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Speaker 1: I am all in. Oh, that's just you. I am

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Speaker 1: all in with Scott Patterson and I heart radio podcast. Everybody,

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Speaker 1: Scott Patterson, I'm all on podcast. I'm joining with my

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Speaker 1: intrepid team. Daniel Romo terror Suit. Amy Sugarman has arrived,

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Speaker 1: and we may all begin. We may all begin, And Amy,

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Speaker 1: I see you are in your rumpus room in your house.

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Speaker 1: I love that you called it a rumpus room because

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Speaker 1: that shows how old we are. But it's my I'm

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Speaker 1: in my garage. I love a rumpus room. A rumpus

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Speaker 1: room is so epic. I actually picture uh Rory and

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Speaker 1: Lorela like loving a rumpus room. I think they would.

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Speaker 1: I think I think they would. Um. Alright, so who's

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Speaker 1: gonna Who's gonna take us away with our sin? Is

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Speaker 1: going to synopsize? Is that Danielle? Yeah? This is season four,

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Speaker 1: episode three, The Hobbit, the Sofa and Digger Styles Air date,

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Speaker 1: air date October seven, two thousand three, and the synopsis

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Speaker 1: is classes are starting at Yale and Rory is eager

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Speaker 1: to show up early. The first party is also being

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Speaker 1: held on Rory's floor, and Paris wants to make sure

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Speaker 1: it goes perfectly Emily and Richard go into business with

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Speaker 1: someone unexpected, and Suki and Lori like hater a Lord

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Speaker 1: of the Rings kids party where Suki has second thoughts

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Speaker 1: on becoming a mother. Well well well well well well

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Speaker 1: well well well were you in it? I think you

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Speaker 1: weren't in it. I don't think I was in it.

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Speaker 1: I don't think so either. Yea, yeah, So that's I mean,

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Speaker 1: if we're going to judge it by you know, one

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Speaker 1: to ten dorm rooms, what are we giving it. I'm

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Speaker 1: knocking off a dorm room. It's already starting at a nine. Okay,

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Speaker 1: even if it's like the greatest episode ever. There was

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Speaker 1: a reference to uh giving Rory what that muffins? Yeah? Yeah,

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Speaker 1: Suki sent the cookies and Luke sent the muffins, and

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Speaker 1: believe it or not, for that, I did receive a

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Speaker 1: full paycheck. Yeah. Yes, that is an interesting question, Like

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Speaker 1: if you're a regular, they have an episode that you're

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Speaker 1: not in, Like the week before that, Melissa wasn't in

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Speaker 1: all episodes produced. It's called all episodes cool, so nice?

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Speaker 1: So what do you think? What do you guys think? Um,

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Speaker 1: I'll let you guys start. Danielle, what do you think? Oh,

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Speaker 1: okay um. I thought it was great. I there's a

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Speaker 1: couple of things as a as a new person watching,

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Speaker 1: I'm like, who's this digger styles guy gonna be? Who's

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Speaker 1: the naked guy on the floor d and and Suki

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Speaker 1: being a mom. I think she's gonna be the best

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Speaker 1: moment ever. But there's a lot of things here that

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Speaker 1: are new as the first time watcher that I'm like,

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Speaker 1: I wonder who these people are going to be. Are

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Speaker 1: they to be really important people? I don't know yet,

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Speaker 1: but you know, it's exciting to meet new people. Oh.

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Speaker 1: I love that take on it. I just think it

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Speaker 1: introduces like the new dynamic on the show because now

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Speaker 1: you're getting these other characters in, You're getting Rory's roommates,

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Speaker 1: the other students, and then there's more between Laura, Lee

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Speaker 1: and Suki now because Rory's gone. So I think it's

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Speaker 1: just a fun It was a fun episode for the

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Speaker 1: new dynamic. I love it. For me, this episode was

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Speaker 1: I felt like it was ten minutes. I'm like, what

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Speaker 1: but so fast? And I love the technique of using

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Speaker 1: the telephone to be able to have the interaction between

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Speaker 1: these characters we love. So we saw great phone calls

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Speaker 1: between Rory and Loraa Lae. That felt almost like they

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Speaker 1: were in the same room. Super fast banter, and I

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Speaker 1: loved how they used parents calling Laura Lee to get

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Speaker 1: that interaction and then the to me that was a

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Speaker 1: game changer. From there, we felt like we were missing

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Speaker 1: some of these interactions, and Paris called her interesting, interesting, interesting, interesting. I, however,

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Speaker 1: am going to take a different view. Um. You know,

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Speaker 1: I kept watching and wondering who was missing. I kept

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Speaker 1: missing Stars Hollow as the Town, I missed everybody in

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Speaker 1: the cast that wasn't in this. I saw that Suki

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Speaker 1: had replaced Rory I had. I saw that Paris had

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Speaker 1: replaced Laureli. Uh. So now we're we're dealing with a

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Speaker 1: new environment in the dorm room. Yale New Haven has

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Speaker 1: not been established. I don't, you know, I don't know

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Speaker 1: what it looks like. All I am and is inside

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Speaker 1: this dorm room. I'm not even really on the campus

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Speaker 1: very much. I'm not in a classroom, I'm not anywhere.

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Speaker 1: So it's basically just Rory Um acting like she doesn't

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Speaker 1: want to interact with her new classmates, she doesn't want

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Speaker 1: to throw a party. Um and I saw these characters

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Speaker 1: in a in a way that I've never seen them

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Speaker 1: before in an environment that is brand new. So it's

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Speaker 1: three years established as stars Hollow and Babette and Miss

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Speaker 1: Patty and Kirk and Taylor and did And it's like

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Speaker 1: the humor for me really pops as commentary off of

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Speaker 1: all of these other characters and the zanies zane nous

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Speaker 1: and the and the beauty and the communal nature of

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Speaker 1: that town. That's what makes it warm and fuzzy. And

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Speaker 1: I found all of that missing, and I had a

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Speaker 1: very difficult time grasping or staying along with the ride. Um,

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Speaker 1: I think you're making a great point. It is missing

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Speaker 1: for me. I'm okay with this change. For me, it's

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Speaker 1: like giving it uh sort of a kick in the pants.

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Speaker 1: I'm not mad at the chain age. You're right, it's

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Speaker 1: definitely missing, but I'm enjoying what's happening. Well, Um, yeah,

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Speaker 1: I mean I made a whole list of like, you know,

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Speaker 1: Pairs is now a regular right now, She's gonna be

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Speaker 1: with Rory. Isn't that you know, strange bedfellows. We haven't

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Speaker 1: seen that before. We don't we don't see we don't

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Speaker 1: see mom and daughter together anymore. And this is the

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Speaker 1: core of the show, holding it together. That's the center

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Speaker 1: of the show. Everything else sort of revolves around that.

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Speaker 1: That's the universe. That's the sun. Now the Sun has

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Speaker 1: broken asunder and all of the other planets are missing,

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Speaker 1: and we've got these new moons we're dealing with all that.

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Speaker 1: So it's a whole new universe. It's a whole new

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Speaker 1: galaxy that we're exploring. And it felt, you know, kind

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Speaker 1: of flat to me. It's like I was, I don't know,

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Speaker 1: I didn't want to leave the spaceship. I like the

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Speaker 1: ship I'm on. You know what I'm saying. That's a

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Speaker 1: really good analogy. Analogy and say that her. I like

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Speaker 1: the ship we're on. So I think that's the thing.

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Speaker 1: Now there could be an element that I know the

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Speaker 1: ship and there are things coming that I love so much.

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Speaker 1: So maybe I'm just comfortable because I've already been there before.

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Speaker 1: Were you? And Danielle, you're like a little bit more

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Speaker 1: jarred by it. Yeah, I'm a little jarred by how

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Speaker 1: Rory is already struggling, how she's already anti social, how

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Speaker 1: she's got these odd ball roommates, um and you know,

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Speaker 1: the Paris flip out, Get Out, Get out, get out

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Speaker 1: of this thing. And Rory just says, well, because she

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Speaker 1: was happy, she wanted to, she was stoked, and she

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Speaker 1: didn't have to. Look like here she is making all

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Speaker 1: these new friends and then her her whacko roommate flips

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Speaker 1: out on everybody and kicks everybody out. She's not worried

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Speaker 1: about her reputation. You know, it's like she didn't have

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Speaker 1: to do it. She was like skilled by association, right, No,

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Speaker 1: they're like that woman's crazy, that gal's crazy. Whatever's granddaughter.

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Speaker 1: So she had so she can get away. D a

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Speaker 1: are all the way, man, I can do anything. Well

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Speaker 1: discusses maybe a little bit later, but I feel like

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Speaker 1: Rory just had the reason why we're kind of like, oh,

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Speaker 1: what's going on with her? She's being anti social. I

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Speaker 1: think she just hasn't found her person yet. Like in

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Speaker 1: Stars Hollow, that was Laine, that's her mom, and in

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Speaker 1: Yale she doesn't have that, you know, like these people

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Speaker 1: that are trying to be friends with her or people

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Speaker 1: that she's not like, she's not going to go to

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Speaker 1: college and suddenly be different. That is who Rory is.

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Speaker 1: She loves her books. She's just showing us that, like

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Speaker 1: she loves being alone in her room reading her books.

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Speaker 1: So she's being pretty consistent that she's trying. And Paris

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Speaker 1: same thing. Paris is crazy, and I love that she

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Speaker 1: was just Paris. But we felt that she was safe

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Speaker 1: and that she was going to be successful while she

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Speaker 1: was in her home with her mother in her bedroom

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Speaker 1: reading her book, with all this crazy stuff happening around her,

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Speaker 1: with the miss Patties and the tailor's and the chesses

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Speaker 1: and all the stuff. Right, you, she always had a

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Speaker 1: heart to come home to and she was always going

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Speaker 1: to be protected. She doesn't have that protection anymore. I

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Speaker 1: mean she does with her grandmother with her with her mother, sure,

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Speaker 1: but she's on her own now and it's it's a

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Speaker 1: little I don't know, it's a little scared. I think

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Speaker 1: that's why Laurel I was like, maybe you should open

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Speaker 1: your door for the party, like out there, and that's

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Speaker 1: why like that second, sorry we're jumping around, but when

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Speaker 1: she like opens the book and she's like, no, I

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Speaker 1: shouldn't be doing this and she goes back out on

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Speaker 1: the party, she's like she's listening to Laurel. Yeah, and

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Speaker 1: she's trying, and I love it. And Paris tried for

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Speaker 1: one episode to be a kind normal person with her

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Speaker 1: life coach, and now she's back because she's like, I'm

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Speaker 1: not having fun. They're just not there yet. I like, yeah,

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Speaker 1: they agreed to one candle before we dig in. I

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Speaker 1: want to know what Scott and Dan, you'll think of

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Speaker 1: two people, Marty and Digger? Go ahead? Yeah? All right?

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Speaker 1: Um Marty, I was like, whatever, okay, Um, obviously there's

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Speaker 1: there might be something you know, uh, awaiting Rory in

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Speaker 1: the future for potential love interest there um and Digger?

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Speaker 1: What did I think? You know what I thought about Digger? Right? Well,

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Speaker 1: I didn't think about Digger, but I thought about Richard.

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Speaker 1: I thought, why is Richard so blind? And Emily has

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Speaker 1: a point, and I understand why Emily popped at him.

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Speaker 1: Why are you getting involved with somebody's son who has

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Speaker 1: a revenge game going? Aren't you smarter than that? Don't

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Speaker 1: you see that this is never going to be successful?

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Speaker 1: And why would you do this? And aren't you sensitive

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Speaker 1: to what we've been going through with our own daughter,

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Speaker 1: who's you know, seeking revenge on us? Yeah? But it's like,

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Speaker 1: why didn't just see the shot? Is he so blinded

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Speaker 1: by his own need for revenge that he's gonna get

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Speaker 1: involved with Digger and do this thing, which you know

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Speaker 1: in the middle of it, Digger is going to go

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Speaker 1: you know, I think I've made a mistake. I'm gonna

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Speaker 1: go back to my family. I mean, it's like Digger

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Speaker 1: gave him a solid pitch. I I just I was

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Speaker 1: surprised that Richard fell for it, you know, because it

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Speaker 1: felt to me like a setup. It felt to me

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Speaker 1: like there's going to be more pain for Richard coming, Like,

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Speaker 1: how are you trusting the son of the man who

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Speaker 1: fired you after you gave your heart and soul for

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Speaker 1: thirty five years or forty years to that firm. Interesting point,

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Speaker 1: and Richard's doing so well on his own. He didn't

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Speaker 1: really mean Digger, but I think he also Richard wants

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Speaker 1: to win, and he wants to beat the guy that

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Speaker 1: fired him, Diggers. Diggers the Trojan horse, and he led

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Speaker 1: him in. I mean, it's just boy. Yeah. So Christopher Aigman,

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Speaker 1: I don't want to say his name wrong plays Digger.

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Speaker 1: The one thing I will say is I feel like

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Speaker 1: an he's also on Masal. He knows how to do

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Speaker 1: that Gilmore script, because I felt like right away he

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Speaker 1: was nailing it. He was. He had the jokes, he

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Speaker 1: had the rhythm, so I felt very comfortable with him immediately. Yeah,

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Speaker 1: he's very waspy in that character. He's very waspy, right,

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Speaker 1: So he's upper krusty, waspy guy, Harvard Grad and uh

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Speaker 1: and I haven't seen Myzelle and I haven't seen him

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Speaker 1: in it. He's got a small part, but he's great.

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Speaker 1: Like he you know, he's he just immediately to me,

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Speaker 1: fits in in the rhythm. Yeah, without without question. But

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Speaker 1: I am surprised that Richard fell for it so quickly.

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Speaker 1: I mean, this was an obvious trojan horse to me.

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Speaker 1: And we'll see how it develops. I don't know how

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Speaker 1: it develops, but we'll send you anyway. Um, so let's

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Speaker 1: break it down, you know. That's that's that's what my

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Speaker 1: overall initial impression was. After finishing the episode, I was,

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Speaker 1: I don't know, I was I was thinking, you know, like,

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Speaker 1: did this show just jumped the shark? What's going on here?

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Speaker 1: We got to get it back to stars Hallow. We

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Speaker 1: got to get back in the space capsule and get

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Speaker 1: back to the planet stars Hollow. You know, So I

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Speaker 1: like where you're that you're bringing that up, But to me,

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Speaker 1: I was just as happy. When we segue a scene

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Speaker 1: back to heart to Yale, I'm like, this is great.

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Speaker 1: I love it here. I don't know, I don't know.

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Speaker 1: I like Yale. I think it's because like also, like

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Speaker 1: like I said, how the graduation episode kind of closed

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Speaker 1: that chapter. I think that now, like when you're so

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Speaker 1: comfortable being and start, it's like Rory, she was so

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Speaker 1: comfortable and now you're like, oh my god, where is

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Speaker 1: this place? I don't know? Where's that bad? Where's this fatty?

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Speaker 1: Like you don't know where all these places are. But

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Speaker 1: I think it's just like we're growing up with her.

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Speaker 1: I think that's yeah. I agree. And then it makes

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Speaker 1: it because obviously, like Rory is going to go back

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Speaker 1: to Stars Hollow at some point, you know what I mean.

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Speaker 1: And so it makes me look forward to those scenes

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Speaker 1: where she is back. It's, you know, um, like distance

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Speaker 1: makes the heart grow fonder, Like I make sited for

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Speaker 1: when when we will have those episodes where Rory is uh,

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Speaker 1: you know, goes back to Josie's market, goes back to

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Speaker 1: the diner. Like I'm excited for that, but I'm also

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Speaker 1: enjoying Yale at the time. Being. I wonder, Scott if sorry,

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Speaker 1: I wonder I have a question for you. I wonder

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Speaker 1: if they hadn't pretended she just didn't go to Yale

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Speaker 1: and she went to like the Stars all of college?

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Speaker 1: Whatever would you be? Would you be watching it? And

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Speaker 1: would you be would you be bored? Maybe the change

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Speaker 1: is like jarring for you. But I wonder if they

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Speaker 1: made a great call, because this show is not monotonous.

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Speaker 1: I feel like, here we are in season four, firing

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Speaker 1: on all cylinders top of the Gilmore game. I'm not bored.

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Speaker 1: It's not a typical season four where you're like, it's

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Speaker 1: just the same old, same old modern family, you know. Whatever.

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Speaker 1: What I'm doing is I'm questioning the wisdom of getting

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Speaker 1: her off to college after only three seasons, and was

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Speaker 1: thinking this should have been dragged out for six or

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Speaker 1: seven seasons, keep her in high school for six or

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Speaker 1: seven seasons, and then ship her off to college, because

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Speaker 1: once you leave that Stars hollow, that's a tough sledding.

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Speaker 1: And I know the fans still love it, and I

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Speaker 1: know it's a very very loyal fan base, but for

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Speaker 1: me personally watching this show as a fan, discovering it

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Speaker 1: for the first time, I want to be in Stars. Hum,

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Speaker 1: I don't want to be a Yale. Yes, people agree

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Speaker 1: with you. Yeah, I'm sure I want to. I mean

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Speaker 1: they could have you know, milked you know one what

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Speaker 1: was she going as a junior or software? She wanted

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Speaker 1: to Chilton as a sophomore. Okay, so that's three three

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Speaker 1: years you've got there. You can do two seasons per year, right,

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Speaker 1: people agree with you. You can do what you can

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Speaker 1: do two seasons per year. You can do it. Want

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Speaker 1: to be in the summer seven years and done with Chilton.

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Speaker 1: I'm done with Childen. Done what they but but you

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Speaker 1: could but you could have done it because you know,

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Speaker 1: Alexis looked so young anyway. I mean Lane was twenty

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Speaker 1: seven and playing high school. But like Chicken, Madeline Louise,

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Speaker 1: I don't need to you know what I mean. Like,

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Speaker 1: they're fine, cool, they showed up great, like oh, you know, applause, applause,

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Speaker 1: and you know that's that's that's another point. You're not

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Speaker 1: only out of Stars Hollow, you're out of Chilton. We

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Speaker 1: got to know all those people, those whether we love

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Speaker 1: them or hate and we want to bring their next

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Speaker 1: or we want to be friends with them. We were

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Speaker 1: familiar with them, we know them. They give us comfort

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Speaker 1: familiarly like change, let's let's really, let's not on this show. Yeah,

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Speaker 1: because I love the change. I love that we went

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Speaker 1: from Dean to jail. I love that I know Logan.

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Speaker 1: So wait a minute. So they go from a fancy, tony,

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Speaker 1: expensive private school, which Chilton is. We see the interiors,

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Speaker 1: we get a sense of it, we can smell it,

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Speaker 1: we see all the uniforms, we see everything that's going

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Speaker 1: on the teachers, and then we get to we get

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Speaker 1: to Yale, there's none of that, and Yale is one

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Speaker 1: the most regal universities in the world. You're just mad

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Speaker 1: that we're only filming in the dorm. Yes, it's it's

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Speaker 1: like it's boring. It's like, get out of the dorm

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Speaker 1: show us. I don't know you're gonna send her to Yale.

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Speaker 1: Go film it Yale or one class at Whale. And

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Speaker 1: I didn't feel that whe when they went to empty table. Yeah,

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Speaker 1: she showed up so early and Marty to but also

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Speaker 1: this is day one, Like this is day on one

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Speaker 1: of I feel like I'm fighting for stars because there

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Speaker 1: I will say that, like the episode that we're in,

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Speaker 1: like she's it's school has barely started yet, like she

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Speaker 1: is trying to get comfortable on campus in her dorm.

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Speaker 1: So we haven't even gotten to like the nitty gritties

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Speaker 1: of her classes, her teachers and so on. Okay, but

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Speaker 1: the creators have to know and the network has to

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Speaker 1: know that we are leaving Chilton, which we love as

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Speaker 1: an audience. We are we've established all the those locations

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Speaker 1: and all those teachers and and the headmaster. We haven't

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Speaker 1: met anybody at Yale. We haven't met that. Yeah, we've

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Speaker 1: met the roommates and we've met Marty. I don't care

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Speaker 1: about the dean. Okay, we've met a couple of girls

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Speaker 1: in a in an outdoor corridor, but we haven't seen

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Speaker 1: the campus. We haven't care. We don't get a sense.

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Speaker 1: I'm not getting a sense of it. But I haven't

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Speaker 1: established Yale for me. Respect to you, but I don't care.

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Speaker 1: And also I don't care about children. I'm done with children.

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Speaker 1: You know who I care about, Rory. That's who I

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Speaker 1: care about, Rory. So I don't care about Chiltern. Goodbye Chiltern.

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Speaker 1: I was bored by you. Now here we go like

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Speaker 1: I am bored by you and your static photo every

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Speaker 1: time we went to Chiltern. I'm ready for Rory. I

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Speaker 1: don't really for me, I thought me conversations, we're also good.

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Speaker 1: It just I loved this. I thought it moves. Wait

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Speaker 1: a minute, you didn't think that the Suki freak out

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Speaker 1: about get it out of me, get it out of me,

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Speaker 1: get it out of me? Was bizarre. No, I loved

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Speaker 1: every second of it because it's also this. I wrote

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Speaker 1: this down. One of my very favorite scenes ever on

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00:19:07,840 --> 00:19:10,919
Speaker 1: Sex in the City is when Carrie Bradshaw puts on

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Speaker 1: her wedding dress and she literally realizes I can't get married,

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Speaker 1: and she says, get it off, get it off, and

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Speaker 1: they're like literally ripping it off of her and it's

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Speaker 1: hilarious and emotional. And I felt the same way about this.

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Speaker 1: I thought that scene between Lauren and Melissa Suki and

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Speaker 1: lor la was one of their best scenes in the

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Speaker 1: whole run of the series. It was so well done.

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Speaker 1: Melissa McCarthy, to me, won this episode, won the episode

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Speaker 1: because we got to see her be different than just pratfalls.

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Speaker 1: I was like, Wow, she's amazing. Mm hmmm, yeah, Okay,

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Speaker 1: go back to the beginning. So what do you think

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Speaker 1: that obviously we opened up in the dorm room. We've

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Speaker 1: got the rug, we've got the this, we've got the muffins,

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Speaker 1: we got the cookies. And Laura Lyne knows my there

348
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Speaker 1: was here. She can smell her guilt and Chanelle number five,

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Speaker 1: this is this is another issue I have. It's like,

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Speaker 1: just take the gift, you know, be grateful the grandmother care.

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Speaker 1: She furnished the place, and they're trying to create all

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Speaker 1: this drama and all these issues about something that they

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00:20:20,359 --> 00:20:23,440
Speaker 1: should be thanking her for. In my opinion, they can

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Speaker 1: be thanking her issue. The place wasn't furnished. There was

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00:20:27,760 --> 00:20:30,840
Speaker 1: no new new furniture. Yet this is the opening where

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Speaker 1: Lorelai knows that Emily has been there ahead and sorry,

357
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Speaker 1: it's okay, that's okay, you're fired. Okay, you're fired. So

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Speaker 1: we have the hint there because I thought to myself,

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Speaker 1: was Emily, there is Emily there? Like I knew Lorelai

360
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Speaker 1: was probably right for sure, you don't have that scene

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Speaker 1: and not have Emily later, you know. So then we

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Speaker 1: have the scene in class where we first see Marty,

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Speaker 1: so we basically lee what I took aways, like Rory

364
00:21:02,720 --> 00:21:07,080
Speaker 1: showed up literally so early and so did this other guy.

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Speaker 1: Oh my god, they're they're kindred souls. And then the

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Speaker 1: t A is like, you idiot freshman. I like how

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Speaker 1: Laurel I was like every year you try to convince

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Speaker 1: me that the teacher wants me, Like, no teacher wants

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Speaker 1: to meet at six thirty. That just shows who she is.

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Speaker 1: And like I like that she had another another person

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Speaker 1: in the class with her, like, oh I'm not the

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Speaker 1: only one. Yeah, that's cute. Yeah. So we're look, we're

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Speaker 1: meeting Marty and that's a big deal, like, okay, here

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Speaker 1: here he is. No, Scott's just you didn't like it. No,

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Speaker 1: I'm I'm listening. I'm listening. You know. It didn't impact

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Speaker 1: me in any way. Really, it was just like whatever.

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Speaker 1: So then we go back and we're in Suki Suki's

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Speaker 1: kitchen and Jackson's doing his bit with the baby monitor,

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Speaker 1: and we kind of and that they want to have

380
00:22:00,720 --> 00:22:06,040
Speaker 1: a catering job. Also awful, like your sound system in

381
00:22:06,119 --> 00:22:09,440
Speaker 1: your house hooked up to the baby monitor. That would

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Speaker 1: drive me bonkers. That was pretty funny though, Um you

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Speaker 1: know we I almost did that. We had monitors upstairs

384
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Speaker 1: and we had paranoid dad. Yeah, yeah, you know, yeah,

385
00:22:23,080 --> 00:22:25,720
Speaker 1: it was very protective. You relate to Jackson in that

386
00:22:26,000 --> 00:22:29,080
Speaker 1: oh yeah, big time, big time. Yeah, I mean, and

387
00:22:29,119 --> 00:22:32,840
Speaker 1: in that regard, yes, I had that house sort of

388
00:22:32,880 --> 00:22:36,440
Speaker 1: bugged and there was video everywhere. I mean, that kid,

389
00:22:36,520 --> 00:22:38,639
Speaker 1: that kid couldn't make a move or a poop or

390
00:22:38,640 --> 00:22:42,800
Speaker 1: a fart without me knowing about it, Like there he

391
00:22:42,840 --> 00:22:46,320
Speaker 1: goes again. So I think that that's cute then that

392
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Speaker 1: Jackson is that way for me. One of the questions

393
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Speaker 1: I have throughout this whole episode is how did they

394
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Speaker 1: get permission to use all those Lord of the Rings things?

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Speaker 1: Is Lord of the Rings Warner Brothers? I believe, I believe,

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Speaker 1: I believe that. I believe that it is a Warner

397
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Speaker 1: Brothers thing. Yeah, yeah, yeah, because that's the only way,

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00:23:07,720 --> 00:23:11,520
Speaker 1: because it was pretty extensive, wasn't. It wasn't like one reference,

399
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Speaker 1: it was it was major. It was it's Warner Brothers.

400
00:23:16,040 --> 00:23:20,320
Speaker 1: And yeah that was even Yeah, they even played like

401
00:23:20,440 --> 00:23:25,000
Speaker 1: a clip of totally that was like, how did they

402
00:23:25,000 --> 00:23:27,080
Speaker 1: get permission? So it must have been it was just

403
00:23:27,160 --> 00:23:29,840
Speaker 1: a phone call in a favor, and sure, go Ahead

404
00:23:30,760 --> 00:23:33,560
Speaker 1: might have been stoked because it was great advertising for them.

405
00:23:34,119 --> 00:23:36,800
Speaker 1: Why not? And I also liked it because it made

406
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Speaker 1: that whole birthday party more authentic. It would have been

407
00:23:38,880 --> 00:23:43,639
Speaker 1: weird if it was like not it really was integrated nicely.

408
00:23:43,720 --> 00:23:46,080
Speaker 1: But anyway, so Helen Thompson wants to hire them for

409
00:23:46,119 --> 00:23:52,239
Speaker 1: Aaron's birthday and uh, yeah, so we know they're going

410
00:23:52,280 --> 00:23:56,439
Speaker 1: to take this gig and we'll see how that goes. Right.

411
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Speaker 1: Right then we come in to the dorm and there

412
00:24:00,320 --> 00:24:04,679
Speaker 1: is the furniture. Great first of all, great by me too,

413
00:24:04,720 --> 00:24:09,240
Speaker 1: but I understand it. Yeah, I thought it's not college furniture, though,

414
00:24:13,560 --> 00:24:15,560
Speaker 1: come on, nice and comfy stuff. I would have been

415
00:24:15,600 --> 00:24:17,760
Speaker 1: happy as a clam. You should see you should have

416
00:24:17,760 --> 00:24:20,240
Speaker 1: seen my room in college. Oh boy, all I could

417
00:24:20,240 --> 00:24:23,080
Speaker 1: think of was Laura Ashley and Pierre do like. I

418
00:24:23,119 --> 00:24:27,960
Speaker 1: was like, oh, this is Emily doing her the Entertainment

419
00:24:27,960 --> 00:24:32,119
Speaker 1: Center with with five point one surround sounds, and my

420
00:24:32,160 --> 00:24:39,480
Speaker 1: favorite is like this is a plasma TV. Like but

421
00:24:40,040 --> 00:24:42,240
Speaker 1: it's a lot of a grandma. If my grandma came

422
00:24:42,280 --> 00:24:45,280
Speaker 1: in and did that in my room, I might be like, yeah,

423
00:24:45,440 --> 00:24:48,520
Speaker 1: the hell, And I would definitely call my mom and

424
00:24:48,600 --> 00:24:52,560
Speaker 1: be like, Mom, Grahamy just redid my whole room without

425
00:24:52,560 --> 00:24:57,240
Speaker 1: me even knowing. Yeah, we sure all have such grandmothers.

426
00:24:57,240 --> 00:24:59,280
Speaker 1: So let me tell you that that's that's a pretty

427
00:24:59,359 --> 00:25:03,760
Speaker 1: nice thing. I mean I do. I did have those grandmothers,

428
00:25:03,800 --> 00:25:07,880
Speaker 1: and I was like, my grandma wouldn't have snuck into

429
00:25:07,960 --> 00:25:10,280
Speaker 1: my room and done it, But I had those grandmothers

430
00:25:10,280 --> 00:25:13,119
Speaker 1: that were like totally would have done that. And I

431
00:25:13,119 --> 00:25:15,359
Speaker 1: have a mom that would. My mom would come into

432
00:25:15,359 --> 00:25:17,879
Speaker 1: my house and redecorate the whole thing, like literally if

433
00:25:17,920 --> 00:25:19,679
Speaker 1: I went out of town. So for me, that was

434
00:25:19,760 --> 00:25:22,760
Speaker 1: totally relatable and like, oh, yeah, this is this happens.

435
00:25:24,240 --> 00:25:28,879
Speaker 1: I loved it. I think, yeah, I would have gotten

436
00:25:28,880 --> 00:25:36,199
Speaker 1: on the phone and thanked him profousely. Yeah. So we

437
00:25:36,359 --> 00:25:38,679
Speaker 1: then see Laura Laie for one of just a few

438
00:25:38,760 --> 00:25:47,960
Speaker 1: times in this series with her glasses on. Yeah, she looked.

439
00:25:48,320 --> 00:25:50,400
Speaker 1: She looks so cute in this whole episode. Oh my god,

440
00:25:50,400 --> 00:25:54,360
Speaker 1: I'm just obsessed with that. She's cute and the fashion.

441
00:25:54,480 --> 00:25:56,720
Speaker 1: I'm just obsessed with her. But yeah, she was wearing

442
00:25:56,720 --> 00:25:59,080
Speaker 1: her glasses and she they you see it a few

443
00:25:59,119 --> 00:26:02,360
Speaker 1: times throughout the series, and she talks about the Lord

444
00:26:02,359 --> 00:26:04,359
Speaker 1: of the Rings party and she talks about the jeeps

445
00:26:04,400 --> 00:26:06,959
Speaker 1: making a noise. Then we get the phone call with

446
00:26:07,040 --> 00:26:09,800
Speaker 1: Rory to complain about what Grandma's done, which I I

447
00:26:10,240 --> 00:26:13,080
Speaker 1: just loved that because Scott, I feel like you would

448
00:26:13,080 --> 00:26:19,119
Speaker 1: be so happy because it's giving you that interaction with

449
00:26:20,200 --> 00:26:23,720
Speaker 1: what on on phones, But now it's phone calls, and

450
00:26:23,760 --> 00:26:26,800
Speaker 1: I thought I wasn't mad at it. I'm telling you,

451
00:26:26,840 --> 00:26:30,560
Speaker 1: the death of a TV series is people on the phone. Okay,

452
00:26:30,840 --> 00:26:34,520
Speaker 1: It's like it doesn't work, it's not good. You gotta

453
00:26:34,560 --> 00:26:38,040
Speaker 1: be together. I've kind of gone to a point where

454
00:26:38,119 --> 00:26:43,359
Speaker 1: like I'm a little over Lordly complaining about her parents.

455
00:26:43,640 --> 00:26:47,320
Speaker 1: I am too. I was just like enough with this

456
00:26:47,600 --> 00:26:51,400
Speaker 1: is the evil woman with her manipulative ways giving you

457
00:26:51,440 --> 00:26:55,000
Speaker 1: a really nice couch. It's like, can you stop? Like

458
00:26:55,080 --> 00:26:58,320
Speaker 1: I kind of wish or hope that, Like when Rory

459
00:26:58,400 --> 00:27:02,360
Speaker 1: does call lor lyon say oh my gosh, Grandma did this,

460
00:27:02,880 --> 00:27:06,720
Speaker 1: I kind of wish Lorela was just like okay, yeah, sure,

461
00:27:06,920 --> 00:27:10,200
Speaker 1: and like not not. I I don't know. I got

462
00:27:10,720 --> 00:27:13,200
Speaker 1: I'm over her being like, oh, well of course she did.

463
00:27:13,280 --> 00:27:15,520
Speaker 1: She's trying to manipulate you. You know, like that kind

464
00:27:15,520 --> 00:27:18,399
Speaker 1: of stuff is kind of over for me. But I

465
00:27:18,440 --> 00:27:21,800
Speaker 1: do love that, like Rory is kind of like I'm

466
00:27:21,840 --> 00:27:24,960
Speaker 1: going to stand up to Grandma and then just doesn't

467
00:27:26,880 --> 00:27:29,040
Speaker 1: stand up for what for being nice? I mean she

468
00:27:29,080 --> 00:27:32,680
Speaker 1: should have center a thank you card. Point Scott, that's

469
00:27:32,680 --> 00:27:34,879
Speaker 1: a fair point. I mean she went out of her

470
00:27:34,920 --> 00:27:39,040
Speaker 1: way and spent a lot of or something. I mean,

471
00:27:39,280 --> 00:27:41,399
Speaker 1: let's are on the side of caution here and be

472
00:27:41,400 --> 00:27:45,320
Speaker 1: a little grateful. But you know, then it wouldn't be dramedy,

473
00:27:45,359 --> 00:27:51,880
Speaker 1: wouldn't quick shout out to lorialize gold necklace with that circle,

474
00:27:52,160 --> 00:27:58,600
Speaker 1: very delicate chain circle. Alright gold Nicholas ch Okay. So

475
00:27:58,640 --> 00:28:01,320
Speaker 1: then we see Richard and Emily, and Emily is looking

476
00:28:01,359 --> 00:28:06,919
Speaker 1: at fabrics and she tells Richard that Jason Styles has called,

477
00:28:07,560 --> 00:28:15,440
Speaker 1: and Richard's obviously like w tf, digger, And I love

478
00:28:15,520 --> 00:28:18,160
Speaker 1: that he says, they will not be a drink. There's

479
00:28:18,200 --> 00:28:20,639
Speaker 1: not going to be a hand Like the drink is

480
00:28:20,680 --> 00:28:23,879
Speaker 1: such a symbol for these people of like if you

481
00:28:23,960 --> 00:28:25,920
Speaker 1: get to the drink, it's like on the Tonight Show,

482
00:28:26,000 --> 00:28:28,199
Speaker 1: remember if you got to sit on the couch with

483
00:28:28,320 --> 00:28:32,600
Speaker 1: Johnny after doing your stand up. Yeah, to me, that's

484
00:28:32,640 --> 00:28:35,119
Speaker 1: the drink, Like, okay, you've made it to the next

485
00:28:35,960 --> 00:28:40,959
Speaker 1: made it. Yeah. He was feeling the sting of getting

486
00:28:41,320 --> 00:28:44,200
Speaker 1: let go too much and he was too vulnerable and

487
00:28:44,200 --> 00:28:46,560
Speaker 1: now he's going to get used. Maybe were you happy

488
00:28:46,560 --> 00:28:49,440
Speaker 1: to see Richard and Emily back? Yeah, it was like

489
00:28:49,520 --> 00:28:53,480
Speaker 1: finally some some there, familiar people that we know and

490
00:28:53,600 --> 00:28:57,040
Speaker 1: love in their in their environment. And that's where we

491
00:28:57,080 --> 00:29:00,680
Speaker 1: want to say, don't they establish No, it's not a

492
00:29:00,760 --> 00:29:04,320
Speaker 1: question of that. It's like, you've got something successful and

493
00:29:04,400 --> 00:29:08,640
Speaker 1: we've established locations. I'm repeating myself, Uh, don't take them

494
00:29:08,640 --> 00:29:11,600
Speaker 1: out of those locations. Don't fix it if it ain't broke.

495
00:29:11,880 --> 00:29:14,640
Speaker 1: I get what you're saying. It's like friends, we always

496
00:29:14,680 --> 00:29:17,800
Speaker 1: had the six of them in every episode, and there

497
00:29:17,800 --> 00:29:20,880
Speaker 1: would be like little tiny people here and there, but

498
00:29:20,960 --> 00:29:23,240
Speaker 1: you never didn't have the six of them. So maybe

499
00:29:23,240 --> 00:29:26,480
Speaker 1: what you're feeling is like we had the ten of them,

500
00:29:26,560 --> 00:29:31,040
Speaker 1: and now we only have four of them, right, and

501
00:29:31,320 --> 00:29:33,320
Speaker 1: a bunch of random people that we don't know, and

502
00:29:33,360 --> 00:29:36,120
Speaker 1: we haven't gotten to know, and we maybe not don't

503
00:29:36,120 --> 00:29:42,800
Speaker 1: even care to get to know. I get to I care.

504
00:29:43,040 --> 00:29:47,800
Speaker 1: She came back from dinner like I told you. Yeah, yeah,

505
00:29:47,800 --> 00:29:49,880
Speaker 1: but we didn't even get to the dinner table. We

506
00:29:50,000 --> 00:29:52,800
Speaker 1: just got to some like folk controversation, which she backed

507
00:29:52,800 --> 00:29:58,959
Speaker 1: down from. Alright, alright, alright, okay, one shout out about

508
00:29:59,800 --> 00:30:06,400
Speaker 1: rich Richard saying harrass instead of her grass yes on

509
00:30:06,520 --> 00:30:14,520
Speaker 1: the st yeah, shout out, yeah, I noticed that. Okay,

510
00:30:14,640 --> 00:30:17,000
Speaker 1: So now we've got Harris and she wants Rory to

511
00:30:17,040 --> 00:30:20,320
Speaker 1: open the door. She is like really big on this

512
00:30:20,400 --> 00:30:25,120
Speaker 1: party and the whole thing. I love him. A good idea, right,

513
00:30:26,120 --> 00:30:31,000
Speaker 1: and she goes, you're suck up furniture exactly what they

514
00:30:31,000 --> 00:30:33,400
Speaker 1: should do. It was a good idea. Paris was in

515
00:30:33,440 --> 00:30:36,680
Speaker 1: the right. I was like to for wanting to try.

516
00:30:36,960 --> 00:30:41,800
Speaker 1: She goes, I hate college. They do seem a little

517
00:30:41,800 --> 00:30:44,760
Speaker 1: bit like they haven't embraced I mean like I remember

518
00:30:44,760 --> 00:30:46,920
Speaker 1: my first few days of college and it was like,

519
00:30:47,760 --> 00:30:50,680
Speaker 1: oh my god, it was so fun. Like so I

520
00:30:50,720 --> 00:30:53,560
Speaker 1: do feel like they maybe, you know, they do have

521
00:30:53,640 --> 00:30:57,200
Speaker 1: this room filled with odd balls, because they've got Tana Shrik,

522
00:30:57,240 --> 00:30:59,560
Speaker 1: who's like literally I think fifteen and a half. She said,

523
00:30:59,560 --> 00:31:02,880
Speaker 1: she's think seen for like her birthday was coming. We've

524
00:31:02,880 --> 00:31:06,600
Speaker 1: got the exercise Girl, which actually is a lot of

525
00:31:08,200 --> 00:31:11,400
Speaker 1: that's pretty real. And then we've got crazy Paris and Rory.

526
00:31:11,560 --> 00:31:14,000
Speaker 1: So they are sort of an island of misfit. But

527
00:31:14,040 --> 00:31:16,200
Speaker 1: if you had that much free food and that much

528
00:31:16,200 --> 00:31:18,600
Speaker 1: free pizza and that much drink and all that stuff.

529
00:31:18,680 --> 00:31:21,680
Speaker 1: That place would have been jammed to the rafters and

530
00:31:21,720 --> 00:31:23,880
Speaker 1: you wouldn't have gotten people out of there no matter what.

531
00:31:24,160 --> 00:31:27,520
Speaker 1: But they're also like, between Paris and Rory, they don't

532
00:31:27,520 --> 00:31:29,960
Speaker 1: know how to throw a party for people their age,

533
00:31:30,040 --> 00:31:32,280
Speaker 1: Like they didn't go to ragers in high school. They don't.

534
00:31:32,280 --> 00:31:35,479
Speaker 1: They don't know. So like for them, that one candle

535
00:31:35,600 --> 00:31:38,800
Speaker 1: with Rory's version of a party is like take Out

536
00:31:38,840 --> 00:31:42,719
Speaker 1: in the movie, you know. I mean, I'm glad they

537
00:31:42,760 --> 00:31:44,600
Speaker 1: opened the door. I think that was very good that

538
00:31:44,680 --> 00:31:48,120
Speaker 1: Lora La also convinced Rory like open open the door.

539
00:31:49,120 --> 00:31:51,680
Speaker 1: So okay. So then we're going back and forth now

540
00:31:51,880 --> 00:31:56,240
Speaker 1: between Yale and the birthday party. So oh and we

541
00:31:56,280 --> 00:31:58,920
Speaker 1: do have a moment where we see Lane. So Lane

542
00:31:58,960 --> 00:32:03,120
Speaker 1: comes in. We got Lane for like a pot. Second

543
00:32:04,000 --> 00:32:10,239
Speaker 1: Lane comes in with some props from antiques. So they

544
00:32:10,280 --> 00:32:12,440
Speaker 1: figured out a way to get you can tell they're like,

545
00:32:12,480 --> 00:32:14,560
Speaker 1: how do we get this person in there? How we're

546
00:32:14,560 --> 00:32:16,680
Speaker 1: going to get these people back in there? Did I

547
00:32:16,720 --> 00:32:20,960
Speaker 1: walk by the door and wave or something? You delivered muffins?

548
00:32:21,000 --> 00:32:24,400
Speaker 1: You muffins? Just yeah, you got just you were only

549
00:32:24,480 --> 00:32:30,360
Speaker 1: there in the name in spirit. Although Luke was very prominent,

550
00:32:30,720 --> 00:32:37,480
Speaker 1: very prominent in the week before. Ye very like the

551
00:32:37,560 --> 00:32:42,120
Speaker 1: rest too much. Well, you don't think an audience can

552
00:32:42,160 --> 00:32:44,600
Speaker 1: handle two weeks and we get we get the five

553
00:32:44,640 --> 00:32:47,360
Speaker 1: that Lane school is very strict because she like, we're

554
00:32:47,400 --> 00:32:54,600
Speaker 1: embracing and then uh I loved lordl shirt love the

555
00:32:54,600 --> 00:32:57,680
Speaker 1: one you're with. Got to give a fashion mention. Mrs

556
00:32:57,760 --> 00:33:02,280
Speaker 1: kim No, Mrs kim No, No Taylor, no, nobody, nobody,

557
00:33:02,360 --> 00:33:06,880
Speaker 1: no Kirk no Taylor. We did get a phone call

558
00:33:06,920 --> 00:33:08,720
Speaker 1: from Paris, So then what did you think about Paris

559
00:33:08,760 --> 00:33:13,120
Speaker 1: calling Laura Lines saying Rory's not adjusting well? God another

560
00:33:13,240 --> 00:33:17,640
Speaker 1: phone call, because also, like Paris is such a thirty

561
00:33:17,720 --> 00:33:19,800
Speaker 1: year old, you know what I mean, Like she's so

562
00:33:19,880 --> 00:33:23,920
Speaker 1: not college Like anybody who's saying that, like a friend

563
00:33:23,920 --> 00:33:26,200
Speaker 1: that would was actually concerned would have been like, hey,

564
00:33:26,960 --> 00:33:30,520
Speaker 1: Mrs Gilmore, I feel like maybe, um, we should talk

565
00:33:30,560 --> 00:33:33,200
Speaker 1: to Rory or something like not like she's not adjusting

566
00:33:33,200 --> 00:33:35,880
Speaker 1: well to college, Like she's just such a grown up.

567
00:33:36,640 --> 00:33:39,640
Speaker 1: I just love that Laura La convinces Rory to open

568
00:33:39,680 --> 00:33:43,520
Speaker 1: the door, and she somehow Paris yells like I care

569
00:33:43,520 --> 00:33:47,840
Speaker 1: about the reason. That's a good line, Like I care

570
00:33:47,880 --> 00:33:50,640
Speaker 1: about the reason. Does anybody feel like Paris and Rory

571
00:33:50,800 --> 00:33:54,320
Speaker 1: have a sister le vibe? To me, that's very sisterly

572
00:33:54,440 --> 00:33:58,080
Speaker 1: the way they are said, say, Paris is definitely well

573
00:33:58,360 --> 00:34:02,479
Speaker 1: yeah to Paris is the older mean her sister, and

574
00:34:02,520 --> 00:34:05,440
Speaker 1: I thought we also learned why Paris is so hell

575
00:34:05,480 --> 00:34:08,720
Speaker 1: bent on these certain things. She wants to start over,

576
00:34:09,000 --> 00:34:12,839
Speaker 1: she wants a fresh start, she wants to she wants

577
00:34:12,880 --> 00:34:14,919
Speaker 1: to be cool, she wants to have people like her,

578
00:34:15,239 --> 00:34:21,880
Speaker 1: and she has made one hell of an impression. Well

579
00:34:22,000 --> 00:34:26,160
Speaker 1: struck McEnroe, get out of here, everybody out. Now. Have

580
00:34:26,280 --> 00:34:28,000
Speaker 1: you ever done that at a party when somebody pissed

581
00:34:28,040 --> 00:34:31,279
Speaker 1: Joe so much? She just kicked everybody out? Have you

582
00:34:31,280 --> 00:34:33,520
Speaker 1: ever done that? Have you ever been to a party

583
00:34:33,520 --> 00:34:38,439
Speaker 1: where that happens? Yeah, I've been. I've been parties for sure, sure,

584
00:34:38,520 --> 00:34:42,080
Speaker 1: yeah yeah, yeah, it's uh, it's people talk about it

585
00:34:42,120 --> 00:34:45,640
Speaker 1: for months. Mostly the party they had, you know, senior

586
00:34:45,680 --> 00:34:49,120
Speaker 1: year where the cops came was that was pretty spot

587
00:34:49,160 --> 00:34:52,200
Speaker 1: on of how those high school parties go. So that

588
00:34:52,880 --> 00:34:55,640
Speaker 1: are not just someone raged, get out of my you know,

589
00:34:55,800 --> 00:34:59,839
Speaker 1: A better episode, a better episode would have been par

590
00:35:00,080 --> 00:35:02,680
Speaker 1: Us drunk off her out of her gourd Oh my god,

591
00:35:02,719 --> 00:35:06,560
Speaker 1: I just dancing the limbo and just like just rocking out,

592
00:35:06,680 --> 00:35:10,160
Speaker 1: you know, because all that crazy energy could have been

593
00:35:10,520 --> 00:35:13,960
Speaker 1: what would have happened if you apply alcohol to it's

594
00:35:14,040 --> 00:35:17,080
Speaker 1: some cool music and just let just wind up Paris

595
00:35:17,160 --> 00:35:20,520
Speaker 1: and let her go in a scene. We'll get to

596
00:35:20,600 --> 00:35:23,799
Speaker 1: make it marty. But okay, so let's quickly talk about

597
00:35:23,800 --> 00:35:26,279
Speaker 1: the Lord of the Rings party. We're we've bounced around

598
00:35:26,280 --> 00:35:29,000
Speaker 1: as much. Who knew that Suki was going to mess

599
00:35:29,080 --> 00:35:31,920
Speaker 1: up the food? I mean I saw that coming from yes,

600
00:35:32,520 --> 00:35:37,360
Speaker 1: literally from a mile away. When she grabbed the giant salmon.

601
00:35:37,440 --> 00:35:42,360
Speaker 1: I was like, oh my god, the green mac and cheese.

602
00:35:42,400 --> 00:35:45,240
Speaker 1: It's so true, Like even though it's a mag and cheese,

603
00:35:45,239 --> 00:35:48,520
Speaker 1: the fact that it's green, No child under the age

604
00:35:48,560 --> 00:35:51,719
Speaker 1: of ten is going to eat that or go near it. Yeah. Wait,

605
00:35:51,800 --> 00:35:53,520
Speaker 1: do you know who the little girl was who said

606
00:35:53,560 --> 00:35:55,440
Speaker 1: this taste like diapers? Do you know that actress? No?

607
00:35:55,640 --> 00:36:09,160
Speaker 1: Who's that? It's Victoria Justice, No Disney Victorious, Yes, no way,

608
00:36:09,280 --> 00:36:12,680
Speaker 1: great spotting Tara. I just I remember I was like,

609
00:36:12,719 --> 00:36:14,000
Speaker 1: I know this kid. I know this kid, and I

610
00:36:14,040 --> 00:36:17,000
Speaker 1: watched Victorias so then I looked it up. But she's like,

611
00:36:17,040 --> 00:36:19,719
Speaker 1: I think she's credited as like kid number three or

612
00:36:19,760 --> 00:36:22,399
Speaker 1: like whatever it was, like did have her name? Yeah,

613
00:36:22,440 --> 00:36:26,359
Speaker 1: she's credited on the episode. How cool. I love that,

614
00:36:26,840 --> 00:36:30,319
Speaker 1: you know. That's what's so interesting. So like Scott, like,

615
00:36:30,840 --> 00:36:32,759
Speaker 1: even though it's been twenty years, I mean, you're sort

616
00:36:32,760 --> 00:36:35,120
Speaker 1: of the same dude, right, You're sort of the same dude.

617
00:36:35,600 --> 00:36:39,360
Speaker 1: But the kids, these young young ones, the twenty years

618
00:36:39,480 --> 00:36:42,719
Speaker 1: is such like Victoria Justice then to now you're like,

619
00:36:42,800 --> 00:36:47,680
Speaker 1: oh my god, I'm not the same dude. No, I'm

620
00:36:47,680 --> 00:36:50,399
Speaker 1: saying like, but you don't look that drastically different. You're

621
00:36:50,440 --> 00:36:54,080
Speaker 1: not that different. Whereas the young child actors that are

622
00:36:54,239 --> 00:36:58,400
Speaker 1: five and twenty that it's so oh my god. Even

623
00:36:58,520 --> 00:37:02,520
Speaker 1: um Dan his little sister. You're like the guy from

624
00:37:02,560 --> 00:37:06,080
Speaker 1: Big Time Rush what was his name to Kendall and

625
00:37:06,160 --> 00:37:08,560
Speaker 1: now he's like this big puff star, you know, like

626
00:37:09,280 --> 00:37:14,680
Speaker 1: just this little guy on going like Melissa is basically Melissa,

627
00:37:14,840 --> 00:37:23,520
Speaker 1: you know. All right, So we go to then Digger

628
00:37:24,920 --> 00:37:28,600
Speaker 1: and Richard. So Digger comes in and has that conversation

629
00:37:28,680 --> 00:37:35,600
Speaker 1: with Richard. Talk to me Trojan Horse. It's a setup.

630
00:37:35,760 --> 00:37:40,040
Speaker 1: I'm sorry. Emily said it so perfectly. She was like,

631
00:37:40,760 --> 00:37:45,480
Speaker 1: you're forgetting that this guy fed him, raised him, like,

632
00:37:45,880 --> 00:37:49,520
Speaker 1: so he's going to have a lot of similarities to

633
00:37:49,640 --> 00:37:56,760
Speaker 1: his father. That's a red flag. Yep, I'm not buying.

634
00:37:56,840 --> 00:38:00,040
Speaker 1: I hate my daddy and I want to get even new. Yeah, no,

635
00:38:01,040 --> 00:38:04,600
Speaker 1: it's not. He's just trying to eliminate the competition. He's

636
00:38:04,600 --> 00:38:09,040
Speaker 1: in there to destroy Richard's business, Daniel, is there anything

637
00:38:09,080 --> 00:38:15,799
Speaker 1: else you might be feeling about Digger anything? I'm just curious.

638
00:38:15,960 --> 00:38:24,840
Speaker 1: Would you date him? No, don't talk lore Lie. For

639
00:38:24,920 --> 00:38:28,799
Speaker 1: the love of God, why are you serious? No, I

640
00:38:28,840 --> 00:38:31,319
Speaker 1: have no knowledge, but I'm just asking Tara if she

641
00:38:31,320 --> 00:38:36,680
Speaker 1: would date him. Me. No, I like Digger. You guys,

642
00:38:37,800 --> 00:38:41,920
Speaker 1: you would you guys like that at Berkeley or their

643
00:38:41,960 --> 00:38:46,479
Speaker 1: guys like that at Berkeley to the manner Born. Oh yeah,

644
00:38:46,480 --> 00:38:52,960
Speaker 1: of course sure I would. I would definitely consider Digger.

645
00:38:53,040 --> 00:38:55,719
Speaker 1: But he's not my type. Is that with a little

646
00:38:55,719 --> 00:38:59,680
Speaker 1: bit more edge? He's not, although he is like kind

647
00:38:59,680 --> 00:39:03,120
Speaker 1: of going out on his own. Yeah, Diggers cool, you guys,

648
00:39:03,120 --> 00:39:06,040
Speaker 1: he's cute. He's got enough edge for you. I couldn't

649
00:39:06,120 --> 00:39:09,200
Speaker 1: pass on him just because of the name Digger. But

650
00:39:09,400 --> 00:39:11,759
Speaker 1: now you just use a little sleeves to me like

651
00:39:11,840 --> 00:39:16,839
Speaker 1: he's setting up Richard Man he's setting him up, put

652
00:39:17,000 --> 00:39:18,480
Speaker 1: him on the road history, and he's going to turn

653
00:39:18,600 --> 00:39:23,000
Speaker 1: him a roast him. Show is like, I can see why. Yeah,

654
00:39:24,280 --> 00:39:27,440
Speaker 1: hopefully he changes my mind. But he doesn't seem like

655
00:39:27,480 --> 00:39:31,000
Speaker 1: good news to me. I don't trust him. I don't

656
00:39:31,080 --> 00:39:34,120
Speaker 1: I'm with Emily, I don't trust him. Yeah, I don't

657
00:39:34,120 --> 00:39:36,040
Speaker 1: trust him as far as I can throw no wish.

658
00:39:38,239 --> 00:39:40,440
Speaker 1: So we're back at the party and we see Madeline

659
00:39:40,520 --> 00:39:43,120
Speaker 1: and Louise. Were you happy to see them, Scott? Yes,

660
00:39:43,440 --> 00:39:49,040
Speaker 1: thank god comic relief. That was the right kind of

661
00:39:49,120 --> 00:39:51,040
Speaker 1: random because we knew who they were, we knew what

662
00:39:51,080 --> 00:39:53,799
Speaker 1: they were going to say, we knew the attitude. Thank god.

663
00:39:53,840 --> 00:39:56,239
Speaker 1: It was much needed comic relief. I hadn't laughed in

664
00:39:56,239 --> 00:39:59,400
Speaker 1: a while and I was missing stars Hollow, and then

665
00:39:59,440 --> 00:40:01,319
Speaker 1: they appeared. I was like, yeah, alright, well at least

666
00:40:01,360 --> 00:40:04,880
Speaker 1: we get some Chiltern. They had makeovers too. They looked different,

667
00:40:05,360 --> 00:40:11,040
Speaker 1: but they're different Chiltern with Tana putting on her the

668
00:40:11,160 --> 00:40:20,880
Speaker 1: uniform shrickim the to the two new girls. Yeah, the twins?

669
00:40:20,880 --> 00:40:25,480
Speaker 1: So what do the twins were fun? You need a nickname?

670
00:40:25,520 --> 00:40:32,040
Speaker 1: What I say? Rory logo logo row Glow. First of all,

671
00:40:32,080 --> 00:40:34,799
Speaker 1: then you can tell twins, because you know twins, This

672
00:40:34,840 --> 00:40:37,080
Speaker 1: is pretty authentic to twins. They they're certainly just so

673
00:40:37,320 --> 00:40:40,600
Speaker 1: into each other chatting way. Rory is like in the background,

674
00:40:40,640 --> 00:40:42,200
Speaker 1: and then I love that Paris is like we were

675
00:40:42,239 --> 00:40:47,440
Speaker 1: the good sister. My only issue with Madeline Louise is

676
00:40:47,480 --> 00:40:51,799
Speaker 1: like where is Mills? And then Tulane is New Orleans

677
00:40:52,040 --> 00:40:55,200
Speaker 1: in California. So then like the first week, well I

678
00:40:55,239 --> 00:40:57,560
Speaker 1: know that one of obviously isn't going to Mills, Like

679
00:40:57,840 --> 00:41:00,680
Speaker 1: coming up from Tulane, You're like, why would you come?

680
00:41:01,200 --> 00:41:03,879
Speaker 1: You know what I mean, Like it's in the first Yeah,

681
00:41:04,000 --> 00:41:06,640
Speaker 1: it's not. It's not twenty minutes away. Wait, they rip

682
00:41:06,800 --> 00:41:10,200
Speaker 1: Rory out of Stars Hollow and you have a problem

683
00:41:10,239 --> 00:41:12,719
Speaker 1: with Madeline and we showing up from a minute drive.

684
00:41:12,840 --> 00:41:14,560
Speaker 1: Well yeah, but no, but that's the thing. It's it's

685
00:41:14,600 --> 00:41:17,200
Speaker 1: not far like Malone have to get on a plane,

686
00:41:17,960 --> 00:41:23,040
Speaker 1: correct you, Yales open you know I was sending out

687
00:41:23,080 --> 00:41:25,520
Speaker 1: to stress signals, you know, falling off my couch and

688
00:41:25,640 --> 00:41:28,440
Speaker 1: clomping my head. They sent they sent their girls in

689
00:41:29,560 --> 00:41:31,880
Speaker 1: so desperate. He's just like, if Kirk could just be

690
00:41:31,960 --> 00:41:37,880
Speaker 1: the pizza delivery guy, what show was I watching? I

691
00:41:37,920 --> 00:41:43,319
Speaker 1: wasn't watching something else four. It was Gilmore Girls, and

692
00:41:43,360 --> 00:41:47,400
Speaker 1: it was unfamiliar. It wasn't girls Gilmore Girls were moving

693
00:41:47,520 --> 00:41:50,560
Speaker 1: on life. It was it was like the A T

694
00:41:50,719 --> 00:41:54,799
Speaker 1: and T version of Gilmore Girls on the telephone. Right, Look,

695
00:41:55,600 --> 00:42:00,359
Speaker 1: that was a good Line's true, It's true. Okay. So

696
00:42:00,520 --> 00:42:05,040
Speaker 1: now we get this powerful scene between or Lie and Suki,

697
00:42:05,160 --> 00:42:11,480
Speaker 1: which I thought was really really good. M hmm. Melissa

698
00:42:11,640 --> 00:42:16,000
Speaker 1: was like amazing. She really went a different way, and she,

699
00:42:16,480 --> 00:42:21,040
Speaker 1: like I'm sure many pregnant women do, panicked. Mm hmmm.

700
00:42:29,400 --> 00:42:32,720
Speaker 1: You're gonna get so many letters. I can't wait. Bring

701
00:42:32,760 --> 00:42:36,920
Speaker 1: your comments, bring your comments. You know what about comments

702
00:42:36,920 --> 00:42:39,640
Speaker 1: for your comments and everybody's comments. Why can't they get

703
00:42:39,800 --> 00:42:42,360
Speaker 1: letters for their comments? Look, I don't want to be cocky,

704
00:42:42,440 --> 00:42:44,040
Speaker 1: but I feel like the people are going to agree

705
00:42:44,080 --> 00:42:57,799
Speaker 1: with me. Open up a diner at you, pop up,

706
00:42:57,960 --> 00:43:02,600
Speaker 1: looks gotta pop up el No Yale should open an

707
00:43:02,600 --> 00:43:08,440
Speaker 1: annex in stars Hollow. Okay, oh my god. Campus he

708
00:43:08,480 --> 00:43:11,440
Speaker 1: wants her to go to the stars Hollow Community College.

709
00:43:11,560 --> 00:43:15,280
Speaker 1: He can't, he can't take it. Just not just staying

710
00:43:16,600 --> 00:43:20,680
Speaker 1: next week, wait till next week. I'm waiting. This is

711
00:43:20,680 --> 00:43:23,080
Speaker 1: why the show is so great because because it makes

712
00:43:23,120 --> 00:43:25,680
Speaker 1: you wait, it pisces you off a little bit, and

713
00:43:25,680 --> 00:43:27,879
Speaker 1: then it delivers, you know what I mean. I think

714
00:43:27,920 --> 00:43:31,040
Speaker 1: they do it on purpose. I thought it was a

715
00:43:31,040 --> 00:43:34,600
Speaker 1: beautiful I think this episode. I think this episode was

716
00:43:34,640 --> 00:43:40,120
Speaker 1: the digger. This whole episode was a digger, right, a

717
00:43:40,160 --> 00:43:43,439
Speaker 1: trojan horse. Don't you think to make us think one thing,

718
00:43:43,520 --> 00:43:49,360
Speaker 1: but it's going to do another. No. I thought it

719
00:43:49,400 --> 00:43:52,319
Speaker 1: was a beautiful moment between Suki and lor Ly. Yes,

720
00:43:52,400 --> 00:43:55,960
Speaker 1: as you've stated, why why because I just get an

721
00:43:55,960 --> 00:43:57,040
Speaker 1: out of me, get it out of me, get an

722
00:43:57,040 --> 00:43:58,400
Speaker 1: out of me. Well, first of all, I thought it

723
00:43:58,440 --> 00:44:00,000
Speaker 1: was funny, but I also thought it was really hard

724
00:44:00,160 --> 00:44:04,400
Speaker 1: felt and your baby friendship, and you see the way

725
00:44:04,440 --> 00:44:08,120
Speaker 1: like lore La is such a she really is a

726
00:44:08,120 --> 00:44:11,400
Speaker 1: great mom, and she really is a great friend. She

727
00:44:11,640 --> 00:44:13,640
Speaker 1: is a great mom because she knew how to solve

728
00:44:13,680 --> 00:44:16,920
Speaker 1: this mess with the you know, salmon and the green

729
00:44:17,440 --> 00:44:21,080
Speaker 1: mac and cheese. She goes into gear. She's a great worker,

730
00:44:21,120 --> 00:44:22,920
Speaker 1: she knows how to sell problems, and she's such a

731
00:44:22,920 --> 00:44:26,120
Speaker 1: good friend because so she's all the things. So I thought,

732
00:44:26,360 --> 00:44:30,520
Speaker 1: you know, there's my girl. Was Obviously Suki was having

733
00:44:30,560 --> 00:44:35,080
Speaker 1: a moment and there was some crises. I mean, you

734
00:44:35,480 --> 00:44:38,319
Speaker 1: girls can comment on this better than I. I think

735
00:44:38,360 --> 00:44:41,600
Speaker 1: there are times when someone needs their friend and you

736
00:44:41,640 --> 00:44:45,280
Speaker 1: see what best friends these guys are, And like Lorela,

737
00:44:45,280 --> 00:44:48,080
Speaker 1: I wasn't afraid to be like, this isn't how it's done.

738
00:44:48,160 --> 00:44:50,799
Speaker 1: Like she's not like like sugarcoating it. She's not like,

739
00:44:51,200 --> 00:44:53,520
Speaker 1: oh it's okay, She's like, this is not what kids like.

740
00:44:53,560 --> 00:44:55,440
Speaker 1: You have to know if we're gonna get into this business,

741
00:44:55,880 --> 00:44:57,560
Speaker 1: and if you're going to have a kid, you should

742
00:44:57,560 --> 00:45:02,960
Speaker 1: know that the kid's not gonna want you carrot sticks.

743
00:45:02,360 --> 00:45:08,719
Speaker 1: I also think they're like every um, every person that's

744
00:45:08,760 --> 00:45:13,920
Speaker 1: becoming a mom, right, Like they always have the fear

745
00:45:14,200 --> 00:45:16,480
Speaker 1: that they're not going to be a good mom, Like

746
00:45:16,520 --> 00:45:19,279
Speaker 1: no one wants to be a bad mom, and so

747
00:45:19,320 --> 00:45:22,319
Speaker 1: there is that fear that I think is relatable. You know,

748
00:45:22,440 --> 00:45:25,440
Speaker 1: I don't even have kids yet, but eventually when that

749
00:45:25,480 --> 00:45:27,560
Speaker 1: time comes, I'm like, I just hope I'm a good mom.

750
00:45:28,000 --> 00:45:30,640
Speaker 1: And I think Suki is like calculating that in her head, like,

751
00:45:30,680 --> 00:45:32,759
Speaker 1: oh my god, I couldn't even get the kids menu right.

752
00:45:33,040 --> 00:45:36,040
Speaker 1: The one thing I can actually control is food. I

753
00:45:36,080 --> 00:45:38,640
Speaker 1: know how to make food, and I couldn't even make

754
00:45:38,760 --> 00:45:43,480
Speaker 1: pizza right. The thing that bothered me so much, with

755
00:45:43,640 --> 00:45:48,560
Speaker 1: the thoughts and the words uh, and the anger and

756
00:45:48,640 --> 00:45:52,240
Speaker 1: the fear and the rage that was coming out of Suki.

757
00:45:52,440 --> 00:45:57,200
Speaker 1: I had never seen it before. That character, that character,

758
00:45:57,440 --> 00:46:00,800
Speaker 1: that character, that character is a touched own for comedy,

759
00:46:00,840 --> 00:46:05,120
Speaker 1: for comfort, for you know, the sunny side of life,

760
00:46:05,640 --> 00:46:08,239
Speaker 1: for optimism, for all of this stuff. You've just never

761
00:46:08,640 --> 00:46:12,319
Speaker 1: seen her like this, and it was so odd. Oh see,

762
00:46:12,320 --> 00:46:15,600
Speaker 1: I loved it. That's so interesting. But I think, Scott,

763
00:46:15,640 --> 00:46:18,200
Speaker 1: I think we can see the thing that's happening for

764
00:46:18,280 --> 00:46:24,440
Speaker 1: you here. You are uncomfortable with this difference. Listen, doctor,

765
00:46:25,080 --> 00:46:27,799
Speaker 1: listen doctor. You know I'm not sending you a check.

766
00:46:27,880 --> 00:46:29,960
Speaker 1: I'm not on a couch here. Okay, will you take

767
00:46:29,960 --> 00:46:33,440
Speaker 1: it easy with the analysis. I think Scott, you're afraid

768
00:46:33,440 --> 00:46:37,480
Speaker 1: of Okay, we get it, okay in your life. But

769
00:46:38,560 --> 00:46:41,400
Speaker 1: the show, yes, I know, but that's all I'm referring

770
00:46:41,440 --> 00:46:44,680
Speaker 1: to too. It's like in the show you you love it,

771
00:46:45,040 --> 00:46:47,719
Speaker 1: and you cannot understand why they took this level of

772
00:46:47,800 --> 00:46:51,000
Speaker 1: risk because it was a conversation at the studio level.

773
00:46:51,000 --> 00:46:53,120
Speaker 1: It was a conversation in the writer's room, you know,

774
00:46:53,200 --> 00:46:56,520
Speaker 1: it was we've are we gonna grab how long? How

775
00:46:56,520 --> 00:46:58,439
Speaker 1: long are we gonna grab? We're gonna graduate her after

776
00:46:58,480 --> 00:47:00,480
Speaker 1: three years? And center to you, we're gonna do it

777
00:47:00,520 --> 00:47:01,920
Speaker 1: in five years. We're gonna do it in six years.

778
00:47:01,920 --> 00:47:04,880
Speaker 1: Why an't we going to do it? They did it

779
00:47:04,920 --> 00:47:07,120
Speaker 1: sooner rather than later because maybe they didn't have enough

780
00:47:07,160 --> 00:47:08,920
Speaker 1: confidence in the show was gonna last that long, so

781
00:47:08,960 --> 00:47:11,000
Speaker 1: they wanted to They thought getting her Yale was going

782
00:47:11,080 --> 00:47:13,120
Speaker 1: to really pump up the ratings or something like that,

783
00:47:13,360 --> 00:47:16,080
Speaker 1: you know, and get hit another demo. Who knows. But

784
00:47:16,200 --> 00:47:17,680
Speaker 1: that was a decision that was made, and I don't

785
00:47:17,680 --> 00:47:20,799
Speaker 1: think it was a good one. Yeah, I mean, that's

786
00:47:20,800 --> 00:47:22,600
Speaker 1: what I think that That's what I'm referring to, is

787
00:47:22,640 --> 00:47:28,640
Speaker 1: that you don't like seeing this direction where I do.

788
00:47:29,200 --> 00:47:31,359
Speaker 1: Why do the fans to tune in? Why do people

789
00:47:31,360 --> 00:47:33,440
Speaker 1: tune in? They want to They want to be in

790
00:47:33,480 --> 00:47:35,319
Speaker 1: that town. They want to be with Kirk, they want

791
00:47:35,320 --> 00:47:37,200
Speaker 1: to be with Lane, they want to be with Taylor,

792
00:47:37,239 --> 00:47:38,799
Speaker 1: they want to be with all the people that they

793
00:47:38,840 --> 00:47:44,800
Speaker 1: want to live in that town. The most important character

794
00:47:45,400 --> 00:47:49,600
Speaker 1: in that show is stars hollow itself. This is true,

795
00:47:49,760 --> 00:47:52,760
Speaker 1: This is true. And then you take you take people

796
00:47:52,760 --> 00:47:56,000
Speaker 1: out of that situation. And then you've got trouble, and

797
00:47:56,040 --> 00:47:58,959
Speaker 1: I'm experienced just reflecting that. No, no no, no, you could

798
00:47:58,960 --> 00:48:03,360
Speaker 1: be totally right. For me, everything is about Rory and Lorelie.

799
00:48:03,960 --> 00:48:07,680
Speaker 1: Everything that's I don't agree with that. I think they

800
00:48:07,280 --> 00:48:11,640
Speaker 1: I think that they need all of those and they

801
00:48:11,640 --> 00:48:15,840
Speaker 1: were we were all supporting characters because they were established

802
00:48:15,840 --> 00:48:18,560
Speaker 1: two leads. Those only two people that got on the poster,

803
00:48:18,960 --> 00:48:21,000
Speaker 1: they're the only two people that did talk shows. That

804
00:48:21,080 --> 00:48:24,800
Speaker 1: there were only two people that got paid. Everybody else

805
00:48:25,160 --> 00:48:29,719
Speaker 1: was incidental. But now you see how valuable they are.

806
00:48:30,360 --> 00:48:33,759
Speaker 1: Now you see how valuable every single character in that

807
00:48:33,800 --> 00:48:35,920
Speaker 1: show is. At least for me, it's a very stark

808
00:48:36,000 --> 00:48:39,719
Speaker 1: contrast being out of that universe with all of those

809
00:48:39,719 --> 00:48:43,480
Speaker 1: wonderful characters, so that their humor and their anxiety, uh

810
00:48:43,560 --> 00:48:46,960
Speaker 1: and their irony and their cervict wit can really bounce

811
00:48:47,000 --> 00:48:49,080
Speaker 1: off of everything because it provides all the fuel was

812
00:48:49,120 --> 00:48:51,640
Speaker 1: provided by those town characters and the wacki goings on.

813
00:48:52,160 --> 00:48:54,479
Speaker 1: Now we're in a foreign territory. It ain't it ain't

814
00:48:54,520 --> 00:48:56,919
Speaker 1: popping like it was. So I'm a little concerned about

815
00:48:56,920 --> 00:49:01,400
Speaker 1: it as as a fan of the show and having

816
00:49:02,080 --> 00:49:04,480
Speaker 1: fallen in love with stars Hollow and all of its

817
00:49:04,560 --> 00:49:09,480
Speaker 1: characters and how Rory and Laura I interact within that world,

818
00:49:10,280 --> 00:49:12,480
Speaker 1: so taking it out of that world is very risky.

819
00:49:12,520 --> 00:49:14,759
Speaker 1: I mean, yeah, for me, I think it's Rory and

820
00:49:14,840 --> 00:49:20,360
Speaker 1: Lorela and then for me Luke, So Luke is almost

821
00:49:20,400 --> 00:49:24,160
Speaker 1: as important to me as them. But I am not.

822
00:49:24,360 --> 00:49:28,879
Speaker 1: I'm cool with Gale. I love what's coming. I think

823
00:49:28,880 --> 00:49:33,239
Speaker 1: some of my favorite things are coming in season four

824
00:49:33,280 --> 00:49:36,640
Speaker 1: and five, so I'm I'll definitely keep watching. You know,

825
00:49:36,880 --> 00:49:43,200
Speaker 1: I'm interested to see. But it's just the three girls

826
00:49:43,239 --> 00:49:48,640
Speaker 1: who recount the rest of the show. Imagine, we're like, um,

827
00:49:50,440 --> 00:49:53,719
Speaker 1: Scott quit, you can just go. You can just put

828
00:49:53,800 --> 00:49:57,800
Speaker 1: up a little sign here and says gone fishing. Okay,

829
00:49:57,840 --> 00:50:04,320
Speaker 1: so just just like this microphone with this, We're like, buddy,

830
00:50:04,360 --> 00:50:06,359
Speaker 1: you're gonna have to keep watching, and I think you're

831
00:50:06,360 --> 00:50:09,160
Speaker 1: gonna I think you're gonna come around. I could be

832
00:50:09,200 --> 00:50:11,919
Speaker 1: wrong by thinking I probably will, but right now I'm

833
00:50:11,920 --> 00:50:15,719
Speaker 1: giving you my honest feedback in real time. I just

834
00:50:15,760 --> 00:50:19,440
Speaker 1: saw the episode and I'm not sugarcoating it well, and

835
00:50:19,440 --> 00:50:21,360
Speaker 1: I hope you don't mind me arguing with you, because

836
00:50:21,600 --> 00:50:26,280
Speaker 1: I love the argument. I wake up with hoping somebody

837
00:50:26,360 --> 00:50:29,680
Speaker 1: argues with me. I love playing Devil's Advocate. I love them.

838
00:50:29,719 --> 00:50:32,440
Speaker 1: I love them more than two. But I love them

839
00:50:32,480 --> 00:50:35,200
Speaker 1: in Stars. I mean, I'd like to go to that town.

840
00:50:35,200 --> 00:50:37,120
Speaker 1: I love that town. But I'm cool with Yale. Okay,

841
00:50:37,120 --> 00:50:39,359
Speaker 1: so what did you think we see naked Marty? So

842
00:50:39,440 --> 00:50:42,760
Speaker 1: what did that? Listen? If you've got a football team

843
00:50:42,880 --> 00:50:45,560
Speaker 1: and you've got a quarterback and a wide receiver that

844
00:50:45,600 --> 00:50:48,800
Speaker 1: are connecting all the time, but now the wide receivers

845
00:50:48,800 --> 00:50:53,040
Speaker 1: in another town and they're making calls, they're not Tom

846
00:50:53,080 --> 00:50:57,200
Speaker 1: Brady about Tom Brady. Brady, he's been in the Patriots.

847
00:50:57,320 --> 00:51:00,040
Speaker 1: I tried to develop that analogy. It didn't really and

848
00:51:00,080 --> 00:51:02,560
Speaker 1: I'm going to come on the counteract it. Tom Brady.

849
00:51:02,960 --> 00:51:05,919
Speaker 1: Everybody was comfortable with Tom Brady, but I'm not even

850
00:51:05,960 --> 00:51:07,719
Speaker 1: think Tom Brady fan. But I'm just gonna say Tom

851
00:51:07,719 --> 00:51:10,240
Speaker 1: Brady is on the Patriots, and everyone loves Tom Brady

852
00:51:10,239 --> 00:51:13,399
Speaker 1: on the Patriots. All of a sudden he's on the

853
00:51:13,440 --> 00:51:18,360
Speaker 1: Tampa Bay Buccaneers. Oh but they still went to the

854
00:51:18,360 --> 00:51:23,279
Speaker 1: Super Bowl. But at least he stayed in in in

855
00:51:23,880 --> 00:51:29,000
Speaker 1: New England for how many years there? Seventeen years, eighteen years,

856
00:51:29,080 --> 00:51:34,239
Speaker 1: good point a long time. But did you not enjoy

857
00:51:33,640 --> 00:51:38,000
Speaker 1: that Tom Brady went to the Buccaneers, like you can

858
00:51:38,120 --> 00:51:41,399
Speaker 1: follow him there. Some people are now fans, don't. I'm

859
00:51:41,440 --> 00:51:45,160
Speaker 1: just it's still not the Patriots. But it's not a

860
00:51:45,280 --> 00:51:49,000
Speaker 1: bad you create. You created dynasty. You keep it going

861
00:51:49,080 --> 00:51:51,000
Speaker 1: for a couple of more years before you you know,

862
00:51:51,719 --> 00:51:55,279
Speaker 1: sometimes he needs right now. I don't know that we're

863
00:51:55,320 --> 00:51:58,319
Speaker 1: in Tampa Bay right now, Yale, I would I don't know,

864
00:51:58,719 --> 00:52:02,120
Speaker 1: A right, fair, fair, fair, a fair we could see,

865
00:52:02,400 --> 00:52:05,879
Speaker 1: we'll see. So can somebody make a note this season four,

866
00:52:05,920 --> 00:52:08,600
Speaker 1: episode three, somebody make a little note that in like

867
00:52:08,719 --> 00:52:11,560
Speaker 1: ten episodes, let's see how Scott is feeling and saying,

868
00:52:12,480 --> 00:52:18,359
Speaker 1: because we'll forget. I know you won't. It might be

869
00:52:18,440 --> 00:52:25,359
Speaker 1: so into digger. What do you think of Marty? Uh?

870
00:52:26,400 --> 00:52:28,960
Speaker 1: I don't know. I don't know. He's kind of he's alright,

871
00:52:29,000 --> 00:52:32,680
Speaker 1: I guess a little flat. Too long. It took her

872
00:52:32,719 --> 00:52:34,640
Speaker 1: way too long to hand over the road. It was

873
00:52:34,680 --> 00:52:37,480
Speaker 1: like it was like or she's up by the way.

874
00:52:37,520 --> 00:52:39,160
Speaker 1: She was like playing with it. So I think she

875
00:52:39,239 --> 00:52:42,080
Speaker 1: knew like it was coming in the scene, you know,

876
00:52:42,640 --> 00:52:43,960
Speaker 1: but like she kept playing with them, like can you

877
00:52:44,040 --> 00:52:45,839
Speaker 1: just hand in the rope and not cox him you

878
00:52:45,880 --> 00:52:47,600
Speaker 1: guys can't laugh when she can't wake him up, and

879
00:52:47,600 --> 00:52:53,319
Speaker 1: then she tickles him with the rope that was so good,

880
00:52:53,360 --> 00:52:56,160
Speaker 1: and then he's all, are you in my Japanese fiction class?

881
00:52:56,160 --> 00:52:58,880
Speaker 1: By the way, that sounds like a hard class. I

882
00:52:58,920 --> 00:53:02,319
Speaker 1: didn't expect Mary from I almost thought of them as

883
00:53:02,320 --> 00:53:05,440
Speaker 1: two separate characters, like I didn't expect Marty and school,

884
00:53:05,440 --> 00:53:08,839
Speaker 1: who arrives early just like Rory does to be then

885
00:53:09,160 --> 00:53:13,200
Speaker 1: a few hours later, completely blacked out and naked. Well,

886
00:53:13,320 --> 00:53:16,560
Speaker 1: remember she was also eyeing him at the at the

887
00:53:16,640 --> 00:53:18,920
Speaker 1: party whatever. She was going to go talk to him.

888
00:53:18,920 --> 00:53:20,319
Speaker 1: I was going to go talk to him, and she's

889
00:53:20,320 --> 00:53:22,279
Speaker 1: eyeing him and he was just kind of like leaning

890
00:53:22,280 --> 00:53:25,120
Speaker 1: against the wall. M hm. Yeah. I don't know how

891
00:53:25,120 --> 00:53:31,640
Speaker 1: he got so wasted, but was that it? That's freshman

892
00:53:31,719 --> 00:53:34,680
Speaker 1: year of college for you three beers, and you show

893
00:53:34,760 --> 00:53:37,360
Speaker 1: up like that. What he says like, I'm officially a

894
00:53:37,400 --> 00:53:40,440
Speaker 1: bigger idiot than my brother. Yea, yeah, this guy's so

895
00:53:40,600 --> 00:53:43,960
Speaker 1: rub And then we go to Scott. This will bring

896
00:53:44,000 --> 00:53:48,880
Speaker 1: you such comfort. We've got Lorala and Rory and Emily

897
00:53:48,960 --> 00:53:51,479
Speaker 1: and Richard altogether on a front. Finally, wait a minute,

898
00:53:51,520 --> 00:53:58,000
Speaker 1: let me refer to my notes here alright, Finally Friday

899
00:53:58,040 --> 00:54:03,120
Speaker 1: night dinner recrencient furniture finally feels like Gilmore Girls. There

900
00:54:03,120 --> 00:54:05,640
Speaker 1: it is, there, it is. I wrote it down. Finally

901
00:54:05,840 --> 00:54:10,960
Speaker 1: feels like Gilmore Girls. Yeah, and I thought the best line,

902
00:54:11,040 --> 00:54:14,840
Speaker 1: and I'll give you my best line. Richards says. He

903
00:54:14,960 --> 00:54:21,040
Speaker 1: talks about his little conspiracy revenge deal with Gigger as

904
00:54:21,160 --> 00:54:29,960
Speaker 1: downright Elizabethan nice line and Gilmore situation. Um so anyway, yeah,

905
00:54:30,320 --> 00:54:35,839
Speaker 1: so you're right. I was comforted. How many what are

906
00:54:35,840 --> 00:54:39,839
Speaker 1: we doing dorm dorm rooms couches? I think I think

907
00:54:39,840 --> 00:54:44,400
Speaker 1: we're doing, uh, Laura, how many Laura Ashley couches? We

908
00:54:45,080 --> 00:54:47,040
Speaker 1: do have any like weird hidden things? I did see

909
00:54:47,040 --> 00:54:53,400
Speaker 1: a prominent clown pillow talk amongst something I noticed. It

910
00:54:53,480 --> 00:54:56,480
Speaker 1: was just a random, like choice. But like when she's

911
00:54:56,480 --> 00:54:58,800
Speaker 1: talking to Laura Lie on the phone in the dorm

912
00:54:59,040 --> 00:55:01,080
Speaker 1: and she goes and grabs water bottle, which I thought

913
00:55:01,080 --> 00:55:03,240
Speaker 1: was the most pointless moment to grab a water bottle,

914
00:55:03,480 --> 00:55:07,320
Speaker 1: but then she sets it behind the plate of apples

915
00:55:07,360 --> 00:55:10,520
Speaker 1: so you don't see the label. And it was a though,

916
00:55:10,560 --> 00:55:15,839
Speaker 1: and it was we all noticed it was like strategically

917
00:55:15,880 --> 00:55:18,680
Speaker 1: that didn't do product placements. So she strategically placed it

918
00:55:18,719 --> 00:55:21,480
Speaker 1: behind the bowl of apples. No, we all noticed that

919
00:55:21,520 --> 00:55:24,680
Speaker 1: aquafina so much that that was the point of taking

920
00:55:24,680 --> 00:55:31,560
Speaker 1: a sip like one littlest yes there are My crack

921
00:55:31,640 --> 00:55:36,759
Speaker 1: team has actually uh going on vacation. Uh. They are

922
00:55:36,800 --> 00:55:41,080
Speaker 1: in Costa Rica right now, riding alligators or crocodiles or something.

923
00:55:41,120 --> 00:55:43,920
Speaker 1: So no notes for this one. If you guys have

924
00:55:44,000 --> 00:55:49,040
Speaker 1: any let's let's hear. Yeah, clown pillow very prominent, and

925
00:55:49,080 --> 00:55:52,560
Speaker 1: that is two back to back, very prominent clown pillows.

926
00:55:52,840 --> 00:55:57,520
Speaker 1: Season four is really here for the clown season of

927
00:55:57,560 --> 00:56:02,680
Speaker 1: the clown and I couldn't agree more. Wait, how many

928
00:56:02,680 --> 00:56:05,279
Speaker 1: dorm room Laura Ashley couches? All right, so let's let's

929
00:56:05,320 --> 00:56:08,520
Speaker 1: do it. Yeah, how many lour Ashley couches? Danielle? Are

930
00:56:08,560 --> 00:56:14,200
Speaker 1: you giving this five couches? Couches? Wow? That's generous, Uh, Tara,

931
00:56:14,760 --> 00:56:18,440
Speaker 1: I was going to say six, six couches to Amy, wow,

932
00:56:19,320 --> 00:56:28,600
Speaker 1: half eight and a half couches? Uh, how many couches

933
00:56:28,640 --> 00:56:34,920
Speaker 1: for you? I'm gonna give it to two couches. Two

934
00:56:35,000 --> 00:56:37,680
Speaker 1: couches for too many phone calls and we're out of stars,

935
00:56:37,719 --> 00:56:40,120
Speaker 1: hollow and we haven't established Yale and nobody wants to

936
00:56:40,120 --> 00:56:42,120
Speaker 1: hear the rant anymore. And that's just how I feel

937
00:56:42,120 --> 00:56:49,239
Speaker 1: about it. And I love you. What's next week? Uh?

938
00:56:49,520 --> 00:56:54,759
Speaker 1: We got chicken beef? You know My answer to that

939
00:56:54,880 --> 00:57:05,520
Speaker 1: is both? Why not see it? Four? Keep the cards

940
00:57:05,520 --> 00:57:08,680
Speaker 1: and letters coming. I wish we were more controversy. I

941
00:57:08,760 --> 00:57:22,040
Speaker 1: love everybody. I have no fun doing this by honest,

942
00:57:44,320 --> 00:57:47,360
Speaker 1: Hey everybody, and don't forget follow us on Instagram at

943
00:57:47,680 --> 00:57:51,600
Speaker 1: I Am all In podcast and email us at Gilmore

944
00:57:51,840 --> 00:57:55,520
Speaker 1: at I heart radio dot com. Oh you, Gilmore fans.

945
00:57:55,560 --> 00:57:57,280
Speaker 1: If you're looking for the best cup of coffee in

946
00:57:57,280 --> 00:58:00,760
Speaker 1: the world, go to my website for my company, Scott

947
00:58:00,760 --> 00:58:02,760
Speaker 1: e P dot com, s C O T T y

948
00:58:02,880 --> 00:58:05,760
Speaker 1: P dot com, Scott e P dot com Grade one

949
00:58:06,120 --> 00:58:16,840
Speaker 1: Specialty Coffee. Yeah.