WEBVTT - Jeff Tweedy

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<v Speaker 1>Hi, I'm Norah Jones and you're listening to my Hi. Hi,

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<v Speaker 1>I'm Norah Jones and you're listening to play along. I

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<v Speaker 1>hope you I just had an espresso.

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<v Speaker 2>You need to slow down.

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<v Speaker 3>Five six seven.

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<v Speaker 1>Hi, I'm Norah Jones and you're listening to playing along

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<v Speaker 1>with Norah Jones. Wait a second, Well.

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<v Speaker 2>I think it's and today I'm playing along with ooh.

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<v Speaker 1>Yeah, we got Hi. I'm Norah Jones. Today I'll be

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<v Speaker 1>playing along with Jeff Tweety.

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<v Speaker 4>That was great, just playing alone with you, just playing

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<v Speaker 4>alone with you.

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<v Speaker 1>Welcome to the show. I'm Norah Jones with me as always,

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<v Speaker 1>Sarah Oda, what's up? Oda?

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<v Speaker 2>What's up here? I am your cohort.

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<v Speaker 1>Sarah's my partner, she's producing the show. She's part of

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<v Speaker 1>my brain. We've been we've been together for a long time.

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<v Speaker 2>Yes, And so why don't you tell us about this show?

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<v Speaker 1>Well, this is my excuse to play music with people,

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<v Speaker 1>some who I know, some who I don't know that well,

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<v Speaker 1>and to just sort of hang out.

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<v Speaker 2>And you might just learn something new about some of

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<v Speaker 2>your favorite artists.

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<v Speaker 1>I know I certainly did so. Today's guest is Jeff Tweety,

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<v Speaker 1>Jeff tweety Can you just repeat everything I say?

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<v Speaker 2>Like all your effects.

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<v Speaker 1>You might know him as the frontman of Willcoe or

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<v Speaker 1>countless other musical projects he's been a part of.

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<v Speaker 2>He's collaborated with lots of different people, including one of

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<v Speaker 2>our favorite people, May the Staples.

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<v Speaker 1>We're going to talk about a lot of this stuff

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<v Speaker 1>and more, and we're going to play some some songs

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<v Speaker 1>from his older catly with Wilco, as well as some

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<v Speaker 1>new songs. He is an incredible songwriter, a musician, one

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<v Speaker 1>of my favorites. Without further adieu, A do A do,

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<v Speaker 1>wait a second.

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<v Speaker 5>And you to you and you what is it you?

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<v Speaker 2>Without further ad maybe that's your thing.

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<v Speaker 1>Wait, no, that doesn't work.

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<v Speaker 2>It's your thing.

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<v Speaker 1>I hope you enjoy the show. Here's Jeff tweety, tweety tweety.

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<v Speaker 3>That sounds great.

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<v Speaker 1>I love that.

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<v Speaker 3>It's kel Croydon, kel Croydon.

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<v Speaker 6>They were made for They're made by Gibson during the depression.

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<v Speaker 6>Wow for a toy company.

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<v Speaker 1>Oh that's why they has the birds.

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<v Speaker 6>Yeah, and birds are hand painted. I have like six

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<v Speaker 6>of these and the birds are really wildly different on

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<v Speaker 6>all of them, depending on I think, depending on what day.

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<v Speaker 3>Of the week they were painted.

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<v Speaker 1>That's beautiful, you.

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<v Speaker 6>Know, like Fridays the dots are all like, let's get

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<v Speaker 6>out of here.

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<v Speaker 1>I love it. I should get one.

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<v Speaker 3>You should.

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<v Speaker 6>Yeah, they're really there's this weighs like less than three pounds.

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<v Speaker 3>Oh. I love the lightest.

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<v Speaker 1>Guitar because I hate carrying guitars. They're just so heavy.

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<v Speaker 1>It's for kids.

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<v Speaker 6>Yeah, I know you're not a gearhead. That's why I'm

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<v Speaker 6>let's just talk about you want to.

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<v Speaker 7>Talk about gear I am not a gearhead, but I'm

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<v Speaker 7>still interested.

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<v Speaker 1>I mean I start glazing over sometimes if it gets

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<v Speaker 1>too geary.

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<v Speaker 3>But I sensed it. I sensed it yours, I totally felt.

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<v Speaker 1>I just felt with me. Okay, stay with you. I'm here,

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<v Speaker 1>So thanks for doing my podcast. I'm just going to

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<v Speaker 1>take a nap over here.

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<v Speaker 3>I have that effect on a lot of people.

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<v Speaker 1>Yeah, exactly. So, so what about the tweety show, Like

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<v Speaker 1>how do I train my kids to be in a

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<v Speaker 1>band with me when they're older, or how do I

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<v Speaker 1>trick him into doing that?

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<v Speaker 3>Do I just not?

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<v Speaker 1>I just tell them I never want to play music

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<v Speaker 1>with them. Like, how how did that end up being

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<v Speaker 1>so wonderfully? You know amazing.

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<v Speaker 6>Uh, Spencer, I think just came out of the womb

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<v Speaker 6>wanting to play music. And he's you know, he used

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<v Speaker 6>to ask to be you know, ask us to sit

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<v Speaker 6>him at the drum kit and hold him up before

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<v Speaker 6>he could even get on the drum throne by himself.

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<v Speaker 1>Wow.

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<v Speaker 3>And he would play.

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<v Speaker 6>And even my wife's rock club, they had a drum

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<v Speaker 6>kit in the basement, and the bands that would be

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<v Speaker 6>playing there like, come here, you got to check this

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<v Speaker 6>kid out. He's like, he seems like he knows what

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<v Speaker 6>he's doing. But he was only like one or two

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<v Speaker 6>years old.

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<v Speaker 1>It's pretty great.

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<v Speaker 3>Yeah.

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<v Speaker 6>So he had like a natural you know interest that

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<v Speaker 6>was really sweet, and he just kind of I don't know,

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<v Speaker 6>I don't remember him practicing or getting good.

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<v Speaker 3>It just feels like he always just happened how to

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<v Speaker 3>do it. And so.

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<v Speaker 6>Spencer and I that was like our version of playing catch,

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<v Speaker 6>and it still is, you know, I think. Yeah, Sammy

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<v Speaker 6>resisted I think a little bit because it was his

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<v Speaker 6>older brother's thing, and it was so natural for Spencer

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<v Speaker 6>that he seemed to want to find his own thing

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<v Speaker 6>for a long time and then eventually he just surrendered.

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<v Speaker 6>You know that this is something fun to do, and

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<v Speaker 6>he started joining in and he discovered that he has

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<v Speaker 6>a you know, has a sweet voice and felt empowered singing,

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<v Speaker 6>so he started singing more.

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<v Speaker 1>With us and so great.

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<v Speaker 6>But I think I think the main thing is to

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<v Speaker 6>just not let it be a drag.

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<v Speaker 1>I know, that's kind of what It's delicate because anytime

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<v Speaker 1>I tell them to do anything or try to get

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<v Speaker 1>them to learn something, they immediately resist it.

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<v Speaker 6>So yeah, I mean I feel like a lot of

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<v Speaker 6>I think, you know, parents struggle with this. How hard

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<v Speaker 6>do you push somebody and are they going to thank

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<v Speaker 6>you for it later if or regret that you didn't

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<v Speaker 6>push them harder?

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<v Speaker 3>You know.

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<v Speaker 6>I feel like that with the piano for Sammy in particular,

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<v Speaker 6>because he was so resistant to it that we just

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<v Speaker 6>kind of, you know, backed off, and now that it's

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<v Speaker 6>so important to him, I feel like we kind of

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<v Speaker 6>undersold it to him a little bit.

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<v Speaker 3>Yeah.

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<v Speaker 1>Well, like when I was little, as soon as I

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<v Speaker 1>started taking piano lessons, I wanted to quit because I

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<v Speaker 1>didn't want to practice every week, you know, And my

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<v Speaker 1>mom said, well, you can quit after you take for

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<v Speaker 1>five years, and so that was her kind of compromise.

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<v Speaker 1>So by that point I had enough to continue if

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<v Speaker 1>I wanted to pick it back up, which I did. Yeah, yeah,

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<v Speaker 1>but yeah, it's weird.

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<v Speaker 6>It's like, yeah, it just you know, it just ends

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<v Speaker 6>up being part of the I don't know, just part

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<v Speaker 6>of how it happens for an individual. For Sammy, it

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<v Speaker 6>kind of maybe opened the door to him finding it

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<v Speaker 6>and see your appreciation for it, you know. But no,

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<v Speaker 6>never know what would have happened if you pushed him

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<v Speaker 6>a little harder on that, but.

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<v Speaker 1>He not wanted to do it.

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<v Speaker 6>Yeah, he might have liked it's just really developed a

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<v Speaker 6>hatred for it. But yeah, no, he ended up really

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<v Speaker 6>gravitating towards synthesis and and electronic music and learning how

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<v Speaker 6>to put all that together.

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<v Speaker 3>Which he's a really he's really expert.

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<v Speaker 6>At all of that, and so he kind of came

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<v Speaker 6>at it from a weirder angle.

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<v Speaker 1>Yeah, but that's weird. Is good?

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<v Speaker 3>No, it's great, weirdo.

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<v Speaker 1>Would you like to play a song with me?

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<v Speaker 3>Sure?

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<v Speaker 1>Do you think? Let's see, should we try to do

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<v Speaker 1>Jesus et cetera? Because it's we have history together your song.

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<v Speaker 1>You have history with it, of course, but we kind

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<v Speaker 1>of have history with that song.

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<v Speaker 3>Yeah, I remember.

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<v Speaker 1>When I got the words wrong.

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<v Speaker 3>I remember that. Yeah, you said it's all we got

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<v Speaker 3>so well, so I really did, and that what you

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<v Speaker 3>thought it was.

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<v Speaker 1>I thought that's what the lyrics were. And I didn't

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<v Speaker 1>even google them because I loved the song so much,

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<v Speaker 1>and I really thought that the lyrics were our love

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<v Speaker 1>is all we got, Tonny, and they were not.

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<v Speaker 3>Yeah, I mean, which it does sound.

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<v Speaker 1>Like that when you google lyrics all the time, I

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<v Speaker 1>mean they come out.

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<v Speaker 6>Wrong and oh all of my Yeah, so I think

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<v Speaker 6>if you google these they're probably wrong.

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<v Speaker 1>Well, can I ask you a question? Is it voices

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<v Speaker 1>wine or voices cry? We're both?

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<v Speaker 3>What's it say on their cry?

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<v Speaker 1>It says wine.

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<v Speaker 6>I don't know until I'm singing it. To be honest,

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<v Speaker 6>I think it's wine. But do you think it's cry?

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<v Speaker 1>No, I think you're it's I don't think anything.

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<v Speaker 3>It's your son.

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<v Speaker 6>Do you know, like when Lenny Bruce was that money

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<v Speaker 6>Bruce phil Oaks was testifying in a courtroom about some

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<v Speaker 6>of his songs having some obscenity or something like that.

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<v Speaker 6>They asked him some of his lyrics and he couldn't

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<v Speaker 6>remember him and they had to get him a guitar

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<v Speaker 6>and he could remember them.

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<v Speaker 1>Yeah, that's kind of how it is. I know what

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<v Speaker 1>you mean.

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<v Speaker 6>Well, but when we get to that, it'll be interesting

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<v Speaker 6>because now it's.

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<v Speaker 1>In my head, like I shouldn't have said a word.

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<v Speaker 6>One time we did this song, we did live band

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<v Speaker 6>karaoke and we had contest winners sing the songs at

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<v Speaker 6>our festival, Solid Sound, and we put a bouncing ball

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<v Speaker 6>version of all the songs up on the screen behind us,

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<v Speaker 6>and the crowd was just like, huh. They bended all

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<v Speaker 6>of the lyrics except for Jesus et cetera. I just

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<v Speaker 6>assumed it would be right, and it was like really

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<v Speaker 6>really off.

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<v Speaker 1>It was probably from my recording of it.

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<v Speaker 3>Probably Yeah, They're like, oh, we.

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<v Speaker 1>Got what we got, Tony. I was so. I was

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<v Speaker 1>like shocked when you said that to me, You're like,

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<v Speaker 1>so you changed the lyrics that lyric and I was like,

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<v Speaker 1>what are you talking about, Jeff tweety, Well, this is

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<v Speaker 1>one of my favorite songs in the last twenty years.

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<v Speaker 1>When was this released twenty more than ago? Exactly like

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<v Speaker 1>twenty years ago.

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<v Speaker 6>On September it was the record was supposed to come

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<v Speaker 6>out on September eleventh, two thousand and one, and we

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<v Speaker 6>were dropped from our label, so that release date went away,

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<v Speaker 6>and we ended up streaming it on September eighteenth for

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<v Speaker 6>free on the internet.

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<v Speaker 1>Wow.

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<v Speaker 6>And then it officially came out I think in April

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<v Speaker 6>or something of two thousand and two.

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<v Speaker 1>Yeah, And my first record came out in February of

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<v Speaker 1>two thousand and two, and I met you for the

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<v Speaker 1>first time of the Jules Holland Show.

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<v Speaker 6>Right, yeah, yeah, and we were doing songs off of

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<v Speaker 6>this record.

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<v Speaker 1>Yeah, and this is like my first sort of introduction

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<v Speaker 1>to you.

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<v Speaker 3>Oh well, so I probably not alone in that.

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<v Speaker 1>But you know, it's a good introduction.

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<v Speaker 8>Jesus, don't cry, you can allow on me, honey. You

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<v Speaker 8>can combine any thing you are. I'll stick around you,

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<v Speaker 8>Ride about the stars. Each one is a set egg song,

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<v Speaker 8>tall buildings, shaped voices, scared singing, said said songs, turned

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<v Speaker 8>to chords, Strong down your cheeks, bitter melodies, turning your ub.

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<v Speaker 9>Round, don't cry you carry lie on me, honey.

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<v Speaker 10>You can combine any time you want a be round.

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<v Speaker 1>You ride aboy the stars.

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<v Speaker 11>Each one is a setting inside, tall building, shake voices.

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<v Speaker 8>Escape singing, such sass songs, do not to God, Strong

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<v Speaker 8>down the.

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<v Speaker 12>Chicks bedle Mallese, turning you all bit around?

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<v Speaker 13>What's this?

0:12:59.200 --> 0:13:06.559
<v Speaker 8>One scotscraper is a screen eadband together your voice.

0:13:06.840 --> 0:13:10.040
<v Speaker 13>He's smoking last cigarettes.

0:13:11.200 --> 0:13:17.600
<v Speaker 12>All you can get, turning your old bittle round.

0:13:19.640 --> 0:13:30.720
<v Speaker 14>I love, I love, I love It's.

0:13:30.679 --> 0:13:31.599
<v Speaker 3>All we have.

0:13:35.679 --> 0:13:45.520
<v Speaker 15>I love, I love this all of God's money. Everyone

0:13:46.360 --> 0:13:59.719
<v Speaker 15>is a burning song, down't building ship voices, scared singing sets, assholes,

0:14:00.320 --> 0:14:07.240
<v Speaker 15>two two colds, strong, down your cheeks, little melodies, turning

0:14:07.360 --> 0:14:09.679
<v Speaker 15>your all bit around.

0:14:12.559 --> 0:14:15.880
<v Speaker 13>Buzzes one.

0:14:16.520 --> 0:14:20.840
<v Speaker 8>Skyscrapers a scrape together your voice.

0:14:21.160 --> 0:14:26.760
<v Speaker 13>He's smoking last cigarettes. All you can.

0:14:26.600 --> 0:14:35.560
<v Speaker 16>Get, turning your all bit around, last cigarettes all you

0:14:35.640 --> 0:14:38.640
<v Speaker 16>can get, turning your all.

0:14:38.560 --> 0:14:47.240
<v Speaker 13>Bit around, last cigarettes all you can get, turning your

0:14:47.520 --> 0:14:49.200
<v Speaker 13>all bit around.

0:14:53.280 --> 0:14:55.920
<v Speaker 1>Awesome. Hey, thanks for letting me sing that with you.

0:14:56.240 --> 0:14:58.080
<v Speaker 3>It's like my dream pleasure.

0:14:59.240 --> 0:15:01.400
<v Speaker 1>Would you say that this is one of your most

0:15:02.720 --> 0:15:06.840
<v Speaker 1>Like people love this song the most, not the most,

0:15:06.880 --> 0:15:08.120
<v Speaker 1>but like one of the songs.

0:15:08.560 --> 0:15:08.800
<v Speaker 8>Yeah.

0:15:08.840 --> 0:15:12.480
<v Speaker 6>I think it's probably the most well known song, and

0:15:12.520 --> 0:15:13.600
<v Speaker 6>it's certainly.

0:15:14.960 --> 0:15:19.040
<v Speaker 3>Just judging by covers and stuff.

0:15:19.320 --> 0:15:21.920
<v Speaker 6>It's one of the only songs I've written that has

0:15:22.680 --> 0:15:26.080
<v Speaker 6>like multiple multiple covers around. I mean, there's like a

0:15:26.120 --> 0:15:30.160
<v Speaker 6>Swedish version of it, and you know, a lot of

0:15:31.160 --> 0:15:32.800
<v Speaker 6>it just comes up every once in a while. It

0:15:32.840 --> 0:15:35.080
<v Speaker 6>seems like once a year somebody kind of covers it,

0:15:35.120 --> 0:15:36.560
<v Speaker 6>which is really really nice.

0:15:36.600 --> 0:15:39.920
<v Speaker 1>It's a great song, is it? The kind of because

0:15:39.920 --> 0:15:45.120
<v Speaker 1>you have such a huge catalog, and I feel like

0:15:45.160 --> 0:15:48.760
<v Speaker 1>you also have very very die hard fans. I mean,

0:15:49.120 --> 0:15:51.600
<v Speaker 1>I know a lot of bands do, a lot of

0:15:51.680 --> 0:15:54.520
<v Speaker 1>artists do, but I feel like yours are very specific.

0:15:54.680 --> 0:15:55.560
<v Speaker 3>They're pretty hardcore.

0:15:55.720 --> 0:15:59.520
<v Speaker 1>They're very hardcore, and they're amazing. I mean, do you

0:15:59.760 --> 0:16:02.000
<v Speaker 1>do you feel like when you're writing a set list

0:16:02.120 --> 0:16:07.720
<v Speaker 1>do you feel stressed about balancing stuff? I'm curious about

0:16:07.720 --> 0:16:10.200
<v Speaker 1>that because I sometimes do, and I have like way

0:16:10.280 --> 0:16:11.480
<v Speaker 1>less catalog than you.

0:16:11.560 --> 0:16:17.960
<v Speaker 6>But you know, we just got We toured a lot

0:16:18.000 --> 0:16:22.920
<v Speaker 6>just recently on that trip, kind of because it was

0:16:23.000 --> 0:16:26.200
<v Speaker 6>kind of a big outdoor bill and the shows were

0:16:26.240 --> 0:16:28.200
<v Speaker 6>a little bit shorter than a normal Wilco show.

0:16:29.120 --> 0:16:33.160
<v Speaker 3>It felt like we really just didn't even worry about it.

0:16:33.200 --> 0:16:35.840
<v Speaker 6>We kind of did roughly the same set every night

0:16:35.880 --> 0:16:39.640
<v Speaker 6>and just swapped out a few songs because I don't know,

0:16:39.840 --> 0:16:42.280
<v Speaker 6>I just wanted after two years, I kind of wanted

0:16:42.320 --> 0:16:46.040
<v Speaker 6>everybody that was coming to not leave thinking they didn't

0:16:46.080 --> 0:16:48.360
<v Speaker 6>hear one of I don't know.

0:16:48.400 --> 0:16:51.240
<v Speaker 3>It's kind of like a for whatever Wilco has his hits.

0:16:51.560 --> 0:16:53.760
<v Speaker 3>It was kind of like the Greatest Hits.

0:16:53.680 --> 0:16:55.680
<v Speaker 1>Show, which is not how you usually do it, don't

0:16:55.720 --> 0:16:56.160
<v Speaker 1>you so much?

0:16:56.240 --> 0:17:01.160
<v Speaker 6>Normally we do it where here's how I balance it generally.

0:17:01.280 --> 0:17:05.280
<v Speaker 6>I look, I actually call up the last time we

0:17:05.359 --> 0:17:09.280
<v Speaker 6>played in that town. Yeah, and I look at the setlist,

0:17:09.359 --> 0:17:11.440
<v Speaker 6>and I try and make it at least half different

0:17:12.119 --> 0:17:13.720
<v Speaker 6>from the last time we were in town.

0:17:13.880 --> 0:17:15.200
<v Speaker 3>And and you.

0:17:15.160 --> 0:17:19.280
<v Speaker 6>Know, Jesus et Cetera is probably the most well known

0:17:19.440 --> 0:17:22.000
<v Speaker 6>voco song. But we've gotten away with playing lots of

0:17:22.040 --> 0:17:23.120
<v Speaker 6>shows without playing.

0:17:22.960 --> 0:17:24.840
<v Speaker 1>Without playing it. Yeah, that's what I was wondering.

0:17:24.920 --> 0:17:30.240
<v Speaker 6>And we don't really have that song that that people.

0:17:30.280 --> 0:17:32.680
<v Speaker 6>I mean, maybe a good maybe a percentage of the

0:17:32.720 --> 0:17:35.159
<v Speaker 6>audience walks away going I can't believe they didn't play that,

0:17:35.359 --> 0:17:40.199
<v Speaker 6>But for the most part, our fans don't. I don't know.

0:17:40.320 --> 0:17:42.159
<v Speaker 6>That's one of the benefits of not having hits. It

0:17:42.200 --> 0:17:44.359
<v Speaker 6>might be the only benefit of not having hits.

0:17:44.640 --> 0:17:47.719
<v Speaker 1>No, I know, you mean, but like, I feel like

0:17:47.760 --> 0:17:51.159
<v Speaker 1>your fans are also so hardcore. They probably they're just

0:17:51.200 --> 0:17:53.120
<v Speaker 1>like maybe they're excited that you didn't.

0:17:52.880 --> 0:17:55.600
<v Speaker 6>Play it too, you know, I had a really disturbing experience.

0:17:55.640 --> 0:17:58.600
<v Speaker 1>Yeah, maybe you know, like, yeah, they went deep for me.

0:17:58.880 --> 0:17:59.520
<v Speaker 3>Yeah.

0:17:59.800 --> 0:18:05.520
<v Speaker 6>We started doing this request thing on our website, and

0:18:06.520 --> 0:18:11.280
<v Speaker 6>it was kind of disturbing because every every night, every

0:18:11.359 --> 0:18:16.000
<v Speaker 6>song gets one vote, like every song in the whole

0:18:16.040 --> 0:18:19.760
<v Speaker 6>catalog gets one vote every night unless somebody hacks it,

0:18:19.800 --> 0:18:22.320
<v Speaker 6>and like sort of like ask for a super deep cut,

0:18:22.359 --> 0:18:24.879
<v Speaker 6>like with four hundred votes, you just know some you know,

0:18:24.960 --> 0:18:28.840
<v Speaker 6>computer wizard like is coming to the show. But for

0:18:28.920 --> 0:18:31.640
<v Speaker 6>the most part, I started, like when I started doing

0:18:31.680 --> 0:18:34.000
<v Speaker 6>solo shows and I would look at the request list

0:18:34.040 --> 0:18:36.840
<v Speaker 6>for the show, I'd just be like, what, Like, how

0:18:36.920 --> 0:18:39.120
<v Speaker 6>do I know which ones to pick from this? Everybody

0:18:39.200 --> 0:18:40.919
<v Speaker 6>just has one Every song has one vote. So I

0:18:40.920 --> 0:18:43.720
<v Speaker 6>started telling the audience that when they hear the song

0:18:43.760 --> 0:18:45.560
<v Speaker 6>they came to hear, they should leave, so I know

0:18:45.600 --> 0:18:46.160
<v Speaker 6>when to quit.

0:18:46.880 --> 0:18:49.800
<v Speaker 1>That's funny, That's a good way to do it. Except

0:18:49.840 --> 0:18:50.520
<v Speaker 1>it didn't help.

0:18:50.760 --> 0:18:53.440
<v Speaker 3>No, I was like, play four hundred songs, yeah, but.

0:18:53.359 --> 0:18:55.520
<v Speaker 1>I mean that's great that you have all those songs.

0:18:56.000 --> 0:18:59.760
<v Speaker 6>I guess, so, yeah, I mean I would have would

0:18:59.760 --> 0:19:01.840
<v Speaker 6>have been nice to have a hit. Maybe I think

0:19:01.880 --> 0:19:03.840
<v Speaker 6>that that ship is probably sailed at this point.

0:19:04.160 --> 0:19:06.200
<v Speaker 1>I mean, I think I think you're doing just fine.

0:19:07.000 --> 0:19:08.800
<v Speaker 1>Do you ever get asked that question about who you

0:19:08.920 --> 0:19:11.359
<v Speaker 1>want to whose career you'd want to emulate. I always

0:19:11.359 --> 0:19:13.760
<v Speaker 1>thought that was kind of a lame question from journalists.

0:19:13.800 --> 0:19:16.600
<v Speaker 1>You know, you get that question, right, or have you,

0:19:16.680 --> 0:19:17.880
<v Speaker 1>like in the past.

0:19:17.760 --> 0:19:21.200
<v Speaker 6>We used to get it a long time ago, and

0:19:23.440 --> 0:19:25.760
<v Speaker 6>I mean at that time when we were starting out,

0:19:25.800 --> 0:19:29.639
<v Speaker 6>I think I would always say something like Ram or

0:19:29.840 --> 0:19:33.920
<v Speaker 6>Randy Newman or just somebody that's been around a long

0:19:33.960 --> 0:19:37.040
<v Speaker 6>time and has had like the opportunity to make a

0:19:37.040 --> 0:19:39.679
<v Speaker 6>lot of different records and a lot of Yeah.

0:19:39.760 --> 0:19:41.560
<v Speaker 1>But but I mean, did you ever think of that

0:19:41.680 --> 0:19:43.640
<v Speaker 1>answer until somebody would ask you that question?

0:19:43.680 --> 0:19:47.040
<v Speaker 6>No, I was like, I never really, I mean I

0:19:47.080 --> 0:19:51.639
<v Speaker 6>stopped modeling what we do on other people. By the

0:19:51.680 --> 0:19:54.280
<v Speaker 6>time we made us an independent record and we're touring

0:19:54.280 --> 0:19:56.240
<v Speaker 6>in a van totally. That was like, Oh my god,

0:19:56.280 --> 0:19:59.120
<v Speaker 6>this is the coolest thing. This is the high I've

0:19:59.119 --> 0:20:01.000
<v Speaker 6>always like out lived my dreams.

0:20:01.040 --> 0:20:01.199
<v Speaker 12>You know.

0:20:01.280 --> 0:20:03.719
<v Speaker 6>That was like as cool as it could get. I

0:20:03.760 --> 0:20:06.360
<v Speaker 6>never went to a lot of big rock shows when

0:20:06.400 --> 0:20:08.479
<v Speaker 6>I was a kid. I went to small shows and

0:20:08.480 --> 0:20:12.399
<v Speaker 6>punk rock shows and stuff. So the arena playing bigger

0:20:12.480 --> 0:20:15.920
<v Speaker 6>places was I never could picture myself doing it because

0:20:15.920 --> 0:20:19.760
<v Speaker 6>it wasn't something I had experienced a lot, and we

0:20:19.920 --> 0:20:21.840
<v Speaker 6>haven't done a whole lot of it, but we've definitely

0:20:21.880 --> 0:20:25.320
<v Speaker 6>played way bigger venues in stages than I would have

0:20:25.359 --> 0:20:28.480
<v Speaker 6>ever anticipated, and it was a growing experience. Certainly had

0:20:28.520 --> 0:20:31.240
<v Speaker 6>to kind of like learn how to do that as

0:20:31.280 --> 0:20:34.200
<v Speaker 6>a challenge, which I'm glad. It was a cool challenge

0:20:34.200 --> 0:20:37.080
<v Speaker 6>to figure out how to make that feel right.

0:20:37.800 --> 0:20:39.960
<v Speaker 1>Well, it's like you just keep rolling along and trying

0:20:39.960 --> 0:20:42.480
<v Speaker 1>new things. So I was thinking about that question today

0:20:42.480 --> 0:20:45.600
<v Speaker 1>when I was sort of preparing for this, and I

0:20:45.640 --> 0:20:47.600
<v Speaker 1>always like, I don't know, like I always say, like

0:20:47.640 --> 0:20:50.000
<v Speaker 1>Dolly Parton or Joni Mitchell, but the truth is I

0:20:50.000 --> 0:20:53.240
<v Speaker 1>never think of it outside of being asked that question. Today,

0:20:53.359 --> 0:20:59.720
<v Speaker 1>I was thinking, like you, like, I love You're exactly

0:20:59.760 --> 0:21:02.119
<v Speaker 1>who I feel like if I had to model my

0:21:02.200 --> 0:21:06.120
<v Speaker 1>career after anyone. And I feel like at this point

0:21:06.160 --> 0:21:08.720
<v Speaker 1>I've outgrown that question a little bit, but like, sure,

0:21:09.080 --> 0:21:13.359
<v Speaker 1>I love how adventurous you are and you're always doing

0:21:13.440 --> 0:21:18.040
<v Speaker 1>something different, and it's it's like thing songs for this

0:21:18.160 --> 0:21:21.160
<v Speaker 1>was impossible. So many good ones.

0:21:22.240 --> 0:21:25.240
<v Speaker 3>Well, thank you. I mean, I mean, well you don't.

0:21:25.560 --> 0:21:27.879
<v Speaker 6>I mean, I think everybody, I think with the aspiration

0:21:28.040 --> 0:21:30.600
<v Speaker 6>should be for everybody to have one that doesn't look

0:21:31.119 --> 0:21:34.400
<v Speaker 6>exactly like anybody else's exactly and you totally have that.

0:21:34.760 --> 0:21:36.359
<v Speaker 1>Well yeah, I mean I think that's why I always

0:21:36.359 --> 0:21:38.399
<v Speaker 1>thought that was such a silly question, because it's like,

0:21:38.400 --> 0:21:40.280
<v Speaker 1>I don't really want to be like anybody else.

0:21:40.720 --> 0:21:46.679
<v Speaker 6>You've kind of used I feel like, you know, like

0:21:47.000 --> 0:21:50.000
<v Speaker 6>you have this massive, massive success, like right out of

0:21:50.040 --> 0:21:53.080
<v Speaker 6>the gate, and a lot of people I think, I mean,

0:21:53.359 --> 0:21:56.119
<v Speaker 6>I don't know, we've never really talked about it, so

0:21:56.160 --> 0:21:59.280
<v Speaker 6>I don't know how disorienting any of that was. I'm

0:21:59.320 --> 0:22:04.960
<v Speaker 6>assuming it was probably pretty disorienting. But but I think

0:22:05.000 --> 0:22:08.919
<v Speaker 6>that you took control of it really quickly, and I

0:22:08.960 --> 0:22:12.320
<v Speaker 6>think that that I always thought that was really admirable

0:22:12.359 --> 0:22:16.280
<v Speaker 6>because you didn't. I felt like, I just watching you

0:22:16.359 --> 0:22:18.239
<v Speaker 6>from the outside, it felt like you didn't let it

0:22:18.280 --> 0:22:22.359
<v Speaker 6>steamroll you. You just decided to use that leverage to

0:22:22.440 --> 0:22:24.240
<v Speaker 6>be able to do the things you want to do.

0:22:24.840 --> 0:22:26.520
<v Speaker 6>And I don't think that occurs to a lot of.

0:22:26.480 --> 0:22:27.640
<v Speaker 3>People at length.

0:22:27.800 --> 0:22:29.440
<v Speaker 1>I don't either. I think it was just dumb. Luck

0:22:29.480 --> 0:22:31.840
<v Speaker 1>for me, it was just like, oh cool, Oh I

0:22:31.880 --> 0:22:33.639
<v Speaker 1>get to do whatever I want. I'm going to do it.

0:22:34.520 --> 0:22:37.960
<v Speaker 1>I wasn't like plotting anything because I think when you're young,

0:22:38.119 --> 0:22:40.480
<v Speaker 1>you just keep rolling and that's yeah, that's what you

0:22:40.560 --> 0:22:43.040
<v Speaker 1>seem to do, and that's that's exactly how I like

0:22:43.119 --> 0:22:43.720
<v Speaker 1>to do things.

0:22:43.880 --> 0:22:47.680
<v Speaker 6>Yeah, I from the outside it looks like being sort

0:22:47.720 --> 0:22:50.680
<v Speaker 6>of self possessed or something, you know, which is good.

0:22:50.880 --> 0:22:53.040
<v Speaker 6>I think, you know, having a certain amount of confidence

0:22:53.040 --> 0:22:56.160
<v Speaker 6>and self possession, but I don't. Internally, I don't feel

0:22:56.160 --> 0:22:59.640
<v Speaker 6>that way at all. I just feel like I kind

0:22:59.640 --> 0:23:02.800
<v Speaker 6>of just really uncomfortable doing things I don't want.

0:23:02.680 --> 0:23:05.320
<v Speaker 1>To do exactly. You're just you're just enjoying.

0:23:05.400 --> 0:23:08.040
<v Speaker 6>I almost couldn't do it if in a way that

0:23:08.119 --> 0:23:11.160
<v Speaker 6>I feel like would be you know, anyone would want

0:23:11.160 --> 0:23:12.399
<v Speaker 6>to hear or respond to.

0:23:12.520 --> 0:23:13.639
<v Speaker 3>But that doesn't I don't know.

0:23:13.680 --> 0:23:16.160
<v Speaker 6>But at the same time, I really love being outside

0:23:16.160 --> 0:23:20.120
<v Speaker 6>of my comfort zone and finding out if I can

0:23:20.160 --> 0:23:22.720
<v Speaker 6>do something, you know, like the Mayvest Staples stuff. It

0:23:22.760 --> 0:23:25.600
<v Speaker 6>was just like I'd never produced a record, so it

0:23:25.680 --> 0:23:27.399
<v Speaker 6>was just like being asked to do that. It was like,

0:23:28.240 --> 0:23:31.480
<v Speaker 6>I'll try, you know, like I'd love to help because

0:23:31.480 --> 0:23:36.240
<v Speaker 6>I love I love her. I love you know, And yeah,

0:23:36.280 --> 0:23:38.639
<v Speaker 6>it was really nice seeing the stuff I had learned

0:23:38.720 --> 0:23:41.040
<v Speaker 6>making my own records and being in the studio for

0:23:41.080 --> 0:23:46.000
<v Speaker 6>so long actually applied to an environment or to the

0:23:46.040 --> 0:23:49.439
<v Speaker 6>type of music that wasn't you know, just square on

0:23:49.480 --> 0:23:50.680
<v Speaker 6>the nose for what I do.

0:23:51.000 --> 0:23:53.480
<v Speaker 1>Yeah, I mean, it's one of my favorite records too,

0:23:53.960 --> 0:23:56.480
<v Speaker 1>The Mavis record that song too, I mean that You're

0:23:56.640 --> 0:23:59.680
<v Speaker 1>you Are Not Alone song, thank You. I mean, it's

0:23:59.720 --> 0:24:02.119
<v Speaker 1>one of my favorite songs for the last twenty years.

0:24:02.160 --> 0:24:04.360
<v Speaker 1>But it's just such a great songs.

0:24:04.840 --> 0:24:08.320
<v Speaker 6>It's gorgeous. I forgot I played last night and I

0:24:08.359 --> 0:24:09.199
<v Speaker 6>forgot to play it.

0:24:09.280 --> 0:24:10.399
<v Speaker 3>You were going to play it. I was going to

0:24:10.440 --> 0:24:12.640
<v Speaker 3>play it at the end, but it felt a little too.

0:24:14.040 --> 0:24:15.879
<v Speaker 6>Like I would I don't know, like I would be

0:24:16.000 --> 0:24:19.200
<v Speaker 6>milking the moment of people being out of the houses

0:24:19.240 --> 0:24:22.240
<v Speaker 6>for the first time or something like. I thought about

0:24:22.320 --> 0:24:24.679
<v Speaker 6>singing and I was like, oh, that's gonna I don't know.

0:24:25.119 --> 0:24:27.400
<v Speaker 6>I got really self conscious about it on stage.

0:24:27.520 --> 0:24:30.360
<v Speaker 1>That's funny. I mean, do you get self conscious?

0:24:30.400 --> 0:24:32.080
<v Speaker 3>N It feels emotional every time.

0:24:32.119 --> 0:24:35.639
<v Speaker 1>It's very emotional song. It's incredibly emotional. That's what's so

0:24:35.880 --> 0:24:38.800
<v Speaker 1>moving about it. And it's very universal. You know, her

0:24:38.880 --> 0:24:42.399
<v Speaker 1>singing it is universal, but some people might relate to

0:24:42.440 --> 0:24:44.760
<v Speaker 1>it one way you singing it, people might relate to

0:24:44.800 --> 0:24:45.480
<v Speaker 1>it another way.

0:24:45.800 --> 0:24:48.040
<v Speaker 6>Yeah, there'd already been a lot of stuff last night,

0:24:48.080 --> 0:24:51.520
<v Speaker 6>I mean, just the whole you know, it really felt

0:24:51.560 --> 0:24:53.399
<v Speaker 6>that it was the first time in a crowd like

0:24:53.440 --> 0:24:55.320
<v Speaker 6>that for a lot of people, and it certainly the

0:24:55.320 --> 0:24:58.080
<v Speaker 6>first time I've done a solo show in a in

0:24:58.119 --> 0:25:01.720
<v Speaker 6>a crowded room, and so there were a lot of

0:25:01.760 --> 0:25:04.639
<v Speaker 6>moments throughout the show that already felt like that emotional.

0:25:06.359 --> 0:25:08.520
<v Speaker 6>It should been scratched or something.

0:25:08.640 --> 0:25:10.679
<v Speaker 1>Yeah, you didn't want to send them home bawling.

0:25:11.720 --> 0:25:17.240
<v Speaker 6>That's usually my goal, leave them wanting less and depressed.

0:25:19.160 --> 0:25:22.320
<v Speaker 6>Hey full Yeah, is everybody having a good time? Yeah,

0:25:22.359 --> 0:25:23.760
<v Speaker 6>we'll see what we can do about that.

0:25:24.880 --> 0:25:26.840
<v Speaker 1>It's amazing. I do have a little fomo because I

0:25:26.880 --> 0:25:28.720
<v Speaker 1>haven't gone to a show and I haven't played a

0:25:28.720 --> 0:25:31.360
<v Speaker 1>show yet since everything.

0:25:31.480 --> 0:25:35.320
<v Speaker 6>So at the beginning of the summer before we went out,

0:25:35.480 --> 0:25:37.240
<v Speaker 6>you know, it felt like, oh, this is going to

0:25:37.320 --> 0:25:39.720
<v Speaker 6>be amazing. And by the time we got out there,

0:25:39.760 --> 0:25:42.480
<v Speaker 6>of course the delta variant and all the different things

0:25:42.520 --> 0:25:47.360
<v Speaker 6>were happening with the you know, other people canceling tours

0:25:47.400 --> 0:25:49.960
<v Speaker 6>and stuff. So it was a little confusing, but we

0:25:50.040 --> 0:25:54.399
<v Speaker 6>managed to keep keep ourselves healthy and the crew healthy,

0:25:54.440 --> 0:25:56.960
<v Speaker 6>and we had like forty people, you know, with all

0:25:56.960 --> 0:25:59.480
<v Speaker 6>the different bands in a bubble, and we managed to

0:25:59.480 --> 0:26:00.480
<v Speaker 6>do it.

0:26:00.480 --> 0:26:01.000
<v Speaker 1>It's great.

0:26:01.240 --> 0:26:05.040
<v Speaker 6>Only canceled one show because of whether and we had

0:26:05.040 --> 0:26:08.760
<v Speaker 6>two hurricanes on that oh gosh, yeah on that trip

0:26:09.359 --> 0:26:11.520
<v Speaker 6>or like we're in the line of two hurricanes.

0:26:11.800 --> 0:26:16.520
<v Speaker 1>That's wild. Yeah, it must have been nice.

0:26:16.240 --> 0:26:19.480
<v Speaker 6>Though it was. It was really nice. I mean very

0:26:19.520 --> 0:26:23.640
<v Speaker 6>special people seem Yeah. I mean it's a huge thing

0:26:23.680 --> 0:26:27.840
<v Speaker 6>in people's lives and it's a really special yours for ours,

0:26:28.160 --> 0:26:30.480
<v Speaker 6>but just getting getting to be a part of that

0:26:30.560 --> 0:26:35.080
<v Speaker 6>equation for someone looking out into an audience and seeing

0:26:35.640 --> 0:26:41.520
<v Speaker 6>the like this joy and relief and sense of I

0:26:41.600 --> 0:26:44.879
<v Speaker 6>don't know, just being a part of a communal experience,

0:26:44.920 --> 0:26:46.480
<v Speaker 6>which for a lot of people that don't go to

0:26:46.560 --> 0:26:49.480
<v Speaker 6>church a lot. And yeah, exactly, like sports or whatever,

0:26:50.520 --> 0:26:52.239
<v Speaker 6>it's like kind of the only place you get that.

0:26:52.760 --> 0:26:55.560
<v Speaker 1>Yeah, that's interesting because yeah, a lot of people get

0:26:55.560 --> 0:27:02.040
<v Speaker 1>at other places. It was at the longest that you've

0:27:02.080 --> 0:27:05.400
<v Speaker 1>not been on the road as an adult during the pandemic.

0:27:06.119 --> 0:27:07.640
<v Speaker 3>Yeah, because your road dog.

0:27:09.520 --> 0:27:11.560
<v Speaker 14>Well, I mean I have always on the road.

0:27:11.720 --> 0:27:14.479
<v Speaker 6>Yeah, I think I've been playing shows and do you know,

0:27:14.800 --> 0:27:17.639
<v Speaker 6>getting in advance since I was about you know, eighteen

0:27:17.720 --> 0:27:22.639
<v Speaker 6>or nineteen years old, and for sure in my adult life,

0:27:22.680 --> 0:27:25.480
<v Speaker 6>that was the only time I've ever spent eighteen months

0:27:25.520 --> 0:27:33.720
<v Speaker 6>at home. Yeah, and I was it was great. I mean, honestly,

0:27:33.760 --> 0:27:39.160
<v Speaker 6>that part of it was really kind of uplifting because

0:27:39.880 --> 0:27:41.960
<v Speaker 6>my wife and my kids and I were all under

0:27:41.960 --> 0:27:44.320
<v Speaker 6>one roof and we were very fortunate to have a

0:27:44.359 --> 0:27:46.679
<v Speaker 6>house that's big enough to kind of have not be

0:27:46.760 --> 0:27:50.000
<v Speaker 6>on top of each other, which really sympathized with people

0:27:50.040 --> 0:27:54.320
<v Speaker 6>that were in living situations where it wasn't easy to

0:27:54.320 --> 0:27:55.280
<v Speaker 6>get away from.

0:27:55.640 --> 0:27:58.800
<v Speaker 1>You know, everybody had your family members, everyone had their

0:27:58.840 --> 0:27:59.960
<v Speaker 1>own unique experience.

0:28:00.200 --> 0:28:03.960
<v Speaker 6>Yeah, but for us, it was like, oh wow, we

0:28:03.960 --> 0:28:07.439
<v Speaker 6>we you know, I really love each other. We really like,

0:28:07.520 --> 0:28:09.159
<v Speaker 6>i mean not just love each other, but like to

0:28:09.200 --> 0:28:12.360
<v Speaker 6>spend time together. And for my wife and I, honestly,

0:28:12.440 --> 0:28:14.639
<v Speaker 6>that was the you know who knew.

0:28:15.320 --> 0:28:17.440
<v Speaker 3>Yeah, it's pretty great because.

0:28:17.520 --> 0:28:20.720
<v Speaker 6>You know, I think we've always kind of attributed the

0:28:20.760 --> 0:28:24.280
<v Speaker 6>success of our relationship to being able to be a

0:28:24.320 --> 0:28:27.720
<v Speaker 6>part you know, and that that we've remained sort of

0:28:27.720 --> 0:28:30.760
<v Speaker 6>connected and strong, even though I'm gone a lot.

0:28:32.640 --> 0:28:33.679
<v Speaker 1>So it was a test.

0:28:33.760 --> 0:28:34.919
<v Speaker 3>Then if she was here.

0:28:34.800 --> 0:28:36.800
<v Speaker 6>Right now, she'd be rolling her eyes and saying that

0:28:36.920 --> 0:28:39.920
<v Speaker 6>she wanted to pack. She wanted to pack my bags

0:28:39.960 --> 0:28:43.720
<v Speaker 6>many times. And that's always been the joke before the pandemic,

0:28:43.840 --> 0:28:45.560
<v Speaker 6>is that if I'm home for too long, I wake

0:28:45.640 --> 0:28:47.400
<v Speaker 6>up and my bags are packed by the front door,

0:28:47.400 --> 0:28:50.320
<v Speaker 6>because she she likes it when I'm out doing what

0:28:50.360 --> 0:28:52.800
<v Speaker 6>I do, and maybe she senses that I need to

0:28:52.840 --> 0:28:53.120
<v Speaker 6>do it.

0:28:54.480 --> 0:28:56.720
<v Speaker 1>That makes sense, I mean, that all makes sense, but

0:28:56.760 --> 0:29:06.960
<v Speaker 1>it's I'm glad you guys passed the test. Yeah, yeah,

0:29:07.200 --> 0:29:08.400
<v Speaker 1>can we do save it for me?

0:29:08.720 --> 0:29:09.040
<v Speaker 3>Sure?

0:29:09.600 --> 0:29:14.280
<v Speaker 1>This is from the album we put out like twenty nineteen.

0:29:14.600 --> 0:29:18.000
<v Speaker 3>Kind of right, No, it came out during the pandemic.

0:29:18.080 --> 0:29:21.040
<v Speaker 1>Came out during the Was it written during the pandemic? Okay,

0:29:21.040 --> 0:29:23.280
<v Speaker 1>so this is the perfect segue. I didn't even mean

0:29:23.320 --> 0:29:26.720
<v Speaker 1>to do it. I'm just yeah, so this is one

0:29:26.720 --> 0:29:28.280
<v Speaker 1>of those songs that came out of that.

0:29:29.520 --> 0:29:29.760
<v Speaker 3>Yeah.

0:29:29.840 --> 0:29:33.320
<v Speaker 1>Yeah.

0:29:33.880 --> 0:29:37.280
<v Speaker 6>When I came home from the pandemic, for we were

0:29:37.280 --> 0:29:40.400
<v Speaker 6>on tour when everything got shut down, and so we

0:29:40.840 --> 0:29:47.000
<v Speaker 6>got home and a few days really only a few

0:29:47.080 --> 0:29:51.840
<v Speaker 6>days in I started thinking I just try and write

0:29:52.520 --> 0:29:55.719
<v Speaker 6>as an exercise. I wanted to write country songs, like

0:29:55.840 --> 0:29:58.280
<v Speaker 6>I thought the way a country song would sound if

0:29:58.280 --> 0:29:59.960
<v Speaker 6>it was gonna you know, you're trying to pitch a

0:30:00.080 --> 0:30:02.120
<v Speaker 6>to somebody to be played on a jukebox in like

0:30:02.200 --> 0:30:05.480
<v Speaker 6>the early sixties, just as you know, just as a

0:30:05.520 --> 0:30:08.040
<v Speaker 6>genre exercise or something. It's like, I wonder if I

0:30:08.040 --> 0:30:11.160
<v Speaker 6>can just write a straight country song. And I wrote

0:30:11.160 --> 0:30:13.320
<v Speaker 6>a few songs like that, and I started sharing them

0:30:13.360 --> 0:30:17.920
<v Speaker 6>with my my friend George Saunders and Nick Offerman, who

0:30:17.920 --> 0:30:20.320
<v Speaker 6>we have a we kind of have a thread, a

0:30:20.360 --> 0:30:24.200
<v Speaker 6>text thread. Were the actor, Yeah, okay, yeah, we're just

0:30:24.280 --> 0:30:25.640
<v Speaker 6>like it's just this.

0:30:25.680 --> 0:30:26.880
<v Speaker 3>Long, gooing text thread.

0:30:27.480 --> 0:30:30.120
<v Speaker 6>I was just like, hey, I'm going to send you

0:30:30.160 --> 0:30:32.480
<v Speaker 6>guys a song a day just to see what if

0:30:32.480 --> 0:30:33.160
<v Speaker 6>I can do this.

0:30:34.000 --> 0:30:36.840
<v Speaker 1>You're really good at that, by the way. The self

0:30:36.840 --> 0:30:39.840
<v Speaker 1>discipline thing, thank you. I mean I read your how

0:30:39.920 --> 0:30:42.000
<v Speaker 1>to Write One Song book and I loved it. Oh,

0:30:42.040 --> 0:30:44.680
<v Speaker 1>thank you, Because I don't really have any of that.

0:30:45.200 --> 0:30:49.400
<v Speaker 6>I just, yeah, I like, I like just seeing if

0:30:49.440 --> 0:30:51.960
<v Speaker 6>you can do it. And the only and one of

0:30:51.960 --> 0:30:54.600
<v Speaker 6>the reason reasons I can do it is because I like,

0:30:54.720 --> 0:30:58.400
<v Speaker 6>you have to really just accept whatever comes out.

0:30:58.720 --> 0:31:01.440
<v Speaker 1>But that's the best advice you can give anybody trying

0:31:01.720 --> 0:31:05.520
<v Speaker 1>to write a song, yeah, because everybody wants to just

0:31:05.760 --> 0:31:08.720
<v Speaker 1>shut it down when it's cheesy or if you don't like.

0:31:08.720 --> 0:31:09.560
<v Speaker 3>It, right.

0:31:09.800 --> 0:31:12.120
<v Speaker 6>Yeah, I don't think I always think that that's what

0:31:12.440 --> 0:31:15.200
<v Speaker 6>writer's block is. It's not so much you can't write anything,

0:31:15.240 --> 0:31:16.480
<v Speaker 6>you just don't like what you're writing.

0:31:16.520 --> 0:31:17.960
<v Speaker 1>You're just not letting yourself go.

0:31:18.520 --> 0:31:19.160
<v Speaker 3>Yeah.

0:31:19.200 --> 0:31:23.360
<v Speaker 6>So it was really satisfying and it was really fun.

0:31:23.400 --> 0:31:27.320
<v Speaker 6>And then over time, like really, within like a week

0:31:27.360 --> 0:31:29.080
<v Speaker 6>and a half or so, I had enough songs for

0:31:29.120 --> 0:31:31.880
<v Speaker 6>a record, and they were starting to become less and

0:31:31.960 --> 0:31:34.840
<v Speaker 6>less of that genre exercise. They were starting to have

0:31:34.920 --> 0:31:40.600
<v Speaker 6>more of a unique flavor, you know, or a unique

0:31:40.600 --> 0:31:42.080
<v Speaker 6>feeling to the moment.

0:31:42.040 --> 0:31:45.320
<v Speaker 1>It started taking shape as its own as the record.

0:31:45.440 --> 0:31:47.400
<v Speaker 6>Yeah, and it became the record Love is the King,

0:31:48.320 --> 0:31:52.160
<v Speaker 6>and you know, so it was Spencer and I primarily

0:31:52.440 --> 0:31:54.760
<v Speaker 6>laying down all of the tracks at the studio because

0:31:54.800 --> 0:31:57.960
<v Speaker 6>it was in our bubble. And then this is really

0:31:58.000 --> 0:32:02.280
<v Speaker 6>the record where Sammy started taking a much more active

0:32:02.320 --> 0:32:04.400
<v Speaker 6>interest in being a part of it. And so he

0:32:04.520 --> 0:32:06.280
<v Speaker 6>sings all the harmonies on the record.

0:32:06.400 --> 0:32:08.720
<v Speaker 1>Ah, So this is him on harmonies. This okay, I

0:32:08.760 --> 0:32:09.400
<v Speaker 1>can't realize that.

0:32:09.520 --> 0:32:12.160
<v Speaker 3>Yeah, yeah, the Three Boys, Yeah, thank you.

0:32:12.280 --> 0:32:15.160
<v Speaker 1>And I love his harmonies because they're they're different, you know,

0:32:15.600 --> 0:32:16.440
<v Speaker 1>they're so cool.

0:32:16.760 --> 0:32:19.200
<v Speaker 6>So yeah, I think that this is this is the

0:32:19.240 --> 0:32:21.120
<v Speaker 6>first song. I think that we had him come in

0:32:21.200 --> 0:32:22.120
<v Speaker 6>and sing harmony on.

0:32:22.400 --> 0:32:25.000
<v Speaker 1>That's so sweet. It's funny you were writing country signs.

0:32:25.000 --> 0:32:27.000
<v Speaker 1>To me, this sounds like an old jazz standard also,

0:32:27.560 --> 0:32:29.280
<v Speaker 1>but I feel like there's a lot of overlap there.

0:32:29.440 --> 0:32:30.160
<v Speaker 3>There is for.

0:32:30.120 --> 0:32:40.160
<v Speaker 13>Sure sae me.

0:32:44.360 --> 0:32:49.080
<v Speaker 8>When the wealth those bod I could say, with certainty

0:32:58.680 --> 0:33:02.280
<v Speaker 8>left on in an empty room.

0:33:02.640 --> 0:33:04.720
<v Speaker 13>So love can be.

0:33:06.840 --> 0:33:12.680
<v Speaker 8>A rainbow in the mouth of clouds, dark d days

0:33:13.160 --> 0:33:24.360
<v Speaker 8>boon needs you know, rainbow in the mouth of clouds,

0:33:25.000 --> 0:33:27.840
<v Speaker 8>dark end days soon needs me?

0:33:28.080 --> 0:33:44.320
<v Speaker 13>Now see it for me? When the world falls power,

0:33:44.640 --> 0:33:48.320
<v Speaker 13>I can say the certainty.

0:33:50.960 --> 0:33:58.280
<v Speaker 17>There's a redson, there's a pie left out that you

0:33:58.440 --> 0:34:02.720
<v Speaker 17>can't consume, so sweet it cannoty.

0:34:32.040 --> 0:34:37.840
<v Speaker 8>There's a reason no one would call today.

0:34:40.280 --> 0:34:47.360
<v Speaker 13>People you lean on don't always know what do you say?

0:34:51.760 --> 0:34:53.279
<v Speaker 18>See it for me?

0:34:57.280 --> 0:34:59.840
<v Speaker 14>When the world fose body.

0:34:59.600 --> 0:35:13.040
<v Speaker 13>Like say the certainty by a light left one and

0:35:13.280 --> 0:35:21.959
<v Speaker 13>an empty how love can be. It's all love can

0:35:22.080 --> 0:35:30.960
<v Speaker 13>be it's a love can be, so love can be.

0:35:47.920 --> 0:35:50.480
<v Speaker 3>That's beautiful, beautiful thing.

0:35:50.680 --> 0:35:52.480
<v Speaker 1>Yeah, I loved it. I had this like idea of

0:35:52.520 --> 0:35:54.880
<v Speaker 1>trying to do it ragtime, but it's definitely in the

0:35:54.880 --> 0:35:55.600
<v Speaker 1>wrong key for that.

0:35:57.280 --> 0:36:00.640
<v Speaker 6>Yeah, I should have told me how would I would

0:36:00.640 --> 0:36:01.279
<v Speaker 6>do now.

0:36:01.360 --> 0:36:03.560
<v Speaker 1>I liked what we did. It was great. I just

0:36:03.560 --> 0:36:05.759
<v Speaker 1>wanted to sing on it mostly and just tinkle a

0:36:05.760 --> 0:36:06.719
<v Speaker 1>little piano.

0:36:06.760 --> 0:36:09.919
<v Speaker 6>Just well half step up would have been rag time

0:36:10.000 --> 0:36:11.640
<v Speaker 6>key right, gee with a big.

0:36:12.320 --> 0:36:23.239
<v Speaker 19>I was saying, when the world falls apart.

0:36:23.320 --> 0:36:26.279
<v Speaker 13>I could say with certain but.

0:36:27.080 --> 0:36:30.319
<v Speaker 1>Yes, that's what I was hearing, Like is man, That's

0:36:30.320 --> 0:36:32.360
<v Speaker 1>why I was hearing it kind of jazzy, right.

0:36:33.040 --> 0:36:35.520
<v Speaker 3>But you have to make I have to make that track.

0:36:35.560 --> 0:36:36.279
<v Speaker 3>I want to hear it.

0:36:36.280 --> 0:36:38.239
<v Speaker 1>It'd be fun. I'll fiddle with it. I'll do any

0:36:38.280 --> 0:36:41.160
<v Speaker 1>different key that's a little low, But I love that song.

0:36:41.200 --> 0:36:46.239
<v Speaker 1>It's beautiful. Also, I really have avoided using jazzy as

0:36:46.280 --> 0:36:49.480
<v Speaker 1>a as a descriptive word my whole life, and I

0:36:49.480 --> 0:36:52.600
<v Speaker 1>don't know why I just did that, but I just

0:36:52.640 --> 0:36:54.880
<v Speaker 1>want to put that out there. I don't usually I

0:36:55.040 --> 0:36:55.799
<v Speaker 1>was use it.

0:36:56.200 --> 0:37:00.200
<v Speaker 6>I was impressed. I was like like, wow, like I right,

0:37:00.320 --> 0:37:01.120
<v Speaker 6>jazz now.

0:37:03.680 --> 0:37:04.120
<v Speaker 1>Awesome.

0:37:04.280 --> 0:37:05.440
<v Speaker 3>That was myself.

0:37:06.080 --> 0:37:08.839
<v Speaker 1>I love that you made that record with the with

0:37:08.880 --> 0:37:12.840
<v Speaker 1>the Spencer and Sammy like that during the pandemic. That's great.

0:37:13.200 --> 0:37:13.520
<v Speaker 3>It was.

0:37:14.000 --> 0:37:15.960
<v Speaker 6>Yeah, I wrote the book and I and I and

0:37:16.239 --> 0:37:18.279
<v Speaker 6>run the same time. So a lot of the kind

0:37:18.320 --> 0:37:22.560
<v Speaker 6>of exercises I'm trying to describe in the book I

0:37:22.600 --> 0:37:25.480
<v Speaker 6>was using at the same time making the record, or

0:37:25.800 --> 0:37:28.480
<v Speaker 6>you know, it was fresh in my mind from kind

0:37:28.480 --> 0:37:30.000
<v Speaker 6>of writing really quickly.

0:37:30.200 --> 0:37:34.000
<v Speaker 1>Yeah, that's pretty great. I'm gonna I'm going to do

0:37:34.120 --> 0:37:36.759
<v Speaker 1>the book and try to do that again, like try

0:37:36.760 --> 0:37:38.080
<v Speaker 1>to I'll just send you stuff.

0:37:38.360 --> 0:37:39.759
<v Speaker 3>Yeah, let me let me hear it.

0:37:39.920 --> 0:37:41.400
<v Speaker 1>Yeah, that'd be fun.

0:37:41.719 --> 0:37:45.839
<v Speaker 6>It's good to let somebody hear it because I mean,

0:37:45.880 --> 0:37:48.120
<v Speaker 6>if you have to find the right person. But you know,

0:37:48.200 --> 0:37:53.120
<v Speaker 6>when uh, when somebody else receives it in the same

0:37:53.160 --> 0:37:57.480
<v Speaker 6>spirit that it's it's created, it's really the steaks are

0:37:57.520 --> 0:37:59.920
<v Speaker 6>really low, but really reward.

0:38:00.640 --> 0:38:00.920
<v Speaker 3>You know.

0:38:01.120 --> 0:38:05.760
<v Speaker 6>It's like, yeah, it's like playing it for your mom

0:38:05.880 --> 0:38:06.680
<v Speaker 6>or something, or.

0:38:06.719 --> 0:38:09.799
<v Speaker 1>Like, well, that's interesting because I was listening to your book.

0:38:09.840 --> 0:38:12.920
<v Speaker 1>I was listening to your book on tape. I was

0:38:13.239 --> 0:38:18.080
<v Speaker 1>really struck by that that scene of you playing her song,

0:38:18.280 --> 0:38:21.080
<v Speaker 1>your mom's songs in the kitchen when you first started

0:38:21.120 --> 0:38:25.239
<v Speaker 1>writing them. Yeah, and I think that earnestness of songwriting

0:38:25.400 --> 0:38:28.879
<v Speaker 1>is what helps you be so fearless with it and

0:38:28.920 --> 0:38:32.040
<v Speaker 1>like just yeah, what you're saying is basically the key

0:38:32.120 --> 0:38:35.280
<v Speaker 1>to unlocking it. And it makes a lot of sense.

0:38:35.760 --> 0:38:37.959
<v Speaker 3>Yeah, I mean, you got somebody that's.

0:38:39.239 --> 0:38:42.320
<v Speaker 6>I mean, I think ultimately you're wanting to reach somebody

0:38:42.360 --> 0:38:47.480
<v Speaker 6>that is open to loving you. It's hard to reach

0:38:47.520 --> 0:38:51.239
<v Speaker 6>people who are not open to making having a connection right,

0:38:51.480 --> 0:38:53.880
<v Speaker 6>you know, God and the people I think spend a

0:38:53.920 --> 0:38:56.640
<v Speaker 6>lot of time worried about those people, worried about the

0:38:56.680 --> 0:38:57.840
<v Speaker 6>people that are critical.

0:38:57.880 --> 0:38:59.680
<v Speaker 3>Its difficult to like.

0:38:59.680 --> 0:39:01.839
<v Speaker 6>Are not really coming at it, Like they don't really

0:39:01.880 --> 0:39:04.120
<v Speaker 6>need it from you? There there, it's not for them,

0:39:04.360 --> 0:39:08.840
<v Speaker 6>or they have other things that that really means a

0:39:08.920 --> 0:39:10.879
<v Speaker 6>lot to them, and they're not I don't know, they're

0:39:10.920 --> 0:39:13.560
<v Speaker 6>just not. They don't need another friend, you know.

0:39:13.719 --> 0:39:17.320
<v Speaker 1>I think that's that's a great Yeah, that's an interesting

0:39:17.360 --> 0:39:18.120
<v Speaker 1>thing to think about.

0:39:18.760 --> 0:39:21.600
<v Speaker 6>So so it's like, if you know that that's there,

0:39:24.000 --> 0:39:27.640
<v Speaker 6>you still have a vulnerability because I don't know if

0:39:27.640 --> 0:39:32.200
<v Speaker 6>you ever quite shake that feeling, especially if you're saying

0:39:32.200 --> 0:39:42.640
<v Speaker 6>something that's emotionally resonant within yourself. It feels a little electrifying,

0:39:42.719 --> 0:39:45.320
<v Speaker 6>almost like a like an electrocuting.

0:39:47.239 --> 0:39:49.560
<v Speaker 1>Yeah, either way, just.

0:39:49.440 --> 0:39:53.359
<v Speaker 6>Like you know, oh, I shouldn't be saying this. I'm

0:39:53.360 --> 0:39:56.680
<v Speaker 6>not sure how I feel about this being out in

0:39:56.680 --> 0:40:01.640
<v Speaker 6>in the air. You know, Yeah, that's still there, even

0:40:01.680 --> 0:40:04.200
<v Speaker 6>with somebody that loves you a whole lot, you.

0:40:04.160 --> 0:40:06.120
<v Speaker 1>Know, yeah, it can still hurt you.

0:40:07.080 --> 0:40:09.839
<v Speaker 6>But I just like think that I don't really spend

0:40:09.880 --> 0:40:12.359
<v Speaker 6>a lot of time picturing an audience. But it took

0:40:12.400 --> 0:40:14.520
<v Speaker 6>me a long time to figure out that I shouldn't

0:40:14.520 --> 0:40:18.520
<v Speaker 6>picture an audience that isn't open to it, Like, what's

0:40:18.560 --> 0:40:19.000
<v Speaker 6>the point?

0:40:19.560 --> 0:40:21.879
<v Speaker 1>Yeah, it's true. I mean it took me a long

0:40:21.920 --> 0:40:24.400
<v Speaker 1>time to realize this. I don't know why. Maybe because

0:40:24.440 --> 0:40:27.600
<v Speaker 1>my first record was so successful and I got a

0:40:27.600 --> 0:40:30.479
<v Speaker 1>little like weird, you know, sure, and I would play

0:40:30.520 --> 0:40:35.480
<v Speaker 1>shows and I would like be kind of upset sometimes, like,

0:40:35.520 --> 0:40:37.799
<v Speaker 1>well they weren't as into it as they could have been.

0:40:37.840 --> 0:40:40.360
<v Speaker 1>And I don't know, I remember somebody saying to me

0:40:40.520 --> 0:40:43.160
<v Speaker 1>was like, everyone here, I bought a ticket to come

0:40:43.200 --> 0:40:45.640
<v Speaker 1>see you. They're on your side, they already like you.

0:40:46.320 --> 0:40:49.080
<v Speaker 1>For some reason, I thought I had to win them over, right,

0:40:49.520 --> 0:40:53.200
<v Speaker 1>and that's like a weird performer thing, right that sometimes

0:40:53.200 --> 0:40:55.600
<v Speaker 1>I think people get in their head for sure, and

0:40:55.719 --> 0:40:56.759
<v Speaker 1>especially when you're young.

0:40:57.000 --> 0:40:59.399
<v Speaker 6>Oh yeah, well, I mean and you start out that way.

0:40:59.520 --> 0:41:02.120
<v Speaker 6>For lot of people, it's just like, yeah, that's your

0:41:02.160 --> 0:41:05.120
<v Speaker 6>whole goal. That's just went over an audience, and then

0:41:05.120 --> 0:41:07.040
<v Speaker 6>they're never really quite let go of it.

0:41:07.200 --> 0:41:09.040
<v Speaker 1>Yeah, They're not always there to see you in the beginning.

0:41:09.080 --> 0:41:10.680
<v Speaker 1>They're maybe there to see someone else.

0:41:10.760 --> 0:41:12.520
<v Speaker 6>Which if I guess, if I had to pick a

0:41:12.600 --> 0:41:16.320
<v Speaker 6>side of which, you know, default position to come into

0:41:16.360 --> 0:41:19.760
<v Speaker 6>a show, I'd probably still want most performers to feel

0:41:19.760 --> 0:41:22.319
<v Speaker 6>like they need to put an effort in to win

0:41:22.440 --> 0:41:22.759
<v Speaker 6>you over.

0:41:22.840 --> 0:41:25.440
<v Speaker 1>Oh yeah. But there's a difference between not putting an

0:41:25.440 --> 0:41:29.920
<v Speaker 1>effort in and not feeling defensive immediately about like or

0:41:30.000 --> 0:41:33.000
<v Speaker 1>like you know, scared too scared.

0:41:32.680 --> 0:41:34.799
<v Speaker 6>Yeah, like just assuming the audience is going to be

0:41:34.800 --> 0:41:37.800
<v Speaker 6>withholding yeah, of their affection or something.

0:41:37.960 --> 0:41:40.480
<v Speaker 1>Yeah, it's just a weird head trip that I went.

0:41:40.320 --> 0:41:41.160
<v Speaker 3>Through all the thing.

0:41:41.400 --> 0:41:44.880
<v Speaker 6>The thing that's crazy and you know to me is

0:41:44.920 --> 0:41:50.279
<v Speaker 6>how how adept at picking out people that aren't having

0:41:50.320 --> 0:41:53.759
<v Speaker 6>a good time. Yes, we are, and everybody that's ever

0:41:53.800 --> 0:41:56.440
<v Speaker 6>I've ever talked to you that's been on stage has

0:41:56.480 --> 0:42:00.160
<v Speaker 6>like just like almost like an animal instinct for the

0:42:00.160 --> 0:42:02.840
<v Speaker 6>guy that's yawning or looking at his phone or.

0:42:03.760 --> 0:42:05.880
<v Speaker 1>Gets me because I also, like in the beginning, I

0:42:05.880 --> 0:42:08.400
<v Speaker 1>got called Snora in the press, which my mom for

0:42:08.440 --> 0:42:11.359
<v Speaker 1>some reason thought was hilarious and like always jokes around

0:42:11.400 --> 0:42:11.719
<v Speaker 1>about it.

0:42:12.000 --> 0:42:13.839
<v Speaker 3>But it does hurt a little bit, oh for sure.

0:42:14.760 --> 0:42:17.040
<v Speaker 1>So like the yawning always gets me for sure.

0:42:17.160 --> 0:42:20.000
<v Speaker 3>Yeah, yeah, Yeah.

0:42:20.040 --> 0:42:22.600
<v Speaker 6>They can be in the middle of like fifty people

0:42:22.920 --> 0:42:26.680
<v Speaker 6>like dancing exactly, and you're like, what's wrong with that guy?

0:42:26.880 --> 0:42:29.760
<v Speaker 6>I'm giving all this mental energy to this person that's

0:42:29.840 --> 0:42:32.920
<v Speaker 6>like like the last person I should be thinking about.

0:42:33.200 --> 0:42:35.920
<v Speaker 1>Yeah, as soon as I stopped thinking of it that way,

0:42:36.040 --> 0:42:37.480
<v Speaker 1>it was so much more fun.

0:42:37.680 --> 0:42:40.160
<v Speaker 6>The world is like that though, we always like seem

0:42:40.239 --> 0:42:45.480
<v Speaker 6>to be most disoriented and distracted by the the I

0:42:45.520 --> 0:42:48.720
<v Speaker 6>don't know, the naysayers and the yeah I mean energy,

0:42:48.880 --> 0:42:51.719
<v Speaker 6>And now we're programmed to be more like that every day.

0:42:51.840 --> 0:42:53.920
<v Speaker 1>Yeah, what you know, the way the news is and.

0:42:53.880 --> 0:42:57.680
<v Speaker 6>Everything outrage economy, Yeah, it's all just outrageous. I always

0:42:57.680 --> 0:43:02.000
<v Speaker 6>thinking about how, you know, you could have a bunch

0:43:02.000 --> 0:43:04.200
<v Speaker 6>of people in a room having a great time and

0:43:04.280 --> 0:43:07.560
<v Speaker 6>one really really sour. Negative person can walk in the

0:43:07.640 --> 0:43:11.800
<v Speaker 6>room and completely change that room. Yes, but it doesn't

0:43:11.800 --> 0:43:13.759
<v Speaker 6>work the other way. You could have a group of

0:43:13.800 --> 0:43:14.400
<v Speaker 6>like people.

0:43:15.200 --> 0:43:18.440
<v Speaker 1>Are you sure, I mean if there's a group of

0:43:18.440 --> 0:43:19.440
<v Speaker 1>negative people, is.

0:43:19.360 --> 0:43:22.600
<v Speaker 6>What you Yeah, and like one really happy person comes

0:43:22.640 --> 0:43:26.320
<v Speaker 6>in and tries to make it just makes them all matter, Like, yeah,

0:43:26.480 --> 0:43:29.080
<v Speaker 6>I guess there are there. Well that's a real gift.

0:43:29.200 --> 0:43:30.680
<v Speaker 6>That's somebody like Mayvis Staples.

0:43:31.239 --> 0:43:32.359
<v Speaker 1>Yes, she can brighten a room.

0:43:32.440 --> 0:43:33.160
<v Speaker 3>Yeah, she like.

0:43:33.560 --> 0:43:37.880
<v Speaker 6>But yeah, it's it generally, I think it's much more

0:43:38.239 --> 0:43:40.680
<v Speaker 6>energy expended to get it to go the other direction.

0:43:41.200 --> 0:43:44.839
<v Speaker 1>Yeah, it's true. Love is the King. I mean, it's

0:43:44.880 --> 0:43:45.840
<v Speaker 1>it's you said.

0:43:45.640 --> 0:43:46.760
<v Speaker 3>It available everywhere.

0:43:46.880 --> 0:43:52.360
<v Speaker 1>Yeah, it's great. I remember when I came to the

0:43:52.480 --> 0:43:55.520
<v Speaker 1>loft to write songs and just play with you. I

0:43:55.560 --> 0:43:58.719
<v Speaker 1>was just like so, I was so excited. I don't

0:43:58.760 --> 0:44:01.919
<v Speaker 1>know why, but I've always felt, well, even though I'm

0:44:01.920 --> 0:44:04.480
<v Speaker 1>a fan, I feel like over the years seeing you

0:44:04.520 --> 0:44:07.080
<v Speaker 1>around and you were so cool with posts some moods

0:44:07.080 --> 0:44:10.840
<v Speaker 1>and I don't know, we just have fun. The brief

0:44:10.880 --> 0:44:13.359
<v Speaker 1>times we saw you, I just thought we would get

0:44:13.400 --> 0:44:18.240
<v Speaker 1>along and I felt very at ease with you playing

0:44:18.320 --> 0:44:20.839
<v Speaker 1>music and writing songs. And it was weird because I

0:44:20.880 --> 0:44:23.759
<v Speaker 1>really was surprised that I wasn't more withholding of my

0:44:23.840 --> 0:44:25.960
<v Speaker 1>own ideas because I do think of you as a

0:44:26.560 --> 0:44:29.560
<v Speaker 1>you know, you're way more accomplished songwriter than I am.

0:44:29.760 --> 0:44:32.560
<v Speaker 1>But it was just so fun and I felt that

0:44:32.760 --> 0:44:36.960
<v Speaker 1>energy from you, and I feel like it worked really well.

0:44:37.360 --> 0:44:41.279
<v Speaker 3>Absolutely. Yeah. No, I mean I feel like.

0:44:43.320 --> 0:44:48.319
<v Speaker 6>We've always had like a real strong friend chemistry. Yeah,

0:44:48.520 --> 0:44:50.759
<v Speaker 6>me too, even from the first time I told you

0:44:50.760 --> 0:44:51.759
<v Speaker 6>you got the lyrics wrong.

0:44:52.200 --> 0:44:54.839
<v Speaker 3>Oh god, I took it with a lot of Oh.

0:44:54.880 --> 0:44:58.719
<v Speaker 1>I was like, it was hilarious, but also a little

0:44:58.760 --> 0:45:01.880
<v Speaker 1>bit horrified, I was. I mean, it was great. I

0:45:02.640 --> 0:45:06.439
<v Speaker 1>love playing music with you, so yeah, it was so fun.

0:45:07.160 --> 0:45:09.920
<v Speaker 6>I remember the first time we met at the Jules

0:45:09.920 --> 0:45:12.960
<v Speaker 6>Holland thing. I was we were playing I'm the Man

0:45:13.000 --> 0:45:16.560
<v Speaker 6>who Loves You and I have like a crazy loud,

0:45:17.239 --> 0:45:21.760
<v Speaker 6>fuzzed out guitar solo, and I felt I was scared

0:45:21.800 --> 0:45:24.200
<v Speaker 6>I was gonna hurt your ears because they had seated

0:45:24.239 --> 0:45:27.200
<v Speaker 6>you directly at like a little table directly in.

0:45:27.160 --> 0:45:27.719
<v Speaker 3>Front of us.

0:45:27.800 --> 0:45:30.160
<v Speaker 6>Yeah, and I think my amp was aimed straight into

0:45:30.200 --> 0:45:32.400
<v Speaker 6>your head, and I'm like, oh my god, I just

0:45:32.480 --> 0:45:34.759
<v Speaker 6>can't believe I'm gonna have to do this.

0:45:35.400 --> 0:45:38.560
<v Speaker 1>You're gonna you're gonna make me go down Grace record.

0:45:45.920 --> 0:45:47.600
<v Speaker 1>Which one do you want to do? Do you want

0:45:47.600 --> 0:45:49.480
<v Speaker 1>to do I'm alive?

0:45:49.640 --> 0:45:50.200
<v Speaker 3>Or yeah?

0:45:50.440 --> 0:45:50.880
<v Speaker 1>Or okay?

0:45:50.960 --> 0:45:51.879
<v Speaker 3>Yeah? Is that okay?

0:45:51.960 --> 0:45:52.120
<v Speaker 14>Yeah?

0:45:52.200 --> 0:45:54.719
<v Speaker 1>No, it's great. I just didn't know which one. Let

0:45:54.719 --> 0:45:55.480
<v Speaker 1>me just grab my.

0:45:56.160 --> 0:45:59.880
<v Speaker 11>Yay, Okay.

0:46:00.040 --> 0:46:02.680
<v Speaker 1>It's funny because I put this album out during the pandemic,

0:46:03.080 --> 0:46:05.719
<v Speaker 1>so I never got to play with this this with

0:46:05.800 --> 0:46:09.440
<v Speaker 1>a band. Oh wow, And it's actually the last time

0:46:09.480 --> 0:46:12.120
<v Speaker 1>I saw you was like the week before Lockdown when

0:46:12.160 --> 0:46:13.279
<v Speaker 1>we did the video for this.

0:46:13.640 --> 0:46:13.839
<v Speaker 20>Right.

0:46:14.560 --> 0:46:16.960
<v Speaker 6>Yeah no, that was like probably the last time I

0:46:17.040 --> 0:46:20.279
<v Speaker 6>flew yeah before I just came here.

0:46:20.680 --> 0:46:24.560
<v Speaker 3>Yeah, yeah, possible, Yeah, I think I think it is.

0:46:24.680 --> 0:46:26.720
<v Speaker 1>It is so I've been doing all these like solo

0:46:26.719 --> 0:46:29.040
<v Speaker 1>piano versions of the song, which I never thought i'd do.

0:46:29.160 --> 0:46:29.680
<v Speaker 1>But it's great.

0:46:29.880 --> 0:46:31.520
<v Speaker 3>I'll just hang on for dear life.

0:46:31.840 --> 0:47:04.880
<v Speaker 21>No, no, it's great.

0:47:06.280 --> 0:47:11.440
<v Speaker 13>Jess anyway, don't move.

0:47:13.120 --> 0:47:13.920
<v Speaker 15>Just says it.

0:47:14.680 --> 0:47:22.040
<v Speaker 11>You can hope and pray, you can move, baby, things

0:47:22.080 --> 0:47:34.600
<v Speaker 11>will change. I feel your song get her love dout.

0:47:35.880 --> 0:47:42.840
<v Speaker 13>Wow, world implodes. You just live with that.

0:47:46.680 --> 0:47:56.040
<v Speaker 11>She walks, she runs, She fights, almost as one fight.

0:47:57.080 --> 0:48:03.160
<v Speaker 13>Her voice shem. She has no choice.

0:48:07.680 --> 0:48:12.440
<v Speaker 18>She's crushed my thoughts and night.

0:48:13.640 --> 0:48:17.360
<v Speaker 1>Oh man, who wants?

0:48:18.040 --> 0:48:21.560
<v Speaker 13>Who writes? And you?

0:48:22.000 --> 0:48:23.120
<v Speaker 14>Jelie waits.

0:48:25.960 --> 0:48:30.560
<v Speaker 13>Oh she is alive. Yeah, she's alive.

0:48:34.920 --> 0:48:35.880
<v Speaker 14>She is alive.

0:48:37.600 --> 0:48:39.000
<v Speaker 13>Oh she's alive.

0:49:00.320 --> 0:49:09.160
<v Speaker 7>He screams, He shats the head are TV bow They

0:49:09.320 --> 0:49:11.600
<v Speaker 7>take the bait.

0:49:12.840 --> 0:49:16.719
<v Speaker 13>They made road way, feed.

0:49:21.400 --> 0:49:32.799
<v Speaker 18>The bray down walls to free their saints and the.

0:49:31.480 --> 0:49:37.080
<v Speaker 1>Little hat comecake very.

0:49:39.400 --> 0:49:42.719
<v Speaker 14>All watch. I think.

0:49:44.120 --> 0:49:52.080
<v Speaker 11>I dance and sometimes I drink. I see my sons.

0:49:52.440 --> 0:49:56.280
<v Speaker 11>I'll hope someone says.

0:49:55.920 --> 0:49:56.400
<v Speaker 21>Mon.

0:50:01.120 --> 0:50:04.200
<v Speaker 11>If I should break.

0:50:04.880 --> 0:50:09.600
<v Speaker 10>My side streak, will.

0:50:09.840 --> 0:50:12.160
<v Speaker 13>Now lives come down.

0:50:13.719 --> 0:50:14.200
<v Speaker 12>To good?

0:50:15.120 --> 0:50:16.000
<v Speaker 13>My gee.

0:50:18.840 --> 0:50:23.400
<v Speaker 11>Oh I'm alive. Yes, I'm alive.

0:50:27.800 --> 0:50:28.600
<v Speaker 10>I'm alive.

0:50:31.000 --> 0:50:45.240
<v Speaker 11>I'm alive, but I'm live. Yes, I'm alive, but I'm alive.

0:50:47.640 --> 0:50:55.640
<v Speaker 22>I'm alive, Okay, alive.

0:50:57.239 --> 0:50:59.880
<v Speaker 13>I know the things.

0:51:01.080 --> 0:51:04.040
<v Speaker 18>It's all right, it's okay.

0:51:07.320 --> 0:51:14.239
<v Speaker 11>Maybe things would change.

0:51:15.000 --> 0:51:15.520
<v Speaker 1>Awesome.

0:51:16.040 --> 0:51:16.760
<v Speaker 3>That was great.

0:51:17.160 --> 0:51:18.839
<v Speaker 1>I remember I tried to play drums on this, but

0:51:18.880 --> 0:51:21.600
<v Speaker 1>Spencer was so much better. I was like, I need

0:51:21.600 --> 0:51:24.480
<v Speaker 1>to play drums. But I loved playing with you and

0:51:24.520 --> 0:51:25.919
<v Speaker 1>Spencer together. It was so fun.

0:51:26.000 --> 0:51:31.560
<v Speaker 6>Oh yeah, it's me too. We love playing with you. Obviously.

0:51:31.640 --> 0:51:36.080
<v Speaker 6>It was so such an incredible fun time to get

0:51:36.080 --> 0:51:40.839
<v Speaker 6>to do that. But for me, you know, I love

0:51:40.880 --> 0:51:44.239
<v Speaker 6>playing with Wilco, I love playing with, you know.

0:51:44.280 --> 0:51:46.200
<v Speaker 3>Lots of musicians. I've been lucky to play with a

0:51:46.239 --> 0:51:47.239
<v Speaker 3>lot of great musicians.

0:51:47.280 --> 0:51:50.200
<v Speaker 6>But yeah, there's really nothing like playing with your own

0:51:50.280 --> 0:51:51.799
<v Speaker 6>DNA or something like.

0:51:51.920 --> 0:51:54.759
<v Speaker 1>Well that's what they say. Like the Everly Brothers hook up,

0:51:54.880 --> 0:51:57.800
<v Speaker 1>that was just there was just something about that.

0:51:58.280 --> 0:52:02.640
<v Speaker 6>It's crazy, how I mean, I so many tracks on

0:52:02.960 --> 0:52:06.680
<v Speaker 6>Love is the King are not to a click, just

0:52:06.719 --> 0:52:11.480
<v Speaker 6>me playing acoustic guitar and him coming in later and

0:52:11.560 --> 0:52:15.160
<v Speaker 6>putting drums on it. And people don't seem to do that.

0:52:15.320 --> 0:52:18.120
<v Speaker 6>It's like, just it's not that common. I don't think

0:52:18.160 --> 0:52:19.040
<v Speaker 6>for people to do that.

0:52:19.160 --> 0:52:19.880
<v Speaker 1>It's not easy.

0:52:20.120 --> 0:52:23.160
<v Speaker 3>It's really hard. But he never has any problem.

0:52:23.200 --> 0:52:26.600
<v Speaker 6>He like understands where I you know, I don't have

0:52:26.719 --> 0:52:28.880
<v Speaker 6>terrible time, but I'm not perfect, but.

0:52:28.719 --> 0:52:30.840
<v Speaker 1>Well you have your own unique sense of time.

0:52:30.680 --> 0:52:33.279
<v Speaker 6>Right, So he just he just has been hearing that

0:52:33.360 --> 0:52:36.000
<v Speaker 6>his whole life or something. So he just like kind

0:52:36.000 --> 0:52:39.759
<v Speaker 6>of dips and ebbs and flows where it feels right.

0:52:39.880 --> 0:52:44.719
<v Speaker 6>And it's really really kind of I don't know, interesting.

0:52:45.040 --> 0:52:47.600
<v Speaker 6>I think I would love to know why it works.

0:52:47.640 --> 0:52:49.560
<v Speaker 6>So well, but at the same time, I don't really

0:52:49.600 --> 0:52:50.040
<v Speaker 6>need to know.

0:52:50.880 --> 0:52:53.160
<v Speaker 1>Well, that's the beauty of it is not it's not

0:52:53.239 --> 0:52:56.600
<v Speaker 1>a technical thing that you can know. It's just it's

0:52:56.719 --> 0:52:58.800
<v Speaker 1>just it's called chemistry.

0:52:59.280 --> 0:53:03.200
<v Speaker 6>And then yeah, it's beautiful. But it's the thing I

0:53:03.239 --> 0:53:05.760
<v Speaker 6>guess I'm trying to express is like, when we play together,

0:53:06.320 --> 0:53:10.160
<v Speaker 6>it's obviously there and it's like it's really effortless and

0:53:10.760 --> 0:53:13.919
<v Speaker 6>fun and we you know, just really hear each other

0:53:14.120 --> 0:53:17.799
<v Speaker 6>super clear, clearly. But the thing that I always think

0:53:17.840 --> 0:53:20.120
<v Speaker 6>it is a very amazing is that it still sounds

0:53:20.120 --> 0:53:22.120
<v Speaker 6>that way when we do it separately.

0:53:22.360 --> 0:53:24.440
<v Speaker 1>I know, I know, that's what I'm saying. That's exactly

0:53:24.480 --> 0:53:26.719
<v Speaker 1>what happened on this song is like I was trying

0:53:26.760 --> 0:53:30.080
<v Speaker 1>to play drums for some reason, but then he came

0:53:30.120 --> 0:53:31.719
<v Speaker 1>in after and overed up the drums, but we did

0:53:31.719 --> 0:53:34.080
<v Speaker 1>not do it to a click uhh, And so I

0:53:34.120 --> 0:53:35.919
<v Speaker 1>was like, oh God, is he going to be able

0:53:35.960 --> 0:53:40.320
<v Speaker 1>to and it was so perfect it's crazy.

0:53:40.760 --> 0:53:46.400
<v Speaker 6>We did the Pop Staples record that Spencer and I

0:53:46.440 --> 0:53:50.840
<v Speaker 6>completed with Mavis's Blessing. She kind of brought these recordings

0:53:50.880 --> 0:53:53.080
<v Speaker 6>in that he had worked on before he died, and

0:53:53.120 --> 0:53:57.000
<v Speaker 6>they were never finished to anyone's satisfaction. And so we

0:53:57.080 --> 0:54:00.160
<v Speaker 6>did like Spencer and I as a rhythm section and

0:54:00.280 --> 0:54:06.120
<v Speaker 6>played along with just Pop's voice and his guitar, and

0:54:07.480 --> 0:54:09.600
<v Speaker 6>those weren't to a click or anything either. So it

0:54:09.680 --> 0:54:11.759
<v Speaker 6>was just like just kind of trying to get in

0:54:11.840 --> 0:54:14.120
<v Speaker 6>the head space of we're playing in the room and

0:54:14.200 --> 0:54:16.279
<v Speaker 6>closing your eyes and playing with Pops and it was

0:54:16.280 --> 0:54:17.000
<v Speaker 6>really kind.

0:54:16.800 --> 0:54:23.920
<v Speaker 3>Of it was. Yeah, it was. I had a lot

0:54:23.920 --> 0:54:24.600
<v Speaker 3>of like.

0:54:24.800 --> 0:54:29.120
<v Speaker 6>Just crazy eerie feelings of him his presence or something.

0:54:29.200 --> 0:54:30.920
<v Speaker 3>This is it really he really is present.

0:54:31.040 --> 0:54:33.160
<v Speaker 6>His voice is I mean, the voice is a huge

0:54:33.160 --> 0:54:36.279
<v Speaker 6>part of you who a person is, you know, just

0:54:36.320 --> 0:54:40.200
<v Speaker 6>having it in your headphones listening and listening so intently

0:54:40.280 --> 0:54:43.839
<v Speaker 6>to try and follow that was a really beautiful experience.

0:54:43.920 --> 0:54:48.560
<v Speaker 6>But yeah, it was, you know, he was able to

0:54:48.560 --> 0:54:51.680
<v Speaker 6>do that too, which was really exciting.

0:55:08.000 --> 0:55:10.920
<v Speaker 13>The rows and rows of houses.

0:55:14.840 --> 0:55:24.520
<v Speaker 8>With the windows spinning, blow with a light from a TV.

0:55:28.680 --> 0:55:37.440
<v Speaker 13>Round a palel, do you but there is no sunken

0:55:37.600 --> 0:55:57.480
<v Speaker 13>treasure rumored to be wrapped inside my ribs in the sea.

0:55:59.640 --> 0:56:00.440
<v Speaker 14>Blaye with a.

0:56:03.280 --> 0:56:08.280
<v Speaker 13>I am so out of tune.

0:56:10.600 --> 0:56:10.920
<v Speaker 3>With you.

0:56:15.600 --> 0:56:18.640
<v Speaker 13>I am so out of tune.

0:56:21.239 --> 0:56:21.560
<v Speaker 12>With you.

0:56:39.960 --> 0:56:41.880
<v Speaker 13>If I had a mountain.

0:56:46.120 --> 0:56:55.280
<v Speaker 8>A child to fold it over. And if I had.

0:56:55.120 --> 0:57:08.480
<v Speaker 13>A boat, I'm probably roll over. But I leave it

0:57:08.560 --> 0:57:09.600
<v Speaker 13>all the shore.

0:57:14.480 --> 0:57:30.360
<v Speaker 8>I leave it for somebody. Surely there's somebody.

0:57:28.440 --> 0:57:36.240
<v Speaker 13>Who needs it more than me. I am so.

0:57:38.880 --> 0:57:50.480
<v Speaker 5>Out of tune with you. I am so out too.

0:57:53.520 --> 0:59:15.800
<v Speaker 13>With you. For all the leagues we burned, autumn fires, then.

0:59:15.760 --> 0:59:30.160
<v Speaker 20>Return all the fires we burned, all will return.

0:59:35.280 --> 0:59:44.360
<v Speaker 8>Music is my savior. I was maimed by rock and roll.

0:59:49.000 --> 0:59:50.640
<v Speaker 13>I was maimed by.

0:59:50.680 --> 0:59:51.480
<v Speaker 8>Rock and roll.

0:59:56.080 --> 1:00:03.400
<v Speaker 13>I was teamed by rock and roll. I got my

1:00:03.640 --> 1:00:05.480
<v Speaker 13>name from.

1:00:05.280 --> 1:00:55.800
<v Speaker 1>Rock and roll. I love that signe. It's very emotional.

1:00:57.720 --> 1:00:59.720
<v Speaker 1>There's that chord though that I have no idea what

1:00:59.880 --> 1:01:02.600
<v Speaker 1>it is, the last one, the last one, and that.

1:01:04.680 --> 1:01:05.120
<v Speaker 3>This one.

1:01:05.520 --> 1:01:09.440
<v Speaker 1>Yeah, I don't know.

1:01:09.520 --> 1:01:11.640
<v Speaker 3>Sorry, No, I was looking at you want to go

1:01:11.720 --> 1:01:12.440
<v Speaker 3>for that part.

1:01:12.240 --> 1:01:15.000
<v Speaker 1>Of I wasn't sure what was happening. But I just

1:01:15.040 --> 1:01:16.000
<v Speaker 1>try to ghost that one.

1:01:16.080 --> 1:01:17.800
<v Speaker 3>That court a little bit, but me too.

1:01:20.520 --> 1:01:22.320
<v Speaker 6>I didn't have a pick I forgot to put a

1:01:22.360 --> 1:01:24.120
<v Speaker 6>pick up, so I was just kind of like trying

1:01:24.160 --> 1:01:25.479
<v Speaker 6>to But.

1:01:25.400 --> 1:01:27.320
<v Speaker 3>It was good. I liked it. I liked it. I

1:01:27.400 --> 1:01:28.080
<v Speaker 3>liked that version.

1:01:28.560 --> 1:01:29.720
<v Speaker 1>I love I love that song.

1:01:30.200 --> 1:01:33.800
<v Speaker 6>It's it probably doesn't need the dissonance in the second

1:01:33.800 --> 1:01:37.000
<v Speaker 6>in this type of version, but it's can edit it

1:01:37.080 --> 1:01:37.840
<v Speaker 6>out if you need to.

1:01:38.000 --> 1:01:38.560
<v Speaker 3>I like it.

1:01:38.680 --> 1:01:41.080
<v Speaker 1>No, I love that part. It confused me at first

1:01:41.120 --> 1:01:43.000
<v Speaker 1>because I was like, what what are those chors? I

1:01:43.000 --> 1:01:47.440
<v Speaker 1>don't understand it, And then I'm used to it. I

1:01:47.480 --> 1:01:48.560
<v Speaker 1>love it. I love that part.

1:01:48.960 --> 1:01:52.400
<v Speaker 3>This part of the song, that song was improvised.

1:01:53.520 --> 1:01:56.440
<v Speaker 6>That version on the record is improvised in the studio,

1:01:57.040 --> 1:02:00.720
<v Speaker 6>and uh, like I had had some of the lyrics

1:02:00.840 --> 1:02:05.960
<v Speaker 6>and I this part, and I had the chorus in

1:02:06.000 --> 1:02:09.720
<v Speaker 6>this and but there was no middle section or anything,

1:02:09.800 --> 1:02:12.040
<v Speaker 6>and so it's basically kind of got through everything I

1:02:12.200 --> 1:02:18.520
<v Speaker 6>had and and the band was still playing, so I

1:02:18.640 --> 1:02:24.400
<v Speaker 6>just started. I was like, kind of improvised like a

1:02:24.640 --> 1:02:28.120
<v Speaker 6>dissonant section. Everybody kind of went with it was amazing.

1:02:28.160 --> 1:02:30.320
<v Speaker 6>And then all of the lyrics from that point on,

1:02:30.600 --> 1:02:34.439
<v Speaker 6>like the for all the Leavey Ben and Autumn Fiz

1:02:34.520 --> 1:02:36.840
<v Speaker 6>and then that's all improvised.

1:02:36.560 --> 1:02:39.640
<v Speaker 1>And the and the music is my savior. It's just

1:02:39.720 --> 1:02:42.160
<v Speaker 1>like it's it was very emotional when I was listening

1:02:42.160 --> 1:02:43.840
<v Speaker 1>to it. It's it's pretty great.

1:02:44.400 --> 1:02:47.760
<v Speaker 6>Yeah, it was like, it's very true. It happens sometimes.

1:02:48.120 --> 1:02:51.840
<v Speaker 6>It happens like that sometimes, and yeah, you feel really

1:02:51.880 --> 1:02:56.080
<v Speaker 6>really lucky to be in a part of it, you know.

1:02:56.280 --> 1:02:59.720
<v Speaker 1>Yeah, that's great. I love I love it when it happens.

1:03:00.720 --> 1:03:03.120
<v Speaker 3>Well, you know it.

1:03:03.720 --> 1:03:06.400
<v Speaker 6>I think it happens a lot more than people think

1:03:06.440 --> 1:03:12.520
<v Speaker 6>it does. What just doesn't happen is making it happen.

1:03:13.360 --> 1:03:14.440
<v Speaker 1>No, you can't like.

1:03:14.600 --> 1:03:17.440
<v Speaker 6>But you have to put yourself in the way of it.

1:03:17.440 --> 1:03:19.120
<v Speaker 6>It's sort of the same thing in the book, like

1:03:19.280 --> 1:03:21.880
<v Speaker 6>writing songs, you don't they don't happen if you don't

1:03:21.880 --> 1:03:24.160
<v Speaker 6>pick up the guitar, and it don't doesn't happen. You

1:03:24.200 --> 1:03:26.360
<v Speaker 6>don't write something unless you pick up the pencil or

1:03:26.400 --> 1:03:29.440
<v Speaker 6>something like that. And and something like this doesn't happen

1:03:29.960 --> 1:03:36.439
<v Speaker 6>unless you you convene exactly, you get together and make

1:03:37.000 --> 1:03:42.040
<v Speaker 6>make an effort to be in the way of something

1:03:42.760 --> 1:03:44.400
<v Speaker 6>beautiful potentially happening.

1:03:44.640 --> 1:03:46.640
<v Speaker 1>That's the best I mean. I remember I used to

1:03:46.680 --> 1:03:50.880
<v Speaker 1>always come to the studio with songs to record, either

1:03:50.960 --> 1:03:55.360
<v Speaker 1>my own or covers. But I never wrote in the

1:03:55.400 --> 1:03:59.720
<v Speaker 1>studio until maybe two thousand and nine, I want to say.

1:03:59.760 --> 1:04:01.919
<v Speaker 1>And I made a record with Danger Mass and that's

1:04:01.920 --> 1:04:03.080
<v Speaker 1>how we wanted to do it. I was like, well,

1:04:03.120 --> 1:04:06.040
<v Speaker 1>I've never done that before, and it was it opened

1:04:06.120 --> 1:04:08.640
<v Speaker 1>up my whole world. And that's why I felt confident

1:04:08.720 --> 1:04:11.000
<v Speaker 1>enough to come and do that with you, because I

1:04:11.000 --> 1:04:14.480
<v Speaker 1>had just never thought to do that before. Yeah, and

1:04:14.520 --> 1:04:15.240
<v Speaker 1>it's the best.

1:04:15.480 --> 1:04:16.400
<v Speaker 3>It's really great.

1:04:16.480 --> 1:04:16.680
<v Speaker 12>You know.

1:04:16.720 --> 1:04:20.600
<v Speaker 6>It's like it's just like it's just an active discovery

1:04:20.840 --> 1:04:24.920
<v Speaker 6>each day. And they're like just like like the question

1:04:25.080 --> 1:04:29.160
<v Speaker 6>isn't what do I want to say? It's like how

1:04:29.200 --> 1:04:30.600
<v Speaker 6>do I find out what I want to say?

1:04:30.840 --> 1:04:31.040
<v Speaker 9>Yeah?

1:04:31.200 --> 1:04:35.360
<v Speaker 1>If I talking? Yeah, yeah, it's true. I love that. Well,

1:04:35.360 --> 1:04:37.120
<v Speaker 1>do you have time for one more? And then we

1:04:37.160 --> 1:04:38.680
<v Speaker 1>can you can go to your show.

1:04:44.920 --> 1:04:45.680
<v Speaker 3>Which one is this?

1:04:46.000 --> 1:04:48.400
<v Speaker 1>You want to do a muzzle of bees? Should that

1:04:48.440 --> 1:04:48.840
<v Speaker 1>be okay?

1:04:48.920 --> 1:04:49.160
<v Speaker 3>Sure?

1:05:00.080 --> 1:05:10.880
<v Speaker 8>It's a random painted highway and the muzzle the beast.

1:05:10.920 --> 1:05:21.360
<v Speaker 8>My seeds are come on stitched from climbing the tree

1:05:25.080 --> 1:05:28.440
<v Speaker 8>when dogs left and sand it barking.

1:05:29.080 --> 1:05:30.560
<v Speaker 13>I don't think they're mean.

1:05:35.720 --> 1:05:40.480
<v Speaker 8>Some people get so frightening the fences in between.

1:05:45.080 --> 1:05:53.040
<v Speaker 13>The sun gets passed from tree to tree silently and

1:05:53.320 --> 1:05:54.280
<v Speaker 13>back to me.

1:05:59.320 --> 1:06:05.000
<v Speaker 23>With there he's going through, pushed up against the scene,

1:06:07.680 --> 1:06:09.880
<v Speaker 23>finally back to me.

1:06:20.480 --> 1:06:31.840
<v Speaker 13>I'm assuming you got my message on your machine. I'm

1:06:31.880 --> 1:06:34.080
<v Speaker 13>assuming you love me.

1:06:34.640 --> 1:06:36.360
<v Speaker 3>And you know what that means.

1:07:18.840 --> 1:07:23.080
<v Speaker 13>The sun gets passed from sea to sea.

1:07:24.120 --> 1:07:36.440
<v Speaker 24>Silently and back to me with the breeze bone through pushed.

1:07:36.200 --> 1:07:42.960
<v Speaker 15>Up above the leaves, with.

1:07:43.040 --> 1:07:49.840
<v Speaker 13>The breeze bone through my head upon your knees. Half

1:07:49.920 --> 1:08:00.520
<v Speaker 13>of it's you and half is me. H. Half that's

1:08:00.600 --> 1:08:03.200
<v Speaker 13>you and half is me.

1:08:58.680 --> 1:09:00.600
<v Speaker 3>That's not an easy subbody to with that.

1:09:03.800 --> 1:09:04.760
<v Speaker 1>Thanks for playing with me.

1:09:05.080 --> 1:09:07.040
<v Speaker 6>Oh my god, it was great to see you and

1:09:07.160 --> 1:09:11.000
<v Speaker 6>pleasure great, great thrill to be asked to do anything

1:09:11.040 --> 1:09:13.200
<v Speaker 6>with you. I really wow.

1:09:13.880 --> 1:09:14.360
<v Speaker 3>I love you.

1:09:14.760 --> 1:09:19.120
<v Speaker 1>I love you. I love is the king it is though,

1:09:19.160 --> 1:09:21.559
<v Speaker 1>and I feel it and I I'm glad we get

1:09:21.600 --> 1:09:32.360
<v Speaker 1>to do it. Yeah, thank you, Hey, thanks for listening. God,

1:09:32.400 --> 1:09:35.400
<v Speaker 1>I had so much fun. That was so great, so fun.

1:09:35.720 --> 1:09:37.240
<v Speaker 2>You just lock into each other.

1:09:37.320 --> 1:09:38.240
<v Speaker 13>It's well.

1:09:38.560 --> 1:09:41.680
<v Speaker 1>I picked songs for this that I knew. Most of

1:09:41.720 --> 1:09:43.760
<v Speaker 1>them I knew really well. I mean, I've known that

1:09:43.880 --> 1:09:46.320
<v Speaker 1>last song we did for twenty years and I've loved

1:09:46.360 --> 1:09:49.439
<v Speaker 1>it so once I figured out what Q was in,

1:09:49.600 --> 1:09:53.000
<v Speaker 1>it was pretty you know, it was like inside me already.

1:09:53.040 --> 1:09:54.840
<v Speaker 1>I just didn't know quite what.

1:09:54.760 --> 1:09:56.200
<v Speaker 13>It was needed to be released.

1:09:57.479 --> 1:10:01.200
<v Speaker 1>I adore Jeff and thanks to Jeff for making it happen.

1:10:01.920 --> 1:10:03.479
<v Speaker 1>Save it for me.

1:10:07.720 --> 1:10:12.800
<v Speaker 25>When the world falls apart, I can say with certainty,

1:10:16.720 --> 1:10:26.479
<v Speaker 25>there's a rain, a light laught flown in an empty room.

1:10:26.680 --> 1:10:30.760
<v Speaker 25>Is how love can be.

1:10:31.479 --> 1:10:37.439
<v Speaker 10>Rainbow in the mouth of clouds, darkened days?

1:10:38.080 --> 1:10:38.800
<v Speaker 14>Who needs you?

1:10:39.320 --> 1:10:51.160
<v Speaker 22>No rainbow, a mouthful of clouds, darkening days?

1:10:51.479 --> 1:10:52.720
<v Speaker 14>Who needs me?

1:10:53.040 --> 1:10:53.240
<v Speaker 17>Now?

1:10:57.280 --> 1:10:58.760
<v Speaker 14>Save it for me?

1:11:02.920 --> 1:11:07.920
<v Speaker 26>Where the world falls upon, I can say with certainty,

1:11:12.120 --> 1:11:22.880
<v Speaker 26>apart left out that you can't consume, so sweet you

1:11:23.040 --> 1:11:24.200
<v Speaker 26>cannot eat.

1:11:27.600 --> 1:11:32.160
<v Speaker 11>Reason, no one will call today.

1:11:32.360 --> 1:11:36.439
<v Speaker 1>This show was produced by Me and Sarah Oda. Mixing

1:11:36.560 --> 1:11:40.560
<v Speaker 1>engineer was Jamie Landry, recording engineer was Matt Marinelli, and

1:11:40.640 --> 1:11:45.680
<v Speaker 1>additional engineering by Greg Tobler. Artwork by Eliza Fry, photography

1:11:45.720 --> 1:11:49.920
<v Speaker 1>by Shervin Linez. Save it fon me.

1:11:54.240 --> 1:11:59.439
<v Speaker 18>Where the world falls upon, I can say