1
00:00:01,160 --> 00:00:03,920
Speaker 1: In America, especially in a lot of the big cities,

2
00:00:04,120 --> 00:00:08,080
Speaker 1: there has been a shortage of cops, but not in China.

3
00:00:08,640 --> 00:00:11,320
Speaker 1: It's Brook and Jeffrey in the morning. Over there, they

4
00:00:11,360 --> 00:00:17,680
Speaker 1: have a surplus of AI powered robocops. I'm showing some

5
00:00:17,720 --> 00:00:19,599
Speaker 1: pictures of them to my co host right now.

6
00:00:19,640 --> 00:00:22,720
Speaker 2: I'm sure nothing could go wrong when you give robots authority.

7
00:00:22,960 --> 00:00:25,840
Speaker 1: Ye. Know, what you're looking at there in the photo

8
00:00:26,200 --> 00:00:30,080
Speaker 1: is intelligence Police Unit are Dash zero zero one?

9
00:00:30,200 --> 00:00:32,360
Speaker 3: Brook? You want to describe what you're seeing.

10
00:00:32,280 --> 00:00:33,919
Speaker 2: Yeah, it looks like a mannequin on a harberboard.

11
00:00:34,080 --> 00:00:36,559
Speaker 1: Yeah, like if you've ever been to Macy's in the

12
00:00:36,560 --> 00:00:40,159
Speaker 1: windows and China has these mannequin looking robots dressed in

13
00:00:40,240 --> 00:00:44,519
Speaker 1: police uniforms with high definition cameras in their eyes and

14
00:00:44,720 --> 00:00:46,960
Speaker 1: smart voice broadcasting systems.

15
00:00:47,280 --> 00:00:50,240
Speaker 3: So it can do the job of a traffic cop.

16
00:00:50,640 --> 00:00:52,120
Speaker 3: Ah and it.

17
00:00:52,120 --> 00:00:54,960
Speaker 1: Raises its hands. It tells cars when to go and

18
00:00:55,000 --> 00:00:57,319
Speaker 1: when to stop. And then if you don't obey, I'm

19
00:00:57,320 --> 00:00:59,600
Speaker 1: assuming it draws out a nail gun and shoots out

20
00:00:59,600 --> 00:01:01,200
Speaker 1: your tie for safety.

21
00:01:01,480 --> 00:01:02,720
Speaker 4: I want to know if it gets hit over, if

22
00:01:02,760 --> 00:01:06,279
Speaker 4: it can stand back up again for a friend.

23
00:01:06,760 --> 00:01:08,840
Speaker 2: I mean, it's pretty easy to defeat yeah.

24
00:01:08,880 --> 00:01:11,640
Speaker 1: Yeah, but Shina says, don't worry. It's not taking over

25
00:01:11,760 --> 00:01:15,640
Speaker 1: for human police. It's just easing the workload. Because these

26
00:01:15,760 --> 00:01:18,800
Speaker 1: robots can work twenty four hours a day. They can

27
00:01:18,920 --> 00:01:21,720
Speaker 1: identify illegal parking too, so they're just out roaming the

28
00:01:21,760 --> 00:01:24,600
Speaker 1: streets at night looking for cars parked in a loading

29
00:01:24,720 --> 00:01:25,919
Speaker 1: zone to hand them a ticket.

30
00:01:26,000 --> 00:01:29,440
Speaker 2: That sounds terrible. We don't need more parking enforcements. I'm sorry,

31
00:01:29,480 --> 00:01:30,600
Speaker 2: that's the last thing we need.

32
00:01:31,040 --> 00:01:33,320
Speaker 1: But I don't like when people block the fire lanes

33
00:01:33,360 --> 00:01:35,320
Speaker 1: in front of the department stores brook.

34
00:01:35,160 --> 00:01:36,920
Speaker 4: That's usually me yeah parking there?

35
00:01:37,120 --> 00:01:40,040
Speaker 2: Yeah, what do you just have to run in real quick?

36
00:01:40,160 --> 00:01:40,520
Speaker 4: Yeah?

37
00:01:40,560 --> 00:01:42,160
Speaker 2: Why do you need to get in the fire lanes?

38
00:01:42,160 --> 00:01:44,160
Speaker 3: Why does it affect you at midnight?

39
00:01:44,440 --> 00:01:47,920
Speaker 4: Again? We all want to park in the fire lanes, Okay,

40
00:01:48,120 --> 00:01:49,200
Speaker 4: it's just more fun.

41
00:01:49,320 --> 00:01:52,160
Speaker 1: Apparently the robots can even handle the reception desk at

42
00:01:52,160 --> 00:01:54,440
Speaker 1: a police station. If you come in to report a problem,

43
00:01:54,720 --> 00:01:56,520
Speaker 1: the RoboCop will assist you.

44
00:01:56,600 --> 00:02:00,520
Speaker 2: And when you start screaming live person live yeah, zero,

45
00:02:01,280 --> 00:02:02,600
Speaker 2: go get someone for you.

46
00:02:02,600 --> 00:02:05,600
Speaker 3: No it you because you're acting out of pocket.

47
00:02:05,720 --> 00:02:09,200
Speaker 1: So I am very excited for the future of robotics

48
00:02:09,240 --> 00:02:11,000
Speaker 1: and the future of law enforcement.

49
00:02:11,639 --> 00:02:14,239
Speaker 3: We had it in such a good direction. Let's move

50
00:02:14,280 --> 00:02:14,840
Speaker 3: on to.

51
00:02:14,840 --> 00:02:18,000
Speaker 1: The shock collar question of the day with our robot

52
00:02:18,120 --> 00:02:21,000
Speaker 1: power digital producer Ai Jake.

53
00:02:21,240 --> 00:02:22,880
Speaker 3: He's not Ai, by the way, a lot of people

54
00:02:22,880 --> 00:02:24,239
Speaker 3: think he is. He's a real person.

55
00:02:24,480 --> 00:02:27,040
Speaker 1: Wait till you look, Wait till he asked this question,

56
00:02:27,160 --> 00:02:28,359
Speaker 1: then you be the judge.

57
00:02:28,639 --> 00:02:29,639
Speaker 3: Jake, go for it.

58
00:02:29,680 --> 00:02:29,960
Speaker 2: Well.

59
00:02:30,000 --> 00:02:37,080
Speaker 4: Recently it was National DJ Day, unofficial holiday celebrating the

60
00:02:37,120 --> 00:02:40,799
Speaker 4: total degenerates who work in radio but hardly do anything.

61
00:02:42,080 --> 00:02:44,040
Speaker 4: You know where they are. They're weirdos who prank, call

62
00:02:44,120 --> 00:02:47,200
Speaker 4: strangers for a living, and hand out cheap plastic key

63
00:02:47,320 --> 00:02:49,600
Speaker 4: chains in front of tire shops with the station logo

64
00:02:49,680 --> 00:02:49,960
Speaker 4: on it.

65
00:02:50,520 --> 00:02:54,919
Speaker 3: Sometimes it's a hard job. I feel like you're downplaying it.

66
00:02:55,160 --> 00:02:58,600
Speaker 4: But all that happens outside of the studio. What are

67
00:02:58,639 --> 00:03:00,600
Speaker 4: some of the weird things that have happened in the

68
00:03:00,639 --> 00:03:03,880
Speaker 4: broadcast that you never knew about. Some tales from behind

69
00:03:03,919 --> 00:03:06,760
Speaker 4: the scenes are crazier than fiction. And that's why today

70
00:03:06,760 --> 00:03:10,880
Speaker 4: we're doing a special real disc jockey or made up

71
00:03:11,040 --> 00:03:15,239
Speaker 4: Mallarkey edition of plenty of twenty.

72
00:03:15,840 --> 00:03:18,400
Speaker 2: Oh man, this is about just our show or any show.

73
00:03:18,320 --> 00:03:21,320
Speaker 4: It could be about any show. Brook may tell you

74
00:03:21,320 --> 00:03:23,320
Speaker 4: you say number one through twenty, I'll tell you about

75
00:03:23,320 --> 00:03:26,960
Speaker 4: a bizarre situation that happened during an actual radio show.

76
00:03:27,240 --> 00:03:29,000
Speaker 4: You have to tell me if that story is from

77
00:03:29,080 --> 00:03:32,440
Speaker 4: a real disc jockey or just some made up malarkey.

78
00:03:32,639 --> 00:03:35,640
Speaker 4: And you never know. One of these could be about Brook.

79
00:03:35,800 --> 00:03:38,600
Speaker 4: She's been on several different shows, starught a broadcast career.

80
00:03:39,760 --> 00:03:42,040
Speaker 4: We'll start with the woman who thought the radio term

81
00:03:42,160 --> 00:03:48,680
Speaker 4: dead air meant someone in studio needed CPR. That's Alexis.

82
00:03:48,320 --> 00:03:52,600
Speaker 4: In two thousand and four, a radio DJ in Cleveland

83
00:03:52,840 --> 00:03:55,960
Speaker 4: ran the studio restroom during a commercial break but never

84
00:03:56,080 --> 00:03:59,480
Speaker 4: made it back. Oh. Once inside the bathroom, the lock

85
00:03:59,640 --> 00:04:03,040
Speaker 4: broke so we couldn't get out. They ended up finishing

86
00:04:03,040 --> 00:04:05,080
Speaker 4: the show with him yelling through the door while another

87
00:04:05,080 --> 00:04:06,640
Speaker 4: host held a microphone outside.

88
00:04:08,240 --> 00:04:09,040
Speaker 3: That's good radio.

89
00:04:09,320 --> 00:04:13,320
Speaker 2: That's radio gold is what the boss would stand exactly.

90
00:04:13,520 --> 00:04:15,560
Speaker 2: What would happen even on our show today if someone

91
00:04:15,600 --> 00:04:16,480
Speaker 2: got stuck in Yeah.

92
00:04:16,560 --> 00:04:18,000
Speaker 4: Yeah, go get a mic in there.

93
00:04:18,160 --> 00:04:18,920
Speaker 3: I get to say.

94
00:04:19,279 --> 00:04:24,520
Speaker 4: Real disc jockey Alexis says, that's a real story. Little

95
00:04:24,560 --> 00:04:26,599
Speaker 4: jockey mallarchy very close to home here.

96
00:04:26,680 --> 00:04:30,320
Speaker 2: Yeah, I think we were all Maybe maybe Jake just

97
00:04:30,360 --> 00:04:31,280
Speaker 2: predicted the future.

98
00:04:31,600 --> 00:04:33,120
Speaker 3: Oh, later on the.

99
00:04:33,120 --> 00:04:36,719
Speaker 1: Broadcast, tune in the get stuck in the back, listen

100
00:04:36,760 --> 00:04:38,760
Speaker 1: to it through a door over to you.

101
00:04:38,920 --> 00:04:40,400
Speaker 4: Seven's off the board, give.

102
00:04:40,320 --> 00:04:41,440
Speaker 2: Me number three.

103
00:04:41,880 --> 00:04:45,160
Speaker 4: In twenty eleven, a morning dj HA a small Wisconsin

104
00:04:45,400 --> 00:04:49,000
Speaker 4: radio station, was hosting a live show when police walked

105
00:04:49,000 --> 00:04:52,480
Speaker 4: into the studio to arrest him for an outstanding warrant.

106
00:04:53,920 --> 00:04:57,120
Speaker 4: The microphone stayed live as he awkwardly tried to explain

107
00:04:57,200 --> 00:04:59,560
Speaker 4: what was happening before an officer noticed the on air

108
00:04:59,640 --> 00:05:03,039
Speaker 4: light and shut it down. Is that real disc jockey

109
00:05:03,160 --> 00:05:07,559
Speaker 4: or made up malarkey? Oh man, let on the air?

110
00:05:07,800 --> 00:05:10,719
Speaker 2: I mean, here's the thing. Just anyone in the radio

111
00:05:10,720 --> 00:05:13,679
Speaker 2: business with a warrant out for their arrest sounds real

112
00:05:13,800 --> 00:05:15,680
Speaker 2: to me. So we're gonna go real.

113
00:05:15,760 --> 00:05:18,520
Speaker 4: Disc jockey Jay Bick says that happened.

114
00:05:22,240 --> 00:05:24,120
Speaker 2: Some real lowlifes in this industry.

115
00:05:24,400 --> 00:05:26,520
Speaker 4: My car got repossessed while we were on the air.

116
00:05:27,400 --> 00:05:30,520
Speaker 4: Kind of similar. I'll cross that story off, Jose. So

117
00:05:32,320 --> 00:05:34,440
Speaker 4: it's all right, let's get a number. Three and seven

118
00:05:34,480 --> 00:05:35,239
Speaker 4: are off the board.

119
00:05:35,160 --> 00:05:35,960
Speaker 3: Let's go twelve.

120
00:05:36,640 --> 00:05:39,680
Speaker 4: In the early two thousands, of Philadelphia Morning Show had

121
00:05:39,680 --> 00:05:43,640
Speaker 4: their main host broadcast from inside a coffin as a

122
00:05:43,680 --> 00:05:47,960
Speaker 4: publicity stunt for Halloween. He had to be removed early though,

123
00:05:48,000 --> 00:05:52,200
Speaker 4: after producers noticed slurred speech and worried about airflow and safety.

124
00:05:53,000 --> 00:05:55,920
Speaker 4: That real disc jockey or made up malarkeys.

125
00:05:56,000 --> 00:05:59,080
Speaker 1: See it sounds real because they've always done like stamina.

126
00:06:00,040 --> 00:06:01,800
Speaker 4: They challenge your challenges and.

127
00:06:01,720 --> 00:06:05,919
Speaker 1: Then legal department gets involved and goes, oh this See.

128
00:06:06,320 --> 00:06:07,960
Speaker 2: What doesn't check out for me is that they.

129
00:06:07,920 --> 00:06:12,520
Speaker 4: Worried about him. Yeah, no one worries.

130
00:06:12,640 --> 00:06:14,520
Speaker 3: It sounds like something would volunteer for him.

131
00:06:15,440 --> 00:06:16,000
Speaker 1: Yeah.

132
00:06:16,200 --> 00:06:18,760
Speaker 3: I truly think that this sounds so real.

133
00:06:18,839 --> 00:06:21,800
Speaker 1: So I'm gonna say this jockey says.

134
00:06:21,680 --> 00:06:28,960
Speaker 4: DJ, no worry about him. There would be no help

135
00:06:29,000 --> 00:06:31,279
Speaker 4: for that. Jeffrey were over to you. We're talking about

136
00:06:31,640 --> 00:06:33,920
Speaker 4: funny things that have happened to DJs. For National DJ

137
00:06:34,040 --> 00:06:34,840
Speaker 4: Day a couple of days ago.

138
00:06:34,880 --> 00:06:36,520
Speaker 3: I need a number from you, number eighteen.

139
00:06:37,080 --> 00:06:41,280
Speaker 4: In the late nineteen nineties, a shock jock replaced every

140
00:06:41,279 --> 00:06:45,400
Speaker 4: commercial break during his shift with recordings of whale sounds

141
00:06:46,560 --> 00:06:49,520
Speaker 4: that management approved the stunt by text message to raise

142
00:06:49,560 --> 00:06:53,599
Speaker 4: awareness for the oceans. Just be aware of the oceans people.

143
00:06:53,680 --> 00:06:56,080
Speaker 4: Is that real this jockey or made up malaria?

144
00:06:56,240 --> 00:07:01,080
Speaker 1: Oh yeah, that's totally what management cares about not money

145
00:07:01,160 --> 00:07:04,800
Speaker 1: and profits for the station, but environmental awareness.

146
00:07:05,000 --> 00:07:08,039
Speaker 2: I think that Jake just outed himself. He said late nineties,

147
00:07:08,040 --> 00:07:09,880
Speaker 2: and they approved it via text message.

148
00:07:10,120 --> 00:07:10,480
Speaker 3: Yeah.

149
00:07:10,760 --> 00:07:13,640
Speaker 1: Oh it was barely even a thing like a ten

150
00:07:13,680 --> 00:07:15,960
Speaker 1: dollars text. Yeah, that would maybe if it was a

151
00:07:16,000 --> 00:07:21,240
Speaker 1: fax machine. Too many holes in this story, Jake, this

152
00:07:21,320 --> 00:07:23,400
Speaker 1: is some made up radio malarkey.

153
00:07:23,600 --> 00:07:27,640
Speaker 4: Don't be embarrassed. Jade up and I did. That's what

154
00:07:27,840 --> 00:07:33,360
Speaker 4: I get. Listen, all right, Brook, appreciate that and for that,

155
00:07:33,440 --> 00:07:36,680
Speaker 4: you know what, Jeffrey and Brook, you have one of

156
00:07:36,880 --> 00:07:37,880
Speaker 4: twenty of twenty.

157
00:07:38,080 --> 00:07:42,560
Speaker 2: Okay, let's let's shock the nube in radio. Let's shock Alexis.

158
00:07:42,920 --> 00:07:46,400
Speaker 1: This is our hilarious on air stunt having Alexis sing

159
00:07:46,680 --> 00:07:50,320
Speaker 1: while getting electrocuted to the song Don't Stop the Music

160
00:07:50,360 --> 00:07:51,040
Speaker 1: by Rihanna.

161
00:07:51,680 --> 00:07:55,080
Speaker 2: I want to take you away. Let's just say go

162
00:07:55,320 --> 00:08:00,640
Speaker 2: to music, Djalen. Did Rihanna just iss she was ceasing

163
00:08:00,720 --> 00:08:01,280
Speaker 2: to say? Yeah?

164
00:08:02,960 --> 00:08:03,720
Speaker 3: Shock her again?

165
00:08:03,800 --> 00:08:06,640
Speaker 1: For that was your shock collar question of the day.

166
00:08:06,680 --> 00:08:08,440
Speaker 1: We got your phone tap coming up in just a

167
00:08:08,440 --> 00:08:10,360
Speaker 1: few minutes, Brook and Jeffrey

168
00:08:10,360 --> 00:08:12,280
Speaker 2: In the morning,