WEBVTT - That Time I Burned a Bridge

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<v Speaker 1>Welcome to game Plan, a show about our lives at work.

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<v Speaker 1>I'm Francesco Leavy, editor of the game Plan section at

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<v Speaker 1>Bloomberg dot com, and I'm Rebecca Greenfield, a reporter at Bloomberg,

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<v Speaker 1>where I cover workplace culture. This week, we're talking about

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<v Speaker 1>bridge burning. Everybody has the fantasy of quitting their job

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<v Speaker 1>and leaving in a blaze of glory, telling their boss

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<v Speaker 1>exactly what they always thought of them, I don't know,

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<v Speaker 1>tearing up somebody else's cubicle, doing something really memorable that

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<v Speaker 1>will make the company rue the day that they treated

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<v Speaker 1>you badly. But usually we have the good sense not

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<v Speaker 1>to do stuff like this because we've been always taught

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<v Speaker 1>that you don't burn bridges. Right, Yeah, you never want

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<v Speaker 1>to piss someone off that maybe you'll need them for

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<v Speaker 1>something later, right, And you never know who that person

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<v Speaker 1>is going to be, so your workplace nemesis. Now, who's

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<v Speaker 1>some other officer and that you hate could be the

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<v Speaker 1>very person that is responsible for deciding whether you get fired,

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<v Speaker 1>hired or fired at a future job. And yet we

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<v Speaker 1>still hear about these examples of people doing exactly that,

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<v Speaker 1>just doing stuff that is so deliciously awful. But it

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<v Speaker 1>is a really bad career move, and we love reading

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<v Speaker 1>about it. Like, not too long ago, there was a

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<v Speaker 1>customer service employee a yelped named Talia Jane who wrote

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<v Speaker 1>a lengthy essay on Medium about how terrible her job

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<v Speaker 1>was and how poor her pay was, and it generated

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<v Speaker 1>a long back and forth on the Internet about whether

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<v Speaker 1>she was an entitled millennial or whether she was completely

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<v Speaker 1>right to stand up to the man. But the whole

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<v Speaker 1>point is we all got the joy of watching somebody

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<v Speaker 1>live out our work revenge fantasies without any of the repercussions.

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<v Speaker 1>Yet so fun to read these things because it scratches

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<v Speaker 1>that itch that we have to do these things, but

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<v Speaker 1>then we don't actually have to do it, right, But

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<v Speaker 1>what happens when you burn a bridge and you don't

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<v Speaker 1>even really know you're doing it as you're doing it.

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<v Speaker 1>This week's show is going to be in a little

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<v Speaker 1>bit of a different format. We're going to dedicate the

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<v Speaker 1>whole time to exploring an incident that could have burned

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<v Speaker 1>some major bridges and that is a very personal story

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<v Speaker 1>that comes from within our very own podcast team. Isn't

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<v Speaker 1>that right, Becca? Yes, I'm I may have burned a

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<v Speaker 1>bridge without quite knowing that I was doing it. To

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<v Speaker 1>understand the tale of Becca's Big, bad bridge burning. You

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<v Speaker 1>need a little bit of background, so we're just gonna

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<v Speaker 1>launch you right into it. Sit back and enjoy back.

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<v Speaker 1>I was a blogger at The Atlantic Wire, and I

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<v Speaker 1>wrote a post called Who's crazier bloggers are Writers? There

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<v Speaker 1>have been an article in The New York Times about

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<v Speaker 1>Joe Wisenthal, a blogger at the time at the website

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<v Speaker 1>Business Insider. The story was about how much he worked.

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<v Speaker 1>He woke up at four a m. He was always

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<v Speaker 1>on Twitter, so much so that his wife had to

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<v Speaker 1>tweet at him to get his attention. Even his bosses

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<v Speaker 1>described as schedule as insane. My job at the time

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<v Speaker 1>was to respond to the news of the day, so

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<v Speaker 1>I wrote a post about Joe, which was mostly about

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<v Speaker 1>the way we talked about workaholic bloggers versus other types

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<v Speaker 1>of people who are dedicated to their jobs with the

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<v Speaker 1>same intensity. I used Robert Carroll, one of the most

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<v Speaker 1>famous and celebrated biographers, as an example. The story was

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<v Speaker 1>also a criticism of Joe, though it had some harsh lines.

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<v Speaker 1>You said that it sounded like quote his life sucks

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<v Speaker 1>and that he was quote feeding his own ego and

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<v Speaker 1>the page view beast that is Business Insider. It was

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<v Speaker 1>a controversy when I went up Business Insider, people including Joe,

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<v Speaker 1>tweeted mean things at me, but it wasn't that out

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<v Speaker 1>of the ordinary for a day in the life of

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<v Speaker 1>blogger me at the time. And after a day of

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<v Speaker 1>Twitter squabbling, I moved on with my life and I

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<v Speaker 1>have to say I didn't really think about the article again.

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<v Speaker 1>So three years later, you get a job at Bloomberg

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<v Speaker 1>and Joe wasn'tal now works here. Now you work with

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<v Speaker 1>this person that you had burned. I knew he worked

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<v Speaker 1>at Bloomberg. There was a lot of press about it,

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<v Speaker 1>but honestly, hadn't remembered that story. I didn't even think

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<v Speaker 1>about it when I was interviewing for the job that

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<v Speaker 1>it somehow might affect my chances of getting the job.

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<v Speaker 1>But it turns out that Joe remembered it. I think

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<v Speaker 1>he was he heard your name in a conversation about

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<v Speaker 1>the interview process or that you had just been hired

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<v Speaker 1>or something like that, and he was like, that's the

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<v Speaker 1>woman who like tore me to shreds on the internet.

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<v Speaker 1>That was Aaron rot copp An editor at Bloomberg who

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<v Speaker 1>was very involved in hiring me. Not only did Joe remember,

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<v Speaker 1>but everyone at Bloomberg had been talking about it before

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<v Speaker 1>I started. We definitely all had like a real big laugh.

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<v Speaker 1>I think there was like, uh, some reading out loud

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<v Speaker 1>from your post about Joe wise atal um, not in

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<v Speaker 1>like a sarcastic way, but like where we would read

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<v Speaker 1>lines and then all laugh and Joe would laugh too.

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<v Speaker 1>I might have remained blissfully ignorant until on my second

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<v Speaker 1>day of work and editor here brought it up to me.

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<v Speaker 1>He said, didn't you write a takedown of Joe Wisenthal

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<v Speaker 1>and now you're sitting right next to him. At that moment,

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<v Speaker 1>I was mortified. I was brand new at this job

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<v Speaker 1>and had already jeopardized my relationships. Did my bosses and

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<v Speaker 1>colleagues think I was this terrible person? Even worse, I

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<v Speaker 1>had made a tactical error and offended someone I was

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<v Speaker 1>going to work with. Basically the first time that he

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<v Speaker 1>heard your name come up as like she's coming to

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<v Speaker 1>work here, he was like, I have to ask her

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<v Speaker 1>about that, or I don't remember. I don't remember how

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<v Speaker 1>it came up. I just said yeah, as soon as

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<v Speaker 1>he found out you were working here, that that conversation

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<v Speaker 1>started again. That was Dashelle Bennett, a reporter at Bloomberg

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<v Speaker 1>who works with Joe and who I had also worked

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<v Speaker 1>with at The Atlantic Wire. If Joe remembered this story

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<v Speaker 1>three years later, I must have really hurt him, kind

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<v Speaker 1>of painted him as a crazy person a little bit

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<v Speaker 1>that like, and that was but that in that craziness

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<v Speaker 1>his appeal. It made a big deal about how little

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<v Speaker 1>Sleepy got and how he like had carved out this

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<v Speaker 1>niche as this guy who just gets up super early

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<v Speaker 1>in the morning. It beats everybody and everything just because

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<v Speaker 1>he's never sleeping, and you know, and there was a

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<v Speaker 1>big picture and the big name picture was like a

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<v Speaker 1>stage photo of him and his wife in bed and

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<v Speaker 1>she's asleep and he's awake on his laptop. And that

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<v Speaker 1>was kind of a big deal. So it wasn't you know,

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<v Speaker 1>it was totally fair based on what the story was about.

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<v Speaker 1>And and I also think that, like everyone knows that,

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<v Speaker 1>you know, when you get featured in the New York

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<v Speaker 1>Times about anything, you know, it becomes really hard to

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<v Speaker 1>control what the response or the message of that story

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<v Speaker 1>is going to be. So Becca had potentially burned a

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<v Speaker 1>bridge and didn't even realize it. Joe could have blocked

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<v Speaker 1>her hiring at worst, or at the very least, he

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<v Speaker 1>could have ruined her reputation at work before she even

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<v Speaker 1>started the job. In the end, I think everything turned

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<v Speaker 1>out okay, or did it so? Our guest today is

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<v Speaker 1>one of our colleagues at Bloomberg, Joe Wisenthal arkets editor

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<v Speaker 1>and co host of the Odd Lots podcast, and for

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<v Speaker 1>a while, the center of some of Rebecca's most tense moments.

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<v Speaker 1>Thanks for having me. I'm first of all, I'm really

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<v Speaker 1>excited to be on the other side. You know, normally

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<v Speaker 1>I'm interviewing when we do the podcast, so it's always

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<v Speaker 1>fun to be a guest. So thanks for having me,

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<v Speaker 1>Thanks for talking to us, thanks for coming on. Well,

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<v Speaker 1>I want to know about how you felt when you

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<v Speaker 1>read the article that Rebecca wrote. So I was, first

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<v Speaker 1>of all, I was. I was mostly amused and flattered.

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<v Speaker 1>I was not like upset or like hurt or anything

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<v Speaker 1>like that. I was so when that New York Times

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<v Speaker 1>article about myself came out, you know, obviously, like any

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<v Speaker 1>sort of narcissist, I was saying what people said about

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<v Speaker 1>it and or various people who said nice things, and

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<v Speaker 1>some people were making fun of me because the article

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<v Speaker 1>made me sound kind of crazy, but that one, Rebecca's,

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<v Speaker 1>was like the only one that like really like went

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<v Speaker 1>after me. And the reason why I wasn't upset or

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<v Speaker 1>like that I wasn't like heard right, it didn't like

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<v Speaker 1>staying particularly is because the premise of the article was

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<v Speaker 1>that I wasn't as talented as like the most talented

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<v Speaker 1>biographer of all time, which I thought I just seemed

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<v Speaker 1>like so I was like really like amused by like

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<v Speaker 1>the premise. That's like, here's this person who is widely

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<v Speaker 1>regarded to be like the lb j's biographer, Robert Carroll,

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<v Speaker 1>right like that was how the article was set up.

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<v Speaker 1>And it's like, yeah, guilty, I'm not well. I have

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<v Speaker 1>gone back and read the article and it kind of

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<v Speaker 1>has two points to it, which kind of shows it

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<v Speaker 1>was kind of a bad, bad piece, but it was

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<v Speaker 1>good in some ways. But the one piece was kind

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<v Speaker 1>of saying that the media treats bloggers unfairly by saying

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<v Speaker 1>that like portraying you is like a workaholic, and but

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<v Speaker 1>like it's in a bad way. But when Robert Carroll's

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<v Speaker 1>a workaholic. It's a good thing, and so I kind

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<v Speaker 1>of tried to make that point. But then I was like,

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<v Speaker 1>but but why do we think Joe's brand of borkaholicism

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<v Speaker 1>is bad? It's because what he's doing is dumb. Basically, Yeah, yeah,

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<v Speaker 1>I think I guess that's right. Like, I mean, it's

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<v Speaker 1>been a long time since I've read it. So there

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<v Speaker 1>was one thought, which is that the premise of the

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<v Speaker 1>piece was such like felt like it was set up

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<v Speaker 1>in a way that like, of course I couldn't win,

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<v Speaker 1>so I wasn't too bothered. But then and this is

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<v Speaker 1>gonna sound really sanctimonious and obnoxious and everything like that.

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<v Speaker 1>But then my other thought, and again it is gonna.

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<v Speaker 1>I kind of felt sorry for you that you wrote that,

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<v Speaker 1>because my thought was, like I don't know, like who

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<v Speaker 1>edited is or like thought it was a good idea proposed,

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<v Speaker 1>and I guess I just felt like this struck me

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<v Speaker 1>as something clearly regrettable to write. And and that's fine,

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<v Speaker 1>like I've wrote, I've written so many things in my

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<v Speaker 1>life when I was younger that are worse or regrettable,

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<v Speaker 1>like everyone does it. But you always sort of hope

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<v Speaker 1>like that, you know, sometimes someone catches them and say like,

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<v Speaker 1>this isn't really very like good piece or like a

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<v Speaker 1>good idea, And sometimes editors do that and sometimes they don't.

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<v Speaker 1>And I've been on both sides because I've written some

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<v Speaker 1>things or like oh I wish someone had said don't

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<v Speaker 1>write this. Did you feel bad because you felt like, oh,

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<v Speaker 1>this inexperienced writer is going to get some backlash now,

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<v Speaker 1>or just because you thought, oh, this person wrote a

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<v Speaker 1>thing that isn't very good or I or you know,

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<v Speaker 1>it wasn't it. It was more so we know what

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<v Speaker 1>it was. More. I didn't think there was gonna be

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<v Speaker 1>any back particular backlash, and there wasn't. I mean, I

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<v Speaker 1>don't know. Maybe some there was people not backlash, but

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<v Speaker 1>your business inside our buddies tweah, well that's because you know,

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<v Speaker 1>it's a team sport. So but I you know, I

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<v Speaker 1>didn't know. I didn't think it was gonna be any backlash. Actually,

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<v Speaker 1>my thought more specifically was it's um kind of unfortunate

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<v Speaker 1>that people and I didn't know anything about you, and

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<v Speaker 1>I didn't know like where you were your career, but

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<v Speaker 1>I figured you're sort of early in your career, which

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<v Speaker 1>I was. Yeah, I was I'm pretty sure maybe, And

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<v Speaker 1>so my thought was I just sort of thought it

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<v Speaker 1>was a little unfortunate early in their career, who like,

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<v Speaker 1>you know, in this business like makes sense, like yeah, yeah,

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<v Speaker 1>so yeah I was writing stuff, not like so I,

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<v Speaker 1>but yeah, I was writing things takes before the word

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<v Speaker 1>take was even the word before people didn't talk about

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<v Speaker 1>yeah it was not. Yeah, but I was doing this

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<v Speaker 1>just constantly all day, turning things out, and I was

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<v Speaker 1>just really unhappy in my job and definitely like projecting

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<v Speaker 1>a little bit through this where I was. There's so

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<v Speaker 1>there are a couple pretty mean lines in here that

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<v Speaker 1>I regret more than anything else. So one of them

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<v Speaker 1>is talking about how the Times article portrayed you as

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<v Speaker 1>not working a normal schedule at all, and I said, still,

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<v Speaker 1>we feel bad for Wise and it sounds like his

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<v Speaker 1>life sucks. Yeah, I guess that's kind of mean. And honestly,

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<v Speaker 1>it was because I didn't have a life that was

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<v Speaker 1>that different. You know. I wasn't waking up at like

0:12:11.960 --> 0:12:15.560
<v Speaker 1>four am, and I wasn't on Twitter constantly because I

0:12:15.600 --> 0:12:17.680
<v Speaker 1>didn't want to be. But I felt like I was

0:12:17.920 --> 0:12:20.800
<v Speaker 1>going in that direction and I didn't. I thought I

0:12:20.840 --> 0:12:23.840
<v Speaker 1>thought my life kind of sucked, and but like it

0:12:23.840 --> 0:12:26.480
<v Speaker 1>seems like you were you were the only successful story.

0:12:26.559 --> 0:12:29.360
<v Speaker 1>You know. It's funny, you know, in retrospect now I

0:12:29.360 --> 0:12:34.040
<v Speaker 1>guessider myself an old man and I have kids, or

0:12:34.080 --> 0:12:37.199
<v Speaker 1>I have one kid, I don't have kids, But not

0:12:38.559 --> 0:12:40.280
<v Speaker 1>like I think back and I was like, did that

0:12:40.360 --> 0:12:42.240
<v Speaker 1>kind of suck? Maybe it did? Like maybe you were right.

0:12:42.320 --> 0:12:45.400
<v Speaker 1>Maybe you were like at the time, I mean saying, oh,

0:12:45.400 --> 0:12:47.360
<v Speaker 1>it sounds like his life sucks is a little mean.

0:12:47.760 --> 0:12:51.720
<v Speaker 1>But now that I have some perspective on life and

0:12:52.120 --> 0:12:55.480
<v Speaker 1>slightly more semblance of a work life balance, maybe that

0:12:55.600 --> 0:12:57.559
<v Speaker 1>was Maybe that was actually one of the better lines.

0:12:58.000 --> 0:13:00.360
<v Speaker 1>Maybe that actually maybe that one will stay the test

0:13:00.400 --> 0:13:02.800
<v Speaker 1>of time. Yeah, well, I think I saw you as

0:13:02.880 --> 0:13:06.240
<v Speaker 1>kind of the success story of what I was doing. Physically,

0:13:06.400 --> 0:13:10.040
<v Speaker 1>Joe was doing what you were doing, but so weren't.

0:13:10.080 --> 0:13:13.840
<v Speaker 1>In other words, if this is success, then what is

0:13:13.880 --> 0:13:16.960
<v Speaker 1>even the point? In other words, like if the in

0:13:17.000 --> 0:13:20.440
<v Speaker 1>other words, if the person who's really like thriving in

0:13:20.480 --> 0:13:22.960
<v Speaker 1>this environment has to wake up at four in the

0:13:23.000 --> 0:13:25.600
<v Speaker 1>morning and is online all the time and it doesn't

0:13:25.679 --> 0:13:28.240
<v Speaker 1>have a life and the article, I mean, I thought

0:13:28.240 --> 0:13:30.400
<v Speaker 1>their aspects of it done fair. But there were details

0:13:30.440 --> 0:13:33.240
<v Speaker 1>in the article that made my life seem worse than

0:13:33.240 --> 0:13:35.240
<v Speaker 1>it was, like I said, like the New York Times. Yeah,

0:13:35.280 --> 0:13:37.000
<v Speaker 1>so it said that there was like there were boxes

0:13:37.080 --> 0:13:41.200
<v Speaker 1>that were unopened, which portrayed me as completely not in

0:13:41.240 --> 0:13:43.600
<v Speaker 1>the which is just not. Maybe there was like one

0:13:43.640 --> 0:13:45.959
<v Speaker 1>box that in the corner of there were details that

0:13:46.040 --> 0:13:50.079
<v Speaker 1>I thought played up the degree to which I didn't

0:13:50.080 --> 0:13:51.920
<v Speaker 1>have a life more than perhaps it was a little

0:13:51.960 --> 0:13:55.200
<v Speaker 1>bit fair. But no, I mean I think, actually you're

0:13:55.480 --> 0:13:58.360
<v Speaker 1>the way you say that makes sense that if that success,

0:13:58.400 --> 0:14:00.400
<v Speaker 1>then what is even the point, like why go down

0:14:00.400 --> 0:14:03.200
<v Speaker 1>that path? Was that the harshest line. There's one other

0:14:03.320 --> 0:14:06.360
<v Speaker 1>one line that I regret more than it sounds like

0:14:06.400 --> 0:14:10.320
<v Speaker 1>his life sex, which is the close to the kicker.

0:14:10.720 --> 0:14:15.040
<v Speaker 1>So I'm talking about how Robert Caro has a noble

0:14:15.120 --> 0:14:17.800
<v Speaker 1>cause and that's why we like it. But your cause,

0:14:17.880 --> 0:14:22.200
<v Speaker 1>I say, uh, why is enthals cause is beating his

0:14:22.240 --> 0:14:25.480
<v Speaker 1>own ego and the page view beast that is a

0:14:25.560 --> 0:14:30.240
<v Speaker 1>business insider. So when I going back to as you say,

0:14:30.520 --> 0:14:34.720
<v Speaker 1>I think, actually the premise of your peace, as you

0:14:34.760 --> 0:14:37.920
<v Speaker 1>stayed before that, why does the media treat someone like

0:14:38.000 --> 0:14:41.720
<v Speaker 1>Robert Caro differently than someone who's blogging or why is

0:14:41.880 --> 0:14:46.640
<v Speaker 1>workaholism seemed really noble in Kara's case, that's actually interesting.

0:14:46.680 --> 0:14:48.920
<v Speaker 1>But I remember that because that sounds that like was

0:14:49.000 --> 0:14:52.240
<v Speaker 1>from your just sort of like yeah, um, yeah, you

0:14:52.320 --> 0:14:55.440
<v Speaker 1>know again. I wasn't like offended. I wasn't like this

0:14:55.480 --> 0:14:56.840
<v Speaker 1>is right me, and I was more like, well, this

0:14:56.920 --> 0:14:59.160
<v Speaker 1>is just sort of pointless. But you must have felt,

0:15:00.160 --> 0:15:02.760
<v Speaker 1>I mean, like, how how often did you come in

0:15:02.840 --> 0:15:07.720
<v Speaker 1>for criticism like that? Well, or do you well? Especially

0:15:07.800 --> 0:15:11.600
<v Speaker 1>when I was at Business Insider, we got the criticism

0:15:11.680 --> 0:15:14.000
<v Speaker 1>that like, we're nothing but hungry for page views all

0:15:14.000 --> 0:15:18.360
<v Speaker 1>the time, which is fair and unfair, so fair in

0:15:18.400 --> 0:15:20.840
<v Speaker 1>the fact that we were We were a startup, and

0:15:20.960 --> 0:15:22.880
<v Speaker 1>startups never have a lot of money and they have

0:15:23.000 --> 0:15:24.960
<v Speaker 1>very little margin for erin. One of the ways that

0:15:25.040 --> 0:15:28.480
<v Speaker 1>you get more money is growing traffic, which a allows

0:15:28.520 --> 0:15:32.640
<v Speaker 1>you to sell more ads and be growing traffic theoretically

0:15:32.680 --> 0:15:36.479
<v Speaker 1>allows you to raise more money. So you know, in retrospect,

0:15:36.600 --> 0:15:39.160
<v Speaker 1>I think while we got a lot of criticism for it,

0:15:39.200 --> 0:15:41.840
<v Speaker 1>the fact that we were really good at growing traffic

0:15:41.880 --> 0:15:44.480
<v Speaker 1>and obsessed with it is one reason why we survived.

0:15:44.520 --> 0:15:46.560
<v Speaker 1>I mean, yeah, well, so to mind you, I was

0:15:46.600 --> 0:15:50.480
<v Speaker 1>also very much in that world, constantly looking at chart

0:15:50.520 --> 0:15:53.120
<v Speaker 1>beat analytics to see my on traffic and under a

0:15:53.120 --> 0:15:57.160
<v Speaker 1>ton of pressure. So again, it was the part that

0:15:57.320 --> 0:16:00.760
<v Speaker 1>I was upset about, and I bet that I'm not alone,

0:16:00.800 --> 0:16:03.440
<v Speaker 1>and because I think that this criticism has been leveled

0:16:03.480 --> 0:16:07.560
<v Speaker 1>at all everyone still to this day of digital media startups.

0:16:07.600 --> 0:16:11.880
<v Speaker 1>Is that I was really proud of what we were

0:16:11.880 --> 0:16:15.200
<v Speaker 1>accomplishing traffic aside. I was proud of the audience we're reaching.

0:16:15.560 --> 0:16:17.520
<v Speaker 1>I was proud of like when I knew, like more

0:16:17.520 --> 0:16:19.640
<v Speaker 1>and more people in finance and tech, we're reading it,

0:16:19.880 --> 0:16:23.160
<v Speaker 1>people who were high up and sophisticated, we're reaching out

0:16:23.160 --> 0:16:25.760
<v Speaker 1>and they liked it. Yeah. So okay, so you say

0:16:25.800 --> 0:16:29.080
<v Speaker 1>that you weren't that stung by it, but so, to

0:16:29.120 --> 0:16:32.120
<v Speaker 1>be honest with you, I completely forgot about it when

0:16:32.160 --> 0:16:34.040
<v Speaker 1>I found out what I was working here. I definitely

0:16:34.080 --> 0:16:36.800
<v Speaker 1>knew you worked here. I knew you were, but I

0:16:36.880 --> 0:16:39.120
<v Speaker 1>just didn't think, Oh, I wrote this mean thing about

0:16:39.120 --> 0:16:42.160
<v Speaker 1>this person, like one they might prevent me from getting

0:16:42.160 --> 0:16:44.880
<v Speaker 1>this job, which should have been a concern, but too

0:16:44.920 --> 0:16:46.720
<v Speaker 1>that I have to work with this person who I offended,

0:16:47.040 --> 0:16:49.280
<v Speaker 1>But you remembered it. Yeah, Well, it was one of

0:16:49.280 --> 0:16:54.640
<v Speaker 1>these things I remember the name, so Rebecca Greenfield, and

0:16:54.840 --> 0:16:59.400
<v Speaker 1>but I did not like immediately click why I remember

0:16:59.480 --> 0:17:01.600
<v Speaker 1>the name? So wait, So let's so we've skipped ahead

0:17:01.600 --> 0:17:06.800
<v Speaker 1>in time, and now you have discovered that Becca has

0:17:06.840 --> 0:17:09.880
<v Speaker 1>been hired or is about to be hired. Yeah, it's

0:17:09.880 --> 0:17:12.320
<v Speaker 1>about to be three years later. So this was Yeah,

0:17:12.440 --> 0:17:14.119
<v Speaker 1>it's probably about three years later. It was. It was

0:17:14.240 --> 0:17:20.680
<v Speaker 1>December April, okay, so it was early on. I had

0:17:20.800 --> 0:17:22.920
<v Speaker 1>only been at Bloomberg for a few months and it

0:17:23.040 --> 0:17:25.480
<v Speaker 1>was this big effort and still ongoing. But at the

0:17:25.520 --> 0:17:27.760
<v Speaker 1>time there was a lot more hiring on the digital side,

0:17:28.480 --> 0:17:30.919
<v Speaker 1>and someone I forget who it was, but one of

0:17:30.920 --> 0:17:36.280
<v Speaker 1>my colleagues, like I were hiring Rebecca Greenfield, and the

0:17:36.480 --> 0:17:39.520
<v Speaker 1>name definitely like jumped out. I was like, that name

0:17:39.600 --> 0:17:42.800
<v Speaker 1>is really familiar. And then suddenly the light bulb went off.

0:17:43.240 --> 0:17:45.080
<v Speaker 1>I was like, oh, I know where I know that

0:17:45.160 --> 0:17:46.960
<v Speaker 1>name from. She wrote a really mean thing about me

0:17:47.040 --> 0:17:49.280
<v Speaker 1>one time, so then you probably googled there. And then

0:17:49.280 --> 0:17:53.520
<v Speaker 1>I googled, I said, googled like Rebecca Greenfield. Wire wasn't

0:17:53.520 --> 0:17:56.080
<v Speaker 1>along it came up. But you know, as soon as

0:17:56.160 --> 0:18:00.320
<v Speaker 1>I I you know, I could probably search our IB

0:18:00.480 --> 0:18:03.000
<v Speaker 1>records and find like I was probably like very amusing,

0:18:03.160 --> 0:18:05.840
<v Speaker 1>like I love this should make for an amusing awkward

0:18:05.960 --> 0:18:08.000
<v Speaker 1>What was the first thing that you did remember or

0:18:08.040 --> 0:18:10.000
<v Speaker 1>the first person you oh, I don't know. Well, I

0:18:10.119 --> 0:18:13.960
<v Speaker 1>was Dash, who was here earlier on the show, right,

0:18:14.400 --> 0:18:16.880
<v Speaker 1>he was already working here and I had worked with him. Yeah,

0:18:16.880 --> 0:18:18.400
<v Speaker 1>and you had worked with him, so I was like, oh,

0:18:18.480 --> 0:18:21.520
<v Speaker 1>this is he was probably who I talked about it

0:18:21.520 --> 0:18:24.480
<v Speaker 1>at first two and then I pointed it out to

0:18:24.480 --> 0:18:26.560
<v Speaker 1>a few people, but it was never in like a

0:18:26.560 --> 0:18:30.199
<v Speaker 1>malicious way or like, oh, we can't hire anything like that.

0:18:30.240 --> 0:18:31.760
<v Speaker 1>I was like, Oh, this is gonna be pretty funny.

0:18:31.960 --> 0:18:35.160
<v Speaker 1>And you weren't embarrassed. You weren't like concerned about other

0:18:35.200 --> 0:18:37.879
<v Speaker 1>people reading the article. No, no, not at all. You're

0:18:37.880 --> 0:18:40.240
<v Speaker 1>happy to have everybody laugh about it. Yeah. I was like, oh,

0:18:40.280 --> 0:18:43.520
<v Speaker 1>this is funny. So yeah, Dash told me you couldn't

0:18:43.520 --> 0:18:46.760
<v Speaker 1>stop talking about it. And how I found out was

0:18:46.840 --> 0:18:50.879
<v Speaker 1>just so far removed from you and the people I

0:18:50.880 --> 0:18:53.320
<v Speaker 1>was directly working with. I was under the impression that

0:18:53.359 --> 0:18:57.399
<v Speaker 1>everybody knew about it, and I think that's true, probably

0:18:57.440 --> 0:18:59.239
<v Speaker 1>because I was I really did get a kick out

0:18:59.280 --> 0:19:01.439
<v Speaker 1>of it. But so one thing we Fantasca and I

0:19:01.440 --> 0:19:03.800
<v Speaker 1>have been talking about was that if you had found

0:19:03.800 --> 0:19:06.280
<v Speaker 1>out before I had been hired, would you have used

0:19:06.280 --> 0:19:10.160
<v Speaker 1>it against me? There's no chance I would have. I mean,

0:19:10.200 --> 0:19:13.520
<v Speaker 1>that's just lucky, right, someone else might have, right. Yeah,

0:19:13.560 --> 0:19:16.600
<v Speaker 1>So then so then I am freaking out it's working

0:19:16.680 --> 0:19:20.000
<v Speaker 1>like I am just this is my second or third

0:19:20.080 --> 0:19:24.280
<v Speaker 1>day in the office. I am just like everyone's impression

0:19:24.320 --> 0:19:27.280
<v Speaker 1>of me is this article. And I didn't know. I

0:19:27.320 --> 0:19:29.240
<v Speaker 1>feel kind of bad because I didn't mean to, Like,

0:19:30.000 --> 0:19:32.800
<v Speaker 1>I didn't you know now that like her, you from

0:19:32.840 --> 0:19:35.280
<v Speaker 1>your perspective. I went around and told everyone about this

0:19:35.400 --> 0:19:37.720
<v Speaker 1>article just because I was so amused. And I can

0:19:38.200 --> 0:19:40.160
<v Speaker 1>sure I didn't put myself at your shoes. That would

0:19:40.200 --> 0:19:42.280
<v Speaker 1>make a pretty awkward like. I can say that that

0:19:42.400 --> 0:19:45.320
<v Speaker 1>was not the prevailing like everybody. That wasn't the thing

0:19:45.320 --> 0:19:47.440
<v Speaker 1>everybody was running around talking about. I think there was

0:19:47.480 --> 0:19:49.320
<v Speaker 1>like an undercurrent of people knowing about it, but that

0:19:49.400 --> 0:19:52.520
<v Speaker 1>there was some distance between it getting around that you

0:19:52.560 --> 0:19:54.840
<v Speaker 1>had been hired and that this article had been written

0:19:55.440 --> 0:19:59.280
<v Speaker 1>and you actually starting, So it didn't feel like the

0:19:59.320 --> 0:20:01.399
<v Speaker 1>most current about you. I'd also heard a lot of

0:20:01.400 --> 0:20:05.240
<v Speaker 1>good things about you. Yeah, so so, but I consulted

0:20:05.359 --> 0:20:07.640
<v Speaker 1>some people and decided that the best thing to do

0:20:07.720 --> 0:20:11.119
<v Speaker 1>was just immediately address it and just just confront you

0:20:11.160 --> 0:20:13.280
<v Speaker 1>in person. I thought that that was would maybe like

0:20:13.320 --> 0:20:16.360
<v Speaker 1>put you a little bit off guard. So I think

0:20:16.400 --> 0:20:18.120
<v Speaker 1>I came up to you and hid behind a lot

0:20:18.119 --> 0:20:20.879
<v Speaker 1>of cliches and was like, we need to address the

0:20:20.920 --> 0:20:26.280
<v Speaker 1>elephant in the room and bury the hatchet. And I think, really,

0:20:26.280 --> 0:20:28.720
<v Speaker 1>what do you remember about it, Joe? I remember, like

0:20:29.080 --> 0:20:34.880
<v Speaker 1>Rebecca obviously uncomfortable or embarrassed, so um, but I did.

0:20:34.920 --> 0:20:38.600
<v Speaker 1>Actually I thought that was I can remember thinking that

0:20:38.600 --> 0:20:42.760
<v Speaker 1>that was well handled. Cool. So so where we kind

0:20:42.760 --> 0:20:45.880
<v Speaker 1>of wanted to talk about burning bridges, and we all

0:20:45.920 --> 0:20:49.080
<v Speaker 1>do things in our careers that can eventually come back

0:20:49.119 --> 0:20:53.240
<v Speaker 1>to us. But the scenario worked out for me. It's

0:20:53.280 --> 0:20:57.120
<v Speaker 1>just inevitable that we'll all burn bridges at some point. Basically, well,

0:20:57.240 --> 0:20:59.679
<v Speaker 1>there's an argument that it it put your name in

0:20:59.760 --> 0:21:03.639
<v Speaker 1>Joe head. Maybe that even helped you a little. Yeah,

0:21:03.960 --> 0:21:05.680
<v Speaker 1>I mean that was the right the point of my

0:21:05.760 --> 0:21:08.679
<v Speaker 1>job at that time. It was, and you know, I

0:21:08.760 --> 0:21:11.560
<v Speaker 1>was I've written things, you know, I wrote a lot

0:21:11.560 --> 0:21:13.720
<v Speaker 1>about economics and stuff like that for a long time,

0:21:13.760 --> 0:21:16.119
<v Speaker 1>and I like a taxed economists who are a hundred

0:21:16.200 --> 0:21:18.960
<v Speaker 1>times smarter than I was and insinuated they were stupid,

0:21:19.480 --> 0:21:21.080
<v Speaker 1>you know, when I was like just beginning because I

0:21:21.080 --> 0:21:23.120
<v Speaker 1>thought that to what you had to do to make

0:21:23.160 --> 0:21:26.280
<v Speaker 1>an aim for yourself and things that seemed self evident

0:21:26.359 --> 0:21:29.600
<v Speaker 1>to me, Why isn't it self evident to this Nobel

0:21:29.640 --> 0:21:32.400
<v Speaker 1>prize winn or whatever? And of course I was obviously

0:21:32.480 --> 0:21:36.920
<v Speaker 1>wrong like times, but I think it's good. I think

0:21:36.960 --> 0:21:40.280
<v Speaker 1>it's good to make mistakes, and it's good to have

0:21:40.480 --> 0:21:43.800
<v Speaker 1>really bad ones that hopefully don't destroy your career, but

0:21:43.960 --> 0:21:47.080
<v Speaker 1>that help you slow down and help you. It's like,

0:21:47.119 --> 0:21:49.280
<v Speaker 1>you know, that was really stupid, and like get chased

0:21:49.320 --> 0:21:53.080
<v Speaker 1>into bit and have your ego um kept in check

0:21:53.119 --> 0:21:56.000
<v Speaker 1>a little bit like from time to time, and it's

0:21:56.040 --> 0:21:58.840
<v Speaker 1>probably a good thing to have happened. That's probably a

0:21:58.840 --> 0:22:01.000
<v Speaker 1>good place to to Finnish up. Do either of you

0:22:01.040 --> 0:22:03.399
<v Speaker 1>feel like there's anything left unsaid? Do you need to

0:22:03.440 --> 0:22:08.320
<v Speaker 1>hug it out? N it out? Thanks so much for

0:22:08.320 --> 0:22:10.200
<v Speaker 1>both of you, Thank you very much for having me out.

0:22:19.520 --> 0:22:20.960
<v Speaker 1>And now it's time to bring you one of my

0:22:21.040 --> 0:22:24.240
<v Speaker 1>favorite segments, if not my favorite segment ever. Half Big Takes,

0:22:27.119 --> 0:22:30.840
<v Speaker 1>Half Fake Takes, Half Big Takes is where we present

0:22:31.440 --> 0:22:36.399
<v Speaker 1>opinions that demand a platform, but are not thoughtful or

0:22:36.440 --> 0:22:40.480
<v Speaker 1>well researched enough to justify a news story. What is

0:22:40.520 --> 0:22:44.240
<v Speaker 1>your take this week? Half take? Okay, this is one

0:22:44.520 --> 0:22:46.879
<v Speaker 1>that I've floated by a few people, and I'm beginning

0:22:46.880 --> 0:22:50.280
<v Speaker 1>to understand it's very controversial. This is a behavior that

0:22:50.359 --> 0:22:52.720
<v Speaker 1>I that I do, and if I if I had

0:22:52.760 --> 0:22:55.639
<v Speaker 1>to give it a headline, it would be really like,

0:22:55.720 --> 0:22:58.080
<v Speaker 1>revolving doors are the worst. But let me back up

0:22:58.080 --> 0:23:00.440
<v Speaker 1>a little. I have a fear of revolving doors. I

0:23:00.480 --> 0:23:02.800
<v Speaker 1>wouldn't call it a phobia because I can go through them,

0:23:02.960 --> 0:23:07.040
<v Speaker 1>so it's not like a paralyzing fear going to get stuck.

0:23:07.480 --> 0:23:12.280
<v Speaker 1>The experience, it feels most akin to a medieval torture

0:23:12.280 --> 0:23:15.840
<v Speaker 1>device like the iron maiden, which is where you step

0:23:15.880 --> 0:23:20.680
<v Speaker 1>inside this thing and it just closes in on you

0:23:20.760 --> 0:23:24.040
<v Speaker 1>and then you're basically in like a standing coffin and

0:23:24.160 --> 0:23:27.359
<v Speaker 1>spikes sort of moving on you closer and closer. Like

0:23:27.400 --> 0:23:29.680
<v Speaker 1>I feel like there's so much potential to get wedged

0:23:29.880 --> 0:23:33.679
<v Speaker 1>into a revolving door, and the reason is because everybody's

0:23:33.720 --> 0:23:37.520
<v Speaker 1>moving at their own preferred speed. In the little you know,

0:23:37.680 --> 0:23:40.439
<v Speaker 1>the little pie slices of the revolving door, right, So

0:23:40.480 --> 0:23:42.360
<v Speaker 1>I do my best to avoid revolving doors if I can,

0:23:42.760 --> 0:23:45.240
<v Speaker 1>but in many buildings like ours, the alternative is a

0:23:45.400 --> 0:23:48.159
<v Speaker 1>very heavy that on purpose. Yeah, they want you to

0:23:48.240 --> 0:23:51.120
<v Speaker 1>use revolving door because they think that it's Yeah. I mean,

0:23:51.200 --> 0:23:54.000
<v Speaker 1>I would like to probably take environment you're a monster.

0:23:54.320 --> 0:23:58.399
<v Speaker 1>I'd like to see the real science on that, because

0:23:58.440 --> 0:24:00.359
<v Speaker 1>I'm not sure that they're that great for them. But

0:24:00.520 --> 0:24:03.240
<v Speaker 1>you'll find you some fully baked takes on that. So,

0:24:03.720 --> 0:24:06.719
<v Speaker 1>people in my mind are being very rude when they

0:24:06.800 --> 0:24:11.320
<v Speaker 1>go through the revolving door at full force and keep

0:24:11.320 --> 0:24:13.720
<v Speaker 1>pushing the bar that moves the door ahead long after

0:24:14.520 --> 0:24:17.119
<v Speaker 1>they have made the door move enough that they can

0:24:17.119 --> 0:24:19.679
<v Speaker 1>get into the building. So if I'm behind somebody like

0:24:19.720 --> 0:24:22.159
<v Speaker 1>that and i can feel them moving too fast, and

0:24:22.200 --> 0:24:23.879
<v Speaker 1>I know that I'm going to be in a situation

0:24:23.960 --> 0:24:26.640
<v Speaker 1>where I will be scared that I will get tripped

0:24:26.680 --> 0:24:28.920
<v Speaker 1>by the door or stuck in the door, I will

0:24:28.960 --> 0:24:31.600
<v Speaker 1>place my hands on the bar behind them and pull.

0:24:31.960 --> 0:24:36.600
<v Speaker 1>That is so mean. It's not mean. I they're being mean.

0:24:36.960 --> 0:24:40.560
<v Speaker 1>I'm protecting myself. Has anybody ever reacted well, I can

0:24:40.640 --> 0:24:43.119
<v Speaker 1>only see the back of their head. I mean, because

0:24:43.160 --> 0:24:46.120
<v Speaker 1>you're scared of getting stuck. Imagine what you're doing to them.

0:24:46.400 --> 0:24:48.480
<v Speaker 1>All I'm doing is slowing them down and giving them

0:24:48.520 --> 0:24:51.080
<v Speaker 1>ample time to exit the revolving door. But you're you're

0:24:51.119 --> 0:24:56.119
<v Speaker 1>helping them. I'm helping there are no danger the safety

0:24:55.800 --> 0:24:58.760
<v Speaker 1>of me and the people around me. Wow, that I

0:24:58.760 --> 0:25:00.840
<v Speaker 1>don't even know if that's a half take or just

0:25:02.359 --> 0:25:05.480
<v Speaker 1>a behavior. I mean, it's basically like it's basically the

0:25:05.520 --> 0:25:09.400
<v Speaker 1>most passive aggressive thing. It's aggressive. I mean it's it's

0:25:09.560 --> 0:25:12.080
<v Speaker 1>it's sort of passive aggressive because people don't really know

0:25:12.720 --> 0:25:15.199
<v Speaker 1>what's happening when it's happening to them. Probably like no

0:25:15.200 --> 0:25:16.440
<v Speaker 1>one's ever done it to me, so I don't know

0:25:16.480 --> 0:25:18.760
<v Speaker 1>exactly what it feels like to do it to you. Yeah,

0:25:18.800 --> 0:25:20.440
<v Speaker 1>if you see me going the revolving door and you're

0:25:20.520 --> 0:25:22.080
<v Speaker 1>you get right behind me. If you get a chance,

0:25:22.200 --> 0:25:25.080
<v Speaker 1>do it, and then I'll tell you if it's really jarring.

0:25:25.280 --> 0:25:29.239
<v Speaker 1>But I think it's for the greater good and I

0:25:29.240 --> 0:25:31.560
<v Speaker 1>would hope that people would be trained out of their

0:25:31.560 --> 0:25:34.000
<v Speaker 1>aggressive revolving door behavior by it. But also, you know,

0:25:34.240 --> 0:25:38.359
<v Speaker 1>it's it's really not helping anybody, and I should probably stop.

0:25:39.119 --> 0:25:44.400
<v Speaker 1>What's your half big take? So mineus also workplace transportation related.

0:25:45.080 --> 0:25:48.400
<v Speaker 1>If I had to give it a headline, I would say,

0:25:48.800 --> 0:25:52.639
<v Speaker 1>chivalry is dead in the elevator, and I'm into it.

0:25:52.640 --> 0:25:55.160
<v Speaker 1>It should be chevalry needs to die in the elevator.

0:25:55.840 --> 0:25:58.919
<v Speaker 1>So we work in a building with a lot of people, um,

0:25:58.960 --> 0:26:02.480
<v Speaker 1>a lot of men of the male persuasion, and often

0:26:02.520 --> 0:26:06.440
<v Speaker 1>you've get in a packed elevator and these men will

0:26:07.480 --> 0:26:10.720
<v Speaker 1>stand when you are getting off the elevator, stand at

0:26:10.760 --> 0:26:13.600
<v Speaker 1>the elevator doors and like hold it open for you.

0:26:14.040 --> 0:26:17.760
<v Speaker 1>I hate this and there's so much congestion that happens

0:26:17.800 --> 0:26:20.520
<v Speaker 1>because of it. It's not like they're actually even physically

0:26:20.520 --> 0:26:23.320
<v Speaker 1>holding a door like a sensor makes the door stay

0:26:23.359 --> 0:26:26.320
<v Speaker 1>open or closed. Well, it's not even about holding the door, right,

0:26:26.359 --> 0:26:28.840
<v Speaker 1>it's about like they will stop and allow a woman

0:26:28.880 --> 0:26:31.640
<v Speaker 1>to get on or off first, which creates an incredible

0:26:31.640 --> 0:26:33.560
<v Speaker 1>amount of congestion, especially if the woman's in the back

0:26:33.600 --> 0:26:35.880
<v Speaker 1>of the elevator. Exactly, I'm not I'm not sure where

0:26:35.880 --> 0:26:38.359
<v Speaker 1>this practice came from. I'm also weirded out by the

0:26:38.400 --> 0:26:41.920
<v Speaker 1>idea of chivalry from my coworkers. Well, and I mean

0:26:42.240 --> 0:26:44.960
<v Speaker 1>it's it's a generalization and an assumption, but I'm fairly

0:26:45.000 --> 0:26:47.440
<v Speaker 1>sure that there are plenty of other areas of these

0:26:47.640 --> 0:26:50.720
<v Speaker 1>people's lives where they're not going this far out of

0:26:50.720 --> 0:26:52.679
<v Speaker 1>their way to be chivalrous, and so it seems like

0:26:52.720 --> 0:26:54.800
<v Speaker 1>kind of a performance. Oh my god, you're so right,

0:26:55.080 --> 0:26:57.280
<v Speaker 1>like they're getting The next thing they're doing after getting

0:26:57.280 --> 0:26:59.720
<v Speaker 1>off the elevator is getting onto the subway, and you

0:26:59.800 --> 0:27:03.040
<v Speaker 1>know that they're not standing around an I've been holding

0:27:03.040 --> 0:27:05.960
<v Speaker 1>out their jacket to cover puddles for women in the subway.

0:27:06.000 --> 0:27:08.320
<v Speaker 1>I mean, it's no it's a no holds barred, every

0:27:08.320 --> 0:27:11.399
<v Speaker 1>man for themselves situations in the subway. So it seems

0:27:11.440 --> 0:27:15.040
<v Speaker 1>like you're doing this thing in the elevator to show

0:27:15.720 --> 0:27:20.760
<v Speaker 1>your politeness or whatever, but really it's just like it

0:27:20.840 --> 0:27:23.000
<v Speaker 1>makes getting off the elevator. And then as the woman,

0:27:24.000 --> 0:27:27.040
<v Speaker 1>it's really awkward because everyone's standing to the side and

0:27:27.119 --> 0:27:31.360
<v Speaker 1>you're rude about it. I've audibly said you can go

0:27:31.840 --> 0:27:34.439
<v Speaker 1>like I just I just have no patience. So what

0:27:34.560 --> 0:27:37.560
<v Speaker 1>now we sound like we're being ungrateful for people. So

0:27:37.720 --> 0:27:40.880
<v Speaker 1>I'm you know, somebody male or female wants to hold

0:27:40.920 --> 0:27:43.520
<v Speaker 1>a door open for me, that is a nice thing

0:27:43.560 --> 0:27:46.720
<v Speaker 1>to do. That does is actually kind of it saves

0:27:46.920 --> 0:27:50.720
<v Speaker 1>me whatever some effort. It's not disruptive to the people

0:27:50.720 --> 0:27:53.480
<v Speaker 1>around me. It's there's the elevator. Schevelry just makes there's

0:27:53.520 --> 0:27:55.480
<v Speaker 1>a dope. There's no place for it in the workplace.

0:27:56.200 --> 0:28:02.959
<v Speaker 1>Traffic flow over gender, base politeness. That's right, and this

0:28:03.000 --> 0:28:08.960
<v Speaker 1>has been half baked takes, half faked takes. Thank you

0:28:09.000 --> 0:28:12.200
<v Speaker 1>everybody for listening. For more from us, I am on

0:28:12.240 --> 0:28:16.280
<v Speaker 1>Twitter as at Francesca today. Our guest today Joe Wisenthal

0:28:16.560 --> 0:28:20.640
<v Speaker 1>is at the Stalwart, and I'm at Rs Greenfield. See

0:28:20.680 --> 0:28:38.000
<v Speaker 1>you next week. My job at the time was to

0:28:38.040 --> 0:28:43.720
<v Speaker 1>respond to the news of the day, the news of

0:28:44.000 --> 0:28:47.240
<v Speaker 1>I Know, I Know I I also noted my emphasis.

0:28:47.280 --> 0:28:48.040
<v Speaker 1>I was like, oh,