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Speaker 1: And That's what You Really Missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 3: Welcome to and That's What You Really miss podcast, First

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Speaker 3: You and a episode of twenty twenty four. Today's our

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Speaker 3: first Q and A. You guys wrote in a lot

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Speaker 3: of great questions. I feel like you've been revived by

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Speaker 3: twenty twenty four.

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Speaker 1: So let's do it.

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Speaker 2: Yes, we thought it would be fun to start the

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Speaker 2: year this way. Get out some of those questions. First

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Speaker 2: of all, what we have to talk about. There's a

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Speaker 2: couple of people who think that we hate.

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Speaker 3: Clain, right, okay, so what happened here, Kevin? Because I

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Speaker 3: kind of missed this whole thing, So please.

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Speaker 2: I think people think we're skipping over Clain storylines and

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Speaker 2: that we effectively hate Darren and or Blaine.

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Speaker 1: Well, that's crazy, you guys.

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Speaker 2: I think it's hilarious. I sort of love it.

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Speaker 1: Wait, what what makes you think that?

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Speaker 2: I look, it's because of the scene.

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Speaker 1: The box is because of the box. I think partially

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Speaker 1: it's all.

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Speaker 3: Right, let me just like return rewind here, because when

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Speaker 3: we talked about the box, I know, we we went

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Speaker 3: in a little bit on the scene and how we

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Speaker 3: just didn't really like it, and we thought it should

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Speaker 3: be cut because it was cut.

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Speaker 1: Because crying cut it.

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Speaker 3: But also it's not that I don't think and let

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Speaker 3: me see if I'm speaking for you too, Kevin like,

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Speaker 3: I don't.

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Speaker 1: It doesn't mean that we don't.

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Speaker 3: Like clayone like or Darren or Chris like. Obviously we

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Speaker 3: love them. I think sometimes it's easy to gloss over

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Speaker 3: their storylines there, it's a constant.

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Speaker 1: I don't know.

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Speaker 2: I mean, we gloss over it, to be fair, I

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Speaker 2: mean there's a lot we gloss over a lot of storylines.

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Speaker 2: And also I think we personally, because this is very

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Speaker 2: much our perspective, we don't necessarily have a lot of

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Speaker 2: personal involvement with that storyline, right, And so I do

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Speaker 2: think there is sort of a separation. But I mean,

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Speaker 2: I can't tell you the amount of times we've talked

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Speaker 2: about how important and great we think that storyline is.

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Speaker 3: So Okay, well yeah, okay, let's set the record straight

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Speaker 3: here a little bit.

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Speaker 2: We love Claane, we love Clane, we love arn No.

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Speaker 3: Ill will against Clane or Darren or Chris or Blaine

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Speaker 3: or Kert.

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Speaker 2: I do think it's funny, though, I do like the

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Speaker 2: idea that it's like a.

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Speaker 1: Conspiracy that Jenna and Kevin hate Clay.

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Speaker 2: Yeah, we stay up late texting each other how much

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Speaker 2: we hate them and how we're not going to talk

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Speaker 2: about them the next day.

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Speaker 1: Funny, is that going to become a TikTok?

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Speaker 3: Now?

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Speaker 1: Like Jenna and Kevin just texting? Should we TikTok?

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Speaker 2: It's just we're not you see.

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Speaker 3: The bubbles of like texts and what we're talking. Okay, anyway,

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Speaker 3: all right, let's move on. Let's just do some Q

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Speaker 3: and I because these are really good questions this week,

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Speaker 3: and we can get to quite a few of.

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Speaker 1: Them, I think.

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Speaker 2: Okay.

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Speaker 3: Steph Moulman asked if we can get those bloopers Jenna.

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Speaker 2: Yeah, never, it's not gonna happen. It's really Yeah, we can't.

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Speaker 2: Which character, as Abell wrote this, which character do you

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Speaker 2: think you'd actually be friends with in real life?

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Speaker 1: What a good question.

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Speaker 2: Yeah, I've thought about this before. I think this probably

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Speaker 2: is too easy, but I'd obviously be friends with Tina,

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Speaker 2: and I'd be friends with Kurt.

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Speaker 3: I'd be friends with Artie and Kurt Mercedes. Yeah, and Sam.

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Speaker 2: Yeah, I would be friends with Sam because Sam reminds

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Speaker 2: me of Court.

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Speaker 3: Exactly, and Finn like just because they and is like

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Speaker 3: nice to everybody, which kind of is cory.

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Speaker 1: Yah.

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Speaker 2: I'm having a honestly separating the person from the character.

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Speaker 1: But yeah, I do. I do think that.

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Speaker 3: Kurt and Aldie and Mercedes are like get my top

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Speaker 3: three givens.

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Speaker 2: Yeah, I agree, Okay, ash Rose, I was going to

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Speaker 2: say this thing was, really, how did the strikes impact

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Speaker 2: the pod while you were making EPs? Anything left unset? Well,

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Speaker 2: there were a couple of weeks there where we were

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Speaker 2: trying to figure out if we were allowed to go on,

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Speaker 2: and I think it took a SAG a couple of

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Speaker 2: weeks to sort of figure out the finer points and

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Speaker 2: luckily with their consent, and because we had a contract

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Speaker 2: with the Heart Radio that we had to fulfill, we

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Speaker 2: got the go ahead to do it, which is the

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Speaker 2: only reason why we kept doing it. Otherwise we would

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Speaker 2: not have done it in support of our unions.

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Speaker 3: Yeah, and the only other thing that we like impacted

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Speaker 3: was we weren't allowed to have SAG members on to

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Speaker 3: talk vocally, so like our guests were a different venture.

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Speaker 3: And you know, we had some music guests, we had

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Speaker 3: some fanfic guests, we had you know, there were just

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Speaker 3: different kind of lanes that we had to enter, which

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Speaker 3: were exciting and fun, and I hope you enjoyed them

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Speaker 3: as much as we did.

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Speaker 2: I loved those. I was really thankful. I was trying

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Speaker 2: to push the music guests from the very beginning of

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Speaker 2: this podcast. Musicians are a little harder to track down

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Speaker 2: tvh but some came through. We got some legends in there.

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Speaker 4: Yes, and Jason Raz Yes, and you know this, the

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Speaker 4: strike ended up.

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Speaker 2: We ended up getting some great things out of it,

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Speaker 2: so it was all It was all good. It worked

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Speaker 2: out we needed to happen.

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Speaker 3: Yeah, Julia Drew asked, should Quinn and Puck have kept Beth?

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Speaker 3: I think it would have been interesting and drama full. Well,

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Speaker 3: let me just tell you on TV if they kept

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Speaker 3: Bath there would have been a baby, and there would

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Speaker 3: have been we have had to bring a baby in

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Speaker 3: too much. I have no issue with bringing a baby in,

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Speaker 3: but in the interest of production, I don't know that

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Speaker 3: would have worked out.

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Speaker 2: If you don't have to think about production only story,

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Speaker 2: do you think it would have been? How do you

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Speaker 2: feel about them having a baby.

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Speaker 1: Well, you know how I feel about that whole storyline.

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Speaker 2: Don't take that out of it before that ever happened,

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Speaker 2: because it wouldn't have gotten there.

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Speaker 1: Right right, right right, No, you're totally right.

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Speaker 2: Okay, So like quinn'st all this drama with Finn, he's

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Speaker 2: not the dad, Yes, the dad. Yeah, keep the baby, yeah,

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Speaker 2: I keep the baby.

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Speaker 3: The baby as it happens, right, Like, there are teen

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Speaker 3: moms who choose to keep the baby, and I think

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Speaker 3: it would have Yeah, definitely would have created some different

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Speaker 3: kind of drama for the show.

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Speaker 1: And you could say a lot of songs about babies.

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Speaker 2: So Lily, if I'd ask if y'all could go back

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Speaker 2: and write your own storylineing Glee, what would it be,

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Speaker 2: I just have to say, I'm not a writer.

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Speaker 1: That's not my place.

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Speaker 2: Yeah, I did like that this happens. I think every

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Speaker 2: time we do a Q and A, I have a

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Speaker 2: really hard time. Like in other interviews too, we get

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Speaker 2: asked like where do you think the characters are? And

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Speaker 2: now I was like, I feel sort of like guilty

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Speaker 2: or bad or like it's not my place to sort

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Speaker 2: of like talk about those things. Yeah, because like it's

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Speaker 2: very much not my job because I'm not qualified, I

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Speaker 2: do not have the vernacular.

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Speaker 1: Okay, this isn't a good one. It's a good one.

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Speaker 3: If you were told you could direct an episode of

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Speaker 3: which episode would you have chosen? Oh my god, let's

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Speaker 3: take the equation, like, take this out of the equation

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Speaker 3: that it's already been made, right, the episode's already been made.

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Speaker 1: They're only scripts, right.

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Speaker 3: Yes, I would say hold on to sixteen would be

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Speaker 3: one of those.

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Speaker 2: Oh yeah, I would have said I would have liked

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Speaker 2: to have done Michael. Ah that yees makes sense, but

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Speaker 2: at the same time also sounds really daunting. And Fonsa

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Speaker 2: did a great job.

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Speaker 1: Yeah, Michael is a hard one. That's a really hard one.

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Speaker 2: That would have been fun, though. Tell more funny stories

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Speaker 2: about Award Show after parties. There were oh god, they

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Speaker 2: were embarrassing one. There's so many. There was after so

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Speaker 2: it was a Weinstein party.

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Speaker 1: Which one?

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Speaker 2: But it was after the saga words I think at chateau, Yeah,

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Speaker 2: but before the chateau. The chateau was after is that?

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Speaker 1: Where was? Yes?

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Speaker 2: And that's when my mom was sitting there with her

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Speaker 2: phone plugged into the wall on Facebook like live updating

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Speaker 2: what was happening. But it was like one of those

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Speaker 2: I don't know. We were sort of like stuck in

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Speaker 2: the middle of the room, and then we kept running

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Speaker 2: into like the movie stars and so like I talked

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Speaker 2: to like Helena the Bottom Carter and Baz Luhrmann for

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Speaker 2: a while and that was I was like, I'm going

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Speaker 2: to pass out.

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Speaker 5: Yeah, this is this is it for me because it's

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Speaker 5: only it's only actors, so you don't really have like

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Speaker 5: there's you don't have any of the reps.

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Speaker 2: Or anything like. It's just right these people and you're

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Speaker 2: with all the big movie people.

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Speaker 3: There's nobody to infiltrate you and Helena Bottom Carter or

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Speaker 3: you and Helen You're.

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Speaker 2: In or very small group of people.

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Speaker 1: And you're just you belong there in that moment. You

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Speaker 1: belong there.

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Speaker 2: Talk about imposter syndrome, yeah, because we were all like

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Speaker 2: just like giggly and embarrassing ourselves with the things we

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Speaker 2: were saying to these people. I won't say who, but

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Speaker 2: somebody went up to Eddie Redma and do you remember this,

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Speaker 2: m I wake up with Night's Foot like night terrors

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Speaker 2: from it. And it wasn't even me, but I witnessed it.

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Speaker 2: And one of our casts went up to Eddie Redmain.

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Speaker 2: It was like, so like I heard about all the

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Speaker 2: problems with le Miz and all the like the singing

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Speaker 2: issues and like the non recording, so like, I guess

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Speaker 2: it turned out well for you, huh. And Eddie Redmain

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Speaker 2: looked like he got slapped in the face, like what

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Speaker 2: are you talking about?

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Speaker 1: Oh my god.

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Speaker 2: And I'm sitting there like shut your mouth, shut your mouth,

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Speaker 2: shut your mouth, shut your mouth. They're crushing it. What

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Speaker 2: are you talking? Like? What problems? And then this person

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Speaker 2: was like, oh, because on Glee, you know, this is

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Speaker 2: how we do it, So like, how did you guys

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Speaker 2: do it? Asking Eddie Redmain like this sort of intense

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Speaker 2: question at a party. Mind you, it's very dark, it's

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Speaker 2: very loud.

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Speaker 6: I don't want to be talking about that, you know

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Speaker 6: what he was And he was sot like like sweet

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Speaker 6: and quiet, and I was just like I walked away

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Speaker 6: because I was going to go up to like talk

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Speaker 6: to him, like no, I'm not associated with the show anymore.

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Speaker 1: Just turn on to Goel and go yeah, poor.

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Speaker 2: Sweet hot Eddy red vein.

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Speaker 1: So I couldn't even go up to him. I was

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Speaker 1: just so sorry Stark at that time.

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Speaker 2: It took me so long, Jenney to build the courage

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Speaker 2: to go up. And then this other person walked up

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Speaker 2: right before and said this show was like, you've got

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Speaker 2: to be kidding me. Oh my god, but we were

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Speaker 2: all doing that. Do you know any times I did

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Speaker 2: that to people like I.

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Speaker 3: Oh, idiot, idiot, just just like stop talking, Jenna, stop talking, okay,

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Speaker 3: coly Lamb. Let's know, would Gypsy Rose be in new

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Speaker 3: directions vocal Atrennoline.

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Speaker 1: Or trouble Tones? Oh?

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Speaker 2: I think trouble Tones? Yeah, for sure, Oh my god,

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Speaker 2: for sure. You know Ryan would write her and immediately.

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Speaker 3: Hands down, would have been already in the show, like, yes,

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Speaker 3: next episode.

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Speaker 2: I like this one. Fond two thousand and two, wrote Kevin.

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Speaker 2: If the Glee characters would write books, what type of

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Speaker 2: books it would be?

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Speaker 1: For each?

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Speaker 2: First of all I see is Tina fanfic, fanfic all

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Speaker 2: the way, but like turned into some Twilight type huge success.

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Speaker 1: Okay, what about Artie? I don't know.

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Speaker 2: I think Artie might write some like la film history

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Speaker 2: folklore fiction.

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Speaker 1: Yes, you know that's a good one.

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Speaker 2: The golden age of Hollywood and it.

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Speaker 1: Becomes a coffee table book. It's something great.

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Speaker 2: Yes, maybe photography books. I think Kurt would have some

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Speaker 2: like beautiful fashion photography books.

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Speaker 1: Oh that yes, just portraits.

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Speaker 2: Yes, Okay, if Glee was still going, which renaissance song

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Speaker 2: will be sung by with all the Glee casts? It

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Speaker 2: would be break my soul, I think, and everyone would

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Speaker 2: do it. Everyone have a line. And because somebody tried to,

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Speaker 2: like wrong, the Glee club and they can't break our

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Speaker 2: soul fully.

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Speaker 3: This is a really good question. What Glee cover do

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Speaker 3: you want this year to sound like? Oh my God,

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Speaker 3: bad Romance, what I'm Coming for you twenty twenty four.

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Speaker 3: That's the way I interpreted it, like what's your what's

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Speaker 3: your tone of the year?

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Speaker 2: Breakaway? You know, it's solid, it's really pretty, and it's

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Speaker 2: really I think it's a really good cover. I would

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Speaker 2: like to know if Kelly Clarkson's heard it, And I

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Speaker 2: don't know.

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Speaker 1: If I want to know, I don't know if I

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Speaker 1: want to know.

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Speaker 2: No, I think I think it's better because if it

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Speaker 2: was solo, I'd be really scared.

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Speaker 3: But because we're in it together. Yeah, I love that number.

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Speaker 3: I love all of us here than ever. I love

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Speaker 3: that number too. I gotta also say, I know I'm

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Speaker 3: not I don't really want to dress this anymore, this

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Speaker 3: whole Claine Darren thing, But Darren like Blaine and Tina

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Speaker 3: have a whole thing coming up, and like it's wild.

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Speaker 3: Tina's the wild one. And I like Blaine and all

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Speaker 3: of it. And I liked Tricky with Darren and all

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Speaker 3: of and I like all the Tina Blaine and Sam

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Speaker 3: staff coming up too.

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Speaker 1: Oh he just told your horses people.

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Speaker 2: Also, one of my favorite things about Darren that it

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Speaker 2: still is I always think about Darren would take naps

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Speaker 2: all day.

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Speaker 1: Oh the three of us would take naps all.

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Speaker 2: Day, and you'd all battle for the couch and figgins.

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Speaker 1: Off the principal's couch. Well, Darren took that principal's couch home.

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Speaker 2: He should because he spent so much time on it.

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Speaker 1: He has it.

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Speaker 2: Or I was I will forever be in awe how

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Speaker 2: he could do that, because I would be like dying tiredness.

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Speaker 2: And he's someone who like doesn't need sleep and he

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Speaker 2: can just do naps and he's completely fine. He'd get

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Speaker 2: up and give a great performance, and I'd be like,

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Speaker 2: how are you doing this?

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Speaker 3: I know we are all sleeping, like like trying to

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Speaker 3: sleep at least or lay down.

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Speaker 1: When we could. Oh yeah, okay, this is a good one.

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Speaker 1: Hyperfixation food or meal.

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Speaker 2: Get out of my brain. I was just about to

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Speaker 2: say that one.

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Speaker 1: I'm a goop eater.

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Speaker 2: Oh, Jenna and Megan Doyle, who worked on the show,

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Speaker 2: are like battling for their goop points.

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Speaker 3: Well, they restart at the beginning of the year, so

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Speaker 3: I started zero. Wait what, I'm back at gold already, Jenna.

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Speaker 2: It is the tenth day of the year. Jenna, I

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Speaker 2: have a problem. Those brownies are delicious.

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Speaker 1: Oh.

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Speaker 3: I ordered like a few and then I just put

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Speaker 3: them in the fridge and then I heat them up.

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Speaker 2: Oh you heat them up?

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Speaker 3: Yes, Well, if I put it in the fridge and

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Speaker 3: then I eat it the next day, I'll heat it up.

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Speaker 2: But now I want to know what it's like cold

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Speaker 2: and heat it up. Old is good too. There's orders

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Speaker 2: right now, Okay, my food obsession. I I'm going to

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Speaker 2: sound so basic right now?

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Speaker 1: What is it as?

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Speaker 2: Because I just got back from Brazil. But in Brazil

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Speaker 2: I don't eat like an Assai eviol that you can

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Speaker 2: get a juice like a smoothie and they just add

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Speaker 2: water to it. So it's not Yeah, and it's so good. Oh,

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Speaker 2: I had some yesterday. I might have to do it

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Speaker 2: again today.

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Speaker 3: Because interesting I used to take like the ica ssay pills,

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Speaker 3: because like apparently it's like all these benefits to it.

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Speaker 2: I think it's hard to find legit. I think there's

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Speaker 2: one place I've ever had a good as a here

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Speaker 2: and got it. Besides that, it's all mixed with some

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Speaker 2: ship and it's not right. Uba. Tuba is good in

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Speaker 2: La if you want goods.

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Speaker 3: Oh, okay, okay, okay. Good to know, all right? How

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Speaker 3: many blankets do you sleep within? How many pillows?

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Speaker 2: Two pillows and a sheet and a comforter? A sheet

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Speaker 2: and a comforter, and I need it to be freezing

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Speaker 2: so I can use both, because if it's just the sheet, it's.

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Speaker 1: Not enough for me. Agreed. I sleep with uh uh

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Speaker 1: four pillows?

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Speaker 2: Where are they?

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Speaker 1: So here's the thing?

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Speaker 3: I used to sleep with one And ever since I

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Speaker 3: had Emma, I think there was a subconscious fear that

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Speaker 3: I would if I got too comfortable, I would miss

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Speaker 3: if she woke up in the middle of the night,

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Speaker 3: and so i've ever since she's been born, I've slept

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Speaker 3: on top of my sham. It's a big sham though,

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Speaker 3: like the European size square fomes, and so now I

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Speaker 3: just sleep on all my pillows and the sham.

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Speaker 2: So you're like, you're a little uncomfortable.

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Speaker 1: I'm a little bit inclined, inclined, not inclined to do

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Speaker 1: something inclined like in incline.

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Speaker 2: Well both, you're inclined, so that way you are a

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Speaker 2: little more inclined to wake up if need be. Yes,

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Speaker 2: look at that mother instinct kicking in.

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Speaker 1: Yes, I know, it's it's weird.

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Speaker 2: Biology is crazy.

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Speaker 1: Okay.

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Speaker 3: If your character had a podcast, what it would have

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Speaker 3: been about? This is like a in line with the book.

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Speaker 2: One parties would have fully been some pretentious movie film

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Speaker 2: history review. Actually I kind of do that now with me.

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Speaker 2: It's good. That's really good film critic. He has no

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Speaker 2: right to talk about it. But speaking of which, side note,

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Speaker 2: the SAG nominations came out today. Did you see those?

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Speaker 1: I haven't seen all of them. I've seen a few.

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Speaker 2: I was on the SAG nominating committee, Did you in line?

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Speaker 2: And I saw almost every Like, I saw so many movies.

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Speaker 2: I was going every day sometimes I saw two movies

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Speaker 2: a day. Wow, for the past couple months, which is

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Speaker 2: I love. This is my second time being on the

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Speaker 2: SAG nominating committee.

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Speaker 1: I'm jealous. I was only on a one. How do

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Speaker 1: you feel about this though?

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Speaker 3: Then it's very weird that I started to see some

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Speaker 3: of the listen.

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Speaker 1: I thought it was really interest.

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Speaker 2: It's not very weird, but it's like it is very

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Speaker 2: white this year. And Greta Lee and Charles Melton both

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00:19:10,920 --> 00:19:16,399
Speaker 2: got completely snubbed, which is like very very strange. Willem

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Speaker 2: Dafoe got nominated. He was great and Poor Things but

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Speaker 2: got nominated over Mark Ruffalo, which was strange. Adam Scott

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Speaker 2: from All of Us Strangers didn't get nominated, which is

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Speaker 2: also extremely strange.

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Speaker 1: It was an interesting year.

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Speaker 2: Yes, the movie Origins completely snubbed, like it was really

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Speaker 2: I don't know, it was weird and I feel sad

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Speaker 2: and I did, and it's not who I voted for.

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Speaker 1: Well, we'll have to see how the Academy Awards play out.

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Speaker 2: Then, yeah, there's quite a disparity. I would i'd say,

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Speaker 2: but so far. But yeah, yeah, I also okay, wait,

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Speaker 2: why was that I went.

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Speaker 1: Off the rail podcast?

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Speaker 2: Oh see, there you go that. I think it would

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Speaker 2: be something about film. Yeah, what about Tina's.

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Speaker 1: I feel like Tina's might have some kind of like

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Speaker 1: gaming theme.

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Speaker 2: Like video games. Yeah, do you think Tina's a gamer.

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Speaker 3: Or board games like Dungeon and Dragon Style like I

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Speaker 3: don't know. I think she might be into that stuff.

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Speaker 3: Tina would live stream on Twitch.

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Speaker 2: Okay, I yes, love this for Tina. And this honestly

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Speaker 2: is the first thing that has made me want to

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Speaker 2: Glee reboot.

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Speaker 3: I was gonna say this is Tina's thing, although she'd

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Speaker 3: be too old, I.

404
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Speaker 2: Think No, No, I think she'd be like executive by

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Speaker 2: day and then personality.

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Speaker 1: I love this for her, Okay. Cool.

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00:20:42,440 --> 00:20:45,960
Speaker 2: And she might have a podcast that is like a seminar,

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Speaker 2: like a Ted talk on like women in business and

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Speaker 2: how I was thinking that to be a boss but

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Speaker 2: then also be all up on like the reddits of

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Speaker 2: like gaming.

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Speaker 4: And we are complex people, very very.

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Speaker 2: If you could be in a Broadway musical together, what

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Speaker 2: would it be?

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00:21:12,480 --> 00:21:17,520
Speaker 3: Taking out the vocal ability aside Evan Hansen would be

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Speaker 3: a fun one.

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Speaker 1: For us to do.

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Speaker 2: That would have been so fun to do, right. I couldn't,

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Speaker 2: but you could?

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Speaker 3: No, I Laura, really that makes it sound very easy.

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Speaker 2: Her voice is beautiful.

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Speaker 1: Yes, yes, Laura.

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Speaker 2: Have I told you about my Evan Hanson audition? Have

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Speaker 2: I talked about it on here?

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Speaker 5: No?

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Speaker 3: I don't know.

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Speaker 1: Do you want to hear.

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Speaker 2: Horrifying.

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Speaker 1: I remember you getting ready for it.

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Speaker 3: I remember you preparing for it and leading out to it.

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Speaker 1: But I don't know that.

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Speaker 2: I noticed when people ask why I don't do Broadway,

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Speaker 2: it's because every time I have to audition for a show.

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Speaker 3: Well here's the thing, though, let me tell you, Evan Hansen,

435
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Speaker 3: is it's it's a it's a it's to stand alone.

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00:22:01,960 --> 00:22:05,000
Speaker 3: There's a very few people who can actually sing back.

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Speaker 3: And maybe I'll eat my words because people will come

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Speaker 3: after me. But it is so difficult. It is so

439
00:22:12,359 --> 00:22:14,919
Speaker 3: it's like the alpha ba of the male alpha BA.

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Speaker 2: I think, yeah, very few people can do it. The

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Speaker 2: people they had, everyone who did on Broadway was incredible

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Speaker 2: and could really do it. Me, on the other hand,

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Speaker 2: she doesn't have the range. I'm good in the studio,

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Speaker 2: I'm not good live like that. Those are some real singers.

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00:22:29,920 --> 00:22:33,159
Speaker 2: I'm good at faking it. I grew up in pop music.

446
00:22:33,800 --> 00:22:36,760
Speaker 3: Oh my god, Well we've got to hear that story

447
00:22:36,760 --> 00:22:37,280
Speaker 3: at some point.

448
00:22:37,760 --> 00:22:39,760
Speaker 2: No, it was just bad. Oh my voice cracked on

449
00:22:39,760 --> 00:22:41,960
Speaker 2: the very last line of waving through your window. And

450
00:22:42,000 --> 00:22:43,879
Speaker 2: then they're like, I'm sure you're not the first person.

451
00:22:44,119 --> 00:22:45,680
Speaker 2: And they're like oh, we can lower it half of stuff.

452
00:22:45,680 --> 00:22:47,640
Speaker 2: I'm like cool, and in my head I'm like it's

453
00:22:47,640 --> 00:22:51,399
Speaker 2: not going to matter. Nope, cracked again. No, I literally

454
00:22:51,480 --> 00:22:54,080
Speaker 2: ran out of the room and said sorry about that.

455
00:22:56,440 --> 00:22:58,520
Speaker 2: Like ran, I ran out of the room.

456
00:22:59,400 --> 00:23:01,679
Speaker 3: I was listening to a podcast recently and they were

457
00:23:01,680 --> 00:23:04,679
Speaker 3: telling a story about their one audition where they like

458
00:23:04,920 --> 00:23:07,520
Speaker 3: totally bombed it. They were playing the violin because like

459
00:23:07,680 --> 00:23:10,440
Speaker 3: this character played the violin as well, and they learned

460
00:23:10,480 --> 00:23:13,000
Speaker 3: it from like the recording, not like the sheet music

461
00:23:13,000 --> 00:23:13,560
Speaker 3: that they were sent.

462
00:23:13,640 --> 00:23:16,280
Speaker 1: Always read the stuff they sent you in the audition material.

463
00:23:16,400 --> 00:23:18,920
Speaker 3: Don't just go off of like the recording or the

464
00:23:19,000 --> 00:23:22,000
Speaker 3: soundtrack on Spotify. So she learned that, and then they

465
00:23:22,040 --> 00:23:24,080
Speaker 3: asked her to transpose the key because she would learned

466
00:23:24,080 --> 00:23:26,880
Speaker 3: it in a different key because that's originally what it was,

467
00:23:26,920 --> 00:23:28,879
Speaker 3: but in the sheet music that they sent for the audition,

468
00:23:28,920 --> 00:23:29,399
Speaker 3: it was different.

469
00:23:30,640 --> 00:23:32,719
Speaker 1: And her friend called her was like, have you been

470
00:23:32,760 --> 00:23:33,200
Speaker 1: in for this?

471
00:23:33,280 --> 00:23:35,720
Speaker 3: I'm at this, like at the studios right now, and

472
00:23:35,760 --> 00:23:37,760
Speaker 3: I see these auditions and you play violin. You should

473
00:23:37,800 --> 00:23:40,240
Speaker 3: totally go in the person in here earlier it was

474
00:23:40,359 --> 00:23:42,080
Speaker 3: so bad and she was like that was me.

475
00:23:46,680 --> 00:23:52,000
Speaker 1: Yeah, I thought that was classic. Yeah, that's auditions are

476
00:23:52,160 --> 00:23:54,720
Speaker 1: just awful, awful, awful, awful.

477
00:23:55,320 --> 00:23:57,119
Speaker 2: I also have this complex where we go in and

478
00:23:57,119 --> 00:23:59,600
Speaker 2: I feel like because we were on for me at least,

479
00:23:59,640 --> 00:24:02,560
Speaker 2: you've been on Broadway a couple of times, several times

480
00:24:03,160 --> 00:24:06,159
Speaker 2: where I have a complex of walking in. We're like,

481
00:24:06,200 --> 00:24:10,119
Speaker 2: now here's this kid who's sang on a musical television show. Like,

482
00:24:10,280 --> 00:24:14,520
Speaker 2: I'm not a real theater person, and people assume I

483
00:24:14,560 --> 00:24:18,000
Speaker 2: have a musical theater background because so many of you do, right,

484
00:24:18,400 --> 00:24:20,440
Speaker 2: And I tell people like people will try to start

485
00:24:20,440 --> 00:24:26,359
Speaker 2: conversations me about musical yes, and I'm like, I know nothing.

486
00:24:27,040 --> 00:24:28,400
Speaker 1: Well you know more than you did?

487
00:24:28,720 --> 00:24:30,840
Speaker 2: Well, yes, now I do. You and Austin have been

488
00:24:30,920 --> 00:24:33,240
Speaker 2: educating me. I've said it before, and you're doing a

489
00:24:33,240 --> 00:24:33,720
Speaker 2: great job.

490
00:24:33,880 --> 00:24:36,840
Speaker 1: Yes, yes, and you're doing a great job absorbing at all.

491
00:24:37,240 --> 00:24:43,280
Speaker 4: I'm trying hogwartouses oh god, well puff, yeah, I'm are you?

492
00:24:44,119 --> 00:24:48,640
Speaker 1: Yes? Sense Yes?

493
00:24:49,119 --> 00:24:50,320
Speaker 2: How did you do the lip syncing?

494
00:24:50,760 --> 00:24:55,200
Speaker 3: They played back the song on a po system speaker

495
00:24:55,320 --> 00:24:58,320
Speaker 3: exactly and then you would have to all.

496
00:24:59,600 --> 00:25:01,600
Speaker 1: Lips exactly to that timing.

497
00:25:02,280 --> 00:25:05,200
Speaker 2: Yeah. And also when you're recording it there, it's not

498
00:25:05,320 --> 00:25:06,960
Speaker 2: you're not just going in there and doing one take

499
00:25:07,119 --> 00:25:09,399
Speaker 2: at a time of the whole song. They're spicing together

500
00:25:10,200 --> 00:25:13,120
Speaker 2: a lot of hundreds of takes of different words in line,

501
00:25:13,200 --> 00:25:15,760
Speaker 2: so then you have to learn that version, make sure

502
00:25:15,800 --> 00:25:17,680
Speaker 2: you're taking breadths at the same time and all that,

503
00:25:17,760 --> 00:25:21,520
Speaker 2: and then doing it properly. I think we all got

504
00:25:21,600 --> 00:25:24,080
Speaker 2: very good. Anytime I've seen any of the people from

505
00:25:24,080 --> 00:25:26,359
Speaker 2: our show, there's been a couple of times they've been

506
00:25:26,359 --> 00:25:28,240
Speaker 2: on another show where they've had a lip sync or something,

507
00:25:28,680 --> 00:25:31,000
Speaker 2: or in music videos for their own music. I think

508
00:25:31,040 --> 00:25:32,520
Speaker 2: we do a very good job lip syncing.

509
00:25:32,840 --> 00:25:36,800
Speaker 1: I gotta say I agree. Well, that's what are wonderful.

510
00:25:36,920 --> 00:25:38,480
Speaker 1: Tim Davis and Luanne were for.

511
00:25:39,119 --> 00:25:41,280
Speaker 2: Someone just wrote Heather and Diana and yes, I.

512
00:25:41,200 --> 00:25:48,240
Speaker 3: Agree, Yes, okay two things. Are you all mad that

513
00:25:48,280 --> 00:25:50,600
Speaker 3: you didn't get more duets together? Because I am let

514
00:25:50,600 --> 00:25:51,720
Speaker 3: it be with a masterpiece.

515
00:25:52,600 --> 00:25:56,960
Speaker 1: Yeah, you can never have enough, never have enough.

516
00:25:57,359 --> 00:25:59,520
Speaker 3: If Glee had a crossover with another TV show, what

517
00:25:59,520 --> 00:26:02,040
Speaker 3: would it be a why? The thing that comes to

518
00:26:02,119 --> 00:26:04,639
Speaker 3: my mind is modern family.

519
00:26:04,800 --> 00:26:06,000
Speaker 2: That would have been so much fun.

520
00:26:06,160 --> 00:26:09,000
Speaker 3: We always, you know, we were just always with them,

521
00:26:09,040 --> 00:26:11,480
Speaker 3: we were always in line with them, always with them.

522
00:26:11,720 --> 00:26:13,679
Speaker 3: But I thought it'd be funny since they're like a

523
00:26:13,760 --> 00:26:17,679
Speaker 3: mockumentary style show if like we were real, like we

524
00:26:17,680 --> 00:26:18,000
Speaker 3: were a.

525
00:26:17,960 --> 00:26:19,720
Speaker 1: TV show in their real life.

526
00:26:19,840 --> 00:26:22,119
Speaker 3: Yes, like a little meta kind of like the office,

527
00:26:22,160 --> 00:26:25,440
Speaker 3: you know, where they're watching an episode where like they

528
00:26:25,480 --> 00:26:29,280
Speaker 3: come and you know, meet the cast, and like they're

529
00:26:29,280 --> 00:26:32,480
Speaker 3: in character and we're not. We're in like act as actors,

530
00:26:32,920 --> 00:26:35,920
Speaker 3: like our actors heightened versions from ourselves.

531
00:26:36,119 --> 00:26:38,560
Speaker 2: So towards the end of Glee, I don't know if

532
00:26:38,560 --> 00:26:40,439
Speaker 2: you were there or not, we had this launch Naya,

533
00:26:40,560 --> 00:26:42,880
Speaker 2: Telly and I we were talking about if Glee ever

534
00:26:42,920 --> 00:26:46,240
Speaker 2: got rebooted, what would it be, and we spitball the

535
00:26:46,280 --> 00:26:49,680
Speaker 2: idea that it would be a fake mockumentary or be

536
00:26:49,720 --> 00:26:54,840
Speaker 2: a mockumentary about a reboot of Glee, and so it

537
00:26:54,880 --> 00:26:57,159
Speaker 2: would be called like base Camp, and it would be

538
00:26:57,200 --> 00:27:01,679
Speaker 2: about everybody getting called from Ryan to come back to

539
00:27:01,720 --> 00:27:04,719
Speaker 2: the show and like getting back in the outfits and

540
00:27:04,720 --> 00:27:07,040
Speaker 2: getting to play those characters where we're all like older

541
00:27:07,280 --> 00:27:08,960
Speaker 2: in different places in our lives and careers.

542
00:27:10,560 --> 00:27:12,000
Speaker 1: And that's really funny.

543
00:27:12,040 --> 00:27:15,080
Speaker 2: And you wouldn't necessarily see the show at all. You

544
00:27:15,160 --> 00:27:17,560
Speaker 2: see you see just behind the scenes of like just

545
00:27:17,640 --> 00:27:20,280
Speaker 2: base Camp and stuff and like the like the first

546
00:27:20,280 --> 00:27:22,680
Speaker 2: thing is like a voicemail, like an automated thing where

547
00:27:22,680 --> 00:27:24,560
Speaker 2: we think it's Ryan calling each of us, but it

548
00:27:24,640 --> 00:27:28,280
Speaker 2: was actually just like a pre recorded Hi guys, it's Ryan.

549
00:27:30,880 --> 00:27:30,920
Speaker 3: This.

550
00:27:31,359 --> 00:27:34,760
Speaker 2: Yeah, and like some of the some people don't and

551
00:27:34,840 --> 00:27:37,040
Speaker 2: I thought it was such a brilliant.

552
00:27:37,000 --> 00:27:40,399
Speaker 1: Idea brilliant Oh my god, but it.

553
00:27:40,400 --> 00:27:41,560
Speaker 2: Would have been quite funny.

554
00:27:41,960 --> 00:27:44,720
Speaker 3: Okay, we have time for a few more. Uh the

555
00:27:44,800 --> 00:27:46,600
Speaker 3: season three living up to your expectations so far?

556
00:27:50,119 --> 00:27:52,960
Speaker 2: Yes, I'm I am honestly having a little hard time

557
00:27:53,000 --> 00:27:57,280
Speaker 2: separating what we were all feeling behind the scenes.

558
00:27:58,359 --> 00:27:58,840
Speaker 1: Mm hmmm.

559
00:27:59,200 --> 00:28:03,359
Speaker 2: And that's nothing to do with like production, like that's

560
00:28:03,400 --> 00:28:07,480
Speaker 2: just us, Like we were all just a bit tired, Yes,

561
00:28:07,760 --> 00:28:09,400
Speaker 2: and so it is hard. I don't know if you're

562
00:28:09,400 --> 00:28:12,879
Speaker 2: having the same thing. So if I take that out,

563
00:28:13,280 --> 00:28:14,800
Speaker 2: season three is pretty great so far.

564
00:28:15,200 --> 00:28:18,480
Speaker 3: Yeah, I'm not having trouble separating and as much as

565
00:28:18,560 --> 00:28:21,000
Speaker 3: I think as you are, maybe one episode or maybe

566
00:28:21,240 --> 00:28:24,879
Speaker 3: like Michael specifically, but that's really it. I am, and

567
00:28:25,160 --> 00:28:29,719
Speaker 3: I am appreciating three for the greatness that it is

568
00:28:29,760 --> 00:28:31,280
Speaker 3: that everybody told us it was.

569
00:28:31,359 --> 00:28:33,719
Speaker 2: And it's so different from the first two seasons. I

570
00:28:33,760 --> 00:28:37,320
Speaker 2: have to think it's really quite different. How long did

571
00:28:37,359 --> 00:28:38,880
Speaker 2: it take to shoot an episode and how long did

572
00:28:38,880 --> 00:28:42,560
Speaker 2: you get to memorize your line? Sush songs. So, an

573
00:28:42,560 --> 00:28:47,480
Speaker 2: hour long episode of television is usually takes eight working

574
00:28:47,560 --> 00:28:53,760
Speaker 2: days to film. Ours usually took around ten, even though

575
00:28:53,760 --> 00:28:58,280
Speaker 2: it would be scheduled for eight. And I mean in

576
00:28:58,320 --> 00:29:00,760
Speaker 2: the beginning of the show, we had the episode maybe

577
00:29:00,800 --> 00:29:03,680
Speaker 2: a week in advance, and we could start learning our

578
00:29:03,720 --> 00:29:06,440
Speaker 2: lines as it got going. We would usually get a

579
00:29:06,480 --> 00:29:09,400
Speaker 2: script maybe the day before we started shooting the episode,

580
00:29:09,920 --> 00:29:12,800
Speaker 2: and then they'd usually then try to stagger when you're

581
00:29:12,840 --> 00:29:15,800
Speaker 2: shooting the songs so that we had time to go

582
00:29:15,840 --> 00:29:19,960
Speaker 2: record them. We honestly didn't have a lot of time

583
00:29:20,000 --> 00:29:22,960
Speaker 2: to learn the songs. I mean for me personally, I

584
00:29:23,040 --> 00:29:26,600
Speaker 2: would usually listen to them a couple times that they

585
00:29:26,600 --> 00:29:29,520
Speaker 2: were really hard. I would maybe try to sing through

586
00:29:29,520 --> 00:29:31,320
Speaker 2: some of the parts. But a lot of it was

587
00:29:31,400 --> 00:29:34,520
Speaker 2: learning it as we were actually recording it, just because

588
00:29:34,560 --> 00:29:37,200
Speaker 2: there wasn't time to really and there wasn't anywhere to go.

589
00:29:37,720 --> 00:29:41,920
Speaker 2: We were in these like if you come home from

590
00:29:41,920 --> 00:29:44,760
Speaker 2: a sixteen hour day, I wasn't going to start singing

591
00:29:46,520 --> 00:29:48,480
Speaker 2: and like Jenna's trying to sleep or something like that,

592
00:29:49,000 --> 00:29:50,959
Speaker 2: and we were in these trailers where there would be

593
00:29:52,120 --> 00:29:54,080
Speaker 2: triple bangers, so there'd be three of us, and the

594
00:29:54,120 --> 00:29:57,960
Speaker 2: walls are paper thin, so nobody is practicing singing in there,

595
00:29:58,560 --> 00:30:01,680
Speaker 2: so there was no real time time or physical space

596
00:30:01,720 --> 00:30:02,720
Speaker 2: to actually learn the thing.

597
00:30:02,960 --> 00:30:04,000
Speaker 1: Maybe in our cars.

598
00:30:04,520 --> 00:30:06,240
Speaker 2: Yeah, that was it, driving to him from set with

599
00:30:06,360 --> 00:30:07,840
Speaker 2: sort of it exactly.

600
00:30:08,480 --> 00:30:13,760
Speaker 3: Chips and saucer chips and guacamoli, guacamul chips and quak Yeah.

601
00:30:13,480 --> 00:30:15,440
Speaker 2: Uh, did either of you ever hook up with a

602
00:30:15,480 --> 00:30:16,040
Speaker 2: cast member?

603
00:30:16,800 --> 00:30:24,800
Speaker 4: Nope, Kevin, if no means yesterday, okay, Kevin, whatever you say.

604
00:30:25,040 --> 00:30:26,240
Speaker 2: Sorry, I'm just being messy.

605
00:30:26,560 --> 00:30:27,520
Speaker 1: You are being messy.

606
00:30:27,680 --> 00:30:29,600
Speaker 2: I had a nice tea today, so I'm feeling crazy.

607
00:30:31,320 --> 00:30:33,040
Speaker 3: What are some of you guys looking at outside of

608
00:30:33,080 --> 00:30:35,760
Speaker 3: the choir room window? So there's nothing, it's actually just

609
00:30:35,880 --> 00:30:40,480
Speaker 3: lights and would but uh, Eric Stults.

610
00:30:40,160 --> 00:30:43,680
Speaker 1: Would always make us do that because.

611
00:30:44,840 --> 00:30:47,280
Speaker 3: He thought it was be interesting for like us to

612
00:30:47,400 --> 00:30:48,840
Speaker 3: utilize the room in different ways.

613
00:30:48,840 --> 00:30:50,600
Speaker 1: He was always looking at the details.

614
00:30:50,960 --> 00:30:53,200
Speaker 2: Someone said to a podcast tour or a pop up show,

615
00:30:53,240 --> 00:30:55,840
Speaker 2: and I buy a special guest. Do people want that?

616
00:30:56,520 --> 00:30:57,240
Speaker 1: Tell us?

617
00:30:57,480 --> 00:30:57,880
Speaker 3: Yeah?

618
00:30:57,920 --> 00:31:00,000
Speaker 1: And if so, tell us where exactly?

619
00:31:01,160 --> 00:31:04,000
Speaker 3: Write in and say no, and then tell us where

620
00:31:04,040 --> 00:31:05,280
Speaker 3: you want us to be.

621
00:31:05,320 --> 00:31:10,640
Speaker 2: Tell us like, definitely don't come to this city. That

622
00:31:10,680 --> 00:31:12,800
Speaker 2: would be so much fun to do. I know, I

623
00:31:12,840 --> 00:31:17,000
Speaker 2: sure know if people show up. What were your go

624
00:31:17,040 --> 00:31:18,360
Speaker 2: to snacks on set?

625
00:31:18,680 --> 00:31:19,280
Speaker 1: Die Coke?

626
00:31:19,600 --> 00:31:24,600
Speaker 3: They always had like andy or stritos, you know, like

627
00:31:24,760 --> 00:31:27,160
Speaker 3: the little bags of stuff that like just get you.

628
00:31:27,520 --> 00:31:29,640
Speaker 1: Or we'd make Telly make us avocado toast.

629
00:31:30,040 --> 00:31:32,280
Speaker 2: Can you please talk to Amber for a full long

630
00:31:32,360 --> 00:31:35,120
Speaker 2: term episode? We need the good seat. Yes, it's coming,

631
00:31:35,720 --> 00:31:36,440
Speaker 2: don't you worry?

632
00:31:37,320 --> 00:31:40,160
Speaker 3: Are you guys scared to watch season five and six? Yes,

633
00:31:42,960 --> 00:31:47,040
Speaker 3: I definitely am. I'm excited. I feel like I've never

634
00:31:47,080 --> 00:31:50,080
Speaker 3: seen it. I actually don't think I've seen.

635
00:31:49,920 --> 00:31:52,200
Speaker 1: A lot of it. Oh, I gotta be honest.

636
00:31:53,240 --> 00:31:55,160
Speaker 2: I'm just scared because if it's not.

637
00:31:55,400 --> 00:31:57,320
Speaker 3: Great, I think it's going to be better than we think.

638
00:31:57,440 --> 00:31:59,600
Speaker 3: But it's gonna be weird, Like it's just going to

639
00:31:59,640 --> 00:32:04,680
Speaker 3: be weird, but like not still big budget, you know.

640
00:32:05,120 --> 00:32:08,400
Speaker 2: Yeah, I'm gonna try to not be judgmental. Okay, it's

641
00:32:08,400 --> 00:32:10,680
Speaker 2: hard for me. Where is the LINDA'SQ and E? Oh

642
00:32:10,720 --> 00:32:14,959
Speaker 2: it is coming, it's coming. Maybe what does the typical

643
00:32:15,000 --> 00:32:16,440
Speaker 2: hangout night for you to entail?

644
00:32:17,480 --> 00:32:21,000
Speaker 1: Well, we play the Catan, we make charcouterie boards.

645
00:32:22,600 --> 00:32:26,480
Speaker 2: Jenna and I get drunk, right, we drink mes cow,

646
00:32:26,800 --> 00:32:29,200
Speaker 2: and then David and Austin watch us, like, here they

647
00:32:29,200 --> 00:32:34,760
Speaker 2: go again. We compare to see if we have any

648
00:32:34,800 --> 00:32:38,320
Speaker 2: gossip for each other, right, anything, you know what's good?

649
00:32:38,600 --> 00:32:41,040
Speaker 2: But I'm very proud of us because Jenna and I

650
00:32:41,120 --> 00:32:43,560
Speaker 2: have both received bits of fairy.

651
00:32:43,280 --> 00:32:46,440
Speaker 3: Bale deparately but the same thing, and not shared it

652
00:32:46,440 --> 00:32:46,640
Speaker 3: with you.

653
00:32:46,840 --> 00:32:48,560
Speaker 2: I haven't shared it with one another until we're like

654
00:32:48,600 --> 00:32:49,760
Speaker 2: we're allowed to share it.

655
00:32:50,000 --> 00:32:51,680
Speaker 3: And then we're like, I have something and you're like,

656
00:32:51,720 --> 00:32:52,800
Speaker 3: I think I know the same thing.

657
00:32:53,400 --> 00:32:55,200
Speaker 2: Yes, I'm really proud of us.

658
00:32:56,840 --> 00:32:59,239
Speaker 3: If it's really like something that we're not supposed to tell.

659
00:33:00,000 --> 00:33:01,600
Speaker 3: We're both pretty trustworthy people.

660
00:33:01,720 --> 00:33:02,880
Speaker 1: Yes, well.

661
00:33:02,880 --> 00:33:05,600
Speaker 2: And it's also like if I know, I assume you

662
00:33:05,760 --> 00:33:07,560
Speaker 2: probably know, but I don't want to be the one

663
00:33:07,600 --> 00:33:13,120
Speaker 2: to like mess up and break the code. It's like

664
00:33:13,240 --> 00:33:15,120
Speaker 2: knowing in my head that you probably know makes it

665
00:33:15,160 --> 00:33:16,280
Speaker 2: feel like I've told you.

666
00:33:16,560 --> 00:33:19,720
Speaker 3: Right exactly, like I know, but we don't know that

667
00:33:19,800 --> 00:33:22,760
Speaker 3: we know. Yeah, you may not know. But we were

668
00:33:22,760 --> 00:33:27,200
Speaker 3: discussing on Glee Reddit. Was mister Shoe supposed to be

669
00:33:27,280 --> 00:33:27,720
Speaker 3: a villain?

670
00:33:30,880 --> 00:33:33,000
Speaker 2: You know what I think is the case of mister Shoe.

671
00:33:33,800 --> 00:33:42,120
Speaker 2: It's just time. Time changes people's years time, Yes, and

672
00:33:42,160 --> 00:33:44,480
Speaker 2: so I think when we look back, we're like, oh,

673
00:33:45,040 --> 00:33:51,120
Speaker 2: this person actually was the villain. This person's some crazy things,

674
00:33:52,200 --> 00:33:54,360
Speaker 2: and you see it in real life, you know, with

675
00:33:54,400 --> 00:33:57,400
Speaker 2: public figures, like oh we thought this person was great

676
00:33:57,440 --> 00:34:00,720
Speaker 2: in two thousand and seven, and I'm like, oh, maybe not.

677
00:34:01,440 --> 00:34:05,200
Speaker 3: These are all really good you guys. I wish we

678
00:34:05,240 --> 00:34:06,160
Speaker 3: could answer them all.

679
00:34:06,560 --> 00:34:07,600
Speaker 2: Well, we'll keep doing these.

680
00:34:07,880 --> 00:34:11,000
Speaker 3: Well, we'll save some for next for next time, or

681
00:34:11,120 --> 00:34:13,560
Speaker 3: just keep writing in your question that if you wanted

682
00:34:13,560 --> 00:34:14,600
Speaker 3: to be answered, I.

683
00:34:14,520 --> 00:34:17,160
Speaker 2: Will just end it on this one. Linda wrote in,

684
00:34:17,239 --> 00:34:19,960
Speaker 2: you guys look great. You don't age. Thank you Linda.

685
00:34:20,280 --> 00:34:20,600
Speaker 1: Thank you.

686
00:34:20,640 --> 00:34:20,920
Speaker 3: Linda.

687
00:34:22,440 --> 00:34:26,160
Speaker 2: Set us your venmo so I can pay you for

688
00:34:26,160 --> 00:34:30,240
Speaker 2: saying that. Thank you so much for all your thoughtful questions.

689
00:34:29,920 --> 00:34:32,799
Speaker 3: Yes, really good questions this time. And also thanks for

690
00:34:32,840 --> 00:34:37,919
Speaker 3: writing in and listening to our nonsense in our first

691
00:34:38,000 --> 00:34:40,319
Speaker 3: QA of twenty twenty four.

692
00:34:41,400 --> 00:34:45,480
Speaker 1: Thanks for joining us and come back again. We love you.

693
00:34:46,520 --> 00:34:48,920
Speaker 2: Maybe we'll talk about Clian, maybe we won't. That's what

694
00:34:48,960 --> 00:34:54,000
Speaker 2: you really missed. Thanks for listening and follow us on

695
00:34:54,040 --> 00:34:57,040
Speaker 2: Instagram at and that's what you really miss POD. Make

696
00:34:57,080 --> 00:34:59,400
Speaker 2: sure to write us a review and leave us five stars.

697
00:34:59,560 --> 00:35:00,239
Speaker 2: See next time.

698
00:35:00,560 --> 00:35:02,040
Speaker 3: Yeah, I