1 00:00:00,560 --> 00:00:03,760 Speaker 1: Welcome to Stuff You Missed in History Class from how 2 00:00:03,800 --> 00:00:14,200 Speaker 1: Stuff Works dot com. Hello, and welcome to the podcast. 3 00:00:14,320 --> 00:00:17,560 Speaker 1: I'm Katie Lambert and I'm Sarah Downy. And something you 4 00:00:17,680 --> 00:00:20,400 Speaker 1: may not know is that Sarah and I are actually 5 00:00:20,400 --> 00:00:23,720 Speaker 1: friends in real life. And we had a class together 6 00:00:23,840 --> 00:00:27,000 Speaker 1: in college with one of our very favorite professors, Dr 7 00:00:27,080 --> 00:00:30,479 Speaker 1: Hubert mc alexander. And that's where I was introduced to 8 00:00:30,640 --> 00:00:34,680 Speaker 1: the poet Heart Crane. And Crane had a fascination with 9 00:00:34,760 --> 00:00:37,680 Speaker 1: a certain cinema star so much that he wrote a 10 00:00:37,680 --> 00:00:40,080 Speaker 1: poem about him and once had the chance to meet 11 00:00:40,159 --> 00:00:43,519 Speaker 1: him where they partied till dawn. And if you're wondering 12 00:00:43,560 --> 00:00:46,559 Speaker 1: who this man was, he is a listener favorite. We've 13 00:00:46,600 --> 00:00:50,760 Speaker 1: gotten so many requests for Charlie Chaplin. Charlie Chaplin was 14 00:00:50,960 --> 00:00:54,080 Speaker 1: known to us for his Little Tramp character, which PBS 15 00:00:54,200 --> 00:00:58,760 Speaker 1: is American Masters described as a well meaning man in 16 00:00:58,800 --> 00:01:02,440 Speaker 1: a raggedy suit with hane always found himself wobbling into 17 00:01:02,440 --> 00:01:07,399 Speaker 1: awkward situations and miraculously wobbling away. He was also known 18 00:01:07,480 --> 00:01:11,040 Speaker 1: for being a perfectionist to the point of complete control freak, 19 00:01:11,560 --> 00:01:14,920 Speaker 1: and possibly the greatest actor ever. So let's get to 20 00:01:14,959 --> 00:01:18,800 Speaker 1: know our man Charlie Chaplin was born at Charles Spencer 21 00:01:18,920 --> 00:01:22,840 Speaker 1: Chaplin in London on April six, eighteen eighty nine, and 22 00:01:22,920 --> 00:01:26,080 Speaker 1: his mother, Hannah, was an actress who was also mentally 23 00:01:26,080 --> 00:01:30,320 Speaker 1: ill um She had some bizarre stories about her her 24 00:01:30,360 --> 00:01:34,720 Speaker 1: life pre Chaplain. She had one about eloping with this 25 00:01:34,880 --> 00:01:38,160 Speaker 1: lord and living on a South African plantation, which is 26 00:01:38,200 --> 00:01:42,240 Speaker 1: how she got Charles's half brother, Sydney. But whatever, you know, 27 00:01:42,240 --> 00:01:45,560 Speaker 1: it's maybe true, maybe not, but either way she ended 28 00:01:45,640 --> 00:01:49,200 Speaker 1: up marrying one Charles Chaplin, who was a singer, shortly 29 00:01:49,240 --> 00:01:51,240 Speaker 1: after Sydney was born, which was a bit of a 30 00:01:51,280 --> 00:01:55,200 Speaker 1: scandal to his family and our Charlie Chaplin didn't think 31 00:01:55,280 --> 00:01:58,200 Speaker 1: this Chaplain was his father for the rest of his life, 32 00:01:58,280 --> 00:02:01,720 Speaker 1: and indeed Hannah did have a weakness for affairs with men, 33 00:02:01,880 --> 00:02:05,280 Speaker 1: so who knows. But they separated when he was young, 34 00:02:05,440 --> 00:02:08,360 Speaker 1: and although the couple had been successful for a time, 35 00:02:08,480 --> 00:02:11,600 Speaker 1: both on the stage, they ended up very poor. They 36 00:02:11,600 --> 00:02:15,240 Speaker 1: weren't even sleeping in beds. His mom turned to evangelical 37 00:02:15,280 --> 00:02:19,240 Speaker 1: religion and wasn't very good with money, and his father 38 00:02:19,440 --> 00:02:23,320 Speaker 1: was alcoholic and estranged, and that at giving them money. 39 00:02:23,680 --> 00:02:26,520 Speaker 1: So the boys, little Sydney and Charles end up in 40 00:02:26,520 --> 00:02:30,120 Speaker 1: a workhouse, and Chaplin later said it wasn't so bad. 41 00:02:30,240 --> 00:02:33,600 Speaker 1: He just daydreamed about being in parliament. But from there 42 00:02:33,639 --> 00:02:36,639 Speaker 1: he moves on to an orphanage where they really try 43 00:02:36,720 --> 00:02:40,399 Speaker 1: to crush his spirit. So they ended up in more workhouses, 44 00:02:40,480 --> 00:02:43,119 Speaker 1: and then living with their father, the drunk, and then 45 00:02:43,600 --> 00:02:47,000 Speaker 1: living with their mother in bad circumstances, basically his dirty 46 00:02:47,000 --> 00:02:50,920 Speaker 1: little ragmuffins. So you have to picture him here. You know, 47 00:02:50,919 --> 00:02:54,040 Speaker 1: he's once part of the middle class with a very 48 00:02:54,120 --> 00:02:57,800 Speaker 1: successful father, and then he's poor and ashamed of his 49 00:02:57,919 --> 00:03:01,440 Speaker 1: poverty with a semi famous hollic father who didn't really 50 00:03:01,440 --> 00:03:04,399 Speaker 1: support them and died when he was young. And then 51 00:03:04,440 --> 00:03:06,800 Speaker 1: we also have a mother who loved him but couldn't 52 00:03:06,840 --> 00:03:08,600 Speaker 1: take care of him and spent a lot of her 53 00:03:08,600 --> 00:03:12,360 Speaker 1: time in mental hospitals. So this is where Charlie Chaplin 54 00:03:12,440 --> 00:03:15,360 Speaker 1: came from. And uh, kind of like some of our 55 00:03:15,440 --> 00:03:18,880 Speaker 1: vaudeville stars we mentioned earlier, these the sad kind of 56 00:03:18,960 --> 00:03:23,560 Speaker 1: childhood eventually drives the kids to the stage, and young 57 00:03:23,800 --> 00:03:27,280 Speaker 1: Charlie was a clog dancer with the Eight Lancashire Lads, 58 00:03:27,320 --> 00:03:29,960 Speaker 1: which is a great way to enter show business. I 59 00:03:30,000 --> 00:03:33,480 Speaker 1: think he also learned a lot about pantomime, but his 60 00:03:33,560 --> 00:03:36,880 Speaker 1: break came through his brother's sid He played a role 61 00:03:36,920 --> 00:03:40,120 Speaker 1: in Jim, a romance of Cockaine, and then in a 62 00:03:40,200 --> 00:03:43,960 Speaker 1: touring play Sherlock Holmes. He played a cockney boy in both. 63 00:03:44,440 --> 00:03:46,680 Speaker 1: But by the time he was seventeen, he had hit 64 00:03:46,760 --> 00:03:50,080 Speaker 1: that uh kind of rough period for a child star. 65 00:03:50,400 --> 00:03:52,960 Speaker 1: You know, too old to play kids parts, too young 66 00:03:53,000 --> 00:03:55,400 Speaker 1: to play adults, and we know how that usually turns out. 67 00:03:55,480 --> 00:03:57,920 Speaker 1: But he manages to pull through, and he ends up 68 00:03:57,920 --> 00:04:01,880 Speaker 1: in a production called Casey's Were to Circus, and that's 69 00:04:01,880 --> 00:04:05,320 Speaker 1: where he accidentally discovered how to be funny. He came 70 00:04:05,800 --> 00:04:09,280 Speaker 1: out on stage very serious and had this serious rendition 71 00:04:09,720 --> 00:04:13,040 Speaker 1: planned of the role he wanted to play, but everything 72 00:04:13,080 --> 00:04:15,760 Speaker 1: went wrong. His hat fell down over his face and 73 00:04:15,800 --> 00:04:19,920 Speaker 1: he dropped things, and he realized that you laugh because 74 00:04:19,920 --> 00:04:24,360 Speaker 1: it's unexpected. Those little nervous shocks make you laugh. And 75 00:04:24,560 --> 00:04:27,919 Speaker 1: soon enough he's on the vaudeville stage and he makes 76 00:04:27,920 --> 00:04:30,119 Speaker 1: his way to the United States where he becomes a star, 77 00:04:30,360 --> 00:04:33,760 Speaker 1: and famous words from the head of his touring company, 78 00:04:33,960 --> 00:04:37,760 Speaker 1: Fred Carnot, where keep it wistful, gentleman, Keep it wistful. 79 00:04:37,800 --> 00:04:40,760 Speaker 1: And that's something that when he he does forget that, 80 00:04:40,920 --> 00:04:43,440 Speaker 1: his career kind of goes astray, right, but that later 81 00:04:43,480 --> 00:04:46,360 Speaker 1: becomes such a part of the Tramp character, making it 82 00:04:46,400 --> 00:04:49,640 Speaker 1: funny but but sweet. And he gained this reputation for 83 00:04:49,760 --> 00:04:52,839 Speaker 1: being eccentric, but that didn't keep him from being signed 84 00:04:52,880 --> 00:04:56,320 Speaker 1: with Max Sennett and Keystone Studios, which is where he 85 00:04:56,320 --> 00:04:59,559 Speaker 1: would start making film. And he never thought that he'd 86 00:04:59,640 --> 00:05:01,919 Speaker 1: stay in film. He thought it was a bit of 87 00:05:01,920 --> 00:05:04,520 Speaker 1: a fad that would go out of style. But he 88 00:05:04,560 --> 00:05:08,400 Speaker 1: starts acting and his first film experience isn't what he expected. 89 00:05:09,000 --> 00:05:11,400 Speaker 1: He thought movies would be like a stage blow. You 90 00:05:11,400 --> 00:05:13,240 Speaker 1: would act it out in front of a camera, you know, 91 00:05:13,240 --> 00:05:15,080 Speaker 1: film the whole thing and then start to finish. That 92 00:05:15,120 --> 00:05:17,880 Speaker 1: would be it. But of course that's not how it works. 93 00:05:17,920 --> 00:05:19,960 Speaker 1: You film things out of order, some of it's done 94 00:05:20,240 --> 00:05:23,760 Speaker 1: very quickly, and he was really disconcerted by the whole thing. 95 00:05:23,920 --> 00:05:27,080 Speaker 1: So in this film, he basically just fell off a ladder. 96 00:05:27,160 --> 00:05:29,280 Speaker 1: No one thought he was very good, and he wanted 97 00:05:29,320 --> 00:05:33,159 Speaker 1: to quit, but of course he doesn't. And he thinks 98 00:05:33,160 --> 00:05:37,320 Speaker 1: of the character the Tramp. And remember that Chaplin had 99 00:05:37,360 --> 00:05:40,560 Speaker 1: a lot of experience with a shift in class, you know, 100 00:05:40,640 --> 00:05:44,520 Speaker 1: going from respectable middle class to living in the workhouse, 101 00:05:45,040 --> 00:05:49,279 Speaker 1: and he tries to to keep some dignity in his 102 00:05:49,320 --> 00:05:52,520 Speaker 1: portrayal of being poor. So the Tramp from years in 103 00:05:52,680 --> 00:05:57,280 Speaker 1: Mabel's Strange Predicament, which is actually a pretty risque film, 104 00:05:57,440 --> 00:06:00,719 Speaker 1: and his early work is Super two said you wouldn't 105 00:06:00,720 --> 00:06:02,920 Speaker 1: he it's not the tramp that you would think of 106 00:06:03,360 --> 00:06:07,120 Speaker 1: it entirely unlikable character in those early ones. But to 107 00:06:07,160 --> 00:06:09,800 Speaker 1: give you an idea of what his workpace was like, 108 00:06:09,960 --> 00:06:13,520 Speaker 1: in nineteen fourteen alone, he made thirty five short films, 109 00:06:13,640 --> 00:06:16,640 Speaker 1: so it was pretty crazy. And again he wasn't used 110 00:06:16,680 --> 00:06:20,560 Speaker 1: to how this whole system worked, which is part of 111 00:06:20,560 --> 00:06:23,240 Speaker 1: the reason that made him so hard to work with. 112 00:06:23,320 --> 00:06:27,160 Speaker 1: He was very resistant to direction, incredibly picky about how 113 00:06:27,200 --> 00:06:30,400 Speaker 1: shots were set up, and he wanted constant reshoots, which 114 00:06:30,440 --> 00:06:33,279 Speaker 1: was really expensive and just not the way that things 115 00:06:33,440 --> 00:06:37,080 Speaker 1: were done. But he does work on developing his comedy, 116 00:06:37,440 --> 00:06:40,479 Speaker 1: bringing more empathy to it, and in nineteen fifteen he 117 00:06:40,560 --> 00:06:43,520 Speaker 1: leaves Keystone for a higher salary with a company called 118 00:06:43,760 --> 00:06:46,760 Speaker 1: sen A, and he leaves them for way more money 119 00:06:46,800 --> 00:06:50,839 Speaker 1: at the mutual company Film Corporation. His annual salary is 120 00:06:51,279 --> 00:06:55,479 Speaker 1: six hundred and seventy thousand dollars. But we want to 121 00:06:55,480 --> 00:06:57,920 Speaker 1: talk a little bit more about what he was like 122 00:06:58,600 --> 00:07:01,440 Speaker 1: to work with. As we mentioned for he was very demanding, 123 00:07:01,520 --> 00:07:05,440 Speaker 1: obsessed with every tiny detail and every actor's performance. He 124 00:07:05,480 --> 00:07:08,719 Speaker 1: wanted to walk through every scene and criticize what you 125 00:07:08,760 --> 00:07:12,200 Speaker 1: were doing. He took hundreds of takes and fired actors 126 00:07:12,320 --> 00:07:14,440 Speaker 1: right in the middle of things. But of course it 127 00:07:14,480 --> 00:07:17,400 Speaker 1: paid off because his films were great. He also did 128 00:07:17,480 --> 00:07:20,720 Speaker 1: a lot of improvisation on a bare bones script, which 129 00:07:20,720 --> 00:07:23,560 Speaker 1: is pretty cool, and according to Time, he was the 130 00:07:23,640 --> 00:07:26,760 Speaker 1: first and to date the last person to control every 131 00:07:26,800 --> 00:07:30,720 Speaker 1: aspect of the filmmaking process, founding his own studio united 132 00:07:30,800 --> 00:07:34,200 Speaker 1: Artists with Douglas Fairbanks, Mary Pickford and d W Griffith 133 00:07:34,640 --> 00:07:38,840 Speaker 1: in producing, casting, directing, writing, scoring, and editing the movies 134 00:07:38,920 --> 00:07:42,200 Speaker 1: he started. So that's that's Those are some big shoes 135 00:07:42,200 --> 00:07:45,760 Speaker 1: to the One Man Band. He was described as very 136 00:07:45,840 --> 00:07:48,640 Speaker 1: intense and self absorbed by most of the people who 137 00:07:48,680 --> 00:07:51,280 Speaker 1: knew him. That he was also very sweet and his 138 00:07:51,400 --> 00:07:57,280 Speaker 1: comedy was smart. Again. According to PBS's American Masters, for Chaplin, 139 00:07:57,360 --> 00:07:59,680 Speaker 1: the best way to locate the humor or pathos of 140 00:07:59,680 --> 00:08:03,200 Speaker 1: a stuation was to create an environment and walk around 141 00:08:03,240 --> 00:08:06,600 Speaker 1: it until something natural happened. And that's a really good 142 00:08:06,600 --> 00:08:09,280 Speaker 1: way of summing up a lot of his films, and 143 00:08:09,320 --> 00:08:12,000 Speaker 1: we should talk about some of his most famous pictures. 144 00:08:12,600 --> 00:08:16,960 Speaker 1: Chaplain's first feature film was The Kid from nineteen one, 145 00:08:17,040 --> 00:08:20,480 Speaker 1: where most of us know that plot. A woman abandons 146 00:08:20,520 --> 00:08:23,080 Speaker 1: her baby plans to kill herself, but she ends up 147 00:08:23,120 --> 00:08:26,080 Speaker 1: becoming an opera star and always looking for her son 148 00:08:26,200 --> 00:08:29,160 Speaker 1: and the Tramp has been raising the baby all along, surprise, 149 00:08:29,280 --> 00:08:32,880 Speaker 1: and it's a huge hit and really kicks off his 150 00:08:32,960 --> 00:08:37,560 Speaker 1: film career. Another biggie is The gold Rush n and 151 00:08:38,080 --> 00:08:40,160 Speaker 1: this was the film that he said he wanted to 152 00:08:40,200 --> 00:08:43,960 Speaker 1: be remembered for. It's often considered his masterpiece. He made 153 00:08:44,000 --> 00:08:47,960 Speaker 1: it with United Artists, and the plot is that he's 154 00:08:48,000 --> 00:08:50,800 Speaker 1: the Tramp again, this time during the gold rush in Alaska. 155 00:08:51,360 --> 00:08:54,040 Speaker 1: He falls in love and there's a famous scene where 156 00:08:54,080 --> 00:08:57,560 Speaker 1: he eats his own boot for Thanksgiving dinner, which he 157 00:08:57,640 --> 00:09:00,360 Speaker 1: carves and shares with the Big Jim Carrot Her. You 158 00:09:00,360 --> 00:09:02,880 Speaker 1: can see this clip on TCM dot com if you 159 00:09:02,960 --> 00:09:05,719 Speaker 1: search for it. I was thinking hot ham Water might 160 00:09:05,760 --> 00:09:08,080 Speaker 1: be better, but nobody asks. This is actually the film 161 00:09:08,120 --> 00:09:11,080 Speaker 1: that I watched for a third grade class project, I'm 162 00:09:11,160 --> 00:09:14,720 Speaker 1: Charlie Chaplin, which I also made a clay sculpture that 163 00:09:14,800 --> 00:09:17,120 Speaker 1: my dad still has. And you discovered that the movie 164 00:09:17,200 --> 00:09:21,320 Speaker 1: Chaplin was perhaps not properly good for like an eight 165 00:09:21,400 --> 00:09:25,040 Speaker 1: year old kid, but the gold rushes. And his next 166 00:09:25,160 --> 00:09:28,400 Speaker 1: big film was City Lights in nineteen thirty and in 167 00:09:28,520 --> 00:09:31,640 Speaker 1: this one, the tramp helps cure a blind girl of 168 00:09:31,640 --> 00:09:35,440 Speaker 1: her blindness and he's in love, but once she sees 169 00:09:35,520 --> 00:09:38,480 Speaker 1: who he is, she isn't. And this is called by 170 00:09:38,520 --> 00:09:43,320 Speaker 1: some the most romantic seen in film history. And this 171 00:09:43,360 --> 00:09:47,240 Speaker 1: one was a compromise between the silent movies and the talkies. 172 00:09:47,320 --> 00:09:49,520 Speaker 1: He held out for a long time in the silent 173 00:09:49,559 --> 00:09:52,080 Speaker 1: film and did well. It was a good bet. And 174 00:09:52,080 --> 00:09:54,720 Speaker 1: in this one he didn't talk, but there was music 175 00:09:54,920 --> 00:09:57,920 Speaker 1: and sound effects, so it was kind of easing into 176 00:09:57,960 --> 00:10:01,480 Speaker 1: the idea. Yeah, he finally spoke in The Great Dictator 177 00:10:01,520 --> 00:10:05,200 Speaker 1: from nineteen forty and he played two roles, a tramp 178 00:10:05,280 --> 00:10:09,000 Speaker 1: like Jewish barber and a Hitler figure named Adnoid Hinkel. 179 00:10:09,520 --> 00:10:12,160 Speaker 1: And to give a little context, this is when a 180 00:10:12,200 --> 00:10:14,200 Speaker 1: lot of people thought that maybe we should try to 181 00:10:14,240 --> 00:10:18,000 Speaker 1: work with Hitler, and according to Roger Ebert, it prophesied 182 00:10:18,080 --> 00:10:21,120 Speaker 1: the persecution of the Jews and the scenes of stormtroopers 183 00:10:21,200 --> 00:10:23,679 Speaker 1: terrorizing the ghetto or thought at the time to go 184 00:10:23,800 --> 00:10:27,360 Speaker 1: too far. What a sad joke that seems today. And 185 00:10:27,360 --> 00:10:30,200 Speaker 1: in one scene, the Hankel character tries to rip up 186 00:10:30,200 --> 00:10:33,280 Speaker 1: a bunch of spaghetti, saying that's how he'll destroy his enemies, 187 00:10:33,280 --> 00:10:36,360 Speaker 1: but he can't actually do it. It is a very 188 00:10:36,440 --> 00:10:40,280 Speaker 1: cruel satire and very spot on. He's a wholly unlikable character, 189 00:10:40,480 --> 00:10:43,520 Speaker 1: and the film starts off with this quote. This is 190 00:10:43,559 --> 00:10:46,960 Speaker 1: the story of the period between two world wars and interim, 191 00:10:47,040 --> 00:10:50,520 Speaker 1: during which insanity cut loose, liberty took a nose dive, 192 00:10:50,600 --> 00:10:54,880 Speaker 1: and humanity was kicked around somewhat. And Chaplin was very political, 193 00:10:54,960 --> 00:10:57,000 Speaker 1: as we'll learn a little bit later in the podcast. 194 00:10:57,960 --> 00:11:01,960 Speaker 1: In nineteen forty seven he changed characters dramatically and Monsieur 195 00:11:02,120 --> 00:11:05,560 Speaker 1: verdou he didn't play the tramp and instead he played 196 00:11:05,600 --> 00:11:09,400 Speaker 1: a serial killer, actually one who marries women and kills 197 00:11:09,440 --> 00:11:12,400 Speaker 1: them for their insurance money to support his own family, 198 00:11:12,480 --> 00:11:16,760 Speaker 1: so basically a total blue beard. The concept was actually 199 00:11:16,840 --> 00:11:20,040 Speaker 1: orson Wells's idea and based on a real French serial 200 00:11:20,120 --> 00:11:22,839 Speaker 1: killer on real and Drew, but the film did not 201 00:11:23,040 --> 00:11:26,640 Speaker 1: go over well. And around this time Chaplain was embroiled 202 00:11:26,640 --> 00:11:29,920 Speaker 1: in a paternity suit and considered a communist, and there 203 00:11:29,960 --> 00:11:33,360 Speaker 1: was all this controversy and people didn't like him playing 204 00:11:33,360 --> 00:11:36,960 Speaker 1: somebody who wasn't the Tramp. No. My favorite contemporary review 205 00:11:37,080 --> 00:11:41,480 Speaker 1: just started with Chaplin generates little sympathy. It's very dry 206 00:11:41,720 --> 00:11:44,600 Speaker 1: and cracked me up. It is a very dark film. 207 00:11:44,679 --> 00:11:47,160 Speaker 1: One line from Al river Do in the film says, 208 00:11:47,800 --> 00:11:51,360 Speaker 1: wars conflict. It's all business. One murder makes a villain, 209 00:11:51,520 --> 00:11:54,960 Speaker 1: millions a hero, numbers sanctify my good fellow. So it 210 00:11:55,000 --> 00:11:57,560 Speaker 1: was anti war and it's also known as being an 211 00:11:57,600 --> 00:12:01,480 Speaker 1: anti capitalist film, which seven not a good time for 212 00:12:01,559 --> 00:12:04,680 Speaker 1: the ihole. And as far as his personal life goes, 213 00:12:04,720 --> 00:12:08,040 Speaker 1: it was a bit messy, to say the least. In 214 00:12:08,120 --> 00:12:11,720 Speaker 1: nineteen eighteen he married a sixteen year old Mildred Harris. 215 00:12:11,760 --> 00:12:15,160 Speaker 1: That didn't last, and in nineteen twenty four he married 216 00:12:15,200 --> 00:12:18,200 Speaker 1: another teenager, Lida Gray, with whom he had a very 217 00:12:18,280 --> 00:12:23,160 Speaker 1: bitter divorce. It's possible that their story inspired Lolita. According 218 00:12:23,200 --> 00:12:26,560 Speaker 1: to the biographer who wrote Tramp, The Life of Charlie Chaplin, 219 00:12:27,000 --> 00:12:29,719 Speaker 1: Joyce Milton, and I got some very good details from 220 00:12:29,720 --> 00:12:33,040 Speaker 1: her book. He has another marriage to Paulett Goddard, and 221 00:12:33,160 --> 00:12:36,880 Speaker 1: she describes him as being difficult but charming and that 222 00:12:37,200 --> 00:12:40,360 Speaker 1: genius can be rather difficult to live with. And he 223 00:12:40,400 --> 00:12:45,000 Speaker 1: has several affairs, including one with Poland Negri, who Katie's 224 00:12:45,040 --> 00:12:47,440 Speaker 1: interested in. I really like her, and she wrote about 225 00:12:47,480 --> 00:12:50,800 Speaker 1: it in Memoirs of a Star. And you might remember 226 00:12:50,920 --> 00:12:54,920 Speaker 1: a mention from our William Hurst podcast about him being 227 00:12:55,040 --> 00:12:57,840 Speaker 1: on the yacht with Marian Davies when there was that 228 00:12:58,120 --> 00:13:00,960 Speaker 1: mysterious murder, and that per hops he was having an 229 00:13:00,960 --> 00:13:04,839 Speaker 1: affair with Davy maybe, but he also had a fraternity 230 00:13:04,880 --> 00:13:08,000 Speaker 1: suit with Joan Barry and this is so strange. But 231 00:13:08,080 --> 00:13:11,280 Speaker 1: the child was proven not to actually be his, you know, 232 00:13:11,320 --> 00:13:15,520 Speaker 1: according to blood evidence, but blood evidence wasn't admissible in court, 233 00:13:15,880 --> 00:13:19,440 Speaker 1: so the court makes him pay, and then a second 234 00:13:19,440 --> 00:13:23,640 Speaker 1: trial happens where the exact same thing goes down. You know, 235 00:13:23,679 --> 00:13:25,839 Speaker 1: they find it's not his child, but he still has 236 00:13:25,880 --> 00:13:28,640 Speaker 1: to pay. So paying for someone else's babyest to hurt 237 00:13:28,640 --> 00:13:31,480 Speaker 1: a little bit. But the American public did not approve 238 00:13:31,559 --> 00:13:35,080 Speaker 1: of this whole thing, or his womanizing in general. And 239 00:13:35,160 --> 00:13:38,200 Speaker 1: that's not all they didn't approve of. He had some 240 00:13:38,400 --> 00:13:41,880 Speaker 1: very lefty politics and he was investigated by the House 241 00:13:41,920 --> 00:13:46,720 Speaker 1: an American Activities Committee for being a supposed Communist sympathizer 242 00:13:46,800 --> 00:13:49,360 Speaker 1: for some things he said during World War Two. He 243 00:13:49,440 --> 00:13:52,440 Speaker 1: thought we should help the Soviet Union on a second front, 244 00:13:52,840 --> 00:13:55,960 Speaker 1: and people didn't like that. He hadn't seen service during 245 00:13:55,960 --> 00:13:57,880 Speaker 1: World War two, or at least gone on some sort 246 00:13:57,920 --> 00:14:01,800 Speaker 1: of entertainment tour. A lot of the stars at the 247 00:14:01,840 --> 00:14:06,720 Speaker 1: time did, and j Edgar Hoover kept a two thousand 248 00:14:06,800 --> 00:14:09,880 Speaker 1: page dossier on him and had his name down as 249 00:14:10,040 --> 00:14:14,480 Speaker 1: Israel Fonstein, a Jew, which brings us to a question 250 00:14:14,480 --> 00:14:18,040 Speaker 1: that's been asked many times whether he was Jewish or not. 251 00:14:18,400 --> 00:14:20,680 Speaker 1: During his own time, he wouldn't say yes or no, 252 00:14:20,960 --> 00:14:24,160 Speaker 1: because he said that would be playing into anti Semite hands. 253 00:14:24,840 --> 00:14:28,000 Speaker 1: But his political views were so controversial that after he 254 00:14:28,040 --> 00:14:31,160 Speaker 1: went to London from one of his premiers, he wasn't 255 00:14:31,160 --> 00:14:35,120 Speaker 1: allowed back into the United States. So he became a 256 00:14:35,160 --> 00:14:39,080 Speaker 1: little bitter about this incident, a little disenchanted with the US, 257 00:14:39,120 --> 00:14:42,960 Speaker 1: and he moved to Switzerland. But you know, it's not 258 00:14:43,040 --> 00:14:47,040 Speaker 1: a terribly unhappy ending. In Switzerland, he marries Una O'Neill, 259 00:14:47,160 --> 00:14:50,200 Speaker 1: who is the playwright Eugene O'Neill's daughter when he's in 260 00:14:50,240 --> 00:14:52,680 Speaker 1: his fifties and she's eighteen. He really does have a 261 00:14:52,720 --> 00:14:56,720 Speaker 1: thing for teenagers, but they're quite happy together. They live 262 00:14:56,920 --> 00:14:59,920 Speaker 1: in Switzerland and they have eight children. And he does 263 00:15:00,160 --> 00:15:03,400 Speaker 1: end up returning to the US for an honorary Oscar 264 00:15:03,840 --> 00:15:06,960 Speaker 1: and he gets a twelve minute ovation which is to 265 00:15:07,080 --> 00:15:10,600 Speaker 1: record the longest ovation at the Oscars, and he ended 266 00:15:10,680 --> 00:15:13,800 Speaker 1: up being knighted by the Queen in England. But he 267 00:15:13,920 --> 00:15:18,120 Speaker 1: died Christmas Day in nineteen seventy seven and his body 268 00:15:18,440 --> 00:15:22,480 Speaker 1: was stolen from his Swiss cemetery by thieves. It was 269 00:15:22,560 --> 00:15:27,520 Speaker 1: later returned and reburied, but still exhumation. In our podcast 270 00:15:27,560 --> 00:15:32,560 Speaker 1: Exhamation and Dreams. And to end where we started, we'll 271 00:15:32,560 --> 00:15:35,840 Speaker 1: give you a quote from Hart Crane's chaplain esque. We 272 00:15:35,880 --> 00:15:38,760 Speaker 1: will side step and to the final smirk, dally the 273 00:15:38,800 --> 00:15:42,040 Speaker 1: doom of that inevitable thumb that slowly chafes its puckered 274 00:15:42,040 --> 00:15:45,800 Speaker 1: index toward us facing the dull squint with what innocence 275 00:15:45,960 --> 00:15:49,440 Speaker 1: and what surprise? And that brings us to our listener 276 00:15:49,520 --> 00:15:55,920 Speaker 1: mail today. This is an email from James who was 277 00:15:56,000 --> 00:15:58,800 Speaker 1: on his way to Vienna when he wrote us. He 278 00:15:59,000 --> 00:16:01,840 Speaker 1: did mention that our podcast keeps him from losing his 279 00:16:01,880 --> 00:16:04,480 Speaker 1: mind at work and called us saints. But Sant Katie 280 00:16:04,480 --> 00:16:06,520 Speaker 1: I like that. Yeah, Thank Katie and St. Sarah. But 281 00:16:06,920 --> 00:16:09,440 Speaker 1: um he did write in your podcast on the Book 282 00:16:09,480 --> 00:16:12,280 Speaker 1: of Kells you incorrectly said that the Latin Vulgate Bible 283 00:16:12,400 --> 00:16:15,480 Speaker 1: is the basis for English translations today. Though it was 284 00:16:15,520 --> 00:16:18,400 Speaker 1: a key source for the King James version translated in 285 00:16:18,440 --> 00:16:22,120 Speaker 1: sixteen eleven, most of the King James version, as well 286 00:16:22,160 --> 00:16:25,640 Speaker 1: as all modern Bible translations, used the Greek in Hebrew 287 00:16:25,680 --> 00:16:29,600 Speaker 1: text as primary sources. The first English translation made by 288 00:16:29,680 --> 00:16:33,360 Speaker 1: John Wycliffe was a translation of the Vulgate into English 289 00:16:33,400 --> 00:16:37,120 Speaker 1: in two So a little more background information for those 290 00:16:37,680 --> 00:16:41,000 Speaker 1: monks scribbling away of the Book of Kills, and if 291 00:16:41,040 --> 00:16:44,880 Speaker 1: you like to email us any corrections or comments or suggestions, 292 00:16:45,320 --> 00:16:48,880 Speaker 1: It's history podcast at how stuff works dot com. You 293 00:16:48,920 --> 00:16:51,280 Speaker 1: can also follow us on Twitter at misst in history 294 00:16:51,400 --> 00:16:54,560 Speaker 1: or join our Facebook fan page. But we'd like to 295 00:16:54,680 --> 00:16:57,920 Speaker 1: end with an interesting side note about our buddy Chaplin. 296 00:16:58,800 --> 00:17:01,760 Speaker 1: His films might be good for your health. To completely 297 00:17:01,800 --> 00:17:06,120 Speaker 1: exaggerate the claims of one study in the study, breastfeeding 298 00:17:06,160 --> 00:17:10,520 Speaker 1: mothers watching Chaplin films laughed quite a bit, which upped 299 00:17:10,560 --> 00:17:15,520 Speaker 1: their melotona levels and decreased their babies allergic responses. So 300 00:17:16,240 --> 00:17:19,560 Speaker 1: Reno chaplain and if you're interested in learning a little 301 00:17:19,560 --> 00:17:22,960 Speaker 1: more about that, we have an article called does Breastfeeding 302 00:17:23,000 --> 00:17:26,000 Speaker 1: Make Better Babies? By our own Molly Edmunds of Stuff 303 00:17:26,040 --> 00:17:28,399 Speaker 1: Mom Never Told You, and you can search for it 304 00:17:28,480 --> 00:17:33,640 Speaker 1: on our homepage at www dot house stuff works dot com. 305 00:17:33,680 --> 00:17:36,200 Speaker 1: For more on this and thousands of other topics, visit 306 00:17:36,240 --> 00:17:38,520 Speaker 1: how stuff works dot com and be sure to check 307 00:17:38,520 --> 00:17:40,720 Speaker 1: out the stuff you missed in History Glass Blog on 308 00:17:40,840 --> 00:17:56,200 Speaker 1: the how stuff works dot com home page