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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie de Jericho.

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Speaker 1: I'm Daniel Henderson, and we're back with you once again

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Speaker 1: to talk about the wonderful world of the films of

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Speaker 1: our lives.

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Speaker 2: Daniel, what's up?

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Speaker 3: Oh so much? This is the first time I've sat

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Speaker 3: down in a week. I've lost five pounds this week

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Speaker 3: because my grandma moved in and she now has a servant.

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Speaker 2: That's a clap for your grandma. That's not me laughing

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Speaker 2: this time. I'm clapping for grandma.

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Speaker 4: Awesome, awesome distinction, awesome distinction.

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Speaker 3: I'm so happy to have her here, Like this is

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Speaker 3: the reason I bought this house and move back to

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Speaker 3: this horrible town, and I'm just.

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Speaker 4: Happy to have her here. But yeah, she full on

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Speaker 4: has a servant now.

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Speaker 3: Like I thought she'd move here and it would be

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Speaker 3: like it wasn't her apartment, where like she was pretty

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Speaker 3: functional on her own, and now she's like why would

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Speaker 3: I bother?

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Speaker 1: You're right there, dude, gotta love it so Like so

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Speaker 1: you're saying that you're just chilling a day.

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Speaker 2: And night doing tasks, like, oh yeah, what are we

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Speaker 2: talking about?

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Speaker 3: Like I am like it was my birthday a couple

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Speaker 3: of weeks ago, and I was just like, all right,

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Speaker 3: I'm forty five and I've never wanted kids, but somehow

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Speaker 3: I ended up with a kid. Like I am changing diapers,

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Speaker 3: I'm wiping out toilets, I'm making lunch, I'm sweeping, I'm

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Speaker 3: like every five.

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Speaker 4: Seconds, I'm She's constantly just like can I have a

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Speaker 4: paper towel from why White in my hand? And I'm like, yes,

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Speaker 4: you can.

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Speaker 3: She is just like I'm doing laundry, Like I'm putting

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Speaker 3: her to bed, I'm waking her up, I'm getting her showered,

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Speaker 3: like I fully, and this is.

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Speaker 4: Not to infantilize her.

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Speaker 3: This is more to vilify myself in that, like I

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Speaker 3: being a caretaker is tough and not something I ever

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Speaker 3: planned on doing with my life.

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Speaker 2: So but like I.

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Speaker 1: Told you, I mean, we talked about this a while

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Speaker 1: ago over the phone. It's the kindest thing, Like to me,

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Speaker 1: it's just really really warms my heart that you have

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Speaker 1: decided to move your grandma in and I love that.

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Speaker 1: I just love that you're taking care of her because

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Speaker 1: she's taken care of you, and like, I just love

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Speaker 1: I think that that notion is really sweet and you're

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Speaker 1: a good person.

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Speaker 2: Thank you.

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Speaker 4: That means a lot. It's and it just it seems

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Speaker 4: like the natural thing to do.

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Speaker 3: Like I love her, I don't want to be her

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Speaker 3: to be alone or scared, and it just felt like

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Speaker 3: the right thing to do. And so I'm glad I

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Speaker 3: could do it, but also totally not prepared for it.

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Speaker 3: And let me tell you that in terms of our

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Speaker 3: deadlifting Sunny Corleone challenge, I know that you feel like

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Speaker 3: I have not been pulling my end of the bargain.

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Speaker 3: But I will have you know that I now can

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Speaker 3: confirm that I can deadlift at least one hundred and

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Speaker 3: ten pounds because when I try to help my grandma

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Speaker 3: and any capacity, whether I'm like trying to help her

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Speaker 3: out of a chair, trying to help her on the toilet,

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Speaker 3: she again this is it's like having a toddler. Instead

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Speaker 3: of just saying no, please don't help me, or no

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Speaker 3: that's okay, the bitch just goes limp. So I am

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Speaker 3: deadlift saying one hundred and ten pounds several times a day.

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Speaker 2: Now.

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Speaker 1: Look, I mean I didn't say that we had to

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Speaker 1: be in a gym for the challenge, did I say?

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Speaker 2: Did I? Say that was that part.

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Speaker 1: Of the real of never one when we outlined this challenge.

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Speaker 1: I mean, you're out there doing it in the real world,

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Speaker 1: which is the most valuable, versus me, who's just doing

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Speaker 1: it in a very controlled environment, you know, with like

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Speaker 1: stupid bros around me who don't know the concept of

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Speaker 1: love and affection for our elders.

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Speaker 2: So what the fuck?

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Speaker 3: Like, Oh yeah, I'm like real world application, Like what

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Speaker 3: does it feel like to lift someone under the arms

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Speaker 3: when they do not want to be lifted up? Which

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Speaker 3: I imagine James con does not want to be.

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Speaker 2: We don't technically know, Okay, don't yet know.

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Speaker 1: Maybe he does want to be carried over the threshold

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Speaker 1: in a uh you know, in that very like romantic way.

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Speaker 4: We don't know.

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Speaker 3: Look at this point, I could get him dressed in

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Speaker 3: the morning, I could get him showered, I could get

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Speaker 3: him on and off a toilet, and I could lift

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Speaker 3: him the whole time. I could swallow him like a

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Speaker 3: baby when it's over. Yeah, I can suck him in

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Speaker 3: at night, like I can do half of the Sunny

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Speaker 3: Corleone workout and deadlift half of that motherfucker right now.

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Speaker 1: Look, as far as I'm concerned, you're you've really just

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Speaker 1: moved up the chart from me. Like, like I said,

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Speaker 1: it's like a real world strength that you that you

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Speaker 1: now possess, whereas I'm doing it in a false environment.

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Speaker 3: You can come help if you want to apply your

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Speaker 3: weightlifting skills, come through and try to lift this bitch

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Speaker 3: up out of a chair which she's watching Jeopardy because

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Speaker 3: let me.

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Speaker 1: Tell you, well, yeah, and that was the thing, Okay,

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Speaker 1: So I want to talk about this because that was

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Speaker 1: another part of like the text that you sent me

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Speaker 1: was basically like you're watching a lot.

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Speaker 2: Of TV with your grandma.

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Speaker 1: Which I love because it's always very entertaining because we,

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Speaker 1: as we know, as listeners of this podcast, know your

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Speaker 1: grandma is specifically into carnage.

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Speaker 2: Gore, blood, guts, all that stuff.

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Speaker 4: Does she so?

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Speaker 2: And I know that she's watched The Walking Dead, right,

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Speaker 2: oh yea.

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Speaker 1: Because she watches horror movies. But then she also watches

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Speaker 1: horror television, yes, right.

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Speaker 3: And in her she has a little curio cabinet with

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Speaker 3: all of her like figurines and you know, special plates

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Speaker 3: or whatever, and there are at least four Walking Dead

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Speaker 3: figurines in there. Hah, like like right on the shelf

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Speaker 3: with the black Jesus, you've got a Walking Dead zombie.

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Speaker 4: She's got those like I got.

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Speaker 3: Her a pop one of those funko dolls. Like she's

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Speaker 3: just she is into that show. And when I told her,

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Speaker 3: when I kind of explained to her that hey, this

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Speaker 3: is what the Internet is like and you can watch

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Speaker 3: whatever you want, whenever you want. And she is still

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Speaker 3: getting used to that concept. But as soon as I

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Speaker 3: said we can watch The Walking Dead or fear the

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Speaker 3: Walking Dead from the beginning, she was like, oh, well

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Speaker 3: that's my jam now, so my house is I went from.

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Speaker 4: And this is also.

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Speaker 3: Something like I'm learning about myself from having her live here,

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Speaker 3: is that I'm a very quiet person.

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Speaker 4: I lived a very quiet life.

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Speaker 3: And you know very you know, one light on in

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Speaker 3: the room that I'm in kind of situation. If I

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Speaker 3: watched a TV show, it wasn't full blast. My house

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Speaker 3: is filled with screams all day long. Now, Yeah, because

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Speaker 3: she's watching movies. Every ten minutes, I'm hearing somebody screaming.

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Speaker 3: I'm hearing the sounds of somebody getting eaten up.

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Speaker 4: All day. That is a soundtrack in my life.

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Speaker 3: Now, we watched we watched The Gray Well first we

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Speaker 3: watched Taken.

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Speaker 4: We watched all three Taken movies.

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Speaker 3: She absolutely loves watching Liam Neeson beat people up.

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Speaker 2: Yeah, my mom does too.

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Speaker 3: Oh my god, could not get enough, could not get enough.

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Speaker 3: And so we watched all three and then she's like, ooh,

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Speaker 3: does he have any more? And I was like, well,

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Speaker 3: let's watch The Gray. And so we watched The Gray

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Speaker 3: and she was very excited at first because she's like, oh,

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Speaker 3: you used to live in Alaska and the plane in

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Speaker 3: the movie crashes in Alaska. And I was like, yes,

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Speaker 3: and I've been on one of those shitty prop planes.

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Speaker 3: You used to have to take one to work. I'm

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Speaker 3: having PTSD. Thanks for pointing that out.

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Speaker 2: Fuck those.

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Speaker 4: The whole time.

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Speaker 3: We watched that movie, she was rooting for the war.

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Speaker 3: Every time somebody died, she was like, yes, get them.

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Speaker 3: And I'm like, that is not normally how people perceive

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Speaker 3: this film.

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Speaker 1: Okay, I love this is I'm loving this. I love

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Speaker 1: how you went from You were living this very spartan

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Speaker 1: one candle burning like Elizabeth Barrett Browning at the Desk.

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Speaker 2: Two, basically.

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Speaker 1: A NonStop horror buffet with like the audience watching you know, wolves,

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Speaker 1: rip apart, human beings.

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Speaker 4: And it's so excited, so excited. We watched what did

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Speaker 4: we watch?

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Speaker 3: Oh? We watched Doctor Sleep, which I know I've talked

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Speaker 3: about in a bonus episode, but it's the kind of

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Speaker 3: sequel to The Shining and Ewan McGregor is in it,

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Speaker 3: and it's got this great little actress in it, and

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Speaker 3: she was just couldn't, just could not be happier. She's

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Speaker 3: after we watched Doctor she wanted to watch The Shining

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Speaker 3: because she heard the music when they pulled up to

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Speaker 3: the overlook and she's like, oh, I remember this. I

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Speaker 3: want to watch the original. That hotel was creepy, So

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Speaker 3: now I'm watching The Shining. I mean, it's just like

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Speaker 3: every ten minutes we fluctuate between extremely old people shit

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Speaker 3: like the six o'clock news, which I now have to

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Speaker 3: watch every.

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Speaker 2: Night, the six o'clock news. Listen. I don't know how

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Speaker 2: much the news comes on there. My parents watch the.

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Speaker 4: Four o'clock news sometimes. Dam that is some Florida shit.

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Speaker 2: That is some Florida ass in the shit, because.

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Speaker 4: Four o'clock is the Judge Judy hour here.

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Speaker 1: Yeah, they do a little in Florida. They do a

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Speaker 1: little pregame four pm. Then there's a five six, and

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Speaker 1: then at.

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Speaker 3: Eleven eleven right, oh yeah, oh yeah, and they are

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Speaker 3: on they are like still sucking that cable teat Man

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Speaker 3: like it is, yeah, non stop. So I'm watching the news,

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Speaker 3: I'm watching people getting murdered and eaten. And then in

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Speaker 3: the morning it starts out with three hours of The

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Speaker 3: Today Show Wow, which I you know, can kind of

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Speaker 3: skip the first couple of hours because I'm usually like

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Speaker 3: cleaning or doing breakfast or something.

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Speaker 2: Wait, do hosts the Today Show?

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Speaker 3: Now? It's like Hoda, it's like eight people, Like Al

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Speaker 3: Roker's a host. Now, I didn't know Al Roker's out

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Speaker 3: there a fucking hosting, And they're all sitting around like

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Speaker 3: a half TV table like the way they used to

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Speaker 3: sit at Saved by the Bell when they were having lunch.

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Speaker 1: Does he still announce the people who have made it

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Speaker 1: past one hundred? I guess that's still the Smucker's thing,

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Speaker 1: where they're like, this person's one hundred and.

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Speaker 2: Five or whatever.

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Speaker 3: He is out there announcing the old people. He took

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Speaker 3: over the Willard Scott roll beautifully announcing the folks.

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Speaker 4: Sometimes I think he still.

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Speaker 3: Does the weather, and he is constantly talking about his

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Speaker 3: cyber knife procedure that he went under when he had

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Speaker 3: prostate cancer. And I'm like, al Roker, I know a

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Speaker 3: ton about you. Yeah, and I'm not mad at it,

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Speaker 3: but goddamn, can.

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Speaker 4: We get a break.

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Speaker 3: These people are just trying to find out, like what

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Speaker 3: floral arrangements coming up next? And He's like, remember when

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Speaker 3: I had prostate cancer? And they're like, fucking hell.

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Speaker 1: We're just take smoothies. We want to know about smoothie

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Speaker 1: recipes for the summer.

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Speaker 3: Come on, we want Jacob Ward to tell us what's

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Speaker 3: happening in tech.

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Speaker 4: Let me tell you.

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Speaker 3: This is the other I know I texted you about this,

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Speaker 3: but this is the other, very strange side effect of

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Speaker 3: living with my grandmother, Okay and watching all of this

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Speaker 3: old people TV all the time.

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Speaker 4: Sure, I now have a crush on Jacob Board. Now.

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Speaker 3: He is the tech person for the Today Show, but

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Speaker 3: he used to be the editor of Popular science magazine.

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Speaker 4: Up your All, Up my Alley.

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Speaker 3: And he's got a book out called The Loop that

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Speaker 3: I've just started. I haven't gotten into it yet, but

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Speaker 3: it's a great, great book. So far, Jacob Ward is

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Speaker 3: the hottest little nerd we've ever seen. He's the new

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Speaker 3: romantic ideal and it's because I'm hanging out with a

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Speaker 3: ninety year old all day.

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Speaker 2: Listen.

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Speaker 4: That's that.

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Speaker 1: This is how people fucking got a crush on that

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Speaker 1: pole guy.

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Speaker 2: What's the guy that did the pole stuff?

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Speaker 4: Like Silverberg or no, Nate silver No, what's that?

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Speaker 3: You know?

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Speaker 1: The is it the guy that wore the khakis? Everyone

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Speaker 1: he's like, oh my god, he's so cute. He wears

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Speaker 1: khaki pants, Like that's some fucking amazing thing. I forgot

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Speaker 1: his name, but during the elections he was like, I.

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Speaker 4: Remember that game. Remember his name? But yeah, it's like

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Speaker 4: I remember.

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Speaker 1: It's kind of that concept, and I feel like, this

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Speaker 1: is what you're experiencing, where you are just trying to

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Speaker 1: find the hottest person in the room.

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Speaker 3: Steve Kornaki, our producer, is on it all the time.

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Speaker 2: Thank you.

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Speaker 3: I think Casey had that like at the fingertips maybe

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Speaker 3: a little too quickly.

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Speaker 2: Maybe he was feeling a little something for Steve Karnaky too.

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Speaker 1: Am I the only person that's not fed by khaki pants?

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Speaker 3: You were talking the whole reason you are talking to

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Speaker 3: the other person who was not wooed by khaki pants.

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Speaker 2: Thank you, girl. I appreciate you seeing me.

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Speaker 3: Can we get more from Steve Kornaki? What the fuck

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Speaker 3: mo else does he bringing to the table. Jacob Ward

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Speaker 3: is out here telling you some shit and if.

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Speaker 1: You want to go down the rabbit hole a bit

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Speaker 1: with Jacob Ward, his instagram is fire as. I had

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Speaker 1: to look him up because I actually didn't know who

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Speaker 1: he was, so of course I went and looked at

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Speaker 1: his instagram.

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Speaker 4: I'm like, because you're not ninety, yes.

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Speaker 1: But it's the concept of your like, I just need

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Speaker 1: to find like the hottest person in this scenario so

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Speaker 1: I can have something to focus my attention on. Right,

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Speaker 1: So you're like, Okay, I'm watching Pole Results, I guess

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Speaker 1: I'm gonna be in love with this Khaki guy.

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Speaker 2: I'm watching the Today Show.

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Speaker 1: I guess I'm gonna gravitate towards this hot nerd right,

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Speaker 1: because who are your other options? Al Roker, I guess

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Speaker 1: I don't know, but you know Jacob Ward. So I'm

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Speaker 1: just first of all, I'm saying I don't blame you

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Speaker 1: for this. But also when I went to his instagram,

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Speaker 1: I was like, oh, this fucking tracks for Danielle give me.

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Speaker 4: A and not for nothing. He's got a black wife exactly.

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Speaker 2: That's all. That's all you had to say. That's all

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Speaker 2: I had to say.

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Speaker 1: That's the first when I went to his Instagram, I

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Speaker 1: was like, Oh, he's got a black wife.

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Speaker 2: Okay, I like this guy. I don't know why I think.

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Speaker 1: I think anybody that's in an interracial relationship is okay

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Speaker 1: with me.

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Speaker 3: That is again, the new gold standard is if I

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Speaker 3: can instantly tell that you are a modern person who

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Speaker 3: doesn't have ridiculous biases, I'm on board.

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Speaker 1: Yes, if you're not out here perpetuating the pure white

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Speaker 1: arian race in any way, shape or form, then you're okay.

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Speaker 2: You're okay with us. Isn't that sad?

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Speaker 4: It's like, okay, we are sad. We are at the.

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Speaker 2: Moment where we're lusting after Khakis.

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Speaker 1: We're like, you know, stay, people who have interracial marriages,

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Speaker 1: You're just like.

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Speaker 2: God, things are grim, but you know what, that's how,

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Speaker 2: that's how we have to figure it out these.

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Speaker 4: Days, right, things that things are bleak.

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Speaker 3: Like I need to know I am instead of innocent

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Speaker 3: until proven guilty, I'm like, all right, everyone's a card

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Speaker 3: carrying member of the fucking Confederate and so proven to

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Speaker 3: be in an interracial relationship.

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Speaker 1: Listen, I'm a product of an interracial relationship.

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Speaker 2: I would love to be in an interracial relationship.

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Speaker 1: Nobody wants to be in one with me. That's what

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Speaker 1: I figured out. I was like, how come nobody wants

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Speaker 1: to be in.

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Speaker 2: An interracial relationship with me? That sucks?

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Speaker 1: How am I supposed to keep my race mix and

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Speaker 1: going through the generations if no fucking person of color

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Speaker 1: wants to date me?

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Speaker 2: Come on?

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Speaker 3: How am I supposed to be the ultimate proponent of

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Speaker 3: Khakis by making Khaki children?

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Speaker 4: If I can't?

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Speaker 3: Is the episode?

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Speaker 4: Is this the episode where we get canceled? Is this

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Speaker 4: the one?

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Speaker 3: Oh?

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00:16:03,880 --> 00:16:07,520
Speaker 2: I'm getting canceled because of a lot of things that

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00:16:07,560 --> 00:16:10,640
Speaker 2: I will be saying in just a moment about my film.

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Speaker 2: But yes, they're going to cancel us on the front

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Speaker 2: end of this episode.

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Speaker 3: Two, that'd be like this whole episode top to bottom.

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00:16:16,840 --> 00:16:20,600
Speaker 3: These like the tides will turn against us. But look,

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Speaker 3: I can't help it. I live with a fucking eighty

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Speaker 3: nine year old and I have the hots for Jacob

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Speaker 3: Ward and he's got a black wife, and it made

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Speaker 3: me very happy.

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Speaker 2: Listen, that's that's all you had to say. I mean,

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Speaker 2: that is great.

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00:16:33,120 --> 00:16:36,280
Speaker 1: That is actually great considering if you're having to watch

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Speaker 1: three hours of the Today Show.

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Speaker 2: Three hours, you know that's the best you can do.

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Speaker 4: Do not even get me started. I will find anything

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Speaker 4: to do.

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Speaker 3: I will do a dish, I will sweep the same

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Speaker 3: part of the floor ten times, like I will make

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Speaker 3: a bid. I'll do anything to not watch all four

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Speaker 3: hours of the Today.

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Speaker 4: Show and it's only three. Because she will.

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Speaker 3: She will watch Channel two, They're you know, good Morning, No,

355
00:17:03,520 --> 00:17:05,560
Speaker 3: the Good Morning America's Channel seven. See I know, I'm

356
00:17:05,600 --> 00:17:08,679
Speaker 3: all now the CBS Morning Show. She will watch for

357
00:17:08,720 --> 00:17:11,880
Speaker 3: an hour because she likes Gail King, and so she'll

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00:17:11,880 --> 00:17:13,800
Speaker 3: get into Gail in the morning. That kind of gets

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00:17:13,800 --> 00:17:16,400
Speaker 3: her going. And then she watches a couple of hours

360
00:17:16,960 --> 00:17:22,120
Speaker 3: of the Today Show and then or then she turns

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Speaker 3: from from Gail King to the Today Show when Drew

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00:17:25,440 --> 00:17:28,840
Speaker 3: Barrymore comes on, because let me tell you, this is

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Speaker 3: news to me and I do not know where it

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Speaker 3: comes from.

365
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Speaker 4: My no one.

366
00:17:34,200 --> 00:17:37,879
Speaker 3: Hates Drew barr Moore more than my grandmother. What she

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00:17:38,160 --> 00:17:41,199
Speaker 3: fucking hates Drew Barrymore. And I'm like, what is going on.

368
00:17:41,359 --> 00:17:44,959
Speaker 3: She's a sweet woman. She's changed her life multiple times

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00:17:44,960 --> 00:17:46,760
Speaker 3: she had a tough childhood and now she's like this

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00:17:47,200 --> 00:17:50,360
Speaker 3: like Drew Barrymore's coolest shit to me, Like she's fine. Yeah,

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00:17:50,880 --> 00:17:53,040
Speaker 3: every single time the show comes on, she could not

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Speaker 3: grab the remote fast enough. She's so mad that she

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Speaker 3: only has full use of one hand because if she

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00:17:58,720 --> 00:18:01,120
Speaker 3: had both hands, she would be using the other one

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Speaker 3: to throw something across the room. She fucking hates her.

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00:18:04,840 --> 00:18:08,520
Speaker 2: That is so weird. And I've asked her.

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00:18:08,600 --> 00:18:10,520
Speaker 3: I'm like, what is the problem, Like, tell me why

378
00:18:10,600 --> 00:18:12,919
Speaker 3: you don't like her? And she's like, ah, I just

379
00:18:12,920 --> 00:18:14,560
Speaker 3: don't like her. I just don't like her face.

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Speaker 4: I don't like her attitude.

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Speaker 3: She goes like hardcore, like middle school girl hatred. I

382
00:18:21,960 --> 00:18:24,640
Speaker 3: don't get it. And guess what, she doesn't either. She's

383
00:18:24,680 --> 00:18:26,720
Speaker 3: got to mention she doesn't remember why.

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Speaker 4: She feels things. She just knows she feels it.

385
00:18:29,160 --> 00:18:30,679
Speaker 3: So she's just like, ah, I just don't like her,

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Speaker 3: And I'm like, I can't understand this.

387
00:18:33,840 --> 00:18:35,920
Speaker 2: Yeah, well listen, it is true.

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Speaker 1: I mean sometimes people just simply hate people for really

389
00:18:40,080 --> 00:18:41,560
Speaker 1: no reason other than.

390
00:18:41,400 --> 00:18:43,320
Speaker 2: Just a vibe, you know what I mean, Like it's

391
00:18:43,359 --> 00:18:45,960
Speaker 2: a vibe. They don't know. She your grandma doesn't know

392
00:18:46,040 --> 00:18:47,520
Speaker 2: Drew Barrymore. She doesn't know like what.

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Speaker 1: She's actually like, but she's just like I catch a

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Speaker 1: vibe through the television screen that I don't like her,

395
00:18:53,480 --> 00:18:53,760
Speaker 1: and I.

396
00:18:53,680 --> 00:18:56,200
Speaker 2: Don't fucking like her. And guess what, I've lived enough

397
00:18:56,240 --> 00:18:58,440
Speaker 2: time to where I get to do shit like that.

398
00:18:59,040 --> 00:19:03,000
Speaker 1: I get to indscrim hate fucking motherfuckers anytime I want,

399
00:19:03,600 --> 00:19:04,320
Speaker 1: for any reason.

400
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Speaker 4: Oh and the first.

401
00:19:06,200 --> 00:19:09,400
Speaker 3: For the first couple of months that Drew Barrmore was on,

402
00:19:10,000 --> 00:19:12,880
Speaker 3: I heard occasionally about how much she didn't like her

403
00:19:13,320 --> 00:19:16,000
Speaker 3: because but then she had a reason at that point,

404
00:19:16,080 --> 00:19:18,200
Speaker 3: and that reason was there used to be some shitty

405
00:19:18,240 --> 00:19:21,159
Speaker 3: show on called like the Four Judges or The Judges

406
00:19:21,280 --> 00:19:24,600
Speaker 3: or some shit like that, and now that show isn't

407
00:19:24,640 --> 00:19:26,720
Speaker 3: on anymore because Drew Barrymore is on. So she's like,

408
00:19:26,720 --> 00:19:29,640
Speaker 3: they took off my show for this bitch I don't

409
00:19:29,720 --> 00:19:31,600
Speaker 3: like her. But then you know, that was like a

410
00:19:31,680 --> 00:19:34,600
Speaker 3: year ago or more and she still can't get on

411
00:19:34,640 --> 00:19:36,560
Speaker 3: board and it's not about the Judges anymore.

412
00:19:36,560 --> 00:19:37,959
Speaker 4: Now she's like, I don't like that skirt.

413
00:19:38,240 --> 00:19:40,600
Speaker 3: I like, she thinks she's better than everybody else, and

414
00:19:40,640 --> 00:19:43,200
Speaker 3: I'm like, I guarantee Drew Barrymore does not think she's

415
00:19:43,200 --> 00:19:47,040
Speaker 3: better than anybody else, I guarantee it.

416
00:19:48,160 --> 00:19:53,439
Speaker 2: The four judges also look like what it was literally show.

417
00:19:53,680 --> 00:19:57,200
Speaker 3: It was genuinely like a voltron of every fucking TV

418
00:19:57,359 --> 00:20:02,600
Speaker 3: judge on the huge bench that they'd built for these motherfuckers,

419
00:20:03,680 --> 00:20:13,879
Speaker 3: and they were all judge some poor idiots case and

420
00:20:13,920 --> 00:20:16,600
Speaker 3: it's like, you've got the fucking oh God, even remember

421
00:20:16,640 --> 00:20:18,359
Speaker 3: who the judges were. There was one lady who I

422
00:20:18,359 --> 00:20:20,000
Speaker 3: didn't I don't even know if she was a qualified

423
00:20:20,080 --> 00:20:22,919
Speaker 3: judge or like a Sephora saleswoman, I don't know, but

424
00:20:23,000 --> 00:20:25,400
Speaker 3: she was so fucking mean and.

425
00:20:25,359 --> 00:20:30,320
Speaker 4: Gave no legal advice ever. And it was just this

426
00:20:30,520 --> 00:20:33,440
Speaker 4: huge It looked like the fucking Supreme Court.

427
00:20:34,720 --> 00:20:37,480
Speaker 3: God on a fucking TV show, and it was all

428
00:20:37,520 --> 00:20:41,199
Speaker 3: like TV crank judges. And she fucking lived for it,

429
00:20:41,359 --> 00:20:44,280
Speaker 3: nine o'clock every goddamn day. She fucking lived for it.

430
00:20:45,119 --> 00:20:47,760
Speaker 3: And now it's gone and she's blaming Drew Barrymore and

431
00:20:47,800 --> 00:20:50,600
Speaker 3: I don't think it's fair and I have to hear

432
00:20:50,640 --> 00:20:52,639
Speaker 3: it all the time if I don't change the channel

433
00:20:52,680 --> 00:20:55,439
Speaker 3: fast enough. But let me tell you who she loves,

434
00:20:55,760 --> 00:20:59,760
Speaker 3: Wayne fucking Brady, duh, Because we were watching Let's make it

435
00:20:59,840 --> 00:21:00,840
Speaker 3: d every day.

436
00:21:01,320 --> 00:21:04,760
Speaker 2: Yeah, it's hard, hard not to like him.

437
00:21:04,640 --> 00:21:06,000
Speaker 4: Hard not to like Wayne Brady.

438
00:21:06,040 --> 00:21:08,160
Speaker 3: And the first thing she says every time he comes

439
00:21:08,200 --> 00:21:11,760
Speaker 3: popping out is, you know, he's the only black game

440
00:21:11,840 --> 00:21:14,320
Speaker 3: show host. And I'm like, Steve Harvey, No, he's the

441
00:21:14,359 --> 00:21:16,280
Speaker 3: only black game show host.

442
00:21:16,320 --> 00:21:18,880
Speaker 4: And I'm like, all right, and that's your truth. Bye.

443
00:21:19,720 --> 00:21:24,000
Speaker 1: Look, we've figured out a lot of things about Grandma already.

444
00:21:24,240 --> 00:21:27,719
Speaker 1: Number One, she hates Drew Barrymore because Drew Barrymore canceled

445
00:21:28,520 --> 00:21:33,119
Speaker 1: four judges presiding over Small Claims Court. I guess they

446
00:21:33,160 --> 00:21:35,800
Speaker 1: need four judges for small claims Court now, one of

447
00:21:35,800 --> 00:21:37,600
Speaker 1: who may not be a judge and just may work

448
00:21:37,640 --> 00:21:42,080
Speaker 1: at Sephora. Two, there is no other black game show

449
00:21:42,119 --> 00:21:43,320
Speaker 1: host except for Wayne Brady.

450
00:21:44,440 --> 00:21:47,360
Speaker 2: It doesn't matter who comes to the table, it's only him, just.

451
00:21:47,359 --> 00:21:49,159
Speaker 4: The gate Steve Harvey's entire career.

452
00:21:50,240 --> 00:21:53,840
Speaker 1: And three now you have a crush on a tech

453
00:21:54,720 --> 00:22:00,320
Speaker 1: expert on the Today Show and.

454
00:21:59,080 --> 00:22:02,720
Speaker 2: You're forced to watch horror horror content with your grandma

455
00:22:03,000 --> 00:22:04,120
Speaker 2: in the off hours.

456
00:22:04,359 --> 00:22:06,280
Speaker 3: So when it's when it's read back to me like

457
00:22:06,359 --> 00:22:08,679
Speaker 3: that in list form, I feel like I've made a

458
00:22:08,720 --> 00:22:09,679
Speaker 3: mistake with.

459
00:22:09,560 --> 00:22:15,280
Speaker 4: My life, to my house this now feels like a mistake.

460
00:22:17,200 --> 00:22:19,520
Speaker 1: From sin where I'm sitting. It's the best thing that

461
00:22:19,600 --> 00:22:22,159
Speaker 1: ever happened to you, So I'll just say that.

462
00:22:22,800 --> 00:22:26,439
Speaker 3: Oh let's also not forget that she sets off the

463
00:22:26,480 --> 00:22:28,160
Speaker 3: alarm in my house all the time.

464
00:22:28,760 --> 00:22:29,360
Speaker 2: Uh huh.

465
00:22:29,560 --> 00:22:31,360
Speaker 4: The first night she was here, the cops came.

466
00:22:32,920 --> 00:22:37,280
Speaker 3: So imagine, now I have a baby monitor, and it's

467
00:22:37,320 --> 00:22:39,399
Speaker 3: like one of those baby monitors. It's like it's like

468
00:22:39,440 --> 00:22:41,840
Speaker 3: a closed loop system, and so it's not Wi Fi

469
00:22:42,119 --> 00:22:44,639
Speaker 3: and blah blah blah. And so I've got a camera

470
00:22:45,080 --> 00:22:47,879
Speaker 3: and I put prop it up on my nightstand so

471
00:22:47,920 --> 00:22:50,520
Speaker 3: I can see her in her room.

472
00:22:51,280 --> 00:22:54,160
Speaker 4: And I knew it was going to be an adjustment

473
00:22:54,200 --> 00:22:55,639
Speaker 4: for her to be here. It's a new space.

474
00:22:55,720 --> 00:22:58,040
Speaker 3: I set up her room exactly like her old room,

475
00:22:58,080 --> 00:23:00,640
Speaker 3: so her furniture is in the exacting spot, like, everything's

476
00:23:00,680 --> 00:23:03,920
Speaker 3: the same, so it's not that disorienting. But she wakes

477
00:23:04,000 --> 00:23:05,560
Speaker 3: up in the night. And I did not know this

478
00:23:05,640 --> 00:23:07,760
Speaker 3: about her. I thought she's old.

479
00:23:07,520 --> 00:23:08,480
Speaker 4: She's gonna be asleep.

480
00:23:08,680 --> 00:23:12,359
Speaker 3: No, she's up every hour, every couple of hours. At

481
00:23:12,560 --> 00:23:14,480
Speaker 3: least those first few nights, she was up every couple

482
00:23:14,520 --> 00:23:17,560
Speaker 3: of hours, which meant I was up every couple of hours, right,

483
00:23:17,600 --> 00:23:19,960
Speaker 3: because I'm like a new parent, monitoring every move this

484
00:23:20,040 --> 00:23:24,360
Speaker 3: fucking baby makes, and she sometimes she would.

485
00:23:24,119 --> 00:23:25,240
Speaker 4: Just get up and go to the bathroom.

486
00:23:25,280 --> 00:23:28,200
Speaker 3: But the first the first night, I actually made the

487
00:23:28,240 --> 00:23:31,680
Speaker 3: mistake of falling asleep at like one o'clock in the morning.

488
00:23:31,880 --> 00:23:34,000
Speaker 4: After I thought she was down for the night.

489
00:23:35,200 --> 00:23:38,400
Speaker 3: Three o'clock in the morning, my home alarm goes off

490
00:23:39,640 --> 00:23:44,080
Speaker 3: and I run downstairs, and when I tell you, she

491
00:23:44,200 --> 00:23:48,639
Speaker 3: had every door open, every door, yeah, and was just

492
00:23:48,760 --> 00:23:52,840
Speaker 3: like roaming around and she goes, well, where am I?

493
00:23:53,400 --> 00:23:56,040
Speaker 3: And I was like, oh, this is heartbreaking, but also

494
00:23:56,560 --> 00:23:57,800
Speaker 3: god damn, this is allowed.

495
00:23:57,920 --> 00:23:58,959
Speaker 4: So I turned off the alarm.

496
00:23:59,359 --> 00:24:00,720
Speaker 2: Yeah, settled.

497
00:24:01,119 --> 00:24:05,320
Speaker 3: As I'm getting her in bed, I see lights, flashlights

498
00:24:05,359 --> 00:24:09,720
Speaker 3: in my yard, and I was like, oh fucking hell,

499
00:24:09,840 --> 00:24:12,360
Speaker 3: because my alarms tied directly to the police department and.

500
00:24:12,280 --> 00:24:14,600
Speaker 4: If I don't pick up the phone, they will call

501
00:24:14,640 --> 00:24:15,720
Speaker 4: the police.

502
00:24:16,160 --> 00:24:18,160
Speaker 3: And I didn't pick up my phone because I left

503
00:24:18,160 --> 00:24:20,880
Speaker 3: my phone upstairs when I came running downstairs to see

504
00:24:20,880 --> 00:24:23,880
Speaker 3: why all the alarms were going off. So I get

505
00:24:23,920 --> 00:24:26,160
Speaker 3: her settled and I go outside and there's these two

506
00:24:26,200 --> 00:24:28,240
Speaker 3: police officers and they're like, is everything okay?

507
00:24:28,280 --> 00:24:30,360
Speaker 4: And I was like, yes, kind.

508
00:24:30,160 --> 00:24:32,919
Speaker 3: Of, I'm so sorry to drag you out here, but

509
00:24:32,960 --> 00:24:35,200
Speaker 3: my grandma has dementia. She opened the door, she didn't

510
00:24:35,200 --> 00:24:37,440
Speaker 3: know where she was. I wish I could say this

511
00:24:37,480 --> 00:24:38,879
Speaker 3: is the last time I'm going to see you, but

512
00:24:38,920 --> 00:24:40,440
Speaker 3: I guarantee I'm going to see you again.

513
00:24:42,040 --> 00:24:43,840
Speaker 4: And they were like, no problem.

514
00:24:44,760 --> 00:24:46,919
Speaker 3: And that only happened once, because now I have to

515
00:24:46,960 --> 00:24:51,359
Speaker 3: barricade the doors when I go to bed, and so

516
00:24:51,520 --> 00:24:52,639
Speaker 3: I barricade the doors.

517
00:24:52,880 --> 00:24:57,400
Speaker 4: I put all the totes with her Christmas ornaments in them.

518
00:24:58,480 --> 00:24:59,919
Speaker 4: I put all of her totes in front of the.

519
00:25:00,480 --> 00:25:02,919
Speaker 3: Just until she gets comfortable, and then I put all

520
00:25:02,960 --> 00:25:05,400
Speaker 3: these signs up all over the place. That's like, you're

521
00:25:05,400 --> 00:25:09,560
Speaker 3: at Danielle's house, Go back to bed. Everything's cool, And

522
00:25:09,600 --> 00:25:11,400
Speaker 3: it seems to have been working for the past few

523
00:25:11,480 --> 00:25:13,960
Speaker 3: days that she's not setting off the alarm at night.

524
00:25:14,119 --> 00:25:18,240
Speaker 3: But she is like, truly, I'm exhausted. I will say

525
00:25:18,280 --> 00:25:20,320
Speaker 3: I love her to bits, I'm so glad she's here.

526
00:25:20,560 --> 00:25:21,960
Speaker 3: I'm fucking exhausted.

527
00:25:23,160 --> 00:25:24,639
Speaker 2: You know, you're gonna settle.

528
00:25:24,440 --> 00:25:27,760
Speaker 1: Into a routine and it'll it'll even itself out. I mean,

529
00:25:27,800 --> 00:25:29,080
Speaker 1: when when it comes down to it, I do know

530
00:25:29,119 --> 00:25:32,080
Speaker 1: we're having a lot of fun. But the real advice

531
00:25:32,280 --> 00:25:33,720
Speaker 1: as your friend is that you're.

532
00:25:33,520 --> 00:25:35,119
Speaker 2: Doing a good thing.

533
00:25:35,320 --> 00:25:38,520
Speaker 1: It's all new to everybody right now, but eventually you're

534
00:25:38,560 --> 00:25:40,040
Speaker 1: going to settle into a routine.

535
00:25:41,880 --> 00:25:42,080
Speaker 4: You know.

536
00:25:43,080 --> 00:25:45,840
Speaker 1: To be honest with you, I don't ever know where

537
00:25:45,840 --> 00:25:49,120
Speaker 1: I am, Like when I'm in my own house. Sometimes

538
00:25:49,160 --> 00:25:50,760
Speaker 1: I wake up and I'm like, what the fuck.

539
00:25:51,680 --> 00:25:55,439
Speaker 3: Exactly, Like it's a hard transition. Yeah, she's gonna be.

540
00:25:55,480 --> 00:25:57,640
Speaker 2: I mean, you're doing a great thing. You guys are together.

541
00:25:57,840 --> 00:26:01,560
Speaker 1: That's the most important part. She's being looked after by

542
00:26:01,600 --> 00:26:05,880
Speaker 1: someone who cares about her intensely. And you know, it's

543
00:26:05,960 --> 00:26:09,080
Speaker 1: it's like any new situation. I mean, I lived with

544
00:26:09,080 --> 00:26:14,560
Speaker 1: my parents for nine months, so and I'm sure that

545
00:26:14,680 --> 00:26:17,240
Speaker 1: I was there maybe at one point, like I was

546
00:26:18,320 --> 00:26:22,679
Speaker 1: not not fucking doing the thing that they were used to.

547
00:26:24,000 --> 00:26:27,080
Speaker 2: So you know, you're right, You're right.

548
00:26:27,119 --> 00:26:29,800
Speaker 4: It's an adjustment. Every part of it's an adjustment.

549
00:26:29,880 --> 00:26:32,080
Speaker 3: Living in a new place, living in a house instead

550
00:26:32,080 --> 00:26:34,880
Speaker 3: of an apartment, you know, living with someone again.

551
00:26:35,000 --> 00:26:36,760
Speaker 4: Neither one of us have lived with people for a

552
00:26:36,800 --> 00:26:39,760
Speaker 4: long time. Oh yeah, So it's just it's an adjustment.

553
00:26:39,800 --> 00:26:41,720
Speaker 4: But I'm having I'm having fun with it.

554
00:26:42,000 --> 00:26:44,399
Speaker 3: But like, for the most part, like it is ninety

555
00:26:44,480 --> 00:26:48,240
Speaker 3: nine percent fun and we laugh a lot. But you're right,

556
00:26:48,320 --> 00:26:50,879
Speaker 3: like there's there was a weird and I didn't even

557
00:26:50,920 --> 00:26:51,320
Speaker 3: realize it.

558
00:26:51,359 --> 00:26:52,040
Speaker 4: There was this like.

559
00:26:52,119 --> 00:26:55,720
Speaker 3: Weird kind of latent stress and worry that I was

560
00:26:55,800 --> 00:26:58,640
Speaker 3: carrying around. And now that she's here, I don't have

561
00:26:58,680 --> 00:27:01,800
Speaker 3: that anymore. Like, you know, it's better for her to

562
00:27:01,840 --> 00:27:04,639
Speaker 3: be wandering around and setting off alarms here than it

563
00:27:04,680 --> 00:27:06,720
Speaker 3: would be for her to be like opening her apartment

564
00:27:06,800 --> 00:27:08,440
Speaker 3: door and wandering out into the night.

565
00:27:08,840 --> 00:27:11,000
Speaker 2: One hundred percent. One hundred percent.

566
00:27:11,160 --> 00:27:15,320
Speaker 1: So you're in the better situation ultimately, And I just

567
00:27:15,359 --> 00:27:18,639
Speaker 1: know it's gonna work out, and you guys are gonna

568
00:27:18,760 --> 00:27:19,000
Speaker 1: have a.

569
00:27:19,000 --> 00:27:21,400
Speaker 2: Lot of fun together. It sounds like you already are.

570
00:27:22,160 --> 00:27:25,600
Speaker 3: So she loves well, well, we will talk about it

571
00:27:25,640 --> 00:27:28,280
Speaker 3: when we get to our movies. But she watched these

572
00:27:28,320 --> 00:27:30,800
Speaker 3: movies with me, and she had some thoughts.

573
00:27:31,359 --> 00:27:35,320
Speaker 2: Oh my god, Ken, listen, I quit.

574
00:27:36,760 --> 00:27:39,680
Speaker 1: Put her on the zoom because no one wants to

575
00:27:39,680 --> 00:27:41,840
Speaker 1: hear what I have to fucking say about movies, Like

576
00:27:41,920 --> 00:27:43,760
Speaker 1: we want to hear what she has to say. I'm

577
00:27:43,800 --> 00:27:47,440
Speaker 1: totally willing to take the hit on this. Oh, if

578
00:27:47,440 --> 00:27:48,879
Speaker 1: she want to guess. If she wants to be a

579
00:27:48,920 --> 00:27:49,600
Speaker 1: guest on our.

580
00:27:49,560 --> 00:27:51,280
Speaker 4: We can have her on as a guest.

581
00:27:51,359 --> 00:27:53,879
Speaker 3: But you know, damn well that everyone cares what you

582
00:27:53,880 --> 00:27:56,000
Speaker 3: think about films, Millie.

583
00:27:56,119 --> 00:27:57,160
Speaker 4: Let me tell her the listeners.

584
00:27:57,240 --> 00:28:00,840
Speaker 3: Our listeners are so wonderful and truly, you know, I

585
00:28:00,880 --> 00:28:03,399
Speaker 3: don't like people, so I'm truly being honest when I

586
00:28:03,440 --> 00:28:08,160
Speaker 3: say that our listeners are fantastic people. And Millie gets

587
00:28:08,240 --> 00:28:12,240
Speaker 3: recognized almost everywhere she goes, and I fucking love it.

588
00:28:12,480 --> 00:28:14,679
Speaker 3: And people love telling you how much they love you

589
00:28:14,720 --> 00:28:17,720
Speaker 3: on the show. So you know, damn well, you're not

590
00:28:17,800 --> 00:28:21,399
Speaker 3: going anywhere. Grandma can guess if she's having a lucid moment,

591
00:28:21,800 --> 00:28:24,360
Speaker 3: but you got to be there right right alongside of her.

592
00:28:24,920 --> 00:28:26,600
Speaker 2: I mean, if you want to get down to it.

593
00:28:27,480 --> 00:28:30,360
Speaker 1: Yes, I do get recognized sometimes, but they actually talk

594
00:28:30,440 --> 00:28:31,720
Speaker 1: about how much they love.

595
00:28:31,560 --> 00:28:40,760
Speaker 2: You, which is great. It's still a compliment for me

596
00:28:40,840 --> 00:28:43,160
Speaker 2: that they like you better than me. I was like, look,

597
00:28:43,440 --> 00:28:44,160
Speaker 2: I'm chilled with that.

598
00:28:44,480 --> 00:28:48,960
Speaker 1: So but look, when it comes down to it, this week,

599
00:28:49,240 --> 00:28:54,160
Speaker 1: we have some films that Daniel's grandmother. I would literally

600
00:28:54,280 --> 00:28:58,080
Speaker 1: pay thousands of dollars to know what she has to say,

601
00:28:58,200 --> 00:29:01,520
Speaker 1: especially about my movie, because I gotta tell you, Wow,

602
00:29:01,640 --> 00:29:03,400
Speaker 1: we're gonna really get into it this week.

603
00:29:03,680 --> 00:29:07,040
Speaker 4: Well, let's do it. Let's just do it because damn.

604
00:29:14,200 --> 00:29:18,560
Speaker 2: As per usual, Danielle has come up with our theme

605
00:29:18,640 --> 00:29:22,440
Speaker 2: this week. Because I'm just such a fucking dead weight bitch,

606
00:29:22,560 --> 00:29:25,280
Speaker 2: Like I'm like, I got no ideas, I got nothing.

607
00:29:25,640 --> 00:29:28,880
Speaker 2: Danielle came up with the theme, the name everything. So

608
00:29:28,960 --> 00:29:31,200
Speaker 2: why don't you tell them what our theme is this week?

609
00:29:32,120 --> 00:29:35,040
Speaker 3: I thought it would be fun if we did a

610
00:29:35,080 --> 00:29:40,880
Speaker 3: theme called It's not babysitting if it's your own child.

611
00:29:43,480 --> 00:29:44,880
Speaker 2: And I guess what.

612
00:29:45,160 --> 00:29:49,520
Speaker 3: Both of these movies are about men who are surprised

613
00:29:49,560 --> 00:29:55,600
Speaker 3: with children and they are surprise caretakers. And let me

614
00:29:55,640 --> 00:29:57,640
Speaker 3: tell you that shit hit harder than I wanted it to.

615
00:29:58,200 --> 00:29:58,480
Speaker 4: Yep.

616
00:29:59,120 --> 00:30:02,680
Speaker 3: But the this are two eighties films that I would

617
00:30:02,680 --> 00:30:06,120
Speaker 3: not say are classics in the traditional sense, but they

618
00:30:06,160 --> 00:30:09,360
Speaker 3: are widely known films like they're classic in that way

619
00:30:09,400 --> 00:30:12,520
Speaker 3: that like everybody has heard of or seen these movies.

620
00:30:13,920 --> 00:30:16,160
Speaker 3: And something I wanted to ask you about, because it's

621
00:30:16,280 --> 00:30:19,040
Speaker 3: just part of the reason why I even thought of

622
00:30:19,200 --> 00:30:23,760
Speaker 3: this theme is there was something that was so rampant

623
00:30:23,800 --> 00:30:28,240
Speaker 3: in the eighties about how incompetent men were in general,

624
00:30:29,400 --> 00:30:32,880
Speaker 3: Like I'm trying to figure out, is it like it's

625
00:30:32,920 --> 00:30:35,600
Speaker 3: like that high fidelity quoll, like what came first?

626
00:30:35,600 --> 00:30:38,040
Speaker 4: The music or the misery? Like what came first?

627
00:30:38,080 --> 00:30:41,120
Speaker 3: Were men so incompetent that filmmakers were like, we got

628
00:30:41,160 --> 00:30:43,920
Speaker 3: to start fucking documenting some of this shit somehow, Or

629
00:30:44,480 --> 00:30:46,920
Speaker 3: did all these filmmakers start making these movies about how

630
00:30:46,960 --> 00:30:51,120
Speaker 3: men were fucking idiots and then they just lived up

631
00:30:51,160 --> 00:30:53,240
Speaker 3: to the standard.

632
00:30:53,280 --> 00:30:54,040
Speaker 4: What the fuck?

633
00:30:55,120 --> 00:30:57,920
Speaker 1: Well, I mean, I think we've talked about this in

634
00:30:58,040 --> 00:30:58,880
Speaker 1: previous episodes.

635
00:30:58,880 --> 00:31:00,280
Speaker 2: I think we talked about this when we talk about

636
00:31:00,320 --> 00:31:00,920
Speaker 2: Working Girl.

637
00:31:01,760 --> 00:31:05,760
Speaker 1: You know, there's a there was a proliferation of films

638
00:31:05,800 --> 00:31:08,400
Speaker 1: in the eighties where they were addressing the sort of

639
00:31:08,440 --> 00:31:11,800
Speaker 1: women going back to the workforce and like women in

640
00:31:12,000 --> 00:31:15,320
Speaker 1: business and you know, like that whole concept of like

641
00:31:15,360 --> 00:31:16,920
Speaker 1: the working you know.

642
00:31:17,000 --> 00:31:18,440
Speaker 2: Eighties mom or whatever.

643
00:31:19,320 --> 00:31:22,880
Speaker 1: And I think it created a small panic with men

644
00:31:23,000 --> 00:31:25,800
Speaker 1: because they were like, oh, fuck, like now my wife

645
00:31:25,920 --> 00:31:28,920
Speaker 1: might have a better job than me, or a job

646
00:31:29,240 --> 00:31:31,560
Speaker 1: in the case of your film, and now I.

647
00:31:31,560 --> 00:31:33,680
Speaker 2: Gotta be a domestic caretaker.

648
00:31:33,760 --> 00:31:34,760
Speaker 4: What the fuck?

649
00:31:34,880 --> 00:31:35,880
Speaker 2: I don't know how to do this.

650
00:31:36,040 --> 00:31:40,320
Speaker 1: And so I think that these two movies particularly are playing,

651
00:31:40,840 --> 00:31:44,200
Speaker 1: you know, playing into that notion. But you're right, I

652
00:31:44,240 --> 00:31:49,280
Speaker 1: feel like, obviously the conditions were such where men were

653
00:31:49,960 --> 00:31:55,040
Speaker 1: horrified by the idea of having to take care of

654
00:31:55,120 --> 00:31:59,000
Speaker 1: not just children, but their own children, their own children,

655
00:32:00,080 --> 00:32:02,840
Speaker 1: their own children. I gotta say, like, I know a

656
00:32:02,840 --> 00:32:06,080
Speaker 1: lot of dads. A lot of my guy friends are

657
00:32:06,120 --> 00:32:12,480
Speaker 1: now fathers. Most of them are great, but ah, there

658
00:32:12,600 --> 00:32:14,920
Speaker 1: are a few stragglers out there.

659
00:32:15,160 --> 00:32:19,920
Speaker 3: And to my movie's credit, I feel like he the

660
00:32:20,040 --> 00:32:23,760
Speaker 3: dude in my movie, didn't necessarily he wasn't reluctant to

661
00:32:23,800 --> 00:32:26,160
Speaker 3: take care of his kids. He was just super bad

662
00:32:26,200 --> 00:32:28,120
Speaker 3: at it because he never had to do it before.

663
00:32:28,680 --> 00:32:30,520
Speaker 3: And I think that's part of what made it charming,

664
00:32:30,680 --> 00:32:33,120
Speaker 3: is like he didn't instantly say like, oh, fuck this,

665
00:32:33,160 --> 00:32:34,640
Speaker 3: I can't believe I have to hang out with these little,

666
00:32:34,640 --> 00:32:35,600
Speaker 3: fucking shit hits.

667
00:32:35,840 --> 00:32:37,880
Speaker 4: He was just kind of like, oh, I'm really bad

668
00:32:37,920 --> 00:32:38,080
Speaker 4: at that.

669
00:32:39,920 --> 00:32:42,680
Speaker 1: Yeah, And to be honest with you, I mean, I

670
00:32:42,760 --> 00:32:46,320
Speaker 1: even I feel that sometimes when I'm with my nephews,

671
00:32:46,480 --> 00:32:49,440
Speaker 1: you know, and my sister's away or you know, God,

672
00:32:49,480 --> 00:32:51,680
Speaker 1: when her and my brother in law went on vacation.

673
00:32:51,800 --> 00:32:54,640
Speaker 1: There was this one time where my nephew Henry got

674
00:32:54,880 --> 00:33:00,640
Speaker 1: handfoot in mouth while then in Seattle, and I was

675
00:33:00,680 --> 00:33:03,280
Speaker 1: with my mom and dad and the three of us

676
00:33:03,520 --> 00:33:06,680
Speaker 1: were like bumbly, fumbly, fucking Steve Guttenberg.

677
00:33:06,760 --> 00:33:09,080
Speaker 2: We were like, oh my god, he has a rash

678
00:33:09,120 --> 00:33:11,120
Speaker 2: all over his body. What are we gonna fucking do?

679
00:33:11,480 --> 00:33:14,920
Speaker 3: And then your sister comes back and you're like just

680
00:33:15,160 --> 00:33:17,120
Speaker 3: handing the baby out in front of you by ten

681
00:33:17,160 --> 00:33:19,720
Speaker 3: feet and you're like, sorry, I gave your baby trench foot.

682
00:33:19,760 --> 00:33:20,520
Speaker 4: I don't know here he.

683
00:33:20,680 --> 00:33:23,240
Speaker 2: Is, and we didn't know how to change a diaper,

684
00:33:23,360 --> 00:33:27,440
Speaker 2: so he's just shitting all over the place, like I mean.

685
00:33:27,480 --> 00:33:29,880
Speaker 1: At the same time, it is that thing where you're like, Okay, well,

686
00:33:29,920 --> 00:33:31,880
Speaker 1: I guess a lot of people who don't have kids

687
00:33:32,480 --> 00:33:35,400
Speaker 1: kind of feel that way, but I don't know. These

688
00:33:35,440 --> 00:33:37,600
Speaker 1: movies I think are definitely like tied to a time

689
00:33:37,640 --> 00:33:41,040
Speaker 1: and place because of again the sort of cultural shift

690
00:33:41,160 --> 00:33:42,000
Speaker 1: of the women in.

691
00:33:41,920 --> 00:33:45,000
Speaker 2: The workplace in the eighties. And you know, it'll be interesting.

692
00:33:45,120 --> 00:33:49,040
Speaker 1: I'm glad we're to eighties two movies because there's there's

693
00:33:49,040 --> 00:33:51,560
Speaker 1: gonna be a lot we can chew on for this

694
00:33:51,600 --> 00:33:53,240
Speaker 1: one completely.

695
00:33:53,440 --> 00:33:55,280
Speaker 4: Let's hop on in.

696
00:33:55,680 --> 00:34:00,440
Speaker 3: Yeah, because my film for the theme It's Not beabysitting

697
00:34:00,480 --> 00:34:04,480
Speaker 3: If It's Your Own Child was released in nineteen eighty three.

698
00:34:05,320 --> 00:34:09,720
Speaker 3: It was directed by Standragotti. The screenplay is by John Hughes.

699
00:34:10,360 --> 00:34:12,800
Speaker 3: And my film is mister Mom.

700
00:34:13,000 --> 00:34:19,240
Speaker 4: Meet Dad. He's a real man, not beer seven o'clock

701
00:34:19,239 --> 00:34:20,720
Speaker 4: in the morning, Scotch.

702
00:34:21,440 --> 00:34:23,560
Speaker 2: Mister Mom.

703
00:34:23,880 --> 00:34:26,200
Speaker 3: Now, I don't know about you, but I remember watching

704
00:34:26,239 --> 00:34:29,040
Speaker 3: this movie a lot when I was a kid, yeah,

705
00:34:29,080 --> 00:34:32,640
Speaker 3: and feeling like it was funny, and it definitely the

706
00:34:32,680 --> 00:34:36,160
Speaker 3: comedy does hold up in so many ways. The things

707
00:34:36,200 --> 00:34:38,840
Speaker 3: that were funny about this movie were still very funny

708
00:34:38,880 --> 00:34:39,080
Speaker 3: to me.

709
00:34:39,280 --> 00:34:40,960
Speaker 4: But there is something in both of our.

710
00:34:40,840 --> 00:34:45,320
Speaker 3: Movies that was a staple of the It's Not Babysitting,

711
00:34:45,320 --> 00:34:49,080
Speaker 3: It's Your Own Child eighties Dad's fumbling theme, which is

712
00:34:49,719 --> 00:34:50,720
Speaker 3: in both movies.

713
00:34:51,080 --> 00:34:54,239
Speaker 4: They pick up the bottle and squeeze it into their coffee.

714
00:34:54,280 --> 00:34:54,880
Speaker 4: They pick up the.

715
00:34:54,880 --> 00:34:59,640
Speaker 3: Baby bottle and I'm like, that's fucking formula. It's not

716
00:34:59,760 --> 00:35:02,319
Speaker 3: pure or milk, Like, what are you idiots to do?

717
00:35:02,360 --> 00:35:06,040
Speaker 3: Like on a base human level, what are you doing?

718
00:35:06,239 --> 00:35:09,120
Speaker 3: Like this is not this is how they telegraphed in

719
00:35:09,160 --> 00:35:09,720
Speaker 3: the eighties.

720
00:35:10,080 --> 00:35:11,719
Speaker 4: These guys have no clue what's going on.

721
00:35:12,000 --> 00:35:14,760
Speaker 2: No disrespect to the babies out there that are drinking formula.

722
00:35:14,760 --> 00:35:16,319
Speaker 2: But I ain't putting in my coffee. I just I'm

723
00:35:16,360 --> 00:35:18,439
Speaker 2: just throwing that out there, just a personal taste thing.

724
00:35:18,840 --> 00:35:22,440
Speaker 3: But and it's either gonna be baby formula or breast milk,

725
00:35:22,520 --> 00:35:25,200
Speaker 3: like both Neither of these choices are making these men

726
00:35:25,239 --> 00:35:25,640
Speaker 3: look good.

727
00:35:28,360 --> 00:35:31,359
Speaker 1: I love that that was a joke to telegraph how

728
00:35:31,400 --> 00:35:32,600
Speaker 1: stupid these men were.

729
00:35:33,360 --> 00:35:33,880
Speaker 4: Totally.

730
00:35:34,040 --> 00:35:36,560
Speaker 3: And it's in both movies. What I thought in your movie,

731
00:35:36,560 --> 00:35:38,440
Speaker 3: I'm like, here we go again, They're gonna pick up

732
00:35:38,480 --> 00:35:41,600
Speaker 3: the bottle. It was in every sitcom. It was just

733
00:35:41,680 --> 00:35:46,040
Speaker 3: like a fucking thing. And so the premise of this film,

734
00:35:46,120 --> 00:35:52,320
Speaker 3: essentially my one sentence synopsis is that when car factory

735
00:35:52,440 --> 00:35:57,759
Speaker 3: engineer Jack Butler gets fired from his job by his

736
00:35:57,920 --> 00:36:02,720
Speaker 3: carpool friend, he has to take care of his kids

737
00:36:03,120 --> 00:36:07,280
Speaker 3: while his wife goes back to work after he loses

738
00:36:07,320 --> 00:36:08,520
Speaker 3: a bet that he'll.

739
00:36:08,320 --> 00:36:12,560
Speaker 4: Get a job before she does a bet a bet.

740
00:36:12,600 --> 00:36:15,719
Speaker 3: We'll talk about this bet for sure, but essentially it's

741
00:36:15,800 --> 00:36:18,120
Speaker 3: like his so his wife is. It's pretty great cast.

742
00:36:18,160 --> 00:36:22,640
Speaker 3: His wife is played by Terry Garr. There's there's three

743
00:36:22,719 --> 00:36:26,160
Speaker 3: kids in this family. You've got Alex, who's the older

744
00:36:26,400 --> 00:36:29,520
Speaker 3: kid played by Frederick Kohler. And if you might not

745
00:36:29,600 --> 00:36:31,719
Speaker 3: know his name, but you absolutely know his face. He

746
00:36:31,840 --> 00:36:34,000
Speaker 3: was in everything in the eighties.

747
00:36:34,360 --> 00:36:38,000
Speaker 1: He was also I don't know if there's any strangers

748
00:36:38,040 --> 00:36:45,080
Speaker 1: with candy fans out there. Yeah, Jerry Blank's date to

749
00:36:45,280 --> 00:36:46,440
Speaker 1: Bogie Nights.

750
00:36:47,800 --> 00:36:51,120
Speaker 2: Anyway, her long lost son Ricky Anyway.

751
00:36:51,760 --> 00:36:53,680
Speaker 4: Frederick Kohler has had a startling career.

752
00:36:54,520 --> 00:36:56,960
Speaker 3: He's got the cutest little face and he's maintained his

753
00:36:57,040 --> 00:37:00,920
Speaker 3: little cute baby face for his entire adult life. It's yeah, wonderful,

754
00:37:01,560 --> 00:37:03,560
Speaker 3: and he's kind of the kid like Alex is this

755
00:37:03,640 --> 00:37:06,640
Speaker 3: kid who's the oldest. He kind of helps out around

756
00:37:06,680 --> 00:37:08,680
Speaker 3: the house. He's still only like eight years old, but

757
00:37:08,760 --> 00:37:10,719
Speaker 3: he'll like help out if.

758
00:37:10,640 --> 00:37:11,200
Speaker 4: People need it.

759
00:37:11,200 --> 00:37:14,960
Speaker 3: He's definitely going to be like a career politician. There's

760
00:37:15,000 --> 00:37:16,880
Speaker 3: a little baby named Meg.

761
00:37:16,760 --> 00:37:18,719
Speaker 4: Which just cracks me up. I don't know why that.

762
00:37:18,800 --> 00:37:24,759
Speaker 3: The baby's name is Meg. She's straight up like newbornish. Well,

763
00:37:24,760 --> 00:37:27,160
Speaker 3: she's also like verge of Toddler. She's still in a

764
00:37:27,200 --> 00:37:30,359
Speaker 3: walker like that age. And then we have Kenny, and

765
00:37:30,480 --> 00:37:35,320
Speaker 3: Kenny is a stone freak. He carries his little blanket

766
00:37:35,320 --> 00:37:38,560
Speaker 3: around that he calls his woobie and I swear and

767
00:37:39,040 --> 00:37:41,439
Speaker 3: this movie takes place in nineteen eighty three or filmed

768
00:37:41,440 --> 00:37:44,719
Speaker 3: in nineteen eighty three. Within five years, that kid's going

769
00:37:44,800 --> 00:37:49,200
Speaker 3: to discover flock of seagulls and terrorize that fucking neighborhood.

770
00:37:51,800 --> 00:37:54,920
Speaker 4: Kenny's a freak. He's my favorite. I love these kids.

771
00:37:55,120 --> 00:37:57,479
Speaker 2: He's definitely new wave band material for.

772
00:37:57,400 --> 00:38:01,560
Speaker 3: Sure, one percent. And he So you got this cute

773
00:38:01,560 --> 00:38:03,719
Speaker 3: little family unit. Terry Gar's been the stay at home

774
00:38:03,719 --> 00:38:06,000
Speaker 3: mom taking care of the kids, and the movie kind

775
00:38:06,040 --> 00:38:08,640
Speaker 3: of opens and shows her going through her routine and

776
00:38:08,719 --> 00:38:11,799
Speaker 3: getting everyone up and ready for work. She says one

777
00:38:11,880 --> 00:38:14,520
Speaker 3: weird thing which I still can't get over because I

778
00:38:14,680 --> 00:38:18,040
Speaker 3: don't understand it, where she wakes up Michael Keaton and

779
00:38:18,080 --> 00:38:20,440
Speaker 3: she goes, your shower is ready, And I'm like, are

780
00:38:20,440 --> 00:38:22,319
Speaker 3: you telling me that you're like warming up showers for

781
00:38:22,400 --> 00:38:23,040
Speaker 3: this motherfucker?

782
00:38:23,120 --> 00:38:25,560
Speaker 4: Like? Is this how incompetent men were in the eighties.

783
00:38:25,920 --> 00:38:28,960
Speaker 4: He's like, I gotta wash my body. I don't know

784
00:38:29,000 --> 00:38:31,040
Speaker 4: how to turn off this poset and to.

785
00:38:31,000 --> 00:38:33,000
Speaker 2: Get my wife to warm this water for me.

786
00:38:36,160 --> 00:38:38,840
Speaker 3: So she gets everyone ready and then Jack goes to

787
00:38:38,880 --> 00:38:41,759
Speaker 3: work and he's, you know, he's typical like.

788
00:38:42,200 --> 00:38:45,239
Speaker 4: Middle aged, working dead, and Michael Keaton.

789
00:38:45,000 --> 00:38:48,759
Speaker 3: Was pretty great for this role, Like he has incredible

790
00:38:48,800 --> 00:38:49,760
Speaker 3: comedic timing.

791
00:38:50,840 --> 00:38:52,000
Speaker 4: He just kind of had that.

792
00:38:51,960 --> 00:38:54,200
Speaker 3: Look of like the eighties dad with like kind of

793
00:38:54,200 --> 00:38:58,200
Speaker 3: a little mullet going on, and he was just kind

794
00:38:58,200 --> 00:38:59,399
Speaker 3: of fit the role so well.

795
00:38:59,440 --> 00:39:01,080
Speaker 4: But he goes to work with.

796
00:39:01,040 --> 00:39:07,080
Speaker 3: Martin Mall and Christopher Lloyd and an actor who has

797
00:39:07,120 --> 00:39:10,959
Speaker 3: since been found to be awful so we will not name,

798
00:39:11,400 --> 00:39:19,279
Speaker 3: but he is inconsequent or just completely coincidentally the bad

799
00:39:19,280 --> 00:39:20,359
Speaker 3: guy in this film as well.

800
00:39:21,440 --> 00:39:24,840
Speaker 4: But he gets fired. He's working in this car factory.

801
00:39:24,840 --> 00:39:27,840
Speaker 3: They're living right outside of you know, Detroit or Chicago,

802
00:39:27,960 --> 00:39:31,080
Speaker 3: and which is typical of John Hughes. We talked a

803
00:39:31,080 --> 00:39:34,080
Speaker 3: lot about John Hughes in an episode that She's having

804
00:39:34,120 --> 00:39:36,319
Speaker 3: a baby episode, So if you want to know more

805
00:39:36,360 --> 00:39:40,239
Speaker 3: about his life and where he comes from and how

806
00:39:40,239 --> 00:39:44,600
Speaker 3: it influenced this movie, definitely listen to that episode, particularly

807
00:39:44,640 --> 00:39:50,279
Speaker 3: because after Jack gets fired, his wife Carolyn goes back

808
00:39:50,280 --> 00:39:54,680
Speaker 3: to work in advertising, and John Hughes worked in advertising

809
00:39:54,719 --> 00:39:57,560
Speaker 3: before he started writing and making films.

810
00:39:58,960 --> 00:40:01,640
Speaker 4: But basically, yeah, like Jack is like, yeah, I got fired.

811
00:40:01,680 --> 00:40:07,360
Speaker 3: It sucks, but I bet you one hundred dollars that

812
00:40:07,440 --> 00:40:08,839
Speaker 3: I'll get a job before you will.

813
00:40:09,560 --> 00:40:11,640
Speaker 4: And Carolyn's like, I don't want to take that bet.

814
00:40:11,680 --> 00:40:13,960
Speaker 3: I just want our family to be able to eat. Like,

815
00:40:14,000 --> 00:40:16,600
Speaker 3: whoever gets a job great, I.

816
00:40:16,560 --> 00:40:17,160
Speaker 4: Just want to eat.

817
00:40:18,120 --> 00:40:21,080
Speaker 3: So she doesn't take the bet, but she does win

818
00:40:21,120 --> 00:40:25,439
Speaker 3: the bet, and so she gets this job and she's

819
00:40:25,520 --> 00:40:29,279
Speaker 3: working with she's working in advertising, and let me tell you,

820
00:40:29,320 --> 00:40:32,759
Speaker 3: this is another eighties trope that I kind of love,

821
00:40:32,880 --> 00:40:36,279
Speaker 3: like the Bad Eighties office, because when she walks into

822
00:40:36,320 --> 00:40:39,839
Speaker 3: this place, it is a pit. Yeah, it is a

823
00:40:39,880 --> 00:40:43,480
Speaker 3: total pit. There is like smoke hanging in the air,

824
00:40:44,120 --> 00:40:46,840
Speaker 3: There's pizza boxes all over the place, like it is

825
00:40:46,920 --> 00:40:50,719
Speaker 3: a bleak as fucking hell. And she is put on

826
00:40:51,560 --> 00:40:57,160
Speaker 3: the Schooner Tuna account. Her boss, again played by Martin

827
00:40:57,200 --> 00:41:01,000
Speaker 3: Maull's name is Ron. Her boss loves her, and as

828
00:41:01,000 --> 00:41:02,920
Speaker 3: we come to find out, it might not be for

829
00:41:02,960 --> 00:41:07,000
Speaker 3: such innocent reasons as she's a good employee. But she's

830
00:41:07,000 --> 00:41:10,520
Speaker 3: put on this fucking job and she's excited to be

831
00:41:10,560 --> 00:41:13,399
Speaker 3: back at work and she's just kind of doing her thing,

832
00:41:13,520 --> 00:41:16,080
Speaker 3: and I kind of I feel like when I was

833
00:41:16,120 --> 00:41:18,360
Speaker 3: watching this this time, I kept wondering, like, who was

834
00:41:18,400 --> 00:41:20,000
Speaker 3: our modern day Terry.

835
00:41:19,760 --> 00:41:22,640
Speaker 4: Garr because there's something about her where.

836
00:41:24,040 --> 00:41:28,920
Speaker 3: She was able to play it so funny but so subtly,

837
00:41:28,960 --> 00:41:32,040
Speaker 3: and she made all these like just face movements and

838
00:41:32,120 --> 00:41:36,720
Speaker 3: eye movements that kind of really told the emotional story

839
00:41:36,719 --> 00:41:39,319
Speaker 3: of her characters and almost every movie she was in.

840
00:41:39,840 --> 00:41:41,600
Speaker 3: And I don't know if we have a modern day

841
00:41:42,560 --> 00:41:44,400
Speaker 3: Terry gar like, is it Jennifer Garner?

842
00:41:44,480 --> 00:41:46,680
Speaker 4: Like I don't know. She was kind of like not

843
00:41:47,200 --> 00:41:48,480
Speaker 4: so wholesome that she was.

844
00:41:48,440 --> 00:41:51,879
Speaker 3: Annoying, but like, I don't know, just funny and she

845
00:41:51,960 --> 00:41:54,440
Speaker 3: was normal, Like she looked normal, she acted normal, she

846
00:41:54,560 --> 00:41:56,880
Speaker 3: responded in normal ways.

847
00:41:58,760 --> 00:42:01,799
Speaker 1: Yeah, I'm just she kind of reminds me. I mean,

848
00:42:01,840 --> 00:42:04,480
Speaker 1: she just is kind of like a thinking woman's leading

849
00:42:05,239 --> 00:42:10,319
Speaker 1: actress type, like she doesn't She seemed like funny but

850
00:42:10,440 --> 00:42:13,759
Speaker 1: also kind of like, I don't know, sassy, but not

851
00:42:13,920 --> 00:42:16,400
Speaker 1: like two over the top. She kind of reminds me

852
00:42:16,440 --> 00:42:18,520
Speaker 1: a little bit of I don't know, like a Tina

853
00:42:18,560 --> 00:42:21,040
Speaker 1: Fey or something. I don't know if that's even accurate,

854
00:42:21,160 --> 00:42:24,879
Speaker 1: but yeah, I don't know, Like hard to say. There's

855
00:42:24,920 --> 00:42:27,719
Speaker 1: so many actresses now remember when in Hollywood when it

856
00:42:27,840 --> 00:42:31,640
Speaker 1: was on like four people in Hollywood, But uh, it was.

857
00:42:31,600 --> 00:42:37,680
Speaker 3: Like get Terry gar Bernadette Peters or Linda Fiorentino.

858
00:42:38,160 --> 00:42:41,239
Speaker 2: And maybe Jan Hooks, maybe Chan.

859
00:42:41,760 --> 00:42:44,560
Speaker 4: Yeah, but she's great.

860
00:42:44,600 --> 00:42:46,919
Speaker 3: I just I really appreciated her in this movie because

861
00:42:46,960 --> 00:42:51,200
Speaker 3: she wasn't she wasn't so over the top that it

862
00:42:51,360 --> 00:42:56,480
Speaker 3: made the situation seem unreasonable or impossible. Like she she

863
00:42:56,520 --> 00:42:59,799
Speaker 3: had a very normal reaction to like I have to

864
00:42:59,800 --> 00:43:02,239
Speaker 3: go to work. My husband is at home.

865
00:43:02,360 --> 00:43:05,160
Speaker 4: She even treated him like like, yeah, you can do this,

866
00:43:05,239 --> 00:43:05,840
Speaker 4: It's fine.

867
00:43:06,040 --> 00:43:08,319
Speaker 3: Like she wasn't living up to the stereotype that we

868
00:43:08,440 --> 00:43:11,799
Speaker 3: also sometimes saw in eighties films, which was like and

869
00:43:11,840 --> 00:43:14,040
Speaker 3: now the woman's gonna be stressed because she's taking care

870
00:43:14,080 --> 00:43:17,719
Speaker 3: of her kids and her biggest kid, her husband. Like

871
00:43:17,760 --> 00:43:20,600
Speaker 3: she wasn't that kind of person. So I just really

872
00:43:20,640 --> 00:43:24,800
Speaker 3: appreciated her in this movie. But yeah, so he's staying

873
00:43:24,840 --> 00:43:28,680
Speaker 3: home with the kids, it's fucking Mayhem from jump Jack

874
00:43:29,000 --> 00:43:31,320
Speaker 3: is like he's a mess.

875
00:43:31,400 --> 00:43:34,360
Speaker 4: He's a mess. He he doesn't.

876
00:43:34,400 --> 00:43:37,200
Speaker 3: The grocery store scene is something I haven't seen in years,

877
00:43:37,280 --> 00:43:39,520
Speaker 3: and it still makes me laugh. When he's standing at

878
00:43:39,520 --> 00:43:42,239
Speaker 3: the deli counter and he's like, I'll have cheese, and

879
00:43:42,280 --> 00:43:43,759
Speaker 3: she's like, all right, what do you want, you want cheddar,

880
00:43:43,800 --> 00:43:45,799
Speaker 3: you want cold, but you want She's just every time

881
00:43:45,840 --> 00:43:47,640
Speaker 3: he says something, she runs through the list.

882
00:43:48,120 --> 00:43:50,200
Speaker 4: But that's not the funny part. The funny part to

883
00:43:50,239 --> 00:43:52,960
Speaker 4: me is everyone behind him, who's like, oh, come on.

884
00:43:54,040 --> 00:43:58,160
Speaker 1: Yeah, yeah, because he doesn't know the rhythm of how

885
00:43:58,239 --> 00:44:01,839
Speaker 1: to shop for groceries. And you know, again, I think

886
00:44:01,880 --> 00:44:05,240
Speaker 1: that that is obviously some kind of like gendered statement

887
00:44:05,400 --> 00:44:07,520
Speaker 1: to where it's like, oh, here's this idiot who doesn't

888
00:44:07,520 --> 00:44:11,040
Speaker 1: even know the difference between like Feta and cheddar or whatever,

889
00:44:11,280 --> 00:44:12,720
Speaker 1: and he's just like, give me some ham.

890
00:44:12,760 --> 00:44:14,239
Speaker 2: And he's like, what kind of ham do you want?

891
00:44:14,600 --> 00:44:16,200
Speaker 2: And he's just like, oh't no ham.

892
00:44:16,239 --> 00:44:18,200
Speaker 1: And they're just like, fuck, can you just go to

893
00:44:18,239 --> 00:44:20,600
Speaker 1: the grocery store like every other week and maybe you

894
00:44:20,600 --> 00:44:22,000
Speaker 1: could figure some of this shit.

895
00:44:21,840 --> 00:44:25,440
Speaker 3: Out, you know, just like go together and maybe listen

896
00:44:25,480 --> 00:44:27,959
Speaker 3: to how people order shit and figure it the fuck out.

897
00:44:28,400 --> 00:44:38,200
Speaker 2: Also another huge, huge trope in films where the fucking

898
00:44:38,600 --> 00:44:43,720
Speaker 2: guy has to get period stuff for the life.

899
00:44:43,640 --> 00:44:47,840
Speaker 3: Oh my god, oh god, I love it. He's like

900
00:44:47,960 --> 00:44:52,000
Speaker 3: tries to slink over to like this super giant box

901
00:44:52,080 --> 00:44:55,520
Speaker 3: of cotex pads because this is the other thing the

902
00:44:55,560 --> 00:44:59,040
Speaker 3: movies did They always made it like every period product

903
00:44:59,040 --> 00:45:01,439
Speaker 3: comes in a joke bo box and you're just gonna

904
00:45:01,480 --> 00:45:02,719
Speaker 3: have to fucking deal with it.

905
00:45:03,120 --> 00:45:05,120
Speaker 1: And they never know the price, so they got to

906
00:45:05,200 --> 00:45:07,440
Speaker 1: announce it to the whole store that you're buying fucking

907
00:45:07,520 --> 00:45:08,760
Speaker 1: tampons or whatever.

908
00:45:09,480 --> 00:45:12,160
Speaker 3: Eating mcclerk is gonna hop on that mic and be like,

909
00:45:12,280 --> 00:45:13,759
Speaker 3: is there a sale on Cotex?

910
00:45:14,200 --> 00:45:17,480
Speaker 4: Like they're gonna embarrass the buck at Yeah.

911
00:45:17,520 --> 00:45:20,600
Speaker 1: It's like, I can't believe this man is buying period

912
00:45:20,719 --> 00:45:23,959
Speaker 1: stuff or his wife. It's like, Okay, listen, if if

913
00:45:24,000 --> 00:45:27,239
Speaker 1: my husband's dick bled every month and I had to

914
00:45:27,239 --> 00:45:30,840
Speaker 1: buy him some special like cotton fucking slip on sock

915
00:45:31,280 --> 00:45:33,400
Speaker 1: or whatever, I wouldn't be fucking.

916
00:45:33,160 --> 00:45:33,759
Speaker 2: Hung up about it.

917
00:45:33,840 --> 00:45:35,960
Speaker 1: I'd just be like, yo, if you gotta announce it

918
00:45:36,160 --> 00:45:38,680
Speaker 1: because no one knows the price, I just sit there

919
00:45:38,719 --> 00:45:41,359
Speaker 1: and be like, yeah.

920
00:45:40,320 --> 00:45:42,320
Speaker 2: I gotta do it. What do I want dick blood

921
00:45:42,320 --> 00:45:43,080
Speaker 2: all over my house?

922
00:45:43,400 --> 00:45:43,440
Speaker 3: No?

923
00:45:45,200 --> 00:45:49,840
Speaker 2: Like you breath, but I hate, I hate and resent.

924
00:45:50,120 --> 00:45:52,520
Speaker 1: I mean, it is such an old, tired trope for

925
00:45:52,600 --> 00:45:54,680
Speaker 1: men to get freaked out about periods, but that shit

926
00:45:54,760 --> 00:45:55,520
Speaker 1: still happens.

927
00:45:55,920 --> 00:45:56,600
Speaker 2: Ps.

928
00:45:56,920 --> 00:46:01,879
Speaker 4: Oh my god, I get breathe. What do I want zick.

929
00:46:06,440 --> 00:46:09,200
Speaker 1: It's like, come on, are we really like that embarrassed

930
00:46:09,280 --> 00:46:09,840
Speaker 1: these days?

931
00:46:10,160 --> 00:46:11,600
Speaker 4: Jesus, there are people.

932
00:46:11,600 --> 00:46:13,000
Speaker 3: I don't know if you've ever met a person like

933
00:46:13,040 --> 00:46:16,040
Speaker 3: this in your real life, but I know I have

934
00:46:16,320 --> 00:46:20,440
Speaker 3: known people in my life who were embarrassed to buy

935
00:46:20,680 --> 00:46:22,960
Speaker 3: toilet paper for themselves.

936
00:46:23,840 --> 00:46:26,600
Speaker 4: And I'm like, guess what, you shit? I hate.

937
00:46:26,680 --> 00:46:30,239
Speaker 3: I know you think it's a big secret, but you shit.

938
00:46:31,239 --> 00:46:33,160
Speaker 3: And I'm so sorry to tell you that anyone who

939
00:46:33,200 --> 00:46:35,640
Speaker 3: would like judge you for that in a grocery store

940
00:46:35,760 --> 00:46:41,200
Speaker 3: is a fucking robot. No one cares like, yeah, you

941
00:46:41,320 --> 00:46:44,160
Speaker 3: have to buy toilet paper sometimes, and if you get

942
00:46:44,160 --> 00:46:46,880
Speaker 3: a period, you're like, yeah, I shit and I bleed.

943
00:46:47,120 --> 00:46:49,600
Speaker 3: You want to deal with this shit? No, I'm gonna

944
00:46:49,600 --> 00:46:51,480
Speaker 3: put it in the toilet and wipe it up, Like

945
00:46:51,520 --> 00:46:55,080
Speaker 3: what the fuck buy the goddamn Scott tap Scott toilet paper.

946
00:46:55,640 --> 00:46:57,719
Speaker 1: That is wild to me because I'm just like, why

947
00:46:57,800 --> 00:47:01,600
Speaker 1: are we embarrassed about toilet paper? Why are we embarrassed

948
00:47:01,600 --> 00:47:04,200
Speaker 1: about pads? I mean, come on, Like, I know this

949
00:47:04,239 --> 00:47:07,400
Speaker 1: is the eighties and obviously like it's played up for comedy,

950
00:47:07,480 --> 00:47:09,640
Speaker 1: but I do feel like people are still out in

951
00:47:09,640 --> 00:47:10,640
Speaker 1: these streets being like.

952
00:47:10,600 --> 00:47:13,080
Speaker 2: God, tampon's ew. I don't want to be seen with

953
00:47:13,120 --> 00:47:13,800
Speaker 2: a tampon.

954
00:47:14,360 --> 00:47:16,880
Speaker 3: Im oh I have Like I used to be embarrassed

955
00:47:16,880 --> 00:47:19,520
Speaker 3: when I was a teenager buying that shit, because of

956
00:47:19,560 --> 00:47:21,480
Speaker 3: course I had to, Like my Grandma made buy them

957
00:47:21,480 --> 00:47:22,640
Speaker 3: for her and myself.

958
00:47:22,960 --> 00:47:24,719
Speaker 4: Yeah, and I'd walk up to grand union and be like,

959
00:47:24,719 --> 00:47:25,800
Speaker 4: I guess I'm buying pads.

960
00:47:25,800 --> 00:47:27,600
Speaker 3: I don't even have my fucking period yet, but I'm

961
00:47:27,640 --> 00:47:28,760
Speaker 3: buying pads for her ass.

962
00:47:29,560 --> 00:47:30,600
Speaker 4: I used to be embarrassed.

963
00:47:30,600 --> 00:47:32,800
Speaker 3: I don't know when it happened, but I crossed the

964
00:47:32,840 --> 00:47:36,560
Speaker 3: threshold so hard that now I'm just like juggling Diva

965
00:47:36,600 --> 00:47:38,400
Speaker 3: cups down the aisle like I don't give a fuck.

966
00:47:40,800 --> 00:47:44,320
Speaker 1: You're standing in front of the Diva cup uh display,

967
00:47:44,440 --> 00:47:46,360
Speaker 1: being like hey, everybody, nice to meet you.

968
00:47:46,400 --> 00:47:49,560
Speaker 2: I'm Danielle. I fucking love these things and I'll buy

969
00:47:49,600 --> 00:47:50,480
Speaker 2: one for you if you want.

970
00:47:55,280 --> 00:47:57,920
Speaker 4: Have you ever heard about have you heard about a

971
00:47:57,960 --> 00:47:58,439
Speaker 4: Diva cup?

972
00:47:58,480 --> 00:48:03,320
Speaker 3: I'm like a representative now, like just on a parade

973
00:48:03,400 --> 00:48:05,720
Speaker 3: float of my own, just throwing them down the aisles,

974
00:48:05,960 --> 00:48:07,920
Speaker 3: going over loop to looping over the aisles like I

975
00:48:07,920 --> 00:48:10,520
Speaker 3: don't give a fuck, Like I shit, I have a period.

976
00:48:10,880 --> 00:48:13,960
Speaker 4: I'm buying it. Michael Keaton could not handle it.

977
00:48:14,160 --> 00:48:16,680
Speaker 3: He and he did that other thing, that other trope

978
00:48:16,680 --> 00:48:20,080
Speaker 3: which I fucking love and hate in eighties movies where

979
00:48:20,080 --> 00:48:23,560
Speaker 3: they take one product and it's top like topples the

980
00:48:23,600 --> 00:48:27,280
Speaker 3: whole display. Yes, and he did it like three times,

981
00:48:27,320 --> 00:48:30,520
Speaker 3: like he took the grapefruit, he took some baby.

982
00:48:30,160 --> 00:48:31,920
Speaker 4: Shit, and then he did it with the cotex. And

983
00:48:31,960 --> 00:48:33,880
Speaker 4: I'm like, you need to learn the lesson to not

984
00:48:34,000 --> 00:48:34,880
Speaker 4: grab from the bottom.

985
00:48:34,960 --> 00:48:38,279
Speaker 3: However embarrassing it is for you, It'll be more embarrassing

986
00:48:38,320 --> 00:48:43,600
Speaker 3: when you fell this display of fucking pads, Like just

987
00:48:43,719 --> 00:48:45,560
Speaker 3: take the box from the top of the middle.

988
00:48:45,640 --> 00:48:45,960
Speaker 4: Come on.

989
00:48:46,840 --> 00:48:51,000
Speaker 1: I loved how literally everything this entire scene was just

990
00:48:51,480 --> 00:48:54,520
Speaker 1: designed to make you think that he was the biggest

991
00:48:54,640 --> 00:48:55,920
Speaker 1: dumb ass ever.

992
00:48:56,600 --> 00:49:04,200
Speaker 3: Oh and yes, reminder, he's a fucking engineer. He's a

993
00:49:04,320 --> 00:49:08,160
Speaker 3: fucking engineer. He might have lost his job, but he

994
00:49:08,239 --> 00:49:10,000
Speaker 3: has the education.

995
00:49:09,760 --> 00:49:11,680
Speaker 4: Of an engineer.

996
00:49:12,440 --> 00:49:14,680
Speaker 3: And he can't figure out how to grab a grapefruit

997
00:49:14,719 --> 00:49:17,960
Speaker 3: without making the whole thing boll ofv art.

998
00:49:18,920 --> 00:49:20,080
Speaker 2: That's woman's stuff.

999
00:49:20,120 --> 00:49:25,279
Speaker 3: What's also I love how his kids are looking at

1000
00:49:25,320 --> 00:49:29,560
Speaker 3: him like he's insane. Like his kids, it's past the

1001
00:49:29,600 --> 00:49:32,600
Speaker 3: point of shame. They are truly concerned, like really, this

1002
00:49:32,760 --> 00:49:34,440
Speaker 3: dude is who we're gonna be with all.

1003
00:49:34,360 --> 00:49:38,359
Speaker 1: Day well, and that's part of what I think might

1004
00:49:38,400 --> 00:49:41,600
Speaker 1: be like part of like what John Hughes, because I

1005
00:49:41,640 --> 00:49:45,960
Speaker 1: always feel like John Hughes always writes his the kids

1006
00:49:45,960 --> 00:49:48,400
Speaker 1: in the movie to be like really funny and smart

1007
00:49:48,480 --> 00:49:50,880
Speaker 1: and almost like smarter than the adults sometimes.

1008
00:49:51,239 --> 00:49:52,480
Speaker 2: And I loved that.

1009
00:49:52,560 --> 00:49:54,799
Speaker 1: I love that that was part of this movie too,

1010
00:49:54,840 --> 00:49:57,040
Speaker 1: where it's like, oh, these kids are eight years old,

1011
00:49:57,080 --> 00:49:59,560
Speaker 1: but they think that their dad is a fucking idiot, right,

1012
00:49:59,600 --> 00:50:01,399
Speaker 1: They're like, oh my god, this guy's a dumb ass.

1013
00:50:01,480 --> 00:50:04,360
Speaker 2: He doesn't even know how to make a grilled cheese

1014
00:50:04,440 --> 00:50:07,120
Speaker 2: without ironing it. Like what's going on here?

1015
00:50:07,320 --> 00:50:07,520
Speaker 3: You know?

1016
00:50:07,960 --> 00:50:08,480
Speaker 2: I love that.

1017
00:50:08,880 --> 00:50:10,200
Speaker 4: It's great, It's great.

1018
00:50:10,360 --> 00:50:13,040
Speaker 3: And so this and this is also this grocery store

1019
00:50:13,080 --> 00:50:15,320
Speaker 3: scene is pivotal because this is where we meet Joan

1020
00:50:15,760 --> 00:50:17,640
Speaker 3: and we're going to talk for a minute about Ron

1021
00:50:17,800 --> 00:50:21,480
Speaker 3: and Joan. So Joan is played by Anne Gillian Resides

1022
00:50:22,560 --> 00:50:25,080
Speaker 3: and she's the neighbor. And apparently this is the other

1023
00:50:25,120 --> 00:50:27,319
Speaker 3: thing that I love. The word is out that he's

1024
00:50:27,320 --> 00:50:29,200
Speaker 3: going to be alone with the kids. So all the

1025
00:50:29,239 --> 00:50:31,479
Speaker 3: moms in the area are like, if you need any help,

1026
00:50:31,560 --> 00:50:37,040
Speaker 3: just let me. Yes, but Joan is a divorce a

1027
00:50:38,200 --> 00:50:41,560
Speaker 3: and she is like hot for Jack.

1028
00:50:42,920 --> 00:50:43,160
Speaker 2: Yes.

1029
00:50:45,040 --> 00:50:48,440
Speaker 3: I want to talk about this because Ron and Joan

1030
00:50:49,360 --> 00:50:52,840
Speaker 3: are both people now in the lives of the Butler

1031
00:50:52,920 --> 00:50:57,600
Speaker 3: family who are like the threat to the relationship. So

1032
00:50:57,640 --> 00:51:01,279
Speaker 3: there's something else being said here about women going back

1033
00:51:01,320 --> 00:51:04,200
Speaker 3: to work, which is like, it will destabilize your whole

1034
00:51:04,239 --> 00:51:08,480
Speaker 3: fucking relationship because now you're leaving your husband open to

1035
00:51:08,600 --> 00:51:11,200
Speaker 3: find a woman who will just stay at home and

1036
00:51:11,239 --> 00:51:14,319
Speaker 3: cater to him. Or if you're a woman going back

1037
00:51:14,320 --> 00:51:16,680
Speaker 3: to work, your boss is gonna hit on you and

1038
00:51:16,719 --> 00:51:18,640
Speaker 3: men are going to be all over you at the office.

1039
00:51:18,640 --> 00:51:23,480
Speaker 3: Like there was just something so insipid about that kind

1040
00:51:23,480 --> 00:51:26,080
Speaker 3: of thought process, like a woman going back to work

1041
00:51:26,120 --> 00:51:28,040
Speaker 3: is just going to destabilize everything.

1042
00:51:28,560 --> 00:51:31,120
Speaker 1: Yeah, because that's the thing is that, like Michael Keaton's

1043
00:51:31,200 --> 00:51:34,760
Speaker 1: character was being completely little children by.

1044
00:51:34,600 --> 00:51:37,680
Speaker 2: These out rich in the neighborhood? Am I right?

1045
00:51:38,600 --> 00:51:44,000
Speaker 1: Like they were Kate winslet ing him? Yes, you know,

1046
00:51:44,239 --> 00:51:48,400
Speaker 1: like definitely Joan. Joan was like, anytime you want to

1047
00:51:48,440 --> 00:51:53,719
Speaker 1: get maked, just let me know you shamelessly, right, And

1048
00:51:54,320 --> 00:51:58,719
Speaker 1: there were moments where he had to talk himself out

1049
00:51:58,800 --> 00:52:01,400
Speaker 1: of it, which I think it's really interesting too, because

1050
00:52:01,400 --> 00:52:04,759
Speaker 1: he's just like, oh shit, Like, can I control my

1051
00:52:05,000 --> 00:52:09,239
Speaker 1: male urges because my wife has gone for like a day?

1052
00:52:10,160 --> 00:52:10,520
Speaker 2: I guess.

1053
00:52:11,080 --> 00:52:12,799
Speaker 1: I guess I have to like look myself in the

1054
00:52:12,800 --> 00:52:15,800
Speaker 1: mirror and slap my face so I don't fuck another woman.

1055
00:52:16,520 --> 00:52:20,359
Speaker 3: I'm like, what in the world she's been gone for

1056
00:52:20,600 --> 00:52:21,440
Speaker 3: three hours?

1057
00:52:22,920 --> 00:52:28,920
Speaker 4: I better really take a hard look at myself. But

1058
00:52:28,960 --> 00:52:29,439
Speaker 4: it's true.

1059
00:52:29,480 --> 00:52:32,560
Speaker 3: It's like it perpetuates the notion that that men were

1060
00:52:32,600 --> 00:52:36,160
Speaker 3: idiots back then. Like it just perpetuated that that whole

1061
00:52:36,280 --> 00:52:39,480
Speaker 3: trope of like, you know, they they're idiots, but they

1062
00:52:39,520 --> 00:52:43,240
Speaker 3: also are insatiable and you can't they can't be trusted alone,

1063
00:52:43,320 --> 00:52:45,839
Speaker 3: and like the woman's job is to wrangle them so

1064
00:52:45,880 --> 00:52:48,040
Speaker 3: that they can get through the fucking day.

1065
00:52:49,200 --> 00:52:52,560
Speaker 1: Yeah, it's like you have to constantly distract men so

1066
00:52:52,600 --> 00:52:54,600
Speaker 1: that they don't fucking ruin your lives.

1067
00:52:54,719 --> 00:52:59,840
Speaker 2: And what in the world is that? Like God?

1068
00:53:00,000 --> 00:53:02,240
Speaker 1: But then and then when you look at the flip

1069
00:53:02,400 --> 00:53:06,600
Speaker 1: of like you know, you look at Carolyn and who

1070
00:53:06,680 --> 00:53:07,320
Speaker 1: she has?

1071
00:53:07,640 --> 00:53:09,520
Speaker 2: Who is Barton Mole by the way, one of the

1072
00:53:09,560 --> 00:53:12,000
Speaker 2: creepiest roles he's ever played for my money.

1073
00:53:12,160 --> 00:53:15,200
Speaker 1: I'm like, this guy is disgusting and is trying to

1074
00:53:15,239 --> 00:53:18,440
Speaker 1: wind down in sixty nine this woman, and she's fucking like, uh,

1075
00:53:19,000 --> 00:53:22,080
Speaker 1: like I have been sexual harassment, you know what I mean?

1076
00:53:22,160 --> 00:53:24,360
Speaker 3: Thank you, thank you. He's like, Okay, oh, you have

1077
00:53:24,400 --> 00:53:29,640
Speaker 3: to buy Maxi pads. I have the entire dependence our

1078
00:53:29,680 --> 00:53:31,920
Speaker 3: family is dependent on the fact that I go to

1079
00:53:31,960 --> 00:53:34,120
Speaker 3: work every day and get sexually harassed, Like I have

1080
00:53:34,280 --> 00:53:36,680
Speaker 3: to get sexually arressed so we can say a fucking

1081
00:53:36,719 --> 00:53:37,640
Speaker 3: electric bill.

1082
00:53:37,920 --> 00:53:40,440
Speaker 2: Fuck exactly, exactly.

1083
00:53:40,440 --> 00:53:41,560
Speaker 4: Ugh, but it's true.

1084
00:53:41,600 --> 00:53:43,800
Speaker 3: She's like, I have to go get fucking sexually harassed,

1085
00:53:43,840 --> 00:53:45,840
Speaker 3: So why don't you figure out how to buy grapefruit?

1086
00:53:46,320 --> 00:53:48,279
Speaker 4: And we'll call it even.

1087
00:53:49,840 --> 00:53:53,359
Speaker 3: Because my boss is on my fucking jock, I don't

1088
00:53:53,400 --> 00:53:55,520
Speaker 3: even have time. He doesn't even listen to what I

1089
00:53:55,560 --> 00:53:57,640
Speaker 3: have to say about Schooner Tuna.

1090
00:53:59,000 --> 00:53:59,799
Speaker 4: He's putting me on a.

1091
00:54:00,080 --> 00:54:02,320
Speaker 3: Have it plane and flying me to meet the executives,

1092
00:54:02,360 --> 00:54:04,080
Speaker 3: but doesn't give a shit because he's just trying to

1093
00:54:04,120 --> 00:54:04,680
Speaker 3: fuck me the.

1094
00:54:04,640 --> 00:54:07,680
Speaker 1: Whole time, right, and then the whole the whole thing

1095
00:54:07,719 --> 00:54:11,279
Speaker 1: about that whole concept too, is that, like you know,

1096
00:54:11,640 --> 00:54:15,960
Speaker 1: they when she first gets brought into the writer's room

1097
00:54:16,040 --> 00:54:20,000
Speaker 1: or whatever it is. The advertiser's room, they're all like, god,

1098
00:54:20,120 --> 00:54:23,000
Speaker 1: another woman, what a dumb ass? Like we can't like

1099
00:54:23,080 --> 00:54:25,600
Speaker 1: she she doesn't have what it takes to make it

1100
00:54:25,640 --> 00:54:29,399
Speaker 1: in this world of advertising. But then her the fact

1101
00:54:29,440 --> 00:54:31,640
Speaker 1: that she was a housewife at one point is suddenly

1102
00:54:31,680 --> 00:54:34,960
Speaker 1: her asset, where now she knows how to appeal to

1103
00:54:35,680 --> 00:54:39,120
Speaker 1: other women who are shopping for tuna, and she's she

1104
00:54:39,160 --> 00:54:41,399
Speaker 1: gets promoted because of it that she's got so many

1105
00:54:41,400 --> 00:54:43,600
Speaker 1: great ideas and I'm just like wow.

1106
00:54:44,200 --> 00:54:47,320
Speaker 3: And that's again, like the beauty of the beauty of

1107
00:54:47,400 --> 00:54:51,839
Speaker 3: John Hughes as a writer is that he has her

1108
00:54:51,960 --> 00:54:54,680
Speaker 3: say like from the beginning, well she has a line,

1109
00:54:54,680 --> 00:54:57,759
Speaker 3: and when she first walks into the room, and they're

1110
00:54:57,760 --> 00:54:59,799
Speaker 3: all kind of like, yeah, fuck her, like for this,

1111
00:55:00,320 --> 00:55:02,880
Speaker 3: here's another one we have to ignore. And she literally

1112
00:55:02,920 --> 00:55:04,719
Speaker 3: says to them, well, when was the last time any

1113
00:55:04,800 --> 00:55:06,719
Speaker 3: of you were in a grocery store? Right, like you're

1114
00:55:06,760 --> 00:55:11,359
Speaker 3: trying to develop this this advertising line for tuna? When

1115
00:55:11,400 --> 00:55:12,840
Speaker 3: was the last time you actually bought some?

1116
00:55:13,520 --> 00:55:14,280
Speaker 2: Yeah?

1117
00:55:14,320 --> 00:55:16,919
Speaker 3: And so she does like he doesn't dumb her down,

1118
00:55:17,040 --> 00:55:21,160
Speaker 3: he makes he makes her smart and then forces everyone

1119
00:55:21,200 --> 00:55:23,200
Speaker 3: to notice that she's smart instead of you know, the

1120
00:55:23,239 --> 00:55:25,319
Speaker 3: other way that we've seen it in the eighties, which

1121
00:55:25,360 --> 00:55:27,720
Speaker 3: is like, yep, I guess I'm just a dummy.

1122
00:55:27,760 --> 00:55:29,160
Speaker 4: I'll just go along with whatever you say.

1123
00:55:29,239 --> 00:55:31,719
Speaker 3: Like she's a smart and competent person who has to

1124
00:55:31,760 --> 00:55:35,160
Speaker 3: prove herself every day and it's fucking exhausting. Yea, she

1125
00:55:35,160 --> 00:55:36,839
Speaker 3: doesn't want to come home to this idiot who doesn't

1126
00:55:36,840 --> 00:55:39,000
Speaker 3: know how to use a vacuum fucking cleaner.

1127
00:55:41,520 --> 00:55:42,240
Speaker 4: In her curtains.

1128
00:55:42,239 --> 00:55:45,280
Speaker 3: And like, again, my favorite eighties trope is the bad

1129
00:55:45,440 --> 00:55:46,440
Speaker 3: washing machine.

1130
00:55:46,760 --> 00:55:50,720
Speaker 1: Yeah, yes, appliances that go rogue.

1131
00:55:51,000 --> 00:55:52,759
Speaker 2: Love it, love it. I love it.

1132
00:55:52,800 --> 00:55:55,840
Speaker 3: I love a shaky ass washing machine with soap bubble

1133
00:55:55,880 --> 00:55:56,760
Speaker 3: it all over the place.

1134
00:55:57,560 --> 00:56:01,080
Speaker 4: And to truly, he was a fucking not.

1135
00:56:01,440 --> 00:56:06,040
Speaker 3: I was cringing watching him put that laundry together, Like

1136
00:56:06,120 --> 00:56:09,839
Speaker 3: he put in powdered tide, poor, like he was making

1137
00:56:09,840 --> 00:56:14,000
Speaker 3: a cocktail, poured downy on top of it, put borax

1138
00:56:14,080 --> 00:56:16,040
Speaker 3: and spray and wash, and like he was just putting

1139
00:56:16,040 --> 00:56:18,640
Speaker 3: it all in a cup, mix it together with a

1140
00:56:18,680 --> 00:56:22,040
Speaker 3: screwdriver and then just poured it in the machine.

1141
00:56:22,280 --> 00:56:24,360
Speaker 4: And I'm like, I would divorce you for that. I

1142
00:56:24,400 --> 00:56:26,360
Speaker 4: would truly divorce you for that.

1143
00:56:26,360 --> 00:56:28,719
Speaker 3: That to me is the sign of someone who is

1144
00:56:28,760 --> 00:56:34,560
Speaker 3: only going to make my life a living hell, like

1145
00:56:34,719 --> 00:56:38,799
Speaker 3: he was truly like fucking Tom Cruise and cocktail with

1146
00:56:38,840 --> 00:56:39,600
Speaker 3: the washing machine.

1147
00:56:39,600 --> 00:56:40,080
Speaker 4: But I love it.

1148
00:56:40,160 --> 00:56:43,400
Speaker 3: I love watching a washing machine shake itself off the

1149
00:56:43,440 --> 00:56:47,280
Speaker 3: foundation hoses everywhere, And that brings me to my other point,

1150
00:56:47,280 --> 00:56:50,759
Speaker 3: which is the other thing that that Jack is contending

1151
00:56:50,800 --> 00:56:55,640
Speaker 3: with during this initial during his initial introduction into being

1152
00:56:55,640 --> 00:56:57,920
Speaker 3: a full stay at home, full time stay at home parent,

1153
00:56:58,719 --> 00:57:01,839
Speaker 3: for some reason, every repair person on the planet shows

1154
00:57:01,920 --> 00:57:03,799
Speaker 3: up on the same day at the same time. So

1155
00:57:03,840 --> 00:57:06,520
Speaker 3: he's got like the TV repair guy, the bug guy,

1156
00:57:06,880 --> 00:57:10,840
Speaker 3: the fucking washing machine, like everyone's there while this house

1157
00:57:11,080 --> 00:57:15,280
Speaker 3: is going through total mayhem. The kids are rolling around,

1158
00:57:15,360 --> 00:57:18,760
Speaker 3: Meg's rolling around in her walker, Alex is making chili,

1159
00:57:20,280 --> 00:57:22,720
Speaker 3: but she's then feeds to the baby like it's so

1160
00:57:23,040 --> 00:57:25,320
Speaker 3: funny and charming in that way, like he just feeds

1161
00:57:25,400 --> 00:57:27,720
Speaker 3: chili to the baby. And then you get my other

1162
00:57:27,800 --> 00:57:32,400
Speaker 3: favorite trope, Dad's gotta deal with the dirty diaper. Yep,

1163
00:57:33,840 --> 00:57:39,280
Speaker 3: it's like the chili explosion was hilarious because he's coming

1164
00:57:39,320 --> 00:57:43,960
Speaker 3: out with like tongs and fucking get like goggles, like

1165
00:57:44,040 --> 00:57:49,040
Speaker 3: he truly treats it like it's a catastrophic event like

1166
00:57:49,080 --> 00:57:50,000
Speaker 3: a nuclear event.

1167
00:57:50,760 --> 00:57:52,880
Speaker 1: Listen, we know they don't want to deal with periods.

1168
00:57:53,120 --> 00:57:55,960
Speaker 1: They don't want to deal with baby shit. It's like

1169
00:57:56,120 --> 00:57:58,760
Speaker 1: they're just they just hate human fluids. They're like, even

1170
00:57:58,800 --> 00:58:03,960
Speaker 1: though they shit themselves elves, these men just don't want

1171
00:58:04,440 --> 00:58:08,800
Speaker 1: to deal with any human fluid whatsoever.

1172
00:58:08,880 --> 00:58:12,520
Speaker 3: Not even their own, not even their we've all dated

1173
00:58:12,560 --> 00:58:22,160
Speaker 3: the skid mark God, I truly believe that a bidet

1174
00:58:22,280 --> 00:58:23,640
Speaker 3: can save a relationship.

1175
00:58:24,800 --> 00:58:26,560
Speaker 4: I don't want to know that you don't know how

1176
00:58:26,560 --> 00:58:27,400
Speaker 4: to wash your ass.

1177
00:58:31,600 --> 00:58:33,920
Speaker 2: That would require me doing your fucking laundry, which I

1178
00:58:33,960 --> 00:58:34,640
Speaker 2: ain't doing.

1179
00:58:34,480 --> 00:58:36,160
Speaker 4: So, which I ain't doing.

1180
00:58:36,480 --> 00:58:38,680
Speaker 2: Mark to yourself. As far as I answered, if I even.

1181
00:58:38,640 --> 00:58:40,760
Speaker 3: See him on the floor, like we're getting down and dirty,

1182
00:58:40,760 --> 00:58:42,959
Speaker 3: and you take your fucking Joni's off and there's skid

1183
00:58:43,000 --> 00:58:45,840
Speaker 3: marks in them, pump the breaks.

1184
00:58:47,920 --> 00:58:51,120
Speaker 2: They make wipes dude wipes at this point. So you

1185
00:58:51,160 --> 00:58:53,000
Speaker 2: know what, if you can't even be bothered for that,

1186
00:58:54,440 --> 00:58:55,800
Speaker 2: then this relationship's over.

1187
00:58:56,320 --> 00:58:59,000
Speaker 4: Just wash your ass. It's not that hard. This is

1188
00:58:59,040 --> 00:59:01,520
Speaker 4: the thing we would as a nation rather.

1189
00:59:01,400 --> 00:59:05,840
Speaker 3: Come up with something as ridiculous as a dude wipe

1190
00:59:07,760 --> 00:59:11,800
Speaker 3: instead of just teaching people how to wash their fucking assholes.

1191
00:59:11,880 --> 00:59:12,920
Speaker 4: Just wash your asshole.

1192
00:59:15,600 --> 00:59:19,120
Speaker 3: You probably take a shower every day, Turn around and

1193
00:59:19,400 --> 00:59:23,080
Speaker 3: wash your asshole. Because if I see skin marks anywhere

1194
00:59:23,080 --> 00:59:25,160
Speaker 3: in my house, you gotta go.

1195
00:59:26,120 --> 00:59:29,080
Speaker 4: That is not the sign of a well formed person.

1196
00:59:29,120 --> 00:59:32,600
Speaker 1: To me, Well, to also like contend with your own

1197
00:59:32,640 --> 00:59:36,960
Speaker 1: skin marks but also hate changing diapers is saying you that.

1198
00:59:37,040 --> 00:59:39,440
Speaker 2: It just doesn't make any sense to me.

1199
00:59:39,920 --> 00:59:44,960
Speaker 3: Skin marks are worse than diapers to me, agreed. Agreed, Well,

1200
00:59:44,960 --> 00:59:49,040
Speaker 3: the diaper, it's contained, you know what's happening. You're ready

1201
00:59:49,040 --> 00:59:52,760
Speaker 3: for it, you're prepared for it. A skin mark comes

1202
00:59:52,800 --> 00:59:57,520
Speaker 3: out of fucking nowhere and just ruins your life. I

1203
00:59:57,600 --> 01:00:00,800
Speaker 3: am never ready for a skin mark. Not once in

1204
01:00:00,840 --> 01:00:02,640
Speaker 3: my life have I been like, yeah, that's normal. I'm like,

1205
01:00:02,680 --> 01:00:04,960
Speaker 3: oh fucking hell you too.

1206
01:00:05,080 --> 01:00:06,600
Speaker 2: Yeah. It's an all or nothing scenario.

1207
01:00:06,720 --> 01:00:09,560
Speaker 1: You either completely shit yourself or it's completely clean.

1208
01:00:09,800 --> 01:00:13,840
Speaker 3: There's no thank you, thank you, And guess which one's

1209
01:00:13,840 --> 01:00:16,240
Speaker 3: getting there, dick in me, it's not the one who's

1210
01:00:16,240 --> 01:00:24,160
Speaker 3: shitting himself unless there's a medical precedent set for that.

1211
01:00:25,280 --> 01:00:29,960
Speaker 3: They haven't it, So Jack skin mark. Jack can't handle

1212
01:00:29,960 --> 01:00:36,360
Speaker 3: a fucking baby cipher and then he gets depressed. He

1213
01:00:36,400 --> 01:00:38,760
Speaker 3: gets fucking depressed, and you can tell he's depressed, and

1214
01:00:38,800 --> 01:00:41,040
Speaker 3: you can tell the time has passed because he grows

1215
01:00:41,040 --> 01:00:44,200
Speaker 3: a beard and he starts wearing the same flannel shirt

1216
01:00:44,200 --> 01:00:46,840
Speaker 3: every day, and he's making the grilled cheese with the

1217
01:00:46,880 --> 01:00:49,960
Speaker 3: iron and he's warming socks in the microwave. I mean,

1218
01:00:50,000 --> 01:00:53,320
Speaker 3: he's basically like Robert Downey Junior and fucking iron Man

1219
01:00:53,360 --> 01:00:54,960
Speaker 3: and the first one in the cave where He's like,

1220
01:00:55,000 --> 01:00:56,960
Speaker 3: I guess I have to build my own machine to

1221
01:00:57,040 --> 01:01:01,160
Speaker 3: keep my heart from exploding. And Jack's like, I guess

1222
01:01:01,200 --> 01:01:05,200
Speaker 3: I have to put these socks in a microwave because

1223
01:01:05,240 --> 01:01:07,360
Speaker 3: I can't go near the washer and dryer since that

1224
01:01:07,520 --> 01:01:09,080
Speaker 3: one time I fucked it up.

1225
01:01:09,280 --> 01:01:12,120
Speaker 4: This is also how cis het men get you.

1226
01:01:12,520 --> 01:01:16,040
Speaker 3: They try to do the thing to help, they fuck

1227
01:01:16,080 --> 01:01:19,920
Speaker 3: it up, and they never do it again. Well, I

1228
01:01:20,240 --> 01:01:21,920
Speaker 3: guess I just don't know how to wash dishes. I

1229
01:01:21,920 --> 01:01:23,760
Speaker 3: should never do it again. No, you would to stand

1230
01:01:23,760 --> 01:01:24,720
Speaker 3: there and fucking learn.

1231
01:01:25,120 --> 01:01:28,760
Speaker 2: Yeah, we all did it. It sucks.

1232
01:01:29,200 --> 01:01:31,960
Speaker 4: It fucking sucks. If you can't figure out how to

1233
01:01:32,000 --> 01:01:35,880
Speaker 4: clean melted pizza cheese off a plate, we will be

1234
01:01:35,920 --> 01:01:38,600
Speaker 4: eating around melted pizza cheese until you figure it out

1235
01:01:38,600 --> 01:01:40,120
Speaker 4: because I ain't fucking doing this shit.

1236
01:01:40,880 --> 01:01:41,120
Speaker 3: Uugh.

1237
01:01:41,640 --> 01:01:43,440
Speaker 4: So skid Mark Jack is depressed.

1238
01:01:44,360 --> 01:01:50,640
Speaker 3: He's considering this affair with.

1239
01:01:48,520 --> 01:01:53,120
Speaker 4: With Joan and it kind of like ruins him a

1240
01:01:53,160 --> 01:01:53,640
Speaker 4: little bit.

1241
01:01:53,960 --> 01:01:56,960
Speaker 3: Like he's like, you know, he's kind of like playing

1242
01:01:57,040 --> 01:01:58,920
Speaker 3: poker with his mom friends and he's like, yeah, I

1243
01:01:58,960 --> 01:02:01,200
Speaker 3: know you think att the house is and the kids

1244
01:02:01,240 --> 01:02:03,560
Speaker 3: are a mess, and you're a mess. But he gets

1245
01:02:03,560 --> 01:02:05,960
Speaker 3: his shit together, like after he realizes that he loves

1246
01:02:06,000 --> 01:02:08,120
Speaker 3: his family and he loves his wife and he doesn't

1247
01:02:08,120 --> 01:02:10,800
Speaker 3: want to actually have this affair and he just wants

1248
01:02:10,840 --> 01:02:14,160
Speaker 3: to be a better dude. So the movie ends in

1249
01:02:14,200 --> 01:02:16,400
Speaker 3: a way that you could probably predict. But it is

1250
01:02:16,440 --> 01:02:18,600
Speaker 3: pretty it's even though I'm making a lot of fun

1251
01:02:18,600 --> 01:02:22,880
Speaker 3: of him, Like it's pretty charming in this trope of

1252
01:02:23,320 --> 01:02:24,920
Speaker 3: dads who don't know how to do things. But I

1253
01:02:24,920 --> 01:02:26,680
Speaker 3: think it's because of what I said in the beginning,

1254
01:02:26,720 --> 01:02:29,880
Speaker 3: which is like he doesn't have contempt for his family, like.

1255
01:02:29,880 --> 01:02:31,760
Speaker 4: He just is bad at it.

1256
01:02:32,200 --> 01:02:34,280
Speaker 3: Yeah, so he just kind of wants to be better

1257
01:02:34,320 --> 01:02:37,000
Speaker 3: at being a dad and a husband.

1258
01:02:37,600 --> 01:02:41,800
Speaker 1: I totally agree, and honestly, like Michael Keaton is one

1259
01:02:41,840 --> 01:02:45,960
Speaker 1: of the most charming actors in the world, like and

1260
01:02:46,200 --> 01:02:48,680
Speaker 1: if he wasn't in this movie, I feel like I

1261
01:02:48,680 --> 01:02:52,680
Speaker 1: would hate it, to be honest, because he absolutely he

1262
01:02:52,800 --> 01:02:57,240
Speaker 1: makes being a complete dumbass like super cute and fun.

1263
01:02:57,280 --> 01:03:00,320
Speaker 1: And you're with him on the ride, you're basically like, oh, yeah,

1264
01:03:00,320 --> 01:03:02,600
Speaker 1: he doesn't know how to order him, but that's fine,

1265
01:03:02,640 --> 01:03:03,800
Speaker 1: he'll figure it out.

1266
01:03:03,720 --> 01:03:05,439
Speaker 2: And like, you know, like.

1267
01:03:07,240 --> 01:03:09,720
Speaker 1: And you know, honestly, like when it comes down to it,

1268
01:03:09,800 --> 01:03:12,880
Speaker 1: I feel like, you know, it is that thing where

1269
01:03:12,880 --> 01:03:17,200
Speaker 1: you're watching this man sort of understand that there are,

1270
01:03:17,600 --> 01:03:22,800
Speaker 1: you know, there's been gendered roles in the household, and

1271
01:03:22,880 --> 01:03:25,080
Speaker 1: maybe that that's not a good idea, Like maybe at

1272
01:03:25,080 --> 01:03:27,320
Speaker 1: some point you should learn how to fucking shop for

1273
01:03:27,400 --> 01:03:30,840
Speaker 1: groceries and you should learn how to fucking you know,

1274
01:03:31,320 --> 01:03:34,400
Speaker 1: do shit around the house. And you know, I'm just like,

1275
01:03:35,040 --> 01:03:36,840
Speaker 1: that's a good lesson to learn. As much as we

1276
01:03:36,880 --> 01:03:39,080
Speaker 1: want love watching him be a dumb ass, that's.

1277
01:03:38,920 --> 01:03:40,400
Speaker 2: A good lesson to learn, I suppose.

1278
01:03:40,480 --> 01:03:44,520
Speaker 1: But this movie is funny and that it's he's so charming,

1279
01:03:44,760 --> 01:03:47,760
Speaker 1: so I it was actually great to watch it again.

1280
01:03:47,800 --> 01:03:48,640
Speaker 2: It was really fun.

1281
01:03:48,920 --> 01:03:51,160
Speaker 3: We had a good time watching it again, and my

1282
01:03:51,160 --> 01:03:56,120
Speaker 3: grandmother laughed so hard, especially when because the baby even

1283
01:03:56,160 --> 01:03:59,160
Speaker 3: has expressions like, uh shit, are you serious, dude?

1284
01:03:59,600 --> 01:04:02,040
Speaker 2: Ah? Exactly. It just it was.

1285
01:04:02,000 --> 01:04:04,280
Speaker 4: Really fun and charming.

1286
01:04:04,120 --> 01:04:07,439
Speaker 3: And again in this theme and in this vein, it's

1287
01:04:07,480 --> 01:04:10,200
Speaker 3: one of the better of the It's not babysitting if

1288
01:04:10,240 --> 01:04:12,720
Speaker 3: it's your own child.

1289
01:04:12,840 --> 01:04:16,800
Speaker 2: That is quite right, because man, my movie.

1290
01:04:17,160 --> 01:04:21,600
Speaker 1: Ha, I'm gonna say this right now up top. We

1291
01:04:21,720 --> 01:04:27,120
Speaker 1: are a film podcasts that likes to be inclusive and

1292
01:04:28,040 --> 01:04:29,360
Speaker 1: we're not film snobs.

1293
01:04:29,840 --> 01:04:31,520
Speaker 2: We like all kinds of films.

1294
01:04:31,680 --> 01:04:34,840
Speaker 1: But I gotta tell you, after I watched my movie

1295
01:04:34,920 --> 01:04:36,960
Speaker 1: this week, I was like, I need to go watch

1296
01:04:37,000 --> 01:04:42,560
Speaker 1: Stalker by Andre Tartowski because I need some high minded

1297
01:04:42,600 --> 01:04:48,400
Speaker 1: shit as a chaser to this very dumb film, and

1298
01:04:50,200 --> 01:04:54,920
Speaker 1: I might get canceled by the eighties nostalgia police.

1299
01:04:55,560 --> 01:04:58,280
Speaker 3: My first question, you know, my first question is gonna

1300
01:04:58,320 --> 01:04:59,120
Speaker 3: be why did.

1301
01:04:59,000 --> 01:04:59,560
Speaker 4: You pick it?

1302
01:05:00,000 --> 01:05:01,080
Speaker 2: I don't know, I don't know.

1303
01:05:03,120 --> 01:05:06,040
Speaker 1: It was like a personal challenge. I guess, Oh, I

1304
01:05:06,080 --> 01:05:07,640
Speaker 1: guess I should tell you what the movie is.

1305
01:05:08,400 --> 01:05:09,400
Speaker 4: Yeah, let's get into it.

1306
01:05:09,680 --> 01:05:11,560
Speaker 2: My movie is from nineteen eighty seven.

1307
01:05:11,680 --> 01:05:16,480
Speaker 1: It was written by James Orr and Jim Crookshank, directed

1308
01:05:16,480 --> 01:05:20,640
Speaker 1: by Leonard Nimoy, and it's called Three men and a Baby.

1309
01:05:20,920 --> 01:05:22,040
Speaker 4: I had to go to three.

1310
01:05:21,920 --> 01:05:25,480
Speaker 5: Different places by four different kinds of formula, two different

1311
01:05:25,560 --> 01:05:28,360
Speaker 5: kinds of DIAPERO hell nipple.

1312
01:05:29,200 --> 01:05:30,920
Speaker 4: Oh boy?

1313
01:05:32,280 --> 01:05:32,560
Speaker 2: Yeah.

1314
01:05:32,640 --> 01:05:34,120
Speaker 1: I mean, I don't know why I picked this movie

1315
01:05:34,200 --> 01:05:37,040
Speaker 1: other than I had probably just like a morbid curiosity

1316
01:05:37,120 --> 01:05:37,880
Speaker 1: to watch it again.

1317
01:05:39,280 --> 01:05:40,360
Speaker 4: That's fair, That's fair.

1318
01:05:40,480 --> 01:05:42,880
Speaker 1: Yeah, Because I'm telling you right now, I have not

1319
01:05:43,000 --> 01:05:46,560
Speaker 1: seen this film since I was like ten years old,

1320
01:05:46,600 --> 01:05:48,320
Speaker 1: twelve years old, Like, I haven't seen it since it

1321
01:05:48,360 --> 01:05:54,080
Speaker 1: pretty much came out, okay, and I seem to remember

1322
01:05:55,000 --> 01:05:59,280
Speaker 1: absolutely nothing about it except for the part where they

1323
01:05:59,360 --> 01:06:01,880
Speaker 1: like do want they sing that duop song to the kid.

1324
01:06:01,960 --> 01:06:04,040
Speaker 2: That's the only thing I remembered from this movie.

1325
01:06:04,320 --> 01:06:08,800
Speaker 4: I forgot the entire heroine subplot. Yes, me too.

1326
01:06:09,000 --> 01:06:10,520
Speaker 2: I was like, what the fuck?

1327
01:06:11,280 --> 01:06:11,320
Speaker 3: What?

1328
01:06:11,920 --> 01:06:14,880
Speaker 4: Like, I was like, did they add this in when

1329
01:06:14,880 --> 01:06:17,360
Speaker 4: they took out the ghost baby? Like what I know?

1330
01:06:17,560 --> 01:06:17,760
Speaker 2: Right?

1331
01:06:17,840 --> 01:06:20,080
Speaker 1: And I'm like, the other thing too, is that like

1332
01:06:21,080 --> 01:06:23,560
Speaker 1: I was shocked, Like when I was reading about the film.

1333
01:06:23,600 --> 01:06:26,160
Speaker 1: There's so many like details about the film that I

1334
01:06:26,160 --> 01:06:30,000
Speaker 1: I was shocked by. A chief among them being that

1335
01:06:30,440 --> 01:06:33,360
Speaker 1: Leonard me Boy directed this movie.

1336
01:06:33,880 --> 01:06:37,720
Speaker 3: I know. I didn't know that until Casey put together

1337
01:06:37,760 --> 01:06:38,600
Speaker 3: our fucking.

1338
01:06:40,000 --> 01:06:43,360
Speaker 1: I was listen, fucking plan our agenda for this week.

1339
01:06:43,400 --> 01:06:46,520
Speaker 1: I was like, wait, what, yes, look and I listen.

1340
01:06:46,880 --> 01:06:50,040
Speaker 1: I will say right now, I've never seen any Star Trek.

1341
01:06:50,240 --> 01:06:51,840
Speaker 1: I've just I've never seen a Star Trek.

1342
01:06:52,680 --> 01:06:54,080
Speaker 4: But you know who Leonard Nimoy is.

1343
01:06:54,160 --> 01:06:56,400
Speaker 1: I can't even speak to that part of his career,

1344
01:06:56,960 --> 01:07:00,480
Speaker 1: which is a huge part of his career, right, But

1345
01:07:01,440 --> 01:07:04,959
Speaker 1: I do know that he did not actually direct many

1346
01:07:05,280 --> 01:07:10,280
Speaker 1: feature films, right, And I think there was probably only

1347
01:07:10,400 --> 01:07:13,120
Speaker 1: maybe like a half dozen, like five or six he directed,

1348
01:07:14,080 --> 01:07:17,680
Speaker 1: and half of those were Star Trek related, Okay, so

1349
01:07:17,760 --> 01:07:21,560
Speaker 1: I didn't see those obviously, and then the other half

1350
01:07:21,920 --> 01:07:26,919
Speaker 1: that he directed are all literally about adults in predicaments

1351
01:07:26,920 --> 01:07:29,320
Speaker 1: with babies and young kids.

1352
01:07:32,600 --> 01:07:33,840
Speaker 4: Look, he was going through it.

1353
01:07:35,120 --> 01:07:38,280
Speaker 3: This is purely someone who told their agent, all right,

1354
01:07:38,840 --> 01:07:41,600
Speaker 3: I gotta work. I want to direct, but I also

1355
01:07:42,560 --> 01:07:44,320
Speaker 3: have to make it look like I'm still thinking about

1356
01:07:44,320 --> 01:07:47,320
Speaker 3: my family while I'm doing this shit. So why don't

1357
01:07:47,320 --> 01:07:50,160
Speaker 3: you put me on some bumbling baby movies?

1358
01:07:50,960 --> 01:07:52,760
Speaker 4: Babies or Space? That is it?

1359
01:07:53,920 --> 01:07:58,040
Speaker 1: Babies or Space is the name of the episode, by

1360
01:07:58,040 --> 01:08:03,520
Speaker 1: the way. The So the other thing that I didn't

1361
01:08:03,560 --> 01:08:07,240
Speaker 1: know actually was that three men and a Baby was

1362
01:08:08,400 --> 01:08:11,400
Speaker 1: a remake of a French movie.

1363
01:08:11,960 --> 01:08:12,840
Speaker 4: Also didn't know.

1364
01:08:12,760 --> 01:08:18,759
Speaker 1: That didn't know that the French movie is called twas um.

1365
01:08:18,200 --> 01:08:21,120
Speaker 4: Etunkufin beautiful pronunciation.

1366
01:08:21,640 --> 01:08:22,080
Speaker 2: Thank you.

1367
01:08:23,280 --> 01:08:26,360
Speaker 1: And I gotta say I didn't watch the movie, the

1368
01:08:26,360 --> 01:08:28,639
Speaker 1: French movie, but I did watch the trailer in some clips.

1369
01:08:28,760 --> 01:08:31,200
Speaker 2: I gotta say it looks better.

1370
01:08:32,479 --> 01:08:37,280
Speaker 1: A baby shocker, yes, because it seemed way less corny.

1371
01:08:37,320 --> 01:08:39,479
Speaker 1: And I think that's just because French people are cool,

1372
01:08:39,840 --> 01:08:42,400
Speaker 1: but also like they it seemed like they manhandled the

1373
01:08:42,439 --> 01:08:43,599
Speaker 1: baby a lot more.

1374
01:08:44,880 --> 01:08:48,120
Speaker 3: Which they have less restrictions in French cinema. They're like,

1375
01:08:48,120 --> 01:08:50,080
Speaker 3: you could literally drop that baby on the ground.

1376
01:08:50,120 --> 01:08:50,920
Speaker 4: We do not care.

1377
01:08:51,320 --> 01:08:55,559
Speaker 1: Europeans are like grabbing a baby by the one foot

1378
01:08:56,120 --> 01:08:58,360
Speaker 1: and then like circling it around their heads. They were like,

1379
01:08:58,400 --> 01:09:02,879
Speaker 1: we don't, we don't make them precious here, this is Europe.

1380
01:09:03,040 --> 01:09:05,960
Speaker 3: I have also not seen that film. I've not seen

1381
01:09:06,000 --> 01:09:08,760
Speaker 3: the original French version, but I would be shocked if

1382
01:09:08,760 --> 01:09:11,160
Speaker 3: they don't eventually take that baby to a soccer game

1383
01:09:11,960 --> 01:09:14,679
Speaker 3: and just start rolling it around like a flag, saying

1384
01:09:14,760 --> 01:09:21,839
Speaker 3: o leyo layole, like passing that baby around the crowd

1385
01:09:22,439 --> 01:09:23,679
Speaker 3: like it's a fucking balloon.

1386
01:09:24,560 --> 01:09:25,440
Speaker 4: That's volleyball.

1387
01:09:25,680 --> 01:09:28,880
Speaker 1: They're volleyballing this kid over the soccer riot that's happening

1388
01:09:28,880 --> 01:09:30,160
Speaker 1: outside the stadium.

1389
01:09:30,360 --> 01:09:32,360
Speaker 4: Absolutely so, and this is it.

1390
01:09:32,360 --> 01:09:34,040
Speaker 1: Okay, So here's the other thing too, Before I get

1391
01:09:34,080 --> 01:09:36,680
Speaker 1: into the beats of this film, Like, I think I

1392
01:09:36,760 --> 01:09:37,360
Speaker 1: talked about this.

1393
01:09:37,400 --> 01:09:39,479
Speaker 2: We might have discussed this in a previous episode. But

1394
01:09:39,560 --> 01:09:40,640
Speaker 2: like when I was a.

1395
01:09:40,680 --> 01:09:45,280
Speaker 1: Kid in the eighties, every adult in a movie seem

1396
01:09:45,400 --> 01:09:49,959
Speaker 1: like thirty seven or older, right, So I'm always shocked

1397
01:09:50,000 --> 01:09:51,640
Speaker 1: really to find out, Like when I go back and

1398
01:09:51,680 --> 01:09:53,880
Speaker 1: I watch, you know, old eighties movies, I'm like, oh,

1399
01:09:53,880 --> 01:09:55,559
Speaker 1: that character was like twenty three.

1400
01:09:55,880 --> 01:09:59,520
Speaker 2: I'm like, really, because they looked thirty seven, right or older?

1401
01:09:59,760 --> 01:10:00,000
Speaker 4: Yeah?

1402
01:10:00,040 --> 01:10:00,200
Speaker 3: Yeah.

1403
01:10:00,479 --> 01:10:05,439
Speaker 1: And then in this film, these three guys who are

1404
01:10:05,439 --> 01:10:10,120
Speaker 1: played by Tom Selleck, Steve Gutenberg, and Ted Danson, they

1405
01:10:10,200 --> 01:10:11,839
Speaker 1: seem like they're in their mid thirties.

1406
01:10:11,920 --> 01:10:13,519
Speaker 2: Bare minimum bear.

1407
01:10:13,720 --> 01:10:16,479
Speaker 3: These are three actors who have looked like they were

1408
01:10:16,520 --> 01:10:21,439
Speaker 3: in their fifties since they were born, Yes, all three

1409
01:10:21,479 --> 01:10:21,920
Speaker 3: of them.

1410
01:10:22,160 --> 01:10:24,719
Speaker 1: And even in the context of the film, it's like, Okay,

1411
01:10:24,840 --> 01:10:29,080
Speaker 1: so these guys have thriving careers, so they're not like

1412
01:10:29,360 --> 01:10:32,439
Speaker 1: just out of college starting starting in the rat race.

1413
01:10:32,479 --> 01:10:36,200
Speaker 1: They have thriving careers, yet they live together as roommates

1414
01:10:36,520 --> 01:10:39,880
Speaker 1: in a penthouse in New York City.

1415
01:10:40,000 --> 01:10:41,160
Speaker 4: I have so many questions.

1416
01:10:41,200 --> 01:10:47,479
Speaker 3: Already, already we have an artist, an architect, and an actor.

1417
01:10:48,520 --> 01:10:51,799
Speaker 1: Yes, and if you want to get down to brass tacks,

1418
01:10:52,280 --> 01:10:54,120
Speaker 1: somebody has to own this joint.

1419
01:10:54,200 --> 01:10:57,120
Speaker 2: Because yes, the Steve Gutenberg character who is the.

1420
01:10:57,160 --> 01:11:00,479
Speaker 1: Artist, has done these like giant wall sized years in

1421
01:11:00,520 --> 01:11:03,519
Speaker 1: the style of like New Yorker magazine or whatever.

1422
01:11:03,680 --> 01:11:05,519
Speaker 4: Yes, And there's one.

1423
01:11:05,400 --> 01:11:08,479
Speaker 1: Point in the film where it's understood that Tom Selleck

1424
01:11:09,160 --> 01:11:13,519
Speaker 1: has built extra rooms because he's the architect. And I'm like, so,

1425
01:11:13,600 --> 01:11:16,320
Speaker 1: who owns this penthouse in New York that these three,

1426
01:11:17,200 --> 01:11:21,000
Speaker 1: you know, guys in their late thirties living together.

1427
01:11:23,200 --> 01:11:24,000
Speaker 2: I don't understand.

1428
01:11:24,080 --> 01:11:25,200
Speaker 4: I have so many questions.

1429
01:11:25,200 --> 01:11:27,479
Speaker 3: And look, I'm not going to knock anyone living with

1430
01:11:27,520 --> 01:11:30,679
Speaker 3: a roommate in their thirties ever. Ever, times so tough,

1431
01:11:30,920 --> 01:11:35,040
Speaker 3: especially in New York. Shit's expensive. It's these three dudes,

1432
01:11:36,600 --> 01:11:41,479
Speaker 3: these three extremely successful in their own right, dudes who

1433
01:11:41,600 --> 01:11:45,960
Speaker 3: can't find in the eighties a single one bedroom fucking apartment.

1434
01:11:46,160 --> 01:11:48,439
Speaker 3: They could all have penthouses on their.

1435
01:11:48,280 --> 01:11:54,520
Speaker 4: Own, yes, every single one of them, even fucking.

1436
01:11:54,360 --> 01:11:57,439
Speaker 3: Jack who's the actor who's the least successful of them

1437
01:11:57,479 --> 01:11:59,720
Speaker 3: could afford a fucking apartment.

1438
01:12:01,360 --> 01:12:04,400
Speaker 1: Listen, I know that, there's of course reasons, good reasons

1439
01:12:04,400 --> 01:12:07,599
Speaker 1: why people have roommates in late stage capitalism.

1440
01:12:07,680 --> 01:12:10,200
Speaker 3: Okay, but but this, this wasn't late stage capital This

1441
01:12:10,280 --> 01:12:12,160
Speaker 3: is mid stage capitalism.

1442
01:12:12,680 --> 01:12:16,280
Speaker 2: School old school capitalism.

1443
01:12:16,640 --> 01:12:18,960
Speaker 1: But honestly, it just wouldn't be me though, if I

1444
01:12:19,040 --> 01:12:22,960
Speaker 1: didn't question the nuts and bolts of this fucking fuck

1445
01:12:23,040 --> 01:12:24,280
Speaker 1: loft that they share.

1446
01:12:25,000 --> 01:12:30,120
Speaker 3: This is a fucking hope head. Like I'm surprisingly one

1447
01:12:30,160 --> 01:12:37,240
Speaker 3: baby shows up. These men are goddamn hoes. You know.

1448
01:12:37,360 --> 01:12:40,400
Speaker 1: I don't even know if I have a one sentence

1449
01:12:40,400 --> 01:12:41,719
Speaker 1: synopsis for this film.

1450
01:12:42,479 --> 01:12:44,880
Speaker 2: I just realized that. I was like, yo, we have

1451
01:12:45,080 --> 01:12:47,480
Speaker 2: just jumped in, and I actually didn't write a synopsis

1452
01:12:47,479 --> 01:12:49,400
Speaker 2: because I feel like, you know what what it is?

1453
01:12:49,720 --> 01:12:52,439
Speaker 2: Three men and a baby. That's it.

1454
01:12:52,560 --> 01:12:54,559
Speaker 4: Three A baby shows up. That's all I gotta know.

1455
01:12:54,760 --> 01:12:55,600
Speaker 2: That's all I gotta know.

1456
01:12:56,800 --> 01:12:59,760
Speaker 1: Because here's the thing, Like at the beginning of the

1457
01:12:59,800 --> 01:13:03,400
Speaker 1: crew of this film, okay, it all throughout literally the

1458
01:13:03,439 --> 01:13:05,840
Speaker 1: first like twenty thirty minutes of this movie, it makes

1459
01:13:05,880 --> 01:13:10,160
Speaker 1: it very clear that these guys have a fuck loft

1460
01:13:11,240 --> 01:13:15,960
Speaker 1: like they just bring home women all day and night,

1461
01:13:17,320 --> 01:13:20,840
Speaker 1: and they really pound home this point. For like I said, oh,

1462
01:13:20,880 --> 01:13:22,439
Speaker 1: here's like twenty minutes of this movie.

1463
01:13:23,000 --> 01:13:25,120
Speaker 4: Oh, it is like a revolving door.

1464
01:13:25,240 --> 01:13:28,679
Speaker 3: Women are passing each other in the elevator and giving

1465
01:13:28,680 --> 01:13:30,519
Speaker 3: each other that I like, which one are you here

1466
01:13:30,560 --> 01:13:36,200
Speaker 3: to fuck? Like it is straight up telegraphed. This is

1467
01:13:36,240 --> 01:13:39,799
Speaker 3: a place that I built extra rooms into. Fuck people

1468
01:13:39,800 --> 01:13:40,799
Speaker 3: in those extra rooms.

1469
01:13:41,280 --> 01:13:41,639
Speaker 2: Listen.

1470
01:13:42,320 --> 01:13:45,559
Speaker 1: And of course I'm not slutshaming the guys from Three

1471
01:13:45,600 --> 01:13:46,400
Speaker 1: Men and a Baby.

1472
01:13:46,560 --> 01:13:50,960
Speaker 2: I okay, but it is.

1473
01:13:50,920 --> 01:13:56,439
Speaker 1: Such an over overwrought way to like set up the

1474
01:13:56,479 --> 01:13:59,719
Speaker 1: point of what happens later, which is, ain't it't gonna

1475
01:13:59,720 --> 01:14:02,400
Speaker 1: be crazy when a little baby shows up to this place?

1476
01:14:02,800 --> 01:14:05,320
Speaker 2: Like, it's just so hokey to me? Right, It's like,

1477
01:14:05,560 --> 01:14:08,000
Speaker 2: is so hokey? So that was the first moment that

1478
01:14:08,040 --> 01:14:13,840
Speaker 2: I was like, what have I done by choosing this film? Uh?

1479
01:14:14,040 --> 01:14:17,920
Speaker 4: So, then what's the second moment?

1480
01:14:18,600 --> 01:14:22,519
Speaker 3: When Ted Danson shows up to that party in the

1481
01:14:22,560 --> 01:14:28,920
Speaker 3: penthouse fuck loft dressed like Bela Lagosi. Ted dancing looks

1482
01:14:28,960 --> 01:14:32,240
Speaker 3: like a straight up vampire and that's his party clothes.

1483
01:14:36,760 --> 01:14:38,720
Speaker 2: He looked like Martin Landau in.

1484
01:14:39,000 --> 01:14:43,639
Speaker 3: Yeah, basically yeah, and he's like, I'm here to fuck,

1485
01:14:43,720 --> 01:14:46,000
Speaker 3: and I'm like, who, who are you here to fuck?

1486
01:14:46,080 --> 01:14:46,680
Speaker 3: Dress like that?

1487
01:14:47,720 --> 01:14:51,000
Speaker 2: He is a actor, therefore he has to dress like

1488
01:14:51,000 --> 01:14:53,680
Speaker 2: a European vampire. It didn't make any sense to me,

1489
01:14:55,520 --> 01:14:56,439
Speaker 2: So Okay.

1490
01:14:56,479 --> 01:14:59,759
Speaker 1: At this party we fast forward through two glorious stuff

1491
01:14:59,760 --> 01:15:01,400
Speaker 1: on which I'm actually a fan.

1492
01:15:01,280 --> 01:15:01,760
Speaker 4: Of, so.

1493
01:15:03,760 --> 01:15:08,720
Speaker 2: Probably the big point for me in this film basically.

1494
01:15:09,160 --> 01:15:11,880
Speaker 1: So it goes immediately to the big plot point of

1495
01:15:11,920 --> 01:15:17,160
Speaker 1: this film, which Danielle and I just revealed we completely

1496
01:15:17,200 --> 01:15:22,200
Speaker 1: forgot about, which is that Jack, the ted dancing character,

1497
01:15:22,720 --> 01:15:25,000
Speaker 1: has this friend at the party that's like, hey, will

1498
01:15:25,040 --> 01:15:29,280
Speaker 1: you sign for this package while I'm out of town? Okay,

1499
01:15:29,760 --> 01:15:35,120
Speaker 1: And much like any shitty roommate, that person also goes

1500
01:15:35,120 --> 01:15:35,639
Speaker 1: out of town.

1501
01:15:35,840 --> 01:15:37,240
Speaker 2: So Jack goes out of town.

1502
01:15:38,600 --> 01:15:40,679
Speaker 1: He agrees to do a favor for a guy who's

1503
01:15:40,720 --> 01:15:42,760
Speaker 1: going out of town, and then he goes out of town.

1504
01:15:42,840 --> 01:15:47,040
Speaker 1: We've all been there, right, So now it's the problem

1505
01:15:47,360 --> 01:15:49,639
Speaker 1: of Peter and Michael, who are played by Tom Sella

1506
01:15:49,720 --> 01:15:53,760
Speaker 1: and Steve Gutenberg, to deal with this delivery twice removed, right,

1507
01:15:54,640 --> 01:16:00,360
Speaker 1: And essentially what happens is Jack's out of town, Peter,

1508
01:16:00,479 --> 01:16:03,679
Speaker 1: Michael are in the loft, the fuck loft, and then

1509
01:16:04,200 --> 01:16:07,479
Speaker 1: they're expecting a package to come. And then what happens

1510
01:16:07,600 --> 01:16:11,720
Speaker 1: is Tom Sella goes out for run, comes back through

1511
01:16:11,760 --> 01:16:17,479
Speaker 1: the door and realizes that there's a baby on their doorstep. Okay,

1512
01:16:18,560 --> 01:16:24,160
Speaker 1: And there's a note that's basically like sent by an

1513
01:16:24,200 --> 01:16:27,320
Speaker 1: unknown woman perhaps that says I can't handle it right now.

1514
01:16:27,240 --> 01:16:29,519
Speaker 2: You take care of it right. We don't know who

1515
01:16:29,680 --> 01:16:32,120
Speaker 2: or why. It's just a little note attached to the

1516
01:16:32,120 --> 01:16:33,320
Speaker 2: little bassinet.

1517
01:16:33,080 --> 01:16:35,679
Speaker 4: Or whatever, but it does say that Jack is the father.

1518
01:16:36,560 --> 01:16:38,559
Speaker 2: Says that Jack is the father. Okay.

1519
01:16:39,120 --> 01:16:43,559
Speaker 1: Now they think this is the package, and so they're like,

1520
01:16:43,640 --> 01:16:47,960
Speaker 1: holy shit. But what actually happens is another package shows up,

1521
01:16:48,280 --> 01:16:51,439
Speaker 1: which of course is filled with Heroin.

1522
01:16:52,080 --> 01:16:52,559
Speaker 2: Okay.

1523
01:16:52,760 --> 01:16:54,640
Speaker 1: And this goes to this whole point where I'm like,

1524
01:16:55,080 --> 01:16:57,719
Speaker 1: did I not know about Heroin when I was eleven

1525
01:16:58,200 --> 01:16:58,799
Speaker 1: years old?

1526
01:16:58,840 --> 01:16:59,960
Speaker 2: Because I forgot about this.

1527
01:17:00,560 --> 01:17:03,360
Speaker 3: I definitely did, because my stepfather was doing it in

1528
01:17:03,360 --> 01:17:06,679
Speaker 3: front of me and I still had no idea.

1529
01:17:06,760 --> 01:17:09,599
Speaker 4: I only fucking forgot that part of this movie.

1530
01:17:10,000 --> 01:17:13,599
Speaker 3: Yeah, I'd never seen Heroin delivered, to be fair, I'd

1531
01:17:13,600 --> 01:17:14,679
Speaker 3: only seen it shut.

1532
01:17:14,479 --> 01:17:18,240
Speaker 4: Out, but I've never seen it delivered. Yeah, like an

1533
01:17:18,280 --> 01:17:19,879
Speaker 4: Iffany box package.

1534
01:17:20,479 --> 01:17:23,639
Speaker 2: Yeah it was. It was relatively small, and they tossed

1535
01:17:23,680 --> 01:17:25,559
Speaker 2: it across the room because they were like the package,

1536
01:17:25,600 --> 01:17:27,719
Speaker 2: there's a baby here, but it's like, well what about

1537
01:17:27,720 --> 01:17:29,200
Speaker 2: this other thing? I got to live? They don't care.

1538
01:17:29,840 --> 01:17:31,880
Speaker 3: Two things I would change, God, I wish I was

1539
01:17:31,880 --> 01:17:34,559
Speaker 3: a fucking movie or TV writer in the eighties. I

1540
01:17:34,560 --> 01:17:37,360
Speaker 3: would have cleaned up. The Two things I would change.

1541
01:17:38,080 --> 01:17:40,439
Speaker 3: One I would have just called this movie the fuck Loft.

1542
01:17:42,640 --> 01:17:45,240
Speaker 3: And two I would have had that baby do Heroin immediately,

1543
01:17:45,400 --> 01:17:46,919
Speaker 3: just snort some Heroin immediately.

1544
01:17:46,960 --> 01:17:49,280
Speaker 4: And now it's the movie. Is the baby's on Heroin?

1545
01:17:49,320 --> 01:17:52,559
Speaker 4: What are we gonna do is listen.

1546
01:17:52,560 --> 01:17:53,720
Speaker 2: I'm surprised that's not in the.

1547
01:17:53,680 --> 01:17:57,519
Speaker 1: French version, right, that just seems like a French thing

1548
01:17:57,640 --> 01:18:01,920
Speaker 1: to have happened. But instead we have this American version

1549
01:18:01,960 --> 01:18:06,160
Speaker 1: where you got these two fucking ding dongs fuddling around

1550
01:18:06,200 --> 01:18:07,519
Speaker 1: with an actual baby.

1551
01:18:07,600 --> 01:18:12,920
Speaker 2: Now they don't know a goddamn thing. Surprisingly, they don't

1552
01:18:12,920 --> 01:18:17,080
Speaker 2: know a goddamn thing, right, And at one point this

1553
01:18:17,240 --> 01:18:24,520
Speaker 2: is so nutrageous to me. Okay, Tom Selick's character.

1554
01:18:26,160 --> 01:18:29,600
Speaker 1: In the same thing that Michael Keaton's like a successful engineer.

1555
01:18:29,800 --> 01:18:31,759
Speaker 1: He must have been smart about something, but yet doesn't

1556
01:18:31,800 --> 01:18:37,479
Speaker 1: know simple fucking things. Tom Selick, an esteemed architect in

1557
01:18:37,520 --> 01:18:41,920
Speaker 1: New York City, actually asks what is a toddler?

1558
01:18:43,520 --> 01:18:44,680
Speaker 2: In this film?

1559
01:18:45,120 --> 01:18:47,920
Speaker 3: I get That's where I lost my shit, when you're

1560
01:18:47,920 --> 01:18:49,800
Speaker 3: trying to figure out how old his baby is, and

1561
01:18:49,840 --> 01:18:52,639
Speaker 3: then he realizes he doesn't know any stage of baby

1562
01:18:52,680 --> 01:18:53,320
Speaker 3: ness at all.

1563
01:18:54,400 --> 01:18:56,000
Speaker 1: But the way he asked it was like, I don't

1564
01:18:56,040 --> 01:18:59,759
Speaker 1: even know the word. What is that word?

1565
01:19:00,560 --> 01:19:03,799
Speaker 2: Like what the fuck? And I'm like, give me a break.

1566
01:19:03,880 --> 01:19:06,160
Speaker 2: So that was the second part where I'm like, why

1567
01:19:06,160 --> 01:19:08,760
Speaker 2: did I watch this film? For this episode?

1568
01:19:08,960 --> 01:19:12,240
Speaker 3: There are four different points within the first hour where

1569
01:19:12,280 --> 01:19:15,480
Speaker 3: I feel like somebody should have and could have called CPS,

1570
01:19:16,760 --> 01:19:19,960
Speaker 3: and that was one of them. What is it toddler? Yes, sir,

1571
01:19:20,520 --> 01:19:24,200
Speaker 3: I'm calling CPS. You have either stolen this child or

1572
01:19:24,240 --> 01:19:26,400
Speaker 3: you were unfit to parent well.

1573
01:19:26,439 --> 01:19:27,160
Speaker 4: And then he.

1574
01:19:27,040 --> 01:19:31,160
Speaker 1: Has, oddly enough, he has the grocery store freeze up

1575
01:19:31,200 --> 01:19:33,320
Speaker 1: moment where he goes to the store doesn't know what

1576
01:19:33,439 --> 01:19:35,559
Speaker 1: to fucking buy for a baby, and then of course

1577
01:19:35,600 --> 01:19:38,559
Speaker 1: has a black woman who's working at the grocery store

1578
01:19:38,720 --> 01:19:40,880
Speaker 1: have to fucking help his ass out, and I'm like.

1579
01:19:41,120 --> 01:19:44,519
Speaker 4: Of course, of course, justice for Edna.

1580
01:19:45,040 --> 01:19:48,439
Speaker 2: Yes, and then they try to change a fucking diaper.

1581
01:19:49,040 --> 01:19:52,000
Speaker 2: I mean it is a disaster. I mean we see

1582
01:19:52,080 --> 01:19:55,040
Speaker 2: real babyshit. From what I saw, I was like, I

1583
01:19:55,080 --> 01:19:59,040
Speaker 2: don't know if that's stunt baby shit, but they're in it.

1584
01:20:00,120 --> 01:20:04,960
Speaker 1: They're like, shit, let's take wads of cotton and just

1585
01:20:05,000 --> 01:20:06,679
Speaker 1: like wipe things with cotton.

1586
01:20:06,800 --> 01:20:08,639
Speaker 2: I'm like, God, what the fuck?

1587
01:20:09,479 --> 01:20:12,759
Speaker 3: Truly, how did we survive as a species watching this moment?

1588
01:20:13,360 --> 01:20:14,000
Speaker 2: Oh my god?

1589
01:20:14,120 --> 01:20:17,960
Speaker 1: I mean, God forbid, women are somehow eradicated from the earth.

1590
01:20:18,320 --> 01:20:21,280
Speaker 1: I mean they're trying, they're trying.

1591
01:20:21,400 --> 01:20:23,439
Speaker 4: They fucking hate women when.

1592
01:20:23,280 --> 01:20:27,000
Speaker 1: It actually happens. Are these guys gonna take care of

1593
01:20:27,040 --> 01:20:27,479
Speaker 1: the babies?

1594
01:20:27,520 --> 01:20:28,040
Speaker 2: Who knows?

1595
01:20:28,160 --> 01:20:30,160
Speaker 3: But I would have been better off taking her to

1596
01:20:30,200 --> 01:20:33,240
Speaker 3: Central Park and just like rubbing her ass on her

1597
01:20:33,280 --> 01:20:35,920
Speaker 3: ass on grass, like just rubbing her ass like a

1598
01:20:35,960 --> 01:20:40,560
Speaker 3: dog who has fucking piles on the street.

1599
01:20:42,120 --> 01:20:43,840
Speaker 2: So here's the thing.

1600
01:20:44,520 --> 01:20:47,519
Speaker 1: At this point, they're fumbly bumbly about this baby.

1601
01:20:47,560 --> 01:20:48,599
Speaker 2: They don't know how to do shit.

1602
01:20:49,080 --> 01:20:53,120
Speaker 1: On top of this, though, they are cops and drug dealers.

1603
01:20:52,720 --> 01:20:57,040
Speaker 2: Who are looking for heroine. Okay, so.

1604
01:20:59,200 --> 01:21:01,960
Speaker 1: The weirdest about this film is that that part of

1605
01:21:02,000 --> 01:21:05,120
Speaker 1: the story actually just wraps up pretty nicely.

1606
01:21:05,439 --> 01:21:08,960
Speaker 2: So then we're just left with these like three sluts who.

1607
01:21:08,840 --> 01:21:14,360
Speaker 1: Were slowly falling in love with this little baby, right

1608
01:21:15,600 --> 01:21:16,680
Speaker 1: slowly falling.

1609
01:21:16,400 --> 01:21:18,240
Speaker 2: In love with the little baby.

1610
01:21:19,560 --> 01:21:20,360
Speaker 4: I change it.

1611
01:21:20,520 --> 01:21:22,679
Speaker 3: If I was a tea, I was a film writer

1612
01:21:22,840 --> 01:21:25,440
Speaker 3: in the eighties, I would have called his three.

1613
01:21:25,040 --> 01:21:29,360
Speaker 4: Sluts and the CPS.

1614
01:21:30,800 --> 01:21:33,280
Speaker 3: Three sluts, and ten people who should have called Child

1615
01:21:33,280 --> 01:21:34,720
Speaker 3: Protective Services.

1616
01:21:38,320 --> 01:21:39,599
Speaker 2: Three sluts and a soddler.

1617
01:21:42,439 --> 01:21:47,040
Speaker 1: And I will say this, Okay, Tom Selleck definitely falls

1618
01:21:47,080 --> 01:21:49,559
Speaker 1: the hardest for this baby. And you know, besides the

1619
01:21:49,600 --> 01:21:53,080
Speaker 1: two glorious Stefan songs that I spoke of earlier, that's

1620
01:21:53,120 --> 01:21:56,320
Speaker 1: probably my only real favorite part of the movie is

1621
01:21:56,360 --> 01:22:00,360
Speaker 1: because you know, I don't know, at the time, Tom

1622
01:22:00,360 --> 01:22:04,240
Speaker 1: Selleck was a huge star, okay, and he seemed a

1623
01:22:04,240 --> 01:22:05,080
Speaker 1: little bit more.

1624
01:22:05,240 --> 01:22:06,920
Speaker 2: I don't know, he seemed older. I think he was

1625
01:22:06,960 --> 01:22:08,960
Speaker 2: technically older than the other two. I could be wrong

1626
01:22:08,960 --> 01:22:11,000
Speaker 2: about that. Maybe Casey wants to weigh in.

1627
01:22:12,720 --> 01:22:15,559
Speaker 1: Everybody was loving the stash and loving the chest hair,

1628
01:22:15,640 --> 01:22:18,160
Speaker 1: so the fact that he's the one that becomes like

1629
01:22:18,520 --> 01:22:21,240
Speaker 1: the real mama bear of this baby is kind of cute.

1630
01:22:22,040 --> 01:22:24,760
Speaker 1: But even though there are moments again like we talked

1631
01:22:24,800 --> 01:22:26,400
Speaker 1: about in your movie, where you're just like, I want

1632
01:22:26,400 --> 01:22:31,080
Speaker 1: to ring these guys next. In one scene, Tom Selek's

1633
01:22:31,160 --> 01:22:35,600
Speaker 1: character is fucking trying so hard to stay lacho that

1634
01:22:35,680 --> 01:22:39,120
Speaker 1: he can't even buy a kid's toy at a newsstand.

1635
01:22:39,520 --> 01:22:42,240
Speaker 3: He's like, give me a box of cigars, a penthouse,

1636
01:22:42,920 --> 01:22:44,759
Speaker 3: and a baby giraffe.

1637
01:22:44,800 --> 01:22:46,960
Speaker 4: You're like, really, really, sir.

1638
01:22:47,600 --> 01:22:50,160
Speaker 3: Also, why are they selling that on the street New

1639
01:22:50,240 --> 01:22:51,559
Speaker 3: York City in the eighties?

1640
01:22:51,600 --> 01:22:54,879
Speaker 4: What the fuck? They're like, here's baby toys next to cigars?

1641
01:22:55,200 --> 01:22:56,000
Speaker 2: Yeah, exactly, no.

1642
01:22:56,120 --> 01:22:58,320
Speaker 1: And Colin Quinn is the guy that's working the thing,

1643
01:22:58,360 --> 01:23:01,720
Speaker 1: and he's basically like screaming. He's doing the whole like

1644
01:23:02,360 --> 01:23:05,000
Speaker 1: you know, price check on Tampon's move where he's like.

1645
01:23:05,200 --> 01:23:09,639
Speaker 2: Hey, this old guy's buying a kid's toy.

1646
01:23:10,160 --> 01:23:10,400
Speaker 4: Well.

1647
01:23:10,439 --> 01:23:15,120
Speaker 3: Also, Colin Quinn was like, that's not a giraffic a dinosaur,

1648
01:23:16,720 --> 01:23:19,679
Speaker 3: And I'm like, this again, is the most quintessential old

1649
01:23:19,720 --> 01:23:23,400
Speaker 3: New York move where he's like, you don't know what

1650
01:23:23,400 --> 01:23:25,760
Speaker 3: you're fucking talking about. I do, because I sell this

1651
01:23:25,760 --> 01:23:28,200
Speaker 3: shit all day. Although I don't know what I'm talking about,

1652
01:23:28,280 --> 01:23:29,439
Speaker 3: I'm gonna fight you about it.

1653
01:23:30,479 --> 01:23:33,519
Speaker 1: Yes, and it's just like, it's just the whole notion

1654
01:23:33,600 --> 01:23:38,640
Speaker 1: of like, imagine be imagine being so flustered by the

1655
01:23:38,680 --> 01:23:43,280
Speaker 1: notion of appearing at all feminine that you can't buy

1656
01:23:43,320 --> 01:23:48,120
Speaker 1: a toy on the street. It's just like, God, bless

1657
01:23:48,160 --> 01:23:49,559
Speaker 1: man like men?

1658
01:23:49,800 --> 01:23:53,080
Speaker 2: What is wrong? What is wrong with men? Basically, I

1659
01:23:53,120 --> 01:23:54,439
Speaker 2: don't understand.

1660
01:23:54,439 --> 01:23:59,120
Speaker 3: The subtitle of this podcast. Also, they made Tom sell

1661
01:23:59,160 --> 01:24:01,040
Speaker 3: like the jock in this movie, and.

1662
01:24:00,920 --> 01:24:02,600
Speaker 4: It clearly should have been Gutenberg.

1663
01:24:03,960 --> 01:24:07,439
Speaker 3: Steve Gutenberg was trying to calm down a crying baby

1664
01:24:07,479 --> 01:24:09,120
Speaker 3: by flashing his chest hair.

1665
01:24:12,760 --> 01:24:16,840
Speaker 4: He genuinely is like, look at this chest hair. Huh.

1666
01:24:16,920 --> 01:24:19,840
Speaker 2: They were trying. They really had chest hair popping in

1667
01:24:19,880 --> 01:24:21,760
Speaker 2: this film. I mean they just were. And you know,

1668
01:24:21,840 --> 01:24:24,280
Speaker 2: I'm here for that. I'm here for the fucking here

1669
01:24:24,400 --> 01:24:25,720
Speaker 2: suit selic era.

1670
01:24:26,600 --> 01:24:30,759
Speaker 4: I'm on. I mean he was the definition of buns.

1671
01:24:30,840 --> 01:24:32,760
Speaker 4: Like whenever I heard my mom and.

1672
01:24:32,680 --> 01:24:35,960
Speaker 3: Her friends talking about buns, I'm like, what the fuck

1673
01:24:36,040 --> 01:24:39,240
Speaker 3: is a buns? And it was always Tom Selick's ass.

1674
01:24:41,560 --> 01:24:44,720
Speaker 3: He is, to his credit, he's a very high assed gentleman.

1675
01:24:45,040 --> 01:24:49,080
Speaker 1: Yes he does have that high ass, but you know what,

1676
01:24:49,160 --> 01:24:51,120
Speaker 1: like in this era, it was his prime era. Man

1677
01:24:51,200 --> 01:24:57,640
Speaker 1: I'm like, good glad that mustache is popping. Now we

1678
01:24:57,720 --> 01:25:00,040
Speaker 1: have to pivot very hard to this part of the

1679
01:25:00,080 --> 01:25:04,679
Speaker 1: film because this is what the film the urban legend.

1680
01:25:05,439 --> 01:25:10,240
Speaker 1: Oh yeah, this film, which is the ghost of the

1681
01:25:10,479 --> 01:25:17,519
Speaker 1: dead child in the window. Okay, And here's here's the thing.

1682
01:25:18,040 --> 01:25:20,320
Speaker 1: I'm not gonna lie to you. When it happened in

1683
01:25:20,360 --> 01:25:21,559
Speaker 1: the movie, it.

1684
01:25:21,560 --> 01:25:22,479
Speaker 4: Made me sick.

1685
01:25:22,760 --> 01:25:26,439
Speaker 1: I forgot I was there, and I was like, holy shit,

1686
01:25:26,560 --> 01:25:27,600
Speaker 1: what the fuck is that?

1687
01:25:30,240 --> 01:25:31,760
Speaker 2: And if you don't know what I'm talking about, I'll

1688
01:25:31,800 --> 01:25:32,880
Speaker 2: set it up for you real quick.

1689
01:25:32,920 --> 01:25:33,200
Speaker 4: Okay.

1690
01:25:33,360 --> 01:25:36,719
Speaker 1: So the scene goes like this Jack is, he's gone,

1691
01:25:36,760 --> 01:25:40,080
Speaker 1: he's in Turkey for a role. Okay, realizes that he's

1692
01:25:40,120 --> 01:25:43,800
Speaker 1: now father, freaks the fuck out of course, and then

1693
01:25:43,920 --> 01:25:47,479
Speaker 1: calls his mom, right, because that's another thing, is the

1694
01:25:47,479 --> 01:25:49,840
Speaker 1: fucking guys like my own child. I have to call

1695
01:25:49,880 --> 01:25:52,920
Speaker 1: a woman, some woman in my life, woman, any woman

1696
01:25:52,960 --> 01:25:55,360
Speaker 1: who can help. And his mother is played by the

1697
01:25:55,400 --> 01:25:58,599
Speaker 1: classic film actress Celeste Home. So she shows up at

1698
01:25:58,600 --> 01:26:03,320
Speaker 1: the fuck laft and in the background as they're walking

1699
01:26:03,680 --> 01:26:07,040
Speaker 1: there's this like shadowy figure hiding behind this like white

1700
01:26:07,080 --> 01:26:07,920
Speaker 1: gauzy curtain.

1701
01:26:09,160 --> 01:26:11,880
Speaker 2: And all throughout our childhood it was.

1702
01:26:12,000 --> 01:26:17,720
Speaker 1: Understood again within like the culture that that was the

1703
01:26:17,760 --> 01:26:22,040
Speaker 1: ghost of a child that died on the set of

1704
01:26:22,080 --> 01:26:22,679
Speaker 1: the film.

1705
01:26:24,439 --> 01:26:26,479
Speaker 4: I get, I love.

1706
01:26:27,320 --> 01:26:31,160
Speaker 3: Rumors like that don't and can't really happen anymore because

1707
01:26:31,160 --> 01:26:33,240
Speaker 3: there's too much fact checking available.

1708
01:26:33,280 --> 01:26:33,960
Speaker 4: But back in the.

1709
01:26:33,960 --> 01:26:36,519
Speaker 3: Day, we were just like, yeah, I saw this movie

1710
01:26:36,560 --> 01:26:40,400
Speaker 3: once and I fucking believe it. And my only option

1711
01:26:40,520 --> 01:26:43,439
Speaker 3: is to pause a video cassette tape and that is

1712
01:26:43,479 --> 01:26:45,600
Speaker 3: not going to give me the definition and clarity I

1713
01:26:45,680 --> 01:26:47,920
Speaker 3: need to confirm or deny this, so I will just

1714
01:26:48,040 --> 01:26:48,519
Speaker 3: believe it.

1715
01:26:49,160 --> 01:26:51,439
Speaker 1: Right And like again, now that we live in the

1716
01:26:51,479 --> 01:26:54,599
Speaker 1: modern four K restoration era, this has been debunked.

1717
01:26:54,640 --> 01:26:57,240
Speaker 2: I mean, go online and find out what it actually is.

1718
01:26:57,280 --> 01:26:59,759
Speaker 2: It's like a cardboard cutout of Ted dancing.

1719
01:27:00,120 --> 01:27:01,759
Speaker 4: Can you see you later in the movie?

1720
01:27:02,080 --> 01:27:04,640
Speaker 1: Yeah, yeah, it's in the movie. But there was this

1721
01:27:04,960 --> 01:27:09,840
Speaker 1: entire segment of our childhood where we believe the child.

1722
01:27:09,640 --> 01:27:11,559
Speaker 2: Died on the set of Three Men and a.

1723
01:27:11,640 --> 01:27:15,840
Speaker 4: Baby and was a visible ghost.

1724
01:27:17,560 --> 01:27:21,040
Speaker 3: That this hit died, And instead of shutting down production,

1725
01:27:21,880 --> 01:27:24,439
Speaker 3: they were just like, show must go on, Let's keep

1726
01:27:24,439 --> 01:27:25,240
Speaker 3: that ghost in there.

1727
01:27:26,160 --> 01:27:26,959
Speaker 2: It's crazy.

1728
01:27:27,760 --> 01:27:30,320
Speaker 4: We were so dumb in the eighties.

1729
01:27:30,600 --> 01:27:33,000
Speaker 1: We're so dumb and just wanted it. We just wanted

1730
01:27:33,040 --> 01:27:35,280
Speaker 1: things to be true like that, and we're willing to

1731
01:27:37,120 --> 01:27:39,680
Speaker 1: even though the film was not like it was. It

1732
01:27:39,720 --> 01:27:42,960
Speaker 1: wasn't built on a haunted burial ground. It was like

1733
01:27:43,000 --> 01:27:46,479
Speaker 1: a set in Hollywood and everyone's like a child died there.

1734
01:27:46,880 --> 01:27:47,519
Speaker 2: It's haunted.

1735
01:27:47,560 --> 01:27:50,519
Speaker 1: We're like, okay, we want this to be true, but

1736
01:27:51,040 --> 01:27:54,479
Speaker 1: as we know it's not. Thank you Snopes. But here's

1737
01:27:54,520 --> 01:27:56,200
Speaker 1: the thing. This movie wraps up in just the way

1738
01:27:56,240 --> 01:27:59,320
Speaker 1: you think. Okay, it's like, guess what mom is coming

1739
01:27:59,360 --> 01:28:02,400
Speaker 1: back in the picture. Suddenly it's Nancy Travis with the

1740
01:28:02,400 --> 01:28:04,080
Speaker 1: worst accent I've ever heard.

1741
01:28:05,040 --> 01:28:07,639
Speaker 3: I mean, I was like supposed to be from the

1742
01:28:07,760 --> 01:28:11,040
Speaker 3: UK or from London, and I think that's why they

1743
01:28:11,080 --> 01:28:14,240
Speaker 3: also keep that baby in bonnets like NonStop.

1744
01:28:15,320 --> 01:28:16,920
Speaker 4: I'm like, is this just just so you can like

1745
01:28:17,000 --> 01:28:19,720
Speaker 4: let us know that she's half English? Like let's put

1746
01:28:19,760 --> 01:28:23,360
Speaker 4: it in a fucking bonnet and a bassinette filled with lace.

1747
01:28:24,040 --> 01:28:29,320
Speaker 1: She looks like miss pat Moore from Babby Ah, Like

1748
01:28:29,400 --> 01:28:33,080
Speaker 1: she must be British.

1749
01:28:32,120 --> 01:28:45,120
Speaker 5: Ah, baby, this baby didn't say a fucking cham Oh good.

1750
01:28:45,840 --> 01:28:47,519
Speaker 1: It wraps up just the way you think the mom

1751
01:28:47,640 --> 01:28:51,880
Speaker 1: comes back, and then suddenly these three guys are like, well, wait,

1752
01:28:52,320 --> 01:28:55,720
Speaker 1: we love this baby, to which I'm like, well, then

1753
01:28:55,760 --> 01:29:00,320
Speaker 1: go have a baby with one of the literal thousands of.

1754
01:29:00,280 --> 01:29:02,759
Speaker 2: Women you have fucked in this loft.

1755
01:29:03,080 --> 01:29:07,599
Speaker 3: Oh my god, Go find the children you undoubtedly already have.

1756
01:29:09,240 --> 01:29:13,120
Speaker 3: Just go to a DNA test and discover your legions

1757
01:29:13,120 --> 01:29:13,719
Speaker 3: of children.

1758
01:29:17,560 --> 01:29:20,479
Speaker 2: I mean, okay, here's the thing.

1759
01:29:20,920 --> 01:29:25,240
Speaker 1: Okay, I think it's obvious that I thought this movie

1760
01:29:25,280 --> 01:29:29,960
Speaker 1: was a giant piece of shit. I mean, like, even

1761
01:29:29,960 --> 01:29:33,040
Speaker 1: if we're working off the straight eighties nostalgia of this film,

1762
01:29:33,080 --> 01:29:37,520
Speaker 1: which undoubtedly there are, this simple inclusion of Steve Gutenberg

1763
01:29:37,600 --> 01:29:41,080
Speaker 1: means people will love this film. Okay, I get it,

1764
01:29:41,160 --> 01:29:44,479
Speaker 1: the clothes, the mustaches, like everything.

1765
01:29:44,840 --> 01:29:47,160
Speaker 2: But at the end of the day, am I supposed to.

1766
01:29:47,160 --> 01:29:51,760
Speaker 1: Just simply love a movie because of Steve Gutenberg's nostalgia

1767
01:29:52,080 --> 01:29:55,160
Speaker 1: and eighties men's tiny running shorts? I mean, am I

1768
01:29:55,240 --> 01:29:56,000
Speaker 1: that basic?

1769
01:29:56,560 --> 01:29:59,599
Speaker 2: I don't know. I'm trying people, and.

1770
01:29:59,520 --> 01:30:02,160
Speaker 1: Maybe I get canceled by the eighties nostalgia police, but

1771
01:30:02,160 --> 01:30:04,879
Speaker 1: I'm just like, I don't know, this movie is so dumb.

1772
01:30:05,000 --> 01:30:07,040
Speaker 2: It's so dumb, it's not good.

1773
01:30:08,560 --> 01:30:13,200
Speaker 1: And listen, I mean, this was the highest grossing movie

1774
01:30:13,240 --> 01:30:17,679
Speaker 1: of nineteen eighty seven, which and it surpassed Fatal Attraction,

1775
01:30:17,880 --> 01:30:18,799
Speaker 1: which is a movie.

1776
01:30:18,560 --> 01:30:20,840
Speaker 2: That I love. So I'm wrong, I'm on the wrong

1777
01:30:20,880 --> 01:30:21,599
Speaker 2: side of history.

1778
01:30:21,880 --> 01:30:25,719
Speaker 3: Okay, you've just proven your own point that people hate women.

1779
01:30:27,400 --> 01:30:31,120
Speaker 3: They couldn't handle Glenn Close fucking stalking a dude that

1780
01:30:31,160 --> 01:30:33,120
Speaker 3: she fucked and boiling his kid's rabbit.

1781
01:30:33,360 --> 01:30:34,679
Speaker 4: They'd rather focus on these.

1782
01:30:34,560 --> 01:30:38,160
Speaker 3: Three idiots who couldn't even fuck You. Didn't even know

1783
01:30:38,200 --> 01:30:40,120
Speaker 3: what a fucking toddler tooth was. They were like, does

1784
01:30:40,160 --> 01:30:41,800
Speaker 3: she have teeth? What could she eat?

1785
01:30:42,320 --> 01:30:43,760
Speaker 4: Something? Soft?

1786
01:30:45,160 --> 01:30:48,840
Speaker 3: America has always been that basic. They would prefer three

1787
01:30:48,840 --> 01:30:49,360
Speaker 3: men and a.

1788
01:30:49,320 --> 01:30:50,720
Speaker 4: Baby to Fatal Attraction.

1789
01:30:53,240 --> 01:30:56,519
Speaker 3: Nineteen eighty seven is a pinnacle moment where we can

1790
01:30:56,560 --> 01:31:00,519
Speaker 3: point to where this country started to going down the

1791
01:31:00,520 --> 01:31:01,080
Speaker 3: fucking drain.

1792
01:31:02,280 --> 01:31:05,920
Speaker 1: Yeah, this movie is one hundred percent boomer nostalgia.

1793
01:31:05,960 --> 01:31:07,799
Speaker 2: There's a lot of things here about.

1794
01:31:07,560 --> 01:31:12,519
Speaker 1: A lot of like doo woppy boomer nostalgic moments. Yes,

1795
01:31:12,640 --> 01:31:16,559
Speaker 1: Tom Selleck is wearing tiny shorts and has a has

1796
01:31:16,600 --> 01:31:20,160
Speaker 1: a turn of Mama Bear turn. But beyond that, I mean,

1797
01:31:20,200 --> 01:31:23,280
Speaker 1: the movie is really stupid. It's really stupid, and I

1798
01:31:23,280 --> 01:31:26,520
Speaker 1: mean it's not even your movie, which is like interesting

1799
01:31:26,920 --> 01:31:31,160
Speaker 1: gender role dynamics being questioned and you know, like that

1800
01:31:31,240 --> 01:31:32,720
Speaker 1: kind of stuff. But it's like, man, this one is

1801
01:31:32,840 --> 01:31:37,479
Speaker 1: just pure saccharine and the look there's a place for that.

1802
01:31:38,479 --> 01:31:42,600
Speaker 1: But was I really putting my film snob hat on

1803
01:31:42,680 --> 01:31:44,799
Speaker 1: and been like I need to go to Film Forum

1804
01:31:44,840 --> 01:31:49,160
Speaker 1: after this and watch a Eric Rohmer retrospective.

1805
01:31:51,200 --> 01:31:53,519
Speaker 2: To think this bad taste out of my mouth. Yes,

1806
01:31:53,600 --> 01:31:54,280
Speaker 2: I did think that.

1807
01:31:54,479 --> 01:31:57,000
Speaker 3: I did think that, So I think that's completely fair

1808
01:31:57,040 --> 01:31:59,120
Speaker 3: because I watched it, and then in order to get

1809
01:31:59,120 --> 01:32:01,360
Speaker 3: the taste of it out of my mouth, I watched

1810
01:32:01,360 --> 01:32:04,080
Speaker 3: about two hours of Family Feud with my grandma and

1811
01:32:05,200 --> 01:32:07,639
Speaker 3: I got to hear Steve Harvey ask things like if

1812
01:32:07,760 --> 01:32:09,800
Speaker 3: King Kong wore a fanny pack, what.

1813
01:32:09,720 --> 01:32:10,880
Speaker 4: Would he keep inside of it?

1814
01:32:11,200 --> 01:32:13,479
Speaker 3: And that was the only thing it took to get

1815
01:32:13,479 --> 01:32:15,640
Speaker 3: me out of this mindset where I was like the

1816
01:32:15,720 --> 01:32:20,639
Speaker 3: eighties sucked. Men were seen as completely incomfident for too long,

1817
01:32:21,040 --> 01:32:23,600
Speaker 3: and they used it as their fucking barometer to be

1818
01:32:23,760 --> 01:32:27,519
Speaker 3: idiots for way longer than they had to be or.

1819
01:32:27,520 --> 01:32:28,280
Speaker 4: Should have been.

1820
01:32:29,240 --> 01:32:32,759
Speaker 3: America hates women, like this movie really brought some shit

1821
01:32:32,880 --> 01:32:35,280
Speaker 3: out in me that it was not designed to bring out.

1822
01:32:35,720 --> 01:32:39,599
Speaker 1: Yes, it's sneaky in that way, but I wasn't. I

1823
01:32:39,680 --> 01:32:41,240
Speaker 1: was like, oh my god, I can't believe I made

1824
01:32:41,320 --> 01:32:44,280
Speaker 1: Danielle watch this movie. Did you find anything positive in it?

1825
01:32:44,560 --> 01:32:46,840
Speaker 2: Like at all? Oh, I found it.

1826
01:32:47,120 --> 01:32:49,960
Speaker 4: I definitely laughed at how stupid it was.

1827
01:32:50,040 --> 01:32:50,760
Speaker 2: Like it was.

1828
01:32:51,520 --> 01:32:53,680
Speaker 3: I remember seeing it as a kid and laughing for

1829
01:32:53,720 --> 01:32:56,320
Speaker 3: different reasons like oh haha, they're idiots. But like when

1830
01:32:56,320 --> 01:32:59,360
Speaker 3: I was looking at it now, I was like, this

1831
01:32:59,439 --> 01:33:02,360
Speaker 3: is just a it's absurd that we got away with it.

1832
01:33:02,439 --> 01:33:05,200
Speaker 3: I laughed at how much we got away with as

1833
01:33:05,200 --> 01:33:06,720
Speaker 3: a nation back in the day.

1834
01:33:08,479 --> 01:33:12,559
Speaker 2: Look this week, I gotta be honest.

1835
01:33:12,600 --> 01:33:15,160
Speaker 1: I came into this week thinking it was going to

1836
01:33:15,240 --> 01:33:18,920
Speaker 1: go one way, and now we've really taken it into

1837
01:33:18,960 --> 01:33:23,280
Speaker 1: another direction. We've been talking about skid marks, baby shit,

1838
01:33:24,320 --> 01:33:29,799
Speaker 1: like we somehow derailed the train, but it's back on course,

1839
01:33:30,320 --> 01:33:32,360
Speaker 1: and you know, when it comes down to it, Like,

1840
01:33:33,680 --> 01:33:35,640
Speaker 1: I don't know, it's fun to look at movies like

1841
01:33:35,680 --> 01:33:37,720
Speaker 1: this once in a while. I mean, obviously, like they're

1842
01:33:37,760 --> 01:33:40,479
Speaker 1: supposed to be dumb and fun and broad comedies, and

1843
01:33:40,640 --> 01:33:42,280
Speaker 1: they're supposed to make a lot of money. But you

1844
01:33:42,320 --> 01:33:47,160
Speaker 1: know what, sometimes you internalize some of the messages that

1845
01:33:47,200 --> 01:33:49,360
Speaker 1: you see in films like this. You're like, that was

1846
01:33:49,400 --> 01:33:52,559
Speaker 1: really fucked up, wasn't it. Yes, I can't believe I've

1847
01:33:52,560 --> 01:33:54,439
Speaker 1: been carrying this since nineteen eighty three.

1848
01:33:56,080 --> 01:33:59,559
Speaker 3: Yes, I think that is an important lesson. Sometimes not

1849
01:33:59,640 --> 01:34:02,559
Speaker 3: every is gonna be like, we love the shit out

1850
01:34:02,560 --> 01:34:02,760
Speaker 3: of it.

1851
01:34:02,760 --> 01:34:03,920
Speaker 4: It belongs in the cannon.

1852
01:34:04,240 --> 01:34:07,160
Speaker 3: Sometimes you're like, this movie should be sent in a

1853
01:34:07,200 --> 01:34:12,960
Speaker 3: time capsule into space, and we should only remember Ted

1854
01:34:13,040 --> 01:34:16,679
Speaker 3: Danson for the work he's done on Cheers and after

1855
01:34:16,720 --> 01:34:19,200
Speaker 3: he stopped dyeing his hair, Give me a board to death,

1856
01:34:19,240 --> 01:34:22,120
Speaker 3: Ted Dancin, give me a good place, Ted Dancin.

1857
01:34:22,520 --> 01:34:23,719
Speaker 4: Yeah, Goots.

1858
01:34:23,760 --> 01:34:25,120
Speaker 3: I don't know what Goots has been up to. I

1859
01:34:25,120 --> 01:34:27,880
Speaker 3: think he's just been straight lifting weight since nineteen eighty seven.

1860
01:34:29,280 --> 01:34:31,840
Speaker 3: And that's fine. Leave us with the memory. Shoot the

1861
01:34:31,840 --> 01:34:34,320
Speaker 3: movie into space. Sometimes it be like that.

1862
01:34:35,040 --> 01:34:39,599
Speaker 1: Yes, And I believe Tom Selleck is now exclusively a

1863
01:34:39,600 --> 01:34:40,439
Speaker 1: CBS star.

1864
01:34:40,600 --> 01:34:42,920
Speaker 2: I know this because my parents watch all of the

1865
01:34:42,960 --> 01:34:43,680
Speaker 2: shows that he's on.

1866
01:34:43,800 --> 01:34:45,720
Speaker 3: So oh, I can tell you for a fact that

1867
01:34:45,800 --> 01:34:48,320
Speaker 3: he's on fucking Blue Bloods because guess we watch on

1868
01:34:48,439 --> 01:34:49,799
Speaker 3: Ion every Tuesday.

1869
01:34:49,800 --> 01:34:50,639
Speaker 4: It's on all day.

1870
01:34:51,080 --> 01:34:53,800
Speaker 2: Ah, there you go, there you go.

1871
01:34:54,560 --> 01:35:00,160
Speaker 1: Well, look this week was wild and we appreciate you guys.

1872
01:35:01,080 --> 01:35:01,639
Speaker 2: If you have.

1873
01:35:03,080 --> 01:35:08,519
Speaker 1: Anything to say about any of these films, please email us.

1874
01:35:08,560 --> 01:35:11,000
Speaker 1: We're at I Saw What You Did Pod at gmail

1875
01:35:11,080 --> 01:35:11,879
Speaker 1: dot com.

1876
01:35:12,240 --> 01:35:14,360
Speaker 4: You can also send us real letters.

1877
01:35:14,400 --> 01:35:17,120
Speaker 3: We have a PO box that you can find on

1878
01:35:17,160 --> 01:35:19,640
Speaker 3: our link tree, which is on our link to our

1879
01:35:19,680 --> 01:35:22,960
Speaker 3: Instagram account, and you can find us on all of

1880
01:35:22,960 --> 01:35:26,080
Speaker 3: our socials at I Sawpod on Instagram and Twitter.

1881
01:35:27,520 --> 01:35:31,040
Speaker 2: That's right, and look we got that merch.

1882
01:35:31,960 --> 01:35:37,479
Speaker 1: We've got disposable diapers with our faces on them. It's

1883
01:35:37,600 --> 01:35:41,200
Speaker 1: over in the Exactly Right shop at exactly Rightmedia dot com.

1884
01:35:41,840 --> 01:35:44,720
Speaker 4: We have earth ruining.

1885
01:35:45,960 --> 01:35:50,200
Speaker 3: Disposable diapers that are laced with cocaine. We've cut a

1886
01:35:50,200 --> 01:35:53,360
Speaker 3: little hole, a little box in each of them, packed

1887
01:35:53,360 --> 01:35:55,040
Speaker 3: them with heroin and cocaine.

1888
01:35:56,120 --> 01:35:59,360
Speaker 4: To keep you away from the cops. Just go and

1889
01:35:59,400 --> 01:35:59,760
Speaker 4: buy them.

1890
01:36:00,840 --> 01:36:06,880
Speaker 1: We have created bespoke heroin stashing disposable diapers and Diva cups.

1891
01:36:07,520 --> 01:36:10,160
Speaker 1: We've got everything you'd ever want, all of our merch.

1892
01:36:10,520 --> 01:36:12,920
Speaker 3: Baby bottles filled with formula that you could score into

1893
01:36:13,000 --> 01:36:16,400
Speaker 3: directly into your coffee.

1894
01:36:16,880 --> 01:36:19,320
Speaker 4: Oh there's a formula shortage. Not at our shop.

1895
01:36:20,800 --> 01:36:23,120
Speaker 2: It's only to be used for coffee, not for babies.

1896
01:36:23,320 --> 01:36:26,200
Speaker 3: Sorry, I cannot use it for babies. It's in the bylaws.

1897
01:36:26,240 --> 01:36:30,280
Speaker 3: When you click, I accept. And if you use that

1898
01:36:30,320 --> 01:36:32,400
Speaker 3: formula for your baby, then we got to come after you.

1899
01:36:33,720 --> 01:36:35,719
Speaker 2: Oh my god. Well, look, we don't have an episode

1900
01:36:35,720 --> 01:36:36,760
Speaker 2: next week.

1901
01:36:37,280 --> 01:36:39,920
Speaker 4: We do, thankfully from us.

1902
01:36:40,000 --> 01:36:41,920
Speaker 2: You need a break from this episode.

1903
01:36:43,160 --> 01:36:45,760
Speaker 1: We do have a bonus episode though, coming out on Thursday,

1904
01:36:46,720 --> 01:36:50,479
Speaker 1: July seventh, so look for that. And do you want

1905
01:36:50,479 --> 01:36:53,640
Speaker 1: to talk about the movies for the next regular episode.

1906
01:36:54,040 --> 01:36:57,320
Speaker 3: Yes, the next regular episode, which will be out on

1907
01:36:57,479 --> 01:37:01,559
Speaker 3: July twelfth, Your homework is going to be to watch

1908
01:37:01,840 --> 01:37:04,799
Speaker 3: in the Mood for Love from the year two thousand

1909
01:37:05,439 --> 01:37:10,559
Speaker 3: and Days of Being Wild from nineteen ninety Damn, guess

1910
01:37:10,560 --> 01:37:11,000
Speaker 3: that theme.

1911
01:37:11,560 --> 01:37:15,960
Speaker 4: Here's a hint. It is not included. Neither movie includes

1912
01:37:15,960 --> 01:37:16,679
Speaker 4: a fuck loft.

1913
01:37:19,600 --> 01:37:20,360
Speaker 2: That's a good hint.

1914
01:37:20,400 --> 01:37:24,439
Speaker 4: Actually, you will not see a skid mark a narrowan

1915
01:37:24,560 --> 01:37:27,960
Speaker 4: actor in next week's films.

1916
01:37:29,120 --> 01:37:32,680
Speaker 1: Fuck, they were so in one of these movies they

1917
01:37:32,680 --> 01:37:33,840
Speaker 1: wish it was a fuck loft.

1918
01:37:33,880 --> 01:37:40,840
Speaker 2: Am I right on that note, Danielle. It is a

1919
01:37:40,880 --> 01:37:43,479
Speaker 2: pleasure to read this podcast with you. I laughed so much.

1920
01:37:43,920 --> 01:37:45,280
Speaker 2: Thank you so much for doing it.

1921
01:37:46,080 --> 01:37:48,400
Speaker 3: Thank you so much. Let's just hope that we all,

1922
01:37:48,840 --> 01:37:51,320
Speaker 3: you know, get some sleep caretakers. I see you, I

1923
01:37:51,360 --> 01:37:52,280
Speaker 3: see you out there.

1924
01:37:52,600 --> 01:37:53,800
Speaker 2: All right, guys, see you soon.

1925
01:37:54,240 --> 01:38:00,160
Speaker 4: HYI bye.

1926
01:38:01,520 --> 01:38:04,280
Speaker 3: This has been an exactly right production, produced and mixed

1927
01:38:04,280 --> 01:38:07,400
Speaker 3: by Casey O'Brien. Our theme song is by Tom bry Fogel,

1928
01:38:07,720 --> 01:38:11,439
Speaker 3: artwork by Garrett Ross. Our executive producers are Georgia Hartstart,

1929
01:38:11,520 --> 01:38:14,160
Speaker 3: Karen Kle, Gareth and Daniel Kramer. You can follow us

1930
01:38:14,160 --> 01:38:17,120
Speaker 3: on Instagram and Twitter at I Saw Pod, and you

1931
01:38:17,120 --> 01:38:19,320
Speaker 3: can email us at I Saw What You Did Pod

1932
01:38:19,439 --> 01:38:20,040
Speaker 3: at gmail