WEBVTT - The Book of Boba Fett Finale

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<v Speaker 1>Warning. Today's episode contains kobious spoilers for the finale of

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<v Speaker 1>Book Boba Fett, and really that's it. I think we

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<v Speaker 1>spoil some stuff from the original Star Wars trilogia, So

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<v Speaker 1>if by wild chance you're not familiar with the original trilogy,

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<v Speaker 1>just beware of that spoilers. Spoiler spoilers. If you haven't

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<v Speaker 1>watched the finale of Book a Boavet, do that now,

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<v Speaker 1>then come back and listen and give us five stars.

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<v Speaker 2>Hello.

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<v Speaker 1>My name is Jason Concepcion, and welcome to x ray Vision,

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<v Speaker 1>the Crooked Podcast, where we dive deep into your favorite shows, movies, comics,

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<v Speaker 1>and pop culture. In today's episode on previously on, we

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<v Speaker 1>discuss the incredible raft of news that dropped mere moments

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<v Speaker 1>before we hit record on this podcast. In the airlock,

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<v Speaker 1>we talked the Book of Boba Fett finale, ride that

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<v Speaker 1>rank or baby un nerd out. A listener proposes that

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<v Speaker 1>we all engage with Jim Butcher's trust in files and

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<v Speaker 1>in the endgame. We discuss the medal of Yavin, who

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<v Speaker 1>gets it from the Book of Bobafet, our picks for

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<v Speaker 1>the winner of the Book of Boaveet and joining us

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<v Speaker 1>today the legend, the myth, the icon, the brilliant Rosie Night, Rosie,

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<v Speaker 1>how are you hello?

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<v Speaker 3>I'm good. It's nice to have moved from mythological status

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<v Speaker 3>to real life status.

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<v Speaker 1>Yeah, Rosie, how are you?

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<v Speaker 3>First of all, Yeah, I'm doing okay, still twenty twenty two,

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<v Speaker 3>but we're living and there was so much news before

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<v Speaker 3>we started recording. It's like God, we were like, oh, yeah,

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<v Speaker 3>we know what we're covering today. It's gonna talk about

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<v Speaker 3>Boba fet. I'm gonna say some things might happen. It's

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<v Speaker 3>like everything is happening.

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<v Speaker 1>Let's talk news. First of all, The Lord of the

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<v Speaker 1>Rings first look Peace dropped on Vanity Fair with a

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<v Speaker 1>byline from Anthony Brizikin and Joanna Robinson. We get a

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<v Speaker 1>look at the actors who are playing the various characters.

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<v Speaker 1>We'll have more to say about this after the trailer

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<v Speaker 1>drops during the super Bowl, but any initial reactions, Rosy,

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<v Speaker 1>I think.

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<v Speaker 3>It continues to prove what we thought Amazon was trying

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<v Speaker 3>to prove, which is like craft and texture and practicality.

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<v Speaker 3>It looks really good and it looks really real that

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<v Speaker 3>a lot of what they shared was costume focused, practical focused,

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<v Speaker 3>smartet focused, and yeah, it looks really good. And I

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<v Speaker 3>think it's like people are going to be stoked that

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<v Speaker 3>Gladriel's really there played by who they thought it was

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<v Speaker 3>going to be played by, and kind of this is

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<v Speaker 3>our first look at proper characters and kind of how

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<v Speaker 3>they look in the world, and I think it looks

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<v Speaker 3>really cool. I'm stoked to see the trailer.

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<v Speaker 1>Some of the include Owayne Arthur as Prince during the

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<v Speaker 1>fourth the elf Arndier played by Ismail Cruz Cordova, of course,

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<v Speaker 1>Gladriel Elrond played by Robert Arameo, and more. I think

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<v Speaker 1>it's very smart to show how much of the craft

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<v Speaker 1>is front and center in this show, because there's no

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<v Speaker 1>shortage of sci fi slash comics slash fantasy adaptions that

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<v Speaker 1>have been sunk because the wigs look bad. You know,

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<v Speaker 1>the wigs just look cheap, and that is not the

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<v Speaker 1>case with this. Everything looks really real and lived in

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<v Speaker 1>and I can't wait to see the trailer. Speaking of

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<v Speaker 1>Super Bowl trailers, some rumors for trailers that might drop

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<v Speaker 1>during the Super Bowl. Now, Jurassic World Dominion drop today,

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<v Speaker 1>so that's out. We've got dinosaurs like in the American West.

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<v Speaker 1>It is Yellowstone meets dinosaurs, Yeah, and meets a surprise

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<v Speaker 1>like cloning plot. I don't care. I'm in me too.

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<v Speaker 3>Chris Pratt's like riding a motorcycle through Italy being chased

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<v Speaker 3>by raptors, and then Laura Dunn is there looking really cool,

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<v Speaker 3>and Sam.

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<v Speaker 1>Neil's there looking really back together again.

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<v Speaker 3>Yeah, who knows. I hope that finally we'll get to

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<v Speaker 3>see a romantic connection. I love those two, probably one

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<v Speaker 3>of my original childhood ships. But yeah, it looks absolutely

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<v Speaker 3>bonkers and I will be watching it.

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<v Speaker 1>I also love the fact that it's like Chris Pratt's

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<v Speaker 1>character has smuggled his hit Raptor Blue like out of

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<v Speaker 1>the island and it is just like raising it.

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<v Speaker 3>Yeah, and his clone adopted daughter his boiler alert.

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<v Speaker 1>This is I'm excited. It's gonna be wild. I love

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<v Speaker 1>Jurassic World. I love all the Jurassics. I just like

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<v Speaker 1>dinosaurs stopping around, incredible music. It's got it all, so okay.

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<v Speaker 1>Unconfirmed trailers for the Super Bowl, Uh, Doctor Strange in

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<v Speaker 1>the Multiverse of manas you think we'll see it?

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<v Speaker 3>It would make sense. I mean, the movie comes out pretty.

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<v Speaker 1>Soon May sixth A Disney sizzle reel for their upcoming

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<v Speaker 1>Disney Plue shows, which would include some Moon Night stuff,

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<v Speaker 1>some Obi Wan Kenobi stuff, She Hulk, Miss Marvel, and

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<v Speaker 1>possibly more. I would not be surprised to see that,

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<v Speaker 1>and possibly might we see for the Sonic fans out

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<v Speaker 1>there Sonic the Hedgehog two, the first trailer was released

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<v Speaker 1>in December, but could there be another one?

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<v Speaker 3>They've had some TV spots recently, like I saw one yesterday,

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<v Speaker 3>so like, I feel like Sonic's already out there, but

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<v Speaker 3>I do feel like people want to see more of

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<v Speaker 3>Idris Alba dress Alber's knuckles, so I'm sure that people

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<v Speaker 3>will want to see that. Will it be a super

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<v Speaker 3>book trailer? I don't know. This year is so weird.

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<v Speaker 1>I'm just like weird.

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<v Speaker 3>Maybe maybe that will be the big superhero trailer. Donut

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<v Speaker 3>King and Sonic back again.

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<v Speaker 1>Let's talk about Kenoby. We got a poster and a

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<v Speaker 1>release date and a short plot synopsis for Kenobi. A

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<v Speaker 1>snopsis follows. The story begins ten years after the dramatic

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<v Speaker 1>events of Star Wars Revenger of the Sith, where Obi

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<v Speaker 1>Wan Kenobi faced his greatest defeat, the downfall corruption of

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<v Speaker 1>his best friend and Jedi apprentice Anakin Skywalker who turned

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<v Speaker 1>to the dark side as the evil Sith Lord Darth Vader.

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<v Speaker 1>Spoiler for everybody who's not seen the Original Children. That

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<v Speaker 1>show will release on May twenty fifth. I'm extremely excited

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<v Speaker 1>for it. The poster looks intriguing. I would not be

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<v Speaker 1>surprised if a bunch of the kind of dangling ends

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<v Speaker 1>from Book of Boba Fett are picked up in this show,

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<v Speaker 1>which of course doesn't match up timeline wise. But there's

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<v Speaker 1>certain things about tattooine, etc. Like references that didn't get

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<v Speaker 1>answered in the Book of Bovette that I think. I

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<v Speaker 1>wonder if we will get answers to those things in

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<v Speaker 1>this show.

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<v Speaker 3>They're definitely they're definitely in the space of trying to

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<v Speaker 3>make everything really interconnected. So I think that's a really

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<v Speaker 3>good call. Also, I think if anyone wants to do

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<v Speaker 3>some pre reading, I know that we like to do

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<v Speaker 3>that here. So there's this comic series called from the

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<v Speaker 3>Journals of Obi Wan Kenobi, and they have it as

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<v Speaker 3>a trade. You can get it on Comicsology, you can

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<v Speaker 3>get it from your local comic shop. And the costume

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<v Speaker 3>he has here with the big hood over his head

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<v Speaker 3>and everything it's really evocative of that series, and that

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<v Speaker 3>series is kind of him in the desert, just like

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<v Speaker 3>having some adventures helping people out. So I think that

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<v Speaker 3>could kind of be at least an aesthetic inspiration, even

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<v Speaker 3>if it's not a literal narrative one. So I think

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<v Speaker 3>it's gonna be really exciting. I love you and McGregor.

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<v Speaker 3>I love Benny Saftie, who for some reasons in this

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<v Speaker 3>movie so like in this show. So I'm just like

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<v Speaker 3>so ready to that. I know, unbelievable, unbelievable good time

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<v Speaker 3>to Obi Wan Kenobi.

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<v Speaker 1>I mean, like when we haven't even like Hayden Christensen

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<v Speaker 1>returning as Anakin Skywalker slash Darth Vader. Just I think

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<v Speaker 1>belly Bavia Kumail does he get the shirtless like moment

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<v Speaker 1>in this do we get to see the rippling muscles?

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<v Speaker 1>One of my favorites in Dear Varma, she's so good

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<v Speaker 1>from Game of Thrones, from Rome, from many other things,

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<v Speaker 1>one of my very very favorites. Uh, super super excited

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<v Speaker 1>for this. Next up, Futurama returns on Hulu after runs

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<v Speaker 1>on Fox, reruns on Adult Swim, and a short revival

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<v Speaker 1>at Comedy Central. Futurama the creation of Mac Groning and

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<v Speaker 1>David X. Coullen will return on Hulu for a twenty

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<v Speaker 1>episode run for Beering in twenty twenty three. This is

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<v Speaker 1>important for many reasons, One because Futurama is hilarious, and

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<v Speaker 1>two because our sometime co host Cody zig Ziggler book

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<v Speaker 1>is on the writing seven of the show. And then finally, Rosie,

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<v Speaker 1>what have you been reading? What have you been up

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<v Speaker 1>to any rex for the people before we move on

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<v Speaker 1>to the discussion.

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<v Speaker 3>Yes, I have been reading this book that was on

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<v Speaker 3>my libray'es hold list for a really long time since

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<v Speaker 3>it came out, called Devil House by John Darneil, and

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<v Speaker 3>it is so good. It's like really scary. It's about

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<v Speaker 3>a true crime author who moves into a house that

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<v Speaker 3>where a murder purportedly took place. But it's it's not

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<v Speaker 3>every time you think you know what the book is,

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<v Speaker 3>you don't. It's like an excavation of true crime culture.

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<v Speaker 3>It's an excavation of family seek. It's like it's really meta,

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<v Speaker 3>but it's really engaging, and it looks and feels like

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<v Speaker 3>a classic kind of seventies horror novel, but it's just

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<v Speaker 3>so great, Like I actually had a different book I

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<v Speaker 3>was going to wreck, but I started reading this and

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<v Speaker 3>I was just like, everyone needs to read this. It's

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<v Speaker 3>so gripping and immersive and spooky and very timely with

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<v Speaker 3>all the way that true crime kind of permeates our culture. Now,

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<v Speaker 3>what about you.

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<v Speaker 1>I'm going to put that on my list after I

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<v Speaker 1>finish Andy Weer's Tail Mary, which for anybody that like

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<v Speaker 1>the Martian Andy Where is back in the Martian mode,

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<v Speaker 1>which is like super brilliant scientist is like wow, science

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<v Speaker 1>while dead people are like all around him, and he's

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<v Speaker 1>fine with it because the science is amazing, which is

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<v Speaker 1>exactly what I want from Andywhere. I just finished The

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<v Speaker 1>Absolute Book by Elizabeth Knox. Elizabeth Knox is a New

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<v Speaker 1>Zealand author who worked mainly in fantasy and YA and

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<v Speaker 1>The Absolute Book is like just an incredible blend of

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<v Speaker 1>various mythologies and influences. It's a fantasy novel with aspects

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<v Speaker 1>of like true crime, much like you were talking about.

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<v Speaker 1>There's a murder that sets the ball rolling. There is

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<v Speaker 1>Norse mythology, there's Irish mythology, all blends together in this

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<v Speaker 1>really unique world and take on the fantasy genre with

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<v Speaker 1>undercurrents of like climate change and the state of our

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<v Speaker 1>cultural politics. It's really cool and really well done with

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<v Speaker 1>like the opening of it is really propulsive, and a

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<v Speaker 1>book that I was not sure where it was going

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<v Speaker 1>to go at any given time. I really enjoyed it.

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<v Speaker 1>It's long, be warned, it's like seven hundred pages, folks,

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<v Speaker 1>but it was really good. If you're looking for a

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<v Speaker 1>fantasy novel, the absolute book, it's good. Also. I went

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<v Speaker 1>to with our good friend Malory Rubin. I went to

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<v Speaker 1>this rare book fair and Pasadena and picked up a

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<v Speaker 1>first edition Symaranian no Bucks first like seventy bucks. It

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<v Speaker 1>was great. Saw a lot of cool other books like

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<v Speaker 1>all these like super cool like astonishing science, old pulps

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<v Speaker 1>and stuff signed by Ray Bradbury, a lot of stuff

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<v Speaker 1>that was just like way too expensive to buy. But

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<v Speaker 1>here's the thing about rare books. The wild stuff is

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<v Speaker 1>like way too expensive, But why isn't it more expensive?

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<v Speaker 1>They had like a first folio Shakespeare from sixteen eighty

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<v Speaker 1>that was like seventy five thousand dollars, Like why is

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<v Speaker 1>that not like five million dollars? I don't understand, But

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<v Speaker 1>that's absolutely fine. They had like a first edition Emma

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<v Speaker 1>by Jane Austen. That was you know, that's like from

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<v Speaker 1>what eighteen fifteen, which was like super expensive also but

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<v Speaker 1>also like not crazy, like like if I was a

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<v Speaker 1>rich guy, I think i'd buy it. It was really

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<v Speaker 1>fun and it was great to hang out.

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<v Speaker 4>Up.

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<v Speaker 1>Next, let's talk Book a Boba Fette finale. All right,

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<v Speaker 1>folks were stepping out of the airlock to dive into

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<v Speaker 1>the finale of the Book of Boba fet titled In

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<v Speaker 1>the Name of Honor, written by Jon Favreau, directed by

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<v Speaker 1>Robert Rodriguez. Let's get into the recap. We open up

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<v Speaker 1>with Boba and Fennick Shand in the ruins of Garca

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<v Speaker 1>Flips Sanctuary Cantina Bells. I guess for a Garca Flip,

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<v Speaker 1>I was holding out hope that maybe she survived, that

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<v Speaker 1>Max Rebo survived, that the other members of the bands

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<v Speaker 1>were but I think everybody might have bought it.

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<v Speaker 3>I'm still saying that Max Rebo was on his day off.

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<v Speaker 3>I will not accept it, but I do feel like

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<v Speaker 3>they've basically returned Max Rebo to his like pre New

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<v Speaker 3>era or continuity where it was like we didn't know

0:12:56.920 --> 0:12:58.920
<v Speaker 3>what was Did he survive the Bodge did you know?

0:12:59.400 --> 0:13:02.480
<v Speaker 3>So I'm taking that doing this, but in my hypecanon,

0:13:02.679 --> 0:13:04.880
<v Speaker 3>he is definitely still alive. I will not.

0:13:05.080 --> 0:13:08.240
<v Speaker 1>I mean, my guy survived the bar, so he has

0:13:08.360 --> 0:13:12.360
<v Speaker 1>survived worse. I hope that he's still out there. Tentative

0:13:12.440 --> 0:13:16.280
<v Speaker 1>bells for Garca whip. Yeah, I'm hoping Max made it.

0:13:16.600 --> 0:13:19.640
<v Speaker 1>Fet worried about the war that is to come, the

0:13:19.720 --> 0:13:22.800
<v Speaker 1>war with the Pikes. It is here. Fet worries that

0:13:23.320 --> 0:13:25.360
<v Speaker 1>the cost of this war is going to fall hardest

0:13:25.679 --> 0:13:29.079
<v Speaker 1>of the citizens of moss Espa. Mando arrives and is like,

0:13:29.200 --> 0:13:34.360
<v Speaker 1>good news, folks, Cob Vanph remember him, and the people

0:13:34.480 --> 0:13:39.400
<v Speaker 1>of Freetown. They're calling it Freetown now, okay, it's no

0:13:39.559 --> 0:13:42.480
<v Speaker 1>longer the moss Pelgos Terrictory is. This is Freetown. Now,

0:13:43.000 --> 0:13:46.880
<v Speaker 1>are coming to our aid there joining the fight, folks.

0:13:47.480 --> 0:13:50.400
<v Speaker 1>It's good news now. Of course, Mando does not know

0:13:50.880 --> 0:13:57.400
<v Speaker 1>that cad Bane wounded, slash killed Cob vmph and certainly

0:13:57.480 --> 0:14:02.200
<v Speaker 1>murdered the Cobb's young deputy just your moments after Dynn left,

0:14:02.520 --> 0:14:05.640
<v Speaker 1>Cop Vance and Vant and his people will do the

0:14:06.000 --> 0:14:09.000
<v Speaker 1>job for free. Mando says, it's kind of free. It's

0:14:09.160 --> 0:14:13.319
<v Speaker 1>free in terms of money, but Boba needs to let

0:14:13.720 --> 0:14:16.840
<v Speaker 1>the people of Freetown shut down the spice straight. That's

0:14:17.160 --> 0:14:19.560
<v Speaker 1>the deal. Shand is like, I don't know. That's like

0:14:19.640 --> 0:14:21.360
<v Speaker 1>a lot of money, and Boba's like, don't worry about it.

0:14:21.800 --> 0:14:23.600
<v Speaker 1>In the I know we're going to take an economic

0:14:23.720 --> 0:14:28.640
<v Speaker 1>hit because all of my illegal activity finances are based

0:14:28.720 --> 0:14:32.040
<v Speaker 1>on this, or at least some large amount. But it'll

0:14:32.080 --> 0:14:33.720
<v Speaker 1>work out in the long run. We don't know how,

0:14:33.840 --> 0:14:36.200
<v Speaker 1>but Boba seems confident that it will work out in

0:14:36.240 --> 0:14:41.200
<v Speaker 1>the long run. But still, even with Chrysanton, with the Mods,

0:14:41.840 --> 0:14:46.320
<v Speaker 1>with Finek at his side, Boba's side is outnumbered. They're outnumbered.

0:14:46.760 --> 0:14:49.640
<v Speaker 1>Boba wants to wait out Van's arrival at Joba's palace,

0:14:49.760 --> 0:14:52.800
<v Speaker 1>where you know it's more defensible there. But then scat

0:14:52.920 --> 0:14:55.720
<v Speaker 1>and trash of the Mods are like, okay, coward, go

0:14:56.040 --> 0:14:58.800
<v Speaker 1>hide and you mention away from the people.

0:15:00.000 --> 0:15:04.920
<v Speaker 2>A solidarity with our proletariat brothers demands that we not

0:15:05.160 --> 0:15:09.680
<v Speaker 2>retreat one step from the ruins of moss Espa's premier

0:15:09.800 --> 0:15:11.200
<v Speaker 2>nightclub sanctuary.

0:15:12.120 --> 0:15:15.200
<v Speaker 1>So Boba's like, okay, fine, well we'll meet the foe here.

0:15:15.400 --> 0:15:15.520
<v Speaker 3>Now.

0:15:15.640 --> 0:15:19.640
<v Speaker 1>This is a terrible idea, terrible, terrible so the ideas

0:15:19.720 --> 0:15:24.040
<v Speaker 1>we're concerned about the citizens of moss Espa, so understanding

0:15:24.120 --> 0:15:27.360
<v Speaker 1>that Boba is the target of this fight, we should

0:15:27.720 --> 0:15:31.320
<v Speaker 1>remain here amongst the people of Mosesba so that the

0:15:31.440 --> 0:15:34.360
<v Speaker 1>battle is closest to the people we are trying to protect.

0:15:35.080 --> 0:15:38.160
<v Speaker 1>Drash I don't think it's a good idea, but you're young,

0:15:38.240 --> 0:15:41.240
<v Speaker 1>and you got that fire and you care about the people,

0:15:41.400 --> 0:15:43.920
<v Speaker 1>so like, let's go with it and just see where

0:15:44.000 --> 0:15:44.760
<v Speaker 1>the chips fall.

0:15:44.840 --> 0:15:46.760
<v Speaker 3>I feel like Boba's going to stop taking as much

0:15:46.760 --> 0:15:50.480
<v Speaker 3>advice from teenagers. And I actually love I love the.

0:15:50.560 --> 0:15:52.960
<v Speaker 1>Mod squad, I love the cool I do love them.

0:15:53.160 --> 0:15:56.800
<v Speaker 3>We had like that's the cyberpunk stuff that we never

0:15:56.840 --> 0:15:59.080
<v Speaker 3>get to see, where people make those choices and that

0:15:59.240 --> 0:16:02.880
<v Speaker 3>makes their lives and those are like cool additions to

0:16:03.000 --> 0:16:04.800
<v Speaker 3>their bodies and the way that they live their life.

0:16:04.840 --> 0:16:07.480
<v Speaker 3>So I love that aspect. But also I'm like, Boba,

0:16:07.520 --> 0:16:09.360
<v Speaker 3>you could have just gone somewhere far away and made

0:16:09.440 --> 0:16:11.800
<v Speaker 3>cat Baane meet you there, so that Mosski would have

0:16:11.840 --> 0:16:14.360
<v Speaker 3>been like, Okay, as we see, this plan does go

0:16:14.760 --> 0:16:17.440
<v Speaker 3>terribly wrong, it goes very.

0:16:17.520 --> 0:16:21.560
<v Speaker 1>Very sideways, but nobody ever really presses Boba on it.

0:16:21.680 --> 0:16:25.680
<v Speaker 1>Later anyway, That night, cad Bane is stalking the streets

0:16:25.720 --> 0:16:28.920
<v Speaker 1>of moss Isley. He arrives at the Pike's headquarters. The

0:16:29.080 --> 0:16:31.760
<v Speaker 1>mayor is there, The mayor of moss Espa is there

0:16:31.880 --> 0:16:36.200
<v Speaker 1>talking with the Pike Captain. Cad reports that Free doown

0:16:37.320 --> 0:16:40.080
<v Speaker 1>will stay neutral, they'll stay out of it, and the

0:16:40.120 --> 0:16:42.880
<v Speaker 1>mayor worries that what about does Fet have any other allies?

0:16:42.920 --> 0:16:44.640
<v Speaker 1>What about the Tuscans? Where when he was with the

0:16:44.680 --> 0:16:48.240
<v Speaker 1>Tuscans for a while. Pike Captain says, Aha, guess what,

0:16:49.240 --> 0:16:53.560
<v Speaker 1>They're all dead and we kill them and Boba Fett

0:16:53.600 --> 0:16:57.520
<v Speaker 1>thinks the NCTO rators did it, and Boba committed genocide

0:16:57.520 --> 0:17:01.800
<v Speaker 1>against the NICKTO rators. So that is I completely that

0:17:02.640 --> 0:17:06.560
<v Speaker 1>that contract has closed. That is completely shut down. Don't

0:17:06.600 --> 0:17:09.399
<v Speaker 1>worry about it, Boba, We'll never find out. And all

0:17:09.480 --> 0:17:11.960
<v Speaker 1>of that is tied up with a bow. The mayor

0:17:12.359 --> 0:17:16.480
<v Speaker 1>objects to the bombing of garcif whips. The mayor is like, listen,

0:17:17.200 --> 0:17:19.000
<v Speaker 1>what am I gonna be mayor of if you guys

0:17:19.040 --> 0:17:23.159
<v Speaker 1>look just completely destroyed the city, So please stop doing that.

0:17:23.840 --> 0:17:26.440
<v Speaker 1>This is obviously problems since Fet and company are holed

0:17:26.560 --> 0:17:30.560
<v Speaker 1>up in the ruins of Sanctuary and kad says. Cadman says, well, well,

0:17:30.840 --> 0:17:33.240
<v Speaker 1>hold on, I think I know how I can get

0:17:33.560 --> 0:17:36.240
<v Speaker 1>fet out into the open. And to be fair, it's

0:17:36.280 --> 0:17:38.320
<v Speaker 1>not even like a secret plan. It's literally just like

0:17:38.400 --> 0:17:40.879
<v Speaker 1>a walk up and like say some stuff. Anyway, and

0:17:41.000 --> 0:17:45.840
<v Speaker 1>most icley, it's nighttime and x Wing lands at Pelimoto's garage.

0:17:46.400 --> 0:17:49.240
<v Speaker 1>Pelly and her droids leap to attention. They're thinking the

0:17:49.320 --> 0:17:52.480
<v Speaker 1>New Republic POPO were here to raid the joint and

0:17:52.600 --> 0:17:55.960
<v Speaker 1>check their certificates and see if they have the correct documentation.

0:17:56.680 --> 0:18:00.919
<v Speaker 1>But it's actually a Grogu and are two d at

0:18:01.000 --> 0:18:03.879
<v Speaker 1>the wheel of this ship? No cops. Pelly tells R

0:18:03.960 --> 0:18:06.600
<v Speaker 1>Two that Mando is in mos Espa, and then she

0:18:06.800 --> 0:18:11.119
<v Speaker 1>feeds Grogu a massive tray of eels. Grog Who's hungry.

0:18:11.240 --> 0:18:14.560
<v Speaker 3>Grogu's hungry boy and also good. I'm pretty sure this

0:18:14.760 --> 0:18:17.080
<v Speaker 3>is like such a weird, silly strig. But I'm pretty

0:18:17.080 --> 0:18:20.000
<v Speaker 3>sure this is like an episode one video game Eastrig

0:18:20.040 --> 0:18:22.440
<v Speaker 3>where I think there's dung worms and she says they're

0:18:22.480 --> 0:18:24.680
<v Speaker 3>dung worms or something like that. I'm sure one of

0:18:24.720 --> 0:18:27.360
<v Speaker 3>our listeners can get me right, but I'm pretty sure

0:18:27.400 --> 0:18:29.840
<v Speaker 3>that it's a it's a really one of those one

0:18:29.880 --> 0:18:31.440
<v Speaker 3>of those things that we've said we liked about this

0:18:31.480 --> 0:18:35.080
<v Speaker 3>show where they're constantly bringing in weird little bits of cannon. So, yes,

0:18:35.160 --> 0:18:38.040
<v Speaker 3>the baby eats some more gross food. This time they

0:18:38.080 --> 0:18:39.000
<v Speaker 3>are eli worms.

0:18:40.320 --> 0:18:44.080
<v Speaker 1>He said, it's just very very hungry growing boy. Back

0:18:44.160 --> 0:18:49.320
<v Speaker 1>in moss Espa, Fennick briefs the leadership. This is a weird,

0:18:50.320 --> 0:18:53.880
<v Speaker 1>very tell don't show scene in which Fennick lays out

0:18:54.560 --> 0:18:59.920
<v Speaker 1>there really not great plan, but again we're going with it.

0:19:00.119 --> 0:19:02.600
<v Speaker 1>This is democracy in action. So the rest of the gangs,

0:19:02.600 --> 0:19:07.440
<v Speaker 1>the Trandoshans, the Aquaalish Plutonians are going to honor their

0:19:07.680 --> 0:19:11.480
<v Speaker 1>packed with fet and stay on the sidelines. Shan says,

0:19:12.640 --> 0:19:16.240
<v Speaker 1>very unconvincingly, the Gomorians are going to go patrol the

0:19:16.280 --> 0:19:19.960
<v Speaker 1>spaceport with like two butcher knives. Chris Hinted is at

0:19:20.040 --> 0:19:24.159
<v Speaker 1>city Hall by himself, and the Mods are gonna be

0:19:24.320 --> 0:19:27.680
<v Speaker 1>with their comrades in the workers district. Everyone is keeping

0:19:28.160 --> 0:19:32.280
<v Speaker 1>an eye out for the Pikes, and I say that

0:19:32.840 --> 0:19:36.360
<v Speaker 1>with not meaning to take a shot at scad as

0:19:36.440 --> 0:19:39.440
<v Speaker 1>you see. Fenix says, all our flanks are covered, no

0:19:39.520 --> 0:19:42.000
<v Speaker 1>one is sneaking up on us. Okay, not the case

0:19:42.080 --> 0:19:46.960
<v Speaker 1>that's whatever, right. Once Cobb Vant and the Freetown people arrive,

0:19:47.240 --> 0:19:49.360
<v Speaker 1>you know, FET will have the numbers and then they'll

0:19:49.400 --> 0:19:52.720
<v Speaker 1>be okay. And then Matt Berry, the voice of eight

0:19:52.840 --> 0:19:57.919
<v Speaker 1>D eight announces in that beautiful, beautiful, silky thick baritone

0:19:58.400 --> 0:20:00.560
<v Speaker 1>that someone is here to speak to and it is

0:20:00.640 --> 0:20:03.320
<v Speaker 1>cad Bane. Of course, Fet and Bane have a long history,

0:20:03.359 --> 0:20:06.000
<v Speaker 1>and we get we get that wonderfully played out here.

0:20:06.160 --> 0:20:08.600
<v Speaker 1>I thought in one of yeah, anytime Cad Bane is

0:20:08.680 --> 0:20:11.320
<v Speaker 1>on the screen and talking to Boba Fet, it is like, wow,

0:20:11.440 --> 0:20:14.840
<v Speaker 1>this is great that we're seeing this. Fet gives Cad

0:20:15.080 --> 0:20:17.960
<v Speaker 1>a version of Leah's I thought, I smelled that foul

0:20:18.080 --> 0:20:21.520
<v Speaker 1>your foul stench kind of line. Bain is like, listen,

0:20:21.560 --> 0:20:24.720
<v Speaker 1>I'm here on behalf of the of the pikes. We

0:20:24.800 --> 0:20:29.520
<v Speaker 1>would like to negotiate your surrender. Bobasa is like, no, no, dice,

0:20:29.560 --> 0:20:32.560
<v Speaker 1>you got to clear out, and Cad is like, oh, well,

0:20:32.600 --> 0:20:36.000
<v Speaker 1>guess what. Cob Vance is dead and his people aren't coming.

0:20:36.760 --> 0:20:39.200
<v Speaker 1>You should never have left him without his armor. And

0:20:39.280 --> 0:20:42.680
<v Speaker 1>then Kad's backup appears on the parapets and it's clear

0:20:42.800 --> 0:20:47.080
<v Speaker 1>that all of a sudden, Boba is heavily outnumbered with

0:20:47.320 --> 0:20:51.400
<v Speaker 1>no chance of reinforcements, and Cad gives Boba one last

0:20:51.440 --> 0:20:56.080
<v Speaker 1>opportunity let the spice flow, as in Frank Herbert's Dune

0:20:56.760 --> 0:21:00.240
<v Speaker 1>or else. Boba says, no, he's not going to talk

0:21:00.280 --> 0:21:02.120
<v Speaker 1>to the help. He's not gonna talk to Cad Bane,

0:21:02.119 --> 0:21:03.960
<v Speaker 1>who's just like a hired gun. He wants to talk

0:21:04.040 --> 0:21:05.640
<v Speaker 1>to the Pikes. He wants to talk to the Pike

0:21:05.680 --> 0:21:08.800
<v Speaker 1>syndicate leadership, and that's it. Cad then drops that, guess what,

0:21:09.000 --> 0:21:10.320
<v Speaker 1>you want to talk to the Pikes. They're the people

0:21:10.320 --> 0:21:13.120
<v Speaker 1>who killed your Tuscan family. What now? But you didn't

0:21:13.160 --> 0:21:16.760
<v Speaker 1>know that? And this is like a fun callback to

0:21:17.280 --> 0:21:20.480
<v Speaker 1>yet again, a moment from a New Hope in which

0:21:20.880 --> 0:21:23.119
<v Speaker 1>an in is So party is framed for the murder

0:21:23.320 --> 0:21:27.760
<v Speaker 1>of an indigenous tattooing tribe. Boba just knows deep in

0:21:27.840 --> 0:21:30.280
<v Speaker 1>his bones that this is true what Cad is telling him,

0:21:30.800 --> 0:21:32.720
<v Speaker 1>and so Kad says, like, why don't we just duel

0:21:32.720 --> 0:21:35.800
<v Speaker 1>over it. Boba is like, I can take you. He can't,

0:21:36.119 --> 0:21:39.359
<v Speaker 1>He definitely can't. Fennick shand has to come out and

0:21:39.440 --> 0:21:43.160
<v Speaker 1>talk Boba down. Bain is like, you're soft now, you cowered,

0:21:43.720 --> 0:21:47.879
<v Speaker 1>and then he walks away right then Drash Radio is

0:21:47.920 --> 0:21:50.080
<v Speaker 1>in to say something in the Worker's part in the

0:21:50.119 --> 0:21:53.879
<v Speaker 1>Worker's Quarter feels really really weird. And then boom a

0:21:54.000 --> 0:21:58.440
<v Speaker 1>massive ambush that is happening all across town. The Aqualish

0:21:58.480 --> 0:22:01.520
<v Speaker 1>Gangs of the Quarter ambush the Mouds, the Transdosians and

0:22:01.640 --> 0:22:05.359
<v Speaker 1>Bush Chrysantan, which you know really pisses him off, and

0:22:05.520 --> 0:22:08.800
<v Speaker 1>the Clatonians attack the Gomorians. Let me just say this

0:22:08.960 --> 0:22:13.040
<v Speaker 1>about the way Boba and his team outfitted the Gomorians.

0:22:14.119 --> 0:22:17.240
<v Speaker 1>The Gomorians die here spoiler bells for the Gmorian guards.

0:22:19.520 --> 0:22:21.920
<v Speaker 1>They get pushed over a fucking cliff. It is so

0:22:22.240 --> 0:22:24.600
<v Speaker 1>hot breaking and horrible, heartbreaking.

0:22:24.640 --> 0:22:26.120
<v Speaker 3>It just happens. It's just like pow, You're dead.

0:22:26.600 --> 0:22:32.000
<v Speaker 1>The squeal, like the squeal as they fall is terrible. Boba,

0:22:32.520 --> 0:22:35.920
<v Speaker 1>you have your two guards who are incredibly loyal to you.

0:22:36.640 --> 0:22:40.119
<v Speaker 1>You spared their lives, and they are just down for you.

0:22:40.560 --> 0:22:43.639
<v Speaker 1>They'll do They put themselves in massive danger many times

0:22:43.800 --> 0:22:46.840
<v Speaker 1>over the course of the series. They don't have armor.

0:22:46.960 --> 0:22:49.159
<v Speaker 1>They're out there with no shirts on, in shorts, with

0:22:49.320 --> 0:22:53.400
<v Speaker 1>no shoes, and all you give them is like kind

0:22:53.480 --> 0:22:57.840
<v Speaker 1>of big steak knives. In a world in which blasters

0:22:58.600 --> 0:23:04.200
<v Speaker 1>and like various grenades and laser beams are possible, and

0:23:04.359 --> 0:23:09.040
<v Speaker 1>you give them like large knives. They're not cut out

0:23:09.119 --> 0:23:11.919
<v Speaker 1>for this. They're not ready to fight off the attack

0:23:12.119 --> 0:23:17.160
<v Speaker 1>that takes them down. You fail them, Boba, you fail themmorians.

0:23:17.280 --> 0:23:20.440
<v Speaker 3>The coladal damage chair is like, this show has such

0:23:20.520 --> 0:23:23.639
<v Speaker 3>a high body count already, and the coladal damage in

0:23:23.720 --> 0:23:26.880
<v Speaker 3>this episode, You're just like, Wow, this plan was so bad.

0:23:27.040 --> 0:23:30.080
<v Speaker 3>I don't know, I very rare. I understand you were ambushed,

0:23:30.160 --> 0:23:32.800
<v Speaker 3>but I just feel like the number one rule in

0:23:33.000 --> 0:23:36.680
<v Speaker 3>any tactical situation or a horror movie or anything, it's

0:23:36.680 --> 0:23:40.320
<v Speaker 3>like dose PLoP. If you've got a ragtag crew, you're

0:23:40.359 --> 0:23:44.040
<v Speaker 3>not a tacticularly trained group who know these different ways.

0:23:44.280 --> 0:23:47.040
<v Speaker 3>You just some ragtag space folks like you know what,

0:23:47.720 --> 0:23:49.960
<v Speaker 3>Just stick together, guys, don't up.

0:23:50.359 --> 0:23:53.879
<v Speaker 1>Yeah, you two take your knives to the spaceport and

0:23:54.000 --> 0:23:56.560
<v Speaker 1>just lock it down. No, that's not gonna work. Boba

0:23:56.640 --> 0:24:00.840
<v Speaker 1>and Shand are completely shook by this ambush and unaware

0:24:00.920 --> 0:24:03.240
<v Speaker 1>is they are shocked at what is happening. The mods

0:24:03.240 --> 0:24:06.200
<v Speaker 1>and Chrisanden can be overrunning at any moment. Vand and

0:24:06.240 --> 0:24:09.679
<v Speaker 1>the Freetowners aren't coming, so Feneck is like, okay, we launch,

0:24:10.040 --> 0:24:13.800
<v Speaker 1>we split up even further. We launch it decapitation strike

0:24:14.240 --> 0:24:17.240
<v Speaker 1>on the Pike leadership on moss Isisley, the major domo

0:24:17.359 --> 0:24:19.600
<v Speaker 1>under duresses like, guess what I know? Where the h

0:24:19.800 --> 0:24:22.800
<v Speaker 1>where the Pike headquarters is. It's the Desert Survey Office

0:24:22.920 --> 0:24:26.320
<v Speaker 1>right there. Shan sets off at a sprint from Mossizley

0:24:26.720 --> 0:24:29.040
<v Speaker 1>and we get that, you know, the moment in Avengers

0:24:29.880 --> 0:24:32.320
<v Speaker 1>marvels the Avengers when it seems like the Jaitari are

0:24:32.400 --> 0:24:36.040
<v Speaker 1>gonna win. We get that moment here. But then Fennick

0:24:36.080 --> 0:24:39.240
<v Speaker 1>Shan badasses the Mods out of trouble. She tells him, listen,

0:24:39.280 --> 0:24:41.960
<v Speaker 1>go to Sanctuary where you should have been anyway, go

0:24:42.080 --> 0:24:45.520
<v Speaker 1>help Boba. At that moment, the Pikes are surrounding the

0:24:45.560 --> 0:24:48.640
<v Speaker 1>burnt out cantina. But luckily it seems like cad Bane

0:24:48.680 --> 0:24:52.119
<v Speaker 1>isn't there. He's out doing why yeah, where is it?

0:24:52.160 --> 0:24:52.840
<v Speaker 1>What is he doing?

0:24:53.000 --> 0:24:53.040
<v Speaker 3>Like?

0:24:53.160 --> 0:24:54.760
<v Speaker 1>It's popping off, and cad Bane is.

0:24:54.800 --> 0:24:58.160
<v Speaker 5>Like, I'm gonna I'm taking a I'm taking a dump.

0:24:58.480 --> 0:25:00.720
<v Speaker 5>There's nowhere to take a shit out in this entire

0:25:00.880 --> 0:25:04.359
<v Speaker 5>city now that Sanctuary is gone, the only place with

0:25:04.440 --> 0:25:08.960
<v Speaker 5>a public restroom, I'm burying my poop in the desert. Sorry,

0:25:08.960 --> 0:25:11.680
<v Speaker 5>I heard the shots, but I couldn't come because it

0:25:11.800 --> 0:25:13.600
<v Speaker 5>takes me five hours to poop.

0:25:13.960 --> 0:25:16.800
<v Speaker 1>So Boba and Mando are facing down the Pikes from

0:25:16.840 --> 0:25:20.720
<v Speaker 1>the air, flying around as a mandalorian. Din's creed will

0:25:20.800 --> 0:25:24.439
<v Speaker 1>not allow him to leave Boba side. The Majordomo offers

0:25:24.760 --> 0:25:29.040
<v Speaker 1>an alternative to fighting. Perhaps he majored in negotiation in

0:25:29.160 --> 0:25:32.200
<v Speaker 1>college and on coursant, and he is uniquely qualified to

0:25:32.280 --> 0:25:34.720
<v Speaker 1>act as an interlocutor for fet and the Pike. So

0:25:34.840 --> 0:25:38.400
<v Speaker 1>Fete says, okay, go ahead, here's my demands on an iPad.

0:25:38.920 --> 0:25:41.520
<v Speaker 1>Take this out and read it to them. The Domo

0:25:42.119 --> 0:25:44.280
<v Speaker 1>reads the demands of the Pikes, and these are the

0:25:44.320 --> 0:25:46.840
<v Speaker 1>are as follows nothing. You will leave this planet at

0:25:46.920 --> 0:25:50.639
<v Speaker 1>your spice trade. If you refuse these terms, the arid

0:25:50.760 --> 0:25:54.360
<v Speaker 1>sands of Tattooine will once again flourish with flowered fields

0:25:54.400 --> 0:25:58.439
<v Speaker 1>fertilized with the bodies of You're dead. Who knew Bobo

0:25:58.640 --> 0:26:00.440
<v Speaker 1>was a poet? Like this with the literation.

0:26:01.440 --> 0:26:05.480
<v Speaker 3>Literation also one of the few, if not only, times

0:26:05.520 --> 0:26:08.800
<v Speaker 3>that somebody's ever written in live action Star Wars.

0:26:10.800 --> 0:26:13.760
<v Speaker 1>Also like Boba just really typed that out quick, like

0:26:13.920 --> 0:26:15.760
<v Speaker 1>first draft this guy has it.

0:26:15.920 --> 0:26:18.600
<v Speaker 3>He's got the boss, the major demo. Why was he

0:26:18.680 --> 0:26:20.400
<v Speaker 3>surprised by that? He could have just read it before

0:26:20.440 --> 0:26:22.159
<v Speaker 3>he went out there, Like when he starts fading out

0:26:22.280 --> 0:26:24.200
<v Speaker 3>like he's horrified, and I'm just like, my guy, he

0:26:24.240 --> 0:26:25.280
<v Speaker 3>could have just read it before.

0:26:25.720 --> 0:26:26.600
<v Speaker 1>Yeah, you gotta do that.

0:26:26.720 --> 0:26:26.840
<v Speaker 4>You know.

0:26:27.359 --> 0:26:28.040
<v Speaker 1>He's well done.

0:26:28.080 --> 0:26:31.679
<v Speaker 3>And it leads to a very badass fat Mando team up,

0:26:31.680 --> 0:26:32.800
<v Speaker 3>which I think everyone wanted.

0:26:33.480 --> 0:26:35.600
<v Speaker 1>We wanted it, and we got it. They strike from

0:26:35.640 --> 0:26:38.440
<v Speaker 1>the air using their jet packs, are flying around. We

0:26:38.480 --> 0:26:41.800
<v Speaker 1>get the big fight, which is very, very big and

0:26:41.920 --> 0:26:45.240
<v Speaker 1>takes up most of the remaining episode. Side by side,

0:26:45.280 --> 0:26:49.800
<v Speaker 1>Fete and Mando Unlesia, storm of blaster shots, knee rockets,

0:26:49.880 --> 0:26:52.960
<v Speaker 1>wrist rockets, everything at the pikes and the homes and

0:26:53.040 --> 0:26:56.520
<v Speaker 1>businesses of the citizens who Bobo has swore to protect

0:26:56.800 --> 0:26:59.640
<v Speaker 1>and who the Mods were very worried about. Now they're

0:26:59.680 --> 0:27:03.760
<v Speaker 1>fighting like outside of their doorsteps. It's okay. Only the

0:27:03.840 --> 0:27:07.200
<v Speaker 1>best gar is keeping Mando and fet upright long enough

0:27:07.320 --> 0:27:10.080
<v Speaker 1>for the Forces of Freetown to arrive. Oh big surprise,

0:27:10.160 --> 0:27:12.760
<v Speaker 1>the Forces of Freetowner. Here we learned that cob Vans

0:27:13.080 --> 0:27:17.600
<v Speaker 1>is seriously wounded slash, perhaps dead, from his wounds, and

0:27:17.760 --> 0:27:20.320
<v Speaker 1>then the Mods arrive on the scene, followed quickly by

0:27:20.359 --> 0:27:24.120
<v Speaker 1>an enraged Chrysantin who was limping into view. Boba shields

0:27:24.160 --> 0:27:27.000
<v Speaker 1>the limping giant with his own bestcar covered body. The

0:27:27.080 --> 0:27:30.639
<v Speaker 1>Pikes pull back, but they're only pulling back to allow

0:27:31.200 --> 0:27:34.440
<v Speaker 1>for the arrival of a pair of Clone War era

0:27:34.680 --> 0:27:40.040
<v Speaker 1>Scorpiineck annihilator droids. Boba and Mando draw the fire of

0:27:40.119 --> 0:27:43.360
<v Speaker 1>the droids so Santo and the Mods and the freetowners

0:27:43.440 --> 0:27:46.080
<v Speaker 1>can all just like get out of there. They're blasters.

0:27:46.600 --> 0:27:50.879
<v Speaker 1>The Dark Saber even cannot penetrate the annihilator shields. Boba

0:27:50.960 --> 0:27:56.320
<v Speaker 1>flies off to go get something without explaining to Dinjarren

0:27:56.520 --> 0:27:59.800
<v Speaker 1>why he's leaving. He just leaves, which you know, for

0:28:00.119 --> 0:28:04.240
<v Speaker 1>din Jarren, the Mandalorian must be like a dire violation

0:28:04.440 --> 0:28:06.639
<v Speaker 1>of the creed, and you know, din Jarren is like,

0:28:06.840 --> 0:28:08.080
<v Speaker 1>you Fucko.

0:28:09.320 --> 0:28:12.360
<v Speaker 3>He's like, this isn't even my fight, and I am here,

0:28:13.680 --> 0:28:14.159
<v Speaker 3>and you're.

0:28:14.119 --> 0:28:16.440
<v Speaker 1>Like running back to get your keys or some of

0:28:16.480 --> 0:28:19.320
<v Speaker 1>your wallet that you left in Java's mouths, you fuckhad.

0:28:20.680 --> 0:28:23.159
<v Speaker 1>Mando is just like running for his life and he

0:28:23.320 --> 0:28:27.960
<v Speaker 1>runs straight into the waiting arms and open a car

0:28:28.119 --> 0:28:31.080
<v Speaker 1>door of Pelimoto and her droids. They're just like racing

0:28:31.119 --> 0:28:33.560
<v Speaker 1>around the city willy nilly, like trying to avoid getting

0:28:33.600 --> 0:28:38.080
<v Speaker 1>stomped out by these Annihilator droids. And who is in

0:28:38.200 --> 0:28:42.680
<v Speaker 1>the car with Pelimoto? The baby dads are the baby

0:28:43.280 --> 0:28:47.240
<v Speaker 1>and he's wearing the chain mail shirt, and Mando's like,

0:28:47.360 --> 0:28:50.160
<v Speaker 1>what are you doing here? And it is a wonderful moment,

0:28:50.880 --> 0:28:54.320
<v Speaker 1>as every moment with Grogu on the screen is back

0:28:54.440 --> 0:28:59.680
<v Speaker 1>to the fight. Drash says, folks, the annihilators are annihilating us. Yes,

0:28:59.800 --> 0:29:03.920
<v Speaker 1>that's true, but we can't fall back any further and

0:29:04.000 --> 0:29:07.920
<v Speaker 1>shouts to Sophie Thatcher's English accent here, because I guess

0:29:08.040 --> 0:29:10.840
<v Speaker 1>like her, her logic is there's no cover if they

0:29:10.920 --> 0:29:13.320
<v Speaker 1>fall back any She knows the neighborhood, and it's like,

0:29:13.360 --> 0:29:16.120
<v Speaker 1>if you fall back any further, there's nowhere to hide, okay.

0:29:16.600 --> 0:29:18.720
<v Speaker 1>So she comes up with a plan, and tell me,

0:29:18.760 --> 0:29:20.880
<v Speaker 1>if you've heard this one before in the context of

0:29:20.960 --> 0:29:23.480
<v Speaker 1>Star Wars, you take the high ground? What about that?

0:29:24.120 --> 0:29:28.080
<v Speaker 3>What about that ogg coming on?

0:29:29.720 --> 0:29:29.920
<v Speaker 6>Yes?

0:29:30.360 --> 0:29:32.840
<v Speaker 1>What about that, Rosie? What if we take the high ground?

0:29:33.280 --> 0:29:37.680
<v Speaker 1>The freetowners provide Drash with a sniper rifle and a

0:29:37.760 --> 0:29:41.000
<v Speaker 1>partner and they go to find a rooftop from which

0:29:41.080 --> 0:29:44.240
<v Speaker 1>to snipe. Meanwhile, Mando, Grogo and Pelly are about to

0:29:44.280 --> 0:29:47.400
<v Speaker 1>get blown up. So Boba, in the nick of time,

0:29:47.640 --> 0:29:50.520
<v Speaker 1>arrives on Rancor Back. Now, we had previously heard from

0:29:50.560 --> 0:29:53.000
<v Speaker 1>Boba that it would take a lot of time and

0:29:53.120 --> 0:29:57.000
<v Speaker 1>training to learn to tame the rank Corps and to

0:29:57.120 --> 0:29:59.600
<v Speaker 1>ride it, and apparently that has been taking place off

0:29:59.680 --> 0:30:02.840
<v Speaker 1>screen during this time. And it's fine now because Boba

0:30:02.960 --> 0:30:06.520
<v Speaker 1>can just ride that thing and they are a devastating team.

0:30:07.000 --> 0:30:09.320
<v Speaker 1>There's a brief moment in this that is so good.

0:30:09.600 --> 0:30:11.959
<v Speaker 1>So the fight is going on. The Annihilator droids are

0:30:12.040 --> 0:30:14.479
<v Speaker 1>like blasting everything. The Pikes are in the street shooting,

0:30:14.920 --> 0:30:17.760
<v Speaker 1>shooting at the freetown or shooting at Chrisanden and the mods,

0:30:17.800 --> 0:30:20.960
<v Speaker 1>and this is like a massive gun battle heat Michael

0:30:21.040 --> 0:30:24.160
<v Speaker 1>Mann's Heat level gun battle going on in the middle

0:30:24.200 --> 0:30:28.440
<v Speaker 1>of moss Espa. Right then Bolba arrives on Rancorback and

0:30:28.560 --> 0:30:31.280
<v Speaker 1>we get this shot of the street merchants of moss

0:30:31.440 --> 0:30:34.240
<v Speaker 1>Espo who are like still at their tables looking up

0:30:34.280 --> 0:30:36.000
<v Speaker 1>and being like, oh my god, it's a rink. Why

0:30:36.040 --> 0:30:37.200
<v Speaker 1>are you guys on the street.

0:30:38.320 --> 0:30:40.960
<v Speaker 3>This is why are you there? This is such like

0:30:41.280 --> 0:30:44.280
<v Speaker 3>you can really tell that Favreaux and Madriguez like they're

0:30:44.360 --> 0:30:47.520
<v Speaker 3>really going back to those Western influences on Star Wars

0:30:47.600 --> 0:30:50.760
<v Speaker 3>because they were like what always happens in these kind

0:30:50.800 --> 0:30:53.120
<v Speaker 3>of movies where it's like there's a shootout, and to

0:30:53.200 --> 0:30:55.760
<v Speaker 3>show how bad the shootout is, you need to show

0:30:55.800 --> 0:30:59.640
<v Speaker 3>everyone who's like selling booze or whatever. They're selling things

0:30:59.640 --> 0:31:01.400
<v Speaker 3>on the street and then they run inside and they

0:31:01.480 --> 0:31:03.680
<v Speaker 3>close their windows, you know, and this is that moment

0:31:03.800 --> 0:31:06.000
<v Speaker 3>you're like, guys, they should have happened like ten minutes ago.

0:31:06.040 --> 0:31:10.760
<v Speaker 3>Why were you still outside? Like how it's still alive? Yeah,

0:31:10.760 --> 0:31:11.760
<v Speaker 3>it's like a fucking.

0:31:12.040 --> 0:31:14.880
<v Speaker 1>Two Annihilator droids running around in the street and there's

0:31:14.920 --> 0:31:18.880
<v Speaker 1>like a hawker out there like, oh, melons, melons, get

0:31:18.960 --> 0:31:24.120
<v Speaker 1>your water, get your juicy water, providing melons here two

0:31:24.200 --> 0:31:27.040
<v Speaker 1>for three credits. It's like, guys, there's a war going on.

0:31:27.760 --> 0:31:29.840
<v Speaker 1>So the rank Core comes and everybody is like, now

0:31:30.080 --> 0:31:33.040
<v Speaker 1>that's it. That's the final straw. We're running away. Boba

0:31:33.160 --> 0:31:36.960
<v Speaker 1>and his rank Orps are just an incredible destructive force.

0:31:37.080 --> 0:31:40.840
<v Speaker 1>This is really really fun to watch, really really cool.

0:31:41.200 --> 0:31:44.640
<v Speaker 1>Mando ignites the dark saber slips inside an annihilator shield

0:31:44.760 --> 0:31:47.480
<v Speaker 1>manages to slice it up. Then Grogu uses the force

0:31:47.600 --> 0:31:51.680
<v Speaker 1>to lift the droid up, saving Mando's life, but getting

0:31:51.760 --> 0:31:55.160
<v Speaker 1>hit in the chest with a little bolt from the annihilator,

0:31:55.160 --> 0:31:58.640
<v Speaker 1>which sucks. Meanwhile, the Freetowners, the Mods and Crysantan are

0:31:58.680 --> 0:32:01.000
<v Speaker 1>holding up in this like a little alley, and Drash

0:32:01.080 --> 0:32:03.800
<v Speaker 1>and her freetown partner now are sniping from a roof.

0:32:03.880 --> 0:32:07.320
<v Speaker 1>They're holding the pikes off long enough for Boba in

0:32:07.360 --> 0:32:10.560
<v Speaker 1>the Rank Corps to finally destroy one of these annihilators.

0:32:10.640 --> 0:32:15.080
<v Speaker 1>Then cad Baine shows up, showing a real veteran savvy. Here,

0:32:15.640 --> 0:32:17.760
<v Speaker 1>cad Bane hits the rank or in the face with

0:32:17.880 --> 0:32:20.920
<v Speaker 1>flames from his wrist unit, which really bothers the Rank Corps.

0:32:20.920 --> 0:32:26.240
<v Speaker 1>Boba and cad have their showdown. Boba insists that he's

0:32:26.640 --> 0:32:29.120
<v Speaker 1>fighting to protect the people of mos Espa. He's learned

0:32:29.200 --> 0:32:31.920
<v Speaker 1>the value of teamwork and a tribe. This former loaner

0:32:31.960 --> 0:32:36.920
<v Speaker 1>has come full circle in his emotional growth. Boba has

0:32:37.040 --> 0:32:40.800
<v Speaker 1>the absolute gall as like a sixty year old man

0:32:41.880 --> 0:32:46.200
<v Speaker 1>clone to call cad Bane old. Cad Baane is then

0:32:46.360 --> 0:32:49.360
<v Speaker 1>like I'm gonna beat your ass, and then He draws

0:32:49.400 --> 0:32:51.720
<v Speaker 1>Boba and proceeds to beat his ass. But then Boba,

0:32:52.360 --> 0:32:57.520
<v Speaker 1>calling on his Tuscan experience and the expertise that he

0:32:57.680 --> 0:33:03.080
<v Speaker 1>gained as a member of that Tusk tribe, kills Cadbane

0:33:03.240 --> 0:33:07.760
<v Speaker 1>with the score point of his gaffy stick. Bells for Cadbane.

0:33:10.560 --> 0:33:14.760
<v Speaker 1>One of the great shocking moment to lose Cadbane. Here,

0:33:15.440 --> 0:33:18.680
<v Speaker 1>Boba's pet Rank Corps, enraged by like all the things

0:33:18.680 --> 0:33:22.560
<v Speaker 1>that have happened, goes rampaging across moss espa Din sees

0:33:22.640 --> 0:33:25.600
<v Speaker 1>that the beast, now in full King Kong mode, even

0:33:25.640 --> 0:33:28.360
<v Speaker 1>to the point of like climbing a tower, is afraid

0:33:28.560 --> 0:33:32.080
<v Speaker 1>and everybody shooting at it is not really helping, So

0:33:32.200 --> 0:33:34.800
<v Speaker 1>he flies onto the ranker's back and Bronco billy style.

0:33:34.840 --> 0:33:36.840
<v Speaker 1>He's like, Okay, I'm gonna ride this fucking bronc and

0:33:36.920 --> 0:33:38.720
<v Speaker 1>I'm gonna tame it. No, that does a work. He

0:33:38.800 --> 0:33:41.920
<v Speaker 1>gets thrown across the city at his force to use

0:33:41.960 --> 0:33:44.640
<v Speaker 1>a flamethrower to keep the Rank Corps from like eating

0:33:44.760 --> 0:33:49.240
<v Speaker 1>his head. Mando quickly enters concussion protocol. After getting like

0:33:49.320 --> 0:33:52.320
<v Speaker 1>thrown through a wall, Grogu steps up and uses the

0:33:52.440 --> 0:33:57.520
<v Speaker 1>force to basically Natasha the Rank Corps. Hey, big guy,

0:33:57.760 --> 0:34:01.280
<v Speaker 1>the sun's getting real low. The forces with me and

0:34:01.720 --> 0:34:04.400
<v Speaker 1>go go to bed. The Ranker and Grog go to

0:34:04.520 --> 0:34:08.600
<v Speaker 1>take a long winter. Snap shand arrives in moss Iley

0:34:08.960 --> 0:34:11.240
<v Speaker 1>near the spiked heads of the stormtroopers at the Desert

0:34:11.320 --> 0:34:15.320
<v Speaker 1>Survey Office, and she wipes out the Pike leadership with ease,

0:34:15.960 --> 0:34:19.760
<v Speaker 1>even going so far as to lynch the fucking mayor

0:34:19.800 --> 0:34:20.480
<v Speaker 1>of Mosses.

0:34:20.800 --> 0:34:23.200
<v Speaker 3>She does that fast too. She's like, pow, this is

0:34:23.239 --> 0:34:25.080
<v Speaker 3>what happened to him. You see what's gonna happen to you.

0:34:26.040 --> 0:34:31.000
<v Speaker 1>I mean, I was not prepared. Listen, I get it.

0:34:31.120 --> 0:34:33.880
<v Speaker 1>The mayor is dirty, the mayor is corrupt. You got no,

0:34:34.560 --> 0:34:37.920
<v Speaker 1>you have no objection from me on that account. But

0:34:38.080 --> 0:34:42.680
<v Speaker 1>I was not prepared for Fedikshd to lynch a elected official.

0:34:44.120 --> 0:34:46.680
<v Speaker 3>I'm very interested in this thing as well, because, like

0:34:46.760 --> 0:34:48.160
<v Speaker 3>you know, I know, we'll talk about it more, but

0:34:48.320 --> 0:34:51.960
<v Speaker 3>like it's very interesting to see Boba exploring this more

0:34:52.080 --> 0:34:56.120
<v Speaker 3>familial like were all this soft that he wants to

0:34:56.200 --> 0:34:59.520
<v Speaker 3>be a good gangstuff. But the real reason he's been

0:34:59.520 --> 0:35:02.040
<v Speaker 3>able to keep power is because Fenic is brutal and

0:35:02.160 --> 0:35:04.640
<v Speaker 3>phenick like knows what needs to be done. So this

0:35:04.840 --> 0:35:08.120
<v Speaker 3>is like a really interesting way to essentially like end

0:35:08.440 --> 0:35:10.400
<v Speaker 3>this part of the story.

0:35:10.719 --> 0:35:14.200
<v Speaker 1>Fennick is an extreme badass, as we get to see

0:35:14.280 --> 0:35:17.480
<v Speaker 1>in these scenes later, mass Espa is at peace. Folks,

0:35:17.800 --> 0:35:19.000
<v Speaker 1>all the all the fighting.

0:35:19.560 --> 0:35:23.480
<v Speaker 3>Who's gonna rebuild all the buildings rancor destroyed? They're like

0:35:24.239 --> 0:35:25.000
<v Speaker 3>they're just chilling.

0:35:25.120 --> 0:35:29.880
<v Speaker 1>They're like, that's on Boba now as Daimyo the mayor reason,

0:35:29.920 --> 0:35:32.239
<v Speaker 1>the mayor of bas Esma is dead. We won't talk

0:35:32.239 --> 0:35:35.200
<v Speaker 1>about how that happened, but you know, like I'm sure

0:35:35.320 --> 0:35:37.120
<v Speaker 1>not a lot of people are gonna know that Fedi

0:35:37.239 --> 0:35:40.000
<v Speaker 1>should which the mayor, but they just play it on

0:35:40.040 --> 0:35:42.319
<v Speaker 1>the pikes. They're gonna they're gonna look to Boba fet

0:35:42.440 --> 0:35:45.600
<v Speaker 1>now to rebuild. He and Shan, Chrysanta and the Mons

0:35:45.600 --> 0:35:48.440
<v Speaker 1>are now firmly in controlling moss app Espa under the

0:35:48.960 --> 0:35:53.480
<v Speaker 1>now peaceful twin Tattooine sons, Din and Grogo meanwhile fly

0:35:53.640 --> 0:35:57.759
<v Speaker 1>off world to have their further adventures. Dinn is an

0:35:57.880 --> 0:35:59.600
<v Speaker 1>unbelievable pushover when it comes.

0:35:59.640 --> 0:36:02.239
<v Speaker 3>He's he's not chi pusher, but like he's just been

0:36:02.400 --> 0:36:05.440
<v Speaker 3>waiting to get told what to do by the baby.

0:36:06.000 --> 0:36:08.160
<v Speaker 1>I know he's like tries to pretend like he's gonna

0:36:08.200 --> 0:36:10.840
<v Speaker 1>be tough, like, no, no, I'm not gonna what No,

0:36:11.080 --> 0:36:14.800
<v Speaker 1>stop tapping on your glass dome. No, okay, fine, And

0:36:14.880 --> 0:36:17.799
<v Speaker 1>then he goes to light speed or hyper speed or.

0:36:17.920 --> 0:36:20.279
<v Speaker 3>The baby just wants to go into hyper space.

0:36:20.600 --> 0:36:23.279
<v Speaker 1>Because the baby loves to go fast. And then we

0:36:23.400 --> 0:36:28.360
<v Speaker 1>get our stinger, which is Cob Vance stewing in Bulba's

0:36:28.440 --> 0:36:32.319
<v Speaker 1>back to Tank and over overwatched by the Modifying Man

0:36:32.640 --> 0:36:35.640
<v Speaker 1>aka Thundercat, who is preparing to make Cob Van f

0:36:36.160 --> 0:36:41.360
<v Speaker 1>a some sort of cyber RoboCop. I was hoping that

0:36:41.400 --> 0:36:44.800
<v Speaker 1>we would get more. Yes, producer Saul brings up something interesting,

0:36:44.840 --> 0:36:48.120
<v Speaker 1>which is like, why wasn't wasn't Chriysantin gonna take a

0:36:48.239 --> 0:36:50.040
<v Speaker 1>take a take a spin in the back to Tank.

0:36:50.120 --> 0:36:53.759
<v Speaker 1>My only thought there is Chris Sanden, Like, we don't

0:36:53.840 --> 0:36:56.719
<v Speaker 1>know that book He's have a healing factor, But Chrisanden

0:36:57.080 --> 0:36:59.759
<v Speaker 1>shrugs off some pretty serious wounds without a back that

0:37:00.000 --> 0:37:03.759
<v Speaker 1>think like routinely that happens all the time with him.

0:37:04.160 --> 0:37:07.480
<v Speaker 3>I also think that they specifically had Boba say that

0:37:07.640 --> 0:37:09.880
<v Speaker 3>to him so that when we saw this singer we

0:37:09.920 --> 0:37:12.319
<v Speaker 3>would assume it was Chrisanton and then be shocked when

0:37:12.360 --> 0:37:13.759
<v Speaker 3>it was called Van three. We thought was dead.

0:37:14.160 --> 0:37:27.000
<v Speaker 1>When we're back morebet, we're back. Let's talk about this finale.

0:37:27.239 --> 0:37:28.160
<v Speaker 1>I thought it was fine.

0:37:28.920 --> 0:37:31.480
<v Speaker 3>Yeah, it's it's an action you know what, It's an

0:37:31.560 --> 0:37:35.839
<v Speaker 3>action episode. They actually kind of took a little bit

0:37:35.960 --> 0:37:40.320
<v Speaker 3>more from the prestige TV set up, especially Game of Thrones,

0:37:40.320 --> 0:37:42.680
<v Speaker 3>where you have your big episodes in like the two

0:37:42.880 --> 0:37:45.759
<v Speaker 3>last episodes, and then the finale is like the kind

0:37:45.800 --> 0:37:50.360
<v Speaker 3>of fallout episodes. So that that I think is interesting

0:37:50.400 --> 0:37:52.640
<v Speaker 3>because this is very different to a lot of Prestige TV.

0:37:52.719 --> 0:37:56.880
<v Speaker 3>It's much more serialized, Flashcoordon esque storytelling, the kind of

0:37:56.880 --> 0:38:01.279
<v Speaker 3>stuff that inspired original Star Wars. I like all the action,

0:38:01.520 --> 0:38:03.680
<v Speaker 3>I like all the characters, so I was fine with it.

0:38:03.920 --> 0:38:07.080
<v Speaker 3>It definitely it's tough because we all know that the

0:38:07.239 --> 0:38:10.799
<v Speaker 3>Mandalorian and Grogu's stuff is very moving and it gives

0:38:10.880 --> 0:38:12.879
<v Speaker 3>that emotional heart, and I think for a lot of people,

0:38:12.960 --> 0:38:15.920
<v Speaker 3>the last two episodes were really powerful for that reason,

0:38:16.520 --> 0:38:19.720
<v Speaker 3>and because they put Boba back into that kind of mysterious,

0:38:20.000 --> 0:38:23.200
<v Speaker 3>enigmatic cameo that he'd been that had worked so well.

0:38:23.480 --> 0:38:26.399
<v Speaker 3>So I think this was like a little bit more

0:38:26.440 --> 0:38:29.440
<v Speaker 3>of a kind of messy mash up, but like, I

0:38:29.560 --> 0:38:32.560
<v Speaker 3>also like seeing people shooting each.

0:38:32.400 --> 0:38:34.920
<v Speaker 1>Other and monsters in the desert, so I'm like cool,

0:38:35.840 --> 0:38:39.120
<v Speaker 1>I also love that listen. I love Boba riding a

0:38:39.200 --> 0:38:41.880
<v Speaker 1>rank corps. I love a great big gun battle. I

0:38:42.000 --> 0:38:44.759
<v Speaker 1>was a little here's the thing that I wonder the

0:38:44.880 --> 0:38:47.360
<v Speaker 1>easter eggs that was in the reference that was like

0:38:47.600 --> 0:38:49.719
<v Speaker 1>dropped multiple times of the course of the series, and

0:38:49.800 --> 0:38:51.440
<v Speaker 1>I was like, Oh, we're gonna get an answer to this.

0:38:52.480 --> 0:38:56.319
<v Speaker 1>The multiple references to Tattooine having an ocean in its

0:38:56.320 --> 0:38:59.680
<v Speaker 1>ancient past. I thought for sure that was going to

0:38:59.719 --> 0:39:04.560
<v Speaker 1>play into the climax of the show somehow, And I

0:39:04.640 --> 0:39:07.000
<v Speaker 1>wonder if we won't get something like that in the

0:39:07.080 --> 0:39:08.760
<v Speaker 1>Obi Wan show. I wonder in connection.

0:39:08.880 --> 0:39:13.239
<v Speaker 3>Yeah, this definitely feels to me like it is a

0:39:13.400 --> 0:39:18.480
<v Speaker 3>really really fun kind of diversion and it is really

0:39:19.320 --> 0:39:22.279
<v Speaker 3>less about the we talked about this in pre pro

0:39:22.360 --> 0:39:25.560
<v Speaker 3>but like it's about expansion rather than like pushing things

0:39:25.680 --> 0:39:28.040
<v Speaker 3>narratively forward. So I think all of that, even like

0:39:28.120 --> 0:39:31.520
<v Speaker 3>Boba's little poem about the lush, you know, plants of

0:39:31.640 --> 0:39:34.680
<v Speaker 3>Tattooine and stuff, they're talking a lot about these different

0:39:35.040 --> 0:39:37.960
<v Speaker 3>eras of Tattooine, how it looked, how so that I

0:39:38.080 --> 0:39:40.279
<v Speaker 3>feel like that a lot of what happened here was

0:39:40.360 --> 0:39:44.719
<v Speaker 3>sowing seeds and introducing stuff that might not have been

0:39:44.840 --> 0:39:46.759
<v Speaker 3>known to people who haven't read the books or watched

0:39:46.760 --> 0:39:49.120
<v Speaker 3>the cartoons and stuff like that, so that when it

0:39:49.239 --> 0:39:52.239
<v Speaker 3>does come into Obi Wan or Mandalorian season three, they'll

0:39:52.239 --> 0:39:54.279
<v Speaker 3>be like, Oh, I remember that from Boba Fair or

0:39:54.360 --> 0:39:56.880
<v Speaker 3>that's so. I feel like that this will be a

0:39:57.360 --> 0:39:59.600
<v Speaker 3>series where a lot of people, when they're watching whatever

0:39:59.640 --> 0:40:01.360
<v Speaker 3>the next things, are going to be coming back to

0:40:01.680 --> 0:40:05.759
<v Speaker 3>and looking at those moments or quoting those teasers and

0:40:05.840 --> 0:40:08.640
<v Speaker 3>easter eggs that seem to be building to something that

0:40:08.800 --> 0:40:10.800
<v Speaker 3>when we watch it, we'll go, oh, that's what it

0:40:10.920 --> 0:40:12.600
<v Speaker 3>was about. Oh that's how we got here.

0:40:13.080 --> 0:40:15.280
<v Speaker 1>Do you think we get a book above at season

0:40:15.360 --> 0:40:18.319
<v Speaker 1>two or are we gonna like I don't think it's

0:40:18.360 --> 0:40:20.600
<v Speaker 1>something about you don't think so? You know, I think

0:40:20.800 --> 0:40:24.680
<v Speaker 1>just like a tattooine, like a mass Espa Stories kind

0:40:24.680 --> 0:40:25.400
<v Speaker 1>of anthology.

0:40:25.680 --> 0:40:27.600
<v Speaker 3>I think it would be more like that. I don't

0:40:27.640 --> 0:40:30.600
<v Speaker 3>necessarily think it would be called the Book of Bobaffet.

0:40:30.760 --> 0:40:32.759
<v Speaker 3>It might be something about. It might be a Feni

0:40:32.800 --> 0:40:35.000
<v Speaker 3>Shan spin off. It could be a mod Squad spin off.

0:40:35.160 --> 0:40:38.480
<v Speaker 3>It could. I think it's more likely that The Mandalorian

0:40:39.160 --> 0:40:43.720
<v Speaker 3>is our narrative kind of thrust the series that everything

0:40:43.760 --> 0:40:46.160
<v Speaker 3>else is tied to, and I feel like these things

0:40:46.200 --> 0:40:47.800
<v Speaker 3>that are building out the world, it's almost like the

0:40:47.880 --> 0:40:51.520
<v Speaker 3>expanded Universe. Maybe we would get another series of Bobaffett,

0:40:51.560 --> 0:40:53.960
<v Speaker 3>but I don't think it's gonna The Mandalorian could really

0:40:54.000 --> 0:40:55.920
<v Speaker 3>go on for as many seasons as they want it to.

0:40:56.320 --> 0:40:59.239
<v Speaker 3>It's that kind of It's the Star Wars show, and

0:40:59.320 --> 0:41:02.240
<v Speaker 3>I think these other ones are sort of like little

0:41:02.400 --> 0:41:05.480
<v Speaker 3>stops on the wider map of the galaxy to explain

0:41:06.400 --> 0:41:08.480
<v Speaker 3>like stuff that we learned about mass Espa and the

0:41:08.560 --> 0:41:11.040
<v Speaker 3>politics of it and the way that it's established. Now,

0:41:12.120 --> 0:41:13.680
<v Speaker 3>we will go back to that in the Mandlor in

0:41:13.760 --> 0:41:16.359
<v Speaker 3>season three, no question, Like we are going to meet

0:41:16.400 --> 0:41:18.920
<v Speaker 3>these characters, We're gonna see Black chrisanitin, We're gonna understand

0:41:19.000 --> 0:41:20.919
<v Speaker 3>more because of what we saw here. But I don't

0:41:20.960 --> 0:41:24.040
<v Speaker 3>necessarily know if the plan is for us to come

0:41:24.120 --> 0:41:26.120
<v Speaker 3>back and directly continue this story.

0:41:26.400 --> 0:41:29.520
<v Speaker 1>Yeah, that's it's interesting. I am really intrigued to know,

0:41:30.560 --> 0:41:34.200
<v Speaker 1>you know how the Boba Fette Daimyo project goes, He's

0:41:34.480 --> 0:41:37.080
<v Speaker 1>he's cut himself off from a major source of income

0:41:37.160 --> 0:41:41.440
<v Speaker 1>that the that the business, the elite illicit business that

0:41:41.480 --> 0:41:45.120
<v Speaker 1>he inherited from a Jaba depended on in large part,

0:41:45.200 --> 0:41:47.359
<v Speaker 1>and now he's not going to have that. But he's

0:41:47.400 --> 0:41:51.800
<v Speaker 1>also set himself up as someone who's going to support

0:41:51.920 --> 0:41:54.239
<v Speaker 1>and defend the people of mass Espa and me in

0:41:54.320 --> 0:41:58.520
<v Speaker 1>a way that maybe they've they've never had before. So

0:41:59.000 --> 0:42:01.560
<v Speaker 1>I would like to see more, But yeah, I wonder

0:42:02.320 --> 0:42:05.239
<v Speaker 1>how they would do it. Thinking about the way that

0:42:05.840 --> 0:42:09.200
<v Speaker 1>this show really became like the Mandalorian season two and

0:42:09.239 --> 0:42:12.560
<v Speaker 1>a half, as many have noted, I do wonder if

0:42:12.800 --> 0:42:15.960
<v Speaker 1>the feeling isn't we've done our Boba Fett thing. How

0:42:16.000 --> 0:42:18.080
<v Speaker 1>do you feel about that? By the way, a lot

0:42:18.120 --> 0:42:20.960
<v Speaker 1>of people criticize the show because they're like, oh, Boba

0:42:21.040 --> 0:42:23.880
<v Speaker 1>Fett is so boring as a character, is bringing Mandalorian

0:42:24.040 --> 0:42:26.560
<v Speaker 1>and you know, other sorts of criticism like that, which

0:42:26.840 --> 0:42:31.080
<v Speaker 1>I think are fair from a certain perspective, but also like, obviously,

0:42:31.920 --> 0:42:34.200
<v Speaker 1>I as a human being, I'm in the tank for

0:42:34.280 --> 0:42:36.879
<v Speaker 1>Star Wars. I'm a Star Wars fan. I love my shit.

0:42:37.800 --> 0:42:40.759
<v Speaker 1>That said, it feels like a weird criticism to me,

0:42:40.920 --> 0:42:43.840
<v Speaker 1>because like, don't you those were when Mando came in

0:42:44.200 --> 0:42:47.680
<v Speaker 1>as a story really took off. So I'm not gonna

0:42:47.840 --> 0:42:50.719
<v Speaker 1>sit here and criticize what I think is a really

0:42:51.800 --> 0:42:55.200
<v Speaker 1>unique and interesting creative decision just because it's like, doesn't

0:42:55.280 --> 0:42:58.160
<v Speaker 1>vib necessarily with the title of the show. What did

0:42:58.200 --> 0:42:58.719
<v Speaker 1>you think of that?

0:42:59.600 --> 0:43:01.239
<v Speaker 3>I think it's really interesting. I think I think we

0:43:01.360 --> 0:43:03.120
<v Speaker 3>kind of touched on it last week. Like my main

0:43:03.239 --> 0:43:05.879
<v Speaker 3>thought about it, which is basically, I think it's really

0:43:05.920 --> 0:43:07.799
<v Speaker 3>hard to make a show about someone like Boba Fett,

0:43:07.800 --> 0:43:11.440
<v Speaker 3>who's essentially an Avatar character because everyone's just seen they

0:43:11.520 --> 0:43:13.239
<v Speaker 3>can imagine all the cool things he does, and you

0:43:13.320 --> 0:43:16.520
<v Speaker 3>don't really have any confirmation of that within any canon

0:43:16.600 --> 0:43:18.839
<v Speaker 3>except for the expanded canon, and even there it's rare,

0:43:19.080 --> 0:43:21.440
<v Speaker 3>so trying and expand him on a live action is

0:43:21.520 --> 0:43:24.040
<v Speaker 3>never going to sit well with everyone. But I actually

0:43:24.520 --> 0:43:28.160
<v Speaker 3>I like this reversion to this stuff that when The

0:43:28.239 --> 0:43:29.840
<v Speaker 3>Man Laurin came out, a lot of people thought it

0:43:29.880 --> 0:43:32.440
<v Speaker 3>was quite boring until the end of the first season.

0:43:32.520 --> 0:43:35.560
<v Speaker 1>That's absolutely true, and I the first few episodes were

0:43:35.560 --> 0:43:37.720
<v Speaker 1>people does anything happen here? Like anything?

0:43:37.840 --> 0:43:42.919
<v Speaker 3>I think, like for me, I can understand why Jon

0:43:42.960 --> 0:43:46.840
<v Speaker 3>Favreau and Rob Rodriguez, Dave Filoni these are the stories

0:43:46.880 --> 0:43:49.879
<v Speaker 3>they want to tell because these are the same kinds

0:43:49.880 --> 0:43:54.520
<v Speaker 3>of stories that inspired Star Wars. So it's the Flashbordon serializations.

0:43:54.680 --> 0:43:58.040
<v Speaker 3>It's the kind of like Batman sixty six, like what's

0:43:58.080 --> 0:43:59.719
<v Speaker 3>going to happen next? But it doesn't have to be

0:43:59.760 --> 0:44:01.360
<v Speaker 3>a that's going to happen next in the scale of

0:44:01.400 --> 0:44:03.480
<v Speaker 3>the galaxy. It's what's going to happen next with this

0:44:03.640 --> 0:44:07.120
<v Speaker 3>funny creature who owe you some money? And also, something

0:44:07.160 --> 0:44:09.160
<v Speaker 3>that you touched on that I thought is actually really

0:44:09.239 --> 0:44:12.080
<v Speaker 3>interesting that we haven't really talked about is in a

0:44:12.200 --> 0:44:16.040
<v Speaker 3>way this goes back to one of the oldest Star

0:44:16.080 --> 0:44:18.200
<v Speaker 3>Wars criticisms of all time. That's also one of the

0:44:18.280 --> 0:44:20.719
<v Speaker 3>things that certain Star Wars fans love the most, which

0:44:20.800 --> 0:44:25.279
<v Speaker 3>is the concept of kind of bureaucracy and politics like

0:44:25.440 --> 0:44:28.360
<v Speaker 3>that is what George Lucas wanted to explore in the prequels,

0:44:28.400 --> 0:44:30.880
<v Speaker 3>you know, absolutely, and in this way, something that I

0:44:30.960 --> 0:44:34.880
<v Speaker 3>think is really interesting that Boba Fett reflects of that

0:44:35.280 --> 0:44:37.920
<v Speaker 3>kind of legacy of Star Wars is the idea of

0:44:38.040 --> 0:44:42.600
<v Speaker 3>like what happens when that bureaucracy isn't there? And how

0:44:42.760 --> 0:44:46.280
<v Speaker 3>can somebody kind of try and make a better space

0:44:46.400 --> 0:44:48.120
<v Speaker 3>in the galaxy, which is what all of Star Wars

0:44:48.200 --> 0:44:48.520
<v Speaker 3>is about.

0:44:50.560 --> 0:44:53.400
<v Speaker 1>How do we govern this uncoverable like so.

0:44:53.480 --> 0:44:58.040
<v Speaker 3>When you've never had a good like kind of road

0:44:58.719 --> 0:45:00.560
<v Speaker 3>map for that, and something I kind of think is

0:45:00.600 --> 0:45:03.280
<v Speaker 3>funny a criticism as people are like why is Boba

0:45:03.400 --> 0:45:05.880
<v Speaker 3>so bad at being a gangster because because he's never

0:45:05.960 --> 0:45:11.080
<v Speaker 3>been one before? In that way, I kind of think

0:45:11.200 --> 0:45:16.080
<v Speaker 3>that it's actually an interesting exploration, and I definitely I

0:45:16.280 --> 0:45:20.279
<v Speaker 3>always want to see more sort of radical imagination brought

0:45:20.320 --> 0:45:23.160
<v Speaker 3>to these stories that we see about, like the worlds

0:45:23.200 --> 0:45:25.160
<v Speaker 3>we could live in or the ways they could be governed.

0:45:25.239 --> 0:45:28.640
<v Speaker 3>So I actually think there's something really interesting about a

0:45:28.800 --> 0:45:33.560
<v Speaker 3>community governance kind of focus on this of like how

0:45:33.640 --> 0:45:36.319
<v Speaker 3>can we make things happen without really having a hierarchy,

0:45:36.400 --> 0:45:40.120
<v Speaker 3>and and how can Boba give back to these kids

0:45:40.200 --> 0:45:42.040
<v Speaker 3>and these people on mos Essper who are the reason

0:45:42.080 --> 0:45:44.120
<v Speaker 3>that he's still alive and the reason he has this power.

0:45:44.239 --> 0:45:46.719
<v Speaker 3>That actually is interesting to me, and I very much

0:45:47.160 --> 0:45:50.759
<v Speaker 3>think that it reflects things that have gone before in

0:45:50.840 --> 0:45:54.440
<v Speaker 3>Star Wars, these ideas of governance and rebuilding, And in

0:45:54.560 --> 0:45:56.560
<v Speaker 3>that way, I think it would be really cool to

0:45:56.600 --> 0:45:59.440
<v Speaker 3>see it explored more. But I definitely feel like the

0:45:59.560 --> 0:46:03.600
<v Speaker 3>Bottle episode nature of like having the mandluriing come back

0:46:03.640 --> 0:46:05.640
<v Speaker 3>in it being Mad Laurian episodes. I think that might

0:46:05.760 --> 0:46:09.279
<v Speaker 3>be the future of this world, might be ball episodes

0:46:09.400 --> 0:46:11.560
<v Speaker 3>in other shows returning back.

0:46:12.040 --> 0:46:14.720
<v Speaker 1>Yeah, I mean certainly if you look at Clone Wars,

0:46:14.800 --> 0:46:17.160
<v Speaker 1>that was kind of the model. There'd be like three

0:46:17.880 --> 0:46:20.719
<v Speaker 1>three episode arc here, two episode arc here, but it

0:46:20.840 --> 0:46:22.640
<v Speaker 1>was a lot of kind of like Adventure of the

0:46:22.719 --> 0:46:26.680
<v Speaker 1>Week stuff, So I would not be surprised to see that.

0:46:26.760 --> 0:46:30.600
<v Speaker 1>It's something you said about governance and about the way

0:46:31.080 --> 0:46:38.160
<v Speaker 1>Boba is, you know, cooperating, is collaborating with the Mods

0:46:38.200 --> 0:46:40.839
<v Speaker 1>and with other people really made me think about how

0:46:41.960 --> 0:46:46.760
<v Speaker 1>this was like one of the more overtly class conscious

0:46:46.800 --> 0:46:48.440
<v Speaker 1>I dream about it a lot in the recap, but

0:46:48.560 --> 0:46:53.160
<v Speaker 1>overtly class conscious Star Wars stories I think I've ever encountered,

0:46:53.600 --> 0:46:59.400
<v Speaker 1>with the Mods really pushing that argument of you've got

0:46:59.480 --> 0:47:03.440
<v Speaker 1>to understand what's happening to the people here on the

0:47:03.520 --> 0:47:07.080
<v Speaker 1>street level of Mossas, but who don't have opportunities, who

0:47:07.719 --> 0:47:11.640
<v Speaker 1>don't get to, you know, retire to a massive fortified

0:47:11.760 --> 0:47:15.320
<v Speaker 1>palace with a with a you know, free back the

0:47:15.440 --> 0:47:18.040
<v Speaker 1>tank in the bedroom, Like you've got to understand what

0:47:18.520 --> 0:47:20.440
<v Speaker 1>the actual people are going through, And that was a

0:47:20.840 --> 0:47:23.520
<v Speaker 1>large part of the finale, even to the point of

0:47:24.080 --> 0:47:27.040
<v Speaker 1>it was semi comical, but like the part where the

0:47:27.120 --> 0:47:32.160
<v Speaker 1>Freetowners the drashes like Freetown partner, they have this little

0:47:32.200 --> 0:47:36.640
<v Speaker 1>back and forth about oh, the city versus Freetown more

0:47:36.800 --> 0:47:41.080
<v Speaker 1>like country. Meanwhile, it's like, you know, Freetown looks exactly

0:47:41.120 --> 0:47:43.600
<v Speaker 1>the same as Massa. It might be a little bit smaller,

0:47:43.680 --> 0:47:45.719
<v Speaker 1>but you all live in the desert like an out

0:47:45.760 --> 0:47:48.520
<v Speaker 1>of the way, you know, let it. But that was

0:47:48.640 --> 0:47:51.240
<v Speaker 1>fascinating to see that kind of play out, the ideas

0:47:51.280 --> 0:47:55.520
<v Speaker 1>of like city versus country and and different class conflicts

0:47:55.560 --> 0:47:56.400
<v Speaker 1>within Star Wars.

0:47:56.560 --> 0:47:58.959
<v Speaker 3>I actually think that's really interesting and probably a reason

0:47:59.000 --> 0:48:02.759
<v Speaker 3>why me and you have had more favorable reaction to

0:48:02.840 --> 0:48:04.839
<v Speaker 3>this is I think as we dig into it, it's

0:48:04.920 --> 0:48:07.680
<v Speaker 3>actually touching on a lot of stuff that we loved

0:48:07.680 --> 0:48:09.880
<v Speaker 3>from the last Jedi, which I know is like we

0:48:09.880 --> 0:48:12.320
<v Speaker 3>always says a divisive movie. It's like some people love it,

0:48:12.400 --> 0:48:15.160
<v Speaker 3>some people hate it. There's very reasonable criticisms on each side.

0:48:15.200 --> 0:48:17.840
<v Speaker 3>But for me, it's like there's a lot about that

0:48:17.960 --> 0:48:20.439
<v Speaker 3>movie that I love, like Justice for Finn. I truly

0:48:20.480 --> 0:48:23.440
<v Speaker 3>believe he's a Jedi. It's my one critique. But otherwise,

0:48:23.600 --> 0:48:26.239
<v Speaker 3>like there's a lot about that movie I love. And

0:48:26.320 --> 0:48:29.440
<v Speaker 3>the end of that movie has that massive, like kind

0:48:29.440 --> 0:48:33.640
<v Speaker 3>of class statement of like everyone can use the force,

0:48:33.719 --> 0:48:36.920
<v Speaker 3>that you do not have to be an elitist, bloodline,

0:48:38.120 --> 0:48:40.520
<v Speaker 3>legacy family, you do not have to have been trained

0:48:40.600 --> 0:48:45.040
<v Speaker 3>from birth as a child soldier. By this like ex

0:48:45.600 --> 0:48:48.160
<v Speaker 3>cult of like kind of one percent is you can

0:48:48.320 --> 0:48:52.200
<v Speaker 3>literally just be a kid with a broom who's in

0:48:52.360 --> 0:48:55.000
<v Speaker 3>indentured servitude and you can use the force. And I

0:48:55.160 --> 0:48:59.080
<v Speaker 3>kind of I love that was This kind of accessibility

0:48:59.160 --> 0:49:02.360
<v Speaker 3>democratization of the force was so exciting to me. So

0:49:02.480 --> 0:49:07.480
<v Speaker 3>I actually think that bringing those seeds of class conversation

0:49:07.640 --> 0:49:10.720
<v Speaker 3>and class consciousness into this kind of more ground level

0:49:10.880 --> 0:49:14.560
<v Speaker 3>Western no magical force whatever, but like, yeah, I think

0:49:14.640 --> 0:49:17.320
<v Speaker 3>that's actually part of the reason why they're exploring some

0:49:17.400 --> 0:49:20.160
<v Speaker 3>stuff there that I think Star Wars is really ripe

0:49:20.200 --> 0:49:23.080
<v Speaker 3>ground for. And I think that in that way, even

0:49:23.120 --> 0:49:24.959
<v Speaker 3>if it's been a little bit clunky for some people,

0:49:25.080 --> 0:49:25.399
<v Speaker 3>or it's.

0:49:25.840 --> 0:49:30.120
<v Speaker 1>Always its star, it's always going to be kind of clunky.

0:49:29.920 --> 0:49:32.080
<v Speaker 3>And I think as well, that's something else we we've

0:49:32.200 --> 0:49:35.200
<v Speaker 3>kind of talked about before, you know, we've recorded, but like,

0:49:35.719 --> 0:49:38.200
<v Speaker 3>it's a really strange space to be in when a

0:49:38.320 --> 0:49:41.840
<v Speaker 3>movie that was made and expected to be a flop

0:49:42.680 --> 0:49:45.360
<v Speaker 3>and was allowed to have for creative creative freedom that

0:49:45.440 --> 0:49:47.640
<v Speaker 3>when you watch it now with my new hope obviously

0:49:48.280 --> 0:49:51.359
<v Speaker 3>is just got a lot of janky effects and all

0:49:51.400 --> 0:49:53.520
<v Speaker 3>this kind of like it's it's you know, it's it's

0:49:53.920 --> 0:49:56.760
<v Speaker 3>it's an old movie that was made with practical effects

0:49:56.880 --> 0:49:58.960
<v Speaker 3>that looks a certain way and has always been a

0:49:59.000 --> 0:49:59.959
<v Speaker 3>bit clunky space.

0:50:01.239 --> 0:50:01.880
<v Speaker 1>That's what it is.

0:50:02.000 --> 0:50:04.080
<v Speaker 3>That's the point of it. That's and so to have

0:50:04.239 --> 0:50:08.319
<v Speaker 3>gone on this journey over all these decades and ended

0:50:08.400 --> 0:50:09.759
<v Speaker 3>up in a space where it's now owned by this

0:50:09.880 --> 0:50:14.360
<v Speaker 3>huge corporation and not just that, but it's now creating

0:50:15.000 --> 0:50:18.440
<v Speaker 3>art that is put up against prestige TV. Yeah, I

0:50:18.520 --> 0:50:21.520
<v Speaker 3>think that is a lot of where these not even

0:50:21.560 --> 0:50:24.759
<v Speaker 3>necessarily critiques, but maybe people's kind of confusion about oh,

0:50:25.040 --> 0:50:27.400
<v Speaker 3>what they're wanting for the show or or how they

0:50:27.480 --> 0:50:29.840
<v Speaker 3>feel like it should fit into this space. Is it

0:50:29.920 --> 0:50:33.640
<v Speaker 3>really comes from the fact that this is essentially like

0:50:33.719 --> 0:50:38.920
<v Speaker 3>a B movie that has like become this huge cultural

0:50:39.080 --> 0:50:43.160
<v Speaker 3>zeitgeist force. And in that way, it's kind of like, yeah,

0:50:43.239 --> 0:50:45.480
<v Speaker 3>the conversations are gonna be a little bit clunky, Like

0:50:45.600 --> 0:50:49.040
<v Speaker 3>there's gonna be some funny cg that maybe doesn't fit,

0:50:49.200 --> 0:50:51.479
<v Speaker 3>or there's gonna be like a funny accent or something

0:50:51.680 --> 0:50:53.279
<v Speaker 3>that's kind of what Star Wars is.

0:50:53.640 --> 0:50:57.120
<v Speaker 1>There's gonna be a big battle, a climactic battle that

0:50:57.280 --> 0:51:01.040
<v Speaker 1>takes place specifically because characters make.

0:51:00.920 --> 0:51:02.600
<v Speaker 6>A series.

0:51:04.960 --> 0:51:08.160
<v Speaker 1>That don't make any sense but are necessary for this big,

0:51:08.280 --> 0:51:10.080
<v Speaker 1>really fun battle to take place. I agree with you.

0:51:10.160 --> 0:51:12.480
<v Speaker 1>I think they're Listen, We're in a moment now where

0:51:12.600 --> 0:51:15.880
<v Speaker 1>nerd culture, for lack of a of a better, you know,

0:51:16.160 --> 0:51:20.719
<v Speaker 1>more artful term, is kind of like the dominant storytelling

0:51:21.280 --> 0:51:27.320
<v Speaker 1>mode in movies and television, certainly in the discourse, the

0:51:27.880 --> 0:51:31.440
<v Speaker 1>internet centric discourse around pop culture. And I think that

0:51:31.560 --> 0:51:34.160
<v Speaker 1>that is again like you and I are in the

0:51:34.239 --> 0:51:37.600
<v Speaker 1>tank for this stuff. Like I'm a you know, lifelong

0:51:37.680 --> 0:51:40.319
<v Speaker 1>comic fan, lifelong Star Wars fan. This is the moment

0:51:40.360 --> 0:51:42.200
<v Speaker 1>I've been waiting for all my life to talk about

0:51:42.280 --> 0:51:44.680
<v Speaker 1>all of this. But I think if this was not

0:51:44.920 --> 0:51:47.080
<v Speaker 1>your thing, or if you were just like like a

0:51:47.120 --> 0:51:48.960
<v Speaker 1>lot of people who were just like kind of like

0:51:49.080 --> 0:51:51.560
<v Speaker 1>casually into Star Wars, casually into comics, and then you

0:51:51.640 --> 0:51:53.920
<v Speaker 1>moved on with your life and grew up to it,

0:51:54.000 --> 0:51:55.880
<v Speaker 1>you know. For lack of again, for lack of a

0:51:55.960 --> 0:51:59.880
<v Speaker 1>better term, I think that there is probably one something

0:52:00.000 --> 0:52:02.080
<v Speaker 1>anxiety of like, God, is this what the world is?

0:52:02.200 --> 0:52:02.239
<v Speaker 4>Like?

0:52:02.320 --> 0:52:03.680
<v Speaker 1>I have to talk about this stuff now?

0:52:03.880 --> 0:52:04.600
<v Speaker 2>Like this is it?

0:52:04.840 --> 0:52:07.560
<v Speaker 1>If I want to commune with people about a movie

0:52:07.760 --> 0:52:10.440
<v Speaker 1>or about TV. It's like I have to talk about

0:52:10.440 --> 0:52:13.879
<v Speaker 1>this and not the Sopranos. And I get that, if

0:52:14.200 --> 0:52:17.279
<v Speaker 1>you know. And I think also there is the way

0:52:17.400 --> 0:52:20.840
<v Speaker 1>these stories are told are kind of not like the

0:52:20.920 --> 0:52:25.080
<v Speaker 1>way TV and movies have unfolded in the past. There's

0:52:25.160 --> 0:52:28.719
<v Speaker 1>different needs that are serviced. There is a different type

0:52:28.760 --> 0:52:31.759
<v Speaker 1>of engagement with the fan base. There's a like more

0:52:31.840 --> 0:52:35.560
<v Speaker 1>of a two way communication, less of an authorial kind

0:52:35.600 --> 0:52:38.120
<v Speaker 1>of we will tell you what the story is and

0:52:38.239 --> 0:52:41.920
<v Speaker 1>at least an awareness of what the fans want and desire.

0:52:42.120 --> 0:52:44.640
<v Speaker 1>That makes it a more kind of like two way conversation.

0:52:44.760 --> 0:52:50.960
<v Speaker 1>And I think that is uncomfortable for audiences and or

0:52:51.120 --> 0:52:56.319
<v Speaker 1>critics who are not you know, naturally either naturally versed

0:52:56.360 --> 0:52:59.680
<v Speaker 1>in this subject matter or who just don't like it,

0:53:00.080 --> 0:53:01.239
<v Speaker 1>ye are not fans of it.

0:53:01.400 --> 0:53:03.279
<v Speaker 3>I also think that's a really interesting point that you

0:53:03.360 --> 0:53:05.840
<v Speaker 3>made about the two Day conversation because something that I

0:53:05.880 --> 0:53:08.399
<v Speaker 3>think about a lot, and this definitely occurs in Star Wars,

0:53:08.440 --> 0:53:11.320
<v Speaker 3>but especially in comics, a lot of what we know

0:53:12.800 --> 0:53:15.280
<v Speaker 3>in the world of Marvel and DC is actually defined

0:53:15.320 --> 0:53:18.640
<v Speaker 3>by fans and not because of not because of like

0:53:18.800 --> 0:53:21.880
<v Speaker 3>internet campaigns or whatever. I'm talking about decades ago, like

0:53:22.320 --> 0:53:25.000
<v Speaker 3>people talk about, We've talked about the multiverse a lot.

0:53:25.040 --> 0:53:27.360
<v Speaker 3>So anyone listening has probably heard of the term Marvel

0:53:27.480 --> 0:53:30.239
<v Speaker 3>six one six, right, and that's kind of seen as

0:53:30.320 --> 0:53:32.880
<v Speaker 3>the main Marvel comics timeline, and we've heard it referenced

0:53:32.880 --> 0:53:35.799
<v Speaker 3>in the movies. That was put in a comic many

0:53:35.880 --> 0:53:40.239
<v Speaker 3>years ago by Alan Moore, But it was fans who decided,

0:53:40.400 --> 0:53:45.880
<v Speaker 3>via forums and conversations and conventions, they made that the

0:53:46.040 --> 0:53:48.560
<v Speaker 3>accepted term, to the point where Marvel used to say,

0:53:48.719 --> 0:53:50.799
<v Speaker 3>please please, that's not the real term. The six one

0:53:50.880 --> 0:53:55.560
<v Speaker 3>six doesn't exist. And then because of years of fans

0:53:55.719 --> 0:53:58.040
<v Speaker 3>doing this, talking about it a certain way, and that

0:53:58.160 --> 0:54:02.200
<v Speaker 3>becoming the sort of accept colloquialism for it, it then

0:54:02.360 --> 0:54:04.920
<v Speaker 3>becomes canon and it's put in a Marvel movie as

0:54:04.960 --> 0:54:07.160
<v Speaker 3>a sort of nod and all these different things. So

0:54:07.320 --> 0:54:10.279
<v Speaker 3>in that way, those conversations really do happen because and

0:54:10.360 --> 0:54:12.719
<v Speaker 3>I think Star Wars speaks to this a lot, because

0:54:12.760 --> 0:54:15.399
<v Speaker 3>of the lulls, like when there wasn't a Star Wars

0:54:15.480 --> 0:54:17.960
<v Speaker 3>movie for ten years. You know, the things that keep

0:54:18.000 --> 0:54:20.839
<v Speaker 3>it going are fans who go to conventions. It's people

0:54:20.960 --> 0:54:24.600
<v Speaker 3>like Mark Hamill who will go and keep the kind

0:54:24.640 --> 0:54:26.719
<v Speaker 3>of fire of it alive and the love for it.

0:54:26.800 --> 0:54:29.600
<v Speaker 3>And in that way, I think that makes it much

0:54:29.680 --> 0:54:32.040
<v Speaker 3>more of a two way conversation, and that is very

0:54:32.800 --> 0:54:37.520
<v Speaker 3>different to a lot of other ways that art is created,

0:54:37.640 --> 0:54:41.720
<v Speaker 3>even though that passion is very shared. Like the reason

0:54:41.800 --> 0:54:45.480
<v Speaker 3>that certain art house films and directors are famous and

0:54:45.600 --> 0:54:48.200
<v Speaker 3>are popular and become part of the cultural lexicon is

0:54:48.280 --> 0:54:50.320
<v Speaker 3>because of the people who love those movies. So in

0:54:50.440 --> 0:54:54.120
<v Speaker 3>that way, it's actually very similar. But that ongoing conversation

0:54:54.239 --> 0:54:57.600
<v Speaker 3>between the people who create comic books and Star Wars

0:54:57.640 --> 0:54:59.200
<v Speaker 3>and is kind of what is now seen as like

0:54:59.280 --> 0:55:01.800
<v Speaker 3>populist are and was before seen as like nerd stuff.

0:55:02.520 --> 0:55:04.759
<v Speaker 3>That is that's such a good care because that is

0:55:04.880 --> 0:55:07.520
<v Speaker 3>such a unique, specific way of interacting, and it's also

0:55:07.600 --> 0:55:10.160
<v Speaker 3>completely fine if people are like I have no interest

0:55:10.280 --> 0:55:11.800
<v Speaker 3>in that, Yeah, Like I don't want to be a

0:55:11.880 --> 0:55:14.640
<v Speaker 3>part of that. I think a lot about Wonder Vision, right.

0:55:14.960 --> 0:55:15.680
<v Speaker 3>I loved that show.

0:55:15.760 --> 0:55:17.320
<v Speaker 1>It was like everything.

0:55:18.080 --> 0:55:20.080
<v Speaker 3>It was everything that I could have ever wanted because

0:55:20.080 --> 0:55:22.120
<v Speaker 3>it was based on these really weird eighties comics that

0:55:22.200 --> 0:55:24.400
<v Speaker 3>I love. It was these weird characters. It was this

0:55:24.560 --> 0:55:27.720
<v Speaker 3>tragic romance. But I think so much about that show

0:55:28.640 --> 0:55:32.560
<v Speaker 3>where if you are just a casual TV viewer, even

0:55:32.880 --> 0:55:36.479
<v Speaker 3>if you've watched the MCU movies, if you watch that show,

0:55:36.640 --> 0:55:40.000
<v Speaker 3>I just can't even fathom how inaccessible it must have been.

0:55:39.920 --> 0:55:40.560
<v Speaker 1>For some people.

0:55:41.080 --> 0:55:42.719
<v Speaker 3>And I think about that a lot, like I think

0:55:42.760 --> 0:55:45.200
<v Speaker 3>there can be TV for all kinds of people, but

0:55:45.320 --> 0:55:48.879
<v Speaker 3>I can also understand how people can become frustrated when

0:55:49.520 --> 0:55:53.759
<v Speaker 3>the most popular pop culture things of TV and film

0:55:53.880 --> 0:55:56.680
<v Speaker 3>can be very inaccessible to a casual viewer in a

0:55:56.760 --> 0:55:59.000
<v Speaker 3>way that certain things haven't been before.

0:56:00.239 --> 0:56:03.120
<v Speaker 1>There's an interesting conversation going along these lines right now

0:56:03.160 --> 0:56:05.880
<v Speaker 1>with the Oscars, the Oscar nominations for released. We're not

0:56:05.920 --> 0:56:08.279
<v Speaker 1>gonna go into that, but you see a lot of

0:56:08.360 --> 0:56:10.479
<v Speaker 1>like Richard Brodie's column in The New Yorker talked about

0:56:10.560 --> 0:56:14.160
<v Speaker 1>how there is a discussion of, oh, you know, should

0:56:14.760 --> 0:56:18.480
<v Speaker 1>Spiderman No Way Home be nominated somehow to raise the

0:56:18.640 --> 0:56:26.359
<v Speaker 1>ratings for this Oscar telecast? Wouldn't that connect cinema more

0:56:26.560 --> 0:56:30.160
<v Speaker 1>with the kind of like populist urges that really the

0:56:30.360 --> 0:56:34.160
<v Speaker 1>art form was built on in its early decades. And

0:56:34.320 --> 0:56:38.719
<v Speaker 1>I listen, I love spider I don't care if it's

0:56:39.280 --> 0:56:41.840
<v Speaker 1>not I'm nominated for an Oscar. I don't believe you know,

0:56:41.880 --> 0:56:44.080
<v Speaker 1>it's not to me. Do I think about it as

0:56:44.080 --> 0:56:44.719
<v Speaker 1>an Oscar movie?

0:56:45.120 --> 0:56:45.160
<v Speaker 4>No?

0:56:45.840 --> 0:56:48.360
<v Speaker 1>But I think it speaks to this kind of like

0:56:48.640 --> 0:56:54.440
<v Speaker 1>underlying anxiety that is out there amongst critics and some

0:56:55.040 --> 0:56:57.719
<v Speaker 1>people who make movies and then television of like, oh

0:56:57.760 --> 0:56:59.600
<v Speaker 1>my god, is this just when is this going to

0:56:59.640 --> 0:57:01.480
<v Speaker 1>be over? Is this just like what the world is

0:57:01.640 --> 0:57:04.160
<v Speaker 1>like now? Like we're just gonna have to talk about

0:57:04.160 --> 0:57:09.040
<v Speaker 1>Spider Man all the time. You know, maybe I feel

0:57:09.080 --> 0:57:11.680
<v Speaker 1>bad for the people who are again are not fans

0:57:11.680 --> 0:57:11.840
<v Speaker 1>of this.

0:57:12.080 --> 0:57:13.840
<v Speaker 3>Yeah, you raise a really good point, because earlier you

0:57:13.920 --> 0:57:15.880
<v Speaker 3>talked about like the discourse as we call it. You know,

0:57:15.920 --> 0:57:19.080
<v Speaker 3>I think the Internet and the way, you know, so

0:57:19.280 --> 0:57:22.800
<v Speaker 3>many things are digital. Now we just heard the terrible

0:57:22.880 --> 0:57:25.160
<v Speaker 3>news that EW is going to be out of print,

0:57:25.320 --> 0:57:27.560
<v Speaker 3>you know, two hundred jobs lost and all that. So

0:57:27.680 --> 0:57:29.720
<v Speaker 3>that's happening more and more. So the internet has this

0:57:30.440 --> 0:57:35.240
<v Speaker 3>extra kind of shine. It controls a lot of the conversations.

0:57:35.280 --> 0:57:37.080
<v Speaker 3>And the funny thing is, like we've talked about this

0:57:37.160 --> 0:57:39.440
<v Speaker 3>in pre pro Our, producer Saul has made the most

0:57:39.480 --> 0:57:42.200
<v Speaker 3>incredible list that I'm about to reference. But like, the

0:57:42.280 --> 0:57:46.600
<v Speaker 3>funny thing is, like superheroes, comic books, this stuff has

0:57:46.800 --> 0:57:52.800
<v Speaker 3>been a cultural staple for decades. Yes, Max Flice's first

0:57:52.800 --> 0:57:55.600
<v Speaker 3>Superman cartoon, Uh just want to say, don't be going

0:57:55.680 --> 0:57:57.640
<v Speaker 3>and seeking those out on this recommendation because they are

0:57:57.760 --> 0:58:01.920
<v Speaker 3>very racist. But it was nominated for Best Short Subject Cartoons,

0:58:02.440 --> 0:58:05.640
<v Speaker 3>The Original Superman Movie, Batman eighty nine, Dick Tracy, Ghost World,

0:58:05.760 --> 0:58:08.880
<v Speaker 3>History of Violence, Dark Knight, Logan Joker. Like, there are

0:58:09.400 --> 0:58:12.080
<v Speaker 3>many many movies that have been recognized by the oscars,

0:58:12.120 --> 0:58:15.640
<v Speaker 3>and there are many comic books that have been adapted

0:58:15.920 --> 0:58:20.840
<v Speaker 3>and being seen critically as valuable forms of art. I

0:58:20.920 --> 0:58:22.760
<v Speaker 3>think that the way that the Internet is and the

0:58:22.840 --> 0:58:26.400
<v Speaker 3>way that we are experiencing these movies a lot of

0:58:26.480 --> 0:58:29.400
<v Speaker 3>times because of the way that MCU is highlighting things

0:58:29.440 --> 0:58:31.840
<v Speaker 3>like Easter eggs, needing to make people want to read

0:58:31.880 --> 0:58:34.680
<v Speaker 3>the comics, which to me is so exciting because I

0:58:34.800 --> 0:58:36.800
<v Speaker 3>want people to read comics and I want them to

0:58:36.920 --> 0:58:39.640
<v Speaker 3>love comics and understand where these stories come from. But

0:58:39.720 --> 0:58:42.840
<v Speaker 3>I think that is where it becomes overwhelming for some people,

0:58:42.880 --> 0:58:45.720
<v Speaker 3>where it feels like that is the only thing that

0:58:45.880 --> 0:58:48.240
<v Speaker 3>is being talked about because that's what we're writing about.

0:58:48.240 --> 0:58:50.919
<v Speaker 3>I mean, that's most of my job, and I feel

0:58:51.000 --> 0:58:53.520
<v Speaker 3>lucky every day. I thank people who listen to the podcast.

0:58:54.200 --> 0:58:56.800
<v Speaker 3>I thank people who love this stuff because, like you said,

0:58:56.920 --> 0:58:58.680
<v Speaker 3>we've been preparing for this our whole life, and we

0:58:58.840 --> 0:59:01.320
<v Speaker 3>never knew it would be able to be something we

0:59:01.400 --> 0:59:04.440
<v Speaker 3>could live doing to talk about these things that we

0:59:04.560 --> 0:59:07.200
<v Speaker 3>love and to revisit them. You know, I'm doing a

0:59:07.280 --> 0:59:09.040
<v Speaker 3>lot of coverage in the lead up to The Batman,

0:59:09.120 --> 0:59:11.040
<v Speaker 3>and I'm getting to kind of go and read a

0:59:11.080 --> 0:59:13.720
<v Speaker 3>twelve issue AREK and do a big excavation of what

0:59:13.920 --> 0:59:16.280
<v Speaker 3>worked about it, what do I like about it? Speaking

0:59:16.280 --> 0:59:19.600
<v Speaker 3>about Jimley and his incredible art, you know, that's so brilliant.

0:59:19.960 --> 0:59:23.200
<v Speaker 3>But I can definitely understand how in a world where

0:59:23.680 --> 0:59:26.360
<v Speaker 3>previously a lot of the things that got to have

0:59:26.560 --> 0:59:32.720
<v Speaker 3>that level of in depth excavation and exploration and theorizing

0:59:32.800 --> 0:59:35.560
<v Speaker 3>and talking on what kind of what people would see

0:59:35.560 --> 0:59:37.680
<v Speaker 3>as high art. I can understand how it can be

0:59:37.760 --> 0:59:41.080
<v Speaker 3>a bit of a juxta, a kind of strange jarring juxtaposition.

0:59:41.840 --> 0:59:47.400
<v Speaker 1>Finally, let's any predictions for either Boba and Fennick as

0:59:47.520 --> 0:59:51.080
<v Speaker 1>characters or in the ongoing story of a potential book

0:59:51.080 --> 0:59:54.000
<v Speaker 1>of Boba Vet season two, or even how this dovetails

0:59:54.040 --> 0:59:56.920
<v Speaker 1>into the Mandalorian. I'm struck by listening to the size

0:59:57.080 --> 1:00:00.760
<v Speaker 1>of the N one Starfighter tells me that Dnjar in

1:00:01.280 --> 1:00:04.600
<v Speaker 1>the Mandalorian is not going to be bounty hunting anytime soon.

1:00:04.680 --> 1:00:07.240
<v Speaker 1>There is just not There's barely any space in there.

1:00:08.800 --> 1:00:10.760
<v Speaker 1>So we're going to see I think a lot of

1:00:11.760 --> 1:00:13.800
<v Speaker 1>Monster of the Week slash Adventure of the Week kind

1:00:13.840 --> 1:00:16.280
<v Speaker 1>of stories, is my guest, But any theories as we

1:00:16.360 --> 1:00:17.040
<v Speaker 1>go forward, I.

1:00:17.120 --> 1:00:18.920
<v Speaker 3>Totally agree with you on that. I think that we're

1:00:18.960 --> 1:00:24.240
<v Speaker 3>going to continue this conversation between the Mandalorian and the

1:00:24.360 --> 1:00:28.640
<v Speaker 3>Jedi way because the truth is that sure Grogu picked

1:00:28.680 --> 1:00:31.560
<v Speaker 3>being a Mandalorian, good choice, love that for the baby

1:00:31.720 --> 1:00:34.760
<v Speaker 3>happy that was the right choice, but he is definitely

1:00:34.840 --> 1:00:36.360
<v Speaker 3>going to get his hands on that the.

1:00:38.000 --> 1:00:39.000
<v Speaker 1>Baby. I love it.

1:00:39.520 --> 1:00:42.400
<v Speaker 3>I love Herzog so much talking about our high art

1:00:42.440 --> 1:00:45.840
<v Speaker 3>low art conversation. So having him in the Mandalorian. I

1:00:45.960 --> 1:00:47.760
<v Speaker 3>talk about the baby all the time, and I always

1:00:47.840 --> 1:00:49.600
<v Speaker 3>feel like Verna when I say out.

1:00:49.520 --> 1:00:50.720
<v Speaker 1>There is the baby.

1:00:51.040 --> 1:00:53.600
<v Speaker 3>I'd like to see the baby like I would like

1:00:53.720 --> 1:00:57.360
<v Speaker 3>to see it. But I think that people are gonna

1:00:57.480 --> 1:01:03.400
<v Speaker 3>Grogu is this mysterious race. He's force, powerful being. People

1:01:03.440 --> 1:01:05.000
<v Speaker 3>are not going to leave him alone just because he

1:01:05.080 --> 1:01:07.040
<v Speaker 3>chose the man glory in way, and I think that

1:01:07.240 --> 1:01:09.520
<v Speaker 3>that is going to be our big conflict going forward.

1:01:09.600 --> 1:01:14.120
<v Speaker 3>People who want to understand the Force, people who are Jedis,

1:01:14.160 --> 1:01:16.160
<v Speaker 3>who believe that actually he should be with the Jedi.

1:01:16.240 --> 1:01:18.439
<v Speaker 3>They don't care what he picked. It's not really a choice.

1:01:18.520 --> 1:01:21.360
<v Speaker 3>It's a legacy. It's like something you have to do.

1:01:21.480 --> 1:01:23.720
<v Speaker 3>It's a duty, you know. So I think that's it.

1:01:24.120 --> 1:01:26.520
<v Speaker 3>I also think they just wanted to have him in

1:01:26.600 --> 1:01:28.480
<v Speaker 3>that cool and the boosta fighter.

1:01:28.640 --> 1:01:30.720
<v Speaker 1>I know it looks so cool.

1:01:31.720 --> 1:01:34.400
<v Speaker 3>Yeah, And then I think that for Boba Fenik, the

1:01:34.480 --> 1:01:37.120
<v Speaker 3>mod Squad, all of whom I really really do care about.

1:01:37.160 --> 1:01:39.440
<v Speaker 3>I love soft Boba like that works for me. I

1:01:39.520 --> 1:01:42.680
<v Speaker 3>love creature work. I love animals, so that connection works.

1:01:42.760 --> 1:01:47.200
<v Speaker 3>But I think that's bottle episode appearances. I think we

1:01:47.280 --> 1:01:51.040
<v Speaker 3>see different versions of them going forward. Maybe we see

1:01:51.080 --> 1:01:53.680
<v Speaker 3>younger versions, maybe we see older I think a lot

1:01:53.720 --> 1:01:57.160
<v Speaker 3>of what we're seeing now is seeding this generally expansive

1:01:57.280 --> 1:01:59.720
<v Speaker 3>vision of how we can see people come in and

1:01:59.800 --> 1:02:02.200
<v Speaker 3>out stories again, just like we've seen them do in

1:02:02.320 --> 1:02:05.640
<v Speaker 3>this series with stuff from the animated universe.

1:02:06.120 --> 1:02:08.760
<v Speaker 1>Yes, you know, I threw my olive branch to the

1:02:09.040 --> 1:02:11.240
<v Speaker 1>to the folks, to the critics and the people who

1:02:11.280 --> 1:02:14.120
<v Speaker 1>don't like Star Wars and or comics, and now I'm

1:02:14.120 --> 1:02:16.760
<v Speaker 1>going to make them mad with this reference. I would

1:02:16.800 --> 1:02:18.600
<v Speaker 1>not be surprised to see a book of Boba Fete

1:02:18.600 --> 1:02:20.880
<v Speaker 1>season two that was kind of like season two of

1:02:21.000 --> 1:02:24.360
<v Speaker 1>The Wire. Sorry I'm saying that just to make a

1:02:24.400 --> 1:02:28.720
<v Speaker 1>critic matter, but you know where we get where it's

1:02:28.800 --> 1:02:34.520
<v Speaker 1>not listen already. Season one was uncomfortable being purely Boba focused, right,

1:02:34.560 --> 1:02:36.880
<v Speaker 1>So I think that that focus even widens out further.

1:02:37.800 --> 1:02:41.640
<v Speaker 1>I would pitch a type of show that follows the

1:02:41.760 --> 1:02:45.240
<v Speaker 1>mods for certain stories, that follows Boba, for certain stories

1:02:45.280 --> 1:02:47.680
<v Speaker 1>that follows Fennick, for certain stories that follows the people

1:02:47.720 --> 1:02:51.160
<v Speaker 1>in Freetown for certain stories, and is about them building

1:02:51.200 --> 1:02:53.960
<v Speaker 1>a community from the ground up, creating this tribe, and

1:02:54.040 --> 1:02:57.840
<v Speaker 1>we follow the members of that tribe from story to story,

1:02:58.000 --> 1:03:02.120
<v Speaker 1>not necessarily focused on any one character. The book of

1:03:02.160 --> 1:03:05.160
<v Speaker 1>Boba Fet then is like an anthology series where the

1:03:05.360 --> 1:03:10.360
<v Speaker 1>character in the main is moss Espa and the surrounding

1:03:10.520 --> 1:03:15.160
<v Speaker 1>areas as it as the people here struggle to build

1:03:15.200 --> 1:03:18.120
<v Speaker 1>their own story, to write their own story independent of

1:03:18.920 --> 1:03:22.360
<v Speaker 1>interference from the Pike Syndicate or anyone else from the outside.

1:03:22.400 --> 1:03:24.920
<v Speaker 1>I think we'll see something like that if we get

1:03:24.960 --> 1:03:28.880
<v Speaker 1>a Boba Fet season two, not just focused on Boba Fet,

1:03:28.960 --> 1:03:31.640
<v Speaker 1>and then for the Mandalorian I agree with you, We're

1:03:31.640 --> 1:03:34.040
<v Speaker 1>getting into the real meat now, this kind of struggle

1:03:34.160 --> 1:03:39.400
<v Speaker 1>between the Mandalorian cultural influence and the Jedi cultural influence

1:03:39.560 --> 1:03:45.040
<v Speaker 1>on Grogu and how Dinjarren can either remain respectful of

1:03:45.160 --> 1:03:50.600
<v Speaker 1>that or seek to influence that. I think that you

1:03:50.760 --> 1:03:56.440
<v Speaker 1>mentioned like obviously Grogu chose the chainmail, and Luke was

1:03:56.480 --> 1:04:01.120
<v Speaker 1>apparently so pissed that he couldn't even fly Grogus like

1:04:02.440 --> 1:04:06.960
<v Speaker 1>you behaved. Yeah, are two you go fly a back.

1:04:07.000 --> 1:04:09.880
<v Speaker 1>I'm not dealing. I'm sick of this ship. I'm gonna

1:04:10.040 --> 1:04:13.440
<v Speaker 1>sit here and just watch my droids build the time

1:04:13.600 --> 1:04:18.000
<v Speaker 1>to kill and a stone by stone. I'm pissed, but

1:04:18.240 --> 1:04:20.840
<v Speaker 1>I think that that struggle will continue. And as you mentioned,

1:04:20.880 --> 1:04:23.320
<v Speaker 1>you know, Grogu chose a chain mail, but is also

1:04:23.520 --> 1:04:26.440
<v Speaker 1>using the force and using it with more skill and

1:04:26.560 --> 1:04:29.600
<v Speaker 1>ability than than we've seen in the past. His powers

1:04:29.640 --> 1:04:31.880
<v Speaker 1>are growing, his ability to call on them and growing.

1:04:32.000 --> 1:04:36.040
<v Speaker 1>His comfort level with himself as a user of the

1:04:36.160 --> 1:04:39.360
<v Speaker 1>force is growing, his confidence is growing. So I think

1:04:39.400 --> 1:04:42.280
<v Speaker 1>we're gonna see that more. You know, Listen, Grogu, we

1:04:42.400 --> 1:04:45.000
<v Speaker 1>can't say it enough. He's still a baby. He's a

1:04:45.080 --> 1:04:48.240
<v Speaker 1>growing baby who wants to eat, eat, eat, eat, and

1:04:48.440 --> 1:04:52.320
<v Speaker 1>eat and play with shiny things. And as his ability

1:04:52.560 --> 1:04:57.800
<v Speaker 1>to use the force grows, will his How does that

1:04:58.120 --> 1:05:00.560
<v Speaker 1>interact with his child like nature?

1:05:00.680 --> 1:05:00.760
<v Speaker 4>Ye?

1:05:00.880 --> 1:05:03.240
<v Speaker 1>Like? Does his wisdom grow to meet that? And I

1:05:04.160 --> 1:05:06.440
<v Speaker 1>this is the part of the story that I've been

1:05:06.520 --> 1:05:09.520
<v Speaker 1>waiting for and I can't wait to see it.

1:05:09.640 --> 1:05:12.600
<v Speaker 3>Told lest we not forget, this baby was choke forcing

1:05:12.680 --> 1:05:15.600
<v Speaker 3>people like he was using the dark side. He was

1:05:15.720 --> 1:05:17.920
<v Speaker 3>using the dark side, and Luke doesn't seem to know

1:05:18.000 --> 1:05:21.520
<v Speaker 3>about that. Slash didn't necessarily teach him though we were

1:05:21.720 --> 1:05:25.280
<v Speaker 3>speaking to the more duality, almost like a gray Jedi

1:05:25.440 --> 1:05:26.960
<v Speaker 3>kind of version of Luke that we see at the

1:05:27.080 --> 1:05:29.920
<v Speaker 3>end of Jedi. But yeah, I'm really interested, and I

1:05:29.960 --> 1:05:33.800
<v Speaker 3>definitely think you're onto something like Dave Filoni, Robert Rodriguez,

1:05:33.920 --> 1:05:37.440
<v Speaker 3>Jon Favreau. They love this serialized storytelling. They love these

1:05:37.480 --> 1:05:40.240
<v Speaker 3>adventure of the week stories. They love these little arcs

1:05:40.320 --> 1:05:43.360
<v Speaker 3>that they perfected, you know, especially Dave Filoni in the cartoons.

1:05:44.280 --> 1:05:46.600
<v Speaker 3>So why not have Boba Fett and Book of Bobafette,

1:05:46.600 --> 1:05:49.560
<v Speaker 3>you know, pointed out it's called book. It's literally stories.

1:05:49.640 --> 1:05:52.640
<v Speaker 3>You can do different stories. So I think that that's

1:05:52.680 --> 1:05:54.640
<v Speaker 3>a really good call. I think we could likely see

1:05:54.720 --> 1:05:57.280
<v Speaker 3>that be the route where that's where they get to

1:05:57.320 --> 1:06:01.040
<v Speaker 3>do this style of storytelling. And I'm the Mandalorian, I'll

1:06:01.040 --> 1:06:02.800
<v Speaker 3>be one of these other things. Each one's going to

1:06:02.880 --> 1:06:06.160
<v Speaker 3>tell different kind of narrative, take a different kind of

1:06:06.200 --> 1:06:07.040
<v Speaker 3>narrative framework.

1:06:07.280 --> 1:06:10.960
<v Speaker 1>Well, I can't wait to talk about those stories as

1:06:11.160 --> 1:06:23.160
<v Speaker 1>they appear up next our nerd Out segment. In this

1:06:23.360 --> 1:06:26.200
<v Speaker 1>week's nerd Out, our recurring segment where you tell us

1:06:26.600 --> 1:06:30.080
<v Speaker 1>what you love and why and why we should also

1:06:30.160 --> 1:06:33.080
<v Speaker 1>love the thing that you love Anthony pitches us on

1:06:33.320 --> 1:06:36.400
<v Speaker 1>Jim Butcher's The Dresden Files series.

1:06:36.960 --> 1:06:39.720
<v Speaker 7>Hi Gang, I'm Anthony. I love the show and I

1:06:39.800 --> 1:06:41.560
<v Speaker 7>wanted to take a moment to nerd out to you

1:06:41.640 --> 1:06:44.200
<v Speaker 7>about one of my favorite universes to get lost in,

1:06:44.600 --> 1:06:48.120
<v Speaker 7>which is called The Dresden Files. It's a series of

1:06:48.280 --> 1:06:51.800
<v Speaker 7>novels by author Jim Butcher that is currently up to

1:06:52.040 --> 1:06:56.160
<v Speaker 7>seventeen books long, three short story collections, a comic series,

1:06:56.240 --> 1:06:59.440
<v Speaker 7>a collectible card game, and a full blown pen and

1:06:59.480 --> 1:07:02.919
<v Speaker 7>Paper are. The books are an urban fantasy that take

1:07:02.960 --> 1:07:06.040
<v Speaker 7>place in modern Chicago and follow our hero one Harry

1:07:06.200 --> 1:07:11.520
<v Speaker 7>Blackstone Copperfield Dresden, the often touted only working Wizard PI

1:07:11.680 --> 1:07:14.680
<v Speaker 7>in the Yellow Pages. He is a wise, cracking, spell

1:07:14.800 --> 1:07:18.560
<v Speaker 7>slinging wizard who often helps the Chicago Police Department and

1:07:18.920 --> 1:07:22.880
<v Speaker 7>other worldly organizations to solve crime and bring down batties

1:07:22.920 --> 1:07:25.240
<v Speaker 7>when things start to go bump in the night. How

1:07:25.320 --> 1:07:27.800
<v Speaker 7>did I get mixed up in The Dresden Files. Well,

1:07:27.920 --> 1:07:31.720
<v Speaker 7>I really discovered book one called Stormfront by chance in

1:07:31.840 --> 1:07:34.560
<v Speaker 7>a local bookstore, and I was immediately hooked by the

1:07:34.600 --> 1:07:38.640
<v Speaker 7>witty banter, the lovable characters, and Butcher's awesome spin on

1:07:38.720 --> 1:07:43.720
<v Speaker 7>the genre. By weaving historical, mythological, and pop culture into

1:07:43.760 --> 1:07:47.440
<v Speaker 7>his stories. In What Feels Fresh, why should you check

1:07:47.480 --> 1:07:50.960
<v Speaker 7>out the series? Well, Dresden and his Steadfast friends tackle

1:07:51.000 --> 1:07:55.880
<v Speaker 7>everything from ghosts, werewolves, demons, vampires, and evil wizards, all

1:07:55.920 --> 1:07:57.960
<v Speaker 7>while he's shooting his mouth off in a way that

1:07:58.080 --> 1:08:02.240
<v Speaker 7>all at once invokes Han Solo, Indiana Jones, Spider Man,

1:08:02.480 --> 1:08:05.600
<v Speaker 7>and maybe even a little Deadpool. There are battles with

1:08:05.720 --> 1:08:10.680
<v Speaker 7>necromancers involving zombie dinosaurs. There are prophecies and fallen angels,

1:08:10.920 --> 1:08:14.360
<v Speaker 7>paladins and dragons, all happening under the nose of a

1:08:14.520 --> 1:08:18.400
<v Speaker 7>very ignorant population of mortals. One of my favorite editions

1:08:18.560 --> 1:08:22.000
<v Speaker 7>is the idea of different flavors of vampires. For example,

1:08:22.160 --> 1:08:25.479
<v Speaker 7>in the Dresden Verse, vampires exist in different courts. The

1:08:25.600 --> 1:08:28.800
<v Speaker 7>Black Court is like your Dracula, the White Court is

1:08:28.920 --> 1:08:32.160
<v Speaker 7>like your Twilight day Walkers, the Red Court is your

1:08:32.280 --> 1:08:35.840
<v Speaker 7>dust till Dawn vamps, and the mysterious Jade Court, well,

1:08:36.040 --> 1:08:37.040
<v Speaker 7>they're unconfirmed.

1:08:37.600 --> 1:08:38.639
<v Speaker 1>I also like how.

1:08:38.600 --> 1:08:42.000
<v Speaker 7>Deep Butcher dives into the idea of classic fairies, or

1:08:42.040 --> 1:08:45.559
<v Speaker 7>as they prefer to be called, the she. In my opinion,

1:08:45.800 --> 1:08:47.840
<v Speaker 7>it's a crying shame that the property is not really

1:08:47.960 --> 1:08:51.439
<v Speaker 7>erupted into other media formats like video games, board games,

1:08:51.520 --> 1:08:54.679
<v Speaker 7>or streaming series. But despite that, I think you'll really

1:08:54.840 --> 1:08:58.040
<v Speaker 7>enjoy the books. We're all eagerly awaiting the release date

1:08:58.120 --> 1:09:02.240
<v Speaker 7>of book eighteen, but both book sixteen and seventeen came

1:09:02.280 --> 1:09:05.240
<v Speaker 7>out in twenty twenty, So if you want to check

1:09:05.280 --> 1:09:06.800
<v Speaker 7>out what is sure to be a hit in the

1:09:06.880 --> 1:09:10.400
<v Speaker 7>near future, pick up Stormfront and you won't be disappointed.

1:09:10.960 --> 1:09:13.160
<v Speaker 1>Thanks Anthony for submitting. If you want to be featured,

1:09:13.200 --> 1:09:15.080
<v Speaker 1>send your nerd out pitch to x Ray at crooked

1:09:15.120 --> 1:09:18.479
<v Speaker 1>dot com. Instructions are in the show notes. Up next.

1:09:18.920 --> 1:09:29.880
<v Speaker 1>We're in the endgame now, folks. Yes, we are in

1:09:30.000 --> 1:09:33.920
<v Speaker 1>the endgame now. And today Rosie and I ponder who

1:09:34.040 --> 1:09:38.519
<v Speaker 1>is getting that beautiful shiny Medal of Yavin for winning

1:09:39.240 --> 1:09:42.760
<v Speaker 1>the Book of Boba Fette series. We all, of course

1:09:42.880 --> 1:09:45.439
<v Speaker 1>know that Chewbacca is not going to get it because

1:09:45.439 --> 1:09:50.320
<v Speaker 1>he was cruelly locked out of this guest being just

1:09:50.800 --> 1:09:55.320
<v Speaker 1>the disrespect echoes throughout the ages. But we are allowed

1:09:55.360 --> 1:09:57.560
<v Speaker 1>to give our medal of Yavin to anyone who we

1:09:58.280 --> 1:10:01.840
<v Speaker 1>do so please. I will go first. I'm gonna go

1:10:02.240 --> 1:10:05.880
<v Speaker 1>with my Medal of Yeavin. Gosh, there's so you know,

1:10:06.080 --> 1:10:09.120
<v Speaker 1>the appearance of Dan Jarren in the middle of the series,

1:10:09.880 --> 1:10:15.280
<v Speaker 1>Grogu getting to see Grogu's early training with Luke on

1:10:15.560 --> 1:10:20.240
<v Speaker 1>the unnamed beautiful forested planet where Luke is currently building

1:10:20.280 --> 1:10:23.880
<v Speaker 1>his temple. But I'm going to go. I'm gonna go

1:10:24.040 --> 1:10:28.599
<v Speaker 1>with Sophie Thatcher, who was so fantastic in Yellow Jackets

1:10:28.640 --> 1:10:30.720
<v Speaker 1>and is having a moment right now, is wonderful in

1:10:30.800 --> 1:10:33.960
<v Speaker 1>this series as the leader of the mods co leader

1:10:34.000 --> 1:10:36.960
<v Speaker 1>of the Mods. They're kind of really they are commune,

1:10:37.040 --> 1:10:39.640
<v Speaker 1>so there's no real leadership structure, but the main no

1:10:39.840 --> 1:10:42.600
<v Speaker 1>hierarchy so to speak. But the main character along with

1:10:43.240 --> 1:10:47.439
<v Speaker 1>Scad is Sophie Thatcher's Drash And for me, the winner

1:10:47.640 --> 1:10:52.799
<v Speaker 1>is Sophie Thatcher, who is from Chicago. Sophie Thatcher's Carrie

1:10:53.000 --> 1:10:58.720
<v Speaker 1>Fisher talking to Grand Moth Tarkin esque English accent. Would

1:10:58.720 --> 1:11:01.000
<v Speaker 1>you call this a British accent you as a as

1:11:01.080 --> 1:11:01.639
<v Speaker 1>a as.

1:11:01.560 --> 1:11:06.920
<v Speaker 3>A seizen, this is this is a British accent, very

1:11:07.040 --> 1:11:11.720
<v Speaker 3>much in the legacy of Star Wars British accents, which

1:11:11.840 --> 1:11:14.760
<v Speaker 3>was Star Wars was made originally, you know, in pine Wood,

1:11:15.120 --> 1:11:17.000
<v Speaker 3>so a lot of the actors had English accents and

1:11:17.120 --> 1:11:20.400
<v Speaker 3>that kind of led to this generic English British accent

1:11:20.560 --> 1:11:22.400
<v Speaker 3>throughout Star Wars history. So I love it. That is

1:11:22.439 --> 1:11:22.960
<v Speaker 3>a great pick.

1:11:23.280 --> 1:11:26.479
<v Speaker 1>I recognized your fell stenched when I was brought on board,

1:11:27.400 --> 1:11:31.400
<v Speaker 1>says Drash. We cannot retreat from here. We must fight,

1:11:32.000 --> 1:11:34.400
<v Speaker 1>and if we retreat there will be no cover. I

1:11:34.560 --> 1:11:38.000
<v Speaker 1>was born here. It's just beautiful, beautiful work from Soviet

1:11:38.040 --> 1:11:40.240
<v Speaker 1>that er is it? Can you place it at all?

1:11:40.760 --> 1:11:44.080
<v Speaker 1>Is there? Could you give us again as an expert,

1:11:44.240 --> 1:11:47.479
<v Speaker 1>like where if you heard this in the wild? Where

1:11:47.600 --> 1:11:50.160
<v Speaker 1>could you say where this where? This accent?

1:11:51.160 --> 1:11:55.840
<v Speaker 3>There's no specific area, but it's called posh. Is a

1:11:55.920 --> 1:11:58.960
<v Speaker 3>posh accent, That's what it is. So it's like it's like,

1:11:59.040 --> 1:12:01.320
<v Speaker 3>you know how everyone thinks the English people all speak

1:12:01.400 --> 1:12:03.519
<v Speaker 3>like Mary Poppins, Like a lot of people don't think

1:12:03.560 --> 1:12:06.040
<v Speaker 3>I'm English because I don'ts be like Mary Poppins. This

1:12:06.240 --> 1:12:09.439
<v Speaker 3>is kind of the Hollywood. It's not as outrageous as

1:12:09.520 --> 1:12:12.400
<v Speaker 3>Mary Poppins, but it's like it's that she sounds posh.

1:12:12.479 --> 1:12:16.600
<v Speaker 3>She pronounces things very eloquently and kind of like that.

1:12:16.760 --> 1:12:20.400
<v Speaker 3>So it's it's definitely always the it's the Hollywood English

1:12:20.439 --> 1:12:22.519
<v Speaker 3>accent and I love it because I love Sophie Thatcher

1:12:22.560 --> 1:12:24.080
<v Speaker 3>and her hair. I would like to add that I

1:12:24.160 --> 1:12:26.800
<v Speaker 3>was going to pay pick Sophie Thatcher, so I'm adding

1:12:26.840 --> 1:12:29.200
<v Speaker 3>that she'll get the medal also for the shag cut

1:12:29.600 --> 1:12:30.719
<v Speaker 3>that I call it the share.

1:12:30.680 --> 1:12:35.080
<v Speaker 1>She is having. Man talk about two cool haircuts in

1:12:35.240 --> 1:12:39.920
<v Speaker 1>two consecutive shows, Yellowjackets and now Book of Boba. Fett

1:12:39.960 --> 1:12:43.639
<v Speaker 1>shouts to Sophie Thatcher their haircut and the accent Rosie,

1:12:43.720 --> 1:12:45.000
<v Speaker 1>who wins your medal? Of you Oven.

1:12:45.400 --> 1:12:47.680
<v Speaker 3>There's so many people, mine is like again, probably a

1:12:47.840 --> 1:12:49.360
<v Speaker 3>duel situation.

1:12:49.040 --> 1:12:51.280
<v Speaker 1>So no, just go go, let us let us know

1:12:51.360 --> 1:12:53.720
<v Speaker 1>everyth's so many things, so I think I agree with you.

1:12:53.800 --> 1:12:56.680
<v Speaker 3>Grogu obviously loved the Baby loved in. I loved the

1:12:56.800 --> 1:13:01.240
<v Speaker 3>moment in the finale where he like rose himself at

1:13:01.320 --> 1:13:03.360
<v Speaker 3>dinn and then he's like tapping his helmet like take

1:13:03.439 --> 1:13:05.160
<v Speaker 3>this shit off. I want to see your face dad

1:13:05.320 --> 1:13:07.920
<v Speaker 3>like and AND's like, nah, no, there's people around, like

1:13:08.080 --> 1:13:10.280
<v Speaker 3>not right now, man, not right now. So that was

1:13:10.439 --> 1:13:14.439
<v Speaker 3>very cute. I loved to see Thundercat joining the Star

1:13:14.479 --> 1:13:18.640
<v Speaker 3>Wars universe. That was like unbelievably great casting, and that

1:13:18.840 --> 1:13:21.000
<v Speaker 3>to me is like very high up there, like, and

1:13:21.120 --> 1:13:24.000
<v Speaker 3>I love their role. It's I know it was all

1:13:24.040 --> 1:13:27.320
<v Speaker 3>a bit chintzy, but I love like a good cyberpunk story.

1:13:27.479 --> 1:13:29.840
<v Speaker 3>So the mod Squad I loved them, and the other one,

1:13:29.920 --> 1:13:33.200
<v Speaker 3>I think the real medal one because we're gonna make

1:13:33.320 --> 1:13:35.760
<v Speaker 3>up for the past with you backups. Okay, it's gotta

1:13:35.840 --> 1:13:38.840
<v Speaker 3>be black chrysandin come on, he means you.

1:13:38.920 --> 1:13:39.360
<v Speaker 1>For doing this.

1:13:39.600 --> 1:13:39.800
<v Speaker 4>You know.

1:13:41.479 --> 1:13:45.080
<v Speaker 3>We're doing it to make history, to make history right.

1:13:45.160 --> 1:13:50.080
<v Speaker 3>But also because I loved to see the internet reaction

1:13:50.240 --> 1:13:54.360
<v Speaker 3>to this character, like seeing people first after this like sexy,

1:13:54.479 --> 1:13:57.120
<v Speaker 3>black metal wookie with like and there's all these like

1:13:57.280 --> 1:13:59.840
<v Speaker 3>images with like all these love hearts put over there,

1:14:00.240 --> 1:14:03.840
<v Speaker 3>and like, I just loved the pure outpouring that was

1:14:03.920 --> 1:14:06.120
<v Speaker 3>there for him like this, people just want to be

1:14:06.520 --> 1:14:08.840
<v Speaker 3>loved by a Wookie who can test someone's arms off

1:14:08.880 --> 1:14:11.000
<v Speaker 3>if they're better a game than them, like, and I

1:14:11.080 --> 1:14:13.640
<v Speaker 3>feel like as well as a Wookie fan. There was

1:14:13.720 --> 1:14:17.599
<v Speaker 3>a lot of cool Wookie moments, like him getting angry

1:14:18.120 --> 1:14:21.320
<v Speaker 3>in the bar because Wookies are just inherently comparitive and

1:14:21.400 --> 1:14:22.719
<v Speaker 3>he hates to see people win.

1:14:23.000 --> 1:14:27.840
<v Speaker 1>Getting to whoop some leathery Transdotionan asks us transitions are

1:14:27.960 --> 1:14:31.400
<v Speaker 1>known in slavers of Wookie people. Was like, very very cathartic.

1:14:32.080 --> 1:14:34.519
<v Speaker 1>That's a great pick and that's it for our endgame.

1:14:34.640 --> 1:14:37.320
<v Speaker 1>Who do you think one? Who is your pick for

1:14:37.560 --> 1:14:40.519
<v Speaker 1>the winner of Book of Boba fet Who would you

1:14:40.680 --> 1:14:44.360
<v Speaker 1>give your personal Medal of yeaving to hit us at

1:14:44.400 --> 1:14:49.680
<v Speaker 1>hashtag XRVN game to give us your pick. A big

1:14:49.800 --> 1:14:52.000
<v Speaker 1>thank you to Rosie Knight for joining us on x

1:14:52.120 --> 1:14:56.000
<v Speaker 1>ray Vision. Rosie plug everything, plug all your stuff, the plug,

1:14:56.200 --> 1:14:56.760
<v Speaker 1>plug it all.

1:14:57.320 --> 1:14:59.400
<v Speaker 3>Yes, that's me, Rosie Knight.

1:14:59.560 --> 1:15:00.719
<v Speaker 1>I have a website.

1:15:00.760 --> 1:15:04.080
<v Speaker 3>If you google me. On that website you can read

1:15:04.080 --> 1:15:05.759
<v Speaker 3>a lot of comics. I have a lot of comics

1:15:05.800 --> 1:15:07.040
<v Speaker 3>on there that you can read for free that I

1:15:07.120 --> 1:15:12.040
<v Speaker 3>have written. I am Rosie Marx Marx on Instagram and

1:15:12.120 --> 1:15:15.840
<v Speaker 3>also Letterboxed, which I am actually updating this year, which

1:15:15.840 --> 1:15:19.320
<v Speaker 3>has been very hilarious because I have very strange tastes.

1:15:19.360 --> 1:15:21.240
<v Speaker 3>Apparently I'm learning from my letter box.

1:15:22.880 --> 1:15:23.080
<v Speaker 1>Yeah.

1:15:23.080 --> 1:15:25.760
<v Speaker 3>I will have some exciting comic book news coming up

1:15:25.800 --> 1:15:27.559
<v Speaker 3>soon that we have talked about that I cannot say.

1:15:27.640 --> 1:15:27.800
<v Speaker 1>Yeah.

1:15:27.800 --> 1:15:31.519
<v Speaker 3>And also if you are excited for The Batman, which

1:15:31.560 --> 1:15:34.800
<v Speaker 3>we will obviously be covering, I will have a lot

1:15:34.880 --> 1:15:37.960
<v Speaker 3>of articles coming up in the lead up and afterwards,

1:15:38.240 --> 1:15:40.559
<v Speaker 3>and if you want to read anything about The Batman now.

1:15:41.160 --> 1:15:45.240
<v Speaker 3>I interviewed Matt Reeves almost two years ago about a

1:15:45.400 --> 1:15:47.920
<v Speaker 3>really wonderful TV show that he made that was a

1:15:47.960 --> 1:15:50.400
<v Speaker 3>science fiction TV show based on a series of photographs,

1:15:50.479 --> 1:15:52.479
<v Speaker 3>and during that we just it was a really long

1:15:52.560 --> 1:15:54.800
<v Speaker 3>chat and he talked so much about The Batman, and

1:15:54.880 --> 1:15:58.040
<v Speaker 3>he talked about how much he loved Batman returns, and

1:15:58.160 --> 1:15:59.800
<v Speaker 3>he talked about all these different things to do with

1:15:59.840 --> 1:16:02.400
<v Speaker 3>them and the things that inspired him. So if you

1:16:02.400 --> 1:16:03.800
<v Speaker 3>want to have a look at that, it's there's a

1:16:03.840 --> 1:16:06.280
<v Speaker 3>few different articles on Nerdist if you just search Rosie

1:16:06.360 --> 1:16:09.160
<v Speaker 3>Night Matt Reeves. If you're excited to see Robert Pattinson,

1:16:09.320 --> 1:16:11.439
<v Speaker 3>I'm always excited to see Robert Pattinson always.

1:16:11.479 --> 1:16:15.920
<v Speaker 1>I love listen. Oh he loves And I think that

1:16:16.160 --> 1:16:19.960
<v Speaker 1>he is one of our I don't is he underrated.

1:16:20.000 --> 1:16:21.960
<v Speaker 1>I think he's an underrated actor who makes it thinks

1:16:22.080 --> 1:16:24.040
<v Speaker 1>incredibly cool choices.

1:16:24.200 --> 1:16:27.479
<v Speaker 3>He probably won't be underrated after The Batman, is my guess,

1:16:27.880 --> 1:16:31.040
<v Speaker 3>because like that's the kind of role where people will go, oh,

1:16:31.080 --> 1:16:32.760
<v Speaker 3>why was he picked for this? And then they'll find

1:16:32.840 --> 1:16:36.000
<v Speaker 3>good time or they'll find you know the lighthouse. Also,

1:16:36.080 --> 1:16:38.880
<v Speaker 3>if you want to enjoy Robert Pattinson talking about those,

1:16:39.040 --> 1:16:42.879
<v Speaker 3>GQ did this unbelievable twenty minute interview of him introducing

1:16:42.960 --> 1:16:45.640
<v Speaker 3>his most iconic characters, and it's a great primer on

1:16:45.760 --> 1:16:48.640
<v Speaker 3>why he was picked for the Batman, but it's also hilarious.

1:16:49.800 --> 1:16:52.160
<v Speaker 3>So that's like my favorite thing I watched this week.

1:16:52.439 --> 1:17:00.360
<v Speaker 1>Well, justice for Cedric Diggery. If you want to learn

1:17:00.439 --> 1:17:02.720
<v Speaker 1>more about what we explore each week, check out our

1:17:02.760 --> 1:17:04.800
<v Speaker 1>listeners guide to all things Extra Vision in the show notes,

1:17:04.840 --> 1:17:07.759
<v Speaker 1>we're on our website. Catch the next episode on February eighteenth,

1:17:07.800 --> 1:17:10.640
<v Speaker 1>and again, don't forget to send your nerd out submissions

1:17:10.680 --> 1:17:12.840
<v Speaker 1>to x rayac croocket dot com or just to bother

1:17:13.000 --> 1:17:14.880
<v Speaker 1>us to cover something if we are not covering it,

1:17:14.960 --> 1:17:16.760
<v Speaker 1>if we haven't covered it yet, if we mentioned that

1:17:16.800 --> 1:17:18.560
<v Speaker 1>we're gonna cover it and we haven't done enough to

1:17:18.600 --> 1:17:22.519
<v Speaker 1>your liking, just keep haranguing us. We love it. What's

1:17:22.560 --> 1:17:24.479
<v Speaker 1>the thing where we like to be punished. Just punish

1:17:24.600 --> 1:17:27.160
<v Speaker 1>us with your takes that you would like us to give,

1:17:27.320 --> 1:17:29.840
<v Speaker 1>and keep inundating us with the things you would like

1:17:29.960 --> 1:17:33.120
<v Speaker 1>us to cover. Don't forget rate and review us x

1:17:33.240 --> 1:17:37.720
<v Speaker 1>ray Vision five Stars to the Moon on every podcast

1:17:37.840 --> 1:17:43.720
<v Speaker 1>platform please x ray Vision its Crooked Media production. The

1:17:43.720 --> 1:17:45.720
<v Speaker 1>show is produced by Chris Lord and Saul Rubin. The

1:17:45.720 --> 1:17:49.320
<v Speaker 1>show is executive produced by myself and Sandy Gerard. Caroline

1:17:49.320 --> 1:17:52.519
<v Speaker 1>Residing Carlton Gillespie are our consulting producers, and our editing

1:17:52.640 --> 1:17:56.240
<v Speaker 1>and sound design is by Vassili's Photopols. Big thanks to

1:17:56.320 --> 1:18:02.000
<v Speaker 1>Brian Vasquez for our theme music. See you next time. Hey, Mike,

1:18:02.120 --> 1:18:03.519
<v Speaker 1>this is his doctor Marina.

1:18:03.600 --> 1:18:06.200
<v Speaker 4>I want to talk about the rank on today. You know,

1:18:07.040 --> 1:18:09.880
<v Speaker 4>did we don't talk a lot about the fact that

1:18:10.080 --> 1:18:13.920
<v Speaker 4>Boba fet without a kind of training with it, just

1:18:14.240 --> 1:18:19.040
<v Speaker 4>connected with his rank. Call Mike. This guy loves animals

1:18:19.160 --> 1:18:22.120
<v Speaker 4>and it is paid off in a big way because

1:18:22.160 --> 1:18:24.519
<v Speaker 4>he took that rankle out for a ride and they

1:18:24.720 --> 1:18:26.839
<v Speaker 4>just demolished those Annihilator droids.

1:18:26.920 --> 1:18:28.440
<v Speaker 1>The Annihilators got annihilated.

1:18:28.520 --> 1:18:31.200
<v Speaker 4>You want to talk about irony like that, Mike. Listen,

1:18:31.640 --> 1:18:35.000
<v Speaker 4>The rank law is here to stay, Mike, and he

1:18:35.520 --> 1:18:38.880
<v Speaker 4>is here to just be a wonderful pet and a

1:18:38.960 --> 1:18:42.320
<v Speaker 4>wonderful partner for Boba Fett, who is just going to

1:18:42.360 --> 1:18:44.280
<v Speaker 4>be riding around the sands on the back of that

1:18:44.400 --> 1:18:47.120
<v Speaker 4>beautiful little beast. Mike, I gotta tell you, I gotta

1:18:47.160 --> 1:18:49.840
<v Speaker 4>say he did better than I ever thought he would

1:18:50.040 --> 1:18:53.240
<v Speaker 4>in his very first battle. The baby is here and

1:18:54.520 --> 1:18:55.639
<v Speaker 4>I just love what they're doing.

1:18:55.720 --> 1:18:55.840
<v Speaker 1>Mike.

1:18:55.880 --> 1:18:57.200
<v Speaker 4>I'll take my hands off the air.

1:18:57.160 --> 1:18:57.400
<v Speaker 1>Thank you.

1:18:58.920 --> 1:19:01.360
<v Speaker 6>In the nineteen seventy these, a young group of violent

1:19:01.439 --> 1:19:05.800
<v Speaker 6>revolutionaries joined forces to create the Weather Underground Organization, a

1:19:05.880 --> 1:19:09.000
<v Speaker 6>group of radicals who brawled with police officers and bombed

1:19:09.040 --> 1:19:11.839
<v Speaker 6>the Pentagon, all in the name of ending racism.

1:19:12.960 --> 1:19:13.080
<v Speaker 4>Hi.

1:19:13.439 --> 1:19:17.320
<v Speaker 6>I'm zaid Ayrsdorn, host of Crooked Media's new podcast, Mother

1:19:17.400 --> 1:19:21.000
<v Speaker 6>Country Radicals, which dives into the true story of how

1:19:21.080 --> 1:19:23.880
<v Speaker 6>my parents and their friends went from peace loving activists

1:19:24.120 --> 1:19:28.080
<v Speaker 6>to topping the FBI's Most Wanted This new episodes of

1:19:28.160 --> 1:19:31.880
<v Speaker 6>Mother Country Radicals are out every Thursday. Listen and subscribe

1:19:31.960 --> 1:19:33.360
<v Speaker 6>wherever you get podcasts.