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Speaker 1: Gotta can't do it at the same We can't clap

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Speaker 1: simultaneously over zoom.

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Speaker 2: It's very difficult. It is because if there's a delay,

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Speaker 2: like a like a lag.

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Speaker 1: And I remember that Wi Fi, I remember that from

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Speaker 1: the pandemic. We weren't we weren't we all trying to

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Speaker 1: sing some stupid song, oh for Jeff. Wasn't it the

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Speaker 1: Jeff song about the dog or whatever? We were all

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Speaker 1: trying to sing it together, but we couldn't because the

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Speaker 1: timing was off, and so we all had to record

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Speaker 1: it separately.

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Speaker 2: And it was the whole thing that was the I

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Speaker 2: don't remember what charity it is, and I don't remember

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Speaker 2: the song, but it was something about the dog. It

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Speaker 2: was featuring the dog, something about golden Yes, it was

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Speaker 2: about the dogs love their balls and yes, of course,

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Speaker 2: trying to record it over zoom with Bob and Dave

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Speaker 2: and John, I know, right that was that was never

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Speaker 2: gonna work out?

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Speaker 1: Yeah, no, no, or it did exactly as planned. I'm

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Speaker 1: not sure, but Hi, Hi, happy summer.

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Speaker 2: How are you? I got like the kids are home

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Speaker 2: for the summer, Like so I'm like, there's still a

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Speaker 2: sleep right now. But if there's a lot of yelling

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Speaker 2: in the background or crashes, just ignore it, just ignoring.

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Speaker 2: It's fine.

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Speaker 1: And like I would say, unless they run in, you know,

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Speaker 1: bleeding or like oh my god, the house is on fire,

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Speaker 1: I'm like, you'll be fine.

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Speaker 2: You'll figure it out. Yeah.

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Speaker 1: He gets back from Japan today. She has been in

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Speaker 1: Japan on a on a school trip. So she comes

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Speaker 1: back today. Oh my god, I'm very excited.

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Speaker 2: She went to Tokyo or Kyoto.

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Speaker 1: She did. They went to Tokyo for ten days. They

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Speaker 1: took the train to a bunch of different like places,

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Speaker 1: you know, within within a couple hours of Tokyo, and

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Speaker 1: did a whole robotics tour and they did a Japanese

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Speaker 1: culture thing and oh kinds of school.

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Speaker 2: Oh, I bet it was amazing, lots of for her

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Speaker 2: going over there.

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Speaker 1: Did. I was like, you're gonna love it there, and I,

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Speaker 1: you know, I felt I was like, it's a really

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Speaker 1: safe country, the people are incredible.

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Speaker 2: It was like, you're gonna have the best time.

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Speaker 1: So yeah, she lands at like eleven o'clock, so we'll

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Speaker 1: be we'll be podcasting.

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Speaker 2: Put her dance picking up from the airport. Oh, that's

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Speaker 2: so cool.

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Speaker 1: Very excited to see her and see how it went,

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Speaker 1: and and I was like, you're gonna be so jet lagged.

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Speaker 2: She's like, nah'd be fine.

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Speaker 1: And I was like, you've never experienced jet lag, Like

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Speaker 1: I remember coming back from the East Coast and she

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Speaker 1: was like, oh, I'm so tired and just off. I

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Speaker 1: was like, yeah, this is just wait, I'll be fine.

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Speaker 1: I was like, you have no idea what's about to

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Speaker 1: hit you. You're about to feel like you've just lost

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Speaker 1: your entire circadian rhythm. Oh yeah, well we had to

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Speaker 1: when we did the episode in Japan, we flew back

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Speaker 1: and had to tape the rest of the episode. God,

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Speaker 1: we flew back on like a what was it like

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Speaker 1: a Friday or something, Thursday, Friday, and then we were

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Speaker 1: at work on Monday.

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Speaker 2: Yeah, yeah, or even was it even a tighter turnout?

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Speaker 2: I just remember we were always like we got back Saturday,

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Speaker 2: and we've shot again on Mondays. Whatever it was.

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Speaker 1: I just remember remember all of us like showing up

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Speaker 1: to set and being like have you slept in forty

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Speaker 1: eight hours?

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Speaker 2: And there was like I feel like I'm in a

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Speaker 2: buke right, Like this run through is going to be terrible.

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Speaker 1: I I did not know what jet lag was until

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Speaker 1: I did that, And apparently going from like that direction,

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Speaker 1: like from Japan to the u at like to the

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Speaker 1: west coast, like to the States, that direction apparently is

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Speaker 1: like it's not as bad. I guess going there you

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Speaker 1: brought it kind of adjusts a little bit better. But

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Speaker 1: it's the coming.

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Speaker 2: Coming back, yeah, sort of in time that really throws

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Speaker 2: you off. So yeah, yeah, I don't remember jet lag

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Speaker 2: going there. Well, I was so excited to be there.

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Speaker 2: You know, it's probably also you're like excited, right, Yeah, yeah,

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Speaker 2: I was excited. We were we were working, we were

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Speaker 2: exploring together. Yeah, that was that was a good trip. Oh,

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Speaker 2: this is such a great time. Now I feel like sushi, right,

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Speaker 2: does be like sushi? Does she be loves sushi? Oh? Good,

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Speaker 2: love sushi. It's one of her favorite things.

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Speaker 1: Yeah, so I'm sure she has been happy as a

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Speaker 1: clam with all of the food. They got to go

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Speaker 1: to a cat cafe, they went to Tokyo Disney. Yeah,

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Speaker 1: they did a lot of really cool stuff. So she

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Speaker 1: had a she had a great time.

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Speaker 2: Yeah that's great. I can't wait to hear about it

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Speaker 2: next time. And uh, yeah that's so good.

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Speaker 1: Yeah, so it should be fun and uh and then

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Speaker 1: I had my garage Sturday.

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Speaker 2: You must feel like a new woman today.

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Speaker 1: I have been enjoying my little organizing spree.

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Speaker 2: Yeah, and that's your love language, organization, it really is.

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Speaker 1: Organization is is my love language, which is ironic because

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Speaker 1: I myself am not necessarily an organized thinker, which I

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Speaker 1: think is why I like the organization.

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Speaker 2: On the external.

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Speaker 1: It really does, I think also like for a d

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Speaker 1: D people and stuff, it makes your your internal workings

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Speaker 1: feel a little more well, a lot more orderly.

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Speaker 2: Yeah. It's a sense of retaining control too, like I

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Speaker 2: always feel for sure. Yeah, when I know where things are,

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Speaker 2: I'm like, okay, I can I have control over the situation. Yeah.

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Speaker 1: So anyway, that was my I have really become an

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Speaker 1: old woman because that is my exciting summer news is

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Speaker 1: that I got my garage organized.

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Speaker 2: You just need a couple of cats and to take

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Speaker 2: up some knitting and god, I don't need a couple

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Speaker 2: of cats. No, I don't weep. I am a couple

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Speaker 2: of dogs. I'll take more dogs.

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Speaker 1: But cats can can can be Celia can have the cats,

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Speaker 1: you know my best friend, Yeah, anyone else can have

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Speaker 1: the cats, Emma, my friends. They welcome to all the cats.

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Speaker 1: I will be having a dog home myself.

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Speaker 2: My friend Katie keeps fostering kittens, but then she's a

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Speaker 2: foster failed, they keep adopting them. Now she has four kittens,

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Speaker 2: like brand new kitts. And I'm like, I have a

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Speaker 2: friend who has five cats. So's they just love it.

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Speaker 2: They can't give them up, I guess. And so that's fine.

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Speaker 2: I understand if it was dogs, I.

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Speaker 1: Guess id right, And cats are a little smaller and

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Speaker 1: more sort of self sufficient, so it's not like having

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Speaker 1: five dogs.

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Speaker 2: Yeah, oh yeah, that's true. They can. They can kind

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Speaker 2: of went to all.

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Speaker 1: They much rather have five dogs five dogs have Well,

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Speaker 1: I feel like I feel like cats.

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Speaker 2: I feel like we're more like cats in the fact

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Speaker 2: that we are in our forties, we're women, and we're

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Speaker 2: just like, we don't have time for nonsense. We don't

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Speaker 2: have like we're not going to put up with anyone's bs.

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Speaker 2: I believe the term is cougar. Uh No, but I

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Speaker 2: that's not Wait, that's not what cougar means. I thought

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Speaker 2: I was. That was a joke. That was Jesus, Well, okay,

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Speaker 2: I was listening to it.

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Speaker 1: Is what I was saying is because we're old and

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Speaker 1: you know whatever. I was like, I believe that's they

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Speaker 1: usually call us cougars because you're like, we're like cats

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Speaker 1: or whatever. And I was trying to make a joke

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Speaker 1: that we're hot and old.

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Speaker 2: And it went right over my head.

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Speaker 1: Well, once you explain a joke, it really does lose

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Speaker 1: some of the u the hilarity in it.

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Speaker 2: But that's okay, that's okay. I was just watching the

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Speaker 2: clip we put up on Instagram where you're explaining thoughts,

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Speaker 2: thought th h ot to me thoughts. Yeah, so I'm like, oh,

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Speaker 2: I learned from Jody. Jody's teaching me, you know, the meanings.

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Speaker 1: Of a wealth of not so useful information but really

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Speaker 1: great on a trivia night, you know.

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Speaker 2: Yeah, so I thank you for my trivia partner. Oh yeah,

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Speaker 2: just random useless knowledge. I'm trying to figure out. There's

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Speaker 2: one word my kids keep using in our group family

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Speaker 2: chat and okay, well let me tell me what it means,

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Speaker 2: and they just last tell you if I know what

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Speaker 2: it is. I don't know what it's like appropriate for

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Speaker 2: this podcast or if it's not safe to say it.

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Speaker 1: Okay, s gibbity, Yes, wait, how did you know it's skibbity.

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Speaker 2: What is that? What is it?

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Speaker 1: Oh?

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Speaker 2: No one will tell me what that is.

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Speaker 1: It's well, no one will tell you what it is

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Speaker 1: because it's it's hard to even explain it is. It

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Speaker 1: is a it's a new form of like slang language

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Speaker 1: that they call like brain rot or something, and it's

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Speaker 1: just it's nonsense words like skibbity, but like I torment

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Speaker 1: my kids by also saying like like skibbity toilet is,

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Speaker 1: which means basically like you okay, like riz is like

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Speaker 1: your that one. It's like you know that one right,

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Speaker 1: Like skimbity toilet riz means like you have like an

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Speaker 1: outrageous amount of like terrible vibe sort of you know

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Speaker 1: what I mean skibbity. I can't remember like the exactly,

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Speaker 1: but it's it's a It's also a very like middle

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Speaker 1: school thing, so even are like my kids that are

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Speaker 1: like a little bit older. It's kind of a joke

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Speaker 1: and it's kind of something they say to with us

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Speaker 1: as parents because they're like, you don't know what this means,

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Speaker 1: and we don't, and it's stupid and it makes no sense.

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Speaker 1: So if other parents out there are dealing with this,

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Speaker 1: we feel you. Yes, it's yes, And I find I

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Speaker 1: find the best way to prevent my kids from doing

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Speaker 1: stuff like this is if I just start using the word. Yeah,

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Speaker 1: like I yelled out skibbity toilet riz is one of

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Speaker 1: them got out of the car and at school before it,

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Speaker 1: and they were just like, oh my god.

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Speaker 2: Yeah.

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Speaker 1: So if you just use it like against them in

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Speaker 1: really embarrassing ways, they'll just regret ever having informed you

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Speaker 1: and they might drop it.

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Speaker 2: Well. My problem is, by the time I figure out

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Speaker 2: how to use the word correctly, this generation has moved on.

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Speaker 2: Like we were. We went out for tacos last week

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Speaker 2: and I was like, these tacos slap and they start laughing.

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Speaker 2: The kids start laughing. Nobody says that anymore. Nobody says slap.

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Speaker 2: That's news flash to me. I didn't know we'd moved

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Speaker 2: on from slap to so like, but I was so

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Speaker 2: proud of myself for using it correctly. And now it's like,

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Speaker 2: now it's skibby. That's good, these tacos are. But that's

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Speaker 2: also that's all.

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Speaker 1: Don't use that either, because like that is also it's

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Speaker 1: very much out.

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Speaker 2: Skibbity is out. Now, that's what I'm saying.

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Speaker 1: It's kind of unless you're in the middle school vibe,

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Speaker 1: which our kids are not, but like are like high

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Speaker 1: schoolers and above sort of view it as like a

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Speaker 1: like a word to say to annoy your parents, but

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Speaker 1: it's like not really cool to say, but that they'll

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Speaker 1: try and figure out what it means because they're old

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Speaker 1: and lame.

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Speaker 2: Like that's basically what I.

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Speaker 1: What I think the uh what it has become if

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Speaker 1: you are older than like seventh grade. Okay, okay, so

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Speaker 1: they're just it's become it's become sort of a like,

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Speaker 1: look stupid these old people are, and give them disease

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Speaker 1: and we do it right right, Okay, Well these millennials

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Speaker 1: were lame. Wow, I've learned about ankle socks or no

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Speaker 1: show socks and are misunderstanding of brain rup flying.

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Speaker 2: Well you know, it takes me a while to catch up.

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Speaker 2: But all right, So now I can't even use skibbity

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Speaker 2: against them. I have no, no, no, you can't because

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Speaker 2: it's so lame.

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Speaker 1: Just use it, but use it publicly, like embarrass them

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Speaker 1: with it, use it at totally inappropriate Times's just throw

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Speaker 1: it out there and they'll just be like, oh my god,

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Speaker 1: like you know what I mean? I find when all

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Speaker 1: else fails, just embarrass them and yourselves because you don't

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Speaker 1: really care anymore about being embarrassed.

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Speaker 2: But if you do, oh yes, yeah, yeah yeah, but

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Speaker 2: they do, so it's great. Okay, So I gotta wait

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Speaker 2: till they're in front of their friends or someone they're.

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Speaker 1: Trying to friends and just yeah yeah, yeah, yeah, ah yeah,

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Speaker 1: I love it.

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Speaker 2: Right, and then they'll be like, why did we ever

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Speaker 2: do this? Okay, that'll all laugh at you, and you'll

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Speaker 2: be like, I don't care, I don't care. This is stupid.

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Speaker 2: Do you realize the word that you're using. It's stupid.

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Speaker 2: It's stupid, It's skibbty, you know it is. Okay, I'm

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Speaker 2: gonna I'm gonna work this in. This is gonna be

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Speaker 2: a noun, a verb, an adjective. I'm gonna use it in.

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Speaker 1: All the way, use it in all the appropriate, inappropriate ways.

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Speaker 1: I also feel like Urban Dictionary would be a good

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Speaker 1: place for you to do some research when you're looking

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Speaker 1: into words.

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Speaker 2: I'm afraid of that website of Urban Dictionary, Yeah, because

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Speaker 2: there's a there's a there's a reference to Kimmy Gibbler

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Speaker 2: on there, and it's not very nice. Well, I mean,

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Speaker 2: and so I'm like, that was the one and only

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Speaker 2: time I have I've visited Urban Dictionary, and I'm like,

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Speaker 2: I'm never coming back here. Well, just don't look up

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Speaker 2: that and you'll be okay.

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Speaker 1: Although if skibbity is somehow related to Kenny Gibler, I'm

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Speaker 1: gonna be very thrown off.

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Speaker 2: No, no, no, no, I don't think that. I don't

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Speaker 2: think that's connected at all. I don't think you never

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Speaker 2: know what's like these days.

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Speaker 1: It's weird, but no, I think, uh, yeah, that's our

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Speaker 1: it's a new segment teaching Andrea a new upcoming slang.

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Speaker 2: Hey, I'm not the only one way.

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Speaker 1: From another old lady who probably is using it incorrectly.

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Speaker 1: So that's the best part is that I'm like, oh here,

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Speaker 1: let me give you my authoritative.

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Speaker 2: Opinion and it's probably wrong. And then all the fanarios

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Speaker 2: will tell us what it really means in a few

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Speaker 2: weeks when this airs, because they'll be like, you guys,

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Speaker 2: you guys are so lame. I don't know.

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Speaker 1: I think our I still think our audience might be

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Speaker 1: a little above the uh. I think our audience is

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Speaker 1: the the other people who are like, what the hell

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Speaker 1: does that word mean.

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Speaker 2: Okay, so we're providing a service.

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Speaker 1: Unless we have a really huge pocket of like seventh

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Speaker 1: grade boys that listen to this podcast. Hey, I think

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Speaker 1: most of our audience is going to be like, why

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Speaker 1: are they using this word?

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Speaker 2: Yeah? Okay, okay, So this is an educational podcast.

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Speaker 1: It's sort of remember when, Remember when, like when our

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Speaker 1: kids were just doing the floss all the time, just

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Speaker 1: annoyingly like it's that sort of thing.

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Speaker 2: But a word. Oh okay, you're like, what are you doing?

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Speaker 2: Use it? Why? Why? Yeah, there's no reason. They use

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Speaker 2: it to confuse us. They use it to Yeah, it's

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Speaker 2: you know, man, I need them. Okay, Well, I feel

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Speaker 2: like by the time I learned the word, the words outdated.

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Speaker 2: So I need somebody, We need some we need some teens.

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Speaker 1: Yes, by the time it reaches us, it's usually already passing. Yes.

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Speaker 1: By the time we find out about it and we're like, oh, hey,

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Speaker 1: I learned a new word, the kids are like, that's

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Speaker 1: an old word.

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Speaker 2: Okay. So, if there's teenage fans listening to this podcast,

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Speaker 2: if you're willing to help us out, just give us

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Speaker 2: a little heads up, send us a d M or

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Speaker 2: an email and tell us Okay, These are the upcoming.

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Speaker 1: Podcast at gmail dot com with the with the title

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Speaker 1: brain rot slang or yeah or or slang info or

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Speaker 1: please help us old ladies figure it things out or

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Speaker 1: just skibby or other you know, parents out there send

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Speaker 1: us things and go. I don't know what they're talking

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Speaker 1: about either. And here's a word that I heard, and

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Speaker 1: I have no idea what it means.

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Speaker 2: This is a public service that the people need.

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Speaker 1: This is a public service announcement, and I feel like

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Speaker 1: we should also probably get into the show.

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Speaker 2: Well, you know there's that too, Okay, fine, there's that. Whatever. Okay,

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Speaker 2: let's do it. Welcome back to how Rude tan Ritos.

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Speaker 2: I'm Andrea Barber and I'm Jody Skibbitty Sweeten.

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Speaker 1: Who No, don't that's that? I think actually means something

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Speaker 1: really terrible. I don't even know what that means, but

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Speaker 1: I don't think I should say it. Let's not title

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Speaker 1: the podcast Jody Skimbitty Okay, no, no no, or.

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Speaker 2: Skibbity toilet is. Today we're discussing season three, episode five

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Speaker 2: titled Granny Tanny.

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Speaker 1: Which is what I feel like after discussing some of

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Speaker 1: those words today.

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Speaker 2: There it is. There's a segue. There's the segue. This

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Speaker 2: episode originally aired on October twentieth, nineteen eighty nine, and

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Speaker 2: it goes a little something like this. Danny's mother comes

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Speaker 2: for a visit, while the family learns that she feels

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Speaker 2: she has no purpose because she's retired. So Danny tries

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Speaker 2: to lift her spirits by pretending they need her help

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Speaker 2: around the house. Michelle gets a big girl bed, m

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Speaker 2: oh boy boy girl girl bed. It was directed by

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Speaker 2: Billy Fausta Coffee, Coffee Coffee.

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Speaker 1: And it was love that we do that every I

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Speaker 1: don't even say his name, I just say it was

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Speaker 1: directed by Coffee, Coffee, Coffee, and I feel your people will.

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Speaker 2: Know what that means. I think some of the fan

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Speaker 2: ritos are catching on and they like say it with

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Speaker 2: us at the same time. It's it's I love this.

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Speaker 2: It was written by Dennis Frinstler and Mark Warren. And

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Speaker 2: we have one outstanding guest star this week. We have

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Speaker 2: ladies and gentlemen, Doris Roberts as Claire Tanner. Yes, shape

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Speaker 2: shifting Claire Tanner. Yeah no, again, this isn't the original

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Speaker 2: Claire Tanner. They were the recast. But you know that's

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Speaker 2: okay because Doris is fantastic. She was so great. Yeah.

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Speaker 2: She's best known as the strong willed family matriarch on

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Speaker 2: Everybody Loves Raymond, for which she earned seven Emmy nominations

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Speaker 2: and four Emmy wins for that role. Really yeah, it's incredible. Wow,

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Speaker 2: But this wasn't Everybody Loves Raymond was later. That came

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Speaker 2: later in the night much so she must have been

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Speaker 2: well known for she was. Also, she was well known

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Speaker 2: for a ton of Remington's steel dream on Angie. She

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Speaker 2: was just she appeared in everything basically.

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Speaker 1: Yeah.

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Speaker 2: Yeah, she'd been around for a while. Very funny. I mean,

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Speaker 2: not like she was old.

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Speaker 1: I didn't mean it like that, but she's been like

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Speaker 1: she has been a very successful, working actor for a long.

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Speaker 2: Time, very accomplished actress. Very funny and yeah, I have

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Speaker 2: I kind of have mixed feelings about her. But she's

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Speaker 2: a legend in her own right. I I yes, as do. I. Okay,

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Speaker 2: let's get into this, Let's get into the show. We'll

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Speaker 2: get there, we'll get there, all right. We start with

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Speaker 2: the teaser in the girl's room. Steph is reading in

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Speaker 2: bed when Michelle walks in, asking Steph to help her

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Speaker 2: tie her shoes. Stephanie sighs, telling her this is getting old,

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Speaker 2: so she decides that Michelle has to learn to tie

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Speaker 2: them all by herself. Steph begins to give her a

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Speaker 2: step by step lesson, saying, first the rabbit crosses the stream,

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Speaker 2: then he goes over the log, around the tree, through

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Speaker 2: the hole, and wile you got rabbit ears, and we

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Speaker 2: have an extreme close up of the shoe just to

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Speaker 2: drive home this lesson. Right, that's right.

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Speaker 1: I mean we don't do inserts often in this show,

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Speaker 1: but we really did two very prominent inserts in this

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Speaker 1: teaser alone.

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Speaker 2: Oh yeah, no. It was like they were like, just

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Speaker 2: in case you missed this, we want you to see

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Speaker 2: the rabbit and the stream. So Stephanie asked Michelle if

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Speaker 2: she can get the other one tied, and Michelle says

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Speaker 2: no problem before immediately leaving and yelling to Joey for help.

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Speaker 2: Steph shakes her head, saying, kids today they have it

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Speaker 2: way too easy. Stuff's just an old soul, you know,

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Speaker 2: she really is.

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Speaker 1: She's an old cranky lady sometimes. And yeah, god, I

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Speaker 1: remember teaching my kids to tie their shoe. It was

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Speaker 1: one of those things you kind of went.

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Speaker 2: Oh, that's right. I gotta tea. Well, they oh, yeah,

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Speaker 2: you don't just come pre programmed with the whole shoe type. Yeah. Well,

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Speaker 2: there's so many velcrow options for littler kids that ye

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Speaker 2: feel like they were four or five before they were kindergarten,

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Speaker 2: before they started for sure, TI the shoe. Michelle's pretty

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Speaker 2: young to be learning this.

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Speaker 1: I don't know a kindergarten is when you learn to

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Speaker 1: tie your shoe. I think I don't know, Like that

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Speaker 1: was the thing is. I was like, I don't remember

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Speaker 1: when I learned. I don't remember either.

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Speaker 2: Yeah, okay, anyway, anyway, uh so, next we're in Jesse's room. Michelle,

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Speaker 2: who's wearing her jammies, walks into his room and he's

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Speaker 2: still asleep, so she tips Toes up onto his bed.

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Speaker 2: She sits on top of him, pulls the blanket off

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Speaker 2: his face, and says, good morning, Look alive. I love

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Speaker 2: that she's used that line against him. Yeah. Jesse keeps

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Speaker 2: his eyes closed and responds, Michelle, it's too early to

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Speaker 2: be alive. What do you want? Michelle exclaims that Grandma

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Speaker 2: is coming to visit today. Jesse sarcastically thanks Michelle for

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Speaker 2: the bulletin reminder and tells her to go back to

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Speaker 2: her crib, but then he realizes that someone must have

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Speaker 2: let her out of her crib. Michelle explains, I let

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Speaker 2: me out, ah, and Jesse asks remember those days? Who

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Speaker 2: he is? Jesse asks if she climbed up the bars

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Speaker 2: and jumped down herself, and Michelle exclaims, you got it, dude,

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Speaker 2: with a thumbs up. Now, this isn't our first you

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Speaker 2: got it dude, but it is the first time the

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Speaker 2: audience goes wild for it. Yeah, they really loved this.

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Speaker 2: You got it dude. Oh, yes, this one was a

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Speaker 2: a successful one. I can just see Jeff at Video

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Speaker 2: Village right with his pencil being like, oh, that was

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Speaker 2: a big hit. We're going to include that right right

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Speaker 2: the rest of the series. Yeah. So, Jesse shouts jail

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Speaker 2: break as he jumps out of bed and runs towards

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Speaker 2: his door. He yells for Danny and then turns to

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Speaker 2: Michelle and reminds her that if she wants to get

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Speaker 2: out of her crib, she should just stay there and

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Speaker 2: scream her head off until somebody lets her out. Gout peche.

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Speaker 2: Michelle responds, no, capiche, I'm a big girl. Then Danny

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Speaker 2: rushes into Jesse's room, reminding him it's Saturday morning. Jesse remarks,

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Speaker 2: don't tell me. Tell her she climbed out of her

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Speaker 2: crib all by herself. Danny looks at Michelle with a

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Speaker 2: smile and excitedly asks, you did. He sits down next

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Speaker 2: to her and tells her this means she's ready for

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Speaker 2: her own big girl bed. This announcement makes Michelle gasp

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Speaker 2: in excitement. The look on her face is so funny

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Speaker 2: at all. Yeah. Jesse holds up his hand and asks

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Speaker 2: Michelle for a big girl high five. Dj picks her

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Speaker 2: head in the doorway and tells everyone that Grandma's cab

432
00:20:21,760 --> 00:20:24,320
Speaker 2: just pulled up. They all run out the door to

433
00:20:24,400 --> 00:20:27,560
Speaker 2: go and greet her. I'm trying to remember what it

434
00:20:27,600 --> 00:20:30,080
Speaker 2: spen so long since my kids got you know, I

435
00:20:30,080 --> 00:20:31,879
Speaker 2: don't remember them climbing out of the crib, but I

436
00:20:31,920 --> 00:20:34,560
Speaker 2: remember the transition to the big, big girl, big boy bed.

437
00:20:34,680 --> 00:20:38,119
Speaker 1: I remember mine climbing out. Mine were little spider people.

438
00:20:38,240 --> 00:20:41,800
Speaker 1: They were just out of the crib. All.

439
00:20:42,160 --> 00:20:42,360
Speaker 2: Yeah.

440
00:20:42,359 --> 00:20:44,640
Speaker 1: It was a nightmare trying to get them, oh man,

441
00:20:44,680 --> 00:20:45,800
Speaker 1: into their own beds.

442
00:20:46,000 --> 00:20:46,200
Speaker 2: Yeah.

443
00:20:46,400 --> 00:20:49,119
Speaker 1: Mine, and then they're both like, well, Zoe in particular,

444
00:20:49,160 --> 00:20:50,399
Speaker 1: it was like a night out. So she was like,

445
00:20:50,440 --> 00:20:51,639
Speaker 1: I don't want to go to bed. Now I can

446
00:20:51,680 --> 00:20:54,359
Speaker 1: get out. I'm gonna just shot here. And they're bopping around,

447
00:20:54,440 --> 00:20:56,879
Speaker 1: dude reading books. I was like, it's eleven o'clock.

448
00:20:56,920 --> 00:21:00,960
Speaker 2: Oh my god, gosh. Oh yeah, it's hard. It's hard. Yeah,

449
00:21:01,080 --> 00:21:03,159
Speaker 2: I remember when Tate don't. I don't miss trying to

450
00:21:03,200 --> 00:21:04,639
Speaker 2: do that. Yeah, you know what I mean where you're like, no,

451
00:21:04,680 --> 00:21:07,240
Speaker 2: I need you to stay, just stay in bed. Getting

452
00:21:07,280 --> 00:21:09,639
Speaker 2: getting little kids to sleep is like the number one

453
00:21:10,000 --> 00:21:14,919
Speaker 2: problem and priority for parents of young children. Yeah, And

454
00:21:15,119 --> 00:21:17,800
Speaker 2: we transitioned Tate out of his crib because I needed

455
00:21:17,800 --> 00:21:20,240
Speaker 2: it for felicities. It was like right before she write born,

456
00:21:20,840 --> 00:21:22,560
Speaker 2: and so we got him a big boy bed and

457
00:21:22,600 --> 00:21:24,760
Speaker 2: he was so excited about it. I have a picture

458
00:21:24,800 --> 00:21:28,480
Speaker 2: of him. But he didn't realize he could get out

459
00:21:28,520 --> 00:21:30,600
Speaker 2: of it. So the next morning he was yelling for

460
00:21:30,640 --> 00:21:32,760
Speaker 2: me to come pick him up out of the bed,

461
00:21:32,800 --> 00:21:34,879
Speaker 2: and I'm like, no, you can get out on your own.

462
00:21:35,480 --> 00:21:37,760
Speaker 1: Because it's not I wish mine would have had it.

463
00:21:37,800 --> 00:21:39,320
Speaker 1: I would have been like, yes, you have to wait

464
00:21:39,440 --> 00:21:41,840
Speaker 1: here for in just you can't.

465
00:21:42,080 --> 00:21:42,919
Speaker 2: That's unfortunate.

466
00:21:42,960 --> 00:21:44,399
Speaker 1: You can't move, Yeah, you have to you have to

467
00:21:44,400 --> 00:21:47,639
Speaker 1: sleep and until like sweet freedom later.

468
00:21:47,880 --> 00:21:51,120
Speaker 2: Yeah, they were just done. That makes sense. Okay, mine

469
00:21:51,119 --> 00:21:53,200
Speaker 2: are the rule followers and yours are like the night

470
00:21:53,240 --> 00:21:58,520
Speaker 2: out my partners hanging off the side. Yeah, exactly. So Danny, Jesse, Michelle,

471
00:21:58,720 --> 00:22:01,280
Speaker 2: Stephan dj come run down the living room stairs to

472
00:22:01,359 --> 00:22:05,480
Speaker 2: answer the door. They all excitedly shout to Grandma Claire

473
00:22:05,560 --> 00:22:09,160
Speaker 2: that they are coming. Joey strolls in, eating an apple

474
00:22:09,240 --> 00:22:12,560
Speaker 2: and watches the crowd flood down the stairs, noting, well,

475
00:22:12,600 --> 00:22:14,680
Speaker 2: this family does everything together.

476
00:22:15,520 --> 00:22:17,920
Speaker 1: Which I didn't understand because I was like, they're going

477
00:22:17,960 --> 00:22:19,440
Speaker 1: to answer the door, Grandma's here.

478
00:22:19,560 --> 00:22:21,080
Speaker 2: What do you mean they do everything together? They're all

479
00:22:21,119 --> 00:22:23,840
Speaker 2: greeting grandma. Of course. If there's one thing to do together,

480
00:22:24,119 --> 00:22:26,080
Speaker 2: it's that. It's that right. It's not like they were

481
00:22:26,080 --> 00:22:28,359
Speaker 2: all going to the bathroom, right, It's not like this

482
00:22:28,440 --> 00:22:31,680
Speaker 2: is the cli. I was like, what is that, right? Yeah,

483
00:22:31,720 --> 00:22:33,600
Speaker 2: we're not going down the Elvis tour. We're not going

484
00:22:33,680 --> 00:22:35,960
Speaker 2: to watch Joey golf. Yeah, it's this is this is

485
00:22:36,000 --> 00:22:38,720
Speaker 2: a normal thing. But I don't know. They needed to

486
00:22:38,760 --> 00:22:41,680
Speaker 2: get Joey in the room somehow, So that's yeah, that's

487
00:22:41,680 --> 00:22:45,320
Speaker 2: how Jesse opens the door. And Grandma walks in announcing

488
00:22:45,640 --> 00:22:49,480
Speaker 2: here's Granny the girls. What if the kids would have

489
00:22:49,520 --> 00:22:54,480
Speaker 2: just been like Granny, who are like you just looks

490
00:22:54,480 --> 00:22:57,040
Speaker 2: so different. I wish they'd put in the line about that,

491
00:22:57,119 --> 00:22:59,600
Speaker 2: like Grandma, you've changed your hair or something.

492
00:22:59,720 --> 00:23:02,200
Speaker 1: Right, it's like a knock little red riding hood your Yeah,

493
00:23:02,240 --> 00:23:05,000
Speaker 1: your head is so your eyes are so big.

494
00:23:05,040 --> 00:23:08,880
Speaker 2: The better to see you with my dear, right. Yeah,

495
00:23:08,920 --> 00:23:11,840
Speaker 2: but the girls are very excited. The audience cheers for

496
00:23:12,000 --> 00:23:15,879
Speaker 2: Doris Roberts, which is awesome yep. And Grandma Claire exclaims,

497
00:23:16,000 --> 00:23:19,040
Speaker 2: kiss me, you fools, and she gives her family big

498
00:23:19,119 --> 00:23:24,080
Speaker 2: hugs all around. She turns to Danny and sighs, my baby,

499
00:23:24,600 --> 00:23:28,200
Speaker 2: and he smiles and responds, my mommy, before giving each

500
00:23:28,200 --> 00:23:31,760
Speaker 2: other a hug. Claire gets lipstick on Danny's cheek when

501
00:23:31,760 --> 00:23:34,439
Speaker 2: she kisses him, so she grabs a napkin, licks it

502
00:23:34,600 --> 00:23:38,439
Speaker 2: and wipes the lipstick off. He's noticeably embarrassed. And so

503
00:23:38,680 --> 00:23:39,520
Speaker 2: was I watching this.

504
00:23:39,680 --> 00:23:43,480
Speaker 1: I was right such a yeah, yeah, I was like,

505
00:23:43,600 --> 00:23:46,080
Speaker 1: oh no, Danny.

506
00:23:45,920 --> 00:23:48,640
Speaker 2: Yeah, well this whole episode is like Danny, Danny, Dan

507
00:23:48,720 --> 00:23:51,600
Speaker 2: Danny right right, there's this is only a preview of

508
00:23:51,640 --> 00:23:56,080
Speaker 2: what's to come later in the episode, so Grandma Clare

509
00:23:56,119 --> 00:23:59,160
Speaker 2: tells everybody she is pumped to be there. She looks

510
00:23:59,160 --> 00:24:01,880
Speaker 2: at Michelle and asks who is this big girl right here,

511
00:24:02,440 --> 00:24:07,200
Speaker 2: and Michelle sweetly replies Michelle Tanner. Claire tells Michelle she's

512
00:24:07,240 --> 00:24:10,000
Speaker 2: way too big to be Michelle Tanner, and Michelle assures

513
00:24:10,040 --> 00:24:15,359
Speaker 2: her it's me. It's my nose. Steph grabs Grandma's hand

514
00:24:15,400 --> 00:24:17,439
Speaker 2: and leads her to the couch, saying they have a

515
00:24:17,480 --> 00:24:20,479
Speaker 2: big surprise for her. She asks Danny if they can

516
00:24:20,520 --> 00:24:23,440
Speaker 2: give Claire the present now, and he admits, well after

517
00:24:23,480 --> 00:24:25,080
Speaker 2: that it would be cruel not to.

518
00:24:26,880 --> 00:24:27,120
Speaker 1: DJ.

519
00:24:27,200 --> 00:24:30,359
Speaker 2: Hand's Claire a wooden box wrapped with a bow, and

520
00:24:30,440 --> 00:24:33,200
Speaker 2: it's a paint set. Danny says it's in honor of

521
00:24:33,240 --> 00:24:36,920
Speaker 2: her retirement after thirty years in the stationary supply business.

522
00:24:38,000 --> 00:24:41,159
Speaker 1: Not at all, just random facts thrown in there to

523
00:24:41,200 --> 00:24:43,240
Speaker 1: where you're like, oh, okay, good, thanks for the backstory.

524
00:24:43,320 --> 00:24:45,560
Speaker 2: Yeah, she's because we needed to know that.

525
00:24:45,680 --> 00:24:47,960
Speaker 1: I mean, you know, right, wow, thirty years in the

526
00:24:48,000 --> 00:24:51,080
Speaker 1: stationary supply business. Yeah, I probably good things she got

527
00:24:51,080 --> 00:24:53,440
Speaker 1: out when she did, you know, prior to emails?

528
00:24:53,440 --> 00:24:56,320
Speaker 2: True, Yeah, that's a good point, man. Her business would

529
00:24:56,320 --> 00:24:58,080
Speaker 2: have gone down smart. Yeah, I would have just really

530
00:24:58,080 --> 00:25:00,639
Speaker 2: gone down. But this paint set, the bo it doesn't

531
00:25:00,640 --> 00:25:02,399
Speaker 2: look like a paint set. It looks like a like

532
00:25:02,440 --> 00:25:07,320
Speaker 2: a fishing box or like a box or something.

533
00:25:07,440 --> 00:25:09,520
Speaker 1: It looks like a paint set. I have paint sets

534
00:25:09,520 --> 00:25:12,320
Speaker 1: that came in like wooden boxes. They're like very elaborate

535
00:25:12,359 --> 00:25:14,879
Speaker 1: ones with like the small acrylic paints and like a

536
00:25:14,880 --> 00:25:16,560
Speaker 1: whole set and the little easel and all.

537
00:25:16,560 --> 00:25:18,560
Speaker 2: Oh, okay, okay, it's like a it's but it's a

538
00:25:18,680 --> 00:25:23,480
Speaker 2: very like sort of yeah, old school, uh paint box.

539
00:25:23,880 --> 00:25:26,960
Speaker 1: I'm sure they made it look like that so that

540
00:25:27,040 --> 00:25:29,520
Speaker 1: it would be able to be wrapped in the way

541
00:25:29,520 --> 00:25:32,080
Speaker 1: that television wrapping is, which is only the top wrapped in.

542
00:25:32,240 --> 00:25:34,360
Speaker 2: Right. You gotta get we don't want to waste precious

543
00:25:34,400 --> 00:25:35,639
Speaker 2: seconds opening a present.

544
00:25:35,720 --> 00:25:37,800
Speaker 1: No, no, no, no no, we just need to write rip that

545
00:25:37,880 --> 00:25:38,440
Speaker 1: but off.

546
00:25:39,119 --> 00:25:40,280
Speaker 2: Well no, it's not even ripped off.

547
00:25:40,280 --> 00:25:42,600
Speaker 1: It just the whole top lifts up and it's someone

548
00:25:42,680 --> 00:25:45,640
Speaker 1: tape the you know, the the TV show wrapping where

549
00:25:45,680 --> 00:25:47,639
Speaker 1: you're like, oh, we wrapped it in two separate pieces.

550
00:25:47,720 --> 00:25:50,480
Speaker 2: Yeah, I think that's a brilliant. You know, I should

551
00:25:50,480 --> 00:25:53,040
Speaker 2: start doing that at home. Because it would make Christmas

552
00:25:53,119 --> 00:25:55,840
Speaker 2: morning way fast. You know what I just buy.

553
00:25:56,080 --> 00:25:59,400
Speaker 1: I go to like Joanne's or like one of those places,

554
00:25:59,440 --> 00:26:05,280
Speaker 1: and I buy on sale the boxes, like the little

555
00:26:05,320 --> 00:26:08,720
Speaker 1: cute boxes that are like holiday themeed or whatever, and.

556
00:26:08,680 --> 00:26:11,200
Speaker 2: They'll be on sale for like seventy percent off.

557
00:26:11,359 --> 00:26:13,520
Speaker 1: So it's like a nice box like this for like

558
00:26:14,240 --> 00:26:16,320
Speaker 1: four dollars and then you can use it, reuse it.

559
00:26:16,359 --> 00:26:18,720
Speaker 2: Oh my god, I just sounded like my mother. You

560
00:26:18,760 --> 00:26:21,880
Speaker 2: totally that was a Janice sweetened moment. But it's brilliant,

561
00:26:21,960 --> 00:26:25,200
Speaker 2: you know, believe I just stood them on podcast. Okay,

562
00:26:25,240 --> 00:26:26,880
Speaker 2: Hi Jannis, Hi Janis?

563
00:26:26,960 --> 00:26:29,239
Speaker 1: Oh yeah, yeah, my mom's like, see, I told you,

564
00:26:29,520 --> 00:26:31,040
Speaker 1: I told you, I taught you things right.

565
00:26:31,560 --> 00:26:34,720
Speaker 2: This whole podcast is just Janis is like, yes, I

566
00:26:34,760 --> 00:26:39,879
Speaker 2: have been redeemed, Like this is her victory lap. Right. Yeah.

567
00:26:40,040 --> 00:26:44,480
Speaker 2: So Joey smiles and wishes Claire happy golden years. Everybody,

568
00:26:44,520 --> 00:26:49,320
Speaker 2: happy golden years to us. Apparently we're next, Jody, we're

569
00:26:49,320 --> 00:26:52,840
Speaker 2: really leaning into our retirement here. So Claire size and

570
00:26:52,880 --> 00:26:57,199
Speaker 2: says golden years. Huh oh boy. DJ asks if she

571
00:26:57,280 --> 00:27:01,040
Speaker 2: doesn't like the gift, and Claire replies, oh no, sweetheart,

572
00:27:01,080 --> 00:27:03,720
Speaker 2: I love it it's beautiful. She goes on to say

573
00:27:03,720 --> 00:27:05,680
Speaker 2: that she'll take it to the park and paint pictures

574
00:27:05,720 --> 00:27:08,880
Speaker 2: of other retired people who are painting pictures of her.

575
00:27:10,080 --> 00:27:13,840
Speaker 1: I mean the I was like, lady, it was such

576
00:27:13,920 --> 00:27:14,760
Speaker 1: the mom guilt.

577
00:27:14,960 --> 00:27:17,399
Speaker 2: That's fine, that's great, A fine.

578
00:27:17,240 --> 00:27:19,639
Speaker 1: No, I'm not old. A lot of the other old people,

579
00:27:19,840 --> 00:27:22,560
Speaker 1: you know, just pushed me out to see. Like that's

580
00:27:22,560 --> 00:27:23,920
Speaker 1: what it felt like, you know what I mean?

581
00:27:25,440 --> 00:27:28,760
Speaker 2: Well, yes, I felt like she I feel like this

582
00:27:28,920 --> 00:27:31,320
Speaker 2: was the moment where she first realized, oh wait, yes,

583
00:27:31,720 --> 00:27:35,080
Speaker 2: I'm retired. What am I gonna do? Who am I?

584
00:27:35,160 --> 00:27:38,960
Speaker 2: What's my identity? So that's it was. This is how

585
00:27:39,000 --> 00:27:41,800
Speaker 2: she expressed it. But yes, I agree, No, that was

586
00:27:41,920 --> 00:27:44,720
Speaker 2: very It was kind of passive aggressive, like moms love

587
00:27:44,800 --> 00:27:49,440
Speaker 2: to be so right, that's okay, that's okay. So Danny

588
00:27:49,440 --> 00:27:51,840
Speaker 2: shakes his head. I knew we should have bought perfume,

589
00:27:52,280 --> 00:27:55,760
Speaker 2: and Claire apologizes for her reaction. So okay, she's self aware,

590
00:27:56,960 --> 00:28:00,000
Speaker 2: She explains, now that she's divorced, her kids are grown,

591
00:28:00,560 --> 00:28:03,240
Speaker 2: she's retired, and her life went from get up and

592
00:28:03,240 --> 00:28:07,480
Speaker 2: go to why get up? Danny assures his mom not

593
00:28:07,600 --> 00:28:10,600
Speaker 2: to worry. He's confident she'll find something fun to do

594
00:28:10,760 --> 00:28:15,560
Speaker 2: with her time. Next, at the kitchen table, everyone is

595
00:28:15,560 --> 00:28:19,000
Speaker 2: sitting around finishing up breakfast. Claire announces that she has

596
00:28:19,040 --> 00:28:22,479
Speaker 2: more batter if anybody wants more pancakes, and everyone at

597
00:28:22,480 --> 00:28:27,000
Speaker 2: the table groans. In Unison, Claire exclaims that those groans

598
00:28:27,000 --> 00:28:30,520
Speaker 2: are music to a grandmother's ears. Everyone begins to get up,

599
00:28:30,520 --> 00:28:32,480
Speaker 2: but Claire tells them to sit down because she is

600
00:28:32,560 --> 00:28:36,399
Speaker 2: going to do the dishes. Sweet, I know, right, Like,

601
00:28:36,440 --> 00:28:38,120
Speaker 2: why do they Why do I have a problem with

602
00:28:38,160 --> 00:28:40,200
Speaker 2: any of this? Like all of this sounds are nazy.

603
00:28:41,440 --> 00:28:45,200
Speaker 2: Just yet, feed me more pancakes, please, right? I was like, great, Yes,

604
00:28:45,360 --> 00:28:48,480
Speaker 2: sit there and just eat more pancakes. That's a great

605
00:28:48,520 --> 00:28:51,840
Speaker 2: plan for Saturday. Danny tells Claire that they will do

606
00:28:51,880 --> 00:28:55,120
Speaker 2: the dishes, encouraging her to take Michelle upstairs and settle in.

607
00:28:55,840 --> 00:28:58,440
Speaker 2: Claire gives a big grin. It is so nice to

608
00:28:58,480 --> 00:29:02,160
Speaker 2: feel wanted, she says. She gives her son a loving hug,

609
00:29:02,280 --> 00:29:05,240
Speaker 2: and then picks up Michelle to bring her upstairs. Before

610
00:29:05,240 --> 00:29:07,040
Speaker 2: she walks out of the room, Claire tells the rest

611
00:29:07,080 --> 00:29:10,400
Speaker 2: of the family hang tight because lunch is not far away.

612
00:29:11,080 --> 00:29:15,080
Speaker 2: They all grown in Unison once again, Come on, family, Like,

613
00:29:16,040 --> 00:29:18,720
Speaker 2: now they're groaning because they're full. That's what I'm saying.

614
00:29:18,760 --> 00:29:20,479
Speaker 2: They're groaning because they're full. But it's not because her

615
00:29:20,520 --> 00:29:23,080
Speaker 2: cooking is bad, right, They're cooking is delicious.

616
00:29:23,320 --> 00:29:25,680
Speaker 1: It's because they're full. They're no, they're not like, oh god,

617
00:29:25,760 --> 00:29:27,920
Speaker 1: you suck. They're like, oh my god, more food.

618
00:29:28,040 --> 00:29:30,560
Speaker 2: We can't eat another bite? Okay, you can't eat another bite? Okay.

619
00:29:30,560 --> 00:29:32,640
Speaker 2: I thought the family could have been a little more appreciative,

620
00:29:32,760 --> 00:29:35,560
Speaker 2: but that's it makes sense that they're full. But there's

621
00:29:35,600 --> 00:29:38,000
Speaker 2: other ways to express it then groaning in unison. But

622
00:29:38,080 --> 00:29:40,520
Speaker 2: then the joke wouldn't work. So yeah, the joke's gotta work.

623
00:29:41,160 --> 00:29:45,040
Speaker 2: I got it. So Jesse grabs his plate and stands.

624
00:29:45,400 --> 00:29:49,680
Speaker 2: He rallies everyone to start their dishes. Danny stops, saying, guys,

625
00:29:50,040 --> 00:29:53,360
Speaker 2: do me a favor. Stop cleaning. Just let this mess

626
00:29:53,440 --> 00:29:56,640
Speaker 2: sit right here. Dj immediately puts her hand on her

627
00:29:56,680 --> 00:30:00,480
Speaker 2: dad's forehead and asks, are you feeling okay? Danny's yes,

628
00:30:00,680 --> 00:30:03,160
Speaker 2: and then explains how cheered up his mom felt because

629
00:30:03,200 --> 00:30:07,480
Speaker 2: she loves taking care of them. Danny says, I say

630
00:30:07,520 --> 00:30:09,959
Speaker 2: we spend the weekend trying to make her feel like

631
00:30:10,000 --> 00:30:13,239
Speaker 2: we really need her, like we can't get along without her,

632
00:30:14,040 --> 00:30:18,280
Speaker 2: and DJ says, but we really can, and he responds,

633
00:30:18,320 --> 00:30:21,440
Speaker 2: but will make it look like we can't. And Stephanie

634
00:30:21,520 --> 00:30:23,840
Speaker 2: is just shocked. She says, you want us to lie.

635
00:30:25,200 --> 00:30:27,960
Speaker 1: Stephanie should be shocked because this is a ridiculous planet.

636
00:30:28,000 --> 00:30:32,480
Speaker 2: This really is. It's just stupid. I mean no, I

637
00:30:33,440 --> 00:30:36,360
Speaker 2: was like, wait, what the whole thing?

638
00:30:36,400 --> 00:30:40,160
Speaker 1: To me, I was like, I don't okay, okay, yeah,

639
00:30:40,200 --> 00:30:41,840
Speaker 1: it's it's it feels like.

640
00:30:41,800 --> 00:30:43,920
Speaker 2: A strange premise to me. It's definitely a sake.

641
00:30:44,160 --> 00:30:47,720
Speaker 1: We're gonna act in capable because so that we get taken.

642
00:30:47,840 --> 00:30:48,239
Speaker 2: I don't know.

643
00:30:48,920 --> 00:30:51,040
Speaker 1: I guess also maybe as a mom, I have a

644
00:30:51,080 --> 00:30:54,600
Speaker 1: little down where I'm like, you people can do this. Yeah.

645
00:30:54,760 --> 00:30:55,680
Speaker 2: No, it's it's true.

646
00:30:55,720 --> 00:30:58,680
Speaker 1: They're not encouragent want it in other ways, not just

647
00:30:58,720 --> 00:30:59,280
Speaker 1: like hey can.

648
00:30:59,240 --> 00:31:02,040
Speaker 2: You cook and cleve for us? Yeah, it's like where

649
00:31:02,080 --> 00:31:04,800
Speaker 2: is her worth in cooking and clean? No, it was

650
00:31:04,840 --> 00:31:07,200
Speaker 2: a terrible message. It's like I get that he was

651
00:31:07,200 --> 00:31:10,760
Speaker 2: trying to make her feel important and needed, but then

652
00:31:10,800 --> 00:31:12,680
Speaker 2: you just give her like one or two tasks. You

653
00:31:12,720 --> 00:31:15,560
Speaker 2: don't just say, oh, we're just these you know, limp

654
00:31:15,640 --> 00:31:19,000
Speaker 2: Amieba's sitting around doing nothing, like you know, give her,

655
00:31:19,200 --> 00:31:21,480
Speaker 2: you know, give her one or two jobs. But yeah,

656
00:31:21,480 --> 00:31:24,440
Speaker 2: this was a not a great It was a bit convoluted.

657
00:31:24,520 --> 00:31:26,560
Speaker 1: I was like, I'm not sure why Danny would choose

658
00:31:26,600 --> 00:31:28,920
Speaker 1: this avenue, but okay.

659
00:31:29,320 --> 00:31:31,720
Speaker 2: Yeah, because the joke has to work, that's why. Right,

660
00:31:32,320 --> 00:31:34,800
Speaker 2: So Danny explains that he doesn't want her to lie.

661
00:31:35,000 --> 00:31:38,680
Speaker 2: He wants her to make believe. They'll all make believe

662
00:31:38,720 --> 00:31:41,520
Speaker 2: that they can't cook, clean, or take care of the girls.

663
00:31:42,440 --> 00:31:45,000
Speaker 1: Why would you make believe that that? All that would

664
00:31:45,000 --> 00:31:47,040
Speaker 1: do is make your mom go, I need to be here,

665
00:31:47,200 --> 00:31:47,720
Speaker 1: you know what I mean?

666
00:31:47,760 --> 00:31:48,560
Speaker 2: Like that that.

667
00:31:48,480 --> 00:31:50,760
Speaker 1: Would be the first thought is like if I act

668
00:31:50,800 --> 00:31:53,440
Speaker 1: like I can't handle this, my mom is going to

669
00:31:53,640 --> 00:31:56,040
Speaker 1: want to come in and save everything, and I probably

670
00:31:56,400 --> 00:31:56,960
Speaker 1: don't want that.

671
00:31:57,200 --> 00:31:59,640
Speaker 2: Yeah. Well, this was the premise of that episode in

672
00:31:59,680 --> 00:32:02,280
Speaker 2: season one where all the grandmas came back and they

673
00:32:02,280 --> 00:32:04,400
Speaker 2: were like, you guys can't handle this, and the guys

674
00:32:04,400 --> 00:32:06,280
Speaker 2: are like, we can prove we can do it, Like, no,

675
00:32:06,360 --> 00:32:09,240
Speaker 2: we can, right, So now Danny's like, undoing, we have a.

676
00:32:09,160 --> 00:32:11,400
Speaker 1: Different grandma now, so we have to prove an entirely

677
00:32:11,400 --> 00:32:11,960
Speaker 1: different point.

678
00:32:12,040 --> 00:32:13,360
Speaker 2: She wasn't there for that she does it.

679
00:32:13,480 --> 00:32:15,680
Speaker 1: She missed that point, so she's like, you got to

680
00:32:15,720 --> 00:32:17,920
Speaker 1: catch me up with what you're capable of and not

681
00:32:18,000 --> 00:32:18,720
Speaker 1: capable of doing.

682
00:32:18,800 --> 00:32:21,280
Speaker 2: So there's a mix sense new personality for each reek.

683
00:32:21,480 --> 00:32:23,760
Speaker 1: Yeah, they're like, look, she's like, I don't know these people.

684
00:32:24,160 --> 00:32:26,920
Speaker 1: You know, you guys were dealing with some other grandma

685
00:32:27,000 --> 00:32:27,440
Speaker 1: last time.

686
00:32:27,560 --> 00:32:33,320
Speaker 2: Yeah, So Stephanie still doesn't understand like most of us.

687
00:32:33,520 --> 00:32:36,320
Speaker 1: Yes, you're right, I'm still Jody's.

688
00:32:36,320 --> 00:32:40,040
Speaker 2: Somebodys later like this is a strange premise, and DJ

689
00:32:40,280 --> 00:32:43,160
Speaker 2: chimes in, in order to help grandma, you want us

690
00:32:43,240 --> 00:32:45,760
Speaker 2: to make believe that we can't clean our room, and

691
00:32:45,840 --> 00:32:48,760
Speaker 2: Danny says, you got it. Steph starts to admit that

692
00:32:48,800 --> 00:32:51,080
Speaker 2: she still doesn't get it, but DJ quickly puts her

693
00:32:51,080 --> 00:32:54,120
Speaker 2: hand over Stephanie's mouth, cutting her off, saying, make believe

694
00:32:54,160 --> 00:32:57,440
Speaker 2: that you get it. I'm trying. She yeah, she Steph

695
00:32:57,560 --> 00:32:59,840
Speaker 2: just is not a fan of this plan at all,

696
00:33:00,800 --> 00:33:05,160
Speaker 2: and and lo and behold, she's right. Yeah stuff, he's

697
00:33:05,160 --> 00:33:08,360
Speaker 2: the end of the thing. Steph is always like I

698
00:33:08,400 --> 00:33:10,120
Speaker 2: told you, I told you so, she'd have done this.

699
00:33:10,360 --> 00:33:11,040
Speaker 2: I told you so.

700
00:33:12,080 --> 00:33:12,360
Speaker 1: Yep.

701
00:33:12,760 --> 00:33:15,280
Speaker 2: So Jesse tells Danny that if it will help his mom.

702
00:33:15,400 --> 00:33:17,959
Speaker 2: He's happy to do whatever he can, and he motions

703
00:33:18,000 --> 00:33:20,520
Speaker 2: to Joey, come on, let's go trash the living room.

704
00:33:21,120 --> 00:33:25,040
Speaker 2: No one said to trash anything. We're not trying. I

705
00:33:25,080 --> 00:33:27,440
Speaker 2: was like, let her help, but why are we making

706
00:33:27,480 --> 00:33:30,440
Speaker 2: it harder? Yeah, like you don't create these problem. Just

707
00:33:30,480 --> 00:33:32,959
Speaker 2: said go trash thing. Yes, they just said, like, let

708
00:33:33,000 --> 00:33:35,160
Speaker 2: her help out with them. This is everybody's got a

709
00:33:35,160 --> 00:33:38,720
Speaker 2: different interpretation of these rules. This is just the plan's

710
00:33:38,720 --> 00:33:43,200
Speaker 2: already fallen apart. Yeah. Uh. Joey follows Jesse out of

711
00:33:43,240 --> 00:33:46,520
Speaker 2: the kitchen saying, yeah, let's trash it real good, and

712
00:33:46,600 --> 00:33:49,520
Speaker 2: Danny reminds the guys to trash it neatly, and Joey

713
00:33:49,520 --> 00:33:51,440
Speaker 2: and Jesse turned to him and put their fingers on

714
00:33:51,480 --> 00:33:54,840
Speaker 2: their heads like devil horns and say, right, yeah, what

715
00:33:54,960 --> 00:33:55,600
Speaker 2: is I think that was.

716
00:33:55,600 --> 00:33:58,440
Speaker 1: A character something? I actually that's one. I actually don't

717
00:33:59,120 --> 00:34:00,200
Speaker 1: I tried look it.

718
00:34:00,240 --> 00:34:02,200
Speaker 2: I'm like, what are they I'm referring to? I don't

719
00:34:02,200 --> 00:34:02,920
Speaker 2: know was it?

720
00:34:03,360 --> 00:34:03,640
Speaker 1: I was.

721
00:34:03,760 --> 00:34:05,320
Speaker 2: I was gonna go beavis and butt head, but I

722
00:34:05,320 --> 00:34:07,920
Speaker 2: was like, now it wasn't. But wasn't a thing yet. Yeah,

723
00:34:07,920 --> 00:34:09,360
Speaker 2: And I don't think we would have made that reference

724
00:34:09,400 --> 00:34:12,239
Speaker 2: on full House. Yeah House, probably not, but I don't.

725
00:34:12,239 --> 00:34:14,640
Speaker 2: I don't know. I don't. I don't know either. But okay,

726
00:34:14,640 --> 00:34:16,960
Speaker 2: if anybody knows out there, please let please let us know,

727
00:34:17,120 --> 00:34:22,640
Speaker 2: because we're confused. So uh. Grandma Claire walks back into

728
00:34:22,680 --> 00:34:26,080
Speaker 2: the kitchen to see the dirty dishes still still sitting

729
00:34:26,120 --> 00:34:28,840
Speaker 2: on the table. She notes that she's never seen Danny

730
00:34:28,920 --> 00:34:32,160
Speaker 2: leave a mess this long. Danny tells her that Jesse

731
00:34:32,239 --> 00:34:34,879
Speaker 2: and Joey have to work and he has errands to run,

732
00:34:35,239 --> 00:34:39,400
Speaker 2: so sometimes it's just hard to keep up. Steph chimes in, yeah,

733
00:34:39,680 --> 00:34:41,560
Speaker 2: just wait till you see how messy our room is

734
00:34:41,560 --> 00:34:45,239
Speaker 2: going to be. DJ fake's a laugh and says to Grandma,

735
00:34:45,480 --> 00:34:48,160
Speaker 2: isn't she an airhead, and then follows Steph out of

736
00:34:48,200 --> 00:34:50,920
Speaker 2: the kitchen. It's this plan.

737
00:34:51,320 --> 00:34:53,520
Speaker 1: Those shorts, by the way, that Candice was wearing were

738
00:34:53,560 --> 00:34:57,280
Speaker 1: pretty impressive, the shorts with the with the vest. Oh yeah,

739
00:34:57,360 --> 00:35:01,840
Speaker 1: oh that is some eighties like eighties early nineties.

740
00:35:01,960 --> 00:35:04,960
Speaker 2: Yeah, yeah, you can definitely tell that Kandace has some

741
00:35:05,000 --> 00:35:08,040
Speaker 2: input on her style, on her hair and the hair

742
00:35:08,280 --> 00:35:10,879
Speaker 2: when it was that like winged out sort of. Oh yeah,

743
00:35:11,320 --> 00:35:15,680
Speaker 2: those classics classic DJ looks right there. Yeah, Claire tells

744
00:35:15,680 --> 00:35:17,560
Speaker 2: her son to do what he's got to do. She'll

745
00:35:17,600 --> 00:35:20,719
Speaker 2: clean the house and then spend the afternoon with her granddaughters.

746
00:35:21,120 --> 00:35:23,080
Speaker 2: Danny kisses his mom on the cheek and tells her

747
00:35:23,160 --> 00:35:27,000
Speaker 2: she's the best. Before leaving, Danny mentions he also needs

748
00:35:27,040 --> 00:35:29,600
Speaker 2: to pick out a new bed for Michelle and asks

749
00:35:29,640 --> 00:35:33,360
Speaker 2: Claire if she has any ideas. She excitedly turns to

750
00:35:33,400 --> 00:35:36,000
Speaker 2: Danny and says, yes, let me pick it out, and

751
00:35:36,080 --> 00:35:40,759
Speaker 2: Danny smiles, telling her you're the boss. That great, great move,

752
00:35:40,840 --> 00:35:41,879
Speaker 2: give you. That's her task?

753
00:35:41,960 --> 00:35:45,239
Speaker 1: Love that, Yeah, that's that's a fantastic grandma task.

754
00:35:45,320 --> 00:35:47,399
Speaker 2: Yeah, could task her with picking out a new bed

755
00:35:47,440 --> 00:35:50,200
Speaker 2: for the toddler. Yeah, great, love it? Yeah great, she'll

756
00:35:50,200 --> 00:35:52,399
Speaker 2: feel great. She doesn't need to do any anything else.

757
00:35:52,800 --> 00:35:54,879
Speaker 1: No, no, you don't need to go and like light

758
00:35:54,920 --> 00:35:57,560
Speaker 1: the living room on fire, you know, Like it's.

759
00:35:58,200 --> 00:36:00,200
Speaker 2: How many ways can we make life hard for him?

760
00:36:00,239 --> 00:36:00,279
Speaker 1: On?

761
00:36:01,080 --> 00:36:04,160
Speaker 2: Right? So Danny and Claire hug and she tells him

762
00:36:04,200 --> 00:36:06,920
Speaker 2: you are the best boy, and he replies you are

763
00:36:06,960 --> 00:36:09,560
Speaker 2: the best mom, And then Claire says, no, you are.

764
00:36:10,040 --> 00:36:12,920
Speaker 2: Danny argues you are, and the two go back and

765
00:36:12,960 --> 00:36:15,680
Speaker 2: forth as Danny slowly walks towards the door in this

766
00:36:16,040 --> 00:36:18,799
Speaker 2: like I'm so uncomfortable right now, Like I'm so uncomfortable.

767
00:36:18,880 --> 00:36:22,240
Speaker 1: I don't know about you, but I in that moment

768
00:36:22,280 --> 00:36:26,320
Speaker 1: I went there's something deeply troubling about Danny's.

769
00:36:25,960 --> 00:36:28,320
Speaker 2: Relationship with his mom, where.

770
00:36:28,160 --> 00:36:31,759
Speaker 1: I was like, yeah, he hasn't he hasn't individuated yet,

771
00:36:32,360 --> 00:36:32,960
Speaker 1: he hasn't.

772
00:36:33,400 --> 00:36:36,319
Speaker 2: No, Like, what the what the Oedipus is going on

773
00:36:36,680 --> 00:36:40,520
Speaker 2: right now? Right? I was like, what, Yeah, it was

774
00:36:40,600 --> 00:36:43,560
Speaker 2: it was strange. It was strange. It was just it

775
00:36:43,600 --> 00:36:44,439
Speaker 2: was too And.

776
00:36:44,360 --> 00:36:49,000
Speaker 1: I think all also, I think, and this is just

777
00:36:49,040 --> 00:36:53,239
Speaker 1: my thoughts on Doris Roberts. I think it because door

778
00:36:53,400 --> 00:36:56,560
Speaker 1: to me, Doris Roberts gives off a very East Coast vibe, okay,

779
00:36:57,520 --> 00:37:00,160
Speaker 1: like a very I don't know, like there is something

780
00:37:00,239 --> 00:37:04,000
Speaker 1: about the original Grandma that and this sounds awful, that

781
00:37:04,080 --> 00:37:09,000
Speaker 1: had a warmth to her. And I just didn't find

782
00:37:09,040 --> 00:37:10,439
Speaker 1: that Doris did.

783
00:37:10,600 --> 00:37:14,439
Speaker 2: Oh interesting, Okay, yeah, I didn't find that she did.

784
00:37:14,520 --> 00:37:17,960
Speaker 1: And I seem to remember that she was a little

785
00:37:18,360 --> 00:37:21,160
Speaker 1: kind of very off to herself and a little so

786
00:37:21,200 --> 00:37:23,719
Speaker 1: I think it was just also a matter of like, yeah,

787
00:37:23,760 --> 00:37:26,279
Speaker 1: it was just like the vibe of the whole thing.

788
00:37:26,280 --> 00:37:26,640
Speaker 2: I don't know.

789
00:37:26,680 --> 00:37:29,879
Speaker 1: For me, I was like, this doesn't this doesn't seem

790
00:37:29,960 --> 00:37:30,600
Speaker 1: like Danny's mom.

791
00:37:30,640 --> 00:37:33,280
Speaker 2: The original Claire felt like Danny's mom. I I agree

792
00:37:33,320 --> 00:37:35,040
Speaker 2: with that. I agree with that, Like.

793
00:37:35,000 --> 00:37:39,920
Speaker 1: This character felt a little more overbearing and like pushy

794
00:37:40,600 --> 00:37:43,480
Speaker 1: and sort of I don't know what's the like like

795
00:37:44,000 --> 00:37:48,800
Speaker 1: not condescending, it's not self pitying, but like she was, Oh.

796
00:37:48,600 --> 00:37:50,280
Speaker 2: Fine, it's not you know what I mean? Like I didn't.

797
00:37:50,840 --> 00:37:52,960
Speaker 2: I don't know. It's hard to it's hard to put

798
00:37:53,000 --> 00:37:54,839
Speaker 2: into words. It's hard to put into words.

799
00:37:54,880 --> 00:37:57,600
Speaker 1: But I I did not connect with uh with this

800
00:37:57,719 --> 00:38:00,239
Speaker 1: Grandma Claire as much as I did the first one, honestly. Yeah,

801
00:38:00,239 --> 00:38:02,160
Speaker 1: And I know Doris Roberts is a fabulous act and

802
00:38:02,160 --> 00:38:06,120
Speaker 1: I'm not even like, you know, everybody loves Raymond.

803
00:38:05,920 --> 00:38:08,720
Speaker 2: Perfect perfect, yes, because it needed that.

804
00:38:10,200 --> 00:38:13,680
Speaker 1: Slightly sort of acerbic tension between the two of them

805
00:38:13,719 --> 00:38:16,680
Speaker 1: and whatever, and it felt like that was sort of

806
00:38:17,040 --> 00:38:20,200
Speaker 1: still that character that she was playing in this Oh okay,

807
00:38:20,280 --> 00:38:21,960
Speaker 1: I mean, which she hadn't played Everybody Loves very Mr.

808
00:38:22,160 --> 00:38:24,600
Speaker 1: But it just felt a little more I don't know,

809
00:38:24,960 --> 00:38:26,800
Speaker 1: Like I said, there felt like there was an underlying

810
00:38:26,880 --> 00:38:31,759
Speaker 1: tension in Danny and Claire's relationship that felt that didn't

811
00:38:31,800 --> 00:38:32,760
Speaker 1: feel like it did before.

812
00:38:32,800 --> 00:38:35,399
Speaker 2: I don't know. Maybe I'm yeah, no, no, I feel

813
00:38:35,400 --> 00:38:38,360
Speaker 2: bad because Doris Roberts is or she was so incredible

814
00:38:38,760 --> 00:38:41,880
Speaker 2: on many levels, but yeah, there was a disconnect for

815
00:38:41,920 --> 00:38:45,120
Speaker 2: me too, and she felt very Grandma like to me.

816
00:38:45,200 --> 00:38:47,040
Speaker 2: She felt warm to me, I felt like the love

817
00:38:47,280 --> 00:38:50,160
Speaker 2: to the family. But I just felt she was I

818
00:38:50,200 --> 00:38:52,000
Speaker 2: don't know, there was something missing in the comedy, like

819
00:38:52,040 --> 00:38:54,000
Speaker 2: she wasn't hitting the beats, or maybe the beats weren't there.

820
00:38:54,000 --> 00:38:55,600
Speaker 2: I don't know if it's a Doris Roberts issue or

821
00:38:55,600 --> 00:38:57,640
Speaker 2: a writing issue, but the beats were weird.

822
00:38:57,840 --> 00:38:59,640
Speaker 1: But a get well, No, that's what I'm saying is

823
00:38:59,680 --> 00:39:03,319
Speaker 1: I think when you watch her, it's because she's a

824
00:39:03,320 --> 00:39:09,000
Speaker 1: little more dead pan and a little less effusive then

825
00:39:09,120 --> 00:39:11,120
Speaker 1: I think the original Grandma Claire kind of was. She

826
00:39:11,200 --> 00:39:13,160
Speaker 1: was a little more bubbly and you know which kind

827
00:39:13,239 --> 00:39:14,879
Speaker 1: of Yeah, I don't know, felt like it made sense

828
00:39:14,880 --> 00:39:19,040
Speaker 1: a little bit for who Danny is. Yeah, this particular

829
00:39:19,160 --> 00:39:22,840
Speaker 1: version of Grandma Tanner felt a little more again, like

830
00:39:22,880 --> 00:39:25,799
Speaker 1: there was something under the surface of that relationship that

831
00:39:25,840 --> 00:39:28,440
Speaker 1: I couldn't just I don't know, and I think it's

832
00:39:28,520 --> 00:39:30,960
Speaker 1: just because she is like a little more of a

833
00:39:32,000 --> 00:39:34,839
Speaker 1: I don't know, she just has a different personality.

834
00:39:34,360 --> 00:39:37,680
Speaker 2: Totally different energy than the first Gramma Claire. Yeah, and

835
00:39:37,719 --> 00:39:41,800
Speaker 2: there was just so many like lingering stare like lingering

836
00:39:41,840 --> 00:39:47,239
Speaker 2: stairs of the silences, passive aggressive sort of Yeah, well,

837
00:39:47,280 --> 00:39:49,560
Speaker 2: she's just so obsessed with her son too, Like there

838
00:39:49,600 --> 00:39:52,480
Speaker 2: was that, right, was weird. Yeah, it's like, no, he's thirty,

839
00:39:52,520 --> 00:39:55,560
Speaker 2: he's thirty something now, like it's time to write, It's

840
00:39:55,600 --> 00:39:59,120
Speaker 2: time to cut the umbilical cord and let him live

841
00:39:59,160 --> 00:40:01,880
Speaker 2: his life. But yeah, this that was it may be uncomfortable,

842
00:40:01,880 --> 00:40:04,359
Speaker 2: and I felt so I felt guilty for that me too.

843
00:40:04,800 --> 00:40:07,600
Speaker 2: I know, I agree. I was like, stop it, this

844
00:40:07,640 --> 00:40:10,400
Speaker 2: is weird. Stop. Yeah. I wonder if the I should

845
00:40:10,400 --> 00:40:12,160
Speaker 2: I should have asked Jeff this. I wonder if the

846
00:40:12,160 --> 00:40:15,839
Speaker 2: original Grandma Claire wasn't available, or if they were just like, oh,

847
00:40:15,840 --> 00:40:18,879
Speaker 2: Doris Roberts, let's get probably got her, so we'll write

848
00:40:18,880 --> 00:40:21,920
Speaker 2: this episode for her. Maybe. I don't know, because it

849
00:40:22,000 --> 00:40:25,320
Speaker 2: was a whole episode bait kind of devoted to this Grandma.

850
00:40:25,480 --> 00:40:28,680
Speaker 2: So you have to have an actress that can rise

851
00:40:28,719 --> 00:40:29,360
Speaker 2: to the occasion.

852
00:40:29,400 --> 00:40:31,239
Speaker 1: And it sound I mean when we get to the

853
00:40:31,320 --> 00:40:33,279
Speaker 1: end of the episode, you'll it sounds like they're going

854
00:40:33,360 --> 00:40:36,200
Speaker 1: to make her more of a prominent character almost town,

855
00:40:36,320 --> 00:40:38,080
Speaker 1: and I was like, was this a thing that we

856
00:40:38,080 --> 00:40:41,160
Speaker 1: were planning on doing? And then maybe people didn't respond

857
00:40:41,200 --> 00:40:42,600
Speaker 1: as well. I don't know, I don't know anyway, I

858
00:40:42,600 --> 00:40:43,200
Speaker 1: got questions.

859
00:40:43,239 --> 00:40:47,480
Speaker 2: Okay, Well, moving on in Michelle's room, Grandma, Claire and

860
00:40:47,520 --> 00:40:50,600
Speaker 2: Steph run into her room hand in hand, announcing they're

861
00:40:50,680 --> 00:40:53,560
Speaker 2: back from the zoo. Steph thanks her grandma for the

862
00:40:53,600 --> 00:40:56,640
Speaker 2: fun time, telling her she thought she knew fun before,

863
00:40:56,920 --> 00:40:59,440
Speaker 2: but now she knows how much fun things can really be.

864
00:41:00,400 --> 00:41:04,200
Speaker 2: Claire hugs Stephanie, and Stephanie winks at Danny over Claire's shoulder,

865
00:41:04,480 --> 00:41:07,400
Speaker 2: and he does the same exaggerated wink right back at her.

866
00:41:09,080 --> 00:41:11,880
Speaker 2: Grandma Claire looks at Michelle's new bed and says, oh,

867
00:41:11,920 --> 00:41:16,000
Speaker 2: they delivered the bed. It looks terrific, and we see

868
00:41:16,000 --> 00:41:20,120
Speaker 2: the iconic pencil bed. Oh my goodness, how many fan

869
00:41:20,239 --> 00:41:24,080
Speaker 2: ritos wanted this bed at night back in nineteen eighty nine,

870
00:41:24,120 --> 00:41:27,960
Speaker 2: like this bed so cute like pencil The pencil bed

871
00:41:28,080 --> 00:41:29,120
Speaker 2: was a it was a staple.

872
00:41:29,120 --> 00:41:30,879
Speaker 1: I feel like there were a lot of a lot

873
00:41:31,040 --> 00:41:33,080
Speaker 1: of those around at the time.

874
00:41:33,200 --> 00:41:35,520
Speaker 2: Oh, it was cute. She still had her like Teddy Bear.

875
00:41:35,600 --> 00:41:38,319
Speaker 2: She had like the Teddy Bear theme on right, the

876
00:41:38,640 --> 00:41:39,440
Speaker 2: nursery stuff.

877
00:41:39,440 --> 00:41:42,840
Speaker 1: But we're starting to edge towards more toddler like slightly

878
00:41:43,600 --> 00:41:44,280
Speaker 1: older kid.

879
00:41:44,360 --> 00:41:46,719
Speaker 2: Yeah stuff. Oh yeah, it's so cute. I loved it

880
00:41:47,840 --> 00:41:51,120
Speaker 2: so Danny Huggs's mom and tells her it's perfect. Joey

881
00:41:51,200 --> 00:41:54,319
Speaker 2: and Jesse chime in, complimenting Claire's choice to go with

882
00:41:54,440 --> 00:41:58,919
Speaker 2: a pencil bed grandma. Claire tells DJ to bring Michelle in,

883
00:41:59,280 --> 00:42:02,720
Speaker 2: and the girls walk and Michelle exclaims, my big girl bed.

884
00:42:03,239 --> 00:42:05,319
Speaker 2: She runs and hops up onto the bed, and then

885
00:42:05,320 --> 00:42:09,720
Speaker 2: she begins to jump on it with excitement. Jesse stops

886
00:42:09,719 --> 00:42:11,839
Speaker 2: and picks her up, saying, whoa, whoa, whoa you little

887
00:42:11,880 --> 00:42:14,920
Speaker 2: jumping bean. Give your grandma a kiss for buying you

888
00:42:15,000 --> 00:42:18,799
Speaker 2: a new trampoline. Michelle kisses her grandma and says thank you,

889
00:42:18,880 --> 00:42:23,280
Speaker 2: Granny Tanny, and Claire responds, I am in grandma Heaven.

890
00:42:24,320 --> 00:42:27,440
Speaker 2: She tells the whole perfectly appropriate grandma activity. Yeah, this

891
00:42:27,600 --> 00:42:29,600
Speaker 2: was great. This, I had no problem with this. This

892
00:42:29,800 --> 00:42:32,000
Speaker 2: was great. The kid. They're giving her lots of praise

893
00:42:32,120 --> 00:42:35,000
Speaker 2: to like build up her confidence and this scene, this

894
00:42:35,080 --> 00:42:38,799
Speaker 2: scene was great. The episode should have ended here, right.

895
00:42:39,719 --> 00:42:42,080
Speaker 2: So then Claire says, come on, guys, I'm gonna cook

896
00:42:42,120 --> 00:42:45,960
Speaker 2: you such a dinner you're gonna think it's Thanksgiving, and

897
00:42:46,080 --> 00:42:50,120
Speaker 2: the family groans again. Claire peeks her head in, giving

898
00:42:50,120 --> 00:42:53,319
Speaker 2: them all a stern look, and everyone immediately turns their

899
00:42:53,320 --> 00:42:59,200
Speaker 2: groans into excited. Oh well, also like, lady, why are

900
00:42:59,200 --> 00:43:03,439
Speaker 2: you there? They're like, oh, don't which time right, don't

901
00:43:03,440 --> 00:43:04,719
Speaker 2: go to the effort if they're full.

902
00:43:04,960 --> 00:43:06,919
Speaker 1: Don't look at them angry because they don't want to eat.

903
00:43:07,040 --> 00:43:08,480
Speaker 1: Just be like, okay, maybe tomorrow.

904
00:43:08,600 --> 00:43:12,040
Speaker 2: Yeah, they'll eat leftovers tonight or cereal for dinner. You know,

905
00:43:12,320 --> 00:43:14,200
Speaker 2: let's have a late dinner. So they all walk out

906
00:43:14,239 --> 00:43:17,040
Speaker 2: of Michelle's room except for Jesse and Michelle, and Jesse

907
00:43:17,120 --> 00:43:20,279
Speaker 2: tells her, all right, little munchkin, you enjoy your new bed,

908
00:43:20,360 --> 00:43:23,919
Speaker 2: but no more jumping up and down. Okay. Michelle tells

909
00:43:23,960 --> 00:43:27,440
Speaker 2: Jesse okay, and he leaves the room. Michelle runs and

910
00:43:27,480 --> 00:43:29,239
Speaker 2: peeks her head out of the bedroom to make sure

911
00:43:29,280 --> 00:43:31,480
Speaker 2: no one is around. Then she shuts her door and

912
00:43:31,520 --> 00:43:34,480
Speaker 2: begins to jump on her bed again. Jesse opens the

913
00:43:34,520 --> 00:43:37,040
Speaker 2: door and catches her in the act. Michelle smiles and

914
00:43:37,080 --> 00:43:40,880
Speaker 2: says hello. Jesse walks over to her, asking if she

915
00:43:40,960 --> 00:43:43,720
Speaker 2: was jumping up and down on the bed and Michelle replies,

916
00:43:43,760 --> 00:43:47,279
Speaker 2: who me, and Jesse decides to tickle the truth out

917
00:43:47,280 --> 00:43:50,360
Speaker 2: of her. This is so cute. Watching is very the

918
00:43:50,360 --> 00:43:52,480
Speaker 2: girls learn how to act like. It's like, you know,

919
00:43:52,600 --> 00:43:55,959
Speaker 2: she made a cross on her own. She looked out

920
00:43:56,040 --> 00:43:59,360
Speaker 2: and like she's following direction. This is so great to watch.

921
00:43:59,360 --> 00:44:01,560
Speaker 2: She did a great right. Yeah, it was very cute.

922
00:44:02,280 --> 00:44:05,040
Speaker 2: So next in the kitchen, Grandma Claire is serving dinner

923
00:44:05,280 --> 00:44:08,160
Speaker 2: and Steph exclaims, I can't remember when I had a

924
00:44:08,200 --> 00:44:11,920
Speaker 2: meal with so much delicious food, and DJ groans I

925
00:44:12,000 --> 00:44:17,760
Speaker 2: can it was lunch. Steph shushes her. Claire asks Danny

926
00:44:17,760 --> 00:44:20,359
Speaker 2: how he liked his Brussels sprouts, and he tells her

927
00:44:20,440 --> 00:44:24,040
Speaker 2: they are steamed to perfection, taking a bite to prove it.

928
00:44:24,760 --> 00:44:27,080
Speaker 2: Claire turns away and Danny takes his fork out of

929
00:44:27,120 --> 00:44:30,600
Speaker 2: his mouth. Disgusted, he gives the Brussels sprout to Michelle,

930
00:44:30,600 --> 00:44:33,080
Speaker 2: telling her to eat it. Michelle looks at her plate

931
00:44:33,120 --> 00:44:37,960
Speaker 2: and says he yuck. Nobody wants those, right. Claire asks

932
00:44:38,080 --> 00:44:40,759
Speaker 2: Joey and Jesse if they wrote any commercials today, and

933
00:44:40,840 --> 00:44:43,520
Speaker 2: at the same time Jesse says yes and Joey says no.

934
00:44:44,239 --> 00:44:47,080
Speaker 2: Then they both switch their responses, still not managing to

935
00:44:47,080 --> 00:44:49,760
Speaker 2: give the same answer. And here we see another insert

936
00:44:49,800 --> 00:44:52,600
Speaker 2: of the fourth wall, which is always jarring. It's always

937
00:44:52,680 --> 00:44:54,720
Speaker 2: jarring for me, Like I'm like, that's not just always

938
00:44:54,719 --> 00:44:56,640
Speaker 2: feels so like whoa, yeah, Like there's supposed to be

939
00:44:56,719 --> 00:45:02,440
Speaker 2: cameras back there not a wall today, Billy Billy Foster coffee, Coffee, Coffee.

940
00:45:02,600 --> 00:45:05,600
Speaker 1: There's a fantastic poster in the background that says, I

941
00:45:05,640 --> 00:45:06,240
Speaker 1: love crows.

942
00:45:06,360 --> 00:45:08,760
Speaker 2: I saw that, but there were no crows on the poster,

943
00:45:09,120 --> 00:45:11,640
Speaker 2: Like why it's like a floral poster.

944
00:45:11,920 --> 00:45:13,960
Speaker 1: There were I think there were crows on the poster. Oh,

945
00:45:14,360 --> 00:45:16,680
Speaker 1: they were just faded and in some Yeah, I don't,

946
00:45:16,719 --> 00:45:18,719
Speaker 1: I don't know. They weren't strange though, that was all

947
00:45:18,760 --> 00:45:19,080
Speaker 1: I saw.

948
00:45:19,239 --> 00:45:23,359
Speaker 2: They weren't scary crows. They were like pleasant crows. All

949
00:45:23,560 --> 00:45:27,000
Speaker 2: crows are pleasant crows. A group of them are called

950
00:45:27,000 --> 00:45:29,799
Speaker 2: a murder of crows, like this is the the Stephen King.

951
00:45:29,920 --> 00:45:34,360
Speaker 2: Crows are there, they're but crows are incredibly smart and intelligent.

952
00:45:34,440 --> 00:45:37,960
Speaker 2: I'm sure they're all smart. There they have funeral ceremonies

953
00:45:37,960 --> 00:45:41,560
Speaker 2: for each other. They're like, yeah, they culture, they do.

954
00:45:41,719 --> 00:45:44,160
Speaker 2: They have not funeral Jody sweeten.

955
00:45:44,120 --> 00:45:46,600
Speaker 1: Joy Sweet, I'm not kidding. I am not kidding. I

956
00:45:46,640 --> 00:45:49,040
Speaker 1: listened to a whole I'm a nerd. I listen to

957
00:45:49,080 --> 00:45:52,879
Speaker 1: a whole podcast about and it's this whole this woman

958
00:45:52,920 --> 00:45:55,319
Speaker 1: that studies God, what is it. It's not ornithology, because

959
00:45:55,320 --> 00:45:57,360
Speaker 1: that's birds, but it's specifically like crows.

960
00:45:57,520 --> 00:45:58,640
Speaker 2: Rave they are.

961
00:45:59,320 --> 00:46:02,440
Speaker 1: Yeah, they are brilliant. They will bring you presents if

962
00:46:02,480 --> 00:46:03,960
Speaker 1: you do nice things for them. They'll bring you a

963
00:46:03,960 --> 00:46:06,680
Speaker 1: little shiny things. They will follow you places. They are

964
00:46:06,920 --> 00:46:07,880
Speaker 1: very very smart birds.

965
00:46:07,920 --> 00:46:10,480
Speaker 2: And they do funeral processions for each other.

966
00:46:10,360 --> 00:46:12,560
Speaker 1: When they're sessions. But they're not like marching and no

967
00:46:12,600 --> 00:46:15,520
Speaker 1: one's driving a hers. But I mean they have like.

968
00:46:15,120 --> 00:46:16,520
Speaker 2: Like little they actually have.

969
00:46:17,040 --> 00:46:19,720
Speaker 1: They've studied them, and they sometimes will actually do something

970
00:46:19,840 --> 00:46:24,560
Speaker 1: that is very much like humans in that they sort

971
00:46:24,560 --> 00:46:27,240
Speaker 1: of acknowledge the passing of something. A lot of animals

972
00:46:27,280 --> 00:46:31,239
Speaker 1: don't necessarily do that. Chymps do, really, crows do humans do?

973
00:46:32,600 --> 00:46:35,319
Speaker 2: Anyway, you learn I learned something. I've learned so many

974
00:46:35,320 --> 00:46:39,279
Speaker 2: things just today on this recap podcast. Anyone's looking for

975
00:46:39,320 --> 00:46:41,480
Speaker 2: a sixth member of a trivia team. Just let me know,

976
00:46:42,680 --> 00:46:44,359
Speaker 2: and this has nothing to do with the episode. It's

977
00:46:44,360 --> 00:46:48,960
Speaker 2: some random in the background. Now, no, you're welcome, Fannery

978
00:46:49,000 --> 00:46:52,360
Speaker 2: does so. Jesse gets up from the table, telling Claire

979
00:46:52,440 --> 00:46:55,160
Speaker 2: the important thing is that they couldn't get anything done

980
00:46:55,200 --> 00:46:58,640
Speaker 2: without her. Claire tells everyone that she's happy to help

981
00:46:58,760 --> 00:47:01,879
Speaker 2: and offers to stay long. Joey tells her that that's

982
00:47:01,880 --> 00:47:05,800
Speaker 2: a great idea. Jesse admits she's making their life a breeze.

983
00:47:06,320 --> 00:47:08,239
Speaker 2: Joey and Jesse go on either side of her and

984
00:47:08,280 --> 00:47:11,560
Speaker 2: say her name in unison before kissing both cheeks. A

985
00:47:11,560 --> 00:47:14,480
Speaker 2: lot of kissing on the cheeks in this episode. There's

986
00:47:14,520 --> 00:47:16,920
Speaker 2: like between not just Danny and his mom, but like everybody.

987
00:47:16,960 --> 00:47:20,959
Speaker 2: Everybody's just slobbering cheeks. Yeah, everybody, calmed down. Everybody, please

988
00:47:21,000 --> 00:47:24,759
Speaker 2: calm down. Danny chimes in, the guys are right, mom,

989
00:47:24,880 --> 00:47:28,400
Speaker 2: I don't know how we survived without you. Claire is shocked,

990
00:47:28,880 --> 00:47:34,000
Speaker 2: you really mean it, and everyone agrees in excitement. Claire responds, well,

991
00:47:34,280 --> 00:47:36,439
Speaker 2: if you guys really need me that much, I guess

992
00:47:36,520 --> 00:47:38,880
Speaker 2: the only logical thing would be for me to move in.

993
00:47:40,080 --> 00:47:44,960
Speaker 2: Everyone goes silent, and Danny asks move in here. Claire

994
00:47:44,960 --> 00:47:47,200
Speaker 2: turns to joe Do you think what's gonna happen? Danny?

995
00:47:47,440 --> 00:47:50,520
Speaker 2: We could see this coming from a mile away, right,

996
00:47:51,200 --> 00:47:54,319
Speaker 2: she was set up for this. Yeah, what did you expect? Oh, dear?

997
00:47:55,719 --> 00:47:57,799
Speaker 2: So Claire turns to Joey and Jesse and says, you

998
00:47:57,840 --> 00:47:59,920
Speaker 2: guys are young, and you're single, and you have to

999
00:48:00,080 --> 00:48:02,640
Speaker 2: voted two years of your lives to raising this family.

1000
00:48:02,880 --> 00:48:05,160
Speaker 2: Now here's your big opportunity. You could move out and

1001
00:48:05,200 --> 00:48:07,680
Speaker 2: get on with your lives because Grandma is moving in

1002
00:48:07,760 --> 00:48:11,080
Speaker 2: for good. I mean, truthfully, she has a point. She's

1003
00:48:11,120 --> 00:48:12,360
Speaker 2: not wrong. Move into the basement.

1004
00:48:12,600 --> 00:48:16,200
Speaker 1: Yeah, Jesse and Joey could go live their single adult lives.

1005
00:48:16,239 --> 00:48:18,640
Speaker 2: It's it's kind of true. Yeah, Like, I mean, there

1006
00:48:18,640 --> 00:48:20,680
Speaker 2: are young guys. They don't need to be tied to

1007
00:48:20,719 --> 00:48:23,440
Speaker 2: the full house forever. But then we wouldn't have a

1008
00:48:23,440 --> 00:48:27,239
Speaker 2: show where would be right? So Jesse and Joey give

1009
00:48:27,280 --> 00:48:30,480
Speaker 2: Claara a fake smile while Danny takes a deep nervous

1010
00:48:30,520 --> 00:48:34,840
Speaker 2: breath and the girls give worried expressions. We cut to

1011
00:48:34,880 --> 00:48:37,880
Speaker 2: a tense commercial break, and when we come back, we

1012
00:48:37,920 --> 00:48:41,640
Speaker 2: are still in the kitchen. It's continuous. Steph asks Grandma,

1013
00:48:41,719 --> 00:48:44,880
Speaker 2: are you really moving in? And Claire responds yes and

1014
00:48:44,960 --> 00:48:49,000
Speaker 2: walks off. DJ is worried. She asks Joey and Jesse

1015
00:48:49,200 --> 00:48:52,040
Speaker 2: are you really moving out? And they both respond no.

1016
00:48:52,400 --> 00:48:55,760
Speaker 2: In unison, Joey and Jesse walk right up to Claire.

1017
00:48:55,920 --> 00:48:58,480
Speaker 2: Jesse tells her that this is his family now and

1018
00:48:58,520 --> 00:49:02,120
Speaker 2: he doesn't want these girls growing up without him. Joey agrees.

1019
00:49:02,200 --> 00:49:04,799
Speaker 1: Can you imagine the walking up to the grandma and

1020
00:49:04,840 --> 00:49:07,719
Speaker 1: being like, these are this is my family? Like well

1021
00:49:07,920 --> 00:49:11,640
Speaker 1: technically hers and you're the uncles, she's the grandma. You know,

1022
00:49:12,480 --> 00:49:14,760
Speaker 1: everyone's all related, Okay.

1023
00:49:15,280 --> 00:49:17,520
Speaker 2: But he's like more related that. I don't know what.

1024
00:49:17,719 --> 00:49:19,360
Speaker 2: I don't know what his point was, but he was

1025
00:49:19,760 --> 00:49:21,160
Speaker 2: I get it. He was trying to say, like, hey,

1026
00:49:21,239 --> 00:49:23,640
Speaker 2: he's like this is his this is where he belongs.

1027
00:49:23,800 --> 00:49:30,239
Speaker 2: So okay, and Joey, where's Joey? Joey agrees, saying that

1028
00:49:30,320 --> 00:49:32,880
Speaker 2: he can't leave either. He was just chosen to be

1029
00:49:32,880 --> 00:49:37,000
Speaker 2: Stuff's honeybee hive mother. I know that comes up later

1030
00:49:37,040 --> 00:49:40,000
Speaker 2: on where you guys go to a honey Bee sleepover together,

1031
00:49:40,120 --> 00:49:41,960
Speaker 2: so want to be sleepover? Yeah, I can't wait for that.

1032
00:49:42,040 --> 00:49:45,880
Speaker 2: Joey is the yep the hive mother. Yes, So Claire

1033
00:49:45,880 --> 00:49:48,480
Speaker 2: decides that Jesse should just move downstairs with Joey and

1034
00:49:48,520 --> 00:49:53,319
Speaker 2: they'll get bunk beds. Joey exclaims yes, bunk beds, and

1035
00:49:53,440 --> 00:49:56,760
Speaker 2: Jesse glares at him. Claire asks Danny what he thinks,

1036
00:49:57,000 --> 00:50:00,080
Speaker 2: and he hesitates before saying, well, bunk beds make a

1037
00:50:00,080 --> 00:50:03,759
Speaker 2: lot of sense. Jesse walks behind Danny playfully slapping his

1038
00:50:03,840 --> 00:50:07,239
Speaker 2: cheeks as he laughs. Claire picks up Michelle so she

1039
00:50:07,280 --> 00:50:09,840
Speaker 2: can get ready for her new bed. Michelle says, my

1040
00:50:09,960 --> 00:50:12,920
Speaker 2: new bed and runs out of the kitchen, urging Granny

1041
00:50:12,960 --> 00:50:16,040
Speaker 2: Tanny to come with her. Joey turns to Jesse, telling

1042
00:50:16,120 --> 00:50:18,480
Speaker 2: him he has DIBs on the on the top of

1043
00:50:18,560 --> 00:50:22,640
Speaker 2: bunk and Jesse angrily responds, We're not getting any bunk beds.

1044
00:50:24,320 --> 00:50:27,040
Speaker 2: Jesse asks Danny what they're gonna do, and Danny says,

1045
00:50:27,080 --> 00:50:30,520
Speaker 2: nobody panic. It's just a little misunderstanding. We may have

1046
00:50:30,600 --> 00:50:33,520
Speaker 2: done too good of a job making my mom feel needed.

1047
00:50:34,440 --> 00:50:36,719
Speaker 2: You think you think Danny.

1048
00:50:36,440 --> 00:50:39,880
Speaker 1: Made her feel needed. You looked incompetent, and she's worried

1049
00:50:39,880 --> 00:50:40,680
Speaker 1: about these kids.

1050
00:50:40,760 --> 00:50:44,520
Speaker 2: Yeah, like she's you know, instead of calling child protective Services,

1051
00:50:44,520 --> 00:50:46,480
Speaker 2: she's like, I need to move in. She's like, I'll fine,

1052
00:50:46,520 --> 00:50:51,400
Speaker 2: I'll move in right. Yeah, So Joey shakes his head.

1053
00:50:51,880 --> 00:50:55,360
Speaker 2: That's what we get for lying to her, and Steph exclaims,

1054
00:50:55,760 --> 00:50:59,080
Speaker 2: so I was right, we were lying. Shame on us,

1055
00:51:00,040 --> 00:51:03,520
Speaker 2: Thank you, Steve. Steph was right again. Always happens, Joey.

1056
00:51:03,960 --> 00:51:07,080
Speaker 2: Joey states, they're all innocent. It's Danny who put this

1057
00:51:07,160 --> 00:51:10,440
Speaker 2: whole scheme together. Joey tells Danny that he's the one

1058
00:51:10,440 --> 00:51:12,760
Speaker 2: who needs to break the news that they don't actually

1059
00:51:12,880 --> 00:51:16,960
Speaker 2: need her. Danny sighs, oh, man, that will break her heart,

1060
00:51:17,480 --> 00:51:20,160
Speaker 2: and Jesse asks, are you afraid to tell your mom

1061
00:51:20,200 --> 00:51:23,440
Speaker 2: the truth? And Danny confidently says, don't worry. I can

1062
00:51:23,480 --> 00:51:26,239
Speaker 2: be honest with my mom. He stands up and a

1063
00:51:26,239 --> 00:51:30,160
Speaker 2: pile of Brussels sprouts falls from his lap. He nervously states, oh,

1064
00:51:30,160 --> 00:51:35,080
Speaker 2: I was wondering where those Brussels sprouts went. Next. In

1065
00:51:35,120 --> 00:51:38,160
Speaker 2: Michelle's room, Danny and Jesse are helping Michelle get comfortable

1066
00:51:38,200 --> 00:51:41,160
Speaker 2: in her new bed. Jesse surrounds Michelle with all the

1067
00:51:41,200 --> 00:51:43,960
Speaker 2: pillows to make sure she doesn't fall off, and Danny,

1068
00:51:44,000 --> 00:51:45,960
Speaker 2: it's actually how I sleep by the way, with like

1069
00:51:46,000 --> 00:51:48,680
Speaker 2: a little pillow wall around. Oh you do old pillow? Yeah,

1070
00:51:48,760 --> 00:51:52,120
Speaker 2: I love pillow pillow walls. They save lives. It's yeah, yes,

1071
00:51:52,160 --> 00:51:53,399
Speaker 2: it's great. You make a little next.

1072
00:51:53,440 --> 00:51:54,920
Speaker 1: I don't have a habit of falling out of the bed,

1073
00:51:54,960 --> 00:51:56,080
Speaker 1: but I just feel more comfortable.

1074
00:51:56,120 --> 00:51:58,480
Speaker 2: Yeah. Well, it's like it's like you're in the womb again,

1075
00:51:58,520 --> 00:52:03,480
Speaker 2: you know, you're all in tucked comfortable. Yeah. And Danny's like,

1076
00:52:03,480 --> 00:52:07,040
Speaker 2: why don't you just bubble pack her. Jesse tells him

1077
00:52:07,040 --> 00:52:10,240
Speaker 2: that Michelle is little and round, so she rolls easily.

1078
00:52:10,840 --> 00:52:13,799
Speaker 2: He thinks they should build a fence thing around the bed,

1079
00:52:14,160 --> 00:52:17,759
Speaker 2: and Danny responds, you mean like a crib and Jesse's like, oh, yeah,

1080
00:52:17,800 --> 00:52:20,839
Speaker 2: we already had one of those, right. Jesse and Danny

1081
00:52:20,840 --> 00:52:22,600
Speaker 2: say good night to Michelle and kiss her on the

1082
00:52:22,680 --> 00:52:25,680
Speaker 2: cheek before leaving. Jesse tells Danny to go and talk

1083
00:52:25,719 --> 00:52:29,080
Speaker 2: to his mother now, and they both leave Michelle. They

1084
00:52:29,080 --> 00:52:32,239
Speaker 2: both leave Michelle's room, turning off the lights. Michelle takes

1085
00:52:32,239 --> 00:52:34,600
Speaker 2: off the covers, crawls to the end of her bed,

1086
00:52:34,680 --> 00:52:38,640
Speaker 2: and looks over the edge, exclaiming, whoa. Jesse turns on

1087
00:52:38,680 --> 00:52:41,680
Speaker 2: the lights and asks if she said something. Michelle declares,

1088
00:52:41,719 --> 00:52:45,760
Speaker 2: I want my crib so she says whoa, because she's

1089
00:52:45,960 --> 00:52:48,600
Speaker 2: I thought she was excited that about it, but she's

1090
00:52:48,600 --> 00:52:50,600
Speaker 2: saying whoa. She's like, doesn't like the new bed.

1091
00:52:51,080 --> 00:52:53,080
Speaker 1: I think she's saying whoa that it's so far from

1092
00:52:53,080 --> 00:52:55,600
Speaker 1: there to the floor. But really the crib would.

1093
00:52:55,400 --> 00:52:55,839
Speaker 2: Have been further.

1094
00:52:55,880 --> 00:52:57,800
Speaker 1: And if she's hopping over the side of the crib,

1095
00:52:58,320 --> 00:52:59,879
Speaker 1: I feel like the end of the bed wouldn't really

1096
00:52:59,880 --> 00:53:02,320
Speaker 1: be that scary. Yeah, that's true, significantly lower.

1097
00:53:02,440 --> 00:53:05,560
Speaker 2: Yeah, that's a good point. Okay, So she's just for

1098
00:53:05,600 --> 00:53:09,399
Speaker 2: whatever reason, she wants her crib. Okay. Jesse walks over

1099
00:53:09,440 --> 00:53:12,080
Speaker 2: to her, explaining that cribs are for babies and she's

1100
00:53:12,120 --> 00:53:14,319
Speaker 2: a big girl now. He tells her that the trick

1101
00:53:14,400 --> 00:53:16,279
Speaker 2: to a new bed is that she got to break

1102
00:53:16,280 --> 00:53:19,279
Speaker 2: it in and get the feel of it. He tells her, first,

1103
00:53:19,360 --> 00:53:21,719
Speaker 2: let's check the shocks, and he begins to press on

1104
00:53:21,760 --> 00:53:25,359
Speaker 2: the mattress, making Michelle bounce up and down. Next, they

1105
00:53:25,360 --> 00:53:27,359
Speaker 2: have to find the sweet spot, which is the spot

1106
00:53:27,400 --> 00:53:29,960
Speaker 2: that makes you feel all nice and cozy and cuddly.

1107
00:53:30,920 --> 00:53:33,720
Speaker 2: Jesse takes Michelle out of the bed and hops in himself,

1108
00:53:33,760 --> 00:53:36,520
Speaker 2: trying to find with his shoes on. The shoes are on.

1109
00:53:36,600 --> 00:53:39,040
Speaker 2: I'm like, dude, you don't You don't remove a child.

1110
00:53:39,080 --> 00:53:40,919
Speaker 2: If you're trying to get a child to sleep, rule

1111
00:53:41,000 --> 00:53:43,080
Speaker 2: number one, don't take him out of the bed. No,

1112
00:53:43,239 --> 00:53:46,280
Speaker 2: it's like they would have run off. Yeah really bye,

1113
00:53:46,400 --> 00:53:50,400
Speaker 2: yes bye. So Jesse moves around a bunch before letting

1114
00:53:50,400 --> 00:53:52,960
Speaker 2: out a sigh of relief, announcing that he found the

1115
00:53:53,120 --> 00:53:56,680
Speaker 2: sweet spot. He picks Michelle up and places her in

1116
00:53:56,719 --> 00:53:59,240
Speaker 2: the sweet spot before tucking her in, and he says,

1117
00:53:59,320 --> 00:54:02,040
Speaker 2: you're gonna sleep like a baby, I mean like a

1118
00:54:02,080 --> 00:54:05,040
Speaker 2: big girl. Then he wishes her a good night, calling

1119
00:54:05,040 --> 00:54:07,880
Speaker 2: her a little ankle bitter. He kisses her forehead and

1120
00:54:07,920 --> 00:54:11,120
Speaker 2: begins to leave the room. Michelle stops him and asks,

1121
00:54:11,280 --> 00:54:14,920
Speaker 2: are you leaving me? He responds, oh, no, I wouldn't

1122
00:54:14,960 --> 00:54:16,640
Speaker 2: leave you on your first night in your new bed.

1123
00:54:16,840 --> 00:54:18,640
Speaker 2: I was just going to turn off the lights.

1124
00:54:18,400 --> 00:54:21,920
Speaker 1: And find a good book and read it in the dark. Finally,

1125
00:54:21,920 --> 00:54:24,040
Speaker 1: we're turning the lights off at least, Yeah, this is

1126
00:54:24,080 --> 00:54:26,040
Speaker 1: an improvement, true, right, right, We get her a big

1127
00:54:26,040 --> 00:54:27,960
Speaker 1: girl bed, and finally, like, you don't need to sleep

1128
00:54:28,000 --> 00:54:30,160
Speaker 1: in a bright, sunlit room all the time, we should

1129
00:54:30,160 --> 00:54:31,160
Speaker 1: turn these lights off.

1130
00:54:32,040 --> 00:54:34,520
Speaker 2: Michelle gives him a sweet thank you, and he tells

1131
00:54:34,560 --> 00:54:37,120
Speaker 2: her it's no problem, kid, I've been meaning to catch

1132
00:54:37,160 --> 00:54:39,640
Speaker 2: up on the Bunny, the Ducky, the turtle, and the frog.

1133
00:54:40,760 --> 00:54:44,920
Speaker 2: Michelle pets Jesse's face, saying I love you. He turns

1134
00:54:44,960 --> 00:54:47,920
Speaker 2: to her and says right back at you, kid. We

1135
00:54:47,960 --> 00:54:51,840
Speaker 2: hear violins and Michelle closes her eyes and Jesse kisses

1136
00:54:51,880 --> 00:54:54,799
Speaker 2: her hand. He then snuggles his head against hers as

1137
00:54:54,840 --> 00:54:57,879
Speaker 2: she falls asleep. Okay, this guy, thank you just got

1138
00:54:57,880 --> 00:55:00,000
Speaker 2: me right in the fields, you know. I was like, oh,

1139
00:55:00,200 --> 00:55:02,040
Speaker 2: the scene went a little bit too long, but it

1140
00:55:02,080 --> 00:55:04,839
Speaker 2: was a very sweet moment at the end. Yes, it was. Yeah,

1141
00:55:04,840 --> 00:55:06,560
Speaker 2: it was very cute. Yeah, it was very cute, but

1142
00:55:06,600 --> 00:55:06,799
Speaker 2: it did.

1143
00:55:06,840 --> 00:55:08,520
Speaker 1: I was like, Okay, get to the get out of

1144
00:55:08,520 --> 00:55:10,680
Speaker 1: the bed with the shoes, Get out of my huge

1145
00:55:10,719 --> 00:55:12,200
Speaker 1: thing was like, oh my god.

1146
00:55:12,000 --> 00:55:14,480
Speaker 2: The shoes. Jody's still hung up on the shoes in

1147
00:55:14,520 --> 00:55:18,560
Speaker 2: the bad It's so gross. Yeah. I don't even like,

1148
00:55:18,600 --> 00:55:20,320
Speaker 2: don't even get into the bed with like your clothes

1149
00:55:20,320 --> 00:55:21,880
Speaker 2: that you've been wearing it all day out in public.

1150
00:55:23,160 --> 00:55:23,319
Speaker 1: Yeah.

1151
00:55:23,600 --> 00:55:28,080
Speaker 2: No. So next in the kitchen, Joey is washing dishes

1152
00:55:28,120 --> 00:55:30,120
Speaker 2: when Danny goes up to him and offers to help

1153
00:55:30,760 --> 00:55:33,960
Speaker 2: Joey asks Danny if he's avoiding his mother, and Danny

1154
00:55:33,960 --> 00:55:36,319
Speaker 2: confesses that he can't tell his mother that he lied

1155
00:55:36,360 --> 00:55:39,640
Speaker 2: to her. She would be so disappointed in him. Well,

1156
00:55:39,640 --> 00:55:43,600
Speaker 2: look what you did now, Danny, Joey tells him, if

1157
00:55:43,600 --> 00:55:45,880
Speaker 2: he's nervous to tell his mom that they don't really

1158
00:55:45,880 --> 00:55:48,680
Speaker 2: need her, he should just start off with a small confession,

1159
00:55:49,040 --> 00:55:52,120
Speaker 2: like telling her that he hates her Brussels sprouts. Danny

1160
00:55:52,120 --> 00:55:54,680
Speaker 2: gets really wide eyed. I could never tell her that.

1161
00:55:55,719 --> 00:55:58,719
Speaker 2: Joey tells him that this is pathetic. He pretends to

1162
00:55:58,719 --> 00:56:00,880
Speaker 2: be Danny's mother and he tries on a high pitched

1163
00:56:00,960 --> 00:56:04,440
Speaker 2: voice and mimics Claire, my baby, kiss me, you fool.

1164
00:56:05,239 --> 00:56:07,400
Speaker 2: He sounded like. I was like, why is he a leprochot?

1165
00:56:09,400 --> 00:56:16,320
Speaker 2: Well maybe she's Irish. I don't know what. Joey continues

1166
00:56:16,360 --> 00:56:19,000
Speaker 2: his impression, is there anything you want to say to me?

1167
00:56:19,640 --> 00:56:22,759
Speaker 2: And Danny's that was great. That was great. Andre, You're

1168
00:56:22,760 --> 00:56:25,120
Speaker 2: a little real. I was excellent. I like that. Oh

1169
00:56:25,120 --> 00:56:26,719
Speaker 2: thank you. I was a little insecure about that, so

1170
00:56:26,760 --> 00:56:29,600
Speaker 2: thank you very much. That was great, Danny siye. He

1171
00:56:29,640 --> 00:56:32,960
Speaker 2: plays along and says, yes, Mom, I hate Brussels sprouts

1172
00:56:33,440 --> 00:56:36,200
Speaker 2: and Joey dramatically declares, Oh, why don't you just put

1173
00:56:36,200 --> 00:56:39,960
Speaker 2: a knife through my heart. Danny knows that that's exactly

1174
00:56:40,000 --> 00:56:43,560
Speaker 2: what she's gonna say, and Joey says, so what if

1175
00:56:43,600 --> 00:56:46,840
Speaker 2: she does. He insists that it's time Danny stops acting

1176
00:56:46,880 --> 00:56:49,959
Speaker 2: like a little kid who's trying to make his mama happy. Yeah,

1177
00:56:49,960 --> 00:56:53,040
Speaker 2: thank you, Joey, Thank you, Joey. Like Danny, you are

1178
00:56:53,080 --> 00:56:54,520
Speaker 2: thirty two, thirty three years old.

1179
00:56:54,560 --> 00:56:56,200
Speaker 1: Who would have thought that he'd be the one with

1180
00:56:56,320 --> 00:56:58,000
Speaker 1: this sense of maturity, right.

1181
00:56:57,880 --> 00:56:59,919
Speaker 2: The one that watches cartoons every Saturday morning.

1182
00:57:00,000 --> 00:57:01,799
Speaker 1: He's like, you really need to tell your mom that

1183
00:57:01,840 --> 00:57:02,680
Speaker 1: you're your own man.

1184
00:57:03,800 --> 00:57:07,680
Speaker 2: But he says it in a bullwinggle voice. Good god,

1185
00:57:07,760 --> 00:57:09,759
Speaker 2: I mean, I know it's in Danny's character to be

1186
00:57:09,800 --> 00:57:13,799
Speaker 2: a people pleaser, but this whole infantilizing of him, like

1187
00:57:14,080 --> 00:57:17,960
Speaker 2: it writes in Track for me, it was really awkward. Yeah.

1188
00:57:18,120 --> 00:57:21,600
Speaker 2: So Danny sighs, I guess you're right, and Joey says,

1189
00:57:21,600 --> 00:57:23,600
Speaker 2: of course, I'm right. Now, go up there and tell

1190
00:57:23,600 --> 00:57:26,400
Speaker 2: her the truth, man to mom, and don't forget you're

1191
00:57:26,440 --> 00:57:29,560
Speaker 2: the man. Danny leaves the kitchen, and Joey says in

1192
00:57:29,600 --> 00:57:34,040
Speaker 2: his Grandma Claire voice, oh, he's such a good boy. Next,

1193
00:57:34,040 --> 00:57:37,000
Speaker 2: in Jesse's room, Danny walks in to discover his mom

1194
00:57:37,240 --> 00:57:40,000
Speaker 2: measuring the bedroom. She says she's trying to figure out

1195
00:57:40,000 --> 00:57:44,120
Speaker 2: how to fit six rooms of furniture in there. Danny

1196
00:57:44,160 --> 00:57:47,200
Speaker 2: bravely admits that he has something to tell her. She

1197
00:57:47,240 --> 00:57:50,680
Speaker 2: gives him a worried look and asks what's wrong. Danny

1198
00:57:50,720 --> 00:57:54,640
Speaker 2: stutters before finally saying, I hate Brussels sprouts. There, I've

1199
00:57:54,680 --> 00:57:57,680
Speaker 2: said it, and now you know. Claire hits him on

1200
00:57:57,720 --> 00:57:59,800
Speaker 2: the arm and tells him not to scare her like that.

1201
00:58:00,520 --> 00:58:02,800
Speaker 2: She adds, who cares if you don't like Brussels sprouts,

1202
00:58:03,080 --> 00:58:06,840
Speaker 2: we can have egg plant. She feels very overbearing, and

1203
00:58:06,880 --> 00:58:12,880
Speaker 2: I didn't you know. Yes, she feels she's too needy. Yeah,

1204
00:58:12,920 --> 00:58:13,680
Speaker 2: she's too needy.

1205
00:58:13,720 --> 00:58:17,120
Speaker 1: She needs Yeah, And I feel like the opposite thing

1206
00:58:17,160 --> 00:58:18,920
Speaker 1: to do with someone who's very needy is to be like,

1207
00:58:18,960 --> 00:58:19,760
Speaker 1: we need you more.

1208
00:58:19,880 --> 00:58:21,840
Speaker 2: That is that's the worst thing you can know. You

1209
00:58:21,880 --> 00:58:25,680
Speaker 2: gotta set boundaries. You gotta set firm boundaries. Firm yeah, yeah,

1210
00:58:25,680 --> 00:58:27,560
Speaker 2: and say mom, no, you can't move into Jesse's room.

1211
00:58:27,600 --> 00:58:29,240
Speaker 1: Because even her being like, I got to move six

1212
00:58:29,320 --> 00:58:32,560
Speaker 1: rooms of furniture in here. I'm like, lady, no, you

1213
00:58:32,640 --> 00:58:34,680
Speaker 1: came up with you and talked about this yet, Like

1214
00:58:34,720 --> 00:58:37,280
Speaker 1: it just feels like she has a lot of things.

1215
00:58:37,320 --> 00:58:39,840
Speaker 2: She also has no boundaries. She has no boundaries. She

1216
00:58:40,280 --> 00:58:42,640
Speaker 2: hasn't even gotten a verbal yes from any family member

1217
00:58:42,760 --> 00:58:45,720
Speaker 2: that she can move in, and she's already measuring the room.

1218
00:58:45,840 --> 00:58:49,280
Speaker 2: So yeah, she's just yeah, she has a problem with boundaries. Yeah.

1219
00:58:49,400 --> 00:58:51,640
Speaker 2: Danny goes on to say, what I'm trying to tell

1220
00:58:51,680 --> 00:58:54,480
Speaker 2: you is all my life. I've been pretending to like

1221
00:58:54,520 --> 00:58:58,480
Speaker 2: Brussels sprouts just to make you happy. Grandma Claire laughs,

1222
00:58:58,680 --> 00:59:01,680
Speaker 2: that's crazy. I don't like Brussels sprouts either. I keep

1223
00:59:01,680 --> 00:59:05,800
Speaker 2: cooking them because you said you love them. See, Danny, Like,

1224
00:59:06,520 --> 00:59:07,800
Speaker 2: this is why you just gotta tell the.

1225
00:59:07,720 --> 00:59:11,680
Speaker 1: Prustle sprouts, Danny, the Brussels sprouts, Like, come on, you

1226
00:59:11,720 --> 00:59:11,960
Speaker 1: know what.

1227
00:59:11,880 --> 00:59:15,880
Speaker 2: I yes, oh Danny. She sits Stanny down and says,

1228
00:59:16,120 --> 00:59:18,840
Speaker 2: you didn't come up here to talk about vegetables. What's

1229
00:59:18,880 --> 00:59:19,560
Speaker 2: the problem.

1230
00:59:20,240 --> 00:59:24,200
Speaker 1: I don't know what could it possibly be, lady, You

1231
00:59:24,280 --> 00:59:24,680
Speaker 1: know what I mean?

1232
00:59:27,840 --> 00:59:30,920
Speaker 2: No one has come clean yet, so she legitimately doesn't know.

1233
00:59:31,080 --> 00:59:33,040
Speaker 2: I know, I know no one's been clean, but how

1234
00:59:33,080 --> 00:59:33,840
Speaker 2: do you? How are you?

1235
00:59:34,120 --> 00:59:36,360
Speaker 1: I just I guess for me, you'd have to be

1236
00:59:36,360 --> 00:59:38,240
Speaker 1: pretty obtuse not to pick up the vibe in the

1237
00:59:38,280 --> 00:59:39,200
Speaker 1: room that everyone.

1238
00:59:38,920 --> 00:59:41,320
Speaker 2: Was like, uh, I don't know about this, you.

1239
00:59:41,360 --> 00:59:42,640
Speaker 1: Know what I mean to then go up and be

1240
00:59:42,720 --> 00:59:45,560
Speaker 1: measuring for your stuff. Yeah, you have to be pretty.

1241
00:59:45,960 --> 00:59:48,440
Speaker 2: She's not reading the room. She's not. She's in her

1242
00:59:48,480 --> 00:59:52,560
Speaker 2: own little grandma world and just doing her own thing. Yeah. Yeah.

1243
00:59:52,640 --> 00:59:57,200
Speaker 2: So Danny discloses that he doesn't want to disappoint her,

1244
00:59:57,480 --> 01:00:00,200
Speaker 2: and she assures him that he has never disappointed her

1245
01:00:00,320 --> 01:00:04,240
Speaker 2: in his entire life until until right now. Danny begins

1246
01:00:04,240 --> 01:00:06,440
Speaker 2: to confess that when he saw how upset she was

1247
01:00:06,480 --> 01:00:09,840
Speaker 2: about her retirement, he asked everybody to pretend that they

1248
01:00:09,920 --> 01:00:13,480
Speaker 2: really needed her. There. Claire looks at Danny with sadness

1249
01:00:13,480 --> 01:00:17,919
Speaker 2: and asks, you lied to me. Danny scolds himself, I'm

1250
01:00:18,000 --> 01:00:20,600
Speaker 2: dirt and I'm scum and I should be sent to

1251
01:00:20,720 --> 01:00:26,160
Speaker 2: reform school. And then the strangest commercial break ever they

1252
01:00:26,160 --> 01:00:28,600
Speaker 2: did this last episode two. Why are there these awkward

1253
01:00:28,800 --> 01:00:30,640
Speaker 2: commercial breaks right in the midfield scene.

1254
01:00:30,640 --> 01:00:32,680
Speaker 1: It feels like one of those that well on network

1255
01:00:32,680 --> 01:00:34,840
Speaker 1: television you had to cut for it had to cut

1256
01:00:34,880 --> 01:00:37,280
Speaker 1: where you had to cut. Yeah, and so it was

1257
01:00:37,320 --> 01:00:39,560
Speaker 1: probably a matter of like maybe they've made some other

1258
01:00:39,680 --> 01:00:41,440
Speaker 1: edits and some other scenes, and so there wasn't a

1259
01:00:41,520 --> 01:00:45,120
Speaker 1: nice clean scene break, and they wanted to sort of

1260
01:00:45,280 --> 01:00:47,040
Speaker 1: they would trying to pick the best spot to do it,

1261
01:00:47,080 --> 01:00:47,600
Speaker 1: and that was.

1262
01:00:48,040 --> 01:00:48,760
Speaker 2: That was not it.

1263
01:00:49,000 --> 01:00:51,360
Speaker 1: But I would have picked I would have cut to

1264
01:00:51,360 --> 01:00:53,000
Speaker 1: commercial right after you lied to me.

1265
01:00:53,280 --> 01:00:56,040
Speaker 2: Oh oh yeah, like a little like a that would

1266
01:00:56,080 --> 01:00:58,320
Speaker 2: have been for me the right You lied to me

1267
01:00:58,480 --> 01:01:01,200
Speaker 2: and just ugh, and then you come back and yeah, see,

1268
01:01:01,720 --> 01:01:04,200
Speaker 2: let's reshoot this. Let's reshoot this right now, you can direct.

1269
01:01:04,240 --> 01:01:07,000
Speaker 2: We'll use your garage because it's spacious now, so well,

1270
01:01:07,040 --> 01:01:10,440
Speaker 2: there's tons of room now, Yeah, it's great. So we

1271
01:01:10,480 --> 01:01:14,240
Speaker 2: come back from the commercial awkward commercial break, we're still continuous.

1272
01:01:14,280 --> 01:01:18,240
Speaker 2: In Jesse's room, Claire feels stupid. She thought everyone really

1273
01:01:18,240 --> 01:01:21,320
Speaker 2: needed her there. She asks Danny why he would do

1274
01:01:21,360 --> 01:01:24,400
Speaker 2: that to her, and Danny tells her, I was trying

1275
01:01:24,440 --> 01:01:26,960
Speaker 2: to please you. I spent my whole life trying to

1276
01:01:27,000 --> 01:01:31,280
Speaker 2: be the perfect son. Claire size, Honey, you're not perfect,

1277
01:01:31,520 --> 01:01:33,880
Speaker 2: but I will always love you no matter what you do,

1278
01:01:34,240 --> 01:01:36,160
Speaker 2: and I am very proud of the man you turned

1279
01:01:36,160 --> 01:01:38,360
Speaker 2: out to be, which I can take just a little

1280
01:01:38,360 --> 01:01:41,360
Speaker 2: bit of credit for. Danny thinks his mom and gives

1281
01:01:41,360 --> 01:01:45,160
Speaker 2: her a big hug. He happily asks, so you forgive me,

1282
01:01:45,680 --> 01:01:47,800
Speaker 2: and Claire responds, of course, I forgive you.

1283
01:01:48,680 --> 01:01:51,840
Speaker 1: I love how quickly everything is resolved on these shows. Yeah,

1284
01:01:51,880 --> 01:01:53,400
Speaker 1: I'm like, wait fifteen seconds.

1285
01:01:53,160 --> 01:01:54,800
Speaker 2: You forgive me for what we didn't even get into.

1286
01:01:54,840 --> 01:01:57,440
Speaker 2: We didn't even get into what you did. Really, they

1287
01:01:57,440 --> 01:01:59,640
Speaker 2: have not They have not healed any sort of trauma

1288
01:01:59,680 --> 01:02:01,880
Speaker 2: they have, Like, they haven't really dug into that issues.

1289
01:02:02,160 --> 01:02:05,840
Speaker 1: No, she's still yeah, she's still taking credit for his life.

1290
01:02:05,960 --> 01:02:08,680
Speaker 1: I mean there's still like a lot to unpack you

1291
01:02:09,560 --> 01:02:11,800
Speaker 1: and besides her six.

1292
01:02:11,840 --> 01:02:14,400
Speaker 2: You know, bedrooms and furniture. Yeah, no, they they definitely

1293
01:02:14,400 --> 01:02:17,920
Speaker 2: need a therapy appointment. Stat I wish this would be

1294
01:02:17,960 --> 01:02:19,760
Speaker 2: great if you forgive me. I forgive you. I don't

1295
01:02:19,800 --> 01:02:23,880
Speaker 2: know what you did, but it's fine. Yeah. I wish

1296
01:02:23,920 --> 01:02:26,480
Speaker 2: all life problems could be solved in twenty two minutes

1297
01:02:26,640 --> 01:02:29,640
Speaker 2: with a sit caring yep. So Claire sits back down

1298
01:02:29,640 --> 01:02:33,160
Speaker 2: on Jesse's bed, understanding that she's simply not needed there.

1299
01:02:33,720 --> 01:02:36,640
Speaker 2: Danny sits next to her and kindly responds, well, not

1300
01:02:36,760 --> 01:02:39,440
Speaker 2: as a live in maid, but the girls sure could

1301
01:02:39,560 --> 01:02:42,760
Speaker 2: use a grandma in the neighborhood. Why didn't you say that.

1302
01:02:42,720 --> 01:02:45,240
Speaker 1: In the first place, the one that made her as

1303
01:02:45,280 --> 01:02:48,120
Speaker 1: a live in maid. Yeah, no one, Why are you

1304
01:02:48,280 --> 01:02:49,760
Speaker 1: now being like, no, not like that.

1305
01:02:49,760 --> 01:02:52,520
Speaker 2: That's exactly that's everybody. He said, don't clean the kitchen.

1306
01:02:53,000 --> 01:02:54,680
Speaker 2: They're gonna go trash the liv You're gonna go.

1307
01:02:55,120 --> 01:02:59,200
Speaker 1: Right, you're gonna we're gonna You're gonna be needed because we're.

1308
01:02:59,000 --> 01:03:01,240
Speaker 2: A mess cooking and cleaning. It's like, no, really, you

1309
01:03:01,240 --> 01:03:01,600
Speaker 2: could have.

1310
01:03:01,560 --> 01:03:03,480
Speaker 1: Just been like, you know, we really just need grandma.

1311
01:03:03,520 --> 01:03:05,640
Speaker 2: We just need grandma. We need your love. That's it,

1312
01:03:05,760 --> 01:03:07,200
Speaker 2: unconditional love grandma.

1313
01:03:07,720 --> 01:03:10,520
Speaker 1: Instead we got, you know, people trashing rooms and not

1314
01:03:10,640 --> 01:03:13,160
Speaker 1: cleaning up stuff and groaning about Brussels sprouts.

1315
01:03:13,200 --> 01:03:13,840
Speaker 2: I mean, all of this.

1316
01:03:14,560 --> 01:03:17,640
Speaker 1: It's well this again. We could have solved this in

1317
01:03:17,960 --> 01:03:18,760
Speaker 1: twenty minutes ago.

1318
01:03:18,840 --> 01:03:22,280
Speaker 2: Yeah, we could have. But the jokes the episodes gotta work.

1319
01:03:22,560 --> 01:03:27,040
Speaker 2: Gotta work, right, it gotta work. So Claire gasps, she's excited.

1320
01:03:27,080 --> 01:03:29,880
Speaker 2: She's like, you really mean that, and Danny reveals that

1321
01:03:29,920 --> 01:03:31,480
Speaker 2: he's been trying to get her to move down to

1322
01:03:31,480 --> 01:03:35,680
Speaker 2: San Francisco for years. He tells her they'll well have you.

1323
01:03:36,320 --> 01:03:36,680
Speaker 1: I don't know.

1324
01:03:36,760 --> 01:03:38,400
Speaker 2: This is the first time we've seen her since season one,

1325
01:03:38,400 --> 01:03:40,560
Speaker 2: and that was a different person. So I don't I

1326
01:03:40,560 --> 01:03:43,720
Speaker 2: don't take right. I don't believe Danny. But okay. Danny

1327
01:03:43,720 --> 01:03:46,760
Speaker 2: tells her they will go apartment hunting tomorrow, and she

1328
01:03:46,800 --> 01:03:48,880
Speaker 2: tells him that he's a wonderful son and pulls him

1329
01:03:48,880 --> 01:03:52,480
Speaker 2: in for another hug. Claire pulls away and questions, when

1330
01:03:52,480 --> 01:03:55,280
Speaker 2: did you get so tall? And Danny jokes, I've always

1331
01:03:55,280 --> 01:03:57,520
Speaker 2: been this tall. I've just been pretending to be shorter

1332
01:03:57,640 --> 01:04:01,160
Speaker 2: because I wanted to make you happy. Claire laughs and

1333
01:04:01,200 --> 01:04:04,800
Speaker 2: playfully punches Danny's arm, saying you are the best, and

1334
01:04:04,880 --> 01:04:07,320
Speaker 2: the two go back and forth again, continuing to argue

1335
01:04:07,360 --> 01:04:10,080
Speaker 2: over who is the best and that yeah, and then

1336
01:04:10,080 --> 01:04:13,680
Speaker 2: we still haven't improved, Danny. No, No, you know I

1337
01:04:13,760 --> 01:04:15,360
Speaker 2: would be. I would have been glad of how we

1338
01:04:15,400 --> 01:04:18,760
Speaker 2: walked in at that point, you know what I mean?

1339
01:04:19,000 --> 01:04:24,560
Speaker 2: Just stop as you two, that's almost hear the interrupt

1340
01:04:24,600 --> 01:04:29,840
Speaker 2: this terribly uncomfortable situation. Let's make it more awkward. Let's

1341
01:04:29,920 --> 01:04:34,040
Speaker 2: right in, Howie. Yeah, no, this storyline did not quite

1342
01:04:34,120 --> 01:04:36,640
Speaker 2: work for me. We've already talked about that it was

1343
01:04:36,760 --> 01:04:39,840
Speaker 2: just it was just too weird and awkward and et apissy,

1344
01:04:40,080 --> 01:04:42,120
Speaker 2: And I wonder though.

1345
01:04:41,960 --> 01:04:44,880
Speaker 1: If it's because and this is one of those things

1346
01:04:44,880 --> 01:04:48,320
Speaker 1: where you're like, is it the difference of perspective in

1347
01:04:48,320 --> 01:04:53,040
Speaker 1: in writing it, in what men would write that they

1348
01:04:53,080 --> 01:04:57,520
Speaker 1: would want from their mom versus what women would want

1349
01:04:58,000 --> 01:05:01,160
Speaker 1: in being in the role grandma.

1350
01:05:01,480 --> 01:05:04,280
Speaker 2: I know what I'm saying. That's an astute observation because

1351
01:05:04,320 --> 01:05:07,840
Speaker 2: I don't think Irene Kusopolis would have tolerated that she does.

1352
01:05:07,840 --> 01:05:09,120
Speaker 2: She's like, I know, I'm not going to cook and

1353
01:05:09,160 --> 01:05:11,360
Speaker 2: clean for you like you do it yourself, you guys.

1354
01:05:11,360 --> 01:05:13,760
Speaker 2: So yeah, I wonder if, but I don't.

1355
01:05:13,800 --> 01:05:16,120
Speaker 1: I don't know, but it seems I don't know. Yeah,

1356
01:05:16,160 --> 01:05:18,520
Speaker 1: I know, I guess probably reading too much into it, but.

1357
01:05:18,440 --> 01:05:20,520
Speaker 2: It's this is probably a writer's room full of men

1358
01:05:20,560 --> 01:05:22,400
Speaker 2: who are just like, Okay, what what do we think

1359
01:05:22,480 --> 01:05:23,240
Speaker 2: our moms want?

1360
01:05:23,320 --> 01:05:24,840
Speaker 1: Right? Who are like, if your mom moved back in

1361
01:05:24,880 --> 01:05:26,840
Speaker 1: with you, what would you want her to do? I

1362
01:05:27,080 --> 01:05:29,760
Speaker 1: moms want to feel like they're needed by cleaning, because

1363
01:05:29,760 --> 01:05:31,200
Speaker 1: that's what mom quote.

1364
01:05:31,000 --> 01:05:31,800
Speaker 2: Unquote moms do.

1365
01:05:32,040 --> 01:05:35,480
Speaker 1: Yeah, right, yeah, And I think and we're watching it

1366
01:05:35,480 --> 01:05:37,200
Speaker 1: with the perspective of like why wouldn't you just make

1367
01:05:37,240 --> 01:05:40,960
Speaker 1: her feel included, which is what moms really want.

1368
01:05:40,680 --> 01:05:43,040
Speaker 2: Or that she's needed for something other than her cooking

1369
01:05:43,040 --> 01:05:46,080
Speaker 2: and cleaning skills like emotional support or advice, right or

1370
01:05:46,400 --> 01:05:48,960
Speaker 2: things like that, something like involving her brain, right, you

1371
01:05:48,960 --> 01:05:49,360
Speaker 2: know right.

1372
01:05:49,640 --> 01:05:51,880
Speaker 1: So yeah, anyway, I think it's just one of those

1373
01:05:51,880 --> 01:05:54,000
Speaker 1: things where you, huh, this is just so sort of

1374
01:05:54,040 --> 01:05:55,800
Speaker 1: a I wonder if this is a perspective thing where

1375
01:05:55,840 --> 01:05:59,160
Speaker 1: we're looking at it like from just a different place

1376
01:05:59,240 --> 01:06:02,520
Speaker 1: of understanding. Yeah, it could be you know not and

1377
01:06:02,560 --> 01:06:04,120
Speaker 1: again not that like the guys were like, oh, this

1378
01:06:04,200 --> 01:06:06,280
Speaker 1: is all they think that, you know, moms are good for. Yeah,

1379
01:06:06,280 --> 01:06:08,600
Speaker 1: but it is just it's sort of it's an interesting

1380
01:06:09,960 --> 01:06:11,600
Speaker 1: thing that that's I mean, at least to me. That's

1381
01:06:11,680 --> 01:06:14,560
Speaker 1: kind of how it feels. Is like, if you asked,

1382
01:06:14,880 --> 01:06:18,400
Speaker 1: you know, adult men and adult women these two questions,

1383
01:06:18,400 --> 01:06:20,960
Speaker 1: what would you you know if you were in this situation,

1384
01:06:21,080 --> 01:06:24,320
Speaker 1: what would you want? And I feel like, yeah, you

1385
01:06:24,360 --> 01:06:26,560
Speaker 1: didn't get the answer of what Grandma would have wanted.

1386
01:06:26,920 --> 01:06:28,840
Speaker 2: No, we still don't know what Claire wants except to

1387
01:06:28,840 --> 01:06:31,120
Speaker 2: be overbearing and yeah right.

1388
01:06:31,200 --> 01:06:36,280
Speaker 1: And and be strangely both punching and hugging her son.

1389
01:06:36,160 --> 01:06:38,040
Speaker 2: And kissing him on the cheek. Yeah, it's it wash

1390
01:06:38,240 --> 01:06:41,160
Speaker 2: a lot. It was weird, but okay, that's all right.

1391
01:06:41,200 --> 01:06:43,640
Speaker 2: They were honest with each other, baby steps. They were honest,

1392
01:06:43,840 --> 01:06:47,640
Speaker 2: They shared some feelings. And no one's eating Brussels sproud. Yeah,

1393
01:06:47,640 --> 01:06:50,000
Speaker 2: that's the most important thing here. They're not eating Brussels

1394
01:06:50,000 --> 01:06:55,400
Speaker 2: sprouts anymore. So lastly, we are in uh where are we?

1395
01:06:55,400 --> 01:06:59,280
Speaker 2: We're in stephan DJ's room, DJ's coleman Stepf's hair. As

1396
01:06:59,280 --> 01:07:01,960
Speaker 2: they sit on the bed. It's a very sweet sister moment.

1397
01:07:02,800 --> 01:07:05,760
Speaker 2: Steph asks if DJ remembers when Stephanie was sleeping in

1398
01:07:05,800 --> 01:07:09,120
Speaker 2: a crib, and DJ responds, yeah, life was so easy

1399
01:07:09,120 --> 01:07:12,800
Speaker 2: when you were behind bars. Steph turns to glare at

1400
01:07:12,800 --> 01:07:16,760
Speaker 2: her in this amazing look that you give her, and

1401
01:07:16,880 --> 01:07:20,360
Speaker 2: DJ gives her a big grin. Danny walks into the room, saying,

1402
01:07:20,360 --> 01:07:22,800
Speaker 2: good news, girls, your grandma is going to move into

1403
01:07:22,840 --> 01:07:26,320
Speaker 2: an apartment in the neighborhood, and DJ and Steph are ecstatic.

1404
01:07:27,200 --> 01:07:29,880
Speaker 2: DJ asks Danny if everything is okay between him and

1405
01:07:29,920 --> 01:07:32,800
Speaker 2: his mom, and he says everything is great and he'll

1406
01:07:32,840 --> 01:07:36,240
Speaker 2: never have to eat Brussels sprouts. Again. Danny tells the

1407
01:07:36,240 --> 01:07:39,280
Speaker 2: girls that he was wrong asking them to lie, even

1408
01:07:39,320 --> 01:07:42,680
Speaker 2: though he was trying to make Grandma feel better. Steph

1409
01:07:42,680 --> 01:07:45,240
Speaker 2: shakes her finger at Danny and says, well, I hope

1410
01:07:45,280 --> 01:07:48,360
Speaker 2: you learned your lesson, and Danny nods, oh, I did.

1411
01:07:48,520 --> 01:07:52,360
Speaker 2: I hope you did. Always listen to Steph. That's the

1412
01:07:52,360 --> 01:07:54,600
Speaker 2: moral of this story. Just always listened to Steph. She's

1413
01:07:54,600 --> 01:07:55,000
Speaker 2: always right.

1414
01:07:55,120 --> 01:07:55,560
Speaker 1: Yeah.

1415
01:07:55,800 --> 01:07:57,640
Speaker 2: Danny tells the girls that if they ever try to

1416
01:07:57,640 --> 01:08:00,480
Speaker 2: do anything to make him feel better, he would much

1417
01:08:00,560 --> 01:08:03,120
Speaker 2: rather they tell the truth. The girl's not in agreement,

1418
01:08:03,240 --> 01:08:06,560
Speaker 2: and Danny tells them good night. As Danny is leaving,

1419
01:08:06,720 --> 01:08:10,680
Speaker 2: DJ stops him, saying I thought of something. He's shocked already,

1420
01:08:11,320 --> 01:08:14,040
Speaker 2: and DJ admits I don't really love cleaning as much

1421
01:08:14,080 --> 01:08:16,800
Speaker 2: as you think I do, and Steph chimes in, neither

1422
01:08:16,840 --> 01:08:21,599
Speaker 2: do I, and Danny is surprised, asking them you don't.

1423
01:08:22,120 --> 01:08:25,479
Speaker 2: DJ continues, no, especially scrubbing the grout in the shower.

1424
01:08:25,560 --> 01:08:30,040
Speaker 2: It's incredibly totally disgusting. Danny shrugs, well, it is an

1425
01:08:30,040 --> 01:08:34,400
Speaker 2: acquired taste. Steph adds, and I only asked Santa for

1426
01:08:34,439 --> 01:08:36,800
Speaker 2: a dustbuster because I knew you'd be proud of me.

1427
01:08:37,080 --> 01:08:39,679
Speaker 2: I can't believe he actually brought me one, and Danny

1428
01:08:39,720 --> 01:08:41,840
Speaker 2: sits down and explains that a dustbuster is actually a

1429
01:08:41,920 --> 01:08:45,320
Speaker 2: very practical gift. The girls begin to share more things

1430
01:08:45,360 --> 01:08:48,160
Speaker 2: they've been lying about as the end credits roll, and

1431
01:08:48,200 --> 01:08:50,320
Speaker 2: that is our show woo.

1432
01:08:50,560 --> 01:08:53,280
Speaker 1: So basically, Danny has taught them to people please at

1433
01:08:53,320 --> 01:08:56,240
Speaker 1: the expense of their own desires and will being too.

1434
01:08:56,320 --> 01:08:58,320
Speaker 1: So I'm glad this is a family tradition that's getting

1435
01:08:58,360 --> 01:09:01,120
Speaker 1: passed down and will be worked out at some point

1436
01:09:01,160 --> 01:09:02,679
Speaker 1: in the future in some therapy.

1437
01:09:03,520 --> 01:09:06,040
Speaker 2: Yeah, we should have brought this back in fuller house, like, well,

1438
01:09:06,120 --> 01:09:07,599
Speaker 2: let's work through this time.

1439
01:09:07,720 --> 01:09:10,280
Speaker 1: You made me get a dustbuster, Dad, because you thought

1440
01:09:10,280 --> 01:09:13,280
Speaker 1: I would like it, and I yeah, yeaheah, because that

1441
01:09:13,439 --> 01:09:15,599
Speaker 1: is truthfully some things that would get brought up twenty

1442
01:09:15,600 --> 01:09:17,160
Speaker 1: five years later in a family argument.

1443
01:09:17,240 --> 01:09:20,400
Speaker 2: Oh yeah, oh totally. And you know what I wasted

1444
01:09:20,439 --> 01:09:23,680
Speaker 2: my Santa gift on it. Don't even like that stupid dustbuster.

1445
01:09:26,400 --> 01:09:29,799
Speaker 2: Oh boy? Oh, did you have any everywhere you looks

1446
01:09:29,960 --> 01:09:32,240
Speaker 2: before we wrap this, d I haven't everywhere you look,

1447
01:09:32,320 --> 01:09:34,880
Speaker 2: did I? I don't think I did? For this one?

1448
01:09:35,960 --> 01:09:38,640
Speaker 2: I have one? Oh do you what? What? Uh? What

1449
01:09:39,120 --> 01:09:40,879
Speaker 2: do you what do you got. Mine is in Michelle's

1450
01:09:40,920 --> 01:09:44,559
Speaker 2: room on her little bookshelf behind like next to her

1451
01:09:44,560 --> 01:09:47,120
Speaker 2: bed in the background, right, yeah, yeah, there's a little

1452
01:09:47,160 --> 01:09:50,599
Speaker 2: forty nine ers bobble head on her bookshelf, which I mean,

1453
01:09:50,600 --> 01:09:53,519
Speaker 2: this isn't a this isn't a groundbreaking everywhere you look,

1454
01:09:53,560 --> 01:09:54,960
Speaker 2: but it's something, you know. I was like a little

1455
01:09:54,960 --> 01:09:57,559
Speaker 2: nod to San Francisco there, no, yeah, yeah, I mean,

1456
01:09:57,640 --> 01:10:01,639
Speaker 2: lest we forget there we are at all times. Well,

1457
01:10:01,640 --> 01:10:03,120
Speaker 2: there weren't enough scenes in the living room with the

1458
01:10:03,160 --> 01:10:05,519
Speaker 2: nautical decord, you know, so that's sure with the nautical

1459
01:10:05,920 --> 01:10:09,400
Speaker 2: Karl was not mentioned once fog, so yeah, how would

1460
01:10:09,439 --> 01:10:12,720
Speaker 2: we know? So hence the bubble head. Yeah, this was

1461
01:10:12,760 --> 01:10:15,639
Speaker 2: not this. This was not one of my favorite episodes

1462
01:10:16,479 --> 01:10:19,280
Speaker 2: mine me neither, and I was I had high expectations

1463
01:10:19,320 --> 01:10:23,680
Speaker 2: because of Doris Roberts and she's a lovely person. I

1464
01:10:23,720 --> 01:10:26,960
Speaker 2: seem to remember that it just didn't quite click with her.

1465
01:10:27,160 --> 01:10:30,559
Speaker 2: I think, yeah, and I can see it that kind

1466
01:10:30,600 --> 01:10:32,519
Speaker 2: of throw. I was like, yeah, it just doesn't. She's

1467
01:10:32,680 --> 01:10:35,280
Speaker 2: just not just not one of the tailners. Yeah.

1468
01:10:35,439 --> 01:10:38,200
Speaker 1: It felt like yeah, which is interesting because so many

1469
01:10:38,320 --> 01:10:40,840
Speaker 1: people do you know, I'm not just felt interesting does

1470
01:10:40,880 --> 01:10:42,799
Speaker 1: she come back for more episodes?

1471
01:10:42,840 --> 01:10:44,880
Speaker 2: I don't believe. So. I think this is the last

1472
01:10:44,960 --> 01:10:46,040
Speaker 2: we see of Claire.

1473
01:10:46,360 --> 01:10:46,679
Speaker 1: Is it?

1474
01:10:46,800 --> 01:10:49,000
Speaker 2: I don't know, Yeah, maybe, I don't know. I maybe

1475
01:10:49,040 --> 01:10:50,960
Speaker 2: one more. I don't know. I don't know.

1476
01:10:51,760 --> 01:10:53,240
Speaker 1: I think it might be though, because I think it

1477
01:10:53,320 --> 01:10:55,160
Speaker 1: was like, oh, we're gonna move Grandma in, and then

1478
01:10:55,200 --> 01:10:57,800
Speaker 1: I think maybe this episode people were like not so much,

1479
01:10:57,880 --> 01:11:01,479
Speaker 1: and they were like, no, Grandma's gone. She just she

1480
01:11:01,600 --> 01:11:03,240
Speaker 1: was planning on moving and just sorry.

1481
01:11:03,240 --> 01:11:06,280
Speaker 2: I had to rewrite that in make it, make it. Yeah. Yeah,

1482
01:11:06,320 --> 01:11:08,160
Speaker 2: I wonder how. I wonder how it was received back

1483
01:11:08,160 --> 01:11:10,960
Speaker 2: in nineteen eighty nine. I wonder if people were weirded

1484
01:11:10,960 --> 01:11:12,519
Speaker 2: out by it like we were, or if they were

1485
01:11:12,560 --> 01:11:15,240
Speaker 2: just like, oh, yeah, this is grandma wants to feel needed. Yes,

1486
01:11:15,240 --> 01:11:17,760
Speaker 2: make her cook and clean. I don't know. I yeah,

1487
01:11:17,800 --> 01:11:18,040
Speaker 2: I think.

1488
01:11:18,080 --> 01:11:19,600
Speaker 1: I mean that's the thing too, is it's hard to

1489
01:11:19,640 --> 01:11:22,640
Speaker 1: look at, you know, thirty years ago and be like,

1490
01:11:22,720 --> 01:11:24,720
Speaker 1: oh this is because we just you know, we know

1491
01:11:24,800 --> 01:11:25,479
Speaker 1: different things now.

1492
01:11:25,520 --> 01:11:27,320
Speaker 2: But but yeah, I didn't.

1493
01:11:27,360 --> 01:11:30,439
Speaker 1: I just did not my favorite definitely not. We're not

1494
01:11:30,680 --> 01:11:33,040
Speaker 1: We're not close to Secres.

1495
01:11:33,080 --> 01:11:36,080
Speaker 2: No, I'm not. I'm not declaring the Secrews no, no, no, no,

1496
01:11:36,240 --> 01:11:39,160
Speaker 2: We're far from so far. I think has been one

1497
01:11:39,200 --> 01:11:42,559
Speaker 2: of my episodes of the season.

1498
01:11:42,960 --> 01:11:45,680
Speaker 1: I agree, meh, I mean we're only in five We're

1499
01:11:45,680 --> 01:11:47,559
Speaker 1: only we're only five in so we've got a lot

1500
01:11:47,600 --> 01:11:47,720
Speaker 1: to go.

1501
01:11:47,840 --> 01:11:48,400
Speaker 2: Yah, We've got a lot.

1502
01:11:48,479 --> 01:11:50,000
Speaker 1: We's got a lot to go. There's gonna be some

1503
01:11:50,040 --> 01:11:51,640
Speaker 1: great stuff, but this one was kind of men.

1504
01:11:51,760 --> 01:11:53,680
Speaker 2: Yeah, we'd love to hear. Uh. We'd love to hear

1505
01:11:53,720 --> 01:11:55,920
Speaker 2: what our fan ritos think though, Oh definitely definitely. Did

1506
01:11:55,920 --> 01:11:57,400
Speaker 2: you love it? Did you hate it? Where you just

1507
01:11:57,640 --> 01:11:59,800
Speaker 2: yeah about it? Like we were? Were you med? How

1508
01:11:59,840 --> 01:12:01,639
Speaker 2: do did you feel? We would love to know. Uh,

1509
01:12:01,760 --> 01:12:03,360
Speaker 2: send us a message.

1510
01:12:03,360 --> 01:12:05,879
Speaker 1: You can send us an email at how Rude podcast

1511
01:12:05,960 --> 01:12:08,680
Speaker 1: at gmail dot com. You can also follow us on

1512
01:12:08,720 --> 01:12:11,519
Speaker 1: Instagram at how Rude podcast, where you can leave us

1513
01:12:11,520 --> 01:12:13,240
Speaker 1: all sorts of lovely little messages and notes and tell

1514
01:12:13,320 --> 01:12:15,880
Speaker 1: us what you're what you're liking, and what thoughts you

1515
01:12:15,920 --> 01:12:17,679
Speaker 1: have because we love to hear from our fan ritos.

1516
01:12:18,160 --> 01:12:18,439
Speaker 2: Uh.

1517
01:12:18,479 --> 01:12:21,120
Speaker 1: And also make sure that you are liking and subscribing

1518
01:12:21,120 --> 01:12:23,599
Speaker 1: to the podcast wherever you're listening to it on whatever platform,

1519
01:12:23,680 --> 01:12:25,280
Speaker 1: so that you can make sure and get all the

1520
01:12:25,360 --> 01:12:27,960
Speaker 1: newest episodes as soon as they come out, because that

1521
01:12:28,200 --> 01:12:33,880
Speaker 1: would slap, as Andrew yould say.

1522
01:12:32,520 --> 01:12:37,479
Speaker 2: It would slap skibbitty Jody, skibbitty Sweeten. Oh boy, oh boy.

1523
01:12:37,600 --> 01:12:39,000
Speaker 2: We should we should say goodbye now.

1524
01:12:39,880 --> 01:12:42,160
Speaker 1: But thank you so much everyone for joining us for

1525
01:12:42,200 --> 01:12:45,479
Speaker 1: another fun episode of Howard Tana Rito's and for listening

1526
01:12:45,479 --> 01:12:48,360
Speaker 1: to us try and terribly explain current lingo.

1527
01:12:50,200 --> 01:12:52,800
Speaker 2: Yeah, it was, it was a thing. That was the

1528
01:12:52,800 --> 01:12:54,800
Speaker 2: thing that we did. But we love you guys. Thank

1529
01:12:54,800 --> 01:12:58,599
Speaker 2: you fan Rito's. And remember, don't say skibbity.

1530
01:12:58,680 --> 01:13:01,160
Speaker 1: Just don't say it. That's just don't don't do it.

1531
01:13:01,160 --> 01:13:02,320
Speaker 1: It's weird, it's lame.

1532
01:13:03,080 --> 01:13:04,240
Speaker 2: That's what I have to say.

1533
01:13:04,360 --> 01:13:06,160
Speaker 1: The world is small, the house is full, and don't

1534
01:13:06,200 --> 01:13:08,519
Speaker 1: say skibbity that.

1535
01:13:08,600 --> 01:13:11,639
Speaker 2: We're not working this into the the outro. Sorry, we're

1536
01:13:11,640 --> 01:13:15,360
Speaker 2: not putting skibbity into the to the phrase no, no, no, no,

1537
01:13:15,439 --> 01:13:19,479
Speaker 2: only for today, where I'm saying, don't stand no bracelet,

1538
01:13:19,560 --> 01:13:21,360
Speaker 2: no skibbity. Bracelet's needed, folks.

1539
01:13:22,840 --> 01:13:25,720
Speaker 1: But we'll see you next week, guys,