Speaker 1: Hello, and welcome to the Spirited Actor Podcast with me
Speaker 1: Tracy Moore. I was a casting director for film and
Speaker 1: TV and commercials for over thirty years. I transitioned to
Speaker 1: a celebrity acting coach after I cast a film New
Speaker 1: Jersey Drive with executive producers Spike Lee and director Nick Domez.
Speaker 1: I auditioned every rapper from Biggie Smalls to Tupac, and
Speaker 1: I realized that rappers and musical artists they needed help
Speaker 1: transitioning to acting. My clients consist of musical artists from
Speaker 1: Buster Rhymes to Eve, Missy Elliott, Angela Yee from The
Speaker 1: Breakfast Club, and Vanessa Simmons to name a few. I
Speaker 1: also coach sports stars and host as well. I feel
Speaker 1: I have the best of both worlds. As a casting director,
Speaker 1: I know exactly what they're looking for, and as an
Speaker 1: acting coach, I can coach you to be remembered in
Speaker 1: that room. Now I know, I know actors want to
Speaker 1: get the job. I get that, but being by a
Speaker 1: casting director that is powerful. And now it's time for
Speaker 1: meditation of the day. I have learned over the years
Speaker 1: that when one's mind is made up, this diminishes fear
Speaker 1: knowing what must be done. Does away with fear? Rosa Parks.
Speaker 1: Let me tell you something about fear. I was having
Speaker 1: a conversation with a friend of mine from California the
Speaker 1: other day and they were talking about manifestation. And they
Speaker 1: said to me, you know what a tracy you manifest
Speaker 1: all the time I've seen it. I know that you
Speaker 1: just met. You're a manifestor, right, And I said, so
Speaker 1: are you? I said, nah, I'm not a manifestor like you.
Speaker 1: And I said, I'm going to be honest with you
Speaker 1: because I know you and we're friends from California. Right,
Speaker 1: you are a manifestor, but what blocks your manifestation is
Speaker 1: your fear. And you know, she got taken aback. She said,
Speaker 1: what are you talking about. I'm not afraid of anything.
Speaker 1: I said, when you ask for something, you asked with confidence.
Speaker 1: But then when it doesn't show up when you wanted
Speaker 1: to and when you needed to or when you thought
Speaker 1: it should, then you get kind of mad. And then
Speaker 1: when you get mad, you get frustrated. And then when
Speaker 1: you get frustrated, you start to pick on yourself and say, well,
Speaker 1: why does this happening to me? Why can't I have it?
Speaker 1: Why is it always next? Thing. You know, you're disconnected
Speaker 1: yourself from the frequency of truly manifesting what it is
Speaker 1: that you want. So when things don't happen when you, guys,
Speaker 1: want them to happen, or when you think it's supposed
Speaker 1: to happen, don't lose your vision and don't lose sight
Speaker 1: that it is still going to happen.
Speaker 2: But it's going to happen when it's supposed to happen.
Speaker 2: You are not a.
Speaker 1: Control of that. Just stay in that knowing that it's
Speaker 1: gonna happen. See yourself on that plane in first class,
Speaker 1: going on that trip. See yourself going to that store
Speaker 1: and buying whatever it is that you choose to purchase.
Speaker 1: See yourself purchasing something for someone else. You, guys, fear
Speaker 1: is an illusion. Look fear straight in the eye and
Speaker 1: say you don't exist because I have faith, and watch
Speaker 1: how you change the trajectory of briefing in that moment.
Speaker 1: Stand in your faith today. I will stand in my faith.
Speaker 1: Before we get started, I'd like to remind everyone to
Speaker 1: look out for my new show, Inside the Black Box.
Speaker 1: I'll be co hosting with the Great Joe Morton. We'll
Speaker 1: be on Crackle Network real soon. I'll keep you posted.
Speaker 1: Welcome to the Spirited Actor Podcast with me Tracy Moore.
Speaker 2: This guest coming up today.
Speaker 1: You know, okay, I'm just laying.
Speaker 2: The guest today is I'm your guest. I'm going to
Speaker 2: be teaching today.
Speaker 1: Since we are in the beginning, the very very early
Speaker 1: stages of February, we are going to be talking about
Speaker 1: loving your talent for the month of February. Technically, you
Speaker 1: should love it in general always, howsoever we're talking about February.
Speaker 2: February is love your talent.
Speaker 1: So let's talk about ways in which actors can love
Speaker 1: and continue to.
Speaker 2: Love their talent.
Speaker 1: Because I will say this you guys, this is a
Speaker 1: challenging business.
Speaker 2: I Am not going to sugarcoat it.
Speaker 1: I'm going to tell you that it is Rosie all
Speaker 1: the time, loving mind. There are hurdles, there are obstacles.
Speaker 1: There are challenges in relationships that you have to deal with.
Speaker 1: You know, whether it's the studio relationship, producer, director, casting director, agent, manager,
Speaker 1: you deal with a lot of people. And if you're
Speaker 1: not a people person, you might want to reconsider this gig.
Speaker 1: So where I want to start. I want to start
Speaker 1: in the beginning, And I asked this question in my class,
Speaker 1: why did you choose acting, or as some other actors
Speaker 1: have suggested, acting chose them. But regardless of how you
Speaker 1: approach and how you came into this industry, you need
Speaker 1: to be honest with yourself people. You need to be honest.
Speaker 1: For instance, if you like to eat all the time,
Speaker 1: and I'm talking breakfast, lunch, and dinner and some snacks
Speaker 1: and maybe a Starbucks at three o'clock. If you like
Speaker 1: to pay your bills on time, go shopping, go to
Speaker 1: a movie here and there, or a Broadway show. If
Speaker 1: you like all of those things, that's not as consistent
Speaker 1: as the job of acting will be in the beginning
Speaker 1: of your career. Now, there are some stories, and I
Speaker 1: know stories myself from Rob Brown finding Forrester who initially
Speaker 1: came on the show to audition as an extra and
Speaker 1: walked out co starring with Sean Sir Sean Connery rest
Speaker 1: his soul and I coach Buster rhymes in that film.
Speaker 1: You know, you walk out with a different check. And
Speaker 1: if you've never seen a check that's like one hundred
Speaker 1: and fifty thousand, you know, two hundred and fifty thousand
Speaker 1: a lot of money. However, you have to be smart
Speaker 1: about budgeting that money, because that could be great for
Speaker 1: one film, and then what if you don't book another
Speaker 1: project for a couple of months or maybe a year
Speaker 1: or two. It's I used to always say, because I
Speaker 1: have a lot of friends in the music business, and
Speaker 1: advances are just that they advance you money so that
Speaker 1: you can take care of your responsibilities and feel comfortable
Speaker 1: being in the studio recording all day and night. Because
Speaker 1: you don't need a second job to take care of
Speaker 1: your living expenses. So you don't want to blow your
Speaker 1: advance on jewelry and pars initially. And you know, no
Speaker 1: judgment if that's what you do, that's what you do.
Speaker 1: I am just saying, in my observation that first check
Speaker 1: should be considered. Let's budget and budget for like six
Speaker 1: to eight months after the job. So you know, I'm
Speaker 1: not saying it's gonna take you six to eight months.
Speaker 1: I'm not saying. I'm just saying that you have to
Speaker 1: live wisely. And I think the stripe really put a
Speaker 1: light on actors and what they're really getting paid, and
Speaker 1: it's not what a lot of people the general public thinks.
Speaker 1: So I freelance, we have to handle our money differently.
Speaker 1: And as much as we are in the present moment,
Speaker 1: I can speak for myself. You're planning for the future
Speaker 1: moments as well. And if you have a family, you
Speaker 1: know that adds up. So you want to be wise.
Speaker 1: And if you're not wise with your money now, then
Speaker 1: maybe take some money classes. You know, there's plenty of
Speaker 1: stuff on ig and all of that, but you know,
Speaker 1: just so that you know how to get the best
Speaker 1: and the most of your funds as an actor. But
Speaker 1: it's not going to be a convenience, you know, at
Speaker 1: least not for everybody. Some people, you know, they have
Speaker 1: that financial support and that's great. But just know the
Speaker 1: words that I choose not to use, like struggle, grinding, hustling,
Speaker 1: those words are not conducive to bringing work to you.
Speaker 1: And it sounds like a pain. You want to be
Speaker 1: in a place of comfort, you know, of course, financial comfort, however,
Speaker 1: in comfort in pursuing your career. Knowing there is a goal,
Speaker 1: there is a strategy here. You're not just oh, we'll
Speaker 1: see what happens or hope for the best. No, you're
Speaker 1: a part of this creation. Get involved and be actively
Speaker 1: involved in the making and the creation of your career.
Speaker 1: Don't put it in somebody else's hands. Trust your hands.
Speaker 1: You don't know anybody else's ins. Okay, So the first
Speaker 1: question you should be asking yourself is why do you
Speaker 1: choose acting or did acting choose you? And really have
Speaker 1: that on this conversation with yourself. I talked to actors
Speaker 1: when I first started teaching twenty nine years ago. I
Speaker 1: would say to actors, you know, are you a morning person? Right?
Speaker 1: And people would say, no, I'm not really a morning person.
Speaker 1: And I'd be like, well, you should start practicing now
Speaker 1: because call times, most call times are like six am,
Speaker 1: seven am most call times. If you're shooting, you know,
Speaker 1: night shoots, then your call time is going to be
Speaker 1: in the afternoon. But you're still going to be working
Speaker 1: through those two o'clock three am all the way until
Speaker 1: like eight nine am. So you have to start putting
Speaker 1: your putting yourself and your mindset in the position of
Speaker 1: seeing yourself as a working actor. And what are those
Speaker 1: things that are required. One, you got to be a person,
Speaker 1: all right. If you are someone who is bothered by
Speaker 1: you know, taking photographs or signing, you know, seeing yourself
Speaker 1: signing autographs, you need to shift that. And the reason
Speaker 1: why I say that, I'm not saying that you have
Speaker 1: to take every picture, you have to sign every autograph.
Speaker 1: I'm just saying you should be grateful for the people
Speaker 1: that support you and put you in the position that
Speaker 1: you are, because when you do great work, you are
Speaker 1: not in control of your fame. It's your audience that
Speaker 1: supports you financially and spiritually. So you know, if you're
Speaker 1: bothered by that, you should have a conversation with yourself
Speaker 1: because I'm going to tell you in my twenty nine
Speaker 1: years of teaching and being an acting coach, a large
Speaker 1: part of that seventeen twenty years, so my celebrity clients
Speaker 1: are really really super gracious in taking pictures with their
Speaker 1: fans or autographs, and I feel really blessed because I've
Speaker 1: never encountered a situation even when they're tired and we've
Speaker 1: been on the set for sixteen hours, they still find
Speaker 1: a space to thank their fans. So again, if that's
Speaker 1: something that you don't like and not comfortable with, you
Speaker 1: got to get in the practice, because again, when you
Speaker 1: do great work, which is not in your control right
Speaker 1: And I only say that because I've read millions of
Speaker 1: scripts and millions of scripts that read so wonderfully and
Speaker 1: they were excellent and they did not translate when they
Speaker 1: were shocked into a film. So you can read scripts
Speaker 1: all day and think, oh, this is going to be
Speaker 1: a great project for me, or this is going to
Speaker 1: be my breakout role. You don't control that. And so
Speaker 1: when that happens and you do have that opportunity for
Speaker 1: a breakout role and to be seen, people love your
Speaker 1: work around this like they feel like they know you.
Speaker 1: They feel personal because they buy the ticket to go
Speaker 1: see your film or they buy your records. I'm just
Speaker 1: saying common courtesy and being gracious is not something that
Speaker 1: should be an effort. It should be something that is
Speaker 1: innately inside of you and that you know, if nothing else,
Speaker 1: just being gracious and thanking people for their support. I
Speaker 1: don't feel like that should be an issue, but it's
Speaker 1: an awareness that I want to bring to you because
Speaker 1: it's a part of the gig. Another part of the
Speaker 1: gig that people don't talk about a lot. But when
Speaker 1: you have a breakout role, right and then I love
Speaker 1: when Malik Yoba said before in New York Undercover, he said,
Speaker 1: in my class, he said, no one knew my name.
Speaker 1: And then the next day everybody knew my name, and
Speaker 1: you know that has.
Speaker 2: To freak you out.
Speaker 1: When you're walking down street, somebody's like, you know, Tracy
Speaker 1: what what? Like? You know, if you never had that experience,
Speaker 1: that is going to be an experience again. When you
Speaker 1: do great work, you will be recognized and work comes
Speaker 1: to you because people are talking about you at that
Speaker 1: point and writing roles for you or considering you for this.
Speaker 1: A lot of stuff goes on once you have that
Speaker 1: breakout role, right, But what people don't talk about is junkets. Right.
Speaker 1: So when you do a film or television show, that's
Speaker 1: what Entertainment Tonight and GMC all of those access Hollywood.
Speaker 1: Those shows are set up to show you really the
Speaker 1: glamorous part of Hollywood. And after you've done a project,
Speaker 1: you do what's called junkets and you go.
Speaker 2: There's some situations right where you can be in a
Speaker 2: huge room.
Speaker 1: And CBS is there, NBC the streaming all of the
Speaker 1: different hosts that you recognize, and one by one you go,
Speaker 1: it's like a rotation. You go, you sit with Entertainment
Speaker 1: Tonight and then they interview you, and then you move
Speaker 1: and you sit with you know, Daily Mail. Right. The
Speaker 1: thing about that is that what you're doing is you're
Speaker 1: repeating yourself at least one hundred plus times because you're
Speaker 1: pretty much being asked the same questions by the host, like,
Speaker 1: oh my god, so tell us about your character in
Speaker 1: this movie, or you know, how did you choose pretty
Speaker 1: much the thing. Right, A lot of actors, this is
Speaker 1: not their favorite part of the gig. A lot of actors,
Speaker 1: it's not that they have a problem promoting it, but
Speaker 1: it's more of the repetition of it that could be
Speaker 1: a little challenge.
Speaker 2: Right.
Speaker 1: So one situation is you're in a really big room
Speaker 1: and you're just rotating around and talking to the host.
Speaker 1: Another situation is that the host are coming to you.
Speaker 1: A lot of times when I was on the set
Speaker 1: with my celebrity clients would show up, MTV would Sway
Speaker 1: would show up. So there's a lot of promotion, and
Speaker 1: there's a lot of interviews to talk about the film
Speaker 1: and the thing that you must be consistent with. And
Speaker 1: I don't feel I should have to push you in this,
Speaker 1: but you want to be consistent in enjoying each interview
Speaker 1: that you have. You don't want it to look like
Speaker 1: it's a burden that you know. Another question about the film. No,
Speaker 1: you want to be excited, you want your audience to
Speaker 1: come support you, and more importantly, you enjoyed it and
Speaker 1: had a great time, Okay, And you know I'm not again,
Speaker 1: I'm not putting words in your mouth. If you didn't
Speaker 1: have a great time, you know, there's a way in
Speaker 1: saying that as well. However, junkets are a very, very
Speaker 1: very big part of your job. And if you don't
Speaker 1: like talking about things, talking about yourself, that's another thing
Speaker 1: you're going to have to incorporate in your life because
Speaker 1: that is a part of being an actor. And why
Speaker 1: are we loving your talent is the confidence. It's knowing
Speaker 1: that there's a role out there for me without being
Speaker 1: jaded and stressed out right, And I don't even like
Speaker 1: that word as stress. However, I'm using it to give
Speaker 1: you guys an example in my experience, actors who are
Speaker 1: not jaded. And I have a spirited actor right now
Speaker 1: who is not jaded, and her career is soaring. Applause, applause, applause.
Speaker 1: She knows who she is and you have this sense
Speaker 1: of also, you're grown, you know, and it doesn't have
Speaker 1: to be an age when I say you're grown you're
Speaker 1: just at a point in your life where there's no
Speaker 1: there's nothing to chase, there's nothing to hyperventilate about.
Speaker 2: You trust this process. You trust, you put some work
Speaker 2: into it, you.
Speaker 1: Train, because what job do you apply for or go
Speaker 1: after and you know nothing about it? This is a job. Yes,
Speaker 1: acting is a job and more than nine to five. Okay.
Speaker 1: So I just want you, guys, to have a conversation
Speaker 1: with yourself before you dive in and invest and consider
Speaker 1: yourself an actor, or more importantly, before you put that
Speaker 1: pen to paper or write in your phone your acceptance speech.
Speaker 1: Be honest with yourself about this industry and the journey
Speaker 1: that it is. And I keep stressing to you guys,
Speaker 1: don't look for the joy anywhere else but in the journey.
Speaker 1: Even when you are I don't use the word rejection.
Speaker 1: Not every role is for you, and there are a
Speaker 1: lot of elements of why you did not get the role.
Speaker 2: I have worked on.
Speaker 1: A plethora of projects where you know, sometimes a producer
Speaker 1: or director has a friend who's an actor and they
Speaker 1: want to give them that role. Even though you might
Speaker 1: still audition for that role, that role might be someone
Speaker 1: else's unbeknownst to you, it doesn't matter. Be grateful for
Speaker 1: the opportunity to audition. Look at every opportunity, look at
Speaker 1: every moment in this journey as a teachable lesson for
Speaker 1: yourself and a way for you to grow as an actor. Okay,
Speaker 1: all right, fame versus great work. When I work with actors,
Speaker 1: there's been a couple of actors in my experience that
Speaker 1: have said, Tracy, can you help me be famous? And
Speaker 1: I say, no, I can't. I can. I can help
Speaker 1: you be a great actor, but being famous is something
Speaker 1: that you're chasing. I don't chase fame, and you should
Speaker 1: not chase fame. You should allow the process to happen
Speaker 1: the way it's going to happen. A lot of times
Speaker 1: actors will take my class, and some actors will be
Speaker 1: challenged and say, you know know, they want an agent,
Speaker 1: they want something to happen. I'm going to tell you
Speaker 1: now that I know my classes are different because when
Speaker 1: I started teaching twenty nine years ago, I had friends
Speaker 1: as actor friends as a casting director. I was actively working.
Speaker 1: I never worked one job. It was always two to
Speaker 1: four jobs at the same time. Because I didn't know
Speaker 1: how to say no to my friends, producers and directors
Speaker 1: now I do. However, at that time, you know I
Speaker 1: would be working on a job, let's say, with with
Speaker 1: assistant director Roger Bob. And if you don't know who
Speaker 1: Roger Bob is, you know I'm really big on IMDb
Speaker 1: dot com. You have to IMDb dot com these people
Speaker 1: and whether whoever I speak of, so that you know
Speaker 1: these are real people and people that you want to
Speaker 1: work with.
Speaker 2: Right.
Speaker 1: So, I was doing a project work with Roger, asked
Speaker 1: Roger to come into my class. Roger came into my class.
Speaker 1: I was walking down the street one time, was first
Speaker 1: season of Dave Chuppelle's TV show. Ran in a Dave
Speaker 1: and he.
Speaker 2: Was like, where are you going?
Speaker 1: I was like to my class. He was like, chase
Speaker 1: him coming with you. Like this has been my life
Speaker 1: in teaching for twenty nine years. I just didn't start
Speaker 1: inviting people into my class. And not just my actor friends,
Speaker 1: but also my casting director friends, my agent friends, manager friends.
Speaker 2: Producer director friends.
Speaker 1: Always from day one, wanting the mission and the commitment
Speaker 1: has always been to help showcase actors and give them
Speaker 1: opportunities that they may not necessarily have. So me inviting
Speaker 1: my friends and them so graciously, you know, including my
Speaker 1: producer of this podcast s, Bruce Henry.
Speaker 2: He comes into the class.
Speaker 1: It's for my actors to have an opportunity to know Spruce,
Speaker 1: and for Spruce to have them in the back of
Speaker 1: his mind when he's thinking about voiceover, when he needs
Speaker 1: an improvisational actor whatever. So this has been the spirited
Speaker 1: actor and continues to be our mission. And there are
Speaker 1: things that you know as a casting director that I've
Speaker 1: overextended myself because again, I believe in actors. I trust actors.
Speaker 1: You have to as an actor, you have to appreciate
Speaker 1: you love that. You have to take that in and
Speaker 1: know that that's not a consistent experience that all actors have.
Speaker 1: And that's a part of your journey, you know, being
Speaker 1: grateful for that opportunity to meet that person that you
Speaker 1: would not necessarily meet on your own, or that you
Speaker 1: have that connection to me on your own. It's not
Speaker 1: about the fame. It's about your work focused on being
Speaker 1: a great actor training. I used to always say this
Speaker 1: as a casting director. People would say, oh, so you
Speaker 1: know what's your next gig, and I would say, oh,
Speaker 1: I don't know what it is, but God is always
Speaker 1: going to bless me with something and I always would
Speaker 1: get a job right, and then I would say, even
Speaker 1: if I wasn't getting paid, I would still do it
Speaker 1: because I love this right, and then energy started to
Speaker 1: come to me like favors or no money, and I
Speaker 1: was like, no, we got to switch that dialogue because
Speaker 1: it's real life. We have responsibilities. So I love this
Speaker 1: business so much that even if I wasn't getting paid,
Speaker 1: I would do it. However, that's not my real world.
Speaker 1: I've put a lot of time and energy into building
Speaker 1: my career and relationships that I know my value and
Speaker 1: I deserve to get paid for my work. So that's
Speaker 1: my mentality now. But I love this business regardless like
Speaker 1: I love love love actors. I love being on the set.
Speaker 1: I love every aspect of it. And that's what you
Speaker 1: have to do as an actor. You have to love
Speaker 1: all of it you do. If you love the training
Speaker 1: hate the audition part, you can't. You've got to find
Speaker 1: a place in the zooms to love this, you know,
Speaker 1: And starting with you're not standing in front of us,
Speaker 1: because I think ninety percent of your audition and my
Speaker 1: experience as you guys coming in the room and so
Speaker 1: incredibly nervous that you're either shake. Your body is physically shaking,
Speaker 1: your voice is shaking. So you don't have to do
Speaker 1: that anymore. How cool is that you don't have to
Speaker 1: come in live. Now you're in the comfort the comfort
Speaker 1: of your home. You're in the comfort of wherever you
Speaker 1: are you should be, and you at your own past
Speaker 1: are putting your submission together. Now, I will say this
Speaker 1: in terms of submissions, because this is a general consensus
Speaker 1: with all casting directors. Only do as many takes as
Speaker 1: you feel that you would get if we were in
Speaker 1: a live audition. I'm gonna say that again, only do
Speaker 1: as many takes as you would get if you were
Speaker 1: in a live audition. So in a live audition, you know,
Speaker 1: a casting director is not doing ten takes. You're lucky
Speaker 1: if we do two. Really blessed if we do two,
Speaker 1: because COVID has changed the dynamics of filming. Right, So
Speaker 1: now look at this, you're in the comforts of your
Speaker 1: own home. That takes off some pressure and he begb's
Speaker 1: there's no pressure.
Speaker 2: Okay, go now, or you know we have to take
Speaker 2: this in ten.
Speaker 1: Minutes because I have somebody else none of that. How
Speaker 1: cool is that? Because those are the two biggest things
Speaker 1: in live auditions. In my experience, then you're not reading
Speaker 1: with me, you're not reading with my associate. You're reading
Speaker 1: with maybe another thespian front of yours. How cool is that?
Speaker 1: So there's another comfort for you, somebody you know, somebody
Speaker 1: you've read with before, and you have a comfort that
Speaker 1: is going to be beneficial to your submission because we're
Speaker 1: going to see that comfort even more. You got to
Speaker 1: look at the glass half full, because when we switch
Speaker 1: to zoom, I was not happy about that. I love
Speaker 1: being in person. I love being able to, you know,
Speaker 1: tap into your energy as an actor, because again, acting
Speaker 1: is the talent, but we also are dealing with a personality.
Speaker 1: That's why I said, if you guys are in mourning people,
Speaker 1: you need to work on that now. If you're not,
Speaker 1: I want to take a photo of you know, with
Speaker 1: my with one of my fans, or I'll sign an autograph.
Speaker 1: You got to make some adjustments because again, our whole
Speaker 1: purpose is to do great work. Right, I'm not just
Speaker 1: on here talking about acting. We'll see what happens. No,
Speaker 1: we're grounding it, We're bringing it, and we're grounding and
Speaker 1: rooting it in a solid foundation of a commitment passion, work, ethic.
Speaker 1: All of that is going to ground and root you.
Speaker 1: The other thing I wanted to talk about as it
Speaker 1: all goes together is your health for your stamina. Right.
Speaker 1: I know as a casting director and one of the
Speaker 1: reasons why I felt it was time for me to transition.
Speaker 1: You do not have a life as a casting director,
Speaker 1: like seriously. So one of the things that's really important
Speaker 1: is rooting and grounding yourself in a solid foundation.
Speaker 2: And the foundation is confidence.
Speaker 1: The foundation is the confidence comes from training because when
Speaker 1: you know the information and you know the tools, you're confident. Ah,
Speaker 1: I know what I was going to say to I'm
Speaker 1: going to add this on stamina. Stamina. Stamina is a
Speaker 1: part of that foundation as well. It's so important you guys.
Speaker 1: And I'm older, and I encourage and I implore the
Speaker 1: youth and the and the younger generations to really invest
Speaker 1: in your health.
Speaker 3: Right.
Speaker 1: Recently, I just read something where they said that, oh lord,
Speaker 1: bottled water, right, plastic not bottle water. Plastic water, you know,
Speaker 1: not plastic water.
Speaker 2: That's in plastic bottles.
Speaker 1: Okay, I heard that, and I have to go back
Speaker 1: and read this. But there's so much plastic that we're
Speaker 1: consuming that it's equivalent to us have having like eight
Speaker 1: a credit card, a plastic credit card every day because
Speaker 1: you know, you hear something on ID.
Speaker 2: Or you know, in the news. But I'm going to
Speaker 2: say this.
Speaker 1: I'm going to say that your health and your stamina
Speaker 1: is imperative to be an actor, Okay. And one of
Speaker 1: the reasons why I say that is because in TV
Speaker 1: and film there are no stand ins that are going
Speaker 1: to come in and you know, understudies. There are no understudies,
Speaker 1: or there aren't stand ins in TV and film, but
Speaker 1: they're stand ins because they physically stand in for the lighting.
Speaker 1: But they never say you're you know the star's words
Speaker 1: or anything like that. Their dialogue right, But.
Speaker 2: There's nobody that's going to take your place.
Speaker 1: If you have a cold, COVID sore throat, they're going
Speaker 1: to get a doctor on that set and medicine you
Speaker 1: up so that you can go back and do the work.
Speaker 1: You want to drink water. I am such a fan
Speaker 1: of the green tea. You want to put things in
Speaker 1: your body. Sea moss has ninety seven out of the
Speaker 1: hundred minerals and nutrients that your body needs on a
Speaker 1: daily basis. I do a tablespoon of sea moss every morning.
Speaker 1: I also do a drop of a regino under my
Speaker 1: tongue and get and don't get the essen oil a
Speaker 1: regino which I made the mistake and it's burnt the
Speaker 1: whole entire mouth. You got to get the Regno. You
Speaker 1: know that you can take orally black seed oil. You know,
Speaker 1: more fruits and vegetables for fiber. And to make sure
Speaker 1: that you know when you know how your body operates,
Speaker 1: which is a brilliant, brilliant, brilliant machine. You guys, you
Speaker 1: go to sleep and your pancreas is not tapping you
Speaker 1: on the shoulder like you know, we need to function
Speaker 1: your heart, we need to like it's a brilliant machine.
Speaker 1: So in knowing that our bodies function a certain way,
Speaker 1: you want to make sure that your water intake is
Speaker 1: helping to flush out all the things that you don't need.
Speaker 1: And you want to put foods in your body that
Speaker 1: are going to excite your body and make your body
Speaker 1: feel good. If you don't know what it feels good
Speaker 1: to feel good, man, when you cut out some of
Speaker 1: this food, processed food or fried foods, or canola oils,
Speaker 1: vegetable oils, when you start cutting these things out and
Speaker 1: seeing and feeling the effects. You know what I'm talking about.
Speaker 1: And even on a higher level, a spiritual frequency, you
Speaker 1: are clearing your third eye. You and when you clear
Speaker 1: your third eye. If any of you have watched the
Speaker 1: film The Secret, I encourage you to watch it. But
Speaker 1: in The Secret, it talks about how if our thoughts
Speaker 1: were to manifest at the level which they would right
Speaker 1: in believing in the law of attraction and manifestation, it
Speaker 1: would be expeditiously. You would have a thought manifest. You
Speaker 1: would have a thought manifest. However, we have this sort
Speaker 1: of filter, right, so we have the thought, and then
Speaker 1: you can choose to either thing positive about having that
Speaker 1: thought or negative about having a thought.
Speaker 2: Both require certain energy. Right. That's another conversation we're.
Speaker 1: Going to have. We're going to have the Spirited Actor.
Speaker 1: What is the spirited Actor? And that's going to be
Speaker 1: a conversation. We'll do that in May, Okay, I mean March, March. March.
Speaker 1: We'll do that in March. But I only have a
Speaker 1: few more minutes, and I want to give you some tips.
Speaker 1: I want to give you, guys, some tips on building
Speaker 1: your armor and loving your talent.
Speaker 2: Okay.
Speaker 1: One, stop the noise. All of the people that are
Speaker 1: in your life that are saying that it's difficult for
Speaker 1: you to accomplish your goals or your dreams, or it's
Speaker 1: hard or it's impossible. You need to blow sprinkle dust
Speaker 1: on them, and I have sprinkled us. It's just some
Speaker 1: beautiful energy of love and peace, and just blow that
Speaker 1: on them and bless them. But you can't listen to them.
Speaker 1: You can't listen to the noise. The noise will distract you,
Speaker 1: deture you, and the next thing you know, you're sitting
Speaker 1: in a chair. I should have, would have could stop
Speaker 1: the noise. And the noise comes from our loved ones first,
Speaker 1: because they believe they love us, and in loving us,
Speaker 1: they're protecting us. They're you know all of that. But
Speaker 1: you have to make a choice. Stop the noise. Two,
Speaker 1: create a cancelation word or a phrase. Right, So, in
Speaker 1: our moment of manifestation and thinking right where like, I
Speaker 1: want to be a working actor. Okay, so you say
Speaker 1: I want to be a working actor, but you can't
Speaker 1: stay after that. But I don't know if there's any
Speaker 1: rolls out there. I don't know if I look right
Speaker 1: for the part no. So the cancelation word or phrase
Speaker 1: comes in here. You say I want to be a
Speaker 1: working actor. That thought comes in and you say delete, cancel,
Speaker 1: whatever my word is delete. That was my original word.
Speaker 1: I would just if I heard something come up, I
Speaker 1: would go delete, delete, and cancel that thought. So you
Speaker 1: have to create a cancelation word or a cancelation phrase
Speaker 1: when those negative energies try to pop in your head
Speaker 1: and try to distract you.
Speaker 2: Three.
Speaker 1: You need to nurture your faith and have standards. I'm
Speaker 1: not telling you what to do. I am simply suggesting
Speaker 1: when you hold on to your faith, whatever your religious
Speaker 1: belief in, there is peace in that surrender is when
Speaker 1: you say you know what God, you know my needs,
Speaker 1: you know what I'm asking for. I'm going to just
Speaker 1: let you handle that. Secure your faith because that's a
Speaker 1: great place where you can retreat and go talk to God,
Speaker 1: have a conversation. When you say, oh, they rejected me,
Speaker 1: and God says, no, they reject you.
Speaker 2: That role wasn't right for you. But there is a
Speaker 2: role out there for you. And then you sit in
Speaker 2: that and you say, yeah, you're right there. It is
Speaker 2: a role out there for me that feels good.
Speaker 1: Four embrace your uniqueness because your uniqueness is your greatness.
Speaker 1: I don't care what anybody says out here about the
Speaker 1: Yabba Daba doing of You should be more like Beyonce,
Speaker 1: you should be more like whoever. No, you should be
Speaker 1: more like yourself. Your uniqueness is your greatness, and embrace that.
Speaker 1: And five, we are in the month of February. Love
Speaker 1: your talents every morning, every morning.
Speaker 2: With there's no exception to this rule.
Speaker 1: Every morning you are to stand in front of the
Speaker 1: mirror and tell yourself you love yourself. And you cannot
Speaker 1: leave that mirror until you have convinced yourself that you
Speaker 1: loved yourself. I love me every single day, every single day.
Speaker 2: It starts with you.
Speaker 1: Well, I've had a pleasure today interviewing myself, just cheering
Speaker 1: with you guys. Once again, February is love your talent,
Speaker 1: and you should be in love with your talent, and
Speaker 1: you should be grateful and you should feel blessed because
Speaker 1: you are an artist and you have a gift, and
Speaker 1: how wonderful to share your gift with the world. So
Speaker 1: I'm going to open it up right now to Elsa.
Speaker 1: We have a question.
Speaker 2: We do we do.
Speaker 3: Fantastic lesson as always Tracy, thank you.
Speaker 4: For those tips.
Speaker 2: Thank you, love yourself.
Speaker 3: So today we have Miss Anita Hill with us to
Speaker 3: ask a question. Welcome, Canita, you can come.
Speaker 2: On, Canita Hill. I can't wait to tell her story.
Speaker 2: Good morning, good morning.
Speaker 3: Question for Tracy, thank you.
Speaker 5: My question is I want to touch a little bit
Speaker 5: more on the training piece. Okay, what is Sometimes I've
Speaker 5: heard that, you know, people may say, don't train too
Speaker 5: much to change who you are. Do you feel like
Speaker 5: training is a lifelong thing people are always tweaking and training,
Speaker 5: or do you is it possible to overtrain?
Speaker 2: Those are great questions.
Speaker 1: I will say this that I'm old schools, so I
Speaker 1: come up with the adop Caesars and the Sam Jackson's
Speaker 1: and you know and even you know the violas and
Speaker 1: so the training part of it is, yes, getting the tools,
Speaker 1: getting the information. But the other aspect of it is
Speaker 1: that you are going you Nita, There's a wide range
Speaker 1: of roles that you could play, from an accountant to.
Speaker 2: A mom, right, and.
Speaker 1: Some of these experiences you don't have. So what training
Speaker 1: does is it helps you to master this experience that
Speaker 1: this character is having so that we the audience authentically
Speaker 1: believe this is her experience, Like, you can't tell me
Speaker 1: she has never you know, as an EMS person, someone
Speaker 1: has not died on her watch.
Speaker 2: Look at her strengths or you know, like whatever the.
Speaker 1: Experience is, you as an actress may not have it,
Speaker 1: and training is going to help you to be able
Speaker 1: to assimilate and not look like you're pretending or imitating.
Speaker 1: You are authentically you know, a counselor you are authentically
Speaker 1: you know Notori has never been a judge before, but
Speaker 1: you believed it in that BT movie with Lance Grows,
Speaker 1: and she did her research and in that she had
Speaker 1: to be physical. On top of that, she had to
Speaker 1: do do training to be able to do that, martial
Speaker 1: arts and all of that. So training does not have
Speaker 1: to be consistent every day three hundred and sixty five days.
Speaker 1: You might take a class, absorb all of that, and
Speaker 1: then you come up with a role and you might
Speaker 1: need some assistance. But training is consistent with the Denzels,
Speaker 1: with the al Pacinos, And so when you look at
Speaker 1: the greats and they're still training, it's not a situation
Speaker 1: where you know, oh, I'm good, I work with Latory
Speaker 1: Naton and I love when she says right before the strike.
Speaker 1: She was doing Power and she had called me and
Speaker 1: she said, you know, someone would say, why are you
Speaker 1: calling Tracy for power? Because you established this role, you know,
Speaker 1: this role, and she was like, because I need tweaking,
Speaker 1: you know, and I Tracy might see something that maybe
Speaker 1: she doesn't. So it's a partnership. I think it's a
Speaker 1: lifetime partnership. And I also think that.
Speaker 2: Kalita Smith, my road dog, I was talking.
Speaker 1: To her on Monday and she was like, Tacy, I
Speaker 1: got to get off the phone because I got to
Speaker 1: go to class.
Speaker 2: And I had just finished telling her you are legendary.
Speaker 1: You are You're a part of that universe where you
Speaker 1: will always be known for the Bernie Mac Show and
Speaker 1: being the character on the Bernie Mac Show. That's not
Speaker 1: a bad thing, you know, when you've established a role
Speaker 1: where I've worked with you know a lot of different
Speaker 1: childhood actors. And currently we're working on this project where
Speaker 1: Kim Fields is directing.
Speaker 2: But you know, she's legendary back to life.
Speaker 1: Let me see. So those are things to be proud of.
Speaker 1: But for Kalita to say I got to get to class,
Speaker 1: I was like, this is why you work, because you
Speaker 1: do and sometimes training is not just let me go
Speaker 1: in and work on scene study. Sometimes it's inspiration because
Speaker 1: my classes I don't do beginner, intermediate, and advance for
Speaker 1: a reason. The aspiring actors motivate the working actors and
Speaker 1: remind them of why they do it and reignite something
Speaker 1: in them. And then, of course the aspiring actors are
Speaker 1: inspired by your working. You just did Law and Order,
Speaker 1: but you're in class. Why are you so? Yeah, I
Speaker 1: hope I answered your question.
Speaker 4: Yes, thank you.
Speaker 2: Training is you need to train?
Speaker 1: Yeah, you need to train. Yeah, you know. And then
Speaker 1: one other thing I want to ask you with to Kanita,
Speaker 1: The thing I want to add to it is that
Speaker 1: do Shakespeare take some take some classes or dialect classes
Speaker 1: that go totally against the grain of who you are,
Speaker 1: because that also is inspiring and also re ignites why
Speaker 1: you're doing this in the first place and why you
Speaker 1: love it. Well.
Speaker 2: Thanks, thank you, you're welcome. Thank you, thank you, Elsa.
Speaker 2: That was a great question.
Speaker 3: Absolutely, thank you, Anita, thank you.
Speaker 2: And our next person you want to set it up.
Speaker 3: Yes, our second question is coming from mister Mohammad Williams.
Speaker 6: Welcome, Mohammad, Hey, thank you, Hey, Miss Tracy Elsa mister
Speaker 6: Henry Hey for me and she virtually, what's been your
Speaker 6: greatest joy in your journey of working in film and television,
Speaker 6: whether it's on the casting side or working with an actor,
Speaker 6: and you see, oh, my goodness, like they've blossomed into
Speaker 6: you know, into what Because one thing you've always said
Speaker 6: is like, we have to see the vision that you
Speaker 6: see for us in ourselves.
Speaker 4: First, what's been, you know, the one that your greatest
Speaker 4: joy so far in this journey. I know it's probably
Speaker 4: a lot that you can pick for it. And also
Speaker 4: how are you doing?
Speaker 1: Ah, I'll answer that at the end, but I will
Speaker 1: answer it. So in terms of the joy, what is
Speaker 1: consistent about the joy? I don't think that you can
Speaker 1: ever get tired of seeing people accomplish their dreams because
Speaker 1: everybody is individual in their drive and in their passion
Speaker 1: towards their dreams. So it doesn't look the same in everybody.
Speaker 1: So that's something that continues to be consistent. Because even
Speaker 1: in teaching, like with you, you're a perfect example. I
Speaker 1: work with you in class and then my friend is
Speaker 1: looking for an actor for a play.
Speaker 2: I think of you, call you know.
Speaker 1: We alsa reaches out for you.
Speaker 2: You get it? That like to me, And and.
Speaker 1: It's not about like a certain time. We don't live
Speaker 1: in that business. This is not a nine to five,
Speaker 1: This is not corporate.
Speaker 2: This is very organic and spontaneous.
Speaker 1: So to see you audition, get the role, and then
Speaker 1: someone else sees what I see in you, that's just
Speaker 1: the continuous confirmation of that's the motivation and inspiration and
Speaker 1: it helps to keep me going. What inspires me and
Speaker 1: the joy in teaching is that the information is still
Speaker 1: the same and it needs to be mastered and perfected.
Speaker 1: That's the journey, but that there's still knowledge that needs
Speaker 1: to be given and shared. And then for me to
Speaker 1: step back and hear it, it's like, wow, I've been
Speaker 1: doing this a lot. I just know a lot stuff
Speaker 1: and it's great to be able.
Speaker 2: To, like I said, share it. So that's the joy
Speaker 2: for me.
Speaker 1: It's the and I always say to you guys, like
Speaker 1: remember this moment because we're going to laugh about this.
Speaker 1: And I was thinking about Miles Fross for those of
Speaker 1: you who don't know Tony Award winning Miles Frost for
Speaker 1: a Broadway show MJ and I met him when he
Speaker 1: was in college and twenties.
Speaker 2: I guess early twenties and he said he wanted to win.
Speaker 1: A Tony.
Speaker 2: And it's and I love when those things happen.
Speaker 1: Those situations happen because you said it and now you've
Speaker 1: manifested so there, so there it is the power and
Speaker 1: the word, the thoughts and how you think about it.
Speaker 1: So yeah, excellent, excellent, and I am feeling fabulous because
Speaker 1: life encompasses everything. There's no separate categories. It all embodies
Speaker 1: itself and his life. So I love it. When we
Speaker 1: come back and thank you, Elsa, Thank you so much
Speaker 1: for that question. Great questions. All Right, you guys sit back.
Speaker 1: When we come back on the Spirited Actor Cast with
Speaker 1: me Tracy More, we are going to do class and
Speaker 1: Session and Elsa has chosen a monologue this time. Welcome
Speaker 1: back to the Spirited Actor Podcast with me Tracy Moore,
Speaker 1: and we are in class in session and this is
Speaker 1: different you guys. We normally do scenes, which I love,
Speaker 1: but today Elsa Lathan has surprised us with the monologue.
Speaker 2: Hello Elsa, Hello, Hello.
Speaker 3: Well yeah, we had to go with a monologue today
Speaker 3: because we're talking about loving your craft. So it starts
Speaker 3: with that, starts with the basics, which is monologues, so
Speaker 3: I think it's a great tool. So today we have that.
Speaker 3: Mister Mohammad Williams, welcome back, Muhammad.
Speaker 4: Yeah, hey, Mohammad, Hey, hey, hey, Miss Tracy hey.
Speaker 3: Elsa hey, So Muhammad, tell us the name of your
Speaker 3: monologue and who was written by, and then you are
Speaker 3: a yeah.
Speaker 4: So this is a comedic monologue. Is different for me
Speaker 4: because normally I'm doing the dramatics. So today I decided
Speaker 4: to do something different, and it's actually something that you
Speaker 4: had sent me a while back. Also, it's a TSA monologue,
Speaker 4: comedic monologue. So hopefully I do this to the writer,
Speaker 4: Miss Tracy, So here we go. Being a struggling actor
Speaker 4: is like being on a roller coaster ride designed by
Speaker 4: life itself. Our audition for a role once and they
Speaker 4: told me I was too unique translation. They were looking
Speaker 4: for someone with the charisma of a potato. But you
Speaker 4: know what, I wouldn't have it any other way, shureing.
Speaker 4: My bank account has more tumbleweeds in a Western movie,
Speaker 4: and my refrigerator actually echoes. But the thrill of chasing
Speaker 4: a dream is like a shot to the heart. I've
Speaker 4: played everything from a tree and a school play to
Speaker 4: an invisible man or auditions. It's like I have a
Speaker 4: PhD in rejection at this point, but hey, it build's character,
Speaker 4: right and who needs a stable income anyway? When you
Speaker 4: can have the unpredictable excitement of wondering if this audition
Speaker 4: will be the big break or just another rejection level,
Speaker 4: people ask why don't you get a real job, But
Speaker 4: pretending to be someone else is the realest job there is.
Speaker 4: It's not just about the fame and the fortune. It's
Speaker 4: about creating moments that resonate with people, or at least
Speaker 4: booking a commercial to pay your bills. So here's or
Speaker 4: the struggling actors out there. May your auditions be fruitful,
Speaker 4: our head shots be photogenic, and may we always find
Speaker 4: the humor and the chaos that is showbids, because when
Speaker 4: life hands you lemons, you might as well turn it
Speaker 4: into one man's show.
Speaker 1: So much.
Speaker 2: Okay applause.
Speaker 1: First of all, there were questions that I was asking
Speaker 1: myself during your monologue one right, So the first thing
Speaker 1: I said was he's an actor?
Speaker 2: Do I believe he's an actor? And then it was.
Speaker 1: Like check because initially you started off fast for me,
Speaker 1: but then an actors, you really got to understand what
Speaker 1: you're saying, because you said a line about adrenaline and
Speaker 1: I was like, see, that justifies why you're speaking fast.
Speaker 1: Your adrenaline is going, So that makes sense. So that
Speaker 1: is not a critique that goes out the window. Right.
Speaker 2: And then just.
Speaker 1: The cynicism and the sarcasm of you know, of this experience,
Speaker 1: I was like, he an actor. You know, even in
Speaker 1: talking and discussing this quote unquote issue, there's dramatics in it.
Speaker 2: Does that make sense?
Speaker 1: So I totally believe that you were an actor and
Speaker 1: I felt good about that. I felt like I know
Speaker 1: actors well enough to know that this is like definitely
Speaker 1: a personality trait, et cetera. What I would do is,
Speaker 1: even though it's comedy, because everything is about tonality, it's
Speaker 1: not like, you know, we should be on the floor
Speaker 1: cracking up, laugh and it's been all the place.
Speaker 2: So what I would do is allow.
Speaker 1: Some of that vulnerability because there's something and you know
Speaker 1: where it is. There's a place of vulnerability and truth,
Speaker 1: and then we go back to comedy, right, because that's
Speaker 1: one thing. I have a lot of comedian friends who
Speaker 1: are comedians and they always say that, you know, they
Speaker 1: have the power like nine to eleven to.
Speaker 2: Make jokes and we're like, oh, that's but they do.
Speaker 1: They take that liberty and when we think so, I
Speaker 1: just feel like, in your sarcasm and flipping this, just
Speaker 1: find a little more vulnerability and then go.
Speaker 2: Back to that, just to give us some versatility. But
Speaker 2: I thought you did a great job. Great job.
Speaker 1: Yeah, I see and this, and I see your training
Speaker 1: and just more importantly your confidence and your groundedness. You're
Speaker 1: so settled, your spirit is so settled.
Speaker 4: Low.
Speaker 1: Thank you, wonderful, thank you for a great actor and
Speaker 1: a great performance and a great surprise. Elsa, Thank you
Speaker 1: very much.
Speaker 4: Thank you, Elsa.
Speaker 2: Our writing.
Speaker 1: Now when we come back on the Spirited Actor Podcast
Speaker 1: with me Tracy Moore, I am going to give you
Speaker 1: some love.
Speaker 2: That's what I'm going to do. And now it's time
Speaker 2: forgive love. Now.
Speaker 1: I just want to say this. I want to preference
Speaker 1: this story before I tell you this story. Anybody that
Speaker 1: knows me, and regardless if you don't, I love my children,
Speaker 1: I love Radiance, I love Miles, and I love my
Speaker 1: granddaughter Sarah. These are my people. Okay. Howsoever, yesterday I
Speaker 1: said to my daughter, who I love and adore you
Speaker 1: and your daughter get on my nurse. You and your
Speaker 1: daughter Sarah. Today, in this very moment, I have to
Speaker 1: say it, you guys, get on my nurse.
Speaker 2: So I don't talk to my children like that.
Speaker 1: I would, I don't want to ever say things like
Speaker 1: that to them, But yesterday I had to say it.
Speaker 1: Spirit made me say it, and I said it unapologetically, right,
Speaker 1: So I wanted to diffuse that energy after I told
Speaker 1: her that. And this was after I had dropped her
Speaker 1: daughter off at the bus stop to go to school.
Speaker 1: So I walked home and there's this coffee shop in
Speaker 1: my area, and I said, you know what, I'm going
Speaker 1: to go in and get something. So I went in
Speaker 1: to get a cup of coffee, and there was a
Speaker 1: gentleman before me, and he wanted to get a croissant,
Speaker 1: and he wanted to get a cup of coffee, but
Speaker 1: he wanted to split the payment, and the you know,
Speaker 1: the server was saying to him, we can't split the payment.
Speaker 1: So he said, okay, well I'll just take the coffee.
Speaker 1: So then my turn came and I said to the server,
Speaker 1: I'll take that croissant that you were going to put away,
Speaker 1: and I'll get a cup of coffee, so she.
Speaker 2: Gave me the croissant.
Speaker 1: I went down where he was waiting for his coffee
Speaker 1: and I gave it to him and I said, this
Speaker 1: is for you.
Speaker 2: And he said no, no.
Speaker 1: He said I owe you. I said, no, you do
Speaker 1: not owe me anything. He said no, I owe you.
Speaker 1: I said, enjoy. Because what I noticed, and I always
Speaker 1: am observing behavior, I noticed that when the service said
Speaker 1: that she couldn't split the payment, I felt his disappointment
Speaker 1: because he wanted that croissant with his cup of coffee.
Speaker 1: I saw that. I'm telling you this because my day
Speaker 1: could have started on.
Speaker 2: My daughter and my granddaughter got on my nerves.
Speaker 1: But my day actually in taking that negative energy, I
Speaker 1: turned it around when I paid it forward to this
Speaker 1: gentleman and I felt good and I felt happy, and
Speaker 1: I called radiance and I said, even though you and
Speaker 1: your daughter you know my nerves, I still love y'all.
Speaker 1: And that felt good. Turn your day around. Don't let
Speaker 1: one bad comment, energy vibe disrupt your day. Find a
Speaker 1: way to turn it around so that you can, like
Speaker 1: yesterday turned out to be a spectacular day. Don't forget
Speaker 1: to look out for us on our new show Inside
Speaker 1: the Black Box, My co host will be Joe the
Speaker 1: Legend Morton. It's going to be the Spirited Actor Podcast
Speaker 1: on Steroids. We'll be streaming on the Crackle network. I'll
Speaker 1: keep you posted. Thank you for joining us on the
Speaker 1: Spirited Actor Podcast with me Tracy Moore. I look forward
Speaker 1: to our next Spirited Podcast. Thank you.