WEBVTT - Part One: How The Dilbert Guy Lost His Mind

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<v Speaker 1>Ah, what's Scott my at? What's Dilbert my guide? Is

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<v Speaker 1>probably the way we should introduce this because if I

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<v Speaker 1>say Scott Adams is the subject of today's episode, like

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<v Speaker 1>sixty percent of people are going to go huh uh.

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<v Speaker 1>So I'm going to say this is an episode about

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<v Speaker 1>the Dilbert Guy. Welcome to Behind the Bastards, a podcast

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<v Speaker 1>about terrible people. Now listen, folks, I know what you're

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<v Speaker 1>all saying, the Dilbert guy. Didn't he just draw comics?

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<v Speaker 1>How could he be one of the worst people in

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<v Speaker 1>all of history? And the answer to that question is

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<v Speaker 1>because he irritates me, Like yes, let's let's let's clear

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<v Speaker 1>the air here. We're talking about a guy who has

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<v Speaker 1>drawn cartoons. He's not a well, he did kill one

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<v Speaker 1>guy maybe by an action. We'll get to that, but

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<v Speaker 1>we're not talking about like a war criminal or a dictator.

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<v Speaker 1>But he's a really unpleasant man. And the way in

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<v Speaker 1>which he lost his mind and became even more unpleasant

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<v Speaker 1>and eventually had a racist breakdown that got his comic

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<v Speaker 1>strip removed from like a thousand newspapers is super interesting.

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<v Speaker 1>So that's that's who we're talking about today. And in

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<v Speaker 1>order to help me peruse the life of Scott Adams,

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<v Speaker 1>flip through it like a collection of Gilbert comic books

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<v Speaker 1>or comic strips. I have Randy mill Holland. Randy is

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<v Speaker 1>the author and illustrator of the Something Positive web comic

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<v Speaker 1>which I've been reading off and on for like a decade,

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<v Speaker 1>and he is now legally the legal recognized guardian of

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<v Speaker 1>Popeye the Sailor. Randy, how are you doing today?

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<v Speaker 2>I'm fine, Thank you so much. And I feel like

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<v Speaker 2>I should say, to keep being fired that my opinions

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<v Speaker 2>are my own and in no way reflect King Feature

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<v Speaker 2>Syndicate or their parent company Hurst, just to kind of

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<v Speaker 2>save my ass. But yes, I do in fact own Popeye.

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<v Speaker 2>I am destroying him according to everyone who reads Boat part.

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<v Speaker 1>So, yeah, you have been a you have been a

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<v Speaker 1>professional cartoonist for longer than I've been doing just about anything.

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<v Speaker 1>And you also have one of the things because like

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<v Speaker 1>obviously with webcomics, there's a lot of people who have

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<v Speaker 1>been professionally cartooning, but who don't have kind of experience

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<v Speaker 1>with the syndicates or with you know, kind of the

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<v Speaker 1>old traditional any of the old traditional structures of like

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<v Speaker 1>newspaper cartoons, and you've kind of got your foot in

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<v Speaker 1>both of those worlds, which I think will probably be

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<v Speaker 1>helpful for context on this stuff. So I wanted to

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<v Speaker 1>start by asking, what do you think about Scott Adams?

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<v Speaker 1>Where have you been on Scott most of your life?

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<v Speaker 2>Most of my life I've managed to avoid him, Like

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<v Speaker 2>in a friend of mine introduced me to his comic

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<v Speaker 2>in ninety five or so, one of his books, my

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<v Speaker 2>friend Eileen's, because I was We met through computer Bulltromport

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<v Speaker 2>Systems because I am old, and she was like, well,

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<v Speaker 2>you like text shit, so you'll enjoy Dilbert. And I

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<v Speaker 2>read a page of it and said, I do not,

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<v Speaker 2>in fact enjoyed Dilibert, And to read it further, I

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<v Speaker 2>remember it replaced Pogo in the fort Restar Telegram, which

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<v Speaker 2>annoyed me a little bit, And then I remember the

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<v Speaker 2>TVC is. The opening song was Danny Elton's theme from

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<v Speaker 2>Forbidden Zone, a movie his brother made.

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<v Speaker 1>Ah, I know Elkman, I didn't realize that.

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<v Speaker 2>He made public accounts. Yeah, it's a repurposed theme song

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<v Speaker 2>from a movie that Richard Elfman made with the Knights

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<v Speaker 2>of Aungo Bongo in nineteen eighty.

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<v Speaker 1>I think oh man, so uh yeah.

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<v Speaker 2>That song fuck you. Yeah.

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<v Speaker 1>It's the musical equivalent of one of those like glass

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<v Speaker 1>soda bottles that's got like a ring around it because

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<v Speaker 1>it's been recycled so many times.

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<v Speaker 2>Just shaking the theme song out like no, no, no, this

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<v Speaker 2>will be fine, this will work for Delberton show. Ye,

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<v Speaker 2>honestly it did. It was better it was. That song

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<v Speaker 2>was probably the best part of that show. Years later,

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<v Speaker 2>I know he made some song accounts to defend himself

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<v Speaker 2>and then he hated black people.

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<v Speaker 1>Yeah, he so. Kind of the thing about Scott is

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<v Speaker 1>that he was a successful cartoonist and there was not

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<v Speaker 1>much that you would note about him other than that

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<v Speaker 1>if you weren't super paying it, if you paid attention

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<v Speaker 1>to Scott because I as a kid read not just

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<v Speaker 1>his comics but a bunch of his nonfiction books, if

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<v Speaker 1>you paid a lot of attention to him, there were

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<v Speaker 1>there have always been some weird things that you would notice,

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<v Speaker 1>but it was just kind of like, oh, that's an

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<v Speaker 1>odd thing to believe. Oh, that's an odd thing to believe.

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<v Speaker 1>And then about five years ago he really pretty sharply

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<v Speaker 1>started getting very racist and very bigoted and super right

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<v Speaker 1>wing and kind of at the same time convinced himself

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<v Speaker 1>that like he had discovered the kind of almost supernatural

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<v Speaker 1>secret secrets to persuasion, and it was his job to

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<v Speaker 1>explain how Donald Trump was ushering in like a new

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<v Speaker 1>era for humanity by his magical persuader skills. This is

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<v Speaker 1>all like his kind of heel turn has been fascinating,

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<v Speaker 1>and so I wanted to just kind of like dig

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<v Speaker 1>into what happened with this guy because very few people

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<v Speaker 1>Scott kind of had a lifelong license to print infinite money,

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<v Speaker 1>and he decided to give that up in order to

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<v Speaker 1>get really angry in his like video blog and and

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<v Speaker 1>just like spout bullshit to a fairly small audience of

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<v Speaker 1>like weirdo Trump supporters. And it's it's interesting to me

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<v Speaker 1>how he gets to that point because he's not there's

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<v Speaker 1>not anything kind of he's not always someone for whom

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<v Speaker 1>there's warning signs. So I think I think he's interesting,

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<v Speaker 1>and we're going to talk about him because I'm interested

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<v Speaker 1>in Scott Adams, the Dilbert guy. So let's start.

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<v Speaker 2>Randy Will if you can't yeah none twenty years ago

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<v Speaker 2>and said, Hey, Scott Adams is going to be like

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<v Speaker 2>this psycho conservative, you know, shit bag like the guy

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<v Speaker 2>who made all the weird vegetarian food for seven to eleven. Yeah, yeah,

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<v Speaker 2>that guy like that. No, that was a weird unexpected No.

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<v Speaker 1>Of course, if you were to say one of the

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<v Speaker 1>one of the newspaper cartoonists you read is going to

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<v Speaker 1>turn out to be like a weird fascist, I would

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<v Speaker 1>have been like, oh yeah, high and lowess. Definitely the

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<v Speaker 1>high and lowest guy, right, that's the let's.

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<v Speaker 2>Not go for the Brown family, and they've had a lot.

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<v Speaker 1>Scott Adams was born on June eighth, nineteen fifty seven,

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<v Speaker 1>in Wyndham, New York. His father was a postal worker

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<v Speaker 1>and his mother was a stay at home mom. And

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<v Speaker 1>I always like to point out when guys who grow

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<v Speaker 1>up into like far right, uber capitalist influencers grow up

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<v Speaker 1>in a comfortable, safe, stable environment as a child, because

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<v Speaker 1>they're born in a period of time in which a

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<v Speaker 1>government employee can support a family and own a house

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<v Speaker 1>on one income. And Scott's one of those people, So

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<v Speaker 1>just keep that in your mind when he has his heel. Course,

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<v Speaker 1>we get most of our information on Scott's early life

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<v Speaker 1>through him off and on in some of his books.

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<v Speaker 1>My primary source for his childhood, although I'm not My

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<v Speaker 1>only one is the twenty Years of Dilbert Comic collection,

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<v Speaker 1>which he published in like two thousand and two. If

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<v Speaker 1>you're into comm obviously, which you are, Randy, you know

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<v Speaker 1>how like you had those like the Far Side big collection.

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<v Speaker 1>Oh yeah, Garry Larson. Yeah, he writes a bunch of

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<v Speaker 1>stuff at the beginning, and he kind of like explains

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<v Speaker 1>different comics. There was another one for Calvin and Hobbes.

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<v Speaker 1>Most of like the really big cartoonists get one of

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<v Speaker 1>those at some point in their career. And Scott at

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<v Speaker 1>this is this that like this is what I'm using

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<v Speaker 1>as a big source for his childhood, right so sorry, yeah,

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<v Speaker 1>I mean this is he was starting to become a

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<v Speaker 1>little bit of a maniac when this came out in

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<v Speaker 1>two thousand and eight. He hadn't fully healed turned, but

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<v Speaker 1>he was starting. It's like it's like the pivot document

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<v Speaker 1>of his like turn into a far right like fascist weird.

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<v Speaker 2>As I hate sand moment.

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<v Speaker 1>Yeah yeah, yeah, where he's not fully broken bad yet,

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<v Speaker 1>but now you can tell he's about to go murder

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<v Speaker 1>the young lynks.

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<v Speaker 2>Oh Jesus Christ, Ratbert and like just have like weird animation.

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<v Speaker 2>M M.

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<v Speaker 1>It's interesting because we're going to talk about like some

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<v Speaker 1>of his early drawings as a kid too, which are

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<v Speaker 1>weirdly enough a lot technically better than Dilbert. So why not,

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<v Speaker 1>I mean, hey, yeah.

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<v Speaker 2>Part of comics is how fast can you draw something? Yeah,

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<v Speaker 2>so that's why you see a lot like yeah, yeah,

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<v Speaker 2>like there's some old high lowist trips. I remember thinking

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<v Speaker 2>this is some stunning stuff, amazing angles, but it probably

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<v Speaker 2>took for way too damn long for hel muchs are

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<v Speaker 2>being paid.

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<v Speaker 1>Well, Yeah, and this is one of those things where

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<v Speaker 1>like Scott himself pokes a lot of fun at the

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<v Speaker 1>Dilbert art but obviously like it works like it was

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<v Speaker 1>a successful comic for years and years. But anyway, it's interesting.

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<v Speaker 1>We'll get into that in a second. But yeah, this

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<v Speaker 1>collection gets published in two thousand and eight, and it's

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<v Speaker 1>kind of like right at this hinge period where I

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<v Speaker 1>think before this, most people who knew anything about Scott

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<v Speaker 1>would have default kind of assumed, oh, he's probably like

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<v Speaker 1>a vaguely liberal, maybe even kind of like lefty guy,

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<v Speaker 1>because the comics are kind of, at least super officially

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<v Speaker 1>seem like they might be kind of critical about capitalism

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<v Speaker 1>and about like corporate they're not, actually, but most people

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<v Speaker 1>I think probably just sort of assumed that if they

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<v Speaker 1>weren't super up on the Dilbert lore. Yeah, so it's

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<v Speaker 1>a very interesting period. We'll be talking about that and

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<v Speaker 1>a couple other recollections that have been published about that

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<v Speaker 1>period of his life as sources here. In nineteen sixty three,

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<v Speaker 1>when Scott's six years old, his family was in the

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<v Speaker 1>habit of taking him on trips to his uncle's farm

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<v Speaker 1>up the road from their house. This uncle had a

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<v Speaker 1>collection of Peanuts comic strip books, and Scott would sit

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<v Speaker 1>down and stare at them eagerly, even before he could read.

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<v Speaker 1>In his book, he describes being fascinated by them because

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<v Speaker 1>they had what he calls the X factor, but which

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<v Speaker 1>I would say is just the result of kids being

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<v Speaker 1>drawn to comics, and Peanuts being a particularly good comic

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<v Speaker 1>at drawing kids in. But you know, I had more

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<v Speaker 1>or less the same experience as a kid, right Like,

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<v Speaker 1>my uncle was the guy and my family who had

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<v Speaker 1>a bunch of published comic book collection collections, and I

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<v Speaker 1>certainly read a shitload of Peanuts. I read all of

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<v Speaker 1>his Calvin Calvin and Hobbess books, I read Bloom County, Farside, Foxtrot,

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<v Speaker 1>even some like deeper cuts like gay Han Wilson's Demented Uvra.

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<v Speaker 1>Who oh yeah, I love Gayhan if you if you,

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<v Speaker 1>if you like Farside, you should check out Gayhan Wilson's stuff.

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<v Speaker 2>My early memory is getting a hands on Pogo books.

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<v Speaker 2>Oh yeah, yeah, yeah art, which was just astounding because

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<v Speaker 2>my family tends to be a little more on the

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<v Speaker 2>left side, so like Pogo was definitely something my dad

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<v Speaker 2>was a big fan of.

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<v Speaker 1>Yeah, it's interesting. I I read a little bit of

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<v Speaker 1>Pogo as a kid because we were just talking about

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<v Speaker 1>those like big collections of comics for like Bill Watterson

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<v Speaker 1>and stuff, his big Calvin and Hobbs collection. He writes

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<v Speaker 1>about being a Pogo fan, and so that was like

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<v Speaker 1>one of the comics I looked into because I was like, oh,

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<v Speaker 1>my favorite artist likes Pogo.

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<v Speaker 2>You need to know, like he did a whole storyline

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<v Speaker 2>making fun of the John Bird Society and at their

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<v Speaker 2>height he was taking them when he could have gotten

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<v Speaker 2>in trouble for it.

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<v Speaker 1>That's awesome.

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<v Speaker 2>Fucking hated him. It was beautiful.

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<v Speaker 1>But yeah, no, bas Pogo, I love it. So Scott

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<v Speaker 1>kind of goes through this this journey, and it's one

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<v Speaker 1>of those things where like he has this quote in

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<v Speaker 1>the book where he says, my parents always told me

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<v Speaker 1>I could grow up to be anything I wanted to be.

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<v Speaker 1>I decided to grow up to be Charles Schultz. Yeah,

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<v Speaker 1>don't don't tell him that.

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<v Speaker 2>It never ends. Well, my parents told me I could

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<v Speaker 2>grow up to work in an office. Yeah, and uh,

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<v Speaker 2>I rebelled against it, and I draw comics. But it

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<v Speaker 2>seems like everyone who like their parents told him that.

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<v Speaker 2>I'm going to tell my daughters that I, like, you're

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<v Speaker 2>gonna work in a factory.

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<v Speaker 1>I did have. I mean that's what my more or

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<v Speaker 1>less how my childhood was. Because I also wanted to

0:11:30.000 --> 0:11:32.439
<v Speaker 1>be a cartoonist, and I told my mom and she said,

0:11:32.440 --> 0:11:36.199
<v Speaker 1>do something that has a pension. But the joke was

0:11:36.240 --> 0:11:38.240
<v Speaker 1>on her because those don't exist anymore.

0:11:38.360 --> 0:11:42.640
<v Speaker 2>Oh my god. It's yeah, yeah, like my same things,

0:11:42.640 --> 0:11:44.360
<v Speaker 2>like I'm gonna be a cartoonist of my dad just

0:11:44.400 --> 0:11:48.520
<v Speaker 2>said you don't have to, yeah, just do something else.

0:11:49.720 --> 0:11:52.720
<v Speaker 1>It's this quote from Scott is really funny because it

0:11:52.720 --> 0:11:55.360
<v Speaker 1>gives you an idea of how different things were back then.

0:11:55.520 --> 0:11:57.959
<v Speaker 1>So he's like, this is him talking about like why

0:11:58.000 --> 0:12:01.040
<v Speaker 1>he wanted to be a cartoonist after how hard could

0:12:01.040 --> 0:12:02.920
<v Speaker 1>it be? You draw pictures, you write some words. It

0:12:02.920 --> 0:12:04.880
<v Speaker 1>seemed like easy work to me. And from what I heard,

0:12:04.920 --> 0:12:06.000
<v Speaker 1>the pay was good.

0:12:07.720 --> 0:12:09.960
<v Speaker 2>I will say, in the fifties, if you had a

0:12:09.960 --> 0:12:11.760
<v Speaker 2>good comment, yeah, it was great.

0:12:12.120 --> 0:12:15.080
<v Speaker 1>Yeah, in the fifties, yes, chastically.

0:12:16.800 --> 0:12:17.000
<v Speaker 2>Yeah.

0:12:17.040 --> 0:12:18.480
<v Speaker 1>You don't hear a lot of people being like I

0:12:18.480 --> 0:12:21.240
<v Speaker 1>want to get rich. I'm gonna I'm gonna get into comics.

0:12:21.720 --> 0:12:23.800
<v Speaker 2>Not a lot of smart people anyway.

0:12:23.520 --> 0:12:27.120
<v Speaker 1>No, yeah, I mean generally, whether you're taught, like especially

0:12:27.120 --> 0:12:30.840
<v Speaker 1>if you're talking about like you know, it's like superhero comics,

0:12:30.840 --> 0:12:33.320
<v Speaker 1>like the most famous stories are all. He created this

0:12:33.440 --> 0:12:35.800
<v Speaker 1>character that's worth a billion dollars and then he died

0:12:35.840 --> 0:12:36.520
<v Speaker 1>of starvation.

0:12:36.840 --> 0:12:41.760
<v Speaker 2>Oh getting Yeah, except the artist losing his eyesight by

0:12:41.760 --> 0:12:44.040
<v Speaker 2>the nineteen seventies, living in a nursing home and like

0:12:45.080 --> 0:12:47.760
<v Speaker 2>Warner Brothers, having to be guilted into paying them thirty

0:12:47.800 --> 0:12:50.000
<v Speaker 2>thousand dollars each ye year for rest Our Lives hated

0:12:50.040 --> 0:12:50.439
<v Speaker 2>doing it.

0:12:50.960 --> 0:12:54.240
<v Speaker 1>But but this this was the fifties and none of

0:12:54.240 --> 0:12:57.680
<v Speaker 1>that was known yet. So no, little Scott falls in

0:12:57.720 --> 0:13:00.000
<v Speaker 1>love with Peanuts and grows up being like, I'm gonna

0:13:00.160 --> 0:13:02.880
<v Speaker 1>I'm gonna make all those sweet, sweet cartoon dollars, and

0:13:02.920 --> 0:13:04.920
<v Speaker 1>he draws a lot of little cartoons as a kid.

0:13:05.760 --> 0:13:08.200
<v Speaker 1>These are mostly kind of like one panel strips. They're

0:13:08.240 --> 0:13:11.160
<v Speaker 1>sort of similar, and they're not really far side in

0:13:11.240 --> 0:13:13.040
<v Speaker 1>terms of the kind of sense of humor. It's like,

0:13:13.320 --> 0:13:15.560
<v Speaker 1>I mean, he posts some of the drawings he did

0:13:15.559 --> 0:13:17.520
<v Speaker 1>as like a six and seven year old in here.

0:13:17.840 --> 0:13:20.240
<v Speaker 1>They're like, I mean, they're like cartoons a little kid draws,

0:13:20.280 --> 0:13:23.000
<v Speaker 1>but yeah, they're like single panel strips, a lot of them.

0:13:23.320 --> 0:13:25.440
<v Speaker 1>By the time he was eleven years old, he'd moved

0:13:25.480 --> 0:13:29.000
<v Speaker 1>on to Mad Magazine, which makes sense. Mad was super

0:13:29.000 --> 0:13:35.560
<v Speaker 1>big back then. Very there, absolutely absolutely and Mad Magazine,

0:13:35.559 --> 0:13:37.640
<v Speaker 1>for those of you who kind of missed the Mad era,

0:13:38.000 --> 0:13:42.439
<v Speaker 1>had a brilliant artist named Sergio Aragonez, who I learned

0:13:42.480 --> 0:13:45.000
<v Speaker 1>while researching this episode is still alive.

0:13:46.160 --> 0:13:48.400
<v Speaker 2>He's one of the last of the original Yeah.

0:13:48.720 --> 0:13:51.240
<v Speaker 1>I was pleasantly surprised to hear that.

0:13:51.360 --> 0:13:55.400
<v Speaker 2>We just lost I can't remember now the gentleman who

0:13:55.440 --> 0:13:57.920
<v Speaker 2>did the fold In's he just died at over one hundred.

0:13:58.040 --> 0:14:02.880
<v Speaker 2>Oh I didn't know well, but yeah, our Ghones is

0:14:02.920 --> 0:14:05.199
<v Speaker 2>still doing his Combat group. He still does a lot

0:14:05.240 --> 0:14:05.720
<v Speaker 2>of stuff.

0:14:06.000 --> 0:14:09.000
<v Speaker 1>Yeah, he's a he's a He's an amazing guy, an

0:14:09.000 --> 0:14:11.360
<v Speaker 1>incredible cartoonist. He was kind of known as being the

0:14:11.440 --> 0:14:14.319
<v Speaker 1>fastest cartoonist on Earth for a while, and he did

0:14:14.520 --> 0:14:17.479
<v Speaker 1>if you were a Mad reader, he did the marginal cartoons,

0:14:17.520 --> 0:14:19.440
<v Speaker 1>like he did other stuff too, but like those little

0:14:19.440 --> 0:14:22.720
<v Speaker 1>bitty like joke cartoons kind of stuck in between panels

0:14:22.720 --> 0:14:24.680
<v Speaker 1>and on like the side margins of the papers in

0:14:24.760 --> 0:14:27.480
<v Speaker 1>Mad magazine, And it was like, this guy is for

0:14:27.560 --> 0:14:30.240
<v Speaker 1>those of you, like one of my biggest influences as

0:14:30.280 --> 0:14:33.080
<v Speaker 1>a comedy writer, because when I worked at Cracked, one

0:14:33.160 --> 0:14:36.280
<v Speaker 1>of my first jobs was picking images to go in

0:14:36.360 --> 0:14:39.400
<v Speaker 1>between paragraphs of the articles and write little joke captions

0:14:39.440 --> 0:14:42.280
<v Speaker 1>for them. And like, Sergio's work was kind of the

0:14:42.320 --> 0:14:46.360
<v Speaker 1>thing that I figure like that was kind of my

0:14:46.480 --> 0:14:50.400
<v Speaker 1>earliest inspiration for that kind of humor and stuff. I

0:14:50.400 --> 0:14:51.200
<v Speaker 1>always loved him a lot.

0:14:51.440 --> 0:14:53.239
<v Speaker 2>The influence Cracked again.

0:14:53.640 --> 0:14:56.280
<v Speaker 1>Yeah yeah, yeah, this is the only time. That was

0:14:56.320 --> 0:14:58.240
<v Speaker 1>the one influence Mad hat on cra.

0:15:00.360 --> 0:15:03.440
<v Speaker 2>Ford from the head of Zeus one day.

0:15:03.720 --> 0:15:07.280
<v Speaker 1>Yeah, no way, I'm the only one who sullied it

0:15:07.360 --> 0:15:12.560
<v Speaker 1>with Mad magazine vibes. Yeah, so Scott Scott and I have,

0:15:12.880 --> 0:15:15.320
<v Speaker 1>like I I identify a lot with elements of his

0:15:15.360 --> 0:15:18.640
<v Speaker 1>early childhood like mine was was not dissimilar other than

0:15:18.640 --> 0:15:21.400
<v Speaker 1>that I had a more comics yeah.

0:15:21.360 --> 0:15:25.240
<v Speaker 2>Like especially comics kids. Yeah, yeah, we were all most

0:15:25.280 --> 0:15:27.560
<v Speaker 2>of us, especially heard an outsider kid. It was a

0:15:27.560 --> 0:15:31.040
<v Speaker 2>little nerdy mad magazine kind of was a siren song,

0:15:31.160 --> 0:15:33.040
<v Speaker 2>like it's here's the weird stuff. You can be a

0:15:33.080 --> 0:15:34.680
<v Speaker 2>little cynical, you can be a little mean, and you

0:15:34.760 --> 0:15:35.480
<v Speaker 2>have fun with it.

0:15:35.800 --> 0:15:37.040
<v Speaker 1>Yeah, exactly, it was.

0:15:37.080 --> 0:15:37.360
<v Speaker 2>It was.

0:15:37.400 --> 0:15:39.360
<v Speaker 1>It was really special for a while. You know. Now

0:15:39.480 --> 0:15:43.480
<v Speaker 1>now it's yet another zombie brand, but boy in its day.

0:15:43.440 --> 0:15:43.520
<v Speaker 3>Ye.

0:15:44.440 --> 0:15:47.920
<v Speaker 1>So Scott, his parents do kind of like realize he's

0:15:47.960 --> 0:15:51.160
<v Speaker 1>he's got this love for cartooning and he's drawing consistently

0:15:51.200 --> 0:15:53.200
<v Speaker 1>for years. So they get him like books on cartooning

0:15:53.280 --> 0:15:57.040
<v Speaker 1>and how to draw, and he he becomes pretty dedicated

0:15:57.120 --> 0:16:00.600
<v Speaker 1>to like learning some of the tougher technical things like drawing,

0:16:00.800 --> 0:16:03.800
<v Speaker 1>like proper hands and stuff. So this is a kid

0:16:03.800 --> 0:16:06.400
<v Speaker 1>who's got the ability to kind of like stick with,

0:16:06.720 --> 0:16:08.960
<v Speaker 1>you know, the stuff that he's fascinated and he's more

0:16:09.000 --> 0:16:11.520
<v Speaker 1>disciplined than I think most of us who wind up

0:16:11.520 --> 0:16:16.040
<v Speaker 1>being comics nerds but don't get into cartooning, which makes sense. Yeah,

0:16:16.160 --> 0:16:18.400
<v Speaker 1>and he's he's pretty good as a kid. In nineteen

0:16:18.480 --> 0:16:21.920
<v Speaker 1>sixty seven, he applies to a serial box contest, which

0:16:22.200 --> 0:16:24.280
<v Speaker 1>was a thing that used to happen for who could

0:16:24.280 --> 0:16:27.560
<v Speaker 1>do the best drawing of Old Faithful. He doesn't win

0:16:27.600 --> 0:16:29.720
<v Speaker 1>the contest, but he gets a camera as a runner

0:16:29.800 --> 0:16:32.880
<v Speaker 1>up prize. And this is in some ways that will

0:16:32.920 --> 0:16:35.280
<v Speaker 1>turn out to be kind of dark a foundational moment

0:16:35.360 --> 0:16:38.480
<v Speaker 1>for him, not because like it con seem it, not

0:16:38.560 --> 0:16:41.200
<v Speaker 1>because it convinces him to be a cartoonist, which is fine,

0:16:41.240 --> 0:16:44.160
<v Speaker 1>but like his his so basically like, as he enters

0:16:44.160 --> 0:16:46.480
<v Speaker 1>this contest, he's super excited that he's going to win,

0:16:46.600 --> 0:16:50.080
<v Speaker 1>and his mom does the generally responsible thing and she's like, look, honey,

0:16:50.120 --> 0:16:52.000
<v Speaker 1>a lot of kids are going to enter. Most of

0:16:52.080 --> 0:16:54.160
<v Speaker 1>them aren't going to get prizes, Like, you're probably not

0:16:54.200 --> 0:16:56.160
<v Speaker 1>going to win anything, don't you know, get your hopes

0:16:56.240 --> 0:16:59.480
<v Speaker 1>up too much. But then Scott gets a prize and

0:16:59.560 --> 0:17:03.120
<v Speaker 1>so this kind of like hits his brain like a sledgehammer. Quote.

0:17:03.280 --> 0:17:06.080
<v Speaker 1>I started to suspect that beating the long odds wasn't

0:17:06.119 --> 0:17:08.600
<v Speaker 1>as hard as it seemed, this became a pattern that

0:17:08.640 --> 0:17:12.600
<v Speaker 1>repeated itself throughout my life. God damn, that doesn't sound sinister,

0:17:13.040 --> 0:17:17.920
<v Speaker 1>but it's going to metastasize into something like oh, okay, good,

0:17:17.920 --> 0:17:19.880
<v Speaker 1>okay good. Yeah, that is a weird way to think

0:17:19.920 --> 0:17:20.280
<v Speaker 1>about it.

0:17:20.520 --> 0:17:22.960
<v Speaker 2>That sounds like a super villain. I read too many

0:17:23.000 --> 0:17:27.119
<v Speaker 2>cogbooks to like the long odds. Oh God damn it,

0:17:27.200 --> 0:17:28.680
<v Speaker 2>e'l O'Brien, it's almost.

0:17:28.600 --> 0:17:31.080
<v Speaker 1>Yeah, it is, like I do think it's odd his

0:17:31.160 --> 0:17:34.600
<v Speaker 1>obsession on like winning this, meaning that he's beaten the

0:17:34.600 --> 0:17:36.280
<v Speaker 1>odds as opposed to like, oh, maybe I'm better at

0:17:36.280 --> 0:17:38.720
<v Speaker 1>cartooning than I'm thought. That's cool, Like I should work

0:17:38.800 --> 0:17:41.520
<v Speaker 1>more on this. It's like, ah, like I managed to

0:17:41.600 --> 0:17:44.000
<v Speaker 1>like hack reality. Like that's really is kind of the

0:17:44.080 --> 0:17:45.720
<v Speaker 1>road he's going to start traveling down.

0:17:45.800 --> 0:17:46.480
<v Speaker 2>Yeah.

0:17:46.680 --> 0:17:49.960
<v Speaker 1>So the next year, his town holds an Easter egg

0:17:50.040 --> 0:17:52.320
<v Speaker 1>hunt and the ground prize is a golden egg with

0:17:52.400 --> 0:17:54.960
<v Speaker 1>like ten bucks in it. Now, obviously this is like

0:17:55.000 --> 0:17:57.800
<v Speaker 1>the fifties or sixties, so ten dollars is roughly equivalent

0:17:57.840 --> 0:18:00.680
<v Speaker 1>to the GDP of Mississippi today. It was it was

0:18:00.680 --> 0:18:04.040
<v Speaker 1>a big incentive, good prize. Ye Scott. Scott found the

0:18:04.119 --> 0:18:06.760
<v Speaker 1>egg and he got his picture in the paper, which

0:18:06.920 --> 0:18:09.040
<v Speaker 1>he says is what gave him a taste for fame.

0:18:10.080 --> 0:18:11.240
<v Speaker 1>It also furthered his.

0:18:13.000 --> 0:18:17.919
<v Speaker 2>Don't again everything. It's just like, uh, he's that shitty

0:18:18.000 --> 0:18:19.920
<v Speaker 2>kid who's like, I'm getting attention?

0:18:20.560 --> 0:18:20.760
<v Speaker 3>Yeah?

0:18:20.960 --> 0:18:22.240
<v Speaker 2>Can I get more attention?

0:18:23.720 --> 0:18:26.479
<v Speaker 1>Every time I look at like influential culture and like

0:18:26.640 --> 0:18:29.080
<v Speaker 1>the dark side of TikTok, I get more convinced that

0:18:29.200 --> 0:18:31.879
<v Speaker 1>no one should get their picture taken or video taken

0:18:31.920 --> 0:18:34.760
<v Speaker 1>of them until they're like fifty five. And that way,

0:18:34.800 --> 0:18:36.679
<v Speaker 1>when kids are like, hey, do you want to I know,

0:18:36.680 --> 0:18:38.560
<v Speaker 1>do you want to become influencers? People will be like, no,

0:18:38.600 --> 0:18:41.159
<v Speaker 1>those are all like weird looking old people. Let's uh,

0:18:41.240 --> 0:18:42.840
<v Speaker 1>let's let's paint watercolors.

0:18:44.080 --> 0:18:46.359
<v Speaker 2>Partony wants to say, oh, say a lesser being shame,

0:18:46.480 --> 0:18:47.960
<v Speaker 2>But you know what, some people will enjoy that.

0:18:49.200 --> 0:18:52.080
<v Speaker 1>Yeah, and unfortunately Scott is one of them. So he

0:18:52.200 --> 0:18:54.280
<v Speaker 1>this is what gives him mistaste for fame. It also

0:18:54.359 --> 0:18:58.280
<v Speaker 1>furthers his understanding that quote beating long odds seemed easier

0:18:58.320 --> 0:19:02.119
<v Speaker 1>than everyone kept saying. Again, this is like says a

0:19:02.119 --> 0:19:04.840
<v Speaker 1>lot about Scott. It's interesting that he's so focused on

0:19:04.920 --> 0:19:07.119
<v Speaker 1>like the odds and that he's special for beating the

0:19:07.119 --> 0:19:10.440
<v Speaker 1>odds as opposed to like, oh, like, you know, this

0:19:10.560 --> 0:19:13.960
<v Speaker 1>was a nice experience in my childhood. It's also like

0:19:14.080 --> 0:19:18.040
<v Speaker 1>weird because none of this seems like to be particularly

0:19:18.080 --> 0:19:20.560
<v Speaker 1>the result of luck. He probably did well in that

0:19:20.560 --> 0:19:23.480
<v Speaker 1>cartooning contest because he worked hard on drawing, and the

0:19:23.480 --> 0:19:27.120
<v Speaker 1>egg contest. Like it's a small town, there's not he says,

0:19:27.119 --> 0:19:29.800
<v Speaker 1>there's like thirty kids in his graduating class. The fact

0:19:29.800 --> 0:19:31.960
<v Speaker 1>that you would have like gotten, you know, won the

0:19:32.040 --> 0:19:34.960
<v Speaker 1>Easter egg hunt one year in your childhood actually seems

0:19:34.960 --> 0:19:37.640
<v Speaker 1>pretty likely. Like when you're talking about like a town

0:19:37.680 --> 0:19:39.720
<v Speaker 1>with maybe thirty kids in it, that's not weird to me.

0:19:40.000 --> 0:19:42.080
<v Speaker 2>It's not like he is trying to solve some weird

0:19:42.200 --> 0:19:47.480
<v Speaker 2>riddle like yeah, yeah.

0:19:45.920 --> 0:19:49.480
<v Speaker 1>He didn't like stumble upon like an unsolved math equation

0:19:49.800 --> 0:19:52.240
<v Speaker 1>in the on the in like the chalkboard of his

0:19:52.320 --> 0:19:54.960
<v Speaker 1>high school and like fix it or anything like that.

0:19:55.720 --> 0:19:57.920
<v Speaker 1>It's like, yeah, I mean, there's thirty kids in your town.

0:19:58.119 --> 0:20:00.320
<v Speaker 1>You probably did ten of these Easter egg uns. Yeah,

0:20:00.320 --> 0:20:02.920
<v Speaker 1>it's not weird that you won one of them. Anyway.

0:20:03.400 --> 0:20:06.320
<v Speaker 1>Scott was now growing convinced that the universe had picked

0:20:06.359 --> 0:20:08.720
<v Speaker 1>him for greatness. So the next thing he does as

0:20:08.800 --> 0:20:10.440
<v Speaker 1>a like, I don't think he's think it's ten or eleven.

0:20:10.480 --> 0:20:13.280
<v Speaker 1>At this point he applies to a correspondence course called

0:20:13.280 --> 0:20:18.280
<v Speaker 1>the Famous Artists Course for Talented Young People. This still

0:20:18.320 --> 0:20:24.439
<v Speaker 1>exists today in some form. It may I mean it

0:20:24.480 --> 0:20:26.160
<v Speaker 1>may have been. That was not like. I don't think

0:20:26.200 --> 0:20:28.200
<v Speaker 1>that was it at the time when he was doing

0:20:28.200 --> 0:20:30.720
<v Speaker 1>it. It was found it was founded in part by Norman Rockwell.

0:20:30.760 --> 0:20:35.080
<v Speaker 1>It's like a long distance course. Oh it's interesting, like

0:20:35.280 --> 0:20:38.359
<v Speaker 1>the ads make it look, and I think this is

0:20:38.400 --> 0:20:41.160
<v Speaker 1>an errant belief. But looking at the ads from back then,

0:20:41.560 --> 0:20:43.880
<v Speaker 1>you get the feeling that it's like a con because

0:20:43.920 --> 0:20:46.399
<v Speaker 1>it's really focused on how cartooning can teach you how

0:20:46.400 --> 0:20:50.000
<v Speaker 1>to make money at home. I don't think it was like.

0:20:50.080 --> 0:20:52.679
<v Speaker 1>People still sell the books online. There's folks who will

0:20:52.680 --> 0:20:55.399
<v Speaker 1>say they're pretty good, like guides to like or like

0:20:55.520 --> 0:20:59.680
<v Speaker 1>drawing and stuff. So I'm not gonna shit on this program.

0:20:59.720 --> 0:21:02.520
<v Speaker 1>It just weird. Anytime anytime something tells me today that

0:21:02.560 --> 0:21:04.680
<v Speaker 1>you can make money at home, I assume that it's

0:21:04.680 --> 0:21:07.760
<v Speaker 1>some sort of a gone But I don't know that

0:21:07.760 --> 0:21:08.359
<v Speaker 1>that was the case.

0:21:08.760 --> 0:21:10.440
<v Speaker 2>Because he gave Scott Adams hope.

0:21:10.680 --> 0:21:13.080
<v Speaker 1>Yeah, I did give him hope, although it's about to

0:21:13.080 --> 0:21:17.199
<v Speaker 1>crush his hope. But before it does that, he files

0:21:17.240 --> 0:21:20.520
<v Speaker 1>an application packet which shows he's got some talent. So

0:21:20.520 --> 0:21:22.800
<v Speaker 1>this is going to show you the drawings he's trying.

0:21:22.840 --> 0:21:24.600
<v Speaker 2>He's actually putting the effort in. I give him that.

0:21:25.280 --> 0:21:27.879
<v Speaker 1>Yeah. Yeah, like he's got there's an an early like

0:21:27.960 --> 0:21:30.680
<v Speaker 1>he's there's a drawing of a Jaloppi in there. That's

0:21:30.720 --> 0:21:33.520
<v Speaker 1>like pretty good for like a little kid, Like the

0:21:33.600 --> 0:21:36.240
<v Speaker 1>perspective is decent, like cars are heart. When I was

0:21:36.280 --> 0:21:38.920
<v Speaker 1>a little kid drawing cartoons, I was never any good

0:21:38.920 --> 0:21:43.639
<v Speaker 1>at drawing cards. So like he's he's not bad for

0:21:43.720 --> 0:21:46.720
<v Speaker 1>his age. Yeah, yeah, that's quite a good. Yeah.

0:21:46.720 --> 0:21:49.160
<v Speaker 2>You're looking at the drawing of the man really good.

0:21:49.840 --> 0:21:53.439
<v Speaker 2>Yeah yeah, no, was really well done. That's skill. Like

0:21:53.520 --> 0:21:55.400
<v Speaker 2>I did not realize he had that ability.

0:21:55.760 --> 0:21:57.840
<v Speaker 1>No, yeah, it's like not like Sophie, scroll down, show

0:21:57.880 --> 0:22:00.080
<v Speaker 1>him the geloppee because like the perspective on the car.

0:22:00.080 --> 0:22:02.800
<v Speaker 2>Is also cars are not easy, so.

0:22:02.720 --> 0:22:10.520
<v Speaker 1>That yeah, he's solid. He's like he's these are good cartoons. Yeah.

0:22:11.080 --> 0:22:13.199
<v Speaker 1>I think that kind of surprised me because they're like

0:22:13.280 --> 0:22:17.160
<v Speaker 1>technically a lot more nuanced like Gilbert is again, as

0:22:17.160 --> 0:22:20.280
<v Speaker 1>we said, effective in terms of it's art style obviously,

0:22:20.720 --> 0:22:24.960
<v Speaker 1>but it's not complicated, right, Whereas like you know, that

0:22:25.320 --> 0:22:27.639
<v Speaker 1>shows that he's got some some more some deep or

0:22:27.680 --> 0:22:30.000
<v Speaker 1>at least had at some point like deeper technical ability.

0:22:31.800 --> 0:22:35.280
<v Speaker 2>It's interesting, like you need to learn the basics before

0:22:35.320 --> 0:22:40.560
<v Speaker 2>you create your style. Yeah, early Schultz versus what Panis was.

0:22:41.240 --> 0:22:44.280
<v Speaker 1>Yeah, yeah, I mean even just like a guy like

0:22:44.359 --> 0:22:47.120
<v Speaker 1>everyone knows is a great cartoonist, Bill Watterson. You look

0:22:47.160 --> 0:22:49.199
<v Speaker 1>at kind of a normal strip of Calvin and Hobbes,

0:22:49.200 --> 0:22:51.320
<v Speaker 1>and then you look at the you know, the ones

0:22:51.400 --> 0:22:54.080
<v Speaker 1>like these big Sunday spreads he did where he's he's

0:22:54.119 --> 0:22:56.240
<v Speaker 1>got like Spaceman spiff and shit, and it's a lot

0:22:56.280 --> 0:23:02.199
<v Speaker 1>more kind of like almost uh uh psychedelic fantastic in

0:23:02.240 --> 0:23:02.919
<v Speaker 1>a lot of ways.

0:23:04.160 --> 0:23:06.119
<v Speaker 2>They were also called back to the golden age of

0:23:06.200 --> 0:23:08.600
<v Speaker 2>comics when yeah, like, no, you're going to run this

0:23:08.640 --> 0:23:10.320
<v Speaker 2>comic the way I present it. You're not going to

0:23:10.440 --> 0:23:13.800
<v Speaker 2>butcher up the panels and put different draws. Wagon also

0:23:13.760 --> 0:23:16.159
<v Speaker 2>started off as a political cartoonist, so his training is

0:23:16.200 --> 0:23:19.280
<v Speaker 2>a lot different and he's yeah, very thick heavy line work.

0:23:19.640 --> 0:23:23.720
<v Speaker 1>Yeah, yeah, and you see Berkeley breadth Breath that is

0:23:23.760 --> 0:23:26.520
<v Speaker 1>a kind of in a similar vein where like he

0:23:26.960 --> 0:23:29.479
<v Speaker 1>would do especially when he did like Outland and stuff

0:23:29.520 --> 0:23:32.840
<v Speaker 1>these like so much more lavish strips that today you

0:23:32.880 --> 0:23:35.119
<v Speaker 1>could know, I mean you could, thankfully. One of the

0:23:35.119 --> 0:23:37.879
<v Speaker 1>things that I love about online cartooning is you you

0:23:37.920 --> 0:23:40.600
<v Speaker 1>do get there's a lot more of that stuff available

0:23:40.680 --> 0:23:42.800
<v Speaker 1>if you know where to look for it, because you

0:23:42.800 --> 0:23:45.320
<v Speaker 1>can publish anything online if you have like the right

0:23:45.400 --> 0:23:49.040
<v Speaker 1>kind of you know, uh platform to put it up on,

0:23:49.520 --> 0:23:52.560
<v Speaker 1>as opposed to you know, when you read that book

0:23:52.720 --> 0:23:56.480
<v Speaker 1>Waterson did, like the collection of his where he writes

0:23:56.520 --> 0:23:58.879
<v Speaker 1>a lot about his background. A lot of it is

0:23:58.960 --> 0:24:02.640
<v Speaker 1>him kind of mourning how much comics pages are shrinking,

0:24:02.680 --> 0:24:04.760
<v Speaker 1>how much less space there is, how much less like

0:24:04.800 --> 0:24:08.119
<v Speaker 1>option for putting in color there is, and how sad

0:24:08.160 --> 0:24:10.080
<v Speaker 1>that makes them is a lover of the art form,

0:24:10.119 --> 0:24:12.640
<v Speaker 1>and I do think like that's one of the things.

0:24:12.880 --> 0:24:17.719
<v Speaker 1>Internetic comics have kind of reversed the slide on to

0:24:17.760 --> 0:24:20.080
<v Speaker 1>an extent, which is yeah, makes me happy.

0:24:20.480 --> 0:24:24.320
<v Speaker 2>It is heartbreaking, but it's also like you're on deadlines too.

0:24:24.640 --> 0:24:27.520
<v Speaker 2>Like I did a storyline Popeye where I got behind

0:24:27.560 --> 0:24:29.680
<v Speaker 2>because like I'm gonna do really hyper detailed art, and

0:24:29.680 --> 0:24:32.960
<v Speaker 2>it's like that's great, but you're getting behind and we

0:24:33.040 --> 0:24:34.600
<v Speaker 2>have a deadline that this these get in.

0:24:35.359 --> 0:24:36.720
<v Speaker 1>Yeah, it is one of those like.

0:24:38.640 --> 0:24:41.400
<v Speaker 2>Sorry, no, Yeah, it's just like you know you're being

0:24:41.440 --> 0:24:44.960
<v Speaker 2>paid for this, don't You don't have to go beyond it, buddy.

0:24:45.440 --> 0:24:48.080
<v Speaker 1>Yeah, And I mean obviously, like when you're doing anything

0:24:48.280 --> 0:24:50.919
<v Speaker 1>five times a week, like a comic or I don't know,

0:24:50.960 --> 0:24:53.520
<v Speaker 1>a news podcast, it will grind you down if you

0:24:53.640 --> 0:24:58.680
<v Speaker 1>let it. It's yeah, it's those production schedules quite brutal,

0:24:58.720 --> 0:24:59.879
<v Speaker 1>but we're getting ahead of ourselves.

0:25:00.000 --> 0:25:00.119
<v Speaker 2>Oh.

0:25:00.440 --> 0:25:04.040
<v Speaker 1>Scott does pretty well on this application to a cartooning school,

0:25:04.160 --> 0:25:07.160
<v Speaker 1>but the school rejects him for being too young, which

0:25:07.240 --> 0:25:09.919
<v Speaker 1>temporarily causes him to give up on his dreams of

0:25:09.920 --> 0:25:13.280
<v Speaker 1>being a cartoonist and pick a more attainable life goal.

0:25:14.160 --> 0:25:16.480
<v Speaker 1>God he's got, he's like in his early teens. Maybe

0:25:16.480 --> 0:25:21.600
<v Speaker 1>at this point I think like, yeah, I don't know.

0:25:22.240 --> 0:25:25.600
<v Speaker 1>I think he was just like the way he describes it,

0:25:25.760 --> 0:25:28.359
<v Speaker 1>he had kind of because of these other incidents of

0:25:28.440 --> 0:25:33.160
<v Speaker 1>like unlikely in his eyes. Yeah, exactly, I found it. Egg,

0:25:33.280 --> 0:25:34.960
<v Speaker 1>Surely I'll get into this cartooning.

0:25:36.640 --> 0:25:40.080
<v Speaker 2>Look, honey, I found ten dollars in it. I think

0:25:40.119 --> 0:25:41.879
<v Speaker 2>I'm ready to replace al Cap.

0:25:42.200 --> 0:25:44.719
<v Speaker 1>Yeah. He always has these like weird leaps in his

0:25:44.760 --> 0:25:47.840
<v Speaker 1>head of like, well, because this happened, this seems possible.

0:25:47.840 --> 0:25:50.400
<v Speaker 1>But anyway, he gets bummed out, so he decides, I'm

0:25:50.440 --> 0:25:53.520
<v Speaker 1>not going to be a cartoonist, and he goes to

0:25:53.560 --> 0:25:57.280
<v Speaker 1>the work of kind of like picking another career for himself. Quote.

0:25:57.320 --> 0:25:59.640
<v Speaker 1>I looked around my town and learned that exactly two

0:25:59.680 --> 0:26:02.399
<v Speaker 1>people had high incomes. One was the only doctor in

0:26:02.440 --> 0:26:04.720
<v Speaker 1>town and the other was the only lawyer. I didn't

0:26:04.760 --> 0:26:07.280
<v Speaker 1>like touching other people's guts and tendons and whatnot, so

0:26:07.320 --> 0:26:10.399
<v Speaker 1>I set my sights on a career in law. He

0:26:10.440 --> 0:26:12.320
<v Speaker 1>has always kind of focused in this point at a

0:26:12.400 --> 0:26:14.840
<v Speaker 1>job that's going to make him a lot of money.

0:26:15.160 --> 0:26:17.320
<v Speaker 1>I do think it's kind of worth noting. And this

0:26:17.400 --> 0:26:19.639
<v Speaker 1>is a thing that like he's open about in his

0:26:19.760 --> 0:26:23.040
<v Speaker 1>early Dilbert career that like, yes, was always about making

0:26:23.080 --> 0:26:26.280
<v Speaker 1>money for me before he kind of gets weirder into

0:26:26.320 --> 0:26:31.200
<v Speaker 1>evangelizing some of his spiritual ideas. Nothing.

0:26:32.400 --> 0:26:35.560
<v Speaker 2>Yeah, always this was a career path he went to.

0:26:36.200 --> 0:26:40.760
<v Speaker 2>The diference is Jim Davis is not trying to incite riots.

0:26:41.000 --> 0:26:45.399
<v Speaker 1>Yeah, Jim Davis has never tried to convince anybody of

0:26:45.440 --> 0:26:48.720
<v Speaker 1>his like philosophical conclusions from a career of drawing guard

0:26:49.080 --> 0:26:53.640
<v Speaker 1>he seems to have mostly been happy to get. Jim

0:26:53.720 --> 0:26:56.040
<v Speaker 1>Davis is one of it, like seems to have a

0:26:56.080 --> 0:26:59.360
<v Speaker 1>pretty realistic understanding that like, wow, I've got I made

0:26:59.440 --> 0:27:02.280
<v Speaker 1>hundreds of millions of dollars drawing a cat just kind

0:27:02.320 --> 0:27:05.560
<v Speaker 1>of kind of let that one ride. Not gonna poke

0:27:05.680 --> 0:27:10.879
<v Speaker 1>lady faith too much over this. So in his nearly

0:27:11.000 --> 0:27:15.840
<v Speaker 1>unreadable book win Bigley, Scott claims that during this first

0:27:15.880 --> 0:27:19.879
<v Speaker 1>period of interest in drawing, he was a regular church goer.

0:27:20.200 --> 0:27:22.640
<v Speaker 1>His parents had him attend the Methodist church near their house,

0:27:22.640 --> 0:27:25.359
<v Speaker 1>and he claims he started experiencing doubt in his faith

0:27:25.400 --> 0:27:28.040
<v Speaker 1>when he noticed that prayer didn't seem to influence what

0:27:28.119 --> 0:27:30.640
<v Speaker 1>happened in his life in any way. The tipping point,

0:27:30.680 --> 0:27:32.680
<v Speaker 1>as he describes it, is when he heard the story

0:27:32.720 --> 0:27:35.439
<v Speaker 1>of Jonah and the Whale. The nut of that story,

0:27:35.440 --> 0:27:38.080
<v Speaker 1>if you weren't raised Christian, involves a guy getting stuck

0:27:38.080 --> 0:27:40.160
<v Speaker 1>in a whale's belly for three days before he gets

0:27:40.200 --> 0:27:44.720
<v Speaker 1>spat out, and he's not dead because God's stuff. Scott

0:27:44.760 --> 0:27:45.920
<v Speaker 1>as a little kid is like.

0:27:46.480 --> 0:27:48.439
<v Speaker 2>It's one of those amazing stories in the Old Testament,

0:27:48.520 --> 0:27:51.520
<v Speaker 2>Like don't you feel inspired? God's a socialist?

0:27:51.720 --> 0:27:54.639
<v Speaker 1>Yeah? Why would he do that to somebody? That seems yeah,

0:27:54.680 --> 0:27:57.840
<v Speaker 1>but Scott has the Scott's problem with it is that like, well,

0:27:57.880 --> 0:28:00.800
<v Speaker 1>people couldn't survive being in a whale, so he decides,

0:28:00.960 --> 0:28:03.879
<v Speaker 1>you know, that means that the Bible's not real. I

0:28:03.920 --> 0:28:06.119
<v Speaker 1>called a meeting with my mother and announced I was

0:28:06.119 --> 0:28:09.639
<v Speaker 1>discontinuing my religious education. I explained my new hypothesis that

0:28:09.680 --> 0:28:11.800
<v Speaker 1>she and all other believers were being duped for reasons

0:28:11.840 --> 0:28:13.680
<v Speaker 1>I couldn't understand, but I planned to get to the

0:28:13.680 --> 0:28:15.840
<v Speaker 1>bottom of it. My mother listened to my reasoning, I

0:28:15.880 --> 0:28:18.199
<v Speaker 1>acknowledged that I was making a well informed decision, and

0:28:18.240 --> 0:28:21.800
<v Speaker 1>never asked me to attend church again. And that's, you know,

0:28:21.880 --> 0:28:24.760
<v Speaker 1>fine enough on his mom's behalf. But it's weird to

0:28:24.800 --> 0:28:28.359
<v Speaker 1>me the lesson. He always takes such odd lessons from things,

0:28:28.960 --> 0:28:31.600
<v Speaker 1>because what he writes about this is according to my

0:28:31.680 --> 0:28:34.000
<v Speaker 1>new worldview. I was the only person, as far as

0:28:34.040 --> 0:28:36.000
<v Speaker 1>I knew, who could see religion for the scam that

0:28:36.040 --> 0:28:38.840
<v Speaker 1>it was. Obviously, there were plenty of non believers in

0:28:38.880 --> 0:28:40.600
<v Speaker 1>the world, but they were invisible to me in my

0:28:40.680 --> 0:28:44.360
<v Speaker 1>pre internet small town life. And I find that really peculiar.

0:28:44.400 --> 0:28:46.520
<v Speaker 1>Not the fact that, like, obviously you're in like the

0:28:46.560 --> 0:28:49.520
<v Speaker 1>fifties sixties, you decide you're an atheist, you live in

0:28:49.560 --> 0:28:52.280
<v Speaker 1>a small town, pretty good chance that you you know,

0:28:52.840 --> 0:28:57.160
<v Speaker 1>might not like know anybody right or like that else

0:28:57.200 --> 0:28:58.600
<v Speaker 1>that identifies as an atheist.

0:28:58.680 --> 0:29:01.000
<v Speaker 2>Now we're all going to be honest, Like, if you're

0:29:01.040 --> 0:29:04.680
<v Speaker 2>a small town like that, you're like, yeah, I'm an atheist.

0:29:04.760 --> 0:29:06.160
<v Speaker 2>Oh cool, you're leaving town now.

0:29:06.680 --> 0:29:08.840
<v Speaker 1>Yeah. It's not weird to me that he didn't know

0:29:08.880 --> 0:29:10.840
<v Speaker 1>anyone else like that. It is weird that he didn't

0:29:10.880 --> 0:29:13.720
<v Speaker 1>know it existed right like that he claimed, because he

0:29:13.720 --> 0:29:16.120
<v Speaker 1>basically claims, I didn't realize there were other people who

0:29:16.120 --> 0:29:18.760
<v Speaker 1>weren't believers. That seems a little peculiar to me. But

0:29:18.800 --> 0:29:22.960
<v Speaker 1>also information was much more difficult to acquire in that era.

0:29:23.040 --> 0:29:25.360
<v Speaker 1>So I'll give that one to Scott. What's odd to

0:29:25.400 --> 0:29:26.880
<v Speaker 1>me is that the kind of beliefs.

0:29:27.880 --> 0:29:30.120
<v Speaker 2>Oh, I just think I also give parents who will

0:29:30.720 --> 0:29:33.480
<v Speaker 2>actively shield their kids from the idea, like you know,

0:29:33.720 --> 0:29:36.360
<v Speaker 2>you and I grew up in Texas, and yeah, Texas,

0:29:36.360 --> 0:29:39.440
<v Speaker 2>which is a you know the taint of the Bible belt.

0:29:39.480 --> 0:29:42.080
<v Speaker 2>You know how it goes parents anything they can to

0:29:42.120 --> 0:29:43.000
<v Speaker 2>shield their kids.

0:29:44.120 --> 0:29:47.760
<v Speaker 1>Yeah, so I'll give him that one, you know, especially

0:29:47.800 --> 0:29:49.560
<v Speaker 1>given the ara that he comes up in. But what's

0:29:49.600 --> 0:29:51.880
<v Speaker 1>odd to me is that when he decides he doesn't

0:29:51.920 --> 0:29:54.680
<v Speaker 1>believe in God, the schema, the belief schema that he

0:29:54.760 --> 0:29:58.240
<v Speaker 1>develops for himself is something he later describes as the

0:29:58.280 --> 0:30:03.280
<v Speaker 1>alien experiment filter. And it's I don't know, I'm not

0:30:03.360 --> 0:30:05.800
<v Speaker 1>I try not to criticize the beliefs of children on

0:30:05.800 --> 0:30:07.280
<v Speaker 1>this show, but I'm going to read a quote for

0:30:07.320 --> 0:30:10.760
<v Speaker 1>you about Scott deciding what he believes, and you tell

0:30:10.760 --> 0:30:11.960
<v Speaker 1>me what you think about this.

0:30:12.160 --> 0:30:13.360
<v Speaker 2>As a parent, I'm happy.

0:30:15.840 --> 0:30:18.360
<v Speaker 1>Yeah, well someone should have done that with Scott. Here

0:30:18.720 --> 0:30:22.360
<v Speaker 1>quote the alien experiment filter imagined that intelligent creatures from

0:30:22.360 --> 0:30:25.000
<v Speaker 1>another world impregnated my mother so they could find out

0:30:25.040 --> 0:30:28.120
<v Speaker 1>what happens when humans and aliens make According to that filter,

0:30:28.240 --> 0:30:32.840
<v Speaker 1>the aliens were watching me at all times. That's an

0:30:32.840 --> 0:30:35.880
<v Speaker 1>odd thing for a child to decide they believe about

0:30:35.880 --> 0:30:41.920
<v Speaker 1>the world. What the fuck the fact that alien impregnation

0:30:42.120 --> 0:30:49.920
<v Speaker 1>is involved. Yeah, that's that is a really weirdly specific belief.

0:30:50.440 --> 0:30:53.160
<v Speaker 1>It's not like I wonder if I'm an alien, but

0:30:53.280 --> 0:30:56.640
<v Speaker 1>like specifically I wonder if the aliens, yeah, like did

0:30:56.640 --> 0:30:58.680
<v Speaker 1>it with my mom so that they can see if

0:30:58.720 --> 0:31:03.320
<v Speaker 1>it worked. That's peculiar. That is peculiar. No judgment, he's

0:31:03.320 --> 0:31:06.160
<v Speaker 1>a kid, but that's weird. That is a little bit

0:31:06.160 --> 0:31:07.040
<v Speaker 1>of a weird belief.

0:31:08.040 --> 0:31:11.320
<v Speaker 2>I mean, look, we were weird kids. Our brains went

0:31:11.360 --> 0:31:13.480
<v Speaker 2>to weird places. I'm sure if I sat down and

0:31:13.520 --> 0:31:15.520
<v Speaker 2>looked at my thoughts like, oh, I can't really judge

0:31:15.560 --> 0:31:18.080
<v Speaker 2>them on this one, but as still looking at him.

0:31:18.000 --> 0:31:22.640
<v Speaker 1>Like really, that's yeah, it's about judgments and being being

0:31:22.680 --> 0:31:31.000
<v Speaker 1>like scarring. Scott consistently draws strange conclusions. Yeah, so, uh,

0:31:31.200 --> 0:31:36.080
<v Speaker 1>you know who doesn't develop strangely elaborate childhood fantasies of

0:31:36.160 --> 0:31:38.960
<v Speaker 1>their mother being impregnated by aliens?

0:31:39.240 --> 0:31:43.720
<v Speaker 2>Would it be the sortied gold cellars that might be providing.

0:31:45.720 --> 0:31:48.360
<v Speaker 1>The gold cellars? Definitely do, but like, I don't know,

0:31:49.040 --> 0:31:51.480
<v Speaker 1>probably does it right? Is that right, Sophie? Can we

0:31:51.520 --> 0:31:54.000
<v Speaker 1>say that or is getting it angry if we say

0:31:54.040 --> 0:31:56.840
<v Speaker 1>that they don't have alien impregnation fantasies?

0:31:57.200 --> 0:31:59.160
<v Speaker 3>I don't know. I believed what you just said.

0:32:00.320 --> 0:32:04.120
<v Speaker 2>Fair enough and prague fan it needs to be a thing.

0:32:04.320 --> 0:32:07.400
<v Speaker 1>Yeah, yeah, make it happen used chat GPT or whatever

0:32:07.440 --> 0:32:10.800
<v Speaker 1>one of the GPPs. Uh get give us, give us

0:32:10.840 --> 0:32:16.440
<v Speaker 1>some AI drawings of impregnation, Dilbert fetish ark Dilbert.

0:32:16.160 --> 0:32:18.800
<v Speaker 2>Like just birthing a yeah box and.

0:32:18.760 --> 0:32:22.800
<v Speaker 1>Don't don't send it to me, send it to Scott Adams.

0:32:22.600 --> 0:32:27.440
<v Speaker 1>He'll love that. He's got time. Now he's not cartooning anymore.

0:32:27.600 --> 0:32:39.720
<v Speaker 1>He is cartooning still anyway, here's it. Ah, we are

0:32:39.960 --> 0:32:44.120
<v Speaker 1>back and we're talking about the Dilbert guy. So he

0:32:44.240 --> 0:32:47.280
<v Speaker 1>spends several years believing this alien stuff, but it doesn't

0:32:47.280 --> 0:32:50.280
<v Speaker 1>make him happy, so eventually he lands on atheism as

0:32:50.320 --> 0:32:54.120
<v Speaker 1>a teenager. Now he claims it like that he decided

0:32:54.160 --> 0:32:56.320
<v Speaker 1>to be an atheist because it gave him something to

0:32:56.440 --> 0:32:59.400
<v Speaker 1>argue about with people, which does make him ahead of

0:32:59.440 --> 0:33:03.160
<v Speaker 1>the curve that movement. Yeah, no, that was me as

0:33:03.160 --> 0:33:04.520
<v Speaker 1>a teenage atheist for sure.

0:33:04.680 --> 0:33:04.880
<v Speaker 2>Yes.

0:33:07.640 --> 0:33:10.920
<v Speaker 1>Now what's odd about that is that it's not odd

0:33:10.920 --> 0:33:12.480
<v Speaker 1>that he's kind of unhappy with that. A lot of

0:33:12.480 --> 0:33:16.160
<v Speaker 1>people like have a period when they're younger of atheism

0:33:16.200 --> 0:33:18.640
<v Speaker 1>and then move, you know to something else that's like

0:33:18.720 --> 0:33:20.800
<v Speaker 1>a thing that happens, Just like people have a period

0:33:20.840 --> 0:33:23.280
<v Speaker 1>where they're super Christian or whatever, and then choose something else.

0:33:23.880 --> 0:33:27.400
<v Speaker 1>Why Scott is unhappy with atheism specifically is that he

0:33:27.440 --> 0:33:30.600
<v Speaker 1>feels like it doesn't let him predict the future. That's

0:33:30.640 --> 0:33:34.360
<v Speaker 1>an odd reason to not like atheism to me, I

0:33:34.680 --> 0:33:39.600
<v Speaker 1>do so weird. Yeah, that's that's not the point of atheism,

0:33:39.760 --> 0:33:45.560
<v Speaker 1>Scott J Yeah. I don't understand why that would be

0:33:45.600 --> 0:33:48.680
<v Speaker 1>a thing that you would ever have expected to get

0:33:48.720 --> 0:33:53.000
<v Speaker 1>out of atheism. I also don't think that's generally a thing.

0:33:53.560 --> 0:33:55.480
<v Speaker 1>There's definitely it's one of the It's one of the

0:33:55.520 --> 0:33:57.120
<v Speaker 1>things that's compelling this to me is that it kind

0:33:57.120 --> 0:34:00.320
<v Speaker 1>of hints at something that Scott never writes about, which

0:34:00.360 --> 0:34:02.560
<v Speaker 1>I've come to suspect, which is that as a kid,

0:34:03.120 --> 0:34:06.040
<v Speaker 1>just the culture the community was into was more sort

0:34:06.040 --> 0:34:10.520
<v Speaker 1>of into apocalyptic evangelical Christian culture than maybe he lets on.

0:34:11.920 --> 0:34:14.399
<v Speaker 1>I don't know this, but it's one of those things

0:34:14.400 --> 0:34:16.320
<v Speaker 1>where like most people I know who are like Christian,

0:34:16.320 --> 0:34:18.400
<v Speaker 1>who are Muslim, who are Jewish, who are Hindu, who

0:34:18.440 --> 0:34:22.200
<v Speaker 1>are you know, zoroastri and whatever, generally like when they

0:34:22.239 --> 0:34:24.359
<v Speaker 1>talk about what they get out of faith, it's not

0:34:24.560 --> 0:34:27.560
<v Speaker 1>it lets me know the future, Like it lets me

0:34:27.600 --> 0:34:32.880
<v Speaker 1>predict the future. But within certain strains of evangelical Christianity prophecy,

0:34:33.080 --> 0:34:35.919
<v Speaker 1>the ability of the Bible to be used as a

0:34:35.920 --> 0:34:38.680
<v Speaker 1>as a prediction instrument to determine what's going to happen

0:34:38.680 --> 0:34:40.720
<v Speaker 1>in the future is a huge deal.

0:34:41.320 --> 0:34:43.320
<v Speaker 2>And that I remember real.

0:34:43.160 --> 0:34:46.520
<v Speaker 1>Things exactly, And that's that's if you're like Catholic, right,

0:34:46.520 --> 0:34:48.080
<v Speaker 1>you don't grow up being like the Bible is a

0:34:48.080 --> 0:34:49.560
<v Speaker 1>tool that lets me predict the future.

0:34:49.640 --> 0:34:49.840
<v Speaker 4>You know.

0:34:50.160 --> 0:34:53.239
<v Speaker 1>That's not really like a thing for Unitarians or Anglicans

0:34:53.640 --> 0:34:56.200
<v Speaker 1>or Episcopalians, which I was, but it is a thing

0:34:56.280 --> 0:35:00.799
<v Speaker 1>for that chunk of like Pentecostals, Baptists, a whole bunch

0:35:00.840 --> 0:35:04.600
<v Speaker 1>of like chunks of kind of like really kind of

0:35:04.719 --> 0:35:08.960
<v Speaker 1>very American sorts of Christianity. Not exclusively, but yeah, that's

0:35:09.040 --> 0:35:10.799
<v Speaker 1>kind of a hint I think I have maybe about

0:35:10.800 --> 0:35:14.160
<v Speaker 1>like what sort of the surrounding religious culture that Scott

0:35:14.640 --> 0:35:16.840
<v Speaker 1>is raised in is Like maybe he doesn't really notice

0:35:16.840 --> 0:35:19.520
<v Speaker 1>this much, but the fact that he the fact that

0:35:19.560 --> 0:35:22.319
<v Speaker 1>he wants whatever kind of belief system he adopts to

0:35:22.400 --> 0:35:24.919
<v Speaker 1>help him predict the future is interesting to me because

0:35:24.920 --> 0:35:27.399
<v Speaker 1>you don't run into that with most people, nor should

0:35:27.480 --> 0:35:30.840
<v Speaker 1>you yeah, nor should you don't. Yeah, Predicting the futures

0:35:30.920 --> 0:35:33.560
<v Speaker 1>not a not a fun business to be in one

0:35:33.560 --> 0:35:35.480
<v Speaker 1>way or the other. Take that one from me, folks.

0:35:36.800 --> 0:35:39.880
<v Speaker 1>So in nineteen seventy five, s Good graduates high school.

0:35:39.920 --> 0:35:42.880
<v Speaker 1>He's about there's about forty people in his graduating class,

0:35:43.360 --> 0:35:45.600
<v Speaker 1>and as he notes, it's really easy to excel in

0:35:45.640 --> 0:35:47.680
<v Speaker 1>a really small school like that if you work hard

0:35:47.719 --> 0:35:49.560
<v Speaker 1>and you've got you've got like a pretty good chance

0:35:49.600 --> 0:35:51.920
<v Speaker 1>of being the best at like what everything you're into,

0:35:51.960 --> 0:35:55.400
<v Speaker 1>because there's not that many other people. He opted not

0:35:55.480 --> 0:35:58.040
<v Speaker 1>to take chemistry or physics in high school instead of

0:35:58.080 --> 0:35:59.960
<v Speaker 1>in favor of focusing on a class that was un

0:36:00.120 --> 0:36:02.800
<v Speaker 1>common for a man to take in that period, typing.

0:36:03.400 --> 0:36:06.200
<v Speaker 1>Now Scott claims he picked typing because it was easy,

0:36:06.280 --> 0:36:09.120
<v Speaker 1>and the people who took chemistry got bad grades. Because

0:36:09.160 --> 0:36:11.279
<v Speaker 1>typing was so easy, his grades were really good and

0:36:11.320 --> 0:36:13.680
<v Speaker 1>he was able to graduate his valedictorian of the class

0:36:13.719 --> 0:36:16.920
<v Speaker 1>and get several scholarships. As a young adult, he was

0:36:16.960 --> 0:36:19.040
<v Speaker 1>regularly struck by how little use he got out of

0:36:19.120 --> 0:36:21.520
<v Speaker 1>chemistry and physics and how often typing came in handy

0:36:23.680 --> 0:36:26.120
<v Speaker 1>On that one, he's he's not wrong. The lesson he

0:36:26.160 --> 0:36:28.920
<v Speaker 1>takes out of this is like a weird one about

0:36:28.960 --> 0:36:33.000
<v Speaker 1>how they're basically a brain hacking thing where it's like, no,

0:36:33.120 --> 0:36:35.719
<v Speaker 1>if you like stack, you know, these different talents and

0:36:35.760 --> 0:36:38.440
<v Speaker 1>stuff together you can get like we'll get to that

0:36:38.480 --> 0:36:41.120
<v Speaker 1>a little bit later. He doesn't just take like, uh

0:36:41.400 --> 0:36:45.319
<v Speaker 1>yeah again, He's always kind of like makes these odd conclusions.

0:36:45.640 --> 0:36:48.200
<v Speaker 1>Like his conclusion from this is sometimes doing the wrong

0:36:48.280 --> 0:36:49.520
<v Speaker 1>thing works out.

0:36:50.280 --> 0:36:52.560
<v Speaker 2>He used to be one of like Andrew Tate's flunkies

0:36:52.600 --> 0:36:53.239
<v Speaker 2>more and more.

0:36:53.760 --> 0:36:57.160
<v Speaker 1>Yeah, he's he's got this obsession with like because something

0:36:57.239 --> 0:37:00.000
<v Speaker 1>worked out for me. I have been bestowed secret knowledge

0:37:00.600 --> 0:37:03.040
<v Speaker 1>as opposed to it like I don't know being Like

0:37:03.040 --> 0:37:05.080
<v Speaker 1>when I was a kid, I had this experience of

0:37:05.120 --> 0:37:07.239
<v Speaker 1>like I played a lot of online video games, and

0:37:07.320 --> 0:37:09.960
<v Speaker 1>my mom and dad were worried about it because they

0:37:09.960 --> 0:37:11.960
<v Speaker 1>were like, that's not going to help you, you know,

0:37:11.960 --> 0:37:14.800
<v Speaker 1>get a career or succeed. You should be focusing on school.

0:37:14.960 --> 0:37:17.680
<v Speaker 1>And as it turned out, playing online video games like

0:37:17.760 --> 0:37:19.880
<v Speaker 1>taught me how to touch type, taught me how to

0:37:19.920 --> 0:37:22.400
<v Speaker 1>like organize groups of people online, all of these skills

0:37:22.440 --> 0:37:25.840
<v Speaker 1>that were most useful in my career. I don't translate

0:37:25.880 --> 0:37:28.319
<v Speaker 1>this as like sometimes doing the wrong thing works out.

0:37:28.360 --> 0:37:31.759
<v Speaker 1>I translate this as like, sometimes old people don't understand

0:37:32.040 --> 0:37:36.040
<v Speaker 1>the world as well as young people, right, Yeah, Like sometimes.

0:37:35.640 --> 0:37:38.800
<v Speaker 2>When you just see how trends are changing.

0:37:38.680 --> 0:37:43.360
<v Speaker 1>That's just the world, right, Like I inherently think TikTok

0:37:43.600 --> 0:37:46.480
<v Speaker 1>is silly, but like, obviously it's a huge deal for

0:37:46.520 --> 0:37:49.120
<v Speaker 1>a lot of people, and like the fact that, like

0:37:49.360 --> 0:37:51.319
<v Speaker 1>I don't know, some kid gets really good at making

0:37:51.320 --> 0:37:54.120
<v Speaker 1>TikTok videos and makes a millionaire isn't an example of

0:37:54.160 --> 0:37:56.360
<v Speaker 1>them doing the wrong thing, And it's an example of

0:37:56.400 --> 0:38:00.000
<v Speaker 1>the world having changed in me being an old man. Now, yeah,

0:38:00.560 --> 0:38:02.680
<v Speaker 1>good for that little shit. Yeah, good for that little

0:38:02.680 --> 0:38:09.319
<v Speaker 1>piece of shit. Anyway, interesting the way he translates things.

0:38:09.360 --> 0:38:11.839
<v Speaker 1>So Scott goes to Hartwick College in New York State

0:38:11.880 --> 0:38:13.759
<v Speaker 1>and the major's in economics because he heard it was

0:38:13.800 --> 0:38:16.280
<v Speaker 1>good prep for law school and he wanted to understand

0:38:16.280 --> 0:38:19.800
<v Speaker 1>how money worked. He only takes one art class in college,

0:38:19.840 --> 0:38:22.439
<v Speaker 1>and this time he does really badly at it. There's

0:38:22.440 --> 0:38:24.680
<v Speaker 1>more kids in college than he had never been around before,

0:38:24.680 --> 0:38:26.359
<v Speaker 1>and a lot of them had spent you know, when

0:38:26.360 --> 0:38:29.080
<v Speaker 1>Scott kind of stopped drawing, they'd kept honing their art,

0:38:29.760 --> 0:38:32.359
<v Speaker 1>and this is Yeah, it fucked him up. I don't

0:38:32.360 --> 0:38:33.640
<v Speaker 1>think that's an uncommon experience.

0:38:33.640 --> 0:38:35.120
<v Speaker 2>Well, also, you go from being a kid in a

0:38:35.160 --> 0:38:37.840
<v Speaker 2>small school where you're the art kid, to go to

0:38:38.000 --> 0:38:40.080
<v Speaker 2>a place where, oh, this is all the art kids

0:38:40.080 --> 0:38:41.719
<v Speaker 2>from all these in the schools. Oh, and they've been

0:38:41.719 --> 0:38:44.640
<v Speaker 2>working harder than you. Yeah, that's gonna humble your well,

0:38:44.920 --> 0:38:46.640
<v Speaker 2>it should humble you a little bit.

0:38:47.719 --> 0:38:49.560
<v Speaker 1>Yeah, in his case, it seems more like he just

0:38:49.640 --> 0:38:54.120
<v Speaker 1>kind of gives up on art. But he does start

0:38:54.160 --> 0:38:56.480
<v Speaker 1>to smoke a shitload of weed in his college days.

0:38:56.880 --> 0:39:00.319
<v Speaker 1>He was influenced during this period of time when he's

0:39:00.360 --> 0:39:03.200
<v Speaker 1>getting high a lot by the realization that people seemed

0:39:03.239 --> 0:39:06.239
<v Speaker 1>a lot nicer when he was high. This caused him

0:39:06.239 --> 0:39:09.520
<v Speaker 1>to realize that people could experience different realities based on

0:39:09.600 --> 0:39:13.680
<v Speaker 1>their perception. Now that's one of the most basic philosophy

0:39:14.040 --> 0:39:16.880
<v Speaker 1>things in the world, right, the fact that like reception

0:39:17.320 --> 0:39:21.319
<v Speaker 1>alters exactly Like everyone has this realization one way or

0:39:21.320 --> 0:39:25.360
<v Speaker 1>the other. So I don't think Scott is like taking

0:39:25.440 --> 0:39:28.719
<v Speaker 1>a lot of classes on philosophy. I also don't think

0:39:28.760 --> 0:39:31.759
<v Speaker 1>he listens a lot when other people are talking. His

0:39:31.880 --> 0:39:34.680
<v Speaker 1>youth seems to have been a process of a precocious kid,

0:39:34.920 --> 0:39:37.840
<v Speaker 1>avoiding any reading that might have challenged him and opened

0:39:37.840 --> 0:39:41.640
<v Speaker 1>his eyes to thinkers who had had an experimented and

0:39:41.920 --> 0:39:44.520
<v Speaker 1>developed these kind of ideas more than maybe he did.

0:39:44.560 --> 0:39:46.880
<v Speaker 1>He seems to him be convinced that like, all of

0:39:46.920 --> 0:39:50.600
<v Speaker 1>these very normal revelations are him, like inventing the wheel

0:39:50.680 --> 0:39:53.399
<v Speaker 1>for himself basically, as opposed to like, I don't know, man,

0:39:53.400 --> 0:39:55.440
<v Speaker 1>that's like what happens to everybody when they get high,

0:39:55.600 --> 0:39:58.680
<v Speaker 1>Like the fucking billions of people would have experienced Scott,

0:39:58.760 --> 0:39:59.640
<v Speaker 1>it's not really weird.

0:40:00.040 --> 0:40:03.360
<v Speaker 2>He obviously feels he's the main character, and therefore every

0:40:03.400 --> 0:40:06.160
<v Speaker 2>experience he is the main character, Every expec he has

0:40:06.640 --> 0:40:10.440
<v Speaker 2>is him. Yeah, I mean at first it's never oh

0:40:10.520 --> 0:40:12.719
<v Speaker 2>shit to other people feel like it's like, no, it's me.

0:40:13.440 --> 0:40:15.640
<v Speaker 2>I will educate you on me.

0:40:16.480 --> 0:40:20.080
<v Speaker 1>Yeah, it's interesting he has these perfectly normal experiences and

0:40:20.120 --> 0:40:22.719
<v Speaker 1>then that a lot of people have. And like when I,

0:40:22.760 --> 0:40:27.040
<v Speaker 1>you know, started taking psychedelics and realized how fragile the

0:40:27.080 --> 0:40:29.839
<v Speaker 1>bonds of what we consider reality are and how much

0:40:29.880 --> 0:40:33.000
<v Speaker 1>it can be influenced and changed in very fundamental ways

0:40:33.040 --> 0:40:37.160
<v Speaker 1>by things that simply altered perception, it was very humbling,

0:40:37.320 --> 0:40:39.399
<v Speaker 1>and it caught a lot of things that I had

0:40:39.440 --> 0:40:42.239
<v Speaker 1>held on to from my belief systems as a young

0:40:42.280 --> 0:40:44.680
<v Speaker 1>person who grew up you know, very right wing and conservative.

0:40:45.239 --> 0:40:48.000
<v Speaker 1>Like melted at that point because I realized that all

0:40:48.000 --> 0:40:50.600
<v Speaker 1>of this certainty I had been raised with did not

0:40:50.840 --> 0:40:56.480
<v Speaker 1>adequately describe the world anymore, and that, I think ever since,

0:40:56.520 --> 0:40:59.920
<v Speaker 1>has made me less certain about the things I believe,

0:41:00.120 --> 0:41:02.239
<v Speaker 1>because I know how easy it is to influence my

0:41:02.320 --> 0:41:02.840
<v Speaker 1>own mind.

0:41:03.000 --> 0:41:05.400
<v Speaker 2>See, I knew it with anxiety. Anxiety to it for me,

0:41:05.440 --> 0:41:07.520
<v Speaker 2>I never had to do any drugs. Yes, I just

0:41:07.880 --> 0:41:11.319
<v Speaker 2>have absolute fear, NonStop, all time.

0:41:11.640 --> 0:41:16.960
<v Speaker 1>Very mind altering drug anxiety. Scott I think mean like

0:41:17.080 --> 0:41:21.880
<v Speaker 1>concludes basically, like I I have had a realization that

0:41:21.920 --> 0:41:24.560
<v Speaker 1>other people don't have, and so now I like understand

0:41:24.640 --> 0:41:29.439
<v Speaker 1>the world at a fundamentally different level, which I is odd.

0:41:29.480 --> 0:41:31.560
<v Speaker 1>I wonder how much he spent time like talking to

0:41:31.640 --> 0:41:34.440
<v Speaker 1>people while he was high, because again, this is pretty

0:41:34.480 --> 0:41:37.280
<v Speaker 1>basic stuff people chat about when they're stoned at nineteen

0:41:37.840 --> 0:41:38.839
<v Speaker 1>whatever at them.

0:41:38.840 --> 0:41:41.319
<v Speaker 2>He didn't talk to them, He talked at them if

0:41:41.360 --> 0:41:44.160
<v Speaker 2>they said something. He wasn't paying attention because he wasn't talking.

0:41:44.520 --> 0:41:47.040
<v Speaker 1>Yeah, you get that feeling a little bit so age

0:41:47.080 --> 0:41:50.239
<v Speaker 1>twenty one, Scott moves to San Francisco after he what

0:41:50.320 --> 0:41:53.399
<v Speaker 1>he describes as a near death experience. Again. He's he's

0:41:53.440 --> 0:41:55.799
<v Speaker 1>living up in the frigid North. He's driving home one

0:41:55.880 --> 0:41:58.640
<v Speaker 1>night it's snowing and you know, it's in the middle

0:41:58.680 --> 0:42:01.799
<v Speaker 1>of February, so it's probably below freezing outside, and his

0:42:01.880 --> 0:42:05.200
<v Speaker 1>car dies on the highway. He hasn't brought a coat

0:42:05.239 --> 0:42:07.040
<v Speaker 1>with him, you know, because he didn't think he was

0:42:07.080 --> 0:42:09.480
<v Speaker 1>going to be outside much and because young people are dumb,

0:42:09.719 --> 0:42:11.480
<v Speaker 1>and so he winds up being like, I'm gonna freeze

0:42:11.520 --> 0:42:13.680
<v Speaker 1>to death in this car unless I can find someone

0:42:13.719 --> 0:42:15.560
<v Speaker 1>to rescue me. So he gets out of the car

0:42:15.880 --> 0:42:18.480
<v Speaker 1>and he just like sprints down the highway like trying

0:42:18.520 --> 0:42:20.680
<v Speaker 1>to find somebody, and you know, eventually gets picked up

0:42:20.719 --> 0:42:24.120
<v Speaker 1>and he doesn't die, obviously, but this whole thing terrifies him,

0:42:24.120 --> 0:42:27.080
<v Speaker 1>this like brush with death. And he promised himself while

0:42:27.120 --> 0:42:29.520
<v Speaker 1>he was like sprinting down the freezing highway that if

0:42:29.520 --> 0:42:31.880
<v Speaker 1>he survived, he'd sell his car and buy a ticket

0:42:31.880 --> 0:42:33.640
<v Speaker 1>to California, which he does.

0:42:33.960 --> 0:42:35.399
<v Speaker 2>That's a weird fucking leap.

0:42:36.040 --> 0:42:38.920
<v Speaker 1>That is an odd I mean, yeah, I do know.

0:42:39.000 --> 0:42:40.880
<v Speaker 1>I will say a lot of people who wind up

0:42:40.880 --> 0:42:43.120
<v Speaker 1>in California are there because they grew up in like

0:42:43.160 --> 0:42:46.080
<v Speaker 1>Minnesota and were like, never again, never again will I

0:42:46.160 --> 0:42:47.400
<v Speaker 1>go through a winter like that.

0:42:47.800 --> 0:42:50.480
<v Speaker 2>I live for nine years, and the idea of having

0:42:50.560 --> 0:42:53.680
<v Speaker 2>returned to winter does make my butthole pucker. Yeah.

0:42:53.680 --> 0:42:55.720
<v Speaker 1>I feel the same way about the fucking Texas summer.

0:42:55.800 --> 0:42:59.120
<v Speaker 1>But that's just that's come for all of us now. Yes, so.

0:43:00.520 --> 0:43:03.520
<v Speaker 2>You thought you great gave Robert, No, Robert, we smelled

0:43:03.520 --> 0:43:05.360
<v Speaker 2>where you went, We followed the trail.

0:43:05.960 --> 0:43:11.080
<v Speaker 1>Texas comes for us all. So he moves to San Francisco.

0:43:11.120 --> 0:43:13.160
<v Speaker 1>He's got a brother there, so he crashes with his brother.

0:43:13.719 --> 0:43:16.439
<v Speaker 1>Eventually he gets a job as a bank teller, which

0:43:16.480 --> 0:43:18.279
<v Speaker 1>is you know, it doesn't go great for him. He

0:43:18.320 --> 0:43:20.920
<v Speaker 1>gets robbed at gunpoint twice. So he decides I'm going

0:43:20.960 --> 0:43:26.719
<v Speaker 1>to apply for a management training position. Yeah, no, sounds reasonable, Yeah, no,

0:43:27.160 --> 0:43:30.959
<v Speaker 1>normal reactions here. He rises pretty steadily at the bank,

0:43:31.000 --> 0:43:32.880
<v Speaker 1>and they kind of he flits around a bunch of

0:43:33.320 --> 0:43:36.880
<v Speaker 1>different jobs. He does sometime programming computers, he manages like

0:43:36.920 --> 0:43:40.880
<v Speaker 1>a contract negotiation team, and by his own kind of recollection,

0:43:40.960 --> 0:43:43.560
<v Speaker 1>he's bad at all of these jobs that like, they

0:43:43.600 --> 0:43:46.719
<v Speaker 1>move him to because and he I think this is

0:43:46.760 --> 0:43:49.800
<v Speaker 1>pretty reasonable. He's like, yeah, they never kept me because

0:43:49.840 --> 0:43:52.440
<v Speaker 1>I was good enough at my job. They kept moving

0:43:52.480 --> 0:43:54.839
<v Speaker 1>me to other jobs, but they never give me enough

0:43:54.880 --> 0:43:57.799
<v Speaker 1>time there to get good at them. I don't think

0:43:57.800 --> 0:44:00.840
<v Speaker 1>that's an uncommon experience people have in the corporate world, definitely.

0:44:01.760 --> 0:44:04.600
<v Speaker 1>And he kind of learns as a defensive mechanism during

0:44:04.600 --> 0:44:07.520
<v Speaker 1>this period to deflect from his ignorance by developing a

0:44:07.560 --> 0:44:09.520
<v Speaker 1>sense of humor that he was able to use to

0:44:09.560 --> 0:44:13.440
<v Speaker 1>kind of like please audiences of business executives and make

0:44:13.520 --> 0:44:16.200
<v Speaker 1>them maybe less likely to judge him when he's bad

0:44:16.200 --> 0:44:18.239
<v Speaker 1>at the stuff that he's doing. This is going to

0:44:18.280 --> 0:44:22.000
<v Speaker 1>be an invaluable skill for writing Dilbert quote. Several of

0:44:22.000 --> 0:44:25.000
<v Speaker 1>my jobs at the bank involved making presentations to upper management.

0:44:25.239 --> 0:44:28.319
<v Speaker 1>I seasoned my presentation with presentations with comics to keep

0:44:28.320 --> 0:44:30.600
<v Speaker 1>the audience awake and to have a business reason for

0:44:30.719 --> 0:44:33.760
<v Speaker 1>sitting around drawing comics at work. My comics weren't funny

0:44:33.760 --> 0:44:36.400
<v Speaker 1>in the haha sense, that's certainly true, Scott, but they

0:44:36.480 --> 0:44:39.040
<v Speaker 1>reminded people of their jobs, and that seemed to be enough.

0:44:39.280 --> 0:44:41.480
<v Speaker 1>I believe my first published comic was the Mole that

0:44:41.520 --> 0:44:45.960
<v Speaker 1>I drew on the cover of the company newsletter. So yeah,

0:44:45.960 --> 0:44:48.719
<v Speaker 1>this is kind of how he gets back into cartooning

0:44:49.360 --> 0:44:51.520
<v Speaker 1>over the course of a couple of years. There's two

0:44:51.640 --> 0:44:54.439
<v Speaker 1>characters that he draws more than the other characters he's doing.

0:44:54.600 --> 0:44:56.560
<v Speaker 1>And one of these is like a guy with glasses

0:44:56.600 --> 0:44:58.720
<v Speaker 1>and a weird looking tie who's going to become Dilbert.

0:44:59.160 --> 0:45:01.719
<v Speaker 1>Another's a daw that's based on his old family dog

0:45:01.760 --> 0:45:03.799
<v Speaker 1>that's going to become dog. Those are the I'm be

0:45:03.880 --> 0:45:06.279
<v Speaker 1>sure most people are at least vaguely familiar with the

0:45:06.280 --> 0:45:08.160
<v Speaker 1>fact that those are the two big characters in his

0:45:08.239 --> 0:45:12.160
<v Speaker 1>comic strip. Now, the timing here is a little unclear,

0:45:12.239 --> 0:45:14.440
<v Speaker 1>but while this is all going on, as he's kind

0:45:14.440 --> 0:45:18.080
<v Speaker 1>of like entering the corporate world, Scott starts experimenting with

0:45:18.120 --> 0:45:22.399
<v Speaker 1>hallucinogenic mushrooms. Now, the San Francisco Bay Area is a

0:45:22.480 --> 0:45:25.920
<v Speaker 1>wonderful place to experiment with mushrooms, and Scott has a

0:45:25.920 --> 0:45:28.080
<v Speaker 1>good time. He came his first trip is like right

0:45:28.120 --> 0:45:30.480
<v Speaker 1>after he moves there. He's twenty one years old, and

0:45:30.520 --> 0:45:32.799
<v Speaker 1>he says that it's the best day of his life, like,

0:45:33.120 --> 0:45:34.640
<v Speaker 1>or at least in two thousand and eight, he wrote

0:45:34.640 --> 0:45:36.360
<v Speaker 1>that that was like the best day of his life.

0:45:36.400 --> 0:45:39.719
<v Speaker 1>Well he hadn't killed yet, so yeah, yeah, he hadn't

0:45:39.800 --> 0:45:44.520
<v Speaker 1>killed anybody yet, he hadn't taken a life. Now, I

0:45:44.520 --> 0:45:46.920
<v Speaker 1>don't think that's uncommon. I think a lot of people

0:45:47.880 --> 0:45:50.040
<v Speaker 1>look back at like their first time on mushrooms is like, yeah,

0:45:50.040 --> 0:45:51.799
<v Speaker 1>it was the best experience of my entire life. Some

0:45:51.880 --> 0:45:54.600
<v Speaker 1>people it's the worst. But generally a lot of people

0:45:54.640 --> 0:45:57.719
<v Speaker 1>have this experience of it. That's not an uncommon thing.

0:45:57.920 --> 0:45:59.960
<v Speaker 2>I will Scott your knowledge as I have never tond

0:46:00.040 --> 0:46:00.800
<v Speaker 2>on any drugs.

0:46:01.239 --> 0:46:04.200
<v Speaker 1>Yeah, I don't like recommended ad hoc to people, but

0:46:04.800 --> 0:46:06.960
<v Speaker 1>I mean there's actually data on this, right like they did.

0:46:07.000 --> 0:46:09.279
<v Speaker 1>There is this famously, the Good Friday Experiments, where they

0:46:09.360 --> 0:46:12.560
<v Speaker 1>give gave mushrooms to a bunch of Divinity students and

0:46:12.680 --> 0:46:15.879
<v Speaker 1>like an overwhelming number of them. Twenty years later, we're like, yeah,

0:46:15.920 --> 0:46:19.160
<v Speaker 1>it's still one of the most influential spiritual experiences of

0:46:19.160 --> 0:46:20.040
<v Speaker 1>my life.

0:46:20.440 --> 0:46:22.919
<v Speaker 2>Any microdosing shrooms, it is supposed to be pretty good

0:46:22.920 --> 0:46:25.040
<v Speaker 2>for a lot of like mental health.

0:46:25.600 --> 0:46:28.120
<v Speaker 1>It can be, it can be. It's one of those

0:46:28.120 --> 0:46:30.720
<v Speaker 1>things like I'm this is a little off topic of Scott.

0:46:30.840 --> 0:46:34.520
<v Speaker 1>I'm very pro people having the right to and experimenting

0:46:34.520 --> 0:46:37.600
<v Speaker 1>with hallucinogens, there are. I mean, one of the things

0:46:37.640 --> 0:46:40.520
<v Speaker 1>that does increasingly concern me is what we're learning about

0:46:40.840 --> 0:46:44.719
<v Speaker 1>the ways in which people who have a family tendency

0:46:44.760 --> 0:46:49.319
<v Speaker 1>towards schizophrenia can have schizophrenic breaks as a result of

0:46:49.360 --> 0:46:53.520
<v Speaker 1>taking psychedelics or even just marijuana. So whenever I talk

0:46:53.560 --> 0:46:56.759
<v Speaker 1>about I do think many, perhaps even most people can

0:46:56.800 --> 0:47:01.480
<v Speaker 1>benefit from psychedelics. It all pays to be aware of

0:47:01.520 --> 0:47:03.880
<v Speaker 1>your family history and take great care when doing that

0:47:03.880 --> 0:47:08.720
<v Speaker 1>stuff because there are potentially consequences with it too. It's important,

0:47:08.760 --> 0:47:11.279
<v Speaker 1>not no, yeah, but Scott has a great time, right,

0:47:12.440 --> 0:47:16.640
<v Speaker 1>great experience, not an uncommon experience. He benefits from it

0:47:16.680 --> 0:47:20.320
<v Speaker 1>by developing an understanding that his own interpretation of reality

0:47:20.440 --> 0:47:23.680
<v Speaker 1>is just one of many, and not necessarily the truest one.

0:47:24.000 --> 0:47:26.839
<v Speaker 1>That's a good thing to realize about the world. It's

0:47:26.880 --> 0:47:29.080
<v Speaker 1>certainly a thing. I think most people who become healthy

0:47:29.080 --> 0:47:34.160
<v Speaker 1>adults have some version of this realization. Scott writes it

0:47:34.239 --> 0:47:37.040
<v Speaker 1>as a positive realization. But then at the end of

0:47:37.120 --> 0:47:39.840
<v Speaker 1>this section of his book Win Bigley, which is a

0:47:39.880 --> 0:47:42.759
<v Speaker 1>stupid book about winning arguments and how Donald Trump is

0:47:43.400 --> 0:47:47.400
<v Speaker 1>fucking god King, he writes, quote, kids, please don't take drugs.

0:47:47.480 --> 0:47:50.840
<v Speaker 1>Drugs can be dangerous. I don't recommend trying marijuana or psychedelics.

0:47:51.000 --> 0:47:53.920
<v Speaker 1>You'll get a similar perceptual shift by reading this book.

0:47:53.960 --> 0:47:56.560
<v Speaker 1>I designed it to do exactly that. Right now, I

0:47:56.600 --> 0:47:57.320
<v Speaker 1>love him.

0:47:58.280 --> 0:48:00.640
<v Speaker 2>I fucking hate him.

0:48:01.160 --> 0:48:04.160
<v Speaker 1>Oh my fucking I know what I just said about

0:48:04.200 --> 0:48:06.920
<v Speaker 1>being cautious with drugs. But if your choices between reading

0:48:06.920 --> 0:48:11.560
<v Speaker 1>Scott's book and doing drugs choose drugs every time, avoid

0:48:11.640 --> 0:48:12.680
<v Speaker 1>Scott's someone.

0:48:12.719 --> 0:48:15.359
<v Speaker 2>Needed to be bullied more than I were.

0:48:16.440 --> 0:48:23.000
<v Speaker 1>Too much confidence, too much confidence, Scott Christ Yeah, I

0:48:23.040 --> 0:48:25.920
<v Speaker 1>mean what's unsettling to this about this to me is that,

0:48:25.960 --> 0:48:28.600
<v Speaker 1>like the lesson Scott gets from mushrooms and the lesson

0:48:28.600 --> 0:48:30.759
<v Speaker 1>a lot of people do, is that, like, Wow, the

0:48:30.800 --> 0:48:33.840
<v Speaker 1>actual meaning of reality and the nature of it is

0:48:33.880 --> 0:48:37.440
<v Speaker 1>actually is extremely open ended and dictated by perception. And

0:48:37.480 --> 0:48:40.600
<v Speaker 1>maybe you shouldn't buy into your own bullshit to such

0:48:40.760 --> 0:48:45.640
<v Speaker 1>a strong extent or believe anything so strongly because so

0:48:45.800 --> 0:48:48.800
<v Speaker 1>much of reality is kind of altered by your brain, chemistry,

0:48:48.800 --> 0:48:50.520
<v Speaker 1>by what's in your stomach, all this kind of stuff.

0:48:50.560 --> 0:48:53.080
<v Speaker 1>That's a good thing to learn. It's a different thing

0:48:53.120 --> 0:48:56.160
<v Speaker 1>to be, like, don't do drugs, kids. I have developed

0:48:56.160 --> 0:48:58.880
<v Speaker 1>a way to manipulate your mind using my books. That

0:48:58.960 --> 0:48:59.840
<v Speaker 1>works even better.

0:49:00.000 --> 0:49:01.360
<v Speaker 2>That's cult shit.

0:49:01.440 --> 0:49:04.359
<v Speaker 1>That is culty, right, Yeah, that's unsettling as fun.

0:49:04.480 --> 0:49:07.680
<v Speaker 2>That is something I like. I remember a youth minister

0:49:07.840 --> 0:49:09.520
<v Speaker 2>when I was a kid telling us that, you know,

0:49:10.160 --> 0:49:13.520
<v Speaker 2>we didn't need to try drugs because he could help

0:49:13.600 --> 0:49:16.000
<v Speaker 2>us get high on Jesus and be like, I don't

0:49:16.120 --> 0:49:18.759
<v Speaker 2>like this guy at all. Yeah, nothing about this is good.

0:49:19.400 --> 0:49:24.319
<v Speaker 1>No, no, And Scott, he kind of stops experimenting with

0:49:24.360 --> 0:49:28.680
<v Speaker 1>hallucinogens I think pretty early here and gets really into

0:49:28.760 --> 0:49:31.959
<v Speaker 1>something that is not necessarily culty, but it's very cult

0:49:32.080 --> 0:49:36.479
<v Speaker 1>adjacent and it's called he gets into a practice of affirmations. Now,

0:49:36.719 --> 0:49:39.800
<v Speaker 1>there's nothing wrong inherently with the idea of affirmations. Affirmations

0:49:39.840 --> 0:49:42.320
<v Speaker 1>are a practice that's birthed by the New Thought movement,

0:49:42.600 --> 0:49:45.319
<v Speaker 1>which in self itself evolved from books like Think and

0:49:45.360 --> 0:49:47.520
<v Speaker 1>Grow Rich and The Science of Getting Rich in the

0:49:47.560 --> 0:49:50.160
<v Speaker 1>early nineteen hundreds. Yeah, and they're part of a batch

0:49:50.200 --> 0:49:54.600
<v Speaker 1>of techniques broadly called neuro linguistic programming by some practitioners.

0:49:54.960 --> 0:49:58.520
<v Speaker 1>The basic idea, and I'm flattening a little bit here,

0:49:58.520 --> 0:50:00.719
<v Speaker 1>but the basic idea behind an affirm is that if

0:50:00.760 --> 0:50:03.640
<v Speaker 1>you regularly repeat what you are going, what you want

0:50:03.680 --> 0:50:05.520
<v Speaker 1>to do, what you want to have happen in your life,

0:50:05.560 --> 0:50:08.080
<v Speaker 1>some sort of goal or dream, And if you're extremely

0:50:08.120 --> 0:50:12.839
<v Speaker 1>specific and extremely consistent about the repute the about like

0:50:12.920 --> 0:50:16.160
<v Speaker 1>repeating it, then that will in some way influence the

0:50:16.200 --> 0:50:19.680
<v Speaker 1>future and allow you to achieve that goal. Versions and

0:50:19.800 --> 0:50:24.640
<v Speaker 1>like this is like the secret, so sacret. Yeah. The

0:50:25.239 --> 0:50:28.120
<v Speaker 1>early kind of basic idea is there's nothing inherently like

0:50:28.600 --> 0:50:31.520
<v Speaker 1>if you are if your goal is to write a novel,

0:50:31.560 --> 0:50:34.160
<v Speaker 1>and every single morning you wake up and write down

0:50:34.200 --> 0:50:35.919
<v Speaker 1>on a piece of paper i am going to write

0:50:35.920 --> 0:50:37.960
<v Speaker 1>a novel, and you focus on it, you know, for

0:50:38.239 --> 0:50:41.120
<v Speaker 1>a minute or two while you're having your coffee, and

0:50:41.160 --> 0:50:43.839
<v Speaker 1>that helps you to sit down every day and work

0:50:43.880 --> 0:50:46.640
<v Speaker 1>on that novel. Well, that's great, right, that's a perfectly

0:50:46.680 --> 0:50:49.320
<v Speaker 1>reasonable thing to do, you know. Or if your affirmation

0:50:49.440 --> 0:50:52.160
<v Speaker 1>is I'm gonna you know, get you know this good

0:50:52.320 --> 0:50:54.959
<v Speaker 1>at lifting weights, or I'm gonna get this good at drawing,

0:50:55.040 --> 0:50:56.439
<v Speaker 1>or I'm gonna learn how to I don't know, fix

0:50:56.520 --> 0:51:00.000
<v Speaker 1>engines or whatever, perfectly reasonable. The problem is when people

0:51:00.120 --> 0:51:03.120
<v Speaker 1>start to treat them like the secret does like their magic, like,

0:51:03.239 --> 0:51:05.680
<v Speaker 1>rather than it just being like, well, focusing your mind

0:51:05.680 --> 0:51:08.400
<v Speaker 1>on a task can help you accomplish that task. It's

0:51:08.719 --> 0:51:12.920
<v Speaker 1>by telling, by writing down and in this very specific way,

0:51:13.320 --> 0:51:15.440
<v Speaker 1>this thing that I want to have happened. I am

0:51:15.520 --> 0:51:19.120
<v Speaker 1>altering the universe right in order to like give myself

0:51:19.160 --> 0:51:21.960
<v Speaker 1>a thing. That's There's a lot this problematic. There's a

0:51:21.960 --> 0:51:25.640
<v Speaker 1>lot that's problematic about the secret, especially when you like

0:51:25.760 --> 0:51:27.960
<v Speaker 1>talk to the way people who are into this kind

0:51:28.000 --> 0:51:31.319
<v Speaker 1>of stuff sometimes talk about illness right where they're like, oh,

0:51:31.400 --> 0:51:34.839
<v Speaker 1>you can overcome you know, your hereditary illness or your

0:51:34.920 --> 0:51:38.480
<v Speaker 1>your your chronic illness or whatever via these techniques where

0:51:38.480 --> 0:51:41.120
<v Speaker 1>it's like, well, no, no amount of writing affirmations is

0:51:41.160 --> 0:51:45.640
<v Speaker 1>going to stop you from being paralyzed, right, That's just

0:51:45.680 --> 0:51:48.440
<v Speaker 1>not how it works. Science with a label.

0:51:48.520 --> 0:51:48.960
<v Speaker 2>What the hell?

0:51:49.160 --> 0:51:51.799
<v Speaker 1>Yeah, So I'm not shitting like I know, I know

0:51:51.880 --> 0:51:53.640
<v Speaker 1>people who are like, yeah, I do this and it's

0:51:53.680 --> 0:51:55.560
<v Speaker 1>just a thing that helps me focus my mind. That's whatever.

0:51:55.600 --> 0:51:59.759
<v Speaker 1>That's fine. But Scott takes it in very much like

0:51:59.800 --> 0:52:02.600
<v Speaker 1>the secrety direction, where like, I have figured out some

0:52:02.640 --> 0:52:08.160
<v Speaker 1>sort of secret way to break the code of the universe. Yeah,

0:52:08.200 --> 0:52:10.520
<v Speaker 1>And it's you can see the appeal for a guy

0:52:10.600 --> 0:52:14.239
<v Speaker 1>who's whose brain has developed this way because affirmations give

0:52:14.320 --> 0:52:17.520
<v Speaker 1>him something that the philosophies he had adhered to earlier

0:52:17.560 --> 0:52:19.959
<v Speaker 1>in his life had always lacked, which is a way

0:52:20.040 --> 0:52:23.839
<v Speaker 1>of predicting the future and also a way of explaining how,

0:52:23.880 --> 0:52:26.919
<v Speaker 1>in his eyes he was consistently the special boy who

0:52:26.960 --> 0:52:28.640
<v Speaker 1>succeeded at long odds.

0:52:28.719 --> 0:52:30.880
<v Speaker 2>Which is always goes back to he's the main character.

0:52:31.440 --> 0:52:35.880
<v Speaker 1>Yeah, And I think there's something that's like understandable here

0:52:35.920 --> 0:52:38.120
<v Speaker 1>as both you know, you and I are both people

0:52:38.480 --> 0:52:42.080
<v Speaker 1>who get to do what we love for a living,

0:52:43.200 --> 0:52:45.960
<v Speaker 1>and that's that's that is a tremendous privilege and the

0:52:46.040 --> 0:52:48.840
<v Speaker 1>result in addition to the result of hard work always

0:52:48.840 --> 0:52:51.160
<v Speaker 1>the result of great fortune, because there's always people who

0:52:51.160 --> 0:52:53.520
<v Speaker 1>are skilled and talented who never make it.

0:52:53.840 --> 0:52:56.400
<v Speaker 2>Absolutely, Yeah, absolutely.

0:52:56.160 --> 0:52:59.520
<v Speaker 1>And if you recognize that as as a creative person,

0:52:59.800 --> 0:53:01.880
<v Speaker 1>there's a fear in there, right because it means that,

0:53:01.960 --> 0:53:04.040
<v Speaker 1>among other things, it means that it could stop working

0:53:04.080 --> 0:53:05.000
<v Speaker 1>for you at any point.

0:53:05.080 --> 0:53:08.719
<v Speaker 2>Right, That is very understandable anxiety. I think a lot

0:53:08.760 --> 0:53:12.360
<v Speaker 2>of creative hackens, Yeah, because you it is things change,

0:53:12.440 --> 0:53:15.920
<v Speaker 2>audience changed, might you know, Yeah, what worked for me

0:53:16.000 --> 0:53:18.720
<v Speaker 2>twenty years ago won't work now. I have to constantly

0:53:18.760 --> 0:53:20.720
<v Speaker 2>rework and yeah, pushing.

0:53:20.920 --> 0:53:24.960
<v Speaker 1>And most I think most reasonable people in our position,

0:53:25.320 --> 0:53:27.399
<v Speaker 1>Like you know, there's a variety of things to look

0:53:27.440 --> 0:53:29.960
<v Speaker 1>at it, including well I support a basic income and

0:53:30.000 --> 0:53:33.080
<v Speaker 1>stuff like that, uh, universal health care and shit, so

0:53:33.160 --> 0:53:36.400
<v Speaker 1>that these fears are at least, you know, less involved with.

0:53:36.480 --> 0:53:38.400
<v Speaker 1>Like maybe I will wind up like dying on the

0:53:38.440 --> 0:53:43.120
<v Speaker 1>street if my ability to write shit goes away. Scott,

0:53:43.160 --> 0:53:46.280
<v Speaker 1>I think takes pivots to like, I need to find

0:53:46.440 --> 0:53:51.160
<v Speaker 1>an explanation for how I'm succeed I've succeeded because I've

0:53:51.200 --> 0:53:54.399
<v Speaker 1>hacked reality because then it's something that I can keep

0:53:54.480 --> 0:53:57.960
<v Speaker 1>doing and it won't ever fall apart on me. Right, Yeah,

0:53:58.000 --> 0:54:00.799
<v Speaker 1>Like that's I think, what why he winds up kind

0:54:00.840 --> 0:54:03.279
<v Speaker 1>of falling for this stuff? But again, I've gotten ahead

0:54:03.320 --> 0:54:07.000
<v Speaker 1>of myself. But you know who's ahead of everything and everyone?

0:54:08.760 --> 0:54:11.040
<v Speaker 2>I would assume, Well, I can't make the joke your

0:54:11.080 --> 0:54:14.000
<v Speaker 2>knowledge the child Clington Island jokes they wore, are you No?

0:54:14.000 --> 0:54:18.239
<v Speaker 1>No, no, not not after the FBI busted them. U No, yeah, no,

0:54:18.440 --> 0:54:19.719
<v Speaker 1>we'll get in trouble again.

0:54:19.920 --> 0:54:24.960
<v Speaker 2>Okay, sorry. I assume it is the Fine Conveyors of

0:54:25.040 --> 0:54:27.960
<v Speaker 2>Products and Services sponsored this program.

0:54:28.920 --> 0:54:32.920
<v Speaker 1>Yep, that's that's wompst we we have on now, so

0:54:33.000 --> 0:54:42.279
<v Speaker 1>here we go. Oh we are b a K.

0:54:43.320 --> 0:54:45.600
<v Speaker 2>The best product service I have ever been doing.

0:54:45.719 --> 0:54:49.600
<v Speaker 1>I know I I for one, my nipples are hard

0:54:49.600 --> 0:54:54.040
<v Speaker 1>as diamonds right now. So for years Scott put away

0:54:54.080 --> 0:54:57.279
<v Speaker 1>his artistic ambitions and focused on his career. He got

0:54:57.320 --> 0:55:00.120
<v Speaker 1>an NBA at u C Berkeley while he's still working

0:55:00.160 --> 0:55:03.160
<v Speaker 1>for this bank, even though an evening like and it's

0:55:03.200 --> 0:55:05.280
<v Speaker 1>through like his bank actually pays for him to start

0:55:05.280 --> 0:55:09.480
<v Speaker 1>the programs would actually do that for you. Yeah, stuff

0:55:09.480 --> 0:55:12.840
<v Speaker 1>like that happened. He claims he did really well. And

0:55:12.920 --> 0:55:15.480
<v Speaker 1>he claims that, but he also claims that, like, I

0:55:15.560 --> 0:55:18.640
<v Speaker 1>thought that starting this program would give me more opportunities

0:55:18.640 --> 0:55:21.360
<v Speaker 1>for getting promoted, but alas this was not to be.

0:55:21.600 --> 0:55:23.399
<v Speaker 1>And here's what he writes. In two thousand and eight,

0:55:24.760 --> 0:55:27.960
<v Speaker 1>the media had recently discovered that my employer had virtually

0:55:28.000 --> 0:55:31.520
<v Speaker 1>no diversity in management. When an assistant vice principal president

0:55:31.560 --> 0:55:34.040
<v Speaker 1>position opened up and I was an obvious candidate for

0:55:34.080 --> 0:55:36.680
<v Speaker 1>the spot, my boss called me into her office. I

0:55:36.719 --> 0:55:39.440
<v Speaker 1>was the most qualified candidate for the position, she explained,

0:55:39.440 --> 0:55:41.680
<v Speaker 1>but because of pressure to be more diverse, there was

0:55:41.760 --> 0:55:44.560
<v Speaker 1>no hope for another generic white male to get promoted

0:55:44.560 --> 0:55:45.399
<v Speaker 1>anytime soon.

0:55:45.719 --> 0:55:49.800
<v Speaker 2>Oh my fucking god, I was Yeah.

0:55:48.920 --> 0:55:52.239
<v Speaker 1>It's so this is where we obviously, at this point

0:55:52.280 --> 0:55:55.680
<v Speaker 1>in Scott's actual life, he's not saying shit like this, right,

0:55:56.000 --> 0:55:57.680
<v Speaker 1>but this is from two thousand and eight when he

0:55:57.719 --> 0:56:00.080
<v Speaker 1>makes this claim. But this is where we start to

0:56:00.120 --> 0:56:03.799
<v Speaker 1>see like the kind of resentments that are going to

0:56:03.800 --> 0:56:09.640
<v Speaker 1>build in him exploding into a racist tirade come from.

0:56:09.840 --> 0:56:12.920
<v Speaker 1>And it's interesting. This is the first time Scott would

0:56:12.920 --> 0:56:15.640
<v Speaker 1>claim to have been harmed by a diversity program, but

0:56:15.719 --> 0:56:17.760
<v Speaker 1>he's going to claim this happens a bunch more times

0:56:17.840 --> 0:56:21.080
<v Speaker 1>in his life. In fact, from here on, every setback

0:56:21.120 --> 0:56:23.480
<v Speaker 1>in his career, including the failure of the dv of

0:56:23.480 --> 0:56:26.840
<v Speaker 1>the Dilbert TV Show, is eventually blamed on the farious

0:56:26.840 --> 0:56:29.839
<v Speaker 1>individuals wanting to hire non white people instead of him.

0:56:30.239 --> 0:56:35.280
<v Speaker 1>And so it's worth Y's diversity. Yeah, here's a DEI

0:56:35.440 --> 0:56:39.399
<v Speaker 1>program that team. It's worth digging because he keeps doing this.

0:56:39.760 --> 0:56:42.160
<v Speaker 1>It's worth digging into, Like how credible the claim is

0:56:42.200 --> 0:56:44.560
<v Speaker 1>that Scott didn't get a promotion because he was a

0:56:44.640 --> 0:56:47.560
<v Speaker 1>generic white man. So the bank he's employed by at

0:56:47.560 --> 0:56:50.200
<v Speaker 1>this point it was called Crocker National Bank, and it

0:56:50.200 --> 0:56:53.000
<v Speaker 1>was a pretty big institution back in its heyday. In fact,

0:56:53.040 --> 0:56:55.239
<v Speaker 1>it was one of the big four banks behind the

0:56:55.280 --> 0:56:59.160
<v Speaker 1>construction of the first transcontinental railroad in North America. But

0:56:59.239 --> 0:57:01.960
<v Speaker 1>during the time got worked there, it had been outgrown

0:57:02.040 --> 0:57:04.520
<v Speaker 1>by a number of more prominent banks. For a time,

0:57:04.560 --> 0:57:06.520
<v Speaker 1>it managed to do okay because it had you know,

0:57:06.560 --> 0:57:09.480
<v Speaker 1>it was famous for its really good customer service. But

0:57:09.560 --> 0:57:12.360
<v Speaker 1>this starts to fall apart in the early nineteen eighties,

0:57:12.360 --> 0:57:14.200
<v Speaker 1>along with a lot of stuff. Right, we talk about

0:57:14.239 --> 0:57:16.640
<v Speaker 1>this in our Jack Welch episodes. But the eighties is,

0:57:16.920 --> 0:57:20.720
<v Speaker 1>andition to being the Reagan era, a real transitory period

0:57:20.800 --> 0:57:22.520
<v Speaker 1>for a lot of aspects of the US economy. A

0:57:22.560 --> 0:57:24.760
<v Speaker 1>lot of companies that had been huge in the early

0:57:24.840 --> 0:57:26.080
<v Speaker 1>nineteen hundreds fall apart.

0:57:26.120 --> 0:57:26.320
<v Speaker 3>Then.

0:57:26.560 --> 0:57:29.720
<v Speaker 2>Yeah, that's I'm old enough to remember, like just how

0:57:29.880 --> 0:57:33.160
<v Speaker 2>stressful that was to all adults around me.

0:57:33.680 --> 0:57:36.760
<v Speaker 1>Yeah. And in nineteen eighty one, two years before Scott

0:57:36.840 --> 0:57:39.840
<v Speaker 1>starts his NBA, Crocker had been purchased by the British

0:57:39.840 --> 0:57:43.520
<v Speaker 1>Midland Bank. This was not a great sign, and its

0:57:43.560 --> 0:57:46.800
<v Speaker 1>health as an institution declined throughout the mid nineteen eighties.

0:57:47.360 --> 0:57:50.680
<v Speaker 1>Scott claims that he was denied of promotion because of

0:57:50.680 --> 0:57:55.160
<v Speaker 1>diversity in nineteen eighty six. That year is also the

0:57:55.240 --> 0:57:59.840
<v Speaker 1>year that Crocker Bank collapsed. And it's interesting he acknowledges

0:57:59.880 --> 0:58:01.680
<v Speaker 1>it in his book that like a few months after

0:58:01.720 --> 0:58:03.400
<v Speaker 1>he quit because he quits because he doesn't get a

0:58:03.440 --> 0:58:06.280
<v Speaker 1>promotion and moves to another company. A few months later,

0:58:06.400 --> 0:58:08.160
<v Speaker 1>every person in his old group at the bank had

0:58:08.200 --> 0:58:11.480
<v Speaker 1>been downsized. And the way he frames this right after

0:58:11.560 --> 0:58:14.440
<v Speaker 1>saying that, like he'd been denied a promotion for diversity reasons,

0:58:14.880 --> 0:58:17.160
<v Speaker 1>it kind of makes it look that like the firing

0:58:17.200 --> 0:58:19.400
<v Speaker 1>of his coworkers was related that, like they did some

0:58:19.560 --> 0:58:23.200
<v Speaker 1>purge for diversity purposes. The reality is that Crocker Bank

0:58:23.280 --> 0:58:25.960
<v Speaker 1>fell apart, like it collapses the year that he leaves.

0:58:26.000 --> 0:58:28.120
<v Speaker 1>He does not lose out on a promotion because of

0:58:28.120 --> 0:58:31.000
<v Speaker 1>black people. He loses out on a promotion because the

0:58:31.080 --> 0:58:32.240
<v Speaker 1>business falls apart.

0:58:32.480 --> 0:58:34.360
<v Speaker 2>But isn't that how it usually goes? Is like, how

0:58:34.400 --> 0:58:37.520
<v Speaker 2>can I retroactively make this The thought, yes, yes, the.

0:58:37.600 --> 0:58:41.360
<v Speaker 1>Other and that is that is exactly the way it

0:58:41.560 --> 0:58:44.440
<v Speaker 1>that this is like that it actually happens right Like

0:58:44.720 --> 0:58:46.800
<v Speaker 1>the reality at the time is that the bank just

0:58:46.840 --> 0:58:50.800
<v Speaker 1>falls apart. He doesn't get a promotion, because like his job.

0:58:50.600 --> 0:58:51.240
<v Speaker 2>It would mean nothing.

0:58:51.240 --> 0:58:53.880
<v Speaker 1>You wouldn't have a job a month anyway, buddy, Yeah,

0:58:53.960 --> 0:58:56.040
<v Speaker 1>and and but and and then later he kind of

0:58:56.080 --> 0:58:59.360
<v Speaker 1>retroactively decides to blame it on diversity. He moves to

0:58:59.440 --> 0:59:03.200
<v Speaker 1>Pacific Bell, where he finishes his MBA, and again he

0:59:03.320 --> 0:59:05.720
<v Speaker 1>hopes that because he's got this NBA, he's going to

0:59:05.720 --> 0:59:09.120
<v Speaker 1>get promoted rapidly at Pacific Bell. And it's interesting because

0:59:09.120 --> 0:59:11.240
<v Speaker 1>when he talks about this, he frames it in a

0:59:11.360 --> 0:59:14.240
<v Speaker 1>self deprecating way, saying he did his best to act

0:59:14.360 --> 0:59:17.640
<v Speaker 1>like he deserved a better job, and that this act

0:59:17.760 --> 0:59:19.720
<v Speaker 1>was convincing enough that he gets put on a short

0:59:19.720 --> 0:59:22.960
<v Speaker 1>list for promotion. But then this happens. One day, my

0:59:23.000 --> 0:59:24.880
<v Speaker 1>boss called me into his office and informed me that

0:59:24.920 --> 0:59:27.320
<v Speaker 1>while I was indeed management material, the company had been

0:59:27.360 --> 0:59:29.560
<v Speaker 1>getting a lot of bad press lately about their lack

0:59:29.600 --> 0:59:30.800
<v Speaker 1>of diversity and management.

0:59:30.800 --> 0:59:32.560
<v Speaker 2>It's the exact same story.

0:59:33.360 --> 0:59:38.720
<v Speaker 1>Yeah, it's the exact same story, fucking true, Like this

0:59:38.800 --> 0:59:40.920
<v Speaker 1>happened in that book he writes A two thousand and eight.

0:59:41.000 --> 0:59:43.360
<v Speaker 1>These two stories are like a paragraph away from each other,

0:59:43.800 --> 0:59:47.480
<v Speaker 1>Like it's there's no subtlety that Scott is capable of.

0:59:47.480 --> 0:59:50.520
<v Speaker 2>Here if his boss has told him that, like, he

0:59:50.600 --> 0:59:52.200
<v Speaker 2>should be smart to say, oh, you're just making him

0:59:52.200 --> 0:59:54.880
<v Speaker 2>a fucking excuse, and you're trying to blame someone else.

0:59:54.920 --> 0:59:57.320
<v Speaker 2>It's it's like the hole back in the eighties. Hey,

0:59:57.360 --> 1:00:00.600
<v Speaker 2>you know Mexico and Japan are taking her job. No,

1:00:00.640 --> 1:00:03.880
<v Speaker 2>they're not taking our jobs. They're taking jobs are offered

1:00:03.880 --> 1:00:06.320
<v Speaker 2>to them. It's just corporations are sending your jobs away.

1:00:06.400 --> 1:00:11.280
<v Speaker 1>Yeah, it took your job. Yeah, but it's interesting. So

1:00:11.320 --> 1:00:15.240
<v Speaker 1>Scott has this habit of like being fake self deprecating,

1:00:15.320 --> 1:00:18.400
<v Speaker 1>like self deprecating but not really meaning it, and it

1:00:18.480 --> 1:00:20.840
<v Speaker 1>kind of undercuts his point here because he's like, oh,

1:00:20.920 --> 1:00:23.760
<v Speaker 1>I hoped I thought I'd tricked him into thinking I

1:00:23.840 --> 1:00:26.720
<v Speaker 1>was the best person for this promotion. You know, they

1:00:26.720 --> 1:00:28.920
<v Speaker 1>didn't know I was really just an idiot. And but

1:00:28.960 --> 1:00:31.120
<v Speaker 1>then also I didn't get the job because of diversity.

1:00:31.120 --> 1:00:33.400
<v Speaker 1>He's like, well, maybe you just weren't qualified for the job, Scott,

1:00:33.680 --> 1:00:34.480
<v Speaker 1>did you ever think of that?

1:00:35.120 --> 1:00:37.920
<v Speaker 2>Yeah?

1:00:38.000 --> 1:00:41.080
<v Speaker 1>At any rate, his response to not getting this promotion

1:00:41.240 --> 1:00:44.440
<v Speaker 1>that he apparently felt he deserved was to decide to

1:00:44.480 --> 1:00:49.040
<v Speaker 1>stop putting in work at his job beyond the bare minimum. Now, this,

1:00:49.240 --> 1:00:51.640
<v Speaker 1>he says, wound up being key to his future success

1:00:51.720 --> 1:00:53.880
<v Speaker 1>because now that he's got all this free time, he

1:00:54.000 --> 1:00:57.600
<v Speaker 1>starts drawing comics again, and he decides to start publishing them.

1:00:58.280 --> 1:00:59.920
<v Speaker 1>He has no idea how to do this, so he's

1:01:00.040 --> 1:01:03.600
<v Speaker 1>starts writing affirmations again. Now I don't think the affirmations

1:01:03.640 --> 1:01:06.040
<v Speaker 1>do much here, but what does do something is that

1:01:06.080 --> 1:01:09.560
<v Speaker 1>Scott also takes a practical step towards making his cartoon

1:01:09.640 --> 1:01:12.440
<v Speaker 1>dreams of reality. He's watching TV one day and he

1:01:12.480 --> 1:01:15.120
<v Speaker 1>comes across a show on a local channel by a

1:01:15.160 --> 1:01:18.680
<v Speaker 1>cartoonist named Jack Cassidy that's like about how to draw

1:01:18.760 --> 1:01:22.840
<v Speaker 1>cartoons and like how the industry works. Scott sees this

1:01:22.920 --> 1:01:26.080
<v Speaker 1>kind of by chance. He finds Jack's mailing address and

1:01:26.120 --> 1:01:27.840
<v Speaker 1>he writes him a letter being like, Hey, I want

1:01:27.880 --> 1:01:30.040
<v Speaker 1>to be a cartoonist. How do I start? And he

1:01:30.200 --> 1:01:33.880
<v Speaker 1>encloses some of his comics. And I looked into Jack

1:01:33.920 --> 1:01:36.520
<v Speaker 1>Cassidy for this because he's key to Scott's career and

1:01:36.520 --> 1:01:39.520
<v Speaker 1>he's actually a pretty interesting guy. He's still alive, or

1:01:39.520 --> 1:01:41.800
<v Speaker 1>at least according to the Internet, he has been teaching

1:01:41.840 --> 1:01:46.840
<v Speaker 1>cartooning and publishing cartoons for decades and decades at this point,

1:01:47.000 --> 1:01:50.080
<v Speaker 1>and prior to being a cartoonist and a cartoon instructor.

1:01:50.360 --> 1:01:54.240
<v Speaker 1>He spent twenty three years in Army Special Forces, which

1:01:54.280 --> 1:01:57.360
<v Speaker 1>is I think not the most common cartoonist background.

1:01:57.520 --> 1:02:01.400
<v Speaker 2>That is not that is shit. I mean there's a

1:02:01.440 --> 1:02:03.439
<v Speaker 2>lot of cartoonists who have been the military, and there's

1:02:03.440 --> 1:02:05.760
<v Speaker 2>a lot of military cartoonists. That's a good thing.

1:02:05.880 --> 1:02:09.080
<v Speaker 1>But yeah, yeah, twenty three years in special forces is

1:02:09.200 --> 1:02:12.800
<v Speaker 1>a pretty unique background for a cartoon instructor. Guy anyway,

1:02:12.840 --> 1:02:15.840
<v Speaker 1>interesting dude, and he also he's like a really nice

1:02:15.920 --> 1:02:19.120
<v Speaker 1>person because Scott sends him this letter kind of sight unseen,

1:02:19.680 --> 1:02:23.800
<v Speaker 1>and he responds. Casty responds with like this very detailed

1:02:23.880 --> 1:02:26.400
<v Speaker 1>letter being like, here are books that you should buy

1:02:26.440 --> 1:02:28.320
<v Speaker 1>that talk about how the industry works and how to

1:02:28.360 --> 1:02:31.840
<v Speaker 1>submit cartoons and to submit packages to different syndicates, a

1:02:32.000 --> 1:02:34.240
<v Speaker 1>very like the best advice you could basically get.

1:02:35.440 --> 1:02:38.960
<v Speaker 2>Yeah, a lot of cartoons I've met, unfortunately, yeah, will

1:02:38.960 --> 1:02:39.680
<v Speaker 2>not do that.

1:02:40.280 --> 1:02:44.920
<v Speaker 1>Yeah. You get the feeling that Jack legitimately loves the

1:02:45.000 --> 1:02:48.200
<v Speaker 1>field and wants there to be more people making cartoons.

1:02:48.560 --> 1:02:49.160
<v Speaker 2>I like that.

1:02:49.240 --> 1:02:51.760
<v Speaker 1>Yeah, great, great, yeah, great guy, as far as I

1:02:51.800 --> 1:02:56.280
<v Speaker 1>can for the person. Now, that's yeah, that is the

1:02:56.320 --> 1:02:59.000
<v Speaker 1>downside of encouraging people as some of them might be

1:02:59.120 --> 1:03:03.320
<v Speaker 1>Scott Adams. But Scott takes his advice. He puts together

1:03:03.480 --> 1:03:06.120
<v Speaker 1>like a packet of cartoons and he submits them for

1:03:06.160 --> 1:03:10.040
<v Speaker 1>publication at various places, and he gets rejected. Nobody takes

1:03:10.040 --> 1:03:12.600
<v Speaker 1>his first packet, and again this convinces him to give

1:03:12.680 --> 1:03:14.120
<v Speaker 1>up and stop drawing for a while.

1:03:14.440 --> 1:03:15.160
<v Speaker 2>That's just so.

1:03:16.720 --> 1:03:17.680
<v Speaker 1>Very normal story.

1:03:17.840 --> 1:03:19.880
<v Speaker 2>Yeah, I mean, I think a lot of people understand that.

1:03:20.000 --> 1:03:24.600
<v Speaker 2>Like syndicates, even now, as newspapers are receiving get thousands

1:03:24.680 --> 1:03:28.880
<v Speaker 2>upon thousands upon thousands of submissions, and I can't take

1:03:28.960 --> 1:03:29.840
<v Speaker 2>more than a handful.

1:03:30.320 --> 1:03:33.400
<v Speaker 1>No, And what's interesting to me here is that Jack

1:03:33.480 --> 1:03:38.560
<v Speaker 1>Cassidy understands this, and so a year after Scott mails

1:03:38.640 --> 1:03:41.400
<v Speaker 1>him and he sends back this response out of the blue,

1:03:41.440 --> 1:03:45.760
<v Speaker 1>without being prompted. Jackson Scott another letter and he's like, hey, Scott,

1:03:45.840 --> 1:03:47.840
<v Speaker 1>I was just thinking about you the other day. I

1:03:47.880 --> 1:03:49.800
<v Speaker 1>wanted to tell you again. You know, I thought you

1:03:49.920 --> 1:03:52.160
<v Speaker 1>were talented, and I thought your packet was really good.

1:03:52.160 --> 1:03:54.360
<v Speaker 1>And I hope that you're still trying to get published.

1:03:55.920 --> 1:03:59.680
<v Speaker 1>We die, Yes, such a nice thing, decent thing to do.

1:04:00.120 --> 1:04:01.720
<v Speaker 2>He is having the best life.

1:04:01.960 --> 1:04:04.440
<v Speaker 1>Yeah, I mean, he seems to still be active and stuff.

1:04:04.440 --> 1:04:07.520
<v Speaker 1>He's written a bunch of like books on cartooning. Awesome,

1:04:07.840 --> 1:04:10.800
<v Speaker 1>a really nice thing to do, and it encourages Scott

1:04:10.840 --> 1:04:14.560
<v Speaker 1>to give it another shot. Yeah yeah, I mean, look,

1:04:14.640 --> 1:04:18.560
<v Speaker 1>we can't. This is again the downside of encouraging people.

1:04:18.880 --> 1:04:20.959
<v Speaker 1>It's like, if you're a if you're a really good

1:04:21.040 --> 1:04:25.520
<v Speaker 1>math teacher, you're going to encourage a lot of kids

1:04:25.560 --> 1:04:28.720
<v Speaker 1>who might otherwise have not liked math to maybe understand

1:04:28.760 --> 1:04:31.160
<v Speaker 1>the world on a deeper level. And that's lovely. You

1:04:31.280 --> 1:04:34.600
<v Speaker 1>might also be responsible for the next Adam Baum. Like

1:04:35.240 --> 1:04:42.560
<v Speaker 1>you can't know, you can't know. You encourage people's speaking. Yeah, exactly.

1:04:44.880 --> 1:04:49.520
<v Speaker 1>Yeah tragic. So h Scott takes his advice. He submits

1:04:49.560 --> 1:04:53.080
<v Speaker 1>a bunch of stuff and yeah. Quote. During this period,

1:04:53.120 --> 1:04:55.560
<v Speaker 1>I was drawing pre Dilbert and pre Dogbert comics on

1:04:55.600 --> 1:04:58.400
<v Speaker 1>the whiteboard in my cubicle, complete with witty captions about

1:04:58.400 --> 1:05:02.080
<v Speaker 1>workplace happenings. Cartoon naturally draw attention, and soon my coworkers

1:05:02.080 --> 1:05:04.760
<v Speaker 1>were asking the names of my two regular characters. I

1:05:04.760 --> 1:05:06.600
<v Speaker 1>didn't have names for them, so I held a name

1:05:06.680 --> 1:05:09.600
<v Speaker 1>the Nerd Contest on my whiteboard. My coworkers would trickle

1:05:09.640 --> 1:05:11.720
<v Speaker 1>in during the day and write their ideas for names.

1:05:11.880 --> 1:05:14.720
<v Speaker 1>The suggestions were traditional nerd sounding names. None of them

1:05:14.720 --> 1:05:17.240
<v Speaker 1>stood out until one day my ex boss, Mike Goodwin

1:05:17.320 --> 1:05:20.400
<v Speaker 1>walked in, picked up a dry erase marker and wrote, Dilbert.

1:05:20.920 --> 1:05:22.680
<v Speaker 1>This was one of those moments where you feel as

1:05:22.680 --> 1:05:25.440
<v Speaker 1>if you can see the future. I ended the contest immediately.

1:05:25.480 --> 1:05:27.760
<v Speaker 1>It felt as though I was learning the character's name,

1:05:27.840 --> 1:05:30.560
<v Speaker 1>not naming him. The name Dilbert fit him so perfectly.

1:05:30.600 --> 1:05:32.560
<v Speaker 1>I literally got a chill.

1:05:32.600 --> 1:05:36.960
<v Speaker 2>How glory was that fucking office that the Scott's chemical on.

1:05:37.240 --> 1:05:41.000
<v Speaker 1>It does seem like a waking nightmare to have that job, even.

1:05:40.800 --> 1:05:44.640
<v Speaker 2>Like the boss is like, shit, I hate me here too, Yeah, Gilbert.

1:05:44.160 --> 1:05:47.120
<v Speaker 1>Dilbert Now In a Q and A on Reddit some

1:05:47.200 --> 1:05:50.000
<v Speaker 1>years later, Scott would elaborate that the boss who suggested

1:05:50.040 --> 1:05:52.560
<v Speaker 1>Dilbert as a name had learned the name from a

1:05:52.600 --> 1:05:56.040
<v Speaker 1>World War II era comic published by the Navy. Dilbert

1:05:56.080 --> 1:05:58.959
<v Speaker 1>was like the the example bad pilot where they would

1:05:58.960 --> 1:06:00.919
<v Speaker 1>be like, don't do what dil it does. Look he's

1:06:00.920 --> 1:06:03.760
<v Speaker 1>done this bad thing and it caused this problem, and

1:06:03.840 --> 1:06:06.200
<v Speaker 1>it's actually this is still a thing. There exists to

1:06:06.240 --> 1:06:10.400
<v Speaker 1>this day a Navy pilot training device called the Dilbert Dunker,

1:06:11.200 --> 1:06:14.680
<v Speaker 1>which is used. Yeah, it's this weird contraption that they

1:06:14.760 --> 1:06:17.640
<v Speaker 1>used to train jet pilots and helicopter pilots in escaping

1:06:17.680 --> 1:06:20.800
<v Speaker 1>a submerged craft in the space saying, don't be this

1:06:20.880 --> 1:06:24.320
<v Speaker 1>shitty employee. Yeah, yeah, don't you can work. Yeah, it's

1:06:24.400 --> 1:06:25.920
<v Speaker 1>kind of it's kind of yeah, don't don't. I think

1:06:25.920 --> 1:06:27.880
<v Speaker 1>it's more of a safety thing for the Navy, where

1:06:27.880 --> 1:06:30.840
<v Speaker 1>it's like, don't do this stuff that will get you

1:06:30.960 --> 1:06:33.520
<v Speaker 1>killed because look at you know, and Dilbert's the example.

1:06:33.800 --> 1:06:36.040
<v Speaker 1>I'm sure his boss just had the name in his

1:06:36.120 --> 1:06:38.360
<v Speaker 1>head from his time in you know, the Navy or

1:06:38.400 --> 1:06:42.200
<v Speaker 1>something like that. But whatever, you know. The important thing

1:06:42.240 --> 1:06:44.880
<v Speaker 1>about this is that the Navy had an opportunity to

1:06:44.960 --> 1:06:47.800
<v Speaker 1>sue Scott Adams and save us all from Dilbert forever,

1:06:48.080 --> 1:06:50.840
<v Speaker 1>and they failed at their duty to protect this country.

1:06:50.920 --> 1:06:53.160
<v Speaker 2>Why we need to defund there. No, no, not.

1:06:55.120 --> 1:06:57.160
<v Speaker 1>People, No, no, no, it's fine.

1:06:57.160 --> 1:07:00.840
<v Speaker 2>They're just it's just a nameeetheart And they've been like

1:07:01.600 --> 1:07:04.240
<v Speaker 2>they get tao by the Navy. Don't mean sho.

1:07:05.960 --> 1:07:08.400
<v Speaker 1>Now I'm I'm I'm going after him for this. This

1:07:08.480 --> 1:07:11.320
<v Speaker 1>is this is the worst Navy failure since Pearl Harbor.

1:07:11.720 --> 1:07:17.120
<v Speaker 2>Oh my fucking gun. Okay, let's look back away from you.

1:07:17.120 --> 1:07:18.000
<v Speaker 2>You take all of that.

1:07:18.160 --> 1:07:23.680
<v Speaker 1>Fuck No, no, no, it's it's fine. Bring it. Bring

1:07:23.680 --> 1:07:26.760
<v Speaker 1>it on, navy. I'm on land. You can't do ship.

1:07:29.080 --> 1:07:33.480
<v Speaker 2>He's just like dragging a rowboat down the highway.

1:07:33.840 --> 1:07:37.440
<v Speaker 1>Yeah, sitting in sitting in their aircraft carrier off the

1:07:37.440 --> 1:07:41.920
<v Speaker 1>course coast of Oregon, just screaming, you're not allowed on

1:07:41.960 --> 1:07:44.800
<v Speaker 1>the dirt, motherfucker. Anyway, whatever Scott Adams back to him.

1:07:45.160 --> 1:07:48.960
<v Speaker 1>So Scott's initial comics they're fine, Like I don't know,

1:07:49.000 --> 1:07:53.200
<v Speaker 1>they're like they're not uh great or anything. Early Dilbert

1:07:53.320 --> 1:07:55.760
<v Speaker 1>is not based around office humor, like the character is

1:07:55.800 --> 1:07:58.520
<v Speaker 1>an engineer. But that's kind of like what it is.

1:07:58.560 --> 1:08:00.880
<v Speaker 1>What's interesting to me is that like his art, his

1:08:00.960 --> 1:08:04.320
<v Speaker 1>early art is definitely like a downgrade from the stuff

1:08:04.320 --> 1:08:06.560
<v Speaker 1>he was drawing as a kid, because it's also a

1:08:06.560 --> 1:08:09.920
<v Speaker 1>lot rougher than it's gonna be really though, it's it's

1:08:09.960 --> 1:08:13.400
<v Speaker 1>it's fine, except for his his letterings dog shit, which

1:08:13.440 --> 1:08:14.960
<v Speaker 1>is kind of one of the feedbacks he gets from

1:08:15.000 --> 1:08:18.040
<v Speaker 1>the syndicate Sophi'll show you one of his early comics here.

1:08:18.200 --> 1:08:20.320
<v Speaker 1>What's interesting to me, is that like in this packet,

1:08:20.360 --> 1:08:23.479
<v Speaker 1>because he provides in that book some of his first packet.

1:08:23.880 --> 1:08:26.800
<v Speaker 1>There's some like a couple of political strips and they're

1:08:26.840 --> 1:08:29.200
<v Speaker 1>not conservative, Like the one that we're looking at here

1:08:29.280 --> 1:08:31.880
<v Speaker 1>is kind of an anti Reagan one making fun of

1:08:31.960 --> 1:08:36.880
<v Speaker 1>like the Star Wars missile defense system, like which is

1:08:36.880 --> 1:08:39.519
<v Speaker 1>his Yeah, it's terrible letters.

1:08:39.600 --> 1:08:42.240
<v Speaker 2>That's weekly newspaper comic lettering.

1:08:43.040 --> 1:08:49.559
<v Speaker 1>Yeah, you know, look, everybody goes through a period here either.

1:08:49.600 --> 1:08:51.720
<v Speaker 2>I can't say too much, but Jesus.

1:08:51.560 --> 1:08:53.639
<v Speaker 1>It is compelling to me that like, yeah, oh, early

1:08:53.680 --> 1:08:55.880
<v Speaker 1>on he's making fun of like Reagan and the waste

1:08:55.920 --> 1:08:58.400
<v Speaker 1>of the Star Wars system. That's interesting. That's that's going

1:08:58.840 --> 1:09:02.120
<v Speaker 1>kind of part there's a there's a surprise reveal coming

1:09:02.200 --> 1:09:05.599
<v Speaker 1>up here, and it's it's that Scott has uh has

1:09:05.600 --> 1:09:09.360
<v Speaker 1>suffered some like kind of sudden shifts in his personality

1:09:09.439 --> 1:09:13.800
<v Speaker 1>that this is evidence of. So Scott's pretty bad at

1:09:13.880 --> 1:09:17.160
<v Speaker 1>naming his characters. To start, his first pick for Dogbrit's

1:09:17.200 --> 1:09:23.720
<v Speaker 1>name is dill Dog. He changes this before submitting his passions.

1:09:24.240 --> 1:09:26.839
<v Speaker 1>That is, if you're if the name of your character

1:09:27.000 --> 1:09:29.680
<v Speaker 1>is just dildo with an extra letter stuck on it,

1:09:29.720 --> 1:09:36.160
<v Speaker 1>that is probably not. I couldn't agree more ry save

1:09:36.320 --> 1:09:38.000
<v Speaker 1>Dill Dog, Jill Dog is.

1:09:37.920 --> 1:09:40.840
<v Speaker 2>Going and something positive because will.

1:09:42.000 --> 1:09:44.040
<v Speaker 1>He can't stop you. He can't stop you.

1:09:45.040 --> 1:09:48.439
<v Speaker 2>Oh no heirst media can stop me from a love.

1:09:49.120 --> 1:09:52.599
<v Speaker 1>Oh no, no no, yeah, I meant for for for something. Yeah,

1:09:53.000 --> 1:09:53.960
<v Speaker 1>he has no right.

1:09:54.160 --> 1:09:58.720
<v Speaker 2>God damn it. So, oh my Jesus Christ, how did that?

1:09:59.840 --> 1:10:04.559
<v Speaker 1>Very very funny, very funny? Like what the fuck that is?

1:10:04.600 --> 1:10:07.960
<v Speaker 1>That part's unclear with a with old Scott, But but

1:10:08.240 --> 1:10:10.120
<v Speaker 1>we'll talk. He's going to there's gonna be some weird

1:10:10.200 --> 1:10:11.840
<v Speaker 1>like in cell adjacent stuff.

1:10:11.840 --> 1:10:14.440
<v Speaker 2>Although he gets married a few times remotely.

1:10:14.880 --> 1:10:19.400
<v Speaker 1>So by nineteen eighty eight, he's gotten his his package

1:10:19.520 --> 1:10:23.559
<v Speaker 1>polished enough. That's I didn't mean it that way. That's

1:10:23.600 --> 1:10:28.800
<v Speaker 1>that's that's to send off Gilbert Comics to a syndicate. Now, shockingly,

1:10:29.320 --> 1:10:32.200
<v Speaker 1>this isn't again. You just talked about how many submissions

1:10:32.240 --> 1:10:35.960
<v Speaker 1>these people get. One of these syndicates responds, He gets

1:10:35.960 --> 1:10:39.240
<v Speaker 1>a bunch of rejections, and then somebody responds saying they're interested,

1:10:39.720 --> 1:10:42.360
<v Speaker 1>and it's Scott. When he sees the syndicate that said

1:10:42.400 --> 1:10:44.840
<v Speaker 1>yes to him, has no idea who they are, and

1:10:44.880 --> 1:10:47.120
<v Speaker 1>like when he gets on the phone with the representative

1:10:47.200 --> 1:10:50.400
<v Speaker 1>is like, yeah, who are you guys? Now, I'm telling

1:10:50.439 --> 1:10:55.200
<v Speaker 1>you this basic research due Well, this is particularly galling

1:10:55.240 --> 1:10:58.559
<v Speaker 1>because the syndicate who responds that he has never heard

1:10:58.560 --> 1:11:00.240
<v Speaker 1>of is United Media.

1:11:00.360 --> 1:11:05.559
<v Speaker 4>There was they published Peanuts, Like yeah, like I knew

1:11:05.640 --> 1:11:08.880
<v Speaker 4>who United Media was as a kid in the mid nineties,

1:11:09.000 --> 1:11:12.600
<v Speaker 4>just because like I'd read a bunch of books by cartoonists.

1:11:11.840 --> 1:11:14.519
<v Speaker 2>Like everyone Features at the point, I think they were.

1:11:14.479 --> 1:11:17.040
<v Speaker 1>United Features by that point. It's it's the one that

1:11:17.120 --> 1:11:20.320
<v Speaker 1>does Peanuts and they did Garfield as well, and Garfield. Yeah,

1:11:20.320 --> 1:11:25.400
<v Speaker 1>they're massive. So this is like definitely the luckiest break

1:11:25.600 --> 1:11:27.679
<v Speaker 1>this man has ever had in his entire life.

1:11:28.000 --> 1:11:31.240
<v Speaker 2>Literally, he got the top of at the time, the

1:11:31.600 --> 1:11:35.480
<v Speaker 2>number one break. Who the fuck are you? Assholes?

1:11:35.640 --> 1:11:37.720
<v Speaker 1>Yeah, And I will say to his credit when he

1:11:37.720 --> 1:11:39.719
<v Speaker 1>gets signed on, he does send a thank you letter

1:11:39.760 --> 1:11:40.639
<v Speaker 1>to Jack Cassidy.

1:11:42.000 --> 1:11:48.960
<v Speaker 2>Yeah, yeah, that is the first thing that it sounds

1:11:49.000 --> 1:11:50.639
<v Speaker 2>like he saw about the person so far.

1:11:50.840 --> 1:11:54.320
<v Speaker 1>Yeah. Yeah, it's one of those things. I it's it's

1:11:54.439 --> 1:11:57.240
<v Speaker 1>unfortunate for us all that Scott wound up having the

1:11:57.320 --> 1:12:00.280
<v Speaker 1>career that he had. I do hope Jack cass City

1:12:00.320 --> 1:12:02.080
<v Speaker 1>feels good about what he did. Because that was a

1:12:02.160 --> 1:12:03.680
<v Speaker 1>legitimately very nice thing to do.

1:12:04.240 --> 1:12:07.640
<v Speaker 2>Again, like, yeah, I agree with him. I like the

1:12:07.680 --> 1:12:11.680
<v Speaker 2>idea of more cartoonists. Yeah, but there's that you cannot hear,

1:12:11.840 --> 1:12:12.639
<v Speaker 2>ah won't.

1:12:13.200 --> 1:12:15.280
<v Speaker 1>But what if they become Scott.

1:12:15.000 --> 1:12:20.720
<v Speaker 2>Adams, gmc eines or alcaf those three are always with

1:12:20.840 --> 1:12:22.640
<v Speaker 2>bullets in the chamber waiting to go off.

1:12:22.720 --> 1:12:27.960
<v Speaker 1>That's that's right, Yeah, tragic, So here we go. He

1:12:28.040 --> 1:12:32.000
<v Speaker 1>gets signed, Dilbert starts out. By nineteen ninety, it's in

1:12:32.080 --> 1:12:34.840
<v Speaker 1>fifty papers. By nineteen ninety one, it hits one hundred.

1:12:35.280 --> 1:12:38.000
<v Speaker 1>That sounds like a lot today because there are like

1:12:38.040 --> 1:12:41.519
<v Speaker 1>maybe thirty newspapers left in the country and most of

1:12:41.520 --> 1:12:46.719
<v Speaker 1>them are just SEO aggregators. But back in nineteen ninety, yeah,

1:12:46.760 --> 1:12:50.320
<v Speaker 1>that's not like the big comic strips like Fucking Calvin

1:12:50.360 --> 1:12:53.240
<v Speaker 1>and hobbsit chit are in like two thousand papers, right,

1:12:54.320 --> 1:12:56.720
<v Speaker 1>and it's one of those things. Fifty to one hundred newspapers.

1:12:57.040 --> 1:12:59.720
<v Speaker 1>You might make like a couple of grand a year

1:13:00.040 --> 1:13:02.040
<v Speaker 1>doing that. You're not gonna make all that much money, right,

1:13:02.160 --> 1:13:04.200
<v Speaker 1>It's like it's not a bad, like little side income.

1:13:04.479 --> 1:13:06.519
<v Speaker 1>But it is not enough for Scott to quit his

1:13:06.520 --> 1:13:07.439
<v Speaker 1>his day job right.

1:13:07.360 --> 1:13:09.680
<v Speaker 2>At that point, like it's it's only gotten worse. I'm

1:13:09.720 --> 1:13:14.600
<v Speaker 2>sad to say. As the newspapers, it's generally most cartoonists

1:13:14.640 --> 1:13:18.439
<v Speaker 2>I have met, unless they're like doing commics like Blondie

1:13:18.520 --> 1:13:21.439
<v Speaker 2>or something really cute like legacy comics. I've been around

1:13:21.439 --> 1:13:25.360
<v Speaker 2>for a long time. Are Garfield your house? You have

1:13:25.439 --> 1:13:27.760
<v Speaker 2>a second job or this is your second job, but

1:13:27.920 --> 1:13:29.360
<v Speaker 2>this is a main job you do.

1:13:30.040 --> 1:13:33.479
<v Speaker 1>Yeah, And that's that's the situation that Scott's in. And

1:13:33.520 --> 1:13:36.280
<v Speaker 1>this is a thing like I'm sure most cartoonists who

1:13:36.280 --> 1:13:40.519
<v Speaker 1>succeed have this period where he's he's doing five comics

1:13:40.520 --> 1:13:42.559
<v Speaker 1>a week, which is a I mean, anyone who's ever

1:13:42.720 --> 1:13:44.880
<v Speaker 1>done that grind, I'm sure as you'll say, that's a

1:13:45.000 --> 1:13:47.080
<v Speaker 1>hell of a gig like that, that is work.

1:13:48.240 --> 1:13:50.120
<v Speaker 2>He's doing five or six? Was he doing the Mondays

1:13:50.120 --> 1:13:50.679
<v Speaker 2>for Saturday?

1:13:51.040 --> 1:13:53.240
<v Speaker 1>I think he's doing just Monday through Saturday, but it

1:13:53.280 --> 1:13:53.880
<v Speaker 1>might actually be.

1:13:55.960 --> 1:13:56.360
<v Speaker 2>Sunday.

1:13:57.080 --> 1:14:00.799
<v Speaker 1>And then he's also he's doing in addition to doing Dilbert,

1:14:00.840 --> 1:14:03.680
<v Speaker 1>he's also working like a full time gig. Yeah, that

1:14:05.160 --> 1:14:09.960
<v Speaker 1>is he is hard, running himself pretty ragged, and he's

1:14:10.040 --> 1:14:13.280
<v Speaker 1>kind of he's getting frustrated because three four years go

1:14:13.360 --> 1:14:16.280
<v Speaker 1>by and Dilbert's not really a big deal and he's

1:14:16.320 --> 1:14:18.600
<v Speaker 1>not making that much money out it's kind of exhausting,

1:14:18.640 --> 1:14:20.720
<v Speaker 1>and he's starting to worry that, like, is this something

1:14:20.800 --> 1:14:22.680
<v Speaker 1>that's never going to turn into anything more than a

1:14:22.720 --> 1:14:25.559
<v Speaker 1>side gig for me? And so it's during this period

1:14:25.640 --> 1:14:27.880
<v Speaker 1>that he makes a decision that's going to probably wind

1:14:27.960 --> 1:14:31.040
<v Speaker 1>up being the actual smartest thing he ever did, which

1:14:31.120 --> 1:14:34.080
<v Speaker 1>is Scott, being kind of a nerd, has gotten interested

1:14:34.120 --> 1:14:37.800
<v Speaker 1>in the Internet before most people, and so, in like

1:14:38.320 --> 1:14:40.800
<v Speaker 1>I think it's something like nineteen ninety two or ninety three,

1:14:41.120 --> 1:14:45.920
<v Speaker 1>he starts sticking his AOL address on his cartoons and

1:14:46.040 --> 1:14:49.280
<v Speaker 1>this lets his readers email him with ideas for the

1:14:49.320 --> 1:14:51.920
<v Speaker 1>strip and requests for more of the stuff that they like,

1:14:52.360 --> 1:14:55.160
<v Speaker 1>and he notices all of the people reaching out to me,

1:14:55.600 --> 1:14:58.240
<v Speaker 1>like the comic strips I do that are like office humor.

1:14:58.680 --> 1:15:02.280
<v Speaker 1>Maybe I should refocus the comic around just sort of

1:15:02.280 --> 1:15:06.080
<v Speaker 1>office jokes, and so he does. In nineteen ninety four,

1:15:06.120 --> 1:15:08.920
<v Speaker 1>he publishes his first book of cartoons, and it sells

1:15:08.920 --> 1:15:11.680
<v Speaker 1>well enough that Dilbert's now in four hundred newspapers, and

1:15:11.720 --> 1:15:13.840
<v Speaker 1>the comic starts to hit critical mass right as a

1:15:13.880 --> 1:15:17.280
<v Speaker 1>few other things happen that Scott had nothing to do with.

1:15:17.800 --> 1:15:20.400
<v Speaker 1>One of them is that the early nineties are a

1:15:20.439 --> 1:15:22.960
<v Speaker 1>period in which everyone else on Wall Street is following

1:15:22.960 --> 1:15:26.400
<v Speaker 1>in Jack Welch's footsteps. They're firing huge chunks of their

1:15:26.439 --> 1:15:29.439
<v Speaker 1>workforce to pump up the stock price. Layoffs are this

1:15:29.600 --> 1:15:33.920
<v Speaker 1>massive thing, and also the dot com boom is just

1:15:34.200 --> 1:15:37.720
<v Speaker 1>starting to kick off, right, Yeah, And this leads to

1:15:37.800 --> 1:15:40.280
<v Speaker 1>in addition to making a lot of money for some people,

1:15:40.520 --> 1:15:42.760
<v Speaker 1>it leads to a bunch of the dumbest ideas for

1:15:42.840 --> 1:15:45.400
<v Speaker 1>companies that have ever existed, right, a lot of real

1:15:45.600 --> 1:15:47.559
<v Speaker 1>stupid businesses starting the mid now.

1:15:47.600 --> 1:15:51.000
<v Speaker 2>We are definitely a lot of I was becoming an

1:15:50.920 --> 1:15:53.519
<v Speaker 2>adult at this point in time. Yeah, getting on the web.

1:15:53.560 --> 1:15:55.920
<v Speaker 2>It's like, why the fuck do you need that? Who

1:15:55.960 --> 1:15:57.120
<v Speaker 2>is the market?

1:15:57.640 --> 1:16:00.599
<v Speaker 1>And so, because while all this is happening, he's getting

1:16:00.640 --> 1:16:03.519
<v Speaker 1>feedback from workers who like his comics and are dealing

1:16:03.560 --> 1:16:06.200
<v Speaker 1>with these irritations in their jobs, and they're like, hey,

1:16:06.280 --> 1:16:08.759
<v Speaker 1>you should do a comic about you know, the layoffs

1:16:08.760 --> 1:16:10.120
<v Speaker 1>that just hit this coming. You should do a comic

1:16:10.120 --> 1:16:13.280
<v Speaker 1>about this really dumb you know tech idea, Right, And

1:16:13.360 --> 1:16:15.519
<v Speaker 1>so he starts doing all this stuff, and it causes

1:16:15.600 --> 1:16:17.880
<v Speaker 1>him to kind of go a very early equivalent of

1:16:18.040 --> 1:16:25.240
<v Speaker 1>viral with a lot of workers. Right, yeah, I mean no, yeah, exactly.

1:16:25.080 --> 1:16:27.920
<v Speaker 2>It just was and blonding. Yeah, Dagwood has office, but

1:16:27.960 --> 1:16:31.519
<v Speaker 2>we don't really even know what kind of office Dagwood works,

1:16:31.680 --> 1:16:32.200
<v Speaker 2>and we just.

1:16:32.360 --> 1:16:37.679
<v Speaker 1>I assume some sort of sandwich related job. So early

1:16:37.720 --> 1:16:41.280
<v Speaker 1>Dilbert cartoons mock incompetent managers and all that kind of stuff.

1:16:41.760 --> 1:16:45.080
<v Speaker 1>Scott notes, quote Dilbert became shorthand for bad management, oppressed

1:16:45.120 --> 1:16:48.400
<v Speaker 1>cubicle workers in high tech life. Readers imbued Dilbert with

1:16:48.439 --> 1:16:51.160
<v Speaker 1>their own meaning beyond anything I had intended for it.

1:16:51.439 --> 1:16:53.000
<v Speaker 1>And this is kind of why a lot of people

1:16:53.040 --> 1:16:56.480
<v Speaker 1>early on think that Dilbert is kind of anti capitalist

1:16:56.560 --> 1:16:59.960
<v Speaker 1>or at least anti corporate. Is as Scott notes, it's

1:17:00.120 --> 1:17:03.320
<v Speaker 1>them putting reading into the comics something he had never meant,

1:17:03.360 --> 1:17:06.440
<v Speaker 1>because he just is sort of tapping into the frustrations

1:17:06.479 --> 1:17:08.680
<v Speaker 1>people have, but he doesn't he's not doing he's not

1:17:08.800 --> 1:17:11.800
<v Speaker 1>motivated to do that. His readers tell him he should

1:17:11.880 --> 1:17:13.800
<v Speaker 1>do that, and he's smart enough to be like, oh,

1:17:13.840 --> 1:17:16.800
<v Speaker 1>maybe I should like feed this sort of hunger within

1:17:16.840 --> 1:17:20.120
<v Speaker 1>my audience, But it's not actually based on something that

1:17:20.160 --> 1:17:23.559
<v Speaker 1>he super strongly believes, because again Gilbert initially had not

1:17:23.640 --> 1:17:26.280
<v Speaker 1>been about that at all. That is kind of a

1:17:26.280 --> 1:17:28.320
<v Speaker 1>crucial thing to recognize, and I think it's sort of

1:17:28.680 --> 1:17:30.880
<v Speaker 1>it's part of why some people wind up being kind

1:17:30.920 --> 1:17:33.280
<v Speaker 1>of confused by why Scott goes the way that he does.

1:17:34.120 --> 1:17:37.559
<v Speaker 1>In nineteen ninety five, Scott gets his biggest break because

1:17:37.600 --> 1:17:40.920
<v Speaker 1>the saddest day of my entire childhood happens and Bill

1:17:40.960 --> 1:17:45.080
<v Speaker 1>Watterson announces that Calvin and Hobbes is coming to an end. Man,

1:17:45.240 --> 1:17:47.960
<v Speaker 1>that is the most I remember crying as a little kid.

1:17:48.080 --> 1:17:51.080
<v Speaker 2>I think five of the year. Also that Gary Larson

1:17:51.560 --> 1:17:53.519
<v Speaker 2>said for the second time he was doing the Far

1:17:53.640 --> 1:17:54.680
<v Speaker 2>Side walked away, Like.

1:17:54.880 --> 1:17:57.639
<v Speaker 1>Yeah, I think it's right. The day the comics died

1:17:58.439 --> 1:18:00.800
<v Speaker 1>a rough time for lovers and.

1:18:00.880 --> 1:18:04.360
<v Speaker 2>Then it was not a fun I know. I think

1:18:04.400 --> 1:18:07.000
<v Speaker 2>that was also the year This is probably more for

1:18:07.040 --> 1:18:10.720
<v Speaker 2>me than anyone else, like Floyd Norman stopped doing the

1:18:10.760 --> 1:18:13.720
<v Speaker 2>Mickey Mouse comic. Yeah, that was not a funny year.

1:18:13.840 --> 1:18:16.439
<v Speaker 1>No, It's one of those things, you know, that's a

1:18:16.439 --> 1:18:18.640
<v Speaker 1>lot to take it once as a kid who likes comics.

1:18:19.000 --> 1:18:21.559
<v Speaker 1>The older I've gotten, the more grateful I am that

1:18:21.640 --> 1:18:24.320
<v Speaker 1>Waterson did what he did because it was kind of

1:18:24.360 --> 1:18:27.360
<v Speaker 1>a lesson, especially as as things have gone the way

1:18:27.400 --> 1:18:30.439
<v Speaker 1>they've gone with a lot of the entertainment industry and

1:18:30.760 --> 1:18:34.400
<v Speaker 1>the creative industry. I think the most valuable lesson a

1:18:34.439 --> 1:18:38.200
<v Speaker 1>man in his unparalleled position could have given kids, which

1:18:38.240 --> 1:18:41.080
<v Speaker 1>is like sometimes it's okay to say enough.

1:18:41.479 --> 1:18:45.120
<v Speaker 2>Yeah, yeah, that is I think a very important lesson

1:18:45.160 --> 1:18:47.799
<v Speaker 2>and on it. Let's be real. Yeah, he and Syndicate

1:18:47.880 --> 1:18:50.120
<v Speaker 2>were at each's throat at that point in time. No. Yeah,

1:18:50.200 --> 1:18:53.800
<v Speaker 2>if he had kept doing the comic like he was

1:18:53.800 --> 1:18:56.240
<v Speaker 2>taking more and more breaks, they were doing more and

1:18:56.280 --> 1:18:58.200
<v Speaker 2>more reruns at that point in time too, it would

1:18:58.240 --> 1:18:59.200
<v Speaker 2>just only gotten worse.

1:18:59.640 --> 1:19:04.600
<v Speaker 1>Yeah, yeah, so I anyway, but at the time, this

1:19:04.760 --> 1:19:08.720
<v Speaker 1>works out incredibly well for Scott because without you know,

1:19:08.960 --> 1:19:12.839
<v Speaker 1>we just talked about how many cancelations there were. Dilbert suddenly,

1:19:12.920 --> 1:19:15.280
<v Speaker 1>like a lot of comic like a lot of newspapers

1:19:15.280 --> 1:19:18.040
<v Speaker 1>are like, well, we've got all these holes suddenly in

1:19:18.120 --> 1:19:22.000
<v Speaker 1>our lineup. Oh and this Dilbert comic just published a

1:19:22.040 --> 1:19:25.639
<v Speaker 1>book and its circulation doubled. Maybe we'll pick it up too, right,

1:19:25.960 --> 1:19:28.479
<v Speaker 1>So suddenly hundreds and hundreds and hundreds of papers start

1:19:28.800 --> 1:19:31.639
<v Speaker 1>adopt like bringing in Dilbert because they don't have anything

1:19:31.680 --> 1:19:35.760
<v Speaker 1>else now. Scott claims in his two thousand and eight

1:19:35.800 --> 1:19:37.920
<v Speaker 1>book that this led to a surge of purchases for

1:19:38.000 --> 1:19:41.240
<v Speaker 1>the strip, which allowed him to quit his day job. Quote.

1:19:41.439 --> 1:19:43.640
<v Speaker 1>People often ask if I quit or was fired. It

1:19:43.680 --> 1:19:45.720
<v Speaker 1>was a little of both. In the final few years

1:19:45.720 --> 1:19:47.400
<v Speaker 1>of my day job, Dilbert had turned me into a

1:19:47.439 --> 1:19:50.960
<v Speaker 1>minor celebrity among technology workers. My coworkers found my fame

1:19:51.040 --> 1:19:53.519
<v Speaker 1>useful in attracting customers to the lab to see Pacific

1:19:53.560 --> 1:19:56.720
<v Speaker 1>Bell's latest offerings. By then, Dilbert was consuming too much

1:19:56.760 --> 1:19:58.360
<v Speaker 1>of my time for me to be effective at my

1:19:58.439 --> 1:20:00.439
<v Speaker 1>day job. It was clear I would soon need to

1:20:00.520 --> 1:20:03.360
<v Speaker 1>quit or be fired. That's when my coworker, Anita Freeman,

1:20:03.400 --> 1:20:05.840
<v Speaker 1>who was the prototype for the Alice character, suggested a

1:20:05.920 --> 1:20:09.120
<v Speaker 1>deal with our bosses consents. She and my other coworkers

1:20:09.120 --> 1:20:11.160
<v Speaker 1>in the lab offered to pick up my slack anytime

1:20:11.160 --> 1:20:13.759
<v Speaker 1>I needed to leave work for Dilbert reasons. In return,

1:20:13.840 --> 1:20:16.439
<v Speaker 1>I agreed to schmooze customers who were Dilbert fans. As

1:20:16.479 --> 1:20:19.160
<v Speaker 1>part of that understanding, I told my boss anytime the

1:20:19.280 --> 1:20:21.559
<v Speaker 1>arrangement didn't work for him and he needed the budget

1:20:21.600 --> 1:20:23.559
<v Speaker 1>for a better purpose. I would be happy to leave,

1:20:23.640 --> 1:20:26.240
<v Speaker 1>and eventually he took me up on the offer. Now,

1:20:26.400 --> 1:20:28.799
<v Speaker 1>if that's true, that's again an example of how lucky

1:20:28.840 --> 1:20:31.160
<v Speaker 1>Scott has been with the people in his life. Yeah,

1:20:31.280 --> 1:20:35.080
<v Speaker 1>contributed massively to all success. Would like, yeah, hey, dude,

1:20:35.120 --> 1:20:38.120
<v Speaker 1>I think because other job is more important to you. Yeah,

1:20:38.240 --> 1:20:39.880
<v Speaker 1>I have worked too, but I'll do your work.

1:20:39.920 --> 1:20:44.000
<v Speaker 2>What the fuck? Wow, that's either the kindest coworker or

1:20:44.120 --> 1:20:45.479
<v Speaker 2>a big crock of shit.

1:20:46.040 --> 1:20:48.800
<v Speaker 1>Yeah, it's one of the two. And it's it's again,

1:20:48.840 --> 1:20:51.120
<v Speaker 1>it's so interesting to me that he becomes so obsessed

1:20:51.160 --> 1:20:54.519
<v Speaker 1>with like the secret like universe hacks that allowed him

1:20:54.520 --> 1:20:56.680
<v Speaker 1>to succeed, when it's like, no, you succeeded because a

1:20:56.680 --> 1:20:59.760
<v Speaker 1>lot of really nice people gave you, which is, by

1:20:59.760 --> 1:21:03.240
<v Speaker 1>the way, why anyone succeeds in a creative profession.

1:21:03.479 --> 1:21:06.160
<v Speaker 2>You know, of us have had at least one person says,

1:21:06.439 --> 1:21:08.000
<v Speaker 2>you know what, I think you should. We should take

1:21:08.000 --> 1:21:10.200
<v Speaker 2>a chance on you. Yeah, let me share your link,

1:21:10.400 --> 1:21:11.680
<v Speaker 2>let me do this, let me do this.

1:21:12.040 --> 1:21:16.479
<v Speaker 1>Absolutely huge part of success and a creator. I mean, honestly,

1:21:16.720 --> 1:21:19.000
<v Speaker 1>just for me, I would never have had a writing

1:21:19.080 --> 1:21:21.839
<v Speaker 1>career if it hadn't have been for like this adult

1:21:21.880 --> 1:21:23.800
<v Speaker 1>who was a friend of mine in World of Warcraft,

1:21:23.840 --> 1:21:26.400
<v Speaker 1>who like, I sent a piece of fiction i'd written,

1:21:26.400 --> 1:21:28.439
<v Speaker 1>and she was like, you know, because every other adult

1:21:28.479 --> 1:21:30.479
<v Speaker 1>in my life was like, yeah, don't rely on writing

1:21:30.520 --> 1:21:32.519
<v Speaker 1>as a career, and she was like, oh, you should

1:21:32.520 --> 1:21:35.240
<v Speaker 1>do this for a living. And you know, sometimes that's

1:21:35.280 --> 1:21:37.680
<v Speaker 1>all it fucking takes, but it's always the result not

1:21:37.760 --> 1:21:40.000
<v Speaker 1>just of hard work, but of like getting fucking lucky.

1:21:40.240 --> 1:21:43.760
<v Speaker 1>Scott clearly got lucky, although I do suspect this specific

1:21:43.840 --> 1:21:47.040
<v Speaker 1>story is a lie and kind of a baffling one,

1:21:47.080 --> 1:21:50.479
<v Speaker 1>because the evidence suggests Scott was in fact laid off

1:21:50.479 --> 1:21:52.760
<v Speaker 1>for cost cutting reasons, per an interview he gave to

1:21:52.760 --> 1:21:56.400
<v Speaker 1>the Sacramento Bee in nineteen ninety five. I don't get

1:21:56.439 --> 1:21:58.720
<v Speaker 1>why he would kind of make up this more elaborate

1:21:58.760 --> 1:22:01.160
<v Speaker 1>story like they were mass lefs at pack Bell and

1:22:01.200 --> 1:22:03.840
<v Speaker 1>he got, you know, canned by them, and the story

1:22:03.880 --> 1:22:07.080
<v Speaker 1>of getting canned in layoffs as the deliberate guy is

1:22:07.080 --> 1:22:09.840
<v Speaker 1>actually kind of more compelling to me than like this

1:22:09.920 --> 1:22:12.840
<v Speaker 1>weird arrangement. But I don't know, maybe parts of it

1:22:12.880 --> 1:22:13.280
<v Speaker 1>are true.

1:22:13.720 --> 1:22:15.880
<v Speaker 2>It's unclear to make him the special boy.

1:22:16.320 --> 1:22:20.560
<v Speaker 1>Yeah, yeah, as opposed to like, yeah, it's special.

1:22:20.160 --> 1:22:22.479
<v Speaker 2>Boy Scott, and everyone knows that special boy Scott is

1:22:22.479 --> 1:22:25.920
<v Speaker 2>supposed to save us, yeah, from diversity, so therefore we

1:22:26.000 --> 1:22:27.920
<v Speaker 2>must all make sacrifices for him.

1:22:28.360 --> 1:22:32.360
<v Speaker 1>Yeah, it's he's He's definitely Again, it's kind of more

1:22:32.400 --> 1:22:37.599
<v Speaker 1>main character syndrome type stuff at this point in Scott's career. Again,

1:22:37.680 --> 1:22:40.040
<v Speaker 1>if you thought it all about his probable politics, you'd

1:22:40.080 --> 1:22:42.560
<v Speaker 1>probably suspect maybe he was kind of a vaguely progressive

1:22:42.600 --> 1:22:44.840
<v Speaker 1>guy because of how critically is of aspects of how

1:22:44.880 --> 1:22:47.920
<v Speaker 1>businesses work. But Adams makes it clear again he never

1:22:47.960 --> 1:22:50.800
<v Speaker 1>meant it as anything but like shallow humor kind of

1:22:50.800 --> 1:22:52.800
<v Speaker 1>often brought to him by his readers, and he was

1:22:52.840 --> 1:22:56.120
<v Speaker 1>surprised that people read more into his work, and this

1:22:56.240 --> 1:22:59.720
<v Speaker 1>attracted some early criticism for Scott. In nineteen ninety seven

1:23:00.120 --> 1:23:03.200
<v Speaker 1>named Norman Solomon, who's a journalist and a media critic,

1:23:03.400 --> 1:23:06.800
<v Speaker 1>wrote a book called The Trouble with Dilbert. Solomon's kind

1:23:06.800 --> 1:23:09.280
<v Speaker 1>of an interesting dude. He got surveilled by the FBI

1:23:09.360 --> 1:23:12.679
<v Speaker 1>when he was fourteen for protesting to desegregate an apartment

1:23:12.720 --> 1:23:17.519
<v Speaker 1>complex in Maryland, which is pretty cool. In nine, Yeah,

1:23:17.560 --> 1:23:19.680
<v Speaker 1>in ninety nine, he won an Orwell Award for a

1:23:19.720 --> 1:23:22.799
<v Speaker 1>collection of columns on deceptive media, and then in ninety

1:23:22.840 --> 1:23:25.280
<v Speaker 1>seven he writes this book. I mean, that's a couple usually,

1:23:25.360 --> 1:23:27.280
<v Speaker 1>but in ninety seven he writes this book about Dilbert.

1:23:27.560 --> 1:23:29.880
<v Speaker 1>And by this point, by ninety seven, Dilbert is like

1:23:29.920 --> 1:23:32.240
<v Speaker 1>one of the biggest comic strips on the planet. Scott

1:23:32.280 --> 1:23:35.519
<v Speaker 1>Adams is a new, very new millionaire at this point,

1:23:35.720 --> 1:23:38.840
<v Speaker 1>and because the strips are so popular, not only is

1:23:38.880 --> 1:23:41.439
<v Speaker 1>he in a bunch of newspapers, but businesses. All these

1:23:41.479 --> 1:23:44.200
<v Speaker 1>corporations that he had been like mocking and making fun

1:23:44.240 --> 1:23:47.240
<v Speaker 1>of have adopted Dilbert. Like people are paying to use

1:23:47.280 --> 1:23:50.800
<v Speaker 1>Dilbert as an advertisement for their company, right, which is

1:23:51.200 --> 1:23:53.559
<v Speaker 1>kind of weird if you think about sort of some

1:23:53.600 --> 1:23:56.479
<v Speaker 1>of the messages that were in the early Delbert comics.

1:23:56.760 --> 1:24:00.679
<v Speaker 1>And Solomon's book criticizes Adams for using Dilbert to improve

1:24:00.760 --> 1:24:03.400
<v Speaker 1>the bottom line of the corporations he purported to mock,

1:24:03.479 --> 1:24:06.720
<v Speaker 1>write and quote, Dilbert Masquerades is the ultimate response to

1:24:06.760 --> 1:24:09.599
<v Speaker 1>our predicament in a corporatized workplace in world. But it's

1:24:09.640 --> 1:24:12.479
<v Speaker 1>a counterfeit kind of rebellion. It marks the supposed outer

1:24:12.560 --> 1:24:15.400
<v Speaker 1>boundary of opposition to corporate machinery. But in fact, what

1:24:15.479 --> 1:24:17.639
<v Speaker 1>Dilbert teaches through example is that the best we can

1:24:17.680 --> 1:24:20.360
<v Speaker 1>hope for is a cynical aside and an acid quip.

1:24:21.560 --> 1:24:23.000
<v Speaker 2>I know he's not wrong.

1:24:23.320 --> 1:24:25.479
<v Speaker 1>I don't think he's wrong. I will say, you know,

1:24:25.560 --> 1:24:27.800
<v Speaker 1>I think Solomon's probably a pretty cool dude based on

1:24:27.840 --> 1:24:30.639
<v Speaker 1>his background. This is a silly choice. I think writing

1:24:30.680 --> 1:24:33.240
<v Speaker 1>an entire book of why Dilbert's not really like a

1:24:33.320 --> 1:24:38.040
<v Speaker 1>leftist master that's a little silly. Yeah.

1:24:38.439 --> 1:24:42.479
<v Speaker 2>I mean, I'm sure thought was procressive, but I don't

1:24:42.479 --> 1:24:46.480
<v Speaker 2>think anyone thought he was going to be the left. Yeah.

1:24:46.560 --> 1:24:49.960
<v Speaker 1>Yeah, nobody thought Dilbert was there to bring down capitalism.

1:24:50.479 --> 1:24:52.400
<v Speaker 1>It's a little like a horrible.

1:24:57.000 --> 1:24:57.160
<v Speaker 2>Man.

1:24:57.200 --> 1:25:02.400
<v Speaker 1>I didn't really expect that from from Hagar. It's it's funny,

1:25:03.040 --> 1:25:06.519
<v Speaker 1>but anyway, I think most people, especially most people who

1:25:06.600 --> 1:25:10.040
<v Speaker 1>are now multi millionaires because of their doodles, would be like, oh,

1:25:10.120 --> 1:25:12.519
<v Speaker 1>you know, a guy had a criticist, what whatever. I'm

1:25:12.560 --> 1:25:15.320
<v Speaker 1>still like rich and successful. This is not has no

1:25:15.439 --> 1:25:18.880
<v Speaker 1>impact on me. Scott in this kind of is the

1:25:18.920 --> 1:25:21.679
<v Speaker 1>first show of the kind of dude he is. Cannot

1:25:21.760 --> 1:25:24.960
<v Speaker 1>get over this. He responds in an interview with the

1:25:25.040 --> 1:25:27.639
<v Speaker 1>La Times, dilvert is just a way to make people

1:25:27.720 --> 1:25:30.160
<v Speaker 1>laugh so they will transfer their money to me. I'm

1:25:30.160 --> 1:25:32.479
<v Speaker 1>in the business of writing funny little things that Phillips

1:25:32.479 --> 1:25:34.439
<v Speaker 1>space in the newspaper, and when I get away with it,

1:25:34.560 --> 1:25:37.519
<v Speaker 1>writing funny little books that people will buy. And again,

1:25:37.840 --> 1:25:40.680
<v Speaker 1>like that response in and of itself is okay, but

1:25:40.720 --> 1:25:44.559
<v Speaker 1>Scott can't let it go. He keeps writing about Norman's

1:25:44.600 --> 1:25:47.880
<v Speaker 1>criticism of him, and eventually he publishes a whole book

1:25:48.000 --> 1:25:50.720
<v Speaker 1>the next year called The Joy of Work that has

1:25:50.760 --> 1:25:53.160
<v Speaker 1>this super long Remember as a kid, I read this

1:25:53.200 --> 1:25:55.680
<v Speaker 1>book is like a ten year old, and you know

1:25:55.720 --> 1:25:58.640
<v Speaker 1>it's a bunch of like funny jokes about like offices,

1:25:59.000 --> 1:26:02.320
<v Speaker 1>and then there's this long diatribe about Norman Solomon and

1:26:02.360 --> 1:26:05.519
<v Speaker 1>how dishonest and evil he is and like how fucked up,

1:26:05.640 --> 1:26:08.679
<v Speaker 1>Like Scott's mocking him for like how badly his book sold.

1:26:09.000 --> 1:26:14.400
<v Speaker 1>It was the guy who who Michael Crichton.

1:26:15.880 --> 1:26:19.080
<v Speaker 2>Made one critics into a choldlustern a book.

1:26:19.040 --> 1:26:22.719
<v Speaker 1>Yeah with a and he's he lengthily describes how small

1:26:22.760 --> 1:26:26.960
<v Speaker 1>the man's penises. Yeah, okay, yeah, what like what very

1:26:27.360 --> 1:26:28.040
<v Speaker 1>why do this?

1:26:28.439 --> 1:26:28.599
<v Speaker 4>Why?

1:26:28.600 --> 1:26:31.280
<v Speaker 2>I write an entire chapter by time YEA about you.

1:26:31.760 --> 1:26:34.439
<v Speaker 1>It's it's interesting because they are both like right wing

1:26:34.520 --> 1:26:38.200
<v Speaker 1>guys who were very convinced of their own brilliance to

1:26:38.560 --> 1:26:41.919
<v Speaker 1>such an extent that they like rejected very basically accurate

1:26:41.960 --> 1:26:46.879
<v Speaker 1>like factual things like climate change. And it is interesting

1:26:46.880 --> 1:26:48.360
<v Speaker 1>to me that, like you've got these two right wing

1:26:48.400 --> 1:26:53.120
<v Speaker 1>guys who get successful beyond their wildest dreams.

1:26:52.400 --> 1:26:56.400
<v Speaker 2>All still such a nerds can't stop masturbating over and you.

1:26:56.439 --> 1:26:59.920
<v Speaker 1>They but they still any criticism makes them lose their mind.

1:27:00.120 --> 1:27:01.639
<v Speaker 1>And it's like, I don't know, Like for like Michael

1:27:01.680 --> 1:27:03.800
<v Speaker 1>Cran's like, man, you wrote Jurassic Park, why do you

1:27:03.800 --> 1:27:06.320
<v Speaker 1>give a ship that somebody gave a book a bad review?

1:27:06.720 --> 1:27:10.160
<v Speaker 1>Like you're literally Michael Crichton, like that's fine.

1:27:11.160 --> 1:27:14.320
<v Speaker 2>Tears on these one hundred dollars bills that stuff my

1:27:14.400 --> 1:27:15.320
<v Speaker 2>pillow at night.

1:27:15.439 --> 1:27:18.200
<v Speaker 1>Like I can fucking log onto Twitter at any point

1:27:18.280 --> 1:27:21.520
<v Speaker 1>and find people saying that like I'm a fucking CIA

1:27:21.560 --> 1:27:24.280
<v Speaker 1>agent and like a piece of shit, My podcast terrible,

1:27:24.280 --> 1:27:26.439
<v Speaker 1>And it's like I don't know whatever, man, Like you know,

1:27:26.760 --> 1:27:29.880
<v Speaker 1>like to quote from a ska musician, I love no

1:27:29.920 --> 1:27:32.320
<v Speaker 1>matter what you do, it's going to piss people off.

1:27:33.360 --> 1:27:39.480
<v Speaker 2>Everyone loves me. Yeah, yeah, I do not have neo conservatives,

1:27:39.520 --> 1:27:42.519
<v Speaker 2>and I'll write people in my emails, yeah, wishing death

1:27:42.560 --> 1:27:45.120
<v Speaker 2>on my child at all because I draw a pop by. Nope,

1:27:45.160 --> 1:27:45.920
<v Speaker 2>it never has.

1:27:46.439 --> 1:27:51.120
<v Speaker 1>You definitely have left wing creatives who kind of can't

1:27:51.160 --> 1:27:54.840
<v Speaker 1>get over criticism too. So I'm not saying yeah, yeah, yeah,

1:27:54.920 --> 1:27:58.120
<v Speaker 1>top my head, but it does seem to be I

1:27:58.160 --> 1:28:00.800
<v Speaker 1>think it for whatever reason, it happens to a lot

1:28:00.800 --> 1:28:03.479
<v Speaker 1>of these right wing guys who have a lot less

1:28:03.560 --> 1:28:06.280
<v Speaker 1>overall criticism to deal with, Like Scott is not being

1:28:06.280 --> 1:28:09.719
<v Speaker 1>deluged in hate mail. One kind of weird dude writes

1:28:09.760 --> 1:28:13.240
<v Speaker 1>a book about Dilbert that doesn't sell very well, and

1:28:13.400 --> 1:28:16.240
<v Speaker 1>he he never gets over it, like he is obsessed

1:28:16.280 --> 1:28:17.479
<v Speaker 1>with this years later.

1:28:17.520 --> 1:28:20.439
<v Speaker 2>Still is it because the time he wasn't special boy Scott?

1:28:21.360 --> 1:28:24.280
<v Speaker 1>Yeah, I think it's also it's like the first time

1:28:24.360 --> 1:28:27.800
<v Speaker 1>that he had to analyze if like he was what

1:28:27.920 --> 1:28:30.120
<v Speaker 1>he was doing or someone had someone was trying to

1:28:30.120 --> 1:28:33.639
<v Speaker 1>like critically analyze his work, and like when you critically

1:28:33.680 --> 1:28:37.840
<v Speaker 1>analyze somebody's work, you will notice like flaws in it

1:28:37.920 --> 1:28:40.439
<v Speaker 1>and stuff like I've read I've read critical analysis of

1:28:40.479 --> 1:28:42.160
<v Speaker 1>my work that and had to be like Oh you

1:28:42.200 --> 1:28:44.880
<v Speaker 1>know what, I may I may actually alter some things

1:28:44.880 --> 1:28:47.400
<v Speaker 1>about what I've done because or what I'm doing in

1:28:47.439 --> 1:28:49.840
<v Speaker 1>the future, because I think this person has a point,

1:28:50.040 --> 1:28:51.479
<v Speaker 1>you know, you.

1:28:51.680 --> 1:28:55.599
<v Speaker 2>Like, everyone can improve and all criticism is hatred.

1:28:56.120 --> 1:28:59.920
<v Speaker 1>Yeah, and I think that for Scott, the fact that

1:29:00.040 --> 1:29:02.519
<v Speaker 1>criticism exists is again it puts him back in this

1:29:02.600 --> 1:29:06.960
<v Speaker 1>comfortable place of wondering, maybe what I'm doing won't always work,

1:29:07.120 --> 1:29:10.400
<v Speaker 1>maybe I won't always be beloved and famous for my

1:29:10.520 --> 1:29:14.120
<v Speaker 1>creative stuff, and he can't handle that fear. I do

1:29:14.200 --> 1:29:16.360
<v Speaker 1>think it all comes down to that for him. Yea

1:29:17.720 --> 1:29:20.720
<v Speaker 1>and yeah, and that's what this episode comes down to.

1:29:20.880 --> 1:29:24.479
<v Speaker 1>This has been part one of the Scott Adams series, Randy.

1:29:24.520 --> 1:29:27.479
<v Speaker 1>This wound up being more than I had accepts. I

1:29:27.479 --> 1:29:29.559
<v Speaker 1>talk too much and I'm probably no, no, no, no, no, no

1:29:29.680 --> 1:29:33.480
<v Speaker 1>thank you, No, I'm oh, Randy, you got any pluggables

1:29:33.479 --> 1:29:33.840
<v Speaker 1>to plug?

1:29:34.320 --> 1:29:37.360
<v Speaker 2>Yes? I draw an online comic called Something Positive. That's

1:29:37.360 --> 1:29:40.320
<v Speaker 2>Something Positive dot Net. It'st It started off as a

1:29:40.320 --> 1:29:44.479
<v Speaker 2>bunch of dick jokes. Now it's aging in anxiety and

1:29:44.560 --> 1:29:49.800
<v Speaker 2>dick jokes. And I also draw the Sunday Popeicomic at

1:29:49.800 --> 1:29:55.120
<v Speaker 2>comics Kingdom dot com. Slash Popeye. Also on Tuesdays and Thursdays,

1:29:55.120 --> 1:29:58.040
<v Speaker 2>there's a future called all of Them Popeye. All the

1:29:58.080 --> 1:30:01.160
<v Speaker 2>Tuesday strips are drawn by Shania I'm in amazing cartoonist

1:30:01.160 --> 1:30:04.160
<v Speaker 2>who also work on Spider Ham and I do the

1:30:04.240 --> 1:30:09.000
<v Speaker 2>Thursday strips that focus on Popeye and his family. And

1:30:09.040 --> 1:30:11.080
<v Speaker 2>I guess if you want to scream at me online,

1:30:11.240 --> 1:30:14.519
<v Speaker 2>go to the Twitter account to schuber c h O

1:30:14.520 --> 1:30:17.519
<v Speaker 2>O C h O B A R and uh, just

1:30:17.600 --> 1:30:19.879
<v Speaker 2>tell me how much you wish I would die, because

1:30:20.200 --> 1:30:20.559
<v Speaker 2>why not?

1:30:21.960 --> 1:30:26.120
<v Speaker 1>Yeah? And I think what you should do is instead again,

1:30:26.520 --> 1:30:29.599
<v Speaker 1>either use your own drawing skills, or if you want

1:30:29.600 --> 1:30:32.840
<v Speaker 1>to stick it to those those fat cat artists, use

1:30:32.880 --> 1:30:38.280
<v Speaker 1>an AI generator and create some some unsettling Delbert pornography

1:30:38.439 --> 1:30:40.200
<v Speaker 1>to share with our friend Scott.

1:30:40.479 --> 1:30:42.760
<v Speaker 2>I think this weekend just for you, I'm going to

1:30:42.880 --> 1:30:45.800
<v Speaker 2>draw Dilbert and cragg Art just for you.

1:30:46.080 --> 1:30:47.200
<v Speaker 1>Yes, thank you.

1:30:47.560 --> 1:30:50.160
<v Speaker 2>I thank you right now because I draw on my

1:30:50.560 --> 1:30:54.280
<v Speaker 2>computer and I'm doing this. But I will definitely just

1:30:54.280 --> 1:30:56.439
<v Speaker 2>for you. I will not not for Sophie, so has

1:30:56.479 --> 1:30:57.600
<v Speaker 2>done nothing to deserve this.

1:30:57.920 --> 1:30:58.320
<v Speaker 3>Thank you.

1:30:58.479 --> 1:31:00.760
<v Speaker 1>If you can I do. My only request is that

1:31:00.800 --> 1:31:05.040
<v Speaker 1>if you're doing Dilbert alien impregnation, fetish art. I think

1:31:05.080 --> 1:31:07.960
<v Speaker 1>the right alien is wharf Oh.

1:31:07.880 --> 1:31:11.160
<v Speaker 2>God, yeah, you know what Michael Dorn would tap that.

1:31:11.479 --> 1:31:16.800
<v Speaker 1>Michael Dorn would tap Sure, I mean, who wouldn't.

1:31:15.320 --> 1:31:17.639
<v Speaker 2>Michael Dorn can do what he wants. I mean, yeah, exactly,

1:31:17.880 --> 1:31:18.960
<v Speaker 2>men's voice alone.

1:31:19.200 --> 1:31:21.960
<v Speaker 1>Yeah, gorgeous, Gilbert. Gilbert's a lucky man.

1:31:22.040 --> 1:31:26.240
<v Speaker 3>As what I'm saying, Well, that was a pretty cool episode, Robert.

1:31:26.320 --> 1:31:31.320
<v Speaker 3>But do you know what's cooler? No, it would be

1:31:31.439 --> 1:31:36.120
<v Speaker 3>our Cooler Zone Media, our premium ad free channel, now

1:31:36.160 --> 1:31:39.480
<v Speaker 3>available exclusively on Apple Podcasts.

1:31:40.600 --> 1:31:44.519
<v Speaker 1>Wow, Sophie, that sounds like something that allows you to

1:31:44.560 --> 1:31:47.479
<v Speaker 1>pay money and no longer hear ads. Is that basically

1:31:47.560 --> 1:31:48.400
<v Speaker 1>what we're doing here?

1:31:48.560 --> 1:31:52.479
<v Speaker 3>That is the gist of it. We will also have

1:31:52.680 --> 1:31:56.320
<v Speaker 3>exclusive Q and a's with you Robert Evans and me,

1:31:56.600 --> 1:32:03.120
<v Speaker 3>Sophie Lichterman on this very podcast, and also lots of

1:32:03.120 --> 1:32:07.240
<v Speaker 3>other things add free, our entire our entire catalog of

1:32:07.240 --> 1:32:12.480
<v Speaker 3>cool Zone Media shows and ongoing new episodes. Add free.

1:32:12.880 --> 1:32:15.360
<v Speaker 1>Stop bitching about the gold ads. You don't have to

1:32:15.400 --> 1:32:18.920
<v Speaker 1>listen to them anymore, hey us, However many dollars it

1:32:19.040 --> 1:32:21.599
<v Speaker 1>takes I don't know, so more ads?

1:32:21.720 --> 1:32:25.040
<v Speaker 3>So open, so open your Apple Podcasts app search for

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<v Speaker 3>cooler Zone Media and subscribe today.

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<v Speaker 2>I'm going to.

1:32:31.920 --> 1:32:40.000
<v Speaker 3>Thanks Randy, I hate myself Goodbye. Behind the Bastards is

1:32:40.000 --> 1:32:42.760
<v Speaker 3>a production of cool Zone Media. For more from cool

1:32:42.840 --> 1:32:47.080
<v Speaker 3>Zone Media, visit our website Coolzonemedia dot com, or check

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<v Speaker 3>us out on the iHeartRadio app, Apple Podcasts, or wherever

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<v Speaker 3>you get your podcasts.