaker 2>If your orchid's broken.

0:17:11.160 --> 0:17:20.680
<v Speaker 8>To bring it to me, promise, sobbes, but not least too.

0:17:20.720 --> 0:17:25.240
<v Speaker 3>When the party is over, you nowhere be.

0:17:26.080 --> 0:17:27.040
<v Speaker 8>But swear to love you.

0:17:27.119 --> 0:17:30.120
<v Speaker 7>When your hair is gray, a single wrinkle on your

0:17:30.280 --> 0:17:35.960
<v Speaker 7>face to figure out I still beautiful? Oh yeah, you

0:17:36.119 --> 0:17:38.639
<v Speaker 7>just go buy your gain a little wid em My

0:17:38.800 --> 0:17:41.840
<v Speaker 7>vision starts su faide and so you'll see the best

0:17:41.840 --> 0:17:45.879
<v Speaker 7>of me. You you know you.

0:17:46.000 --> 0:17:51.000
<v Speaker 2>Think that we're all the same. For your second time,

0:17:51.040 --> 0:17:56.560
<v Speaker 2>I gave him the other worst. Save the last dance

0:17:56.800 --> 0:17:59.639
<v Speaker 2>for me. She's incredible.

0:18:00.400 --> 0:18:04.000
<v Speaker 3>Shut up, I'm trying to listen so enjoy it.

0:18:04.000 --> 0:18:06.600
<v Speaker 2>Why you can't he made it?

0:18:07.040 --> 0:18:08.399
<v Speaker 1>No, I wouldn't have missed this for the world.

0:18:09.520 --> 0:18:10.800
<v Speaker 2>I need you both to follow me.

0:18:11.119 --> 0:18:12.120
<v Speaker 3>The fuck is this guy?

0:18:12.400 --> 0:18:17.880
<v Speaker 2>Special Agent Gabriel Miller? Prove it? Happy to now, let's

0:18:17.920 --> 0:18:19.080
<v Speaker 2>keep this nice and civil.

0:18:19.280 --> 0:18:20.600
<v Speaker 3>We don't want to make a scene.

0:18:20.840 --> 0:18:23.000
<v Speaker 2>Go ahead, man age before beauty.

0:18:23.200 --> 0:18:25.240
<v Speaker 3>Why are you so fucking calm?

0:18:25.480 --> 0:18:27.679
<v Speaker 2>Come on, Marcus? Why do you think I agreed to

0:18:27.680 --> 0:18:28.240
<v Speaker 2>bring you here?

0:18:28.680 --> 0:18:30.160
<v Speaker 3>You're working with the cops.

0:18:30.440 --> 0:18:33.680
<v Speaker 1>Don't work for anybody at least affoil you?

0:18:33.880 --> 0:18:34.280
<v Speaker 7>Fuck this?

0:18:35.080 --> 0:18:35.280
<v Speaker 3>Hey?

0:18:35.359 --> 0:18:37.800
<v Speaker 2>Hey, what do you think stop? Can't let him get done?

0:18:37.800 --> 0:18:38.840
<v Speaker 2>To stop right now?

0:18:40.880 --> 0:18:44.640
<v Speaker 3>Anah huh, I'm sorry.

0:18:44.840 --> 0:18:45.840
<v Speaker 8>Just let me up.

0:18:47.840 --> 0:18:49.840
<v Speaker 3>Hey, you need to get out. Please.

0:18:50.720 --> 0:18:51.920
<v Speaker 2>I had to see you.

0:18:52.000 --> 0:18:54.680
<v Speaker 8>Didn't I already tell you that I never wanted to

0:18:54.720 --> 0:18:56.760
<v Speaker 8>see you again? How dare you show.

0:18:56.640 --> 0:18:57.560
<v Speaker 3>Up, honor? Please?

0:18:58.200 --> 0:19:01.199
<v Speaker 2>Let's just free. You're all away from a Marcus Nico.

0:19:03.320 --> 0:19:04.520
<v Speaker 5>How do you know my dad?

0:19:05.720 --> 0:19:06.640
<v Speaker 2>Yeah?

0:19:07.400 --> 0:19:07.880
<v Speaker 3>Your dad?

0:19:08.440 --> 0:19:13.040
<v Speaker 2>That is quite enough. Marcus Watts, you're under arrest.

0:19:14.560 --> 0:19:15.840
<v Speaker 8>What the hell is going on?

0:19:17.119 --> 0:19:21.080
<v Speaker 3>Cuffs are a little tight there. Havn't you done this before?

0:19:22.760 --> 0:19:23.040
<v Speaker 2>Better?

0:19:23.640 --> 0:19:24.080
<v Speaker 5>Fuck you?

0:19:24.520 --> 0:19:24.680
<v Speaker 7>Oh?

0:19:24.840 --> 0:19:26.359
<v Speaker 2>Charming off me?

0:19:27.800 --> 0:19:28.560
<v Speaker 3>What the hell is this?

0:19:29.080 --> 0:19:29.280
<v Speaker 7>Yeah?

0:19:29.320 --> 0:19:33.280
<v Speaker 2>I had to bring back up to make sure you cooperated. Nicholas, Hey,

0:19:33.440 --> 0:19:36.919
<v Speaker 2>you're wanted for questioning two. Sorry to interrupt your concert.

0:19:37.000 --> 0:19:42.200
<v Speaker 2>Ms Thompson sounded great. All right, Come on, Honor, I'll

0:19:42.240 --> 0:19:43.080
<v Speaker 2>explain every day.

0:19:43.400 --> 0:19:45.320
<v Speaker 8>Don't bother Nico.

0:19:47.280 --> 0:19:48.920
<v Speaker 3>You did pay for a show, right.

0:19:50.600 --> 0:19:51.480
<v Speaker 5>Let's try that again.

0:20:06.440 --> 0:20:12.920
<v Speaker 2>Save the last days for me. If your heart gets broken,

0:20:13.359 --> 0:20:14.560
<v Speaker 2>just bring it.

0:20:14.440 --> 0:20:18.120
<v Speaker 1>To me from miss A by Lesberna.

0:20:18.359 --> 0:20:26.600
<v Speaker 2>Least him in the parties and love plus well, love

0:20:26.640 --> 0:20:30.359
<v Speaker 2>you and your hair's gray every single ringle aw your face,

0:20:30.600 --> 0:20:35.000
<v Speaker 2>try to figure out how you're still beautiful. Oh yeah,

0:20:35.240 --> 0:20:35.760
<v Speaker 2>because he is.

0:20:35.840 --> 0:20:36.280
<v Speaker 3>Goodbye.

0:20:36.400 --> 0:20:39.919
<v Speaker 9>Game Underwater is an Interval Presents original production with Temple

0:20:39.960 --> 0:20:44.400
<v Speaker 9>Hill Entertainment and Clamor, starring Jason Derulo and Alexander Schipp.

0:20:44.840 --> 0:20:48.320
<v Speaker 9>Written by Katrina Day, directed by Pat Kelly and Chris Kelly.

0:20:49.000 --> 0:20:53.760
<v Speaker 9>Executive producer, Jason Derulo executive producers whom Interval Presents, Alan

0:20:53.840 --> 0:20:57.560
<v Speaker 9>Coy and Jay Kleinberg executive producers from Temple Hill Entertainment,

0:20:57.960 --> 0:21:02.280
<v Speaker 9>Marty Bowen with Godfrey and Alan Satisy executive producers from Klamor.

0:21:02.760 --> 0:21:07.800
<v Speaker 9>Rich Statter, Aaron Hilliard, Adam Reynolds and Allison Chaneau Executive

0:21:07.840 --> 0:21:11.879
<v Speaker 9>produced by Katrina Dack, executive producer from Future History grank

0:21:11.920 --> 0:21:16.960
<v Speaker 9>Heiris Special thanks to Henry De Sources, Marketing Lead Samara Still,

0:21:17.640 --> 0:21:21.840
<v Speaker 9>Business Development Lead Cheffy Ellen Sweg Maggie and Operations Lead

0:21:22.280 --> 0:21:25.639
<v Speaker 9>Sarah U. Post production audio services by Kelly and Kelly.

0:21:26.119 --> 0:21:30.120
<v Speaker 9>Sound design and mixed by Paul Teedeskini. Dialogue edited by

0:21:30.160 --> 0:21:34.199
<v Speaker 9>Max Collins. Original music by Genevieve Vincent. Songs arranged by

0:21:34.200 --> 0:21:37.640
<v Speaker 9>Genevieve Vincent. The cast includes Jason Derulo as an Eco,

0:21:38.000 --> 0:21:41.320
<v Speaker 9>Alexandra Ship as Anna Kerry, Alexander as bank teller and

0:21:41.359 --> 0:21:44.920
<v Speaker 9>additional voices. Bot Bridgeland is Jordan, Michael Darry as credit

0:21:44.920 --> 0:21:48.800
<v Speaker 9>reader and additional voices, Anisia du Boise Dahlia and Young Dolly,

0:21:49.119 --> 0:21:52.480
<v Speaker 9>Andrew Frankel as stranger in additional voices, Walter Gray the

0:21:52.560 --> 0:21:56.560
<v Speaker 9>Fourth as male tourist and additional voices, Melissa Greenspan as

0:21:56.600 --> 0:22:01.280
<v Speaker 9>female tourist and additional voices, Ellis Hunter as A, Jeremy

0:22:01.320 --> 0:22:06.000
<v Speaker 9>Jordan as Gabriel, Josh Keaton as Mattea, Tara Langella as

0:22:06.080 --> 0:22:10.360
<v Speaker 9>female guest and additional voices, Jonathan Leon as Young Mattea,

0:22:10.560 --> 0:22:14.680
<v Speaker 9>Donnis Leonard Junior as Elias Parker, James Logi as young Boy,

0:22:15.000 --> 0:22:19.560
<v Speaker 9>Emily Martinez as Carman, Michael McLoone as Marcus, Carla Renata

0:22:19.720 --> 0:22:24.159
<v Speaker 9>as Bartender, John Carlos Savadoal as Diego, David Shatraw as

0:22:24.240 --> 0:22:28.639
<v Speaker 9>male guest and additional voices. Andre Sugluzzo as Sebastian, Cameron

0:22:28.720 --> 0:22:32.119
<v Speaker 9>Jay Wright as Young Nico, and Hannah Zamore as Mia.

0:22:32.600 --> 0:22:36.399
<v Speaker 9>Produced by Lillian Holman, post produced by Justin Schow and

0:22:36.480 --> 0:22:41.480
<v Speaker 9>Lauren Berkovic. Associate producer Erica Lowie. Music supervision by Melanie Mitchell.

0:22:41.760 --> 0:22:46.480
<v Speaker 9>Music clearances by Deborah Manis Gardner DMG Clearances Incorporated. Audio

0:22:46.480 --> 0:22:49.600
<v Speaker 9>engineered by Ian Fogerty and Ed mcintee at Gold Digger's

0:22:49.960 --> 0:22:52.600
<v Speaker 9>Brett Tauban at the Relic Room and Jordan Sweet at

0:22:52.680 --> 0:22:57.720
<v Speaker 9>Challice Recording Studio. Assistant engineered by Derek mcgrone and Emperorserti.

0:22:58.600 --> 0:23:02.800
<v Speaker 9>Vocal coaching by Bianca Blush Atterbury. Casting by Marlice Gussenhauer,

0:23:02.920 --> 0:23:07.000
<v Speaker 9>Sibby Kersh and Brentagata. Additional casting by Melissa Berger, Brennan

0:23:07.280 --> 0:23:11.560
<v Speaker 9>Salem Everett, and Scott Forbes at cesd's act script supervisor,

0:23:11.680 --> 0:23:17.240
<v Speaker 9>Tamara Black's production supervisor, Lindsey Sath, Production coordinators Ethan Aronson

0:23:17.440 --> 0:23:22.159
<v Speaker 9>and Sean Green. Production assistants Chelsea Perry and Samara Malach.

0:23:22.680 --> 0:23:27.359
<v Speaker 9>Additional special thanks to Riley Fulsom and Maxim Carlin. Underwater

0:23:27.640 --> 0:23:30.959
<v Speaker 9>was recorded at Gold Diggers in Los Angeles, California, Chellis

0:23:31.000 --> 0:23:34.440
<v Speaker 9>Recording Studio in Los Angeles, California, and The Relic Room

0:23:34.560 --> 0:23:37.800
<v Speaker 9>in New York, New York. Make sure to follow Underwater

0:23:38.240 --> 0:23:43.040
<v Speaker 9>and listen on Apple Podcasts, Spotify, Amazon Music, Sirius XM,

0:23:43.440 --> 0:23:46.000
<v Speaker 9>or wherever you get your podcasts,