WEBVTT - Mannie Fresh and Juvenile | ROC Solid w/ Memphis Bleek

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<v Speaker 1>What up y'all? This your main man, Memphis Bleak right here.

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<v Speaker 2>Welcome to rock Solid, a production of iHeart Radio and

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<v Speaker 2>the Black Effect Network in partnership with my guys over

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<v Speaker 2>at Drink Champs.

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<v Speaker 3>You should nobody know.

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<v Speaker 1>You should nobody know. Yeah, y'all, you already know what

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<v Speaker 1>it is.

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<v Speaker 2>Yours truly am Greasy myth Bleak back with another exclusive

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<v Speaker 2>episode of Rock Solid, And this one is special because

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<v Speaker 2>I got two of my favorite guys from my favorite city.

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<v Speaker 1>You hearn me, New Orleans. Baby, when they talk that

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<v Speaker 1>shit get dirty, baby.

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<v Speaker 2>You know they showed me love when I touch down, baby,

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<v Speaker 2>you know, let's welcome the legends to the building.

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<v Speaker 1>Many fresh juvie, my guys. What's up? My brothers? How

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<v Speaker 1>you doing that? My god? What's up?

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<v Speaker 3>Man?

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<v Speaker 1>A few times?

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<v Speaker 3>Yo?

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<v Speaker 1>I love it, y'all, I love it. I love it.

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<v Speaker 2>I got some people's out there, like my sister, the Liing,

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<v Speaker 2>the Shynese.

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<v Speaker 1>You know, one of.

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<v Speaker 2>My sisters, I call her my sister. I met them.

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<v Speaker 2>You know, New Orleans. They show you so much love,

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<v Speaker 2>so you just become family. She got ordained, so you

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<v Speaker 2>know she out there praying for me. You know what

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<v Speaker 2>I mean that my other sister, Shayne. She she first

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<v Speaker 2>line stepping every day. Yeah, it's front of the first line,

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<v Speaker 2>which I call the second line.

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<v Speaker 1>The second line is the band. The second line she

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<v Speaker 1>on every line.

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<v Speaker 2>She didn't even cracking. She ain't she outside with it.

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<v Speaker 2>But yo, I wanted to know, right because I'm a fan.

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<v Speaker 2>So let's start from the beginning. Man, New Orleans, the

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<v Speaker 2>bounce coachre here come cash Money, all the money in

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<v Speaker 2>the world, stunting on the world, showing niggas. Hey, we

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<v Speaker 2>got that flash too. What was it like for y'all

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<v Speaker 2>in that era?

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<v Speaker 4>Well, rewind a little bit. Cash Money started out as

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<v Speaker 4>a bounced label. Yeah, so, so the first generation of

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<v Speaker 4>cash Money was bounce artists.

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<v Speaker 3>It's changed when he did.

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<v Speaker 4>BG Elbow Chopper City. What the changed the whole format

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<v Speaker 4>of what it was like. And then from that it

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<v Speaker 4>was on and popping, like you know what I'm saying,

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<v Speaker 4>but that ain't But they ain't answer your question.

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<v Speaker 5>I gotta correct him a little bit though, because that

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<v Speaker 5>God damn U n l V Uptime for Life album.

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<v Speaker 1>Bro.

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<v Speaker 3>Yeah, yeah, beats yeah.

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<v Speaker 1>Bro, you had me, That's that's what.

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<v Speaker 4>But U n l V is considered a bounce group bounce,

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<v Speaker 4>you know what I'm saying, But they had some different

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<v Speaker 4>beats because I was on some other ship.

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<v Speaker 2>Yeah, and y'all always been on that bounce wave, especially

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<v Speaker 2>even when you was doing the you know, the many

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<v Speaker 2>fresh and fucking baby albums. Y'all had that bounce where

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<v Speaker 2>you're still incorporated in there. But what would some of

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<v Speaker 2>your motivation even get into the producing world?

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<v Speaker 4>Ship bro, My dad my dad was a DJ, so

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<v Speaker 4>so i'm you know, crazy ship in the world. My

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<v Speaker 4>dad actually knew Juvie before I know way my dad

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<v Speaker 4>used to let him rock the mic when my dad

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<v Speaker 4>was DJ. So my DNA was already that when you

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<v Speaker 4>really look at my ship is cycle. And it's kind

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<v Speaker 4>of because when you go to like baby pitchures, I

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<v Speaker 4>got records and ship, I got keyboards there, like.

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<v Speaker 5>I got no baby Yeah, I got no baby rats

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<v Speaker 5>I got I got I have.

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<v Speaker 4>Records, I have instrumental turntables. That was my motherfucking yeah,

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<v Speaker 4>that was my that was my baby toys like saying,

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<v Speaker 4>So the ship was kind of written into my DNA,

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<v Speaker 4>like so it was already there for me, like you know,

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<v Speaker 4>and just meeting some cool ass people that put the

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<v Speaker 4>pieces to the puzzle.

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<v Speaker 1>That's a fact. Yeah, that's dope. Man.

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<v Speaker 2>When you first started working together, like y'all too at

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<v Speaker 2>Cash Money, that's crazy.

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<v Speaker 1>You said your pops introduced new him first.

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<v Speaker 5>Man.

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<v Speaker 1>What made the creative chemistry like just click so quickly.

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<v Speaker 5>The fact that we were so rebellious against each other.

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<v Speaker 5>I'm coming from the whole other, a whole other group

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<v Speaker 5>of people, you know what I'm saying that did beats

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<v Speaker 5>and did things a certain way, and I was so

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<v Speaker 5>enshrined and want.

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<v Speaker 1>To do with the big boy record cast was.

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<v Speaker 5>I was like, even though he didn't know, one of

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<v Speaker 5>the main reasons I wanted to be a Cash Money

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<v Speaker 5>was because of him.

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<v Speaker 1>Oh wow, But I want him to.

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<v Speaker 5>Make me another kind of beat. And he was like, well,

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<v Speaker 5>you know, I may hits. He was in the talking

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<v Speaker 5>shift to me. So it went from being the rapper,

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<v Speaker 5>you know, like normally the rapping and producer always lock in.

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<v Speaker 1>We locked in. But it was competitive. It was like, Nah, this.

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<v Speaker 5>Nigga won't be He's trying to beat me out what

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<v Speaker 5>I mean, So I gotta So. He made me go

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<v Speaker 5>even harder on my songs, especially with the creativity part,

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<v Speaker 5>because I was more enshrined than I don't care. I

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<v Speaker 5>ain't so much as shrine with being the best rapper.

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<v Speaker 5>I just want to say this ship so I can't

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<v Speaker 5>believe that Nigga said that ship that.

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<v Speaker 2>Like, that's one thing. A lot of people think that

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<v Speaker 2>we had. Rockefeller had in the house producers like just

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<v Speaker 2>Blaze and Kanye.

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<v Speaker 1>They were in house, but they were more in house

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<v Speaker 1>for Jack. You had to we got.

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<v Speaker 2>We got the pass downs, like you said, the hand

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<v Speaker 2>me downs from Big Bro. Yeah, oh yeah, we got those.

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<v Speaker 5>With the beat sneaking too big Yeah, get that beat.

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<v Speaker 5>Oh said this beat they fit? Let me get that

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<v Speaker 5>one man. Yeah, That's how we had to do it. Like,

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<v Speaker 5>at what point creating all this music New Orleans, y'all

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<v Speaker 5>know y'all got the bounce waves. The West Coast is

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<v Speaker 5>making noise, East Coast, you know, making noise. When did

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<v Speaker 5>y'all know y'all had that formula to compete?

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<v Speaker 1>I ain't gonna lie, man.

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<v Speaker 5>When we dropped my album, the Soldier Rag Album, we

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<v Speaker 5>started breaking so many barriers. And the crazy part about

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<v Speaker 5>the Soldier album and the album when we went in

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<v Speaker 5>the studio recording, we didn't know who the songs was

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<v Speaker 5>gonna be for because Cash Money. The way we recorded,

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<v Speaker 5>they never told us nothing. We was like, all right,

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<v Speaker 5>you do a solo, you do a solo, you do one.

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<v Speaker 5>I'm right, We're gonna record a group like five or

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<v Speaker 5>six group song. So you're sitting there saying, Okay, where

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<v Speaker 5>these songs going at?

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<v Speaker 1>What album there going? So whoever next? Ez it's who

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<v Speaker 1>the album of who the song is going to? So

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<v Speaker 1>here I'm sitting here, I'm next up after BG.

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<v Speaker 5>So I got something BG songs, I got someone Wayne

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<v Speaker 5>songs try.

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<v Speaker 1>I got a little bit of everything on my album.

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<v Speaker 5>So that always paid the way for us to have,

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<v Speaker 5>you know, some of the greatest fans and seeing us together.

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<v Speaker 5>So it was always cool when we showed up together.

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<v Speaker 5>As you seeing one person, you wanted to see everybody.

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<v Speaker 1>That's dope, man.

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<v Speaker 2>And that's how we moved as a unit, like you know,

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<v Speaker 2>the movement was stronger than one person. And it's weird

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<v Speaker 2>to hear you say you came after BG, because up

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<v Speaker 2>here in New York East we you.

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<v Speaker 1>The first one from Cash Money. We know when was

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<v Speaker 1>the blueprint? Bro?

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<v Speaker 5>No bge of this happened, damn crazy. He created the

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<v Speaker 5>folk the first like the crazes for us.

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<v Speaker 1>Now.

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<v Speaker 5>I got on one song on BG album with bun B,

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<v Speaker 5>and I ain't even know who bund was.

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<v Speaker 1>But.

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<v Speaker 5>Two days with this dude, and I said, he said,

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<v Speaker 5>they say bun I said Bun. I said, bun B,

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<v Speaker 5>the kicking the humble trail niggas. Yeah, he said, yeah,

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<v Speaker 5>he said, you ain't knowing who I was. That's what

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<v Speaker 5>man is fucked up, I said, I get. I started

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<v Speaker 5>fanning out.

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<v Speaker 2>Shout out bun B. He's fucking killing them with them

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<v Speaker 2>trail burgers. Bro Yo, yo, my nigga, that might be

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<v Speaker 2>one of the best burgers on the street right now.

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<v Speaker 1>And I told him that you got some ship, my guy.

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<v Speaker 1>So but four.

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<v Speaker 2>Hundred degrees dropped, first high drop, then four hundred four

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<v Speaker 2>hundred degrees dropped and boom, cash money exploded on the

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<v Speaker 2>motherfucking sing yeah voices everywhere.

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<v Speaker 1>What was life like then? How did it shift for y'all? Then?

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<v Speaker 5>It really didn't shift for us because before we got

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<v Speaker 5>that then we was really like we was. We was lavish,

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<v Speaker 5>you know what I'm saying.

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<v Speaker 1>You know what I mean?

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<v Speaker 5>So when when when the world got a chance to

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<v Speaker 5>see us, man, we was already like ferraris and beans

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<v Speaker 5>and big houses, and we already had all that ship,

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<v Speaker 5>so they we we the they didn't look at us

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<v Speaker 5>like they looked at us like this can't be real.

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<v Speaker 5>We were like, nah, bro, it's really real. You know

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<v Speaker 5>what I mean, It's really real. And the fans went crazy.

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<v Speaker 4>It was a shifting, you know, even how people look

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<v Speaker 4>at business, you know, because we had this ship together,

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<v Speaker 4>like you know, when Folks was going, we want to

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<v Speaker 4>sign y'all to a major, you know, and we was like,

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<v Speaker 4>we don't really need it. We really didn't, you know

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<v Speaker 4>what I'm saying, because that much ship was happening, like

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<v Speaker 4>you know what I'm saying, and it's and it's kind

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<v Speaker 4>of like what he said. Juvie was the glue that

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<v Speaker 4>that that made it go crazy. But really, you know,

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<v Speaker 4>you had fuck. This is when we invented the Big Timers.

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<v Speaker 4>And this was before the world heard it. But in

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<v Speaker 4>our region kicked.

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<v Speaker 1>Out the group that she was in Big Time.

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<v Speaker 3>He was, he was.

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<v Speaker 1>You listen to the first of it, The only one

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<v Speaker 1>said they kicked me out kind of way, but we

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<v Speaker 1>got the record, got cut ship time.

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<v Speaker 4>If you listen to the first Big Times Bun beat

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<v Speaker 4>all over.

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<v Speaker 3>We were like, you know what, come to me, come

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<v Speaker 3>to the met this ship.

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<v Speaker 1>The nigga told us to our face they ain't cutting,

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<v Speaker 1>no coning.

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<v Speaker 5>Y'all got everything else bron something, yeah, kick us out

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<v Speaker 5>the group.

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<v Speaker 1>At least they kept it real, y'all. Let let's get something.

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<v Speaker 4>Thank y'all for y'all lyrics and thank y'all for y'all contribution.

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<v Speaker 3>But we won't be needing.

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<v Speaker 5>Y'all with that Big Time y'all all don't want to

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<v Speaker 5>let us in the high boys group, yo yo, but

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<v Speaker 5>let's let's fast for a little bit because Big.

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<v Speaker 1>Time had the mark of their own.

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<v Speaker 2>That's one thing I can honestly say about cash Money.

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<v Speaker 1>Y'all have different entities from.

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<v Speaker 2>The one commodity like it's it's cash money as the group.

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<v Speaker 2>But then all of y'all individually, did youall thing? Then

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<v Speaker 2>you got the Big Timers, you.

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<v Speaker 1>Got hot boys like that ship had to be madness.

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<v Speaker 2>I know, did you ever leave the studio or did.

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<v Speaker 3>Time brow bro?

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<v Speaker 1>We turned, We really turned the studio.

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<v Speaker 4>That was that was home the glover I remixed, go ahead,

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<v Speaker 4>tell his nigga turn the studios in the club.

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<v Speaker 5>Don't matter frame I'm coming to the studio about the rhyme,

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<v Speaker 5>you know, getting this motherfucker. No, no, he gave you

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<v Speaker 5>the speech first off, what we're doing with kind of

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<v Speaker 5>sat making and he got three four gallons of this ship.

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<v Speaker 1>He then cocoxic get this, and we about to go

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<v Speaker 1>hand and have fun. That's right.

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<v Speaker 5>Heven went to this white boy boy and.

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<v Speaker 1>Yeah, you had the moon white boys.

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<v Speaker 4>That made me my own fucking ship, like you know

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<v Speaker 4>what I'm saying. And this bar brung New Orleans together,

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<v Speaker 4>like this is one of them bars that that that

0:11:19.600 --> 0:11:23.200
<v Speaker 4>ship bridged the gap between white kids and black kids,

0:11:23.559 --> 0:11:25.880
<v Speaker 4>you know what I'm saying. So I was like, hey, bro, y'all,

0:11:25.960 --> 0:11:28.320
<v Speaker 4>y'all come up with some ship that you know. And

0:11:28.360 --> 0:11:30.480
<v Speaker 4>I used to bring that ship to the fucking studio

0:11:31.080 --> 0:11:36.320
<v Speaker 4>and gallons and it's like, okay, once that ship gets started, Nah,

0:11:36.360 --> 0:11:40.280
<v Speaker 4>this is what's crazy. Like I would my ship would

0:11:40.320 --> 0:11:43.320
<v Speaker 4>start off with old school R and B. Before you

0:11:43.400 --> 0:11:45.560
<v Speaker 4>know it, they jamming that ship. Then I'm like, let's

0:11:45.559 --> 0:11:48.560
<v Speaker 4>get into the songs like I started with Patrice Rushing

0:11:48.600 --> 0:11:51.120
<v Speaker 4>and I'm just playing that ship. I got the drinks pouring,

0:11:51.160 --> 0:11:53.079
<v Speaker 4>the lights going, all of that.

0:11:53.360 --> 0:11:53.959
<v Speaker 1>That's crazy.

0:11:54.000 --> 0:11:56.280
<v Speaker 3>That's now it's time to get the work.

0:11:57.120 --> 0:11:59.480
<v Speaker 2>That's crazy to have the chicks over there and all that,

0:11:59.520 --> 0:12:02.240
<v Speaker 2>because that's what that's what fucked us up when we

0:12:02.280 --> 0:12:05.520
<v Speaker 2>went to Circle House. See like Baseline Jay and them

0:12:05.559 --> 0:12:08.480
<v Speaker 2>made that the hood. It was the hood. We didn't

0:12:08.520 --> 0:12:11.720
<v Speaker 2>get the crystal all of you know, the stinks they

0:12:11.840 --> 0:12:14.960
<v Speaker 2>was ordering. We were still ordering McDonald's, Wendy's.

0:12:17.760 --> 0:12:21.280
<v Speaker 3>But then we were with the Circle House. Well, I

0:12:21.280 --> 0:12:24.439
<v Speaker 3>don't think we all. Circle House fucked a lot of people.

0:12:24.679 --> 0:12:26.640
<v Speaker 3>We fell off a lot of people.

0:12:27.240 --> 0:12:32.360
<v Speaker 2>Shout out, Bill, motherfucking brownies, ruined lives.

0:12:32.800 --> 0:12:37.360
<v Speaker 5>You went there thinking you're gonna record who's the chef?

0:12:40.200 --> 0:12:43.080
<v Speaker 1>Circle House was bad man? Yes. Yeah.

0:12:43.440 --> 0:12:45.920
<v Speaker 2>So now like it's a lot of artists come up

0:12:45.960 --> 0:12:46.760
<v Speaker 2>with producers.

0:12:46.760 --> 0:12:47.480
<v Speaker 1>You know what I'm saying.

0:12:47.520 --> 0:12:49.960
<v Speaker 2>What's some of the advice you would give some of

0:12:49.960 --> 0:12:53.240
<v Speaker 2>the artists working, you know, as a with with a

0:12:53.320 --> 0:12:58.600
<v Speaker 2>producer that that I guess say, because many you you sing,

0:12:58.840 --> 0:13:02.719
<v Speaker 2>you the cash money sound is your signature.

0:13:03.160 --> 0:13:04.280
<v Speaker 3>Yeah, you know what I mean.

0:13:04.440 --> 0:13:08.480
<v Speaker 2>So for you to build that it takes time. Yeah,

0:13:08.640 --> 0:13:10.680
<v Speaker 2>it takes where you don't just find a producer and

0:13:10.720 --> 0:13:11.920
<v Speaker 2>he creates your sound for you.

0:13:11.960 --> 0:13:12.880
<v Speaker 1>That don't work like that.

0:13:13.080 --> 0:13:13.400
<v Speaker 3>Yeah.

0:13:13.400 --> 0:13:17.000
<v Speaker 2>So artists today, a lot of these guys grow up together,

0:13:17.120 --> 0:13:19.400
<v Speaker 2>go to school together, and they decide to make music.

0:13:19.840 --> 0:13:23.240
<v Speaker 2>What advice would you give them, guys to different from

0:13:23.240 --> 0:13:24.000
<v Speaker 2>when y'all did it.

0:13:24.240 --> 0:13:26.960
<v Speaker 4>The numbers don't lie. We've heard that before. When let

0:13:27.040 --> 0:13:30.240
<v Speaker 4>me explain it to you. To me, the most successful

0:13:30.720 --> 0:13:37.120
<v Speaker 4>families that moved the most movements. When I say movements,

0:13:37.280 --> 0:13:39.280
<v Speaker 4>not like one artist or whatever.

0:13:39.600 --> 0:13:42.480
<v Speaker 3>All had that. They had that one producer.

0:13:42.600 --> 0:13:46.040
<v Speaker 4>Even if they stepped outside of that, somebody picked the

0:13:46.120 --> 0:13:48.880
<v Speaker 4>outside of that that was close to the ears of

0:13:49.280 --> 0:13:51.880
<v Speaker 4>what this company sound like. So if you if you

0:13:51.920 --> 0:13:55.720
<v Speaker 4>did another song, you know, with somebody else, your producer said, yeah,

0:13:55.760 --> 0:13:58.040
<v Speaker 4>that one is cool, you should do that one that

0:13:58.160 --> 0:14:01.440
<v Speaker 4>sounds like us. And when you think of you know

0:14:01.480 --> 0:14:03.680
<v Speaker 4>what I'm saying, Rockefeller, You know what I'm saying.

0:14:03.679 --> 0:14:06.240
<v Speaker 1>You think of Suave, It wasn't like that.

0:14:07.400 --> 0:14:09.160
<v Speaker 3>But let me tell you.

0:14:09.240 --> 0:14:12.319
<v Speaker 1>Let me tell you why all kinds of.

0:14:14.480 --> 0:14:18.760
<v Speaker 4>Why y'all Jay made some people bigger than you know

0:14:18.800 --> 0:14:19.600
<v Speaker 4>what I'm saying that.

0:14:19.920 --> 0:14:21.160
<v Speaker 3>For for instance, just.

0:14:21.200 --> 0:14:25.560
<v Speaker 4>Blades, we we if Just Blade did it, we didn't

0:14:25.560 --> 0:14:27.080
<v Speaker 4>even need to hear it, you.

0:14:27.040 --> 0:14:27.800
<v Speaker 3>Know what I'm saying.

0:14:27.840 --> 0:14:31.360
<v Speaker 4>We were just like, well, ship just blazes and you

0:14:31.440 --> 0:14:34.720
<v Speaker 4>know it's fire. When Kanye did it, we were just like,

0:14:35.000 --> 0:14:37.280
<v Speaker 4>this ship gonna be fire and anything after that.

0:14:37.520 --> 0:14:38.720
<v Speaker 3>You know what I'm saying.

0:14:40.080 --> 0:14:40.280
<v Speaker 1>For you?

0:14:40.480 --> 0:14:41.560
<v Speaker 3>Yeah, So that's what I'm saying.

0:14:41.600 --> 0:14:44.080
<v Speaker 4>There's things where it's a marriage where if you get

0:14:44.080 --> 0:14:47.440
<v Speaker 4>the right people aligned, that ship gonna happen. And in

0:14:47.480 --> 0:14:50.560
<v Speaker 4>hip hop, the most successful things were people aligned.

0:14:50.720 --> 0:14:51.400
<v Speaker 1>That's a fact.

0:14:51.760 --> 0:14:56.760
<v Speaker 2>Like being older now, all the success we all accomplished

0:14:56.800 --> 0:14:59.800
<v Speaker 2>in this game, how is it for you seeing little

0:14:59.800 --> 0:15:02.880
<v Speaker 2>wa come from this little shorty to where he at?

0:15:02.960 --> 0:15:03.200
<v Speaker 1>Now?

0:15:03.720 --> 0:15:05.880
<v Speaker 5>Hey man, it's one of the most thrilling things in

0:15:05.960 --> 0:15:08.560
<v Speaker 5>life because it gives me bragging points. I know, if

0:15:08.600 --> 0:15:10.920
<v Speaker 5>you ask you this question, who you think the greatest

0:15:10.960 --> 0:15:12.960
<v Speaker 5>app of all time is, you're gonna say, oh.

0:15:13.120 --> 0:15:13.560
<v Speaker 1>That's right.

0:15:13.560 --> 0:15:15.680
<v Speaker 5>And it's part biasing. Is how you feel in your

0:15:15.680 --> 0:15:17.520
<v Speaker 5>heart right, you got to ride with home too, And

0:15:17.600 --> 0:15:20.160
<v Speaker 5>that's how I am by Wayne. I'm like, hey man,

0:15:20.200 --> 0:15:23.120
<v Speaker 5>I put my money up on Wayne. If you know

0:15:23.120 --> 0:15:24.800
<v Speaker 5>what I'm saying. I know what I'm talking about about

0:15:24.800 --> 0:15:27.960
<v Speaker 5>a little broke and I know I know what he

0:15:28.160 --> 0:15:31.000
<v Speaker 5>been through and I know what we did well us

0:15:31.040 --> 0:15:32.280
<v Speaker 5>as a whole to all of us.

0:15:32.440 --> 0:15:34.880
<v Speaker 1>We torned him down. You torn them down, and.

0:15:34.840 --> 0:15:37.360
<v Speaker 5>I think it worked out for the good, because hey,

0:15:37.360 --> 0:15:40.520
<v Speaker 5>they only created a monster. You know a lot of

0:15:40.520 --> 0:15:43.160
<v Speaker 5>stuff that he held in when he got his opportunity

0:15:43.200 --> 0:15:43.680
<v Speaker 5>to let it.

0:15:43.640 --> 0:15:45.360
<v Speaker 1>Go, Like god damn man.

0:15:45.600 --> 0:15:47.840
<v Speaker 2>That's why I asked, did y'all ever leave the studio,

0:15:47.880 --> 0:15:51.960
<v Speaker 2>because that's one nigga, who don't you want to link

0:15:52.080 --> 0:15:54.200
<v Speaker 2>up with Wayne? You better be in the studio. He

0:15:54.240 --> 0:15:55.840
<v Speaker 2>ain't linking up. What you trying to tell you? We

0:15:56.000 --> 0:15:57.280
<v Speaker 2>studio rats.

0:15:57.560 --> 0:16:00.440
<v Speaker 5>You know, that's part of the thing that he got

0:16:00.440 --> 0:16:02.680
<v Speaker 5>instilled in him. We all had that because we was

0:16:02.760 --> 0:16:03.600
<v Speaker 5>like that in the beginning.

0:16:03.880 --> 0:16:06.440
<v Speaker 4>One of the things that was different about him. And

0:16:06.520 --> 0:16:09.000
<v Speaker 4>he could tell you this if you fucking missed the slot.

0:16:09.480 --> 0:16:13.240
<v Speaker 3>Oh he was there, so like you know, somebody was

0:16:13.400 --> 0:16:15.120
<v Speaker 3>late and and they didn't.

0:16:14.920 --> 0:16:15.840
<v Speaker 1>Show up here.

0:16:15.920 --> 0:16:19.200
<v Speaker 3>He was quiet. Boy, I got it, I got parts

0:16:19.240 --> 0:16:19.640
<v Speaker 3>all of that.

0:16:19.640 --> 0:16:21.840
<v Speaker 1>Don't worry about it. I feel like that that's right.

0:16:22.160 --> 0:16:25.520
<v Speaker 3>He was in that motherfucker like, Wayne, ain't leave that studio.

0:16:25.600 --> 0:16:28.440
<v Speaker 1>When we've done back that ass up, he stood there.

0:16:28.760 --> 0:16:32.520
<v Speaker 3>Everybody got tired, and yeah, everyone was still waiting for

0:16:32.600 --> 0:16:34.240
<v Speaker 3>that magical part at the end.

0:16:34.360 --> 0:16:37.320
<v Speaker 1>Out and after backing up and he had to be

0:16:37.360 --> 0:16:37.520
<v Speaker 1>on it.

0:16:37.640 --> 0:16:40.800
<v Speaker 5>He had a whole verse he didn't want. He wanted

0:16:40.840 --> 0:16:42.760
<v Speaker 5>me to take a verse off and he didn't want

0:16:42.760 --> 0:16:43.800
<v Speaker 5>to man on it.

0:16:43.960 --> 0:16:49.240
<v Speaker 2>I'm like, boy, man, yeah, that's what I wanted to know,

0:16:49.400 --> 0:16:52.120
<v Speaker 2>asking about that song back that did y'all know y'all

0:16:52.200 --> 0:16:55.560
<v Speaker 2>was making the culture classic that was gonna last.

0:16:55.600 --> 0:17:00.640
<v Speaker 3>I'm gonna let him ask it. Come on, bro, that story.

0:17:00.720 --> 0:17:04.119
<v Speaker 1>So I wanted to be respected as MC want.

0:17:04.600 --> 0:17:08.280
<v Speaker 5>That's why I was. So that's to me him. He

0:17:08.400 --> 0:17:09.840
<v Speaker 5>was hopping on it from day one.

0:17:11.440 --> 0:17:12.200
<v Speaker 1>Like this is the joke.

0:17:12.760 --> 0:17:17.400
<v Speaker 5>He kept changing the beat like because I was killing

0:17:17.440 --> 0:17:19.720
<v Speaker 5>that motherfucker. So he changed the beat and we get

0:17:19.720 --> 0:17:22.879
<v Speaker 5>the Nashville and I'm like, say, Bro, I go in

0:17:22.880 --> 0:17:24.320
<v Speaker 5>the room with Slim. I said, he just paid me

0:17:24.400 --> 0:17:27.200
<v Speaker 5>the beat. He said, I sound I said, it's awesome.

0:17:29.880 --> 0:17:32.720
<v Speaker 5>But and he what I wrapped to Bro? I don't

0:17:32.760 --> 0:17:34.440
<v Speaker 5>I sound like I wrapped into another beat.

0:17:34.560 --> 0:17:37.159
<v Speaker 1>You gotta let me do something, do something else. He

0:17:37.320 --> 0:17:47.359
<v Speaker 1>walked in the door. The nigga came here, winding nigga

0:17:47.400 --> 0:17:52.119
<v Speaker 1>busting the door and he winded like a bitch.

0:17:52.320 --> 0:17:56.880
<v Speaker 5>Yea chill, said, Bro, come on, b let me man

0:17:57.240 --> 0:17:59.080
<v Speaker 5>look at him fresh, letting that nigga come on, but

0:17:59.200 --> 0:18:00.520
<v Speaker 5>let him go get one shot at it.

0:18:00.840 --> 0:18:03.360
<v Speaker 1>I go in that bitch. I ain't got nothing, nigga,

0:18:03.880 --> 0:18:06.680
<v Speaker 1>you ain't even thinking now you're just talking. Ship.

0:18:07.000 --> 0:18:07.800
<v Speaker 5>I get that bitch.

0:18:07.880 --> 0:18:17.000
<v Speaker 1>I'm there. I see this nigga that said, damn, that's crazy. Man,

0:18:17.040 --> 0:18:17.840
<v Speaker 1>give me anothering mine.

0:18:17.840 --> 0:18:19.639
<v Speaker 5>I walk outside and start drinking and ship, I get

0:18:19.720 --> 0:18:22.000
<v Speaker 5>drunk as some motherfucker. I come back in that bitch,

0:18:22.080 --> 0:18:25.200
<v Speaker 5>bounce it up. I got one word I said, because

0:18:25.240 --> 0:18:27.440
<v Speaker 5>you're working. What's some man said your fans j I'm

0:18:27.480 --> 0:18:29.520
<v Speaker 5>just winning that one word. Yeah, I got yelled everything

0:18:29.680 --> 0:18:31.760
<v Speaker 5>that nigga come out the bitch, he can open the door.

0:18:31.880 --> 0:18:33.720
<v Speaker 1>See that's what the funk I'm talking about.

0:18:35.080 --> 0:18:35.800
<v Speaker 3>That ship going.

0:18:36.680 --> 0:18:38.440
<v Speaker 1>Don't change this word.

0:18:38.680 --> 0:18:44.360
<v Speaker 2>That's bro, that shouldn't. And then in every movie now

0:18:44.560 --> 0:18:48.280
<v Speaker 2>like that is insane. Bro, like that record is insane.

0:18:48.320 --> 0:18:50.359
<v Speaker 2>Then you got bling bling Come on, man.

0:18:54.800 --> 0:18:57.080
<v Speaker 5>I tell people laying a lot of our songs, that's

0:18:57.400 --> 0:18:59.240
<v Speaker 5>that's hits. It's either he.

0:18:59.440 --> 0:19:01.840
<v Speaker 1>Came in there with the hook already, you know, put

0:19:01.880 --> 0:19:02.440
<v Speaker 1>the guy him.

0:19:05.160 --> 0:19:07.800
<v Speaker 5>It's Johnny on the spot and I'm drinking alcohol and

0:19:07.840 --> 0:19:10.440
<v Speaker 5>I'm just talking ship the best songs.

0:19:11.000 --> 0:19:13.359
<v Speaker 1>That's the best songs, bro, just ship.

0:19:13.640 --> 0:19:15.920
<v Speaker 4>I woke up out my sleep I wrote Blink Blink

0:19:16.040 --> 0:19:18.840
<v Speaker 4>in my fucking sleep, and and it just kept. I

0:19:18.960 --> 0:19:21.760
<v Speaker 4>was like, if I don't record this, motherfucker.

0:19:21.600 --> 0:19:23.240
<v Speaker 3>We ain't gonna remember it.

0:19:24.240 --> 0:19:25.840
<v Speaker 4>Yeah, you know what I'm saying, Like, if we don't,

0:19:26.200 --> 0:19:29.000
<v Speaker 4>if I don't record this right now, we ain't gonna

0:19:29.080 --> 0:19:29.639
<v Speaker 4>remember that.

0:19:30.240 --> 0:19:31.080
<v Speaker 3>You know what I'm saying.

0:19:31.280 --> 0:19:33.600
<v Speaker 4>So when they came in the studio, I had already

0:19:33.680 --> 0:19:35.959
<v Speaker 4>laid the hook and all of that ship. I was like, bro,

0:19:36.480 --> 0:19:38.520
<v Speaker 4>just one of them, you know what I'm saying. And

0:19:38.600 --> 0:19:41.240
<v Speaker 4>you get that like, yeah, it's one of them.

0:19:41.720 --> 0:19:43.400
<v Speaker 1>Argument, yeah, yeah, yeah.

0:19:43.440 --> 0:19:46.560
<v Speaker 2>I think this guy ultimate classics, Like bro, we we

0:19:46.840 --> 0:19:51.120
<v Speaker 2>we took from y'all, like hearing cash Money is a man.

0:19:51.200 --> 0:19:53.800
<v Speaker 1>He had the Navy member Jay say that same ship.

0:19:54.040 --> 0:19:54.200
<v Speaker 5>Yeah.

0:19:55.400 --> 0:19:59.000
<v Speaker 4>Bro, There's so many times he has made like, you know,

0:19:59.160 --> 0:20:01.760
<v Speaker 4>like some ship that's from cash Money, where I'm just like.

0:20:02.359 --> 0:20:05.000
<v Speaker 3>That, lets you know that your ears is to the street.

0:20:05.080 --> 0:20:08.040
<v Speaker 4>Yes, well, I'm like, damn, and not just our shit,

0:20:08.160 --> 0:20:11.119
<v Speaker 4>just references from songs where you like damn, you know

0:20:11.320 --> 0:20:13.560
<v Speaker 4>all the down South classics and you know what.

0:20:13.600 --> 0:20:17.040
<v Speaker 2>I'm saying, Yeah, telling we was up here, gat up

0:20:17.160 --> 0:20:20.200
<v Speaker 2>bootes with the piped out get you to my g all,

0:20:20.400 --> 0:20:24.359
<v Speaker 2>that ship was rocking up here like I remember Rest

0:20:24.440 --> 0:20:28.280
<v Speaker 2>in Peace, IRV Gotti. Man, Yeah, her first time I

0:20:28.440 --> 0:20:31.879
<v Speaker 2>did Summer Jam, Earth was on us, Bro, Yo, he

0:20:32.080 --> 0:20:34.160
<v Speaker 2>was on this the first time y'all did Summer Jam.

0:20:34.240 --> 0:20:38.280
<v Speaker 2>They announced cash money at Summer Jam, Juvenile y'all headline

0:20:38.320 --> 0:20:38.760
<v Speaker 2>and all that.

0:20:38.920 --> 0:20:40.399
<v Speaker 1>Right, we was in the office, We was in.

0:20:40.400 --> 0:20:43.240
<v Speaker 2>The studio, matter of fact, and how video was playing,

0:20:43.640 --> 0:20:44.720
<v Speaker 2>and that nigga looked at me.

0:20:44.960 --> 0:20:46.000
<v Speaker 1>We all in the studio.

0:20:46.119 --> 0:20:49.399
<v Speaker 2>Nigga said, Yo, if this nigga come on that stage,

0:20:49.680 --> 0:20:53.320
<v Speaker 2>that same rag gold teeth, looking like he straight off

0:20:53.359 --> 0:20:54.080
<v Speaker 2>the block.

0:20:55.200 --> 0:20:58.040
<v Speaker 1>He's like, Bro, they taking over. Yeah, we gonna. He

0:20:58.119 --> 0:21:00.760
<v Speaker 1>looked at us like, Yo, We're gonna have a fucking problem.

0:21:01.119 --> 0:21:03.320
<v Speaker 2>And y'all niggas came out there and did exactly that,

0:21:03.440 --> 0:21:06.600
<v Speaker 2>and we looked like, oh ship, these guys is head

0:21:06.640 --> 0:21:10.520
<v Speaker 2>they arrived, Like was that a thing for down South

0:21:10.680 --> 0:21:11.960
<v Speaker 2>to be accepted in New York?

0:21:12.040 --> 0:21:13.520
<v Speaker 1>Did you just fell out? Yeah?

0:21:13.600 --> 0:21:15.879
<v Speaker 3>You let him tell you the tunnel story, nigga.

0:21:16.760 --> 0:21:18.119
<v Speaker 1>It meant the world of me.

0:21:18.280 --> 0:21:21.639
<v Speaker 5>Bro, the tunnel, especially me because I watched Crush Groove

0:21:21.760 --> 0:21:25.800
<v Speaker 5>and so I knew about the tunnel, but it scared

0:21:25.840 --> 0:21:28.000
<v Speaker 5>me to death because you know, one of the main

0:21:28.119 --> 0:21:31.960
<v Speaker 5>things everybody told me was, Bro, if you could rock

0:21:32.000 --> 0:21:35.160
<v Speaker 5>the tunnel, you made it. That's and the last person

0:21:35.200 --> 0:21:36.760
<v Speaker 5>when I came out and they said, man, and this

0:21:36.960 --> 0:21:40.720
<v Speaker 5>ninety ninety ninety dass cat to rock the tunnel from

0:21:40.840 --> 0:21:45.119
<v Speaker 5>from how the state was Snoop Dogg. They like shy damn.

0:21:46.400 --> 0:21:50.320
<v Speaker 5>And I'm thinking of all the artists, the damn he

0:21:50.720 --> 0:21:53.200
<v Speaker 5>like bro, Snoop dog he came and shut it.

0:21:53.359 --> 0:21:53.600
<v Speaker 1>Damn.

0:21:53.760 --> 0:21:57.160
<v Speaker 5>That's the only person. And they told me a couple

0:21:57.160 --> 0:22:00.560
<v Speaker 5>of weeks ago, rough Riders came through and shut it down. Yeah,

0:22:00.760 --> 0:22:02.760
<v Speaker 5>and they said, man, they had so they had like

0:22:02.920 --> 0:22:03.800
<v Speaker 5>five murders and.

0:22:03.840 --> 0:22:04.440
<v Speaker 1>Something like that.

0:22:05.440 --> 0:22:07.760
<v Speaker 3>I was like, what shut it down?

0:22:07.880 --> 0:22:12.080
<v Speaker 1>The ship that bitch down. They're making me. They scaring

0:22:12.119 --> 0:22:12.800
<v Speaker 1>me with the ship now.

0:22:12.840 --> 0:22:16.000
<v Speaker 5>I'm like, it's the one thing when you get on

0:22:16.160 --> 0:22:19.560
<v Speaker 5>standing uh huh, don't sing nothing else, sing high.

0:22:20.119 --> 0:22:23.440
<v Speaker 1>That's it. Man. We got on that motherfucker. We turned.

0:22:24.840 --> 0:22:28.440
<v Speaker 5>Banked up my shirt off ship rocking and we tried

0:22:28.440 --> 0:22:29.320
<v Speaker 5>to play something else.

0:22:29.359 --> 0:22:32.200
<v Speaker 1>I don't know what it was. It was not working.

0:22:32.440 --> 0:22:34.520
<v Speaker 3>I think it was like Tuesday and Thursdays. It was

0:22:34.600 --> 0:22:37.000
<v Speaker 3>like it was like, man, cut that bitch run.

0:22:38.840 --> 0:22:42.639
<v Speaker 1>It was like five times it was happy. I remember,

0:22:42.720 --> 0:22:45.920
<v Speaker 1>y'all in the tunnel. Is the bottle that was flowing

0:22:45.920 --> 0:22:46.480
<v Speaker 1>through the crowd.

0:22:47.800 --> 0:22:52.800
<v Speaker 5>Don't trying to get my barges. Funny ship was my pop.

0:22:53.320 --> 0:22:55.119
<v Speaker 5>You know, my pop was in the back. You know,

0:22:55.200 --> 0:22:57.640
<v Speaker 5>it's like a train station. My pops in the back.

0:22:57.640 --> 0:22:58.880
<v Speaker 5>You're looking at the roof for ship.

0:22:59.200 --> 0:23:01.920
<v Speaker 3>He said, damn, yeah, he's small.

0:23:01.960 --> 0:23:08.080
<v Speaker 1>Ash fucking roof is right right there. Yeah right. He said,

0:23:08.080 --> 0:23:10.840
<v Speaker 1>you know what so fun about this whole situation? I

0:23:10.920 --> 0:23:14.960
<v Speaker 1>said what he said, I'm so fucking drunk, fight breakout.

0:23:15.480 --> 0:23:16.520
<v Speaker 1>I can't do nothing for my.

0:23:19.440 --> 0:23:20.040
<v Speaker 5>That was a.

0:23:21.960 --> 0:23:23.480
<v Speaker 1>He said, I want to get out of here. This

0:23:23.480 --> 0:23:24.320
<v Speaker 1>is roof making me this.

0:23:27.320 --> 0:23:29.680
<v Speaker 4>This Pops kept saying, you know, this bitch is not

0:23:29.880 --> 0:23:32.480
<v Speaker 4>built right, And I was like, man, you fucking.

0:23:32.200 --> 0:23:36.240
<v Speaker 5>With us because he was because because he didn't know

0:23:36.359 --> 0:23:38.679
<v Speaker 5>that old last building.

0:23:38.800 --> 0:23:46.680
<v Speaker 2>Bro like yo, like, do y'all feel like when it

0:23:46.760 --> 0:23:50.679
<v Speaker 2>comes down to the Southern movement? Of course you had

0:23:50.760 --> 0:23:53.960
<v Speaker 2>no limit, but y'all pushed it a little further, I

0:23:54.040 --> 0:23:57.320
<v Speaker 2>feel like y'all, like No Limit came out that that

0:23:58.040 --> 0:24:01.440
<v Speaker 2>army gangster. Yeah, we we putting New Orleans on the map,

0:24:01.520 --> 0:24:04.000
<v Speaker 2>but y'all came out where. I feel like how Biggie

0:24:04.040 --> 0:24:06.680
<v Speaker 2>and Jay changed New York. Y'all made it fly.

0:24:07.000 --> 0:24:09.960
<v Speaker 1>We get money where we bosses do.

0:24:10.080 --> 0:24:13.520
<v Speaker 2>Y'all feel like y'all influenced that way with the southern

0:24:13.640 --> 0:24:14.440
<v Speaker 2>Southern hip hop.

0:24:14.800 --> 0:24:17.320
<v Speaker 4>Yeah, it's the gift in the curse. For me, it is,

0:24:17.880 --> 0:24:20.119
<v Speaker 4>and it's a giffer in the curse. And on some

0:24:20.280 --> 0:24:23.320
<v Speaker 4>shit was good about me and Julie. We might disagree

0:24:23.359 --> 0:24:25.960
<v Speaker 4>about something, but it's the gift in the curse. And

0:24:26.040 --> 0:24:28.920
<v Speaker 4>let me explain it. The thing was, I was looking

0:24:29.000 --> 0:24:31.440
<v Speaker 4>for a category that wasn't done yet.

0:24:32.880 --> 0:24:33.600
<v Speaker 3>The superfly.

0:24:34.440 --> 0:24:37.200
<v Speaker 4>You see what I'm saying. We got fly, fuck fly

0:24:38.359 --> 0:24:42.040
<v Speaker 4>this superfly. You gotta fucking Cadillac. I got a space

0:24:42.080 --> 0:24:43.880
<v Speaker 4>shutter on some other shit.

0:24:44.400 --> 0:24:46.440
<v Speaker 1>You know what. You was pushing an envelope.

0:24:46.480 --> 0:24:50.480
<v Speaker 3>So I'm like, we need a category. That's now. The

0:24:50.600 --> 0:24:53.560
<v Speaker 3>curse of it is this for a long time, that's

0:24:53.600 --> 0:24:57.560
<v Speaker 3>all hip hop has been since that. That was our shit.

0:24:57.800 --> 0:25:00.800
<v Speaker 4>We didn't mean for anybody to take our ship and

0:25:01.440 --> 0:25:04.440
<v Speaker 4>now y'all think that's what hip hop is. That was

0:25:04.640 --> 0:25:08.920
<v Speaker 4>our ship, and we also proved we was way more

0:25:09.320 --> 0:25:10.440
<v Speaker 4>you know, creative than that.

0:25:10.600 --> 0:25:11.840
<v Speaker 3>That was me and baby shit.

0:25:12.000 --> 0:25:15.000
<v Speaker 4>That wasn't Jeweviy, that wasn't the hot boys, That wasn't

0:25:15.080 --> 0:25:17.320
<v Speaker 4>you know when we got together. We might have did

0:25:17.440 --> 0:25:20.560
<v Speaker 4>some crazy ass songs, but we still had lyrical, we

0:25:20.680 --> 0:25:23.720
<v Speaker 4>still had the streets, We still had you know. And

0:25:24.440 --> 0:25:27.240
<v Speaker 4>but but the curse, like I said, was that shit

0:25:27.320 --> 0:25:30.119
<v Speaker 4>made everybody feel like this is what hip hop is

0:25:30.200 --> 0:25:30.879
<v Speaker 4>supposed to be.

0:25:32.760 --> 0:25:37.399
<v Speaker 1>Now y'all definitely was Waving Man. And then for a moment, you.

0:25:37.480 --> 0:25:40.080
<v Speaker 2>Know, at one time both of you stepped away from

0:25:40.160 --> 0:25:42.040
<v Speaker 2>cash money, you know what I'm saying.

0:25:42.160 --> 0:25:44.159
<v Speaker 1>Like, and then now both of you, I love to

0:25:44.200 --> 0:25:45.040
<v Speaker 1>see you know what I mean.

0:25:45.119 --> 0:25:47.160
<v Speaker 2>We all go through our ups downs, and I love

0:25:47.240 --> 0:25:49.679
<v Speaker 2>to see us come around that corner and anybody ever

0:25:49.800 --> 0:25:50.960
<v Speaker 2>to make amends and get.

0:25:50.880 --> 0:25:54.080
<v Speaker 1>Back to it. But what was that like going off

0:25:54.119 --> 0:25:54.680
<v Speaker 1>on your own?

0:25:55.119 --> 0:26:00.280
<v Speaker 3>Like yeah, like somebody that.

0:26:00.320 --> 0:26:02.280
<v Speaker 5>You got, you put all your trust in your love

0:26:02.440 --> 0:26:05.680
<v Speaker 5>and you expect, you know, expect paperwork and things to

0:26:05.760 --> 0:26:08.800
<v Speaker 5>be right because you think that they not only your friends,

0:26:08.840 --> 0:26:09.120
<v Speaker 5>they are.

0:26:09.080 --> 0:26:12.520
<v Speaker 1>Your lawyers and they run your business affairs and everything

0:26:12.600 --> 0:26:12.800
<v Speaker 1>like that.

0:26:13.240 --> 0:26:17.440
<v Speaker 5>And what it does is it creates an NBA animosity

0:26:17.840 --> 0:26:18.840
<v Speaker 5>with somebody.

0:26:18.520 --> 0:26:20.240
<v Speaker 1>That you really got a lot of love for.

0:26:20.400 --> 0:26:23.800
<v Speaker 5>And instead of you just walking away and saying, man,

0:26:24.359 --> 0:26:26.320
<v Speaker 5>you know, I'm gonna do it this way, you got

0:26:26.440 --> 0:26:29.880
<v Speaker 5>an attitude about it now. And instead of you doing

0:26:29.920 --> 0:26:32.800
<v Speaker 5>it the business way, now you're jumping on songs and

0:26:33.240 --> 0:26:35.000
<v Speaker 5>saying I'm gonna do this person that, I'm gonna do

0:26:35.119 --> 0:26:36.840
<v Speaker 5>this person this, And at the at.

0:26:36.760 --> 0:26:38.400
<v Speaker 1>The end of the day, you know you don't want

0:26:38.400 --> 0:26:42.320
<v Speaker 1>to do none of that, that's right. And then you

0:26:42.520 --> 0:26:45.600
<v Speaker 1>find out that a he ain't know what he was

0:26:45.680 --> 0:26:50.120
<v Speaker 1>doing either, you know. So while you you're building up.

0:26:50.080 --> 0:26:53.879
<v Speaker 5>All this hate towards somebody, you gotta realize what they

0:26:54.040 --> 0:26:54.840
<v Speaker 5>was going through too.

0:26:55.440 --> 0:26:57.600
<v Speaker 1>So you know, for me, it's like, man, I learned

0:26:57.640 --> 0:26:59.760
<v Speaker 1>to live and that lived after so many too many.

0:26:59.640 --> 0:27:03.680
<v Speaker 5>Years past, and you keep on crying and whining about

0:27:03.720 --> 0:27:05.680
<v Speaker 5>something that you know you ain't gonna get.

0:27:06.040 --> 0:27:08.800
<v Speaker 1>You know what I'm saying, Why hoping on that man?

0:27:08.840 --> 0:27:10.560
<v Speaker 5>You know what I'm saying, Go have a go have

0:27:10.680 --> 0:27:12.399
<v Speaker 5>that conversation with that man and let him know how

0:27:12.440 --> 0:27:15.040
<v Speaker 5>you really feel and see where that takes It might

0:27:15.119 --> 0:27:16.760
<v Speaker 5>take you back to friendship like me.

0:27:17.280 --> 0:27:20.040
<v Speaker 1>I mean, it might take you to like I fuck him,

0:27:20.040 --> 0:27:21.399
<v Speaker 1>I still hate them, you know what I mean? That

0:27:21.480 --> 0:27:24.040
<v Speaker 1>shoot with me. I can't hold hate my heart. I can't.

0:27:24.080 --> 0:27:26.240
<v Speaker 2>I can't like Oh yeah, I feel like I'm blocking

0:27:26.320 --> 0:27:29.280
<v Speaker 2>my blessing and it really is. It holds you back, man,

0:27:29.359 --> 0:27:30.840
<v Speaker 2>you know what I mean. It set you back just

0:27:31.160 --> 0:27:34.000
<v Speaker 2>sitting there harboring hate for no reason, like you know

0:27:34.040 --> 0:27:37.560
<v Speaker 2>what I mean, Like the game, I feel like we

0:27:37.720 --> 0:27:40.480
<v Speaker 2>all grew together and learned this together. It was no course,

0:27:40.560 --> 0:27:43.280
<v Speaker 2>there was no schools, some class that taught us this shit.

0:27:43.359 --> 0:27:46.520
<v Speaker 2>So a lot of us learn faster than others, and

0:27:46.640 --> 0:27:48.199
<v Speaker 2>a lot of like in school, you know what I mean,

0:27:48.359 --> 0:27:51.040
<v Speaker 2>a lot of us learn slower than others. But I

0:27:51.160 --> 0:27:54.720
<v Speaker 2>feel like when you friends and you from the same

0:27:54.840 --> 0:27:59.280
<v Speaker 2>neighborhood and y'all really love each other, money can't change that,

0:28:00.080 --> 0:28:02.000
<v Speaker 2>you know what I meantime had.

0:28:01.840 --> 0:28:05.080
<v Speaker 1>A home and un man, damn, I just looked out

0:28:05.119 --> 0:28:05.280
<v Speaker 1>for this.

0:28:06.040 --> 0:28:09.399
<v Speaker 5>He do some bullshit, But you bro still steal your

0:28:10.200 --> 0:28:14.000
<v Speaker 5>because you ain't about to let that That exactly We're

0:28:14.000 --> 0:28:14.679
<v Speaker 5>gonna fall out.

0:28:15.000 --> 0:28:17.280
<v Speaker 1>Some ship that ain't gonna be with it exactly what

0:28:17.320 --> 0:28:18.400
<v Speaker 1>I'm saying. That's how I feel.

0:28:18.520 --> 0:28:22.920
<v Speaker 4>I think the most misunderstood thing about hip hop, you know,

0:28:23.119 --> 0:28:25.680
<v Speaker 4>to the world and other cultures is it's the fucking

0:28:25.760 --> 0:28:32.080
<v Speaker 4>cousin to street business. Because it's the cousin because a

0:28:32.200 --> 0:28:35.119
<v Speaker 4>lot of us came from street ship and we stepped

0:28:35.160 --> 0:28:38.320
<v Speaker 4>into the arena that that's all we know is street ship.

0:28:38.400 --> 0:28:39.480
<v Speaker 3>That's what we was trained to.

0:28:40.680 --> 0:28:43.400
<v Speaker 4>Yeah, and we operate that way until we learn better,

0:28:43.680 --> 0:28:46.160
<v Speaker 4>you know what I'm saying. So no other genre of

0:28:46.400 --> 0:28:49.640
<v Speaker 4>music gonna understand that this ship is built off we're

0:28:49.680 --> 0:28:50.400
<v Speaker 4>the cousin.

0:28:50.200 --> 0:28:50.840
<v Speaker 3>To street ship.

0:28:52.040 --> 0:28:54.880
<v Speaker 4>Like you said that, Like country music, Yeah, they ain't

0:28:54.880 --> 0:28:56.640
<v Speaker 4>gonna get that. They didn't have to go through that.

0:28:56.760 --> 0:28:59.840
<v Speaker 4>They don't, you know, No, no motherfucker and country ever

0:29:00.320 --> 0:29:02.640
<v Speaker 4>you know was a dude that was a drug dealer

0:29:02.720 --> 0:29:04.280
<v Speaker 4>that puts somebody on and started the.

0:29:04.640 --> 0:29:07.400
<v Speaker 1>Record was probably was out there time.

0:29:07.480 --> 0:29:09.760
<v Speaker 3>But what I'm saying, Isa.

0:29:11.400 --> 0:29:15.600
<v Speaker 1>And roping rope nigs this week twelve Hondred, you don't

0:29:15.720 --> 0:29:16.240
<v Speaker 1>know why.

0:29:17.800 --> 0:29:21.200
<v Speaker 4>Who the fuck all of us got somebody who my

0:29:21.400 --> 0:29:24.880
<v Speaker 4>homeboy Keith, you know, Keith was the drug dealers out there,

0:29:24.960 --> 0:29:28.040
<v Speaker 4>middler that you know, but that he tried to put

0:29:28.320 --> 0:29:29.760
<v Speaker 4>money back into doing.

0:29:29.640 --> 0:29:30.520
<v Speaker 3>Some righteous ship.

0:29:30.680 --> 0:29:33.840
<v Speaker 2>Yeah you know, yo, that's crazy to say that, because Jay,

0:29:34.280 --> 0:29:35.920
<v Speaker 2>we used to call when we used to get booked

0:29:35.920 --> 0:29:39.360
<v Speaker 2>by promoters that we knew was drug dealers that trying

0:29:39.400 --> 0:29:42.160
<v Speaker 2>to clean their money get some We used to call

0:29:42.240 --> 0:29:46.280
<v Speaker 2>them gt P, gangster's term promoter. So niggas used to

0:29:46.400 --> 0:29:48.680
<v Speaker 2>be like, Yo, we know this's gonna be one of

0:29:48.760 --> 0:29:50.080
<v Speaker 2>those wild nights.

0:29:50.120 --> 0:29:54.000
<v Speaker 1>And gt P all take a picture with my daughter,

0:29:54.680 --> 0:29:57.400
<v Speaker 1>my nephew too. That's right, my mom's here toobody who

0:29:57.520 --> 0:30:00.080
<v Speaker 1>came there with him. All't got it? He got.

0:30:02.600 --> 0:30:03.440
<v Speaker 3>And that's what I mean.

0:30:04.000 --> 0:30:06.560
<v Speaker 4>Soon seven for both of y'all said that that shit

0:30:06.640 --> 0:30:07.680
<v Speaker 4>don't happen at other jobs.

0:30:07.880 --> 0:30:08.880
<v Speaker 3>You gotta be crushing.

0:30:09.040 --> 0:30:10.680
<v Speaker 4>Well, you like, you better take a picture with this

0:30:10.800 --> 0:30:13.440
<v Speaker 4>nigga because he might go crazy tonight and we need

0:30:13.520 --> 0:30:15.479
<v Speaker 4>to get our money and get the fuck out of here.

0:30:16.120 --> 0:30:20.800
<v Speaker 5>No, that's them niggas got them tools, yo, nigga said

0:30:20.920 --> 0:30:24.360
<v Speaker 5>Milwaukee and the walk, Yeah, Milwaukee. Them niggas is ain't

0:30:24.480 --> 0:30:27.760
<v Speaker 5>born with a penscol By Gene Kennedy. It's like got

0:30:27.760 --> 0:30:30.360
<v Speaker 5>they say, white men born with a jump shot. Black

0:30:30.440 --> 0:30:34.640
<v Speaker 5>niggas born with a dribble them niggas in fucking Milwaukee,

0:30:34.800 --> 0:30:35.200
<v Speaker 5>shit car.

0:30:35.280 --> 0:30:38.760
<v Speaker 1>They ball with a pistol, but they ain't you bugget yo.

0:30:38.920 --> 0:30:41.200
<v Speaker 2>But like one thing I love like a lot I'm

0:30:41.240 --> 0:30:44.280
<v Speaker 2>watching a lot of us are the legends everybody. You know,

0:30:44.360 --> 0:30:48.680
<v Speaker 2>we transition into media, you know, becoming bigger personalities than.

0:30:48.640 --> 0:30:51.840
<v Speaker 1>We were on the music. How has that been for

0:30:52.000 --> 0:30:55.480
<v Speaker 1>y'all stepping in with the you know, still four hundred degrees.

0:30:55.880 --> 0:31:00.120
<v Speaker 5>It's a different kind of animal. Bro's Texas pretty nice, but.

0:31:00.240 --> 0:31:05.920
<v Speaker 1>Uh, talk about it, talk about.

0:31:07.680 --> 0:31:11.200
<v Speaker 5>Hey man, I think it's great for us, you know,

0:31:11.320 --> 0:31:14.680
<v Speaker 5>as allist man, to give, to give the people that

0:31:14.800 --> 0:31:17.480
<v Speaker 5>other side of us. Sure, you know we locked in

0:31:17.560 --> 0:31:20.239
<v Speaker 5>the box. We all open minded, we do it right.

0:31:20.560 --> 0:31:23.400
<v Speaker 5>We have fun size we got, we got bad size

0:31:23.440 --> 0:31:25.680
<v Speaker 5>we got. You know what I'm saying. We're human just

0:31:25.800 --> 0:31:27.960
<v Speaker 5>like them. A lot of people really want to know that.

0:31:28.040 --> 0:31:29.720
<v Speaker 5>They want to know if you live the same life

0:31:29.960 --> 0:31:33.280
<v Speaker 5>and have the same struggles like they do, how.

0:31:33.000 --> 0:31:34.720
<v Speaker 3>You feel about that the same ship?

0:31:34.840 --> 0:31:36.880
<v Speaker 4>I mean, I just people want to know that you

0:31:37.000 --> 0:31:39.160
<v Speaker 4>go through the same ship they go through. That's right,

0:31:39.280 --> 0:31:43.720
<v Speaker 4>you know, to be successful, you gotta you gotta actually

0:31:44.920 --> 0:31:47.480
<v Speaker 4>say that they're going to be good days and bad

0:31:47.600 --> 0:31:50.920
<v Speaker 4>days and accept that ship. It don't matter what you got,

0:31:51.160 --> 0:31:53.960
<v Speaker 4>they're going to be good days and bad days. And

0:31:54.400 --> 0:31:59.200
<v Speaker 4>it's so much easier when you actually saying to somebody.

0:32:00.320 --> 0:32:02.280
<v Speaker 3>That that happens, broke, she.

0:32:02.520 --> 0:32:05.480
<v Speaker 1>She don't know, she'll respect, she'll respect part time.

0:32:05.680 --> 0:32:08.320
<v Speaker 3>Yeah, that's why I get it. I get it.

0:32:09.720 --> 0:32:09.880
<v Speaker 1>Yeah.

0:32:10.320 --> 0:32:13.480
<v Speaker 4>So when you say to somebody like, listen, my life

0:32:13.560 --> 0:32:17.200
<v Speaker 4>is just like yours. I got things going on, good

0:32:17.320 --> 0:32:17.800
<v Speaker 4>and bad.

0:32:18.080 --> 0:32:21.120
<v Speaker 1>I mean, that's that's right there. That's a prime example. Yeah,

0:32:21.400 --> 0:32:22.840
<v Speaker 1>yeah all the time. Bro.

0:32:23.080 --> 0:32:26.720
<v Speaker 2>Like, I'm a firm believer in good days and bad days,

0:32:26.800 --> 0:32:29.720
<v Speaker 2>and success is how you measure it. You know, a

0:32:29.760 --> 0:32:31.760
<v Speaker 2>lot of people think money is success. Me I'm a

0:32:31.840 --> 0:32:34.160
<v Speaker 2>firm believer health and wealth is success.

0:32:34.360 --> 0:32:34.560
<v Speaker 1>Yeah.

0:32:34.680 --> 0:32:38.479
<v Speaker 2>Health first, because to make money and be laid up

0:32:38.520 --> 0:32:41.720
<v Speaker 2>in the bed is asonized pointless, you know what I mean.

0:32:42.000 --> 0:32:45.240
<v Speaker 4>So when you think about your your happiest time in life,

0:32:45.880 --> 0:32:48.280
<v Speaker 4>some of them it didn't cost you nothing. It might

0:32:48.400 --> 0:32:50.040
<v Speaker 4>have just been at a picnic when you was with

0:32:50.120 --> 0:32:52.480
<v Speaker 4>your family and your friends, your closest friends, and y'all

0:32:52.520 --> 0:32:55.920
<v Speaker 4>had a good time and you you and you realize

0:32:55.960 --> 0:32:58.760
<v Speaker 4>when you get older like that ship really didn't cost nothing.

0:32:59.240 --> 0:32:59.440
<v Speaker 1>Yeah.

0:33:00.120 --> 0:33:03.400
<v Speaker 5>Success is like running in a marathon, right and don't

0:33:03.600 --> 0:33:05.640
<v Speaker 5>don't don't be the person to win it, but still

0:33:06.000 --> 0:33:07.600
<v Speaker 5>across the finish line, that's right.

0:33:08.040 --> 0:33:09.600
<v Speaker 1>You're in it to see that, you know what.

0:33:09.640 --> 0:33:13.080
<v Speaker 5>I'm right, man, So the goals with successful to me

0:33:13.360 --> 0:33:16.280
<v Speaker 5>is setting the goal and accomplishing there.

0:33:16.360 --> 0:33:17.920
<v Speaker 1>That's right, man, that's dope.

0:33:18.000 --> 0:33:18.160
<v Speaker 3>Man.

0:33:18.360 --> 0:33:20.880
<v Speaker 2>Being from where y'all from, we all, like I said,

0:33:20.960 --> 0:33:24.040
<v Speaker 2>we all got the same story from beginning, but we

0:33:24.120 --> 0:33:28.160
<v Speaker 2>all didn't walk the same path. So knowing the struggle,

0:33:28.960 --> 0:33:31.560
<v Speaker 2>the you know what I mean, the burden of being

0:33:31.720 --> 0:33:33.000
<v Speaker 2>from the South, not from the.

0:33:33.080 --> 0:33:35.040
<v Speaker 1>New York or you know, up in the East.

0:33:35.080 --> 0:33:36.880
<v Speaker 2>It's a little easier to get a record deal, So

0:33:37.000 --> 0:33:39.280
<v Speaker 2>what you had to go through the breakthrough to do

0:33:39.440 --> 0:33:40.000
<v Speaker 2>what y'all.

0:33:39.960 --> 0:33:41.840
<v Speaker 1>Did and accomplish so much.

0:33:42.040 --> 0:33:44.360
<v Speaker 2>Man, I know y'all got to sit there some days

0:33:44.400 --> 0:33:47.840
<v Speaker 2>and just be in the crib like yo, man, Yeah,

0:33:47.960 --> 0:33:49.120
<v Speaker 2>Julie whatever, Yo.

0:33:49.200 --> 0:33:51.520
<v Speaker 1>You know we them niggas right, Oh, I do that

0:33:51.640 --> 0:33:52.200
<v Speaker 1>all the time.

0:33:52.960 --> 0:33:57.360
<v Speaker 4>I'm a speech guy. I'm a speech guy. I'm like, bro,

0:33:57.440 --> 0:33:59.200
<v Speaker 4>I don't give a funk about what's going on.

0:33:59.440 --> 0:34:02.560
<v Speaker 1>Nigga super over, that's right. That's right.

0:34:02.760 --> 0:34:04.800
<v Speaker 5>Thinking about where I came from, the King of the

0:34:04.880 --> 0:34:09.920
<v Speaker 5>food stamp Yo book king say, I'm the king of

0:34:09.960 --> 0:34:12.239
<v Speaker 5>the yo. I used to yo bro. You know, if

0:34:12.280 --> 0:34:13.799
<v Speaker 5>you've seen the shorter you liked in the.

0:34:13.800 --> 0:34:16.400
<v Speaker 3>Story, you had that book, you wait for a quarter.

0:34:16.640 --> 0:34:19.480
<v Speaker 2>No, I waited outside just shorty left. I wanted to

0:34:19.520 --> 0:34:20.520
<v Speaker 2>see the white note.

0:34:21.440 --> 0:34:22.359
<v Speaker 1>I needed them green.

0:34:23.640 --> 0:34:27.839
<v Speaker 2>Looking at you like, hey, on that left, we got

0:34:27.920 --> 0:34:30.360
<v Speaker 2>these greens. So where I was from, you had to

0:34:30.560 --> 0:34:31.720
<v Speaker 2>hide that white book.

0:34:32.160 --> 0:34:32.560
<v Speaker 1>What not?

0:34:32.719 --> 0:34:35.600
<v Speaker 2>Where I'm from, I would shoot you like talking nor

0:34:35.880 --> 0:34:43.040
<v Speaker 2>sixty It's sixty five dollar, you know what I'm saying.

0:34:43.640 --> 0:34:46.640
<v Speaker 1>So I'm from the project. So we never had that.

0:34:47.600 --> 0:34:49.880
<v Speaker 1>Everybody had dirty shoes and ain't getting it for Christmas?

0:34:50.120 --> 0:34:53.959
<v Speaker 5>Ye you little red fox said when Christmas came around

0:34:54.000 --> 0:34:55.000
<v Speaker 5>about we went balls.

0:34:55.040 --> 0:34:58.680
<v Speaker 1>We would have nothing to play with. Yeah, you figured

0:34:58.719 --> 0:35:02.200
<v Speaker 1>out you If we wasn't boys, we had none to

0:35:02.239 --> 0:35:05.879
<v Speaker 1>play with. Real ship.

0:35:07.920 --> 0:35:12.240
<v Speaker 2>So when people talk about hip hop, where does many

0:35:12.320 --> 0:35:14.960
<v Speaker 2>fresh and juvenile chapter sit in that history?

0:35:16.120 --> 0:35:19.239
<v Speaker 3>The greats right? I used to be crying about this ship.

0:35:19.320 --> 0:35:22.480
<v Speaker 1>I think I'm that man to to that.

0:35:22.719 --> 0:35:24.799
<v Speaker 3>I used to be quiet and modest.

0:35:24.560 --> 0:35:27.120
<v Speaker 4>But you know, I feel like that shit, don't get

0:35:27.160 --> 0:35:29.520
<v Speaker 4>you nowhere. If you don't like me, fuck you. I'm

0:35:29.560 --> 0:35:32.400
<v Speaker 4>a bad motherfucker. I've done some incredible ship.

0:35:34.280 --> 0:35:36.920
<v Speaker 1>And they're like, you need to know, you need to know.

0:35:38.080 --> 0:35:39.719
<v Speaker 5>And as far as me, I feel like I'm still

0:35:39.800 --> 0:35:42.520
<v Speaker 5>right my script. Bro, I'm one of them niggas died.

0:35:44.160 --> 0:35:44.960
<v Speaker 5>I ain't settling it.

0:35:46.000 --> 0:35:48.120
<v Speaker 2>I'm looking at you how I look at whole How

0:35:48.200 --> 0:35:50.440
<v Speaker 2>the fuck you niggas still got balls?

0:35:50.480 --> 0:35:54.680
<v Speaker 1>Because that ship with Meghan is like, my man, you

0:35:54.880 --> 0:35:55.600
<v Speaker 1>still spitting?

0:35:55.640 --> 0:35:58.680
<v Speaker 2>Then you be in dropping joints, just ride around, cruising

0:35:58.719 --> 0:36:01.000
<v Speaker 2>through the city like I got a little virtual for

0:36:01.040 --> 0:36:03.520
<v Speaker 2>these and spend liva still like.

0:36:04.440 --> 0:36:07.480
<v Speaker 1>Man, that's you know what, You get to the point

0:36:07.560 --> 0:36:09.759
<v Speaker 1>to where it's fun to do it. That's and that's

0:36:09.800 --> 0:36:10.200
<v Speaker 1>what it is.

0:36:10.280 --> 0:36:13.360
<v Speaker 5>I'm just getting the kickout doing it. Really like the

0:36:13.480 --> 0:36:16.640
<v Speaker 5>youngsters saying, I ain't gonna lie you. I get I

0:36:16.719 --> 0:36:19.920
<v Speaker 5>get text. I got a text from from John Queek's

0:36:20.000 --> 0:36:22.600
<v Speaker 5>ride FO nine and I see you.

0:36:24.320 --> 0:36:26.640
<v Speaker 1>You don't need to fing throat. That's what that's what

0:36:26.760 --> 0:36:28.160
<v Speaker 1>it is, and I love that man.

0:36:28.680 --> 0:36:31.800
<v Speaker 2>So speaking like that, what you want the next chapter

0:36:31.880 --> 0:36:35.640
<v Speaker 2>of artists to learn from your era to help them on.

0:36:35.760 --> 0:36:38.600
<v Speaker 1>Their path you can write your own script.

0:36:38.680 --> 0:36:41.840
<v Speaker 5>Man. They making rules, They trying to make the rules

0:36:42.239 --> 0:36:44.400
<v Speaker 5>and make rules. You don't see no rules and no

0:36:44.560 --> 0:36:47.680
<v Speaker 5>other genre rap. So I think we should do like

0:36:47.800 --> 0:36:52.439
<v Speaker 5>these these colleges and these these these big institutions are doing.

0:36:54.280 --> 0:36:56.640
<v Speaker 5>Get that money, man, any I l money to see

0:36:56.640 --> 0:36:58.440
<v Speaker 5>these casts. Get get it all, you know, figure out

0:36:58.480 --> 0:37:01.680
<v Speaker 5>a way to incorporate business with with what you're doing.

0:37:01.800 --> 0:37:04.400
<v Speaker 5>And don't don't look at it as you know, just

0:37:05.160 --> 0:37:08.680
<v Speaker 5>rapping right, look at look at us rapping to open

0:37:08.800 --> 0:37:11.480
<v Speaker 5>up all these other doors for you, to create all

0:37:11.520 --> 0:37:13.680
<v Speaker 5>this revenue stream for not only you, for your family.

0:37:13.719 --> 0:37:17.000
<v Speaker 2>It's right man, businesses man. So that's one thing I

0:37:17.560 --> 0:37:20.560
<v Speaker 2>talk about investing, because we can't wrap forever.

0:37:21.080 --> 0:37:24.040
<v Speaker 3>You can't you That would be me cross your t's

0:37:24.120 --> 0:37:24.879
<v Speaker 3>and dot your eyes.

0:37:25.080 --> 0:37:29.120
<v Speaker 4>Sort out early, you know if we already told you,

0:37:29.360 --> 0:37:32.279
<v Speaker 4>like every genre of something goes through something to make

0:37:32.320 --> 0:37:35.080
<v Speaker 4>it better, you know what I'm saying. So we did

0:37:35.200 --> 0:37:38.360
<v Speaker 4>homeboy business for you not to do it. You know

0:37:38.400 --> 0:37:42.759
<v Speaker 4>what I'm saying about it, for you not to do it.

0:37:43.040 --> 0:37:43.759
<v Speaker 3>You know what I'm saying.

0:37:45.040 --> 0:37:48.279
<v Speaker 1>We did homeboy business. You do it.

0:37:48.400 --> 0:37:50.480
<v Speaker 3>That's in the gym, bro. We did that ship for

0:37:50.560 --> 0:37:51.360
<v Speaker 3>you not to do it.

0:37:51.480 --> 0:37:54.440
<v Speaker 1>You know what I'm saying, ship, because that ship.

0:37:54.320 --> 0:37:55.360
<v Speaker 3>Don't work out, you know.

0:37:56.440 --> 0:37:59.040
<v Speaker 4>And we love our people, we love our brothers, but

0:37:59.360 --> 0:38:02.719
<v Speaker 4>when you're not trained to do something, you're not gonna

0:38:02.719 --> 0:38:05.839
<v Speaker 4>make it work to its best ability. I can't let

0:38:06.280 --> 0:38:10.480
<v Speaker 4>my dude, Killer Kevin be my manager because I want

0:38:10.520 --> 0:38:12.279
<v Speaker 4>to take him off the streets. That nigga don't know

0:38:12.360 --> 0:38:13.440
<v Speaker 4>nothing about managing.

0:38:14.200 --> 0:38:17.759
<v Speaker 6>Now killing ship, they gonna get you a CA and

0:38:17.880 --> 0:38:22.600
<v Speaker 6>that moving me out of another Killer Kevin production bitch,

0:38:26.800 --> 0:38:30.200
<v Speaker 6>and I'm like camp Now we gotta fight again.

0:38:31.320 --> 0:38:32.640
<v Speaker 1>Getting no corporate gigs.

0:38:33.560 --> 0:38:35.440
<v Speaker 3>Just keep on yelling another killer.

0:38:35.520 --> 0:38:43.240
<v Speaker 2>N We gotta tell cam Chill Calf, We're gonna corporate

0:38:43.320 --> 0:38:45.360
<v Speaker 2>Calf calve.

0:38:47.760 --> 0:38:49.000
<v Speaker 1>I wanted to kill a.

0:38:55.360 --> 0:38:59.960
<v Speaker 2>So besides still foe honey, you know what I mean?

0:39:00.239 --> 0:39:02.440
<v Speaker 2>What's next for my old gs man? What's next? What

0:39:02.560 --> 0:39:04.520
<v Speaker 2>people could expect from the from Yeah?

0:39:04.800 --> 0:39:06.320
<v Speaker 5>Well, for me, my album is coming out on my

0:39:06.360 --> 0:39:09.640
<v Speaker 5>birthday to twenty six the balling point, Okay, say twenty

0:39:09.680 --> 0:39:10.959
<v Speaker 5>sixth of March, Yeah, March.

0:39:11.080 --> 0:39:13.719
<v Speaker 1>That's what I'm talking about, my ge, That's what I'm saying.

0:39:13.760 --> 0:39:17.040
<v Speaker 5>We're still chasing, We're still right yeah, yeah, I got

0:39:17.120 --> 0:39:19.040
<v Speaker 5>that coming out, and my corgnak is getting ready to

0:39:19.120 --> 0:39:19.759
<v Speaker 5>drop my yack.

0:39:20.040 --> 0:39:20.360
<v Speaker 3>That's right.

0:39:20.400 --> 0:39:22.839
<v Speaker 5>Two months what's the name, what's the name it's called yet?

0:39:23.000 --> 0:39:24.879
<v Speaker 5>Why see I kept my yack.

0:39:25.120 --> 0:39:25.920
<v Speaker 3>Okay, that's what.

0:39:27.440 --> 0:39:28.040
<v Speaker 1>That's fine.

0:39:28.160 --> 0:39:28.640
<v Speaker 3>I like that.

0:39:29.040 --> 0:39:29.239
<v Speaker 1>Yeah.

0:39:29.640 --> 0:39:31.920
<v Speaker 5>And uh my other my other thing that I got

0:39:32.000 --> 0:39:34.120
<v Speaker 5>going on is I'm going on to a April second.

0:39:34.600 --> 0:39:38.840
<v Speaker 5>They got five dates, so God bless dope man more bags.

0:39:39.280 --> 0:39:43.440
<v Speaker 4>Yeah, I'm just disturbing the peace out here. Bro, I'm

0:39:43.760 --> 0:39:47.120
<v Speaker 4>jaying all over the country, bar misfoots, barbecues.

0:39:47.520 --> 0:39:50.719
<v Speaker 3>Anybody who got that bag and is there, and now

0:39:50.840 --> 0:39:52.040
<v Speaker 3>you gotta put a helmet on.

0:39:52.320 --> 0:39:54.600
<v Speaker 1>They're giving out one hundred and fifty thousand to get

0:39:54.640 --> 0:39:57.399
<v Speaker 1>you a helmet. Wet. They got the mouse, they got

0:39:57.440 --> 0:39:59.160
<v Speaker 1>the other. We gotta find me, yeah help.

0:39:59.360 --> 0:40:03.400
<v Speaker 2>Yeah, yeah, I'm killing calf managing Many Fresh only with

0:40:03.520 --> 0:40:07.280
<v Speaker 2>the helmet on the No Bow Corporate production.

0:40:08.160 --> 0:40:12.840
<v Speaker 1>Yeah yeah, the helmet.

0:40:13.880 --> 0:40:17.200
<v Speaker 5>Were gonna give up a danger mouse helmet something word

0:40:17.440 --> 0:40:18.040
<v Speaker 5>gonna create a.

0:40:18.080 --> 0:40:21.359
<v Speaker 3>Whole other so get Yeah.

0:40:21.520 --> 0:40:25.319
<v Speaker 4>So I got I got a reckless weekend that I'm doing.

0:40:25.600 --> 0:40:29.279
<v Speaker 4>And what reckless weekend is? I like, I reach out

0:40:29.320 --> 0:40:31.920
<v Speaker 4>to artists who want to do it, and we got

0:40:32.080 --> 0:40:37.360
<v Speaker 4>from Monday Friday morning to Monday morning to do songs

0:40:37.760 --> 0:40:38.560
<v Speaker 4>and whatever.

0:40:38.360 --> 0:40:40.000
<v Speaker 3>We do, we put it out and we split it

0:40:40.040 --> 0:40:41.799
<v Speaker 3>fifty to fifty. There is no middle man.

0:40:42.120 --> 0:40:45.360
<v Speaker 4>There is no you know, nobody that that no script

0:40:45.520 --> 0:40:47.520
<v Speaker 4>that somebody could tell you don't do the fucking song

0:40:47.640 --> 0:40:48.960
<v Speaker 4>that way or whatever, and all of that.

0:40:49.280 --> 0:40:52.160
<v Speaker 3>You start on Friday morning, we ind on Monday morning.

0:40:52.400 --> 0:40:56.799
<v Speaker 3>I need a reckless recrest weekend, reckless weekend, reckless week

0:40:56.840 --> 0:40:58.320
<v Speaker 3>You see my daughter calling me on this.

0:40:58.640 --> 0:41:01.400
<v Speaker 1>She reckless every weekend, So we need a reckless weekend.

0:41:02.400 --> 0:41:03.200
<v Speaker 1>Let's get it, man.

0:41:03.280 --> 0:41:05.960
<v Speaker 2>I appreciate y'all pulling up. Man, it's an honor to

0:41:06.040 --> 0:41:08.520
<v Speaker 2>being the presence of your legends. Like I said, I'm

0:41:08.560 --> 0:41:11.200
<v Speaker 2>a fan first. And you know, we had a relationship

0:41:11.280 --> 0:41:14.440
<v Speaker 2>behind the scenes with the Yeah That Man. Y'all continue

0:41:14.480 --> 0:41:17.160
<v Speaker 2>to stay blessed, healthy, key winning man.

0:41:17.680 --> 0:41:19.120
<v Speaker 1>Much love to both of y'all.

0:41:19.600 --> 0:41:23.840
<v Speaker 2>March twenty sixth, the album Yeah Reckless Weekend bleak dropping

0:41:23.960 --> 0:41:24.319
<v Speaker 2>on there.

0:41:24.560 --> 0:41:25.200
<v Speaker 1>We don't care.

0:41:25.280 --> 0:41:28.239
<v Speaker 2>We all solo highlight at us. The money is in

0:41:28.320 --> 0:41:32.200
<v Speaker 2>the bag towards it everything. It's rock solid man, many

0:41:32.280 --> 0:41:39.000
<v Speaker 2>fresh juwe you know what it is. Legends. For more

0:41:39.120 --> 0:41:44.000
<v Speaker 2>podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts, or

0:41:44.000 --> 0:41:46.520
<v Speaker 2>wherever you listen to your favorite shows app and you

0:41:46.600 --> 0:41:49.640
<v Speaker 2>can follow me on any social media platform under the

0:41:49.760 --> 0:41:50.680
<v Speaker 2>name Memphis Bleak.

0:41:50.840 --> 0:41:53.000
<v Speaker 1>You see anybody fraud in flagging