1 00:00:01,000 --> 00:00:05,240 Speaker 1: Look mad oh, I see you. Why look over there? 2 00:00:05,240 --> 00:00:15,320 Speaker 1: How is that culture? Yes? Goodness, last culture, same room vibes. 3 00:00:15,600 --> 00:00:19,680 Speaker 1: Although what's different it's time, there's something, there's a different flavor. 4 00:00:20,000 --> 00:00:24,759 Speaker 1: Were in the down apartment with C Yeah, this actually 5 00:00:24,800 --> 00:00:26,960 Speaker 1: is similar to last time, though, because we recorded in 6 00:00:27,000 --> 00:00:28,760 Speaker 1: the Fire Island house that didn't have a C at 7 00:00:28,760 --> 00:00:32,400 Speaker 1: that time. This house my apartment that I'm in, that 8 00:00:32,479 --> 00:00:35,239 Speaker 1: house in Fire Island. Neither of those places are in 9 00:00:35,240 --> 00:00:37,760 Speaker 1: the running for most iconic building or structure because the 10 00:00:37,840 --> 00:00:41,040 Speaker 1: things inside don't fucking work well. They are in the 11 00:00:41,120 --> 00:00:44,800 Speaker 1: running for biggest flap, biggest flop because the jester can 12 00:00:44,840 --> 00:00:48,839 Speaker 1: we stay right here? Huh? I said, whatever it is, 13 00:00:48,880 --> 00:00:51,960 Speaker 1: we come. Well, let's make the distinction between jester and 14 00:00:52,000 --> 00:00:54,320 Speaker 1: a flop because people are kind of there's category fraud 15 00:00:54,360 --> 00:00:56,279 Speaker 1: happening where people are, you know. Campaign By the way, 16 00:00:56,280 --> 00:00:58,680 Speaker 1: we should say that the campaigning that's going on from 17 00:00:58,720 --> 00:01:02,279 Speaker 1: the publicists now is really beautiful. Yeah, and there's politics 18 00:01:02,280 --> 00:01:04,440 Speaker 1: at play and we love that, you know what I mean. 19 00:01:04,680 --> 00:01:07,679 Speaker 1: I mean a lot of people really pushing for Rihanna 20 00:01:07,760 --> 00:01:10,280 Speaker 1: to be best billionaire ever since she achieved billionaire status 21 00:01:10,319 --> 00:01:14,399 Speaker 1: according to Forbes, and for her I just think, like, 22 00:01:14,800 --> 00:01:17,320 Speaker 1: we don't. We're not gonna go with the obvious. There's 23 00:01:17,319 --> 00:01:19,840 Speaker 1: gonna be some upsets in this race, Like we as 24 00:01:19,920 --> 00:01:22,640 Speaker 1: the people who are giving out these awards, we may 25 00:01:22,640 --> 00:01:24,560 Speaker 1: give it to Rihanna, we may not because it feels 26 00:01:24,600 --> 00:01:26,640 Speaker 1: like maybe that's too obvious. Well, can I say? It 27 00:01:26,720 --> 00:01:29,800 Speaker 1: feels like what everyone's doing is they're saying, I mean, obviously, 28 00:01:29,840 --> 00:01:32,240 Speaker 1: now we have the best billionaire and that actually is 29 00:01:32,280 --> 00:01:37,080 Speaker 1: something you never say. You don't ever tell us, don't 30 00:01:37,080 --> 00:01:39,520 Speaker 1: ever ever ever tell us, don't ever tell us that 31 00:01:39,640 --> 00:01:44,440 Speaker 1: obviously to a culture number sixteen, don't ever say obviously, 32 00:01:44,760 --> 00:01:47,639 Speaker 1: don't ever tell us that that is so rude, because 33 00:01:47,800 --> 00:01:49,800 Speaker 1: first of all, you don't make the you know what, 34 00:01:49,920 --> 00:01:52,040 Speaker 1: here's the deal. This is not what a publicist does. 35 00:01:52,120 --> 00:01:55,240 Speaker 1: No publicist comes in and has a reason for why 36 00:01:55,640 --> 00:01:58,440 Speaker 1: that they feel their clients should earn the status. And 37 00:01:58,440 --> 00:02:00,120 Speaker 1: if you come in here and say obviously, it's like, 38 00:02:00,240 --> 00:02:04,080 Speaker 1: I'm sorry, why is it obvious? Why? Because Rihanna has 39 00:02:04,120 --> 00:02:06,880 Speaker 1: had many hits, because she's iconic, sure doesn't mean she's 40 00:02:06,920 --> 00:02:09,600 Speaker 1: the best billionaire. Make a case, make a case. She's 41 00:02:09,639 --> 00:02:12,399 Speaker 1: barely even done anything with her billionaire status. Yet no 42 00:02:12,400 --> 00:02:16,640 Speaker 1: no one up for any of these categories is implicitly 43 00:02:16,800 --> 00:02:20,320 Speaker 1: like the obvious winner. There are no front runners. I 44 00:02:20,320 --> 00:02:22,200 Speaker 1: don't I can't think of a single front runner in 45 00:02:22,240 --> 00:02:24,320 Speaker 1: any category, can you know? I can't think of a 46 00:02:24,360 --> 00:02:26,680 Speaker 1: single front runner or for any category. Although I do 47 00:02:26,840 --> 00:02:29,400 Speaker 1: think that there was an incredible I saw someone say 48 00:02:29,440 --> 00:02:32,280 Speaker 1: aqua marine was the most colorful color and getting a 49 00:02:32,280 --> 00:02:35,240 Speaker 1: lot of marine is getting a lot of buzz. I 50 00:02:35,280 --> 00:02:37,639 Speaker 1: don't know. I can't say that's the front runner, but 51 00:02:37,680 --> 00:02:39,160 Speaker 1: I definitely like, see. This is the thing is like 52 00:02:39,200 --> 00:02:40,760 Speaker 1: a lot of the publicists have been doing a really 53 00:02:40,800 --> 00:02:45,440 Speaker 1: good job because we're saying, yes, the publicists. Do you 54 00:02:45,480 --> 00:02:48,280 Speaker 1: think because I made it official on the Twitter, I said, 55 00:02:48,840 --> 00:02:52,200 Speaker 1: from now on, readers are the readers? Are the publicists? Well? Yes, 56 00:02:52,320 --> 00:02:55,680 Speaker 1: during this era we're calling the last Scholas Cultural Awards era, 57 00:02:56,520 --> 00:03:01,040 Speaker 1: you're not readers anymore? Is it? How? How is it 58 00:03:01,160 --> 00:03:03,119 Speaker 1: tied to the error or do we think that they're 59 00:03:03,160 --> 00:03:05,799 Speaker 1: just the publicists until the campaign is over, until awards 60 00:03:05,800 --> 00:03:08,160 Speaker 1: season is over. I think in this era of the 61 00:03:08,200 --> 00:03:12,080 Speaker 1: award lost culture Awards season era is not the season. Okay, 62 00:03:12,200 --> 00:03:16,359 Speaker 1: then you're so right, and during the season they're publicists, 63 00:03:16,360 --> 00:03:17,880 Speaker 1: but then we go they go back, they go back 64 00:03:17,880 --> 00:03:21,000 Speaker 1: to being readers, and they'll always be readers. Only during 65 00:03:21,040 --> 00:03:23,639 Speaker 1: awards season will they be publicists. And the awards season 66 00:03:23,680 --> 00:03:27,320 Speaker 1: of Lost Culture is of course the last part of 67 00:03:27,440 --> 00:03:31,320 Speaker 1: July August and then to be determined, because we still 68 00:03:31,400 --> 00:03:34,120 Speaker 1: don't know when the awards will be, isn't that right, Bo, 69 00:03:34,480 --> 00:03:38,320 Speaker 1: That's absolutely right. We don't know. We don't know, And 70 00:03:39,440 --> 00:03:42,000 Speaker 1: I think that's the beauty of Lost Cultures a Culture 71 00:03:42,040 --> 00:03:45,360 Speaker 1: awards is that these are unprecedented in so many ways. 72 00:03:45,480 --> 00:03:47,640 Speaker 1: I think it's just gonna be a Wednesday drop. I 73 00:03:47,640 --> 00:03:49,600 Speaker 1: think no one's gonna expect it. It's just gonna be 74 00:03:49,680 --> 00:03:52,200 Speaker 1: a Wednesday drop. But I think there will be a 75 00:03:52,240 --> 00:03:56,440 Speaker 1: sustained campaign from the publicists until the award shows, until 76 00:03:56,440 --> 00:04:01,000 Speaker 1: the until the awards are announced, and so there's no 77 00:04:01,080 --> 00:04:03,600 Speaker 1: such thing as least expecting it, because I think the 78 00:04:03,600 --> 00:04:06,240 Speaker 1: publicists are working so hard that they will always be 79 00:04:06,360 --> 00:04:10,080 Speaker 1: expecting it. We are just blue bawling them until that 80 00:04:10,160 --> 00:04:12,400 Speaker 1: Wednesday drop, and we don't know when that is yet. 81 00:04:12,440 --> 00:04:15,320 Speaker 1: But I think for as long as the awards don't 82 00:04:15,320 --> 00:04:19,039 Speaker 1: get announced, there will be publicity, there will be campaigning. 83 00:04:19,200 --> 00:04:21,080 Speaker 1: At least there should be. I think they need to 84 00:04:21,160 --> 00:04:24,839 Speaker 1: keep up this fervor and at all times because you 85 00:04:24,880 --> 00:04:28,160 Speaker 1: don't know when the awards will be. So what I'm 86 00:04:28,160 --> 00:04:30,520 Speaker 1: saying is on Twitter, you should be if you really 87 00:04:30,560 --> 00:04:33,360 Speaker 1: are feeling passionate about a category, you should be tweeting 88 00:04:33,400 --> 00:04:35,720 Speaker 1: that every day. Yes, I want to look at your 89 00:04:35,800 --> 00:04:39,680 Speaker 1: feet and see only for your consideration hashtag l C 90 00:04:40,160 --> 00:04:43,920 Speaker 1: A S and like I don't want to see other things, 91 00:04:43,960 --> 00:04:46,040 Speaker 1: like I want to see you really campaigning. Because the 92 00:04:46,560 --> 00:04:48,800 Speaker 1: Wednesday drop could happen anytime. It could be next week, 93 00:04:48,839 --> 00:04:50,560 Speaker 1: it could be next week. It won't be next it 94 00:04:50,560 --> 00:04:52,839 Speaker 1: won't be next week, and it won't be today because 95 00:04:52,920 --> 00:04:55,919 Speaker 1: today and this week we are announcing. Can we spoil 96 00:04:55,960 --> 00:04:58,320 Speaker 1: we're announcing the rest of the category. We are announcing. 97 00:04:58,360 --> 00:05:02,279 Speaker 1: This is the rest of the categories, and there's some 98 00:05:02,360 --> 00:05:05,479 Speaker 1: incredible ones. I think there are some of the most 99 00:05:05,560 --> 00:05:08,800 Speaker 1: exciting ones. These are some of the best categories of 100 00:05:08,880 --> 00:05:12,640 Speaker 1: all time. I don't disagree. I would never just agree 101 00:05:12,640 --> 00:05:16,160 Speaker 1: with such a statement of my own. I how often 102 00:05:16,160 --> 00:05:21,080 Speaker 1: do you disagree with yourself? Probably about the things I 103 00:05:21,120 --> 00:05:24,120 Speaker 1: say I either hear later or right afterwards. I'm like, well, 104 00:05:24,120 --> 00:05:26,520 Speaker 1: I disagree with that. That's but I would never admit 105 00:05:26,560 --> 00:05:29,800 Speaker 1: that right away. Sometimes it's just good just to fill 106 00:05:29,839 --> 00:05:33,320 Speaker 1: the air by saying something yes, yes, my life. But 107 00:05:33,440 --> 00:05:37,160 Speaker 1: actually I would, I would, I would try to even 108 00:05:37,160 --> 00:05:40,360 Speaker 1: lower that number, because there's something that's not even that 109 00:05:40,480 --> 00:05:45,480 Speaker 1: valuable about, you know, turning your own critique within inward. 110 00:05:46,000 --> 00:05:47,960 Speaker 1: I don't think you should really, I think you really 111 00:05:48,000 --> 00:05:51,080 Speaker 1: should stand by everything more things that you say than 112 00:05:51,160 --> 00:05:53,599 Speaker 1: you are now. Well, there's a difference between owning it 113 00:05:53,640 --> 00:05:56,520 Speaker 1: and standing by it and disagreeing with yourself. And that's 114 00:05:56,520 --> 00:05:58,719 Speaker 1: just that's just anyone that's sort of like taking a 115 00:05:58,760 --> 00:06:02,720 Speaker 1: persuasive essay of course, or like you know, like an 116 00:06:02,839 --> 00:06:05,080 Speaker 1: has done like an argument class, or like what would 117 00:06:05,080 --> 00:06:07,000 Speaker 1: you call that speech and debate. Yes, knows that you 118 00:06:07,120 --> 00:06:09,440 Speaker 1: often have to just be able to argue points that 119 00:06:09,480 --> 00:06:12,040 Speaker 1: you do not believe in. That's also sort of politics too, 120 00:06:14,040 --> 00:06:17,000 Speaker 1: that's also sort of politics. No, we let's get dark. Well, 121 00:06:17,040 --> 00:06:19,920 Speaker 1: actually I want to point out something I'm on This 122 00:06:20,120 --> 00:06:24,680 Speaker 1: ContraPoints kick as people know. Um, she said something in 123 00:06:24,680 --> 00:06:28,400 Speaker 1: this misrecent quarterly release. She she drops these like ours, 124 00:06:28,600 --> 00:06:31,480 Speaker 1: she is for the girls, that she's Natalie Whin, she's 125 00:06:31,560 --> 00:06:34,719 Speaker 1: this like philosophy, she was an academ and no, she 126 00:06:34,839 --> 00:06:36,880 Speaker 1: was like she was, she was like getting like her 127 00:06:36,920 --> 00:06:40,640 Speaker 1: master's anyway. But now she like she's on YouTube. Um, 128 00:06:40,680 --> 00:06:45,159 Speaker 1: I'm sure some people already already like just die hard fans. Um, 129 00:06:45,760 --> 00:06:49,760 Speaker 1: there's a very active community around uh what she does, 130 00:06:50,000 --> 00:06:52,240 Speaker 1: and like there's just fun like aesthetics to all of 131 00:06:52,240 --> 00:06:55,000 Speaker 1: her videos anyway. Um, but she said something, I mean, 132 00:06:55,000 --> 00:06:57,400 Speaker 1: I won't contextualize what it what it is, but she says, 133 00:06:58,680 --> 00:07:00,880 Speaker 1: you notice the feeling, but you don't have to endorse it, 134 00:07:01,040 --> 00:07:03,479 Speaker 1: which is totally unrelated to like what she actually talks 135 00:07:03,480 --> 00:07:05,280 Speaker 1: about in her most recent video, which is about envy. 136 00:07:05,320 --> 00:07:09,520 Speaker 1: Oh my god, you have to watch it. You to Gina, well, 137 00:07:09,560 --> 00:07:11,560 Speaker 1: what did I call you before a Porsche today? Your 138 00:07:11,600 --> 00:07:13,280 Speaker 1: name was Porscha. I don't know why might supposed to 139 00:07:13,280 --> 00:07:15,040 Speaker 1: call you a portion today? It was well, and also 140 00:07:15,080 --> 00:07:18,720 Speaker 1: we're going to get into some name ship later. It 141 00:07:18,760 --> 00:07:20,440 Speaker 1: was one of the categories has to do with names. 142 00:07:21,040 --> 00:07:23,400 Speaker 1: So let's just say, you know, to be continued with that, 143 00:07:23,760 --> 00:07:25,720 Speaker 1: putting a pin in that though for now, as you 144 00:07:25,760 --> 00:07:29,920 Speaker 1: often do when you want to return to something later. Um, yes, 145 00:07:30,080 --> 00:07:32,320 Speaker 1: I was really thrilled with what you told me before 146 00:07:32,480 --> 00:07:35,400 Speaker 1: about what was it the Dionysus and the Apollo. Could 147 00:07:35,400 --> 00:07:37,520 Speaker 1: you explain that and how it how it sort of 148 00:07:37,800 --> 00:07:40,840 Speaker 1: lends to the black Swan narrative as I call it. 149 00:07:41,000 --> 00:07:44,440 Speaker 1: She brings up so the whole the whole thing is 150 00:07:44,440 --> 00:07:49,200 Speaker 1: about envy and about how envy is like weaponized into 151 00:07:49,240 --> 00:07:52,120 Speaker 1: like morality in a lot of ways and politics and 152 00:07:52,160 --> 00:07:54,560 Speaker 1: in the world, and so like she talks about like 153 00:07:55,240 --> 00:07:58,640 Speaker 1: um fire. She begins with fire Festival, being like that 154 00:07:58,720 --> 00:08:00,000 Speaker 1: was like the funt that was one of the best 155 00:08:00,040 --> 00:08:02,600 Speaker 1: stays on Twitter because it was shot and freuda on 156 00:08:02,640 --> 00:08:05,200 Speaker 1: this huge scale, Like look at all these like influencers 157 00:08:05,200 --> 00:08:09,560 Speaker 1: and rich people suffering UM, and like at the root 158 00:08:09,600 --> 00:08:11,400 Speaker 1: of that is like or or or you know, like 159 00:08:11,440 --> 00:08:13,600 Speaker 1: at the root of that is envy in a way, right, 160 00:08:13,600 --> 00:08:18,720 Speaker 1: It's like some people were like in some ways envious 161 00:08:18,760 --> 00:08:22,120 Speaker 1: of the people who got to go maybe not completely, 162 00:08:22,160 --> 00:08:25,400 Speaker 1: but like that's like that's the root UM. And then 163 00:08:25,400 --> 00:08:27,720 Speaker 1: she talks about how envy is this like timeless universal 164 00:08:27,800 --> 00:08:30,200 Speaker 1: it's it's this human thing. And then she brings a 165 00:08:30,280 --> 00:08:33,600 Speaker 1: Black Swan because that's that that story is about envy 166 00:08:33,640 --> 00:08:37,040 Speaker 1: in a way, like her mother envies her um when 167 00:08:37,080 --> 00:08:39,440 Speaker 1: no no writer and envies her in some ways mean 168 00:08:39,440 --> 00:08:43,880 Speaker 1: lookunas envies her, like the woman the dancer that she was, 169 00:08:43,960 --> 00:08:47,280 Speaker 1: like the actress who calls her like a bit or 170 00:08:47,320 --> 00:08:50,560 Speaker 1: something at one point, like after like the cast list, 171 00:08:50,600 --> 00:08:53,439 Speaker 1: after she gets like casts like the black and the 172 00:08:53,440 --> 00:08:55,560 Speaker 1: White swan, like there's a random girl who goes up 173 00:08:55,679 --> 00:08:58,079 Speaker 1: and it's like you fucking bitch, or the horror on 174 00:08:58,080 --> 00:09:00,320 Speaker 1: the me, you know, like it's it's a movie about envy, right, 175 00:09:00,360 --> 00:09:02,800 Speaker 1: and she also like she as a character that envies 176 00:09:02,840 --> 00:09:06,840 Speaker 1: so much about Mila Kuniss effortlessness and she and she 177 00:09:06,840 --> 00:09:11,040 Speaker 1: she wants and wants and wants so much and so um. 178 00:09:11,280 --> 00:09:14,520 Speaker 1: Then Natalie starts to talk about Natalie Win, not portant, 179 00:09:14,559 --> 00:09:17,640 Speaker 1: not importman. Natalie Win starts to talk about, um, this 180 00:09:18,240 --> 00:09:20,839 Speaker 1: like this other model of envy, which is like in 181 00:09:20,960 --> 00:09:26,120 Speaker 1: SpongeBob between squid word and SpongeBob, squid Word and the 182 00:09:26,360 --> 00:09:30,520 Speaker 1: SpongeBob in a way because you know they both work 183 00:09:30,559 --> 00:09:33,080 Speaker 1: at the same place and yet squid word envy SpongeBob's 184 00:09:33,120 --> 00:09:35,800 Speaker 1: like childlike nature in a way. And she said, she 185 00:09:35,800 --> 00:09:38,440 Speaker 1: points out something really interesting, which is that like growing 186 00:09:38,600 --> 00:09:41,720 Speaker 1: like people my age when they watch SpongeBob, as kids 187 00:09:41,760 --> 00:09:44,640 Speaker 1: are growing up, they identified with SpongeBob, and now what 188 00:09:44,720 --> 00:09:47,040 Speaker 1: happens is when they watch SpongeBob as adults, they identify 189 00:09:47,120 --> 00:09:49,720 Speaker 1: with squid word. And so it's this thing of like, 190 00:09:50,880 --> 00:09:54,360 Speaker 1: you know, as you age, like having your ambitions tempered, 191 00:09:54,679 --> 00:09:58,000 Speaker 1: or like being like disappointed or beaten down by life anyway, 192 00:09:58,400 --> 00:10:01,120 Speaker 1: and she then breaks it down along the lines of 193 00:10:01,360 --> 00:10:05,200 Speaker 1: artistic impulses as defined by Natsch. I'm so sorry this 194 00:10:05,240 --> 00:10:11,000 Speaker 1: is so annoying. There's Apollonian impulse, and there's Dionysian impulse. 195 00:10:11,120 --> 00:10:14,160 Speaker 1: Either you're an Apollo or you're a Dionysus, and a 196 00:10:14,160 --> 00:10:15,920 Speaker 1: lot of times it's the Apollos who had be the 197 00:10:15,960 --> 00:10:22,160 Speaker 1: Dionysis is the diet whatever um. And it's that like Appollo, 198 00:10:22,360 --> 00:10:25,440 Speaker 1: if you're an Apollonian artist that you like are are 199 00:10:25,520 --> 00:10:31,079 Speaker 1: driven by like order and morals and like structure and 200 00:10:31,120 --> 00:10:33,920 Speaker 1: like wanting to be perfect in a way and wanting 201 00:10:33,920 --> 00:10:36,800 Speaker 1: to achieve an ideal or as if you're a Dionysian, 202 00:10:37,559 --> 00:10:40,280 Speaker 1: you are like someone who just is carefree, driven by 203 00:10:40,800 --> 00:10:43,240 Speaker 1: driven by instincts. I feel like that's you and me, babe. 204 00:10:43,520 --> 00:10:46,520 Speaker 1: Well that's really really absolutely when you can really boil 205 00:10:46,600 --> 00:10:48,280 Speaker 1: it down when you say that someone is the Melo. 206 00:10:48,400 --> 00:10:52,200 Speaker 1: You are saying that they are giving onto their Dionysian 207 00:10:52,440 --> 00:10:56,640 Speaker 1: instincts in a way that is um leading them forward. 208 00:10:56,720 --> 00:11:01,400 Speaker 1: And then yes, clearly the Apollonian or he that has 209 00:11:01,440 --> 00:11:04,400 Speaker 1: more to do with Natalie Energy, academic fish, the White 210 00:11:04,400 --> 00:11:06,920 Speaker 1: and the Black. Yeah, you understand well then and then 211 00:11:06,960 --> 00:11:08,360 Speaker 1: she and then she talks about how Black Swan is 212 00:11:08,440 --> 00:11:12,600 Speaker 1: ultimately about if that character's journey is about her like 213 00:11:13,320 --> 00:11:17,200 Speaker 1: embracing both, like finding both, like the Dynasian and the 214 00:11:17,200 --> 00:11:20,120 Speaker 1: Apollonian actually plays the black in the White Swan in 215 00:11:20,160 --> 00:11:22,920 Speaker 1: the same in the same show. And then like once 216 00:11:22,960 --> 00:11:25,640 Speaker 1: she achieves that she dies, you know, right, that's I 217 00:11:25,640 --> 00:11:28,480 Speaker 1: don't know, well, it's almost saying that in terms of 218 00:11:28,600 --> 00:11:31,880 Speaker 1: like it's almost like an argument about nature, and it's 219 00:11:31,920 --> 00:11:37,080 Speaker 1: like you really can't um pretend to be someone that 220 00:11:37,120 --> 00:11:40,120 Speaker 1: you're not without at a cost. I guess is that 221 00:11:40,160 --> 00:11:42,640 Speaker 1: would that be fair to say? Sure, like you have 222 00:11:42,760 --> 00:11:46,400 Speaker 1: to like it's it's it's not it's not um it's 223 00:11:46,440 --> 00:11:49,120 Speaker 1: not realistic or sustainable or something to like have it 224 00:11:49,320 --> 00:11:51,480 Speaker 1: and like have it be like for you to inhabit 225 00:11:51,520 --> 00:11:54,520 Speaker 1: like all of those things in one in one form. 226 00:11:54,760 --> 00:11:58,280 Speaker 1: How did you find this person. Um our friend of 227 00:11:58,320 --> 00:12:02,600 Speaker 1: the pod, Cody Silver introduced me to her. Yeah, we 228 00:12:02,679 --> 00:12:05,960 Speaker 1: love Cody so much, Cody, check him. Check them out 229 00:12:05,960 --> 00:12:08,800 Speaker 1: on Only Fans if you haven't already. Some of our 230 00:12:08,800 --> 00:12:11,960 Speaker 1: greatest minds are only fans between Cody and Time Mitchell. 231 00:12:12,200 --> 00:12:13,719 Speaker 1: Those are like to the smartest game in on the 232 00:12:13,720 --> 00:12:17,040 Speaker 1: East coast, I think. And you're breaking it down by coast. Yeah, 233 00:12:17,040 --> 00:12:18,920 Speaker 1: I don't. I don't know what this landscape is like 234 00:12:19,120 --> 00:12:22,080 Speaker 1: on the West coast, in the south along the Gulf, 235 00:12:22,160 --> 00:12:26,839 Speaker 1: and I don't know. No, don't say that. You're being 236 00:12:26,920 --> 00:12:31,840 Speaker 1: very flyover steady right towards me. Um. But anyway, you 237 00:12:31,840 --> 00:12:34,120 Speaker 1: should watch You should watch them, babe. I would like 238 00:12:34,160 --> 00:12:36,720 Speaker 1: to watch them. I I honestly like I spend a 239 00:12:36,720 --> 00:12:38,800 Speaker 1: lot of time on YouTube, but I would love my 240 00:12:38,960 --> 00:12:41,280 Speaker 1: landing page to be filled with things other than what 241 00:12:41,360 --> 00:12:43,720 Speaker 1: it is. That's what I'm trying. I'm actively trying to 242 00:12:43,760 --> 00:12:46,720 Speaker 1: make my algorithm like not think I'm a dumbass because 243 00:12:46,720 --> 00:12:50,680 Speaker 1: it's all just like video game reviews and like Taylor 244 00:12:50,760 --> 00:12:53,520 Speaker 1: Swift compilation video. It's like, it's not that those are 245 00:12:53,600 --> 00:12:56,000 Speaker 1: bad things, just like I want to see something different. 246 00:12:56,120 --> 00:12:58,240 Speaker 1: It's getting to the point where it's like, you know, 247 00:12:58,640 --> 00:13:02,200 Speaker 1: I actually like sometimes maybe some readers will identify with this, 248 00:13:02,640 --> 00:13:05,560 Speaker 1: but I will sometimes go to my landing page and 249 00:13:05,600 --> 00:13:08,440 Speaker 1: then I'll think to myself like do I have more 250 00:13:08,480 --> 00:13:11,959 Speaker 1: than three interests? And then I'm like, wait, this can't 251 00:13:12,040 --> 00:13:14,800 Speaker 1: be true. I have to be interested in more things 252 00:13:15,280 --> 00:13:19,160 Speaker 1: than these three things. Oh my god. This this literally 253 00:13:19,200 --> 00:13:21,559 Speaker 1: happened to me like recently, where it's like I forgot 254 00:13:21,600 --> 00:13:23,800 Speaker 1: that I was interested in this thing, which was for 255 00:13:23,880 --> 00:13:26,760 Speaker 1: me like video. This is so stupid, like video. I 256 00:13:26,800 --> 00:13:30,480 Speaker 1: was like, I forgot that I love like this stuff. 257 00:13:31,280 --> 00:13:33,960 Speaker 1: And it's because like the algorithm is reflecting something back 258 00:13:34,000 --> 00:13:35,600 Speaker 1: at you where you're like, I guess this is who 259 00:13:35,600 --> 00:13:37,440 Speaker 1: I am, and then you begin to self identify that 260 00:13:37,720 --> 00:13:40,080 Speaker 1: like that way, and then you're like, oh but wait, 261 00:13:40,120 --> 00:13:42,720 Speaker 1: it's like reduced me down to like three things, which 262 00:13:42,760 --> 00:13:45,160 Speaker 1: is like drag. Like my discover page on Instagram is 263 00:13:45,160 --> 00:13:48,439 Speaker 1: a whole different thing where it's drag, race and Pokemon, 264 00:13:48,520 --> 00:13:51,000 Speaker 1: and I'm like, this is that just feels wild to 265 00:13:51,000 --> 00:13:52,920 Speaker 1: me because I feel like you don't talk about those 266 00:13:53,000 --> 00:13:56,120 Speaker 1: things too much not but it's like I'm feeding the algorithm. 267 00:13:56,120 --> 00:13:58,440 Speaker 1: I like tapping on these things, so It'll be like 268 00:13:58,520 --> 00:14:01,720 Speaker 1: some stupid like Pokemon meme and I'm like, oh, I 269 00:14:01,720 --> 00:14:05,880 Speaker 1: guess that's funny. Um, and then I'll just like hit back. 270 00:14:05,960 --> 00:14:08,559 Speaker 1: Then I'm what I'm sort of returning to the algorithm. 271 00:14:08,600 --> 00:14:10,960 Speaker 1: Is I like this? Give me more? Yeah? I wonder 272 00:14:11,000 --> 00:14:12,800 Speaker 1: if I'm to go to my YouTube landing page literally 273 00:14:12,880 --> 00:14:15,360 Speaker 1: right now, let's go, let's go, let's do this. Okay, 274 00:14:15,360 --> 00:14:19,640 Speaker 1: So I just typed in YouTube dot com. Okay, so here, 275 00:14:19,680 --> 00:14:24,200 Speaker 1: this is kind of crazy. It's one thing from the view. 276 00:14:24,360 --> 00:14:30,480 Speaker 1: Kirsten Cinema defends her support of the filibuster christ Christian 277 00:14:30,480 --> 00:14:32,200 Speaker 1: Cinema is in the running for a lot of the 278 00:14:32,240 --> 00:14:35,480 Speaker 1: j She's truly flopping. Um. And then there's an ABC 279 00:14:35,560 --> 00:14:39,640 Speaker 1: News Dems holding Governor Cuomo accountable re establishes. Okay, wait, 280 00:14:39,640 --> 00:14:43,000 Speaker 1: so you've got like culture accountability. I have some new stuff. 281 00:14:43,320 --> 00:14:48,360 Speaker 1: And then I have this. Um, there's this gay named 282 00:14:48,760 --> 00:14:51,280 Speaker 1: Adam who runs this YouTube page called up in Adam 283 00:14:51,320 --> 00:14:55,880 Speaker 1: and he does like housewives, like news and Housewives. Beverly 284 00:14:55,920 --> 00:14:57,760 Speaker 1: Hills producers are preparing to turn over to on aired 285 00:14:57,760 --> 00:15:00,680 Speaker 1: footage of Erica Girardi to help the cases. Oh my god. 286 00:15:00,840 --> 00:15:02,520 Speaker 1: Then I have an access Hollywood thing, which is just 287 00:15:02,680 --> 00:15:04,840 Speaker 1: in terms of mourning the death of his longtime backup 288 00:15:04,840 --> 00:15:07,440 Speaker 1: singer Nicolehurst, which actually is a devastating story that this 289 00:15:07,520 --> 00:15:09,760 Speaker 1: woman who was I guess one of the Tennessee kids 290 00:15:09,760 --> 00:15:12,680 Speaker 1: and she passed. She has she had cancer and um, 291 00:15:12,680 --> 00:15:14,400 Speaker 1: it's very sad. A lot of people in music or 292 00:15:14,400 --> 00:15:17,760 Speaker 1: mourning her. Then I have, uh something from this is 293 00:15:17,800 --> 00:15:19,320 Speaker 1: so embarrassing, and this is how I'm going to be 294 00:15:19,360 --> 00:15:25,320 Speaker 1: vulnerable on this pod. I have Disney's Magical Express replacement pricing. 295 00:15:25,800 --> 00:15:29,440 Speaker 1: So this is the I followed. I don't follow this, 296 00:15:29,480 --> 00:15:31,400 Speaker 1: but it's called Mickey Views and it's like a theme 297 00:15:31,440 --> 00:15:34,880 Speaker 1: park or Disney like update whenever there's like construction or whatever. 298 00:15:35,160 --> 00:15:37,960 Speaker 1: And this is updating people that are freaks that go 299 00:15:38,040 --> 00:15:41,000 Speaker 1: to this site about the Magical Express, which is the 300 00:15:41,080 --> 00:15:46,000 Speaker 1: busting program replacement pricing. So I thought the Magical I 301 00:15:46,040 --> 00:15:48,560 Speaker 1: thought I thought that bus service was free. Girl, I 302 00:15:48,600 --> 00:15:51,200 Speaker 1: don't know. Well, Disney is going, let's get into this 303 00:15:51,200 --> 00:15:54,640 Speaker 1: a little bit. Disney is a book wild because they 304 00:15:54,720 --> 00:15:56,560 Speaker 1: you know how, they got rid of their annual pass 305 00:15:56,840 --> 00:15:59,800 Speaker 1: so the Disneyland. So it was this thing called the 306 00:16:00,000 --> 00:16:05,800 Speaker 1: Magic Key and the prices are insane it's like truly 307 00:16:05,920 --> 00:16:07,720 Speaker 1: so much more expensive than it ever was, and it's 308 00:16:07,720 --> 00:16:10,440 Speaker 1: like who can afford this stuff? Did you hear about 309 00:16:10,760 --> 00:16:12,880 Speaker 1: there's like a Star Wars hotel that you can stay in. 310 00:16:13,080 --> 00:16:16,480 Speaker 1: I think I told you about this in Disney World. 311 00:16:16,560 --> 00:16:19,680 Speaker 1: So it's like it's called the Galactic Cruiser. And basically 312 00:16:19,720 --> 00:16:21,920 Speaker 1: you go and it's a two day experience, and it's 313 00:16:21,920 --> 00:16:25,800 Speaker 1: truly like for two adults, it's it's like really expensive, 314 00:16:26,080 --> 00:16:28,040 Speaker 1: or maybe even more than that, maybe it's like forty eight. 315 00:16:28,040 --> 00:16:31,040 Speaker 1: It's like a really really expensive. So it's a two 316 00:16:31,080 --> 00:16:33,880 Speaker 1: day experience, and basically what it is is you go 317 00:16:34,440 --> 00:16:37,200 Speaker 1: and you go into space and are basically staying on 318 00:16:37,240 --> 00:16:42,400 Speaker 1: a on a galactic cruiser. Yes, so basically what they 319 00:16:42,440 --> 00:16:46,400 Speaker 1: suggest the schedule, which is that you take a like uh, 320 00:16:46,440 --> 00:16:49,640 Speaker 1: like a bust that's actually like a space transport into 321 00:16:49,680 --> 00:16:52,560 Speaker 1: Galaxy's edge itself, and then they have you want to 322 00:16:52,640 --> 00:16:54,880 Speaker 1: schedule like this is when you do Rise of the Resistance, 323 00:16:54,880 --> 00:16:57,600 Speaker 1: this is when you do the Millennium. You do not 324 00:16:57,720 --> 00:16:59,480 Speaker 1: have to book yourself. It's like one of the perks. 325 00:16:59,680 --> 00:17:01,960 Speaker 1: But they basically like while you're in saying in the 326 00:17:02,000 --> 00:17:05,840 Speaker 1: hotel over these two days, you interact with the staff 327 00:17:05,880 --> 00:17:08,719 Speaker 1: who are obviously all in character, and you were supposed 328 00:17:08,760 --> 00:17:11,320 Speaker 1: to live a Star Wars adventure. So for people that 329 00:17:11,560 --> 00:17:15,600 Speaker 1: really want that next like almost like Westworldian step in admmersion, 330 00:17:16,200 --> 00:17:19,520 Speaker 1: that's what they're doing now. And so on my YouTube 331 00:17:19,600 --> 00:17:22,280 Speaker 1: landing page, I get constant updates about like what that 332 00:17:22,359 --> 00:17:26,240 Speaker 1: say saying. Basically, my pull is when they I knew 333 00:17:26,400 --> 00:17:28,720 Speaker 1: it was going to be so crazy expensive, So when 334 00:17:28,760 --> 00:17:30,880 Speaker 1: they announced the pricing, I was like, who the fund 335 00:17:30,880 --> 00:17:34,200 Speaker 1: can afford this? This is gonna be wealthy people only. Yeah, 336 00:17:34,280 --> 00:17:37,080 Speaker 1: And also can we just talk about like what is 337 00:17:37,160 --> 00:17:42,320 Speaker 1: the value in immersion anyway? Like I I'm fine with 338 00:17:42,359 --> 00:17:45,159 Speaker 1: like a renfair thing, but I feel like, what do 339 00:17:45,240 --> 00:17:48,000 Speaker 1: you like? Who cares if you like talk to like 340 00:17:48,000 --> 00:17:50,080 Speaker 1: like staff who are in character. That's like my I 341 00:17:50,600 --> 00:17:53,240 Speaker 1: like that, Like I like a very thin application of 342 00:17:53,320 --> 00:17:56,800 Speaker 1: that somewhere like Disney World. But I'm like, I don't 343 00:17:56,840 --> 00:17:59,359 Speaker 1: want to. I don't I'm not gonna pay more money 344 00:18:00,080 --> 00:18:04,560 Speaker 1: to like believe that I'm in a movie. You know 345 00:18:04,600 --> 00:18:08,480 Speaker 1: what I counterpoint? I would say that is actually the 346 00:18:08,720 --> 00:18:12,119 Speaker 1: part that makes it really memorable for a lot of people, 347 00:18:12,119 --> 00:18:13,679 Speaker 1: And I think it makes it memorable for a lot 348 00:18:13,720 --> 00:18:16,879 Speaker 1: of children. But I guess what I'm what I'm rubbing 349 00:18:16,920 --> 00:18:20,240 Speaker 1: up against with this now, is it's so expensive that 350 00:18:20,280 --> 00:18:22,439 Speaker 1: it's only going to be giving that to like a 351 00:18:22,520 --> 00:18:26,000 Speaker 1: select handful of like very wealthy children. And I also 352 00:18:26,119 --> 00:18:28,639 Speaker 1: think like it's the weird it's like weirdly like it 353 00:18:28,720 --> 00:18:32,480 Speaker 1: seems like it's for adults. Um, but the immersion of 354 00:18:32,480 --> 00:18:35,320 Speaker 1: it all, it's like, as long as it feels like 355 00:18:35,359 --> 00:18:37,520 Speaker 1: you can still go off and do whatever the funk 356 00:18:37,600 --> 00:18:39,840 Speaker 1: you want, Like I'm cool with them giving it a shot. 357 00:18:39,920 --> 00:18:41,720 Speaker 1: Like if people want to pay for it and want 358 00:18:41,720 --> 00:18:45,040 Speaker 1: that experience, like, go for it. But it does it 359 00:18:45,080 --> 00:18:47,080 Speaker 1: would feel a little weird to me to be on 360 00:18:47,119 --> 00:18:49,880 Speaker 1: a two day schedule. That's like, in order to get 361 00:18:49,880 --> 00:18:52,280 Speaker 1: your money's worth, you have to follow this exact thing, 362 00:18:52,600 --> 00:18:54,880 Speaker 1: because that to me would make me feel a little insane. 363 00:18:54,880 --> 00:18:57,240 Speaker 1: And you are on vacation which is supposed to be relaxing. 364 00:18:57,960 --> 00:19:01,720 Speaker 1: But then again, people who are very goaloring died and like, um, 365 00:19:01,760 --> 00:19:04,679 Speaker 1: you know, checkpoint oriented, like maybe would like a vicuation 366 00:19:04,920 --> 00:19:08,960 Speaker 1: like that. I'm saying the value prop for me is 367 00:19:09,000 --> 00:19:10,760 Speaker 1: that you get to go, you get to go and 368 00:19:10,880 --> 00:19:12,640 Speaker 1: rise of the resistance and not have to like get 369 00:19:12,680 --> 00:19:15,200 Speaker 1: up literally at the ascrack and so yeah, so that's 370 00:19:15,200 --> 00:19:16,720 Speaker 1: like a big part of it. I guess, like part 371 00:19:16,920 --> 00:19:18,920 Speaker 1: you get to go on Rise of the Resistance um 372 00:19:19,119 --> 00:19:21,639 Speaker 1: and not have to wake up at like seven in 373 00:19:21,680 --> 00:19:23,720 Speaker 1: the morning and make a reservation online and like do 374 00:19:23,760 --> 00:19:26,080 Speaker 1: the whole thing, which is also restrictive to people who 375 00:19:26,400 --> 00:19:30,920 Speaker 1: don't have mobile phones, etcetera. But also I I don't 376 00:19:31,000 --> 00:19:32,720 Speaker 1: know that I just the way you describe it to me, 377 00:19:32,720 --> 00:19:35,080 Speaker 1: I'm like, I don't really think I would want to. 378 00:19:35,440 --> 00:19:39,800 Speaker 1: This is we won't go. We'll go say at the hotel, 379 00:19:40,160 --> 00:19:42,120 Speaker 1: thank you? Where the where you don't have to follow 380 00:19:42,160 --> 00:19:46,600 Speaker 1: any Swans story? Okay, Well, I'm just saying like even 381 00:19:46,600 --> 00:19:48,159 Speaker 1: if you okay, like let's say you were to like 382 00:19:48,200 --> 00:19:51,600 Speaker 1: pitch me like that experience for like Zelda, like something 383 00:19:51,600 --> 00:19:53,680 Speaker 1: that I really love, I'm like, I'm not gonna pay. 384 00:19:53,760 --> 00:19:56,399 Speaker 1: I don't care. But that's I guess where we forget 385 00:19:57,040 --> 00:20:00,480 Speaker 1: people with Star Wars are I know, I now, I know, 386 00:20:00,600 --> 00:20:02,720 Speaker 1: I know, But like there's also not a very high 387 00:20:02,720 --> 00:20:05,439 Speaker 1: capacity at this hotel. So what's gonna happen is it's 388 00:20:05,480 --> 00:20:09,520 Speaker 1: going to fill up? Ye see this is and then 389 00:20:09,600 --> 00:20:12,480 Speaker 1: it's like why do we do it. It's it's it's 390 00:20:12,480 --> 00:20:16,160 Speaker 1: like classic like marketing stuff. I don't I don't even 391 00:20:16,160 --> 00:20:17,440 Speaker 1: know what I'm talking about, but it's like it's the 392 00:20:17,440 --> 00:20:19,199 Speaker 1: reason why like ps fives are still hard to get it. 393 00:20:19,280 --> 00:20:21,680 Speaker 1: But there's no actual real reason for them for them 394 00:20:21,680 --> 00:20:25,560 Speaker 1: to like not manufacture more. It's just it's it's it 395 00:20:26,080 --> 00:20:30,400 Speaker 1: fits into like a specific sales schedule for them. But um, 396 00:20:30,400 --> 00:20:32,880 Speaker 1: I was gonna say at the end of the day, though, 397 00:20:32,920 --> 00:20:34,840 Speaker 1: not to be like reductive, and I and we love 398 00:20:34,920 --> 00:20:38,399 Speaker 1: the parks, but you're you're still like in like a 399 00:20:38,560 --> 00:20:41,840 Speaker 1: fenced swamp, like that's all that that's all the Disney 400 00:20:41,880 --> 00:20:44,479 Speaker 1: property is in Orlando. And I'm like, you, you might 401 00:20:44,520 --> 00:20:47,520 Speaker 1: as well just like pay for like a nice luxury 402 00:20:47,520 --> 00:20:51,680 Speaker 1: hotel experience. That's great, But to like theme it so aggressively, 403 00:20:51,720 --> 00:20:55,160 Speaker 1: I'm like, that feels scary to me. I think it's 404 00:20:55,200 --> 00:20:57,720 Speaker 1: just not for you. And I no, no, no, that's 405 00:20:58,080 --> 00:21:00,320 Speaker 1: and I think that for the people it's for, that's great. 406 00:21:00,400 --> 00:21:04,600 Speaker 1: It's just it's so expensive like that. I'm like, this 407 00:21:04,680 --> 00:21:06,760 Speaker 1: is not available to everyone. And if I was someone 408 00:21:06,760 --> 00:21:08,600 Speaker 1: who was in like a low income family or even 409 00:21:08,600 --> 00:21:11,280 Speaker 1: the middle income family, and I wanted to do this 410 00:21:11,359 --> 00:21:13,640 Speaker 1: and I saw what it was priced that it would 411 00:21:13,680 --> 00:21:16,680 Speaker 1: just demoralize me. It's great and like that's and I 412 00:21:17,160 --> 00:21:19,920 Speaker 1: I really you know what, I almost hesitate to say 413 00:21:19,960 --> 00:21:22,800 Speaker 1: this because they own everything, but it's like, you know, 414 00:21:23,480 --> 00:21:26,280 Speaker 1: Disney is so about the bottom line that it's just 415 00:21:26,440 --> 00:21:29,080 Speaker 1: it feels a little like everyone's about the bottom line. Well, 416 00:21:29,080 --> 00:21:31,399 Speaker 1: everyone is about the bottom line, especially as we move forward, 417 00:21:31,400 --> 00:21:33,720 Speaker 1: and like you you it becomes more and more clear. 418 00:21:33,800 --> 00:21:37,000 Speaker 1: But like but then anyway, anyway, regardless, there is a 419 00:21:37,119 --> 00:21:40,240 Speaker 1: live Tyler Architectural Digest home Tour which I'm really excited. 420 00:21:41,680 --> 00:21:43,840 Speaker 1: I'm really excited to watch that. Um and there is 421 00:21:43,920 --> 00:21:46,160 Speaker 1: actually shout out to Trixie Mattel. I have the pits 422 00:21:46,200 --> 00:21:49,679 Speaker 1: stop UM All Stars six episode eight to watch with Raja. 423 00:21:49,920 --> 00:21:52,320 Speaker 1: This is not that damn it. This is like you 424 00:21:52,359 --> 00:21:54,760 Speaker 1: have a pretty good no. Yeah. Then there's a Clarkson 425 00:21:54,800 --> 00:21:57,520 Speaker 1: It's Quiet Uptown from Hamilton's cover. If I refresh, it 426 00:21:57,680 --> 00:22:02,280 Speaker 1: says what um uh oh bang bang my baby shot 427 00:22:02,320 --> 00:22:05,399 Speaker 1: me down live from live live Goga performance. We have 428 00:22:05,440 --> 00:22:14,520 Speaker 1: to talk about that happen before we get into all that. 429 00:22:14,600 --> 00:22:16,919 Speaker 1: Please tell me what's on your YouTube landing page is 430 00:22:16,920 --> 00:22:21,120 Speaker 1: it damning my Probably my first one is um because 431 00:22:21,119 --> 00:22:23,520 Speaker 1: I have like thirty seconds left in the in the 432 00:22:23,680 --> 00:22:26,920 Speaker 1: Envy ContraPoints is that contra points video. My second one 433 00:22:27,080 --> 00:22:32,080 Speaker 1: is a recipe for Korean boogogie bowl um from this 434 00:22:32,160 --> 00:22:35,720 Speaker 1: YouTube Chuff. I really like. Her name is marian Um. 435 00:22:35,720 --> 00:22:39,560 Speaker 1: It's not it's not some kin long gust and it's 436 00:22:39,640 --> 00:22:42,280 Speaker 1: not monchy. Those are like two other really popular YouTube 437 00:22:42,440 --> 00:22:45,800 Speaker 1: Korean YouTubers that I really like. Anyway, my my YouTube 438 00:22:45,840 --> 00:22:48,119 Speaker 1: is mostly like recipes, even though I don't fucking cook. 439 00:22:48,280 --> 00:22:51,199 Speaker 1: But but can you admit to watching a lot of 440 00:22:51,440 --> 00:22:54,159 Speaker 1: food related recipe stuff on so okay? That's kind of 441 00:22:54,200 --> 00:22:56,280 Speaker 1: interesting and cool? Are you? Are you sort of trying 442 00:22:56,320 --> 00:22:59,040 Speaker 1: to dip your toe into the No, I'm just like 443 00:22:59,440 --> 00:23:01,600 Speaker 1: it brings me great comfort. It's like it's like to 444 00:23:01,800 --> 00:23:04,199 Speaker 1: watch it happen. It's like it's it's kind of this. 445 00:23:04,280 --> 00:23:06,399 Speaker 1: I understand why people watch like muk bung videos of 446 00:23:06,440 --> 00:23:09,760 Speaker 1: people eating things. For me, it's like, I really am 447 00:23:09,800 --> 00:23:12,639 Speaker 1: relaxed by people making food. We have to watch cooking 448 00:23:12,680 --> 00:23:15,200 Speaker 1: with Paris. I hear it's like not a cooking show 449 00:23:15,240 --> 00:23:17,959 Speaker 1: that well, I hear it's someone posted before just like 450 00:23:18,040 --> 00:23:21,000 Speaker 1: She's sitting with Kim Kardashian eating something, and it was 451 00:23:21,320 --> 00:23:23,520 Speaker 1: Kim takes a bite of something and looks at her 452 00:23:23,560 --> 00:23:28,280 Speaker 1: and goes like this like she's enjoying it so much, 453 00:23:28,280 --> 00:23:30,280 Speaker 1: and her face is just like, oh my god. I 454 00:23:30,440 --> 00:23:34,520 Speaker 1: just like watching them eat was like really satisfying. The 455 00:23:34,720 --> 00:23:36,400 Speaker 1: like she sat down and ate something with You would 456 00:23:36,400 --> 00:23:38,120 Speaker 1: like muk bong and you would you like watching people 457 00:23:38,160 --> 00:23:40,680 Speaker 1: eat things? I think, I well, then I well, here's 458 00:23:40,680 --> 00:23:43,359 Speaker 1: the deal. I get so hungry. No, me too. I 459 00:23:43,400 --> 00:23:45,320 Speaker 1: always get hungry when I watch the cooking videos and 460 00:23:45,520 --> 00:23:49,000 Speaker 1: I want that, and you're probably happening at night. It's 461 00:23:49,040 --> 00:23:50,880 Speaker 1: probably happening at night. But I even do this when 462 00:23:50,880 --> 00:23:53,320 Speaker 1: I order like delivery for lunch or dinner, like I will, 463 00:23:53,760 --> 00:23:56,480 Speaker 1: I'll order dumplings and then I'll look up dumpling videos 464 00:23:57,160 --> 00:23:59,639 Speaker 1: and it's like so funny. They are really satisfying to 465 00:23:59,640 --> 00:24:02,840 Speaker 1: watch a watch getting made dumplings. Yeah, yeah, like I 466 00:24:02,880 --> 00:24:07,000 Speaker 1: believe on Beverly Hills earlier this seasoning Crista wasn't Yeah. 467 00:24:07,040 --> 00:24:10,160 Speaker 1: That was so sweet. By the way, Crystal Kung Minkoff 468 00:24:10,200 --> 00:24:13,119 Speaker 1: was on the podcast Andy's Girls, hosted by Sarah Gally. 469 00:24:13,440 --> 00:24:16,439 Speaker 1: It was an amazing interview. She really gets into She 470 00:24:16,480 --> 00:24:19,480 Speaker 1: really explains, I'm such a huge fan. We love her. 471 00:24:19,760 --> 00:24:22,119 Speaker 1: I would like to reach out to her, out to 472 00:24:22,200 --> 00:24:26,640 Speaker 1: her very first housewife, but she she um. So Rob 473 00:24:26,760 --> 00:24:28,639 Speaker 1: came into the interview. I guess they were staying together. 474 00:24:28,680 --> 00:24:30,160 Speaker 1: She was in New York to do Watch What Happens 475 00:24:30,160 --> 00:24:33,080 Speaker 1: Live and do you know this? This gagged me. He 476 00:24:33,240 --> 00:24:37,560 Speaker 1: did the original character design for Ursula. Oh my, he 477 00:24:37,920 --> 00:24:40,920 Speaker 1: drew Ursula. So they were he said in the interview. 478 00:24:40,960 --> 00:24:42,880 Speaker 1: He like popped in and talked about this. She hasked 479 00:24:42,960 --> 00:24:47,560 Speaker 1: really amazing questions. Great job, Sarah, um. But he was like, 480 00:24:47,680 --> 00:24:49,879 Speaker 1: you know, originally the character designed for Ursula was going 481 00:24:49,920 --> 00:24:52,960 Speaker 1: to be very Joan Collins. Well, they and then that 482 00:24:53,040 --> 00:24:55,320 Speaker 1: design ended up being in the second movie as Morgan 483 00:24:55,480 --> 00:24:59,320 Speaker 1: or sister. Yeah, so he said he has an idea. 484 00:25:00,080 --> 00:25:02,520 Speaker 1: He I guess his roommate was like, um, this gay 485 00:25:02,520 --> 00:25:04,920 Speaker 1: guy who would who was into divine and would dress 486 00:25:05,000 --> 00:25:06,840 Speaker 1: up as divine. And he was like, we got into 487 00:25:06,880 --> 00:25:10,520 Speaker 1: divine and like drew the very first image of Ursula 488 00:25:10,640 --> 00:25:14,560 Speaker 1: as like a very volup. Yes. So Rob was an 489 00:25:14,600 --> 00:25:18,280 Speaker 1: animator and he and he also worked. He wrote an 490 00:25:18,280 --> 00:25:21,159 Speaker 1: early draft of the story for Beauty and the Beast, 491 00:25:21,640 --> 00:25:24,560 Speaker 1: and that's why by doing all that stuff, they gave 492 00:25:24,640 --> 00:25:27,520 Speaker 1: him the responsibility of directing the Lion King. But he 493 00:25:27,880 --> 00:25:33,480 Speaker 1: robbed Minkoff. Crystal, the Kung Minkoff's husband is why we 494 00:25:33,520 --> 00:25:35,680 Speaker 1: have Ursula the way we have her, and probably why 495 00:25:35,680 --> 00:25:39,880 Speaker 1: Pat Carroll was cast. God, that's so great. And she 496 00:25:39,880 --> 00:25:42,960 Speaker 1: she went so into like how she used the word violated, 497 00:25:43,040 --> 00:25:48,280 Speaker 1: because when I fully am on crystal side, she really 498 00:25:48,320 --> 00:25:50,400 Speaker 1: opens up about how hard it is with the eating 499 00:25:50,440 --> 00:25:52,440 Speaker 1: disorder and her body image to be on the show. 500 00:25:52,440 --> 00:25:55,119 Speaker 1: And she they had such an emotional conversation. It's I 501 00:25:55,400 --> 00:25:58,920 Speaker 1: really recommend listening. We love Crystal. I'm sure we talked 502 00:25:58,920 --> 00:26:01,000 Speaker 1: about this on the Pond maybe. But if I'm Chris, 503 00:26:01,080 --> 00:26:03,720 Speaker 1: if I'm naked in a room and then someone walked in, 504 00:26:03,920 --> 00:26:07,720 Speaker 1: walked in and didn't immediately withdraw or like close the door, 505 00:26:07,960 --> 00:26:12,040 Speaker 1: if if like Sutton kept walking into the room even 506 00:26:12,200 --> 00:26:14,119 Speaker 1: to quickly drop the thing off, I would have been like, 507 00:26:14,280 --> 00:26:17,159 Speaker 1: what the funk are you doing? It's it would be 508 00:26:17,200 --> 00:26:19,680 Speaker 1: so upsetting to me anyway, especially when you take into 509 00:26:19,680 --> 00:26:24,480 Speaker 1: account like the specific issues that Crystal deals with which 510 00:26:24,480 --> 00:26:28,360 Speaker 1: she has um elaborated on on the show a little bit, 511 00:26:28,400 --> 00:26:30,480 Speaker 1: but has really got into on this one episode of 512 00:26:30,480 --> 00:26:33,080 Speaker 1: the podcast. If you're a fan, you should listen. Um 513 00:26:33,440 --> 00:26:37,439 Speaker 1: was was really really great, but I couldn't believe that 514 00:26:38,320 --> 00:26:40,119 Speaker 1: he was responsible for all that. I just thought that 515 00:26:40,160 --> 00:26:41,840 Speaker 1: was so cool, and he was like, yeah, I'm like 516 00:26:41,920 --> 00:26:43,760 Speaker 1: truly a kid at heart and a nerd and like, 517 00:26:44,040 --> 00:26:46,560 Speaker 1: you know, like, and he seems very cool about her 518 00:26:46,600 --> 00:26:50,800 Speaker 1: being on the show. Artist. He's like, really, okay, what's that? 519 00:26:50,840 --> 00:26:53,720 Speaker 1: What else? What else? Um? I have a play through 520 00:26:53,840 --> 00:26:57,760 Speaker 1: of the Great Ace Attorney Chronicles. It's this game I'm playing. Um. 521 00:26:57,800 --> 00:27:00,400 Speaker 1: It's a courtroom game. It's the Japanese game AIM where 522 00:27:00,480 --> 00:27:03,240 Speaker 1: what would you play as a lawyer? I love that 523 00:27:03,480 --> 00:27:06,000 Speaker 1: And it's so fun and it's like and you're supposed 524 00:27:06,000 --> 00:27:07,840 Speaker 1: to like there's like an investigation part, but you're supposed 525 00:27:07,840 --> 00:27:09,480 Speaker 1: to look for clues and evidence and then you have 526 00:27:09,520 --> 00:27:12,320 Speaker 1: to bring it to court and then present and you 527 00:27:12,320 --> 00:27:15,200 Speaker 1: have to like it's almost always about taking one villain 528 00:27:15,240 --> 00:27:17,560 Speaker 1: down who's like making you seem like the bad guy. 529 00:27:17,680 --> 00:27:20,680 Speaker 1: It's so it's so satisfied. Um, Okay. Then I have 530 00:27:21,320 --> 00:27:24,520 Speaker 1: uh New York film Academies Q and A with Elizabeth 531 00:27:24,560 --> 00:27:27,080 Speaker 1: Olsen I have so much. I have a lot of 532 00:27:27,160 --> 00:27:31,320 Speaker 1: Elizabeth like um, and then okay, I have four more. 533 00:27:31,960 --> 00:27:34,680 Speaker 1: I have the hot ones of Matt Damon. Unfortunately, because 534 00:27:34,680 --> 00:27:36,520 Speaker 1: I watched Hot Oh my god, I had the hot 535 00:27:36,560 --> 00:27:40,520 Speaker 1: one and I didn't say it. Shame and why is that? 536 00:27:40,680 --> 00:27:42,520 Speaker 1: I didn't want to bring him up. I'm sorry, Okay, 537 00:27:42,680 --> 00:27:47,720 Speaker 1: let's move ONCT. Yes you retract. UM. I have these 538 00:27:47,760 --> 00:27:52,600 Speaker 1: two straight male doctors talking but dermatologists talking about exfoliation tips. 539 00:27:53,320 --> 00:27:56,679 Speaker 1: That's that's my skincare YouTube blade. And then I have Unfortunately, 540 00:27:56,720 --> 00:28:00,639 Speaker 1: I always see SNL sketches because I'll just like, like 541 00:28:00,760 --> 00:28:01,879 Speaker 1: you all wake up on a Sunday and be like, 542 00:28:01,920 --> 00:28:03,280 Speaker 1: oh my god, I want to watch that sketchy and 543 00:28:03,400 --> 00:28:04,679 Speaker 1: not even I'll be like, I want to watch that 544 00:28:04,720 --> 00:28:08,000 Speaker 1: thing where Heidi plays the cocaine wife. I often get 545 00:28:08,080 --> 00:28:11,600 Speaker 1: like Bowen Yang things and I'm like, is it because 546 00:28:11,600 --> 00:28:13,879 Speaker 1: they hear me talking about it like it's so funny. 547 00:28:13,880 --> 00:28:15,760 Speaker 1: It's like it's like, here's what Bowen did on s 548 00:28:15,840 --> 00:28:17,280 Speaker 1: n l LST Night. I'm like, it's so funny that 549 00:28:17,359 --> 00:28:19,679 Speaker 1: it knows. But I guess it would give that to 550 00:28:19,720 --> 00:28:23,240 Speaker 1: any fag, not any fag, not the ones, not the 551 00:28:23,240 --> 00:28:27,240 Speaker 1: ones who don't stand me. Um. And then maybe that's why. 552 00:28:27,320 --> 00:28:29,480 Speaker 1: Maybe that's why. And then I have a jerk chicken 553 00:28:29,520 --> 00:28:32,920 Speaker 1: meatballs recipe from New York Times. It comes it's a 554 00:28:32,960 --> 00:28:35,080 Speaker 1: lot of food. Anyway, I'm now seeing I have a 555 00:28:35,119 --> 00:28:37,520 Speaker 1: lot of music, so I said Maggie Rogers performing say 556 00:28:37,560 --> 00:28:41,280 Speaker 1: it on the Tonight show. Um. And also there's there's 557 00:28:41,320 --> 00:28:43,320 Speaker 1: one headline that I have to say out loud because 558 00:28:43,320 --> 00:28:49,920 Speaker 1: it's so funny to me, problematic roller coasters. And then, 559 00:28:50,040 --> 00:28:52,240 Speaker 1: by the way, this one that says unforgettable moments from 560 00:28:52,240 --> 00:28:54,400 Speaker 1: Megan McCain co hosting the View, which is from the 561 00:28:54,440 --> 00:28:58,320 Speaker 1: Views channel and she is officially done, is especially out 562 00:28:58,360 --> 00:29:02,560 Speaker 1: of there. I mean, what do we think her next 563 00:29:03,080 --> 00:29:07,720 Speaker 1: chapter is besides being our producer producing the show, raising 564 00:29:07,720 --> 00:29:12,120 Speaker 1: her daughter Liberty. That's right. She's just so on the nose. 565 00:29:12,320 --> 00:29:15,480 Speaker 1: It's so it's so crazy. The daughter's name is Liberty. 566 00:29:15,520 --> 00:29:17,880 Speaker 1: What do you know what like maybe maybe they'll call 567 00:29:17,920 --> 00:29:22,560 Speaker 1: her Liberty. I just can't imagine being called Liberty. And 568 00:29:22,720 --> 00:29:27,200 Speaker 1: then again, I'm not a McCain, Like, I don't know, 569 00:29:27,440 --> 00:29:29,720 Speaker 1: it's I don't know. It's like she's even like on 570 00:29:29,760 --> 00:29:31,600 Speaker 1: the nose in terms of like being a woman who 571 00:29:31,680 --> 00:29:34,440 Speaker 1: has gay friends. It's like with the hair, it's like 572 00:29:35,360 --> 00:29:40,320 Speaker 1: you're so so like like you're you're like an insect 573 00:29:40,400 --> 00:29:42,680 Speaker 1: on the ground. You don't even have any perspective on 574 00:29:42,880 --> 00:29:46,360 Speaker 1: like what things look like an inch above the floor. 575 00:29:46,760 --> 00:29:49,320 Speaker 1: I'm sorry I being so toxic. I mean, just the 576 00:29:49,320 --> 00:29:51,120 Speaker 1: fact that the daughter was named Liberty. I was like, 577 00:29:51,160 --> 00:29:54,040 Speaker 1: I really was, like, I mean, it's just it feels 578 00:29:54,040 --> 00:29:55,840 Speaker 1: like who is it for. It's not for the not 579 00:29:55,920 --> 00:29:59,560 Speaker 1: for the kid, like she has to live, it's for 580 00:29:59,720 --> 00:30:02,440 Speaker 1: John on mccame. And that's just I guess that. And 581 00:30:02,520 --> 00:30:04,280 Speaker 1: you know what the thing is, Sometimes it just feels 582 00:30:04,320 --> 00:30:06,840 Speaker 1: like she's like stunting to prove a point or to 583 00:30:06,840 --> 00:30:08,960 Speaker 1: be like, no, I actually do walk the walk. My 584 00:30:09,040 --> 00:30:13,320 Speaker 1: daughter's name is Liberty, and it's like, yeah, but now girl, 585 00:30:14,280 --> 00:30:17,560 Speaker 1: that girl's name is gonna be Liberty. That's I think 586 00:30:17,560 --> 00:30:20,400 Speaker 1: that people don't sometimes understand that when you name your 587 00:30:20,480 --> 00:30:24,000 Speaker 1: child something, your child lives with that name probably most 588 00:30:24,000 --> 00:30:26,360 Speaker 1: of the time, I'm gonna say, at the time, for 589 00:30:26,440 --> 00:30:29,880 Speaker 1: the rest of their life. Yeah, it's so funny now 590 00:30:29,920 --> 00:30:31,600 Speaker 1: to be in a nage where like you'll you'll watch 591 00:30:31,600 --> 00:30:33,880 Speaker 1: like Gwyneth Paltrow and an interview being like, yeah, Apple 592 00:30:34,000 --> 00:30:36,240 Speaker 1: was saying this, and I'm like, oh, yeah, there's a 593 00:30:36,320 --> 00:30:38,640 Speaker 1: human being out there who has accepted the fact that 594 00:30:38,680 --> 00:30:42,360 Speaker 1: their name is Apple, Apple Martin. And here's the deal. 595 00:30:43,040 --> 00:30:45,360 Speaker 1: If this is this is actually something I really think. 596 00:30:46,480 --> 00:30:49,400 Speaker 1: It's like if if you are someone with a name, 597 00:30:49,440 --> 00:30:52,160 Speaker 1: if a last name that's like Martin, then you can 598 00:30:52,160 --> 00:30:56,440 Speaker 1: get away with an exotic, weirdo first name. But like, 599 00:30:57,120 --> 00:30:59,080 Speaker 1: I don't, I don't, and who cares, Like, name your 600 00:30:59,160 --> 00:31:00,880 Speaker 1: kid whatever the fun you want. I just want people 601 00:31:00,920 --> 00:31:04,000 Speaker 1: to understand that when you name your daughter Liberty, like 602 00:31:04,400 --> 00:31:06,800 Speaker 1: then she has to say, Hi, I'm Liberty. No, there's 603 00:31:06,800 --> 00:31:09,880 Speaker 1: nothing wrong with the name Liberty. I guess no, not 604 00:31:09,960 --> 00:31:13,960 Speaker 1: Liberty McCain. Where I'm saying that Liberty dominance for Mega 605 00:31:14,000 --> 00:31:17,760 Speaker 1: mccannaby who she is to name her daughter Liberty because 606 00:31:17,760 --> 00:31:22,120 Speaker 1: it's in some ways it recalls like her lineage or something. 607 00:31:22,200 --> 00:31:24,280 Speaker 1: It's like, that's what's upsetting to me. I'm like, oh, 608 00:31:24,400 --> 00:31:26,560 Speaker 1: you're reminding us that your dad was a senator and 609 00:31:26,600 --> 00:31:32,560 Speaker 1: that you are love America. It's so pathetic. Whatever. I 610 00:31:32,680 --> 00:31:34,880 Speaker 1: just feel like, I don't know, it's just anyway she 611 00:31:35,160 --> 00:31:39,040 Speaker 1: uh blessings to her, so well, work. We can't wait 612 00:31:39,080 --> 00:31:42,560 Speaker 1: for you to work closer with us. We can't wait 613 00:31:42,560 --> 00:31:46,600 Speaker 1: for your want to take even more firm hand on 614 00:31:46,800 --> 00:31:50,240 Speaker 1: the going goings on of this podcast. Moving forward, Thank you. 615 00:31:50,440 --> 00:31:55,480 Speaker 1: Let's talk about another icon, blonde icon. Wait, were you 616 00:31:55,520 --> 00:31:57,640 Speaker 1: disappointed that she didn't come out? So you guys, we 617 00:31:57,680 --> 00:32:00,160 Speaker 1: went to go see Lady Gaga and Tony and she 618 00:32:00,240 --> 00:32:02,840 Speaker 1: sang bang bang, which she did. She didn't come out 619 00:32:02,880 --> 00:32:05,160 Speaker 1: of the black curli like, which I really wanted, I 620 00:32:05,200 --> 00:32:07,960 Speaker 1: really wanted. But no, it's fine. She she I think 621 00:32:08,000 --> 00:32:11,280 Speaker 1: she wanted to like keep it. I don't know, It's 622 00:32:11,320 --> 00:32:13,640 Speaker 1: like simple, and I think she understood that this was 623 00:32:13,680 --> 00:32:16,280 Speaker 1: like Tony Bennett's last concert. Oh my god, I can't 624 00:32:16,280 --> 00:32:19,080 Speaker 1: believe you guys. It was so special. It was to 625 00:32:19,160 --> 00:32:21,360 Speaker 1: really get real for a second. You you said this 626 00:32:21,400 --> 00:32:23,440 Speaker 1: the other day, you were like, it was a historic content. 627 00:32:24,400 --> 00:32:28,080 Speaker 1: Don't almost agree, which which I agree. It was an 628 00:32:28,200 --> 00:32:32,480 Speaker 1: historic moment and his um. I will say, I think 629 00:32:32,680 --> 00:32:38,800 Speaker 1: there were forties standing ovations throughout the night. Ult yes, so, 630 00:32:39,080 --> 00:32:40,760 Speaker 1: and we were up for every single one of them. 631 00:32:41,320 --> 00:32:43,760 Speaker 1: I will say, I think we lad some. I let 632 00:32:43,760 --> 00:32:46,120 Speaker 1: her I literally left out on my chair, so many 633 00:32:46,320 --> 00:32:49,680 Speaker 1: we we were so like lucky to be there, and 634 00:32:49,840 --> 00:32:52,840 Speaker 1: I will so just to walk you through what happened readers. 635 00:32:53,160 --> 00:32:55,880 Speaker 1: It was Tony Bennetts last night. It was Gaga came 636 00:32:55,880 --> 00:32:59,200 Speaker 1: out and probably did like an hour right, and then 637 00:32:59,640 --> 00:33:04,520 Speaker 1: she left the stage killing it. She's sang She ended 638 00:33:04,560 --> 00:33:07,280 Speaker 1: with Lavan Rose, which was like huge, and she said, 639 00:33:07,320 --> 00:33:09,760 Speaker 1: I would not have sung this song if Tony didn't 640 00:33:09,800 --> 00:33:11,600 Speaker 1: tell me too. And then the indication there is like 641 00:33:12,040 --> 00:33:14,280 Speaker 1: because Bradley Cooper saw Gaga saying that and it was like, 642 00:33:14,360 --> 00:33:16,560 Speaker 1: you have to be in a stars like like I 643 00:33:16,600 --> 00:33:19,320 Speaker 1: could tell the Gaga is basically communicating like I would 644 00:33:19,320 --> 00:33:21,320 Speaker 1: not have maybe would not have gotten the Stars born 645 00:33:21,360 --> 00:33:23,120 Speaker 1: if it kind of been for my friendship with Tony 646 00:33:23,880 --> 00:33:27,840 Speaker 1: and she and she's sang it unbelievably. Well, you guys, 647 00:33:28,480 --> 00:33:30,600 Speaker 1: this is what I'm saying. If you don't love Lady Gaga, 648 00:33:30,680 --> 00:33:32,880 Speaker 1: you don't love yourself. And I am I'm doubling down 649 00:33:32,880 --> 00:33:37,280 Speaker 1: on a girl like she was absolutely alive in her performance. 650 00:33:37,280 --> 00:33:40,600 Speaker 1: She's really one of the best we have. She like 651 00:33:40,760 --> 00:33:43,880 Speaker 1: is a perfect vessel for like so much music history, 652 00:33:44,280 --> 00:33:47,680 Speaker 1: and I think she was channeling and I'm not just 653 00:33:47,720 --> 00:33:49,640 Speaker 1: saying this because of the coincidence of it all, she 654 00:33:49,760 --> 00:33:54,600 Speaker 1: was channeling Barbara, she was channeling Judy like it is 655 00:33:54,640 --> 00:33:57,440 Speaker 1: like that's like that's like the lineage, Like that's like 656 00:33:57,480 --> 00:34:00,479 Speaker 1: the new supreme logic. I'm sorry, I'm sorry make that 657 00:34:00,600 --> 00:34:04,040 Speaker 1: like reference. But it's like she is like she's carrying 658 00:34:04,040 --> 00:34:06,840 Speaker 1: this legacy from now on. And then so so she's 659 00:34:06,840 --> 00:34:09,680 Speaker 1: saying Lavian Rose. And then as a way of introducing Tony, 660 00:34:10,200 --> 00:34:12,040 Speaker 1: she was like, I'm gonna bring out Tony Bennett. Now 661 00:34:12,560 --> 00:34:15,440 Speaker 1: you guys have to make this a night he will 662 00:34:15,480 --> 00:34:18,279 Speaker 1: remember that. Make him smile, make him laugh, make him 663 00:34:18,280 --> 00:34:20,200 Speaker 1: feel at home. And she sang new York, New York. 664 00:34:20,280 --> 00:34:22,200 Speaker 1: She's saying she and then she threw on this this 665 00:34:23,680 --> 00:34:27,919 Speaker 1: jewel and crested top hat and fucking belted the ship 666 00:34:28,160 --> 00:34:31,440 Speaker 1: out of New York, New York, fucking jumped around the stage, 667 00:34:31,440 --> 00:34:35,600 Speaker 1: shookar asked, Sugar Tits did all of it? Just like 668 00:34:35,760 --> 00:34:38,560 Speaker 1: got this room of thousands of people at Radio City 669 00:34:38,600 --> 00:34:42,319 Speaker 1: just like camped to like welcome Tony Bennett. And then 670 00:34:42,360 --> 00:34:45,719 Speaker 1: he came on stage. Didn't miss a single fucking no. 671 00:34:45,920 --> 00:34:48,040 Speaker 1: This is something that you need to understand. So like 672 00:34:48,760 --> 00:34:51,840 Speaker 1: when we say he did not miss a note, a word, 673 00:34:52,440 --> 00:34:57,080 Speaker 1: and beyond that, just like an articulation, just like every 674 00:34:57,160 --> 00:35:04,120 Speaker 1: word meaning something real, like real performance. Now, it was 675 00:35:04,200 --> 00:35:07,560 Speaker 1: his ninety five birthday. The man is nine, so he's 676 00:35:07,600 --> 00:35:10,320 Speaker 1: been doing this for like I'm going on eighty years. 677 00:35:10,920 --> 00:35:13,759 Speaker 1: Understand that it's so in his body that it was 678 00:35:13,840 --> 00:35:16,800 Speaker 1: just such a sight to behold. And I do believe that. 679 00:35:17,080 --> 00:35:20,080 Speaker 1: You know, he's obviously in his very old age, like 680 00:35:20,120 --> 00:35:22,120 Speaker 1: this was his last show. It's crazy to say that, 681 00:35:22,160 --> 00:35:24,680 Speaker 1: but I think he has declined because he could really 682 00:35:24,680 --> 00:35:28,840 Speaker 1: only say right, so he's he's he's obviously declined, but 683 00:35:28,880 --> 00:35:31,560 Speaker 1: he could really only say in between songs like wow 684 00:35:31,680 --> 00:35:36,479 Speaker 1: or beautiful or beautiful audience, And he couldn't really say much, 685 00:35:36,520 --> 00:35:39,600 Speaker 1: but every word of every song was there, and you 686 00:35:39,719 --> 00:35:42,920 Speaker 1: enjoyed it. When he's sang smile, Oh my god, that's 687 00:35:42,920 --> 00:35:45,120 Speaker 1: when I lost it for real. That's when I lost 688 00:35:45,120 --> 00:35:48,040 Speaker 1: it for real. And then so he's performing and she 689 00:35:48,200 --> 00:35:51,520 Speaker 1: comes out and he says, Lady Gaga and they then 690 00:35:51,560 --> 00:35:54,080 Speaker 1: they sang about four songs together, and this was really 691 00:35:54,080 --> 00:35:57,160 Speaker 1: the moment of the night. She turns to him and 692 00:35:57,200 --> 00:36:00,319 Speaker 1: she says something along the lines of Mr Bennett, I 693 00:36:00,360 --> 00:36:02,359 Speaker 1: just want to say, on behalf of everyone here and 694 00:36:02,480 --> 00:36:04,600 Speaker 1: on behalf of everyone in the world that has enjoyed 695 00:36:04,600 --> 00:36:07,200 Speaker 1: your music. Thank you so much for gracing us with 696 00:36:07,239 --> 00:36:09,600 Speaker 1: your talent that has changed the world for the better. 697 00:36:10,000 --> 00:36:12,480 Speaker 1: And you are one of a kind. You're a legend, 698 00:36:12,719 --> 00:36:14,760 Speaker 1: you always will be and it would be my honor 699 00:36:14,840 --> 00:36:17,560 Speaker 1: to escort you off the stage. And there it was 700 00:36:17,640 --> 00:36:24,600 Speaker 1: just not a dry eye. And it was like two three, 701 00:36:24,760 --> 00:36:28,960 Speaker 1: four minutes of like Gaga and Tony Watt slowly walking 702 00:36:29,040 --> 00:36:34,840 Speaker 1: off stage together and everyone on their feet clapping, sending 703 00:36:34,880 --> 00:36:41,120 Speaker 1: this man off and him waving goodbye. It was so surreal. Yeah, 704 00:36:41,160 --> 00:36:43,279 Speaker 1: I was just I got really emotional at one point 705 00:36:43,320 --> 00:36:46,400 Speaker 1: because I was just like, this is truly a moment 706 00:36:46,840 --> 00:36:50,480 Speaker 1: of like not not just exaltation, but this is what 707 00:36:50,560 --> 00:36:52,360 Speaker 1: he deserves, you know what I mean. Like it's a 708 00:36:52,480 --> 00:36:56,960 Speaker 1: true music legend and there are so few that have 709 00:36:57,080 --> 00:36:59,120 Speaker 1: been done it for that long and it really just 710 00:36:59,200 --> 00:37:02,680 Speaker 1: it made me so like proud to be This sounds 711 00:37:02,680 --> 00:37:04,480 Speaker 1: so silly, but it made it's proud to be in 712 00:37:04,480 --> 00:37:06,400 Speaker 1: the arts. It may be proud to be a New Yorker, 713 00:37:06,840 --> 00:37:10,400 Speaker 1: it may be proud like to be a music fan, 714 00:37:10,640 --> 00:37:13,040 Speaker 1: like and it really was. I don't take for granted 715 00:37:13,040 --> 00:37:14,879 Speaker 1: that we were able to go there, like we are 716 00:37:14,960 --> 00:37:18,600 Speaker 1: so lucky, unfortunately, like to be able to have seen that, 717 00:37:18,960 --> 00:37:22,600 Speaker 1: because you know, these people are not here forever, and 718 00:37:22,680 --> 00:37:24,680 Speaker 1: it's it's important to try to go out there and 719 00:37:24,719 --> 00:37:27,440 Speaker 1: see that. Because I was so emotional, because I was like, 720 00:37:27,680 --> 00:37:31,320 Speaker 1: this is truly a person who has impacted so many, 721 00:37:31,440 --> 00:37:36,359 Speaker 1: who is getting the opportunity for people to scream their 722 00:37:36,440 --> 00:37:39,600 Speaker 1: love for him and support for him. And she got that, 723 00:37:39,760 --> 00:37:43,160 Speaker 1: she knew her responsibility. She took it so seriously that 724 00:37:43,239 --> 00:37:47,840 Speaker 1: someone has impacted her so much, I think culturally, musically, socially, 725 00:37:48,080 --> 00:37:49,879 Speaker 1: as a friend, you know what I mean. Like it's 726 00:37:49,920 --> 00:37:53,160 Speaker 1: just so it was just a perfect night. There was 727 00:37:53,640 --> 00:37:57,320 Speaker 1: um and shouts to Radio City for requiring proof of 728 00:37:57,400 --> 00:37:59,960 Speaker 1: vaccination for everybody. Um going in wait, I want to 729 00:38:00,080 --> 00:38:03,080 Speaker 1: read this thing. Apparently they're making a documentary and I think, yeah, 730 00:38:03,080 --> 00:38:05,120 Speaker 1: they're filming it. They were filming it too. Um, but 731 00:38:05,160 --> 00:38:07,520 Speaker 1: like there's there's gonna be like BTS stuff. There's there's 732 00:38:07,520 --> 00:38:10,359 Speaker 1: just like passage from Okay, this is like from the 733 00:38:10,440 --> 00:38:15,279 Speaker 1: a ARP. So the a RP like did some right 734 00:38:15,400 --> 00:38:18,360 Speaker 1: up about Tony and Gaga, like leading up to this 735 00:38:18,480 --> 00:38:21,080 Speaker 1: concert and like specifically with the focus on his battle 736 00:38:21,080 --> 00:38:23,680 Speaker 1: with Alzheimer's. But okay, here, let me just read this, 737 00:38:24,120 --> 00:38:27,840 Speaker 1: because I don't think we're ready for this documentary Tony 738 00:38:27,960 --> 00:38:30,400 Speaker 1: was doing. But Tony was a considerably more muted presence 739 00:38:30,440 --> 00:38:32,120 Speaker 1: during the recording of the new album with Gaga and 740 00:38:32,200 --> 00:38:34,560 Speaker 1: raw documentary footage of the sessions. He speaks rarely, and 741 00:38:34,560 --> 00:38:36,960 Speaker 1: when he does, his words are halting. At times, he 742 00:38:36,960 --> 00:38:40,160 Speaker 1: seems lost and bewildered. Gaga, clearly aware of his condition, 743 00:38:40,280 --> 00:38:42,879 Speaker 1: keeps her utterances short and simple, as it's recommended by 744 00:38:42,880 --> 00:38:45,520 Speaker 1: experts in the disease when talking to Alzheimer's patients. You 745 00:38:45,560 --> 00:38:47,840 Speaker 1: sound so good, Tony, she tells them. At one point, 746 00:38:48,280 --> 00:38:50,759 Speaker 1: thanks is this one word response? She says that she 747 00:38:50,880 --> 00:38:55,520 Speaker 1: thinks all the time about the Tony looks at her wordlessly. 748 00:38:56,000 --> 00:39:00,160 Speaker 1: Wasn't that fun every night? She prompts him, Yeah, he says, uncertainly. 749 00:39:00,560 --> 00:39:02,600 Speaker 1: The pain and sadness in Gaga's face is clear at 750 00:39:02,600 --> 00:39:05,080 Speaker 1: such moments, but never more so than in an extraordinarily 751 00:39:05,120 --> 00:39:07,600 Speaker 1: moving sequence in which Tony, a man she calls quote 752 00:39:07,600 --> 00:39:10,560 Speaker 1: an incredible mentor friend and father figure, sings the solo 753 00:39:10,640 --> 00:39:12,960 Speaker 1: passage of a love song. Gaga looks on from behind 754 00:39:13,000 --> 00:39:15,960 Speaker 1: her mic her smile breaking into a quiver, her eyes brimming, 755 00:39:16,000 --> 00:39:19,520 Speaker 1: before she puts her hands over her face and sobs like, 756 00:39:19,800 --> 00:39:23,520 Speaker 1: oh my god, this is this is so like it's 757 00:39:23,560 --> 00:39:29,000 Speaker 1: such a special, tragic but ultimately like that, the thing 758 00:39:29,040 --> 00:39:32,040 Speaker 1: about that night was that it was joyful. It wasn't ever, 759 00:39:32,080 --> 00:39:35,000 Speaker 1: it never really dipped into sadness. No, it did not. 760 00:39:35,920 --> 00:39:37,680 Speaker 1: And that is a testament, I think, to the way 761 00:39:37,800 --> 00:39:39,640 Speaker 1: to the tone that she said, yes and that was 762 00:39:39,680 --> 00:39:43,880 Speaker 1: all her and I would say, you know, it's so 763 00:39:44,000 --> 00:39:47,719 Speaker 1: easy to you know, it's funny, like it's actually her. 764 00:39:47,800 --> 00:39:52,160 Speaker 1: I believe her grandmother says to her and the Joanne documentarations, 765 00:39:52,280 --> 00:39:57,640 Speaker 1: just don't be maudlin. Yeah. I think that maybe it's 766 00:39:57,680 --> 00:40:02,279 Speaker 1: something that she took from that experience, um, because she 767 00:40:02,560 --> 00:40:06,920 Speaker 1: was so light and fun and you know, she was 768 00:40:07,040 --> 00:40:10,520 Speaker 1: twirling in her gown. She had like three three costumes 769 00:40:10,560 --> 00:40:14,480 Speaker 1: that she wore and they were all absolutely fantastic. Um 770 00:40:14,560 --> 00:40:17,200 Speaker 1: And you know, he clearly just had so much fun 771 00:40:17,239 --> 00:40:19,759 Speaker 1: watching her. And I think that it really was a 772 00:40:19,760 --> 00:40:23,279 Speaker 1: tone that she said, because it is easy too when 773 00:40:23,320 --> 00:40:26,560 Speaker 1: something is so sad, and there are a few things 774 00:40:27,239 --> 00:40:31,520 Speaker 1: that are as sad as um alzheimer losing someone to 775 00:40:32,600 --> 00:40:37,080 Speaker 1: Alzheimer's um or a degenerative disease like that, like Parkinson's, 776 00:40:37,080 --> 00:40:38,880 Speaker 1: And it's in my family and I've seen it up 777 00:40:38,920 --> 00:40:41,360 Speaker 1: close and it is and Boone as well, And I 778 00:40:41,400 --> 00:40:46,280 Speaker 1: think that it's it's something that you know, you can't 779 00:40:46,280 --> 00:40:48,680 Speaker 1: really explain until you go through it and you have 780 00:40:48,719 --> 00:40:52,520 Speaker 1: someone close to you that's experiencing that. But truly, I 781 00:40:52,560 --> 00:40:56,080 Speaker 1: think there is something to keeping things fun and keeping 782 00:40:56,120 --> 00:40:59,200 Speaker 1: things light and keeping things clear. And the message of 783 00:40:59,239 --> 00:41:03,120 Speaker 1: that evening was very clear, which was we're celebrating you 784 00:41:03,160 --> 00:41:06,120 Speaker 1: know what I mean. Like and so that was, like 785 00:41:06,160 --> 00:41:09,040 Speaker 1: I said, like we joke about iconic moments in culture, 786 00:41:09,080 --> 00:41:11,239 Speaker 1: like and we're all tongue in check and stupid about it, 787 00:41:11,280 --> 00:41:13,840 Speaker 1: but like, truly, that was a moment that was a moment, 788 00:41:13,880 --> 00:41:16,440 Speaker 1: that was a moment in time for sure, one of 789 00:41:16,520 --> 00:41:18,279 Speaker 1: the top. I think it's in the top. I think 790 00:41:18,320 --> 00:41:21,680 Speaker 1: that's in the top. It's something I'll never forget you 791 00:41:22,200 --> 00:41:24,920 Speaker 1: you honestly want to know. Like I I think that 792 00:41:25,000 --> 00:41:27,680 Speaker 1: will be probably in my top five of my life 793 00:41:27,680 --> 00:41:30,600 Speaker 1: thus far most memorable concert experience. It will be that 794 00:41:31,160 --> 00:41:35,319 Speaker 1: when I saw Beyonce du four when she did her 795 00:41:35,360 --> 00:41:40,000 Speaker 1: four Nights, I went with Colin Quarterpassy and like it 796 00:41:40,120 --> 00:41:43,440 Speaker 1: inspired me so much and she was just so amazing. 797 00:41:44,080 --> 00:41:48,440 Speaker 1: And then I don't know, like, uh I would I 798 00:41:48,480 --> 00:41:51,640 Speaker 1: would have Mariah my first concert ever when she came 799 00:41:51,640 --> 00:41:53,480 Speaker 1: out in her sailor look and said, do you like 800 00:41:53,560 --> 00:41:56,080 Speaker 1: the ensemble? It was my first concert I've ever seen. 801 00:41:56,120 --> 00:41:57,440 Speaker 1: I was ten years old and I screamed like a 802 00:41:57,440 --> 00:42:00,480 Speaker 1: fagon next to my dad and and Mathon's now I'll 803 00:42:00,480 --> 00:42:02,160 Speaker 1: never forget it for as long as I live. But 804 00:42:02,320 --> 00:42:04,480 Speaker 1: other ones too, But yeah, like that was it was 805 00:42:04,560 --> 00:42:06,879 Speaker 1: one of those nights where I was truly sitting there 806 00:42:06,880 --> 00:42:11,120 Speaker 1: and inspired, you know, yeah, oh I was fully inspired. 807 00:42:11,200 --> 00:42:15,680 Speaker 1: I was like I just need like I just want 808 00:42:15,680 --> 00:42:18,799 Speaker 1: to like I just I just I just I just 809 00:42:18,840 --> 00:42:20,719 Speaker 1: I just want to like take in. I just want 810 00:42:20,719 --> 00:42:23,799 Speaker 1: to observe her. I I don't know if you caught me. 811 00:42:24,440 --> 00:42:25,759 Speaker 1: I looked over you a lot, and you were just 812 00:42:25,800 --> 00:42:27,919 Speaker 1: like enjoying it. So I don't know if you ever 813 00:42:27,960 --> 00:42:30,480 Speaker 1: caught me. Just like jaw dropped, just like I was 814 00:42:30,520 --> 00:42:34,200 Speaker 1: just taking it. H I was just like, oh my god, 815 00:42:34,280 --> 00:42:36,359 Speaker 1: she's doing and study kept I mean when she put 816 00:42:36,400 --> 00:42:38,680 Speaker 1: on her top half for New York, New York. She 817 00:42:38,800 --> 00:42:41,160 Speaker 1: just like struck an angle and held it opposed and 818 00:42:41,320 --> 00:42:43,839 Speaker 1: held it and then study just said she is so 819 00:42:43,920 --> 00:42:47,239 Speaker 1: aware of her stage picture at all times, like that 820 00:42:47,320 --> 00:42:49,880 Speaker 1: as a performer, she knows what she looks like on 821 00:42:49,960 --> 00:42:53,040 Speaker 1: stage to other people. And that is like that sounds 822 00:42:53,120 --> 00:42:56,640 Speaker 1: very like shallow, I guess, but it's so important. It's 823 00:42:56,640 --> 00:42:59,319 Speaker 1: a show. It's a show. It's like she like is 824 00:42:59,440 --> 00:43:02,360 Speaker 1: so seasoned already as a performer that she doesn't she 825 00:43:02,840 --> 00:43:06,239 Speaker 1: it's so it's just so powerful. I don't know, I 826 00:43:06,400 --> 00:43:09,600 Speaker 1: fucking I mean, I think people know at this point 827 00:43:09,640 --> 00:43:11,839 Speaker 1: that like we both love Gaga, but like I've been 828 00:43:11,880 --> 00:43:17,879 Speaker 1: like truly so obsessed since since day one. To me, 829 00:43:18,400 --> 00:43:20,719 Speaker 1: I'm gonna say something that like is going to get 830 00:43:20,760 --> 00:43:24,840 Speaker 1: a lot of people like angry, like Gaga is Gaga 831 00:43:25,000 --> 00:43:28,560 Speaker 1: is Like maybe like I'm gonna say, now, I was 832 00:43:28,600 --> 00:43:29,840 Speaker 1: gonna say she was better than Ma Donna, But we 833 00:43:29,880 --> 00:43:32,279 Speaker 1: don't have to get into that conversation. I just you 834 00:43:32,320 --> 00:43:34,279 Speaker 1: know what I said the other day, and maybe this 835 00:43:34,360 --> 00:43:36,520 Speaker 1: is sort of similar to what you're trying to checulate, 836 00:43:36,520 --> 00:43:39,239 Speaker 1: which is I do believe she is our share I 837 00:43:39,280 --> 00:43:43,520 Speaker 1: do believe she is a generational like talent who will 838 00:43:43,600 --> 00:43:48,520 Speaker 1: last for as long as she wants to. Um. You know, 839 00:43:48,640 --> 00:43:54,240 Speaker 1: maybe if shares talents skew more towards the acting performance 840 00:43:54,880 --> 00:43:58,160 Speaker 1: realm than Gaga's talent skew a little bit more towards 841 00:43:58,200 --> 00:44:02,279 Speaker 1: the musical. I that I would say, maybe that's like 842 00:44:03,360 --> 00:44:05,520 Speaker 1: a way to distill how they are different. But I 843 00:44:05,560 --> 00:44:09,480 Speaker 1: believe that they're similar in so many like spiritual ways, 844 00:44:10,120 --> 00:44:12,799 Speaker 1: like in terms of reinvention, in terms of being able 845 00:44:12,840 --> 00:44:16,200 Speaker 1: to do so much. By the way, I think the 846 00:44:16,239 --> 00:44:18,600 Speaker 1: House of Gucci trailer looks good and like camp, and 847 00:44:18,640 --> 00:44:21,360 Speaker 1: I'd like good camp good. Yeah, yeah, I do not. 848 00:44:21,680 --> 00:44:23,440 Speaker 1: I know a lot of people think she sounds like 849 00:44:23,480 --> 00:44:27,640 Speaker 1: Count Jocula. I think we should wait, and I think, 850 00:44:27,960 --> 00:44:32,360 Speaker 1: you know, maybe it is a crazy accent, but let's understand, 851 00:44:32,400 --> 00:44:34,840 Speaker 1: we're going to settle into it and the movie is 852 00:44:34,880 --> 00:44:37,880 Speaker 1: gonna be what it is, and I think it looks delish. 853 00:44:38,080 --> 00:44:43,439 Speaker 1: We're all gonna see it. Yeah, I'll see you there. Yeah. Um, 854 00:44:43,719 --> 00:44:46,560 Speaker 1: I anything else we gonna talk about with Tony and Gaga, 855 00:44:48,320 --> 00:44:50,359 Speaker 1: just that it was one of the best nights ever. 856 00:44:50,480 --> 00:44:54,799 Speaker 1: And you know, I'll say he when He'll say again 857 00:44:54,800 --> 00:44:59,239 Speaker 1: when he says smile. Um, just it's just one of 858 00:44:59,239 --> 00:45:02,680 Speaker 1: the most beautiful things in the world. And I also 859 00:45:02,760 --> 00:45:05,239 Speaker 1: knowing the state that he is in, and um, you 860 00:45:05,280 --> 00:45:07,200 Speaker 1: know that he was able to still get that message 861 00:45:07,200 --> 00:45:10,600 Speaker 1: out so beautifully and clearly. It's just it's like sometimes 862 00:45:10,640 --> 00:45:13,200 Speaker 1: like you hear the right person sing the right song 863 00:45:13,320 --> 00:45:17,439 Speaker 1: and it just it changes, like the way oh no, 864 00:45:17,760 --> 00:45:20,360 Speaker 1: you know, like it's it's just speaking before by Beyonce. 865 00:45:20,440 --> 00:45:22,200 Speaker 1: I mean that's my whole thing with school in life's 866 00:45:22,239 --> 00:45:23,799 Speaker 1: like that, like, oh yeah, that was big for you, 867 00:45:24,200 --> 00:45:27,959 Speaker 1: like like say, truly snapped me out of something dark, 868 00:45:28,480 --> 00:45:30,400 Speaker 1: like a dark moment. Okay, My only note about the 869 00:45:30,440 --> 00:45:32,279 Speaker 1: Gaga show was I did want her in a black 870 00:45:32,320 --> 00:45:34,600 Speaker 1: curley wig and a red leather jumpsuit to sing Bang Bang. 871 00:45:34,680 --> 00:45:45,480 Speaker 1: That's fair. That's fair. Let's deliver on what we promised. 872 00:45:45,760 --> 00:45:49,600 Speaker 1: Let's actually deliver on what we promised, because it's important 873 00:45:49,600 --> 00:45:54,680 Speaker 1: to do that in life. And uh. We have the 874 00:45:54,760 --> 00:45:57,240 Speaker 1: rest of the categories for the Lost Cultures to Culture 875 00:45:57,280 --> 00:46:00,279 Speaker 1: Awards who as they say, whoo whoo as they day. 876 00:46:00,440 --> 00:46:02,680 Speaker 1: So these are some great categories. When you say, I 877 00:46:02,719 --> 00:46:04,200 Speaker 1: would say that these are some of the like we 878 00:46:04,239 --> 00:46:05,719 Speaker 1: said in the top of the episode. These are some 879 00:46:05,800 --> 00:46:09,040 Speaker 1: of the most iconic categories that have ever been announced, 880 00:46:09,360 --> 00:46:11,440 Speaker 1: and I think that we've done really well so far 881 00:46:11,480 --> 00:46:14,840 Speaker 1: and sort of covering all different areas, you know, best planet, 882 00:46:14,880 --> 00:46:18,360 Speaker 1: best animal in the s best note ever saw, best picture, 883 00:46:18,440 --> 00:46:22,920 Speaker 1: literal picture, best ascar, sort of smallest snub. We're covering 884 00:46:22,920 --> 00:46:26,680 Speaker 1: the whole, all parts of culture, and we have gone 885 00:46:26,760 --> 00:46:29,720 Speaker 1: even further with these, and I didn't think we could. 886 00:46:29,840 --> 00:46:31,560 Speaker 1: I don't think we could get deeper. It's like when 887 00:46:31,560 --> 00:46:34,000 Speaker 1: you swim out into the ocean and you think, I 888 00:46:34,040 --> 00:46:37,480 Speaker 1: can't go further, but you shouldn't, but you keep going 889 00:46:37,520 --> 00:46:39,840 Speaker 1: but you shouldn't. And I just want to say, you shouldn't, 890 00:46:41,040 --> 00:46:44,200 Speaker 1: but you can always go further. You can always go further. 891 00:46:44,640 --> 00:46:47,640 Speaker 1: There's actually a really culture number seventy seven in the ocean. 892 00:46:48,320 --> 00:46:53,279 Speaker 1: You can further, but you shouldn't. And we have gone 893 00:46:53,280 --> 00:46:56,640 Speaker 1: further in this sense. Okay, So we just want to 894 00:46:56,640 --> 00:46:59,279 Speaker 1: clear there was some confusion. We announced a seventy third 895 00:46:59,360 --> 00:47:03,440 Speaker 1: category on the episode Drop two weeks ago. It was 896 00:47:03,480 --> 00:47:05,600 Speaker 1: not it was not a category we discussed on the episode. 897 00:47:05,600 --> 00:47:07,839 Speaker 1: But Matt and I on the day as I made 898 00:47:07,840 --> 00:47:11,920 Speaker 1: the graphics for the category list, I said, we have 899 00:47:12,080 --> 00:47:13,840 Speaker 1: to throw in a category it will be the biggest 900 00:47:13,880 --> 00:47:16,080 Speaker 1: award of the night. This is actually the biggest award 901 00:47:16,080 --> 00:47:18,960 Speaker 1: of the night, and it is category number seventy three, 902 00:47:19,080 --> 00:47:22,680 Speaker 1: and it's sort of iconic for the seventy third categories 903 00:47:22,719 --> 00:47:26,239 Speaker 1: have any three questions vogue much um for it to 904 00:47:26,360 --> 00:47:28,960 Speaker 1: be the biggest category of the night. But sometimes, like 905 00:47:29,000 --> 00:47:31,200 Speaker 1: when the award show goes on for a very long time, 906 00:47:31,560 --> 00:47:33,120 Speaker 1: you do have to throw in a big category in 907 00:47:33,160 --> 00:47:36,080 Speaker 1: the middle there. So that's why number seventy three we 908 00:47:36,160 --> 00:47:39,000 Speaker 1: do have the next category, next category, this is the 909 00:47:39,600 --> 00:47:43,240 Speaker 1: go ahead Christina aguilera award for coming on this bitch 910 00:47:43,440 --> 00:47:47,600 Speaker 1: mad as hell. Now, for the uninitiated, there was once 911 00:47:47,600 --> 00:47:54,120 Speaker 1: a tweet which went as follows, Christina was at her lowest, fat, 912 00:47:54,360 --> 00:47:58,640 Speaker 1: nasty and broke career in shambles. She came on this 913 00:47:58,840 --> 00:48:02,560 Speaker 1: bitch maddest and then the link to moves like Jagger. 914 00:48:03,239 --> 00:48:09,840 Speaker 1: This tweet has struck a cultural nerve every every gay 915 00:48:09,880 --> 00:48:13,480 Speaker 1: sis man on the East Coast. We need to have 916 00:48:13,560 --> 00:48:17,840 Speaker 1: a handle because that gets lost. Are you looking it up? Yes? Okay, 917 00:48:17,840 --> 00:48:21,200 Speaker 1: so bone is gonna look up the sort of icon 918 00:48:21,800 --> 00:48:26,040 Speaker 1: that tweeted this. This is this. This account is only 919 00:48:26,320 --> 00:48:30,120 Speaker 1: it goes only by the letter lowercase J. The handle 920 00:48:30,200 --> 00:48:34,799 Speaker 1: is at very thick vadge with four jays and the 921 00:48:34,840 --> 00:48:39,879 Speaker 1: description is Harriet Tubman fan account. So they're an icon, 922 00:48:39,960 --> 00:48:45,839 Speaker 1: They're a legend um and I hope they realize what 923 00:48:45,880 --> 00:48:49,000 Speaker 1: they're called. I mean, eleven thousand likes on Twitter this, 924 00:48:49,120 --> 00:48:52,120 Speaker 1: I mean, people really, really, really really responded to this. 925 00:48:52,200 --> 00:48:55,279 Speaker 1: And this person is obviously a huge fan of Christina's 926 00:48:55,320 --> 00:49:00,000 Speaker 1: bridge verse on moves like Dagger, which we can agree 927 00:49:00,719 --> 00:49:03,719 Speaker 1: was definitely a cultural reset, and she came on this 928 00:49:03,760 --> 00:49:06,680 Speaker 1: bitch matt as hell, and so this isn't where that 929 00:49:06,719 --> 00:49:10,960 Speaker 1: honors that spirit of just being so motivated by her 930 00:49:11,080 --> 00:49:15,200 Speaker 1: squalor that you are just gonna fucking give it to them. 931 00:49:15,360 --> 00:49:19,520 Speaker 1: And in this case, squalor can mean true squalor or 932 00:49:20,160 --> 00:49:22,320 Speaker 1: you have a cushy job on the voice for I 933 00:49:22,320 --> 00:49:25,319 Speaker 1: don't know, twelve million dollars a season and a storied 934 00:49:25,440 --> 00:49:28,080 Speaker 1: career as a pop star. And also, you are not fat, 935 00:49:28,160 --> 00:49:34,160 Speaker 1: nasty or broke, You're simply Christy Aguilera. But the sentiment was, 936 00:49:34,200 --> 00:49:38,800 Speaker 1: at her lowest, fat nasty and broke career in shambles, 937 00:49:38,840 --> 00:49:41,840 Speaker 1: she came on this bitch, Matt as hell that sentiment 938 00:49:41,960 --> 00:49:44,440 Speaker 1: it's poetry. Well we should just say that that is 939 00:49:44,480 --> 00:49:47,440 Speaker 1: a poem. That is a poem. I mean there's a 940 00:49:47,760 --> 00:49:52,320 Speaker 1: descansion de scansion. Let's just say that, Okay, and I 941 00:49:53,280 --> 00:49:55,640 Speaker 1: Matt has Matt has already pitched a winner for this 942 00:49:55,719 --> 00:49:59,360 Speaker 1: and I cannot disagree with him. So, I mean, publicists, 943 00:49:59,400 --> 00:50:01,960 Speaker 1: please can paying for this event, like for this category 944 00:50:01,960 --> 00:50:04,600 Speaker 1: as you would any other. But we already have a 945 00:50:04,680 --> 00:50:07,000 Speaker 1: really really big contender for that. And of course every 946 00:50:07,040 --> 00:50:10,600 Speaker 1: category will have three nominees. That's something that Bone's finding 947 00:50:10,600 --> 00:50:14,000 Speaker 1: out now at the moment. We have a next category, 948 00:50:14,640 --> 00:50:18,480 Speaker 1: America's Next Top Model. Talk about this. What does this mean? 949 00:50:19,360 --> 00:50:23,040 Speaker 1: So sort of in the modeling industry, we have young 950 00:50:23,080 --> 00:50:28,279 Speaker 1: girls sort of coming up, um, you know more Bounty America. Yeah, 951 00:50:28,480 --> 00:50:31,399 Speaker 1: you hear about them, the hot deeds, yes, the other 952 00:50:31,440 --> 00:50:38,280 Speaker 1: hot deeds you hear about um, you know, Heidi Clue, clue. 953 00:50:38,800 --> 00:50:43,200 Speaker 1: But this is America's Next Top Model. So you may 954 00:50:43,239 --> 00:50:45,239 Speaker 1: have been aware of the show. I'm I was very 955 00:50:45,239 --> 00:50:48,319 Speaker 1: aware of the show. Yeah. Same, But this doesn't doesn't 956 00:50:48,360 --> 00:50:50,360 Speaker 1: necessarily have to do anything with the show. This is 957 00:50:50,560 --> 00:50:54,400 Speaker 1: a lost culture recess Cultural Award, Cultural award for America's 958 00:50:54,440 --> 00:50:57,720 Speaker 1: Next Top Model. Now any anything that any rubric tyra 959 00:50:57,840 --> 00:51:01,080 Speaker 1: graded on that's not necessarily us know, this is going 960 00:51:01,160 --> 00:51:06,440 Speaker 1: to be our again subjective opinion that is informed by 961 00:51:06,640 --> 00:51:09,560 Speaker 1: the publicists campaigning we have next category. Yeah, this is 962 00:51:09,560 --> 00:51:14,200 Speaker 1: more fashion, this is more fashion. Best dressed rhyme this 963 00:51:14,280 --> 00:51:19,960 Speaker 1: one rhyme's best dressed in rhymes doesn't necessarily mean anything. 964 00:51:20,760 --> 00:51:23,000 Speaker 1: I think it means, you know, someone who has this 965 00:51:23,120 --> 00:51:27,439 Speaker 1: sartorial awareness, someone who I was just saying, the rhyme 966 00:51:27,440 --> 00:51:31,000 Speaker 1: doesn't necessarily mean anything, but I just rhyme doesn't Rhyme 967 00:51:31,000 --> 00:51:36,040 Speaker 1: doesn't mean anything. Rhyme is usually meaningless, and so say that. 968 00:51:36,320 --> 00:51:38,040 Speaker 1: But I just think it's fun that it's that there's 969 00:51:38,040 --> 00:51:40,640 Speaker 1: a there's an internal rhyme there talk about this this. 970 00:51:40,880 --> 00:51:44,640 Speaker 1: I mean, I knew it as a senior superlative. It's 971 00:51:44,640 --> 00:51:47,680 Speaker 1: a senior superlative. You know, maybe it's something I mean, 972 00:51:47,800 --> 00:51:49,560 Speaker 1: is there is there another setting for this? I want 973 00:51:49,600 --> 00:51:51,839 Speaker 1: I was gonna say summer camp, but no, Like I mean, 974 00:51:52,000 --> 00:51:54,240 Speaker 1: I think that there could be a best dressed anywhere. 975 00:51:54,440 --> 00:51:57,840 Speaker 1: Often you see in the pages of the Rags the Rags, 976 00:51:57,880 --> 00:51:59,839 Speaker 1: well some then let's talk about this is this best 977 00:52:00,080 --> 00:52:04,560 Speaker 1: dressed during a certain time, in a certain place, at 978 00:52:04,600 --> 00:52:07,400 Speaker 1: a certain event. This is just best dressed overall. I 979 00:52:07,440 --> 00:52:10,960 Speaker 1: don't think it's up to us. I think it is, 980 00:52:10,880 --> 00:52:13,799 Speaker 1: is it? Because after the publicists convinced this is what 981 00:52:13,840 --> 00:52:16,120 Speaker 1: I love about the Lost Culture Is Culture Award, It's 982 00:52:16,200 --> 00:52:18,960 Speaker 1: not really up to us, even though we say it is. 983 00:52:19,000 --> 00:52:20,800 Speaker 1: When we say it is, it's like we don't actually 984 00:52:20,800 --> 00:52:25,439 Speaker 1: mean it. I think we're making the decisions for sure, 985 00:52:25,560 --> 00:52:30,000 Speaker 1: But is it? Because look, I would just say for 986 00:52:30,040 --> 00:52:31,880 Speaker 1: this I don't have a front runner the way I 987 00:52:31,880 --> 00:52:33,719 Speaker 1: do for many of the other categories. In fact, I've 988 00:52:33,719 --> 00:52:37,279 Speaker 1: already sort of suggested some winners to bowen. But you know, 989 00:52:37,280 --> 00:52:40,000 Speaker 1: like I said, there's gonna be three nominees for every 990 00:52:40,080 --> 00:52:41,839 Speaker 1: So this is one of those categories that's like it's 991 00:52:41,840 --> 00:52:45,720 Speaker 1: a crowded field, a lot of really well dressed people. 992 00:52:45,840 --> 00:52:49,799 Speaker 1: Can I ask you a personal question, good, when you 993 00:52:49,880 --> 00:52:52,280 Speaker 1: were in high school, how do you think you rank 994 00:52:52,800 --> 00:52:56,080 Speaker 1: in terms of the best dressed thing? I was? I 995 00:52:56,120 --> 00:52:59,120 Speaker 1: was in the gutter. I was you did not compete. 996 00:52:59,320 --> 00:53:03,960 Speaker 1: I was really face I was faced down, covered in 997 00:53:05,000 --> 00:53:08,920 Speaker 1: every kind of gross ship. When it comes to this category, 998 00:53:08,920 --> 00:53:10,719 Speaker 1: I did not I didn't you were not address not 999 00:53:10,719 --> 00:53:13,640 Speaker 1: a good dresser. Still, arguably I'm not. I think you're 1000 00:53:13,680 --> 00:53:15,640 Speaker 1: a great dress I'm wearing a T shirt and what 1001 00:53:15,680 --> 00:53:18,040 Speaker 1: are you thinking you're going to wear the Emmys? Um, 1002 00:53:18,160 --> 00:53:20,440 Speaker 1: I don't know, Yeah, we're I don't. I'm I'm figuring 1003 00:53:20,480 --> 00:53:22,520 Speaker 1: it out. You're figuring it out? Because are you still 1004 00:53:22,560 --> 00:53:25,000 Speaker 1: unsure about what the what the whole? I don't know 1005 00:53:25,120 --> 00:53:27,680 Speaker 1: what the hell is going to happen. I just wanted 1006 00:53:27,680 --> 00:53:29,319 Speaker 1: to ask, you know, did I ever tell you? I 1007 00:53:29,360 --> 00:53:33,400 Speaker 1: famously placed second for best Dressed? Really? I did not 1008 00:53:33,440 --> 00:53:36,279 Speaker 1: win a senior superlative. I placed second in three categories? 1009 00:53:36,800 --> 00:53:39,919 Speaker 1: What were the category best dressed? Attached at the hip 1010 00:53:39,960 --> 00:53:43,240 Speaker 1: with my best friend Kenny Donahue, shout out, love you baby, 1011 00:53:43,880 --> 00:53:45,560 Speaker 1: he's got a baby at home. He's got a baby. 1012 00:53:45,719 --> 00:53:48,760 Speaker 1: I just met the baby. And then and then most Athletic, 1013 00:53:50,000 --> 00:53:54,359 Speaker 1: and I lost to Malcolm Brown. Wow. Um, but can 1014 00:53:54,400 --> 00:53:56,200 Speaker 1: I just quickly say something about it? And you were 1015 00:53:56,280 --> 00:53:58,960 Speaker 1: most likely to become a SNL cast member, which was 1016 00:53:59,040 --> 00:54:02,880 Speaker 1: the fun which was the sort of um florid way 1017 00:54:02,920 --> 00:54:06,440 Speaker 1: of saying like funniest, like a class clown, but like 1018 00:54:06,760 --> 00:54:08,520 Speaker 1: it should have just been called class clown, because now 1019 00:54:08,520 --> 00:54:10,400 Speaker 1: I got to explain to people, No, it's not it 1020 00:54:10,440 --> 00:54:13,080 Speaker 1: wasn't about SNL really, it was mostly about pretty direct 1021 00:54:13,160 --> 00:54:16,000 Speaker 1: prompt for the for the voters, but most likely to 1022 00:54:16,040 --> 00:54:17,880 Speaker 1: be on SNL, and they felt that was you, and 1023 00:54:17,960 --> 00:54:19,880 Speaker 1: they were right. One of the smartest high schools in 1024 00:54:19,880 --> 00:54:24,520 Speaker 1: the country. That's that's not true. Girl girl girls like 1025 00:54:24,560 --> 00:54:30,680 Speaker 1: pretty much a girl. Oh my god, Marina um, but 1026 00:54:30,880 --> 00:54:32,600 Speaker 1: it's it's like the best dress was most likely to 1027 00:54:32,600 --> 00:54:34,399 Speaker 1: be on the cover of vote, Like that was our 1028 00:54:34,480 --> 00:54:36,960 Speaker 1: high school. So y'all worked on were doing the most. 1029 00:54:37,480 --> 00:54:38,840 Speaker 1: We were doing the most, to say, in terms of 1030 00:54:38,880 --> 00:54:40,920 Speaker 1: naming of the category. So I did not win a 1031 00:54:40,960 --> 00:54:43,200 Speaker 1: Senior Superlative, but then I did walk away with Problem King, 1032 00:54:43,480 --> 00:54:45,040 Speaker 1: so then you you did end up winning the end. 1033 00:54:45,080 --> 00:54:47,279 Speaker 1: But you know, so this envy thing is interesting. Sorry 1034 00:54:47,320 --> 00:54:49,319 Speaker 1: to bring bring up content points again, but she talks. 1035 00:54:49,400 --> 00:54:52,760 Speaker 1: She brings up how in a lot of studies, bronze 1036 00:54:52,760 --> 00:54:56,799 Speaker 1: medalists are overall happier than silver medalists because they're they're 1037 00:54:56,800 --> 00:54:59,320 Speaker 1: just the bronze medalists just happy to be there. Silver 1038 00:54:59,719 --> 00:55:02,640 Speaker 1: includ me. They say, silver medalists are like, I was 1039 00:55:02,719 --> 00:55:05,799 Speaker 1: so close to getting the gold and that is like envy, 1040 00:55:05,840 --> 00:55:07,840 Speaker 1: sort of like coming up and like truly polluting your 1041 00:55:07,880 --> 00:55:09,680 Speaker 1: whole mindset and being like, well, I'm not I'm not 1042 00:55:09,719 --> 00:55:12,440 Speaker 1: happy even though I did objectively better than the bronze medalist. 1043 00:55:12,840 --> 00:55:15,600 Speaker 1: Isn't that weird? And also like, honestly, at bronze you 1044 00:55:15,640 --> 00:55:18,160 Speaker 1: can look at and it's like some some variation of gold, 1045 00:55:18,840 --> 00:55:21,200 Speaker 1: whereas like a shade of gold, it's a shade of gold. 1046 00:55:21,719 --> 00:55:23,560 Speaker 1: And so if you have someone over the house, you know, 1047 00:55:23,800 --> 00:55:26,200 Speaker 1: and your your medalist hanging over, they could sort of 1048 00:55:26,200 --> 00:55:27,480 Speaker 1: scan over and be like, oh my god, that's a 1049 00:55:27,480 --> 00:55:29,239 Speaker 1: gold medal, and maybe they don't ask about it because 1050 00:55:29,239 --> 00:55:30,839 Speaker 1: they saw the bronze. If you see a bronze medal 1051 00:55:30,840 --> 00:55:32,520 Speaker 1: in the distance, I will have to squint or walk 1052 00:55:32,600 --> 00:55:35,560 Speaker 1: closer to make sure it's not wrong than not gold. 1053 00:55:35,560 --> 00:55:37,719 Speaker 1: It could be gold. But if you see a silver medal, 1054 00:55:38,040 --> 00:55:40,720 Speaker 1: you're like, oh, silver is that kind of play? Silver? 1055 00:55:40,760 --> 00:55:44,280 Speaker 1: That's actually a culture number thirty three. Silver is iconically silver, 1056 00:55:44,760 --> 00:55:49,759 Speaker 1: unmistakable with anything else, not even gray. No, it's not gray, 1057 00:55:49,920 --> 00:55:52,520 Speaker 1: and it's not even it's not even like people think 1058 00:55:52,600 --> 00:55:56,080 Speaker 1: that silver and gray are like, you know, like companion 1059 00:55:56,560 --> 00:56:00,320 Speaker 1: like colors or or you know materials. Now, do you 1060 00:56:00,320 --> 00:56:02,759 Speaker 1: want to know the queerest thing I've ever done? What 1061 00:56:03,120 --> 00:56:05,480 Speaker 1: I was five years old and there's a video of me. 1062 00:56:05,600 --> 00:56:07,840 Speaker 1: It was like a like a bus safety thing, like 1063 00:56:07,880 --> 00:56:09,480 Speaker 1: we all have to go in one by one and 1064 00:56:09,520 --> 00:56:11,359 Speaker 1: like we all have to like go in walk and 1065 00:56:11,400 --> 00:56:14,719 Speaker 1: like answer questions from someone about about Like if a 1066 00:56:14,760 --> 00:56:16,439 Speaker 1: stranger ever came up to you, what would you say? 1067 00:56:16,800 --> 00:56:18,640 Speaker 1: So they asked you a series of questions and I go, 1068 00:56:18,840 --> 00:56:21,399 Speaker 1: what's her name? And I said Matthew And they said 1069 00:56:22,040 --> 00:56:26,840 Speaker 1: what what's your favorite um food? And I don't I said, like, 1070 00:56:26,840 --> 00:56:27,960 Speaker 1: I don't know. I like to eat a lot of 1071 00:56:28,000 --> 00:56:31,239 Speaker 1: stuff cheeseburgers. And they were like I I like, I 1072 00:56:31,239 --> 00:56:32,839 Speaker 1: have a look in my eye like I didn't like this. 1073 00:56:32,960 --> 00:56:36,120 Speaker 1: I don't like being questioned. So they said what's your 1074 00:56:36,160 --> 00:56:38,840 Speaker 1: mom's name? And I said, Katrina. What's your dad's name, Richard? 1075 00:56:38,960 --> 00:56:41,520 Speaker 1: Do you have a little sister, yes, what's her name? Chelsea? 1076 00:56:42,120 --> 00:56:44,560 Speaker 1: And then they said do you have a best friend? 1077 00:56:44,800 --> 00:56:46,960 Speaker 1: And I said I have a lot of friends And 1078 00:56:47,000 --> 00:56:49,960 Speaker 1: they said who is your best friend? And I was like, 1079 00:56:50,040 --> 00:56:52,080 Speaker 1: I can't pick And they're like, what do you do 1080 00:56:52,120 --> 00:56:54,520 Speaker 1: with your friends? And I go they play with them. 1081 00:56:54,600 --> 00:56:56,960 Speaker 1: I play with them, they play with me. I literally 1082 00:56:56,960 --> 00:56:58,600 Speaker 1: said it like that, I play with them, they play 1083 00:56:58,680 --> 00:57:00,960 Speaker 1: with me. It was very New York. So then they 1084 00:57:01,040 --> 00:57:05,160 Speaker 1: ask what's your favorite color? Without missing a beat, I 1085 00:57:05,239 --> 00:57:10,880 Speaker 1: go silver. Oh my god, I've never been so Julio 1086 00:57:10,920 --> 00:57:15,480 Speaker 1: Torres found dead. I was first. You were clear? Clear? 1087 00:57:15,520 --> 00:57:17,480 Speaker 1: Is this very clear? But that is this is very 1088 00:57:17,560 --> 00:57:21,400 Speaker 1: much the same wavelength you silver. You had this like 1089 00:57:22,320 --> 00:57:25,960 Speaker 1: confidence in that moment, not competent. It's the only video 1090 00:57:26,080 --> 00:57:27,880 Speaker 1: I want to find. I don't know where it is. 1091 00:57:27,920 --> 00:57:30,640 Speaker 1: I know we have it somewhere, but I was shocked 1092 00:57:30,680 --> 00:57:33,320 Speaker 1: watching it when I said silver, because I would never 1093 00:57:33,440 --> 00:57:36,040 Speaker 1: think to say that, but silver is my favorite color. 1094 00:57:36,640 --> 00:57:40,360 Speaker 1: You're still you're a silver bitch, queen, And I know 1095 00:57:40,360 --> 00:57:42,440 Speaker 1: what You're just talking about the negatives of being silver. 1096 00:57:43,480 --> 00:57:45,520 Speaker 1: Not number one, No, that's that's like that's really like 1097 00:57:45,560 --> 00:57:47,680 Speaker 1: on a performance, competitive of it, but in terms of 1098 00:57:47,720 --> 00:57:50,040 Speaker 1: the aesthetic, in terms of the look, you are silver. 1099 00:57:50,240 --> 00:57:52,240 Speaker 1: I believe that I am silver and you are gold. 1100 00:57:53,520 --> 00:57:56,919 Speaker 1: And that's not even like online it's pejorative, but it's 1101 00:57:56,920 --> 00:57:59,080 Speaker 1: not like, oh, like one's better than the other. It's 1102 00:57:59,080 --> 00:58:01,280 Speaker 1: just that like we all actually are two sides of 1103 00:58:01,320 --> 00:58:04,040 Speaker 1: the same coin, a coin we don't know as Pokemon 1104 00:58:04,120 --> 00:58:07,720 Speaker 1: made clear Pokemon gold and silver. Say that silver is 1105 00:58:07,840 --> 00:58:10,160 Speaker 1: arguably in some ways silver is better than some ways 1106 00:58:10,160 --> 00:58:12,240 Speaker 1: gold is, but there are equals. So I would say 1107 00:58:12,280 --> 00:58:14,240 Speaker 1: that you are gold and I am silver, and I 1108 00:58:14,320 --> 00:58:17,600 Speaker 1: am famously red, and you are blue. Yes, that's what 1109 00:58:17,720 --> 00:58:20,240 Speaker 1: we were in cult wares. And then when Pokemon yellow 1110 00:58:20,280 --> 00:58:21,400 Speaker 1: came in, I was just like, I don't know what 1111 00:58:22,120 --> 00:58:25,920 Speaker 1: that's yellow? Study is yellow, studious crystal? Because it was 1112 00:58:25,960 --> 00:58:28,440 Speaker 1: it was the gold, silver and crystal. Sudi is yellow 1113 00:58:28,440 --> 00:58:32,880 Speaker 1: and crystal. I'm red and silver and you are gold 1114 00:58:32,960 --> 00:58:36,400 Speaker 1: and blue. How does it we? It's energetic, It's energetic, 1115 00:58:36,560 --> 00:58:40,919 Speaker 1: and I love this. We have the next category. This 1116 00:58:41,000 --> 00:58:46,280 Speaker 1: is the National Park Award for Nature. The National Parks 1117 00:58:46,400 --> 00:58:52,600 Speaker 1: represent nature absolutely better than almost anything else. I closed 1118 00:58:52,640 --> 00:58:54,400 Speaker 1: my eyes and I think of nature. I think the 1119 00:58:54,480 --> 00:58:58,480 Speaker 1: National Parks, many of them. But this isn't We're not 1120 00:58:58,560 --> 00:59:03,240 Speaker 1: honoring the National Parks. We're We're saying that there something 1121 00:59:03,320 --> 00:59:05,360 Speaker 1: out there needs to be awarded for the way it 1122 00:59:05,400 --> 00:59:09,360 Speaker 1: represents nature, for the way it even exemplifies and is 1123 00:59:09,400 --> 00:59:12,720 Speaker 1: the best of nature. What do you think that? Do 1124 00:59:12,720 --> 00:59:15,040 Speaker 1: you think this is. So this is a general category. 1125 00:59:15,200 --> 00:59:17,960 Speaker 1: Be tree, it could be a creek of rock, an animal. 1126 00:59:18,240 --> 00:59:20,800 Speaker 1: I think it could be anything that appears in nature. 1127 00:59:21,680 --> 00:59:25,040 Speaker 1: And it's this happens to be named after the National Parks. 1128 00:59:25,680 --> 00:59:29,760 Speaker 1: This is the National Park Award for Nature, the best nature, 1129 00:59:30,160 --> 00:59:33,600 Speaker 1: the nature that screams nature, the most not most natural nature, 1130 00:59:33,680 --> 00:59:37,280 Speaker 1: most natural nature. It could be water, it could be 1131 00:59:37,280 --> 00:59:41,800 Speaker 1: a plant. It could bear the sun does the sun 1132 00:59:41,920 --> 00:59:47,680 Speaker 1: and competitive perchance while it sort of gleams over a 1133 00:59:47,720 --> 00:59:52,760 Speaker 1: gorgeous forcechance. Let's let's see. This is an exciting category. 1134 00:59:52,880 --> 00:59:55,520 Speaker 1: This is one of the most exciting categories of them all. 1135 00:59:56,240 --> 00:59:58,919 Speaker 1: Not the biggest category of the night, but I think 1136 00:59:59,040 --> 01:00:04,800 Speaker 1: because they're so many competitors, I'm gonna be really looking 1137 01:00:04,840 --> 01:00:07,120 Speaker 1: forward to saying what the three nominees are. I think 1138 01:00:07,120 --> 01:00:09,400 Speaker 1: there are some birds that can be double nominees for 1139 01:00:09,520 --> 01:00:11,760 Speaker 1: Dan Burr Best Dan Bird and for the National Park 1140 01:00:11,760 --> 01:00:14,480 Speaker 1: Award for Nature. Oh my god, I mean double nominees. 1141 01:00:14,640 --> 01:00:19,120 Speaker 1: Keenan Thompson found dead, eight Bryant found eighty. Bryant found 1142 01:00:19,280 --> 01:00:21,880 Speaker 1: dead in a ditch. We don't want well, that made 1143 01:00:21,880 --> 01:00:24,840 Speaker 1: me sad. We don't want to live forever. Please, both 1144 01:00:24,840 --> 01:00:26,920 Speaker 1: of you Okay, this we haven't act to do. The 1145 01:00:27,000 --> 01:00:31,360 Speaker 1: next category, best dress, not a rhyme, a slant rhyme, 1146 01:00:31,480 --> 01:00:36,400 Speaker 1: maybe best in dress. Almost this is a different category 1147 01:00:36,440 --> 01:00:42,280 Speaker 1: than best dressed. This is the best dress of them all. 1148 01:00:42,440 --> 01:00:43,720 Speaker 1: But it's not in the time, It's not in the 1149 01:00:43,720 --> 01:00:47,760 Speaker 1: category title because there's some there're some categories as we 1150 01:00:47,840 --> 01:00:49,760 Speaker 1: know that have of them all. One of them is 1151 01:00:49,800 --> 01:00:51,160 Speaker 1: coming up, one of them is coming up. But this 1152 01:00:51,240 --> 01:00:54,120 Speaker 1: is just best dress, best dress. So interpret that how 1153 01:00:54,160 --> 01:01:03,760 Speaker 1: you will publicist things that are not included in this category. Pants, pants, suits, shorts, shirts, hats, gloves, socks, shoes, bops. No, 1154 01:01:03,840 --> 01:01:05,280 Speaker 1: I don't want to know none of that. This is 1155 01:01:05,360 --> 01:01:07,840 Speaker 1: best dress. And let's just I'm gonna get really close 1156 01:01:07,880 --> 01:01:12,840 Speaker 1: up on the mic. No skirts, no skirts dress. The 1157 01:01:13,080 --> 01:01:18,400 Speaker 1: next category the Jim and Pam Award for best Chemistry. Okay, 1158 01:01:18,520 --> 01:01:25,760 Speaker 1: I mean kind of our generations, you know, Sam, Diane, Hello, Um. 1159 01:01:26,000 --> 01:01:30,200 Speaker 1: I think this will get a lot of publicist horny. 1160 01:01:30,240 --> 01:01:32,120 Speaker 1: I think of chemistry. I think it's got to make 1161 01:01:32,200 --> 01:01:35,320 Speaker 1: me horned up. I think I have to be watching 1162 01:01:35,360 --> 01:01:40,560 Speaker 1: them and say, oh my god, are they gonna By 1163 01:01:40,600 --> 01:01:45,040 Speaker 1: the way, let me stop everything right now and say 1164 01:01:45,160 --> 01:01:48,280 Speaker 1: that I might have been, you know, sort of part 1165 01:01:48,320 --> 01:01:50,280 Speaker 1: of a little table read the other day for a 1166 01:01:50,320 --> 01:01:53,080 Speaker 1: certain script. I can't really say much about it because 1167 01:01:53,120 --> 01:01:55,760 Speaker 1: that hasn't really been announced everyone's participation. But I know 1168 01:01:55,840 --> 01:01:58,840 Speaker 1: you're in a film called Fire Island. There was some 1169 01:01:58,960 --> 01:02:02,840 Speaker 1: chemistry popping off between whom, between many of the actors. 1170 01:02:03,480 --> 01:02:08,160 Speaker 1: It's a little bit. It's a comedy, a good chemistry. 1171 01:02:08,600 --> 01:02:12,400 Speaker 1: I thought. My sisters has some good chemistry with their 1172 01:02:12,640 --> 01:02:18,320 Speaker 1: love interest. Some fine looking men that the readers may know, 1173 01:02:18,600 --> 01:02:20,920 Speaker 1: and perchance we might even have to have guests on 1174 01:02:20,960 --> 01:02:24,000 Speaker 1: this show. I think we will. I encycle the boys. 1175 01:02:24,120 --> 01:02:26,560 Speaker 1: It's a room full of gay man that's kind of fun, 1176 01:02:26,840 --> 01:02:37,240 Speaker 1: but like iconic by b coon Um friend of the famously. 1177 01:02:37,680 --> 01:02:42,400 Speaker 1: So I think, are you saying that people in this 1178 01:02:42,480 --> 01:02:47,840 Speaker 1: project are competitive in this category? I don't know, Countess 1179 01:02:47,880 --> 01:02:54,240 Speaker 1: Luanne slash Grover Um. Uh, we're going to find out. Okay, 1180 01:02:54,240 --> 01:02:57,480 Speaker 1: we're gonna find out. Grover Grover so cute one of 1181 01:02:57,560 --> 01:03:02,200 Speaker 1: the love grow Yeah. Absolutely we next category, Okay, Tik 1182 01:03:02,280 --> 01:03:06,240 Speaker 1: tac Toe Awards your best simple Game. This is the 1183 01:03:06,280 --> 01:03:08,840 Speaker 1: Tic Tac Toe Award for Best Simple Game. The best 1184 01:03:08,880 --> 01:03:15,840 Speaker 1: games are the simplest, Absolutely King tettress, Mama Tecto Ti 1185 01:03:15,920 --> 01:03:18,640 Speaker 1: Tacto doesn't win. Connect four. Connect I was gonna say, 1186 01:03:18,680 --> 01:03:20,280 Speaker 1: I literally I did the motion to my sister and 1187 01:03:20,280 --> 01:03:23,000 Speaker 1: he knew immediately what I was saying. Connect four. That's 1188 01:03:23,000 --> 01:03:25,320 Speaker 1: what I love. Um, you know, it's not a simple game. 1189 01:03:25,360 --> 01:03:27,840 Speaker 1: I'm sorry to drag it, but chess you have to 1190 01:03:27,840 --> 01:03:32,560 Speaker 1: sit down and learn it. Checkers, simple games, simple game. Chess. 1191 01:03:33,160 --> 01:03:37,640 Speaker 1: Too many girls doing different things. Yeah, I thought, you man, 1192 01:03:37,680 --> 01:03:39,960 Speaker 1: too many girls doing it. I was like, no, that's 1193 01:03:40,000 --> 01:03:41,920 Speaker 1: the whole plot of the Queen's gamb It is not 1194 01:03:42,120 --> 01:03:45,600 Speaker 1: enough girls. Let's just say that. Let's say it's rule 1195 01:03:45,680 --> 01:03:51,960 Speaker 1: culture number. Not enough girls in chess, women in stem 1196 01:03:51,960 --> 01:03:55,160 Speaker 1: more like women, women in chess. Let's keep that's a 1197 01:03:55,200 --> 01:03:58,360 Speaker 1: little of culture number ninety nine, women in stem more 1198 01:03:58,400 --> 01:04:02,200 Speaker 1: like women, more women in chess. We have next category, 1199 01:04:03,040 --> 01:04:07,680 Speaker 1: best song on rent soundtrack, original broadwaycast recording, or the 1200 01:04:07,720 --> 01:04:11,720 Speaker 1: film movie soundtrack. It looks like it's not specified. Okay, 1201 01:04:11,960 --> 01:04:14,919 Speaker 1: so it could be Rosario Dawson's version of out Tonight. 1202 01:04:14,960 --> 01:04:18,480 Speaker 1: It could be Daphne Ribbon Vega's version about Tonight. And 1203 01:04:18,560 --> 01:04:24,120 Speaker 1: that's actually the binary. That's your Rosario Dawston Out tonight, 1204 01:04:24,280 --> 01:04:27,320 Speaker 1: which is which is which is Dionysus? Yes, and then 1205 01:04:27,400 --> 01:04:29,600 Speaker 1: or your Daphne Ubon Vega which is Apollo. No, I 1206 01:04:29,640 --> 01:04:32,840 Speaker 1: would feel like Daphne is just so like it's just 1207 01:04:33,120 --> 01:04:36,320 Speaker 1: we're sorry to say Daphne is Rosario an incredible meaning 1208 01:04:36,360 --> 01:04:38,560 Speaker 1: I thought she was an amazing MEMI. And here's the reveal. 1209 01:04:39,240 --> 01:04:40,920 Speaker 1: The reason why this is on this list is because 1210 01:04:40,920 --> 01:04:44,680 Speaker 1: I listened to Rosario Dawson's tonight. It's an amazing and 1211 01:04:44,720 --> 01:04:48,760 Speaker 1: she killed it. Mrs Corey Booker booked that book did 1212 01:04:48,800 --> 01:04:56,240 Speaker 1: that rent? Mrs Corey Booker booked that at that for 1213 01:04:56,240 --> 01:04:59,080 Speaker 1: a second you met like you referred to Corey Booker 1214 01:04:59,120 --> 01:05:02,080 Speaker 1: as mrs. And he said, Cory Booker boot to that 1215 01:05:02,120 --> 01:05:05,000 Speaker 1: as inn booked to that that companion. You know, Corey 1216 01:05:05,040 --> 01:05:08,520 Speaker 1: Booker is apparently really committed to being a straight icon. 1217 01:05:08,880 --> 01:05:14,160 Speaker 1: Love it love for her girl. Now, okay, this is great, 1218 01:05:14,320 --> 01:05:17,120 Speaker 1: and I'm sorry I should say Rosario is Apollo because 1219 01:05:17,160 --> 01:05:19,920 Speaker 1: there's such a precision to her Mimi, and also she 1220 01:05:20,040 --> 01:05:23,080 Speaker 1: carries with her I believe the intelligence to say nothing 1221 01:05:23,120 --> 01:05:25,320 Speaker 1: of Daphnie ruby Vega, but I do believe it's like 1222 01:05:25,560 --> 01:05:27,800 Speaker 1: if I'm just stand for a second, Daphne reuben Vigga 1223 01:05:27,880 --> 01:05:31,080 Speaker 1: comes from here. Yeah, day, It's like it's like a 1224 01:05:31,120 --> 01:05:34,040 Speaker 1: pelvic thrust of stage presents like her and in the 1225 01:05:34,080 --> 01:05:39,479 Speaker 1: Heights fabulous, but it's Dianey, It's dion her as meani 1226 01:05:39,520 --> 01:05:43,240 Speaker 1: as dionys In because it's just like, hey, it's like 1227 01:05:43,240 --> 01:05:46,080 Speaker 1: like a little sex path and like and Rosaria's Mimi 1228 01:05:46,160 --> 01:05:49,160 Speaker 1: is more like hey, I really like you. She's more thoughtful, 1229 01:05:49,240 --> 01:05:52,439 Speaker 1: yeah yeah, yeah, whereas whereas Daphne ruben Vega is more 1230 01:05:52,560 --> 01:05:58,560 Speaker 1: guttural and that is an important yes, SpongeBob, and then 1231 01:05:58,680 --> 01:06:01,920 Speaker 1: and then Rosario's squid word, thank you, thank you, And 1232 01:06:01,960 --> 01:06:05,480 Speaker 1: now we said it, we haven't. Next category, the Brenda 1233 01:06:05,600 --> 01:06:08,680 Speaker 1: Award for name that no one gets named now? Are 1234 01:06:08,720 --> 01:06:12,080 Speaker 1: going forward? I you pitched this category to me, and 1235 01:06:12,120 --> 01:06:15,680 Speaker 1: I my jaw dropped. I was like, he's right. No 1236 01:06:15,720 --> 01:06:18,640 Speaker 1: one is named Brenda now or will ever be named Brenda. 1237 01:06:18,680 --> 01:06:21,680 Speaker 1: Brenda Award for a name that no one gets named 1238 01:06:21,720 --> 01:06:25,920 Speaker 1: now or going forward Brenda Award. I mean, if you 1239 01:06:25,960 --> 01:06:28,560 Speaker 1: had just kept it to Brenda Award, I've been like, wait, 1240 01:06:28,680 --> 01:06:32,880 Speaker 1: like Regina Hall and scary movie Brenda, that's not the category, 1241 01:06:32,920 --> 01:06:36,560 Speaker 1: but it's Brenda Award for name. Oh wait, I'm like, 1242 01:06:36,560 --> 01:06:38,320 Speaker 1: I'm getting a better idea of what this is. That 1243 01:06:38,360 --> 01:06:40,880 Speaker 1: no one gets named now. Oh that's right, no one 1244 01:06:40,920 --> 01:06:43,600 Speaker 1: gets named Brenda now or going forward. And that is 1245 01:06:43,600 --> 01:06:46,680 Speaker 1: a premonition. That's a prediction that no one going forward 1246 01:06:46,680 --> 01:06:49,200 Speaker 1: will be named Brenda. And that is culture. You are 1247 01:06:49,240 --> 01:06:51,480 Speaker 1: making culture. Thank you. We're gonna have more liberties than 1248 01:06:51,520 --> 01:06:54,680 Speaker 1: Brenda's for sure. I just don't see anyone naming their 1249 01:06:54,760 --> 01:06:58,960 Speaker 1: child Brenda in the Year of the Lord. Now, Brenda 1250 01:06:59,120 --> 01:07:02,880 Speaker 1: could win this category in a walk, but it's really 1251 01:07:02,920 --> 01:07:04,840 Speaker 1: not up to us. It's not up to the public 1252 01:07:04,840 --> 01:07:14,400 Speaker 1: does have to do their thing. We have an next category, 1253 01:07:15,400 --> 01:07:19,320 Speaker 1: most important tye of clothing and sorry, let me take 1254 01:07:19,320 --> 01:07:21,400 Speaker 1: that again. But you don't have to cut around that, Doug. 1255 01:07:21,480 --> 01:07:23,040 Speaker 1: This is just for the reader, for the I'm sorry, 1256 01:07:23,040 --> 01:07:27,280 Speaker 1: the publishers not cut around the publicists to now, most 1257 01:07:27,440 --> 01:07:30,320 Speaker 1: important item of clothing. Now, this is different than best 1258 01:07:30,440 --> 01:07:32,560 Speaker 1: dress because you're you're you're working with a cat within 1259 01:07:32,600 --> 01:07:34,919 Speaker 1: the category of dress. But this is just to name 1260 01:07:35,000 --> 01:07:39,880 Speaker 1: one item of clothing as a category. Yeah, now here's 1261 01:07:39,880 --> 01:07:45,000 Speaker 1: the thing. The the the most important item of clothing 1262 01:07:45,080 --> 01:07:48,960 Speaker 1: could be dress. You know what I mean, it's not 1263 01:07:49,040 --> 01:07:51,520 Speaker 1: up to us. I think that we have to think 1264 01:07:51,520 --> 01:07:55,760 Speaker 1: about functionality here. We have to think about necessity, but 1265 01:07:55,880 --> 01:07:58,360 Speaker 1: also important in terms of the culture. You know what 1266 01:07:58,400 --> 01:08:01,240 Speaker 1: I mean that there's so many different variables here at play. 1267 01:08:01,440 --> 01:08:06,280 Speaker 1: So it's important. Is interesting because you can interpret it 1268 01:08:06,320 --> 01:08:10,240 Speaker 1: as a connction or aesthetic or something. This is up 1269 01:08:10,280 --> 01:08:11,760 Speaker 1: to and it's not up to us. That's not what 1270 01:08:11,840 --> 01:08:16,120 Speaker 1: the public says. Um, we have next category, Yes, the 1271 01:08:16,200 --> 01:08:21,320 Speaker 1: Joy Behar Award for Stand Up Comedy. I think this 1272 01:08:21,360 --> 01:08:23,640 Speaker 1: is such a perfect way of honoring Joy's legacy in 1273 01:08:23,720 --> 01:08:26,240 Speaker 1: stand up You think, you think stand up community, think 1274 01:08:26,520 --> 01:08:30,759 Speaker 1: the greats you think, Um, you know, Jerry Fire, Jerry Fire, 1275 01:08:31,120 --> 01:08:37,600 Speaker 1: Margaret Show, the Four, the four, mount Rushmore, please the 1276 01:08:37,680 --> 01:08:43,439 Speaker 1: house houses stand up. Let's assign them. Honey. Seinfeld feels 1277 01:08:43,479 --> 01:08:47,240 Speaker 1: like Slytherin to me. Okay, So it's Seinfeld, Richard Pryor, 1278 01:08:47,439 --> 01:08:54,639 Speaker 1: Margaret Show and Down Margaret is Margaret's even Cline, Richard 1279 01:08:54,680 --> 01:08:57,320 Speaker 1: Pyror's Griffer North. That makes total sense. I love it, 1280 01:08:57,880 --> 01:09:00,959 Speaker 1: I really love it. And Jerry Seinfeld is unfortunately Slytherin. 1281 01:09:01,040 --> 01:09:03,559 Speaker 1: We love him, but he's he is I mean, Slytherin 1282 01:09:03,600 --> 01:09:06,120 Speaker 1: is about ambition. It's not about being villainous. There's been 1283 01:09:06,120 --> 01:09:14,040 Speaker 1: amazing Slytherins and incredible Slytherins. Um uh Malfoy's mom, Um, 1284 01:09:14,280 --> 01:09:19,480 Speaker 1: what is her name? Believe her name is? Um Narcissa, Narcissa, 1285 01:09:19,640 --> 01:09:25,040 Speaker 1: Come on, icon Narcissa, Narcisissa. Kind of what? Can I 1286 01:09:25,080 --> 01:09:30,040 Speaker 1: just say? What between Harry Potter and Hunger Games? Here 1287 01:09:30,040 --> 01:09:32,680 Speaker 1: we go? Those are some stupid ass fucking names. Some 1288 01:09:32,720 --> 01:09:35,639 Speaker 1: of those names just sound so fucking Can I say, 1289 01:09:35,960 --> 01:09:40,240 Speaker 1: I can't believe one of the most popular characters in 1290 01:09:40,360 --> 01:09:45,560 Speaker 1: literature for young adults is name Catanus Catanus or we'ress. 1291 01:09:45,640 --> 01:09:48,680 Speaker 1: I mean, I'm sorry, maybe maybe I'm directing this. I mean, 1292 01:09:49,040 --> 01:09:52,040 Speaker 1: Harry Potter turf text for all time, but for Hunger Games, 1293 01:09:52,040 --> 01:09:56,120 Speaker 1: I'm like, I don't know about some of these names. Girl, Peter, Peter, 1294 01:09:56,920 --> 01:10:00,600 Speaker 1: excuse pa, the lark that's made up? You made that up? 1295 01:10:00,640 --> 01:10:03,200 Speaker 1: That sounds like a Matt Rodgers gibberish name. So the 1296 01:10:03,240 --> 01:10:05,320 Speaker 1: other day we I smoked out of a new ball 1297 01:10:05,360 --> 01:10:09,200 Speaker 1: for the first time, and um, you named the bowl. Yeah, 1298 01:10:09,240 --> 01:10:11,320 Speaker 1: you have to name the bowl. So this is my thing, Like, 1299 01:10:11,520 --> 01:10:12,920 Speaker 1: once you smoke at of it the first time, you 1300 01:10:12,960 --> 01:10:15,280 Speaker 1: take the first big hit. You exhale, and then you 1301 01:10:15,320 --> 01:10:17,040 Speaker 1: have to name the bowl immediately as it hits in 1302 01:10:17,080 --> 01:10:19,120 Speaker 1: your hands. And I named the new bowl that Joel 1303 01:10:19,160 --> 01:10:23,080 Speaker 1: bought from me. Thank you, baby, Barbara Trenda, I love it. 1304 01:10:24,040 --> 01:10:27,120 Speaker 1: And Trenda b A R b A r A not 1305 01:10:27,200 --> 01:10:29,880 Speaker 1: the Barbara strays and spelling Trenda t r E n 1306 01:10:29,960 --> 01:10:33,960 Speaker 1: d A Barbara Trenda from District Fourney Like that is 1307 01:10:34,000 --> 01:10:39,840 Speaker 1: like whatever best seller. Okay, we have a next category. 1308 01:10:40,240 --> 01:10:43,920 Speaker 1: The Scream by Edward Munch Award for Best Screen That 1309 01:10:44,040 --> 01:10:45,479 Speaker 1: and that that pain you know, you know the painting. 1310 01:10:45,479 --> 01:10:49,920 Speaker 1: I'm talking about open mouth icon one of the most 1311 01:10:50,080 --> 01:10:55,719 Speaker 1: iconic screams. But there are more screams. They're scream one 1312 01:10:56,040 --> 01:11:01,960 Speaker 1: scream too. It can be even like an audible scream 1313 01:11:02,000 --> 01:11:07,280 Speaker 1: like you know, um fucking even you've never seen hereditary. 1314 01:11:07,520 --> 01:11:10,519 Speaker 1: I will not see her out like anybody the scream 1315 01:11:10,720 --> 01:11:18,920 Speaker 1: that um ms vera ms ms Verry. No Hereditary, Oh no, no, no, 1316 01:11:18,040 --> 01:11:21,479 Speaker 1: that literally don't know. I take responsibility for this. It's 1317 01:11:21,520 --> 01:11:23,920 Speaker 1: Tony Colette. I'm sorry, yes, but you know I can't 1318 01:11:24,360 --> 01:11:27,080 Speaker 1: have Vera farming. Your energy isn't a bad escaped me. Um. 1319 01:11:27,560 --> 01:11:33,080 Speaker 1: She's iconically the other one conjuring yes for Tony Colette 1320 01:11:33,120 --> 01:11:35,240 Speaker 1: scream and Tony Colette scream in a certain part of 1321 01:11:35,280 --> 01:11:39,000 Speaker 1: that movie after something happens at night in the morning 1322 01:11:39,000 --> 01:11:44,479 Speaker 1: when she discovers what has happened an iconic scream, and 1323 01:11:44,520 --> 01:11:47,280 Speaker 1: I think you should actually watch the movie for that alone. 1324 01:11:47,920 --> 01:11:50,640 Speaker 1: I have heard what it is, and I think I 1325 01:11:50,680 --> 01:11:53,120 Speaker 1: can actually watch it because so we'll just pause this 1326 01:11:53,160 --> 01:11:54,640 Speaker 1: for a second and say, the other night readers, we 1327 01:11:54,680 --> 01:11:57,400 Speaker 1: actually watched The Suicide Squad. We enjoyed it. We had 1328 01:11:57,400 --> 01:11:59,920 Speaker 1: a really fun time. It's one of the most insanely 1329 01:12:00,040 --> 01:12:02,040 Speaker 1: graphic films I've ever seen. But it was all like 1330 01:12:02,439 --> 01:12:04,439 Speaker 1: pot stylized. It was like, it was very like it 1331 01:12:04,520 --> 01:12:06,479 Speaker 1: was a little Tarantino. Sorry to bring him up, but 1332 01:12:06,560 --> 01:12:10,160 Speaker 1: it was a little Tarantino. It was pretty like wild violence. 1333 01:12:10,280 --> 01:12:12,920 Speaker 1: Your colleague Pete Davidson got his face blown off, and 1334 01:12:12,960 --> 01:12:14,679 Speaker 1: I was in the bathroom when that happened. I'm sorry, 1335 01:12:14,880 --> 01:12:17,960 Speaker 1: you missed, you missed, you missed that. I'm sorry. Oh, 1336 01:12:18,200 --> 01:12:20,240 Speaker 1: but pe getting a space blown off, it's very chat 1337 01:12:20,360 --> 01:12:23,719 Speaker 1: It's very like we we we love Pete for getting killed. 1338 01:12:24,160 --> 01:12:26,040 Speaker 1: And this isn't really a spoiler. You goll it happens 1339 01:12:26,040 --> 01:12:29,160 Speaker 1: like very and if anyway, if you care about spoilers 1340 01:12:29,160 --> 01:12:30,960 Speaker 1: for some of the Sad Squad and you're like listening 1341 01:12:31,000 --> 01:12:33,400 Speaker 1: to this podcast, I can't really help you. We have 1342 01:12:33,439 --> 01:12:41,280 Speaker 1: a we have an best Google service, Gmail Maps, drive, 1343 01:12:42,200 --> 01:12:48,320 Speaker 1: YouTube honoring Google, honoring Google. We have next category best 1344 01:12:48,400 --> 01:12:56,559 Speaker 1: Google Search. Um, porn. How do you tie a tie? When? 1345 01:12:56,720 --> 01:13:02,280 Speaker 1: When was you know when as Christian Channa was born, 1346 01:13:03,400 --> 01:13:07,519 Speaker 1: House of Gucci trailer, When were you googling that before 1347 01:13:07,520 --> 01:13:13,120 Speaker 1: the trailer dropped? Yeah? West Side Story trailer? When before 1348 01:13:13,160 --> 01:13:18,040 Speaker 1: the oscars? Google West Side Story Hugh Jackman height, Hugh 1349 01:13:18,120 --> 01:13:23,880 Speaker 1: Jackman height, when, like you know, Joel Kim booster age. 1350 01:13:24,240 --> 01:13:29,439 Speaker 1: We have a next category, best Apple product of them all? 1351 01:13:29,560 --> 01:13:34,840 Speaker 1: This isn't of them all? Category interesting interesting, one of 1352 01:13:34,840 --> 01:13:38,360 Speaker 1: the more interesting categories. Apple has had many products, their pods, 1353 01:13:38,840 --> 01:13:46,800 Speaker 1: MacBook Air. Um, you know, uh, Apple Juice the original 1354 01:13:47,000 --> 01:13:51,400 Speaker 1: like remember Apple Juice? Yes? Um? Remember the remember like 1355 01:13:51,439 --> 01:13:54,320 Speaker 1: the colored like max Imax that that we have an 1356 01:13:54,320 --> 01:13:59,479 Speaker 1: elementary school? Yes? Yes? Do you remember when they came 1357 01:13:59,520 --> 01:14:06,680 Speaker 1: out with I pod video? Oh my god, that was 1358 01:14:06,720 --> 01:14:09,240 Speaker 1: a moment of culture. That was literally a moment in culture. 1359 01:14:09,280 --> 01:14:11,240 Speaker 1: And I remember my friend Alison Celo had one, and 1360 01:14:11,280 --> 01:14:13,000 Speaker 1: she'd bring it to art and we will watch wonder 1361 01:14:13,040 --> 01:14:17,639 Speaker 1: shows and clips on it. Oh my god, Wow, take 1362 01:14:17,720 --> 01:14:21,719 Speaker 1: me back to that time, the quick wheel, the tactileness 1363 01:14:21,800 --> 01:14:24,360 Speaker 1: of the quick wheel. We have. We have an next 1364 01:14:24,400 --> 01:14:32,799 Speaker 1: category wand Division Award for Television. This is an award 1365 01:14:32,800 --> 01:14:38,639 Speaker 1: that honors TV. This award should be given to the program, 1366 01:14:38,880 --> 01:14:44,840 Speaker 1: performer or um moment that changed television for the better 1367 01:14:45,080 --> 01:14:49,200 Speaker 1: in the vein of one division, revolutionary, never before seen 1368 01:14:50,400 --> 01:14:59,160 Speaker 1: um reference. I think there. I think this is a 1369 01:14:59,200 --> 01:15:02,160 Speaker 1: really important award. This is one of the most important 1370 01:15:02,160 --> 01:15:04,800 Speaker 1: awards of the night because it honors and everyone in 1371 01:15:04,880 --> 01:15:09,000 Speaker 1: television is competing for the one for television, and I 1372 01:15:09,000 --> 01:15:12,080 Speaker 1: think we're both competitive in this. I think we're both 1373 01:15:12,120 --> 01:15:14,760 Speaker 1: really competitive in this. You probably maybe even a little 1374 01:15:14,760 --> 01:15:17,559 Speaker 1: bit more than me. I don't watch this space watch 1375 01:15:17,640 --> 01:15:21,840 Speaker 1: this Space Feel Force coming September two. Why can I 1376 01:15:21,880 --> 01:15:26,439 Speaker 1: say something actually about about the publicists. I'm gonna I'm 1377 01:15:26,439 --> 01:15:29,320 Speaker 1: gonna put the publicists unnoticed. Okay, I'll hold on hold 1378 01:15:29,360 --> 01:15:32,720 Speaker 1: on to your fucking seats. Slash butts Jurassic Park. Not 1379 01:15:32,800 --> 01:15:38,479 Speaker 1: a lot of publicists campaigning for me or Matt, especially 1380 01:15:38,479 --> 01:15:42,479 Speaker 1: in categories where we're competitive, Funniest Gay Man, Outstanding reality 1381 01:15:42,520 --> 01:15:44,800 Speaker 1: competition host. We even a lot of people are being 1382 01:15:44,800 --> 01:15:47,120 Speaker 1: all tweet and being like they should win best Friend. 1383 01:15:47,280 --> 01:15:49,679 Speaker 1: I can tell you right now that's not that's don't 1384 01:15:49,680 --> 01:15:52,720 Speaker 1: be tweet, don't be sweet, don't be free. I don't 1385 01:15:52,720 --> 01:15:54,879 Speaker 1: want to I don't want to hear it. Don't be tweets. 1386 01:15:56,880 --> 01:15:59,479 Speaker 1: I just want I just encourage the publicists. If you 1387 01:15:59,520 --> 01:16:02,760 Speaker 1: feel like we we we qualify for a category and 1388 01:16:02,800 --> 01:16:05,160 Speaker 1: that we would have a shot at winning, we would 1389 01:16:05,200 --> 01:16:07,520 Speaker 1: like to be included. I would just like to be included. 1390 01:16:07,880 --> 01:16:09,080 Speaker 1: Is that so much to ask? I would just like 1391 01:16:09,120 --> 01:16:12,080 Speaker 1: to be nominated. Maybe we'll have maybe you and I 1392 01:16:12,120 --> 01:16:17,519 Speaker 1: will lead the nominations as opposed to as someone else, 1393 01:16:17,960 --> 01:16:20,000 Speaker 1: as opposed to someone else or something else. So we're 1394 01:16:20,000 --> 01:16:23,240 Speaker 1: gonna do another episode where we do where we do nominate. 1395 01:16:23,680 --> 01:16:26,519 Speaker 1: The nominees will be revealed on the show did we not? 1396 01:16:26,920 --> 01:16:28,719 Speaker 1: Did we on the show where we announced the winners. 1397 01:16:28,720 --> 01:16:30,080 Speaker 1: I think there should be a different I think this 1398 01:16:30,120 --> 01:16:32,120 Speaker 1: should be a difference. Okay, I guess there. Work is 1399 01:16:32,160 --> 01:16:35,320 Speaker 1: going to be another episode which is the nominees. That 1400 01:16:35,360 --> 01:16:37,120 Speaker 1: will be huge. It will be one of the biggest 1401 01:16:37,120 --> 01:16:42,360 Speaker 1: episodes of Lost Culture. We have next category, Victoria Beckham 1402 01:16:42,400 --> 01:16:46,479 Speaker 1: Award for Outstanding Achievements. This is, of course, in reference 1403 01:16:46,520 --> 01:16:49,240 Speaker 1: to her spokes every three questions, Matt, you do you 1404 01:16:49,280 --> 01:16:53,040 Speaker 1: do it so well? I don't know, he asked, like, 1405 01:16:53,280 --> 01:16:54,800 Speaker 1: what do you think of your people who love your 1406 01:16:54,800 --> 01:16:57,320 Speaker 1: performance in Spice World? I thought it was amazing and 1407 01:16:57,360 --> 01:17:00,880 Speaker 1: I'm still basing for my Ascending Achievement awards. This is 1408 01:17:01,320 --> 01:17:04,400 Speaker 1: in that spirit, that award, and this is just an 1409 01:17:04,439 --> 01:17:08,879 Speaker 1: award for outstanding achievement. Yeah, Victoria Beckham Award for Outstanding Achievement. 1410 01:17:08,920 --> 01:17:12,040 Speaker 1: We don't say the medium. No, we didn't. We we wouldn't. 1411 01:17:12,080 --> 01:17:15,400 Speaker 1: We didn't say it. Um, it's just it's for outstanding achievement. 1412 01:17:15,400 --> 01:17:18,439 Speaker 1: Anyone that's achieved an outstanding thing is eligible for this. 1413 01:17:19,920 --> 01:17:25,880 Speaker 1: We have the next category, Mess Neighborhood New York. Mama, Mama, 1414 01:17:26,240 --> 01:17:28,960 Speaker 1: Many neighborhoods in New York that the great city of 1415 01:17:28,960 --> 01:17:33,080 Speaker 1: New York. Yes, only one will win. Watch this space. 1416 01:17:33,160 --> 01:17:37,680 Speaker 1: We have a next category, Best Neighborhood Los Angeles. Oh 1417 01:17:37,680 --> 01:17:45,240 Speaker 1: my god, Metropolis. Different different vibes, different feelings, different activities. 1418 01:17:45,280 --> 01:17:48,200 Speaker 1: It's a conversation that we could have and we have 1419 01:17:48,360 --> 01:17:52,400 Speaker 1: had definitively. Though. We're sort of taking a very close 1420 01:17:52,439 --> 01:17:56,000 Speaker 1: look at the city of Los Angeles and asking the publicists, 1421 01:17:56,040 --> 01:17:59,080 Speaker 1: what's the best neighborhood? Is it Los Felis, Is it 1422 01:17:59,200 --> 01:18:03,760 Speaker 1: Silver Like? Is it Downtown? Is it Glendale? Is it Glendale? 1423 01:18:04,080 --> 01:18:08,680 Speaker 1: Is it Korea Town? Does the Grove count as a neighborhood? 1424 01:18:10,080 --> 01:18:12,120 Speaker 1: I feel like I am in the most wonderful neighborhood 1425 01:18:12,120 --> 01:18:13,519 Speaker 1: when I at the growth, so I would say, yes, 1426 01:18:13,560 --> 01:18:16,599 Speaker 1: the Grove is in. The Grove is competitive? Is it 1427 01:18:17,200 --> 01:18:22,599 Speaker 1: larch Mott, is it Hancock Park? Is it Beverly Hills? 1428 01:18:23,880 --> 01:18:29,439 Speaker 1: Is it Universal Studios? Hollywood? Watch this space. We have 1429 01:18:29,439 --> 01:18:35,080 Speaker 1: a next category, Best Neighborhood Dallas Fort Worth. You didn't 1430 01:18:35,080 --> 01:18:37,679 Speaker 1: see this one coming. There's gonna there's gonna be a winner. 1431 01:18:37,720 --> 01:18:39,760 Speaker 1: We don't know which one. We were not quite familiar 1432 01:18:39,800 --> 01:18:44,479 Speaker 1: with this. We we just um, we just think that 1433 01:18:44,560 --> 01:18:47,000 Speaker 1: the Dallas and for the Dallas Fort Worth area should 1434 01:18:47,040 --> 01:18:50,040 Speaker 1: be acknowledged. And it's just so often it gets lost 1435 01:18:50,080 --> 01:18:52,879 Speaker 1: in the conversation between New York and l A um 1436 01:18:52,920 --> 01:18:54,920 Speaker 1: and it is it really is the third city. It's 1437 01:18:55,760 --> 01:19:01,080 Speaker 1: it's the third girl. It's like um boeing. Matt Sudi 1438 01:19:01,800 --> 01:19:04,800 Speaker 1: you know what I mean. I'm Los Angeles, you are 1439 01:19:05,360 --> 01:19:11,080 Speaker 1: New York, and right, she would agree. In summer of 1440 01:19:11,520 --> 01:19:18,800 Speaker 1: for for coming soon, Coming very soon. Chris Award for 1441 01:19:18,920 --> 01:19:25,240 Speaker 1: most timeless name. The name Chris, Christopher Tofer has withstood 1442 01:19:25,280 --> 01:19:29,479 Speaker 1: the test of time. There have been Christopher's Chris's since 1443 01:19:29,479 --> 01:19:35,200 Speaker 1: the beginning, beginning Christ, think about it includes Chris. I 1444 01:19:35,240 --> 01:19:38,160 Speaker 1: don't make the rules at all, and so this is 1445 01:19:38,200 --> 01:19:41,679 Speaker 1: an award that honors another name, maybe a name maybe 1446 01:19:41,680 --> 01:19:43,800 Speaker 1: also Chris, we don't know, but a name that is 1447 01:19:44,000 --> 01:19:47,360 Speaker 1: just as timeless, if not more. And it should be 1448 01:19:47,400 --> 01:19:49,640 Speaker 1: more than Chris. If Chris Chris is the example is 1449 01:19:49,680 --> 01:19:52,599 Speaker 1: the blueprint, you could say, but oh honey, you better 1450 01:19:52,600 --> 01:19:55,800 Speaker 1: believe that one of these names out there, does it 1451 01:19:55,880 --> 01:20:02,360 Speaker 1: even better? Builds the building the founda yes, period, period 1452 01:20:02,640 --> 01:20:06,080 Speaker 1: and that's on period. We have a next category, Best 1453 01:20:06,240 --> 01:20:11,479 Speaker 1: video game moment. Countless moments have made up video game history. 1454 01:20:13,560 --> 01:20:17,240 Speaker 1: Eric Gainsborg or getting killed by Saffroth spoiler alert sorry, 1455 01:20:17,360 --> 01:20:25,120 Speaker 1: when Mario jumps, when Peach screams, Mario Donkey come out 1456 01:20:25,120 --> 01:20:30,600 Speaker 1: of a barrel, out of a barrel and into our hearts, tetris. 1457 01:20:30,760 --> 01:20:37,240 Speaker 1: That moment when the pieces connect, when someone gets shot 1458 01:20:38,040 --> 01:20:42,120 Speaker 1: on Grand Theft Auto, when someone gets shot in Golden Eye, 1459 01:20:42,760 --> 01:20:47,639 Speaker 1: when someone gets shot in a playful way in any 1460 01:20:47,640 --> 01:20:50,800 Speaker 1: of the mini games in Mario Party. Oh my god, 1461 01:20:50,800 --> 01:20:53,280 Speaker 1: they're doing like a Mario Party release with all the 1462 01:20:53,280 --> 01:20:56,639 Speaker 1: greatest game we have to play. We need to play 1463 01:20:56,720 --> 01:20:59,320 Speaker 1: soon with Pat. I'm just gonna say Pat is sort 1464 01:20:59,360 --> 01:21:04,960 Speaker 1: of iconically our third Party girl. That video. I want you, Yes, 1465 01:21:05,080 --> 01:21:07,320 Speaker 1: you need to keep saying Mario because you're from Long Island? 1466 01:21:07,920 --> 01:21:13,000 Speaker 1: Am I saying Mario? Mario? You have to stick to Mario? Okay? 1467 01:21:13,040 --> 01:21:14,719 Speaker 1: What was I saying? Mario? I think for a second 1468 01:21:14,800 --> 01:21:16,719 Speaker 1: year you said Mario Party. It is like, no, don't 1469 01:21:16,760 --> 01:21:19,040 Speaker 1: lose that. Don't lose that. Don't lose that part of you, 1470 01:21:19,720 --> 01:21:22,639 Speaker 1: kid out, don't lose that. Who said that? Don't lose 1471 01:21:22,680 --> 01:21:25,080 Speaker 1: that part of you? Hold it tight. I probably a 1472 01:21:25,120 --> 01:21:29,879 Speaker 1: lot of people. We have an next category Dragon Award 1473 01:21:30,080 --> 01:21:33,559 Speaker 1: for animal we're not sure as real. I'm still not 1474 01:21:33,600 --> 01:21:36,400 Speaker 1: sure about dragons. They might exist, they might be real, 1475 01:21:36,520 --> 01:21:39,599 Speaker 1: they might not be. I just don't. I can't say 1476 01:21:39,720 --> 01:21:42,800 Speaker 1: for sure. Say for tooth tigers are up in here. 1477 01:21:43,280 --> 01:21:45,840 Speaker 1: I don't know William Mammoth's I haven't seen him the 1478 01:21:45,920 --> 01:21:53,639 Speaker 1: Jodo bird, not um uh Za does. Come on. Yeah, 1479 01:21:53,680 --> 01:21:56,280 Speaker 1: pokemon are included. If you if you have to defeat 1480 01:21:56,320 --> 01:22:00,080 Speaker 1: it and care for it, it's included. And oh if 1481 01:22:00,080 --> 01:22:02,680 Speaker 1: you if you've ever played Generation to onward, you know 1482 01:22:02,760 --> 01:22:05,679 Speaker 1: you got to feed and care for the pokemon. Let's 1483 01:22:05,760 --> 01:22:09,960 Speaker 1: keep going. In its category Vanilla Coke Award for what 1484 01:22:10,040 --> 01:22:14,639 Speaker 1: happened to that? This is for something explain talking about this. 1485 01:22:14,640 --> 01:22:16,920 Speaker 1: This is for something that we're not really sure what 1486 01:22:16,960 --> 01:22:19,400 Speaker 1: happened to that, Like, there was no reason for Vanilla 1487 01:22:19,439 --> 01:22:21,479 Speaker 1: Cooke to go away. Actually was the best coke and 1488 01:22:21,560 --> 01:22:26,200 Speaker 1: like people seem to like it. Um I had many 1489 01:22:26,360 --> 01:22:29,439 Speaker 1: many Vanilla Cokes in that time period of my life 1490 01:22:29,439 --> 01:22:32,320 Speaker 1: where it was readily available to us, and then suddenly 1491 01:22:32,360 --> 01:22:34,439 Speaker 1: one day I have to find myself sort of asking 1492 01:22:34,479 --> 01:22:37,840 Speaker 1: the question, what happened to that? So this is the 1493 01:22:37,920 --> 01:22:43,280 Speaker 1: Vanilla Coke Award for what happened to that? I'm unsure 1494 01:22:43,360 --> 01:22:45,680 Speaker 1: of the answer, and we're not going to answer the 1495 01:22:45,800 --> 01:22:49,160 Speaker 1: question here, but we definitely have to honor the one 1496 01:22:49,200 --> 01:22:52,599 Speaker 1: thing that has is missing. Can I ask you something? Yeah, 1497 01:22:53,120 --> 01:22:56,880 Speaker 1: let's say you're at an AMC theater and you're going 1498 01:22:56,960 --> 01:23:01,000 Speaker 1: up to that giant you know soda machine, the big 1499 01:23:01,040 --> 01:23:04,479 Speaker 1: red one with this with the touchscreen, one of my 1500 01:23:04,520 --> 01:23:06,920 Speaker 1: favorite things to do and one of my favorite machines 1501 01:23:06,960 --> 01:23:10,960 Speaker 1: to interact with. If you tap vanilla, if you tap 1502 01:23:11,000 --> 01:23:15,960 Speaker 1: the vanilla syrup into your coke, is it to me 1503 01:23:16,080 --> 01:23:19,919 Speaker 1: that's not quite the same as ordering just vanilla bottled 1504 01:23:19,960 --> 01:23:22,479 Speaker 1: vanilla coke. It's not. And I want to thank thank 1505 01:23:22,479 --> 01:23:24,759 Speaker 1: you for saying that up because I would never pretend 1506 01:23:25,120 --> 01:23:27,479 Speaker 1: because sort of what's happening in that machine. I believe 1507 01:23:27,520 --> 01:23:32,920 Speaker 1: they're called, um uh, magical coke boxes, magical coke box, 1508 01:23:34,160 --> 01:23:39,559 Speaker 1: magical magic box. Is you're sort of getting like the 1509 01:23:39,680 --> 01:23:42,800 Speaker 1: runoff of the other flavors, you know what I mean. 1510 01:23:43,040 --> 01:23:46,120 Speaker 1: You can never purely get what you want. So if 1511 01:23:46,160 --> 01:23:49,519 Speaker 1: I'm to step to that magical soda box, as I 1512 01:23:49,560 --> 01:23:54,080 Speaker 1: call them, and I believe is the official name, I'm 1513 01:23:54,080 --> 01:23:57,640 Speaker 1: going to dr pepper vanilla, which I know is counterintuitive 1514 01:23:57,640 --> 01:24:00,479 Speaker 1: because there's already a vanilla moment in remember, but I 1515 01:24:00,520 --> 01:24:02,760 Speaker 1: want all the vanilla. I'm this kind of girl, vanilla girl. 1516 01:24:03,240 --> 01:24:06,080 Speaker 1: I just I just don't like that they've I just 1517 01:24:06,280 --> 01:24:10,560 Speaker 1: I want someone. I want someone in a factory or 1518 01:24:10,560 --> 01:24:13,280 Speaker 1: a machine in a factory to to put the exact 1519 01:24:13,400 --> 01:24:16,320 Speaker 1: right amount of vanilla flavor into this cope. It's just 1520 01:24:16,400 --> 01:24:20,680 Speaker 1: it wasn't as God the magical Mr Mr Cookee. I 1521 01:24:20,680 --> 01:24:23,760 Speaker 1: don't think the magical Soda boxes are doing it right there. 1522 01:24:25,160 --> 01:24:27,000 Speaker 1: If if the Coke Bear were to walk into the 1523 01:24:27,080 --> 01:24:29,040 Speaker 1: m c and and see this and taste it, he 1524 01:24:29,080 --> 01:24:31,840 Speaker 1: would say no, He'd roll over in his grave. And 1525 01:24:31,880 --> 01:24:34,920 Speaker 1: the Coke Bear has been dead for years. We have 1526 01:24:34,920 --> 01:24:40,719 Speaker 1: a next category, Best Taylor Swift pretty self Exponatory Taylor 1527 01:24:40,800 --> 01:24:48,719 Speaker 1: Swift singer, songwriter, icon for former poet, poet, lyricist, pop star, 1528 01:24:48,880 --> 01:24:55,679 Speaker 1: guitar player, acoustic guitar players, guitarist, um, sometimes actress, the best, 1529 01:24:55,720 --> 01:24:57,800 Speaker 1: the best song, the best, the moment of best music video, 1530 01:24:57,800 --> 01:25:01,400 Speaker 1: could be anything. We have an next category, Best Taylor Swift, 1531 01:25:02,520 --> 01:25:08,599 Speaker 1: pretty self exponatorym Taylor's disrupt pops, pop bit, siren, Siren, 1532 01:25:09,080 --> 01:25:19,760 Speaker 1: um iconic Glancer, iconic glancer, iconic, stumper, supermodel, white girl, stomp, Enthusiasts, 1533 01:25:19,960 --> 01:25:29,760 Speaker 1: electrical guitarist, award show attendee, fashion girl, feud feudor notes, 1534 01:25:29,800 --> 01:25:39,400 Speaker 1: app legend notes, app icon, Twitterer, Instagram, Riddler, Riddler, Riddler, 1535 01:25:39,720 --> 01:25:43,599 Speaker 1: she is, Riddler is Riddler Taylor or Taylor, I'm sorry 1536 01:25:43,800 --> 01:25:46,960 Speaker 1: riddler when she does like the liner notes and she like, 1537 01:25:47,000 --> 01:25:48,760 Speaker 1: you know, like makes the little puzzle when she's like 1538 01:25:48,880 --> 01:25:53,640 Speaker 1: this is interesting. This is an interesting conversation. Is it 1539 01:25:54,000 --> 01:26:00,960 Speaker 1: Taylor or Taylor when she does riddler riddler stuff? Is that? 1540 01:26:01,960 --> 01:26:05,160 Speaker 1: Is she doing that barefoot in the park for art 1541 01:26:05,400 --> 01:26:08,519 Speaker 1: or is she disrupting lives? I don't think we can 1542 01:26:08,520 --> 01:26:10,360 Speaker 1: answer it time. I think we can answer today. The 1543 01:26:10,360 --> 01:26:14,000 Speaker 1: publicists might want to chime in. We have a next category, 1544 01:26:14,560 --> 01:26:21,920 Speaker 1: best time. There are how many times during the day, thousands, 1545 01:26:21,920 --> 01:26:26,599 Speaker 1: with thousands of times and thousands of times when things happen. 1546 01:26:26,920 --> 01:26:30,840 Speaker 1: This is the best time when something happened. This is 1547 01:26:31,320 --> 01:26:34,920 Speaker 1: this is one of the best categories. Do you think 1548 01:26:35,360 --> 01:26:37,320 Speaker 1: this is? This is not limited to things that have 1549 01:26:37,439 --> 01:26:40,519 Speaker 1: time that's already happened. This could be time that that 1550 01:26:40,600 --> 01:26:42,599 Speaker 1: hasn't happened in the future. It could be and I'm 1551 01:26:42,640 --> 01:26:45,639 Speaker 1: just don't this out seven thirty pm, or it could 1552 01:26:45,640 --> 01:26:48,720 Speaker 1: be dusk. It could be best time, like the time 1553 01:26:48,800 --> 01:26:52,960 Speaker 1: we did something. That's time that's this is one of 1554 01:26:53,040 --> 01:26:56,680 Speaker 1: the most I'm still talking about best time. This is 1555 01:26:56,720 --> 01:26:59,519 Speaker 1: one of the most exciting categories because now going forward, 1556 01:26:59,560 --> 01:27:03,799 Speaker 1: we have the opportunity to have our entire readership whenever 1557 01:27:03,880 --> 01:27:09,000 Speaker 1: it's a certain time they celebrate time that during that 1558 01:27:09,120 --> 01:27:13,360 Speaker 1: sixty second period or that second period, you know what 1559 01:27:13,360 --> 01:27:16,880 Speaker 1: I mean, they will, They'll have to they'll have to celebrate. 1560 01:27:17,600 --> 01:27:20,559 Speaker 1: We're creating a holiday. Oh my god, you're so right. 1561 01:27:21,280 --> 01:27:25,679 Speaker 1: We're now at the D category. This is the final 1562 01:27:25,760 --> 01:27:29,800 Speaker 1: category and that doesn't mean anything, but it's pretty maje, 1563 01:27:30,160 --> 01:27:34,760 Speaker 1: very major. You have the last category Artists of the millennium, 1564 01:27:36,520 --> 01:27:39,560 Speaker 1: the second millennium. Oh no, no, no, that we're in 1565 01:27:39,600 --> 01:27:42,760 Speaker 1: the third millennium, were in one of the later millenniums, 1566 01:27:43,000 --> 01:27:45,880 Speaker 1: were in the third. We're in the third millennium because 1567 01:27:45,880 --> 01:27:50,040 Speaker 1: there was zero two thousand thousand to two thousand, two 1568 01:27:50,080 --> 01:27:54,479 Speaker 1: thousand two. For this is artist at the millennium. This 1569 01:27:54,560 --> 01:27:57,479 Speaker 1: is I'm reading this as a reference to when Britney 1570 01:27:57,479 --> 01:28:00,680 Speaker 1: Spears presented Michael Jackson with the Team Choice Award or 1571 01:28:00,680 --> 01:28:04,040 Speaker 1: the People's Choice Award. It was the v M A. Yes, 1572 01:28:04,080 --> 01:28:07,599 Speaker 1: that's she and well it was it was for an 1573 01:28:07,640 --> 01:28:10,880 Speaker 1: award that was just like, uh, his career achievement or something. 1574 01:28:10,920 --> 01:28:13,120 Speaker 1: And then she said, I consider him to be the 1575 01:28:13,200 --> 01:28:15,680 Speaker 1: artists of the millennium and then he said to be 1576 01:28:15,720 --> 01:28:18,200 Speaker 1: receiving the Artist of the Millennium Award. Wow, I never 1577 01:28:18,200 --> 01:28:20,120 Speaker 1: thought this what happened? And it didn't and it didn't 1578 01:28:20,640 --> 01:28:23,479 Speaker 1: but it will now it will. Now we are writing 1579 01:28:23,479 --> 01:28:26,960 Speaker 1: the wrongs of that time for both Brittany and Michael Jackson. 1580 01:28:27,400 --> 01:28:32,200 Speaker 1: So now the publicists know all the categories and we 1581 01:28:32,280 --> 01:28:36,760 Speaker 1: need to find out from you what deserves to be nominated. 1582 01:28:37,080 --> 01:28:38,960 Speaker 1: So the next time we do an episode and it's 1583 01:28:38,960 --> 01:28:41,800 Speaker 1: the nominations, no one feels sad that they didn't work 1584 01:28:41,840 --> 01:28:46,880 Speaker 1: hard enough, and it will be be three nominees. What 1585 01:28:47,080 --> 01:28:50,840 Speaker 1: you say meant nothing, Now I knew what you meant. 1586 01:28:51,680 --> 01:28:54,360 Speaker 1: Is it going to be three nominees for each category? Yes, 1587 01:28:54,479 --> 01:28:59,360 Speaker 1: it will, it will. I can confirm this has now 1588 01:28:59,439 --> 01:29:04,080 Speaker 1: become The nominations will be announced, and the nominations I 1589 01:29:04,120 --> 01:29:07,040 Speaker 1: don't think we can contain to one episode because we'll 1590 01:29:07,080 --> 01:29:10,040 Speaker 1: have three hundred things to name. I think it's amazing. 1591 01:29:10,240 --> 01:29:11,760 Speaker 1: I think we're going to do it. I think we 1592 01:29:11,880 --> 01:29:14,120 Speaker 1: just do. You know we do Bowen. We literally do 1593 01:29:14,160 --> 01:29:16,599 Speaker 1: an episode which is just the nominations and we don't 1594 01:29:16,680 --> 01:29:20,240 Speaker 1: talk at all. That's not gonna be possible to this. 1595 01:29:20,720 --> 01:29:24,559 Speaker 1: We we will. There will be shocking moments that we 1596 01:29:24,640 --> 01:29:27,800 Speaker 1: have to discuss and we have to predict the winner. Bowen. 1597 01:29:27,840 --> 01:29:30,080 Speaker 1: When they announced the Emmys, do they stop after every 1598 01:29:30,120 --> 01:29:31,840 Speaker 1: category when there's something shocking and they, oh, my god, 1599 01:29:31,840 --> 01:29:34,520 Speaker 1: well let's talk about that. No, it's the nomination's announcement. 1600 01:29:34,560 --> 01:29:37,680 Speaker 1: It's a part of awards season. You know it's true that, 1601 01:29:37,880 --> 01:29:41,040 Speaker 1: But we'll we'll say, Matt Rogerson Boone Yang and officially 1602 01:29:41,080 --> 01:29:45,639 Speaker 1: announced to announce the nominations of the Lost Cultures Culture Awards. 1603 01:29:45,720 --> 01:29:50,120 Speaker 1: Do you think there will be any space, space or 1604 01:29:50,240 --> 01:29:56,360 Speaker 1: another allotment of time for us to talk about the races? Okay, 1605 01:29:56,560 --> 01:29:59,439 Speaker 1: this doesn't happen. The Culture Awards is not happening until December. 1606 01:30:00,200 --> 01:30:03,080 Speaker 1: Are we are we prepared to say that? Are we 1607 01:30:03,160 --> 01:30:06,520 Speaker 1: prepared to say that the awards will not the ceremony 1608 01:30:06,560 --> 01:30:11,880 Speaker 1: will not be until December? That this is that this 1609 01:30:11,960 --> 01:30:17,600 Speaker 1: is a five month for a single award show happening 1610 01:30:17,720 --> 01:30:21,479 Speaker 1: in October. I don't know when they're happening. We still 1611 01:30:21,520 --> 01:30:23,960 Speaker 1: don't know when. We're happy when they're happening. But to 1612 01:30:23,960 --> 01:30:27,639 Speaker 1: say the next episode will be the nominees, the next 1613 01:30:27,640 --> 01:30:31,000 Speaker 1: step out, not not not next week? We gotta have 1614 01:30:31,080 --> 01:30:33,160 Speaker 1: jan On. We gotta do Summer of cun, we gotta 1615 01:30:33,160 --> 01:30:34,920 Speaker 1: do summer of can we gotta bring on. Oh my god, 1616 01:30:35,040 --> 01:30:39,320 Speaker 1: Dave Holmes is coming on the show in September. We're 1617 01:30:39,400 --> 01:30:43,639 Speaker 1: very excited. A lot of fun guests coming up. So, um, well, 1618 01:30:43,640 --> 01:30:44,920 Speaker 1: thank you so much for being on the journey. I 1619 01:30:45,160 --> 01:30:46,840 Speaker 1: I do have to go, and so I think that 1620 01:30:46,960 --> 01:30:48,240 Speaker 1: we will not be doing I don't think we won't 1621 01:30:48,240 --> 01:30:51,320 Speaker 1: be doing. I don't think so, honey. Um but publicists, now, well, 1622 01:30:51,400 --> 01:30:53,320 Speaker 1: I will be posting the full we will both be 1623 01:30:53,360 --> 01:30:56,280 Speaker 1: posting the full list of nominees. It's just so exciting. 1624 01:30:56,360 --> 01:31:00,599 Speaker 1: I am really thrilled. These categories are so tough and 1625 01:31:00,880 --> 01:31:04,639 Speaker 1: they will be hard fought. And don't disagree which um 1626 01:31:04,760 --> 01:31:08,240 Speaker 1: we we now, of course, and every episode with an 1627 01:31:08,240 --> 01:31:12,360 Speaker 1: amazing song. I was five and he was six. We 1628 01:31:12,720 --> 01:31:16,759 Speaker 1: rode on the horses made of sticks. He won black 1629 01:31:16,800 --> 01:31:20,719 Speaker 1: and night will white. He would always win the fight. 1630 01:31:21,439 --> 01:31:29,200 Speaker 1: Bang bang, and he shot me down. Bang babe, ground 1631 01:31:30,520 --> 01:31:41,120 Speaker 1: bang baby, that awful sound bang he shoot me? Do 1632 01:31:46,200 --> 01:31:50,439 Speaker 1: you hear more? Listen to the Classic Standards album Cheap 1633 01:31:50,640 --> 01:31:58,400 Speaker 1: Cheek Leading Ganga and Tony Ben. I love you Tony okay, 1634 01:31:58,680 --> 01:32:01,320 Speaker 1: okay by a time stoo.