WEBVTT - Batman Returns with Karen Han

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef In best start

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<v Speaker 1>changing it with the Bell Cast, Jamie, life's a bitch,

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<v Speaker 1>and now so am I thanks for telling me. I

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<v Speaker 1>guess you're welcome. I just want you to know I

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<v Speaker 1>underwent a transformation recently, and we'll see I'm actually running

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<v Speaker 1>for mayor. But but if it's if things like go south,

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<v Speaker 1>even the smallest bit, the first little snaffhoo I encounter,

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<v Speaker 1>I will then pivot and threaten to kill everyone's son,

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<v Speaker 1>all of the small children. Oh boy, does he want

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<v Speaker 1>eighty quickly on that one? It is wild. Um. I'm

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<v Speaker 1>trying to figure out who I'm most spiritually connected to.

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<v Speaker 1>I love I love Catwoman, but like, I don't know

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<v Speaker 1>if I could do what Catwoman does. I do feel

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<v Speaker 1>very connected to Christopher Walkin's big old son, you mean Chip,

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<v Speaker 1>who also talks like Christopher Walkin in his two lines

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<v Speaker 1>of dialogue. This is what I wanted to say. I'm

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<v Speaker 1>so sorry to interrupt it earlier, but literally, as soon

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<v Speaker 1>as they started talking, like, I completely forgotten that part

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<v Speaker 1>of his character is that he sounds like his father,

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<v Speaker 1>and so they're like get await that just run And

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<v Speaker 1>I'm like, oh, he's like doing a walk In impression. Yeah,

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<v Speaker 1>the idea that that would be a hereditary trait is

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<v Speaker 1>so funny. Or also like begs the question of like

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<v Speaker 1>how long did he spend only with his dad, so

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<v Speaker 1>that he's like, oh, that's like the normal way of talking,

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<v Speaker 1>like talk. Yeah, I had so many questions about the sun,

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<v Speaker 1>but the Sun was just like damseled time and time again.

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<v Speaker 1>And we don't talk in this community enough about damseling.

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<v Speaker 1>Christopher Walkins, big old son, his large adults. Yes, it's

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<v Speaker 1>a disturbing trend in meeting. It's a very harmful trope

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<v Speaker 1>and I won't stand for it. Oh my gosh, I

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<v Speaker 1>think that I am team large Adults Son. But also

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<v Speaker 1>there's but I'm also team the clown that's like, hey, penguin,

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<v Speaker 1>are you sure we want to steal everyone's son? And

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<v Speaker 1>then just gets shot immediately. There's so many goods. I'm

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<v Speaker 1>also on the side of the stilts clown that gets

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<v Speaker 1>knocked over by the batmobile. God, this movie fucking rules.

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<v Speaker 1>It's the batmobile just has devices, specifically for knocking over

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<v Speaker 1>people on stilts. He's thought through everything, Yeah, every contingency.

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<v Speaker 1>He's like, we gotta have something in the batmobile for this.

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<v Speaker 1>He's like, wait, wait, wait, wait, Alfred, what if And

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<v Speaker 1>it's gonna sound wild, but what if I needed to

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<v Speaker 1>feed a clown on stilts? We have to be ready.

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<v Speaker 1>I really, I really don't think I appreciated just how

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<v Speaker 1>much work Alfred has to do until this movie specifically,

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<v Speaker 1>and also like I'm sure we'll get to this, but

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<v Speaker 1>they at the end when Batman picks up a cat,

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<v Speaker 1>you can see it in Alfred's face where he's like, well,

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<v Speaker 1>I know he's not going to take care of that thing,

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<v Speaker 1>So that's my cat now, Like I'm going to have

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<v Speaker 1>to do everything for this cat. Yeah, who's scooping the

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<v Speaker 1>litter at the end of the days? Are not Bruce Wayne? Alright?

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<v Speaker 1>Oh my gosh. This okay, Well, let's just get into it.

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<v Speaker 1>Welcome to the Becktel Cast. My name is Jamie LOFTEV.

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<v Speaker 1>My name is Caitlin Darante, and this is the show

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<v Speaker 1>where we examine movies through an intersectional feminist lens, using

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<v Speaker 1>the Becktel test simply as a jumping off point, which

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<v Speaker 1>of course, is a media metric created by queer cartoonist

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<v Speaker 1>Alison Bechtel, sometimes called the Bechtel Wallace Test. Originally conceived

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<v Speaker 1>as a just kind of one off joke in Alison

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<v Speaker 1>Bechtel's comic Likes to Watch Out For, has since been

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<v Speaker 1>kind of co opted into the media metric that we

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<v Speaker 1>based an entire show on where Wow, yeah calling us out?

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<v Speaker 1>Um we Our version of this test is as follows.

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<v Speaker 1>Two people of a marginalized gender have to have names,

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<v Speaker 1>they have to speak to each other, and that conversation

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<v Speaker 1>has to be about something other than a man, and

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<v Speaker 1>ideally it's a narratively significant conversation, not just like a

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<v Speaker 1>throwaway exchange. Controversially, I think when Michelle Fiver talks to

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<v Speaker 1>her cats, we know is a woman because they're like hu,

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<v Speaker 1>they're communicating. All right, Well that's it for this episode

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<v Speaker 1>where yeah, We're done. I feel like the nonverbal, like

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<v Speaker 1>the nonverbal communication is strong and and could it be

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<v Speaker 1>more narratively impactful? No, no, brings her back to life

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<v Speaker 1>kind of amazing. That's pretty big, huge, Okay, so we

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<v Speaker 1>are we are covering up. Batman returns a Christmas movie

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<v Speaker 1>that came out in June. I thought was kind of interesting.

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<v Speaker 1>But in any case, let's get into it because clearly

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<v Speaker 1>we are at the crossing with thoughts, so let's get

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<v Speaker 1>our guests in here. We must also cat on my

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<v Speaker 1>literally fly is right. I really whenever Flee is represented

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<v Speaker 1>in movies, it means a lot to me. He was

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<v Speaker 1>sitting in my lap the whole time, riveted. He loves

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<v Speaker 1>a movie cat as he should. That's wonderful. So Flee

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<v Speaker 1>is our honorary guest, but our real guest for this

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<v Speaker 1>episode is culture writer and screenwriter Karen Hahn. Hello, Hi,

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<v Speaker 1>I'm so excited to be here and also so excited

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<v Speaker 1>to talk about this movie with you guys, because again,

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<v Speaker 1>I think we're all going like fully feral as Catwoman

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<v Speaker 1>would want. Yeah, we're so excited that you sent us

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<v Speaker 1>because we were we reached out to Karen being like, hey,

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<v Speaker 1>we want to do you know, it's it's holiday movie block,

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<v Speaker 1>and I don't think that we've ever like brought this

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<v Speaker 1>movie up, even though it's overtly a holiday movie. Yeah,

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<v Speaker 1>I mean the thing I think just because like the

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<v Speaker 1>iconography of Catwoman and the Penguin are so strong, like

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<v Speaker 1>you tend to forget that there is like Christmas and Gotham.

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<v Speaker 1>And also I feel like they forgot about that again,

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<v Speaker 1>as you say, like they put it out in summer.

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<v Speaker 1>Basically they were I think they were like, we'll have

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<v Speaker 1>our like superhero Ted Poole. But then it's like, oh,

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<v Speaker 1>it's like actually a Christmas movie. But I mean that's

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<v Speaker 1>now when I watch it. I will watch it when

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<v Speaker 1>it's cold, right. It feels like that's how people view

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<v Speaker 1>it now. And it's also like such an it's like

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<v Speaker 1>an anti Christmas movie too. It's so fun. It's a

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<v Speaker 1>perfect film. It just gets better every time I watch it.

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<v Speaker 1>It really does. So what's your relationship your history with

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<v Speaker 1>the movie, Karen, I Well, it came out the year

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<v Speaker 1>I was born, so I did not watch it in

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<v Speaker 1>theaters or around the time when it debuted. But I

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<v Speaker 1>watch it sometime in the last ten years, which I

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<v Speaker 1>know is not a super specific time frame. But that said,

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<v Speaker 1>it must have been post like Nolan Batman um, because

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<v Speaker 1>I know, like I started, I watched these like after

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<v Speaker 1>I saw the Christian Bail movie. But then watching this,

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<v Speaker 1>I was like, holy Cannoli, like this is really really good.

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<v Speaker 1>And also this and The Batman that precedes it with

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<v Speaker 1>Jack Nicholson at the Joker. It's just like there's so

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<v Speaker 1>much great stuff going on in both movies that it's

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<v Speaker 1>kind of shocking. And I was saying this to Caitlin

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<v Speaker 1>before we recorded that. It's like, I can't imagine any

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<v Speaker 1>exact green lighting this movie today, Like you would describe

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<v Speaker 1>some of the elements and be like, no, no, no, no

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<v Speaker 1>no no, we can't do that. That's too silly, or

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<v Speaker 1>that's too on the nose, or that's just weird. But

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<v Speaker 1>that's what makes this movie so fun and so memorable.

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<v Speaker 1>I'm realizing this is the third Batman movie we've covered

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<v Speaker 1>on the podcast, because we did the nineteen nine Batman

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<v Speaker 1>like six years ago. One of our first episode was

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<v Speaker 1>a really long time ago. I was I was like,

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<v Speaker 1>how did I see this movie? Originally? I was like, oh,

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<v Speaker 1>it was literally for this show the shows Brown ye yeah, yeah,

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<v Speaker 1>yeah yeah. And then we've covered The Dark Night a

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<v Speaker 1>few years ago, and so this is our this is

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<v Speaker 1>our third Batman episode, and I'm not mad about it.

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<v Speaker 1>I mean, if there's one thing about Batman movies is

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<v Speaker 1>that there's five hundred million of them, and I like

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<v Speaker 1>a lot of them. So Jamie, what's your relationship with Batman? Returns?

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<v Speaker 1>So I had not seen this movie before. That's so exciting.

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<v Speaker 1>It was really Um, I have had a hell of

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<v Speaker 1>a couple of days just like watching this movie. Uh

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<v Speaker 1>two and a half times. I really yeah, I really

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<v Speaker 1>loved it. I feel like every time I say I

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<v Speaker 1>haven't seen a popular movie, I'd like to remind Bethel

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<v Speaker 1>cast listeners that when we started this show, a big

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<v Speaker 1>thrust of the promise was that Caitlin has seen a

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<v Speaker 1>lot of movies, and I had not seen a lot

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<v Speaker 1>of movies. Over the years we it doesn't come up

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<v Speaker 1>as much, but um, there's still I still haven't seen

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<v Speaker 1>a lot of movies. Um, but this, yeah, I've never

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<v Speaker 1>seen it before. But I really enjoyed the first Tim

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<v Speaker 1>Burton Batman that this was like hailed as like one

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<v Speaker 1>of the best superhero slash just sequels in general, And yeah,

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<v Speaker 1>I totally agree with you, Karen, Like it's I don't know,

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<v Speaker 1>like this is like Tim Burton allowed to like Tim

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<v Speaker 1>Burton out at the peak of his Tim Burton is

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<v Speaker 1>with like the biggest budget possible, and I just but

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<v Speaker 1>the thing, it's like he nails it, Yeah, like it's

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<v Speaker 1>so it was really I think that, like I mean,

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<v Speaker 1>and this is not an original observation by a long shot,

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<v Speaker 1>but it's it's so like fun to watch a superhero

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<v Speaker 1>movie that's like fun to watch, and you kind of

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<v Speaker 1>forget that they were supposed to be fun to watch.

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<v Speaker 1>And I like a lot of like serious superhero movies,

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<v Speaker 1>like I enjoyed, you know, Robert Pattinson Batman, but it's

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<v Speaker 1>not I wasn't laughing, you know, and I wasn't supposed

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<v Speaker 1>to be laughing. But like, this was so fun and

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<v Speaker 1>such a like cool otory kind of movie. I loved

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<v Speaker 1>all the behind the scenes stuff that was that they

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<v Speaker 1>had real penguins. They have real penguins and animatronic penguins

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<v Speaker 1>and people dressed up as penguins. They had every kind

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<v Speaker 1>of penguin's wild It was so and then I read um,

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<v Speaker 1>I just was like, how did we end up with

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<v Speaker 1>the circus? I had a theory and then I checked

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<v Speaker 1>it and I was right. I was like, I bet

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<v Speaker 1>that Tim Burton was just like I just want a

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<v Speaker 1>circus because you're like, a circus is very obviously not

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<v Speaker 1>necessary to the plot, and it was I guess that

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<v Speaker 1>it was originally written as a band of performance artists,

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<v Speaker 1>and Tim Burton's like, that's going to have to be

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<v Speaker 1>a circus, honey, I won't do it with the clowns.

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<v Speaker 1>It's gotta be back flipping clowns. A lot of them

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<v Speaker 1>are going to have machine guns. They wrote out Santa

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<v Speaker 1>with mischine guns, which would have been awesome. But yeah,

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<v Speaker 1>I just I fell in love with this movie a

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<v Speaker 1>million percent. It's so good. And also I brag just

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<v Speaker 1>saw Danny Elfman in concert a couple of weeks ago,

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<v Speaker 1>so I was like triple pumped because I forgot how

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<v Speaker 1>great the scores to his Batman movies are so good.

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<v Speaker 1>He's such a weirdo and like the best way possible.

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<v Speaker 1>And also like one of those composers where whenever you're listening,

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<v Speaker 1>you're like, oh, that's Danny Elfman. Like he makes no

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<v Speaker 1>effort I think to like blend in. He's just like

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<v Speaker 1>here in it, here's Danny, and you're like, here's Danny.

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<v Speaker 1>Danny Elfan loves a horn. He loves a French horn

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<v Speaker 1>and he loves it. He loves one of those. Yeah,

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<v Speaker 1>my second favorite Danny Elfman's core right next to of

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<v Speaker 1>course Spider Man two. Oh my god, his best and

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<v Speaker 1>the best of your movie. I also wanted to say,

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<v Speaker 1>I think this is the first time that I can

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<v Speaker 1>say I'm following in Alfred Molina's footsteps to some degree

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<v Speaker 1>to give him that he was I think when when

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<v Speaker 1>it was a nun that he was going to be

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<v Speaker 1>on this podcast, I like started crying, like I lost

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<v Speaker 1>my mind. Alfred Molina is our friend, and yeah, I

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<v Speaker 1>was a guest on this podcast. Famously are esteemed incredible.

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<v Speaker 1>Haven't heard from them since, but all good, and we

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<v Speaker 1>we sold your on. But yeah, I hadn't seen this

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<v Speaker 1>movie before and I absolutely love it and I can't

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<v Speaker 1>wait to introduce it into my holiday rotation. Yeah, Caitlin,

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<v Speaker 1>what's your history with Batman Returns? I saw it for

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<v Speaker 1>the first time, probably as a freshman in college. I

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<v Speaker 1>was like, Oh, there's all these Batman movies I missed

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<v Speaker 1>when I was a kid. I gotta watch them, And

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<v Speaker 1>so I saw. I watched all four of the ones

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<v Speaker 1>from the late eighties into the nineties. It's a fun time.

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<v Speaker 1>Batman Returns is easily my favorite one, and I would

0:12:31.000 --> 0:12:34.680
<v Speaker 1>rank this probably my number two superhero movie of all

0:12:35.040 --> 0:12:39.120
<v Speaker 1>a time behind behind uh Spiderman into the Spider verse.

0:12:39.440 --> 0:12:43.720
<v Speaker 1>Oh see, I would put it Spiderman two is always

0:12:43.720 --> 0:12:45.280
<v Speaker 1>going to be number one for me. But this is

0:12:45.280 --> 0:12:48.800
<v Speaker 1>like top whatever, top of the list to percent pile

0:12:49.160 --> 0:12:52.600
<v Speaker 1>ten out of ten on Caitlin's rompo meter because Spider

0:12:52.679 --> 0:12:56.679
<v Speaker 1>versus kind of unbeatable in a Whalso, yeah, but yeah,

0:12:56.840 --> 0:13:01.839
<v Speaker 1>incredible movie. I love it so much. There's lots to discuss, like,

0:13:02.080 --> 0:13:05.679
<v Speaker 1>oh my gosh, I can't wait to dive in the

0:13:05.760 --> 0:13:09.280
<v Speaker 1>beginning with why do they have a baby cage at

0:13:09.280 --> 0:13:12.640
<v Speaker 1>their house there? Do you feel like, oh, they like

0:13:12.720 --> 0:13:15.400
<v Speaker 1>went onto craigslist or like rich craigslist or whatever, and

0:13:15.400 --> 0:13:18.080
<v Speaker 1>we're like, we require a little baby cage if anyone

0:13:18.120 --> 0:13:19.600
<v Speaker 1>knows where we could get one of those, or they

0:13:19.640 --> 0:13:21.960
<v Speaker 1>like hired someone to make it after they saw that

0:13:21.960 --> 0:13:25.080
<v Speaker 1>their baby had little webby hands. They called their good

0:13:25.080 --> 0:13:30.400
<v Speaker 1>to Blacksmith. They're like, they commissioned. They've got a guy,

0:13:30.520 --> 0:13:33.720
<v Speaker 1>for sure. They definitely have a guy. It scares me

0:13:33.800 --> 0:13:37.240
<v Speaker 1>to think what rich people have access to. But anyway,

0:13:37.480 --> 0:13:39.960
<v Speaker 1>but this movie talks about that so much. This I

0:13:40.040 --> 0:13:43.360
<v Speaker 1>was so surprised at how deep into like social commentary

0:13:43.440 --> 0:13:45.439
<v Speaker 1>this in a way that like, yeah, I mean, I

0:13:45.440 --> 0:13:47.760
<v Speaker 1>guess I wouldn't say it doesn't feel it just like

0:13:47.800 --> 0:13:50.440
<v Speaker 1>fits into the story very naturally in a way that

0:13:50.520 --> 0:13:52.840
<v Speaker 1>sometimes I feel like it's not like a here's the

0:13:52.880 --> 0:13:55.040
<v Speaker 1>moral of our story kind of thing. It's just like

0:13:55.080 --> 0:13:59.080
<v Speaker 1>it's naturally baked into it, woven right in. Yeah. I

0:13:59.160 --> 0:14:02.280
<v Speaker 1>love it. So, yeah, I love this movie. I'm so

0:14:02.320 --> 0:14:05.720
<v Speaker 1>excited to talk about it. And um, should I do

0:14:05.760 --> 0:14:09.520
<v Speaker 1>the recap and we'll go from there. Yeah, Okay, there's

0:14:09.559 --> 0:14:13.120
<v Speaker 1>gonna be a lot of interjections because every frame of

0:14:13.240 --> 0:14:17.120
<v Speaker 1>this movie, I have something, there's something they have to

0:14:17.240 --> 0:14:19.960
<v Speaker 1>be said about everything. Okay, so let's take a quick

0:14:20.000 --> 0:14:23.840
<v Speaker 1>break first and then we'll come back to recap. So

0:14:23.960 --> 0:14:33.240
<v Speaker 1>we'll be right back, and we're back. I mean, it

0:14:33.360 --> 0:14:35.880
<v Speaker 1>is wild to open your movie in the way that

0:14:35.960 --> 0:14:39.120
<v Speaker 1>this one opens, where it's basically like a silent sequence

0:14:39.200 --> 0:14:41.800
<v Speaker 1>of these two very rich people deciding that they don't

0:14:41.800 --> 0:14:44.840
<v Speaker 1>want their baby anymore and then throwing it into the sewer.

0:14:45.760 --> 0:14:50.160
<v Speaker 1>You've got a rich regnant lady, yeah, screaming because her

0:14:50.200 --> 0:14:52.600
<v Speaker 1>baby doesn't look the way she wants it to look.

0:14:53.080 --> 0:14:56.200
<v Speaker 1>They put it in a cage, the baby eats a cat,

0:14:56.800 --> 0:15:00.400
<v Speaker 1>and then they throw the baby in the river, which

0:15:00.440 --> 0:15:02.920
<v Speaker 1>is wildly as it was. As the movie was going on,

0:15:03.040 --> 0:15:05.560
<v Speaker 1>I was like, oh my god, was the baby eating

0:15:05.560 --> 0:15:10.960
<v Speaker 1>a cat foreshadowing of him phasing off with Catwoman? I

0:15:11.000 --> 0:15:14.440
<v Speaker 1>think maybe? So. Also I was like, what is this

0:15:14.600 --> 0:15:19.320
<v Speaker 1>the creature from Shape of Water eating a cat also

0:15:19.360 --> 0:15:23.840
<v Speaker 1>in this movie? So and if he's not, he should be. Um, okay,

0:15:23.960 --> 0:15:27.200
<v Speaker 1>so we see this happen. Then we cut to thirty

0:15:27.200 --> 0:15:30.160
<v Speaker 1>three years later. So Danny Devita supposed to be thirty

0:15:30.200 --> 0:15:36.440
<v Speaker 1>three in the movie. Yes, okay, that made me laugh.

0:15:37.040 --> 0:15:39.400
<v Speaker 1>Actually that's a really good point. Also, I can see

0:15:39.440 --> 0:15:46.240
<v Speaker 1>my audio peaked, like, right, that's a really good question, big,

0:15:46.280 --> 0:15:51.000
<v Speaker 1>big question. I guess Penguin people age differently. Oh yeah,

0:15:51.040 --> 0:15:54.160
<v Speaker 1>he was like almost fifty already by the time. Yes,

0:15:54.240 --> 0:15:57.200
<v Speaker 1>this came out right, Yeah, I think so if you

0:15:57.280 --> 0:16:00.240
<v Speaker 1>live in the sewer age like a president is what

0:16:00.320 --> 0:16:02.960
<v Speaker 1>it is. Actually, you're right, Like he's got a lot

0:16:02.960 --> 0:16:04.800
<v Speaker 1>of city miles, a lot of road miles on him.

0:16:04.920 --> 0:16:07.640
<v Speaker 1>Like he's not lived an easy life. No, I get it,

0:16:07.720 --> 0:16:15.560
<v Speaker 1>he's had it rough. So it happens. Yeah, it's really funny. Yeah,

0:16:15.640 --> 0:16:19.080
<v Speaker 1>so he's he's dwelling in the sewers, people seem to

0:16:19.840 --> 0:16:22.720
<v Speaker 1>know about him, or there's rumors about his existence. This

0:16:22.840 --> 0:16:25.600
<v Speaker 1>you know, half man, half penguin person. It kind of

0:16:25.640 --> 0:16:30.040
<v Speaker 1>had Phantom of the Opera vibes. Yeah, absolutely, but like

0:16:30.280 --> 0:16:32.640
<v Speaker 1>more charming in a way. Also, his whole just his

0:16:32.800 --> 0:16:36.200
<v Speaker 1>underground water layer is like straight out of Phantom of

0:16:36.240 --> 0:16:38.880
<v Speaker 1>the Opera. Yeah. Yeah, it's kind of like in a

0:16:38.920 --> 0:16:40.880
<v Speaker 1>different world. You're like, oh, I could I could see

0:16:40.960 --> 0:16:43.880
<v Speaker 1>myself getting horny for the penguin, you know, in a

0:16:43.880 --> 0:16:48.040
<v Speaker 1>different world. I mean I was. I was kind of

0:16:48.080 --> 0:16:51.200
<v Speaker 1>horny for Colin Farrell penguin, but only because I knew

0:16:51.240 --> 0:16:53.560
<v Speaker 1>who was in there. Well, also like he was he

0:16:53.640 --> 0:16:56.080
<v Speaker 1>was funny, like the funniest part of the movie arguably

0:16:56.520 --> 0:16:58.400
<v Speaker 1>when they show him like the crime scene pictures. He's like,

0:16:58.480 --> 0:17:02.720
<v Speaker 1>oh come on, I was like, absolutely, yeah, he kind

0:17:02.720 --> 0:17:04.440
<v Speaker 1>of he kind of posted me pulled out a little

0:17:04.440 --> 0:17:08.520
<v Speaker 1>bit on that one. I liked it, but I don't

0:17:08.560 --> 0:17:10.639
<v Speaker 1>say I feel like I am like I am. I

0:17:11.000 --> 0:17:13.120
<v Speaker 1>love I love this penguin. I would let him into

0:17:13.119 --> 0:17:15.240
<v Speaker 1>my house, no question. I would say, yeah, yeah, yeah,

0:17:15.240 --> 0:17:17.680
<v Speaker 1>absolutely I would. I would vote for him for mayor

0:17:17.680 --> 0:17:21.080
<v Speaker 1>it well before the pivot, but not post pivot. Before

0:17:22.080 --> 0:17:24.480
<v Speaker 1>I got. There's so many elements, I mean, and there's

0:17:24.480 --> 0:17:26.679
<v Speaker 1>like stuff about the penguin that we definitely need to

0:17:26.720 --> 0:17:29.560
<v Speaker 1>like talk about when when the moment comes. But there's

0:17:29.560 --> 0:17:33.040
<v Speaker 1>a lot to unpack. But his whole like I think,

0:17:33.240 --> 0:17:36.640
<v Speaker 1>like coming off the l a mayoral race, so you're like, oh, yeah,

0:17:36.800 --> 0:17:39.640
<v Speaker 1>just a guy trying to buy the seat of mayor

0:17:40.200 --> 0:17:42.679
<v Speaker 1>um and almost doing it. And I was like, is

0:17:42.760 --> 0:17:45.399
<v Speaker 1>this going to be Rick Caruso's pivot? I kind of

0:17:45.440 --> 0:17:48.520
<v Speaker 1>just hope he goes back to building malls literally why.

0:17:48.560 --> 0:17:50.159
<v Speaker 1>I watched this with my partner last night and he

0:17:50.240 --> 0:17:52.119
<v Speaker 1>was like, oh, like I would vote for the penguin

0:17:52.240 --> 0:17:54.159
<v Speaker 1>over Rick Caruso, And I was like, You're right, I

0:17:54.200 --> 0:17:58.160
<v Speaker 1>would too, Honestly, at least he's got a story. Yeah,

0:17:58.280 --> 0:18:03.119
<v Speaker 1>he's much like sympathetic and he's not like rich brain pilled. No,

0:18:03.480 --> 0:18:06.720
<v Speaker 1>he's he's so quick to go back to the zoo. Ultimately,

0:18:06.760 --> 0:18:10.040
<v Speaker 1>his loyalties lie with the zoo. The zoo a problematic

0:18:10.160 --> 0:18:12.360
<v Speaker 1>entity all its own, but who knows that better than

0:18:12.359 --> 0:18:15.760
<v Speaker 1>the penguin exactly what I mean, Like, I guess I

0:18:15.800 --> 0:18:18.600
<v Speaker 1>assume he's like freed all the penguins that work for him,

0:18:19.000 --> 0:18:23.920
<v Speaker 1>like even liberated them from the zoo, right, I think, yeah,

0:18:23.960 --> 0:18:27.640
<v Speaker 1>But then he uses them as ponds and his little um. That's,

0:18:28.040 --> 0:18:30.920
<v Speaker 1>you know, destroy a Gotham scheme. I am very conflicted

0:18:30.960 --> 0:18:33.119
<v Speaker 1>about this because he does that but only arguably in

0:18:33.119 --> 0:18:36.119
<v Speaker 1>a moment of extreme desperation, and then he is really

0:18:36.359 --> 0:18:39.159
<v Speaker 1>like caring of them, and then they are very caring

0:18:39.200 --> 0:18:42.040
<v Speaker 1>of him in turn, like they become they know to do, like,

0:18:42.080 --> 0:18:44.239
<v Speaker 1>oh ship, we gotta be pall bearers now, and like

0:18:44.280 --> 0:18:48.000
<v Speaker 1>they know to do. That's he makes me cry. I'm

0:18:48.000 --> 0:18:52.000
<v Speaker 1>not like siously makes me cry. They make the animatronic

0:18:52.040 --> 0:18:54.440
<v Speaker 1>penguins frown. I paused it. I was like, how is

0:18:54.480 --> 0:18:58.359
<v Speaker 1>this penguin frowning? This is wild? Like yeah, I thought

0:18:58.359 --> 0:19:00.919
<v Speaker 1>that was like it was unclear. I was like, the

0:19:00.960 --> 0:19:04.800
<v Speaker 1>penguins kind of have like some Minions vibes where you're like,

0:19:05.080 --> 0:19:09.040
<v Speaker 1>oh my god, they just are like invested there. But

0:19:09.080 --> 0:19:13.520
<v Speaker 1>I understand where you're coming. He's crew. I'm just always

0:19:13.560 --> 0:19:17.920
<v Speaker 1>looking for who's the grow of the movie here. I mean,

0:19:18.119 --> 0:19:22.280
<v Speaker 1>all throughout my recap is just full of Minions references.

0:19:22.320 --> 0:19:26.320
<v Speaker 1>So thank god, Oh terrific cool. Okay, Sorry sorry for

0:19:27.080 --> 0:19:30.400
<v Speaker 1>derailing immediately. We have a lot of thoughts about the penguins, specifically,

0:19:30.520 --> 0:19:33.199
<v Speaker 1>we'll get to them. Yeah, yeah, we'll wait. We'll be

0:19:33.280 --> 0:19:37.120
<v Speaker 1>so good, no worries. Okay. So then we meet Selina

0:19:37.240 --> 0:19:41.199
<v Speaker 1>Kyle played by Michelle Peiffer, who is the assistant to

0:19:41.680 --> 0:19:47.520
<v Speaker 1>a prominent businessman and like energy mogul Max Shrek played

0:19:47.520 --> 0:19:51.320
<v Speaker 1>by Christopher Walkin, And now my blood pressure is skyrocketing.

0:19:51.480 --> 0:19:55.800
<v Speaker 1>You're just like, oh, there's a character named Shrek. My

0:19:55.880 --> 0:19:59.240
<v Speaker 1>favorite quote that because I was like, okay, you know, look,

0:19:59.440 --> 0:20:01.600
<v Speaker 1>Shrek called sure, it's come it's gone, it's come back.

0:20:02.880 --> 0:20:05.719
<v Speaker 1>My favorite one was it's nice to see you out

0:20:05.760 --> 0:20:08.000
<v Speaker 1>in the real world away from Shrek. I'm like, I

0:20:08.040 --> 0:20:13.119
<v Speaker 1>feel like I could relate with that. People should. I

0:20:13.160 --> 0:20:14.919
<v Speaker 1>wish someone would say that to me. I would go

0:20:14.920 --> 0:20:16.920
<v Speaker 1>on a date with them that said, this is an

0:20:16.920 --> 0:20:21.520
<v Speaker 1>extremely Shrekkian movie. We got Shrek, we got minions, we

0:20:22.400 --> 0:20:24.760
<v Speaker 1>got it all, we got clowns. There's so much what

0:20:24.920 --> 0:20:31.240
<v Speaker 1>don't we have? Okay, So Max Shrek gives a speech

0:20:31.280 --> 0:20:36.040
<v Speaker 1>to the people of Gotham during a Christmas tree lighting event,

0:20:36.720 --> 0:20:41.640
<v Speaker 1>but he's interrupted when a bunch of goons or minions

0:20:42.200 --> 0:20:45.760
<v Speaker 1>think about that aka the Red Triangle gang. You need

0:20:45.760 --> 0:20:51.719
<v Speaker 1>to get like a Minion soundboard whatever you mentioned it.

0:20:51.720 --> 0:20:53.919
<v Speaker 1>It's just it's like not the air horn noise. But

0:20:54.119 --> 0:20:56.119
<v Speaker 1>I actually don't really know what I I mean. It sounds like,

0:20:56.320 --> 0:20:59.240
<v Speaker 1>but oh well, what don't they sound like that's a

0:20:59.240 --> 0:21:06.879
<v Speaker 1>good you know, nana bello, bellow banana, etcetera. I'm learning

0:21:06.920 --> 0:21:13.159
<v Speaker 1>so much. It's like the time of year holidays. You're like, oh,

0:21:13.280 --> 0:21:17.760
<v Speaker 1>my Spotify wrapped list is gonna really bumm me out soon.

0:21:17.880 --> 0:21:21.800
<v Speaker 1>Mine's always like horrendous, so bad, right, Like it's if

0:21:21.840 --> 0:21:24.560
<v Speaker 1>you're proud enough to share it, it's you don't have

0:21:24.600 --> 0:21:28.760
<v Speaker 1>an interior life. It should be really embarrassing. I feel like, yeah,

0:21:28.840 --> 0:21:32.720
<v Speaker 1>I definitely share it, like for public shaming purposes, right,

0:21:33.320 --> 0:21:36.840
<v Speaker 1>as a way of holding yourself accountable. Yeah, here's what

0:21:36.920 --> 0:21:40.040
<v Speaker 1>I did, I guess. Yeah, yeah, I think that it's

0:21:40.160 --> 0:21:42.800
<v Speaker 1>it's very possible because I played it a lot as

0:21:42.800 --> 0:21:44.679
<v Speaker 1>a joke, and then it's such a short track that

0:21:44.760 --> 0:21:47.560
<v Speaker 1>it comes on a lot. But there's a track on

0:21:47.600 --> 0:21:51.919
<v Speaker 1>my like go to playlist that's the Minions singing the

0:21:52.119 --> 0:22:02.199
<v Speaker 1>Universal theme song. But I think I probably listened to

0:22:02.200 --> 0:22:07.640
<v Speaker 1>it three hundred times. It oh, a few years ago,

0:22:07.760 --> 0:22:10.800
<v Speaker 1>my most played song was the Lonesome Cowboy credits song

0:22:10.920 --> 0:22:16.960
<v Speaker 1>from Toy Story four, was like, this is song what

0:22:17.080 --> 0:22:22.159
<v Speaker 1>happened to you that year that you were really But

0:22:22.240 --> 0:22:23.840
<v Speaker 1>I also think that once I had stepped away from

0:22:23.880 --> 0:22:25.919
<v Speaker 1>my computer and left it on repeat without knowing it.

0:22:26.000 --> 0:22:27.720
<v Speaker 1>So that did check up the numbers. But that's not

0:22:27.760 --> 0:22:29.200
<v Speaker 1>to say that I didn't listen to it a lot,

0:22:29.240 --> 0:22:32.240
<v Speaker 1>because I definitely didn't. I gotta, really, I got to

0:22:32.280 --> 0:22:34.600
<v Speaker 1>revisit it. I can't conjure. What does it sound like?

0:22:35.119 --> 0:22:44.320
<v Speaker 1>He was aloneesome, cowboys beautiful? I'm crying there. I'm getting tried.

0:22:44.320 --> 0:22:48.399
<v Speaker 1>It's all about making friends. I've never sounded worse on

0:22:48.480 --> 0:22:58.720
<v Speaker 1>a podcast. Disagree, No, this is this is raw and uncut. Yeah,

0:22:59.119 --> 0:23:03.120
<v Speaker 1>all right. So the Indians, so Penguins minions show up

0:23:03.320 --> 0:23:07.080
<v Speaker 1>to re cavoc on the city. So the city lights

0:23:07.160 --> 0:23:10.720
<v Speaker 1>up the bat signal to summon Batman, of course, played

0:23:10.720 --> 0:23:14.000
<v Speaker 1>by Michael Keaton, who shows up and stops the minions.

0:23:14.520 --> 0:23:19.119
<v Speaker 1>He also saves Selena Kyle, who is being terrorized by

0:23:19.280 --> 0:23:22.960
<v Speaker 1>one of the minions. I know I said that we

0:23:23.000 --> 0:23:27.080
<v Speaker 1>would be so good dirty Custom recapt but number one.

0:23:27.080 --> 0:23:29.120
<v Speaker 1>I pointed this out again to Gala before the before

0:23:29.119 --> 0:23:31.760
<v Speaker 1>recording already, but I wore my Michael Keaton shirt specifically

0:23:31.760 --> 0:23:37.600
<v Speaker 1>for this recording. There's a um And also the shot

0:23:37.680 --> 0:23:39.800
<v Speaker 1>of him when the bad signal is lit is like

0:23:40.320 --> 0:23:43.119
<v Speaker 1>one of the best shots I've ever seen, where it

0:23:43.200 --> 0:23:45.480
<v Speaker 1>goes off on the wall of Wayne Manor and then

0:23:45.520 --> 0:23:47.280
<v Speaker 1>like he stands up in front of it and you're like,

0:23:48.320 --> 0:23:52.280
<v Speaker 1>it's just so good, It's so good, amazing. It also revided.

0:23:52.320 --> 0:23:54.800
<v Speaker 1>I was like, oh, yeah, superhero stories like it's fun

0:23:54.840 --> 0:23:57.480
<v Speaker 1>when they're very simple too, because you're like, what is

0:23:57.480 --> 0:23:59.600
<v Speaker 1>Bruce Wayne in the middle of doing. Is he just

0:23:59.640 --> 0:24:02.679
<v Speaker 1>like hoping that someone will commit a crime so he

0:24:02.680 --> 0:24:06.239
<v Speaker 1>has something to do. He's just sitting there, He's just

0:24:06.520 --> 0:24:08.920
<v Speaker 1>hanging out. There's not a light on in the room.

0:24:09.080 --> 0:24:13.640
<v Speaker 1>There's no evidence as to him having hobbies. No, No,

0:24:13.760 --> 0:24:16.080
<v Speaker 1>I think that that's a beautiful I was like, let

0:24:16.080 --> 0:24:19.040
<v Speaker 1>me give the scriptway too much credit and be like, well,

0:24:19.080 --> 0:24:23.000
<v Speaker 1>maybe that's them saying that, you know, billionaires have no

0:24:23.160 --> 0:24:28.280
<v Speaker 1>interior life. They're all essentially sitting in a dark room

0:24:28.480 --> 0:24:32.240
<v Speaker 1>at all times. I mean, yeah, I think you're right,

0:24:32.440 --> 0:24:35.840
<v Speaker 1>but who am I to castones? I also do that

0:24:36.480 --> 0:24:39.840
<v Speaker 1>mark like, yeah, people of all classes can sit in

0:24:39.840 --> 0:24:42.680
<v Speaker 1>a dark room. It's a very egalitarian. Yeah, it's a

0:24:42.720 --> 0:24:47.480
<v Speaker 1>great equalized right, yap wow. Okay, So during this havoc

0:24:48.119 --> 0:24:53.200
<v Speaker 1>that the minions are unleashing Max, Shrek is kidnapped by

0:24:53.400 --> 0:24:56.399
<v Speaker 1>the Penguin, who, of course is played by Danny de Vito,

0:24:56.840 --> 0:25:00.879
<v Speaker 1>and he is mad at Shrek for polluting the city

0:25:00.960 --> 0:25:05.320
<v Speaker 1>and he blackmails Shrek into helping Penguin so hard not

0:25:05.440 --> 0:25:10.920
<v Speaker 1>to make a joke, he's making Gotham his swamp. Yes,

0:25:11.520 --> 0:25:15.159
<v Speaker 1>he really is. Yeah, Gotham is getting a bit swampy.

0:25:16.000 --> 0:25:18.800
<v Speaker 1>Who's Shrek doesn't? Really? I think part of the I

0:25:18.800 --> 0:25:24.119
<v Speaker 1>think his son's son is Donkey, is his Donkey. He

0:25:24.400 --> 0:25:27.000
<v Speaker 1>is kind of his Donkey, which makes it even more

0:25:27.280 --> 0:25:32.119
<v Speaker 1>amazing when Shrek is like, t Penguin, take me. Yeah,

0:25:32.200 --> 0:25:34.880
<v Speaker 1>it lends new depths to the motion picture Shrek. Now,

0:25:35.280 --> 0:25:38.600
<v Speaker 1>Shrek would totally do that for Donkey. Also, he has

0:25:38.680 --> 0:25:45.720
<v Speaker 1>I've seen it evidence. Okay. I have to say I

0:25:45.760 --> 0:25:49.720
<v Speaker 1>love how talkatively is and he's such a cute voice.

0:25:49.840 --> 0:25:54.240
<v Speaker 1>It's so sweet. He knows that Catwoman is about to

0:25:54.760 --> 0:25:58.280
<v Speaker 1>appear on screen. Yeah, Flee loves to chat. He loves

0:25:58.280 --> 0:26:01.000
<v Speaker 1>to he loves to weigh in, and he knows that

0:26:01.520 --> 0:26:03.320
<v Speaker 1>this is a good time. Has he always been a

0:26:03.440 --> 0:26:07.200
<v Speaker 1>very talkative count? Yeah, I've never I've only had like

0:26:07.480 --> 0:26:11.360
<v Speaker 1>mostly coincidentally, I've I've had three black cats in my lifetime,

0:26:11.440 --> 0:26:14.760
<v Speaker 1>and I've never had one that made any noise. And

0:26:14.800 --> 0:26:18.760
<v Speaker 1>Flee is so loud. He always has been. He's a

0:26:18.920 --> 0:26:24.479
<v Speaker 1>he's a screamer. It's wonderful. Okay, So Penguin blackmails Shrek

0:26:24.640 --> 0:26:27.600
<v Speaker 1>into helping him figure out his backstory. He wants to

0:26:27.600 --> 0:26:30.359
<v Speaker 1>know where he came from, who his parents were, what

0:26:30.520 --> 0:26:33.520
<v Speaker 1>his real name is, and he no longer wants to

0:26:33.560 --> 0:26:38.040
<v Speaker 1>be seen as a monster. Meanwhile, Selena has to go

0:26:38.080 --> 0:26:42.640
<v Speaker 1>back to the office where she discovers dirt on Shrek

0:26:42.920 --> 0:26:46.880
<v Speaker 1>and all of his shady business stuff, and just then

0:26:47.119 --> 0:26:50.960
<v Speaker 1>Shrek shows up and realizes Selena knows all of this

0:26:51.040 --> 0:26:55.000
<v Speaker 1>incriminating information about him. So do you think he wants

0:26:55.000 --> 0:26:58.640
<v Speaker 1>her to get out of his swamp? There he kind

0:26:58.640 --> 0:27:02.160
<v Speaker 1>of shows up and he's like, get out of swan exactly, Yeah,

0:27:02.280 --> 0:27:05.760
<v Speaker 1>by Shrek at the beginning of Shrek one exactly, And

0:27:05.840 --> 0:27:08.160
<v Speaker 1>he gets her out of his swamp by throwing her

0:27:08.200 --> 0:27:12.480
<v Speaker 1>out of a window. That scene is awesome. So she

0:27:12.600 --> 0:27:15.640
<v Speaker 1>falls to the ground. She is lying there, presumably dead,

0:27:15.920 --> 0:27:18.520
<v Speaker 1>but then a bunch of street cats, and I like

0:27:18.640 --> 0:27:22.160
<v Speaker 1>to think that they are you know, rum Tum Tugger,

0:27:22.640 --> 0:27:30.680
<v Speaker 1>busta for Jones, magical, Mr Mustaphele every bed. Wow, everyone

0:27:30.760 --> 0:27:35.760
<v Speaker 1>showed up. I'm as a skimball shanks girly I but

0:27:35.840 --> 0:27:39.200
<v Speaker 1>I maybe he comes later when there's a random circus

0:27:39.240 --> 0:27:42.120
<v Speaker 1>train in the middle of Gotham. Because the railway cat

0:27:42.320 --> 0:27:49.840
<v Speaker 1>he has a job is a union man. I love him. Okay,

0:27:49.840 --> 0:27:52.960
<v Speaker 1>So these cats from the movie Cats seem to bring

0:27:53.200 --> 0:27:58.040
<v Speaker 1>Selena back to life. She returns home. She's chugging milk,

0:27:58.280 --> 0:28:01.440
<v Speaker 1>she's throwing away her stuffed anim she makes a new

0:28:01.480 --> 0:28:05.840
<v Speaker 1>outfit because guess what, she's catwoman now. She ruins her

0:28:05.920 --> 0:28:09.320
<v Speaker 1>dollhouse question mark, Yes, she makes it goth. I was

0:28:09.320 --> 0:28:11.040
<v Speaker 1>watching this and I was like, I do think, like

0:28:11.160 --> 0:28:13.600
<v Speaker 1>every woman goes through this at some point in her

0:28:13.640 --> 0:28:16.760
<v Speaker 1>life means like you either become goth or you become emo.

0:28:16.920 --> 0:28:20.119
<v Speaker 1>It's like you become like adjacent to Then to that scene,

0:28:20.400 --> 0:28:23.879
<v Speaker 1>every woman goes through this, every single woman. She turns

0:28:23.920 --> 0:28:30.120
<v Speaker 1>her hello there sign into hell here. I cheered iconic,

0:28:30.520 --> 0:28:34.320
<v Speaker 1>I cheered so good. There's so much fun like little

0:28:34.400 --> 0:28:37.399
<v Speaker 1>plants and payoffs in this movie that you're just like,

0:28:37.720 --> 0:28:40.760
<v Speaker 1>who thought of that? It's the production I forget the

0:28:40.760 --> 0:28:44.240
<v Speaker 1>production designers, like the Tim Burton guy bow something. I'll

0:28:44.240 --> 0:28:50.280
<v Speaker 1>look it up. Okay, So she's becoming Catwoman. Meanwhile, Penguin

0:28:50.600 --> 0:28:54.360
<v Speaker 1>stage as a situation where he saves a kidnapped baby

0:28:54.400 --> 0:28:57.680
<v Speaker 1>at a public event so that he can save it

0:28:57.760 --> 0:29:01.600
<v Speaker 1>and be seen as a hero by the people of Gotham,

0:29:01.640 --> 0:29:06.320
<v Speaker 1>which works, and everyone loves Penguin now. And he goes

0:29:06.520 --> 0:29:09.560
<v Speaker 1>to city hall or whatever, and he learns that his

0:29:09.640 --> 0:29:13.400
<v Speaker 1>real name is Oswald cobble Pot. He learns who his

0:29:13.480 --> 0:29:15.920
<v Speaker 1>parents were, but he's like, I forgive them for what

0:29:15.960 --> 0:29:19.800
<v Speaker 1>they did to me, and so people continue to sympathize

0:29:19.840 --> 0:29:24.840
<v Speaker 1>with him. But Bruce Wayne slash Batman, who by the way,

0:29:24.960 --> 0:29:28.000
<v Speaker 1>it were like thirty six ish minutes into the movie,

0:29:28.080 --> 0:29:30.760
<v Speaker 1>and it's only at this point when he actually starts

0:29:30.800 --> 0:29:34.360
<v Speaker 1>to become a character, because prior to that he's barely

0:29:34.400 --> 0:29:36.360
<v Speaker 1>in the movie. He's kind of like not in the

0:29:36.400 --> 0:29:41.520
<v Speaker 1>movie very much, and it doesn't know that that was Yeah,

0:29:41.600 --> 0:29:43.960
<v Speaker 1>I mean, I get why that was Like a criticism

0:29:44.000 --> 0:29:46.360
<v Speaker 1>of the movie at the time, but in retrospect you're

0:29:46.400 --> 0:29:51.719
<v Speaker 1>like he's sort of the most boring person. It works,

0:29:51.760 --> 0:29:54.360
<v Speaker 1>and also like I don't know, that's the fun thing

0:29:54.400 --> 0:29:57.200
<v Speaker 1>about his Michael Keaton is also a weird choice for Batman,

0:29:57.280 --> 0:29:59.480
<v Speaker 1>but like one that I love in a back but

0:29:59.560 --> 0:30:03.640
<v Speaker 1>like he's like a little awkward. He doesn't have like

0:30:03.760 --> 0:30:06.080
<v Speaker 1>the leading man features that I feel like everyone else

0:30:06.200 --> 0:30:09.680
<v Speaker 1>they want Batman to have, even just like thinking about

0:30:09.840 --> 0:30:14.160
<v Speaker 1>Batman the previous movie where like the Joker's goons or

0:30:14.160 --> 0:30:15.680
<v Speaker 1>whatever come to his house and he's like, you want

0:30:15.680 --> 0:30:19.520
<v Speaker 1>to get crazy, Let the Jokers Minions You're correct, yes,

0:30:19.560 --> 0:30:22.280
<v Speaker 1>the Minions Banana. They come to his house, and then

0:30:22.560 --> 0:30:25.560
<v Speaker 1>he like has this moment where he's also being like

0:30:25.720 --> 0:30:28.040
<v Speaker 1>very kind of aggressive towards them, which is not I think,

0:30:28.520 --> 0:30:31.800
<v Speaker 1>like you never see Batman and other movies being like uncool,

0:30:32.120 --> 0:30:34.840
<v Speaker 1>but he's so is as Michael Keaton, and like the

0:30:34.840 --> 0:30:38.080
<v Speaker 1>whole first scene or the second scene where he meets

0:30:38.080 --> 0:30:41.000
<v Speaker 1>Selena and he is just totally tripping over his words

0:30:41.000 --> 0:30:43.280
<v Speaker 1>just because he's instantly like, oh, she's like she's hot.

0:30:43.360 --> 0:30:46.040
<v Speaker 1>I have to talk to her. It's so good. It's

0:30:46.280 --> 0:30:49.160
<v Speaker 1>I I And again it's like it's like in a

0:30:49.240 --> 0:30:54.200
<v Speaker 1>modern context like scans more with like how a weird

0:30:54.280 --> 0:30:58.240
<v Speaker 1>guy with too much money would probably act like yeah,

0:30:58.680 --> 0:31:04.520
<v Speaker 1>I love you alive girl. Yeah, yes, okay, so so

0:31:04.600 --> 0:31:08.760
<v Speaker 1>Bruce slash Batman. He does not buy this whole like

0:31:08.920 --> 0:31:12.920
<v Speaker 1>Penguin is a sympathetic character thing. He thinks Penguin is

0:31:13.000 --> 0:31:16.920
<v Speaker 1>up to no good. Meanwhile, Catwoman goes out on the

0:31:16.960 --> 0:31:22.640
<v Speaker 1>streets and starts being a vigilante, not hero exactly, because

0:31:22.720 --> 0:31:25.600
<v Speaker 1>Catwoman is famously sort of a good guy and sort

0:31:25.640 --> 0:31:28.800
<v Speaker 1>of a bad guy. Maybe that's over oversimplifying. We will

0:31:28.960 --> 0:31:31.600
<v Speaker 1>talk about her at length. But she blows up a store,

0:31:31.640 --> 0:31:36.680
<v Speaker 1>but it's like empty, it's empty, and it's Shreks store,

0:31:37.080 --> 0:31:40.280
<v Speaker 1>So we're like, yeah, you're like, oh, I guess that

0:31:40.360 --> 0:31:44.520
<v Speaker 1>was evictiblest crime. It's fine. So Catwoman is on the

0:31:44.520 --> 0:31:48.160
<v Speaker 1>streets now. The next day she shows up to work

0:31:48.320 --> 0:31:52.440
<v Speaker 1>as Selena, and Shrek is surprised to see her back

0:31:52.440 --> 0:31:55.440
<v Speaker 1>in his swamp because he thought he killed her. Yeah,

0:31:55.440 --> 0:31:57.440
<v Speaker 1>he thought he drowned her in the swamp. Well guess what.

0:31:58.880 --> 0:32:02.080
<v Speaker 1>But also like shockingly unconcerned that a woman who has

0:32:02.080 --> 0:32:04.360
<v Speaker 1>fallen a significant distance out of a window is just

0:32:04.400 --> 0:32:07.320
<v Speaker 1>like back and not talking about that, and he says

0:32:07.400 --> 0:32:10.640
<v Speaker 1>something like, well, if she tries to blackmail me, I'll

0:32:10.640 --> 0:32:13.280
<v Speaker 1>push her out of a higher window. But until then

0:32:13.360 --> 0:32:17.960
<v Speaker 1>I have better fish to fry. Yeah, it's like the

0:32:18.040 --> 0:32:20.400
<v Speaker 1>shreky and logic here is kind of all over the

0:32:20.400 --> 0:32:23.440
<v Speaker 1>because he's like, okay, so he didn't check to make

0:32:23.480 --> 0:32:26.320
<v Speaker 1>sure she had died, right, Like, if he looked out

0:32:26.320 --> 0:32:28.600
<v Speaker 1>the window two minutes after that, he'd see her body

0:32:28.600 --> 0:32:32.280
<v Speaker 1>being swarmed by cats, which is highly unusual. But you know,

0:32:32.360 --> 0:32:34.640
<v Speaker 1>he's a he's a careless guys. I was like, okay, whatever,

0:32:34.920 --> 0:32:37.280
<v Speaker 1>but like there are things that happened throughout the movie

0:32:37.280 --> 0:32:38.840
<v Speaker 1>that you just think is going to get a big

0:32:38.880 --> 0:32:41.560
<v Speaker 1>reaction from him, and he just does not blink, such

0:32:41.600 --> 0:32:45.120
<v Speaker 1>as when Penguin bites someone's nose off. He's like, comes

0:32:45.120 --> 0:32:48.400
<v Speaker 1>over here, what sidebar? And I was like, oh my god,

0:32:48.960 --> 0:32:51.720
<v Speaker 1>he just like does not Yeah. I mean I don't

0:32:51.800 --> 0:32:54.000
<v Speaker 1>hate it, but I was like, yeah, sometimes his reactions

0:32:54.040 --> 0:32:56.280
<v Speaker 1>to things. I was like, well, I thought that would

0:32:56.280 --> 0:32:58.360
<v Speaker 1>have mattered more to you. I think the nose meaning

0:32:58.400 --> 0:33:01.240
<v Speaker 1>is especially funny because every one else freaks out and

0:33:01.240 --> 0:33:03.600
<v Speaker 1>then only Christopher walk and he's like all right, whatever,

0:33:03.920 --> 0:33:05.960
<v Speaker 1>he literally takes a society. He's like, I think we

0:33:05.960 --> 0:33:12.200
<v Speaker 1>should run you for mayor. It's really funny. Oh that's

0:33:12.200 --> 0:33:16.440
<v Speaker 1>so good. Okay. So Selena is back at work and

0:33:16.680 --> 0:33:20.040
<v Speaker 1>she meets Bruce Wayne, who is there for a meeting

0:33:20.080 --> 0:33:23.480
<v Speaker 1>because Shrek wants Bruce to help fund his new power plant,

0:33:23.520 --> 0:33:25.120
<v Speaker 1>which is actually not a power plant, is going to

0:33:25.280 --> 0:33:29.760
<v Speaker 1>suck energy out of Gotham rather than generating energy anyway.

0:33:30.080 --> 0:33:32.719
<v Speaker 1>He they meet and there seems to be a spark

0:33:32.880 --> 0:33:38.040
<v Speaker 1>between Bruce and Selina. And then meanwhile Shrek is trying

0:33:38.080 --> 0:33:42.520
<v Speaker 1>to have Oswald cobble Pot run for mayor because the

0:33:42.640 --> 0:33:46.920
<v Speaker 1>current mayor of Gotham is trying to stop shreks bogus

0:33:47.000 --> 0:33:51.080
<v Speaker 1>power plant. I think. But they need a catalyst to

0:33:51.240 --> 0:33:54.960
<v Speaker 1>drive out the current mayor some kind of like city crisis.

0:33:55.320 --> 0:34:00.320
<v Speaker 1>So Penguin's minions unleash more chaos on the streets, which

0:34:00.360 --> 0:34:03.640
<v Speaker 1>is basically just like assertain they just like militarized the

0:34:03.640 --> 0:34:06.680
<v Speaker 1>clowns or the penguins anytime they need shipped to get

0:34:06.720 --> 0:34:08.680
<v Speaker 1>stirred up there, like all right, all right, We're just

0:34:08.719 --> 0:34:12.640
<v Speaker 1>going to give the penguins guns and people will not

0:34:12.800 --> 0:34:15.080
<v Speaker 1>know what to do. And it's true they don't know

0:34:15.080 --> 0:34:19.080
<v Speaker 1>what to do. It's true panic. Yeah, so the clown

0:34:19.200 --> 0:34:25.200
<v Speaker 1>gymnasts are flipping around and just causing chaos. Separately, Catwoman

0:34:25.600 --> 0:34:28.160
<v Speaker 1>is wreaking her own havoc on the city. She This

0:34:28.200 --> 0:34:32.080
<v Speaker 1>is when she blows up Shreks department store. Then Batman

0:34:32.120 --> 0:34:34.640
<v Speaker 1>and Catwoman have like a face to face for the

0:34:34.640 --> 0:34:38.000
<v Speaker 1>first time. They fight for a bit. They then Catwoman

0:34:38.480 --> 0:34:41.439
<v Speaker 1>each I mean, well, she looks It's like a very

0:34:41.480 --> 0:34:46.160
<v Speaker 1>sexually charged movie. Oh it is the horny ist movie

0:34:46.160 --> 0:34:48.359
<v Speaker 1>I've ever seen. There's like a scene where he says

0:34:48.400 --> 0:34:52.840
<v Speaker 1>like I'm hard, like you're just there are a number

0:34:52.840 --> 0:34:56.480
<v Speaker 1>of times where I'm pretty sure she puts her hand

0:34:56.680 --> 0:35:01.640
<v Speaker 1>on his penis and he's just like all right. I

0:35:01.640 --> 0:35:03.520
<v Speaker 1>wonder if that's a rating thing where it's like you

0:35:03.560 --> 0:35:06.200
<v Speaker 1>can imply that her hand is there, but if he

0:35:06.239 --> 0:35:09.600
<v Speaker 1>reacts to it, then you're getting hard are then? Yeah,

0:35:10.080 --> 0:35:14.960
<v Speaker 1>I'm not sure who knows. I didn't hate it, but again,

0:35:15.360 --> 0:35:18.160
<v Speaker 1>very very horny movie, and for younger me definitely, I

0:35:18.200 --> 0:35:21.560
<v Speaker 1>was like, oh wow, like what is going on here?

0:35:23.560 --> 0:35:26.960
<v Speaker 1>So then Catwoman goes to Penguin to be like, hey,

0:35:27.160 --> 0:35:31.080
<v Speaker 1>help me get rid of Batman and Penguin's like sounds great,

0:35:31.280 --> 0:35:35.359
<v Speaker 1>he's horned up. Oh yeah, there's that scene that ends

0:35:35.400 --> 0:35:37.600
<v Speaker 1>with like, I mean because it's like, as the movie

0:35:37.600 --> 0:35:41.680
<v Speaker 1>goes on, Catwoman's horny nous just they just keep kind

0:35:41.680 --> 0:35:43.319
<v Speaker 1>of cranking it up and up and up and up.

0:35:43.600 --> 0:35:45.920
<v Speaker 1>To be fair, they're also doing that for Penguin. Like

0:35:46.000 --> 0:35:49.840
<v Speaker 1>everyone's getting hornier as it goes but like Catwoman's becoming

0:35:49.840 --> 0:35:52.480
<v Speaker 1>a very you know, like specific kind of horny. But

0:35:52.480 --> 0:35:55.880
<v Speaker 1>there's a scene that ends with her licking herself and

0:35:56.000 --> 0:36:01.319
<v Speaker 1>Penguin just sitting on the bed going like, were just horny.

0:36:01.080 --> 0:36:04.200
<v Speaker 1>He's been in the sewer for thirty three years, as

0:36:04.239 --> 0:36:07.000
<v Speaker 1>we now know, Like we don't know how much action

0:36:07.000 --> 0:36:09.279
<v Speaker 1>he's been getting, but I have to assume it's not

0:36:09.360 --> 0:36:11.160
<v Speaker 1>that much. And if you've been down there for thirty

0:36:11.200 --> 0:36:13.160
<v Speaker 1>three years and this is all you're thinking about, I

0:36:13.200 --> 0:36:16.200
<v Speaker 1>think he's justified. It really is Phantom of the Opera

0:36:16.280 --> 0:36:18.600
<v Speaker 1>vibes in that regards as well. We're just like, I

0:36:18.640 --> 0:36:26.000
<v Speaker 1>need a girlfriend. Finally he does. In a future scene

0:36:26.360 --> 0:36:28.719
<v Speaker 1>he is kind of going like our slash in cell

0:36:28.800 --> 0:36:33.879
<v Speaker 1>a little bit. Oh he's a complete full on predator. Yeah,

0:36:34.719 --> 0:36:39.520
<v Speaker 1>but we'll talk about that later. Um. Okay. So Catwoman

0:36:39.560 --> 0:36:44.280
<v Speaker 1>wants to get rid of Batman, but she as Selena,

0:36:44.440 --> 0:36:47.840
<v Speaker 1>goes on a date with Bruce, neither of them knowing

0:36:47.880 --> 0:36:52.760
<v Speaker 1>about the others alter ego. They're chatting, they're talking about duality.

0:36:53.160 --> 0:36:58.560
<v Speaker 1>They're like basically telling each other who they secretly are. Um.

0:36:58.680 --> 0:37:01.480
<v Speaker 1>Then Selena Lune is that Bruce to kiss him. They're

0:37:01.520 --> 0:37:05.080
<v Speaker 1>making out, but then Bruce has to leave abruptly because

0:37:05.160 --> 0:37:09.799
<v Speaker 1>Penguin is trying to frame Batman for kidnapping the Ice

0:37:09.920 --> 0:37:14.680
<v Speaker 1>Princess during the New Christmas tree lighting ceremony since the

0:37:14.719 --> 0:37:19.920
<v Speaker 1>other one got ruined by clowns by clown by clown gymnasts.

0:37:20.080 --> 0:37:22.640
<v Speaker 1>But don't worry, the next one will also be ruined

0:37:22.680 --> 0:37:29.239
<v Speaker 1>by by the same people. So Bruce puts on his

0:37:29.280 --> 0:37:32.080
<v Speaker 1>bat suit and heads down so hard. It's all a

0:37:32.120 --> 0:37:35.600
<v Speaker 1>horrible place to live, and also like feels like it's

0:37:35.640 --> 0:37:39.200
<v Speaker 1>perpetually a nighttime almost like I know logically that they're

0:37:39.239 --> 0:37:42.319
<v Speaker 1>hard day time shots, but it's just it's always under

0:37:42.320 --> 0:37:45.359
<v Speaker 1>the cover of darkness. I also appreciate that at one

0:37:45.400 --> 0:37:48.360
<v Speaker 1>point the mayor is like, yeah, I know that you

0:37:48.920 --> 0:37:53.040
<v Speaker 1>citizens of Gotham probably think that you know, these streets

0:37:53.040 --> 0:37:56.520
<v Speaker 1>are really funked up and scary, but don't worry. You're

0:37:56.520 --> 0:37:59.880
<v Speaker 1>elected officials and law enforcement have everything under control. And

0:38:00.040 --> 0:38:03.120
<v Speaker 1>it's like, no, you don't. You're attacked by clowns every

0:38:03.160 --> 0:38:06.879
<v Speaker 1>other day. How well could these public services be doing there?

0:38:07.480 --> 0:38:09.640
<v Speaker 1>The way that Gotham looks, I think of like all

0:38:09.680 --> 0:38:13.560
<v Speaker 1>the Batman franchises I've seen, I think, I mean, I've

0:38:13.560 --> 0:38:16.360
<v Speaker 1>seen like one from every whatever. But this is my

0:38:16.400 --> 0:38:19.239
<v Speaker 1>favorite Gotham visually because I love the Nolan movies, but

0:38:19.280 --> 0:38:22.319
<v Speaker 1>it does kind of just look like Chicago. I like

0:38:22.440 --> 0:38:24.480
<v Speaker 1>them for that reason, though, Like I do think this

0:38:24.520 --> 0:38:27.080
<v Speaker 1>is still my favorite Gotham. But I'm very sentimental watching

0:38:27.080 --> 0:38:29.640
<v Speaker 1>the Nolan Gotham because I grew up a lot in Illinois,

0:38:29.680 --> 0:38:33.480
<v Speaker 1>and I'm like, that's the best nice. I was like,

0:38:33.520 --> 0:38:35.640
<v Speaker 1>maybe if Gotham looked a little more like Boston, I

0:38:35.640 --> 0:38:38.000
<v Speaker 1>wouldn't be so critical. Every movie has to be made

0:38:38.000 --> 0:38:40.520
<v Speaker 1>for me specifically. I mean, I do feel like you

0:38:40.520 --> 0:38:43.240
<v Speaker 1>would feel very differently about it if Gotham looked like Boston.

0:38:43.360 --> 0:38:46.200
<v Speaker 1>I would actually be so thrilled. Have either of you

0:38:46.239 --> 0:38:48.960
<v Speaker 1>seen the menu? Not not yet, but I do want

0:38:49.040 --> 0:38:55.719
<v Speaker 1>to spoiler alert there's a character from my home town. Yeah,

0:38:56.160 --> 0:38:59.160
<v Speaker 1>although I couldn't really suspend my disbelief to believe that

0:38:59.200 --> 0:39:03.279
<v Speaker 1>Anya Taylor I could be from my hometown. There's I

0:39:03.360 --> 0:39:06.080
<v Speaker 1>was like, I don't think that there's beautiful people like

0:39:06.120 --> 0:39:10.560
<v Speaker 1>that in Brockton. But she came from Brockton. Jamie, you're beautiful.

0:39:10.680 --> 0:39:14.919
<v Speaker 1>I'm not. I'm not. I'm a tailor. Joyce swan Neck

0:39:15.440 --> 0:39:18.680
<v Speaker 1>defeating Ralph finds at a restaurant. Beautiful. But you know

0:39:19.600 --> 0:39:22.160
<v Speaker 1>who is? Who is? But her? It's true. She is

0:39:22.200 --> 0:39:25.920
<v Speaker 1>like an alien. She she is a gorgeous alien. I

0:39:25.960 --> 0:39:28.040
<v Speaker 1>really love her. Yeah, she came from a different like

0:39:28.080 --> 0:39:32.360
<v Speaker 1>the sailor moon planet or something. It's I do appreciate

0:39:32.480 --> 0:39:36.240
<v Speaker 1>her even being fictionally connected to Brockton. It's an honor.

0:39:37.320 --> 0:39:39.799
<v Speaker 1>There wasn't. There was a show a while ago that

0:39:39.960 --> 0:39:42.040
<v Speaker 1>was specifically set in the town in Illinois that I

0:39:42.080 --> 0:39:43.960
<v Speaker 1>mostly grew up in, but they didn't shoot any of

0:39:43.960 --> 0:39:45.880
<v Speaker 1>it there and didn't really make an attempt to make

0:39:45.880 --> 0:39:47.880
<v Speaker 1>it look like it. Not that there's that much going

0:39:47.960 --> 0:39:51.000
<v Speaker 1>for my hometown in Illinois, but every I remember, everyone

0:39:51.080 --> 0:39:52.879
<v Speaker 1>that I like went to high school with, we were

0:39:52.960 --> 0:39:54.799
<v Speaker 1>like watching the trailer. We were like, what the hell

0:39:54.920 --> 0:39:58.240
<v Speaker 1>is this? Like this is not at all, This doesn't

0:39:58.239 --> 0:40:01.960
<v Speaker 1>look like a done at all. Rude. Brockton gets constantly

0:40:02.000 --> 0:40:06.080
<v Speaker 1>disrespected because of like there have been like some movies

0:40:06.440 --> 0:40:10.440
<v Speaker 1>shot sequences there, but it's only like, oh, we need

0:40:10.600 --> 0:40:13.960
<v Speaker 1>somewhere that looks like it sucks and it's not safe.

0:40:14.239 --> 0:40:16.359
<v Speaker 1>So there were like a lot of key scenes from

0:40:16.760 --> 0:40:20.759
<v Speaker 1>Katherine Bigelow's Dumpster Fire of a movie Detroit was shot

0:40:20.760 --> 0:40:22.520
<v Speaker 1>at the streets of Brockton because they're like, we just

0:40:22.560 --> 0:40:24.759
<v Speaker 1>need a place that looks like it just blew up,

0:40:24.960 --> 0:40:28.320
<v Speaker 1>and so then they shot it in Brockton. Rude. Adam

0:40:28.360 --> 0:40:31.960
<v Speaker 1>McKay shot some of the scenes where like Timothy shallowm

0:40:32.080 --> 0:40:34.080
<v Speaker 1>is hanging out with his dumpster friends and don't look

0:40:34.160 --> 0:40:40.399
<v Speaker 1>up in Brockton. I'm just like, no fucking respect. Unbelievable.

0:40:42.040 --> 0:40:45.120
<v Speaker 1>They're like, okay, dumpster sequence, where can we go? Like

0:40:45.280 --> 0:40:52.880
<v Speaker 1>what the fuck? Okay? So the second tree lighting ceremony

0:40:53.000 --> 0:40:56.000
<v Speaker 1>is being interrupted by clowns, so Bruce puts on his

0:40:56.040 --> 0:40:59.520
<v Speaker 1>batsuit and heads downtown to save the day. But Catwoman

0:40:59.560 --> 0:41:04.640
<v Speaker 1>shows up and she and Penguin successfully frame Batman for

0:41:04.800 --> 0:41:08.640
<v Speaker 1>murdering the ice princess. So now everyone hates Batman, which

0:41:08.680 --> 0:41:12.040
<v Speaker 1>is a pity because she seems nice. She seems very nice. Yeah.

0:41:12.280 --> 0:41:17.920
<v Speaker 1>Also there's a sequence where Penguin hijacks the batmobile and

0:41:17.960 --> 0:41:22.400
<v Speaker 1>he's like crashing it into things, but then Batman regains

0:41:22.440 --> 0:41:26.160
<v Speaker 1>control of his vehicle. He's like doing it from like

0:41:26.160 --> 0:41:31.640
<v Speaker 1>an arcade. It's really fun, it's really really cute. It's awesome.

0:41:32.400 --> 0:41:36.600
<v Speaker 1>Then Penguin is able to gain more power and popularity

0:41:36.680 --> 0:41:40.400
<v Speaker 1>with his mayoral campaign. But while he's giving a speech,

0:41:40.640 --> 0:41:45.040
<v Speaker 1>Bruce Wayne Slash Batman leaks some audio where Penguin is

0:41:45.080 --> 0:41:49.080
<v Speaker 1>talking about how he's playing this stinking city like a

0:41:49.200 --> 0:41:54.120
<v Speaker 1>harp from hell, and so everyone turns on Penguin and

0:41:54.160 --> 0:41:57.360
<v Speaker 1>hates him now. So he returns to the Sewer to

0:41:57.440 --> 0:42:02.520
<v Speaker 1>plot his revenge. This is where he goes from semi

0:42:02.560 --> 0:42:07.319
<v Speaker 1>successful mayoral run too, I'm going to kill everyone's firstborn

0:42:07.440 --> 0:42:10.000
<v Speaker 1>son in about two minutes. I think he could have

0:42:10.040 --> 0:42:13.200
<v Speaker 1>recovered the campaign, could have recovered. I mean it reminded

0:42:13.239 --> 0:42:17.480
<v Speaker 1>me of, like, honestly, some key moments in the Trump campaign. Seriously,

0:42:17.600 --> 0:42:20.440
<v Speaker 1>I was saying the exact same thing. It reminds me

0:42:20.480 --> 0:42:22.400
<v Speaker 1>I was like that, Well, there is his Billy Bush

0:42:22.400 --> 0:42:31.600
<v Speaker 1>tape basically and against all odds, he was famously the president.

0:42:31.640 --> 0:42:34.960
<v Speaker 1>We don't need to talk about. So Penguin's campaign tanked,

0:42:35.040 --> 0:42:43.320
<v Speaker 1>but Trump's won't. What's going on makes you think? Okay,

0:42:43.760 --> 0:42:50.240
<v Speaker 1>so about Penguin, writes in this chat. So while Penguin

0:42:50.400 --> 0:42:54.240
<v Speaker 1>is plotting his plan to kill a bunch of babies,

0:42:54.360 --> 0:42:59.880
<v Speaker 1>very plagues of Egypt. Yeah, while that's happening, Bruce and

0:43:00.000 --> 0:43:04.040
<v Speaker 1>Selena go to this masquerade party, although it's called a

0:43:04.080 --> 0:43:09.520
<v Speaker 1>Max Scarade party because it's Max Shrek's party. Um, get it,

0:43:09.760 --> 0:43:14.000
<v Speaker 1>get it. It's a real stretch, it's hard, it's a mouthful.

0:43:14.040 --> 0:43:17.320
<v Speaker 1>When he walks in there playing an instrumental of super

0:43:17.400 --> 0:43:23.480
<v Speaker 1>super Freak, implication that super freak like exists in this universe,

0:43:23.920 --> 0:43:26.560
<v Speaker 1>which I'm glad to know that it does. Yeah, I

0:43:26.560 --> 0:43:32.279
<v Speaker 1>wonder if it only existed as an instrumental. Oh, interesting

0:43:32.640 --> 0:43:37.040
<v Speaker 1>could be Um okay. So they're dancing and Selena is

0:43:37.080 --> 0:43:40.959
<v Speaker 1>telling Bruce about how she's there to kill Shrek. She said,

0:43:41.040 --> 0:43:44.080
<v Speaker 1>no more swamp. No, I'm going to drain this swamp,

0:43:44.160 --> 0:43:48.840
<v Speaker 1>she says, And then they both say something that makes

0:43:49.280 --> 0:43:52.759
<v Speaker 1>Selena realize that Bruce's Batman, and he realizes that she

0:43:52.880 --> 0:43:55.360
<v Speaker 1>is catwoman. Um so they're like, oh my god, what

0:43:55.360 --> 0:43:59.000
<v Speaker 1>do we do now? But just then Penguin launches his attack.

0:43:59.560 --> 0:44:05.400
<v Speaker 1>He shows up. He kidnaps Max Shrek again as a

0:44:05.440 --> 0:44:09.160
<v Speaker 1>second choice he loves. She tries to kidnap Chip, but

0:44:09.200 --> 0:44:12.319
<v Speaker 1>then Shrek is like, no, don't hurt my donkey. Take

0:44:12.360 --> 0:44:18.680
<v Speaker 1>me instead. That's my donkey. I wish the Chip had

0:44:18.719 --> 0:44:22.319
<v Speaker 1>gotten to talk. There could be dead. Let him take

0:44:22.400 --> 0:44:25.640
<v Speaker 1>me I can. But honestly, like his christ ever walk

0:44:25.640 --> 0:44:29.080
<v Speaker 1>in the Freshman is shockingly good. Like it's just subtle enough. Yeah,

0:44:29.640 --> 0:44:32.080
<v Speaker 1>who was that guy? He killed it? I don't know,

0:44:32.640 --> 0:44:35.000
<v Speaker 1>feel like used to be in m M A or

0:44:35.040 --> 0:44:40.319
<v Speaker 1>something was my impression. Andrew brand Narski. He is an

0:44:40.320 --> 0:44:43.879
<v Speaker 1>American actor and former bodybuilder, best known for portraying leather

0:44:43.960 --> 0:44:47.279
<v Speaker 1>Face in the remake of the Texas Chainsaw Massacre, Saying

0:44:47.760 --> 0:44:51.120
<v Speaker 1>in Street Fighter, and Steve Latimer in the Program, and

0:44:51.239 --> 0:44:59.000
<v Speaker 1>obviously Chip in Batman returns his most iconic role. Okay,

0:44:59.239 --> 0:45:03.560
<v Speaker 1>so while that's happening, Penguin's minions are stealing babies all

0:45:03.600 --> 0:45:08.279
<v Speaker 1>over Gotham. But Batman stops this somehow. I didn't even

0:45:08.440 --> 0:45:10.880
<v Speaker 1>catch how he's able to stop that, but that he

0:45:10.880 --> 0:45:14.399
<v Speaker 1>puts an end to it. So Penguin sends out all

0:45:14.440 --> 0:45:20.400
<v Speaker 1>of his little penguins, like literal penguin birds with rockets

0:45:20.520 --> 0:45:23.680
<v Speaker 1>strapped to them to blow up Gotham. And I would

0:45:23.840 --> 0:45:26.600
<v Speaker 1>classify this scene as a bit of a march of

0:45:26.640 --> 0:45:32.440
<v Speaker 1>the penguins. Oh yeah, yeah, bit of happy feet marching

0:45:32.440 --> 0:45:36.040
<v Speaker 1>out onto the streets. Yeah, and I think that's all

0:45:36.080 --> 0:45:39.600
<v Speaker 1>the penguin movies. Well, there's also surf Surf's up. Is

0:45:39.600 --> 0:45:43.080
<v Speaker 1>that what it's called? Surfing penguins? I forgot about that.

0:45:43.200 --> 0:45:48.360
<v Speaker 1>Madagascar has penguins in it. They are not the prominently

0:45:48.480 --> 0:45:51.600
<v Speaker 1>it's true, really famous penguins. Yeah, they got their own

0:45:51.600 --> 0:45:55.120
<v Speaker 1>spin off, right, I thought so. My little cousin loved

0:45:56.880 --> 0:46:00.319
<v Speaker 1>the Madagascar movies. Okay, I haven't revisited it a while,

0:46:00.360 --> 0:46:02.839
<v Speaker 1>but I loved it when I was a kid. The

0:46:02.880 --> 0:46:05.480
<v Speaker 1>second one does a polka cover of New York, New York,

0:46:05.520 --> 0:46:07.279
<v Speaker 1>which is one of my favorite versions of it. Like

0:46:07.320 --> 0:46:10.239
<v Speaker 1>not ironically, it's very and that's going to show up

0:46:10.239 --> 0:46:14.239
<v Speaker 1>on your Spotify end of year to this year, it

0:46:14.320 --> 0:46:20.239
<v Speaker 1>probably has already. Um. Okay, so there's a march of

0:46:20.239 --> 0:46:23.440
<v Speaker 1>the penguins, but Batman shows up he jams their signal

0:46:23.560 --> 0:46:26.759
<v Speaker 1>and reroutes their gps IS to send them back to

0:46:26.840 --> 0:46:32.640
<v Speaker 1>Penguin's sewer layer. Penguin escapes, Batman catches up with him,

0:46:32.680 --> 0:46:37.399
<v Speaker 1>they fight, Rockets start going off. Meanwhile, Catwoman fights with

0:46:37.600 --> 0:46:41.919
<v Speaker 1>Shrek in the Penguin Layer. She's trying to kill him,

0:46:42.280 --> 0:46:44.839
<v Speaker 1>but Batman shows up and he's like, no, let's put

0:46:44.920 --> 0:46:48.359
<v Speaker 1>him in jail, and he's trying to appeal to her humanity.

0:46:48.840 --> 0:46:51.360
<v Speaker 1>He's like, we could be together. Batman was pissing me

0:46:51.400 --> 0:46:53.720
<v Speaker 1>off in that scene. I was like, leave her alone,

0:46:53.840 --> 0:46:56.719
<v Speaker 1>let her finish him. Seriously, totally agree, and also like

0:46:56.880 --> 0:47:00.279
<v Speaker 1>takes the very ill advised tack of saying her real

0:47:00.360 --> 0:47:02.279
<v Speaker 1>name and then taking off his mask in front of

0:47:02.360 --> 0:47:04.400
<v Speaker 1>Max StrEG in order to try to convince her. And

0:47:04.400 --> 0:47:06.759
<v Speaker 1>I'm like, if anything, that makes the case for killing

0:47:06.840 --> 0:47:10.400
<v Speaker 1>him even stronger, Like he can't be out there. No.

0:47:10.760 --> 0:47:13.680
<v Speaker 1>It is really funny though, When Shrek is like, why

0:47:13.760 --> 0:47:17.000
<v Speaker 1>is Bruce Wayne dressed up as Batman? Catwoman's like, because

0:47:17.040 --> 0:47:23.200
<v Speaker 1>he is, you, moron. It's good anyway. So Catwoman kills

0:47:23.400 --> 0:47:28.120
<v Speaker 1>Shrek via electrocution and then presumably scurries off with one

0:47:28.200 --> 0:47:32.760
<v Speaker 1>life left of her nine lives. Penguin shows up, he's dying.

0:47:33.160 --> 0:47:37.040
<v Speaker 1>He dies so that his little penguins drag him into

0:47:37.080 --> 0:47:41.160
<v Speaker 1>the water and Karen's crying. I I do cry every

0:47:41.160 --> 0:47:42.920
<v Speaker 1>time he dies in this movie, Like this is not

0:47:43.200 --> 0:47:45.759
<v Speaker 1>a joke, Like I cried and death scene every time

0:47:46.160 --> 0:47:48.920
<v Speaker 1>it is sad. They give him like a real proper

0:47:49.360 --> 0:47:52.799
<v Speaker 1>tragic hero or not tragic villain and send off. When

0:47:52.800 --> 0:47:55.440
<v Speaker 1>he pulls the umbrella out and it's and he's like,

0:47:55.760 --> 0:47:58.200
<v Speaker 1>pict a cute one again and then just falls her.

0:47:58.280 --> 0:48:04.400
<v Speaker 1>I was like, oh, he's an eight. He got he

0:48:04.440 --> 0:48:09.880
<v Speaker 1>should they should just give him. He's such a good actor.

0:48:09.960 --> 0:48:11.799
<v Speaker 1>And I feel like we all forget that because he's

0:48:11.840 --> 0:48:14.520
<v Speaker 1>so good at being like funny and weird and like

0:48:14.560 --> 0:48:17.520
<v Speaker 1>it's always sunny and stuff and posting his feet to Twitter.

0:48:18.360 --> 0:48:23.239
<v Speaker 1>But he's such a good actors. His performance is incredible.

0:48:23.440 --> 0:48:26.520
<v Speaker 1>He's amazing. Yeah, um okay. So then the movie ends

0:48:26.560 --> 0:48:30.040
<v Speaker 1>with Bruce. He's driving around with Alfred. He thinks he

0:48:30.080 --> 0:48:33.400
<v Speaker 1>sees catwoman in an alley. He gets out, he finds

0:48:33.640 --> 0:48:36.560
<v Speaker 1>her cat, which looks exactly like Fleet by the way.

0:48:37.400 --> 0:48:40.320
<v Speaker 1>He takes it home so that, like we said, Alfred

0:48:40.680 --> 0:48:43.279
<v Speaker 1>can take care of it and then Bruce Wayne says

0:48:43.760 --> 0:48:49.560
<v Speaker 1>Merry Christmas, Alfred goodwill toward men and women, and then

0:48:49.600 --> 0:48:54.280
<v Speaker 1>they go, oh like feminist icon. He nibbles a little

0:48:54.280 --> 0:48:59.560
<v Speaker 1>bit there. Wow, it is a really funny final line.

0:48:59.640 --> 0:49:04.920
<v Speaker 1>It's you see Catwoman and then you know, like, because

0:49:04.960 --> 0:49:07.040
<v Speaker 1>we live in the future, that she never comes back,

0:49:07.280 --> 0:49:11.439
<v Speaker 1>and it's sending you up for a movie that never happens. Okay,

0:49:11.520 --> 0:49:13.759
<v Speaker 1>let's take another quick break and we will come back

0:49:13.800 --> 0:49:23.360
<v Speaker 1>to discuss, and we're back. Karen, Where would you like

0:49:23.440 --> 0:49:29.960
<v Speaker 1>to begin? Uh, that's such a good question. There's so

0:49:30.040 --> 0:49:31.719
<v Speaker 1>much to talk about. I mean, I guess we'll start

0:49:31.760 --> 0:49:34.399
<v Speaker 1>with the penguin because he's fresh on my mind, where

0:49:34.480 --> 0:49:36.399
<v Speaker 1>I just love him so much, I would I would

0:49:36.440 --> 0:49:41.240
<v Speaker 1>give a little kiss. I don't mind that he's perfect.

0:49:41.800 --> 0:49:45.880
<v Speaker 1>The main conversation to be had about him as it

0:49:45.920 --> 0:49:50.040
<v Speaker 1>pertains to our show and the analysis we do here

0:49:50.760 --> 0:49:56.600
<v Speaker 1>is um the physical mothering and able ism that is

0:49:56.640 --> 0:50:01.320
<v Speaker 1>present in his character, even though no specific disability is

0:50:01.400 --> 0:50:04.880
<v Speaker 1>referenced when it comes to his character. And I'm pretty

0:50:04.920 --> 0:50:08.560
<v Speaker 1>sure that having penguin like features, to my knowledge, is

0:50:08.600 --> 0:50:15.200
<v Speaker 1>not a real thing, right. But the syndactyl ly or

0:50:15.239 --> 0:50:17.120
<v Speaker 1>what is it with his hands, I think is the

0:50:17.160 --> 0:50:19.120
<v Speaker 1>real thing. But obviously, again they don't put like a

0:50:19.200 --> 0:50:22.520
<v Speaker 1>name to any of what's going on, right right, Even so,

0:50:22.800 --> 0:50:26.800
<v Speaker 1>a villain in a movie having a typical physical features

0:50:26.840 --> 0:50:31.719
<v Speaker 1>and looking different from everybody else is just inherently ablest.

0:50:32.200 --> 0:50:34.760
<v Speaker 1>And in this case, I would say also fat phobic,

0:50:34.920 --> 0:50:39.000
<v Speaker 1>because Danny de Vito is wearing a fat suit as

0:50:39.040 --> 0:50:42.120
<v Speaker 1>the Penguin character. So there's just all of this again

0:50:42.200 --> 0:50:45.920
<v Speaker 1>physical mothering of his character. But this movie does something

0:50:46.600 --> 0:50:49.160
<v Speaker 1>interesting that I feel like a lot of movies don't

0:50:49.640 --> 0:50:52.840
<v Speaker 1>do when it comes to physically other movie villains, where

0:50:53.520 --> 0:50:58.120
<v Speaker 1>the movie will other the villain in some way, usually

0:50:58.400 --> 0:51:02.480
<v Speaker 1>with like very ablest under an overtones, but it's usually

0:51:02.480 --> 0:51:05.040
<v Speaker 1>not something that impacts this story or the character. It's

0:51:05.080 --> 0:51:07.440
<v Speaker 1>just like a trait that exists in a void for

0:51:07.480 --> 0:51:11.239
<v Speaker 1>that character. But Penguin's whole thing is that he was

0:51:11.400 --> 0:51:16.080
<v Speaker 1>discarded by his parents because he was physically different, which

0:51:16.200 --> 0:51:21.640
<v Speaker 1>led to a lifetime of isolation and resentment and longing,

0:51:22.280 --> 0:51:26.720
<v Speaker 1>which turned him into the villain that he is. So

0:51:27.320 --> 0:51:31.719
<v Speaker 1>you have this character who's like affected by everyone in

0:51:31.719 --> 0:51:36.040
<v Speaker 1>the community being ablest towards him, and yes, it does

0:51:36.080 --> 0:51:39.040
<v Speaker 1>turn him into a villain. I don't know. I don't

0:51:39.040 --> 0:51:41.600
<v Speaker 1>know what to make of it exactly, but it's it's tough,

0:51:41.640 --> 0:51:44.279
<v Speaker 1>I think, like, especially for the time period, Like it

0:51:44.400 --> 0:51:47.520
<v Speaker 1>feels pretty forward in that respect, where again, like the

0:51:47.600 --> 0:51:49.879
<v Speaker 1>fact that he looks the way he does is not

0:51:51.120 --> 0:51:54.000
<v Speaker 1>supposed to indicate that he's a villain, like I think,

0:51:54.120 --> 0:51:57.000
<v Speaker 1>especially because of the way that Tim Burton uses iconography,

0:51:57.080 --> 0:52:00.720
<v Speaker 1>like everyone looks a little bit weird it and especially

0:52:00.760 --> 0:52:02.319
<v Speaker 1>as you were sort of saying in the penguin's case,

0:52:02.360 --> 0:52:05.640
<v Speaker 1>like he is like this specifically because everyone else discriminates

0:52:05.640 --> 0:52:07.839
<v Speaker 1>against him because of the way he looks. So it's

0:52:07.880 --> 0:52:12.960
<v Speaker 1>not there as a storytelling shortcut or anything like that.

0:52:13.040 --> 0:52:15.359
<v Speaker 1>It's not there in the sense of, like I think

0:52:15.360 --> 0:52:17.640
<v Speaker 1>it's discussed the most with like Bond villains, where there's

0:52:17.640 --> 0:52:21.480
<v Speaker 1>always some kind of physical deformity that has no bearing

0:52:21.480 --> 0:52:24.120
<v Speaker 1>on their personality but just means look at them, they're evil,

0:52:24.400 --> 0:52:26.800
<v Speaker 1>which is not the case here. And I also feel

0:52:26.800 --> 0:52:30.279
<v Speaker 1>like the depths again, the fact that data Vito is

0:52:30.320 --> 0:52:32.880
<v Speaker 1>such a good and empathetic actor like goes a really

0:52:32.920 --> 0:52:36.800
<v Speaker 1>long way towards selling that point, because like then they

0:52:36.880 --> 0:52:40.000
<v Speaker 1>have the direct like rips from the elephant man, where

0:52:40.040 --> 0:52:42.640
<v Speaker 1>at first, like when he's being reintegrated into society, he's like,

0:52:42.680 --> 0:52:44.880
<v Speaker 1>I'm not a penguin, like I'm a man, I have

0:52:44.960 --> 0:52:48.560
<v Speaker 1>a name, And then when they reject him because of

0:52:48.600 --> 0:52:51.160
<v Speaker 1>the tape, and also I think because of inherent bias,

0:52:51.200 --> 0:52:53.240
<v Speaker 1>he's like, I am not a man, I'm a monster.

0:52:53.640 --> 0:52:57.359
<v Speaker 1>And it's like, again, it's because of the outside influences

0:52:57.440 --> 0:53:00.239
<v Speaker 1>that he is doing these bad things more so than

0:53:00.239 --> 0:53:03.200
<v Speaker 1>that being like an inherent part of his personality. Right,

0:53:03.480 --> 0:53:07.200
<v Speaker 1>I yeah, I like was it is like a tricky

0:53:07.280 --> 0:53:10.200
<v Speaker 1>I mean, it's like a tricky topic to take on

0:53:10.400 --> 0:53:13.080
<v Speaker 1>in any regard, and it's like so present in comic

0:53:13.200 --> 0:53:17.120
<v Speaker 1>books in general that I appreciate it, like even though

0:53:17.160 --> 0:53:19.719
<v Speaker 1>it's like certainly not like a perfect attempt to address it,

0:53:19.800 --> 0:53:22.560
<v Speaker 1>but like I thought it was like like you're saying, Caitlin,

0:53:22.680 --> 0:53:26.239
<v Speaker 1>and like it was trying to give context to like

0:53:26.960 --> 0:53:29.160
<v Speaker 1>he is not a villain because of how he looks.

0:53:29.320 --> 0:53:31.839
<v Speaker 1>He is a villain because of how society treats him

0:53:31.840 --> 0:53:34.719
<v Speaker 1>because of how it looks. And you know, it was

0:53:34.760 --> 0:53:41.640
<v Speaker 1>interesting and I don't know what actually we'll come back

0:53:41.640 --> 0:53:44.600
<v Speaker 1>to it. I lost it. Um Oh. I also I

0:53:44.600 --> 0:53:49.600
<v Speaker 1>saw some reads. It's tricky because it's like I certainly

0:53:49.719 --> 0:53:51.720
<v Speaker 1>see and like can acknowledge a lot of the able

0:53:51.760 --> 0:53:53.719
<v Speaker 1>is m that's built into the character. And then there's

0:53:53.719 --> 0:53:56.680
<v Speaker 1>also moments where it's like they're just trying to make

0:53:56.719 --> 0:54:00.120
<v Speaker 1>him look more like a penguin, and so it's like

0:54:00.760 --> 0:54:05.479
<v Speaker 1>two things kind of are happening at once. I saw

0:54:05.480 --> 0:54:08.480
<v Speaker 1>that at the time of this movie's release, and rightfully so.

0:54:08.560 --> 0:54:11.160
<v Speaker 1>I mean, and we've talked about anti Semitic tropes and

0:54:11.239 --> 0:54:14.480
<v Speaker 1>villains a number of times, and I think that, um,

0:54:14.520 --> 0:54:17.600
<v Speaker 1>some of those are certainly present in The Penguin as well.

0:54:18.160 --> 0:54:20.920
<v Speaker 1>The point that didn't register with me was like, here

0:54:21.040 --> 0:54:25.960
<v Speaker 1>is a villain who's being given anti Semitic styling, who

0:54:26.200 --> 0:54:29.320
<v Speaker 1>is determined to steal babies around Christmas, and you're like,

0:54:29.800 --> 0:54:36.200
<v Speaker 1>oh uh, yep, that is certainly what's happening. Um, so yeah,

0:54:36.239 --> 0:54:38.560
<v Speaker 1>I think that It's like I totally agree with Karen.

0:54:38.600 --> 0:54:42.600
<v Speaker 1>I think like Danny Devitto's performance is like so much

0:54:42.640 --> 0:54:45.320
<v Speaker 1>of like what humanizes this character. I like that he

0:54:45.440 --> 0:54:49.040
<v Speaker 1>gets so much context into why he is the way

0:54:49.080 --> 0:54:53.120
<v Speaker 1>he is. Danny DeVito is so perfect it's hard. He's perfect,

0:54:53.160 --> 0:54:55.520
<v Speaker 1>and Danny DeVito I think again, not to keep just

0:54:55.520 --> 0:54:58.640
<v Speaker 1>talking about his performance, but the fact that he never

0:54:58.960 --> 0:55:02.200
<v Speaker 1>plays also like a joke goes a long, long, long,

0:55:02.239 --> 0:55:05.360
<v Speaker 1>long long way towards this kind of coming off better,

0:55:05.480 --> 0:55:07.719
<v Speaker 1>I guess, because I think you could very easily play

0:55:07.719 --> 0:55:10.040
<v Speaker 1>it as like, Oh, he's so funny and weird look

0:55:10.080 --> 0:55:12.120
<v Speaker 1>at him, But I don't think he ever plays it

0:55:12.160 --> 0:55:15.520
<v Speaker 1>that way in the movie. Yeah, yeah, for sure. The

0:55:15.600 --> 0:55:20.640
<v Speaker 1>thing that puts me off about him the most as

0:55:20.680 --> 0:55:26.600
<v Speaker 1>far as his like villainous qualities, is his like predatory,

0:55:26.640 --> 0:55:32.839
<v Speaker 1>like sexual predatory behavior, where like he says stuff like, oh,

0:55:32.880 --> 0:55:35.600
<v Speaker 1>I'd like to fill her void, and he just like

0:55:35.800 --> 0:55:40.640
<v Speaker 1>is actively groping people and sexually harassing them. I viewed that,

0:55:40.680 --> 0:55:43.160
<v Speaker 1>though I didn't view that as like tying into anything

0:55:43.200 --> 0:55:45.120
<v Speaker 1>that had to do with his physical appearance. I viewed

0:55:45.120 --> 0:55:48.800
<v Speaker 1>that as like him getting corrupted by power the second

0:55:48.840 --> 0:55:50.920
<v Speaker 1>he gets a little bit of power, because that's like,

0:55:51.080 --> 0:55:53.560
<v Speaker 1>because like the coolest part about his character is like

0:55:54.000 --> 0:55:57.399
<v Speaker 1>he at the beginning, it's like you can totally see

0:55:57.440 --> 0:55:59.680
<v Speaker 1>like he wants to funk over Gotham because he's been

0:55:59.719 --> 0:56:03.760
<v Speaker 1>so thoroughly rejected and isolated from the society he should

0:56:03.760 --> 0:56:05.880
<v Speaker 1>have been growing up in but then the second he

0:56:05.920 --> 0:56:08.680
<v Speaker 1>gets a little taste of power, he immediately is like

0:56:09.000 --> 0:56:13.040
<v Speaker 1>horrible to everybody in all the expected ways, which I

0:56:13.040 --> 0:56:15.239
<v Speaker 1>think is like an awesome whatever. It's a it's a

0:56:15.360 --> 0:56:17.759
<v Speaker 1>it's a it's a good arc we know, we know

0:56:17.880 --> 0:56:20.560
<v Speaker 1>this arc um. Oh, that was what I was thinking.

0:56:20.600 --> 0:56:23.960
<v Speaker 1>It was earlier, was I feel like I mean, And

0:56:24.000 --> 0:56:27.759
<v Speaker 1>there's plenty of criticisms of Tim Burton. I wasn't even

0:56:27.760 --> 0:56:29.520
<v Speaker 1>going to get into them today really because we've talked

0:56:29.520 --> 0:56:32.480
<v Speaker 1>about them in previous episodes. But I do think that

0:56:32.600 --> 0:56:36.200
<v Speaker 1>like something that he dealt with well in a lot

0:56:36.200 --> 0:56:38.759
<v Speaker 1>of examples, especially in this era of his is like

0:56:39.239 --> 0:56:43.560
<v Speaker 1>taking another character and building them out to be someone

0:56:43.600 --> 0:56:46.719
<v Speaker 1>that you can empathize with, even if ultimately they're like

0:56:46.840 --> 0:56:51.319
<v Speaker 1>doing the wrong thing. And so for like it's like, yeah,

0:56:51.320 --> 0:56:55.120
<v Speaker 1>I guess like the penguin in Tim Burton and Mark

0:56:55.200 --> 0:56:57.480
<v Speaker 1>Water's hand because this was written by the guy who

0:56:57.640 --> 0:57:02.480
<v Speaker 1>wrote Heathers um like You've got two That is Daniel Waters.

0:57:02.719 --> 0:57:06.279
<v Speaker 1>Oh sorry, Daniel Waters. Mark Waters is his brother who

0:57:06.320 --> 0:57:12.600
<v Speaker 1>directed Mean Girls. Yeah, the whole Waters dynasty situation apparently,

0:57:12.640 --> 0:57:16.920
<v Speaker 1>but yeah, Daniel Waters wrote Heather's Tim Burton liked Heathers,

0:57:16.960 --> 0:57:20.720
<v Speaker 1>and he liked that Daniel Waters had no knowledge about

0:57:20.800 --> 0:57:24.720
<v Speaker 1>Batman Um and didn't care about Batman Cannon and like

0:57:25.080 --> 0:57:27.040
<v Speaker 1>it just like we're two people who were known for

0:57:27.280 --> 0:57:33.520
<v Speaker 1>dealing with humanizing misfits well and so for I think

0:57:33.520 --> 0:57:35.080
<v Speaker 1>that they did a pretty good job. But I also,

0:57:35.200 --> 0:57:38.080
<v Speaker 1>you know, totally understand all of the criticisms around the

0:57:38.080 --> 0:57:42.880
<v Speaker 1>penguin as well. Yeah, I think, I mean, I don't know,

0:57:43.000 --> 0:57:44.880
<v Speaker 1>it is very of its time in a way, like

0:57:44.920 --> 0:57:50.760
<v Speaker 1>even thinking about the uh, like phone sales calls that

0:57:50.800 --> 0:57:52.920
<v Speaker 1>Selena Gas where they're like, oh, if you wear this

0:57:53.040 --> 0:57:55.000
<v Speaker 1>at the office, your boss is going to invite you

0:57:55.080 --> 0:58:00.000
<v Speaker 1>to day late, like it's so gross, and Max's houltree

0:58:00.000 --> 0:58:01.680
<v Speaker 1>ement of her, and then even to an extent like

0:58:01.680 --> 0:58:03.880
<v Speaker 1>Bruce where he's just like he sees her and he's like, Oh,

0:58:04.040 --> 0:58:06.600
<v Speaker 1>that woman's hot. I want to talk to her more, right,

0:58:07.040 --> 0:58:11.000
<v Speaker 1>I think it's rare and maybe it doesn't even happen

0:58:11.280 --> 0:58:13.480
<v Speaker 1>for a man to come into contact with Selena and

0:58:13.520 --> 0:58:16.480
<v Speaker 1>not immediately say something, even though like I think the

0:58:16.480 --> 0:58:19.439
<v Speaker 1>most egregious thing is like the two security guards are like, yeah,

0:58:19.440 --> 0:58:21.720
<v Speaker 1>I don't know if I should arrest her or as

0:58:22.800 --> 0:58:25.560
<v Speaker 1>with her right, and you're just like, oh my god,

0:58:25.840 --> 0:58:28.080
<v Speaker 1>like okay, you can blow up those guys. And then

0:58:28.200 --> 0:58:33.840
<v Speaker 1>she's like, you're paid too much. Also watching her is

0:58:33.920 --> 0:58:38.480
<v Speaker 1>very cathartic. Oh yeah, absolutely. Also, Penguin turns on Catwoman

0:58:38.640 --> 0:58:40.760
<v Speaker 1>the second she's like, yeah, I don't want to have

0:58:40.800 --> 0:58:43.160
<v Speaker 1>sex with you or marry you, and he says, and

0:58:43.280 --> 0:58:46.320
<v Speaker 1>I quote you, lousy minx. I ought to have you spade.

0:58:46.760 --> 0:58:48.960
<v Speaker 1>You sent out all the signals, and I don't think

0:58:49.000 --> 0:58:51.720
<v Speaker 1>I like you anymore, and then he tries to kill her,

0:58:51.920 --> 0:58:54.720
<v Speaker 1>has her air lifted out of the scene. I mean,

0:58:54.840 --> 0:58:57.840
<v Speaker 1>it's an incredible, incredible way to get someone out of

0:58:57.840 --> 0:59:01.280
<v Speaker 1>your life. But also like he has no little to

0:59:01.360 --> 0:59:04.960
<v Speaker 1>no social interaction with people. Don't know, I'm not trying

0:59:04.960 --> 0:59:06.840
<v Speaker 1>to write off the behavior like you should not behave

0:59:06.880 --> 0:59:09.520
<v Speaker 1>that way towards anybody, but anyway, but that no, I

0:59:10.040 --> 0:59:13.080
<v Speaker 1>think that that's like part of why this character is

0:59:13.120 --> 0:59:15.120
<v Speaker 1>like kind of endured in spite of like all this

0:59:15.280 --> 0:59:18.680
<v Speaker 1>stuff is like I don't know, I feel like I

0:59:18.720 --> 0:59:22.120
<v Speaker 1>complain about modern movie villains a lot, and like the

0:59:22.200 --> 0:59:25.560
<v Speaker 1>movie doesn't go out of its way to like redeem

0:59:25.600 --> 0:59:29.800
<v Speaker 1>the Penguin, like he's still a villain, but you also

0:59:30.280 --> 0:59:33.479
<v Speaker 1>know enough about him that you do feel a little

0:59:33.480 --> 0:59:36.280
<v Speaker 1>bit bad or or in Karen's case, are full and

0:59:36.360 --> 0:59:42.560
<v Speaker 1>creeping um when he does die, because it's like, well, no,

0:59:42.960 --> 0:59:47.160
<v Speaker 1>like he you know, grew up extremely disadvantaged. He was

0:59:47.240 --> 0:59:52.040
<v Speaker 1>raised by penguins. He's not interacted with people. Um, you know,

0:59:52.120 --> 0:59:54.720
<v Speaker 1>he's dying a very horny virgin. Like there's a lot

0:59:54.760 --> 0:59:58.440
<v Speaker 1>of things that he lost the mayor mayoral campaign. His

0:59:58.560 --> 1:00:02.080
<v Speaker 1>dad was pee wee herman. He has a lot of baggage. Wait,

1:00:02.120 --> 1:00:05.440
<v Speaker 1>his dad is played by Paul Rubens. Yeah, I didn't know,

1:00:05.480 --> 1:00:07.760
<v Speaker 1>and Karen wasn't lying. Doug Jones is in this movie.

1:00:07.840 --> 1:00:11.760
<v Speaker 1>He plays a clown. Oh my gosh, he's the he's

1:00:11.560 --> 1:00:16.040
<v Speaker 1>the quote unquote thin clown. Oh why I mean described

1:00:16.080 --> 1:00:19.320
<v Speaker 1>Doug Jones in a better way. It's true, Like it's

1:00:19.400 --> 1:00:22.600
<v Speaker 1>right there, Oh my goodness. But like but but but

1:00:22.640 --> 1:00:25.280
<v Speaker 1>by the time Penguin dies, I just like I feel

1:00:25.280 --> 1:00:27.360
<v Speaker 1>like it's kind of a weird lost art in big

1:00:27.400 --> 1:00:32.560
<v Speaker 1>movies to have uh, you know, poetic villain that. Yeah,

1:00:32.800 --> 1:00:35.640
<v Speaker 1>it's like they're they're so clearly a path you can

1:00:35.640 --> 1:00:37.840
<v Speaker 1>see where he his life would have been fine or

1:00:37.880 --> 1:00:39.920
<v Speaker 1>like he would have been redeemed him some way, and

1:00:40.040 --> 1:00:43.040
<v Speaker 1>that's what makes that storyline powerful, that he is not

1:00:43.080 --> 1:00:44.800
<v Speaker 1>on it or did not manage to get on it

1:00:45.120 --> 1:00:48.480
<v Speaker 1>right and then like the first person to like accept

1:00:48.520 --> 1:00:51.760
<v Speaker 1>him into society. It happened to be like kind of

1:00:51.800 --> 1:00:55.160
<v Speaker 1>the most evil guy um where like nobody around him

1:00:55.200 --> 1:00:56.800
<v Speaker 1>has his best interests at his heart. Yeah, he was

1:00:56.840 --> 1:00:59.400
<v Speaker 1>only doing it because he was being blackmailed. And he

1:01:00.240 --> 1:01:02.080
<v Speaker 1>also was like, oh, I can use him as a

1:01:02.080 --> 1:01:05.880
<v Speaker 1>political pond so I can build my power plant, right

1:01:06.160 --> 1:01:08.720
<v Speaker 1>like if if I don't know, I mean it's like Penguin.

1:01:08.760 --> 1:01:11.240
<v Speaker 1>By the end, you're like, yeah, he's the villain. You know,

1:01:11.680 --> 1:01:13.560
<v Speaker 1>he's not going to make it out of the movie.

1:01:13.720 --> 1:01:17.160
<v Speaker 1>But but also we're frowning and it's sad, and he's

1:01:17.160 --> 1:01:24.120
<v Speaker 1>supposed to be thirty three years old. Yes, the last

1:01:24.120 --> 1:01:26.120
<v Speaker 1>thing I want to say about I feel like I

1:01:26.520 --> 1:01:29.120
<v Speaker 1>love I think almost across the board really like the

1:01:29.320 --> 1:01:33.760
<v Speaker 1>like political like corrupt politics commentary in this movie and

1:01:33.800 --> 1:01:35.840
<v Speaker 1>like those areas of the Penguin. I kind of am

1:01:35.840 --> 1:01:38.440
<v Speaker 1>like kind of above criticism for me, where it's like

1:01:38.880 --> 1:01:44.000
<v Speaker 1>commenting on how like people are so influenced by media

1:01:44.080 --> 1:01:47.080
<v Speaker 1>narratives that make them feel like good people, where it's

1:01:47.080 --> 1:01:49.240
<v Speaker 1>like these are the same people that have rejected and

1:01:49.320 --> 1:01:51.520
<v Speaker 1>been afraid of Penguin his whole life, but then there's

1:01:51.560 --> 1:01:55.560
<v Speaker 1>this false media narrative constructed by the penguin to be

1:01:55.600 --> 1:01:58.240
<v Speaker 1>like I'm good now you should feel so bad to

1:01:58.280 --> 1:02:00.040
<v Speaker 1>have been so horrible to me in the past. And

1:02:00.080 --> 1:02:02.120
<v Speaker 1>they're like, yeah, we love the penguin, now we're going

1:02:02.160 --> 1:02:05.960
<v Speaker 1>to vote for him. And then like he's like, oh, whatever,

1:02:06.040 --> 1:02:09.440
<v Speaker 1>fuck you. Um, that's absolutely true. Yeah, I was not.

1:02:09.560 --> 1:02:11.680
<v Speaker 1>I keep interrupting you, but I was thinking about that too,

1:02:11.760 --> 1:02:14.080
<v Speaker 1>Like in the scene where he goes to his parents

1:02:14.080 --> 1:02:18.000
<v Speaker 1>grave site and it's like a whole like media circus

1:02:18.040 --> 1:02:20.800
<v Speaker 1>out there, Like there are a lot of journalists, there's

1:02:20.840 --> 1:02:23.440
<v Speaker 1>a huge crowd that all are just wanting to gawk

1:02:23.520 --> 1:02:27.560
<v Speaker 1>at this yeah, and it's like he's, uh, so there's

1:02:27.560 --> 1:02:29.640
<v Speaker 1>so much about this movie that you're like, oh, it's

1:02:29.640 --> 1:02:32.920
<v Speaker 1>like rejecting all these things where it's like he's crafting

1:02:33.000 --> 1:02:37.520
<v Speaker 1>his own redemption arc while being completely unchanged, and like

1:02:37.680 --> 1:02:40.800
<v Speaker 1>people buy it because and people always buy ship like that.

1:02:41.040 --> 1:02:44.120
<v Speaker 1>They want to Yeah, are we to understand that Penguin

1:02:44.240 --> 1:02:46.439
<v Speaker 1>killed his own parents, like he knew who they were

1:02:46.480 --> 1:02:49.200
<v Speaker 1>and at some point went and killed them and that's

1:02:49.200 --> 1:02:51.200
<v Speaker 1>why they're dead or did I just kind of fill

1:02:51.240 --> 1:02:54.320
<v Speaker 1>in some blanks. I think they just died. Yeah, I

1:02:54.760 --> 1:02:57.360
<v Speaker 1>didn't think that he had he had killed them, Okay,

1:02:57.520 --> 1:03:00.640
<v Speaker 1>but well that's my headcanon that he did already know

1:03:00.640 --> 1:03:02.560
<v Speaker 1>who they were and he went and killed them, killed

1:03:02.600 --> 1:03:04.840
<v Speaker 1>Pee Wee. I mean that's going to dock him a

1:03:04.840 --> 1:03:07.400
<v Speaker 1>few points in my book. You really can't be killing

1:03:07.520 --> 1:03:11.720
<v Speaker 1>pee Wee Herman. But also like the fact that they

1:03:11.720 --> 1:03:14.080
<v Speaker 1>brought Pee Wee Herman back for the Gotham TV show

1:03:14.280 --> 1:03:17.160
<v Speaker 1>specifically because they're like, we gotta get him in. It's

1:03:17.160 --> 1:03:19.720
<v Speaker 1>a great cameo. Anyway, He's Cannon, he is, He's that

1:03:19.840 --> 1:03:22.720
<v Speaker 1>Makann and know he is. It makes me Also Jan

1:03:22.840 --> 1:03:26.080
<v Speaker 1>Hooks is in this movie. I love Jan Hooks Okay,

1:03:26.400 --> 1:03:30.120
<v Speaker 1>so oh yeah. But then and then like just like that,

1:03:30.200 --> 1:03:32.840
<v Speaker 1>they're like running him on this like law and order campaign,

1:03:32.920 --> 1:03:35.320
<v Speaker 1>like just all this stuff where it's like, yeah, I

1:03:35.360 --> 1:03:39.560
<v Speaker 1>love that. The people of Gotham are also always kind

1:03:39.600 --> 1:03:43.240
<v Speaker 1>of like not like complicit in the downfall of their city,

1:03:43.360 --> 1:03:46.560
<v Speaker 1>but like they kind of fall for everything, and you're

1:03:46.600 --> 1:03:50.000
<v Speaker 1>like well, guys, I mean you really should have been

1:03:50.040 --> 1:03:53.240
<v Speaker 1>reading between the lines on that whole Penguin redemption narrative.

1:03:53.960 --> 1:03:56.360
<v Speaker 1>But you know, I guess you're gonna get attacked by

1:03:56.360 --> 1:04:00.440
<v Speaker 1>a clown again just desserts, but like the like, oh

1:04:00.600 --> 1:04:02.480
<v Speaker 1>or city is so full of crime narrative also like

1:04:02.560 --> 1:04:05.680
<v Speaker 1>something that we see a lot in our contemporary society

1:04:05.720 --> 1:04:08.160
<v Speaker 1>and it's not always true. But yeah, can we talk

1:04:08.160 --> 1:04:10.400
<v Speaker 1>about before we get to because Catwoman, I know it's

1:04:10.400 --> 1:04:13.680
<v Speaker 1>like going to consume so much of the discussion and

1:04:13.800 --> 1:04:18.080
<v Speaker 1>rightfully so. But uh, I was reading about like the

1:04:18.280 --> 1:04:20.920
<v Speaker 1>creative production of this movie and a lot of the

1:04:20.960 --> 1:04:25.720
<v Speaker 1>back and forth that happened between Tim Burton and Daniel Waters,

1:04:26.440 --> 1:04:29.960
<v Speaker 1>and something that I liked because because Max Shrek. I

1:04:30.000 --> 1:04:33.000
<v Speaker 1>wouldn't have known this because I don't know about comic books,

1:04:33.040 --> 1:04:35.600
<v Speaker 1>but is an original character added to this movie was

1:04:35.640 --> 1:04:40.160
<v Speaker 1>not part of Batman. Cannon added him in specifically named

1:04:40.200 --> 1:04:46.280
<v Speaker 1>after the actor Max Shrek, who played I liked that.

1:04:46.520 --> 1:04:49.520
<v Speaker 1>You know, they wanted to have like you're kind of

1:04:49.560 --> 1:04:53.760
<v Speaker 1>like political villain to to counter to the Penguin, which

1:04:53.760 --> 1:04:55.640
<v Speaker 1>is like more kind of a classic comic book e

1:04:55.760 --> 1:04:57.920
<v Speaker 1>villain um. And they said that they wanted to do

1:04:57.960 --> 1:05:00.720
<v Speaker 1>that specifically so that they like decate there, like, oh,

1:05:00.800 --> 1:05:03.640
<v Speaker 1>the greatest evil is often just like an elected public

1:05:03.720 --> 1:05:08.520
<v Speaker 1>official or like a business person, and it's true, and

1:05:08.600 --> 1:05:11.480
<v Speaker 1>it's true. I just like it ages very well in

1:05:11.520 --> 1:05:14.640
<v Speaker 1>that regard. I really, I really liked it. And I

1:05:14.640 --> 1:05:17.600
<v Speaker 1>mean I don't like the character of Max Shrek is

1:05:17.640 --> 1:05:21.320
<v Speaker 1>so despicable, but like it just like it fits in Gotham.

1:05:21.360 --> 1:05:24.480
<v Speaker 1>I would prefer that to like another cartoony kind of villain.

1:05:24.640 --> 1:05:27.840
<v Speaker 1>And Christopher Walkin plays the hell out of him. Oh yeah,

1:05:27.880 --> 1:05:32.040
<v Speaker 1>Oh he looks so goofy. He looks great. Yeah, like

1:05:32.840 --> 1:05:36.520
<v Speaker 1>it's amazing. He's hot. He's oh my god, Christopher Walkin

1:05:36.600 --> 1:05:38.200
<v Speaker 1>is hot. And then every time everyone in this movie

1:05:38.240 --> 1:05:40.200
<v Speaker 1>is hot, and then we're always like, what happens on

1:05:40.320 --> 1:05:43.720
<v Speaker 1>the boat and Christopher walking what happened? Yeah, I cannot

1:05:43.760 --> 1:05:46.800
<v Speaker 1>forget that that he probably does know how Natalie would died.

1:05:46.920 --> 1:05:50.240
<v Speaker 1>I can never forget that. TikTok, you know, you gotta

1:05:50.320 --> 1:05:52.680
<v Speaker 1>let us know you're getting up there. And he hasn't

1:05:52.720 --> 1:05:58.960
<v Speaker 1>dropped that on the Dune to press tour. He's like

1:05:59.640 --> 1:06:04.680
<v Speaker 1>he's getting to There's been too many true crime podcasts

1:06:04.680 --> 1:06:07.240
<v Speaker 1>about Natalie would. I just want to say this now,

1:06:08.240 --> 1:06:09.960
<v Speaker 1>this is the best Christopher Rock and I can do.

1:06:10.600 --> 1:06:14.600
<v Speaker 1>And there I was. I love it. It's perfect, It's perfect.

1:06:15.720 --> 1:06:20.840
<v Speaker 1>All right. Shall we talk about Catwoman? Okay? That costume,

1:06:21.440 --> 1:06:28.720
<v Speaker 1>Oh my god, it's hot. Jeem So my note, my

1:06:28.840 --> 1:06:31.480
<v Speaker 1>notes are all over the place with her. But I

1:06:31.520 --> 1:06:35.680
<v Speaker 1>guess just like, okay, generally speaking, or to kick us off,

1:06:36.040 --> 1:06:40.000
<v Speaker 1>first of all, well, I love Catwoman. Incredible character, amazing.

1:06:40.360 --> 1:06:43.840
<v Speaker 1>Michelle Peiffer as Catwoman is iconic, just like she's the

1:06:43.920 --> 1:06:50.160
<v Speaker 1>best one, so good. What I like about the Selena

1:06:50.280 --> 1:06:55.800
<v Speaker 1>Slashcatwoman character is I mean, she's contextualized much like Penguin

1:06:56.160 --> 1:07:01.320
<v Speaker 1>is where you get the sense that Selena is constantly

1:07:01.360 --> 1:07:07.439
<v Speaker 1>being undermined by men in her life and her mom um.

1:07:07.480 --> 1:07:11.160
<v Speaker 1>She's constantly being disappointed by men in her life. She

1:07:11.440 --> 1:07:16.080
<v Speaker 1>is inundated with pressure to please men and kind of

1:07:16.160 --> 1:07:20.240
<v Speaker 1>adhere to rigid gender roles, you know, all of this

1:07:20.360 --> 1:07:23.880
<v Speaker 1>ship that she's dealing with. That like she's literally like

1:07:23.920 --> 1:07:27.280
<v Speaker 1>putting a pink collar job. The whole thing where she

1:07:27.480 --> 1:07:30.680
<v Speaker 1>keeps saying like I'm an assistant, it's like a secretary,

1:07:30.760 --> 1:07:32.960
<v Speaker 1>Like that whole distinction is so good and every yeah,

1:07:33.000 --> 1:07:37.040
<v Speaker 1>everyone keeps calling her secretary right, And then like at work,

1:07:37.120 --> 1:07:39.640
<v Speaker 1>when she tries to offer some input in a meeting,

1:07:39.880 --> 1:07:42.920
<v Speaker 1>she's shot down. Shrek doesn't want to hear what she

1:07:42.920 --> 1:07:45.440
<v Speaker 1>has to say. He says something like, you know, we

1:07:45.480 --> 1:07:48.160
<v Speaker 1>haven't properly how to feel that way about Fiona too,

1:07:48.360 --> 1:07:55.600
<v Speaker 1>and she I mean, exactly, okay, sorry, I thought love

1:07:55.640 --> 1:08:02.240
<v Speaker 1>was only true in fairy tales, but tributity lies within.

1:08:02.480 --> 1:08:08.840
<v Speaker 1>So everything about the point is Shrek undermines Selena. And

1:08:08.840 --> 1:08:10.640
<v Speaker 1>then she goes home. You see a bit of her

1:08:10.720 --> 1:08:13.760
<v Speaker 1>interior life. She has all of these messages on her

1:08:13.800 --> 1:08:18.960
<v Speaker 1>answering machine from people again either like disappointing her, undermining her,

1:08:19.560 --> 1:08:22.840
<v Speaker 1>like laying on this pressure was kind of like societal

1:08:22.880 --> 1:08:27.400
<v Speaker 1>patriarchal pressure. And then when she goes back to the

1:08:27.439 --> 1:08:32.800
<v Speaker 1>office and is murdered by her boss, that's obviously like

1:08:32.840 --> 1:08:37.839
<v Speaker 1>the catalyst that turns her into catwoman. You know, Skimble

1:08:37.880 --> 1:08:40.960
<v Speaker 1>Shanks is like Miamio and she's like a catwoman, and

1:08:41.120 --> 1:08:43.720
<v Speaker 1>he's like back from work, back from the clown train,

1:08:43.800 --> 1:08:48.400
<v Speaker 1>I work on um. And then she criticizes skimble Shanks

1:08:48.400 --> 1:08:50.880
<v Speaker 1>for not paying rent, which if true, is wild because

1:08:51.000 --> 1:08:52.679
<v Speaker 1>he we are to understand that he has a job.

1:08:53.640 --> 1:08:55.679
<v Speaker 1>That's right. He's one of the few cats that makes money,

1:08:55.800 --> 1:09:00.320
<v Speaker 1>so he should be paying rent. He's rich. Um, he

1:09:00.400 --> 1:09:02.640
<v Speaker 1>works on a train. What is it going to use

1:09:02.640 --> 1:09:05.400
<v Speaker 1>all that cat money for? He's a cat and he

1:09:05.479 --> 1:09:08.519
<v Speaker 1>takes it so seriously. That's the whole song is about

1:09:08.560 --> 1:09:11.400
<v Speaker 1>how seriously he takes his job and exactly how he

1:09:11.479 --> 1:09:15.000
<v Speaker 1>does it. He's like, I'm on time every day and

1:09:15.080 --> 1:09:18.280
<v Speaker 1>the train just kind of can't run without me. I

1:09:18.280 --> 1:09:21.559
<v Speaker 1>saw it at the Pantages a couple of weeks ago,

1:09:22.600 --> 1:09:28.719
<v Speaker 1>and he didn't tap in the stage adaptation. Heck, I

1:09:28.920 --> 1:09:32.640
<v Speaker 1>know Mr must Files tapped, and well Mr m is

1:09:32.640 --> 1:09:35.400
<v Speaker 1>a classic tapper, but he's like not a tapper in

1:09:35.439 --> 1:09:38.800
<v Speaker 1>the movie, but he is a tamper on stage. I

1:09:38.880 --> 1:09:41.080
<v Speaker 1>knew that, but I didn't know that there was no

1:09:41.160 --> 1:09:43.960
<v Speaker 1>Skimble Shanks tapping. I mean, it was a lovely dance,

1:09:44.080 --> 1:09:46.880
<v Speaker 1>but I did walk away disappointed. It's a lot more

1:09:46.920 --> 1:09:52.759
<v Speaker 1>of like this. It's yes now is Skimble Shanks taking

1:09:52.840 --> 1:09:55.600
<v Speaker 1>up space? Of course, during the number he's taking up

1:09:56.000 --> 1:09:58.880
<v Speaker 1>He's taking up space the way that Sebastian Maniscalco does

1:09:59.000 --> 1:10:01.960
<v Speaker 1>during his specials. He's back and forth back and forth,

1:10:02.479 --> 1:10:06.360
<v Speaker 1>like but but it just wasn't quite the tap number

1:10:06.360 --> 1:10:11.679
<v Speaker 1>I was expecting. Yeah, I'm sorry, Catwoman. Yes, okay, another

1:10:12.200 --> 1:10:15.599
<v Speaker 1>little context defect. And again I don't want to get

1:10:15.600 --> 1:10:17.559
<v Speaker 1>in the habit of hand to get to dim Burton

1:10:17.600 --> 1:10:21.720
<v Speaker 1>too hard. He has a lot of baggage. But I

1:10:21.760 --> 1:10:25.320
<v Speaker 1>guess when they were developing the scriptum According to scholarly

1:10:25.400 --> 1:10:30.360
<v Speaker 1>journal Wikipedia, Burton's only instruction to Daniel Watters writing the

1:10:30.360 --> 1:10:32.600
<v Speaker 1>script was that Catwoman had to be more than a

1:10:32.720 --> 1:10:36.679
<v Speaker 1>sexy vixen and like so he it was a definite

1:10:36.680 --> 1:10:38.800
<v Speaker 1>point of like we need to understand how she gets

1:10:38.800 --> 1:10:41.479
<v Speaker 1>from zero to Catwoman. It's not just sexy lady and

1:10:41.560 --> 1:10:45.280
<v Speaker 1>suit do crime and be a girlfriend. Which is why

1:10:45.320 --> 1:10:47.240
<v Speaker 1>I think she really works in this movie, like she

1:10:47.360 --> 1:10:49.479
<v Speaker 1>has more to do. Like I think that's kind of

1:10:49.520 --> 1:10:51.839
<v Speaker 1>the fatal flaw of like the other like film Catwoman

1:10:51.880 --> 1:10:55.000
<v Speaker 1>that we've seen where they don't have as much to

1:10:55.000 --> 1:10:56.720
<v Speaker 1>do or there's kind of too much assumed that we

1:10:56.760 --> 1:10:59.960
<v Speaker 1>would know about her already, that she falls kind of flat.

1:11:00.040 --> 1:11:03.240
<v Speaker 1>That this line is like she rules, I understand her,

1:11:03.320 --> 1:11:05.439
<v Speaker 1>talked about him like she's great and she has like

1:11:05.479 --> 1:11:11.160
<v Speaker 1>a real struggle like I'm trying to I I are. Honestly,

1:11:11.240 --> 1:11:13.760
<v Speaker 1>most of the Robert Pattins in Batman movie, I know,

1:11:13.840 --> 1:11:15.880
<v Speaker 1>I liked it, but most of it's already left my brain.

1:11:16.439 --> 1:11:20.000
<v Speaker 1>But Colin Farrell a little the strongest impression in that movie. Yeah,

1:11:20.080 --> 1:11:22.559
<v Speaker 1>I liked him, and I love Zoe Kravitz, but it's

1:11:22.600 --> 1:11:25.519
<v Speaker 1>like her Catwoman was so cool that it wasn't like, oh,

1:11:25.560 --> 1:11:26.880
<v Speaker 1>I wonder if she's going to get out of this.

1:11:27.000 --> 1:11:28.800
<v Speaker 1>It's like, well, she's so cool, she's probably gonna get

1:11:28.800 --> 1:11:32.280
<v Speaker 1>out of it. Michelle Peiffer's Catwoman. I genuinely was like,

1:11:32.400 --> 1:11:35.439
<v Speaker 1>I don't know what's going to happen now. She's very chaotic. Yeah,

1:11:35.600 --> 1:11:37.880
<v Speaker 1>the stakes are so high for her, and you know

1:11:37.960 --> 1:11:40.960
<v Speaker 1>that right away, and you also like, I guess I'm

1:11:40.960 --> 1:11:43.840
<v Speaker 1>curious what you both thought about this, because I I,

1:11:44.560 --> 1:11:47.720
<v Speaker 1>you know, I think that we're to believe that like

1:11:47.800 --> 1:11:51.679
<v Speaker 1>Selena is like unraveling as the story goes on, She's

1:11:51.760 --> 1:11:56.000
<v Speaker 1>like losing her you know, grip on reality. But I

1:11:56.040 --> 1:11:58.080
<v Speaker 1>thought that for the most part, that was like well

1:11:58.120 --> 1:12:02.040
<v Speaker 1>contextualized enough that it didn't super bother me. Like when

1:12:02.080 --> 1:12:05.400
<v Speaker 1>she goes nuclear on her house, I was like, yeah, totally.

1:12:05.840 --> 1:12:08.280
<v Speaker 1>There comes a day you just died and came back

1:12:08.320 --> 1:12:11.519
<v Speaker 1>like of course, yeah, I'm not going to call that

1:12:11.680 --> 1:12:15.639
<v Speaker 1>overly emotional behavior. I think it makes sense, right, because

1:12:15.640 --> 1:12:18.639
<v Speaker 1>she's reacting to all of this stuff that she had

1:12:18.680 --> 1:12:22.200
<v Speaker 1>been dealing with prior to that, the most drastic being

1:12:22.240 --> 1:12:25.960
<v Speaker 1>that she was murdered by her boss. But like she

1:12:26.479 --> 1:12:29.600
<v Speaker 1>to me, I see her transformation as like an extremely

1:12:29.720 --> 1:12:34.200
<v Speaker 1>liberating and empowering moment for her because she comes in,

1:12:34.560 --> 1:12:39.960
<v Speaker 1>she destroys all of the pink stuff, the her dollhouse,

1:12:40.240 --> 1:12:44.439
<v Speaker 1>her stuffed animals, She's spray painting things black to make

1:12:44.920 --> 1:12:47.519
<v Speaker 1>like her house goth. She pulls out like the one

1:12:48.000 --> 1:12:50.000
<v Speaker 1>black leather coat she has and she's like, this is

1:12:50.040 --> 1:12:53.919
<v Speaker 1>my outfit now. So she's like rejecting femininity, like traditional

1:12:53.920 --> 1:12:57.360
<v Speaker 1>femininity in this way. But I don't think the movie

1:12:57.400 --> 1:13:00.679
<v Speaker 1>is saying like feminine things bad, Like yeah, I don't

1:13:00.680 --> 1:13:04.320
<v Speaker 1>think so either. It's more just like she's I think,

1:13:04.560 --> 1:13:09.679
<v Speaker 1>fed up with the expectation to adhere to very rigid,

1:13:10.000 --> 1:13:14.519
<v Speaker 1>hyper feminine gender roles and she's like, funck this, Like

1:13:14.560 --> 1:13:17.920
<v Speaker 1>I'm going to break out of this prison basically of

1:13:18.360 --> 1:13:22.800
<v Speaker 1>gender role constraints and unleash havoc on the world. What

1:13:22.960 --> 1:13:27.880
<v Speaker 1>I don't quite get about her character is while I

1:13:27.880 --> 1:13:30.599
<v Speaker 1>think she has a really cool internal conflict like you

1:13:30.640 --> 1:13:33.040
<v Speaker 1>mentioned Jamie, as far as like she's struggling with this

1:13:33.160 --> 1:13:36.679
<v Speaker 1>dual identity, she doesn't really know who she has become.

1:13:37.240 --> 1:13:41.720
<v Speaker 1>This transformation is like really messing with her mentally and emotionally.

1:13:42.400 --> 1:13:45.559
<v Speaker 1>Her external conflict doesn't really make any sense to me.

1:13:46.040 --> 1:13:51.559
<v Speaker 1>She wants to take down Batman for why. I assume

1:13:51.720 --> 1:13:54.040
<v Speaker 1>she wanted to take down Max s Trek and knew

1:13:54.120 --> 1:13:56.760
<v Speaker 1>that and felt that Batman would be an obstacle for

1:13:56.840 --> 1:13:58.840
<v Speaker 1>that because like obviously what she was trying to do

1:13:58.960 --> 1:14:01.600
<v Speaker 1>is assassinate of his This man basically is not going

1:14:01.640 --> 1:14:03.639
<v Speaker 1>to allow that to happen on his watch no matter what.

1:14:03.920 --> 1:14:06.559
<v Speaker 1>That makes more sense, That's how because I was like

1:14:06.680 --> 1:14:08.760
<v Speaker 1>a little unclear in that at first, but then I

1:14:08.800 --> 1:14:11.559
<v Speaker 1>was like, oh, Selena is one thing I actually really

1:14:11.960 --> 1:14:15.559
<v Speaker 1>like about her is she goes full girl boss babe,

1:14:15.600 --> 1:14:19.240
<v Speaker 1>but she like she is like very strategic in the

1:14:19.280 --> 1:14:21.280
<v Speaker 1>way she does stuff where it's like if she has

1:14:21.320 --> 1:14:25.080
<v Speaker 1>to manipulate, like emotionally manipulate Batman in one scene to

1:14:25.200 --> 1:14:29.240
<v Speaker 1>like neutralize him temporarily and then go over to the penguin,

1:14:29.560 --> 1:14:31.280
<v Speaker 1>you know, like get what she needs from him, and

1:14:31.320 --> 1:14:34.400
<v Speaker 1>it's like all very strategic and like Batman is such

1:14:34.439 --> 1:14:38.480
<v Speaker 1>a like I was gonna say loser. He's not a loser,

1:14:38.760 --> 1:14:41.840
<v Speaker 1>but like he's so like lawful good that you know,

1:14:41.840 --> 1:14:44.000
<v Speaker 1>and his whole thing is he doesn't kill people and

1:14:44.040 --> 1:14:48.160
<v Speaker 1>she straight up does some I know, which I think

1:14:48.200 --> 1:14:52.560
<v Speaker 1>Batman heads don't Like, I don't care it works in

1:14:52.640 --> 1:14:54.320
<v Speaker 1>the movie. I'm not that mad about it. I like

1:14:54.400 --> 1:14:58.040
<v Speaker 1>that Daniel Waters, like he has so many quotes about

1:14:58.280 --> 1:15:01.920
<v Speaker 1>being like saying like, I don't care about pleasing fans.

1:15:02.080 --> 1:15:05.320
<v Speaker 1>Comic book fans mean nothing to me, Like they shouldn't

1:15:05.360 --> 1:15:07.800
<v Speaker 1>let me kill Selena. But it makes more sense if

1:15:07.800 --> 1:15:11.839
<v Speaker 1>Batman kills people, and you're just like, man damn Daniel

1:15:11.920 --> 1:15:16.920
<v Speaker 1>to borrow a phrase, Um, he just he just doesn't

1:15:17.000 --> 1:15:20.000
<v Speaker 1>give a rat's ass when it comes to great which

1:15:20.000 --> 1:15:23.680
<v Speaker 1>I do. I think that mores honestly more uh screenwriters

1:15:23.720 --> 1:15:26.519
<v Speaker 1>for like big franchises, they should hire more people who

1:15:26.560 --> 1:15:27.920
<v Speaker 1>don't give a ship because that's the only way you

1:15:28.000 --> 1:15:30.600
<v Speaker 1>get new stuff. Tony Gilroy, this is why Andor is

1:15:30.640 --> 1:15:35.080
<v Speaker 1>good because he hates Star Wars. Really, I hate Star Wars. Yeah,

1:15:35.120 --> 1:15:38.240
<v Speaker 1>and is so good. It's like I'm talking, I'm gonna

1:15:38.280 --> 1:15:42.000
<v Speaker 1>watch it still. There's an entire arc about the prison complex.

1:15:42.000 --> 1:15:45.719
<v Speaker 1>Like it's wild interesting, it's really really good. Yeah, maybe

1:15:45.840 --> 1:15:47.960
<v Speaker 1>less fans should be hired. And this is how I'm

1:15:47.960 --> 1:15:49.760
<v Speaker 1>going to get to write a big franchise movie. I'm like,

1:15:49.800 --> 1:15:53.839
<v Speaker 1>I don't know, you should hire me. I don't know anything. Um,

1:15:54.400 --> 1:15:57.320
<v Speaker 1>but like Batman is so like there you know, all

1:15:57.360 --> 1:16:01.280
<v Speaker 1>the obvious observations about Batman been made also on this show,

1:16:01.800 --> 1:16:04.400
<v Speaker 1>uh where it's like he's a billionaire and her, but like,

1:16:05.080 --> 1:16:07.760
<v Speaker 1>but I think for this that doesn't even really come

1:16:07.760 --> 1:16:10.240
<v Speaker 1>into it that much. Those are the kind of obvious

1:16:10.280 --> 1:16:12.960
<v Speaker 1>criticisms of him. But like that scene at the end

1:16:13.320 --> 1:16:17.000
<v Speaker 1>where they're like he's coming in lawful good and he's

1:16:17.080 --> 1:16:20.320
<v Speaker 1>like we just need to like bring him to the

1:16:20.439 --> 1:16:23.720
<v Speaker 1>police and it'll be fine. And Selena is like, what

1:16:23.760 --> 1:16:26.800
<v Speaker 1>the funk are you talking about? Like this guy lives

1:16:26.840 --> 1:16:30.080
<v Speaker 1>above the law and so do we, and he's like, no,

1:16:30.720 --> 1:16:35.080
<v Speaker 1>cops are amazing. I love God and p D and like, Commissioner,

1:16:37.920 --> 1:16:40.960
<v Speaker 1>my only friend, my only friend is a cops are

1:16:41.040 --> 1:16:45.240
<v Speaker 1>I was like, God, so pathetic, But like whatever, But

1:16:45.320 --> 1:16:47.760
<v Speaker 1>I just I just loved how like I don't know,

1:16:47.800 --> 1:16:51.120
<v Speaker 1>like in a way that totally fits like cartoonishly explicit

1:16:51.200 --> 1:16:54.280
<v Speaker 1>that conversation is and that he doesn't win her over

1:16:54.479 --> 1:16:56.880
<v Speaker 1>like that was I was sort of like nervous that

1:16:56.920 --> 1:16:58.960
<v Speaker 1>whole scene of like, oh God, is he going to

1:16:59.040 --> 1:17:01.280
<v Speaker 1>win her over? Is she gonna be like you're right,

1:17:01.400 --> 1:17:05.000
<v Speaker 1>let's just bring him downtown and like get him locked

1:17:05.080 --> 1:17:07.960
<v Speaker 1>up or another fear. This was like a Spider Man

1:17:08.040 --> 1:17:12.160
<v Speaker 1>two based fear, whereas like is Batman going to get

1:17:12.160 --> 1:17:14.280
<v Speaker 1>the killing blow on Max Shrek or something? Because I

1:17:14.280 --> 1:17:16.240
<v Speaker 1>always forget Batman's not supposed to kill people, So I

1:17:16.280 --> 1:17:17.760
<v Speaker 1>was like, oh, is he going to get to do it?

1:17:18.200 --> 1:17:22.200
<v Speaker 1>That would suck because it's so clearly Selena's kids to

1:17:22.360 --> 1:17:25.960
<v Speaker 1>do it. But none of that happens. Batman is literally

1:17:26.000 --> 1:17:29.240
<v Speaker 1>like knocked out for for Selena to get her killing

1:17:29.240 --> 1:17:31.920
<v Speaker 1>blow in. Honestly, his part in the final scenes is

1:17:31.960 --> 1:17:33.720
<v Speaker 1>so funny because he gets knocked out and then you

1:17:33.760 --> 1:17:35.439
<v Speaker 1>see him sort of like in the distance sort of

1:17:35.479 --> 1:17:37.479
<v Speaker 1>standing up and like here around and see what's going

1:17:37.520 --> 1:17:40.840
<v Speaker 1>on as these six penguins, uh score the body of

1:17:40.840 --> 1:17:43.160
<v Speaker 1>the penguin into the water, like, can you imagine being

1:17:43.160 --> 1:17:45.080
<v Speaker 1>Bruce Wayne in that moment, being like, huh, like what's

1:17:45.120 --> 1:17:48.000
<v Speaker 1>going on? Oh, the penguins are like having a funeral service,

1:17:48.880 --> 1:17:55.120
<v Speaker 1>and then Batmans goes like, oh, I gotta go. And

1:17:55.160 --> 1:17:58.000
<v Speaker 1>then Batman goes over to like the rubble and like

1:17:58.080 --> 1:18:01.360
<v Speaker 1>clear some of it away, and he's ease Max Shrek

1:18:01.560 --> 1:18:03.600
<v Speaker 1>just as like a yeah, like a burnt to a

1:18:03.720 --> 1:18:09.439
<v Speaker 1>crisp dead dude. Catwoman's nowhere. It's really good. It's awesome.

1:18:09.520 --> 1:18:12.000
<v Speaker 1>But I liked I totally agree with what you guys

1:18:12.000 --> 1:18:15.560
<v Speaker 1>are saying about Catwoman and her I guess spectrum of femininity,

1:18:15.560 --> 1:18:17.200
<v Speaker 1>because I think that's one of the fun things about

1:18:17.200 --> 1:18:20.600
<v Speaker 1>this movie, and I think something that will be relatable

1:18:20.600 --> 1:18:23.080
<v Speaker 1>to anyone who has ever sort of questioned how to

1:18:23.280 --> 1:18:27.439
<v Speaker 1>present gender in any way. Where the scene where she

1:18:27.560 --> 1:18:30.280
<v Speaker 1>saves that woman from being raped on the street, she's like, oh,

1:18:30.360 --> 1:18:32.360
<v Speaker 1>you make it so easy, always waiting for someone to

1:18:32.400 --> 1:18:35.240
<v Speaker 1>come save you. I think that's like a sort of

1:18:35.240 --> 1:18:37.160
<v Speaker 1>thing that we all wrestle with, where it's like, even

1:18:37.200 --> 1:18:40.160
<v Speaker 1>if you want to present in a very traditionally feminine matter,

1:18:40.360 --> 1:18:42.800
<v Speaker 1>or that's what you like more and what you want

1:18:42.800 --> 1:18:47.400
<v Speaker 1>to do, Like the stereotypes that have been laiden onto.

1:18:47.400 --> 1:18:51.679
<v Speaker 1>These particular aesthetics are so loaded and what people tell

1:18:51.760 --> 1:18:56.120
<v Speaker 1>you about like when, for instance, like someone is sexually assaulted,

1:18:56.240 --> 1:18:58.200
<v Speaker 1>like so much of the language is about like, oh, well,

1:18:58.240 --> 1:19:02.040
<v Speaker 1>what were you doing in that situation? So yeah, where

1:19:02.560 --> 1:19:05.320
<v Speaker 1>I don't know, it's it's interesting to watch her struggle

1:19:05.400 --> 1:19:07.880
<v Speaker 1>with that. Like they obviously don't go all the way

1:19:07.880 --> 1:19:11.080
<v Speaker 1>into like just talking about gender politics in this movie,

1:19:11.320 --> 1:19:14.200
<v Speaker 1>but it's a very interesting thing to touch on in general,

1:19:14.880 --> 1:19:18.599
<v Speaker 1>because like the iconography of Catwoman in this movie, where

1:19:18.640 --> 1:19:23.799
<v Speaker 1>she turns into this like all leather like girls dominatrix style,

1:19:24.800 --> 1:19:27.080
<v Speaker 1>like has such an impact on how we now perceive

1:19:27.120 --> 1:19:29.599
<v Speaker 1>like quote unquote strong female characters because they're like, oh,

1:19:29.800 --> 1:19:32.360
<v Speaker 1>like they have to be sexy but also shoot a gun.

1:19:33.040 --> 1:19:36.240
<v Speaker 1>And it's like, no, like that's not what constitutes like

1:19:36.360 --> 1:19:39.400
<v Speaker 1>strength for any character, or like you don't have to

1:19:39.439 --> 1:19:41.200
<v Speaker 1>present in one way or anything or the other to

1:19:41.280 --> 1:19:46.599
<v Speaker 1>be considered strong. But anyway, right, because her sexualization is

1:19:47.040 --> 1:19:51.400
<v Speaker 1>something I was grappling with because she when she transforms

1:19:51.400 --> 1:19:55.080
<v Speaker 1>into Catwoman, she becomes like I would say, one of

1:19:55.120 --> 1:19:59.080
<v Speaker 1>the hottest movie characters of all times, absolutely a sexual

1:19:59.120 --> 1:20:03.240
<v Speaker 1>awakening for were I think most people who feel sexual feelings.

1:20:03.760 --> 1:20:06.360
<v Speaker 1>One of the IMDb trivia things for this is that

1:20:06.560 --> 1:20:09.800
<v Speaker 1>people kept stealing like the one sheet of her like

1:20:10.000 --> 1:20:12.479
<v Speaker 1>because and like to the point that they had to

1:20:12.520 --> 1:20:15.919
<v Speaker 1>like start putting like cops out to watch like busses

1:20:16.000 --> 1:20:18.439
<v Speaker 1>and like signage post and ship to make sure they

1:20:18.439 --> 1:20:22.439
<v Speaker 1>would stop stealing them our tax dollars at work, people

1:20:22.560 --> 1:20:28.800
<v Speaker 1>guarding sexual images of Michelle Peifer like. A friend of

1:20:28.800 --> 1:20:32.759
<v Speaker 1>the show, Sammy Junio had this to say, Michelle Peifer

1:20:32.840 --> 1:20:36.160
<v Speaker 1>as Catwoman is a gay awakening for a lot of

1:20:36.240 --> 1:20:40.160
<v Speaker 1>queer folks. And gay awakening is also what I announced

1:20:40.160 --> 1:20:42.360
<v Speaker 1>into my empty apartment when I get out of bed

1:20:42.439 --> 1:20:49.680
<v Speaker 1>for the day. So Sammy making a Google but I did,

1:20:49.800 --> 1:20:52.040
<v Speaker 1>I mean my my feeling on it was like I

1:20:52.160 --> 1:20:55.920
<v Speaker 1>understand why, Like it almost feels like the sort of

1:20:55.960 --> 1:20:59.280
<v Speaker 1>thing where for me it really works in the context

1:20:59.320 --> 1:21:02.080
<v Speaker 1>of this movie, and I understand how like people could

1:21:02.080 --> 1:21:05.800
<v Speaker 1>take the most base interpretation of it and lift it

1:21:05.880 --> 1:21:09.160
<v Speaker 1>for other movies in a way that is like net negative.

1:21:09.320 --> 1:21:12.160
<v Speaker 1>But I don't think that that's Michelle Feiffer Catwoman's fault.

1:21:12.200 --> 1:21:14.439
<v Speaker 1>I feel like, no, no, it's a very like Mr

1:21:14.479 --> 1:21:18.000
<v Speaker 1>Hollywood takeaway to be like, Okay, so you know she

1:21:18.240 --> 1:21:21.320
<v Speaker 1>people really liked this character and it's probably because she

1:21:21.600 --> 1:21:23.880
<v Speaker 1>was wearing a skin tight suit and had a gun

1:21:23.960 --> 1:21:25.679
<v Speaker 1>and it's like, well, that was a part of it,

1:21:25.880 --> 1:21:29.200
<v Speaker 1>but also I like, but also the other stuff. It's

1:21:29.200 --> 1:21:32.400
<v Speaker 1>not nothing. It was definitely a good chunk. But also

1:21:32.439 --> 1:21:35.080
<v Speaker 1>it's like the character was well written. She was really

1:21:35.120 --> 1:21:38.439
<v Speaker 1>strongly motivated and like, yeah, I sort of viewed like

1:21:38.800 --> 1:21:42.439
<v Speaker 1>her being sexualized. I don't think it's ever like endorsed

1:21:42.479 --> 1:21:47.280
<v Speaker 1>by the movie explicitly, like especially when it's um Shrek

1:21:47.400 --> 1:21:50.920
<v Speaker 1>or the Penguin and and I don't know, I felt

1:21:50.960 --> 1:21:54.760
<v Speaker 1>like her sexualization at least with like the outfit and

1:21:54.800 --> 1:21:57.800
<v Speaker 1>her behavior was more like she's like all of a

1:21:57.800 --> 1:22:02.519
<v Speaker 1>sudden confident, like sexual confident and like into herself in

1:22:02.600 --> 1:22:06.200
<v Speaker 1>a more about her Yeah, And I liked that, like

1:22:06.240 --> 1:22:10.000
<v Speaker 1>the visual representation of that. And obviously it's a very

1:22:10.160 --> 1:22:14.920
<v Speaker 1>like you know, Western beauty standards visual interpretation of that,

1:22:15.160 --> 1:22:17.360
<v Speaker 1>but I thought it worked that it's like, oh, this

1:22:17.439 --> 1:22:20.519
<v Speaker 1>is like a woman who has felt so pushed down

1:22:20.560 --> 1:22:23.400
<v Speaker 1>by all these different forces and now she's finally like,

1:22:23.640 --> 1:22:26.240
<v Speaker 1>oh I'm fucking hot and cool. And I can like

1:22:26.680 --> 1:22:29.880
<v Speaker 1>do whatever I want and that's cool, that's fun is

1:22:30.000 --> 1:22:32.400
<v Speaker 1>and that's like, that's what I was grappling with. Where Like,

1:22:32.479 --> 1:22:36.760
<v Speaker 1>on one hand, you could easily argue that her sexualization

1:22:36.960 --> 1:22:39.559
<v Speaker 1>is very much on her own terms. This is how

1:22:39.600 --> 1:22:43.639
<v Speaker 1>she chooses to present this is a manifestation of her

1:22:43.880 --> 1:22:47.719
<v Speaker 1>newfound confidence. But on the other hand, you could argue

1:22:47.760 --> 1:22:52.559
<v Speaker 1>that it was the male screenwriters and directors who chose

1:22:52.600 --> 1:22:56.680
<v Speaker 1>to present a female character in this way. But but

1:22:56.800 --> 1:23:01.400
<v Speaker 1>because like her being sexualized in this story isn't predatory

1:23:01.439 --> 1:23:03.720
<v Speaker 1>in terms of like the way the camera views her.

1:23:04.600 --> 1:23:09.280
<v Speaker 1>It's not like male gazzy linger e cinematography. It's more

1:23:09.360 --> 1:23:11.479
<v Speaker 1>just like and this is how the character is now

1:23:11.640 --> 1:23:16.240
<v Speaker 1>presenting it pretty objectively in my opinion, So yeah, I

1:23:16.280 --> 1:23:19.519
<v Speaker 1>was like pretty fine with it. Yeah, I totally agree

1:23:19.520 --> 1:23:23.080
<v Speaker 1>with that as also objectively into it because it's like

1:23:23.920 --> 1:23:28.080
<v Speaker 1>Michelle Phiffer and also her performance there is a really

1:23:28.200 --> 1:23:29.720
<v Speaker 1>good It was from like I think five or so

1:23:29.840 --> 1:23:33.640
<v Speaker 1>years ago for the anniversary of this movie. It was

1:23:34.160 --> 1:23:37.800
<v Speaker 1>a really nice piece by uh right. We've cited many

1:23:37.840 --> 1:23:41.679
<v Speaker 1>times on this show. Angelica, Jade Bastian and Vulture wrote

1:23:41.720 --> 1:23:45.280
<v Speaker 1>this nice ode to Michelle Pheiffer as Catwoman, and just

1:23:45.360 --> 1:23:48.439
<v Speaker 1>like how her like will link it in the description

1:23:48.439 --> 1:23:51.920
<v Speaker 1>of this episode, she she directs you to several ways

1:23:52.000 --> 1:23:55.599
<v Speaker 1>that Michelle Peiffer was talked about in the press where

1:23:55.640 --> 1:23:58.120
<v Speaker 1>I think that also, and this gets me into like

1:23:58.320 --> 1:24:02.040
<v Speaker 1>Lolita podcast brain kind of like how I think a

1:24:02.040 --> 1:24:05.280
<v Speaker 1>lot of like the takeaway of how Catwoman was presented

1:24:05.360 --> 1:24:07.439
<v Speaker 1>was shaped by how the media talked about it versus

1:24:07.439 --> 1:24:12.800
<v Speaker 1>what actually happens in the movie, because all, yeah, right,

1:24:13.680 --> 1:24:17.240
<v Speaker 1>where you know, in context, she's taking control of her

1:24:17.240 --> 1:24:19.519
<v Speaker 1>own sexuality and presenting the way she wants to present.

1:24:20.120 --> 1:24:22.760
<v Speaker 1>But the way that, like she was profiled at the time,

1:24:22.800 --> 1:24:24.559
<v Speaker 1>the way she was talked about in the media, was

1:24:24.760 --> 1:24:28.839
<v Speaker 1>very it like had nothing to do with Michelle Pfeifer's performance,

1:24:29.000 --> 1:24:33.160
<v Speaker 1>which I think is like really awesome. Her performance is great, Yeah,

1:24:33.240 --> 1:24:37.320
<v Speaker 1>And I mean that's just very indicative of the way

1:24:37.600 --> 1:24:41.400
<v Speaker 1>women tend to be perceived, because people tend to value

1:24:41.439 --> 1:24:46.160
<v Speaker 1>women for very specific things like their physical appearance and

1:24:46.479 --> 1:24:54.439
<v Speaker 1>not their skills or artistic talents or brains. Yeah, what

1:24:54.479 --> 1:24:59.280
<v Speaker 1>do we think about the bat cat relation? I love it,

1:25:01.680 --> 1:25:04.200
<v Speaker 1>I don't hate it. Um it feels a little like

1:25:04.520 --> 1:25:08.320
<v Speaker 1>half baked kind of. But it seemed to me that

1:25:08.360 --> 1:25:11.880
<v Speaker 1>Bruce likes Selena after like he meets her in Tricks

1:25:13.439 --> 1:25:17.760
<v Speaker 1>because I think he thinks she's fierce and powerful and

1:25:17.800 --> 1:25:20.719
<v Speaker 1>cool and that's what he's drawn to her confidence. Yeah. Yeah,

1:25:20.840 --> 1:25:23.640
<v Speaker 1>he literally wants her to like step on him, like

1:25:24.479 --> 1:25:26.559
<v Speaker 1>it does kind of like that's the kind of he's

1:25:26.640 --> 1:25:30.240
<v Speaker 1>like this like shy weirdo. That's like he came to

1:25:30.320 --> 1:25:33.400
<v Speaker 1>this super freak party hoping you'd be here. Like she

1:25:33.439 --> 1:25:36.400
<v Speaker 1>wants him to step on him, and she would, but

1:25:36.520 --> 1:25:39.400
<v Speaker 1>she's busy. Yeah, she's booked it busy. She's busy killing

1:25:39.400 --> 1:25:41.840
<v Speaker 1>Max Strick. She's literally like, there's a bedroom in the

1:25:41.840 --> 1:25:45.479
<v Speaker 1>other room if you want to like get this done. Yeah.

1:25:46.760 --> 1:25:49.320
<v Speaker 1>I love how horny she is. And he's like, whoa, whoa,

1:25:49.400 --> 1:25:53.519
<v Speaker 1>what we had superhero movies could be He was so horny.

1:25:53.680 --> 1:25:56.439
<v Speaker 1>It's so they're so like so funny. The scene where

1:25:56.479 --> 1:25:58.559
<v Speaker 1>they like first fight and she's like, you can't hit me,

1:25:58.600 --> 1:26:00.840
<v Speaker 1>I'm a woman. He's like, okay, so you're right. I'm

1:26:00.840 --> 1:26:03.080
<v Speaker 1>so sorry, and then she kicks him in the faces.

1:26:03.760 --> 1:26:06.479
<v Speaker 1>I wrote all of this down because I love this good.

1:26:06.600 --> 1:26:10.320
<v Speaker 1>It's great. That's the first fight between them. They're fighting,

1:26:10.560 --> 1:26:13.479
<v Speaker 1>she's holding her own but he knocks her down and

1:26:13.520 --> 1:26:15.640
<v Speaker 1>then she says, how could you I'm a woman, and

1:26:15.680 --> 1:26:18.040
<v Speaker 1>then he's like, oh, I'm sorry, and then he like

1:26:18.080 --> 1:26:20.400
<v Speaker 1>goes to help her up, but it was a trick.

1:26:20.800 --> 1:26:23.040
<v Speaker 1>She kicks him. She gets the upper hand and knocks

1:26:23.120 --> 1:26:26.240
<v Speaker 1>him over a ledge, so he's like dangling there, holding

1:26:26.280 --> 1:26:28.240
<v Speaker 1>on by her whip. And then she was like, as

1:26:28.280 --> 1:26:31.280
<v Speaker 1>I was saying, I'm a woman and can't be taken

1:26:31.320 --> 1:26:34.360
<v Speaker 1>for granted, and that's when she says, life's a bit now,

1:26:34.479 --> 1:26:38.760
<v Speaker 1>so am I, And we're like, She's got a lot

1:26:38.800 --> 1:26:43.280
<v Speaker 1>of great lines. It's really really fun. I really do

1:26:43.439 --> 1:26:47.080
<v Speaker 1>like how like cartoony the script is even at the

1:26:47.120 --> 1:26:52.160
<v Speaker 1>beginning where it's all of her like single lady lines

1:26:52.240 --> 1:26:57.280
<v Speaker 1>are so weird but funny, where she's like it just

1:26:57.439 --> 1:27:00.400
<v Speaker 1>it's literally sounds like a comic strip where you walk

1:27:00.479 --> 1:27:03.800
<v Speaker 1>in you're like, honey, I'm home. Oh wait, I don't

1:27:03.920 --> 1:27:06.360
<v Speaker 1>have a husband. I'm like, that's a cavy strap, and

1:27:06.360 --> 1:27:09.960
<v Speaker 1>then like the single cam like laugh track. Yeah, it's

1:27:10.360 --> 1:27:13.479
<v Speaker 1>it's so especially because they like go so hard against

1:27:13.520 --> 1:27:15.800
<v Speaker 1>it and that in the rest of the movie that

1:27:15.840 --> 1:27:19.559
<v Speaker 1>it like totally works. I loved that she uses the

1:27:19.600 --> 1:27:23.400
<v Speaker 1>clown taser at the end. She kept the clowns taser

1:27:24.280 --> 1:27:28.960
<v Speaker 1>um planning payoff baby um the only thing that kind

1:27:29.000 --> 1:27:31.559
<v Speaker 1>of like pinged for me. And we just talked about

1:27:31.640 --> 1:27:34.760
<v Speaker 1>something similar on the Don't Tell Mom the Babysitter's Dead

1:27:34.800 --> 1:27:40.120
<v Speaker 1>episode where a female character's wait gets just kind of mentioned.

1:27:40.160 --> 1:27:44.479
<v Speaker 1>There's a moment where Selena is like, she and Bruce

1:27:44.520 --> 1:27:48.559
<v Speaker 1>are talking and they're kind of commenting on the news coverage,

1:27:48.560 --> 1:27:52.559
<v Speaker 1>like the media coverage of Batman and Catwoman, and Selena

1:27:52.640 --> 1:27:55.080
<v Speaker 1>says something like, oh, you know, there's like this rumor

1:27:55.160 --> 1:27:58.200
<v Speaker 1>going around that Catwoman is thought to weigh a hundred

1:27:58.240 --> 1:28:02.040
<v Speaker 1>and forty pounds, as if she thinks that's too much

1:28:02.080 --> 1:28:04.519
<v Speaker 1>and she doesn't weigh that much, and she resents that

1:28:04.600 --> 1:28:07.760
<v Speaker 1>people think she's she weighs more than she actually is.

1:28:09.240 --> 1:28:12.840
<v Speaker 1>Really jumped out in that moment because you're I honestly

1:28:13.040 --> 1:28:16.000
<v Speaker 1>was like confused by that line at first, because I

1:28:16.000 --> 1:28:19.000
<v Speaker 1>was like, what is even being said, because that's just

1:28:19.080 --> 1:28:22.880
<v Speaker 1>like it's whatever I mean that I do. We've talked

1:28:22.880 --> 1:28:24.280
<v Speaker 1>about that before too, was like that that's like the

1:28:24.360 --> 1:28:28.680
<v Speaker 1>kind of ship that gives young people eating disorders, as

1:28:28.720 --> 1:28:32.840
<v Speaker 1>someone who famously had my my e D cranked up

1:28:32.840 --> 1:28:35.639
<v Speaker 1>to an eleven by an offhand line in a Family

1:28:35.680 --> 1:28:39.920
<v Speaker 1>Guy episode, Uh, you really can't be it's like the

1:28:40.040 --> 1:28:44.800
<v Speaker 1>numbers specifically that really bugs me where it's like, yeah,

1:28:44.840 --> 1:28:47.720
<v Speaker 1>I don't know, Yeah, that that was like a very

1:28:47.720 --> 1:28:50.439
<v Speaker 1>bizarre one. It's just a lazy choice to make like

1:28:50.640 --> 1:28:54.639
<v Speaker 1>the one female character in the movie mention her weight

1:28:54.720 --> 1:28:57.519
<v Speaker 1>or be concerned about her weight. And as these movies

1:28:57.560 --> 1:29:00.960
<v Speaker 1>always do act in such a way that women being

1:29:01.000 --> 1:29:05.840
<v Speaker 1>concerned about their image and their weight just happens in

1:29:05.920 --> 1:29:10.559
<v Speaker 1>a void has nothing to do with the societal pressure

1:29:10.880 --> 1:29:15.840
<v Speaker 1>we place on women for how they look. So yeah,

1:29:15.880 --> 1:29:18.760
<v Speaker 1>that line, that line bumped me out. There's a really

1:29:18.800 --> 1:29:21.240
<v Speaker 1>funny um I stand it to you, Caitlin, there's a

1:29:21.240 --> 1:29:25.640
<v Speaker 1>really Dani Schwartz like three years ago, Live tweeted this

1:29:25.800 --> 1:29:28.280
<v Speaker 1>entire movie and also called out that line of like

1:29:28.760 --> 1:29:32.160
<v Speaker 1>what are they saying here? Like truly was oh no,

1:29:33.080 --> 1:29:34.559
<v Speaker 1>And then if you think about it for a second,

1:29:34.600 --> 1:29:37.360
<v Speaker 1>you're like, oh, I guess brain where it was like

1:29:37.840 --> 1:29:40.599
<v Speaker 1>that messaging was kind of like approaching and all time

1:29:40.680 --> 1:29:44.160
<v Speaker 1>high because we're in like the what is that Kate

1:29:44.280 --> 1:29:49.639
<v Speaker 1>moss quote whatever that era food doesn't taste as good

1:29:49.640 --> 1:29:53.599
<v Speaker 1>as skinny field or whatever. The fuck? Yeah? Remember we

1:29:53.600 --> 1:29:59.000
<v Speaker 1>were ever you know the words that shaped and haunted us? Um? Yeah,

1:30:00.160 --> 1:30:03.320
<v Speaker 1>so yeah, I I also clocked that. Unfortunately it's one

1:30:03.320 --> 1:30:07.759
<v Speaker 1>line and doesn't really come up again. Yeah. The last

1:30:07.880 --> 1:30:10.439
<v Speaker 1>I think one of the last things I have is

1:30:10.680 --> 1:30:14.400
<v Speaker 1>um the scene where she goes on the date with Bruce.

1:30:15.479 --> 1:30:19.160
<v Speaker 1>She makes the first move and it's intense. Okay, it

1:30:20.280 --> 1:30:23.880
<v Speaker 1>is possibly a surprise kiss because she lunges at him.

1:30:23.920 --> 1:30:26.759
<v Speaker 1>She does lunge at him. However, he has just said

1:30:27.439 --> 1:30:29.439
<v Speaker 1>that he wants to kill, wants to kiss. So I

1:30:29.560 --> 1:30:32.679
<v Speaker 1>felt like, maybe I'm giving Catwoman a pass on that one.

1:30:32.840 --> 1:30:35.120
<v Speaker 1>She came in hot. Yeah, but I'm gonna give her.

1:30:35.400 --> 1:30:38.400
<v Speaker 1>She came in hot. She was like, I cannot wait

1:30:38.439 --> 1:30:41.280
<v Speaker 1>to kiss you. Will you let me? And she's like

1:30:41.840 --> 1:30:43.800
<v Speaker 1>I see that, and I raise you. I'm going to

1:30:43.920 --> 1:30:46.519
<v Speaker 1>kiss you by pouncing on you like a cat. She's like,

1:30:46.600 --> 1:30:51.439
<v Speaker 1>I might actually eat you. Um, but yeah, I don't know.

1:30:51.479 --> 1:30:54.920
<v Speaker 1>I think that like their relationship, Like it doesn't. I

1:30:55.240 --> 1:31:00.839
<v Speaker 1>just it's like so nice to see horny super horny

1:31:00.880 --> 1:31:06.280
<v Speaker 1>woman visibility. I love it incredibly horny. It's good. Yeah,

1:31:06.600 --> 1:31:10.640
<v Speaker 1>I do like because we talked about the trope of

1:31:10.680 --> 1:31:13.599
<v Speaker 1>a woman using a frying pan as a weapon. She

1:31:13.680 --> 1:31:16.559
<v Speaker 1>uses a frying pan, but it's to smash up her

1:31:16.600 --> 1:31:20.639
<v Speaker 1>own apartment. I liked it, followed by the line where

1:31:20.680 --> 1:31:23.160
<v Speaker 1>she says, I don't know about you, miss Kitty, but

1:31:23.280 --> 1:31:27.880
<v Speaker 1>I feel so much yummier, iconic, iconic, so good. I'm

1:31:27.920 --> 1:31:32.960
<v Speaker 1>gonna start saying that to Flee Um and he's going

1:31:33.000 --> 1:31:35.400
<v Speaker 1>to love every damn second of it, or I'm disowning.

1:31:36.280 --> 1:31:38.760
<v Speaker 1>Oh the stakes are high. Yeah, the stakes are high

1:31:38.800 --> 1:31:41.080
<v Speaker 1>from Mr Flee I will say every time I watched

1:31:41.080 --> 1:31:44.960
<v Speaker 1>this movie. So right after she transforms into Catwoman and

1:31:44.960 --> 1:31:48.880
<v Speaker 1>then she's on the prowl, as you might say, on

1:31:48.920 --> 1:31:51.479
<v Speaker 1>the streets of Gotham, the first thing she does as

1:31:51.520 --> 1:31:56.480
<v Speaker 1>Catwoman is to save a woman from being sexually assaulted

1:31:56.600 --> 1:31:59.360
<v Speaker 1>by Oops, one of the few people of color in

1:31:59.400 --> 1:32:03.320
<v Speaker 1>the movie, which unfortunately is very in line with like

1:32:03.479 --> 1:32:07.479
<v Speaker 1>Tim because his movies are so aggressively white that he's

1:32:07.560 --> 1:32:10.720
<v Speaker 1>even defended it um, which was like, why would I

1:32:10.720 --> 1:32:13.679
<v Speaker 1>play non white people in my movie? And we're like Tim,

1:32:14.280 --> 1:32:17.280
<v Speaker 1>what did he say? Wait? Was was I'd have to

1:32:17.320 --> 1:32:18.920
<v Speaker 1>look up the exact quote. We've discussed it on the

1:32:18.920 --> 1:32:21.519
<v Speaker 1>show before. I think that this was around because he

1:32:21.840 --> 1:32:23.280
<v Speaker 1>it was like to the point where he had to

1:32:23.360 --> 1:32:27.840
<v Speaker 1>like walk this back. This was Did it have something

1:32:27.840 --> 1:32:34.120
<v Speaker 1>to do with the Miss Peregrine's Peculiar Children House Peregrine

1:32:34.240 --> 1:32:38.160
<v Speaker 1>Home for Peculiar Children? Yeah, okay. He said this to

1:32:38.360 --> 1:32:42.439
<v Speaker 1>writer Rachel Simon in and it was on the Miss

1:32:42.479 --> 1:32:46.519
<v Speaker 1>Peregrine um Press Stork, he said. Quote. Nowadays people are

1:32:46.560 --> 1:32:49.920
<v Speaker 1>talking about it more, he says, regarding on screen diversity.

1:32:50.040 --> 1:32:52.960
<v Speaker 1>But quote, things either call for things or they don't.

1:32:53.240 --> 1:32:55.160
<v Speaker 1>I remember back when I was a child watching The

1:32:55.200 --> 1:32:57.639
<v Speaker 1>Brady Bunch and they started to get all politically correct,

1:32:57.760 --> 1:33:01.320
<v Speaker 1>like okay, let's have an Asian child and a black child.

1:33:01.680 --> 1:33:03.720
<v Speaker 1>I used to get more offended by that than just

1:33:04.160 --> 1:33:07.160
<v Speaker 1>I grew up watching black sploitation movies, right, and I

1:33:07.200 --> 1:33:10.160
<v Speaker 1>said that's great. I didn't go like, Okay, there should

1:33:10.160 --> 1:33:13.639
<v Speaker 1>be more white people in these movies. Unquote it it's

1:33:13.680 --> 1:33:20.000
<v Speaker 1>just like the most white. This is the same as

1:33:20.040 --> 1:33:23.320
<v Speaker 1>like every time anyone complains about their people clear casting

1:33:23.479 --> 1:33:28.880
<v Speaker 1>anything like Star Wars or something, and the logic of like, oh,

1:33:28.920 --> 1:33:31.000
<v Speaker 1>they can have their own movies and it's like no,

1:33:31.360 --> 1:33:33.720
<v Speaker 1>like this is not you can't talk like this. You

1:33:33.720 --> 1:33:40.240
<v Speaker 1>can't don't stop stop talking, like shut your mouth, Tim Burton.

1:33:40.439 --> 1:33:45.320
<v Speaker 1>So that's like, especially remembering him making those comments, like

1:33:45.320 --> 1:33:47.639
<v Speaker 1>seeing that you're just like this is like a very

1:33:47.680 --> 1:33:52.280
<v Speaker 1>intentional joy. This is intentional absolutely. So Catwoman is saving

1:33:52.479 --> 1:33:56.519
<v Speaker 1>another woman from being sexually assaulted and then the woman's like,

1:33:56.520 --> 1:33:59.920
<v Speaker 1>oh my gosh, thank you. But then Catwoman kind of

1:34:00.040 --> 1:34:02.920
<v Speaker 1>victim blames the woman and it's like, well, you make

1:34:02.960 --> 1:34:04.880
<v Speaker 1>it so easy. You're always just waiting around for some

1:34:05.000 --> 1:34:07.680
<v Speaker 1>batman to save you. And so it's always at this

1:34:07.720 --> 1:34:09.599
<v Speaker 1>point in the movie when you see her save when

1:34:09.600 --> 1:34:13.000
<v Speaker 1>you see Catwoman save this other person, and I'm always like, oh,

1:34:13.080 --> 1:34:16.400
<v Speaker 1>she's about to go on this like vigilante almost like

1:34:16.560 --> 1:34:19.240
<v Speaker 1>the movie Teeth, where she's like like, I'm just gonna

1:34:20.360 --> 1:34:24.280
<v Speaker 1>protect women and save women from these predatory men. And

1:34:24.360 --> 1:34:27.360
<v Speaker 1>I always think that that's the direction the Catwoman character

1:34:27.400 --> 1:34:30.559
<v Speaker 1>is going to go in, but she quickly abandons any

1:34:30.600 --> 1:34:33.760
<v Speaker 1>sort of like ally ship to other women and then

1:34:33.840 --> 1:34:37.760
<v Speaker 1>just like goes after Shrek, which I don't know, I mean,

1:34:38.439 --> 1:34:41.320
<v Speaker 1>it's just I guess it's just like me having certain

1:34:42.040 --> 1:34:46.759
<v Speaker 1>once and wishes for the Catwoman character, but I certainly

1:34:46.760 --> 1:34:49.080
<v Speaker 1>would have liked for that to be the direction that

1:34:49.160 --> 1:34:51.880
<v Speaker 1>she went in. But like, it's sort of the same

1:34:51.880 --> 1:34:53.960
<v Speaker 1>point as like when I mentioned this scene earlier where

1:34:53.960 --> 1:34:58.080
<v Speaker 1>it's like you can understand why that is her reaction

1:34:58.160 --> 1:35:01.880
<v Speaker 1>to saving that woman, Like it's not right obviously, but

1:35:02.400 --> 1:35:05.960
<v Speaker 1>the way that she, like, the social conditioning around her

1:35:06.040 --> 1:35:08.760
<v Speaker 1>basically is telling her this, and it's also why she

1:35:09.000 --> 1:35:13.160
<v Speaker 1>rejects that kind of more feminine aesthetic as Cat Woman. Yeah.

1:35:13.400 --> 1:35:17.880
<v Speaker 1>I honestly wasn't like super bugged by that, Like I

1:35:17.920 --> 1:35:20.280
<v Speaker 1>think it makes a point. Yeah, yeah, I see what

1:35:20.280 --> 1:35:22.320
<v Speaker 1>you mean. Yeah, I think the only the only thing

1:35:22.320 --> 1:35:25.120
<v Speaker 1>that I felt like in this movie was like characterizing

1:35:25.160 --> 1:35:28.559
<v Speaker 1>the was it like ice princess, or like characterizing her

1:35:28.640 --> 1:35:32.640
<v Speaker 1>as such a bimbo, very dizzy, as a as a

1:35:33.200 --> 1:35:36.760
<v Speaker 1>proud bimbo and a bimbo apologist. I just feel like, yeah,

1:35:36.880 --> 1:35:39.479
<v Speaker 1>making her just kind of a classic bimbo. Yeah, it's

1:35:39.479 --> 1:35:42.000
<v Speaker 1>a little cruel. Yeah, I mean it's such a small

1:35:42.040 --> 1:35:44.800
<v Speaker 1>part of the movie, but unless she gets murdered, Yeah,

1:35:44.800 --> 1:35:47.160
<v Speaker 1>it's always like a while like a movie where it's like, oh,

1:35:47.200 --> 1:35:50.320
<v Speaker 1>we can only have one woman we're really thinking about

1:35:50.560 --> 1:35:52.840
<v Speaker 1>in the movie, like we can't characterize more than one

1:35:52.880 --> 1:35:59.800
<v Speaker 1>that would be whatever. I feel like the only other

1:36:00.600 --> 1:36:03.760
<v Speaker 1>woman besides Catwoman and the Ice Princess who has any

1:36:03.800 --> 1:36:06.720
<v Speaker 1>significant screen time. And it's not as though this woman

1:36:06.760 --> 1:36:10.559
<v Speaker 1>has a lot. But there's a million of penguins. She

1:36:10.600 --> 1:36:13.639
<v Speaker 1>has a little dog love her. She seems to be

1:36:13.800 --> 1:36:19.880
<v Speaker 1>one of penguins, like right hand minions. She's she's high

1:36:20.000 --> 1:36:21.920
<v Speaker 1>up in the ranks. What's going on with her? But

1:36:22.120 --> 1:36:25.080
<v Speaker 1>she doesn't speak until the very end, And it's her

1:36:25.120 --> 1:36:28.439
<v Speaker 1>who's like giving the countdown. Is like of like, oh,

1:36:28.479 --> 1:36:32.240
<v Speaker 1>the penguins are going to reach their destination and team

1:36:32.280 --> 1:36:36.719
<v Speaker 1>minus fifteen seconds. She's really just there for fun. Yeah.

1:36:36.760 --> 1:36:38.439
<v Speaker 1>I loved her. She's there for love of the game.

1:36:38.600 --> 1:36:42.360
<v Speaker 1>She is like droning through narrating the height of the

1:36:42.400 --> 1:36:45.120
<v Speaker 1>action of the movie. She's like, the penguins are going

1:36:45.160 --> 1:36:51.040
<v Speaker 1>in a different direction, looks like there's coming towards us.

1:36:51.120 --> 1:36:54.719
<v Speaker 1>I just that's the kind of like Tim Burton character

1:36:54.760 --> 1:36:57.560
<v Speaker 1>I really like. Of just like a woman who is

1:36:57.640 --> 1:37:04.559
<v Speaker 1>bored by something very exciting that's always so fun. I uh, yeah,

1:37:04.560 --> 1:37:08.439
<v Speaker 1>I liked her. The dog is so cute. Yeah, it's

1:37:08.439 --> 1:37:11.559
<v Speaker 1>like a little busted. It's very cute. It's a good dog.

1:37:11.600 --> 1:37:18.200
<v Speaker 1>It's a good boy. Um, feminist icon. The duck Boat, penguin,

1:37:18.320 --> 1:37:20.200
<v Speaker 1>My god, the boat. We haven't even talked about the

1:37:20.280 --> 1:37:25.160
<v Speaker 1>duck Boat. It's so good. It's so it's so I

1:37:25.320 --> 1:37:27.720
<v Speaker 1>love like, it's perfect when a movie is just like

1:37:28.200 --> 1:37:31.519
<v Speaker 1>and we just talked about the many ways in which

1:37:31.760 --> 1:37:36.320
<v Speaker 1>Tim Burton is a relic at this point, but I

1:37:36.400 --> 1:37:41.080
<v Speaker 1>do love to watch a director absolutely abuse a big budget.

1:37:41.200 --> 1:37:45.479
<v Speaker 1>It's so fun like, it's so like the It's cannon

1:37:45.600 --> 1:37:48.920
<v Speaker 1>that he was just like, no performance artists, Let's go bigger,

1:37:48.960 --> 1:37:51.879
<v Speaker 1>let's go full circus at the zoo. For no reason.

1:37:52.320 --> 1:37:55.519
<v Speaker 1>We need animatronic penguins. We need people penguins, and we

1:37:55.560 --> 1:37:59.719
<v Speaker 1>need penguin penguins. There's nowhere around it. Um. The animal

1:37:59.800 --> 1:38:01.800
<v Speaker 1>rights stuff in this movie, we can't go there because

1:38:03.080 --> 1:38:07.280
<v Speaker 1>Michelle Fiber put a real bird in her mouth. So

1:38:07.520 --> 1:38:09.400
<v Speaker 1>we wish that we're the best and hope it went

1:38:09.439 --> 1:38:13.240
<v Speaker 1>on to thrive. Um. But it's just like, this movie

1:38:13.280 --> 1:38:17.960
<v Speaker 1>is so The duck Boat. The duck Boat is wonderful.

1:38:18.200 --> 1:38:20.839
<v Speaker 1>I love it. I'm obsessed with the duck Boat. The train,

1:38:22.000 --> 1:38:25.120
<v Speaker 1>Why is there a train. I do want to shout

1:38:25.120 --> 1:38:28.960
<v Speaker 1>out the penguins. They're so cute. They are so cute.

1:38:29.000 --> 1:38:33.280
<v Speaker 1>They're very good. They frowned when the penguin dies. So cute.

1:38:33.880 --> 1:38:38.479
<v Speaker 1>It's so sad. They're sad for their friends. They're literally

1:38:38.520 --> 1:38:42.280
<v Speaker 1>it's it's literally like if Grew died, what would happen.

1:38:42.600 --> 1:38:46.960
<v Speaker 1>It's exactly like if Crew died, they would be beside themselves.

1:38:47.600 --> 1:38:50.280
<v Speaker 1>They would not the Canada that they are like especially

1:38:50.360 --> 1:38:54.400
<v Speaker 1>devoted to Grew because they've had like other masters, right, yeah,

1:38:54.800 --> 1:38:57.559
<v Speaker 1>don't Yeah, they've had a lot of They've worked for

1:38:57.560 --> 1:38:59.600
<v Speaker 1>a lot of people, but grew as special to that.

1:38:59.680 --> 1:39:02.840
<v Speaker 1>But they love Grew okay, because Grew takes all their

1:39:02.840 --> 1:39:06.320
<v Speaker 1>boxes where It's like usually their bosses are really evil

1:39:06.640 --> 1:39:10.080
<v Speaker 1>and also abusive towards them, but grew as evil and

1:39:10.200 --> 1:39:12.559
<v Speaker 1>nice to them, so they love Grew. He takes care

1:39:12.560 --> 1:39:16.720
<v Speaker 1>of them. Okay. They kind of grew up together. They

1:39:16.760 --> 1:39:21.080
<v Speaker 1>grew up together. They grew they grew up and they

1:39:21.200 --> 1:39:25.800
<v Speaker 1>grew up together. There was I was sitting, Okay, this

1:39:25.880 --> 1:39:28.360
<v Speaker 1>is my last tangent of the episode. I promised I

1:39:28.439 --> 1:39:32.120
<v Speaker 1>was taking a mega bus from Rhode Island to New weekend,

1:39:32.520 --> 1:39:36.000
<v Speaker 1>because yeah, I'm kind of a fucking sleb. But I

1:39:36.040 --> 1:39:39.960
<v Speaker 1>was sitting next to this college student who was talking

1:39:39.960 --> 1:39:41.760
<v Speaker 1>on the phone with one of his boys for the

1:39:41.840 --> 1:39:44.920
<v Speaker 1>duration of the bus. It was it was really long

1:39:44.960 --> 1:39:47.840
<v Speaker 1>and obnoxious, but it was just like he was such

1:39:48.080 --> 1:39:50.960
<v Speaker 1>a bro with like three brain cells that he was

1:39:51.000 --> 1:39:53.240
<v Speaker 1>really like getting some good quips and every once and

1:39:53.240 --> 1:39:56.960
<v Speaker 1>again like he was just he was objectifying his classmates

1:39:57.040 --> 1:40:00.879
<v Speaker 1>the whole call boy. But at one point he was like, yeah,

1:40:00.920 --> 1:40:04.559
<v Speaker 1>you know, Christina, she kind of really glue. How do

1:40:04.640 --> 1:40:07.680
<v Speaker 1>I she glew up over the summer? Did I say that? Right?

1:40:07.760 --> 1:40:10.200
<v Speaker 1>She blew up? And then you could hear the guy

1:40:10.240 --> 1:40:11.880
<v Speaker 1>on the other line and be like, yeah, no, I

1:40:11.960 --> 1:40:15.120
<v Speaker 1>get it. And then he just like I was like,

1:40:15.200 --> 1:40:19.760
<v Speaker 1>oh god, that's incredible. She blew up. He couldn't think

1:40:19.760 --> 1:40:23.240
<v Speaker 1>of the word glowed amazing. He was literally coming from

1:40:23.360 --> 1:40:28.160
<v Speaker 1>Brown University. It was just how we get Max Trex

1:40:28.200 --> 1:40:32.360
<v Speaker 1>out there blew up over the summer. It was nasty.

1:40:33.160 --> 1:40:37.080
<v Speaker 1>Al Right, Well, Batman Returns? Does anyone have anything else

1:40:37.240 --> 1:40:41.479
<v Speaker 1>to say about Batman Returns? Um There was supposed to

1:40:41.479 --> 1:40:46.000
<v Speaker 1>be a sequel where Catwoman Michelle Fifefer. Catwoman had her

1:40:46.000 --> 1:40:48.880
<v Speaker 1>own own story. It was supposed to also be done

1:40:48.920 --> 1:40:52.640
<v Speaker 1>with Daniel Waters and Tim Burton Um and it follows

1:40:52.800 --> 1:40:58.360
<v Speaker 1>her to a like more Las Vegas e location. It

1:40:58.400 --> 1:41:01.120
<v Speaker 1>sounds like it would have been great, but it never happened.

1:41:01.280 --> 1:41:03.200
<v Speaker 1>Damn it. Here's my last thing to say. Well, I

1:41:03.200 --> 1:41:04.880
<v Speaker 1>guess I have like two less things. One of them

1:41:05.000 --> 1:41:08.280
<v Speaker 1>is I do think it's funny that people complain about

1:41:08.320 --> 1:41:10.679
<v Speaker 1>like Batman not being in this movie enough, because ultimately

1:41:10.960 --> 1:41:15.160
<v Speaker 1>it is a Catwoman movie, Like Batman is fairly incidental

1:41:15.360 --> 1:41:18.120
<v Speaker 1>to what goes on in the film. This is a

1:41:18.200 --> 1:41:21.880
<v Speaker 1>movie about Catwoman and the penguin, like it's their movie.

1:41:22.200 --> 1:41:26.240
<v Speaker 1>They are the two far more strongly motivated characters, and

1:41:26.280 --> 1:41:28.720
<v Speaker 1>Batman is just like, well, I'm Batman, so I have

1:41:28.800 --> 1:41:32.680
<v Speaker 1>to stop these people. But yeah, exactly, like he is

1:41:32.720 --> 1:41:35.440
<v Speaker 1>called to the scene, like he did not create the scene.

1:41:35.960 --> 1:41:38.560
<v Speaker 1>I kind of like that this movie is like comfortable

1:41:38.560 --> 1:41:43.000
<v Speaker 1>with Batman being a little bit boring, Like yeah, because

1:41:43.040 --> 1:41:45.400
<v Speaker 1>I don't even think Batman is like obviously he's like

1:41:45.560 --> 1:41:48.599
<v Speaker 1>not a boring character, but I like that this movie

1:41:48.640 --> 1:41:50.799
<v Speaker 1>is sort of like, well, he's not the most interesting

1:41:50.880 --> 1:41:54.520
<v Speaker 1>character in the movie, and we're comfortable with that he returns,

1:41:54.920 --> 1:41:58.040
<v Speaker 1>but you know, kind of to a more incidental degree

1:41:58.040 --> 1:42:00.960
<v Speaker 1>than you would imagine, Right, I totally agree with that.

1:42:01.800 --> 1:42:04.599
<v Speaker 1>I love My second point is that dating bed is hot.

1:42:04.640 --> 1:42:08.560
<v Speaker 1>We should recognize that more. I think as a society. Absolutely,

1:42:08.640 --> 1:42:11.920
<v Speaker 1>his energy, Oh my god, he's hot. He's a socialist,

1:42:12.160 --> 1:42:16.320
<v Speaker 1>his politics are kind of immaculate. What is hotter than that? Yeah? An,

1:42:16.320 --> 1:42:21.240
<v Speaker 1>he's single, I think, so not divorced, but I guess

1:42:21.280 --> 1:42:23.679
<v Speaker 1>I don't know, Like I know that he and Perlin

1:42:23.800 --> 1:42:28.080
<v Speaker 1>are like separated, but they're not divorced. I don't find

1:42:28.120 --> 1:42:31.599
<v Speaker 1>that disqualifying. Yeah, if he comes up, but I was like,

1:42:31.880 --> 1:42:36.559
<v Speaker 1>if he if he comes up on Bumble, yeah obviously, no,

1:42:36.560 --> 1:42:38.760
<v Speaker 1>no question. Yeah, I'll keep an eye out for him

1:42:38.800 --> 1:42:45.240
<v Speaker 1>on Riya. Yeah I'm on Riya. Have I had any luck?

1:42:45.280 --> 1:42:51.160
<v Speaker 1>They're not one iota. I've still not used a dating app.

1:42:51.200 --> 1:42:53.600
<v Speaker 1>So I was just throwing Bumble out there because I

1:42:53.640 --> 1:42:57.320
<v Speaker 1>know it's exists. Yeah, I was on one of them.

1:42:57.320 --> 1:42:58.840
<v Speaker 1>I want on dating apps for like a month and

1:42:58.880 --> 1:43:00.880
<v Speaker 1>then I was like, I don't think I enjoy this,

1:43:01.200 --> 1:43:06.240
<v Speaker 1>and so I stopped. They're not great anyway. We saund

1:43:06.280 --> 1:43:08.400
<v Speaker 1>like Selena Kyle at the beginning of the movie of

1:43:08.439 --> 1:43:11.479
<v Speaker 1>her like it's a good it's a good note to

1:43:11.520 --> 1:43:14.439
<v Speaker 1>wrap up on because this movie is so horny. So

1:43:14.560 --> 1:43:19.360
<v Speaker 1>now a little bit exactly does the movie pass the

1:43:19.400 --> 1:43:22.439
<v Speaker 1>Bechdel test? I agree with you, Jamie, I would argue.

1:43:22.640 --> 1:43:25.519
<v Speaker 1>When Selena talks to her female cat whose name we

1:43:25.560 --> 1:43:30.240
<v Speaker 1>know because it's miss Kitty, that passes because here's the conversation.

1:43:31.280 --> 1:43:34.519
<v Speaker 1>Selena comes home, cat goes me ow. Selena says, Miss

1:43:34.600 --> 1:43:38.519
<v Speaker 1>Kitty back more sexual escapades. You refuse to share. So

1:43:38.560 --> 1:43:43.759
<v Speaker 1>they've talked before establishing a relationship. They have a close bond,

1:43:43.960 --> 1:43:49.439
<v Speaker 1>although miss Kitty is withholding. Miss Kitty says miaw. Selena says,

1:43:49.560 --> 1:43:53.679
<v Speaker 1>drink your dinner. Kat says me ow. Selena says, what

1:43:53.760 --> 1:43:56.960
<v Speaker 1>how can anyone be so pathetic? Yes, to you, I

1:43:57.040 --> 1:44:01.520
<v Speaker 1>seem pathetic, but I'm a working girl. I gotta pay. Then, yes, Selena,

1:44:01.800 --> 1:44:06.160
<v Speaker 1>I mean, and that passes the Becktel tests. That passes.

1:44:06.840 --> 1:44:10.080
<v Speaker 1>I don't know what to tell you. It passes flying.

1:44:10.720 --> 1:44:13.920
<v Speaker 1>I feel comfortable with that. I feel ecstatic about that.

1:44:14.320 --> 1:44:18.080
<v Speaker 1>Is there much else outside of that? There is a

1:44:18.120 --> 1:44:21.760
<v Speaker 1>brief interaction between Catwoman and the Ice Princess, but they

1:44:21.760 --> 1:44:24.800
<v Speaker 1>don't actually speak to each other on screen. Yeah, at

1:44:24.840 --> 1:44:26.760
<v Speaker 1>least not really. It would have been fun if she

1:44:26.800 --> 1:44:30.120
<v Speaker 1>could have had a little tete a tete with Penguins

1:44:30.320 --> 1:44:34.040
<v Speaker 1>board associate. But I don't even know if we if

1:44:34.040 --> 1:44:35.960
<v Speaker 1>that character get the name. I just really liked her,

1:44:36.600 --> 1:44:41.799
<v Speaker 1>So Wikipedia just lists her as the poodle lady. Okay,

1:44:41.920 --> 1:44:45.879
<v Speaker 1>love that. Yeah, that's great. I support that Ice Princess

1:44:45.960 --> 1:44:48.639
<v Speaker 1>is nice. She seemed really nice. I would have loved

1:44:48.680 --> 1:44:52.160
<v Speaker 1>to get lunch with her, sweetie pie. Yeah, she was great. Absolutely,

1:44:53.240 --> 1:44:57.040
<v Speaker 1>R I P T I P. But who among us

1:44:57.040 --> 1:44:59.720
<v Speaker 1>has not wanted to vault into the giant tree at

1:45:00.000 --> 1:45:04.280
<v Speaker 1>Cavilla Center. It's true, It's true. And you know, like

1:45:04.360 --> 1:45:06.200
<v Speaker 1>if I've got to go at the hands of Danny

1:45:06.280 --> 1:45:09.639
<v Speaker 1>de Vito, you know it's going to be memorable for sure,

1:45:09.880 --> 1:45:15.479
<v Speaker 1>exactly exactly. People will talk about it after the fact. Okay,

1:45:15.479 --> 1:45:18.600
<v Speaker 1>So how about our nipple scale, though, which is a

1:45:18.640 --> 1:45:21.400
<v Speaker 1>scale of zero to five nipples, and which we rate

1:45:21.479 --> 1:45:25.080
<v Speaker 1>the movie based on looking at it through an intersectional

1:45:25.160 --> 1:45:30.000
<v Speaker 1>feminist lens. I'm gonna go like three and a half

1:45:30.280 --> 1:45:34.120
<v Speaker 1>of this. I might be bringing some of my bias

1:45:34.320 --> 1:45:37.760
<v Speaker 1>into that score, because I do love this movie so much.

1:45:38.880 --> 1:45:46.280
<v Speaker 1>As we've discussed, there are there's some things about the

1:45:46.360 --> 1:45:52.200
<v Speaker 1>coding of the penguin character. It's able is m and

1:45:52.360 --> 1:45:56.000
<v Speaker 1>anti Semitism that is so present in the coding of

1:45:56.040 --> 1:45:59.600
<v Speaker 1>so many villains. This movie is kind of no exception,

1:45:59.680 --> 1:46:05.000
<v Speaker 1>but there it's intended or not. It's like it's worth acknowledging. Yeah, yeah, exactly. Um,

1:46:05.040 --> 1:46:09.000
<v Speaker 1>a few other like little missteps here and there. But

1:46:09.640 --> 1:46:17.200
<v Speaker 1>so the screenwriter Daniel Waters was brought in after another

1:46:17.280 --> 1:46:19.639
<v Speaker 1>writer who I think wrote the screenplay for the first

1:46:19.680 --> 1:46:24.439
<v Speaker 1>Batman movie, Sam Ham. Sam Ham, his name is Sam Ham.

1:46:24.960 --> 1:46:26.920
<v Speaker 1>That's going to bring some baggage with it if you

1:46:26.960 --> 1:46:29.840
<v Speaker 1>grow up at that name. He was exactly. He was

1:46:29.880 --> 1:46:32.879
<v Speaker 1>originally involved in the development of the sequel of Batman

1:46:32.960 --> 1:46:35.479
<v Speaker 1>Returns and had written I don't know if he wrote

1:46:35.520 --> 1:46:37.599
<v Speaker 1>a full draft or if he was just sort of

1:46:37.600 --> 1:46:42.800
<v Speaker 1>like outlining the story, but basically he was replaced by

1:46:42.880 --> 1:46:45.960
<v Speaker 1>Daniel Waters or he just like his involvement didn't happen

1:46:46.000 --> 1:46:48.680
<v Speaker 1>the whole way through the development process. But he had

1:46:48.680 --> 1:46:53.240
<v Speaker 1>written a version of Catwoman that Daniel Waters changed because

1:46:53.479 --> 1:46:57.839
<v Speaker 1>Sam Ham's version of Catwoman was just like a quote

1:46:57.880 --> 1:47:04.439
<v Speaker 1>fetishy sexual fantasy fem faetale. Daniel Waters changed her to

1:47:04.880 --> 1:47:08.360
<v Speaker 1>a and again this is pulling from wiki Pete here

1:47:08.520 --> 1:47:13.400
<v Speaker 1>scholarly journal um changed to a working class, disenchanted secretary,

1:47:13.520 --> 1:47:18.280
<v Speaker 1>writing her as an allegory of contemporary feminism, right, And

1:47:18.360 --> 1:47:21.759
<v Speaker 1>I feel like the movie kind of nails. It works,

1:47:21.880 --> 1:47:26.120
<v Speaker 1>and we're speaking of white feminism from the early nineties, yes,

1:47:26.120 --> 1:47:29.839
<v Speaker 1>but spice Girls feminism. But it works. But it works

1:47:30.400 --> 1:47:33.479
<v Speaker 1>at least for this movie, certainly doing more than a

1:47:33.520 --> 1:47:37.520
<v Speaker 1>lot of superhero movies are doing now still to this day.

1:47:37.560 --> 1:47:41.160
<v Speaker 1>If there's a woman in it, it's feminist, right, right,

1:47:41.200 --> 1:47:43.880
<v Speaker 1>And they're like, yeah, sure, it's like, let's just have

1:47:43.960 --> 1:47:45.960
<v Speaker 1>her say some sort of T shirt equips at some

1:47:46.040 --> 1:47:51.200
<v Speaker 1>point and then Thor is Natalie Portman now until she doesn't,

1:47:51.760 --> 1:47:55.960
<v Speaker 1>And that's awesome. No, not really, Yeah, don't worry, not really.

1:47:56.320 --> 1:47:58.719
<v Speaker 1>I didn't see that. We would never let a woman

1:47:58.720 --> 1:48:03.360
<v Speaker 1>be thre. So I just appreciate the movie takes a

1:48:03.360 --> 1:48:08.160
<v Speaker 1>lot of time to characterize the Selena Kyle slash Catwoman character.

1:48:08.600 --> 1:48:12.160
<v Speaker 1>It gives her an internal life. We see her at work,

1:48:12.240 --> 1:48:14.880
<v Speaker 1>we see her at home, we understand all of the

1:48:14.920 --> 1:48:19.320
<v Speaker 1>context for why she becomes Catwoman, and just all of

1:48:19.320 --> 1:48:23.160
<v Speaker 1>the societal pressures that she's fighting against. Could she have

1:48:23.280 --> 1:48:27.320
<v Speaker 1>been more of an ally to other women? Yes, but

1:48:27.439 --> 1:48:30.040
<v Speaker 1>I think you know, look, this is also how long

1:48:30.080 --> 1:48:34.800
<v Speaker 1>does this movie take over? This this takes place three days? Yeah,

1:48:34.960 --> 1:48:36.920
<v Speaker 1>I think you know she would have gotten there. You know,

1:48:37.000 --> 1:48:39.280
<v Speaker 1>she just needed a little more time. She just needed

1:48:39.280 --> 1:48:42.240
<v Speaker 1>more time. That's what she's doing now, exactly. Yeah, she's

1:48:42.240 --> 1:48:46.480
<v Speaker 1>still but shell Fiber Catwoman is still canonically out there, right, absolutely,

1:48:46.560 --> 1:48:50.080
<v Speaker 1>so I'm sure she does all sorts of incredible The

1:48:50.160 --> 1:48:55.040
<v Speaker 1>character she plays, an antman, is actually Catwoman. Everything about

1:48:55.040 --> 1:48:59.800
<v Speaker 1>that interesting, right, She's an antman? What a crossover? Right?

1:49:00.040 --> 1:49:03.760
<v Speaker 1>I only saw the second one, so I was confused. Well,

1:49:03.760 --> 1:49:07.040
<v Speaker 1>she's not in the first one, Okay that I was

1:49:07.080 --> 1:49:11.680
<v Speaker 1>just confused by the movie anyway, So all of the

1:49:11.720 --> 1:49:15.479
<v Speaker 1>characterizations she gets, she's given an internal conflict which a

1:49:15.560 --> 1:49:20.200
<v Speaker 1>lot of female characters are simply not given in movies.

1:49:20.840 --> 1:49:24.080
<v Speaker 1>And she she's just like a more interesting and fun

1:49:24.160 --> 1:49:27.920
<v Speaker 1>character than Batman in this movie. I think she and

1:49:27.960 --> 1:49:32.440
<v Speaker 1>Penguin are kind of tied for like most like well characterized,

1:49:32.479 --> 1:49:37.800
<v Speaker 1>compelling characters for sure. Yes, So with all of that

1:49:37.840 --> 1:49:40.719
<v Speaker 1>in mind, I'm going to give the movie a three

1:49:40.800 --> 1:49:45.040
<v Speaker 1>point five nipple rating. I'll give one to Michelle Pfeiffer,

1:49:45.360 --> 1:49:48.400
<v Speaker 1>I'll give one to Miss Kitty, I'll give one to

1:49:49.080 --> 1:49:53.280
<v Speaker 1>feminist icon the duck Boat, and I'll give my half

1:49:53.360 --> 1:49:59.639
<v Speaker 1>nipple to the line Life's a bitch now, so am I? Yeah,

1:50:00.080 --> 1:50:02.519
<v Speaker 1>I'll go. I'll go three and a half as well.

1:50:02.520 --> 1:50:07.759
<v Speaker 1>This movie fucking rules. It's the outside of a bedel

1:50:07.840 --> 1:50:09.639
<v Speaker 1>cast lens. If I was just watching this movie, I'd

1:50:09.640 --> 1:50:12.479
<v Speaker 1>be like, Yeah, greatest thing I've ever seen. Cool, great,

1:50:13.560 --> 1:50:15.720
<v Speaker 1>But yeah, I mean I think that like we've we've

1:50:15.800 --> 1:50:18.080
<v Speaker 1>kind of singled out this stuff where it's you know,

1:50:18.640 --> 1:50:20.880
<v Speaker 1>maybe a little dated in some areas, and there are

1:50:20.920 --> 1:50:23.479
<v Speaker 1>certainly tropes that we've discussed in the past that are

1:50:23.560 --> 1:50:27.360
<v Speaker 1>present here, um, and you know deserve acknowledgement and calling out.

1:50:27.479 --> 1:50:30.320
<v Speaker 1>But in terms of like a superhero movie in ninety two,

1:50:30.439 --> 1:50:33.080
<v Speaker 1>this like movie is doing a hell of a lot

1:50:33.120 --> 1:50:36.200
<v Speaker 1>of cool stuff. And I love Michelle Pfeiffer. I love

1:50:36.560 --> 1:50:40.880
<v Speaker 1>her cat Woman and disputed top tiercat Woman. No one's

1:50:40.960 --> 1:50:43.479
<v Speaker 1>doing it like she was doing it. So I'm gonna

1:50:43.520 --> 1:50:45.840
<v Speaker 1>give it three and a half nipples on a give

1:50:46.320 --> 1:50:50.439
<v Speaker 1>to to Michelle and the remainder to Miss Kitty. Yeah,

1:50:51.720 --> 1:50:54.240
<v Speaker 1>I'll get a neat for I like from not this

1:50:54.280 --> 1:50:55.920
<v Speaker 1>specific angle. I would just give it a straight five

1:50:55.960 --> 1:50:57.840
<v Speaker 1>out of five. I think it's a great I think

1:50:57.840 --> 1:51:01.080
<v Speaker 1>it's a perfect movie. Um. I mean we've talked about

1:51:01.080 --> 1:51:05.280
<v Speaker 1>its flaws, but it is a perfect movie for if

1:51:05.280 --> 1:51:09.040
<v Speaker 1>I had to distribute them, one for pre Catwoman Michelle,

1:51:09.040 --> 1:51:11.960
<v Speaker 1>five for one for post Catwoman Michelle, five for one

1:51:12.040 --> 1:51:15.719
<v Speaker 1>for the duck Boat, and one for a Day Debuto. Perfect.

1:51:15.960 --> 1:51:21.200
<v Speaker 1>Perfect of course. Also it's time for cat Woman Facts

1:51:21.479 --> 1:51:26.000
<v Speaker 1>with Caitlin. Finally, cat Woman, as far as I know,

1:51:26.640 --> 1:51:31.560
<v Speaker 1>has two nipples. And that's Catwoman Facts with Caitlin. Nice.

1:51:31.640 --> 1:51:35.559
<v Speaker 1>You're welcome, thank you, Good for her, Good for her,

1:51:36.040 --> 1:51:38.599
<v Speaker 1>Karen m hmm. First of all, thank you so much

1:51:38.640 --> 1:51:41.519
<v Speaker 1>for joining us. Thank you for having me. This was delightful,

1:51:42.960 --> 1:51:46.360
<v Speaker 1>an absolutely iconic movie to discuss it. We've had such

1:51:46.360 --> 1:51:50.120
<v Speaker 1>a nice time. Please come back anytime, any time. Literally

1:51:50.200 --> 1:51:53.120
<v Speaker 1>just asks me anytime please, I mean truly, like tomorrow

1:51:53.240 --> 1:51:56.760
<v Speaker 1>would be great. What are you doing. Let's let's let's

1:51:56.760 --> 1:52:00.000
<v Speaker 1>do bat nipples next time. I have not seen bat nipple,

1:52:00.160 --> 1:52:02.720
<v Speaker 1>so that would be fascinating for me. It's like it's

1:52:02.720 --> 1:52:04.960
<v Speaker 1>a pretty wild ride. It's not this movie. It's not

1:52:05.280 --> 1:52:08.559
<v Speaker 1>I wouldn't compare it to this movie. But it's got

1:52:08.560 --> 1:52:14.479
<v Speaker 1>a lot coming for that's Clooney Batman. Is that right? Yes? Yes,

1:52:14.840 --> 1:52:17.920
<v Speaker 1>I think so, okay, because then there's it's Valve Batman

1:52:17.920 --> 1:52:20.639
<v Speaker 1>after that, right, yeah, I always messed up the order.

1:52:20.800 --> 1:52:24.920
<v Speaker 1>Oh I forgot there's a Valve Batman. Too many Batman's anyways,

1:52:25.000 --> 1:52:27.640
<v Speaker 1>Karen uh, where can we find your online? And what

1:52:27.680 --> 1:52:30.400
<v Speaker 1>would you like to plug? Um? You can find me

1:52:30.560 --> 1:52:34.320
<v Speaker 1>on Twitter at Karen Wayhan as long as the platform

1:52:34.360 --> 1:52:36.520
<v Speaker 1>is still active, and you can find me on Instagram

1:52:36.520 --> 1:52:38.759
<v Speaker 1>at the Karen Hahn and I would love to plug

1:52:38.800 --> 1:52:40.960
<v Speaker 1>my book as of recording. It is coming out in

1:52:40.960 --> 1:52:42.639
<v Speaker 1>a little less than a week. It is called Bong

1:52:42.720 --> 1:52:45.439
<v Speaker 1>June Hoe Distant Cinema. It is coming out from Abraham's

1:52:45.479 --> 1:52:48.240
<v Speaker 1>slash Little White Lies. It's just all about Bong June

1:52:48.280 --> 1:52:52.880
<v Speaker 1>host work. Please buy my book, Thank you please, I

1:52:52.920 --> 1:52:56.400
<v Speaker 1>can't wait, truly, congratulations, thank you so much. It's wild

1:52:56.400 --> 1:52:58.879
<v Speaker 1>because like some of the preorders have started arriving already,

1:52:59.000 --> 1:53:02.000
<v Speaker 1>so which is terrifying to see that it is out

1:53:02.040 --> 1:53:06.400
<v Speaker 1>in the world. Like some people haven't it's loose, but

1:53:06.520 --> 1:53:14.000
<v Speaker 1>Jesus Luz. Yeah, one of my favorite, right up there

1:53:14.000 --> 1:53:18.880
<v Speaker 1>with Life's of Beach. And so thank you so much

1:53:18.880 --> 1:53:22.800
<v Speaker 1>for coming on truly, yeah cock, so come back anytime.

1:53:23.040 --> 1:53:24.720
<v Speaker 1>Thank you so much for having me, and truly it

1:53:24.760 --> 1:53:27.160
<v Speaker 1>would be an honor and a joy to come back

1:53:27.160 --> 1:53:30.599
<v Speaker 1>on the show. I can't wait. We'll email you tomorrow, amazing.

1:53:31.200 --> 1:53:34.400
<v Speaker 1>You can also follow us on Twitter as long as

1:53:34.479 --> 1:53:41.479
<v Speaker 1>that platform exists, and yeah, or Instagram. At buck cast

1:53:41.720 --> 1:53:46.120
<v Speaker 1>you can follow our Patreon a k a. Matreon. Five

1:53:46.160 --> 1:53:49.679
<v Speaker 1>bucks a month gets you to bonus episodes. It's usually

1:53:49.720 --> 1:53:52.439
<v Speaker 1>just me and Caitlin kind of choosing movies around a theme.

1:53:53.560 --> 1:53:57.400
<v Speaker 1>So of course it's December, we're doing our holiday round up,

1:53:57.520 --> 1:54:01.280
<v Speaker 1>so we're doing Linday Lohan Netlix movie. You know, we're

1:54:01.320 --> 1:54:05.280
<v Speaker 1>bringing the hits. We also just did mob March, which

1:54:05.320 --> 1:54:08.920
<v Speaker 1>we observed in November. So if we had to put

1:54:08.920 --> 1:54:11.360
<v Speaker 1>our thoughts on just because I feel like people have

1:54:11.439 --> 1:54:15.400
<v Speaker 1>been harassing us about The Godfather for so long, and

1:54:15.439 --> 1:54:17.160
<v Speaker 1>by that I mean people who have never listened to

1:54:17.160 --> 1:54:19.519
<v Speaker 1>our show and don't think what we have to say

1:54:19.600 --> 1:54:22.120
<v Speaker 1>it should be taken seriously. So we put that behind

1:54:22.120 --> 1:54:24.320
<v Speaker 1>a paywall. I think we take a pretty good job.

1:54:24.600 --> 1:54:28.400
<v Speaker 1>We both liked the movie, so funk you Young Robert DeNiro,

1:54:28.560 --> 1:54:34.160
<v Speaker 1>My god, hot, young Albaccino, Oh my god, hot, get

1:54:34.200 --> 1:54:38.840
<v Speaker 1>inside me. All right, let's that's all. At Patreon dot

1:54:38.880 --> 1:54:42.000
<v Speaker 1>com slash backtel cast for five dollars a month. Uh,

1:54:42.120 --> 1:54:45.520
<v Speaker 1>and then you've also got our merch. Hey, you're not

1:54:45.560 --> 1:54:48.800
<v Speaker 1>sure what to get your loved ones for the holidays,

1:54:49.160 --> 1:54:51.360
<v Speaker 1>consider going to Tea Parts get them a copy of

1:54:51.400 --> 1:54:56.160
<v Speaker 1>Karen's book and then go then go to tea Public

1:54:56.200 --> 1:54:59.920
<v Speaker 1>dot com slash the Bectel cast for some merchand day.

1:55:00.360 --> 1:55:03.640
<v Speaker 1>I am actually someone who has received Bechtel Cast merge

1:55:03.800 --> 1:55:05.840
<v Speaker 1>for a holiday and it was a great gift, so

1:55:05.840 --> 1:55:09.160
<v Speaker 1>I would recommend it. Yeah, and we didn't even plan that.

1:55:10.240 --> 1:55:12.880
<v Speaker 1>We didn't even plan that. It's the gift that keeps

1:55:12.880 --> 1:55:17.440
<v Speaker 1>on giving. Anyway. Life's a bitch, and so are we.

1:55:18.000 --> 1:55:19.720
<v Speaker 1>By