1 00:00:05,160 --> 00:00:07,520 Speaker 1: Hey, this is Annie and Samantha and welcome to Stephan 2 00:00:07,560 --> 00:00:19,360 Speaker 1: Never Told You production of iHeart Radio. And we have 3 00:00:19,480 --> 00:00:24,200 Speaker 1: returned for the wonderful viewing party that we do with 4 00:00:24,320 --> 00:00:26,560 Speaker 1: Sex in the City, going through each episode, and there 5 00:00:26,560 --> 00:00:28,840 Speaker 1: are so many seasons and we are nowhere near like 6 00:00:28,880 --> 00:00:31,400 Speaker 1: even halfway through. I don't even know we're a quarterway through, 7 00:00:31,480 --> 00:00:33,400 Speaker 1: to be honest, I don't think so. I don't think 8 00:00:33,400 --> 00:00:36,920 Speaker 1: so either. But yes we are back, and yes we 9 00:00:36,960 --> 00:00:39,839 Speaker 1: are still hunting. Just in case you're interested in love 10 00:00:39,920 --> 00:00:43,320 Speaker 1: these episodes where we just pretty much talk trash and 11 00:00:43,560 --> 00:00:47,920 Speaker 1: or talk life or both um while we view these 12 00:00:47,960 --> 00:00:53,040 Speaker 1: wonderful episodes, pretty dated episodes um of Sex in the City. 13 00:00:53,120 --> 00:00:55,120 Speaker 1: And if you would like to join, whether you've seen 14 00:00:55,160 --> 00:00:59,120 Speaker 1: one episode, no episodes, ten episodes, all of the episodes 15 00:00:59,160 --> 00:01:01,440 Speaker 1: and the movies, we would love for you to come on. 16 00:01:01,600 --> 00:01:04,800 Speaker 1: So if you're interested, send us a note through all 17 00:01:04,880 --> 00:01:08,640 Speaker 1: of our social media's or our email, which yes, any 18 00:01:08,720 --> 00:01:12,240 Speaker 1: will give to you at the end of this episode. Yes, yes, es, Yes, 19 00:01:12,280 --> 00:01:16,280 Speaker 1: we're looking to do this sweonish very soonish, yes, very soonish. 20 00:01:16,440 --> 00:01:18,440 Speaker 1: So get do names and I think we got several, 21 00:01:18,880 --> 00:01:21,920 Speaker 1: We've got some some people have thrown their hat in 22 00:01:21,959 --> 00:01:24,800 Speaker 1: their ring. Very exciting. It's gonna be fine, it's gonna 23 00:01:24,800 --> 00:01:27,560 Speaker 1: be low key. We have a good time, good time 24 00:01:28,120 --> 00:01:31,240 Speaker 1: times ahead. Um yeah, so please please please send your 25 00:01:31,319 --> 00:01:34,920 Speaker 1: names in let us know. Um, but can you tell 26 00:01:35,040 --> 00:01:40,320 Speaker 1: us a recap of what has happened thus far? I'll 27 00:01:40,319 --> 00:01:45,479 Speaker 1: do my best, Okay. So I know we're in season 28 00:01:45,480 --> 00:01:49,800 Speaker 1: two now, and we had our excellent super producer Christina 29 00:01:49,920 --> 00:01:52,480 Speaker 1: on the opener of season two and she immediately called, 30 00:01:52,680 --> 00:01:56,320 Speaker 1: I don't think everything but basically getting back in the 31 00:01:56,320 --> 00:01:58,320 Speaker 1: ball game because Samantha has broken up with Big. They 32 00:01:58,320 --> 00:02:01,120 Speaker 1: had their sort of like what you want, and they 33 00:02:01,120 --> 00:02:05,160 Speaker 1: wanted different things and they broke up. So Samantha's trying 34 00:02:05,200 --> 00:02:08,080 Speaker 1: to not Samantha Gry's trying to get back into the 35 00:02:08,120 --> 00:02:13,680 Speaker 1: game and into the dating game, as they say. And 36 00:02:13,800 --> 00:02:15,840 Speaker 1: I feel like what we've seen so far has been 37 00:02:15,880 --> 00:02:21,960 Speaker 1: a lot of her sort of adjusting two doing that too. 38 00:02:23,680 --> 00:02:26,960 Speaker 1: What dating is like as a single woman in New York, 39 00:02:27,240 --> 00:02:30,520 Speaker 1: as unrealistic as it might be, but in the purposes 40 00:02:30,560 --> 00:02:34,760 Speaker 1: of this show, what is that like? Yes, I feel 41 00:02:34,800 --> 00:02:38,399 Speaker 1: like that's been most of it. Pretty good. That's pretty good, 42 00:02:39,080 --> 00:02:40,880 Speaker 1: to be fair. It's been a minute, so I'm kind 43 00:02:40,919 --> 00:02:44,040 Speaker 1: of having to recollect myself on this as well. Okay, Well, 44 00:02:44,360 --> 00:02:46,680 Speaker 1: as per usual, I'm going to give you the title 45 00:02:47,040 --> 00:02:50,320 Speaker 1: of this episode. I would like to predictions. Oh boy, 46 00:02:50,400 --> 00:02:57,200 Speaker 1: okay into this episode. It is called this is season two, 47 00:02:57,800 --> 00:03:05,120 Speaker 1: episode five for Women in a Funeral. Oh okay, Well, 48 00:03:05,320 --> 00:03:09,240 Speaker 1: I would say that that probably means they're going to 49 00:03:09,280 --> 00:03:12,799 Speaker 1: go to a funeral, uh, and they're going to talk 50 00:03:12,840 --> 00:03:15,960 Speaker 1: about the fashion of the funeral and maybe some of 51 00:03:16,000 --> 00:03:21,520 Speaker 1: the politics of knowing somebody and grieving performative grieving at 52 00:03:21,520 --> 00:03:24,760 Speaker 1: the funeral. I've never seen three minute a baby. I 53 00:03:24,760 --> 00:03:26,560 Speaker 1: don't know if it's sort of a reference three men 54 00:03:26,639 --> 00:03:31,120 Speaker 1: in whatever funeral thing. Um, I'm sorry, so I can't. 55 00:03:31,240 --> 00:03:33,400 Speaker 1: I wonder if it's, you know, a riff on that, 56 00:03:33,440 --> 00:03:40,280 Speaker 1: but I don't know it's just combined. So that doesn't 57 00:03:40,280 --> 00:03:42,560 Speaker 1: really help me. But I wonder if there's something that 58 00:03:42,600 --> 00:03:46,120 Speaker 1: I should get based on this reference that I don't 59 00:03:46,520 --> 00:03:48,800 Speaker 1: I clearly don't know. I don't think there's I don't 60 00:03:48,840 --> 00:03:50,720 Speaker 1: don't know if I've ever seen the I think it's uh, 61 00:03:50,840 --> 00:03:52,680 Speaker 1: four weddings in a funeral. I don't think it has 62 00:03:54,360 --> 00:03:56,360 Speaker 1: could be wrong because I've never seen it. I have 63 00:03:56,480 --> 00:03:58,640 Speaker 1: seen three minute a baby, and yet it has nothing 64 00:03:58,640 --> 00:04:03,160 Speaker 1: to do that was Yeah, that's my man had a 65 00:04:03,240 --> 00:04:08,600 Speaker 1: similar name, like number names. So that's all sure, sure, sure, okay, 66 00:04:08,640 --> 00:04:10,920 Speaker 1: Well that's pretty good. I'm not gonna lie. I'm gonna yeah, 67 00:04:10,920 --> 00:04:13,240 Speaker 1: it's not bad. I'm gonna feel like the title is 68 00:04:13,240 --> 00:04:21,559 Speaker 1: pretty Yes, let's go, I hope. So here we go. Wow, 69 00:04:21,760 --> 00:04:24,119 Speaker 1: isn't it a little wrong to wear a dead man's 70 00:04:24,160 --> 00:04:27,160 Speaker 1: design to his own funerals? So they're going to a 71 00:04:27,320 --> 00:04:33,279 Speaker 1: funeral of a fashion designer. You can't not wear black. 72 00:04:34,080 --> 00:04:35,280 Speaker 1: I don't think that was the thing. I thought you 73 00:04:35,279 --> 00:04:38,320 Speaker 1: were supposed to wear black or something dark. In the mirror, 74 00:04:39,360 --> 00:04:42,200 Speaker 1: she's wearing a whole for a coat. Yeah, she's wearing 75 00:04:42,240 --> 00:04:46,520 Speaker 1: like a bright blue yes, because it was a designer's outfit, right, 76 00:04:47,960 --> 00:04:51,599 Speaker 1: And it's all about knowing people. Given what happens in 77 00:04:51,720 --> 00:04:55,160 Speaker 1: like the reboot the New One, I knew the fashion 78 00:04:55,880 --> 00:04:59,560 Speaker 1: of a funeral would be a thing. Oh yeah, I didn't, 79 00:04:59,560 --> 00:05:01,320 Speaker 1: but think of that, because yeah, that that's kind of 80 00:05:01,320 --> 00:05:06,360 Speaker 1: the carries whole like one big like designer dress. Yeah yeah, yeah, 81 00:05:17,440 --> 00:05:25,719 Speaker 1: oh loses her Sorry, she meets a man. She loved cats. 82 00:05:26,160 --> 00:05:31,400 Speaker 1: She loved something to say over a doing stone, your mother, 83 00:05:33,760 --> 00:05:39,800 Speaker 1: my wife, over his wife now deceased wife, Tim Stone, 84 00:05:39,800 --> 00:05:42,960 Speaker 1: of course thanks. I don't know about like the meat 85 00:05:43,040 --> 00:05:48,479 Speaker 1: cute of meeting over a funeral deceased wife. I don't 86 00:05:48,480 --> 00:05:56,400 Speaker 1: know about that one. While we were watching the break 87 00:05:56,440 --> 00:06:00,520 Speaker 1: ground on Javier's last location, Miranda was breaking new ground 88 00:06:00,560 --> 00:06:04,440 Speaker 1: of her own. So it's just you. It's just Miranda 89 00:06:04,720 --> 00:06:08,760 Speaker 1: buying an apartment, such a big apartment to buy for 90 00:06:08,920 --> 00:06:12,360 Speaker 1: just you for just do you feel like realtors do 91 00:06:12,440 --> 00:06:15,800 Speaker 1: this for their leg where's your husband, lady? I know 92 00:06:15,960 --> 00:06:19,839 Speaker 1: there's been stories where people have said have made mistakes 93 00:06:19,920 --> 00:06:24,160 Speaker 1: and like calling the man or only talking to the man. 94 00:06:24,240 --> 00:06:26,280 Speaker 1: I told you story when we were trying to buy 95 00:06:26,440 --> 00:06:31,039 Speaker 1: a bed at a sleep number not sponsored um and 96 00:06:32,080 --> 00:06:35,320 Speaker 1: they wanted I was the one who's making the purchase 97 00:06:35,440 --> 00:06:38,279 Speaker 1: and it was under my name, but she kept saying 98 00:06:38,560 --> 00:06:40,240 Speaker 1: she asked for my partner's name, who came with me 99 00:06:40,279 --> 00:06:43,040 Speaker 1: to look. And then the entire time they would address 100 00:06:43,040 --> 00:06:45,760 Speaker 1: like they called, they would call me but address him first, 101 00:06:45,960 --> 00:06:50,240 Speaker 1: and then me to be like hey so and so 102 00:06:50,279 --> 00:06:54,600 Speaker 1: and Samantha, Hey, I'm like, wait, what it's my account 103 00:06:54,680 --> 00:06:57,359 Speaker 1: you're thinking that that's my name, And I thought I 104 00:06:57,400 --> 00:07:00,840 Speaker 1: was very like old school. Yes, sex is like, well, 105 00:07:00,880 --> 00:07:04,279 Speaker 1: your husband's making that we're not married, right, right, But 106 00:07:04,360 --> 00:07:08,800 Speaker 1: the assumption of it's cute, you let you go out 107 00:07:08,920 --> 00:07:11,920 Speaker 1: on your own, that's what you definitely need to make 108 00:07:11,960 --> 00:07:25,520 Speaker 1: that he's the lead. Yeah, listen, I do you want 109 00:07:25,520 --> 00:07:28,120 Speaker 1: to have dinner sometime? I like af dinner, any old 110 00:07:28,120 --> 00:07:31,960 Speaker 1: time dinner. No, Carrie's talking a big She made the mistake. 111 00:07:32,120 --> 00:07:34,400 Speaker 1: She did it, she broke down. He did it. She 112 00:07:34,480 --> 00:07:39,559 Speaker 1: did the call Saturday eight o'clock, Robert toes be there 113 00:07:39,720 --> 00:07:43,560 Speaker 1: or be square? There to be square? Wow? Be there 114 00:07:43,600 --> 00:07:49,080 Speaker 1: to be squared? Dad joke. Now I think it might 115 00:07:49,120 --> 00:07:53,320 Speaker 1: even be below that. I don't know. On the same 116 00:07:53,360 --> 00:08:03,360 Speaker 1: lines as puns, puns are preferable to what does happen? Okay, okay, okay. 117 00:08:02,800 --> 00:08:08,920 Speaker 1: I'm telling you if I was a single man, none 118 00:08:08,960 --> 00:08:11,280 Speaker 1: of this would be happening. If you were a single man, 119 00:08:11,440 --> 00:08:13,760 Speaker 1: I date you. I've got the money, I've got a 120 00:08:13,760 --> 00:08:16,840 Speaker 1: great job, and I still get it's just you. Another 121 00:08:16,920 --> 00:08:19,640 Speaker 1: threatened buying a place alone means you don't need a man. 122 00:08:19,840 --> 00:08:23,240 Speaker 1: I don't everyone, but she's having to like justify that 123 00:08:23,320 --> 00:08:26,600 Speaker 1: she can buy a place alone. Yeah, structure is all off, 124 00:08:26,920 --> 00:08:29,480 Speaker 1: which you know, that's still a stigma in this level. 125 00:08:29,520 --> 00:08:31,640 Speaker 1: Like people who's like single women who still buy They're like, 126 00:08:31,640 --> 00:08:35,480 Speaker 1: oh you're buying a house. Wow, it's almost like implied. 127 00:08:35,880 --> 00:08:40,239 Speaker 1: But why you don't have kids, you don't have a husband, 128 00:08:40,280 --> 00:08:42,760 Speaker 1: Why do you need a rouse? It's going to be empty. 129 00:08:43,160 --> 00:08:45,760 Speaker 1: It's just you when that big house you What are 130 00:08:45,760 --> 00:08:48,040 Speaker 1: you gonna do when you have to fix things? Hire 131 00:08:48,080 --> 00:08:51,960 Speaker 1: someone or do it yourself if you want, I'm going 132 00:08:52,000 --> 00:08:56,760 Speaker 1: to hire someone. I mean, yeah, I'm gonna live with 133 00:08:56,760 --> 00:09:08,160 Speaker 1: it or hire someone. Charlotte is on the date with 134 00:09:08,520 --> 00:09:11,440 Speaker 1: the widow. Apparently all the time nad needed was forty 135 00:09:11,520 --> 00:09:16,920 Speaker 1: five minutes. So they've had sex. Now think you're clashed everywhere. 136 00:09:17,880 --> 00:09:24,320 Speaker 1: The sea picture right next to them. Oh no, she's 137 00:09:24,360 --> 00:09:27,400 Speaker 1: fixing them with sex. Annie, she's fixing them with sex. 138 00:09:27,920 --> 00:09:33,040 Speaker 1: Is that their bed? Obviously, there's so many things. One 139 00:09:33,080 --> 00:09:37,600 Speaker 1: word rebound, it's not a rebound. With rebound, she has 140 00:09:37,600 --> 00:09:40,599 Speaker 1: a point, he's moving on. It isn't rebound it the 141 00:09:40,640 --> 00:09:44,640 Speaker 1: person is dead. So I think a rebound is just 142 00:09:44,720 --> 00:09:53,560 Speaker 1: you're getting over somebody for whatever whatever reason. Well, I 143 00:09:53,600 --> 00:09:57,720 Speaker 1: think we reincarnate Oh, Carrie and Bigs on a day 144 00:09:57,960 --> 00:10:01,199 Speaker 1: and they're talking about what happens after you die? Yes, 145 00:10:01,800 --> 00:10:05,360 Speaker 1: what do you think? Why do we always getting to 146 00:10:05,400 --> 00:10:08,959 Speaker 1: the most in dense conversations in these six I had 147 00:10:09,000 --> 00:10:10,800 Speaker 1: a moment of the other day of knowing that I 148 00:10:10,840 --> 00:10:13,640 Speaker 1: am forty something. Staring in the mirror, I was like, 149 00:10:13,880 --> 00:10:15,920 Speaker 1: I'm only going to get older. I still I have 150 00:10:15,960 --> 00:10:18,079 Speaker 1: now started to understand a little bit of like that 151 00:10:18,120 --> 00:10:24,760 Speaker 1: panic of like, okay, like I can't get back photos 152 00:10:24,760 --> 00:10:26,880 Speaker 1: of my ten years ago where I wasn't like this. 153 00:10:27,280 --> 00:10:29,160 Speaker 1: I hope I don't look exactly my age. But if 154 00:10:29,200 --> 00:10:31,840 Speaker 1: I did, there's nothing wrong with that. Why am I 155 00:10:31,960 --> 00:10:34,320 Speaker 1: having the struggle? And then like knowing that I'm coming 156 00:10:34,360 --> 00:10:37,360 Speaker 1: closer to that than I've ever been before every year, 157 00:10:37,400 --> 00:10:40,080 Speaker 1: and then like it's just an end. I had a 158 00:10:40,120 --> 00:10:43,959 Speaker 1: moment just staring at myself in the void. It was 159 00:10:44,000 --> 00:10:46,720 Speaker 1: a moment. I've had that moment a lot more during 160 00:10:46,760 --> 00:10:49,280 Speaker 1: the pandemic. Before the pandemic, I was pretty like but 161 00:10:49,360 --> 00:10:56,880 Speaker 1: during the pandemic I've had like, oh boy, yeah, I 162 00:10:56,880 --> 00:10:59,800 Speaker 1: didn't know what had happened. But suddenly getting back together 163 00:10:59,840 --> 00:11:02,280 Speaker 1: with Big seemed like a very bad They're making out. 164 00:11:02,400 --> 00:11:08,000 Speaker 1: We're back rebounding, rebounding or just coup what is that called? 165 00:11:08,000 --> 00:11:10,800 Speaker 1: When you like Seinfeld has a thing about this too. 166 00:11:10,880 --> 00:11:12,480 Speaker 1: It's like pushing over a vending machine. You have to 167 00:11:12,480 --> 00:11:15,240 Speaker 1: push it over, like to use several pushes before it 168 00:11:15,320 --> 00:11:23,600 Speaker 1: finally topples. Hi, I'm Miranda Hobbs. Nice to meet you. 169 00:11:24,360 --> 00:11:27,680 Speaker 1: I haven't actually moved in. There's Miranda and her new apartment. 170 00:11:27,920 --> 00:11:31,040 Speaker 1: I'm so glad she had a young person moving in 171 00:11:31,440 --> 00:11:34,120 Speaker 1: brings a little life to the place. Having a young 172 00:11:34,160 --> 00:11:35,760 Speaker 1: person moving in, which, by the way, that was a 173 00:11:35,800 --> 00:11:39,920 Speaker 1: sentence that was told to me moving into this at 174 00:11:39,920 --> 00:11:44,000 Speaker 1: my house. Y'all, behind the scenes we look like for 175 00:11:44,040 --> 00:11:51,000 Speaker 1: a sportscasters hilarious or anyone realized she passed rumor has 176 00:11:51,080 --> 00:11:54,400 Speaker 1: a cat ate half her face. Oh, we've all heard 177 00:11:54,440 --> 00:11:59,520 Speaker 1: this story before. The cat ate half her face. Oh, 178 00:12:01,840 --> 00:12:03,520 Speaker 1: I still have a fear that peaches will eat my 179 00:12:03,559 --> 00:12:06,920 Speaker 1: face if I die. So I keep out like she 180 00:12:07,040 --> 00:12:10,240 Speaker 1: does not go for the food unless I let her like, 181 00:12:10,280 --> 00:12:12,880 Speaker 1: so I can keep out food and so I have 182 00:12:12,960 --> 00:12:15,760 Speaker 1: it accessible for her to get to she gets desperate. 183 00:12:16,320 --> 00:12:33,040 Speaker 1: It's just in case these thoughts that we are little backup, backup, plans. Unfortunately, 184 00:12:33,080 --> 00:12:35,840 Speaker 1: I was deep into screening mode. Big It called twice 185 00:12:35,840 --> 00:12:38,160 Speaker 1: and I didn't know what I wanted to say to him. 186 00:12:38,200 --> 00:12:41,680 Speaker 1: Oh my god, I just choked. I just almost died. 187 00:12:41,800 --> 00:12:45,480 Speaker 1: And you're not, hey, sweetie, you're right. Well, you and 188 00:12:45,520 --> 00:12:47,920 Speaker 1: I have this conversation kind of early in the pandemic 189 00:12:47,960 --> 00:12:50,319 Speaker 1: where I texted you and I said, can I be 190 00:12:50,520 --> 00:12:52,400 Speaker 1: can we be old lady friends? Or we just check 191 00:12:52,480 --> 00:12:57,520 Speaker 1: in and make sure the other person hasn't dined. And 192 00:12:57,679 --> 00:13:01,400 Speaker 1: of course Mariana immediately calls Carrie, I'll call you, but 193 00:13:01,480 --> 00:13:04,040 Speaker 1: she's screening the calls for for the listeners and young 194 00:13:04,120 --> 00:13:08,160 Speaker 1: listeners who doesn't understand the screening old school, like when 195 00:13:08,160 --> 00:13:11,080 Speaker 1: we had the landlines that didn't have Colorady, you just 196 00:13:11,160 --> 00:13:13,920 Speaker 1: avoided all the phone calls. True gosh. And then he 197 00:13:13,960 --> 00:13:20,000 Speaker 1: would dial the star Star seven. No, that's the voicemail, 198 00:13:20,480 --> 00:13:23,400 Speaker 1: and it would tell you who would you have to 199 00:13:23,400 --> 00:13:24,880 Speaker 1: have that feature? You have to pay for that pieture. 200 00:13:25,360 --> 00:13:27,400 Speaker 1: That's because we did not have the way to very 201 00:13:27,440 --> 00:13:29,840 Speaker 1: particular in horror movies for a short amount of time. 202 00:13:30,240 --> 00:13:39,160 Speaker 1: You would do that? Please tell me those are your sisters. 203 00:13:40,320 --> 00:13:44,040 Speaker 1: I don't have any sisters. Charlotte realized she wasn't the 204 00:13:44,080 --> 00:13:50,640 Speaker 1: only woman with suscitating ned Oh yeah, three more. Two 205 00:13:50,640 --> 00:13:55,199 Speaker 1: more women show up to help him mourn the death 206 00:13:55,480 --> 00:13:59,000 Speaker 1: of his wife she loves. She smacks him with flowers, 207 00:13:59,000 --> 00:14:07,640 Speaker 1: and the other women are like, okay, yeah, cool. It 208 00:14:07,800 --> 00:14:12,319 Speaker 1: was deja vu all over again. Me Big a doorway 209 00:14:13,120 --> 00:14:15,480 Speaker 1: and mixed emotions. But Big shows up a Carrie's house 210 00:14:15,720 --> 00:14:19,000 Speaker 1: because she's been screening the call and now they're making 211 00:14:19,080 --> 00:14:23,400 Speaker 1: out again. Don't do a girl, don't do a girl. 212 00:14:23,520 --> 00:14:26,040 Speaker 1: I was always the friend that was like, no, yeah, 213 00:14:27,880 --> 00:14:31,240 Speaker 1: only if you asked. I tried not to say anything 214 00:14:31,320 --> 00:14:34,280 Speaker 1: unless you're solicited advice. But I was the person like, Nope, 215 00:14:34,520 --> 00:14:37,320 Speaker 1: don't do it, don't do it. I would always say 216 00:14:37,520 --> 00:14:40,280 Speaker 1: I support you either way, but just so you know, 217 00:14:40,440 --> 00:14:43,560 Speaker 1: remember all these things he did to you that if 218 00:14:43,600 --> 00:14:45,560 Speaker 1: it's real bad, then I'm like, you get one say, 219 00:14:45,880 --> 00:14:49,880 Speaker 1: and then you either have to support them or you know, 220 00:14:50,560 --> 00:14:52,440 Speaker 1: you can choose not to be part of that friendship 221 00:14:52,480 --> 00:15:00,360 Speaker 1: that is not on you. You're a live should have 222 00:15:00,400 --> 00:15:05,640 Speaker 1: helis were a wrenched shore bowing. I miss bowling. I'm 223 00:15:05,680 --> 00:15:08,600 Speaker 1: bad at it. Oh, I'm terrible at bowling, and I'm 224 00:15:08,640 --> 00:15:10,400 Speaker 1: the opposite of most people, because I feel like most 225 00:15:10,400 --> 00:15:12,600 Speaker 1: people get better as you play, I get worse because 226 00:15:13,960 --> 00:15:18,040 Speaker 1: I'm just bad. Did I get worse? Yeah, I've definitely 227 00:15:18,080 --> 00:15:21,080 Speaker 1: thrown the ball backwards. So just so you know, I'll 228 00:15:21,160 --> 00:15:24,080 Speaker 1: keep that in mind. If we ever bowl together, I'm 229 00:15:24,120 --> 00:15:27,400 Speaker 1: gonna bring a helmet. You should. I need it for 230 00:15:27,520 --> 00:15:29,920 Speaker 1: me more than anyone else, to be honest, because it 231 00:15:30,000 --> 00:15:33,320 Speaker 1: got caught in my thumb. Oh no, and it went backwards. 232 00:15:34,440 --> 00:15:37,320 Speaker 1: I've been on a bowling date before and it was okay, 233 00:15:37,360 --> 00:15:39,240 Speaker 1: but definitely towards the end, he was giving me too 234 00:15:39,280 --> 00:15:41,000 Speaker 1: many tips, and I was like, look, I'm not good 235 00:15:41,000 --> 00:15:42,960 Speaker 1: at bolding him. You know, we're not doing this, and 236 00:15:43,000 --> 00:15:45,800 Speaker 1: I'm not the type that's like, oh, that's an excuse 237 00:15:45,880 --> 00:16:09,440 Speaker 1: to get closer, all right, you want some points with this? 238 00:16:09,720 --> 00:16:13,400 Speaker 1: Fashion immediately called that some politics about it all, because 239 00:16:13,440 --> 00:16:16,560 Speaker 1: Smith that has some politics to get through about it. Yeah, 240 00:16:16,640 --> 00:16:19,680 Speaker 1: so you get at least this, because that was a big, 241 00:16:19,680 --> 00:16:22,520 Speaker 1: like big topper of course, like the whole like almost 242 00:16:22,600 --> 00:16:25,400 Speaker 1: dying bit and then meaning a man at a funeral 243 00:16:25,480 --> 00:16:27,720 Speaker 1: bit that was not but that was always you know, 244 00:16:28,080 --> 00:16:32,840 Speaker 1: a surprise, it was. It was I guess I could 245 00:16:32,840 --> 00:16:35,040 Speaker 1: have if I spent more time, I could have guessed 246 00:16:35,040 --> 00:16:37,480 Speaker 1: one of them wouldn't meet somebody at a funeral, but 247 00:16:37,800 --> 00:16:39,640 Speaker 1: you know, we were just thrown in here, so a 248 00:16:39,760 --> 00:16:42,040 Speaker 1: good job. But overall, Yeah, what do you think about 249 00:16:42,040 --> 00:16:46,520 Speaker 1: the episode? I enjoyed it. It was one of those 250 00:16:46,560 --> 00:16:48,800 Speaker 1: episodes so that it made me so grateful, and I 251 00:16:48,800 --> 00:16:50,320 Speaker 1: hate to say this, but it made me so greatful. 252 00:16:50,360 --> 00:16:51,960 Speaker 1: I'm not dating. I'm just like, oh my god, this 253 00:16:52,000 --> 00:16:59,280 Speaker 1: seems so terrible. Um. Kind of the manipulations of it, um, 254 00:16:59,640 --> 00:17:03,520 Speaker 1: always guessing what people are actually after. So I think 255 00:17:03,560 --> 00:17:06,960 Speaker 1: the whole you know, Sam getting outcast from New York, 256 00:17:08,200 --> 00:17:12,600 Speaker 1: it wasn't about dating but safe by Leonardo Dicaps. True, 257 00:17:13,040 --> 00:17:16,320 Speaker 1: I feel like that's not the case today, as he 258 00:17:16,600 --> 00:17:20,760 Speaker 1: is kind of in the butt of the joke for 259 00:17:20,920 --> 00:17:25,360 Speaker 1: the way he goes through women. Yeah. So, I guess 260 00:17:25,400 --> 00:17:27,520 Speaker 1: when this came out, it was like on his when 261 00:17:27,600 --> 00:17:30,680 Speaker 1: he was just coming to be like real heart throbbing. 262 00:17:31,320 --> 00:17:36,320 Speaker 1: At that point, he was dating people his age. They 263 00:17:36,400 --> 00:17:39,440 Speaker 1: just stayed that same age as he grew older. Yes, 264 00:17:39,720 --> 00:17:42,359 Speaker 1: I mean, apparently he's dating one of the hooded model women, 265 00:17:43,000 --> 00:17:45,960 Speaker 1: so I think they are closer to his age from 266 00:17:45,960 --> 00:17:49,639 Speaker 1: what I gather. You know, there's that. It's like the 267 00:17:49,720 --> 00:17:53,960 Speaker 1: saddest like standards though, like oh he's dating except inappropriate. Wow, 268 00:17:55,960 --> 00:17:58,639 Speaker 1: Cavil is also the same person because I really wanted 269 00:17:58,680 --> 00:18:02,240 Speaker 1: to love him and then I was like why, Yeah, 270 00:18:02,280 --> 00:18:05,119 Speaker 1: I hate that stuff, which is still the debate of 271 00:18:05,160 --> 00:18:08,040 Speaker 1: like men wanting younger women and talking about the fact, 272 00:18:08,080 --> 00:18:10,560 Speaker 1: like because you know they have less baggage? What about you, bro? 273 00:18:11,880 --> 00:18:15,080 Speaker 1: How dare you less baggage? We can all admit that's 274 00:18:15,119 --> 00:18:18,760 Speaker 1: not what it really is because you want to be manipulative, 275 00:18:18,920 --> 00:18:21,840 Speaker 1: controlling or all these other things as superficial as hell. 276 00:18:21,880 --> 00:18:26,560 Speaker 1: But anyway, that's a whole different conversation. But yeah, so 277 00:18:27,280 --> 00:18:30,080 Speaker 1: here yea, So we are coming on episode six, so 278 00:18:30,119 --> 00:18:32,640 Speaker 1: we're hoping to do it by episode seven. We mean 279 00:18:33,240 --> 00:18:36,880 Speaker 1: having you listener as a guest to watch this with us. 280 00:18:38,240 --> 00:18:41,040 Speaker 1: So you need to come on. Yeah, yes, and don't 281 00:18:41,119 --> 00:18:44,680 Speaker 1: cheat and cheat if they've already watched it, they can cheat, yeah, 282 00:18:44,720 --> 00:18:48,119 Speaker 1: but don't don't watch it if you haven't already watched 283 00:18:48,119 --> 00:18:50,640 Speaker 1: Oh yeah, wait to watch it now because you can 284 00:18:50,680 --> 00:18:53,040 Speaker 1: be in my same boat and then I won't feel 285 00:18:53,119 --> 00:18:58,080 Speaker 1: as silly. Um. But yes, yes, yes, yes, please let 286 00:18:58,280 --> 00:19:01,240 Speaker 1: us know if you're interested we'll put you in our drawing. 287 00:19:01,520 --> 00:19:05,880 Speaker 1: It's gonna be really fun. Um yes, yes, yes, yes, 288 00:19:06,440 --> 00:19:09,959 Speaker 1: And you can contact us for that information. To give 289 00:19:10,040 --> 00:19:12,840 Speaker 1: us that information in a couple of ways. Number one 290 00:19:13,080 --> 00:19:15,760 Speaker 1: email Stephanie a Mom stuff at i hurt me dot com. 291 00:19:15,920 --> 00:19:17,560 Speaker 1: You can find us on Twitter at most of podcast 292 00:19:17,600 --> 00:19:19,760 Speaker 1: or Instagram and stuff I've never told you. Thanks as 293 00:19:19,760 --> 00:19:22,040 Speaker 1: always to our super producer christ you know, I mean, 294 00:19:22,520 --> 00:19:25,880 Speaker 1: the super guesser of our Oh my gosh, she really 295 00:19:25,880 --> 00:19:30,840 Speaker 1: put me to shame everybody. It was amazing, And thanks 296 00:19:30,840 --> 00:19:33,000 Speaker 1: to you for listening. So ione never told you. Protection 297 00:19:33,040 --> 00:19:34,720 Speaker 1: I Hire radio from more podcast my Heart Radio. You 298 00:19:34,720 --> 00:19:36,679 Speaker 1: can check out the Hi Radio ap Apple podcast wherever 299 00:19:36,680 --> 00:19:37,800 Speaker 1: you listen to your favorite ships.