1 00:00:00,160 --> 00:00:02,640 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,680 --> 00:00:04,480 Speaker 1: am your host Movie Mike joined, but my wife and 3 00:00:04,519 --> 00:00:06,080 Speaker 1: co host Kelsey, how are you. 4 00:00:06,240 --> 00:00:06,680 Speaker 2: I'm great. 5 00:00:07,160 --> 00:00:10,200 Speaker 1: It is the end of July. I heard a sad 6 00:00:10,280 --> 00:00:13,400 Speaker 1: statistic is the reason time goes by faster when you're 7 00:00:13,440 --> 00:00:16,520 Speaker 1: older is because you start or stop recording good memories. 8 00:00:17,320 --> 00:00:20,360 Speaker 1: Because when you're younger, like everything is new and you 9 00:00:20,400 --> 00:00:22,600 Speaker 1: remember all these things, and then when you get older, 10 00:00:23,200 --> 00:00:25,599 Speaker 1: you have less of those big experiences, so it feels 11 00:00:25,640 --> 00:00:27,320 Speaker 1: like time moves faster. And I know every time we 12 00:00:27,360 --> 00:00:29,320 Speaker 1: sit down and do these episodes, we're like, how is 13 00:00:29,360 --> 00:00:30,200 Speaker 1: another month past? 14 00:00:30,400 --> 00:00:33,400 Speaker 3: July went simultaneously slow and fast because there were like 15 00:00:33,479 --> 00:00:35,720 Speaker 3: five work weeks in it because the way the month 16 00:00:35,800 --> 00:00:39,559 Speaker 3: started so that was it made the work month feel long, 17 00:00:39,600 --> 00:00:41,720 Speaker 3: even though I was on vacation for a couple of days. 18 00:00:41,840 --> 00:00:43,559 Speaker 1: But there were a lot of good movies which we 19 00:00:43,600 --> 00:00:44,320 Speaker 1: had to get into. 20 00:00:44,479 --> 00:00:45,160 Speaker 2: So many movies. 21 00:00:45,240 --> 00:00:47,120 Speaker 3: I watched so many movies, and I read a lot 22 00:00:47,120 --> 00:00:49,920 Speaker 3: of books this month, So forgive me if things are 23 00:00:50,000 --> 00:00:50,479 Speaker 3: jumbled in. 24 00:00:50,840 --> 00:00:52,559 Speaker 1: Yeah, I'm looking at the list of not even just 25 00:00:52,640 --> 00:00:55,440 Speaker 1: movies we saw in theaters, but just of the entire 26 00:00:55,440 --> 00:00:57,240 Speaker 1: month that I want to recap it was a lot. 27 00:00:57,560 --> 00:00:59,520 Speaker 1: In the movie review, I'll be talking about the movie 28 00:00:59,520 --> 00:01:01,160 Speaker 1: I didn't think I was gonna go see in theater 29 00:01:01,280 --> 00:01:04,600 Speaker 1: is the Naked gud oh Man. That trailer looks so dumb, 30 00:01:04,720 --> 00:01:07,839 Speaker 1: but I gotta see for myself. And in the trailer park, 31 00:01:07,880 --> 00:01:10,679 Speaker 1: I'll be talking about Avatar Fire and Ash, which is 32 00:01:10,680 --> 00:01:14,160 Speaker 1: Avatar three, which is over three hours long. I believe 33 00:01:14,200 --> 00:01:16,880 Speaker 1: three hours and twelvewelve minutes minutes. Yes, same as the 34 00:01:17,000 --> 00:01:20,440 Speaker 1: Avatar three. Yeah, so we'll talk about that. Thank you 35 00:01:20,480 --> 00:01:22,880 Speaker 1: for being here, Thank you for being subscribed. Shout out 36 00:01:22,880 --> 00:01:25,920 Speaker 1: to the Monday Morning Movie crew. And now let's talk 37 00:01:26,000 --> 00:01:31,640 Speaker 1: movies from the Nastville podcast networking this movie, Mike Movie. 38 00:01:32,680 --> 00:01:35,200 Speaker 1: Let's hop right into it. Our best and worst for 39 00:01:35,240 --> 00:01:37,880 Speaker 1: the month of July. Kick us off with your best pick. 40 00:01:38,120 --> 00:01:40,760 Speaker 2: I know it was a month of blockbusters. 41 00:01:39,920 --> 00:01:42,640 Speaker 1: Big, big, big, big blockbusters. 42 00:01:42,040 --> 00:01:44,399 Speaker 3: But I have a feeling you're gonna take my okay, 43 00:01:44,400 --> 00:01:48,760 Speaker 3: favorite blockbuster, so I'm gonna go favorite non blockbuster. Sorry Baby, 44 00:01:48,960 --> 00:01:52,880 Speaker 3: which was an indie film by Eva Eva Victor. 45 00:01:53,520 --> 00:01:54,240 Speaker 2: It was phenomenal. 46 00:01:54,360 --> 00:01:56,920 Speaker 3: It was very like heartfelt, made you feel things, made 47 00:01:56,920 --> 00:01:59,280 Speaker 3: you think, and just really well done. Kind of like 48 00:01:59,320 --> 00:02:02,440 Speaker 3: a bite sense of humor, like it wasn't outwardly like 49 00:02:02,680 --> 00:02:03,480 Speaker 3: lol funny. 50 00:02:03,680 --> 00:02:05,520 Speaker 1: But how would you describe the plot of the movie. 51 00:02:05,560 --> 00:02:07,280 Speaker 3: Well, I don't want to give anything away, even though 52 00:02:07,320 --> 00:02:08,440 Speaker 3: it's probably in the description. 53 00:02:08,720 --> 00:02:10,240 Speaker 1: I'll put it up just so we can have it. 54 00:02:10,600 --> 00:02:15,640 Speaker 3: Agnes, the main character, goes through something difficult and in. 55 00:02:15,600 --> 00:02:18,280 Speaker 1: The description that you say, something bad happens to Agnes, 56 00:02:18,400 --> 00:02:19,200 Speaker 1: something bad. 57 00:02:19,480 --> 00:02:23,000 Speaker 3: And it's about how her friend supporting her and her 58 00:02:23,040 --> 00:02:26,880 Speaker 3: life and just kind of like a just like a 59 00:02:26,960 --> 00:02:29,000 Speaker 3: year in the lifeish kind of goes. 60 00:02:28,919 --> 00:02:31,760 Speaker 1: Through different seasons slice of life Fish. Yeah, this is 61 00:02:31,800 --> 00:02:34,440 Speaker 1: a movie that makes me love movies. It's the type 62 00:02:34,440 --> 00:02:37,000 Speaker 1: of movie that I just seek out and to me, 63 00:02:37,240 --> 00:02:40,280 Speaker 1: even though this movie deals with some heavier topics at times, 64 00:02:40,520 --> 00:02:43,480 Speaker 1: it felt really comforting to me. I described this movie 65 00:02:43,520 --> 00:02:45,880 Speaker 1: as putting on your favorite hoodie on a fall day, 66 00:02:46,120 --> 00:02:48,800 Speaker 1: where it's like this movie just feels like it was 67 00:02:48,880 --> 00:02:51,680 Speaker 1: made just for me. Even though I don't directly relate 68 00:02:51,720 --> 00:02:54,840 Speaker 1: to all the characters, it just feels so personal. And 69 00:02:54,880 --> 00:02:57,480 Speaker 1: she wrote and directed this movie and starred in it. 70 00:02:57,520 --> 00:02:59,079 Speaker 1: To me, it feels like, even though it is her 71 00:02:59,080 --> 00:03:02,200 Speaker 1: first film, her masterpiece already because they say, you have 72 00:03:02,600 --> 00:03:04,520 Speaker 1: like when it comes to artists, your entire life to 73 00:03:04,560 --> 00:03:07,000 Speaker 1: write your first album. This one I felt she made 74 00:03:07,040 --> 00:03:09,800 Speaker 1: so personal and it's a movie that only she could make. 75 00:03:10,000 --> 00:03:12,680 Speaker 1: It just feels like it just directly from her brain 76 00:03:12,760 --> 00:03:13,560 Speaker 1: onto the screen. 77 00:03:13,960 --> 00:03:15,280 Speaker 2: It was Yeah, it was wonderful. 78 00:03:15,400 --> 00:03:18,760 Speaker 3: That was a Bell Court showing because we love seeing 79 00:03:18,960 --> 00:03:19,880 Speaker 3: Indieflix there. 80 00:03:20,160 --> 00:03:22,560 Speaker 1: I also feel like this is a movie that doesn't 81 00:03:22,600 --> 00:03:24,520 Speaker 1: think less of the viewer because there were a lot 82 00:03:24,520 --> 00:03:28,160 Speaker 1: of things that were implied, yes where yeah, through very 83 00:03:28,200 --> 00:03:32,800 Speaker 1: strategic forms of cinematography where it'll show a situation and 84 00:03:32,840 --> 00:03:35,000 Speaker 1: then kind of take you out of it and you 85 00:03:35,080 --> 00:03:37,880 Speaker 1: kind of assume, like what happens during those moments, And 86 00:03:37,920 --> 00:03:40,600 Speaker 1: I think that's just so much more impactful. So yeah, 87 00:03:40,640 --> 00:03:42,520 Speaker 1: I also really love this movie. One that kind of 88 00:03:42,520 --> 00:03:45,560 Speaker 1: snuck under the radar. Age twenty four movies are interesting 89 00:03:45,600 --> 00:03:48,520 Speaker 1: because they always have like an early premiere in the year, 90 00:03:49,000 --> 00:03:51,080 Speaker 1: and then they have like a mid time release, and 91 00:03:51,120 --> 00:03:53,520 Speaker 1: then they have like a four release. So I never 92 00:03:53,600 --> 00:03:55,960 Speaker 1: know when to let people know about these movies because 93 00:03:55,960 --> 00:03:57,520 Speaker 1: then we talk about them and then they're not out 94 00:03:57,600 --> 00:03:58,360 Speaker 1: yet for everybody. 95 00:03:58,360 --> 00:04:00,440 Speaker 2: Well, we saw the trailer for it. I feel like 96 00:04:00,480 --> 00:04:01,280 Speaker 2: forever ago. 97 00:04:01,240 --> 00:04:02,880 Speaker 1: And then by the time we saw it, it didn't 98 00:04:02,920 --> 00:04:05,920 Speaker 1: officially come out for like two to three weeks. Yeah, 99 00:04:05,960 --> 00:04:08,200 Speaker 1: so it like just came out fully, like on the 100 00:04:08,240 --> 00:04:11,960 Speaker 1: twenty sixth or something. So that is one that if 101 00:04:11,960 --> 00:04:15,440 Speaker 1: you can go see it at an independent theater local 102 00:04:15,520 --> 00:04:18,680 Speaker 1: to you. Maybe some bigger chains habit, but not really. 103 00:04:19,200 --> 00:04:20,640 Speaker 2: I mean it was in the regal apps. 104 00:04:20,640 --> 00:04:23,120 Speaker 1: It just never had they never had that time, So 105 00:04:23,400 --> 00:04:26,600 Speaker 1: try to find your independent theater or later. It'll probably 106 00:04:26,600 --> 00:04:28,680 Speaker 1: eventually come to HBO Max because they get a lot 107 00:04:28,680 --> 00:04:31,080 Speaker 1: of the A twenty four movies. But it is a 108 00:04:31,120 --> 00:04:33,400 Speaker 1: really great one that if you're just looking for something 109 00:04:33,440 --> 00:04:35,880 Speaker 1: completely original and different, it's good. 110 00:04:36,520 --> 00:04:39,359 Speaker 3: It gave me the same feeling of like when we 111 00:04:39,440 --> 00:04:43,280 Speaker 3: left Past Lives, where I'm like, I love an original concept. 112 00:04:43,680 --> 00:04:46,880 Speaker 1: Yeah, and even though it's nothing like groundbreaking or novel, 113 00:04:47,080 --> 00:04:49,840 Speaker 1: it feels new and it feels just different than all 114 00:04:49,839 --> 00:04:52,800 Speaker 1: the other big blockbuster movies that we saw this this summer. 115 00:04:52,839 --> 00:04:54,600 Speaker 1: So I like the balance that we had. We had 116 00:04:54,640 --> 00:04:56,359 Speaker 1: the big movies and then we had the smaller movies. 117 00:04:56,360 --> 00:04:58,279 Speaker 1: Even though some of the smaller movies we didn't love, 118 00:04:58,839 --> 00:05:01,800 Speaker 1: but there was a lot of contrast in July for 119 00:05:01,960 --> 00:05:03,760 Speaker 1: my best it was the one you were talking about 120 00:05:03,760 --> 00:05:06,080 Speaker 1: that you could have also taken Superman. It was so good, 121 00:05:06,240 --> 00:05:08,359 Speaker 1: it was just my When we were watching it, I 122 00:05:08,440 --> 00:05:11,360 Speaker 1: felt something change in my brain, and that's only happened 123 00:05:11,960 --> 00:05:14,720 Speaker 1: maybe three or four times in the last five years. 124 00:05:15,440 --> 00:05:17,320 Speaker 1: And even when we first left, I was like, I 125 00:05:17,360 --> 00:05:19,560 Speaker 1: told you, I was like, that movie was perfect. There 126 00:05:19,600 --> 00:05:22,560 Speaker 1: was nothing wrong about it that if I would have 127 00:05:22,640 --> 00:05:26,000 Speaker 1: rated that movie immediately after getting up getting up out 128 00:05:26,040 --> 00:05:27,440 Speaker 1: of my seat, I would have given it a five. 129 00:05:27,880 --> 00:05:29,839 Speaker 1: And then the more I thought about it compared to 130 00:05:29,920 --> 00:05:33,200 Speaker 1: some other of my favorite superhero movies, and also the 131 00:05:33,240 --> 00:05:35,360 Speaker 1: fact that they could expand the world a little bit 132 00:05:35,400 --> 00:05:38,279 Speaker 1: and we're probably gonna get a better Superman movie with 133 00:05:38,400 --> 00:05:40,359 Speaker 1: this cast, I was like, Okay, I'll leave a little 134 00:05:40,360 --> 00:05:43,719 Speaker 1: bit of room for growth, but it's almost it's almost perfect. 135 00:05:44,080 --> 00:05:47,080 Speaker 1: And it was interesting to see how many people hated 136 00:05:47,360 --> 00:05:50,280 Speaker 1: Superman now, where I think it was a lot of 137 00:05:50,320 --> 00:05:52,520 Speaker 1: those people who were Zack Snyder fans who like the 138 00:05:52,520 --> 00:05:57,840 Speaker 1: more ripped up, hardcore, take no prisoner Superman that they 139 00:05:57,960 --> 00:06:01,160 Speaker 1: hated what James Gunn did to the character now is 140 00:06:01,200 --> 00:06:02,880 Speaker 1: that Superman had hard And I was like, do you 141 00:06:02,960 --> 00:06:05,240 Speaker 1: not like somebody with the moral conscience, which is all 142 00:06:05,320 --> 00:06:07,800 Speaker 1: what Superman is about. Do you not like movies that 143 00:06:07,839 --> 00:06:10,719 Speaker 1: are fun and have interesting music throughout? Do you not 144 00:06:10,880 --> 00:06:13,880 Speaker 1: like cool looking characters like Man? I get it if 145 00:06:13,920 --> 00:06:16,000 Speaker 1: it's not for you, if you don't like superhero movies. 146 00:06:16,680 --> 00:06:18,240 Speaker 1: But if you hate this movie, I don't think I 147 00:06:18,240 --> 00:06:19,160 Speaker 1: could be friends with you. 148 00:06:19,440 --> 00:06:19,680 Speaker 2: Yeah. 149 00:06:20,080 --> 00:06:22,920 Speaker 3: I don't see any reason to hate it. I thought 150 00:06:22,920 --> 00:06:26,400 Speaker 3: the casting was phenomenal. Nicholas Holt as Lex Luthor was 151 00:06:27,440 --> 00:06:31,760 Speaker 3: ten out of ten casting, David corn Sweat, Rachel Brosnahan 152 00:06:32,200 --> 00:06:35,040 Speaker 3: and again I always love when James Gunn puts Sean 153 00:06:35,080 --> 00:06:38,719 Speaker 3: Gunn in a little meg well Kirk appearance for the 154 00:06:38,760 --> 00:06:39,880 Speaker 3: Elmore Girl fans. 155 00:06:40,200 --> 00:06:42,640 Speaker 1: It was also one that I wanted to go and 156 00:06:42,720 --> 00:06:46,120 Speaker 1: watch again. Yeah, just haven't had time so much to 157 00:06:46,160 --> 00:06:49,480 Speaker 1: see because easily any other week, because like we saw 158 00:06:49,560 --> 00:06:51,680 Speaker 1: Lelo and Stitching Theaters twice. That was great. 159 00:06:51,800 --> 00:06:53,880 Speaker 2: Still love Twisters and Theater twice. 160 00:06:53,960 --> 00:06:57,359 Speaker 1: It's been harder this blockbuster season to go back and 161 00:06:57,400 --> 00:07:00,000 Speaker 1: watch movies twice because there have been so many new movie. 162 00:07:00,320 --> 00:07:01,960 Speaker 2: No, we just don't have the time. 163 00:07:02,440 --> 00:07:05,920 Speaker 1: My favorite weeks right now in July have been weeks 164 00:07:05,960 --> 00:07:08,600 Speaker 1: when I've watched four new movies in a weekend and 165 00:07:08,640 --> 00:07:10,840 Speaker 1: I'm like, oh, this is so good right now, And 166 00:07:10,880 --> 00:07:13,480 Speaker 1: my new favorite thing is to go at nine am 167 00:07:13,560 --> 00:07:15,160 Speaker 1: and go watch a Mattineo, a horror movie that you 168 00:07:15,200 --> 00:07:18,000 Speaker 1: don't want to watch. Yeah, So it was just finding 169 00:07:18,040 --> 00:07:20,440 Speaker 1: time to get all these movies in. So what was 170 00:07:20,480 --> 00:07:21,400 Speaker 1: your worst for the month? 171 00:07:22,040 --> 00:07:24,400 Speaker 2: Speaking of A twenty four, Love you a twenty four? 172 00:07:25,080 --> 00:07:25,960 Speaker 2: I was Eddington. 173 00:07:26,400 --> 00:07:28,120 Speaker 1: This was what I got asked a lot about. Like 174 00:07:28,120 --> 00:07:31,240 Speaker 1: when you're gonna review Eddington, I wanted you here so 175 00:07:31,240 --> 00:07:33,560 Speaker 1: we could both give our opinion on it. What did 176 00:07:33,600 --> 00:07:34,600 Speaker 1: you hate about it? 177 00:07:35,160 --> 00:07:38,400 Speaker 2: I would like to say, what the bleep was that movie? 178 00:07:38,520 --> 00:07:41,080 Speaker 1: It was a lot more boring than I was expecting 179 00:07:41,360 --> 00:07:44,360 Speaker 1: with having Joaquin Phoenix and Pedro Pascal, and. 180 00:07:44,360 --> 00:07:47,160 Speaker 2: It got unnecessarily stupidly violent. 181 00:07:47,480 --> 00:07:50,400 Speaker 1: So the movie is essentially it takes place in the 182 00:07:50,440 --> 00:07:53,560 Speaker 1: summer of twenty twenty and is about the small fictional 183 00:07:53,640 --> 00:07:56,320 Speaker 1: town ride in the midst of the pandemic. And what 184 00:07:56,480 --> 00:07:59,440 Speaker 1: I just found myself not interested in is I didn't 185 00:07:59,440 --> 00:08:01,960 Speaker 1: want to relive that time. As soon as they got 186 00:08:02,000 --> 00:08:04,200 Speaker 1: into all the things, and it wasn't like they added 187 00:08:04,240 --> 00:08:06,360 Speaker 1: any extra context to it or did it for an 188 00:08:06,440 --> 00:08:10,480 Speaker 1: artistic reason. It was almost just documenting exactly what happened, 189 00:08:10,880 --> 00:08:12,720 Speaker 1: why people were fighting with each other. 190 00:08:13,040 --> 00:08:15,160 Speaker 3: Yeah, it was still like I'm not wearing a mask 191 00:08:15,200 --> 00:08:17,320 Speaker 3: in a grocery store. And I was like, I think 192 00:08:17,360 --> 00:08:19,280 Speaker 3: five years is actually too. 193 00:08:19,120 --> 00:08:21,720 Speaker 1: Soon, and it didn't feel like the right time to 194 00:08:21,800 --> 00:08:25,239 Speaker 1: make this movie that I found the first fifty minutes 195 00:08:25,280 --> 00:08:27,640 Speaker 1: of it very uninteresting because that's all it was. 196 00:08:27,760 --> 00:08:30,160 Speaker 3: Yeah, the first fifty minutes, because the movie is like 197 00:08:30,600 --> 00:08:31,760 Speaker 3: over two and a half hour. 198 00:08:31,800 --> 00:08:34,679 Speaker 1: It was like two twenty maybe two eighteen, and that 199 00:08:34,720 --> 00:08:36,240 Speaker 1: first hour drag. 200 00:08:36,440 --> 00:08:37,680 Speaker 2: I thought it was even longer than that. 201 00:08:38,040 --> 00:08:38,680 Speaker 1: Was it longer. 202 00:08:38,800 --> 00:08:41,199 Speaker 3: I feel like it was longer, let's see, because it 203 00:08:41,240 --> 00:08:43,320 Speaker 3: was like one hundred and forty three. 204 00:08:43,600 --> 00:08:46,280 Speaker 1: I think it was like two hours and twenty five minutes. Yeah, 205 00:08:46,280 --> 00:08:48,720 Speaker 1: that was a long movie. It's so long and very 206 00:08:48,760 --> 00:08:51,320 Speaker 1: little happens in that first hour and then it just 207 00:08:51,400 --> 00:08:55,280 Speaker 1: kind of goes off the rails where I like this director. 208 00:08:55,320 --> 00:08:59,360 Speaker 1: He also did Hereditary, He also did a Midsommar, which 209 00:08:59,720 --> 00:09:02,120 Speaker 1: are very interesting horror movies. But I kind of think 210 00:09:02,120 --> 00:09:03,640 Speaker 1: he should go back to doing horror movies. 211 00:09:04,120 --> 00:09:06,200 Speaker 2: I feel like this this was kind of a horror movie. 212 00:09:06,280 --> 00:09:08,079 Speaker 1: Yeah, it kind of was. I feel like this was 213 00:09:08,200 --> 00:09:12,200 Speaker 1: him trying to make a Quentin Tarantino style movie, or 214 00:09:12,240 --> 00:09:14,400 Speaker 1: trying to make his own version of No Country for 215 00:09:14,440 --> 00:09:18,080 Speaker 1: Old Men. Because where this movie takes you, I don't 216 00:09:18,080 --> 00:09:20,720 Speaker 1: want to ruin anything, but where the action kind of unfolded, 217 00:09:20,920 --> 00:09:24,600 Speaker 1: I feel like it kind of takes like that modern 218 00:09:24,720 --> 00:09:28,800 Speaker 1: western type vibe crime thriller, but it was doing a 219 00:09:28,840 --> 00:09:31,800 Speaker 1: really bad impression of it with characters that you just 220 00:09:31,880 --> 00:09:34,880 Speaker 1: didn't care about whatsoever, and then just kind of made 221 00:09:34,960 --> 00:09:36,800 Speaker 1: no sense and said no statement at the end. 222 00:09:36,760 --> 00:09:39,079 Speaker 2: Of it, and then it had like low budget gore. 223 00:09:39,520 --> 00:09:42,080 Speaker 1: Yeah, that's kind of a stylistic choice. I think that's 224 00:09:42,160 --> 00:09:45,200 Speaker 1: kind of his style. Where it didn't, I think it's 225 00:09:45,200 --> 00:09:48,760 Speaker 1: done for effect. But on a movie of this scale, 226 00:09:48,880 --> 00:09:51,000 Speaker 1: it does look a little bit like it's low quality, 227 00:09:51,000 --> 00:09:53,360 Speaker 1: But I think it's on purpose. I think it's meant 228 00:09:53,360 --> 00:09:54,440 Speaker 1: to be more shocking. 229 00:09:54,720 --> 00:09:55,400 Speaker 2: I hated it. 230 00:09:55,600 --> 00:09:58,880 Speaker 1: I found myself sitting in the in the seat wanting 231 00:09:58,920 --> 00:10:02,000 Speaker 1: to leave very bad. I was very uncomfortable throughout the 232 00:10:02,040 --> 00:10:05,679 Speaker 1: majority of this movie just because there was nothing. There 233 00:10:05,760 --> 00:10:08,599 Speaker 1: was no characters that I was following along their storyline 234 00:10:08,720 --> 00:10:12,240 Speaker 1: or rooting for the story just felt like reliving a 235 00:10:12,280 --> 00:10:16,360 Speaker 1: really bad time in the world. Maybe in fifteen years 236 00:10:16,440 --> 00:10:18,680 Speaker 1: or twenty years we're more far removed from this, I 237 00:10:18,679 --> 00:10:21,240 Speaker 1: would have cared more about it. But I just think 238 00:10:21,320 --> 00:10:24,360 Speaker 1: overall this movie was really just uninteresting and not worth 239 00:10:24,480 --> 00:10:27,800 Speaker 1: the two hour and twenty five minute runtime. Now, especially 240 00:10:27,800 --> 00:10:30,520 Speaker 1: with I mean I like both of these actors and 241 00:10:31,280 --> 00:10:34,400 Speaker 1: now I'm a Stone and I'm a Stone and Austin 242 00:10:34,800 --> 00:10:36,560 Speaker 1: I mean, I don't really like Austin Butler, but you 243 00:10:36,640 --> 00:10:39,600 Speaker 1: have that many people in this movie, you think somebody 244 00:10:39,600 --> 00:10:42,400 Speaker 1: would have given a performance that was worthy of Like, Okay, 245 00:10:42,559 --> 00:10:44,320 Speaker 1: I can see why they were I thought it was 246 00:10:44,559 --> 00:10:47,320 Speaker 1: still bad, so yeah, I can co sign on your 247 00:10:47,320 --> 00:10:48,040 Speaker 1: worst of the month. 248 00:10:48,240 --> 00:10:49,880 Speaker 2: If we had seen that on a regal, we would 249 00:10:49,920 --> 00:10:50,560 Speaker 2: have left. 250 00:10:50,559 --> 00:10:52,000 Speaker 1: Because we had the unlimited in it. 251 00:10:52,400 --> 00:10:55,120 Speaker 3: But we've actually bought tickets for it, so it was 252 00:10:55,200 --> 00:10:57,959 Speaker 3: kind of like, oh, I mean, we financially committed to this. 253 00:10:58,000 --> 00:11:00,880 Speaker 1: Right right when we're at that point of wanting to leave, 254 00:11:00,920 --> 00:11:02,600 Speaker 1: and I was gonna tell you, like you want to go, 255 00:11:03,160 --> 00:11:05,679 Speaker 1: something interesting did happen and I was like, Okay, maybe 256 00:11:05,679 --> 00:11:08,200 Speaker 1: it's going somewhere now, And it didn't really go anywhere. 257 00:11:08,360 --> 00:11:12,400 Speaker 3: I'm currently reading a book that I feel similarly about, 258 00:11:12,400 --> 00:11:14,199 Speaker 3: and I'm not even going to like say the name 259 00:11:14,240 --> 00:11:16,600 Speaker 3: and recommend it on this podcast. I wanted to not 260 00:11:16,679 --> 00:11:19,400 Speaker 3: finish it, but I bought it, and so I can't 261 00:11:19,440 --> 00:11:21,880 Speaker 3: bring myself to not finish something that I bought. 262 00:11:21,960 --> 00:11:23,480 Speaker 2: So I'm like powering through. 263 00:11:23,720 --> 00:11:25,559 Speaker 3: I have a third left, and I need to finish 264 00:11:25,640 --> 00:11:27,360 Speaker 3: it today and just be done with it. It's one 265 00:11:27,400 --> 00:11:28,880 Speaker 3: of those where like I don't want to see dread 266 00:11:28,920 --> 00:11:30,520 Speaker 3: that sounds dramatic, but like I pick it up and 267 00:11:30,520 --> 00:11:31,920 Speaker 3: I'm like, oh, I've got to read this. 268 00:11:32,040 --> 00:11:34,439 Speaker 1: It was like homework, yes, but eating your vegetables is 269 00:11:34,440 --> 00:11:37,560 Speaker 1: a kid, Yes, I understand that. And I have the 270 00:11:37,640 --> 00:11:39,800 Speaker 1: role of if I don't finish a movie, I can't 271 00:11:39,840 --> 00:11:42,880 Speaker 1: review it because it feels incomplete. It's like they put 272 00:11:42,880 --> 00:11:45,040 Speaker 1: out their art. If I don't at least put in 273 00:11:45,160 --> 00:11:47,520 Speaker 1: my effort of finishing the whole project, then I can't 274 00:11:47,520 --> 00:11:49,560 Speaker 1: talk about it fairly. I mean, I can say it 275 00:11:49,600 --> 00:11:51,000 Speaker 1: was so bad I didn't finish it, but that's all 276 00:11:51,000 --> 00:11:51,520 Speaker 1: I could say. 277 00:11:51,559 --> 00:11:53,160 Speaker 2: I probably would have sad, nicer things if I had 278 00:11:53,240 --> 00:11:54,200 Speaker 2: done to finish that movie. 279 00:11:54,320 --> 00:11:56,400 Speaker 1: But that brings me to my worst of the month, 280 00:11:56,440 --> 00:11:58,720 Speaker 1: which was The Old Guard to on Netflix? 281 00:11:58,880 --> 00:12:01,000 Speaker 2: Is that what you watched on the flight home from vacation. 282 00:12:01,600 --> 00:12:04,480 Speaker 1: How was my face while watching this movie in physical pain? 283 00:12:04,880 --> 00:12:07,840 Speaker 1: It was so And the thing about Netflix movies, there 284 00:12:07,880 --> 00:12:09,920 Speaker 1: are a couple of things. Is one they're just inherently bad. 285 00:12:10,640 --> 00:12:13,840 Speaker 1: Two is they come out so far between the other 286 00:12:13,880 --> 00:12:16,400 Speaker 1: one that I forgot what happened in the Old Guard one. 287 00:12:16,800 --> 00:12:18,360 Speaker 1: I kind of forgot the premise of it, what the 288 00:12:18,440 --> 00:12:20,280 Speaker 1: characters were about. So they didn't do a really good 289 00:12:20,360 --> 00:12:23,920 Speaker 1: job at resetting that which I was. It took me 290 00:12:23,960 --> 00:12:26,760 Speaker 1: maybe about ten minutes to remember exactly, Oh, yeah, they 291 00:12:26,840 --> 00:12:29,320 Speaker 1: did this, and this is the story behind them. Essentially 292 00:12:29,360 --> 00:12:32,840 Speaker 1: they live forever. That's why they're the Old Guard. But 293 00:12:33,120 --> 00:12:36,800 Speaker 1: this movie was so B level action movie and tre 294 00:12:36,920 --> 00:12:39,200 Speaker 1: least their own is a good actor be. 295 00:12:39,360 --> 00:12:42,720 Speaker 2: As generous from what I looked over on your screen. 296 00:12:42,880 --> 00:12:45,400 Speaker 1: Because it felt like a movie that would come on 297 00:12:45,480 --> 00:12:48,920 Speaker 1: Saturday afternoons on a random channel, not even on cable, 298 00:12:48,920 --> 00:12:50,840 Speaker 1: but on broadcast TV that I used to watch as 299 00:12:50,880 --> 00:12:53,760 Speaker 1: a kid, like an old eighties movie. The acting was 300 00:12:53,880 --> 00:12:58,120 Speaker 1: so bare minimum. The special effects in this movie were 301 00:12:58,240 --> 00:13:01,000 Speaker 1: just straight. I probably could have made it's better special 302 00:13:01,080 --> 00:13:04,000 Speaker 1: effects on cap cut on my phone because I was like, 303 00:13:04,080 --> 00:13:06,600 Speaker 1: that's just a green screen. This looks so bad, and 304 00:13:06,640 --> 00:13:08,960 Speaker 1: all of this action just felt so generic. I hate 305 00:13:08,960 --> 00:13:11,800 Speaker 1: when I watch action movies and people are just fighting 306 00:13:11,840 --> 00:13:14,360 Speaker 1: for the sake of fighting. There's no purpose to It's 307 00:13:14,480 --> 00:13:18,160 Speaker 1: like they're a hospives yes, where you hate watching them 308 00:13:18,200 --> 00:13:20,800 Speaker 1: with me? No, I just mean like there's a certain 309 00:13:20,840 --> 00:13:24,480 Speaker 1: action movie where where two characters fight and there's a reason, 310 00:13:24,520 --> 00:13:26,920 Speaker 1: there's an emotional weight to it, they're fighting for a 311 00:13:27,120 --> 00:13:30,520 Speaker 1: very specific reason. In this movie, it just felt like, Okay, 312 00:13:30,520 --> 00:13:32,560 Speaker 1: we need an action sequence here, so these people are 313 00:13:32,559 --> 00:13:34,760 Speaker 1: gonna fight and then there's gonna be a chase scene 314 00:13:34,880 --> 00:13:37,880 Speaker 1: and that it was just filler. Every fight scene just 315 00:13:37,920 --> 00:13:40,600 Speaker 1: felt like filler, from the very beginning. The first opening 316 00:13:40,600 --> 00:13:42,760 Speaker 1: fight scene where they're like going to break into some house, 317 00:13:42,960 --> 00:13:45,280 Speaker 1: it just felt ridiculous. Flame fight scene. 318 00:13:45,520 --> 00:13:47,079 Speaker 2: No, just like filler movies. 319 00:13:47,360 --> 00:13:50,480 Speaker 1: Oh yes, that is kind of what they do where 320 00:13:50,800 --> 00:13:54,760 Speaker 1: they get big stars like a Trulis thrown and now 321 00:13:54,800 --> 00:13:57,800 Speaker 1: are building these kind of franchises that they have where 322 00:13:57,880 --> 00:14:01,040 Speaker 1: they put out these movies originally like three or four 323 00:14:01,120 --> 00:14:03,440 Speaker 1: years ago and now four years later they're like, let's 324 00:14:03,480 --> 00:14:05,960 Speaker 1: make a sequel to it. So they're trying to build 325 00:14:06,000 --> 00:14:08,800 Speaker 1: these fan bases on these franchises. They don't have a 326 00:14:08,840 --> 00:14:09,560 Speaker 1: fan base. 327 00:14:09,840 --> 00:14:12,640 Speaker 2: Which speaking of filler movies that did have a fan. 328 00:14:12,559 --> 00:14:16,560 Speaker 1: Base, Happy Gomore two, Yes, that was That was an 329 00:14:16,600 --> 00:14:18,840 Speaker 1: honorable mention because I gave The Old Guard a one 330 00:14:18,920 --> 00:14:21,640 Speaker 1: out of five, which is really low, and I gave 331 00:14:21,680 --> 00:14:25,600 Speaker 1: Happy Gomore two. I like giving movies the number that 332 00:14:25,640 --> 00:14:27,160 Speaker 1: it's in, so I give it a two out of five. 333 00:14:27,640 --> 00:14:29,800 Speaker 1: So I'm like the review is in the title, But 334 00:14:29,880 --> 00:14:33,120 Speaker 1: I was so surprised of how many people found joy 335 00:14:33,160 --> 00:14:33,800 Speaker 1: in this movie. 336 00:14:34,000 --> 00:14:35,840 Speaker 3: Let me tell you, Taylor Swift did not watch the 337 00:14:35,840 --> 00:14:38,200 Speaker 3: whole thing, despite what her Instagram story said. I think 338 00:14:38,240 --> 00:14:40,880 Speaker 3: she watched what did she rate it thirteen out of 339 00:14:40,880 --> 00:14:43,560 Speaker 3: ten because thirteen's her number. I think she watched old 340 00:14:43,600 --> 00:14:46,440 Speaker 3: traviy scenes and was like, all right, he was. 341 00:14:46,400 --> 00:14:50,200 Speaker 1: In it more than I anticipated him. Bad Bunny, Yeah, 342 00:14:50,280 --> 00:14:52,080 Speaker 1: I still like Bad Buddy at it. Oh. 343 00:14:52,120 --> 00:14:53,200 Speaker 2: I loved Bad Bunny on it. 344 00:14:53,280 --> 00:14:56,080 Speaker 1: But aside from that, it was too many cameos. 345 00:14:56,280 --> 00:14:58,920 Speaker 2: It was so it was just cameos and callbacks. 346 00:14:59,080 --> 00:15:01,160 Speaker 1: That's all it was, and that is what I dislike 347 00:15:01,200 --> 00:15:03,000 Speaker 1: about it the most. And I think that is what 348 00:15:03,080 --> 00:15:06,320 Speaker 1: people found enjoyment in which I don't understand. This movie 349 00:15:06,360 --> 00:15:09,600 Speaker 1: felt like exhibition. To me, some people like watching movies 350 00:15:09,960 --> 00:15:12,680 Speaker 1: to be reminded about other movies. I hate that. 351 00:15:12,960 --> 00:15:15,920 Speaker 2: It felt almost like product placement, but with actors. 352 00:15:16,120 --> 00:15:18,760 Speaker 1: Yeah. Well, I mean the first one had some product 353 00:15:18,760 --> 00:15:20,560 Speaker 1: placement in it with the whole subway thing. 354 00:15:20,800 --> 00:15:23,960 Speaker 2: Yeah, but this one more just like the actors were 355 00:15:24,000 --> 00:15:24,520 Speaker 2: the product. 356 00:15:24,720 --> 00:15:27,800 Speaker 1: Yeah that's true. Oh yeah, because it just felt like 357 00:15:28,080 --> 00:15:29,840 Speaker 1: when it came out that it was like the biggest 358 00:15:29,840 --> 00:15:31,840 Speaker 1: movie in Netflix, had the biggest debut. It's like, yeah, well, 359 00:15:31,880 --> 00:15:34,080 Speaker 1: you have all these celebrities who have millions of followers 360 00:15:34,120 --> 00:15:34,960 Speaker 1: on Instagram. 361 00:15:35,080 --> 00:15:36,880 Speaker 2: I mean, we had like Alex Earl in it. 362 00:15:36,880 --> 00:15:39,480 Speaker 1: It was like, so strategically you put all these people 363 00:15:39,480 --> 00:15:41,880 Speaker 1: in it to get so many people to watch it, 364 00:15:41,880 --> 00:15:44,240 Speaker 1: because then you have like the WWE fanbase, and you 365 00:15:44,240 --> 00:15:45,360 Speaker 1: have post alone in it. 366 00:15:45,960 --> 00:15:47,440 Speaker 2: I already forgot he was in it. 367 00:15:47,480 --> 00:15:49,560 Speaker 1: The biggest I mean, Bad Bunny is one of the 368 00:15:49,560 --> 00:15:52,000 Speaker 1: biggest artists in the world, not just in the United States. 369 00:15:52,160 --> 00:15:55,200 Speaker 3: Taylor Swift, well, I mean people watched for but yeah 370 00:15:55,640 --> 00:15:57,200 Speaker 3: the door she posted about it. 371 00:15:57,760 --> 00:16:02,080 Speaker 1: So I hate comedy. I hate legacy comedy movies because 372 00:16:02,120 --> 00:16:04,080 Speaker 1: it's never gonna be as funny as the original. It 373 00:16:04,160 --> 00:16:07,120 Speaker 1: kind of tarnishes what you love about the first one. 374 00:16:07,560 --> 00:16:09,760 Speaker 1: And I know I sound like I don't like having fun. 375 00:16:09,840 --> 00:16:12,200 Speaker 1: I do like having fun. But it even takes me 376 00:16:12,240 --> 00:16:14,520 Speaker 1: back to whenever they made Dumb and Dumber two, the sequel, 377 00:16:14,560 --> 00:16:16,440 Speaker 1: where all they did was do the gags from the 378 00:16:16,440 --> 00:16:17,960 Speaker 1: first one. Is like, hey, remember what we did in 379 00:16:18,000 --> 00:16:20,400 Speaker 1: the first one, Let's do it again. And even when 380 00:16:20,400 --> 00:16:22,360 Speaker 1: this movie started out, I was like, Okay, maybe we're 381 00:16:22,360 --> 00:16:25,440 Speaker 1: gonna get a real story here, and it felt a 382 00:16:25,480 --> 00:16:28,640 Speaker 1: little bit like, Okay, he's actually going through some things here. 383 00:16:28,960 --> 00:16:31,720 Speaker 1: And then by maybe twenty minutes into it, it just 384 00:16:31,760 --> 00:16:33,480 Speaker 1: kind of goes off the rails and they're just doing 385 00:16:33,600 --> 00:16:36,200 Speaker 1: a bunch of random jokes. It felt like a mid 386 00:16:36,320 --> 00:16:37,200 Speaker 1: SNL episode. 387 00:16:37,320 --> 00:16:39,800 Speaker 2: I did love the Sandler's Whole family, wasn't it. 388 00:16:40,160 --> 00:16:42,600 Speaker 1: See. I cannot like his movies, but I can like 389 00:16:42,640 --> 00:16:45,560 Speaker 1: Adam Samer. I love Adam Sandlor because when you think 390 00:16:45,600 --> 00:16:48,120 Speaker 1: about it on the grand scale, and you'll look at 391 00:16:48,160 --> 00:16:51,440 Speaker 1: what he's doing, he is making art with his friends 392 00:16:51,840 --> 00:16:53,320 Speaker 1: and he's putting his family in it. 393 00:16:53,400 --> 00:16:56,000 Speaker 3: So wowing the best time he is, he just gets 394 00:16:56,000 --> 00:16:58,360 Speaker 3: to He gets to do what he wants. 395 00:16:58,040 --> 00:17:00,080 Speaker 1: And he makes a lot of money for it, and 396 00:17:00,120 --> 00:17:02,240 Speaker 1: he gets to spend time with his family. Because, if 397 00:17:02,240 --> 00:17:04,520 Speaker 1: you think about it, if you're an actor working like 398 00:17:04,600 --> 00:17:07,080 Speaker 1: he does on this on this amount of movies that 399 00:17:07,119 --> 00:17:09,280 Speaker 1: would take you away from your family, he's able to 400 00:17:09,280 --> 00:17:12,720 Speaker 1: put them in his movies. So he's working and he's 401 00:17:12,720 --> 00:17:14,920 Speaker 1: spending time with his family. It's like Jerry Jones with 402 00:17:14,960 --> 00:17:16,800 Speaker 1: a cowboy. He's like, this is why I built this 403 00:17:16,920 --> 00:17:19,240 Speaker 1: because I get to have this team that's my dream. 404 00:17:19,240 --> 00:17:21,000 Speaker 1: But I also get to work with my family. So 405 00:17:21,040 --> 00:17:23,200 Speaker 1: the whole time I'm working, I'm spending time with them. 406 00:17:23,280 --> 00:17:26,320 Speaker 2: Oh yes, the Jones family, but it's a family. 407 00:17:26,800 --> 00:17:29,240 Speaker 1: But he does that, and then he also brings a 408 00:17:29,560 --> 00:17:35,480 Speaker 1: super loyal friends. Even though they probably don't get along 409 00:17:35,560 --> 00:17:37,720 Speaker 1: all the time, he still brings them back because he 410 00:17:37,760 --> 00:17:41,320 Speaker 1: knows people love those characters. He keeps them working, he 411 00:17:41,359 --> 00:17:43,960 Speaker 1: gives them jobs, you can kind of put a little 412 00:17:43,960 --> 00:17:47,240 Speaker 1: spark into their career again. So I do respect him 413 00:17:47,400 --> 00:17:50,920 Speaker 1: as an actor, as a business person, as somebody who 414 00:17:51,240 --> 00:17:53,720 Speaker 1: is making movies that he wants to make. I mean, 415 00:17:53,720 --> 00:17:55,560 Speaker 1: going back to Billy Madison, that was like the first 416 00:17:55,600 --> 00:17:58,719 Speaker 1: movie he had some creative control over, and to go 417 00:17:58,800 --> 00:18:01,320 Speaker 1: from doing that to doing this where he's like, this 418 00:18:01,400 --> 00:18:04,479 Speaker 1: is how I'm gonna make movies. It's still resonating with people, 419 00:18:04,640 --> 00:18:06,440 Speaker 1: and I don't want to say like, oh, you're dumb 420 00:18:06,440 --> 00:18:09,320 Speaker 1: for liking this movie. I wasn't for us. I just 421 00:18:09,400 --> 00:18:13,600 Speaker 1: wanted a real plot. I wanted a real plot, like 422 00:18:13,640 --> 00:18:15,840 Speaker 1: a real reason to make a sequel to this, because 423 00:18:15,840 --> 00:18:17,760 Speaker 1: I think the story is there. I think it was 424 00:18:17,800 --> 00:18:19,240 Speaker 1: there in the beginning, and then it was just like, 425 00:18:19,320 --> 00:18:21,520 Speaker 1: let's just kind of parody all these things now. And 426 00:18:21,680 --> 00:18:23,640 Speaker 1: I guess I didn't like the golfers. There were too 427 00:18:23,680 --> 00:18:27,119 Speaker 1: many people who were not actors in significant roles. 428 00:18:27,320 --> 00:18:28,720 Speaker 2: Yes did yep, the whole. 429 00:18:29,119 --> 00:18:32,439 Speaker 1: That's why when you do have like a cool random cameo, 430 00:18:32,520 --> 00:18:35,280 Speaker 1: it's usually small and brief. But when you have those 431 00:18:35,359 --> 00:18:39,239 Speaker 1: people who don't act or not known for acting, it 432 00:18:39,320 --> 00:18:42,680 Speaker 1: makes it harder to watch because there you can obviously 433 00:18:42,760 --> 00:18:46,400 Speaker 1: tell that they are not good actors. Mainly, the Golfers 434 00:18:46,400 --> 00:18:47,800 Speaker 1: took me out of it because they were in it 435 00:18:47,840 --> 00:18:48,480 Speaker 1: so heavily. 436 00:18:48,600 --> 00:18:50,560 Speaker 2: I already honestly forgot they were in Nice. 437 00:18:50,400 --> 00:18:53,840 Speaker 1: Scotti, Scheffler and a bunch of the people on his team. Yeah. 438 00:18:53,960 --> 00:18:55,800 Speaker 1: I think that was probably was just like, okay, too 439 00:18:55,840 --> 00:18:58,359 Speaker 1: much of this which the first movie. It was a 440 00:18:58,400 --> 00:19:00,159 Speaker 1: golf movie, but it was all just about him. 441 00:19:00,280 --> 00:19:03,840 Speaker 2: Yeah, we didn't need actual PGA tour golfers. 442 00:19:04,200 --> 00:19:06,919 Speaker 1: But that was an honorable mention for my worst of 443 00:19:06,960 --> 00:19:09,600 Speaker 1: the month. I did hate the Old Guard Wars, though. 444 00:19:10,040 --> 00:19:12,000 Speaker 1: I'll go through the list of all the movies we 445 00:19:12,040 --> 00:19:14,399 Speaker 1: watched in July. I started with Old Guard, watching it 446 00:19:14,440 --> 00:19:16,480 Speaker 1: on the plane coming back from vacation. We also watched 447 00:19:16,520 --> 00:19:18,880 Speaker 1: Jurassic World Rebirth, which I gave a two point five 448 00:19:18,880 --> 00:19:21,959 Speaker 1: out of five also generous, pretty low on the scale, 449 00:19:22,040 --> 00:19:24,560 Speaker 1: and watched Superman four point five out of five. I 450 00:19:24,640 --> 00:19:28,960 Speaker 1: watched Opus on HBO Max, which is a movie with 451 00:19:29,040 --> 00:19:31,479 Speaker 1: au A Debris that I wanted to watch in theaters 452 00:19:31,480 --> 00:19:33,879 Speaker 1: early this year. It's a horror movie where she's like 453 00:19:33,960 --> 00:19:37,440 Speaker 1: a music writer and then goes out to cover this 454 00:19:37,800 --> 00:19:40,439 Speaker 1: artist who's kind of like a Prince type artist and 455 00:19:40,560 --> 00:19:42,480 Speaker 1: is making their first album for a very long time. 456 00:19:42,520 --> 00:19:44,320 Speaker 1: But then it gets kind of weird. It just kind 457 00:19:44,320 --> 00:19:46,919 Speaker 1: of falls in that category of a lot of movies 458 00:19:47,000 --> 00:19:49,080 Speaker 1: right now where like somebody goes out to like a 459 00:19:49,080 --> 00:19:51,879 Speaker 1: weird retreat and there's like these weird things happening behind 460 00:19:51,880 --> 00:19:54,200 Speaker 1: the scenes, so it just kind of felt generic to me. 461 00:19:54,800 --> 00:19:56,840 Speaker 1: Eddington we gave a two at a five. Would you 462 00:19:56,920 --> 00:19:57,560 Speaker 1: rate that one? Oh? 463 00:19:57,600 --> 00:20:02,040 Speaker 3: I give Addington a zero zero. I have never wanted 464 00:20:02,080 --> 00:20:03,360 Speaker 3: to leave a movie so bad. 465 00:20:03,280 --> 00:20:05,400 Speaker 1: No nutritional value whatsoever. 466 00:20:06,119 --> 00:20:08,080 Speaker 3: Wow, it was two and a half hours of my 467 00:20:08,160 --> 00:20:09,840 Speaker 3: life that I won't get back. 468 00:20:09,880 --> 00:20:12,399 Speaker 1: I don't think I've ever rated anything a zero before. 469 00:20:12,440 --> 00:20:14,159 Speaker 3: I don't think I've read books a zero Most of 470 00:20:14,200 --> 00:20:15,879 Speaker 3: the time. I'm like, you put words on a page 471 00:20:15,880 --> 00:20:19,159 Speaker 3: with this, I'm too angry about it. 472 00:20:19,200 --> 00:20:20,440 Speaker 1: So my two is generous. 473 00:20:20,600 --> 00:20:22,320 Speaker 2: It's extremely generous. 474 00:20:22,560 --> 00:20:24,280 Speaker 1: I gave I know what you did last summer a 475 00:20:24,280 --> 00:20:25,119 Speaker 1: two out of five. 476 00:20:25,359 --> 00:20:26,720 Speaker 2: What's a twos? 477 00:20:26,840 --> 00:20:29,600 Speaker 1: Yeah, there's a high contrast because I gave Sorry Baby 478 00:20:29,640 --> 00:20:30,400 Speaker 1: a four out of five. 479 00:20:30,640 --> 00:20:31,080 Speaker 2: So good. 480 00:20:31,640 --> 00:20:35,000 Speaker 1: The assessment which I watched on Hulu, which is with 481 00:20:35,680 --> 00:20:39,400 Speaker 1: Scarlet Witch, the other Olson sister, Elizabeth Olsen, Elizabeth Olsen, 482 00:20:40,680 --> 00:20:43,199 Speaker 1: the overall story wasn't as good as I thought it 483 00:20:43,280 --> 00:20:44,800 Speaker 1: was going to be. Like, the movie looked really good. 484 00:20:44,840 --> 00:20:46,679 Speaker 1: It's from a French director, so I think it kind 485 00:20:46,720 --> 00:20:48,959 Speaker 1: of had a bit of an arty vibe, but essentially 486 00:20:49,040 --> 00:20:51,879 Speaker 1: her and her husband live in like the not so 487 00:20:52,080 --> 00:20:55,320 Speaker 1: distant future where you have to pass an assessment test 488 00:20:55,359 --> 00:20:57,040 Speaker 1: to have a kid. So the whole thing is like 489 00:20:57,040 --> 00:20:59,679 Speaker 1: somebody coming to their house and evaluating whether or not 490 00:20:59,720 --> 00:21:02,439 Speaker 1: they're allowed to have a kid. Could we implement that, 491 00:21:04,040 --> 00:21:06,000 Speaker 1: oh maybe fifty years in the future. But I gave 492 00:21:06,040 --> 00:21:08,760 Speaker 1: that one a three point five out of five, fantastic four, 493 00:21:09,359 --> 00:21:11,200 Speaker 1: a four. I gave it a four out of five. 494 00:21:11,200 --> 00:21:11,920 Speaker 1: Would you give that one? 495 00:21:12,040 --> 00:21:12,640 Speaker 2: I think a four. 496 00:21:13,000 --> 00:21:15,400 Speaker 1: I also watched a movie called Dangerous Animals. I gave 497 00:21:15,440 --> 00:21:17,040 Speaker 1: it a three point five out of five. It's about 498 00:21:17,040 --> 00:21:21,639 Speaker 1: these people who go out into like a shark tour 499 00:21:21,960 --> 00:21:24,040 Speaker 1: in the ocean, and then they find out the guys 500 00:21:24,040 --> 00:21:24,680 Speaker 1: the serial killer. 501 00:21:24,720 --> 00:21:26,639 Speaker 3: You also called them movie like three different names when 502 00:21:26,640 --> 00:21:28,720 Speaker 3: you were trying to tell me you were like dangerous trenches, 503 00:21:28,960 --> 00:21:32,240 Speaker 3: dangerous waters, water in the trend, gary sharks. 504 00:21:32,760 --> 00:21:36,320 Speaker 1: But Dangerous Animals is a good kind of mid level 505 00:21:36,320 --> 00:21:39,160 Speaker 1: horror movie. It was just incredibly frustrating when you watch 506 00:21:39,160 --> 00:21:41,200 Speaker 1: horror movies and you're like, why are you doing this? 507 00:21:41,320 --> 00:21:42,080 Speaker 2: So I don't watch. 508 00:21:41,920 --> 00:21:44,800 Speaker 1: Them, and then oh hi. I gave a three point 509 00:21:44,800 --> 00:21:47,320 Speaker 1: five out of five, which I was surprised that nobody 510 00:21:47,400 --> 00:21:49,280 Speaker 1: was laughing when we went to go see that movie. 511 00:21:49,560 --> 00:21:51,639 Speaker 2: That was one of those that I don't know if 512 00:21:51,640 --> 00:21:52,400 Speaker 2: people watch. 513 00:21:52,200 --> 00:21:54,600 Speaker 1: The trailer, it's like an anti rom com, but I 514 00:21:54,640 --> 00:21:56,120 Speaker 1: think people thought it was straight on wrong. 515 00:21:56,280 --> 00:21:59,480 Speaker 2: I think people thought they were getting the rom com because. 516 00:21:59,280 --> 00:22:02,160 Speaker 1: It's about a girl who goes on an away trip 517 00:22:02,200 --> 00:22:03,879 Speaker 1: with this guy she's been dating for like three or 518 00:22:03,880 --> 00:22:05,800 Speaker 1: four months, and at the very start of it he 519 00:22:05,840 --> 00:22:07,760 Speaker 1: tells her like, oh, I don't want to be in 520 00:22:07,800 --> 00:22:08,440 Speaker 1: a relationship. 521 00:22:08,760 --> 00:22:10,639 Speaker 3: Well, and it's in the trailer, but it's like our 522 00:22:10,680 --> 00:22:14,159 Speaker 3: first tripoy is a couple, and he's like, what, I 523 00:22:14,280 --> 00:22:15,199 Speaker 3: love Molly Gordon. 524 00:22:15,520 --> 00:22:18,560 Speaker 1: So then she chains him up to the bed and 525 00:22:19,119 --> 00:22:21,720 Speaker 1: she says, Okay, I'm gonna keep you here for was 526 00:22:21,760 --> 00:22:24,479 Speaker 1: it a day? Twelve hours? And if I can convince 527 00:22:24,520 --> 00:22:26,239 Speaker 1: you of what life would be like with me as 528 00:22:26,240 --> 00:22:29,119 Speaker 1: a girlfriend, you can make your decision after that. So 529 00:22:29,160 --> 00:22:33,000 Speaker 1: it's kind of like the movie Misery, wherever she ties 530 00:22:33,080 --> 00:22:35,440 Speaker 1: up James conn in the bed for well, she just 531 00:22:35,520 --> 00:22:37,960 Speaker 1: keeps him there. But it's kind of that inspired, but 532 00:22:38,119 --> 00:22:40,040 Speaker 1: like the gen Z version of that, where she's just 533 00:22:40,080 --> 00:22:42,639 Speaker 1: trying to get this guy to be in a relationship 534 00:22:42,640 --> 00:22:45,119 Speaker 1: with her. Yeah, I thought it was funny. We were 535 00:22:45,160 --> 00:22:47,600 Speaker 1: the only but people in the entire theater laughing, which 536 00:22:47,600 --> 00:22:48,000 Speaker 1: is that's not. 537 00:22:47,920 --> 00:22:49,159 Speaker 2: The first time that's ever happened to us. 538 00:22:49,480 --> 00:22:51,919 Speaker 1: Yeah, but it's supposed to be. It was funny. 539 00:22:52,040 --> 00:22:53,119 Speaker 2: It was funny. I'm telling you. 540 00:22:53,160 --> 00:22:55,280 Speaker 3: I don't think people watch the trailer, so I think 541 00:22:55,280 --> 00:22:57,639 Speaker 3: they were like, when when does the rom come? 542 00:22:58,119 --> 00:23:00,720 Speaker 1: I think the rom come is a very interesting genre 543 00:23:00,800 --> 00:23:04,160 Speaker 1: right now because the people who want to go experience 544 00:23:04,240 --> 00:23:07,360 Speaker 1: rom coms are trying to remember those of the two thousands, 545 00:23:07,400 --> 00:23:10,920 Speaker 1: and they very much changed. Like material Lists, I would 546 00:23:10,960 --> 00:23:12,880 Speaker 1: consider a rom com, But when I did that review, 547 00:23:12,920 --> 00:23:14,879 Speaker 1: people are like, that's not a rom com. It doesn't 548 00:23:14,920 --> 00:23:17,560 Speaker 1: have the traditional things that a rom com has. So 549 00:23:17,720 --> 00:23:21,000 Speaker 1: I think it has evolved, much like the horror genre 550 00:23:21,080 --> 00:23:24,360 Speaker 1: has evolved. How would you rate the three Pedro Pascal 551 00:23:24,480 --> 00:23:27,120 Speaker 1: movies that we watched the summer, because we've watched material 552 00:23:27,160 --> 00:23:28,840 Speaker 1: Lists which came out at the start of the summer, 553 00:23:29,080 --> 00:23:32,160 Speaker 1: We watched Eddington, and then we watched Fantastic Four, which 554 00:23:32,160 --> 00:23:33,440 Speaker 1: came out within a week of each other. 555 00:23:33,640 --> 00:23:36,480 Speaker 3: Fantastic Four number one, Materials number two, and then I'm 556 00:23:36,480 --> 00:23:37,720 Speaker 3: not even rating Eddington. 557 00:23:37,520 --> 00:23:38,120 Speaker 2: It's off the board. 558 00:23:38,280 --> 00:23:41,680 Speaker 1: I'll rate and I'll put it as exist. After watching 559 00:23:41,720 --> 00:23:44,560 Speaker 1: all those movies without revealing anything about how much they 560 00:23:44,600 --> 00:23:47,240 Speaker 1: are specifically in it, can you feel that he is 561 00:23:47,280 --> 00:23:48,640 Speaker 1: a little bit overworked right now? 562 00:23:48,800 --> 00:23:50,479 Speaker 2: Yeah, because he's busy. 563 00:23:50,720 --> 00:23:52,920 Speaker 1: If you'll go to a theater and you see which 564 00:23:53,000 --> 00:23:55,520 Speaker 1: Pedro Pescal movie do you want to watch, you see 565 00:23:55,560 --> 00:23:57,399 Speaker 1: him on three different posters like how did he have 566 00:23:57,520 --> 00:23:58,080 Speaker 1: enough time? 567 00:23:58,240 --> 00:23:59,200 Speaker 2: And he's booked them busy. 568 00:23:59,560 --> 00:24:03,600 Speaker 1: Yeah, I definitely feel it in Eddington that maybe he 569 00:24:03,680 --> 00:24:06,320 Speaker 1: fit that in between those movies. Maybe he like went 570 00:24:06,400 --> 00:24:08,680 Speaker 1: back and forth a little bit, or he's like, Pedro's 571 00:24:08,720 --> 00:24:11,000 Speaker 1: here this amount of days you have him for this movie. 572 00:24:11,160 --> 00:24:13,440 Speaker 2: I feel like that's how it is. 573 00:24:13,520 --> 00:24:18,159 Speaker 1: Because whenever we went to the Baby Girl screening with 574 00:24:18,240 --> 00:24:20,199 Speaker 1: Nicole Kinman, she kind of talked about what it's like 575 00:24:20,240 --> 00:24:22,160 Speaker 1: to do an a twenty four movie. Yes, where you're 576 00:24:22,320 --> 00:24:24,720 Speaker 1: you have a lot longer days, but they're very It's 577 00:24:24,800 --> 00:24:26,760 Speaker 1: less of a schedule because you have less days to 578 00:24:26,800 --> 00:24:28,520 Speaker 1: do it, but the days are longer, so it is 579 00:24:28,520 --> 00:24:31,560 Speaker 1: a little bit more demanding because of the smaller budget. 580 00:24:31,760 --> 00:24:33,600 Speaker 1: I would have to imagine that's what it was like 581 00:24:33,640 --> 00:24:35,400 Speaker 1: filming both of those A twenty. 582 00:24:35,160 --> 00:24:38,000 Speaker 2: Four Meetings with Cemeterialists was A twenty four as. 583 00:24:37,880 --> 00:24:40,760 Speaker 1: Well, So I kind of want him to be in 584 00:24:40,920 --> 00:24:43,440 Speaker 1: less things moving forward, just because he was in Last 585 00:24:43,440 --> 00:24:45,280 Speaker 1: of Us this year, He's in a lot. He is 586 00:24:45,320 --> 00:24:47,440 Speaker 1: so hot right now that people are starting to get 587 00:24:47,480 --> 00:24:51,200 Speaker 1: sick of him. I worry that because I still like him. 588 00:24:51,440 --> 00:24:53,719 Speaker 1: I like him in everything, but I don't want him 589 00:24:53,760 --> 00:24:56,679 Speaker 1: to reach that level of Chris Pratt where people just 590 00:24:56,680 --> 00:24:59,040 Speaker 1: feel like he's in everything and they ye, they also. 591 00:24:58,880 --> 00:25:00,000 Speaker 2: Just hate Chris Pratt for others. 592 00:25:00,359 --> 00:25:02,040 Speaker 1: Yeah, I guess it could be a little bit of 593 00:25:02,119 --> 00:25:02,920 Speaker 1: Chris Pratt, but I. 594 00:25:02,840 --> 00:25:04,960 Speaker 3: Think it's like Chris Brad is a person honestly that 595 00:25:04,960 --> 00:25:06,520 Speaker 3: people don't like it. And it wasn't a lot, but 596 00:25:06,600 --> 00:25:08,640 Speaker 3: I think there's like more on the personal side. 597 00:25:08,960 --> 00:25:10,760 Speaker 1: But I feel like people hated it when he was 598 00:25:10,800 --> 00:25:13,119 Speaker 1: cast as Mario and then as like Garfield, and like, 599 00:25:13,200 --> 00:25:15,040 Speaker 1: did they just get Chris Pratt for everything? And he 600 00:25:15,040 --> 00:25:16,199 Speaker 1: doesn't put any effort into it? 601 00:25:16,240 --> 00:25:18,080 Speaker 3: And those are also movies. Really do you just need 602 00:25:18,119 --> 00:25:22,080 Speaker 3: like a paycheck? Brow everything's good, you're not making the mortgage. 603 00:25:21,640 --> 00:25:24,840 Speaker 1: But you did send me that story of Pedro Pascal's 604 00:25:25,040 --> 00:25:27,639 Speaker 1: allegedly his role being reduced a little bit in the 605 00:25:27,680 --> 00:25:30,440 Speaker 1: next Avengers movie, which I saw the director say that 606 00:25:30,960 --> 00:25:34,280 Speaker 1: he was never really cue up to be like the 607 00:25:34,320 --> 00:25:36,320 Speaker 1: star in the head of the new Avengers team. So 608 00:25:36,520 --> 00:25:38,439 Speaker 1: I don't really think we know what that's going to be. 609 00:25:39,080 --> 00:25:41,560 Speaker 1: And me kind of knowing from just reading the comics 610 00:25:41,560 --> 00:25:45,480 Speaker 1: where Doomsday and Cuitecret Wars are going, We're gonna have 611 00:25:45,520 --> 00:25:47,880 Speaker 1: a lot of characters come together. So I don't really 612 00:25:47,880 --> 00:25:50,920 Speaker 1: think there's gonna be one even one team that's kind 613 00:25:50,920 --> 00:25:53,760 Speaker 1: of the main in either of those movies, because I 614 00:25:53,800 --> 00:25:55,720 Speaker 1: think it's about to get very large. So I think 615 00:25:55,720 --> 00:25:59,440 Speaker 1: it's gonna be a lot different than Infinity War to Endgame, 616 00:26:00,000 --> 00:26:02,080 Speaker 1: where it's gonna be just so many people in it. 617 00:26:02,200 --> 00:26:04,080 Speaker 1: We saw the chair announcement. You saw how many chairs 618 00:26:04,080 --> 00:26:05,800 Speaker 1: were at that thing when they were like, all these 619 00:26:05,800 --> 00:26:07,359 Speaker 1: people are gonna be in this movie. 620 00:26:07,680 --> 00:26:08,879 Speaker 3: I would also like to go back to what you 621 00:26:08,880 --> 00:26:10,560 Speaker 3: said that I sent you that story. Yes I did. 622 00:26:10,680 --> 00:26:12,760 Speaker 3: I do a lot of unpaid intern work for this. 623 00:26:13,440 --> 00:26:15,600 Speaker 3: I would just like to pat myself on that. I 624 00:26:15,640 --> 00:26:16,720 Speaker 3: find a lot of stories for you. 625 00:26:17,080 --> 00:26:18,840 Speaker 1: That was a good one. Thank you, Because I think 626 00:26:18,920 --> 00:26:22,080 Speaker 1: people are wondering now after watching Fantastic for how it's 627 00:26:22,119 --> 00:26:24,439 Speaker 1: gonna feed in because the only next movie in Marvel 628 00:26:24,440 --> 00:26:27,040 Speaker 1: what that we're getting is the Spider Man movie and 629 00:26:27,080 --> 00:26:29,560 Speaker 1: then Doomsday. Which one are you more excited for? I 630 00:26:29,600 --> 00:26:30,560 Speaker 1: think you know my answer. 631 00:26:31,000 --> 00:26:31,960 Speaker 2: I love Spider Man. 632 00:26:32,160 --> 00:26:32,880 Speaker 1: Yeah, me too. 633 00:26:33,119 --> 00:26:34,119 Speaker 2: I'm gonna go spider. 634 00:26:34,000 --> 00:26:37,200 Speaker 1: I'm going Spider Man too, just because we've never had 635 00:26:37,960 --> 00:26:40,720 Speaker 1: an actor who has played Spider Man get a fourth movie. 636 00:26:41,040 --> 00:26:43,359 Speaker 2: Tom Hollins's about to be the Petropascal of next summer. 637 00:26:43,480 --> 00:26:46,520 Speaker 1: Yeah, he's gonna be Oh yeah, the Odyssey trailer. Mm hmmm, 638 00:26:46,680 --> 00:26:49,480 Speaker 1: he's gonna be in a lot him And'sendaya together. Do 639 00:26:49,520 --> 00:26:51,639 Speaker 1: you have a TV show for this month? Because I 640 00:26:51,680 --> 00:26:55,320 Speaker 1: do not. I have not finished the show. And it's 641 00:26:55,440 --> 00:26:57,560 Speaker 1: weird that we live in an age where we still 642 00:26:57,600 --> 00:27:00,640 Speaker 1: have slow seasons for TV shows. You think there's gould 643 00:27:00,640 --> 00:27:02,879 Speaker 1: be great stuff coming out all year round, just because 644 00:27:02,960 --> 00:27:05,479 Speaker 1: of the way streaming works. But I guess even streaming 645 00:27:05,480 --> 00:27:07,840 Speaker 1: services kind of take a slow down during the summer. 646 00:27:07,920 --> 00:27:09,560 Speaker 2: I do I bene all of Jenny and Georgia. 647 00:27:10,000 --> 00:27:13,879 Speaker 1: Oh yeah, I've watched episodes here and there. I've kind 648 00:27:13,920 --> 00:27:15,520 Speaker 1: of pieced it together just a little bit. 649 00:27:15,680 --> 00:27:17,640 Speaker 2: It's nothing groundbreaking. It's good though. 650 00:27:17,640 --> 00:27:19,399 Speaker 3: I was glad that I had three seasons to benge 651 00:27:19,440 --> 00:27:21,240 Speaker 3: and now I'm like, oh, I have to wait. But 652 00:27:21,280 --> 00:27:23,760 Speaker 3: then I started The Marvelous Missus Masel, which again is 653 00:27:23,800 --> 00:27:26,320 Speaker 3: also an older one. Also glad that I have all 654 00:27:26,400 --> 00:27:27,920 Speaker 3: of that to bene, but I was like, I need 655 00:27:27,960 --> 00:27:31,520 Speaker 3: more Rachel Brosnahan after Superman. So I'm watching that and 656 00:27:31,560 --> 00:27:32,680 Speaker 3: that's delightful so far. 657 00:27:33,000 --> 00:27:36,640 Speaker 1: The only thing I'm watching currently is the WWE show 658 00:27:36,640 --> 00:27:39,760 Speaker 1: on Netflix, which is like the documentary it's supposed to 659 00:27:39,800 --> 00:27:42,560 Speaker 1: be like the behind the scenes stuff they never wanted 660 00:27:42,960 --> 00:27:44,920 Speaker 1: or stuff we would never show you of them, kind 661 00:27:44,960 --> 00:27:48,760 Speaker 1: of breaking the illusion of how real wrestling is the 662 00:27:48,800 --> 00:27:50,600 Speaker 1: fourth wall, which I think has kind of been broken 663 00:27:50,960 --> 00:27:54,000 Speaker 1: in modern wrestling, where they show you exactly like how 664 00:27:54,080 --> 00:27:58,560 Speaker 1: strategic everything is, like how everything's on a calendar, every 665 00:27:58,640 --> 00:28:03,520 Speaker 1: single movement and plot line is as all these people 666 00:28:03,520 --> 00:28:04,080 Speaker 1: behind it. 667 00:28:04,280 --> 00:28:07,760 Speaker 2: Honestly, that's really upsetting to me why it's so fake. 668 00:28:08,720 --> 00:28:11,639 Speaker 1: I mean, the storylines are fake, but people still get injured, 669 00:28:11,680 --> 00:28:14,080 Speaker 1: Like whenever somebody gets hurt in real life, they have 670 00:28:14,160 --> 00:28:16,359 Speaker 1: to write it into the show. But it is interesting 671 00:28:16,400 --> 00:28:19,520 Speaker 1: because they do talk about some of the wrestlers go 672 00:28:19,560 --> 00:28:21,720 Speaker 1: to the writers and they want to know before a match, 673 00:28:21,760 --> 00:28:23,560 Speaker 1: am I gonna win? Or am I gonna lose? And 674 00:28:23,640 --> 00:28:26,120 Speaker 1: sometimes they don't know. I don't like them, it's just weird. 675 00:28:26,160 --> 00:28:28,199 Speaker 1: That part of it is kind of weird because they 676 00:28:28,240 --> 00:28:31,919 Speaker 1: are performers. It is sports entertainment. But then you have 677 00:28:31,960 --> 00:28:34,240 Speaker 1: to think, like, man, I can't even win this match 678 00:28:34,280 --> 00:28:36,879 Speaker 1: if I want to, because it's it's determined, it's written 679 00:28:36,880 --> 00:28:38,920 Speaker 1: in the script because they have all these plot lines 680 00:28:39,120 --> 00:28:41,480 Speaker 1: they need to play out over all these big events. 681 00:28:41,600 --> 00:28:44,280 Speaker 1: So I find that part interesting. But I also find 682 00:28:44,960 --> 00:28:47,160 Speaker 1: I'm not as turned off by the fact that it's 683 00:28:47,160 --> 00:28:50,080 Speaker 1: not quote unquote real, that it's fake, because yes, it 684 00:28:50,200 --> 00:28:52,880 Speaker 1: is kind of like a soap opera. But it's interesting 685 00:28:52,880 --> 00:28:55,080 Speaker 1: to see these people want to reach a level of 686 00:28:55,160 --> 00:28:57,920 Speaker 1: success and the only people that are in the way 687 00:28:58,040 --> 00:29:01,680 Speaker 1: are the writers because they become the ww champion. You 688 00:29:01,760 --> 00:29:04,760 Speaker 1: can't just become the champion. They have to say you 689 00:29:04,800 --> 00:29:07,520 Speaker 1: are now worthy of doing this, and we're going to 690 00:29:07,560 --> 00:29:09,960 Speaker 1: write you in. So that part is crazy. You have 691 00:29:10,000 --> 00:29:12,640 Speaker 1: a book, I do my book club read project Hail 692 00:29:12,680 --> 00:29:15,560 Speaker 1: Mary oh Am, I going to have a really hard 693 00:29:15,560 --> 00:29:16,320 Speaker 1: time reading it. 694 00:29:16,720 --> 00:29:17,680 Speaker 2: Not a really hard time. 695 00:29:17,720 --> 00:29:20,520 Speaker 3: But I will say someone who has a science background, 696 00:29:20,520 --> 00:29:23,760 Speaker 3: there were even things and my background's not like molecular 697 00:29:23,800 --> 00:29:26,000 Speaker 3: biology like he is in the book, but I have 698 00:29:26,040 --> 00:29:29,760 Speaker 3: a pretty good understanding of scientific concepts and even some 699 00:29:29,880 --> 00:29:32,479 Speaker 3: things I was like, I gotta remember what that is. 700 00:29:32,720 --> 00:29:34,360 Speaker 3: And then there were there's some things that you just 701 00:29:34,360 --> 00:29:37,280 Speaker 3: can't even visualize, so you just have to accept it 702 00:29:37,440 --> 00:29:39,880 Speaker 3: and be like, Okay, I'm accepting that this exists, but 703 00:29:39,920 --> 00:29:41,360 Speaker 3: I don't know what it looks like in my head, 704 00:29:41,680 --> 00:29:42,480 Speaker 3: if that makes sense. 705 00:29:42,760 --> 00:29:45,320 Speaker 1: Did you go back and watch the trailer after fish it? 706 00:29:45,400 --> 00:29:47,400 Speaker 1: Are you excited for it? Does it fit? Does it 707 00:29:47,440 --> 00:29:49,040 Speaker 1: look like what you kind of thought? Even though you 708 00:29:49,120 --> 00:29:50,360 Speaker 1: kind of saw the trailer a little bit. 709 00:29:50,400 --> 00:29:51,640 Speaker 3: But I would try to go to the bathroom every 710 00:29:51,640 --> 00:29:53,480 Speaker 3: time the trailer came. Yeah, because I really didn't want. 711 00:29:53,360 --> 00:29:55,400 Speaker 1: You're not going to watch it, But we didn't think 712 00:29:55,400 --> 00:29:57,040 Speaker 1: about when we'd go to the movies that they'd give 713 00:29:57,120 --> 00:29:59,480 Speaker 1: us like to get out of here. 714 00:30:00,040 --> 00:30:01,240 Speaker 2: Yeah, I'm very excited for it. 715 00:30:01,240 --> 00:30:03,520 Speaker 3: It actually helped having seen a little bit of the 716 00:30:03,520 --> 00:30:05,800 Speaker 3: trailer because I read the book in Gossling's voice. 717 00:30:06,320 --> 00:30:09,120 Speaker 2: I read it as like Ken Barbie. 718 00:30:08,640 --> 00:30:11,000 Speaker 1: See whenever I read Hunger Games, it was before the 719 00:30:11,000 --> 00:30:16,440 Speaker 1: movies came out, and I didn't associate Jennifer Lawrence at 720 00:30:16,440 --> 00:30:18,760 Speaker 1: all with that character, and to the point that when 721 00:30:18,760 --> 00:30:20,760 Speaker 1: I watched the movie, I was like, you're not Catnus 722 00:30:20,880 --> 00:30:23,239 Speaker 1: and that's not what I pictured in my home. But 723 00:30:23,280 --> 00:30:26,040 Speaker 1: the movie comes out on March twentieth, twenty twenty six, 724 00:30:26,120 --> 00:30:28,600 Speaker 1: so I have I have some time to read it. 725 00:30:29,040 --> 00:30:30,880 Speaker 2: Yeah, I have faith in you. 726 00:30:31,240 --> 00:30:33,160 Speaker 1: I'm going to read it and I want to experience that. 727 00:30:33,160 --> 00:30:35,040 Speaker 1: Even though I've already seen the trailer and people say 728 00:30:35,320 --> 00:30:36,480 Speaker 1: there are some spoilers in. 729 00:30:36,440 --> 00:30:40,600 Speaker 3: There, not that many, though nothing that like it's like, oh, 730 00:30:40,640 --> 00:30:43,040 Speaker 3: you shouldn't read the book, Like I still think you 731 00:30:43,080 --> 00:30:44,640 Speaker 3: will appreciate having read the book. 732 00:30:44,640 --> 00:30:46,680 Speaker 1: I'm good then, but you do have to not read 733 00:30:46,680 --> 00:30:47,240 Speaker 1: it fast. 734 00:30:47,360 --> 00:30:48,920 Speaker 3: But I feel like you have to keep the momentum 735 00:30:49,000 --> 00:30:51,720 Speaker 3: so you don't forget the things because it's very detailed. 736 00:30:51,960 --> 00:30:54,160 Speaker 1: Okay, once I'm in a book, I'm good. 737 00:30:54,400 --> 00:30:54,880 Speaker 2: I wouldn't know. 738 00:30:54,880 --> 00:30:57,680 Speaker 1: I havn't seen you read one, Like if I could 739 00:30:57,760 --> 00:31:01,080 Speaker 1: just sit down, like probably we go on our trip, 740 00:31:01,160 --> 00:31:03,800 Speaker 1: if I take it with me and I'm on a plane, 741 00:31:03,800 --> 00:31:05,960 Speaker 1: and that's all I have like that's when I do 742 00:31:06,040 --> 00:31:07,840 Speaker 1: my best reading because I'm like, what else am I 743 00:31:07,880 --> 00:31:10,960 Speaker 1: gonna do? Okay, so that is my next task and 744 00:31:11,320 --> 00:31:16,880 Speaker 1: six am flight. Yes, it could happen anything else. No, 745 00:31:17,200 --> 00:31:21,000 Speaker 1: it's hot, it's fine. I'm so over the heat. Yeah, 746 00:31:21,000 --> 00:31:24,480 Speaker 1: I'm gonna go jump into a cold bath right now. 747 00:31:25,000 --> 00:31:26,040 Speaker 2: Our water doesn't get cold. 748 00:31:26,320 --> 00:31:28,560 Speaker 3: I got a new water heater, which we will appreciate 749 00:31:28,880 --> 00:31:31,520 Speaker 3: in the winter. But you're right, like I find myself. 750 00:31:31,560 --> 00:31:33,120 Speaker 3: I don't even turn it over to the hot side 751 00:31:33,920 --> 00:31:34,960 Speaker 3: because it's not hot. 752 00:31:35,480 --> 00:31:36,200 Speaker 2: It it's not cold. 753 00:31:36,240 --> 00:31:37,800 Speaker 1: I turn it down as cold as it will go. 754 00:31:37,960 --> 00:31:39,720 Speaker 1: But then it gets like really like like no water, 755 00:31:40,080 --> 00:31:41,840 Speaker 1: and then you're just turning it off. I'm like, oh man, 756 00:31:42,280 --> 00:31:44,880 Speaker 1: get colder. All right. I'll come back and give my 757 00:31:44,920 --> 00:31:50,600 Speaker 1: spoiler free review of The Naked Gun. Let's get into 758 00:31:50,640 --> 00:31:53,240 Speaker 1: it now. A spoiler free movie review of The Naked 759 00:31:53,280 --> 00:31:56,680 Speaker 1: Gun starring Liam Neeson, although I might be a little 760 00:31:56,680 --> 00:32:00,120 Speaker 1: bit just loose on the term spoiler free because I 761 00:32:00,120 --> 00:32:03,080 Speaker 1: don't really think this is going to be a movie 762 00:32:03,080 --> 00:32:05,880 Speaker 1: that I can spoil. I think talking about some of 763 00:32:05,920 --> 00:32:09,600 Speaker 1: the comedic elements that I actually ended up enjoying, which 764 00:32:09,600 --> 00:32:11,520 Speaker 1: I thought I was going to hate this movie. I 765 00:32:11,560 --> 00:32:13,920 Speaker 1: saw the trailer for it, and I thought, that looks 766 00:32:13,960 --> 00:32:16,320 Speaker 1: so dumb. The scene in particular that almost kept me 767 00:32:16,320 --> 00:32:18,480 Speaker 1: from watching this movie was whenever you see the girl 768 00:32:18,960 --> 00:32:21,680 Speaker 1: enter the bank and then turn into leem Neeson and 769 00:32:21,680 --> 00:32:24,600 Speaker 1: then start fighting people. I thought, no way could a 770 00:32:24,640 --> 00:32:27,600 Speaker 1: parody movie be good in twenty twenty five. I also 771 00:32:27,680 --> 00:32:30,200 Speaker 1: don't know how much of the fan base was really 772 00:32:30,240 --> 00:32:33,000 Speaker 1: itching for another one of these movies, except maybe the 773 00:32:33,000 --> 00:32:35,000 Speaker 1: couple next to me in the theater. They were probably 774 00:32:35,080 --> 00:32:37,880 Speaker 1: a good twenty to thirty years older than me. The 775 00:32:37,920 --> 00:32:40,200 Speaker 1: original came out back in nineteen eighty eight, so it's 776 00:32:40,200 --> 00:32:43,200 Speaker 1: been thirty seven years. Those people might have been waiting 777 00:32:43,240 --> 00:32:45,680 Speaker 1: for this movie. Me in particular, I was not. But 778 00:32:45,720 --> 00:32:48,200 Speaker 1: it does come to us from director Akiva Schaeffer, who 779 00:32:48,840 --> 00:32:51,560 Speaker 1: I had faith in. I just didn't think the actual 780 00:32:51,600 --> 00:32:53,880 Speaker 1: movie was going to be good. But I am here 781 00:32:53,880 --> 00:32:57,560 Speaker 1: to admit I was wrong. The Naked Gun is actually 782 00:32:57,640 --> 00:33:00,520 Speaker 1: a funny movie. And let me tell you why I 783 00:33:00,520 --> 00:33:03,240 Speaker 1: think it works now. I'm gonna relate it to a 784 00:33:03,400 --> 00:33:06,840 Speaker 1: recent comedy Legacy sequel that we got Happy Gilmore too. 785 00:33:07,200 --> 00:33:09,040 Speaker 1: Even in the Sandler verse, it was a lot of 786 00:33:09,120 --> 00:33:13,040 Speaker 1: just recalling old things they did in that movie. Here 787 00:33:13,200 --> 00:33:17,120 Speaker 1: it's something completely different, because a Naked Gun actually builds 788 00:33:17,160 --> 00:33:21,360 Speaker 1: its own world where everything is ridiculous in the best way. 789 00:33:21,760 --> 00:33:25,160 Speaker 1: This movie is a Looney Tunes cartoon brought to life 790 00:33:25,360 --> 00:33:27,800 Speaker 1: with a lot of great writing, a lot of great 791 00:33:27,880 --> 00:33:31,120 Speaker 1: jokes per minute. So consistently throughout this entire movie, you're 792 00:33:31,120 --> 00:33:35,320 Speaker 1: getting joke after joke, recurring bit after recurring bit. But 793 00:33:35,440 --> 00:33:37,800 Speaker 1: not only things in the foreground. You're getting things in 794 00:33:37,880 --> 00:33:41,160 Speaker 1: the background, small little details put in there to make 795 00:33:41,200 --> 00:33:43,960 Speaker 1: you laugh. Now, are all of them huge big moments 796 00:33:44,240 --> 00:33:46,040 Speaker 1: that are gonna have you on the floor of the 797 00:33:46,040 --> 00:33:50,560 Speaker 1: theater laughing, split in your side. No, but it consistently 798 00:33:50,680 --> 00:33:53,280 Speaker 1: just tries to make you laugh. It commits to every 799 00:33:53,280 --> 00:33:56,040 Speaker 1: single joke, a lot of play on words, which I 800 00:33:56,120 --> 00:33:58,960 Speaker 1: kind of think is the DNA of this franchise, and 801 00:33:59,000 --> 00:34:01,040 Speaker 1: a lot of it just work, and I was not 802 00:34:01,200 --> 00:34:04,520 Speaker 1: expecting it to. From the very beginning, the very opening sequence, 803 00:34:04,960 --> 00:34:07,800 Speaker 1: I was like, Okay, I'm in for this ride. And 804 00:34:07,840 --> 00:34:10,720 Speaker 1: it honestly didn't take me a long time to believe 805 00:34:10,800 --> 00:34:13,440 Speaker 1: in Liam Neeson in this role, which I thought was 806 00:34:13,480 --> 00:34:15,239 Speaker 1: going to be the hardest part, because I just see 807 00:34:15,320 --> 00:34:18,040 Speaker 1: him as the taken guy. Really, but what this movie 808 00:34:18,080 --> 00:34:20,680 Speaker 1: is about. He is investigating a bank robbery and then 809 00:34:20,719 --> 00:34:25,200 Speaker 1: it starts investigating a car crash somebody died, but Pamela 810 00:34:25,239 --> 00:34:27,920 Speaker 1: Anderson's character was the brother of the guy who died 811 00:34:27,920 --> 00:34:30,400 Speaker 1: in the crash and said, I don't think he killed himself. 812 00:34:30,440 --> 00:34:32,919 Speaker 1: I think there's somebody else behind it. And that's really it. 813 00:34:33,000 --> 00:34:35,760 Speaker 1: A very minimal plot of him just trying to figure 814 00:34:35,800 --> 00:34:38,839 Speaker 1: out who the bad guy is and how this crime unfolded, 815 00:34:39,239 --> 00:34:41,239 Speaker 1: and what you get through all of that is a 816 00:34:41,280 --> 00:34:45,439 Speaker 1: series of comedic events that just work. Liam Neeson was great. 817 00:34:45,480 --> 00:34:48,080 Speaker 1: I thought Pamela Anderson was really great in this role 818 00:34:48,120 --> 00:34:50,800 Speaker 1: as well. They have some pretty good on screen chemistry. 819 00:34:50,920 --> 00:34:53,759 Speaker 1: She also has surprisingly some really good comedic timing. But 820 00:34:53,880 --> 00:34:56,880 Speaker 1: hands down my favorite part of this movie was Paul 821 00:34:57,160 --> 00:35:00,440 Speaker 1: Walter Houser, who I believe just owns every that he 822 00:35:00,480 --> 00:35:02,680 Speaker 1: does right now. He was just in The Fantastic Four 823 00:35:02,719 --> 00:35:04,759 Speaker 1: as the mole Man. I also loved him, and I 824 00:35:04,760 --> 00:35:06,920 Speaker 1: think you should leave the Tim Robinson show. He is 825 00:35:06,920 --> 00:35:08,680 Speaker 1: somebody who I believe is one of the best new 826 00:35:08,719 --> 00:35:10,919 Speaker 1: faces in comedy and it's great to see him start 827 00:35:10,920 --> 00:35:13,279 Speaker 1: to get bigger roles. I think now that people are 828 00:35:13,280 --> 00:35:15,680 Speaker 1: becoming a little bit more familiar with him, they're like, Oh, 829 00:35:15,800 --> 00:35:19,080 Speaker 1: isn't that the guy from Richard Jewel. He's actually pretty funny. 830 00:35:19,280 --> 00:35:21,160 Speaker 1: I think his character should have had a little bit 831 00:35:21,200 --> 00:35:24,200 Speaker 1: more of a presence, because anytime his character was on screen, 832 00:35:24,600 --> 00:35:28,040 Speaker 1: I loved it. There were three reoccurring bits that I 833 00:35:28,080 --> 00:35:29,680 Speaker 1: love now. I said I wasn't going to give away 834 00:35:29,680 --> 00:35:33,360 Speaker 1: any spoilers, and I don't really think this is spoiling anything, 835 00:35:33,920 --> 00:35:35,960 Speaker 1: but these are the type of things that are inside 836 00:35:35,960 --> 00:35:38,600 Speaker 1: of a Naked Gun movie at number three. At number 837 00:35:38,640 --> 00:35:41,560 Speaker 1: three is whenever they are at risk of getting shut down, 838 00:35:42,000 --> 00:35:44,799 Speaker 1: immediately Paul walter Hauser is standing out front with his 839 00:35:44,920 --> 00:35:48,040 Speaker 1: box and his spirit Halloween sign goes up behind him. 840 00:35:48,120 --> 00:35:51,359 Speaker 1: I thought that was hilarious. At number two, whenever they 841 00:35:51,360 --> 00:35:53,839 Speaker 1: were investigating the car crash and they're trying to get 842 00:35:53,840 --> 00:35:56,480 Speaker 1: it out of the water. Liam Neeson does a terrible 843 00:35:56,560 --> 00:35:59,160 Speaker 1: job at investigating, and then they're like, all right, nothing 844 00:35:59,200 --> 00:36:00,840 Speaker 1: else to see here, and you think they're going to 845 00:36:00,920 --> 00:36:02,600 Speaker 1: be smart in the way that they pull out the car, 846 00:36:02,680 --> 00:36:05,319 Speaker 1: but then the guy working the crane literally has like 847 00:36:05,360 --> 00:36:08,120 Speaker 1: the claw from the claw machine. And then pulls it up, 848 00:36:08,239 --> 00:36:11,040 Speaker 1: And that is the best representation of this movie. It 849 00:36:11,080 --> 00:36:14,360 Speaker 1: goes all in and allows everything to be ridiculous. But 850 00:36:14,440 --> 00:36:16,480 Speaker 1: number one, my favorite bit in the movie is they 851 00:36:16,560 --> 00:36:19,479 Speaker 1: keep making fun of how in action movies and cop 852 00:36:19,520 --> 00:36:22,120 Speaker 1: movies they always get a fresh cup of coffee. So 853 00:36:22,400 --> 00:36:24,920 Speaker 1: they're getting a fresh cup and then immediately get another 854 00:36:24,960 --> 00:36:27,520 Speaker 1: fresh cup, and then the cups keep getting bigger and 855 00:36:27,560 --> 00:36:30,080 Speaker 1: bigger and bigger, And I just thought that was funny 856 00:36:30,120 --> 00:36:32,720 Speaker 1: the way they committed to that. And my final question 857 00:36:32,760 --> 00:36:36,600 Speaker 1: about this movie does length matter? Because this movie was 858 00:36:36,719 --> 00:36:39,280 Speaker 1: over before I knew it, And I think that's also 859 00:36:39,320 --> 00:36:43,280 Speaker 1: what led to my enjoyment, is because the humor will 860 00:36:43,320 --> 00:36:45,279 Speaker 1: start to wear on you a little bit because it 861 00:36:45,360 --> 00:36:47,680 Speaker 1: kind of starts to be the same thing over and over, 862 00:36:47,760 --> 00:36:49,759 Speaker 1: and even though you really enjoy it for those first 863 00:36:49,840 --> 00:36:52,480 Speaker 1: thirty to forty five minutes, it starts to reach a 864 00:36:52,520 --> 00:36:55,480 Speaker 1: point of like, Okay, this is still funny, and I 865 00:36:55,520 --> 00:36:58,440 Speaker 1: get that they're still firing off jokes and firing off jokes, 866 00:36:58,760 --> 00:37:01,160 Speaker 1: but it does get a little less and less novel 867 00:37:01,239 --> 00:37:03,960 Speaker 1: as it goes along. But before I knew it, this 868 00:37:04,040 --> 00:37:07,960 Speaker 1: movie was over. It was under one hour and fifteen minutes, 869 00:37:08,000 --> 00:37:11,160 Speaker 1: which I think is probably the lowest run time I've 870 00:37:11,200 --> 00:37:13,960 Speaker 1: ever seen in theaters, and I ended up loving it. 871 00:37:14,080 --> 00:37:17,799 Speaker 1: I think different categories of movies do require different run times. Now, 872 00:37:17,840 --> 00:37:20,880 Speaker 1: if a movie is just good, all out good, no 873 00:37:21,040 --> 00:37:22,920 Speaker 1: bad things to say about it, it can go on 874 00:37:23,040 --> 00:37:24,960 Speaker 1: as long as it wants. But if a movie is 875 00:37:25,080 --> 00:37:26,680 Speaker 1: kind of teetering on the line of I don't know 876 00:37:26,680 --> 00:37:28,239 Speaker 1: if I like this, I don't know if I'm really 877 00:37:28,280 --> 00:37:32,000 Speaker 1: committed to it, the runtime can be very influential. And 878 00:37:32,080 --> 00:37:34,879 Speaker 1: before this movie, I would say a great comedy run 879 00:37:34,960 --> 00:37:37,319 Speaker 1: time is ninety minutes. But if you could make a 880 00:37:37,360 --> 00:37:39,360 Speaker 1: movie in one hour and fifteen minutes, I think it 881 00:37:39,400 --> 00:37:42,319 Speaker 1: has to be as ridiculous as The Naked Gun. But 882 00:37:42,400 --> 00:37:45,520 Speaker 1: one hour in fifteen minutes is also pretty good, because, 883 00:37:45,560 --> 00:37:47,600 Speaker 1: like I said, it kind of tricks your mind into thinking, 884 00:37:47,760 --> 00:37:50,120 Speaker 1: I'm a little bit over this. Oh it's already over. 885 00:37:50,360 --> 00:37:53,040 Speaker 1: Everybody's leaving, all right, I'm good. I think I enjoyed 886 00:37:53,040 --> 00:37:55,280 Speaker 1: that because it got me out of there really quickly, 887 00:37:55,360 --> 00:37:57,720 Speaker 1: said what it needed to say, did all the gags, 888 00:37:57,760 --> 00:38:00,840 Speaker 1: and didn't waste time trying to build anything else that 889 00:38:01,080 --> 00:38:03,600 Speaker 1: didn't need to For an art house, movie I feel 890 00:38:03,680 --> 00:38:06,280 Speaker 1: is right around the one hour and forty minute range. 891 00:38:06,480 --> 00:38:09,080 Speaker 1: Art House movies are usually a little bit lower budget, 892 00:38:09,120 --> 00:38:11,439 Speaker 1: the story is kind of stretched out a little bit more, 893 00:38:11,560 --> 00:38:14,520 Speaker 1: and anything more than an hour and forty minutes starts 894 00:38:14,520 --> 00:38:17,000 Speaker 1: to feel a little taxing to me. A horror movie, 895 00:38:17,160 --> 00:38:19,160 Speaker 1: I think right now needs to be one hour and 896 00:38:19,200 --> 00:38:21,680 Speaker 1: forty five minutes. I think that is the sweet spot 897 00:38:21,719 --> 00:38:24,759 Speaker 1: for horror enough to really build that story in the 898 00:38:24,800 --> 00:38:28,640 Speaker 1: first twenty minutes, really ramp up in that forty minute mark, 899 00:38:28,840 --> 00:38:31,239 Speaker 1: and then really start to go off the rails about 900 00:38:31,280 --> 00:38:33,799 Speaker 1: that one hour, one hour and ten minute mark, and 901 00:38:33,840 --> 00:38:36,200 Speaker 1: those final thirty to twenty minutes give you a great 902 00:38:36,239 --> 00:38:39,120 Speaker 1: final battle. I think one forty five is the perfect 903 00:38:39,160 --> 00:38:42,080 Speaker 1: runtime for a horror movie. When it comes to superhero movies, 904 00:38:42,160 --> 00:38:44,600 Speaker 1: I used to say two and a half hours, but 905 00:38:44,800 --> 00:38:48,040 Speaker 1: recently I think right around that two hour mark, which 906 00:38:48,080 --> 00:38:50,839 Speaker 1: is what DC and Marvel are both starting to do, 907 00:38:51,440 --> 00:38:53,759 Speaker 1: is kind of that sweet spot. Maybe it's because we 908 00:38:53,840 --> 00:38:56,640 Speaker 1: have a little bit of superhero fatigue, but I think 909 00:38:56,680 --> 00:39:00,000 Speaker 1: two hours, maybe even one fifty five is the perfect 910 00:39:00,040 --> 00:39:02,759 Speaker 1: vic amount right now for a superhero movie. Now, if 911 00:39:02,800 --> 00:39:05,839 Speaker 1: it's an Avengers level movie, I'm okay with the two 912 00:39:05,880 --> 00:39:09,320 Speaker 1: forty five for Secret Wars, I will give you another 913 00:39:09,360 --> 00:39:11,840 Speaker 1: three hours for that one. And speaking in run times, 914 00:39:11,880 --> 00:39:14,000 Speaker 1: I feel like I've talked about this movie too long 915 00:39:14,080 --> 00:39:16,759 Speaker 1: at this point because the movie was only one hour 916 00:39:16,800 --> 00:39:19,160 Speaker 1: and fifteen minutes and I'm still hearing abbit about it. 917 00:39:19,239 --> 00:39:21,880 Speaker 1: So for The Naked Gun, because it proved me wrong, 918 00:39:22,280 --> 00:39:25,479 Speaker 1: I get it three point five out of five big 919 00:39:25,480 --> 00:39:31,680 Speaker 1: old coffy cups. It's time to head down to movie. 920 00:39:31,760 --> 00:39:35,880 Speaker 1: Mike Trey lar Pard, how much Avatar can we take? 921 00:39:35,960 --> 00:39:38,000 Speaker 1: Because Fire and Ashes coming out of this year on 922 00:39:38,040 --> 00:39:42,120 Speaker 1: December nineteenth. We have another one coming out in twenty 923 00:39:42,160 --> 00:39:46,160 Speaker 1: twenty nine with Avatar four, and then Avatar five comes 924 00:39:46,200 --> 00:39:50,160 Speaker 1: out in twenty thirty one. Before this, in twenty twenty two, 925 00:39:50,200 --> 00:39:52,040 Speaker 1: we got The Way Water, but there was a big 926 00:39:52,080 --> 00:39:55,799 Speaker 1: gap between one and two because Avatar came out back 927 00:39:55,800 --> 00:39:58,719 Speaker 1: in two thousand and nine. And not only are these 928 00:39:58,760 --> 00:40:01,960 Speaker 1: movies mapped out from now until twenty thirty one, they 929 00:40:01,960 --> 00:40:06,600 Speaker 1: are also girthy movies. Avatar one two hours and forty 930 00:40:06,640 --> 00:40:10,040 Speaker 1: two minutes, just flirting with that three hour runtime, The 931 00:40:10,120 --> 00:40:13,319 Speaker 1: Way of Water three hours and twelve minutes, Fire and 932 00:40:13,400 --> 00:40:17,360 Speaker 1: Ash the exact same runtime of three hours and twelve minutes. 933 00:40:17,719 --> 00:40:21,440 Speaker 1: I can only imagine four and five are gonna be 934 00:40:21,480 --> 00:40:24,439 Speaker 1: at least three hours and twelve minutes. So not only 935 00:40:24,440 --> 00:40:27,720 Speaker 1: do we have five of these movies, but we also 936 00:40:27,760 --> 00:40:30,080 Speaker 1: have to prepare ourselves before we go watch these movies 937 00:40:30,080 --> 00:40:33,960 Speaker 1: in theaters, limit our liquids beforehand, plot out when is 938 00:40:34,000 --> 00:40:36,759 Speaker 1: a good time to go to the bathroom. And what 939 00:40:36,840 --> 00:40:39,439 Speaker 1: I've learned from the Way of Water is pretty much 940 00:40:39,520 --> 00:40:42,160 Speaker 1: every act is an hour. So if you have to 941 00:40:42,160 --> 00:40:45,080 Speaker 1: go pee while watching Avatar, A thing I do with 942 00:40:45,200 --> 00:40:47,400 Speaker 1: every single movie I go watch is I time in it. 943 00:40:47,920 --> 00:40:50,920 Speaker 1: So I would say, right when that first hour is 944 00:40:50,960 --> 00:40:54,080 Speaker 1: wrapping up, maybe go five minutes into the next hour, 945 00:40:54,160 --> 00:40:56,400 Speaker 1: just in case there's like a big action sequence. But 946 00:40:56,680 --> 00:40:58,799 Speaker 1: every hour is pretty much an act. So if you 947 00:40:58,880 --> 00:41:02,000 Speaker 1: have to go pee, go in that fifty five to 948 00:41:02,080 --> 00:41:05,239 Speaker 1: one oh five range and add that to the two 949 00:41:05,280 --> 00:41:07,160 Speaker 1: hour mark, and then you kind of got to stay 950 00:41:07,200 --> 00:41:10,360 Speaker 1: at three hour mark. But this is a lot of Avatar, 951 00:41:11,160 --> 00:41:16,400 Speaker 1: and it's a very polarizing franchise because I think we wonder, 952 00:41:16,560 --> 00:41:19,480 Speaker 1: how do these movies make so much money, why are 953 00:41:19,480 --> 00:41:22,720 Speaker 1: they so successful, and why are we getting so many 954 00:41:22,760 --> 00:41:25,680 Speaker 1: of these? But In this one, we have a new 955 00:41:25,800 --> 00:41:28,120 Speaker 1: tribe leader who is the new villain in this movie, 956 00:41:28,160 --> 00:41:31,840 Speaker 1: who looks pretty menacing. Her name is Verring. I believe 957 00:41:31,880 --> 00:41:34,400 Speaker 1: it is how you pronounce that she is the villain. 958 00:41:34,400 --> 00:41:36,920 Speaker 1: In Fire and Ash, she is tormenting Jake Sully and 959 00:41:36,960 --> 00:41:39,760 Speaker 1: his family as he attempts to protect her from her wrath. 960 00:41:40,200 --> 00:41:42,440 Speaker 1: She looks how you would imagine a villain look in 961 00:41:42,480 --> 00:41:45,439 Speaker 1: an Avatar movie. Still has the blue skin, but also 962 00:41:45,520 --> 00:41:49,319 Speaker 1: has white, black and red body paint, so it kind 963 00:41:49,320 --> 00:41:51,160 Speaker 1: of has like a warrior vibe, which they all kind 964 00:41:51,160 --> 00:41:53,480 Speaker 1: of have a warrior vibe. I saw the trailer when 965 00:41:53,520 --> 00:41:55,279 Speaker 1: I went to go see Fantastic Four, and I saw 966 00:41:55,320 --> 00:41:58,000 Speaker 1: that in Imax, so I got to experience it just 967 00:41:58,080 --> 00:41:59,920 Speaker 1: a little bit, get that little taste of what the 968 00:42:00,000 --> 00:42:01,680 Speaker 1: this is gonna look like on the big screen, and 969 00:42:01,719 --> 00:42:05,440 Speaker 1: I liked it. This third installment introduces the Ash people, 970 00:42:05,600 --> 00:42:10,080 Speaker 1: described as fierce fire wielding warriors who dance around blazing 971 00:42:10,160 --> 00:42:13,040 Speaker 1: pits of flame. I would also describe myself that way, 972 00:42:13,200 --> 00:42:15,919 Speaker 1: except I'm not blue, I'm brown, baby. But I want 973 00:42:15,920 --> 00:42:19,440 Speaker 1: to dive into Avatar. Why is it so successful? Why 974 00:42:19,480 --> 00:42:22,080 Speaker 1: does James Caermon just put all of his time and 975 00:42:22,280 --> 00:42:25,440 Speaker 1: energy into these movies, and why is this going to 976 00:42:25,520 --> 00:42:28,080 Speaker 1: be the legacy that he leaves behind. Before we get 977 00:42:28,080 --> 00:42:30,239 Speaker 1: into all of that, here's just a little bit of 978 00:42:30,320 --> 00:42:32,280 Speaker 1: the Avatar three trailer. 979 00:42:32,920 --> 00:42:34,040 Speaker 2: You cannot live like. 980 00:42:34,040 --> 00:42:40,440 Speaker 1: This baby in hate. If there's something you can't do it, 981 00:42:43,280 --> 00:42:44,680 Speaker 1: then you must do it. 982 00:42:50,040 --> 00:42:56,600 Speaker 2: No, no, no, that's fine. Then we will find another way. 983 00:42:59,120 --> 00:43:08,160 Speaker 1: Your goddess has no a Meniunia. So it looks like 984 00:43:09,120 --> 00:43:13,200 Speaker 1: we are picking up from wherever Way of Water left off, 985 00:43:13,360 --> 00:43:16,600 Speaker 1: which in that one they had to leave Pandora, leave 986 00:43:16,680 --> 00:43:19,319 Speaker 1: their home, go out to live with these people who 987 00:43:19,360 --> 00:43:22,319 Speaker 1: are water based, hit the Way of Water and still 988 00:43:22,360 --> 00:43:26,000 Speaker 1: have to battle this difficult war against the humans. It 989 00:43:26,080 --> 00:43:28,960 Speaker 1: kind of looks like the same thing happening here again, 990 00:43:29,440 --> 00:43:32,880 Speaker 1: constantly on the run, constantly just trying to protect their children. 991 00:43:33,160 --> 00:43:36,160 Speaker 1: When it comes to Avatar movies, I was a hater 992 00:43:36,280 --> 00:43:40,160 Speaker 1: in the beginning, but now seeing a lot of movies 993 00:43:40,920 --> 00:43:45,279 Speaker 1: use very very suspicious techniques when it comes to just 994 00:43:45,360 --> 00:43:49,600 Speaker 1: getting special effects passable, and that has become unacceptable to me. 995 00:43:49,640 --> 00:43:52,759 Speaker 1: Whenever I see a special effect that looks like it 996 00:43:52,800 --> 00:43:55,600 Speaker 1: could have been fine tuned to see it on the 997 00:43:55,640 --> 00:43:58,960 Speaker 1: big screen, just look mediocre. I just really start to 998 00:43:59,040 --> 00:44:01,400 Speaker 1: hold it against these movies when they continue to do that. 999 00:44:01,440 --> 00:44:05,960 Speaker 1: They continue to rush their production to get this movie 1000 00:44:05,960 --> 00:44:08,200 Speaker 1: out sooner and cut corners when it comes to the 1001 00:44:08,239 --> 00:44:11,640 Speaker 1: special effects. But James Cameron does not do that. Each 1002 00:44:11,719 --> 00:44:15,680 Speaker 1: one of these movies is so immersive. Whether it's the visuals, 1003 00:44:15,719 --> 00:44:18,960 Speaker 1: whether it's the score, whether it's the acting, it is 1004 00:44:19,120 --> 00:44:22,279 Speaker 1: all at the top of its game constantly. So it's 1005 00:44:22,280 --> 00:44:26,319 Speaker 1: so reliable on its ability to create a spectacle that 1006 00:44:26,400 --> 00:44:30,120 Speaker 1: it has audiences still pouring in to go watch these 1007 00:44:30,200 --> 00:44:34,239 Speaker 1: movies in theaters because they are an event. And I 1008 00:44:34,320 --> 00:44:38,200 Speaker 1: do believe this is a passion project of James Cameron. 1009 00:44:38,520 --> 00:44:41,360 Speaker 1: He wrote the first treatment to Avatar back in nineteen 1010 00:44:41,480 --> 00:44:45,320 Speaker 1: ninety four when it was called Project eight eighty. From 1011 00:44:45,360 --> 00:44:48,560 Speaker 1: that eighty page treatment, he began working on a screenplay 1012 00:44:48,800 --> 00:44:51,840 Speaker 1: for this fictional universe in early two thousand and six, 1013 00:44:52,160 --> 00:44:55,160 Speaker 1: with a movie finally coming out in two thousand and nine. 1014 00:44:55,560 --> 00:44:58,960 Speaker 1: So from when he first wrote the initial draft to 1015 00:44:59,040 --> 00:45:03,000 Speaker 1: when he actually started developing the screenplay, including the language, 1016 00:45:03,040 --> 00:45:06,640 Speaker 1: including this whole fictional universe of Pandora, that was over 1017 00:45:06,760 --> 00:45:09,839 Speaker 1: a decade, and then three years later Avatar came out 1018 00:45:09,880 --> 00:45:13,560 Speaker 1: in two thousand and nine, and then another decade plus 1019 00:45:13,680 --> 00:45:16,640 Speaker 1: three years go by before we got the sequel to 1020 00:45:16,800 --> 00:45:20,479 Speaker 1: that movie. And I find it interesting when people put 1021 00:45:20,520 --> 00:45:25,920 Speaker 1: the classification of a passion project on somebody's work. Oftentimes 1022 00:45:26,000 --> 00:45:29,480 Speaker 1: that means it is something that they are doing just 1023 00:45:29,560 --> 00:45:31,799 Speaker 1: for the love of doing it, even though it is 1024 00:45:31,840 --> 00:45:36,480 Speaker 1: not financially successful. I think artists hate that term because 1025 00:45:36,480 --> 00:45:38,600 Speaker 1: of the connotation that, oh, I'm just doing this as 1026 00:45:38,600 --> 00:45:41,799 Speaker 1: a passion project, meaning I would do this even if 1027 00:45:41,880 --> 00:45:44,880 Speaker 1: I wasn't getting paid. I don't care if it's successful. 1028 00:45:45,000 --> 00:45:47,719 Speaker 1: I just need to get this creativity out of my 1029 00:45:47,880 --> 00:45:51,279 Speaker 1: head and onto a screen or onto a canvas, and 1030 00:45:51,320 --> 00:45:53,600 Speaker 1: I don't care if it ever sees a dime. But 1031 00:45:53,680 --> 00:45:57,200 Speaker 1: even though this is a passion project for James Cameron, 1032 00:45:57,640 --> 00:46:00,799 Speaker 1: these movies have the opposite effect. They are some of 1033 00:46:00,840 --> 00:46:06,000 Speaker 1: the highest grossing movies of all time. And why is that. 1034 00:46:06,400 --> 00:46:09,240 Speaker 1: It's not only because they are successful in the United States, 1035 00:46:09,280 --> 00:46:13,280 Speaker 1: which the biggest movies in the world are often American movies. 1036 00:46:13,760 --> 00:46:16,000 Speaker 1: We only look at the numbers here, but if you 1037 00:46:16,000 --> 00:46:18,680 Speaker 1: look at the numbers specifically for Avatar one, only twenty 1038 00:46:18,719 --> 00:46:21,120 Speaker 1: six point nine percent of the money made at the 1039 00:46:21,160 --> 00:46:24,960 Speaker 1: box office was domestic. The other seventy three point one 1040 00:46:25,040 --> 00:46:29,960 Speaker 1: percent came from the international box office. And that is 1041 00:46:30,000 --> 00:46:33,759 Speaker 1: the gold that James Cameron has struck. And I would 1042 00:46:33,800 --> 00:46:36,239 Speaker 1: hate to say that the movie is so middle of 1043 00:46:36,280 --> 00:46:39,359 Speaker 1: the road that it appeals to everybody, because I don't 1044 00:46:39,400 --> 00:46:42,239 Speaker 1: think these are mediocre movies. I just think he is 1045 00:46:42,280 --> 00:46:45,960 Speaker 1: the master filmmaker and knows how to create a story 1046 00:46:46,000 --> 00:46:48,319 Speaker 1: that has a wide appeal. And when it comes to 1047 00:46:48,360 --> 00:46:51,480 Speaker 1: the Avatar movies, they are blue people. They are not 1048 00:46:51,520 --> 00:46:55,319 Speaker 1: specific to anybody. You could argue the fact that we 1049 00:46:55,360 --> 00:46:57,839 Speaker 1: could all see a little bit of ourselves in these 1050 00:46:57,920 --> 00:47:01,680 Speaker 1: people because they are blue and alien like. You don't 1051 00:47:01,680 --> 00:47:04,680 Speaker 1: associate a race to them because it has that sci 1052 00:47:04,680 --> 00:47:08,040 Speaker 1: fi element. And due to the fact that because you 1053 00:47:08,080 --> 00:47:11,239 Speaker 1: don't see American actors on the screen, even though the 1054 00:47:11,280 --> 00:47:13,839 Speaker 1: people voicing them and doing the motion capture for them 1055 00:47:13,920 --> 00:47:16,719 Speaker 1: are for the most part American people. But all you 1056 00:47:16,800 --> 00:47:20,400 Speaker 1: have to do is have actors who speak different languages 1057 00:47:20,520 --> 00:47:24,400 Speaker 1: go in and do the voice acting to fit any country. 1058 00:47:24,440 --> 00:47:27,719 Speaker 1: Because these movies are huge in China, France, over in 1059 00:47:27,760 --> 00:47:31,160 Speaker 1: the UK and Spain. They do so well over there 1060 00:47:31,239 --> 00:47:33,840 Speaker 1: because of that, So it's not just because it's the 1061 00:47:33,920 --> 00:47:37,040 Speaker 1: middle of the road that it doesn't offend too many people. 1062 00:47:37,160 --> 00:47:40,279 Speaker 1: There are just a lot of elements in Avatar that 1063 00:47:40,400 --> 00:47:44,200 Speaker 1: appeal to not only different people around the world, but 1064 00:47:44,360 --> 00:47:48,960 Speaker 1: also inside of demographics. It appeals to the older audience. 1065 00:47:49,160 --> 00:47:52,520 Speaker 1: It appeals to the twenty thirty year olds who are 1066 00:47:52,520 --> 00:47:54,880 Speaker 1: into the sci fi element. That's where I follow in. 1067 00:47:55,200 --> 00:47:58,320 Speaker 1: And then it even appeals to kids because well, technically 1068 00:47:58,360 --> 00:48:00,960 Speaker 1: it's kind of animated and bright and colorful, very immersive, 1069 00:48:01,280 --> 00:48:04,080 Speaker 1: and there's a lot of action. So they're also not 1070 00:48:04,360 --> 00:48:07,880 Speaker 1: so artsy that they turn people off, and they're also 1071 00:48:08,040 --> 00:48:12,480 Speaker 1: not so bottom of a barrel lowest common denominator that 1072 00:48:12,600 --> 00:48:15,440 Speaker 1: maybe somebody who is turned off by those type of movies, 1073 00:48:15,480 --> 00:48:19,600 Speaker 1: those aka popcorn movies, still feels challenged by a movie 1074 00:48:19,640 --> 00:48:21,680 Speaker 1: like this, still feels like they're getting something out of 1075 00:48:21,680 --> 00:48:24,239 Speaker 1: it that they can sink their teeth into and not 1076 00:48:24,400 --> 00:48:27,319 Speaker 1: just watching something dumb and mindless like a Fast and 1077 00:48:27,320 --> 00:48:30,719 Speaker 1: the Furious movie, which also does well internationally. But I 1078 00:48:30,760 --> 00:48:33,960 Speaker 1: am a huge proponent of these movies now, but I 1079 00:48:34,000 --> 00:48:36,719 Speaker 1: will say I still have to psych myself up to 1080 00:48:36,760 --> 00:48:38,960 Speaker 1: go and watch a movie that's three hours and fifteen 1081 00:48:39,000 --> 00:48:42,640 Speaker 1: minutes even though I do not mind a long runtime 1082 00:48:42,719 --> 00:48:45,800 Speaker 1: on a movie if it is warranted, and James Cameron 1083 00:48:45,920 --> 00:48:49,000 Speaker 1: has proved to me that it is warranted, that he 1084 00:48:49,160 --> 00:48:53,719 Speaker 1: can hold my attention and my overall curiosity for that 1085 00:48:53,960 --> 00:48:56,480 Speaker 1: entire runtime. But I still have to psych myself up 1086 00:48:56,719 --> 00:49:00,640 Speaker 1: because there's something about going to the movies. Go in 1087 00:49:00,719 --> 00:49:03,280 Speaker 1: and it's daytime, and you come out and it's dark, 1088 00:49:03,600 --> 00:49:05,919 Speaker 1: You're like, man, how long was I in there? Because 1089 00:49:05,960 --> 00:49:09,320 Speaker 1: then you factor in the twenty five to thirty minutes 1090 00:49:09,320 --> 00:49:12,520 Speaker 1: of previews, and then that's like a four hour event 1091 00:49:12,560 --> 00:49:15,960 Speaker 1: with the driving, So that will eat up your entire 1092 00:49:16,040 --> 00:49:19,719 Speaker 1: weekend when you go watch Avatar in December. But I 1093 00:49:19,800 --> 00:49:22,879 Speaker 1: still think it is worth it. I've still enjoyed all 1094 00:49:22,960 --> 00:49:24,920 Speaker 1: of these movies, and I think I will continue to 1095 00:49:25,040 --> 00:49:29,280 Speaker 1: enjoy four and five. So I am all in for Avatar, 1096 00:49:29,520 --> 00:49:32,880 Speaker 1: Fire and Ash coming out on December nineteenth. 1097 00:49:33,520 --> 00:49:37,400 Speaker 2: Said that was this week's edition of movie Line Tramer 1098 00:49:37,520 --> 00:49:39,120 Speaker 2: bar Ah. 1099 00:49:38,600 --> 00:49:41,520 Speaker 1: And that is gonna be the episode for this week. 1100 00:49:41,800 --> 00:49:44,359 Speaker 1: That'll do it. But before I go, I'm gonna give 1101 00:49:44,400 --> 00:49:47,799 Speaker 1: my listener shout out of the week this week, I'm 1102 00:49:47,840 --> 00:49:50,680 Speaker 1: going over to TikTok, which you can follow me over there. 1103 00:49:51,360 --> 00:49:54,160 Speaker 1: Put the link in the episode notes. If you search 1104 00:49:54,239 --> 00:49:56,680 Speaker 1: Mike Dstro you can find me on TikTok. For some reason, 1105 00:49:57,080 --> 00:49:59,440 Speaker 1: I can't change my username, guys, but it is me. 1106 00:49:59,680 --> 00:50:03,920 Speaker 1: I promise I'm going over to I posted some clips 1107 00:50:03,920 --> 00:50:06,640 Speaker 1: from my Fantastic Four review, which is a movie that 1108 00:50:06,680 --> 00:50:09,279 Speaker 1: I still want to go watch again in theaters to 1109 00:50:09,440 --> 00:50:12,320 Speaker 1: experience it. I still also need to go and watch 1110 00:50:12,320 --> 00:50:15,640 Speaker 1: Superman again in theaters. So as soon as I'm through 1111 00:50:15,680 --> 00:50:18,880 Speaker 1: all these movies coming out in August that look really good, 1112 00:50:19,760 --> 00:50:22,400 Speaker 1: I will go back and rewatch some of the ones 1113 00:50:22,400 --> 00:50:25,160 Speaker 1: from July. But this week I'm going over to TikTok 1114 00:50:25,480 --> 00:50:29,239 Speaker 1: and shouting out Mayo Ketchup, which is a fantastic user 1115 00:50:29,320 --> 00:50:32,640 Speaker 1: name who commented on that Fantastic Four video of me 1116 00:50:32,760 --> 00:50:35,720 Speaker 1: talking about how much I love the suits and said 1117 00:50:36,400 --> 00:50:40,480 Speaker 1: I'm gonna say Eternals have much better suits, but don't 1118 00:50:40,520 --> 00:50:43,839 Speaker 1: fight me. Listen, Mayo ketchup. That is a hot take 1119 00:50:43,920 --> 00:50:46,359 Speaker 1: for sure, maybe one of the hottest ever. Like ho hot, hot, 1120 00:50:46,360 --> 00:50:52,360 Speaker 1: hot hot, because the Eternals. Oh, because aside from the 1121 00:50:52,400 --> 00:50:55,320 Speaker 1: storytelling in that movie, one of the things I dislike 1122 00:50:55,400 --> 00:50:59,640 Speaker 1: the most were the suits. And I'm big into figure 1123 00:50:59,719 --> 00:51:05,480 Speaker 1: collect and every single figure from the Eternal's movie, all 1124 00:51:05,560 --> 00:51:09,160 Speaker 1: the action figures that were made in preparation for that 1125 00:51:09,200 --> 00:51:11,320 Speaker 1: because they thought it was going to be a huge success. 1126 00:51:11,840 --> 00:51:17,799 Speaker 1: They are still sitting on shelves in discount stores across America. 1127 00:51:18,160 --> 00:51:21,000 Speaker 1: They are burning the pegs of any allays that you 1128 00:51:21,120 --> 00:51:24,680 Speaker 1: go to because people just don't want them. And why 1129 00:51:24,760 --> 00:51:28,120 Speaker 1: do they don't want them is because the suits are terrible. 1130 00:51:29,000 --> 00:51:32,719 Speaker 1: Superhero suits are what sell comic books, They're what make 1131 00:51:32,800 --> 00:51:35,600 Speaker 1: people buy tickets to go watch them in theaters. They 1132 00:51:35,640 --> 00:51:38,440 Speaker 1: sell t shirts, they sell merchandise because if a superhero 1133 00:51:38,520 --> 00:51:40,960 Speaker 1: has a cool suit, you want to see that suit, 1134 00:51:41,000 --> 00:51:43,440 Speaker 1: you want to see that logo. And man, that is 1135 00:51:43,520 --> 00:51:46,680 Speaker 1: such a hot take, because I feel like nothing about 1136 00:51:46,680 --> 00:51:49,160 Speaker 1: those suits stands out, the fact that pretty much all 1137 00:51:49,200 --> 00:51:52,560 Speaker 1: of them are the same, just different colors. They look 1138 00:51:52,680 --> 00:51:55,959 Speaker 1: so boring to me. But to say something like that, 1139 00:51:55,960 --> 00:51:59,120 Speaker 1: that is so bold, to stand up for a movie 1140 00:51:59,120 --> 00:52:02,319 Speaker 1: that so many people people just dislike. I applaud you, 1141 00:52:02,640 --> 00:52:05,040 Speaker 1: Mayo Ketchup. You said not to fight you about this, 1142 00:52:05,160 --> 00:52:08,080 Speaker 1: so I won't fight you. I will counter you with 1143 00:52:08,239 --> 00:52:10,960 Speaker 1: saying how bad the suits are, But I respect your 1144 00:52:11,000 --> 00:52:14,040 Speaker 1: opinion to say that, so thank you for listening, thank 1145 00:52:14,080 --> 00:52:17,799 Speaker 1: you for being subscribed, And until next time, go out 1146 00:52:17,840 --> 00:52:20,120 Speaker 1: and watch good movies and I will talk to you 1147 00:52:20,840 --> 00:52:21,080 Speaker 1: later