WEBVTT - In Case You Missed It: #30 - Brandon from LANCO

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<v Speaker 1>All right, welcome episode thirty to the Bobby Cast, our

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<v Speaker 1>first one after the break. By the way, Mike d

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<v Speaker 1>welcome back right yet before right there? You good buddy,

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<v Speaker 1>I'm good. Good to see you again. I see every day. Uh.

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<v Speaker 1>Today we have brand In, the late singer of Atlanco here. Hey, Brandon,

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<v Speaker 1>what is up? Man? You've been adjusting your chair. The

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<v Speaker 1>difference in this and any other interview that you'll ever

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<v Speaker 1>do in your whole life. These are the most comfortable chairs.

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<v Speaker 1>They are. You just sit back and relax. Wait about

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<v Speaker 1>eighteen nineteen minutes you'll start crying. You won't even notice it.

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<v Speaker 1>I know that's the problem. I feel like I'm too comfortable.

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<v Speaker 1>All about getting comfortable. I'm gonna watch a movie, but

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<v Speaker 1>have a drink of this. Don't look at what I

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<v Speaker 1>dropped inside of it. A Brandon's here from Lanco. And

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<v Speaker 1>before we talk about stuff, I want to play a

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<v Speaker 1>little bit of Lanko because you guys are considered brand

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<v Speaker 1>new artists. So if you haven't heard in the Atlanta's music,

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<v Speaker 1>there's a little long lived tonight, crazy baby baby, don't

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<v Speaker 1>be scared when you got me. When you set each

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<v Speaker 1>other tree, there's a little song called American Love Story

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<v Speaker 1>The River you want to be my wife. We didn't

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<v Speaker 1>know any better. I didn't have coomba. That was what

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<v Speaker 1>you wanted, you wanted and we can meet him Twain,

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<v Speaker 1>We're gonna be the greatest love story is t sing.

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<v Speaker 1>That's your best song, by the way, And we know

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<v Speaker 1>each other a bit a lot of people. I've never

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<v Speaker 1>met him before. I'm just like, hey, you know, come

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<v Speaker 1>in out of your story. I guess we've met a

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<v Speaker 1>couple of times. Yeah, briefly, yeah, briefly, but but we've

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<v Speaker 1>met and you guys are you guys are pretty young? Huh?

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<v Speaker 1>We are young? Yeah, we uh are each we are thirteen, Um,

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<v Speaker 1>we're we're all twenties. The we range from twenty four

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<v Speaker 1>to twenty seven, So meeting aid somewhere mid twenties. I guess.

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<v Speaker 1>So Lanco is a combination of a couple of words, right,

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<v Speaker 1>isn't it, Like yeah, it's a lancastering company. Yeah. From

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<v Speaker 1>what I remember, somebody worked there and that's where you

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<v Speaker 1>guys like practiced and got together. Yeah. Well, why so

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<v Speaker 1>the band name comes from my name is Brandon Lancaster,

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<v Speaker 1>So I uh so, you know that's not whouse. There

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<v Speaker 1>is a warehouse in the story, but it's not not Lancaster.

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<v Speaker 1>Um my name is brand Lancaster. So you know, early

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<v Speaker 1>days in Nashville and uh, well, I'm trying to think

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<v Speaker 1>how far to go back. I met Tripp, who's the

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<v Speaker 1>drummer in Lanco and he worked at a carpet warehouse,

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<v Speaker 1>and uh I met him in Chattanooga, Tennessee. I was

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<v Speaker 1>going to school out there, and we both played a

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<v Speaker 1>music festival there in different bands. And I'm from Nashville. Originally,

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<v Speaker 1>I grew up outside of Nashville that you know here

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<v Speaker 1>that is oh, I know, which is fine. I didn't

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<v Speaker 1>know that was rare until because when you grow up here,

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<v Speaker 1>everyone's from here. I grew up in Smyrna South in Nashville,

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<v Speaker 1>and uh, yeah, we you grew up here, everyone's from here.

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<v Speaker 1>And then I went to school and when I came back,

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<v Speaker 1>you know, started making new friends and meeting people, and

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<v Speaker 1>everyone would ask where I was from. And that question

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<v Speaker 1>was so strange to me because I was like, I'm yeah,

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<v Speaker 1>where are you from? And they're always good from here.

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<v Speaker 1>I'm like, yeah, where are you from? What are you doing?

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<v Speaker 1>More people aren't from here? Oh, essentially in the business

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<v Speaker 1>that we're in. Absolutely. Yeah, more like aren't from from

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<v Speaker 1>I know, I've met very few people that are from here. Um,

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<v Speaker 1>but yeah, but I went to school in Chattanooga. So

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<v Speaker 1>when I moved back, Tripp was moving to Nashville the

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<v Speaker 1>same week I was. So, you know, I I've been

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<v Speaker 1>writing songs, I mean virtually in my whole life. And

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<v Speaker 1>uh and and so I told me, I'll have the

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<v Speaker 1>slew of songs and I want to put a band together,

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<v Speaker 1>and kind of gave me the idea and and so

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<v Speaker 1>we put it to get you know, my name is

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<v Speaker 1>Brenda Lancaster. So it started as you know, Lancaster and

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<v Speaker 1>and something, and we thought we'd build a band route around.

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<v Speaker 1>Let me ask you about that. Let me stop you

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<v Speaker 1>for a second, because I always thought, you know, all

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<v Speaker 1>the guys in Dave Matthews band, m Dave Matthews band,

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<v Speaker 1>like Dave Matthews, his band bon Jovi, John bon Jovi,

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<v Speaker 1>nobody else's name Van Halen. Yeah, I got a couple

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<v Speaker 1>of Van Hanlon. You know what, how come is it?

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<v Speaker 1>Because you're the one that came up with the idea

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<v Speaker 1>and he was just cool with it because the last

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<v Speaker 1>name is not company, is it. Yeah, Uh, it actually is. No,

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<v Speaker 1>it's not. Um Yeah, we were duos Lancaskop. No. It

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<v Speaker 1>was I think the way it started, you know, at first,

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<v Speaker 1>like he was in a different band and I had

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<v Speaker 1>written a bunch of songs. It was the thing where

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<v Speaker 1>I could have done a solo project if I wanted to.

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<v Speaker 1>I could have just you know, made it mine and

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<v Speaker 1>and hired guys out and you know, kind of had

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<v Speaker 1>a revolving door, which is what happened Nashville lot and

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<v Speaker 1>early on that's kind of what I thought might happen,

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<v Speaker 1>you know, because I had these songs, and you just

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<v Speaker 1>don't know how long you're gonna keep a guitar player

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<v Speaker 1>or a bass player because everyone's working and has to

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<v Speaker 1>you know, kind of go where the money is sometimes.

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<v Speaker 1>But early on it was, you know, this thing where

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<v Speaker 1>I wrote these songs, but I want to build a

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<v Speaker 1>band around it. I did look at Tom Petty and

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<v Speaker 1>the Heartbreakers, and I did look at at Dave Matthews band,

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<v Speaker 1>where there is a primary songwriter and there's this guy

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<v Speaker 1>that came with the songs, but there's a band around

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<v Speaker 1>it that makes it unique and has its own sound.

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<v Speaker 1>And when you keep those same guys together, like even

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<v Speaker 1>like a Zach Brown band, you know what, it has

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<v Speaker 1>a unique sound because they've had time. The same guys

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<v Speaker 1>have had time to craft that sound and and and

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<v Speaker 1>build what they're doing, and and also go through hard

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<v Speaker 1>time together, go through great times together, um and and

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<v Speaker 1>so early on, I didn't know what it would look like,

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<v Speaker 1>you know, I didn't know if it would be a

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<v Speaker 1>band band or if it would be this Zach Brown

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<v Speaker 1>band or Dave Matthews band, and guys might come in

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<v Speaker 1>and come out, and you keep hiring and you keep

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<v Speaker 1>adding people. I didn't know at all what it would

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<v Speaker 1>look like. I just knew we had Lancaster and then

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<v Speaker 1>if Tripp wanted to be in this band, we could

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<v Speaker 1>have a company and start building it. And that was

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<v Speaker 1>also where the name change kind of came though, was

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<v Speaker 1>when we shortened it. It was because it was the

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<v Speaker 1>same guys for for a long time, and you know,

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<v Speaker 1>we had gone a year and then we had just

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<v Speaker 1>all become friends. We're like, all right, this is a band,

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<v Speaker 1>so but people know this is Lancastering Company. But let's

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<v Speaker 1>shorten it to more of a band name kind of

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<v Speaker 1>sound selfless thing, because Landco does not sound like random

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<v Speaker 1>like guys. It doesn't so selfless thing to make that

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<v Speaker 1>move to go Lanco, because if it were me, I'd

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<v Speaker 1>have been like, we're gonna call ourselves brand Caster, We're

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<v Speaker 1>gonna change the name to brand cater soever. But you know,

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<v Speaker 1>I think that's uh that you two together. Well what

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<v Speaker 1>the other two guys come from? Though? So there it's

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<v Speaker 1>a five piece altogether. So I so Trip and I

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<v Speaker 1>were jamming and which one of you guys do I

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<v Speaker 1>not know? Then? You I've never met all five of

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<v Speaker 1>you at once. I don't think it's the one that

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<v Speaker 1>you don't like, because that's the one I haven't met.

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<v Speaker 1>Um who probably I mean probably Tripped, like even though

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<v Speaker 1>you've met him at now, I'm kidding Tripping. Our best

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<v Speaker 1>friends and obviously have the most history together. But we yeah,

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<v Speaker 1>there's five us all together. And we had you know,

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<v Speaker 1>Trip myself, and we literally would just sit and he

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<v Speaker 1>played drums and I played guitar, and it's like, man,

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<v Speaker 1>we need more instruments, um, and so we Uh. I

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<v Speaker 1>met this guy's songwriting competition that went to MTSU and

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<v Speaker 1>we started talking. I was like, I'm putting this band together.

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<v Speaker 1>Do you know any guitar players, Let's start there, and

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<v Speaker 1>he gave me a list of guitar players and going

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<v Speaker 1>back to kind of the session player thing, I met

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<v Speaker 1>one guy who was awesome and he was great, good vibe,

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<v Speaker 1>good hanging. And I was like, Oh, this guy is awesome.

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<v Speaker 1>I can't wait from the play with us. He was like, yeah,

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<v Speaker 1>you know, my day rates two fifty a day, and

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<v Speaker 1>I immediately was like, oh, that may not work, which

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<v Speaker 1>means he's not investing coming in low with the high.

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<v Speaker 1>He just wants to pay right right. He's a player,

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<v Speaker 1>which he deserves. I mean, you know, he had done

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<v Speaker 1>a lot of things and play with other people, and

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<v Speaker 1>this is he's at that point where he is a

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<v Speaker 1>professional career musician. Where we were doing this thing, we

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<v Speaker 1>were building it from the ground up, and uh, you

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<v Speaker 1>gotta be poor to build from the ground up. Actually,

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<v Speaker 1>like you have to be willing to be poor. Yeah. Absolutely,

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<v Speaker 1>And he wasn't willing to be poor, which is there

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<v Speaker 1>because he didn't have to be right exactly, and and

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<v Speaker 1>it would I don't think it would have worked because

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<v Speaker 1>when you're starting out, you've you've kind of all got

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<v Speaker 1>to be on the same page, because you're gonna play

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<v Speaker 1>really bad gigs and really awkward gigs, and you're gonna

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<v Speaker 1>be in situations where it sounds bad and you're not

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<v Speaker 1>getting paid anything except for free food and drinks or

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<v Speaker 1>whatever it is. And if everyone's not in the same

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<v Speaker 1>mindset and kind of in the same place and with

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<v Speaker 1>the same vision, there's gonna be someone unhappy. So I

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<v Speaker 1>think it's important in that early stage to kind of

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<v Speaker 1>make sure you're on the same page with that. So

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<v Speaker 1>the next guy called up went to mts U and

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<v Speaker 1>and we started talking and we clicked musically, and and uh,

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<v Speaker 1>you know, I invited him to come out and play

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<v Speaker 1>with us. So the three of us started playing, and

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<v Speaker 1>that was Eric was a guitar player, So Eric Trip

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<v Speaker 1>and I started playing, and then Eric went to school

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<v Speaker 1>with Chandler who plays bass and Jared who plays everything. Um,

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<v Speaker 1>so he brought them along. So then we had three

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<v Speaker 1>mts U guys and Tripped myself. And you know that

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<v Speaker 1>it was funny because the first time I remember the

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<v Speaker 1>first rehearsal, wasn't this random living room this guy let

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<v Speaker 1>us use and uh, and we were playing and we

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<v Speaker 1>had this whole plan, like I had these songs, we're

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<v Speaker 1>gonna practice them, and and we really probably played music

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<v Speaker 1>for like twenty or thirty minutes and then just started

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<v Speaker 1>hanging out. We took a break just and we hung

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<v Speaker 1>out to like three in the morning, and then it

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<v Speaker 1>was like, you guys, want to do this tomorrow, Like

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<v Speaker 1>we'll hang out tomorrow and maybe bring our instruments and

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<v Speaker 1>and so it started real organically and real naturally as

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<v Speaker 1>as it turned into five friends hanging out who also

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<v Speaker 1>played music. Um, okay, so you had to become friends.

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<v Speaker 1>That's a tough thing to do. Yeah, it And five

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<v Speaker 1>is a lot of personalities. And I know it because

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<v Speaker 1>one I hang out with the same people every day

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<v Speaker 1>to a radio show, work together every day many hours,

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<v Speaker 1>and you learn And at first was infatuation stage where

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<v Speaker 1>you're like, these are the greatest people in the world.

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<v Speaker 1>That's like, I'm so tired of a couple of them.

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<v Speaker 1>Then you're tired of another couple of them, and then

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<v Speaker 1>you just realize what everyone's faults are and how to

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<v Speaker 1>accept them and if you really want to be in

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<v Speaker 1>a long term and so are the five people that

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<v Speaker 1>you started officially at Lanka with at the same five

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<v Speaker 1>now same five so nobody switched in it out. Nope,

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<v Speaker 1>no one switching out. Here's the awkward question, when did

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<v Speaker 1>you do you get paid more everybody else? Uh no,

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<v Speaker 1>you gets split it five ways. Yeah, look at that,

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<v Speaker 1>so and look at that. Yeah yeah, so we I mean,

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<v Speaker 1>and that was another thing early on, it's it's for me. Um,

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<v Speaker 1>you're good dude. Now there there are things where in

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<v Speaker 1>the future, you know, if people you know people right,

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<v Speaker 1>if you're right, because put but early on, honestly, early on,

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<v Speaker 1>I was the first one to get a publishing deal,

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<v Speaker 1>and so I fronted the cost for everything because we

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<v Speaker 1>we got this RV to tour around in um and

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<v Speaker 1>I would pay for gas, like I just my publishing money.

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<v Speaker 1>I looked at as land cos money. So I was

0:10:52.520 --> 0:10:55.080
<v Speaker 1>paying for everything and I wasn't taking money for for

0:10:55.160 --> 0:10:57.040
<v Speaker 1>show gigs. I would just you know, everyone want to

0:10:57.040 --> 0:11:00.320
<v Speaker 1>split it because I I I you know, I looked

0:11:00.360 --> 0:11:02.440
<v Speaker 1>at it. You know, Lanco helped me get this publishing deal,

0:11:02.480 --> 0:11:04.920
<v Speaker 1>and we're all in this together. And so now it's

0:11:04.960 --> 0:11:07.480
<v Speaker 1>even doubts where yeah, we play shows, we all get

0:11:07.480 --> 0:11:10.719
<v Speaker 1>paid for it. And it's also two different jobs as

0:11:10.720 --> 0:11:14.120
<v Speaker 1>a band. You guys are playing and it's really awesome

0:11:14.120 --> 0:11:16.199
<v Speaker 1>that you split it five ways because your name is

0:11:16.200 --> 0:11:20.520
<v Speaker 1>in the band, just saying, but you all do right.

0:11:21.160 --> 0:11:23.040
<v Speaker 1>And if you have publishing deals, that's a whole different thing.

0:11:23.400 --> 0:11:25.200
<v Speaker 1>Paid you have to write certain amount of a right.

0:11:25.240 --> 0:11:27.120
<v Speaker 1>And we have different publishing deals too, you know, so

0:11:27.280 --> 0:11:30.040
<v Speaker 1>like with different companies and we write for different people.

0:11:30.080 --> 0:11:32.200
<v Speaker 1>You know, we're all over the place, So get really

0:11:32.240 --> 0:11:35.280
<v Speaker 1>messy if you started throwing that all in there. But

0:11:35.320 --> 0:11:37.079
<v Speaker 1>as far as yeah, we're all on stage together, we're

0:11:37.080 --> 0:11:39.600
<v Speaker 1>all sweating the same. We're all if someone buys a

0:11:39.640 --> 0:11:41.800
<v Speaker 1>T shirt, we all work to help sell that T

0:11:41.920 --> 0:11:46.160
<v Speaker 1>shirt on stage. And so there you go. That's interesting.

0:11:47.200 --> 0:11:50.679
<v Speaker 1>Surprised with that whole If my name was then it

0:11:50.800 --> 0:11:54.760
<v Speaker 1>what I go? Even it's probably not. My band is

0:11:54.800 --> 0:11:56.560
<v Speaker 1>not real, so it doesn't matter. All our car stuff

0:11:56.600 --> 0:11:58.200
<v Speaker 1>is different. Let me talk about this for a second.

0:11:58.320 --> 0:12:00.640
<v Speaker 1>Talk about a sleep number bead. First peak in my bedroom,

0:12:00.640 --> 0:12:04.880
<v Speaker 1>walking in, don't lie, Absolutely didn't peak. I walked in

0:12:04.880 --> 0:12:08.280
<v Speaker 1>in the bed. Actually it's a sleep number bed. If

0:12:08.280 --> 0:12:11.040
<v Speaker 1>you have a new year's resolution, if it's to lose weight, exercise,

0:12:11.240 --> 0:12:13.960
<v Speaker 1>or have less stress, to sleep number bed actress, what

0:12:14.000 --> 0:12:15.880
<v Speaker 1>you need to have before you started that better sleep

0:12:16.200 --> 0:12:18.040
<v Speaker 1>better you can feel, the better you can get the

0:12:18.160 --> 0:12:20.680
<v Speaker 1>resolutions done. You gotta have seven eight hours of sleep

0:12:20.679 --> 0:12:22.560
<v Speaker 1>at night and the sleep number bed for me. Lets

0:12:22.600 --> 0:12:25.560
<v Speaker 1>me sleep, let's sleep good, lets me sleep hard. For me,

0:12:25.600 --> 0:12:27.559
<v Speaker 1>it's tough to sleep, wake up at three in the morning.

0:12:27.760 --> 0:12:30.240
<v Speaker 1>My sleep number setting is thirty. Here's a sleep i

0:12:30.360 --> 0:12:35.120
<v Speaker 1>Q score sleep number Queen mattress that started six right now.

0:12:35.200 --> 0:12:37.760
<v Speaker 1>Lowest prices of the season, save six hundred bucks on

0:12:37.760 --> 0:12:40.640
<v Speaker 1>the sleep number I eight bed. You only find sleep

0:12:40.720 --> 0:12:43.360
<v Speaker 1>number into the five hundred sleep number stores nation y

0:12:43.559 --> 0:12:45.960
<v Speaker 1>eight hundred next bed and telling you already here on

0:12:45.960 --> 0:12:49.160
<v Speaker 1>the Bobby Bones Show. So here with Brandon Lancaster of

0:12:49.160 --> 0:12:52.880
<v Speaker 1>of Lanko and so, okay, you guys are a band. Um,

0:12:53.240 --> 0:12:54.840
<v Speaker 1>let's just kind of go around the circle for a

0:12:54.840 --> 0:12:57.040
<v Speaker 1>second and start with what's happening right now. You guys

0:12:57.080 --> 0:12:58.920
<v Speaker 1>are out on the road with the couple of my

0:12:59.000 --> 0:13:01.840
<v Speaker 1>friends brothers OSBO and right. Yeah, and so when you're

0:13:01.840 --> 0:13:03.520
<v Speaker 1>out on the road, how much time do you actually

0:13:03.559 --> 0:13:07.520
<v Speaker 1>spend together with the other band with them? Uh, it's

0:13:07.520 --> 0:13:10.800
<v Speaker 1>been a pretty cool situation because we hang out pretty

0:13:10.880 --> 0:13:13.280
<v Speaker 1>much every night. Um, we you know, we kind of

0:13:13.320 --> 0:13:15.199
<v Speaker 1>knew them before, and we got to hang out with

0:13:15.200 --> 0:13:17.160
<v Speaker 1>them once before, and then I know, I know John

0:13:17.320 --> 0:13:20.320
<v Speaker 1>from just the riding circles in Nashville and his wife Lucy,

0:13:20.480 --> 0:13:23.000
<v Speaker 1>and so there's there's already kind of a connection there,

0:13:23.000 --> 0:13:25.679
<v Speaker 1>and so we're we're kind of just all buddies and

0:13:25.679 --> 0:13:28.760
<v Speaker 1>and I mean honestly, most nights after the show will

0:13:29.320 --> 0:13:31.440
<v Speaker 1>walk on their bus and hang out until a bus call,

0:13:31.520 --> 0:13:33.200
<v Speaker 1>and and before the show, you know, might hang out

0:13:33.200 --> 0:13:35.800
<v Speaker 1>in the dressing room. It's it's it's pretty tight community.

0:13:35.800 --> 0:13:38.960
<v Speaker 1>It's really fun. They're good dudes. Yeah, and there are

0:13:38.960 --> 0:13:41.480
<v Speaker 1>a lot of good people, and there are people and

0:13:41.480 --> 0:13:44.600
<v Speaker 1>it also gets busy and groups stay in groups. But

0:13:44.679 --> 0:13:48.000
<v Speaker 1>they're they're good dudes. Yeah, they're very and they're very genuine.

0:13:48.000 --> 0:13:49.720
<v Speaker 1>You know. The first time we really hung out with

0:13:49.760 --> 0:13:54.400
<v Speaker 1>them was at this festival in a Michigan and and

0:13:54.480 --> 0:13:56.720
<v Speaker 1>I knew John, but no one really knew each other

0:13:56.760 --> 0:13:59.480
<v Speaker 1>the band or you know, and in Lanko new John

0:13:59.559 --> 0:14:01.280
<v Speaker 1>or TJ. And so I talked to John. John was like,

0:14:01.320 --> 0:14:03.920
<v Speaker 1>you guys should come hang out with us after we're

0:14:03.920 --> 0:14:06.960
<v Speaker 1>done playing. So we were in this nine eight Winnebago

0:14:07.000 --> 0:14:09.520
<v Speaker 1>at the time and they invite us onto our bus.

0:14:09.520 --> 0:14:11.320
<v Speaker 1>And this was three in the afternoon and we were

0:14:11.320 --> 0:14:14.000
<v Speaker 1>supposed to leave it four in the afternoon. We ended

0:14:14.080 --> 0:14:16.600
<v Speaker 1>up staying there till literally two in the morning. And

0:14:17.160 --> 0:14:19.080
<v Speaker 1>it wasn't just a good hang like John and TJ

0:14:19.160 --> 0:14:21.280
<v Speaker 1>like we were on their bus, We're watching TV, um

0:14:21.400 --> 0:14:24.280
<v Speaker 1>watching sports and and I mean they're so cool. They

0:14:24.320 --> 0:14:26.240
<v Speaker 1>literally like, man, we've been. We've been. We've been in

0:14:26.240 --> 0:14:27.920
<v Speaker 1>a van, We've been in all kinds of vehicles. We

0:14:27.920 --> 0:14:29.520
<v Speaker 1>know what it's like to not have a bus. If

0:14:29.520 --> 0:14:31.840
<v Speaker 1>you got like, if you're tired, take a nap. You know,

0:14:31.880 --> 0:14:33.880
<v Speaker 1>you guys can hang out. You know, we've got TVs. Like,

0:14:33.920 --> 0:14:36.160
<v Speaker 1>grab yourself a beer, water, whatever you guys need. What's

0:14:36.160 --> 0:14:37.800
<v Speaker 1>ours is yours. And so we thought that was so

0:14:37.880 --> 0:14:41.040
<v Speaker 1>cool that they kind of, you know, approached it that way.

0:14:41.080 --> 0:14:44.520
<v Speaker 1>And really it just seems so genuine. They didn't have

0:14:44.560 --> 0:14:45.760
<v Speaker 1>you don't have to do that you can hang out

0:14:45.760 --> 0:14:47.640
<v Speaker 1>with someone to not be that inviting and that cool.

0:14:47.680 --> 0:14:50.520
<v Speaker 1>And so we we from from day one, we've just

0:14:50.920 --> 0:14:53.320
<v Speaker 1>thought the world of them, and I think they're really

0:14:53.360 --> 0:14:55.840
<v Speaker 1>genuine guys. I think that's why a lot of the

0:14:55.880 --> 0:14:59.080
<v Speaker 1>internal community roots for them to not only are they

0:14:59.200 --> 0:15:04.120
<v Speaker 1>really good, but they're really good people. And there's a

0:15:04.120 --> 0:15:07.600
<v Speaker 1>lot of people, but then they're genuine humans. Those dudes

0:15:07.640 --> 0:15:10.160
<v Speaker 1>are cool. I had dinner with John a couple of

0:15:10.240 --> 0:15:12.200
<v Speaker 1>nights ago, and John Osborne is one with a big

0:15:12.240 --> 0:15:15.280
<v Speaker 1>beard and kind of the big red hair. T J

0:15:15.480 --> 0:15:21.120
<v Speaker 1>is the clean cut guy, you know. Definitely the vocalist,

0:15:21.560 --> 0:15:24.760
<v Speaker 1>uh and John plays guitar like a madman. It's ridiculous.

0:15:24.800 --> 0:15:27.560
<v Speaker 1>It's acts. I'm not kidding. They're one of the only

0:15:27.600 --> 0:15:30.200
<v Speaker 1>acts I respect. Really. We get to be with so

0:15:30.240 --> 0:15:32.160
<v Speaker 1>many acts. We've toured with so many acts past year,

0:15:32.160 --> 0:15:33.360
<v Speaker 1>and I respect all of them, and they all have

0:15:33.360 --> 0:15:38.000
<v Speaker 1>different strengths. Um, but Brothers Osborne is the only band

0:15:38.000 --> 0:15:41.400
<v Speaker 1>that we've toured with that if I'm not getting Every night,

0:15:41.520 --> 0:15:44.200
<v Speaker 1>after we're done we load up our stuff, we all

0:15:44.240 --> 0:15:46.560
<v Speaker 1>either walk back out front or side stage and just

0:15:46.560 --> 0:15:49.400
<v Speaker 1>watch their set because it's so good and and every

0:15:49.480 --> 0:15:52.160
<v Speaker 1>night John brings on the guitar and and t J

0:15:52.360 --> 0:15:55.080
<v Speaker 1>just a great vocalist, and it's it's such a pleasure

0:15:55.120 --> 0:15:58.080
<v Speaker 1>to watch them. And it's a story of John has

0:15:58.080 --> 0:16:01.440
<v Speaker 1>been in Nashville as of right now sixteen years and

0:16:01.760 --> 0:16:06.120
<v Speaker 1>they're just now starting to be like a thing, right,

0:16:06.640 --> 0:16:08.560
<v Speaker 1>and they've always been good, but I'm just not starting

0:16:08.560 --> 0:16:12.240
<v Speaker 1>to be a thing sixteen years. It's a testament of

0:16:13.280 --> 0:16:16.280
<v Speaker 1>just stay with it and grind and if okay, if

0:16:16.280 --> 0:16:18.280
<v Speaker 1>a song doesn't make it, okay, what's the next one?

0:16:18.520 --> 0:16:20.560
<v Speaker 1>You get dropped from a label? Okay, what's the next

0:16:20.560 --> 0:16:23.600
<v Speaker 1>one you get? What's the next one? Keep going? And

0:16:23.720 --> 0:16:27.120
<v Speaker 1>you know that's that's a great story for young people

0:16:27.160 --> 0:16:29.840
<v Speaker 1>because you know, you do things, just don't fall into

0:16:29.880 --> 0:16:33.720
<v Speaker 1>your lap, trust me, I know. So for you, where

0:16:33.720 --> 0:16:35.800
<v Speaker 1>did it start? Like when did people start sniffing around

0:16:35.880 --> 0:16:38.640
<v Speaker 1>and think because like how guys are pretty good? Well,

0:16:38.680 --> 0:16:40.680
<v Speaker 1>you know, we got we got our start, you know

0:16:40.840 --> 0:16:43.480
<v Speaker 1>in uh we would we would play in Murphy's Broll sometimes.

0:16:43.480 --> 0:16:45.800
<v Speaker 1>But really Trip worked at this warehouse literally right down

0:16:45.800 --> 0:16:50.120
<v Speaker 1>the street and uh uh Admier's warehouse and they've actually

0:16:50.200 --> 0:16:52.360
<v Speaker 1>knocked it down since then, which is sad. But we

0:16:52.360 --> 0:16:54.640
<v Speaker 1>didn't even we couldn't even afford a place to practice.

0:16:54.800 --> 0:16:56.760
<v Speaker 1>And so Trip, you know, literally was like I have

0:16:56.880 --> 0:16:59.160
<v Speaker 1>the key to my warehouse I work, and we could

0:16:59.160 --> 0:17:01.120
<v Speaker 1>sneak in there at night. So we would, you know,

0:17:01.160 --> 0:17:03.080
<v Speaker 1>literally sneak in there every night. And just play. And

0:17:03.120 --> 0:17:05.080
<v Speaker 1>you know, there was no air, no heats when the winners.

0:17:05.119 --> 0:17:08.120
<v Speaker 1>It was freezing in the summers. Literally, there's videos going

0:17:08.119 --> 0:17:10.200
<v Speaker 1>around of us like practicing in our boxers because we're

0:17:10.200 --> 0:17:13.000
<v Speaker 1>all just sweating, and but we're gonna play and we're

0:17:13.000 --> 0:17:16.640
<v Speaker 1>gonna practice. So we were doing that and we would play.

0:17:16.720 --> 0:17:20.280
<v Speaker 1>We would play wherever we could. But one thing for

0:17:20.400 --> 0:17:22.320
<v Speaker 1>us was because we were a band and we had

0:17:22.320 --> 0:17:25.960
<v Speaker 1>original music, finding a place in Nashville was always a

0:17:25.960 --> 0:17:28.320
<v Speaker 1>struggle because if you go to Broadway, they want a

0:17:28.359 --> 0:17:31.639
<v Speaker 1>four hour cover set because tourists, they're there and they

0:17:31.680 --> 0:17:34.040
<v Speaker 1>want to hear familiar songs exactly, which I totally get

0:17:34.080 --> 0:17:36.600
<v Speaker 1>an understanding. I mean, I've had plenty of nights on

0:17:36.640 --> 0:17:38.640
<v Speaker 1>Broadway when I first moved here, and I love singing

0:17:38.680 --> 0:17:41.719
<v Speaker 1>all the classic songs. But uh, for us, you were

0:17:41.880 --> 0:17:44.199
<v Speaker 1>you know, we're do covers. We have no problem doing covers,

0:17:44.240 --> 0:17:47.240
<v Speaker 1>but we really wanted to showcase our original music and

0:17:47.280 --> 0:17:50.720
<v Speaker 1>really wanted to grow as a band, growing our original music.

0:17:50.800 --> 0:17:52.840
<v Speaker 1>So we would play wherever we could get a gig.

0:17:52.880 --> 0:17:54.560
<v Speaker 1>But it might be outside of Broadway, it might be

0:17:54.600 --> 0:17:57.840
<v Speaker 1>on Demumbrium or in midtown Um and these are streets

0:17:57.840 --> 0:18:01.720
<v Speaker 1>in Nashville, the country. Yeah, it's a they're all still downtown,

0:18:01.720 --> 0:18:03.359
<v Speaker 1>but they're not on that main strip and it's it's

0:18:03.359 --> 0:18:06.000
<v Speaker 1>where a little more original music is that. So we

0:18:06.000 --> 0:18:09.479
<v Speaker 1>were doing that for a while and then but we

0:18:09.520 --> 0:18:11.280
<v Speaker 1>all had odd jobs. You know, I was working at

0:18:11.280 --> 0:18:13.800
<v Speaker 1>a concession stand and can you work at Bridgetone? I

0:18:13.840 --> 0:18:16.439
<v Speaker 1>worked at Bridgetone are which is every town has a

0:18:16.440 --> 0:18:19.040
<v Speaker 1>big arena, and bridge Stone is where, you know, like

0:18:19.080 --> 0:18:21.840
<v Speaker 1>if Keith Urban played Bridgestone, it's you know, it's the

0:18:22.920 --> 0:18:25.400
<v Speaker 1>Square Garden of New York. Which is funny you say,

0:18:25.520 --> 0:18:29.120
<v Speaker 1>Keith Urban played bridge Stone because this is where are

0:18:29.160 --> 0:18:31.159
<v Speaker 1>a lot literally our lives took a turn. We had

0:18:31.160 --> 0:18:34.000
<v Speaker 1>been playing this music, playing gigs, playing in bars, honestly,

0:18:34.000 --> 0:18:36.880
<v Speaker 1>playing like restaurants where people are eating montrealistics and you're

0:18:36.920 --> 0:18:39.840
<v Speaker 1>trying to put on a show. And one night I'm

0:18:39.880 --> 0:18:43.359
<v Speaker 1>working concessions, selling hot dogs and burgers and and sewed

0:18:43.400 --> 0:18:45.920
<v Speaker 1>all that stuff. And we already abandoned this point that

0:18:46.119 --> 0:18:47.840
<v Speaker 1>we're practicing. Oh yeah, we were a band, we were

0:18:47.840 --> 0:18:49.840
<v Speaker 1>playing gigs, We're doing whatever we couldn't. This was a

0:18:49.840 --> 0:18:52.520
<v Speaker 1>point where we were sitting around, we were trying to

0:18:52.640 --> 0:18:54.480
<v Speaker 1>demo songs to Nashville. We were trying to get a

0:18:54.480 --> 0:18:57.600
<v Speaker 1>producer it. But going from that band that plays some

0:18:57.720 --> 0:19:00.240
<v Speaker 1>songs to a band that has recorded music, to a

0:19:00.280 --> 0:19:02.520
<v Speaker 1>band that sells, to a band that gets a record deal,

0:19:02.560 --> 0:19:05.399
<v Speaker 1>there's so many steps. And we were talking about those steps,

0:19:05.400 --> 0:19:06.879
<v Speaker 1>you know, how do we get a producer, how do

0:19:06.960 --> 0:19:09.520
<v Speaker 1>we get recorded music? How do we afford it? Should

0:19:09.520 --> 0:19:11.280
<v Speaker 1>we do a go fund me or what should we do?

0:19:12.240 --> 0:19:15.719
<v Speaker 1>Right around that time, I'm working a Keith Urban concert

0:19:15.840 --> 0:19:21.520
<v Speaker 1>at Bridgestone and uh, yeah, get your dog. Just doing

0:19:21.520 --> 0:19:23.520
<v Speaker 1>the register and I see a guy walk by that

0:19:23.680 --> 0:19:27.520
<v Speaker 1>I recognized, and his name's Jay Joyce. He's a producer

0:19:27.520 --> 0:19:30.840
<v Speaker 1>in Nashville. And he you know, he had produced Eric Church,

0:19:30.960 --> 0:19:34.040
<v Speaker 1>he had produced Keith Urban, he had produced uh, Carrie

0:19:34.119 --> 0:19:36.640
<v Speaker 1>Underwood and a Little Big Town and and a bunch

0:19:36.640 --> 0:19:39.520
<v Speaker 1>of rock bands classic you know, Emmy, Lou Harris, Cage,

0:19:39.560 --> 0:19:43.040
<v Speaker 1>Elephant Um. He was He also played with the Wallflowers. Yeah,

0:19:43.080 --> 0:19:46.280
<v Speaker 1>like he's a great play yeah, I mean great musician,

0:19:46.440 --> 0:19:49.680
<v Speaker 1>then producer. He's done all the Miranda stuff, Like, played

0:19:49.680 --> 0:19:51.840
<v Speaker 1>a lot of guitar on that. So he's been so

0:19:51.920 --> 0:19:53.679
<v Speaker 1>I was a fan. We were all fans of his

0:19:53.800 --> 0:19:55.760
<v Speaker 1>as a producer, as a player, and we we knew him,

0:19:55.800 --> 0:19:57.400
<v Speaker 1>you know, and and he was just one of those

0:19:57.400 --> 0:19:59.320
<v Speaker 1>guys and we love Eric Church, you know, he's he

0:19:59.359 --> 0:20:02.280
<v Speaker 1>did all the Eric records. And I'm working my register

0:20:02.320 --> 0:20:05.040
<v Speaker 1>at bridge Stone and see him walk by at Keith

0:20:05.520 --> 0:20:07.200
<v Speaker 1>at a Keith Urban show and a Little Big Town

0:20:07.240 --> 0:20:08.680
<v Speaker 1>was also playing that and he had worked on both

0:20:08.680 --> 0:20:12.320
<v Speaker 1>his records. So that's that's why I was there. Um,

0:20:12.400 --> 0:20:15.560
<v Speaker 1>he walks by and my line was kind of dead.

0:20:15.680 --> 0:20:17.879
<v Speaker 1>Oh you went after him at the show. I shut

0:20:17.920 --> 0:20:20.240
<v Speaker 1>down my register, asked the people in my line if

0:20:20.240 --> 0:20:23.000
<v Speaker 1>they could move to another line while they were yelling

0:20:23.040 --> 0:20:26.719
<v Speaker 1>at me. I kind of just left and walked up

0:20:26.720 --> 0:20:30.640
<v Speaker 1>to him. And what are you wearing? I needivisualized when

0:20:30.680 --> 0:20:32.560
<v Speaker 1>you go up to J. Joyce is a big producer

0:20:32.560 --> 0:20:35.359
<v Speaker 1>and big, big player and it's worked, I mean again

0:20:35.400 --> 0:20:39.000
<v Speaker 1>everything from Faith to Urban to Thomas read a little bit.

0:20:40.920 --> 0:20:43.879
<v Speaker 1>What are you wearing? I'm wearing Khaki's in a bridge

0:20:43.880 --> 0:20:46.439
<v Speaker 1>Stone Arena uniform, in a name tag that says my

0:20:46.520 --> 0:20:50.040
<v Speaker 1>name is Brandon. What colors the shirt? Blue and gold?

0:20:50.280 --> 0:20:53.080
<v Speaker 1>There because predators colors. So so you go up to J.

0:20:53.240 --> 0:20:56.200
<v Speaker 1>Joyce who's there too, and advisor a Bridge Stone visor.

0:20:56.320 --> 0:20:59.360
<v Speaker 1>Oh now we're talking. Now we're talking. You go up

0:20:59.359 --> 0:21:04.680
<v Speaker 1>to this really cool innovative producer and the dorky is

0:21:04.760 --> 0:21:08.920
<v Speaker 1>close imaginable and you say, what, Well, first I saw,

0:21:09.000 --> 0:21:10.800
<v Speaker 1>I was like down. It was kind of at the

0:21:10.880 --> 0:21:12.119
<v Speaker 1>very end of the arena, so it was kind of

0:21:12.160 --> 0:21:14.720
<v Speaker 1>dead part and he was the only person standing there,

0:21:14.760 --> 0:21:18.400
<v Speaker 1>and I'm down, and I kind of go Jay Jay

0:21:18.640 --> 0:21:20.360
<v Speaker 1>to see if he'll turn his head, to make sure

0:21:20.359 --> 0:21:22.520
<v Speaker 1>to make sure it's him, because it's so weird that

0:21:22.560 --> 0:21:24.400
<v Speaker 1>it could even be him, because you know, it's like,

0:21:25.160 --> 0:21:27.320
<v Speaker 1>what is he even doing here? He's you know, he

0:21:27.359 --> 0:21:30.800
<v Speaker 1>doesn't get out much. And uh, and I got Jenny

0:21:30.840 --> 0:21:33.440
<v Speaker 1>turns his head and I just walk up to him

0:21:32.840 --> 0:21:35.639
<v Speaker 1>and hey, man, my name is Brandon, which was funny

0:21:35.640 --> 0:21:37.440
<v Speaker 1>because I'm wearing a name tag my name is Brandon,

0:21:37.800 --> 0:21:41.439
<v Speaker 1>but yeah, my name is Brandon, and uh, you know,

0:21:41.480 --> 0:21:43.200
<v Speaker 1>I just wanted to tell you man, I'm a huge

0:21:43.200 --> 0:21:45.560
<v Speaker 1>fan of what you do. Uh, and just told him,

0:21:45.560 --> 0:21:47.919
<v Speaker 1>you know, I love the records he had worked on

0:21:47.960 --> 0:21:50.320
<v Speaker 1>and referenced some records and did you know this happens

0:21:50.359 --> 0:21:53.800
<v Speaker 1>to every minute of every day, Like yeah, I'm just

0:21:53.840 --> 0:21:55.840
<v Speaker 1>wondering where the approach came in, Like what did you do?

0:21:55.880 --> 0:21:58.960
<v Speaker 1>This is different? You know, I don't know what I

0:21:58.960 --> 0:22:01.040
<v Speaker 1>will say. One thing about Jay is he doesn't go

0:22:01.119 --> 0:22:03.000
<v Speaker 1>out a lot like he was. I think three of

0:22:03.040 --> 0:22:05.320
<v Speaker 1>the five album of the years the Album of the

0:22:05.400 --> 0:22:07.639
<v Speaker 1>Year this year for c m as either two or

0:22:07.680 --> 0:22:10.040
<v Speaker 1>three of the five he had worked on. He wasn't

0:22:10.040 --> 0:22:12.000
<v Speaker 1>at the c m A Awards, Like he didn't even go.

0:22:12.160 --> 0:22:15.000
<v Speaker 1>He was working. So he but when he does go out,

0:22:15.040 --> 0:22:19.320
<v Speaker 1>I know people approach him, but you know I I

0:22:19.359 --> 0:22:21.360
<v Speaker 1>didn't because people always say like, oh, you made a move,

0:22:21.400 --> 0:22:23.480
<v Speaker 1>like you pitched yourself, like you saw something you went

0:22:23.880 --> 0:22:25.960
<v Speaker 1>not really like as much as I'd like to say

0:22:26.000 --> 0:22:28.600
<v Speaker 1>like yeah, I really went for it. I just loved

0:22:28.680 --> 0:22:31.120
<v Speaker 1>what the guy did. I loved his work, and we're

0:22:31.200 --> 0:22:33.119
<v Speaker 1>you knowledgeable in his works and you know, you just

0:22:33.920 --> 0:22:36.439
<v Speaker 1>absolutely that's a big deal. Yeah, if you go to

0:22:36.560 --> 0:22:38.639
<v Speaker 1>someone and you don't have time to prepare and you

0:22:38.800 --> 0:22:41.560
<v Speaker 1>know everything about them, yeah, there's there's a respect that

0:22:41.640 --> 0:22:44.399
<v Speaker 1>even though you're pitching, they're like, oh, you actually know

0:22:44.480 --> 0:22:47.440
<v Speaker 1>what I do, right, And that's what I you know, initially,

0:22:47.440 --> 0:22:49.040
<v Speaker 1>I just went up to tell him. I love the

0:22:49.080 --> 0:22:51.159
<v Speaker 1>Air the Last Air, trich Tracker, the Outsiders that he

0:22:51.160 --> 0:22:53.840
<v Speaker 1>had done, and and the little big town stuff and

0:22:53.920 --> 0:22:55.919
<v Speaker 1>also like Cage the Elephant. It's a rock band and

0:22:55.960 --> 0:22:58.439
<v Speaker 1>amously you know, and I asked him a few questions

0:22:58.440 --> 0:23:00.359
<v Speaker 1>about some of this stuff on the record, and so

0:23:00.400 --> 0:23:04.040
<v Speaker 1>we just started talking music, um, and then that came

0:23:04.080 --> 0:23:06.840
<v Speaker 1>around to him asking, you know about me and my thing,

0:23:06.880 --> 0:23:08.720
<v Speaker 1>and he was like, you're a songwriter, right, because I,

0:23:08.880 --> 0:23:11.320
<v Speaker 1>you know, talked about writing and it's like, yeah, I'm

0:23:11.359 --> 0:23:12.560
<v Speaker 1>a writer and I'm in a band. He's like, well,

0:23:12.560 --> 0:23:14.359
<v Speaker 1>tell me about the band. Kind of started talking about it,

0:23:14.400 --> 0:23:16.520
<v Speaker 1>and he just real nontionally because that that's cool. Manage

0:23:16.520 --> 0:23:21.240
<v Speaker 1>should complain me some music sometime. And you got a

0:23:21.320 --> 0:23:24.639
<v Speaker 1>direction that that would be uh, that would be putting

0:23:24.640 --> 0:23:28.760
<v Speaker 1>it lightly. No, Uh, well, I mean the thing is Nashville, though,

0:23:28.840 --> 0:23:31.080
<v Speaker 1>you hear that kind of everyone's like, let's have a dinner,

0:23:31.160 --> 0:23:34.200
<v Speaker 1>let's get together, let's right together. Let's I mean, that's

0:23:34.320 --> 0:23:37.440
<v Speaker 1>that's the Nashville hey man, Let's write together. You never

0:23:37.880 --> 0:23:40.040
<v Speaker 1>and I've had producers before, you know, say like, oh,

0:23:40.080 --> 0:23:42.119
<v Speaker 1>I'd love to work with some stuff, man, And it

0:23:42.160 --> 0:23:43.960
<v Speaker 1>doesn't happen, they don't call you back, they're busy for

0:23:44.040 --> 0:23:48.600
<v Speaker 1>two years, you know whatever, and frankly you're unknown. Yeah, Like,

0:23:48.680 --> 0:23:52.640
<v Speaker 1>what's the benefit of working with some kids in a

0:23:52.680 --> 0:23:56.720
<v Speaker 1>dorky set of khakis? I mean, they were cool khakis. Man,

0:23:56.840 --> 0:23:58.840
<v Speaker 1>there's always a benefit if you hit the right one.

0:23:58.880 --> 0:24:01.199
<v Speaker 1>But there are a thousand door he gets in khakis.

0:24:01.040 --> 0:24:02.960
<v Speaker 1>As for him to go, hey, play me some music,

0:24:03.320 --> 0:24:05.800
<v Speaker 1>it's one thing, but for him to actually follow up

0:24:06.000 --> 0:24:09.600
<v Speaker 1>and now, how did that happen? So I I said, oh, yeah,

0:24:09.640 --> 0:24:11.760
<v Speaker 1>I'd love to you man, that'd be cool, not even

0:24:11.800 --> 0:24:13.800
<v Speaker 1>thinking it could be real. That was towards me in

0:24:13.800 --> 0:24:16.480
<v Speaker 1>the conversation. Kind of the conversation, you know, came to

0:24:16.520 --> 0:24:20.120
<v Speaker 1>an end, and I thought, what if he is serious?

0:24:20.280 --> 0:24:22.960
<v Speaker 1>What if I really could play him some music? That'd

0:24:23.000 --> 0:24:24.359
<v Speaker 1>be so cool just to play for him, you know,

0:24:24.440 --> 0:24:27.040
<v Speaker 1>just to even go to a studio. So I like

0:24:27.119 --> 0:24:30.000
<v Speaker 1>started walking right away and awkwardly turned. I was like, hey,

0:24:30.119 --> 0:24:31.840
<v Speaker 1>I just realized that I don't have your number. Is

0:24:31.840 --> 0:24:33.720
<v Speaker 1>there a way I get your number? And he's like,

0:24:33.760 --> 0:24:35.919
<v Speaker 1>oh yeah, Sared. He was funny. He just said it

0:24:36.160 --> 0:24:38.600
<v Speaker 1>like he said his number, and thank god I had

0:24:38.600 --> 0:24:41.040
<v Speaker 1>my phone out and really quickly put it in and

0:24:41.200 --> 0:24:43.199
<v Speaker 1>saved it, and I was like cool, thanks, man. Was

0:24:43.240 --> 0:24:46.720
<v Speaker 1>it like, are you married? Single? Got a girlfriend right

0:24:46.800 --> 0:24:49.520
<v Speaker 1>right right now? Have a girlfriend? Was it like when

0:24:49.520 --> 0:24:54.199
<v Speaker 1>you meet a girl and you you meet them and

0:24:54.200 --> 0:24:55.760
<v Speaker 1>you like them and you have it like, oh, I

0:24:55.760 --> 0:24:57.280
<v Speaker 1>can't wait to call I don't know when I should

0:24:57.280 --> 0:24:59.040
<v Speaker 1>call them, Like I don't know what day, what time

0:24:59.040 --> 0:25:00.840
<v Speaker 1>of the day should I t Was that like that?

0:25:00.880 --> 0:25:03.240
<v Speaker 1>It was exactly like that. I went to that night.

0:25:04.080 --> 0:25:06.520
<v Speaker 1>So Trip the drummer literally lives on the next street

0:25:06.560 --> 0:25:09.480
<v Speaker 1>over from here, by the way, um, and we were

0:25:09.480 --> 0:25:11.760
<v Speaker 1>at you know, neighbors down the street. We were over there,

0:25:12.119 --> 0:25:13.679
<v Speaker 1>we were pubbed down there and he was there and

0:25:13.760 --> 0:25:16.040
<v Speaker 1>I was like, hey, I text him after work like

0:25:16.080 --> 0:25:17.479
<v Speaker 1>stay where we're at. I gotta come over the pub.

0:25:17.520 --> 0:25:19.439
<v Speaker 1>I gotta show you something. And I went there and

0:25:19.440 --> 0:25:22.120
<v Speaker 1>showed him, just showed him Jay's number. She said Jay

0:25:22.200 --> 0:25:24.239
<v Speaker 1>Joyce and his number and he's like no, you know.

0:25:24.320 --> 0:25:27.639
<v Speaker 1>And then it kind of became like, well, now what

0:25:28.000 --> 0:25:30.600
<v Speaker 1>I mean, what do we call them? So I thought,

0:25:30.680 --> 0:25:32.879
<v Speaker 1>let's get some music together, Let's get some good demos

0:25:32.880 --> 0:25:34.720
<v Speaker 1>so we can have an accurate representation of what we're doing.

0:25:34.760 --> 0:25:37.719
<v Speaker 1>So we went through like two different producers, paid them

0:25:37.800 --> 0:25:40.760
<v Speaker 1>like for demo costs. By the way, you're hiring producers

0:25:40.760 --> 0:25:43.560
<v Speaker 1>to produce something so another producer hears it, right, just

0:25:43.760 --> 0:25:45.800
<v Speaker 1>I mean it was just demos, you know. It's like, hey, well,

0:25:45.800 --> 0:25:49.359
<v Speaker 1>you demos aren't recording into your iPhone. There's the recording

0:25:49.359 --> 0:25:51.600
<v Speaker 1>into your iPhone, the work tape, and then there's getting

0:25:51.640 --> 0:25:53.560
<v Speaker 1>someone to actually put a little work into a track.

0:25:53.600 --> 0:25:57.399
<v Speaker 1>And you're paying a producer so another producer will hear

0:25:57.440 --> 0:26:00.200
<v Speaker 1>it and hopefully produce you. Like, it's so many little depth.

0:26:00.240 --> 0:26:03.040
<v Speaker 1>That's what we were talking about, absolutely and so and

0:26:03.080 --> 0:26:04.680
<v Speaker 1>that's why that's the way you're supposed to do. You're

0:26:04.680 --> 0:26:06.480
<v Speaker 1>supposed to have demos when you go to someone and

0:26:06.480 --> 0:26:09.000
<v Speaker 1>and will demo stuff ourselves, which just doesn't sound as

0:26:09.040 --> 0:26:10.359
<v Speaker 1>good as going to a studio. So I was all right,

0:26:10.440 --> 0:26:12.160
<v Speaker 1>let's play. Let's pay a few hundred bucks per track

0:26:12.200 --> 0:26:14.679
<v Speaker 1>and give him like three songs and have some work tapes.

0:26:14.760 --> 0:26:18.679
<v Speaker 1>And we had two different producers, like we'd start and

0:26:18.800 --> 0:26:21.159
<v Speaker 1>they'd bail. And now a month had passed since I

0:26:21.960 --> 0:26:24.720
<v Speaker 1>talked to Jay. I totally forgot about you, and so

0:26:25.000 --> 0:26:28.199
<v Speaker 1>I was on my way over the studio to like

0:26:28.240 --> 0:26:31.000
<v Speaker 1>talk to this producer that had had He was a

0:26:31.000 --> 0:26:33.040
<v Speaker 1>good guy, nice guy, he was busy and it just

0:26:33.160 --> 0:26:37.480
<v Speaker 1>he wasn't getting to our stuff. And I'm in traffic

0:26:38.640 --> 0:26:40.960
<v Speaker 1>and I swear, this is like a movie and this

0:26:41.160 --> 0:26:45.000
<v Speaker 1>sounds so corny, but I'm listening to radio and Springsteen

0:26:45.080 --> 0:26:49.000
<v Speaker 1>comes on, not bruised Eric Church of Springsteen, which Jay

0:26:49.000 --> 0:26:52.199
<v Speaker 1>had produced, and I hear it and I literally just

0:26:52.240 --> 0:26:54.359
<v Speaker 1>pull out of traffic, pull into a parking lot and

0:26:54.400 --> 0:26:55.480
<v Speaker 1>I'm like, you know, I'm just gonna go. I'm just

0:26:55.480 --> 0:26:58.199
<v Speaker 1>gonna call him. And I just call him. Didn't have

0:26:58.200 --> 0:27:00.280
<v Speaker 1>anything to offer, didn't like I loved to send you

0:27:00.320 --> 0:27:02.880
<v Speaker 1>some demos. I said, hey man, this is really round

0:27:02.920 --> 0:27:05.800
<v Speaker 1>Money's Brandon Lancaster. I met you like a month ago

0:27:05.840 --> 0:27:07.679
<v Speaker 1>at Bridge Stone. He's like, oh yeah, yeah, what's up.

0:27:08.240 --> 0:27:10.119
<v Speaker 1>I was like, hey, well, you know you you you

0:27:10.160 --> 0:27:12.479
<v Speaker 1>said about a month ago that maybe I come over

0:27:12.520 --> 0:27:14.800
<v Speaker 1>and play some music and I'd love to do that.

0:27:15.240 --> 0:27:17.119
<v Speaker 1>And I kind of started giving my story about not

0:27:17.200 --> 0:27:19.560
<v Speaker 1>having demos. He's like, he goes, and this is very

0:27:19.640 --> 0:27:21.119
<v Speaker 1>Jay goes, look kid, what do you want to do?

0:27:21.840 --> 0:27:24.840
<v Speaker 1>Why are you calling me? What do you want, and

0:27:24.880 --> 0:27:27.639
<v Speaker 1>I was like, I want to be an artist. I

0:27:27.680 --> 0:27:29.400
<v Speaker 1>want to be an artist. I want to be a songwriter.

0:27:29.560 --> 0:27:32.400
<v Speaker 1>I'm in this band. I want to play all over

0:27:32.440 --> 0:27:34.920
<v Speaker 1>the world. I want to I want people to hear

0:27:34.920 --> 0:27:37.840
<v Speaker 1>our music. I want to be a songwriter. I just

0:27:38.480 --> 0:27:40.840
<v Speaker 1>the next step. I'm trying to get that next step.

0:27:40.880 --> 0:27:43.399
<v Speaker 1>He's like, all right, we'll come over tomorrow around three o'clock. Wow,

0:27:43.480 --> 0:27:47.240
<v Speaker 1>that quick, huh. So I go over by myself and

0:27:47.240 --> 0:27:49.720
<v Speaker 1>playing some songs on acoustic guitar, which it's funny. We

0:27:49.760 --> 0:27:51.119
<v Speaker 1>put all that work and trying to get demos. But

0:27:51.160 --> 0:27:52.679
<v Speaker 1>the way Jay is, he wants to hear it kind of.

0:27:52.760 --> 0:27:55.120
<v Speaker 1>So he's like, just play, like, pick up that guitar

0:27:55.160 --> 0:27:57.160
<v Speaker 1>and play, Like, play what you think is a single?

0:27:57.720 --> 0:27:59.240
<v Speaker 1>So I played him a song. He's like, what you

0:27:59.280 --> 0:28:01.320
<v Speaker 1>play him? We do? Yeah, I get there right here.

0:28:01.720 --> 0:28:04.480
<v Speaker 1>This is uh, it's actually you at Jay sent us this,

0:28:04.480 --> 0:28:07.919
<v Speaker 1>this is you at his but I do have we

0:28:07.960 --> 0:28:26.480
<v Speaker 1>do here we go, So you play you play this

0:28:26.480 --> 0:28:29.920
<v Speaker 1>pharm acoustic? Yeah, acoustic? What's like when you're playing it?

0:28:30.800 --> 0:28:33.719
<v Speaker 1>Are you watching it? I'm kind of but you know,

0:28:33.760 --> 0:28:38.080
<v Speaker 1>I'm just trying not to think about that. This means

0:28:38.120 --> 0:28:41.960
<v Speaker 1>anything in my mind when you're in those situations like

0:28:42.000 --> 0:28:45.600
<v Speaker 1>I'm a very my personalize, I'll i'll look I'm very

0:28:45.600 --> 0:28:47.320
<v Speaker 1>future oriented. I'll think like, well, how is this going

0:28:47.360 --> 0:28:49.040
<v Speaker 1>to play out? And what will happen if I do

0:28:49.120 --> 0:28:51.720
<v Speaker 1>this and this and this. But in those kind of situations,

0:28:52.000 --> 0:28:54.480
<v Speaker 1>I can freak myself out. So I kind of just

0:28:55.040 --> 0:28:56.480
<v Speaker 1>that's a kind of situation where you go, you know what,

0:28:56.600 --> 0:28:58.560
<v Speaker 1>this is really cool. No matter how this turns out.

0:28:58.600 --> 0:29:00.720
<v Speaker 1>I'm gonna tell my kids about this one day. I

0:29:00.720 --> 0:29:02.000
<v Speaker 1>want to be like, yeah, one of those guys, do

0:29:02.000 --> 0:29:03.680
<v Speaker 1>you do playing some songs. I got to meet him

0:29:03.720 --> 0:29:06.000
<v Speaker 1>and played his piano, you know whatever it was, and

0:29:06.000 --> 0:29:07.680
<v Speaker 1>and so I was kind of just in the moment

0:29:07.680 --> 0:29:09.560
<v Speaker 1>playing the song, just enjoying that I was playing it

0:29:09.600 --> 0:29:13.320
<v Speaker 1>for him, and uh, I finished, and he's stone cold,

0:29:13.360 --> 0:29:16.520
<v Speaker 1>like he's good poker face and he's you know, he's

0:29:16.560 --> 0:29:19.760
<v Speaker 1>not gonna like show emotions. She's like, cool, man, Yeah,

0:29:19.800 --> 0:29:21.680
<v Speaker 1>so you can. You can write a good song. It

0:29:21.680 --> 0:29:24.240
<v Speaker 1>sounds like a hit. That's cool. Uh, now play a

0:29:24.320 --> 0:29:27.440
<v Speaker 1>song that never would be on the radio, but you

0:29:27.480 --> 0:29:30.520
<v Speaker 1>really like it. And I played him another song called

0:29:30.560 --> 0:29:32.920
<v Speaker 1>in the Morning that we actually ended up cutting. Uh,

0:29:32.960 --> 0:29:35.880
<v Speaker 1>and uh, it's not out yet in the morning ever,

0:29:36.720 --> 0:29:39.720
<v Speaker 1>not that one. If if I wrote that, then I

0:29:39.720 --> 0:29:43.360
<v Speaker 1>would have flown my private jet um every morning for

0:29:43.560 --> 0:29:46.080
<v Speaker 1>those that are going to correct me on Twitter. So

0:29:46.200 --> 0:29:48.479
<v Speaker 1>you play in the morning for him, Yeah, And and

0:29:48.520 --> 0:29:50.520
<v Speaker 1>you know it's a it's a more of a ballad

0:29:50.560 --> 0:29:54.200
<v Speaker 1>and a different time signature, and it's a little more artsy,

0:29:54.240 --> 0:29:56.840
<v Speaker 1>but it's a very real song lyrically, and you know

0:29:56.840 --> 0:29:58.440
<v Speaker 1>it's a it's a love song. But it starts out,

0:29:58.480 --> 0:30:01.120
<v Speaker 1>I'm tired of you, you're sick of me, um, And

0:30:01.160 --> 0:30:03.600
<v Speaker 1>it's kind of about just the journey of no matter

0:30:03.640 --> 0:30:05.280
<v Speaker 1>what we're going through in the morning, we're still gonna

0:30:05.280 --> 0:30:07.920
<v Speaker 1>wake up and be best friends. So just know that.

0:30:07.960 --> 0:30:10.880
<v Speaker 1>And it's okay whatever we're going through right now. Um.

0:30:10.960 --> 0:30:12.600
<v Speaker 1>So I played him that, and then I played him

0:30:13.040 --> 0:30:15.520
<v Speaker 1>American Love Story. That is your best song, by the way,

0:30:15.680 --> 0:30:17.320
<v Speaker 1>thank you. I'm glad I played it for him then,

0:30:17.640 --> 0:30:20.200
<v Speaker 1>and uh, and he he thought it was cool and

0:30:20.240 --> 0:30:22.600
<v Speaker 1>he was like, all right, that's that's you know, it's

0:30:22.680 --> 0:30:25.160
<v Speaker 1>I've heard I need to hear. And after that, so

0:30:25.200 --> 0:30:29.360
<v Speaker 1>he produced you because of that that and Mary, I

0:30:29.360 --> 0:30:31.600
<v Speaker 1>guess yeah, I mean he hate producer because what we

0:30:31.720 --> 0:30:35.560
<v Speaker 1>do and and I hate easily love the story. And

0:30:35.560 --> 0:30:43.400
<v Speaker 1>then this is a good song. We love this one.

0:30:43.960 --> 0:30:46.400
<v Speaker 1>We didn't know a long live times ago. It's fine.

0:30:46.520 --> 0:30:48.120
<v Speaker 1>Let me tell you this American Love Story is for

0:30:48.280 --> 0:30:50.280
<v Speaker 1>like your best song, thank you man. We're excited about

0:30:50.320 --> 0:30:53.160
<v Speaker 1>that one. And that you know from day one. American

0:30:53.160 --> 0:30:55.440
<v Speaker 1>Love Story is a special song. It's a story. It's

0:30:55.880 --> 0:30:57.920
<v Speaker 1>it's the reason it's a song. That's the reason you're

0:30:57.920 --> 0:31:00.640
<v Speaker 1>in country music. UM, it's just that worry that people

0:31:00.640 --> 0:31:03.200
<v Speaker 1>relate to. UM. And it's been cool to play it

0:31:03.200 --> 0:31:05.960
<v Speaker 1>on the road literally every night, which we love it

0:31:06.120 --> 0:31:08.280
<v Speaker 1>like people keep doing it. But every night people come

0:31:08.320 --> 0:31:10.520
<v Speaker 1>up to us and tell us how they are the

0:31:10.560 --> 0:31:13.640
<v Speaker 1>American web Story, and that's their story. Whether it's someone's

0:31:13.680 --> 0:31:15.680
<v Speaker 1>deployed in the army and they came back, or whether

0:31:15.720 --> 0:31:17.520
<v Speaker 1>they met in high school or man in college, or

0:31:17.800 --> 0:31:20.080
<v Speaker 1>we'll have old couples, young couples, and so it's been

0:31:20.200 --> 0:31:23.680
<v Speaker 1>really cool to see a song like that relate to

0:31:23.720 --> 0:31:25.840
<v Speaker 1>so many different people on so many levels and kind

0:31:25.840 --> 0:31:29.520
<v Speaker 1>of put their story into it. So you and I've

0:31:29.720 --> 0:31:32.479
<v Speaker 1>got it, and I got a job. I was working

0:31:32.560 --> 0:31:35.360
<v Speaker 1>that nine five. I don't think about this band. The

0:31:35.440 --> 0:31:40.280
<v Speaker 1>singer kind of sucks. It's terrible. Never fell so alive.

0:31:41.600 --> 0:31:45.760
<v Speaker 1>I spaming day's work, can't spaming night's drinking, halling that

0:31:48.240 --> 0:31:53.360
<v Speaker 1>screaming falling day you coming back nold, couldn't come too soon,

0:31:53.560 --> 0:31:59.880
<v Speaker 1>couldn't come too soon. Well, now it's gonna be up forever.

0:32:01.320 --> 0:32:08.560
<v Speaker 1>You're gonna be off better. And now I was learning

0:32:08.600 --> 0:32:13.760
<v Speaker 1>about American love story there from Lanco. Man, this girlfriend

0:32:13.760 --> 0:32:18.720
<v Speaker 1>you have? All you guys been together, oh, man, a while.

0:32:19.320 --> 0:32:24.760
<v Speaker 1>We met in college, so about six years. Mm hmmmm.

0:32:26.400 --> 0:32:27.920
<v Speaker 1>I knew there would be something to it when you

0:32:27.960 --> 0:32:30.600
<v Speaker 1>took a breath before you answered, well, it's because I

0:32:30.600 --> 0:32:35.840
<v Speaker 1>always get it wrong. How long we've been together? Six years? Huh?

0:32:36.960 --> 0:32:40.640
<v Speaker 1>How does she feel about this with you? The growth

0:32:40.960 --> 0:32:44.960
<v Speaker 1>the road. You're a good looking dude, you're fronting a band,

0:32:45.360 --> 0:32:49.320
<v Speaker 1>You're getting some trade. It's as much as it's a

0:32:49.320 --> 0:32:51.480
<v Speaker 1>grind for you on this front, I don't know. I

0:32:51.600 --> 0:32:55.160
<v Speaker 1>never better. It's also a little it's worked for her too,

0:32:56.040 --> 0:33:00.560
<v Speaker 1>to have to be in a relationship. What's someone like you? Yeah,

0:33:00.680 --> 0:33:04.680
<v Speaker 1>I mean touring, being in a band, that's one thing.

0:33:04.800 --> 0:33:06.920
<v Speaker 1>Just being a relationship with me, period, I think it'd

0:33:06.920 --> 0:33:09.640
<v Speaker 1>be tough. Um, but with all the added stuff. You know,

0:33:09.960 --> 0:33:12.480
<v Speaker 1>one thing that I think that we have an advantage

0:33:12.600 --> 0:33:16.120
<v Speaker 1>is that she was She knew me in college, We

0:33:16.200 --> 0:33:18.600
<v Speaker 1>got to know each each other in college, became friends

0:33:18.600 --> 0:33:21.440
<v Speaker 1>in college, started dating college. She's seen me go from

0:33:21.480 --> 0:33:23.959
<v Speaker 1>a college student playing in coffee shops and bands in

0:33:24.000 --> 0:33:27.880
<v Speaker 1>college to moving to Nashville, staying up, you know, talking

0:33:27.920 --> 0:33:29.360
<v Speaker 1>all night about I don't know what I'm gonna do,

0:33:29.440 --> 0:33:32.120
<v Speaker 1>I don't know how we're gonna, you know, complaining. She

0:33:32.280 --> 0:33:34.080
<v Speaker 1>was there when we get the record deal. She's there

0:33:34.080 --> 0:33:36.480
<v Speaker 1>when you get the publishing deal. She's there when you

0:33:36.520 --> 0:33:40.680
<v Speaker 1>have first mixes, she's there when you everything that's happened,

0:33:40.720 --> 0:33:44.800
<v Speaker 1>she's been there for so when when times are hard,

0:33:45.520 --> 0:33:47.320
<v Speaker 1>she's kind of been to this journey with you. So

0:33:47.480 --> 0:33:50.640
<v Speaker 1>she's she's really excited for me, she's really excited for

0:33:50.640 --> 0:33:52.880
<v Speaker 1>the band, and she's been a part of our story.

0:33:53.000 --> 0:33:55.360
<v Speaker 1>And so she knows how hard we've worked for it,

0:33:55.360 --> 0:33:56.880
<v Speaker 1>and she knows how hard I've worked for it, and

0:33:56.960 --> 0:34:00.040
<v Speaker 1>so there's just so much support and so even and

0:34:00.080 --> 0:34:01.720
<v Speaker 1>when times are hard, when you're gone, you miss each other,

0:34:01.760 --> 0:34:04.800
<v Speaker 1>whatever it may be. UM, I think because we've built

0:34:04.800 --> 0:34:07.960
<v Speaker 1>such a foundation. She's been a part of this. You'll go,

0:34:08.040 --> 0:34:09.320
<v Speaker 1>you're a little bit like, hi, bright, now let's go

0:34:09.400 --> 0:34:11.200
<v Speaker 1>so low. I think you can do this, but not

0:34:11.280 --> 0:34:12.680
<v Speaker 1>at all. No, Yeah, she wants to be in a

0:34:12.760 --> 0:34:16.320
<v Speaker 1>duo and we're gonna that's that's actually the next step.

0:34:18.040 --> 0:34:20.239
<v Speaker 1>She she used to like she's a musical person, she

0:34:20.239 --> 0:34:23.680
<v Speaker 1>can sing, but she's a teacher. So it's so good. Listen,

0:34:23.680 --> 0:34:25.279
<v Speaker 1>I'm gonna get in trouble for saying that it's really

0:34:25.320 --> 0:34:28.800
<v Speaker 1>good to date someone not in the same kind of industry.

0:34:29.160 --> 0:34:32.520
<v Speaker 1>Is as I say that at the time of this recording,

0:34:33.080 --> 0:34:39.600
<v Speaker 1>my girlfriends and artists. So it's it's grinding because we're

0:34:39.600 --> 0:34:43.239
<v Speaker 1>both we're both in different pat it's solid that she

0:34:43.480 --> 0:34:47.960
<v Speaker 1>has a foundation any job, because you're nuts, right, and

0:34:48.000 --> 0:34:51.040
<v Speaker 1>it's a nice balance. Yeah, And and teaching specifically, you know,

0:34:51.040 --> 0:34:53.120
<v Speaker 1>it's cool because they get summers off and then breaks

0:34:53.160 --> 0:34:55.480
<v Speaker 1>off and stuff. So she can traut like this summer,

0:34:55.520 --> 0:34:57.040
<v Speaker 1>you know she can't. We played a lot of PLUSA.

0:34:57.080 --> 0:34:59.440
<v Speaker 1>She can do all of Palusa and just different festivals

0:34:59.440 --> 0:35:02.200
<v Speaker 1>like that. But then, so it's nice. There are things

0:35:02.200 --> 0:35:03.640
<v Speaker 1>where if you were dating someone in the industry, I

0:35:03.640 --> 0:35:05.320
<v Speaker 1>think it'd be cool because you guys could talk about

0:35:05.719 --> 0:35:07.640
<v Speaker 1>you can talk about industry things, and there'd be you

0:35:07.680 --> 0:35:10.560
<v Speaker 1>would understand it a little more than than a teacher might.

0:35:10.760 --> 0:35:13.080
<v Speaker 1>But it is nice to get off the road and

0:35:13.160 --> 0:35:15.279
<v Speaker 1>kind of have another life and kind of be able

0:35:15.320 --> 0:35:17.600
<v Speaker 1>to take a break. And when she's talking about her day,

0:35:18.040 --> 0:35:19.680
<v Speaker 1>I don't really have a if she's talking about her

0:35:19.680 --> 0:35:22.719
<v Speaker 1>classroom or lesson plans or another teacher, whatever it is,

0:35:23.280 --> 0:35:25.719
<v Speaker 1>you know, I can just relax and listen. And it's

0:35:25.760 --> 0:35:27.759
<v Speaker 1>as supposed where if she was like a songwriter or

0:35:27.880 --> 0:35:30.400
<v Speaker 1>I'll be like, well, maybe you should and before you

0:35:30.400 --> 0:35:33.520
<v Speaker 1>know what, you're now like trying to handle two careers. Um.

0:35:33.600 --> 0:35:35.120
<v Speaker 1>But I mean I think that's cool. I think that

0:35:35.560 --> 0:35:38.560
<v Speaker 1>you know, you're dating an artist. I think that'd be cool,

0:35:38.640 --> 0:35:40.880
<v Speaker 1>you know, because you have then you have a major

0:35:40.920 --> 0:35:45.160
<v Speaker 1>thing in common. I'm dating a good person. The artist thing.

0:35:47.080 --> 0:35:51.759
<v Speaker 1>Artists are weird and and I say that, and we're

0:35:51.800 --> 0:35:55.880
<v Speaker 1>both different kinds of artists. We create different things. We're nuts.

0:35:56.280 --> 0:35:59.120
<v Speaker 1>You have to be nuts to do what we do. Yeah. Absolutely, Um?

0:36:00.200 --> 0:36:02.000
<v Speaker 1>What what great? Like? What age of the kids that

0:36:02.080 --> 0:36:04.279
<v Speaker 1>she teaches? She's been all over the place. She used

0:36:04.280 --> 0:36:07.239
<v Speaker 1>to do elementary, then she did did middle school, and

0:36:07.280 --> 0:36:09.880
<v Speaker 1>now she is doing high school. Oh dude, I bet

0:36:09.880 --> 0:36:11.719
<v Speaker 1>the high school kids are like all that would be.

0:36:11.760 --> 0:36:15.120
<v Speaker 1>So she's a young high school teacher. She's actually fifty three,

0:36:15.520 --> 0:36:18.920
<v Speaker 1>so that I'll talk about just kidding, got that November

0:36:19.080 --> 0:36:24.040
<v Speaker 1>March romance. It's even longer than so. Okay, high school kids, Yeah,

0:36:25.040 --> 0:36:28.520
<v Speaker 1>I mean they probably think they got I mean she's

0:36:28.520 --> 0:36:31.480
<v Speaker 1>not married, right, Yeah. Yeah. If I was in high school,

0:36:31.480 --> 0:36:34.680
<v Speaker 1>i'd be like, I'm gonna get I'm gonna yeah, like

0:36:34.680 --> 0:36:37.359
<v Speaker 1>the high school dude a little bit flat with her?

0:36:37.560 --> 0:36:40.680
<v Speaker 1>Oh absolutely, Oh yeah. Like and she she used to

0:36:41.080 --> 0:36:45.480
<v Speaker 1>help coach cheerleading, so she would be at all. She's

0:36:45.480 --> 0:36:47.960
<v Speaker 1>at a private school, so it's kind of like, you know,

0:36:48.040 --> 0:36:51.040
<v Speaker 1>you do everything. Yeah, Like she she was a cheerlead

0:36:51.040 --> 0:36:52.480
<v Speaker 1>in high school for like a year, so they're like, oh,

0:36:52.560 --> 0:36:54.400
<v Speaker 1>help with cheerleading. It's more just she wasn't like the

0:36:54.400 --> 0:36:56.279
<v Speaker 1>actual coach, just help out. But oh yeah, I would

0:36:56.280 --> 0:36:59.400
<v Speaker 1>get football games or basketball games, and oh yeah, those

0:36:59.440 --> 0:37:02.280
<v Speaker 1>those seniors in high school there, as far as they're concerned,

0:37:02.280 --> 0:37:04.319
<v Speaker 1>they're grown men, and you know they got this like

0:37:04.360 --> 0:37:06.880
<v Speaker 1>they're trying to look up miss Lanko right now in

0:37:06.920 --> 0:37:10.399
<v Speaker 1>Mislanko was what's that's funny? Man? So she's a high

0:37:10.400 --> 0:37:14.080
<v Speaker 1>school teacher. Yep. Do you know the stuff that she teaches,

0:37:14.080 --> 0:37:15.880
<v Speaker 1>because I feel like right now I'd be so stupid

0:37:15.920 --> 0:37:19.239
<v Speaker 1>with the curriculum that's happening right now. I know, I

0:37:19.320 --> 0:37:22.000
<v Speaker 1>know it's that's not it's so it's a world so

0:37:22.040 --> 0:37:25.960
<v Speaker 1>far removed from mine that you know, she teaches English

0:37:25.960 --> 0:37:31.400
<v Speaker 1>and she'll correct you, uh she has before, but it's not.

0:37:31.480 --> 0:37:34.440
<v Speaker 1>She mainly does like papers and like you know, they'll

0:37:34.520 --> 0:37:36.520
<v Speaker 1>read a book and do a book summary things like that.

0:37:36.560 --> 0:37:39.360
<v Speaker 1>So it is I'm like, you know, she'll be grading

0:37:39.360 --> 0:37:41.480
<v Speaker 1>all like look over her shoulder and see and she'll

0:37:41.520 --> 0:37:44.239
<v Speaker 1>like correct something that sounds good to me, Like I'm

0:37:44.280 --> 0:37:48.600
<v Speaker 1>a writer. I mean, who in the years that you

0:37:48.640 --> 0:37:50.120
<v Speaker 1>guys have been doing this and you've been able to

0:37:50.160 --> 0:37:51.640
<v Speaker 1>go out in the road with people like who are

0:37:51.680 --> 0:37:54.800
<v Speaker 1>some of the uh they acts that you've seen and went, man,

0:37:55.840 --> 0:37:58.879
<v Speaker 1>that's really good because you see everybody in this town.

0:37:59.320 --> 0:38:02.120
<v Speaker 1>It's such a you may look at Nashville from the

0:38:02.160 --> 0:38:04.080
<v Speaker 1>outside of it's a big city, but it's such a

0:38:04.080 --> 0:38:07.879
<v Speaker 1>small town for such a big industry. So you get

0:38:07.920 --> 0:38:11.399
<v Speaker 1>to see everybody at some point, who have you seen

0:38:11.440 --> 0:38:14.399
<v Speaker 1>you look at and you go, man, that's really good.

0:38:14.440 --> 0:38:16.520
<v Speaker 1>That's how That's how I want to do it. Maybe

0:38:16.560 --> 0:38:18.839
<v Speaker 1>it's not exactly what I want to do, but that's

0:38:18.880 --> 0:38:20.759
<v Speaker 1>how I want to do it. Yeah, I think, I mean,

0:38:21.440 --> 0:38:23.160
<v Speaker 1>I mean definitely, and know we are talking about brothers

0:38:23.200 --> 0:38:25.560
<v Speaker 1>Osborne Woul definitely one, but other than them, I mean,

0:38:25.600 --> 0:38:27.400
<v Speaker 1>you know, this this summer it was really cool. We

0:38:27.440 --> 0:38:29.000
<v Speaker 1>got to play a lot of festivals and so we

0:38:29.080 --> 0:38:30.520
<v Speaker 1>got to see a lot of the huge you know

0:38:30.640 --> 0:38:33.400
<v Speaker 1>a list people like Jason Alden and you know, I

0:38:33.480 --> 0:38:35.600
<v Speaker 1>grew up with I knew Jason Alden since high school.

0:38:35.600 --> 0:38:38.640
<v Speaker 1>You know, I I'm familiar with his music, but I've

0:38:38.680 --> 0:38:41.239
<v Speaker 1>never seen him live. And it was so cool because, yeah,

0:38:41.400 --> 0:38:45.839
<v Speaker 1>Lanko is not Jason Aldean and and that may not

0:38:45.920 --> 0:38:48.799
<v Speaker 1>be what or who we are, but seeing him put

0:38:48.840 --> 0:38:50.839
<v Speaker 1>on a show and the energy and the way he's

0:38:50.840 --> 0:38:54.879
<v Speaker 1>communicating the audience and just being a ringleader that night

0:38:55.040 --> 0:38:57.480
<v Speaker 1>of you know, just capitalizing on this opportunity where you

0:38:57.480 --> 0:38:59.719
<v Speaker 1>have all these people and you're leading the charge of

0:38:59.760 --> 0:39:01.279
<v Speaker 1>this is gonna be a great night. We're all in

0:39:01.320 --> 0:39:03.600
<v Speaker 1>this together. Seeing him do it a lot. I mean

0:39:03.640 --> 0:39:05.440
<v Speaker 1>a lot of the pros got to you know, I

0:39:05.480 --> 0:39:09.040
<v Speaker 1>got to see Luke brian Um people like that that

0:39:09.120 --> 0:39:13.840
<v Speaker 1>you see how long they've been doing it. Miranda Lambert

0:39:13.840 --> 0:39:15.319
<v Speaker 1>would be another one. You know, got to see her

0:39:15.320 --> 0:39:19.399
<v Speaker 1>this summer. And and there's just a craft that they've

0:39:19.480 --> 0:39:22.640
<v Speaker 1>mastered and there's a reason they're up there. Yes, it's

0:39:22.760 --> 0:39:24.520
<v Speaker 1>like that's when you realize, you know, the music good.

0:39:24.520 --> 0:39:26.560
<v Speaker 1>They're right in that part of it's great, but there's

0:39:26.560 --> 0:39:28.640
<v Speaker 1>a reason why they're they're up there on that stage

0:39:28.680 --> 0:39:33.160
<v Speaker 1>in front of ten thousand because they're so good. Keith

0:39:33.239 --> 0:39:36.319
<v Speaker 1>Urban's that way for me. Like to watch Keith Urban play.

0:39:36.480 --> 0:39:38.640
<v Speaker 1>You can hear songs are fantastic on the radio. He

0:39:38.640 --> 0:39:40.840
<v Speaker 1>can come into my radio show and he's saying, is fantastic.

0:39:41.200 --> 0:39:43.480
<v Speaker 1>To watch him play live, it's like a whole other

0:39:43.520 --> 0:39:46.040
<v Speaker 1>dimension you get. You're you're like, okay, I get it. Yeah,

0:39:46.120 --> 0:39:47.520
<v Speaker 1>he should be Entertainer of the Year. Then you go

0:39:47.520 --> 0:39:49.520
<v Speaker 1>watch Karen like, okay, she should be entertainer. Then you

0:39:49.560 --> 0:39:51.480
<v Speaker 1>go watch Look like, okay, he should be Entertainer of

0:39:51.520 --> 0:39:54.919
<v Speaker 1>the Year. So those guys that are at that level,

0:39:55.000 --> 0:39:59.920
<v Speaker 1>they're there because they are so good at doing that right, absolutely,

0:40:00.000 --> 0:40:02.239
<v Speaker 1>and it's something and we you can all no matter

0:40:02.280 --> 0:40:03.920
<v Speaker 1>where you're at, you can always be learning. And we

0:40:04.040 --> 0:40:06.520
<v Speaker 1>you know, this past year, we just we just absorbed

0:40:06.600 --> 0:40:09.440
<v Speaker 1>everything because and we're a big live band, you know,

0:40:09.480 --> 0:40:11.440
<v Speaker 1>our live show. We take a lot of pride in it,

0:40:11.560 --> 0:40:15.280
<v Speaker 1>and and we love the live experience. We love people

0:40:15.280 --> 0:40:18.080
<v Speaker 1>showing up and and just knowing that, and that was

0:40:18.120 --> 0:40:20.720
<v Speaker 1>one thing I learned, honestly all the way back working

0:40:20.719 --> 0:40:25.279
<v Speaker 1>at bridge Stone was all these people are coming here.

0:40:25.280 --> 0:40:27.080
<v Speaker 1>They all have jobs, they all may have had a

0:40:27.080 --> 0:40:29.279
<v Speaker 1>hard week, they all may have problems in relationships, whatever

0:40:29.280 --> 0:40:31.719
<v Speaker 1>it may be. But tonight is a big night. It's

0:40:31.719 --> 0:40:34.320
<v Speaker 1>a special night that they're going to tell their friends about.

0:40:34.440 --> 0:40:36.439
<v Speaker 1>I mean, you know, that's like trip he saw. Jay's

0:40:36.440 --> 0:40:38.600
<v Speaker 1>not even his sixteen and he still talks about it

0:40:38.880 --> 0:40:41.560
<v Speaker 1>and it's so cool. You know. Bruce Springsteen, I heard

0:40:41.560 --> 0:40:43.120
<v Speaker 1>a thing where he always, you know, will tell his

0:40:43.200 --> 0:40:45.680
<v Speaker 1>band tonight could be somebody's first show and it could

0:40:45.719 --> 0:40:48.760
<v Speaker 1>be somebody's last, so let's play like it. And knowing

0:40:48.800 --> 0:40:51.120
<v Speaker 1>that you have this chance to impact people on a

0:40:51.280 --> 0:40:54.920
<v Speaker 1>night and impact their lives and relate to them and

0:40:54.960 --> 0:40:57.560
<v Speaker 1>sing these songs that it may be their anniversary song,

0:40:57.680 --> 0:40:59.560
<v Speaker 1>or it may take them back to a time in

0:40:59.600 --> 0:41:02.480
<v Speaker 1>college where it was them and all their friends. It's

0:41:02.520 --> 0:41:05.200
<v Speaker 1>just such an honor to be able to to have

0:41:05.280 --> 0:41:08.520
<v Speaker 1>that opportunity to to play in front of people like that,

0:41:08.640 --> 0:41:11.080
<v Speaker 1>and seeing these people that have been doing it for

0:41:11.120 --> 0:41:13.920
<v Speaker 1>so long it have mastered it and still just go out.

0:41:13.920 --> 0:41:17.799
<v Speaker 1>There was so much energy and are so captivating. It's

0:41:17.840 --> 0:41:22.760
<v Speaker 1>it's really fun to watch. You know. One of my friends,

0:41:23.120 --> 0:41:26.919
<v Speaker 1>and I don't use that word loosely, is Christian Bush

0:41:27.040 --> 0:41:31.160
<v Speaker 1>from sugar Land, who is now doing stuff solo, but

0:41:31.200 --> 0:41:34.520
<v Speaker 1>it's still they're still sugar Land. And so you know,

0:41:34.680 --> 0:41:38.920
<v Speaker 1>at five, seven, nine years ago, all those Sugarland was

0:41:39.360 --> 0:41:45.800
<v Speaker 1>a list number one, f number one, playing stadiums, Rena's

0:41:45.920 --> 0:41:48.120
<v Speaker 1>whatever you want to call them, you know, the big gigs, right.

0:41:48.360 --> 0:41:50.960
<v Speaker 1>And I was talking to Christian because Christian came out

0:41:50.960 --> 0:41:53.279
<v Speaker 1>and played with us the Raging Idiots, and he played

0:41:53.280 --> 0:41:55.200
<v Speaker 1>guitar and just saying background and Christian, I've written a

0:41:55.239 --> 0:41:57.880
<v Speaker 1>bunch together. We've written some some fun songs, goofy songs,

0:41:57.960 --> 0:42:01.239
<v Speaker 1>you know, and so um there's that I was. We

0:42:01.320 --> 0:42:05.000
<v Speaker 1>were what we were doing, we were playing dope, Campbell Stadium.

0:42:05.000 --> 0:42:07.879
<v Speaker 1>We're playing Florida State University, and so it was us

0:42:07.920 --> 0:42:11.479
<v Speaker 1>an old dominion of Tyler Farr, and Christian was playing

0:42:11.480 --> 0:42:13.279
<v Speaker 1>guitar for us, and he's just doing it because he's

0:42:13.280 --> 0:42:15.359
<v Speaker 1>a nice guys, just a good dude. And I was like,

0:42:15.840 --> 0:42:17.160
<v Speaker 1>hey man, when and he goes, you know, I have

0:42:17.239 --> 0:42:20.040
<v Speaker 1>actually played the stadium, you know, with sugar Land we played,

0:42:20.480 --> 0:42:23.200
<v Speaker 1>and I was like, what is it like moving up?

0:42:23.239 --> 0:42:30.279
<v Speaker 1>Going from clubs to bigger clubs, maybe theaters, then you

0:42:30.320 --> 0:42:35.319
<v Speaker 1>start playing the arenas. He said, you know, it was

0:42:35.520 --> 0:42:39.120
<v Speaker 1>a lot like I was so excited for those stadium

0:42:39.160 --> 0:42:42.600
<v Speaker 1>arena shows. But when once you do them, he said,

0:42:42.760 --> 0:42:46.600
<v Speaker 1>sometimes it sounds sucks sometimes the guitars, alright, because it's

0:42:46.680 --> 0:42:49.759
<v Speaker 1>kind of the same thing. It's always the same. And

0:42:49.800 --> 0:42:55.760
<v Speaker 1>if you just practice in the smallest places at being

0:42:55.800 --> 0:43:00.200
<v Speaker 1>the biggest you can be, and you condition your up

0:43:00.239 --> 0:43:01.960
<v Speaker 1>to be that big all the way up and maintain

0:43:02.239 --> 0:43:04.680
<v Speaker 1>it stays the same all the way through, because crap

0:43:04.719 --> 0:43:07.480
<v Speaker 1>happens that at every state. Yeah, you're making more money,

0:43:07.719 --> 0:43:09.719
<v Speaker 1>but as an effect, how good you are, but at

0:43:09.760 --> 0:43:12.000
<v Speaker 1>that point you should already be there. Yeah, And I

0:43:12.040 --> 0:43:15.320
<v Speaker 1>think that early on that was kind of our mentality.

0:43:15.400 --> 0:43:18.479
<v Speaker 1>Like I said, we were playing restaurants because even playing

0:43:18.480 --> 0:43:20.480
<v Speaker 1>a bar was tough. So a restaurant maybe like okay,

0:43:20.480 --> 0:43:21.640
<v Speaker 1>you can play whatever you want for an hour and

0:43:21.640 --> 0:43:23.200
<v Speaker 1>a half. You know, we have losing money early, a

0:43:23.239 --> 0:43:26.439
<v Speaker 1>lot of bands losing gosh, yes, absolutely losing. I mean yeah,

0:43:26.440 --> 0:43:28.400
<v Speaker 1>you would pay to play a gig, like as if

0:43:28.440 --> 0:43:30.680
<v Speaker 1>you're gonna drive to Chattanooger, drive to Atlanta or wherever

0:43:30.719 --> 0:43:33.960
<v Speaker 1>it may be, or Indianapolis, they may throw two five

0:43:34.000 --> 0:43:36.279
<v Speaker 1>hundred bucks. Well by the time you you pay for gas,

0:43:36.400 --> 0:43:39.320
<v Speaker 1>or if you stay in a hotel, you're absolutely paying

0:43:39.360 --> 0:43:41.680
<v Speaker 1>about a hundred two hundred bucks to play that show.

0:43:42.040 --> 0:43:44.879
<v Speaker 1>But you're just doing it because one you're you're trying

0:43:44.880 --> 0:43:46.560
<v Speaker 1>to get better, you're trying to kind of get your

0:43:46.600 --> 0:43:49.680
<v Speaker 1>name out there. But a big part of it early

0:43:49.760 --> 0:43:53.000
<v Speaker 1>on was we weren't playing great gigs. We weren't playing

0:43:53.040 --> 0:43:55.760
<v Speaker 1>great venues. You know there we were happy to be there,

0:43:55.760 --> 0:43:57.920
<v Speaker 1>but you know they weren't. It wasn't a theater, it

0:43:58.000 --> 0:44:02.440
<v Speaker 1>wasn't a stadium, it wasn't a club even. And we

0:44:02.520 --> 0:44:05.239
<v Speaker 1>recognized early on, if we don't go out there every

0:44:05.360 --> 0:44:08.319
<v Speaker 1>night and just play the best, that we can and

0:44:08.400 --> 0:44:12.080
<v Speaker 1>have fun and enjoy what we're doing and care that.

0:44:12.120 --> 0:44:13.880
<v Speaker 1>You know what, there's only three people here, but this

0:44:13.880 --> 0:44:15.640
<v Speaker 1>could be cool for them. This is you know, let's

0:44:15.680 --> 0:44:17.680
<v Speaker 1>let's give them good music and play the best we can.

0:44:18.400 --> 0:44:21.440
<v Speaker 1>If you don't do that, it'll get really old, really fast.

0:44:21.480 --> 0:44:24.200
<v Speaker 1>Because it is it's microphones everything. It's the same microphones,

0:44:24.280 --> 0:44:26.680
<v Speaker 1>same guitars, it's monitors, it's a stage, you know it

0:44:27.320 --> 0:44:29.120
<v Speaker 1>a lot of it. You're going through the same thing.

0:44:29.280 --> 0:44:32.279
<v Speaker 1>So if you are reminding yourself, like I get to

0:44:32.280 --> 0:44:34.759
<v Speaker 1>be on stage and play music and I get to

0:44:34.800 --> 0:44:38.360
<v Speaker 1>give this gift to people in the audience, then I

0:44:38.400 --> 0:44:40.439
<v Speaker 1>think it could be a letdown. It could be the point.

0:44:40.440 --> 0:44:42.440
<v Speaker 1>I think that people that have long careers, I think

0:44:42.440 --> 0:44:44.960
<v Speaker 1>it's because they really do love it and they're in

0:44:45.040 --> 0:44:46.759
<v Speaker 1>it because they love it because and they don't know

0:44:46.800 --> 0:44:48.880
<v Speaker 1>how to do anything else. Because if you were just

0:44:48.920 --> 0:44:50.520
<v Speaker 1>doing it to play the more people, and play the

0:44:50.600 --> 0:44:53.400
<v Speaker 1>more people and get more, there's always gonna be another

0:44:53.440 --> 0:44:56.040
<v Speaker 1>thing you're trying to get to. There's always it's like

0:44:56.160 --> 0:45:00.600
<v Speaker 1>chasing money and the career world, the more chase money,

0:45:00.640 --> 0:45:02.279
<v Speaker 1>the less money you're actually going to make. For the

0:45:02.280 --> 0:45:07.239
<v Speaker 1>most part, you're if you chase passion, you're going to

0:45:07.239 --> 0:45:09.640
<v Speaker 1>work harder at it. You're going to get better at

0:45:09.640 --> 0:45:12.239
<v Speaker 1>it because you're working harder, and because you're getting better

0:45:12.280 --> 0:45:14.520
<v Speaker 1>at it, then the money comes. And I think too,

0:45:14.600 --> 0:45:17.320
<v Speaker 1>you know one thing in the band, when you travel

0:45:17.360 --> 0:45:19.480
<v Speaker 1>a lot and you you play with all these other bands,

0:45:20.239 --> 0:45:22.520
<v Speaker 1>it's weird when you start doing this professionally because there's

0:45:22.560 --> 0:45:24.640
<v Speaker 1>literally a ranking system. I mean there's literally a chart

0:45:24.760 --> 0:45:27.080
<v Speaker 1>and it's like, well, you have the number whatever song,

0:45:27.200 --> 0:45:28.840
<v Speaker 1>or you have the number or and then you're on

0:45:28.880 --> 0:45:30.800
<v Speaker 1>the road, it's like, well they have a big fancy

0:45:30.800 --> 0:45:32.440
<v Speaker 1>tour bus. Well, then once you get a tour bus,

0:45:32.480 --> 0:45:35.120
<v Speaker 1>will they have multiple fancy tour buses and there's always

0:45:35.160 --> 0:45:37.520
<v Speaker 1>a ladder to climb, and we'll we'll kind of just

0:45:37.520 --> 0:45:39.680
<v Speaker 1>throw out this quote that's you know, don't worry about it.

0:45:39.719 --> 0:45:42.160
<v Speaker 1>Comparison is the thief of joy because at the end

0:45:42.200 --> 0:45:45.000
<v Speaker 1>of the day, we're joyful just being able to make

0:45:45.120 --> 0:45:47.400
<v Speaker 1>music and play music. And the second you start saying

0:45:47.880 --> 0:45:49.560
<v Speaker 1>if you get a number one, we'll guess what, there's

0:45:49.560 --> 0:45:51.040
<v Speaker 1>someone out there with three number ones you get three

0:45:51.120 --> 0:45:52.880
<v Speaker 1>number ones, or someone out there with ten or twenty.

0:45:52.920 --> 0:45:56.120
<v Speaker 1>If you're always looking at other people and comparing yourself.

0:45:56.760 --> 0:46:00.000
<v Speaker 1>It'll rip away the joy from it and and it'll

0:46:00.120 --> 0:46:02.600
<v Speaker 1>stop you from loving what you're doing. Let me ask you,

0:46:02.640 --> 0:46:06.239
<v Speaker 1>this not awkward for me, Dad, I don't care. Yeah,

0:46:06.239 --> 0:46:08.439
<v Speaker 1>you put out Long Left tonight. So the song comes

0:46:08.440 --> 0:46:15.120
<v Speaker 1>out at your first major label single and where did

0:46:15.120 --> 0:46:20.160
<v Speaker 1>the peak? I believe thirty two? Okay, So for all

0:46:20.200 --> 0:46:24.440
<v Speaker 1>intentsive purposes, the single failed. If you're if you're comparing

0:46:24.440 --> 0:46:27.759
<v Speaker 1>it by a chart standard, yes, and I and I

0:46:27.760 --> 0:46:30.800
<v Speaker 1>I'm comparing it by whatever it's gonna say in radio world,

0:46:30.960 --> 0:46:32.840
<v Speaker 1>which trust me, I have issues with two. I'm in

0:46:32.880 --> 0:46:35.279
<v Speaker 1>the radio and radio more than anybody. Which is so

0:46:35.280 --> 0:46:38.000
<v Speaker 1>funny because it's like a normal person like if if

0:46:38.040 --> 0:46:40.120
<v Speaker 1>you're like I had a top forty single, like, oh

0:46:40.160 --> 0:46:43.240
<v Speaker 1>my gosh, you're huge, But yeah, I know you're shooting

0:46:43.239 --> 0:46:45.080
<v Speaker 1>for that number one or top ten or whatever it

0:46:45.160 --> 0:46:48.439
<v Speaker 1>is or whatever it is. Yeah, so this song comes

0:46:48.440 --> 0:46:52.759
<v Speaker 1>out when they call you and say, all right, this

0:46:52.840 --> 0:46:55.919
<v Speaker 1>song is dead. We're not pushing it anymore. Who makes

0:46:55.960 --> 0:46:59.960
<v Speaker 1>that call to you? Our management talk to us about it, like,

0:47:00.040 --> 0:47:02.880
<v Speaker 1>and it was do you know what was coming? Yes?

0:47:03.719 --> 0:47:06.680
<v Speaker 1>In a way, I mean you wanted to do well

0:47:07.880 --> 0:47:10.280
<v Speaker 1>and obviously you have. Like I remember, it's funny because

0:47:10.640 --> 0:47:13.120
<v Speaker 1>we we were learning all this last year. I mean

0:47:13.160 --> 0:47:15.080
<v Speaker 1>a year ago, I wouldn't be able to talk about

0:47:15.160 --> 0:47:17.720
<v Speaker 1>radio the way I could talk about it now. Charts

0:47:17.840 --> 0:47:19.600
<v Speaker 1>and all that stuff. I knew what they were and

0:47:19.640 --> 0:47:21.279
<v Speaker 1>you hear, like number one. I don't know, but how

0:47:21.320 --> 0:47:22.960
<v Speaker 1>do you get a number one? I just I'm just

0:47:23.000 --> 0:47:25.600
<v Speaker 1>putting out music. And you know, when you talk to

0:47:25.840 --> 0:47:28.600
<v Speaker 1>your radio reb check, what's your like, what's your goal

0:47:28.680 --> 0:47:30.600
<v Speaker 1>for this song? Like? Where do you They're like number one?

0:47:31.120 --> 0:47:33.480
<v Speaker 1>You're like, wait a number and you realize there's the

0:47:33.560 --> 0:47:35.480
<v Speaker 1>standard is the number one? That's and if it's not

0:47:35.560 --> 0:47:38.279
<v Speaker 1>number one? So that was interesting for us to learn.

0:47:38.360 --> 0:47:44.360
<v Speaker 1>But in our mindset releasing a single, we wanted it

0:47:44.400 --> 0:47:47.480
<v Speaker 1>to reflect who we are. We wanted to have you

0:47:47.560 --> 0:47:49.279
<v Speaker 1>hyped to think you're about to be a number one artist?

0:47:49.360 --> 0:47:51.000
<v Speaker 1>Did did they? Did they have it in your head

0:47:51.160 --> 0:47:52.839
<v Speaker 1>like you're gonna be a number one artists? Trust us

0:47:52.880 --> 0:47:54.760
<v Speaker 1>on this and you were like and you're like whoa

0:47:54.800 --> 0:47:58.560
<v Speaker 1>And they were like, oh, it didn't make it. If

0:47:58.600 --> 0:48:01.520
<v Speaker 1>they did, we weren't hyped. If they did, I think

0:48:01.560 --> 0:48:04.400
<v Speaker 1>that their job is to be hyped into into work

0:48:04.440 --> 0:48:07.360
<v Speaker 1>like it's got to be number one. We're just looking

0:48:07.360 --> 0:48:09.279
<v Speaker 1>at is all right, you guys are gonna work the song.

0:48:09.360 --> 0:48:11.520
<v Speaker 1>We're gonna play it, and we believe in the song

0:48:11.640 --> 0:48:13.320
<v Speaker 1>and we're happy it's out there. Are if you're honest

0:48:13.400 --> 0:48:15.120
<v Speaker 1>right now? I don't know. I most I wouldn't believe

0:48:15.120 --> 0:48:16.920
<v Speaker 1>that answer, but I feel like you're being honest right

0:48:16.920 --> 0:48:20.080
<v Speaker 1>now about this. Yeah. I mean, it's just weird. It

0:48:20.239 --> 0:48:22.680
<v Speaker 1>just all happened like last year the song was just happy.

0:48:22.719 --> 0:48:24.320
<v Speaker 1>It's your first single. I don't even know what a

0:48:24.400 --> 0:48:25.880
<v Speaker 1>radio tour is a year ago, and then you're on

0:48:25.960 --> 0:48:27.439
<v Speaker 1>radio tour. You what made you go on to radio

0:48:27.440 --> 0:48:30.040
<v Speaker 1>stations and playing in front of programing regular right, And

0:48:30.080 --> 0:48:33.520
<v Speaker 1>so we were you're doing all that. So we're honestly

0:48:33.600 --> 0:48:35.759
<v Speaker 1>just trying to get through. And we were also were

0:48:35.800 --> 0:48:37.759
<v Speaker 1>touring a lot last year, so we're playing shows. So

0:48:37.800 --> 0:48:39.440
<v Speaker 1>if they're like, hey, you moved up a spot where

0:48:39.480 --> 0:48:42.440
<v Speaker 1>like great, we gotta go on stage and play like

0:48:42.520 --> 0:48:45.480
<v Speaker 1>be honest with me. Was Long Live Tonight in your

0:48:45.520 --> 0:48:50.239
<v Speaker 1>mind a failure you guys? Or no? No it was not,

0:48:50.440 --> 0:48:55.680
<v Speaker 1>because was it a success? Yes, the way that I

0:48:55.760 --> 0:48:57.440
<v Speaker 1>would leok at it. I really think it was a

0:48:57.480 --> 0:49:01.600
<v Speaker 1>success because, first of all, when we're looking at our

0:49:01.640 --> 0:49:05.200
<v Speaker 1>first single, we're wanting an accurate representation of us. Who

0:49:05.320 --> 0:49:07.600
<v Speaker 1>is land Co? What is land Co? What's the vibe,

0:49:07.640 --> 0:49:10.120
<v Speaker 1>what's the style like? And when you're looking at a

0:49:10.200 --> 0:49:12.920
<v Speaker 1>year that's an election year, you're looking at all the

0:49:12.960 --> 0:49:15.600
<v Speaker 1>stuff that's going on, You're looking at people in social

0:49:15.640 --> 0:49:17.960
<v Speaker 1>media and all the distractions that are around us. I

0:49:18.000 --> 0:49:21.799
<v Speaker 1>wanted a song that came out first that accurately represented

0:49:21.840 --> 0:49:25.440
<v Speaker 1>who we are, both musically and lyrically. And also we're

0:49:25.480 --> 0:49:27.280
<v Speaker 1>gonna play a lot of live shows, we're playing festivals.

0:49:27.320 --> 0:49:29.640
<v Speaker 1>I wanted an anthemic song that people could rally around

0:49:29.640 --> 0:49:32.279
<v Speaker 1>because ultimately that's what we want Landco to be. So

0:49:32.400 --> 0:49:34.320
<v Speaker 1>to have a song that goes out there and I

0:49:34.360 --> 0:49:36.600
<v Speaker 1>mean it had you know, it got up to I

0:49:36.600 --> 0:49:42.440
<v Speaker 1>think near eighteen million streams on Spotify, So that's very playlisted.

0:49:42.560 --> 0:49:47.759
<v Speaker 1>It is playlisted, not to hate on your no and there,

0:49:47.800 --> 0:49:50.160
<v Speaker 1>I mean there there are instances where you look, I've looked.

0:49:50.280 --> 0:49:52.719
<v Speaker 1>It's funny because I'll look at playlisting and I'll look

0:49:52.719 --> 0:49:54.520
<v Speaker 1>at an artist that had number one and they'll have

0:49:54.560 --> 0:49:57.000
<v Speaker 1>like seven million streams and be on the playlist, and

0:49:57.040 --> 0:50:00.560
<v Speaker 1>then we're in the thirties and have eight team million.

0:50:00.640 --> 0:50:03.560
<v Speaker 1>And although there is playlisting, at the end of the day,

0:50:03.680 --> 0:50:05.799
<v Speaker 1>for me, it's not about like, oh, eighteen million went

0:50:05.840 --> 0:50:08.920
<v Speaker 1>and loved our song. That means it was played eighteen

0:50:09.000 --> 0:50:12.080
<v Speaker 1>million times, which means that that message that we cared

0:50:12.080 --> 0:50:14.560
<v Speaker 1>about and we wanted people to hear it got out there.

0:50:14.600 --> 0:50:16.960
<v Speaker 1>And you know what, getting in the thirties, people heard

0:50:16.960 --> 0:50:19.160
<v Speaker 1>it on the radio. When we played these festivals, people

0:50:19.160 --> 0:50:21.560
<v Speaker 1>are singing it. You know, if we play a club show,

0:50:21.760 --> 0:50:24.240
<v Speaker 1>a couple hundred people come out there singing the song.

0:50:24.600 --> 0:50:26.680
<v Speaker 1>So for us to have a first year on the road,

0:50:26.800 --> 0:50:29.840
<v Speaker 1>first single at radio, we had never in our lives

0:50:29.880 --> 0:50:33.560
<v Speaker 1>had people sing a song with us. We're just trying, Yeah,

0:50:33.600 --> 0:50:36.919
<v Speaker 1>someone knows something that you yeah. And and so for

0:50:37.040 --> 0:50:39.279
<v Speaker 1>us to know that a year ago, no one could

0:50:39.320 --> 0:50:41.440
<v Speaker 1>sing one word of a song unless we're playing Sweet

0:50:41.440 --> 0:50:46.279
<v Speaker 1>Caroline or Sweet Caroline. Dude once again, once again, if

0:50:46.280 --> 0:50:48.160
<v Speaker 1>I wrote that song, we once again we'd be at

0:50:48.280 --> 0:50:50.719
<v Speaker 1>my house, in in my and on the top of

0:50:50.719 --> 0:50:54.359
<v Speaker 1>the hill. Um ye, John Richards out right exactly. But

0:50:54.440 --> 0:50:57.360
<v Speaker 1>we uh so it was a success. So you it

0:50:57.480 --> 0:50:59.680
<v Speaker 1>was not a failure to you know, it was a

0:51:00.239 --> 0:51:02.879
<v Speaker 1>lot of time. It's not a failure. It was because

0:51:02.880 --> 0:51:05.080
<v Speaker 1>the most first thing goes. Don't even get the thirties

0:51:05.320 --> 0:51:08.440
<v Speaker 1>right right. I was gonna was gonna pressure hard on

0:51:08.480 --> 0:51:11.160
<v Speaker 1>that and whatever you said to the truth. Yeah, everybody

0:51:11.160 --> 0:51:13.399
<v Speaker 1>has their own truth. I just don't think. I don't

0:51:13.400 --> 0:51:15.920
<v Speaker 1>think if you're really an artist and you care about

0:51:15.920 --> 0:51:18.520
<v Speaker 1>your art and you care about your songs, yes you

0:51:18.560 --> 0:51:21.560
<v Speaker 1>wanted to be successful in the charts, but that can't

0:51:21.560 --> 0:51:23.840
<v Speaker 1>be the measure that's that can't be the way that

0:51:23.880 --> 0:51:26.960
<v Speaker 1>you measure whether the song was successful or not, because

0:51:27.760 --> 0:51:29.880
<v Speaker 1>you gotta eat. Okay, if you're talking about like monetary,

0:51:29.920 --> 0:51:33.319
<v Speaker 1>like did it buy me as many meals at a

0:51:33.360 --> 0:51:35.360
<v Speaker 1>restaurant as a number? One? Would have? No, it did not.

0:51:35.600 --> 0:51:38.400
<v Speaker 1>But did people hear it? Did it? I mean we

0:51:38.440 --> 0:51:40.040
<v Speaker 1>would have. I've had people after a show come up

0:51:40.040 --> 0:51:41.640
<v Speaker 1>and be like, when you started playing Long Lived Tonight,

0:51:42.480 --> 0:51:44.960
<v Speaker 1>my friend I started crying because we're graduating college and

0:51:44.960 --> 0:51:48.520
<v Speaker 1>that's been our college anthem. That one story right there,

0:51:48.920 --> 0:51:51.839
<v Speaker 1>the songs of success. I mean, as an artist, you're

0:51:51.960 --> 0:51:54.360
<v Speaker 1>very much an artist. I feel like you could just

0:51:54.400 --> 0:51:57.799
<v Speaker 1>go and write songs and be an artist and be

0:51:57.880 --> 0:51:59.560
<v Speaker 1>cool and happy. And I didn't believe that at first.

0:51:59.640 --> 0:52:03.279
<v Speaker 1>I you you're too pretty. I was like, okay, well,

0:52:03.920 --> 0:52:07.600
<v Speaker 1>trust me. I've been writing songs and not having any

0:52:07.640 --> 0:52:10.000
<v Speaker 1>success at all for a long time and been happy.

0:52:10.080 --> 0:52:12.160
<v Speaker 1>So it's at this point in my life it's kind

0:52:12.160 --> 0:52:14.920
<v Speaker 1>of I hope to always keep that. But and trust me,

0:52:14.960 --> 0:52:17.279
<v Speaker 1>I want success. I want if you have number one,

0:52:17.320 --> 0:52:20.759
<v Speaker 1>that means way more people have heard it and you're impacting.

0:52:20.800 --> 0:52:23.640
<v Speaker 1>But to me, even the number one just means more

0:52:23.640 --> 0:52:26.640
<v Speaker 1>people are hearing it, so more people have the chance

0:52:26.760 --> 0:52:28.839
<v Speaker 1>to understand you and know you and then come out

0:52:28.840 --> 0:52:30.239
<v Speaker 1>to a show and then you get to give them

0:52:30.239 --> 0:52:32.600
<v Speaker 1>the full thing. So that that's kind of the way

0:52:32.600 --> 0:52:36.560
<v Speaker 1>that I I look at it. Very interesting. Let me

0:52:36.560 --> 0:52:39.160
<v Speaker 1>read about Blue Apron. You have Bloe Apriend. I did not.

0:52:39.400 --> 0:52:42.040
<v Speaker 1>I not kidding. I've listened. I listened to a few

0:52:42.120 --> 0:52:45.240
<v Speaker 1>year podcast and heard you talk about it and almost

0:52:45.280 --> 0:52:46.840
<v Speaker 1>got it from my parents and my kischen right now

0:52:46.920 --> 0:52:49.720
<v Speaker 1>to like, if you walk on my kitchen, like literally

0:52:49.719 --> 0:52:51.600
<v Speaker 1>it's in there. You're not lying. I I'm not lying

0:52:52.160 --> 0:52:53.960
<v Speaker 1>because they sent it in a box. It comes and

0:52:54.040 --> 0:52:56.319
<v Speaker 1>all the ingredients are there and you could like cook

0:52:56.360 --> 0:52:58.839
<v Speaker 1>for your Do you live with your girlfriend? You've been

0:52:58.880 --> 0:53:01.680
<v Speaker 1>together six let's them Maybe it's religions. I don't know.

0:53:01.680 --> 0:53:04.600
<v Speaker 1>I don't know the deal to do you bet together

0:53:04.640 --> 0:53:09.000
<v Speaker 1>six years? Yes? Untill talking about boy, you've been together

0:53:09.080 --> 0:53:13.080
<v Speaker 1>six years. She's got to be kind of pushing you

0:53:13.160 --> 0:53:15.279
<v Speaker 1>a bit, like, oh, yeah, we we have to we

0:53:15.320 --> 0:53:18.200
<v Speaker 1>have the talks about making We've definitely not just talks.

0:53:18.200 --> 0:53:20.759
<v Speaker 1>We've had very serious talks about that next stage in

0:53:20.760 --> 0:53:22.920
<v Speaker 1>our relationship because we're not We both wanted it was

0:53:22.920 --> 0:53:25.600
<v Speaker 1>a thing where too, when you're an artist, I don't

0:53:25.640 --> 0:53:28.120
<v Speaker 1>think that I could afford to live in a shoe

0:53:28.120 --> 0:53:31.040
<v Speaker 1>box with my girlfriend up until even a year ago.

0:53:31.400 --> 0:53:34.200
<v Speaker 1>So now it's just like okay, I mean, yeah, she's

0:53:34.280 --> 0:53:37.000
<v Speaker 1>a teacher, she's a good job. But it's solid. Yeah,

0:53:37.080 --> 0:53:39.359
<v Speaker 1>it's you know, my life has changed the past year

0:53:39.400 --> 0:53:40.919
<v Speaker 1>year and a half, which means that we could have

0:53:41.440 --> 0:53:43.759
<v Speaker 1>more talks. I'm like, I lived with my parents for

0:53:43.800 --> 0:53:46.720
<v Speaker 1>like two years here because I was making no money

0:53:46.760 --> 0:53:49.040
<v Speaker 1>from music, and so when you're like living with your

0:53:49.040 --> 0:53:56.680
<v Speaker 1>parents and and what I hope so what okay, and

0:53:56.760 --> 0:53:58.239
<v Speaker 1>I hope it works out. I've never bet it right.

0:53:58.280 --> 0:54:01.320
<v Speaker 1>I'm sure it will. It will to deal with someone

0:54:01.400 --> 0:54:03.480
<v Speaker 1>who and I felt like in the last hour of

0:54:03.520 --> 0:54:07.680
<v Speaker 1>us talking, I can tell that you're you're an artist person.

0:54:08.160 --> 0:54:12.760
<v Speaker 1>There are there are performers, there are artists, there are musicians,

0:54:12.800 --> 0:54:15.359
<v Speaker 1>and they're all the same, but they're really not. An

0:54:15.440 --> 0:54:18.040
<v Speaker 1>artist likes a full representation of them and they don't

0:54:18.040 --> 0:54:22.120
<v Speaker 1>really focus on the accolades that come with it. They

0:54:22.160 --> 0:54:24.799
<v Speaker 1>just want that product to be pure because it makes

0:54:24.840 --> 0:54:27.959
<v Speaker 1>them feel pure. That's what I feel from you through

0:54:28.000 --> 0:54:31.240
<v Speaker 1>talking to you. We just said that's accurate. That is accurate,

0:54:31.280 --> 0:54:34.200
<v Speaker 1>and too, it's trust me. I want I want lots

0:54:34.200 --> 0:54:36.319
<v Speaker 1>of people to know about Lanco. I want Lando to

0:54:36.400 --> 0:54:38.800
<v Speaker 1>be absolutely huge. I would love to be a huge success,

0:54:39.680 --> 0:54:42.319
<v Speaker 1>but if that's going to happen, I want everyone to

0:54:42.320 --> 0:54:44.160
<v Speaker 1>be on the same page. I want the fans. If

0:54:44.160 --> 0:54:46.600
<v Speaker 1>you have fans of audience, you want them. You want

0:54:46.600 --> 0:54:48.439
<v Speaker 1>to feel like you all have a common thread, which

0:54:48.520 --> 0:54:52.800
<v Speaker 1>is this music. And so I absolutely I want huge

0:54:52.800 --> 0:54:54.640
<v Speaker 1>things for Lanco. I literally want to be the biggest

0:54:54.680 --> 0:54:58.040
<v Speaker 1>band there is in country music. But if it's going

0:54:58.080 --> 0:55:00.680
<v Speaker 1>to happen I wanted to happen. I want to be

0:55:00.680 --> 0:55:01.880
<v Speaker 1>able to sleep it not. I want all of us

0:55:01.880 --> 0:55:03.040
<v Speaker 1>be able to sleep in eye and be like, we

0:55:03.120 --> 0:55:06.919
<v Speaker 1>are proud of this. Well, speaking of Blue Apron, not

0:55:07.040 --> 0:55:09.799
<v Speaker 1>all ingredients are created equal. And that's why Blue Apron

0:55:09.840 --> 0:55:11.319
<v Speaker 1>is awesome because they send you all the ingredients are

0:55:11.320 --> 0:55:15.080
<v Speaker 1>fresh ingredients. It's affordable, there's variety, it's flexible, it's easy,

0:55:15.160 --> 0:55:17.800
<v Speaker 1>it's guaranteed, and they come and you can make you

0:55:17.840 --> 0:55:19.680
<v Speaker 1>cook your own meals and it's all pretty portioned out.

0:55:19.760 --> 0:55:22.319
<v Speaker 1>And you make crazy stuff too that you would never

0:55:22.360 --> 0:55:25.400
<v Speaker 1>make because they have these great recipes and ten dollars

0:55:25.440 --> 0:55:28.359
<v Speaker 1>per person per meal. And I don't just talk about

0:55:28.400 --> 0:55:30.959
<v Speaker 1>it like literally, and I don't put it there because

0:55:31.000 --> 0:55:32.360
<v Speaker 1>you came over it. It It was just thereca. It just

0:55:32.360 --> 0:55:34.680
<v Speaker 1>came in the mail. It comes in the box, and um,

0:55:35.239 --> 0:55:37.239
<v Speaker 1>you know you cook it and you're like, you can

0:55:37.280 --> 0:55:39.200
<v Speaker 1>trick your girl to be like hey when you come home,

0:55:39.239 --> 0:55:41.040
<v Speaker 1>like I want gonna cook. She has no idea what

0:55:41.160 --> 0:55:46.000
<v Speaker 1>Blue Apron. So, uh, first three mills are free right

0:55:46.000 --> 0:55:48.360
<v Speaker 1>now if you go blue Apron dot com, slash bones,

0:55:48.440 --> 0:55:51.000
<v Speaker 1>blue Apron dot com slash bones, Blue Apron a Better

0:55:51.000 --> 0:55:52.440
<v Speaker 1>Way to Cook? Do you listen to? Some of these

0:55:52.440 --> 0:55:54.520
<v Speaker 1>are one or two of these before you come over. Yeah,

0:55:54.880 --> 0:55:57.319
<v Speaker 1>who'd you hear? Ryan? Heard? H Those are the people

0:55:57.360 --> 0:55:59.520
<v Speaker 1>I know, So I know Ryan, so listen to his.

0:56:00.080 --> 0:56:03.160
<v Speaker 1>Ryan are a lot of light dude in the approach

0:56:03.200 --> 0:56:08.440
<v Speaker 1>of just like I just want my good next to

0:56:08.480 --> 0:56:12.200
<v Speaker 1>be in the environment I want to do the bet

0:56:12.640 --> 0:56:14.479
<v Speaker 1>and Ryan are a lot of like in that way. Yeah,

0:56:14.640 --> 0:56:17.640
<v Speaker 1>you look like I'm telling you looking at you, I'm like,

0:56:17.719 --> 0:56:20.959
<v Speaker 1>look at this little pretty boy. Come on, you gonna

0:56:20.960 --> 0:56:24.000
<v Speaker 1>talk about some girls. I need to grow my hair out,

0:56:24.040 --> 0:56:28.839
<v Speaker 1>and kind of Jesus, Ryan looks like you know Jesus,

0:56:29.440 --> 0:56:32.000
<v Speaker 1>And it's a good Ryan's a good Bran's a good one.

0:56:32.000 --> 0:56:35.839
<v Speaker 1>Who about you here? Hid in Preston from Locals, Which

0:56:35.960 --> 0:56:38.040
<v Speaker 1>that's a good dude. I literally Trip and I listened

0:56:38.040 --> 0:56:39.920
<v Speaker 1>to and Trip text him and I gotta text him

0:56:39.920 --> 0:56:42.200
<v Speaker 1>because I I did not know their story. I thought

0:56:42.200 --> 0:56:44.759
<v Speaker 1>it was so cool to hear just how hard talk

0:56:44.800 --> 0:56:47.640
<v Speaker 1>about working hard and sticking with it and and uh

0:56:48.080 --> 0:56:49.759
<v Speaker 1>believing what you're doing enough to stay with it that

0:56:49.840 --> 0:56:52.560
<v Speaker 1>long through all the hardships. I was really inspired by it.

0:56:52.680 --> 0:56:56.720
<v Speaker 1>Success is not about getting it right. Success is about

0:56:58.000 --> 0:57:01.919
<v Speaker 1>continuing after you get it wrong. M Yeah, that's it,

0:57:02.520 --> 0:57:04.960
<v Speaker 1>because you're gonna get it wrong five hundred breaking times,

0:57:05.880 --> 0:57:07.799
<v Speaker 1>and every time you get it wrong, you learn a

0:57:07.840 --> 0:57:11.359
<v Speaker 1>little something else until you learn just enough to get

0:57:11.360 --> 0:57:13.520
<v Speaker 1>it right. And do you have the ability do you

0:57:13.560 --> 0:57:16.880
<v Speaker 1>have the fortitude to continue hanging through all the misses

0:57:17.800 --> 0:57:21.720
<v Speaker 1>to collect all of this knowledge and experience and then

0:57:22.200 --> 0:57:25.200
<v Speaker 1>put out American Love Story? Because that's what's gonna happen

0:57:25.200 --> 0:57:27.240
<v Speaker 1>to my friend. I'm telling you, I got a little

0:57:27.240 --> 0:57:30.400
<v Speaker 1>thing called the ear right, and my air likes American

0:57:30.400 --> 0:57:33.680
<v Speaker 1>Love Story. I think it's a good going. It's a

0:57:33.680 --> 0:57:35.960
<v Speaker 1>good song for you guys, like the whole thing, like

0:57:35.960 --> 0:57:39.720
<v Speaker 1>the songs for radio, for the whole I hope. So

0:57:39.760 --> 0:57:42.680
<v Speaker 1>because I'm excited about it, tell that long love times fine?

0:57:42.880 --> 0:57:44.560
<v Speaker 1>I mean, list nothe play it. I was like, yeah,

0:57:44.560 --> 0:57:46.760
<v Speaker 1>it's fine. I like you guys, and I thought you

0:57:46.760 --> 0:57:48.480
<v Speaker 1>guys were good and I and I told you guys that.

0:57:48.520 --> 0:57:51.200
<v Speaker 1>I was like, hey, you guys are good. I gotta

0:57:51.200 --> 0:57:52.800
<v Speaker 1>watch you playing, like, Hey, it's really good. God not

0:57:52.960 --> 0:57:55.520
<v Speaker 1>that long enough time sign? Yeah, American love Story. And

0:57:55.520 --> 0:57:57.560
<v Speaker 1>I wouldn't lie, I wouldn't be it. Why don't I care? Yeah,

0:57:57.640 --> 0:57:59.520
<v Speaker 1>we we just warmed you up. Then, for American lives.

0:57:59.520 --> 0:58:08.480
<v Speaker 1>Stay here you did? So what's the deal? Now you're

0:58:08.480 --> 0:58:11.240
<v Speaker 1>out back back up planned tomorrow you're back out in

0:58:11.240 --> 0:58:16.920
<v Speaker 1>New Orleans with brothers Osborne. Man. Well, is that Americans?

0:58:17.320 --> 0:58:18.480
<v Speaker 1>Is that gonna be in the radio. It's gonna be

0:58:18.520 --> 0:58:20.880
<v Speaker 1>the radio song, right, Yeah, it's the next single. Did

0:58:20.920 --> 0:58:22.760
<v Speaker 1>I know that? Or did I just hope that? I

0:58:22.800 --> 0:58:24.680
<v Speaker 1>don't even know that I knew that. I think you

0:58:24.760 --> 0:58:29.040
<v Speaker 1>hope that along with everyone else maybe, and so, but

0:58:29.120 --> 0:58:31.760
<v Speaker 1>it is, it's it was decide. I mean, it's we've

0:58:31.800 --> 0:58:34.120
<v Speaker 1>all been wanting that and pushing for that for a

0:58:34.200 --> 0:58:36.280
<v Speaker 1>long time. It's not the single right now, there's not that.

0:58:36.280 --> 0:58:37.520
<v Speaker 1>You don't have a single right now? Do you know?

0:58:37.560 --> 0:58:39.640
<v Speaker 1>We haven't had an AD date yet for so, I

0:58:39.640 --> 0:58:42.520
<v Speaker 1>think I was just hoping it. Well, your hopes came true.

0:58:42.880 --> 0:58:45.840
<v Speaker 1>You go just for you. I'm a fan. I'm a

0:58:45.880 --> 0:58:48.320
<v Speaker 1>fan of UM and you guys are good, Thank you

0:58:48.400 --> 0:58:51.400
<v Speaker 1>very much, man. And so in the land of a

0:58:51.440 --> 0:58:53.000
<v Speaker 1>lot of good stuff you get you know when you're

0:58:53.000 --> 0:58:57.240
<v Speaker 1>a band and it's it's rare now, you know, UM

0:58:57.440 --> 0:59:00.760
<v Speaker 1>not a lot of bands. Yeah, yeah, and it's trust me.

0:59:00.800 --> 0:59:03.480
<v Speaker 1>I'm I'm honored to being a band. I'm really happy

0:59:03.680 --> 0:59:05.720
<v Speaker 1>that I'm in a band because it's such a different

0:59:05.800 --> 0:59:08.880
<v Speaker 1>dynamic and it's such a cool dynamic, and it's it's

0:59:09.040 --> 0:59:11.280
<v Speaker 1>and it's a cool dynamic to bring to country music.

0:59:11.320 --> 0:59:13.720
<v Speaker 1>That You're right, there's not a lot of so I'm

0:59:13.760 --> 0:59:15.840
<v Speaker 1>I'm proud of being a band. Every fifth fought with

0:59:15.840 --> 0:59:22.000
<v Speaker 1>anyone in the band. No, we there's been at some

0:59:22.400 --> 0:59:26.040
<v Speaker 1>definite you know, confrontations that needs to be though. Yeah,

0:59:26.120 --> 0:59:28.480
<v Speaker 1>it's a relationship, it's like a marriage, absolutely, and that's

0:59:28.560 --> 0:59:30.800
<v Speaker 1>I think, you know, we actually there was a time.

0:59:30.800 --> 0:59:33.160
<v Speaker 1>It's funny, Yeah, you got the infatuation stage. Then you

0:59:33.200 --> 0:59:35.080
<v Speaker 1>go to that stage where everyone's getting on your nerves.

0:59:35.480 --> 0:59:38.320
<v Speaker 1>And when you work through that and you learn how

0:59:38.480 --> 0:59:41.560
<v Speaker 1>what kind of how everyone ticks and what everyone's strengths

0:59:41.560 --> 0:59:44.120
<v Speaker 1>and weaknesses are, then you kind of learned what buttons

0:59:44.160 --> 0:59:47.120
<v Speaker 1>not to push. And and if someone says something that

0:59:47.320 --> 0:59:49.200
<v Speaker 1>maybe a few years ago you would have like reacted

0:59:49.240 --> 0:59:51.120
<v Speaker 1>to and picked a fight, you're like, you know, that's

0:59:51.120 --> 0:59:52.800
<v Speaker 1>just the way, that's how he said, that's how he

0:59:52.840 --> 0:59:55.000
<v Speaker 1>handles that. Or or if someone handles the situation a

0:59:55.000 --> 0:59:56.880
<v Speaker 1>certain way that you do not agree with or you

0:59:56.880 --> 1:00:00.520
<v Speaker 1>would not do it that way, you kind of understandable

1:00:00.520 --> 1:00:03.920
<v Speaker 1>that's how they are, and you come to terms with that.

1:00:04.080 --> 1:00:05.920
<v Speaker 1>I think that also there was strength we have and

1:00:06.000 --> 1:00:08.200
<v Speaker 1>one reason that five guys we could stick together for

1:00:08.200 --> 1:00:11.720
<v Speaker 1>so long. We do all have very different personalities we have,

1:00:11.920 --> 1:00:15.760
<v Speaker 1>I mean, all five of us. If they were all

1:00:15.800 --> 1:00:17.840
<v Speaker 1>guys like me, I think we would kill each other.

1:00:17.840 --> 1:00:19.760
<v Speaker 1>If they were all guys like Trip. Yeah, they're all

1:00:19.760 --> 1:00:22.000
<v Speaker 1>guys like Chandler. I don't know if they would kill

1:00:22.000 --> 1:00:24.560
<v Speaker 1>each other. They might just like never talk to each other.

1:00:24.560 --> 1:00:27.000
<v Speaker 1>He's the quiet, passive one. Have you seen all four

1:00:27.000 --> 1:00:31.480
<v Speaker 1>of the other guys naked? Uh, like totally naked, it's

1:00:31.480 --> 1:00:34.880
<v Speaker 1>just naked. Have you seen all of their genitalia? I

1:00:34.920 --> 1:00:37.880
<v Speaker 1>don't think so. Who you gonna tell you? Have you

1:00:37.960 --> 1:00:44.320
<v Speaker 1>not seen? Uh? Jared work on that and Eric? So

1:00:44.400 --> 1:00:47.440
<v Speaker 1>you all work on that tonight. Actually just I'm just saying,

1:00:47.520 --> 1:00:50.200
<v Speaker 1>you know, we're on the we're on a lot. I've

1:00:50.200 --> 1:00:53.200
<v Speaker 1>seen that's balls as part of it. You're just going

1:00:53.280 --> 1:00:56.880
<v Speaker 1>to close. Sorry, You're just in places you're tight and changing,

1:00:56.480 --> 1:01:01.280
<v Speaker 1>you see. We like to keep some mystery. That's the thing. Like, yeah, yeah,

1:01:01.320 --> 1:01:03.120
<v Speaker 1>we don't want to We're gonna be together long time,

1:01:03.160 --> 1:01:04.200
<v Speaker 1>so we don't want to give it all the way

1:01:04.200 --> 1:01:08.600
<v Speaker 1>too early. That funny. Well, listen, good luck to you guys. Man,

1:01:08.680 --> 1:01:11.280
<v Speaker 1>I appreciate you coming by the house. Thank you. Thanks

1:01:11.320 --> 1:01:13.360
<v Speaker 1>for having me. Man. Look, we kind of know each other,

1:01:13.360 --> 1:01:16.920
<v Speaker 1>but not well enough to where like I'm pretty much

1:01:16.920 --> 1:01:18.720
<v Speaker 1>a stranger coming over your house. So thank you for

1:01:18.760 --> 1:01:21.040
<v Speaker 1>inviting me, because I did peek in your bedroom and

1:01:21.040 --> 1:01:24.360
<v Speaker 1>I could be totally crazy. Still anything wrong. You've got

1:01:24.400 --> 1:01:27.160
<v Speaker 1>some nice guitars, I mean like they're tempting. You do

1:01:27.200 --> 1:01:30.960
<v Speaker 1>have nice guitars. Man. Thanks, I've been I've been lucky.

1:01:31.080 --> 1:01:35.200
<v Speaker 1>I've I've got some cool some cool signed ones. Yeah,

1:01:35.240 --> 1:01:37.320
<v Speaker 1>you're left handed, though, I have some cool ones that

1:01:37.360 --> 1:01:40.240
<v Speaker 1>I pulled. Yeah. It's what sucks for me is I'm

1:01:40.280 --> 1:01:43.480
<v Speaker 1>left handed and I can't play anybody else's guitar. And

1:01:43.520 --> 1:01:45.480
<v Speaker 1>that sucks because if I'm like, hey, I want to

1:01:45.480 --> 1:01:49.040
<v Speaker 1>play something, I can't. Yeah. But what sucks for everybody

1:01:49.040 --> 1:01:50.960
<v Speaker 1>else has they come over and I don't have any

1:01:51.040 --> 1:01:53.360
<v Speaker 1>right hand of guitars. Yeah, I saw the guitar downstairs

1:01:53.360 --> 1:01:55.800
<v Speaker 1>about picking up. I was like, oh, never mind, it's

1:01:55.640 --> 1:01:58.520
<v Speaker 1>like it's they're wrong. Yeah, So yeah, you know, I

1:01:58.520 --> 1:02:05.200
<v Speaker 1>mean who who else plays left handed? Uh? Hendrick, but

1:02:05.200 --> 1:02:09.680
<v Speaker 1>he played the Stranger still flip yeah, so um Maddie

1:02:09.680 --> 1:02:16.200
<v Speaker 1>and Tay Tay plays left handed. Chase Bryant plays left handed?

1:02:18.280 --> 1:02:22.840
<v Speaker 1>Who else? Might say, Kurt ba We're very similar curtain

1:02:22.920 --> 1:02:25.840
<v Speaker 1>I are, yeah, pretty much the same thing. Does Paul

1:02:25.920 --> 1:02:28.600
<v Speaker 1>McCartney play the bass left hand? He'd right? He Does

1:02:28.840 --> 1:02:30.240
<v Speaker 1>you ever read? You ever see it? Like in read?

1:02:30.760 --> 1:02:32.400
<v Speaker 1>I don't know what kind of music you like, like

1:02:33.000 --> 1:02:37.680
<v Speaker 1>just you um, but you ever like study the Beatles?

1:02:37.720 --> 1:02:38.960
<v Speaker 1>And now they would have played like six hours a

1:02:39.040 --> 1:02:42.280
<v Speaker 1>night in Germany. Oh yeah, yeah, they would play for

1:02:42.360 --> 1:02:44.800
<v Speaker 1>hours night. And I I saw one thing where this

1:02:44.880 --> 1:02:47.920
<v Speaker 1>manager came out early on to see them play and

1:02:47.960 --> 1:02:49.800
<v Speaker 1>passed on him. He's either manager or someone that wanted

1:02:49.800 --> 1:02:51.880
<v Speaker 1>to sign them and passed on him because he was

1:02:51.960 --> 1:02:54.520
<v Speaker 1>like this whole electric guitar thing is a phase and

1:02:54.520 --> 1:02:57.080
<v Speaker 1>big band music is a coming back. And it's like,

1:02:57.120 --> 1:02:58.960
<v Speaker 1>man to be that guy and think you missed out

1:02:59.040 --> 1:03:02.320
<v Speaker 1>on the Beatles. You know, everybody though, the biggest act

1:03:02.360 --> 1:03:06.560
<v Speaker 1>were all passed on at some point, and it's Luke

1:03:06.600 --> 1:03:09.160
<v Speaker 1>was passed on. I mean everybody, everybody was paying. Everybody

1:03:09.160 --> 1:03:12.600
<v Speaker 1>had failed singles like, yeah, I've talked to Luke many times,

1:03:12.600 --> 1:03:15.320
<v Speaker 1>even off the year. Um, Luke and I are friendly.

1:03:15.360 --> 1:03:17.080
<v Speaker 1>Off there would say it's a friend, but we're friendly.

1:03:17.120 --> 1:03:18.760
<v Speaker 1>There's there are stages with me. I try to stay

1:03:18.800 --> 1:03:21.360
<v Speaker 1>away from artists like personal so I can be objective

1:03:21.400 --> 1:03:24.400
<v Speaker 1>and say things like long list tonight was just fine. Yeah,

1:03:24.480 --> 1:03:26.440
<v Speaker 1>you know, well, no matter what, I still want you

1:03:26.480 --> 1:03:28.800
<v Speaker 1>to say that if a song is fine, I want

1:03:28.840 --> 1:03:30.640
<v Speaker 1>you to say, no matter how good friends we become,

1:03:30.880 --> 1:03:32.520
<v Speaker 1>if we have a fine song, please say it's fine,

1:03:32.520 --> 1:03:34.960
<v Speaker 1>because we need honesty. I would just not say anything

1:03:35.200 --> 1:03:37.959
<v Speaker 1>that would be that would be like, no, say it's fine. Man.

1:03:38.240 --> 1:03:41.120
<v Speaker 1>So with if Luke at failed single, it's like crazy,

1:03:41.760 --> 1:03:45.360
<v Speaker 1>like crazy, and he and people pass on on like crazy.

1:03:45.840 --> 1:03:48.960
<v Speaker 1>So my point was I have no point. Let's do

1:03:49.040 --> 1:03:53.440
<v Speaker 1>this quickly. Take everyone out of country music from your

1:03:53.440 --> 1:03:56.120
<v Speaker 1>answer that you're not allowed to answer anything country. Okay,

1:03:56.360 --> 1:04:00.720
<v Speaker 1>So three artists that you love that aren't country that

1:04:00.760 --> 1:04:06.240
<v Speaker 1>are alive right now? We alive? Um, do you know

1:04:06.360 --> 1:04:11.960
<v Speaker 1>Jason Isabel with that countess country? You can say whatever

1:04:12.000 --> 1:04:15.640
<v Speaker 1>you want. There's not a referee here. I would say, okay,

1:04:15.640 --> 1:04:18.920
<v Speaker 1>well you said not countries. But he's kind of but

1:04:19.000 --> 1:04:22.240
<v Speaker 1>he's like in that folk American. I would say it's American.

1:04:22.560 --> 1:04:25.479
<v Speaker 1>We love Jason Isabel uh seeing him a couple of times.

1:04:25.600 --> 1:04:32.439
<v Speaker 1>The rhyman um Ryan Adams uh art, you're an art, dude.

1:04:32.520 --> 1:04:35.480
<v Speaker 1>I like Ryan Adams is pure art. I mean, that's

1:04:35.520 --> 1:04:37.240
<v Speaker 1>that's an art. And you love them or you're you

1:04:37.280 --> 1:04:40.560
<v Speaker 1>don't get it, and sometimes I don't. Sometimes I don't

1:04:40.560 --> 1:04:42.800
<v Speaker 1>get Ryan Adams, but sometimes I love it. Yeah, And

1:04:43.000 --> 1:04:44.600
<v Speaker 1>that's that's the thing with me. It's like as long

1:04:44.640 --> 1:04:46.640
<v Speaker 1>as even with artists like that, there are things I

1:04:46.680 --> 1:04:50.560
<v Speaker 1>don't get either, but you're more forgiving when you really

1:04:50.640 --> 1:04:53.200
<v Speaker 1>love them. As an artist, You're like, that's not speaking

1:04:53.240 --> 1:04:55.600
<v Speaker 1>to me, But I know that this artist has the

1:04:55.640 --> 1:04:58.680
<v Speaker 1>ability to as opposed to just act where you're like, oh,

1:04:58.680 --> 1:05:00.120
<v Speaker 1>I like some of those songs, and if there's not

1:05:00.160 --> 1:05:02.200
<v Speaker 1>a song you like, then you're done. You're like, whatever,

1:05:02.240 --> 1:05:04.560
<v Speaker 1>I don't like that song. It's also the people that

1:05:04.640 --> 1:05:07.120
<v Speaker 1>take chances I admire in respect even if I don't

1:05:07.120 --> 1:05:10.960
<v Speaker 1>like the chance they took. Yeah, yeah, totally absolutely, And

1:05:11.040 --> 1:05:13.360
<v Speaker 1>you know who as an artist and I want one

1:05:13.400 --> 1:05:15.000
<v Speaker 1>more before I before I want to I mean, another

1:05:15.080 --> 1:05:18.800
<v Speaker 1>artist is not in country that you're like, Okay, Um,

1:05:18.840 --> 1:05:23.160
<v Speaker 1>you know I like cold Play. I've seen them freaking awesome. Yeah,

1:05:23.200 --> 1:05:25.720
<v Speaker 1>and they they're that's one, you know, Ryan Adams, Jason's

1:05:25.760 --> 1:05:28.040
<v Speaker 1>Bow are more. Yeah, they're more artsy and more you know,

1:05:28.240 --> 1:05:30.320
<v Speaker 1>kind of more. Cold Play was artsy though when they

1:05:30.320 --> 1:05:33.880
<v Speaker 1>came out super arts. So I love cold Plays combination

1:05:33.960 --> 1:05:37.360
<v Speaker 1>of the arts, nois and the authenticity, but also their

1:05:37.440 --> 1:05:39.560
<v Speaker 1>live show is what I would want out of the

1:05:39.600 --> 1:05:41.960
<v Speaker 1>live show. And they're so I mean, they're so entertaining

1:05:42.000 --> 1:05:45.360
<v Speaker 1>and so charismatic on stage and so captivating. So those

1:05:45.360 --> 1:05:47.959
<v Speaker 1>would be my three guy called play So good. Yes,

1:05:48.320 --> 1:05:50.480
<v Speaker 1>every part of them is so good. Like Chris Martin's

1:05:50.480 --> 1:05:52.280
<v Speaker 1>a nut, by the way, and i've met chrismartin a

1:05:52.320 --> 1:05:56.600
<v Speaker 1>couple of times. He's nuts. He's really nice. He's nuts.

1:05:56.600 --> 1:06:00.440
<v Speaker 1>But to be an artist, you're nuts, like I said earlier,

1:06:00.960 --> 1:06:05.400
<v Speaker 1>and in our profession you realize that too, that to

1:06:05.640 --> 1:06:09.040
<v Speaker 1>be super creative, you have got to have something inside

1:06:09.040 --> 1:06:11.200
<v Speaker 1>of you that's different than everyone else. And when you're

1:06:11.200 --> 1:06:14.280
<v Speaker 1>different than everyone else, you're different than everyone else, and

1:06:14.360 --> 1:06:16.800
<v Speaker 1>it's tough. And I think that if you're like that,

1:06:16.800 --> 1:06:18.479
<v Speaker 1>that's why I'm just so thankful to be an artist

1:06:18.480 --> 1:06:20.600
<v Speaker 1>because I've always kind of known I was different than

1:06:20.600 --> 1:06:23.000
<v Speaker 1>everyone else. But when you actually it's your job to

1:06:23.040 --> 1:06:26.320
<v Speaker 1>be different everyone else and and you're responsible for it,

1:06:26.320 --> 1:06:29.600
<v Speaker 1>it's it's kind of captivating. It's it's freeing from this

1:06:29.720 --> 1:06:31.960
<v Speaker 1>talk here. And I'm I'm going to Mike d for

1:06:32.080 --> 1:06:34.200
<v Speaker 1>his thoughts in a second too. I don't really know

1:06:34.280 --> 1:06:36.320
<v Speaker 1>I was getting into it this. Frankly, I was like, yeah,

1:06:36.320 --> 1:06:39.680
<v Speaker 1>I'll bring right up and talk to him. Um, but

1:06:40.400 --> 1:06:44.120
<v Speaker 1>I don't like I there's an artist element that I

1:06:44.200 --> 1:06:47.960
<v Speaker 1>respect more about the band now, thank you, than just like, hey,

1:06:48.000 --> 1:06:50.280
<v Speaker 1>let's make a man to put out some songs. Yeah.

1:06:51.000 --> 1:06:54.360
<v Speaker 1>You can't trick me either, because I'm amazing. Yeah, I

1:06:54.400 --> 1:06:57.840
<v Speaker 1>mean you see that the bull crap. Sometimes I'm like,

1:06:57.880 --> 1:07:00.440
<v Speaker 1>this is a joke, and that's I'm glad you see that.

1:07:00.440 --> 1:07:02.160
<v Speaker 1>That's one of the biggest things we talked about that

1:07:02.200 --> 1:07:04.120
<v Speaker 1>and that's we try and do video series stuff. We

1:07:04.080 --> 1:07:06.840
<v Speaker 1>were to get across the dude. But you know what

1:07:07.160 --> 1:07:09.120
<v Speaker 1>I'm telling you, don't waste your time with it. Just

1:07:09.160 --> 1:07:11.040
<v Speaker 1>put out good songs and your fans will then find

1:07:11.080 --> 1:07:13.640
<v Speaker 1>it and then everyone like Coldplay. Do you think people

1:07:14.080 --> 1:07:16.720
<v Speaker 1>knew it first, it took years first to figure it out.

1:07:17.080 --> 1:07:21.080
<v Speaker 1>Don't focus on that because nobody cares. Also, nobody cares,

1:07:21.120 --> 1:07:25.840
<v Speaker 1>like really nobody cares. Man give them a song, they

1:07:25.880 --> 1:07:29.480
<v Speaker 1>find the song, they learn more about you, give them

1:07:29.520 --> 1:07:32.440
<v Speaker 1>another song they learned. Then you have fans like real

1:07:33.480 --> 1:07:35.880
<v Speaker 1>and we've accepted, we've accepted, you know what what our

1:07:35.920 --> 1:07:38.000
<v Speaker 1>path is and what we're trying to do. It's gonna

1:07:38.040 --> 1:07:40.440
<v Speaker 1>take time. It's gonna take work because it is it is.

1:07:40.760 --> 1:07:42.760
<v Speaker 1>It's you have a relationship with your fans, and there's

1:07:42.800 --> 1:07:45.520
<v Speaker 1>that first stage with the first singles, connect the first date.

1:07:45.600 --> 1:07:47.680
<v Speaker 1>Then you know, if you have a hit, that's kind

1:07:47.680 --> 1:07:49.080
<v Speaker 1>of like and you just keep moving along. And it

1:07:49.320 --> 1:07:52.160
<v Speaker 1>takes an album or two for people to really understand

1:07:52.720 --> 1:07:55.560
<v Speaker 1>and really I mean and I think artists keep evolving

1:07:55.640 --> 1:07:58.480
<v Speaker 1>and it really is relationship with fans, and but it

1:07:58.480 --> 1:08:00.160
<v Speaker 1>takes a while. I think when you take that app

1:08:00.200 --> 1:08:01.800
<v Speaker 1>that does take off for people to figure out who

1:08:01.800 --> 1:08:03.640
<v Speaker 1>you are and then people really love who you are

1:08:03.680 --> 1:08:06.080
<v Speaker 1>and stay with you. But if you do that, I

1:08:06.120 --> 1:08:09.720
<v Speaker 1>think that then there's more longevity because your fans that

1:08:09.760 --> 1:08:11.400
<v Speaker 1>are not just like oh I love that song, it's cool,

1:08:11.440 --> 1:08:15.560
<v Speaker 1>it's catchy, it's I really love Land, I appreciate them.

1:08:15.560 --> 1:08:17.519
<v Speaker 1>I like to work, you know whatever it is, um,

1:08:17.560 --> 1:08:19.439
<v Speaker 1>but it's gotta start with just Yeah, you're right. Put

1:08:19.439 --> 1:08:22.559
<v Speaker 1>out some songs. People like them to listen, and nobody

1:08:22.680 --> 1:08:24.320
<v Speaker 1>fell in love with could play because of their art.

1:08:24.360 --> 1:08:26.519
<v Speaker 1>They fell in love with Yellow was freaking off exactly.

1:08:26.960 --> 1:08:28.720
<v Speaker 1>You gotta trust me. I know you gotta have a hit.

1:08:28.840 --> 1:08:30.840
<v Speaker 1>I mean that's just that's you gotta have it. It's

1:08:30.880 --> 1:08:34.960
<v Speaker 1>the name. Uh, we're run out of time. But who's

1:08:35.000 --> 1:08:38.960
<v Speaker 1>in your class of artists? Not classes and good or bad?

1:08:39.120 --> 1:08:41.439
<v Speaker 1>But you guys kind of came into this earth together

1:08:41.560 --> 1:08:44.000
<v Speaker 1>of music, signing at the same time, like a few

1:08:44.080 --> 1:08:46.960
<v Speaker 1>artists could they could have many hits and them. But

1:08:46.960 --> 1:08:49.759
<v Speaker 1>who do you consider to be in your class? Well,

1:08:50.120 --> 1:08:52.519
<v Speaker 1>you know, Maren she signed like right around the same

1:08:52.520 --> 1:08:55.240
<v Speaker 1>time we did. Now she has just exploded. She's coming

1:08:55.240 --> 1:08:59.160
<v Speaker 1>in next week. Yeah, she's she's awesome. Signed. You never

1:08:59.160 --> 1:09:01.559
<v Speaker 1>heard her? She she signed at the same time. But

1:09:01.600 --> 1:09:03.880
<v Speaker 1>I would I mean we signed and then we took

1:09:03.920 --> 1:09:06.959
<v Speaker 1>a while to actually get things. Give me some answers,

1:09:07.880 --> 1:09:13.759
<v Speaker 1>same class, Maren Ryan, I would consider Ryan heard, Kane Brown,

1:09:14.439 --> 1:09:20.200
<v Speaker 1>Jordan reagor uh, like Brooke Eden. I'm thinking people that

1:09:20.240 --> 1:09:22.280
<v Speaker 1>were like on radio to the same time. That's exactly

1:09:22.280 --> 1:09:24.559
<v Speaker 1>what I'm asking for. So in five years we're gonna

1:09:24.560 --> 1:09:26.439
<v Speaker 1>be like we were in the same because all the

1:09:26.479 --> 1:09:28.679
<v Speaker 1>guys are in different class. You know that the Cole

1:09:28.720 --> 1:09:30.720
<v Speaker 1>and Tyler Farrs that you know, there are a lot

1:09:30.760 --> 1:09:33.200
<v Speaker 1>of these guys that kind of came up together. The

1:09:33.200 --> 1:09:34.479
<v Speaker 1>thing that I was talking about earlier, I just want

1:09:34.479 --> 1:09:36.720
<v Speaker 1>to mention this before we get off of this, is

1:09:36.720 --> 1:09:40.160
<v Speaker 1>that when I was talking about artists, what I appreciate

1:09:41.040 --> 1:09:46.519
<v Speaker 1>is people that go and take chances and being okay

1:09:46.560 --> 1:09:49.800
<v Speaker 1>with failure as long as they took the shot that

1:09:49.840 --> 1:09:52.800
<v Speaker 1>felt good and felt right to them. Didn't listen to

1:09:52.800 --> 1:09:54.479
<v Speaker 1>a lot of people going, hey, this isn't gonna work

1:09:54.520 --> 1:09:59.719
<v Speaker 1>on the radio. And who's done that recently and without

1:10:00.080 --> 1:10:05.519
<v Speaker 1>commercial success to this point is Aubrey Sellers. Yeah, and

1:10:06.040 --> 1:10:08.720
<v Speaker 1>I'm a big fan of her record. Yeah, I've never

1:10:08.800 --> 1:10:12.120
<v Speaker 1>I've never maybe i've seen her, I have that. I

1:10:12.120 --> 1:10:13.439
<v Speaker 1>don't know if i've seen her. I don't think it's

1:10:13.439 --> 1:10:16.160
<v Speaker 1>sen a live, but I love a record because nobody

1:10:16.200 --> 1:10:20.839
<v Speaker 1>else it's it's a full like country, blue grassy blues record.

1:10:21.080 --> 1:10:23.800
<v Speaker 1>They're no acoustics, no doubt about it. It's a country record,

1:10:23.800 --> 1:10:25.720
<v Speaker 1>but itunds like nothing else. And you know what, it

1:10:25.760 --> 1:10:29.799
<v Speaker 1>could fall on its face and no way goodbye, or

1:10:30.120 --> 1:10:33.400
<v Speaker 1>it could really switch up an entire format. It's that

1:10:33.479 --> 1:10:36.000
<v Speaker 1>kind of thing totally. The fact that she puts herself

1:10:36.040 --> 1:10:40.320
<v Speaker 1>out there to fail makes me love it. I love failure. Yeah,

1:10:40.680 --> 1:10:42.439
<v Speaker 1>that's what I mean. It's it's just and it's more

1:10:42.479 --> 1:10:45.479
<v Speaker 1>interesting than just someone who even if it works, it's

1:10:45.520 --> 1:10:47.639
<v Speaker 1>like that you just don't want to be a carbon

1:10:47.680 --> 1:10:49.200
<v Speaker 1>copy of something. You don't want to be like so

1:10:49.240 --> 1:10:51.760
<v Speaker 1>and so Junior. You know, if there's a floor, you

1:10:51.760 --> 1:10:54.719
<v Speaker 1>don't want to be Florger's line, Junior L. We definitely

1:10:54.760 --> 1:10:58.200
<v Speaker 1>definitely don't want Flora Georgia line first, like please, God,

1:10:58.840 --> 1:11:01.439
<v Speaker 1>go ahead. That's I think as an artist, if you're

1:11:01.439 --> 1:11:03.160
<v Speaker 1>an artist, it's like you want to work and you

1:11:03.200 --> 1:11:05.599
<v Speaker 1>want to be successful. Yes, you want everyone to love

1:11:05.640 --> 1:11:07.840
<v Speaker 1>you know who you are, But if you're gonna do

1:11:07.880 --> 1:11:10.120
<v Speaker 1>what you wanted to be because your original and you

1:11:10.760 --> 1:11:13.559
<v Speaker 1>offered something that other people weren't offering and so yeah,

1:11:13.560 --> 1:11:15.760
<v Speaker 1>and Aubruys Sellers absolutely does that. I have decided you

1:11:15.760 --> 1:11:18.800
<v Speaker 1>are that Chris Martin country music to this right, I'll

1:11:18.840 --> 1:11:23.760
<v Speaker 1>take it a little weird. You can sing, you're passionate

1:11:23.760 --> 1:11:26.360
<v Speaker 1>about it, like it all right. Good to see man,

1:11:26.439 --> 1:11:27.840
<v Speaker 1>Good to see you. Thank you so much for having

1:11:27.840 --> 1:11:32.600
<v Speaker 1>me in you download American Love Story down. Download it.

1:11:33.320 --> 1:11:35.919
<v Speaker 1>He's in those streams. That's that's all. It's like Facebook,

1:11:35.960 --> 1:11:38.800
<v Speaker 1>those metrics full of Craphy. But I'm glad you have

1:11:38.840 --> 1:11:42.040
<v Speaker 1>much streams it right, Okay, downloaded. That's where the key is.

1:11:42.320 --> 1:11:45.760
<v Speaker 1>I agree downloading. If you love an artist, download their

1:11:45.840 --> 1:11:48.400
<v Speaker 1>music because I agree those real money. You know, you

1:11:48.439 --> 1:11:50.240
<v Speaker 1>guys gotta eat, Yeah, you gotta eat, and you gotta

1:11:50.240 --> 1:11:55.320
<v Speaker 1>have money for the next record. And oh it's like

1:11:55.320 --> 1:12:04.280
<v Speaker 1>it's fifty million stray. Yeah all right. Any questions you've

1:12:04.439 --> 1:12:06.800
<v Speaker 1>you've been listening for? How long after that first meeting

1:12:06.800 --> 1:12:10.280
<v Speaker 1>with Jay did you quit your Bridge Stone job? Um?

1:12:10.320 --> 1:12:13.719
<v Speaker 1>A few months? Uh? Well I quit when he finally

1:12:13.800 --> 1:12:15.880
<v Speaker 1>I started writing with him and some other people for

1:12:15.920 --> 1:12:18.280
<v Speaker 1>a few months and then he said, hey, you guys

1:12:18.360 --> 1:12:19.920
<v Speaker 1>ready to come in here and make a record next week.

1:12:20.600 --> 1:12:23.439
<v Speaker 1>That was how much notice we had. We were like sure,

1:12:24.080 --> 1:12:25.439
<v Speaker 1>Like how a I'm gonna be in the studios, Like

1:12:25.479 --> 1:12:27.519
<v Speaker 1>I mean, we'll stay in here until it's done. But

1:12:27.720 --> 1:12:31.960
<v Speaker 1>two weeks, three weeks, so we all kind of could.

1:12:32.040 --> 1:12:34.559
<v Speaker 1>You can't ask for three weeks off work. We all

1:12:34.640 --> 1:12:37.400
<v Speaker 1>kind of lost our jobs after that. That's why you

1:12:37.400 --> 1:12:38.920
<v Speaker 1>have you have those jobs. You can lose them. What

1:12:39.000 --> 1:12:45.040
<v Speaker 1>were you making a bridge stone? Working at that? Like say, uh,

1:12:45.240 --> 1:12:48.320
<v Speaker 1>seven eight bucks an hour and free hot dogs you

1:12:48.400 --> 1:12:50.880
<v Speaker 1>got the end of the night there and yeah, and

1:12:50.920 --> 1:12:52.240
<v Speaker 1>I know you got one free hot dog when I

1:12:52.320 --> 1:12:54.880
<v Speaker 1>you wanted. And in the night after they counted what

1:12:54.920 --> 1:12:56.680
<v Speaker 1>you didn't sell, you could have a burger. Whatever you

1:12:56.680 --> 1:12:59.760
<v Speaker 1>didn't sell was well, it wasn't really fair game, but

1:13:00.040 --> 1:13:01.360
<v Speaker 1>it kind of was you know what I mean? What

1:13:01.400 --> 1:13:02.920
<v Speaker 1>are they gonna do with it? Yea? And by law

1:13:03.000 --> 1:13:05.800
<v Speaker 1>they can't donate it. Yeah, they have to throw it out.

1:13:06.120 --> 1:13:09.960
<v Speaker 1>They donated to me. Yeah, you'rely got donation, Mike. One

1:13:10.000 --> 1:13:11.479
<v Speaker 1>more question is anything else you want to ask? How

1:13:11.479 --> 1:13:12.920
<v Speaker 1>do you feel about it? You go, what do you think?

1:13:13.080 --> 1:13:14.920
<v Speaker 1>I think this guy's he can't hear us? You think

1:13:14.960 --> 1:13:18.559
<v Speaker 1>there's full of crabbing. I'm gonna put him back there, Okay,

1:13:18.600 --> 1:13:20.960
<v Speaker 1>put it back up. Yeah, Uh, good to see you.

1:13:21.160 --> 1:13:23.200
<v Speaker 1>Good to see you, man, than so much download, go

1:13:23.360 --> 1:13:28.880
<v Speaker 1>see Lanco is that was going whatever one piece of

1:13:28.920 --> 1:13:34.400
<v Speaker 1>advice pretty soon as you get it hit solo. I

1:13:35.040 --> 1:13:39.920
<v Speaker 1>hope my bands shout all these other guys did the guys.

1:13:39.960 --> 1:13:42.559
<v Speaker 1>I like you guys, Thank you man, but I'm only

1:13:42.560 --> 1:13:45.320
<v Speaker 1>about four of you, right, we gotta find the missing link.

1:13:45.360 --> 1:13:48.120
<v Speaker 1>I don't. Yeah, that's the weird last NA tell you

1:13:48.120 --> 1:13:51.320
<v Speaker 1>guys outside the hotel inside like the Hilton. Yeah, it's freezing,

1:13:51.360 --> 1:13:53.200
<v Speaker 1>call white on our car. Yeah, I was like CRUs

1:13:53.320 --> 1:13:55.920
<v Speaker 1>or whatever. It's something like. It was real brief. We

1:13:55.920 --> 1:13:57.200
<v Speaker 1>were like trying to say hi, but yeah, we were

1:13:57.240 --> 1:14:01.280
<v Speaker 1>all freezing and it was like yeah, good, good bye.

1:14:01.640 --> 1:14:03.599
<v Speaker 1>All right, we'll see you next time. I have thirty

1:14:03.680 --> 1:14:08.240
<v Speaker 1>is over. Thanks our sponsors, Blue Apron Sleep number. We

1:14:08.320 --> 1:14:11.200
<v Speaker 1>go buy all that stuff and download Lanco. We're gonna

1:14:11.200 --> 1:14:14.679
<v Speaker 1>watch Lanko and tattoo Lanko on your body, all that stuff. Yeah,

1:14:14.760 --> 1:14:18.000
<v Speaker 1>especially that one. We'll see. We'll see you guys next time.

1:14:18.080 --> 1:14:25.439
<v Speaker 1>Thanks the thirty one by learning good