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Speaker 1: Gorgeous boy, you listen to The Black Guy Who Tips

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Speaker 1: podcast because.

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Speaker 2: Rawd and caring are hard. Hey, welcome to another episode

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Speaker 2: of The Black Guy Who Tells Podcast. I'm your host,

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Speaker 2: Rod Joyner is always on my co host.

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Speaker 1: Carrien Karen, and we are live on.

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Speaker 2: A Wednesday, wrapping up the week. The official weapon of

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Speaker 2: the show is funk jam and the unofficial sport bullet

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Speaker 2: bulletball Extreme.

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Speaker 1: I said, if a confidence I had, my mind had

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Speaker 1: to be like, wait a minute, it can't wait a minute?

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Speaker 1: Can you broke the street?

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Speaker 2: If getting a little bit of a later start tonight

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Speaker 2: because I had to finish watching Mister and Missus Smith

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Speaker 2: on Amazon. Okay, uh, And I loved it. I thought

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Speaker 2: it was great. I don't know what the fuck. You

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Speaker 2: can't listen to social media about anything because it's such

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Speaker 2: a negative place. As soon as they saw the trailer,

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Speaker 2: they were like, uh, these people are not sexy as

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Speaker 2: the Caucasian people that we love.

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Speaker 1: And it's gotten mad. And then after that reviews came out,

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Speaker 1: was like this is really good, Like a lot of

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Speaker 1: positive reviews came out, like.

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Speaker 2: Yeah, I think what people I think what people for? Well,

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Speaker 2: maybe they never understood or they I think it's it

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Speaker 2: does a disservice to that movie that the only thing

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Speaker 2: people remember is how hot the Angelina Jolie and Brad

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Speaker 2: Pitt are, because essentially you're saying that the concept didn't

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Speaker 2: stick with you, the plot didn't stick with you, the

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Speaker 2: scenes didn't really stick with you. What you remember is

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Speaker 2: like they really did have some infidelity in real life,

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Speaker 2: and that they were smoking hot white people, and and

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Speaker 2: somehow that became the premise of the movie is like, well,

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Speaker 2: if it's not too smoking hot white people, how to fuck,

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Speaker 2: you know, Or then the actors they would be like, well,

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Speaker 2: what they should have did is cast, you know, fan cast,

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Speaker 2: and it would just be people they want to fuck,

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Speaker 2: you know, Like, oh, they should have put trevn I

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Speaker 2: can't even remember his name is they should Troron Ta

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Speaker 2: Roose or somebody like they should have put this guy,

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Speaker 2: they should put all Hodge. And it's not that those

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Speaker 2: people can't do what this show was about, but this

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Speaker 2: show was in this movie and the concept is not

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Speaker 2: really about the action and the fucking. It's really about

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Speaker 2: a marriage. And then the action is all allegories for

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Speaker 2: the marriage. It's what's it like when you know, you

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Speaker 2: want to get to the step like where you want

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Speaker 2: to have kids. What's it like when you start to fight?

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Speaker 2: What is it like when you get a separation? What

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Speaker 2: is it like to you know, to make up? What

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Speaker 2: is it like to uh, you know, to even get

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Speaker 2: together in the first place? Like that? And then the

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Speaker 2: action all takes place in ways that reflect the conflicts

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Speaker 2: they go through, you know, couples therapy and stuff. And

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Speaker 2: I loved it because it it lived in the moments

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Speaker 2: more than those other shows than that movie. The movie

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Speaker 2: only has two hours, right, it can't live in those allegories.

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Speaker 2: And while I thought the movie was cute, I never

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Speaker 2: thought it never stuck with me. I've never rewatched that

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Speaker 2: movie me either. Like I just thought it was like, oh, okay,

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Speaker 2: that was cute, you know what I mean. But this

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Speaker 2: series was to me just as a as an idea

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Speaker 2: of two people trying to be together who are obviously

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Speaker 2: fucking killers and spies and all the intels and then

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Speaker 2: the guest cast. I can't even go on about it.

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Speaker 2: It's just that's why we're late, because I honestly I

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Speaker 2: didn't even want to binge this show, but I just

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Speaker 2: kept being like, oh, I watched one episode. I was

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Speaker 2: sh I got two more to go, I might as well,

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Speaker 2: And next thing, you know, I was like, fuck, it's

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Speaker 2: only ten minutes left in the last episode. I guess

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Speaker 2: we can start the show after this. So I just

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Speaker 2: went ahead and watched it, and I loved it.

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Speaker 1: I'm glad you So what are we and what you

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Speaker 1: McCall it? Segment banter?

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Speaker 2: Yeah, I was, you know, that was kind of I

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Speaker 2: guess that was some banter.

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Speaker 1: You know.

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Speaker 2: I didn't play any music and shit, hold on, Psycho,

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Speaker 2: love me some horns? All right? Care m hm, Well,

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Speaker 2: what's going on with you over there? Care? Are you doing?

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Speaker 1: I'm good? So while you was doing that, I was

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Speaker 1: watching was it Vinlin Saga? I keep telling the name

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Speaker 1: of that ship? I called it the right thing. I'd

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Speaker 1: be wanting to call it vi Hollo, but I don't think.

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Speaker 1: I was like, Karen, that's not the name, but called

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Speaker 1: Finland Socker is an anime and Roger already watched it,

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Speaker 1: and he was telling me I'm still in season one,

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Speaker 1: but he was telling me the season two. The art

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Speaker 1: style is the same people that did attack on Titan.

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Speaker 2: It's the same studio.

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Speaker 1: Okay, it's the same studio they did Attack on Titan

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Speaker 1: and I'm Not Gonna lie. We finished that series recently

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Speaker 1: because it took forever for them to actually make it dubbed,

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Speaker 1: because we like dubbed and I'm not even gonna lie.

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Speaker 1: It is literally one of the best animes I've ever watched.

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Speaker 1: I'm not even gonna yes from from Lily from start

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Speaker 1: to finish. And one thing about that series, it rewards

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Speaker 1: you for paying attention, and it rewards you at the

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Speaker 1: end and lit it And it's one of those things

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Speaker 1: where even after you think it ends, it continues on

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Speaker 1: to kind of show you the future of some of

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Speaker 1: the things Aaron was saying that he was seeing and

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Speaker 1: stuff like that, Like it feeled in a lot of

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Speaker 1: like when it ended, I was like, yes, it's almost

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Speaker 1: like they left no stone unturned and they ate up

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Speaker 1: all the crumbs. It's like, when this ends, you gonna

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Speaker 1: know there's nothing else to do here, Like like literally,

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Speaker 1: this is the quote unquote end of this story. If

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Speaker 1: they was to do something else, it would be a

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Speaker 1: serious time skip into like a future future separate from

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Speaker 1: all these people and their reality and all this type

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Speaker 1: of stuff. And I read appreciate that with this, you know,

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Speaker 1: not all animes, but I really do appreciate a start,

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Speaker 1: a middle, and a finish. I understand as consumers sometimes

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Speaker 1: we get selfish, will be like again again again again,

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Speaker 1: stretch your stretch, your stretch, your stretches. But sometimes people

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Speaker 1: have an idea and they were like, this is my thoughts,

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Speaker 1: this is the story, and that's it. You get nothing else.

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Speaker 1: I like completed stories like that, and those stories to me,

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Speaker 1: some of the stories that actually have a go against time,

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Speaker 1: you know, like like like you go, oh, that was

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Speaker 1: a great story from start to finish and the way

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Speaker 1: end and the consequences and shit like that, and just

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Speaker 1: the writing. It was outstanding. So I'm watching Villainsaga and

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Speaker 1: I'm really enjoying I ain't got the season two yet,

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Speaker 1: but I'm really enjoying it a lot. I'm joining the

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Speaker 1: hell out of it. So while you was watching that,

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Speaker 1: I was watching this.

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Speaker 2: Okay, Yeah, I love that series. And now I'm sure

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Speaker 2: we'll talk more about that on the nerd off as well,

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Speaker 2: but coming up this Friday for all the premium people

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Speaker 2: Friday doing a nerd off. But yeah, it was it

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Speaker 2: was I like that. I love that series as well,

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Speaker 2: and I like that about animes that they start a

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Speaker 2: lot of times with the ending. Now these days, because

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Speaker 2: it's getting so popular and making so much money, is

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Speaker 2: starting to change and there's a lot of filler. There's

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Speaker 2: a lot of like movies, Like there's a lot more

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Speaker 2: exploitation of the IP now, and so sometimes they might

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Speaker 2: like the old days of just a twenty eight episode,

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Speaker 2: we told the whole story. We have nothing else to say.

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Speaker 2: Those days seem to be over, even with Attack on Titan,

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Speaker 2: the way they kept kind of like stretching it and

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Speaker 2: then it was like, oh, we're coming back with a special,

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Speaker 2: and then it's gonna be four seasons. It's gonna be Oh,

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Speaker 2: it's gonna be another season coming up, Like even they

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Speaker 2: kind of you know, I mean, because you're making so

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Speaker 2: much money and it's so popular, you don't know which

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Speaker 2: one's gonna be popular, correct, I get it. But yeah,

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Speaker 2: but I love that series as well.

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Speaker 1: Yeah, and I do it like that, Like there's some

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Speaker 1: that that that like this is the song that never

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Speaker 1: ass I got my hand full, and I'm like, I'm

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Speaker 1: just here for it. But I know what it is,

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Speaker 1: you know what I'm saying, Like I love Naroto, but

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Speaker 1: Naruto is forever. I know it eventually ends you going

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Speaker 1: to Borotoe, but Naruto is a lot of episodes and

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Speaker 1: then you have sat down and we've literally been through

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Speaker 1: it all that Bleach, you know, I need to catch

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Speaker 1: up on Bleach. I'm who knows something season behind on

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Speaker 1: Bleach and like some of the other ones, and same

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Speaker 1: thing with Drug about Z some of them. You know

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Speaker 1: what you're getting into. You know, I haven't started one

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Speaker 1: piece cause it's like four thousand episodes. I was like, well,

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Speaker 1: I don't know if I won't take that journey.

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Speaker 2: And that one ever seems like they never planned to

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Speaker 2: end that either. All right, let's get into some other news,

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Speaker 2: all right, news. Kelly Rowland says Jay Z made other

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Speaker 2: artists feel seen during his Grammy speech.

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Speaker 1: I could see that. Yeah, I could see a lot

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Speaker 1: of people having some of the feelings that he was having.

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Speaker 1: Because the thing is, these people at work, and even

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Speaker 1: though it's an awards sermon on all this shit, they're

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Speaker 1: still on the clock. It's still at work, so they

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Speaker 1: have to keep the smiles on. They have to you know,

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Speaker 1: perform and all that shit. They got cameras and things

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Speaker 1: like that in front of them. So they're still quote unquote

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Speaker 1: on the clock, but you know, not funny jay Z

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Speaker 1: is at a place of privilege where he's like, oh,

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Speaker 1: I've been through that. I just don't give a fuck

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Speaker 1: no more. So this is how I feel, and what

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Speaker 1: are the consequences, Like I like, I have no what

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Speaker 1: You're going to end my career, bitch, Like what you're

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Speaker 1: gonna do? Not give me no wards? Like I actually

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Speaker 1: don't care.

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Speaker 2: You know.

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Speaker 1: So I could see people being like, oh, thank god

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Speaker 1: somebody said, like I can't do it because I don't

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Speaker 1: want in my career, but I'm glad that somebody actually

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Speaker 1: said some things that a lot of people have been feeling,

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Speaker 1: particularly modulized people good Ben's overlooked who have been ignored.

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Speaker 1: You know. Even with this particular ceremony, a lot of

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Speaker 1: the Black and Brown and other awards was given off camera,

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Speaker 1: you know, so people didn't even get to see the

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Speaker 1: people that some of the people that they was listening

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Speaker 1: that they would have loved to see give a speech.

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Speaker 1: They gave a speech to a room of people, but

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Speaker 1: nobody saw unless you was in the room. You know.

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Speaker 1: So if one of them things where you go, okay,

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Speaker 1: you know, you keep saying this, but you know, not

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Speaker 1: tr any funny. The categories there aren't black and brown

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Speaker 1: and other. I don't never see y'all listen to all

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Speaker 1: these white artists and all these white straight men listening

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Speaker 1: to them and be like, oh, well, we'll hollert them later,

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Speaker 1: y'all don't.

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Speaker 2: I mean, they might do that, but I mean, like

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Speaker 2: cause it's not like the black categories are the only

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Speaker 2: ones that don't get aired, right. I'm sure there's a

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Speaker 2: lot of categories that traditionally white people within and or

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Speaker 2: you know, people that aren't black when but they'd stilled

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Speaker 2: don't AIRR because they're not or whatever. But it says

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Speaker 2: something that you know, it's the fiftieth anniversary of hip

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Speaker 2: hop and hip hop awards don't even really get shown

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Speaker 2: on that stage. But yeah, I mean, Kelly Rowland's right.

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Speaker 2: You know, this is one of the reasons I thought

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Speaker 2: I wasn't as hard on Jay Z's speech because it's

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Speaker 2: a very real feeling that people have. And I think

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Speaker 2: when you're fifty sixty years old and you're a black

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Speaker 2: person and you made all the money and you got

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Speaker 2: out of fame, you got all the accolades, people are like, well,

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Speaker 2: Why are you even affected by this? It's like, cause

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Speaker 2: I'm fucking human. Where do you think my art comes from?

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Speaker 2: Why am I affected by the regret of selling drugs

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Speaker 2: to my own people? Why should not just be like, well,

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Speaker 2: I'm rich, I figured it out. Fuck it. Like you know,

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Speaker 2: emotions is part of it. In honesty is part of emotions,

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Speaker 2: and maybe not everything. It's gonna be a good look

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Speaker 2: for people, right, but it's the truth for you. And

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Speaker 2: I was not surprised that other people were applotting jay Z.

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Speaker 2: The artists are saying, yep, I feel seen. This is

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Speaker 2: exactly you know the thing I think about a lot,

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Speaker 2: and uh yeah, I think I think it's dope. With

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Speaker 2: Kelly Rowland, she said, I couldn't be more proud of him,

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Speaker 2: and I'm just really happy for a lot of things

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Speaker 2: that he said. I think he made a lot of

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Speaker 2: artists feel very sen and very heart in those minutes

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Speaker 2: that he took on stage.

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Speaker 1: So man, and I appreciate that. And you know, it's

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Speaker 1: one of those things where these awards mean something, regardless

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Speaker 1: if they mean something to you, they actually mean something

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Speaker 1: that you know, this is shit that people, you know,

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Speaker 1: write off in people's catalog and how quote unquote good

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Speaker 1: or great whatever that they are. You know, people, actually

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Speaker 1: this shit matters. You know two people and you know people.

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Speaker 1: You know, I understand even with some of the other awards,

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Speaker 1: people go, well, who cares? Well, if I worked in

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Speaker 1: this industry, bitch, I would care?

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Speaker 2: Yeah, And I mean I think there's also like a

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Speaker 2: thing to like. But you're cool and cool means kind

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Speaker 2: of not caring. And uh, I think a lot of

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Speaker 2: people have taken on that ethos. It's like cool people

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Speaker 2: don't care, and it's like it's not cool care too much,

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Speaker 2: especially about you know, your ego or personal things or

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Speaker 2: what someone thinks about you. And it's like, well, that's

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Speaker 2: the one A lot of those people are in deniw

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Speaker 2: But then two, like that's human, you know it is

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Speaker 2: and it's relatable, which is what music and artists about.

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Speaker 2: Henry Cavill says he doesn't understand sex scenes and thinks

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Speaker 2: they're overused. Henry Cavill shared his dislike of sex scenes

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Speaker 2: in film and television and Question and Necessity, arguing that

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Speaker 2: it might sometimes be better to let viewers use their

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Speaker 2: human imagination. During an interview on Josh Horowitz's Happy Sad

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Speaker 2: Confused podcast with his Argule, director Matthew Vaughan Cavill admitted

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Speaker 2: that he's not a fan of film and intimate scenes

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Speaker 2: and doesn't understand why they show up so often, even

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Speaker 2: though he acknowledges there are some circumstances where they can

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Speaker 2: add value to the storyteller. I posted this article on

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Speaker 2: my Facebook and it started like a little debate between

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Speaker 2: people in my comments, And the main thing I can

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Speaker 2: tell is that most people didn't read the comments. And

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Speaker 2: because I haven't, I mean read the article, and because

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Speaker 2: I haven't participated in these conversations before online or even

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Speaker 2: on the show. I was still trying to formulate my

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Speaker 2: thoughts about it and just seeing what people had to say.

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Speaker 2: But it sounds like there's a bunch of there's already

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Speaker 2: like two distinct camps of like we need to stop

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Speaker 2: being proved sex scenes are fine, what the fuck is

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Speaker 2: the problem is just like any other scene, you know,

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Speaker 2: And then there's the no, we need to stop having

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Speaker 2: sex scenes and all together, there's no need for sex

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Speaker 2: scenes in movies. It doesn't further the plot at all.

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Speaker 2: It's expleditive or the artist and all this stuff. And

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Speaker 2: I think if they read his comments. He didn't say

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Speaker 2: either one of those things. He's like, if it can

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Speaker 2: add value, cool, but if it's just something where I

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Speaker 2: feel like it's just in the scene, it's not adding

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Speaker 2: anything to the it's not really adding much to the

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Speaker 2: plot or whatever, or something that could be done in

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Speaker 2: a different way, and he feels like it could be

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Speaker 2: a cop out. I agree, Yeah, he said, I don't

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Speaker 2: understand them. I'm not a fan. There are circumstances where

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Speaker 2: a sex scene actually is beneficial to a movie rather

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Speaker 2: than just the audience, but I think sometimes they're overused

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Speaker 2: these days. It's when you have a sense of where

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Speaker 2: you're going, is this really necessary or is it just

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Speaker 2: people with less clothing on? And that's when you start

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Speaker 2: to get more uncomfortable and you're thinking, there's not a

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Speaker 2: performance here, there's not a piece which is going to

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Speaker 2: carry through the rest of the movie. He reiterated that

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Speaker 2: there are occasions where sex scenes can be great, but

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Speaker 2: sometimes they're relied on too heavily as a bit of

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Speaker 2: a cop out, because most of the time the human

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Speaker 2: imagination is going to trumpet, So there should be more

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Speaker 2: thought out around what is this going to do? What

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Speaker 2: is this doing for us? Apart from the idea of oh,

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Speaker 2: naked person great. Yeah, I don't think what he's saying

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Speaker 2: here is controversial really. I think it's controversial in the content.

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Speaker 2: If you've been fighting on the internet and people have

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Speaker 2: been saying basically, we don't ever need sex scenes, and

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Speaker 2: then you've been like, what the fuck is wrong with

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Speaker 2: y'all pilgrims or whatever you pure tans, then I understand

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Speaker 2: like how it can get caught up in that. But

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Speaker 2: his I think he makes a valid point, and I

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Speaker 2: think obviously sex scenes do add stuff because it bad

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Speaker 2: sex is tells a story. Good sex tells a story,

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Speaker 2: Sexual chemistry tells a story. Joking during like, there's a

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Speaker 2: lot of stuff a story can have in a sex

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Speaker 2: scene that can make it like viable, and you're learning

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Speaker 2: something about the characters in the situation. And then there's

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Speaker 2: sometimes where you know, like you know with Game and Thrones,

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Speaker 2: sometimes where you're like, they're having people be naked while

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Speaker 2: they talk about the plot, because more than likely they

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Speaker 2: were like, motherfucker's gonna be bored a shit listening to

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Speaker 2: this guy talk about the succession to the throne. But

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Speaker 2: if you put some people getting finger banged in the back.

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Speaker 2: Then they'll at least watch the scene and be like,

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Speaker 2: not bored by this guy who's only conveying, you know,

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Speaker 2: information that we need the audience to remember for the plot.

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Speaker 1: Right.

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Speaker 2: So I mean, like I said, I I could see

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Speaker 2: a kind of both ways on this, but I thought

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Speaker 2: he I thought what he said was fine.

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Speaker 1: Yeah, he was being very reasonable, And I do agree

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Speaker 1: there are times when things do need to be left

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Speaker 1: up to the imagination. Like there are times where you

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Speaker 1: can kind of and I've seen it done greatly, where

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Speaker 1: you can start a sex scene but you don't finish

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Speaker 1: the sex scene, Like you can start like the kissing

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Speaker 1: and the intimacy. You can even start with like people

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Speaker 1: on clothed and then just kind of swap the scene

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Speaker 1: like we don't actually have to see sometimes the act itself.

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Speaker 1: So from that perspective, I understand now there are some

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Speaker 1: points where the act is important to the storyline, to

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Speaker 1: the plot moving it along. It's very important you're trying

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Speaker 1: to tell a story about kind of sex itself or

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Speaker 1: the intimac season of things around sex. I understand you

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Speaker 1: actually showing, you know, the act itself. I'm not I'm

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Speaker 1: not completely against no sex at all whatsoever. I think

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Speaker 1: it's stupid.

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Speaker 2: I think what I what? So, you know, let's take

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Speaker 2: it one level deeper. I think one of the things

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Speaker 2: that's happening here is we've swung the pendulum probably a

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Speaker 2: little too far the other way since the Me Too movement,

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Speaker 2: because you know, that was the time for people to

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Speaker 2: air their grievances and talk about the experiences. So some

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Speaker 2: people were like, I was never comfortable during these sex scenes.

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Speaker 2: I just did them because I thought I had to

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Speaker 2: or or this, or the sex scene wasn't handled well.

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Speaker 2: They didn't have intimacy coordinators that did a good job.

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Speaker 2: And if this is something that can be handled badly,

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Speaker 2: then it shouldn't be handled at all. Is how people

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Speaker 2: took it. But when someone dies on the set of

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Speaker 2: a movie in an action scene, if someone gets injured,

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Speaker 2: we don't go that's enough action scenes, Hollywood. Someone got hurt.

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Speaker 2: This we gonna know that set is dangerous. That person

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Speaker 2: is that that those the stut coordination. Someone has to

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Speaker 2: be responsible. Yes, Alec Baldwin kills somebody on the set

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Speaker 2: of a movie, we don't say no more guns in movies.

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Speaker 2: We go, that's a dangerous set. We need to investigate

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Speaker 2: that so it never happens again. So I think, in

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Speaker 2: our need to feel like we're protecting people, we may

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Speaker 2: of course corrected to a point of like we need

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Speaker 2: to sanitize sex out of just most things. And being

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Speaker 2: that this last era of movies has been dominated by

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Speaker 2: the blockbuster PG. Thirteen ish movie as they have meaning

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Speaker 2: like Marvel heroes are all sexy, but they have no sex,

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Speaker 2: right the one movie where they did have sex. Everybody

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Speaker 2: hates E Turtles. But the point being like, in a

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Speaker 2: world where we're dealing with an epidemic of loneliness, where

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Speaker 2: we literally know statistically since we've been tracking it, young

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Speaker 2: people are having less sex than they've ever had, there

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Speaker 2: is something about the reflection in this media. I don't

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Speaker 2: know if it's chicken or egg, right, I don't know

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Speaker 2: which came first. There's something about the unsexiness of our

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Speaker 2: media that does speak volumes about this moment in time.

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Speaker 2: And I think we'll look back at this and be like,

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Speaker 2: almost like how we had a sexual revolution. It was

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Speaker 2: like a sexual like we were pulling back on the sex.

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Speaker 2: And it's obvious people still love those raunchy sex scenes

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Speaker 2: and stuff because look at what they'll pretend to be

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Speaker 2: disgusted or act like it's but they love like a

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Speaker 2: fucking euphoria. They love, you know, all these HBO shows

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Speaker 2: that they love a gamer throwt, they love. The highest

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Speaker 2: ratings for all these shows I'm naming, and it's because

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Speaker 2: those shows will take it there to that next level

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Speaker 2: and do that nasty thing that people are like, Oh

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Speaker 2: my god, I can't believe that people have been talking

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Speaker 2: about Saltburn for fucking a couple months. I didn't even

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Speaker 2: watch it, and I know it is I know, but

401
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Speaker 2: I know about the scenes in it just because people

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Speaker 2: spoiled it because they want to talk about it so much.

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Speaker 2: So there's it's it's that thing that kind of betrays

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Speaker 2: us where clearly, you know, some of the movies this year,

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Speaker 2: poor things like very sexual movies Oppenheimer, uh and and

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Speaker 2: I And even in Oppenheimer, I felt like the sex

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Speaker 2: served the purpose. I didn't think it was just being exploitive.

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Speaker 2: And I think what the next level is gonna be.

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Speaker 2: The actors are going to have to proactively be in

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Speaker 2: their interviews. Like I knew I was doing sex scenes

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Speaker 2: when I signed up. I wanted to do these sex

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Speaker 2: sceneses and I like the way it went, and I

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Speaker 2: like how it turned out, and I and and like

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Speaker 2: kind of have to get in front of the audience

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Speaker 2: because when you're talking about social media, where most of

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Speaker 2: this conversation takes place, that is a very anti social, lonely, angry,

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Speaker 2: sad place. And while they're sex positive in that, if

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Speaker 2: you said, hey, this porn star wants to talk at

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Speaker 2: a library, they'd be like, what's wrong with that? But

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Speaker 2: if you actually said this porn star has a sex

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Speaker 2: scene in a an R rated movie, they're like, well,

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Speaker 2: why the hell would you put sex in a movie.

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Speaker 2: So we are at a crossroads where like, those two

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Speaker 2: things don't really add up, but it is the same

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Speaker 2: groups of people. Yes, so I do think that there's

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Speaker 2: something about what he's getting at that's a bigger conversation

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Speaker 2: than it made me think of all that when I

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Speaker 2: was reading this quote.

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Speaker 1: Yeah, and also there has to be a balance because

430
00:22:36,480 --> 00:22:40,120
Speaker 1: even though it's sex, is also used as art. And

431
00:22:40,200 --> 00:22:42,879
Speaker 1: so if you come in but I know sex scenes like, okay,

432
00:22:43,040 --> 00:22:45,520
Speaker 1: I'm meet, so you're limiting everything I can do as

433
00:22:45,520 --> 00:22:48,639
Speaker 1: a creator. You're telling me that if I want to

434
00:22:48,680 --> 00:22:50,760
Speaker 1: do these things and show these things, I can't do

435
00:22:50,800 --> 00:22:53,400
Speaker 1: it because you've determined that my art and the things

436
00:22:53,400 --> 00:22:55,320
Speaker 1: that I've decided that I want to put in my

437
00:22:55,480 --> 00:22:57,280
Speaker 1: art is not worthy to be shown.

438
00:22:57,440 --> 00:23:00,159
Speaker 2: Yeah, you have like a p Valley or something where

439
00:23:00,600 --> 00:23:03,919
Speaker 2: it's you know, very sexual. Black people love it like

440
00:23:03,960 --> 00:23:06,119
Speaker 2: it's I don't know. It feels a little bit like

441
00:23:06,160 --> 00:23:11,520
Speaker 2: that old court case where in public, you know, the

442
00:23:11,840 --> 00:23:14,280
Speaker 2: lawyers are like, hey, nobody watches porn, we want to

443
00:23:14,280 --> 00:23:18,520
Speaker 2: ban porn. And then the cable company or whoever showed

444
00:23:18,560 --> 00:23:21,520
Speaker 2: up to the trial and they were like, here are

445
00:23:21,560 --> 00:23:25,480
Speaker 2: the ratings. Here is how much people are watching it. Now, Look,

446
00:23:25,560 --> 00:23:28,840
Speaker 2: there's a pure tannical society. They may be ashamed right

447
00:23:29,040 --> 00:23:32,080
Speaker 2: to come out and say I'm watching this stuff, but

448
00:23:32,119 --> 00:23:35,159
Speaker 2: they are watching it. And just because they're silent doesn't

449
00:23:35,200 --> 00:23:37,680
Speaker 2: mean that it's not happening. And so I think just

450
00:23:37,720 --> 00:23:41,320
Speaker 2: because people want to avoid conflict or they don't want

451
00:23:41,359 --> 00:23:45,080
Speaker 2: to have this discussion with other people doesn't necessarily mean

452
00:23:45,200 --> 00:23:48,800
Speaker 2: that putting sex in a movie automatically makes it bad

453
00:23:49,000 --> 00:23:51,520
Speaker 2: or just like the scene needs to be this, that

454
00:23:51,600 --> 00:23:55,160
Speaker 2: and the other. I think obviously you want your intimacy coordinators,

455
00:23:55,280 --> 00:23:58,720
Speaker 2: you know, doing that thing. But my people watch all

456
00:23:58,800 --> 00:24:03,480
Speaker 2: kinds of raps rap shite people upset that that shit

457
00:24:03,520 --> 00:24:06,040
Speaker 2: got came. They were mad people sad the Insecure is

458
00:24:06,080 --> 00:24:09,040
Speaker 2: over right, all kinds of raunchy sex in there, I think,

459
00:24:09,359 --> 00:24:12,560
Speaker 2: And the sex does tell you about the characters. It's

460
00:24:12,600 --> 00:24:16,679
Speaker 2: not just sex for sex sake. So I don't know.

461
00:24:16,720 --> 00:24:19,639
Speaker 2: I think there's something to this discussion. And we've just

462
00:24:19,680 --> 00:24:23,600
Speaker 2: never had it on the air here, right, But but

463
00:24:23,680 --> 00:24:25,359
Speaker 2: this is my first time really thinking about it, and

464
00:24:25,400 --> 00:24:29,840
Speaker 2: I'm like, I mean, I get what he's saying, but

465
00:24:29,960 --> 00:24:32,120
Speaker 2: I and then someone else, Shanna brought up a good

466
00:24:32,160 --> 00:24:34,320
Speaker 2: point on my Facebook page. She said, a lot of

467
00:24:34,320 --> 00:24:36,480
Speaker 2: these male actors don't even start talking like this till

468
00:24:36,480 --> 00:24:39,720
Speaker 2: they get in a relationship, you know, right where it's like, hey,

469
00:24:40,480 --> 00:24:43,640
Speaker 2: I don't want to be having sex scenes anymore, which

470
00:24:43,680 --> 00:24:48,720
Speaker 2: is another you know, kind of argument against the whole

471
00:24:48,840 --> 00:24:51,400
Speaker 2: like it has to have a sex scene because we

472
00:24:51,480 --> 00:24:55,480
Speaker 2: know certain people like Denzel. He's decided he's never gonna

473
00:24:55,520 --> 00:24:57,920
Speaker 2: have a character who has an on screen romance with

474
00:24:57,960 --> 00:25:02,840
Speaker 2: a white woman, and he never had it. Somehow, every director,

475
00:25:02,920 --> 00:25:04,840
Speaker 2: no matter what they wrote in that movie, figured the

476
00:25:04,840 --> 00:25:07,399
Speaker 2: way out to once they cast in Zel, they figured

477
00:25:07,440 --> 00:25:09,440
Speaker 2: a way out not to do it, and I'm sure

478
00:25:09,520 --> 00:25:13,560
Speaker 2: that happens with stars in Hollywood all the time. I

479
00:25:13,560 --> 00:25:16,040
Speaker 2: think there's a reason that the first season of Game

480
00:25:16,040 --> 00:25:19,040
Speaker 2: of Throngs you're seeing the woman who plays a Kalisi's

481
00:25:19,200 --> 00:25:22,560
Speaker 2: tennis and shit, because she she wasn't nobody then. And

482
00:25:22,600 --> 00:25:25,119
Speaker 2: by the end it's like, I'm not getting naked, right,

483
00:25:25,280 --> 00:25:28,040
Speaker 2: I don't I have a contract now, I.

484
00:25:28,000 --> 00:25:28,639
Speaker 1: Don't have to.

485
00:25:28,720 --> 00:25:31,239
Speaker 2: You gotta run it by me. I matter, I got

486
00:25:31,320 --> 00:25:35,239
Speaker 2: other opportunities. If you ain't got a like me, just

487
00:25:35,280 --> 00:25:37,840
Speaker 2: having sex just to have sex doesn't matter, you know.

488
00:25:39,240 --> 00:25:41,639
Speaker 2: So yeah, it just makes me wonder about it because

489
00:25:42,359 --> 00:25:44,280
Speaker 2: you know, and and of course I agree that the

490
00:25:44,400 --> 00:25:47,440
Speaker 2: imagination is just as vivid, if not more vivid, than

491
00:25:47,520 --> 00:25:53,159
Speaker 2: actual sex. Like I'll never forget that people weren't that

492
00:25:53,440 --> 00:25:57,360
Speaker 2: hard on Game of Throngs until sons of character had

493
00:25:57,600 --> 00:26:00,520
Speaker 2: was sexually assaulted by Ramsey, and they never showed it.

494
00:26:00,600 --> 00:26:03,280
Speaker 1: They didn't show us the scene, and motherfucker's lost their head,

495
00:26:03,680 --> 00:26:05,560
Speaker 1: you know, they didn't show us, right.

496
00:26:05,480 --> 00:26:08,680
Speaker 2: The imagination was honestly worse than the scenes they had

497
00:26:08,720 --> 00:26:11,560
Speaker 2: shown with other characters in the past, because it was

498
00:26:11,800 --> 00:26:15,119
Speaker 2: the human imagination is powerful, so and it doesn't always

499
00:26:15,160 --> 00:26:16,880
Speaker 2: have to be used in that way, but you can

500
00:26:17,040 --> 00:26:19,199
Speaker 2: just you know, back in the day they used to

501
00:26:19,200 --> 00:26:23,480
Speaker 2: cut to a woman wearing Clint Eastwoods button up shirt

502
00:26:23,720 --> 00:26:26,000
Speaker 2: making eggs in the morning. You knew they fucked, So

503
00:26:26,920 --> 00:26:30,080
Speaker 2: you know, it's definitely interesting to think about that, right.

504
00:26:30,080 --> 00:26:32,879
Speaker 1: And it's also one of the things too for a

505
00:26:32,880 --> 00:26:35,399
Speaker 1: lot of people just projection, Like a lot of people

506
00:26:35,520 --> 00:26:38,360
Speaker 1: they're uncomfortable. They don't like t sex scenes, so they're like, well,

507
00:26:38,400 --> 00:26:40,400
Speaker 1: this is a chance for me to get it out there.

508
00:26:40,520 --> 00:26:42,840
Speaker 1: But these are your personal preferences and you don't have

509
00:26:42,920 --> 00:26:43,440
Speaker 1: to watch.

510
00:26:43,520 --> 00:26:47,680
Speaker 2: And I wonder how representative it is of the audience,

511
00:26:47,880 --> 00:26:52,040
Speaker 2: because the conversations online tend to be towards miserable. That

512
00:26:52,119 --> 00:26:55,159
Speaker 2: being said, someone in the chat said they think, uh,

513
00:26:55,320 --> 00:26:58,480
Speaker 2: this generation, the talking point that this generation hates sex

514
00:26:58,520 --> 00:27:02,480
Speaker 2: is a little overblown. I would tend to agree, except

515
00:27:03,040 --> 00:27:05,960
Speaker 2: we statistically have evidence that young people are having less

516
00:27:05,960 --> 00:27:08,439
Speaker 2: sex than they've ever had in any time that we

517
00:27:08,600 --> 00:27:12,880
Speaker 2: tracked it. So to me, that's something is happening. Whether

518
00:27:12,920 --> 00:27:17,800
Speaker 2: it's being reflected in our media or whether the media.

519
00:27:17,560 --> 00:27:20,440
Speaker 1: Is driving it, I don't know, but that's a very

520
00:27:20,720 --> 00:27:23,440
Speaker 1: pandemic like behavior has changed.

521
00:27:23,960 --> 00:27:27,440
Speaker 2: That's a very real thing that's happening. And I do

522
00:27:27,520 --> 00:27:29,880
Speaker 2: wonder about that shit. I don't know that they hate it.

523
00:27:29,800 --> 00:27:32,280
Speaker 1: But they're just not having it with each other.

524
00:27:32,520 --> 00:27:34,560
Speaker 2: I mean, I have my theory. And then once again,

525
00:27:34,600 --> 00:27:38,000
Speaker 2: I'm working this side as we're talking. I think it's

526
00:27:38,040 --> 00:27:45,920
Speaker 2: something about being digital takes away intimacy, good and bad.

527
00:27:46,359 --> 00:27:49,480
Speaker 2: I agree, like in the good ways. You know, maybe

528
00:27:49,480 --> 00:27:54,200
Speaker 2: people can hurt you less, or maybe you feel less portrayed.

529
00:27:54,280 --> 00:27:57,560
Speaker 2: Maybe there's less opportunity to be physically hurt by somebody

530
00:27:57,560 --> 00:28:00,639
Speaker 2: you've never seen or met, but emotionally we're still hurting

531
00:28:00,640 --> 00:28:05,960
Speaker 2: each other. Depression is still like skyrocketing. The way people

532
00:28:06,000 --> 00:28:09,399
Speaker 2: feel about their bodies definitely comes through where they're like,

533
00:28:09,640 --> 00:28:14,560
Speaker 2: we this is harming people's perceptions of their own bodies.

534
00:28:14,600 --> 00:28:19,159
Speaker 2: Just scrolling Instagram seeing somebody can hurt you. So it

535
00:28:19,800 --> 00:28:23,880
Speaker 2: and so we're less physically connected. Less physical community is happening.

536
00:28:24,480 --> 00:28:27,960
Speaker 2: And when you think about digital what doesn't happen in

537
00:28:27,960 --> 00:28:29,320
Speaker 2: the digital space? Sex?

538
00:28:29,960 --> 00:28:35,080
Speaker 1: Right? And and also you and uh, you're living in

539
00:28:35,119 --> 00:28:37,080
Speaker 1: a shout out to nineteen days. You're living in the

540
00:28:37,119 --> 00:28:40,440
Speaker 1: generation of computer love, and it's not the same and

541
00:28:40,480 --> 00:28:43,120
Speaker 1: so for a lot of people, the computer love is

542
00:28:43,160 --> 00:28:46,240
Speaker 1: actually their former intimacy that they're getting to know somebody.

543
00:28:46,600 --> 00:28:49,720
Speaker 1: You know, the younger generation everybody kind of does this,

544
00:28:49,800 --> 00:28:53,880
Speaker 1: but the younger generation the higher probability to have a

545
00:28:54,000 --> 00:28:59,920
Speaker 1: sex you know, through their phone sex, you know, through through, through, through, through, right,

546
00:29:00,600 --> 00:29:03,040
Speaker 1: and so to them, that is intimacy. Back in the day,

547
00:29:03,080 --> 00:29:05,920
Speaker 1: you had to physically be with somebody in order to

548
00:29:05,960 --> 00:29:08,480
Speaker 1: get that. Now you don't have to do that anymore. Yeah,

549
00:29:08,520 --> 00:29:11,160
Speaker 1: and so that changes to me, That changes the relationship

550
00:29:11,160 --> 00:29:13,360
Speaker 1: people have with sex, the relationship we have with other people.

551
00:29:13,760 --> 00:29:17,640
Speaker 1: You know, it changes the dynamics of you know, a

552
00:29:17,680 --> 00:29:20,800
Speaker 1: lot of things. And you know, you know, you're talking

553
00:29:20,800 --> 00:29:25,280
Speaker 1: to a generation who sometimes don't understand that it is

554
00:29:25,320 --> 00:29:26,480
Speaker 1: this shift happening here.

555
00:29:26,720 --> 00:29:29,360
Speaker 2: Yeah, and I love what you brought up about the pandemic.

556
00:29:29,520 --> 00:29:33,520
Speaker 2: I mean, it's the thing where it was unfortunate, it

557
00:29:33,600 --> 00:29:36,040
Speaker 2: was inevitable. It was like, what you're gonna do. You

558
00:29:36,120 --> 00:29:40,720
Speaker 2: Either you're either gonna let the uh make the kids

559
00:29:40,720 --> 00:29:42,880
Speaker 2: go to school and get sick, or you're gonna make

560
00:29:42,920 --> 00:29:45,200
Speaker 2: people stay at home. And people are like, well it

561
00:29:45,200 --> 00:29:47,280
Speaker 2: will affect their mental health, and I'm like, it will

562
00:29:47,440 --> 00:29:49,760
Speaker 2: so will a pandemic, So will all their loved ones

563
00:29:49,840 --> 00:29:52,719
Speaker 2: die when we didn't have a vaccine and all that stuff,

564
00:29:53,200 --> 00:29:57,160
Speaker 2: But all that stuff, it was just you have to

565
00:29:57,160 --> 00:29:59,800
Speaker 2: make two unfortunate choices. Which one are you gonna do? Right?

566
00:30:00,080 --> 00:30:03,400
Speaker 2: And I think kids growing up during this pandemic, during

567
00:30:03,400 --> 00:30:08,280
Speaker 2: this very polarized political time, during this digital age, I'm

568
00:30:08,320 --> 00:30:10,520
Speaker 2: sure it's having some type of effect. Now those kids

569
00:30:10,560 --> 00:30:14,240
Speaker 2: aren't creating the media necessarily, meaning the people that are

570
00:30:14,240 --> 00:30:17,760
Speaker 2: in a place to direct euphoria are not children that

571
00:30:17,800 --> 00:30:20,840
Speaker 2: word school but correct. I definitely wonder if this is

572
00:30:20,880 --> 00:30:23,719
Speaker 2: a reflection of our times, the kind of sexless nature

573
00:30:24,360 --> 00:30:27,880
Speaker 2: of it, Like you can be sexy, but sex is

574
00:30:27,920 --> 00:30:30,440
Speaker 2: still the people to some degree.

575
00:30:30,720 --> 00:30:34,440
Speaker 1: Yeah. And also you know, for that, I say, because

576
00:30:34,440 --> 00:30:36,960
Speaker 1: of the pandemic, you have people that you children that

577
00:30:37,080 --> 00:30:40,000
Speaker 1: may have been interversed and with even more inward. You know,

578
00:30:40,160 --> 00:30:44,120
Speaker 1: you still have adults that I like to the extreme,

579
00:30:44,160 --> 00:30:46,760
Speaker 1: which like they never changed, they will wear their masks

580
00:30:46,920 --> 00:30:50,440
Speaker 1: where they go. Like, So this shit is mentally impacting everybody,

581
00:30:50,480 --> 00:30:52,600
Speaker 1: and if it mentally impacts you, it will impact your

582
00:30:52,600 --> 00:30:54,840
Speaker 1: interaction with people. And if you are somebody, go, I

583
00:30:54,840 --> 00:30:58,080
Speaker 1: don't want your COVID, your cooties or whatever for you.

584
00:30:58,080 --> 00:31:00,440
Speaker 1: You're like, well, then I actually, you know, don't want

585
00:31:00,440 --> 00:31:03,520
Speaker 1: to be intimate with you unless I really really know you,

586
00:31:03,520 --> 00:31:06,560
Speaker 1: you know type of thing. And so, yes, you're more selective,

587
00:31:06,680 --> 00:31:09,680
Speaker 1: you're more picky. You're not gonna fuck everything moving, you know,

588
00:31:10,000 --> 00:31:12,320
Speaker 1: You're like, it has to be worth your time.

589
00:31:12,920 --> 00:31:17,440
Speaker 2: It's like how we know kids play outside less and

590
00:31:17,520 --> 00:31:20,320
Speaker 2: they're tracked more. And part of that is because we

591
00:31:20,440 --> 00:31:22,600
Speaker 2: know so much now, we know more than we used

592
00:31:22,640 --> 00:31:26,320
Speaker 2: to know, so even and even at a time where

593
00:31:26,320 --> 00:31:30,160
Speaker 2: it's actually less dangerous than ever, meaning your kid can

594
00:31:30,200 --> 00:31:33,040
Speaker 2: go outside and play and be fine. They don't need

595
00:31:33,080 --> 00:31:35,720
Speaker 2: a chaperone to the park, they can walk back and

596
00:31:35,760 --> 00:31:37,680
Speaker 2: forth in the neighborhood and they'll be just fine. But

597
00:31:37,760 --> 00:31:40,800
Speaker 2: we now know so much of the dangers lurking outside

598
00:31:41,200 --> 00:31:45,360
Speaker 2: in the darkness. Our minds won't let us not be

599
00:31:45,480 --> 00:31:48,160
Speaker 2: in control. Most of us listening to the show and

600
00:31:48,280 --> 00:31:51,120
Speaker 2: us making it grew up. Latch key kids, right, yep,

601
00:31:51,160 --> 00:31:53,320
Speaker 2: you get out of school, here's a key, you get home.

602
00:31:53,400 --> 00:31:56,480
Speaker 2: Your parents still at work. Now we're not we're not

603
00:31:57,240 --> 00:31:59,760
Speaker 2: we I think a lot of that would be consider

604
00:31:59,800 --> 00:32:03,640
Speaker 2: on my bad parenting now we covered articles on heres.

605
00:32:04,640 --> 00:32:06,960
Speaker 2: We covered articles on here before where parents got in

606
00:32:06,960 --> 00:32:09,080
Speaker 2: trouble because they were like I let my kid walk

607
00:32:09,120 --> 00:32:11,240
Speaker 2: to the park up the street and walk home right,

608
00:32:11,360 --> 00:32:13,640
Speaker 2: And there's a whole fucking news crew that came out

609
00:32:13,760 --> 00:32:15,840
Speaker 2: just to talk to this parent, Like what the fuck

610
00:32:15,920 --> 00:32:18,160
Speaker 2: is the story here? And it's like that used to

611
00:32:18,200 --> 00:32:21,600
Speaker 2: be every kid that used to be normal, and so.

612
00:32:21,680 --> 00:32:23,600
Speaker 1: You know, for and so for a lot of parents

613
00:32:23,640 --> 00:32:26,440
Speaker 1: that go the fuck, like, you know, all parents don't

614
00:32:26,480 --> 00:32:27,960
Speaker 1: want to have at least sh on their child all

615
00:32:27,960 --> 00:32:28,400
Speaker 1: of the time.

616
00:32:28,480 --> 00:32:31,160
Speaker 2: But I'm making the point of forget. The point is

617
00:32:31,160 --> 00:32:33,479
Speaker 2: not about those parents or those kids. My point is

618
00:32:34,360 --> 00:32:39,120
Speaker 2: the change in society. We are less amongst each other,

619
00:32:40,160 --> 00:32:43,920
Speaker 2: we are less, we are more afraid. And so if

620
00:32:43,960 --> 00:32:47,000
Speaker 2: that also affects people where it's like I'm more afraid

621
00:32:47,040 --> 00:32:49,720
Speaker 2: of sex with people, I'm more afraid. Even the way

622
00:32:49,840 --> 00:32:54,360
Speaker 2: sex turned into like apps, you know, how do you

623
00:32:54,400 --> 00:32:56,960
Speaker 2: meet somebody in an app that's not like meeting in

624
00:32:57,000 --> 00:33:01,600
Speaker 2: person chemistry? Necessarily, some apps like Tender were exclusively like

625
00:33:01,680 --> 00:33:04,360
Speaker 2: it's time to fuck like this, like actually, if you

626
00:33:04,400 --> 00:33:06,480
Speaker 2: want to like meet me for a relationship, I mean,

627
00:33:06,560 --> 00:33:09,240
Speaker 2: this ain't the one like how led the different app?

628
00:33:09,280 --> 00:33:11,000
Speaker 2: I just want to swipe left or right on your

629
00:33:11,040 --> 00:33:15,000
Speaker 2: body or your profile, you know, like I'm not really

630
00:33:15,480 --> 00:33:19,520
Speaker 2: seeing I'm consuming you like content, and you're gonna be

631
00:33:19,560 --> 00:33:23,960
Speaker 2: my sexual content tonight. Once again, this isn't saying that's bad, good,

632
00:33:24,040 --> 00:33:27,200
Speaker 2: or bad as far as if that's individually what someone

633
00:33:27,240 --> 00:33:29,840
Speaker 2: wants to do, but the macro level of what how

634
00:33:29,840 --> 00:33:32,120
Speaker 2: does that change the functions of our society and our

635
00:33:32,160 --> 00:33:35,080
Speaker 2: relationships with each other? I think it's very valid. And this,

636
00:33:35,080 --> 00:33:38,360
Speaker 2: this conversation that he was having on this podcast made

637
00:33:38,400 --> 00:33:40,920
Speaker 2: me think of all this shit because I've never really

638
00:33:41,000 --> 00:33:44,760
Speaker 2: thought about it before, and I think there's something there,

639
00:33:45,640 --> 00:33:49,840
Speaker 2: And unfortunately it's not a conversation I'm interested in having online.

640
00:33:49,920 --> 00:33:53,560
Speaker 2: Because I saw that there were people that had clearly

641
00:33:53,640 --> 00:33:57,160
Speaker 2: been having these conversations already, and they had been arguing

642
00:33:57,160 --> 00:33:59,680
Speaker 2: with each other already, and so they had like entrench

643
00:33:59,760 --> 00:34:01,840
Speaker 2: camp like that should never be a sex scene. I

644
00:34:01,880 --> 00:34:04,240
Speaker 2: don't what good has a sex scene ever done for anybody?

645
00:34:04,320 --> 00:34:07,040
Speaker 2: I'm like, okay, that's I don't agree with that. And

646
00:34:07,080 --> 00:34:10,400
Speaker 2: then there was the like listen, man, but what so

647
00:34:10,560 --> 00:34:12,280
Speaker 2: just because a couple of scenes was bad, we shouldn't

648
00:34:12,280 --> 00:34:14,839
Speaker 2: have sex scenes or whatever. I'm like, I don't know

649
00:34:14,840 --> 00:34:17,200
Speaker 2: that anyone's saying that either. Henry cavill didn't.

650
00:34:16,920 --> 00:34:19,960
Speaker 1: Say that, right, But yeah, and it's one of those

651
00:34:19,960 --> 00:34:25,040
Speaker 1: things that it's a balance and I think that like

652
00:34:25,080 --> 00:34:29,280
Speaker 1: everything else people project, and you know, when it comes

653
00:34:29,280 --> 00:34:32,480
Speaker 1: to that is like you say, there's that statistics, but

654
00:34:32,560 --> 00:34:34,520
Speaker 1: you know, with something, particularly with sex people. But this

655
00:34:34,560 --> 00:34:36,400
Speaker 1: is how I feel, kind of the end to it,

656
00:34:36,480 --> 00:34:38,759
Speaker 1: regardless of the reality of what's happening around them.

657
00:34:38,960 --> 00:34:40,640
Speaker 2: Yeah, I think. And then the last thing I'll say

658
00:34:40,640 --> 00:34:45,239
Speaker 2: too is just I don't want to say it's an overreaction.

659
00:34:45,320 --> 00:34:49,200
Speaker 2: I just feel like it's a coarse correction that maybe

660
00:34:49,239 --> 00:34:52,040
Speaker 2: it's gonna rain itself in because what I'm seeing now

661
00:34:52,680 --> 00:34:56,720
Speaker 2: is a lot of like the studios and the actors

662
00:34:56,719 --> 00:34:59,759
Speaker 2: and directors getting ahead of the outrage and being like,

663
00:35:00,440 --> 00:35:03,239
Speaker 2: we wrote sex scenes because we felt they were necessary

664
00:35:03,520 --> 00:35:06,080
Speaker 2: if we got an actor or actress that felt they

665
00:35:06,280 --> 00:35:08,480
Speaker 2: wanted comfortable doing it, wanted to do it. We had

666
00:35:08,520 --> 00:35:12,760
Speaker 2: intimacy coordinators, we feel, and then we're in interviews telling

667
00:35:12,800 --> 00:35:16,680
Speaker 2: you we are all okay with this, right, And then

668
00:35:16,840 --> 00:35:19,000
Speaker 2: I think that may just have to be the new

669
00:35:19,040 --> 00:35:22,480
Speaker 2: way it happens, because what we don't want to have is,

670
00:35:22,600 --> 00:35:25,720
Speaker 2: you know, you get five ten years into your career

671
00:35:25,760 --> 00:35:29,000
Speaker 2: and whether the person is lying where they actually thought

672
00:35:29,040 --> 00:35:30,600
Speaker 2: it was cool for their career at the time, but

673
00:35:30,640 --> 00:35:32,520
Speaker 2: now they feel a little shamed or they feel like

674
00:35:32,840 --> 00:35:34,719
Speaker 2: people have agency yet you want to you know, people

675
00:35:34,800 --> 00:35:36,680
Speaker 2: try to change their image and be like, oh no,

676
00:35:36,800 --> 00:35:38,880
Speaker 2: I was never like that. You know, it's it's Paris

677
00:35:38,920 --> 00:35:40,799
Speaker 2: Hilton pretending she was smart the whole time, you know,

678
00:35:40,880 --> 00:35:46,200
Speaker 2: that kind of shit, or whether it's people being genuine

679
00:35:46,280 --> 00:35:48,560
Speaker 2: and saying I felt exploited, but I was afraid to

680
00:35:48,600 --> 00:35:51,800
Speaker 2: say anything at the time because I was just starting

681
00:35:51,800 --> 00:35:54,960
Speaker 2: my career, which you know, like Shehada brought up Henry

682
00:35:54,960 --> 00:35:57,600
Speaker 2: Cavill possibly been in a relationship now and changing his mind,

683
00:35:57,880 --> 00:35:59,879
Speaker 2: and I'm like, that could be it. And it could

684
00:36:00,040 --> 00:36:04,080
Speaker 2: also be when Henry Cavill was younger and was just

685
00:36:04,160 --> 00:36:06,960
Speaker 2: trying to make it and someone said we need you

686
00:36:07,000 --> 00:36:08,920
Speaker 2: to take off your shirt, he was like, I'm taking

687
00:36:08,920 --> 00:36:11,960
Speaker 2: off the shirt and he may have not thought it

688
00:36:12,160 --> 00:36:13,880
Speaker 2: added much to the scene at the time, but he

689
00:36:13,960 --> 00:36:16,840
Speaker 2: was like, fuck it, man, I work out, you know,

690
00:36:16,920 --> 00:36:20,319
Speaker 2: I get I know the game, you know, but Uh.

691
00:36:20,440 --> 00:36:20,640
Speaker 1: Yeah.

692
00:36:20,719 --> 00:36:24,680
Speaker 2: Anyway, I think it made me think about all that stuff,

693
00:36:24,680 --> 00:36:26,839
Speaker 2: and I wonder, we're just gonna have to get used

694
00:36:26,840 --> 00:36:31,239
Speaker 2: to a new like we're we love sex scenes like

695
00:36:31,360 --> 00:36:35,000
Speaker 2: type of promotion for R rated movies that have sex

696
00:36:35,040 --> 00:36:38,520
Speaker 2: in them, because I think definitely the discussions that happened

697
00:36:38,560 --> 00:36:42,720
Speaker 2: online are not that they almost never are okay with sex,

698
00:36:42,960 --> 00:36:44,080
Speaker 2: like period.

699
00:36:43,840 --> 00:36:45,719
Speaker 1: Right, They're like, shut that shit down. I was like,

700
00:36:45,760 --> 00:36:48,560
Speaker 1: now that's stupid and not realistic either that. We we

701
00:36:48,680 --> 00:36:51,840
Speaker 1: got to have a we got to have a boundary somewhere. Okay,

702
00:36:52,040 --> 00:36:55,080
Speaker 1: you're uncomfortable with sex, you don't, okay, good, but you

703
00:36:55,080 --> 00:36:57,000
Speaker 1: don't get to dictate what I get to consume.

704
00:36:57,239 --> 00:37:01,160
Speaker 2: Yeah, and it still feels to me, I think this

705
00:37:01,239 --> 00:37:05,000
Speaker 2: feels better. Even with the dominance of the PG thirteen

706
00:37:05,080 --> 00:37:08,719
Speaker 2: Sexless Movie Star, it feel it still feels better to

707
00:37:08,800 --> 00:37:12,680
Speaker 2: me than the eighties and nineties, where a lot of

708
00:37:12,680 --> 00:37:15,480
Speaker 2: times would have felt like they just wanted to put

709
00:37:15,480 --> 00:37:18,640
Speaker 2: titties in this scene. And I'm I'm sorry, you know, Like,

710
00:37:18,719 --> 00:37:21,800
Speaker 2: I know, the discussion has become polarized and so it's extreme,

711
00:37:22,239 --> 00:37:24,720
Speaker 2: but it's kind of to me if you've never watched

712
00:37:24,719 --> 00:37:27,279
Speaker 2: the movie and thought that you're crazy, ain't that time?

713
00:37:27,520 --> 00:37:29,960
Speaker 2: There used to be like I can make a running

714
00:37:30,040 --> 00:37:32,239
Speaker 2: joke of just how many times I've seen like a

715
00:37:32,320 --> 00:37:35,239
Speaker 2: movie that was like a cop movie and they bust

716
00:37:35,280 --> 00:37:37,319
Speaker 2: into a room and a woman ran around, ran out

717
00:37:37,360 --> 00:37:39,440
Speaker 2: of the titties out, And if it was an R

718
00:37:39,560 --> 00:37:41,920
Speaker 2: rated movie and it was cops, it was like, you

719
00:37:42,000 --> 00:37:44,080
Speaker 2: gonna see some titties at some point, were gonna make

720
00:37:44,120 --> 00:37:47,520
Speaker 2: sure that you know, so that like there were times

721
00:37:47,560 --> 00:37:51,440
Speaker 2: where you're just like, okay, you know I Swordfish literally

722
00:37:51,560 --> 00:37:54,920
Speaker 2: has a story of we went to Holly Berry. We

723
00:37:55,000 --> 00:37:57,799
Speaker 2: knew this movie suck, and we were like, can you

724
00:37:57,840 --> 00:38:00,440
Speaker 2: show your titties? We'll pay you X amount of dollars

725
00:38:00,440 --> 00:38:04,080
Speaker 2: per titty. And the whole promotion for that movie was

726
00:38:04,120 --> 00:38:07,439
Speaker 2: her going on around on late night shows and being like, yes,

727
00:38:07,480 --> 00:38:09,680
Speaker 2: it's true, I pulled my titties out in this movie.

728
00:38:10,080 --> 00:38:12,360
Speaker 2: And that's why everybody went to see that movie, because

729
00:38:12,400 --> 00:38:16,040
Speaker 2: people don't rave about our great was right. So we

730
00:38:16,160 --> 00:38:18,000
Speaker 2: know for a fact this is part of life and

731
00:38:18,040 --> 00:38:20,160
Speaker 2: it can be iconic and maybe you think it's worth

732
00:38:20,160 --> 00:38:22,160
Speaker 2: it to be like at least we saw Oli Beard's titties.

733
00:38:22,200 --> 00:38:24,080
Speaker 2: I'm not right, listen, I saw those titties too. They

734
00:38:24,120 --> 00:38:26,319
Speaker 2: was titty, and I'm not I'm not knocking it out,

735
00:38:26,400 --> 00:38:31,919
Speaker 2: but clearly the motivation within that was a what the fuck,

736
00:38:32,080 --> 00:38:33,680
Speaker 2: we need to get some titties in here. So it

737
00:38:33,760 --> 00:38:36,480
Speaker 2: just depends on how people feel, go ahead, all right.

738
00:38:36,520 --> 00:38:39,440
Speaker 1: And it's also one of those things too, where like

739
00:38:39,480 --> 00:38:44,400
Speaker 1: I said, it's a generational shift, it's a a a shift.

740
00:38:44,640 --> 00:38:48,120
Speaker 1: You know, different things have affected people in different ways,

741
00:38:48,880 --> 00:38:51,360
Speaker 1: and you know it's gonna be interesting to see it

742
00:38:51,440 --> 00:38:53,719
Speaker 1: kind of course correct back the other way, you know,

743
00:38:53,880 --> 00:38:56,480
Speaker 1: because like I said, I know as an adult, everything

744
00:38:56,600 --> 00:38:59,480
Speaker 1: is not for me, So I don't mind, like you said,

745
00:38:59,480 --> 00:39:02,400
Speaker 1: the PG team like like like like the things that

746
00:39:02,520 --> 00:39:05,560
Speaker 1: have these parameters around it, But when it comes to

747
00:39:05,640 --> 00:39:07,719
Speaker 1: certain things, I'm like, I'm an adult. I came here

748
00:39:07,719 --> 00:39:11,319
Speaker 1: for adult shit. Adults fuck, So okay, like, don't take

749
00:39:11,360 --> 00:39:13,520
Speaker 1: it all out because somebody else has dictated that they

750
00:39:13,520 --> 00:39:14,520
Speaker 1: don't want to consume it.

751
00:39:15,000 --> 00:39:17,920
Speaker 2: Yeah. I also wonder how much like pornography has changed

752
00:39:17,920 --> 00:39:21,160
Speaker 2: it and the availability of it, Yes, because there used

753
00:39:21,200 --> 00:39:23,040
Speaker 2: to be a time where it's like a big deal

754
00:39:23,120 --> 00:39:26,200
Speaker 2: that some celebrity got naked in the movie. And while

755
00:39:26,239 --> 00:39:28,600
Speaker 2: it's still somewhat of a big deal. I think with

756
00:39:28,800 --> 00:39:35,400
Speaker 2: the the saturation of porn in everybody's like digital devices

757
00:39:35,400 --> 00:39:39,080
Speaker 2: constantly going to social media, and it's basically like people

758
00:39:39,080 --> 00:39:42,360
Speaker 2: can post themselves sucking somebody's dick right there. People seeing

759
00:39:42,440 --> 00:39:44,439
Speaker 2: drake dick the last couple of days and then talked

760
00:39:44,440 --> 00:39:50,080
Speaker 2: about it on Twitter like like the yeah. I mean,

761
00:39:51,080 --> 00:39:53,000
Speaker 2: I didn't even want to say nothing because I haven't

762
00:39:53,000 --> 00:39:55,000
Speaker 2: seen it and I wasn't looking for it. I did

763
00:39:55,120 --> 00:39:57,400
Speaker 2: want to talk about it because I feel like the

764
00:39:57,520 --> 00:40:00,879
Speaker 2: algorithm on Twitter is like, you make a joke about

765
00:40:00,920 --> 00:40:04,319
Speaker 2: Drake's dick, here's the video. So I was just like,

766
00:40:04,400 --> 00:40:06,240
Speaker 2: let me just stay away from this because I don't

767
00:40:06,360 --> 00:40:09,680
Speaker 2: really want to Good for all those that do want

768
00:40:09,680 --> 00:40:12,400
Speaker 2: to see it and do care, but I just didn't.

769
00:40:12,480 --> 00:40:15,799
Speaker 2: It's not a debate I wanted to hop into, but yeah,

770
00:40:15,800 --> 00:40:20,600
Speaker 2: it was. It was interesting seeing how it's interesting thinking

771
00:40:20,600 --> 00:40:24,200
Speaker 2: about how much we see like just real sex sex

772
00:40:24,320 --> 00:40:28,319
Speaker 2: all the time, right, So like, in a way for me,

773
00:40:28,440 --> 00:40:31,600
Speaker 2: it's had the effect of reducing how I don't really

774
00:40:31,640 --> 00:40:33,600
Speaker 2: care that much about a sex scene in the movie

775
00:40:34,080 --> 00:40:37,920
Speaker 2: anymore period, whether people think it's exploitive or not. You know,

776
00:40:38,880 --> 00:40:41,279
Speaker 2: very few of those scenes rise to the level I'm like,

777
00:40:41,360 --> 00:40:44,200
Speaker 2: God damn. Like most of the time, I'm just like yeah.

778
00:40:44,239 --> 00:40:47,240
Speaker 2: But I mean, if you want to see somebody doing

779
00:40:47,320 --> 00:40:50,480
Speaker 2: this for real, you can just literally go in your pocket.

780
00:40:50,680 --> 00:40:53,080
Speaker 2: So so it's, you know, it's a lot less of

781
00:40:53,080 --> 00:40:56,280
Speaker 2: a taboo. And so I wonder if that has any effect.

782
00:40:57,000 --> 00:41:01,640
Speaker 2: All right, Monique slams Tiffany had Is, Kevin Hart and

783
00:41:01,760 --> 00:41:05,840
Speaker 2: Oprah Winthy because she went on the club of course

784
00:41:06,080 --> 00:41:06,919
Speaker 2: three hours long.

785
00:41:07,440 --> 00:41:11,640
Speaker 1: Yes, yes, Cat Williams said the standard and yes that

786
00:41:11,840 --> 00:41:14,239
Speaker 1: like when people come on there, particularly certain people, that's

787
00:41:14,280 --> 00:41:15,080
Speaker 1: gonna be their thing.

788
00:41:15,200 --> 00:41:17,399
Speaker 2: Yeah. I forget who the other person because he tried

789
00:41:17,440 --> 00:41:21,800
Speaker 2: to do another Kevin Hard, I mean Cat Williams style

790
00:41:22,000 --> 00:41:26,279
Speaker 2: interview a while ago, but it didn't catch on. Man

791
00:41:27,640 --> 00:41:29,880
Speaker 2: was it it was? But it was definitely somebody that

792
00:41:29,880 --> 00:41:32,520
Speaker 2: people were like, oh, I know they are before Cat,

793
00:41:32,600 --> 00:41:35,400
Speaker 2: but it was after Cat. It was like Kat Williams,

794
00:41:35,440 --> 00:41:37,839
Speaker 2: then this person, then Monique, and I swear to god,

795
00:41:37,880 --> 00:41:40,600
Speaker 2: I can't remember, that's how bad it was. I don't

796
00:41:40,640 --> 00:41:42,719
Speaker 2: even remember the second person. And I know and I

797
00:41:42,800 --> 00:41:45,960
Speaker 2: remember seeing the picture like oh they going on there

798
00:41:46,440 --> 00:41:48,640
Speaker 2: and everybody was like, oh shit. And then it was like,

799
00:41:49,560 --> 00:41:52,520
Speaker 2: I guess it didn't catch on. Maybe I can find

800
00:41:52,520 --> 00:41:57,440
Speaker 2: it on his podcast feed of course. But yeah, Monique,

801
00:41:57,840 --> 00:42:00,200
Speaker 2: at this point, we know what she's gonna say. And

802
00:42:00,280 --> 00:42:02,879
Speaker 2: I was like, yeah, we know she's gonna have grievous Yeah,

803
00:42:02,880 --> 00:42:07,040
Speaker 2: this isn't even like when you had Cat Williams is

804
00:42:07,080 --> 00:42:09,960
Speaker 2: a little bit of a surprise everybody. Now it's not

805
00:42:10,000 --> 00:42:17,759
Speaker 2: a surprise. Damn, that's funny. Uh, I'm sorry. Club Shay

806
00:42:17,840 --> 00:42:21,080
Speaker 2: Shay February third of February fourth, on that podcast feed

807
00:42:21,760 --> 00:42:24,279
Speaker 2: put out a best of usher Cat Williams twenty one

808
00:42:24,320 --> 00:42:28,560
Speaker 2: Savage Country Wayne. Then the next day, February fourth, best

809
00:42:28,560 --> 00:42:30,719
Speaker 2: of Cat Williams. So he is milking the shit out

810
00:42:30,760 --> 00:42:32,839
Speaker 2: of the Cat Williams, is what I'm saying, y'all gonna

811
00:42:32,880 --> 00:42:36,240
Speaker 2: get it like he is. He is one hundred trying

812
00:42:36,280 --> 00:42:37,160
Speaker 2: to y'all.

813
00:42:37,360 --> 00:42:40,560
Speaker 1: I'm getting all of the views. Yeah, and I don't blame.

814
00:42:40,360 --> 00:42:46,080
Speaker 2: Him, Yeah, but yeah, or no Country Wayne. They tried

815
00:42:46,120 --> 00:42:48,239
Speaker 2: to bring up Jess hilarious because they got they used

816
00:42:48,280 --> 00:42:50,920
Speaker 2: to date and have beef for something, but that didn't

817
00:42:51,120 --> 00:42:54,960
Speaker 2: That didn't really catch on. Man, I don't remember who

818
00:42:55,000 --> 00:42:58,759
Speaker 2: this other person was, but it was definitely somebody at

819
00:42:58,800 --> 00:43:00,799
Speaker 2: the Cat that I was like, Oh, he's trying to

820
00:43:00,800 --> 00:43:06,840
Speaker 2: do it again. But yeah, so of course you got Monique,

821
00:43:07,120 --> 00:43:10,160
Speaker 2: and it's the same thing. The clips are being spread

822
00:43:10,200 --> 00:43:13,960
Speaker 2: online and it's becoming the Cat Williams effect of she

823
00:43:14,000 --> 00:43:16,320
Speaker 2: ain't lying, she ain't never lied. Everything she said is

824
00:43:16,360 --> 00:43:20,600
Speaker 2: true and all this stuff. And I used to be

825
00:43:20,800 --> 00:43:23,520
Speaker 2: kind of like, yeah, I mean, I get her point,

826
00:43:23,600 --> 00:43:25,680
Speaker 2: and if she still wants to keep that same energy,

827
00:43:25,719 --> 00:43:30,319
Speaker 2: nobody can make her not whatever. But then after that

828
00:43:30,400 --> 00:43:33,720
Speaker 2: shit with Dale Hughley's daughter, I'm I'm I just said,

829
00:43:33,760 --> 00:43:36,200
Speaker 2: you know what, something is going on with her that's

830
00:43:36,200 --> 00:43:39,759
Speaker 2: way deeper than whatever the fuck is, because like, and

831
00:43:39,880 --> 00:43:43,120
Speaker 2: people will let her and there's a level of like

832
00:43:43,320 --> 00:43:45,759
Speaker 2: loyalty people feel these days to like I have to

833
00:43:45,760 --> 00:43:51,200
Speaker 2: support the celebrity that I don't feel for anybody, Like,

834
00:43:51,520 --> 00:43:54,120
Speaker 2: I just want to be fair, right, Like if y'all

835
00:43:54,160 --> 00:43:58,040
Speaker 2: hear me, yeah, if I'm defending someone on the podcast,

836
00:43:58,040 --> 00:44:00,800
Speaker 2: So I'm trying to explain or understand in that perspective.

837
00:44:01,040 --> 00:44:03,200
Speaker 2: It's because I feel like that's where the fairness lies,

838
00:44:03,280 --> 00:44:06,040
Speaker 2: not to be contrarian, not because I'm just such a

839
00:44:06,080 --> 00:44:09,480
Speaker 2: big fan. I don't give a fuck. Yes, yes, talk

840
00:44:09,480 --> 00:44:12,000
Speaker 2: about his daughter be a molestic girl. That's what I'm saying.

841
00:44:12,480 --> 00:44:14,880
Speaker 2: I don't want to ignore shit just because I like

842
00:44:14,960 --> 00:44:17,000
Speaker 2: the person or whatever. And if I do, I try

843
00:44:17,080 --> 00:44:19,120
Speaker 2: to be open about it, like, hey, I like this

844
00:44:19,280 --> 00:44:21,680
Speaker 2: the celebrity, and so they might have did something fucked up,

845
00:44:21,680 --> 00:44:23,600
Speaker 2: but I don't care, right, But.

846
00:44:24,200 --> 00:44:27,160
Speaker 1: Yeah, that was a bad look when she did that. Yeah,

847
00:44:27,600 --> 00:44:30,879
Speaker 1: and then like people don't act like, Ay, what fuck

848
00:44:30,920 --> 00:44:32,200
Speaker 1: is Doughter gotta do with y'all beef?

849
00:44:32,320 --> 00:44:38,160
Speaker 2: It made me start examining the stuff she had said

850
00:44:38,200 --> 00:44:42,000
Speaker 2: about Dale Hughley, and once I started seeing how it

851
00:44:42,120 --> 00:44:45,560
Speaker 2: wasn't adding up in more than one case, you know,

852
00:44:45,640 --> 00:44:47,719
Speaker 2: like the headlining thing didn't really add up when the

853
00:44:47,719 --> 00:44:49,799
Speaker 2: PaperWorks was in, and I know people don't like Dale Hughley,

854
00:44:49,920 --> 00:44:52,440
Speaker 2: so they didn't. They were like, she's right because they

855
00:44:52,480 --> 00:44:56,120
Speaker 2: don't like him. But facts are facts, you know, that

856
00:44:56,200 --> 00:44:59,600
Speaker 2: stuff about his radio show turning out to not be true,

857
00:44:59,719 --> 00:45:03,319
Speaker 2: like to at least to the extent she said where

858
00:45:03,360 --> 00:45:07,440
Speaker 2: he like orchestrated something. I don't know, man, So I'm

859
00:45:07,520 --> 00:45:09,560
Speaker 2: going to watch this at some point, listen to it

860
00:45:10,480 --> 00:45:12,960
Speaker 2: just for entertainment's sake. And I don't want to like

861
00:45:13,760 --> 00:45:17,319
Speaker 2: speak on it and not listen to it. But I'm

862
00:45:17,360 --> 00:45:24,480
Speaker 2: not surprised by this, and I think people love this

863
00:45:24,560 --> 00:45:28,080
Speaker 2: is the year of the grievance, ain't it. Though people

864
00:45:28,160 --> 00:45:31,480
Speaker 2: love seeing the celebrity grievance. It says a lot that

865
00:45:31,719 --> 00:45:33,960
Speaker 2: this is a retread, that we already knew what she

866
00:45:33,960 --> 00:45:37,080
Speaker 2: would say, and that people are sharing it again because

867
00:45:37,120 --> 00:45:39,359
Speaker 2: that's how I don't know bored we are or how

868
00:45:39,400 --> 00:45:45,839
Speaker 2: much we want the grievance, you know, content, but we

869
00:45:45,920 --> 00:45:49,319
Speaker 2: know she don't like Oprah Winfrey, you know. And then

870
00:45:49,360 --> 00:45:52,919
Speaker 2: people are mad at at Shannon because Shannon's of course,

871
00:45:53,000 --> 00:45:57,080
Speaker 2: is doing his Shannon level of interviewing, and you know,

872
00:45:57,160 --> 00:45:59,280
Speaker 2: he just likes to egg people on, to keep asking

873
00:45:59,320 --> 00:46:02,239
Speaker 2: the same question and an active flabbergasted to everything is

874
00:46:02,440 --> 00:46:05,560
Speaker 2: an act. And yeah, people are like, what he he

875
00:46:05,600 --> 00:46:07,400
Speaker 2: didn't listen to the tape she gave him. I'm like,

876
00:46:07,440 --> 00:46:10,359
Speaker 2: he probably did, But he can if he can keep

877
00:46:10,400 --> 00:46:12,799
Speaker 2: her talking for two more minutes by going now, hold

878
00:46:12,840 --> 00:46:15,280
Speaker 2: on nothing, you can't say that about Oprah. He gonna

879
00:46:15,280 --> 00:46:15,680
Speaker 2: say that.

880
00:46:15,960 --> 00:46:16,960
Speaker 1: Yes, that's his job.

881
00:46:17,239 --> 00:46:20,480
Speaker 2: Yeah, that's why y'all there, right right, And and kind

882
00:46:20,480 --> 00:46:22,480
Speaker 2: of like cat she got the same freedom. I mean,

883
00:46:22,520 --> 00:46:24,880
Speaker 2: that's he has shown that he has a platform for

884
00:46:25,000 --> 00:46:27,839
Speaker 2: that level of like you can say what you want.

885
00:46:27,920 --> 00:46:29,560
Speaker 2: I'm gonna act shocked, and then I'm gonna let you

886
00:46:29,680 --> 00:46:30,160
Speaker 2: keep talking.

887
00:46:31,200 --> 00:46:34,400
Speaker 1: Cat told the truth. One thing about that Cat was like, Yeah,

888
00:46:34,520 --> 00:46:36,120
Speaker 1: I came out here because I know I could do this.

889
00:46:36,280 --> 00:46:37,800
Speaker 2: Yeah, you let people out of your face, and you

890
00:46:37,800 --> 00:46:41,719
Speaker 2: don't say shit, right, you don't really challenge anything. But

891
00:46:42,080 --> 00:46:45,919
Speaker 2: uh but once again, it's not like everything Cat said

892
00:46:46,040 --> 00:46:48,480
Speaker 2: was a lie or we'll never know exactly what was

893
00:46:48,560 --> 00:46:51,240
Speaker 2: lying truth because some stuff can't be corroborated. But agreed,

894
00:46:51,560 --> 00:46:53,600
Speaker 2: everything she says is it gonna be a lie either.

895
00:46:54,840 --> 00:47:01,560
Speaker 2: I'll say this though, somebody sent me Dale Hughley's Instagram

896
00:47:01,600 --> 00:47:04,200
Speaker 2: posts because I guess she tried to drag him through

897
00:47:04,200 --> 00:47:09,400
Speaker 2: the mud again. And once again we know factually d

898
00:47:09,680 --> 00:47:12,880
Speaker 2: L had his facts together and it took his family

899
00:47:12,960 --> 00:47:16,520
Speaker 2: getting her together to be like, hey, this shit isn't

900
00:47:16,560 --> 00:47:19,680
Speaker 2: true and this I love us for real, I love

901
00:47:19,760 --> 00:47:22,759
Speaker 2: my babies and I love black women. Why are you

902
00:47:22,880 --> 00:47:27,880
Speaker 2: dragging this black girl so through her trauma again for

903
00:47:28,040 --> 00:47:30,560
Speaker 2: content in an argument with her daddy?

904
00:47:30,880 --> 00:47:32,080
Speaker 1: Right, you know?

905
00:47:32,360 --> 00:47:34,360
Speaker 2: And and it was full of you know, kind of

906
00:47:34,400 --> 00:47:38,200
Speaker 2: fucked up things that you know that she was saying that,

907
00:47:38,320 --> 00:47:40,799
Speaker 2: you know, you know what, however you feel about it.

908
00:47:41,600 --> 00:47:50,760
Speaker 2: And man, d l H really fucking the ship he said.

909
00:47:51,040 --> 00:47:54,160
Speaker 2: I thought. I was like, goddamn, that.

910
00:47:54,200 --> 00:47:55,840
Speaker 1: Sounds like he said, I haven't heard of it. But

911
00:47:55,840 --> 00:47:56,799
Speaker 1: it's not like he had enough.

912
00:47:57,520 --> 00:47:59,640
Speaker 2: Yeah, he basically had had enough.

913
00:48:00,040 --> 00:48:02,919
Speaker 1: Out because he was like, I thought it was dead.

914
00:48:02,960 --> 00:48:05,239
Speaker 1: I told you to, you know, put my name out

915
00:48:05,239 --> 00:48:07,840
Speaker 1: of your mouth, but you keep coming back to this bullshit.

916
00:48:08,360 --> 00:48:12,000
Speaker 2: Yeah, I'll see if I can find it. But once again,

917
00:48:12,120 --> 00:48:16,800
Speaker 2: remember I'm I'm playing this having not heard the whole interview,

918
00:48:17,239 --> 00:48:19,879
Speaker 2: So maybe I'll hear something the interview that's different that

919
00:48:19,880 --> 00:48:22,160
Speaker 2: that I'll go, oh, okay, that's what he said was

920
00:48:22,200 --> 00:48:26,520
Speaker 2: out of pocket, but I mean it seemed like facts

921
00:48:26,520 --> 00:48:31,960
Speaker 2: to me. But yeah, okay, I think this is the one. Uh,

922
00:48:32,120 --> 00:48:33,000
Speaker 2: let's see if I can.

923
00:48:35,000 --> 00:48:35,160
Speaker 1: Uh.

924
00:48:35,200 --> 00:48:37,200
Speaker 3: It's almost like Wendy wlliam didn't going to where she

925
00:48:37,320 --> 00:48:38,600
Speaker 3: just got a wayseet.

926
00:48:38,760 --> 00:48:45,160
Speaker 2: Talking about Shannon Sharp and uh.

927
00:48:43,280 --> 00:48:45,120
Speaker 3: And so Monk was on every time I see my

928
00:48:45,280 --> 00:48:49,280
Speaker 3: nick these these she's on, uh doing some greasy ass

929
00:48:49,360 --> 00:48:52,719
Speaker 3: video with her and her daddy complaining about something or

930
00:48:52,760 --> 00:48:54,600
Speaker 3: working out. I don't know nobody working out that much

931
00:48:54,600 --> 00:48:56,719
Speaker 3: in game weight unless every crunch you do is got

932
00:48:56,719 --> 00:48:59,080
Speaker 3: cappedin in front of it. But apparently she goes on

933
00:48:59,120 --> 00:49:00,840
Speaker 3: Club Shay Shape and tells.

934
00:49:00,600 --> 00:49:03,280
Speaker 2: It, you know, the fat you're gonna jump out, of course,

935
00:49:03,400 --> 00:49:06,040
Speaker 2: but apparently that's fair game. You know, when Kat Williams

936
00:49:06,080 --> 00:49:08,360
Speaker 2: was doing this fine story.

937
00:49:08,040 --> 00:49:09,560
Speaker 1: Yeah, because it's thing like you want to talk about

938
00:49:09,600 --> 00:49:11,439
Speaker 1: my baby, okay, but then all besses off.

939
00:49:11,840 --> 00:49:14,759
Speaker 2: Yes, stephen A was doing it. People get mad, they're

940
00:49:14,760 --> 00:49:17,239
Speaker 2: gonna bring up people's way. It's just I don't even

941
00:49:17,239 --> 00:49:17,840
Speaker 2: know what to tell.

942
00:49:17,719 --> 00:49:20,319
Speaker 3: You about how she came on my radio show and

943
00:49:20,360 --> 00:49:23,480
Speaker 3: I wasn't there at the time, and uh my co

944
00:49:23,560 --> 00:49:26,360
Speaker 3: host Janney Sanders played the game and then.

945
00:49:26,480 --> 00:49:31,320
Speaker 2: You're right, Karen, in all fairness the stuff she said

946
00:49:31,440 --> 00:49:33,400
Speaker 2: about him and his daughter.

947
00:49:33,360 --> 00:49:36,759
Speaker 1: And I was keeping it classic, Yeah it was.

948
00:49:37,160 --> 00:49:39,040
Speaker 2: It was beyond the pale. I don't know if this

949
00:49:39,160 --> 00:49:42,040
Speaker 2: is something that's common in Dale's comedy or whatever, but yeah.

950
00:49:41,960 --> 00:49:44,120
Speaker 1: Yeah, I'm not saying he just tried to right, but

951
00:49:43,840 --> 00:49:44,759
Speaker 1: but I get it.

952
00:49:44,840 --> 00:49:47,320
Speaker 2: The joke is also is a bar. It's a pretty

953
00:49:47,480 --> 00:49:50,600
Speaker 2: funny Captain crunch thing is funny, but anyway, and.

954
00:49:50,680 --> 00:49:53,319
Speaker 3: We played all the time with everybody called would you rather?

955
00:49:53,640 --> 00:49:57,200
Speaker 3: She apparently was so offended by that that she said

956
00:49:57,239 --> 00:49:59,560
Speaker 3: she got off. She called me Nick did and she

957
00:49:59,600 --> 00:50:02,080
Speaker 3: said I was very dismissive, like, huh, well, it's a liar.

958
00:50:02,520 --> 00:50:06,279
Speaker 3: When Monique did call me, I heard her complaints, I

959
00:50:06,360 --> 00:50:09,359
Speaker 3: listened to her, and I pulled the segment. So if

960
00:50:09,400 --> 00:50:12,279
Speaker 3: I hadn't been as dismissive as she alleged as I was,

961
00:50:12,440 --> 00:50:15,120
Speaker 3: that segment would have aired. It didn't because I respected

962
00:50:15,120 --> 00:50:15,680
Speaker 3: her wishes.

963
00:50:15,840 --> 00:50:18,480
Speaker 2: She's a liar, and I remember her talking about that

964
00:50:18,560 --> 00:50:21,680
Speaker 2: the last time they went back and forth, and her

965
00:50:21,719 --> 00:50:25,160
Speaker 2: whole assertion was like, even though they didn't seem to

966
00:50:25,200 --> 00:50:27,280
Speaker 2: have had any problems up to that point, he somehow

967
00:50:28,440 --> 00:50:31,359
Speaker 2: wasn't there on purpose to set her up to like

968
00:50:32,000 --> 00:50:35,239
Speaker 2: to have them do that. And to me, that's a

969
00:50:35,280 --> 00:50:40,080
Speaker 2: person that's had trauma somehow somewhere, because I can never

970
00:50:40,160 --> 00:50:43,440
Speaker 2: disprove like it's like if you I don't know if

971
00:50:43,480 --> 00:50:45,480
Speaker 2: people listening to this ever have it, but I would

972
00:50:45,480 --> 00:50:47,880
Speaker 2: assume a lot of people are as human beings, have

973
00:50:47,960 --> 00:50:53,600
Speaker 2: had this happen. Anytime you've been falsely accused of something,

974
00:50:53,760 --> 00:50:57,440
Speaker 2: that you can't disprove because it's like, I know that

975
00:50:57,520 --> 00:51:00,000
Speaker 2: this is what you were really thinking, and there's something

976
00:51:01,280 --> 00:51:04,120
Speaker 2: where you're like, okay, but what really happened to you?

977
00:51:04,680 --> 00:51:07,640
Speaker 2: Because it wasn't me. If it's hysterical, it's historical what

978
00:51:07,760 --> 00:51:10,719
Speaker 2: happened to you before this that made you be a

979
00:51:10,719 --> 00:51:14,720
Speaker 2: person that thinks I need to set you up because

980
00:51:14,719 --> 00:51:17,200
Speaker 2: I all I could give you is my word that

981
00:51:17,280 --> 00:51:20,800
Speaker 2: I wouldn't you know, if he was trying to get her,

982
00:51:21,080 --> 00:51:23,359
Speaker 2: why wouldn't he just air the segment just to mother

983
00:51:23,440 --> 00:51:23,719
Speaker 2: fuck it?

984
00:51:23,800 --> 00:51:26,800
Speaker 1: I got you? Right? So the sement was never aired,

985
00:51:26,840 --> 00:51:29,160
Speaker 1: so the public basically a list. I don't know if

986
00:51:29,160 --> 00:51:31,640
Speaker 1: they aired it live at that time, but other than that,

987
00:51:31,680 --> 00:51:33,640
Speaker 1: you basically do not know what that what was on

988
00:51:33,680 --> 00:51:34,600
Speaker 1: that segment.

989
00:51:34,400 --> 00:51:38,120
Speaker 2: Right, And I definitely understand the vibes of because I'm

990
00:51:38,239 --> 00:51:41,160
Speaker 2: like this too. I'm very much a libra. If you

991
00:51:41,280 --> 00:51:45,200
Speaker 2: burn me, I'm gonna burn you back, and I might.

992
00:51:45,280 --> 00:51:47,120
Speaker 2: I mean, that's why I try not to move an anger,

993
00:51:47,120 --> 00:51:50,280
Speaker 2: because I definitely say something that I don't really believe

994
00:51:50,600 --> 00:51:55,480
Speaker 2: or something that I wouldn't do in a different you know,

995
00:51:55,680 --> 00:51:59,279
Speaker 2: like at my peak reasonableness, I'll be like No, I

996
00:51:59,320 --> 00:52:02,600
Speaker 2: don't need to say that about that, right right, But yeah,

997
00:52:02,640 --> 00:52:06,839
Speaker 2: I can definitely see how a person that someone talked

998
00:52:06,840 --> 00:52:09,680
Speaker 2: about their daughter like that would be like, uh, I'm

999
00:52:09,719 --> 00:52:10,879
Speaker 2: about to air your ass out.

1000
00:52:11,280 --> 00:52:14,520
Speaker 1: Yeah, I can see that too. Like I said, for me,

1001
00:52:14,880 --> 00:52:18,640
Speaker 1: similar to you, I don't when it comes to anger,

1002
00:52:18,760 --> 00:52:22,200
Speaker 1: I stay out of anger, you know, because I know

1003
00:52:23,920 --> 00:52:25,960
Speaker 1: everybody has has that part of them, but I know

1004
00:52:26,040 --> 00:52:28,640
Speaker 1: my anger could become all consuming, and so for me,

1005
00:52:28,719 --> 00:52:31,560
Speaker 1: I'm like nah, I like like, for me, that's why

1006
00:52:31,600 --> 00:52:33,960
Speaker 1: a lot of times shit happens and I just be

1007
00:52:34,080 --> 00:52:37,400
Speaker 1: like I happen to let stuff roll off. So for me,

1008
00:52:38,000 --> 00:52:40,719
Speaker 1: I am the type of person where if I give

1009
00:52:40,760 --> 00:52:46,400
Speaker 1: you all of my undivided attention, uh, it's something that

1010
00:52:46,400 --> 00:52:49,560
Speaker 1: has kind of been added up because I've been ignoring, ignoring, ignoring, ignoring.

1011
00:52:49,960 --> 00:52:53,480
Speaker 1: So when I do responds, it's like like like all

1012
00:52:53,520 --> 00:52:55,680
Speaker 1: of the pent up rage is gonna come out because

1013
00:52:55,760 --> 00:52:59,799
Speaker 1: in my mind, I'm like, now I gotta waste my

1014
00:52:59,800 --> 00:53:01,000
Speaker 1: guy on you.

1015
00:53:01,360 --> 00:53:03,359
Speaker 2: I know there's been times where we lost fans because

1016
00:53:03,360 --> 00:53:04,960
Speaker 2: I went on from somebody and I was like, then

1017
00:53:05,000 --> 00:53:07,759
Speaker 2: we lost those fans, you know what I mean? Because

1018
00:53:07,800 --> 00:53:10,239
Speaker 2: I'm like I'm not. I'm a human being that's not

1019
00:53:10,280 --> 00:53:13,800
Speaker 2: gonna just take it every time, right. Sometimes I'm gonna

1020
00:53:13,840 --> 00:53:15,799
Speaker 2: be like, Nope, all right, let's fight then, you know,

1021
00:53:15,920 --> 00:53:17,759
Speaker 2: and then people don't like that you fought back. But

1022
00:53:17,760 --> 00:53:20,640
Speaker 2: it's like, I never claim to be an angel, agreed.

1023
00:53:20,719 --> 00:53:23,239
Speaker 1: And it's also, you know, one of the things you know,

1024
00:53:23,360 --> 00:53:25,800
Speaker 1: for me, when I do get angry, it's quote unquote

1025
00:53:25,840 --> 00:53:27,680
Speaker 1: almost had a character. And I shocked everybody in the

1026
00:53:27,760 --> 00:53:30,880
Speaker 1: room because it's literally opposite to my nature, you know.

1027
00:53:31,120 --> 00:53:33,120
Speaker 1: So for me to get mad at angry, upset, oh

1028
00:53:33,200 --> 00:53:36,759
Speaker 1: you have really really done something foul or you have

1029
00:53:36,840 --> 00:53:37,640
Speaker 1: pissed me off.

1030
00:53:39,520 --> 00:53:42,560
Speaker 3: It's also befuddles the shit out of me. How somebody

1031
00:53:42,600 --> 00:53:45,319
Speaker 3: who has a comedian talks as much shit about everybody

1032
00:53:45,320 --> 00:53:47,360
Speaker 3: else as she does, she has the merity to be

1033
00:53:47,400 --> 00:53:50,640
Speaker 3: offended about anything as much shit as you say about people.

1034
00:53:51,440 --> 00:53:54,960
Speaker 3: Then she encouraged everybody. Allegedly it stems from the fact

1035
00:53:54,960 --> 00:53:57,319
Speaker 3: that I used to always talk about her on video

1036
00:53:57,360 --> 00:54:00,040
Speaker 3: at the video, and she encouraged her sweet babies to

1037
00:54:00,080 --> 00:54:02,600
Speaker 3: look at the video and find them do that, do

1038
00:54:02,680 --> 00:54:04,560
Speaker 3: exactly what she says. And you know what, you're not

1039
00:54:04,560 --> 00:54:07,799
Speaker 3: gonna find You're not gonna find any evidence of that,

1040
00:54:07,800 --> 00:54:09,520
Speaker 3: because Monique's is a fucking liar.

1041
00:54:09,719 --> 00:54:10,680
Speaker 4: She's lying about that.

1042
00:54:11,120 --> 00:54:14,800
Speaker 3: But what you will find is Monique talking shit about

1043
00:54:14,800 --> 00:54:18,280
Speaker 3: some alleged contract dispute we had. Look at the ticket,

1044
00:54:18,320 --> 00:54:18,920
Speaker 3: it says d L.

1045
00:54:18,960 --> 00:54:19,280
Speaker 1: Hughlee.

1046
00:54:19,320 --> 00:54:21,799
Speaker 3: Then Monique, she knows the story. But what she did

1047
00:54:21,840 --> 00:54:24,760
Speaker 3: in response to that, she talked about my dog, my wife.

1048
00:54:25,080 --> 00:54:28,520
Speaker 3: This broad even brought out my daughter's personal trauma. My

1049
00:54:28,640 --> 00:54:31,680
Speaker 3: daughter wasn't molested, and Monique brought that shit out and

1050
00:54:31,719 --> 00:54:34,279
Speaker 3: told the world that I allowed my daughter to be.

1051
00:54:34,280 --> 00:54:36,480
Speaker 2: Raped in front of me. The lying motherfucker.

1052
00:54:36,920 --> 00:54:39,439
Speaker 3: She knows she was lying, and it only stopped when

1053
00:54:39,480 --> 00:54:41,359
Speaker 3: everybody in front of my family checked her.

1054
00:54:42,200 --> 00:54:42,920
Speaker 1: It's interesting.

1055
00:54:42,960 --> 00:54:45,279
Speaker 3: You know what else you won't see Monique doing. You

1056
00:54:45,320 --> 00:54:47,839
Speaker 3: won't ever see her with her family videos with her

1057
00:54:47,960 --> 00:54:50,680
Speaker 3: children are grandchildren because nobody fucks with me. How do

1058
00:54:50,719 --> 00:54:53,480
Speaker 3: you have sweet babies when your own babies don't fuck

1059
00:54:53,520 --> 00:54:56,920
Speaker 3: with you? How do you love us for real when

1060
00:54:56,960 --> 00:54:59,640
Speaker 3: there's no evidence of anybody loving you for real except

1061
00:54:59,680 --> 00:55:03,840
Speaker 3: your day daddy, who you apparently have to pay And FYI,

1062
00:55:05,040 --> 00:55:08,480
Speaker 3: daughters are paid for it by daddies, not daddies who

1063
00:55:08,560 --> 00:55:11,800
Speaker 3: get paid by their daughters. You know what else, You

1064
00:55:11,800 --> 00:55:14,280
Speaker 3: won't see what Monique doing telling jokes.

1065
00:55:14,320 --> 00:55:15,839
Speaker 2: Monique, if she.

1066
00:55:15,880 --> 00:55:19,160
Speaker 3: Just spends as much time actually writing jokes and writing

1067
00:55:19,160 --> 00:55:22,240
Speaker 3: her Netflix special as she did complain about not having one,

1068
00:55:22,360 --> 00:55:25,360
Speaker 3: it wouldn't have been trash. It got the worst reviews

1069
00:55:25,400 --> 00:55:29,479
Speaker 3: of any Netflix special in history because that's what Monique does.

1070
00:55:30,440 --> 00:55:33,600
Speaker 3: She complains and she has grievouses. You never see her

1071
00:55:33,640 --> 00:55:35,920
Speaker 3: being a human being. You never see her being sweet

1072
00:55:36,120 --> 00:55:38,840
Speaker 3: and warm to people, except when she's using it to

1073
00:55:38,840 --> 00:55:41,600
Speaker 3: butter somebody else to get something. There's a reason why

1074
00:55:41,680 --> 00:55:46,560
Speaker 3: everywhere she go, shit starts everywhere she goes. How is

1075
00:55:46,600 --> 00:55:49,720
Speaker 3: it that nobody fucks with you? Not even your family?

1076
00:55:49,920 --> 00:55:52,080
Speaker 3: How do you or I was on the road get it?

1077
00:55:52,120 --> 00:55:55,320
Speaker 3: I get it every goddamn week. Look at my schedule

1078
00:55:55,400 --> 00:55:57,600
Speaker 3: versus yours. See how much I'm going and I still

1079
00:55:57,719 --> 00:55:59,920
Speaker 3: manage to have a relationship that I cherished with my

1080
00:56:00,520 --> 00:56:01,479
Speaker 3: Can you say the same?

1081
00:56:01,719 --> 00:56:02,240
Speaker 4: You can't.

1082
00:56:03,320 --> 00:56:06,279
Speaker 3: It's all you do is talk about your grievouss and

1083
00:56:06,320 --> 00:56:10,040
Speaker 3: who did you wrong. There's a reason you'll tink by yourself.

1084
00:56:10,200 --> 00:56:12,120
Speaker 3: There's a reason you gotta pay a man to love you.

1085
00:56:13,200 --> 00:56:13,760
Speaker 4: It's sad.

1086
00:56:13,920 --> 00:56:16,359
Speaker 3: There's an old adage that said, you can't buy love.

1087
00:56:16,640 --> 00:56:19,239
Speaker 3: It's a shame on nick that you probably always will

1088
00:56:19,280 --> 00:56:19,600
Speaker 3: have to.

1089
00:56:21,640 --> 00:56:23,040
Speaker 2: God damn.

1090
00:56:23,560 --> 00:56:26,040
Speaker 1: Yeah, you can tell your fee's fed up. Like like

1091
00:56:26,239 --> 00:56:28,520
Speaker 1: for somebody to come out and say things like that,

1092
00:56:28,880 --> 00:56:32,600
Speaker 1: you're like, oh, oh, since nobody cares, since that gloves

1093
00:56:32,640 --> 00:56:35,120
Speaker 1: quote unquote the gloves are off. Let the gloves be

1094
00:56:35,200 --> 00:56:38,359
Speaker 1: off then, like you know, if you gonna come at

1095
00:56:38,400 --> 00:56:40,759
Speaker 1: me and do fool body shots, I'm coming back with

1096
00:56:40,800 --> 00:56:43,560
Speaker 1: the book with the body shots too, and it hits

1097
00:56:43,640 --> 00:56:44,480
Speaker 1: land where they may.

1098
00:56:45,160 --> 00:56:48,600
Speaker 2: That was what I was wondering if somebody would do

1099
00:56:48,680 --> 00:56:52,040
Speaker 2: after Cat Williams, and it felt like I think a

1100
00:56:52,040 --> 00:56:54,759
Speaker 2: lot of reasons that people think Cat william shit was like,

1101
00:56:55,160 --> 00:56:58,080
Speaker 2: it's true, it's all true. It's because nobody had a

1102
00:56:58,120 --> 00:57:01,320
Speaker 2: retort back to him that said, like, this shit didn't

1103
00:57:01,360 --> 00:57:04,279
Speaker 2: happen the way you said it happened, and fuck you

1104
00:57:04,560 --> 00:57:07,560
Speaker 2: don't even be lying on me like that. I can't

1105
00:57:07,560 --> 00:57:10,560
Speaker 2: speak for these other motherfuckers because you know, Oprah, Tyler, Perry,

1106
00:57:10,560 --> 00:57:12,600
Speaker 2: they got too much to lose, and I don't think

1107
00:57:12,600 --> 00:57:14,719
Speaker 2: they'll ever want to get in the mud slinging fight

1108
00:57:15,520 --> 00:57:18,520
Speaker 2: with Monique. And I've even seen a couple of times

1109
00:57:18,560 --> 00:57:22,360
Speaker 2: where they've tried to squash it publicly, and I'm like,

1110
00:57:22,480 --> 00:57:25,600
Speaker 2: it won't be enough, you know. I think Steve Harvey

1111
00:57:25,640 --> 00:57:28,040
Speaker 2: tried to squash it like anyone. That's the other thing.

1112
00:57:28,080 --> 00:57:30,880
Speaker 2: Anybody that's tried to like help her quote unquote or

1113
00:57:31,080 --> 00:57:34,120
Speaker 2: address it eventually goes on the enemy list. I remember

1114
00:57:34,280 --> 00:57:37,200
Speaker 2: Steve Harvey trying to do that, and she basically painting

1115
00:57:37,280 --> 00:57:39,520
Speaker 2: him as like a capitulating coon.

1116
00:57:39,680 --> 00:57:39,880
Speaker 4: You know.

1117
00:57:40,760 --> 00:57:43,280
Speaker 2: So it's like, okay, well, let me go back to

1118
00:57:43,320 --> 00:57:47,480
Speaker 2: mind of my business, right, But dl Hughley had a

1119
00:57:47,520 --> 00:57:50,080
Speaker 2: full throat of rebuttal that I would like to see

1120
00:57:50,280 --> 00:57:53,520
Speaker 2: other people do after these shows. If I mean, if

1121
00:57:53,560 --> 00:57:55,520
Speaker 2: you're gonna address it. If not, then I guess, you know,

1122
00:57:55,680 --> 00:57:58,560
Speaker 2: just be above it. But you know, cedrita entertainer coming

1123
00:57:58,560 --> 00:58:02,840
Speaker 2: out and like, nah, tell tell us why is why?

1124
00:58:02,960 --> 00:58:04,520
Speaker 2: You know what I mean, tell us that why?

1125
00:58:04,720 --> 00:58:04,919
Speaker 4: How?

1126
00:58:04,960 --> 00:58:06,920
Speaker 2: You know? How you ain't still that joke? You know,

1127
00:58:07,240 --> 00:58:11,040
Speaker 2: like give us that you know? But uh, yeah, I

1128
00:58:11,080 --> 00:58:12,880
Speaker 2: mean that ship was pretty thorough.

1129
00:58:13,920 --> 00:58:16,800
Speaker 1: Yeah, And like I said, well and to an extent,

1130
00:58:16,840 --> 00:58:18,760
Speaker 1: I could see why a lot of people are like,

1131
00:58:19,160 --> 00:58:21,000
Speaker 1: I'm not gonna do that. You know, I can really

1132
00:58:21,040 --> 00:58:24,600
Speaker 1: see why some people go, that's not my nature, that's

1133
00:58:24,640 --> 00:58:26,520
Speaker 1: against or whatever the case may be. But if that's

1134
00:58:26,560 --> 00:58:29,320
Speaker 1: the case, not that funny, don't say nothing at all.

1135
00:58:29,680 --> 00:58:32,920
Speaker 2: Right, Yeah, she's very talented. Like I'll never knock Monique

1136
00:58:32,920 --> 00:58:37,280
Speaker 2: for that. I think she's a great actress. And uh,

1137
00:58:37,480 --> 00:58:40,600
Speaker 2: you know, like I I thought, I didn't think the

1138
00:58:40,680 --> 00:58:42,840
Speaker 2: last Netflix special was that good, but I've seen her

1139
00:58:43,080 --> 00:58:45,200
Speaker 2: perform before where I thought she was very funny. So

1140
00:58:45,480 --> 00:58:47,520
Speaker 2: me too, I don't want to just lunch. I think,

1141
00:58:47,600 --> 00:58:50,000
Speaker 2: you know, the hyperbole is the lump lump in it,

1142
00:58:50,160 --> 00:58:53,160
Speaker 2: Like she was, she's terrible. You know, I remember when

1143
00:58:53,200 --> 00:58:56,439
Speaker 2: she had that beef with Netflix, being like, I mean,

1144
00:58:56,520 --> 00:59:00,880
Speaker 2: she's not gonna get the money of these people she's

1145
00:59:01,000 --> 00:59:04,040
Speaker 2: naming as like I should, Like she's not gonna get

1146
00:59:04,120 --> 00:59:09,400
Speaker 2: Chris Rock money or even Amy Schumer money. But like

1147
00:59:09,880 --> 00:59:11,880
Speaker 2: saying she should get more than what she was offered

1148
00:59:11,960 --> 00:59:15,919
Speaker 2: wasn't controversial, It wasn't crazy. But man, you know, it's

1149
00:59:15,960 --> 00:59:18,200
Speaker 2: something that people have always said to me. And I'm

1150
00:59:18,240 --> 00:59:21,040
Speaker 2: not just saying every person. A lot of black women

1151
00:59:21,120 --> 00:59:25,200
Speaker 2: told me this at the time when I was kind

1152
00:59:25,200 --> 00:59:27,760
Speaker 2: of like caping for her in that situation. They were

1153
00:59:27,800 --> 00:59:31,760
Speaker 2: like the problem is her husband. The problem is daddy

1154
00:59:32,080 --> 00:59:35,800
Speaker 2: and the dude he's her manager, husband and daddy, father

1155
00:59:35,920 --> 00:59:40,680
Speaker 2: figure and whatever. And she listens and runs up behind

1156
00:59:40,760 --> 00:59:45,400
Speaker 2: him and says like, and she's very publicly proud about

1157
00:59:45,440 --> 00:59:48,800
Speaker 2: how he's controlling her career. And they were like, he

1158
00:59:48,920 --> 00:59:51,400
Speaker 2: the one that's fucking up these deals, He's the one

1159
00:59:51,400 --> 00:59:54,880
Speaker 2: that got her odds. How come every situation with everybody,

1160
00:59:54,920 --> 00:59:59,080
Speaker 2: she's always getting done wrong? The contract with the venue,

1161
00:59:59,120 --> 01:00:02,280
Speaker 2: where she thought she waslining, who the fuck wrote the contract?

1162
01:00:02,320 --> 01:00:04,640
Speaker 2: Because when you see the paperwork, you like, well, clearly

1163
01:00:05,400 --> 01:00:07,920
Speaker 2: that's not what the paperwork says. You're telling me that

1164
01:00:08,000 --> 01:00:11,720
Speaker 2: this is different. And who negotiated the deal? Who you know?

1165
01:00:12,040 --> 01:00:15,840
Speaker 2: Like who's in the video standing behind you silently? You know?

1166
01:00:16,240 --> 01:00:21,480
Speaker 2: So yeah, it's I think that even that's definitely like

1167
01:00:21,560 --> 01:00:25,600
Speaker 2: a sowred spot for her, even for her defenders, because

1168
01:00:26,360 --> 01:00:29,880
Speaker 2: she brought up Tiffany Hattish and the clip I saw

1169
01:00:29,960 --> 01:00:32,200
Speaker 2: where she was saying that. Tiffany Hatters brought her up

1170
01:00:32,200 --> 01:00:35,000
Speaker 2: in an GQ interview where she said she runs her different,

1171
01:00:35,200 --> 01:00:39,520
Speaker 2: her business different than Monique. My business run different than

1172
01:00:39,520 --> 01:00:41,680
Speaker 2: her business. I don't live her life. I don't have

1173
01:00:41,720 --> 01:00:44,320
Speaker 2: her that husband of hers and Monique fire back. When

1174
01:00:44,360 --> 01:00:46,080
Speaker 2: I saw that, I was it's like, Tiffany, if you

1175
01:00:46,200 --> 01:00:49,480
Speaker 2: had a husband like mine, you may not have two DUI's.

1176
01:00:49,480 --> 01:00:51,200
Speaker 2: If you had a husband like mine, you may not

1177
01:00:51,280 --> 01:00:52,840
Speaker 2: be caught up in what looks like you could have

1178
01:00:52,840 --> 01:00:58,960
Speaker 2: been grooming a child talking about that sketch. And it's

1179
01:00:59,400 --> 01:01:04,000
Speaker 2: interesting because like people are sharing that clip. But I

1180
01:01:04,040 --> 01:01:06,840
Speaker 2: almost can guarantee to a person if I'm like, so,

1181
01:01:06,960 --> 01:01:10,880
Speaker 2: y'all think the way daddy runs her life, that's what

1182
01:01:11,000 --> 01:01:15,120
Speaker 2: y'all think women should be aspiring to. And they'll probably

1183
01:01:15,160 --> 01:01:18,440
Speaker 2: be like, hell no, ain't no nigga fit run my life,

1184
01:01:18,680 --> 01:01:24,160
Speaker 2: you know what I mean? So yeah, it's it's it's well.

1185
01:01:23,960 --> 01:01:25,720
Speaker 2: I but like I said, I still have to go

1186
01:01:25,840 --> 01:01:29,240
Speaker 2: listen to it. It's funny because the the Monique said,

1187
01:01:29,480 --> 01:01:31,680
Speaker 2: Monique said Oprah Wifie betrayed her. But I remember that

1188
01:01:31,720 --> 01:01:34,920
Speaker 2: betrayal being Oprah having her on a talk show and

1189
01:01:35,360 --> 01:01:40,200
Speaker 2: have trying to like reconcile her. A strange family with Monique,

1190
01:01:40,240 --> 01:01:43,280
Speaker 2: which goes back to kind of what DL said about.

1191
01:01:43,960 --> 01:01:46,480
Speaker 2: You know, for all this love and family and sweet

1192
01:01:46,520 --> 01:01:50,640
Speaker 2: babies and community, you don't seem to have relationship. The

1193
01:01:50,680 --> 01:01:52,560
Speaker 2: people that's supposed to be tight with you not tight

1194
01:01:52,560 --> 01:01:56,920
Speaker 2: with you except for this man. So anyway, mo mess

1195
01:01:57,600 --> 01:01:59,720
Speaker 2: mess messy twenty twenty four. That's all.

1196
01:02:00,240 --> 01:02:03,120
Speaker 1: Yeah, that's what is gonna be a parent of you. Grievous.

1197
01:02:03,320 --> 01:02:05,919
Speaker 2: We love to see it. A woman who went viral

1198
01:02:06,000 --> 01:02:11,280
Speaker 2: for Christian BBL revealed she suffered infection following surgery. A

1199
01:02:11,320 --> 01:02:15,440
Speaker 2: Brazilian butlerft No, a Christian BBL. Oh yeah, yeah, Christian

1200
01:02:15,480 --> 01:02:16,200
Speaker 2: Brazilian butler.

1201
01:02:16,240 --> 01:02:20,320
Speaker 1: Okay, okay, I'm ahead. Maybe I got the BBL wrong.

1202
01:02:21,080 --> 01:02:23,640
Speaker 2: You know you got it right. Yeah, I didn't realize.

1203
01:02:23,640 --> 01:02:25,760
Speaker 2: I thought you were saying the Christian part was part

1204
01:02:25,760 --> 01:02:28,440
Speaker 2: of the BBL. But uh but I mean, yeah, the

1205
01:02:28,480 --> 01:02:30,080
Speaker 2: bbls that's a Brazilian butler.

1206
01:02:30,240 --> 01:02:31,120
Speaker 1: Okay, no problem.

1207
01:02:31,360 --> 01:02:33,960
Speaker 2: Initially, the twenty five year old woman claimed to have

1208
01:02:34,040 --> 01:02:37,040
Speaker 2: been given spiritual permission from God to get the BBL.

1209
01:02:37,480 --> 01:02:41,320
Speaker 1: Chad Union's permission. Just gonna get your work done. Uh.

1210
01:02:41,440 --> 01:02:45,760
Speaker 2: In a recent blog, YouTuber Sociology, who is legally known

1211
01:02:46,000 --> 01:02:51,000
Speaker 2: as Sofia Idahosa Idahosa okay, share.

1212
01:02:50,760 --> 01:02:53,160
Speaker 1: That that's what the name. That's a name, ain't it?

1213
01:02:53,160 --> 01:02:57,280
Speaker 2: That sounds like a drag name yes Ida Whosa. Yeah,

1214
01:02:57,360 --> 01:03:02,080
Speaker 2: that's that's a dope ass drag name. Yeah. She shared

1215
01:03:02,120 --> 01:03:04,960
Speaker 2: that after getting a cosmetic procedure, she developed an abdomino

1216
01:03:05,040 --> 01:03:09,640
Speaker 2: infection last week, explaining her health issues, dermatologics discovered and

1217
01:03:09,680 --> 01:03:13,080
Speaker 2: affection on my abdomen basically caused me to be very sick, weak,

1218
01:03:13,120 --> 01:03:16,400
Speaker 2: and not healing as I should. She subscribed antibiotics, topical

1219
01:03:16,440 --> 01:03:19,840
Speaker 2: treatments for the scars, and recommended and recommended I rest.

1220
01:03:19,880 --> 01:03:21,920
Speaker 2: I had to postpone my follow up appointment with doctor

1221
01:03:22,000 --> 01:03:26,520
Speaker 2: Young and my post op massage appointments. Now, it's interesting

1222
01:03:26,560 --> 01:03:28,600
Speaker 2: that they tell people this because it's like after you

1223
01:03:28,800 --> 01:03:31,240
Speaker 2: take because they clowned her for that Christian BBL shit.

1224
01:03:32,600 --> 01:03:35,960
Speaker 2: But I guess it's content because it's like, well, they

1225
01:03:36,000 --> 01:03:38,080
Speaker 2: clowned me, but I went viral, So I guess I'm

1226
01:03:38,080 --> 01:03:39,640
Speaker 2: gonna go viral when y'all find out I got an

1227
01:03:39,680 --> 01:03:40,600
Speaker 2: infection from it.

1228
01:03:41,440 --> 01:03:44,120
Speaker 1: Yep, because that's that AS's what people do.

1229
01:03:44,920 --> 01:03:50,120
Speaker 2: Yeah, she said, the dermatology appointment went well, but she

1230
01:03:50,160 --> 01:03:53,480
Speaker 2: should have got diagnosed and prescribed, and the prescription she

1231
01:03:53,520 --> 01:03:57,080
Speaker 2: should have went sooner, It's what she said. And she

1232
01:03:57,080 --> 01:03:59,080
Speaker 2: booked the appointment last minute because of how much pain

1233
01:03:59,160 --> 01:04:01,280
Speaker 2: she was in last night, right so as much pain

1234
01:04:01,280 --> 01:04:03,440
Speaker 2: as I'm in right now, just disappointment that this is

1235
01:04:03,480 --> 01:04:05,720
Speaker 2: even happening. I'm happy that I have medicine now, things

1236
01:04:05,760 --> 01:04:06,400
Speaker 2: to help cure it.

1237
01:04:08,080 --> 01:04:10,760
Speaker 1: Yeah, because the thing is everything is content, even your

1238
01:04:10,920 --> 01:04:13,400
Speaker 1: l's and maybe I'm old. Let me take my al

1239
01:04:13,480 --> 01:04:16,720
Speaker 1: into darkness. Y'all got to see me take a goddamn

1240
01:04:16,720 --> 01:04:17,880
Speaker 1: all that don't make sense to.

1241
01:04:18,000 --> 01:04:22,080
Speaker 2: Me, take my l into darkness. Yeah, people go.

1242
01:04:22,400 --> 01:04:25,000
Speaker 1: I took an air, y'all. I got my ass whoop, y'all. Oh,

1243
01:04:25,040 --> 01:04:27,400
Speaker 1: this bitch took my weed, y'all. I broke my teeth y'all.

1244
01:04:27,400 --> 01:04:29,840
Speaker 1: You were like, well, damn what you child? You know

1245
01:04:29,960 --> 01:04:30,680
Speaker 1: this is forever.

1246
01:04:31,280 --> 01:04:35,720
Speaker 2: That's facts, Karen. Energy drinks may increase children's risk of ADHD,

1247
01:04:35,840 --> 01:04:42,120
Speaker 2: anxiety and depression. Yeah, I mean, is anyone, first of

1248
01:04:42,160 --> 01:04:47,120
Speaker 2: all children, I probably everybody who drinks, So, but if anyone,

1249
01:04:47,240 --> 01:04:49,000
Speaker 2: if I'm looking at energy drinks, like I look at

1250
01:04:49,040 --> 01:04:52,560
Speaker 2: cigarettes or alcohol or yeah, whatever the fuck else kind

1251
01:04:52,560 --> 01:04:55,560
Speaker 2: of things that like we do as adults that we know,

1252
01:04:55,720 --> 01:04:59,000
Speaker 2: like we know that there's gonna be some consequences for

1253
01:04:59,040 --> 01:05:01,840
Speaker 2: fucking with this shit. You It's like, you know It's

1254
01:05:01,840 --> 01:05:04,160
Speaker 2: like if you eat Nashville or hot chicken every night,

1255
01:05:04,200 --> 01:05:07,760
Speaker 2: You're like, it's gonna be some consequences, but high.

1256
01:05:07,640 --> 01:05:09,720
Speaker 1: Blood press in cholesterol, heart might stop.

1257
01:05:10,320 --> 01:05:12,600
Speaker 2: Yeah, you know, you might have to use the bathroom.

1258
01:05:12,600 --> 01:05:14,360
Speaker 2: It might hurt a little bit, but the point then

1259
01:05:15,080 --> 01:05:17,560
Speaker 2: you knew that when you ate the shit, right, So

1260
01:05:18,080 --> 01:05:22,160
Speaker 2: I guess we needed a study to be like children

1261
01:05:22,320 --> 01:05:26,800
Speaker 2: slamming caffeine down their throat might give them eighty eighth

1262
01:05:26,920 --> 01:05:31,520
Speaker 2: D anxiety and depression. No shit, And apparently there's no

1263
01:05:31,640 --> 01:05:34,360
Speaker 2: age restriction on purchasing these drinks. Now that I didn't know.

1264
01:05:34,520 --> 01:05:36,600
Speaker 1: I did not know. I thought it was an age

1265
01:05:36,920 --> 01:05:39,480
Speaker 1: and you know what, and I and y'all, this is

1266
01:05:39,480 --> 01:05:44,080
Speaker 1: one reason why I never grew up consuming caffeine. This

1267
01:05:44,160 --> 01:05:46,560
Speaker 1: is why I'm like, well, shit, I'm not going through

1268
01:05:46,560 --> 01:05:48,280
Speaker 1: aut that it's hot coco. So I just skipped the

1269
01:05:48,320 --> 01:05:50,400
Speaker 1: ship and go to hot Cocoa. Because my mom was like, choice,

1270
01:05:50,440 --> 01:05:52,400
Speaker 1: don't need caffeine. She was really old school with that.

1271
01:05:52,400 --> 01:05:54,040
Speaker 1: The fun I'm gonna get you coughede fo. You got

1272
01:05:54,160 --> 01:05:56,760
Speaker 1: enough energy all, but I do not need to energize

1273
01:05:56,760 --> 01:05:57,600
Speaker 1: you up anymore.

1274
01:05:58,320 --> 01:06:01,120
Speaker 2: Yeah, I mean, I think the caffeine and like a

1275
01:06:01,240 --> 01:06:04,240
Speaker 2: soda is different. You know, there's also caffeine and chocolate

1276
01:06:04,280 --> 01:06:06,800
Speaker 2: and stuff, but this is more for coffee. For her,

1277
01:06:06,880 --> 01:06:08,160
Speaker 2: she was like, I know, I know, I know what

1278
01:06:08,160 --> 01:06:13,440
Speaker 2: you're saying. I like, so like children get caffeine. I

1279
01:06:13,480 --> 01:06:16,680
Speaker 2: think it's different because the purpose of an energy drink

1280
01:06:17,520 --> 01:06:19,840
Speaker 2: is to give you pure just more and more that

1281
01:06:20,000 --> 01:06:23,680
Speaker 2: caffeine hyped up feeling. Even with caffeinated coffee, it's got

1282
01:06:23,720 --> 01:06:28,000
Speaker 2: more than that in it. So like, I mean, look,

1283
01:06:28,000 --> 01:06:30,200
Speaker 2: we don't have kids. There's probably some parents listening and

1284
01:06:30,240 --> 01:06:33,120
Speaker 2: be like, listen, if Timmy don't get his monster energy drink,

1285
01:06:33,160 --> 01:06:35,200
Speaker 2: he just ain't gonna be right in the morning. But

1286
01:06:35,560 --> 01:06:38,320
Speaker 2: and so I maybe I don't know, you know, don't

1287
01:06:38,520 --> 01:06:40,760
Speaker 2: kids never cried at me because I was like, that's

1288
01:06:40,880 --> 01:06:46,040
Speaker 2: enough rockstar for you, right, but put that down. But man,

1289
01:06:47,000 --> 01:06:49,120
Speaker 2: this feels like a study that didn't even I could

1290
01:06:49,160 --> 01:06:50,920
Speaker 2: have did this study with none of the research. I

1291
01:06:50,920 --> 01:06:52,680
Speaker 2: could have been like, give me a million dollars for

1292
01:06:52,680 --> 01:06:54,680
Speaker 2: a grant, and I would have came back in the

1293
01:06:54,720 --> 01:06:58,800
Speaker 2: month and been like, guys, it's causing the depression, ADHD

1294
01:06:58,880 --> 01:07:01,160
Speaker 2: and anxiety in these kids. And they'd be like Oh, okay,

1295
01:07:01,160 --> 01:07:04,080
Speaker 2: what's the evidence, nigga. They drinking the ship and that's

1296
01:07:04,120 --> 01:07:05,280
Speaker 2: what's in they can right.

1297
01:07:05,320 --> 01:07:07,880
Speaker 1: And my thing is, I'm like you, I did not

1298
01:07:07,960 --> 01:07:11,120
Speaker 1: know there was not an age limit pure caffeine, like

1299
01:07:11,200 --> 01:07:13,600
Speaker 1: more than coffee. Like this is like some really strong

1300
01:07:13,880 --> 01:07:16,280
Speaker 1: they're age limit on the caffeine powder we talked about

1301
01:07:16,400 --> 01:07:19,440
Speaker 1: last week. Oh, the one they snorting, snorting like cocaine up.

1302
01:07:19,440 --> 01:07:22,560
Speaker 1: They knows this. I wonder you probably it's.

1303
01:07:22,440 --> 01:07:25,840
Speaker 2: Not, but yeah, it's just I don't know. They're also

1304
01:07:26,000 --> 01:07:29,800
Speaker 2: higher rates of suicide, idiation and attempts among those who

1305
01:07:29,920 --> 01:07:31,720
Speaker 2: drank more than one energy drink a day.

1306
01:07:32,280 --> 01:07:35,120
Speaker 1: Whoo child, I remember, I don't know if this is

1307
01:07:35,160 --> 01:07:37,680
Speaker 1: the same. Is this like them five hours? Does that

1308
01:07:37,680 --> 01:07:40,760
Speaker 1: follow in this category? I remember years ago when I

1309
01:07:40,800 --> 01:07:43,400
Speaker 1: worked at Shoney's, some of the girls would be like

1310
01:07:43,440 --> 01:07:45,400
Speaker 1: work doubles and things like that, and they would do

1311
01:07:45,480 --> 01:07:47,560
Speaker 1: that and I would watch them. They would be so

1312
01:07:47,760 --> 01:07:49,760
Speaker 1: jittery and shit like that. They would talk about having

1313
01:07:49,800 --> 01:07:52,200
Speaker 1: heart pepper tack. I was like, I'm not taking that bullshit.

1314
01:07:52,640 --> 01:07:59,200
Speaker 2: Yeah I And then just it's also the fact that

1315
01:07:59,640 --> 01:08:04,400
Speaker 2: they you can't trust a kid to be like I'll

1316
01:08:04,480 --> 01:08:07,040
Speaker 2: just have half a Red Bull. It's not I was

1317
01:08:07,040 --> 01:08:09,480
Speaker 2: a kid. That's not how I ever thought if I

1318
01:08:09,520 --> 01:08:12,080
Speaker 2: had enough money for two slices of pizza, I was

1319
01:08:12,080 --> 01:08:14,120
Speaker 2: getting two slices of pizza at lunch.

1320
01:08:14,280 --> 01:08:18,200
Speaker 1: Yes, like like you like I get two of thes

1321
01:08:18,240 --> 01:08:19,800
Speaker 1: of fries, bitch, I'm getting them both.

1322
01:08:19,920 --> 01:08:21,840
Speaker 2: Yeah. And I know they promo this stuff with like

1323
01:08:22,000 --> 01:08:24,760
Speaker 2: video gaming and stuff. A lot of the drink companies

1324
01:08:24,760 --> 01:08:27,320
Speaker 2: have gotten into it, like your soda companies out their

1325
01:08:27,320 --> 01:08:31,519
Speaker 2: own like energy drinks, so and that without there being

1326
01:08:31,600 --> 01:08:35,200
Speaker 2: like an age restriction that something's gonna happen. A twelve

1327
01:08:35,280 --> 01:08:38,280
Speaker 2: ounce can of Prime Energy contains two hundred milligrams of

1328
01:08:38,360 --> 01:08:42,400
Speaker 2: caffeine compared to a thirty four milligrams found in a

1329
01:08:42,439 --> 01:08:48,120
Speaker 2: twelve ounce Coca Cola goddamn. So basically you get like

1330
01:08:48,320 --> 01:08:52,160
Speaker 2: five times it seems like five or six times as

1331
01:08:52,240 --> 01:08:56,240
Speaker 2: much six about six times as much caffeine and twelve

1332
01:08:56,280 --> 01:08:58,519
Speaker 2: ounces of that energy drink that you getting a cold is.

1333
01:08:58,520 --> 01:09:00,600
Speaker 1: Just what from their bread got got there for me

1334
01:09:00,640 --> 01:09:01,320
Speaker 1: to front.

1335
01:09:01,680 --> 01:09:05,559
Speaker 2: Right, uh the charge lemonade. Yeah, I remember drinking Red

1336
01:09:05,560 --> 01:09:09,320
Speaker 2: Bull Vodkas when I had white friends and the next day.

1337
01:09:09,439 --> 01:09:11,040
Speaker 2: First of all, I wouldn't really be able to sleep

1338
01:09:11,120 --> 01:09:14,040
Speaker 2: much that night, and then the next day at worked,

1339
01:09:14,080 --> 01:09:17,320
Speaker 2: I would be jittery as fuck, burping up red Bull

1340
01:09:17,720 --> 01:09:21,040
Speaker 2: and vodka still, and I was like, y'all go out

1341
01:09:21,040 --> 01:09:23,040
Speaker 2: and do this several times a week, y'all just live

1342
01:09:23,200 --> 01:09:25,800
Speaker 2: like this, you know, And I would stop, like a

1343
01:09:25,800 --> 01:09:27,720
Speaker 2: lot of times, I just wouldn't drink with them, cause

1344
01:09:27,760 --> 01:09:31,479
Speaker 2: I'm like, this is this is crazy that y'all just

1345
01:09:31,680 --> 01:09:36,360
Speaker 2: do this, you know. But uh yeah, So it's it's

1346
01:09:36,600 --> 01:09:39,240
Speaker 2: I'm not surprised by these findings at all. And I

1347
01:09:39,280 --> 01:09:43,280
Speaker 2: wonder if maybe we'll see some some legal repercussions or

1348
01:09:43,320 --> 01:09:44,920
Speaker 2: some regulations come into play.

1349
01:09:45,080 --> 01:09:49,439
Speaker 1: Yes you will, because because child is America, somebody's special

1350
01:09:49,520 --> 01:09:52,280
Speaker 1: white snowflake child and get fucked up and then get

1351
01:09:52,280 --> 01:09:54,280
Speaker 1: smacked with a lawsuit and all the rule's gonna change

1352
01:09:55,280 --> 01:09:58,040
Speaker 1: about local doesn't have full loco. They got sued like

1353
01:09:58,479 --> 01:10:00,639
Speaker 1: uh and they follo still around, but you can't get

1354
01:10:00,640 --> 01:10:02,320
Speaker 1: that original crack and you don't want it.

1355
01:10:03,280 --> 01:10:09,280
Speaker 2: Jennifer Crumbley is the mom of the kid who shot

1356
01:10:09,360 --> 01:10:12,160
Speaker 2: up at school, and she was the first parent to

1357
01:10:12,200 --> 01:10:18,200
Speaker 2: ever be convicted on found guilty of involuntary manslaughter.

1358
01:10:19,160 --> 01:10:21,360
Speaker 1: Because these other parents that actually fled.

1359
01:10:21,479 --> 01:10:25,519
Speaker 2: Right, Yes, I believe those are the same parents. She

1360
01:10:25,600 --> 01:10:27,479
Speaker 2: knew her son, fifteen at the time of the shooting,

1361
01:10:27,520 --> 01:10:30,679
Speaker 2: was struggling with alarming mental health issues, they said. Instead

1362
01:10:30,680 --> 01:10:32,599
Speaker 2: of getting him help he needed, she and her husband

1363
01:10:32,600 --> 01:10:35,759
Speaker 2: bought him the gun used in the attack and attempted

1364
01:10:35,760 --> 01:10:37,920
Speaker 2: to flee when it became likely he would be charged

1365
01:10:38,640 --> 01:10:41,320
Speaker 2: they would be charged. James Crumbley, who faces the same charges.

1366
01:10:41,360 --> 01:10:46,000
Speaker 2: Wife's schedule go on trial in March. Be funny if

1367
01:10:46,000 --> 01:10:52,160
Speaker 2: he don't get it, she do. But yeah, yeah, I

1368
01:10:52,160 --> 01:10:54,880
Speaker 2: mean it's precedent setting, and it's because it's the first

1369
01:10:54,960 --> 01:10:57,479
Speaker 2: time ever. And you wonder if this will be something

1370
01:10:57,479 --> 01:11:00,799
Speaker 2: that happens in the future with these because there's always

1371
01:11:00,840 --> 01:11:04,080
Speaker 2: red flags, and there's certain parents that just they A,

1372
01:11:04,280 --> 01:11:06,880
Speaker 2: I got the Second Amendment right to have my kid

1373
01:11:06,880 --> 01:11:10,400
Speaker 2: have a gun, not gonna take my gun, and boom.

1374
01:11:10,520 --> 01:11:13,960
Speaker 2: Now some people are dead because whatever reason, you didn't

1375
01:11:13,960 --> 01:11:20,280
Speaker 2: give a fuck. Right and uh, a US porn actor

1376
01:11:20,320 --> 01:11:23,400
Speaker 2: who advocates for Palestinians visits Iran on the trip, but

1377
01:11:23,439 --> 01:11:28,240
Speaker 2: then goes unacknowledged by Tehran of Tehran an American porn

1378
01:11:28,280 --> 01:11:32,479
Speaker 2: star actor. A porn actor who advocated for Palestinians online

1379
01:11:32,560 --> 01:11:36,960
Speaker 2: during Israel's war on Hamas, I mean during isn't it

1380
01:11:37,000 --> 01:11:42,280
Speaker 2: still happening? They're still They're still killing people. Travel to

1381
01:11:42,320 --> 01:11:46,439
Speaker 2: Iran and visit the former US embassy in Tehran, which

1382
01:11:46,479 --> 01:11:49,439
Speaker 2: was abandoned after the nineteen seventy nine hostage crisis. The

1383
01:11:49,560 --> 01:11:54,880
Speaker 2: visit by Whitney Wright as Iran's imprisoned Nobel Peace Prize

1384
01:11:54,920 --> 01:12:00,839
Speaker 2: laureate and women's rights activist Nagas Mohammadi, sparked heated criticism

1385
01:12:00,920 --> 01:12:02,800
Speaker 2: of the countries cracked down on women's since the twenty

1386
01:12:02,800 --> 01:12:06,080
Speaker 2: twenty two death and police custody of Masaimini and the

1387
01:12:06,200 --> 01:12:10,960
Speaker 2: nationwide protest it sparked. Wright filmed herself throughout Tehran, despite

1388
01:12:10,960 --> 01:12:13,679
Speaker 2: her work in pornography, exposing her in theory to criminal

1389
01:12:13,800 --> 01:12:15,519
Speaker 2: charges that carried the death penalty.

1390
01:12:15,920 --> 01:12:17,680
Speaker 1: They don't be playing over there, y'all. Y'all bet know

1391
01:12:17,720 --> 01:12:18,360
Speaker 1: these rules.

1392
01:12:19,439 --> 01:12:22,800
Speaker 2: Yeah. Wright did not respond to requests for comment from

1393
01:12:22,840 --> 01:12:25,200
Speaker 2: the Associated Press, but in the remarks on social media,

1394
01:12:25,280 --> 01:12:27,920
Speaker 2: she described the US embac as a place she had

1395
01:12:27,960 --> 01:12:31,680
Speaker 2: to visit. Iran's paramilitary Revolutionary Guard now runs it as

1396
01:12:31,680 --> 01:12:39,280
Speaker 2: a museum. Iranian students backing I ayototly Komani overran the compound.

1397
01:12:39,400 --> 01:12:43,240
Speaker 2: After the nineteen seventy nine Islamic Revolution, MBAC staff members

1398
01:12:43,280 --> 01:12:45,040
Speaker 2: to take a hostage in Hell for four hundred and

1399
01:12:45,040 --> 01:12:47,679
Speaker 2: forty four days. A direct line can be drawn between

1400
01:12:47,720 --> 01:12:50,200
Speaker 2: that crisis and the tensions between Iran and the US today.

1401
01:12:51,840 --> 01:12:54,960
Speaker 2: So yet, she had previously shared pro palest any information

1402
01:12:55,040 --> 01:13:00,160
Speaker 2: online included material supporting our militancy against Israel. As a

1403
01:13:00,280 --> 01:13:02,400
Speaker 2: US citizen born in Oklahoma City, she would need to

1404
01:13:02,479 --> 01:13:05,000
Speaker 2: visit a visit to visit Iran. Iran's mission to the

1405
01:13:05,080 --> 01:13:08,639
Speaker 2: United Nations did not respond to questions about the actor's trip.

1406
01:13:08,720 --> 01:13:13,519
Speaker 2: Iranian Foreign Ministry spokesperson Naser Kanani Kanani I think was

1407
01:13:13,600 --> 01:13:16,400
Speaker 2: asked about right during the Monday briefing and he said

1408
01:13:16,400 --> 01:13:21,240
Speaker 2: he had no information about her. Yeah. I think it's

1409
01:13:21,240 --> 01:13:24,559
Speaker 2: interesting that people are like, Wow, how can the government

1410
01:13:24,600 --> 01:13:27,479
Speaker 2: not even acknowledge she was there. It's like cause if

1411
01:13:27,520 --> 01:13:31,360
Speaker 2: they acknowledged it probably wouldn't be good, like because if

1412
01:13:31,400 --> 01:13:33,439
Speaker 2: you admit that you know she over there, then you

1413
01:13:33,560 --> 01:13:37,200
Speaker 2: probably got to arrest her because they just because you're

1414
01:13:37,240 --> 01:13:39,360
Speaker 2: on the side of their cause doesn't mean that pro

1415
01:13:39,520 --> 01:13:42,360
Speaker 2: pornography or any of the shit that we think is

1416
01:13:42,360 --> 01:13:43,640
Speaker 2: good in America.

1417
01:13:43,320 --> 01:13:46,880
Speaker 1: Correct, Like, yeah, you go to the other countries, they

1418
01:13:46,880 --> 01:13:49,120
Speaker 1: don't have the same rules and laws that we have here.

1419
01:13:49,600 --> 01:13:55,920
Speaker 2: Yeah, so I don't know. Man Iranian actor Satare Psiani

1420
01:13:57,000 --> 01:14:00,280
Speaker 2: cited rights visit to criticize Iran's hardline government for his

1421
01:14:00,360 --> 01:14:03,240
Speaker 2: mandatory head scarf policy, which led to the twenty two

1422
01:14:03,320 --> 01:14:06,800
Speaker 2: year old Ameni's arrest and death. Now that is the

1423
01:14:06,840 --> 01:14:12,479
Speaker 2: woman that was killed in custody, Like I think they

1424
01:14:12,479 --> 01:14:16,320
Speaker 2: said a two couple of years ago, which sparked a

1425
01:14:16,479 --> 01:14:21,160
Speaker 2: big protest movement. You punish people on this of this

1426
01:14:21,240 --> 01:14:23,400
Speaker 2: country and various methods for removal of a huge job,

1427
01:14:23,640 --> 01:14:26,240
Speaker 2: but you allow porn actors to come here for tourism.

1428
01:14:26,560 --> 01:14:30,920
Speaker 2: So once again, the sides are kind of messy on

1429
01:14:30,960 --> 01:14:34,040
Speaker 2: this and this, Like sometimes the people that are very

1430
01:14:34,080 --> 01:14:38,080
Speaker 2: critical of the pro Palestinian moving online say stuff that

1431
01:14:38,240 --> 01:14:41,960
Speaker 2: seems very dismissive whatever, just like y'all are like on

1432
01:14:42,040 --> 01:14:46,160
Speaker 2: the side of Hamas and Hermas would never support any

1433
01:14:46,200 --> 01:14:49,200
Speaker 2: of the shit y'all talking about. And you know, and

1434
01:14:49,600 --> 01:14:53,519
Speaker 2: I think this is the illustration of that of like

1435
01:14:54,479 --> 01:14:56,639
Speaker 2: you And I'm not saying you should change this point

1436
01:14:56,720 --> 01:15:01,040
Speaker 2: of view or your stands, but you're not necessarcessarily aligned

1437
01:15:01,080 --> 01:15:05,080
Speaker 2: on a lot of other very crucial things because you know,

1438
01:15:05,400 --> 01:15:08,439
Speaker 2: there's a lot in that area. Yeah, anti LGBTQ stuff.

1439
01:15:08,439 --> 01:15:11,920
Speaker 2: There's a lot of uh, misogyny and and all this

1440
01:15:11,960 --> 01:15:15,200
Speaker 2: other stuff, and literally like not the misogyny like oh

1441
01:15:15,240 --> 01:15:17,800
Speaker 2: this hip hop verse, but like we will kill you,

1442
01:15:17,880 --> 01:15:21,439
Speaker 2: we will stone you to death type shit. So I

1443
01:15:21,479 --> 01:15:25,280
Speaker 2: don't know if she expected that or whatever. You know,

1444
01:15:25,400 --> 01:15:28,479
Speaker 2: I'm hopefully she's safe and back in the States or

1445
01:15:28,479 --> 01:15:34,040
Speaker 2: whatever and she got her protesting. But yeah, I was

1446
01:15:34,160 --> 01:15:36,920
Speaker 2: not shocked by the fact that there were people that

1447
01:15:37,000 --> 01:15:39,360
Speaker 2: were like, get the fuck out of here with this shit.

1448
01:15:39,439 --> 01:15:43,160
Speaker 2: Even with them going they probably agree about a lot

1449
01:15:43,160 --> 01:15:44,840
Speaker 2: of stuff when it comes to Israel, and they're still like,

1450
01:15:44,840 --> 01:15:47,120
Speaker 2: get the fuck out of our country with this book. Right,

1451
01:15:49,000 --> 01:15:54,240
Speaker 2: All right, let's see what else should we talk about?

1452
01:15:54,560 --> 01:15:57,839
Speaker 2: Uh you know what, I'll save that one for later. Okay,

1453
01:15:57,880 --> 01:16:01,439
Speaker 2: they will do check to see if there's any articles

1454
01:16:01,479 --> 01:16:03,680
Speaker 2: want to talk about here. Oh yeah, I guess we

1455
01:16:03,720 --> 01:16:08,160
Speaker 2: do a little bit of fucking with black people real quick. Uh. So,

1456
01:16:08,200 --> 01:16:10,720
Speaker 2: as I pull up the fucking with Black people music.

1457
01:16:10,640 --> 01:16:16,799
Speaker 4: Quentry far fifty with I Want You you fuck.

1458
01:16:16,680 --> 01:16:24,040
Speaker 2: With by a thousand cuts, micro dogs, man depression work twice.

1459
01:16:24,080 --> 01:16:26,680
Speaker 2: It's all no matter how height the bar is, I

1460
01:16:26,800 --> 01:16:31,120
Speaker 2: give it one hundred and not fucking Drcaris wing far fifty.

1461
01:16:34,680 --> 01:16:38,840
Speaker 2: I want you you fuck with zoom cut de I

1462
01:16:38,960 --> 01:16:43,560
Speaker 2: focused team as corporate American retreats on diversity and initiatives.

1463
01:16:44,640 --> 01:16:49,280
Speaker 1: Everybody, that's the first thing they yup, last one in, first.

1464
01:16:49,000 --> 01:16:53,280
Speaker 2: To go yep, yep. So they fired a team of

1465
01:16:53,320 --> 01:16:56,599
Speaker 2: workers focused on diversity, equity and inclusion.

1466
01:16:56,280 --> 01:16:58,120
Speaker 1: And a lot of times all these shows that they

1467
01:16:58,120 --> 01:16:59,840
Speaker 1: were never seen it in the first place, and it's

1468
01:16:59,840 --> 01:17:03,200
Speaker 1: a luxury. And when money started drawing up, or empathy

1469
01:17:03,280 --> 01:17:05,800
Speaker 1: runs out or compassion runs out, they just like, well,

1470
01:17:05,800 --> 01:17:09,320
Speaker 1: we wouldn't never see us no way. Yeah, if you're serious,

1471
01:17:09,360 --> 01:17:10,080
Speaker 1: you stick with it.

1472
01:17:11,120 --> 01:17:14,400
Speaker 2: I agree, I'm it's sad, but that's how the fuck

1473
01:17:14,439 --> 01:17:15,040
Speaker 2: shit goes.

1474
01:17:15,600 --> 01:17:17,720
Speaker 1: And it's a cycle. Some of these same companies in

1475
01:17:17,760 --> 01:17:20,799
Speaker 1: the next X amount of years when something else happened

1476
01:17:20,840 --> 01:17:23,640
Speaker 1: and they don't want to be called out because you know,

1477
01:17:23,760 --> 01:17:25,240
Speaker 1: not a lot of this not trying to find out.

1478
01:17:25,240 --> 01:17:28,080
Speaker 1: Of the companies felt the pressure from particularly the younger generations,

1479
01:17:28,120 --> 01:17:30,800
Speaker 1: by people want to hold companies to a moral standards

1480
01:17:30,800 --> 01:17:32,679
Speaker 1: and shit like this, even though they're just a company,

1481
01:17:33,080 --> 01:17:35,400
Speaker 1: and they're like, well, morally, this is how you should feel.

1482
01:17:35,400 --> 01:17:37,640
Speaker 1: Where they go, child, we about profits and margins and

1483
01:17:37,680 --> 01:17:39,400
Speaker 1: shit like that, like the fuck we got to do

1484
01:17:39,439 --> 01:17:42,200
Speaker 1: about this? You better say something And they're like, okay,

1485
01:17:42,280 --> 01:17:44,120
Speaker 1: I guess we'll say something, and I guess we do

1486
01:17:44,160 --> 01:17:46,400
Speaker 1: these things that y'all asks us to do. But overall,

1487
01:17:46,439 --> 01:17:48,120
Speaker 1: as a company, we actually don't give a fuck. We

1488
01:17:48,200 --> 01:17:50,320
Speaker 1: about profits and margin and shit like this. This shit

1489
01:17:50,400 --> 01:17:53,160
Speaker 1: is company. But this is this making us money or

1490
01:17:53,160 --> 01:17:54,720
Speaker 1: saving us money if you don't fall in one of

1491
01:17:54,720 --> 01:17:57,360
Speaker 1: those two categories, and most companies is worthless.

1492
01:17:57,720 --> 01:17:58,960
Speaker 2: Yeah, zero, tie hundred.

1493
01:18:00,640 --> 01:18:04,040
Speaker 1: This right here, I'm gonna give it two scores. The

1494
01:18:04,160 --> 01:18:07,360
Speaker 1: first score is a Jakaris. Don't do it if you're

1495
01:18:07,400 --> 01:18:09,000
Speaker 1: not serious. I have to be like, just like, don't

1496
01:18:09,200 --> 01:18:11,280
Speaker 1: invest the funds and hire these people and all this shit.

1497
01:18:11,280 --> 01:18:14,240
Speaker 1: But zero, because now that funny. It's a company. I'm old,

1498
01:18:15,280 --> 01:18:18,800
Speaker 1: my well, I was raised up. A company is just

1499
01:18:18,840 --> 01:18:21,720
Speaker 1: a company. You hire employees, your employe's work, You pay

1500
01:18:21,800 --> 01:18:22,599
Speaker 1: them to do their job.

1501
01:18:22,680 --> 01:18:23,120
Speaker 2: The end.

1502
01:18:23,479 --> 01:18:25,160
Speaker 1: I grew up in generation where the company didn't have

1503
01:18:25,240 --> 01:18:28,879
Speaker 1: these moral standards, how moral high grounds where your companies

1504
01:18:28,920 --> 01:18:31,680
Speaker 1: wouldn't you know, in politics and all that shit. Not

1505
01:18:31,760 --> 01:18:33,439
Speaker 1: if you do own it might be, but the company

1506
01:18:33,439 --> 01:18:36,080
Speaker 1: itself didn't take these stands. I don't get fuck what

1507
01:18:36,120 --> 01:18:37,639
Speaker 1: you're talking about. I just want to buy your hamburger,

1508
01:18:37,680 --> 01:18:39,599
Speaker 1: your cheeseburger, your clothes. Like I just want to consume

1509
01:18:39,640 --> 01:18:42,599
Speaker 1: whatever you're selling me. All this other bullshit I don't

1510
01:18:42,640 --> 01:18:44,599
Speaker 1: give a fuck about. Like I said, that's because I'm

1511
01:18:44,600 --> 01:18:46,200
Speaker 1: old and I'm black, and I don't hold them to

1512
01:18:46,280 --> 01:18:48,479
Speaker 1: these moral standards that a lot of younger generations do.

1513
01:18:48,560 --> 01:18:51,040
Speaker 1: So those are my scores of Jakaris because I'm like,

1514
01:18:52,000 --> 01:18:53,800
Speaker 1: don't do it if you're not gonna be serious and

1515
01:18:53,840 --> 01:18:54,639
Speaker 1: dedicated to it.

1516
01:18:55,080 --> 01:18:57,960
Speaker 2: Yeah, I echoed both of your scores. I think that's uh,

1517
01:18:58,400 --> 01:19:01,360
Speaker 2: that's fair. And that's basically how I feel about it.

1518
01:19:02,360 --> 01:19:04,200
Speaker 2: And it's it's gotten to the point where i'm a

1519
01:19:04,200 --> 01:19:08,559
Speaker 2: little bit not even like I'm not surprised anymore. It's

1520
01:19:08,600 --> 01:19:11,639
Speaker 2: more like, here we go with this bullshit again, because

1521
01:19:12,160 --> 01:19:14,679
Speaker 2: you know, first they're getting they're getting rid of these people.

1522
01:19:14,920 --> 01:19:16,479
Speaker 1: Yeah, and you be told, y'all, do know it's a

1523
01:19:16,520 --> 01:19:18,559
Speaker 1: lot of companies that didn't do anything. And guess what

1524
01:19:18,600 --> 01:19:20,519
Speaker 1: they're not doing with the with the backlash, because they

1525
01:19:20,520 --> 01:19:21,880
Speaker 1: never hide the people in the first place.

1526
01:19:21,960 --> 01:19:25,120
Speaker 2: That's a good point. Tyreez clarifies his remarks about wishing

1527
01:19:25,120 --> 01:19:28,160
Speaker 2: he was born Latino, says he wants more unity in

1528
01:19:28,200 --> 01:19:29,040
Speaker 2: the black community.

1529
01:19:31,200 --> 01:19:31,439
Speaker 3: Yeah.

1530
01:19:31,840 --> 01:19:36,360
Speaker 2: He went on to say, Now this is funny because

1531
01:19:36,400 --> 01:19:38,000
Speaker 2: you know, remember you said sometimes I wish I was

1532
01:19:38,000 --> 01:19:42,280
Speaker 2: born Latino and somebody made a meme of him and

1533
01:19:42,280 --> 01:19:46,280
Speaker 2: he posted it on his own Instagram, and it's.

1534
01:19:49,280 --> 01:19:52,240
Speaker 1: What they're called a lucha door.

1535
01:19:50,800 --> 01:19:55,559
Speaker 2: No, that's the one that that's not what a lucha

1536
01:19:55,600 --> 01:20:01,160
Speaker 2: door is. A Mexican wrestler, that's that's I mean, maybe

1537
01:20:01,240 --> 01:20:04,080
Speaker 2: he looks somewhat like a matador. Yeah, I guess maybe

1538
01:20:04,080 --> 01:20:05,840
Speaker 2: I don't. I don't think that's what they're called either.

1539
01:20:06,040 --> 01:20:12,000
Speaker 1: The three Negroes, what are you doing right now?

1540
01:20:12,400 --> 01:20:15,000
Speaker 2: Are you trying to be funny? You are? Are you

1541
01:20:15,040 --> 01:20:18,880
Speaker 2: tasting pennies over there? You got No, I'm just three

1542
01:20:19,000 --> 01:20:21,679
Speaker 2: negro I need to live here and I just need

1543
01:20:21,720 --> 01:20:22,640
Speaker 2: to make sure.

1544
01:20:22,680 --> 01:20:26,839
Speaker 1: That we now need to get you screamed with Joe. Damn,

1545
01:20:26,960 --> 01:20:27,840
Speaker 1: you didn't get the joke.

1546
01:20:27,920 --> 01:20:30,680
Speaker 2: Okay, No, it's not that I didn't. It's not that

1547
01:20:30,720 --> 01:20:32,320
Speaker 2: I didn't get the joke. I just need to make

1548
01:20:32,360 --> 01:20:35,040
Speaker 2: sure you were joking, because I didn't know I was.

1549
01:20:35,360 --> 01:20:38,160
Speaker 2: You can't be like I always get ship wrong and

1550
01:20:38,280 --> 01:20:41,160
Speaker 2: didn't be like, oh, oh you thought I got it wrong.

1551
01:20:41,439 --> 01:20:43,639
Speaker 1: I didn't know. The joke is the same as when

1552
01:20:43,640 --> 01:20:49,960
Speaker 1: you get it wrong, like I'm tripping, my bad. You

1553
01:20:50,000 --> 01:20:50,960
Speaker 1: can't tell the difference.

1554
01:20:51,040 --> 01:20:53,880
Speaker 2: Yeah, it's my father, my father difference.

1555
01:20:54,960 --> 01:20:58,679
Speaker 1: I was kidding, my bad. It's all a joke.

1556
01:20:58,760 --> 01:21:03,040
Speaker 2: Throes a podcast with our good friend ray Sonny on it.

1557
01:21:03,280 --> 01:21:06,760
Speaker 1: Yes, so I didn't know if you mean I didn't know,

1558
01:21:06,840 --> 01:21:10,599
Speaker 1: because that also is like, I get the joke, Okay, I.

1559
01:21:10,560 --> 01:21:14,040
Speaker 2: Just didn't know the delivery is the same as when

1560
01:21:14,040 --> 01:21:16,160
Speaker 2: you be like, oh, I don't know who that is.

1561
01:21:16,960 --> 01:21:18,439
Speaker 2: What's what's her name?

1562
01:21:19,600 --> 01:21:20,200
Speaker 1: Amigos?

1563
01:21:20,439 --> 01:21:24,639
Speaker 2: Jason momosaying to make a joke is Jason joke? No

1564
01:21:24,720 --> 01:21:28,559
Speaker 2: you mean no, I meant that right. Okay, but I'm crazy.

1565
01:21:28,120 --> 01:21:30,559
Speaker 2: I can't tell that. Oh I'm crazy. I don't have

1566
01:21:30,600 --> 01:21:31,639
Speaker 2: a sister, you and y'all.

1567
01:21:37,400 --> 01:21:39,800
Speaker 1: But yeah, I'm sorry, I said, in the same tone,

1568
01:21:39,840 --> 01:21:42,040
Speaker 1: I wish I had a Karen suck as a ton.

1569
01:21:42,240 --> 01:21:44,719
Speaker 2: No, you did it's very funny.

1570
01:21:44,920 --> 01:21:45,760
Speaker 1: That's hilarious.

1571
01:21:45,840 --> 01:21:49,640
Speaker 2: It's very funny. Uh Tyree says the internet is undefeated.

1572
01:21:49,680 --> 01:21:53,120
Speaker 2: So clearly he posted the meme that was made and

1573
01:21:53,160 --> 01:21:58,479
Speaker 2: then he puts some CoA meaning shut shut your mouth,

1574
01:21:58,920 --> 01:22:01,759
Speaker 2: black and brashat and brown pride. I said what I said.

1575
01:22:02,600 --> 01:22:07,000
Speaker 2: Then he put katoka again. I posted my cash in

1576
01:22:07,040 --> 01:22:09,519
Speaker 2: four days ago, three days before Black Heustory moments started.

1577
01:22:09,640 --> 01:22:12,840
Speaker 2: F y, I L O L nobody in my caption,

1578
01:22:13,320 --> 01:22:16,880
Speaker 2: I'm not doing this doing back history buff right, y'all

1579
01:22:16,920 --> 01:22:17,880
Speaker 2: not gonna pin this on me.

1580
01:22:18,040 --> 01:22:20,240
Speaker 1: This is three day technically it was the pride of

1581
01:22:20,280 --> 01:22:21,080
Speaker 1: Black History Month.

1582
01:22:21,160 --> 01:22:23,360
Speaker 2: He must have heard the podcast in my cash. My

1583
01:22:23,439 --> 01:22:26,519
Speaker 2: last paragraph stated, of course we are beyond powerful, influential,

1584
01:22:26,560 --> 01:22:29,400
Speaker 2: and successful. But imagine if we truly all linked up,

1585
01:22:29,640 --> 01:22:32,880
Speaker 2: linked up like other communities have linked poured and built

1586
01:22:32,960 --> 01:22:36,120
Speaker 2: up each other, instead of moving as fragmented as we're

1587
01:22:36,120 --> 01:22:39,040
Speaker 2: moving now and being so insecure, competitive, at ka dysfunctional,

1588
01:22:39,400 --> 01:22:41,760
Speaker 2: we are the most powerful culture in the world. This

1589
01:22:41,920 --> 01:22:44,680
Speaker 2: is why they are so threatened and intimidated about the

1590
01:22:44,720 --> 01:22:47,080
Speaker 2: idea of us ever linking up. We had what it

1591
01:22:47,160 --> 01:22:49,599
Speaker 2: takes to take over the world. We are nothing trying

1592
01:22:49,640 --> 01:22:51,840
Speaker 2: to do it alone. Please chime in. Would love to

1593
01:22:51,960 --> 01:22:53,240
Speaker 2: know your thoughts on this.

1594
01:22:53,960 --> 01:22:58,000
Speaker 1: That's hilarious. Now now that right there, we do. We'll

1595
01:22:58,120 --> 01:23:01,280
Speaker 1: just black people this get it because that picture is

1596
01:23:01,320 --> 01:23:06,879
Speaker 1: fucking hilarious. That mustache is greatness, and I will forgive

1597
01:23:06,920 --> 01:23:09,479
Speaker 1: it if if you make me laugh. And that ship

1598
01:23:09,600 --> 01:23:12,280
Speaker 1: right now what the photo shop.

1599
01:23:13,920 --> 01:23:15,439
Speaker 2: I give it a fifty. He cleaned up out of

1600
01:23:15,479 --> 01:23:19,840
Speaker 2: spelling and grammatical error, so that's good. That was really

1601
01:23:19,840 --> 01:23:23,439
Speaker 2: adding to the score the first time two. We kind

1602
01:23:23,439 --> 01:23:25,439
Speaker 2: of knew what he was trying to say with that

1603
01:23:25,560 --> 01:23:28,719
Speaker 2: last paragraph. But you can't divorce it from the first

1604
01:23:28,720 --> 01:23:31,280
Speaker 2: fucking three paragraphs where you were shitting on the black

1605
01:23:31,280 --> 01:23:33,960
Speaker 2: community like don't try to gas like me, and the

1606
01:23:34,040 --> 01:23:37,439
Speaker 2: thinking I'm crazy, like oh wow, I don't even know

1607
01:23:37,479 --> 01:23:39,479
Speaker 2: why ever thought he just didn't want you to they

1608
01:23:39,680 --> 01:23:42,160
Speaker 2: like no, You started with I wish I was boring

1609
01:23:42,240 --> 01:23:46,240
Speaker 2: Latinos sometimes, then you praised every community but hours right,

1610
01:23:46,640 --> 01:23:49,160
Speaker 2: and then you were and then last and that last paragraph.

1611
01:23:49,200 --> 01:23:51,360
Speaker 2: You can't clean all that shit up with one paragraph.

1612
01:23:51,439 --> 01:23:55,880
Speaker 2: So you know, it's still fifty for me. But I

1613
01:23:56,240 --> 01:23:59,000
Speaker 2: think the other reason it's fifty is because I can't

1614
01:23:59,080 --> 01:24:03,920
Speaker 2: take uh, Tyree's very seriously, like, I just don't see

1615
01:24:03,960 --> 01:24:08,080
Speaker 2: him as a black political activist figure or whatever, Like

1616
01:24:08,680 --> 01:24:12,280
Speaker 2: I see him as a guy that uh says wild

1617
01:24:12,320 --> 01:24:15,840
Speaker 2: ship all the time. So all right, that's it for

1618
01:24:15,920 --> 01:24:19,479
Speaker 2: that segment. Let's move into the last segment and uh

1619
01:24:20,160 --> 01:24:23,800
Speaker 2: do some uh some guest the race and put my

1620
01:24:23,920 --> 01:24:25,120
Speaker 2: guest the race music.

1621
01:24:26,200 --> 01:24:39,120
Speaker 4: Uh, it's time to guess the race. It's time. It's

1622
01:24:39,240 --> 01:24:43,320
Speaker 4: time to guess the race. It's time to guess the race.

1623
01:24:44,240 --> 01:24:46,280
Speaker 2: Guess the race. Time the time, we go around the globe,

1624
01:24:46,360 --> 01:24:49,559
Speaker 2: find different articles, guess the races. People evolved. Chatman plays along,

1625
01:24:49,640 --> 01:24:53,240
Speaker 2: can plays along. Of course they're all racist. A man

1626
01:24:53,360 --> 01:24:55,960
Speaker 2: claimed he killed his girlfriend in self defense in a

1627
01:24:56,000 --> 01:24:59,120
Speaker 2: fight over how to chop onions, but police say it

1628
01:24:59,160 --> 01:24:59,759
Speaker 2: was murdered.

1629
01:25:00,160 --> 01:25:01,519
Speaker 1: Damn what a crime situation.

1630
01:25:04,400 --> 01:25:10,559
Speaker 2: Yes, men would rather kill their wife than go to therapy. Yes, yes, yeah,

1631
01:25:11,200 --> 01:25:12,760
Speaker 2: he was crying. She was. He was like, it's because

1632
01:25:12,760 --> 01:25:13,759
Speaker 2: atroping onions.

1633
01:25:13,880 --> 01:25:19,560
Speaker 1: I'm not no pitch, damn damp tap Indian chopping, julianntiwever

1634
01:25:19,640 --> 01:25:21,200
Speaker 1: they chopping, she chopping riety.

1635
01:25:21,439 --> 01:25:24,479
Speaker 2: No, I just want you to know five seconds ago,

1636
01:25:24,640 --> 01:25:27,640
Speaker 2: Karen was acting like I'm fucking crazy to be like,

1637
01:25:27,840 --> 01:25:28,400
Speaker 2: was that a joker?

1638
01:25:28,479 --> 01:25:29,160
Speaker 1: Did you mess up?

1639
01:25:30,120 --> 01:25:33,720
Speaker 2: There's no such thing as Julie JULIANTI sounds like the

1640
01:25:33,840 --> 01:25:36,200
Speaker 2: mayor of New York, New York.

1641
01:25:37,640 --> 01:25:40,599
Speaker 1: I know it's some sheltering right now. It's like it's

1642
01:25:40,720 --> 01:25:41,240
Speaker 1: just dying.

1643
01:25:41,439 --> 01:25:45,800
Speaker 2: Do you mean Julianne like, thank you care? Yes, but now,

1644
01:25:46,000 --> 01:25:48,639
Speaker 2: but but but I'm messing up her jokes.

1645
01:25:50,320 --> 01:25:50,600
Speaker 3: This is what.

1646
01:25:53,040 --> 01:25:54,080
Speaker 1: This is what we about.

1647
01:25:56,120 --> 01:25:59,200
Speaker 2: Indiana man who was arrested as accusations he murdered his

1648
01:25:59,280 --> 01:26:01,519
Speaker 2: girlfriend claim he killed her self defense her to fight

1649
01:26:01,600 --> 01:26:05,479
Speaker 2: over how to chop onions. Charles Michael Calvert, sixty, was

1650
01:26:05,560 --> 01:26:07,439
Speaker 2: arrested on a charge of murder connection with the death

1651
01:26:07,439 --> 01:26:11,760
Speaker 2: of his girlfriend, former magistrate Marsha Lensky, inside of a

1652
01:26:11,840 --> 01:26:15,880
Speaker 2: Grabelle home Saturday. As good of an attorney as she was,

1653
01:26:15,960 --> 01:26:18,280
Speaker 2: she was ten times better a person, said the Allen

1654
01:26:18,360 --> 01:26:22,920
Speaker 2: County Chief defender Bill Lebrato. I can't say enough good

1655
01:26:22,960 --> 01:26:26,080
Speaker 2: things about her. Calvert is accused of stabbing Lindsay and

1656
01:26:26,160 --> 01:26:30,240
Speaker 2: then staging the crime scene. Authorities alleged he possibly showered

1657
01:26:30,280 --> 01:26:33,280
Speaker 2: and cleaned up before colin NW one one, god damn

1658
01:26:33,680 --> 01:26:36,320
Speaker 2: showered and cleaned up. I mean, I guess he walked

1659
01:26:36,360 --> 01:26:39,040
Speaker 2: them rush. That's full of clean right. He's like, if

1660
01:26:39,040 --> 01:26:40,800
Speaker 2: I gotta go to jail, I want to at least

1661
01:26:40,960 --> 01:26:44,560
Speaker 2: speak clem. I want to at least smell good. I

1662
01:26:44,640 --> 01:26:46,479
Speaker 2: don't want my head to be only give me a

1663
01:26:46,520 --> 01:26:49,320
Speaker 2: big ass brick of soap. I ain't gonna be able

1664
01:26:49,320 --> 01:26:53,000
Speaker 2: to drop the soap in there. He allegedly placed a

1665
01:26:53,040 --> 01:26:55,840
Speaker 2: call around eight thirty pm on February third point his

1666
01:26:55,920 --> 01:26:58,599
Speaker 2: girlfriend came to him with a knife, and he told

1667
01:26:58,640 --> 01:27:01,080
Speaker 2: the dispatcher she is no longer with us. The defending

1668
01:27:01,120 --> 01:27:03,920
Speaker 2: state that we were having an argument. We both were

1669
01:27:03,960 --> 01:27:05,720
Speaker 2: holding a knife, and she came at me. When the

1670
01:27:05,760 --> 01:27:08,400
Speaker 2: officers arrived, they found a victim laying face down in

1671
01:27:08,439 --> 01:27:10,559
Speaker 2: the kitchen with a gash on her head and neck.

1672
01:27:11,200 --> 01:27:13,920
Speaker 2: The kitchen appeared to shovel with a broken crockpot, some

1673
01:27:14,080 --> 01:27:16,960
Speaker 2: bloody kitchen knives and food items scattered around like they

1674
01:27:17,000 --> 01:27:20,439
Speaker 2: had been there had been a struggle, said to affidavid Uh.

1675
01:27:20,520 --> 01:27:23,360
Speaker 2: He allegedly told Belize he was cutting onions onions, and

1676
01:27:23,439 --> 01:27:26,320
Speaker 2: the victim stated he wasn't doing it correctly. He studied

1677
01:27:26,360 --> 01:27:29,760
Speaker 2: the victims shoved the crockpot towards him, and he came

1678
01:27:29,920 --> 01:27:32,240
Speaker 2: and she came in him with a knife, and he

1679
01:27:32,400 --> 01:27:35,400
Speaker 2: grabbed a knife, and I became defensive and stated he

1680
01:27:35,520 --> 01:27:38,400
Speaker 2: didn't remember the other details. He appeared to have dried

1681
01:27:38,479 --> 01:27:40,360
Speaker 2: up blood on his hands because men don't know how

1682
01:27:40,400 --> 01:27:40,760
Speaker 2: to shower.

1683
01:27:41,080 --> 01:27:43,200
Speaker 1: I didn't get up one of his nails.

1684
01:27:43,800 --> 01:27:49,880
Speaker 2: Yeah, he didn't take enough time. Uh, he felt the

1685
01:27:49,960 --> 01:27:52,519
Speaker 2: knobs on the floor appeared to be staged. The deputy

1686
01:27:52,640 --> 01:27:58,120
Speaker 2: did a deputy corner. I'm sorry, deputy corner. Oh yeah.

1687
01:27:58,320 --> 01:27:59,960
Speaker 1: The people go, hey, I do this shit all the time.

1688
01:28:00,600 --> 01:28:03,600
Speaker 1: Looking at this, they looking at the projection of the

1689
01:28:03,720 --> 01:28:06,519
Speaker 1: of the blood and shit, they gonna just don't look right,

1690
01:28:07,560 --> 01:28:07,960
Speaker 1: it said.

1691
01:28:08,439 --> 01:28:10,599
Speaker 2: The stages they appeared to be placing in the victim's

1692
01:28:10,680 --> 01:28:13,639
Speaker 2: body neatly. The larger serrated knife was covered in blood,

1693
01:28:13,680 --> 01:28:16,920
Speaker 2: and the other knife appeared to be relatively clean. Authorities

1694
01:28:16,920 --> 01:28:19,360
Speaker 2: observed an onion peel in the garbage, but did not

1695
01:28:19,479 --> 01:28:22,240
Speaker 2: observe a chopped onion anywhere in the kitchen. Oh so

1696
01:28:22,400 --> 01:28:26,360
Speaker 2: he even missed the like little details like did you

1697
01:28:26,439 --> 01:28:27,280
Speaker 2: eat the onion too?

1698
01:28:27,560 --> 01:28:30,680
Speaker 1: At why she said he prepared dinner, he cooked. They're like, sir,

1699
01:28:30,840 --> 01:28:32,760
Speaker 1: if this is a struggle, why do you look like

1700
01:28:32,840 --> 01:28:33,679
Speaker 1: you didn't struggle?

1701
01:28:33,840 --> 01:28:37,160
Speaker 2: The all cleaned as shit, the crockpot in its contents

1702
01:28:37,320 --> 01:28:39,280
Speaker 2: ham were spilled all over the kitchen floor, and the

1703
01:28:39,360 --> 01:28:41,840
Speaker 2: lid was shattered, with the pieces of glass all over

1704
01:28:41,920 --> 01:28:44,200
Speaker 2: the floor. On the west side of the kitchen, there

1705
01:28:44,280 --> 01:28:46,840
Speaker 2: the dining area. There was a shoe scuff marks on

1706
01:28:46,960 --> 01:28:50,200
Speaker 2: the floor, which made it appear that there was possibly

1707
01:28:50,200 --> 01:28:53,360
Speaker 2: a struggle in that area. They listened to nine one

1708
01:28:53,400 --> 01:28:56,080
Speaker 2: one tape. He said, she came to me off, responded inappropriately,

1709
01:28:56,479 --> 01:28:59,240
Speaker 2: I'm going to spend the night in jail. Nigga, you're

1710
01:28:59,240 --> 01:29:00,360
Speaker 2: gonna spend more than night.

1711
01:29:01,720 --> 01:29:03,519
Speaker 1: He thought it was gonna be a field trip over night.

1712
01:29:03,600 --> 01:29:06,560
Speaker 2: Visit right, like, I better take a shower and be

1713
01:29:06,600 --> 01:29:09,160
Speaker 2: there all night. All right, Karen, guess the race?

1714
01:29:09,400 --> 01:29:10,479
Speaker 1: What was the name again?

1715
01:29:10,920 --> 01:29:16,120
Speaker 2: Uh? Michael Charles, Michael Calvert, Calvert White. All right, check

1716
01:29:16,160 --> 01:29:20,240
Speaker 2: the chat room, see what they believe. Let's scroll down

1717
01:29:20,240 --> 01:29:20,680
Speaker 2: a little bit.

1718
01:29:21,080 --> 01:29:22,240
Speaker 1: Uh yeah, it's okay.

1719
01:29:23,000 --> 01:29:25,160
Speaker 2: Uh, just one eye is watering for some reason.

1720
01:29:26,479 --> 01:29:26,679
Speaker 1: Something.

1721
01:29:27,160 --> 01:29:29,640
Speaker 2: Maybe I cut some onions earlier, and can you go

1722
01:29:29,760 --> 01:29:30,559
Speaker 2: give me a night for quick?

1723
01:29:31,520 --> 01:29:31,920
Speaker 1: I'm good?

1724
01:29:31,960 --> 01:29:32,400
Speaker 2: Oh you good?

1725
01:29:32,760 --> 01:29:37,000
Speaker 1: I stopped jokes. I'm sorry, it ain't worth it.

1726
01:29:37,920 --> 01:29:39,360
Speaker 2: I'm just I don't like the way you get cutting

1727
01:29:39,400 --> 01:29:39,960
Speaker 2: onions later.

1728
01:29:41,360 --> 01:29:42,880
Speaker 1: Uh my jokes is that bad?

1729
01:29:43,040 --> 01:29:46,120
Speaker 2: Damn me and me said shoving crock pots and wasted food.

1730
01:29:46,200 --> 01:29:49,120
Speaker 2: Niggas don't waste food with wizzy that like that whizzy

1731
01:29:49,200 --> 01:29:52,799
Speaker 2: white white reverse snapped white ashamed sounded like a tasty

1732
01:29:52,880 --> 01:29:53,400
Speaker 2: meal white.

1733
01:29:54,600 --> 01:29:57,679
Speaker 1: It is tasty meal. The crack pot and everything.

1734
01:29:58,120 --> 01:30:00,400
Speaker 2: They didn't say that the ham was seasoned. The correct

1735
01:30:00,439 --> 01:30:20,679
Speaker 2: dance is white. Nobody missed it, so nobody gets booed.

1736
01:30:21,439 --> 01:30:24,719
Speaker 1: Right, So if they'd have been like, uh, Italian season

1737
01:30:25,120 --> 01:30:27,880
Speaker 1: kanyane everywhere, you'd be like, you know what, that might

1738
01:30:27,920 --> 01:30:29,760
Speaker 1: be blacks right now? If you just said, what is

1739
01:30:29,800 --> 01:30:32,400
Speaker 1: it adobeo, you'd be like that might be ado?

1740
01:30:32,800 --> 01:30:38,800
Speaker 2: Yes, yeah, yeah. They didn't say. They didn't say Lowry's anywhere.

1741
01:30:38,520 --> 01:30:40,479
Speaker 1: Was it? Yeah? Now they said salt pepper to taste.

1742
01:30:40,520 --> 01:30:42,040
Speaker 1: You didn't be like, I don't know.

1743
01:30:42,200 --> 01:30:47,120
Speaker 2: Now, all right, let's go to another one. Let's see,

1744
01:30:48,680 --> 01:30:56,280
Speaker 2: how about uh m hmm, not having a sell not

1745
01:30:56,479 --> 01:30:59,240
Speaker 2: having cell phone a louder Us boy to save runaway

1746
01:30:59,320 --> 01:31:04,280
Speaker 2: bus from crack uh while other students on the bus

1747
01:31:04,320 --> 01:31:06,680
Speaker 2: were in gross with their devices. Dylan Reeves noticed the

1748
01:31:06,760 --> 01:31:09,280
Speaker 2: driver in distress and got it the bus to safety.

1749
01:31:10,120 --> 01:31:12,439
Speaker 2: A Michigan boy who recently stopped the school bus from

1750
01:31:12,479 --> 01:31:15,120
Speaker 2: crashing after the driver lost consciousness left in the action

1751
01:31:15,240 --> 01:31:17,960
Speaker 2: because he was the only passenger not distracted by an

1752
01:31:18,000 --> 01:31:21,840
Speaker 2: electronic device. Wow. Yeah, I think this is just more

1753
01:31:21,880 --> 01:31:24,160
Speaker 2: of an ad trying to shit on cell phones. But

1754
01:31:24,479 --> 01:31:26,519
Speaker 2: I mean, listen, if that's what happened, that's what happened

1755
01:31:27,520 --> 01:31:28,120
Speaker 2: on Sunday.

1756
01:31:28,360 --> 01:31:30,080
Speaker 1: He had the one parents. It was like, you won't

1757
01:31:30,120 --> 01:31:31,439
Speaker 1: get a stam phone and you're fifteen.

1758
01:31:31,880 --> 01:31:34,240
Speaker 2: He probably hates his parents for that shit, right, it

1759
01:31:34,360 --> 01:31:37,479
Speaker 2: was up to him. Bus with a crash right on Sunday,

1760
01:31:37,520 --> 01:31:39,400
Speaker 2: two weeks after the seventh grade of Dylan Reeves with

1761
01:31:39,560 --> 01:31:42,920
Speaker 2: gain control of the school bus when his driver became unconscious.

1762
01:31:42,960 --> 01:31:46,240
Speaker 2: The network reported that the boy's parents refusal to provide

1763
01:31:46,320 --> 01:31:47,880
Speaker 2: him a cell phone paid off in a big way.

1764
01:31:47,960 --> 01:31:51,800
Speaker 2: Oh god, I know his parents are fucking insufferable. Oh

1765
01:31:51,920 --> 01:31:56,000
Speaker 2: my god, I know his fucking parents are. Oh they

1766
01:31:56,080 --> 01:31:58,800
Speaker 2: have to be just you see, that's why we didn't

1767
01:31:58,800 --> 01:32:03,920
Speaker 2: get you that cell phone. Oh fuck you. I will

1768
01:32:03,960 --> 01:32:06,320
Speaker 2: be boring them parents. I want to be on Facebook

1769
01:32:06,320 --> 01:32:08,280
Speaker 2: with my friends. Well that's why they get to pick

1770
01:32:08,320 --> 01:32:10,000
Speaker 2: on you, and you saved their lives. I bet they're

1771
01:32:10,000 --> 01:32:10,479
Speaker 2: not picking on.

1772
01:32:10,560 --> 01:32:11,160
Speaker 1: You now right?

1773
01:32:11,240 --> 01:32:11,720
Speaker 2: I bet Jay?

1774
01:32:11,720 --> 01:32:13,519
Speaker 1: Can I you say you're live, you got two more years?

1775
01:32:13,560 --> 01:32:15,479
Speaker 2: Then you still don't given me a wedgie on Monday?

1776
01:32:15,560 --> 01:32:16,080
Speaker 2: They don't care.

1777
01:32:18,240 --> 01:32:18,320
Speaker 3: Uh.

1778
01:32:18,479 --> 01:32:21,639
Speaker 2: Dylan's father, Steve said, what else are you gonna do? Well,

1779
01:32:21,680 --> 01:32:23,559
Speaker 2: you don't have a phone. You're gonna look at people,

1780
01:32:23,600 --> 01:32:25,960
Speaker 2: You're gonna know the stuff. You're gonna look out the window.

1781
01:32:25,960 --> 01:32:28,719
Speaker 2: It's a very powerful lesson, maybe the change the world

1782
01:32:28,880 --> 01:32:32,080
Speaker 2: kind of lesson. Oh my god, are the exact.

1783
01:32:31,960 --> 01:32:33,519
Speaker 1: Is he reading a paper book too?

1784
01:32:33,880 --> 01:32:35,880
Speaker 2: These are the exact parents house ticking up?

1785
01:32:36,040 --> 01:32:37,240
Speaker 1: He was doing his homework.

1786
01:32:37,960 --> 01:32:40,519
Speaker 2: How you like that? You say you can save the

1787
01:32:40,560 --> 01:32:42,000
Speaker 2: world because you ain't got a phone.

1788
01:32:42,840 --> 01:32:45,280
Speaker 1: You're paying attention to shit that's happening around you. Son.

1789
01:32:46,160 --> 01:32:50,599
Speaker 2: Uh So there were several passages on the bus with Dylan.

1790
01:32:50,640 --> 01:32:53,479
Speaker 2: Who are the equivalent was a US SO year eight

1791
01:32:53,560 --> 01:32:56,320
Speaker 2: in the UK. I don't know what that means. So

1792
01:32:56,360 --> 01:32:58,519
Speaker 2: it's a UK publication covering the story that happened in

1793
01:32:58,560 --> 01:33:02,200
Speaker 2: the US revealed that they were immersing their electronic device

1794
01:33:02,240 --> 01:33:04,400
Speaker 2: and when the driver began to lose consciousness, and they

1795
01:33:04,439 --> 01:33:06,960
Speaker 2: were being driven home. April twenty six, I have an

1796
01:33:06,960 --> 01:33:10,479
Speaker 2: AirPods in, said one student. A second students I was

1797
01:33:10,520 --> 01:33:12,800
Speaker 2: looking at my phone, so on said, I was on

1798
01:33:12,880 --> 01:33:15,400
Speaker 2: my phone playing little game. And a video that was

1799
01:33:15,479 --> 01:33:17,840
Speaker 2: catched by a bus security camera before it went viral,

1800
01:33:17,920 --> 01:33:20,000
Speaker 2: Dylan can be seen rushing up to the stereowheel after

1801
01:33:20,080 --> 01:33:22,960
Speaker 2: noticing the driver had passed out during the medical emergency.

1802
01:33:23,200 --> 01:33:25,679
Speaker 2: Dylan stepped on the brake, steered the bus away from traffic,

1803
01:33:25,760 --> 01:33:27,799
Speaker 2: and eventually brought it to a stop as other students

1804
01:33:27,880 --> 01:33:30,120
Speaker 2: yelled and panic from their seats. So one called now

1805
01:33:30,200 --> 01:33:32,240
Speaker 2: on one, now, Dylan yelled as he brought the bus

1806
01:33:32,320 --> 01:33:34,240
Speaker 2: to a stop. Now, why is the father not talking

1807
01:33:34,280 --> 01:33:36,160
Speaker 2: about that part? How are you gonna call nine one one?

1808
01:33:36,200 --> 01:33:39,880
Speaker 2: You don't got a phone. Somebody had to have a

1809
01:33:39,920 --> 01:33:42,400
Speaker 2: phone to call, right, So y'all just getting by on

1810
01:33:42,520 --> 01:33:45,680
Speaker 2: everybody else having a phone, but your son don't. How

1811
01:33:45,720 --> 01:33:48,720
Speaker 2: come that kid is not a hero. The driver was

1812
01:33:48,760 --> 01:33:52,240
Speaker 2: eventually treated for US specified medical episode, as the students

1813
01:33:52,240 --> 01:33:56,840
Speaker 2: were transferred to a different bus and brought home. So yeah,

1814
01:33:56,920 --> 01:33:59,040
Speaker 2: there you go. The people praised him as a hero online.

1815
01:34:00,160 --> 01:34:05,920
Speaker 2: The race of Young Dylan reeves white is white. Let's

1816
01:34:06,000 --> 01:34:09,280
Speaker 2: check the chat room. Let's see what they think about

1817
01:34:09,320 --> 01:34:16,439
Speaker 2: the cell phoneless kid. Uh still wait, all right, sometimes

1818
01:34:16,479 --> 01:34:19,960
Speaker 2: it takes a while problem white. I know people think,

1819
01:34:20,080 --> 01:34:22,719
Speaker 2: you know a lot of times people think of black

1820
01:34:22,800 --> 01:34:24,760
Speaker 2: parents as the ones that don't give our kids cell

1821
01:34:24,840 --> 01:34:28,920
Speaker 2: phones and tablets. I'm gonna go black because Black History

1822
01:34:29,000 --> 01:34:33,120
Speaker 2: Month is sufferable White parents and their white kid. The

1823
01:34:33,200 --> 01:34:46,080
Speaker 2: correct answer is white. One person did miss it, unfortunately.

1824
01:34:46,280 --> 01:34:57,439
Speaker 2: I'm sorry, but shout out to him, saving that that

1825
01:34:57,640 --> 01:34:59,880
Speaker 2: that bust and everybody on it from getting the wreck

1826
01:35:00,200 --> 01:35:02,120
Speaker 2: right because they having the school districts of money too,

1827
01:35:02,800 --> 01:35:06,040
Speaker 2: because uh, busses are huge. Yeah, and they was gonna

1828
01:35:06,040 --> 01:35:09,760
Speaker 2: definitely see if their kids got hurt. Of course. All right,

1829
01:35:09,920 --> 01:35:12,600
Speaker 2: let's go to the bonus round. Karen is two for

1830
01:35:12,760 --> 01:35:20,200
Speaker 2: two y so you know what that means? Uh, why

1831
01:35:21,040 --> 01:35:22,040
Speaker 2: I ain't racist?

1832
01:35:23,000 --> 01:35:28,560
Speaker 1: How can I be racist about anybody or anything in

1833
01:35:28,720 --> 01:35:29,280
Speaker 1: my life?

1834
01:35:30,080 --> 01:35:31,839
Speaker 2: How can I call them niggas?

1835
01:35:32,280 --> 01:35:42,719
Speaker 4: Just call them niggas. It's time to go change boom big.

1836
01:35:44,240 --> 01:35:48,560
Speaker 2: High jumping speed chucking three hundred and sixty degree basketball.

1837
01:35:49,560 --> 01:35:52,760
Speaker 2: An infidelity fud spiraled into a violent attack within the

1838
01:35:52,840 --> 01:35:57,799
Speaker 2: sanitorial home according to the rest warrant, UH when there,

1839
01:35:57,960 --> 01:35:59,920
Speaker 2: I guess the sheriffs arrive at the far West side

1840
01:36:00,040 --> 01:36:02,720
Speaker 2: on Monday, Deputies were called to the home because the

1841
01:36:02,840 --> 01:36:06,479
Speaker 2: victim stated that a family member, Jesse Guzman, forty four,

1842
01:36:07,400 --> 01:36:09,760
Speaker 2: got into an argument which resulted in pain in her

1843
01:36:09,840 --> 01:36:14,640
Speaker 2: head with visible neck injuries. The argument didn't result in

1844
01:36:14,680 --> 01:36:19,080
Speaker 2: that sounds like though yes. Police shared shared that the

1845
01:36:19,200 --> 01:36:22,240
Speaker 2: victim stated that they were arguing over infidelity and Guzman

1846
01:36:22,400 --> 01:36:24,800
Speaker 2: was not helping around the house. During the argument, the

1847
01:36:24,880 --> 01:36:27,040
Speaker 2: victim went to the restroom and Goodzman got angry, grabbed

1848
01:36:27,120 --> 01:36:28,600
Speaker 2: buy her and slammed the back of her head on

1849
01:36:28,680 --> 01:36:32,800
Speaker 2: the wall. Authority shared the victim said that Guzman had

1850
01:36:32,880 --> 01:36:35,839
Speaker 2: told her that the beast was awakened, and he continued

1851
01:36:35,840 --> 01:36:37,840
Speaker 2: to assault her. He dragged the victim out of the

1852
01:36:37,920 --> 01:36:40,640
Speaker 2: restroom into the bedroom, where he got on top of her.

1853
01:36:42,040 --> 01:36:44,800
Speaker 2: Goodsman then began to pray, placing his hands around the

1854
01:36:44,880 --> 01:36:48,559
Speaker 2: victim's neck. That's scary as hell, like a motherfucker doing

1855
01:36:48,600 --> 01:36:53,400
Speaker 2: something volunteer you while they're praying is That's just those

1856
01:36:53,479 --> 01:36:58,600
Speaker 2: are not congruent things they like that might if I

1857
01:36:58,680 --> 01:37:02,040
Speaker 2: get into a fight when somebody and they start praying.

1858
01:37:02,200 --> 01:37:04,519
Speaker 2: I don't know. I might just be like, we can

1859
01:37:04,720 --> 01:37:08,000
Speaker 2: just let this go, and that that important. I don't

1860
01:37:08,080 --> 01:37:11,240
Speaker 2: know what you're praying for, but I don't. I don't

1861
01:37:11,360 --> 01:37:17,120
Speaker 2: think that. But he did say he was gonna finish

1862
01:37:17,200 --> 01:37:20,800
Speaker 2: when he started two years ago and threatened to kill her. Uh.

1863
01:37:20,920 --> 01:37:24,040
Speaker 2: The victims remembers uh not being able to breathe in

1864
01:37:24,080 --> 01:37:27,040
Speaker 2: a suspect finally stopped and fled before officials could arrive.

1865
01:37:27,960 --> 01:37:32,960
Speaker 2: Uh wait, this is what? Why is this article? Oh?

1866
01:37:33,120 --> 01:37:36,280
Speaker 2: I swear this article said something else when I saved it.

1867
01:37:37,160 --> 01:37:38,240
Speaker 2: This is not funny at all.

1868
01:37:38,720 --> 01:37:38,920
Speaker 4: You know what?

1869
01:37:39,080 --> 01:37:41,160
Speaker 2: Fuck this one. I don't like this article.

1870
01:37:41,280 --> 01:37:41,960
Speaker 1: Okay, let's do it.

1871
01:37:42,520 --> 01:37:44,840
Speaker 2: Just it's just fucked up. I thought I was gonna

1872
01:37:44,840 --> 01:37:47,160
Speaker 2: say something about him being impotent and uh then we

1873
01:37:47,240 --> 01:37:49,000
Speaker 2: could have laughed at him, like your dick don't work.

1874
01:37:49,040 --> 01:37:55,680
Speaker 2: But now it's like just violence. This is just domestic violence. Uh,

1875
01:37:55,840 --> 01:37:58,519
Speaker 2: let's see if we can find another one. How bad?

1876
01:37:58,760 --> 01:37:59,760
Speaker 1: I get some jokes in there?

1877
01:38:00,160 --> 01:38:06,120
Speaker 2: Yeah, and I see a place to take that. How

1878
01:38:06,200 --> 01:38:11,040
Speaker 2: about this one? This has never happened. But this has

1879
01:38:11,120 --> 01:38:16,479
Speaker 2: never happened. Something is odd about these USIE motorists pass

1880
01:38:16,720 --> 01:38:18,760
Speaker 2: motorway passengers in quotes, I.

1881
01:38:18,880 --> 01:38:20,800
Speaker 1: See that's not Australia, right, Australia.

1882
01:38:20,920 --> 01:38:27,599
Speaker 2: Okay. So apparently a person was driving down the highway

1883
01:38:28,600 --> 01:38:30,760
Speaker 2: and they took a picture of a passenger and a

1884
01:38:30,840 --> 01:38:33,960
Speaker 2: car next to him because it didn't appear to be human.

1885
01:38:34,080 --> 01:38:35,000
Speaker 2: It was a sex doll.

1886
01:38:36,439 --> 01:38:38,720
Speaker 1: Oh when they's trying to go down to down the

1887
01:38:38,760 --> 01:38:40,640
Speaker 1: double passenger lane, I don't know.

1888
01:38:40,720 --> 01:38:43,120
Speaker 2: A sex doll called Donna was completely sold out in

1889
01:38:43,160 --> 01:38:46,479
Speaker 2: Melbourne for the first time ever, as the city's commuters

1890
01:38:46,560 --> 01:38:48,960
Speaker 2: come up with a creative solution to their traffic woes.

1891
01:38:49,920 --> 01:38:53,839
Speaker 2: According to Adam Leah, the marketing manager of Wild Secrets,

1892
01:38:53,880 --> 01:38:58,320
Speaker 2: the adult retailer stocks the five thousand, five hundred dollars.

1893
01:38:58,120 --> 01:39:01,640
Speaker 1: Doll whoo and people are like, this is gonna be

1894
01:39:01,720 --> 01:39:02,400
Speaker 1: my passenger.

1895
01:39:03,280 --> 01:39:05,360
Speaker 2: He said, this has never happened in the company's thirty

1896
01:39:05,439 --> 01:39:09,479
Speaker 2: year history. The sudden demand for Donna has been sparked

1897
01:39:09,520 --> 01:39:13,360
Speaker 2: by Eastern Freeway commuters who are using the LifeLock like

1898
01:39:13,520 --> 01:39:16,000
Speaker 2: doll as a fake passioner to qualify for the faster

1899
01:39:16,120 --> 01:39:16,840
Speaker 2: transit lane.

1900
01:39:17,240 --> 01:39:19,120
Speaker 1: All just dressing it up and stuff like that so

1901
01:39:19,200 --> 01:39:19,800
Speaker 1: it look human.

1902
01:39:19,960 --> 01:39:23,080
Speaker 2: How bad is traffic that you would spend fifty five

1903
01:39:23,200 --> 01:39:27,400
Speaker 2: hundred dollars. Fifty five hundred dollars. You can't steal a

1904
01:39:27,479 --> 01:39:33,040
Speaker 2: mannequin from Gap and ball a fifty five hundred dollars sex.

1905
01:39:33,000 --> 01:39:35,200
Speaker 1: Doll like, I don't want no excuses in case it

1906
01:39:35,240 --> 01:39:37,040
Speaker 1: gets up in again? Does it take a picture of

1907
01:39:37,080 --> 01:39:38,160
Speaker 1: the inside of the car too?

1908
01:39:38,360 --> 01:39:40,479
Speaker 2: Are y'all at least having sex with the doll when

1909
01:39:40,520 --> 01:39:41,120
Speaker 2: you get home?

1910
01:39:41,280 --> 01:39:45,000
Speaker 1: See like some hundred you better get your body's worth.

1911
01:39:45,880 --> 01:39:47,479
Speaker 2: People are buying dolls that they can use them for

1912
01:39:47,520 --> 01:39:50,880
Speaker 2: the much faster transit lane. Apparently people were inspired by

1913
01:39:50,920 --> 01:39:53,360
Speaker 2: a promotional image of Donna seated behind the wheel of

1914
01:39:53,400 --> 01:39:56,200
Speaker 2: a car, and one customer even admitted the transit lane

1915
01:39:56,240 --> 01:39:58,920
Speaker 2: travel was the sole reason for his doll to purchase. Well,

1916
01:39:59,280 --> 01:40:01,439
Speaker 2: I mean, if you fucking you probably still say that.

1917
01:40:03,160 --> 01:40:06,360
Speaker 2: Until recently, the niche market sex dolls so pretty infrequently.

1918
01:40:06,520 --> 01:40:09,479
Speaker 2: Some months only two dollars will sell. However, in the

1919
01:40:09,520 --> 01:40:12,040
Speaker 2: past few months, hourly sales of Donna have taken over,

1920
01:40:12,200 --> 01:40:14,280
Speaker 2: leading a complete cell to a complete sell out.

1921
01:40:15,040 --> 01:40:17,479
Speaker 1: Damn. They was like, okay, no more orders, we got

1922
01:40:17,520 --> 01:40:19,440
Speaker 1: to go buy more pause for Donald.

1923
01:40:19,640 --> 01:40:24,639
Speaker 2: Uh yeah yeah. While the vic roads strictly prohibit fifty.

1924
01:40:24,439 --> 01:40:26,759
Speaker 1: Five hundred dollars. That shit, you gotta be different than lifelike.

1925
01:40:28,080 --> 01:40:31,120
Speaker 2: While VicRoads strictly prohibits the use of sex dolls and

1926
01:40:31,200 --> 01:40:34,479
Speaker 2: transit lanes, with his website stating that passengers must be human,

1927
01:40:35,040 --> 01:40:37,720
Speaker 2: Melbourne Commute they had to put it in their computers

1928
01:40:38,040 --> 01:40:40,920
Speaker 2: seem to have found a way around the system. Anyone

1929
01:40:40,960 --> 01:40:44,560
Speaker 2: else seeing people traveling transit lanes with dolls? One Mailbourne

1930
01:40:44,640 --> 01:40:47,320
Speaker 2: driver shared in a viral posts on Reddit alongside the

1931
01:40:47,400 --> 01:40:49,479
Speaker 2: image showing a lifelike doll in the passenger seat of

1932
01:40:49,479 --> 01:40:51,720
Speaker 2: a car next to him. While many praised the driver

1933
01:40:51,800 --> 01:40:54,120
Speaker 2: to find a way to cheat the system, some suggested

1934
01:40:54,240 --> 01:40:55,880
Speaker 2: he might have been in a relationship with the doll.

1935
01:40:56,520 --> 01:40:58,280
Speaker 2: This might sound weird, but I'm pretty sure it's a

1936
01:40:58,320 --> 01:41:00,960
Speaker 2: sex doll. They have a whole form and everything one

1937
01:41:01,400 --> 01:41:03,920
Speaker 2: use a rope. They treat the dolls like real life

1938
01:41:03,960 --> 01:41:06,120
Speaker 2: people and take them on holiday trips, travel with them

1939
01:41:06,160 --> 01:41:06,840
Speaker 2: in the car and so.

1940
01:41:07,000 --> 01:41:10,679
Speaker 1: On, go to the movies, restaurants and things. I've seen

1941
01:41:11,120 --> 01:41:13,760
Speaker 1: documentaries like on Netflix about that about people having like

1942
01:41:14,200 --> 01:41:17,000
Speaker 1: and we'll be like they marry them all type stuff.

1943
01:41:17,640 --> 01:41:21,400
Speaker 2: Okay, why not just put the deal though? In the

1944
01:41:21,479 --> 01:41:25,519
Speaker 2: seat right, Could I strap my butt plug in right

1945
01:41:25,600 --> 01:41:27,840
Speaker 2: next to me? And just so what seems to be

1946
01:41:27,920 --> 01:41:31,360
Speaker 2: the problem. In twenty nineteen, I'm gonna put my Xbox

1947
01:41:31,439 --> 01:41:32,960
Speaker 2: on there. I'm gonna be like, here's my xbox.

1948
01:41:33,080 --> 01:41:34,160
Speaker 1: I wish I could And.

1949
01:41:34,479 --> 01:41:35,120
Speaker 2: That's the person.

1950
01:41:36,280 --> 01:41:38,360
Speaker 1: And twenty nine Shi got people too, if companies could

1951
01:41:38,360 --> 01:41:38,759
Speaker 1: be people.

1952
01:41:39,120 --> 01:41:41,760
Speaker 2: In twenty nineteen, there's a porter that the drivers in

1953
01:41:41,840 --> 01:41:44,720
Speaker 2: several US states, including New York, California, Florida, were using

1954
01:41:44,760 --> 01:41:47,759
Speaker 2: the mannequins, skeletons, and blow up sex dolls to legally

1955
01:41:47,840 --> 01:41:50,880
Speaker 2: use car paid pool lanes to beat traffic. Now I'd

1956
01:41:50,960 --> 01:41:53,320
Speaker 2: rather just do it without the extra person and get arrested.

1957
01:41:53,720 --> 01:41:55,439
Speaker 2: I get pulled over and get a ticket to get

1958
01:41:55,479 --> 01:41:57,680
Speaker 2: pulled over with the sex doll in there. Now, Now,

1959
01:41:57,920 --> 01:41:59,000
Speaker 2: now I gotta have a conversation.

1960
01:41:59,240 --> 01:42:00,639
Speaker 1: They must take a peer sure or something.

1961
01:42:00,720 --> 01:42:03,160
Speaker 2: Yeah, I'm sure they do. All right, Karen, guess the race?

1962
01:42:04,000 --> 01:42:04,519
Speaker 1: Oh white?

1963
01:42:05,320 --> 01:42:07,080
Speaker 2: All right? Karen is saying white.

1964
01:42:07,080 --> 01:42:10,080
Speaker 1: Fifty five hundred dollars, you know when none of them

1965
01:42:10,160 --> 01:42:10,800
Speaker 1: dolls brown?

1966
01:42:11,160 --> 01:42:17,559
Speaker 2: All right? Check the chat room. See what they believe us,

1967
01:42:17,560 --> 01:42:19,560
Speaker 2: See what the chat room believes when it comes to

1968
01:42:19,640 --> 01:42:22,439
Speaker 2: the race of this doll. All of this sounds white,

1969
01:42:22,479 --> 01:42:27,320
Speaker 2: says yim Uh, donnad loses does the carpool a white,

1970
01:42:27,400 --> 01:42:28,160
Speaker 2: white and horny?

1971
01:42:29,240 --> 01:42:29,360
Speaker 1: Uh?

1972
01:42:30,439 --> 01:42:45,160
Speaker 2: The correct answer is white. That's the doll. You can

1973
01:42:45,280 --> 01:42:48,680
Speaker 2: kind of make out the image behind the window, and

1974
01:42:48,760 --> 01:42:50,439
Speaker 2: then this is the picture of the doll they put

1975
01:42:50,520 --> 01:42:52,479
Speaker 2: on their website that it's sold out.

1976
01:42:53,600 --> 01:42:56,439
Speaker 1: Yeah, like I said, just looking like just past. I

1977
01:42:56,520 --> 01:42:57,519
Speaker 1: want to pay that new attention.

1978
01:42:57,680 --> 01:43:00,320
Speaker 2: Part of me wonders if well I could tell that's

1979
01:43:00,320 --> 01:43:02,880
Speaker 2: not a person at a glance. Well, part of me

1980
01:43:03,040 --> 01:43:05,920
Speaker 2: wonders if the company put it behind the wheel, knowing

1981
01:43:06,160 --> 01:43:07,840
Speaker 2: that people would make that association.

1982
01:43:09,240 --> 01:43:11,720
Speaker 1: I wonder, Yeah, you went from selling two dollars a

1983
01:43:11,760 --> 01:43:13,760
Speaker 1: week to selling out like they don't like if you

1984
01:43:13,840 --> 01:43:15,280
Speaker 1: get a ticket to get risk it ain't got nothing

1985
01:43:15,280 --> 01:43:15,400
Speaker 1: to do.

1986
01:43:15,520 --> 01:43:17,320
Speaker 2: And then you're just like, oh, we didn't. You know,

1987
01:43:17,479 --> 01:43:19,519
Speaker 2: look we told him on the website not to do it,

1988
01:43:19,680 --> 01:43:22,920
Speaker 2: but you know, all right, Let's go to the last thing.

1989
01:43:23,080 --> 01:43:48,679
Speaker 2: Sword Ratchetness a man suspected suspected of using a sword

1990
01:43:48,760 --> 01:43:51,680
Speaker 2: to attack an injured man in Hesperia. A forty one

1991
01:43:51,760 --> 01:43:53,880
Speaker 2: year old man from Hesperia suspected of trying to kill

1992
01:43:53,920 --> 01:43:57,479
Speaker 2: another man by putting a sword to his throat. Sheriff's

1993
01:43:57,479 --> 01:44:00,280
Speaker 2: officials said that around nine to thirty one am on thirdday,

1994
01:44:00,320 --> 01:44:03,000
Speaker 2: debuties responded to the report of an assault they were

1995
01:44:03,320 --> 01:44:06,400
Speaker 2: Deputies were advised at the suspect, later identified as Andrew

1996
01:44:06,520 --> 01:44:10,080
Speaker 2: Raymond Sanchez, assaulted the victim with the bladed object that

1997
01:44:10,160 --> 01:44:14,320
Speaker 2: fled the scene. Upon arrival, deputies located the suspect nearby

1998
01:44:14,360 --> 01:44:17,640
Speaker 2: and detained them. Deputies learned the suspect and victim had

1999
01:44:17,640 --> 01:44:21,560
Speaker 2: a verbal altercation, which escalated into the suspect grabbing a

2000
01:44:21,600 --> 01:44:24,280
Speaker 2: sword and holding the weapon too the victim's throat. When

2001
01:44:24,320 --> 01:44:26,639
Speaker 2: the victim attempted to remove the sword away from his throat,

2002
01:44:27,320 --> 01:44:29,720
Speaker 2: the suspect applied pressure, causing the victim to sustain a

2003
01:44:29,800 --> 01:44:32,759
Speaker 2: major hand injury. The victim was taken to a trauma

2004
01:44:32,840 --> 01:44:35,400
Speaker 2: center for treatment, while Sanchez was arrested on suspicion of

2005
01:44:35,400 --> 01:44:38,679
Speaker 2: attempted murder. The suspect was booked into the High Desert

2006
01:44:38,760 --> 01:44:42,479
Speaker 2: Dissension Center in Adelanto. As bell was set at a

2007
01:44:42,600 --> 01:44:45,680
Speaker 2: million dollars, so at least they got them off the

2008
01:44:45,680 --> 01:44:48,639
Speaker 2: streets for a million dollars knowing got killed. But right,

2009
01:44:49,320 --> 01:44:52,920
Speaker 2: scary stuff, all right, y'all. That's it for tonight. Thanks

2010
01:44:52,960 --> 01:44:59,000
Speaker 2: for listening, well, appreciate y'all, and you know, until next time,

2011
01:44:59,280 --> 01:45:00,840
Speaker 2: I love you, have you too, nah,