WEBVTT - Abortion: The Body Politic, Part 4

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<v Speaker 1>I'm Katie Curic, and this is abortion the body Politic,

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<v Speaker 1>Part four at the Supreme Court today an historic upheaval.

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<v Speaker 1>Brow is dead. The Conservative Court world six to three

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<v Speaker 1>Friday to uphold a Republican backed Mississippi law that bands

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<v Speaker 1>abortion after fifteen weeks of pregnancy, and five of those

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<v Speaker 1>justices went even further, voting to overturn Roe versus Wade itself.

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<v Speaker 1>And the question of abortion has been returned to the states.

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<v Speaker 1>After the Supreme Court took away the federal rights an abortion.

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<v Speaker 1>On June, abortion rights supporters flooded city streets from Seattle

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<v Speaker 1>to Boston and right here in New York City about it. Already,

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<v Speaker 1>a delusive litigation is underway. Thirteen states have abortion bands

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<v Speaker 1>in place, designed to be triggered and take effect immediately

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<v Speaker 1>after row Fell as if this recording. At least six states,

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<v Speaker 1>including Missouri, have begun to enforce their trigger bands to

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<v Speaker 1>prohibit abortion entirely, but the anti abortion wins are not

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<v Speaker 1>all immediate. A judge has granted a restraining order blocking

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<v Speaker 1>Utah's abortion band from being enforced. At least two states

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<v Speaker 1>have temporarily blocked enforcement of their trigger law bands on abortion.

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<v Speaker 1>In the first three parts of this series, we traced

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<v Speaker 1>how we got to this point, because the Supreme Court

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<v Speaker 1>decision didn't happen in a vacuum, and in fact, the

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<v Speaker 1>dismantling of Row is still one moment in the long

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<v Speaker 1>arc of reproductive rights in this country. There's still a

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<v Speaker 1>way to go, and part of that journey is understanding

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<v Speaker 1>how we tell stories about abortion in the first place.

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<v Speaker 1>Today we're examining how abortion has been explored and reflected

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<v Speaker 1>in popular culture and Hollywood, whether we realize it or not.

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<v Speaker 1>The movies we have loved and the TV shows we

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<v Speaker 1>watch represent the collective imagination of our culture at any

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<v Speaker 1>particular moment in time. Filmmaker Gillian Ropespierre directed the ten

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<v Speaker 1>brom com Obvious Child, which is still held up eight

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<v Speaker 1>years later as a movie that got abortion right. We

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<v Speaker 1>happened to talk to Gillian on the day Roe v.

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<v Speaker 1>Wade was overturned before we talk about the role of

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<v Speaker 1>storytelling and conveying messages about abortion. Gillian, what was your

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<v Speaker 1>reaction when you heard the news? Yeah, Um, I'm an

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<v Speaker 1>easy cry, so I feel like I'm getting just you know,

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<v Speaker 1>we knew it was coming. It wasn't that a total surprise. Um.

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<v Speaker 1>But I was sitting in room with my writing partner

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<v Speaker 1>this morning, and she's a woman, and uh, we stopped.

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<v Speaker 1>We just looked at each other and started crying. UM,

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<v Speaker 1>and we couldn't. You don't finish our work. But I'm

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<v Speaker 1>glad we had each other. Um. And it's devasity, it's

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<v Speaker 1>good it. It feels like after the tears came just

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<v Speaker 1>like anger and pain. Um. But also I'm fueled by

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<v Speaker 1>I'll show you that's sort of why I even made

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<v Speaker 1>this movie in the first place. So I do feel

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<v Speaker 1>like after the tears and and I will work with

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<v Speaker 1>the anger to to continue to figure out how to

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<v Speaker 1>protest and how to get out of this mook. I'm

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<v Speaker 1>trus what you think Hollywood's responsibility is and what it

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<v Speaker 1>can do to to change hearts and minds and inform

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<v Speaker 1>people about the importance of reproductive rights. Yeah, you know,

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<v Speaker 1>I think just to bring it back to sort of

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<v Speaker 1>the story of how I made Obvious Child and how

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<v Speaker 1>I got it made. I made it outside of the

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<v Speaker 1>studio system. I didn't ask for that permission. But um,

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<v Speaker 1>the reason why we made it is because it almost

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<v Speaker 1>felt like a dare all these films that that came

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<v Speaker 1>out in the mid two thousands about um, young women

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<v Speaker 1>having unplanned pregnancies, and they never even mentioned the word abortion.

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<v Speaker 1>Um and and it was a nerving to to watch

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<v Speaker 1>those films, and it made it a silent enemy. And

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<v Speaker 1>I just my whole life, I've kept on waiting for

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<v Speaker 1>a film where um they made that they gave abortion

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<v Speaker 1>a happy ending. You know, I love Dirty Dancing and

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<v Speaker 1>I love Fast Times at Ridgemont High, and those are

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<v Speaker 1>movies that I watched as a child, and Dirty Dancing,

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<v Speaker 1>uh kind of was a scary depiction. You know, it

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<v Speaker 1>was true to the time. But I'm a little kid

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<v Speaker 1>in the eighties and I was terrified. Uh there was

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<v Speaker 1>blo she almost died. Um In Fast Times, it was

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<v Speaker 1>you know, she Jennifer Jason Lee's character had no reservations

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<v Speaker 1>about making that choice, which I thought was cool. But

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<v Speaker 1>my young brain only took away from that movie that

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<v Speaker 1>losing your virginity hurts, and guys suck and it's cool

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<v Speaker 1>to have an older brother. Um. But when I had

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<v Speaker 1>my abortion, I couldn't help but think of all of

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<v Speaker 1>these movies, these awful depictions, and yeah, I was scared,

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<v Speaker 1>and did I think I was did across my mind

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<v Speaker 1>that I could die. Yeah, but that was not you know,

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<v Speaker 1>the reality is I had a very nice abortion. I

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<v Speaker 1>wasn't met with anti choice protesters or mean doctors or

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<v Speaker 1>unsupportive parents are partner. It was not traumatizing, and I

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<v Speaker 1>was relief. Um And and all of those movies, uh,

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<v Speaker 1>you know, kind of scared me. What about Knocked Up

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<v Speaker 1>in Juno for example? Where did you see the narrative

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<v Speaker 1>of those movies? Not kind of fulfilling your view of abortion? Right? Well,

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<v Speaker 1>I'm also a huge fan of rom coms. I love them,

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<v Speaker 1>and I feel like those movies were the ones that

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<v Speaker 1>were daring me to try to make a rom colm

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<v Speaker 1>with an abortion that had an happy ending, Like I

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<v Speaker 1>dare you, idiot, try it. You're going to fail because

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<v Speaker 1>because no one wants to see that movie. And so

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<v Speaker 1>that's sort of what spurred Obvious Child was to try

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<v Speaker 1>to make a film where the abortion is the catalyst

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<v Speaker 1>for abudding romance and and to show that in a

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<v Speaker 1>movie with an abortion can be both funny and poignant

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<v Speaker 1>and entertaining. Um and it could you know, show positive. Yeah,

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<v Speaker 1>no stigma or shame is involved this. You know. Donna,

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<v Speaker 1>our main character had an abortion, without feeling guilty or traumatized,

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<v Speaker 1>and that was similar to my experience. Can you tell

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<v Speaker 1>me a little briefly for people who haven't seen it,

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<v Speaker 1>who probably will head to to YouTube to see it now,

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<v Speaker 1>But can you tell me a little more about the plot,

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<v Speaker 1>just so we can give people an idea? Yes, so um.

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<v Speaker 1>It's about a young woman in her twenties named Donna

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<v Speaker 1>Stern played by the amazing Jenny Slate and Donna Stern

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<v Speaker 1>is a born and raised New Yorker who's a stand

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<v Speaker 1>up comedian and her boyfriend dumps her and she has

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<v Speaker 1>a one night stand with the very handsome and tender

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<v Speaker 1>Jake Lacey. Uh. She realizes she had is pregnant and

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<v Speaker 1>she decides to have an abortion, and the movie sort

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<v Speaker 1>of shows her reeling from the pain of a breakup

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<v Speaker 1>and trying to figure out will she or won't She

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<v Speaker 1>tell Jake Lacey's character it's never, um, will she won't

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<v Speaker 1>she have the abortion? Maybe you want to tell him, no, why,

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<v Speaker 1>why you don't owe him anything? You don't even know

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<v Speaker 1>this guy. Maybe he just deserts to know that like

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<v Speaker 1>this happened, that I'm not a psycho and I'm going

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<v Speaker 1>to get an abortion um, and it's framed in a

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<v Speaker 1>you know, romantic comedy inspired by uh, you know, all

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<v Speaker 1>of the films from from my childhood that I devoured

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<v Speaker 1>and you know, the girl always gets the guy, but

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<v Speaker 1>now she also has her future. Unfortunately, I feel like,

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<v Speaker 1>you know, because we we missed, we we were we

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<v Speaker 1>couldn't tell everyone's story, and obviously, child we can only

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<v Speaker 1>tell one woman's story. And Donna came from privilege, and

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<v Speaker 1>you know, had all this support. She lived in New York,

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<v Speaker 1>so she at access, and so you know, the hopes

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<v Speaker 1>were that other stories could sort of burst from this.

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<v Speaker 1>I really thought that there is going to be this

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<v Speaker 1>giant change in in movies in the depiction of of

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<v Speaker 1>unplanned pregnancy and abortion. And I think there were you know,

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<v Speaker 1>there's some great films m Eliza Hitman, who's a pal

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<v Speaker 1>of mine, never, rarely sometimes always. I just watched I'm

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<v Speaker 1>Pregnant yesterday for the first time, and I thought that

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<v Speaker 1>was really great film. You know, there's so many stories

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<v Speaker 1>to be told. What now for Hollywood? Do you think

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<v Speaker 1>this will create a whole new um interest in films

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<v Speaker 1>about reproductive rights? I sure hope. So it feels like

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<v Speaker 1>we're too late, But I sure hope so, because um,

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<v Speaker 1>we have to continue to make art and tell us

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<v Speaker 1>to worries that don't silence our experiences because I think, um,

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<v Speaker 1>I think silence is the greatest weapon. But I also

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<v Speaker 1>uh don't think Hollywood in the studio system is built

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<v Speaker 1>to take risks. I UM, I personally don't think telling

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<v Speaker 1>these stories are risky. I think we've seen in a

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<v Speaker 1>lot of films that these stories work well. You know,

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<v Speaker 1>that can be both entertaining and also important. My name's

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<v Speaker 1>page and I was twenty nine when I had my abortion.

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<v Speaker 1>My abortion story begins with mating my boyfriend Charlie. In

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<v Speaker 1>the summer. We started dating and absolutely fell over hill,

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<v Speaker 1>head over heels in love um and practiced very safe sex,

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<v Speaker 1>ironic lay and we felt pregnant about two months in.

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<v Speaker 1>It was interesting because when I read the pregnancy result,

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<v Speaker 1>I felt excitement as my first feeling. I told him

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<v Speaker 1>right away and he was excited and so very um

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<v Speaker 1>you know, a nice emotion at the start that ended

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<v Speaker 1>up really challenging the decision making process. Um. And really

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<v Speaker 1>I had very little to go off. I couldn't talk

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<v Speaker 1>to my friends about it or my family. I had

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<v Speaker 1>never known anyone who had ever gotten an abortion. All

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<v Speaker 1>I had to go off was what I had understood

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<v Speaker 1>of it from popular culture references, and for me growing up,

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<v Speaker 1>that was the movie Dirty Dancing, where it was essentially

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<v Speaker 1>a girl living on the streets who gets butchered in

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<v Speaker 1>a garage. I've you said, he wasn't real empty the

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<v Speaker 1>guy had dirty knife. In the folding cable I could

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<v Speaker 1>hear was screaming in the hallway, or Juno, who she

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<v Speaker 1>gets shamed out of it. Your baby probably has a

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<v Speaker 1>beating heart, you know, it can feel pain. And he

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<v Speaker 1>dos fingernails, finger nails really and one day, you know,

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<v Speaker 1>we go pick up groceries. I'd be like, okay, now

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<v Speaker 1>we can do it. And then in the next aisle

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<v Speaker 1>he would say my job don't pay enough. I don't

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<v Speaker 1>see how he can do it. And then the next

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<v Speaker 1>style I would say, well, maybe I can go back

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<v Speaker 1>to Australia, and then the next stile was what we

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<v Speaker 1>can't give up every It was just so volatile in

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<v Speaker 1>terms of decision making, because what I learned from movies

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<v Speaker 1>is that if you can do it, you should do it.

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<v Speaker 1>I have a personality where if something makes me scared,

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<v Speaker 1>I'll try to run really almost lean into it, you know,

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<v Speaker 1>whether it's moving overseas or pursuing a career that I

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<v Speaker 1>don't think I'm ready for X of imposter syndrome or

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<v Speaker 1>whatever else, or running the New York City Marathon. And

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<v Speaker 1>what my therapist actually shared, what she said, you know, yes,

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<v Speaker 1>but you were your time to prepare or to get

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<v Speaker 1>comfortable with the choice. And she said, you didn't turn

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<v Speaker 1>away from this because you were scared. You turned away

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<v Speaker 1>from this was because it wasn't a choice. Um, it

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<v Speaker 1>wasn't your choice. I chose to go the medicine route

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<v Speaker 1>because I wanted to avoid a procedure um and you know,

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<v Speaker 1>going under, whether it's a general anesthetic or a local anesthetic.

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<v Speaker 1>And this to me felt like I could do in

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<v Speaker 1>the privacy of my home. It would still have the

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<v Speaker 1>same results. Um, it just seemed like more appropriate choice

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<v Speaker 1>for where I was, at least in the pregnancy. I

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<v Speaker 1>think even though I had clear direction, it's still such

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<v Speaker 1>an overwhelming moment that I had times where I was like, wait,

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<v Speaker 1>did I write that down correctly? Have I taken an

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<v Speaker 1>hour to early hour too late? Because you just felt

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<v Speaker 1>like you've got a lot of weight on this moment

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<v Speaker 1>um and then taking the tablets. It was like very

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<v Speaker 1>very very bad cramps. And it lasts some time, um,

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<v Speaker 1>and you are kind of alone. You're alone while it happens,

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<v Speaker 1>and when you're going back and forth to the bathroom,

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<v Speaker 1>and so it can feel a little bit lonely, but

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<v Speaker 1>you kind of get to a point where like, I

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<v Speaker 1>just need to get through and I want it done now.

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<v Speaker 1>I'm happy with my choice. I'm glad what I decided

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<v Speaker 1>to do. And it put a lot of things on

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<v Speaker 1>my radar, having children and having a family, potentially marriage

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<v Speaker 1>and what that really means to me. And so there's

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<v Speaker 1>gifts that have come out of it, and it's made

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<v Speaker 1>me really really UM. I can't ignore what's happening in

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<v Speaker 1>America and I'm a part of it. And I don't

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<v Speaker 1>want anyone to feel some of the bad feelings that

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<v Speaker 1>I experienced. And if I can be there for someone,

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<v Speaker 1>even strangers, I would want them to message me because

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<v Speaker 1>I don't. No one's alone. It's actually shocking how not

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<v Speaker 1>alone we are and how many people take this option.

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<v Speaker 1>After the break a comedy show about abortion, Hi, how

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<v Speaker 1>are you do you think? It's like a tin fabulous.

0:15:33.960 --> 0:15:35.560
<v Speaker 1>At the end of April, I went to see a

0:15:35.600 --> 0:15:38.720
<v Speaker 1>comedy show. It was at the historic Cherry Lane Theater

0:15:39.000 --> 0:15:42.400
<v Speaker 1>in a quaint little pocket of Manhattan's West Village. The

0:15:42.520 --> 0:15:45.360
<v Speaker 1>night we went, the show was still in previews, but

0:15:45.520 --> 0:15:48.920
<v Speaker 1>that didn't matter. It was a packed house. Hi everyone,

0:15:48.920 --> 0:15:50.800
<v Speaker 1>if you're here for Alison, leave me. The line starts

0:15:50.880 --> 0:15:53.080
<v Speaker 1>right here. Please have your baggy Gregy ready and off

0:15:53.080 --> 0:15:55.760
<v Speaker 1>stand your ticket. Thank you so much. It was called

0:15:56.000 --> 0:16:00.000
<v Speaker 1>Oh God, a show about abortion. The comedian is Alice

0:16:00.040 --> 0:16:05.440
<v Speaker 1>and leave. Thank you for being here, Thank you for

0:16:05.520 --> 0:16:10.360
<v Speaker 1>coming to what my dad calls my special show. Now.

0:16:10.480 --> 0:16:13.560
<v Speaker 1>My parents are super supportive. My mom texted me kill

0:16:13.600 --> 0:16:16.000
<v Speaker 1>it tonight. That was like, already did so why there's

0:16:16.000 --> 0:16:24.440
<v Speaker 1>a show I had an abortion three years ago. Thank you. Um,

0:16:24.880 --> 0:16:29.080
<v Speaker 1>I'm still trying to lose the no baby weights. I'm

0:16:29.080 --> 0:16:32.920
<v Speaker 1>gonna challenge. I'm not surprised that I needed an abortion.

0:16:33.440 --> 0:16:35.560
<v Speaker 1>I am surprised I needed one when I was old

0:16:35.680 --> 0:16:40.320
<v Speaker 1>enough to run for presidents That after the show, I

0:16:40.360 --> 0:16:42.880
<v Speaker 1>headed to the green room so Allison and I could

0:16:42.920 --> 0:16:46.240
<v Speaker 1>talk shop. I mean, oh God, how did you decide

0:16:46.280 --> 0:16:51.760
<v Speaker 1>to do a show about abortion? I really I it

0:16:51.960 --> 0:16:55.560
<v Speaker 1>kind of happened organically. I mean, obviously the experience happened

0:16:55.600 --> 0:16:57.920
<v Speaker 1>to me. It was not planned, but as a stand

0:16:57.960 --> 0:17:00.440
<v Speaker 1>up on somebody who just like writes about what happens

0:17:00.440 --> 0:17:02.480
<v Speaker 1>and what I see in the world and things I

0:17:02.480 --> 0:17:04.960
<v Speaker 1>think are funny, and I was like going through that experience,

0:17:05.000 --> 0:17:07.080
<v Speaker 1>and I was like, there's funny stuff here that isn't

0:17:07.119 --> 0:17:11.160
<v Speaker 1>the normal stand up abortion content. I feel like when

0:17:11.160 --> 0:17:13.000
<v Speaker 1>people get up and talk about abortion and stand up,

0:17:13.000 --> 0:17:17.480
<v Speaker 1>it's usually theoretical or someone liners. I feel like people

0:17:17.480 --> 0:17:19.120
<v Speaker 1>don't tell the whole story because like no one really

0:17:19.119 --> 0:17:21.000
<v Speaker 1>wants to sit in it that long, because it makes

0:17:21.000 --> 0:17:24.919
<v Speaker 1>people uncomfortable even though it shouldn't. So I wrote a

0:17:24.920 --> 0:17:28.520
<v Speaker 1>couple of jokes bombed so hard every time I told them,

0:17:28.520 --> 0:17:31.080
<v Speaker 1>like the first like five times, just getting up and

0:17:31.119 --> 0:17:32.639
<v Speaker 1>doing a ten or fifteen minutes set and in the

0:17:32.680 --> 0:17:34.840
<v Speaker 1>middle like trying to slip in this abortion material, and

0:17:34.840 --> 0:17:38.040
<v Speaker 1>like you could just you could feel people men crossing

0:17:38.080 --> 0:17:40.640
<v Speaker 1>their arms, just like really closing down. And it's like

0:17:41.200 --> 0:17:43.600
<v Speaker 1>it's because I wasn't confident and yet I was still

0:17:43.880 --> 0:17:46.919
<v Speaker 1>you know, new jokes are always kind of weaker just

0:17:46.920 --> 0:17:49.000
<v Speaker 1>because you're not ready to say them yet. And the

0:17:49.000 --> 0:17:51.239
<v Speaker 1>way that you do when they're done, also popping them

0:17:51.280 --> 0:17:54.720
<v Speaker 1>in the middle of a routine. That's sort of hard

0:17:54.840 --> 0:17:57.880
<v Speaker 1>thing to right. But I eventually got to a point

0:17:57.880 --> 0:18:00.480
<v Speaker 1>where that wasn't that hard because I like the jokes

0:18:00.560 --> 0:18:03.000
<v Speaker 1>that like, I had the confidence where people were like,

0:18:03.440 --> 0:18:06.560
<v Speaker 1>she's bringing this up and then being like we can,

0:18:06.800 --> 0:18:08.480
<v Speaker 1>She's going to guide us through this, like this is

0:18:08.480 --> 0:18:10.959
<v Speaker 1>not going to be awful. And so I kind of

0:18:11.000 --> 0:18:14.200
<v Speaker 1>started getting the material together and I had like five minutes,

0:18:14.240 --> 0:18:16.000
<v Speaker 1>and then I had ten minutes, and then I kept

0:18:16.000 --> 0:18:18.560
<v Speaker 1>being like, oh, this and this, and and I all

0:18:18.560 --> 0:18:20.399
<v Speaker 1>of a sudden I had like fifteen or twenty minutes

0:18:20.440 --> 0:18:23.000
<v Speaker 1>that worked, and I was like, well, if I could

0:18:23.040 --> 0:18:26.120
<v Speaker 1>do twenty, I could probably do an hour. I mean

0:18:26.160 --> 0:18:28.480
<v Speaker 1>that kind of insane ego logic where I'm yeah, I

0:18:28.480 --> 0:18:31.720
<v Speaker 1>can do anything, right. I went to Planned Parenthood in

0:18:31.760 --> 0:18:34.480
<v Speaker 1>Soho in New York City, the fancy downtown neighborhood, because

0:18:34.480 --> 0:18:37.600
<v Speaker 1>I'm a fancy bitch um, and I was nervous that

0:18:37.600 --> 0:18:39.960
<v Speaker 1>there would be protesters, just because in TV and film

0:18:40.040 --> 0:18:43.239
<v Speaker 1>and the news, I've always seen tons of protesters in

0:18:43.280 --> 0:18:45.359
<v Speaker 1>front of abortion clinics. I'm like, I don't like wire

0:18:45.400 --> 0:18:47.600
<v Speaker 1>hangers in my closet. I don't want them in front

0:18:47.640 --> 0:18:50.560
<v Speaker 1>of my healthcare clinics. Okay, But I went and there

0:18:50.560 --> 0:18:52.439
<v Speaker 1>were not like all, you know, there weren't all of

0:18:52.440 --> 0:18:54.600
<v Speaker 1>the crazy things that you would expect. There were just

0:18:54.640 --> 0:18:58.080
<v Speaker 1>like four old Catholic people standing across the street silently,

0:18:58.400 --> 0:19:02.720
<v Speaker 1>like it just looks like that painted American gothic twice,

0:19:03.560 --> 0:19:06.080
<v Speaker 1>but like less scary because they didn't even have a pitchfork.

0:19:07.600 --> 0:19:11.480
<v Speaker 1>Thank god. There is a much more intimidating force outside

0:19:11.480 --> 0:19:13.639
<v Speaker 1>of the Plan Parenthood and SOHO in New York that

0:19:13.800 --> 0:19:16.680
<v Speaker 1>is threatening women who are seeking abortions, and that is

0:19:16.720 --> 0:19:20.200
<v Speaker 1>across the street from Plan Parenthood there is a luxury

0:19:20.640 --> 0:19:24.960
<v Speaker 1>maternity wear store called Hatch. What who own is that?

0:19:25.200 --> 0:19:29.680
<v Speaker 1>Mike Pets Like, how did you determine what else you

0:19:29.800 --> 0:19:33.320
<v Speaker 1>wanted to talk about? Because you talk obviously about growing up,

0:19:33.440 --> 0:19:38.720
<v Speaker 1>and it really becomes kind of a full social commentary

0:19:38.840 --> 0:19:41.200
<v Speaker 1>on your life in a way. I guess the most

0:19:41.280 --> 0:19:43.760
<v Speaker 1>natural way to tell this story is to like step

0:19:43.800 --> 0:19:45.920
<v Speaker 1>back and look at it from the bigger picture of like,

0:19:46.720 --> 0:19:49.880
<v Speaker 1>how do I feel about sex and abortion? And I started?

0:19:50.359 --> 0:19:52.400
<v Speaker 1>The thing that's changed the most since I started writing

0:19:52.440 --> 0:19:56.040
<v Speaker 1>it is like, what is this serious thing I'm saying?

0:19:56.280 --> 0:19:58.560
<v Speaker 1>And and what is the what is the come? Like?

0:19:58.640 --> 0:20:00.520
<v Speaker 1>What am I trying to tell people by telling them

0:20:00.560 --> 0:20:03.680
<v Speaker 1>about abortion? And it really because it happened to me

0:20:03.720 --> 0:20:07.680
<v Speaker 1>when I was so much older. The motherhood conversation with

0:20:07.840 --> 0:20:12.120
<v Speaker 1>myself was so real in a way that at five,

0:20:12.280 --> 0:20:15.040
<v Speaker 1>I probably wouldn't have thought about that, and it would

0:20:15.119 --> 0:20:17.920
<v Speaker 1>and and it it impacts you know what people think

0:20:18.000 --> 0:20:21.400
<v Speaker 1>your choices are less like if you're and need an abortion,

0:20:21.720 --> 0:20:24.080
<v Speaker 1>no one's like and now she'll never be a mother,

0:20:24.359 --> 0:20:26.640
<v Speaker 1>Like she's made her choice. No, you have a whole

0:20:26.960 --> 0:20:29.200
<v Speaker 1>life of your fertility in front of you. But when

0:20:29.240 --> 0:20:35.080
<v Speaker 1>you're older, it kind of is this definitive decision. Women's

0:20:35.119 --> 0:20:38.280
<v Speaker 1>identity and motherhood are like so collapsed in our culture

0:20:38.480 --> 0:20:42.679
<v Speaker 1>that it's actually everything you do, every decision you make,

0:20:42.760 --> 0:20:46.160
<v Speaker 1>everything you do is kind of connected to this idea

0:20:46.240 --> 0:20:49.760
<v Speaker 1>and this identity. And that's terrible. But what's hard about

0:20:49.840 --> 0:20:54.040
<v Speaker 1>managing these fears about fertility is that, like there is

0:20:54.160 --> 0:20:58.880
<v Speaker 1>no kitchen timer on men's fertility, women's fertility is very set.

0:20:58.880 --> 0:21:00.800
<v Speaker 1>If you're a woman, you're and with all the eggs

0:21:00.840 --> 0:21:03.320
<v Speaker 1>you're ever going to have forever and if you're pregnant

0:21:03.359 --> 0:21:05.280
<v Speaker 1>with a daughter, all the eggs she's ever going to

0:21:05.400 --> 0:21:08.400
<v Speaker 1>have are already inside of you, which explains a lot

0:21:08.480 --> 0:21:12.600
<v Speaker 1>of our love of big purses, you know, just like

0:21:12.680 --> 0:21:15.520
<v Speaker 1>dig around. You're like, all right, phone, pea's wallet, Kleenex,

0:21:15.600 --> 0:21:18.320
<v Speaker 1>a Clementine from two and a half weeks ago, my eggs,

0:21:18.400 --> 0:21:23.120
<v Speaker 1>her eggs. All right, let's go out. We're ready. Men

0:21:23.359 --> 0:21:27.760
<v Speaker 1>create sperm throughout their lives. Men are creating sperm at

0:21:27.800 --> 0:21:33.800
<v Speaker 1>the rate that everline is creating unflattering pants constantly. Like okay,

0:21:33.840 --> 0:21:37.280
<v Speaker 1>to put it in context, Richard gear is seventy, his

0:21:37.440 --> 0:21:40.960
<v Speaker 1>wife is thirty six. We don't have time to get

0:21:41.000 --> 0:21:44.400
<v Speaker 1>into all of the problems with that relationship. But when

0:21:44.520 --> 0:21:47.399
<v Speaker 1>they have sex, she is the one that's worried that

0:21:47.520 --> 0:21:49.000
<v Speaker 1>she's not going to be able to be a parent

0:21:49.080 --> 0:21:51.200
<v Speaker 1>because she's too old. She is the one who is

0:21:51.200 --> 0:21:54.240
<v Speaker 1>worried the thirty six year old, not the seventy year old,

0:21:54.600 --> 0:21:56.960
<v Speaker 1>which is crazy because in every other context, he's the

0:21:57.000 --> 0:22:02.840
<v Speaker 1>one you're worried about walking downstairs eatings. What words we

0:22:02.920 --> 0:22:07.840
<v Speaker 1>culturally decided we don't say anymore. Why did you decide?

0:22:08.359 --> 0:22:12.760
<v Speaker 1>I mean, especially now, it's so prescient that this was

0:22:12.800 --> 0:22:15.040
<v Speaker 1>an important piece of work for you to do and

0:22:15.080 --> 0:22:19.280
<v Speaker 1>an important issue for you to tackle comedically. I just

0:22:19.480 --> 0:22:23.440
<v Speaker 1>feel like abortion gets such like a heavy hand in

0:22:23.760 --> 0:22:26.600
<v Speaker 1>pop culture so often, and it is always treated as

0:22:26.720 --> 0:22:29.320
<v Speaker 1>this like trauma, and I think it is for many

0:22:29.440 --> 0:22:32.399
<v Speaker 1>women who experience it, but it's not for everyone who

0:22:32.480 --> 0:22:35.159
<v Speaker 1>experiences it, and it doesn't have to be necessarily. I

0:22:35.240 --> 0:22:40.040
<v Speaker 1>think a lot of the trauma is imposed by by

0:22:40.200 --> 0:22:46.119
<v Speaker 1>society because of the the morality that is imposed on

0:22:46.320 --> 0:22:49.680
<v Speaker 1>women who choose to terminate a pregnancy, yes, and also

0:22:49.800 --> 0:22:52.199
<v Speaker 1>the women who have to jump through way more hoops

0:22:52.280 --> 0:22:54.399
<v Speaker 1>to do it. I mentioned in the show, But like,

0:22:54.560 --> 0:22:58.440
<v Speaker 1>of course I'm an incredibly incredibly privileged woman in the

0:22:58.520 --> 0:23:01.359
<v Speaker 1>circumstance I had resource, says, I was in New York City, Like,

0:23:01.440 --> 0:23:04.040
<v Speaker 1>I did not have to drive hundreds of miles or

0:23:04.920 --> 0:23:07.240
<v Speaker 1>spend money I didn't have, Like it really was a

0:23:07.320 --> 0:23:10.040
<v Speaker 1>lot easier for me, yeah, or not more or not

0:23:10.160 --> 0:23:12.800
<v Speaker 1>be able to have an abortion all right, because you

0:23:12.920 --> 0:23:15.520
<v Speaker 1>just didn't have access and you had no choice exactly,

0:23:15.640 --> 0:23:18.240
<v Speaker 1>and so like, so much of that trauma is based

0:23:18.280 --> 0:23:22.200
<v Speaker 1>on the politics of abortion. But also I think that

0:23:22.320 --> 0:23:25.080
<v Speaker 1>there's just a lot of people with a narrative that

0:23:25.160 --> 0:23:27.800
<v Speaker 1>looks like mine, and I hadn't seen it reflected in

0:23:28.040 --> 0:23:31.040
<v Speaker 1>stand up. Very often when women talk about their bodies

0:23:31.119 --> 0:23:36.119
<v Speaker 1>on stage, it's inherently politicized. I've heard so many men

0:23:36.280 --> 0:23:38.720
<v Speaker 1>tell me so many things about their bodies into a

0:23:38.760 --> 0:23:42.280
<v Speaker 1>microphone and it never once gets a reaction of like,

0:23:43.200 --> 0:23:45.760
<v Speaker 1>but like when women do it all the time, it does.

0:23:45.920 --> 0:23:48.120
<v Speaker 1>And so I've heard like here and there people talk

0:23:48.160 --> 0:23:50.440
<v Speaker 1>about abortion a little in passing, just to be like

0:23:50.640 --> 0:23:53.840
<v Speaker 1>starting that conversation, and I was like, I think I

0:23:53.920 --> 0:23:56.760
<v Speaker 1>could tell the whole thing. Like I think laying out

0:23:56.840 --> 0:24:01.560
<v Speaker 1>every detail makes it seem so much more mundane because

0:24:01.600 --> 0:24:04.240
<v Speaker 1>you're like, oh, and then you do this, and then

0:24:04.240 --> 0:24:05.760
<v Speaker 1>you do this, and you had to get there like this,

0:24:05.960 --> 0:24:09.520
<v Speaker 1>and that, Like it makes it a task or like

0:24:09.680 --> 0:24:14.320
<v Speaker 1>an errand um when presented procedure, like removing a skin

0:24:14.440 --> 0:24:17.560
<v Speaker 1>tag or getting a colonoscopy, or like any of the

0:24:17.720 --> 0:24:21.680
<v Speaker 1>things that like we easily can joke about and depict

0:24:21.880 --> 0:24:25.560
<v Speaker 1>as not politicized and not traumas. And so I thought

0:24:25.600 --> 0:24:30.840
<v Speaker 1>I could do this. Probably I've said abortion more in

0:24:30.920 --> 0:24:34.040
<v Speaker 1>the last two years that I've said cumulatively in my

0:24:34.240 --> 0:24:38.520
<v Speaker 1>entire life, and it does get easier, and even just

0:24:38.600 --> 0:24:41.200
<v Speaker 1>talking about it like this or about the show with

0:24:41.600 --> 0:24:44.440
<v Speaker 1>a friend, like I'm finding that like there's just ease

0:24:44.520 --> 0:24:47.000
<v Speaker 1>to it, and like that's all that's my only goal

0:24:47.040 --> 0:24:48.520
<v Speaker 1>for well, my goal is like for it to be

0:24:48.600 --> 0:24:51.320
<v Speaker 1>funny first and foremost, and number two just be like,

0:24:51.960 --> 0:24:54.040
<v Speaker 1>can't we just talk about this more? Can't we all

0:24:54.080 --> 0:24:58.000
<v Speaker 1>just say this more? I had the incredible experience of

0:24:58.160 --> 0:25:00.440
<v Speaker 1>many times when I first started working out the show

0:25:00.480 --> 0:25:04.040
<v Speaker 1>in much smaller spaces where I was like, got off

0:25:04.080 --> 0:25:05.119
<v Speaker 1>stage and I was like, well, now I'm in the

0:25:05.160 --> 0:25:06.960
<v Speaker 1>crowd and we're all just hanging out because there's twelve

0:25:07.000 --> 0:25:10.399
<v Speaker 1>of us here, um many women who would come up

0:25:10.400 --> 0:25:12.479
<v Speaker 1>to me and just be like I had one too,

0:25:12.680 --> 0:25:15.119
<v Speaker 1>and just instantly like feel like from seeing it, like

0:25:15.480 --> 0:25:18.399
<v Speaker 1>the ability to share that in a way that I

0:25:18.440 --> 0:25:20.520
<v Speaker 1>don't know how often they share that. It doesn't seem

0:25:20.600 --> 0:25:23.480
<v Speaker 1>like very often usually, And I'm like, well, if that's

0:25:23.560 --> 0:25:25.640
<v Speaker 1>what the show does, then that's like all I could

0:25:25.680 --> 0:25:28.240
<v Speaker 1>possibly wanted to do is for people to feel able

0:25:28.320 --> 0:25:32.480
<v Speaker 1>to tell someone me, a total stranger or like someone

0:25:32.520 --> 0:25:35.200
<v Speaker 1>in their life about an experience they had and not

0:25:35.280 --> 0:25:39.920
<v Speaker 1>feel bad about it. More on abortions, betrayal, and popular

0:25:40.040 --> 0:25:47.920
<v Speaker 1>culture right after this. So what kind of an impact

0:25:48.000 --> 0:25:51.280
<v Speaker 1>can film and TV have on shifting attitudes when it

0:25:51.359 --> 0:25:54.680
<v Speaker 1>comes to heated social issues. You can look to gay

0:25:54.800 --> 0:25:59.080
<v Speaker 1>rights for one example of the power of representation. I

0:25:59.280 --> 0:26:03.399
<v Speaker 1>remember waking up and realizing we were in bed naked

0:26:03.480 --> 0:26:11.720
<v Speaker 1>with each other, right because that happened? But what about abortion?

0:26:12.160 --> 0:26:14.560
<v Speaker 1>For more than a decade, a team of researchers out

0:26:14.560 --> 0:26:18.760
<v Speaker 1>of San Francisco have been trying to find out. My

0:26:18.840 --> 0:26:22.120
<v Speaker 1>name is Gretchen Sistem. I'm a sociologist at the University

0:26:22.160 --> 0:26:25.960
<v Speaker 1>of California, San Francisco in the Department of eccentric Skin,

0:26:26.000 --> 0:26:30.200
<v Speaker 1>Ecology and Reproductive Science UM, and I'm the lead investigator

0:26:30.400 --> 0:26:34.919
<v Speaker 1>for the Abortion on Screen program that studies how abortion

0:26:35.280 --> 0:26:39.920
<v Speaker 1>and reproductive decision making are portrayed in American film and television.

0:26:40.560 --> 0:26:45.560
<v Speaker 1>We started the program back in and the idea that

0:26:45.800 --> 0:26:50.040
<v Speaker 1>time was to to start looking more at culture change

0:26:50.119 --> 0:26:53.160
<v Speaker 1>and and and considering how abortion was part of our

0:26:53.200 --> 0:26:57.040
<v Speaker 1>pop cultural conversations. One of the earliest depictions that we

0:26:57.119 --> 0:27:00.200
<v Speaker 1>found as a silent film from nineteen sixteen called Where

0:27:00.200 --> 0:27:06.439
<v Speaker 1>Are My Children? UM. It was made by filmmaker Lois

0:27:06.520 --> 0:27:09.880
<v Speaker 1>Webber UM, who was herself a rarity at the time

0:27:09.920 --> 0:27:14.040
<v Speaker 1>as as a woman filmmaker in the nineteen tens. The

0:27:14.160 --> 0:27:17.359
<v Speaker 1>plot line is a bit convoluted, but it's it's effectively

0:27:17.359 --> 0:27:21.920
<v Speaker 1>about a district attorney who's prosecuting a physician UM who's

0:27:21.960 --> 0:27:26.560
<v Speaker 1>been performing abortions and has a patient die. And in

0:27:26.720 --> 0:27:30.639
<v Speaker 1>the process of this investigation, the district attorney discovers that

0:27:30.880 --> 0:27:34.520
<v Speaker 1>his wife has been kind of helping people find this provider,

0:27:34.880 --> 0:27:37.240
<v Speaker 1>and then he also discovers that his wife has had

0:27:37.280 --> 0:27:41.879
<v Speaker 1>abortions herself UM, which has led to her inability to

0:27:41.960 --> 0:27:45.399
<v Speaker 1>get pregnant. It's not a sort of revolutionary depiction by

0:27:45.440 --> 0:27:47.560
<v Speaker 1>any means. It just was the first one, right. It's

0:27:47.640 --> 0:27:50.960
<v Speaker 1>very it's very stigmatizing. It talks about abortions being very dangerous,

0:27:51.080 --> 0:27:54.040
<v Speaker 1>which it could often be at the time UM, but

0:27:54.160 --> 0:27:57.760
<v Speaker 1>it also relied on UM a lot of racist and

0:27:57.920 --> 0:28:01.160
<v Speaker 1>eugenicis ideas about both birth count role and an abortion.

0:28:01.960 --> 0:28:05.320
<v Speaker 1>The first abortion story that we saw on television was

0:28:05.920 --> 0:28:16.359
<v Speaker 1>UM the legal show The Defenders. The Defenders aired on

0:28:17.320 --> 0:28:21.639
<v Speaker 1>April two. The episode is about the trial of an

0:28:21.640 --> 0:28:25.600
<v Speaker 1>abortion provider, Mr Preston. In the past eight years, over

0:28:25.720 --> 0:28:28.800
<v Speaker 1>twenty thousand expected mothers have come into my office each

0:28:28.840 --> 0:28:32.320
<v Speaker 1>one of the morning an abortion twenty thousand. It's like

0:28:32.440 --> 0:28:38.200
<v Speaker 1>deeply stigmatizing, right. It sort of presents abortion as as

0:28:38.280 --> 0:28:42.760
<v Speaker 1>the choice of very desperate women. Um, the provider is

0:28:42.920 --> 0:28:47.160
<v Speaker 1>very clear that, like, he doesn't do abortions for some women,

0:28:47.280 --> 0:28:51.240
<v Speaker 1>for women who are, you know, too promiscuous and just

0:28:51.400 --> 0:28:53.880
<v Speaker 1>don't want to deal with the consequences of their actions.

0:28:54.160 --> 0:28:56.719
<v Speaker 1>On what the basis did you design to operate? More

0:28:56.760 --> 0:28:59.480
<v Speaker 1>than half of them were married, Harry fused all them.

0:29:00.080 --> 0:29:03.440
<v Speaker 1>Why there was nothing preventing them from having children? I mean,

0:29:03.480 --> 0:29:06.440
<v Speaker 1>this defender's episode is absolutely a product of its time.

0:29:07.120 --> 0:29:11.000
<v Speaker 1>It makes a strong case for legality. Right, you're supposed

0:29:11.080 --> 0:29:14.520
<v Speaker 1>to feel for this doctor, You're supposed to see him

0:29:14.560 --> 0:29:19.400
<v Speaker 1>as a moral character, But you're supposed to feel comfortable

0:29:19.480 --> 0:29:23.120
<v Speaker 1>with abortion, not because it's something that women need and

0:29:23.680 --> 0:29:26.440
<v Speaker 1>deserve as a right to control their own bodies, but

0:29:26.600 --> 0:29:30.960
<v Speaker 1>because there's this paternalistic system of lawyers and doctors making

0:29:31.040 --> 0:29:38.360
<v Speaker 1>these decisions, not really women making these decisions. By two,

0:29:38.400 --> 0:29:41.840
<v Speaker 1>you have MOD, and MOD was actually an anomaly. I

0:29:41.920 --> 0:29:44.760
<v Speaker 1>don't actually think MOD was reflective of its time. And like,

0:29:44.840 --> 0:29:46.600
<v Speaker 1>if you look at the other stories that were being

0:29:46.680 --> 0:29:50.280
<v Speaker 1>told around mod mod is exceptional. It was one of

0:29:50.360 --> 0:29:54.080
<v Speaker 1>the first stories that focused on the woman making the

0:29:54.160 --> 0:29:56.960
<v Speaker 1>decision and having the abortion. You don't have to think

0:29:57.040 --> 0:29:59.960
<v Speaker 1>that way anymore. It's legal now. She's right, it's legal

0:30:00.040 --> 0:30:01.720
<v Speaker 1>the New York stage, but to give that a thought,

0:30:03.240 --> 0:30:05.160
<v Speaker 1>and her daughter kind of makes a joke like, well,

0:30:05.200 --> 0:30:08.280
<v Speaker 1>it's just like going to the dentist now. And then

0:30:08.360 --> 0:30:11.480
<v Speaker 1>she Maud turns around and trying to convince her husband

0:30:11.480 --> 0:30:13.840
<v Speaker 1>now to get a vasectomy. She's like, I hear, it's

0:30:13.880 --> 0:30:17.160
<v Speaker 1>just like going to the dentist together in a sectomy. Um.

0:30:17.200 --> 0:30:19.520
<v Speaker 1>But Maud does end up getting getting her abortion, and

0:30:20.320 --> 0:30:23.760
<v Speaker 1>there was a lot of protests at the time. By

0:30:23.840 --> 0:30:28.680
<v Speaker 1>the early eighties, it's a lot of this, like both sides.

0:30:29.280 --> 0:30:33.280
<v Speaker 1>One example that I think is really excellent UM excellent

0:30:33.360 --> 0:30:36.080
<v Speaker 1>in that it is very reflective of the moment that

0:30:36.640 --> 0:30:40.680
<v Speaker 1>in which it aired was Cagney and Lacy, which aired

0:30:40.720 --> 0:30:47.920
<v Speaker 1>in and Cagney and Lacy were too police officers in

0:30:48.000 --> 0:30:57.000
<v Speaker 1>New York City. This particular episode one inve UM was

0:30:57.120 --> 0:31:01.360
<v Speaker 1>about character comes to the pre saying because she's trying

0:31:01.360 --> 0:31:05.200
<v Speaker 1>to access an abortion and um, she's scared of getting

0:31:05.240 --> 0:31:08.760
<v Speaker 1>through the line of protesters outside of the clinic, and

0:31:09.400 --> 0:31:12.200
<v Speaker 1>Cagney and Lacey um kind of escort her there and

0:31:12.280 --> 0:31:15.440
<v Speaker 1>get her through the engage with the protesters. You actually

0:31:15.520 --> 0:31:20.000
<v Speaker 1>never find out if this woman gets her abortion. Excuse me, ma'am,

0:31:20.000 --> 0:31:22.120
<v Speaker 1>I'm an officer of the law. This lady's going inside

0:31:22.120 --> 0:31:24.160
<v Speaker 1>and stop and think about what you are doing before.

0:31:25.200 --> 0:31:27.800
<v Speaker 1>So it's not about the woman getting the abortion in

0:31:28.080 --> 0:31:33.480
<v Speaker 1>a meaningful way, it's very much about her story. Creating

0:31:33.560 --> 0:31:38.080
<v Speaker 1>this conversation between Cagney and Lazy. I was raised Catholic.

0:31:39.200 --> 0:31:43.040
<v Speaker 1>This is hard one for me. Oh, I see you doing.

0:31:43.800 --> 0:31:46.000
<v Speaker 1>Women like Mrs Herrera are wrong. I don't have a

0:31:46.120 --> 0:31:48.080
<v Speaker 1>right to make their own decisions. I didn't say that,

0:31:48.760 --> 0:31:52.040
<v Speaker 1>But there are other choices besides abortion. So what you're

0:31:52.040 --> 0:31:53.600
<v Speaker 1>seeing here is a lot of what was happening in

0:31:53.600 --> 0:31:56.920
<v Speaker 1>the eighties. One protesters right, Like, we're seeing this ramping

0:31:57.120 --> 0:32:00.880
<v Speaker 1>up of a really active anti abortion movement that's blocking

0:32:00.920 --> 0:32:05.720
<v Speaker 1>clinic entrances, that's making the people seeking services uncomfortable. You

0:32:05.840 --> 0:32:07.960
<v Speaker 1>see this like both sides, right, we have to be

0:32:08.080 --> 0:32:10.360
<v Speaker 1>fair and balanced and how we're we're talking about this

0:32:13.560 --> 0:32:18.040
<v Speaker 1>the most prototypical nineties story that I liked it On

0:32:18.240 --> 0:32:21.520
<v Speaker 1>is the TV film UM, If These Walls Could Talk,

0:32:22.360 --> 0:32:24.440
<v Speaker 1>If These Walls Could Talk, A sort of three A

0:32:24.520 --> 0:32:29.040
<v Speaker 1>story about three vignettes. The first one is a story

0:32:29.080 --> 0:32:36.920
<v Speaker 1>about illegal abortion. Stars Demi Moore. Her character is a widow,

0:32:37.360 --> 0:32:42.600
<v Speaker 1>a recent, very recent widow. She has been in part

0:32:42.680 --> 0:32:46.880
<v Speaker 1>of her grief having an affair with her late husband's brother,

0:32:47.680 --> 0:32:52.520
<v Speaker 1>and she finds out she's pregnant. It's clear that it

0:32:52.640 --> 0:32:56.480
<v Speaker 1>could not be her husband's child. Um, she seeks an

0:32:56.480 --> 0:33:03.240
<v Speaker 1>illegal abortion. Anybody else here, no where's your kitchen. She

0:33:03.440 --> 0:33:09.080
<v Speaker 1>has the abortion on her kitchen table, and she dies hospital.

0:33:14.760 --> 0:33:18.920
<v Speaker 1>The next story is about a mother with teenage children

0:33:19.000 --> 0:33:22.120
<v Speaker 1>who finds out that she is pregnant and she considers

0:33:22.160 --> 0:33:25.680
<v Speaker 1>getting an abortion. Um. She doesn't really want to be pregnant,

0:33:26.120 --> 0:33:27.920
<v Speaker 1>her children are older, she doesn't really want to start

0:33:28.000 --> 0:33:30.560
<v Speaker 1>over with the baby. I just want you to understand

0:33:30.600 --> 0:33:33.640
<v Speaker 1>how important school is to me. Come on, honey, I

0:33:33.760 --> 0:33:36.360
<v Speaker 1>know that, No, you don't. If you did, you know

0:33:36.480 --> 0:33:39.440
<v Speaker 1>that my quitting school isn't the answer to everything. Um.

0:33:39.960 --> 0:33:44.080
<v Speaker 1>She really goes back and forth and weighs her choices.

0:33:44.360 --> 0:33:47.800
<v Speaker 1>I just wanted to let you know what I decided.

0:33:51.080 --> 0:33:53.920
<v Speaker 1>I'm going to have the baby. And this was really

0:33:54.000 --> 0:33:55.640
<v Speaker 1>typical of what we saw in the nineties, which we

0:33:55.760 --> 0:34:00.600
<v Speaker 1>call the averted abortion. Now this one was wasn't like

0:34:01.080 --> 0:34:04.920
<v Speaker 1>typical of an averted story necessarily because a lot of

0:34:04.960 --> 0:34:08.840
<v Speaker 1>these stories were a character gets pregnant, considers having an abortion,

0:34:09.080 --> 0:34:11.120
<v Speaker 1>decides not to get one, and then has a miscarriage

0:34:11.480 --> 0:34:13.239
<v Speaker 1>or then finds out that the pregnancy test was a

0:34:13.280 --> 0:34:17.320
<v Speaker 1>false positive. Right, So in those cases, the character doesn't

0:34:17.400 --> 0:34:20.400
<v Speaker 1>have to deal with the consequences of choosing to continue

0:34:20.400 --> 0:34:24.200
<v Speaker 1>the pregnancy. There's no miscarriage in that particular story. But

0:34:24.280 --> 0:34:26.080
<v Speaker 1>because of the structure of the film, with like sort

0:34:26.120 --> 0:34:28.480
<v Speaker 1>of this one vignette that fades out, this next vignette

0:34:28.480 --> 0:34:31.680
<v Speaker 1>that fades and you moved to an entirely different story. Basically,

0:34:31.719 --> 0:34:34.600
<v Speaker 1>as soon as she decides to continue the pregnancy, that

0:34:34.760 --> 0:34:38.520
<v Speaker 1>story is over and then you have the third fvignette

0:34:39.080 --> 0:34:42.520
<v Speaker 1>is about an abortion provider who's put by Share and

0:34:43.120 --> 0:34:46.400
<v Speaker 1>with Um with clinic violence and the provider being killed

0:34:46.719 --> 0:34:49.759
<v Speaker 1>by the boyfriend of a patient that she is um

0:34:50.000 --> 0:34:53.040
<v Speaker 1>that she's treating at the time. Can I I ask

0:34:53.080 --> 0:34:56.360
<v Speaker 1>you a question, m It's all that you have to

0:34:56.440 --> 0:34:58.759
<v Speaker 1>do is why do you, why do you still do this?

0:35:00.480 --> 0:35:02.160
<v Speaker 1>Because I remember what it was like when it was

0:35:02.200 --> 0:35:04.680
<v Speaker 1>illegal for women to make this decision. I don't ever

0:35:04.719 --> 0:35:06.960
<v Speaker 1>want to see those days come again. And also when

0:35:06.960 --> 0:35:09.560
<v Speaker 1>a woman comes to me and says that she doesn't

0:35:09.560 --> 0:35:12.040
<v Speaker 1>know what she would have done without my health, I

0:35:12.120 --> 0:35:14.239
<v Speaker 1>know I'm doing the right job. And so you see

0:35:14.280 --> 0:35:18.759
<v Speaker 1>her like literally after being shot, like laying on the

0:35:18.800 --> 0:35:27.680
<v Speaker 1>floor of the clinics, the doctors. But what we really

0:35:27.840 --> 0:35:31.640
<v Speaker 1>see in the nineties is totally consistent with this like

0:35:32.320 --> 0:35:36.680
<v Speaker 1>Bill Clintonian idea that was prevalent at the time, which

0:35:36.760 --> 0:35:40.360
<v Speaker 1>is abortion is between a woman and her doctor, and

0:35:40.719 --> 0:35:44.680
<v Speaker 1>we're striving for safe, legal and rare. When you look

0:35:44.719 --> 0:35:47.520
<v Speaker 1>at like, why is the screenwriter including an abortion and

0:35:47.600 --> 0:35:50.480
<v Speaker 1>the story in the nineties, it was because the decision

0:35:50.640 --> 0:35:53.600
<v Speaker 1>is dramatic, The decision is hard. The decision is going

0:35:53.719 --> 0:35:57.200
<v Speaker 1>to bring a character to a crisis point for a relationship,

0:35:57.360 --> 0:35:59.600
<v Speaker 1>for a count, you know, like a put them on

0:35:59.640 --> 0:36:02.200
<v Speaker 1>a different half. Right, the decision itself is what the

0:36:02.239 --> 0:36:06.600
<v Speaker 1>story was about. Um And again, this is this is

0:36:06.640 --> 0:36:08.400
<v Speaker 1>where we were in our politics, this is where we

0:36:08.480 --> 0:36:10.560
<v Speaker 1>were in our cultural narratives. Is what we see on

0:36:10.680 --> 0:36:15.239
<v Speaker 1>the screen when we come Back filmmakers on why they

0:36:15.320 --> 0:36:28.320
<v Speaker 1>want to tell new abortion stories. The good news is

0:36:28.400 --> 0:36:32.320
<v Speaker 1>filmmakers are breaking free of those old abortion tropes because

0:36:32.400 --> 0:36:35.359
<v Speaker 1>of new streaming technology. There's frankly, just a lot more

0:36:35.440 --> 0:36:38.960
<v Speaker 1>movies and TV out there, and more content means more

0:36:39.040 --> 0:36:43.640
<v Speaker 1>abortion stories, and those stories are starting to take some chances.

0:36:44.120 --> 0:36:48.680
<v Speaker 1>Here's Gretchen's co researcher, Steph Harold. So today you don't

0:36:48.880 --> 0:36:51.120
<v Speaker 1>often see a character who's kind of going back and

0:36:51.239 --> 0:36:53.680
<v Speaker 1>forth like, well, I have the abortion, why not? What

0:36:53.760 --> 0:36:56.759
<v Speaker 1>am I gonna do? I need to ask everyone around me? Um?

0:36:56.920 --> 0:36:59.520
<v Speaker 1>For example, we see just in the last couple of years,

0:36:59.600 --> 0:37:02.880
<v Speaker 1>we've had shows like Shrill on Hulu where a character

0:37:03.040 --> 0:37:05.239
<v Speaker 1>like as soon as she gets pregnant, she knows that

0:37:05.320 --> 0:37:08.120
<v Speaker 1>she wants to have an abortion right and ultimately the

0:37:08.480 --> 0:37:13.040
<v Speaker 1>the abortion actually helps her see more clearly other things

0:37:13.120 --> 0:37:17.560
<v Speaker 1>in her life. I got myself into this huge fucking mess,

0:37:19.200 --> 0:37:24.280
<v Speaker 1>but I made a decision only for me, for myself,

0:37:25.480 --> 0:37:28.359
<v Speaker 1>and I got myself out of it. The abortion has

0:37:28.400 --> 0:37:33.200
<v Speaker 1>become less about um um like drama in someone's life

0:37:33.239 --> 0:37:35.520
<v Speaker 1>about the decision, and more about oh, this is a

0:37:35.640 --> 0:37:39.680
<v Speaker 1>moment where a character is investing in themselves um and

0:37:39.880 --> 0:37:41.839
<v Speaker 1>is realizing what, you know, what's going on in their

0:37:41.960 --> 0:37:43.960
<v Speaker 1>life that they want to change or want to do differently.

0:37:44.640 --> 0:37:46.279
<v Speaker 1>There have been a couple of movies that have come

0:37:46.320 --> 0:37:48.360
<v Speaker 1>out in the last couple of years I'm thinking of

0:37:48.719 --> 0:37:53.439
<v Speaker 1>um never rarely sometimes always I'm Pregnant, that have tried

0:37:53.800 --> 0:37:57.120
<v Speaker 1>that have shown they're kind of like abortion road trip movies,

0:37:57.200 --> 0:37:59.279
<v Speaker 1>like one is very serious and one is like a

0:37:59.360 --> 0:38:04.200
<v Speaker 1>Buddy Coming. But they show these young teenagers who need

0:38:04.360 --> 0:38:07.319
<v Speaker 1>to travel long distances to get the abortion that they

0:38:07.360 --> 0:38:09.640
<v Speaker 1>need because they can't in their state because there are

0:38:09.719 --> 0:38:11.919
<v Speaker 1>these laws that make it so they need to share

0:38:11.960 --> 0:38:14.120
<v Speaker 1>with their parents and they don't want to. It shows

0:38:14.160 --> 0:38:16.279
<v Speaker 1>that they have to travel, they have to figure out

0:38:16.320 --> 0:38:18.440
<v Speaker 1>how they're going to know miss school and how that

0:38:18.480 --> 0:38:21.080
<v Speaker 1>will be explained, they need to get the money to

0:38:21.160 --> 0:38:24.240
<v Speaker 1>pay for the abortion, um and lots of various hijinks

0:38:24.280 --> 0:38:26.680
<v Speaker 1>and sue along the way. Both of the movies some

0:38:27.080 --> 0:38:30.759
<v Speaker 1>you know, like greatly serious, some hilarious. So I think

0:38:30.880 --> 0:38:33.719
<v Speaker 1>those have done a good job at helping audiences to

0:38:33.880 --> 0:38:38.720
<v Speaker 1>see and really make visible those kinds of experiences. Okay,

0:38:38.800 --> 0:38:42.200
<v Speaker 1>I know We're not like close anymore, true, and I'm

0:38:42.280 --> 0:38:44.400
<v Speaker 1>probably the last person that you want to help accurate.

0:38:44.640 --> 0:38:48.520
<v Speaker 1>But you have a car there it is. Trust me,

0:38:48.680 --> 0:38:50.560
<v Speaker 1>if if I could just go somewhere in town or

0:38:50.640 --> 0:38:53.320
<v Speaker 1>to St. Louis, even I wouldn't even here. I'm Rachelie

0:38:53.320 --> 0:38:56.920
<v Speaker 1>Goldenberg and I am the director and co writer of Pregnant.

0:38:57.840 --> 0:39:01.400
<v Speaker 1>The earliest abortion media memory that I have is dirty dancing.

0:39:06.920 --> 0:39:09.120
<v Speaker 1>You know, when I first thought, I didn't even realize

0:39:09.160 --> 0:39:11.000
<v Speaker 1>that it was an abortion storyline. And then as I

0:39:11.080 --> 0:39:14.680
<v Speaker 1>got older, you know, realized it and had actually heard

0:39:14.760 --> 0:39:18.480
<v Speaker 1>the writer, heard eleanor Bursting talk about this and say

0:39:18.520 --> 0:39:20.640
<v Speaker 1>that what she did was if you want to put

0:39:20.680 --> 0:39:22.520
<v Speaker 1>abortion in a story, you need to make sure that

0:39:22.600 --> 0:39:24.759
<v Speaker 1>it's essential to the plots that it cannot be cut out.

0:39:24.800 --> 0:39:27.560
<v Speaker 1>If it's a new storyline and see storyline, it's gonna

0:39:27.640 --> 0:39:29.560
<v Speaker 1>get cut out. But if you make something essential for

0:39:29.640 --> 0:39:32.040
<v Speaker 1>your a storyline happen around it, then you get to

0:39:32.080 --> 0:39:34.360
<v Speaker 1>hold onto it. And so uh so we did with

0:39:34.440 --> 0:39:38.600
<v Speaker 1>I'm Pregnant. Is it's very much the a storyline. Unpregnant

0:39:39.000 --> 0:39:41.000
<v Speaker 1>is based on the y A novel of the same

0:39:41.120 --> 0:39:45.439
<v Speaker 1>name by authors Jenny Hendricks and Ted Kaplan. Rachel's movie

0:39:45.560 --> 0:39:51.520
<v Speaker 1>came out in seventeen year old overachiever Veronica gets pregnant

0:39:51.560 --> 0:39:55.240
<v Speaker 1>and needs an abortion, and because of Missouri's restrictive laws,

0:39:55.640 --> 0:39:58.480
<v Speaker 1>she must drive a thousand miles to get one, and

0:39:58.800 --> 0:40:02.560
<v Speaker 1>she enlists the help of her wild ex bests friend

0:40:02.719 --> 0:40:06.640
<v Speaker 1>Bailey and Chaos and sues, Well, it's one of those

0:40:06.640 --> 0:40:08.600
<v Speaker 1>things because my when my writing partner and I were

0:40:08.800 --> 0:40:11.760
<v Speaker 1>reading the book and we said, can that be write

0:40:11.840 --> 0:40:14.560
<v Speaker 1>a thousand miles? And we so we did, researched all

0:40:14.600 --> 0:40:18.560
<v Speaker 1>the surrounding states. It just felt inconceivable that would literally

0:40:18.640 --> 0:40:22.480
<v Speaker 1>be a thousand miles. And then yeahs is the closest,

0:40:23.200 --> 0:40:28.080
<v Speaker 1>closest access that Ronica could have. As a quick side

0:40:28.120 --> 0:40:31.320
<v Speaker 1>note amidst all the bad news about abortion in this country,

0:40:31.719 --> 0:40:34.960
<v Speaker 1>I'm happy to report there is at least one improvement

0:40:35.360 --> 0:40:39.279
<v Speaker 1>that would have dramatically cut down for Ronica's trip. As

0:40:39.360 --> 0:40:44.759
<v Speaker 1>of mere days ago June one, Illinois no longer requires

0:40:44.880 --> 0:40:50.040
<v Speaker 1>that minors seeking abortions get parental consent. You know, the

0:40:50.200 --> 0:40:52.800
<v Speaker 1>the intention of the book was, you know, to to

0:40:52.920 --> 0:40:55.360
<v Speaker 1>sort of show how difficult this journey is and to

0:40:55.880 --> 0:40:59.720
<v Speaker 1>de stigmatized abortion, and so taking that mission but finding

0:41:00.000 --> 0:41:02.560
<v Speaker 1>other ways to do that. In the film, was my mission.

0:41:02.640 --> 0:41:06.720
<v Speaker 1>So for example, the the scene with the abortion itself

0:41:07.040 --> 0:41:08.960
<v Speaker 1>where we go into the clinic, that was one of

0:41:09.000 --> 0:41:12.040
<v Speaker 1>those things where it wasn't quite written in that detail

0:41:12.480 --> 0:41:14.880
<v Speaker 1>or you weren't in the moment to moment with Veronica

0:41:14.960 --> 0:41:17.520
<v Speaker 1>in the book for that. But I took a tour

0:41:17.680 --> 0:41:20.279
<v Speaker 1>of a Los Angeles plan parenthood and they walked me

0:41:20.400 --> 0:41:23.080
<v Speaker 1>through all the steps and I because my abortion was

0:41:23.560 --> 0:41:25.360
<v Speaker 1>was a pill and so I hadn't been through the

0:41:25.400 --> 0:41:27.800
<v Speaker 1>surgical process, and I was like, oh my god, I

0:41:27.840 --> 0:41:30.120
<v Speaker 1>didn't know any of this. We need to show people

0:41:30.160 --> 0:41:33.240
<v Speaker 1>all of this. You know, they're shocking things like finding

0:41:33.320 --> 0:41:35.839
<v Speaker 1>out that in under ten minutes you're in and out

0:41:35.920 --> 0:41:39.719
<v Speaker 1>of the surgery room. It's actually not that complicated a procedure.

0:41:40.200 --> 0:41:42.400
<v Speaker 1>So that sort of thing felt really important to me

0:41:42.560 --> 0:41:45.560
<v Speaker 1>to bring bring to the table. But then, you know,

0:41:45.680 --> 0:41:47.600
<v Speaker 1>the spirit of things that were in the book are

0:41:47.640 --> 0:41:49.279
<v Speaker 1>ways that we just you know, the things that we

0:41:49.400 --> 0:41:52.080
<v Speaker 1>brought to the film as well, like just not uh

0:41:52.520 --> 0:41:55.799
<v Speaker 1>not having Veronica uh make a pro and con list.

0:41:55.920 --> 0:41:58.120
<v Speaker 1>You know, she knew what she wanted to do. She

0:41:58.280 --> 0:42:00.200
<v Speaker 1>was clear on her decision. And the problem and in

0:42:00.280 --> 0:42:02.600
<v Speaker 1>the in the film is how do I get it,

0:42:03.120 --> 0:42:07.000
<v Speaker 1>how do I get access? What was fascinating that I

0:42:07.080 --> 0:42:11.239
<v Speaker 1>didn't anticipate when I started the process with Unpregnant was

0:42:11.600 --> 0:42:15.080
<v Speaker 1>how I would become a vessel for people's stories. I'm interviewing,

0:42:15.440 --> 0:42:18.319
<v Speaker 1>you know, two different casting directors, and they both are

0:42:18.320 --> 0:42:20.600
<v Speaker 1>telling me about their auctions, and I'm, you know, hearing

0:42:20.840 --> 0:42:24.239
<v Speaker 1>sort of all the different perspectives. And that actually was

0:42:24.360 --> 0:42:26.719
<v Speaker 1>hugely informative in the process for the film, because I

0:42:27.360 --> 0:42:30.040
<v Speaker 1>am so familiar with my own experience, but to hear

0:42:30.640 --> 0:42:35.520
<v Speaker 1>other people's stories and really help broaden my understanding my

0:42:35.600 --> 0:42:38.440
<v Speaker 1>own perspective was helpful for the film because when we

0:42:38.560 --> 0:42:40.960
<v Speaker 1>did occasionally get the notes about should she make a

0:42:41.040 --> 0:42:43.279
<v Speaker 1>pro and calm list or how difficult should you know,

0:42:43.560 --> 0:42:46.239
<v Speaker 1>should this be for her? I could really draw from

0:42:46.280 --> 0:42:50.000
<v Speaker 1>my own experience and defend how confident she was in

0:42:50.040 --> 0:42:54.360
<v Speaker 1>her decision and how and how she moves on. And

0:42:54.640 --> 0:42:56.880
<v Speaker 1>you know, the most difficult part for her afterwards is

0:42:56.920 --> 0:42:59.160
<v Speaker 1>talking to her mom about it, not the fact that

0:42:59.239 --> 0:43:03.720
<v Speaker 1>she did it. Not sure I'll ever understand. I'm sorry,

0:43:04.680 --> 0:43:08.640
<v Speaker 1>I know. Is I love you, sweet people, so much

0:43:08.719 --> 0:43:15.040
<v Speaker 1>more than all of that. Okay, She's like probably a

0:43:15.120 --> 0:43:19.920
<v Speaker 1>lot of people in America who who have an understanding

0:43:19.960 --> 0:43:22.560
<v Speaker 1>of abortion is something that's bad. But then if there's

0:43:22.600 --> 0:43:25.719
<v Speaker 1>someone in their life that that that it touches, then

0:43:25.840 --> 0:43:27.840
<v Speaker 1>all of a sudden, they're not going to cut that

0:43:27.920 --> 0:43:30.000
<v Speaker 1>person out of their life. You know, most parents love

0:43:30.080 --> 0:43:32.360
<v Speaker 1>their kids more than they hate their choices. There's a

0:43:32.440 --> 0:43:35.239
<v Speaker 1>perception that it's a hot button issue and people are

0:43:35.280 --> 0:43:37.120
<v Speaker 1>on one side or the other, but the truth is

0:43:37.160 --> 0:43:40.040
<v Speaker 1>that it's it's usually much more gray, And to me,

0:43:40.200 --> 0:43:42.399
<v Speaker 1>that's an opportunity because it feels like there's a move,

0:43:42.760 --> 0:43:45.600
<v Speaker 1>there's a lot of space to bring people over to acceptance.

0:43:47.320 --> 0:43:51.360
<v Speaker 1>I am actually uh working on the next abortion project

0:43:51.400 --> 0:43:54.120
<v Speaker 1>that's in a totally different space right now. Um that's

0:43:54.120 --> 0:43:56.040
<v Speaker 1>not quite ready to be talked about, but it's um yeah,

0:43:56.080 --> 0:43:59.719
<v Speaker 1>it's a totally different tone and totally different um subject matter.

0:43:59.760 --> 0:44:03.719
<v Speaker 1>And so looking more critically at the history um of abortion,

0:44:04.640 --> 0:44:06.080
<v Speaker 1>you know, it's one of those things where it's like,

0:44:06.640 --> 0:44:11.000
<v Speaker 1>is it anyone's responsibility? No, no one has to do anything,

0:44:11.520 --> 0:44:14.160
<v Speaker 1>but this is a right that we're losing. It's like

0:44:14.280 --> 0:44:18.120
<v Speaker 1>it's fucking diret right now. It's crazy. And so you know,

0:44:18.280 --> 0:44:21.719
<v Speaker 1>anything that anyone can do in whatever space they're in.

0:44:21.840 --> 0:44:25.759
<v Speaker 1>It's all important, and it's all necessary, and well, you

0:44:25.840 --> 0:44:27.719
<v Speaker 1>don't have to do anything. It's almost like as much

0:44:27.800 --> 0:44:30.640
<v Speaker 1>as anyone's doing isn't enough right now, we all have

0:44:30.800 --> 0:44:34.359
<v Speaker 1>to be doing everything. Um so it's it feels, yes,

0:44:34.600 --> 0:44:38.400
<v Speaker 1>very urgent. I think like film can help you understand,

0:44:39.000 --> 0:44:41.600
<v Speaker 1>understand things are complicated, understand things that are foreign to

0:44:41.680 --> 0:44:44.920
<v Speaker 1>you or to your experience. And so I hope that

0:44:45.000 --> 0:44:49.640
<v Speaker 1>more people will be valuing film and making things that

0:44:49.719 --> 0:44:53.480
<v Speaker 1>are sober and well considered and well researched, because in

0:44:53.560 --> 0:44:58.040
<v Speaker 1>the you know, we have a truth problem, and and

0:44:58.400 --> 0:45:01.680
<v Speaker 1>I think the only way to to address that it's

0:45:01.680 --> 0:45:04.520
<v Speaker 1>to be really rigorous in our storytelling and not just

0:45:04.960 --> 0:45:08.799
<v Speaker 1>appeal to people's heartstrings, but to do the hard work

0:45:09.280 --> 0:45:13.279
<v Speaker 1>of you know, following A to B and allowing people

0:45:13.360 --> 0:45:16.719
<v Speaker 1>to see for themselves what's really happening if they will look.

0:45:17.560 --> 0:45:20.960
<v Speaker 1>My name is Dawn Porter, and I'm a filmmaker. I

0:45:21.080 --> 0:45:25.000
<v Speaker 1>primarily make documentary films. Don Porter is part of a

0:45:25.120 --> 0:45:29.680
<v Speaker 1>larger cohort of documentarians who are tackling the reality of abortion.

0:45:30.400 --> 0:45:35.520
<v Speaker 1>Her film, called Trapped, looks at targeted regulation of abortion

0:45:35.600 --> 0:45:40.160
<v Speaker 1>providers or trapped laws. It felt like for people like

0:45:40.360 --> 0:45:44.719
<v Speaker 1>me who were like pro choice on paper, that we

0:45:44.880 --> 0:45:48.520
<v Speaker 1>kind of needed to see what was really happening UM,

0:45:49.000 --> 0:45:51.759
<v Speaker 1>And what was really happening is people who did not

0:45:51.920 --> 0:45:55.680
<v Speaker 1>have access to birth control, who did not have medical

0:45:55.760 --> 0:46:01.560
<v Speaker 1>insurance UM, who were on public assistance, were caught in

0:46:01.680 --> 0:46:05.040
<v Speaker 1>a system where they were hoping to not get pregnant

0:46:05.080 --> 0:46:07.400
<v Speaker 1>and hoping not to make this decision. And there were

0:46:07.440 --> 0:46:10.080
<v Speaker 1>no faces to go along with what was happening in

0:46:10.160 --> 0:46:16.960
<v Speaker 1>the clinics. And I thought people have this mistaken idea

0:46:17.160 --> 0:46:22.000
<v Speaker 1>that it's irresponsible party girls, that people didn't give a

0:46:22.040 --> 0:46:25.919
<v Speaker 1>lot of thought to the idea of abortion, and nothing

0:46:25.960 --> 0:46:29.360
<v Speaker 1>could be further from the truth. There was nobody whooping

0:46:29.400 --> 0:46:35.600
<v Speaker 1>and hollering and celebrating UM. The biggest reaction when we

0:46:35.680 --> 0:46:38.160
<v Speaker 1>would ask people who were recovering and who agreed to

0:46:38.200 --> 0:46:41.279
<v Speaker 1>talk to us was relief. I'm so glad that that.

0:46:41.440 --> 0:46:44.400
<v Speaker 1>I'm so relieved, you know, they were with a doctor

0:46:44.480 --> 0:46:47.960
<v Speaker 1>who kept them safe, that they you know, the actual

0:46:48.000 --> 0:46:52.520
<v Speaker 1>procedure also takes five minutes. Five minutes. It is a

0:46:52.680 --> 0:46:57.640
<v Speaker 1>clump of cells UM in most cases, and the overwhelming

0:46:57.760 --> 0:47:00.160
<v Speaker 1>number of cases, I was shocked by that, and I

0:47:00.239 --> 0:47:04.040
<v Speaker 1>thought people need to kind of see what it actually is,

0:47:04.120 --> 0:47:08.080
<v Speaker 1>because there's so much rhetoric that happens that we are

0:47:08.200 --> 0:47:11.520
<v Speaker 1>influenced by, even if we are a pro choice, that

0:47:11.840 --> 0:47:14.359
<v Speaker 1>we kind of needed. I wanted to bring medicine back

0:47:14.400 --> 0:47:18.279
<v Speaker 1>into it, but also some humanity, you know. I think

0:47:18.600 --> 0:47:24.560
<v Speaker 1>one of the most powerful influences of film is the

0:47:25.000 --> 0:47:31.640
<v Speaker 1>ability to um generate some empathy. Um. But also I

0:47:31.760 --> 0:47:36.440
<v Speaker 1>think it was really helpful to destigmatize abortion. And at

0:47:36.600 --> 0:47:42.000
<v Speaker 1>every single screening, without fail um, somebody stood up and said,

0:47:42.040 --> 0:47:44.040
<v Speaker 1>I want to tell my abortion story for the first time,

0:47:45.040 --> 0:47:49.160
<v Speaker 1>and many many people cried, and I think they were

0:47:49.200 --> 0:47:51.840
<v Speaker 1>crying from relief that a lot of women had a

0:47:51.880 --> 0:47:54.680
<v Speaker 1>lot of shame that they were somehow to blame for

0:47:54.760 --> 0:47:58.000
<v Speaker 1>their abortion stories. When it comes to the greater landscape

0:47:58.000 --> 0:48:01.400
<v Speaker 1>of abortion stories on screen, Don says, there's still a

0:48:01.480 --> 0:48:07.160
<v Speaker 1>ways to go. I think that that there are some um,

0:48:08.400 --> 0:48:11.000
<v Speaker 1>you know, there's some efforts in some awareness, and I

0:48:11.040 --> 0:48:15.880
<v Speaker 1>think Planned Parenthood Karen's Bruk in particular, is part of

0:48:15.960 --> 0:48:21.319
<v Speaker 1>her job is to help advise creators about what really

0:48:21.400 --> 0:48:24.279
<v Speaker 1>happens in abortion situations. So I think that there are

0:48:24.360 --> 0:48:31.080
<v Speaker 1>some bright spots, But um, I don't think it's really um. Still,

0:48:31.520 --> 0:48:34.680
<v Speaker 1>I don't think it's realistic. I don't think we talked

0:48:34.800 --> 0:48:38.400
<v Speaker 1>enough about the economics of abortion. I don't think we

0:48:38.520 --> 0:48:42.279
<v Speaker 1>talked about the number of minority women who are making

0:48:42.400 --> 0:48:46.000
<v Speaker 1>this choice. I really don't see those stories on TV.

0:48:46.680 --> 0:48:50.680
<v Speaker 1>You see a young, attractive like girl who gets pregnant

0:48:51.200 --> 0:48:55.200
<v Speaker 1>and is, you know, shouting her femininity. Um, but I

0:48:55.360 --> 0:48:59.239
<v Speaker 1>think that that is um. That's not a full representation

0:48:59.360 --> 0:49:05.600
<v Speaker 1>of what's actually happening. Again, here's step Harold. I need

0:49:05.680 --> 0:49:08.239
<v Speaker 1>to see characters who are ordering pills online, having their

0:49:08.280 --> 0:49:11.680
<v Speaker 1>abortions themselves at home, surrounded by their loved ones, having

0:49:11.760 --> 0:49:14.319
<v Speaker 1>their friend there with them, googling because their friend did

0:49:14.360 --> 0:49:17.680
<v Speaker 1>this last month, instead of a legal abortion being this

0:49:17.840 --> 0:49:21.280
<v Speaker 1>kind of um dark thing that happened in the past.

0:49:22.120 --> 0:49:24.560
<v Speaker 1>We need to see how characters are going to navigate

0:49:24.640 --> 0:49:27.040
<v Speaker 1>this moment where abortion is illegal again, but now we

0:49:27.160 --> 0:49:31.400
<v Speaker 1>have the technology to get the abortion pills ourselves, right,

0:49:31.480 --> 0:49:34.800
<v Speaker 1>and what it means for them to do that medically safely,

0:49:34.960 --> 0:49:36.960
<v Speaker 1>but have it be legally risky, which is what it

0:49:37.080 --> 0:49:39.520
<v Speaker 1>is in real life. Right. Um. We need to see

0:49:39.640 --> 0:49:43.480
<v Speaker 1>characters grapple with Now, if I'm caught, what will happen

0:49:44.120 --> 0:49:46.320
<v Speaker 1>because we know that, you know, people across the country

0:49:46.360 --> 0:49:49.920
<v Speaker 1>are already being criminalized for for managing their own abortions.

0:49:50.320 --> 0:49:52.959
<v Speaker 1>And then I think it's just having an entire TV

0:49:53.200 --> 0:49:57.760
<v Speaker 1>series that focus on abortion right, abortion clinics or abortion funds,

0:49:57.800 --> 0:50:04.160
<v Speaker 1>abortion travel networks. If there's so much Mitch storytelling possibility there, um,

0:50:04.280 --> 0:50:07.000
<v Speaker 1>instead of having it be you know, you're one really

0:50:07.040 --> 0:50:09.520
<v Speaker 1>promiscuous character, it gets pregnant and has an abortion, and

0:50:09.600 --> 0:50:12.520
<v Speaker 1>that's it. That's a wonderful story to tell, but it

0:50:12.600 --> 0:50:15.920
<v Speaker 1>can't be the only one that we see. We need

0:50:16.000 --> 0:50:19.040
<v Speaker 1>to see better representation of all kinds of people who

0:50:19.120 --> 0:50:21.960
<v Speaker 1>have abortions on television and film. Right. We need more

0:50:22.040 --> 0:50:25.320
<v Speaker 1>TV shows and films period that focus on characters of color.

0:50:26.320 --> 0:50:28.319
<v Speaker 1>But we also need to see those characters having their

0:50:28.320 --> 0:50:31.920
<v Speaker 1>abortions and supporting their friends and family having abortions. UM.

0:50:32.200 --> 0:50:36.400
<v Speaker 1>That I think that is crucially important, UM for representation. Right.

0:50:36.480 --> 0:50:39.319
<v Speaker 1>It helps everybody who's going through their abortions now feel

0:50:39.400 --> 0:50:45.840
<v Speaker 1>us alone. UM, it helps um normalize abortion and abortion experiences. Obviously,

0:50:45.960 --> 0:50:49.840
<v Speaker 1>representation doesn't fix everything, but it's a small step towards

0:50:49.920 --> 0:50:53.759
<v Speaker 1>people feeling not alone, people feeling secure and safe. In

0:50:53.840 --> 0:50:58.319
<v Speaker 1>their decision. My name is Jack, my pronouns are they.

0:50:58.400 --> 0:51:01.879
<v Speaker 1>Then there's We're in sexual education and wellness, and I'm

0:51:01.880 --> 0:51:04.200
<v Speaker 1>based out of Los Angeles. It's so weird. It's been

0:51:04.280 --> 0:51:07.280
<v Speaker 1>ten years now. I had an abortion when I was twenty.

0:51:08.040 --> 0:51:11.400
<v Speaker 1>I was in college and I was in a relationship

0:51:11.480 --> 0:51:13.680
<v Speaker 1>with my high school sweetheart. We grew up in Miami

0:51:13.719 --> 0:51:16.240
<v Speaker 1>together and we both ended up going to college in Orlando.

0:51:16.800 --> 0:51:20.719
<v Speaker 1>It was not a good relationship, unfortunately. It was very

0:51:20.840 --> 0:51:24.200
<v Speaker 1>toxic and it was very back and forth. And what

0:51:24.360 --> 0:51:27.160
<v Speaker 1>had happened was is the condom broke. I did go

0:51:27.239 --> 0:51:29.279
<v Speaker 1>ahead and take a Plan B, but that only really

0:51:29.320 --> 0:51:32.840
<v Speaker 1>stopped too from ovulating. And apparently I'm just fertile. So

0:51:34.840 --> 0:51:36.919
<v Speaker 1>I believe at about a month I want to say,

0:51:36.920 --> 0:51:39.120
<v Speaker 1>like three or four weeks goes by. I had my

0:51:39.200 --> 0:51:42.520
<v Speaker 1>twentieth birthday. I'm thinking everything should be fine, but I

0:51:42.680 --> 0:51:46.360
<v Speaker 1>never start my cycle. So I grew up a pregnancy test,

0:51:46.920 --> 0:51:49.399
<v Speaker 1>try it to be on it, and it immediately comes

0:51:49.480 --> 0:51:54.240
<v Speaker 1>back positive. You know, at the time, I had fairly

0:51:54.320 --> 0:51:56.920
<v Speaker 1>freshly come out as a non binary person. I think

0:51:56.960 --> 0:51:59.400
<v Speaker 1>at the time I was identifying specifically as a gender

0:52:00.000 --> 0:52:03.800
<v Speaker 1>and that I've always experienced dysphoria from having a womb.

0:52:03.920 --> 0:52:07.320
<v Speaker 1>It's not really been so much of an external experience

0:52:07.400 --> 0:52:09.799
<v Speaker 1>for me, Like I love, I'm cool with the way

0:52:09.840 --> 0:52:12.800
<v Speaker 1>I look, I'm cool with all that. But for some reason,

0:52:12.920 --> 0:52:14.960
<v Speaker 1>just the concept of having a womb and the concept

0:52:15.000 --> 0:52:19.040
<v Speaker 1>of being pregnant is absolutely mortifying to me. So I

0:52:19.520 --> 0:52:21.640
<v Speaker 1>communicated with the partner I had at the time, and

0:52:21.719 --> 0:52:27.759
<v Speaker 1>we both were very much team abortion. We called I'm

0:52:27.840 --> 0:52:30.120
<v Speaker 1>nervous as hell. I make an appointment for the first

0:52:30.200 --> 0:52:32.000
<v Speaker 1>one that was available for saying in the morning, like

0:52:32.080 --> 0:52:35.160
<v Speaker 1>eight in the morning. I believe as soon as I

0:52:35.160 --> 0:52:37.080
<v Speaker 1>could get one was about a week out too, which

0:52:37.200 --> 0:52:39.600
<v Speaker 1>was not fun because I'm sitting for a week going

0:52:40.640 --> 0:52:42.960
<v Speaker 1>still pregnant, not not too stoked on that, you know.

0:52:43.200 --> 0:52:48.239
<v Speaker 1>I remember walking in seeing protesters they had something there

0:52:48.320 --> 0:52:52.640
<v Speaker 1>was there was a signage that was specifically um like

0:52:52.840 --> 0:52:56.520
<v Speaker 1>targeting or marketing father saying like it's your baby too.

0:52:57.360 --> 0:53:00.520
<v Speaker 1>And when I go in, the person in the whoever

0:53:00.560 --> 0:53:02.400
<v Speaker 1>the receptionist was, was just the sweetest person in the

0:53:02.440 --> 0:53:04.239
<v Speaker 1>world is immediately smiling at me, and a lot of

0:53:04.320 --> 0:53:06.600
<v Speaker 1>my anxiety kind of went down after meeting them, and

0:53:06.640 --> 0:53:09.839
<v Speaker 1>they were playing maide in Manhattan in the lobby. Oh

0:53:10.040 --> 0:53:13.640
<v Speaker 1>Lord almost sund on your faith right there, and I'm

0:53:13.640 --> 0:53:15.640
<v Speaker 1>Puerto Rican. So I was like, wait, this, lets you

0:53:15.719 --> 0:53:18.560
<v Speaker 1>a sign JL. Yes, JL soothed my fears about this

0:53:18.680 --> 0:53:24.520
<v Speaker 1>abortion situation. I chose to have a medication abortion specifically

0:53:24.680 --> 0:53:29.520
<v Speaker 1>versus a surgical one because well, one, it was cheaper

0:53:29.640 --> 0:53:32.160
<v Speaker 1>by about a hundred dollars and this was not something

0:53:32.320 --> 0:53:37.240
<v Speaker 1>that I had pocket money for. Um. And the second

0:53:37.600 --> 0:53:40.920
<v Speaker 1>big reason for me is I was really uncomfortable with

0:53:41.000 --> 0:53:43.520
<v Speaker 1>the concept of having someone just in my crotch. UM.

0:53:44.239 --> 0:53:47.480
<v Speaker 1>I did not want to be exposed to strangers in

0:53:47.600 --> 0:53:50.960
<v Speaker 1>that way. I felt really uncomfortable with that. So I

0:53:51.080 --> 0:53:53.600
<v Speaker 1>thought that this would be a better a better option

0:53:53.640 --> 0:53:55.640
<v Speaker 1>because I could take I could take these pills, I

0:53:55.640 --> 0:53:57.440
<v Speaker 1>could go home. You take one at the clinic and

0:53:57.520 --> 0:54:01.439
<v Speaker 1>then you take the rest home like Unfortunately, that same year,

0:54:02.080 --> 0:54:04.520
<v Speaker 1>something passed in Florida right before I went to get

0:54:04.520 --> 0:54:07.040
<v Speaker 1>my abortion, where you had to get a transvaginal ultrasound

0:54:07.680 --> 0:54:10.439
<v Speaker 1>that is an internal ultrasound. That is not the cute

0:54:10.480 --> 0:54:12.000
<v Speaker 1>see in the movies. A little bit of Jillian your

0:54:12.040 --> 0:54:14.560
<v Speaker 1>telling me, no, they put something inside you. And that

0:54:14.920 --> 0:54:19.719
<v Speaker 1>is kind of what I was trying to avoid that

0:54:19.920 --> 0:54:22.160
<v Speaker 1>kind of situation was exactly what I was trying to

0:54:22.960 --> 0:54:26.759
<v Speaker 1>stare away from by choosing medication abortion. But unfortunately they

0:54:26.920 --> 0:54:29.760
<v Speaker 1>wanted to, I guess, make sure that I was pregnant,

0:54:29.800 --> 0:54:33.520
<v Speaker 1>even though I was pretty damn sure I was pregnant. Um,

0:54:33.719 --> 0:54:35.319
<v Speaker 1>and then when I went back for a follow up

0:54:35.360 --> 0:54:40.120
<v Speaker 1>in two weeks, I had to do that again. Um. Yeah,

0:54:41.760 --> 0:54:46.280
<v Speaker 1>at the time, this is this happened in two thousand eleven.

0:54:46.480 --> 0:54:48.879
<v Speaker 1>I want to stay around there. You know, at the time,

0:54:48.960 --> 0:54:54.120
<v Speaker 1>there weren't a lot of conversations about trans people in

0:54:55.040 --> 0:54:59.360
<v Speaker 1>medical spaces, especially in healthcare situations. You know, there's no

0:55:00.040 --> 0:55:01.800
<v Speaker 1>you'll see it now, especially now that I live in

0:55:01.960 --> 0:55:04.080
<v Speaker 1>Los Angeles, you know, and you fill out your forms,

0:55:04.280 --> 0:55:06.600
<v Speaker 1>there's a space for a preferred name, there's a space

0:55:06.719 --> 0:55:09.960
<v Speaker 1>for your pronouns. I feel like now we're beginning to

0:55:10.000 --> 0:55:13.200
<v Speaker 1>recognize that not everybody who has a uterus or needs,

0:55:13.280 --> 0:55:15.839
<v Speaker 1>you know, this kind of reproductive health care is going

0:55:15.880 --> 0:55:19.440
<v Speaker 1>to identify as a woman. So fantastic, but again, ten

0:55:19.520 --> 0:55:22.120
<v Speaker 1>years ago, not not a thing. So I had to

0:55:22.200 --> 0:55:24.600
<v Speaker 1>go into this thing by myself and have conversations with

0:55:25.239 --> 0:55:29.120
<v Speaker 1>you know, very sweet staff. Really, I really appreciate how

0:55:29.239 --> 0:55:32.239
<v Speaker 1>much they were trying to help me, But it was

0:55:32.320 --> 0:55:35.279
<v Speaker 1>really difficult to go in for service where every two

0:55:35.320 --> 0:55:39.160
<v Speaker 1>seconds you're being miss gendered and you're being talked to

0:55:39.520 --> 0:55:42.279
<v Speaker 1>and about as if you are of an identity that

0:55:42.360 --> 0:55:48.120
<v Speaker 1>you're not. Being miss gendered is very much an act

0:55:48.160 --> 0:55:50.920
<v Speaker 1>of violence, and it's very upsetting to have to be

0:55:51.040 --> 0:55:53.959
<v Speaker 1>in that space where you're already vulnerable something I don't

0:55:54.000 --> 0:55:57.239
<v Speaker 1>like being, and then I have to navigate that. I

0:55:57.320 --> 0:55:59.960
<v Speaker 1>didn't tell very many people about it either. I live

0:56:00.160 --> 0:56:01.600
<v Speaker 1>with my older sister at the time too, and I

0:56:01.760 --> 0:56:04.920
<v Speaker 1>never mentioned it. You know, clearly I was unwell, but

0:56:05.800 --> 0:56:07.560
<v Speaker 1>I didn't talk about it. I didn't even tell my

0:56:07.680 --> 0:56:11.319
<v Speaker 1>family till years later. For me, the experience was something

0:56:11.400 --> 0:56:13.200
<v Speaker 1>that I just it was in the way. It was

0:56:13.320 --> 0:56:15.800
<v Speaker 1>just something I needed to get done, um so I

0:56:15.840 --> 0:56:20.000
<v Speaker 1>could continue my life. I've never felt guilty about it.

0:56:20.080 --> 0:56:23.359
<v Speaker 1>I've never felt um, you know, ashamed of having had

0:56:23.400 --> 0:56:25.800
<v Speaker 1>an abortion. It was just it's a thing. It happened.

0:56:25.800 --> 0:56:28.279
<v Speaker 1>I had my feelings, and I'm moving on. I did

0:56:28.360 --> 0:56:32.040
<v Speaker 1>a fellowship UH and an internship with Planned Parenthood specifically,

0:56:32.120 --> 0:56:35.960
<v Speaker 1>and I volunteered with Nayral and other other organizations, other

0:56:36.000 --> 0:56:40.879
<v Speaker 1>reproductive rights UM organizations, and the experiences weren't weren't great.

0:56:41.280 --> 0:56:43.920
<v Speaker 1>I feel like even though that these people, you know,

0:56:44.040 --> 0:56:46.480
<v Speaker 1>we're definitely trying to fight for the same endgame where

0:56:46.520 --> 0:56:50.000
<v Speaker 1>you know, obviously abortion accesses is fully there. The way

0:56:50.040 --> 0:56:53.360
<v Speaker 1>that I was spoken to, especially then, was not acceptable.

0:56:53.520 --> 0:56:55.320
<v Speaker 1>You know, it was always very much you know, we

0:56:55.560 --> 0:56:58.040
<v Speaker 1>have to make sure women have access to this first,

0:56:58.120 --> 0:57:01.759
<v Speaker 1>and then we'll cover nuances like you know, transgender not

0:57:01.840 --> 0:57:05.280
<v Speaker 1>conforming people accessing abortion, or people of color neating abortion.

0:57:05.760 --> 0:57:08.640
<v Speaker 1>The narrative was always very much around sis gendered white women,

0:57:09.040 --> 0:57:11.400
<v Speaker 1>and I just I was always put off by that

0:57:11.560 --> 0:57:14.000
<v Speaker 1>because it just doesn't that's not how this works. It's

0:57:14.080 --> 0:57:17.240
<v Speaker 1>never it's never been successful to just aim to support

0:57:17.360 --> 0:57:20.040
<v Speaker 1>one group and then it trickles down. That's it's never worked.

0:57:20.360 --> 0:57:22.600
<v Speaker 1>So I don't know where that idea came from. So

0:57:22.720 --> 0:57:25.160
<v Speaker 1>when I was finally presented with an opportunity to be

0:57:25.400 --> 0:57:28.320
<v Speaker 1>in a cohort where the majority of the people there

0:57:28.400 --> 0:57:31.880
<v Speaker 1>are people of color, and eventually, you know, I was

0:57:31.920 --> 0:57:34.440
<v Speaker 1>the only trans person at first, but eventually not Now

0:57:34.480 --> 0:57:38.320
<v Speaker 1>there are other trans people talking about similar experiences. When

0:57:38.360 --> 0:57:42.080
<v Speaker 1>I first heard that there was another trans person who

0:57:42.160 --> 0:57:45.520
<v Speaker 1>was going to be joining me testify. I cried because

0:57:45.600 --> 0:57:49.320
<v Speaker 1>I had not I've never met or spoken to any

0:57:49.440 --> 0:57:51.840
<v Speaker 1>other trans person that's had an abortion. I know where,

0:57:51.960 --> 0:57:54.560
<v Speaker 1>I know we're there, I know we're out here. It's

0:57:54.600 --> 0:57:57.000
<v Speaker 1>just it's a completely different experience. We can actually interact

0:57:57.040 --> 0:58:01.600
<v Speaker 1>with that person when other people actually, um, you know,

0:58:01.760 --> 0:58:04.000
<v Speaker 1>you've come to me other trans folks and then gender

0:58:04.040 --> 0:58:06.080
<v Speaker 1>not conforming folks come to me with you know, you

0:58:06.160 --> 0:58:08.600
<v Speaker 1>made me feel like like I'm okay, like I'm gonna

0:58:08.600 --> 0:58:11.000
<v Speaker 1>be fine. You know, we're out here. This is normal.

0:58:12.240 --> 0:58:15.760
<v Speaker 1>My heart I can't. It kills me, but it's good.

0:58:15.800 --> 0:58:24.760
<v Speaker 1>It's good. High listeners for all of you who have

0:58:24.840 --> 0:58:27.720
<v Speaker 1>been with us these last four episodes, Thank you so

0:58:27.880 --> 0:58:31.680
<v Speaker 1>much for listening. Two quick things. One, if you're interested,

0:58:32.000 --> 0:58:35.480
<v Speaker 1>Alison Leave's comedy show Oh God to show about abortion

0:58:35.800 --> 0:58:38.880
<v Speaker 1>got extended. Find more about how to see it in

0:58:39.120 --> 0:58:43.080
<v Speaker 1>l A or New York at oh God show dot com. Also,

0:58:43.480 --> 0:58:46.760
<v Speaker 1>how are you all doing considering all that's happened. I'd

0:58:46.800 --> 0:58:49.320
<v Speaker 1>love to hear from you. You can call this number

0:58:49.760 --> 0:58:53.720
<v Speaker 1>one eight four four four seven nine seven eight eight

0:58:53.840 --> 0:58:56.760
<v Speaker 1>three and leave me a message about what you're thinking.

0:58:57.000 --> 0:58:59.440
<v Speaker 1>Or maybe the actions you're taking, or even things you

0:58:59.560 --> 0:59:03.440
<v Speaker 1>have learned want to share about abortion. Your message might

0:59:03.520 --> 0:59:06.680
<v Speaker 1>be included in a future episode, and we really will

0:59:06.760 --> 0:59:11.200
<v Speaker 1>appreciate hearing from you. All that number again one eight

0:59:11.320 --> 0:59:17.760
<v Speaker 1>four four four seven nine seven eight eight three. Abortion

0:59:18.000 --> 0:59:21.800
<v Speaker 1>The Body Politic is executive produced by me Katie Curic

0:59:22.200 --> 0:59:26.240
<v Speaker 1>and was created by small team led by our intreptid

0:59:26.480 --> 0:59:31.480
<v Speaker 1>supervising producer Lauren Hansen, editing and sound designed by Derrick

0:59:31.520 --> 0:59:36.200
<v Speaker 1>Clements researched by Nina Perlman. Production and editing help for

0:59:36.320 --> 0:59:40.400
<v Speaker 1>this episode from Julia Weaver and Mary do and a

0:59:40.560 --> 0:59:44.520
<v Speaker 1>special thanks to k c M producers Courtney Litz and

0:59:44.720 --> 0:59:45.800
<v Speaker 1>Adriana Fasio