WEBVTT - We Come to this Place for Magic

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<v Speaker 1>I'm dying. I'm dying of consumption by and that's that's

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<v Speaker 1>the plot of m Ridge. I feel like there's a

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<v Speaker 1>little bit of a Nicole kiss if you will, you

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<v Speaker 1>know anywhere. It's not a Nissance, She's just very present

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<v Speaker 1>culture in the moment. So when you think about that

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<v Speaker 1>classic question, who is the celebrity who, no matter what,

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<v Speaker 1>no questions asked, you will show up to any movie,

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<v Speaker 1>TV show, event, whatever they do. Who is that person?

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<v Speaker 1>A lot of people say Julia Roberts, Meryl Street. You know,

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<v Speaker 1>when I think about that question, I'm pretty sure my

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<v Speaker 1>answer is Nicole Kidman's Mulan Rouge and only Mulan Rouge

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<v Speaker 1>was one of the biggest cultural shifts of my childhood.

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<v Speaker 1>And we'll get into that and it for me, it

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<v Speaker 1>was practical Magic, yes exactly, I was gonna say. So,

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<v Speaker 1>we had huge Nicole Kiman related cultural pivot, and I

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<v Speaker 1>do think we will need to do a separate episode

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<v Speaker 1>in Practical Magic maybe, but we will be diving into

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<v Speaker 1>them today because we are talking about Nicole Kidman. We

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<v Speaker 1>are going through um and looking at not just her work,

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<v Speaker 1>but like Nicole Kidman as she shows up in pop

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<v Speaker 1>culture at large. Because this is like a virgin the

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<v Speaker 1>show where we give yesterday's pop culture today's takes. I'm Rose,

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<v Speaker 1>damn you. I'm Fran Toronto. Right now. I'm wearing a wig,

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<v Speaker 1>my undoing wig. Fran is wearing a wig. That's more

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<v Speaker 1>than do the boy erased wig. I'm gonna I'm gonna

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<v Speaker 1>do the old country mom. Actually, maybe I'll do the

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<v Speaker 1>birth wig. I've never I've never seen birth. I know

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<v Speaker 1>the basic premise of it, and I don't know that

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<v Speaker 1>I want to see it, but you know, happy for

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<v Speaker 1>the people who love it. Oh. Actually, maybe the wig

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<v Speaker 1>I'm wearing is her wig from the beginning of Stepford

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<v Speaker 1>Wives when she has the short dark hair done. Oh.

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<v Speaker 1>I like it's a very good look. I like her

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<v Speaker 1>Stepford hair. I think the classic kind of like she's

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<v Speaker 1>god any Stepford Wives. This is a great movie. We'll

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<v Speaker 1>talk about it. I'm in Los Angeles, Fran is in

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<v Speaker 1>New York. Yes, I'm in New York. I'm having what

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<v Speaker 1>feels like my seventh birthday party and the last two

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<v Speaker 1>weeks span um. I just came to these because to

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<v Speaker 1>celebrate with some friends. That is why my audio sounds

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<v Speaker 1>a little shitty today. I forgot the little wire part

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<v Speaker 1>that connects to my microphone. Very sorry to home. I

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<v Speaker 1>love you, I love your birthday. I love um celebrating

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<v Speaker 1>your birthday with you. I personally don't understand the impulse

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<v Speaker 1>to celebrate one's birthday that much. I don't even want

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<v Speaker 1>to do it once. I, as a tourist, throw my

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<v Speaker 1>own birthday party every year, if not multiple parties. Parties. Yes,

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<v Speaker 1>but I woke up this morning and I have a

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<v Speaker 1>New York bagel and so jealous. You should be jealous

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<v Speaker 1>because I mean not to trash talk l A, but

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<v Speaker 1>like the bagels, they're are just Los Angeles bagels are bullshit.

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<v Speaker 1>They're are not on par and let me tell you

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<v Speaker 1>I don't exist. I'm sorry to take here controversial opinion.

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<v Speaker 1>But like this like kind of Instagram famous like l

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<v Speaker 1>a bagel place, Courage Bagels, the one that did you

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<v Speaker 1>see the New York Times article about this place? You know,

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<v Speaker 1>I don't read newspapers. A year or two ago, like

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<v Speaker 1>the New York Times wrote a piece that was like

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<v Speaker 1>the best bagels are in Los Angeles, and now every

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<v Speaker 1>time it's not true. But now every time you walk

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<v Speaker 1>past Courage Bagels, there's like a two block long line,

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<v Speaker 1>like out the door, it's cuckoo. I went to this

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<v Speaker 1>place Rose there's no eggs on the menu. No eggs

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<v Speaker 1>for a bagel. Place that makes no sense. And then

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<v Speaker 1>they didn't how they were out of coffee and they

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<v Speaker 1>waited so long. Yes, they were out of coffee. When

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<v Speaker 1>I was like, what is that's a huge mega flop

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<v Speaker 1>And I ordered a salt bagel, who was actually very

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<v Speaker 1>excited about because it had been a minute since I

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<v Speaker 1>ordered a salt bagel and there was no salt on it.

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<v Speaker 1>Not enough. Yeah, exactly this low sodium salt bagel. Um. Anyways,

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<v Speaker 1>sorry to end rant On on bagels. No, I I

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<v Speaker 1>am in the trenches right here with you. I hate

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<v Speaker 1>that Los Angeles doesn't have good bagels. That um my

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<v Speaker 1>hinge profile. You know, one of the questions says, I'm

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<v Speaker 1>buying if um we're getting around of And my answer

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<v Speaker 1>is bagels. I am a Jewish girl from Bok or

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<v Speaker 1>a Tone. There is nothing I love more than a

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<v Speaker 1>good bagel, and I have yet to find one in

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<v Speaker 1>l A. And every time I say that to someone,

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<v Speaker 1>they're like, wait, but have you tried this place? Have

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<v Speaker 1>you tried this place? I actually hooked up with someone

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<v Speaker 1>a couple of months ago who works at a bagel

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<v Speaker 1>place and they were like, oh, but the bagels that

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<v Speaker 1>we have a really good and I was like, no,

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<v Speaker 1>they're not. And they were like, have you ever been there?

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<v Speaker 1>And I said no, but I know the the bagels

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<v Speaker 1>aren't good. And they were like, oh, I'm going to

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<v Speaker 1>bring you some and I said, please, don't, please do not.

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<v Speaker 1>You can throw that lease, do not. I used to

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<v Speaker 1>work at a bagel store. I've stopped trying. Yeah, I

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<v Speaker 1>used to work at a bagel store. And we threw

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<v Speaker 1>out garbage bags filled with bagels. Oh my god, they're

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<v Speaker 1>so good. Bagels are so good. You know what else

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<v Speaker 1>is really good? Rose? What? Um heart stopper? This show

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<v Speaker 1>on Netflix that you high key introduced me to because

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<v Speaker 1>you gave me the first edition. It was like the

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<v Speaker 1>first installation of the graphic novel series that it's based on.

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<v Speaker 1>While I had COVID and now it's a show. I

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<v Speaker 1>knew you needed something, um, you know, uh tender and

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<v Speaker 1>and nice. Let me tell you I opened. I opened

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<v Speaker 1>up that book thinking like, you know, I was gonna

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<v Speaker 1>fall asleep to it after like page fifteen, and I

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<v Speaker 1>was up until one finishing that book, it was so good.

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<v Speaker 1>And the show, which really like lift scenes from the book,

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<v Speaker 1>like panel by panel, which I really love, like it's

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<v Speaker 1>a very true adaptation, was just as well. It was

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<v Speaker 1>helmed by Alice Osman, who wrote and drew the comics.

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<v Speaker 1>No way that never happen. Yeah, Alice was the showrunner. Wow,

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<v Speaker 1>that reminds me of like the Perks of being a

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<v Speaker 1>Wallfler adaptation also by the author, and how it was

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<v Speaker 1>just like such a true perfect like it never happens

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<v Speaker 1>that way, where like the adaptation is as good or

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<v Speaker 1>embellishes what we enjoyed about the book. But like, I mean,

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<v Speaker 1>there are a lot of things I loved about Heart Stopper.

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<v Speaker 1>I'd be curious to know, like what you loved about it.

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<v Speaker 1>But like, first off, like every character that isn't one

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<v Speaker 1>of the two main characters is a lesbian, and this show,

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<v Speaker 1>like every single like even the characters that aren't lesbians

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<v Speaker 1>are lesbians, like the teachers. So it's so great that

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<v Speaker 1>they talk specifically about being lesbians. I think like for

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<v Speaker 1>some reason in TV, that has become like a naughty

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<v Speaker 1>word or like I don't know, there's this feeling from

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<v Speaker 1>jen Z that they don't want to define themselves or

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<v Speaker 1>shouldn't have to, or like you know, Harry Style saying

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<v Speaker 1>like he'll never reveal his sexuality whatever. And it's just

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<v Speaker 1>so nice to have like these girls saying they're lesbians

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<v Speaker 1>because that is really important for the young lesbians watching

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<v Speaker 1>the show exactly, and like lesbian humor really snuck through

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<v Speaker 1>over and over again, and also bisexual humor because there's

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<v Speaker 1>a by character in this show and like, I'm sure

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<v Speaker 1>this was the moment that was it for you, but

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<v Speaker 1>like kind of spoiler alert, the moment that one of

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<v Speaker 1>the main characters figures out that he's bisexual is when

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<v Speaker 1>he's watching Pirates of the Caribbean and he realizes that

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<v Speaker 1>he's attracted to both Kara Knightley and Arlando Bloom, which

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<v Speaker 1>is that's how it happened. That's how it happens. That

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<v Speaker 1>is exactly how it happened. Everyone knows that there are

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<v Speaker 1>two bisexual cultural objects in this world, and it's Pirates

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<v Speaker 1>of the Caribbean and Aladdin. And if you're attracted to

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<v Speaker 1>both of the romantic leads in those movies, that is

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<v Speaker 1>like your bisexual awakening. Um is true. Um. I also

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<v Speaker 1>just loved um L the character played by um Yasmin

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<v Speaker 1>Finney who's trans. I thought it was so great to

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<v Speaker 1>see a trans character who's like any um, any conflict

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<v Speaker 1>she had in her life was not about being trans. Um.

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<v Speaker 1>And even the way she was introduced where they said like, oh, yeah,

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<v Speaker 1>she used to go to school with us, like they

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<v Speaker 1>never they never had to like have a moment where

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<v Speaker 1>they're like, yes, her name used to be this and

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<v Speaker 1>she used to identify this way, and like it was

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<v Speaker 1>just like really, it was a really nice um. Just

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<v Speaker 1>look at what queer representation in popular culture can be

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<v Speaker 1>if it's done the right way by queer people. Yeah.

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<v Speaker 1>And like the other thing about like queer storytelling us,

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<v Speaker 1>like a lot of the stories that were used to

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<v Speaker 1>our stories were in the trans person or the queer

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<v Speaker 1>person like walks into the room and everything has to

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<v Speaker 1>come to a screeching halt to like acknowledge that's what happens. Yeah,

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<v Speaker 1>everyone's like wait, we just have to stop and say

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<v Speaker 1>that this person is trans. But like with hard stop

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<v Speaker 1>where it's like the queerness even though they are like

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<v Speaker 1>coming out um components of the plot like that, it's

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<v Speaker 1>all very effortless and the plot does not really waste time,

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<v Speaker 1>um under the umbrella of oppression, and it gets it

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<v Speaker 1>right into the drama and the love and the romance.

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<v Speaker 1>It's so good, it's very sweet. UM highly recommend. We

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<v Speaker 1>also started on our Netflix role. I'm selling Sunset this week,

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<v Speaker 1>this let this past week. UM, I just finished it

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<v Speaker 1>last night. I finished it two. What did you think?

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<v Speaker 1>What is Christine really going to leave the O group?

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<v Speaker 1>Like what I'm going on? This season has really picked up,

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<v Speaker 1>like I think the fit like it really like I

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<v Speaker 1>don't know, has been like a roller coaster for me.

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<v Speaker 1>And like I was not a passive watcher this season.

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<v Speaker 1>It was very active. Mica is so hot, so hot,

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<v Speaker 1>it's insane. I just have to pour one out for Chelsea.

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<v Speaker 1>She and her indecipherable accent. Indecipherable. She went to the

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<v Speaker 1>Dorry Kemsley School of Dialect Coaching, Mama, and I have

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<v Speaker 1>to tell you, Chelsea is such an exceptional villain. Like

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<v Speaker 1>the way she goes into a conversation and poses all

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<v Speaker 1>these other girls down, Like to me, it's just like

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<v Speaker 1>so it's like so incisively done. And I think something

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<v Speaker 1>that she does very well is be a reality TV character.

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<v Speaker 1>You know what I mean, A lot of the other

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<v Speaker 1>girls are like amazing, but you're like, you know, we're

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<v Speaker 1>real estate agents, like we're trying to do our job.

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<v Speaker 1>At Chelsea's there to like be on TV and she's

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<v Speaker 1>like so good at it. Also, I mean Roman like

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<v Speaker 1>parts of oh is it Romane? Yeah, like the lettuce

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<v Speaker 1>I think parts of earlier seasons like I didn't quite

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<v Speaker 1>like get it. I was like, okay, like I don't know.

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<v Speaker 1>I always call him like Mary's like male order bride

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<v Speaker 1>kind of moment, but like for me, like Romaine. I

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<v Speaker 1>think something about this season. I was like, maybe it's

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<v Speaker 1>because he's very like Adam Driver sized. I'm like, he's

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<v Speaker 1>really doing it for me and he's very charming and

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<v Speaker 1>like I love his conflicts with Mary are much more

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<v Speaker 1>um speaking out speaking of Adam Driver, um No, I

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<v Speaker 1>did finish Girls on Saturday. I watched all six seasons

0:11:30.440 --> 0:11:34.400
<v Speaker 1>of Girls in two weeks. That's kind of gross. It

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<v Speaker 1>is it is sick for your health. I'm also concerned

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<v Speaker 1>for my health. I mean, I'll say I've been dealing

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<v Speaker 1>with some personal issues which have led me to spend

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<v Speaker 1>hours at a time watching Girls on Atrio, Max and

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<v Speaker 1>the Girls have been there for me in the trenches.

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<v Speaker 1>The last season is so good. Um, we we talked

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<v Speaker 1>about this a lot last week. If you haven't listen

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<v Speaker 1>to Our Girls episode, please do. But yeah, I think

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<v Speaker 1>like there definitely are some bad seasons around the middle

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<v Speaker 1>that I didn't really remember much of, but the last

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<v Speaker 1>two seasons are so great, And um, I don't know,

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<v Speaker 1>I might be ready for a lenaisance Rose don't even

0:12:23.400 --> 0:12:26.280
<v Speaker 1>invoke that. I mean, we already had our lena'sans, Like,

0:12:26.679 --> 0:12:28.600
<v Speaker 1>I don't even I don't think that there's a zance

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<v Speaker 1>to be happening. Asonce is a return. Um we are

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<v Speaker 1>having you know, Jemima. Okay, Jessa is very much in

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<v Speaker 1>the culture. She's going to be in Conversations with Friends,

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<v Speaker 1>which is the next Sally Rooney adaptation, which I am

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<v Speaker 1>excited about because I like Conversations with Friends even more

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<v Speaker 1>than I liked Normal People the book. But the trailer

0:12:51.280 --> 0:12:55.600
<v Speaker 1>made it look very melodramatic in a way that Sally

0:12:55.679 --> 0:13:00.120
<v Speaker 1>Rooney's writing just isn't. Have you read any Sally Rooney. No,

0:13:00.600 --> 0:13:05.920
<v Speaker 1>that's another kind of like tragically heterosexual, Like Conversations with

0:13:05.960 --> 0:13:08.880
<v Speaker 1>Friends is queer. Yeah, you were telling and I mean

0:13:08.920 --> 0:13:11.360
<v Speaker 1>also her most recent book, My Beautiful World. Where Are You?

0:13:11.480 --> 0:13:15.079
<v Speaker 1>There's a bisexual character in it. Yeah, but trailers are marketing.

0:13:15.120 --> 0:13:17.520
<v Speaker 1>We'll see what the show is actually like. I obviously

0:13:17.520 --> 0:13:21.000
<v Speaker 1>will be watching it both for you know, the salaryny

0:13:21.000 --> 0:13:23.600
<v Speaker 1>of it all, and because I want to see if, um,

0:13:23.679 --> 0:13:28.440
<v Speaker 1>Taylor Swiss boyfriend is going to show cock. Oh my gosh,

0:13:28.520 --> 0:13:31.720
<v Speaker 1>he's in it, or at least but yeah, he's the

0:13:31.760 --> 0:13:34.240
<v Speaker 1>male lead. Yeah. I mean, this is one of those

0:13:34.280 --> 0:13:36.679
<v Speaker 1>things that you're just gonna have to let me know

0:13:36.800 --> 0:13:39.040
<v Speaker 1>because I will never read the books and I probably

0:13:39.080 --> 0:13:41.080
<v Speaker 1>won't watch the things, you know what I mean? But

0:13:41.120 --> 0:13:43.400
<v Speaker 1>I respect and I think you're missing out. I think

0:13:43.400 --> 0:13:45.679
<v Speaker 1>it would be a great beach read this summer for you.

0:13:45.800 --> 0:13:49.080
<v Speaker 1>I'm sure I'll have a gander the next time I

0:13:49.120 --> 0:13:53.000
<v Speaker 1>get the flu or something, but not not today. Um.

0:13:53.040 --> 0:13:57.080
<v Speaker 1>But speaking of Hulu, Uh, there's a new lesbian rom

0:13:57.120 --> 0:13:59.960
<v Speaker 1>com on Hulu called Crush. Have you heard about this?

0:14:00.880 --> 0:14:03.840
<v Speaker 1>I have? Um, I mean we we know several people

0:14:03.880 --> 0:14:07.120
<v Speaker 1>who were involved in it. Yes, yeah, yeah, there's quite

0:14:07.200 --> 0:14:09.439
<v Speaker 1>There was quite an amazing cast and team of writers

0:14:09.480 --> 0:14:13.200
<v Speaker 1>on this film, and it is the most adorable, like

0:14:13.360 --> 0:14:17.760
<v Speaker 1>teeny bopper kind of love triangle story I have seen

0:14:17.840 --> 0:14:21.880
<v Speaker 1>in quite some time, and also just like tragically like

0:14:22.080 --> 0:14:24.360
<v Speaker 1>one of a kind in its era, Like they're really

0:14:24.600 --> 0:14:27.440
<v Speaker 1>like a lesbian romcom that takes place in high school

0:14:27.640 --> 0:14:30.320
<v Speaker 1>should not be rare. And I think to see like

0:14:30.480 --> 0:14:33.120
<v Speaker 1>run Blenchard and the girl from Mohanna and like all

0:14:33.160 --> 0:14:36.400
<v Speaker 1>these other folks kind of come together to in it. Yes,

0:14:36.520 --> 0:14:40.720
<v Speaker 1>Molanna's in it and she's good. Oh she's she's queer.

0:14:40.800 --> 0:14:43.720
<v Speaker 1>I r L right, I believe so. Yes, and all

0:14:43.840 --> 0:14:46.800
<v Speaker 1>three of the leads are extremely hot, um, which is

0:14:46.840 --> 0:14:48.800
<v Speaker 1>maybe my one complaint. I was like, it's I was

0:14:48.880 --> 0:14:50.800
<v Speaker 1>like all three of these like they're all so hot.

0:14:50.920 --> 0:14:54.680
<v Speaker 1>Like I was like, what is even We need ugly representations,

0:14:54.760 --> 0:14:58.320
<v Speaker 1>so we need ugly representation. Um. But the jokes are

0:14:58.440 --> 0:15:02.440
<v Speaker 1>whip smart. The ending maybe a little too tidy, But

0:15:02.640 --> 0:15:06.880
<v Speaker 1>like the thing about like representation at larrangees like we

0:15:07.360 --> 0:15:10.400
<v Speaker 1>need to just be making things and like not like

0:15:10.680 --> 0:15:12.560
<v Speaker 1>tearing them apart. We say, like, this is a movie

0:15:12.640 --> 0:15:14.800
<v Speaker 1>and it was cute and I enjoyed myself and I

0:15:14.840 --> 0:15:17.480
<v Speaker 1>also had a cute date like on that at the

0:15:17.560 --> 0:15:20.000
<v Speaker 1>movie screening, and so you know that's like what these

0:15:20.040 --> 0:15:23.200
<v Speaker 1>movies are for to like take dates to. Right. Yes,

0:15:23.440 --> 0:15:25.640
<v Speaker 1>one film though that I would not have taken a

0:15:25.760 --> 0:15:28.480
<v Speaker 1>date to is The Northman. Well, actually maybe I would,

0:15:28.480 --> 0:15:33.000
<v Speaker 1>because it's that's kind of my date vibe. We today,

0:15:33.160 --> 0:15:36.520
<v Speaker 1>obviously are are larger. Conversation is about Nicole Kidman and

0:15:36.600 --> 0:15:40.080
<v Speaker 1>friend and I had planned to see The Northman together. Um,

0:15:40.240 --> 0:15:42.920
<v Speaker 1>due to scheduling, that was not possible. And I think

0:15:43.400 --> 0:15:45.840
<v Speaker 1>it's probably for the best because fran you would have

0:15:46.800 --> 0:15:49.880
<v Speaker 1>hated it, really, you would have hated it so much,

0:15:49.960 --> 0:15:52.680
<v Speaker 1>Oh my god, I mean you didn't like The Green

0:15:52.880 --> 0:16:00.640
<v Speaker 1>Night you you would have hated hated the Door. You know,

0:16:00.760 --> 0:16:07.760
<v Speaker 1>it's it's so violent and gory and it's so um

0:16:09.000 --> 0:16:13.760
<v Speaker 1>mask even though there's a lot of like there's a

0:16:14.000 --> 0:16:17.200
<v Speaker 1>there's a lot of great performances by women in it,

0:16:17.400 --> 0:16:20.600
<v Speaker 1>and like, as it turns out, the women kind of

0:16:20.720 --> 0:16:25.400
<v Speaker 1>drive the story. But it's just not it's not your tea,

0:16:25.880 --> 0:16:28.360
<v Speaker 1>you know. I feel like there's still a chance I'll

0:16:28.400 --> 0:16:30.320
<v Speaker 1>go see it on report back, But like, if you

0:16:30.360 --> 0:16:33.120
<v Speaker 1>don't want to read conversations with friends, I don't see

0:16:33.160 --> 0:16:36.600
<v Speaker 1>you watching The Northman. Look I like some like you know,

0:16:37.040 --> 0:16:41.080
<v Speaker 1>broy like sci fi, like epic stories. You know, I

0:16:41.240 --> 0:16:43.520
<v Speaker 1>thought that it was BROI it's that it was. You

0:16:43.560 --> 0:16:45.800
<v Speaker 1>said it was kind of mask so I guess yeah.

0:16:46.480 --> 0:16:49.760
<v Speaker 1>So you know, it's directed by the same director who

0:16:49.880 --> 0:16:54.920
<v Speaker 1>did The Witch or The Vich and the Lighthouse, and

0:16:55.000 --> 0:16:57.480
<v Speaker 1>in the same way that The Witch was styled as

0:16:57.520 --> 0:17:01.960
<v Speaker 1>a New England folk tale, and like The Witch truly

0:17:02.240 --> 0:17:05.960
<v Speaker 1>is like what would happen if all of the like

0:17:06.160 --> 0:17:10.040
<v Speaker 1>folk tales about witches from the time of Americans, like

0:17:10.240 --> 0:17:15.119
<v Speaker 1>colonizing and settling in um North America were true? You know,

0:17:15.240 --> 0:17:18.040
<v Speaker 1>like this very traditional tale of like a witch living

0:17:18.080 --> 0:17:20.080
<v Speaker 1>in the woods who worshiped Satan blah blah blah, and

0:17:20.160 --> 0:17:23.600
<v Speaker 1>like doing kind of like a literal interpretation of that

0:17:23.760 --> 0:17:26.960
<v Speaker 1>in a very like engaging, artful way. Um. I think

0:17:27.119 --> 0:17:34.000
<v Speaker 1>this similarly is that for this like Norse Viking tale

0:17:34.080 --> 0:17:37.440
<v Speaker 1>of revenge? And I just I don't know if that's

0:17:37.480 --> 0:17:40.840
<v Speaker 1>something you would enjoy. I could definitely see us walking

0:17:40.920 --> 0:17:43.359
<v Speaker 1>out of the theater and you're going, um, I hated that,

0:17:43.800 --> 0:17:46.119
<v Speaker 1>you know, I liked The Witch. I think to me,

0:17:46.320 --> 0:17:49.520
<v Speaker 1>it's all down to how slow the movie is. Because

0:17:49.600 --> 0:17:52.000
<v Speaker 1>the movie is really slow and a lot of exposition.

0:17:52.240 --> 0:17:54.720
<v Speaker 1>I do tend to, like, you know, to now, but

0:17:54.840 --> 0:17:57.600
<v Speaker 1>like if there's some battles and there's some incest and

0:17:57.640 --> 0:18:00.360
<v Speaker 1>there's some buelerk, like I feel like there is there

0:18:00.520 --> 0:18:05.280
<v Speaker 1>is incest, there is incest and b york be or

0:18:05.400 --> 0:18:08.400
<v Speaker 1>there should have been more buyork. Honestly, she is only

0:18:08.480 --> 0:18:12.000
<v Speaker 1>in it very briefly, and I could have used about,

0:18:12.560 --> 0:18:18.680
<v Speaker 1>you know, uh more more bork, as is the case

0:18:18.760 --> 0:18:23.639
<v Speaker 1>with anything you know. Anna Taylor Joy was fab, she

0:18:23.760 --> 0:18:28.240
<v Speaker 1>always is. Her hair was so blonde. Um, Nicole Kidman

0:18:28.720 --> 0:18:33.520
<v Speaker 1>was great. She like she's a main character. Is she

0:18:33.640 --> 0:18:38.200
<v Speaker 1>kind of a side character? She is in terms of

0:18:38.280 --> 0:18:40.680
<v Speaker 1>the screen time she gets. She is more of a

0:18:41.760 --> 0:18:47.000
<v Speaker 1>secondary character, but she is looming presence throughout the film.

0:18:47.320 --> 0:18:53.159
<v Speaker 1>It has some incredible scenes. I'm so excited. I mean,

0:18:53.359 --> 0:18:55.600
<v Speaker 1>I'm going to watch it. I think I might prove

0:18:55.680 --> 0:19:16.680
<v Speaker 1>you wrong. Okay, Um, Nicole Kidman icon legend star in

0:19:16.960 --> 0:19:22.840
<v Speaker 1>every sense of the word. Oscar Winner, Aussie and are our.

0:19:23.160 --> 0:19:24.920
<v Speaker 1>I mean not to start with this, but if that

0:19:25.080 --> 0:19:29.240
<v Speaker 1>is perhaps Nicole's one fatal flaw, it is the occasional

0:19:29.520 --> 0:19:33.720
<v Speaker 1>slipping into any when she does her therapy scenes and

0:19:33.800 --> 0:19:37.760
<v Speaker 1>big little etcetera. Her black sent work is spotty best.

0:19:38.800 --> 0:19:42.360
<v Speaker 1>But the thing is it doesn't matter because she's so magnetic.

0:19:42.440 --> 0:19:45.159
<v Speaker 1>It's kind of like, I feel like cool transcends genre,

0:19:45.320 --> 0:19:49.200
<v Speaker 1>space and time dialects. Tony Collette also, you know, sometimes

0:19:49.240 --> 0:19:51.560
<v Speaker 1>doesn't always nail the accent, but it doesn't matter. Like

0:19:51.720 --> 0:19:53.399
<v Speaker 1>there are a lot of like women who it's like,

0:19:53.480 --> 0:19:59.879
<v Speaker 1>it doesn't matter slipping because you're so good. Um, So okay,

0:20:00.080 --> 0:20:03.760
<v Speaker 1>let's start from the beginning. Is practical magic. The beginning

0:20:03.880 --> 0:20:07.520
<v Speaker 1>for your practical magic is the beginning for me in

0:20:08.200 --> 0:20:12.480
<v Speaker 1>so many ways. I would say, of like, if we're

0:20:12.600 --> 0:20:15.600
<v Speaker 1>talking about like pop cultural top tens, you know, we

0:20:15.760 --> 0:20:20.440
<v Speaker 1>talked in our Wizard of Oz episode about how returned

0:20:20.480 --> 0:20:22.280
<v Speaker 1>to Oz is one of the most formative things in

0:20:22.359 --> 0:20:25.440
<v Speaker 1>my life. Practical magic is like one of those ten

0:20:25.560 --> 0:20:28.600
<v Speaker 1>things as well. It is definitely the thing I mean,

0:20:28.680 --> 0:20:33.040
<v Speaker 1>I'm sure Wizard of Oz and the related content I

0:20:33.119 --> 0:20:34.960
<v Speaker 1>think are the first things in my life that made

0:20:35.000 --> 0:20:38.399
<v Speaker 1>me obsessed with witches. And I think practical magic was

0:20:38.480 --> 0:20:42.040
<v Speaker 1>like the gateway into a kind of like um modern

0:20:42.119 --> 0:20:46.679
<v Speaker 1>contemporary like sexy nineties, which and I think practical magic

0:20:46.840 --> 0:20:48.879
<v Speaker 1>is like much more of the like aesthetic that I

0:20:49.040 --> 0:20:51.600
<v Speaker 1>was drawn to, you know, the like the shelf of

0:20:51.720 --> 0:20:55.560
<v Speaker 1>the like the like coastal Grandma vibes, the like cottage

0:20:55.600 --> 0:20:59.679
<v Speaker 1>core vibes of like the house. And the extensions. Oh

0:21:00.000 --> 0:21:02.080
<v Speaker 1>my god, there have never been more extensions in a

0:21:02.160 --> 0:21:05.600
<v Speaker 1>film than there are in Practical Magic. Actually, it's really

0:21:05.880 --> 0:21:08.160
<v Speaker 1>you would think with all of the wigs and all

0:21:08.240 --> 0:21:11.159
<v Speaker 1>of the hair that Nicole has worn, but it really is.

0:21:11.359 --> 0:21:13.040
<v Speaker 1>I was alarmed by the amount of hair and that

0:21:13.119 --> 0:21:15.480
<v Speaker 1>was it must have been so heavy and practice. This

0:21:15.640 --> 0:21:19.119
<v Speaker 1>is an episode, truly, everyone, This is episode about wigs, truly,

0:21:19.200 --> 0:21:21.560
<v Speaker 1>and you and I are probably gonna do a separate

0:21:21.600 --> 0:21:24.840
<v Speaker 1>episode on Practical Magic, but it's worth mentioning that you

0:21:25.000 --> 0:21:27.359
<v Speaker 1>did induct me into that movie. That was a true,

0:21:27.400 --> 0:21:29.239
<v Speaker 1>true to the conceit of the show. I had never

0:21:29.280 --> 0:21:30.600
<v Speaker 1>seen it before and you were like, you need to

0:21:30.600 --> 0:21:35.919
<v Speaker 1>see Practical Magic. Yeah, we on Halloween twenty twenty watched

0:21:36.400 --> 0:21:39.720
<v Speaker 1>Practical Magic in your old apartment in West Hollywood. And

0:21:39.840 --> 0:21:43.440
<v Speaker 1>so your Practical Magic was my Mulin rouge, another Nicole

0:21:43.560 --> 0:21:47.080
<v Speaker 1>kidman you know, vehicle, and um for me, it was

0:21:47.200 --> 0:21:50.760
<v Speaker 1>based in a very specific moment in my life where um,

0:21:50.880 --> 0:21:54.120
<v Speaker 1>I was kind of coming out of my like Bible

0:21:54.280 --> 0:21:57.879
<v Speaker 1>closet and starting to make friends. That weren't Christians and

0:21:58.000 --> 0:22:00.959
<v Speaker 1>weren't from youth group. And one of my friends had

0:22:01.000 --> 0:22:04.480
<v Speaker 1>a next door neighbor that was like a a profuse

0:22:04.680 --> 0:22:08.000
<v Speaker 1>atheist at the age of seventh grade, and that was

0:22:08.119 --> 0:22:11.160
<v Speaker 1>like so terrifying to me, as like a little Christian baby.

0:22:11.560 --> 0:22:14.520
<v Speaker 1>And yet I was so drawn to like this the badness,

0:22:14.640 --> 0:22:16.840
<v Speaker 1>you know, so drawn to like someone who I feel

0:22:16.840 --> 0:22:19.040
<v Speaker 1>like everyone has kind of like a bad girl figure

0:22:19.080 --> 0:22:21.520
<v Speaker 1>in their childhood that like, you know, broke them open

0:22:21.560 --> 0:22:23.760
<v Speaker 1>in a little way. And for me, this girl, Melt

0:22:24.040 --> 0:22:27.320
<v Speaker 1>was it. And Melt a slut name. It is a

0:22:27.400 --> 0:22:30.399
<v Speaker 1>slut name, and she was a by atheist slut. Oh

0:22:30.480 --> 0:22:33.639
<v Speaker 1>my god, I love her. Yes, and I'm also atheist.

0:22:33.880 --> 0:22:36.680
<v Speaker 1>Yes you are. Yes, how do y'all find me? I

0:22:36.760 --> 0:22:41.800
<v Speaker 1>don't know? Um and you have some kind of pheromones. Yeah,

0:22:42.040 --> 0:22:43.920
<v Speaker 1>and so she so we would like play around the

0:22:43.960 --> 0:22:45.560
<v Speaker 1>cold de sect. We would also like play truth or

0:22:45.680 --> 0:22:49.040
<v Speaker 1>air like, yeah, culd a sector slutty. I'm pretty sure that,

0:22:49.160 --> 0:22:51.440
<v Speaker 1>like Mel was one of my first is like a

0:22:51.520 --> 0:22:54.840
<v Speaker 1>whole we would do like you would like sexually explore,

0:22:54.960 --> 0:22:57.040
<v Speaker 1>like us seventh graders together. So she was kind of

0:22:57.119 --> 0:23:00.200
<v Speaker 1>corrupting us in truth or dairy ways, like it was

0:23:00.240 --> 0:23:02.440
<v Speaker 1>like a whole mess. But like mel was not only

0:23:02.520 --> 0:23:04.560
<v Speaker 1>the person to show me rent, which was another thing

0:23:04.600 --> 0:23:06.200
<v Speaker 1>that we've talked about on the show about as a

0:23:06.240 --> 0:23:10.480
<v Speaker 1>thing that broke me open. We'll we won't, we will

0:23:10.880 --> 0:23:13.119
<v Speaker 1>um and but that was like a secular awakening. But

0:23:13.240 --> 0:23:16.800
<v Speaker 1>Mulan Rouge was it. And I think for me it

0:23:16.920 --> 0:23:22.360
<v Speaker 1>combined things that I'm attracted to now in terms of fabulouism, fantasy,

0:23:22.560 --> 0:23:25.080
<v Speaker 1>the kind of over the topness of bas Lermans, like

0:23:25.200 --> 0:23:29.399
<v Speaker 1>kind of aesthetic lent it to the extremely gay appeal

0:23:29.520 --> 0:23:32.280
<v Speaker 1>of that movie. And they I think that on top

0:23:32.359 --> 0:23:35.639
<v Speaker 1>of queerness in the movie, on top of um, a

0:23:35.720 --> 0:23:37.560
<v Speaker 1>lot of sex in the movie, on top of like

0:23:37.680 --> 0:23:40.639
<v Speaker 1>you know, drugs, drinking, like all these different stuff and

0:23:40.760 --> 0:23:43.480
<v Speaker 1>like hooker and the romance. Yeah, and it's like all

0:23:43.560 --> 0:23:47.600
<v Speaker 1>of that is it is like a mainstream movie musical

0:23:47.720 --> 0:23:51.920
<v Speaker 1>about sex workers. Yes, And I think that that was

0:23:52.200 --> 0:23:57.400
<v Speaker 1>like just imagine any consumption, seventh g D consumption, yes,

0:23:57.520 --> 0:23:59.639
<v Speaker 1>and seventh grade friend. Like the shows I watched with

0:23:59.720 --> 0:24:02.639
<v Speaker 1>my family are like Little House on the Prairie and

0:24:02.760 --> 0:24:05.800
<v Speaker 1>then Melbanne Yes, and then amel being like, well, have

0:24:06.000 --> 0:24:10.639
<v Speaker 1>you seen Mulan Rouge. So I will remember watching this

0:24:10.800 --> 0:24:14.800
<v Speaker 1>movie and being like feeling kind of scared. Literally, like

0:24:14.960 --> 0:24:17.200
<v Speaker 1>that's my experience of watching the film. But in terms

0:24:17.240 --> 0:24:22.320
<v Speaker 1>of Nicole in this like she had taken two voice

0:24:22.400 --> 0:24:26.480
<v Speaker 1>lessons before this movie and a famously, I mean the

0:24:26.600 --> 0:24:31.280
<v Speaker 1>moment that she gets lowered from the ceiling, my something shifted.

0:24:31.520 --> 0:24:34.480
<v Speaker 1>My world was forever altered. Oh, we also have to

0:24:34.560 --> 0:24:39.160
<v Speaker 1>say Nicole Kidman is redhead culture culture. Um, I would

0:24:39.240 --> 0:24:42.720
<v Speaker 1>say that of the times that I have dyed my

0:24:42.840 --> 0:24:48.520
<v Speaker 1>hair red have been directly inspired by Nicole Kidman. Like

0:24:48.840 --> 0:24:52.200
<v Speaker 1>it's either it's October and I'm watching Practical Magic and

0:24:52.520 --> 0:24:55.520
<v Speaker 1>I am calling my stylist or running to Target to

0:24:55.520 --> 0:24:58.879
<v Speaker 1>get a box die, or like I'm watching Mulan Rouge

0:24:59.119 --> 0:25:01.520
<v Speaker 1>or you know, thing back in the days when Nicole

0:25:02.320 --> 0:25:04.800
<v Speaker 1>was a redhead, because you know, we are now living

0:25:04.800 --> 0:25:08.320
<v Speaker 1>in Nicole's blonde era. And I think Mulan Rouge specifically

0:25:08.600 --> 0:25:11.119
<v Speaker 1>was a movie that set the tone for what the

0:25:11.280 --> 0:25:14.760
<v Speaker 1>rest of Nicole's career would be because obviously that wasn't

0:25:14.800 --> 0:25:17.440
<v Speaker 1>her breakout role by any means, but it was a

0:25:17.600 --> 0:25:20.640
<v Speaker 1>role that put her on the map. And I think

0:25:20.720 --> 0:25:22.720
<v Speaker 1>she was nominated. I think it was when she became

0:25:22.760 --> 0:25:27.320
<v Speaker 1>a movie star. Because the Nicole was nominated for Best

0:25:27.359 --> 0:25:30.080
<v Speaker 1>Actress of the Oscars in two thousand two. She did

0:25:30.160 --> 0:25:32.920
<v Speaker 1>not win, but I would say that that was the

0:25:33.160 --> 0:25:37.600
<v Speaker 1>film that catapulted her to a list superstardom. She had

0:25:37.640 --> 0:25:40.119
<v Speaker 1>already been swirling in that space. But I think up

0:25:40.200 --> 0:25:43.800
<v Speaker 1>until then it was largely because of her proximity to

0:25:43.920 --> 0:25:48.640
<v Speaker 1>Tom Cruise. And I do think that this transition into

0:25:48.760 --> 0:25:52.000
<v Speaker 1>her being an a List actress kind of was the

0:25:52.280 --> 0:25:55.240
<v Speaker 1>end of their marriage. Um oh, I didn't know that.

0:25:55.320 --> 0:25:59.520
<v Speaker 1>I think I think he did kind of resent her stardom,

0:26:00.280 --> 0:26:05.760
<v Speaker 1>like starting to be level with or even eclipse his

0:26:07.440 --> 0:26:10.920
<v Speaker 1>um and we all know that Tom Cruise is like

0:26:11.000 --> 0:26:15.920
<v Speaker 1>a deeply insecure scientologist. Yes, and we oh, and Nicole's okay.

0:26:15.960 --> 0:26:19.160
<v Speaker 1>So she was nominated for mulan Rugi in two thousand one,

0:26:19.720 --> 0:26:22.680
<v Speaker 1>lost to Halle Berry who won for Monster's Ball, but

0:26:22.880 --> 0:26:27.200
<v Speaker 1>she won the next year for The Hours. Wow, Okay,

0:26:27.240 --> 0:26:29.119
<v Speaker 1>that'sund surprising to me. And that was the beginning of

0:26:29.160 --> 0:26:31.480
<v Speaker 1>her which I and I actually think that it should

0:26:31.520 --> 0:26:36.159
<v Speaker 1>have been swapped because she should have won for mulan

0:26:36.240 --> 0:26:39.920
<v Speaker 1>Rugi in two thousand one and then Renee's Alwigger should

0:26:39.920 --> 0:26:42.439
<v Speaker 1>have won for Chicago the next year. All the thing is, well,

0:26:42.480 --> 0:26:44.879
<v Speaker 1>the thing is, I mean we needed that. How I

0:26:44.920 --> 0:26:49.280
<v Speaker 1>think the halle Berry win is so Academy Academy iconography. Well,

0:26:49.320 --> 0:26:51.080
<v Speaker 1>I mean she was the first black woman to win

0:26:51.240 --> 0:26:55.720
<v Speaker 1>Best Actress in addition to being that is horrible. I

0:26:55.840 --> 0:26:58.280
<v Speaker 1>actually have never seen it. But but also, like the

0:26:58.359 --> 0:27:01.560
<v Speaker 1>thing about oscars is is it's about the speeches. It's

0:27:01.600 --> 0:27:04.080
<v Speaker 1>not about the awards. It's about the speeches. And Hallie's

0:27:04.160 --> 0:27:07.480
<v Speaker 1>speech is the reason that the orchestra plays you off.

0:27:07.600 --> 0:27:10.440
<v Speaker 1>Now did you know that? Because how Hallie's speech was

0:27:10.640 --> 0:27:13.159
<v Speaker 1>so so long that I think that it went like

0:27:13.280 --> 0:27:14.840
<v Speaker 1>way over time and they have to you know, they're

0:27:14.880 --> 0:27:17.560
<v Speaker 1>they're charged on all these fees or whatever, and that

0:27:18.040 --> 0:27:20.840
<v Speaker 1>the Academy I think the next year created a rule

0:27:20.960 --> 0:27:23.520
<v Speaker 1>around speech times. And now the orchestra plays you off

0:27:23.560 --> 0:27:26.280
<v Speaker 1>because of Hallie, which I think is iconic. Um Okay,

0:27:26.480 --> 0:27:30.280
<v Speaker 1>So Mulin Rouge was huge. The hours for me, I

0:27:30.440 --> 0:27:34.399
<v Speaker 1>think really hit my like collegiate like nerd points, you

0:27:34.440 --> 0:27:38.600
<v Speaker 1>know all of them. It's very it's it's a very quintessential.

0:27:39.440 --> 0:27:44.280
<v Speaker 1>Like I would say, especially gay men are obsessed with

0:27:44.400 --> 0:27:48.320
<v Speaker 1>the Hours, and not just gay men literary like kind

0:27:48.359 --> 0:27:52.520
<v Speaker 1>of Brooklyn esque gay fags, especially ones who were into theater. Yeah,

0:27:52.560 --> 0:27:56.399
<v Speaker 1>and ones that read like a little life ye god

0:28:00.080 --> 0:28:03.080
<v Speaker 1>um yeah, But I mean, I what do you remember

0:28:03.119 --> 0:28:05.240
<v Speaker 1>about the Hours, Like when you first watched Nicole's No

0:28:05.720 --> 0:28:10.240
<v Speaker 1>obviously Nicole's Meryl carrying the flowers Nicole iconic style. I

0:28:10.280 --> 0:28:13.080
<v Speaker 1>bought the flowers herself, Yeah, Nicole walking into the river

0:28:13.160 --> 0:28:15.720
<v Speaker 1>with stones in her pocket. Yeah, I don't. I don't

0:28:15.760 --> 0:28:17.920
<v Speaker 1>remember much about the Hours. I think it's more of

0:28:18.000 --> 0:28:22.160
<v Speaker 1>like a mood piece for me. I remember love Virginia Wolf,

0:28:22.200 --> 0:28:24.080
<v Speaker 1>though I was going to say I was really at

0:28:24.119 --> 0:28:27.960
<v Speaker 1>the at the time, or maybe honestly because of the Hours.

0:28:28.480 --> 0:28:32.080
<v Speaker 1>I remember becoming really obsessed with Virginia Wolf when I

0:28:32.200 --> 0:28:36.639
<v Speaker 1>was in the UK for abroad, and I remember reading

0:28:36.800 --> 0:28:40.440
<v Speaker 1>Virginia wolves like diaries, which I do not recommend their

0:28:40.760 --> 0:28:44.760
<v Speaker 1>dark the dark Dark. I do recommend her poetry though, yes,

0:28:45.000 --> 0:28:47.960
<v Speaker 1>you collected poems of Virginia Wolf's great stunning. But I

0:28:48.080 --> 0:28:52.360
<v Speaker 1>remember like walking around London with like Virginia Wolf slash

0:28:52.480 --> 0:28:56.080
<v Speaker 1>Nicole Kidman's voice in my head, like thinking, because you

0:28:56.160 --> 0:28:59.800
<v Speaker 1>don't picture Virginia picture Nicole, and I think, honestly that

0:29:00.120 --> 0:29:03.840
<v Speaker 1>is the mark of a of a very stunning biopic,

0:29:04.280 --> 0:29:06.640
<v Speaker 1>kind of like lavin anal, where it's like I no

0:29:06.800 --> 0:29:10.920
<v Speaker 1>longer think about the original, the actual person, I think

0:29:10.920 --> 0:29:13.560
<v Speaker 1>about how iconic this portrayal was, and you know what,

0:29:13.640 --> 0:29:17.320
<v Speaker 1>I actually think, it's like, I'm glad that the that

0:29:17.480 --> 0:29:21.920
<v Speaker 1>the like cultural portrayal we have a Virginia Wolf is

0:29:22.040 --> 0:29:25.000
<v Speaker 1>not a biopic that's just about Virginia Wolf, because that

0:29:25.040 --> 0:29:28.800
<v Speaker 1>would be like too much of a bummer, And it's

0:29:28.920 --> 0:29:32.440
<v Speaker 1>good that it's in this story that is about a

0:29:32.600 --> 0:29:36.400
<v Speaker 1>couple of different women, so you're not like overwhelmed by

0:29:36.640 --> 0:29:39.520
<v Speaker 1>the depression that was Virginia Wolf's life. Have you ever

0:29:39.600 --> 0:29:43.440
<v Speaker 1>read Orlando? Um? No, I haven't, but it's very trans

0:29:43.800 --> 0:29:45.960
<v Speaker 1>It's very trans and I've I've read it, but I've

0:29:46.040 --> 0:29:49.000
<v Speaker 1>never seen the movie starting Untilda Swinton and like, maybe

0:29:49.040 --> 0:29:51.560
<v Speaker 1>we should watch that. I've heard it's not bad. I know,

0:29:51.640 --> 0:29:54.520
<v Speaker 1>I've heard it's it's supposed to be incredible. I'm not

0:29:54.640 --> 0:29:56.719
<v Speaker 1>really as much of a till to stand as as

0:29:56.800 --> 0:30:01.160
<v Speaker 1>other people. I'm a I'm a Tiltonista all denista, but

0:30:01.280 --> 0:30:03.600
<v Speaker 1>you know what is it actually when I I like

0:30:03.920 --> 0:30:06.960
<v Speaker 1>you know when we looked over when you when I say, like,

0:30:07.120 --> 0:30:09.920
<v Speaker 1>you know, uh, Mulan Rouge was the beginning of a

0:30:10.000 --> 0:30:13.720
<v Speaker 1>type of woman that Nicole would play. It really is

0:30:14.320 --> 0:30:22.360
<v Speaker 1>depressed women like depressed, but sexy, depressed, sexy, introspective because

0:30:22.400 --> 0:30:25.600
<v Speaker 1>even negretive, even in practical magic, that's her type. Yes,

0:30:25.760 --> 0:30:28.000
<v Speaker 1>she is the you know, she is a victim of

0:30:28.120 --> 0:30:32.600
<v Speaker 1>domestic abuse um and sexual violence who you know murders

0:30:32.920 --> 0:30:36.200
<v Speaker 1>her boyfriend. Um. But she's still like the sex pot. Yeah,

0:30:36.320 --> 0:30:38.160
<v Speaker 1>she's a sex pot. And I think that I think

0:30:38.200 --> 0:30:41.120
<v Speaker 1>that Nicole kicks the redhead thing. Yes it is. It

0:30:41.280 --> 0:30:44.280
<v Speaker 1>is absolutely the red head archetype. It's also her voice

0:30:44.560 --> 0:30:47.360
<v Speaker 1>is a replicable like she she really I think she

0:30:47.520 --> 0:30:51.000
<v Speaker 1>hang onto her husband's girls and I think she has

0:30:51.480 --> 0:30:53.560
<v Speaker 1>I think she when she reads a script because she

0:30:53.720 --> 0:30:57.280
<v Speaker 1>really is a sinophile like and when she reads a script. No,

0:30:57.440 --> 0:31:06.080
<v Speaker 1>I've seen the mc nicole Nicole get mentioned like teacher

0:31:06.200 --> 0:31:09.640
<v Speaker 1>film studies. I would love that. But when when you

0:31:09.800 --> 0:31:12.080
<v Speaker 1>when she reads a script, you can tell that she's

0:31:12.120 --> 0:31:15.280
<v Speaker 1>attracted to a certain kind of woman that's holding onto

0:31:15.320 --> 0:31:19.280
<v Speaker 1>something feels good, feels good in a place like this.

0:31:19.440 --> 0:31:24.280
<v Speaker 1>The script that she wrote, she wrote the script, she directed,

0:31:24.840 --> 0:31:28.160
<v Speaker 1>she produced. She was the big boy, she was the

0:31:28.240 --> 0:31:33.560
<v Speaker 1>grip um. Anyways, Uh, Stepford Wives, Oh my god that

0:31:34.440 --> 0:31:38.520
<v Speaker 1>I love Stepford Wives. It's like not a great movie,

0:31:39.680 --> 0:31:41.720
<v Speaker 1>but I think it performed. I think at the time

0:31:41.920 --> 0:31:46.280
<v Speaker 1>it was critically a lambastad because it's very different from

0:31:46.320 --> 0:31:49.960
<v Speaker 1>the source material. It was directed by Frank Oz who

0:31:50.920 --> 0:31:54.160
<v Speaker 1>he was like the muppets. He did all the voices

0:31:54.400 --> 0:31:56.640
<v Speaker 1>of a lot of them. He did the voice of Yoda.

0:31:56.760 --> 0:32:02.760
<v Speaker 1>I believe um end the end and like the original

0:32:03.240 --> 0:32:06.360
<v Speaker 1>short story that The Stafford Wives that is based off

0:32:06.440 --> 0:32:09.640
<v Speaker 1>of is very much like a thriller horror. It has

0:32:09.680 --> 0:32:13.480
<v Speaker 1>a very bleak ending, and the Stafford Wives remake is

0:32:14.440 --> 0:32:16.800
<v Speaker 1>not to that at all. And it's a comedy. It's

0:32:16.800 --> 0:32:20.680
<v Speaker 1>an amazing remake. It's amazing. It's so fun, and I

0:32:20.760 --> 0:32:23.360
<v Speaker 1>think it is. I don't know that I would call

0:32:23.400 --> 0:32:26.320
<v Speaker 1>it like a cult classic because I don't think it's

0:32:26.360 --> 0:32:29.280
<v Speaker 1>been like reclaimed or like is beloved in a different

0:32:29.320 --> 0:32:32.600
<v Speaker 1>way than how it was initially received. But I really

0:32:32.720 --> 0:32:35.000
<v Speaker 1>liked it when it came out. I think it's super fun.

0:32:35.160 --> 0:32:39.960
<v Speaker 1>Nicole Kidman's performance in it as like the executive who

0:32:40.120 --> 0:32:42.720
<v Speaker 1>has like a mental breakdown the two different cells. The

0:32:42.760 --> 0:32:46.320
<v Speaker 1>two different cells is I think really good and like

0:32:46.640 --> 0:32:50.960
<v Speaker 1>Bet Midler is so great close is so good. In

0:32:51.040 --> 0:32:56.040
<v Speaker 1>it is Tony Christopher Walkin. There's another woman in the movie.

0:32:56.120 --> 0:33:00.880
<v Speaker 1>I can it's Bett Midler, the guy fay Faye. Oh yeah.

0:33:01.000 --> 0:33:06.400
<v Speaker 1>Faith Hill is one of the steps. Okay, that's crazy, um,

0:33:06.600 --> 0:33:09.280
<v Speaker 1>but yeah, that's the other thing. Is like Faith Hill

0:33:09.360 --> 0:33:13.080
<v Speaker 1>who is part of Nicole Kidman Cannon because her song

0:33:13.280 --> 0:33:16.960
<v Speaker 1>this Kiss is prominently featured in Practical Magic. It is

0:33:17.480 --> 0:33:20.040
<v Speaker 1>the soundtracks lab the soundtrack and Prattrack Magic is one

0:33:20.040 --> 0:33:22.440
<v Speaker 1>of the best soundtracks ever created. But her song um

0:33:22.560 --> 0:33:26.320
<v Speaker 1>this kiss or maybe it's just kiss um is in

0:33:26.400 --> 0:33:30.720
<v Speaker 1>the scene where Sally like is spell abound to meeting

0:33:30.800 --> 0:33:33.040
<v Speaker 1>her husband who dies. Yeah, and you know it's so

0:33:33.200 --> 0:33:35.200
<v Speaker 1>crazy now because you and I like jotted down like

0:33:35.360 --> 0:33:37.640
<v Speaker 1>some some of Nicole Kiman's things that we wanted to

0:33:37.640 --> 0:33:41.400
<v Speaker 1>talk about and like down the line between Practical Magic

0:33:41.520 --> 0:33:45.320
<v Speaker 1>the hours of Stepford Wives, like the Big Guils boy erased.

0:33:45.880 --> 0:33:49.400
<v Speaker 1>It's like all these like dark these like dark dark

0:33:49.640 --> 0:33:52.640
<v Speaker 1>dark kind of like women. And I think that Stepford

0:33:52.680 --> 0:33:55.800
<v Speaker 1>Wives is the kind of cartoonishness that comes out of

0:33:55.880 --> 0:33:58.880
<v Speaker 1>that is something that Nicole Kidman still loves to do.

0:33:59.520 --> 0:34:01.920
<v Speaker 1>And I think the um when I think about when

0:34:02.000 --> 0:34:07.760
<v Speaker 1>she's kind of having fun in something like maybe, I

0:34:07.800 --> 0:34:12.600
<v Speaker 1>don't know nine. Did you watch nine? Never seen nine? Really? Yeah,

0:34:12.960 --> 0:34:19.279
<v Speaker 1>you've never seen Fergie? Do? Do you know? Do you know?

0:34:19.560 --> 0:34:22.680
<v Speaker 1>Like what? Okay, so yeah, I know that, Yes I do.

0:34:22.880 --> 0:34:25.440
<v Speaker 1>She's like an old Italian whore. She's an old Italian

0:34:25.480 --> 0:34:28.080
<v Speaker 1>hooker that I guess has sex with like a like

0:34:28.160 --> 0:34:32.640
<v Speaker 1>a nine year old with a young Fellini, a young Felini. Yeah,

0:34:32.680 --> 0:34:34.600
<v Speaker 1>I mean I actually don't. I didn't really see the

0:34:34.640 --> 0:34:37.719
<v Speaker 1>movies about Felini. Yeah. Wow, that actually that isn't that

0:34:37.920 --> 0:34:42.080
<v Speaker 1>is all a listers that movie, Kate Hudson, Kate Hudson,

0:34:42.239 --> 0:34:45.279
<v Speaker 1>Nicole Kinman, Penelope Cruise. Maybe I should watch it. It's

0:34:45.640 --> 0:34:49.799
<v Speaker 1>it's a notoriously terrible film, Okay, but we should watch

0:34:49.800 --> 0:34:53.240
<v Speaker 1>because it's because it's part of the like post post

0:34:53.320 --> 0:34:56.320
<v Speaker 1>Mulan Rouge and Chicago like it was trying to be

0:34:56.920 --> 0:34:59.600
<v Speaker 1>of movie musicals that happened for a couple of years

0:34:59.760 --> 0:35:02.920
<v Speaker 1>and that like we're still kind of trying to make

0:35:03.000 --> 0:35:06.000
<v Speaker 1>happen and it's still really not working and Nicole Kidman

0:35:06.040 --> 0:35:07.239
<v Speaker 1>has been in a few of let Me Tell You

0:35:07.360 --> 0:35:11.400
<v Speaker 1>It was post Happy for You, another Nicole vehicle, and

0:35:11.480 --> 0:35:14.719
<v Speaker 1>another movie where she sings never seen Happy Feet. She

0:35:14.920 --> 0:35:19.799
<v Speaker 1>sings good. She has a great voice. I loved her

0:35:19.840 --> 0:35:22.719
<v Speaker 1>in the prom I loved give It some sas. I

0:35:22.880 --> 0:35:28.719
<v Speaker 1>loved her in the undoing opening credits. My God, who

0:35:28.800 --> 0:35:31.279
<v Speaker 1>made her do that? She I don't think anyone made

0:35:31.280 --> 0:35:33.200
<v Speaker 1>her do that. I think she said, you know, you

0:35:33.320 --> 0:35:40.320
<v Speaker 1>know what we would be great? She said, R and R.

0:35:40.480 --> 0:35:42.839
<v Speaker 1>We don't have We don't have a theme song yet.

0:35:43.200 --> 0:35:44.719
<v Speaker 1>You know what? You know? Its song I love? Is

0:35:44.760 --> 0:35:46.880
<v Speaker 1>that one song you ever heard? That cop and this

0:35:46.960 --> 0:35:51.680
<v Speaker 1>song is your favorite song? Insane Karen saying that she

0:35:51.880 --> 0:35:54.799
<v Speaker 1>sings that theme song and you the thing. The reason

0:35:54.840 --> 0:35:58.440
<v Speaker 1>it's insane is because there's a suspended tension in that

0:35:58.880 --> 0:36:01.400
<v Speaker 1>show that is I think really well done, even though

0:36:01.440 --> 0:36:04.600
<v Speaker 1>the show is not, has a terrible ending that you

0:36:04.760 --> 0:36:07.000
<v Speaker 1>think is going to pay off and have something to

0:36:07.200 --> 0:36:10.560
<v Speaker 1>do with the credits. You're you when you watch the

0:36:10.600 --> 0:36:13.840
<v Speaker 1>opening credits, you're like, this is so so Arendom that

0:36:13.960 --> 0:36:17.080
<v Speaker 1>you're like, this has to have some sort of meaning

0:36:17.280 --> 0:36:20.240
<v Speaker 1>at the end of the show, and at no point

0:36:20.840 --> 0:36:27.840
<v Speaker 1>does it ever know nothing, there's there's absolutely there's absolutely

0:36:28.560 --> 0:36:32.879
<v Speaker 1>zero reason for the thing the for Nicle getting into

0:36:32.880 --> 0:36:35.600
<v Speaker 1>saying dream a little dream of me. It makes no

0:36:35.920 --> 0:36:40.400
<v Speaker 1>sense whatsoever away from them because I know I'm being hysterical,

0:36:40.800 --> 0:36:43.759
<v Speaker 1>but there's no reason for it to happen. And like,

0:36:44.120 --> 0:36:46.920
<v Speaker 1>just like much of what's in that show, there's like

0:36:47.080 --> 0:36:51.480
<v Speaker 1>the weird like lesbian kiss in the first episode. Yeah,

0:36:51.800 --> 0:36:54.240
<v Speaker 1>Phoebe is losing it in the booth because that lesbian

0:36:54.320 --> 0:36:56.319
<v Speaker 1>kiss was like I wouldn't want to say gay baby

0:36:56.320 --> 0:36:59.520
<v Speaker 1>because everyone calls everything gay baby, but I feel like

0:36:59.840 --> 0:37:02.680
<v Speaker 1>the what did I have to do with anything? Um? Anyway,

0:37:02.760 --> 0:37:04.120
<v Speaker 1>but it was it was I think it was more

0:37:04.239 --> 0:37:06.279
<v Speaker 1>a red herring. I think it was very intentionally a

0:37:06.360 --> 0:37:09.680
<v Speaker 1>red herring and not gay baiting. Just red Yeah, yeah,

0:37:09.960 --> 0:37:12.960
<v Speaker 1>exactly of Swedish fish. But um, it's it. But I

0:37:13.080 --> 0:37:17.360
<v Speaker 1>think actually Nicole Kidman singing the credits is emblematic of

0:37:17.520 --> 0:37:20.600
<v Speaker 1>this thing that she does, which is like a choice,

0:37:21.239 --> 0:37:23.719
<v Speaker 1>a choice. She makes a lot of choices. It's like

0:37:23.960 --> 0:37:27.040
<v Speaker 1>I'm gonna be in this AMC commercial, I'm going to

0:37:27.160 --> 0:37:30.560
<v Speaker 1>be in Happy Feed, I'm going to do this like

0:37:30.719 --> 0:37:35.120
<v Speaker 1>kind of whack Adoodle glad real character in Nine Perfect Strangers.

0:37:35.320 --> 0:37:38.360
<v Speaker 1>I'm going to be Alexander scars Guard's mom and the

0:37:38.480 --> 0:37:41.800
<v Speaker 1>Northman after I played as a wife in Big Little Eyes.

0:37:42.160 --> 0:37:45.440
<v Speaker 1>I mean, okay, which is kind of hot. It is hot,

0:37:45.520 --> 0:37:49.440
<v Speaker 1>it is hot. And let me tell you her mom, mommy, mommy,

0:37:49.520 --> 0:37:51.400
<v Speaker 1>I haven't seen Aquaman. You said she has a good

0:37:51.480 --> 0:37:55.920
<v Speaker 1>fight for she does for the coin. I mean the

0:37:55.960 --> 0:37:57.640
<v Speaker 1>same thing that's happy feed. It's like you did that

0:37:57.719 --> 0:37:59.719
<v Speaker 1>for the coin. I also wonder if some of it

0:37:59.840 --> 0:38:05.520
<v Speaker 1>is about her legacy and like, you know, she's making

0:38:05.680 --> 0:38:09.480
<v Speaker 1>movies in every quadrant, you know, in the way that

0:38:09.600 --> 0:38:12.600
<v Speaker 1>we think about film, like for she's making movies for

0:38:12.760 --> 0:38:17.000
<v Speaker 1>every kind of audience. She wants to be a star forever,

0:38:17.320 --> 0:38:20.239
<v Speaker 1>not even wants to be She is the quintessential star

0:38:20.520 --> 0:38:25.360
<v Speaker 1>and the quintessential actress, like both. I think, like in

0:38:25.440 --> 0:38:29.279
<v Speaker 1>the pantheon of people like really it's the big Little

0:38:29.320 --> 0:38:32.880
<v Speaker 1>Lies girlies like Nicole Kidman is Meryl level. Yeah, she

0:38:33.000 --> 0:38:35.920
<v Speaker 1>has Merrill level, and I think you know, um, she

0:38:36.200 --> 0:38:39.120
<v Speaker 1>and her team take pride in her range. You know,

0:38:39.920 --> 0:38:43.120
<v Speaker 1>even if she is playing a lot of the same women,

0:38:43.400 --> 0:38:46.080
<v Speaker 1>it's still the the rain and that is not to

0:38:46.160 --> 0:38:48.040
<v Speaker 1>say she doesn't get it wrong. Sometimes she's been in

0:38:48.120 --> 0:38:53.160
<v Speaker 1>some big mega flop Doudocacas, What Bewitched, the Bewitched Dream,

0:38:54.239 --> 0:38:58.600
<v Speaker 1>But she started with Will Ferrell, which I did used

0:38:58.600 --> 0:39:00.640
<v Speaker 1>to own on DVD and I would watch a lot

0:39:00.880 --> 0:39:16.439
<v Speaker 1>and christ and China was in it too. What we're

0:39:16.440 --> 0:39:18.600
<v Speaker 1>talking about right now is the kid Massans, you know,

0:39:20.000 --> 0:39:23.040
<v Speaker 1>isn't an, but like she did kind of go away

0:39:23.120 --> 0:39:25.360
<v Speaker 1>for a while, or at least she had a period

0:39:25.440 --> 0:39:29.719
<v Speaker 1>where she was not making the like caliber projects that

0:39:29.880 --> 0:39:33.160
<v Speaker 1>she is now, certainly not at the volume and like

0:39:34.239 --> 0:39:39.760
<v Speaker 1>rapidity that she is now. I would say, like the Mids,

0:39:40.120 --> 0:39:42.759
<v Speaker 1>she she was kind of gone for a while. And

0:39:42.840 --> 0:39:47.360
<v Speaker 1>I think and Big Little Lies was definitely the return,

0:39:47.480 --> 0:39:48.960
<v Speaker 1>That's what I was going to say. I mean, I

0:39:49.040 --> 0:39:52.680
<v Speaker 1>don't know, I feel like it might be a little um,

0:39:53.960 --> 0:39:55.799
<v Speaker 1>I think it might be a little flattening to call

0:39:55.880 --> 0:39:59.520
<v Speaker 1>it a return per se, but it definitely did change

0:40:00.480 --> 0:40:04.120
<v Speaker 1>her cultural reception. Well, it was also a different medium.

0:40:04.200 --> 0:40:06.120
<v Speaker 1>It was the first time she had done TV, and

0:40:06.200 --> 0:40:08.759
<v Speaker 1>I do think I think you might have said before,

0:40:08.840 --> 0:40:11.840
<v Speaker 1>maybe even before we started recording, Big Little Lies is

0:40:11.960 --> 0:40:16.400
<v Speaker 1>the thing that has ushered in this era of prestige

0:40:16.520 --> 0:40:22.240
<v Speaker 1>prestige TV of movie stars, Oscar winners doing these prestige

0:40:22.280 --> 0:40:24.160
<v Speaker 1>projects like for the first time, for the first time

0:40:24.200 --> 0:40:27.239
<v Speaker 1>Big Little Eyes, was it? Yeah? Was it? And I

0:40:27.360 --> 0:40:30.440
<v Speaker 1>think that I it's interesting to now watch her for

0:40:30.640 --> 0:40:33.720
<v Speaker 1>ray into more miniseries like the undoing Nine Perfect Strangers,

0:40:33.840 --> 0:40:37.640
<v Speaker 1>this upcoming show roar that we're gonna watch like it.

0:40:37.880 --> 0:40:41.120
<v Speaker 1>I think that that is like, um, you know, it's

0:40:41.239 --> 0:40:43.839
<v Speaker 1>it's a lot of it's more risks, it's more mrs.

0:40:43.960 --> 0:40:46.080
<v Speaker 1>Like you didn't watch Nine Perfect Strangers. But like the

0:40:46.239 --> 0:40:49.800
<v Speaker 1>top line, like she plays a wellness retreat kind of

0:40:49.920 --> 0:40:54.880
<v Speaker 1>cult leader that non consensually drugs all of the people

0:40:54.960 --> 0:40:58.439
<v Speaker 1>that have like come to this like retreat or whatever. Yeah,

0:40:58.560 --> 0:41:02.040
<v Speaker 1>and like you know, unfortunate, um tonally, the the show

0:41:02.160 --> 0:41:05.000
<v Speaker 1>doesn't really know where it's at all. Nine of these

0:41:05.239 --> 0:41:09.000
<v Speaker 1>strangers are kind of in different shows. Like I think

0:41:09.040 --> 0:41:11.520
<v Speaker 1>that Melissa McCarthy, who I think kind of gives the

0:41:11.600 --> 0:41:14.040
<v Speaker 1>best performance in the show, maybe better than Nicole's in

0:41:14.120 --> 0:41:16.600
<v Speaker 1>my opinion, um is in a different show than Nicole

0:41:16.760 --> 0:41:19.000
<v Speaker 1>is in a different show than that one guy from

0:41:19.080 --> 0:41:21.399
<v Speaker 1>Will and Grace is who I think is also very good,

0:41:21.480 --> 0:41:24.360
<v Speaker 1>but in a different show. They're all totally in different shows,

0:41:24.440 --> 0:41:27.080
<v Speaker 1>and I think that kind of convolutes what they're trying

0:41:27.160 --> 0:41:29.480
<v Speaker 1>to do. And I think it's actually remarkable that they're

0:41:29.520 --> 0:41:32.640
<v Speaker 1>getting a second season. But it must be a Nicole thing. Anyways,

0:41:32.760 --> 0:41:37.799
<v Speaker 1>Nicole wears this gladril ass wig that does not get

0:41:37.920 --> 0:41:42.440
<v Speaker 1>wet properly, and yet she is constantly wet in this

0:41:42.640 --> 0:41:46.880
<v Speaker 1>TV show in pools, in bodies of water, come emerging

0:41:47.040 --> 0:41:50.160
<v Speaker 1>out of it with this wet, escaladrial wig that looks

0:41:50.680 --> 0:41:54.719
<v Speaker 1>bad whin wet, but it's like, you are get a

0:41:54.760 --> 0:41:59.520
<v Speaker 1>better wig. The story of Nicole Kidman is the story

0:41:59.600 --> 0:42:02.279
<v Speaker 1>of Way, and it's a It's a very strange story

0:42:02.400 --> 0:42:06.759
<v Speaker 1>because there was a press conference for the film Destroyer

0:42:07.160 --> 0:42:10.040
<v Speaker 1>in which Nicole Kiman was a very strange wig and

0:42:10.160 --> 0:42:12.719
<v Speaker 1>a journalist, and I think, I don't like the way

0:42:12.800 --> 0:42:14.680
<v Speaker 1>this is framed. I'm reading it on the Daily Mail.

0:42:15.160 --> 0:42:18.560
<v Speaker 1>But um, the journalist, I think, wanted to ask her,

0:42:18.640 --> 0:42:21.480
<v Speaker 1>like a fun question to rank her favorite wigs, and

0:42:21.600 --> 0:42:24.279
<v Speaker 1>Nicole Kiman refused to answer it and says she was

0:42:24.400 --> 0:42:27.239
<v Speaker 1>shutting it down. If you're in a press conference and

0:42:27.320 --> 0:42:30.920
<v Speaker 1>you're a journalist, especially a young journalist, don't do a

0:42:31.080 --> 0:42:34.520
<v Speaker 1>fucking fun question. I'm sorry, don't know. But also if

0:42:34.560 --> 0:42:38.800
<v Speaker 1>your celebrity and you've it's like I think she I

0:42:38.960 --> 0:42:41.520
<v Speaker 1>don't and and listen, I don't think this is a

0:42:41.640 --> 0:42:45.640
<v Speaker 1>question that would be asked to a mail no celebrity,

0:42:46.080 --> 0:42:48.960
<v Speaker 1>And I'm sure that's part of what's like sensitive about

0:42:49.000 --> 0:42:51.360
<v Speaker 1>it for her, And like, of course this has sparked

0:42:51.440 --> 0:42:54.640
<v Speaker 1>all these crazy theories about Nicole Kiman being bald or whatever,

0:42:55.200 --> 0:42:56.800
<v Speaker 1>and I don't think that's true. I think that just

0:42:56.960 --> 0:42:59.040
<v Speaker 1>like a lot of actresses, a lot of pop stars,

0:42:59.120 --> 0:43:01.719
<v Speaker 1>like it's just so much easier to wear a wig

0:43:01.840 --> 0:43:04.600
<v Speaker 1>for a project than to like put your hair through

0:43:04.680 --> 0:43:08.200
<v Speaker 1>the trauma of being styled and died in all of

0:43:08.280 --> 0:43:11.920
<v Speaker 1>these things. But I think like she just didn't want

0:43:11.960 --> 0:43:15.000
<v Speaker 1>to talk about it, and like I guess she shouldn't

0:43:15.000 --> 0:43:18.480
<v Speaker 1>have to, but also like she shouldn't have treated it

0:43:18.640 --> 0:43:22.640
<v Speaker 1>like he was coming for her, like it's just someone

0:43:22.800 --> 0:43:25.879
<v Speaker 1>trying to get like a fun click baity article out

0:43:25.960 --> 0:43:28.239
<v Speaker 1>of that kind of interview. But here's the thing, that's

0:43:28.239 --> 0:43:30.360
<v Speaker 1>what that's what I said, is like when when I

0:43:30.480 --> 0:43:33.200
<v Speaker 1>say don't ask the fun question in a press conference,

0:43:33.360 --> 0:43:36.480
<v Speaker 1>I mean a press conference, Like it's like a public

0:43:36.560 --> 0:43:38.960
<v Speaker 1>platform in front of an audience, to me, is not

0:43:39.120 --> 0:43:41.480
<v Speaker 1>the place to do that. A junket or a one

0:43:41.520 --> 0:43:44.120
<v Speaker 1>on one interview is when you do those like kind

0:43:44.160 --> 0:43:47.799
<v Speaker 1>of fun, big maybe big swing questions and I don't

0:43:47.800 --> 0:43:50.719
<v Speaker 1>always work out. Well, That's what I was gonna say

0:43:50.920 --> 0:43:53.680
<v Speaker 1>is I actually didn't know that prerecord. I didn't know

0:43:53.800 --> 0:43:56.520
<v Speaker 1>that story about the wig the wig question. And I

0:43:56.640 --> 0:43:59.040
<v Speaker 1>said to you, I said, Rose in a in an

0:43:59.120 --> 0:44:03.200
<v Speaker 1>alternate life, you were kicked out. I absolutely was the

0:44:03.239 --> 0:44:05.759
<v Speaker 1>one who asked that question, because you and I have

0:44:06.600 --> 0:44:10.279
<v Speaker 1>before brainstormed an article out about Nicole Kidman's wigs, like

0:44:10.360 --> 0:44:14.280
<v Speaker 1>we've we've already we've talked about doing something. There's definitely

0:44:14.440 --> 0:44:17.920
<v Speaker 1>like some kind of buzz feed list ranking Nicole kid

0:44:18.440 --> 0:44:20.920
<v Speaker 1>there's probably an out dot com article with your name

0:44:21.040 --> 0:44:24.719
<v Speaker 1>on it. Probably don't look it up, virgins, please do

0:44:24.840 --> 0:44:27.200
<v Speaker 1>that search for it. But yeah, but what is your

0:44:27.200 --> 0:44:30.719
<v Speaker 1>favorite Nicole Kidman wig? Though? I mean the Mulan Rouge

0:44:30.800 --> 0:44:34.440
<v Speaker 1>hair is cannon, but I think that's her hair. But

0:44:34.560 --> 0:44:37.319
<v Speaker 1>I I think that's her. That's still the era where

0:44:37.360 --> 0:44:42.160
<v Speaker 1>it was her hair, plus lots of extensions. Really yeah, really,

0:44:42.640 --> 0:44:44.840
<v Speaker 1>I think so we have to look that up that

0:44:44.880 --> 0:44:49.600
<v Speaker 1>should be fact checked. I think is boy erased. I

0:44:49.760 --> 0:44:54.879
<v Speaker 1>think I love her Southern like comfort mom. I can't

0:44:54.920 --> 0:44:57.960
<v Speaker 1>believe you've watched boy or Race, But also I can

0:44:57.960 --> 0:45:01.759
<v Speaker 1>because I'm sure some article I've so gared. Conley is

0:45:01.800 --> 0:45:03.759
<v Speaker 1>like a friend of mine, and so I really like

0:45:03.960 --> 0:45:08.520
<v Speaker 1>the Everything about that film was very exciting to watch

0:45:08.719 --> 0:45:13.759
<v Speaker 1>his life put on screen. Is like, was absolutely surreal experience.

0:45:13.840 --> 0:45:17.279
<v Speaker 1>You're like, oh my god, Nicole Kidman is playing your mom.

0:45:17.640 --> 0:45:21.640
<v Speaker 1>But something that I feel like is very telling about um,

0:45:21.880 --> 0:45:25.040
<v Speaker 1>the staying power of Nicole is behind the scenes. I've

0:45:25.160 --> 0:45:28.839
<v Speaker 1>never heard a bad story about her. Everyone loves working

0:45:30.000 --> 0:45:32.080
<v Speaker 1>everyone loves working with her. He has told me so

0:45:32.160 --> 0:45:34.839
<v Speaker 1>many stories about how she got to know his mom

0:45:34.960 --> 0:45:37.920
<v Speaker 1>in a really deep way and how that just doesn't

0:45:37.920 --> 0:45:41.320
<v Speaker 1>always happen. You know Allah Gaga in um you know

0:45:41.560 --> 0:45:44.239
<v Speaker 1>House of Gucci, which, like Gaga is also an ad

0:45:44.239 --> 0:45:46.480
<v Speaker 1>actress where I will see everything she will ever be

0:45:46.600 --> 0:45:49.200
<v Speaker 1>in time, even though she doesn't have you know, the

0:45:49.280 --> 0:45:53.399
<v Speaker 1>catalog yet. Um. But yeah, I think that there's something

0:45:53.440 --> 0:45:57.000
<v Speaker 1>about how you know Nicole Kim and can find empathy

0:45:57.320 --> 0:46:00.760
<v Speaker 1>in a lot of different people that we might otherwise

0:46:00.800 --> 0:46:04.760
<v Speaker 1>render a monster. You know, a woman who is beholden

0:46:04.880 --> 0:46:09.040
<v Speaker 1>to a very homophobic Baptist husband has a lot of

0:46:09.120 --> 0:46:11.720
<v Speaker 1>complicity that is really ugly and it's not a character

0:46:11.840 --> 0:46:14.440
<v Speaker 1>you really want to empathize with. And yet Nicole Kidman

0:46:14.680 --> 0:46:18.600
<v Speaker 1>saw that and knew where the humanity was. And so

0:46:18.920 --> 0:46:22.160
<v Speaker 1>for Nicole Kiman to play you know, a murderer in

0:46:22.200 --> 0:46:26.120
<v Speaker 1>The Beguiled, or to play you know, um you know

0:46:26.200 --> 0:46:28.960
<v Speaker 1>other times or like The Guild is so good. I

0:46:29.360 --> 0:46:31.120
<v Speaker 1>didn't see it when it first came out, and I

0:46:31.280 --> 0:46:34.680
<v Speaker 1>only watched it like somewhat recently. I think maybe sometime

0:46:34.800 --> 0:46:37.800
<v Speaker 1>last year. It's so fun and it has it is

0:46:37.880 --> 0:46:44.040
<v Speaker 1>stacked with the girls, it's Nicole Kiki, um l Fanning.

0:46:44.560 --> 0:46:47.680
<v Speaker 1>It's just like it's basically virgin suicides like on a

0:46:47.760 --> 0:46:51.839
<v Speaker 1>planet because it's Sofia Coppola. Oh it is so it's

0:46:51.880 --> 0:46:56.759
<v Speaker 1>literally that. So anyways, um uh nine Pervic Strangers, I

0:46:56.880 --> 0:46:59.879
<v Speaker 1>think is like that kind of matriarch like get the hatch,

0:47:00.280 --> 0:47:01.719
<v Speaker 1>Like I mean, what it doesn't you have like a

0:47:01.760 --> 0:47:05.000
<v Speaker 1>Southern genteel accent and that, But what does she say

0:47:05.040 --> 0:47:08.319
<v Speaker 1>something about go get the hatchet? It's the trailer became

0:47:08.719 --> 0:47:12.720
<v Speaker 1>to cut Colin Farrell's leg off. Oh, is that what happens?

0:47:13.160 --> 0:47:16.200
<v Speaker 1>But she I think this is spoiler alert. I think

0:47:16.239 --> 0:47:18.840
<v Speaker 1>what happens is his leg doesn't actually need to be

0:47:19.040 --> 0:47:23.920
<v Speaker 1>cut off, but because he hit on two of her daughters,

0:47:24.360 --> 0:47:27.480
<v Speaker 1>she was like, fuck this, because he's like he like

0:47:27.640 --> 0:47:30.000
<v Speaker 1>comes to their houses during the Civil War and he

0:47:30.200 --> 0:47:32.839
<v Speaker 1>like strikes up a romance with Kirsten Dunce. But then

0:47:33.040 --> 0:47:36.720
<v Speaker 1>Fox Alfanic yes, and he needs help. He's like basically

0:47:36.760 --> 0:47:39.960
<v Speaker 1>seeking refuge at this plantation home and so they take him,

0:47:40.120 --> 0:47:42.560
<v Speaker 1>you know, into their under their care, and he takes

0:47:42.600 --> 0:47:44.600
<v Speaker 1>advantage of that by becoming kind of a predator, and

0:47:44.640 --> 0:47:47.839
<v Speaker 1>so Nicole Kinman chops his leg off, which is which

0:47:47.880 --> 0:48:04.760
<v Speaker 1>is iconic. I do think we should like dive into

0:48:04.920 --> 0:48:10.680
<v Speaker 1>Big Little Lies because I think Big Little Lies is

0:48:10.840 --> 0:48:15.480
<v Speaker 1>the thing that has most re contextualized Nicole for the

0:48:15.640 --> 0:48:19.080
<v Speaker 1>current moment and probably where probably like gen Z knows

0:48:19.120 --> 0:48:22.480
<v Speaker 1>her from the most um and I do think it

0:48:22.880 --> 0:48:26.560
<v Speaker 1>is it's hard to say like this is Nicole Kidman's

0:48:26.600 --> 0:48:29.239
<v Speaker 1>best work or among her best work, but it really is.

0:48:29.680 --> 0:48:31.680
<v Speaker 1>It is, and it also like set the press, I mean,

0:48:31.760 --> 0:48:34.120
<v Speaker 1>as we were saying, like the golden age of of

0:48:34.719 --> 0:48:37.800
<v Speaker 1>of prestige TV, and I think it's like signaled to

0:48:37.840 --> 0:48:40.360
<v Speaker 1>all these A list actors that they could go do

0:48:40.480 --> 0:48:43.719
<v Speaker 1>a mini series, win a bunch of awards, and then

0:48:43.840 --> 0:48:47.000
<v Speaker 1>like I don't know, maybe like get up there, you

0:48:47.080 --> 0:48:50.960
<v Speaker 1>know whatever they're like there you know rate is or

0:48:51.080 --> 0:48:53.800
<v Speaker 1>like the spawn con that they get to do or whatever.

0:48:54.520 --> 0:48:56.520
<v Speaker 1>I'm trying to think of, like what there is to

0:48:56.680 --> 0:48:59.560
<v Speaker 1>add to a conversation of Big Little Lies. You know

0:48:59.600 --> 0:49:03.000
<v Speaker 1>it hasn't already been talked about because yeah, but for me,

0:49:03.600 --> 0:49:06.479
<v Speaker 1>like the thing is, like I this is the reason

0:49:06.680 --> 0:49:10.279
<v Speaker 1>I love Nancy Myers movies, but my favorite favorite thing

0:49:10.400 --> 0:49:13.200
<v Speaker 1>that I will always watch is a show or movie

0:49:13.280 --> 0:49:17.839
<v Speaker 1>about wealthy white women in a moment of emotional crisis. Well,

0:49:17.880 --> 0:49:20.320
<v Speaker 1>it was very weird to see Nicole play a victim

0:49:21.680 --> 0:49:24.560
<v Speaker 1>because I think a lot of her films she has

0:49:24.680 --> 0:49:27.359
<v Speaker 1>really stood in a place of strength um and has

0:49:27.400 --> 0:49:30.400
<v Speaker 1>been the heroine UM And like you know, she is

0:49:30.560 --> 0:49:32.120
<v Speaker 1>in a way in Big Little Eyes, and I think

0:49:32.160 --> 0:49:33.840
<v Speaker 1>in season two you get to see her take a

0:49:33.880 --> 0:49:37.680
<v Speaker 1>lot more agency for herself, and like, you know, Season

0:49:37.719 --> 0:49:39.759
<v Speaker 1>two I think is very polarizing because a lot of

0:49:39.880 --> 0:49:43.200
<v Speaker 1>us kind of wished that it didn't happen because of

0:49:43.280 --> 0:49:46.080
<v Speaker 1>how perfect Season one was, but then like, who's going

0:49:46.120 --> 0:49:48.640
<v Speaker 1>to say no to more? And I think it's funny

0:49:48.680 --> 0:49:55.200
<v Speaker 1>because as we've established that her kind of typecasting is um, dark, depressed, sexpot,

0:49:55.680 --> 0:49:59.360
<v Speaker 1>big little lies, is the um kind of like you

0:49:59.440 --> 0:50:02.319
<v Speaker 1>know and obstillation of that, and I think that, um

0:50:03.280 --> 0:50:05.320
<v Speaker 1>one of the most interesting parts of the show to

0:50:05.560 --> 0:50:12.360
<v Speaker 1>me was the murkiness in how Nicole Kidman was into

0:50:12.760 --> 0:50:17.400
<v Speaker 1>elements of their relationship that were abusive and that obviously

0:50:17.840 --> 0:50:21.879
<v Speaker 1>it became not you know, sexual after a certain point,

0:50:22.000 --> 0:50:25.400
<v Speaker 1>but in the beginning, you see the way that Nicole

0:50:26.239 --> 0:50:30.120
<v Speaker 1>provokes him because she is turned on by the fame,

0:50:30.160 --> 0:50:33.680
<v Speaker 1>and that's why it's so messy and and like I think,

0:50:34.200 --> 0:50:37.480
<v Speaker 1>you know, like I don't want to speak for you know,

0:50:37.640 --> 0:50:41.080
<v Speaker 1>victims of domestic abuse, but I'm sure that like for

0:50:41.160 --> 0:50:44.960
<v Speaker 1>a lot of people who you know are like a

0:50:45.080 --> 0:50:49.080
<v Speaker 1>bit more massochistic, and like, I'm sure there are people

0:50:49.160 --> 0:50:51.760
<v Speaker 1>where those lines on their own relationships are very blurry,

0:50:52.200 --> 0:50:54.319
<v Speaker 1>and I don't think that that is something we had

0:50:54.400 --> 0:50:57.759
<v Speaker 1>seen portrayed by that way, And like, I don't think

0:50:58.000 --> 0:51:01.640
<v Speaker 1>there's something about Nicole Kidman being the one to do it,

0:51:02.200 --> 0:51:06.879
<v Speaker 1>like seeing that kind of like violence being enacted upon

0:51:07.040 --> 0:51:10.200
<v Speaker 1>her and also her engaging in that violence herself, because

0:51:10.560 --> 0:51:12.920
<v Speaker 1>there are times early in that season where she's the

0:51:12.960 --> 0:51:16.400
<v Speaker 1>one who provokes him or at least like it's very

0:51:16.440 --> 0:51:19.920
<v Speaker 1>complicit in like the beginning of their violent interaction, and

0:51:19.960 --> 0:51:22.759
<v Speaker 1>then he escalates it to another level. Yeah, And like

0:51:22.920 --> 0:51:25.279
<v Speaker 1>the thing about this cast as well as like no

0:51:25.440 --> 0:51:27.960
<v Speaker 1>one else could play I mean Shale Woodley, like a

0:51:28.040 --> 0:51:31.600
<v Speaker 1>lot of people can play, but three, it's like no one.

0:51:31.680 --> 0:51:33.880
<v Speaker 1>Like the only other person that I think can do

0:51:34.920 --> 0:51:36.960
<v Speaker 1>a version of what Nicole does in these roles is

0:51:37.000 --> 0:51:39.920
<v Speaker 1>maybe like a Glenn Close. But Glenn is not a

0:51:40.000 --> 0:51:43.759
<v Speaker 1>sexpot anymore, and she doesn't have an oscar. Yeah, she will,

0:51:43.920 --> 0:51:47.200
<v Speaker 1>she will. She I really think she will. I really

0:51:47.239 --> 0:51:49.600
<v Speaker 1>think she will. She she deserves and if not, she'll get,

0:51:49.800 --> 0:51:52.120
<v Speaker 1>you know, a lifetime achievement oscar. You know, I think

0:51:52.320 --> 0:51:55.160
<v Speaker 1>that would be Yeah, but a lot of greats have

0:51:55.320 --> 0:51:57.560
<v Speaker 1>got have never gotten award and got like a life. Yeah.

0:51:57.560 --> 0:52:01.800
<v Speaker 1>But like the the story, worry around Glenn not getting

0:52:01.840 --> 0:52:04.880
<v Speaker 1>it is so much different than for everybody or losing

0:52:04.960 --> 0:52:08.359
<v Speaker 1>to share and then Gaga. I wish she didn't lose

0:52:08.400 --> 0:52:15.160
<v Speaker 1>to Gaga. She but she probably was outright. Um, Okay,

0:52:15.239 --> 0:52:19.400
<v Speaker 1>I haven't seen Being the Ricardos because Nicole being in

0:52:19.680 --> 0:52:22.799
<v Speaker 1>Being the Ricardos and being Lucy was such a meme

0:52:22.960 --> 0:52:25.200
<v Speaker 1>before the movie came out, and the whole conversation around

0:52:25.239 --> 0:52:28.040
<v Speaker 1>it was how miscast she was, how she was too

0:52:28.160 --> 0:52:30.080
<v Speaker 1>old to play her, like all this stuff. You know.

0:52:30.160 --> 0:52:32.239
<v Speaker 1>There was that first photo of her in the wig

0:52:32.360 --> 0:52:34.520
<v Speaker 1>that everyone laughed at. It was hilarious. And then the

0:52:34.560 --> 0:52:36.919
<v Speaker 1>movie came out and the only things I heard about

0:52:36.920 --> 0:52:40.319
<v Speaker 1>it were how good she was she But I will

0:52:40.360 --> 0:52:42.759
<v Speaker 1>never watch it. Um, I don't. I don't think it's

0:52:42.760 --> 0:52:46.560
<v Speaker 1>an amazing movie. I think that, Um. I mean, I

0:52:46.640 --> 0:52:50.680
<v Speaker 1>think Aaron Stark is like an an infantesimal like man baby,

0:52:50.840 --> 0:52:52.440
<v Speaker 1>like he just doesn't I don't know, I just like

0:52:52.480 --> 0:52:54.200
<v Speaker 1>don't appreciate like a lot of his writing. And I

0:52:54.280 --> 0:52:56.880
<v Speaker 1>think that this movie specifically is very indulgent in what

0:52:57.040 --> 0:53:01.279
<v Speaker 1>it invents, Like it feels like fan and fiction. Um,

0:53:01.480 --> 0:53:04.960
<v Speaker 1>but it's still a very interesting um portrayal of basically,

0:53:05.040 --> 0:53:10.560
<v Speaker 1>Lucy old Ball is this shrewd, egomaniacal businesswoman who has

0:53:10.719 --> 0:53:15.040
<v Speaker 1>an O C D level to attention that kind of

0:53:15.160 --> 0:53:18.360
<v Speaker 1>overworks everyone else, and that and she's kind of a genius,

0:53:18.440 --> 0:53:21.759
<v Speaker 1>Like she's a comedic salant, and I think Nicole does

0:53:21.880 --> 0:53:24.440
<v Speaker 1>that very well. And I also think that role specifically

0:53:24.640 --> 0:53:27.920
<v Speaker 1>is actually very different from a lot of other roles

0:53:28.080 --> 0:53:32.120
<v Speaker 1>she played, because not often is Nicole mean in movies.

0:53:32.680 --> 0:53:36.160
<v Speaker 1>She's usually dark and depressed, but not as much mean,

0:53:36.320 --> 0:53:38.800
<v Speaker 1>And in in this she is kind of cruel. You

0:53:38.880 --> 0:53:40.480
<v Speaker 1>know what movie she was mean and that we did

0:53:40.560 --> 0:53:43.480
<v Speaker 1>gloss over, which I mean, I'm not surprised about The

0:53:43.560 --> 0:53:46.160
<v Speaker 1>Golden Compass. Did you ever see that? Know? But I

0:53:46.280 --> 0:53:49.000
<v Speaker 1>heard the book slap because they're about like the destruction

0:53:49.080 --> 0:53:52.560
<v Speaker 1>of God. Yeah, there was. There was a very badly

0:53:52.760 --> 0:53:56.919
<v Speaker 1>received kind of flop adaptation of this Philip Pullman book series.

0:53:56.960 --> 0:54:00.520
<v Speaker 1>The Golden Compass was that first HBO. No no, no,

0:54:00.760 --> 0:54:04.400
<v Speaker 1>So there has been in recent years a new adaptation

0:54:04.520 --> 0:54:07.440
<v Speaker 1>of it that's a TV series, which also flopped. No,

0:54:07.640 --> 0:54:10.120
<v Speaker 1>I think it's I think it's pretty I watched a

0:54:10.200 --> 0:54:12.000
<v Speaker 1>couple episodes of the first season and I thought it

0:54:12.080 --> 0:54:14.520
<v Speaker 1>was pretty good, but I lost interest. But the movie

0:54:14.680 --> 0:54:18.840
<v Speaker 1>that came out in the early adds, it was definitely

0:54:18.880 --> 0:54:20.400
<v Speaker 1>while I was in high school, because I remember going

0:54:20.440 --> 0:54:22.520
<v Speaker 1>to see it like after school one day or maybe

0:54:22.600 --> 0:54:25.320
<v Speaker 1>I skipped class and saw it, um and she's the

0:54:25.400 --> 0:54:27.919
<v Speaker 1>villain in it, and she is like the best part

0:54:27.960 --> 0:54:31.839
<v Speaker 1>of the movie. She's so mean and like glamorous, which

0:54:31.960 --> 0:54:35.080
<v Speaker 1>I think is like a very good sweet spot. It

0:54:35.200 --> 0:54:38.080
<v Speaker 1>is a good sweet spot for her. Um with with

0:54:38.280 --> 0:54:41.920
<v Speaker 1>being the Ricardo's, I think the meanness like works like

0:54:42.040 --> 0:54:44.400
<v Speaker 1>it's it's it's you can't stop watching it. But that's

0:54:44.440 --> 0:54:47.080
<v Speaker 1>kind of a Nicole thing. Like anytime she's on screen,

0:54:47.280 --> 0:54:52.040
<v Speaker 1>you're so entrance. She has so much fucking charisma, uniqueness,

0:54:52.120 --> 0:54:54.759
<v Speaker 1>nerve and talent. Period. When is she going to guest

0:54:54.840 --> 0:54:59.880
<v Speaker 1>judge on drag Race? We do Night of at that

0:55:00.040 --> 0:55:03.120
<v Speaker 1>was in Nicole, that would be me. I mean they

0:55:03.160 --> 0:55:05.560
<v Speaker 1>already did this move on Rouge spoof on this season,

0:55:05.840 --> 0:55:08.279
<v Speaker 1>which was such they should have gotten like a call

0:55:08.400 --> 0:55:11.480
<v Speaker 1>in message from her, Yeah, they should have. If I

0:55:11.560 --> 0:55:14.279
<v Speaker 1>could give my quick take on being the Ricardo's, I

0:55:14.360 --> 0:55:17.080
<v Speaker 1>think you would hate it. But at the end of

0:55:17.160 --> 0:55:20.080
<v Speaker 1>the day, like they're like Javier bread M and Nicole

0:55:20.160 --> 0:55:22.320
<v Speaker 1>Kimmen are just like kind of hot. They just have

0:55:22.480 --> 0:55:24.920
<v Speaker 1>hot energy, and I think that that that it just

0:55:25.040 --> 0:55:27.360
<v Speaker 1>like lends itself. Sometimes I think about the fact that

0:55:27.440 --> 0:55:29.960
<v Speaker 1>Javier Bardem is married to Penelope Crews, and I just

0:55:30.080 --> 0:55:34.360
<v Speaker 1>like spontaneously Climax does Nicole like exclusively, like just like

0:55:34.480 --> 0:55:38.440
<v Speaker 1>work with hot prestige actors, Like why wouldn't she She

0:55:38.680 --> 0:55:41.480
<v Speaker 1>in Destroyer, which is like not a good movie and

0:55:41.640 --> 0:55:44.279
<v Speaker 1>she looks so disgusting in it. Her love interest is

0:55:44.360 --> 0:55:48.680
<v Speaker 1>Sebastian stand Oh my god. Yeah. You know this brings

0:55:48.760 --> 0:55:52.800
<v Speaker 1>us to the current day of Nicole, which is you know,

0:55:53.000 --> 0:55:55.560
<v Speaker 1>I think it's like the thing that she's currently the

0:55:55.719 --> 0:55:58.959
<v Speaker 1>most famous and beloved for. I don't know if we're

0:55:59.080 --> 0:56:03.520
<v Speaker 1>kind of saying, but it is certainly a transcendent cultural object.

0:56:03.560 --> 0:56:08.439
<v Speaker 1>It's just amazing them how saturated she is in pop

0:56:08.560 --> 0:56:12.680
<v Speaker 1>culture that she can at the same time be doing

0:56:12.719 --> 0:56:18.120
<v Speaker 1>an Oscar campaign, um, doing a like a twenty four

0:56:18.400 --> 0:56:22.520
<v Speaker 1>movie that in which she co stars with Bjork and

0:56:22.920 --> 0:56:27.320
<v Speaker 1>also be introducing literally every movie at every AMC theater,

0:56:27.880 --> 0:56:31.280
<v Speaker 1>um in an ad that like gay people chant along

0:56:31.400 --> 0:56:35.000
<v Speaker 1>to y and that that is the that is the

0:56:35.360 --> 0:56:40.880
<v Speaker 1>like totality of Nicole Kidman and how prevalent she is

0:56:40.960 --> 0:56:44.959
<v Speaker 1>on pop culture and like she is a true icon. Yeah,

0:56:45.320 --> 0:56:47.600
<v Speaker 1>and you know I earlier said that, you know, she

0:56:47.800 --> 0:56:50.680
<v Speaker 1>is both a star and an actress. But I actually

0:56:50.760 --> 0:56:55.200
<v Speaker 1>do think she's just an actress because she's no, she's

0:56:55.239 --> 0:56:59.239
<v Speaker 1>a star. But I'm saying that star quality requires a

0:56:59.360 --> 0:57:04.200
<v Speaker 1>lot of off camera shenanigans. And she is she quiet, no, no, no,

0:57:04.280 --> 0:57:07.480
<v Speaker 1>no no, she's a very she's very active on Instagram

0:57:08.200 --> 0:57:11.040
<v Speaker 1>what yes, she posts like, oh my god, I don't

0:57:11.040 --> 0:57:15.560
<v Speaker 1>follow her. She posts daily what she does like, she

0:57:15.760 --> 0:57:20.000
<v Speaker 1>does like every She's the kind of person who would

0:57:20.000 --> 0:57:23.520
<v Speaker 1>do like an alpha the Sheelf challenge Instagram. Her social

0:57:23.600 --> 0:57:30.840
<v Speaker 1>media manager is working over time. I don't really Yeah,

0:57:30.920 --> 0:57:34.680
<v Speaker 1>theybe she is. She is over she's doing all the

0:57:34.760 --> 0:57:38.320
<v Speaker 1>talk show appearances. She is, but she's in her account

0:57:38.400 --> 0:57:40.439
<v Speaker 1>like someone else's. There's nothing about this that. Of course

0:57:40.600 --> 0:57:43.480
<v Speaker 1>she doesn't. She's never open. Someone is running it for her.

0:57:43.560 --> 0:57:45.520
<v Speaker 1>But what I'm saying is like I heye accounts like

0:57:45.760 --> 0:57:56.160
<v Speaker 1>she is a movie star. We love it when you

0:57:56.280 --> 0:58:00.680
<v Speaker 1>slide into our dms and tell us like what you

0:58:00.760 --> 0:58:02.680
<v Speaker 1>want us to watch? And of course you can call

0:58:02.800 --> 0:58:05.200
<v Speaker 1>to confess at three to three penance that's three to

0:58:05.400 --> 0:58:09.240
<v Speaker 1>three seven three six two three to six. Leave us

0:58:09.240 --> 0:58:11.919
<v Speaker 1>a review on Apple podcasts. We love to see them.

0:58:12.760 --> 0:58:14.840
<v Speaker 1>I'm your co host Rose Damn You. You can find

0:58:14.920 --> 0:58:17.800
<v Speaker 1>me anywhere on social media at Rose Damn You and

0:58:17.880 --> 0:58:20.520
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0:58:20.680 --> 0:58:23.320
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0:58:23.440 --> 0:58:26.280
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0:58:26.480 --> 0:58:29.960
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0:58:30.120 --> 0:58:32.960
<v Speaker 1>is an I Heart Radio production. Our producers Phoebe Unter,

0:58:33.440 --> 0:58:37.120
<v Speaker 1>with support from Lindsay Hoffman, Julian Weller, Jess Crane Hitch

0:58:37.200 --> 0:58:40.760
<v Speaker 1>and Nikki Etour until next week See Later Virgins