1 00:00:08,119 --> 00:00:12,320 Speaker 1: In Atlanta. Another body was discovering today at Police Task 2 00:00:12,360 --> 00:00:16,439 Speaker 1: Force headquarters. There are twenty seven faces on the wall, murdered, 3 00:00:16,600 --> 00:00:19,080 Speaker 1: one missing. We do not know the person or persons 4 00:00:19,079 --> 00:00:20,960 Speaker 1: that are responsible. Therefore, we do not have the mode 5 00:00:21,440 --> 00:00:24,759 Speaker 1: from Tenderfoot TV and how staff works in Atlanta. Like 6 00:00:24,840 --> 00:00:28,000 Speaker 1: eleven other recent victims in Atlanta, Rogers apparently was as 7 00:00:28,040 --> 00:00:31,720 Speaker 1: fixy victor. Atlanta is unlikely to catch the killer unless 8 00:00:31,840 --> 00:00:46,400 Speaker 1: he keeps on killing. This is Atlanta Monster. Please welcome, 9 00:00:46,600 --> 00:00:49,919 Speaker 1: head of New Initiatives and an executive producer at How 10 00:00:50,000 --> 00:00:58,840 Speaker 1: Stuff Works, Jason Hope. Thank you, so thanks everyone for 11 00:00:58,880 --> 00:01:02,400 Speaker 1: coming today. Really excited about this panel. We're gonna talk 12 00:01:02,440 --> 00:01:06,199 Speaker 1: about Atlanta Monster and Up and Vanish some of the collaboration. 13 00:01:06,680 --> 00:01:17,959 Speaker 1: All right, so let's bring the panel up. I'm gonna 14 00:01:18,040 --> 00:01:20,759 Speaker 1: let you guys introduce yourself. This is Meredith Payne and Donald, 15 00:01:20,760 --> 00:01:22,600 Speaker 1: but give us a little bit more background on what 16 00:01:22,720 --> 00:01:25,920 Speaker 1: you two of you guys do. Hi. I'm Meredith seven 17 00:01:26,000 --> 00:01:29,800 Speaker 1: and I'm a creative producer at Tenderfoot TV. I'm Payine Lindsay, 18 00:01:29,840 --> 00:01:32,560 Speaker 1: I host and produce Up and Vanish in Atlanta Monster. 19 00:01:35,040 --> 00:01:40,200 Speaker 1: Thank you. I'm Donald Albright, President Tenni for TV on 20 00:01:40,319 --> 00:01:48,200 Speaker 1: Paynts business partner. All right, let's get started. Payne and Donald. 21 00:01:49,120 --> 00:01:54,040 Speaker 1: We we somehow found a way to um start Atlanta Monster. 22 00:01:54,080 --> 00:01:58,360 Speaker 1: How did that happen? Well, I met you first, and 23 00:01:58,400 --> 00:02:00,640 Speaker 1: you hadn't heard him in Vanish yet, but you knew 24 00:02:00,720 --> 00:02:03,880 Speaker 1: of I've been Vanished, and you shot me an email 25 00:02:04,440 --> 00:02:06,200 Speaker 1: and he realized that we were in the same building 26 00:02:06,680 --> 00:02:08,079 Speaker 1: and he said, come down to my office and I 27 00:02:08,160 --> 00:02:10,079 Speaker 1: went down there, and I swear it was like a 28 00:02:10,160 --> 00:02:13,040 Speaker 1: job interview. He was like, so you like podcasts. I 29 00:02:13,160 --> 00:02:15,600 Speaker 1: was like, yeah, it's been making wine for a while. 30 00:02:16,280 --> 00:02:19,000 Speaker 1: And then you started listening to Up and Vanished and you, 31 00:02:19,440 --> 00:02:22,400 Speaker 1: for some reason brought up the Atlanta child murders in there. 32 00:02:22,840 --> 00:02:25,720 Speaker 1: And you had brought up Delian Childmers to me like 33 00:02:25,760 --> 00:02:28,520 Speaker 1: a week prior as a podcast idea. So you were 34 00:02:28,520 --> 00:02:31,120 Speaker 1: saying it. You were saying it, and I was like, okay, 35 00:02:31,240 --> 00:02:33,280 Speaker 1: let's all have the meeting. And then that's basically how 36 00:02:33,320 --> 00:02:35,440 Speaker 1: it all started. Yeah, And it was one of those 37 00:02:35,480 --> 00:02:37,799 Speaker 1: things where house stuff works. Although we have been doing 38 00:02:37,800 --> 00:02:40,160 Speaker 1: podcasts for a long time, we had never done true crime. 39 00:02:40,560 --> 00:02:42,320 Speaker 1: And I think we knew at that moment, well, we 40 00:02:42,400 --> 00:02:44,919 Speaker 1: have to do something together, and you know, I grew up. 41 00:02:45,040 --> 00:02:47,120 Speaker 1: I was probably nine or ten at the at the time, 42 00:02:47,160 --> 00:02:49,440 Speaker 1: did not live anywhere close to Atlanta, but burned in 43 00:02:49,520 --> 00:02:52,000 Speaker 1: my brain were those images of way Williams and the 44 00:02:52,040 --> 00:02:54,480 Speaker 1: Atlanta child murders. And my parents kind of freaked out too. 45 00:02:54,560 --> 00:02:57,040 Speaker 1: They pulled me in the house. Donald, You've got a 46 00:02:57,080 --> 00:02:59,839 Speaker 1: similar story of growing up, although you were way far away. 47 00:03:00,120 --> 00:03:03,919 Speaker 1: So yeah, I was two thousand miles away California. Um. 48 00:03:03,960 --> 00:03:06,480 Speaker 1: I was only maybe three years old when this was happening, 49 00:03:06,480 --> 00:03:09,520 Speaker 1: but I still remember kind of growing up with this 50 00:03:09,639 --> 00:03:12,560 Speaker 1: because you know, being black, this happened to all you know, 51 00:03:12,919 --> 00:03:15,799 Speaker 1: young black kids, young adults. Um. So just within the 52 00:03:15,800 --> 00:03:18,000 Speaker 1: black community, it was something that we talked about, you know, 53 00:03:18,040 --> 00:03:22,520 Speaker 1: our families, friends. Uh, And it just affected my childhood 54 00:03:22,560 --> 00:03:25,359 Speaker 1: growing up because it felt like it was happening right 55 00:03:25,400 --> 00:03:27,240 Speaker 1: on my block and you know, in my street, and 56 00:03:27,480 --> 00:03:30,000 Speaker 1: I looked like those victims. So it's something just stuck 57 00:03:30,000 --> 00:03:32,679 Speaker 1: with me. So when I asked Pain, um, I knew 58 00:03:32,680 --> 00:03:34,720 Speaker 1: we want to do something different before going to up 59 00:03:34,720 --> 00:03:37,320 Speaker 1: in Advantage season two, We're like, let's let's let's do 60 00:03:37,400 --> 00:03:39,160 Speaker 1: something else. Let's do something other than a missing person. 61 00:03:39,280 --> 00:03:42,600 Speaker 1: Let's try you know, try to give our audience something new. 62 00:03:43,320 --> 00:03:45,880 Speaker 1: And I just texted randomly one evening. I was like, 63 00:03:45,920 --> 00:03:47,680 Speaker 1: have you ever heard of the latter of child murders? 64 00:03:47,720 --> 00:03:49,080 Speaker 1: And he said no? And I was like, how could 65 00:03:49,120 --> 00:03:51,600 Speaker 1: this mean so much to me? And he doesn't even 66 00:03:51,600 --> 00:03:53,720 Speaker 1: know what it is and he's from Atlanta, you know. 67 00:03:53,760 --> 00:03:57,000 Speaker 1: I know there's an age difference about ten years, but um, 68 00:03:57,040 --> 00:03:58,760 Speaker 1: it's still something where you know, we know about a 69 00:03:58,760 --> 00:04:01,440 Speaker 1: lot of cases that took place, you know, in the 70 00:04:01,520 --> 00:04:04,920 Speaker 1: seventies and the sixties, but not very many people even 71 00:04:04,920 --> 00:04:07,840 Speaker 1: who were born at that time, even remember Atlanta chymers. 72 00:04:07,880 --> 00:04:10,440 Speaker 1: So something I felt like we needed to do, if 73 00:04:10,480 --> 00:04:14,440 Speaker 1: for nothing else, to inform and educate the general public 74 00:04:14,520 --> 00:04:18,279 Speaker 1: on you know, these tragedies. So before I asked Meredith 75 00:04:18,520 --> 00:04:21,320 Speaker 1: and Paying a question about that, because you were younger 76 00:04:21,320 --> 00:04:23,880 Speaker 1: than when these murders happened. Let's play a clip from 77 00:04:23,880 --> 00:04:27,960 Speaker 1: Atlanta Monster. Another young boy was then the body was 78 00:04:28,000 --> 00:04:31,000 Speaker 1: of a black teenager. Is the sixtieth victim to die 79 00:04:31,040 --> 00:04:38,800 Speaker 1: by asphyxiation. He's methodical appointment. Killer has an insatiable appetite 80 00:04:38,880 --> 00:04:42,920 Speaker 1: for the news. Our investigation is continuating. You know, we 81 00:04:43,000 --> 00:04:56,080 Speaker 1: can set eyes on you that's very good, Thank you. So. 82 00:04:57,000 --> 00:04:59,920 Speaker 1: Our perception kind of walking into this story was maybe 83 00:05:00,040 --> 00:05:02,360 Speaker 1: people have heard about this, either you knew about it, 84 00:05:02,480 --> 00:05:04,440 Speaker 1: you didn't know everything where you hadn't heard it about 85 00:05:04,440 --> 00:05:06,720 Speaker 1: it at all. And the overwhelming reaction that we got 86 00:05:06,800 --> 00:05:09,520 Speaker 1: from fans was I'm angry, I've never heard of this, 87 00:05:09,720 --> 00:05:12,120 Speaker 1: and I think with a younger crowd that happened over 88 00:05:12,200 --> 00:05:14,880 Speaker 1: and over. What was your perspective, Meredith, Yeah, I mean 89 00:05:15,000 --> 00:05:17,680 Speaker 1: I wasn't alive at the time it was going on, 90 00:05:17,960 --> 00:05:20,680 Speaker 1: and I'm from New Orleans originally, so wasn't on my 91 00:05:20,839 --> 00:05:24,760 Speaker 1: radar in that way. But I found it really interesting 92 00:05:25,240 --> 00:05:28,280 Speaker 1: all the social parallels with what we're dealing with in 93 00:05:28,360 --> 00:05:31,800 Speaker 1: two thousand and eighteen and what was present in and 94 00:05:31,880 --> 00:05:34,720 Speaker 1: I think that's really what stood out for me the most. 95 00:05:35,640 --> 00:05:37,840 Speaker 1: To me, it was fascinating how much it sort of 96 00:05:37,960 --> 00:05:42,120 Speaker 1: shaped the culture in Atlanta. Before I did podcast, I 97 00:05:42,240 --> 00:05:45,480 Speaker 1: was directing music videos in Atlanta for a little bit, 98 00:05:45,800 --> 00:05:47,080 Speaker 1: so a lot of them were hip hop video, so 99 00:05:47,120 --> 00:05:49,320 Speaker 1: I was really kind of tied in to the hip 100 00:05:49,360 --> 00:05:53,160 Speaker 1: hop scene in Atlanta, and some even newer songs were 101 00:05:53,200 --> 00:05:57,279 Speaker 1: referencing Wayne Williams and the Atlanta murders. Outcast big boy. 102 00:05:58,000 --> 00:05:59,880 Speaker 1: It was just kind of fascinated to me just how 103 00:06:00,080 --> 00:06:02,840 Speaker 1: much just sort of permeated um all over the place. 104 00:06:02,920 --> 00:06:06,440 Speaker 1: I mean, for generations. This has sort of like been 105 00:06:06,480 --> 00:06:10,120 Speaker 1: this urban legend in Atlanta a lot of ways. So 106 00:06:10,320 --> 00:06:14,520 Speaker 1: we took the conversation with victims and their families and 107 00:06:14,600 --> 00:06:18,040 Speaker 1: people who reached out to us very very seriously, and 108 00:06:18,520 --> 00:06:21,440 Speaker 1: I think part of the approach here was not trying 109 00:06:21,480 --> 00:06:24,360 Speaker 1: to step on what they wanted to talk about and 110 00:06:24,520 --> 00:06:27,080 Speaker 1: actually talking to people that had never had a voice before. Donald, 111 00:06:27,120 --> 00:06:30,320 Speaker 1: what do you think about the approach of kind of 112 00:06:30,440 --> 00:06:32,920 Speaker 1: letting people talk and and really kind of enriching that 113 00:06:33,040 --> 00:06:36,400 Speaker 1: as part of the story. I think after this long, 114 00:06:36,560 --> 00:06:38,720 Speaker 1: I mean, you know, when we first started research in this, 115 00:06:39,600 --> 00:06:41,240 Speaker 1: we saw that, look, there's a story here to be 116 00:06:41,360 --> 00:06:43,480 Speaker 1: told that it's not for us to tell. It's for 117 00:06:43,560 --> 00:06:45,920 Speaker 1: the people who experienced it firsthand. It's for those people 118 00:06:45,960 --> 00:06:48,640 Speaker 1: who whose lives changed by the way they were raised, 119 00:06:48,760 --> 00:06:50,680 Speaker 1: you know, growing up right in the neighborhoods where kids 120 00:06:50,680 --> 00:06:52,880 Speaker 1: were disappearing from. It is the people who are ten 121 00:06:52,960 --> 00:06:55,040 Speaker 1: years old at the time, who are you know, writing 122 00:06:55,080 --> 00:06:56,720 Speaker 1: that age group of the kids they were coming and 123 00:06:56,839 --> 00:06:59,919 Speaker 1: missing and murdered. Let them talk. It's not about us 124 00:07:00,080 --> 00:07:02,000 Speaker 1: telling you how you should feel about it. It's about 125 00:07:02,040 --> 00:07:05,120 Speaker 1: that that brother you know who who was twenty years 126 00:07:05,160 --> 00:07:07,920 Speaker 1: old and lost his ten year old younger brother. Um, 127 00:07:08,160 --> 00:07:11,040 Speaker 1: you know, it's the moms, it's the the friends. So 128 00:07:11,360 --> 00:07:13,920 Speaker 1: it's not about what we were trying to do or 129 00:07:13,960 --> 00:07:15,800 Speaker 1: what we were trying to accomplish. This really like, look, 130 00:07:16,040 --> 00:07:18,440 Speaker 1: let us sit back. It's too delicate of a situation 131 00:07:18,560 --> 00:07:20,960 Speaker 1: for us to come in and interject and ask a 132 00:07:21,000 --> 00:07:23,840 Speaker 1: bunch of questions that are, you know, trying to turn 133 00:07:23,920 --> 00:07:25,880 Speaker 1: over this rock. It's more like, look when we're talking 134 00:07:25,920 --> 00:07:29,200 Speaker 1: to victims, families and so that you all can really 135 00:07:29,240 --> 00:07:32,440 Speaker 1: experience how this impacted real people like these aren't characters. 136 00:07:32,480 --> 00:07:35,240 Speaker 1: These are real people who lost loved ones. And there's 137 00:07:35,320 --> 00:07:37,000 Speaker 1: there's you know, it's not easy to just sit on 138 00:07:37,080 --> 00:07:39,560 Speaker 1: the phone and let someone talk. And I think that's 139 00:07:39,600 --> 00:07:41,160 Speaker 1: one thing, even with up advantage, I think it's something 140 00:07:41,200 --> 00:07:43,280 Speaker 1: that pain was able to do really well, was just 141 00:07:43,840 --> 00:07:46,120 Speaker 1: sit back and like say less so that other people 142 00:07:46,160 --> 00:07:49,080 Speaker 1: could say more. And that's how you get the good stuff. 143 00:07:49,120 --> 00:07:51,080 Speaker 1: You know, people didn't want to talk to us also 144 00:07:51,200 --> 00:07:55,120 Speaker 1: because this brought up really bad terrible memories. And then 145 00:07:55,200 --> 00:07:58,080 Speaker 1: there were people who came forward also where they wanted 146 00:07:58,080 --> 00:07:59,680 Speaker 1: to tell us about the time where they were almost 147 00:08:00,120 --> 00:08:02,320 Speaker 1: do you know, by someone that it wasn't Wayne Williams, 148 00:08:02,440 --> 00:08:04,560 Speaker 1: or by someone that they felt was Wayne Williams. And 149 00:08:05,360 --> 00:08:07,040 Speaker 1: it took a lot of us saying look, we'll come 150 00:08:07,080 --> 00:08:09,440 Speaker 1: meet you. You know who were scared to talk to us. 151 00:08:09,440 --> 00:08:10,960 Speaker 1: They don't want their names out there, they wanted their 152 00:08:11,040 --> 00:08:13,600 Speaker 1: voices disguise. There was you know, we dealt with everything 153 00:08:13,680 --> 00:08:15,400 Speaker 1: you could imagine, and we just try to be really 154 00:08:15,440 --> 00:08:17,200 Speaker 1: delicate with how we approach it because we knew how 155 00:08:17,240 --> 00:08:21,440 Speaker 1: sensitive it was. In mereth Um, you and I, actually 156 00:08:21,440 --> 00:08:23,160 Speaker 1: all of us, we would sit on the couch and 157 00:08:23,240 --> 00:08:25,040 Speaker 1: talk about this all. That's why I have no notes, 158 00:08:25,080 --> 00:08:28,000 Speaker 1: because we talked about this all the time. UM. Meredith 159 00:08:28,200 --> 00:08:31,800 Speaker 1: is a complicated case. UM. Probably between the two of us, 160 00:08:31,840 --> 00:08:35,080 Speaker 1: we've looked at how many hundreds of hours of archival footage, 161 00:08:35,640 --> 00:08:39,199 Speaker 1: UM notes and research. I mean, how do you put 162 00:08:39,200 --> 00:08:40,839 Speaker 1: all this stuff together and make sense of it and 163 00:08:40,920 --> 00:08:43,040 Speaker 1: be able to tell a story and audio that people 164 00:08:43,080 --> 00:08:49,640 Speaker 1: can digest. It's unbelievably hard. Sometimes I forget what is 165 00:08:49,679 --> 00:08:52,600 Speaker 1: in the podcast and what's just in my head from 166 00:08:52,600 --> 00:08:55,520 Speaker 1: all the articles I've read, and so I feel like 167 00:08:55,679 --> 00:08:59,599 Speaker 1: sometimes the story for me it feels bigger in the 168 00:08:59,720 --> 00:09:03,040 Speaker 1: child and just really boiling down and deciding what is 169 00:09:03,160 --> 00:09:06,280 Speaker 1: crucial and how to balance both sides of the story. 170 00:09:07,160 --> 00:09:10,880 Speaker 1: And yeah, it's been crazy though. We found some crazy things, 171 00:09:11,480 --> 00:09:13,720 Speaker 1: a lot of stuff that we never even put out there. 172 00:09:14,000 --> 00:09:18,439 Speaker 1: Um pay, let's talk about music. I think something snapped 173 00:09:18,520 --> 00:09:20,760 Speaker 1: with me and Up and Vanish where I just love 174 00:09:20,880 --> 00:09:23,080 Speaker 1: theme songs. I love the hook and I think everyone 175 00:09:23,160 --> 00:09:26,040 Speaker 1: can hum the theme song of season one of Up 176 00:09:26,080 --> 00:09:27,960 Speaker 1: and Banished in their heads. And that was a conscious 177 00:09:27,960 --> 00:09:31,680 Speaker 1: effort on your part to really to really layer in sound, 178 00:09:32,440 --> 00:09:35,559 Speaker 1: both emotionally and just kind of adding think about it. 179 00:09:35,640 --> 00:09:39,360 Speaker 1: You add um music and sound, you add archival footage, 180 00:09:40,080 --> 00:09:43,200 Speaker 1: you you add interviews, like how do you think about 181 00:09:43,320 --> 00:09:46,960 Speaker 1: putting all this together? Especially with music. I just wanted 182 00:09:47,000 --> 00:09:51,760 Speaker 1: to sound good, um, simple as that. I like being 183 00:09:51,880 --> 00:09:57,480 Speaker 1: immersed in the moment and just sounds driving you. Sometimes 184 00:09:57,520 --> 00:10:00,959 Speaker 1: it means that there's this really and tense music, or 185 00:10:01,160 --> 00:10:03,400 Speaker 1: maybe it's just the soft drone in the background that 186 00:10:03,480 --> 00:10:06,160 Speaker 1: you forget is there while this guy is talking. And 187 00:10:06,240 --> 00:10:08,640 Speaker 1: then oftentimes give it a break and just let it 188 00:10:08,679 --> 00:10:10,640 Speaker 1: be raw for a second, so you remember how real 189 00:10:10,720 --> 00:10:12,640 Speaker 1: everything is. So I think that balance is what I'm 190 00:10:12,640 --> 00:10:17,000 Speaker 1: always trying to find. And um for Atlanta Monster, I 191 00:10:17,160 --> 00:10:19,840 Speaker 1: was I was like, we're going straight eighties with this thing. 192 00:10:20,320 --> 00:10:25,280 Speaker 1: We're gonna get the Stranger Things soundtrack of podcasts. And 193 00:10:25,440 --> 00:10:28,880 Speaker 1: so I found this guy on Spotify. His name was 194 00:10:28,960 --> 00:10:31,559 Speaker 1: Makeup and Bandyset, and I found him on Twitter and 195 00:10:31,640 --> 00:10:33,920 Speaker 1: I send a message and then next thing you know, 196 00:10:34,240 --> 00:10:38,840 Speaker 1: he's scoring the entire soundtrack for Atlanta Monster. I think 197 00:10:38,880 --> 00:10:40,839 Speaker 1: we hired him to make like ten songs. He made 198 00:10:40,880 --> 00:10:43,040 Speaker 1: like a hundred songs. I'm just like every other day 199 00:10:43,080 --> 00:10:45,199 Speaker 1: he was like, listen to this, listen to that, And 200 00:10:45,240 --> 00:10:47,880 Speaker 1: I would send him segments of the podcast and he 201 00:10:47,880 --> 00:10:50,760 Speaker 1: would kind of customize and score it. But it was 202 00:10:50,800 --> 00:10:53,839 Speaker 1: awesome to me. The sound and just the identity of 203 00:10:54,040 --> 00:10:57,160 Speaker 1: a podcast is super important to me. It's a brand. 204 00:10:57,240 --> 00:11:00,360 Speaker 1: It's bigger than just a podcast to me. So the 205 00:11:00,760 --> 00:11:03,400 Speaker 1: sounds and the music were super important, and that was 206 00:11:03,440 --> 00:11:05,440 Speaker 1: one of the first things in the day one meeting. 207 00:11:05,480 --> 00:11:08,719 Speaker 1: I was just playing samples, remember different music, and I 208 00:11:08,800 --> 00:11:10,720 Speaker 1: was like, Okay, I think I see what you're doing here. 209 00:11:11,280 --> 00:11:12,959 Speaker 1: But um, yeah, the music is a big deal to me, 210 00:11:13,080 --> 00:11:15,560 Speaker 1: and I was happy with the way it turned out. Well, 211 00:11:15,760 --> 00:11:17,679 Speaker 1: the other thing that we did here that might be 212 00:11:17,720 --> 00:11:19,719 Speaker 1: a little bit of a surprise and and frankly, I 213 00:11:19,760 --> 00:11:22,360 Speaker 1: think we're all like ten years older as a result 214 00:11:22,440 --> 00:11:26,280 Speaker 1: of this. UM in the aging process was out of 215 00:11:26,320 --> 00:11:29,439 Speaker 1: the gates. We said, Um, we don't want to just 216 00:11:29,559 --> 00:11:34,320 Speaker 1: tell his story and then release that story post post fact. Um. 217 00:11:34,600 --> 00:11:37,480 Speaker 1: We we made the decision around the time where we 218 00:11:37,520 --> 00:11:39,240 Speaker 1: knew we were going to have Wayne on the podcast 219 00:11:39,320 --> 00:11:42,120 Speaker 1: to go real time. And maybe people don't realize that, 220 00:11:42,240 --> 00:11:45,360 Speaker 1: but around episode five or six, we said, in order 221 00:11:45,360 --> 00:11:47,520 Speaker 1: to really get more people to come forward and tell 222 00:11:47,559 --> 00:11:50,720 Speaker 1: their stories and to have a dynamic where we're getting 223 00:11:50,720 --> 00:11:54,079 Speaker 1: a little bit more energy, UM with what Wayne is 224 00:11:54,120 --> 00:11:55,679 Speaker 1: saying and be able to react to it, let's go 225 00:11:55,840 --> 00:11:58,920 Speaker 1: real time. It sounds like a great idea. UM. And 226 00:11:59,040 --> 00:12:01,720 Speaker 1: it's tough. It was real tough. Meredith talked a little 227 00:12:01,760 --> 00:12:06,480 Speaker 1: bit about the complicated nature of that. Um, it's a 228 00:12:06,520 --> 00:12:09,240 Speaker 1: little daunting going on Monday and not knowing what the 229 00:12:09,520 --> 00:12:13,480 Speaker 1: podcast will be like on Thursday night. UM. But it 230 00:12:13,600 --> 00:12:17,079 Speaker 1: definitely we did get a lot of stories last minute 231 00:12:17,440 --> 00:12:20,440 Speaker 1: things that weren't gonna pop up otherwise, like the man 232 00:12:20,480 --> 00:12:23,760 Speaker 1: who started the basketball league, and I don't know. Sometimes 233 00:12:23,840 --> 00:12:26,679 Speaker 1: messages would come to you random people. We didn't think 234 00:12:26,679 --> 00:12:29,559 Speaker 1: we're going to talk to you ever, and so it 235 00:12:29,640 --> 00:12:31,800 Speaker 1: definitely was an important part of the process. But it 236 00:12:31,920 --> 00:12:34,319 Speaker 1: was nerve wracking to say the least, and definitely a 237 00:12:34,400 --> 00:12:38,280 Speaker 1: time crunch. I'm pretty sure I cried during this production. 238 00:12:38,679 --> 00:12:40,760 Speaker 1: I was just so scared that I wasn't gonna make 239 00:12:40,800 --> 00:12:44,200 Speaker 1: it out in time or something. Um. Now it's stressful 240 00:12:44,240 --> 00:12:47,320 Speaker 1: because we're going, like, we'll just hop on a flight 241 00:12:47,400 --> 00:12:50,719 Speaker 1: and go to New York or Chicago to interview, um, 242 00:12:50,840 --> 00:12:54,120 Speaker 1: the guy in the micro trace lab about the fibers, 243 00:12:54,280 --> 00:12:56,160 Speaker 1: and then the next day we're in the mountains and 244 00:12:56,240 --> 00:12:59,600 Speaker 1: Georgia doing this. We also have to make a podcast. 245 00:12:59,679 --> 00:13:02,520 Speaker 1: To the podcast is not just the interviews that you're getting, 246 00:13:03,160 --> 00:13:06,440 Speaker 1: that is where most of it comes from, but who's 247 00:13:06,600 --> 00:13:09,920 Speaker 1: chopping that up and bringing it down? Whatever? You someone 248 00:13:09,960 --> 00:13:12,199 Speaker 1: for four hours, you're gonna hear ten minutes of it, 249 00:13:12,320 --> 00:13:14,319 Speaker 1: so someone has to go through and pick that. So 250 00:13:14,800 --> 00:13:17,280 Speaker 1: you know, I would ingest the audio. You'd be listening 251 00:13:17,360 --> 00:13:20,040 Speaker 1: to it and tagging stuff and turning it back out 252 00:13:20,120 --> 00:13:22,480 Speaker 1: and trimming it down and then sending it to makeup 253 00:13:22,480 --> 00:13:24,880 Speaker 1: and Vandy set to put music on it, and really 254 00:13:24,920 --> 00:13:26,920 Speaker 1: the whole time, we have this bigger picture of this 255 00:13:27,320 --> 00:13:29,959 Speaker 1: story arc that we're trying to tell and how we're 256 00:13:29,960 --> 00:13:32,319 Speaker 1: going to get there. But then something like a guy 257 00:13:32,440 --> 00:13:36,079 Speaker 1: emailing you and saying, hey, Wayne Williams abducted me. That 258 00:13:36,240 --> 00:13:39,719 Speaker 1: kind of changes things and is a new priority. And 259 00:13:40,040 --> 00:13:42,319 Speaker 1: maybe you didn't plan on doing that that week, so 260 00:13:43,040 --> 00:13:46,520 Speaker 1: I don't recommend doing it that way, but it um 261 00:13:46,760 --> 00:13:49,440 Speaker 1: the coolest part about it is that it's a truly 262 00:13:49,600 --> 00:13:54,320 Speaker 1: organic thing and anybody could come forward with new information 263 00:13:54,960 --> 00:13:57,960 Speaker 1: and shape this story themselves, which we think is really cool. 264 00:13:58,280 --> 00:14:01,160 Speaker 1: And Donald, listening back to I think we had about 265 00:14:01,200 --> 00:14:03,640 Speaker 1: three stories of people that came forward, and we really 266 00:14:03,800 --> 00:14:06,120 Speaker 1: put those out there near the end of the of 267 00:14:06,240 --> 00:14:09,120 Speaker 1: the series. What's what was your reaction in hearing some 268 00:14:09,240 --> 00:14:11,559 Speaker 1: of those stories or meeting some of those people. It 269 00:14:11,720 --> 00:14:14,880 Speaker 1: was interesting. I think this pros and Consts of Pain 270 00:14:15,000 --> 00:14:19,120 Speaker 1: said how we actually produced this podcast. The biggest benefit 271 00:14:19,280 --> 00:14:23,200 Speaker 1: of being able to put it out and still not 272 00:14:23,360 --> 00:14:26,920 Speaker 1: be finished with, you know, the finale, is that you 273 00:14:27,000 --> 00:14:29,440 Speaker 1: get these people coming forward and the changed the trajectory 274 00:14:29,440 --> 00:14:32,200 Speaker 1: of where this podcast was going in. I mean, we 275 00:14:32,240 --> 00:14:36,080 Speaker 1: would find them in various corners. I like, my daughter 276 00:14:36,200 --> 00:14:41,040 Speaker 1: actually put the trailer on Instagram and I read a 277 00:14:41,120 --> 00:14:44,040 Speaker 1: comment on her page that said Wayne Williams tried to 278 00:14:44,080 --> 00:14:47,400 Speaker 1: abduct my dad and my uncle. I asked her, who's 279 00:14:47,400 --> 00:14:49,440 Speaker 1: this guy? Who's this person who commented that on your page? 280 00:14:49,480 --> 00:14:51,880 Speaker 1: He said, oh, that's my friend. Let me talk to him, 281 00:14:52,280 --> 00:14:54,160 Speaker 1: and I talked to his dad, and then a couple 282 00:14:54,200 --> 00:14:56,040 Speaker 1: of weeks later we had his dad's story and that 283 00:14:56,160 --> 00:14:59,400 Speaker 1: was the story about um, him him being at the 284 00:15:00,080 --> 00:15:02,440 Speaker 1: his bike being stolen, and he said that Wayne Williams 285 00:15:02,520 --> 00:15:04,320 Speaker 1: lured them to this church and tried to deduct them. So, 286 00:15:05,040 --> 00:15:07,120 Speaker 1: I mean, the podcast doesn't sound the way it does 287 00:15:07,200 --> 00:15:10,280 Speaker 1: if we don't allow put that extra stress and pressure 288 00:15:10,280 --> 00:15:13,920 Speaker 1: on ourselves too, you know, actually give the audience, the 289 00:15:13,960 --> 00:15:16,880 Speaker 1: listening audience, an opportunity to participate. But I mean hearing 290 00:15:16,920 --> 00:15:19,000 Speaker 1: those stories firsthand. Like I did a pre interview with 291 00:15:19,240 --> 00:15:21,080 Speaker 1: with Tony and I talked to him for thirty or 292 00:15:21,120 --> 00:15:22,840 Speaker 1: forty five minutes and I heard this amazing story and 293 00:15:22,880 --> 00:15:25,920 Speaker 1: then I would, you know, put it in drop box 294 00:15:26,000 --> 00:15:28,000 Speaker 1: and tell pain. And Meredith is so I will sending 295 00:15:28,000 --> 00:15:29,760 Speaker 1: it to you guys, and I said, look, this is 296 00:15:29,840 --> 00:15:31,320 Speaker 1: something real. We need to bring him in and get 297 00:15:31,320 --> 00:15:33,680 Speaker 1: a real interview done with them. And then I meet him, 298 00:15:33,720 --> 00:15:36,320 Speaker 1: bring him upstairs, and he and Pain would go into uh, 299 00:15:36,480 --> 00:15:41,000 Speaker 1: you know, a little office studio and uh knock out 300 00:15:41,000 --> 00:15:43,240 Speaker 1: an interview. And then a lot of times I would 301 00:15:43,280 --> 00:15:45,640 Speaker 1: then not not listen to it until everyone else got 302 00:15:45,680 --> 00:15:47,120 Speaker 1: to listen to it, so that I could experience it 303 00:15:47,160 --> 00:15:49,480 Speaker 1: the same way and just try to figure out, you know, 304 00:15:49,520 --> 00:15:52,480 Speaker 1: when you're too close to it, sometimes you can miss things. 305 00:15:52,640 --> 00:15:54,840 Speaker 1: I like to experience something's the same exactly way the 306 00:15:54,840 --> 00:15:58,200 Speaker 1: audience is. But I mean it's it's an extremely interesting process. 307 00:15:58,240 --> 00:16:00,720 Speaker 1: And no story is this aim or comes to you 308 00:16:00,840 --> 00:16:04,120 Speaker 1: the same way. You know, It's all they're all unique experiences. Yeah, 309 00:16:04,160 --> 00:16:06,000 Speaker 1: and you know, Pain, I think before we move on 310 00:16:06,120 --> 00:16:09,440 Speaker 1: to our discussion and up and vanished, UM, you know, 311 00:16:09,840 --> 00:16:14,760 Speaker 1: talk about I appreciate kind of Um. I call it 312 00:16:14,880 --> 00:16:20,200 Speaker 1: fearlessness of of going there, going there with a conversation 313 00:16:20,280 --> 00:16:24,000 Speaker 1: about race, picking up the phone and talking to anyone 314 00:16:24,080 --> 00:16:26,280 Speaker 1: you can, jumping on a flight like you talked about. 315 00:16:27,240 --> 00:16:30,920 Speaker 1: I think that matters in the the ultimate upcoming of 316 00:16:30,960 --> 00:16:32,720 Speaker 1: the show. What do you what do you think about that? Like, 317 00:16:32,840 --> 00:16:34,640 Speaker 1: how how do you react to that? And how does 318 00:16:34,680 --> 00:16:37,480 Speaker 1: that inform the way you put stories together. I mean, 319 00:16:38,160 --> 00:16:43,040 Speaker 1: this is an uncomfortable story to tell. Being a middle 320 00:16:43,120 --> 00:16:46,360 Speaker 1: aged white guy, I was nervous about telling the story, 321 00:16:46,680 --> 00:16:48,600 Speaker 1: and I wanted to do it the right way, and 322 00:16:48,680 --> 00:16:50,920 Speaker 1: to me, that the only right way to do it 323 00:16:51,080 --> 00:16:53,720 Speaker 1: was to let everyone else do the talking. The story 324 00:16:53,800 --> 00:16:56,120 Speaker 1: wasn't about me. It's not about I wasn't even around. 325 00:16:56,320 --> 00:16:59,320 Speaker 1: I was essentially learning this as I went along. So 326 00:16:59,560 --> 00:17:03,000 Speaker 1: that was kind neat for me. Um, and I just 327 00:17:03,200 --> 00:17:06,720 Speaker 1: wanted to tell a big story. I saw how much, uh, 328 00:17:06,800 --> 00:17:10,080 Speaker 1: the atlantild murders had an impact on the city, on 329 00:17:10,240 --> 00:17:13,119 Speaker 1: the culture in Atlanta, the whole nation really with the 330 00:17:13,440 --> 00:17:15,080 Speaker 1: is sin o'clock to near your children are? I mean, 331 00:17:16,040 --> 00:17:17,640 Speaker 1: these things that people remember but they don't know where 332 00:17:17,640 --> 00:17:20,879 Speaker 1: they're from. And so I was just blown away by that, 333 00:17:21,040 --> 00:17:24,080 Speaker 1: and I was nervous telling this story. But um, you know, 334 00:17:25,000 --> 00:17:27,040 Speaker 1: I had to be fearless in a sense because at 335 00:17:27,040 --> 00:17:29,159 Speaker 1: a certain point, you just gotta I just gotta do it. 336 00:17:29,720 --> 00:17:32,080 Speaker 1: And so you're always kind of making sure you do 337 00:17:32,160 --> 00:17:35,480 Speaker 1: the right thing, and you can't be scared to get 338 00:17:35,560 --> 00:17:37,520 Speaker 1: the story. Remember the first time I talked to Wayne Williams, 339 00:17:37,520 --> 00:17:41,679 Speaker 1: I was like, shit, what have I got myself into? Now? 340 00:17:41,760 --> 00:17:43,680 Speaker 1: What am I doing? What am I doing? With I 341 00:17:43,760 --> 00:17:45,440 Speaker 1: was like what am I doing? What am I doing? 342 00:17:45,680 --> 00:17:48,520 Speaker 1: It's like I don't know? Is the on the phone? Um? 343 00:17:49,080 --> 00:17:52,399 Speaker 1: But like I probably say what am I doing? Like 344 00:17:52,760 --> 00:17:55,560 Speaker 1: every day, like what am I doing? Just because it's 345 00:17:55,600 --> 00:17:58,600 Speaker 1: so bizarre to me sometimes that I'm I'm here. But um, 346 00:17:59,040 --> 00:18:03,000 Speaker 1: people are people and they oftentimes they want to talk 347 00:18:03,040 --> 00:18:05,280 Speaker 1: to you. So if you listen to them, you'd be 348 00:18:05,320 --> 00:18:08,160 Speaker 1: surprised what they'll tell you. And that really is all 349 00:18:08,320 --> 00:18:11,280 Speaker 1: that I am doing. Everything else is just the storytelling 350 00:18:11,359 --> 00:18:14,560 Speaker 1: part of it. Um, So you can't be scared to 351 00:18:14,640 --> 00:18:16,920 Speaker 1: talk to somebody. Some people will turn you down, but 352 00:18:17,119 --> 00:18:20,280 Speaker 1: most people didn't, and most people don't they want to 353 00:18:20,320 --> 00:18:23,000 Speaker 1: tell you something. That's what I've learned. Also, I think 354 00:18:23,920 --> 00:18:25,440 Speaker 1: you have to clear the clear up the fact that 355 00:18:25,520 --> 00:18:31,000 Speaker 1: you're thirty years old, you're not middle age. It's like, 356 00:18:31,040 --> 00:18:34,000 Speaker 1: I guess I'm not bad'll make you old and I'm 357 00:18:34,040 --> 00:18:39,959 Speaker 1: not accepted the exactly. All right, that's a great natural break. Um, 358 00:18:43,080 --> 00:18:47,240 Speaker 1: let's bring out our next guests. Please welcome. Dr Maurice Godwin. 359 00:18:51,720 --> 00:19:01,239 Speaker 1: Thank you, Thank you something Maurice. Yeah, I think uh, 360 00:19:01,320 --> 00:19:04,320 Speaker 1: I think most everyone here is familiar with Up and Vanished. 361 00:19:04,320 --> 00:19:06,560 Speaker 1: We're gonna we're gonna talk a lot about that before 362 00:19:06,640 --> 00:19:11,480 Speaker 1: we do. Thank you. Let's take a look at a 363 00:19:11,520 --> 00:19:17,520 Speaker 1: short clip. An investigative podcast about the disappearance of an 364 00:19:17,520 --> 00:19:21,480 Speaker 1: Oscilla teacher is set to premiere Monday. Titled Up and Vanished, 365 00:19:21,640 --> 00:19:24,840 Speaker 1: The story details the findings of Atlanta filmmaker Payne Lindsay 366 00:19:25,119 --> 00:19:28,359 Speaker 1: as he makes a documentary on Terra Grinstead. The former 367 00:19:28,400 --> 00:19:31,000 Speaker 1: Oscilla teacher has been missing for nearly eleven years now. 368 00:19:31,080 --> 00:19:33,560 Speaker 1: When she was last seen in October two thousand and five, 369 00:19:33,720 --> 00:19:39,560 Speaker 1: the Georgia Sweet Potato Paget. She was so loving and 370 00:19:39,720 --> 00:19:43,359 Speaker 1: so open and just. She was just a very carried 371 00:19:43,440 --> 00:19:46,720 Speaker 1: person and almost to the point where sometimes I thought 372 00:19:46,760 --> 00:19:51,879 Speaker 1: it was too much. I really do feel like it 373 00:19:52,040 --> 00:19:56,920 Speaker 1: is an abduction at this point. I think it's about 374 00:19:56,960 --> 00:20:03,560 Speaker 1: the flip upside down. A lot of rumors in this 375 00:20:03,680 --> 00:20:11,600 Speaker 1: case end up being truth. Do you want the truth? 376 00:20:12,359 --> 00:20:15,680 Speaker 1: Here's the truth I found out on January the PM 377 00:20:16,240 --> 00:20:21,960 Speaker 1: what happened to Tara? Dude? Want g I agents swarmed 378 00:20:22,040 --> 00:20:25,080 Speaker 1: up the con Orchard and ben Hill County. This Happer, 379 00:20:25,280 --> 00:20:30,560 Speaker 1: do you want us to cant Candy Dull series do 380 00:20:30,800 --> 00:20:33,280 Speaker 1: the job to the person of Tara, her insane child, 381 00:20:36,240 --> 00:20:40,639 Speaker 1: the mom from Tenderfoot TV and Atlanta. This is Love 382 00:20:40,760 --> 00:20:50,800 Speaker 1: and Vanished, all right? So Payne, you look at that 383 00:20:51,280 --> 00:20:55,480 Speaker 1: what year and a half almost two years later? What's 384 00:20:55,520 --> 00:20:58,560 Speaker 1: what's your reaction? How is that sunken, middle aged white 385 00:20:58,600 --> 00:21:03,320 Speaker 1: guy who um actually just watching that back and I 386 00:21:03,440 --> 00:21:06,000 Speaker 1: was like, damn this It's still crazy to me. The 387 00:21:06,040 --> 00:21:09,000 Speaker 1: whole thing is just crazy to me. Um. It gave 388 00:21:09,080 --> 00:21:13,920 Speaker 1: me goose bumps just then just watching and UM, it's 389 00:21:13,960 --> 00:21:17,320 Speaker 1: just an unreal story. And when I got involved, it 390 00:21:17,440 --> 00:21:20,880 Speaker 1: was something that no one was talking about, and every 391 00:21:20,920 --> 00:21:24,200 Speaker 1: one of Tara's friends was just torn up about this, 392 00:21:24,480 --> 00:21:26,639 Speaker 1: and no one had any clue what happened. No one 393 00:21:26,720 --> 00:21:30,040 Speaker 1: had any clue. And now there's been two arrests, which 394 00:21:30,119 --> 00:21:32,600 Speaker 1: is just unreal. And I'm excited for the trial and 395 00:21:32,680 --> 00:21:40,159 Speaker 1: if for Dustine this look yeah, And I actually started 396 00:21:40,200 --> 00:21:44,200 Speaker 1: relistening yet again to Up and Vanished. UM. And I 397 00:21:44,400 --> 00:21:50,280 Speaker 1: was struck after getting to know everyone more, especially you, Maurice. UM, 398 00:21:50,640 --> 00:21:53,359 Speaker 1: I was struck by you know, this is something that 399 00:21:53,440 --> 00:21:56,320 Speaker 1: you had followed for many years. Walked me through that 400 00:21:56,440 --> 00:21:59,920 Speaker 1: initial conversation with Paine and and how you guys connected, 401 00:22:00,680 --> 00:22:03,399 Speaker 1: how you built on that over over the course of 402 00:22:03,480 --> 00:22:06,479 Speaker 1: many months. Okay, Well, I worked the case for her 403 00:22:06,600 --> 00:22:11,240 Speaker 1: sister for twelve years, for eleven years, and UM and 404 00:22:11,440 --> 00:22:14,960 Speaker 1: I had done I got no help from any law enforcement. 405 00:22:15,320 --> 00:22:19,080 Speaker 1: So everything I found was found on my own, and 406 00:22:19,440 --> 00:22:22,520 Speaker 1: UM and I had a book binder full of information 407 00:22:23,520 --> 00:22:27,720 Speaker 1: for since those March of O six UM. One day 408 00:22:27,760 --> 00:22:30,120 Speaker 1: I said I hadn't been to a web sluice, which 409 00:22:30,359 --> 00:22:33,640 Speaker 1: which is a website about crime and stuff. I said, 410 00:22:33,640 --> 00:22:35,159 Speaker 1: I hadn't been there in a long time. This was 411 00:22:35,240 --> 00:22:38,760 Speaker 1: like January of O sixteen. So I said, let me 412 00:22:39,000 --> 00:22:41,840 Speaker 1: let me go there and see what's happening, so about 413 00:22:41,840 --> 00:22:43,879 Speaker 1: any case. So I went there and then I went 414 00:22:43,920 --> 00:22:47,320 Speaker 1: to a clinical terrorist link and Uh, I noticed a 415 00:22:47,400 --> 00:22:51,640 Speaker 1: new post nobody had responded and it was from pain 416 00:22:52,320 --> 00:22:56,399 Speaker 1: and he was looking to do a documentary UM about 417 00:22:56,560 --> 00:22:59,920 Speaker 1: terrorist case and he wanted to know about some information. 418 00:23:00,000 --> 00:23:03,159 Speaker 1: And I got to think, and I said, well he 419 00:23:03,560 --> 00:23:09,560 Speaker 1: needs help. So UM I called and left a message 420 00:23:09,880 --> 00:23:12,639 Speaker 1: and he called me back and we talked for two hours. 421 00:23:13,600 --> 00:23:17,360 Speaker 1: And it's it's only because of that contact between Pain 422 00:23:17,440 --> 00:23:27,200 Speaker 1: and I that this case was solved. That's it. And uh, 423 00:23:27,560 --> 00:23:30,000 Speaker 1: I mean we we butted heads, you know, or in 424 00:23:30,119 --> 00:23:35,520 Speaker 1: the beginning, Uh still do but uh we we butted heads, 425 00:23:35,680 --> 00:23:38,320 Speaker 1: um in the beginning and stuff. But I knew when 426 00:23:38,359 --> 00:23:41,680 Speaker 1: he was making those trips to to a scylla, that 427 00:23:41,840 --> 00:23:44,320 Speaker 1: he was doing the shoe leather work, that it was 428 00:23:44,440 --> 00:23:48,880 Speaker 1: necessary on following one up, uh, everything that he could 429 00:23:48,880 --> 00:23:52,960 Speaker 1: possibly follow up on and um and and and it 430 00:23:53,080 --> 00:23:59,880 Speaker 1: worked and and there's no there and I'm sort of biased, 431 00:24:00,320 --> 00:24:04,560 Speaker 1: but there's there's nothing. There's nothing else like up and vanished. 432 00:24:06,040 --> 00:24:10,560 Speaker 1: There's no music that that this is a signature. This 433 00:24:10,800 --> 00:24:16,359 Speaker 1: is a signature podcast in the podcasting history. How would 434 00:24:16,359 --> 00:24:20,399 Speaker 1: you describe our relationship? You think, well, you know, we 435 00:24:20,560 --> 00:24:22,760 Speaker 1: we we but it has I mean it was sort 436 00:24:22,800 --> 00:24:25,320 Speaker 1: of like, uh, a man and a woman going through 437 00:24:25,359 --> 00:24:32,639 Speaker 1: a bad divorce. Um, and they divorced and then remarried 438 00:24:33,040 --> 00:24:37,879 Speaker 1: and there's and they're still fighting. But the main thing 439 00:24:38,119 --> 00:24:41,960 Speaker 1: is our focus was on bringing justice and resolution to 440 00:24:42,080 --> 00:24:46,040 Speaker 1: terrorists case. And um, and we did, I mean, Pain 441 00:24:46,640 --> 00:24:49,760 Speaker 1: had got so much information on this thing. The GB 442 00:24:49,920 --> 00:24:52,960 Speaker 1: I was calling him, They were calling me for his 443 00:24:53,080 --> 00:25:00,399 Speaker 1: telephone number. Did you give it to him? Yeah? And uh, 444 00:25:00,760 --> 00:25:03,800 Speaker 1: I mean this it's just unreal. But this is a 445 00:25:03,880 --> 00:25:08,920 Speaker 1: signature with a hundred and fifty million plus downloads and 446 00:25:09,000 --> 00:25:13,679 Speaker 1: a TV show coming out soon about it on Auction Channel. Um, 447 00:25:14,040 --> 00:25:17,920 Speaker 1: this is a signature podcast that never will be repeated 448 00:25:18,320 --> 00:25:21,480 Speaker 1: by any other podcast for the music, or the case 449 00:25:21,600 --> 00:25:30,720 Speaker 1: or anything spectrum. I almost don't know what to say. 450 00:25:31,160 --> 00:25:34,720 Speaker 1: We're done here. So I was actually thinking back a 451 00:25:34,800 --> 00:25:37,560 Speaker 1: little bit about how the show started to build, and 452 00:25:37,680 --> 00:25:39,560 Speaker 1: I think there is a little We were talking a 453 00:25:39,600 --> 00:25:42,119 Speaker 1: little bit about this before we came on, about how 454 00:25:42,160 --> 00:25:46,000 Speaker 1: the perception that this show only became big when the 455 00:25:46,480 --> 00:25:49,560 Speaker 1: news broke of some of the suspects being arrested and 456 00:25:49,600 --> 00:25:52,520 Speaker 1: actually is not true at all. It was actually really 457 00:25:52,760 --> 00:25:57,119 Speaker 1: rising and kind of built organically as this tale of 458 00:25:57,200 --> 00:26:00,680 Speaker 1: a small town of Cla, Georgia and kind of the 459 00:26:00,760 --> 00:26:04,320 Speaker 1: relationships and kind of your you know, digging for the truth. 460 00:26:04,560 --> 00:26:07,040 Speaker 1: It was a hit way before. Talk a little bit 461 00:26:07,080 --> 00:26:11,600 Speaker 1: about um, how how that grew um, and and also 462 00:26:11,720 --> 00:26:14,720 Speaker 1: Donald just how you guys kind of snapped this together 463 00:26:14,800 --> 00:26:16,800 Speaker 1: early to kind of have a plan if you had 464 00:26:16,840 --> 00:26:20,920 Speaker 1: a plan to check it out there. Yeah, so I 465 00:26:20,960 --> 00:26:24,240 Speaker 1: mean quick history, um Pain said he was directing music videos. 466 00:26:24,320 --> 00:26:26,960 Speaker 1: I was managing talent in the music industry. We were 467 00:26:27,000 --> 00:26:29,760 Speaker 1: working together, UM, and we were both burnt out of 468 00:26:29,800 --> 00:26:31,160 Speaker 1: it and said, look, we want to do something else. 469 00:26:31,720 --> 00:26:33,280 Speaker 1: He's the one who came up with up and Vanish 470 00:26:33,359 --> 00:26:35,280 Speaker 1: found the case and said I want to do a 471 00:26:35,359 --> 00:26:38,960 Speaker 1: documentary on something on this case. We realized quickly we 472 00:26:39,000 --> 00:26:43,960 Speaker 1: didn't have documentary type money. And the entry, you know, 473 00:26:44,040 --> 00:26:47,600 Speaker 1: the bar to enter the podcast UM space is UM 474 00:26:48,200 --> 00:26:49,760 Speaker 1: it's low. You know, it's a low level of entry 475 00:26:49,760 --> 00:26:52,119 Speaker 1: when it comes to financial So I got some audio 476 00:26:52,119 --> 00:26:54,879 Speaker 1: equipment and he just started on this journey. UM. We 477 00:26:54,920 --> 00:26:56,440 Speaker 1: didn't know what it was gonna be. We didn't know 478 00:26:56,480 --> 00:26:58,320 Speaker 1: if it would be big. We didn't know if it 479 00:26:58,400 --> 00:27:01,600 Speaker 1: was a business or a hobby. And I think the 480 00:27:01,680 --> 00:27:04,040 Speaker 1: first week he did about what was about maybe three 481 00:27:04,080 --> 00:27:06,840 Speaker 1: months of pre promotion. UM shot some of that great 482 00:27:06,840 --> 00:27:09,840 Speaker 1: footage issue you just saw, and first week it was 483 00:27:09,880 --> 00:27:12,359 Speaker 1: like five thousand down loads and we're like, man, we 484 00:27:12,800 --> 00:27:17,280 Speaker 1: we just we're doing something killing it. And I mean 485 00:27:17,359 --> 00:27:19,720 Speaker 1: we didn't know about podcasting, We don't know about monetization. 486 00:27:19,840 --> 00:27:21,440 Speaker 1: We didn't know about hosting. It was you know, we 487 00:27:21,480 --> 00:27:24,159 Speaker 1: didn't know anything. And then about five episodes then we 488 00:27:24,240 --> 00:27:28,520 Speaker 1: started really growing and uh we we remember looking back 489 00:27:28,600 --> 00:27:30,920 Speaker 1: now seeing emails and people saying, hey, you know this 490 00:27:31,080 --> 00:27:32,840 Speaker 1: is this might be something that's big. We're about to 491 00:27:32,920 --> 00:27:35,879 Speaker 1: hit five hundred thousand downloads and I'm thinking, like, we're 492 00:27:35,880 --> 00:27:37,960 Speaker 1: gonna hit a million downloads, and then next thing, you know, 493 00:27:38,040 --> 00:27:41,919 Speaker 1: we're at ten million, and like, man, fifty million, a hundred. 494 00:27:42,000 --> 00:27:44,280 Speaker 1: I'm like, then you just like you just don't realize 495 00:27:44,320 --> 00:27:47,239 Speaker 1: how quickly this thing is excelled to be something much 496 00:27:47,280 --> 00:27:49,840 Speaker 1: bigger you ever anticipated. And to answer you a question, 497 00:27:50,040 --> 00:27:52,359 Speaker 1: before the week before the case was solved, I think 498 00:27:52,400 --> 00:27:54,480 Speaker 1: we hit like fifteen million down loads. It was a 499 00:27:55,160 --> 00:27:58,000 Speaker 1: really big podcast before the arrest were made. And then 500 00:27:58,400 --> 00:27:59,960 Speaker 1: as soon as there's arrest were made, we had already 501 00:28:00,160 --> 00:28:04,000 Speaker 1: relationships with with press, with Good Morning America, with Inside Edition, 502 00:28:04,040 --> 00:28:06,399 Speaker 1: they were already in contact with this, so as soon 503 00:28:06,440 --> 00:28:09,400 Speaker 1: as the case broke they called us first and they said, look, 504 00:28:09,440 --> 00:28:10,720 Speaker 1: we want to you know, we want Pain to be 505 00:28:10,760 --> 00:28:13,520 Speaker 1: on Good Morning America tomorrow. And then from there, I mean, 506 00:28:13,840 --> 00:28:16,800 Speaker 1: we were doing twenty million downloads a month and you 507 00:28:16,920 --> 00:28:20,280 Speaker 1: also bought a shirt from Walmart um and Ostilla because 508 00:28:20,280 --> 00:28:23,080 Speaker 1: there was no other places. So my first time on TV, 509 00:28:23,200 --> 00:28:26,320 Speaker 1: I was wearing this big, old baggy Walmart shirt. Walmart shirt, 510 00:28:26,480 --> 00:28:30,600 Speaker 1: but um it fit nice. I mean go Walmart. Um. 511 00:28:31,359 --> 00:28:33,760 Speaker 1: But yeah, what's unique to me is that, like, as 512 00:28:33,800 --> 00:28:36,320 Speaker 1: the podcast was growing and the numbers were shooting up 513 00:28:36,960 --> 00:28:41,200 Speaker 1: really simultaneously, the it was just like this pressure cooker 514 00:28:41,680 --> 00:28:45,480 Speaker 1: in the town of Oscilla, and it's really it was 515 00:28:45,880 --> 00:28:49,280 Speaker 1: its height when the story broke and the tip came 516 00:28:49,320 --> 00:28:51,480 Speaker 1: out and the two rests were made. It was just 517 00:28:52,000 --> 00:28:55,120 Speaker 1: happening simultaneously. You could feel it. And you know, one 518 00:28:55,120 --> 00:28:57,280 Speaker 1: of the guys was arrested, Bo Dukes for the first 519 00:28:57,280 --> 00:28:59,880 Speaker 1: thing he sent his friend was just a link to 520 00:29:00,080 --> 00:29:02,560 Speaker 1: up in Vanish. So at that point it was just 521 00:29:03,480 --> 00:29:06,000 Speaker 1: almost if you were from Oscilla or South Georgia, you 522 00:29:06,120 --> 00:29:10,000 Speaker 1: knew about this and you couldn't escape it. And so um, 523 00:29:10,480 --> 00:29:13,520 Speaker 1: that to me was super unique. And then when the 524 00:29:13,600 --> 00:29:16,440 Speaker 1: case broke, it just kind of just caught fire from there. 525 00:29:16,480 --> 00:29:19,760 Speaker 1: It was just unreal. But when I first met Payne, 526 00:29:20,120 --> 00:29:22,640 Speaker 1: he drove from Atlanta to my house, North Carolina to 527 00:29:23,400 --> 00:29:26,080 Speaker 1: first interviewed me and stuff, and I told him, I said, listen, 528 00:29:26,120 --> 00:29:30,320 Speaker 1: I don't think my accent is gonna go over. I 529 00:29:30,400 --> 00:29:35,280 Speaker 1: think it might hurt the podcast. But um, it's done 530 00:29:35,360 --> 00:29:46,320 Speaker 1: just the opposite. So Maurice, I was just gonna, I 531 00:29:46,480 --> 00:29:50,800 Speaker 1: was just gonna compliment you on what an interesting person 532 00:29:50,920 --> 00:29:55,080 Speaker 1: you are. But I mean that with all due respect. 533 00:29:55,360 --> 00:29:58,520 Speaker 1: Um So we have UM, I think backstage some of 534 00:29:58,600 --> 00:30:00,720 Speaker 1: the live shows, we have you in studio a couple 535 00:30:00,720 --> 00:30:04,040 Speaker 1: of times. You're a really fascinating guy. You've you've got 536 00:30:04,120 --> 00:30:08,239 Speaker 1: a really incredible deep background in criminal psychology, You've got 537 00:30:08,320 --> 00:30:11,280 Speaker 1: a PhD. You've been coming to crime con for a 538 00:30:11,400 --> 00:30:14,600 Speaker 1: long time. Um, talk to us a little bit about 539 00:30:15,320 --> 00:30:20,760 Speaker 1: um you're feeling about about podcasts and and the role 540 00:30:20,840 --> 00:30:25,320 Speaker 1: they have to play and solving some of these cases. Well, 541 00:30:25,360 --> 00:30:28,120 Speaker 1: I think they can play a huge or old The 542 00:30:28,200 --> 00:30:34,520 Speaker 1: main thing is, um pain. Um didn't sit behind a 543 00:30:34,600 --> 00:30:40,200 Speaker 1: microphone in Atlanta and and and accomplished this. He stayed 544 00:30:40,240 --> 00:30:42,640 Speaker 1: in a silita, He went to bars in a silla. 545 00:30:43,120 --> 00:30:45,760 Speaker 1: He got he got in some touchy situations in a 546 00:30:45,840 --> 00:30:49,920 Speaker 1: silla interviewing people. I mean he got pretty bad there 547 00:30:49,920 --> 00:30:52,600 Speaker 1: for a while. I mean I was threatened and he 548 00:30:52,920 --> 00:30:56,520 Speaker 1: was and um so he was doing the leg work, 549 00:30:56,960 --> 00:31:00,760 Speaker 1: which what is what created up and vantished me even 550 00:31:00,840 --> 00:31:04,120 Speaker 1: the episode that was about to come out before the 551 00:31:04,240 --> 00:31:07,720 Speaker 1: rest we were moving we we had already moved on 552 00:31:07,960 --> 00:31:10,360 Speaker 1: to looking at students. We had two A three that 553 00:31:10,440 --> 00:31:13,320 Speaker 1: we were trying to find information on so to you know, 554 00:31:13,440 --> 00:31:17,200 Speaker 1: with with Bow and Ryan being former students, I mean 555 00:31:17,480 --> 00:31:21,560 Speaker 1: we were already headed in that direction. Um. But I 556 00:31:21,680 --> 00:31:26,880 Speaker 1: think podcast can can do a great deal in helping 557 00:31:27,160 --> 00:31:31,080 Speaker 1: move investigation alone. But you can't set behind a microphone 558 00:31:31,440 --> 00:31:33,400 Speaker 1: and just wait till somebody calls you on the phone 559 00:31:33,400 --> 00:31:36,520 Speaker 1: with a til. You've got to go out and create something, 560 00:31:37,000 --> 00:31:40,160 Speaker 1: especially when you didn't have any paperwork. We had no 561 00:31:40,320 --> 00:31:44,200 Speaker 1: documents from law enforcement, no nothing law enforcement. Everything that 562 00:31:44,320 --> 00:31:48,360 Speaker 1: Paine did on this podcast in this case and myself too, 563 00:31:48,840 --> 00:31:52,440 Speaker 1: we created are We created the information out of nothing. 564 00:31:53,080 --> 00:31:55,920 Speaker 1: I mean it's it's good. It was good information, but 565 00:31:56,080 --> 00:31:58,400 Speaker 1: we worked and worked and worked to get it out 566 00:31:58,440 --> 00:32:01,880 Speaker 1: of people of and that that's one of the main 567 00:32:02,000 --> 00:32:05,760 Speaker 1: differences help to Vanished and another podcasts. I think I'll 568 00:32:05,760 --> 00:32:07,960 Speaker 1: say this too. I think you know we mentioned, you know, 569 00:32:08,040 --> 00:32:10,640 Speaker 1: fifteen million downloads before the arrest or still as a 570 00:32:10,840 --> 00:32:13,200 Speaker 1: as a town of three thousand people. So if there's 571 00:32:13,240 --> 00:32:15,560 Speaker 1: fifteen million people internationally listening to this, what do you 572 00:32:15,600 --> 00:32:17,840 Speaker 1: think is happening in the town of three thousand. Everyone 573 00:32:17,960 --> 00:32:21,160 Speaker 1: is talking, they're putting fingers at each other, and so 574 00:32:21,240 --> 00:32:23,360 Speaker 1: when you're hearing about up and vanished, you're like, Okay, 575 00:32:23,640 --> 00:32:25,720 Speaker 1: what is this? What are they saying? Because I know 576 00:32:25,880 --> 00:32:28,080 Speaker 1: something I'm not telling anybody, So you're going you listen 577 00:32:28,080 --> 00:32:31,680 Speaker 1: to this podcast. Then our discussion board, I mean bow Dukes, 578 00:32:31,680 --> 00:32:34,400 Speaker 1: who was arrested, Um, you know, in conjunction with the 579 00:32:34,600 --> 00:32:37,560 Speaker 1: with the murder, was in our discussion board talking to people. 580 00:32:37,680 --> 00:32:40,200 Speaker 1: The tipster was in our discussion board talking to people. 581 00:32:40,600 --> 00:32:42,520 Speaker 1: You know. I think two weeks after the podcast started 582 00:32:42,600 --> 00:32:45,479 Speaker 1: you received a tip of a group of friends who 583 00:32:45,520 --> 00:32:48,200 Speaker 1: were somehow connected to this, and bow Dukes was in 584 00:32:48,280 --> 00:32:51,960 Speaker 1: that picture. So, um, we're circling around like sharks, you 585 00:32:52,000 --> 00:32:54,320 Speaker 1: know what I mean? And it's stilla in the threats 586 00:32:54,320 --> 00:32:56,960 Speaker 1: who are coming from people who knew we were getting close. 587 00:32:57,040 --> 00:32:59,440 Speaker 1: They knew that look, you better not say my name 588 00:32:59,560 --> 00:33:01,720 Speaker 1: on your cast because they were they didn't want to 589 00:33:01,760 --> 00:33:04,320 Speaker 1: be associated as you know, being potentially guilty or not 590 00:33:04,400 --> 00:33:06,520 Speaker 1: even guilty, but the type of person who would cover 591 00:33:06,600 --> 00:33:08,720 Speaker 1: this up and just not say anything for a decade. 592 00:33:09,640 --> 00:33:12,600 Speaker 1: And I think one thing important to impressed me. When 593 00:33:12,640 --> 00:33:15,200 Speaker 1: I first met Pain, he said, I don't care what 594 00:33:15,320 --> 00:33:19,720 Speaker 1: anybody thinks. And if he, if he, if he, if he, 595 00:33:19,920 --> 00:33:21,920 Speaker 1: if he had to take him the attitude he would 596 00:33:22,000 --> 00:33:24,480 Speaker 1: to go half as far as he did in the 597 00:33:24,560 --> 00:33:30,360 Speaker 1: Tea gram steadcase, I care what you think. Record all right, 598 00:33:30,440 --> 00:33:32,720 Speaker 1: So in a few minutes, we're gonna open up for 599 00:33:32,880 --> 00:33:34,680 Speaker 1: Q and A. If you if you all do have 600 00:33:34,760 --> 00:33:37,200 Speaker 1: a question, please stop up to the microphone. But I 601 00:33:37,320 --> 00:33:43,440 Speaker 1: have two more important questions. Uh. I just heard something 602 00:33:44,200 --> 00:33:46,360 Speaker 1: from season two of Up and Vanished just a few 603 00:33:46,400 --> 00:33:48,880 Speaker 1: minutes ago. Pain painted, Meredith. You you guys have been 604 00:33:48,920 --> 00:33:51,680 Speaker 1: on the road. What can you what can you tell us? 605 00:33:51,760 --> 00:33:54,120 Speaker 1: What can you break news on with regards of what's 606 00:33:54,160 --> 00:33:56,920 Speaker 1: coming with season two? Um, there will be a season 607 00:33:56,960 --> 00:34:00,360 Speaker 1: two of Up and Vanished on a whole new case. Yes, 608 00:34:01,720 --> 00:34:06,959 Speaker 1: thank you. UM, we were saying, maybe we added up yesterday. 609 00:34:07,000 --> 00:34:10,680 Speaker 1: We were sent over three thousand cases from people, and 610 00:34:11,440 --> 00:34:15,960 Speaker 1: we've gone through at least three dozen cases thoroughly, and 611 00:34:16,120 --> 00:34:19,080 Speaker 1: then we narrowed it down to like six cases. And 612 00:34:19,200 --> 00:34:22,160 Speaker 1: then all of a sudden, I got a phone call 613 00:34:22,280 --> 00:34:25,200 Speaker 1: from somebody that I know, and it just changed the 614 00:34:25,960 --> 00:34:30,840 Speaker 1: whole plan altogether. And we've been out west um, not 615 00:34:31,000 --> 00:34:35,920 Speaker 1: in Georgia, in this tiny little town UM, investigating this 616 00:34:36,040 --> 00:34:39,000 Speaker 1: missing person's case and talking to people and building this story. 617 00:34:39,600 --> 00:34:44,000 Speaker 1: And it's UM, it's really bizarre. And we think that 618 00:34:44,520 --> 00:34:47,960 Speaker 1: this is a place where UM it's in a lot 619 00:34:48,000 --> 00:34:51,720 Speaker 1: of ways similar to Tearr Grinstead's story, and we're hoping 620 00:34:51,760 --> 00:34:55,600 Speaker 1: to create a similar environment UM in this town where 621 00:34:55,760 --> 00:35:00,280 Speaker 1: people are talking again. Cases go cold because people weren't 622 00:35:00,280 --> 00:35:03,080 Speaker 1: talking about them anymore. So we want to get people 623 00:35:03,120 --> 00:35:06,160 Speaker 1: talking again and just turn over some stones and find 624 00:35:06,200 --> 00:35:08,600 Speaker 1: out what happened to this person. And it'll be coming 625 00:35:08,640 --> 00:35:17,440 Speaker 1: out in uh likely August this year. So yeah, and Meredith, 626 00:35:17,480 --> 00:35:19,839 Speaker 1: you've been on the road to any any little bit 627 00:35:19,920 --> 00:35:25,239 Speaker 1: that you can tell us anything. Blow this. By the way, 628 00:35:25,239 --> 00:35:29,279 Speaker 1: I wasn't even I should stop there. I've I think 629 00:35:29,480 --> 00:35:31,600 Speaker 1: Paine has been telling me lies through text of where 630 00:35:31,640 --> 00:35:34,400 Speaker 1: he's actually at and I'm convinced that he's trying to 631 00:35:34,440 --> 00:35:37,600 Speaker 1: throw me off the trail to so pay attention. It's 632 00:35:37,640 --> 00:35:39,920 Speaker 1: not in Georgia, it's in the West coast. I can 633 00:35:40,000 --> 00:35:45,719 Speaker 1: get me at all get a new number. He's getting there. 634 00:35:45,960 --> 00:35:51,880 Speaker 1: How about you, Mereth, I'd say it's UM very different totally. 635 00:35:52,600 --> 00:35:55,400 Speaker 1: It doesn't feel like a real place. It feels like 636 00:35:55,760 --> 00:35:59,560 Speaker 1: if you're familiar with the show Twin Peaks, it feels 637 00:35:59,560 --> 00:36:05,520 Speaker 1: like Twin Peaks. All right, that sounds great. UM. Secondly, 638 00:36:05,960 --> 00:36:09,000 Speaker 1: it's going to be a busy summer. You've got a 639 00:36:09,120 --> 00:36:13,160 Speaker 1: TV show starting up production here pretty soon for Oxygen 640 00:36:13,440 --> 00:36:16,840 Speaker 1: UM anything you want to talk about their UM super excited. UM. 641 00:36:16,920 --> 00:36:20,560 Speaker 1: It's been a long journey, but we have been developing 642 00:36:20,680 --> 00:36:23,560 Speaker 1: an up and vanished TV show, UM where we're gonna 643 00:36:23,600 --> 00:36:27,960 Speaker 1: go UM to other small towns and tell their story 644 00:36:28,040 --> 00:36:30,160 Speaker 1: of a missing person and trying to figure out what 645 00:36:30,239 --> 00:36:32,480 Speaker 1: happened to them and just take what we've learned from 646 00:36:32,520 --> 00:36:36,120 Speaker 1: this and tell their stories and create an outlet for 647 00:36:36,239 --> 00:36:39,960 Speaker 1: people and a vocal piece for families who need UM 648 00:36:40,360 --> 00:36:43,080 Speaker 1: who need that. So we're super excited about that. UM 649 00:36:43,880 --> 00:36:46,640 Speaker 1: flying out again next week to talk to them about it, 650 00:36:46,800 --> 00:36:49,759 Speaker 1: and UM things are going well and hopefully very soon 651 00:36:49,880 --> 00:36:52,239 Speaker 1: we'll have an update on when you can watch this. 652 00:36:52,719 --> 00:36:59,480 Speaker 1: So yeah, awesome And and my and my last uh 653 00:37:00,040 --> 00:37:04,480 Speaker 1: A question for for all of you is, UM, where 654 00:37:04,520 --> 00:37:06,359 Speaker 1: do you see the stories. Where do you see things 655 00:37:06,440 --> 00:37:10,359 Speaker 1: heading for for your your team? Are you you want 656 00:37:10,400 --> 00:37:12,960 Speaker 1: to get in more into TV? Is it a hybrid 657 00:37:13,040 --> 00:37:15,920 Speaker 1: of storytelling? Like now that things that I know you're 658 00:37:15,920 --> 00:37:19,520 Speaker 1: a filmmaker at heart. Pain, What's what's kind of the 659 00:37:19,600 --> 00:37:22,640 Speaker 1: thing that's driving you moving forward? Now? UM, I just 660 00:37:22,719 --> 00:37:26,000 Speaker 1: want to tell great stories. UM. I like podcasts. I 661 00:37:26,120 --> 00:37:28,200 Speaker 1: like telling it that way. UM. I've always want to 662 00:37:28,200 --> 00:37:29,800 Speaker 1: be a filmmaker since I was a kid. So I 663 00:37:29,880 --> 00:37:32,439 Speaker 1: want to make films. I don't want to just label 664 00:37:32,480 --> 00:37:35,000 Speaker 1: myself one thing. I'm a filmmaker, I'm a podcaster. I'm 665 00:37:35,120 --> 00:37:36,880 Speaker 1: doing this. I can only do that. I want to 666 00:37:36,960 --> 00:37:39,719 Speaker 1: do all of it. I want to tell stories on 667 00:37:39,920 --> 00:37:43,080 Speaker 1: every scale, every medium that I can that that works, 668 00:37:43,680 --> 00:37:46,799 Speaker 1: and UM, that's what I'm trying to do. So, UM, 669 00:37:46,920 --> 00:37:49,800 Speaker 1: I love podcasts. There's still other podcast ideas I have 670 00:37:50,000 --> 00:37:52,120 Speaker 1: that are outside of Atlanta Monster End Up in Advantage 671 00:37:52,200 --> 00:37:54,640 Speaker 1: that I'm eventually going to do as well. But I 672 00:37:54,680 --> 00:37:58,040 Speaker 1: also want to take a stab at TV and film 673 00:37:58,160 --> 00:38:01,359 Speaker 1: and UM tell story that way, and so I'm looking 674 00:38:01,360 --> 00:38:05,919 Speaker 1: forward to the chance to do that. All right, let's 675 00:38:05,920 --> 00:38:09,600 Speaker 1: open it up for some questions. How about you? Hello? UM, 676 00:38:10,800 --> 00:38:14,640 Speaker 1: I actually wanted to ask about my dad. I grew 677 00:38:14,719 --> 00:38:17,319 Speaker 1: up hearing about the Atlantic child murders, actually, even though 678 00:38:17,360 --> 00:38:20,160 Speaker 1: they predate me abo about three years and thirty three, 679 00:38:20,280 --> 00:38:25,879 Speaker 1: So I'm ancient. Um. I don't know how I'm I'm 680 00:38:25,960 --> 00:38:31,000 Speaker 1: upright and walking um anyway, But no, he always told 681 00:38:31,040 --> 00:38:33,320 Speaker 1: me about that because he had gone to conventions. He 682 00:38:33,480 --> 00:38:35,960 Speaker 1: was a police officer um, and gone to training and 683 00:38:36,040 --> 00:38:37,920 Speaker 1: heard lectures and everything. And I think he may have 684 00:38:38,000 --> 00:38:40,160 Speaker 1: talked to some of the detectives. I don't remember, but 685 00:38:40,480 --> 00:38:44,439 Speaker 1: he always told me about the capture Wayne Williams when 686 00:38:44,600 --> 00:38:47,279 Speaker 1: they heard the splash in the river and found him 687 00:38:47,320 --> 00:38:53,360 Speaker 1: not far away, and that was an educated guest reasoned 688 00:38:53,440 --> 00:38:55,680 Speaker 1: that he might be dumping a body there, and they 689 00:38:56,160 --> 00:38:58,480 Speaker 1: thought they might may be able to find it. But 690 00:38:58,640 --> 00:39:01,239 Speaker 1: the was always stuck with me was the terror of 691 00:39:01,480 --> 00:39:04,799 Speaker 1: the random chance they had someone there, they had someone 692 00:39:04,840 --> 00:39:07,560 Speaker 1: there that hurt it, and they found him quickly enough, 693 00:39:07,600 --> 00:39:09,160 Speaker 1: and they were able to find a body later to 694 00:39:09,239 --> 00:39:13,160 Speaker 1: tie it to it. And what do you think. I 695 00:39:13,200 --> 00:39:14,759 Speaker 1: hate calling it luck because there was a lot of 696 00:39:14,800 --> 00:39:17,120 Speaker 1: hard work involved. What do you think about the role 697 00:39:17,200 --> 00:39:20,799 Speaker 1: of luck or chance in solving these murders, especially when 698 00:39:20,840 --> 00:39:24,000 Speaker 1: it's serial killer, and it's often a stranger crime. I 699 00:39:24,000 --> 00:39:27,640 Speaker 1: wouldn't put anything past him. I thought one time, what 700 00:39:27,760 --> 00:39:30,799 Speaker 1: if Wayne knew they were doing this takeouts. I had 701 00:39:30,840 --> 00:39:34,440 Speaker 1: a theory for a second that maybe Wayne tossed nothing 702 00:39:34,840 --> 00:39:38,120 Speaker 1: off the bridge. Maybe Wayne's just hanging out over here 703 00:39:38,480 --> 00:39:41,240 Speaker 1: being suspicious and he's just like, what, I didn't do anything, 704 00:39:41,480 --> 00:39:42,799 Speaker 1: And that's kind of what he did when he got 705 00:39:42,880 --> 00:39:45,320 Speaker 1: pulled over. I don't know what you're talking about, but 706 00:39:45,480 --> 00:39:48,440 Speaker 1: why was he there? And why is this story changing? 707 00:39:48,480 --> 00:39:50,960 Speaker 1: Why is he still lying about it thirty plus years later. 708 00:39:51,000 --> 00:39:53,080 Speaker 1: It's the only story in your life that matters right now. 709 00:39:53,719 --> 00:39:56,000 Speaker 1: You should have figured it out by now. And so 710 00:39:56,400 --> 00:39:58,960 Speaker 1: that part bothers me. He lied to me about it. 711 00:39:59,440 --> 00:40:01,360 Speaker 1: I think I wouldn't put it past him that he 712 00:40:01,520 --> 00:40:05,920 Speaker 1: was there, knowing that the police were there, almost wanting 713 00:40:05,960 --> 00:40:10,400 Speaker 1: to get caught. I'm also almost thirty three, so ancient 714 00:40:10,560 --> 00:40:15,640 Speaker 1: over here as well. That's you're not going to live 715 00:40:15,680 --> 00:40:19,759 Speaker 1: this down payne Um. My question is did you ever 716 00:40:19,920 --> 00:40:22,960 Speaker 1: actually get you? Obviously Atlanta Monster ended with you not 717 00:40:23,239 --> 00:40:27,240 Speaker 1: getting to speak to Wayne in in jail. Um because 718 00:40:27,280 --> 00:40:29,759 Speaker 1: of all of the lockdowns and things that prevented. Did 719 00:40:29,840 --> 00:40:32,719 Speaker 1: you ever get to go after the fact, or do 720 00:40:32,800 --> 00:40:34,640 Speaker 1: you have plans to actually talk to him in person 721 00:40:34,719 --> 00:40:37,239 Speaker 1: at all? Yeah, I mean there may be a point 722 00:40:37,320 --> 00:40:41,000 Speaker 1: where I talked to him face to face on camera, UM, 723 00:40:41,280 --> 00:40:45,319 Speaker 1: for maybe a documentary about this project or something. Um. 724 00:40:45,719 --> 00:40:47,440 Speaker 1: But other than that, I have a lot of material 725 00:40:47,920 --> 00:40:49,960 Speaker 1: of Wayne that I can use for that as well. 726 00:40:50,719 --> 00:40:59,120 Speaker 1: Thank you. Well, I'm forty three, so I'm absolutely decrediful. Um. 727 00:40:59,600 --> 00:41:03,120 Speaker 1: I grew up in a tiny town in northern Minnesota 728 00:41:03,400 --> 00:41:06,880 Speaker 1: in the mid eighties, and I heard about the Atlanta 729 00:41:06,960 --> 00:41:09,360 Speaker 1: child Monster in my almost all white town, and that 730 00:41:09,520 --> 00:41:12,360 Speaker 1: it was that our mothers would tell us you'd be 731 00:41:12,440 --> 00:41:14,879 Speaker 1: home by dark because just like that man was taking 732 00:41:15,000 --> 00:41:17,000 Speaker 1: children in Atlanta, there's somebody out there that's going to 733 00:41:17,080 --> 00:41:19,279 Speaker 1: take you. You know. It was kind of this thing 734 00:41:19,400 --> 00:41:21,400 Speaker 1: that we heard, So I always grew up knowing a 735 00:41:21,480 --> 00:41:23,959 Speaker 1: little bit about it, and as I got into true crime, 736 00:41:24,000 --> 00:41:27,920 Speaker 1: I kind of became somewhat fascinated with Wayne in a sense. Um, 737 00:41:28,080 --> 00:41:30,719 Speaker 1: And after listening to the podcast in the sense I'm 738 00:41:30,760 --> 00:41:33,440 Speaker 1: on the one hand, Okay, it's a convenient scapegoat for 739 00:41:33,520 --> 00:41:36,120 Speaker 1: the city to get this public relations nightmare out of 740 00:41:36,120 --> 00:41:39,000 Speaker 1: the way. Then I listened to him, and the story conflicts, 741 00:41:39,040 --> 00:41:41,520 Speaker 1: and I'm thinking, well, yeah, he absolutely did it, and 742 00:41:41,640 --> 00:41:45,680 Speaker 1: I don't know a whole lot about did these killings 743 00:41:45,840 --> 00:41:50,640 Speaker 1: really truly stop with his apprehension? Were there still children 744 00:41:50,960 --> 00:41:53,279 Speaker 1: missing and in any big city, I suppose they go 745 00:41:53,400 --> 00:41:57,880 Speaker 1: missing but that fit his profile afterwards, or the police 746 00:41:58,000 --> 00:42:00,600 Speaker 1: just kind of like putting those under the rug because 747 00:42:00,640 --> 00:42:03,479 Speaker 1: they don't want to do I can't really get an answer, 748 00:42:03,520 --> 00:42:05,759 Speaker 1: and I wondered if you guys had any thoughts in 749 00:42:05,840 --> 00:42:10,040 Speaker 1: that or definitive idea either way on were these poor 750 00:42:10,080 --> 00:42:13,680 Speaker 1: little children still missing afterwards being taken? And thank you? 751 00:42:13,840 --> 00:42:15,160 Speaker 1: I think you're right on both. I mean, I think 752 00:42:15,360 --> 00:42:19,360 Speaker 1: both things could happened. I think that, uh, the murders 753 00:42:19,600 --> 00:42:23,200 Speaker 1: didn't necessarily entirely stop. Of course, they wanted people to 754 00:42:23,280 --> 00:42:26,160 Speaker 1: think that because it made their case look better. I 755 00:42:26,239 --> 00:42:30,360 Speaker 1: think it's just a story of law enforcement needing to 756 00:42:30,480 --> 00:42:33,840 Speaker 1: close this thing out, needing almost having to sweep it 757 00:42:33,920 --> 00:42:35,200 Speaker 1: under the rug. It was the wrong thing to do. 758 00:42:35,280 --> 00:42:38,000 Speaker 1: They handled it the wrong way, but that's what they did. 759 00:42:38,640 --> 00:42:42,040 Speaker 1: And it doesn't mean that Wayne wasn't guilty of anything. 760 00:42:42,760 --> 00:42:45,480 Speaker 1: So did they handle the wrong way? Yes? They did? 761 00:42:45,920 --> 00:42:49,640 Speaker 1: Is Wayne guilty of something, yes, and you know the 762 00:42:49,760 --> 00:42:54,239 Speaker 1: mythology of the mythology that builds the longer that time 763 00:42:54,320 --> 00:42:58,440 Speaker 1: passes on, so many things like did that stop? Did 764 00:42:58,719 --> 00:43:02,160 Speaker 1: murders stop? Or not? Um, so many examples of this. 765 00:43:02,320 --> 00:43:04,360 Speaker 1: I think it was a one sided narrative for so 766 00:43:04,440 --> 00:43:08,440 Speaker 1: many years that these things kind of became urban legends. 767 00:43:09,080 --> 00:43:12,160 Speaker 1: And as a result, I think we needed to We 768 00:43:12,239 --> 00:43:13,880 Speaker 1: need to get some of the crazies in there too. 769 00:43:14,080 --> 00:43:16,600 Speaker 1: Like part of this was getting all the stories on 770 00:43:16,680 --> 00:43:18,920 Speaker 1: the table, even the ones we didn't believe, and let 771 00:43:19,000 --> 00:43:21,600 Speaker 1: them talk to and let you make up your mind. Yea, yeah. 772 00:43:21,800 --> 00:43:25,800 Speaker 1: But the story isn't just about um the victims or 773 00:43:25,840 --> 00:43:28,640 Speaker 1: Wayne Williams. Is how big this thing was in the 774 00:43:28,760 --> 00:43:31,440 Speaker 1: city and how big it was culturally, you know, for generations. 775 00:43:31,560 --> 00:43:34,960 Speaker 1: So we wanted you all to understand why someone could 776 00:43:35,000 --> 00:43:39,200 Speaker 1: come up with such a crazy conspiracy theory. And it's because, yeah, 777 00:43:39,360 --> 00:43:41,440 Speaker 1: the city did you know, sweep us under the rug 778 00:43:41,600 --> 00:43:45,600 Speaker 1: for how many murders? Ten, twelve, fifteen. This is one 779 00:43:45,600 --> 00:43:49,200 Speaker 1: of those cases where anything you're thinking, any opinion here 780 00:43:49,239 --> 00:43:51,520 Speaker 1: of what happened in the Lanta child murders could be 781 00:43:51,640 --> 00:43:55,520 Speaker 1: partially true. All theories can work together in some way. 782 00:43:56,560 --> 00:43:58,759 Speaker 1: The clan could have done some, Wayne could have done some. 783 00:43:59,160 --> 00:44:02,520 Speaker 1: Some could have been around them. Um, the city did 784 00:44:02,640 --> 00:44:05,640 Speaker 1: rush to judgment and close this. And you know, there's 785 00:44:05,920 --> 00:44:08,680 Speaker 1: everything that you're thinking could be partially true. And that's 786 00:44:08,760 --> 00:44:11,480 Speaker 1: the that's why this case is so big, that's why 787 00:44:11,520 --> 00:44:15,279 Speaker 1: there's so many questions that are still left unanswered. Yes, 788 00:44:15,360 --> 00:44:27,080 Speaker 1: go ahead. I am sixty four, lovely. About about nineteen 789 00:44:27,160 --> 00:44:29,120 Speaker 1: years ago, I had a son that was murdered. It's 790 00:44:29,160 --> 00:44:32,000 Speaker 1: not got anything to do with Wayne Williams. I've not 791 00:44:32,160 --> 00:44:35,320 Speaker 1: been able to watch any kind of crime stories that 792 00:44:36,120 --> 00:44:39,640 Speaker 1: we're on regular TV because I can't afford cable. I'm 793 00:44:39,680 --> 00:44:42,560 Speaker 1: so proud to be here. About nine years ago, a 794 00:44:42,760 --> 00:44:47,640 Speaker 1: private investigator, through her friend begging, she agreed to take 795 00:44:47,719 --> 00:44:52,520 Speaker 1: my sen's case. On when you said about law enforcement, 796 00:44:52,840 --> 00:44:57,239 Speaker 1: we have Barney fives that work in the county where 797 00:44:57,280 --> 00:45:01,480 Speaker 1: I came from. Arrogant, arrogant, barn Barney Fine. My son 798 00:45:01,680 --> 00:45:05,360 Speaker 1: was executed. I lived in a small area. We know 799 00:45:05,600 --> 00:45:09,760 Speaker 1: who killed our son, we know there's no proof. About 800 00:45:09,800 --> 00:45:14,120 Speaker 1: two years ago, the new district attorney exhumed his body 801 00:45:14,800 --> 00:45:16,600 Speaker 1: because I woke up in the middle of the night 802 00:45:17,320 --> 00:45:21,759 Speaker 1: thinking about DNA undrew his fingernails. Uh. I was so 803 00:45:22,000 --> 00:45:25,480 Speaker 1: angry because there was t B. I have no faith 804 00:45:25,600 --> 00:45:29,680 Speaker 1: in anybody, but there was twenty people and the private 805 00:45:29,760 --> 00:45:35,719 Speaker 1: investigator that had helped me in the exhimation. Uh. Of 806 00:45:35,800 --> 00:45:38,400 Speaker 1: course nothing came out of it. This is a small 807 00:45:38,520 --> 00:45:41,480 Speaker 1: area and we know who did it and this people. 808 00:45:41,560 --> 00:45:46,600 Speaker 1: There's been other people that's died there. It's Carroll County, Tennessee, Mackenzie, Tennessee. 809 00:45:46,760 --> 00:45:50,440 Speaker 1: My son was fifteen years old, Tony Drumwright, and he 810 00:45:50,800 --> 00:45:53,960 Speaker 1: was an absolute great kid. You couldn't get him to 811 00:45:54,000 --> 00:45:56,000 Speaker 1: say us, to wear a word. And there was a 812 00:45:56,160 --> 00:45:58,719 Speaker 1: meth lab in our woods that he happened up on. 813 00:45:59,719 --> 00:46:01,800 Speaker 1: And we you know, we know all of this, but 814 00:46:01,960 --> 00:46:05,799 Speaker 1: we cannot prove anything. And it's just been so frustrating 815 00:46:05,840 --> 00:46:08,600 Speaker 1: to me and I will never shut up about it, 816 00:46:09,560 --> 00:46:17,920 Speaker 1: private investigators. It's cost me my family and my marriage 817 00:46:17,960 --> 00:46:22,960 Speaker 1: and it's been a real struggle every day. But Shila Wausaki, 818 00:46:23,040 --> 00:46:26,640 Speaker 1: which is a speaker here, she is the private investigator 819 00:46:26,680 --> 00:46:29,279 Speaker 1: that's been trying to help me, and I pray that 820 00:46:29,440 --> 00:46:31,880 Speaker 1: someday it will come to pass. But when you said 821 00:46:32,400 --> 00:46:36,800 Speaker 1: that about law enforcement, it's just really disheartening. Now we 822 00:46:36,920 --> 00:46:40,160 Speaker 1: have a new district attorney in Carroll County, and I 823 00:46:40,280 --> 00:46:43,480 Speaker 1: feel like I was pivotal in helping him get elected. 824 00:46:44,320 --> 00:46:46,200 Speaker 1: I trust him, but you know, he can only do 825 00:46:46,360 --> 00:46:48,920 Speaker 1: what he can do, and the people that worked for 826 00:46:49,040 --> 00:46:55,000 Speaker 1: him are still the same arrogant, pompous Barney Five's So 827 00:46:56,200 --> 00:46:58,840 Speaker 1: I know that has nothing to do with what you 828 00:46:58,920 --> 00:47:00,960 Speaker 1: guys are doing, but I just want to interject that 829 00:47:01,640 --> 00:47:03,799 Speaker 1: Sheila had told me that here about a month ago, 830 00:47:03,960 --> 00:47:06,719 Speaker 1: she did a podcast. First time I've ever heard what's 831 00:47:06,719 --> 00:47:09,480 Speaker 1: a podcast? I still haven't been able to hear it, 832 00:47:09,560 --> 00:47:12,200 Speaker 1: But tomorrow I'm bringing in my computer and they're gonna 833 00:47:12,239 --> 00:47:17,359 Speaker 1: get me up to date. We'll thank you than sorry 834 00:47:17,440 --> 00:47:19,960 Speaker 1: for the loss to you. I just wanted to interject that, 835 00:47:20,360 --> 00:47:27,920 Speaker 1: thank you very much. So I'm twenty eight, so I 836 00:47:27,960 --> 00:47:32,640 Speaker 1: guess I'm a child. Uh So. The thing that really 837 00:47:32,680 --> 00:47:36,080 Speaker 1: strikes me about both of these cases is how they 838 00:47:36,120 --> 00:47:39,440 Speaker 1: really give you a snapshot of the identity of a community. 839 00:47:40,120 --> 00:47:42,600 Speaker 1: And I think it's also really interesting that both of 840 00:47:42,680 --> 00:47:46,400 Speaker 1: them have had the opportunity to get responses from the 841 00:47:46,480 --> 00:47:50,360 Speaker 1: community that they're about in real time. And I was 842 00:47:50,440 --> 00:47:52,960 Speaker 1: hoping you could talk a little bit about how as 843 00:47:53,000 --> 00:47:56,640 Speaker 1: a creator, as a storyteller, the experience has been to 844 00:47:56,760 --> 00:47:59,400 Speaker 1: be getting feedback from the people that you're sort of 845 00:47:59,520 --> 00:48:04,240 Speaker 1: trying to portray. It's, uh, it's interesting. It's nerve wracking. 846 00:48:04,400 --> 00:48:06,919 Speaker 1: You're you're always trying to I mean, you gotta answer 847 00:48:07,000 --> 00:48:10,880 Speaker 1: for everything you do. So, um, I'm just trying to 848 00:48:10,960 --> 00:48:15,920 Speaker 1: be honest about it and just straightforward and kind of 849 00:48:15,920 --> 00:48:17,480 Speaker 1: like you said it back to the fearlessness. At a 850 00:48:17,520 --> 00:48:20,200 Speaker 1: certain point, you gotta just let go and not be 851 00:48:20,320 --> 00:48:24,000 Speaker 1: afraid to get out there and talk to somebody and 852 00:48:24,080 --> 00:48:27,880 Speaker 1: then put it out there. Um, it's interesting when the 853 00:48:28,000 --> 00:48:30,319 Speaker 1: town is listening to it, you can see it having 854 00:48:30,360 --> 00:48:33,920 Speaker 1: an effect on people. Um, they may they may be 855 00:48:34,120 --> 00:48:36,520 Speaker 1: scared to talk to you again, or someone might come 856 00:48:36,560 --> 00:48:37,960 Speaker 1: out of the woodwork and want to talk to you 857 00:48:38,000 --> 00:48:40,960 Speaker 1: all of a sudden. It's a constant game and battle 858 00:48:41,040 --> 00:48:43,759 Speaker 1: you're you're playing, and so it's you gotta be on 859 00:48:43,840 --> 00:48:46,040 Speaker 1: your toes at all times and just be careful. So 860 00:48:46,560 --> 00:48:49,480 Speaker 1: it definitely makes it more difficult, but their result is 861 00:48:49,800 --> 00:48:53,520 Speaker 1: people talking again and um, new information being able to 862 00:48:53,600 --> 00:48:56,279 Speaker 1: shape this story, which is important. Yeah, I mean, can 863 00:48:56,360 --> 00:48:59,000 Speaker 1: we finally have conversations about some of these big topics 864 00:48:59,040 --> 00:49:01,360 Speaker 1: in America? Can we put them out there? I feel 865 00:49:01,400 --> 00:49:04,239 Speaker 1: like listening to podcasts is a way for us to 866 00:49:04,440 --> 00:49:07,239 Speaker 1: put something out there, but for people in their own 867 00:49:07,440 --> 00:49:10,680 Speaker 1: one to one intimate space to be able to kind 868 00:49:10,719 --> 00:49:13,000 Speaker 1: of get a little bit deeper in a way that 869 00:49:13,080 --> 00:49:16,200 Speaker 1: they cannot engage on Twitter or with the local news. 870 00:49:16,719 --> 00:49:19,239 Speaker 1: And it's just being honest. It's having an honest conversation. 871 00:49:19,480 --> 00:49:24,439 Speaker 1: And podcasting is the most honest form of communication these days, 872 00:49:24,520 --> 00:49:27,560 Speaker 1: I believe, and that's why it resonates so much, and 873 00:49:27,680 --> 00:49:30,720 Speaker 1: I think we need to do more of that last question, 874 00:49:30,760 --> 00:49:33,040 Speaker 1: I'm sorry, thank you. I'm twenty nine, so I have 875 00:49:33,120 --> 00:49:37,400 Speaker 1: a couple of months left of my youth. Um. So 876 00:49:37,520 --> 00:49:40,880 Speaker 1: it's my understanding that there was some DNA that linked 877 00:49:40,960 --> 00:49:44,040 Speaker 1: Williams to bal dessert. Can you tell me a little 878 00:49:44,080 --> 00:49:46,600 Speaker 1: bit more about that and your thoughts on it and 879 00:49:46,840 --> 00:49:50,839 Speaker 1: why it wasn't in the podcast much. Um? Well, first 880 00:49:50,840 --> 00:49:53,200 Speaker 1: of all, I'd be clear, it didn't entirely link him. 881 00:49:53,360 --> 00:49:57,439 Speaker 1: It was it was partial and it was yeah, they've 882 00:49:57,520 --> 00:50:00,879 Speaker 1: matched in a way, but it wasn't any more conclusive 883 00:50:01,040 --> 00:50:04,839 Speaker 1: than um I would say the bloodstains or anything else. Um. 884 00:50:05,120 --> 00:50:09,279 Speaker 1: And to me, it was that was sort of an 885 00:50:09,640 --> 00:50:13,319 Speaker 1: investigative finding from somebody else, but we was CNN who 886 00:50:13,400 --> 00:50:15,959 Speaker 1: too Brooke then Yeah, and we actually talked a little 887 00:50:15,960 --> 00:50:18,799 Speaker 1: bit about that where recent I we had that conversation 888 00:50:18,880 --> 00:50:23,320 Speaker 1: about do they still have the clothes from some of 889 00:50:23,400 --> 00:50:25,640 Speaker 1: the kids, and could they match the d N A 890 00:50:25,760 --> 00:50:28,040 Speaker 1: and could they go back in time? And the answer is, 891 00:50:28,120 --> 00:50:29,920 Speaker 1: we don't know. We don't know where that stuff is, 892 00:50:30,040 --> 00:50:32,879 Speaker 1: we don't know if it would will ever be public. Um. 893 00:50:33,360 --> 00:50:35,719 Speaker 1: I think it is really interesting to hear in kind 894 00:50:35,760 --> 00:50:37,959 Speaker 1: of the present day news of the Golden State Killer 895 00:50:38,040 --> 00:50:41,400 Speaker 1: and others, this kind of new wave of what can 896 00:50:41,440 --> 00:50:44,440 Speaker 1: we do with older cases and match DNA evidence? I 897 00:50:44,520 --> 00:50:48,440 Speaker 1: think that is compelling, but kind of where do we 898 00:50:48,520 --> 00:50:50,640 Speaker 1: go from here? We just we didn't want to put 899 00:50:50,719 --> 00:50:53,360 Speaker 1: something out there where we didn't have the whole, the 900 00:50:53,440 --> 00:50:55,360 Speaker 1: whole story, and so that was one thing that we 901 00:50:55,520 --> 00:50:57,800 Speaker 1: just really didn't concentrate on. There's really no more that 902 00:50:57,840 --> 00:51:00,440 Speaker 1: I could add to that, and I knew that there 903 00:51:00,520 --> 00:51:03,400 Speaker 1: was already investigative findings that we had through Larry that 904 00:51:03,520 --> 00:51:06,480 Speaker 1: was new information that said the same thing, but actually 905 00:51:06,640 --> 00:51:10,120 Speaker 1: even more clear and more definitive. And you know, having 906 00:51:10,239 --> 00:51:14,880 Speaker 1: talked to Patrick Baltazar's brother and heard his side of 907 00:51:14,880 --> 00:51:17,759 Speaker 1: the story. There was just a lot of just misinformation 908 00:51:17,840 --> 00:51:19,600 Speaker 1: over there, and I wanted to find the information on 909 00:51:19,680 --> 00:51:23,279 Speaker 1: my own. Bauma is every piece information out there just 910 00:51:24,080 --> 00:51:26,759 Speaker 1: doesn't make it in there, and it's that for some 911 00:51:26,800 --> 00:51:29,400 Speaker 1: people that that's like, uh, it's hard to understand that. 912 00:51:29,560 --> 00:51:32,600 Speaker 1: But we looked at the big picture at all times 913 00:51:32,840 --> 00:51:34,600 Speaker 1: and we were never going to omit something that we 914 00:51:34,719 --> 00:51:38,160 Speaker 1: thought did steered you the wrong way. We also wanted 915 00:51:38,200 --> 00:51:40,279 Speaker 1: to make sense to you too, because for a while 916 00:51:40,360 --> 00:51:43,080 Speaker 1: it didn't even make sense to us. That's a good question. 917 00:51:43,200 --> 00:51:46,520 Speaker 1: Thank you, Thank you, except well, thank you to Meredith Payne, 918 00:51:46,640 --> 00:51:50,080 Speaker 1: Donald and Maurice, and thank you all days here. Thank 919 00:51:50,120 --> 00:52:07,360 Speaker 1: you with a future starting sh