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Speaker 1: Hey, I'm Nora Jones and today I'm playing along with

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Speaker 1: my old pal Richard Julian.

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Speaker 2: I'm just playing.

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Speaker 1: Weezy. I'm just playing Lone Weezy. Richard Julian, Richard Julian,

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Speaker 1: Richard Julian. Hi, I'm Nora Jones, and with me today

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Speaker 1: is Sarah Oda Ha.

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Speaker 2: Hello.

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Speaker 1: Today we have Richard Julian on the show, who is

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Speaker 1: one of my oldest friends in the world.

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Speaker 3: Yes, if you don't know him, he's a singer, songwriter,

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Speaker 3: multi instrumentalist, wordsmith.

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Speaker 1: He's a great songwriter. Yeah, he is.

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Speaker 3: He's been putting out music for decades. He always has

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Speaker 3: really memorable lyrics and he has this really distinct style

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Speaker 3: that draws you in. He just put out his new

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Speaker 3: album last year in twenty twenty five, called Hit and Run,

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Speaker 3: where he leans more into keyboard and piano and it

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Speaker 3: features several great musicians. You can find out more on

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Speaker 3: his website Richard julianmusic dot net. And he's also in

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Speaker 3: a band with you, Yes, the Little Willies. We started

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Speaker 3: this band in the early two thousands where we did

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Speaker 3: cover songs by Willie Nelson and others. And when he's

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Speaker 3: not performing, he also owns a very popular music venue

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Speaker 3: in Brooklyn called Bar Lunatico.

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Speaker 1: You got to check it out. Yeah, if you're in

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Speaker 1: the city looking for something cool to do. They have

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Speaker 1: great food, great cocktails, and also incredible music. Every musician

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Speaker 1: in the city loves playing there.

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Speaker 3: Yeah, and Richard sort of curates that super eclectic roster

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Speaker 3: of people from all over the place. So yeah, very

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Speaker 3: popular and we love him.

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Speaker 1: Please enjoy our show. I hope you like it. We

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Speaker 1: had a great time playing music together. It's actually been

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Speaker 1: a really long time since we've gotten to do that,

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Speaker 1: so it was really special. Have fun listening to Richard, Julia.

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Speaker 4: I'm so weird about people reading stuff that I haven't

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Speaker 4: like edited down.

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Speaker 2: Yeah, And but.

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Speaker 4: A long time ago, I was when Leonard Cohen had

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Speaker 4: released The Future, that record The Future, he did a

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Speaker 4: thing there was a thing in Vanity Fair, and there

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Speaker 4: was a song of his on that record called Democracy,

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Speaker 4: which I thought was pretty amazing. And and he shared

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Speaker 4: his lyrics like his his sheets, you know, because he

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Speaker 4: used to keep a lot, used to write versus over

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Speaker 4: and over again.

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Speaker 2: And I was amazed, how.

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Speaker 4: You know, like some of the stuff just wasn't good,

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Speaker 4: like because he was like a hero stuff, and he

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Speaker 4: was generous enough to share it, and it made me

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Speaker 4: feel good, Like I was like, oh cool, I'm not

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Speaker 4: the only one that writes this.

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Speaker 1: I want to read that this stuff.

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Speaker 2: But yeah, I saved it.

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Speaker 4: I actually have the original thing of it because I

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Speaker 4: saved it and stuck it inside my Lenard cone.

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Speaker 1: You think that he's everything just came out golden eggs

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Speaker 1: with him or something, Well.

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Speaker 4: It all turned out like that, but he really worked

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Speaker 4: it from almost nothing. I mean, the original ideas. You

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Speaker 4: can only imagine that only he saw where they were going,

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Speaker 4: like how good they could be.

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Speaker 1: Yeah, you know that's cool, that's cool to see. Yeah,

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Speaker 1: you want to play the song.

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Speaker 2: Yeah, let's do it. I thought we weren't going to

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Speaker 2: rehearse though, We're just going to try to dive in.

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Speaker 1: Let's just try it. Yeah, okay, let's see what happens.

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Speaker 2: All right?

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Speaker 1: Wait, wait, start over?

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Speaker 4: Ready?

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Speaker 5: Whoa mama?

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Speaker 6: Don told me whin I was just a pup.

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Speaker 7: Boy.

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Speaker 6: Get back inside that house and bumble up A cover

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Speaker 6: up your.

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Speaker 8: Neck, a cover up your big head too, and bring

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Speaker 8: an extra layer rather dun Tom bringing extra layers, bring

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Speaker 8: an extra layer.

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Speaker 6: You don't know what the weather's gonna do.

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Speaker 9: A Papa Don told me.

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Speaker 5: Laid her in a.

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Speaker 10: Prime as he was looking up and down my phone

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Speaker 10: in Valentine to give it.

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Speaker 6: To the count off one fushy and kill you.

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Speaker 5: Dad a better.

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Speaker 2: Bring an extra layer.

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Speaker 8: Papa Don, Tom, bring an extra layer.

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Speaker 6: Bring an extra layer. Don't forget the thing.

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Speaker 11: Mamaself, bring lare, bring the Elaire, the layer, the layre

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Speaker 11: bring the extra layer.

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Speaker 9: We're living in a movie.

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Speaker 6: Had y'all seen before and here come the scene with

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Speaker 6: a body on the floor.

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Speaker 12: Son, you never listen. It's just the way you be.

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Speaker 12: Did you bring the extra layer? Did you bring the

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Speaker 12: extra layer?

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Speaker 13: No?

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Speaker 2: No, you do.

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Speaker 6: I spoke with call Offe.

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Speaker 9: I can please.

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Speaker 13: Bring the ex lab.

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Speaker 14: Bring the ex lab, the lab, the layer, Bring the

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Speaker 14: extra layer, Bring the extra layer, Bring the extra layer,

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Speaker 14: the layer, the layer.

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Speaker 6: Bring the extra layer. Mama done told you to bring

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Speaker 6: the ex layer.

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Speaker 3: Breath She had a.

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Speaker 7: Yeah, that.

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Speaker 2: Was fun a lot of fun.

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Speaker 1: When did you turn in New Orleans piano player?

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Speaker 2: When I moved to New Orleans?

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Speaker 1: Yeah, that's so fun.

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Speaker 2: You know down there?

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Speaker 4: When I was living in the Bywater, one thing really

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Speaker 4: captivated me was I heard piano everywhere there's a lot

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Speaker 4: of piano players. Yeah, and you just hear piano everywhere,

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Speaker 4: you know, you walk down the street somewhere and someone's

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Speaker 4: playing a piano.

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Speaker 2: Yeah, and I was one of those people playing the piano.

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Speaker 1: Did you guys have a piano down there?

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Speaker 2: Same one I have in my apartment in Brooklyn. I

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Speaker 2: brought it back up. It's just a crappy piano. I

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Speaker 2: actually have to get rid of it. It's really it

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Speaker 2: takes a lot of work to keep it together.

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Speaker 1: But got some songs out of it though.

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Speaker 2: Yeah.

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Speaker 4: We had a U haul and we went out to Metori,

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Speaker 4: and while we still had the U haul, I said,

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Speaker 4: let's get on Craigslist and find a piano today. Out

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Speaker 4: the first one we saw, this guy said, yeah, it's

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Speaker 4: right in my garage. You can put it right in

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Speaker 4: the U haul.

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Speaker 1: Perfect.

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Speaker 2: I figured he would help me out. I went out there.

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Speaker 4: He was in a wheelchair and like about seventy five

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Speaker 4: eighty years old, and uh, we found all these photographs

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Speaker 4: of him inside the piano bench when we got it home.

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Speaker 4: Old photos of him in the fifties at like sock

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Speaker 4: hops and stuff like dancing. Yeah, some of them are

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Speaker 4: hanging in Lunatico that didn't get follo.

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Speaker 2: No, we didn't.

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Speaker 4: We didn't find them until way later, you know, So

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Speaker 4: that was one of those things. Sorry now I feel bad.

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Speaker 4: It was a kind of a fun story.

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Speaker 1: Sorry, I made it weird. That's my job, Richard, that's

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Speaker 1: our relationship.

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Speaker 2: But uh, yeah, you know, and I got into playing

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Speaker 2: piano there.

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Speaker 1: That's cool. I love it. You're just so good at it. Also,

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Speaker 1: did you get really when Henry Butler was around the club,

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Speaker 1: were you.

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Speaker 2: Into you know, Henry didn't show me.

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Speaker 1: Any but did he just inspire you a little?

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Speaker 2: He?

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Speaker 4: I mean he did in the other ways, not in

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Speaker 4: piano ways. If anything, Henry would make me want to

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Speaker 4: not ever play piano. He's I mean, he was just

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Speaker 4: so incredible, But he was. He was such an incredible artist,

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Speaker 4: you know, on every level. He was really he had

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Speaker 4: taken that New Orleans thing and had really taken it

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Speaker 4: really far out. You know, it was like it had

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Speaker 4: he had some of that gut bucket in his plane.

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Speaker 4: But it was almost I thought of him more as

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Speaker 4: a classical musician. Yeah, it was like really austere and

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Speaker 4: you know, so, yeah, is this.

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Speaker 1: Weird sitting here being interviewed by.

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Speaker 4: I thought it would I thought it would be I've

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Speaker 4: known you for so long and thought, how are you

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Speaker 4: going to interview me?

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Speaker 2: Like you know, you already know everything?

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Speaker 1: I literally know everything about questions? How long have we

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Speaker 1: known each other? Twenty four twenty five years?

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Speaker 2: On my nineteen eight what? Yeah, that's insane.

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Speaker 1: I was eight. Yeah, that's crazy. You were, Yeah, And

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Speaker 1: I had my big old Cadillac, the big Cadillac.

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Speaker 2: Yeah, the car was incredible.

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Speaker 1: Well, so do you know that whenever you and Jesse

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Speaker 1: Harris came down to Texas? I was in college and

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Speaker 1: you guys came down with your friends who were doing

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Speaker 1: a clinic at my college.

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Speaker 2: Yep, and not just friends. Yeah, Kurt Rose and they

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Speaker 2: were Yeah, and Steve Carr, who was my roommate at

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Speaker 2: the time.

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Speaker 9: Yeah.

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Speaker 1: So you guys were just driving cross country, right, We.

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Speaker 2: Were driving across the country.

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Speaker 4: I remember being in Virginia at a gas station and

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Speaker 4: Jesse going to a payphone. Remember payphones? Oh I do,

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Speaker 4: and him this is how we found out that those

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Speaker 4: guys were going to be down there. He was mixing

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Speaker 4: a record and he had to call Jesse Murphy for something,

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Speaker 4: and Jesse Murphy said, oh, are you guys passing through

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Speaker 4: Texas because those guys are down there.

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Speaker 2: And we said, oh, we are passing through Texas. My

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Speaker 2: chance we went through.

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Speaker 4: Well, we were just on a on a crazy trip,

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Speaker 4: you know, we were, and we went through New Orleans

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Speaker 4: and we went to Houston the night before and then

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Speaker 4: we drove up there and that's when we met you.

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Speaker 1: That's crazy. So I was told by the the head

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Speaker 1: of the department. Because I had the Cadillac, that's the

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Speaker 1: whole reason I met you, I know, yeah, because I

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Speaker 1: had room in my trunk for all the gear, and

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Speaker 1: so they said, go pick up these musicians. You have

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Speaker 1: room for all the stuff at the hotel. So I

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Speaker 1: went and picked them up, and I met you guys too,

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Speaker 1: and we had just such a magical twenty four hours

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Speaker 1: of like we really do, hanging out. But I remember

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Speaker 1: sitting in the audience when.

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Speaker 2: They were doing all fell in love.

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Speaker 1: Yeah, we did, we fell in love with each other.

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Speaker 1: I was sitting in the audience they were about to

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Speaker 1: start the sort of performance clinic, and you guys were

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Speaker 1: sitting next to me. I said, so, what do you

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Speaker 1: guys do? And you guys looked at me and you said, oh,

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Speaker 1: we're songwriters, and it was the first time I'd ever

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Speaker 1: even thought about that. Yeah, being a thing, right, Isn't

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Speaker 1: that funny?

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Speaker 2: It is? Yeah, I know that's funny how these things

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Speaker 2: at some point.

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Speaker 1: Yeah, you know you didn't say we're musicians, Oh, we're

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Speaker 1: singer songwriter. You just said songwriters here, which I thought

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Speaker 1: was also really ballsy, a great way to like just

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Speaker 1: be like, we're songwriters, bitch.

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Speaker 2: Yeah. Oh no, we thought like that.

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Speaker 4: But I remember we went to a record store and

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Speaker 4: I asked you. I said, well, what are you doing

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Speaker 4: here in this college. You said, oh, I'm studying voice

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Speaker 4: and piano. Yeah, And then I saw a record. We

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Speaker 4: were at a vintage record shop or use record shop

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Speaker 4: that you took us to.

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Speaker 1: Yeah, because I was cool and they had trying to

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Speaker 1: make you think it was cool.

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Speaker 2: They had the Tony Bennett Bill Evans record. Yep, you

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Speaker 2: bought it for me and yeah, but you knew it already. Yeah.

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Speaker 4: I said, you know this record. You're studying voice and piano,

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Speaker 4: you should know this record. And you said oh yeah,

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Speaker 4: and then you sang a small line of touch of

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Speaker 4: your lips.

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Speaker 2: Like you said oh yeah, And I was like, oh,

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Speaker 2: she's got a good voice.

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Speaker 1: Really, you heard me singing the records store. I knew

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Speaker 1: right then that you could really sing Kurt Rosenwikel. Also,

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Speaker 1: he bought me Shirley Horn You won't Forget Me at

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Speaker 1: that store, which is an incredible record, which I didn't know.

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Speaker 2: And you didn't forget him or it.

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Speaker 1: I did not forget it for him. It was really

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Speaker 1: cool though, you guys. It was all very like sweet

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Speaker 1: and it was amazing mentory and not creepy at all.

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Speaker 1: We went on the golf course that night, the golf course, yeah,

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Speaker 1: and we jammed, we like yep, yeah. And then I

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Speaker 1: told my mom the next.

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Speaker 4: You didn't jam, I say, we know. We had to

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Speaker 4: ask you to sing. Really, yeah, you were really just

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Speaker 4: like you were just vibing and hanging out. We played

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Speaker 4: a long time. I remember before I said, hey, you sing,

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Speaker 4: Why don't you sing a song? Now?

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Speaker 2: You sang? You sounded so good.

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Speaker 1: I sang Comrader come Shine, Yes you did, that's the one. Yeah,

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Speaker 1: And I kept calling the chord changes out to Steve.

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Speaker 2: He didn't know it, no, he did.

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Speaker 1: I just was a word, I think because I was

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Speaker 1: doing it in a different key.

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Speaker 2: You're like four four.

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Speaker 14: And I know.

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Speaker 1: I told my mom. The next day I called her.

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Speaker 1: I was like, oh my god, this amazing thing happened.

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Speaker 1: These guys from New York came there, these musicians, and

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Speaker 1: we all hung out on the golf course. Online she

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Speaker 1: was like, what, that's horrible that she just thought it

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Speaker 1: sounded creepy. You know, it was funny.

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Speaker 2: Well, everybody was in love with you. She was probably right.

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Speaker 1: It felt very innocent to me, and it was.

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Speaker 2: Yeah, it was amazing. We had such a great time.

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Speaker 1: It was so sweet, all right.

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Speaker 2: We used to talk about it even before you moved

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Speaker 2: to New York. You're like, remember that night in Texas

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Speaker 2: with that girl Nora. That was so much fun. Two

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Speaker 2: three and.

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Speaker 9: We did it dirty, we did it sweet, and in

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Speaker 9: the morning.

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Speaker 6: Found somewhere to eat.

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Speaker 15: Over pancakes, scrambled eggs. You draped your feet across my legs.

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Speaker 16: I draped my feet across your legs, and it was

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Speaker 16: so nice to feel your touch.

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Speaker 9: I didn't know you.

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Speaker 1: Very well.

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Speaker 9: I did know you for anyone could tell.

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Speaker 2: You had some secrets.

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Speaker 9: To protect and some hang ups to project. We all

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Speaker 9: have hang ups to project. It was so nice.

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Speaker 17: To feel your touch, and so we tried to make

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Speaker 17: the conversation last.

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Speaker 6: Politics, movies and jazz.

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Speaker 9: I got lost up in my head the way I do.

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Speaker 6: Where it occurred to me either.

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Speaker 9: Maybe I was through.

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Speaker 1: And maybe I was too, so I didn't know Jimmy

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Speaker 1: Geoffrey was.

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Speaker 9: That's all right, no one ever does.

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Speaker 6: It would be false of us to blame it all

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Speaker 6: all that.

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Speaker 9: The heart is fickled like a cat.

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Speaker 10: Oh it was so nice.

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Speaker 1: Uh huh.

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Speaker 6: Shows NICELLOI show was.

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Speaker 2: Nice to feel. That was so pretty. I think I

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Speaker 2: need a cigarette. So anyway, anyway, I lived in Cleveland

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Speaker 2: for a while.

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Speaker 1: That was nice. I like your songs. They get in there,

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Speaker 1: They really get in there to that thing you always

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Speaker 1: have had that you get it, you get inside the dirty,

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Speaker 1: the dirty stuff. Both both both meetings implied you.

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Speaker 4: Know, I really I always love Prince a lot, and

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Speaker 4: Prince's music can get really dirty. And I like the

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Speaker 4: way he writes about it, like that song if I

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Speaker 4: was your girlfriend, you know that song.

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Speaker 2: So it's like it's that psychological.

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Speaker 4: It's the it's the weird stuff you know that he

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Speaker 4: gets into and he writes about it really well and

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Speaker 4: very it's like very psychological.

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Speaker 2: Yeah, And I mean I'm not prince.

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Speaker 4: I'm not funky like that, and so it's it's weird

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Speaker 4: to take stuff like that and put it into a

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Speaker 4: into like a softer, you know, kind of setting. Yeah,

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Speaker 4: it requires a different set of rules, I think. But yeah,

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Speaker 4: I thought this tune kind of hit some stuff.

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Speaker 2: I thought it was.

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Speaker 1: Yeah, it could be a Willie's tune for sure.

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Speaker 2: Yeah.

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Speaker 1: Yeah. Also the changes kind of get into that kind

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Speaker 1: of reminded me of that Christofferson tune and like.

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Speaker 2: All right on. Yeah, he has a little bit of

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Speaker 2: that movement. It's like a long.

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Speaker 1: Yeah, I'm so glad you're writing songs and you made

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00:20:05,800 --> 00:20:08,080
Speaker 1: this new album because there was kind of a spell

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Speaker 1: where you weren't no, because I mean you opened a bar, Yeah,

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00:20:14,440 --> 00:20:17,479
Speaker 1: opened a venue. How old is Lunatico Now?

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Speaker 2: It's nine years old this month.

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Speaker 1: That's a lot of work small business and the pandemic

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Speaker 1: small business.

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00:20:23,160 --> 00:20:27,520
Speaker 2: Pandemic small business. And also, can't emphasize enough having a kid.

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Speaker 1: Yeah I think that was eleven.

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Speaker 2: He's eleven.

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Speaker 1: Now.

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Speaker 2: That was more interrupting of my creative flow than the bar, because.

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Speaker 1: The space your brain needs to be creative isn't there.

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Speaker 2: Kids need the space in your brain, they need it.

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Speaker 1: They require it's constant brain interruption, right.

350
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Speaker 2: Yes, yeah.

351
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Speaker 4: I had a period of time when I opened the bar.

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Speaker 4: You know, Lunatico is a very creative place, and just even.

353
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Speaker 2: Designing it, or you know, even thinking of cocktails, like well,

354
00:21:00,080 --> 00:21:02,960
Speaker 2: let's design a new cocktail. For a while, I fooled

355
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Speaker 2: myself into thinking that it was on par with music.

356
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Speaker 4: Like I thought, well, you know what, I just need

357
00:21:09,680 --> 00:21:11,920
Speaker 4: a creative outlet, and this is creative, so who cares

358
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Speaker 4: if I'm writing songs.

359
00:21:12,760 --> 00:21:14,879
Speaker 2: Plus I wrote so many songs. I thought, I do

360
00:21:15,240 --> 00:21:17,600
Speaker 2: my old songs, a lot of songs. I don't need

361
00:21:18,200 --> 00:21:18,960
Speaker 2: any new songs.

362
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Speaker 4: And then I fooled myself with that for about two years,

363
00:21:24,000 --> 00:21:25,920
Speaker 4: and then I had a string of dates.

364
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Speaker 2: I think it was in Japan.

365
00:21:27,359 --> 00:21:29,280
Speaker 4: I got like a little offer to go over there

366
00:21:29,280 --> 00:21:31,000
Speaker 4: and do some stuff, and I was performing every night,

367
00:21:31,040 --> 00:21:33,399
Speaker 4: and I thought, oh no, no, this is.

368
00:21:34,040 --> 00:21:35,040
Speaker 7: What this is.

369
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Speaker 2: Next level.

370
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Speaker 4: You know, I forgot how powerful it feels to get

371
00:21:39,480 --> 00:21:41,520
Speaker 4: all that stuff out and do it in a room

372
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Speaker 4: full of people.

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Speaker 2: But I couldn't get the writing thing back. I just

374
00:21:47,040 --> 00:21:50,000
Speaker 2: couldn't do it. And finally I was playing a show

375
00:21:50,160 --> 00:21:52,400
Speaker 2: at Lunatico one night and I was doing that song.

376
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Speaker 2: You might remember that song your friend John I used

377
00:21:55,160 --> 00:21:55,280
Speaker 2: to do.

378
00:21:55,440 --> 00:21:56,800
Speaker 1: Yeah, I know all your songs.

379
00:21:56,920 --> 00:21:59,359
Speaker 2: Yeah, I was doing that song and it's kind of

380
00:21:59,640 --> 00:22:02,560
Speaker 2: it's it's a little bit of a mean song, you know.

381
00:22:02,800 --> 00:22:04,359
Speaker 2: And I was up there playing it.

382
00:22:06,040 --> 00:22:08,920
Speaker 4: And I realized that I didn't want to sing it anymore,

383
00:22:09,040 --> 00:22:12,520
Speaker 4: and that I didn't like the person in the song. Yeah,

384
00:22:13,040 --> 00:22:16,040
Speaker 4: And I was, Yeah, I was having the way so

385
00:22:16,280 --> 00:22:19,880
Speaker 4: I didn't like myself and I was having a sort

386
00:22:19,920 --> 00:22:24,120
Speaker 4: of emotional crisis while I was performing during the set

387
00:22:24,320 --> 00:22:28,159
Speaker 4: crazy and I revealed it to Chris Marcy after the

388
00:22:28,440 --> 00:22:29,720
Speaker 4: after we were done performing.

389
00:22:29,840 --> 00:22:32,120
Speaker 2: The set went well, we had a good audience. People

390
00:22:32,160 --> 00:22:34,400
Speaker 2: would liked it. It wasn't it wasn't that the gig

391
00:22:34,560 --> 00:22:34,840
Speaker 2: was bad.

392
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Speaker 1: It's a funny song. I feel like it's the kind

393
00:22:37,080 --> 00:22:39,080
Speaker 1: of song and the crowd will respond to.

394
00:22:39,280 --> 00:22:42,840
Speaker 2: Yeah. Yeah, And Chris said, and I told him. I said, Man,

395
00:22:42,880 --> 00:22:45,399
Speaker 2: I'm feeling really weird singing these songs. I'm just not

396
00:22:45,920 --> 00:22:47,880
Speaker 2: I don't let I don't want to sing my songs anymore,

397
00:22:48,280 --> 00:22:51,120
Speaker 2: them pretty much all of them. Now I'm learning which

398
00:22:51,160 --> 00:22:54,080
Speaker 2: ones I still want to sing. But Chris said, he said, yeah,

399
00:22:54,080 --> 00:22:55,600
Speaker 2: you're not really that guy anymore.

400
00:22:55,800 --> 00:22:55,960
Speaker 3: You know.

401
00:22:56,320 --> 00:22:57,959
Speaker 2: Funny he got he got right.

402
00:22:58,000 --> 00:23:00,560
Speaker 4: He just said it like instantly while was telling him,

403
00:23:00,560 --> 00:23:02,399
Speaker 4: and I thought, wow, I have to write new songs.

404
00:23:02,760 --> 00:23:05,680
Speaker 1: I think that is a very true thing though that happens.

405
00:23:05,960 --> 00:23:08,760
Speaker 1: I have songs like that where I just don't really like, Yeah,

406
00:23:08,840 --> 00:23:11,520
Speaker 1: I don't. I can't embody them anymore because I don't

407
00:23:11,560 --> 00:23:12,400
Speaker 1: feel the same way.

408
00:23:13,480 --> 00:23:16,920
Speaker 4: Yeah, you know, there was somebody I'm not going to

409
00:23:16,960 --> 00:23:19,280
Speaker 4: say a name, but there's a person who I think

410
00:23:19,440 --> 00:23:23,879
Speaker 4: is really incredibly talented, very famous person writes songs, but

411
00:23:24,119 --> 00:23:27,320
Speaker 4: I don't. I don't like his persona in the songs.

412
00:23:27,480 --> 00:23:29,439
Speaker 4: You know, songs can be different too, that can come

413
00:23:29,480 --> 00:23:30,960
Speaker 4: from a different party of personnelity.

414
00:23:31,000 --> 00:23:34,240
Speaker 2: Maybe he's maybe he's not. Maybe that's just a side,

415
00:23:34,400 --> 00:23:35,639
Speaker 2: you know, way that he thinks.

416
00:23:36,400 --> 00:23:38,480
Speaker 4: But it's funny as some of his most beautiful songs,

417
00:23:38,560 --> 00:23:41,680
Speaker 4: even when you get down to the lyrical content and

418
00:23:41,800 --> 00:23:43,879
Speaker 4: what they're actually saying, they're like.

419
00:23:43,960 --> 00:23:46,560
Speaker 2: It's like, whoa dude, don't say that? Yeah, Like, why

420
00:23:46,560 --> 00:23:47,159
Speaker 2: are you saying that?

421
00:23:47,440 --> 00:23:49,800
Speaker 1: I could see I could see that about your friend John.

422
00:23:49,920 --> 00:23:52,400
Speaker 2: Maybe that's the way I felt about It's.

423
00:23:52,200 --> 00:23:55,080
Speaker 1: Just snarky it's like a snarky it's too snuky, and.

424
00:23:55,160 --> 00:23:57,720
Speaker 2: I just didn't feel like doing it anymore. So I started.

425
00:23:58,160 --> 00:24:01,160
Speaker 4: I knew I couldn't just start writing writing songs again

426
00:24:01,280 --> 00:24:03,920
Speaker 4: like that because my songwriting process is so long.

427
00:24:04,240 --> 00:24:07,359
Speaker 2: It takes me so long to finish a song. So I.

428
00:24:09,280 --> 00:24:13,240
Speaker 4: Set my alarm at seven am every single day after

429
00:24:13,320 --> 00:24:15,879
Speaker 4: that through twenty twenty two, and I woke up and

430
00:24:16,000 --> 00:24:18,760
Speaker 4: worked for three hours and it was amazing and it

431
00:24:18,880 --> 00:24:22,640
Speaker 4: made me feel like not only I was getting productive

432
00:24:22,680 --> 00:24:26,280
Speaker 4: work done some days better than others, obviously, but when

433
00:24:26,320 --> 00:24:28,359
Speaker 4: I could get a song going and have it in

434
00:24:28,480 --> 00:24:31,000
Speaker 4: my head even when I was working throughout the rest

435
00:24:31,000 --> 00:24:35,000
Speaker 4: of the day and not songwriting, I felt like a

436
00:24:35,119 --> 00:24:38,560
Speaker 4: more enjoyable person to be around because you felt like you.

437
00:24:38,640 --> 00:24:41,000
Speaker 1: Got your It's like exercising or something. You got your

438
00:24:41,080 --> 00:24:41,520
Speaker 1: thing done.

439
00:24:41,640 --> 00:24:43,960
Speaker 2: Yeah, it really was a big sea change.

440
00:24:44,240 --> 00:24:47,800
Speaker 1: That's cool. And I think also writing on a different

441
00:24:47,920 --> 00:24:50,880
Speaker 1: instrument is a really good way to get yourself back

442
00:24:50,920 --> 00:24:51,560
Speaker 1: into the game.

443
00:24:51,760 --> 00:24:54,679
Speaker 2: Yes, yeah, you know something something different.

444
00:24:55,440 --> 00:24:57,720
Speaker 1: It's coming from a totally different place and you're going

445
00:24:57,800 --> 00:24:59,560
Speaker 1: towards different chord changes.

446
00:24:59,359 --> 00:25:03,080
Speaker 2: And yeah, yep, I think that's helpful big time.

447
00:25:03,680 --> 00:25:06,080
Speaker 1: Was that the first time you've ever had a long

448
00:25:06,720 --> 00:25:09,760
Speaker 1: sort of period where you didn't write really well that long?

449
00:25:09,880 --> 00:25:10,080
Speaker 2: Yeah.

450
00:25:10,200 --> 00:25:13,000
Speaker 4: Yeah, I mean it was years I didn't write songs

451
00:25:13,119 --> 00:25:16,480
Speaker 4: for because I did Flirt to lead the record I

452
00:25:16,560 --> 00:25:17,520
Speaker 4: did in New Orleans.

453
00:25:17,760 --> 00:25:19,399
Speaker 2: That was the last time I was writing songs was

454
00:25:19,400 --> 00:25:20,359
Speaker 2: when I was in New Orleans.

455
00:25:20,400 --> 00:25:23,040
Speaker 4: I was like twenty eleven, and I didn't start these

456
00:25:23,160 --> 00:25:26,480
Speaker 4: until twenty twenty one ish, twenty two ish.

457
00:25:26,400 --> 00:25:30,440
Speaker 2: I guess. Yeah, so yeah, ten years, that's insane. Yeah,

458
00:25:30,440 --> 00:25:31,080
Speaker 2: a whole decade.

459
00:25:31,560 --> 00:25:33,320
Speaker 1: That's crazy. But you got a lot done during that

460
00:25:33,400 --> 00:25:34,160
Speaker 1: decade as well.

461
00:25:34,359 --> 00:25:37,000
Speaker 2: Yeah, yeah, yeah, it doesn't matter. It really doesn't matter.

462
00:25:37,200 --> 00:25:39,800
Speaker 1: Small business with the coolest collection of music.

463
00:25:40,040 --> 00:25:40,200
Speaker 2: You know.

464
00:25:40,440 --> 00:25:43,159
Speaker 4: That's another thing you were talking about writing on a

465
00:25:43,200 --> 00:25:43,840
Speaker 4: different instrument.

466
00:25:43,920 --> 00:25:47,000
Speaker 2: But another thing was watching the music scene come through

467
00:25:47,080 --> 00:25:48,840
Speaker 2: my house every single day.

468
00:25:49,000 --> 00:25:49,200
Speaker 5: Yeah.

469
00:25:49,200 --> 00:25:51,800
Speaker 2: And the humble, the humbling aspect of that.

470
00:25:52,320 --> 00:25:54,240
Speaker 4: And I mean that in a positive way, just that

471
00:25:54,920 --> 00:25:58,119
Speaker 4: the music scene here is is just incredible, and you

472
00:25:59,000 --> 00:26:01,159
Speaker 4: you can put your own own talents and to a

473
00:26:01,280 --> 00:26:05,879
Speaker 4: context that I think is is Uh, it's humbling in

474
00:26:05,960 --> 00:26:07,000
Speaker 4: a beneficial way.

475
00:26:07,359 --> 00:26:10,639
Speaker 2: You know. It reminds you to just keep things straight.

476
00:26:11,000 --> 00:26:13,119
Speaker 1: Yeah, don't try to.

477
00:26:13,480 --> 00:26:15,600
Speaker 2: Yeah, don't don't. Don't chat to you hard do try

478
00:26:15,640 --> 00:26:19,680
Speaker 2: to exactly know your limitations. Stay stay in there and

479
00:26:19,800 --> 00:26:20,520
Speaker 2: be your best, you know.

480
00:26:20,840 --> 00:26:23,240
Speaker 1: Yeah, but let it trickle it in sort of color things,

481
00:26:23,440 --> 00:26:24,200
Speaker 1: yes as well.

482
00:26:24,480 --> 00:26:26,200
Speaker 2: Oh yeah, definitely, you've got to be open.

483
00:26:27,359 --> 00:26:31,360
Speaker 1: You have the coolest collect like curated. I mean, I'm

484
00:26:31,400 --> 00:26:34,680
Speaker 1: sure it's curated. How much of the bands that come

485
00:26:34,760 --> 00:26:38,200
Speaker 1: through Lunatico is just by chance? I mean, is it

486
00:26:38,280 --> 00:26:39,480
Speaker 1: all completely curated?

487
00:26:39,560 --> 00:26:41,600
Speaker 2: You can at this point it's pretty curated.

488
00:26:41,960 --> 00:26:44,000
Speaker 1: Yeah, but it's totally all over the place.

489
00:26:44,320 --> 00:26:44,919
Speaker 2: It's everywhere.

490
00:26:45,000 --> 00:26:45,200
Speaker 5: Yeah.

491
00:26:45,240 --> 00:26:47,800
Speaker 4: Well, you know it's some of that's a business move too,

492
00:26:48,280 --> 00:26:52,359
Speaker 4: because we you know, are if you stand outside the club,

493
00:26:52,440 --> 00:26:55,119
Speaker 4: you'll notice all the storefronts are shuttered, you know, to

494
00:26:55,240 --> 00:26:57,960
Speaker 4: the right. We're not near a subway station. It's all

495
00:26:58,080 --> 00:27:01,960
Speaker 4: destination traffic. There's no wall by traffic. When the place

496
00:27:02,040 --> 00:27:05,800
Speaker 4: is packed, which it is fortunately very often, it's all

497
00:27:05,840 --> 00:27:08,320
Speaker 4: people that have come from somewhere, even if it's from

498
00:27:08,359 --> 00:27:11,000
Speaker 4: blocks away, and they've decided that that is their destination.

499
00:27:11,080 --> 00:27:11,439
Speaker 1: Interesting.

500
00:27:11,600 --> 00:27:16,280
Speaker 4: Yeah, so I don't have enough, you know, the club

501
00:27:16,359 --> 00:27:20,040
Speaker 4: doesn't have enough fan base to just be like a

502
00:27:20,119 --> 00:27:22,560
Speaker 4: stylistic like I can't put on the same thing every night.

503
00:27:22,720 --> 00:27:26,040
Speaker 1: Yeah, so it's completely different. You have Brazilian bands.

504
00:27:26,600 --> 00:27:27,560
Speaker 2: We subdivide.

505
00:27:27,800 --> 00:27:34,040
Speaker 4: Ore are following into various demographics, of which I've identified seven.

506
00:27:34,560 --> 00:27:38,560
Speaker 4: Really yeah, and and ideally I'm hitting all seven of

507
00:27:38,880 --> 00:27:41,200
Speaker 4: those weekly. Ideally, Like if you want to, like some

508
00:27:41,280 --> 00:27:43,320
Speaker 4: people came to hear me the other night because I played,

509
00:27:43,320 --> 00:27:45,720
Speaker 4: I only played there twice a year because I've determined

510
00:27:45,760 --> 00:27:46,960
Speaker 4: that that's all I'm good for.

511
00:27:49,000 --> 00:27:51,800
Speaker 2: Yeah, I could draw twice, So I play there twice

512
00:27:51,800 --> 00:27:52,080
Speaker 2: a year.

513
00:27:52,240 --> 00:27:55,200
Speaker 4: And like the people that came, you know, to my show,

514
00:27:55,280 --> 00:27:57,560
Speaker 4: they're not going to be at Amar Marshall's show the

515
00:27:57,640 --> 00:27:58,080
Speaker 4: night before.

516
00:27:59,320 --> 00:28:00,000
Speaker 2: I think is amazing.

517
00:28:00,160 --> 00:28:04,800
Speaker 4: Am War is a drummer African American drummer who always

518
00:28:04,880 --> 00:28:07,480
Speaker 4: brings an incredible group. He has a he's a great

519
00:28:07,560 --> 00:28:10,640
Speaker 4: jazz drummer. He plays with Marcus Miller and he gets

520
00:28:10,720 --> 00:28:12,639
Speaker 4: that kind of work, but he he has more of

521
00:28:12,800 --> 00:28:15,560
Speaker 4: like a hip hop kind of vibe in his playing.

522
00:28:16,200 --> 00:28:18,439
Speaker 4: And he has a number of bands. One that has

523
00:28:18,520 --> 00:28:21,360
Speaker 4: Robbie Coltrane, one that has Jalil Shaw. But he had

524
00:28:21,520 --> 00:28:24,199
Speaker 4: this one band he has comes up from Philadelphia. It's

525
00:28:24,280 --> 00:28:26,400
Speaker 4: all Philly guys who I've never heard of this bass

526
00:28:26,440 --> 00:28:30,240
Speaker 4: player John Smith, and guitar player who plays guitar. It

527
00:28:30,280 --> 00:28:34,639
Speaker 4: doesn't even sound like guitar Sebastian or I can't remember

528
00:28:34,720 --> 00:28:38,680
Speaker 4: his name, but it's it's just really like hip hoppy

529
00:28:38,800 --> 00:28:41,520
Speaker 4: and like, you know, groovy and stuff like I don't

530
00:28:41,600 --> 00:28:43,680
Speaker 4: I don't picture that audience coming out to hear me,

531
00:28:44,000 --> 00:28:45,959
Speaker 4: you know, And I don't picture my audience going out

532
00:28:45,960 --> 00:28:48,240
Speaker 4: to hear that, although I love it when people do

533
00:28:48,400 --> 00:28:48,600
Speaker 4: do that.

534
00:28:48,920 --> 00:28:53,000
Speaker 1: We first open there, so what else do you have

535
00:28:53,120 --> 00:28:53,760
Speaker 1: coming through there?

536
00:28:54,240 --> 00:28:57,800
Speaker 4: We have the Brazilian stuff, you know, samba samba jazz,

537
00:28:57,920 --> 00:29:02,480
Speaker 4: and we'll have like, you know, singer songwriter. We've got

538
00:29:02,560 --> 00:29:06,200
Speaker 4: you know, freaky avant garde jazz what my staff refers

539
00:29:06,240 --> 00:29:07,640
Speaker 4: to as nightmare jazz.

540
00:29:11,000 --> 00:29:14,080
Speaker 2: You know, and uh yeah, you know all of that

541
00:29:14,200 --> 00:29:15,240
Speaker 2: stuff singers.

542
00:29:15,280 --> 00:29:15,400
Speaker 14: You know.

543
00:29:15,520 --> 00:29:17,440
Speaker 2: We had the gospel brunch for a while with the

544
00:29:17,480 --> 00:29:18,200
Speaker 2: gospel scene.

545
00:29:18,400 --> 00:29:21,360
Speaker 1: That's cool. Yeah, and you have food and food, yeah,

546
00:29:22,200 --> 00:29:23,280
Speaker 1: that's a whole other layer.

547
00:29:24,120 --> 00:29:26,200
Speaker 2: Well that was the whole the whole reason for opening.

548
00:29:26,280 --> 00:29:27,960
Speaker 2: The whole reason for opening the club was to have

549
00:29:28,040 --> 00:29:31,240
Speaker 2: a good food and drink menu. Adam Music Club. We

550
00:29:31,400 --> 00:29:34,840
Speaker 2: thought that was sorely lacking, and I think we were

551
00:29:35,160 --> 00:29:36,120
Speaker 2: definitely right about that.

552
00:29:36,280 --> 00:29:39,800
Speaker 1: You're right, it's just a lot of things to be

553
00:29:40,000 --> 00:29:41,280
Speaker 1: good at at once.

554
00:29:41,480 --> 00:29:43,640
Speaker 2: Yeah, it seems hard. Yeah, it's weird.

555
00:29:43,680 --> 00:29:46,520
Speaker 4: It's weird, weird general managing all that stuff because you've

556
00:29:46,560 --> 00:29:49,000
Speaker 4: known me for so long, Like, I know you like

557
00:29:49,080 --> 00:29:52,120
Speaker 4: that stuff. I like it, but putting it out every

558
00:29:52,160 --> 00:29:54,560
Speaker 4: day is a whole next level at this point is

559
00:29:54,760 --> 00:29:56,360
Speaker 4: it's kind of it's running well right now.

560
00:29:56,520 --> 00:30:00,280
Speaker 2: The last coming back from the pandemic was so hard.

561
00:30:00,320 --> 00:30:03,880
Speaker 4: It was so difficult to get a team back, reassemble

562
00:30:03,960 --> 00:30:08,160
Speaker 4: a team, and I've only felt really great about it

563
00:30:08,280 --> 00:30:09,440
Speaker 4: for about the last six months.

564
00:30:09,480 --> 00:30:11,840
Speaker 2: The last six months things have been I still work

565
00:30:11,920 --> 00:30:14,680
Speaker 2: really hard, but I don't rack my brain.

566
00:30:14,800 --> 00:30:17,720
Speaker 4: I don't go to bed feeling demoralized about some issue.

567
00:30:17,800 --> 00:30:20,360
Speaker 4: You have enough people to kind of people know what

568
00:30:20,400 --> 00:30:22,760
Speaker 4: they're doing, they know what the vibe is cool.

569
00:30:22,960 --> 00:30:25,840
Speaker 2: There's not a lot of handwringing. You just get it done,

570
00:30:26,080 --> 00:30:26,680
Speaker 2: you know. Yeah.

571
00:30:27,360 --> 00:30:28,800
Speaker 1: I mean I was there the other night and I

572
00:30:28,880 --> 00:30:31,080
Speaker 1: had the perfect margarita.

573
00:30:31,560 --> 00:30:33,000
Speaker 2: Yeah, right on? Was it good?

574
00:30:33,120 --> 00:30:34,880
Speaker 1: I had three more? Too many?

575
00:30:35,360 --> 00:30:37,840
Speaker 2: Oh? Okay, yeah, that's about as many as I had to.

576
00:30:38,280 --> 00:30:40,120
Speaker 1: It's not like the old days drinking margarita.

577
00:30:40,320 --> 00:30:42,720
Speaker 2: No, I used to drink a lot margarite.

578
00:30:42,960 --> 00:30:47,320
Speaker 1: Sure, it is not the same anyone. I not do

579
00:30:47,440 --> 00:30:48,240
Speaker 1: it like I used to.

580
00:30:48,720 --> 00:30:50,600
Speaker 2: Definitely not. I don't want to do it like I

581
00:30:50,720 --> 00:30:50,960
Speaker 2: used to.

582
00:30:51,080 --> 00:30:52,120
Speaker 1: Know. It's painful.

583
00:30:52,440 --> 00:30:55,200
Speaker 2: Opening a bar made me drink less I have. It's funny,

584
00:30:55,360 --> 00:30:57,360
Speaker 2: you know, I work. I don't drink while I'm working.

585
00:30:57,600 --> 00:30:58,880
Speaker 2: At the end of the night, I do you know

586
00:30:58,960 --> 00:30:59,920
Speaker 2: the chalkboards that we do.

587
00:31:00,160 --> 00:31:01,320
Speaker 1: I do at the end of the night.

588
00:31:01,480 --> 00:31:03,560
Speaker 2: End of the night, I have a marg I do

589
00:31:03,680 --> 00:31:04,320
Speaker 2: my chalkboard.

590
00:31:04,320 --> 00:31:07,000
Speaker 1: I go to bed, and the chalkboards are very artsy.

591
00:31:07,240 --> 00:31:09,720
Speaker 1: So yeah, that's like your zen moment.

592
00:31:09,960 --> 00:31:13,120
Speaker 2: It's a way to roll down the energy so I

593
00:31:13,160 --> 00:31:14,480
Speaker 2: can go to sleep, you know.

594
00:31:15,000 --> 00:31:18,560
Speaker 1: So funny. Yeah, can we do an old song of yours?

595
00:31:18,720 --> 00:31:18,960
Speaker 2: Sure?

596
00:31:19,640 --> 00:31:22,840
Speaker 1: Can we do Stained Glass? Because that's an old song

597
00:31:23,320 --> 00:31:25,120
Speaker 1: it is, but I re recorded in it's on the

598
00:31:25,160 --> 00:31:27,120
Speaker 1: new album, but and it's totally different.

599
00:31:27,440 --> 00:31:27,640
Speaker 2: Yeah.

600
00:31:27,800 --> 00:31:28,440
Speaker 1: Yeah, it's cool.

601
00:31:28,600 --> 00:31:32,880
Speaker 4: I always had You're touching on something else actually that

602
00:31:33,000 --> 00:31:37,920
Speaker 4: I'll share, which is just that this new record has singers.

603
00:31:37,760 --> 00:31:41,080
Speaker 1: You know, and they're so incredible. Right on when I

604
00:31:41,200 --> 00:31:43,040
Speaker 1: came to see you the other day, well, they sound

605
00:31:43,120 --> 00:31:45,320
Speaker 1: great on the record, and they sounded the same when

606
00:31:45,360 --> 00:31:48,560
Speaker 1: I saw you. It was so like, the parts are

607
00:31:48,640 --> 00:31:49,400
Speaker 1: so incredible.

608
00:31:50,000 --> 00:31:53,600
Speaker 2: Well they you know, they work hard.

609
00:31:53,680 --> 00:31:57,280
Speaker 4: The one girl, Katie, Katie Martucci, she has a group

610
00:31:57,360 --> 00:32:00,440
Speaker 4: called Tucci Swing and they do all Boswell Sisters stuff

611
00:32:00,640 --> 00:32:02,600
Speaker 4: that's so cool. So I had tried the record with

612
00:32:02,720 --> 00:32:04,840
Speaker 4: some other singers, some gospel singers, and it didn't work

613
00:32:04,840 --> 00:32:08,520
Speaker 4: as well, and so I called Katie and Sammy, and

614
00:32:08,640 --> 00:32:10,800
Speaker 4: then they came in with this other singer who wasn't

615
00:32:10,840 --> 00:32:13,680
Speaker 4: there the other night, Venetia Gould, who's who's incredible?

616
00:32:13,920 --> 00:32:14,920
Speaker 1: And Sammy Stevens.

617
00:32:15,080 --> 00:32:16,600
Speaker 2: Sammy Stevens, Sammy Stevens. Sorry.

618
00:32:16,680 --> 00:32:20,280
Speaker 4: Yeah, I should be given props to everybody because they're

619
00:32:20,320 --> 00:32:23,040
Speaker 4: all artists who in their own in their own right

620
00:32:23,080 --> 00:32:27,040
Speaker 4: there I will make their own records. And but I've

621
00:32:27,160 --> 00:32:29,960
Speaker 4: had this music, in this style of doing my music

622
00:32:30,920 --> 00:32:33,680
Speaker 4: for as long as I can remember, I mean for decades,

623
00:32:34,200 --> 00:32:37,920
Speaker 4: but I never knew who to call to do the

624
00:32:38,000 --> 00:32:40,680
Speaker 4: singing or who to and have the horn sections. And

625
00:32:40,760 --> 00:32:43,080
Speaker 4: now that was one of the things that Lunatico opened up,

626
00:32:43,240 --> 00:32:45,600
Speaker 4: was I know all these horn players and all these singers,

627
00:32:46,160 --> 00:32:48,360
Speaker 4: and I can see a band like that Boswell sister's

628
00:32:48,400 --> 00:32:50,280
Speaker 4: band and go, oh wow, I could just call the

629
00:32:50,400 --> 00:32:52,520
Speaker 4: they know how to sing together, they'll know what to

630
00:32:52,600 --> 00:32:55,640
Speaker 4: do exactly, you know. And I never had that and

631
00:32:57,000 --> 00:32:59,800
Speaker 4: that and also just financially just being able to pull

632
00:32:59,840 --> 00:33:01,880
Speaker 4: out of a record with ten piece band.

633
00:33:03,640 --> 00:33:07,600
Speaker 2: Yeah, So finally with all those resources, I was like, cool,

634
00:33:07,640 --> 00:33:08,840
Speaker 2: I'm going in. I'm going to do this.

635
00:33:08,960 --> 00:33:11,080
Speaker 4: And Stained Glass was a tune that I always had

636
00:33:11,160 --> 00:33:14,080
Speaker 4: hoped I could get in that environment. So I was like,

637
00:33:14,120 --> 00:33:15,680
Speaker 4: I'm gonna drag that one back out.

638
00:33:15,800 --> 00:33:16,720
Speaker 9: Yeah, like you do it?

639
00:33:17,200 --> 00:33:18,960
Speaker 1: Were you not happy with the old version or you

640
00:33:19,120 --> 00:33:20,840
Speaker 1: just always heard it in a way that never.

641
00:33:20,760 --> 00:33:22,600
Speaker 2: I didn't like my voice on it. I don't like

642
00:33:22,680 --> 00:33:24,720
Speaker 2: my voice on that whole record. Which record is that

643
00:33:25,240 --> 00:33:26,040
Speaker 2: girls need attention?

644
00:33:26,160 --> 00:33:28,600
Speaker 1: It's just direct one to it, yeah, exactly.

645
00:33:29,480 --> 00:33:29,520
Speaker 2: It.

646
00:33:30,080 --> 00:33:31,680
Speaker 4: It has some cool songs on it. I like the

647
00:33:31,760 --> 00:33:34,720
Speaker 4: songs I was, you know, it's weird. I don't feel

648
00:33:34,760 --> 00:33:37,640
Speaker 4: like I was in a good emotional place. And I

649
00:33:37,720 --> 00:33:40,000
Speaker 4: think you hear it in the voice or I hear

650
00:33:40,080 --> 00:33:42,880
Speaker 4: it anyway, so it bothers me. You never know how

651
00:33:43,000 --> 00:33:45,160
Speaker 4: other people hear stuff, So you just have to put

652
00:33:45,200 --> 00:33:47,200
Speaker 4: things out. And I hope it goes well.

653
00:33:47,800 --> 00:33:50,480
Speaker 1: That's interesting though, because I mean I have that too,

654
00:33:50,560 --> 00:33:52,760
Speaker 1: where you go back and there's certain things I'm like,

655
00:33:53,120 --> 00:33:55,680
Speaker 1: I cringe a little because of one small thing that

656
00:33:55,880 --> 00:33:57,800
Speaker 1: might yeah, nobody might notice.

657
00:33:57,880 --> 00:33:59,080
Speaker 2: But I'm doing that right now.

658
00:33:59,200 --> 00:34:01,560
Speaker 4: Even with the new I want to go redo like

659
00:34:01,840 --> 00:34:04,400
Speaker 4: ten things, I want to remix it and everything.

660
00:34:04,720 --> 00:34:06,600
Speaker 2: I'm just like, I can't stop.

661
00:34:07,080 --> 00:34:09,400
Speaker 1: I think that's working on I think most artists are

662
00:34:09,520 --> 00:34:09,680
Speaker 1: like that.

663
00:34:09,880 --> 00:34:12,560
Speaker 2: Yeah, probably so right. Yeah, I hate it.

664
00:34:12,800 --> 00:34:16,840
Speaker 4: I mean I really it really makes me neurotic and nuts.

665
00:34:16,920 --> 00:34:19,560
Speaker 4: I wonder if it if it makes everyone as neurotic

666
00:34:19,600 --> 00:34:21,359
Speaker 4: and nuts. I guess it probably does well.

667
00:34:21,440 --> 00:34:25,319
Speaker 1: I think people have different levels of neurosis.

668
00:34:25,080 --> 00:34:30,360
Speaker 2: And thanks, you know you're like I know you and

669
00:34:30,480 --> 00:34:31,279
Speaker 2: your next level.

670
00:34:33,400 --> 00:34:35,680
Speaker 1: I mean, I guess it depends on everyone's level, but

671
00:34:35,800 --> 00:34:38,040
Speaker 1: I think I do think everybody does it to a

672
00:34:38,320 --> 00:34:39,520
Speaker 1: certain aspect.

673
00:34:40,760 --> 00:34:43,319
Speaker 2: I drove a few people crazy on this record, for sure.

674
00:34:43,680 --> 00:34:46,440
Speaker 18: Really, Yes, I was told in fact, it's not just

675
00:34:46,560 --> 00:34:54,640
Speaker 18: my imagination, all right, you know that show bisbebe anyway.

676
00:34:55,000 --> 00:34:55,920
Speaker 2: I've been in a band with you.

677
00:34:57,080 --> 00:34:58,560
Speaker 1: I've been in a band with you, and I'm sure

678
00:34:58,600 --> 00:35:00,759
Speaker 1: I've driven you nuts doing stuff too.

679
00:35:01,000 --> 00:35:04,520
Speaker 2: So you know you never really have. Actually, that's not true.

680
00:35:04,800 --> 00:35:05,440
Speaker 2: I don't think so.

681
00:35:05,520 --> 00:35:07,400
Speaker 4: I can't think of anything now. You got mad at

682
00:35:07,440 --> 00:35:10,200
Speaker 4: me for getting coffee one day. That's the only thing

683
00:35:10,239 --> 00:35:13,680
Speaker 4: I remember that. Wow, she's kind of hard to Yeah, no,

684
00:35:13,800 --> 00:35:17,040
Speaker 4: because I can't because I was late. You said I

685
00:35:17,120 --> 00:35:17,680
Speaker 4: had to be on time.

686
00:35:17,719 --> 00:35:19,320
Speaker 2: You had somewhere to be and we had rehearse and

687
00:35:19,440 --> 00:35:20,000
Speaker 2: I was late.

688
00:35:20,440 --> 00:35:22,080
Speaker 4: And then I walked up to your house and I

689
00:35:22,200 --> 00:35:25,160
Speaker 4: had a mud cup coffee, so you knew i'd stop

690
00:35:25,280 --> 00:35:26,759
Speaker 4: late downstairs even though I was.

691
00:35:27,320 --> 00:35:29,640
Speaker 2: You said, did you stop for coffee? And I'm standing

692
00:35:29,680 --> 00:35:32,960
Speaker 2: there with this orange like, oh my god, the cups

693
00:35:33,000 --> 00:35:33,480
Speaker 2: that they used.

694
00:35:33,520 --> 00:35:36,920
Speaker 4: I was like, yeah, I was trying to think of

695
00:35:37,000 --> 00:35:38,520
Speaker 4: a lie, but I couldn't think of them while I

696
00:35:38,640 --> 00:35:39,799
Speaker 4: was holding the orange cup.

697
00:35:40,520 --> 00:35:44,839
Speaker 1: This is like therapy. This is like friend therapy. Boy, Man,

698
00:35:44,960 --> 00:35:47,160
Speaker 1: I could be uptight. I don't think I'm as uptight

699
00:35:47,200 --> 00:35:49,600
Speaker 1: as I used to be. I think I used to

700
00:35:49,640 --> 00:35:50,560
Speaker 1: be much more uptight.

701
00:35:50,680 --> 00:35:51,120
Speaker 9: Sometimes.

702
00:35:51,560 --> 00:35:54,719
Speaker 4: It's funny we've gone opposite directions, I think, And I

703
00:35:54,840 --> 00:35:59,200
Speaker 4: think probably because maybe you were more uptight than because

704
00:35:59,239 --> 00:36:00,960
Speaker 4: you just had so much much stuff coming at you

705
00:36:01,040 --> 00:36:01,359
Speaker 4: at once.

706
00:36:01,480 --> 00:36:05,320
Speaker 2: You were figuring out your career and your role in

707
00:36:05,480 --> 00:36:06,439
Speaker 2: all of that or something.

708
00:36:06,520 --> 00:36:08,560
Speaker 1: I think I was just a little uptight and very

709
00:36:08,640 --> 00:36:10,839
Speaker 1: young and very on time.

710
00:36:11,520 --> 00:36:15,239
Speaker 2: Oh right on, Well I'm like that now running the club.

711
00:36:15,600 --> 00:36:17,440
Speaker 1: Now, I'm like fifteen minutes late always.

712
00:36:17,520 --> 00:36:20,879
Speaker 4: So yeah, what's funny is musicians come by the club

713
00:36:20,920 --> 00:36:23,200
Speaker 4: and I go, please don't leave your cases there on

714
00:36:23,280 --> 00:36:25,359
Speaker 4: the table. We're sitting people, can you please put those

715
00:36:25,360 --> 00:36:27,520
Speaker 4: out there? And I'm like over there policing it. And

716
00:36:27,600 --> 00:36:30,160
Speaker 4: then I did a gig at Dizzy's with the with

717
00:36:30,320 --> 00:36:33,680
Speaker 4: the band I had with John Chun and we're sound

718
00:36:33,800 --> 00:36:35,439
Speaker 4: checking and then I see them setting up the dining

719
00:36:35,480 --> 00:36:36,120
Speaker 4: room and I look out.

720
00:36:36,280 --> 00:36:39,640
Speaker 2: I mean, my stuff is spread across the five tables. Yeah,

721
00:36:39,640 --> 00:36:42,080
Speaker 2: I've got a case over here, my jacket's over here,

722
00:36:42,280 --> 00:36:43,919
Speaker 2: my scarf is hanging somewhere else.

723
00:36:44,360 --> 00:36:45,239
Speaker 1: That's a different brain.

724
00:36:46,160 --> 00:36:46,359
Speaker 19: Yeah.

725
00:36:56,840 --> 00:36:58,880
Speaker 4: I didn't know this, but I started noticing when I

726
00:36:58,920 --> 00:37:04,920
Speaker 4: would eat there that their playlist was our playlist, and

727
00:37:05,600 --> 00:37:08,320
Speaker 4: some really deep cuts, like stuff that I've even taken

728
00:37:08,480 --> 00:37:11,759
Speaker 4: off of records, you know, like you know, old this

729
00:37:12,280 --> 00:37:14,840
Speaker 4: Louisiana band that I learned about from reading a doctor

730
00:37:14,920 --> 00:37:17,319
Speaker 4: John Downbeat interview in nineteen.

731
00:37:17,080 --> 00:37:20,840
Speaker 2: Seventy five, you know, yeah, and it would end up.

732
00:37:21,120 --> 00:37:22,080
Speaker 2: And I thought it was great.

733
00:37:22,160 --> 00:37:24,920
Speaker 4: They were playing really great music in there, but I

734
00:37:25,040 --> 00:37:28,319
Speaker 4: wasn't sure if they were ripping us. But I had

735
00:37:28,400 --> 00:37:30,400
Speaker 4: one day I was thinking, there's not a lot of

736
00:37:30,480 --> 00:37:33,759
Speaker 4: famous people named Floyd is there? And then I thought, well,

737
00:37:33,800 --> 00:37:36,640
Speaker 4: there's Floyd Kramer, the piano player who I know is

738
00:37:36,719 --> 00:37:39,960
Speaker 4: probably probably influenced you a little bit, right maybe. So

739
00:37:42,120 --> 00:37:44,120
Speaker 4: I was like, oh, I should put some Floyd Kramer

740
00:37:44,200 --> 00:37:47,400
Speaker 4: on the on the Lunatico playlist. Didn't he have a

741
00:37:47,520 --> 00:37:50,600
Speaker 4: hit called Last Date or something? And I look up

742
00:37:50,680 --> 00:37:53,560
Speaker 4: Floyd Kramer and I see under Floyd Kramer this other

743
00:37:53,719 --> 00:37:57,000
Speaker 4: record that he did is like super obscure record. It

744
00:37:57,080 --> 00:37:59,759
Speaker 4: has a tune called fancy Pants, which reminded me of

745
00:37:59,800 --> 00:38:02,560
Speaker 4: that story of Mickey brimm and the thing. I was like, wow,

746
00:38:02,600 --> 00:38:04,120
Speaker 4: I got to check that out. And I turn it

747
00:38:04,200 --> 00:38:07,520
Speaker 4: on and it's really silly tune and it's so silly

748
00:38:07,560 --> 00:38:08,680
Speaker 4: I had to put it on the playlist.

749
00:38:08,840 --> 00:38:11,440
Speaker 2: Just this really silly little piece that he does. You

750
00:38:11,520 --> 00:38:14,600
Speaker 2: have to check it out. And then about five weeks

751
00:38:14,680 --> 00:38:18,640
Speaker 2: later I heard fancy Pants at at Habino. I was like,

752
00:38:18,800 --> 00:38:21,279
Speaker 2: there's no way they didn't get it from us.

753
00:38:22,280 --> 00:38:25,560
Speaker 1: But wait, do you how do you do your playlist?

754
00:38:26,440 --> 00:38:27,320
Speaker 2: I make the playlist?

755
00:38:27,600 --> 00:38:31,600
Speaker 4: What though, oh on an Apple tunes, So I think, yeah, Apple,

756
00:38:31,719 --> 00:38:35,640
Speaker 4: So I think they just they're just making their own.

757
00:38:35,520 --> 00:38:38,080
Speaker 1: Playlist, you know, Oh they should You think they shazam?

758
00:38:38,320 --> 00:38:41,080
Speaker 2: I think solly yeah, and nobody would be able to

759
00:38:41,120 --> 00:38:43,680
Speaker 2: find that. It's just like, that's such a random one.

760
00:38:43,880 --> 00:38:47,279
Speaker 1: Here's what I noticed on Spotify. You know, for so

761
00:38:47,480 --> 00:38:50,239
Speaker 1: long you could find all these cool obscure songs, and

762
00:38:50,320 --> 00:38:53,440
Speaker 1: then I start hearing them at every coffee shop and

763
00:38:53,840 --> 00:38:57,320
Speaker 1: in every end of some TV show as the music,

764
00:38:58,000 --> 00:39:02,080
Speaker 1: and they're like amazing old obscure songs. But I think

765
00:39:02,200 --> 00:39:06,320
Speaker 1: through the playlisting and weekly discovery for you, it seems

766
00:39:06,360 --> 00:39:08,480
Speaker 1: like they give everybody, they feed everybody a lot of

767
00:39:08,520 --> 00:39:12,320
Speaker 1: the same stuff. And then I've heard that like I

768
00:39:12,360 --> 00:39:16,440
Speaker 1: don't know how Apple Apple Tunes works, but I know

769
00:39:16,560 --> 00:39:20,560
Speaker 1: that on some of these platforms, like if you link

770
00:39:20,640 --> 00:39:23,200
Speaker 1: up with someone on a couple tunes across the world,

771
00:39:23,640 --> 00:39:25,960
Speaker 1: they'll feed you their stuff and they'll feed them your

772
00:39:26,040 --> 00:39:28,320
Speaker 1: stuff because you seem to have similar tastes like this

773
00:39:28,480 --> 00:39:30,240
Speaker 1: weird thing. Wow, isn't that crazy?

774
00:39:30,760 --> 00:39:35,520
Speaker 4: It's like they really have thes like is here and

775
00:39:35,680 --> 00:39:36,719
Speaker 4: has been here for a while.

776
00:39:36,920 --> 00:39:40,399
Speaker 1: Yeah, it's interesting, but I've discovered so much cool music

777
00:39:40,480 --> 00:39:42,439
Speaker 1: that way. But I just I feel like people maybe

778
00:39:43,400 --> 00:39:46,080
Speaker 1: if you're connected in any way somehow, it feeds you

779
00:39:46,200 --> 00:39:47,719
Speaker 1: the same stuff. I don't know.

780
00:39:48,120 --> 00:39:48,799
Speaker 2: No, it's weird.

781
00:39:48,920 --> 00:39:51,120
Speaker 4: I mean just the algorithms of stuff that they want

782
00:39:51,200 --> 00:39:54,600
Speaker 4: you to see online too, you know, like if you

783
00:39:54,719 --> 00:39:58,360
Speaker 4: just linger over something long enough, you know, like I

784
00:39:58,480 --> 00:40:03,520
Speaker 4: go on Facebook or on Instagram and they have me

785
00:40:03,680 --> 00:40:10,480
Speaker 4: pegged because I'm fifty six, I'm white, you know, and

786
00:40:10,560 --> 00:40:13,200
Speaker 4: they're like, you want to know what Keith Richards is

787
00:40:13,280 --> 00:40:15,759
Speaker 4: saying about Mick Jagger. I'm like, I don't give a

788
00:40:15,840 --> 00:40:19,000
Speaker 4: shit what Keith Richards is saying about Mick Jagger anymore.

789
00:40:19,080 --> 00:40:19,200
Speaker 2: You know.

790
00:40:19,560 --> 00:40:22,120
Speaker 4: I love the Stones, but like, but I have gone

791
00:40:22,280 --> 00:40:24,759
Speaker 4: I love the stones, and I've gone on little you know,

792
00:40:26,040 --> 00:40:28,600
Speaker 4: you know, rabbit holes of looking at old stones videos.

793
00:40:28,640 --> 00:40:30,839
Speaker 4: But then they think, you know, so then my newsfeed

794
00:40:31,000 --> 00:40:34,360
Speaker 4: on Google. It's like, you know, Bob Dylan said something

795
00:40:34,400 --> 00:40:35,280
Speaker 4: about Mick Jagger.

796
00:40:35,320 --> 00:40:37,640
Speaker 2: Well, who cares, I'm not picking on that.

797
00:40:37,960 --> 00:40:40,279
Speaker 4: Yeah, they try to do that very much, or they

798
00:40:40,400 --> 00:40:43,879
Speaker 4: try to sell me boner pills or they the other

799
00:40:44,000 --> 00:40:46,160
Speaker 4: day they wanted me to watch a guy getting bitten

800
00:40:46,200 --> 00:40:46,840
Speaker 4: by a horse.

801
00:40:47,520 --> 00:40:47,759
Speaker 1: There.

802
00:40:48,560 --> 00:40:50,120
Speaker 2: You know, it's just like, why do I want to

803
00:40:50,120 --> 00:40:50,400
Speaker 2: see that?

804
00:40:50,719 --> 00:40:53,120
Speaker 4: And I think I must have clicked one time on

805
00:40:53,719 --> 00:40:58,080
Speaker 4: a dash cam accident, like a car accident, because they

806
00:40:58,719 --> 00:41:02,160
Speaker 4: constantly they want to show me that car accidents are happening.

807
00:41:02,560 --> 00:41:04,760
Speaker 2: I don't click on them, but they're like, I'm watching

808
00:41:04,840 --> 00:41:06,880
Speaker 2: something about to happen. You're supposed to click on it

809
00:41:06,960 --> 00:41:07,560
Speaker 2: to actually watch.

810
00:41:07,680 --> 00:41:08,400
Speaker 1: You want to finish it.

811
00:41:08,520 --> 00:41:12,279
Speaker 2: It's like stag. I mean, it's weird. It's really weird.

812
00:41:12,360 --> 00:41:13,200
Speaker 1: It's very weird.

813
00:41:14,040 --> 00:41:15,520
Speaker 2: But I must have done it once, you know, I

814
00:41:15,600 --> 00:41:17,960
Speaker 2: must have gone, oh wow. You know, you know, you

815
00:41:18,000 --> 00:41:19,319
Speaker 2: can do a lot of things when you're bored.

816
00:41:20,840 --> 00:41:21,680
Speaker 1: That's the least of it.

817
00:41:22,200 --> 00:41:32,320
Speaker 2: Yeah, exactly. Maybe maybe you fine yourself. What is it?

818
00:41:33,840 --> 00:41:33,960
Speaker 5: Uh?

819
00:41:35,480 --> 00:41:36,240
Speaker 2: You mean the bridge?

820
00:41:37,120 --> 00:41:39,680
Speaker 1: Maybe maybe you find yourself what's the key?

821
00:41:40,320 --> 00:41:43,200
Speaker 2: It's it should be sea shop, right, I.

822
00:41:43,200 --> 00:41:44,240
Speaker 1: Don't know, that's what I'm asking.

823
00:41:44,840 --> 00:41:48,120
Speaker 2: Yeah, No, I mean I thought you had a chart there.

824
00:41:48,160 --> 00:41:50,240
Speaker 1: Oh yeah, no, the chart is not with the lyrics,

825
00:41:50,320 --> 00:41:52,320
Speaker 1: so I'm trying to Oh I see so yeah.

826
00:41:52,440 --> 00:42:00,759
Speaker 2: C sharp minor. Maybe you fine yourself and that would

827
00:42:00,800 --> 00:42:08,960
Speaker 2: be like a D nine. Okay, somebody else e flat.

828
00:42:10,800 --> 00:42:13,239
Speaker 2: That sounds cool. Oh I like that with that, yeah,

829
00:42:13,280 --> 00:42:19,160
Speaker 2: that with that note on top, mm hmmm. And then

830
00:42:20,680 --> 00:42:24,000
Speaker 2: ok yeah, I know it's weird. My songs are weird.

831
00:42:24,960 --> 00:42:28,200
Speaker 1: I know they're weird. All right, let's try this whacked

832
00:42:28,200 --> 00:42:28,680
Speaker 1: out chart.

833
00:42:29,320 --> 00:42:30,279
Speaker 2: You you said it.

834
00:42:33,120 --> 00:42:34,640
Speaker 1: That's pretty hot.

835
00:42:34,719 --> 00:42:41,279
Speaker 2: Jaws well you know you could go that angle too, yeah,

836
00:42:50,880 --> 00:42:51,319
Speaker 2: m hm.

837
00:42:54,800 --> 00:43:02,520
Speaker 9: H lie too. Stained glass.

838
00:43:04,680 --> 00:43:06,480
Speaker 2: Cast will be read.

839
00:43:09,440 --> 00:43:11,400
Speaker 9: Across the sheets.

840
00:43:11,960 --> 00:43:12,319
Speaker 5: Of the.

841
00:43:14,200 --> 00:43:23,800
Speaker 9: Poster bed and is shown on me, and it's shone

842
00:43:24,160 --> 00:43:33,560
Speaker 9: on you time pass by and the memory group.

843
00:43:37,560 --> 00:43:40,800
Speaker 6: I hope we get to do it again.

844
00:43:41,040 --> 00:43:47,719
Speaker 9: Do it, do it, do it again. I hope we

845
00:43:47,960 --> 00:43:57,400
Speaker 9: get to do it again. Lie through Stained glass.

846
00:43:59,280 --> 00:44:07,160
Speaker 20: Cast us sapphire blue, you mean threats and then you.

847
00:44:09,000 --> 00:44:09,960
Speaker 2: Followed through.

848
00:44:11,760 --> 00:44:12,640
Speaker 6: We can't.

849
00:44:14,120 --> 00:44:19,479
Speaker 2: We conquered, yes Am with song.

850
00:44:22,040 --> 00:44:24,319
Speaker 6: You're so corrupt.

851
00:44:25,560 --> 00:44:28,120
Speaker 5: The law.

852
00:44:32,280 --> 00:44:36,040
Speaker 9: I hope we get to it again, do it.

853
00:44:39,200 --> 00:44:39,680
Speaker 6: Again.

854
00:44:41,719 --> 00:44:50,560
Speaker 9: I hope we get to do it again again. I

855
00:44:50,760 --> 00:45:00,600
Speaker 9: hope we get to do it again. Maybe you find

856
00:45:00,920 --> 00:45:09,600
Speaker 9: yourself feeling the same the same about me, get.

857
00:45:10,960 --> 00:45:15,759
Speaker 5: Dude doing it.

858
00:45:17,160 --> 00:45:20,400
Speaker 9: Maybe you found somebody.

859
00:45:21,560 --> 00:45:26,960
Speaker 6: Somebody else, someone.

860
00:45:26,600 --> 00:45:31,720
Speaker 9: Who knows how you take your tea. Tell me, baby,

861
00:45:32,600 --> 00:45:37,080
Speaker 9: how do you take your tea? I hope get to

862
00:45:37,280 --> 00:45:42,840
Speaker 9: do it again. Tell me how do you take beautye?

863
00:45:45,120 --> 00:45:47,440
Speaker 9: I hope we get to do it again.

864
00:45:48,080 --> 00:45:52,120
Speaker 6: Tell me how do you take your team?

865
00:45:54,320 --> 00:45:59,160
Speaker 9: Hope we get to do it again with honey.

866
00:46:00,480 --> 00:46:11,719
Speaker 19: Shut up, baby, you colorized my mind. Honey, don't wake

867
00:46:11,800 --> 00:46:12,640
Speaker 19: it to do it?

868
00:46:13,000 --> 00:46:19,040
Speaker 5: Just up.

869
00:46:21,040 --> 00:46:23,360
Speaker 9: I hope we got to do it again.

870
00:46:36,080 --> 00:46:38,640
Speaker 1: That was fun. Yes, I want to do something old

871
00:46:38,680 --> 00:46:42,759
Speaker 1: of yours, not too old. Maybe. I guess. I saw

872
00:46:42,840 --> 00:46:45,160
Speaker 1: you do this song at the gig the other night,

873
00:46:45,239 --> 00:46:48,919
Speaker 1: so I know it's one you still feel. I guess. Okay, Yeah,

874
00:46:50,760 --> 00:46:53,880
Speaker 1: don't wait. I really love that song. As soon as

875
00:46:53,920 --> 00:46:56,799
Speaker 1: you started playing it the other night. He's just transported

876
00:46:56,880 --> 00:47:00,239
Speaker 1: back to those days and the memories and the god

877
00:47:00,320 --> 00:47:01,319
Speaker 1: we used to hang out all the time.

878
00:47:01,440 --> 00:47:02,200
Speaker 2: Yeah we really did.

879
00:47:02,480 --> 00:47:02,680
Speaker 1: Yeah.

880
00:47:02,960 --> 00:47:06,359
Speaker 2: Yeah, that tune was right in the heart of when

881
00:47:06,400 --> 00:47:09,719
Speaker 2: we were really hanging all the time. Yeah, Yeah, it

882
00:47:09,840 --> 00:47:10,279
Speaker 2: really was.

883
00:47:10,840 --> 00:47:13,239
Speaker 1: It's an emotional song. Can we do it?

884
00:47:13,560 --> 00:47:19,000
Speaker 2: Yeah? One cool thing about running a club, too, is that.

885
00:47:20,760 --> 00:47:23,839
Speaker 4: When you were just mentioning about those days of us

886
00:47:24,120 --> 00:47:26,000
Speaker 4: doing these songs, we did them mostly at.

887
00:47:25,960 --> 00:47:31,120
Speaker 2: The living room. Yeah, and the living room has been

888
00:47:31,160 --> 00:47:31,759
Speaker 2: closed a while.

889
00:47:31,840 --> 00:47:34,680
Speaker 4: I don't even think the living room lasted as long

890
00:47:34,719 --> 00:47:35,799
Speaker 4: as Lunatico has.

891
00:47:36,239 --> 00:47:37,880
Speaker 1: Yeah, like it was just a short period.

892
00:47:38,040 --> 00:47:41,360
Speaker 4: Yeah maybe, but it seems gigantic in my mind. It

893
00:47:41,520 --> 00:47:45,279
Speaker 4: just seems like this irreplaceable part of our history. And

894
00:47:45,400 --> 00:47:47,440
Speaker 4: I think that's a cool thing about a club. It's

895
00:47:47,520 --> 00:47:51,520
Speaker 4: like it's it's this entity that you know, it's like

896
00:47:51,560 --> 00:47:53,759
Speaker 4: a philosophy that whoever connects to it.

897
00:47:53,840 --> 00:47:54,000
Speaker 14: You know.

898
00:47:54,040 --> 00:47:57,560
Speaker 4: The musicians that are playing in our spot now, they're'll

899
00:47:57,680 --> 00:47:59,040
Speaker 4: that's going to be their living room.

900
00:48:00,120 --> 00:48:03,920
Speaker 1: Yeah, and people come to see each other, and yeah,

901
00:48:03,920 --> 00:48:06,439
Speaker 1: it becomes a thing. Those were the days.

902
00:48:07,160 --> 00:48:10,360
Speaker 2: We had a lot of tequila.

903
00:48:12,280 --> 00:48:12,640
Speaker 6: Vodka.

904
00:48:14,040 --> 00:48:14,880
Speaker 2: That's right, that's right.

905
00:48:15,040 --> 00:48:16,200
Speaker 1: That was my drink for a while.

906
00:48:16,440 --> 00:48:20,640
Speaker 2: It was, Yeah, vodka is like vodka's mainlining.

907
00:48:22,920 --> 00:48:24,960
Speaker 1: It was too much drinking.

908
00:48:32,960 --> 00:48:36,160
Speaker 2: You think about that sometimes, don't you. The drinking that

909
00:48:36,239 --> 00:48:36,719
Speaker 2: we used to do.

910
00:48:37,480 --> 00:48:37,719
Speaker 7: I do.

911
00:48:38,040 --> 00:48:40,080
Speaker 1: I think it was a lot more than I realized

912
00:48:40,160 --> 00:48:40,680
Speaker 1: at the time.

913
00:48:41,320 --> 00:48:41,600
Speaker 2: Me too.

914
00:48:42,080 --> 00:48:44,160
Speaker 1: We had fun, though I don't feel like it was

915
00:48:44,320 --> 00:48:48,879
Speaker 1: dark drinking. It was probably maybe not for you, maybe

916
00:48:48,960 --> 00:48:52,239
Speaker 1: not for you. It was probably destructive drinking in many

917
00:48:52,280 --> 00:48:58,120
Speaker 1: ways without us knowing it. But it was not. We

918
00:48:58,239 --> 00:48:59,640
Speaker 1: were happy is drunks.

919
00:49:00,320 --> 00:49:02,800
Speaker 2: We really like to get drunk, though it really was.

920
00:49:02,960 --> 00:49:04,960
Speaker 2: It was too bad to do it pretty frequently.

921
00:49:05,400 --> 00:49:06,560
Speaker 1: I mean it was too much.

922
00:49:06,760 --> 00:49:10,839
Speaker 2: Yeah yeah, like every night, like every night, it really

923
00:49:11,080 --> 00:49:14,719
Speaker 2: was at home. I can't believe it, I mean, do it. Yeah, No,

924
00:49:15,239 --> 00:49:18,520
Speaker 2: we don't. I'm not promoting it. I was just reminiscent.

925
00:49:18,640 --> 00:49:20,359
Speaker 1: I have been thinking about it a lot lately though,

926
00:49:20,400 --> 00:49:22,640
Speaker 1: because when I go back and think about all that stuff,

927
00:49:23,000 --> 00:49:24,720
Speaker 1: I'm like, oh, yeah, I was probably really drunk.

928
00:49:25,120 --> 00:49:28,040
Speaker 4: Yeah, or you think about because you have kids now too,

929
00:49:28,520 --> 00:49:30,880
Speaker 4: Like I think, you know Floyd, you know, if he

930
00:49:30,960 --> 00:49:32,680
Speaker 4: ever gets into.

931
00:49:32,560 --> 00:49:34,640
Speaker 2: That or something like, I think I would be really

932
00:49:34,719 --> 00:49:35,600
Speaker 2: horrified for him.

933
00:49:35,719 --> 00:49:38,880
Speaker 1: Me too, even though even though we survived it, but

934
00:49:39,120 --> 00:49:41,840
Speaker 1: I feel I do feel like we were on the

935
00:49:42,120 --> 00:49:47,320
Speaker 1: edge of we were like weirdly responsible drunks.

936
00:49:47,760 --> 00:49:49,680
Speaker 2: Yeah, I know what you mean.

937
00:49:49,800 --> 00:49:54,440
Speaker 1: Yeah, I don't know, not all of us. But well, anyway,

938
00:49:55,360 --> 00:49:56,080
Speaker 1: the thing is is.

939
00:49:56,080 --> 00:49:59,160
Speaker 4: When you're when you're hitting anything that hard, there's always

940
00:49:59,280 --> 00:50:01,759
Speaker 4: somebody who was hitting it harder than you and makes

941
00:50:01,800 --> 00:50:02,440
Speaker 4: you feel.

942
00:50:02,239 --> 00:50:03,600
Speaker 2: Like you're exactly in check.

943
00:50:03,800 --> 00:50:05,560
Speaker 1: Well that's the thing. I feel like we always we

944
00:50:05,640 --> 00:50:09,400
Speaker 1: always had people with us who were wave so were we.

945
00:50:09,440 --> 00:50:12,879
Speaker 2: Were lightweight comparatively, but we were actually.

946
00:50:12,760 --> 00:50:13,520
Speaker 1: We kind of were.

947
00:50:13,880 --> 00:50:15,400
Speaker 2: Yeah, you know, I mean.

948
00:50:16,760 --> 00:50:19,400
Speaker 1: It's crazy to think about it. Also, living in New

949
00:50:19,520 --> 00:50:21,959
Speaker 1: York City, you know, you don't really have to drive home,

950
00:50:22,120 --> 00:50:26,320
Speaker 1: and it's definitely easier to get wasted here because it

951
00:50:26,480 --> 00:50:29,120
Speaker 1: is out to morning. The bars closed at for.

952
00:50:29,239 --> 00:50:31,880
Speaker 2: New York City is not for adults. It's not an

953
00:50:31,880 --> 00:50:38,919
Speaker 2: adult It was crazy. Yeah, well it was bonding though.

954
00:50:39,000 --> 00:50:41,279
Speaker 2: I mean we we have lifelong bonds out of those

955
00:50:41,400 --> 00:50:43,640
Speaker 2: days and we don't remember most of it was part

956
00:50:43,640 --> 00:50:46,319
Speaker 2: of it. Yeah, no, definitely there's a lot of.

957
00:50:46,680 --> 00:50:49,080
Speaker 1: Yeah, Yeah, it was crazy though.

958
00:50:49,360 --> 00:50:49,560
Speaker 2: Yeah.

959
00:50:50,320 --> 00:50:52,640
Speaker 4: You know what I was thinking about though, was how

960
00:50:54,280 --> 00:50:58,600
Speaker 4: how this song and and really like all those songs

961
00:50:58,680 --> 00:51:01,360
Speaker 4: from back then, they were so many of them were

962
00:51:01,400 --> 00:51:03,160
Speaker 4: written in bed in the morning.

963
00:51:03,400 --> 00:51:06,239
Speaker 1: Really, this is such a morning vibe. Yeah, I'm not

964
00:51:06,280 --> 00:51:07,840
Speaker 1: getting gett of bed because we drank too much the

965
00:51:07,960 --> 00:51:08,400
Speaker 1: night before.

966
00:51:08,719 --> 00:51:12,040
Speaker 4: They're hungover songs and their sung from that kind of

967
00:51:12,640 --> 00:51:16,960
Speaker 4: sort of melancholic you know, you know that thing that

968
00:51:17,080 --> 00:51:19,120
Speaker 4: can kind of happen when you have a headache and

969
00:51:19,200 --> 00:51:20,520
Speaker 4: you're trying to get out of bed.

970
00:51:21,360 --> 00:51:24,040
Speaker 1: Well, it's interesting, we're not. We're certainly not the only

971
00:51:24,120 --> 00:51:27,279
Speaker 1: people to have that lifestyle, but I feel like there

972
00:51:27,400 --> 00:51:31,640
Speaker 1: was something unique about us all being musicians but not

973
00:51:31,800 --> 00:51:33,960
Speaker 1: having day jobs. You had a day job for a while.

974
00:51:33,840 --> 00:51:36,239
Speaker 2: But not at that time, not when I wrote this song.

975
00:51:36,480 --> 00:51:40,359
Speaker 1: Yeah, and I had already started making money. So when

976
00:51:40,440 --> 00:51:44,279
Speaker 1: I was home, we would do gigs sometimes, but you

977
00:51:44,280 --> 00:51:45,680
Speaker 1: would also just hang out.

978
00:51:45,840 --> 00:51:48,200
Speaker 2: It was a hanging live style because I was you

979
00:51:48,280 --> 00:51:49,120
Speaker 2: had the pool table.

980
00:51:49,440 --> 00:51:54,440
Speaker 1: Yeah, I was tours, and then you didn't have to

981
00:51:54,480 --> 00:51:57,279
Speaker 1: get up in the morning. And our whole crew was

982
00:51:57,400 --> 00:52:00,880
Speaker 1: like that. None of us, all of us were musicians

983
00:52:01,000 --> 00:52:03,759
Speaker 1: with no morning day job obligations.

984
00:52:03,840 --> 00:52:06,160
Speaker 2: But I was doing that even with the day job.

985
00:52:06,280 --> 00:52:09,279
Speaker 2: You were yeah, wow, Yeah, I was going into I mean,

986
00:52:09,480 --> 00:52:12,040
Speaker 2: you know, I was younger. I could never do that. Now,

987
00:52:12,120 --> 00:52:13,200
Speaker 2: I'd die, I know.

988
00:52:13,800 --> 00:52:16,279
Speaker 1: I mean that night I came to your bar last

989
00:52:16,320 --> 00:52:18,120
Speaker 1: week and I died the next Yeah.

990
00:52:18,840 --> 00:52:20,719
Speaker 2: Yeah, I hit it kind of hard the other night too,

991
00:52:20,840 --> 00:52:23,200
Speaker 2: but I was just having a good time. I never

992
00:52:23,280 --> 00:52:23,840
Speaker 2: hit it like that.

993
00:52:24,080 --> 00:52:27,719
Speaker 4: I do it on Marti Gras and sometimes on New

994
00:52:27,760 --> 00:52:29,239
Speaker 4: Year's Eve, though I didn't even do that this New

995
00:52:29,280 --> 00:52:32,160
Speaker 4: Year's Eve or on a gig night on a gig night.

996
00:52:32,440 --> 00:52:34,840
Speaker 4: If it's going well and i'm communing, I'll have a

997
00:52:34,920 --> 00:52:36,239
Speaker 4: few cocktails at the end.

998
00:52:36,360 --> 00:52:38,799
Speaker 1: But you don't really, you don't do too much because

999
00:52:38,800 --> 00:52:39,560
Speaker 1: you're trying to play.

1000
00:52:39,920 --> 00:52:41,040
Speaker 2: Yeah, yeah no.

1001
00:52:41,320 --> 00:52:43,400
Speaker 1: And we used to do those WILLI gigs and just

1002
00:52:43,520 --> 00:52:44,960
Speaker 1: get plastered.

1003
00:52:44,680 --> 00:52:47,080
Speaker 2: Even before we'd show up like that.

1004
00:52:47,239 --> 00:52:50,360
Speaker 1: That's when I learned that I don't sing in tune drunk.

1005
00:52:50,840 --> 00:52:52,200
Speaker 1: I don't sing very good drunk.

1006
00:52:53,840 --> 00:52:56,680
Speaker 2: I don't sing in tune sober either. I mean, I mean,

1007
00:52:56,760 --> 00:52:59,359
Speaker 2: for me, it's just kind of random whether I whether

1008
00:52:59,440 --> 00:53:02,160
Speaker 2: I have that musicality. I don't warm up though, that's

1009
00:53:02,239 --> 00:53:02,560
Speaker 2: the thing.

1010
00:53:02,880 --> 00:53:04,000
Speaker 1: Oh yeah, I always want.

1011
00:53:03,880 --> 00:53:06,000
Speaker 2: You do all those warm ups you chose to learn.

1012
00:53:06,239 --> 00:53:07,960
Speaker 1: Well, I learned that I have more control if I do.

1013
00:53:08,239 --> 00:53:10,960
Speaker 2: Yeah, I don't. I want to learn them. I actually

1014
00:53:11,040 --> 00:53:13,520
Speaker 2: want to. There's two things that I want to do

1015
00:53:13,800 --> 00:53:14,680
Speaker 2: musically right now.

1016
00:53:14,840 --> 00:53:17,680
Speaker 4: One is I'm getting older and I'm losing that part

1017
00:53:17,840 --> 00:53:22,120
Speaker 4: between my falsetto and regular voice. Yeah, I can't hit

1018
00:53:22,200 --> 00:53:24,520
Speaker 4: those f's and g's, and they were bugging me the

1019
00:53:24,560 --> 00:53:26,040
Speaker 4: other night. I don't know if you noticed, but I

1020
00:53:26,160 --> 00:53:28,120
Speaker 4: made a lot of adjustments and went down because I

1021
00:53:28,680 --> 00:53:29,320
Speaker 4: was trying to hit it.

1022
00:53:29,400 --> 00:53:31,080
Speaker 2: And I couldn't find it, so I was like, I

1023
00:53:31,160 --> 00:53:31,879
Speaker 2: had to move down.

1024
00:53:31,920 --> 00:53:32,520
Speaker 1: I was drinking.

1025
00:53:35,239 --> 00:53:37,280
Speaker 2: But I want to start doing some lessons.

1026
00:53:37,560 --> 00:53:40,640
Speaker 4: But for the last for the last several years, when

1027
00:53:40,680 --> 00:53:42,680
Speaker 4: I do gigs, the only warm up I do is

1028
00:53:42,760 --> 00:53:46,120
Speaker 4: I sing the verses to Let's Stay Together over and

1029
00:53:46,239 --> 00:53:47,959
Speaker 4: over again because.

1030
00:53:47,640 --> 00:53:49,560
Speaker 2: They have all those weird intervals.

1031
00:53:50,719 --> 00:53:51,160
Speaker 1: So funny.

1032
00:53:51,320 --> 00:53:54,480
Speaker 2: Yeah, it'll help me with the falsetto getting back and forth.

1033
00:53:55,320 --> 00:53:57,920
Speaker 2: But I need more than that. Now, I need to

1034
00:53:58,040 --> 00:54:00,719
Speaker 2: actually like work out, you know, part of my throat.

1035
00:54:00,760 --> 00:54:03,920
Speaker 1: I can't just rely on that important.

1036
00:54:04,280 --> 00:54:08,240
Speaker 4: And then today I was on Instagram just this morning

1037
00:54:08,360 --> 00:54:12,840
Speaker 4: and I saw Larry Golding's with a aerial shot of

1038
00:54:12,960 --> 00:54:16,120
Speaker 4: his organ. He does it has like a Patreon page

1039
00:54:16,800 --> 00:54:18,680
Speaker 4: and he shows an aerial shot and he was playing

1040
00:54:18,760 --> 00:54:24,239
Speaker 4: all this really badass gospel inversions cool, and I thought,

1041
00:54:24,320 --> 00:54:26,759
Speaker 4: you know what, I'm going to become part of his

1042
00:54:26,840 --> 00:54:29,800
Speaker 4: Patreon page. I'm going to learn these changes pare. I

1043
00:54:29,800 --> 00:54:31,719
Speaker 4: think it's a thing where you give lessons. You know,

1044
00:54:32,239 --> 00:54:35,439
Speaker 4: someone belongs to the page, so you subscribe.

1045
00:54:35,719 --> 00:54:38,800
Speaker 1: But he gives general lessons and subscribe you.

1046
00:54:39,320 --> 00:54:42,439
Speaker 2: I can see the lessons and it's like an aerial shot.

1047
00:54:43,680 --> 00:54:44,360
Speaker 2: I want to do it.

1048
00:54:44,840 --> 00:54:47,359
Speaker 4: He was playing some stuff I've been wanting to get

1049
00:54:47,400 --> 00:54:49,320
Speaker 4: to and I don't know where that stuff is.

1050
00:54:49,640 --> 00:54:52,040
Speaker 2: So I thought, I'm going to do that and start.

1051
00:54:51,840 --> 00:54:53,680
Speaker 4: Working out my voice because I want to get out

1052
00:54:53,719 --> 00:54:55,080
Speaker 4: this record and I want to go on to her.

1053
00:54:55,080 --> 00:54:57,200
Speaker 2: I want to do some stuff. Yeah, I want to.

1054
00:54:57,440 --> 00:54:58,960
Speaker 4: I don't know who's going to pay for this, but

1055
00:54:59,120 --> 00:55:01,520
Speaker 4: I'm determ mean to take a seven piece band at

1056
00:55:01,640 --> 00:55:02,640
Speaker 4: least to a few markets.

1057
00:55:02,640 --> 00:55:03,759
Speaker 1: I think you're going to pay for it.

1058
00:55:03,920 --> 00:55:06,040
Speaker 2: Yeah, I think you're right.

1059
00:55:07,120 --> 00:55:08,120
Speaker 9: What are you talking about?

1060
00:55:08,600 --> 00:55:11,800
Speaker 4: Well, I'm just putting it out there in case the

1061
00:55:11,880 --> 00:55:13,200
Speaker 4: promoters are listening.

1062
00:55:16,400 --> 00:55:18,640
Speaker 2: Oh man, Yeah, all right.

1063
00:55:18,719 --> 00:55:19,160
Speaker 1: Let's try to.

1064
00:55:41,239 --> 00:55:46,680
Speaker 10: Fine half masked, overcast with a gunship gray.

1065
00:55:50,080 --> 00:55:53,960
Speaker 9: You ever hear of such a thing? A spring with

1066
00:55:54,239 --> 00:55:55,680
Speaker 9: no me?

1067
00:56:04,400 --> 00:56:07,279
Speaker 6: This frost on Memorial Day?

1068
00:56:09,239 --> 00:56:14,959
Speaker 9: Love, I'm half blind? Could you help me find my way?

1069
00:56:20,080 --> 00:56:24,800
Speaker 9: I chewed all the fun from my gun wad in

1070
00:56:25,080 --> 00:56:26,279
Speaker 9: fore chain.

1071
00:56:29,640 --> 00:56:33,759
Speaker 10: I felt pray to those thoughts that come when you're

1072
00:56:33,920 --> 00:56:35,080
Speaker 10: caught in the rain.

1073
00:56:43,400 --> 00:56:48,880
Speaker 9: I'm on the edge. I'm in a yellow paint. Love,

1074
00:56:49,160 --> 00:56:50,239
Speaker 9: I'm half med.

1075
00:56:51,520 --> 00:57:18,880
Speaker 20: Let's hold that means I'm half Save the touch of

1076
00:57:19,040 --> 00:57:26,920
Speaker 20: your lips the loom clips so soft m and yet

1077
00:57:27,000 --> 00:57:32,840
Speaker 20: this river of down the spouse that never turns off.

1078
00:57:40,200 --> 00:57:43,560
Speaker 20: I want your flu man, and I'm just your cough.

1079
00:57:44,960 --> 00:57:49,320
Speaker 9: Please make me a man, not this sham.

1080
00:57:49,920 --> 00:58:20,280
Speaker 21: Love leaves long, staring out at.

1081
00:58:20,200 --> 00:58:28,480
Speaker 10: The church, the pigeons purged in the ease, wondering what

1082
00:58:28,880 --> 00:58:33,520
Speaker 10: might have been had I not fallen in with thieves?

1083
00:58:41,560 --> 00:58:43,680
Speaker 9: Could you make that double?

1084
00:58:44,080 --> 00:58:44,480
Speaker 5: Please?

1085
00:58:46,000 --> 00:58:52,240
Speaker 6: So loves slave, don't wait up for me?

1086
00:58:53,520 --> 00:59:03,560
Speaker 9: Love is slave. Don't wait up for me, don't wait.

1087
00:59:19,440 --> 00:59:23,200
Speaker 1: God, it still makes me motion all even I made.

1088
00:59:23,000 --> 00:59:25,560
Speaker 2: A lot of mistakes, but I liked it. Yeah, I

1089
00:59:25,760 --> 00:59:27,280
Speaker 2: liked it a lot. Like the track, they were just

1090
00:59:27,360 --> 00:59:29,120
Speaker 2: little chordal things. I don't think they.

1091
00:59:29,040 --> 00:59:31,120
Speaker 1: Really matter, even some of the lyrics. Could you make

1092
00:59:31,160 --> 00:59:34,320
Speaker 1: that a double? Please? Don't wait up for me?

1093
00:59:34,880 --> 00:59:35,120
Speaker 2: Yeah?

1094
00:59:36,680 --> 00:59:37,320
Speaker 1: That's crazy.

1095
00:59:38,240 --> 00:59:38,479
Speaker 2: Wow.

1096
00:59:39,480 --> 00:59:40,000
Speaker 1: Well, now that.

1097
00:59:42,200 --> 00:59:46,160
Speaker 2: They were really getting we're getting to Yeah this morning.

1098
00:59:46,400 --> 00:59:48,560
Speaker 1: It's really it, truly is though. It's a truth that

1099
00:59:48,640 --> 00:59:51,360
Speaker 1: I've thought about in the last five years a lot

1100
00:59:52,280 --> 00:59:54,320
Speaker 1: that I didn't I didn't really realize it.

1101
00:59:55,960 --> 01:00:00,360
Speaker 2: Well, we have time to reflect, you know. Yeah, Luckily

1102
01:00:00,400 --> 01:00:01,320
Speaker 2: we're still here to do it.

1103
01:00:02,960 --> 01:00:07,240
Speaker 1: But we had a lot of fun we did. I

1104
01:00:07,280 --> 01:00:09,280
Speaker 1: thought maybe we could end our little session with love

1105
01:00:09,360 --> 01:00:12,520
Speaker 1: Sick Blues from the Willies album all right, what do you.

1106
01:00:12,560 --> 01:00:13,720
Speaker 2: Think sounds good?

1107
01:00:14,320 --> 01:00:14,520
Speaker 1: Yeah?

1108
01:00:15,360 --> 01:00:19,000
Speaker 2: Twenty twenty four. How old do you think this song is?

1109
01:00:19,080 --> 01:00:23,760
Speaker 1: Wait, it's twenty twenty four, it is, So when was

1110
01:00:23,800 --> 01:00:25,480
Speaker 1: this twenty twenty three?

1111
01:00:26,080 --> 01:00:27,440
Speaker 2: So this song is written? Yeah?

1112
01:00:27,680 --> 01:00:28,760
Speaker 1: When was the song written?

1113
01:00:30,120 --> 01:00:33,120
Speaker 2: Hank? Well, isn't there a whole thing where like Hank

1114
01:00:33,120 --> 01:00:33,960
Speaker 2: didn't really write it.

1115
01:00:34,280 --> 01:00:36,520
Speaker 1: I think the legend is he kind of stole it

1116
01:00:36,600 --> 01:00:39,600
Speaker 1: from a streetreet singer, like a blues street guy.

1117
01:00:40,160 --> 01:00:42,400
Speaker 2: It sounds like it. It doesn't actually sound like one

1118
01:00:42,440 --> 01:00:42,919
Speaker 2: of his songs.

1119
01:00:42,960 --> 01:00:43,640
Speaker 1: No, it doesn't.

1120
01:00:43,800 --> 01:00:45,760
Speaker 2: Yeah, so it probably it is true.

1121
01:00:46,520 --> 01:00:48,800
Speaker 1: Yeah, I wonder, I wonder where it really came from.

1122
01:00:48,960 --> 01:00:51,960
Speaker 2: Yeah, he wrote so many good songs.

1123
01:00:52,720 --> 01:00:56,600
Speaker 4: One day I want to do with the new arrangement

1124
01:00:56,680 --> 01:00:58,840
Speaker 4: with all the horns, and like I want to do

1125
01:00:58,920 --> 01:01:01,720
Speaker 4: a version of Lonesome Whistle.

1126
01:01:02,360 --> 01:01:04,360
Speaker 2: He wrote so many good ones, and he was so

1127
01:01:04,560 --> 01:01:07,640
Speaker 2: young when he died. It's amazing how much he left.

1128
01:01:07,960 --> 01:01:12,560
Speaker 22: I know it's crazy, all right, but this one, let's

1129
01:01:12,600 --> 01:01:27,320
Speaker 22: give it a try. Oh right, you don't usually play this, Yeah,

1130
01:01:27,360 --> 01:01:29,000
Speaker 22: you're right, I usually just saying it.

1131
01:01:29,120 --> 01:01:30,840
Speaker 1: Yeah, I always stood up and saying this one.

1132
01:01:31,040 --> 01:01:33,200
Speaker 2: That's cool, Let's do Yeah, definitely.

1133
01:01:35,320 --> 01:01:35,440
Speaker 4: Mm.

1134
01:01:38,480 --> 01:01:40,919
Speaker 2: I gotta feeling called.

1135
01:01:44,000 --> 01:01:44,320
Speaker 7: Lord.

1136
01:01:44,720 --> 01:01:53,040
Speaker 21: Since my baby say goodbye, Lord, don't know what I'll do.

1137
01:01:56,680 --> 01:02:02,000
Speaker 9: All I do is sit and suh, oh Lord.

1138
01:02:02,880 --> 01:02:10,920
Speaker 17: The last long day she said goodbye, Oh long.

1139
01:02:11,600 --> 01:02:17,920
Speaker 9: I thought I would die. She'll do me, She'll do you.

1140
01:02:18,520 --> 01:02:24,240
Speaker 9: She's got that kind of loving, the lovely here where

1141
01:02:24,400 --> 01:02:31,640
Speaker 9: she calls me sweet dad. He said your beautiful.

1142
01:02:35,840 --> 01:02:39,320
Speaker 6: I hate the bige on love love.

1143
01:02:41,760 --> 01:02:51,760
Speaker 9: I've lost her heart. It seems I'm so used to use.

1144
01:02:51,960 --> 01:02:53,240
Speaker 2: Some hell.

1145
01:02:54,920 --> 01:03:02,160
Speaker 13: Hall nobody sul good Dad out and I'm lone.

1146
01:03:03,280 --> 01:03:14,680
Speaker 9: Also, I've got the love sick both. I'm love. I'm

1147
01:03:14,760 --> 01:03:17,880
Speaker 9: in love with the beautiful girl.

1148
01:03:19,840 --> 01:03:20,720
Speaker 2: That's what's the.

1149
01:03:21,000 --> 01:03:22,400
Speaker 9: Matter with me.

1150
01:03:24,640 --> 01:03:25,640
Speaker 5: I'm in love.

1151
01:03:26,080 --> 01:03:29,600
Speaker 2: I'm in love with the beautiful girl.

1152
01:03:31,120 --> 01:03:38,439
Speaker 9: She don't care about me. Lord. I've tried, and I've

1153
01:03:38,800 --> 01:03:42,120
Speaker 9: tried to keep her satisfied.

1154
01:03:42,920 --> 01:03:52,040
Speaker 5: She just couldn't see. Now that she is the lead.

1155
01:03:53,400 --> 01:04:02,120
Speaker 7: Even this is all I can say. I've got a

1156
01:04:02,480 --> 01:04:04,840
Speaker 7: feeling cold blue.

1157
01:04:07,120 --> 01:04:08,880
Speaker 2: Whose all Lord?

1158
01:04:09,240 --> 01:04:11,360
Speaker 6: Since my baby said.

1159
01:04:11,360 --> 01:04:12,040
Speaker 9: Look by.

1160
01:04:15,480 --> 01:04:22,680
Speaker 13: Lord, I don't know what I do. All the dude

1161
01:04:22,800 --> 01:04:31,120
Speaker 13: is sen said, oh Lord. Last long day she.

1162
01:04:31,440 --> 01:04:42,160
Speaker 9: Said goodbye, Lord, thought I would die. She'll do me,

1163
01:04:42,840 --> 01:04:49,440
Speaker 9: She'll do you. She's got that kind of loving lorda lovely.

1164
01:04:49,160 --> 01:04:52,479
Speaker 1: You where she calls me sweet dad.

1165
01:04:55,720 --> 01:04:57,840
Speaker 6: Is such a beautiful.

1166
01:05:01,920 --> 01:05:08,760
Speaker 9: I hate to think it's all long. I've lost my

1167
01:05:09,000 --> 01:05:10,960
Speaker 9: heart and seems.

1168
01:05:14,280 --> 01:05:18,400
Speaker 13: I've grown so used to use so.

1169
01:05:21,480 --> 01:05:22,240
Speaker 5: And I've.

1170
01:05:23,880 --> 01:05:31,960
Speaker 9: Body show that now. And I'm a lone lonesome. I

1171
01:05:32,200 --> 01:05:34,600
Speaker 9: got the last sig glues.

1172
01:05:39,640 --> 01:05:42,360
Speaker 6: I am lone onesome.

1173
01:05:43,800 --> 01:05:46,560
Speaker 2: I've got the lost blue.

1174
01:06:03,080 --> 01:06:05,640
Speaker 1: Yeah. I played a lot al on the wrong courd.

1175
01:06:05,760 --> 01:06:06,680
Speaker 2: That's a Sunday morning.

1176
01:06:07,120 --> 01:06:10,080
Speaker 1: That's either a late night or an early morning.

1177
01:06:10,400 --> 01:06:12,720
Speaker 2: Yeah, yeah, I did.

1178
01:06:12,800 --> 01:06:14,800
Speaker 1: Was it to do the Little Willies because I don't remember.

1179
01:06:15,400 --> 01:06:19,000
Speaker 2: It was Jim's idea, But you guys invited. You guys

1180
01:06:19,040 --> 01:06:21,160
Speaker 2: did a gig without me at the living room.

1181
01:06:21,520 --> 01:06:24,320
Speaker 1: Oh and you and I had sang because you're from Delaware.

1182
01:06:24,400 --> 01:06:25,439
Speaker 1: We didn't think you were.

1183
01:06:26,160 --> 01:06:28,640
Speaker 2: Right, but then you asked me to do that song,

1184
01:06:28,720 --> 01:06:29,800
Speaker 2: the World a Surprize.

1185
01:06:30,200 --> 01:06:30,920
Speaker 1: Oh that's right.

1186
01:06:31,120 --> 01:06:33,600
Speaker 4: They sang it the day you were doing that gig

1187
01:06:33,680 --> 01:06:35,280
Speaker 4: and you said, oh, we're going to do this thing.

1188
01:06:35,600 --> 01:06:35,920
Speaker 1: Okay.

1189
01:06:35,960 --> 01:06:37,320
Speaker 2: So I showed up and you said, why don't you

1190
01:06:37,400 --> 01:06:38,920
Speaker 2: do that song? And then I did the song. And

1191
01:06:39,000 --> 01:06:40,920
Speaker 2: then I joined the I didn't leave.

1192
01:06:41,120 --> 01:06:42,120
Speaker 1: I forgot that history.

1193
01:06:42,360 --> 01:06:45,320
Speaker 2: That's what happened. Yeah, okay, yeah, you guys were a quartet.

1194
01:06:45,720 --> 01:06:46,400
Speaker 2: I thought you sounded.

1195
01:06:46,600 --> 01:06:48,560
Speaker 1: We had only done like one gig. It's not like

1196
01:06:48,640 --> 01:06:49,440
Speaker 1: we'd have done much.

1197
01:06:50,200 --> 01:06:50,439
Speaker 2: Yeah.

1198
01:06:51,680 --> 01:06:53,120
Speaker 1: Yeah, well that's cool.

1199
01:06:53,400 --> 01:06:55,800
Speaker 2: Yeah that was fun, super fun.

1200
01:06:55,880 --> 01:06:59,200
Speaker 1: Thanks for coming so early, bar owner, Yeah, early in

1201
01:06:59,240 --> 01:07:12,320
Speaker 1: the morning. Oh, thanks for listening. That was our show

1202
01:07:12,360 --> 01:07:14,120
Speaker 1: with Richard Julian. That's so great.

1203
01:07:14,560 --> 01:07:17,200
Speaker 3: To know him is to know his music, is to

1204
01:07:17,280 --> 01:07:19,080
Speaker 3: know him as a person, because I feel like his

1205
01:07:19,280 --> 01:07:23,240
Speaker 3: lyrics are like having a conversation with YEAHO, your quirky

1206
01:07:23,320 --> 01:07:23,840
Speaker 3: friend Richard.

1207
01:07:23,840 --> 01:07:27,640
Speaker 1: They're very quirky Richard. Yeah. Yeah, I mean I owe

1208
01:07:27,640 --> 01:07:30,800
Speaker 1: a lot to Richard from my early songwriting, on my

1209
01:07:30,880 --> 01:07:34,640
Speaker 1: early musical life. He really was a good friend and

1210
01:07:35,120 --> 01:07:37,840
Speaker 1: sort of showed me stuff and helped shape me. So

1211
01:07:38,080 --> 01:07:40,479
Speaker 1: it was really nice to just have him on the show.

1212
01:07:41,080 --> 01:07:42,680
Speaker 1: If you want to know what songs we played today

1213
01:07:42,720 --> 01:07:45,120
Speaker 1: on the show, the first one was the Extra Layer

1214
01:07:45,320 --> 01:07:48,600
Speaker 1: from his album out now called Hit and Run twenty

1215
01:07:48,680 --> 01:07:52,360
Speaker 1: twenty five. Second song is called Jimmy giuffree Wez from

1216
01:07:52,560 --> 01:07:55,840
Speaker 1: Hit and Run. Also, the third song is called Stained

1217
01:07:55,880 --> 01:07:58,600
Speaker 1: Glass is also from his new album Hit and Run

1218
01:07:58,720 --> 01:08:01,640
Speaker 1: from twenty twenty five. It was also recorded on his

1219
01:08:02,000 --> 01:08:06,320
Speaker 1: twenty ten album Girls Need Attention, Yes We Do. The

1220
01:08:06,520 --> 01:08:09,000
Speaker 1: fourth song, one of my favorites from the old days,

1221
01:08:09,200 --> 01:08:11,600
Speaker 1: is called Don't Wait Up from Slow New York back

1222
01:08:11,640 --> 01:08:14,440
Speaker 1: in two thousand and five. The last song we played

1223
01:08:14,800 --> 01:08:17,679
Speaker 1: was Love Sick Blues. It's a classic ten pan alley

1224
01:08:17,800 --> 01:08:21,280
Speaker 1: song from the twenties composed by Cliff Friend with lyrics

1225
01:08:21,320 --> 01:08:24,840
Speaker 1: by Irvin Mills, but my favorite version, of course by

1226
01:08:24,920 --> 01:08:28,240
Speaker 1: Hank Williams from his nineteen fifty two album Moan in

1227
01:08:28,320 --> 01:08:30,519
Speaker 1: the Blues, and we also do it on the Little

1228
01:08:30,560 --> 01:08:34,679
Speaker 1: Willies album Special. Thanks to Richard Julian for joining us today.

1229
01:08:34,920 --> 01:08:38,320
Speaker 1: Next week we'll be back with Luis Elena Mendoza Ramos

1230
01:08:38,439 --> 01:08:41,280
Speaker 1: of E La Bamba. Norah Jones is Playing Along. Is

1231
01:08:41,320 --> 01:08:44,559
Speaker 1: a production of iHeart Podcasts. I'm your Host Nora Jones.

1232
01:08:44,800 --> 01:08:48,280
Speaker 1: Today's episode was recorded by Matt Marinelli, mixed by Jamie Landry,

1233
01:08:48,400 --> 01:08:51,519
Speaker 1: edited by Sarah Oda. Audio post production and masternk by

1234
01:08:51,560 --> 01:08:55,799
Speaker 1: Greg Tobler. Artwork by Eliza Frye. Photography by Shervin Linez.

1235
01:08:56,240 --> 01:09:00,519
Speaker 1: Produced by Me and Sarah Oda. Executive producer Aaron wan

1236
01:09:00,600 --> 01:09:04,000
Speaker 1: Kaufman and Jordan Brundag marketing lead. Queen and a key