WEBVTT - Luke Sent Muffins (S4 E3 "The Hobbit, the Sofa, and Digger Stiles”)

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<v Speaker 1>I am all in. Oh, that's just you. I am

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<v Speaker 1>all in with Scott Patterson and I heart radio podcast. Everybody,

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<v Speaker 1>Scott Patterson, I'm all on podcast. I'm joining with my

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<v Speaker 1>intrepid team. Daniel Romo terror Suit. Amy Sugarman has arrived,

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<v Speaker 1>and we may all begin. We may all begin, And Amy,

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<v Speaker 1>I see you are in your rumpus room in your house.

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<v Speaker 1>I love that you called it a rumpus room because

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<v Speaker 1>that shows how old we are. But it's my I'm

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<v Speaker 1>in my garage. I love a rumpus room. A rumpus

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<v Speaker 1>room is so epic. I actually picture uh Rory and

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<v Speaker 1>Lorela like loving a rumpus room. I think they would.

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<v Speaker 1>I think I think they would. Um. Alright, so who's

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<v Speaker 1>gonna Who's gonna take us away with our sin? Is

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<v Speaker 1>going to synopsize? Is that Danielle? Yeah? This is season four,

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<v Speaker 1>episode three, The Hobbit, the Sofa and Digger Styles Air date,

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<v Speaker 1>air date October seven, two thousand three, and the synopsis

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<v Speaker 1>is classes are starting at Yale and Rory is eager

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<v Speaker 1>to show up early. The first party is also being

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<v Speaker 1>held on Rory's floor, and Paris wants to make sure

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<v Speaker 1>it goes perfectly Emily and Richard go into business with

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<v Speaker 1>someone unexpected, and Suki and Lori like hater a Lord

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<v Speaker 1>of the Rings kids party where Suki has second thoughts

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<v Speaker 1>on becoming a mother. Well well well well well well

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<v Speaker 1>well well well were you in it? I think you

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<v Speaker 1>weren't in it. I don't think I was in it.

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<v Speaker 1>I don't think so either. Yea, yeah, So that's I mean,

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<v Speaker 1>if we're going to judge it by you know, one

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<v Speaker 1>to ten dorm rooms, what are we giving it. I'm

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<v Speaker 1>knocking off a dorm room. It's already starting at a nine. Okay,

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<v Speaker 1>even if it's like the greatest episode ever. There was

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<v Speaker 1>a reference to uh giving Rory what that muffins? Yeah? Yeah,

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<v Speaker 1>Suki sent the cookies and Luke sent the muffins, and

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<v Speaker 1>believe it or not, for that, I did receive a

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<v Speaker 1>full paycheck. Yeah. Yes, that is an interesting question, Like

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<v Speaker 1>if you're a regular, they have an episode that you're

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<v Speaker 1>not in, Like the week before that, Melissa wasn't in

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<v Speaker 1>all episodes produced. It's called all episodes cool, so nice?

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<v Speaker 1>So what do you think? What do you guys think? Um,

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<v Speaker 1>I'll let you guys start. Danielle, what do you think? Oh,

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<v Speaker 1>okay um. I thought it was great. I there's a

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<v Speaker 1>couple of things as a as a new person watching,

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<v Speaker 1>I'm like, who's this digger styles guy gonna be? Who's

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<v Speaker 1>the naked guy on the floor d and and Suki

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<v Speaker 1>being a mom. I think she's gonna be the best

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<v Speaker 1>moment ever. But there's a lot of things here that

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<v Speaker 1>are new as the first time watcher that I'm like,

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<v Speaker 1>I wonder who these people are going to be. Are

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<v Speaker 1>they to be really important people? I don't know yet,

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<v Speaker 1>but you know, it's exciting to meet new people. Oh.

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<v Speaker 1>I love that take on it. I just think it

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<v Speaker 1>introduces like the new dynamic on the show because now

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<v Speaker 1>you're getting these other characters in, You're getting Rory's roommates,

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<v Speaker 1>the other students, and then there's more between Laura, Lee

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<v Speaker 1>and Suki now because Rory's gone. So I think it's

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<v Speaker 1>just a fun It was a fun episode for the

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<v Speaker 1>new dynamic. I love it. For me, this episode was

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<v Speaker 1>I felt like it was ten minutes. I'm like, what

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<v Speaker 1>but so fast? And I love the technique of using

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<v Speaker 1>the telephone to be able to have the interaction between

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<v Speaker 1>these characters we love. So we saw great phone calls

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<v Speaker 1>between Rory and Loraa Lae. That felt almost like they

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<v Speaker 1>were in the same room. Super fast banter, and I

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<v Speaker 1>loved how they used parents calling Laura Lee to get

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<v Speaker 1>that interaction and then the to me that was a

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<v Speaker 1>game changer. From there, we felt like we were missing

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<v Speaker 1>some of these interactions, and Paris called her interesting, interesting, interesting, interesting. I, however,

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<v Speaker 1>am going to take a different view. Um. You know,

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<v Speaker 1>I kept watching and wondering who was missing. I kept

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<v Speaker 1>missing Stars Hollow as the Town, I missed everybody in

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<v Speaker 1>the cast that wasn't in this. I saw that Suki

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<v Speaker 1>had replaced Rory I had. I saw that Paris had

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<v Speaker 1>replaced Laureli. Uh. So now we're we're dealing with a

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<v Speaker 1>new environment in the dorm room. Yale New Haven has

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<v Speaker 1>not been established. I don't, you know, I don't know

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<v Speaker 1>what it looks like. All I am and is inside

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<v Speaker 1>this dorm room. I'm not even really on the campus

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<v Speaker 1>very much. I'm not in a classroom, I'm not anywhere.

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<v Speaker 1>So it's basically just Rory Um acting like she doesn't

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<v Speaker 1>want to interact with her new classmates, she doesn't want

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<v Speaker 1>to throw a party. Um and I saw these characters

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<v Speaker 1>in a in a way that I've never seen them

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<v Speaker 1>before in an environment that is brand new. So it's

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<v Speaker 1>three years established as stars Hollow and Babette and Miss

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<v Speaker 1>Patty and Kirk and Taylor and did And it's like

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<v Speaker 1>the humor for me really pops as commentary off of

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<v Speaker 1>all of these other characters and the zanies zane nous

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<v Speaker 1>and the and the beauty and the communal nature of

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<v Speaker 1>that town. That's what makes it warm and fuzzy. And

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<v Speaker 1>I found all of that missing, and I had a

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<v Speaker 1>very difficult time grasping or staying along with the ride. Um,

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<v Speaker 1>I think you're making a great point. It is missing

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<v Speaker 1>for me. I'm okay with this change. For me, it's

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<v Speaker 1>like giving it uh sort of a kick in the pants.

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<v Speaker 1>I'm not mad at the chain age. You're right, it's

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<v Speaker 1>definitely missing, but I'm enjoying what's happening. Well, Um, yeah,

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<v Speaker 1>I mean I made a whole list of like, you know,

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<v Speaker 1>Pairs is now a regular right now, She's gonna be

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<v Speaker 1>with Rory. Isn't that you know, strange bedfellows. We haven't

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<v Speaker 1>seen that before. We don't we don't see we don't

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<v Speaker 1>see mom and daughter together anymore. And this is the

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<v Speaker 1>core of the show, holding it together. That's the center

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<v Speaker 1>of the show. Everything else sort of revolves around that.

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<v Speaker 1>That's the universe. That's the sun. Now the Sun has

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<v Speaker 1>broken asunder and all of the other planets are missing,

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<v Speaker 1>and we've got these new moons we're dealing with all that.

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<v Speaker 1>So it's a whole new universe. It's a whole new

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<v Speaker 1>galaxy that we're exploring. And it felt, you know, kind

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<v Speaker 1>of flat to me. It's like I was, I don't know,

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<v Speaker 1>I didn't want to leave the spaceship. I like the

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<v Speaker 1>ship I'm on. You know what I'm saying. That's a

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<v Speaker 1>really good analogy. Analogy and say that her. I like

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<v Speaker 1>the ship we're on. So I think that's the thing.

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<v Speaker 1>Now there could be an element that I know the

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<v Speaker 1>ship and there are things coming that I love so much.

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<v Speaker 1>So maybe I'm just comfortable because I've already been there before.

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<v Speaker 1>Were you? And Danielle, you're like a little bit more

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<v Speaker 1>jarred by it. Yeah, I'm a little jarred by how

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<v Speaker 1>Rory is already struggling, how she's already anti social, how

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<v Speaker 1>she's got these odd ball roommates, um and you know,

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<v Speaker 1>the Paris flip out, Get Out, Get out, get out

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<v Speaker 1>of this thing. And Rory just says, well, because she

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<v Speaker 1>was happy, she wanted to, she was stoked, and she

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<v Speaker 1>didn't have to. Look like here she is making all

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<v Speaker 1>these new friends and then her her whacko roommate flips

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<v Speaker 1>out on everybody and kicks everybody out. She's not worried

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<v Speaker 1>about her reputation. You know, it's like she didn't have

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<v Speaker 1>to do it. She was like skilled by association, right, No,

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<v Speaker 1>they're like that woman's crazy, that gal's crazy. Whatever's granddaughter.

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<v Speaker 1>So she had so she can get away. D a

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<v Speaker 1>are all the way, man, I can do anything. Well

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<v Speaker 1>discusses maybe a little bit later, but I feel like

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<v Speaker 1>Rory just had the reason why we're kind of like, oh,

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<v Speaker 1>what's going on with her? She's being anti social. I

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<v Speaker 1>think she just hasn't found her person yet. Like in

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<v Speaker 1>Stars Hollow, that was Laine, that's her mom, and in

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<v Speaker 1>Yale she doesn't have that, you know, like these people

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<v Speaker 1>that are trying to be friends with her or people

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<v Speaker 1>that she's not like, she's not going to go to

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<v Speaker 1>college and suddenly be different. That is who Rory is.

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<v Speaker 1>She loves her books. She's just showing us that, like

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<v Speaker 1>she loves being alone in her room reading her books.

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<v Speaker 1>So she's being pretty consistent that she's trying. And Paris

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<v Speaker 1>same thing. Paris is crazy, and I love that she

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<v Speaker 1>was just Paris. But we felt that she was safe

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<v Speaker 1>and that she was going to be successful while she

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<v Speaker 1>was in her home with her mother in her bedroom

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<v Speaker 1>reading her book, with all this crazy stuff happening around her,

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<v Speaker 1>with the miss Patties and the tailor's and the chesses

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<v Speaker 1>and all the stuff. Right, you, she always had a

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<v Speaker 1>heart to come home to and she was always going

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<v Speaker 1>to be protected. She doesn't have that protection anymore. I

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<v Speaker 1>mean she does with her grandmother with her with her mother, sure,

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<v Speaker 1>but she's on her own now and it's it's a

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<v Speaker 1>little I don't know, it's a little scared. I think

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<v Speaker 1>that's why Laurel I was like, maybe you should open

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<v Speaker 1>your door for the party, like out there, and that's

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<v Speaker 1>why like that second, sorry we're jumping around, but when

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<v Speaker 1>she like opens the book and she's like, no, I

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<v Speaker 1>shouldn't be doing this and she goes back out on

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<v Speaker 1>the party, she's like she's listening to Laurel. Yeah, and

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<v Speaker 1>she's trying, and I love it. And Paris tried for

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<v Speaker 1>one episode to be a kind normal person with her

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<v Speaker 1>life coach, and now she's back because she's like, I'm

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<v Speaker 1>not having fun. They're just not there yet. I like, yeah,

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<v Speaker 1>they agreed to one candle before we dig in. I

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<v Speaker 1>want to know what Scott and Dan, you'll think of

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<v Speaker 1>two people, Marty and Digger? Go ahead? Yeah? All right?

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<v Speaker 1>Um Marty, I was like, whatever, okay, Um, obviously there's

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<v Speaker 1>there might be something you know, uh, awaiting Rory in

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<v Speaker 1>the future for potential love interest there um and Digger?

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<v Speaker 1>What did I think? You know what I thought about Digger? Right? Well,

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<v Speaker 1>I didn't think about Digger, but I thought about Richard.

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<v Speaker 1>I thought, why is Richard so blind? And Emily has

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<v Speaker 1>a point, and I understand why Emily popped at him.

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<v Speaker 1>Why are you getting involved with somebody's son who has

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<v Speaker 1>a revenge game going? Aren't you smarter than that? Don't

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<v Speaker 1>you see that this is never going to be successful?

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<v Speaker 1>And why would you do this? And aren't you sensitive

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<v Speaker 1>to what we've been going through with our own daughter,

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<v Speaker 1>who's you know, seeking revenge on us? Yeah? But it's like,

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<v Speaker 1>why didn't just see the shot? Is he so blinded

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<v Speaker 1>by his own need for revenge that he's gonna get

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<v Speaker 1>involved with Digger and do this thing, which you know

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<v Speaker 1>in the middle of it, Digger is going to go

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<v Speaker 1>you know, I think I've made a mistake. I'm gonna

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<v Speaker 1>go back to my family. I mean, it's like Digger

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<v Speaker 1>gave him a solid pitch. I I just I was

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<v Speaker 1>surprised that Richard fell for it, you know, because it

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<v Speaker 1>felt to me like a setup. It felt to me

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<v Speaker 1>like there's going to be more pain for Richard coming, Like,

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<v Speaker 1>how are you trusting the son of the man who

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<v Speaker 1>fired you after you gave your heart and soul for

0:11:30.320 --> 0:11:34.480
<v Speaker 1>thirty five years or forty years to that firm. Interesting point,

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<v Speaker 1>and Richard's doing so well on his own. He didn't

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<v Speaker 1>really mean Digger, but I think he also Richard wants

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<v Speaker 1>to win, and he wants to beat the guy that

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<v Speaker 1>fired him, Diggers. Diggers the Trojan horse, and he led

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<v Speaker 1>him in. I mean, it's just boy. Yeah. So Christopher Aigman,

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<v Speaker 1>I don't want to say his name wrong plays Digger.

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<v Speaker 1>The one thing I will say is I feel like

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<v Speaker 1>an he's also on Masal. He knows how to do

0:12:03.480 --> 0:12:09.360
<v Speaker 1>that Gilmore script, because I felt like right away he

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<v Speaker 1>was nailing it. He was. He had the jokes, he

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<v Speaker 1>had the rhythm, so I felt very comfortable with him immediately. Yeah,

0:12:16.640 --> 0:12:19.800
<v Speaker 1>he's very waspy in that character. He's very waspy, right,

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<v Speaker 1>So he's upper krusty, waspy guy, Harvard Grad and uh

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<v Speaker 1>and I haven't seen Myzelle and I haven't seen him

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<v Speaker 1>in it. He's got a small part, but he's great.

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<v Speaker 1>Like he you know, he's he just immediately to me,

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<v Speaker 1>fits in in the rhythm. Yeah, without without question. But

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<v Speaker 1>I am surprised that Richard fell for it so quickly.

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<v Speaker 1>I mean, this was an obvious trojan horse to me.

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<v Speaker 1>And we'll see how it develops. I don't know how

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<v Speaker 1>it develops, but we'll send you anyway. Um, so let's

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<v Speaker 1>break it down, you know. That's that's that's what my

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<v Speaker 1>overall initial impression was. After finishing the episode, I was,

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<v Speaker 1>I don't know, I was I was thinking, you know, like,

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<v Speaker 1>did this show just jumped the shark? What's going on here?

0:13:02.720 --> 0:13:04.360
<v Speaker 1>We got to get it back to stars Hallow. We

0:13:04.480 --> 0:13:06.920
<v Speaker 1>got to get back in the space capsule and get

0:13:06.960 --> 0:13:10.160
<v Speaker 1>back to the planet stars Hollow. You know, So I

0:13:10.200 --> 0:13:12.480
<v Speaker 1>like where you're that you're bringing that up, But to me,

0:13:13.240 --> 0:13:16.600
<v Speaker 1>I was just as happy. When we segue a scene

0:13:16.679 --> 0:13:19.319
<v Speaker 1>back to heart to Yale, I'm like, this is great.

0:13:19.400 --> 0:13:21.760
<v Speaker 1>I love it here. I don't know, I don't know.

0:13:22.200 --> 0:13:26.840
<v Speaker 1>I like Yale. I think it's because like also, like

0:13:26.840 --> 0:13:30.160
<v Speaker 1>like I said, how the graduation episode kind of closed

0:13:30.160 --> 0:13:33.360
<v Speaker 1>that chapter. I think that now, like when you're so

0:13:33.440 --> 0:13:35.800
<v Speaker 1>comfortable being and start, it's like Rory, she was so

0:13:35.880 --> 0:13:37.559
<v Speaker 1>comfortable and now you're like, oh my god, where is

0:13:37.640 --> 0:13:40.200
<v Speaker 1>this place? I don't know? Where's that bad? Where's this fatty?

0:13:40.280 --> 0:13:41.880
<v Speaker 1>Like you don't know where all these places are. But

0:13:42.320 --> 0:13:44.640
<v Speaker 1>I think it's just like we're growing up with her.

0:13:44.720 --> 0:13:47.040
<v Speaker 1>I think that's yeah. I agree. And then it makes

0:13:47.080 --> 0:13:49.199
<v Speaker 1>it because obviously, like Rory is going to go back

0:13:49.200 --> 0:13:51.280
<v Speaker 1>to Stars Hollow at some point, you know what I mean.

0:13:51.640 --> 0:13:53.920
<v Speaker 1>And so it makes me look forward to those scenes

0:13:53.960 --> 0:13:57.920
<v Speaker 1>where she is back. It's, you know, um, like distance

0:13:58.040 --> 0:14:00.480
<v Speaker 1>makes the heart grow fonder, Like I make sited for

0:14:00.559 --> 0:14:04.640
<v Speaker 1>when when we will have those episodes where Rory is uh,

0:14:04.679 --> 0:14:06.559
<v Speaker 1>you know, goes back to Josie's market, goes back to

0:14:06.600 --> 0:14:09.720
<v Speaker 1>the diner. Like I'm excited for that, but I'm also

0:14:09.880 --> 0:14:14.840
<v Speaker 1>enjoying Yale at the time. Being. I wonder, Scott if sorry,

0:14:14.840 --> 0:14:16.800
<v Speaker 1>I wonder I have a question for you. I wonder

0:14:16.840 --> 0:14:19.840
<v Speaker 1>if they hadn't pretended she just didn't go to Yale

0:14:19.840 --> 0:14:22.120
<v Speaker 1>and she went to like the Stars all of college?

0:14:22.160 --> 0:14:27.320
<v Speaker 1>Whatever would you be? Would you be watching it? And

0:14:27.400 --> 0:14:30.920
<v Speaker 1>would you be would you be bored? Maybe the change

0:14:31.040 --> 0:14:34.360
<v Speaker 1>is like jarring for you. But I wonder if they

0:14:34.560 --> 0:14:37.880
<v Speaker 1>made a great call, because this show is not monotonous.

0:14:38.120 --> 0:14:41.640
<v Speaker 1>I feel like, here we are in season four, firing

0:14:41.640 --> 0:14:45.840
<v Speaker 1>on all cylinders top of the Gilmore game. I'm not bored.

0:14:45.880 --> 0:14:48.560
<v Speaker 1>It's not a typical season four where you're like, it's

0:14:48.600 --> 0:14:52.400
<v Speaker 1>just the same old, same old modern family, you know. Whatever.

0:14:52.760 --> 0:14:57.040
<v Speaker 1>What I'm doing is I'm questioning the wisdom of getting

0:14:57.040 --> 0:15:01.640
<v Speaker 1>her off to college after only three seasons, and was

0:15:01.680 --> 0:15:04.920
<v Speaker 1>thinking this should have been dragged out for six or

0:15:05.000 --> 0:15:08.120
<v Speaker 1>seven seasons, keep her in high school for six or

0:15:08.200 --> 0:15:11.960
<v Speaker 1>seven seasons, and then ship her off to college, because

0:15:12.040 --> 0:15:15.840
<v Speaker 1>once you leave that Stars hollow, that's a tough sledding.

0:15:16.360 --> 0:15:18.240
<v Speaker 1>And I know the fans still love it, and I

0:15:18.280 --> 0:15:22.440
<v Speaker 1>know it's a very very loyal fan base, but for

0:15:22.520 --> 0:15:26.160
<v Speaker 1>me personally watching this show as a fan, discovering it

0:15:26.240 --> 0:15:29.480
<v Speaker 1>for the first time, I want to be in Stars. Hum,

0:15:29.880 --> 0:15:32.400
<v Speaker 1>I don't want to be a Yale. Yes, people agree

0:15:32.440 --> 0:15:35.120
<v Speaker 1>with you. Yeah, I'm sure I want to. I mean

0:15:35.160 --> 0:15:38.880
<v Speaker 1>they could have you know, milked you know one what

0:15:39.160 --> 0:15:41.040
<v Speaker 1>was she going as a junior or software? She wanted

0:15:41.080 --> 0:15:44.400
<v Speaker 1>to Chilton as a sophomore. Okay, so that's three three

0:15:44.480 --> 0:15:49.920
<v Speaker 1>years you've got there. You can do two seasons per year, right,

0:15:50.840 --> 0:15:52.760
<v Speaker 1>people agree with you. You can do what you can

0:15:52.800 --> 0:15:55.440
<v Speaker 1>do two seasons per year. You can do it. Want

0:15:55.440 --> 0:15:59.040
<v Speaker 1>to be in the summer seven years and done with Chilton.

0:15:59.120 --> 0:16:01.920
<v Speaker 1>I'm done with Childen. Done what they but but you

0:16:01.920 --> 0:16:03.960
<v Speaker 1>could but you could have done it because you know,

0:16:04.000 --> 0:16:07.440
<v Speaker 1>Alexis looked so young anyway. I mean Lane was twenty

0:16:07.480 --> 0:16:10.680
<v Speaker 1>seven and playing high school. But like Chicken, Madeline Louise,

0:16:10.880 --> 0:16:12.120
<v Speaker 1>I don't need to you know what I mean. Like,

0:16:12.320 --> 0:16:16.160
<v Speaker 1>they're fine, cool, they showed up great, like oh, you know, applause, applause,

0:16:16.600 --> 0:16:19.000
<v Speaker 1>and you know that's that's that's another point. You're not

0:16:19.040 --> 0:16:21.960
<v Speaker 1>only out of Stars Hollow, you're out of Chilton. We

0:16:22.520 --> 0:16:25.040
<v Speaker 1>got to know all those people, those whether we love

0:16:25.080 --> 0:16:26.920
<v Speaker 1>them or hate and we want to bring their next

0:16:27.000 --> 0:16:29.440
<v Speaker 1>or we want to be friends with them. We were

0:16:29.480 --> 0:16:32.080
<v Speaker 1>familiar with them, we know them. They give us comfort

0:16:32.800 --> 0:16:37.920
<v Speaker 1>familiarly like change, let's let's really, let's not on this show. Yeah,

0:16:37.960 --> 0:16:41.160
<v Speaker 1>because I love the change. I love that we went

0:16:41.160 --> 0:16:44.040
<v Speaker 1>from Dean to jail. I love that I know Logan.

0:16:44.120 --> 0:16:47.600
<v Speaker 1>So wait a minute. So they go from a fancy, tony,

0:16:47.640 --> 0:16:51.640
<v Speaker 1>expensive private school, which Chilton is. We see the interiors,

0:16:51.720 --> 0:16:53.640
<v Speaker 1>we get a sense of it, we can smell it,

0:16:53.960 --> 0:16:55.960
<v Speaker 1>we see all the uniforms, we see everything that's going

0:16:56.000 --> 0:16:57.680
<v Speaker 1>on the teachers, and then we get to we get

0:16:57.680 --> 0:16:59.920
<v Speaker 1>to Yale, there's none of that, and Yale is one

0:17:00.040 --> 0:17:03.600
<v Speaker 1>the most regal universities in the world. You're just mad

0:17:03.600 --> 0:17:06.000
<v Speaker 1>that we're only filming in the dorm. Yes, it's it's

0:17:06.000 --> 0:17:08.080
<v Speaker 1>like it's boring. It's like, get out of the dorm

0:17:08.280 --> 0:17:10.639
<v Speaker 1>show us. I don't know you're gonna send her to Yale.

0:17:10.680 --> 0:17:14.159
<v Speaker 1>Go film it Yale or one class at Whale. And

0:17:14.200 --> 0:17:18.600
<v Speaker 1>I didn't feel that whe when they went to empty table. Yeah,

0:17:18.640 --> 0:17:23.160
<v Speaker 1>she showed up so early and Marty to but also

0:17:23.240 --> 0:17:25.720
<v Speaker 1>this is day one, Like this is day on one

0:17:25.760 --> 0:17:31.600
<v Speaker 1>of I feel like I'm fighting for stars because there

0:17:32.720 --> 0:17:35.120
<v Speaker 1>I will say that, like the episode that we're in,

0:17:35.200 --> 0:17:38.720
<v Speaker 1>like she's it's school has barely started yet, like she

0:17:38.960 --> 0:17:42.400
<v Speaker 1>is trying to get comfortable on campus in her dorm.

0:17:42.480 --> 0:17:44.679
<v Speaker 1>So we haven't even gotten to like the nitty gritties

0:17:44.720 --> 0:17:47.480
<v Speaker 1>of her classes, her teachers and so on. Okay, but

0:17:47.560 --> 0:17:50.000
<v Speaker 1>the creators have to know and the network has to

0:17:50.080 --> 0:17:54.159
<v Speaker 1>know that we are leaving Chilton, which we love as

0:17:54.200 --> 0:17:57.520
<v Speaker 1>an audience. We are we've established all the those locations

0:17:57.520 --> 0:18:00.359
<v Speaker 1>and all those teachers and and the headmaster. We haven't

0:18:00.400 --> 0:18:04.080
<v Speaker 1>met anybody at Yale. We haven't met that. Yeah, we've

0:18:04.119 --> 0:18:06.159
<v Speaker 1>met the roommates and we've met Marty. I don't care

0:18:06.200 --> 0:18:11.879
<v Speaker 1>about the dean. Okay, we've met a couple of girls

0:18:11.880 --> 0:18:15.240
<v Speaker 1>in a in an outdoor corridor, but we haven't seen

0:18:15.240 --> 0:18:18.000
<v Speaker 1>the campus. We haven't care. We don't get a sense.

0:18:18.000 --> 0:18:20.160
<v Speaker 1>I'm not getting a sense of it. But I haven't

0:18:20.240 --> 0:18:23.080
<v Speaker 1>established Yale for me. Respect to you, but I don't care.

0:18:23.560 --> 0:18:27.520
<v Speaker 1>And also I don't care about children. I'm done with children.

0:18:27.560 --> 0:18:30.159
<v Speaker 1>You know who I care about, Rory. That's who I

0:18:30.200 --> 0:18:33.960
<v Speaker 1>care about, Rory. So I don't care about Chiltern. Goodbye Chiltern.

0:18:34.000 --> 0:18:36.320
<v Speaker 1>I was bored by you. Now here we go like

0:18:36.520 --> 0:18:39.080
<v Speaker 1>I am bored by you and your static photo every

0:18:39.119 --> 0:18:43.280
<v Speaker 1>time we went to Chiltern. I'm ready for Rory. I

0:18:43.359 --> 0:18:51.200
<v Speaker 1>don't really for me, I thought me conversations, we're also good.

0:18:51.680 --> 0:18:55.480
<v Speaker 1>It just I loved this. I thought it moves. Wait

0:18:55.480 --> 0:18:57.600
<v Speaker 1>a minute, you didn't think that the Suki freak out

0:18:57.640 --> 0:18:59.159
<v Speaker 1>about get it out of me, get it out of me,

0:18:59.200 --> 0:19:01.800
<v Speaker 1>get it out of me? Was bizarre. No, I loved

0:19:01.880 --> 0:19:04.600
<v Speaker 1>every second of it because it's also this. I wrote

0:19:04.640 --> 0:19:07.800
<v Speaker 1>this down. One of my very favorite scenes ever on

0:19:07.840 --> 0:19:10.919
<v Speaker 1>Sex in the City is when Carrie Bradshaw puts on

0:19:10.960 --> 0:19:15.639
<v Speaker 1>her wedding dress and she literally realizes I can't get married,

0:19:16.040 --> 0:19:17.639
<v Speaker 1>and she says, get it off, get it off, and

0:19:17.680 --> 0:19:20.360
<v Speaker 1>they're like literally ripping it off of her and it's

0:19:21.160 --> 0:19:25.439
<v Speaker 1>hilarious and emotional. And I felt the same way about this.

0:19:25.480 --> 0:19:28.960
<v Speaker 1>I thought that scene between Lauren and Melissa Suki and

0:19:29.000 --> 0:19:31.760
<v Speaker 1>lor la was one of their best scenes in the

0:19:31.800 --> 0:19:34.639
<v Speaker 1>whole run of the series. It was so well done.

0:19:34.800 --> 0:19:38.520
<v Speaker 1>Melissa McCarthy, to me, won this episode, won the episode

0:19:39.160 --> 0:19:42.200
<v Speaker 1>because we got to see her be different than just pratfalls.

0:19:42.720 --> 0:19:49.520
<v Speaker 1>I was like, Wow, she's amazing. Mm hmmm, yeah, Okay,

0:19:49.520 --> 0:19:52.160
<v Speaker 1>go back to the beginning. So what do you think

0:19:52.200 --> 0:19:54.239
<v Speaker 1>that obviously we opened up in the dorm room. We've

0:19:54.280 --> 0:19:56.160
<v Speaker 1>got the rug, we've got the this, we've got the muffins,

0:19:56.200 --> 0:20:00.200
<v Speaker 1>we got the cookies. And Laura Lyne knows my there

0:20:00.280 --> 0:20:05.040
<v Speaker 1>was here. She can smell her guilt and Chanelle number five,

0:20:05.400 --> 0:20:07.720
<v Speaker 1>this is this is another issue I have. It's like,

0:20:08.440 --> 0:20:12.840
<v Speaker 1>just take the gift, you know, be grateful the grandmother care.

0:20:13.000 --> 0:20:16.240
<v Speaker 1>She furnished the place, and they're trying to create all

0:20:16.320 --> 0:20:20.320
<v Speaker 1>this drama and all these issues about something that they

0:20:20.359 --> 0:20:23.440
<v Speaker 1>should be thanking her for. In my opinion, they can

0:20:23.480 --> 0:20:27.720
<v Speaker 1>be thanking her issue. The place wasn't furnished. There was

0:20:27.760 --> 0:20:30.840
<v Speaker 1>no new new furniture. Yet this is the opening where

0:20:30.920 --> 0:20:34.720
<v Speaker 1>Lorelai knows that Emily has been there ahead and sorry,

0:20:34.760 --> 0:20:39.679
<v Speaker 1>it's okay, that's okay, you're fired. Okay, you're fired. So

0:20:39.760 --> 0:20:44.560
<v Speaker 1>we have the hint there because I thought to myself,

0:20:44.680 --> 0:20:48.199
<v Speaker 1>was Emily, there is Emily there? Like I knew Lorelai

0:20:48.359 --> 0:20:52.680
<v Speaker 1>was probably right for sure, you don't have that scene

0:20:52.680 --> 0:20:56.119
<v Speaker 1>and not have Emily later, you know. So then we

0:20:56.200 --> 0:20:59.040
<v Speaker 1>have the scene in class where we first see Marty,

0:20:59.160 --> 0:21:02.680
<v Speaker 1>so we basically lee what I took aways, like Rory

0:21:02.720 --> 0:21:07.080
<v Speaker 1>showed up literally so early and so did this other guy.

0:21:07.240 --> 0:21:11.080
<v Speaker 1>Oh my god, they're they're kindred souls. And then the

0:21:11.160 --> 0:21:14.400
<v Speaker 1>t A is like, you idiot freshman. I like how

0:21:14.960 --> 0:21:17.359
<v Speaker 1>Laurel I was like every year you try to convince

0:21:17.440 --> 0:21:22.040
<v Speaker 1>me that the teacher wants me, Like, no teacher wants

0:21:22.040 --> 0:21:25.439
<v Speaker 1>to meet at six thirty. That just shows who she is.

0:21:25.600 --> 0:21:28.159
<v Speaker 1>And like I like that she had another another person

0:21:28.520 --> 0:21:30.520
<v Speaker 1>in the class with her, like, oh I'm not the

0:21:30.560 --> 0:21:33.880
<v Speaker 1>only one. Yeah, that's cute. Yeah. So we're look, we're

0:21:33.920 --> 0:21:37.080
<v Speaker 1>meeting Marty and that's a big deal, like, okay, here

0:21:37.080 --> 0:21:45.480
<v Speaker 1>here he is. No, Scott's just you didn't like it. No,

0:21:45.600 --> 0:21:48.960
<v Speaker 1>I'm I'm listening. I'm listening. You know. It didn't impact

0:21:49.040 --> 0:21:51.080
<v Speaker 1>me in any way. Really, it was just like whatever.

0:21:51.560 --> 0:21:54.320
<v Speaker 1>So then we go back and we're in Suki Suki's

0:21:54.400 --> 0:21:58.640
<v Speaker 1>kitchen and Jackson's doing his bit with the baby monitor,

0:21:58.960 --> 0:22:00.680
<v Speaker 1>and we kind of and that they want to have

0:22:00.720 --> 0:22:06.040
<v Speaker 1>a catering job. Also awful, like your sound system in

0:22:06.119 --> 0:22:09.440
<v Speaker 1>your house hooked up to the baby monitor. That would

0:22:09.520 --> 0:22:14.199
<v Speaker 1>drive me bonkers. That was pretty funny though, Um you

0:22:14.240 --> 0:22:17.119
<v Speaker 1>know we I almost did that. We had monitors upstairs

0:22:17.160 --> 0:22:23.040
<v Speaker 1>and we had paranoid dad. Yeah, yeah, you know, yeah,

0:22:23.080 --> 0:22:25.720
<v Speaker 1>it was very protective. You relate to Jackson in that

0:22:26.000 --> 0:22:29.080
<v Speaker 1>oh yeah, big time, big time. Yeah, I mean, and

0:22:29.119 --> 0:22:32.840
<v Speaker 1>in that regard, yes, I had that house sort of

0:22:32.880 --> 0:22:36.440
<v Speaker 1>bugged and there was video everywhere. I mean, that kid,

0:22:36.520 --> 0:22:38.639
<v Speaker 1>that kid couldn't make a move or a poop or

0:22:38.640 --> 0:22:42.800
<v Speaker 1>a fart without me knowing about it, Like there he

0:22:42.840 --> 0:22:46.320
<v Speaker 1>goes again. So I think that that's cute then that

0:22:46.440 --> 0:22:48.879
<v Speaker 1>Jackson is that way for me. One of the questions

0:22:48.920 --> 0:22:51.640
<v Speaker 1>I have throughout this whole episode is how did they

0:22:51.720 --> 0:22:55.520
<v Speaker 1>get permission to use all those Lord of the Rings things?

0:22:55.800 --> 0:22:59.320
<v Speaker 1>Is Lord of the Rings Warner Brothers? I believe, I believe,

0:22:59.760 --> 0:23:02.920
<v Speaker 1>I believe that. I believe that it is a Warner

0:23:02.960 --> 0:23:07.240
<v Speaker 1>Brothers thing. Yeah, yeah, yeah, because that's the only way,

0:23:07.720 --> 0:23:11.520
<v Speaker 1>because it was pretty extensive, wasn't. It wasn't like one reference,

0:23:11.560 --> 0:23:15.920
<v Speaker 1>it was it was major. It was it's Warner Brothers.

0:23:16.040 --> 0:23:20.320
<v Speaker 1>And yeah that was even Yeah, they even played like

0:23:20.440 --> 0:23:25.000
<v Speaker 1>a clip of totally that was like, how did they

0:23:25.000 --> 0:23:27.080
<v Speaker 1>get permission? So it must have been it was just

0:23:27.160 --> 0:23:29.840
<v Speaker 1>a phone call in a favor, and sure, go Ahead

0:23:30.760 --> 0:23:33.560
<v Speaker 1>might have been stoked because it was great advertising for them.

0:23:34.119 --> 0:23:36.800
<v Speaker 1>Why not? And I also liked it because it made

0:23:36.800 --> 0:23:38.800
<v Speaker 1>that whole birthday party more authentic. It would have been

0:23:38.880 --> 0:23:43.639
<v Speaker 1>weird if it was like not it really was integrated nicely.

0:23:43.720 --> 0:23:46.080
<v Speaker 1>But anyway, so Helen Thompson wants to hire them for

0:23:46.119 --> 0:23:52.239
<v Speaker 1>Aaron's birthday and uh, yeah, so we know they're going

0:23:52.280 --> 0:23:56.439
<v Speaker 1>to take this gig and we'll see how that goes. Right.

0:23:56.280 --> 0:24:00.280
<v Speaker 1>Right then we come in to the dorm and there

0:24:00.320 --> 0:24:04.679
<v Speaker 1>is the furniture. Great first of all, great by me too,

0:24:04.720 --> 0:24:09.240
<v Speaker 1>but I understand it. Yeah, I thought it's not college furniture, though,

0:24:13.560 --> 0:24:15.560
<v Speaker 1>come on, nice and comfy stuff. I would have been

0:24:15.600 --> 0:24:17.760
<v Speaker 1>happy as a clam. You should see you should have

0:24:17.760 --> 0:24:20.240
<v Speaker 1>seen my room in college. Oh boy, all I could

0:24:20.240 --> 0:24:23.080
<v Speaker 1>think of was Laura Ashley and Pierre do like. I

0:24:23.119 --> 0:24:27.960
<v Speaker 1>was like, oh, this is Emily doing her the Entertainment

0:24:27.960 --> 0:24:32.119
<v Speaker 1>Center with with five point one surround sounds, and my

0:24:32.160 --> 0:24:39.480
<v Speaker 1>favorite is like this is a plasma TV. Like but

0:24:40.040 --> 0:24:42.240
<v Speaker 1>it's a lot of a grandma. If my grandma came

0:24:42.280 --> 0:24:45.280
<v Speaker 1>in and did that in my room, I might be like, yeah,

0:24:45.440 --> 0:24:48.520
<v Speaker 1>the hell, And I would definitely call my mom and

0:24:48.600 --> 0:24:52.560
<v Speaker 1>be like, Mom, Grahamy just redid my whole room without

0:24:52.560 --> 0:24:57.240
<v Speaker 1>me even knowing. Yeah, we sure all have such grandmothers.

0:24:57.240 --> 0:24:59.280
<v Speaker 1>So let me tell you that that's that's a pretty

0:24:59.359 --> 0:25:03.760
<v Speaker 1>nice thing. I mean I do. I did have those grandmothers,

0:25:03.800 --> 0:25:07.880
<v Speaker 1>and I was like, my grandma wouldn't have snuck into

0:25:07.960 --> 0:25:10.280
<v Speaker 1>my room and done it, But I had those grandmothers

0:25:10.280 --> 0:25:13.119
<v Speaker 1>that were like totally would have done that. And I

0:25:13.119 --> 0:25:15.359
<v Speaker 1>have a mom that would. My mom would come into

0:25:15.359 --> 0:25:17.879
<v Speaker 1>my house and redecorate the whole thing, like literally if

0:25:17.920 --> 0:25:19.679
<v Speaker 1>I went out of town. So for me, that was

0:25:19.760 --> 0:25:22.760
<v Speaker 1>totally relatable and like, oh, yeah, this is this happens.

0:25:24.240 --> 0:25:28.879
<v Speaker 1>I loved it. I think, yeah, I would have gotten

0:25:28.880 --> 0:25:36.199
<v Speaker 1>on the phone and thanked him profousely. Yeah. So we

0:25:36.359 --> 0:25:38.679
<v Speaker 1>then see Laura Laie for one of just a few

0:25:38.760 --> 0:25:47.960
<v Speaker 1>times in this series with her glasses on. Yeah, she looked.

0:25:48.320 --> 0:25:50.400
<v Speaker 1>She looks so cute in this whole episode. Oh my god,

0:25:50.400 --> 0:25:54.360
<v Speaker 1>I'm just obsessed with that. She's cute and the fashion.

0:25:54.480 --> 0:25:56.720
<v Speaker 1>I'm just obsessed with her. But yeah, she was wearing

0:25:56.720 --> 0:25:59.080
<v Speaker 1>her glasses and she they you see it a few

0:25:59.119 --> 0:26:02.360
<v Speaker 1>times throughout the series, and she talks about the Lord

0:26:02.359 --> 0:26:04.359
<v Speaker 1>of the Rings party and she talks about the jeeps

0:26:04.400 --> 0:26:06.959
<v Speaker 1>making a noise. Then we get the phone call with

0:26:07.040 --> 0:26:09.800
<v Speaker 1>Rory to complain about what Grandma's done, which I I

0:26:10.240 --> 0:26:13.080
<v Speaker 1>just loved that because Scott, I feel like you would

0:26:13.080 --> 0:26:19.119
<v Speaker 1>be so happy because it's giving you that interaction with

0:26:20.200 --> 0:26:23.720
<v Speaker 1>what on on phones, But now it's phone calls, and

0:26:23.760 --> 0:26:26.800
<v Speaker 1>I thought I wasn't mad at it. I'm telling you,

0:26:26.840 --> 0:26:30.560
<v Speaker 1>the death of a TV series is people on the phone. Okay,

0:26:30.840 --> 0:26:34.520
<v Speaker 1>It's like it doesn't work, it's not good. You gotta

0:26:34.560 --> 0:26:38.040
<v Speaker 1>be together. I've kind of gone to a point where

0:26:38.119 --> 0:26:43.359
<v Speaker 1>like I'm a little over Lordly complaining about her parents.

0:26:43.640 --> 0:26:47.320
<v Speaker 1>I am too. I was just like enough with this

0:26:47.600 --> 0:26:51.400
<v Speaker 1>is the evil woman with her manipulative ways giving you

0:26:51.440 --> 0:26:55.000
<v Speaker 1>a really nice couch. It's like, can you stop? Like

0:26:55.080 --> 0:26:58.320
<v Speaker 1>I kind of wish or hope that, Like when Rory

0:26:58.400 --> 0:27:02.360
<v Speaker 1>does call lor lyon say oh my gosh, Grandma did this,

0:27:02.880 --> 0:27:06.720
<v Speaker 1>I kind of wish Lorela was just like okay, yeah, sure,

0:27:06.920 --> 0:27:10.200
<v Speaker 1>and like not not. I I don't know. I got

0:27:10.720 --> 0:27:13.200
<v Speaker 1>I'm over her being like, oh, well of course she did.

0:27:13.280 --> 0:27:15.520
<v Speaker 1>She's trying to manipulate you. You know, like that kind

0:27:15.520 --> 0:27:18.399
<v Speaker 1>of stuff is kind of over for me. But I

0:27:18.440 --> 0:27:21.800
<v Speaker 1>do love that, like Rory is kind of like I'm

0:27:21.840 --> 0:27:24.960
<v Speaker 1>going to stand up to Grandma and then just doesn't

0:27:26.880 --> 0:27:29.040
<v Speaker 1>stand up for what for being nice? I mean she

0:27:29.080 --> 0:27:32.680
<v Speaker 1>should have center a thank you card. Point Scott, that's

0:27:32.680 --> 0:27:34.879
<v Speaker 1>a fair point. I mean she went out of her

0:27:34.920 --> 0:27:39.040
<v Speaker 1>way and spent a lot of or something. I mean,

0:27:39.280 --> 0:27:41.399
<v Speaker 1>let's are on the side of caution here and be

0:27:41.400 --> 0:27:45.320
<v Speaker 1>a little grateful. But you know, then it wouldn't be dramedy,

0:27:45.359 --> 0:27:51.880
<v Speaker 1>wouldn't quick shout out to lorialize gold necklace with that circle,

0:27:52.160 --> 0:27:58.600
<v Speaker 1>very delicate chain circle. Alright gold Nicholas ch Okay. So

0:27:58.640 --> 0:28:01.320
<v Speaker 1>then we see Richard and Emily, and Emily is looking

0:28:01.359 --> 0:28:06.919
<v Speaker 1>at fabrics and she tells Richard that Jason Styles has called,

0:28:07.560 --> 0:28:15.440
<v Speaker 1>and Richard's obviously like w tf, digger, And I love

0:28:15.520 --> 0:28:18.160
<v Speaker 1>that he says, they will not be a drink. There's

0:28:18.200 --> 0:28:20.639
<v Speaker 1>not going to be a hand Like the drink is

0:28:20.680 --> 0:28:23.879
<v Speaker 1>such a symbol for these people of like if you

0:28:23.960 --> 0:28:25.920
<v Speaker 1>get to the drink, it's like on the Tonight Show,

0:28:26.000 --> 0:28:28.199
<v Speaker 1>remember if you got to sit on the couch with

0:28:28.320 --> 0:28:32.600
<v Speaker 1>Johnny after doing your stand up. Yeah, to me, that's

0:28:32.640 --> 0:28:35.119
<v Speaker 1>the drink, Like, okay, you've made it to the next

0:28:35.960 --> 0:28:40.959
<v Speaker 1>made it. Yeah. He was feeling the sting of getting

0:28:41.320 --> 0:28:44.200
<v Speaker 1>let go too much and he was too vulnerable and

0:28:44.200 --> 0:28:46.560
<v Speaker 1>now he's going to get used. Maybe were you happy

0:28:46.560 --> 0:28:49.440
<v Speaker 1>to see Richard and Emily back? Yeah, it was like

0:28:49.520 --> 0:28:53.480
<v Speaker 1>finally some some there, familiar people that we know and

0:28:53.600 --> 0:28:57.040
<v Speaker 1>love in their in their environment. And that's where we

0:28:57.080 --> 0:29:00.680
<v Speaker 1>want to say, don't they establish No, it's not a

0:29:00.760 --> 0:29:04.320
<v Speaker 1>question of that. It's like, you've got something successful and

0:29:04.400 --> 0:29:08.640
<v Speaker 1>we've established locations. I'm repeating myself, Uh, don't take them

0:29:08.640 --> 0:29:11.600
<v Speaker 1>out of those locations. Don't fix it if it ain't broke.

0:29:11.880 --> 0:29:14.640
<v Speaker 1>I get what you're saying. It's like friends, we always

0:29:14.680 --> 0:29:17.800
<v Speaker 1>had the six of them in every episode, and there

0:29:17.800 --> 0:29:20.880
<v Speaker 1>would be like little tiny people here and there, but

0:29:20.960 --> 0:29:23.240
<v Speaker 1>you never didn't have the six of them. So maybe

0:29:23.240 --> 0:29:26.480
<v Speaker 1>what you're feeling is like we had the ten of them,

0:29:26.560 --> 0:29:31.040
<v Speaker 1>and now we only have four of them, right, and

0:29:31.320 --> 0:29:33.320
<v Speaker 1>a bunch of random people that we don't know, and

0:29:33.360 --> 0:29:36.120
<v Speaker 1>we haven't gotten to know, and we maybe not don't

0:29:36.120 --> 0:29:42.800
<v Speaker 1>even care to get to know. I get to I care.

0:29:43.040 --> 0:29:47.800
<v Speaker 1>She came back from dinner like I told you. Yeah, yeah,

0:29:47.800 --> 0:29:49.880
<v Speaker 1>but we didn't even get to the dinner table. We

0:29:50.000 --> 0:29:52.800
<v Speaker 1>just got to some like folk controversation, which she backed

0:29:52.800 --> 0:29:58.959
<v Speaker 1>down from. Alright, alright, alright, okay, one shout out about

0:29:59.800 --> 0:30:06.400
<v Speaker 1>rich Richard saying harrass instead of her grass yes on

0:30:06.520 --> 0:30:14.520
<v Speaker 1>the st yeah, shout out, yeah, I noticed that. Okay,

0:30:14.640 --> 0:30:17.000
<v Speaker 1>So now we've got Harris and she wants Rory to

0:30:17.040 --> 0:30:20.320
<v Speaker 1>open the door. She is like really big on this

0:30:20.400 --> 0:30:25.120
<v Speaker 1>party and the whole thing. I love him. A good idea, right,

0:30:26.120 --> 0:30:31.000
<v Speaker 1>and she goes, you're suck up furniture exactly what they

0:30:31.000 --> 0:30:33.400
<v Speaker 1>should do. It was a good idea. Paris was in

0:30:33.440 --> 0:30:36.680
<v Speaker 1>the right. I was like to for wanting to try.

0:30:36.960 --> 0:30:41.800
<v Speaker 1>She goes, I hate college. They do seem a little

0:30:41.800 --> 0:30:44.760
<v Speaker 1>bit like they haven't embraced I mean like I remember

0:30:44.760 --> 0:30:46.920
<v Speaker 1>my first few days of college and it was like,

0:30:47.760 --> 0:30:50.680
<v Speaker 1>oh my god, it was so fun. Like so I

0:30:50.720 --> 0:30:53.560
<v Speaker 1>do feel like they maybe, you know, they do have

0:30:53.640 --> 0:30:57.200
<v Speaker 1>this room filled with odd balls, because they've got Tana Shrik,

0:30:57.240 --> 0:30:59.560
<v Speaker 1>who's like literally I think fifteen and a half. She said,

0:30:59.560 --> 0:31:02.880
<v Speaker 1>she's think seen for like her birthday was coming. We've

0:31:02.880 --> 0:31:06.600
<v Speaker 1>got the exercise Girl, which actually is a lot of

0:31:08.200 --> 0:31:11.400
<v Speaker 1>that's pretty real. And then we've got crazy Paris and Rory.

0:31:11.560 --> 0:31:14.000
<v Speaker 1>So they are sort of an island of misfit. But

0:31:14.040 --> 0:31:16.200
<v Speaker 1>if you had that much free food and that much

0:31:16.200 --> 0:31:18.600
<v Speaker 1>free pizza and that much drink and all that stuff.

0:31:18.680 --> 0:31:21.680
<v Speaker 1>That place would have been jammed to the rafters and

0:31:21.720 --> 0:31:23.880
<v Speaker 1>you wouldn't have gotten people out of there no matter what.

0:31:24.160 --> 0:31:27.520
<v Speaker 1>But they're also like, between Paris and Rory, they don't

0:31:27.520 --> 0:31:29.960
<v Speaker 1>know how to throw a party for people their age,

0:31:30.040 --> 0:31:32.280
<v Speaker 1>Like they didn't go to ragers in high school. They don't.

0:31:32.280 --> 0:31:35.479
<v Speaker 1>They don't know. So like for them, that one candle

0:31:35.600 --> 0:31:38.800
<v Speaker 1>with Rory's version of a party is like take Out

0:31:38.840 --> 0:31:42.719
<v Speaker 1>in the movie, you know. I mean, I'm glad they

0:31:42.760 --> 0:31:44.600
<v Speaker 1>opened the door. I think that was very good that

0:31:44.680 --> 0:31:48.120
<v Speaker 1>Lora La also convinced Rory like open open the door.

0:31:49.120 --> 0:31:51.680
<v Speaker 1>So okay. So then we're going back and forth now

0:31:51.880 --> 0:31:56.240
<v Speaker 1>between Yale and the birthday party. So oh and we

0:31:56.280 --> 0:31:58.920
<v Speaker 1>do have a moment where we see Lane. So Lane

0:31:58.960 --> 0:32:03.120
<v Speaker 1>comes in. We got Lane for like a pot. Second

0:32:04.000 --> 0:32:10.239
<v Speaker 1>Lane comes in with some props from antiques. So they

0:32:10.280 --> 0:32:12.440
<v Speaker 1>figured out a way to get you can tell they're like,

0:32:12.480 --> 0:32:14.560
<v Speaker 1>how do we get this person in there? How we're

0:32:14.560 --> 0:32:16.680
<v Speaker 1>going to get these people back in there? Did I

0:32:16.720 --> 0:32:20.960
<v Speaker 1>walk by the door and wave or something? You delivered muffins?

0:32:21.000 --> 0:32:24.400
<v Speaker 1>You muffins? Just yeah, you got just you were only

0:32:24.480 --> 0:32:30.360
<v Speaker 1>there in the name in spirit. Although Luke was very prominent,

0:32:30.720 --> 0:32:37.480
<v Speaker 1>very prominent in the week before. Ye very like the

0:32:37.560 --> 0:32:42.120
<v Speaker 1>rest too much. Well, you don't think an audience can

0:32:42.160 --> 0:32:44.600
<v Speaker 1>handle two weeks and we get we get the five

0:32:44.640 --> 0:32:47.360
<v Speaker 1>that Lane school is very strict because she like, we're

0:32:47.400 --> 0:32:54.600
<v Speaker 1>embracing and then uh I loved lordl shirt love the

0:32:54.600 --> 0:32:57.680
<v Speaker 1>one you're with. Got to give a fashion mention. Mrs

0:32:57.760 --> 0:33:02.280
<v Speaker 1>kim No, Mrs kim No, No Taylor, no, nobody, nobody,

0:33:02.360 --> 0:33:06.880
<v Speaker 1>no Kirk no Taylor. We did get a phone call

0:33:06.920 --> 0:33:08.720
<v Speaker 1>from Paris, So then what did you think about Paris

0:33:08.760 --> 0:33:13.120
<v Speaker 1>calling Laura Lines saying Rory's not adjusting well? God another

0:33:13.240 --> 0:33:17.640
<v Speaker 1>phone call, because also, like Paris is such a thirty

0:33:17.720 --> 0:33:19.800
<v Speaker 1>year old, you know what I mean, Like she's so

0:33:19.880 --> 0:33:23.920
<v Speaker 1>not college Like anybody who's saying that, like a friend

0:33:23.920 --> 0:33:26.200
<v Speaker 1>that would was actually concerned would have been like, hey,

0:33:26.960 --> 0:33:30.520
<v Speaker 1>Mrs Gilmore, I feel like maybe, um, we should talk

0:33:30.560 --> 0:33:33.200
<v Speaker 1>to Rory or something like not like she's not adjusting

0:33:33.200 --> 0:33:35.880
<v Speaker 1>well to college, Like she's just such a grown up.

0:33:36.640 --> 0:33:39.640
<v Speaker 1>I just love that Laura La convinces Rory to open

0:33:39.680 --> 0:33:43.520
<v Speaker 1>the door, and she somehow Paris yells like I care

0:33:43.520 --> 0:33:47.840
<v Speaker 1>about the reason. That's a good line, Like I care

0:33:47.880 --> 0:33:50.640
<v Speaker 1>about the reason. Does anybody feel like Paris and Rory

0:33:50.800 --> 0:33:54.320
<v Speaker 1>have a sister le vibe? To me, that's very sisterly

0:33:54.440 --> 0:33:58.080
<v Speaker 1>the way they are said, say, Paris is definitely well

0:33:58.360 --> 0:34:02.479
<v Speaker 1>yeah to Paris is the older mean her sister, and

0:34:02.520 --> 0:34:05.440
<v Speaker 1>I thought we also learned why Paris is so hell

0:34:05.480 --> 0:34:08.720
<v Speaker 1>bent on these certain things. She wants to start over,

0:34:09.000 --> 0:34:12.839
<v Speaker 1>she wants a fresh start, she wants to she wants

0:34:12.880 --> 0:34:14.919
<v Speaker 1>to be cool, she wants to have people like her,

0:34:15.239 --> 0:34:21.880
<v Speaker 1>and she has made one hell of an impression. Well

0:34:22.000 --> 0:34:26.160
<v Speaker 1>struck McEnroe, get out of here, everybody out. Now. Have

0:34:26.280 --> 0:34:28.000
<v Speaker 1>you ever done that at a party when somebody pissed

0:34:28.040 --> 0:34:31.279
<v Speaker 1>Joe so much? She just kicked everybody out? Have you

0:34:31.280 --> 0:34:33.520
<v Speaker 1>ever done that? Have you ever been to a party

0:34:33.520 --> 0:34:38.439
<v Speaker 1>where that happens? Yeah, I've been. I've been parties for sure, sure,

0:34:38.520 --> 0:34:42.080
<v Speaker 1>yeah yeah, yeah, it's uh, it's people talk about it

0:34:42.120 --> 0:34:45.640
<v Speaker 1>for months. Mostly the party they had, you know, senior

0:34:45.680 --> 0:34:49.120
<v Speaker 1>year where the cops came was that was pretty spot

0:34:49.160 --> 0:34:52.200
<v Speaker 1>on of how those high school parties go. So that

0:34:52.880 --> 0:34:55.640
<v Speaker 1>are not just someone raged, get out of my you know,

0:34:55.800 --> 0:34:59.839
<v Speaker 1>A better episode, a better episode would have been par

0:35:00.080 --> 0:35:02.680
<v Speaker 1>Us drunk off her out of her gourd Oh my god,

0:35:02.719 --> 0:35:06.560
<v Speaker 1>I just dancing the limbo and just like just rocking out,

0:35:06.680 --> 0:35:10.160
<v Speaker 1>you know, because all that crazy energy could have been

0:35:10.520 --> 0:35:13.960
<v Speaker 1>what would have happened if you apply alcohol to it's

0:35:14.040 --> 0:35:17.080
<v Speaker 1>some cool music and just let just wind up Paris

0:35:17.160 --> 0:35:20.520
<v Speaker 1>and let her go in a scene. We'll get to

0:35:20.600 --> 0:35:23.799
<v Speaker 1>make it marty. But okay, so let's quickly talk about

0:35:23.800 --> 0:35:26.279
<v Speaker 1>the Lord of the Rings party. We're we've bounced around

0:35:26.280 --> 0:35:29.000
<v Speaker 1>as much. Who knew that Suki was going to mess

0:35:29.080 --> 0:35:31.920
<v Speaker 1>up the food? I mean I saw that coming from yes,

0:35:32.520 --> 0:35:37.360
<v Speaker 1>literally from a mile away. When she grabbed the giant salmon.

0:35:37.440 --> 0:35:42.360
<v Speaker 1>I was like, oh my god, the green mac and cheese.

0:35:42.400 --> 0:35:45.240
<v Speaker 1>It's so true, Like even though it's a mag and cheese,

0:35:45.239 --> 0:35:48.520
<v Speaker 1>the fact that it's green, No child under the age

0:35:48.560 --> 0:35:51.719
<v Speaker 1>of ten is going to eat that or go near it. Yeah. Wait,

0:35:51.800 --> 0:35:53.520
<v Speaker 1>do you know who the little girl was who said

0:35:53.560 --> 0:35:55.440
<v Speaker 1>this taste like diapers? Do you know that actress? No?

0:35:55.640 --> 0:36:09.160
<v Speaker 1>Who's that? It's Victoria Justice, No Disney Victorious, Yes, no way,

0:36:09.280 --> 0:36:12.680
<v Speaker 1>great spotting Tara. I just I remember I was like,

0:36:12.719 --> 0:36:14.000
<v Speaker 1>I know this kid. I know this kid, and I

0:36:14.040 --> 0:36:17.000
<v Speaker 1>watched Victorias so then I looked it up. But she's like,

0:36:17.040 --> 0:36:19.719
<v Speaker 1>I think she's credited as like kid number three or

0:36:19.760 --> 0:36:22.399
<v Speaker 1>like whatever it was, like did have her name? Yeah,

0:36:22.440 --> 0:36:26.359
<v Speaker 1>she's credited on the episode. How cool. I love that,

0:36:26.840 --> 0:36:30.319
<v Speaker 1>you know. That's what's so interesting. So like Scott, like,

0:36:30.840 --> 0:36:32.759
<v Speaker 1>even though it's been twenty years, I mean, you're sort

0:36:32.760 --> 0:36:35.120
<v Speaker 1>of the same dude, right, You're sort of the same dude.

0:36:35.600 --> 0:36:39.360
<v Speaker 1>But the kids, these young young ones, the twenty years

0:36:39.480 --> 0:36:42.719
<v Speaker 1>is such like Victoria Justice then to now you're like,

0:36:42.800 --> 0:36:47.680
<v Speaker 1>oh my god, I'm not the same dude. No, I'm

0:36:47.680 --> 0:36:50.399
<v Speaker 1>saying like, but you don't look that drastically different. You're

0:36:50.440 --> 0:36:54.080
<v Speaker 1>not that different. Whereas the young child actors that are

0:36:54.239 --> 0:36:58.400
<v Speaker 1>five and twenty that it's so oh my god. Even

0:36:58.520 --> 0:37:02.520
<v Speaker 1>um Dan his little sister. You're like the guy from

0:37:02.560 --> 0:37:06.080
<v Speaker 1>Big Time Rush what was his name to Kendall and

0:37:06.160 --> 0:37:08.560
<v Speaker 1>now he's like this big puff star, you know, like

0:37:09.280 --> 0:37:14.680
<v Speaker 1>just this little guy on going like Melissa is basically Melissa,

0:37:14.840 --> 0:37:23.520
<v Speaker 1>you know. All right, So we go to then Digger

0:37:24.920 --> 0:37:28.600
<v Speaker 1>and Richard. So Digger comes in and has that conversation

0:37:28.680 --> 0:37:35.600
<v Speaker 1>with Richard. Talk to me Trojan Horse. It's a setup.

0:37:35.760 --> 0:37:40.040
<v Speaker 1>I'm sorry. Emily said it so perfectly. She was like,

0:37:40.760 --> 0:37:45.480
<v Speaker 1>you're forgetting that this guy fed him, raised him, like,

0:37:45.880 --> 0:37:49.520
<v Speaker 1>so he's going to have a lot of similarities to

0:37:49.640 --> 0:37:56.760
<v Speaker 1>his father. That's a red flag. Yep, I'm not buying.

0:37:56.840 --> 0:38:00.040
<v Speaker 1>I hate my daddy and I want to get even new. Yeah, no,

0:38:01.040 --> 0:38:04.600
<v Speaker 1>it's not. He's just trying to eliminate the competition. He's

0:38:04.600 --> 0:38:09.040
<v Speaker 1>in there to destroy Richard's business, Daniel, is there anything

0:38:09.080 --> 0:38:15.799
<v Speaker 1>else you might be feeling about Digger anything? I'm just curious.

0:38:15.960 --> 0:38:24.840
<v Speaker 1>Would you date him? No, don't talk lore Lie. For

0:38:24.920 --> 0:38:28.799
<v Speaker 1>the love of God, why are you serious? No, I

0:38:28.840 --> 0:38:31.319
<v Speaker 1>have no knowledge, but I'm just asking Tara if she

0:38:31.320 --> 0:38:36.680
<v Speaker 1>would date him. Me. No, I like Digger. You guys,

0:38:37.800 --> 0:38:41.920
<v Speaker 1>you would you guys like that at Berkeley or their

0:38:41.960 --> 0:38:46.479
<v Speaker 1>guys like that at Berkeley to the manner Born. Oh yeah,

0:38:46.480 --> 0:38:52.960
<v Speaker 1>of course sure I would. I would definitely consider Digger.

0:38:53.040 --> 0:38:55.719
<v Speaker 1>But he's not my type. Is that with a little

0:38:55.719 --> 0:38:59.680
<v Speaker 1>bit more edge? He's not, although he is like kind

0:38:59.680 --> 0:39:03.120
<v Speaker 1>of going out on his own. Yeah, Diggers cool, you guys,

0:39:03.120 --> 0:39:06.040
<v Speaker 1>he's cute. He's got enough edge for you. I couldn't

0:39:06.120 --> 0:39:09.200
<v Speaker 1>pass on him just because of the name Digger. But

0:39:09.400 --> 0:39:11.759
<v Speaker 1>now you just use a little sleeves to me like

0:39:11.840 --> 0:39:16.839
<v Speaker 1>he's setting up Richard Man he's setting him up, put

0:39:17.000 --> 0:39:18.480
<v Speaker 1>him on the road history, and he's going to turn

0:39:18.600 --> 0:39:23.000
<v Speaker 1>him a roast him. Show is like, I can see why. Yeah,

0:39:24.280 --> 0:39:27.440
<v Speaker 1>hopefully he changes my mind. But he doesn't seem like

0:39:27.480 --> 0:39:31.000
<v Speaker 1>good news to me. I don't trust him. I don't

0:39:31.080 --> 0:39:34.120
<v Speaker 1>I'm with Emily, I don't trust him. Yeah, I don't

0:39:34.120 --> 0:39:36.040
<v Speaker 1>trust him as far as I can throw no wish.

0:39:38.239 --> 0:39:40.440
<v Speaker 1>So we're back at the party and we see Madeline

0:39:40.520 --> 0:39:43.120
<v Speaker 1>and Louise. Were you happy to see them, Scott? Yes,

0:39:43.440 --> 0:39:49.040
<v Speaker 1>thank god comic relief. That was the right kind of

0:39:49.120 --> 0:39:51.040
<v Speaker 1>random because we knew who they were, we knew what

0:39:51.080 --> 0:39:53.799
<v Speaker 1>they were going to say, we knew the attitude. Thank god.

0:39:53.840 --> 0:39:56.239
<v Speaker 1>It was much needed comic relief. I hadn't laughed in

0:39:56.239 --> 0:39:59.400
<v Speaker 1>a while and I was missing stars Hollow, and then

0:39:59.440 --> 0:40:01.319
<v Speaker 1>they appeared. I was like, yeah, alright, well at least

0:40:01.360 --> 0:40:04.880
<v Speaker 1>we get some Chiltern. They had makeovers too. They looked different,

0:40:05.360 --> 0:40:11.040
<v Speaker 1>but they're different Chiltern with Tana putting on her the

0:40:11.160 --> 0:40:20.880
<v Speaker 1>uniform shrickim the to the two new girls. Yeah, the twins?

0:40:20.880 --> 0:40:25.480
<v Speaker 1>So what do the twins were fun? You need a nickname?

0:40:25.520 --> 0:40:32.040
<v Speaker 1>What I say? Rory logo logo row Glow. First of all,

0:40:32.080 --> 0:40:34.799
<v Speaker 1>then you can tell twins, because you know twins, This

0:40:34.840 --> 0:40:37.080
<v Speaker 1>is pretty authentic to twins. They they're certainly just so

0:40:37.320 --> 0:40:40.600
<v Speaker 1>into each other chatting way. Rory is like in the background,

0:40:40.640 --> 0:40:42.200
<v Speaker 1>and then I love that Paris is like we were

0:40:42.239 --> 0:40:47.440
<v Speaker 1>the good sister. My only issue with Madeline Louise is

0:40:47.480 --> 0:40:51.799
<v Speaker 1>like where is Mills? And then Tulane is New Orleans

0:40:52.040 --> 0:40:55.200
<v Speaker 1>in California. So then like the first week, well I

0:40:55.239 --> 0:40:57.560
<v Speaker 1>know that one of obviously isn't going to Mills, Like

0:40:57.840 --> 0:41:00.680
<v Speaker 1>coming up from Tulane, You're like, why would you come?

0:41:01.200 --> 0:41:03.879
<v Speaker 1>You know what I mean, Like it's in the first Yeah,

0:41:04.000 --> 0:41:06.640
<v Speaker 1>it's not. It's not twenty minutes away. Wait, they rip

0:41:06.800 --> 0:41:10.200
<v Speaker 1>Rory out of Stars Hollow and you have a problem

0:41:10.239 --> 0:41:12.719
<v Speaker 1>with Madeline and we showing up from a minute drive.

0:41:12.840 --> 0:41:14.560
<v Speaker 1>Well yeah, but no, but that's the thing. It's it's

0:41:14.600 --> 0:41:17.200
<v Speaker 1>not far like Malone have to get on a plane,

0:41:17.960 --> 0:41:23.040
<v Speaker 1>correct you, Yales open you know I was sending out

0:41:23.080 --> 0:41:25.520
<v Speaker 1>to stress signals, you know, falling off my couch and

0:41:25.640 --> 0:41:28.440
<v Speaker 1>clomping my head. They sent they sent their girls in

0:41:29.560 --> 0:41:31.880
<v Speaker 1>so desperate. He's just like, if Kirk could just be

0:41:31.960 --> 0:41:37.880
<v Speaker 1>the pizza delivery guy, what show was I watching? I

0:41:37.920 --> 0:41:43.319
<v Speaker 1>wasn't watching something else four. It was Gilmore Girls, and

0:41:43.360 --> 0:41:47.400
<v Speaker 1>it was unfamiliar. It wasn't girls Gilmore Girls were moving

0:41:47.520 --> 0:41:50.560
<v Speaker 1>on life. It was it was like the A T

0:41:50.719 --> 0:41:54.799
<v Speaker 1>and T version of Gilmore Girls on the telephone. Right, Look,

0:41:55.600 --> 0:42:00.359
<v Speaker 1>that was a good Line's true, It's true. Okay. So

0:42:00.520 --> 0:42:05.040
<v Speaker 1>now we get this powerful scene between or Lie and Suki,

0:42:05.160 --> 0:42:11.480
<v Speaker 1>which I thought was really really good. M hmm. Melissa

0:42:11.640 --> 0:42:16.000
<v Speaker 1>was like amazing. She really went a different way, and she,

0:42:16.480 --> 0:42:21.040
<v Speaker 1>like I'm sure many pregnant women do, panicked. Mm hmmm.

0:42:29.400 --> 0:42:32.720
<v Speaker 1>You're gonna get so many letters. I can't wait. Bring

0:42:32.760 --> 0:42:36.920
<v Speaker 1>your comments, bring your comments. You know what about comments

0:42:36.920 --> 0:42:39.640
<v Speaker 1>for your comments and everybody's comments. Why can't they get

0:42:39.800 --> 0:42:42.360
<v Speaker 1>letters for their comments? Look, I don't want to be cocky,

0:42:42.440 --> 0:42:44.040
<v Speaker 1>but I feel like the people are going to agree

0:42:44.080 --> 0:42:57.799
<v Speaker 1>with me. Open up a diner at you, pop up,

0:42:57.960 --> 0:43:02.600
<v Speaker 1>looks gotta pop up el No Yale should open an

0:43:02.600 --> 0:43:08.440
<v Speaker 1>annex in stars Hollow. Okay, oh my god. Campus he

0:43:08.480 --> 0:43:11.440
<v Speaker 1>wants her to go to the stars Hollow Community College.

0:43:11.560 --> 0:43:15.280
<v Speaker 1>He can't, he can't take it. Just not just staying

0:43:16.600 --> 0:43:20.680
<v Speaker 1>next week, wait till next week. I'm waiting. This is

0:43:20.680 --> 0:43:23.080
<v Speaker 1>why the show is so great because because it makes

0:43:23.120 --> 0:43:25.680
<v Speaker 1>you wait, it pisces you off a little bit, and

0:43:25.680 --> 0:43:27.879
<v Speaker 1>then it delivers, you know what I mean. I think

0:43:27.920 --> 0:43:31.040
<v Speaker 1>they do it on purpose. I thought it was a

0:43:31.040 --> 0:43:34.600
<v Speaker 1>beautiful I think this episode. I think this episode was

0:43:34.640 --> 0:43:40.120
<v Speaker 1>the digger. This whole episode was a digger, right, a

0:43:40.160 --> 0:43:43.439
<v Speaker 1>trojan horse. Don't you think to make us think one thing,

0:43:43.520 --> 0:43:49.360
<v Speaker 1>but it's going to do another. No. I thought it

0:43:49.400 --> 0:43:52.319
<v Speaker 1>was a beautiful moment between Suki and lor Ly. Yes,

0:43:52.400 --> 0:43:55.960
<v Speaker 1>as you've stated, why why because I just get an

0:43:55.960 --> 0:43:57.040
<v Speaker 1>out of me, get it out of me, get an

0:43:57.040 --> 0:43:58.400
<v Speaker 1>out of me. Well, first of all, I thought it

0:43:58.440 --> 0:44:00.000
<v Speaker 1>was funny, but I also thought it was really hard

0:44:00.160 --> 0:44:04.400
<v Speaker 1>felt and your baby friendship, and you see the way

0:44:04.440 --> 0:44:08.120
<v Speaker 1>like lore La is such a she really is a

0:44:08.120 --> 0:44:11.400
<v Speaker 1>great mom, and she really is a great friend. She

0:44:11.640 --> 0:44:13.640
<v Speaker 1>is a great mom because she knew how to solve

0:44:13.680 --> 0:44:16.920
<v Speaker 1>this mess with the you know, salmon and the green

0:44:17.440 --> 0:44:21.080
<v Speaker 1>mac and cheese. She goes into gear. She's a great worker,

0:44:21.120 --> 0:44:22.920
<v Speaker 1>she knows how to sell problems, and she's such a

0:44:22.920 --> 0:44:26.120
<v Speaker 1>good friend because so she's all the things. So I thought,

0:44:26.360 --> 0:44:30.520
<v Speaker 1>you know, there's my girl. Was Obviously Suki was having

0:44:30.560 --> 0:44:35.080
<v Speaker 1>a moment and there was some crises. I mean, you

0:44:35.480 --> 0:44:38.319
<v Speaker 1>girls can comment on this better than I. I think

0:44:38.360 --> 0:44:41.600
<v Speaker 1>there are times when someone needs their friend and you

0:44:41.640 --> 0:44:45.280
<v Speaker 1>see what best friends these guys are, And like Lorela,

0:44:45.280 --> 0:44:48.080
<v Speaker 1>I wasn't afraid to be like, this isn't how it's done.

0:44:48.160 --> 0:44:50.799
<v Speaker 1>Like she's not like like sugarcoating it. She's not like,

0:44:51.200 --> 0:44:53.520
<v Speaker 1>oh it's okay, She's like, this is not what kids like.

0:44:53.560 --> 0:44:55.440
<v Speaker 1>You have to know if we're gonna get into this business,

0:44:55.880 --> 0:44:57.560
<v Speaker 1>and if you're going to have a kid, you should

0:44:57.560 --> 0:45:02.960
<v Speaker 1>know that the kid's not gonna want you carrot sticks.

0:45:02.360 --> 0:45:08.719
<v Speaker 1>I also think they're like every um, every person that's

0:45:08.760 --> 0:45:13.920
<v Speaker 1>becoming a mom, right, Like they always have the fear

0:45:14.200 --> 0:45:16.480
<v Speaker 1>that they're not going to be a good mom, Like

0:45:16.520 --> 0:45:19.279
<v Speaker 1>no one wants to be a bad mom, and so

0:45:19.320 --> 0:45:22.319
<v Speaker 1>there is that fear that I think is relatable. You know,

0:45:22.440 --> 0:45:25.440
<v Speaker 1>I don't even have kids yet, but eventually when that

0:45:25.480 --> 0:45:27.560
<v Speaker 1>time comes, I'm like, I just hope I'm a good mom.

0:45:28.000 --> 0:45:30.640
<v Speaker 1>And I think Suki is like calculating that in her head, like,

0:45:30.680 --> 0:45:32.759
<v Speaker 1>oh my god, I couldn't even get the kids menu right.

0:45:33.040 --> 0:45:36.040
<v Speaker 1>The one thing I can actually control is food. I

0:45:36.080 --> 0:45:38.640
<v Speaker 1>know how to make food, and I couldn't even make

0:45:38.760 --> 0:45:43.480
<v Speaker 1>pizza right. The thing that bothered me so much, with

0:45:43.640 --> 0:45:48.560
<v Speaker 1>the thoughts and the words uh, and the anger and

0:45:48.640 --> 0:45:52.240
<v Speaker 1>the fear and the rage that was coming out of Suki.

0:45:52.440 --> 0:45:57.200
<v Speaker 1>I had never seen it before. That character, that character,

0:45:57.440 --> 0:46:00.800
<v Speaker 1>that character, that character is a touched own for comedy,

0:46:00.840 --> 0:46:05.120
<v Speaker 1>for comfort, for you know, the sunny side of life,

0:46:05.640 --> 0:46:08.239
<v Speaker 1>for optimism, for all of this stuff. You've just never

0:46:08.640 --> 0:46:12.319
<v Speaker 1>seen her like this, and it was so odd. Oh see,

0:46:12.320 --> 0:46:15.600
<v Speaker 1>I loved it. That's so interesting. But I think, Scott,

0:46:15.640 --> 0:46:18.200
<v Speaker 1>I think we can see the thing that's happening for

0:46:18.280 --> 0:46:24.440
<v Speaker 1>you here. You are uncomfortable with this difference. Listen, doctor,

0:46:25.080 --> 0:46:27.799
<v Speaker 1>listen doctor. You know I'm not sending you a check.

0:46:27.880 --> 0:46:29.960
<v Speaker 1>I'm not on a couch here. Okay, will you take

0:46:29.960 --> 0:46:33.440
<v Speaker 1>it easy with the analysis. I think Scott, you're afraid

0:46:33.440 --> 0:46:37.480
<v Speaker 1>of Okay, we get it, okay in your life. But

0:46:38.560 --> 0:46:41.400
<v Speaker 1>the show, yes, I know, but that's all I'm referring

0:46:41.440 --> 0:46:44.680
<v Speaker 1>to too. It's like in the show you you love it,

0:46:45.040 --> 0:46:47.719
<v Speaker 1>and you cannot understand why they took this level of

0:46:47.800 --> 0:46:51.000
<v Speaker 1>risk because it was a conversation at the studio level.

0:46:51.000 --> 0:46:53.120
<v Speaker 1>It was a conversation in the writer's room, you know,

0:46:53.200 --> 0:46:56.520
<v Speaker 1>it was we've are we gonna grab how long? How

0:46:56.520 --> 0:46:58.439
<v Speaker 1>long are we gonna grab? We're gonna graduate her after

0:46:58.480 --> 0:47:00.480
<v Speaker 1>three years? And center to you, we're gonna do it

0:47:00.520 --> 0:47:01.920
<v Speaker 1>in five years. We're gonna do it in six years.

0:47:01.920 --> 0:47:04.880
<v Speaker 1>Why an't we going to do it? They did it

0:47:04.920 --> 0:47:07.120
<v Speaker 1>sooner rather than later because maybe they didn't have enough

0:47:07.160 --> 0:47:08.920
<v Speaker 1>confidence in the show was gonna last that long, so

0:47:08.960 --> 0:47:11.000
<v Speaker 1>they wanted to They thought getting her Yale was going

0:47:11.080 --> 0:47:13.120
<v Speaker 1>to really pump up the ratings or something like that,

0:47:13.360 --> 0:47:16.080
<v Speaker 1>you know, and get hit another demo. Who knows. But

0:47:16.200 --> 0:47:17.680
<v Speaker 1>that was a decision that was made, and I don't

0:47:17.680 --> 0:47:20.799
<v Speaker 1>think it was a good one. Yeah, I mean, that's

0:47:20.800 --> 0:47:22.600
<v Speaker 1>what I think that That's what I'm referring to, is

0:47:22.640 --> 0:47:28.640
<v Speaker 1>that you don't like seeing this direction where I do.

0:47:29.200 --> 0:47:31.359
<v Speaker 1>Why do the fans to tune in? Why do people

0:47:31.360 --> 0:47:33.440
<v Speaker 1>tune in? They want to They want to be in

0:47:33.480 --> 0:47:35.319
<v Speaker 1>that town. They want to be with Kirk, they want

0:47:35.320 --> 0:47:37.200
<v Speaker 1>to be with Lane, they want to be with Taylor,

0:47:37.239 --> 0:47:38.799
<v Speaker 1>they want to be with all the people that they

0:47:38.840 --> 0:47:44.800
<v Speaker 1>want to live in that town. The most important character

0:47:45.400 --> 0:47:49.600
<v Speaker 1>in that show is stars hollow itself. This is true,

0:47:49.760 --> 0:47:52.760
<v Speaker 1>This is true. And then you take you take people

0:47:52.760 --> 0:47:56.000
<v Speaker 1>out of that situation. And then you've got trouble, and

0:47:56.040 --> 0:47:58.959
<v Speaker 1>I'm experienced just reflecting that. No, no no, no, you could

0:47:58.960 --> 0:48:03.360
<v Speaker 1>be totally right. For me, everything is about Rory and Lorelie.

0:48:03.960 --> 0:48:07.680
<v Speaker 1>Everything that's I don't agree with that. I think they

0:48:07.280 --> 0:48:11.640
<v Speaker 1>I think that they need all of those and they

0:48:11.640 --> 0:48:15.840
<v Speaker 1>were we were all supporting characters because they were established

0:48:15.840 --> 0:48:18.560
<v Speaker 1>two leads. Those only two people that got on the poster,

0:48:18.960 --> 0:48:21.000
<v Speaker 1>they're the only two people that did talk shows. That

0:48:21.080 --> 0:48:24.800
<v Speaker 1>there were only two people that got paid. Everybody else

0:48:25.160 --> 0:48:29.719
<v Speaker 1>was incidental. But now you see how valuable they are.

0:48:30.360 --> 0:48:33.759
<v Speaker 1>Now you see how valuable every single character in that

0:48:33.800 --> 0:48:35.920
<v Speaker 1>show is. At least for me, it's a very stark

0:48:36.000 --> 0:48:39.719
<v Speaker 1>contrast being out of that universe with all of those

0:48:39.719 --> 0:48:43.480
<v Speaker 1>wonderful characters, so that their humor and their anxiety, uh

0:48:43.560 --> 0:48:46.960
<v Speaker 1>and their irony and their cervict wit can really bounce

0:48:47.000 --> 0:48:49.080
<v Speaker 1>off of everything because it provides all the fuel was

0:48:49.120 --> 0:48:51.640
<v Speaker 1>provided by those town characters and the wacki goings on.

0:48:52.160 --> 0:48:54.479
<v Speaker 1>Now we're in a foreign territory. It ain't it ain't

0:48:54.520 --> 0:48:56.919
<v Speaker 1>popping like it was. So I'm a little concerned about

0:48:56.920 --> 0:49:01.400
<v Speaker 1>it as as a fan of the show and having

0:49:02.080 --> 0:49:04.480
<v Speaker 1>fallen in love with stars Hollow and all of its

0:49:04.560 --> 0:49:09.480
<v Speaker 1>characters and how Rory and Laura I interact within that world,

0:49:10.280 --> 0:49:12.480
<v Speaker 1>so taking it out of that world is very risky.

0:49:12.520 --> 0:49:14.759
<v Speaker 1>I mean, yeah, for me, I think it's Rory and

0:49:14.840 --> 0:49:20.360
<v Speaker 1>Lorela and then for me Luke, So Luke is almost

0:49:20.400 --> 0:49:24.160
<v Speaker 1>as important to me as them. But I am not.

0:49:24.360 --> 0:49:28.879
<v Speaker 1>I'm cool with Gale. I love what's coming. I think

0:49:28.880 --> 0:49:33.239
<v Speaker 1>some of my favorite things are coming in season four

0:49:33.280 --> 0:49:36.640
<v Speaker 1>and five, so I'm I'll definitely keep watching. You know,

0:49:36.880 --> 0:49:43.200
<v Speaker 1>I'm interested to see. But it's just the three girls

0:49:43.239 --> 0:49:48.640
<v Speaker 1>who recount the rest of the show. Imagine, we're like, um,

0:49:50.440 --> 0:49:53.719
<v Speaker 1>Scott quit, you can just go. You can just put

0:49:53.800 --> 0:49:57.800
<v Speaker 1>up a little sign here and says gone fishing. Okay,

0:49:57.840 --> 0:50:04.320
<v Speaker 1>so just just like this microphone with this, We're like, buddy,

0:50:04.360 --> 0:50:06.359
<v Speaker 1>you're gonna have to keep watching, and I think you're

0:50:06.360 --> 0:50:09.160
<v Speaker 1>gonna I think you're gonna come around. I could be

0:50:09.200 --> 0:50:11.919
<v Speaker 1>wrong by thinking I probably will, but right now I'm

0:50:11.920 --> 0:50:15.719
<v Speaker 1>giving you my honest feedback in real time. I just

0:50:15.760 --> 0:50:19.440
<v Speaker 1>saw the episode and I'm not sugarcoating it well, and

0:50:19.440 --> 0:50:21.360
<v Speaker 1>I hope you don't mind me arguing with you, because

0:50:21.600 --> 0:50:26.280
<v Speaker 1>I love the argument. I wake up with hoping somebody

0:50:26.360 --> 0:50:29.680
<v Speaker 1>argues with me. I love playing Devil's Advocate. I love them.

0:50:29.719 --> 0:50:32.440
<v Speaker 1>I love them more than two. But I love them

0:50:32.480 --> 0:50:35.200
<v Speaker 1>in Stars. I mean, I'd like to go to that town.

0:50:35.200 --> 0:50:37.120
<v Speaker 1>I love that town. But I'm cool with Yale. Okay,

0:50:37.120 --> 0:50:39.359
<v Speaker 1>so what did you think we see naked Marty? So

0:50:39.440 --> 0:50:42.760
<v Speaker 1>what did that? Listen? If you've got a football team

0:50:42.880 --> 0:50:45.560
<v Speaker 1>and you've got a quarterback and a wide receiver that

0:50:45.600 --> 0:50:48.800
<v Speaker 1>are connecting all the time, but now the wide receivers

0:50:48.800 --> 0:50:53.040
<v Speaker 1>in another town and they're making calls, they're not Tom

0:50:53.080 --> 0:50:57.200
<v Speaker 1>Brady about Tom Brady. Brady, he's been in the Patriots.

0:50:57.320 --> 0:51:00.040
<v Speaker 1>I tried to develop that analogy. It didn't really and

0:51:00.080 --> 0:51:02.560
<v Speaker 1>I'm going to come on the counteract it. Tom Brady.

0:51:02.960 --> 0:51:05.919
<v Speaker 1>Everybody was comfortable with Tom Brady, but I'm not even

0:51:05.960 --> 0:51:07.719
<v Speaker 1>think Tom Brady fan. But I'm just gonna say Tom

0:51:07.719 --> 0:51:10.240
<v Speaker 1>Brady is on the Patriots, and everyone loves Tom Brady

0:51:10.239 --> 0:51:13.399
<v Speaker 1>on the Patriots. All of a sudden he's on the

0:51:13.440 --> 0:51:18.360
<v Speaker 1>Tampa Bay Buccaneers. Oh but they still went to the

0:51:18.360 --> 0:51:23.279
<v Speaker 1>Super Bowl. But at least he stayed in in in

0:51:23.880 --> 0:51:29.000
<v Speaker 1>New England for how many years there? Seventeen years, eighteen years,

0:51:29.080 --> 0:51:34.239
<v Speaker 1>good point a long time. But did you not enjoy

0:51:33.640 --> 0:51:38.000
<v Speaker 1>that Tom Brady went to the Buccaneers, like you can

0:51:38.120 --> 0:51:41.399
<v Speaker 1>follow him there. Some people are now fans, don't. I'm

0:51:41.440 --> 0:51:45.160
<v Speaker 1>just it's still not the Patriots. But it's not a

0:51:45.280 --> 0:51:49.000
<v Speaker 1>bad you create. You created dynasty. You keep it going

0:51:49.080 --> 0:51:51.000
<v Speaker 1>for a couple of more years before you you know,

0:51:51.719 --> 0:51:55.279
<v Speaker 1>sometimes he needs right now. I don't know that we're

0:51:55.320 --> 0:51:58.319
<v Speaker 1>in Tampa Bay right now, Yale, I would I don't know,

0:51:58.719 --> 0:52:02.120
<v Speaker 1>A right, fair, fair, fair, a fair we could see,

0:52:02.400 --> 0:52:05.879
<v Speaker 1>we'll see. So can somebody make a note this season four,

0:52:05.920 --> 0:52:08.600
<v Speaker 1>episode three, somebody make a little note that in like

0:52:08.719 --> 0:52:11.560
<v Speaker 1>ten episodes, let's see how Scott is feeling and saying,

0:52:12.480 --> 0:52:18.359
<v Speaker 1>because we'll forget. I know you won't. It might be

0:52:18.440 --> 0:52:25.359
<v Speaker 1>so into digger. What do you think of Marty? Uh?

0:52:26.400 --> 0:52:28.960
<v Speaker 1>I don't know. I don't know. He's kind of he's alright,

0:52:29.000 --> 0:52:32.680
<v Speaker 1>I guess a little flat. Too long. It took her

0:52:32.719 --> 0:52:34.640
<v Speaker 1>way too long to hand over the road. It was

0:52:34.680 --> 0:52:37.480
<v Speaker 1>like it was like or she's up by the way.

0:52:37.520 --> 0:52:39.160
<v Speaker 1>She was like playing with it. So I think she

0:52:39.239 --> 0:52:42.080
<v Speaker 1>knew like it was coming in the scene, you know,

0:52:42.640 --> 0:52:43.960
<v Speaker 1>but like she kept playing with them, like can you

0:52:44.040 --> 0:52:45.839
<v Speaker 1>just hand in the rope and not cox him you

0:52:45.880 --> 0:52:47.600
<v Speaker 1>guys can't laugh when she can't wake him up, and

0:52:47.600 --> 0:52:53.319
<v Speaker 1>then she tickles him with the rope that was so good,

0:52:53.360 --> 0:52:56.160
<v Speaker 1>and then he's all, are you in my Japanese fiction class?

0:52:56.160 --> 0:52:58.880
<v Speaker 1>By the way, that sounds like a hard class. I

0:52:58.920 --> 0:53:02.319
<v Speaker 1>didn't expect Mary from I almost thought of them as

0:53:02.320 --> 0:53:05.440
<v Speaker 1>two separate characters, like I didn't expect Marty and school,

0:53:05.440 --> 0:53:08.839
<v Speaker 1>who arrives early just like Rory does to be then

0:53:09.160 --> 0:53:13.200
<v Speaker 1>a few hours later, completely blacked out and naked. Well,

0:53:13.320 --> 0:53:16.560
<v Speaker 1>remember she was also eyeing him at the at the

0:53:16.640 --> 0:53:18.920
<v Speaker 1>party whatever. She was going to go talk to him.

0:53:18.920 --> 0:53:20.319
<v Speaker 1>I was going to go talk to him, and she's

0:53:20.320 --> 0:53:22.279
<v Speaker 1>eyeing him and he was just kind of like leaning

0:53:22.280 --> 0:53:25.120
<v Speaker 1>against the wall. M hm. Yeah. I don't know how

0:53:25.120 --> 0:53:31.640
<v Speaker 1>he got so wasted, but was that it? That's freshman

0:53:31.719 --> 0:53:34.680
<v Speaker 1>year of college for you three beers, and you show

0:53:34.760 --> 0:53:37.360
<v Speaker 1>up like that. What he says like, I'm officially a

0:53:37.400 --> 0:53:40.440
<v Speaker 1>bigger idiot than my brother. Yea, yeah, this guy's so

0:53:40.600 --> 0:53:43.960
<v Speaker 1>rub And then we go to Scott. This will bring

0:53:44.000 --> 0:53:48.880
<v Speaker 1>you such comfort. We've got Lorala and Rory and Emily

0:53:48.960 --> 0:53:51.479
<v Speaker 1>and Richard altogether on a front. Finally, wait a minute,

0:53:51.520 --> 0:53:58.000
<v Speaker 1>let me refer to my notes here alright, Finally Friday

0:53:58.040 --> 0:54:03.120
<v Speaker 1>night dinner recrencient furniture finally feels like Gilmore Girls. There

0:54:03.120 --> 0:54:05.640
<v Speaker 1>it is, there, it is. I wrote it down. Finally

0:54:05.840 --> 0:54:10.960
<v Speaker 1>feels like Gilmore Girls. Yeah, and I thought the best line,

0:54:11.040 --> 0:54:14.840
<v Speaker 1>and I'll give you my best line. Richards says. He

0:54:14.960 --> 0:54:21.040
<v Speaker 1>talks about his little conspiracy revenge deal with Gigger as

0:54:21.160 --> 0:54:29.960
<v Speaker 1>downright Elizabethan nice line and Gilmore situation. Um so anyway, yeah,

0:54:30.320 --> 0:54:35.839
<v Speaker 1>so you're right. I was comforted. How many what are

0:54:35.840 --> 0:54:39.839
<v Speaker 1>we doing dorm dorm rooms couches? I think I think

0:54:39.840 --> 0:54:44.400
<v Speaker 1>we're doing, uh, Laura, how many Laura Ashley couches? We

0:54:45.080 --> 0:54:47.040
<v Speaker 1>do have any like weird hidden things? I did see

0:54:47.040 --> 0:54:53.400
<v Speaker 1>a prominent clown pillow talk amongst something I noticed. It

0:54:53.480 --> 0:54:56.480
<v Speaker 1>was just a random, like choice. But like when she's

0:54:56.480 --> 0:54:58.800
<v Speaker 1>talking to Laura Lie on the phone in the dorm

0:54:59.040 --> 0:55:01.080
<v Speaker 1>and she goes and grabs water bottle, which I thought

0:55:01.080 --> 0:55:03.240
<v Speaker 1>was the most pointless moment to grab a water bottle,

0:55:03.480 --> 0:55:07.320
<v Speaker 1>but then she sets it behind the plate of apples

0:55:07.360 --> 0:55:10.520
<v Speaker 1>so you don't see the label. And it was a though,

0:55:10.560 --> 0:55:15.839
<v Speaker 1>and it was we all noticed it was like strategically

0:55:15.880 --> 0:55:18.680
<v Speaker 1>that didn't do product placements. So she strategically placed it

0:55:18.719 --> 0:55:21.480
<v Speaker 1>behind the bowl of apples. No, we all noticed that

0:55:21.520 --> 0:55:24.680
<v Speaker 1>aquafina so much that that was the point of taking

0:55:24.680 --> 0:55:31.560
<v Speaker 1>a sip like one littlest yes there are My crack

0:55:31.640 --> 0:55:36.759
<v Speaker 1>team has actually uh going on vacation. Uh. They are

0:55:36.800 --> 0:55:41.080
<v Speaker 1>in Costa Rica right now, riding alligators or crocodiles or something.

0:55:41.120 --> 0:55:43.920
<v Speaker 1>So no notes for this one. If you guys have

0:55:44.000 --> 0:55:49.040
<v Speaker 1>any let's let's hear. Yeah, clown pillow very prominent, and

0:55:49.080 --> 0:55:52.560
<v Speaker 1>that is two back to back, very prominent clown pillows.

0:55:52.840 --> 0:55:57.520
<v Speaker 1>Season four is really here for the clown season of

0:55:57.560 --> 0:56:02.680
<v Speaker 1>the clown and I couldn't agree more. Wait, how many

0:56:02.680 --> 0:56:05.279
<v Speaker 1>dorm room Laura Ashley couches? All right, so let's let's

0:56:05.320 --> 0:56:08.520
<v Speaker 1>do it. Yeah, how many lour Ashley couches? Danielle? Are

0:56:08.560 --> 0:56:14.200
<v Speaker 1>you giving this five couches? Couches? Wow? That's generous, Uh, Tara,

0:56:14.760 --> 0:56:18.440
<v Speaker 1>I was going to say six, six couches to Amy, wow,

0:56:19.320 --> 0:56:28.600
<v Speaker 1>half eight and a half couches? Uh, how many couches

0:56:28.640 --> 0:56:34.920
<v Speaker 1>for you? I'm gonna give it to two couches. Two

0:56:35.000 --> 0:56:37.680
<v Speaker 1>couches for too many phone calls and we're out of stars,

0:56:37.719 --> 0:56:40.120
<v Speaker 1>hollow and we haven't established Yale and nobody wants to

0:56:40.120 --> 0:56:42.120
<v Speaker 1>hear the rant anymore. And that's just how I feel

0:56:42.120 --> 0:56:49.239
<v Speaker 1>about it. And I love you. What's next week? Uh?

0:56:49.520 --> 0:56:54.759
<v Speaker 1>We got chicken beef? You know My answer to that

0:56:54.880 --> 0:57:05.520
<v Speaker 1>is both? Why not see it? Four? Keep the cards

0:57:05.520 --> 0:57:08.680
<v Speaker 1>and letters coming. I wish we were more controversy. I

0:57:08.760 --> 0:57:22.040
<v Speaker 1>love everybody. I have no fun doing this by honest,

0:57:44.320 --> 0:57:47.360
<v Speaker 1>Hey everybody, and don't forget follow us on Instagram at

0:57:47.680 --> 0:57:51.600
<v Speaker 1>I Am all In podcast and email us at Gilmore

0:57:51.840 --> 0:57:55.520
<v Speaker 1>at I heart radio dot com. Oh you, Gilmore fans.

0:57:55.560 --> 0:57:57.280
<v Speaker 1>If you're looking for the best cup of coffee in

0:57:57.280 --> 0:58:00.760
<v Speaker 1>the world, go to my website for my company, Scott

0:58:00.760 --> 0:58:02.760
<v Speaker 1>e P dot com, s C O T T y

0:58:02.880 --> 0:58:05.760
<v Speaker 1>P dot com, Scott e P dot com Grade one

0:58:06.120 --> 0:58:16.840
<v Speaker 1>Specialty Coffee. Yeah.