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Speaker 1: Hey, hey, hey, or should I say ho ho ho?

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Speaker 1: It's me Matt Rogers And in the words of another

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Speaker 1: Christmas icon, it's time. I'm back with my new nationwide tour,

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Speaker 1: Matt Rogers Christmas in December. Yes, it's time to remember

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Speaker 1: when Christmas is. I'm hitting the road all of December

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Speaker 1: with Henrykoperski and the whole band performing my album Have

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Speaker 1: You Heard Of Christmas, along with a bunch of other

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Speaker 1: little surprises. So if you're in La San Francisco, Seattle, Portland, Philadelphia,

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Speaker 1: d C. New York City, Boston, Toronto, Chicago, or yes, Orlando, Florida,

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Speaker 1: I want to see your gorgeous ass. Go to Matt

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Speaker 1: rogersofficial dot com or head to my Instagram at Matt

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Speaker 1: Rogers though and hit the link in my bio. Until then,

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Speaker 1: stream the album, get your look together and get ready

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Speaker 1: to deck the damn halls at a venue near you

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Speaker 1: Christmas in December. You in my heart XO XO, Santa Boy,

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Speaker 1: Look Marire, Oh, I see you my own And look

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Speaker 1: over there is that culture. Yes, wow, lost culture ding

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Speaker 1: Dong lost Cultesa is calling. It's already hot in the studio,

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Speaker 1: and not just because we're wearing fuzzy shirts. Unplanned, right, unplanned.

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Speaker 1: It's these giant panel lights. Oh my god. I hope

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Speaker 1: we look stunning under them. Hope it was worse than guys,

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Speaker 1: I hope the hope the rig was the jig. No, not,

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Speaker 1: it's early, you know what. Not only is it early?

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Speaker 1: Last night was one of the great nights. And we

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Speaker 1: can't really get into it because it won't come out

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Speaker 1: until November sixth. Birthday. It's wow, what that is your birthday?

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Speaker 1: That's going to be a huge day for you.

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Speaker 2: Well, it's that's it's a it's a bad day overall

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Speaker 2: for the world because last year it was the day

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Speaker 2: after the election.

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Speaker 1: Of course, that's why that date sounded familiar. That's why

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Speaker 1: that day sounded familiar. You you know history a little wait, okay,

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Speaker 1: so anyway, that that was wicked. One wonderful night was

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Speaker 1: shot last night last night at the Dolby. It was

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Speaker 1: so fantastic.

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Speaker 2: I've never seen anything like it, truly, I'm sorry, not

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Speaker 2: since the Culture Awards was there alive to tape special.

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Speaker 3: Quite that gagged show that gagged the girls. Well, I'll

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Speaker 3: say this that today's going to gag the girls because

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Speaker 3: in many ways and many ways on different levels. It's

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Speaker 3: a like event in gay guy podcast history.

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Speaker 2: It's an event in family history, like I think this is.

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Speaker 2: I know you've long claimed that our guest is your daughter.

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Speaker 1: I did. I adopted him pretty immediately. But I've heard

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Speaker 1: of his answer. Now we're doing a thing where we

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Speaker 1: are learning about the guest's answers to the question beforehand, beforehand,

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Speaker 1: so we can get this prepare for the podcast. Unbelievable

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Speaker 1: as soon as I heard. And if you if you

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Speaker 1: want to change it, no problem. But if it is

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Speaker 1: what I think it is, it is. I said, this

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Speaker 1: is my order as well, or maybe we have our

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Speaker 1: first child together. Have you thought about that? Science is amazing? Well,

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Speaker 1: it's first of all, if you didn't think gay guys

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Speaker 1: could get each other pregnant, honey, honey, check myanus, Honey,

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Speaker 1: check his ais. Stop taking that tile and all fucking

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Speaker 1: you up, Honey, I don't think so, honey, Tilan all

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Speaker 1: that's trump. I don't think so, honey. Advance. Well, he

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Speaker 1: said he's had a bad week. He's coming on the

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Speaker 1: show next week. It's gonna be amazing.

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Speaker 2: Recording this, And just in case there's like ten more

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Speaker 2: horrific fire hoses of human suffering. Yeah, by the time

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Speaker 2: this comes out, we're recording this the week of the

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Speaker 2: Taile and All Autism announcement.

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Speaker 1: Yeah, he said, He said in advance. I want you

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Speaker 1: to know I don't think so honey as tilan all

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Speaker 1: My culture that they may say culture was for me

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Speaker 1: is Benito Mussolini, and I'm ready to go.

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Speaker 2: Baby.

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Speaker 1: He's got a stylist picked out for the event. It's

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Speaker 1: gonna wear an even longer red tie.

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Speaker 2: Well, this, this guest is really special to us. I

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Speaker 2: I've never seen a crowd be in the palm of

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Speaker 2: someone in his hand like they were at Radio City

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Speaker 2: for his tour.

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Speaker 1: He feeds the children, as it were. He's got so

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Speaker 1: many children. He the pussies, the pussies, and that was

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Speaker 1: such a fun night. That was an amazing name. I went,

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Speaker 1: have you yet been on therapists?

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Speaker 2: I've not yet been on therapists. I was supposed to

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Speaker 2: make it happen earlier. We're making it happen.

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Speaker 1: He's one of the busiest girls in America, I say

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Speaker 1: about both of them. We are so excited. This is

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Speaker 1: beyond to welcome the host of therapists and cultural icon.

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Speaker 4: The one and only we are so happierre here. This

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Speaker 4: is the last day of my life. Well, this is

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Speaker 4: I've literally been waiting for this since the day I

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Speaker 4: was born. Sorry, other days, I know, suck, they suck.

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Speaker 1: Wait. That was a very fun time.

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Speaker 2: And I still remember the story you told you read

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Speaker 2: letters from the audience and there was one girl who

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Speaker 2: was fucking the guy and then her roommate fucked him

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Speaker 2: and then all the roommate had to say was tea.

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Speaker 4: Yeah, I remember that too. That one stuck with me

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Speaker 4: because I really fucked with the roommate after that.

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Speaker 1: What do you mean?

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Speaker 4: I just like was like when you behave and you

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Speaker 4: just kind of own it like that and you're just

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Speaker 4: like sorry, yeah, Like it's.

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Speaker 1: Kind of everything. Sorry though T is just kind of

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Speaker 1: like get a load of this, like you know what

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Speaker 1: I mean, that's kind of rual. Culture Number eight is

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Speaker 1: kind of like this.

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Speaker 4: Wait, you know what I was thinking about the other

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Speaker 4: day when the rule of culture when when a woman

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Speaker 4: does something serious, Yeah, there was something I saw something

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Speaker 4: and I was like, oh, and that's it made me

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Speaker 4: think of the culture.

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Speaker 1: When a woman does something serious, something a does something

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Speaker 1: good by accident. It's it's like actually biblical. It's kind

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Speaker 1: of everything. It is everything.

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Speaker 2: That's that's the Celestium original for the Culture Awards Rules

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Speaker 2: of Culture number one. I mean, yeah, we're still thinking

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Speaker 2: about that, right, Like what do we like? Isn't it

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Speaker 2: so powerful that we're naming that? Yes, that is culture.

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Speaker 2: That is culture.

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Speaker 4: And by the way, I would just like to say

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Speaker 4: that the Culture Awards were the best night in my life.

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Speaker 4: You were incredibly if I can tell you, I was

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Speaker 4: there with Louise and we kept looking at each other

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Speaker 4: like this.

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Speaker 1: By the way, Louise is in the building in the Yeah,

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Speaker 1: in a part again it's fall. It's such a fun

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Speaker 1: part of any show to have the characters the like

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Speaker 1: orbital characters. And I feel like you have that too.

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Speaker 1: I do you sort of have a Howard Stern vibe?

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Speaker 1: You know, I've never seen Howard Stern. That's okay, I

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Speaker 1: think you would like him. Okay, I think so too.

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Speaker 1: He's like a legend.

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Speaker 4: They say, right, yeah, he's.

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Speaker 1: Sort of a legend. They say, right, would we even

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Speaker 1: be in front of Mike's if he hadn't first been

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Speaker 1: in front of his mic? I'm just saying, did he

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Speaker 1: create sort of speaking in front of a microphone.

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Speaker 4: Yeah, right, in a way I know that much about him.

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Speaker 1: Yeah, well, there's a few things to know about Howard Stern.

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Speaker 1: Incredibly filthy and candid in front of a microphone, right,

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Speaker 1: and the hair, of course, he's got like sort of iconic. Look,

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Speaker 1: what are you hoping for your birth day?

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Speaker 4: For my birthday, I think I want to do a

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Speaker 4: birthday dinner if you guys are in town at my

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Speaker 4: favorite Thai restaurant in the world.

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Speaker 1: Anna Jack Tie, Anna Jack Tie? And where is it?

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Speaker 4: Okay, it is in Sherman Oaks. I totally might have

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Speaker 4: just lied, but I think it's in Sherman Oaks. Yeah,

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Speaker 4: Obama ate there the other week.

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Speaker 1: He did? He did? Did you get any intel and

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Speaker 1: what he ordered? You know what? No? And I'm gonna ask.

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Speaker 4: And it is the greatest high food I've ever had

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Speaker 4: in my entire life. And I grew up in New

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Speaker 4: York around really really great Thai food. Yes, and it

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Speaker 4: is genuinely the best high food I've ever had in

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Speaker 4: my entire life.

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Speaker 2: La Tai food is next level. It is La Tai

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Speaker 2: food will make you go. I'm sweating in this plastic

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Speaker 2: covered dining chair. Uh huh in a strip mall.

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Speaker 1: But I'm in heaven. But this it's like.

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Speaker 4: Low key Michelin or like he like one he wanted

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Speaker 4: James Beard, wanted James Beard. And so it's like they

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Speaker 4: have like, uh, I think it's Chinese sausage fried rice,

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Speaker 4: oh so amazing. They have these like little tuna crudo

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Speaker 4: pastry cups. Then they have the classics pad thaie yeah,

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Speaker 4: pad grapal. But then they have like a few like

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Speaker 4: bougie things, like they have like a like a few

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Speaker 4: different krudos and they have a big fried chicken dish.

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Speaker 2: Yeah.

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Speaker 4: So I think that's all I hope is that I have.

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Speaker 4: I can rent out the private room there, do a

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Speaker 4: birthday there, and I don't want to go out.

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Speaker 1: I just want to do that. You just want to

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Speaker 1: do that? Yeah. I have to say, when you have

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Speaker 1: a restaurant like that, that's like a destination, that is

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Speaker 1: all you need. And they just closed mine down in

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Speaker 1: La What was yours, Genghis Cohen, that was your destination

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Speaker 1: and you disrespected me?

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Speaker 4: That was your destination. Restaurant food kind of like a

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Speaker 4: food snub own it. I am, I love it, I am.

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Speaker 4: I just like you need a James Beard Award.

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Speaker 1: Somewhat. Wait that name.

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Speaker 2: As soon as you said he had a James Beard,

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Speaker 2: they have a James Beard. The name James Beard is

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Speaker 2: so powerful. Imagine if the award was called Daniel Smith Pauline,

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Speaker 2: it would mean nothing, but James Beard.

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Speaker 4: I don't even know. I don't know about that awards ceremony.

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Speaker 4: I don't even know what it's awarded. I think it's

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Speaker 4: for dessert. I bet it's boring as fuck. Oh no,

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Speaker 4: I know, cut that out. No, No, it's okay, it's okay.

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Speaker 4: I bet it's actually really fun. Well, you know, I

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Speaker 4: think the only reason I know that James Beard is

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Speaker 4: legit is because everyone was like, this restaurant has been

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Speaker 4: around forever, but when the chef wanted James Beard award,

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Speaker 4: that's when it was hard to get in.

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Speaker 1: So I was like, oh, it must mean something. Yeah,

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Speaker 1: it definitely does. I've heard of it, and can we

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Speaker 1: just can we confirm? Is it? Is it a dessert thing?

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Speaker 1: Does anyone in the community.

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Speaker 2: No, No, it's not, it's not because they're not quite

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Speaker 2: chef for chef's chef.

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Speaker 1: Oh you do for what restaurant? Do you know of

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Speaker 1: that restaurant?

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Speaker 4: Of course not, but I will go to I'm going

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Speaker 4: to Chicago for the marathon.

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Speaker 1: Oh you are? Yes? Are you? Will you be performing? No?

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Speaker 1: I no, next year perform performing in the marathon.

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Speaker 4: My best friend is performing, yeah, and I'm really excited

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Speaker 4: to see her perform.

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Speaker 1: I think that the marathon is a performance. Do you

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Speaker 1: know what I realized the other day the Iron Man

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Speaker 1: things discussing Wait, was it on your show that you

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Speaker 1: talked to Dylan Efron about the Iron Man? It is

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Speaker 1: a full marathon, one hundred mile bike and how much

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Speaker 1: long swim like miles?

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Speaker 4: And you know how people pee their pants during marathon?

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Speaker 4: They ship the people shit themselves on iron O. Hey,

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Speaker 4: you love Dylan Ephron? You think he's sexy.

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Speaker 2: Shit some story in The Iron Man that period and

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Speaker 2: I'm turned on even more.

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Speaker 1: Oh your fecal vibe a woman? Should we we can

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Speaker 1: really make.

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Speaker 2: I think we can really push the boundary with this

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Speaker 2: and like be the first like marathon we can be

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Speaker 2: on the marathon circuit just as entertainment.

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Speaker 1: A hundred wait, one hundred ten percent. Look out for

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Speaker 1: me when I have Plastic Box by Jade on a

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Speaker 1: loop just walking the marathons. Okay, is that album good?

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Speaker 1: It is the album the Are you serious?

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Speaker 4: I haven't given it a listen yet, and I really

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Speaker 4: liked Angel of My Dreams. You're gonna love it press play, Okay,

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Speaker 4: but what do what is good on the album?

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Speaker 1: Like the entire fucking thing. Girl, I don't think there's

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Speaker 1: been a better run of songs like like oh through Self,

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Speaker 1: self Saboteur, so self sabbatory, lip service, lip service, into Headache,

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Speaker 1: into glitch. Okay, and I'm gonna like this and then

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Speaker 1: and then break my heart and then I and then

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Speaker 1: I'm natural.

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Speaker 2: Disaster, which is a bachelor disaster about miss thing about you,

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Speaker 2: about Jesse, Natural disasters about natural disasters about Jesse. It's

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Speaker 2: like Nelson, You're chaotic, You're You're worse than the fucking devil.

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Speaker 2: She like, she really goes there on Jesse.

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Speaker 1: They not get along. Can I say struggle? We must

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Speaker 1: say she has struggled in the in defense of Jesse Nelson,

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Speaker 1: because I have to say I am a little mix.

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Speaker 1: From the very beginning, I was one of the only

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Speaker 1: gay guys in America regularly true on YouTube watching uk

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Speaker 1: X five. I've known them since they auditioned as solo

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Speaker 1: artists and then were put in a group called Rhythmix.

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Speaker 1: They had to change their name when they made the

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Speaker 1: live rounds to Little Mix because there was like a copyright.

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Speaker 1: They became Little Mix. They won the Hearts of the

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Speaker 1: UK and the Little Gay Boys in America streaming on YouTube,

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Speaker 1: and then Black Magic came out and then that's when

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Speaker 1: I saw they won the UK X Factor and it

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Speaker 1: was no girl group had one, and like or no

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Speaker 1: group had one really and then they became huge and

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Speaker 1: they never happened in America and cut two years later.

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Speaker 1: They become massive internationally, so no one really understood that

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Speaker 1: they were like Destiny's Child everywhere fucking else. Okay, and

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Speaker 1: Jesse had like a lot of troubles because the media

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Speaker 1: was always picking on her about her weight, like really

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Speaker 1: really relentlessly, and she struggled a lot, and it's like

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Speaker 1: not the first time I think we've seen like it happened,

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Speaker 1: where like you're in a group of people and then

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Speaker 1: what they choose one person that stands out in a

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Speaker 1: certain way and then they just totally like have a

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Speaker 1: psychological sort of breakdown. She ended up leaving the group,

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Speaker 1: and I think it was pretty sudden. They were like

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Speaker 1: on an album like four they had just released that

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Speaker 1: album Confetti I Believe, and that was such a good album.

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Speaker 1: And then she left, like really abruptly. I think they

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Speaker 1: were shooting the music video for Sweet Melody, which is

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Speaker 1: one of my favorite How's that go again? In a

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Speaker 1: whole of the life, there was this boy that I knew.

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Speaker 1: He made me feel like it well they were young

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Speaker 1: and sis anyway he start is like that. It was

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Speaker 1: like that, a little like that.

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Speaker 2: I sort of went really in its doing meladies.

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Speaker 1: He made me maybe believe it was real love. On

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Speaker 1: and on. He used to.

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Speaker 4: Say, wait, it's sun Jake. And you know what I

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Speaker 4: took from that. I've never heard that song, right, you've

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Speaker 4: heard Confetti but from the sky jup.

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Speaker 1: Like Confetti, Ye happy.

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Speaker 4: I've heard like a good amount of Little Mix. I

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Speaker 4: used to watch like they would. They're very good at

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Speaker 4: performing live. Yeah, they're amazing, Like Perry is excellent live,

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Speaker 4: Yeah excellent. So is Jade, and so is who am

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Speaker 4: I I'm forgetting a Leanne And then there's a Jesse Jesse.

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Speaker 1: Yes, So just listen to the Jade album. Oh Jake,

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Speaker 1: You're gonna love it and text us Okay, I will.

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Speaker 1: There has always been something about Jade like, but it

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Speaker 1: sort of was Camila Cabo vibes where it was like,

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Speaker 1: that's a group, but that's clearly like the one really well,

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Speaker 1: Camila Cabo is the one out of I'm yes she is,

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Speaker 1: and I'm sorry. I'm sorry c x x O. I

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Speaker 1: liked it. We will be remembered very well in his

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Speaker 1: first of.

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Speaker 4: All, when that came out, I said, why is no

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Speaker 4: one else?

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Speaker 2: Ca?

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Speaker 1: It is so good? You guys, excuse me? What's that

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Speaker 1: song that I kept singing, I'm having.

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Speaker 4: A gloom baby paying like the I love Boat Boat

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Speaker 4: is amazing.

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Speaker 1: Pull up the Camille pull x it's actually a Rottal

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Speaker 1: culture number ten. Pull up c x X.

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Speaker 2: No, there's a song that there's a song that Matt

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Speaker 2: was was just non stop.

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Speaker 4: I remember you posting boat. I mean I.

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Speaker 1: Remember Matt got a little horny and posted boat.

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Speaker 4: It was Dade County dreaming.

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Speaker 1: I'm telling you, and can I say we we literally

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Speaker 1: like went and this is the problem. This, this is

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Speaker 1: what happened with that album. The first single was called

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Speaker 1: I Love It and sounded like a Charli XCX song,

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Speaker 1: And so I think everyone was like that she's ripping

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Speaker 1: her off, and I think like that was the wrong

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Speaker 1: first single, because of course people were going to say that.

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Speaker 4: But let's not take away from the fact that I

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Speaker 4: love It is actually an excellent song and the visuals

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Speaker 4: behind it were so everything at the time when she

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Speaker 4: did the little like remember she did the Little Dance

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Speaker 4: and the Playboy Carti's feature was actually really good.

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Speaker 2: I think, But I think the Drake feature also kind

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Speaker 2: of fucked. That didn't make sense to me. It was

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Speaker 2: a tough time for for that to be coincided. But

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Speaker 2: the deluxe is even better.

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Speaker 1: City Edition. Baby what is it? It's baby Pink, Baby Pink.

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Speaker 2: It's quietly standing, Camilla. I was, I was, I were

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Speaker 2: it was baby Pink. Come show me con friends, kiss,

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Speaker 2: god Speed?

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Speaker 4: Can friends?

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Speaker 1: God Speed? Oh?

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Speaker 2: Have you heard god Speed's the greatest.

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Speaker 1: I wasn't quietly standing, Camille. I was publicly standing. God's

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Speaker 1: is like the greatest.

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Speaker 4: I mean, like, you know what deluxe is good when

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Speaker 4: you're like that should have been on the album and

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Speaker 4: like that makes a good deluxe if you can't say

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Speaker 4: that about a deluxe and the deluxe is ship and

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Speaker 4: it should have been shouldn't have been related.

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Speaker 1: Period. Wait, do you know what's not getting a Deluxe,

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Speaker 1: and we now know it's not because she said, and

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Speaker 1: you know the fact this is this is what's really

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Speaker 1: not great today. This episode is gonna come out after

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Speaker 1: Life of a show Girl. How can we respond to

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Speaker 1: this is a hardcorese wifty I know. I mean like

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Speaker 1: I used to like what I was bored? Like, should

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Speaker 1: we write an essay?

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Speaker 4: Yeah on Taylor? Just yeah, flow they did. I'll send

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Speaker 4: you it's I had wrote one on the Archer.

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Speaker 1: I'm in the Archer. I was on acid one time

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Speaker 1: in Fire Island. I just looked at the ocean and

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Speaker 1: listened to The Archer for six hours. Holy fuck, that

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Speaker 1: sounds h amazing. This is like years ago.

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Speaker 4: So but like, if you guys want to call me

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Speaker 4: in and you like need my thoughts on the album,

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Speaker 4: like I'm happy to get to.

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Speaker 2: Do you write about the way she hits the tee

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Speaker 2: on combat in this essay?

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Speaker 4: No, what I do write about is how in this

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Speaker 4: essay I will What I do write about is how

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Speaker 4: like she It's like, if I remembered the essay correctly, it's

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Speaker 4: like she's at this point in her career where it's

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Speaker 4: like she's like, at this point she thought Lover was

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Speaker 4: gonna be her peak, right, Like if you watch Miss Americana,

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Speaker 4: like she says, like lover is my last chance that

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Speaker 4: like Global Superstar up. Obviously we know now cults gonna

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Speaker 4: throw me away after I hit thirty whatever, But so

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Speaker 4: you have this like really vulnerable moment of reflection. Yeah,

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Speaker 4: and like on The Archer, she's like reflecting on her

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Speaker 4: entire career and everything.

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Speaker 1: She's been through.

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Speaker 4: All My Enemy started up from No, I mean, I'm

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Speaker 4: gonna throw up, Like I'm gonna throw up, and I

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Speaker 4: listen to that song that I thought about every friend

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Speaker 4: of mine that became like an enemy, and like I

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Speaker 4: was like all the times that I thought I was

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Speaker 4: the villain or I thought I was the hero, and

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Speaker 4: like cause she says, like I've quite literally been the

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Speaker 4: Archer and been the prey, like I've been the bad guy,

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Speaker 4: I've been the good guy. I can't ever find someone

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Speaker 4: to stay. Who could say and the song obviously ends

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Speaker 4: with you could say it is seriously biblical. It's the

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Speaker 4: best song she's ever released.

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Speaker 1: She speaking to the fans there, or was she speaking

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Speaker 1: to Joe at the time. You can't right now like

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Speaker 1: you actually have to? Did he can't?

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Speaker 3: No?

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Speaker 4: Like she Louise, she is speaking to you can look

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Speaker 4: at it multiple ways, and that's the beauty of every

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Speaker 4: good Taylor Swift song. Mastermind is a great other example, Mastermind.

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Speaker 4: You're either talking about her lover at the time, or

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Speaker 4: she is speaking about the fans. Yeah, she's like, I've

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Speaker 4: got you your mind and and I think the beauty

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Speaker 4: of it is it can always go both ways, and

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Speaker 4: she knows it can go both ways.

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Speaker 1: So this is the part where, because you said mastermind,

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Speaker 1: this is the natural part of any conversation where we

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Speaker 1: pivot to Midnights.

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Speaker 2: Now.

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Speaker 1: Underrated is something that is apt but also feels silly

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Speaker 1: because it one album of the year. But it is

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Speaker 1: apt because there are people out here. We have a

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Speaker 1: close friend who would never publicly say this. I will

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Speaker 1: never do this to him, but he refers to midnights

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Speaker 1: as fut nights. No, and I could ruin someone's life.

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Speaker 4: Well, let me tell you a few things about Midnight's

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00:20:04,840 --> 00:20:06,600
Speaker 4: number one of one album of the year, number two. It

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Speaker 4: was the first She was the first time any female artist,

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Speaker 4: or maybe any artist ever has taken the entire top

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Speaker 4: ten of the Billboard Hot one hundred ever, and she

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Speaker 4: would do it again and she would do it.

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Speaker 1: She will, she's planning on it. Yeah, listen, what.

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Speaker 2: Do you make of these reports? And again this is

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Speaker 2: coming out after the album, this.

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Speaker 1: Episode bombshell reports.

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Speaker 2: But these bombs show reports allege that it is wall

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Speaker 2: to wall coverage, that is, that is the media strategy

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Speaker 2: with with Life of a Showgirl. It will rival, if

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Speaker 2: not exceed, the cultural saturation of Thriller by Michael Jackson.

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Speaker 1: I wasn't alive for that. So that's why I'm.

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Speaker 4: Okay, Well, I'm just saying, like, you know, like it's like,

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Speaker 4: you know, what for me is like what I think

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Speaker 4: of when I think of Life of the Life of

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Speaker 4: the Show Girl. I think about very bit like the

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Speaker 4: emancipation of Mimi, like you know, like so much. No,

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Speaker 4: You're welcome our dorder, Like, well, yeah, I love I

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Speaker 4: love me, me, and I I think about the emancipation

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Speaker 4: of me. And that album was just everywhere, what what

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Speaker 4: is it? Shake it off? We belong together. It's like that.

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Speaker 1: Let me say, the high points of that album are

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Speaker 1: like not even the single circles, circles, running around in circles.

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Speaker 1: Do you think her new album is gonna be good?

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Speaker 2: Yes?

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Speaker 1: You know, actually A friend reached out rich as weak

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00:21:29,600 --> 00:21:32,399
Speaker 1: was reviewing it, I guess for Pitchport, and he said,

436
00:21:32,440 --> 00:21:35,120
Speaker 1: have you have you heard it yet? And I was like, no,

437
00:21:35,160 --> 00:21:37,280
Speaker 1: I haven't because this it hasn't come out yet. As

438
00:21:37,280 --> 00:21:39,639
Speaker 1: we're recording this. He said, it's giving more of like

439
00:21:39,680 --> 00:21:42,239
Speaker 1: a like a silk sonic vibe, like sort of like

440
00:21:42,320 --> 00:21:43,639
Speaker 1: and then it's like a lot of it is like

441
00:21:43,680 --> 00:21:45,920
Speaker 1: an R and B groove. And apparently the gospel song

442
00:21:46,000 --> 00:21:49,320
Speaker 1: is also disco because Mariah will always at least one

443
00:21:49,400 --> 00:21:53,480
Speaker 1: track on the album is about our great creator, right, yeah, she?

444
00:21:53,680 --> 00:21:56,080
Speaker 4: Do you know what song I randomly really love by her?

445
00:21:56,880 --> 00:21:58,240
Speaker 4: Do you have you ever heard the Art of Letting Go?

446
00:21:58,560 --> 00:21:58,760
Speaker 1: Yeah?

447
00:21:58,800 --> 00:22:00,879
Speaker 4: Of course, of course I I love that song. So

448
00:22:01,000 --> 00:22:03,320
Speaker 4: underrated by her, so underrated. I used to be like

449
00:22:03,359 --> 00:22:05,960
Speaker 4: really into her, and actually recently I've been listening to

450
00:22:05,960 --> 00:22:09,480
Speaker 4: the hits, the hits, but also Art of Letting Go.

451
00:22:10,160 --> 00:22:12,480
Speaker 1: Oh No, that's not elusive Chanto's is it? That is?

452
00:22:12,840 --> 00:22:17,320
Speaker 1: That is underrated album? Overall? Yeah, all the albums that

453
00:22:17,400 --> 00:22:21,880
Speaker 1: came after emancipation of Mimi are all underrated. I would

454
00:22:21,920 --> 00:22:26,000
Speaker 1: say it's the best album title. First of all. The

455
00:22:26,040 --> 00:22:28,800
Speaker 1: song Obsessed is her number one song on Spotify and

456
00:22:28,840 --> 00:22:32,199
Speaker 1: people just like, forget what a huge bop that is?

457
00:22:32,520 --> 00:22:34,879
Speaker 4: Well, I remember seeing it every single morning on VH one.

458
00:22:34,960 --> 00:22:37,320
Speaker 4: Every morning, Yep, every morning they showed.

459
00:22:37,080 --> 00:22:45,520
Speaker 2: That, Okay, this is This is a perfect segue into

460
00:22:45,560 --> 00:22:48,440
Speaker 2: the question I think, which is, Jake Shane, what is

461
00:22:48,480 --> 00:22:50,080
Speaker 2: the culture that made you say culture is for me?

462
00:22:50,640 --> 00:22:53,159
Speaker 1: Well, so is it true? You know my answer already.

463
00:22:54,200 --> 00:22:58,399
Speaker 4: It is the Lady Gaga Fame Monster HBO special from

464
00:22:58,560 --> 00:23:00,479
Speaker 4: either twenty ten or two thousand and eleven.

465
00:23:00,680 --> 00:23:05,360
Speaker 1: My sister has grown emotional. Yes, here we go. All right,

466
00:23:05,400 --> 00:23:09,840
Speaker 1: New York. Are you all standing up? Yeah? And you

467
00:23:09,840 --> 00:23:12,360
Speaker 1: don't know if you've heard, but I've got a pretty

468
00:23:12,400 --> 00:23:18,040
Speaker 1: big dick. Yes, get your dicks out, because I know

469
00:23:18,520 --> 00:23:20,840
Speaker 1: they've got a lot of big cock here in New

470
00:23:20,960 --> 00:23:25,400
Speaker 1: York City. Welcome to the Monster Ball. Now, dance you motherfuckers.

471
00:23:26,000 --> 00:23:28,680
Speaker 1: Love Game, Love Game, Love Marilyn Manson remix of Love Game.

472
00:23:29,200 --> 00:23:35,000
Speaker 1: That moment did it for me. I was going, I'm

473
00:23:35,040 --> 00:23:36,360
Speaker 1: going through the end with her.

474
00:23:36,760 --> 00:23:41,000
Speaker 4: I just remember so desperately desperately wanting to see the show,

475
00:23:41,240 --> 00:23:42,119
Speaker 4: and my mom would not.

476
00:23:42,280 --> 00:23:42,720
Speaker 1: I was ten.

477
00:23:42,760 --> 00:23:44,440
Speaker 2: My mom would not let me see the show, probably

478
00:23:44,440 --> 00:23:46,000
Speaker 2: because of all the big dick talk, the.

479
00:23:45,920 --> 00:23:48,440
Speaker 4: Big day talk, I mean her performance during Teeth like

480
00:23:48,560 --> 00:23:50,240
Speaker 4: all of that was just like my mom was like,

481
00:23:50,400 --> 00:23:53,600
Speaker 4: you cannot go, and I was the Gaga was like

482
00:23:53,720 --> 00:23:56,239
Speaker 4: really my first love. Yeah, so like you know, like

483
00:23:56,280 --> 00:23:58,600
Speaker 4: I remember calling up like asking them to play Just

484
00:23:58,680 --> 00:24:01,640
Speaker 4: Dance on the radio, because saying happen I radio, Yes,

485
00:24:02,000 --> 00:24:04,560
Speaker 4: I have an iPod, yeah one hundred and I would

486
00:24:04,600 --> 00:24:07,280
Speaker 4: say please play Just Dance because I would that's the only.

487
00:24:07,160 --> 00:24:09,720
Speaker 1: Way we hear play Just dann, the only way would be.

488
00:24:09,720 --> 00:24:12,080
Speaker 4: Able to hear this fucking song. I remember the first

489
00:24:12,119 --> 00:24:13,800
Speaker 4: time I ever saw a poker Face. I remember the

490
00:24:13,800 --> 00:24:16,040
Speaker 4: first time I saw Bad Romance and I remember being like,

491
00:24:16,080 --> 00:24:18,000
Speaker 4: she is going on tour. I need to see this

492
00:24:18,119 --> 00:24:20,640
Speaker 4: motherfucking tour. And my mom was like you you can't

493
00:24:20,680 --> 00:24:23,359
Speaker 4: see it. And then I went to my best friend

494
00:24:23,440 --> 00:24:27,119
Speaker 4: at the Times Basement and I said, this HBO special

495
00:24:27,200 --> 00:24:29,680
Speaker 4: is coming out. We have to we have to see it.

496
00:24:30,000 --> 00:24:32,840
Speaker 4: I remember watching it being like it's clicking. I see

497
00:24:32,880 --> 00:24:34,680
Speaker 4: why my mom wouldn't let me. I would be uncomfortable

498
00:24:34,720 --> 00:24:35,520
Speaker 4: seeing this with my mom.

499
00:24:35,760 --> 00:24:37,760
Speaker 2: Yeah well not with mom, but not with mom. But

500
00:24:38,040 --> 00:24:40,560
Speaker 2: thank God for the fucking special. Thank God for HBO.

501
00:24:40,800 --> 00:24:41,480
Speaker 2: She goes down to it.

502
00:24:41,520 --> 00:24:43,199
Speaker 4: Do you remember she like walks to a bodega and

503
00:24:43,240 --> 00:24:46,199
Speaker 4: her heels and she like orders and she's like she

504
00:24:46,280 --> 00:24:47,920
Speaker 4: and she's like reminiscent, and then she's in her dressing

505
00:24:48,000 --> 00:24:48,879
Speaker 4: room and she starts crying.

506
00:24:48,920 --> 00:24:49,760
Speaker 1: We're at the garden.

507
00:24:49,920 --> 00:24:52,640
Speaker 4: Yeah, she's like everyone that told me no, Like I'm

508
00:24:52,680 --> 00:24:54,600
Speaker 4: just thinking about I'm like, I mean, this is it.

509
00:24:54,720 --> 00:24:58,719
Speaker 1: Lady Gaga, Lady fucking Goga. I saw her for the

510
00:24:58,760 --> 00:25:01,320
Speaker 1: first time at the may What did you think? What

511
00:25:01,400 --> 00:25:01,760
Speaker 1: I said?

512
00:25:01,760 --> 00:25:03,800
Speaker 4: This is I was with Louise and we just kept

513
00:25:03,800 --> 00:25:06,719
Speaker 4: looking at each other saying it's art, Like this is

514
00:25:06,800 --> 00:25:09,200
Speaker 4: like my full body chills thinking about it. It was truly

515
00:25:09,240 --> 00:25:10,560
Speaker 4: one of the best nights of my life, like that

516
00:25:11,480 --> 00:25:15,119
Speaker 4: she is an artist, like Louise crying. I was the

517
00:25:15,160 --> 00:25:18,400
Speaker 4: first of all, I was very scared because the crowd

518
00:25:18,480 --> 00:25:20,000
Speaker 4: is a lot of gay men. I was scared that

519
00:25:20,040 --> 00:25:22,480
Speaker 4: the crowd was either not going to be very kind. No,

520
00:25:22,640 --> 00:25:24,280
Speaker 4: little bobsters are sod No.

521
00:25:24,040 --> 00:25:26,879
Speaker 1: No. First of all, it's the best night of anyone's

522
00:25:26,920 --> 00:25:29,639
Speaker 1: life when we went to go see her at Coachella.

523
00:25:30,440 --> 00:25:33,359
Speaker 1: So Bowen is friendly with her, obviously from doing us

524
00:25:33,359 --> 00:25:35,240
Speaker 1: an elet I think. So we got to see her afterwards,

525
00:25:35,240 --> 00:25:38,040
Speaker 1: and all all I could think to say to her

526
00:25:38,200 --> 00:25:40,199
Speaker 1: was like, you just gave everyone the best night of

527
00:25:40,200 --> 00:25:45,200
Speaker 1: their life. Yeah, Like that's like because I can see

528
00:25:45,240 --> 00:25:49,080
Speaker 1: also and have a sense that she's incredibly incredibly hard

529
00:25:49,119 --> 00:25:53,880
Speaker 1: on herself. That's a really high bar. It's mind blowing

530
00:25:53,920 --> 00:25:59,679
Speaker 1: that someone can keep tushing it. And I was just

531
00:25:59,720 --> 00:26:02,040
Speaker 1: like it was the best nne of everyone's life. Like

532
00:26:02,280 --> 00:26:04,320
Speaker 1: part of me, like a human in me, wants to

533
00:26:04,359 --> 00:26:06,760
Speaker 1: be like you could take a break, you know what

534
00:26:06,800 --> 00:26:09,040
Speaker 1: I mean, Like like you did it.

535
00:26:09,119 --> 00:26:13,280
Speaker 2: You have every single time out been the artist of

536
00:26:13,280 --> 00:26:14,880
Speaker 2: our time, right number one.

537
00:26:15,680 --> 00:26:17,840
Speaker 4: But you know what I think, And I think this

538
00:26:18,040 --> 00:26:20,560
Speaker 4: is so like and this is like my favorite because

539
00:26:20,640 --> 00:26:22,679
Speaker 4: I feel like the life of a pop girl it's

540
00:26:22,720 --> 00:26:26,600
Speaker 4: always like somewhat always kind of follows like a similar trajectory,

541
00:26:26,640 --> 00:26:29,480
Speaker 4: and it's always their best album is always when they

542
00:26:29,520 --> 00:26:31,640
Speaker 4: think culture has given up on them, and then they

543
00:26:31,720 --> 00:26:33,680
Speaker 4: like go back to their like who they are because

544
00:26:33,680 --> 00:26:35,719
Speaker 4: they don't think anyone's listening. And you think it's Mayhem,

545
00:26:35,920 --> 00:26:37,840
Speaker 4: I think it's Mayhem. And I think that was Taylor's

546
00:26:37,840 --> 00:26:40,879
Speaker 4: West Folklore. I think that was Maria's emancipation of me me,

547
00:26:41,080 --> 00:26:44,199
Speaker 4: I think, like you know that their comeback album is

548
00:26:44,200 --> 00:26:46,840
Speaker 4: always when they are like, well, culture has had it

549
00:26:46,880 --> 00:26:48,760
Speaker 4: with me. I'm just gonna make this for me and

550
00:26:48,800 --> 00:26:51,040
Speaker 4: my fans, and it ends up being then culture is like, wait,

551
00:26:51,080 --> 00:26:52,760
Speaker 4: we want you back, right.

552
00:26:53,080 --> 00:26:58,080
Speaker 2: But Gaga, to me has these undeniable benchmarks, including the

553
00:26:58,160 --> 00:27:01,359
Speaker 2: Monster Ball right and the po thing, which again I

554
00:27:01,359 --> 00:27:04,080
Speaker 2: couldn't afford tickets. I was like seventeen in the city,

555
00:27:04,119 --> 00:27:07,560
Speaker 2: couldn't fucking afford anything, any experience, and like think, I

556
00:27:07,920 --> 00:27:11,359
Speaker 2: like went on LimeWire or whatever, downloaded it, watched it.

557
00:27:11,600 --> 00:27:14,800
Speaker 2: But then the other benchmarks, to me, I will always

558
00:27:14,840 --> 00:27:16,040
Speaker 2: cherish this time in my life.

559
00:27:16,560 --> 00:27:20,639
Speaker 1: Star Is Born. Oh, it's in my top three favorite.

560
00:27:21,040 --> 00:27:23,920
Speaker 4: You remember, well, that whole era kind of started. Remember

561
00:27:24,000 --> 00:27:27,080
Speaker 4: like she was like her comeback was considered that performance.

562
00:27:27,119 --> 00:27:28,960
Speaker 4: She gave it the Grammys and she was on the piano,

563
00:27:29,040 --> 00:27:30,679
Speaker 4: but it wasn't the Stars Born. It was like she

564
00:27:30,760 --> 00:27:32,720
Speaker 4: was doing a tribute to someone and that was teeing

565
00:27:32,800 --> 00:27:36,159
Speaker 4: up a star yeah.

566
00:27:36,040 --> 00:27:41,280
Speaker 1: Because because that was post it was Yeah.

567
00:27:41,320 --> 00:27:44,800
Speaker 2: So then she does that, then she does Till It Happened. No,

568
00:27:44,880 --> 00:27:47,240
Speaker 2: then she does Joanne. Then it's till it happens to you,

569
00:27:47,320 --> 00:27:52,440
Speaker 2: Diane Warren. Then it's as She's record after Joanne, She's recording,

570
00:27:52,480 --> 00:27:57,080
Speaker 2: Star is Born, then the Cure, the Cure then than

571
00:27:57,119 --> 00:28:00,320
Speaker 2: Ali Maine and Ali just just what a It was

572
00:28:00,400 --> 00:28:03,320
Speaker 2: just pop culture was just fun in that time. That

573
00:28:03,440 --> 00:28:06,480
Speaker 2: was Ari, Thank You Next, Yes Stars for by the way,

574
00:28:06,720 --> 00:28:09,440
Speaker 2: last night at the at the special taping, during the

575
00:28:09,480 --> 00:28:12,200
Speaker 2: stopdown they were playing, they started playing thank You Next,

576
00:28:12,680 --> 00:28:15,760
Speaker 2: and the room whole crowd just like starts vibing, and

577
00:28:15,800 --> 00:28:17,919
Speaker 2: Ari from the back just like peeked her head out and.

578
00:28:18,000 --> 00:28:19,200
Speaker 3: Was like, what are you guys doing?

579
00:28:19,520 --> 00:28:22,280
Speaker 2: And it was just like we were like, God, that's like,

580
00:28:23,240 --> 00:28:27,760
Speaker 2: that's Ariana fucking Grande, Right, Can we just talk about it?

581
00:28:28,000 --> 00:28:31,119
Speaker 4: I mean, I I'm happy to like where do you

582
00:28:31,160 --> 00:28:33,960
Speaker 4: want to start? Like, well, Eternal Sunshine was your album

583
00:28:33,960 --> 00:28:36,160
Speaker 4: of the year, Eternal Sunchime was my album of the year. Yes,

584
00:28:36,440 --> 00:28:40,960
Speaker 4: I that album meant so much to me. If I

585
00:28:41,000 --> 00:28:44,360
Speaker 4: listened to an album like there, I I'm listening to

586
00:28:44,400 --> 00:28:46,600
Speaker 4: it after a night out. It's always gonna be my

587
00:28:46,600 --> 00:28:48,000
Speaker 4: album like that. If it comes out and I go

588
00:28:48,040 --> 00:28:49,840
Speaker 4: home and I listen to it, I will never forget

589
00:28:49,840 --> 00:28:51,360
Speaker 4: where I was when I heard we Can't be Friends

590
00:28:51,360 --> 00:28:52,560
Speaker 4: for the first time. I don't care that it's the

591
00:28:52,560 --> 00:28:54,560
Speaker 4: most popular song on the album for a reason.

592
00:28:54,720 --> 00:28:55,200
Speaker 1: Yeah.

593
00:28:55,360 --> 00:28:58,440
Speaker 4: Also the deluxe prime example of why wasn't this on

594
00:28:58,480 --> 00:28:59,960
Speaker 4: the album, which which.

595
00:28:59,840 --> 00:29:04,840
Speaker 1: Was I love Warm Too? I actually thought it was

596
00:29:04,880 --> 00:29:07,960
Speaker 1: called worm at first. Yeah, I thought it was called worm.

597
00:29:07,960 --> 00:29:09,080
Speaker 1: When I looked at it, I was like, she's a

598
00:29:09,080 --> 00:29:11,720
Speaker 1: song called worm? Really? What happened was I thought the

599
00:29:11,800 --> 00:29:17,840
Speaker 1: O was an a right or rather still turned around. No.

600
00:29:17,920 --> 00:29:20,440
Speaker 1: But the thing I love too about the track listing

601
00:29:20,640 --> 00:29:23,960
Speaker 1: on it is that we can't be Friends goes into

602
00:29:24,360 --> 00:29:28,240
Speaker 1: I wish I hated you, which is I think like

603
00:29:28,640 --> 00:29:31,360
Speaker 1: outside if we can't be friends is my favorite? Tell

604
00:29:31,400 --> 00:29:34,560
Speaker 1: me more. I think I just identified with it.

605
00:29:34,760 --> 00:29:37,560
Speaker 2: Yeah, yeah, And I think that people have that with

606
00:29:38,040 --> 00:29:38,600
Speaker 2: that song.

607
00:29:39,600 --> 00:29:42,400
Speaker 1: It's like, I don't know, it's an intangible thing that

608
00:29:42,440 --> 00:29:42,840
Speaker 1: she is.

609
00:29:42,960 --> 00:29:47,280
Speaker 2: She somehow captured this feeling of like like this thing

610
00:29:47,280 --> 00:29:49,720
Speaker 2: that you we feel like maybe too afraid to say,

611
00:29:49,760 --> 00:29:52,320
Speaker 2: which was I wish I hated you, but I don't.

612
00:29:52,360 --> 00:29:54,520
Speaker 2: I love you still like I should hate you, and

613
00:29:54,880 --> 00:29:58,080
Speaker 2: that is a very tense feeling. We can't be friends.

614
00:29:58,160 --> 00:30:00,240
Speaker 2: Perfect example of the tailor thing. It can be seen

615
00:30:00,480 --> 00:30:01,560
Speaker 2: in multiple ways.

616
00:30:01,440 --> 00:30:03,320
Speaker 1: Right, I wish I hated it. I think it is

617
00:30:03,360 --> 00:30:04,960
Speaker 1: toward the fans, that's my perspective.

618
00:30:05,280 --> 00:30:08,080
Speaker 4: Yeah, oh, you think that is such an interesting take

619
00:30:08,160 --> 00:30:09,480
Speaker 4: because the paper's and the pens.

620
00:30:09,840 --> 00:30:12,760
Speaker 2: I know that you made me, but I'm still like,

621
00:30:13,240 --> 00:30:14,640
Speaker 2: I don't like how you paint, don't like how you

622
00:30:14,680 --> 00:30:14,920
Speaker 2: pay me.

623
00:30:14,960 --> 00:30:17,200
Speaker 1: But I'm still here, Harry hanging.

624
00:30:17,320 --> 00:30:21,360
Speaker 4: Like sorry, I cannot wait to listen to the song like,

625
00:30:21,760 --> 00:30:26,240
Speaker 4: I'm like that that song. Like I texted once a

626
00:30:26,240 --> 00:30:27,760
Speaker 4: week to my best friend Julian I say, I'm still

627
00:30:27,760 --> 00:30:28,360
Speaker 4: at the restaurant.

628
00:30:28,520 --> 00:30:30,120
Speaker 1: They've asked me to get up. I won't leave. No,

629
00:30:30,360 --> 00:30:33,200
Speaker 1: what's the restaurant. It's like, you've never heard this phrase?

630
00:30:33,440 --> 00:30:36,320
Speaker 1: Yeah I have, but I want you to restaurant because

631
00:30:36,360 --> 00:30:39,600
Speaker 1: everyone wants to go home. The waiters want to go

632
00:30:39,680 --> 00:30:42,400
Speaker 1: so I was a waiter, so this hurts. No, you

633
00:30:42,400 --> 00:30:44,560
Speaker 1: know where this phrase comes from. I've heard.

634
00:30:44,600 --> 00:30:45,720
Speaker 2: I don't know where it comes so that's why I

635
00:30:45,720 --> 00:30:47,960
Speaker 2: need you to men.

636
00:30:48,480 --> 00:30:50,480
Speaker 4: It is from a Taylor Swift song called Right Where

637
00:30:50,480 --> 00:30:53,360
Speaker 4: You Left Me, Yes, and she talks about She's like,

638
00:30:53,360 --> 00:30:55,400
Speaker 4: I'm still at the restaurant, Like I like, I'm this

639
00:30:55,480 --> 00:30:57,200
Speaker 4: woman that's been scorned and I won't get up. I

640
00:30:57,240 --> 00:30:59,240
Speaker 4: was broken up with this restaurant. I won't leave and

641
00:30:59,280 --> 00:31:02,440
Speaker 4: I send, well, it's not but I don't have good

642
00:31:02,480 --> 00:31:04,600
Speaker 4: antiquette when it comes to this song, I won't leave.

643
00:31:05,320 --> 00:31:07,960
Speaker 4: And by the way, step away. When I hear this live,

644
00:31:08,160 --> 00:31:11,880
Speaker 4: step away, get away from what do you need?

645
00:31:11,920 --> 00:31:12,640
Speaker 2: What I need?

646
00:31:12,720 --> 00:31:17,520
Speaker 4: Ten feet in every direction, like I oh my god

647
00:31:17,560 --> 00:31:19,920
Speaker 4: when I hear the song live, like don't play with me.

648
00:31:19,960 --> 00:31:23,320
Speaker 4: Eternal Sunshine was her so far magnum o bist. You

649
00:31:23,320 --> 00:31:25,280
Speaker 4: can say that it is thank you Next. I think

650
00:31:25,280 --> 00:31:27,800
Speaker 4: it is a turtle Sunshine. I agree. I think she

651
00:31:27,800 --> 00:31:30,160
Speaker 4: has never been so okay, well, I think people Thank

652
00:31:30,200 --> 00:31:31,800
Speaker 4: You Next was also very on the nose with what

653
00:31:31,840 --> 00:31:34,320
Speaker 4: she was dealing with at the time, But Eternal Sunshine

654
00:31:34,400 --> 00:31:34,960
Speaker 4: was just like.

655
00:31:35,800 --> 00:31:38,520
Speaker 2: Oh there you are. Yeah, well, I how I've missed you?

656
00:31:39,040 --> 00:31:39,880
Speaker 2: Like do you know what I mean?

657
00:31:39,960 --> 00:31:42,360
Speaker 4: Like I remember front to back in the car with

658
00:31:42,440 --> 00:31:45,760
Speaker 4: Louise every single day listening to that album, not a

659
00:31:45,800 --> 00:31:46,760
Speaker 4: single skip on there.

660
00:31:47,320 --> 00:31:51,360
Speaker 2: It felt like the most holistically her you know what

661
00:31:51,440 --> 00:31:53,680
Speaker 2: I mean? And I think, yeah, I actually, I think

662
00:31:53,680 --> 00:31:56,200
Speaker 2: there's really something to the fact that that was created

663
00:31:56,520 --> 00:32:00,240
Speaker 2: post Wicked because I think Wicked reconnected her too. She

664
00:32:00,320 --> 00:32:03,880
Speaker 2: really is not to say that, like every era of

665
00:32:03,920 --> 00:32:07,880
Speaker 2: Ari isn't great, Like I stand positions, like I think

666
00:32:07,920 --> 00:32:10,080
Speaker 2: front to back, like just in terms of having any

667
00:32:11,440 --> 00:32:16,640
Speaker 2: just like I love I love Nasty, I love thirty

668
00:32:16,640 --> 00:32:20,080
Speaker 2: four to thirty five, and I feel like people kind

669
00:32:20,080 --> 00:32:23,400
Speaker 2: of and love Sabrina obsessed with Sabrina. But it feels

670
00:32:23,440 --> 00:32:25,320
Speaker 2: like the narrative around her is like she's like the

671
00:32:25,320 --> 00:32:27,400
Speaker 2: comedic pop star, like the funny pop star.

672
00:32:28,280 --> 00:32:32,680
Speaker 4: Ari had jokes, bars and more. Yeah, she still does

673
00:32:33,160 --> 00:32:34,440
Speaker 4: she like Ari Ari.

674
00:32:34,880 --> 00:32:38,280
Speaker 1: Maybe I'm an Nita Sepolt when I'm at it, a

675
00:32:38,520 --> 00:32:42,200
Speaker 1: coments at it. It's because like you know, she's just God.

676
00:32:42,200 --> 00:32:43,880
Speaker 1: I love her, go go off. I want to.

677
00:32:43,960 --> 00:32:47,000
Speaker 4: I just I like, I've been listening to Ari for

678
00:32:47,760 --> 00:32:51,680
Speaker 4: since that first album. Like I remember listening to Yours

679
00:32:51,680 --> 00:32:54,640
Speaker 4: Truly in the car every single day to school. I

680
00:32:54,680 --> 00:32:57,880
Speaker 4: remember listening to my Everything that entire summer she released

681
00:32:57,880 --> 00:32:59,800
Speaker 4: it and be like how was how is this album not?

682
00:33:00,360 --> 00:33:03,200
Speaker 4: And then like you know, sweetener and dangerous woman and

683
00:33:03,240 --> 00:33:08,400
Speaker 4: think you like she just like grateful is the word grateful?

684
00:33:08,520 --> 00:33:10,120
Speaker 1: Grateful, grateful is.

685
00:33:10,040 --> 00:33:13,479
Speaker 4: The word, and like she she really I'm just very

686
00:33:13,560 --> 00:33:17,200
Speaker 4: grateful to pop girls that like lay bare their feelings

687
00:33:17,360 --> 00:33:20,000
Speaker 4: and what they go through and open themselves up to

688
00:33:20,040 --> 00:33:22,240
Speaker 4: criticism beyond the music, and I think she's done that.

689
00:33:22,400 --> 00:33:26,160
Speaker 2: But she just has this like command obviously of like technique,

690
00:33:26,160 --> 00:33:28,280
Speaker 2: which like I take for granted. I think gay men

691
00:33:28,320 --> 00:33:30,520
Speaker 2: take that for granted, and they're in their pop stars

692
00:33:30,560 --> 00:33:32,840
Speaker 2: because I whatever, I had to like sing a number

693
00:33:32,840 --> 00:33:35,720
Speaker 2: in the special last night, and I took vocal code

694
00:33:35,760 --> 00:33:39,200
Speaker 2: of vocal lessons from our wonderful coach Doug Pac works

695
00:33:39,240 --> 00:33:42,160
Speaker 2: with the girls, and he goes to me. He was like,

696
00:33:42,600 --> 00:33:44,680
Speaker 2: when you go to rehearsal these next couple of days

697
00:33:45,000 --> 00:33:47,800
Speaker 2: and you're watching Ari and Cynthia do their thing, watch

698
00:33:47,960 --> 00:33:50,360
Speaker 2: where they take their breath, Watch what the shapes they

699
00:33:50,440 --> 00:33:53,840
Speaker 2: think with their mouths, it's like and I it's something

700
00:33:53,960 --> 00:33:56,640
Speaker 2: broken me where I'm like, oh my god, Like these

701
00:33:56,640 --> 00:34:00,640
Speaker 2: are virtuostick performers. And with Ari specifically on the on

702
00:34:00,720 --> 00:34:04,040
Speaker 2: the funny pop star thing, it's like, I just I

703
00:34:04,040 --> 00:34:08,120
Speaker 2: can objectively say she's like the funniest fucking person on

704
00:34:08,200 --> 00:34:10,759
Speaker 2: the planet. It's like she she comes down to now

705
00:34:10,880 --> 00:34:13,480
Speaker 2: she does her own pre tape. Selene Dion promoting the

706
00:34:13,560 --> 00:34:17,960
Speaker 2: UFC hosts. They don't give hosts that solo s. That's

707
00:34:18,160 --> 00:34:22,440
Speaker 2: just her and that sketch carrying it, saying pages of dialogue,

708
00:34:22,560 --> 00:34:25,640
Speaker 2: doing a Celene Dion impression, and then doing the vocal impression,

709
00:34:25,719 --> 00:34:27,400
Speaker 2: singing like Selene, It's.

710
00:34:27,239 --> 00:34:29,879
Speaker 1: Like, this is crazy, like are we are?

711
00:34:29,880 --> 00:34:29,960
Speaker 2: We?

712
00:34:30,280 --> 00:34:33,760
Speaker 1: Are we all seeing this? Yeah? She's she's She actually

713
00:34:33,800 --> 00:34:36,120
Speaker 1: is very similar to Gaga. Yes, I feel like there's

714
00:34:36,120 --> 00:34:39,440
Speaker 1: many different forms she takes. The Wicked moment kind of

715
00:34:39,640 --> 00:34:42,040
Speaker 1: like feels like the Starstar moment, even all the way

716
00:34:42,120 --> 00:34:44,439
Speaker 1: up to the Academy Awards, you know what I mean,

717
00:34:44,520 --> 00:34:48,120
Speaker 1: Like it's and they're so close, right, like oh absolutely,

718
00:34:48,160 --> 00:34:50,640
Speaker 1: well they obviously ran on me, which is right. That

719
00:34:50,800 --> 00:34:53,640
Speaker 1: was Thank God. I wonder what that song would have

720
00:34:53,680 --> 00:34:55,080
Speaker 1: felt like without the pandemic.

721
00:34:55,680 --> 00:34:59,640
Speaker 4: Not as special, you know actually, But it's hard to

722
00:34:59,680 --> 00:35:02,160
Speaker 4: say without the pandemic because like I don't even know

723
00:35:02,200 --> 00:35:04,120
Speaker 4: what life would have looked like without the pandemic. I

724
00:35:04,160 --> 00:35:06,600
Speaker 4: still haven't processed the pandemic, you know what I mean.

725
00:35:06,600 --> 00:35:09,120
Speaker 4: I'm like, let's do that right now, you know what

726
00:35:09,160 --> 00:35:10,880
Speaker 4: I mean. But like the only way I can process

727
00:35:10,880 --> 00:35:14,040
Speaker 4: it is be like, okay, well I have to be like,

728
00:35:14,480 --> 00:35:18,080
Speaker 4: I thank god it happened, not like a not like

729
00:35:18,239 --> 00:35:20,719
Speaker 4: you know what I mean? You Like, I have to

730
00:35:20,719 --> 00:35:22,240
Speaker 4: be like, well, I wouldn't be here if I didn't

731
00:35:22,239 --> 00:35:24,560
Speaker 4: go through that, because like everyone to some extent went

732
00:35:24,960 --> 00:35:28,240
Speaker 4: through it during the pandemic, it wasn't easy for me. Yeah,

733
00:35:28,320 --> 00:35:31,840
Speaker 4: Like and so I feel like you like, we haven't

734
00:35:31,880 --> 00:35:34,839
Speaker 4: processed all that life we missed, but I think we're

735
00:35:34,840 --> 00:35:35,719
Speaker 4: going to make up for it.

736
00:35:36,040 --> 00:35:39,719
Speaker 1: I don't know if I can listen to Chromatica and

737
00:35:39,880 --> 00:35:43,799
Speaker 1: not because it's so crazy, because it's so clearly designed,

738
00:35:44,000 --> 00:35:46,280
Speaker 1: Like even the song rain on me, like feeling something

739
00:35:46,280 --> 00:35:47,960
Speaker 1: in nature on your skin, you know what I mean.

740
00:35:48,080 --> 00:35:52,520
Speaker 1: Like uh, the stupid love music video being out in

741
00:35:52,560 --> 00:35:55,600
Speaker 1: the open desert, you know what I mean. It just

742
00:35:56,200 --> 00:36:00,800
Speaker 1: still to me feels like I'm still in Jared's kitchen,

743
00:36:01,080 --> 00:36:02,759
Speaker 1: you know what I mean. Like and just the two

744
00:36:02,840 --> 00:36:05,359
Speaker 1: of us dancing to it with the dog, And there

745
00:36:05,520 --> 00:36:10,840
Speaker 1: is something special and unique about that being such a

746
00:36:11,000 --> 00:36:16,600
Speaker 1: pandemic album because it it did make us dance like

747
00:36:16,680 --> 00:36:19,160
Speaker 1: it it and we really needed to at that point,

748
00:36:20,080 --> 00:36:22,759
Speaker 1: you know. And like that's something that I hope she

749
00:36:23,840 --> 00:36:26,520
Speaker 1: feels and knows, like I feel like that album occupies

750
00:36:26,560 --> 00:36:28,600
Speaker 1: like a little bit of a weird space. I think

751
00:36:29,080 --> 00:36:32,719
Speaker 1: I think there's like a slider happening in gagas like

752
00:36:33,239 --> 00:36:34,759
Speaker 1: internal perception of her work.

753
00:36:34,840 --> 00:36:37,120
Speaker 2: Right now, I don't I obviously cannot speak to her

754
00:36:37,360 --> 00:36:40,680
Speaker 2: like mentality around this, but it's like our pop was

755
00:36:40,760 --> 00:36:42,759
Speaker 2: like the thing like, oh, I don't want to ever

756
00:36:42,840 --> 00:36:45,279
Speaker 2: think about this again, And now it seems like she's

757
00:36:45,320 --> 00:36:47,520
Speaker 2: embraced it because she understands that, like we all love

758
00:36:47,520 --> 00:36:50,560
Speaker 2: that album in a very specific way, and like any time,

759
00:36:50,680 --> 00:36:53,560
Speaker 2: like every time Applause comes on on the tour, like

760
00:36:53,640 --> 00:36:55,800
Speaker 2: the room goes crazy.

761
00:36:55,920 --> 00:37:00,279
Speaker 1: Notice that, yeah, crazy, Yeah, It's it's.

762
00:37:00,200 --> 00:37:03,520
Speaker 2: Like it's it's it's a fucking like banger. It's a banger.

763
00:37:03,560 --> 00:37:07,120
Speaker 2: It's like a fucking like sleeper activation. But then fucking

764
00:37:07,320 --> 00:37:09,880
Speaker 2: I think now it's landing on that that that's landing

765
00:37:09,960 --> 00:37:12,760
Speaker 2: on Chromatica. And I think over time she will come

766
00:37:12,880 --> 00:37:15,760
Speaker 2: hopefully whatever and we're not Mike'll come home to Chromatica,

767
00:37:15,920 --> 00:37:16,800
Speaker 2: come home to Chromatica.

768
00:37:16,840 --> 00:37:17,359
Speaker 1: You know what I mean.

769
00:37:17,600 --> 00:37:20,359
Speaker 4: I never really appreciated Chromatica at the time. I am

770
00:37:20,360 --> 00:37:22,400
Speaker 4: embarrassed to say I have admitted this to Matt. I was

771
00:37:22,600 --> 00:37:26,160
Speaker 4: very and like he's he's come clean. I was very

772
00:37:26,239 --> 00:37:28,359
Speaker 4: during the pandemic. I was listening to a lot of

773
00:37:28,400 --> 00:37:31,759
Speaker 4: like somber music, so I was a very folklore to

774
00:37:31,760 --> 00:37:35,040
Speaker 4: punish her Phoebe Bridgers like, I was very in that.

775
00:37:35,040 --> 00:37:36,880
Speaker 4: That was how I took my pandemic. I was like,

776
00:37:36,880 --> 00:37:37,760
Speaker 4: I'm gonna think.

777
00:37:38,080 --> 00:37:40,880
Speaker 1: Yeah, So for us, I think it was like Chromatica

778
00:37:40,880 --> 00:37:44,680
Speaker 1: and Future Nostalgia. I had a moment with Future Nostalgia.

779
00:37:44,680 --> 00:37:46,560
Speaker 4: When I really had my dance moment was when Brat

780
00:37:46,560 --> 00:37:49,560
Speaker 4: came out and let me tell you something. That album

781
00:37:49,680 --> 00:37:51,160
Speaker 4: changed my life. I think it's one of the best

782
00:37:51,160 --> 00:37:54,200
Speaker 4: of all time, of all time, of all times. It's

783
00:37:54,239 --> 00:37:57,800
Speaker 4: our rumors, It's our Fleetwood Mac you know, like you

784
00:37:59,120 --> 00:38:02,399
Speaker 4: te and more, Bar's Tea and more. These are these

785
00:38:02,400 --> 00:38:04,600
Speaker 4: are like interesting whatever, Okay, tell me what you think.

786
00:38:05,000 --> 00:38:08,640
Speaker 4: I think Sour is what Jaggie Little Pill was.

787
00:38:08,880 --> 00:38:13,919
Speaker 2: Yes, yeah, one hundred percent. Well see that's so that's

788
00:38:13,920 --> 00:38:16,880
Speaker 2: a really apt comparison. I do think they occupy a

789
00:38:16,880 --> 00:38:19,399
Speaker 2: really similar space. You know what's bizarre. I saw them

790
00:38:19,440 --> 00:38:21,040
Speaker 2: a week apart at the Kia Forum.

791
00:38:21,320 --> 00:38:25,080
Speaker 1: I saw Alanis and I saw Olivia Rodrigo, like literally

792
00:38:25,120 --> 00:38:28,399
Speaker 1: seven days apart. In the same space and there were Yeah,

793
00:38:28,600 --> 00:38:30,239
Speaker 1: it was like it was like an older version of

794
00:38:30,280 --> 00:38:35,120
Speaker 1: the same. But I don't know. Obviously, Alanis Olivia's fans

795
00:38:35,160 --> 00:38:38,920
Speaker 1: are very young and very activated, so they filled that space.

796
00:38:38,960 --> 00:38:41,480
Speaker 1: And Alanis is so legacy now and everyone knows so

797
00:38:41,560 --> 00:38:43,680
Speaker 1: she is. So it was more general because it was

798
00:38:43,719 --> 00:38:46,120
Speaker 1: people being like, oh, of course, let's go see Alanis.

799
00:38:46,120 --> 00:38:48,480
Speaker 1: More a set. It wasn't Olivia fans like I mean,

800
00:38:49,320 --> 00:38:51,480
Speaker 1: you know what I'm saying, like, which is not all

801
00:38:51,560 --> 00:38:53,680
Speaker 1: of them, but I will say there is a lot

802
00:38:53,719 --> 00:38:54,280
Speaker 1: of sobbing.

803
00:38:55,040 --> 00:38:56,400
Speaker 4: Well have you ever been Have you guys been to

804
00:38:56,440 --> 00:38:59,640
Speaker 4: an Olivia Rodrigo concert? Yes, bar for bar, there is

805
00:38:59,680 --> 00:39:01,320
Speaker 4: not a Eric missed in that crowd.

806
00:39:01,400 --> 00:39:04,600
Speaker 1: Oh no, they're off booked and they're same same. It's true.

807
00:39:04,640 --> 00:39:07,480
Speaker 1: For Gracy Abrams, yes, oh yeah. There were girls at

808
00:39:07,480 --> 00:39:12,680
Speaker 1: the Gracy Abrams show forming large circles holding hands and

809
00:39:12,680 --> 00:39:15,520
Speaker 1: and and and like literally spinning in a circle like

810
00:39:15,600 --> 00:39:19,359
Speaker 1: ring around the rosy style, singing like have.

811
00:39:19,320 --> 00:39:21,319
Speaker 2: You seen have you seen them do the mosh pet

812
00:39:21,440 --> 00:39:23,160
Speaker 2: the Gracy Abrams mosh Yeah.

813
00:39:22,960 --> 00:39:27,680
Speaker 4: It's electric. They do agree with I forget to what song?

814
00:39:28,200 --> 00:39:30,920
Speaker 4: It is spectacular ship.

815
00:39:31,280 --> 00:39:36,200
Speaker 1: Yeah, I missed the mosh pit, I didn't miss the

816
00:39:36,239 --> 00:39:38,520
Speaker 1: holding hands in And there was that one.

817
00:39:38,600 --> 00:39:42,920
Speaker 2: There was one song where everyone was just crying hard.

818
00:39:43,120 --> 00:39:44,920
Speaker 1: Do you remember. I don't remember which one it was,

819
00:39:44,960 --> 00:39:47,920
Speaker 1: but it was. It was such a catharsis and I

820
00:39:47,960 --> 00:39:50,160
Speaker 1: was like, I'm so happy that these girls are having

821
00:39:50,520 --> 00:39:53,640
Speaker 1: with it. That's so true. No, that's so true. Was

822
00:39:53,640 --> 00:39:57,240
Speaker 1: for everyone. Yeah, Like there was one song. I'm losing

823
00:39:57,239 --> 00:39:59,120
Speaker 1: which one it is. I'm having like a weird brain day,

824
00:39:59,480 --> 00:40:01,920
Speaker 1: but there was one song where it was like the girls,

825
00:40:02,239 --> 00:40:06,280
Speaker 1: this was their three and a half minutes to really

826
00:40:06,800 --> 00:40:09,480
Speaker 1: let it out. I'm sorry. It wasn't I love you,

827
00:40:09,520 --> 00:40:12,080
Speaker 1: I'm sorry because I miss you. I'm sorry. It wasn't

828
00:40:12,120 --> 00:40:16,960
Speaker 1: I miss you. I'm sorry. I'm sorry. It wasn't. Okay,

829
00:40:17,239 --> 00:40:19,200
Speaker 1: it wasn't I'm sorry. My single. It has to be

830
00:40:19,200 --> 00:40:21,319
Speaker 1: a third one, right, what was the first one? Well,

831
00:40:21,440 --> 00:40:23,640
Speaker 1: there's I miss you, I'm sorry, I love it, but

832
00:40:23,680 --> 00:40:26,720
Speaker 1: the first saying. There has to be a third one, right, Gracie,

833
00:40:26,719 --> 00:40:28,920
Speaker 1: you got to do that. I mean she will, she

834
00:40:29,040 --> 00:40:41,239
Speaker 1: must worst behaved audience based on the girl. Can we

835
00:40:41,280 --> 00:40:44,880
Speaker 1: say this? Okay? Who do you think I have an answer? Okay,

836
00:40:45,200 --> 00:40:47,840
Speaker 1: let me just give me a second, behave. I have

837
00:40:47,840 --> 00:40:49,680
Speaker 1: an answer, and it's not fair. It's not a reflection

838
00:40:49,760 --> 00:40:51,880
Speaker 1: on the on the person. It's the parents of the

839
00:40:52,000 --> 00:40:56,239
Speaker 1: children who are fucked up. Okay, I'm gonna make this

840
00:40:56,320 --> 00:40:58,959
Speaker 1: an age an age thing. Okay, what were they doing?

841
00:40:59,480 --> 00:41:03,239
Speaker 1: There was a girl at East Rutherford. Oh yeah, yeah,

842
00:41:03,800 --> 00:41:04,800
Speaker 1: New York Show. I was.

843
00:41:05,040 --> 00:41:06,840
Speaker 4: I heard the New York Show because every time I

844
00:41:06,880 --> 00:41:10,440
Speaker 4: went to the arastur it was like hi, happy and

845
00:41:10,520 --> 00:41:10,799
Speaker 4: it was like.

846
00:41:10,840 --> 00:41:14,520
Speaker 1: Hi, I'm some like you know, overall amazing vibe.

847
00:41:14,840 --> 00:41:19,000
Speaker 2: I just get the sense I've anecdotally I've gotten I've

848
00:41:19,000 --> 00:41:20,040
Speaker 2: gotten different.

849
00:41:19,719 --> 00:41:22,600
Speaker 1: Stories of like this is a kid's this is the

850
00:41:22,600 --> 00:41:25,200
Speaker 1: best day of this girl's life, right, okay, and the

851
00:41:25,360 --> 00:41:31,400
Speaker 1: parent is so protective of that that it affects like

852
00:41:32,280 --> 00:41:35,040
Speaker 1: a gay guy, right, you know what I mean.

853
00:41:35,640 --> 00:41:38,439
Speaker 4: Did something happen where you were like, yeah, this girl

854
00:41:38,520 --> 00:41:41,080
Speaker 4: kept like getting into my space, like as demarketed by

855
00:41:41,239 --> 00:41:45,440
Speaker 4: the chair, kept like arm in my fucking an.

856
00:41:45,680 --> 00:41:47,640
Speaker 1: It's just it's a lot of fun, you know what. Ariostour,

857
00:41:47,760 --> 00:41:51,480
Speaker 1: we love it. I went, I always had a great time.

858
00:41:51,600 --> 00:41:52,120
Speaker 1: It is it.

859
00:41:52,200 --> 00:41:54,800
Speaker 2: I do think it's the kind of show and I

860
00:41:54,800 --> 00:41:57,759
Speaker 2: think this is just stadium shows maybe, so it's like

861
00:41:57,800 --> 00:41:59,320
Speaker 2: a it's like a venue size issue.

862
00:41:59,320 --> 00:42:01,000
Speaker 1: But it's like you do get a lot of like

863
00:42:01,200 --> 00:42:05,640
Speaker 1: phone arm and those swing into your eyeline and then

864
00:42:05,680 --> 00:42:07,400
Speaker 1: I just like told this girl was like, you're at

865
00:42:07,400 --> 00:42:09,880
Speaker 1: a concert. Yeah, it's like you're at you're at a concert.

866
00:42:09,960 --> 00:42:12,240
Speaker 1: Good for you on that. But then the mom got

867
00:42:12,920 --> 00:42:15,000
Speaker 1: got in my face and was like you're you're you're

868
00:42:15,040 --> 00:42:17,239
Speaker 1: you're getting in hurs and like, no, I'm not.

869
00:42:18,080 --> 00:42:21,480
Speaker 2: I'm just watching this this artist that I love perform.

870
00:42:21,960 --> 00:42:23,600
Speaker 2: So I'm you know, this is maybe not fair for

871
00:42:23,640 --> 00:42:26,160
Speaker 2: me to like zero on this one example, but I'm

872
00:42:26,160 --> 00:42:27,280
Speaker 2: gonna say that's my answer.

873
00:42:27,400 --> 00:42:30,000
Speaker 1: It's you. I will say this is not global.

874
00:42:30,120 --> 00:42:33,440
Speaker 2: I remember this, and I remember being like, this is

875
00:42:33,480 --> 00:42:36,600
Speaker 2: something because he he does he You get into it

876
00:42:36,640 --> 00:42:38,600
Speaker 2: with people when they're when they're bad at it all like.

877
00:42:38,600 --> 00:42:43,319
Speaker 1: That, like missing and on Microsoft Excel on her phone

878
00:42:43,400 --> 00:42:46,320
Speaker 1: during the show of wine in her hands to double

879
00:42:46,320 --> 00:42:49,480
Speaker 1: fisting glasses of wine on a spreadsheet in front of her.

880
00:42:49,600 --> 00:42:53,759
Speaker 1: The fucking screen is full blast brightness and she's like

881
00:42:54,560 --> 00:42:58,920
Speaker 1: full conversation with the row of people, four different things happening.

882
00:42:58,960 --> 00:43:00,839
Speaker 1: But when she's over, I mean, you were at live

883
00:43:00,920 --> 00:43:02,520
Speaker 1: theater and she goes.

884
00:43:03,280 --> 00:43:04,920
Speaker 4: It's like that moment in Dance Moms where they say

885
00:43:04,920 --> 00:43:07,399
Speaker 4: to Abbey Lee like I thought you preached theater at

886
00:43:07,520 --> 00:43:10,600
Speaker 4: or dance atticette, you know, and she she gets out

887
00:43:10,600 --> 00:43:10,839
Speaker 4: of there.

888
00:43:11,680 --> 00:43:13,920
Speaker 2: But it's it's also funny because like Bowen does this

889
00:43:14,040 --> 00:43:16,879
Speaker 2: and these people like deeply know who he is. Right,

890
00:43:17,880 --> 00:43:20,960
Speaker 2: I know you don't care for you. I respect that

891
00:43:21,120 --> 00:43:21,640
Speaker 2: so much.

892
00:43:21,680 --> 00:43:24,000
Speaker 1: I just I don't like. I don't like that. They

893
00:43:24,080 --> 00:43:27,439
Speaker 1: have bad behavior, they have very bad behavior, and then

894
00:43:27,520 --> 00:43:29,840
Speaker 1: you call them out on it, and then it becomes

895
00:43:30,000 --> 00:43:31,200
Speaker 1: Bowen Yang snapped at me.

896
00:43:31,680 --> 00:43:34,719
Speaker 2: Sure to tell it to the mountain, right, tell it

897
00:43:34,800 --> 00:43:35,360
Speaker 2: on the mountain.

898
00:43:35,520 --> 00:43:39,120
Speaker 1: I think, though there is like, oh, tell it on

899
00:43:39,160 --> 00:43:42,560
Speaker 1: the mound. What were saying, Jake?

900
00:43:42,640 --> 00:43:44,760
Speaker 4: I think that there is a phone problem at concerts.

901
00:43:44,760 --> 00:43:46,839
Speaker 4: I really actively when I am at concerts, I try

902
00:43:46,880 --> 00:43:48,800
Speaker 4: not to go on my phone. I really and every

903
00:43:49,239 --> 00:43:51,960
Speaker 4: greatest moment of my life at a concert I remember

904
00:43:52,040 --> 00:43:53,399
Speaker 4: being I wasn't on my phone.

905
00:43:53,840 --> 00:43:55,799
Speaker 1: I eat the archer Taylor Swift, I E.

906
00:43:57,239 --> 00:44:02,200
Speaker 4: After hours at the weekend, I E like what emotion

907
00:44:02,320 --> 00:44:05,759
Speaker 4: sickness at the Phoebe Bridges Coachella show, like I'm just like, oh,

908
00:44:05,760 --> 00:44:07,480
Speaker 4: I'm not on my phone. I'm like, oh, like I'm

909
00:44:07,520 --> 00:44:09,600
Speaker 4: feeling the like, you know what I mean, Like I

910
00:44:09,640 --> 00:44:12,959
Speaker 4: feel my environment to this music that I'm seeing right now.

911
00:44:13,080 --> 00:44:15,680
Speaker 1: Have you had Billy Eilish on your show? No? I

912
00:44:15,680 --> 00:44:18,080
Speaker 1: would love to you guys had her. No, we've not

913
00:44:18,120 --> 00:44:20,600
Speaker 1: had her yet. She's she's the best. She's number one.

914
00:44:20,960 --> 00:44:23,360
Speaker 1: She's amazing. Her shows are amazing. I think she's one

915
00:44:23,400 --> 00:44:26,000
Speaker 1: of the few people we haven't had on that that

916
00:44:26,080 --> 00:44:29,759
Speaker 1: would make me nervous. Why Because she's probably a cool vibe.

917
00:44:29,760 --> 00:44:32,080
Speaker 1: She's a cool vibe, but she's a genius disarming.

918
00:44:32,120 --> 00:44:34,879
Speaker 2: I think she's very like, Hey, I don't know, that's

919
00:44:34,880 --> 00:44:37,200
Speaker 2: my Billy Eilish impression, you know mine?

920
00:44:37,200 --> 00:44:41,319
Speaker 1: This is mine. That's actually quite good.

921
00:44:41,960 --> 00:44:44,640
Speaker 4: But on the flip side, the best audience I have

922
00:44:44,760 --> 00:44:47,040
Speaker 4: ever ever been a part of carle right.

923
00:44:47,360 --> 00:44:52,080
Speaker 1: Oh yeah, everyone's Canadian. Everyone's spiritually Canadian. When I see

924
00:44:52,120 --> 00:44:54,480
Speaker 1: Carlirad Japson concert, that's actually the culture number thirty.

925
00:44:54,680 --> 00:44:57,640
Speaker 2: Everyone spiritually Canadian when I see a Carlia Ray Japson concert.

926
00:44:57,719 --> 00:44:59,719
Speaker 4: And I agree because I saw her ten years of

927
00:44:59,760 --> 00:45:01,920
Speaker 4: a moment. She did not talking. Oh my god, I

928
00:45:01,920 --> 00:45:03,520
Speaker 4: have full body chill. She did the album front to

929
00:45:03,640 --> 00:45:06,360
Speaker 4: back and everyone was just like, how happy are you

930
00:45:06,440 --> 00:45:09,400
Speaker 4: to be here? Remind me to show you the video

931
00:45:09,400 --> 00:45:11,440
Speaker 4: I have of that starting. No one knew that was coming.

932
00:45:12,000 --> 00:45:14,040
Speaker 4: She gets out on stage. All we hear is the

933
00:45:14,040 --> 00:45:16,920
Speaker 4: trumpets and it's it's game over. It's game over. We're like,

934
00:45:16,920 --> 00:45:18,960
Speaker 4: oh shit, she's doing it front to back because guess what.

935
00:45:19,320 --> 00:45:21,879
Speaker 2: That's a moment where I go, You're at a concert, right,

936
00:45:22,040 --> 00:45:23,640
Speaker 2: have fun in that joy back in.

937
00:45:23,640 --> 00:45:25,960
Speaker 4: The day before phones, Like, imagine how awesome it was.

938
00:45:25,960 --> 00:45:28,880
Speaker 4: Everyone just let loose, like there is this like I

939
00:45:28,920 --> 00:45:31,920
Speaker 4: do wonder like there is this thing where it's like, oh,

940
00:45:31,960 --> 00:45:34,120
Speaker 4: I kind of feel embarrassed to dance sometimes I wish

941
00:45:34,160 --> 00:45:35,200
Speaker 4: I didn't feel that way.

942
00:45:35,560 --> 00:45:36,520
Speaker 1: But you're always.

943
00:45:36,239 --> 00:45:40,360
Speaker 4: Dancing, but not as not, not like I could, I could,

944
00:45:40,480 --> 00:45:44,040
Speaker 4: I could really like I I very dramatic.

945
00:45:44,080 --> 00:45:45,919
Speaker 1: I mean, this guy goes to the gym with Tate.

946
00:45:46,160 --> 00:45:47,600
Speaker 1: We don't know what she's teaching. You don't know what

947
00:45:47,600 --> 00:45:50,040
Speaker 1: she's teaching him. We don't know the combos that he knows.

948
00:45:50,239 --> 00:45:53,080
Speaker 2: Right, Jake, I think you have a ten foot radius

949
00:45:53,160 --> 00:45:55,719
Speaker 2: role at every concert back back away, What do you

950
00:45:55,760 --> 00:45:58,759
Speaker 2: say get back step Away from at the Eternal Lunch

951
00:45:58,880 --> 00:46:05,560
Speaker 2: One Tour, Get the fuck Get the fuck Away.

952
00:46:07,480 --> 00:46:11,280
Speaker 4: What was Austin like, tell us, Austin's great, the food's great,

953
00:46:11,880 --> 00:46:14,279
Speaker 4: the camaraderie is great, credible everyone. Like when we were

954
00:46:14,320 --> 00:46:16,440
Speaker 4: at the UT game, everyone was like, like I went

955
00:46:16,480 --> 00:46:18,520
Speaker 4: to USC right, and I thought, like everyone at those

956
00:46:18,560 --> 00:46:21,920
Speaker 4: games was like so in it, but like no, like Austin, like,

957
00:46:21,960 --> 00:46:24,279
Speaker 4: the team is really good, so everyone's like really in it.

958
00:46:24,320 --> 00:46:26,120
Speaker 4: Like people say, to the end of that game.

959
00:46:26,000 --> 00:46:29,640
Speaker 1: You and Kaya were screaming hook and horns. We were screaming.

960
00:46:29,840 --> 00:46:30,640
Speaker 1: I love that girl.

961
00:46:31,239 --> 00:46:33,440
Speaker 4: I mean, she is the greatest of all time. She's

962
00:46:33,480 --> 00:46:37,240
Speaker 4: so cool, so smart, so cool, so talented, so smart.

963
00:46:37,280 --> 00:46:41,240
Speaker 1: She really works her ass off. Yep, Like I feel

964
00:46:41,280 --> 00:46:45,279
Speaker 1: like she. I just recently went in to do some

965
00:46:45,400 --> 00:46:47,759
Speaker 1: like ADR for Palme Royal and where there was a

966
00:46:47,800 --> 00:46:50,040
Speaker 1: scene we're in together and the performance that she was giving.

967
00:46:50,080 --> 00:46:52,160
Speaker 1: I was like, this girl is committed to it.

968
00:46:52,440 --> 00:46:56,319
Speaker 4: Yeah, she studies her craft, yeah, and she she she

969
00:46:56,520 --> 00:46:59,040
Speaker 4: is very very, very very smart.

970
00:46:59,160 --> 00:47:02,600
Speaker 1: She does library like she when pretty people read, I'm like,

971
00:47:02,719 --> 00:47:04,480
Speaker 1: damn it, I talk about pretty.

972
00:47:06,040 --> 00:47:10,439
Speaker 4: Dead gorgeous, not even write like but yes, we had

973
00:47:10,560 --> 00:47:13,560
Speaker 4: the best time. She's like we had like she was

974
00:47:13,640 --> 00:47:15,880
Speaker 4: just like so along for the ride, Like just like

975
00:47:15,920 --> 00:47:21,080
Speaker 4: we had so much fun. We like we drank NonStop

976
00:47:21,280 --> 00:47:22,640
Speaker 4: and like it was great.

977
00:47:22,680 --> 00:47:24,799
Speaker 1: It was I get my taco suggestion.

978
00:47:25,000 --> 00:47:28,359
Speaker 4: No, you've did it, and I wish you had to. Well,

979
00:47:28,560 --> 00:47:30,600
Speaker 4: I'm gone now, but I am going to Dallas tonight.

980
00:47:30,880 --> 00:47:33,480
Speaker 1: So what's mister Powell Like? I've always been curious. I

981
00:47:33,640 --> 00:47:36,919
Speaker 1: talk about a hard worker. He seems like a fun guy.

982
00:47:37,000 --> 00:47:40,520
Speaker 4: He's number one, very fun. Number two a great friend.

983
00:47:40,640 --> 00:47:43,560
Speaker 4: And I know that because he is surrounded by number

984
00:47:43,560 --> 00:47:45,839
Speaker 4: one his family, and number two people that he's known

985
00:47:45,880 --> 00:47:46,680
Speaker 4: for twenty plus years.

986
00:47:46,800 --> 00:47:49,399
Speaker 1: Yeah, you can always tell and like they are.

987
00:47:49,440 --> 00:47:51,759
Speaker 4: All they do all the time is just reminisce and

988
00:47:51,800 --> 00:47:54,880
Speaker 4: talk about these funny stories. And what I gather from

989
00:47:54,960 --> 00:47:59,000
Speaker 4: all these stories is that he's never changed. That's hard

990
00:47:59,080 --> 00:48:02,520
Speaker 4: to do, yes, And I think and his friends really

991
00:48:02,600 --> 00:48:04,440
Speaker 4: ride for him, and he really rides for his friends.

992
00:48:04,440 --> 00:48:08,080
Speaker 4: His friends world there this weekend, and he's just a

993
00:48:08,120 --> 00:48:08,640
Speaker 4: great guy.

994
00:48:08,640 --> 00:48:10,800
Speaker 1: He's a great guy. He's very very talented.

995
00:48:10,880 --> 00:48:13,239
Speaker 2: And I think that because he's so, he's sort of

996
00:48:13,280 --> 00:48:16,759
Speaker 2: a McConaughey vibe where it's like because he's so like

997
00:48:17,239 --> 00:48:20,920
Speaker 2: handsome and charismatic and action y and like sort of

998
00:48:21,160 --> 00:48:24,160
Speaker 2: presents as like I'm the comedy action guy that people

999
00:48:24,239 --> 00:48:26,120
Speaker 2: aren't getting how good he is.

1000
00:48:26,200 --> 00:48:28,239
Speaker 4: Well they will his I'm pretty sure his slate for

1001
00:48:28,280 --> 00:48:30,759
Speaker 4: the upcoming year is like good to gag people trying

1002
00:48:30,760 --> 00:48:32,640
Speaker 4: to do that. Yeah, and by the way, the new

1003
00:48:32,680 --> 00:48:36,040
Speaker 4: show chat Powers laugh out loud, really laugh out loud.

1004
00:48:36,280 --> 00:48:38,160
Speaker 1: Did you watch? I have not watched.

1005
00:48:38,200 --> 00:48:41,080
Speaker 4: I just very funny. He is very good. Number one,

1006
00:48:41,120 --> 00:48:43,040
Speaker 4: he's a very talented actor. And number two, he's very

1007
00:48:43,040 --> 00:48:46,279
Speaker 4: good at being being like the celebrity actor. Like he's

1008
00:48:46,400 --> 00:48:49,200
Speaker 4: very good at all of it. He's good and he's

1009
00:48:49,200 --> 00:48:51,680
Speaker 4: also a good guy. And like, can we just end

1010
00:48:51,680 --> 00:48:53,480
Speaker 4: the whole like there are no stars any more? Conversation

1011
00:48:53,640 --> 00:48:56,480
Speaker 4: like there are, there are, there are. I feel like

1012
00:48:56,520 --> 00:48:57,880
Speaker 4: there are lots of stars.

1013
00:48:58,120 --> 00:48:59,360
Speaker 1: There are lots of stars.

1014
00:48:59,520 --> 00:49:01,520
Speaker 4: I just think we're in this weird moment where it's

1015
00:49:01,640 --> 00:49:06,799
Speaker 4: like digital and traditional. It's like finally maybe merging in

1016
00:49:06,840 --> 00:49:09,080
Speaker 4: this like very weird way, and like we're not used

1017
00:49:09,120 --> 00:49:09,360
Speaker 4: to it.

1018
00:49:09,520 --> 00:49:11,520
Speaker 1: There's no rules anymore. Yeah, there's no that's it. There's

1019
00:49:11,520 --> 00:49:15,399
Speaker 1: no rules anymore, because ultimately, here's when the rules were

1020
00:49:15,400 --> 00:49:19,800
Speaker 1: broken when Kim Kardashian became like went from Kim k

1021
00:49:20,360 --> 00:49:23,600
Speaker 1: to now being Vogue cover star. Yeah, I mean that

1022
00:49:24,520 --> 00:49:27,239
Speaker 1: was I think she is emblematic of the change in

1023
00:49:27,280 --> 00:49:30,360
Speaker 1: our culture more than anyone else. Oh yeah, what happened

1024
00:49:30,360 --> 00:49:35,120
Speaker 1: from her start to right now? Because another thing is

1025
00:49:36,000 --> 00:49:39,040
Speaker 1: she is fully the star of a full blown Ryan

1026
00:49:39,120 --> 00:49:41,799
Speaker 1: Murphy show with and she's number one on that call sheet.

1027
00:49:41,840 --> 00:49:46,160
Speaker 1: And who's below her, Glenn Close, Sarah Park You didn't

1028
00:49:46,160 --> 00:49:49,479
Speaker 1: know about this? She's on the call sheet. Yeah, because

1029
00:49:49,480 --> 00:49:52,160
Speaker 1: she's the star of the show. She's number one, she's

1030
00:49:52,480 --> 00:49:56,760
Speaker 1: the most she's the lead of it. So yeah, All's

1031
00:49:56,760 --> 00:50:00,200
Speaker 1: Fair is coming out on Hulu. Sarah Paulson's gonna I'm

1032
00:50:00,200 --> 00:50:02,920
Speaker 1: on the show. Love her. We've not met her, but

1033
00:50:03,040 --> 00:50:05,440
Speaker 1: she's the most talent, but like love her. Yeah that

1034
00:50:05,520 --> 00:50:08,200
Speaker 1: she's sort of like a limitless talent. But this is

1035
00:50:08,200 --> 00:50:10,520
Speaker 1: what I'm saying is it's like Kim Kay is the

1036
00:50:10,640 --> 00:50:11,360
Speaker 1: leader of that show.

1037
00:50:11,480 --> 00:50:14,640
Speaker 4: That's crazy. Yeah, she is very emblematic of that shift

1038
00:50:14,680 --> 00:50:17,000
Speaker 4: in culture. And I think about that all the time

1039
00:50:17,040 --> 00:50:19,960
Speaker 4: because I remember obviously watching her at everyone was like, well,

1040
00:50:19,960 --> 00:50:21,759
Speaker 4: she'll never do high fashion, She'll never do this, and

1041
00:50:21,800 --> 00:50:23,520
Speaker 4: then suddenly she was on the cover of Vogue and

1042
00:50:23,800 --> 00:50:24,640
Speaker 4: everything changed.

1043
00:50:25,360 --> 00:50:27,239
Speaker 1: Yeah, I mean I don't think at this point, I do,

1044
00:50:27,520 --> 00:50:30,759
Speaker 1: like whether you agree or disagree, like she is a

1045
00:50:30,800 --> 00:50:36,400
Speaker 1: prestige presence at things, right, no doubt. Yeah, that's like objective,

1046
00:50:36,440 --> 00:50:38,879
Speaker 1: like it's everyone knows her. Yeah. And I also think

1047
00:50:39,080 --> 00:50:42,600
Speaker 1: that that is the currency now because I even hear

1048
00:50:42,640 --> 00:50:44,799
Speaker 1: it from like my agents and stuff. They're like, yeah,

1049
00:50:44,840 --> 00:50:47,200
Speaker 1: it used to be kind of a rumor that you know,

1050
00:50:47,520 --> 00:50:51,400
Speaker 1: like your presence on social or like your presence in

1051
00:50:51,440 --> 00:50:54,239
Speaker 1: the world, like your name recognition didn't matter as much

1052
00:50:54,280 --> 00:50:58,359
Speaker 1: as you know, just going into the audition and nailing it.

1053
00:50:58,520 --> 00:51:01,560
Speaker 1: But that's all a lie. It does matter like there,

1054
00:51:01,680 --> 00:51:04,840
Speaker 1: it's it's bottom line driven, and I think we know

1055
00:51:04,960 --> 00:51:09,040
Speaker 1: that now. So this idea that like I'm just going

1056
00:51:09,120 --> 00:51:10,960
Speaker 1: to keep my head down and work and you know,

1057
00:51:11,040 --> 00:51:14,080
Speaker 1: maybe go to Juilliard or like whatever, that's all well

1058
00:51:14,120 --> 00:51:16,360
Speaker 1: and good, but it's just not a realistic depiction of

1059
00:51:16,360 --> 00:51:19,279
Speaker 1: how things work anymore. It's just not otherwise, you know,

1060
00:51:19,880 --> 00:51:22,719
Speaker 1: God bless her, But I just don't think that Kim

1061
00:51:22,840 --> 00:51:25,160
Speaker 1: Kay as an actress would be number one on a

1062
00:51:25,160 --> 00:51:28,279
Speaker 1: call sheet above Sarah paulse never yeah, of course not.

1063
00:51:28,520 --> 00:51:31,560
Speaker 1: It's all about social currency, right, and she may, she

1064
00:51:31,640 --> 00:51:34,600
Speaker 1: may gag the girls. The girls, and I just want

1065
00:51:34,600 --> 00:51:37,640
Speaker 1: to say to something to everyone here sets up the mics,

1066
00:51:37,640 --> 00:51:40,439
Speaker 1: and everyone here sets up the rigs. Thank you because

1067
00:51:40,480 --> 00:51:44,080
Speaker 1: you've given us a platform to be gay guys with voices,

1068
00:51:44,360 --> 00:51:47,480
Speaker 1: and maybe gay guys with voices? Is title? Guys with Voices?

1069
00:51:47,520 --> 00:51:50,000
Speaker 4: Is the title of that that I think is a

1070
00:51:50,000 --> 00:51:54,040
Speaker 4: great depiction of what we do. Think that is a

1071
00:51:54,080 --> 00:51:55,520
Speaker 4: great depiction of.

1072
00:51:56,320 --> 00:51:58,799
Speaker 1: We are a depiction before we do anthings money, should

1073
00:51:58,800 --> 00:52:00,279
Speaker 1: we at least they will be on a bone here

1074
00:52:01,400 --> 00:52:04,120
Speaker 1: like we didn't even we didn't even we paid about her.

1075
00:52:04,520 --> 00:52:08,120
Speaker 1: I'll tell you my favorite album by her if you're interested. Well,

1076
00:52:08,480 --> 00:52:10,839
Speaker 1: is it b Day? No, it's not. There's two. It's

1077
00:52:10,840 --> 00:52:11,799
Speaker 1: self titled in four.

1078
00:52:11,920 --> 00:52:16,440
Speaker 2: Well, yes, God, bless you, God bless you. Lemonade is

1079
00:52:16,480 --> 00:52:20,320
Speaker 2: the best one. But yes, I mean school in life.

1080
00:52:20,680 --> 00:52:26,040
Speaker 1: Oh my god, my daughter, you really are his daughter.

1081
00:52:26,600 --> 00:52:27,560
Speaker 1: They miss you.

1082
00:52:27,680 --> 00:52:33,400
Speaker 2: I miss you, like every day with you.

1083
00:52:32,560 --> 00:52:35,200
Speaker 1: When you you know what doesn't get the doesn't get

1084
00:52:35,239 --> 00:52:35,840
Speaker 1: their respect.

1085
00:52:37,040 --> 00:52:41,440
Speaker 2: So now I'm gone death for you.

1086
00:52:41,440 --> 00:52:43,759
Speaker 1: You know what. At the time, everyone was like, oh

1087
00:52:43,800 --> 00:52:45,239
Speaker 1: my god, this is the one and then it was

1088
00:52:45,400 --> 00:52:47,440
Speaker 1: quickly forgotten, and then she does it again.

1089
00:52:48,400 --> 00:52:54,400
Speaker 4: It's I care oh oh, also prime example of she

1090
00:52:54,520 --> 00:52:58,480
Speaker 4: thought culture gave up on her after that self titled yeah,

1091
00:52:58,640 --> 00:53:00,000
Speaker 4: I swear it's like a trend.

1092
00:53:00,160 --> 00:53:01,719
Speaker 1: But wait, can I talk to you about school in life?

1093
00:53:01,760 --> 00:53:01,920
Speaker 4: Yeah?

1094
00:53:01,960 --> 00:53:02,720
Speaker 1: It's the best song ever.

1095
00:53:03,880 --> 00:53:06,000
Speaker 2: Two things were happening in the summer of twenty twelve.

1096
00:53:06,920 --> 00:53:10,040
Speaker 2: I was applying him at school, but I was like,

1097
00:53:10,080 --> 00:53:13,879
Speaker 2: this is the wrong choice. I am depressed, probably gonna

1098
00:53:13,880 --> 00:53:16,440
Speaker 2: move back in with my parents in Colorado. I want

1099
00:53:16,480 --> 00:53:18,680
Speaker 2: to do comedy secretly, but I don't think I should

1100
00:53:18,680 --> 00:53:19,120
Speaker 2: pursue it.

1101
00:53:20,000 --> 00:53:22,680
Speaker 1: Twenty one, we had just graduated. We just GRADUATEDNYU.

1102
00:53:24,080 --> 00:53:26,680
Speaker 2: Like I'd seen Matt at some like party, like in

1103
00:53:26,719 --> 00:53:27,759
Speaker 2: the spring the last time.

1104
00:53:27,840 --> 00:53:30,360
Speaker 1: Like we were like, we were not like the close

1105
00:53:30,480 --> 00:53:31,240
Speaker 1: that we are now.

1106
00:53:31,760 --> 00:53:34,400
Speaker 2: Basically the headline is I was depressed and then what

1107
00:53:34,800 --> 00:53:38,680
Speaker 2: snapped me out of it was me walking down Broadway

1108
00:53:40,120 --> 00:53:43,880
Speaker 2: school and life comes on. Something about that play felt different.

1109
00:53:43,920 --> 00:53:45,719
Speaker 2: I listened to the time many times before, but then

1110
00:53:45,760 --> 00:53:50,239
Speaker 2: the lyric stop living and regret Baby, it's not over yet.

1111
00:53:50,280 --> 00:53:52,319
Speaker 4: Oh my god, I'm gonna throw up. I'm seriously gonna

1112
00:53:52,320 --> 00:53:55,319
Speaker 4: throw up. I totally forgot about that. I told that

1113
00:53:55,520 --> 00:53:57,719
Speaker 4: song is so fucking beautiful.

1114
00:53:57,920 --> 00:54:02,160
Speaker 2: It's the most beautiful goof the movie ass song you've

1115
00:54:02,200 --> 00:54:05,840
Speaker 2: ever heard in your life, that nineties like Goofy movie.

1116
00:54:06,040 --> 00:54:09,160
Speaker 4: It was just like, did you watch the accompany accompanying

1117
00:54:09,280 --> 00:54:13,120
Speaker 4: documentary It's a dream, yes, of course, or the Road

1118
00:54:13,160 --> 00:54:16,600
Speaker 4: to four whatever she did Rightmilava was.

1119
00:54:16,640 --> 00:54:19,000
Speaker 1: Just and I I go, I've seen all your documentary.

1120
00:54:19,040 --> 00:54:22,879
Speaker 2: I've seen one front to back. What she say, thank

1121
00:54:22,960 --> 00:54:30,080
Speaker 2: you by the way. That new album you're gonna it's

1122
00:54:30,120 --> 00:54:33,359
Speaker 2: gonna tear that off. It's called It's not that Deep,

1123
00:54:33,560 --> 00:54:34,920
Speaker 2: and is it like it's deep.

1124
00:54:34,960 --> 00:54:36,000
Speaker 1: It's deep. It's deep.

1125
00:54:36,080 --> 00:54:38,239
Speaker 4: It's that deep, and it stand outs because it will

1126
00:54:38,239 --> 00:54:41,240
Speaker 4: be out by best time. Yeah, well we'll frequency. We're

1127
00:54:41,239 --> 00:54:43,600
Speaker 4: gonna play some tracks. Okay, I'm very curious.

1128
00:54:43,880 --> 00:54:45,120
Speaker 1: There's a song called Frequency.

1129
00:54:45,239 --> 00:54:49,240
Speaker 2: So basically it's like it's like really hard clubs sounds

1130
00:54:49,239 --> 00:54:51,880
Speaker 2: for like fags, like so it feels like it feels

1131
00:54:51,880 --> 00:54:56,080
Speaker 2: like there's like definitely the.

1132
00:54:54,920 --> 00:54:57,640
Speaker 1: Brat influence, but with Demi.

1133
00:54:57,400 --> 00:54:59,120
Speaker 4: Vocals, do you think it's gonna be her c x

1134
00:54:59,360 --> 00:55:01,359
Speaker 4: x O and the moment it's going to be like yeah,

1135
00:55:01,560 --> 00:55:03,640
Speaker 4: and then everyone's gonna be like, where were we?

1136
00:55:03,840 --> 00:55:06,960
Speaker 1: I definitely want the girls to be responding more to

1137
00:55:07,200 --> 00:55:09,600
Speaker 1: what's out there already, because Fast and hero All Night

1138
00:55:09,600 --> 00:55:11,279
Speaker 1: are out there right now as we're recording this, and

1139
00:55:11,320 --> 00:55:12,920
Speaker 1: I feel like the girls are being slow to it.

1140
00:55:12,960 --> 00:55:15,719
Speaker 1: But I'm I'm we're telling you the new Demi is.

1141
00:55:16,160 --> 00:55:20,000
Speaker 1: It's gonna is game changed you up. And I don't

1142
00:55:20,000 --> 00:55:22,000
Speaker 1: care that they said this. They said this, and let

1143
00:55:22,000 --> 00:55:24,600
Speaker 1: me say this. Pay Index said this on her podcast

1144
00:55:24,640 --> 00:55:27,200
Speaker 1: with Hunter Harris. She goes, I don't want to hear that.

1145
00:55:27,280 --> 00:55:31,800
Speaker 1: Demi Levado isn't brat. The girl did fucking heroine. She

1146
00:55:31,560 --> 00:55:33,239
Speaker 1: was she was not binary for two weeks. That's the

1147
00:55:33,239 --> 00:55:35,440
Speaker 1: most of those are the most. And she spoke to

1148
00:55:35,480 --> 00:55:38,799
Speaker 1: a ghost. She punched a girl punched a ghost. She said,

1149
00:55:38,800 --> 00:55:41,839
Speaker 1: I'm gonna beat that bitch up. She did. Yes, she's

1150
00:55:41,920 --> 00:55:43,759
Speaker 1: bratt like I don't want to hear it. Demi is

1151
00:55:43,800 --> 00:55:45,719
Speaker 1: so and she was camp Rock and she was camp

1152
00:55:45,960 --> 00:55:48,920
Speaker 1: That's the most bratt thing ever. Camp Rock was Demi's

1153
00:55:49,440 --> 00:55:53,719
Speaker 1: boom class. That's actually culture number ten. Camp Rock was

1154
00:55:53,760 --> 00:55:54,680
Speaker 1: Demi's boom class.

1155
00:55:54,719 --> 00:55:56,720
Speaker 2: She was mean to Raven Simon on the on Sunday

1156
00:55:56,760 --> 00:55:58,880
Speaker 2: with the Chance and they and they can front.

1157
00:55:58,719 --> 00:56:00,840
Speaker 1: Each other about was on Sunny with a Chance as

1158
00:56:00,880 --> 00:56:02,239
Speaker 1: like she guest started on Sunny with a Chance. And

1159
00:56:02,239 --> 00:56:04,280
Speaker 1: then they they talk about in the Child Start documentary,

1160
00:56:04,320 --> 00:56:06,400
Speaker 1: they like interview each other with Demi interviews Raven and

1161
00:56:06,440 --> 00:56:08,080
Speaker 1: Raven was like, you're not the nicest, and it was

1162
00:56:08,080 --> 00:56:11,360
Speaker 1: it's actually iconic in the Demi's like, I'm so sorry, wow,

1163
00:56:11,920 --> 00:56:16,960
Speaker 1: because Raven was because Demi was on drugs many many

1164
00:56:16,960 --> 00:56:20,880
Speaker 1: but I will say she she seems great and her

1165
00:56:21,120 --> 00:56:24,919
Speaker 1: work is incredible. I mean like it's really, really, really good.

1166
00:56:24,960 --> 00:56:28,440
Speaker 1: And then we heard the final song is called Ghost,

1167
00:56:29,400 --> 00:56:33,879
Speaker 1: and basically, now when you google Demi Lovado ghost, it's

1168
00:56:33,920 --> 00:56:36,040
Speaker 1: not just her singing to a ghost, is gonna come

1169
00:56:36,080 --> 00:56:38,239
Speaker 1: up also a song ghost, which makes it genius.

1170
00:56:38,640 --> 00:56:42,200
Speaker 4: Brandon Creed Brandon words out of my mouth, manager of

1171
00:56:42,200 --> 00:56:47,320
Speaker 4: the Year, manager of the I was, oh my gosh.

1172
00:56:47,440 --> 00:56:49,640
Speaker 4: I was literally about to talk about him. He is

1173
00:56:49,840 --> 00:56:57,360
Speaker 4: exceptional role model. Demi, Charlie, Arianna, Troy Sevon am I

1174
00:56:57,400 --> 00:57:03,120
Speaker 4: missaying someone. I think that's it, doesn't that Ronson, Tam

1175
00:57:03,120 --> 00:57:05,480
Speaker 4: and Paula, Yeah, such a cool run.

1176
00:57:05,520 --> 00:57:07,680
Speaker 1: Me and Tim and Paula have the same trainer do

1177
00:57:07,719 --> 00:57:08,120
Speaker 1: you really?

1178
00:57:08,400 --> 00:57:10,879
Speaker 2: And I didn't know this until I get I get

1179
00:57:10,880 --> 00:57:14,600
Speaker 2: to my trainer and this guy Kevin is leaving, and

1180
00:57:14,640 --> 00:57:16,320
Speaker 2: I my my trainer j R.

1181
00:57:16,440 --> 00:57:19,960
Speaker 1: Goes oh do you know? Also Benny Drama's trainer. He goes, oh,

1182
00:57:20,040 --> 00:57:22,080
Speaker 1: do you know Kevin? I was like, oh, no, Hi.

1183
00:57:22,440 --> 00:57:24,840
Speaker 1: He leaves, and then my trainer j R. Goes yeah,

1184
00:57:24,880 --> 00:57:27,720
Speaker 1: I really like his music, and I go, who is that?

1185
00:57:28,080 --> 00:57:30,320
Speaker 1: And he goes Tame and Paula, and I was like,

1186
00:57:30,880 --> 00:57:35,080
Speaker 1: for sure, right, you gotta go. I was like, you

1187
00:57:35,200 --> 00:57:38,480
Speaker 1: gotta be kidding. I didn't know you had a different hairstyle.

1188
00:57:38,520 --> 00:57:42,439
Speaker 1: Have you ever heard the song? Eventually by them give

1189
00:57:42,440 --> 00:57:45,120
Speaker 1: it a lesson? So gay guys like him and not

1190
00:57:45,200 --> 00:57:46,640
Speaker 1: only like I like.

1191
00:57:46,720 --> 00:57:48,600
Speaker 4: The only like type of music like that I like

1192
00:57:48,720 --> 00:57:52,040
Speaker 4: is like Tam and Paula And I love the Strokes.

1193
00:57:51,960 --> 00:57:54,960
Speaker 1: You every time.

1194
00:57:55,000 --> 00:57:57,680
Speaker 4: I've seen the Strokes multiple times, like at festivals, and

1195
00:57:57,720 --> 00:57:59,600
Speaker 4: I always leave before my favorite song of all time

1196
00:57:59,640 --> 00:58:03,640
Speaker 4: comes on someday by the Strokes because it's like no

1197
00:58:03,680 --> 00:58:06,000
Speaker 4: one else wants to hear the Strokes and it's my face.

1198
00:58:06,080 --> 00:58:09,240
Speaker 4: And also like have you ever are to Coachella?

1199
00:58:09,400 --> 00:58:11,400
Speaker 1: Yes? Okay, well will you go to the Strokes with me. Yeah,

1200
00:58:11,440 --> 00:58:11,800
Speaker 1: we'll go to the.

1201
00:58:11,760 --> 00:58:15,120
Speaker 4: Strokes here first, you, Jake, We're going to the Strokes together. Okay,

1202
00:58:15,120 --> 00:58:16,680
Speaker 4: as long as it's not at the same points.

1203
00:58:16,360 --> 00:58:20,440
Speaker 1: To every camera you heard it here first, Well, seriously, don't.

1204
00:58:20,720 --> 00:58:22,440
Speaker 4: I'm not forgetting as long as it's not at the

1205
00:58:22,480 --> 00:58:24,880
Speaker 4: same time as Biberchella, because I will not miss Biberchella.

1206
00:58:24,920 --> 00:58:27,120
Speaker 2: Well, Bieberchilla might not not might not start on time.

1207
00:58:27,200 --> 00:58:28,880
Speaker 2: Let's just say that, right.

1208
00:58:28,840 --> 00:58:31,320
Speaker 4: But if Biebercella, if Bieberchella is happening, he needs to

1209
00:58:31,360 --> 00:58:32,600
Speaker 4: do Ghosts also, which is.

1210
00:58:32,680 --> 00:58:34,760
Speaker 1: You know the rumor I heard that. I heard a

1211
00:58:34,840 --> 00:58:37,000
Speaker 1: rumor that they have Scissa booked. Yeah, I heard that

1212
00:58:37,200 --> 00:58:40,280
Speaker 1: in case Bieber pan out, I heard that as well.

1213
00:58:40,320 --> 00:58:44,080
Speaker 1: But I heard the Bieber the Bieber's deal and contract

1214
00:58:44,160 --> 00:58:47,040
Speaker 1: is so ensured to lock him the fuck in. Well

1215
00:58:47,040 --> 00:58:50,520
Speaker 1: after Frank Oshan, my thing was, I couldn't believe they

1216
00:58:50,560 --> 00:58:53,560
Speaker 1: were not that Bieber is like a risky artist to book.

1217
00:58:53,560 --> 00:58:55,439
Speaker 1: I don't want to say that, like, because I think

1218
00:58:55,440 --> 00:58:57,360
Speaker 1: that a lot of the commentary about him is obviously

1219
00:58:57,600 --> 00:59:01,040
Speaker 1: unfair and fucked and has been fucked and and by

1220
00:59:01,080 --> 00:59:06,280
Speaker 1: the way, his albums swag and Swag two panty droppers,

1221
00:59:06,480 --> 00:59:12,280
Speaker 1: Justice for Justice, Justice Justice, and I listened.

1222
00:59:11,880 --> 00:59:15,080
Speaker 4: To Justice the night I Lost my virginity and what Yes,

1223
00:59:15,440 --> 00:59:16,520
Speaker 4: I got home after.

1224
00:59:16,400 --> 00:59:19,760
Speaker 1: He hit the sweet spot keep us. So this is

1225
00:59:19,800 --> 00:59:21,720
Speaker 1: an example of an album you right now?

1226
00:59:21,800 --> 00:59:23,440
Speaker 4: Yes, And I almost brought it up but I didn't,

1227
00:59:23,600 --> 00:59:26,040
Speaker 4: and then I'm now I am. And I remember being

1228
00:59:26,040 --> 00:59:27,840
Speaker 4: in bed being like, wow, what just happened? Like?

1229
00:59:28,240 --> 00:59:31,160
Speaker 1: And then Ghosts came on and I was like, put

1230
00:59:31,200 --> 00:59:33,680
Speaker 1: it on my baby. Oh yes, it's been overdue.

1231
00:59:34,760 --> 00:59:38,400
Speaker 2: It's just like my heart stopped.

1232
00:59:38,560 --> 00:59:41,960
Speaker 1: Do you see similarities in Justin and Brittany? Oh? Absolutely,

1233
00:59:42,560 --> 00:59:48,520
Speaker 1: I can't even talk about Brittany got into it. It's heartbreaking. Yeah,

1234
00:59:49,000 --> 00:59:54,800
Speaker 1: it's heartbreaking. And that's I think why it's fine to

1235
00:59:54,880 --> 00:59:58,880
Speaker 1: be overly kind and like really like lauda Tory and

1236
00:59:58,960 --> 01:00:01,960
Speaker 1: appreciate these girls and like, because you know what, it's

1237
01:00:02,000 --> 01:00:06,560
Speaker 1: fucking hard and it's not that deep. I love your

1238
01:00:06,560 --> 01:00:08,600
Speaker 1: life with a show girl phone. Did you get the no,

1239
01:00:08,640 --> 01:00:10,840
Speaker 1: you didn't get get like I get the Midnight's phone.

1240
01:00:11,760 --> 01:00:13,640
Speaker 1: I'm gonna go for midnights. Were we were at the

1241
01:00:13,680 --> 01:00:18,200
Speaker 1: Apple thing and they revealed the iPhone of air. Everything's

1242
01:00:18,240 --> 01:00:22,680
Speaker 1: getting skinnier. Well, he's not wrong, not wrong. Are you

1243
01:00:22,680 --> 01:00:24,280
Speaker 1: gonna get that? Are you going to get the air?

1244
01:00:24,280 --> 01:00:26,360
Speaker 1: I wait, it's it's waiting for me at the house.

1245
01:00:27,680 --> 01:00:29,920
Speaker 1: By the way, I'm buying that switch game that you recommended,

1246
01:00:30,040 --> 01:00:32,280
Speaker 1: Fantasy Life. Yeah, the Girl Who Steels.

1247
01:00:31,920 --> 01:00:34,800
Speaker 2: Time Jake, You're gonna love and we have to play together,

1248
01:00:34,840 --> 01:00:36,160
Speaker 2: and I think you would like it too.

1249
01:00:36,320 --> 01:00:39,040
Speaker 1: Did you? Were you guys ever like Pokemon kids? Yes, okay,

1250
01:00:39,160 --> 01:00:41,280
Speaker 1: I was too. Are you excited for the new one?

1251
01:00:41,520 --> 01:00:43,200
Speaker 4: Well, I'm not like a new Pokemon guy. I was

1252
01:00:43,200 --> 01:00:44,680
Speaker 4: an old like Silver and Gold.

1253
01:00:45,200 --> 01:00:46,480
Speaker 1: That was the best, best generation.

1254
01:00:46,640 --> 01:00:52,560
Speaker 4: Yes, like uh dime something Pearl, I'm in Pearl, Black, White, Black,

1255
01:00:52,640 --> 01:00:57,200
Speaker 4: uh Fire reds staffur Green. Don't even play with me

1256
01:00:57,240 --> 01:00:59,560
Speaker 4: on the Game Boy Advance. I'm sorry, Oh my god.

1257
01:01:00,120 --> 01:01:02,320
Speaker 4: And we would have been such a good friend.

1258
01:01:10,120 --> 01:01:12,040
Speaker 1: Wait, I am I don't think soney. Can you do

1259
01:01:12,120 --> 01:01:13,200
Speaker 1: my time? Oh my god?

1260
01:01:13,280 --> 01:01:17,400
Speaker 2: Yeah, I'm coming for your daughter. No, No, it's okay.

1261
01:01:17,480 --> 01:01:19,440
Speaker 2: This is Matt Rogers. I don't think Sony's time starts now.

1262
01:01:19,440 --> 01:01:20,919
Speaker 2: I don't think so, Honey. That Bow and Yang hasn't

1263
01:01:20,920 --> 01:01:21,600
Speaker 2: been on therapists.

1264
01:01:21,960 --> 01:01:24,480
Speaker 1: It's gotta happen and you know what you both really

1265
01:01:24,600 --> 01:01:26,920
Speaker 1: need to Louise, I'm happy you're here because I really

1266
01:01:26,960 --> 01:01:29,560
Speaker 1: feel like something needs to be good on the books now. Yeah,

1267
01:01:29,720 --> 01:01:32,240
Speaker 1: because I'm literally watching you guys connect is making my

1268
01:01:32,400 --> 01:01:36,720
Speaker 1: heart glow, make my heart stop, and I'm the opposite

1269
01:01:36,760 --> 01:01:39,080
Speaker 1: of sexy Red with a dick in her butt, her heartstop.

1270
01:01:39,120 --> 01:01:41,280
Speaker 1: Right now, My heart is going and it's fluttering and

1271
01:01:41,360 --> 01:01:43,960
Speaker 1: flying because I feel like my my little brother and

1272
01:01:44,040 --> 01:01:47,080
Speaker 1: my sister have connected. And then I now I know

1273
01:01:47,120 --> 01:01:49,440
Speaker 1: you have a daughter. I don't think you've had a

1274
01:01:49,520 --> 01:01:53,720
Speaker 1: daughter really first. I think you might be his first daughter,

1275
01:01:54,600 --> 01:01:58,120
Speaker 1: like the film with Katie Holmes. And I don't think so, honey,

1276
01:01:58,240 --> 01:02:01,480
Speaker 1: that it's taken this long for you guys to really

1277
01:02:01,560 --> 01:02:03,840
Speaker 1: slay so because I feel this has been one of

1278
01:02:03,920 --> 01:02:07,600
Speaker 1: our best episodes in recent memory. I'm absolutely not lying.

1279
01:02:07,640 --> 01:02:09,240
Speaker 1: And I don't think, so, honey, that the world has

1280
01:02:09,280 --> 01:02:11,400
Speaker 1: been deprived of the greatness. That is going to be

1281
01:02:11,480 --> 01:02:15,040
Speaker 1: a bow and yang ex Jake Shane on Therapus, because

1282
01:02:15,040 --> 01:02:16,480
Speaker 1: that is going to gag the girls. And I can't

1283
01:02:16,480 --> 01:02:18,720
Speaker 1: wait to see you in that chair in that gorgeous set. Oh,

1284
01:02:18,760 --> 01:02:20,160
Speaker 1: I love that set. You're the best, and I don't

1285
01:02:20,160 --> 01:02:23,080
Speaker 1: think so y and that's one minute talk about the set. Gorgeous?

1286
01:02:23,480 --> 01:02:25,280
Speaker 1: Tell me because I do think we kind of need

1287
01:02:25,280 --> 01:02:28,440
Speaker 1: to figure out our aesthetic. Wow, we like it a cosmo.

1288
01:02:28,560 --> 01:02:30,200
Speaker 1: You know, we can maybe spruce it up.

1289
01:02:30,280 --> 01:02:33,840
Speaker 4: My set is made by these people at Interwoven Studios.

1290
01:02:33,920 --> 01:02:37,640
Speaker 4: I will give you their contact. They're amazing. And I

1291
01:02:37,720 --> 01:02:40,920
Speaker 4: have a person on my team named Harley and she

1292
01:02:41,080 --> 01:02:43,760
Speaker 4: does all my creative and so she works with me

1293
01:02:43,880 --> 01:02:46,280
Speaker 4: on everything. So for the first set, we did sixties.

1294
01:02:46,680 --> 01:02:49,360
Speaker 4: I think this set was seventies. I wanted to go eighties.

1295
01:02:49,440 --> 01:02:53,120
Speaker 4: Louise bitched me out about it. Louise, we say again,

1296
01:02:53,160 --> 01:02:54,960
Speaker 4: you actually told me I had bad ideas.

1297
01:02:55,560 --> 01:03:00,280
Speaker 1: What literally you've been viewing? That was a lot? What

1298
01:03:00,360 --> 01:03:04,160
Speaker 1: do they call you? Chief of staff? Yeah? Yeah, no managers?

1299
01:03:04,160 --> 01:03:08,320
Speaker 1: My manager? Oh okay, yeah, manager, chief of staff. She

1300
01:03:08,400 --> 01:03:12,920
Speaker 1: runs she runs my life. No, Louis, I know, like you,

1301
01:03:12,920 --> 01:03:15,840
Speaker 1: there should be like a big articles written about you. No,

1302
01:03:15,920 --> 01:03:17,880
Speaker 1: I really, I really don't you feel proud of her?

1303
01:03:18,240 --> 01:03:22,440
Speaker 4: Beyond we had something planned for Saturday, She goes, oh,

1304
01:03:22,800 --> 01:03:23,640
Speaker 4: Friday and Saturday?

1305
01:03:23,640 --> 01:03:25,960
Speaker 1: Are you again? There goes my personal time. What I'm

1306
01:03:26,000 --> 01:03:29,919
Speaker 1: saying you you have star quality she really do. She does.

1307
01:03:30,280 --> 01:03:33,760
Speaker 1: My chief of staff has star quality to Melissa. Melissa,

1308
01:03:33,800 --> 01:03:36,360
Speaker 1: you probably have because we're we're now inseparable. Yeah, I

1309
01:03:36,480 --> 01:03:38,640
Speaker 1: definitely have me, Melista. She put me in this, in

1310
01:03:38,720 --> 01:03:40,920
Speaker 1: this What are you wearing today to the panel?

1311
01:03:41,280 --> 01:03:41,760
Speaker 2: Oh?

1312
01:03:41,800 --> 01:03:44,040
Speaker 1: Actually it's gonna be really cute. Okay, Bowen Yang, are

1313
01:03:44,040 --> 01:03:46,080
Speaker 1: you ready to do? I don't think so, honey. All right,

1314
01:03:46,320 --> 01:03:48,000
Speaker 1: this is Bowen Yang's I don't think so, honey. His

1315
01:03:48,080 --> 01:03:49,600
Speaker 1: time starts now. I don't think so honey.

1316
01:03:49,640 --> 01:03:51,960
Speaker 2: When the fart don't come out, I don't like it

1317
01:03:52,000 --> 01:03:54,320
Speaker 2: when it's when it's stuck in there and I know

1318
01:03:54,400 --> 01:03:54,960
Speaker 2: you're in there.

1319
01:03:55,000 --> 01:03:57,200
Speaker 1: Get out of there. You know what I'm saying.

1320
01:03:57,480 --> 01:04:00,680
Speaker 2: Yeah, when the gas builds up and then it's like, okay,

1321
01:04:00,920 --> 01:04:04,760
Speaker 2: now we're playing cooy, like, get out of there. Y'all

1322
01:04:04,800 --> 01:04:07,120
Speaker 2: know what I'm talking about. Everyone's looking away in shame,

1323
01:04:07,160 --> 01:04:10,040
Speaker 2: as if they don't relate. This happens to us all,

1324
01:04:10,160 --> 01:04:12,440
Speaker 2: especially to me. I know I have gi issues. I've

1325
01:04:12,440 --> 01:04:15,120
Speaker 2: tried to get my gut health figured out. My heart's

1326
01:04:15,120 --> 01:04:19,000
Speaker 2: stock like my heart stop. I want the fart to

1327
01:04:19,080 --> 01:04:21,960
Speaker 2: start thirty seconds printed on the shirt.

1328
01:04:22,040 --> 01:04:22,680
Speaker 1: I want the fart.

1329
01:04:22,680 --> 01:04:25,919
Speaker 2: I want to start, start, and otherwise I'm just there

1330
01:04:25,960 --> 01:04:28,520
Speaker 2: with the bubble kind of squirming around in there.

1331
01:04:29,360 --> 01:04:34,280
Speaker 1: Awful. I want like it's like, I get it.

1332
01:04:34,280 --> 01:04:37,200
Speaker 2: It's it's poop dust. I know it's gross. I know

1333
01:04:37,200 --> 01:04:39,880
Speaker 2: we're all a little squeamish. It's theory of the abject.

1334
01:04:40,000 --> 01:04:42,560
Speaker 2: We're all like, oh, we want there were gay guys

1335
01:04:42,560 --> 01:04:45,640
Speaker 2: talking about their butttholes again five seconds. Farts need to

1336
01:04:45,880 --> 01:04:49,920
Speaker 2: be discoursed a little bit more. We're stigmatizing farts and.

1337
01:04:49,840 --> 01:04:51,360
Speaker 1: That's what minute. I just want to say that I

1338
01:04:51,400 --> 01:04:54,240
Speaker 1: looked over, So Doug is in the room today. He's

1339
01:04:54,280 --> 01:04:56,640
Speaker 1: not usually in the room, and I looked over two

1340
01:04:56,680 --> 01:04:59,720
Speaker 1: times during this episode, and he was lit up when

1341
01:04:59,760 --> 01:05:03,120
Speaker 1: you did that this heart humor and tame and Paula.

1342
01:05:03,800 --> 01:05:07,240
Speaker 1: Both times I saw you beaming, smiling and more. You

1343
01:05:07,320 --> 01:05:07,760
Speaker 1: loved it.

1344
01:05:08,240 --> 01:05:11,920
Speaker 2: You like, what, what, how do we get this together?

1345
01:05:12,000 --> 01:05:13,560
Speaker 2: I just have to see his ed g I person.

1346
01:05:13,680 --> 01:05:15,320
Speaker 2: You know, no, you know what it is. Also, it's

1347
01:05:15,320 --> 01:05:17,480
Speaker 2: a little bit of fart shame. So the reason's fart

1348
01:05:17,480 --> 01:05:19,600
Speaker 2: gets stuck is because you have that brief moment of

1349
01:05:19,640 --> 01:05:21,520
Speaker 2: like should it come out or should it not? And

1350
01:05:21,560 --> 01:05:22,880
Speaker 2: then it's like, you know what, I'm not going to

1351
01:05:23,200 --> 01:05:23,480
Speaker 2: come out.

1352
01:05:23,480 --> 01:05:25,480
Speaker 1: Then, well, let me tell you something. He's usually not

1353
01:05:25,600 --> 01:05:26,360
Speaker 1: very shy about it.

1354
01:05:26,440 --> 01:05:28,760
Speaker 2: Well, I'm not sure. I'm not just like an angry

1355
01:05:28,800 --> 01:05:33,000
Speaker 2: Egyptian king. I'm not shy around my friends. And maybe

1356
01:05:33,040 --> 01:05:35,760
Speaker 2: you need a dick make your heart stop.

1357
01:05:37,120 --> 01:05:41,680
Speaker 1: Sorry, maybe that would make the fart fart? Wait, isn't

1358
01:05:41,680 --> 01:05:43,880
Speaker 1: it ice, Spice? That ship You ain't the ship, You

1359
01:05:43,920 --> 01:05:49,440
Speaker 1: ain't even the fart. Yes, I spe ship, bitch, you

1360
01:05:51,960 --> 01:05:53,880
Speaker 1: know what is the fart and the ship? Or I

1361
01:05:53,880 --> 01:05:57,600
Speaker 1: don't think so, honey? Time? Okay, God, he can't wait.

1362
01:05:57,760 --> 01:06:00,480
Speaker 1: This is a moment in history. This is Jake Shane

1363
01:06:00,760 --> 01:06:02,920
Speaker 1: doing it. I don't think so, honey. That's a moment.

1364
01:06:02,960 --> 01:06:04,680
Speaker 4: That's a moment, and I need to like not think

1365
01:06:04,720 --> 01:06:06,240
Speaker 4: about how important it is to me so I can

1366
01:06:06,280 --> 01:06:06,880
Speaker 4: just let it rip.

1367
01:06:06,920 --> 01:06:09,360
Speaker 1: Oh yeah, a far like a Okay, this is Jake

1368
01:06:09,400 --> 01:06:11,440
Speaker 1: Shane's I don't think so, honey. As time starts now,

1369
01:06:11,600 --> 01:06:12,440
Speaker 1: I don't think so, honey.

1370
01:06:12,600 --> 01:06:15,280
Speaker 4: Ordering dessert at the same restaurant you just ordered dinner at,

1371
01:06:15,320 --> 01:06:19,000
Speaker 4: I am uncomfortable. I've eaten both an appetizer and an entree.

1372
01:06:19,200 --> 01:06:23,320
Speaker 4: The restaurant is hot. I've gone through every possible discourse

1373
01:06:23,360 --> 01:06:26,080
Speaker 4: with you that I could have possibly gone through. I

1374
01:06:26,120 --> 01:06:30,960
Speaker 4: want to leave. Yeah, there are specifics restaurants made for dessert.

1375
01:06:31,000 --> 01:06:33,200
Speaker 4: I e. Frozen yogurt chops. I eat ice cream chops,

1376
01:06:33,360 --> 01:06:37,320
Speaker 4: I eat bakeries. Get me the fuck out of this establishment.

1377
01:06:37,520 --> 01:06:41,440
Speaker 4: I am so uncomfortable when and also there are people

1378
01:06:41,520 --> 01:06:43,600
Speaker 4: waiting for our table. If we have gone to a

1379
01:06:43,640 --> 01:06:47,080
Speaker 4: restaurant that is good, people want the table. Why are

1380
01:06:47,080 --> 01:06:50,439
Speaker 4: we ordering dessert? My stomach wants something cold. I don't

1381
01:06:50,440 --> 01:06:52,360
Speaker 4: want a piece of warm cake that the chef is

1382
01:06:52,360 --> 01:06:57,640
Speaker 4: famous for. I'm uncomfortable. I've allotted enough time for sympathizers, entree,

1383
01:06:57,720 --> 01:06:59,800
Speaker 4: and then fifteen minutes for check time. I don't have

1384
01:06:59,840 --> 01:07:03,360
Speaker 4: the extra twenty minutes. Okay, I'm uncomfortable. I want to leave.

1385
01:07:03,600 --> 01:07:05,680
Speaker 4: I need to get out of there. And also the

1386
01:07:05,720 --> 01:07:08,960
Speaker 4: desert that good. Get me fro Yo any day. Get

1387
01:07:08,960 --> 01:07:10,360
Speaker 4: me the fuck out of the restaurant.

1388
01:07:10,480 --> 01:07:14,080
Speaker 1: And that's one minute. It is so true. We had

1389
01:07:14,120 --> 01:07:15,200
Speaker 1: dinner at to Tony's.

1390
01:07:15,720 --> 01:07:18,200
Speaker 2: I was like, did I say something because you were like,

1391
01:07:18,680 --> 01:07:19,320
Speaker 2: all right, I gotta go.

1392
01:07:20,120 --> 01:07:22,080
Speaker 1: It's so fun. Love you so much, literally would die

1393
01:07:22,120 --> 01:07:24,720
Speaker 1: for you, like out the door and then the gym

1394
01:07:24,760 --> 01:07:27,080
Speaker 1: you leave really fast because I will now reveal we've

1395
01:07:27,080 --> 01:07:28,840
Speaker 1: done gone to the gym together in cam.

1396
01:07:28,880 --> 01:07:30,320
Speaker 4: Yes after I had sex with a man and I

1397
01:07:30,360 --> 01:07:32,600
Speaker 4: called Matt freaking out, yes, and he said, oh sweet

1398
01:07:32,640 --> 01:07:34,080
Speaker 4: your friends with too many straight girls?

1399
01:07:34,240 --> 01:07:36,439
Speaker 1: Was it? Was it all okay? In the end, of course,

1400
01:07:36,440 --> 01:07:37,720
Speaker 1: it was all okay, okay, good?

1401
01:07:37,800 --> 01:07:41,080
Speaker 2: That was like, girl, I was like, He was like,

1402
01:07:41,120 --> 01:07:42,720
Speaker 2: have you ever had sex with the guy from Grinder?

1403
01:07:42,800 --> 01:07:46,680
Speaker 1: I was like, babe, I sit on my lap, let

1404
01:07:46,720 --> 01:07:49,760
Speaker 1: me tell your story, let me spin you a yarn. Well,

1405
01:07:50,040 --> 01:07:52,919
Speaker 1: I first of all, I relate to that. You're so right.

1406
01:07:53,120 --> 01:07:55,400
Speaker 1: You're so right. Did I do a good job? You

1407
01:07:55,080 --> 01:07:56,080
Speaker 1: were credible?

1408
01:07:56,120 --> 01:07:59,600
Speaker 2: I was footstomping. Why is you saying I am uncomfortable?

1409
01:07:59,640 --> 01:08:02,680
Speaker 2: Multiple full times sending I'm uncomfortable.

1410
01:08:02,720 --> 01:08:07,840
Speaker 4: Uncomfortable, Like we're sitting in like a booth and like

1411
01:08:07,920 --> 01:08:09,880
Speaker 4: what and like I'm like, I have to I have

1412
01:08:09,920 --> 01:08:11,680
Speaker 4: to go pee, And I'm like, all right, well let

1413
01:08:11,680 --> 01:08:12,040
Speaker 4: me get out.

1414
01:08:12,080 --> 01:08:13,880
Speaker 1: Well while you're getting out, let's just get up and leave.

1415
01:08:14,120 --> 01:08:14,800
Speaker 1: Do you know what I mean?

1416
01:08:15,320 --> 01:08:17,080
Speaker 2: Let's just get up and leave. It's in your mission

1417
01:08:17,160 --> 01:08:18,720
Speaker 2: or whatever. It's like, well, then we might as well leave.

1418
01:08:18,840 --> 01:08:22,120
Speaker 1: Oh god, I fucking hate it. Yeah, I get it,

1419
01:08:22,200 --> 01:08:24,599
Speaker 1: I will say, I am. I think I'm guilty of this.

1420
01:08:24,720 --> 01:08:27,120
Speaker 1: I always want to see the dessert menu. Oh my god,

1421
01:08:27,120 --> 01:08:29,080
Speaker 1: it's my number. What that pee? I say, do you

1422
01:08:29,080 --> 01:08:31,600
Speaker 1: want see the dessert menu? I'm okay, thank you. Yeah,

1423
01:08:31,680 --> 01:08:33,640
Speaker 1: I always want to see it. You know what I

1424
01:08:33,680 --> 01:08:35,720
Speaker 1: will say, I will cop to I always see the

1425
01:08:35,760 --> 01:08:37,479
Speaker 1: menu and I never do really order.

1426
01:08:37,680 --> 01:08:39,360
Speaker 2: Is this a Jewish thing because it's a Chinese. It's

1427
01:08:39,360 --> 01:08:41,000
Speaker 2: an Asian thing for sure. Where it's like we're like,

1428
01:08:41,320 --> 01:08:41,680
Speaker 2: what do you?

1429
01:08:41,680 --> 01:08:42,920
Speaker 1: What do you? What do you mean get to? I mean,

1430
01:08:42,960 --> 01:08:46,800
Speaker 1: I'm just impatient and miserable, like a Jewish thing. I

1431
01:08:46,800 --> 01:08:47,080
Speaker 1: don't know.

1432
01:08:47,160 --> 01:08:50,040
Speaker 4: Sorry but sorry, I'm making it about and no, but

1433
01:08:50,280 --> 01:08:54,040
Speaker 4: I like a quick meal. That's why I like dim sum.

1434
01:08:54,520 --> 01:08:56,559
Speaker 1: Thank you. That's why I like dim sum. You know

1435
01:08:56,600 --> 01:08:58,800
Speaker 1: what I get upset about like when the when the

1436
01:08:58,880 --> 01:09:02,000
Speaker 1: meal hits the table, I get really sad. I'm hungry,

1437
01:09:02,000 --> 01:09:04,720
Speaker 1: of course, but it means that the conversation is almost over.

1438
01:09:04,880 --> 01:09:07,320
Speaker 1: Oh my god, because the meal hitting that you can

1439
01:09:07,400 --> 01:09:08,320
Speaker 1: have a conversation anywhere.

1440
01:09:08,320 --> 01:09:10,200
Speaker 4: I can't have a conversation anywhere. I'm there for food.

1441
01:09:10,280 --> 01:09:12,040
Speaker 4: What I love about dim sum is you sit down

1442
01:09:12,240 --> 01:09:13,600
Speaker 4: cart in front of your face? What the fuck do

1443
01:09:13,600 --> 01:09:13,880
Speaker 4: you want?

1444
01:09:14,240 --> 01:09:14,640
Speaker 1: I want this?

1445
01:09:14,760 --> 01:09:14,800
Speaker 4: That?

1446
01:09:14,960 --> 01:09:17,559
Speaker 1: And third you want the track? We're out. We're done. Yeah,

1447
01:09:17,600 --> 01:09:19,559
Speaker 1: we're done. It's so quick, it's so perfect.

1448
01:09:19,680 --> 01:09:21,600
Speaker 2: You want more? Oh yeah, there's a nother there's the

1449
01:09:21,680 --> 01:09:24,120
Speaker 2: carts coming back around. Yeah, don't you worry about it? No,

1450
01:09:24,200 --> 01:09:27,240
Speaker 2: wait time love a fast casual love Chipotle.

1451
01:09:27,120 --> 01:09:31,680
Speaker 1: Yes, fast casual? You and I yeah, no Chipotle. I

1452
01:09:31,680 --> 01:09:32,759
Speaker 1: gotta I gotta go on therapy.

1453
01:09:32,800 --> 01:09:36,679
Speaker 2: You've gotta come up. There happened like now wicked press,

1454
01:09:36,720 --> 01:09:37,320
Speaker 2: wicked Press.

1455
01:09:37,320 --> 01:09:40,439
Speaker 1: Okay, so to literally it's coming off of this this

1456
01:09:40,479 --> 01:09:43,000
Speaker 1: conversation about needing to leave, like I actually do need

1457
01:09:43,040 --> 01:09:45,000
Speaker 1: to leave because I have Doug Peck in ten minutes.

1458
01:09:46,040 --> 01:09:48,640
Speaker 1: But I will say this, you must return to the

1459
01:09:48,640 --> 01:09:49,360
Speaker 1: show many times.

1460
01:09:49,400 --> 01:09:53,440
Speaker 2: Really you are, brother, doorder. I'm sorry, it's all incestuous,

1461
01:09:53,439 --> 01:09:56,000
Speaker 2: it's all fucked, but we're I've had such a lovely time.

1462
01:09:56,240 --> 01:10:00,040
Speaker 1: This has been so fun and I'm so happy that

1463
01:10:00,120 --> 01:10:03,720
Speaker 1: it happened. And because he's almost never in Los Angeles,

1464
01:10:03,760 --> 01:10:05,479
Speaker 1: so I knew that once we had to connect. But

1465
01:10:05,520 --> 01:10:08,320
Speaker 1: also we're gonna return to a conversation about getting you

1466
01:10:08,320 --> 01:10:11,639
Speaker 1: out to New York. Not to freak Louise out. It's

1467
01:10:11,640 --> 01:10:14,120
Speaker 1: gonna happen. Yeah, she wants it. Oh you want it?

1468
01:10:14,280 --> 01:10:17,840
Speaker 4: No, our recent trip, Yeah, our recent trip. We were like,

1469
01:10:17,840 --> 01:10:22,240
Speaker 4: ooh oh maybe no, it's interesting. We'll wash that off. Yeah, worry,

1470
01:10:22,280 --> 01:10:23,519
Speaker 4: we'll We'll clean the slate.

1471
01:10:23,680 --> 01:10:26,240
Speaker 1: This is so fun. Therapist obviously is a podcast you

1472
01:10:26,280 --> 01:10:31,000
Speaker 1: probably already love and are consuming all the time. But

1473
01:10:31,080 --> 01:10:33,720
Speaker 1: if you're not, you should and more to come. By

1474
01:10:33,760 --> 01:10:35,040
Speaker 1: the way, we didn't even talk about how great you

1475
01:10:35,040 --> 01:10:39,000
Speaker 1: were on hacks. Oh, thank you, thank you. We talked

1476
01:10:39,000 --> 01:10:40,880
Speaker 1: about the pop girls and isn't that what matters?

1477
01:10:41,000 --> 01:10:41,280
Speaker 4: Yeah?

1478
01:10:41,320 --> 01:10:44,280
Speaker 1: Truly, that's why you must return. Yeah. We end every

1479
01:10:44,280 --> 01:10:47,479
Speaker 1: episode with a song. I'm not a teacher, baby, but

1480
01:10:48,040 --> 01:10:50,880
Speaker 1: I could teach you something. Not a preacher, but we

1481
01:10:50,920 --> 01:10:53,840
Speaker 1: can pray if you want to. Not a doctor, but

1482
01:10:54,479 --> 01:10:57,240
Speaker 1: can make you feel better. And I'm great and write

1483
01:10:57,400 --> 01:11:04,679
Speaker 1: if physical let us. I'm a freak all day all night. Yeah,

1484
01:11:04,720 --> 01:11:09,040
Speaker 1: out of sight and crazy all day all night. Who

1485
01:11:09,120 --> 01:11:12,559
Speaker 1: needs a degree? My school in life? So I mess

1486
01:11:12,640 --> 01:11:19,720
Speaker 1: up with a way bye. Last culture Reactis is the

1487
01:11:19,720 --> 01:11:22,520
Speaker 1: production by Will Ferrell's Big Money Players in iHeartRadio Podcasts,

1488
01:11:22,800 --> 01:11:26,160
Speaker 1: created and hosted by Matt Rogers and Bowen Yang. Executive

1489
01:11:26,160 --> 01:11:29,559
Speaker 1: produced by Anna Hasby and produced by Decca Ramos, edited

1490
01:11:29,560 --> 01:11:31,840
Speaker 1: a mixed by Duck Babe and our music is by

1491
01:11:31,880 --> 01:11:36,639
Speaker 1: Henke Bersky