1 00:00:00,400 --> 00:00:03,520 Speaker 1: Hello the Internet and welcome two Season sixty four, Episode 2 00:00:03,520 --> 00:00:06,720 Speaker 1: two of DARE Daily Snight Geist, the podcast where we 3 00:00:06,720 --> 00:00:09,440 Speaker 1: take a deep down into America's share consciousness using the headlines, 4 00:00:09,520 --> 00:00:12,680 Speaker 1: box Office Reports, TV rating, what's trending on Google, and 5 00:00:12,760 --> 00:00:17,239 Speaker 1: social needs. It's Tuesday, January eight, two thousand nineteen. My 6 00:00:17,320 --> 00:00:21,400 Speaker 1: name is Jack O'Brien aka Dr Jackal and Mr O'Brien, 7 00:00:21,800 --> 00:00:25,360 Speaker 1: and I'm thrilled to be joined today by my special 8 00:00:25,600 --> 00:00:31,400 Speaker 1: guest co host Lazy Modley. Hey, it's be Lazy Mousley. AK. 9 00:00:32,520 --> 00:00:40,720 Speaker 1: My Lonelint is scaring me and I I still believe 10 00:00:41,440 --> 00:00:45,519 Speaker 1: sud When I'm netted with you, I lose my mind. 11 00:00:46,080 --> 00:00:53,120 Speaker 1: Give me your sip. Scare me Lacy one more time. Wow, 12 00:00:53,960 --> 00:00:58,120 Speaker 1: I was the first AK that was actually a better 13 00:00:58,200 --> 00:01:04,600 Speaker 1: vocal performance than the original. Very wonderful. Thank you so 14 00:01:04,680 --> 00:01:06,360 Speaker 1: much for being with us. It's so great to see 15 00:01:06,360 --> 00:01:10,559 Speaker 1: you again. Get your hair, you get them. I'm giving 16 00:01:10,560 --> 00:01:14,200 Speaker 1: you molisia today. Awesome. It is working very well well. 17 00:01:14,240 --> 00:01:16,880 Speaker 1: Weird thrilled to be joined in their third seed by 18 00:01:16,920 --> 00:01:20,760 Speaker 1: the hilarious comedian Casey La. It's lie but hey, thank 19 00:01:20,800 --> 00:01:26,440 Speaker 1: you that right, It's all right. Happy to be here. Yeah, 20 00:01:26,600 --> 00:01:30,480 Speaker 1: so I deserve credit to that. I appreciate it and 21 00:01:30,520 --> 00:01:32,720 Speaker 1: looked well. Last time I was supposed to be here. Um, 22 00:01:32,760 --> 00:01:35,160 Speaker 1: I had plane trouble so I didn't show up. So 23 00:01:35,480 --> 00:01:37,720 Speaker 1: um you know what you I owe you. Okay, back 24 00:01:37,840 --> 00:01:44,839 Speaker 1: a bit. Yeah, lane was broken down. It can only 25 00:01:44,880 --> 00:01:47,640 Speaker 1: take off in perfect conditions because it's a huge piece 26 00:01:47,680 --> 00:01:52,559 Speaker 1: of ship. But I have a plane okay, Yeah, great, 27 00:01:52,640 --> 00:02:00,320 Speaker 1: like a corner cutting private jet. Yeah, it's a Hammy Hammy, Hammy, Hammy, Hammy, hammy, 28 00:02:00,360 --> 00:02:05,600 Speaker 1: hand me down, but its paying all right, casey Lie. 29 00:02:05,680 --> 00:02:07,240 Speaker 1: We're gonna get to know you a little bit better 30 00:02:07,240 --> 00:02:10,160 Speaker 1: in a moment, But first we're gonna tell our listeners 31 00:02:10,160 --> 00:02:12,600 Speaker 1: a couple of things we're talking about today. We're gonna 32 00:02:13,200 --> 00:02:16,400 Speaker 1: continue to talk about the r. Kelly series. Uh, and 33 00:02:16,560 --> 00:02:20,960 Speaker 1: also just you know, sex trafficking since that is a 34 00:02:21,040 --> 00:02:26,600 Speaker 1: related topic unfortunately, and uh can't wait the story of St. 35 00:02:26,880 --> 00:02:31,440 Speaker 1: Cintia Brown. And there's also that Drake thing, uh that 36 00:02:31,600 --> 00:02:35,680 Speaker 1: which is somewhat related. Uh. We're also gonna talk about 37 00:02:35,720 --> 00:02:39,080 Speaker 1: more shadows right about with the Havanna story. We're gonna 38 00:02:39,240 --> 00:02:42,480 Speaker 1: do a quick look back at the Golden Globes. The 39 00:02:42,520 --> 00:02:45,760 Speaker 1: globes you guys the night the stars come out to shine. 40 00:02:46,120 --> 00:02:48,600 Speaker 1: I'm going to correct myself on the Kevin Hart thing. 41 00:02:49,320 --> 00:02:53,600 Speaker 1: We're gonna talk about just all this ship that the 42 00:02:53,680 --> 00:02:57,000 Speaker 1: President seems confused about these days. But first, Casey, what 43 00:02:57,280 --> 00:02:59,799 Speaker 1: is something from your search history that's revealing about who 44 00:02:59,800 --> 00:03:02,680 Speaker 1: you are? I think, um, the most revealing thing that 45 00:03:02,720 --> 00:03:04,639 Speaker 1: I was just looking at in my search history is 46 00:03:04,680 --> 00:03:09,959 Speaker 1: that I was looking for we Hoo late night dance parties. So, 47 00:03:10,480 --> 00:03:12,160 Speaker 1: for those of you who don't know, we Ho is 48 00:03:12,240 --> 00:03:17,880 Speaker 1: West Hollywood, ak the gay played, and and um, I 49 00:03:17,919 --> 00:03:20,720 Speaker 1: have been staying on I've been house sitting on the 50 00:03:20,760 --> 00:03:22,440 Speaker 1: West Side. Usually I live on the East Side, and 51 00:03:22,480 --> 00:03:24,920 Speaker 1: I never go out in we home. And UM, I 52 00:03:24,960 --> 00:03:28,440 Speaker 1: just think it's probably pretty apt definition of Casey is 53 00:03:29,200 --> 00:03:34,600 Speaker 1: googling at like to am on Friday night late night 54 00:03:34,600 --> 00:03:37,800 Speaker 1: we Ho dance parties, and um there was only Mickey's 55 00:03:37,840 --> 00:03:40,320 Speaker 1: and it was terrible. So anyway, UM, just letting you 56 00:03:40,360 --> 00:03:43,040 Speaker 1: know that if you have questions on late night dance 57 00:03:43,440 --> 00:03:46,640 Speaker 1: places in a lot of Los Angeles, hit me up. Casey. 58 00:03:46,720 --> 00:03:50,360 Speaker 1: Elie y live on Twitter. She has had a really 59 00:03:50,400 --> 00:03:52,560 Speaker 1: strong urge to dance. I mean I was hanging out 60 00:03:52,600 --> 00:03:53,920 Speaker 1: with friends and it was one of those things where 61 00:03:53,920 --> 00:03:54,800 Speaker 1: I was like, I'm not going to be in we 62 00:03:54,960 --> 00:03:59,720 Speaker 1: Hoo again for a while. I mean, I hate to 63 00:03:59,720 --> 00:04:03,600 Speaker 1: say yes. So I've been staying in Westwood and which 64 00:04:03,640 --> 00:04:06,840 Speaker 1: is like further west than West Hollywood, and I haven't 65 00:04:06,840 --> 00:04:10,960 Speaker 1: seen friends in a month. And this is crazy because 66 00:04:11,000 --> 00:04:12,720 Speaker 1: like I always hear house sitting. I'm like, I've never 67 00:04:12,720 --> 00:04:15,080 Speaker 1: had to let anybody sit in my raggedy ass house. 68 00:04:15,200 --> 00:04:17,000 Speaker 1: You know, it's just not nice enough to need people 69 00:04:17,000 --> 00:04:19,360 Speaker 1: to sit in it. Um, well, this person does better 70 00:04:19,360 --> 00:04:25,120 Speaker 1: than you. And I have a plane and well, actually 71 00:04:25,160 --> 00:04:28,520 Speaker 1: this is for it's my it's it's my ex's house 72 00:04:28,560 --> 00:04:34,920 Speaker 1: that he shares with his new boyfriend button for punishment. No, no, no, 73 00:04:34,960 --> 00:04:37,760 Speaker 1: but but they're in Europe and they have my dog 74 00:04:37,839 --> 00:04:40,200 Speaker 1: that my ex and I used to have. So and 75 00:04:40,240 --> 00:04:43,120 Speaker 1: my ex and I are good. Um, his new boyfriend 76 00:04:43,160 --> 00:04:46,920 Speaker 1: is twenty one. But that's an issue. And at least 77 00:04:46,960 --> 00:04:49,080 Speaker 1: one of us is living in Hollywood lifestyle fantasy that 78 00:04:49,080 --> 00:04:53,200 Speaker 1: we've always wanted. Are you there? Like moving that's the 79 00:04:53,200 --> 00:04:54,880 Speaker 1: biggest thing you can do to funk with someone. I 80 00:04:54,920 --> 00:04:57,479 Speaker 1: did that boyfriend. Yeah, I learned that in the Dane 81 00:04:57,520 --> 00:05:00,680 Speaker 1: Cook comedy especially shut around. I put his watch in 82 00:05:00,720 --> 00:05:04,120 Speaker 1: a sock drawer and like his remote control between his mattresses. 83 00:05:04,320 --> 00:05:06,280 Speaker 1: Here's the thing is, like, I know it's like a 84 00:05:06,320 --> 00:05:09,240 Speaker 1: tenuous position because the boyfriend is a little wary of 85 00:05:09,320 --> 00:05:13,480 Speaker 1: how close the X and I still are my you know, well, 86 00:05:13,480 --> 00:05:15,920 Speaker 1: because he's a child, and I'm sorry, I don't want 87 00:05:15,920 --> 00:05:17,560 Speaker 1: to talk to It sounds like I'm bullying a child, 88 00:05:17,680 --> 00:05:21,279 Speaker 1: but I'm not. I'm not. I'm not. He has abs, 89 00:05:21,320 --> 00:05:24,000 Speaker 1: he has way more Instagram followers. He's going to be 90 00:05:24,040 --> 00:05:26,920 Speaker 1: successful when he goes up one day. And I can't 91 00:05:26,920 --> 00:05:28,640 Speaker 1: believe I'm saying this. This is so mean. I can't 92 00:05:28,640 --> 00:05:31,520 Speaker 1: believe I'm going you're wonderful. Okay, anyway, So I'm there 93 00:05:31,600 --> 00:05:33,280 Speaker 1: and I don't and I don't want to apart from 94 00:05:33,279 --> 00:05:34,640 Speaker 1: these means things that I'm saying, and actually he is 95 00:05:34,680 --> 00:05:37,039 Speaker 1: a really nice person. I don't want to not be 96 00:05:37,160 --> 00:05:39,680 Speaker 1: invited back to hang out with my dog, so I'm 97 00:05:39,720 --> 00:05:42,719 Speaker 1: trying to obey the role. The only rule was don't 98 00:05:42,720 --> 00:05:44,400 Speaker 1: have sex in their house while they were gone. Oh 99 00:05:44,400 --> 00:05:46,760 Speaker 1: that's mild, that's like, and that's it was weird enough 100 00:05:46,800 --> 00:05:48,440 Speaker 1: to be there already. I was like, I'm not gonna like, 101 00:05:49,000 --> 00:05:55,320 Speaker 1: you know, cool place. Well, it's actually my actor. Yeah 102 00:05:55,440 --> 00:05:58,680 Speaker 1: and this is my dog. So yeah, what is something 103 00:05:58,720 --> 00:06:02,159 Speaker 1: you think is underrated? So I think I'm just gonna 104 00:06:02,160 --> 00:06:05,600 Speaker 1: go with Golden Globe themes here and this for a 105 00:06:05,640 --> 00:06:07,840 Speaker 1: show that was nominated for Golden Globes, it's hard to 106 00:06:07,839 --> 00:06:10,120 Speaker 1: call it underrated, but it struggled to get a new 107 00:06:10,160 --> 00:06:13,359 Speaker 1: season because of people watching it. That show is Pose 108 00:06:14,000 --> 00:06:21,800 Speaker 1: um f X series Pose about um trans gay performers 109 00:06:22,360 --> 00:06:26,800 Speaker 1: in the trans queer performers in New York in the eighties. 110 00:06:27,600 --> 00:06:31,520 Speaker 1: And it is a fascinating show and it's underrated because 111 00:06:32,080 --> 00:06:34,240 Speaker 1: no one's watching it. Not enough people are watching it, 112 00:06:34,760 --> 00:06:38,000 Speaker 1: watching it, We're watching we are somebody's for sure. But 113 00:06:38,120 --> 00:06:40,080 Speaker 1: um and they did and it's a Ryan Murphy joint. 114 00:06:40,560 --> 00:06:44,040 Speaker 1: Um and I feel like the wrong Ryan Murphy joint 115 00:06:44,279 --> 00:06:48,240 Speaker 1: one Awards last night because Post has the actors in 116 00:06:48,279 --> 00:06:52,320 Speaker 1: it are queer and trans, and they portray queer and 117 00:06:52,400 --> 00:06:55,880 Speaker 1: trans people unlike a lot of other shows. You know, 118 00:06:55,960 --> 00:06:59,520 Speaker 1: Darren Chris isn't even gay, right, Yeah, and that's what 119 00:06:59,560 --> 00:07:02,000 Speaker 1: I've heard it also, like the remember Transparent came out 120 00:07:02,000 --> 00:07:04,880 Speaker 1: and they just let it clean up. I mean, and 121 00:07:04,880 --> 00:07:08,960 Speaker 1: and here here, I love Transparent. Transparent got problematic at 122 00:07:08,960 --> 00:07:13,000 Speaker 1: the end um because of Jeffrey tamber which like and 123 00:07:13,040 --> 00:07:15,320 Speaker 1: which is which is you? But like, I do feel 124 00:07:15,360 --> 00:07:17,880 Speaker 1: like it was that point where it was the story 125 00:07:18,000 --> 00:07:19,480 Speaker 1: was good and it was acting and I and I 126 00:07:19,520 --> 00:07:21,000 Speaker 1: did kind of have this idea. It was like, you know, 127 00:07:21,000 --> 00:07:23,800 Speaker 1: people are allowed to act, you know, it's acting. That 128 00:07:23,880 --> 00:07:27,600 Speaker 1: being said, now, knowing how many talented trans gay like 129 00:07:27,800 --> 00:07:32,280 Speaker 1: everyone out there is capable of doing these roles, you can't, like, 130 00:07:32,280 --> 00:07:36,240 Speaker 1: like to me, if you're not at least really trying 131 00:07:36,280 --> 00:07:39,720 Speaker 1: to find someone super talented, who had who owns the experience. 132 00:07:39,840 --> 00:07:43,280 Speaker 1: It's like on The Crown Peter Morrigan, who directs The Crown, 133 00:07:43,840 --> 00:07:45,840 Speaker 1: which is my other favorite show. I'm gay by the way, 134 00:07:45,960 --> 00:07:49,480 Speaker 1: and uh, like he's he's like, you know, a middle 135 00:07:49,520 --> 00:07:51,920 Speaker 1: aged woman needs to play a middle aged woman because 136 00:07:51,960 --> 00:07:53,920 Speaker 1: she can bring the experience of middle aged woman. That's 137 00:07:53,920 --> 00:07:56,160 Speaker 1: why he changes the Queen. Uh, He's going to change 138 00:07:56,160 --> 00:07:58,960 Speaker 1: the Queen every two seasons and it's the same. Yeah. Yeah, 139 00:07:58,960 --> 00:08:01,120 Speaker 1: So so Olivia Coleman is going to play the Queen 140 00:08:01,640 --> 00:08:04,520 Speaker 1: um in the coming up seasons where Claire Foy played 141 00:08:04,560 --> 00:08:06,320 Speaker 1: before And I'm super psyched about that because the only 142 00:08:06,320 --> 00:08:08,720 Speaker 1: person who could play it after Claire Foy is a 143 00:08:08,760 --> 00:08:11,040 Speaker 1: La Coleman. I have a lot to say about all 144 00:08:11,120 --> 00:08:14,760 Speaker 1: this anyway, long story short, it's a great show. It's emotional, 145 00:08:15,120 --> 00:08:17,880 Speaker 1: and it's super entertaining. If you've seen Paris Is Burning, 146 00:08:18,120 --> 00:08:23,960 Speaker 1: the the documentary about ball dragball culture in the eighties 147 00:08:23,960 --> 00:08:27,360 Speaker 1: and nineties in New York, this is what that is about. 148 00:08:28,040 --> 00:08:31,800 Speaker 1: And it's glittery, fantastic and super enjoyable. And Billy Porter 149 00:08:31,920 --> 00:08:33,240 Speaker 1: is a national gym and he should have won a 150 00:08:33,280 --> 00:08:36,320 Speaker 1: Golden Glove. He told me I was cute one time. 151 00:08:36,360 --> 00:08:39,760 Speaker 1: That's all I need. That is the most validation that 152 00:08:39,880 --> 00:08:47,679 Speaker 1: anybody needs performance. But somebody who called me cute, and 153 00:08:47,720 --> 00:08:49,960 Speaker 1: I'm gonna stick with the gold gloves. And I'm sorry 154 00:08:50,000 --> 00:08:53,559 Speaker 1: to say I think Bohemian Rhapsody is overrated. And I 155 00:08:53,600 --> 00:08:55,199 Speaker 1: didn't think this was going to be an issue because 156 00:08:55,240 --> 00:08:59,559 Speaker 1: it didn't really get the reviews, good positive reviews, and 157 00:08:59,679 --> 00:09:01,040 Speaker 1: so I wasn't word. It made a lot of money. 158 00:09:01,040 --> 00:09:03,240 Speaker 1: I'm happy when anything makes money, you know, that's great 159 00:09:03,320 --> 00:09:05,800 Speaker 1: making that money. But the problem was it shouldn't have 160 00:09:05,920 --> 00:09:09,400 Speaker 1: won the Best Drama. Put it in the musical category. 161 00:09:09,480 --> 00:09:11,679 Speaker 1: First of all, Okay, I was confused. I had to 162 00:09:11,760 --> 00:09:14,520 Speaker 1: like check. I was like, oh, they mistakenly put it 163 00:09:14,640 --> 00:09:17,800 Speaker 1: in the best drama. Those categories are such trash, like 164 00:09:18,800 --> 00:09:22,040 Speaker 1: seriously serious, especially the comedy music just we don't thought 165 00:09:22,120 --> 00:09:26,000 Speaker 1: anything over here. Category. There's like one like actual musical 166 00:09:26,200 --> 00:09:28,320 Speaker 1: produced a year now, and then you have A Star 167 00:09:28,480 --> 00:09:31,839 Speaker 1: Is Born and uh, which is a drama sure, but 168 00:09:31,920 --> 00:09:36,600 Speaker 1: it's also a musical drama. And then and then Bohemian Rhapsody, 169 00:09:36,640 --> 00:09:38,760 Speaker 1: which is basically just a concert film like a c 170 00:09:38,920 --> 00:09:42,760 Speaker 1: G a concert film. Um, then that's the musical too. 171 00:09:42,920 --> 00:09:45,880 Speaker 1: But the issue for me is that, as a gay 172 00:09:46,000 --> 00:09:50,839 Speaker 1: HIV positive man working in this society to have the 173 00:09:51,280 --> 00:09:56,800 Speaker 1: icon of queer HIV positive representation, whether he was out 174 00:09:56,880 --> 00:09:59,319 Speaker 1: at the time or not, he is like very much 175 00:09:59,360 --> 00:10:01,439 Speaker 1: associated did with it. You know. It's like it's like 176 00:10:01,559 --> 00:10:04,760 Speaker 1: making a movie about Keith Herring without including any of 177 00:10:04,920 --> 00:10:07,760 Speaker 1: the gay sex or the HIV like. They allude to 178 00:10:07,840 --> 00:10:10,480 Speaker 1: all of it a lot there is there. They treat 179 00:10:10,520 --> 00:10:13,719 Speaker 1: Freddie's homosexuality as like a curse that brings him down. 180 00:10:14,120 --> 00:10:17,040 Speaker 1: They treat it as like the thing that ruined queen, 181 00:10:17,600 --> 00:10:20,200 Speaker 1: you know, And I just I'm like, I just couldn't 182 00:10:20,280 --> 00:10:23,920 Speaker 1: believe that's the direction they went with the movie. No, 183 00:10:24,280 --> 00:10:27,680 Speaker 1: I can't believe that the movie. But I can't believe 184 00:10:27,760 --> 00:10:31,000 Speaker 1: it's being honored, you know, like like this makes us 185 00:10:31,040 --> 00:10:34,240 Speaker 1: feel better when literally, like all the homosexuality that is 186 00:10:34,480 --> 00:10:37,760 Speaker 1: portrayed in the in the movie is like passing glances 187 00:10:37,880 --> 00:10:46,360 Speaker 1: at like dirty cock sucking bars, you know, like dark temptations. 188 00:10:48,080 --> 00:10:49,960 Speaker 1: They treat it like it's like like a Harold addiction 189 00:10:50,080 --> 00:10:54,439 Speaker 1: or something. What made his music what it was, It's 190 00:10:54,440 --> 00:10:56,240 Speaker 1: who made him who he was. It's a part of 191 00:10:56,280 --> 00:10:58,520 Speaker 1: who he is. And yeah, I know exactly what you 192 00:10:58,600 --> 00:11:00,319 Speaker 1: mean by that. And they're like and and and like 193 00:11:00,400 --> 00:11:02,880 Speaker 1: his poor suffering wife and it's like sure, but also 194 00:11:03,000 --> 00:11:06,320 Speaker 1: like that's not that's not the reality of their relationship. 195 00:11:06,360 --> 00:11:08,880 Speaker 1: They also fucked with the timeline hard, so like it's 196 00:11:08,920 --> 00:11:11,839 Speaker 1: not even a true like like true story, it's like 197 00:11:12,320 --> 00:11:15,240 Speaker 1: based on inspired by the life of Queen and then 198 00:11:15,400 --> 00:11:17,760 Speaker 1: and then sucking the rest of Queen. Oh well, only 199 00:11:17,800 --> 00:11:20,000 Speaker 1: two of them, I guess. John Deacon didn't um okay 200 00:11:20,080 --> 00:11:22,280 Speaker 1: any of and didn't like sign off on all of it. 201 00:11:22,600 --> 00:11:26,560 Speaker 1: But but the but the other two Brian may Um 202 00:11:26,720 --> 00:11:32,959 Speaker 1: and drummer. He they were, they were. It seems like 203 00:11:33,040 --> 00:11:35,120 Speaker 1: they wanted to save the legacy and not make Freddie 204 00:11:35,160 --> 00:11:39,040 Speaker 1: out to be the like fucking flamboyant, like proud motherfucker 205 00:11:39,120 --> 00:11:41,520 Speaker 1: that he was. He was a peacock. He was a peacock. 206 00:11:42,240 --> 00:11:44,480 Speaker 1: And you saw the peacock part, but you didn't see 207 00:11:44,559 --> 00:11:48,240 Speaker 1: the like the things that made him a peacock, right, 208 00:11:49,640 --> 00:11:51,719 Speaker 1: why he loved peacocks so much? You know? So I 209 00:11:52,040 --> 00:11:57,040 Speaker 1: so overrated Boheman Rhapsody. I mean Golden globes, you know whatever. Yeah. Uh. 210 00:11:57,520 --> 00:11:59,520 Speaker 1: And finally, what's a myth? What's something people think it 211 00:11:59,559 --> 00:12:02,439 Speaker 1: is true, you know, to be false? Something that I 212 00:12:03,120 --> 00:12:04,720 Speaker 1: people think it's true that I know to be false. 213 00:12:04,800 --> 00:12:06,960 Speaker 1: What did I write down? Oh? This was the thing? Um, 214 00:12:08,240 --> 00:12:09,839 Speaker 1: I kind of I kind of puck this up, but 215 00:12:10,040 --> 00:12:11,760 Speaker 1: because I would, I worked on this for something else. 216 00:12:11,840 --> 00:12:13,240 Speaker 1: But I would say. The thing that I think is 217 00:12:13,240 --> 00:12:16,280 Speaker 1: true that people don't know is that this is related 218 00:12:16,280 --> 00:12:19,760 Speaker 1: to the queen thing. Princess Diana was no one realized, 219 00:12:19,800 --> 00:12:22,880 Speaker 1: but she was like a real cool party animal. And yeah, 220 00:12:23,800 --> 00:12:25,760 Speaker 1: and I know that's because she went to a gay 221 00:12:25,800 --> 00:12:30,640 Speaker 1: bar with Freddie Mercury, uh, disguised as a man uh 222 00:12:30,720 --> 00:12:32,559 Speaker 1: and I was reading this whole like story about the 223 00:12:32,760 --> 00:12:35,160 Speaker 1: entire thing, and like she just was a cool person 224 00:12:35,200 --> 00:12:38,760 Speaker 1: who wanted to have fun, and um, so I don't 225 00:12:38,760 --> 00:12:41,079 Speaker 1: think it's a myth to be like Princess Diana. Was like, 226 00:12:41,440 --> 00:12:45,800 Speaker 1: was like like, you know, but but but I just 227 00:12:46,040 --> 00:12:49,600 Speaker 1: I just kind of thought it was crazy that Freddie 228 00:12:49,640 --> 00:12:52,839 Speaker 1: Mercury took Princess Diana in the late eighties to a 229 00:12:52,960 --> 00:12:56,120 Speaker 1: gay bar in London incognito and nobody knew who she was, 230 00:12:56,920 --> 00:12:59,120 Speaker 1: like to turn up. Yeah. I like that. I just 231 00:12:59,280 --> 00:13:00,640 Speaker 1: and I love that. It was like it was like 232 00:13:00,720 --> 00:13:02,719 Speaker 1: all of these like Freddie went to all like the 233 00:13:02,720 --> 00:13:05,000 Speaker 1: gay fetish bars, Like she went to like a like 234 00:13:05,080 --> 00:13:09,240 Speaker 1: a gay fetish She was wild ship, you know, he's 235 00:13:09,280 --> 00:13:15,360 Speaker 1: like everyone thinks like Megan Marco Princess No, that's the 236 00:13:15,400 --> 00:13:18,760 Speaker 1: myth debunker. It's Princess Diana. Okay, Megan Marco go to 237 00:13:18,840 --> 00:13:22,240 Speaker 1: a leather bar, come down to fucking the Eagle in 238 00:13:22,360 --> 00:13:24,680 Speaker 1: Silver Lake, and then we'll talk about who's the coolest 239 00:13:24,760 --> 00:13:29,760 Speaker 1: British royal. Hell yeah, all right, let's get into the 240 00:13:29,920 --> 00:13:33,959 Speaker 1: stories in the Zeitgeist. So the R Kelly series, Lacy, 241 00:13:34,080 --> 00:13:37,320 Speaker 1: we're saying it concluded. Yes, it concluded over the weekend. 242 00:13:37,440 --> 00:13:41,320 Speaker 1: And this is a docuseries, a six part docuseries about 243 00:13:41,679 --> 00:13:47,240 Speaker 1: the victims of his you know, systematic sexual abuse. It's 244 00:13:47,640 --> 00:13:51,360 Speaker 1: honestly shocking. Obviously, R Kelly peing on people has been 245 00:13:51,400 --> 00:13:53,839 Speaker 1: in the cultural zy guy since Dave Chaquelle said this. 246 00:13:54,240 --> 00:13:56,679 Speaker 1: But I think that we all kind of because of 247 00:13:56,720 --> 00:13:59,400 Speaker 1: the media and how it was treated, took his behavior 248 00:13:59,559 --> 00:14:06,000 Speaker 1: lightly when I watched this six part documentary with countless victims. Also, 249 00:14:06,320 --> 00:14:08,600 Speaker 1: no one was paid in this documentary. These people came 250 00:14:08,679 --> 00:14:12,160 Speaker 1: forward and told their personal business for free. And you 251 00:14:12,280 --> 00:14:14,440 Speaker 1: could say, like some people would want fame or recognition, 252 00:14:14,480 --> 00:14:16,679 Speaker 1: but if you watch these women talking, you're like, no, 253 00:14:17,120 --> 00:14:19,840 Speaker 1: they this is from a different place. There was just 254 00:14:19,920 --> 00:14:22,240 Speaker 1: an earnesty and a sincerity from everyone who was speaking 255 00:14:22,280 --> 00:14:25,880 Speaker 1: this documentary, and also from the people who were helping 256 00:14:25,920 --> 00:14:29,760 Speaker 1: this motherfucker get away with these damns. His assistant speaks 257 00:14:29,800 --> 00:14:32,080 Speaker 1: in this and I was like, if I was his assistant, 258 00:14:32,200 --> 00:14:33,880 Speaker 1: I would have been under that little black curt and 259 00:14:34,000 --> 00:14:39,160 Speaker 1: my voice like I'm not about to be with my 260 00:14:39,240 --> 00:14:41,320 Speaker 1: whole face. I'll television telling people that I ate and 261 00:14:41,400 --> 00:14:45,280 Speaker 1: invented this goddamn child. Molessler sick. Oh yeah, and it 262 00:14:45,400 --> 00:14:48,520 Speaker 1: was like very systematic. Oh absolutely, So there were some 263 00:14:48,960 --> 00:14:52,480 Speaker 1: words that kept reappearing that really kind of solidified for 264 00:14:52,640 --> 00:14:55,000 Speaker 1: me the truth of this story which we're where it's 265 00:14:55,040 --> 00:14:58,320 Speaker 1: like training, Like r Kelly would tell these girls he 266 00:14:58,360 --> 00:15:01,480 Speaker 1: would target them at const he had a whole First 267 00:15:01,480 --> 00:15:03,680 Speaker 1: of all, this motherfucker had a whole system. Now you 268 00:15:03,760 --> 00:15:06,320 Speaker 1: know when first of all, before I get to the 269 00:15:06,360 --> 00:15:08,720 Speaker 1: first of all, all, you artist need to stop bringing 270 00:15:08,760 --> 00:15:11,800 Speaker 1: regular people up on stage. Can't plants like Donald Trump 271 00:15:11,920 --> 00:15:14,200 Speaker 1: does at his rallies. Don't be out here with real 272 00:15:14,280 --> 00:15:17,240 Speaker 1: motherfucking people on your stage. Stop doing it. It's waxed. 273 00:15:17,280 --> 00:15:25,120 Speaker 1: And the exactly what don but and even the things 274 00:15:25,160 --> 00:15:27,880 Speaker 1: that we used to joke about, like watching this documentary 275 00:15:28,000 --> 00:15:30,240 Speaker 1: and watching all of these black women, it was honestly 276 00:15:30,360 --> 00:15:32,520 Speaker 1: very cringe e for me because black women get the 277 00:15:32,560 --> 00:15:35,040 Speaker 1: brunt end of the sticks so often. No one protects us, 278 00:15:35,080 --> 00:15:37,520 Speaker 1: not even our own man. Sorry, I'm still saying it 279 00:15:37,560 --> 00:15:40,000 Speaker 1: because it's true. But y'all can add me on Twitter. 280 00:15:40,160 --> 00:15:42,400 Speaker 1: The black Black men low to find move me on Twitter. Uh, 281 00:15:43,240 --> 00:15:46,040 Speaker 1: I'll be where I'm always at on my timeline, So 282 00:15:46,200 --> 00:15:49,080 Speaker 1: come catch me. Catch me on the timeline. But to 283 00:15:49,240 --> 00:15:52,520 Speaker 1: be honest, it was amazing how much he's gotten away 284 00:15:52,560 --> 00:15:55,480 Speaker 1: with simply because his victims were women of color, and 285 00:15:55,760 --> 00:15:59,720 Speaker 1: also the systems that he had created that we're functioning 286 00:15:59,800 --> 00:16:03,840 Speaker 1: and have been functioning for thirty plus years. At his concerts, 287 00:16:03,880 --> 00:16:05,680 Speaker 1: he would bring the girls on stage and you know, 288 00:16:05,800 --> 00:16:08,160 Speaker 1: sing to him or whatever the funk, and then instead 289 00:16:08,200 --> 00:16:10,000 Speaker 1: of letting them go off stage the way they came, 290 00:16:10,120 --> 00:16:13,280 Speaker 1: they always had to go backstage and through the backstage 291 00:16:13,320 --> 00:16:15,000 Speaker 1: so he could get his people on them and get 292 00:16:15,040 --> 00:16:17,080 Speaker 1: their numbers and target the ones that he felt like, 293 00:16:17,160 --> 00:16:19,760 Speaker 1: we're weak enough to manipulate. Again, had a whole system. 294 00:16:19,800 --> 00:16:21,840 Speaker 1: This motherfucker was always at the high school. I thought 295 00:16:21,880 --> 00:16:23,920 Speaker 1: that was a joke. He was at the high school 296 00:16:24,880 --> 00:16:29,560 Speaker 1: school hanging out at high schools, and and also the mall, 297 00:16:29,720 --> 00:16:31,960 Speaker 1: which I would bring up later, But he would go 298 00:16:32,000 --> 00:16:33,880 Speaker 1: to the mall and he would target young women at 299 00:16:33,880 --> 00:16:36,720 Speaker 1: the mall as like incognito or like, I mean, I 300 00:16:36,800 --> 00:16:39,240 Speaker 1: haven't watched this yet. So his system is he would 301 00:16:39,280 --> 00:16:42,720 Speaker 1: walk past and then his henchmen, who some of them, 302 00:16:42,840 --> 00:16:44,760 Speaker 1: one of them had the decency to cover his goddamn 303 00:16:44,800 --> 00:16:46,640 Speaker 1: face and mumble his voice, but the other ones out 304 00:16:46,680 --> 00:16:49,200 Speaker 1: here just keecking and laughing about how he fucking forged 305 00:16:49,240 --> 00:16:51,920 Speaker 1: some documents for a Leah's marriage, making her eighteen when 306 00:16:51,960 --> 00:16:55,080 Speaker 1: she was really Yeah, and he reflects on and he 307 00:16:55,200 --> 00:16:56,880 Speaker 1: was like, yeah, she kind of looked at me like 308 00:16:57,360 --> 00:17:04,000 Speaker 1: she wanted help, and I guess I should, yes, And 309 00:17:04,200 --> 00:17:06,760 Speaker 1: we all thought. And what's so gross is we thought 310 00:17:07,080 --> 00:17:08,960 Speaker 1: because I remember the only thing, I was quite young, 311 00:17:09,520 --> 00:17:12,600 Speaker 1: but we were like, oh, well, Leah fifteen, that's that's 312 00:17:12,680 --> 00:17:19,560 Speaker 1: kind of it's not us at the time. It's utiful 313 00:17:20,680 --> 00:17:25,280 Speaker 1: makeup on and seventy five years ago, and like on 314 00:17:25,480 --> 00:17:28,920 Speaker 1: the wagon trail, you know, that's a different story, a 315 00:17:29,080 --> 00:17:32,000 Speaker 1: creepy different story, but that's the past. Now it's not okay, 316 00:17:32,000 --> 00:17:34,359 Speaker 1: And I feel like that's that that's insane to me. 317 00:17:34,440 --> 00:17:40,760 Speaker 1: And also just the network. This is what terrifies me 318 00:17:41,040 --> 00:17:44,040 Speaker 1: and and it's no longer surprising, is in all of 319 00:17:44,119 --> 00:17:47,679 Speaker 1: these stories there are It's not just a predator, especially 320 00:17:47,720 --> 00:17:49,520 Speaker 1: these predators who get away with it for so long, 321 00:17:49,600 --> 00:17:52,320 Speaker 1: who are famous. It is a network of their like 322 00:17:52,560 --> 00:17:55,840 Speaker 1: supporters and their enablers and their money people because they're 323 00:17:55,880 --> 00:17:58,400 Speaker 1: the money trained. Yeah, and he still has R Kelly 324 00:17:58,520 --> 00:18:00,960 Speaker 1: signed and I just signed a petition last night to 325 00:18:01,080 --> 00:18:03,040 Speaker 1: drop him from the record label because he's still making 326 00:18:03,160 --> 00:18:05,919 Speaker 1: money and he's he's still guessing on songs all over 327 00:18:06,000 --> 00:18:09,000 Speaker 1: the place and writing songs. He wrote basically the whole 328 00:18:09,040 --> 00:18:12,760 Speaker 1: soundtrack to Sparkle. Um. Yeah, we were talking. Yeah, that's 329 00:18:12,800 --> 00:18:14,720 Speaker 1: the thing is like the last movie I cried to 330 00:18:14,840 --> 00:18:22,119 Speaker 1: on a plane plane. Yeah, that's why I was late. 331 00:18:22,119 --> 00:18:24,960 Speaker 1: That's why I couldn't make it that last time. It's 332 00:18:24,960 --> 00:18:26,960 Speaker 1: crazy because I think we all thought it was isolated, like, oh, 333 00:18:27,000 --> 00:18:29,800 Speaker 1: Eli is beautiful and mature like that. That's that's why 334 00:18:29,920 --> 00:18:32,200 Speaker 1: this is just an isolated incident. But it's like he 335 00:18:32,400 --> 00:18:36,280 Speaker 1: has crafted a system trained kept coming up. That word 336 00:18:36,400 --> 00:18:39,080 Speaker 1: was very operative in the documentary series of like R. 337 00:18:39,160 --> 00:18:41,800 Speaker 1: Kelly would tell the girls that he would train them 338 00:18:42,040 --> 00:18:44,520 Speaker 1: and like on how to have sex and um, how 339 00:18:44,600 --> 00:18:47,080 Speaker 1: to you know, be whatever kind of woman he wanted 340 00:18:47,160 --> 00:18:50,680 Speaker 1: in captivity. And then eventually his system was so advanced 341 00:18:50,720 --> 00:18:52,800 Speaker 1: that he had a woman who he had broken down 342 00:18:52,920 --> 00:18:55,520 Speaker 1: so much that she was the trainer. So she would 343 00:18:55,520 --> 00:18:58,960 Speaker 1: be accepting these women, um when they came in and 344 00:18:59,080 --> 00:19:01,359 Speaker 1: training them on how to behave and how to you know, 345 00:19:01,760 --> 00:19:04,040 Speaker 1: So were they living with him? I mean I gotta 346 00:19:04,080 --> 00:19:07,600 Speaker 1: watch this because he has women living with him in 347 00:19:07,720 --> 00:19:10,200 Speaker 1: several different states. Some would be living in Atlanta, some 348 00:19:10,320 --> 00:19:12,280 Speaker 1: would be living in Chicago, some would be holed up 349 00:19:12,320 --> 00:19:14,680 Speaker 1: in hotels in Los Angeles, so that when he visited 350 00:19:14,760 --> 00:19:17,080 Speaker 1: Los Angeles, he would go see those women who were 351 00:19:17,119 --> 00:19:18,760 Speaker 1: in hotels, and they weren't allowed to leave, they weren't 352 00:19:18,760 --> 00:19:20,720 Speaker 1: allowed to eat without asking him, They're not allowed to 353 00:19:20,800 --> 00:19:23,320 Speaker 1: use the bathroom without asking him. He was physically abusing 354 00:19:23,400 --> 00:19:29,639 Speaker 1: all of these women. It's crazy. I'm looking at the 355 00:19:29,760 --> 00:19:33,160 Speaker 1: cover of her album just this. Her album age ain't 356 00:19:33,200 --> 00:19:35,879 Speaker 1: nothing but a number, which this motherfucker told us the 357 00:19:36,000 --> 00:19:39,119 Speaker 1: whole time. That's all the one. She's in the foreground. 358 00:19:39,320 --> 00:19:43,200 Speaker 1: He is leaning against the wall like a pedophile, looking 359 00:19:43,280 --> 00:19:47,880 Speaker 1: at her like blur. He's like blurry in the background, leering, Yeah, 360 00:19:48,000 --> 00:19:50,600 Speaker 1: leering with a vest and no shirt under yeah, which 361 00:19:50,600 --> 00:19:52,160 Speaker 1: I guess was kind of a wave at the time. 362 00:19:52,240 --> 00:19:56,080 Speaker 1: But also it's very creepy. He's also told I think 363 00:19:56,119 --> 00:19:58,560 Speaker 1: a huge argument for Kelly and a reason he's lasted 364 00:19:58,640 --> 00:20:01,400 Speaker 1: so long as the whole separate the art from the artists, 365 00:20:02,119 --> 00:20:06,920 Speaker 1: but R Kelly's art has been this the right the 366 00:20:07,160 --> 00:20:10,520 Speaker 1: R and R Kelly stands for right. He never told us. 367 00:20:12,280 --> 00:20:16,359 Speaker 1: Uncle called himself the pied piper of this R and 368 00:20:16,440 --> 00:20:24,680 Speaker 1: B ship, meaning I play my pipe. Children followed. He 369 00:20:24,880 --> 00:20:27,480 Speaker 1: told us this whole time at nothing but a number 370 00:20:27,880 --> 00:20:30,200 Speaker 1: trapped in the closet. He had women trapped in the closet. 371 00:20:30,600 --> 00:20:32,080 Speaker 1: Everyone's like, he's gay. No no, no, no, no no 372 00:20:32,200 --> 00:20:37,639 Speaker 1: no women trapped in the closet, don't okay? Um, yes no. 373 00:20:37,960 --> 00:20:41,000 Speaker 1: So he's told us he's been a monster hiding in 374 00:20:41,080 --> 00:20:44,240 Speaker 1: plain sight all this time, and because of money, and 375 00:20:44,320 --> 00:20:47,800 Speaker 1: because also I think of society's unwillingness to let go 376 00:20:48,320 --> 00:20:51,680 Speaker 1: of things that have impacted our lives personally, because it 377 00:20:51,720 --> 00:20:53,720 Speaker 1: feels like if we say mute R. Kelly, then we 378 00:20:53,800 --> 00:20:57,240 Speaker 1: have to mute every moment that was involved with R. Kelly. 379 00:20:57,480 --> 00:20:59,240 Speaker 1: We're all saying at five years old, at least at 380 00:20:59,240 --> 00:21:01,040 Speaker 1: the Black schools, we I was saying the little um 381 00:21:01,200 --> 00:21:03,760 Speaker 1: I forget which trying to be rude, that's what we 382 00:21:04,200 --> 00:21:07,840 Speaker 1: were saying. The positive one that was like and that 383 00:21:07,880 --> 00:21:09,560 Speaker 1: I can believe, I believe I can fly. It might 384 00:21:09,600 --> 00:21:11,960 Speaker 1: be I can believe. I believe. There's one little song 385 00:21:12,000 --> 00:21:17,040 Speaker 1: that I can't remember. But as is, I'm not it's 386 00:21:17,040 --> 00:21:20,760 Speaker 1: a real heartwarming song when written and sung by a monster. Yeah, 387 00:21:21,760 --> 00:21:27,920 Speaker 1: your favorite songster. Yeah, there's a lot. There's a lot. 388 00:21:29,040 --> 00:21:30,359 Speaker 1: That's what I was gonna say. I mean, it's like 389 00:21:30,600 --> 00:21:34,760 Speaker 1: it is, it's we um have to accept the fact 390 00:21:34,960 --> 00:21:36,639 Speaker 1: that if we you know, if we start accepting all this, 391 00:21:36,760 --> 00:21:38,960 Speaker 1: which we should, it's that we really have to go 392 00:21:39,080 --> 00:21:41,199 Speaker 1: back and call it out. And it's not about separate. 393 00:21:41,920 --> 00:21:45,399 Speaker 1: Michael Jackson I believe was a predator, you know. I 394 00:21:45,480 --> 00:21:48,520 Speaker 1: mean I think he was super fucked up, you know. 395 00:21:48,840 --> 00:21:52,000 Speaker 1: And and I'm not I'm not I'm not dead, which 396 00:21:52,080 --> 00:21:53,240 Speaker 1: is the only thing I feel like that makes it 397 00:21:53,320 --> 00:21:55,840 Speaker 1: more convenient for all of us. Yeah, it helps, it helps, 398 00:21:55,920 --> 00:21:57,720 Speaker 1: and he's and he means so much to all of us. 399 00:21:57,760 --> 00:22:00,560 Speaker 1: And I mean, like, I don't know, it's just it's 400 00:22:00,720 --> 00:22:05,119 Speaker 1: it's hard to it's the questions, can you separate the 401 00:22:05,240 --> 00:22:07,680 Speaker 1: art from the artist? I mean not in R Kelly's case. 402 00:22:07,720 --> 00:22:10,080 Speaker 1: His his music is literally about attacking children. Do you 403 00:22:10,200 --> 00:22:11,920 Speaker 1: know the song you Are Not Alone that he wrote 404 00:22:11,960 --> 00:22:15,120 Speaker 1: from is about a young woman that he got pregnant 405 00:22:15,160 --> 00:22:18,880 Speaker 1: and then had like get an abortion. I didn't really Yes, 406 00:22:19,560 --> 00:22:21,840 Speaker 1: the woman is in the documentary, like she chose to 407 00:22:21,880 --> 00:22:23,840 Speaker 1: have the abortion song. He forced her, but it's about 408 00:22:23,920 --> 00:22:25,760 Speaker 1: her and this is also a woman that he gave 409 00:22:25,800 --> 00:22:30,760 Speaker 1: a very almost deadly like disease too. Um yeah, it's 410 00:22:31,240 --> 00:22:34,639 Speaker 1: it's crazy. But also now that I think about it, 411 00:22:34,960 --> 00:22:37,600 Speaker 1: I can do without r Kelly's music. It's gonna be 412 00:22:38,080 --> 00:22:40,919 Speaker 1: you know what does he have? Uh feeling on your booty? 413 00:22:40,960 --> 00:22:42,760 Speaker 1: I don't need to sing feeling all your booty no more. 414 00:22:42,760 --> 00:22:49,040 Speaker 1: I can believe it's really yeah, fresh, it's a good one. 415 00:22:49,400 --> 00:22:51,240 Speaker 1: That's a tough one to let go, but I think 416 00:22:51,280 --> 00:22:53,879 Speaker 1: we have listen, I can there's so many other songs 417 00:22:53,920 --> 00:22:57,680 Speaker 1: about cars thanks to head or sexual men that that 418 00:22:58,119 --> 00:23:02,200 Speaker 1: is an amazing metaphor. That's a woman that they but 419 00:23:02,320 --> 00:23:05,240 Speaker 1: see what you ignition like? So the key goes in. 420 00:23:05,600 --> 00:23:08,600 Speaker 1: The key is the p But we need a new 421 00:23:08,800 --> 00:23:11,520 Speaker 1: place to go after the after party because we can't 422 00:23:11,520 --> 00:23:15,600 Speaker 1: go to the hotel lobby anymore, to a place and 423 00:23:15,640 --> 00:23:17,840 Speaker 1: we're talking about all. Marion came out and was saying 424 00:23:17,880 --> 00:23:19,960 Speaker 1: that he wasn't going to perform any more of the 425 00:23:20,040 --> 00:23:21,880 Speaker 1: songs that R Kelly had written for B TWOK, because 426 00:23:21,880 --> 00:23:23,520 Speaker 1: that's the other thing r Kelly wrote for a lot 427 00:23:23,600 --> 00:23:31,320 Speaker 1: of very back. I'm selling bet K starter pecks for 428 00:23:31,440 --> 00:23:34,560 Speaker 1: y'all out there called Styler jail at the bottom jeans 429 00:23:34,640 --> 00:23:38,600 Speaker 1: boots with the first okay, um, so we can go 430 00:23:38,680 --> 00:23:41,280 Speaker 1: to the batu K con slart. But R Kelly wrote 431 00:23:41,800 --> 00:23:44,240 Speaker 1: Bump Bump Bump. I'm gonna have to bump up that 432 00:23:44,320 --> 00:23:47,000 Speaker 1: off my playlist. Actually, I'm gonna need to go through 433 00:23:47,480 --> 00:23:48,960 Speaker 1: and just I just want to find out all songs 434 00:23:49,000 --> 00:23:50,959 Speaker 1: written by R Kelly so I can. But that's the thing, 435 00:23:51,000 --> 00:23:52,680 Speaker 1: can you can you if it if it wasn't like 436 00:23:53,760 --> 00:23:56,639 Speaker 1: performing it, you know, he's just writing him And if 437 00:23:56,680 --> 00:24:01,400 Speaker 1: it's not about um being on people and locking them 438 00:24:01,520 --> 00:24:03,680 Speaker 1: in a way like if like if it's about I 439 00:24:03,720 --> 00:24:07,760 Speaker 1: don't know, that's I guess it's always thinks about. It's 440 00:24:07,800 --> 00:24:10,000 Speaker 1: just crazy that it's taken us thirty years to cancel 441 00:24:10,119 --> 00:24:11,800 Speaker 1: him with all the information that's come. But I mean, 442 00:24:12,160 --> 00:24:17,159 Speaker 1: but I mean Cosby, you know, I mean yeah, in 443 00:24:17,280 --> 00:24:19,880 Speaker 1: our in our in our hearts and in our lives 444 00:24:19,960 --> 00:24:23,680 Speaker 1: and and uh media and culture and that just happened. 445 00:24:23,680 --> 00:24:25,919 Speaker 1: But it did happen, you know, And that's another guy 446 00:24:25,920 --> 00:24:29,040 Speaker 1: who had all these enablers. And the last thing I 447 00:24:29,119 --> 00:24:32,240 Speaker 1: have to say about this is directed especially at people 448 00:24:32,840 --> 00:24:35,040 Speaker 1: who believe that the attack of our Kelly has to 449 00:24:35,080 --> 00:24:36,840 Speaker 1: do with his race. Is that this is not a 450 00:24:36,920 --> 00:24:39,879 Speaker 1: race issue. Okay, I'm sorry. Creeps are creeps, and I 451 00:24:39,920 --> 00:24:41,440 Speaker 1: don't give a funk if they're black, and I know 452 00:24:41,520 --> 00:24:44,200 Speaker 1: it's harder for black people, but listen, black folks shouldn't 453 00:24:44,200 --> 00:24:46,760 Speaker 1: be out here trying to bolster up creeps simply because 454 00:24:46,760 --> 00:24:49,640 Speaker 1: they're African Americans. And you need to quit that ship. Yeah, 455 00:24:49,800 --> 00:24:54,000 Speaker 1: thank you. That Your point about, you know, the race 456 00:24:54,080 --> 00:24:57,160 Speaker 1: of his victims having something to do with the fact 457 00:24:57,320 --> 00:24:59,040 Speaker 1: that the culture was able to look it for so 458 00:24:59,200 --> 00:25:03,760 Speaker 1: long is probably the more apt. Just one more callback, 459 00:25:03,840 --> 00:25:06,960 Speaker 1: Brian Singer helped direct fucking Bohemian Rhapsodies, so it's a 460 00:25:07,119 --> 00:25:09,960 Speaker 1: gay problem too, and let's not white watch that part, 461 00:25:10,040 --> 00:25:12,639 Speaker 1: and also another reason why we should just cancel the 462 00:25:12,680 --> 00:25:16,520 Speaker 1: Human Rhapsody. All Right, we're gonna take a quick break. 463 00:25:16,560 --> 00:25:29,840 Speaker 1: We'll be right back, and we're back. And unfortunately, this 464 00:25:30,000 --> 00:25:32,120 Speaker 1: is going to be a bit of a theme across 465 00:25:33,040 --> 00:25:36,520 Speaker 1: the first half of our episode. So I mean not 466 00:25:36,680 --> 00:25:41,720 Speaker 1: unfortunately in the respect that Centuria Brown, who was serving 467 00:25:41,760 --> 00:25:45,440 Speaker 1: a life sentence for murdering a man who was paying 468 00:25:45,520 --> 00:25:48,200 Speaker 1: to have sex with her when she was sixteen, was 469 00:25:48,440 --> 00:25:52,480 Speaker 1: just granted clemency, which a lot of people were pushing 470 00:25:52,560 --> 00:25:55,359 Speaker 1: for for a long time. She was a victim of 471 00:25:55,560 --> 00:26:00,119 Speaker 1: human trafficking, and when she was first convicted, they just 472 00:26:00,200 --> 00:26:02,399 Speaker 1: like didn't take into account that she was under age, 473 00:26:02,440 --> 00:26:05,680 Speaker 1: that she was being sexually abused, that she was a 474 00:26:05,760 --> 00:26:10,520 Speaker 1: victim of human trafficking. And human trafficking is actually, you know, 475 00:26:10,680 --> 00:26:13,560 Speaker 1: it's between a ten billion and thirty two billion dollar 476 00:26:13,640 --> 00:26:17,919 Speaker 1: worldwide industry, which to put that in perspective, ten billion 477 00:26:18,040 --> 00:26:22,000 Speaker 1: is four times the entire Burger king chain. And eighty 478 00:26:22,080 --> 00:26:24,959 Speaker 1: three percent of sex trafficking incidents in the US involved 479 00:26:25,040 --> 00:26:28,439 Speaker 1: victims that were US citizens. It's estimated that right now 480 00:26:28,560 --> 00:26:31,880 Speaker 1: three hundred thousand kids are in that situation by the FBI. 481 00:26:32,560 --> 00:26:36,040 Speaker 1: And you know, the FBI freed in June of two 482 00:26:36,080 --> 00:26:38,720 Speaker 1: thousand fourteen, they've freed a hundred and sixty eight kids 483 00:26:38,760 --> 00:26:42,560 Speaker 1: who had been sold into sex slavery. Since two thousand 484 00:26:42,760 --> 00:26:47,640 Speaker 1: eight at least four thousand kids. Um, So it's it's 485 00:26:47,800 --> 00:26:51,280 Speaker 1: a problem that I think just in general, we don't 486 00:26:51,359 --> 00:26:53,119 Speaker 1: we don't like to look at it, whether it's R. 487 00:26:53,240 --> 00:26:58,320 Speaker 1: Kelly or you know, just somebody in our in our city. 488 00:26:58,560 --> 00:27:00,440 Speaker 1: And I think I think it's one of those things 489 00:27:00,480 --> 00:27:04,280 Speaker 1: that we tend to hope that when we see somebody 490 00:27:04,400 --> 00:27:07,800 Speaker 1: in a really unfortunate circumstance that it's not as bad 491 00:27:07,880 --> 00:27:11,040 Speaker 1: as we might think, or it's you know that that 492 00:27:11,200 --> 00:27:13,920 Speaker 1: they did something to deserve that or some ship like that, 493 00:27:14,200 --> 00:27:18,200 Speaker 1: and it's just you know, there are victims all around 494 00:27:18,320 --> 00:27:20,920 Speaker 1: us that uh and and more of them than we 495 00:27:21,080 --> 00:27:24,479 Speaker 1: might think. Thanks for bringing me onto a super light 496 00:27:24,520 --> 00:27:30,760 Speaker 1: show one. I think, Um, this is something that I'm 497 00:27:30,760 --> 00:27:34,280 Speaker 1: going to say, and I'm just whatever. People want to 498 00:27:34,320 --> 00:27:36,399 Speaker 1: suck kids, and it's a and it's something that that 499 00:27:36,880 --> 00:27:39,200 Speaker 1: we don't talk we don't talk about sex as society, 500 00:27:39,480 --> 00:27:43,199 Speaker 1: and as a result of that, we allow these um 501 00:27:43,440 --> 00:27:49,600 Speaker 1: systems of bad, unhealthy, exploitive sex to exist. And that's 502 00:27:49,640 --> 00:27:52,359 Speaker 1: a very basic understanding of it. But um, like, I 503 00:27:52,400 --> 00:27:54,520 Speaker 1: don't want to defend Roseanne bar too much, but she 504 00:27:55,119 --> 00:27:57,160 Speaker 1: used to talk a lot about how Hollywood is full 505 00:27:57,160 --> 00:28:00,680 Speaker 1: of pedophiles, and it becomes clear and clearer that is real, 506 00:28:01,320 --> 00:28:04,280 Speaker 1: and it becomes clear and clearer that that's real throughout society. 507 00:28:04,920 --> 00:28:08,359 Speaker 1: Um And so it's a crazy thing to say, but 508 00:28:08,440 --> 00:28:11,280 Speaker 1: it's real and we need to talk about weird stuff 509 00:28:11,359 --> 00:28:14,240 Speaker 1: more openly as a society. I don't think it's saying 510 00:28:14,280 --> 00:28:17,440 Speaker 1: that's going to happen, but like, like that's why like 511 00:28:17,560 --> 00:28:20,520 Speaker 1: this secret industry of ten billion dollars, you know, we 512 00:28:20,560 --> 00:28:24,200 Speaker 1: could open up the government with half that, Okay, And um, 513 00:28:24,960 --> 00:28:27,159 Speaker 1: it's a lot of money. And and you know, I 514 00:28:27,160 --> 00:28:29,240 Speaker 1: don't I don't really have anything intelligence to say beyond 515 00:28:29,320 --> 00:28:33,440 Speaker 1: like like people are humans are are crazy, and and 516 00:28:33,960 --> 00:28:36,920 Speaker 1: and kids are kids are often you know the ones 517 00:28:36,960 --> 00:28:39,680 Speaker 1: who are dealing with the things that suck up adults too. 518 00:28:40,120 --> 00:28:43,640 Speaker 1: I mean, I believe I think you're absolutely right, I mean, honestly, Also, 519 00:28:43,680 --> 00:28:47,160 Speaker 1: speaking of crazy, shout out to Kim kay Um. She 520 00:28:47,480 --> 00:28:52,080 Speaker 1: put a lot of her celebrity behind Cintia Brown and 521 00:28:52,160 --> 00:28:56,040 Speaker 1: behind the publicity, behind you know what what essentially freed 522 00:28:56,120 --> 00:28:58,200 Speaker 1: this black woman. This is the second black woman that 523 00:28:58,360 --> 00:29:01,040 Speaker 1: Kim Kardashian has helped get out to jail. And I 524 00:29:01,200 --> 00:29:02,719 Speaker 1: just I can't say nothing a better. I asked them 525 00:29:02,760 --> 00:29:04,200 Speaker 1: I might have to go out and get somebody kk 526 00:29:04,480 --> 00:29:07,800 Speaker 1: W butt again. Listen. I used to be like, oh, 527 00:29:07,920 --> 00:29:09,760 Speaker 1: Kim k got that butt from us. Listen, you are 528 00:29:09,800 --> 00:29:12,360 Speaker 1: in that booty Chao okay, thank you so much. And 529 00:29:13,240 --> 00:29:15,520 Speaker 1: there's a there's there's a woman who used sex to 530 00:29:15,680 --> 00:29:20,640 Speaker 1: her advantage openly and unashamedly, and and and now is 531 00:29:20,720 --> 00:29:22,960 Speaker 1: doing good things with the benefits. She's really everyone wants 532 00:29:23,000 --> 00:29:25,960 Speaker 1: to call her slut, yeah, but she's doing social good work, 533 00:29:26,240 --> 00:29:30,680 Speaker 1: so I've never called her that. But people didn't very 534 00:29:30,720 --> 00:29:32,760 Speaker 1: happy to see a woman get paid from some damn 535 00:29:32,840 --> 00:29:37,520 Speaker 1: sex shit. It's free, but but sex, she wants some 536 00:29:37,600 --> 00:29:39,360 Speaker 1: coins on a nice thing, and it's a problem. And 537 00:29:39,440 --> 00:29:42,320 Speaker 1: let's be real, Look who hasn't Like I don't, I don't, 538 00:29:42,360 --> 00:29:44,080 Speaker 1: I don't know you guys that well, but like I 539 00:29:44,440 --> 00:29:48,240 Speaker 1: for sure have sent my fair share of like questionable 540 00:29:48,640 --> 00:29:52,280 Speaker 1: uh lee accepted pictures of various states of undressing things, 541 00:29:52,560 --> 00:29:55,000 Speaker 1: and like, as someone who wants to become more famous, 542 00:29:55,080 --> 00:29:57,840 Speaker 1: thank god for Kim Kardashian and Paris Hilton putting sex 543 00:29:57,920 --> 00:30:00,360 Speaker 1: out there in the beginning. So like when I do 544 00:30:00,520 --> 00:30:02,880 Speaker 1: become famous and maybe my penis or but all becomes 545 00:30:03,160 --> 00:30:08,440 Speaker 1: open onto the the public imagination, but who cares? Who cares? Okay, 546 00:30:08,640 --> 00:30:10,600 Speaker 1: but also shout outs to all this news that seems 547 00:30:10,640 --> 00:30:13,080 Speaker 1: to be putting uh, you know, the subjication of black 548 00:30:13,120 --> 00:30:15,960 Speaker 1: women in the forefront. Yeah, it's really important that we 549 00:30:16,040 --> 00:30:17,960 Speaker 1: talk about it and that we help change it and 550 00:30:18,080 --> 00:30:21,440 Speaker 1: help black women. Yes, there's also the Drake thing that 551 00:30:22,160 --> 00:30:26,280 Speaker 1: broke over the weekend where it's old video of him 552 00:30:26,360 --> 00:30:32,280 Speaker 1: at a concert where from where he is, you know, 553 00:30:32,720 --> 00:30:36,560 Speaker 1: kissing and dancing with a girl who he then finds 554 00:30:36,600 --> 00:30:40,800 Speaker 1: out a seventeen and then continues kissing and groping her 555 00:30:41,360 --> 00:30:44,000 Speaker 1: and quotes like, oh, you're seventeen. I don't want to 556 00:30:44,040 --> 00:30:47,440 Speaker 1: go to jail. I really enjoyed this. I hope that's 557 00:30:47,480 --> 00:30:50,800 Speaker 1: not bad. Um, I really like the way your breasts 558 00:30:50,880 --> 00:30:56,160 Speaker 1: feel against my chest. Is this is the audio, um 559 00:30:56,480 --> 00:31:00,440 Speaker 1: from This is direct audio from that video. Um, Drake, 560 00:31:00,880 --> 00:31:03,080 Speaker 1: this is not what I thought you meant by sicko mode. 561 00:31:05,080 --> 00:31:06,800 Speaker 1: Come on now, Aubrey, I can't be listening to you 562 00:31:06,840 --> 00:31:08,360 Speaker 1: if you gonna be out here touching on the cheese. 563 00:31:08,680 --> 00:31:10,800 Speaker 1: And and the thing that I wanted to bring up 564 00:31:10,840 --> 00:31:13,160 Speaker 1: in comparison with R. Kelly is in that documentary they 565 00:31:13,200 --> 00:31:15,560 Speaker 1: talked about kind of the system that he had. He 566 00:31:15,600 --> 00:31:17,440 Speaker 1: would go to high schools, We talked about that he 567 00:31:17,480 --> 00:31:19,880 Speaker 1: would also go to the mall, and you know where 568 00:31:19,960 --> 00:31:22,560 Speaker 1: Drake goes to meet less of his women the mall. 569 00:31:22,960 --> 00:31:26,000 Speaker 1: How just go to the mall. It's in the same 570 00:31:26,080 --> 00:31:28,600 Speaker 1: fashion if he goes to the mall, walks around shops 571 00:31:28,600 --> 00:31:31,520 Speaker 1: a little bit, and has his entourage give information to 572 00:31:31,680 --> 00:31:35,400 Speaker 1: specific women that he finds attractive or whatever. Um, I've 573 00:31:35,440 --> 00:31:38,200 Speaker 1: also been to Drake. I love Drake, and I hope 574 00:31:38,280 --> 00:31:39,920 Speaker 1: that he's not out here touching on these little children. 575 00:31:40,160 --> 00:31:43,120 Speaker 1: But I've been to Drake concerts and been asked to 576 00:31:43,200 --> 00:31:45,840 Speaker 1: go backstage when I was younger and when and nothing 577 00:31:45,920 --> 00:31:48,200 Speaker 1: bad happened, So I was like, Okay, hopefully he's not 578 00:31:48,280 --> 00:31:51,600 Speaker 1: out her creeping. But also that thing with Millie Bobby Brown. Right, 579 00:31:53,360 --> 00:31:55,880 Speaker 1: I'm sorry. The thing with Millie Bobby Brown is just 580 00:31:56,000 --> 00:31:59,760 Speaker 1: that he has a very like advisory relationship with her. 581 00:32:00,080 --> 00:32:06,920 Speaker 1: She's like, he always gives me and we text and right, 582 00:32:07,080 --> 00:32:09,720 Speaker 1: it's just a weird thing that he was also dating 583 00:32:09,840 --> 00:32:12,320 Speaker 1: a girl who was close to under age, if not 584 00:32:12,480 --> 00:32:16,400 Speaker 1: at the time that that news broken. So on air 585 00:32:16,640 --> 00:32:21,160 Speaker 1: looking forward two thousand nineteen Predictions episode that Lacy co hosted, 586 00:32:21,640 --> 00:32:25,400 Speaker 1: h we talked about we were like, we hope that 587 00:32:25,640 --> 00:32:30,440 Speaker 1: this Drake thing doesn't develop into a full fledged like trend, 588 00:32:30,800 --> 00:32:33,880 Speaker 1: and then this news breaks a week later, so, and 589 00:32:34,000 --> 00:32:37,200 Speaker 1: and just for like legalistic terms, like in certain places, 590 00:32:37,280 --> 00:32:40,160 Speaker 1: seventeen is an age of consent for certain things. Is 591 00:32:40,240 --> 00:32:42,680 Speaker 1: this a video of non? Is this a video of 592 00:32:42,760 --> 00:32:47,480 Speaker 1: like aggressive? Completely what happens at a lot of concerts, 593 00:32:47,840 --> 00:32:50,000 Speaker 1: just like a fan comes up and I'm sure that 594 00:32:50,080 --> 00:32:51,680 Speaker 1: the girl looked like she would have was having a 595 00:32:51,800 --> 00:32:55,000 Speaker 1: good time. But it's just that, yes, that is the 596 00:32:55,080 --> 00:32:57,240 Speaker 1: age of consent. But I guess what nine years ago, 597 00:32:57,320 --> 00:32:59,480 Speaker 1: Drake's thirty two, now he would have been He's still 598 00:32:59,600 --> 00:33:02,840 Speaker 1: he was kind of young. He's like that video and 599 00:33:02,920 --> 00:33:05,600 Speaker 1: it's like and like, I'm so far. I don't want 600 00:33:05,640 --> 00:33:07,360 Speaker 1: to like just because the other two things have been 601 00:33:07,400 --> 00:33:12,680 Speaker 1: so intense, I don't want to like that. I love Drake, 602 00:33:12,800 --> 00:33:15,600 Speaker 1: and I really hope that he calms his ass down 603 00:33:15,760 --> 00:33:19,240 Speaker 1: because I don't I don't want to look. Getting rid 604 00:33:19,240 --> 00:33:22,000 Speaker 1: of a Drake catalog would actually be very very hard. 605 00:33:22,080 --> 00:33:25,000 Speaker 1: For the other things, is like if he knows this 606 00:33:25,200 --> 00:33:27,480 Speaker 1: is out there now and he can't be like, you 607 00:33:27,520 --> 00:33:30,920 Speaker 1: know what, maybe only the seventeen year old nineteens acceptable, 608 00:33:31,320 --> 00:33:33,840 Speaker 1: you know, like if you can't do that, then you 609 00:33:33,880 --> 00:33:36,600 Speaker 1: got problem right exactly. And also this might have just 610 00:33:36,680 --> 00:33:38,760 Speaker 1: been a couple of errors in judgment. I think we 611 00:33:38,880 --> 00:33:41,560 Speaker 1: all say and do inappropriate things from time to time. 612 00:33:41,600 --> 00:33:43,640 Speaker 1: This is the thing we were raising our eyebrows out 613 00:33:43,800 --> 00:33:46,280 Speaker 1: on the dailies, like guys, and it seemed to enter 614 00:33:46,520 --> 00:33:49,880 Speaker 1: the general's like guys this past weekend with this video. 615 00:33:50,040 --> 00:33:52,400 Speaker 1: So we just at least wanted to bring it up. Uh. 616 00:33:52,560 --> 00:33:56,080 Speaker 1: There's also the Havanna thing where that we were talking 617 00:33:56,120 --> 00:33:58,200 Speaker 1: about a lot on the dailies, like guys, that I 618 00:33:58,280 --> 00:34:00,840 Speaker 1: thought it was mass hysteria. Then there was a New 619 00:34:00,920 --> 00:34:03,480 Speaker 1: York article that made me think maybe I was wrong. Well, 620 00:34:03,560 --> 00:34:06,200 Speaker 1: now scientists have come out and said that the sound 621 00:34:06,360 --> 00:34:09,759 Speaker 1: that was recorded that was supposedly the sonic attack was 622 00:34:10,040 --> 00:34:16,680 Speaker 1: actually the Indies short tailed cricket. So yeah, so it 623 00:34:16,840 --> 00:34:20,319 Speaker 1: wasn't Russian Russian meddling with American at least the sound 624 00:34:20,400 --> 00:34:23,160 Speaker 1: that they got on recording. And I went back and 625 00:34:23,280 --> 00:34:25,680 Speaker 1: read the Pro Public article that kind of did a 626 00:34:25,920 --> 00:34:28,480 Speaker 1: beat for beat like breakdown of how the story came 627 00:34:28,560 --> 00:34:32,279 Speaker 1: together and like how everybody started reporting this. One of 628 00:34:32,400 --> 00:34:35,680 Speaker 1: the key factors that made people start thinking something was 629 00:34:35,800 --> 00:34:40,200 Speaker 1: up was this sound. And like so one guy reported 630 00:34:40,239 --> 00:34:43,239 Speaker 1: that he was like feeling headaches and nausea and he 631 00:34:43,400 --> 00:34:46,480 Speaker 1: did have inner ear damage, and so they were like, 632 00:34:46,600 --> 00:34:48,799 Speaker 1: this guy definitely has something. And then he went over 633 00:34:49,000 --> 00:34:51,840 Speaker 1: to somebody else's house and they heard that sound and 634 00:34:51,880 --> 00:34:54,200 Speaker 1: he was like, that's the sound I've been hearing and 635 00:34:54,520 --> 00:34:57,040 Speaker 1: then they recorded it and it was a cricket and 636 00:34:57,120 --> 00:34:59,200 Speaker 1: it was just a cricket that they weren't used to 637 00:34:59,640 --> 00:35:03,360 Speaker 1: this the it's just a type of cricket. Well, the 638 00:35:03,440 --> 00:35:06,719 Speaker 1: guy specifically says in his quote as he's He's like, 639 00:35:06,800 --> 00:35:09,200 Speaker 1: at first, I was just like, it's probably we're in 640 00:35:09,280 --> 00:35:11,160 Speaker 1: a foreign country that I've never been to. It's probably 641 00:35:11,200 --> 00:35:13,440 Speaker 1: like a type of insect I've never heard, And yes, 642 00:35:13,600 --> 00:35:16,000 Speaker 1: that was what it was. But you just like urned 643 00:35:16,080 --> 00:35:18,120 Speaker 1: it into this hole. And a lot of it is 644 00:35:18,160 --> 00:35:20,480 Speaker 1: like the Trump administration getting out in front of the 645 00:35:20,600 --> 00:35:23,040 Speaker 1: story trying to make it a thing because they wanted 646 00:35:23,120 --> 00:35:26,040 Speaker 1: to blow up the whole Cuba Obama and they said 647 00:35:26,080 --> 00:35:27,800 Speaker 1: it was a bunch of people too, And I imagine 648 00:35:27,840 --> 00:35:30,240 Speaker 1: that like one person says they have symptoms of something 649 00:35:30,360 --> 00:35:32,399 Speaker 1: and then that could like whatever that effect is. I'm 650 00:35:32,400 --> 00:35:34,080 Speaker 1: sure that that was part of it as well. And 651 00:35:34,440 --> 00:35:37,320 Speaker 1: some people have like they've looked at their brains and 652 00:35:37,440 --> 00:35:41,080 Speaker 1: say that there was like concussive damage of some sort 653 00:35:41,280 --> 00:35:46,440 Speaker 1: strong cricket, right, right, brain stuff is also very foggy, 654 00:35:46,560 --> 00:35:49,080 Speaker 1: and well, we'll see how it develops. Maybe there was 655 00:35:49,200 --> 00:35:51,320 Speaker 1: an attack that was going on and then it was like, 656 00:35:51,840 --> 00:35:54,239 Speaker 1: you know, everybody's attention was thrown off because of this 657 00:35:54,400 --> 00:35:57,799 Speaker 1: weird cricket sound. Well, we'll see, but let's let's move 658 00:35:57,840 --> 00:36:00,719 Speaker 1: on to the Golden Globes. You guys, we've given it 659 00:36:00,840 --> 00:36:06,680 Speaker 1: the necessary day to decompress from the globes. The you know, 660 00:36:06,920 --> 00:36:08,640 Speaker 1: I think the day after the globe should be a 661 00:36:08,719 --> 00:36:14,640 Speaker 1: national holiday where we just get to you know, that's 662 00:36:14,640 --> 00:36:17,400 Speaker 1: what people say the rest of the country after the 663 00:36:17,440 --> 00:36:19,359 Speaker 1: Super Bowl. So I thought it would be really out 664 00:36:19,400 --> 00:36:22,520 Speaker 1: of touch for me to say that after the Golden Globes. Um, 665 00:36:23,000 --> 00:36:28,600 Speaker 1: but so would you guys think, uh, what any any takeaways? 666 00:36:29,160 --> 00:36:32,960 Speaker 1: It seemed like it was sort of a light on events, 667 00:36:33,680 --> 00:36:40,080 Speaker 1: an uneventful yeah, because they're like, there was the actress 668 00:36:40,160 --> 00:36:45,160 Speaker 1: from This is Us potentially calling Alison Bree off mike 669 00:36:45,880 --> 00:36:47,880 Speaker 1: or on like on a hot mike, and that was 670 00:36:48,000 --> 00:36:50,120 Speaker 1: like the main story that came away from it, and 671 00:36:50,200 --> 00:36:54,200 Speaker 1: it turns out she wasn't. Probably it's for sure, not true. Um, 672 00:36:54,400 --> 00:36:58,040 Speaker 1: I know the guy who was interviewing so weird brag 673 00:36:58,560 --> 00:37:02,319 Speaker 1: um No, but I wish it was true because then 674 00:37:02,320 --> 00:37:03,719 Speaker 1: it would have been more lit. Also, shout out to 675 00:37:03,800 --> 00:37:05,719 Speaker 1: Christie Meths. Girl, you better absorbed this minute because I 676 00:37:05,760 --> 00:37:07,320 Speaker 1: only knew you from you know, the girl who was 677 00:37:07,360 --> 00:37:09,399 Speaker 1: making me cry every guy damn week. You know, get 678 00:37:09,440 --> 00:37:10,920 Speaker 1: out here and get you some cooins, girl, get you 679 00:37:10,960 --> 00:37:14,080 Speaker 1: a commercial goal slash from nutrodrin on your faces. Um 680 00:37:14,200 --> 00:37:17,880 Speaker 1: the show moment, But it was dry other than that, 681 00:37:18,080 --> 00:37:20,800 Speaker 1: like they even had to fabricate that drama by design. 682 00:37:21,000 --> 00:37:24,719 Speaker 1: I am imagining like they just wanted not to stir 683 00:37:24,920 --> 00:37:28,080 Speaker 1: any pot. I mean that I feel. I feel that way. 684 00:37:28,239 --> 00:37:31,839 Speaker 1: I mean, like the opening, you know, it was good. 685 00:37:31,880 --> 00:37:33,920 Speaker 1: It was solid, and there were some laughs and there 686 00:37:33,920 --> 00:37:35,920 Speaker 1: were some moments, but it was not like Sandra and 687 00:37:36,000 --> 00:37:39,680 Speaker 1: Andy Sander did did did an super acceptable job? You know, 688 00:37:39,920 --> 00:37:43,160 Speaker 1: super acceptable is shade, Yeah, sure it is, it is it. 689 00:37:43,560 --> 00:37:45,879 Speaker 1: It was just weird. Everything got everything got spread around. 690 00:37:45,920 --> 00:37:47,960 Speaker 1: I was upset with with some of the awards, but 691 00:37:48,080 --> 00:37:50,440 Speaker 1: overall it was like I I put it on a 692 00:37:50,480 --> 00:37:52,399 Speaker 1: little bit of delay so I could fast forward through 693 00:37:52,480 --> 00:37:54,799 Speaker 1: the commercials and In the end, I found myself fast 694 00:37:54,800 --> 00:37:56,719 Speaker 1: forwarding through the exception speeches too, because I was like, no, 695 00:37:56,840 --> 00:37:58,480 Speaker 1: I don't I don't care about anything. I don't care 696 00:37:58,480 --> 00:38:00,600 Speaker 1: about what anyone can say. It kind of at that tone, 697 00:38:01,000 --> 00:38:03,880 Speaker 1: and then a shameless rag about a connection to my 698 00:38:04,239 --> 00:38:08,799 Speaker 1: future second cousin in law once removed one a golden 699 00:38:08,840 --> 00:38:12,920 Speaker 1: globe last night. So, um, lady Gaga, if you are listening, 700 00:38:13,280 --> 00:38:16,920 Speaker 1: I know we haven't met yet, but I am say 701 00:38:16,960 --> 00:38:21,600 Speaker 1: Regina King. I was like, Stephanie Gaga, we're taking her 702 00:38:21,680 --> 00:38:24,399 Speaker 1: last name all of us. Um she um. I don't 703 00:38:24,400 --> 00:38:26,920 Speaker 1: feel like she was robbed in the acting category because 704 00:38:27,000 --> 00:38:30,879 Speaker 1: Olivia Coleman was the deserved winner of that. She killed 705 00:38:30,920 --> 00:38:36,640 Speaker 1: the amazing It's good. Uh sorry I saw, wasn't it? 706 00:38:36,640 --> 00:38:38,960 Speaker 1: And I was like nothing that and and and and 707 00:38:39,360 --> 00:38:42,000 Speaker 1: she in my mind, she's good in this, but she 708 00:38:42,360 --> 00:38:43,960 Speaker 1: is the weakest link of the three main stars and 709 00:38:44,000 --> 00:38:47,120 Speaker 1: all of that. And they're all strong, They're all really strong, 710 00:38:47,200 --> 00:38:48,840 Speaker 1: like chelife is so good. And I feel like she 711 00:38:48,880 --> 00:38:51,080 Speaker 1: didn't win supporting because they split the ticket on it. 712 00:38:51,600 --> 00:38:55,600 Speaker 1: But um, so, lady Gaga, my family member, future family member. Um. 713 00:38:55,840 --> 00:38:59,759 Speaker 1: She won the best song and she looked amazing, like 714 00:39:00,000 --> 00:39:07,279 Speaker 1: we do in the family. My second cousin once we moved, 715 00:39:07,560 --> 00:39:10,439 Speaker 1: is engaged Christian Trino. He's like a big super agent 716 00:39:10,480 --> 00:39:13,040 Speaker 1: at CIA. And I couldn't talk about this for forever 717 00:39:13,120 --> 00:39:17,239 Speaker 1: because it was kind of a secretly um and uh 718 00:39:17,480 --> 00:39:19,800 Speaker 1: so we're we're all just very excited. My mom was 719 00:39:19,880 --> 00:39:23,440 Speaker 1: feeling pretty sick yesterday and then she called me and 720 00:39:23,520 --> 00:39:26,560 Speaker 1: couldn't stop talking about our cousin. She calls her Steph, 721 00:39:26,600 --> 00:39:31,040 Speaker 1: and I'm like, just call yeah, she knows more. She 722 00:39:31,080 --> 00:39:34,799 Speaker 1: asked more questions about Lady Gaga, then she does about 723 00:39:34,960 --> 00:39:37,960 Speaker 1: my career and all that, and she shows what her 724 00:39:38,040 --> 00:39:42,360 Speaker 1: priorities are. I didn't God, it was just so dry 725 00:39:43,000 --> 00:39:45,920 Speaker 1: for people who aren't from Hollywood. I feel like the 726 00:39:47,000 --> 00:39:49,640 Speaker 1: Golden Globes is good for like making you hate Hollywood, 727 00:39:49,760 --> 00:39:53,040 Speaker 1: like focusing your hatred. I thought that Jeff Bridges speech 728 00:39:53,200 --> 00:39:55,719 Speaker 1: was really a peak moment for that, where he like 729 00:39:55,880 --> 00:39:58,719 Speaker 1: droned on about stuff that occurs to you when you 730 00:39:58,800 --> 00:40:01,600 Speaker 1: get really high for the first time, and then like 731 00:40:01,840 --> 00:40:06,080 Speaker 1: made life into a tag metaphor where being it means 732 00:40:06,280 --> 00:40:11,280 Speaker 1: you are like supernaturally blessed by God to have everything 733 00:40:11,440 --> 00:40:14,920 Speaker 1: go really well in your life. Uh. And it's just 734 00:40:15,080 --> 00:40:19,120 Speaker 1: like a way for him to understand the insanely good fortune, 735 00:40:19,200 --> 00:40:29,040 Speaker 1: Like he's a talented dude, make me this talented just 736 00:40:29,600 --> 00:40:33,800 Speaker 1: his way of explaining why the universe is cosmically conspiring 737 00:40:33,840 --> 00:40:37,560 Speaker 1: to make everything awesome and revolve around him, and then 738 00:40:37,800 --> 00:40:40,880 Speaker 1: you behave as though it does. And then I don't know, 739 00:40:40,960 --> 00:40:44,080 Speaker 1: Hollywood believes you because it's a weird town that's controlled 740 00:40:44,120 --> 00:40:48,400 Speaker 1: by power brokers and and and in that role in 741 00:40:48,440 --> 00:40:50,879 Speaker 1: the last two years, wasn't it Meryl and Oprah who 742 00:40:51,000 --> 00:40:54,040 Speaker 1: like both like boots the house down the entire time, 743 00:40:54,160 --> 00:40:57,279 Speaker 1: like they just brought it because like just get a 744 00:40:57,360 --> 00:41:01,000 Speaker 1: white man. I think, yeah, are we resetting? It was 745 00:41:01,080 --> 00:41:04,320 Speaker 1: just like that like Trump's Golden Girl. Well no, it 746 00:41:04,480 --> 00:41:07,080 Speaker 1: was all about like diversity and nominations like you know, 747 00:41:07,120 --> 00:41:09,680 Speaker 1: and they drove that that home. But in the end, 748 00:41:09,800 --> 00:41:13,880 Speaker 1: like like winning wise it it was like marvelous Miss Mays, 749 00:41:14,000 --> 00:41:16,040 Speaker 1: I guess gets it again? Sure, sure, you know, Like 750 00:41:20,640 --> 00:41:24,359 Speaker 1: it was like the chim Cucko. I was like, ain't 751 00:41:24,360 --> 00:41:25,879 Speaker 1: nobody I had to look it up because I thought 752 00:41:25,920 --> 00:41:28,479 Speaker 1: I thought it was some kind of scandal or yeah, 753 00:41:28,760 --> 00:41:30,480 Speaker 1: I was like, why didn't Atlanta win? And then I 754 00:41:30,520 --> 00:41:34,399 Speaker 1: realized Atlanta wasn't even nominated The Good Place. Barry Both 755 00:41:34,680 --> 00:41:37,680 Speaker 1: probably like where shows that I know people who watch 756 00:41:37,760 --> 00:41:41,799 Speaker 1: and like the method just seemed like it was one 757 00:41:41,800 --> 00:41:45,640 Speaker 1: of those things where it was specifically targeted for the 758 00:41:45,880 --> 00:41:48,680 Speaker 1: elderly people who vote on this ward. My parents loved that, 759 00:41:48,760 --> 00:41:51,600 Speaker 1: and they're in their way. Is the only thing that 760 00:41:51,760 --> 00:41:53,640 Speaker 1: I try not to share all people, because I know 761 00:41:53,680 --> 00:41:55,560 Speaker 1: I'm gonna be an old beach one day. You know, 762 00:41:55,640 --> 00:41:57,759 Speaker 1: I'm about here out here my bejeweled walk around ship, 763 00:41:58,520 --> 00:42:00,399 Speaker 1: and I still want to be popping. I still want 764 00:42:00,400 --> 00:42:01,680 Speaker 1: to be one of the girls, you know what I mean. 765 00:42:01,760 --> 00:42:03,799 Speaker 1: Like at first, when I saw by Davis get her box, 766 00:42:03,800 --> 00:42:05,040 Speaker 1: said and how to Get Away with Murder, I said, 767 00:42:05,040 --> 00:42:06,520 Speaker 1: I don't want to see my auntie get her boxing. 768 00:42:06,960 --> 00:42:08,719 Speaker 1: Then I thought, I'm gonna be an auntie one day 769 00:42:08,719 --> 00:42:10,160 Speaker 1: and I'm gonna be trying to get my boxing on 770 00:42:10,239 --> 00:42:13,759 Speaker 1: television so I can yeah, and I would be, oh, 771 00:42:13,840 --> 00:42:17,759 Speaker 1: my fucking um. So I I can't shave too much 772 00:42:17,960 --> 00:42:20,680 Speaker 1: of the older television and the older actors getting their 773 00:42:20,719 --> 00:42:22,879 Speaker 1: little dude just because I'm like, when I'm older, ship, 774 00:42:22,960 --> 00:42:24,759 Speaker 1: I hope that somebody will still be trying to, you know, 775 00:42:25,440 --> 00:42:28,759 Speaker 1: let me climb on that stage real slow and talk 776 00:42:28,840 --> 00:42:35,200 Speaker 1: and talk for thirty minutes. Yeah. Yeah, that retrospective was awesome. 777 00:42:36,239 --> 00:42:39,839 Speaker 1: Sandra shout out, Sandra is awesome. Green Book, Now, Jack, 778 00:42:41,080 --> 00:42:43,239 Speaker 1: I was not putting that out there as something else 779 00:42:43,320 --> 00:42:45,440 Speaker 1: that was awesome. I was saying that is. This year's 780 00:42:45,560 --> 00:42:49,279 Speaker 1: like White Savior. You know, every year we need one, 781 00:42:49,360 --> 00:42:51,920 Speaker 1: we need a banger, need one white savior banger. And 782 00:42:52,080 --> 00:42:55,279 Speaker 1: this year it was Green Book. That Ship. I did 783 00:42:55,400 --> 00:42:57,920 Speaker 1: not see it. I won't see it. I'm done seeing 784 00:42:58,000 --> 00:43:01,439 Speaker 1: slave movies, um, and I'm done seeing nice white people 785 00:43:01,480 --> 00:43:03,360 Speaker 1: in movies where they we drive around in cars and 786 00:43:03,400 --> 00:43:06,120 Speaker 1: ship we did driving a Daisy. We've seen that. And 787 00:43:06,280 --> 00:43:08,879 Speaker 1: I'm just like, what, I know nothing about this movie, 788 00:43:09,000 --> 00:43:11,080 Speaker 1: but not a single one of the previews have I 789 00:43:11,160 --> 00:43:14,440 Speaker 1: been like, now, that's a groundbreaking movie of something. It's 790 00:43:14,480 --> 00:43:16,960 Speaker 1: just like two it's like musicians in a car driving 791 00:43:17,000 --> 00:43:20,000 Speaker 1: around together. And I don't It's like, so that's a 792 00:43:20,120 --> 00:43:23,680 Speaker 1: podcast or a vlog. That's not a fucking award winning 793 00:43:23,719 --> 00:43:26,399 Speaker 1: movie in my mind. But you know, maybe I'm missing something. 794 00:43:26,480 --> 00:43:28,600 Speaker 1: It's just the movie that makes white people feel good 795 00:43:28,920 --> 00:43:30,520 Speaker 1: and I and I get it, white people. Now that 796 00:43:30,600 --> 00:43:32,400 Speaker 1: you have to have some kind of introspection on how 797 00:43:32,440 --> 00:43:39,239 Speaker 1: horrible feel good movie. Our part in overcoming racism, other 798 00:43:39,360 --> 00:43:43,759 Speaker 1: than being the racist part is how are we the hero? 799 00:43:43,960 --> 00:43:46,759 Speaker 1: We were the nice guy in the car. There's guys 800 00:43:46,760 --> 00:43:52,400 Speaker 1: in cars, you know, getting coffee. Now listen, if I 801 00:43:52,520 --> 00:43:54,160 Speaker 1: could offer the role to be in one of those, 802 00:43:54,200 --> 00:44:01,120 Speaker 1: you best believe they're like, oh ma, man, okay. And 803 00:44:01,239 --> 00:44:05,799 Speaker 1: I I was denied this. I was this podcast. Yeah, 804 00:44:06,320 --> 00:44:09,239 Speaker 1: I mean if r Kelly needs a new singer, I mean, 805 00:44:10,360 --> 00:44:12,759 Speaker 1: I just my career is not where I wanted to be. 806 00:44:16,080 --> 00:44:19,479 Speaker 1: Sandro was great, amazing. A lot of people are seeing 807 00:44:19,520 --> 00:44:22,239 Speaker 1: her in a new light after her hosting gigs. She 808 00:44:22,400 --> 00:44:25,880 Speaker 1: has been working for m Sandro been out here punting, 809 00:44:26,120 --> 00:44:30,839 Speaker 1: like pounding this damn pavement decade. She's been in the game. 810 00:44:31,000 --> 00:44:32,880 Speaker 1: And I did appreciate that shade that she threw it. 811 00:44:32,960 --> 00:44:37,560 Speaker 1: And yeah, what was that one? So she talked about 812 00:44:38,160 --> 00:44:43,040 Speaker 1: how Asian before before crazy rich Asians, how many Asian 813 00:44:43,080 --> 00:44:47,000 Speaker 1: women had been what was the dreading yes, leading roles 814 00:44:47,080 --> 00:44:49,680 Speaker 1: and besides Aloha and goes to the show and then 815 00:44:49,760 --> 00:44:52,799 Speaker 1: it was almost like I'm sorry from the audience. Yeah, 816 00:44:53,239 --> 00:44:55,960 Speaker 1: And that was I mean, yeah, it's it's crazy. And 817 00:44:56,000 --> 00:44:57,840 Speaker 1: then I just was reading that Scarlet Johnston's trying to 818 00:44:58,000 --> 00:45:02,880 Speaker 1: is playing another like Scarlets miss Raced like character, and 819 00:45:02,920 --> 00:45:05,239 Speaker 1: it's like no, no, no, no, no no. Also crazy 820 00:45:05,320 --> 00:45:07,960 Speaker 1: rich changes was great. And also I was gonna say 821 00:45:08,000 --> 00:45:11,920 Speaker 1: on that Sandra did I think I forgot it? Sorry? Parents? 822 00:45:12,360 --> 00:45:15,320 Speaker 1: That was super adorable. It was so adorable. Yeah, Scott 823 00:45:15,400 --> 00:45:24,400 Speaker 1: Johnson is about to remake Malcolm x'cause she's good. That's 824 00:45:24,440 --> 00:45:27,160 Speaker 1: gonna make some strong choices. Yeah, all right, we're gonna 825 00:45:27,200 --> 00:45:40,319 Speaker 1: take another quick break. We'll be right back, and we're back. 826 00:45:40,880 --> 00:45:44,920 Speaker 1: And briefly I wanted to correct myself, which Miles did 827 00:45:45,239 --> 00:45:50,040 Speaker 1: on yesterday's show, but I just wanted to acknowledge both 828 00:45:50,080 --> 00:45:52,960 Speaker 1: the point that Miles is making about. So the Ellen 829 00:45:53,040 --> 00:45:56,080 Speaker 1: Degenerous Kevin Hart interview that happened at the end of 830 00:45:56,200 --> 00:46:00,280 Speaker 1: last week. So he did apologize when he was acking 831 00:46:00,560 --> 00:46:05,160 Speaker 1: out of the OSCAR hosting role in a tweet, But 832 00:46:05,520 --> 00:46:09,680 Speaker 1: during that Ellen interview, he kept referring to the fact 833 00:46:09,760 --> 00:46:13,799 Speaker 1: that he had already, even before the controversy, he had 834 00:46:13,800 --> 00:46:18,040 Speaker 1: already dealt with the joke, and you know, apologized for that. 835 00:46:18,280 --> 00:46:21,000 Speaker 1: And I kind of took him at his word that 836 00:46:21,239 --> 00:46:25,080 Speaker 1: he had done that and in the past prior to 837 00:46:25,239 --> 00:46:30,040 Speaker 1: the controversy, and that doesn't appear to be the case. 838 00:46:30,560 --> 00:46:33,960 Speaker 1: And there's a really great segment on the Don Lemon 839 00:46:34,000 --> 00:46:39,200 Speaker 1: Show where he addresses why he needs to apologize, like 840 00:46:39,360 --> 00:46:43,160 Speaker 1: how he can actually you know, make amends for his 841 00:46:43,560 --> 00:46:48,200 Speaker 1: jokes in the past, and again he continues to you know. 842 00:46:48,320 --> 00:46:52,279 Speaker 1: Kevin Hart's response to that segment even was to say, 843 00:46:52,960 --> 00:46:55,200 Speaker 1: we all need to learn and acknowledge that we all 844 00:46:55,280 --> 00:46:59,160 Speaker 1: need to learn, and you know, let's try and remember 845 00:46:59,239 --> 00:47:03,239 Speaker 1: that in twenty teen. Like so again, like people are 846 00:47:03,280 --> 00:47:06,960 Speaker 1: being too mean to him was his takeaway. Uh So, 847 00:47:07,520 --> 00:47:10,080 Speaker 1: I've never seen somebody double down on being problematic as 848 00:47:10,160 --> 00:47:12,840 Speaker 1: hard as Cavin He's done in multiple times with the 849 00:47:13,400 --> 00:47:16,000 Speaker 1: Cowboys and Indians Party, just really coming out and just 850 00:47:16,080 --> 00:47:18,880 Speaker 1: doubling down on being ignorant as funck and also on 851 00:47:19,000 --> 00:47:21,439 Speaker 1: this homophobic thing, like come on now, man, we saw 852 00:47:21,520 --> 00:47:24,960 Speaker 1: your tweets. Yeah, everybody tweets, bash it, delete tweets like 853 00:47:25,040 --> 00:47:29,359 Speaker 1: smart person um, but also just a polished I also 854 00:47:29,440 --> 00:47:31,440 Speaker 1: didn't like that Ellen Jenners came out here trying to 855 00:47:31,480 --> 00:47:33,200 Speaker 1: be the voice of all gay people. I just thought 856 00:47:33,200 --> 00:47:36,520 Speaker 1: that that was annoying as fuck girl, please stop, please 857 00:47:36,560 --> 00:47:39,680 Speaker 1: stop that. And also shout out to Don Lemon, who 858 00:47:39,760 --> 00:47:41,800 Speaker 1: I now call Don Lemon Pepper, which I've told you 859 00:47:41,800 --> 00:47:44,160 Speaker 1: all that because he's woke as funk out here. We 860 00:47:44,239 --> 00:47:46,120 Speaker 1: dragged him for a solid ten years on Twitter and 861 00:47:46,160 --> 00:47:48,800 Speaker 1: he finally got his ship together and he's right, Kevin 862 00:47:48,880 --> 00:47:51,520 Speaker 1: Hart doesn't realize that jokes aren't just jokes because people 863 00:47:51,520 --> 00:47:53,520 Speaker 1: who laugh at these jokes also think it's okay to 864 00:47:53,520 --> 00:47:55,560 Speaker 1: assault gay people, which they do every single day and 865 00:47:55,600 --> 00:47:57,879 Speaker 1: they continue to do and we need to take responsibility 866 00:47:57,960 --> 00:48:00,279 Speaker 1: for that. If he was like, gay people are like this, 867 00:48:00,320 --> 00:48:03,799 Speaker 1: it's wank wank wan, that's like, you know what I said. 868 00:48:03,800 --> 00:48:05,600 Speaker 1: I think he was like, I'll hit my kid if 869 00:48:05,640 --> 00:48:08,160 Speaker 1: he's gay. I mean, it's like real funny joke, and 870 00:48:08,320 --> 00:48:10,400 Speaker 1: and that is that that's the issue for me. It's like, 871 00:48:10,440 --> 00:48:14,360 Speaker 1: if you can't realize that the joke is uh perpetuating 872 00:48:14,880 --> 00:48:17,600 Speaker 1: um hate against a group of people and that you 873 00:48:17,719 --> 00:48:21,279 Speaker 1: can't just apologize for it, then fucking then don't host 874 00:48:21,400 --> 00:48:23,239 Speaker 1: the Oscars, aren't host anything else. And I'm not gonna 875 00:48:23,239 --> 00:48:25,040 Speaker 1: go see your movies too. I mean, look, I haven't 876 00:48:25,080 --> 00:48:26,400 Speaker 1: seen a Kevin Hart movie in a long time. I'm 877 00:48:26,440 --> 00:48:30,319 Speaker 1: not that worried about it, but um, I do um 878 00:48:30,640 --> 00:48:34,040 Speaker 1: think that we can um get over things that you 879 00:48:34,239 --> 00:48:36,600 Speaker 1: said as long as you show a little bit of fucking. 880 00:48:37,000 --> 00:48:39,279 Speaker 1: And it's not that hard. It's not that hard fake it. 881 00:48:39,360 --> 00:48:43,560 Speaker 1: You're an actor, God damn it. That's yeah, which is 882 00:48:43,600 --> 00:48:45,320 Speaker 1: going to be harder to take out of the rotation 883 00:48:45,480 --> 00:48:54,320 Speaker 1: remix to Ignition or Central Intelligence. Yeah, all right, but 884 00:48:54,480 --> 00:48:57,359 Speaker 1: let's move on. We've talked enough about Kevin Hart over 885 00:48:57,400 --> 00:49:01,080 Speaker 1: the past two shows. Let's talk about the word motherfucker. 886 00:49:02,120 --> 00:49:06,120 Speaker 1: Just in honor of the continued outrage over the Freshman 887 00:49:06,239 --> 00:49:11,239 Speaker 1: congresswoman's calling the president motherfucker, I wanted to look back 888 00:49:11,320 --> 00:49:14,719 Speaker 1: at something a writer named Ian Cheeseman wrote for us 889 00:49:14,760 --> 00:49:17,080 Speaker 1: when I was back at Cracked that reviews the best 890 00:49:17,760 --> 00:49:21,000 Speaker 1: idiomatic insults around the globe, because a lot of attention 891 00:49:21,160 --> 00:49:26,480 Speaker 1: is being paid to motherfucker as if it's like an 892 00:49:26,560 --> 00:49:31,120 Speaker 1: incredible insult. And I've always found it to be a 893 00:49:31,280 --> 00:49:35,760 Speaker 1: little bit wanting because it's not specific about like whose 894 00:49:35,880 --> 00:49:39,600 Speaker 1: mother the person is fucking, and like that could be 895 00:49:39,840 --> 00:49:43,040 Speaker 1: almost like a compliment, like it just means you're having 896 00:49:43,080 --> 00:49:49,040 Speaker 1: sex with a woman children. I love my dad and 897 00:49:49,200 --> 00:49:54,520 Speaker 1: he's a motherfucker right. Yeah. So we actually went through 898 00:49:55,040 --> 00:49:58,719 Speaker 1: other countries and cultures with better insults, and I just 899 00:49:58,800 --> 00:50:00,600 Speaker 1: wanted to run through a couple of them for you 900 00:50:00,680 --> 00:50:04,200 Speaker 1: guys and get your reactions. So, uh, a few Spanish 901 00:50:04,200 --> 00:50:08,239 Speaker 1: speaking cultures have sucked butter from my ass. Uh ship 902 00:50:08,400 --> 00:50:12,239 Speaker 1: on your dead and I shipped in your mother. Oh yeah, 903 00:50:12,400 --> 00:50:16,200 Speaker 1: I would feel uncomfortable saying that, Um, the sucking butter 904 00:50:16,280 --> 00:50:21,680 Speaker 1: out of a buttole, is that what it is? Yeah? Yeah, 905 00:50:22,760 --> 00:50:25,759 Speaker 1: you suck butter out of this woman. I feel like 906 00:50:25,800 --> 00:50:29,560 Speaker 1: too many men would like that. I like, sure, anytime 907 00:50:30,040 --> 00:50:32,799 Speaker 1: you know that one, we're really backfire. But in your mother, 908 00:50:33,080 --> 00:50:37,560 Speaker 1: that's accomplished. Your mother will cause infection for sure. For sure, 909 00:50:38,080 --> 00:50:41,719 Speaker 1: my dick and your mother's rib cagees and arabyone. That is, 910 00:50:41,920 --> 00:50:44,920 Speaker 1: you're all very mother sent. Yeah, at least it's specific 911 00:50:45,040 --> 00:50:47,680 Speaker 1: with regard to who is sticking there dick and whose mother. 912 00:50:48,000 --> 00:50:50,960 Speaker 1: It's very specific. I love that every like every region, 913 00:50:51,000 --> 00:50:54,040 Speaker 1: every culture has to fuck your mom. You know, some 914 00:50:54,320 --> 00:50:57,400 Speaker 1: put something in your mom. I think it's because dad's 915 00:50:57,400 --> 00:51:00,000 Speaker 1: are too wify, Like you know, dad's in every culture, 916 00:51:00,400 --> 00:51:07,600 Speaker 1: everyone's like your dad, your mother, you know, likely to 917 00:51:07,640 --> 00:51:10,880 Speaker 1: have a good relationship with your mom. Yeah there's uh. 918 00:51:11,600 --> 00:51:16,160 Speaker 1: Icelandic culture has grandfather fucker, uncle fucker and sheep sucker? 919 00:51:16,280 --> 00:51:21,480 Speaker 1: Which are they respect women? Right cool Iceland, while Bulgarians 920 00:51:21,520 --> 00:51:24,160 Speaker 1: say your mother sucks bears in the forest. That sounds 921 00:51:24,160 --> 00:51:30,360 Speaker 1: a bat right, Yeah, that's so good. She's just so 922 00:51:30,560 --> 00:51:35,919 Speaker 1: desperate that she's sucking in the forest. Hey, look mom, 923 00:51:36,120 --> 00:51:38,120 Speaker 1: there's you don't have to go to the forest. Beck, 924 00:51:38,200 --> 00:51:43,800 Speaker 1: okay the eagle. You know. So Romanians were the number 925 00:51:43,880 --> 00:51:47,800 Speaker 1: one on this dude's list with just more like shampoo 926 00:51:47,880 --> 00:51:50,320 Speaker 1: my dick hair with your saliva like gross ship brush 927 00:51:50,360 --> 00:51:53,680 Speaker 1: your teeth, my dick will soon be inspecting. But Serbians 928 00:51:54,040 --> 00:51:59,719 Speaker 1: have just like the alright, so they have a particularly 929 00:52:00,040 --> 00:52:05,040 Speaker 1: rutal I guess salutation slash the worst wedding toast ever. 930 00:52:05,520 --> 00:52:08,080 Speaker 1: May God give you to search for your children with 931 00:52:08,160 --> 00:52:11,759 Speaker 1: a Geigert counter uh and then may your house be 932 00:52:11,840 --> 00:52:15,840 Speaker 1: alive On CNN, what is it's a radiation to temperature. 933 00:52:15,920 --> 00:52:24,440 Speaker 1: So this is a post nuclear age and that's very Yugoslavia. Yeah. Uh. 934 00:52:24,719 --> 00:52:26,560 Speaker 1: And they never want your house to be is there 935 00:52:26,640 --> 00:52:30,960 Speaker 1: like you live in times Square. I guess the language 936 00:52:31,000 --> 00:52:36,440 Speaker 1: and translation is probably way more slappy. And yeah, now 937 00:52:36,520 --> 00:52:43,439 Speaker 1: do my accent is all sucked up, so um that's fair. Yeah. Also, 938 00:52:43,640 --> 00:52:46,200 Speaker 1: I just the outrage on that is just so hilarious 939 00:52:46,520 --> 00:52:48,520 Speaker 1: and I love her for not backing down, and I 940 00:52:48,600 --> 00:52:51,080 Speaker 1: love Pelosi for not backing down on it. Yeah, I'm sorry. 941 00:52:51,200 --> 00:52:52,719 Speaker 1: It's not the language I would use, but have you 942 00:52:52,800 --> 00:52:56,600 Speaker 1: heard the president's dirty, filthy mouth, you know that motherfucker's mouth. 943 00:52:57,120 --> 00:52:59,719 Speaker 1: So you know, we we we've got some stars in 944 00:52:59,760 --> 00:53:02,200 Speaker 1: this new group of YEA and it's all lumped in 945 00:53:02,360 --> 00:53:06,680 Speaker 1: with them being outraged about AOC dance there. It's like, yeah, 946 00:53:07,000 --> 00:53:09,279 Speaker 1: she's a freshman in Congress, like you never see like 947 00:53:09,560 --> 00:53:16,319 Speaker 1: like are hating on her? Oh I'm sorry. Uh, there's 948 00:53:16,400 --> 00:53:21,000 Speaker 1: like super smart, super brassy, super baby, like like a baby, 949 00:53:21,200 --> 00:53:23,359 Speaker 1: not that her looks matter, but like she is all 950 00:53:23,440 --> 00:53:28,000 Speaker 1: she's just total package. I think that crites Yeah for sure, Well, 951 00:53:28,239 --> 00:53:31,600 Speaker 1: I think yeah, I think that is part of their fear, right, 952 00:53:31,760 --> 00:53:34,200 Speaker 1: He's like how they're attracted to her and they don't 953 00:53:34,239 --> 00:53:40,279 Speaker 1: know how to deal with She's got that Obama and 954 00:53:40,400 --> 00:53:43,440 Speaker 1: she's you know, woke, and she knows how to use 955 00:53:43,480 --> 00:53:47,640 Speaker 1: Twitter better than I think any like she Crystaliza like 956 00:53:47,800 --> 00:53:50,880 Speaker 1: tweeted some half quote from her, and she was like, 957 00:53:50,960 --> 00:53:53,160 Speaker 1: here it is in context, and just said the rest 958 00:53:53,200 --> 00:53:55,640 Speaker 1: of the things she said, and it was like took 959 00:53:56,040 --> 00:53:57,800 Speaker 1: everything that he was trying to do out of it. 960 00:53:58,520 --> 00:54:00,920 Speaker 1: She's She's good. It's gonna be really interesting to see. 961 00:54:00,960 --> 00:54:04,600 Speaker 1: Although I will say she got when she was quoted 962 00:54:04,640 --> 00:54:07,239 Speaker 1: as or someone was quoted anonymously as saying that she 963 00:54:07,400 --> 00:54:10,160 Speaker 1: was going to actively try to remove Hakeem Jeffreys, who's 964 00:54:10,200 --> 00:54:12,759 Speaker 1: the new one of the new members of leadership. She 965 00:54:12,920 --> 00:54:17,239 Speaker 1: attacked Politico for saying that they used anonymous sources as news, 966 00:54:17,320 --> 00:54:18,759 Speaker 1: and everyone on the liberal side was like, you can't 967 00:54:18,800 --> 00:54:20,520 Speaker 1: do that, and this is the only thing to say 968 00:54:20,520 --> 00:54:23,759 Speaker 1: about it. That's like whenever there's an anonymous source about Trump, 969 00:54:23,800 --> 00:54:25,439 Speaker 1: but like that's the realist thing in the entire world. 970 00:54:25,520 --> 00:54:26,799 Speaker 1: So it just goes to show you the news media 971 00:54:26,880 --> 00:54:28,680 Speaker 1: is just like super funked up in everyone and everyone 972 00:54:28,760 --> 00:54:30,440 Speaker 1: kind of hates it, and I'm just like, let's let 973 00:54:30,520 --> 00:54:34,359 Speaker 1: Mueller dula's job. Impeach the motherfucker. And then we didn't. Yeah, 974 00:54:34,680 --> 00:54:38,400 Speaker 1: and then lastly, as we're entering the Awards season, I 975 00:54:38,480 --> 00:54:41,000 Speaker 1: talk a lot of ship about the Oscars, I've I 976 00:54:41,080 --> 00:54:42,719 Speaker 1: have long said that I think they should give the 977 00:54:42,800 --> 00:54:47,200 Speaker 1: Oscars out five years afterwards, and everybody when Seth Rogan, 978 00:54:47,239 --> 00:54:49,560 Speaker 1: I guess tweeted the same idea, and people are like, oh, 979 00:54:49,680 --> 00:54:51,520 Speaker 1: you're stealing it from you. It's like, no, that's just 980 00:54:51,640 --> 00:54:56,000 Speaker 1: a good idea, that idea, yeah, but uh so, I 981 00:54:56,160 --> 00:54:58,040 Speaker 1: I do think Oscars get a lot of ship wrong. 982 00:54:58,480 --> 00:55:02,080 Speaker 1: But there was something that someone tweeted out from Metacritic 983 00:55:02,239 --> 00:55:05,880 Speaker 1: that is the lowest scoring Oscar Best Picture nominees that 984 00:55:06,200 --> 00:55:08,960 Speaker 1: I thought is a good illustration of the value of 985 00:55:09,120 --> 00:55:12,719 Speaker 1: awards season and that they kind of give some sort 986 00:55:12,760 --> 00:55:18,000 Speaker 1: of critical relevance to movies that were otherwise like maybe 987 00:55:18,040 --> 00:55:23,600 Speaker 1: not appreciated at their time, like ghost was a poorly 988 00:55:23,680 --> 00:55:27,120 Speaker 1: reviewed movie, a Few Good Men was a poorly reviewed movie, 989 00:55:27,200 --> 00:55:31,800 Speaker 1: or just like not well reviewed Rainman the sixth Cents. 990 00:55:32,440 --> 00:55:35,440 Speaker 1: And because Hayley Joe Osmond they gave would be her 991 00:55:35,480 --> 00:55:37,520 Speaker 1: backup Oscar for Ghosts, because they know they owned her 992 00:55:37,600 --> 00:55:40,760 Speaker 1: that ship for the color purpose, they gave her her Leonardo. 993 00:55:40,840 --> 00:55:42,520 Speaker 1: They're like, here you go, Sis, Sorry we missed you 994 00:55:42,640 --> 00:55:47,040 Speaker 1: last year. Like Julia Robertson, Aaron Brockovich R. Yeah, but 995 00:55:47,160 --> 00:55:49,319 Speaker 1: those are movies that I don't know, I assumed were 996 00:55:49,360 --> 00:55:53,000 Speaker 1: well reviewed, I think because they got Oscar recognition and 997 00:55:53,440 --> 00:55:58,440 Speaker 1: they're just widely and generally perceived as classics. Now. Sennable 998 00:55:58,480 --> 00:56:02,280 Speaker 1: Woman and Field of Dreams were both kind of poorly reviewed. 999 00:56:02,320 --> 00:56:04,840 Speaker 1: They're not. They don't really hold up for me, but 1000 00:56:05,520 --> 00:56:07,520 Speaker 1: a lot of people love them. So those are movies 1001 00:56:07,640 --> 00:56:11,160 Speaker 1: that I feel like, I don't know the Oscars did 1002 00:56:11,200 --> 00:56:13,520 Speaker 1: their job by being like, these are actually good movies 1003 00:56:13,560 --> 00:56:17,640 Speaker 1: even though critics weren't weren't feeling I just get upset when, um, 1004 00:56:18,040 --> 00:56:20,759 Speaker 1: literally the movie that I think is like whenever there's 1005 00:56:20,760 --> 00:56:22,800 Speaker 1: a movie that's like, clearly the best movie in my 1006 00:56:23,000 --> 00:56:25,040 Speaker 1: mind doesn't even get touched or talked about, then I 1007 00:56:25,080 --> 00:56:27,040 Speaker 1: get upset about that. And that movie this year would 1008 00:56:27,040 --> 00:56:31,080 Speaker 1: be First Reformed during Ethan Hawk and yeah, it's it's 1009 00:56:31,160 --> 00:56:33,719 Speaker 1: it's an environmental movie that also brings religion into into 1010 00:56:33,760 --> 00:56:35,560 Speaker 1: the whole thing, and it is just like he's so 1011 00:56:35,840 --> 00:56:38,560 Speaker 1: good and the fact like what do you have to do? 1012 00:56:39,120 --> 00:56:41,719 Speaker 1: You know, take your shirt off and and dance into 1013 00:56:41,800 --> 00:56:43,400 Speaker 1: at a live aid concert and then you can win 1014 00:56:43,440 --> 00:56:45,320 Speaker 1: all the awards, but you can't do like real, like 1015 00:56:45,680 --> 00:56:48,839 Speaker 1: deep emotional acting and get an award in this day 1016 00:56:48,880 --> 00:56:51,239 Speaker 1: and age. I mean, you can if you're Daniel day 1017 00:56:51,320 --> 00:56:53,359 Speaker 1: Lewis and you're in a movie that nobody ever wants 1018 00:56:53,400 --> 00:56:56,319 Speaker 1: to see again. But you're good. That's true. That's true. 1019 00:56:56,320 --> 00:56:58,120 Speaker 1: Although Black Planswers in my favorite movie and got nominate, 1020 00:56:58,120 --> 00:57:00,279 Speaker 1: didn't didn't win anything. That's my other favorite over the 1021 00:57:00,360 --> 00:57:04,040 Speaker 1: year was entertainment wise. It was slow for me, but 1022 00:57:04,239 --> 00:57:07,680 Speaker 1: really yeah, but you know, I love all spikes. I 1023 00:57:07,760 --> 00:57:09,879 Speaker 1: felt like it was like the a Tania of this year, 1024 00:57:09,960 --> 00:57:13,680 Speaker 1: like tond of entertaining and very like stylized, and I 1025 00:57:13,760 --> 00:57:14,920 Speaker 1: liked it. It didn't you know, it might not be 1026 00:57:15,000 --> 00:57:16,520 Speaker 1: the best movie, but it was like one that I 1027 00:57:16,600 --> 00:57:19,240 Speaker 1: really enjoyed. I liked the story a lot. I agree 1028 00:57:19,240 --> 00:57:21,800 Speaker 1: with that. There's no I feel like everything's gonna be 1029 00:57:21,800 --> 00:57:24,440 Speaker 1: born this year because I just wanted any like cool, controversial, 1030 00:57:24,520 --> 00:57:27,440 Speaker 1: interesting movies like where is the fish? Fucking where's the 1031 00:57:27,640 --> 00:57:30,360 Speaker 1: you know, where's the thing that I want to talk? Oh, 1032 00:57:30,440 --> 00:57:35,080 Speaker 1: you haven't seen Vice? I didn't like Yeah and that, Yeah, 1033 00:57:35,120 --> 00:57:37,360 Speaker 1: I mean that again. It was just like the Big 1034 00:57:37,440 --> 00:57:40,320 Speaker 1: Short with like with with another monster kind of scenario. 1035 00:57:40,880 --> 00:57:44,400 Speaker 1: But Christian Bille was Dick Cheney in that, I will say, so, 1036 00:57:44,840 --> 00:57:49,080 Speaker 1: oh he has Christian Bill. A lot of people were 1037 00:57:49,120 --> 00:57:53,960 Speaker 1: supprised he is not American. Yeah, I I've never heard 1038 00:57:54,080 --> 00:57:56,720 Speaker 1: him speak in his own accent. I heard it a 1039 00:57:56,800 --> 00:57:59,560 Speaker 1: couple of years before when he accepted some award and 1040 00:57:59,640 --> 00:58:02,480 Speaker 1: I was surprised then, and it seemed like he has 1041 00:58:02,560 --> 00:58:11,600 Speaker 1: gotten more Cockney since very much. Everybody, what are you 1042 00:58:11,640 --> 00:58:14,640 Speaker 1: talking about? I feel like everyone drinks at the Golden Globe, 1043 00:58:14,680 --> 00:58:16,520 Speaker 1: So maybe at that point he liked was a little 1044 00:58:16,560 --> 00:58:26,000 Speaker 1: saucet country. I want to start drinking more country normally talk. Okay, yeah, 1045 00:58:26,120 --> 00:58:29,320 Speaker 1: that's a really good point. Probably. Otherwise, Christian bou has 1046 00:58:29,320 --> 00:58:32,520 Speaker 1: made his whole career without ever talking to us. Very true. 1047 00:58:32,840 --> 00:58:35,400 Speaker 1: I don't remember. I never knew he was British. Yeah, 1048 00:58:35,800 --> 00:58:37,600 Speaker 1: I forgot he was. I mean I just think of 1049 00:58:37,680 --> 00:58:40,000 Speaker 1: him always as the boy from Newsies, So I don't 1050 00:58:40,000 --> 00:58:41,720 Speaker 1: know if he's British, but boy can he singing dance? 1051 00:58:42,200 --> 00:58:45,360 Speaker 1: H Well, guys, this has been so much fun having 1052 00:58:45,440 --> 00:58:48,680 Speaker 1: you here, Casey. Where can people find you? You can 1053 00:58:48,760 --> 00:58:53,000 Speaker 1: find me on Twitter Casey L e y Lie and 1054 00:58:53,400 --> 00:58:56,920 Speaker 1: on Instagram Casey W L E y I'm sorry that 1055 00:58:57,040 --> 00:58:59,760 Speaker 1: was backwards, Casey lie on Instagram. Just go there. That's 1056 00:58:59,800 --> 00:59:02,480 Speaker 1: all matters. And then I'll be in San Francisco coming 1057 00:59:02,560 --> 00:59:05,080 Speaker 1: up this week. I'll be at the Punchline San Francisco 1058 00:59:05,440 --> 00:59:08,440 Speaker 1: Tuesday through Thursday, and I will be performing s F 1059 00:59:08,520 --> 00:59:10,760 Speaker 1: Sketch Fester, which is the big comedy festival. I'm opening 1060 00:59:10,760 --> 00:59:13,880 Speaker 1: for Nico Santos from Crazy Rich Asians and Superstore at 1061 00:59:13,920 --> 00:59:17,080 Speaker 1: the Marines Moral Memorial Theater this Friday, the eleventh. Casey 1062 00:59:17,160 --> 00:59:20,200 Speaker 1: is an amazing stand up Go check him out. Is 1063 00:59:20,240 --> 00:59:22,680 Speaker 1: there a tweet you've been enjoying? I forgot that I 1064 00:59:22,760 --> 00:59:24,280 Speaker 1: was gonna and yeah, sure, I'll just do one on 1065 00:59:24,360 --> 00:59:27,520 Speaker 1: my own. Um oh yeah, this was funny to me. Ugly. 1066 00:59:27,560 --> 00:59:32,360 Speaker 1: People hate Nancy Pelosi because she's hot. I'll just do 1067 00:59:32,480 --> 00:59:36,919 Speaker 1: that one. I love Nancy Pelosi right now, Lazy, thank 1068 00:59:36,960 --> 00:59:40,800 Speaker 1: you so much for being a wonderful guest co host. 1069 00:59:41,080 --> 00:59:44,240 Speaker 1: So happy to be here. Where can people find you? Okay, 1070 00:59:44,320 --> 00:59:46,960 Speaker 1: y'all know, yall can find me on the in webs um, 1071 00:59:48,480 --> 00:59:51,880 Speaker 1: Instagram at Diva Lacey d I v A l A c. I. 1072 00:59:52,120 --> 00:59:54,400 Speaker 1: Also Twitter at Diva Lacey d I V A l 1073 00:59:54,400 --> 00:59:57,800 Speaker 1: A C I also Vmo, PayPal, okay ship y'all know 1074 00:59:57,840 --> 01:00:02,840 Speaker 1: would find me um and then my favorite tweet right now, 1075 01:00:03,040 --> 01:00:07,440 Speaker 1: this is actually my tweet, Um, but it's that if 1076 01:00:07,480 --> 01:00:13,000 Speaker 1: we keep ousting all these um male creep musicians, jackies 1077 01:00:13,080 --> 01:00:17,080 Speaker 1: will be the king of R and B at this rate, 1078 01:00:17,640 --> 01:00:23,880 Speaker 1: going to be our king. Accepted, you find me on 1079 01:00:23,920 --> 01:00:27,240 Speaker 1: Twitter check under squirrel Brian a couple of tweets up 1080 01:00:27,320 --> 01:00:31,360 Speaker 1: and like. Matt Binder tweeted, so Kaya Jones tweeted how 1081 01:00:31,400 --> 01:00:33,840 Speaker 1: would you feel about your child using this bathroom? And 1082 01:00:33,920 --> 01:00:38,000 Speaker 1: took a video of a gender neutral restrooms like zoom in, 1083 01:00:38,080 --> 01:00:41,120 Speaker 1: zoom out, zoom in. It was like real erratic camera 1084 01:00:41,200 --> 01:00:43,360 Speaker 1: work in. Matt Binder tweeted, I tell them to watch 1085 01:00:43,440 --> 01:00:48,120 Speaker 1: out for the weirdo filming the bathroom out. Joe ran 1086 01:00:48,200 --> 01:00:52,040 Speaker 1: Diazo tweeted that Americans upset that they're eleven million dollar 1087 01:00:52,160 --> 01:00:54,880 Speaker 1: earns might be text at a higher rate. You just 1088 01:00:55,000 --> 01:00:56,600 Speaker 1: need to get a second job and do a better 1089 01:00:56,680 --> 01:01:00,520 Speaker 1: job of stave uh. You can find us on Twitter 1090 01:01:00,560 --> 01:01:03,680 Speaker 1: at daily Zeitgeist. We're at the Daily zekeeis on Instagram. 1091 01:01:03,760 --> 01:01:06,080 Speaker 1: We have a Facebook fan page and a website, daily 1092 01:01:06,280 --> 01:01:09,280 Speaker 1: zygeist dot com, where we post our episodes and air 1093 01:01:09,480 --> 01:01:11,680 Speaker 1: but notes where we link off to the information that 1094 01:01:11,680 --> 01:01:15,000 Speaker 1: we talked about today's episode, as well as the song 1095 01:01:15,280 --> 01:01:18,840 Speaker 1: we write a hout on and we have a hosny 1096 01:01:18,920 --> 01:01:22,320 Speaker 1: A special coming at you to produce around at hosny A. 1097 01:01:23,120 --> 01:01:25,160 Speaker 1: What song are we riding out onto that day? I'm 1098 01:01:25,160 --> 01:01:28,080 Speaker 1: gonna recommend the song by l A priest called Oh 1099 01:01:28,160 --> 01:01:32,080 Speaker 1: I Know, which is oh I n oh oh I Know. 1100 01:01:32,640 --> 01:01:39,280 Speaker 1: It's like that. It's really fun. It's a little poppy 1101 01:01:39,360 --> 01:01:41,160 Speaker 1: song and I really like it. It's got a great 1102 01:01:41,240 --> 01:01:43,280 Speaker 1: beat and I just like jump around my room to 1103 01:01:43,440 --> 01:01:46,760 Speaker 1: it until I'm tired, which is within a second. Okay, 1104 01:01:47,960 --> 01:01:51,040 Speaker 1: are you okay? Do you think you're like maybe suffering 1105 01:01:51,360 --> 01:01:54,880 Speaker 1: some physical animal jump around for one second in year physically? 1106 01:01:57,960 --> 01:02:03,360 Speaker 1: Air Cool said, alright, guys, we're gonna ride out on that. 1107 01:02:03,520 --> 01:02:07,240 Speaker 1: We'll be back tomorrow because it is daily podcast. Ok 1108 01:02:07,480 --> 01:02:14,680 Speaker 1: I'm bye. Call a ticktoo really? One time feel like 1109 01:02:14,840 --> 01:02:26,680 Speaker 1: you are always mine? How to ticktoo? Ray? One time? 1110 01:02:28,160 --> 01:02:35,600 Speaker 1: Feel like you always one oh my, oh my,