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Speaker 1: The volume a little bit of a rolling start. We had.

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Speaker 2: We had a guest cancel uh due to some things

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Speaker 2: I totally understand. Yeah, getting getting jammed up with had

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Speaker 2: a guest canceled. That's why baby D's not here either.

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Speaker 2: But I mean, let's let's let's shoot the ship and

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Speaker 2: have an episode.

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Speaker 1: I love. I love shooting ship.

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Speaker 2: What you were? Yeah, man, let's let's get to know

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Speaker 2: each other. Welcome back middle of the week. Yes, yeah,

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Speaker 2: you are powered by boost.

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Speaker 1: I love the middle of the weeks for I don't

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Speaker 1: know why.

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Speaker 3: It's just you're you're a humpday guy. Yes, I was

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Speaker 3: trying to find a joke in it somewhere, but yes

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Speaker 3: I am. I am a middle of the week type

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Speaker 3: of guy.

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Speaker 1: Why, I don't know.

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Speaker 3: It's kind of like you know where you like on

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Speaker 3: a on a flight or trip somewhere, and you go

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Speaker 3: take a nap, you wake up, you look at the

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Speaker 3: little map, see you're adding like you're halfway there.

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Speaker 1: You know that feeling you.

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Speaker 2: Get, Okay, that's what I get on It's only a

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Speaker 2: countdown from here more or less.

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Speaker 1: Like this, man, we almost almost.

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Speaker 2: Tuesday and Wednesday are pretty much the most useless weeks.

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Speaker 2: As far as excitement goes.

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Speaker 1: But I hear you.

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Speaker 2: Yeah, I mean, unless you're in New York City, where

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Speaker 2: they try to make every night some special club Tuesdays

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Speaker 2: Ladies Night. New York is really good at just making

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Speaker 2: days that don't matter matter. But speaking of naps, I mean,

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Speaker 2: I think this is the best topic to start with.

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Speaker 2: You said you took a nap for the first time.

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Speaker 2: That nap for the first time, not learning so much

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Speaker 2: about you took.

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Speaker 3: A nap for the first time in almost two years yesterday.

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Speaker 3: Incredible with a kid. Man, at any type of free

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Speaker 3: time I have, I'll take it.

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Speaker 2: I'll tell your people with kids, y'all, I'll take a

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Speaker 2: ten minute nap standing up like I'll nap.

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Speaker 3: And I'm talking about like one of those naps where

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Speaker 3: like you get like over like two hours, okay, Like

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Speaker 3: I had one of those. I had one of those yesterday. Man,

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Speaker 3: I felt but I got up early. I had to

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Speaker 3: get up like really early yesterday and move around a

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Speaker 3: little bit, and then I got back home around like

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Speaker 3: three four o'clock.

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Speaker 1: I was done.

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Speaker 3: I woke up it was like eight o'clock. I woke

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Speaker 3: up before that. But then like I got out of

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Speaker 3: the bed at eight, and there's like what do you

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Speaker 3: do now? Like, what do you do at eight pm?

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Speaker 3: If you already took a nap walking around no care?

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Speaker 3: Like what do you do at apm? If you just

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Speaker 3: wake up to an MPLS?

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Speaker 2: Yeah, I mean I'm getting I'm getting fully on a

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Speaker 2: Mars schedule now, Like when she's down eight thirty nine,

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Speaker 2: I'll usually knock out right at that time. It's been

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Speaker 2: tough for me to stay up past them lately. Yeah,

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Speaker 2: Like in a crazy what is sleep anymore?

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Speaker 1: To a parent?

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Speaker 2: Though?

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Speaker 1: Like what does does sleep exist?

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Speaker 2: Well? I mean TOMORROWBI three in a few weeks. The

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Speaker 2: first year there was not existing. I don't even know

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Speaker 2: what that. I don't even know how human beings function.

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Speaker 2: As parents of the first year, I don't even know

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Speaker 2: how I got through that. Now it's it's it's regular now,

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Speaker 2: it's just back to a schedule when you were younger,

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Speaker 2: Like you just on your kids' schedule. So it's not

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Speaker 2: that crazy. I did go out last night though, where

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Speaker 2: you went. I went to the YO.

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Speaker 3: You'll be secretly outside, man, like you be trying to

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Speaker 3: act like it's just daddy daycare, and it is like

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Speaker 3: you run out the door when you were done recording

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Speaker 3: to go pick up Amar. But you don't never talk

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Speaker 3: about when you drop them put them a to bed.

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Speaker 3: You definitely back out of the driveway the streets.

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Speaker 2: So I have been very honest about my one day

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Speaker 2: being Sunday.

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Speaker 1: Yesterday wasn't Sunday. I'm aware, can I can I finish?

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Speaker 1: I feel like I'm being attacked.

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Speaker 2: I feel like I'm Yes, it feels like So usually

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Speaker 2: have Sunday and then we record Mondays. But sometimes I'll

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Speaker 2: have like Monday after work that shift got switched that

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Speaker 2: Kia did with a Tuesday one. So whereas remember I

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Speaker 2: had to run out of here at like three point

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Speaker 2: thirty yesterday, had to get out of here. So Tuesday

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Speaker 2: I had free time when I usually don't because Keia

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Speaker 2: was off on a Tuesday when she's usually not. Yeah,

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Speaker 2: So okay, all right, So yeah, but you're acting like

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Speaker 2: I went outside outside.

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Speaker 1: Do you want to know what I do when I

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Speaker 1: have free time?

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Speaker 2: So Neil Brennan, who's a great stand up also co

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Speaker 2: creator Sapelle show, he does these things on Tuesday night

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Speaker 2: at the Top Secret Comedy Club. That's I'm not trying

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Speaker 2: to like big league anymore. It's really just called that.

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Speaker 2: It has a huge sign. It's not that top secret.

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Speaker 2: It just says stop secret. He does new material night,

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Speaker 2: where like you know, it's not flushed out bits like

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Speaker 2: they literally off their phone or off like their notes.

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Speaker 2: It was Neil Brennan, Andrew Santino and Dan Soder and

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Speaker 2: it was fucking great. And I texted Neil. I said, hey,

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Speaker 2: I see it sold out. Is there any tickets available?

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Speaker 2: Said yeah, just send me, send me names. I said,

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Speaker 2: I'll be by myself. He's like, all right, cool. I

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Speaker 2: get to the front door where the list is and

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Speaker 2: she goes, name please, I said, ry Farrell. She goes,

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Speaker 2: looks through and said, okay, Rory Ferrell plus zero.

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Speaker 1: Plus zero. Let everybody know you have no friends.

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Speaker 2: Well, I swear to god, I even I even texted

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Speaker 2: Neil plus zero. I texted Neil. I said her saying

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Speaker 2: plus zero did wonders for my self esteem. I almost

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Speaker 2: told her, yeah, but I have friends. You can't find anybody.

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Speaker 2: You should have just paid the ten dollars.

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Speaker 1: You can't find anybody to go with you to a

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Speaker 1: top secret.

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Speaker 2: It was so last minute, like doors read seven thirty.

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Speaker 2: I texted Neil at like six fifteen or something like that.

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Speaker 2: So I wasn't going to rush to try to get someone.

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Speaker 2: I mean, comedy shows, you can watch those by yourself,

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Speaker 2: like you're not like total for sure for sure.

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Speaker 1: And it was cool.

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Speaker 2: It was school to kick it with with Neil and

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Speaker 2: Andrew and everyone, and no, it was a good time.

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Speaker 2: It was a good solo date. And they started the

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Speaker 2: show at eight o'clock. I was in bed by ten thirty.

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Speaker 2: So they're working on new material.

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Speaker 1: It's all.

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Speaker 2: They were like literally reading off their phones of like

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Speaker 2: shit they jotted down that day, like you know, starting

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Speaker 2: out bits to see what's something, and they'll literally be like,

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Speaker 2: well that didn't work, let me erase that. It's like

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Speaker 2: watching them do the early process. It was really like

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Speaker 2: really interesting.

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Speaker 1: Is that something that they've always done in comedy? Ohs,

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Speaker 1: that's just something new.

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Speaker 2: I don't think new Material Night is something that's like

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Speaker 2: brand new, But I haven't seen it really advertised in

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Speaker 2: New York like that, But.

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Speaker 1: I could be wrong.

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Speaker 3: I've seen comedians like tell the audience like I'm trying

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Speaker 3: try material tonight, like I've seen that, but like a

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Speaker 3: night dedicated to comedians literally like reading off of paper

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Speaker 3: stuff that they just jotted down and wrote, like I

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Speaker 3: don't know if I've ever heard about.

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Speaker 2: That, Yeah, And I mean it was definitely like the

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Speaker 2: NYU crowd. I think they even had a student discount

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Speaker 2: or whatever. But it was nice to see like younger

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Speaker 2: people not on their phone like nobody was. I've been

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Speaker 2: to shows where like they literally lock your phone in

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Speaker 2: the back. I've been to the Chappelle shit at Radio City,

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Speaker 2: and those are the best shows because they have no

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Speaker 2: worries about anything. Some of the kids had phones and

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Speaker 2: shit and nobody did anything. I was so happy to

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Speaker 2: see that, like that they respected what was going on

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Speaker 2: on stage rather than trying to catch a moment. Yeah,

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Speaker 2: because they were saying some wild shit.

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Speaker 3: I had heard about it. This is I don't know

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Speaker 3: if you heard about it. You're like the super super

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Speaker 3: uh in the mix or in the No Guy. There's

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Speaker 3: an R and B invite only party called the seven

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Speaker 3: o five series.

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Speaker 1: You heard about that?

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Speaker 3: Peach PE's probably did Peach to the Flyer, He's writed

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Speaker 3: some graphic word for the seven oh five series. It's

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Speaker 3: a it's an invite only R and B part And

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Speaker 3: I thought that was okay. I like this, it's in

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Speaker 3: the city. Yeah, I'm guessing to say, I don't know

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Speaker 3: if they if they travel with it, but but yeah,

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Speaker 3: like it's a it's an invite only to get an

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Speaker 3: email I guess the day or the week of the

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Speaker 3: party or the event, and that's how you how you

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Speaker 3: get in.

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Speaker 1: I thought that was cool, Like that idea of that,

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Speaker 1: it's cool.

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Speaker 3: I like those ideas of like, you know, invite only

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Speaker 3: parties as far as like you know, a specific night

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Speaker 3: R and B night, you know what I'm saying, Like,

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Speaker 3: I think that's that's some really cool shit. Obviously, now

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Speaker 3: we have a lot of members only clubs, especially in

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Speaker 3: New York with Soul House and a few other houses

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Speaker 3: that are here in New York. But what is it

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Speaker 3: about these curated these specifically curated events invite only Like

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Speaker 3: but then you get there and there's people that was

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Speaker 3: invited where you like how you got here because we

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Speaker 3: all know that certain people we walk in those rooms

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Speaker 3: left you feel like this is gonna be a super

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Speaker 3: exclusive event. You've been there, Rory, Like, I'm not, this

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Speaker 3: is gonna be low. It's gonna be like the producers

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Speaker 3: of like some of the greatest R and B songs

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Speaker 3: and then you get there and it's like your homeboy

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Speaker 3: from Brooklyn, Like, wait, how did you get an invite

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Speaker 3: to this?

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Speaker 2: Like the marketing was so good that you felt like

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Speaker 2: it was exclusive and it wasn't. Yeah, but I like

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Speaker 2: the everyone that RSVP got accepted.

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Speaker 1: Yeah. Yeah, And sometimes it feels like that.

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Speaker 3: But I do like the specifically curated because I feel

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Speaker 3: like the energy in New York is so different now,

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Speaker 3: Like the club scene is you know, I don't know

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Speaker 3: nothing about it.

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Speaker 1: The strip clubs is terrible. So like, what do you do.

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Speaker 3: In New York if you want to go out and

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Speaker 3: have like a fun night, especially when the music is good,

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Speaker 3: like R and B only night, you know the music

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Speaker 3: is gonna be good.

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Speaker 2: Yeah, And I mean I'll falsely take all the credit.

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Speaker 2: I mean, this is polusa's blueprint. We started the.

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Speaker 1: Take it, this is yours.

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Speaker 2: We were the first people ever to be like, how

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Speaker 2: about only the people.

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Speaker 1: We invite your loud? Yo, the first one.

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Speaker 2: But I will say with those invite only parties, I'll

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Speaker 2: look at it from the other side. It was less

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Speaker 2: about when you saw somebody like damn, how they get

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Speaker 2: in when you're throwing the party and you know, somebody

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Speaker 2: has went through you. You met all thirteen people in

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Speaker 2: the group chat. This person is hit up and everyone

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Speaker 2: has said no to them, and then you're by the bot.

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Speaker 1: I'm like, how the fuck did you get in here? Yeah?

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Speaker 1: Did you go through the back? Yeah? Yeah.

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Speaker 2: That's what always blows my mind of how people will

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Speaker 2: find any way into some type of event. But I

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Speaker 2: mean these are always fun. I prefer the invite not

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Speaker 2: in a pretentious way. It's usually just brings a better

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Speaker 2: crowd than it's people that are intentionally trying to be there,

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Speaker 2: rather than just like, all right, this is some shit,

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Speaker 2: let's let's go to it.

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Speaker 3: And then if you're doing it, if you're the one

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Speaker 3: that's you know, putting an event together and the invite list,

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Speaker 3: you know you want a certain esthetic in the room. Yeah,

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Speaker 3: Like that's that's the part of the party that people

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Speaker 3: don't really pitch. And now you know, people are just like, listen,

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Speaker 3: if we could pack the building and that's all that matters.

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Speaker 3: But no, you should have a specific type of people,

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Speaker 3: aesthetic vibe in the room because all of that adds

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Speaker 3: to a better event.

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Speaker 2: Yeah, and I mean we talked on Patreon, like you know,

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Speaker 2: obviously Girls Love Karaoke is probably the best party in

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Speaker 2: the city, and I know they've they've moved around and

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Speaker 2: toward a bit, so yeah, probably when of the best

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Speaker 2: parties period. But that, uh, the sample party that we

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Speaker 2: were trying to tell you about. It's not invite only,

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Speaker 2: you can buy tickets, but that's just a cool curated experience.

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Speaker 2: Like you know, the crowd there is all going to

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Speaker 2: be music nerds, but music nerds that like to be

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Speaker 2: outside and socialize and drink a little bit. Women will

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Speaker 2: be there like that type of thing. I think just

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Speaker 2: brings out a crowd instead of you just sitting there

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Speaker 2: on your phone, Like why the fuck am I at

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Speaker 2: this place right now? Yeah? Yeah, it just I don't know,

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Speaker 2: everyone has a common goal there, and I mean, if

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Speaker 2: they'll have us something down to go, I can't tell you.

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Speaker 1: It's just funny you said that.

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Speaker 3: I can't tell you how many times people have just

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Speaker 3: in conversation approached me about Yo, why you and Rory

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Speaker 3: don't like curate parties and DJ and manage They want

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Speaker 3: us to manage, Like why y'all don't have artists that

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Speaker 3: you'll manage?

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Speaker 1: Well, I say, reaction me manage.

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Speaker 3: So I'm like, yo, bro, it has to be a

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Speaker 3: person that has just first of all, they have to

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Speaker 3: be a grown adult, like you have to have some

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Speaker 3: type of like adulthood about yourself. I'm not managing no

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Speaker 3: young artists because that's babysiting.

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Speaker 1: You know how that goes. I mean starting with the

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Speaker 1: party and event thing.

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Speaker 2: I did that for a decade at its highest level period,

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Speaker 2: and I know you don't miss it.

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Speaker 3: You don't miss it all.

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Speaker 1: I'm not.

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Speaker 2: Every day. All right, here's me more specific. Yeah, ask

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Speaker 2: me what I missed?

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Speaker 1: Okay, all right? What do you miss?

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Speaker 2: What I think P speaking to is probably what I'm

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Speaker 2: speaking to as far as like I.

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Speaker 1: Miss it every day. What do you miss about about uh?

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Speaker 1: Po loser? Uh?

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Speaker 2: Probably the camaraderie, which some of it ended up being

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Speaker 2: a false sense of camaraderie. But I still will honor

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Speaker 2: the moments and what they were and what I thought

285
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Speaker 2: they were at the time, and still look at them

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Speaker 2: with love.

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Speaker 1: See, yes, therapy, you don't even see.

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Speaker 2: You don't even understand, you don't even know how that

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Speaker 2: it's not going to take away from the memories that

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Speaker 2: I had.

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Speaker 1: I don't live like people. Do you know that? Give

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Speaker 1: me the real memory. Didn't you give me all this therapy? No?

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Speaker 2: Not. The camaraderie of doing that with your friends. Going

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Speaker 2: from city to city is an experience like like no other.

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Speaker 2: And you know, Polusa was never super lucrative, Like did

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Speaker 2: we make some money, yeah, but nothing that was life

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Speaker 2: changing money it was it was experience, life changing. It

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Speaker 2: was not monetary at all. And to me, that was

299
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Speaker 2: the like in retrospect, the better part about it, like

300
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Speaker 2: we were just hoping to break even and have as

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Speaker 2: much fun as we possibly could and have create the

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Speaker 2: most memories that we could.

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Speaker 1: And that I missed that ship for sure.

304
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Speaker 2: Of just like all right, we got one we have

305
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Speaker 2: one show in Houston on Saturday. How would we go

306
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Speaker 2: in on Tuesday and leave next Thursday?

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Speaker 1: Yeah? Love like that love routing it like that?

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Speaker 2: Yeah, like that that stuff I do miss And just

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Speaker 2: like you know, a group of twelve people, you get

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Speaker 2: twelve different stories from that weekend, like everybody, it's just

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Speaker 2: and regrouping when you get back home. Of like, yeah,

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Speaker 2: I missed that type of ship for sure. But as

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Speaker 2: far as like throwing events in the stress of that,

314
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Speaker 2: like we speaking of Houston when Drake says that line

315
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Speaker 2: when he went to warehouse, like, uh, is bun coming?

316
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Speaker 1: Is anybody coming?

317
00:13:34,160 --> 00:13:37,360
Speaker 2: Like the stress of that in new markets and like

318
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Speaker 2: do that stuff is?

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Speaker 1: Again?

320
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Speaker 2: We weren't out there trying to make a lot of money,

321
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Speaker 2: but I wasn't trying to lose money. I was making

322
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Speaker 2: fucking seventy five grand at Havast, living in New York

323
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Speaker 2: City and like dumping money into that. Like yeah, there

324
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Speaker 2: were there were days like, well this fails, we better

325
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Speaker 2: hope that.

326
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Speaker 1: That Coney Island.

327
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Speaker 2: Uh, Like, let's us eat for the next month. So

328
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Speaker 2: that's stuff I don't miss. And it's stressful with the liability.

329
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Speaker 2: It's just a lot with events, and it's a young

330
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Speaker 2: man's game. I couldn't do that shit in my thirties

331
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Speaker 2: at all. It's fun that should be for younger people

332
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Speaker 2: to handle for sure. Now the management side, I mean

333
00:14:17,559 --> 00:14:22,160
Speaker 2: EO is Emotional rangeres is easy for the most part.

334
00:14:22,200 --> 00:14:26,560
Speaker 2: They're so self reliant and like it's so in house, like.

335
00:14:27,840 --> 00:14:28,680
Speaker 1: They're a dream.

336
00:14:28,760 --> 00:14:31,280
Speaker 2: If I could have ten emotional Oranges, I would manage

337
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Speaker 2: way more.

338
00:14:32,560 --> 00:14:35,000
Speaker 1: But that's not how the case is. Management.

339
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Speaker 2: I wouldn't want to I wouldn't want to sell an

340
00:14:37,960 --> 00:14:39,720
Speaker 2: artist short because it's their life at the end of

341
00:14:39,760 --> 00:14:45,120
Speaker 2: the day, and you're managing their livelihood, their dream, everything

342
00:14:46,120 --> 00:14:48,200
Speaker 2: embodying what they're trying to do with their brand.

343
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Speaker 1: And that's not something you should take lightly.

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Speaker 2: If you want to be a manager, you're fucking with

345
00:14:51,200 --> 00:14:53,280
Speaker 2: somebody's life at the end of the day, and if

346
00:14:53,320 --> 00:14:57,840
Speaker 2: you can't fully put your life into that, you're doing

347
00:14:57,880 --> 00:15:01,240
Speaker 2: them a disservice and yourself with the service. Like management

348
00:15:01,680 --> 00:15:04,320
Speaker 2: needs to be all in. You can't half ass management. Yeah,

349
00:15:04,360 --> 00:15:05,840
Speaker 2: that's one reason why I came out.

350
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Speaker 3: I always stayed away from it because I know what

351
00:15:08,400 --> 00:15:10,520
Speaker 3: it takes like and you know, obviously watch my brothers

352
00:15:10,520 --> 00:15:13,240
Speaker 3: do it all these years, Like it consumes you, like

353
00:15:13,280 --> 00:15:15,720
Speaker 3: your every thought every day, like even if you're not

354
00:15:16,400 --> 00:15:17,920
Speaker 3: you know, and I say it even with us, like

355
00:15:18,560 --> 00:15:20,520
Speaker 3: even if we're not in the studio, we're working, we're

356
00:15:20,560 --> 00:15:22,640
Speaker 3: on a call with the emails. Like so now imagine

357
00:15:22,640 --> 00:15:25,200
Speaker 3: if you have that, then you have artists careers that

358
00:15:25,240 --> 00:15:26,200
Speaker 3: you're responsible for.

359
00:15:26,520 --> 00:15:30,400
Speaker 2: Yeah, but then I am just a hypocrite because everything

360
00:15:30,400 --> 00:15:35,480
Speaker 2: I just said, I I go against that. And my

361
00:15:35,480 --> 00:15:37,760
Speaker 2: friend j Electronica, it's like, yo, you want to manage

362
00:15:37,800 --> 00:15:40,520
Speaker 2: me on some of these projects, Yes, but again, that's

363
00:15:40,520 --> 00:15:42,680
Speaker 2: more friendship stuff, and Jay is going to do what

364
00:15:43,680 --> 00:15:46,480
Speaker 2: he wants to. I work when you're ready to work

365
00:15:46,600 --> 00:15:50,080
Speaker 2: type of thing, whereas younger artists where you're kind of

366
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Speaker 2: in like that early grind.

367
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Speaker 1: Me out, you need to I'm locked up.

368
00:15:55,760 --> 00:15:58,400
Speaker 2: You need to be like on the ground with them everywhere,

369
00:15:58,400 --> 00:16:00,640
Speaker 2: like we need to go everywhere. You know. Jay's a

370
00:16:00,720 --> 00:16:04,400
Speaker 2: different example there. Jay's not trying to be outside. Jay's

371
00:16:04,440 --> 00:16:06,840
Speaker 2: not trying to run with brand deals, like he wants

372
00:16:06,840 --> 00:16:09,320
Speaker 2: to put out music and I can assist in the

373
00:16:09,360 --> 00:16:13,120
Speaker 2: logistics of that type of stuff. But the younger artists,

374
00:16:13,480 --> 00:16:17,520
Speaker 2: I'm not. I don't have the bandwidth. I feel like

375
00:16:18,760 --> 00:16:22,120
Speaker 2: I was doing wrong towards them. If I was like, yeah,

376
00:16:22,160 --> 00:16:25,560
Speaker 2: i'll manage you, you'd be this low on my priority list,

377
00:16:25,680 --> 00:16:28,120
Speaker 2: and it just yeah, I can't do that. And I

378
00:16:28,120 --> 00:16:31,120
Speaker 2: think people really think manages because I get a lot

379
00:16:31,160 --> 00:16:34,760
Speaker 2: of people just DM me artists that they don't even know,

380
00:16:34,840 --> 00:16:37,120
Speaker 2: like not like Yo's my man's but like Yo's person

381
00:16:37,200 --> 00:16:39,880
Speaker 2: is really dope. You should manage them. I'm like, I

382
00:16:39,920 --> 00:16:42,200
Speaker 2: just don't think you understand what that so lot me.

383
00:16:42,360 --> 00:16:44,240
Speaker 2: It's not me co signing it on the pod like

384
00:16:44,280 --> 00:16:47,320
Speaker 2: listen to this that is like this big in that

385
00:16:47,600 --> 00:16:52,800
Speaker 2: entire thing. And also co signs on the pod are

386
00:16:52,880 --> 00:16:55,680
Speaker 2: kind of whatever because we always try to highlight music

387
00:16:56,320 --> 00:16:59,880
Speaker 2: we like or listen to every episode that co sign

388
00:17:00,000 --> 00:17:03,040
Speaker 2: shit behind the scenes, I only have so many certain

389
00:17:03,080 --> 00:17:05,200
Speaker 2: favors with certain people, Like when I put a stamp

390
00:17:05,240 --> 00:17:08,119
Speaker 2: on something, all right, I got you on this one.

391
00:17:08,359 --> 00:17:09,159
Speaker 1: They better be night.

392
00:17:09,280 --> 00:17:11,639
Speaker 2: Like that's also a risk when you're playing the politic

393
00:17:11,720 --> 00:17:15,359
Speaker 2: game as a manager. You can't just come should make

394
00:17:15,400 --> 00:17:18,280
Speaker 2: me some shit that may may work, like they are right,

395
00:17:18,280 --> 00:17:22,640
Speaker 2: they cool, but they're not taking their their self as serious,

396
00:17:22,720 --> 00:17:24,439
Speaker 2: Like they got a good record, but I could tell

397
00:17:24,480 --> 00:17:26,119
Speaker 2: in the studio they don't have good work ethic, like

398
00:17:26,400 --> 00:17:27,840
Speaker 2: they're not going to follow up in this now I'm

399
00:17:27,880 --> 00:17:32,000
Speaker 2: wasting favors, Like that's a whole other politic game with management.

400
00:17:32,040 --> 00:17:36,080
Speaker 2: That's just rough, Like yeah, I don't know that, and

401
00:17:37,160 --> 00:17:41,840
Speaker 2: it's ten to twenty percent artists are starving with a one

402
00:17:41,880 --> 00:17:42,760
Speaker 2: hundred percent of their money.

403
00:17:42,800 --> 00:17:44,320
Speaker 1: Yeah yeah, that's shit.

404
00:17:44,920 --> 00:17:47,920
Speaker 2: That's that's a lot of work for a small percentage

405
00:17:47,960 --> 00:17:50,199
Speaker 2: of what you're getting at if this is something that

406
00:17:50,280 --> 00:17:53,919
Speaker 2: you feel is still unproven, like I don't know, but

407
00:17:54,760 --> 00:17:55,760
Speaker 2: I mean you should do it.

408
00:17:57,160 --> 00:18:00,440
Speaker 1: With that being said, give it a shot, cool Roy.

409
00:18:00,480 --> 00:18:01,600
Speaker 1: You know, I don't have the patience for that.

410
00:18:01,800 --> 00:18:03,880
Speaker 3: But I do help you know, certain artists wherever I can,

411
00:18:03,960 --> 00:18:06,639
Speaker 3: But I don't put yeah, I do the whole manager.

412
00:18:07,280 --> 00:18:07,840
Speaker 1: I don't want that.

413
00:18:07,880 --> 00:18:10,320
Speaker 3: Like, if you need something and I'm able to, you know,

414
00:18:10,520 --> 00:18:13,240
Speaker 3: use my resources and access to help you, and I'll

415
00:18:13,240 --> 00:18:16,280
Speaker 3: do that with with no questions asked. But as far

416
00:18:16,320 --> 00:18:18,040
Speaker 3: as like day to day being your actual man, I

417
00:18:18,119 --> 00:18:19,560
Speaker 3: just that sounds.

418
00:18:19,800 --> 00:18:23,720
Speaker 2: Like even with EO and like the beginning stages like

419
00:18:24,920 --> 00:18:28,000
Speaker 2: I'm going to fucking Staten Island with my with my

420
00:18:28,080 --> 00:18:31,320
Speaker 2: own ten thousand dollars in cash, pulling up on ghost

421
00:18:31,400 --> 00:18:35,600
Speaker 2: face and COVID, like I don't have. That's at thirty

422
00:18:35,600 --> 00:18:38,080
Speaker 2: five and everything I have going on, I don't have

423
00:18:38,119 --> 00:18:42,440
Speaker 2: that type of mentality for a new artist at this point.

424
00:18:43,280 --> 00:18:45,320
Speaker 2: Not the not the passion is still there, but I'm

425
00:18:45,320 --> 00:18:48,600
Speaker 2: not I'm not doing that. Yeah, No, Like I don't

426
00:18:48,600 --> 00:18:50,399
Speaker 2: want I'm not staying in the studio till four am

427
00:18:50,440 --> 00:18:52,800
Speaker 2: going through Like it's just it's it's it's a lot

428
00:18:52,840 --> 00:18:56,480
Speaker 2: of fucking work, a lot of fucking work. So not

429
00:18:56,680 --> 00:18:58,800
Speaker 2: I mean maybe one day, maybe that'd be my retirement plan.

430
00:18:58,920 --> 00:19:02,080
Speaker 2: We finished everything just I do it for free.

431
00:19:02,320 --> 00:19:04,080
Speaker 1: What's your retirement plan? My retirement plan. I want to

432
00:19:04,080 --> 00:19:06,399
Speaker 1: be on a beach, unliving. We're in the same.

433
00:19:06,840 --> 00:19:14,440
Speaker 2: What funny to me? Any I almost said the real word,

434
00:19:14,480 --> 00:19:18,840
Speaker 2: but I don't want to get.

435
00:19:17,119 --> 00:19:20,080
Speaker 3: I'm like, wait what, Yeah, I just I see myself

436
00:19:20,119 --> 00:19:24,159
Speaker 3: just living life out on a beach every day, swimming trunks,

437
00:19:24,160 --> 00:19:28,040
Speaker 3: t shirt, just like you know, whatever whatever the day brings.

438
00:19:28,080 --> 00:19:29,760
Speaker 3: I don't know what you're doing today. I have no idea.

439
00:19:30,119 --> 00:19:32,960
Speaker 3: I'm just living. That's what I want. Or a farm

440
00:19:33,320 --> 00:19:34,480
Speaker 3: I want to. I want to I want to live

441
00:19:34,480 --> 00:19:35,760
Speaker 3: on a farm.

442
00:19:36,119 --> 00:19:40,200
Speaker 2: Yeah, but again that's management. But that's a different management though.

443
00:19:40,280 --> 00:19:43,639
Speaker 2: But at old age, Like I'm with you, are you saying,

444
00:19:43,720 --> 00:19:47,480
Speaker 2: like live off the farm or just live on a farm?

445
00:19:47,840 --> 00:19:51,040
Speaker 2: Like how how far is the nearest convenience store? Okay,

446
00:19:51,160 --> 00:19:55,320
Speaker 2: because because farming is no fucking joke, Yeah, I still

447
00:19:55,320 --> 00:19:58,440
Speaker 2: need access to because I would live on a farm

448
00:19:58,480 --> 00:20:01,440
Speaker 2: that's like not active, like we we just ride ATVs

449
00:20:01,520 --> 00:20:04,639
Speaker 2: and shit. Yeah, I would definitely do that, or to

450
00:20:04,720 --> 00:20:08,959
Speaker 2: live off the farm. Yeah, there's not enough TikTok videos

451
00:20:08,960 --> 00:20:10,200
Speaker 2: in the world to like teach.

452
00:20:10,000 --> 00:20:10,440
Speaker 1: Me that shit.

453
00:20:12,000 --> 00:20:15,399
Speaker 2: Yeah, Colice Police, does that that makes sense? Yeah, that

454
00:20:15,400 --> 00:20:17,800
Speaker 2: that totally checks out. I could have told you that

455
00:20:17,840 --> 00:20:18,600
Speaker 2: on the first album.

456
00:20:18,960 --> 00:20:21,439
Speaker 3: But I think there's such a level of peace and like,

457
00:20:23,960 --> 00:20:25,760
Speaker 3: you know, just like when you're when you're able to

458
00:20:26,000 --> 00:20:27,960
Speaker 3: live that life like somebody like Alice growing up in

459
00:20:28,000 --> 00:20:31,040
Speaker 3: New York City Harlem and then like now as a

460
00:20:31,040 --> 00:20:34,919
Speaker 3: as a as a woman living off a farm, like

461
00:20:35,000 --> 00:20:37,879
Speaker 3: growing her own foods and things like that, that is

462
00:20:37,920 --> 00:20:40,919
Speaker 3: such a transition that I think it's it requires a

463
00:20:40,960 --> 00:20:44,320
Speaker 3: certain level of peace and just knowing who you are

464
00:20:44,400 --> 00:20:46,760
Speaker 3: and just like totally removing yourself from certain things that

465
00:20:46,800 --> 00:20:49,320
Speaker 3: you grew up, certain elements that you always had. Like

466
00:20:49,520 --> 00:20:52,520
Speaker 3: but I think that that's like such a beautiful moment

467
00:20:52,560 --> 00:20:54,280
Speaker 3: to being in your life where you're just like all

468
00:20:54,320 --> 00:20:57,040
Speaker 3: of the things that I once had and had access to,

469
00:20:57,080 --> 00:20:58,840
Speaker 3: I don't even want those I want I just need

470
00:20:58,880 --> 00:20:59,960
Speaker 3: this to live.

471
00:21:00,440 --> 00:21:02,240
Speaker 1: Yeah, I think that's right. Yeah.

472
00:21:02,800 --> 00:21:07,479
Speaker 2: Uh again, farm wise, no matter what, it's something nature driven.

473
00:21:07,720 --> 00:21:10,000
Speaker 2: As far as retirement, I don't want to say retirement

474
00:21:10,760 --> 00:21:13,600
Speaker 2: relatively soon, as far as the next ten years. Like

475
00:21:14,640 --> 00:21:16,960
Speaker 2: I that's why I don't even believe my own thoughts

476
00:21:17,000 --> 00:21:19,760
Speaker 2: anymore because I was so much in the mind state

477
00:21:19,840 --> 00:21:21,240
Speaker 2: of I'm not leaving New York City.

478
00:21:21,280 --> 00:21:23,240
Speaker 1: I want my kid to ride the train. I want

479
00:21:23,560 --> 00:21:25,919
Speaker 1: them to get the experience. That changes fast.

480
00:21:26,520 --> 00:21:30,040
Speaker 2: Ye it changes, like yeah, hold on, that's my only

481
00:21:30,040 --> 00:21:32,560
Speaker 2: man said Nah, all my friends moved to LA I

482
00:21:32,600 --> 00:21:36,359
Speaker 2: was the last Me and Peag only ones left. Like nope,

483
00:21:37,200 --> 00:21:38,960
Speaker 2: I cannot wait to get the fuck out of here. Yeah,

484
00:21:39,080 --> 00:21:41,440
Speaker 2: I did not want to martyr grow up here. But

485
00:21:41,520 --> 00:21:44,880
Speaker 2: like that has changed so much, and not even having

486
00:21:44,920 --> 00:21:47,760
Speaker 2: to do with anything with like political climate or inflation,

487
00:21:47,840 --> 00:21:52,760
Speaker 2: like just sick of like you just want something different, Yeah,

488
00:21:52,800 --> 00:21:53,439
Speaker 2: like nature.

489
00:21:54,040 --> 00:21:57,880
Speaker 3: But that's like that's like when you travel, when you're

490
00:21:57,920 --> 00:22:00,959
Speaker 3: when you're fortunate enough to travel and visit different places

491
00:22:00,960 --> 00:22:03,880
Speaker 3: and things like that, Like that's it's that's what sparks

492
00:22:03,880 --> 00:22:07,200
Speaker 3: that mindset, Like you start going to be like wait,

493
00:22:07,240 --> 00:22:09,679
Speaker 3: hold up, we start seeing how people live and you

494
00:22:09,720 --> 00:22:12,320
Speaker 3: know how they don't need all of the things that

495
00:22:12,359 --> 00:22:14,040
Speaker 3: you feel like you need once you live in New

496
00:22:14,080 --> 00:22:17,640
Speaker 3: York City. It's like they're comfortable, they're happy, the peaceful,

497
00:22:17,720 --> 00:22:20,320
Speaker 3: kids are going to great schools and being productive in life.

498
00:22:20,800 --> 00:22:24,000
Speaker 3: That's when those things start to manifesting. But if you don't,

499
00:22:24,000 --> 00:22:26,480
Speaker 3: if you're a person that doesn't travel outside of where

500
00:22:26,520 --> 00:22:28,520
Speaker 3: you grew up and where you're from, you really don't

501
00:22:28,560 --> 00:22:31,400
Speaker 3: know life outside of you know where you're from.

502
00:22:31,440 --> 00:22:35,880
Speaker 2: And even in my early adulthood on my own being here,

503
00:22:35,920 --> 00:22:39,440
Speaker 2: like I fully understand anyone outside looking in. I see

504
00:22:39,440 --> 00:22:43,360
Speaker 2: in the comments of like real estate videos and everything,

505
00:22:43,400 --> 00:22:45,200
Speaker 2: like why the fuck would you live in a closet

506
00:22:45,480 --> 00:22:48,879
Speaker 2: for thirty five hundred dollars? You guys are right, But

507
00:22:49,000 --> 00:22:53,639
Speaker 2: I would never ever trade anything for my twenties in

508
00:22:53,720 --> 00:22:57,000
Speaker 2: New York City in those closets for that price. There's

509
00:22:57,040 --> 00:23:00,280
Speaker 2: no dollar amount that could compare to what that is. Like,

510
00:23:00,320 --> 00:23:04,040
Speaker 2: I would never ever take any of those moments back

511
00:23:04,359 --> 00:23:05,879
Speaker 2: or change anything in that regard.

512
00:23:06,359 --> 00:23:08,440
Speaker 1: Now going into my forties.

513
00:23:08,200 --> 00:23:12,760
Speaker 2: Yeah it's different, fuck no, but it is still the

514
00:23:12,840 --> 00:23:16,760
Speaker 2: greatest place on earth. It's an experience that if you

515
00:23:16,800 --> 00:23:19,399
Speaker 2: spent your twenties outside in rural shit, I respect it

516
00:23:19,440 --> 00:23:22,760
Speaker 2: and do whatever makes you happy. But I could never

517
00:23:22,840 --> 00:23:25,640
Speaker 2: have that experience in my twenties. I needed this for

518
00:23:25,880 --> 00:23:26,720
Speaker 2: the first part.

519
00:23:26,560 --> 00:23:27,000
Speaker 1: Of my life.

520
00:23:27,040 --> 00:23:30,240
Speaker 2: Yeah, second half, listen, man, I listen. I might open

521
00:23:30,240 --> 00:23:33,840
Speaker 2: a beach bar in Key West, who is like, but

522
00:23:33,840 --> 00:23:34,880
Speaker 2: I'm getting fuck out of here.

523
00:23:34,960 --> 00:23:37,040
Speaker 1: Yeah, yeah, I feel you, man, you know with you

524
00:23:37,119 --> 00:23:37,960
Speaker 1: on that one hundred percent.

525
00:23:38,359 --> 00:23:41,280
Speaker 2: And I just which we briefly talked about, probably more

526
00:23:41,320 --> 00:23:44,560
Speaker 2: off the mic. Forget the New York City mentality, just

527
00:23:44,600 --> 00:23:50,840
Speaker 2: the American mentality that we share of, Like how nuts

528
00:23:50,840 --> 00:23:54,440
Speaker 2: it would be to just leave the US and how

529
00:23:54,560 --> 00:23:58,320
Speaker 2: dumb of a thought that that is. Meanwhile, anyone that

530
00:23:58,359 --> 00:24:02,080
Speaker 2: grew up in Europe live in Spain for a year, like,

531
00:24:02,400 --> 00:24:04,480
Speaker 2: you just move around different because you don't have that

532
00:24:04,560 --> 00:24:06,720
Speaker 2: mentality that you were taught that this is the greatest place.

533
00:24:06,760 --> 00:24:09,120
Speaker 2: You have to stay here, you'd be nuts to everything's

534
00:24:09,119 --> 00:24:12,080
Speaker 2: here when you it's only inconvenience when you leave. They

535
00:24:12,080 --> 00:24:15,480
Speaker 2: try to market it that way, and that's nuts to me.

536
00:24:16,520 --> 00:24:19,119
Speaker 2: Like the thought of taking your kids and be like, no,

537
00:24:19,240 --> 00:24:23,000
Speaker 2: I think they should do elementary school in Europe is

538
00:24:23,040 --> 00:24:26,359
Speaker 2: a foreign thought to people with money in the United States.

539
00:24:26,400 --> 00:24:27,440
Speaker 1: Now we're only staying here.

540
00:24:27,840 --> 00:24:29,479
Speaker 2: That's something that I'm starting to grow out of too,

541
00:24:29,720 --> 00:24:31,320
Speaker 2: Like I don't have to stay in the United States.

542
00:24:31,400 --> 00:24:33,000
Speaker 1: You don't have to, And I tell people that all

543
00:24:33,080 --> 00:24:33,360
Speaker 1: the time.

544
00:24:33,480 --> 00:24:35,800
Speaker 3: I love but you know, people have traveled for school

545
00:24:35,880 --> 00:24:38,040
Speaker 3: and you know, lived abroad and things like that, And

546
00:24:38,280 --> 00:24:40,200
Speaker 3: that's what those things are for, to kind of open

547
00:24:40,240 --> 00:24:42,399
Speaker 3: your mind up to that, you know, just experience of

548
00:24:42,720 --> 00:24:45,199
Speaker 3: living outside of your country. And yeah, you can you

549
00:24:45,240 --> 00:24:47,159
Speaker 3: will be okay, and you know what I'm saying, you

550
00:24:47,160 --> 00:24:49,439
Speaker 3: can thrive and things like that. But again, if you

551
00:24:49,440 --> 00:24:52,040
Speaker 3: don't do those things, like I have friends that have

552
00:24:52,040 --> 00:24:55,440
Speaker 3: never been outside of New York still, and that scares me.

553
00:24:55,480 --> 00:24:58,240
Speaker 3: I'm like, yo, do you still have not gotten the passport?

554
00:24:58,359 --> 00:25:01,560
Speaker 3: You still haven't you know, taken a vacation somewhere like

555
00:25:01,600 --> 00:25:04,600
Speaker 3: outside of like you know, just right here upstate New York.

556
00:25:04,640 --> 00:25:06,120
Speaker 3: Like they do things like that, and they thinking that

557
00:25:06,119 --> 00:25:08,080
Speaker 3: that's I'm like, there's so much more.

558
00:25:08,280 --> 00:25:11,560
Speaker 2: And I understand the financial side of that, but I'm sure,

559
00:25:11,720 --> 00:25:13,640
Speaker 2: but I'm sure there's friends of yours that have spent

560
00:25:13,680 --> 00:25:15,840
Speaker 2: twenty thousand dollars in the nightclub in the club in

561
00:25:15,840 --> 00:25:17,800
Speaker 2: New York City and never left New York City. It's like,

562
00:25:18,080 --> 00:25:19,360
Speaker 2: you could you know what.

563
00:25:19,320 --> 00:25:20,480
Speaker 1: You could do with that? You know what you do

564
00:25:20,480 --> 00:25:21,280
Speaker 1: with five thousand dollars.

565
00:25:21,359 --> 00:25:23,720
Speaker 3: But that put that part of that is the thing

566
00:25:23,760 --> 00:25:26,520
Speaker 3: that changed my mindset on doing things like that, like

567
00:25:26,640 --> 00:25:29,160
Speaker 3: going out with my friends and us getting tables and bottles.

568
00:25:29,520 --> 00:25:30,760
Speaker 3: Just like when you look up at the end of

569
00:25:30,760 --> 00:25:32,240
Speaker 3: the month and you a lot, so many times you

570
00:25:32,240 --> 00:25:34,479
Speaker 3: went out, and how much money y'all spent. I'm like, bro,

571
00:25:34,560 --> 00:25:37,639
Speaker 3: we could have toured Italy with the money we just

572
00:25:37,680 --> 00:25:40,919
Speaker 3: spent in downtown Manhattan in the fucking seven block radius.

573
00:25:41,000 --> 00:25:42,879
Speaker 1: Yeah, like you know what I'm saying. It's like that.

574
00:25:42,880 --> 00:25:46,320
Speaker 3: That mentality is so again, it's it's immature because you know,

575
00:25:46,400 --> 00:25:49,960
Speaker 3: we're younger. We don't really know, but like at a

576
00:25:50,040 --> 00:25:51,879
Speaker 3: time we did know though, we did know, like we

577
00:25:51,920 --> 00:25:53,680
Speaker 3: can try, we do, but you know, you justually caught

578
00:25:53,720 --> 00:25:56,359
Speaker 3: up in this lifestyle of wanting to party and be

579
00:25:56,440 --> 00:25:59,040
Speaker 3: with your friends and have fun instead of doing real things.

580
00:25:59,080 --> 00:26:01,879
Speaker 3: Like I've been thinking about starting doing like an adult

581
00:26:02,000 --> 00:26:05,040
Speaker 3: sleep away camp, Like I want to do ship like that,

582
00:26:05,160 --> 00:26:09,399
Speaker 3: Like an adult sleep away camp, we fucking have artists

583
00:26:09,400 --> 00:26:12,400
Speaker 3: come out perform in front of the bonfire like ship

584
00:26:12,560 --> 00:26:14,239
Speaker 3: like that to me is like what I want to do,

585
00:26:14,280 --> 00:26:16,080
Speaker 3: Like I don't the club Ship is like I get

586
00:26:16,080 --> 00:26:17,800
Speaker 3: it every now, but like I want to make like

587
00:26:17,960 --> 00:26:21,359
Speaker 3: hip hop burning now, not not that far, not that

588
00:26:21,840 --> 00:26:22,840
Speaker 3: don't you don't against.

589
00:26:22,560 --> 00:26:26,480
Speaker 2: Someone's gonna get burned curate at adults sleep someone's sleeping with.

590
00:26:26,720 --> 00:26:28,879
Speaker 1: This is very something. This is not the burning me.

591
00:26:29,040 --> 00:26:32,280
Speaker 3: This is like very curated, small like but it's like, Yo,

592
00:26:32,359 --> 00:26:36,760
Speaker 3: we're going and we're written fucking five cabins, get up here,

593
00:26:37,800 --> 00:26:39,280
Speaker 3: got a lake house, you know what I'm saying. We're

594
00:26:39,280 --> 00:26:41,880
Speaker 3: gonna set up a stage, like make it a thing

595
00:26:41,920 --> 00:26:44,440
Speaker 3: what wee can because the moments we had as kids.

596
00:26:44,560 --> 00:26:46,000
Speaker 3: I can remember having this kid like going away to

597
00:26:46,040 --> 00:26:48,199
Speaker 3: sleeping camp, sleepway campus. Kids, that was some of the

598
00:26:48,200 --> 00:26:49,120
Speaker 3: best times of your life.

599
00:26:49,200 --> 00:26:49,800
Speaker 1: Yeah, for sure.

600
00:26:49,880 --> 00:26:52,159
Speaker 3: But as adults, we don't experience those things with our

601
00:26:52,160 --> 00:26:55,439
Speaker 3: friends anyone unless we go on a god's trip to

602
00:26:55,440 --> 00:26:57,719
Speaker 3: Columbia and we know what they even, we know what

603
00:26:57,760 --> 00:26:59,080
Speaker 3: that is. You know what I'm saying, I'm talking about

604
00:26:59,080 --> 00:27:03,679
Speaker 3: like no real fun shit family mail bonding, that is

605
00:27:03,720 --> 00:27:06,120
Speaker 3: male bonding. But you know, like do shit like that,

606
00:27:06,240 --> 00:27:09,080
Speaker 3: like an adult sleep away camp. To me just sounds

607
00:27:09,119 --> 00:27:13,560
Speaker 3: like like and it's like we don't have to that

608
00:27:13,600 --> 00:27:16,400
Speaker 3: doesn't cost as much money as going to a nightclub.

609
00:27:17,000 --> 00:27:17,479
Speaker 1: Definitely not.

610
00:27:17,600 --> 00:27:19,200
Speaker 3: You see what I'm saying that we need to do shit.

611
00:27:19,560 --> 00:27:21,680
Speaker 3: Let's create shit like that. That's the type of shit

612
00:27:21,720 --> 00:27:22,399
Speaker 3: I want to create.

613
00:27:22,680 --> 00:27:24,360
Speaker 1: Yeah.

614
00:27:24,480 --> 00:27:27,000
Speaker 2: Yeah, that's just when people just get older. I feel

615
00:27:27,000 --> 00:27:29,120
Speaker 2: like their schedules get so fucking busy that it's tough

616
00:27:29,119 --> 00:27:33,000
Speaker 2: to to even schedule that type of stuff. We mean

617
00:27:33,040 --> 00:27:36,000
Speaker 2: as far as the kids, yeah, kids in just life

618
00:27:36,240 --> 00:27:39,639
Speaker 2: in general, more or less, bring the kids this camp,

619
00:27:40,800 --> 00:27:44,560
Speaker 2: no for an adult sleep away camp. Yeah, I would

620
00:27:44,640 --> 00:27:48,639
Speaker 2: punt any child that because I would throw any child

621
00:27:48,720 --> 00:27:55,320
Speaker 2: in the lake, Like I totally. What's so funny is

622
00:27:55,359 --> 00:27:57,760
Speaker 2: I didn't understand no kid resorts until I had a kid.

623
00:27:57,760 --> 00:27:59,280
Speaker 2: You think it would be the opposite. You don't have

624
00:27:59,359 --> 00:28:02,520
Speaker 2: kids like these kids. Kids didn't really bother me until

625
00:28:02,520 --> 00:28:06,760
Speaker 2: I had a kid. The kids was kind of like

626
00:28:06,800 --> 00:28:10,639
Speaker 2: if kids at a resort, like they always having fun, dolash.

627
00:28:12,200 --> 00:28:15,000
Speaker 1: Everything. Fine the moment you have you and now.

628
00:28:14,880 --> 00:28:17,640
Speaker 2: I'm like, if I'm taking the time to have me time,

629
00:28:18,040 --> 00:28:20,040
Speaker 2: get these kids away from me. Yeah, I don't want

630
00:28:20,040 --> 00:28:20,840
Speaker 2: to see another kid.

631
00:28:21,240 --> 00:28:21,920
Speaker 1: I told you that.

632
00:28:22,640 --> 00:28:27,040
Speaker 2: Hell set because because at that point in mind that

633
00:28:27,280 --> 00:28:29,199
Speaker 2: I don't have a kid, that when it becomes that

634
00:28:29,280 --> 00:28:31,200
Speaker 2: now we're at kids sleep now, the whole thing is

635
00:28:31,200 --> 00:28:33,920
Speaker 2: about the kids. What are they going to do? Bedtimes? Here?

636
00:28:34,080 --> 00:28:36,520
Speaker 3: Like it got hurt that it changed the whole energy

637
00:28:36,520 --> 00:28:39,680
Speaker 3: and vibe it fel and cut his you know, his leg,

638
00:28:39,760 --> 00:28:42,200
Speaker 3: and now it's like, oh God, like everybody's yeah, you're.

639
00:28:42,120 --> 00:28:42,840
Speaker 1: Right, I did.

640
00:28:44,480 --> 00:28:47,560
Speaker 2: I purposely found one that wasn't an Instagram ad, you know,

641
00:28:47,640 --> 00:28:52,160
Speaker 2: like those luxury camping things they were big on Instagram

642
00:28:52,160 --> 00:28:55,640
Speaker 2: ads when Instagram ad ads started, like and no, you're

643
00:28:55,680 --> 00:28:58,880
Speaker 2: in like a cabin. It's a small cabin, but it's

644
00:28:59,160 --> 00:29:02,440
Speaker 2: sort of luxury. It's a glamping. I think they call

645
00:29:02,480 --> 00:29:06,280
Speaker 2: it okay, but I because I saw too many people

646
00:29:07,320 --> 00:29:10,400
Speaker 2: like fall victim to like Instagram. Yeah, and I see

647
00:29:10,400 --> 00:29:12,680
Speaker 2: it on stories of people I found, like, Yo, everyone's

648
00:29:12,680 --> 00:29:14,440
Speaker 2: fucking on that mattress. There's no way I'm going to

649
00:29:14,880 --> 00:29:16,960
Speaker 2: the one that everyone keeps going to. I found another

650
00:29:16,960 --> 00:29:21,440
Speaker 2: one in the caskills and it was on Liya, so

651
00:29:21,600 --> 00:29:24,479
Speaker 2: they had those. It was he and I did this

652
00:29:24,760 --> 00:29:28,080
Speaker 2: the Christmas before Lamar was born, so twenty twenty two

653
00:29:28,160 --> 00:29:31,400
Speaker 2: going into twenty three, because we wanted to like spend

654
00:29:31,600 --> 00:29:35,800
Speaker 2: our last Christmas without a kid, with no family, no nothing.

655
00:29:36,440 --> 00:29:38,680
Speaker 2: But it was on like a compound that had stuff

656
00:29:38,720 --> 00:29:42,200
Speaker 2: like that, other cabins renting out like a whole space

657
00:29:42,240 --> 00:29:45,640
Speaker 2: like that could be really cool. Everyone has their own. Yeah,

658
00:29:45,680 --> 00:29:48,720
Speaker 2: sh and the caskills. It really was not I don't

659
00:29:48,720 --> 00:29:51,280
Speaker 2: know if I got a better rate because it was

660
00:29:51,840 --> 00:29:54,920
Speaker 2: Christmas Eve going into Christmas and there weren't really we

661
00:29:54,920 --> 00:29:58,960
Speaker 2: were kind of by ourselves. But it really wasn't that expensive. Yeah,

662
00:29:59,280 --> 00:30:01,440
Speaker 2: and if they had a grill, you get an oven.

663
00:30:01,640 --> 00:30:05,160
Speaker 2: Like we just bought groceries and we're good.

664
00:30:05,200 --> 00:30:06,120
Speaker 1: Make it. You can make it.

665
00:30:06,240 --> 00:30:09,440
Speaker 2: You don't really spend that much money. Like, and it's

666
00:30:09,480 --> 00:30:11,520
Speaker 2: cool if you need some ship's cat skills so you

667
00:30:11,560 --> 00:30:15,560
Speaker 2: can find a town or Walmart within a thirty minute drive. Yeah,

668
00:30:15,720 --> 00:30:16,960
Speaker 2: but yeah, it's it's ship like this.

669
00:30:17,480 --> 00:30:18,040
Speaker 1: That's fire.

670
00:30:19,000 --> 00:30:21,680
Speaker 2: Yeah, run that whole ship out for for a week.

671
00:30:23,080 --> 00:30:30,200
Speaker 2: We could pod absolutely for sure. What's up, Peach? We

672
00:30:30,240 --> 00:30:32,680
Speaker 2: could pod. We could bring some we could bring a synth,

673
00:30:32,720 --> 00:30:34,040
Speaker 2: we could bring some guitars.

674
00:30:34,760 --> 00:30:39,240
Speaker 1: Ship by the bonfire. See this is the y'all are joking.

675
00:30:39,320 --> 00:30:39,560
Speaker 1: I'm not.

676
00:30:39,600 --> 00:30:42,480
Speaker 2: This is some ship that I like, would.

677
00:30:41,920 --> 00:30:43,080
Speaker 1: I said what I want to do?

678
00:30:43,200 --> 00:30:45,840
Speaker 2: I'm not joking, no, but not just to pod about it,

679
00:30:45,880 --> 00:30:47,840
Speaker 2: like this is something I would really want to do.

680
00:30:47,960 --> 00:30:51,040
Speaker 3: That's what I want to live like that to do that,

681
00:30:51,080 --> 00:30:54,960
Speaker 3: like I I want to love Yeah, that's parking his

682
00:30:55,040 --> 00:30:57,520
Speaker 3: camper in front of my Motherway as we speak, live

683
00:30:57,920 --> 00:31:00,640
Speaker 3: living the life man free man. We should do we

684
00:31:00,640 --> 00:31:02,160
Speaker 3: gotta do that. We gotta make that happen.

685
00:31:02,200 --> 00:31:02,360
Speaker 1: Man.

686
00:31:02,640 --> 00:31:05,240
Speaker 3: This year twenty twenty six, we're making a glamping glamping

687
00:31:05,280 --> 00:31:05,920
Speaker 3: pod happened.

688
00:31:06,800 --> 00:31:10,760
Speaker 2: I'll find the one that that I did for Christmas.

689
00:31:10,760 --> 00:31:13,600
Speaker 2: But that one was great, But I feel like maybe

690
00:31:13,600 --> 00:31:16,360
Speaker 2: we could find one that would be more suitable to potty.

691
00:31:16,480 --> 00:31:20,640
Speaker 2: But it was definitely a cool, cool experience. Bays almost

692
00:31:20,640 --> 00:31:21,600
Speaker 2: died a thousand times.

693
00:31:21,600 --> 00:31:23,680
Speaker 1: But oh what happened.

694
00:31:24,080 --> 00:31:26,040
Speaker 2: Bases is not really cut out for the cat skills.

695
00:31:29,040 --> 00:31:32,040
Speaker 1: She doesn't. She doesn't have the cat's skill legs up under.

696
00:31:32,800 --> 00:31:36,760
Speaker 2: She's a cat. It's not even a dog. That's a

697
00:31:36,800 --> 00:31:37,520
Speaker 2: cute ass cat.

698
00:31:39,040 --> 00:31:42,080
Speaker 3: Yeah, your dog doesn't know a handle the forest because no,

699
00:31:42,120 --> 00:31:43,040
Speaker 3: you're really in the caskill.

700
00:31:43,080 --> 00:31:45,000
Speaker 2: Yeah, it's right on the lake. There was a waterfall,

701
00:31:45,000 --> 00:31:47,280
Speaker 2: which was we had the cabin right next to the waterfall.

702
00:31:47,560 --> 00:31:49,800
Speaker 2: I do rain noises at night for me to go

703
00:31:49,840 --> 00:31:50,160
Speaker 2: to sleep.

704
00:31:50,280 --> 00:31:50,800
Speaker 1: Didn't need that.

705
00:31:50,800 --> 00:31:54,040
Speaker 2: You don't need that up there fucking beautiful. Yeah, now,

706
00:31:54,120 --> 00:31:57,000
Speaker 2: bays on because you're right on the mountain. It was

707
00:31:57,120 --> 00:32:00,840
Speaker 2: wintertime there's ice yea bays. He's had a rough time.

708
00:32:01,360 --> 00:32:02,040
Speaker 1: That's so fun.

709
00:32:02,080 --> 00:32:04,200
Speaker 2: Like shit, she went from the excited dog that she

710
00:32:04,360 --> 00:32:05,840
Speaker 2: was to like, I'm going back to the cabin.

711
00:32:05,920 --> 00:32:08,880
Speaker 3: Yeah, I'm hearing ship and I'm smelling things I never

712
00:32:08,960 --> 00:32:09,600
Speaker 3: smelled before.

713
00:32:09,960 --> 00:32:13,280
Speaker 2: It's a big close by. Yeah, and she's usually exploring.

714
00:32:13,280 --> 00:32:15,080
Speaker 2: When I was on the grill, she was on my leg,

715
00:32:15,200 --> 00:32:18,520
Speaker 2: like you living on my leg terror. I was like, yeah, no,

716
00:32:18,640 --> 00:32:22,160
Speaker 2: you're a beautiful snack to everyone out Like if humans

717
00:32:22,160 --> 00:32:25,760
Speaker 2: didn't exist, multi foods would like, yeah, they should thank

718
00:32:25,840 --> 00:32:26,520
Speaker 2: us every day.

719
00:32:26,680 --> 00:32:28,560
Speaker 1: You would be a snack and a heartbeat.

720
00:32:28,640 --> 00:32:30,280
Speaker 3: That is so funny, man, you gotta take it. You

721
00:32:30,280 --> 00:32:32,360
Speaker 3: gotta take a pit bull up there. You can't take

722
00:32:32,400 --> 00:32:34,520
Speaker 3: a multi pool to the forest. I mean even a

723
00:32:34,520 --> 00:32:37,480
Speaker 3: pit bull would do. Some of the ship out there

724
00:32:37,560 --> 00:32:41,160
Speaker 3: would have would have some trouble. Oh yeah, I don't.

725
00:32:40,960 --> 00:32:43,040
Speaker 2: Even know how we got down down the glamping path,

726
00:32:43,120 --> 00:32:46,400
Speaker 2: but I know Woodstock has some like areas like that

727
00:32:46,480 --> 00:32:46,840
Speaker 2: out there.

728
00:32:48,000 --> 00:32:49,560
Speaker 1: Stock could be fun. Yeah.

729
00:32:49,880 --> 00:32:51,840
Speaker 2: Uh do you know the band phony people from Brooklyn?

730
00:32:52,400 --> 00:32:54,200
Speaker 1: I know some phony people from Brooklyn. I don't know

731
00:32:54,240 --> 00:32:54,760
Speaker 1: the band.

732
00:32:55,480 --> 00:33:00,280
Speaker 2: Great band Phony people. They did like part of their rollout. Uh,

733
00:33:00,360 --> 00:33:01,400
Speaker 2: they're signing three hundred.

734
00:33:01,720 --> 00:33:02,160
Speaker 1: Okay.

735
00:33:02,600 --> 00:33:04,440
Speaker 2: Part of the rollout was busting a bunch of people

736
00:33:04,440 --> 00:33:08,160
Speaker 2: from media up to Woodstock to do a night and

737
00:33:08,240 --> 00:33:11,240
Speaker 2: they did like the campfire and perform the records and

738
00:33:11,240 --> 00:33:12,520
Speaker 2: like I thought, it was one of the coolest stuff

739
00:33:13,040 --> 00:33:16,080
Speaker 2: roll out ships ever. Yeah that could be fire listen man,

740
00:33:16,520 --> 00:33:19,600
Speaker 2: guy's younger, so he can do like the like the

741
00:33:19,920 --> 00:33:21,200
Speaker 2: college version of that.

742
00:33:21,760 --> 00:33:23,160
Speaker 1: Let's go do the old version.

743
00:33:23,160 --> 00:33:25,200
Speaker 3: We're going through the old version glamping. We're going glamping,

744
00:33:25,280 --> 00:33:27,000
Speaker 3: We're going fishing while we're there.

745
00:33:27,640 --> 00:33:30,080
Speaker 2: Because the challenges that we could do of like who

746
00:33:30,080 --> 00:33:33,520
Speaker 2: could make a fire first? Like there's a lot of

747
00:33:33,520 --> 00:33:35,680
Speaker 2: camping things like we I don't want to get some

748
00:33:35,760 --> 00:33:37,920
Speaker 2: Scout leaders because I know that you know what, no

749
00:33:38,000 --> 00:33:42,080
Speaker 2: statute limitations. They're fine, they're model citizens.

750
00:33:44,680 --> 00:33:47,120
Speaker 1: But no, we could do archery. Yeah, we could do

751
00:33:47,240 --> 00:33:49,160
Speaker 1: uh like axe throw all of the things that will

752
00:33:49,240 --> 00:33:49,920
Speaker 1: humble us.

753
00:33:50,400 --> 00:33:53,600
Speaker 2: Have you ever tried to shop wood before shop you okay? Yeah,

754
00:33:53,800 --> 00:33:54,880
Speaker 2: yeah it's harder than you think.

755
00:33:55,880 --> 00:33:58,440
Speaker 3: Like you don't know your hands your hands and vibrating

756
00:33:58,480 --> 00:34:00,360
Speaker 3: still yeah yeah, your hands and out built was I

757
00:34:00,440 --> 00:34:03,200
Speaker 3: was trash? Yeah I got it done. But yeah, just

758
00:34:03,280 --> 00:34:06,240
Speaker 3: let me fish man, archery and all of that. I'm

759
00:34:06,240 --> 00:34:07,920
Speaker 3: not I was never never good at that ship.

760
00:34:08,080 --> 00:34:10,279
Speaker 2: Some of the toughest people in New York City that

761
00:34:10,320 --> 00:34:12,200
Speaker 2: you know, let's let's take them to the glamping ship

762
00:34:12,239 --> 00:34:13,440
Speaker 2: and see how tough they are.

763
00:34:14,120 --> 00:34:17,000
Speaker 3: Took some fell chot some wood and new show stamped.

764
00:34:17,080 --> 00:34:20,400
Speaker 3: So don't take our idea. Felons in the forest. Felons

765
00:34:20,400 --> 00:34:22,799
Speaker 3: in the forest, you niggas doing all this? You mean

766
00:34:22,880 --> 00:34:25,600
Speaker 3: all of the New York State channels, No, no, but.

767
00:34:27,239 --> 00:34:27,760
Speaker 1: In size.

768
00:34:29,000 --> 00:34:30,600
Speaker 3: Let the ask out here and let them have to

769
00:34:30,640 --> 00:34:32,960
Speaker 3: survive in the forest for three nights. Let's see who

770
00:34:32,960 --> 00:34:35,600
Speaker 3: can make it happen. Yeah, you know you know how

771
00:34:35,600 --> 00:34:38,880
Speaker 3: to shoot a gun? Can you start a fire? No lighter,

772
00:34:38,920 --> 00:34:42,080
Speaker 3: no get no lighter fluid, just sticks in stones and

773
00:34:42,200 --> 00:34:43,280
Speaker 3: you could shoot the rabbit.

774
00:34:43,320 --> 00:34:45,080
Speaker 2: But after that, how we're gonna eat? Yeah?

775
00:34:45,200 --> 00:34:47,160
Speaker 1: Can you skin a rabbit? I know? Yeah?

776
00:34:47,360 --> 00:34:51,600
Speaker 2: See, I wouldn't even know whatever berry was out there first? Yea,

777
00:34:51,719 --> 00:34:54,799
Speaker 2: y's eat that our stomachs were caving. I'd be so

778
00:34:54,880 --> 00:34:57,160
Speaker 2: bad at the women should definitely make it happen, though,

779
00:34:57,280 --> 00:35:01,319
Speaker 2: I'm sure probably in O age range. You guys read

780
00:35:01,360 --> 00:35:03,320
Speaker 2: the hatchet. You had to read The Hatchet in a

781
00:35:03,880 --> 00:35:05,680
Speaker 2: elementary school. Maybe not in your era.

782
00:35:06,120 --> 00:35:09,080
Speaker 1: No, not my er. The Hatchet was about it sounds

783
00:35:09,080 --> 00:35:09,759
Speaker 1: familiar though.

784
00:35:09,960 --> 00:35:11,200
Speaker 2: This kid got in like a I think it was

785
00:35:11,239 --> 00:35:13,200
Speaker 2: a plane crash or something and ended up in the

786
00:35:13,239 --> 00:35:15,560
Speaker 2: forest with just a hatchet.

787
00:35:16,480 --> 00:35:18,319
Speaker 1: Naturally, and and and made his way.

788
00:35:18,360 --> 00:35:20,080
Speaker 2: And then I believe I believe we read Hatchet too,

789
00:35:20,120 --> 00:35:23,239
Speaker 2: where he got rescued and couldn't deal with society and

790
00:35:23,280 --> 00:35:24,760
Speaker 2: then just went back out with his hatchet.

791
00:35:25,680 --> 00:35:26,799
Speaker 1: But I'm not making that really thick.

792
00:35:26,840 --> 00:35:30,279
Speaker 2: That hatch it too to the woods, fuck society. He

793
00:35:30,280 --> 00:35:32,160
Speaker 2: couldn't deal with Wi Fi and was just like, oh man,

794
00:35:32,200 --> 00:35:32,839
Speaker 2: I'm going back.

795
00:35:32,840 --> 00:35:34,400
Speaker 1: Back, yeah, go back to the wilderness.

796
00:35:34,600 --> 00:35:38,840
Speaker 2: But I would this castaway all of those movies do

797
00:35:38,960 --> 00:35:42,400
Speaker 2: that a week. I'd like to think that I have

798
00:35:42,480 --> 00:35:45,080
Speaker 2: a lot of resilience in me, but it just be

799
00:35:45,200 --> 00:35:45,800
Speaker 2: lack of knowledge.

800
00:35:45,800 --> 00:35:50,680
Speaker 1: I wouldn't know what the fuck to do. Well.

801
00:35:50,760 --> 00:35:52,840
Speaker 2: I saw your twenty twenty six vision board and the

802
00:35:52,920 --> 00:35:55,120
Speaker 2: number one thing on there was upgrading to the all

803
00:35:55,200 --> 00:35:58,440
Speaker 2: new iPhone seventeen Pro and just huge letters on the

804
00:35:58,560 --> 00:36:00,839
Speaker 2: vision board. This happened just plash stirred on your wall.

805
00:36:00,920 --> 00:36:01,440
Speaker 1: What's happening?

806
00:36:01,480 --> 00:36:03,359
Speaker 2: But I know in that vision board you were very

807
00:36:03,360 --> 00:36:05,480
Speaker 2: worried about the traffic or getting to the store to

808
00:36:05,480 --> 00:36:08,000
Speaker 2: transfer all your data. That was just crazy on your

809
00:36:08,040 --> 00:36:10,040
Speaker 2: vision board, like how will I transfer the data? Had

810
00:36:10,080 --> 00:36:12,879
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828
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830
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831
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834
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844
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851
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Speaker 3: Josh Send Help with Rachel McAdams. It feels like I

852
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Speaker 3: didn't watch it yet, but it feels like this is

853
00:38:08,960 --> 00:38:14,719
Speaker 3: along the lines of how castaway on a flight with

854
00:38:15,200 --> 00:38:19,279
Speaker 3: coworkers flight goes down on the deserted island, you know

855
00:38:19,360 --> 00:38:22,520
Speaker 3: the story, and now she has to kind of like,

856
00:38:23,160 --> 00:38:26,200
Speaker 3: you know, they have to survive until help arrives. I

857
00:38:26,239 --> 00:38:29,560
Speaker 3: wanted to watch it because the trailer was her boss

858
00:38:29,600 --> 00:38:31,880
Speaker 3: was a complete asshole to her, and naturally they go

859
00:38:31,920 --> 00:38:32,439
Speaker 3: down on the flight.

860
00:38:32,520 --> 00:38:33,960
Speaker 1: Naturally they go down on the flight together.

861
00:38:34,520 --> 00:38:38,520
Speaker 3: And now like it appears that her boss has to

862
00:38:38,600 --> 00:38:43,800
Speaker 3: depend more on her saving their life, you know what

863
00:38:43,840 --> 00:38:45,799
Speaker 3: I mean. So I'm gonna watch that though, because I

864
00:38:45,880 --> 00:38:47,960
Speaker 3: like the trailer. So to what you were saying, like, yeah,

865
00:38:48,000 --> 00:38:50,759
Speaker 3: the wilderness, know the hatchet flight goes down Boy in

866
00:38:50,760 --> 00:38:53,480
Speaker 3: the woods, Like, yes, that story is always old, but

867
00:38:53,480 --> 00:38:56,120
Speaker 3: it's always interesting to see people how they would survive

868
00:38:56,719 --> 00:38:57,839
Speaker 3: under those conditions.

869
00:38:58,360 --> 00:38:59,000
Speaker 1: Do you think.

870
00:39:00,360 --> 00:39:04,919
Speaker 2: If you were ever in that situation that y'all would

871
00:39:04,960 --> 00:39:08,880
Speaker 2: end up fucking Like you think you'd get horny in

872
00:39:08,880 --> 00:39:12,919
Speaker 2: that in that time. No, Like if it's all human beings, man, I.

873
00:39:12,840 --> 00:39:13,319
Speaker 1: Know we are.

874
00:39:13,320 --> 00:39:15,520
Speaker 3: But if we're like we're having to survive. We don't

875
00:39:15,560 --> 00:39:17,799
Speaker 3: have any food, we don't have any drinking water, we

876
00:39:17,800 --> 00:39:20,200
Speaker 3: don't have my I'm not gonna get home. I fucked

877
00:39:20,200 --> 00:39:22,600
Speaker 3: the most when I was broke. Mann, know, that's none

878
00:39:22,600 --> 00:39:25,160
Speaker 3: of the ry. That's different than you being.

879
00:39:25,160 --> 00:39:27,480
Speaker 2: Trying to put it to a whole nother degree. Yeah,

880
00:39:27,480 --> 00:39:29,640
Speaker 2: like with you being broken then like starving.

881
00:39:29,400 --> 00:39:32,480
Speaker 3: Deserted on an island, It's it's completely different.

882
00:39:32,560 --> 00:39:37,000
Speaker 2: Like No, I mean typically how relationships form, like trauma,

883
00:39:37,080 --> 00:39:38,120
Speaker 2: bonding experiences.

884
00:39:38,480 --> 00:39:40,080
Speaker 1: We're going through a similar thing.

885
00:39:40,200 --> 00:39:43,759
Speaker 2: Like I can see you starting to you know, I

886
00:39:43,920 --> 00:39:47,200
Speaker 2: want to fuck because I've even told you in office settings.

887
00:39:47,560 --> 00:39:50,120
Speaker 2: Office settings are like jail. A woman that you would

888
00:39:50,160 --> 00:39:52,520
Speaker 2: not typically find attractive if you have a nine to

889
00:39:52,560 --> 00:39:54,839
Speaker 2: five jobs, she starts to become more attractive you see

890
00:39:55,640 --> 00:39:56,239
Speaker 2: times ten.

891
00:39:57,320 --> 00:40:00,080
Speaker 3: Yeah, but that's not survival or in the office. This

892
00:40:00,160 --> 00:40:02,200
Speaker 3: is life of death we're talking about.

893
00:40:02,239 --> 00:40:03,920
Speaker 2: Okay, do you think you'd ever beat off if you

894
00:40:03,960 --> 00:40:06,280
Speaker 2: were on a dessert, like, do you think Tom Hanks

895
00:40:06,320 --> 00:40:09,719
Speaker 2: and if that was real, like jerked off at all

896
00:40:10,360 --> 00:40:13,560
Speaker 2: during the past away, Yeah, I can see him looking

897
00:40:13,560 --> 00:40:15,880
Speaker 2: at wat on one night and getting freaky. Anyone that

898
00:40:15,920 --> 00:40:18,640
Speaker 2: thinks the immature conversation, I think you're immature because this

899
00:40:18,680 --> 00:40:22,799
Speaker 2: is a humanly bodily function that keeps the population moving.

900
00:40:22,840 --> 00:40:26,279
Speaker 2: It's it's wired in our DNA. I think I would

901
00:40:26,320 --> 00:40:29,120
Speaker 2: one hundred percent beat off a few times on.

902
00:40:29,040 --> 00:40:31,759
Speaker 1: A deserted island. Yeah, by yourself, all.

903
00:40:31,760 --> 00:40:33,520
Speaker 2: Right, I ask you this, how many days in do

904
00:40:33,560 --> 00:40:36,279
Speaker 2: you think you'd beat off day four?

905
00:40:36,640 --> 00:40:39,320
Speaker 1: I don't think I would at all. Bro, Now you would.

906
00:40:43,120 --> 00:40:45,759
Speaker 3: Put some coconuts on a tree and just that's that's

907
00:40:45,760 --> 00:40:47,240
Speaker 3: the new Wilson as Wilma.

908
00:40:47,320 --> 00:40:52,799
Speaker 2: I was about to say, open Wilson's mouth the little

909
00:40:52,800 --> 00:40:53,759
Speaker 2: coconut oil in there.

910
00:40:56,120 --> 00:40:57,239
Speaker 1: You know that is sick man.

911
00:40:57,640 --> 00:41:01,000
Speaker 2: But really, I feel like if two people of the

912
00:41:01,040 --> 00:41:04,520
Speaker 2: same age, yeah, you probably end up fucking no way.

913
00:41:04,520 --> 00:41:06,800
Speaker 2: It would be very irresponsible though, because if you got pregnant,

914
00:41:06,800 --> 00:41:07,680
Speaker 2: you're fucked this.

915
00:41:08,280 --> 00:41:11,319
Speaker 3: I just don't think I think y'all underestimating being like

916
00:41:11,600 --> 00:41:13,240
Speaker 3: stuck on a deserted island.

917
00:41:13,400 --> 00:41:17,520
Speaker 2: I think you're underestimating once it becomes normalcy that your

918
00:41:17,520 --> 00:41:20,520
Speaker 2: body would kick into whatever it does usually and at

919
00:41:20,520 --> 00:41:21,960
Speaker 2: some point you're gonna have to note.

920
00:41:22,520 --> 00:41:29,759
Speaker 3: Okay, well I said this the other day. I said,

921
00:41:29,760 --> 00:41:33,399
Speaker 3: trauma makes you horny, and y'all laughed at me. So yes,

922
00:41:33,480 --> 00:41:36,440
Speaker 3: I agree, but laugh at you. I got a kid

923
00:41:36,440 --> 00:41:39,840
Speaker 3: out of it. But like being on a deserted island,

924
00:41:39,880 --> 00:41:43,520
Speaker 3: no food, no drinking water, like you're thinking of, like

925
00:41:43,600 --> 00:41:45,880
Speaker 3: you're scared, You're like, okay, in panic.

926
00:41:45,880 --> 00:41:46,239
Speaker 1: All right.

927
00:41:46,280 --> 00:41:50,200
Speaker 2: So after Tom Hanks finds all the packages and they

928
00:41:50,239 --> 00:41:53,400
Speaker 2: go through that whole thing, and then like four years

929
00:41:53,480 --> 00:41:55,640
Speaker 2: later and he's got the beard, he throws the spear

930
00:41:55,680 --> 00:41:57,840
Speaker 2: from across the lands.

931
00:41:57,560 --> 00:41:57,919
Speaker 1: On the fish.

932
00:41:57,960 --> 00:42:01,080
Speaker 2: Oh yeah, please yeah, jerking it with two hands.

933
00:42:01,120 --> 00:42:04,000
Speaker 3: Yeah yeah. At that point you figured it out. You're

934
00:42:04,040 --> 00:42:06,440
Speaker 3: obviously survived. You know, you know how to feed yourself,

935
00:42:06,440 --> 00:42:08,560
Speaker 3: you know how to like at that point, yes, you

936
00:42:08,880 --> 00:42:09,600
Speaker 3: definitely can't.

937
00:42:09,800 --> 00:42:12,000
Speaker 1: So AI, even though you don't really agree with.

938
00:42:11,960 --> 00:42:15,520
Speaker 3: A no with horny questions, A says, yes, it is

939
00:42:15,560 --> 00:42:18,360
Speaker 3: highly probable that you would naturally experience sexual desire.

940
00:42:18,840 --> 00:42:21,000
Speaker 1: Quote get horny on a deserted island.

941
00:42:21,080 --> 00:42:26,040
Speaker 3: A sex as as sexual drive, is a fundamental human instinct.

942
00:42:27,440 --> 00:42:30,360
Speaker 3: So yeah, AI feels like you definitely at some point,

943
00:42:30,520 --> 00:42:35,040
Speaker 3: will you know loneliness If you are completely alone, your

944
00:42:35,040 --> 00:42:38,040
Speaker 3: body may still experience hormonal urges and the human need

945
00:42:38,160 --> 00:42:40,040
Speaker 3: for touch or at least may manifest.

946
00:42:40,360 --> 00:42:40,640
Speaker 1: Yeah.

947
00:42:40,680 --> 00:42:42,480
Speaker 2: And I'm telling you, if you're on an island with

948
00:42:43,000 --> 00:42:44,680
Speaker 2: a woman, I don't care what she looks like, y'allill

949
00:42:44,680 --> 00:42:47,400
Speaker 2: probably end up fucking yeah, two straight people.

950
00:42:47,680 --> 00:42:48,160
Speaker 1: That's that's.

951
00:42:48,560 --> 00:42:49,719
Speaker 3: Once you get to the point where you know we're

952
00:42:49,719 --> 00:42:52,000
Speaker 3: going to survive, that we can feed ourselves, we can,

953
00:42:52,480 --> 00:42:56,000
Speaker 3: I think after that point. But the first initial plane

954
00:42:56,040 --> 00:42:58,960
Speaker 3: goes down second day on the no fucking.

955
00:42:58,680 --> 00:43:01,440
Speaker 1: Way, bro, this is this no way, you're a.

956
00:43:01,440 --> 00:43:07,200
Speaker 2: Many imagine setting the tone that way like day one.

957
00:43:08,440 --> 00:43:10,200
Speaker 1: So it's just us like I've been waiting to get

958
00:43:10,200 --> 00:43:12,680
Speaker 1: you alone, like what you know? That's fuck.

959
00:43:12,760 --> 00:43:14,600
Speaker 2: We don't know, all right, But if you don't know

960
00:43:14,600 --> 00:43:16,840
Speaker 2: if you're gonna survive, I might want to get like

961
00:43:16,840 --> 00:43:19,399
Speaker 2: one last fuck off. If I'm sitting there, like both

962
00:43:19,400 --> 00:43:21,960
Speaker 2: of us are city kids. We're retarded, we have no

963
00:43:22,040 --> 00:43:24,759
Speaker 2: idea what we're gonna do out here. We might as

964
00:43:24,760 --> 00:43:27,200
Speaker 2: well fuck while we have something in our stomachs and

965
00:43:27,239 --> 00:43:27,640
Speaker 2: then just.

966
00:43:27,600 --> 00:43:29,719
Speaker 1: Go die in the woods. Yeah, because that's what I'm saying.

967
00:43:29,840 --> 00:43:30,439
Speaker 1: After you have sex.

968
00:43:30,480 --> 00:43:34,280
Speaker 3: As soon as you are done, every decent person wants

969
00:43:34,280 --> 00:43:37,319
Speaker 3: a snack. You want something after sex, Like you don't

970
00:43:37,360 --> 00:43:39,360
Speaker 3: have nothing. You just out here on the beach with

971
00:43:40,080 --> 00:43:42,040
Speaker 3: salt water surrounding you, and just like.

972
00:43:42,080 --> 00:43:44,520
Speaker 2: You probably find uh, there's probably tobacco on those type

973
00:43:44,520 --> 00:43:47,880
Speaker 2: of islands. Nice little sig. But you gotta eat you,

974
00:43:47,920 --> 00:43:49,920
Speaker 2: don't you see? You still kills appetite.

975
00:43:50,080 --> 00:43:52,080
Speaker 3: Yeah, nah, you tripping, man. But I think once you

976
00:43:52,120 --> 00:43:53,160
Speaker 3: figure out how to survive you But.

977
00:43:53,160 --> 00:43:55,760
Speaker 2: I feel like at some point, probably during our lifetime,

978
00:43:55,800 --> 00:43:57,480
Speaker 2: there will be a D day. I think we're just

979
00:43:57,600 --> 00:43:59,920
Speaker 2: we're just in that direction at this point. If you

980
00:44:00,080 --> 00:44:03,440
Speaker 2: watch the news, you're the first thing you're probably gonna

981
00:44:03,440 --> 00:44:06,680
Speaker 2: think when they tell us the date, They're like, all right,

982
00:44:06,680 --> 00:44:07,399
Speaker 2: who am I gonna fuck?

983
00:44:08,000 --> 00:44:09,320
Speaker 1: That's gonna cross your mind.

984
00:44:10,120 --> 00:44:13,439
Speaker 2: So to think that wouldn't happen after your FedEx plane fall,

985
00:44:13,520 --> 00:44:20,000
Speaker 2: Like yeah.

986
00:44:17,120 --> 00:44:22,680
Speaker 1: I don't know, man, one day to eat it. Josh

987
00:44:22,719 --> 00:44:23,680
Speaker 1: is super horny.

988
00:44:24,600 --> 00:44:27,440
Speaker 2: Imagine imagine crashing with somebody and then right before you're

989
00:44:27,440 --> 00:44:28,560
Speaker 2: about to be like it was the last time you

990
00:44:28,560 --> 00:44:29,040
Speaker 2: got tested?

991
00:44:29,840 --> 00:44:32,960
Speaker 1: No, come on, I'm just gonna take this no matter what.

992
00:44:33,239 --> 00:44:35,400
Speaker 2: As somebody that just had chlamydia. It would suck to

993
00:44:35,400 --> 00:44:36,960
Speaker 2: be on a deserted.

994
00:44:36,520 --> 00:44:41,000
Speaker 3: Island with Yeah. Yeah, I don't even want no penicillent.

995
00:44:41,080 --> 00:44:43,000
Speaker 3: Oh god, I don't even want to know what that's about.

996
00:44:43,320 --> 00:44:44,720
Speaker 2: Did any guys watch Lost?

997
00:44:45,760 --> 00:44:46,120
Speaker 1: Lost?

998
00:44:46,520 --> 00:44:49,359
Speaker 2: The show I came out a few years ago, right, Yeah,

999
00:44:49,360 --> 00:44:51,360
Speaker 2: it's like one of the most popular shows of all time,

1000
00:44:51,760 --> 00:44:52,960
Speaker 2: and I like not to spoil it.

1001
00:44:53,040 --> 00:44:53,680
Speaker 1: I never watched it.

1002
00:44:53,680 --> 00:44:55,240
Speaker 2: I think they all end up just like being ghosts,

1003
00:44:55,280 --> 00:44:57,000
Speaker 2: Like when the plane crashed, they were actually all dead.

1004
00:44:57,760 --> 00:45:00,160
Speaker 2: Did anyone fuck during Lost? Like, can we look at up?

1005
00:45:00,400 --> 00:45:02,360
Speaker 2: There's no way. They had like twelve seasons and nobody

1006
00:45:02,360 --> 00:45:03,280
Speaker 2: fucked on that island.

1007
00:45:03,680 --> 00:45:07,200
Speaker 1: Oh that definitely. I'm pretty sure it was like sex

1008
00:45:07,239 --> 00:45:07,839
Speaker 1: scenes on there.

1009
00:45:09,160 --> 00:45:12,520
Speaker 2: Yeah, okay, sorry, well all right, that answers our question.

1010
00:45:12,760 --> 00:45:15,719
Speaker 1: Yeah, well but they're dead.

1011
00:45:15,800 --> 00:45:17,680
Speaker 2: If Lord of the Flies, if they got older, there

1012
00:45:17,680 --> 00:45:18,560
Speaker 2: would been a lot of gay.

1013
00:45:18,440 --> 00:45:21,080
Speaker 1: Sex for sure. What was that What was that movie

1014
00:45:21,080 --> 00:45:23,839
Speaker 1: with Leonardo DiCaprio. Was it The Beach? The Beach? Yeah?

1015
00:45:23,960 --> 00:45:27,280
Speaker 2: Love that movie, classic, love, It's a fucking classic movie. Yeah,

1016
00:45:27,480 --> 00:45:30,400
Speaker 2: that's a classic movie. Sick movie.

1017
00:45:33,239 --> 00:45:35,200
Speaker 1: That shit.

1018
00:45:35,239 --> 00:45:37,280
Speaker 2: I don't want to like jump out there without looking

1019
00:45:37,280 --> 00:45:39,200
Speaker 2: at every LEO movie, but that might be a top

1020
00:45:39,239 --> 00:45:42,520
Speaker 2: five LEO movie, and that's saying something. The Beach is

1021
00:45:42,520 --> 00:45:47,120
Speaker 2: super underrated. That was his uh Britney Spears.

1022
00:45:47,200 --> 00:45:49,480
Speaker 1: Oops, I did it again? Like to get them.

1023
00:45:49,360 --> 00:45:53,160
Speaker 2: Out of that kid rolleg Yeah that this This was

1024
00:45:53,200 --> 00:45:55,640
Speaker 2: his rated r Rihanna album for sure.

1025
00:45:57,080 --> 00:45:59,120
Speaker 1: You remember that one, Josh, you know the Beach? Yeah?

1026
00:45:59,280 --> 00:46:00,560
Speaker 1: Watch the Beach movie.

1027
00:46:01,640 --> 00:46:05,839
Speaker 2: Have you watched the Matt Damon and Ben Affleck The Rip?

1028
00:46:06,160 --> 00:46:06,399
Speaker 1: Yes?

1029
00:46:06,480 --> 00:46:09,000
Speaker 3: I watched The Rip on Netflix. Did watch it the

1030
00:46:09,080 --> 00:46:10,000
Speaker 3: other night? You didn't see yet?

1031
00:46:10,160 --> 00:46:11,720
Speaker 1: I have not seen it yet. Good movie.

1032
00:46:11,920 --> 00:46:14,640
Speaker 2: I will see it by the time we record again.

1033
00:46:15,480 --> 00:46:18,920
Speaker 2: I did watch the Joe Rogan interview with both of them.

1034
00:46:19,160 --> 00:46:21,040
Speaker 2: But I have a man crush on both these guys.

1035
00:46:21,600 --> 00:46:23,440
Speaker 1: You want to hang out with them? Absolutely.

1036
00:46:23,760 --> 00:46:27,040
Speaker 2: I have a huge man crush on Bed and Matt.

1037
00:46:26,160 --> 00:46:28,719
Speaker 2: They got a lot of shit of like trying to

1038
00:46:28,719 --> 00:46:31,319
Speaker 2: pretend to be the blue collar. I really think they're

1039
00:46:31,320 --> 00:46:33,560
Speaker 2: those down to earth guys. I really do think they're

1040
00:46:33,600 --> 00:46:35,000
Speaker 2: as cool as they come across.

1041
00:46:35,000 --> 00:46:36,960
Speaker 1: Are they related? Just like close friends from.

1042
00:46:36,880 --> 00:46:39,920
Speaker 2: They grew up together in Cambridge, Massachusetts, went to high

1043
00:46:39,920 --> 00:46:42,920
Speaker 2: school together. But this is also one of those things,

1044
00:46:42,960 --> 00:46:45,880
Speaker 2: like we talk about what's in the water with certain people.

1045
00:46:46,160 --> 00:46:48,680
Speaker 1: The fact that these two childhood.

1046
00:46:48,200 --> 00:46:52,240
Speaker 2: Friends both became a listers, Like started out together writing

1047
00:46:52,280 --> 00:46:55,839
Speaker 2: together Goodwill Hunting. This is an insane story of what

1048
00:46:56,360 --> 00:46:58,440
Speaker 2: both of them have accomplished together and separately.

1049
00:46:58,640 --> 00:46:59,440
Speaker 1: Better active Ben on.

1050
00:46:59,480 --> 00:47:10,440
Speaker 2: Matt, I Matt, Matt Matt. But but it's closer than

1051
00:47:10,480 --> 00:47:13,280
Speaker 2: I think people give credit. I think the easy answer

1052
00:47:14,280 --> 00:47:16,960
Speaker 2: would be Matt, but I think Ben, in the second

1053
00:47:16,960 --> 00:47:20,120
Speaker 2: half of both their careers has caught up. In the beginning,

1054
00:47:20,120 --> 00:47:22,600
Speaker 2: it was definitely Matt, and it was That's even why

1055
00:47:23,480 --> 00:47:26,280
Speaker 2: Matt played the genius and Goodwill Hunting and he played

1056
00:47:26,280 --> 00:47:32,480
Speaker 2: the meathead guy. But it's it's close, man, Ben is

1057
00:47:32,560 --> 00:47:37,000
Speaker 2: underrated as an actor, better filmography. Now that one is

1058
00:47:37,680 --> 00:47:43,680
Speaker 2: Ben is Batman, bro He's Jason Bourne Batman or Jason Born.

1059
00:47:44,719 --> 00:47:46,560
Speaker 2: There's other Batman. There's only one Jason.

1060
00:47:46,320 --> 00:47:51,880
Speaker 1: Bourne, the Departed. Yeah the town.

1061
00:47:52,360 --> 00:47:54,799
Speaker 2: All right, Yeah, well Josh pulls that up. I do

1062
00:47:54,840 --> 00:47:58,200
Speaker 2: recommend everyone watched the Joe Rogan interview with both of them,

1063
00:47:58,239 --> 00:48:01,640
Speaker 2: Like it's just a really cool interview watching two people

1064
00:48:01,640 --> 00:48:04,600
Speaker 2: that have been in this industry since the eighties of

1065
00:48:04,680 --> 00:48:10,840
Speaker 2: how they've adapted to streaming, and you know, they're also writers, directors, producers,

1066
00:48:10,880 --> 00:48:14,880
Speaker 2: like these aren't just fucking pretty faces with the good filmography.

1067
00:48:15,040 --> 00:48:18,920
Speaker 2: Like these guys have been in every single aspect of

1068
00:48:18,960 --> 00:48:22,000
Speaker 2: the business. I love that they also are the first

1069
00:48:22,000 --> 00:48:26,880
Speaker 2: movie with rip. If the movie is successful, everyone that

1070
00:48:27,000 --> 00:48:30,040
Speaker 2: was on the staff gets paid more. It's the first

1071
00:48:30,040 --> 00:48:32,000
Speaker 2: time they're trying this out. Like if you held a

1072
00:48:32,000 --> 00:48:35,400
Speaker 2: boom mic and this shit is successful, you get more money,

1073
00:48:35,480 --> 00:48:37,960
Speaker 2: which which I think is perfect because a lot, you know,

1074
00:48:37,960 --> 00:48:39,520
Speaker 2: a lot of these guys will work with the same

1075
00:48:39,960 --> 00:48:42,200
Speaker 2: DP their whole career and that guy will get his

1076
00:48:42,239 --> 00:48:45,280
Speaker 2: fee and there's no back end on anything. And they

1077
00:48:45,360 --> 00:48:48,239
Speaker 2: were also saying like it just makes the crew want

1078
00:48:48,239 --> 00:48:50,279
Speaker 2: to work harder for what they're doing at the time,

1079
00:48:50,400 --> 00:48:53,000
Speaker 2: Like everyone is way more focused because if we make

1080
00:48:53,040 --> 00:48:55,440
Speaker 2: this better, we all get to profit from it, which

1081
00:48:55,480 --> 00:48:55,920
Speaker 2: I think.

1082
00:48:55,719 --> 00:48:56,800
Speaker 1: Should be in the music business.

1083
00:48:56,880 --> 00:49:00,239
Speaker 2: It's such a grim like you know, again, as much

1084
00:49:00,239 --> 00:49:02,240
Speaker 2: as these guys get shipped of like trying to pretend

1085
00:49:02,239 --> 00:49:03,880
Speaker 2: to be the blue cut, I really do think that

1086
00:49:03,920 --> 00:49:06,560
Speaker 2: they mean the things that they say. I really think

1087
00:49:06,600 --> 00:49:10,680
Speaker 2: these are good guys that are super creative. Now the

1088
00:49:10,719 --> 00:49:13,319
Speaker 2: Matt versus Ben shit, this is what Swizz and tim

1089
00:49:13,360 --> 00:49:16,560
Speaker 2: Ney to do. We'll get into him and Mike will

1090
00:49:16,560 --> 00:49:19,960
Speaker 2: made it on our next episode. But Matt versus Ben

1091
00:49:21,480 --> 00:49:26,520
Speaker 2: this is ray verse ghost. Yeah, like, yeah, this one

1092
00:49:26,600 --> 00:49:27,000
Speaker 2: is tough.

1093
00:49:27,520 --> 00:49:29,640
Speaker 3: Starting out with good will hunting is just unfair though,

1094
00:49:29,719 --> 00:49:33,000
Speaker 3: So that's just like it's such a classic movie. You

1095
00:49:33,000 --> 00:49:34,960
Speaker 3: know what, even Private Ryan I forgot he was in that.

1096
00:49:35,080 --> 00:49:37,480
Speaker 2: Well, I just want to start with what's funny in

1097
00:49:37,719 --> 00:49:41,280
Speaker 2: Matt Damon's filmography being an extra and Field of Dreams

1098
00:49:41,360 --> 00:49:47,000
Speaker 2: is hilarious. Just out there, get you an extra field

1099
00:49:47,120 --> 00:49:55,719
Speaker 2: dream Saving Private Ryan? Does Ben have a better movie

1100
00:49:55,800 --> 00:49:59,879
Speaker 2: than Saving Private Ryan? Does anyone have a movie better

1101
00:50:00,000 --> 00:50:03,959
Speaker 2: than Saving Private Ryan? M and Matt again is only

1102
00:50:04,400 --> 00:50:09,239
Speaker 2: the second half of it's Armageddon is a classic and

1103
00:50:09,320 --> 00:50:17,319
Speaker 2: Ben was the star with Bruce Willis and a crew

1104
00:50:17,360 --> 00:50:20,480
Speaker 2: of actors that are all A listers. That was Michael

1105
00:50:20,520 --> 00:50:25,400
Speaker 2: bay right, one of the biggest movies ever Fucking who

1106
00:50:25,400 --> 00:50:28,200
Speaker 2: did the soundtracks? Ero Smith did the soundtrack. We're talking

1107
00:50:28,200 --> 00:50:30,000
Speaker 2: about like one of the biggest movies that's ever existed.

1108
00:50:30,480 --> 00:50:32,839
Speaker 2: Is it better than Armageddon?

1109
00:50:32,960 --> 00:50:33,120
Speaker 1: No?

1110
00:50:36,400 --> 00:50:38,840
Speaker 2: It's like Saving Private Ryan is one of the greatest

1111
00:50:38,840 --> 00:50:39,239
Speaker 2: movies ever.

1112
00:50:40,280 --> 00:50:42,080
Speaker 3: No, you're right, I'm not arguing that, but I'm just saying,

1113
00:50:42,360 --> 00:50:47,360
Speaker 3: so is Armageddon. This is what I'm saying. Armageddon is

1114
00:50:47,360 --> 00:50:48,640
Speaker 3: a bigger movie.

1115
00:50:49,040 --> 00:50:49,399
Speaker 1: All right.

1116
00:50:49,560 --> 00:50:52,719
Speaker 2: Pearl Harbor versus Saving Private Ryan, I think would be

1117
00:50:52,719 --> 00:50:58,200
Speaker 2: a more fair versus. And while Saving Private Ryan is better,

1118
00:50:58,400 --> 00:51:01,960
Speaker 2: I do think Pearl Harbor, despite trying to do too

1119
00:51:02,040 --> 00:51:05,680
Speaker 2: much with the love story, is an underrated movie. Pearl

1120
00:51:05,680 --> 00:51:08,360
Speaker 2: Harbor is a fucking classic. They went nuts in that.

1121
00:51:11,120 --> 00:51:11,799
Speaker 2: Where do you put it?

1122
00:51:12,440 --> 00:51:14,239
Speaker 1: I don't know. I think I'm going Saving Private Ryan

1123
00:51:14,280 --> 00:51:15,439
Speaker 1: with Pearl Harbor though. Same.

1124
00:51:15,920 --> 00:51:18,600
Speaker 3: Yeah, I like Pearl Harbor, and I probably would actually

1125
00:51:18,680 --> 00:51:21,120
Speaker 3: watch Pearl Harbor before watching Save with Prior Ryan if

1126
00:51:21,120 --> 00:51:23,760
Speaker 3: it was on. But when you look at Saving Privy,

1127
00:51:23,800 --> 00:51:25,320
Speaker 3: it's a better movie than Pearl Harbor.

1128
00:51:26,520 --> 00:51:28,799
Speaker 2: Hot take, and I'm fine with the flak I'll get

1129
00:51:28,840 --> 00:51:30,399
Speaker 2: for it. I think The Town is better than every

1130
00:51:30,480 --> 00:51:32,239
Speaker 2: Jason Bourne movie.

1131
00:51:33,920 --> 00:51:35,839
Speaker 1: I like Jason, but don't get me wrong. I just.

1132
00:51:37,520 --> 00:51:40,440
Speaker 2: They're great there, They're classics. I just prefer I could

1133
00:51:40,480 --> 00:51:43,400
Speaker 2: watch The Town, and I'll watch The Town on TV

1134
00:51:43,520 --> 00:51:47,640
Speaker 2: with commercials. Jason Bourne, there can't be ads on a

1135
00:51:47,719 --> 00:51:50,160
Speaker 2: Jason Bourne movie or I'm not I'm not watching that. Yeah,

1136
00:51:50,280 --> 00:51:52,360
Speaker 2: I watched The Town with commercials. Yeah, that's how you

1137
00:51:52,360 --> 00:51:53,719
Speaker 2: know if a movie is really good if I watch

1138
00:51:53,760 --> 00:51:56,520
Speaker 2: it with commercial I watch Shawshank Redemption, which takes six

1139
00:51:56,560 --> 00:51:57,000
Speaker 2: hours with.

1140
00:51:57,000 --> 00:51:59,480
Speaker 1: You're gonna be there for two days watching.

1141
00:51:59,160 --> 00:52:02,480
Speaker 2: That, which I know is a hot take, but that's

1142
00:52:02,520 --> 00:52:10,000
Speaker 2: actually how I feel. Also, Gone Girl underrated movie. If

1143
00:52:10,000 --> 00:52:14,600
Speaker 2: we're getting into the range of Ben I don't know

1144
00:52:15,280 --> 00:52:18,560
Speaker 2: where where does that that put him over over our

1145
00:52:18,560 --> 00:52:19,200
Speaker 2: guy Matt.

1146
00:52:21,840 --> 00:52:23,759
Speaker 3: Yeah, I mean personally, I'm taking Ben Afflete. I think

1147
00:52:23,760 --> 00:52:24,840
Speaker 3: Ben Affleck is a better actor.

1148
00:52:25,480 --> 00:52:28,280
Speaker 2: But then you get into The Departed, Departed, Trump's Gone

1149
00:52:28,280 --> 00:52:38,440
Speaker 2: Girl parted the Departed over the Town? Fuck Departed, Really,

1150
00:52:38,800 --> 00:52:42,640
Speaker 2: no fucking way to depart it over the Town. They're

1151
00:52:42,640 --> 00:52:46,480
Speaker 2: both Boston, they're both crying. But they are different movies.

1152
00:52:46,800 --> 00:52:47,480
Speaker 2: They're different.

1153
00:52:48,440 --> 00:52:52,080
Speaker 3: You know, I'm going to Town. I'm sorry, I'm the

1154
00:52:52,120 --> 00:52:52,839
Speaker 3: Town over the.

1155
00:52:52,719 --> 00:52:58,640
Speaker 2: Departy, Leo Jack Nicholson, No, no, no, don't start, Jaal Anderson.

1156
00:53:00,520 --> 00:53:03,720
Speaker 3: Great lineup, great cast, but we're just talking about the movie.

1157
00:53:04,920 --> 00:53:05,719
Speaker 3: Mark Wahlberg.

1158
00:53:05,840 --> 00:53:06,839
Speaker 1: The Town is.

1159
00:53:08,560 --> 00:53:12,279
Speaker 2: The Town just has so much great like it's the

1160
00:53:12,280 --> 00:53:15,680
Speaker 2: perfect sequence of action where it doesn't go too over

1161
00:53:15,719 --> 00:53:19,240
Speaker 2: the top, where this just feels like an unrealistic, complete

1162
00:53:19,280 --> 00:53:21,960
Speaker 2: fucking mess. They picked the perfect moments for the action

1163
00:53:22,200 --> 00:53:26,239
Speaker 2: and dialogue balance The Departed, though, like the part is

1164
00:53:26,280 --> 00:53:28,200
Speaker 2: up there with the score in a Scorsese list.

1165
00:53:28,440 --> 00:53:31,560
Speaker 1: At the end of the day, Yeah, I'm still going

1166
00:53:31,600 --> 00:53:34,000
Speaker 1: to Town. I'm sorry.

1167
00:53:34,080 --> 00:53:36,799
Speaker 2: I would see. I would put The Departed more so

1168
00:53:36,960 --> 00:53:40,719
Speaker 2: with something like the Ocean series because it has a

1169
00:53:40,760 --> 00:53:44,040
Speaker 2: cast of seven A listers that you're dealing with, like

1170
00:53:44,080 --> 00:53:48,120
Speaker 2: Ocean's eleven everybody's a superstar. That to me is more

1171
00:53:48,400 --> 00:53:52,200
Speaker 2: a comparison. Then The Town is just a fucking underrated,

1172
00:53:52,239 --> 00:53:53,560
Speaker 2: amazing crime movie.

1173
00:53:53,680 --> 00:53:53,919
Speaker 1: Yeah.

1174
00:53:54,120 --> 00:53:56,560
Speaker 3: At the end of the day, they don't have to

1175
00:53:56,600 --> 00:54:02,319
Speaker 3: depart it as a classic. This is a notables for

1176
00:54:02,880 --> 00:54:04,760
Speaker 3: the part is a fucking classic movie.

1177
00:54:05,640 --> 00:54:06,920
Speaker 1: All right. Before we get out of here, I think

1178
00:54:06,920 --> 00:54:13,319
Speaker 1: we do have a voicemail sponsorbo Boost Mobile Limited Talk

1179
00:54:13,360 --> 00:54:14,200
Speaker 1: Text and matter.

1180
00:54:16,600 --> 00:54:19,720
Speaker 4: Yoh it's up, Rory mal This is d from Jersey.

1181
00:54:20,520 --> 00:54:23,400
Speaker 4: I met you guys in New York one time. I

1182
00:54:23,480 --> 00:54:26,399
Speaker 4: gave you gold cards and Roy used it once. My god,

1183
00:54:26,560 --> 00:54:29,160
Speaker 4: remember thank you. Just have a question if you have

1184
00:54:29,400 --> 00:54:34,960
Speaker 4: two artists that could do a joint album, full project.

1185
00:54:35,640 --> 00:54:36,200
Speaker 1: Would it be.

1186
00:54:38,400 --> 00:54:40,960
Speaker 4: Random pairings that I was surprised to hear how good

1187
00:54:41,040 --> 00:54:45,120
Speaker 4: Larry June and two Chain sounded, especially over Alchemist Beats.

1188
00:54:46,840 --> 00:54:50,440
Speaker 4: I would choose probably Dave or Central C to do

1189
00:54:50,480 --> 00:54:52,640
Speaker 4: a full project. That four pack that they put out

1190
00:54:52,640 --> 00:54:55,800
Speaker 4: a few years ago was crazy. I'd like to hear more,

1191
00:54:56,600 --> 00:54:59,560
Speaker 4: maybe a full project from them. But yeah, let me

1192
00:54:59,600 --> 00:55:02,080
Speaker 4: know to artists that you guys would like to hear

1193
00:55:02,160 --> 00:55:04,359
Speaker 4: on our project together you think would sound great on

1194
00:55:04,360 --> 00:55:05,160
Speaker 4: the project together?

1195
00:55:05,840 --> 00:55:06,800
Speaker 1: Keep going peace.

1196
00:55:08,560 --> 00:55:11,399
Speaker 2: We appreciate that. Yeah, it's a good question. And yes,

1197
00:55:11,480 --> 00:55:13,480
Speaker 2: thank you so much for those gold cards.

1198
00:55:14,280 --> 00:55:16,560
Speaker 3: It might be time to update those song right, No, no,

1199
00:55:16,640 --> 00:55:18,560
Speaker 3: they fore Life. Oh yeah, I got two of them

1200
00:55:18,640 --> 00:55:21,399
Speaker 3: for Life is. There's no date, there's no expiration date

1201
00:55:21,440 --> 00:55:21,600
Speaker 3: on that.

1202
00:55:21,600 --> 00:55:22,840
Speaker 1: I don't know where Mons was at. I had to

1203
00:55:22,840 --> 00:55:23,239
Speaker 1: find it.

1204
00:55:23,320 --> 00:55:26,319
Speaker 2: Before we answer this, though. I did have to use

1205
00:55:26,400 --> 00:55:31,480
Speaker 2: that a second time back to management. We were recording

1206
00:55:31,600 --> 00:55:35,240
Speaker 2: in a motel at the time in New Jersey, just

1207
00:55:35,320 --> 00:55:37,880
Speaker 2: to get the feeling the cops were trying to do

1208
00:55:38,040 --> 00:55:41,600
Speaker 2: a some type of sting operation on prostitution that was

1209
00:55:41,640 --> 00:55:45,799
Speaker 2: happening in that motel that we were recording in. So

1210
00:55:45,840 --> 00:55:48,120
Speaker 2: it's like three o'clock in the morning. I'm about to

1211
00:55:48,160 --> 00:55:51,240
Speaker 2: drive back to my crib. I pull out the lot

1212
00:55:51,560 --> 00:55:56,319
Speaker 2: of the motel. I get pulled over immediately, undercover cop.

1213
00:55:56,640 --> 00:55:59,239
Speaker 2: Two other cops come like what were you doing in there?

1214
00:55:59,880 --> 00:56:03,399
Speaker 2: Was like nothing, friend is in there, this and that.

1215
00:56:03,520 --> 00:56:06,120
Speaker 2: They're like, well, you know there's prostitution going on in there.

1216
00:56:06,160 --> 00:56:08,240
Speaker 2: I was like, I have no idea. It's a motel,

1217
00:56:08,320 --> 00:56:12,279
Speaker 2: naturally I can assume. I can assume that. So I

1218
00:56:12,320 --> 00:56:14,520
Speaker 2: gave him the gold card that this gentleman gave us.

1219
00:56:15,680 --> 00:56:21,000
Speaker 2: My godsister married a cop in this town, I want

1220
00:56:21,000 --> 00:56:23,480
Speaker 2: to say, with the time we were in so that

1221
00:56:23,600 --> 00:56:25,919
Speaker 2: helped as well. But if I didn't have that gold card,

1222
00:56:25,960 --> 00:56:27,680
Speaker 2: the other gold card, like I had to go through

1223
00:56:27,680 --> 00:56:30,200
Speaker 2: three steps to prove to these cops that I wasn't fucking.

1224
00:56:29,960 --> 00:56:32,320
Speaker 1: A prostitute in that that most.

1225
00:56:32,239 --> 00:56:34,359
Speaker 2: Gold car got you out of hope because I didn't

1226
00:56:34,360 --> 00:56:37,480
Speaker 2: want to say, like, yeah, I'm making anti semitic j

1227
00:56:37,480 --> 00:56:38,520
Speaker 2: electronica music in there.

1228
00:56:38,520 --> 00:56:42,920
Speaker 3: Instead they would investigate it further. That would have been

1229
00:56:42,960 --> 00:56:43,920
Speaker 3: a further investigation.

1230
00:56:45,600 --> 00:56:46,439
Speaker 1: Yeah, it's a good question.

1231
00:56:46,680 --> 00:56:50,319
Speaker 2: Can we change the parameters of in the moment, like

1232
00:56:50,480 --> 00:56:53,839
Speaker 2: not right now like in nineteen ninety six, what I've

1233
00:56:53,880 --> 00:56:55,919
Speaker 2: loved a Tupac Nate Dog album.

1234
00:56:57,080 --> 00:56:59,960
Speaker 3: Yes, Oh, he's about artists right now.

1235
00:57:00,000 --> 00:57:01,480
Speaker 2: I don't think he put too much rules on it.

1236
00:57:01,640 --> 00:57:03,520
Speaker 2: I was saying, can we Like I would have loved

1237
00:57:03,640 --> 00:57:07,719
Speaker 2: Nas and a Z in nineteen ninety eight, nineteen ninety nine,

1238
00:57:08,600 --> 00:57:09,880
Speaker 2: for them to do a joint album.

1239
00:57:09,960 --> 00:57:11,719
Speaker 3: I would love to hear Jay and Nas album now,

1240
00:57:12,320 --> 00:57:14,360
Speaker 3: like both of them being I teld best of both casinos.

1241
00:57:14,520 --> 00:57:16,400
Speaker 3: I already titled it, yeah, best both of them being

1242
00:57:16,400 --> 00:57:18,280
Speaker 3: where they had in their life right now, rich as fuck,

1243
00:57:18,800 --> 00:57:20,200
Speaker 3: coming from the streets in New York.

1244
00:57:20,320 --> 00:57:22,640
Speaker 1: Like, I just think that storytelling would be amazing.

1245
00:57:22,760 --> 00:57:27,560
Speaker 3: That would only fall on who's producing it. Well, it

1246
00:57:27,600 --> 00:57:29,040
Speaker 3: always falls on the music, you know that.

1247
00:57:29,440 --> 00:57:31,520
Speaker 2: Like, of course, I'm not doubting either of them at

1248
00:57:31,520 --> 00:57:34,040
Speaker 2: this point in the careers. That would be one of

1249
00:57:34,080 --> 00:57:36,720
Speaker 2: those that, like only no id should deal with that.

1250
00:57:37,680 --> 00:57:44,280
Speaker 2: I don't want them to get a bunch don't hit Metro, don't. Yeah,

1251
00:57:44,320 --> 00:57:46,080
Speaker 2: that would have to be one that no Idea would

1252
00:57:46,080 --> 00:57:48,560
Speaker 2: have to take the reins on. Or if like a

1253
00:57:48,640 --> 00:57:53,320
Speaker 2: sane Kanye was around, because there's no rules to this, Yes,

1254
00:57:53,320 --> 00:57:57,600
Speaker 2: a sane Kanye West with no verses would be great

1255
00:57:57,960 --> 00:58:01,120
Speaker 2: to do that entire thing. Kanye West and eighty eight

1256
00:58:01,160 --> 00:58:05,160
Speaker 2: Keys together would be the best nas in jay Z

1257
00:58:05,720 --> 00:58:09,760
Speaker 2: shit with maybe one or two records some DJ scratch.

1258
00:58:10,160 --> 00:58:13,280
Speaker 3: We got the Draken Party album which was which was great.

1259
00:58:13,560 --> 00:58:15,800
Speaker 3: But what about a Drake and Brysonsill album.

1260
00:58:16,160 --> 00:58:18,240
Speaker 2: Yeah, of course I would want a Bryson and Drake

1261
00:58:18,560 --> 00:58:20,640
Speaker 2: project because I like both of them. But I think

1262
00:58:20,680 --> 00:58:23,840
Speaker 2: it's still it wouldn't be that far away from what

1263
00:58:24,080 --> 00:58:27,040
Speaker 2: Drake and Party do because I think Bryson's sound is

1264
00:58:27,680 --> 00:58:32,280
Speaker 2: definitely influenced from that era that OVO definitely kind of

1265
00:58:32,280 --> 00:58:35,680
Speaker 2: stapled that that. Drake and Bran, Yeah, Drake and Brank

1266
00:58:35,680 --> 00:58:38,840
Speaker 2: could be cool, but again still very much influenced by that,

1267
00:58:38,840 --> 00:58:42,320
Speaker 2: that low five sound that forty kind of created from

1268
00:58:42,680 --> 00:58:45,640
Speaker 2: that time. I would like to hear Drake with a rapper,

1269
00:58:46,640 --> 00:58:51,280
Speaker 2: who if we're going with the eras. I I'm kind

1270
00:58:51,280 --> 00:58:52,240
Speaker 2: of mad that that.

1271
00:58:52,480 --> 00:58:53,880
Speaker 1: We heard them with a rapper. We just had album

1272
00:58:53,880 --> 00:58:54,560
Speaker 1: with twenty one.

1273
00:58:55,320 --> 00:59:00,200
Speaker 2: Fair Okay, that's right, that's a fucking great album. I'm

1274
00:59:00,200 --> 00:59:04,000
Speaker 2: not saying that Kanye and Jay stole that idea or

1275
00:59:04,040 --> 00:59:07,600
Speaker 2: stepped on it, but when Wayne and Drake were planning

1276
00:59:07,640 --> 00:59:10,080
Speaker 2: on doing their joint album at that time. With the

1277
00:59:10,120 --> 00:59:12,320
Speaker 2: shape that both of them were in, that would have

1278
00:59:12,360 --> 00:59:14,760
Speaker 2: been like, that's what I would have liked to hear

1279
00:59:15,600 --> 00:59:19,600
Speaker 2: and at around that time. I wouldn't have mind Drake

1280
00:59:19,600 --> 00:59:22,920
Speaker 2: and Nikki at that time. M Okay, that would have

1281
00:59:22,920 --> 00:59:27,800
Speaker 2: been fucking crazy. We talked about last episode. I would

1282
00:59:27,800 --> 00:59:30,320
Speaker 2: have loved Kendrick and Cole at one point. I don't

1283
00:59:30,320 --> 00:59:33,600
Speaker 2: know if that's something I would care for now you should.

1284
00:59:34,800 --> 00:59:36,560
Speaker 2: Of course I would want of course I would want

1285
00:59:36,560 --> 00:59:39,960
Speaker 2: to Legends to do that, but I think they would

1286
00:59:40,000 --> 00:59:44,320
Speaker 2: add more less pressure and more they would have been

1287
00:59:44,320 --> 00:59:46,120
Speaker 2: more creative. I feel like at that time when they

1288
00:59:46,120 --> 00:59:48,320
Speaker 2: were planning on doing it around the section eighty time

1289
00:59:48,440 --> 00:59:51,400
Speaker 2: high high power time, like I wish that would have

1290
00:59:51,840 --> 00:59:59,280
Speaker 2: would have landed better. Okay, hmmm, I think Asap in

1291
00:59:59,360 --> 01:00:02,680
Speaker 2: Schoolboy would have been really cool. Around the time they

1292
01:00:02,680 --> 01:00:08,520
Speaker 2: were collabing in like twenty twelve, that would have been great.

1293
01:00:08,760 --> 01:00:13,439
Speaker 2: I should beans and kiss after their battle, yeah, because

1294
01:00:13,520 --> 01:00:16,479
Speaker 2: wasn't that like I was just a fan at that time.

1295
01:00:16,640 --> 01:00:18,760
Speaker 2: Wasn't that kind of a rumor you would know better

1296
01:00:18,800 --> 01:00:21,960
Speaker 2: than me. Weren't they planning on doing something after they

1297
01:00:21,960 --> 01:00:24,960
Speaker 2: pieced everything up. Yeah, because I know there was there

1298
01:00:25,000 --> 01:00:27,000
Speaker 2: was the Bleak and Beans one that was already being

1299
01:00:27,000 --> 01:00:27,320
Speaker 2: worked on.

1300
01:00:27,360 --> 01:00:29,160
Speaker 1: You feel like Bleak broke his leg or some shit.

1301
01:00:29,360 --> 01:00:32,960
Speaker 3: They I'm not sure if they actually got any records

1302
01:00:33,360 --> 01:00:35,360
Speaker 3: in on the project, but I know that there were

1303
01:00:35,920 --> 01:00:38,880
Speaker 3: talks of them doing a project. And then just recently

1304
01:00:38,920 --> 01:00:42,280
Speaker 3: I think they spoke that they're working together. Okay, that

1305
01:00:42,280 --> 01:00:44,280
Speaker 3: Beans a kiss. Well know that they put out a

1306
01:00:44,320 --> 01:00:46,560
Speaker 3: joint with with the AI shit. Yeah, but like I

1307
01:00:46,640 --> 01:00:50,320
Speaker 3: at that time, that would have been I just you

1308
01:00:50,320 --> 01:00:52,520
Speaker 3: don't think much better at that point in their careers.

1309
01:00:54,040 --> 01:00:58,000
Speaker 3: I mean, I can't feel my face, can can Joel's

1310
01:00:58,040 --> 01:00:59,440
Speaker 3: and Wayne just like leaked the hard drive at this

1311
01:00:59,480 --> 01:01:02,520
Speaker 3: point cares Yeah, just fucking we.

1312
01:01:02,440 --> 01:01:03,000
Speaker 1: Got to hear that.

1313
01:01:03,040 --> 01:01:05,440
Speaker 2: We get all the app you can upload music, like,

1314
01:01:05,560 --> 01:01:06,920
Speaker 2: just fucking do that at this We.

1315
01:01:06,840 --> 01:01:09,200
Speaker 3: Get all these leaks and we haven't heard much from

1316
01:01:09,440 --> 01:01:11,280
Speaker 3: that project.

1317
01:01:11,440 --> 01:01:14,480
Speaker 2: We never got the T Paint and Wayne album or

1318
01:01:14,520 --> 01:01:19,000
Speaker 2: did we? No, sometimes they were they were leaked and

1319
01:01:19,160 --> 01:01:21,320
Speaker 2: like we kind of got them.

1320
01:01:21,520 --> 01:01:26,840
Speaker 3: No, we didn't get a T Paint Wayne album. Okay, No,

1321
01:01:26,960 --> 01:01:29,479
Speaker 3: I think we got one, a T Paint Little Wayne

1322
01:01:29,560 --> 01:01:30,360
Speaker 3: album yes.

1323
01:01:30,800 --> 01:01:33,240
Speaker 2: Te Wayne, No, I think I'm talking about when they

1324
01:01:33,280 --> 01:01:34,880
Speaker 2: were really working on it. I think we got it

1325
01:01:35,000 --> 01:01:37,320
Speaker 2: years later. Yet we got it in twenty seventeen. And

1326
01:01:37,360 --> 01:01:40,560
Speaker 2: there's actually a few joints on this I'm talking about, Like,

1327
01:01:40,680 --> 01:01:43,880
Speaker 2: I do not remember twenty like two thousand and nine,

1328
01:01:43,920 --> 01:01:46,480
Speaker 2: they were talking about the shit when did this come out?

1329
01:01:46,600 --> 01:01:50,080
Speaker 2: Twenty seventeen? Not actually do remember theeen. There's a few

1330
01:01:50,120 --> 01:01:52,320
Speaker 2: joints on there. Oh, this was like an epiece. It

1331
01:01:52,360 --> 01:01:57,680
Speaker 2: was eight joints, eight tracks. I don't remember this. Yeah,

1332
01:01:57,760 --> 01:02:02,360
Speaker 2: I'm gonna sound like a huge backpacker, the Childish Gambino

1333
01:02:02,400 --> 01:02:05,200
Speaker 2: and Chance the Rapper. Collab was supposed to happen in

1334
01:02:05,240 --> 01:02:07,440
Speaker 2: like twenty twelve. That would have been crazy. It was

1335
01:02:07,600 --> 01:02:11,000
Speaker 2: all around twenty twelve, and I was like, let's do collabse. Yeah,

1336
01:02:12,240 --> 01:02:17,120
Speaker 2: fab we got Freddy versus Jason, which I loved. Underrated project,

1337
01:02:17,240 --> 01:02:21,600
Speaker 2: really underrated project. I'm trying to think what else I.

1338
01:02:21,560 --> 01:02:23,640
Speaker 3: Don't know about any of these newer guys though Collabin

1339
01:02:23,680 --> 01:02:25,080
Speaker 3: though I don't know how I feel about I don't

1340
01:02:25,120 --> 01:02:27,000
Speaker 3: like any much of these new guys by themself.

1341
01:02:27,280 --> 01:02:30,280
Speaker 2: Let alone collabse with somebody, Like is there any groups

1342
01:02:30,320 --> 01:02:35,640
Speaker 2: you would want to hear collapse from one of the

1343
01:02:35,680 --> 01:02:40,880
Speaker 2: most disappointing things outside of Fife actually passing. At his

1344
01:02:41,200 --> 01:02:46,080
Speaker 2: uh Repass celebration, Andre three thousand spoke and said that

1345
01:02:47,120 --> 01:02:50,760
Speaker 2: they had been working on an outcast Tribe collab that

1346
01:02:50,840 --> 01:02:53,840
Speaker 2: makes and it was like, Oh, what the fuck that

1347
01:02:53,920 --> 01:02:55,120
Speaker 2: makes sense? What the fuck? Man?

1348
01:02:55,240 --> 01:03:01,560
Speaker 1: Yeah, damn it, fight, damn it, Pancreas statue, damn it,

1349
01:03:02,560 --> 01:03:03,920
Speaker 1: that makes sense. That that makes all those sense in

1350
01:03:03,920 --> 01:03:04,200
Speaker 1: the world.

1351
01:03:04,720 --> 01:03:07,000
Speaker 2: You know, when I was younger, what I would have

1352
01:03:07,040 --> 01:03:11,200
Speaker 2: loved Redman and Buster rhymes a lot of energy. Yeah,

1353
01:03:11,240 --> 01:03:13,640
Speaker 2: I just think that would just be a fun fucking project.

1354
01:03:14,240 --> 01:03:16,520
Speaker 2: And I think Red is just good. Frederick is greating

1355
01:03:17,000 --> 01:03:18,160
Speaker 2: groups and duos.

1356
01:03:19,200 --> 01:03:20,760
Speaker 3: I'm trying to think, who would I want to hit

1357
01:03:20,760 --> 01:03:26,120
Speaker 3: the Locks with as far as a group, like, I

1358
01:03:26,160 --> 01:03:27,720
Speaker 3: don't want to. I don't think I want to hear

1359
01:03:27,840 --> 01:03:32,080
Speaker 3: more like street Ship from the other groups like I

1360
01:03:32,120 --> 01:03:35,840
Speaker 3: think I want a more artistic group like with the Locks, though,

1361
01:03:35,960 --> 01:03:39,800
Speaker 3: like the Locks is grittiness bars and then like, give

1362
01:03:39,840 --> 01:03:42,560
Speaker 3: me an artistic group with different sounds.

1363
01:03:45,320 --> 01:03:50,360
Speaker 2: Ship two one, three, Okay, I mean rest and peace

1364
01:03:50,560 --> 01:03:54,600
Speaker 2: to Nate Dogg. But if we're talking without limitations. Snoop,

1365
01:03:54,600 --> 01:03:57,360
Speaker 2: Warren g and Nate Dog would be kind of yeah.

1366
01:03:57,800 --> 01:03:59,760
Speaker 2: You know what I'm most scared about in that entire

1367
01:04:00,360 --> 01:04:05,800
Speaker 2: You'd be surprised as far as what wrapping. Yeah, Snoop

1368
01:04:05,840 --> 01:04:07,120
Speaker 2: is getting eight up on that album.

1369
01:04:07,760 --> 01:04:09,040
Speaker 1: Oh well, yeah you.

1370
01:04:09,080 --> 01:04:13,040
Speaker 2: Tod I'm not worried about Warren Gen, Ny Dog, Snoop, Yeah,

1371
01:04:13,120 --> 01:04:18,400
Speaker 2: yeah yeah, And granted you go through Dre two thousand

1372
01:04:18,440 --> 01:04:21,000
Speaker 2: and one. Snoop has kept up with the best of

1373
01:04:21,000 --> 01:04:23,760
Speaker 2: them with rappers. I'm not saying he can't, yeah, but

1374
01:04:23,880 --> 01:04:27,520
Speaker 2: he Locks is different. He would be my biggest fear of,

1375
01:04:27,600 --> 01:04:29,480
Speaker 2: like when he comes on like all right, I don't.

1376
01:04:29,360 --> 01:04:31,640
Speaker 3: Know, Yeah, you can't two plus two. It can throw

1377
01:04:31,640 --> 01:04:33,760
Speaker 3: your way out of this one like this is not that.

1378
01:04:34,080 --> 01:04:37,120
Speaker 2: Snoopy finding like these laid back pockets that sometimes sounds

1379
01:04:37,200 --> 01:04:40,520
Speaker 2: so weird when like after a chic verse, I don't know.

1380
01:04:40,440 --> 01:04:45,160
Speaker 1: If it like Snoop just chilling, big deal. We can't

1381
01:04:45,200 --> 01:04:47,680
Speaker 1: spell your name more than one from that album can't.

1382
01:04:47,960 --> 01:04:48,840
Speaker 1: We're not doing that.

1383
01:04:49,200 --> 01:04:51,600
Speaker 2: But not I think like a Dog Found two and

1384
01:04:51,680 --> 01:04:54,440
Speaker 2: three something like that with the locks could be cool.

1385
01:04:54,560 --> 01:04:58,000
Speaker 2: I mean again, super nerdy, but I'm trying to think

1386
01:04:58,040 --> 01:05:02,480
Speaker 2: West coast. Far Side could be really cool with the locks. Hm.

1387
01:05:03,080 --> 01:05:03,720
Speaker 1: That's interesting.

1388
01:05:04,960 --> 01:05:07,840
Speaker 2: Yeah, a lot of the Bay Area is that had

1389
01:05:07,840 --> 01:05:10,720
Speaker 2: the Double Time ship. Like you think they could be

1390
01:05:10,720 --> 01:05:12,480
Speaker 2: really cool with the locks. False oide with the locks.

1391
01:05:12,480 --> 01:05:15,240
Speaker 3: It sounds crazy, but like listen, when you think about

1392
01:05:15,360 --> 01:05:17,320
Speaker 3: what I'm saying, you're thinking about it, like really like listen,

1393
01:05:17,400 --> 01:05:19,840
Speaker 3: It's like I'm not mad at that though. Yeah, far So,

1394
01:05:19,920 --> 01:05:22,160
Speaker 3: it's definitely something you like on paper, you would be

1395
01:05:22,160 --> 01:05:23,720
Speaker 3: like the locks and Farsehide.

1396
01:05:24,000 --> 01:05:25,920
Speaker 1: But it makes sense, you know.

1397
01:05:25,880 --> 01:05:28,040
Speaker 2: It wouldn't sound as crazy as people think it would.

1398
01:05:28,280 --> 01:05:29,280
Speaker 1: Is mob deep and outcast.

1399
01:05:33,000 --> 01:05:36,480
Speaker 2: The sound like if you are if you listen to elevators,

1400
01:05:36,480 --> 01:05:39,400
Speaker 2: which is a lot of people's favorite Andre two thousand verse. Ever,

1401
01:05:40,040 --> 01:05:42,320
Speaker 2: like those are kind of havoc snares at the end

1402
01:05:42,360 --> 01:05:47,880
Speaker 2: of the day. Like I don't think the Sonics someone music. Yeah, okay,

1403
01:05:48,000 --> 01:05:49,720
Speaker 2: when it comes to the groups, of course, all these

1404
01:05:49,720 --> 01:05:51,640
Speaker 2: guys could rap together. I'm trying to think how their

1405
01:05:51,640 --> 01:05:55,200
Speaker 2: sounds would even merge. I don't think it would be

1406
01:05:55,240 --> 01:05:57,000
Speaker 2: as crazy.

1407
01:05:57,680 --> 01:06:00,520
Speaker 1: M hmm. And I think they could keep up with

1408
01:06:00,720 --> 01:06:03,720
Speaker 1: more of the Dungeon family stuff.

1409
01:06:04,360 --> 01:06:11,800
Speaker 2: Future Max me, we need that tomorrow. Oh, Future Yeah,

1410
01:06:12,640 --> 01:06:15,600
Speaker 2: that would be incredible. Why has no one ever brought

1411
01:06:15,600 --> 01:06:15,920
Speaker 2: that up?

1412
01:06:17,200 --> 01:06:19,080
Speaker 1: I don't. I mean maybe they have behind the scenes.

1413
01:06:20,080 --> 01:06:23,800
Speaker 2: That would be nuts. I went back again and listened

1414
01:06:23,840 --> 01:06:26,920
Speaker 2: to that that French and Max By album. My bad

1415
01:06:27,760 --> 01:06:29,920
Speaker 2: French is still in shape, dude, there's some joints on there.

1416
01:06:30,800 --> 01:06:33,320
Speaker 2: It's French rapp. Like when French feels like rapping whole rap.

1417
01:06:34,080 --> 01:06:35,880
Speaker 2: I would understand if I was a prince. I like

1418
01:06:35,960 --> 01:06:38,480
Speaker 2: the I like the project of Dubai. I wouldn't want

1419
01:06:38,480 --> 01:06:41,920
Speaker 2: to rap. But he's like, you can tell show up

1420
01:06:41,920 --> 01:06:44,920
Speaker 2: to the studio like today. I feel like he seems

1421
01:06:45,080 --> 01:06:46,120
Speaker 2: like he's still interested yet.

1422
01:06:46,480 --> 01:06:48,000
Speaker 1: But yeah, I'm not. I'm not. I'm not.

1423
01:06:48,120 --> 01:06:50,280
Speaker 3: I'm not mad like their project. I mean, obviously French

1424
01:06:50,280 --> 01:06:53,840
Speaker 3: and Max their chemistry is underniable. So yeah, the more

1425
01:06:53,840 --> 01:06:55,680
Speaker 3: I listened to the project, I'm like, they really did

1426
01:06:55,840 --> 01:06:57,080
Speaker 3: a really really good job with this.

1427
01:07:00,080 --> 01:07:02,680
Speaker 2: Would you ever want another Firm album again? We're speaking

1428
01:07:02,920 --> 01:07:06,320
Speaker 2: as if everyone is here and active and everything. Another

1429
01:07:06,360 --> 01:07:10,560
Speaker 2: Firm album? Yes, I mean I love that hip Boy

1430
01:07:10,600 --> 01:07:13,920
Speaker 2: got the Firm back together. If they didn't have, it

1431
01:07:14,040 --> 01:07:15,640
Speaker 2: had to be the Firm with Cormc. It had to

1432
01:07:15,680 --> 01:07:18,200
Speaker 2: be the original yeah, like Cormega has to be a

1433
01:07:18,200 --> 01:07:20,800
Speaker 2: part of that entire thing. I don't know if i'd

1434
01:07:20,840 --> 01:07:23,760
Speaker 2: want Dre to produce it though, because I still can.

1435
01:07:23,960 --> 01:07:25,440
Speaker 2: I know the Firm is not Dre, but the only

1436
01:07:25,520 --> 01:07:29,520
Speaker 2: Firm album we got is produced by Dre. I know

1437
01:07:29,520 --> 01:07:31,640
Speaker 2: people think we hate the West Coast and it's the opposite,

1438
01:07:31,640 --> 01:07:33,520
Speaker 2: but I would want Dre to stay so far away

1439
01:07:33,560 --> 01:07:34,120
Speaker 2: from that album.

1440
01:07:34,240 --> 01:07:35,360
Speaker 1: Who would you want to produce it?

1441
01:07:35,440 --> 01:07:42,360
Speaker 2: Al Yeah, West Coast, see safe, you can't you can't safe.

1442
01:07:42,680 --> 01:07:45,240
Speaker 3: I see what you did did West Coast a lot

1443
01:07:45,280 --> 01:07:46,440
Speaker 3: of time on the East Coast?

1444
01:07:46,640 --> 01:07:47,959
Speaker 1: I get it. Yeah.

1445
01:07:48,360 --> 01:07:51,280
Speaker 2: Yeah, Actually Alan hit together.

1446
01:07:51,440 --> 01:07:54,280
Speaker 3: Yeah, that was a collid project that was dope.

1447
01:07:55,760 --> 01:07:58,480
Speaker 2: Yeah, we still never got the Child Rebel Soldiers album

1448
01:07:58,520 --> 01:08:00,000
Speaker 2: at that time when they were doing a Good Friday

1449
01:08:00,120 --> 01:08:03,200
Speaker 2: to put out US Placers with Pharrell, Loupe and Kanye

1450
01:08:03,600 --> 01:08:05,800
Speaker 2: I wanted that at that time that that would have

1451
01:08:05,800 --> 01:08:06,360
Speaker 2: been a.

1452
01:08:06,400 --> 01:08:07,920
Speaker 3: Lot of these just be like great ideas and you

1453
01:08:07,920 --> 01:08:10,400
Speaker 3: can tell the artists tried and then we know how

1454
01:08:10,440 --> 01:08:11,040
Speaker 3: this should happen.

1455
01:08:11,280 --> 01:08:13,360
Speaker 2: But getting that many people on the same it's just

1456
01:08:13,440 --> 01:08:15,920
Speaker 2: it's not easy. I don't think that's that's ever gonna happen.

1457
01:08:16,520 --> 01:08:21,840
Speaker 2: Beanie sieging Scarface always wanted that because they even I

1458
01:08:21,880 --> 01:08:25,519
Speaker 2: felt like that was like a Mac and Brad. I

1459
01:08:25,520 --> 01:08:29,960
Speaker 2: forgot what they had said, something like when blogs had

1460
01:08:29,960 --> 01:08:32,720
Speaker 2: first started, they was doing something. But I don't know, man,

1461
01:08:33,040 --> 01:08:36,679
Speaker 2: y'all owes these albums as fans, Yeah, you stop.

1462
01:08:36,520 --> 01:08:39,680
Speaker 1: Stop what you're doing. Stop stop taking care of the

1463
01:08:39,680 --> 01:08:42,320
Speaker 1: family and getting the studio, your health, this and that.

1464
01:08:43,600 --> 01:08:46,879
Speaker 2: Was there any albums that I'm talking from a fans perspective?

1465
01:08:46,920 --> 01:08:48,920
Speaker 2: Was there anything like outside he was saying with like

1466
01:08:49,320 --> 01:08:52,320
Speaker 2: bleak and beans and kissing It?

1467
01:08:52,400 --> 01:08:52,479
Speaker 1: Like?

1468
01:08:52,720 --> 01:08:55,120
Speaker 2: Was there anything that you heard in studios when you

1469
01:08:55,160 --> 01:09:00,519
Speaker 2: were younger, people just throwing ideas around that.

1470
01:09:00,520 --> 01:09:01,240
Speaker 1: I can remember.

1471
01:09:03,960 --> 01:09:06,240
Speaker 3: Nah, not really because back then it was all you know,

1472
01:09:06,479 --> 01:09:10,840
Speaker 3: once it was once state Property happened, a lot of

1473
01:09:10,880 --> 01:09:14,320
Speaker 3: the work was like in house and once Kanye happened,

1474
01:09:15,160 --> 01:09:18,840
Speaker 3: just like that. It just was that it became you know,

1475
01:09:19,439 --> 01:09:24,200
Speaker 3: Jay state property, you know anybody else on rock it

1476
01:09:24,240 --> 01:09:26,360
Speaker 3: was like that. It was really just that it wasn't

1477
01:09:26,400 --> 01:09:30,320
Speaker 3: too many like obviously Jay was doing songs with other artists,

1478
01:09:30,320 --> 01:09:34,600
Speaker 3: but as far as like them doing like full projects.

1479
01:09:34,160 --> 01:09:34,679
Speaker 1: With other people.

1480
01:09:34,760 --> 01:09:37,120
Speaker 3: Nah, Yeah, it wasn't too much that I could remember

1481
01:09:37,120 --> 01:09:39,679
Speaker 3: it wasn't too much talks of that happening.

1482
01:09:40,200 --> 01:09:42,600
Speaker 2: I mean, I like that on Hard Part six that

1483
01:09:42,680 --> 01:09:45,200
Speaker 2: Kendrick admitted that he was the reason why the Black

1484
01:09:45,240 --> 01:09:47,639
Speaker 2: Hippie album never happened because he had other creative shit

1485
01:09:47,720 --> 01:09:50,720
Speaker 2: that he was going through. I mean, I know he's

1486
01:09:50,720 --> 01:09:53,800
Speaker 2: probably focused on his next project, but I do think

1487
01:09:53,920 --> 01:09:57,439
Speaker 2: we need a school boys in such a good, sober,

1488
01:09:57,479 --> 01:10:00,760
Speaker 2: healthy place, Jay, Like, I think that needs appso just

1489
01:10:00,760 --> 01:10:02,519
Speaker 2: put out incredible work.

1490
01:10:02,680 --> 01:10:05,479
Speaker 1: I want a Black Hippie project. Yeah, I would like

1491
01:10:05,520 --> 01:10:05,840
Speaker 1: to see that.

1492
01:10:05,840 --> 01:10:08,040
Speaker 2: Have them and I get Kendrickson into a space with

1493
01:10:08,120 --> 01:10:09,920
Speaker 2: PG Lang and this and that. And I know there's

1494
01:10:09,960 --> 01:10:12,800
Speaker 2: business behind the scenes with td EPG like that's going

1495
01:10:12,840 --> 01:10:15,920
Speaker 2: to be a thing, But that would be nice just

1496
01:10:15,960 --> 01:10:16,960
Speaker 2: for even if they do.

1497
01:10:16,960 --> 01:10:19,280
Speaker 1: An EP like like six Joints.

1498
01:10:19,479 --> 01:10:22,200
Speaker 2: Yeah yeah, that doesn't need to be a hook like

1499
01:10:22,320 --> 01:10:27,400
Speaker 2: pick six beats. Yeah, just go yeah, not even overthinking it,

1500
01:10:27,479 --> 01:10:30,320
Speaker 2: just I think that would be a cool Like the

1501
01:10:30,360 --> 01:10:33,200
Speaker 2: way Kiss kind of snitched on Cole was saying, there's

1502
01:10:33,200 --> 01:10:36,000
Speaker 2: probably going to be a mixtape that comes out before

1503
01:10:36,600 --> 01:10:40,559
Speaker 2: the album, like before Kendrick's next album two weeks before

1504
01:10:40,600 --> 01:10:43,280
Speaker 2: you just give us a black hippie ep like. I

1505
01:10:43,320 --> 01:10:47,479
Speaker 2: think that that would calm my twenty ten brain down

1506
01:10:47,560 --> 01:10:49,120
Speaker 2: of what you guys promised us so long ago.

1507
01:10:49,439 --> 01:10:51,880
Speaker 1: This is what it would have sounded like back then. Yeah,

1508
01:10:51,960 --> 01:10:52,720
Speaker 1: I'm not mad at that.

1509
01:10:52,840 --> 01:10:56,759
Speaker 2: Yeah, I feel like we can either table for Patreon

1510
01:10:56,840 --> 01:11:03,559
Speaker 2: or another episode. Maybe we create some super groups, like

1511
01:11:03,560 --> 01:11:06,240
Speaker 2: like draft because black Baby would be five.

1512
01:11:06,560 --> 01:11:08,600
Speaker 1: Create some but how what four would before? It be

1513
01:11:08,600 --> 01:11:09,040
Speaker 1: a good matter.

1514
01:11:09,680 --> 01:11:13,800
Speaker 2: Let's let's do four and maybe we draft some supergroups

1515
01:11:15,200 --> 01:11:17,719
Speaker 2: that could be interesting, because I think doing a bunch

1516
01:11:17,760 --> 01:11:20,240
Speaker 2: of trying to make an all star team may not

1517
01:11:20,360 --> 01:11:20,800
Speaker 2: work out.

1518
01:11:21,000 --> 01:11:22,280
Speaker 1: I think that just be good debating.

1519
01:11:22,439 --> 01:11:27,040
Speaker 2: Yeah, alright, like like like drafting big Pock nas Hove.

1520
01:11:27,240 --> 01:11:29,719
Speaker 2: I don't know if that's the best four together. Yeah,

1521
01:11:31,479 --> 01:11:34,680
Speaker 2: that that could be cool. Draft your your supergroup could be.

1522
01:11:34,600 --> 01:11:36,720
Speaker 1: Conquered someone thinking about it, I A'm mad at that.

1523
01:11:36,880 --> 01:11:40,000
Speaker 2: Yeah, and then that could go against groups. Yeah that

1524
01:11:40,280 --> 01:11:43,000
Speaker 2: could be cool. All right, Well I have to get

1525
01:11:43,000 --> 01:11:45,760
Speaker 2: out of here. This was cool to catch up. Sorry,

1526
01:11:45,800 --> 01:11:48,679
Speaker 2: we did have a guest booked that that had to cancel.

1527
01:11:49,080 --> 01:11:53,400
Speaker 3: Yeah, yeah, some some issues that kept him, which which

1528
01:11:53,479 --> 01:11:54,519
Speaker 3: I have a studio today.

1529
01:11:54,520 --> 01:11:58,120
Speaker 2: But it's all good. It'll be back totally respect. So yeah,

1530
01:11:58,560 --> 01:12:01,360
Speaker 2: we'll be back up tomorrow. We'll be back soon. Talk

1531
01:12:01,400 --> 01:12:03,200
Speaker 2: to you soon. Be safe, be blessed. It's gonna be

1532
01:12:03,240 --> 01:12:04,960
Speaker 2: cold this weekend. Rory so facts.

1533
01:12:05,120 --> 01:12:06,120
Speaker 1: You know what I mean. We gotta do we gotta

1534
01:12:06,120 --> 01:12:08,880
Speaker 1: do it. I'm not nigga, he's just ginger Peace, No,

1535
01:12:09,040 --> 01:12:09,400
Speaker 1: Willie