1 00:00:03,600 --> 00:00:06,760 Speaker 1: Reality with the King is hosted by me, Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 1: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,560 Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,360 Speaker 1: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,040 Speaker 1: Bell Collective. Every episode we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset. In 7 00:00:27,720 --> 00:00:31,680 Speaker 1: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,720 --> 00:00:39,000 Speaker 1: scripted as well. Rain Drives. Yes, we have to talk 9 00:00:39,080 --> 00:00:47,080 Speaker 1: about the episode of the Real Housewives of Stephanie Baby Baby. 10 00:00:47,159 --> 00:00:54,080 Speaker 1: Stephanie the newbie has stepped into Miami, Florida and have 11 00:00:54,360 --> 00:01:01,920 Speaker 1: stormed her way onto being the multiplier of this season. 12 00:01:02,360 --> 00:01:07,480 Speaker 1: I love Stephanie. Great casting, great addition, She's e everything. 13 00:01:08,000 --> 00:01:14,080 Speaker 1: She's beautiful, she's wealthy, She clocks in, she literally clocks 14 00:01:14,240 --> 00:01:17,640 Speaker 1: in because she's always on time, unlike Lisa, who she 15 00:01:17,760 --> 00:01:20,640 Speaker 1: clocked out with the good read. But we'll get to 16 00:01:20,760 --> 00:01:23,920 Speaker 1: that late in this episode. I am so thrilled to 17 00:01:23,959 --> 00:01:26,400 Speaker 1: talk about this season of the Real Housewives in Miami, 18 00:01:26,680 --> 00:01:31,119 Speaker 1: especially this episode. But first let's get into this season overall. 19 00:01:31,600 --> 00:01:35,640 Speaker 1: I know we're kind of like in five episodes or six, No. Six, No. Five, 20 00:01:36,880 --> 00:01:39,560 Speaker 1: great season so far. I'm loving it. I'm loving it. 21 00:01:39,600 --> 00:01:44,160 Speaker 1: I'm loving it. The girls are working. Miami Housewives is 22 00:01:44,200 --> 00:01:48,880 Speaker 1: the Meriti medicine of the franchise. I'll say that once again, 23 00:01:49,320 --> 00:01:55,560 Speaker 1: Miami Housewives is the Marit medicine of the franchise because 24 00:01:56,040 --> 00:01:59,240 Speaker 1: it is super underrated. I need for you guys to 25 00:01:59,280 --> 00:02:01,640 Speaker 1: be watching this show. It is so good. It is 26 00:02:01,680 --> 00:02:05,200 Speaker 1: so good. It's top tiar television. The girls are funny, 27 00:02:05,440 --> 00:02:11,480 Speaker 1: they're beautiful, they redown and this new housewife, Stephanie fist 28 00:02:11,680 --> 00:02:14,360 Speaker 1: like a glove. But before we get into her checking 29 00:02:14,400 --> 00:02:20,839 Speaker 1: and clocking Miss Lisa, let's get into the actual episode. 30 00:02:21,400 --> 00:02:24,080 Speaker 1: I want to start the episode by giving key Key 31 00:02:24,200 --> 00:02:29,120 Speaker 1: Barth her flowers. Okay, I am loving seeing all of 32 00:02:29,800 --> 00:02:35,400 Speaker 1: key Key's personal story. I'm loving it. She needs to 33 00:02:35,520 --> 00:02:43,160 Speaker 1: hold a mahido. She is so funny, so beautiful. I 34 00:02:43,240 --> 00:02:47,320 Speaker 1: love the interchangeable wigs. It is giving Cynthia Bailey tease. 35 00:02:47,639 --> 00:02:51,360 Speaker 1: But more importantly, we are getting to know Keikey on 36 00:02:51,440 --> 00:02:54,560 Speaker 1: a deeper personal level. I mean we are able to 37 00:02:54,600 --> 00:02:58,200 Speaker 1: see her talk about the issue she's having with her father. 38 00:02:58,880 --> 00:03:01,760 Speaker 1: I love the scene taped last week with her mother 39 00:03:03,600 --> 00:03:08,880 Speaker 1: getting to see her son, and just understanding how key 40 00:03:08,960 --> 00:03:14,440 Speaker 1: Key's life being from Haiti, been coming to America, then 41 00:03:14,520 --> 00:03:17,359 Speaker 1: being of supermodel well not a supermodel child. Let when 42 00:03:17,360 --> 00:03:21,920 Speaker 1: I say that, love you, Ki Ki, you are a 43 00:03:21,960 --> 00:03:26,200 Speaker 1: model honey, we will say supermodel child that belongs to 44 00:03:26,280 --> 00:03:32,560 Speaker 1: Tyer Banks, Naomi Campbell, Cynthy Cyndy Crawford, et cetera. Okay, 45 00:03:33,000 --> 00:03:40,440 Speaker 1: but and maybe Cynthia Bailey. However, however, key Key's decision 46 00:03:41,400 --> 00:03:46,600 Speaker 1: to be a model calls a friction between her and 47 00:03:46,680 --> 00:03:51,920 Speaker 1: her father, and one thing I loved about last week's 48 00:03:51,960 --> 00:03:57,120 Speaker 1: episode when Keikey spoke to her mother about this. I 49 00:03:57,160 --> 00:04:02,720 Speaker 1: love the fact that her mother did not entertain Kiki 50 00:04:03,360 --> 00:04:08,320 Speaker 1: disrespecting her dad, and how her mother, despite them being divorced, 51 00:04:09,080 --> 00:04:14,080 Speaker 1: constantly told Kiki, that's your father and to respect him. 52 00:04:14,560 --> 00:04:17,200 Speaker 1: I love that. I love that it goes to show 53 00:04:17,240 --> 00:04:23,000 Speaker 1: you that Kiki has roots when it comes to the 54 00:04:23,040 --> 00:04:26,200 Speaker 1: foundation of a mother who is going to tell her 55 00:04:26,240 --> 00:04:30,080 Speaker 1: own daughter when she's wrong. So I love that. So 56 00:04:30,200 --> 00:04:35,600 Speaker 1: Kiki's father, they haven't spoken in many years. When Kiki 57 00:04:35,640 --> 00:04:39,360 Speaker 1: had her son, her father was not in her life. 58 00:04:39,920 --> 00:04:44,360 Speaker 1: So her son is now in college. He's a handsome kid, 59 00:04:45,040 --> 00:04:49,560 Speaker 1: and Kiki is trying to get her father not only 60 00:04:49,640 --> 00:04:54,159 Speaker 1: back in her life, but so that her son can't 61 00:04:54,200 --> 00:04:58,880 Speaker 1: know who his grandfather is. And that is I'm just 62 00:04:58,960 --> 00:05:03,560 Speaker 1: so thrilled that production and the network decided to give 63 00:05:03,760 --> 00:05:09,400 Speaker 1: us the opportunity to know Kiki on a deeper level. 64 00:05:10,120 --> 00:05:12,520 Speaker 1: And my hope is this because let me tell you 65 00:05:12,560 --> 00:05:17,680 Speaker 1: how it works. In production, we're all advocating for Keiki 66 00:05:17,760 --> 00:05:24,120 Speaker 1: to hold the mahito. I'm hoping that they told her, 67 00:05:25,680 --> 00:05:28,960 Speaker 1: let's see what you give this season. Be a friend 68 00:05:29,000 --> 00:05:33,279 Speaker 1: of will invest in more personal story. Let's see how 69 00:05:33,320 --> 00:05:37,320 Speaker 1: the audience reacts to it. Let's see how much you 70 00:05:37,320 --> 00:05:40,440 Speaker 1: are able to give, and then maybe next season she 71 00:05:40,520 --> 00:05:46,119 Speaker 1: could be a mohito holder. But I think after these 72 00:05:46,200 --> 00:05:50,400 Speaker 1: few episodes, I'm advocating for Keki to hold the mahito. 73 00:05:50,880 --> 00:05:54,039 Speaker 1: I'm just loving it. I think she's a star and 74 00:05:54,120 --> 00:05:57,520 Speaker 1: I think she has everything it takes to be a housewife. 75 00:05:57,880 --> 00:06:02,919 Speaker 1: So shout out to kekey. Okay, now let's have a 76 00:06:03,000 --> 00:06:06,320 Speaker 1: key key with Stephanie. This is before we get to 77 00:06:06,480 --> 00:06:10,679 Speaker 1: what happened when they were on the bus. I love 78 00:06:11,920 --> 00:06:15,480 Speaker 1: Stephanie's relationship, or should I say her marriage to her 79 00:06:15,600 --> 00:06:22,719 Speaker 1: husband monster, not monster? Is it Monsieur? Is a Monsieur monster. 80 00:06:25,640 --> 00:06:31,800 Speaker 1: For the sake of today, we're gonna call him. I 81 00:06:31,839 --> 00:06:36,719 Speaker 1: think it's Monsieur. I think I'm wrong, but whatever sounds better. 82 00:06:36,960 --> 00:06:40,599 Speaker 1: It flows off the tongue, Okay. I love their the 83 00:06:40,720 --> 00:06:45,360 Speaker 1: dynamic of their marriage. Now, last week we were informed 84 00:06:46,000 --> 00:06:52,919 Speaker 1: that Stephanie was twenty six when she met her now husband, 85 00:06:53,400 --> 00:06:56,880 Speaker 1: who was in his fifties. Okay, pick your moth off 86 00:06:56,920 --> 00:07:02,000 Speaker 1: the floor. Yeah, so he was in his fifties. She 87 00:07:02,160 --> 00:07:09,600 Speaker 1: was twenty six. They met got married soon thereafter. I 88 00:07:09,640 --> 00:07:12,600 Speaker 1: believe right now she's thirty two, if I'm not mistaken. 89 00:07:14,480 --> 00:07:18,920 Speaker 1: I love the fact that Stephanie has an old soul 90 00:07:19,080 --> 00:07:23,960 Speaker 1: and Monsieur. I'm gonna keep laughing, but I know I 91 00:07:24,000 --> 00:07:27,800 Speaker 1: have it wrong, but just rope with me, raindrops. I 92 00:07:27,960 --> 00:07:32,200 Speaker 1: like that Monsieur is the personality. I like the fact 93 00:07:32,280 --> 00:07:35,480 Speaker 1: that he is like the wild card. I like the 94 00:07:35,480 --> 00:07:39,080 Speaker 1: fact that he is somebody who really is the life 95 00:07:39,080 --> 00:07:41,720 Speaker 1: of the party. Because one thing Stephanie does have she 96 00:07:41,840 --> 00:07:45,480 Speaker 1: does she does give you like the and this is 97 00:07:45,520 --> 00:07:48,840 Speaker 1: no shade because it's not shade at all. But Stephanie 98 00:07:48,880 --> 00:07:52,840 Speaker 1: does give you more palm beach than she does Miami 99 00:07:53,840 --> 00:07:57,640 Speaker 1: because in Palm Beach, a West Palm Beach, that's where 100 00:07:57,960 --> 00:08:03,680 Speaker 1: the fifty older crowd out low key sixty over, but 101 00:08:03,800 --> 00:08:06,960 Speaker 1: you know that's where the older crowd goes. They have 102 00:08:07,080 --> 00:08:13,000 Speaker 1: a lot of money, they're retired, they're super wealthy. Some 103 00:08:13,040 --> 00:08:18,000 Speaker 1: of them may have ANARP pamphlet on their coffee table. 104 00:08:18,520 --> 00:08:21,080 Speaker 1: Some of them may be collecting stuff from the Social 105 00:08:21,120 --> 00:08:25,520 Speaker 1: Security Administration. You know, anything is possible on West Palm Beach. 106 00:08:25,560 --> 00:08:29,400 Speaker 1: But one thing, honey, they have a coin. They have 107 00:08:29,440 --> 00:08:35,120 Speaker 1: a coin, and you know some are senior citizens. So 108 00:08:35,280 --> 00:08:40,080 Speaker 1: Stephanie does give off the very mature vibe. You know, 109 00:08:42,320 --> 00:08:46,400 Speaker 1: she definitely reads that in terms of her persona. She 110 00:08:46,520 --> 00:08:49,880 Speaker 1: looks her age. She's a beautiful woman. But she definitely 111 00:08:50,040 --> 00:08:54,280 Speaker 1: gives you that she has been here before. She definitely 112 00:08:54,320 --> 00:08:57,880 Speaker 1: gives you she has nine lives like my cat. That's 113 00:08:57,880 --> 00:09:00,160 Speaker 1: what she gives you. Stephanie has been around BEFO for 114 00:09:02,400 --> 00:09:06,880 Speaker 1: I believe she had dinner with George Washington or Theodore Roosevelt. 115 00:09:07,240 --> 00:09:10,200 Speaker 1: That's what that's the spirit that she gives. It's very 116 00:09:10,280 --> 00:09:16,760 Speaker 1: old soul. I believe she plays Barbara streisand on Sundays. 117 00:09:16,840 --> 00:09:19,520 Speaker 1: You know what I mean like, that's what she gives me, 118 00:09:20,160 --> 00:09:24,679 Speaker 1: But what her husband gives me is he plays Glorilla 119 00:09:24,800 --> 00:09:29,199 Speaker 1: and Megan thee Stallion on Sundays. Okay, while she's listening 120 00:09:29,240 --> 00:09:34,080 Speaker 1: to the Way We Are Okay by Barbara streisand Honey, 121 00:09:34,360 --> 00:09:40,520 Speaker 1: her husband is listening to Thought Shit by Megne Stallion. Okay, 122 00:09:41,000 --> 00:09:45,800 Speaker 1: but it works. It works. So once we discover that, 123 00:09:45,920 --> 00:09:50,680 Speaker 1: and I'll speak for myself, obviously, once we discover that 124 00:09:50,800 --> 00:09:54,320 Speaker 1: Stephanie does have the old soul and that her husband 125 00:09:54,400 --> 00:09:57,680 Speaker 1: is more of the party guy, and now makes sense 126 00:09:58,120 --> 00:10:03,480 Speaker 1: why their marriage work. It now makes sense because he 127 00:10:03,600 --> 00:10:07,120 Speaker 1: got somebody much younger than him who can keep up 128 00:10:07,160 --> 00:10:12,960 Speaker 1: with him in terms of stamina. However, Stephanie has somebody 129 00:10:13,200 --> 00:10:18,360 Speaker 1: that can match match her fly in the sense of 130 00:10:19,040 --> 00:10:24,480 Speaker 1: the crowd and the friends circle that her husband has 131 00:10:24,600 --> 00:10:30,080 Speaker 1: that matches her style, and he has owed money as well. 132 00:10:30,240 --> 00:10:32,800 Speaker 1: It all works, It all works, It all makes sense. 133 00:10:32,840 --> 00:10:37,960 Speaker 1: They are definitely a power couple. I am obsessed with 134 00:10:38,080 --> 00:10:41,480 Speaker 1: this couple and I believe they will be the future 135 00:10:41,679 --> 00:10:46,480 Speaker 1: of the franchise. They have it. They're everything you're looking 136 00:10:46,520 --> 00:10:49,719 Speaker 1: for in a housewife, and I feel like they are 137 00:10:49,760 --> 00:10:54,280 Speaker 1: bringing back that that angela Oakley Charles Oakley vibe that 138 00:10:54,320 --> 00:10:58,720 Speaker 1: Atlanta is succeeding with those two. I think Stephanie and 139 00:10:58,800 --> 00:11:03,120 Speaker 1: Monsieur are giving us that of Miami Housewives, and I'm 140 00:11:03,160 --> 00:11:09,840 Speaker 1: here for it. What I'm not here for, though, is 141 00:11:12,320 --> 00:11:17,120 Speaker 1: I don't like how the girls are gaslighting Girty. We're 142 00:11:17,160 --> 00:11:22,280 Speaker 1: going to have a real conversation about what's going on 143 00:11:22,440 --> 00:11:26,240 Speaker 1: with Gerty and how these ladies are treating her. I 144 00:11:26,320 --> 00:11:29,360 Speaker 1: love all the girls, there's not one female on this 145 00:11:29,440 --> 00:11:31,800 Speaker 1: cast I do not like. I love them all. It's 146 00:11:31,840 --> 00:11:39,320 Speaker 1: a great cast, but let's keep it a buck. These 147 00:11:39,360 --> 00:11:43,400 Speaker 1: girls do not like Girty, and Girty knows it, and 148 00:11:43,480 --> 00:11:47,320 Speaker 1: I feel like I feel like they're trying to ice 149 00:11:47,400 --> 00:11:54,240 Speaker 1: Gerty out of the show. That's what it looks like. 150 00:11:55,280 --> 00:11:59,720 Speaker 1: It appears to me, Okay, it appears to me that 151 00:12:01,520 --> 00:12:06,160 Speaker 1: these girls think Gerty's too much and they are icing 152 00:12:06,200 --> 00:12:09,880 Speaker 1: her out so that she can lose her mohiito and 153 00:12:09,960 --> 00:12:13,280 Speaker 1: that it can be given to Kiki. I think Gerty 154 00:12:13,520 --> 00:12:17,320 Speaker 1: is experiencing what happens on these Housewives shows when the 155 00:12:17,360 --> 00:12:20,240 Speaker 1: majority of the cash just doesn't like you and they 156 00:12:20,240 --> 00:12:23,840 Speaker 1: want you gone, and they're not going to even try 157 00:12:23,880 --> 00:12:27,880 Speaker 1: to feel any sympathy towards you because they don't want 158 00:12:27,880 --> 00:12:31,680 Speaker 1: you around them. That's what I gather from it. But 159 00:12:31,800 --> 00:12:36,400 Speaker 1: let me know the comments y'all disagree. Child, It is giving. 160 00:12:36,720 --> 00:12:41,800 Speaker 1: We don't want you around us. We want your mohito 161 00:12:41,880 --> 00:12:46,680 Speaker 1: to be given a kiki. That's what is given. It 162 00:12:46,720 --> 00:12:53,760 Speaker 1: is the see between Alexia and Gerty. Illustrated that to 163 00:12:53,840 --> 00:12:59,480 Speaker 1: me officially, because look, Gerty has the type of personality 164 00:12:59,760 --> 00:13:05,480 Speaker 1: where you either like it or you don't. Some people 165 00:13:05,520 --> 00:13:11,600 Speaker 1: may say I have that personality. I know in the 166 00:13:11,640 --> 00:13:18,800 Speaker 1: words of Danielle Style Season one of Jersey, there is 167 00:13:18,840 --> 00:13:23,120 Speaker 1: no in between with me. You either love me or 168 00:13:23,160 --> 00:13:26,199 Speaker 1: you hate me. That's how I am. I feel like 169 00:13:26,240 --> 00:13:28,360 Speaker 1: I show up that way. You either love some Carlos 170 00:13:28,360 --> 00:13:32,160 Speaker 1: baby or you can't stand him, but that there's no 171 00:13:32,280 --> 00:13:36,920 Speaker 1: in between. I am the Danielle style of podcasting, and 172 00:13:37,040 --> 00:13:41,199 Speaker 1: Girty is a daniel Stob of Miami Child. Gerdy has 173 00:13:41,240 --> 00:13:45,480 Speaker 1: that personality. I have the pleasure of having Gerdy on 174 00:13:45,600 --> 00:13:49,240 Speaker 1: the podcast. She's a friend to the show. She's a 175 00:13:49,320 --> 00:13:57,000 Speaker 1: rain drop. I love gerdy personality. I'm here for it. 176 00:13:57,520 --> 00:13:59,520 Speaker 1: I also had a chance to hang out with Gerdy 177 00:13:59,679 --> 00:14:04,320 Speaker 1: and Someonalan in Miami we went to Key Keys on 178 00:14:04,360 --> 00:14:08,160 Speaker 1: the River. We had a good two hour ponder Rosa. 179 00:14:09,160 --> 00:14:14,480 Speaker 1: I personally love Gerty's personality, but I also can see 180 00:14:14,520 --> 00:14:18,360 Speaker 1: that when you have that type of personality, certain people 181 00:14:18,440 --> 00:14:22,480 Speaker 1: can only take that in doses. So when Alexia was like, look, Gerty, 182 00:14:22,640 --> 00:14:25,360 Speaker 1: you are a lot, I'm paraphrasing, of course, but she 183 00:14:25,480 --> 00:14:28,680 Speaker 1: pretty much was saying to her like, you're a lot, 184 00:14:29,240 --> 00:14:36,560 Speaker 1: and you don't let people talk, you don't hear people out. 185 00:14:36,760 --> 00:14:39,440 Speaker 1: And I think Alexia was saying things to Gerty that 186 00:14:39,480 --> 00:14:41,600 Speaker 1: they say to her in the group chat that Gerdy 187 00:14:41,680 --> 00:14:45,680 Speaker 1: is not Gerty. There's a group chat with these ladies. 188 00:14:45,680 --> 00:14:52,880 Speaker 1: You're not on, baby. It's not funny, but it's true. 189 00:14:53,160 --> 00:14:56,000 Speaker 1: Gerdy is not on a group chat that the other 190 00:14:56,120 --> 00:14:59,360 Speaker 1: housewives and friends to the show are on. Well, let 191 00:14:59,400 --> 00:15:02,040 Speaker 1: me take that back. I think Gerdy Adriana are not 192 00:15:02,160 --> 00:15:04,960 Speaker 1: on the group chat. I think the other girls have 193 00:15:05,040 --> 00:15:10,760 Speaker 1: one for sure. This is reality with the King and 194 00:15:10,800 --> 00:15:15,480 Speaker 1: I'm Carlos King. Let's get back into the show. So 195 00:15:15,680 --> 00:15:19,200 Speaker 1: in that scene, I felt bad for Gerdy because at 196 00:15:19,200 --> 00:15:21,120 Speaker 1: the end of the day, Gerdy, to me is how 197 00:15:21,160 --> 00:15:26,560 Speaker 1: I felt the girls treated Kenya on Atlanta. Kenya is 198 00:15:26,600 --> 00:15:29,440 Speaker 1: also in that group of you love her, you hate her, 199 00:15:29,480 --> 00:15:36,200 Speaker 1: there's no in between. I feel like when it comes 200 00:15:36,240 --> 00:15:38,800 Speaker 1: to Gerty, at the end of the day, she had 201 00:15:38,880 --> 00:15:43,600 Speaker 1: a drink thrown in her direction, and that's when you 202 00:15:43,720 --> 00:15:47,840 Speaker 1: as people have to step back and say, although she 203 00:15:48,000 --> 00:15:51,600 Speaker 1: may not be my cup of tea, my cup of coffee, 204 00:15:52,000 --> 00:15:57,080 Speaker 1: my cup of pre workout, or my cup of ozimpic mondeur, 205 00:15:57,280 --> 00:16:00,560 Speaker 1: whatever you take, you may not be the top of that. 206 00:16:02,240 --> 00:16:06,560 Speaker 1: But right is right and wrong is wrong. And I 207 00:16:06,720 --> 00:16:10,720 Speaker 1: in somebody that has also had Julia on my podcast. 208 00:16:10,760 --> 00:16:14,120 Speaker 1: She's a friend to the show. Julia is a rain drop. 209 00:16:14,560 --> 00:16:17,600 Speaker 1: I've had the pleasure of hanging out with Julia, We've 210 00:16:17,640 --> 00:16:21,000 Speaker 1: had dinner together. I find her to be a lovely woman. 211 00:16:21,160 --> 00:16:25,479 Speaker 1: I love Julia. But as somebody who can step outside 212 00:16:25,480 --> 00:16:32,880 Speaker 1: of my world and strictly recap a show based on 213 00:16:32,960 --> 00:16:36,960 Speaker 1: what I was given, I can look at Julia's actions 214 00:16:37,040 --> 00:16:48,760 Speaker 1: and say, you were wrong, you were wrong, you were wrong, 215 00:16:49,480 --> 00:16:56,320 Speaker 1: regardless if Gerty is too much. Julia was wrong. And 216 00:16:56,360 --> 00:17:01,480 Speaker 1: what's crazy to me is Alexia did not. She could 217 00:17:01,560 --> 00:17:06,159 Speaker 1: not find it within herself to just say that. She 218 00:17:06,200 --> 00:17:08,960 Speaker 1: could not find it in herself to just say that. 219 00:17:09,440 --> 00:17:11,560 Speaker 1: So that was disappointing to me, and I love Alexia, 220 00:17:11,720 --> 00:17:15,800 Speaker 1: but that's when I realized, like, yeah, Gerty, you're not 221 00:17:15,840 --> 00:17:17,480 Speaker 1: in the group chat with these ladies and they don't 222 00:17:17,560 --> 00:17:22,800 Speaker 1: like you. Okay. So then Julia did the right thing, 223 00:17:23,240 --> 00:17:27,160 Speaker 1: text Gerty to meet up. Gerty did the right thing, 224 00:17:27,440 --> 00:17:30,520 Speaker 1: showed up, making sure she looked her best. She had 225 00:17:30,560 --> 00:17:33,679 Speaker 1: her ass. O't go ahead, Gerdy, body's looking great, she 226 00:17:33,720 --> 00:17:37,520 Speaker 1: WOI was a fishnet onesie with the bikini of a 227 00:17:37,600 --> 00:17:43,439 Speaker 1: nee child looking great. Julia looked great when they sat down. Look, 228 00:17:44,800 --> 00:17:47,600 Speaker 1: I will say this, I will give Julia her props 229 00:17:47,640 --> 00:17:52,800 Speaker 1: for initiating the conversation and apologizing first. And I think 230 00:17:52,840 --> 00:17:56,560 Speaker 1: for Gerty that's all she wanted because not to speak 231 00:17:56,560 --> 00:17:59,000 Speaker 1: for Gerdy, but again, I know how these shows work. 232 00:17:59,640 --> 00:18:02,160 Speaker 1: I think Gerty feels so much like she's on an 233 00:18:02,200 --> 00:18:09,520 Speaker 1: island that isn't Gilligans, that she wanted to she wanted 234 00:18:09,560 --> 00:18:11,480 Speaker 1: to make sure that she didn't make this shit up. 235 00:18:12,720 --> 00:18:14,760 Speaker 1: I think Gerdy looked around like am I in the 236 00:18:14,800 --> 00:18:22,639 Speaker 1: Twilight Zone, Like if the roles were reversed, if Gerty 237 00:18:23,040 --> 00:18:28,720 Speaker 1: would have thrown a drink near Julia's direction, all of 238 00:18:28,720 --> 00:18:35,320 Speaker 1: these girls would have not in my opinion, they would 239 00:18:35,320 --> 00:18:37,639 Speaker 1: not be filming with her. I'm sorry, I'll say it. 240 00:18:38,600 --> 00:18:40,120 Speaker 1: I don't think they were filmed with her. I think 241 00:18:40,119 --> 00:18:44,240 Speaker 1: they'll be like she's too much, they may say she's aggressive. 242 00:18:44,880 --> 00:18:48,560 Speaker 1: I definitely think if the roles were reversed, things would 243 00:18:48,560 --> 00:18:55,640 Speaker 1: be different and the way they would have treated Gerdy. 244 00:18:55,880 --> 00:18:59,960 Speaker 1: Julia did apologize, though I appreciated that. Gertie says she 245 00:19:00,119 --> 00:19:03,679 Speaker 1: felt backstabbed, and that's what I'm saying, rain drops, Gertie 246 00:19:03,720 --> 00:19:06,119 Speaker 1: fell backstabb because she feels like at the end of 247 00:19:06,119 --> 00:19:09,920 Speaker 1: the day, I know that mean LARSU may get into it, 248 00:19:10,720 --> 00:19:17,520 Speaker 1: but Julie, we were friends. We were real friends. We 249 00:19:17,680 --> 00:19:24,080 Speaker 1: had a real friend ship. So when they flashed back 250 00:19:24,280 --> 00:19:30,800 Speaker 1: to the scene where Julia said we were acquaintances, that 251 00:19:31,280 --> 00:19:35,679 Speaker 1: hurt Gerty's feelings rightfully so, because again it's one of 252 00:19:35,680 --> 00:19:38,520 Speaker 1: those things where you're like, am I in the fucking 253 00:19:38,600 --> 00:19:47,080 Speaker 1: twilight zone? Was this all made up? Was this friendship 254 00:19:47,119 --> 00:19:50,159 Speaker 1: made up? The conversations we had over the phone? Was 255 00:19:50,200 --> 00:19:58,080 Speaker 1: that made up? To me? That's how Gertie felt. And 256 00:19:58,119 --> 00:20:00,600 Speaker 1: then Julia's like, okay, bitch, I'll holl talks to you. 257 00:20:00,600 --> 00:20:13,240 Speaker 1: Your turn, like girl yells our honey, and Gernie's like, 258 00:20:14,400 --> 00:20:20,600 Speaker 1: I can't apologize for reacting to your actions, and she's like, well, 259 00:20:20,640 --> 00:20:24,360 Speaker 1: you hurt my feelings talking about the facelift, and is like, Julia, 260 00:20:24,480 --> 00:20:31,640 Speaker 1: I love you, Julia. We're not going to compare somebody 261 00:20:31,720 --> 00:20:37,159 Speaker 1: getting h two oh okay to a revelation of something 262 00:20:37,200 --> 00:20:40,199 Speaker 1: that you actually did. Child now, unless it was a 263 00:20:40,320 --> 00:20:42,680 Speaker 1: secret about the facelift. At the end of the day, 264 00:20:44,800 --> 00:20:48,760 Speaker 1: you know you got the facelift and mine, I add, baby, 265 00:20:49,440 --> 00:20:52,639 Speaker 1: money well spent. You look gorgeous. You were gorgeous before, 266 00:20:54,280 --> 00:20:57,880 Speaker 1: you're gorgeous now you will always be gorgeous. I'm here 267 00:20:57,920 --> 00:21:04,360 Speaker 1: for it. But Gernie's like, look, I revealed that because 268 00:21:04,520 --> 00:21:08,119 Speaker 1: of you saying that we weren't friends and that we 269 00:21:08,200 --> 00:21:13,320 Speaker 1: were acquaintances. Now, look, I'm a clock, Gerty Gerdy. You 270 00:21:13,480 --> 00:21:15,960 Speaker 1: also wanted to get your look back to and I'm 271 00:21:16,000 --> 00:21:18,600 Speaker 1: not mad at it. I'm not mad at it. I'm 272 00:21:18,600 --> 00:21:21,960 Speaker 1: not mad at it. That wasn't the sole reason, Girdy, baby, 273 00:21:22,080 --> 00:21:24,199 Speaker 1: you wanted that teeth to be spelled because you're like 274 00:21:24,520 --> 00:21:27,480 Speaker 1: all bests are off. You threw a drink on me, bitch, 275 00:21:28,359 --> 00:21:38,760 Speaker 1: times up, okay, reclaiming my time Maxine water style. So again, 276 00:21:39,800 --> 00:21:49,280 Speaker 1: I appreciated Julia apologizing, and I appreciated Gerty accepting it 277 00:21:49,359 --> 00:21:54,679 Speaker 1: and also apologizing for what her role was after getting 278 00:21:54,720 --> 00:22:05,639 Speaker 1: splashed with water. But I also appreciate it too, and 279 00:22:05,800 --> 00:22:14,280 Speaker 1: Beverly Hills Housewives take note. This incident did not last 280 00:22:14,440 --> 00:22:18,160 Speaker 1: for the entire season. I love the fact that it happened, 281 00:22:18,560 --> 00:22:22,320 Speaker 1: they immediately met up with each other, they made up, 282 00:22:22,760 --> 00:22:25,320 Speaker 1: and they moved on from it. We'll see what happens 283 00:22:25,359 --> 00:22:27,520 Speaker 1: the rest of the season, but I like the fact 284 00:22:27,600 --> 00:22:32,000 Speaker 1: that this isn't hanging over our heads for the entire season, 285 00:22:32,480 --> 00:22:35,760 Speaker 1: and we have one storyline child, So shout out to 286 00:22:35,800 --> 00:22:39,400 Speaker 1: Miami for that. Now let's get into my favorite scene 287 00:22:39,400 --> 00:22:44,280 Speaker 1: of the episode. Baby. The ladies are getting ready to 288 00:22:44,320 --> 00:22:48,639 Speaker 1: go to a Lexias event and they're all taking pretty 289 00:22:48,680 --> 00:22:51,359 Speaker 1: much a sprinter van to go there. All the girls 290 00:22:51,400 --> 00:22:54,480 Speaker 1: look good, it's a goddess theme. All the girls arrived 291 00:22:54,600 --> 00:23:00,720 Speaker 1: between noon and twelve thirty. Lisa decides to arrive at 292 00:23:00,720 --> 00:23:10,879 Speaker 1: two thirty, and I like Lisa. One thing I have learned. 293 00:23:12,200 --> 00:23:14,840 Speaker 1: One of the most disrespectful things you can do is 294 00:23:14,920 --> 00:23:17,639 Speaker 1: be late. If you're five minutes late, we get a 295 00:23:17,680 --> 00:23:22,800 Speaker 1: grace period of fifteen to be two hours late with 296 00:23:22,920 --> 00:23:28,040 Speaker 1: the Jessica Simpson weed clips in your head. I don't understand. 297 00:23:28,320 --> 00:23:32,120 Speaker 1: And I love Lisa. I do nothing Lisa does takes 298 00:23:32,160 --> 00:23:36,600 Speaker 1: two hours. You put in the Jessica Simpson extensions in 299 00:23:36,640 --> 00:23:43,280 Speaker 1: your hair. She's a beautiful woman. She doesn't need a 300 00:23:43,320 --> 00:23:48,800 Speaker 1: lot of makeup. You know, she's a size zero. So 301 00:23:48,920 --> 00:23:54,920 Speaker 1: everything in the stores from thirteen below to Chanelle, they 302 00:23:54,960 --> 00:24:00,920 Speaker 1: all have an outfit for Lisa. Understand why it takes 303 00:24:00,920 --> 00:24:04,560 Speaker 1: Lisa two hours to get a Brady for anything? I don't. 304 00:24:04,760 --> 00:24:06,800 Speaker 1: I don't. I don't get it. I don't get it. 305 00:24:07,280 --> 00:24:13,760 Speaker 1: I don't get it. Ki Ki, by far, is the 306 00:24:13,840 --> 00:24:17,480 Speaker 1: goddess when it comes to a look. She gives you 307 00:24:17,560 --> 00:24:20,640 Speaker 1: a different wig, she gives you a different makeup palette, 308 00:24:20,960 --> 00:24:23,639 Speaker 1: she gives you a different wardrobe. She may give you 309 00:24:23,640 --> 00:24:27,200 Speaker 1: a different accent as time, child, But kei key. If 310 00:24:27,200 --> 00:24:30,000 Speaker 1: somebody said Kiki was two hours late, I would be like, well, 311 00:24:30,000 --> 00:24:32,320 Speaker 1: when she shows up, she looks good, and we never 312 00:24:32,440 --> 00:24:36,320 Speaker 1: know what we're going to get with ki Ki. Kiki 313 00:24:36,600 --> 00:24:40,280 Speaker 1: changes her hair the way she changes her men, and 314 00:24:40,320 --> 00:24:43,119 Speaker 1: I'm here for all of that. Lisa has had the 315 00:24:43,200 --> 00:24:47,600 Speaker 1: same cramp hairstyle. Since I watched the show in twenty eleven, 316 00:24:50,119 --> 00:24:55,560 Speaker 1: Lisa has had the same hairstyle in terms of duration 317 00:24:56,080 --> 00:25:01,280 Speaker 1: as the other Lisa, and that is Rena. If Lisa 318 00:25:01,359 --> 00:25:03,439 Speaker 1: Renna ever showed up two hours late, we'll be like, 319 00:25:03,520 --> 00:25:08,600 Speaker 1: Lisa Renna, you get that flat iron and you get 320 00:25:08,600 --> 00:25:10,600 Speaker 1: the bumping curls and you get to work them on 321 00:25:10,680 --> 00:25:17,040 Speaker 1: that bang. So I don't get it. So Stephanie, who 322 00:25:17,119 --> 00:25:26,080 Speaker 1: actually is punctual, clocked it. The fact that Lisa, who 323 00:25:26,119 --> 00:25:30,280 Speaker 1: these girls have been accustomed to being late to that degree, 324 00:25:30,480 --> 00:25:35,200 Speaker 1: the fact that she was comfortable walking on that bus saying, Hi, 325 00:25:36,040 --> 00:25:41,440 Speaker 1: how are you you? Girls look so beautiful? Yes, God 326 00:25:41,480 --> 00:25:48,919 Speaker 1: assists yes, and the girls were silent, and then Julie 327 00:25:49,000 --> 00:25:52,040 Speaker 1: was like, but yes, God, is your late? Well you know, 328 00:25:52,320 --> 00:25:56,320 Speaker 1: and then Stephanie said, do you think you're more valuable? 329 00:25:58,840 --> 00:26:12,159 Speaker 1: And baby, that's when Stephanie was a potential mother to 330 00:26:12,320 --> 00:26:16,280 Speaker 1: clock Lisa and say do you think you're more valuable? 331 00:26:18,840 --> 00:26:23,639 Speaker 1: Lisa gagged, why are you being rude? Stephanie? You're the 332 00:26:23,680 --> 00:26:27,399 Speaker 1: one being really you're two hours late? Should we just 333 00:26:27,480 --> 00:26:29,640 Speaker 1: thank you for showing up? You walk up on this bus, 334 00:26:29,680 --> 00:26:31,880 Speaker 1: you greet us, and you all blah blah blah, because 335 00:26:32,080 --> 00:26:36,960 Speaker 1: I'm sure Stephanie is like, what are you don't look 336 00:26:37,040 --> 00:26:39,200 Speaker 1: like a woman that takes two hours to get ready, 337 00:26:39,400 --> 00:26:42,119 Speaker 1: And it's no shade. Lisa is naturally a beautiful woman. 338 00:26:43,160 --> 00:26:45,440 Speaker 1: But Stephanie is like, now, if you came in here 339 00:26:45,520 --> 00:26:50,080 Speaker 1: looking like Kiki again, I'll get it. But you came 340 00:26:50,119 --> 00:26:56,840 Speaker 1: in here looking like Jessica Simpson, just saying, just saying. 341 00:26:57,160 --> 00:27:00,919 Speaker 1: So Lisa's offend that. It's She's like, don't talk to 342 00:27:00,960 --> 00:27:02,840 Speaker 1: me that way. You're real, who are you? You're the 343 00:27:02,880 --> 00:27:04,680 Speaker 1: new girl and the girl. Don't talk to me that way. 344 00:27:05,520 --> 00:27:07,800 Speaker 1: That's not something you can you can say to Stephanie 345 00:27:07,880 --> 00:27:13,160 Speaker 1: and get away with it because Stephanie, Look, Stephanie has 346 00:27:13,200 --> 00:27:18,960 Speaker 1: more money than everybody on that bus times ten. Stephanie 347 00:27:19,040 --> 00:27:25,800 Speaker 1: can travel to to Beverly Hills, collect those checks and 348 00:27:25,880 --> 00:27:28,600 Speaker 1: they still won't have as much money as Stephanie her husband. 349 00:27:29,119 --> 00:27:31,680 Speaker 1: And it is what it is. So Stephanie isn't somebody's 350 00:27:31,680 --> 00:27:35,440 Speaker 1: going to back down to Lisa. Oh no, day. That's 351 00:27:35,480 --> 00:27:39,000 Speaker 1: how Stephanie presented herself, like who are you for you 352 00:27:39,080 --> 00:27:44,320 Speaker 1: to be late? Girl? Bye? And then Lisa's like, you 353 00:27:44,359 --> 00:27:46,280 Speaker 1: put your hand on my face, and she goes, I 354 00:27:46,320 --> 00:27:49,919 Speaker 1: actually put my hand here. I'm sure my arms are short. 355 00:27:51,400 --> 00:27:54,960 Speaker 1: My hands don't even go past this lady's busom next 356 00:27:54,960 --> 00:27:58,879 Speaker 1: to me, like girl bye. Lisa was not used to 357 00:27:58,960 --> 00:28:02,399 Speaker 1: anybody clocking her except Larsa. And that's why I have 358 00:28:02,560 --> 00:28:05,560 Speaker 1: always been on the right side of history, Raindrops, I 359 00:28:05,600 --> 00:28:09,080 Speaker 1: said to y'all from day one, I strongly am on 360 00:28:09,560 --> 00:28:16,720 Speaker 1: Larsa's side. I am Larsa. Listen, I know Larsa is 361 00:28:16,760 --> 00:28:18,600 Speaker 1: like Gerdie. Y'all have the love for y'all hate her. 362 00:28:18,720 --> 00:28:22,399 Speaker 1: I happen to love Larsa, and I'm on Larsa's side. 363 00:28:22,520 --> 00:28:25,680 Speaker 1: I've been on Larsa size as day one. I love Lisa. 364 00:28:26,160 --> 00:28:31,320 Speaker 1: Lisa does give me. Lisa gives me selfish, she gives 365 00:28:31,400 --> 00:28:35,480 Speaker 1: me self absorbed. She gives me me me, me, me, me, me, 366 00:28:35,480 --> 00:28:38,440 Speaker 1: me me me. That's what she gives. And that was evident, 367 00:28:38,520 --> 00:28:41,400 Speaker 1: and that's why Stephanie clocked it and was like, I'm 368 00:28:41,400 --> 00:28:44,120 Speaker 1: not here for it. There's a new sherif for town 369 00:28:44,840 --> 00:28:51,720 Speaker 1: and her name is Stephanie and rain Drops, I can't 370 00:28:51,760 --> 00:28:55,120 Speaker 1: wait to see more of her. So the continuation of 371 00:28:55,160 --> 00:28:59,760 Speaker 1: that is next week. But listen, please, please, please, please, 372 00:28:59,800 --> 00:29:04,960 Speaker 1: please with Cherry's on top, tune into Miami Housewives. It's 373 00:29:04,960 --> 00:29:10,640 Speaker 1: an excellent season. This was episode five, I believe, so 374 00:29:11,120 --> 00:29:15,600 Speaker 1: make sure you guys catch up. You will not be disappointed. 375 00:29:15,960 --> 00:29:19,160 Speaker 1: It was another great episode that I'm looking for to 376 00:29:19,320 --> 00:29:27,120 Speaker 1: recapping this crazy show every week. Reality with the King 377 00:29:27,560 --> 00:29:32,959 Speaker 1: is executive produced by me Carlos King, produced by Lizzie Nimitz, 378 00:29:33,200 --> 00:29:37,040 Speaker 1: and a partnership with the Lack Effect Network. You can 379 00:29:37,120 --> 00:29:40,120 Speaker 1: also find us on my YouTube channel at the Carlos 380 00:29:40,200 --> 00:29:42,760 Speaker 1: King Underscore