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Speaker 1: It looks to sit down. Didn't come to the most

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Speaker 1: prominent form. Wait, y ass up early in the morning,

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Speaker 1: but they tell me it was y'all. I said, oh,

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Speaker 1: hell yeah, I'm getting the stage jos water Ship three

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Speaker 1: people's choice actually got Joma made. People who can't believe

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Speaker 1: you guys are the basket. If we know that breakfast

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Speaker 1: club petitions good minding you as a yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo go

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Speaker 1: yo goo yo yo yo yo yo yo yo Happy

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Speaker 1: Memorial Day every Memorial Day. I hope y'all enjoyed the weekend.

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Speaker 1: Just remember that when you out here getting fat eating

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Speaker 1: all that cookout food, it's a real veteran who fought

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Speaker 1: in the water for your ass who didn't get the

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Speaker 1: eating up in this weekend. Okay, damn that country. This

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Speaker 1: is when this country pisses me off, because if you

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Speaker 1: went to go fight for this country and you're homeless,

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Speaker 1: now that's a damn shame. Veteran should at least get

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Speaker 1: free room and board and she didn't have to pay

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Speaker 1: taxes for the rest of their life, and she'd get

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Speaker 1: a stipend every month that's just my personal opinion. All right,

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Speaker 1: that would be awesome. Maybe you can make that happen

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Speaker 1: one day. All right, Well, Charlottage, how was your weekend?

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Speaker 1: It was good. I didn't do nothing, Like, I didn't

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Speaker 1: have to go anywhere I was. I was here minding

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Speaker 1: my business. I was relaxed. That's always nice. I was

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Speaker 1: in Saint Martin, had a great time. Yeah. And then

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Speaker 1: last night shout out to my boys. Shot was his birthday,

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Speaker 1: so I was with him at the palace. Yeah. I

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Speaker 1: just been. I mean, I rested this weekend because I'm

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Speaker 1: gonna be out and about a lot this week. I'll

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Speaker 1: be in Concord, North Carolina, which is like right outside

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Speaker 1: of Charlotte. I'll be there on Wednesday, May thirty first,

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Speaker 1: at the Books a Million and Concord Mills Mall at

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Speaker 1: six pm. So if you're listening to this on Streets

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Speaker 1: one on three point three in Charlotte right now, I

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Speaker 1: just know that I will be at the Books a

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Speaker 1: Million at in Concord Mills Mall at six pm on

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Speaker 1: May thirty first. Okay, okay, okay, Now we got one

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Speaker 1: of your boys come in this morning, right Well, I

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Speaker 1: just met him. But Kevin Lows manages him. Okay, three hundred,

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Speaker 1: but that is t Grizzly from the date. All right. Also,

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Speaker 1: we got Jizelle from Housewive Real Housewives Apotomic, so hold on.

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Speaker 1: So Kevin Loves was responsing to this show this morning

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Speaker 1: because he Grizzly is his artist and ain't just sell

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Speaker 1: his homegirl. Well, his wife Erica went to school with Jizale,

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Speaker 1: got you, so you know, and they have a business together.

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Speaker 1: So this is all re sponsored by Kevin. Yes, shot

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Speaker 1: out to Kevin. Right, Well, don't y'all go anywhere. It's

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Speaker 1: the world most Dangerous morning show. Oh we gotta shoot

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Speaker 1: your shot at seven am. By the way, let's not

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Speaker 1: forget about that. That's a great Monday feature. So we'll

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Speaker 1: see you. It's the world most Dangerous Morning Show. To

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Speaker 1: Breakfast Club, this is your time to get it off

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Speaker 1: your chest. Whether you're man black from you on the

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Speaker 1: Breakfast Club. You got something on your mom? Hello? Who's this? Hi?

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Speaker 1: This is hey blessed Bama. I'm so blessed because I

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Speaker 1: have his greatest boyfriend in the world. And I know

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Speaker 1: we've only been together for like a short time. It's

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Speaker 1: been like over a little over a month. Oh my god,

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Speaker 1: come down, sim it down, simmer down, everything, just simmer down.

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Speaker 1: Let your te cool off a little bit. All right,

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Speaker 1: you're gonna burn you low. Let's hear what happened? What happened?

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Speaker 1: He just every day he makes me so happy. Yeah,

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Speaker 1: that's you don't even know him. You know his representative

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Speaker 1: right now, Well, let let her be happy. This is

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Speaker 1: telling about you, blessed. Let's let's hear how great he is.

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Speaker 1: Go ahead, what does he do? You're dating his hologram

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Speaker 1: right now? But all right, all these cute things all

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Speaker 1: the time, and he makes here, he tells all of

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Speaker 1: his friends, and he knows about me. He has sex

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Speaker 1: with you yet? No? Oh man, but that's me. Excuse

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Speaker 1: these bitter women that I work with. Okay, honey, you

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Speaker 1: go ahead and be blessed. Call us back after he

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Speaker 1: call us back a month or two after he has

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Speaker 1: sex with you, and tell me if y'all still a

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Speaker 1: bitter woman, be happy the sound good luck you enjoy

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Speaker 1: your your early months. All right. I love a little

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Speaker 1: delusion in the morning with my green tea. Hello, who's

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Speaker 1: this shows off from Columbus? All yo, man, tell me

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Speaker 1: why you blow Joseph what's going on? Man? Teach every

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Speaker 1: Charlot Magne and guy the beautiful Angela eat good morning

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Speaker 1: to y'all. M and favorite because my guy wakes me

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Speaker 1: every morning to my beautiful shoes. I get to go

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Speaker 1: to my amazing job even though I don't like it,

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Speaker 1: but I respect it family, and I got good friends

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Speaker 1: around me. Man. So I'm hotly favorite and blessed every day.

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Speaker 1: And I listened to the best morning breakfast club group

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Speaker 1: in the morning. You got and gratitude should be your attitude.

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Speaker 1: I love that brother piece. Hello, who's this? Hey? This

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Speaker 1: is Nat? Nat. Tell them why you man? Do you

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Speaker 1: know why I'm at On Siday, one of my co

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Speaker 1: workers call being and have the audentity to tell y'all

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Speaker 1: that she's being bullied at work. Let me tell you.

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Speaker 1: It was something like that, stop bullying. Yeah, I'll sell

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Speaker 1: you know her? Okay, you guys, I'm not bullying her.

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Speaker 1: I just feel that if we're both getting paid to

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Speaker 1: do a job, stop lolligagging and having me kick up

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Speaker 1: after you. I basically just told her about her though,

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Speaker 1: and she didn't like it. If I'm doing her job,

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Speaker 1: she needs to give me half of her pet. Hey

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Speaker 1: told me you're gonna swing on you next time you

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Speaker 1: try her like that. She ain't. She ain't crazy, She

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Speaker 1: ain't crazy. So are you bullying her at work? Though?

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Speaker 1: I'm not bullying her. She's just one of those people

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Speaker 1: that like to sit around and fourth and not to

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Speaker 1: her work until last minute. So if you don't wan

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Speaker 1: last minute to do something, you want to do it

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Speaker 1: on your own. Don't ask me for no health How old?

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Speaker 1: How old? How old is she? She's like in her

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Speaker 1: forty Okay, I about to say that sound like millennial behavior,

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Speaker 1: but she she and her forties are nothing like that.

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Speaker 1: She just lazy. And how ye how y'all gonna get

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Speaker 1: al at work? Now? They're not. We're not. We're not

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Speaker 1: gonna get along just starting. Oh yeah, I'm gonna swing you. Sorry,

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Speaker 1: thank you? Put that back. Run eyes when you go

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Speaker 1: to scrapping. No, tell them why you're mad on, tell

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Speaker 1: them why you're blessed. Eight hundred five eight five one

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Speaker 1: on five one call us right now? Was the breakfast club?

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Speaker 1: Good morning? The breakfast club? Did your time to get

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Speaker 1: it off your chest, whether you're mad or blast, So

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Speaker 1: you better have the same dutry we want to hear

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Speaker 1: from you. On the breakfast club about who this yea,

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Speaker 1: this is our food than with good number one fans. Well,

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Speaker 1: I'm saying, tell them about you mad. You're mad because

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Speaker 1: this girls folds all the way from the tipsies. I

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Speaker 1: live in that fool county and she just lived in

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Speaker 1: the bed chanting with nobody. So nothing. I was just

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Speaker 1: wanted to, like Kim could have laid in the best

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Speaker 1: so well, you know, did you call her over to leave? No?

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Speaker 1: Not calling now, I just lay with you. That's just

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Speaker 1: cuddle your cuddle, buddy. You should be ashamed of yourself

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Speaker 1: cuddling with a random You should be ashamed of yourself.

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Speaker 1: I am saying, maybe that's material, Maybe that's why. Maybe

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Speaker 1: that's the only thing I mission. I was like, nowhere miss,

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Speaker 1: next time you feel like cuddling, just get a Teddy

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Speaker 1: Bear bro. Hello, who's this? This is Tratia. How are

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Speaker 1: you hey? Good morning? You feeling blessed this morning? Mamma? Yes,

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Speaker 1: I'm selling super blessed in the good Born in Ratln,

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Speaker 1: But I just want to call in this morning and

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Speaker 1: tell you guys that I am truly blessed. I have

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Speaker 1: my life going in the right direction. I'm focused on

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Speaker 1: my kids right now. I just went through a horrible

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Speaker 1: breakup with my kid's father, So it's just a blessing

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Speaker 1: for me to be focused. And I got good news

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Speaker 1: that I'm eligible to buy the house that I live in. Yeah, okay,

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Speaker 1: congrat congratulation. And I live in Warren, Michigan. You know,

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Speaker 1: I'm out here with this Warren um mayor had called

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Speaker 1: us Tim Hantee and stuff like that. So even through

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Speaker 1: it all, I'm just trying to stay focused and be

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Speaker 1: blessed and think about my kids and my finances. So

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Speaker 1: I'm truly blessed that through the breaks up, I found

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Speaker 1: the Lord. I found them even more than I found

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Speaker 1: them before. I'm attending church every Sunday, and it's just

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Speaker 1: a really positive thing, you know, to just say on track, Hello,

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Speaker 1: who's this? This is Kim. Can you feel them blessed

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Speaker 1: this morning? Yes? I am. Tell us why, Kim. I'm

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Speaker 1: blessed because I have a roof over my head, breath

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Speaker 1: in my body, food on my payble, a husband who

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Speaker 1: loves me unconditionally, and I amazing a little three year

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Speaker 1: old fun and I loving family. There you go, baby,

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Speaker 1: you just make sure that breath in your body is fresh.

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Speaker 1: This morning. Have you brushed your teach? Oh hallelujah, God

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Speaker 1: bless you go. I have a good morning, mama. All right,

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Speaker 1: you too? Hello? Who's this? This is ever a broad

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Speaker 1: from about as Georgia. What's up? My brother? Man? I'm

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Speaker 1: a little pistolf. Shut yourself. Six years ago I made

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Speaker 1: a beautiful, absolutely beautiful American woman and I'm a white dude.

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Speaker 1: But let me tell you her boss man, who I

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Speaker 1: thought it was pretty cool yesterday, gonna get a little

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Speaker 1: pissed off with her because you was running late because

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Speaker 1: taking our child to take care, all right, when they

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Speaker 1: think he knows he's following her. All call the racial

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Speaker 1: languages and everything. And I need to figure out how

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Speaker 1: I need to not go to jail because I bas

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Speaker 1: you go visit this dude to come eight o'clock am.

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Speaker 1: It's her boss, white waters and you're white. You just

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Speaker 1: go in there and swing on them. They don't go

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Speaker 1: to jail and stuff like that. It's white on white crimes.

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Speaker 1: There is a little fight between the fouls, that's all.

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Speaker 1: They'll send you on about your way. But I'm gonna

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Speaker 1: knock your teeth out. And I got one more thing,

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Speaker 1: all right, Charlot Mane's president. Hey, I'm running man. I

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Speaker 1: feel like I could do anything now because I got

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Speaker 1: black privilege and white people are suing for reverse racism.

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Speaker 1: I feel like I could do anything in America at

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Speaker 1: this moment. The Breakfast Club running. Everybody is DJ n Z,

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Speaker 1: Angela Yee, Charlomagne, the God. We are the Breakfast Club.

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Speaker 1: It's to to shoot shot. This was our very first call,

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Speaker 1: and this was Jay. He wanted to shoot his shot

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Speaker 1: with Rob. And it's very interesting. Let's get into it

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Speaker 1: earlier there and telling him why you mad? We had

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Speaker 1: a call on his name was Jay, and this is

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Speaker 1: what Jay said, Well, I'm mad because my friend Rob

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Speaker 1: just got out of the relationship and he's been feeling

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Speaker 1: so miserable and I think that he is awesome and

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Speaker 1: I wish he was taking me instead. We so Rob

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Speaker 1: is a gay guy. You're a gay guy, clearly, Well

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Speaker 1: I'm day. I don't know if Rob's gay or not,

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Speaker 1: but you know, oh Rob was with a woman. Yeah, yeah,

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Speaker 1: I got was with a girl and she just she

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Speaker 1: just broke his heart. You know. So you so you're

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Speaker 1: not like mad, you're like sexually frustrated. Yeah, he wants

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Speaker 1: to give it a try. Do you think do you

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Speaker 1: think he might like you? Has he ever tried to, like,

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Speaker 1: you know, slide you a little tongue or anything. No,

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Speaker 1: but there was this one time when we were now

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Speaker 1: dancing together, and I think that, you know, he had

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Speaker 1: a lot of fun at that gay club. You want

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Speaker 1: to slob on Robin? You want us to call him

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Speaker 1: for you? Yeah, yeah, let's call him. Are you sure

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Speaker 1: you said he's not gay? Well, so what do you

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Speaker 1: be upset? Well? You know what? Jay? Hold on? So

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Speaker 1: now we have Jay on the line. What's up, Jay? Hey,

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Speaker 1: good morning? How are you guys? I can hit again

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Speaker 1: your voice this morning, Jane. Yes, that is right. You

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Speaker 1: have no choice but to be openly gay when you

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Speaker 1: have a voice like yours. Let's stop it now. Tell

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Speaker 1: us what's going on? Jay? Okay. So me and my

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Speaker 1: friend Rob, like you know, we go way back. We've

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Speaker 1: been you know, friends for for a few years now,

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Speaker 1: and he just went through this really bad relationship with guy.

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Speaker 1: It was with a girl, and you know, he just

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Speaker 1: broke up. And I think that he's been really having

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Speaker 1: a tough time. And you know the thing of it

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Speaker 1: is is that I really think that I'm the one

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Speaker 1: for him, Like, oh, I think I think that this

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Speaker 1: is the perfect time. Like, man, I don't know, can

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Speaker 1: you thank you the one for him if you don't

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Speaker 1: even know if he liked giving him a feeling? Well, yeah,

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Speaker 1: you know, because like I just feel like whenever we talk,

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Speaker 1: like we relate so well and stuff, and you know,

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Speaker 1: I don't know if you'll be into it, but like

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Speaker 1: I really just want to try. But this could destroy

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Speaker 1: your friendship though, Yeah, but like he's just so hot

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Speaker 1: and like I really wanted to tell him this for

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Speaker 1: a long time, and it's just you know, I think

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Speaker 1: this is it's now or never, all right? Is there

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Speaker 1: any indication that he might like you too? Like has

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Speaker 1: he ever done anything in your leg give your sex

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Speaker 1: one day? No, you never gave me one day. But

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Speaker 1: but it's it's like I just feel like I don't know,

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Speaker 1: it's an intuition, you know, Like if I had one

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Speaker 1: of the intuition, I would call it that, but I'm not,

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Speaker 1: you know, a girl, so I could still have intuition.

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Speaker 1: Though my gaygar is going off, and I feel like

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Speaker 1: there is a chance there's a chance that this could work.

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Speaker 1: All right, Well, we're ready to try to help you.

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Speaker 1: Make it work as we can. If there's a chance

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Speaker 1: that you can get in this fance, we're gonna help you.

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Speaker 1: When we come back, we're gonna call it. So don't

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Speaker 1: go anywhere. Jay, when we call, when we come back,

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Speaker 1: we're gonna call Rob. Don't go anywhere. It's the breakfast

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Speaker 1: club the morning morning. Everybody is j Envy, Angela Yee,

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Speaker 1: Charlomagne the God. We are the breakfast club. Now. If

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Speaker 1: he just joined us earlier today, Jay, call tell him

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Speaker 1: why you mad? And he said he they wanted to

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Speaker 1: holler out a friend, right you. That's right. Only thing

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Speaker 1: is he's not one percent sure if his friend is

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Speaker 1: gay or not. Why y'all doing this to people early

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Speaker 1: in the morning. What do you mean? What if that

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Speaker 1: man ain't gay? If you say no, it's the love

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Speaker 1: will cup great. But what if he ain't gay? Now

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Speaker 1: he's gonna be at each other's face awkward all the time.

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Speaker 1: He might not even want to see each other no more.

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Speaker 1: But listen, sometimes you gotta shoot your shot, gay or not.

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Speaker 1: People shoot, you got shoot your shot. I like that,

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Speaker 1: ye gay not? Sometimes you gotta shoot just shot, that's

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Speaker 1: what it is. Not. Sometimes you gotta shoot your shot,

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Speaker 1: pull out, you put it in here, all right, that's

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Speaker 1: a little too much, so you always go too far. Yeah, yeah, okay,

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Speaker 1: Oh hey, how are you doing? Oh? You know, just

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Speaker 1: uh enjoying the morning here. I uh just want to

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Speaker 1: catch up with you because hey, rabbit, that's on the

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Speaker 1: breakfast cloud. I'm angela Year, I'm DJ Envy as well. Yeah,

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Speaker 1: so Jay had something very special he wanted to talk

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Speaker 1: to you about, but he needed a little help and

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Speaker 1: taking it some time to get to the point we

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Speaker 1: had to jump in. Yeah, so he wanted to go, well,

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Speaker 1: go ahead, you can tell him from here. Hey, I

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Speaker 1: just wanted to talk for a little bit because you know,

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Speaker 1: I know that the relationship he was in it was,

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Speaker 1: you know, kind of tough getting out of that and stuff.

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Speaker 1: You know, we we hung out a lot and stuff,

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Speaker 1: and I think that, you know, you're a really cool

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Speaker 1: guy and everything, and uh, I mean, you know how

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Speaker 1: I am, And I wanted to know if maybe we

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Speaker 1: could hang out and try maybe going out for drinks

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Speaker 1: and dinner. And yeah, I understand what's happening here, Rob,

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Speaker 1: Jay wants to slop on your nose. What hold hold on, Rob?

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Speaker 1: Have you ever looked at Jay in a in a

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Speaker 1: way that perhaps you guys could try something and be together,

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Speaker 1: be together, like what actually like kissing the hop and bottom? Yes,

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Speaker 1: bottom to the top, so much better than Nah, I

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Speaker 1: haven't Rob. Would you give it a try? Because Jay

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Speaker 1: seems like he's really into it. He seems like you

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Speaker 1: guys are good friends, y'all like playing ball with each other.

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Speaker 1: Would you give it a shot? Man, I don't know

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Speaker 1: about that. One had to buy curiosity and your voice, Robert, Man,

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Speaker 1: I really don't know. Something happened to y'all come to

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Speaker 1: this conclusion? Gay, I mean, Jay, you're gonna tell them

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Speaker 1: what happened. Something happened to yall, y'all playing Madden, smoking

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Speaker 1: some weed, maybe doing some molly together. Something happened. Well,

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Speaker 1: it's just that we have so much fun all the

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Speaker 1: time together, and you know, whenever we're hanging out. I

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Speaker 1: didn't remember this one time when we were out dancing

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Speaker 1: at the club and we went there together, and I

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Speaker 1: know that you have fun, Rob, Like we were dancing

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Speaker 1: pretty good? Were you guys dirty dancing? Rob? If you're

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Speaker 1: not gay, why would you go to a gay club

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Speaker 1: with Jay? Nah? I like house music that's plays house

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Speaker 1: that is true, they go to Jersey at any club,

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Speaker 1: but a lot more thing playing house music. Okay, So Rob,

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Speaker 1: would you perhaps go on a date with Jay just

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Speaker 1: to see if maybe something could Oh no, I mean

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Speaker 1: we hang out anyway, But I don't know. You thought

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Speaker 1: about it, Rob, You thought about it. You thought about it.

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Speaker 1: We could go to the club, We could the house

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Speaker 1: and music. There's so many bars to play house music.

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Speaker 1: No pressure, no pressure, I'm telling you. Listen, you take

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Speaker 1: it out. Hey, that's my boy. We've already been hanging out.

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Speaker 1: But I don't know, all right, Okay, so I don't know.

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Speaker 1: It's not a hard nor. Let's see what can happen.

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Speaker 1: Give it a chance, to give it an opportunity. Okay,

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Speaker 1: take him, Take him to the club. His name is

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Speaker 1: Jay nut Gay Jay. Take Rob to the club, have

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Speaker 1: the DJ play camera and sucker to night, and then

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Speaker 1: you look him dead in his eyes and wink at him. Okay,

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Speaker 1: Well good, he's gonna give it a try. You guys

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Speaker 1: go out and have a good time. It might sparks him,

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Speaker 1: you never know, Rob, give it a chance. I respect you, Rob.

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Speaker 1: I thought this is gonna be way worse. I thought

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Speaker 1: he was gonna curse Jay out and everything he's up

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Speaker 1: into the idea. Oh about all that? Well, well Rob,

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Speaker 1: give give it a chance. Rob, and you know what, guys,

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Speaker 1: just after you'll go, I'll give us a call back.

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Speaker 1: Let us know how I went. Yeah, take it slow

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Speaker 1: with j. J. Take you can't force it, Jay slow.

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Speaker 1: It's easy. You know, if if robbing whatever you're comfortable with.

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Speaker 1: So I'm fine with that. True, Like we can always

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Speaker 1: keep on as we've been doing, and and everything will

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Speaker 1: be good to gether and don't be afraid to be versatile. J.

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Speaker 1: If he's not comfortable being a bottom, then you know

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Speaker 1: what you have to do. You have to assume the position. Yeah, okay,

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Speaker 1: you guys go there the first date before they get

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Speaker 1: into all that. Okay, Well you gotta make sure to

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Speaker 1: use condoms. Okay, we give us now. All right, Sorry, Jay,

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Speaker 1: he's been a little all right, Ja, good luck guys

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Speaker 1: kids before they do that. Okay, all right, well, let

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Speaker 1: us know, call us up and let us know. Okay, Okay,

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Speaker 1: we will run a beautiful slob on. Rob's no for

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Speaker 1: the coaching one time. I like that. We're in the

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Speaker 1: middle of shoot your shot. If you want to shoot

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Speaker 1: your shot, you can hit us up Breakfast Club amat

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Speaker 1: gmail dot com. We have another shoot your shot coming

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Speaker 1: up next to hold. It's a breakfast club Morning morning.

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Speaker 1: Everybody is dj Enzy, Angela Yee, Charlemagne the guy. We

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Speaker 1: are the breakfast club. It's time for shoot your shot

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Speaker 1: on the line. We have Big Less yo yo. I

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Speaker 1: love the show man. I love you guys. Oh my goodness,

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Speaker 1: you sound like you're about forty five fifty years old.

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Speaker 1: Hey man, I mean ain't nothing but a number. Alright, okay, Less,

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Speaker 1: now let's explain it to us. Now, you have a

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Speaker 1: crush on your daughter's best friend. That how old you?

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Speaker 1: Big LASSI? How old is your daughter's friend? She about

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Speaker 1: twenty two, twenty three? At goodness, you gotta relax, all right.

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Speaker 1: So you have a question you how long have you

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Speaker 1: known your daughter's friend? Since? How long have I normal?

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Speaker 1: How are you? Was cute? So you've been watching your

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Speaker 1: daughter span grow up since she was a little kid,

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Speaker 1: and you had a crush on her, well you know

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Speaker 1: like she you know she you know. Oh wait a minute, now,

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Speaker 1: you don't go down. Don't go there. I respect you

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Speaker 1: about I love you, but don't go there. You've been

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Speaker 1: playing on recruiting this girl since she was in elementary school.

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Speaker 1: That it's the way your voice is warbling. Also, that's illegal.

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Speaker 1: I don't know Charlotte. Man, No, no, look fast forward this.

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Speaker 1: You know what I'm saying? Wow, whoa okay? Twenty twenty two,

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Speaker 1: twenty three years old. If you see this girl, man,

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Speaker 1: you know she put Coca Cola out of business. By

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Speaker 1: the way, you watched American Beauty one too many times.

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Speaker 1: And the reason you want to fast forward this conversation

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Speaker 1: because you're trying to fast forward this girl's life now

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Speaker 1: she's of age. You want her and that's discussed, don't.

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Speaker 1: I want to tast that that's what I want. I

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Speaker 1: can't talk to you no more. I'm not talking about

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Speaker 1: I want to tap that. I made a right trying

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Speaker 1: to set this up. We'll check it out. I got

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Speaker 1: an older uncle that I want to hook up with

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Speaker 1: your daughter. He's fifty seven, So you're gonna go there. Yeah,

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Speaker 1: it's an old ass man out here lusting for your

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Speaker 1: daughter the same way you lusting for this little young girl.

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Speaker 1: Well you know what, you know what, she's a grown woman.

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Speaker 1: I taught her, well she can handle stop it. But

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Speaker 1: how would you how would you feel if your daughter's friend,

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Speaker 1: if her dad try to talk to your daughter, that's

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Speaker 1: a little awkward. Well you know what I mean, Like,

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Speaker 1: you know, she's grown. I gave her everything and all

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Speaker 1: the ammunition she needs to be a grown ass woman. Yeah,

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Speaker 1: now I beat your ass. But hold on, when we're

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Speaker 1: gonna call on if he trying to tell us that

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Speaker 1: he taught his daughter how to pop that poom poom

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Speaker 1: for old but we're gonna call this young lady. Hold on,

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Speaker 1: I don't want no part of this. No, no, we're

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Speaker 1: gonna tell the young lady that she can't do this.

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Speaker 1: But I would whoop his ass absolutely. Well, if my

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Speaker 1: daughter brought home a guy my age, I'm not aren't

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Speaker 1: even talking about white. Let me rephrase, I'm knowing near

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Speaker 1: that but older than me, I'm whooping his ass. He

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Speaker 1: ain't even talking about wife and huh. He's just talking

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Speaker 1: about wanting to smash. That's what's discussing. And in fact,

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Speaker 1: he knew her since he was a kid, since she

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Speaker 1: was a kid. That's all right. Well, when we come back,

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Speaker 1: we're gonna call this young lady. Her name is Jasmine,

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Speaker 1: and keep it locked. This breakfast want and everybody is

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Speaker 1: DJ Envy Angela yea, Charlomagne the guy. We are the

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Speaker 1: Breakfast Club. If he just joined us, we're doing shoots

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Speaker 1: your shot now, that's when you can call. You can

419
00:22:24,560 --> 00:22:27,040
Speaker 1: email us the Breakfast Club AM at gmail dot com.

420
00:22:27,480 --> 00:22:30,040
Speaker 1: If there's somebody that you know that you are interested

421
00:22:30,119 --> 00:22:31,560
Speaker 1: in and you want to try and see if it

422
00:22:31,600 --> 00:22:33,800
Speaker 1: could work out, We're gonna let you call him live

423
00:22:34,040 --> 00:22:36,600
Speaker 1: on air. Now we have big Les on the phone

424
00:22:36,640 --> 00:22:41,159
Speaker 1: lines right now is actually calling his daughter's best friend. Now,

425
00:22:41,240 --> 00:22:43,800
Speaker 1: big Les is probably in his fifties. His daughter's best friend,

426
00:22:43,800 --> 00:22:47,159
Speaker 1: I'm guessing is around twenty or early twenties. But we

427
00:22:47,520 --> 00:22:49,640
Speaker 1: told big Les we're gonna let him shoot his shot.

428
00:22:49,720 --> 00:23:03,040
Speaker 1: So let's let's tell the number. All right. Hello, Hey, hey,

429
00:23:03,200 --> 00:23:07,320
Speaker 1: jazz man, this is Big Lass. What's up? Hey? What's

430
00:23:07,400 --> 00:23:10,360
Speaker 1: up about you knowing? Oh? I'm doing all right? Baby girl?

431
00:23:10,520 --> 00:23:14,840
Speaker 1: What's happening that I'm good? What's up happening? Oh? Man?

432
00:23:15,000 --> 00:23:19,840
Speaker 1: You know like you know? Uh you know you are

433
00:23:20,280 --> 00:23:27,800
Speaker 1: you busy this weekend? Um for what? Hey, let's just

434
00:23:27,880 --> 00:23:30,159
Speaker 1: cut to the chase. I'm gonna take you out. You know,

435
00:23:30,280 --> 00:23:35,800
Speaker 1: are you feeling it or what? Oh? Okay? Okay, girl,

436
00:23:36,400 --> 00:23:38,040
Speaker 1: this is the Bractet Club, come on to jazz. What

437
00:23:38,160 --> 00:23:39,879
Speaker 1: the hell you mean? Okay, you're giving this old man

438
00:23:40,000 --> 00:23:47,600
Speaker 1: some play? Um? Yeah, Actually, we had your eye on

439
00:23:47,680 --> 00:23:51,560
Speaker 1: your friend's daddy all these years. I mean maybe not

440
00:23:51,800 --> 00:23:54,480
Speaker 1: all the easiers, but I mean it feels is he

441
00:23:54,560 --> 00:23:58,000
Speaker 1: an attractive old man? Yes, here's a good looking man. Okay,

442
00:23:58,040 --> 00:23:59,920
Speaker 1: but what about your friend? How's she gonna feel about you?

443
00:24:00,000 --> 00:24:04,720
Speaker 1: You going out with her dad? I don't think that

444
00:24:04,880 --> 00:24:09,440
Speaker 1: she's gonna mind you like old Oh my goodness, who

445
00:24:09,520 --> 00:24:13,000
Speaker 1: doesn't like a nice silver fox? Okay? What about your daddy?

446
00:24:13,119 --> 00:24:16,800
Speaker 1: Your daddy, Yes, your daddy should whoop his ass? What

447
00:24:16,960 --> 00:24:19,879
Speaker 1: what what would your daddy think if you got here

448
00:24:19,920 --> 00:24:21,879
Speaker 1: for a minute? Then, because we all getting up in

449
00:24:21,920 --> 00:24:24,960
Speaker 1: anh you never know what our futures may hold. I'm

450
00:24:25,000 --> 00:24:26,800
Speaker 1: not gonna sit here and knock this man if he

451
00:24:26,920 --> 00:24:30,440
Speaker 1: can bag the twenties young twenties something Yo, tender. It

452
00:24:30,560 --> 00:24:33,080
Speaker 1: may have sounded worse than it. It may have sounded

453
00:24:33,160 --> 00:24:39,680
Speaker 1: worse than Okay it's been but but jasmine problem technically, jasmine, jasmine,

454
00:24:39,920 --> 00:24:43,040
Speaker 1: do you feel has anything weird ever happened? Like when

455
00:24:43,080 --> 00:24:47,879
Speaker 1: you were growing up at your friend's house with the dad. No,

456
00:24:48,600 --> 00:24:53,879
Speaker 1: no way, nothing like that. I mean, no, nothing like that.

457
00:24:54,200 --> 00:24:58,200
Speaker 1: This is Diddy and cass Man. He didn't help raise Cassie.

458
00:24:58,680 --> 00:25:00,359
Speaker 1: Did He didn't. It wasn't there with cass He didn't

459
00:25:00,359 --> 00:25:02,479
Speaker 1: know when she was under age. It doesn't matter when

460
00:25:02,520 --> 00:25:04,399
Speaker 1: she was twelve. She was twelve at some point in

461
00:25:04,440 --> 00:25:06,040
Speaker 1: her life. Are you a dirty old man? This girl

462
00:25:06,119 --> 00:25:07,840
Speaker 1: was twelve at some jabbing. You was twelve at some

463
00:25:07,920 --> 00:25:09,880
Speaker 1: point in your life. Cathy was twelve at some point

464
00:25:09,880 --> 00:25:12,320
Speaker 1: in her life. Diddy was with Jaylo when Cassy was too.

465
00:25:12,520 --> 00:25:15,040
Speaker 1: It don't matter, Okay. So basically it's none of our

466
00:25:15,080 --> 00:25:16,719
Speaker 1: business now if they want to go out with each other,

467
00:25:16,840 --> 00:25:21,040
Speaker 1: they're both of age. Yeah, I mean there's an age difference.

468
00:25:21,119 --> 00:25:22,840
Speaker 1: But I mean just think what if I didn't know

469
00:25:23,000 --> 00:25:27,040
Speaker 1: him when I was younger? Right, Okay, that's right. You

470
00:25:27,119 --> 00:25:29,919
Speaker 1: probably end up getting worms from somebody. Why not somebody?

471
00:25:31,800 --> 00:25:34,240
Speaker 1: And my daddy. My daddy would just be like, is

472
00:25:34,280 --> 00:25:39,200
Speaker 1: he treating you right? Really? Yeah? I mean that's the

473
00:25:39,200 --> 00:25:40,800
Speaker 1: most daddies are donna live with their kids. Say you

474
00:25:40,840 --> 00:25:43,240
Speaker 1: know what I'm saying, the check checking every twing, they're

475
00:25:43,280 --> 00:25:45,600
Speaker 1: you good y'all boy, already treating you. Right, Okay, I'll

476
00:25:45,600 --> 00:25:49,320
Speaker 1: see you on next Tuesday. Damn you're talking about that daddy.

477
00:25:50,320 --> 00:25:51,840
Speaker 1: So you guys are gonna go tell you guys are

478
00:25:51,880 --> 00:25:55,240
Speaker 1: gonna go on a date? What's the plan? Well, um,

479
00:25:55,680 --> 00:25:58,280
Speaker 1: you know, I'm gonna go with her flow. But if

480
00:25:58,359 --> 00:26:01,359
Speaker 1: she doesn't have anything in mind, I'm gonna wine and

481
00:26:01,560 --> 00:26:06,320
Speaker 1: dying that little lady. Well, I hop on Fridays is

482
00:26:06,359 --> 00:26:10,840
Speaker 1: over sixty five, you get free pancakes and you guys,

483
00:26:11,040 --> 00:26:13,399
Speaker 1: you guys, you know y'all need to chill out. Man,

484
00:26:13,520 --> 00:26:16,280
Speaker 1: just let people live there. Yeah, forty five ain't old, brothers,

485
00:26:16,800 --> 00:26:18,760
Speaker 1: I get you and listen, man, you take it the

486
00:26:18,760 --> 00:26:21,040
Speaker 1: applebas you get that two for twenty. You know what

487
00:26:21,080 --> 00:26:25,480
Speaker 1: I'm saying, and you all enjoy? Okay, all right, wow,

488
00:26:25,800 --> 00:26:28,440
Speaker 1: all right, yeah, you guys got fun. How are you?

489
00:26:28,520 --> 00:26:32,240
Speaker 1: How are you gonna bake the news to your daughter? Oh? Well,

490
00:26:32,520 --> 00:26:35,600
Speaker 1: you know, I'm just gonna tell her I'm taking taking

491
00:26:35,720 --> 00:26:40,320
Speaker 1: Jasmine Outlet find out on Instagram. Facebook. No, no, no,

492
00:26:40,359 --> 00:26:45,120
Speaker 1: I'm a grown ass man. I'll tell my doin I'm

493
00:26:45,160 --> 00:26:49,840
Speaker 1: taking up. Oh you're dying already, he dying thinking about

494
00:26:49,880 --> 00:26:52,600
Speaker 1: that young that young for Johnny thinking about it, got

495
00:26:52,640 --> 00:26:54,320
Speaker 1: you about to have a heart attack? All right, I

496
00:26:54,359 --> 00:26:56,320
Speaker 1: can't wait to hear how this goes. Good luck, guys.

497
00:26:56,520 --> 00:27:00,560
Speaker 1: What do you eat the butt? All right? What right?

498
00:27:01,400 --> 00:27:05,080
Speaker 1: All right? Man, that's all you gotta say. Do you

499
00:27:05,160 --> 00:27:10,040
Speaker 1: eat ass? All right? All right? Now, all right, all right,

500
00:27:10,200 --> 00:27:13,600
Speaker 1: all right, all right, Well, thank you guys, thank you.

501
00:27:14,640 --> 00:27:16,480
Speaker 1: I can't really hate on that situation. Man. We're all

502
00:27:16,520 --> 00:27:18,000
Speaker 1: getting up in the age. You never know the future

503
00:27:18,040 --> 00:27:19,879
Speaker 1: may hold, all right, So let's let's let's switch it

504
00:27:19,880 --> 00:27:22,160
Speaker 1: a little bit. Your daughter turn twenty two, she bring

505
00:27:22,240 --> 00:27:24,440
Speaker 1: home a man that's forty six. Nah, I'm not having it.

506
00:27:25,160 --> 00:27:27,480
Speaker 1: That's what I'm personally. I'm personally not having it. I

507
00:27:27,640 --> 00:27:29,440
Speaker 1: speaking about my daughter. I'm thinking about me and my

508
00:27:29,480 --> 00:27:32,119
Speaker 1: own selfish ass when I'm fifty something years old and

509
00:27:32,320 --> 00:27:33,960
Speaker 1: just say me and my wife don't work. God, I'm

510
00:27:34,000 --> 00:27:35,720
Speaker 1: going to get me something young and tender. I'm telling

511
00:27:35,720 --> 00:27:37,480
Speaker 1: you that right now. I'm going to get me a

512
00:27:37,520 --> 00:27:40,400
Speaker 1: fresh twenty two, twenty three year old. Okay, fresh out

513
00:27:40,440 --> 00:27:43,359
Speaker 1: of college? What would your degree you made? You the

514
00:27:43,440 --> 00:27:45,440
Speaker 1: journalism will come talk to the radio. You're gonna be

515
00:27:45,480 --> 00:27:50,360
Speaker 1: a spot. You're gonna be basically going to be a sponsor,

516
00:27:50,800 --> 00:27:52,640
Speaker 1: all right, that will shoot your shot. When we come back.

517
00:27:52,680 --> 00:27:54,679
Speaker 1: We have Donkey up the day, so don't move. It's

518
00:27:54,680 --> 00:27:57,920
Speaker 1: to Breakfast Club. Good morning, Hey, good morning. I go

519
00:27:57,960 --> 00:27:59,359
Speaker 1: by the name of Chalot, mean and God the prime

520
00:27:59,400 --> 00:28:01,240
Speaker 1: minute to up and people off the ruler rubbing you

521
00:28:01,359 --> 00:28:03,680
Speaker 1: the wrong way, to architect aggravation. I am fake here

522
00:28:03,800 --> 00:28:05,679
Speaker 1: right now. And being that I'm fake here, we're going

523
00:28:05,720 --> 00:28:08,600
Speaker 1: to do the best of Donkey of the Day. Okay, Um,

524
00:28:09,080 --> 00:28:10,760
Speaker 1: you know I love giving people to credit they deserve

525
00:28:10,840 --> 00:28:12,680
Speaker 1: for being stupid, and this is one of those times

526
00:28:12,680 --> 00:28:14,679
Speaker 1: I gave somebody to credit they deserve for being stupid,

527
00:28:14,880 --> 00:28:17,439
Speaker 1: and y'all really enjoyed it. So after Donkey of the Day,

528
00:28:17,440 --> 00:28:20,080
Speaker 1: we got my man, te Grizzly from Detroit. I can't

529
00:28:20,119 --> 00:28:21,359
Speaker 1: say he's my man because I never met him. I

530
00:28:21,400 --> 00:28:23,320
Speaker 1: wasn't even here when he did the interview. But you know,

531
00:28:24,720 --> 00:28:27,440
Speaker 1: blessed is a black thing. My man, my man, I

532
00:28:27,480 --> 00:28:29,840
Speaker 1: don't even know that, all right, but he'll be here.

533
00:28:29,920 --> 00:28:31,440
Speaker 1: What could mean you guys are dating when you say

534
00:28:31,520 --> 00:28:35,800
Speaker 1: my mod it's the Breakfast Club. Here's the best off

535
00:28:35,880 --> 00:28:44,320
Speaker 1: donkey today. It's time for Donkey of the Day. I'm

536
00:28:44,320 --> 00:28:46,960
Speaker 1: a democrat, so being Dunky of the day a little

537
00:28:46,960 --> 00:28:54,800
Speaker 1: bit of a mixture, so like a dog of the day. Now,

538
00:28:54,840 --> 00:28:56,800
Speaker 1: I've been called a lot of my twenty three years,

539
00:28:56,880 --> 00:28:59,880
Speaker 1: but Donkey of the Day is a new wife to

540
00:29:00,040 --> 00:29:02,600
Speaker 1: the little loss and hegro formerly known as bow Wow

541
00:29:02,680 --> 00:29:07,360
Speaker 1: Wow Yippiyo yippy a Shad Moss Okay. Every day of

542
00:29:07,400 --> 00:29:09,560
Speaker 1: Shad Moss's life it seems like he's starring in a

543
00:29:09,720 --> 00:29:13,160
Speaker 1: terrible bio pick airing on Lifetime about himself. And of

544
00:29:13,240 --> 00:29:15,880
Speaker 1: course in this bio pick, he is playing himself, because

545
00:29:15,960 --> 00:29:19,560
Speaker 1: let's be honest, nobody can plays themselves better than Shad

546
00:29:19,680 --> 00:29:21,960
Speaker 1: Moss can play himself. If this one thing on this

547
00:29:22,040 --> 00:29:25,640
Speaker 1: plane at Shad Moss is good at, it's playing himself well.

548
00:29:25,720 --> 00:29:28,800
Speaker 1: The playing of thyself continued when Shad Moss posted a

549
00:29:28,880 --> 00:29:31,080
Speaker 1: pick of a private jet with a sprinter and Mercedes

550
00:29:31,160 --> 00:29:33,920
Speaker 1: Benz pulled up to it with the caption travel Day

551
00:29:34,600 --> 00:29:36,920
Speaker 1: n y C Press run for Growing Up Hip Hop

552
00:29:37,080 --> 00:29:39,760
Speaker 1: Let's Go. I promised to bring y'all the hottest show

553
00:29:39,800 --> 00:29:43,120
Speaker 1: ever made twenty fifth on we TV Now. Shad Moss

554
00:29:43,200 --> 00:29:45,600
Speaker 1: is the executive producer of Growing Up Hip Hop Salute

555
00:29:45,640 --> 00:29:47,440
Speaker 1: to Him on that drop on a Cou's bumps with

556
00:29:47,480 --> 00:29:50,080
Speaker 1: Shad Moss being the EP on Growing Up hip Hop.

557
00:29:51,280 --> 00:29:52,920
Speaker 1: But I don't understand how you can be ep of

558
00:29:53,000 --> 00:29:55,160
Speaker 1: a show called growing Up hip Hop when you clearly

559
00:29:55,280 --> 00:29:57,680
Speaker 1: still have a lot of growing up to do. Okay,

560
00:29:57,720 --> 00:29:59,680
Speaker 1: you know how they talk about doing the baby Boys equel,

561
00:30:00,000 --> 00:30:02,320
Speaker 1: They should do it based on Shad Moss's life. He

562
00:30:02,480 --> 00:30:04,480
Speaker 1: is a thirty year old grown ass man who mentally

563
00:30:04,600 --> 00:30:06,600
Speaker 1: is still balled up in the fetal position of his

564
00:30:06,720 --> 00:30:09,800
Speaker 1: mother's womb. Okay, Shad Moss may physically be a grown

565
00:30:09,840 --> 00:30:12,480
Speaker 1: ass man, but psychologically he is still that little boy

566
00:30:12,720 --> 00:30:16,280
Speaker 1: who is headlining the screen tour. He's delusion. Oh Okay.

567
00:30:16,680 --> 00:30:18,720
Speaker 1: I knew he was delusional when I saw that video

568
00:30:18,720 --> 00:30:21,120
Speaker 1: of him online when he had the hoodie on and

569
00:30:21,160 --> 00:30:22,720
Speaker 1: he was walking in front of a group of kids

570
00:30:22,720 --> 00:30:24,440
Speaker 1: and he was acting like he didn't want to be noticed,

571
00:30:24,520 --> 00:30:27,120
Speaker 1: and they didn't notice it was him. Remember this, yo,

572
00:30:27,320 --> 00:30:29,120
Speaker 1: it's a field trip behind me. They don't know it's me,

573
00:30:33,360 --> 00:30:36,920
Speaker 1: They don't care. Okay, this guy still thinks it's two

574
00:30:37,000 --> 00:30:39,520
Speaker 1: thousand and five. Not only did those kids not notice you,

575
00:30:39,840 --> 00:30:42,640
Speaker 1: they probably didn't know who you are and actually didn't care.

576
00:30:42,880 --> 00:30:45,680
Speaker 1: But back to the matter at hand, Shad Moss posted

577
00:30:45,720 --> 00:30:48,400
Speaker 1: this pick of a private jet and immediately got called out.

578
00:30:48,600 --> 00:30:50,600
Speaker 1: A young man took a pick of Shad Moss on

579
00:30:50,640 --> 00:30:53,440
Speaker 1: a commercial airline with the caption so this guy little

580
00:30:53,440 --> 00:30:55,680
Speaker 1: bow while is on my flight to NY. But on

581
00:30:55,840 --> 00:30:58,920
Speaker 1: Instagram he posted a picture of a private jet caption

582
00:30:59,200 --> 00:31:02,680
Speaker 1: traveling the why today shaking my head? Shaking my head

583
00:31:02,760 --> 00:31:04,960
Speaker 1: is the correct answer, because Shad Moss is a devil

584
00:31:05,040 --> 00:31:07,760
Speaker 1: damn liar. When will you fools realize there's no future

585
00:31:07,800 --> 00:31:09,680
Speaker 1: in fronting. I know a lot of people like to

586
00:31:09,720 --> 00:31:11,320
Speaker 1: say you turn out to be what you pretend to be.

587
00:31:11,600 --> 00:31:13,160
Speaker 1: It could be some truth in that, but in the

588
00:31:13,240 --> 00:31:15,640
Speaker 1: processes that you have to be careful who you pretend

589
00:31:15,680 --> 00:31:18,320
Speaker 1: to be, because you might forget who you are. And

590
00:31:18,480 --> 00:31:20,840
Speaker 1: Shad Moss, in his pursuits pretend to still be that

591
00:31:20,920 --> 00:31:23,640
Speaker 1: guy who's headlining the screen tour forgot that he is

592
00:31:23,720 --> 00:31:27,040
Speaker 1: not that guy bow Wow anymore. And that's fine. You

593
00:31:27,120 --> 00:31:29,600
Speaker 1: have moved on, You're still moving and shaking. You still

594
00:31:29,640 --> 00:31:32,400
Speaker 1: got a career. But for whatever reason, that's not good

595
00:31:32,560 --> 00:31:35,400
Speaker 1: enough for you. For whatever reason, Shad Moss is choosing

596
00:31:35,440 --> 00:31:38,080
Speaker 1: the catfish himself. Why are you trying to be Shad?

597
00:31:38,440 --> 00:31:41,200
Speaker 1: Who are you trying to be Shad Moss? Are you

598
00:31:41,280 --> 00:31:43,960
Speaker 1: trying to be deep pimping? Remember deep pimping? Deep pimping

599
00:31:44,080 --> 00:31:46,520
Speaker 1: is the guy who pretended to still be a ba Wow. Okay,

600
00:31:46,840 --> 00:31:49,680
Speaker 1: that's that's what Shad Moss is doing. Shad mosses deep pimping,

601
00:31:49,920 --> 00:31:52,600
Speaker 1: pretending to still be ba Wow. Now, a wise man

602
00:31:52,680 --> 00:31:54,880
Speaker 1: who got caught red hands in the way Shad Moss

603
00:31:54,960 --> 00:31:57,920
Speaker 1: did would have just fell back, relaxed his mind, let

604
00:31:58,000 --> 00:32:01,160
Speaker 1: his conscious free. But not Shat Moss. Old. Shad Moss

605
00:32:01,200 --> 00:32:03,720
Speaker 1: got on IG and doubled down on the dunkiness he

606
00:32:03,840 --> 00:32:07,760
Speaker 1: posted and words so dumb and words taking old picture

607
00:32:07,800 --> 00:32:10,120
Speaker 1: to say why it was and wasn't? Who do that?

608
00:32:10,480 --> 00:32:13,120
Speaker 1: Y'all better stop playing with me? Ha ha ha And

609
00:32:13,280 --> 00:32:16,800
Speaker 1: words is retarded now, Shad Moss, the only dumb, retarded

610
00:32:16,920 --> 00:32:19,320
Speaker 1: n word in this whole scenario is you, because you

611
00:32:19,400 --> 00:32:21,160
Speaker 1: were the one who took a stock picture from the

612
00:32:21,240 --> 00:32:25,200
Speaker 1: fourth Lauderdale VIP Transportation Company and posted it, posted it

613
00:32:25,280 --> 00:32:27,600
Speaker 1: on your IG like it was real. Okay. Shad Moss

614
00:32:27,640 --> 00:32:30,560
Speaker 1: also posted catch me at Titterboro tomorrow going back home

615
00:32:30,800 --> 00:32:33,400
Speaker 1: half y'all, broke mofols still can't afford the buddy pass

616
00:32:33,440 --> 00:32:35,760
Speaker 1: on Spirit Airlines stay out the big boy lane. Now.

617
00:32:35,760 --> 00:32:38,680
Speaker 1: I wish every single Spirit passenger who was fighting yesterday

618
00:32:38,680 --> 00:32:42,120
Speaker 1: at Fort Lauderdale Airport could collectively jump Shad Moss. You

619
00:32:42,240 --> 00:32:44,440
Speaker 1: the one fronten, you, the one line to yourself, and

620
00:32:44,520 --> 00:32:46,880
Speaker 1: you got the nerve, the unmitigated guard to insult the

621
00:32:46,960 --> 00:32:49,880
Speaker 1: financially challenge people of our society. I would rather be

622
00:32:49,960 --> 00:32:52,280
Speaker 1: the broke mofol who can't afford the buddy pass on

623
00:32:52,360 --> 00:32:55,280
Speaker 1: Spirit Airlines than be the mentally poor mofol who still

624
00:32:55,320 --> 00:32:57,560
Speaker 1: got a lot of kick it. Like you are, Shad Moss.

625
00:32:57,720 --> 00:33:00,840
Speaker 1: Financially broke, you can change that. Mentally broke. That takes

626
00:33:00,880 --> 00:33:03,120
Speaker 1: a little work, and you, my friend, Shad Moss, are

627
00:33:03,200 --> 00:33:05,640
Speaker 1: mentally broke. Clearly you are not happy with the life

628
00:33:05,680 --> 00:33:07,720
Speaker 1: you are currently leading, because if you was, then you

629
00:33:07,760 --> 00:33:10,240
Speaker 1: wouldn't have to post stock photos from Fort Law of

630
00:33:10,280 --> 00:33:13,360
Speaker 1: their vip limo. Shad Moss and all the kids listening

631
00:33:13,400 --> 00:33:16,240
Speaker 1: out there, please listen to your uncle Charla. Remember this.

632
00:33:16,680 --> 00:33:19,200
Speaker 1: If you want to be successful, you must respect one rule.

633
00:33:19,600 --> 00:33:23,240
Speaker 1: Never lie to yourself. Okay, you can learn a lot

634
00:33:23,320 --> 00:33:26,600
Speaker 1: from your mistakes if you don't deny them. Okay, Shad

635
00:33:26,760 --> 00:33:28,800
Speaker 1: Moss is not bow Wow anymore, and that's fine. Bow

636
00:33:28,880 --> 00:33:31,760
Speaker 1: Wow got the private jets. Chad Moss don't, at least

637
00:33:31,840 --> 00:33:34,320
Speaker 1: not yet anyway. Tomorrow of the story is Shad Moss,

638
00:33:34,360 --> 00:33:36,160
Speaker 1: You're not lying to me, You're lying to yourself. And

639
00:33:36,200 --> 00:33:38,200
Speaker 1: the man who lies himself and listening to his own

640
00:33:38,280 --> 00:33:40,160
Speaker 1: lie comes to a point where he does not discern

641
00:33:40,240 --> 00:33:42,640
Speaker 1: any truth in himself or anyone around him. I bet

642
00:33:42,720 --> 00:33:46,080
Speaker 1: Shad Moss don't trust nobody simply because he don't trust himself.

643
00:33:46,120 --> 00:33:47,880
Speaker 1: And why should he when you're a thirty year old

644
00:33:47,880 --> 00:33:49,600
Speaker 1: grown ass man who still got a little ten year

645
00:33:49,600 --> 00:33:53,000
Speaker 1: old boy raps superstar living inside of him. Shad Moss

646
00:33:53,080 --> 00:33:55,240
Speaker 1: at this point in his life is trans bow Wow

647
00:33:55,840 --> 00:33:58,560
Speaker 1: and that's not healthy. Okay, did Shad moster? Truth will

648
00:33:58,560 --> 00:34:00,720
Speaker 1: set you free, but you first have to really which

649
00:34:00,760 --> 00:34:03,000
Speaker 1: a lie is holding you hostage? And the truth fish

650
00:34:03,000 --> 00:34:05,160
Speaker 1: Shot Moss, you are not a little by wout anymore.

651
00:34:05,440 --> 00:34:07,920
Speaker 1: Forget growing up hip hop. You just need to grow up, period.

652
00:34:08,320 --> 00:34:15,080
Speaker 1: Please give Shot Moss the biggest he Hall police just now.

653
00:34:15,080 --> 00:34:17,320
Speaker 1: If Shot Mars is smart, he leaves this alone. But

654
00:34:17,360 --> 00:34:19,239
Speaker 1: I fear to day that shot Moss is gonna pull

655
00:34:19,280 --> 00:34:21,680
Speaker 1: up the Taborough Airport and either take a video of

656
00:34:21,800 --> 00:34:24,080
Speaker 1: him about to get on a private jet. Oh, he's

657
00:34:24,080 --> 00:34:26,359
Speaker 1: gonna take a video of him actually in a private jet,

658
00:34:26,520 --> 00:34:29,120
Speaker 1: but the jet not gonna take off, okay, or worse yet,

659
00:34:29,160 --> 00:34:31,359
Speaker 1: Shad Moss might just blow the bread. To plan blow

660
00:34:31,400 --> 00:34:33,000
Speaker 1: the bread. He think hes gonna blow the bread, has

661
00:34:33,080 --> 00:34:35,440
Speaker 1: to That's what you got. He has. He has to

662
00:34:35,520 --> 00:34:40,000
Speaker 1: go to today, and he has to spend. He's going

663
00:34:40,040 --> 00:34:42,400
Speaker 1: to the land and it costs him about cost him

664
00:34:42,400 --> 00:34:45,360
Speaker 1: about twenty thousand, eighty fifteen thousand if you get a

665
00:34:45,400 --> 00:34:46,960
Speaker 1: hook up. But if he's going to LA's gonna cost

666
00:34:47,000 --> 00:34:49,160
Speaker 1: him thirty thousand, He's gonna spend fifteen thous Oh. Listen,

667
00:34:49,480 --> 00:34:51,799
Speaker 1: whether he goes to tita Borough Airport to fake take

668
00:34:51,880 --> 00:34:53,880
Speaker 1: pictures of him on the private jet, or whether he

669
00:34:54,000 --> 00:34:56,080
Speaker 1: blows the bread. The moral of the story is the

670
00:34:56,160 --> 00:34:58,960
Speaker 1: front and will continue its Shad Moss smart enough to

671
00:34:59,000 --> 00:35:01,400
Speaker 1: stop the fronten find out on the next edition of

672
00:35:01,480 --> 00:35:07,640
Speaker 1: Growing Up by Wow the Breakfast Club Morning, everybody is

673
00:35:07,719 --> 00:35:10,839
Speaker 1: dj Envy, Angela Yee, Charlomagne and the guy we are

674
00:35:10,880 --> 00:35:12,799
Speaker 1: the Breakfast Club. We got a special guest with us

675
00:35:12,880 --> 00:35:15,439
Speaker 1: this morning. What to do from Detroit? What I doubt

676
00:35:15,560 --> 00:35:18,200
Speaker 1: t Grizzly? What's going on? What's up? So? How long

677
00:35:18,200 --> 00:35:21,479
Speaker 1: have you been into Orctic? Now? We got here yesterday morning? Okay.

678
00:35:21,520 --> 00:35:24,080
Speaker 1: I was just trying to do some timing of things, yeah,

679
00:35:24,080 --> 00:35:26,120
Speaker 1: because I know they just did the DOUBLESL Freshman cover.

680
00:35:26,200 --> 00:35:27,480
Speaker 1: So I was trying to figure out if you're on

681
00:35:27,560 --> 00:35:30,120
Speaker 1: the Freshman cover, right, I mean, that's that's song to

682
00:35:30,200 --> 00:35:34,000
Speaker 1: be revealed. Okay, So maybe Crizzly got a record out

683
00:35:34,040 --> 00:35:37,840
Speaker 1: there first day out? Yea? Which is it's it's a

684
00:35:38,080 --> 00:35:41,439
Speaker 1: non it's not your typical songs, not traditional, it doesn't

685
00:35:41,480 --> 00:35:43,759
Speaker 1: have a hook. He's just spitting on it. But it

686
00:35:43,840 --> 00:35:46,160
Speaker 1: seems to be catching a lot of steam outside, not

687
00:35:46,239 --> 00:35:49,200
Speaker 1: only in Detroit, but outside of Detroit. Yea, So tell

688
00:35:49,280 --> 00:35:50,680
Speaker 1: us about this song? Can you talk about a lot

689
00:35:50,719 --> 00:35:52,319
Speaker 1: about in this song? Can you give up a lot

690
00:35:52,360 --> 00:35:56,839
Speaker 1: of information about yourself that song? When I first got

691
00:35:56,920 --> 00:35:58,719
Speaker 1: locked up, right, a lot of people ain't know what

692
00:35:58,800 --> 00:36:00,440
Speaker 1: I was locked up, but you can locked up for

693
00:36:00,719 --> 00:36:03,040
Speaker 1: I got locked up for a smash and grab in Kentucky.

694
00:36:03,320 --> 00:36:06,400
Speaker 1: Smash and Grab a smash and grab is when you

695
00:36:06,480 --> 00:36:09,400
Speaker 1: run in the jury store with a slash hammer, smash

696
00:36:09,880 --> 00:36:13,040
Speaker 1: whatever particular piece of jury that you want, and run

697
00:36:13,120 --> 00:36:14,759
Speaker 1: out of there two gears. Are you too big to

698
00:36:14,800 --> 00:36:16,960
Speaker 1: be doing a smash and grab? I know, but it

699
00:36:17,080 --> 00:36:19,200
Speaker 1: was it was It was hectic me back there. Who

700
00:36:19,239 --> 00:36:22,319
Speaker 1: was that idea? That wasn't your idea? It wasn't my idea. Okay,

701
00:36:22,400 --> 00:36:25,680
Speaker 1: it wasn't my idea, but it made the owner came

702
00:36:25,719 --> 00:36:27,359
Speaker 1: out and he made you guys he had a gun,

703
00:36:27,880 --> 00:36:29,600
Speaker 1: and then he made you guys wait till the cops came,

704
00:36:30,160 --> 00:36:32,520
Speaker 1: and then that's how you guys ended up getting arrested

705
00:36:32,560 --> 00:36:34,320
Speaker 1: by It wasn't even the owner. It was a customer

706
00:36:35,320 --> 00:36:38,160
Speaker 1: dude that pulled the gun out of there. Samaritan, right,

707
00:36:38,239 --> 00:36:42,040
Speaker 1: he got nothing on the line. He just said, oh court, y'all, yeah,

708
00:36:42,160 --> 00:36:43,719
Speaker 1: what were you thinking when you were on the ground?

709
00:36:43,800 --> 00:36:47,360
Speaker 1: Like man, I was sick. I was sick. I had

710
00:36:47,440 --> 00:36:49,080
Speaker 1: called my grandma. She's like, what you're doing the way

711
00:36:49,080 --> 00:36:50,520
Speaker 1: down there? I'm like, I don't know. They got me.

712
00:36:50,960 --> 00:36:53,520
Speaker 1: Wait a minute. You went from Detroit to go particularly

713
00:36:53,600 --> 00:36:55,759
Speaker 1: to that store. Yeah, y'all, that was the mission, Like

714
00:36:55,800 --> 00:36:57,640
Speaker 1: we planned on we knew what we was going down

715
00:36:57,680 --> 00:37:00,800
Speaker 1: there for. Wow, And how far is that from your hometown?

716
00:37:01,360 --> 00:37:03,640
Speaker 1: That's like I want to say, like a six seven

717
00:37:03,680 --> 00:37:06,560
Speaker 1: hours drive. So you figured you go six seven hours away,

718
00:37:06,600 --> 00:37:08,360
Speaker 1: you get back home, nobody ever knew who you are

719
00:37:08,400 --> 00:37:10,920
Speaker 1: because you're so far away. Even if it's on care

720
00:37:11,040 --> 00:37:13,719
Speaker 1: maybe you're an identifiable looking person. Though I feel like

721
00:37:14,120 --> 00:37:15,840
Speaker 1: I know we ain't had no hoodies, no masks on

722
00:37:15,920 --> 00:37:19,200
Speaker 1: the night. That's how old were you? I was like nineteen. Oh,

723
00:37:19,200 --> 00:37:22,960
Speaker 1: you won't think this one through. We're gonna walk up

724
00:37:23,000 --> 00:37:25,680
Speaker 1: in there now. You sent this to eighteen months in

725
00:37:25,800 --> 00:37:28,560
Speaker 1: jail in Kentucky. Jail in Kentucky. And how much time

726
00:37:28,600 --> 00:37:32,400
Speaker 1: did you serve? I served nine months, then got got parole,

727
00:37:33,280 --> 00:37:35,279
Speaker 1: and then they sent me to Michigan because I had

728
00:37:35,280 --> 00:37:37,920
Speaker 1: a case of Michigan too. And what was the case

729
00:37:37,960 --> 00:37:40,880
Speaker 1: of Michigan for? I was going to Michigan State and

730
00:37:41,040 --> 00:37:43,279
Speaker 1: I was breaking in dorm. So I got charged on

731
00:37:43,320 --> 00:37:47,080
Speaker 1: home invasion at Michigan State. Is gracious put my phones away.

732
00:37:47,200 --> 00:37:53,600
Speaker 1: There's but you you do know that you're very fortunate

733
00:37:53,640 --> 00:37:55,279
Speaker 1: that things didn't turn out way I know it could have.

734
00:37:55,320 --> 00:37:57,000
Speaker 1: It could have got it could have got way crazier

735
00:37:57,080 --> 00:38:00,200
Speaker 1: because it is the crazy place too, even just grow

736
00:38:00,320 --> 00:38:02,640
Speaker 1: up in. Yeah, the two cases, I was fighting hold

737
00:38:03,080 --> 00:38:05,640
Speaker 1: Hold a lot of time, but we didn't go as far.

738
00:38:06,760 --> 00:38:08,400
Speaker 1: Me and my co defense don't go far enough for

739
00:38:08,440 --> 00:38:11,520
Speaker 1: them to cook us. Oh really? Yeah? Now, and that

740
00:38:11,600 --> 00:38:13,279
Speaker 1: and that soon you talked about that some of the

741
00:38:13,320 --> 00:38:15,799
Speaker 1: people that you would charged with toll on you. Yeah,

742
00:38:15,800 --> 00:38:18,120
Speaker 1: a couple a couple of them, y'all. So how did that?

743
00:38:18,280 --> 00:38:19,880
Speaker 1: How did that play out? Because I mean, y'all did

744
00:38:19,920 --> 00:38:22,920
Speaker 1: the crime, right, but they just they just wanted less time,

745
00:38:22,960 --> 00:38:25,520
Speaker 1: I guess. Yeah. They told him y'all could keep going

746
00:38:25,560 --> 00:38:28,440
Speaker 1: to school. Will you'll let y'all out right now? And

747
00:38:28,600 --> 00:38:31,879
Speaker 1: you know they roll with that. So what happens when

748
00:38:31,880 --> 00:38:34,040
Speaker 1: you see them after that or speak to them. I

749
00:38:34,160 --> 00:38:36,480
Speaker 1: got so much going right now that I don't even

750
00:38:36,480 --> 00:38:40,160
Speaker 1: pay no attention to it. But if it was different circumstances,

751
00:38:40,280 --> 00:38:42,960
Speaker 1: you feel the only Lord knows what it happened to them.

752
00:38:43,239 --> 00:38:45,319
Speaker 1: It's interesting because now you do have a lot going

753
00:38:45,400 --> 00:38:48,080
Speaker 1: on now. Back then, when you were nineteen, did you

754
00:38:48,160 --> 00:38:50,320
Speaker 1: have these aspirations of I'm gonna be an artist. I

755
00:38:50,440 --> 00:38:54,000
Speaker 1: want to I didn't through I didn't even have my mindset,

756
00:38:54,080 --> 00:38:56,279
Speaker 1: like I didn't know. I didn't even know who I

757
00:38:56,640 --> 00:38:59,400
Speaker 1: was at the time. The stuff I was doing, I

758
00:38:59,600 --> 00:39:01,520
Speaker 1: was doing just to show people that I would do it,

759
00:39:01,640 --> 00:39:05,000
Speaker 1: and I was into everything. I ain't had no dues

760
00:39:05,040 --> 00:39:07,319
Speaker 1: and don't no principles for real. I was really still

761
00:39:07,440 --> 00:39:09,759
Speaker 1: growing up, you know what I'm saying. It really took

762
00:39:09,840 --> 00:39:12,600
Speaker 1: for me to sit down to grow up and figure

763
00:39:12,600 --> 00:39:14,239
Speaker 1: out what I need to do, how I need to think,

764
00:39:14,280 --> 00:39:15,920
Speaker 1: and who I need to be. I know, from a

765
00:39:16,040 --> 00:39:18,319
Speaker 1: young age I read your parents were in and out

766
00:39:18,360 --> 00:39:20,759
Speaker 1: of jail when you were growing up. Did they ever

767
00:39:20,880 --> 00:39:22,640
Speaker 1: try to talk to you about things like that or

768
00:39:22,800 --> 00:39:25,879
Speaker 1: was it just kind of a you were running wild?

769
00:39:26,719 --> 00:39:28,400
Speaker 1: I mean, I had a lot of older people in

770
00:39:28,480 --> 00:39:30,400
Speaker 1: my family was like, don't do this, don't do that,

771
00:39:30,560 --> 00:39:31,800
Speaker 1: you know what I'm saying. But at the end of

772
00:39:31,840 --> 00:39:34,440
Speaker 1: the day, all I'm seeing is what they're doing, and

773
00:39:34,920 --> 00:39:37,200
Speaker 1: they doing what they're telling me not to do. So

774
00:39:38,520 --> 00:39:40,120
Speaker 1: I really don't know what else it is to do

775
00:39:40,200 --> 00:39:42,120
Speaker 1: if this is all I'm seeing. Right, you see how

776
00:39:42,120 --> 00:39:43,560
Speaker 1: they're getting in and you're like, well, that's just what

777
00:39:43,760 --> 00:39:46,680
Speaker 1: life is. Yeah, And then your father's no longer with us,

778
00:39:46,800 --> 00:39:49,640
Speaker 1: right right? But your your mom is still yeah, but

779
00:39:49,719 --> 00:39:53,440
Speaker 1: she incarcerated. Okay, you speak to her often. I speak

780
00:39:53,440 --> 00:39:56,080
Speaker 1: to her often, video visits, phone, all that type of stuff.

781
00:39:56,640 --> 00:39:59,840
Speaker 1: Anytime soon, not no time soon hopefully because they passed

782
00:39:59,840 --> 00:40:02,759
Speaker 1: and different type of loss, but for drugs. Yeah, y'all.

783
00:40:03,239 --> 00:40:05,680
Speaker 1: What did she have to say now about you being

784
00:40:05,760 --> 00:40:08,719
Speaker 1: more successful? I mean, she happy for me, you know

785
00:40:08,760 --> 00:40:10,840
Speaker 1: what I'm saying. She showing everybody in their pictures or

786
00:40:10,920 --> 00:40:12,440
Speaker 1: this is my son. A lot of people that she

787
00:40:12,560 --> 00:40:14,400
Speaker 1: locked up with know about me, and she locked up

788
00:40:14,400 --> 00:40:17,400
Speaker 1: in the tit she in Florida, Tallahassee, Florida, and Florida.

789
00:40:17,440 --> 00:40:19,880
Speaker 1: You know the fad send you all across the country. Absolutely,

790
00:40:19,920 --> 00:40:22,920
Speaker 1: So how did you get into music? Then? I always

791
00:40:23,440 --> 00:40:28,960
Speaker 1: in Detroit. It's like it's kind of a like flashy,

792
00:40:29,120 --> 00:40:32,600
Speaker 1: arrogant city, right, and a lot of people will wrap

793
00:40:33,680 --> 00:40:36,279
Speaker 1: to show people or to let other people know, like

794
00:40:36,719 --> 00:40:38,200
Speaker 1: this is what I got, this is what we'd be doing,

795
00:40:38,280 --> 00:40:41,080
Speaker 1: this ideas or you know what I'm saying. So I

796
00:40:41,200 --> 00:40:43,960
Speaker 1: got into it like that, and once I found out

797
00:40:44,920 --> 00:40:48,000
Speaker 1: that I had some type of talent, I just started

798
00:40:48,239 --> 00:40:51,160
Speaker 1: taking it serious. When did you realize you had some

799
00:40:51,200 --> 00:40:53,239
Speaker 1: type of talent? What was it that made you? Was

800
00:40:53,280 --> 00:40:55,360
Speaker 1: it other people? Was it that other people? That's that

801
00:40:55,520 --> 00:40:57,279
Speaker 1: that was going crazy off of the stuff I said?

802
00:40:57,880 --> 00:41:01,080
Speaker 1: It was other people around the city. But I used

803
00:41:01,080 --> 00:41:03,480
Speaker 1: to think that my city was the industry. I really

804
00:41:03,520 --> 00:41:06,640
Speaker 1: didn't care about the music going outside Detroit. Could be

805
00:41:06,680 --> 00:41:10,480
Speaker 1: at nice local celebrity in Detroit. Yeah, I feel like

806
00:41:10,520 --> 00:41:12,440
Speaker 1: if if I was the celebrity in Detroit, that I

807
00:41:12,520 --> 00:41:16,120
Speaker 1: made it right. So when so, you didn't start writing

808
00:41:16,120 --> 00:41:18,520
Speaker 1: in jail before you before you got locked up, you

809
00:41:18,560 --> 00:41:20,800
Speaker 1: was already writing it and playing with raps. Yeah, but

810
00:41:20,920 --> 00:41:22,759
Speaker 1: I was doing a lot of exaggers righting though, and

811
00:41:22,880 --> 00:41:24,799
Speaker 1: I was doing a lot of what I thought people

812
00:41:24,840 --> 00:41:26,560
Speaker 1: wanted to hear. When I got locked up, that's when

813
00:41:26,560 --> 00:41:29,759
Speaker 1: I realized that if I really put some thought into it,

814
00:41:29,840 --> 00:41:32,160
Speaker 1: I could tell my story and still make it sound interesting.

815
00:41:32,400 --> 00:41:35,000
Speaker 1: And then you did First Day Out yea, and that

816
00:41:35,120 --> 00:41:37,560
Speaker 1: record took off. How did that record start to take off?

817
00:41:37,560 --> 00:41:41,640
Speaker 1: Because it's I mean, you usually don't see artists that

818
00:41:42,040 --> 00:41:44,279
Speaker 1: aren't signed, and the record just popped like the way

819
00:41:44,320 --> 00:41:46,400
Speaker 1: that it did. Right, How did it take off? I

820
00:41:46,400 --> 00:41:48,160
Speaker 1: ain't gonna lot to you. I don't know, Like, if

821
00:41:48,200 --> 00:41:50,320
Speaker 1: I had the formula I do it anytime, right, but

822
00:41:50,480 --> 00:41:53,000
Speaker 1: sometimes that's the best way. There's no real formula. Yeah,

823
00:41:53,360 --> 00:41:55,040
Speaker 1: we got more with T Grizzly when we come back.

824
00:41:55,160 --> 00:41:58,840
Speaker 1: Keep it locked as the Breakfast Club too. It's DJ

825
00:41:59,239 --> 00:42:02,240
Speaker 1: Envy Ange Laye Charlomagne the guy. We all the Breakfast

826
00:42:02,280 --> 00:42:04,279
Speaker 1: Club Te Grizzlies in the building now on the song,

827
00:42:04,320 --> 00:42:06,000
Speaker 1: you said you're on parole in two states. You can't

828
00:42:06,040 --> 00:42:08,080
Speaker 1: move wrong? Trying to build the case? Right? Are they

829
00:42:08,120 --> 00:42:10,200
Speaker 1: still trying to build a case on you? I mean,

830
00:42:11,160 --> 00:42:13,600
Speaker 1: that's what That's what I keep hearing. That's what I

831
00:42:13,719 --> 00:42:17,520
Speaker 1: keep hearing. I'm out for all Kentucky and Michigan every

832
00:42:17,600 --> 00:42:20,239
Speaker 1: time I go report. You know what I'm saying my

833
00:42:20,280 --> 00:42:23,000
Speaker 1: offers black. Just make sure you being careful and you

834
00:42:23,080 --> 00:42:26,560
Speaker 1: know people want to see you back to where you

835
00:42:26,680 --> 00:42:29,279
Speaker 1: was at. Can you perform in Kentucky? I can't. We can't.

836
00:42:29,400 --> 00:42:31,239
Speaker 1: No problems. You don't know, you don't need no. I

837
00:42:32,320 --> 00:42:34,279
Speaker 1: just gotta call before I go down there and let

838
00:42:34,360 --> 00:42:35,839
Speaker 1: him know that I'm coming. Did you have a really

839
00:42:35,880 --> 00:42:38,160
Speaker 1: good lawyer? How did you manage to get such a

840
00:42:38,160 --> 00:42:41,279
Speaker 1: little time for everything? I ain't gonna at first I

841
00:42:41,360 --> 00:42:44,160
Speaker 1: had a quarter point, right, but one of my co defendants.

842
00:42:44,960 --> 00:42:48,239
Speaker 1: All of us had had quarter depointents, but they have

843
00:42:48,400 --> 00:42:50,360
Speaker 1: to I think it's called pro bone or something like that.

844
00:42:50,480 --> 00:42:52,400
Speaker 1: They have to give you one paid lawyer, and I

845
00:42:52,560 --> 00:42:55,880
Speaker 1: ended up getting like the best paid lawyer down there.

846
00:42:56,000 --> 00:42:58,239
Speaker 1: Like I really like luked up and he was black,

847
00:42:58,320 --> 00:43:01,680
Speaker 1: So you know what I'm saying. He was rocking with me. No,

848
00:43:01,840 --> 00:43:06,759
Speaker 1: I know you got How is your mom and dad

849
00:43:07,080 --> 00:43:09,120
Speaker 1: being in and out of jail effect the way that

850
00:43:09,200 --> 00:43:11,439
Speaker 1: you were raised? Because did you look at that and say,

851
00:43:11,840 --> 00:43:13,480
Speaker 1: they're making money, this is what I want to do,

852
00:43:13,640 --> 00:43:14,759
Speaker 1: or did you look at it but like I don't

853
00:43:14,760 --> 00:43:17,200
Speaker 1: want to be nothing like that. I looked at it

854
00:43:17,239 --> 00:43:18,880
Speaker 1: and so that that's what I wanted to do because

855
00:43:20,480 --> 00:43:23,919
Speaker 1: what I was exposed to growing up. I'm seeing people

856
00:43:24,480 --> 00:43:28,680
Speaker 1: on drugs, I'm seeing alcoholics, and I'm seeing people being poor,

857
00:43:29,400 --> 00:43:32,040
Speaker 1: and I'm seeing people into sports but they still ain't

858
00:43:32,080 --> 00:43:33,879
Speaker 1: got it. And then I'm seeing the people who's selling

859
00:43:33,920 --> 00:43:35,520
Speaker 1: drugs and they like they live in the best type

860
00:43:35,520 --> 00:43:37,960
Speaker 1: of life, Like this is all I'm exposed to. So

861
00:43:38,160 --> 00:43:40,239
Speaker 1: of course I wanted to be like that, you know

862
00:43:40,280 --> 00:43:42,960
Speaker 1: what I'm saying. But as I got older, I questioned

863
00:43:43,000 --> 00:43:44,680
Speaker 1: a lot, and I'm really observant. So as I got

864
00:43:44,719 --> 00:43:47,279
Speaker 1: older and start seeing different stuff, I knew that it

865
00:43:47,400 --> 00:43:49,720
Speaker 1: was more out there. Do you still live in Detroit?

866
00:43:50,239 --> 00:43:52,919
Speaker 1: I do because I'm a paroter. I can't live. You can't.

867
00:43:52,960 --> 00:43:54,400
Speaker 1: Do you want to leave or do you feel like

868
00:43:54,440 --> 00:43:56,759
Speaker 1: you want to stay? I can't leave, but I would

869
00:43:56,800 --> 00:43:58,440
Speaker 1: have to switch agents. And I don't think no other

870
00:43:58,480 --> 00:44:00,759
Speaker 1: parole agent to be as lean as my right now,

871
00:44:00,840 --> 00:44:03,840
Speaker 1: like she let me, like she for me. You know

872
00:44:03,840 --> 00:44:05,560
Speaker 1: what I'm saying. They want to see you want to

873
00:44:05,600 --> 00:44:07,879
Speaker 1: see me win? Now? You nervous? Would making another single?

874
00:44:07,920 --> 00:44:10,800
Speaker 1: Because I tell everybody this single, this record was not

875
00:44:10,840 --> 00:44:13,120
Speaker 1: supposed to be as big as it is. It's it's

876
00:44:13,280 --> 00:44:16,120
Speaker 1: has no hook, right, It's talking about a whole bunch

877
00:44:16,160 --> 00:44:18,160
Speaker 1: of locals, a whole bunch of local stuff. You talk

878
00:44:18,160 --> 00:44:21,279
Speaker 1: about going to jail. But it works. People really really

879
00:44:21,360 --> 00:44:23,440
Speaker 1: feel it. Right now? Does that give you pressure to

880
00:44:23,520 --> 00:44:27,000
Speaker 1: make a quote unquote single single? No. The reason I

881
00:44:27,040 --> 00:44:29,480
Speaker 1: ain't nervous. I'm never nervous when they come to music

882
00:44:29,520 --> 00:44:31,919
Speaker 1: because I feel the same about all my songs. I'm

883
00:44:31,960 --> 00:44:33,920
Speaker 1: telling my story, I'm putting my all into it, and

884
00:44:34,000 --> 00:44:35,520
Speaker 1: there's a lot of people that can relate to my

885
00:44:35,640 --> 00:44:39,719
Speaker 1: story because I'm from where a lot of people, majority

886
00:44:39,760 --> 00:44:43,400
Speaker 1: of our population come from. So I ain't never nervous.

887
00:44:44,040 --> 00:44:46,960
Speaker 1: How you in Detroit now? How they treat me there? Yeah,

888
00:44:47,160 --> 00:44:49,759
Speaker 1: they love you. They love me in Detroit. They like

889
00:44:49,880 --> 00:44:51,880
Speaker 1: they really rooting for me in Detroit. You know, in

890
00:44:51,960 --> 00:44:54,560
Speaker 1: the city when the rapper come out, somebody always beefing

891
00:44:54,640 --> 00:44:57,799
Speaker 1: with somebody or somebody always got something on their name.

892
00:44:57,880 --> 00:45:00,800
Speaker 1: With me, it's just like his name good, he people nobody.

893
00:45:01,280 --> 00:45:04,439
Speaker 1: He reaching back to the city and he one hunting

894
00:45:04,480 --> 00:45:06,560
Speaker 1: and I'm humble every time people run into me. Do

895
00:45:06,640 --> 00:45:09,000
Speaker 1: you feel like it's I know, as an artist and

896
00:45:09,040 --> 00:45:10,440
Speaker 1: you're working your music and you have to go to

897
00:45:10,520 --> 00:45:12,600
Speaker 1: the clubs and everything like that, do you feel like

898
00:45:12,680 --> 00:45:15,160
Speaker 1: sometimes Okay, I don't want to get into something unnecessary,

899
00:45:15,280 --> 00:45:17,719
Speaker 1: So I don't want to do all that because I

900
00:45:17,840 --> 00:45:20,480
Speaker 1: know a lot of incidents have happened, like in Detroit

901
00:45:20,560 --> 00:45:23,719
Speaker 1: with artists and stuff like that. Right, I don't feel

902
00:45:23,719 --> 00:45:26,800
Speaker 1: like I'll be putting that situation because i'dn't seen it

903
00:45:26,880 --> 00:45:29,440
Speaker 1: so many times. So when they represent itself, I know

904
00:45:29,600 --> 00:45:31,680
Speaker 1: when something they right, like I could kind of feel

905
00:45:31,680 --> 00:45:33,759
Speaker 1: it and see it. So I really stay away from

906
00:45:33,760 --> 00:45:36,000
Speaker 1: all of that I got, not only do I got

907
00:45:36,040 --> 00:45:37,520
Speaker 1: too much to lose. I got a lot of people

908
00:45:37,600 --> 00:45:39,719
Speaker 1: depending on me, right, you know what I'm saying, a

909
00:45:39,840 --> 00:45:41,600
Speaker 1: lot of people. If I don't make it, a lot

910
00:45:41,600 --> 00:45:43,880
Speaker 1: of people ain't gonna make it. They said that you

911
00:45:43,960 --> 00:45:46,640
Speaker 1: read a lot when you were in jail. What were

912
00:45:46,640 --> 00:45:50,040
Speaker 1: you reading? I read anything. I read hood novels. Already,

913
00:45:52,520 --> 00:45:55,759
Speaker 1: hood novel was his love stories, too read hood novels.

914
00:45:55,800 --> 00:45:58,719
Speaker 1: I read real estate, I read business books. I read

915
00:45:59,120 --> 00:46:03,359
Speaker 1: I read every type book because it's like sometimes they

916
00:46:03,400 --> 00:46:06,120
Speaker 1: are like closed the yard, clothes. Everything. You had to

917
00:46:06,120 --> 00:46:08,480
Speaker 1: stay in yourself and this would be this could go

918
00:46:08,560 --> 00:46:11,440
Speaker 1: on for months, you know what I'm saying. And I

919
00:46:11,520 --> 00:46:14,239
Speaker 1: ain't had no TV when I first got locked up,

920
00:46:14,719 --> 00:46:16,759
Speaker 1: But it was a whole bunch of books around. When

921
00:46:16,800 --> 00:46:19,080
Speaker 1: I read my first book, I never read a whole

922
00:46:19,120 --> 00:46:20,920
Speaker 1: book prior to me like this. When I read my

923
00:46:21,040 --> 00:46:24,000
Speaker 1: first book, I felt at all. No, I never read

924
00:46:24,040 --> 00:46:27,279
Speaker 1: a whole book like I skimmed through something. But I

925
00:46:27,360 --> 00:46:29,000
Speaker 1: never read a whole book. When I read my first

926
00:46:29,040 --> 00:46:32,160
Speaker 1: whole book, I loved it. So I just had people

927
00:46:32,200 --> 00:46:33,960
Speaker 1: sending me books and was just reading. This has been

928
00:46:33,960 --> 00:46:40,880
Speaker 1: a great time for Charlemagne book right now, Black privilege

929
00:46:40,920 --> 00:46:43,440
Speaker 1: opportunity comes to those who created in stores now all

930
00:46:43,480 --> 00:46:48,279
Speaker 1: the bills available as well. Okay, I heard him say

931
00:46:48,280 --> 00:46:49,880
Speaker 1: it a lot of times, so I can now recite

932
00:46:49,920 --> 00:46:52,880
Speaker 1: everything that he would say if he was here. Are

933
00:46:52,920 --> 00:46:55,759
Speaker 1: you concerned about like the young kids now, perhaps like

934
00:46:55,960 --> 00:46:59,000
Speaker 1: not having the guidance and getting into things like do

935
00:46:59,040 --> 00:47:00,480
Speaker 1: you feel like you're the type of person because they

936
00:47:00,480 --> 00:47:02,080
Speaker 1: could look at somebody like you and say, he's just

937
00:47:02,320 --> 00:47:04,560
Speaker 1: like us. Yeah, you know, he made the mistakes that

938
00:47:04,640 --> 00:47:07,320
Speaker 1: he made. You were fortunate enough that you you know

939
00:47:07,719 --> 00:47:10,160
Speaker 1: had and probably you're going to John sitting down for

940
00:47:10,239 --> 00:47:13,239
Speaker 1: that period of time that you did was really beneficial. Yeah,

941
00:47:13,280 --> 00:47:15,960
Speaker 1: it was to you anyway. So do you ever talk

942
00:47:16,000 --> 00:47:17,680
Speaker 1: to the kids, because I'm sure you're somebody that they

943
00:47:17,680 --> 00:47:19,719
Speaker 1: would really listen to. I'll talk to him, and I

944
00:47:19,800 --> 00:47:21,719
Speaker 1: want to talk to as many as possible, because it's like,

945
00:47:22,320 --> 00:47:24,959
Speaker 1: I know what they need to hear. So many people

946
00:47:25,080 --> 00:47:28,680
Speaker 1: come in and speak, but we don't get nothing from

947
00:47:28,719 --> 00:47:31,399
Speaker 1: it because at the end of the day when they leave,

948
00:47:31,440 --> 00:47:32,879
Speaker 1: we don't have we still ain't got nothing to look

949
00:47:32,920 --> 00:47:35,640
Speaker 1: forward to, and they really not qualified to even talk

950
00:47:35,640 --> 00:47:37,080
Speaker 1: to us because they don't know what we need to hear.

951
00:47:37,480 --> 00:47:38,880
Speaker 1: I know what they need to hear because I've been

952
00:47:38,920 --> 00:47:40,759
Speaker 1: in their shoes. You know. That's why I go to

953
00:47:40,840 --> 00:47:42,480
Speaker 1: the high schools and talk to him and kick it

954
00:47:42,560 --> 00:47:44,799
Speaker 1: with them, because after I talked to my flight dad

955
00:47:44,840 --> 00:47:46,320
Speaker 1: had something to look forward to. Like, what do you

956
00:47:46,360 --> 00:47:48,600
Speaker 1: say to the kids, I'll tell them, First of all,

957
00:47:48,640 --> 00:47:51,720
Speaker 1: you gotta set some realistic goals. A lot of stuff

958
00:47:51,760 --> 00:47:53,399
Speaker 1: that we want to do. Coming from where we come from,

959
00:47:53,920 --> 00:47:56,239
Speaker 1: we set goals that ain't realistic, right, Like how you

960
00:47:56,280 --> 00:47:59,600
Speaker 1: would exaggerate in your wraps and talk about things right, Yeah,

961
00:48:00,239 --> 00:48:02,759
Speaker 1: you're like, I'm not there yet. We want stuff to

962
00:48:02,840 --> 00:48:05,320
Speaker 1: be an event instead of a process, you know what

963
00:48:05,320 --> 00:48:07,799
Speaker 1: I'm saying. So that's that's one thing we got to learn.

964
00:48:08,080 --> 00:48:11,320
Speaker 1: They gotta learn how the world work. I'm still surprised

965
00:48:11,320 --> 00:48:13,520
Speaker 1: you did a smashing grab with no mask or no

966
00:48:13,719 --> 00:48:16,279
Speaker 1: nothing with those dregs. And I'm told you all in

967
00:48:16,440 --> 00:48:19,440
Speaker 1: Kentucky at the time I grew drigs when I was like, okay,

968
00:48:19,480 --> 00:48:23,239
Speaker 1: I didn't want nobody laughing. You Like, how to tell you, ye,

969
00:48:23,360 --> 00:48:26,239
Speaker 1: six feet people can't do no smashing grab? Yeah, that's

970
00:48:26,239 --> 00:48:30,360
Speaker 1: just way bus. I was like three twenty, and the

971
00:48:30,440 --> 00:48:36,080
Speaker 1: plan was to run across the high When you guys

972
00:48:36,160 --> 00:48:39,080
Speaker 1: came up with this plan, No man, some dudes came

973
00:48:39,160 --> 00:48:42,640
Speaker 1: up with the plan that ain't even ain't even mentally

974
00:48:43,280 --> 00:48:45,120
Speaker 1: laying like that to come up with no plan like that.

975
00:48:46,239 --> 00:48:47,600
Speaker 1: So he was just rocking with it because once you

976
00:48:47,680 --> 00:48:49,480
Speaker 1: start going, you can't back down. If you think about it,

977
00:48:49,640 --> 00:48:51,600
Speaker 1: right now, if me and at Grizzly do a crime,

978
00:48:51,760 --> 00:48:54,320
Speaker 1: right guy comes out, I'm gonna keep running because I

979
00:48:54,360 --> 00:48:58,600
Speaker 1: figured they're gonna catch te Grizzly. They definitely him try.

980
00:48:59,040 --> 00:49:02,000
Speaker 1: I was out of there, and if I got some

981
00:49:02,120 --> 00:49:04,279
Speaker 1: type of speed plus I would have fought, I would

982
00:49:04,320 --> 00:49:05,920
Speaker 1: have I would have got away. And if they did

983
00:49:06,000 --> 00:49:07,680
Speaker 1: catch Envy, he definitely would have said I'll take the

984
00:49:07,760 --> 00:49:10,759
Speaker 1: deal to go back to school. I wouldn't not with

985
00:49:10,920 --> 00:49:13,320
Speaker 1: that on my own. You know, you're you're a lyrical rapper.

986
00:49:13,840 --> 00:49:15,600
Speaker 1: A lot of the rap that's coming out now and

987
00:49:15,640 --> 00:49:17,560
Speaker 1: the new rap is not as lyrical. They call it

988
00:49:17,640 --> 00:49:19,319
Speaker 1: the mumble rap. What do you think about the whole

989
00:49:19,400 --> 00:49:22,640
Speaker 1: mumble quote unquote mumble rap phase. I mean it's working

990
00:49:22,719 --> 00:49:24,319
Speaker 1: for him, so I ain't gonna tell them stop doing

991
00:49:24,480 --> 00:49:26,600
Speaker 1: was working for him. They feel their families like that

992
00:49:26,719 --> 00:49:29,240
Speaker 1: you feel, but you were never into that. No, because

993
00:49:29,880 --> 00:49:31,920
Speaker 1: I don't know how to do it, for one, and

994
00:49:32,000 --> 00:49:34,560
Speaker 1: for two, I wouldn't try to do it because they're

995
00:49:34,560 --> 00:49:36,440
Speaker 1: doing it. Because I feel like if I want to

996
00:49:36,440 --> 00:49:38,719
Speaker 1: be like anybody else, who gonna want to be like me? Rue?

997
00:49:39,160 --> 00:49:41,480
Speaker 1: You feeling me? So? All right, Well, we appreciate you

998
00:49:41,600 --> 00:49:44,359
Speaker 1: for joining us. T Grizzy. It's the Breakfast Club. Good morning,

999
00:49:45,400 --> 00:49:52,000
Speaker 1: the Breakfast Club and running. Everybody is DJ Envy Angela, Ye,

1000
00:49:52,200 --> 00:49:55,640
Speaker 1: Charlomagne the guy. We are the Breakfast Club. Memorial Day.

1001
00:49:56,040 --> 00:49:58,200
Speaker 1: What do you guys do it for Memorial Day? Ye? Listen,

1002
00:49:58,239 --> 00:50:00,479
Speaker 1: you already know what I'm doing this Memorial Day weekend.

1003
00:50:00,520 --> 00:50:02,839
Speaker 1: I'm working. So hey, shall y'all come check me out?

1004
00:50:03,200 --> 00:50:05,160
Speaker 1: Let's be healthy this Memorial Day. We can come get

1005
00:50:05,200 --> 00:50:06,440
Speaker 1: your juice and then you can go ahead and go

1006
00:50:06,480 --> 00:50:08,640
Speaker 1: to your barbecue. Balance baby, that's what it's all about.

1007
00:50:09,680 --> 00:50:13,080
Speaker 1: Two seventy seven, Malcolm X Boulevard in Brooklyn, in bed Stye,

1008
00:50:13,360 --> 00:50:15,600
Speaker 1: all right, Sharlow, what you're doing. I'm at home and

1009
00:50:15,719 --> 00:50:18,120
Speaker 1: my bed mind and my damn business. Well that's what

1010
00:50:18,200 --> 00:50:21,400
Speaker 1: you're doing. Now. What you're doing later that barbecue in

1011
00:50:22,000 --> 00:50:25,359
Speaker 1: I doubt it. Maybe will everybody go to Ogu Shallow House.

1012
00:50:25,360 --> 00:50:27,720
Speaker 1: We go to Ogule Shallote House and we're gonna barbecue

1013
00:50:27,719 --> 00:50:33,719
Speaker 1: at his house. I mean, all right. When we come

1014
00:50:33,800 --> 00:50:35,960
Speaker 1: back to People's Choice Mixes to Breakfast Club, good morning,