1 00:00:23,040 --> 00:00:25,040 Speaker 1: I didn't care where I landed. After I took off 2 00:00:25,040 --> 00:00:28,080 Speaker 1: on a tail in the Lives fifteen years ago. I 3 00:00:28,120 --> 00:00:30,600 Speaker 1: was just a scared little kid looking for a safe 4 00:00:30,640 --> 00:00:33,640 Speaker 1: place to hide. I snuck onto the first boat I 5 00:00:33,640 --> 00:00:37,640 Speaker 1: saw docked off the island shore. It was pure blind 6 00:00:37,720 --> 00:00:39,720 Speaker 1: luck that I happened. 7 00:00:39,360 --> 00:00:41,280 Speaker 2: To belong to Marcus. 8 00:00:42,040 --> 00:00:44,360 Speaker 3: Only you would leave a thirty foot yacht tied to 9 00:00:44,440 --> 00:00:47,760 Speaker 3: a rickety little fishing dog that's still here, isn't it 10 00:00:49,960 --> 00:00:52,559 Speaker 3: Gotta get creative if you want the full experience of 11 00:00:52,600 --> 00:00:57,120 Speaker 3: a place. It's a unique spot for cocktail hour. I'll 12 00:00:57,120 --> 00:01:00,200 Speaker 3: give you that. Make yourselves comfortable before we ship off. 13 00:01:00,240 --> 00:01:02,680 Speaker 3: Now it's a few hours back to the mainland. We 14 00:01:02,720 --> 00:01:06,000 Speaker 3: can't thank you enough for showing us around this place. Hmm, 15 00:01:06,880 --> 00:01:12,319 Speaker 3: it's just exquisite. Talk about a hidden gem for now, anyway, 16 00:01:13,280 --> 00:01:17,039 Speaker 3: mark my words. In ten years this island will be unrecognizable. 17 00:01:17,400 --> 00:01:20,520 Speaker 3: I'm trying to enjoy it while it's still my little secret. 18 00:01:20,560 --> 00:01:25,760 Speaker 3: You know what is that, Marc is sounds like your 19 00:01:25,880 --> 00:01:29,880 Speaker 3: crew is getting a little rowdy below deck. Just tired 20 00:01:29,920 --> 00:01:37,280 Speaker 3: a new bodyguard. I'm still breaking them in. What's going 21 00:01:37,360 --> 00:01:37,839 Speaker 3: on here? 22 00:01:38,880 --> 00:01:40,200 Speaker 2: You got it? Sells a stowaway. 23 00:01:40,520 --> 00:01:44,280 Speaker 3: Yeah, I can see that. What I don't understand is 24 00:01:44,640 --> 00:01:47,520 Speaker 3: why you're making a scene in front of my guests. 25 00:01:48,040 --> 00:01:48,840 Speaker 4: I'm sorry, Box. 26 00:01:49,160 --> 00:01:51,400 Speaker 2: I figured i'd come in and ask what you wren't 27 00:01:51,400 --> 00:01:51,840 Speaker 2: done with him? 28 00:01:51,840 --> 00:01:52,120 Speaker 4: All right? 29 00:01:52,160 --> 00:01:52,600 Speaker 2: You caught me? 30 00:01:52,880 --> 00:01:55,120 Speaker 4: Okay, just let me go and we can leave it 31 00:01:55,160 --> 00:01:56,800 Speaker 4: at that. I don't want to hurt you. 32 00:01:56,880 --> 00:02:01,480 Speaker 2: Man. This isn't a mouth on this one. It's a 33 00:02:01,480 --> 00:02:02,080 Speaker 2: punk like you. 34 00:02:04,440 --> 00:02:07,720 Speaker 3: I tried to warn you get your hands off me. 35 00:02:09,960 --> 00:02:10,480 Speaker 5: This morning. 36 00:02:12,160 --> 00:02:14,840 Speaker 3: Come on, boys, play nice. 37 00:02:18,840 --> 00:02:19,240 Speaker 2: There. 38 00:02:19,919 --> 00:02:24,600 Speaker 3: Now we can talk. What's your name? Kid? 39 00:02:24,639 --> 00:02:25,720 Speaker 2: Why should I tell you? 40 00:02:26,000 --> 00:02:28,280 Speaker 3: Well, as long as you're hero my yacht, tough guy, 41 00:02:28,720 --> 00:02:31,400 Speaker 3: you're my guest, and I prefer to call my guests 42 00:02:31,440 --> 00:02:31,960 Speaker 3: by name. 43 00:02:32,080 --> 00:02:42,280 Speaker 6: So Sneako, Nico, cute. That's short for something Nicholas. No 44 00:02:42,320 --> 00:02:43,639 Speaker 6: one calls me that Nicholas. 45 00:02:43,720 --> 00:02:44,240 Speaker 7: Huh. 46 00:02:44,400 --> 00:02:48,680 Speaker 3: I like that better has a certain gravitized nicholas. 47 00:02:49,040 --> 00:02:49,200 Speaker 7: Uh. 48 00:02:50,360 --> 00:02:52,400 Speaker 3: Thanks pretty strong for your age? 49 00:02:52,440 --> 00:02:52,840 Speaker 7: Huh? 50 00:02:53,200 --> 00:02:54,680 Speaker 3: What are you sixteen? Seventeen? 51 00:02:54,919 --> 00:02:55,639 Speaker 4: I'm fifteen. 52 00:02:56,240 --> 00:02:59,080 Speaker 3: I gotta say, for all your tough talk, you seem 53 00:02:59,120 --> 00:03:02,320 Speaker 3: a little spooked. I want to tell me what's going on. 54 00:03:02,560 --> 00:03:04,760 Speaker 4: I don't know. 55 00:03:04,880 --> 00:03:06,680 Speaker 3: Come on, you can trust me. 56 00:03:07,200 --> 00:03:09,720 Speaker 4: I'm sorry. I tried to hit a ride. I needed 57 00:03:09,720 --> 00:03:13,320 Speaker 4: somewhere to lay low. I didn't mean any disrespect sneaking 58 00:03:13,320 --> 00:03:13,880 Speaker 4: out of your boat. 59 00:03:13,960 --> 00:03:16,600 Speaker 3: It's a yacht kid yachts. 60 00:03:17,040 --> 00:03:21,320 Speaker 4: I just I didn't have anywhere else to go, all right? Please, 61 00:03:21,960 --> 00:03:23,280 Speaker 4: if you could just give me a ride, I'll be 62 00:03:23,320 --> 00:03:24,519 Speaker 4: out of your hair as soon as we land. 63 00:03:25,560 --> 00:03:27,840 Speaker 3: You've got a lot of nerve trying to pull something 64 00:03:27,919 --> 00:03:28,240 Speaker 3: like this. 65 00:03:28,600 --> 00:03:29,680 Speaker 4: I know, I know, I'm sorry. 66 00:03:29,960 --> 00:03:34,160 Speaker 3: I didn't say that was bad. Nerve like yours isn't 67 00:03:34,200 --> 00:03:37,160 Speaker 3: easy to come by. You must have gotten yourself into 68 00:03:37,200 --> 00:03:38,600 Speaker 3: a pretty serious situation. 69 00:03:39,200 --> 00:03:40,320 Speaker 4: You've got no idea. 70 00:03:40,720 --> 00:03:45,760 Speaker 3: I think you might be surprised, Nicholas. I've handled my 71 00:03:45,880 --> 00:03:50,880 Speaker 3: fair share of serious situations before. So what was your 72 00:03:50,880 --> 00:03:56,920 Speaker 3: plan after hitching a ride with this one? 73 00:03:56,560 --> 00:03:58,720 Speaker 4: I haven't gotten that far. 74 00:03:59,040 --> 00:04:02,480 Speaker 3: No, you haven't thought about what you're gonna do when 75 00:04:02,480 --> 00:04:04,920 Speaker 3: you get to the mainland, or how worry your family 76 00:04:04,960 --> 00:04:06,400 Speaker 3: will be when they notice. 77 00:04:06,160 --> 00:04:09,120 Speaker 4: Don't have any family, not anymore. 78 00:04:09,880 --> 00:04:12,240 Speaker 3: I see, Come on, Marcus, have a heart. 79 00:04:13,720 --> 00:04:14,800 Speaker 8: Let's bring him back with us. 80 00:04:15,320 --> 00:04:17,400 Speaker 3: Don't you have enough souvenirs? 81 00:04:17,520 --> 00:04:18,960 Speaker 8: There's always room for one more. 82 00:04:20,080 --> 00:04:24,839 Speaker 3: Please, I'm inclined to give him a ride, but I 83 00:04:24,920 --> 00:04:26,320 Speaker 3: have to ask you something. 84 00:04:26,080 --> 00:04:27,760 Speaker 6: First, Nicholas, what's that? 85 00:04:28,360 --> 00:04:29,839 Speaker 3: What are you willing to do for it? 86 00:04:30,120 --> 00:04:30,680 Speaker 2: What am I? 87 00:04:30,680 --> 00:04:34,800 Speaker 3: I'm offering you a golden ticket here. I want to 88 00:04:34,880 --> 00:04:41,240 Speaker 3: know you value my generosity. So what are you willing 89 00:04:41,279 --> 00:04:42,080 Speaker 3: to do for it? 90 00:04:44,000 --> 00:04:44,440 Speaker 2: Anything? 91 00:04:46,240 --> 00:04:50,960 Speaker 3: That's a good answer, kid, Let's get you a drink. 92 00:04:51,760 --> 00:04:54,000 Speaker 3: You think you can manage that right away? 93 00:04:54,040 --> 00:04:54,240 Speaker 1: Sir? 94 00:04:55,480 --> 00:05:00,000 Speaker 3: Thanks, I appreciate it, don't mention it. I've got you. 95 00:05:00,920 --> 00:05:03,240 Speaker 1: I don't know exactly what Marcus saw me that made 96 00:05:03,320 --> 00:05:06,479 Speaker 1: him take me under his wing. Could he sense my ambition, 97 00:05:07,720 --> 00:05:11,760 Speaker 1: resourcefulness or did he just see a lost puppy that 98 00:05:11,839 --> 00:05:13,560 Speaker 1: he could train to be his attack dog. 99 00:05:14,560 --> 00:05:17,680 Speaker 3: I apologize for my new employee. It doesn't really get 100 00:05:17,680 --> 00:05:18,680 Speaker 3: how I like things done. 101 00:05:18,760 --> 00:05:18,960 Speaker 9: You know. 102 00:05:19,279 --> 00:05:22,200 Speaker 3: I don't think he'll be around very long. You, on 103 00:05:22,320 --> 00:05:24,919 Speaker 3: the other hand, I have a good feeling about. 104 00:05:26,480 --> 00:05:28,880 Speaker 2: Whatever it was he saved my life. 105 00:05:29,640 --> 00:05:32,200 Speaker 1: By the time we reasure, Marcus had given me a job, 106 00:05:32,360 --> 00:05:35,000 Speaker 1: a place to live, everything I needed to start over 107 00:05:35,560 --> 00:05:38,800 Speaker 1: and survive. But the problem with owing everything that just 108 00:05:38,839 --> 00:05:50,680 Speaker 1: one person is how easily they can take it all away. 109 00:05:55,279 --> 00:06:00,320 Speaker 8: Under Water Episode six, The Concert. 110 00:06:12,320 --> 00:06:15,359 Speaker 2: Diego Marcus, What the fuck is this? 111 00:06:16,160 --> 00:06:20,360 Speaker 3: Due diligence. Let's got a move on, shall we, If 112 00:06:20,400 --> 00:06:22,200 Speaker 3: you'd be so kind as to lend a head. 113 00:06:23,200 --> 00:06:24,200 Speaker 2: Where are we taking them? 114 00:06:24,240 --> 00:06:26,880 Speaker 3: You're not really in a position to be asking questions 115 00:06:26,960 --> 00:06:27,520 Speaker 3: right now. 116 00:06:28,320 --> 00:06:31,240 Speaker 1: It's okay, I'm gonna figure this out, that's what God, 117 00:06:31,240 --> 00:06:32,400 Speaker 1: I'm gonna let anything happening. 118 00:06:33,839 --> 00:06:34,279 Speaker 3: Thanks. 119 00:06:35,000 --> 00:06:39,360 Speaker 2: I can take it from here. Can you at least 120 00:06:39,360 --> 00:06:40,200 Speaker 2: tell me what's going on? 121 00:06:40,360 --> 00:06:43,800 Speaker 3: I don't know, Nicholas. Can you tell me what you 122 00:06:43,880 --> 00:06:47,600 Speaker 3: were thinking running your mouth to a local about our business. 123 00:06:48,040 --> 00:06:50,800 Speaker 2: It's not like that. Diego's just been helping me out. 124 00:06:51,520 --> 00:06:52,360 Speaker 2: We could trust them. 125 00:06:52,400 --> 00:06:55,080 Speaker 3: He gave you away in three seconds flat when I 126 00:06:55,120 --> 00:06:57,120 Speaker 3: talked to him yesterday. But when did you eve he 127 00:06:57,279 --> 00:07:00,960 Speaker 3: was playing secretary while you were out with us. It's 128 00:07:01,040 --> 00:07:03,760 Speaker 3: bad enough you are unreachable, but the fact that you 129 00:07:03,920 --> 00:07:07,880 Speaker 3: deputize someone without asking my permission. Come on, man, he's homeled, 130 00:07:08,040 --> 00:07:11,720 Speaker 3: He knew Honor's name. He could have been anyone on 131 00:07:11,800 --> 00:07:13,880 Speaker 3: the other end of that call, and he would have 132 00:07:13,960 --> 00:07:18,280 Speaker 3: led me straight to her. You get that clearly. I 133 00:07:18,440 --> 00:07:20,920 Speaker 3: was wrong to think you can handle this job alone. 134 00:07:21,240 --> 00:07:23,760 Speaker 3: Now I'm gonna have to finish it myself. 135 00:07:23,800 --> 00:07:27,800 Speaker 2: Okay, you made your point. Just give me a chance 136 00:07:27,800 --> 00:07:28,320 Speaker 2: to talk to me. 137 00:07:28,440 --> 00:07:32,840 Speaker 3: I gave you that sha and you blew it. I'm 138 00:07:32,880 --> 00:07:35,640 Speaker 3: sorry about this. It's nothing personal. 139 00:07:35,880 --> 00:07:38,000 Speaker 2: I know I fucked up, but we ain't got to 140 00:07:38,080 --> 00:07:38,360 Speaker 2: do this. 141 00:07:40,080 --> 00:07:41,640 Speaker 3: You've left me no choice. 142 00:07:41,760 --> 00:07:43,840 Speaker 2: You divorce, you always have a choice. 143 00:07:46,320 --> 00:07:50,200 Speaker 3: How are you still so naive after working for me 144 00:07:50,600 --> 00:07:56,200 Speaker 3: all these years? You've been slipping ever since you went 145 00:07:56,240 --> 00:07:59,680 Speaker 3: off the rails in Chicago. This job was supposed to 146 00:07:59,720 --> 00:08:03,320 Speaker 3: get you back in line, but instead you've just proved 147 00:08:03,560 --> 00:08:04,880 Speaker 3: that I can't trust you. 148 00:08:05,560 --> 00:08:06,880 Speaker 2: Okay, I've been. 149 00:08:06,960 --> 00:08:08,960 Speaker 3: I don't want to hear it, Nicholas. 150 00:08:09,240 --> 00:08:10,880 Speaker 1: Chicago's when I knew I had to get out of 151 00:08:10,880 --> 00:08:14,160 Speaker 1: this shit. If I stay, I'm gonna lose what's left 152 00:08:14,200 --> 00:08:14,440 Speaker 1: for me. 153 00:08:14,800 --> 00:08:15,440 Speaker 4: Shut up. 154 00:08:16,040 --> 00:08:18,560 Speaker 3: All you had to do was get on or back 155 00:08:18,600 --> 00:08:24,880 Speaker 3: to New York. Instead, you put her at risk. You failed, Nicholas. 156 00:08:25,320 --> 00:08:29,280 Speaker 2: No, I'm sorry. So what happens now? 157 00:08:29,640 --> 00:08:33,560 Speaker 3: It's like I told you gotta tie up some loose ends. 158 00:08:33,720 --> 00:08:35,439 Speaker 2: Wait wait, I'm doing that. 159 00:08:35,600 --> 00:08:38,560 Speaker 3: Fucked up and you'll be dealt with too. But he 160 00:08:38,640 --> 00:08:41,199 Speaker 3: knows too much now, Nicholas s marky stop. 161 00:08:41,720 --> 00:08:42,520 Speaker 2: I can fix this. 162 00:08:42,920 --> 00:08:46,600 Speaker 3: That's not good enough. I need to know exactly what 163 00:08:46,679 --> 00:08:49,000 Speaker 3: you're willing to do to make this right? 164 00:08:50,559 --> 00:08:54,640 Speaker 2: What are you willing to do anything? I'll do anything. 165 00:08:54,760 --> 00:08:56,160 Speaker 3: Not gonna cut it this time? 166 00:08:57,880 --> 00:09:01,640 Speaker 2: Stop? Please, I'm sorry. 167 00:09:02,920 --> 00:09:07,640 Speaker 3: What this is what happens when you don't follow waters? Nicholas? 168 00:09:07,760 --> 00:09:08,319 Speaker 2: No? 169 00:09:08,559 --> 00:09:09,000 Speaker 1: What? 170 00:09:09,000 --> 00:09:12,720 Speaker 4: What? I fucking my good Nicholas? 171 00:09:13,240 --> 00:09:13,800 Speaker 3: Necholas? 172 00:09:13,880 --> 00:09:15,319 Speaker 7: No, here you go. 173 00:09:18,880 --> 00:09:19,680 Speaker 2: The fuck back? 174 00:09:19,920 --> 00:09:20,360 Speaker 3: Easy? 175 00:09:23,240 --> 00:09:24,280 Speaker 2: What the gun down? 176 00:09:24,360 --> 00:09:24,960 Speaker 3: Nicholas? 177 00:09:25,200 --> 00:09:28,360 Speaker 2: Where you hit? I'm okay, I missed. 178 00:09:29,400 --> 00:09:34,000 Speaker 3: Come on, man, you know what do you think you're doing? 179 00:09:34,120 --> 00:09:38,520 Speaker 2: I said, stay where you are? Can you walk me? 180 00:09:38,640 --> 00:09:38,840 Speaker 7: Yeah? 181 00:09:38,920 --> 00:09:43,360 Speaker 2: Yeah, I think so. I could get the funk out 182 00:09:43,400 --> 00:09:44,880 Speaker 2: of here and don't look back. 183 00:09:45,000 --> 00:09:45,440 Speaker 3: You hear me? 184 00:09:45,760 --> 00:09:49,280 Speaker 2: But how old about you? I'll be fine. I got 185 00:09:49,280 --> 00:09:54,240 Speaker 2: some ship to take care of. Yeah, I'm so sorry man, 186 00:09:54,280 --> 00:10:03,599 Speaker 2: I just I did go. I now we have finished this. 187 00:10:05,440 --> 00:10:06,319 Speaker 3: What are you gonna do? 188 00:10:07,160 --> 00:10:07,600 Speaker 9: Shoot me? 189 00:10:08,520 --> 00:10:11,600 Speaker 3: You'll be dead within the hour. There are people who 190 00:10:11,600 --> 00:10:14,200 Speaker 3: will come looking for me if I go dark. I'm 191 00:10:14,200 --> 00:10:17,080 Speaker 3: not gonna shoot you, Marcus. I just needed to make 192 00:10:17,120 --> 00:10:21,559 Speaker 3: sure you didn't hurt an innocent man. Go ahead, take 193 00:10:21,600 --> 00:10:26,360 Speaker 3: the gun so noble, you could just as easily have 194 00:10:26,400 --> 00:10:29,520 Speaker 3: saved yourself. Why let him go instead? 195 00:10:29,720 --> 00:10:31,160 Speaker 2: Because I know you're not about to let me off 196 00:10:31,200 --> 00:10:35,000 Speaker 2: this island alive. I don't think you ever were. 197 00:10:37,120 --> 00:10:37,800 Speaker 3: Smart. Kid? 198 00:10:38,280 --> 00:10:41,480 Speaker 1: Why bother lying by letting me have my freedom once 199 00:10:41,520 --> 00:10:42,360 Speaker 1: this job was over. 200 00:10:45,520 --> 00:10:49,320 Speaker 3: You've been a good employee all these years, loyal, obedient. 201 00:10:50,040 --> 00:10:52,000 Speaker 3: I thought you deserved to be put down with some 202 00:10:52,440 --> 00:10:55,959 Speaker 3: hope in your heart? Whose men as a kindness? 203 00:10:56,040 --> 00:10:59,199 Speaker 2: Kid? The crazy thing is. 204 00:11:00,880 --> 00:11:07,120 Speaker 3: You actually believe that shit every word, Nicholas. Now where 205 00:11:07,360 --> 00:11:08,080 Speaker 3: is Anna? 206 00:11:09,840 --> 00:11:13,360 Speaker 2: There's gonna be a memorial concert for her mother. She's 207 00:11:13,400 --> 00:11:14,040 Speaker 2: performing there. 208 00:11:14,679 --> 00:11:15,920 Speaker 3: You know where this venue is? 209 00:11:16,559 --> 00:11:17,439 Speaker 2: I do, then? 210 00:11:17,480 --> 00:11:20,520 Speaker 3: What are you waiting for? Move? 211 00:11:55,240 --> 00:11:59,719 Speaker 7: You'd take my breath away? 212 00:12:00,200 --> 00:12:06,280 Speaker 8: Yes, sounds great, Miss Thompson. Oh thank you. I'm just 213 00:12:07,480 --> 00:12:09,880 Speaker 8: glad you can't hear my nerves and my voice. 214 00:12:09,800 --> 00:12:12,320 Speaker 2: Not at all. We've got five minutes until places. 215 00:12:12,720 --> 00:12:13,680 Speaker 4: Anything I can get. 216 00:12:13,559 --> 00:12:17,719 Speaker 8: You another bottle of water would be great if you 217 00:12:17,760 --> 00:12:20,320 Speaker 8: don't mind. Of course you're gonna do great. 218 00:12:21,200 --> 00:12:22,040 Speaker 7: I hope you're right. 219 00:12:29,320 --> 00:12:31,160 Speaker 4: It's Nico. Go ahead. 220 00:12:31,920 --> 00:12:39,360 Speaker 8: Hey, uh, it's me Anna. I don't know if you've 221 00:12:39,400 --> 00:12:42,440 Speaker 8: already got your phone turned off for the show or whatever, 222 00:12:42,559 --> 00:12:45,440 Speaker 8: but I just wanted to make sure you were okay. 223 00:12:46,240 --> 00:12:47,480 Speaker 8: I really hope to see you out there. 224 00:12:47,559 --> 00:12:47,839 Speaker 5: Nico. 225 00:12:48,559 --> 00:12:56,960 Speaker 8: Okay, I I'll talk to you later. Bye, Come in, 226 00:13:03,000 --> 00:13:04,040 Speaker 8: you can leave the water there. 227 00:13:04,200 --> 00:13:06,000 Speaker 2: I don't worry. 228 00:13:06,240 --> 00:13:09,080 Speaker 8: This won't take a long Hey, I know you we 229 00:13:09,160 --> 00:13:10,959 Speaker 8: met in town. 230 00:13:11,160 --> 00:13:11,720 Speaker 5: That's right. 231 00:13:12,640 --> 00:13:14,360 Speaker 3: I didn't get a chance to say, you're even prettier 232 00:13:14,360 --> 00:13:15,200 Speaker 3: in person than people. 233 00:13:15,320 --> 00:13:16,680 Speaker 5: Let on, who are you? 234 00:13:16,920 --> 00:13:19,480 Speaker 8: Have you been following me ever since? 235 00:13:20,160 --> 00:13:23,640 Speaker 3: Of course? What did you really think you were just 236 00:13:23,679 --> 00:13:25,200 Speaker 3: gonna be able to run away from what you did? 237 00:13:25,480 --> 00:13:27,400 Speaker 8: I don't know what you're talking about. 238 00:13:27,679 --> 00:13:31,760 Speaker 2: Don't play dumb. It doesn't suit you. Stay the funck back. 239 00:13:33,120 --> 00:13:34,400 Speaker 3: There's no need for threats. 240 00:13:35,000 --> 00:13:35,280 Speaker 8: Anna. 241 00:13:36,160 --> 00:13:37,280 Speaker 3: Hurting you is in part of my. 242 00:13:37,280 --> 00:13:39,000 Speaker 9: Job description job? 243 00:13:40,360 --> 00:13:41,319 Speaker 8: Who do you work for? 244 00:13:42,040 --> 00:13:42,079 Speaker 6: You? 245 00:13:42,240 --> 00:13:44,319 Speaker 2: Rex? That's impossible. 246 00:13:44,600 --> 00:13:45,840 Speaker 8: That's interesting that you'd think. 247 00:13:45,840 --> 00:13:50,040 Speaker 5: So, here's that water for you? Miss? 248 00:13:51,280 --> 00:13:52,240 Speaker 6: Can I help you with something? 249 00:13:52,760 --> 00:13:52,840 Speaker 2: No? 250 00:13:54,160 --> 00:13:56,440 Speaker 3: I was just stopping by to wish Miss Thompson good luck. 251 00:13:57,559 --> 00:13:58,440 Speaker 2: We go way back. 252 00:13:58,520 --> 00:14:02,120 Speaker 8: They're about to call places. All right, I'm ready this way. 253 00:14:02,640 --> 00:14:06,160 Speaker 8: You know you're not supposed to say good luck backstage? 254 00:14:06,480 --> 00:14:13,840 Speaker 2: Of course, break a leg away, heading out right now? 255 00:14:16,840 --> 00:14:17,640 Speaker 5: You can wait right here. 256 00:14:17,679 --> 00:14:19,200 Speaker 4: We'll be starting in just a few minutes. 257 00:14:19,600 --> 00:14:21,240 Speaker 5: All right, is everything okay? 258 00:14:21,440 --> 00:14:24,200 Speaker 7: You look pale, just nervous. 259 00:14:24,400 --> 00:14:25,400 Speaker 5: It's totally normal. 260 00:14:25,640 --> 00:14:28,040 Speaker 8: Just take some deep breaths, do whatever makes you feel 261 00:14:28,040 --> 00:14:35,200 Speaker 8: grounded and safe. Okay, yeah, thanks, I left the voice 262 00:14:35,240 --> 00:14:36,280 Speaker 8: memo for you. 263 00:14:36,840 --> 00:14:39,120 Speaker 2: I'm sure you won't need it, but if your nervous 264 00:14:39,120 --> 00:14:41,400 Speaker 2: get the best of you tonight, just take a. 265 00:14:41,360 --> 00:14:48,160 Speaker 1: Listen, Ada a beautiful. I know you're scared right now, 266 00:14:48,560 --> 00:14:50,760 Speaker 1: but you were born to do this. Don't worry about 267 00:14:50,800 --> 00:14:53,160 Speaker 1: the crowd. Just pretend that I'm the only one out 268 00:14:53,160 --> 00:14:56,320 Speaker 1: there and I see you people. I'll bet her keep 269 00:14:56,320 --> 00:14:59,320 Speaker 1: it an eye on you, I'll bet he. 270 00:15:00,040 --> 00:15:00,640 Speaker 2: Are you safe? 271 00:15:02,200 --> 00:15:03,400 Speaker 3: You just focus on your breath. 272 00:15:04,440 --> 00:15:05,240 Speaker 2: Can't do that for me. 273 00:15:06,520 --> 00:15:12,520 Speaker 1: God, you got this on it, Miss Thompson. 274 00:15:13,680 --> 00:15:57,560 Speaker 5: We're starting, okay, I'm ready. 275 00:15:41,040 --> 00:15:41,800 Speaker 3: Good turnout. 276 00:15:42,160 --> 00:15:45,080 Speaker 2: People want to pay their respect, Jay Thompson, been a 277 00:15:45,120 --> 00:15:46,080 Speaker 2: lot too us. 278 00:15:46,920 --> 00:15:49,280 Speaker 3: A few days on the island and you're ready to 279 00:15:49,320 --> 00:15:53,000 Speaker 3: be a local again. Yes, I am kind of poetic. 280 00:15:53,040 --> 00:15:55,840 Speaker 3: Kit You may not have gotten to live here long, 281 00:15:56,640 --> 00:15:58,600 Speaker 3: but at least you get to die here. 282 00:15:59,240 --> 00:15:59,600 Speaker 2: Too bad. 283 00:15:59,600 --> 00:16:01,720 Speaker 1: You couldn't bring yourself to stay in New York and 284 00:16:01,800 --> 00:16:04,480 Speaker 1: let this island do your dirty words now? 285 00:16:05,040 --> 00:16:06,280 Speaker 2: You just as fucked as I am. 286 00:16:06,640 --> 00:16:08,440 Speaker 3: The hell are you talking about? Nicholas? 287 00:16:09,040 --> 00:16:11,760 Speaker 1: You've told me to protect honor, and the only way 288 00:16:11,760 --> 00:16:13,720 Speaker 1: to do that is to make sure that you can't 289 00:16:13,720 --> 00:16:14,680 Speaker 1: get anywhere near her. 290 00:16:15,320 --> 00:16:20,400 Speaker 7: Good evening, everyone, Thank you all for coming out to 291 00:16:20,480 --> 00:16:24,320 Speaker 7: say goodbye to one of our island's favorite daughters. 292 00:16:24,440 --> 00:16:26,720 Speaker 2: I may never get free of you, but at least 293 00:16:26,760 --> 00:16:28,640 Speaker 2: I'll go down not that she is. 294 00:16:28,920 --> 00:16:35,800 Speaker 7: Please join me in welcoming to the stage, Miss Anna Thompson. 295 00:16:35,480 --> 00:16:37,920 Speaker 3: Nicholas, What did you do? 296 00:16:45,040 --> 00:16:45,240 Speaker 7: Hi? 297 00:16:45,280 --> 00:16:45,720 Speaker 6: Everyone? 298 00:16:47,720 --> 00:16:50,640 Speaker 8: It's an honor to be with you tonight, and I 299 00:16:50,720 --> 00:16:52,479 Speaker 8: know my mom would be honored too. 300 00:16:53,320 --> 00:16:56,080 Speaker 3: Oh my god, it's her. 301 00:16:58,560 --> 00:16:59,520 Speaker 8: All right, let's do this. 302 00:17:03,280 --> 00:17:05,800 Speaker 3: Save the last dance for me. 303 00:17:08,920 --> 00:17:11,479 Speaker 2: If your orchid's broken. 304 00:17:11,160 --> 00:17:20,680 Speaker 8: To bring it to me, promise, sobbes, but not least too. 305 00:17:20,720 --> 00:17:25,240 Speaker 3: When the party is over, you nowhere be. 306 00:17:26,080 --> 00:17:27,040 Speaker 8: But swear to love you. 307 00:17:27,119 --> 00:17:30,120 Speaker 7: When your hair is gray, a single wrinkle on your 308 00:17:30,280 --> 00:17:35,960 Speaker 7: face to figure out I still beautiful? Oh yeah, you 309 00:17:36,119 --> 00:17:38,639 Speaker 7: just go buy your gain a little wid em My 310 00:17:38,800 --> 00:17:41,840 Speaker 7: vision starts su faide and so you'll see the best 311 00:17:41,840 --> 00:17:45,879 Speaker 7: of me. You you know you. 312 00:17:46,000 --> 00:17:51,000 Speaker 2: Think that we're all the same. For your second time, 313 00:17:51,040 --> 00:17:56,560 Speaker 2: I gave him the other worst. Save the last dance 314 00:17:56,800 --> 00:17:59,639 Speaker 2: for me. She's incredible. 315 00:18:00,400 --> 00:18:04,000 Speaker 3: Shut up, I'm trying to listen so enjoy it. 316 00:18:04,000 --> 00:18:06,600 Speaker 2: Why you can't he made it? 317 00:18:07,040 --> 00:18:08,399 Speaker 1: No, I wouldn't have missed this for the world. 318 00:18:09,520 --> 00:18:10,800 Speaker 2: I need you both to follow me. 319 00:18:11,119 --> 00:18:12,120 Speaker 3: The fuck is this guy? 320 00:18:12,400 --> 00:18:17,880 Speaker 2: Special Agent Gabriel Miller? Prove it? Happy to now, let's 321 00:18:17,920 --> 00:18:19,080 Speaker 2: keep this nice and civil. 322 00:18:19,280 --> 00:18:20,600 Speaker 3: We don't want to make a scene. 323 00:18:20,840 --> 00:18:23,000 Speaker 2: Go ahead, man age before beauty. 324 00:18:23,200 --> 00:18:25,240 Speaker 3: Why are you so fucking calm? 325 00:18:25,480 --> 00:18:27,679 Speaker 2: Come on, Marcus? Why do you think I agreed to 326 00:18:27,680 --> 00:18:28,240 Speaker 2: bring you here? 327 00:18:28,680 --> 00:18:30,160 Speaker 3: You're working with the cops. 328 00:18:30,440 --> 00:18:33,680 Speaker 1: Don't work for anybody at least affoil you? 329 00:18:33,880 --> 00:18:34,280 Speaker 7: Fuck this? 330 00:18:35,080 --> 00:18:35,280 Speaker 3: Hey? 331 00:18:35,359 --> 00:18:37,800 Speaker 2: Hey, what do you think stop? Can't let him get done? 332 00:18:37,800 --> 00:18:38,840 Speaker 2: To stop right now? 333 00:18:40,880 --> 00:18:44,640 Speaker 3: Anah huh, I'm sorry. 334 00:18:44,840 --> 00:18:45,840 Speaker 8: Just let me up. 335 00:18:47,840 --> 00:18:49,840 Speaker 3: Hey, you need to get out. Please. 336 00:18:50,720 --> 00:18:51,920 Speaker 2: I had to see you. 337 00:18:52,000 --> 00:18:54,680 Speaker 8: Didn't I already tell you that I never wanted to 338 00:18:54,720 --> 00:18:56,760 Speaker 8: see you again? How dare you show. 339 00:18:56,640 --> 00:18:57,560 Speaker 3: Up, honor? Please? 340 00:18:58,200 --> 00:19:01,199 Speaker 2: Let's just free. You're all away from a Marcus Nico. 341 00:19:03,320 --> 00:19:04,520 Speaker 5: How do you know my dad? 342 00:19:05,720 --> 00:19:06,640 Speaker 2: Yeah? 343 00:19:07,400 --> 00:19:07,880 Speaker 3: Your dad? 344 00:19:08,440 --> 00:19:13,040 Speaker 2: That is quite enough. Marcus Watts, you're under arrest. 345 00:19:14,560 --> 00:19:15,840 Speaker 8: What the hell is going on? 346 00:19:17,119 --> 00:19:21,080 Speaker 3: Cuffs are a little tight there. Havn't you done this before? 347 00:19:22,760 --> 00:19:23,040 Speaker 2: Better? 348 00:19:23,640 --> 00:19:24,080 Speaker 5: Fuck you? 349 00:19:24,520 --> 00:19:24,680 Speaker 7: Oh? 350 00:19:24,840 --> 00:19:26,359 Speaker 2: Charming off me? 351 00:19:27,800 --> 00:19:28,560 Speaker 3: What the hell is this? 352 00:19:29,080 --> 00:19:29,280 Speaker 7: Yeah? 353 00:19:29,320 --> 00:19:33,280 Speaker 2: I had to bring back up to make sure you cooperated. Nicholas, Hey, 354 00:19:33,440 --> 00:19:36,919 Speaker 2: you're wanted for questioning two. Sorry to interrupt your concert. 355 00:19:37,000 --> 00:19:42,200 Speaker 2: Ms Thompson sounded great. All right, Come on, Honor, I'll 356 00:19:42,240 --> 00:19:43,080 Speaker 2: explain every day. 357 00:19:43,400 --> 00:19:45,320 Speaker 8: Don't bother Nico. 358 00:19:47,280 --> 00:19:48,920 Speaker 3: You did pay for a show, right. 359 00:19:50,600 --> 00:19:51,480 Speaker 5: Let's try that again. 360 00:20:06,440 --> 00:20:12,920 Speaker 2: Save the last days for me. If your heart gets broken, 361 00:20:13,359 --> 00:20:14,560 Speaker 2: just bring it. 362 00:20:14,440 --> 00:20:18,120 Speaker 1: To me from miss A by Lesberna. 363 00:20:18,359 --> 00:20:26,600 Speaker 2: Least him in the parties and love plus well, love 364 00:20:26,640 --> 00:20:30,359 Speaker 2: you and your hair's gray every single ringle aw your face, 365 00:20:30,600 --> 00:20:35,000 Speaker 2: try to figure out how you're still beautiful. Oh yeah, 366 00:20:35,240 --> 00:20:35,760 Speaker 2: because he is. 367 00:20:35,840 --> 00:20:36,280 Speaker 3: Goodbye. 368 00:20:36,400 --> 00:20:39,919 Speaker 9: Game Underwater is an Interval Presents original production with Temple 369 00:20:39,960 --> 00:20:44,400 Speaker 9: Hill Entertainment and Clamor, starring Jason Derulo and Alexander Schipp. 370 00:20:44,840 --> 00:20:48,320 Speaker 9: Written by Katrina Day, directed by Pat Kelly and Chris Kelly. 371 00:20:49,000 --> 00:20:53,760 Speaker 9: Executive producer, Jason Derulo executive producers whom Interval Presents, Alan 372 00:20:53,840 --> 00:20:57,560 Speaker 9: Coy and Jay Kleinberg executive producers from Temple Hill Entertainment, 373 00:20:57,960 --> 00:21:02,280 Speaker 9: Marty Bowen with Godfrey and Alan Satisy executive producers from Klamor. 374 00:21:02,760 --> 00:21:07,800 Speaker 9: Rich Statter, Aaron Hilliard, Adam Reynolds and Allison Chaneau Executive 375 00:21:07,840 --> 00:21:11,879 Speaker 9: produced by Katrina Dack, executive producer from Future History grank 376 00:21:11,920 --> 00:21:16,960 Speaker 9: Heiris Special thanks to Henry De Sources, Marketing Lead Samara Still, 377 00:21:17,640 --> 00:21:21,840 Speaker 9: Business Development Lead Cheffy Ellen Sweg Maggie and Operations Lead 378 00:21:22,280 --> 00:21:25,639 Speaker 9: Sarah U. Post production audio services by Kelly and Kelly. 379 00:21:26,119 --> 00:21:30,120 Speaker 9: Sound design and mixed by Paul Teedeskini. Dialogue edited by 380 00:21:30,160 --> 00:21:34,199 Speaker 9: Max Collins. Original music by Genevieve Vincent. Songs arranged by 381 00:21:34,200 --> 00:21:37,640 Speaker 9: Genevieve Vincent. The cast includes Jason Derulo as an Eco, 382 00:21:38,000 --> 00:21:41,320 Speaker 9: Alexandra Ship as Anna Kerry, Alexander as bank teller and 383 00:21:41,359 --> 00:21:44,920 Speaker 9: additional voices. Bot Bridgeland is Jordan, Michael Darry as credit 384 00:21:44,920 --> 00:21:48,800 Speaker 9: reader and additional voices, Anisia du Boise Dahlia and Young Dolly, 385 00:21:49,119 --> 00:21:52,480 Speaker 9: Andrew Frankel as stranger in additional voices, Walter Gray the 386 00:21:52,560 --> 00:21:56,560 Speaker 9: Fourth as male tourist and additional voices, Melissa Greenspan as 387 00:21:56,600 --> 00:22:01,280 Speaker 9: female tourist and additional voices, Ellis Hunter as A, Jeremy 388 00:22:01,320 --> 00:22:06,000 Speaker 9: Jordan as Gabriel, Josh Keaton as Mattea, Tara Langella as 389 00:22:06,080 --> 00:22:10,360 Speaker 9: female guest and additional voices, Jonathan Leon as Young Mattea, 390 00:22:10,560 --> 00:22:14,680 Speaker 9: Donnis Leonard Junior as Elias Parker, James Logi as young Boy, 391 00:22:15,000 --> 00:22:19,560 Speaker 9: Emily Martinez as Carman, Michael McLoone as Marcus, Carla Renata 392 00:22:19,720 --> 00:22:24,159 Speaker 9: as Bartender, John Carlos Savadoal as Diego, David Shatraw as 393 00:22:24,240 --> 00:22:28,639 Speaker 9: male guest and additional voices. Andre Sugluzzo as Sebastian, Cameron 394 00:22:28,720 --> 00:22:32,119 Speaker 9: Jay Wright as Young Nico, and Hannah Zamore as Mia. 395 00:22:32,600 --> 00:22:36,399 Speaker 9: Produced by Lillian Holman, post produced by Justin Schow and 396 00:22:36,480 --> 00:22:41,480 Speaker 9: Lauren Berkovic. Associate producer Erica Lowie. Music supervision by Melanie Mitchell. 397 00:22:41,760 --> 00:22:46,480 Speaker 9: Music clearances by Deborah Manis Gardner DMG Clearances Incorporated. Audio 398 00:22:46,480 --> 00:22:49,600 Speaker 9: engineered by Ian Fogerty and Ed mcintee at Gold Digger's 399 00:22:49,960 --> 00:22:52,600 Speaker 9: Brett Tauban at the Relic Room and Jordan Sweet at 400 00:22:52,680 --> 00:22:57,720 Speaker 9: Challice Recording Studio. Assistant engineered by Derek mcgrone and Emperorserti. 401 00:22:58,600 --> 00:23:02,800 Speaker 9: Vocal coaching by Bianca Blush Atterbury. Casting by Marlice Gussenhauer, 402 00:23:02,920 --> 00:23:07,000 Speaker 9: Sibby Kersh and Brentagata. Additional casting by Melissa Berger, Brennan 403 00:23:07,280 --> 00:23:11,560 Speaker 9: Salem Everett, and Scott Forbes at cesd's act script supervisor, 404 00:23:11,680 --> 00:23:17,240 Speaker 9: Tamara Black's production supervisor, Lindsey Sath, Production coordinators Ethan Aronson 405 00:23:17,440 --> 00:23:22,159 Speaker 9: and Sean Green. Production assistants Chelsea Perry and Samara Malach. 406 00:23:22,680 --> 00:23:27,359 Speaker 9: Additional special thanks to Riley Fulsom and Maxim Carlin. Underwater 407 00:23:27,640 --> 00:23:30,959 Speaker 9: was recorded at Gold Diggers in Los Angeles, California, Chellis 408 00:23:31,000 --> 00:23:34,440 Speaker 9: Recording Studio in Los Angeles, California, and The Relic Room 409 00:23:34,560 --> 00:23:37,800 Speaker 9: in New York, New York. Make sure to follow Underwater 410 00:23:38,240 --> 00:23:43,040 Speaker 9: and listen on Apple Podcasts, Spotify, Amazon Music, Sirius XM, 411 00:23:43,440 --> 00:23:46,000 Speaker 9: or wherever you get your podcasts,