1 00:00:01,160 --> 00:00:03,760 Speaker 1: Hey everybody, it's me Matt Rogers, letting you know. Tickets 2 00:00:03,760 --> 00:00:06,320 Speaker 1: are on sale now to see me on tour, the 3 00:00:06,320 --> 00:00:08,960 Speaker 1: Prince of Christmas Tour. That is, I'm doing my whole 4 00:00:09,000 --> 00:00:11,400 Speaker 1: album have you Heard of Christmas? Plus a lot more 5 00:00:11,440 --> 00:00:13,760 Speaker 1: with the whole band all throughout the December. Go to 6 00:00:13,880 --> 00:00:17,520 Speaker 1: www dot Matt rodgersoficial dot com to see me in 7 00:00:17,560 --> 00:00:21,040 Speaker 1: a city near you. And now Lost. 8 00:00:20,800 --> 00:00:27,040 Speaker 2: Culch drums look mare, oh, I see you my own 9 00:00:28,000 --> 00:00:31,560 Speaker 2: and look over there is that culture Yes, goodness, wow, 10 00:00:31,840 --> 00:00:32,839 Speaker 2: Lost culture. 11 00:00:33,880 --> 00:00:39,159 Speaker 1: Ding dong, Lost Culturistas calling Vibe shift Vibe Shift a 12 00:00:39,159 --> 00:00:41,160 Speaker 1: little bit of an explanation that we owe everybody. 13 00:00:41,760 --> 00:00:44,440 Speaker 3: We did sit down for a full I would say, 14 00:00:44,440 --> 00:00:47,920 Speaker 3: what four and a half hours something like that, something 15 00:00:48,000 --> 00:00:51,319 Speaker 3: like that, and onun't you know? At part five, the 16 00:00:51,520 --> 00:00:57,200 Speaker 3: final run of this four hundred Iconic four hundred lists, 17 00:00:57,200 --> 00:01:01,640 Speaker 3: Part five, the audio done fucked up. It was in 18 00:01:01,680 --> 00:01:05,319 Speaker 3: fact human error, not on our parts, not on our parts, 19 00:01:05,400 --> 00:01:07,480 Speaker 3: certainly not on our parts. But here we are, I mean, 20 00:01:07,520 --> 00:01:10,160 Speaker 3: we're taking time out of both of our busy schedules. 21 00:01:09,959 --> 00:01:12,840 Speaker 3: It's no one at the network's false either. No big 22 00:01:12,840 --> 00:01:16,280 Speaker 3: money players has never been stronger and closer We are 23 00:01:16,400 --> 00:01:18,640 Speaker 3: a tight unit, and thank you to the whole team. 24 00:01:18,880 --> 00:01:21,839 Speaker 3: Everyone tries there able to salvage the audio and the video. 25 00:01:22,360 --> 00:01:25,640 Speaker 3: Suffice it to say, we will never be putting ourselves 26 00:01:25,680 --> 00:01:28,160 Speaker 3: in a position where this will ever happen again. And 27 00:01:28,200 --> 00:01:31,280 Speaker 3: by that position we mean that studio. Let's just say, 28 00:01:31,360 --> 00:01:32,080 Speaker 3: let's just say that. 29 00:01:32,200 --> 00:01:34,400 Speaker 1: We're not saying where it was. We're just saying, Wolf, 30 00:01:34,440 --> 00:01:36,920 Speaker 1: what a disappointment because we sat there for a very 31 00:01:36,959 --> 00:01:38,720 Speaker 1: long time to record this. But you know what, we 32 00:01:38,800 --> 00:01:41,920 Speaker 1: love you more than we feel our disappointment. And so 33 00:01:42,319 --> 00:01:46,600 Speaker 1: here we are recording part five of the Iconic four hundred. 34 00:01:46,600 --> 00:01:48,800 Speaker 1: This is the grand finale. By the end of this episode, 35 00:01:48,840 --> 00:01:50,640 Speaker 1: you will know who number one is. We want to 36 00:01:50,680 --> 00:01:55,320 Speaker 1: introduce Hot producer Becca to the chat. Hello. 37 00:01:55,800 --> 00:01:58,120 Speaker 3: She has been dinging and donging and I just I 38 00:01:58,160 --> 00:02:00,520 Speaker 3: did think about this the other day. I said she 39 00:02:00,720 --> 00:02:04,160 Speaker 3: had to keep her eye on the damn clock for 40 00:02:05,080 --> 00:02:08,560 Speaker 3: four hundred times, like four hundred rounds. I said, that 41 00:02:08,680 --> 00:02:11,640 Speaker 3: is focused while Chicha was on her lap, barking and 42 00:02:11,760 --> 00:02:14,000 Speaker 3: darkin and she's. 43 00:02:16,880 --> 00:02:20,760 Speaker 1: Amazing. She didn't make the list, but Chicha is honorable 44 00:02:20,800 --> 00:02:21,600 Speaker 1: mention with Halsey. 45 00:02:21,840 --> 00:02:25,240 Speaker 3: With Halsey Chicha and Ashley, congratulations. You know, as we said, 46 00:02:25,400 --> 00:02:27,200 Speaker 3: HM is sometimes better than being on the list. 47 00:02:28,639 --> 00:02:31,120 Speaker 1: Now, just before we launch into everything, I did just 48 00:02:31,160 --> 00:02:35,000 Speaker 1: want to say one thing. Oof, you guys, the hurricane 49 00:02:35,320 --> 00:02:39,480 Speaker 1: that just the hurricanes that have happened down in Florida, 50 00:02:39,680 --> 00:02:42,640 Speaker 1: all really along the coast from North Carolina on down 51 00:02:42,800 --> 00:02:46,640 Speaker 1: like in Inland. It's so devastating, Like my family is 52 00:02:46,680 --> 00:02:50,560 Speaker 1: personally affected, and just think of those people, Like if 53 00:02:50,600 --> 00:02:52,480 Speaker 1: you're in a giving mood right now, I know everyone's 54 00:02:52,520 --> 00:02:55,600 Speaker 1: being asked for money a lot, but you know there's 55 00:02:55,600 --> 00:02:59,080 Speaker 1: people that really need help, and so you can spare 56 00:02:59,160 --> 00:03:02,600 Speaker 1: literally anything, do your research about. I can't off the 57 00:03:02,639 --> 00:03:04,640 Speaker 1: top of my head say where exactly to send money, 58 00:03:04,639 --> 00:03:07,320 Speaker 1: but just please be aware that there's people that are 59 00:03:08,639 --> 00:03:11,760 Speaker 1: a lot of This is just a serious amount of devastation, 60 00:03:11,880 --> 00:03:14,960 Speaker 1: and there was no way to come back from the 61 00:03:14,960 --> 00:03:17,160 Speaker 1: first one in time for the second one. Of course, 62 00:03:17,639 --> 00:03:19,639 Speaker 1: it would be helpful if the governor of the state, 63 00:03:19,760 --> 00:03:22,079 Speaker 1: you know, took a call from the President and vice 64 00:03:22,120 --> 00:03:25,160 Speaker 1: president of the United States, but I guess he's not 65 00:03:25,200 --> 00:03:26,040 Speaker 1: willing to do that. 66 00:03:26,360 --> 00:03:29,880 Speaker 3: It would be helpful if federal funding would not be 67 00:03:30,000 --> 00:03:33,160 Speaker 3: held hostage either, so this is why, even though again 68 00:03:33,200 --> 00:03:35,720 Speaker 3: we are very aware that you're not all ATMs, this 69 00:03:35,760 --> 00:03:41,280 Speaker 3: is incredibly devastating and overwhelming and sad, and please do 70 00:03:41,360 --> 00:03:44,200 Speaker 3: what you can and if you're affected, we are with 71 00:03:44,240 --> 00:03:47,480 Speaker 3: you and thank you for listening. If on the off 72 00:03:47,600 --> 00:03:49,920 Speaker 3: chance you are listening to us as you are like 73 00:03:50,000 --> 00:03:52,560 Speaker 3: surveying the damage that has been wrought into your world 74 00:03:52,640 --> 00:03:57,440 Speaker 3: and your lives. Hello, Hi, any reflections that you have 75 00:03:57,600 --> 00:03:59,640 Speaker 3: met as we head into this, I guess this is 76 00:03:59,640 --> 00:04:02,680 Speaker 3: a nice moment that we have of respite reflecting on 77 00:04:02,720 --> 00:04:05,560 Speaker 3: the iconic four hundred before we dash through to the 78 00:04:05,560 --> 00:04:06,200 Speaker 3: finish line. 79 00:04:06,920 --> 00:04:10,680 Speaker 1: Well, I mean, let's just say that it's about to 80 00:04:10,680 --> 00:04:12,400 Speaker 1: get really tough to keep it to thirty, but we're 81 00:04:12,440 --> 00:04:13,320 Speaker 1: gonna fucking do it. 82 00:04:14,320 --> 00:04:18,760 Speaker 3: Let's head in. Let's head in to number seventy eight. 83 00:04:20,000 --> 00:04:23,520 Speaker 1: M mcatire Riba. You know you spoke of a girl 84 00:04:23,600 --> 00:04:27,640 Speaker 1: named Fancy and how it was her one chance and 85 00:04:27,680 --> 00:04:30,640 Speaker 1: she took it. And we're I'm taking my one opportunity 86 00:04:30,680 --> 00:04:32,360 Speaker 1: right now to say ride. But you were a legend 87 00:04:32,360 --> 00:04:33,600 Speaker 1: and always. 88 00:04:33,520 --> 00:04:37,560 Speaker 3: A legend and always in music, in entertainment in general. 89 00:04:38,040 --> 00:04:40,760 Speaker 3: You know what, another person like Lisa Rina, who you 90 00:04:40,760 --> 00:04:42,479 Speaker 3: can recognize by her silhouette alone. 91 00:04:42,680 --> 00:04:47,200 Speaker 1: And can we say a survivor. Yeah, a single mom 92 00:04:47,200 --> 00:04:49,280 Speaker 1: who works two jobs, who loves her kids and never stops. 93 00:04:49,400 --> 00:04:54,960 Speaker 1: Dang number seventy seven, Carris, we just talking about mommy. 94 00:04:55,000 --> 00:04:55,880 Speaker 1: This is kind of daddy. 95 00:04:56,200 --> 00:04:59,159 Speaker 3: This is daddy, This is daddy Doogie, this is daddy, 96 00:04:59,200 --> 00:05:03,640 Speaker 3: magician Daddy. We still don't know what what happened to 97 00:05:03,720 --> 00:05:06,760 Speaker 3: how he made that suitcase disappear or something at the oscars. 98 00:05:06,960 --> 00:05:09,160 Speaker 1: Oh, He's making so many things disappeared. You can find 99 00:05:09,200 --> 00:05:12,240 Speaker 1: him in the magic Castle, turning tricks, hopefully in more 100 00:05:12,320 --> 00:05:15,360 Speaker 1: ways than one. Because I'll say it hot. Hey what 101 00:05:15,480 --> 00:05:17,080 Speaker 1: I'm I allowed to say the man is hot? I 102 00:05:17,080 --> 00:05:17,840 Speaker 1: thought the man is hot? 103 00:05:17,960 --> 00:05:19,400 Speaker 3: Allowed to say the man is hot? You know he 104 00:05:19,440 --> 00:05:21,560 Speaker 3: doesn't have to be turning tricks for that to be true. 105 00:05:21,839 --> 00:05:31,160 Speaker 1: I'm available, Okay, Sarah Geller. Really, I mean there are 106 00:05:31,279 --> 00:05:33,640 Speaker 1: gays who will lay down their life. We said it 107 00:05:33,640 --> 00:05:36,000 Speaker 1: about Buffy, but we got to say it's Sarah Michelle Geller, 108 00:05:36,200 --> 00:05:38,960 Speaker 1: Like gays will lay down their entire life for this 109 00:05:39,000 --> 00:05:41,599 Speaker 1: woman and talk about cruel intentions. 110 00:05:42,080 --> 00:05:48,159 Speaker 3: Talk about cruel intentions, talk about look iconic showbiz marriage 111 00:05:48,200 --> 00:05:49,280 Speaker 3: that has stood the Test of Time. 112 00:05:50,480 --> 00:05:55,159 Speaker 1: Three named legends Freddy Prince Junior, Sarah Michelle Geller. Come on, 113 00:05:55,400 --> 00:05:57,760 Speaker 1: they said it couldn't be done. They said it couldn't 114 00:05:57,800 --> 00:06:03,640 Speaker 1: be done. Number seventy five Frank Sinatra. What a crooner? 115 00:06:03,920 --> 00:06:05,279 Speaker 1: What a voice? What a legend? 116 00:06:05,800 --> 00:06:07,120 Speaker 3: Do you think he killed Marylyn? 117 00:06:07,839 --> 00:06:08,719 Speaker 1: Excuse you? 118 00:06:09,279 --> 00:06:10,720 Speaker 3: Did you think he killed Marilyn? 119 00:06:11,760 --> 00:06:12,919 Speaker 1: Is that what people think? 120 00:06:13,279 --> 00:06:14,400 Speaker 3: That's what I think. 121 00:06:15,279 --> 00:06:17,799 Speaker 1: We can only have so many conspiracy theories with Big Frank. 122 00:06:18,240 --> 00:06:21,520 Speaker 3: I don't think it was JFK. I think it was fs. 123 00:06:21,960 --> 00:06:29,600 Speaker 1: Why done? Number seventy four Kristen. 124 00:06:30,560 --> 00:06:33,479 Speaker 3: Oh, I mean, the best to ever do it, in 125 00:06:33,480 --> 00:06:37,600 Speaker 3: my opinion, her Will Maya. I'm like these are name 126 00:06:37,640 --> 00:06:38,720 Speaker 3: another legend. 127 00:06:38,760 --> 00:06:41,280 Speaker 1: Name another legend, like you will struggle to do it. 128 00:06:41,480 --> 00:06:43,159 Speaker 1: I mean this is just first of all, to say 129 00:06:43,200 --> 00:06:45,560 Speaker 1: nothing of Bridesmaids, which is I think one of the 130 00:06:45,600 --> 00:06:50,720 Speaker 1: great films ever, but also Barbin Star. Is there anything 131 00:06:50,760 --> 00:06:51,880 Speaker 1: funnier than Barbon Star? 132 00:06:52,360 --> 00:06:55,359 Speaker 3: No, truly, nothing funny. And you know what, Grape Stomp Lady. 133 00:06:55,360 --> 00:06:55,720 Speaker 1: That's it. 134 00:06:55,920 --> 00:06:59,040 Speaker 3: Grape Stomp Lady. That is the only funnier thing. And 135 00:06:59,160 --> 00:07:00,920 Speaker 3: she Number. 136 00:07:00,680 --> 00:07:07,520 Speaker 1: Seventy three Cameron Diaz talk about iconography in Charlie's Angels 137 00:07:07,520 --> 00:07:10,360 Speaker 1: when she wakes up and it's like Heaven must been 138 00:07:10,400 --> 00:07:13,000 Speaker 1: missing an angel and she shakes her a little booty 139 00:07:13,040 --> 00:07:14,200 Speaker 1: and she's like whoa. 140 00:07:14,880 --> 00:07:16,840 Speaker 3: And then she answers the door to the ups guy 141 00:07:16,880 --> 00:07:18,760 Speaker 3: and she goes, you know, I signed a waiver so 142 00:07:18,760 --> 00:07:20,400 Speaker 3: you can just feel free to stick it in my slot. 143 00:07:20,560 --> 00:07:23,360 Speaker 1: Sticking in my slot. Oh wait, The best scene and 144 00:07:23,400 --> 00:07:25,360 Speaker 1: sent in my history is the karaoke scene of my 145 00:07:25,360 --> 00:07:27,520 Speaker 1: best friend's wedding and that was her stars for moment. 146 00:07:27,520 --> 00:07:28,520 Speaker 1: People think it was the mask. 147 00:07:28,560 --> 00:07:30,480 Speaker 3: It was that mask note. People think it was something 148 00:07:30,520 --> 00:07:30,960 Speaker 3: about marry. 149 00:07:31,080 --> 00:07:34,640 Speaker 1: No, just don't know what to do with myself. 150 00:07:35,160 --> 00:07:39,160 Speaker 3: So good number seventy two Moon No No, greatest man 151 00:07:39,240 --> 00:07:41,440 Speaker 3: in the world, greatest pand in the real Katie, Naomi, 152 00:07:41,520 --> 00:07:45,320 Speaker 3: joe y'all are the queer hotties of all time. Anything 153 00:07:45,440 --> 00:07:49,880 Speaker 3: but me name hotter people. You can't, can't even through 154 00:07:49,880 --> 00:07:53,040 Speaker 3: the years and the eras Katie Gavin and I have. 155 00:07:53,240 --> 00:07:54,600 Speaker 3: I'm just gonna say we have a we have a 156 00:07:54,640 --> 00:07:58,320 Speaker 3: crackling chemistry and something will happen, and it's been mutually 157 00:07:58,360 --> 00:08:01,200 Speaker 3: acknowledged and something will happen. You know what I mean? 158 00:08:01,600 --> 00:08:03,280 Speaker 1: Do you have a song with her on your album 159 00:08:03,560 --> 00:08:07,000 Speaker 1: No Bitch It's about to be what what a girl 160 00:08:07,040 --> 00:08:11,920 Speaker 1: fight Haiti fight day fight, not us fighting over Katie. Yeah. Absolutely. 161 00:08:12,920 --> 00:08:17,880 Speaker 3: Number seventy one, Linale, thank you for caring, Thank you 162 00:08:17,920 --> 00:08:18,440 Speaker 3: for carring. 163 00:08:18,560 --> 00:08:22,080 Speaker 1: I can't whoa. That was not a good Lisa. It wasn't. Oh, 164 00:08:22,120 --> 00:08:26,160 Speaker 1: it wasn't your best. Number seventy Princess Diana. 165 00:08:26,040 --> 00:08:30,320 Speaker 3: Oh my god, I mean, what is there to say? 166 00:08:30,520 --> 00:08:32,480 Speaker 3: Moment of silence, moment of silence. 167 00:08:34,240 --> 00:08:36,880 Speaker 1: I want to apologize for and I don't think so, honey, 168 00:08:37,000 --> 00:08:39,120 Speaker 1: that I did when we were in London where I 169 00:08:39,160 --> 00:08:41,360 Speaker 1: said it's the troll Bull and I picked up Princess 170 00:08:41,360 --> 00:08:43,960 Speaker 1: Diana and I said, I think you, Prince of Ana, 171 00:08:44,040 --> 00:08:46,720 Speaker 1: drive your own car. I just want to publicly apologize 172 00:08:46,720 --> 00:08:48,520 Speaker 1: for that. Sometimes I don't think so, honey. Happens and things, 173 00:08:48,640 --> 00:08:50,840 Speaker 1: things get carried away, you know what I'm saying. 174 00:08:51,640 --> 00:08:59,760 Speaker 3: Number sixty nine princesses a leader, A leader, an iconic blonde. 175 00:09:00,320 --> 00:09:03,199 Speaker 3: Oh yeah, loves the theater and in the latest game, 176 00:09:03,280 --> 00:09:07,240 Speaker 3: Princess Peach, that's Princess Peach Showtime. She's at the theater. 177 00:09:07,640 --> 00:09:09,640 Speaker 1: What do you think about her relationship with her people? 178 00:09:09,679 --> 00:09:10,280 Speaker 1: The toads. 179 00:09:10,559 --> 00:09:12,920 Speaker 3: Oh, they love her, they adore her, they vote for 180 00:09:12,960 --> 00:09:15,760 Speaker 3: her in droves. You think it's a democracy, there no 181 00:09:16,000 --> 00:09:19,200 Speaker 3: pure monarchy, but no one minds it's a benevolent monarchy. 182 00:09:19,559 --> 00:09:22,160 Speaker 1: I see, I see. Okay, well I can get on 183 00:09:22,160 --> 00:09:24,000 Speaker 1: board with it if you feel like everyone's happy there 184 00:09:24,000 --> 00:09:26,320 Speaker 1: and feels represented. I do, dong. 185 00:09:27,200 --> 00:09:33,240 Speaker 3: Okay, Number sixty eight, Tree Pain, you made it. 186 00:09:33,840 --> 00:09:37,960 Speaker 1: I'm serious. This is Amy Adams's Oscar. Amy Adams's Oscar 187 00:09:38,400 --> 00:09:40,920 Speaker 1: is the Tree Pain biopick. It happened. It's like zero 188 00:09:41,000 --> 00:09:44,880 Speaker 1: dark thirty in that sort of It's like a very gritty, 189 00:09:45,120 --> 00:09:48,880 Speaker 1: realistic drama about what happened after Kim and Kanye pulled 190 00:09:48,920 --> 00:09:52,800 Speaker 1: their bullshit. We need that. That's Amy Adams's Oscar. 191 00:09:53,040 --> 00:09:55,120 Speaker 3: I think there's a trilogy or quadrilogy in this. You 192 00:09:55,160 --> 00:09:58,360 Speaker 3: have this one, you have the Brittany Mahomes thing. Okay, 193 00:09:58,640 --> 00:10:03,880 Speaker 3: number sixty sixty seven. Jane Austin, thank you, thank you 194 00:10:04,000 --> 00:10:07,440 Speaker 3: for giving us a vibe. 195 00:10:08,240 --> 00:10:10,840 Speaker 1: Certainly a vibe. You can't say that all those awesome 196 00:10:10,840 --> 00:10:16,120 Speaker 1: movies collectively together aren't a vibe because it's not merchant ivory. No, no, no, 197 00:10:16,600 --> 00:10:18,520 Speaker 1: you know what I'm saying. It's its own vibe. 198 00:10:18,760 --> 00:10:23,520 Speaker 3: I'm in jane World, dowry vibess, Jane's World, dowy vibes, 199 00:10:24,360 --> 00:10:28,160 Speaker 3: rain in the field done, oh yeah, just like not 200 00:10:28,200 --> 00:10:29,160 Speaker 3: just centery but coughing. 201 00:10:29,160 --> 00:10:29,640 Speaker 1: What'd you call it? 202 00:10:30,480 --> 00:10:31,960 Speaker 3: Pnemona tuberculous. 203 00:10:32,320 --> 00:10:36,760 Speaker 1: Number sixty six, Paula Abdul Straight up, now tell you 204 00:10:37,320 --> 00:10:39,800 Speaker 1: do you really want to love me? Forever? 205 00:10:40,440 --> 00:10:44,320 Speaker 3: You needed a beautiful magnetic person on the American Idol 206 00:10:44,360 --> 00:10:46,800 Speaker 3: panel because it certainly wasn't going to be Simon and Randy. 207 00:10:46,840 --> 00:10:50,480 Speaker 3: I'm sorry. Those are not pretty people to look at necessarily. 208 00:10:50,760 --> 00:10:53,079 Speaker 3: Oh my god, you wanted one pretty person. 209 00:10:53,120 --> 00:10:56,000 Speaker 1: I'm sorry. I'm sorry. I brought the effervescence to American Idol. 210 00:10:56,040 --> 00:10:59,319 Speaker 1: It's true. She also brought the the goofiness. I'll never 211 00:10:59,360 --> 00:11:01,640 Speaker 1: forget playing against her in Celebrity Will of Fortune, and 212 00:11:01,679 --> 00:11:03,720 Speaker 1: she spun the wheel, and one time the wheel almost 213 00:11:03,720 --> 00:11:04,719 Speaker 1: took her with it. 214 00:11:05,160 --> 00:11:11,040 Speaker 3: No. Number sixty five The rock Cats. 215 00:11:10,600 --> 00:11:15,280 Speaker 1: Get in aligned girls. Come on, ladies, now let's get information. 216 00:11:16,840 --> 00:11:20,000 Speaker 3: You better raise your knee to the same height as 217 00:11:20,080 --> 00:11:23,120 Speaker 3: the girl next to you, and y'all better be leggy 218 00:11:23,280 --> 00:11:25,000 Speaker 3: af you know what. 219 00:11:25,080 --> 00:11:28,240 Speaker 1: Ms Mama from the Dallas Cowboys cheerleader says, since leaving 220 00:11:28,240 --> 00:11:30,400 Speaker 1: the Dallas Cowboys cheerleader, she's now trying out for the 221 00:11:30,440 --> 00:11:31,679 Speaker 1: rock Cats, and she says it's harder. 222 00:11:32,640 --> 00:11:36,400 Speaker 3: Wow. And that's how you know media pressent. 223 00:11:37,480 --> 00:11:39,320 Speaker 1: She loves me. 224 00:11:40,840 --> 00:11:44,840 Speaker 3: Number sixty sixty Keenan Thompson, talk about your friend, the 225 00:11:44,880 --> 00:11:50,400 Speaker 3: team captain. This is the most I mean, he is 226 00:11:51,320 --> 00:11:53,560 Speaker 3: hands down one of the best catch meedians of all time. 227 00:11:53,600 --> 00:11:58,479 Speaker 3: Absolutely talk about a career, talk about an effortless mentorship. 228 00:11:58,559 --> 00:12:00,719 Speaker 3: But also he gets down on a peer level with you. 229 00:12:01,120 --> 00:12:04,600 Speaker 3: He comes down from the mountaintop and he is the 230 00:12:04,720 --> 00:12:09,640 Speaker 3: sagely king Keenan. And we respect forever the work of 231 00:12:09,679 --> 00:12:10,840 Speaker 3: this man and the kindness. 232 00:12:10,960 --> 00:12:12,640 Speaker 1: Welcome to Godburg or home with the good Burger kind 233 00:12:12,679 --> 00:12:27,000 Speaker 1: of take your order. Number sixty three, jen n Larrence, 234 00:12:27,200 --> 00:12:30,760 Speaker 1: Come on, can I say something someone else try and 235 00:12:30,800 --> 00:12:32,319 Speaker 1: do no hard feelings that well. 236 00:12:32,360 --> 00:12:34,280 Speaker 3: Oh my god, no, no fucking wice someone else. 237 00:12:34,360 --> 00:12:35,400 Speaker 1: That movie was paid dust. 238 00:12:35,600 --> 00:12:37,280 Speaker 3: Oh my god, it was such a good movie. Also, 239 00:12:37,720 --> 00:12:42,319 Speaker 3: I volunteer as Dan. I volunteer as tribute to Stan. 240 00:12:42,720 --> 00:12:45,000 Speaker 1: I volunteer his tribute. Not only was that a great 241 00:12:45,200 --> 00:12:48,080 Speaker 1: moment in her career, but it was a moment for memes. 242 00:12:47,760 --> 00:12:49,920 Speaker 3: A rallying cry. It was a moment for memes. 243 00:12:50,120 --> 00:12:52,400 Speaker 1: Also, I want to say, Silver Linings Playbook, watch it 244 00:12:52,400 --> 00:12:55,120 Speaker 1: again because you will be as justice thrilled the first 245 00:12:55,160 --> 00:12:57,600 Speaker 1: fifteen times you watched it. I opened up to you 246 00:12:57,640 --> 00:12:59,880 Speaker 1: and you judge me. You're an asshole. 247 00:13:00,440 --> 00:13:06,960 Speaker 4: Number sixty to the Empire State Building in New York. Girl, 248 00:13:07,440 --> 00:13:14,480 Speaker 4: the lights on her. She is sparkling diamond jewel of 249 00:13:14,520 --> 00:13:18,480 Speaker 4: the city. Listen, even as a representative of Rockefeller Center. 250 00:13:18,920 --> 00:13:20,800 Speaker 4: And that's both of us. Yeah, you got to give 251 00:13:20,840 --> 00:13:21,120 Speaker 4: it up. 252 00:13:21,320 --> 00:13:24,040 Speaker 1: We both have. We have big connections to thirty Rock 253 00:13:24,200 --> 00:13:26,200 Speaker 1: of course and the top of the Rock, but we 254 00:13:26,320 --> 00:13:27,920 Speaker 1: have to give it up for the Empire State Building, 255 00:13:27,960 --> 00:13:30,520 Speaker 1: the most famous building in the world. I'll set it 256 00:13:30,640 --> 00:13:31,720 Speaker 1: number number six one. 257 00:13:32,559 --> 00:13:37,240 Speaker 3: Christine Bansky talk about Martha May. Yeah, you, Martha May. 258 00:13:37,320 --> 00:13:40,240 Speaker 1: I mean you. We wouldn't be talking about Martha May 259 00:13:40,240 --> 00:13:42,760 Speaker 1: as an icon if it wasn't for Christine Baranski. Also, 260 00:13:43,400 --> 00:13:48,960 Speaker 1: like Christine Baranski, it's it's a constant lifting of the material. Yeah, 261 00:13:49,040 --> 00:13:54,000 Speaker 1: it is always always better for having Christine Baranski in 262 00:13:54,200 --> 00:13:55,560 Speaker 1: these projects. 263 00:13:55,360 --> 00:13:59,560 Speaker 3: Gilded Age, to go from Gilded Age to the good fight. 264 00:14:00,160 --> 00:14:02,760 Speaker 3: So she did that within two years of each other. Done, 265 00:14:02,960 --> 00:14:07,200 Speaker 3: Mama Mia two words number number sixty. Pink, my down 266 00:14:07,240 --> 00:14:09,800 Speaker 3: bitch showed in the words of Peyton Dix, my down 267 00:14:09,800 --> 00:14:11,079 Speaker 3: bitch showed her pussy. 268 00:14:11,520 --> 00:14:14,360 Speaker 1: Yeah, that's how she got her name pink. Her friends 269 00:14:14,360 --> 00:14:16,360 Speaker 1: saw her vagina and said, that's pink. 270 00:14:16,640 --> 00:14:17,560 Speaker 3: Damn, that's pink. 271 00:14:18,040 --> 00:14:21,000 Speaker 1: Sometimes Pink will be so high in the air that 272 00:14:21,080 --> 00:14:24,360 Speaker 1: when you look up, you also see the stars around her. 273 00:14:24,480 --> 00:14:28,360 Speaker 1: And that is how I want her to be remembered 274 00:14:28,360 --> 00:14:32,040 Speaker 1: in culture. Among the stars, Yes, shot into the air 275 00:14:32,160 --> 00:14:36,360 Speaker 1: by a cannon, singing, so what amongst the stars where 276 00:14:36,400 --> 00:14:40,880 Speaker 1: she belongs? And the moon in the sun. Number fifty nine. 277 00:14:41,360 --> 00:14:48,880 Speaker 3: Will Fair Daddy, daddy father, our kind father, our kind tall, 278 00:14:49,080 --> 00:14:57,160 Speaker 3: funny father, our kind tall, funny, sensitive available father, ally father, 279 00:14:57,320 --> 00:15:00,920 Speaker 3: our ally father. That's the title of our book about 280 00:15:00,920 --> 00:15:05,160 Speaker 3: Will our ally ally father. He is just We can't 281 00:15:05,160 --> 00:15:07,280 Speaker 3: say enough good things about him. I could cry thinking 282 00:15:07,280 --> 00:15:09,600 Speaker 3: about what this man has done for our lives and 283 00:15:09,760 --> 00:15:12,360 Speaker 3: for the lives of his friends and his fans. Will 284 00:15:12,400 --> 00:15:15,280 Speaker 3: and Harper that better win every trophy. 285 00:15:14,960 --> 00:15:18,440 Speaker 1: Oscar, every oscarar number fifty eight the fire. 286 00:15:18,280 --> 00:15:21,760 Speaker 3: Fire, island mines. There's something for everyone. People go, oh, 287 00:15:21,800 --> 00:15:24,360 Speaker 3: it's just for you know, a certain kind of gay. No, 288 00:15:24,760 --> 00:15:26,200 Speaker 3: what do you and I do when we go there? 289 00:15:26,280 --> 00:15:29,200 Speaker 3: We stay in the house, We play games, eat pizza, 290 00:15:29,640 --> 00:15:33,200 Speaker 3: eat pizza, have a little cocktail. Sometimes eat ass and 291 00:15:33,320 --> 00:15:33,960 Speaker 3: good sick. 292 00:15:33,920 --> 00:15:38,000 Speaker 1: Girl, not both of us. Just you listen. Sometimes you 293 00:15:38,040 --> 00:15:40,480 Speaker 1: have to choose your own adventure. Sometimes you eat pizza 294 00:15:40,520 --> 00:15:43,320 Speaker 1: and watch Barbon Star. Other times you eat so much 295 00:15:43,400 --> 00:15:44,720 Speaker 1: ass you get sick. 296 00:15:44,800 --> 00:15:48,720 Speaker 3: And watch Barbon Star. We love the. 297 00:15:48,760 --> 00:15:51,080 Speaker 1: Fireside, We love Barbon Star. 298 00:15:52,240 --> 00:15:54,160 Speaker 3: Fifty seven Jennifers. 299 00:15:54,320 --> 00:15:56,960 Speaker 1: As you know, I just watched an instagram she posted, 300 00:15:57,000 --> 00:15:58,080 Speaker 1: and guess what she was saying? 301 00:15:58,440 --> 00:16:01,560 Speaker 3: Vote good for her? She said, let's get loud and vote. 302 00:16:02,280 --> 00:16:05,640 Speaker 3: She'd better be at the inauguration of Kamala Harris. 303 00:16:05,760 --> 00:16:10,960 Speaker 1: I want the same exact rendition of the beautiful what 304 00:16:11,080 --> 00:16:11,360 Speaker 1: was it? 305 00:16:11,640 --> 00:16:16,520 Speaker 3: Let's get loud, see me too, shining see and then 306 00:16:16,560 --> 00:16:18,920 Speaker 3: I want her to say loud. 307 00:16:19,000 --> 00:16:25,400 Speaker 1: Waiting she owns that green light. I love you, Puppy 308 00:16:26,640 --> 00:16:27,480 Speaker 1: number fifty six. 309 00:16:29,440 --> 00:16:31,400 Speaker 3: I know this is your king, this is my king. 310 00:16:31,560 --> 00:16:34,120 Speaker 3: After school, I didn't grow up with cable, so guess what. 311 00:16:34,240 --> 00:16:37,640 Speaker 3: PBS was my best friend and I would watch Bob 312 00:16:37,960 --> 00:16:42,520 Speaker 3: Juliet Child, Fucking you know between the Lions Sesame Street, 313 00:16:42,520 --> 00:16:44,920 Speaker 3: but Bob Ross held it down and ASMR before a 314 00:16:44,960 --> 00:16:48,320 Speaker 3: SMR was invented. This was the King of This is 315 00:16:48,360 --> 00:16:52,240 Speaker 3: tall kind sensitive painter. King ally paints. You know what 316 00:16:52,560 --> 00:16:54,080 Speaker 3: he fought in the war, and he said, I don't 317 00:16:54,080 --> 00:16:56,320 Speaker 3: want to kill anymore. I only want to create beauty. 318 00:16:56,600 --> 00:17:02,760 Speaker 1: He does un number fifty five. Rihanna, you are the 319 00:17:02,840 --> 00:17:07,400 Speaker 1: world's richest functional marijuana addict. You are a Real Housewives 320 00:17:07,440 --> 00:17:14,000 Speaker 1: super fan. You wrote and sang Desperado. You are the 321 00:17:14,040 --> 00:17:19,639 Speaker 1: mother to a son named riot Rose. You have a 322 00:17:19,720 --> 00:17:25,120 Speaker 1: stop Rocky locked it down. You said, we found love 323 00:17:25,160 --> 00:17:28,840 Speaker 1: in a hopeless place and in Rihanna, we found number 324 00:17:28,880 --> 00:17:31,800 Speaker 1: fifty five on the iconic four hundred Dang. 325 00:17:32,119 --> 00:17:32,920 Speaker 3: Number fifty four. 326 00:17:33,560 --> 00:17:41,280 Speaker 1: Mmy, take the floor, come Onnday. It'll be all right. 327 00:17:42,320 --> 00:17:47,320 Speaker 5: Come Monday, I'll be holding you're tired. I spend four 328 00:17:47,400 --> 00:17:52,399 Speaker 5: loly days in a BROWNII Hayes and A just want 329 00:17:52,600 --> 00:17:56,640 Speaker 5: you back by my side. 330 00:17:57,080 --> 00:18:00,320 Speaker 1: Marguerite Deville is a different song than that one. But 331 00:18:01,000 --> 00:18:03,240 Speaker 1: I love you, Jimmy, We respecting, lovely love you, Jimmy. 332 00:18:03,359 --> 00:18:04,199 Speaker 1: Thanks for the vibes. 333 00:18:04,400 --> 00:18:06,440 Speaker 3: Dong number fifty three. 334 00:18:07,200 --> 00:18:09,880 Speaker 1: Catherine Jones speaking of vibes. 335 00:18:10,600 --> 00:18:16,320 Speaker 3: Oh my god, the vibe is precision, talent and wonder 336 00:18:16,400 --> 00:18:16,800 Speaker 3: and more. 337 00:18:17,280 --> 00:18:21,640 Speaker 1: The only word to describe her performance in Chicago is volcanic. 338 00:18:22,640 --> 00:18:26,919 Speaker 1: You watch Cell Block Tango, It's like a volcano erupting. 339 00:18:26,920 --> 00:18:28,840 Speaker 3: And what is the lava? What is the eruption? 340 00:18:29,320 --> 00:18:33,280 Speaker 1: Is it? How could you tell us that I was wrong? 341 00:18:33,520 --> 00:18:37,320 Speaker 1: That's when she goes and like she she gets it 342 00:18:37,359 --> 00:18:41,680 Speaker 1: in her eyes and she's yeah, so Catherine. 343 00:18:41,080 --> 00:18:45,400 Speaker 3: Number number, how would you describe her performance in Chicago? 344 00:18:45,920 --> 00:18:53,600 Speaker 1: Volcanic? God got hell? Lucy Lou remember when she was 345 00:18:53,680 --> 00:18:57,400 Speaker 1: name checked in Uh was an outcast song about booties. 346 00:18:57,040 --> 00:18:59,080 Speaker 3: To my Beyonces and Lucy Lu's I Believe. 347 00:18:58,920 --> 00:19:03,640 Speaker 1: And Lucy Lou's because it gave high tight ass representation. 348 00:19:04,600 --> 00:19:09,520 Speaker 3: Oh, it gave I mean Charlie's Angels birding legend. Her 349 00:19:09,560 --> 00:19:12,320 Speaker 3: character in Charlie's Dung was just so funny that her number. 350 00:19:12,160 --> 00:19:18,760 Speaker 1: Fifty one forrest Or Dumb involved in so many world events. 351 00:19:17,760 --> 00:19:21,760 Speaker 3: Such as Bubba Gum Trimp that is a world event. 352 00:19:21,800 --> 00:19:24,679 Speaker 1: That is a world event. Honestly, Yeah, Like, if we 353 00:19:24,680 --> 00:19:27,000 Speaker 1: were going to do another Twelve Days of Culture, Bubba 354 00:19:27,040 --> 00:19:29,480 Speaker 1: Gump establishment would be up there by the way. I 355 00:19:29,480 --> 00:19:31,679 Speaker 1: had Del Taco for the first time last night. You 356 00:19:31,720 --> 00:19:36,440 Speaker 1: love it. Oh my, You're a del Taco God. Life 357 00:19:36,480 --> 00:19:39,320 Speaker 1: is like a box of chocolates. Get me more adel Taco. 358 00:19:40,880 --> 00:19:43,760 Speaker 3: I don't know how those ideas connect. 359 00:19:46,040 --> 00:19:51,120 Speaker 1: Number fifty Jetson not happy with your recent comments. 360 00:19:51,600 --> 00:19:53,800 Speaker 3: Recent comments have been troubling, but you still That's why 361 00:19:53,800 --> 00:19:55,560 Speaker 3: you're not higher up on the list. But you are 362 00:19:55,640 --> 00:19:57,280 Speaker 3: still deserving of number fifty. 363 00:19:57,680 --> 00:20:00,840 Speaker 1: Remember this, Remember this, back to happier times. Give me 364 00:20:00,920 --> 00:20:01,280 Speaker 1: a beat. 365 00:20:02,119 --> 00:20:05,720 Speaker 3: Oh my god, nesty remember this. 366 00:20:05,720 --> 00:20:07,560 Speaker 1: This is a story about control. 367 00:20:07,920 --> 00:20:14,399 Speaker 3: Oh my god. Remember this, because I'm gonna after it tonight. 368 00:20:15,640 --> 00:20:17,920 Speaker 1: Sandra Bernhard has a joke about Ja and Jackson, which 369 00:20:17,960 --> 00:20:19,840 Speaker 1: is that she was one day listening to her album 370 00:20:19,880 --> 00:20:21,399 Speaker 1: and all of a sudden, these words came out of 371 00:20:21,440 --> 00:20:24,800 Speaker 1: her speakers, and then your pussy's gonna swell up and explode, dumb, 372 00:20:24,960 --> 00:20:30,720 Speaker 1: Oh my god. Number forty nine the Jaws girl Boss icon. 373 00:20:31,440 --> 00:20:33,920 Speaker 1: This was a woman. No one knows that this was 374 00:20:33,960 --> 00:20:34,439 Speaker 1: a woman. 375 00:20:35,200 --> 00:20:39,399 Speaker 3: She had a big old mouth and a point and 376 00:20:39,480 --> 00:20:42,320 Speaker 3: a point to me in the water. She said, now, 377 00:20:42,400 --> 00:20:45,080 Speaker 3: let me let you know who the biggest fish is, 378 00:20:45,920 --> 00:20:49,119 Speaker 3: and you are gonna need a bigger boat. 379 00:20:49,600 --> 00:20:53,160 Speaker 1: I'm chomping on kids, I'm chomping on dogs, I'm chomping 380 00:20:53,160 --> 00:20:57,040 Speaker 1: on Quinn, chopping on the community. Oh, I'm chomping down. 381 00:20:57,480 --> 00:21:01,439 Speaker 1: Try to stop me with your three yellow booies. Number 382 00:21:01,480 --> 00:21:05,200 Speaker 1: forty eight. ET a lot of Spielberg, so between Forrest 383 00:21:05,240 --> 00:21:07,120 Speaker 1: Gump and Jaws and Et. 384 00:21:07,359 --> 00:21:09,960 Speaker 3: But but keep going. 385 00:21:10,000 --> 00:21:12,679 Speaker 1: I'm more afraid of Et than the shark from Jaws. 386 00:21:12,720 --> 00:21:16,440 Speaker 1: If I see ET, it's on site. Can you imagine 387 00:21:16,480 --> 00:21:19,080 Speaker 1: if ET, If you say you're just living your life, 388 00:21:19,160 --> 00:21:19,720 Speaker 1: you see. 389 00:21:19,560 --> 00:21:21,560 Speaker 3: Et in the woods, you're kicking him. 390 00:21:21,880 --> 00:21:23,679 Speaker 1: Oh, I'm kicking it as hard as I can, and 391 00:21:23,720 --> 00:21:27,959 Speaker 1: I'm screaming. I'm letting everyone know what's happening. ET is 392 00:21:28,160 --> 00:21:30,840 Speaker 1: fucked up, like, do not try to convince me he's 393 00:21:30,880 --> 00:21:32,760 Speaker 1: cute with his reciss pieces and his bullshit. 394 00:21:33,240 --> 00:21:36,639 Speaker 3: I'm killing it on site. Et in the in the wig, 395 00:21:36,640 --> 00:21:40,159 Speaker 3: in the hat you don't like in the drag, No, duh, 396 00:21:40,200 --> 00:21:43,400 Speaker 3: she's cute. Another Spielberg legend, Number. 397 00:21:44,760 --> 00:21:48,760 Speaker 1: Drew more. Sometimes she crawls off the couch and into 398 00:21:48,800 --> 00:21:49,440 Speaker 1: our hearts. 399 00:21:49,600 --> 00:21:52,639 Speaker 3: Oh my god, look all three Charlie's angels are on 400 00:21:52,680 --> 00:21:53,879 Speaker 3: the list. That's pretty amazing. 401 00:21:53,960 --> 00:21:56,360 Speaker 1: Huh. It's right that drew Is is the top one 402 00:21:56,400 --> 00:21:57,600 Speaker 1: because she is an icon like. 403 00:21:57,640 --> 00:22:00,359 Speaker 3: Drew on the film. Yeah, so she should be the 404 00:22:00,400 --> 00:22:02,840 Speaker 3: highest on the II one hundred, right. She made it happen. 405 00:22:02,960 --> 00:22:04,720 Speaker 3: She paid for the first of all, I never been kissed. 406 00:22:04,960 --> 00:22:07,760 Speaker 1: You know what movie? I like Fever Pitch Oh, you 407 00:22:07,760 --> 00:22:08,879 Speaker 1: know I love. 408 00:22:08,840 --> 00:22:12,120 Speaker 3: Going the distance with her and Justin Justin Lung really good. 409 00:22:12,200 --> 00:22:12,760 Speaker 1: It's so good. 410 00:22:13,200 --> 00:22:18,760 Speaker 3: Number forty six Robin the singer, of course, not Robin Dixon. 411 00:22:18,800 --> 00:22:23,120 Speaker 3: Whatever the fuck her name is, Robin. No, it came 412 00:22:23,160 --> 00:22:24,159 Speaker 3: to me right in the moment. I was like, I 413 00:22:24,160 --> 00:22:25,280 Speaker 3: don't think I know that woman's last. 414 00:22:25,440 --> 00:22:28,480 Speaker 1: I can't use Robin's time to talk about Robin Dixon's name. 415 00:22:28,600 --> 00:22:34,159 Speaker 3: No, Robin, you are Swedish pop iconography. What can what 416 00:22:34,160 --> 00:22:36,879 Speaker 3: can I say? You invent? I mean it's it was 417 00:22:36,920 --> 00:22:39,160 Speaker 3: abba technically, but then like you really pushed it into 418 00:22:39,160 --> 00:22:41,800 Speaker 3: the nineties and into the os and and you were 419 00:22:41,840 --> 00:22:44,159 Speaker 3: just one of the most. When I have a panic attack, 420 00:22:44,680 --> 00:22:46,400 Speaker 3: I had a panic attack at the gay club two 421 00:22:46,400 --> 00:22:49,040 Speaker 3: prides ago. Listen to Honey in my Bed, in my 422 00:22:49,080 --> 00:22:52,400 Speaker 3: bed and I calmed, right the fuck down. Number forty five, Kate. 423 00:22:53,240 --> 00:22:55,480 Speaker 1: When I have a panic attack, I watched Tar in 424 00:22:55,520 --> 00:23:00,640 Speaker 1: its entirety. Well, I feel way worse that end. 425 00:23:00,880 --> 00:23:02,080 Speaker 3: Can we talk about that ending? 426 00:23:02,520 --> 00:23:06,840 Speaker 1: We can? It's a perfect, a perfect ending again, Katelyn 427 00:23:06,920 --> 00:23:09,480 Speaker 1: chet is, of course, a situation where everything is improved 428 00:23:09,480 --> 00:23:11,040 Speaker 1: by her being in it. By the way, Wash notes 429 00:23:11,040 --> 00:23:13,200 Speaker 1: on a scandal again, Oh no, it's on a scandal. 430 00:23:13,240 --> 00:23:15,200 Speaker 1: Maybe maybe in my top five greatest films. 431 00:23:15,440 --> 00:23:16,520 Speaker 3: You want to fuck me, Bobraa. 432 00:23:16,880 --> 00:23:23,440 Speaker 1: You think this is a love affair here, I am like. 433 00:23:33,119 --> 00:23:37,320 Speaker 3: Number forty four Mark Show, That's Mother. 434 00:23:37,560 --> 00:23:42,960 Speaker 1: Truly, you know, just the great, the Great Margaret Show. 435 00:23:43,359 --> 00:23:45,960 Speaker 1: Cut to me being you know what a twelve thirteen 436 00:23:46,000 --> 00:23:49,120 Speaker 1: years old getting on Rhapsody, listening to all her stand 437 00:23:49,160 --> 00:23:52,160 Speaker 1: up albums, like just feeling like I was being told 438 00:23:52,200 --> 00:23:54,480 Speaker 1: what my sense of humor was from beyond without really 439 00:23:54,600 --> 00:23:57,520 Speaker 1: understanding a single joke. She was saying, But you knew 440 00:23:57,840 --> 00:24:00,720 Speaker 1: in my heart, I knew, I'm a faggot who loves her. 441 00:24:01,560 --> 00:24:07,840 Speaker 3: Gay is okay, Gay is okay, Thank you, Margaret, Glen 442 00:24:08,080 --> 00:24:12,520 Speaker 3: Glenn Close, Gay is okay, Gay is okay. We're gonna 443 00:24:12,520 --> 00:24:13,639 Speaker 3: get you that, Oscar Glenn. 444 00:24:13,960 --> 00:24:14,320 Speaker 1: We are. 445 00:24:15,320 --> 00:24:20,040 Speaker 3: Don't worry. This woman did that movie and said I 446 00:24:20,080 --> 00:24:21,440 Speaker 3: can smell your nappy pussy. 447 00:24:21,680 --> 00:24:24,440 Speaker 1: She really did, looking like something you call animal control on. 448 00:24:26,680 --> 00:24:30,439 Speaker 3: This woman. She will always do something interesting. That's she 449 00:24:30,480 --> 00:24:32,960 Speaker 3: will play Albert Knams and we will all forget about it. 450 00:24:33,520 --> 00:24:39,440 Speaker 1: Glenn Close, you will always be famous. We need to 451 00:24:39,480 --> 00:24:41,240 Speaker 1: take it into our own hands and write her Oscar role. 452 00:24:41,280 --> 00:24:43,040 Speaker 1: I think it is absolutely. 453 00:24:44,240 --> 00:24:49,399 Speaker 3: Sanity takes care of her crew, takes care of her cast. 454 00:24:49,640 --> 00:24:53,119 Speaker 3: She you know, she was making sure Patty Harrison and 455 00:24:53,160 --> 00:24:55,919 Speaker 3: I were taken care of on the set of The 456 00:24:55,960 --> 00:24:56,560 Speaker 3: Lost City. 457 00:24:57,680 --> 00:25:01,399 Speaker 1: The Lost City a great film. To talk nothing about that? 458 00:25:01,760 --> 00:25:04,400 Speaker 1: Can we just say gravity? She said? You know, oh 459 00:25:04,480 --> 00:25:06,679 Speaker 1: you didn't think I deserved the Oscar for a blindside. 460 00:25:06,760 --> 00:25:08,480 Speaker 1: Let me give the performance of a lifetime. 461 00:25:08,800 --> 00:25:11,000 Speaker 3: Oh, let me hurtle through space. 462 00:25:12,040 --> 00:25:15,600 Speaker 1: Gravity is exemplary film acting. And to say nothing of 463 00:25:15,600 --> 00:25:18,440 Speaker 1: Miss Congeniality. She's effortless, She's perfect. She's central fucking Bulock 464 00:25:18,920 --> 00:25:19,840 Speaker 1: number forty one. 465 00:25:20,560 --> 00:25:24,320 Speaker 3: Donna, Look, Greta Gabo and Monroe. 466 00:25:24,400 --> 00:25:25,040 Speaker 1: What am I doing? 467 00:25:25,359 --> 00:25:30,560 Speaker 3: You're voguing Dietrich and Dinaugio. Now, let's let's work her hand. 468 00:25:31,520 --> 00:25:37,720 Speaker 3: Let's say Greta Gabo and Monroe. Madonna, Hell, that's really good. 469 00:25:37,720 --> 00:25:41,480 Speaker 1: Bow you know, you know Madonna. She was an original. 470 00:25:41,600 --> 00:25:44,040 Speaker 1: She is an original. We wouldn't have any other girls 471 00:25:44,040 --> 00:25:45,959 Speaker 1: without Madonna, And I do think it's important to say that. 472 00:25:46,080 --> 00:25:50,320 Speaker 3: Literally the blueprint don okay, number forty Barney. 473 00:25:50,640 --> 00:25:52,800 Speaker 1: Are you thankful that you have Selena Gomez and Demi 474 00:25:52,880 --> 00:25:56,320 Speaker 1: Lovado because their father the person who taught them how 475 00:25:56,320 --> 00:25:57,280 Speaker 1: to be on set? 476 00:25:57,920 --> 00:26:02,639 Speaker 3: Tall kind funny father Ally there Will Ferrell, that is 477 00:26:02,640 --> 00:26:04,000 Speaker 3: Selina Gomez and Demi Labaudez. 478 00:26:04,000 --> 00:26:07,159 Speaker 1: Will Farrell. Barney said, this is how you act like 479 00:26:07,240 --> 00:26:09,720 Speaker 1: a good number one on a call sheet. You come in, 480 00:26:09,800 --> 00:26:12,520 Speaker 1: you know everyone's name, You say, can I please have 481 00:26:12,560 --> 00:26:18,480 Speaker 1: a dia coke? You say clean up? Clean up everybody? Everywhere? 482 00:26:18,600 --> 00:26:21,040 Speaker 3: Oh, you say, I love you, you love me? Were 483 00:26:21,080 --> 00:26:22,480 Speaker 3: one happy family. 484 00:26:22,920 --> 00:26:26,000 Speaker 1: I know somewhere Barney is out there fighting against climate 485 00:26:26,080 --> 00:26:26,640 Speaker 1: change for right. 486 00:26:26,960 --> 00:26:30,720 Speaker 3: Thirty nine, number thirty nine. Jennifer Anathon, what is there 487 00:26:30,760 --> 00:26:31,160 Speaker 3: to say? 488 00:26:31,560 --> 00:26:37,720 Speaker 1: Effortless, icon, hilarious, an American treasure, truly an American treasure. 489 00:26:38,359 --> 00:26:43,200 Speaker 1: And also the Morning Show. She's turning a performance and 490 00:26:43,320 --> 00:26:46,080 Speaker 1: a half. When she almost died of COVID, I almost 491 00:26:46,160 --> 00:26:49,119 Speaker 1: died of COVID? Were you dying of COVID? 492 00:26:49,440 --> 00:26:49,600 Speaker 3: No? 493 00:26:49,640 --> 00:26:53,240 Speaker 1: But I felt like her performance was see I understand that. 494 00:26:53,760 --> 00:26:54,560 Speaker 1: I felt that way. 495 00:26:55,200 --> 00:26:57,600 Speaker 3: Come on if you had COVID while you were watching 496 00:26:57,640 --> 00:27:00,320 Speaker 3: the Morning show. Okay, number thirty eight, I think I 497 00:27:00,359 --> 00:27:06,359 Speaker 3: did Fergie Stacy. Don't call her Stacy, No, they always 498 00:27:06,359 --> 00:27:07,120 Speaker 3: think they know her. 499 00:27:08,520 --> 00:27:10,280 Speaker 1: Come in to me, call me Stacy. You know what 500 00:27:10,320 --> 00:27:15,360 Speaker 1: was a number one hit London Bridge You really are 501 00:27:15,440 --> 00:27:18,880 Speaker 1: my girl, You're my sister. A song that starts with 502 00:27:19,400 --> 00:27:22,000 Speaker 1: oh shit or oh snap on the radio. But I 503 00:27:22,119 --> 00:27:24,280 Speaker 1: knew it was a hit when they said Fergie is 504 00:27:24,320 --> 00:27:26,920 Speaker 1: going solo and the first thing you heard was oh 505 00:27:26,960 --> 00:27:29,240 Speaker 1: sh shit. I was like, this is forget it. We're 506 00:27:29,280 --> 00:27:32,040 Speaker 1: in a new era. The Duchess. When I come to 507 00:27:32,080 --> 00:27:35,760 Speaker 1: the club step aside number four, No wait, oh my god, 508 00:27:36,200 --> 00:27:39,080 Speaker 1: you everything. Fergie, come on the show. 509 00:27:39,320 --> 00:27:41,880 Speaker 3: Fergie please. Number thirty seven. 510 00:27:42,040 --> 00:27:45,840 Speaker 1: Sheriff Wro, California legend. I want to smoke up the sun. 511 00:27:46,320 --> 00:27:47,160 Speaker 3: Smoke up the sun. 512 00:27:47,240 --> 00:27:50,080 Speaker 1: He says, well, don't mind if I do, don't mind 513 00:27:50,119 --> 00:27:51,840 Speaker 1: if I do. I would love to smoke up the 514 00:27:51,840 --> 00:27:53,360 Speaker 1: sun with show cra I bet that would be fun. 515 00:27:53,520 --> 00:27:57,880 Speaker 3: Oh yeah, stories if it makes you happy, then yeah, 516 00:27:57,920 --> 00:28:03,120 Speaker 3: sure do it. Even yeah, what a fucking melody? 517 00:28:03,400 --> 00:28:04,760 Speaker 1: Oh my god truly. 518 00:28:04,920 --> 00:28:07,760 Speaker 3: If it makes you happy, walk so shallow could run. 519 00:28:08,920 --> 00:28:12,040 Speaker 1: Whoa, I never thought about that, you know. Also like 520 00:28:12,080 --> 00:28:15,520 Speaker 1: show Crow, I put your picture away. Don't forget that 521 00:28:15,560 --> 00:28:17,960 Speaker 1: she's got some of the best songs ever Arry Ali 522 00:28:18,080 --> 00:28:21,680 Speaker 1: made Bowen. You really are one of the smartest young women. 523 00:28:22,480 --> 00:28:27,879 Speaker 3: Number thirty six, glorious de vet a devet as she says, 524 00:28:28,200 --> 00:28:29,159 Speaker 3: come on, Sha, get out of it. 525 00:28:29,240 --> 00:28:31,280 Speaker 1: But do that conga if you want, if you want 526 00:28:31,359 --> 00:28:33,720 Speaker 1: to live the best moment of your life, get down 527 00:28:33,720 --> 00:28:35,760 Speaker 1: to Epcot, get on the Guardians of the Galaxy roller 528 00:28:35,760 --> 00:28:37,960 Speaker 1: coaster and cross your fingers so hard that you get 529 00:28:38,040 --> 00:28:39,120 Speaker 1: conga playing on that. 530 00:28:39,280 --> 00:28:42,760 Speaker 3: I've never felt better, I've never no and look, you 531 00:28:42,800 --> 00:28:44,640 Speaker 3: are an icon. If you have a song on Guardens 532 00:28:44,640 --> 00:28:47,120 Speaker 3: of the Galaxy Cosmic rewind period, you just you just 533 00:28:47,200 --> 00:28:48,520 Speaker 3: are You did that? 534 00:28:48,880 --> 00:28:50,680 Speaker 1: You Pad Banatar. 535 00:28:51,880 --> 00:28:52,800 Speaker 3: Discoing for now? 536 00:28:53,760 --> 00:28:56,040 Speaker 1: Yeah done? 537 00:28:56,280 --> 00:29:01,720 Speaker 3: Number thirty five, Wow, Far and away, hands down the best. 538 00:29:01,720 --> 00:29:03,000 Speaker 3: I don't think so many ever done. 539 00:29:03,080 --> 00:29:05,440 Speaker 1: I think so, I think the best. I don't think 540 00:29:05,520 --> 00:29:09,520 Speaker 1: so honey of all time. I would say, redefined the form, 541 00:29:10,080 --> 00:29:12,400 Speaker 1: redefined sitcoms. I would say. 542 00:29:13,960 --> 00:29:18,959 Speaker 3: Just I mean just an indisputably iconic, chic funny person. 543 00:29:19,200 --> 00:29:22,160 Speaker 3: I mean what I got, It's crazy. Sarah Palin found 544 00:29:22,160 --> 00:29:26,160 Speaker 3: not elected period. Thank you for mean girls, Thank you 545 00:29:26,200 --> 00:29:28,360 Speaker 3: for me and girls. Liz Lemon found in every hinge 546 00:29:28,520 --> 00:29:30,840 Speaker 3: gay dating profile. Okay, number thirty four. 547 00:29:31,480 --> 00:29:33,640 Speaker 1: First of all, every line that you called for mean girls. 548 00:29:34,080 --> 00:29:36,680 Speaker 1: Look up to the sky, look past pink and the stars, 549 00:29:36,680 --> 00:29:39,120 Speaker 1: look at heaven and God, and say thank you Tina 550 00:29:39,120 --> 00:29:39,600 Speaker 1: Fay for that. 551 00:29:40,040 --> 00:29:44,280 Speaker 3: She's up there. Number thirty four. Naypiery, Oh my God, 552 00:29:44,400 --> 00:29:45,680 Speaker 3: not the Queen. 553 00:29:46,040 --> 00:29:49,360 Speaker 1: Zolways tell Donna as Natiri. That is. It's the most 554 00:29:49,360 --> 00:29:53,200 Speaker 1: famous character in cinema history, if you think about it. 555 00:29:53,360 --> 00:29:57,560 Speaker 1: She is the face of the greatest film franchise in 556 00:29:57,640 --> 00:29:59,080 Speaker 1: cinema history, Night Serio. 557 00:30:00,320 --> 00:30:06,200 Speaker 3: A woman who's every line making quote such as such. 558 00:30:06,000 --> 00:30:11,080 Speaker 1: As, such as I see you, such as you will 559 00:30:11,200 --> 00:30:12,640 Speaker 1: never be one of the people. 560 00:30:14,000 --> 00:30:17,640 Speaker 3: November thirty You will never be one one of the 561 00:30:17,680 --> 00:30:18,560 Speaker 3: people people. 562 00:30:19,320 --> 00:30:22,719 Speaker 1: Number thirty three, thirty three Christine mcviee. 563 00:30:23,840 --> 00:30:32,440 Speaker 3: Yes, she is one of the most beautiful, purest voices. 564 00:30:33,480 --> 00:30:36,280 Speaker 3: I really, I mean God, moment of silence for Christine mcviee. 565 00:30:37,840 --> 00:30:41,680 Speaker 1: And now we resume to say, truly Fleetwood Mac that 566 00:30:42,080 --> 00:30:46,200 Speaker 1: they are forever they are forever timeless. There was nothing 567 00:30:46,240 --> 00:30:50,000 Speaker 1: more moving than Stevie's tribute to her. Oh my God, 568 00:30:50,320 --> 00:30:54,360 Speaker 1: my best friend, I just God so sad number thirty two. 569 00:30:54,760 --> 00:30:59,920 Speaker 1: Tune in, tune in Tomorrow Night to Saturday Night Live 570 00:31:00,440 --> 00:31:03,200 Speaker 1: to see her tear it up on the which episode 571 00:31:03,240 --> 00:31:03,920 Speaker 1: of SNL. 572 00:31:04,400 --> 00:31:06,440 Speaker 3: Stevie Nick's in October is such a powerful thing. 573 00:31:07,040 --> 00:31:11,480 Speaker 1: I can't landslide. The live performance of Landslide, Oh, that 574 00:31:11,640 --> 00:31:14,600 Speaker 1: like one iconic Landslide performance when she breaks it down 575 00:31:14,600 --> 00:31:20,120 Speaker 1: and then in the snow cover, Oh, I'm just like, 576 00:31:20,320 --> 00:31:22,200 Speaker 1: this is the greatest song of all time being performed 577 00:31:22,240 --> 00:31:24,560 Speaker 1: by a true legend. When I told my dad that 578 00:31:24,840 --> 00:31:26,400 Speaker 1: I was gonna get to because I'm coming to ask 579 00:31:26,440 --> 00:31:27,280 Speaker 1: and now to see her, he. 580 00:31:27,320 --> 00:31:30,240 Speaker 3: Flipped her singing wild Heart backstage before a concert in 581 00:31:30,240 --> 00:31:34,160 Speaker 3: this in the eighties. Come on, okay, now. 582 00:31:33,120 --> 00:31:36,080 Speaker 1: One Jesus Christ say what you want. 583 00:31:37,360 --> 00:31:40,600 Speaker 3: You can't deny that he changed the game, came onto 584 00:31:40,600 --> 00:31:43,520 Speaker 3: the scene, said I'm gonna show the girls. 585 00:31:44,600 --> 00:31:46,120 Speaker 1: Jesus Christ said, I. 586 00:31:46,240 --> 00:31:52,080 Speaker 3: Want to come to the clubs emisode and then what 587 00:31:52,120 --> 00:31:52,840 Speaker 3: else did he say? 588 00:31:53,240 --> 00:31:56,240 Speaker 1: Well, here's what I'm saying. If if Jesus Christ is 589 00:31:56,280 --> 00:31:59,320 Speaker 1: going to come back which, by the way, TikTok Oh, God, 590 00:31:59,320 --> 00:32:01,040 Speaker 1: you know now is the because we need to help. 591 00:32:01,120 --> 00:32:03,760 Speaker 1: But also like he would be huge on TikTok he'd 592 00:32:03,760 --> 00:32:05,880 Speaker 1: be huge on TikTok if he came to like Animal 593 00:32:06,080 --> 00:32:09,080 Speaker 1: in Brooklyn, the gates would the games would be Who's 594 00:32:09,200 --> 00:32:13,840 Speaker 1: Jesus number thirty orals. 595 00:32:15,080 --> 00:32:17,840 Speaker 3: I'm so happy they're striking back. Well, not that they're 596 00:32:17,880 --> 00:32:19,360 Speaker 3: young and that they're they're playing. 597 00:32:19,960 --> 00:32:21,920 Speaker 1: I don't think that's true. I actually think and this 598 00:32:22,040 --> 00:32:24,560 Speaker 1: is my conspiracy theory, Like you think that Frank Sinatra 599 00:32:24,640 --> 00:32:27,440 Speaker 1: killed Marilyn Monroe, which was something crazy. I believe that 600 00:32:27,480 --> 00:32:30,760 Speaker 1: the orcas are more intelligent that humans, and they finally 601 00:32:30,800 --> 00:32:32,840 Speaker 1: had it. I heard I have it on good authority. 602 00:32:32,840 --> 00:32:36,200 Speaker 1: There's a matriarch who is organizing them, the young ones, 603 00:32:36,360 --> 00:32:39,400 Speaker 1: to attack all boats because she's so traumatized and she's 604 00:32:39,440 --> 00:32:42,240 Speaker 1: had it. And I need to see Amy Adams play 605 00:32:42,240 --> 00:32:45,719 Speaker 1: this role as well done it can be done. 606 00:32:46,160 --> 00:32:49,320 Speaker 3: Frank Sinatra was banned for Marilyn Monroe's funeral. I just 607 00:32:49,360 --> 00:32:55,680 Speaker 3: found this out. You're onto something bo Number probably the 608 00:32:55,760 --> 00:32:59,360 Speaker 3: person I have watched on screen for the most duration 609 00:32:59,400 --> 00:33:01,080 Speaker 3: of time in my lifetime. Like if you if I 610 00:33:01,120 --> 00:33:03,920 Speaker 3: really tally up the minutes of people I've watched on screen, 611 00:33:04,000 --> 00:33:06,680 Speaker 3: probably she is number one. Yeah, she's been in every 612 00:33:06,720 --> 00:33:10,120 Speaker 3: single one of my favorite movies throughout my lifetime. Someone 613 00:33:10,200 --> 00:33:14,080 Speaker 3: who talks about quote unquote process, I want to qu 614 00:33:14,200 --> 00:33:16,040 Speaker 3: not quote unquote, like literally, she talks about process in 615 00:33:16,040 --> 00:33:19,600 Speaker 3: the way that is not at all like cloying or 616 00:33:20,000 --> 00:33:22,320 Speaker 3: like saccharine. I'm just like I could talk watch you 617 00:33:22,360 --> 00:33:24,960 Speaker 3: talk about acting or movie making all day. 618 00:33:25,240 --> 00:33:27,840 Speaker 1: Yeah, oh my god, we love you, We love you. 619 00:33:27,920 --> 00:33:30,600 Speaker 1: You're invited on this podcast, literally, and anytime you want. 620 00:33:31,040 --> 00:33:36,640 Speaker 1: Number twenty eight Oreo Cookie used to clear these, clear them. 621 00:33:36,760 --> 00:33:39,680 Speaker 1: I used to get I still do you do? And like, 622 00:33:40,040 --> 00:33:42,760 Speaker 1: But but here's the thing. It's like when you when 623 00:33:42,800 --> 00:33:46,280 Speaker 1: you start, you can't stop. You can't start pringles, lied, 624 00:33:47,200 --> 00:33:51,040 Speaker 1: no pringles. I actually can stop. Oreo Cookies, especially double stuff. 625 00:33:51,760 --> 00:33:53,360 Speaker 1: I don't stand much of a chance. I get it, 626 00:33:53,880 --> 00:33:56,480 Speaker 1: I'm clearing sleeves. But then they get weird with the flavors, 627 00:33:56,480 --> 00:33:57,880 Speaker 1: like did you eat the chromatic Oreo? 628 00:33:58,400 --> 00:34:00,480 Speaker 3: I did not great and will say, but that's not 629 00:34:00,520 --> 00:34:05,440 Speaker 3: a knock to Gaga, knock on Gaga, Nibisco or Yeah. 630 00:34:05,760 --> 00:34:08,520 Speaker 3: Number twenty seven Kelly Clarkson. 631 00:34:09,360 --> 00:34:11,600 Speaker 1: Thank you for everything that you are. Thank you for 632 00:34:11,719 --> 00:34:14,319 Speaker 1: everything that comes out of your goddamn mouth, whether you're 633 00:34:14,360 --> 00:34:16,680 Speaker 1: speaking or singing, because it's the best thing I've ever heard. 634 00:34:16,719 --> 00:34:17,960 Speaker 1: Either way. 635 00:34:18,120 --> 00:34:21,320 Speaker 3: You are such a light in this world. Your voice 636 00:34:21,600 --> 00:34:24,840 Speaker 3: is a power source. 637 00:34:25,640 --> 00:34:28,959 Speaker 1: You know how It's BC like before Christ it should 638 00:34:29,000 --> 00:34:30,000 Speaker 1: be before, it should. 639 00:34:29,800 --> 00:34:32,720 Speaker 3: Be b Casey, before Kelly Clarkson. 640 00:34:32,320 --> 00:34:34,640 Speaker 1: Before Kelly Clarkson, and after Kelly Clarkson. At least that's 641 00:34:34,640 --> 00:34:36,960 Speaker 1: how I quantify things in my life. It was before 642 00:34:37,000 --> 00:34:40,040 Speaker 1: that woman came in and said, oh yes, and. 643 00:34:40,080 --> 00:34:45,160 Speaker 3: After number twenty six, big big Bro by the river. 644 00:34:45,080 --> 00:34:48,759 Speaker 1: Big Bro. You know, this goes out to all the 645 00:34:48,800 --> 00:34:51,760 Speaker 1: guys out there, Oh who are who are dicking down? 646 00:34:52,120 --> 00:34:56,000 Speaker 1: This goes out to every top that exists to fuck. 647 00:34:57,880 --> 00:35:00,960 Speaker 3: I did have this thought the other day. I said, God, 648 00:35:01,000 --> 00:35:03,440 Speaker 3: there are there are a lot of men and a 649 00:35:03,440 --> 00:35:06,480 Speaker 3: lot of in the words of remonta singer, guys, and 650 00:35:07,320 --> 00:35:09,239 Speaker 3: and we do celebrate you at the end of the day, 651 00:35:09,360 --> 00:35:12,080 Speaker 3: like you know, we're we love you. 652 00:35:12,080 --> 00:35:13,800 Speaker 1: You know who this person is in your life? 653 00:35:14,160 --> 00:35:17,160 Speaker 3: Number twenty five Regina. 654 00:35:16,719 --> 00:35:20,080 Speaker 1: George, meanest girl in high school history. 655 00:35:20,560 --> 00:35:23,239 Speaker 3: But and the way that Madonna was the blueprint. She 656 00:35:23,440 --> 00:35:25,120 Speaker 3: is the blueprint for me and girls. It's like, you 657 00:35:25,160 --> 00:35:28,480 Speaker 3: can't it all goes back to her. It's crazy. 658 00:35:29,040 --> 00:35:31,600 Speaker 1: Oh yeah, oh yeah. I saw girls that I went 659 00:35:31,640 --> 00:35:35,560 Speaker 1: to high school with get nastier and meaner because of 660 00:35:35,600 --> 00:35:38,880 Speaker 1: Regina George. And that's power. Regina George and Hannibal Lecter. 661 00:35:39,400 --> 00:35:40,920 Speaker 1: Oh my god, who was a better villain? I mean, 662 00:35:40,920 --> 00:35:42,440 Speaker 1: it's very hard to say so. 663 00:35:42,520 --> 00:35:43,839 Speaker 3: In the ACA, I started going at to my first 664 00:35:43,840 --> 00:35:46,520 Speaker 3: girlfriend Kyle. He was totally gorgeous. But they move to Indiana. 665 00:35:46,960 --> 00:35:50,920 Speaker 3: Gena's just like weirdly jealous of him. Okay, Number number 666 00:35:50,920 --> 00:35:51,720 Speaker 3: twenty four four. 667 00:35:51,920 --> 00:35:57,600 Speaker 1: As you stand three foot two, your talent stands a 668 00:35:57,640 --> 00:35:59,080 Speaker 1: billion feet tall. 669 00:35:59,320 --> 00:36:06,000 Speaker 3: You are one of the great Instagram presences. Thursday is 670 00:36:06,080 --> 00:36:07,120 Speaker 3: a day I look forward to. 671 00:36:08,040 --> 00:36:08,879 Speaker 1: There's you. 672 00:36:10,719 --> 00:36:13,240 Speaker 3: Look you are Adam sel You were Adam Selman's client 673 00:36:13,480 --> 00:36:15,840 Speaker 3: at a time when his clients were you and Rihanna. 674 00:36:16,600 --> 00:36:21,560 Speaker 3: That is power that Adam Selman. Adam Selman Honorable Mention, 675 00:36:21,760 --> 00:36:26,360 Speaker 3: Honorable mention, one of the most wonderful, gorgeous Solish Icon. 676 00:36:26,760 --> 00:36:31,480 Speaker 1: Number twenty three the current fucking reigning Artist of the Millennium. 677 00:36:31,560 --> 00:36:33,480 Speaker 1: Lost Culturistas Culture Award winner. 678 00:36:34,080 --> 00:36:37,720 Speaker 3: We love You, Tilda a star of all your favorite movies, 679 00:36:38,719 --> 00:36:44,040 Speaker 3: Chronicles of Narnia, Michael Clayton, Problemsta, the list goes on. 680 00:36:45,120 --> 00:36:48,440 Speaker 1: When she won that kingdom, I have never been so 681 00:36:48,560 --> 00:36:50,960 Speaker 1: happy because the scene and Michael Clayton at the end 682 00:36:51,000 --> 00:36:53,040 Speaker 1: when she collapses on the ground as George Clooney is 683 00:36:53,040 --> 00:36:55,840 Speaker 1: walking away from her, I was like wow. And also 684 00:36:55,960 --> 00:36:59,319 Speaker 1: just like everything about that movie is so fun and great. 685 00:36:59,360 --> 00:37:01,960 Speaker 1: Everything is. She's the best part about it. She's the 686 00:37:02,080 --> 00:37:05,080 Speaker 1: David Billie of acting. Okay, the best Oscar when's ever 687 00:37:05,440 --> 00:37:09,480 Speaker 1: Ronald McDonald say what you want I think of him, 688 00:37:09,480 --> 00:37:12,840 Speaker 1: I go, I want a cheeseburger. Oh, and that is 689 00:37:12,960 --> 00:37:17,840 Speaker 1: the point, which is the whole point. To say nothing 690 00:37:17,840 --> 00:37:19,040 Speaker 1: of fries. 691 00:37:18,920 --> 00:37:21,520 Speaker 3: Oh I forgot about fries. 692 00:37:21,280 --> 00:37:24,160 Speaker 1: To say nothing of chicken nuggets. And he is the 693 00:37:24,280 --> 00:37:28,799 Speaker 1: gateway to all of these things. I'm sorry, but you 694 00:37:28,840 --> 00:37:31,560 Speaker 1: can talk to me about other fast food all you want. 695 00:37:32,239 --> 00:37:34,640 Speaker 3: No, they don't have Ronald. That is the that is 696 00:37:34,680 --> 00:37:37,000 Speaker 3: the original influence. Everyone's like, oh, Jesus Christ, the original 697 00:37:37,040 --> 00:37:42,480 Speaker 3: influence was Ronald McDonald Number twenty one. Joe Firestone. This 698 00:37:42,760 --> 00:37:46,640 Speaker 3: bitch gets it. She gets it. She has always gotten it. 699 00:37:47,000 --> 00:37:50,720 Speaker 3: She just wants to make your ass laugh. She writes 700 00:37:50,800 --> 00:37:54,880 Speaker 3: fucking novels as aside hobby. She writes a comedy murder 701 00:37:54,880 --> 00:37:59,400 Speaker 3: mystery called Murder on Sex Island because she what loves 702 00:37:59,560 --> 00:37:59,959 Speaker 3: the craft. 703 00:38:00,880 --> 00:38:03,200 Speaker 1: Take this woman's brain out of her head and study it. 704 00:38:03,320 --> 00:38:06,959 Speaker 1: Find out how it's so goddamn fun. Take her brain out. 705 00:38:07,320 --> 00:38:10,960 Speaker 1: Now has a dog named Loaf that is a good woman. 706 00:38:11,960 --> 00:38:15,239 Speaker 1: Number twenty Loaf, Meryl Meryl three three. 707 00:38:15,320 --> 00:38:17,880 Speaker 3: Please talk more about how you just met her? Oh, 708 00:38:17,920 --> 00:38:19,840 Speaker 3: there's there's not much to say. I just shook her 709 00:38:19,880 --> 00:38:21,839 Speaker 3: hand and my eye left my body. I really did 710 00:38:21,920 --> 00:38:24,640 Speaker 3: leave my body. I was like, oh my god, your 711 00:38:24,760 --> 00:38:26,439 Speaker 3: your delicate hand is touched. 712 00:38:26,600 --> 00:38:29,200 Speaker 1: Nine. And when you meet her, is it like different 713 00:38:29,239 --> 00:38:30,960 Speaker 1: than meeting other people? Is it like is it do 714 00:38:30,960 --> 00:38:32,000 Speaker 1: you go into a vacuum? 715 00:38:32,160 --> 00:38:38,080 Speaker 3: It's so yes, absolutely like it was unreal, undisputed. 716 00:38:38,120 --> 00:38:41,120 Speaker 1: Greatest actress of all time, undisputed. That's all. 717 00:38:41,160 --> 00:38:45,160 Speaker 3: Sorry to Betty Davis, Sorry to John Crawford, all of them. Sorry, 718 00:38:45,239 --> 00:38:50,800 Speaker 3: Elizabeth Taylor, I'm sorry. It's Meryll okay number nine nine time. 719 00:38:51,960 --> 00:38:56,239 Speaker 1: These girls, can I just say just know that a 720 00:38:56,320 --> 00:39:00,200 Speaker 1: bone shoe beck I listened to it fifteen times a week. 721 00:39:00,560 --> 00:39:05,719 Speaker 3: Sherman Oaks Iconography that music video. Let's just say that. 722 00:39:05,680 --> 00:39:07,480 Speaker 1: Not everyone can rent out the street. 723 00:39:08,239 --> 00:39:13,280 Speaker 3: No no, not everyone can write an album called Women 724 00:39:13,280 --> 00:39:17,520 Speaker 3: in Music Part three and for us all to be like, yes, yeah. 725 00:39:17,360 --> 00:39:19,399 Speaker 1: Ain't no part one or part two, but we'll take 726 00:39:19,440 --> 00:39:19,879 Speaker 1: part three. 727 00:39:20,080 --> 00:39:21,799 Speaker 3: Not all of us can rent out Canter's Deli and 728 00:39:21,840 --> 00:39:22,960 Speaker 3: do it? Do the album? 729 00:39:23,000 --> 00:39:25,080 Speaker 1: Are there for the folks? They called up the city, 730 00:39:25,080 --> 00:39:26,880 Speaker 1: they said, we need to rent out Canters. We need 731 00:39:26,920 --> 00:39:30,479 Speaker 1: to rent out the whole street in La. They said, sorry, 732 00:39:30,480 --> 00:39:32,000 Speaker 1: who is this? They were like hi, and they go, oh, 733 00:39:32,040 --> 00:39:32,920 Speaker 1: absolutely anything. 734 00:39:33,560 --> 00:39:35,960 Speaker 3: New La Legends Number eighteen. 735 00:39:36,560 --> 00:39:40,399 Speaker 1: Maya Angelou. When people show you who you are, who 736 00:39:40,440 --> 00:39:43,880 Speaker 1: they are, rather believe them the first time. 737 00:39:44,640 --> 00:39:47,120 Speaker 3: I know why the caged bird sings. 738 00:39:47,800 --> 00:39:48,520 Speaker 1: Caged bird. 739 00:39:49,080 --> 00:39:55,040 Speaker 3: Caged bird sings because Maya Angelou has given the bird 740 00:39:55,120 --> 00:39:57,320 Speaker 3: life and hope. 741 00:39:57,040 --> 00:39:58,640 Speaker 1: You wouldn't even be talking about the bird. 742 00:39:59,160 --> 00:40:02,680 Speaker 3: No, the bird singing because she's happy to have Maya 743 00:40:02,680 --> 00:40:07,719 Speaker 3: Angelou's words internally, bringing her the bird's plate to life. 744 00:40:08,000 --> 00:40:09,320 Speaker 3: Number seven, Number seventeen. 745 00:40:09,760 --> 00:40:16,840 Speaker 1: Share so iconic that she's famously an impression that is wrong, 746 00:40:17,080 --> 00:40:20,480 Speaker 1: you know what I mean. It's like everyone's like, oh. 747 00:40:19,880 --> 00:40:23,640 Speaker 3: She's never done that has never done that horse. That's 748 00:40:23,640 --> 00:40:25,360 Speaker 3: horses you're thinking of, Sweetie. 749 00:40:25,680 --> 00:40:30,520 Speaker 1: You like auto tune, you like Charlie XCX, you better 750 00:40:30,560 --> 00:40:38,880 Speaker 1: thank believe by share ang. Can you hear me tune? 751 00:40:39,040 --> 00:40:39,160 Speaker 4: Now? 752 00:40:40,320 --> 00:40:43,080 Speaker 3: She had this bitch had a music video on a battleship. 753 00:40:43,960 --> 00:40:46,400 Speaker 3: She said, I'm gonna make I'm gonna make war gay, 754 00:40:46,600 --> 00:40:49,200 Speaker 3: I'm gonna queer war because it is the most unqueer thing. 755 00:40:49,520 --> 00:40:52,759 Speaker 3: Turn back time best song. War sucks, by the way. 756 00:40:53,000 --> 00:40:55,360 Speaker 1: Wait, turn back Time is a record of the your nominee. 757 00:40:55,400 --> 00:40:55,839 Speaker 1: I know it. 758 00:40:56,120 --> 00:40:58,520 Speaker 3: Oh my god, whoa boen Us singing? 759 00:40:58,600 --> 00:41:03,520 Speaker 1: That is powerful, saying fine the rkeys with their spoon. 760 00:41:04,960 --> 00:41:05,640 Speaker 3: There mother. 761 00:41:05,760 --> 00:41:09,480 Speaker 1: Here's the thing, like, first of all, el Woods, come on, 762 00:41:10,239 --> 00:41:13,120 Speaker 1: come on, she's already been on the list. That's because 763 00:41:13,160 --> 00:41:16,520 Speaker 1: of Reese. And then Reese had the nerve to be 764 00:41:16,719 --> 00:41:23,240 Speaker 1: iconic seventeen more times, Big little Eyes, Reese's Best, Reese's Best, Madeline, 765 00:41:23,239 --> 00:41:25,440 Speaker 1: Martha Mackenzie. Don't ever forget. 766 00:41:25,960 --> 00:41:28,720 Speaker 3: This bitch is Cheryl Strade. That's iconic. 767 00:41:29,520 --> 00:41:31,759 Speaker 1: I mean the producer of my an actress of my 768 00:41:31,800 --> 00:41:34,359 Speaker 1: favorite show of the morning show. Thank you, Reese, thank 769 00:41:34,400 --> 00:41:35,520 Speaker 1: you for everything. 770 00:41:35,200 --> 00:41:40,160 Speaker 3: Thank you for everything. Number fifteen Paul Hollard. This is 771 00:41:40,160 --> 00:41:42,240 Speaker 3: who we were talking about when we mentioned flavor Flave. 772 00:41:43,080 --> 00:41:45,360 Speaker 3: This is one of the best, I'm gonna say, not 773 00:41:45,400 --> 00:41:47,400 Speaker 3: even reality TV people of all time, one of the 774 00:41:47,400 --> 00:41:48,959 Speaker 3: best television personalities ever. 775 00:41:49,640 --> 00:41:53,239 Speaker 1: Ever. She never stops spouting iconic shit. 776 00:41:54,480 --> 00:41:59,160 Speaker 3: Pretty much. You look like LUs Van dran Ross pretty much. 777 00:41:59,200 --> 00:42:03,240 Speaker 3: I would let Jem know that she is a fat cunt. 778 00:42:03,719 --> 00:42:05,080 Speaker 1: She really she really is. 779 00:42:05,080 --> 00:42:05,920 Speaker 3: That she gave me. 780 00:42:06,600 --> 00:42:08,959 Speaker 1: She allowed gay men to think they could just say 781 00:42:08,960 --> 00:42:12,160 Speaker 1: that that's what she did. She allowed Bowen Yank to 782 00:42:12,200 --> 00:42:13,799 Speaker 1: sort of think he can just rip into that. 783 00:42:14,280 --> 00:42:20,480 Speaker 3: Number fourteen Miss Bi Giggy. That is, this is someone 784 00:42:20,480 --> 00:42:22,719 Speaker 3: who is so iconic that she was inspired by all 785 00:42:22,719 --> 00:42:26,720 Speaker 3: the movie stars of your and she was. She transcended 786 00:42:26,719 --> 00:42:29,080 Speaker 3: that somehow. I'm like, she's a bigger star than any 787 00:42:29,080 --> 00:42:29,560 Speaker 3: movie star. 788 00:42:30,080 --> 00:42:37,600 Speaker 1: Two words, I've ready for my cruiser. 789 00:42:39,120 --> 00:42:42,839 Speaker 3: Oh my god, Lauren, he's gonna miss Biggie and a Scooby. 790 00:42:43,040 --> 00:42:45,440 Speaker 1: Wait. I didn't know that I could do all these. 791 00:42:45,520 --> 00:42:52,600 Speaker 3: Everyone's mourning for Scooby. Number thirteen Taylor Taylor Swift, We. 792 00:42:52,560 --> 00:42:55,239 Speaker 1: Hope you're happy with this placement. It had to be 793 00:42:55,280 --> 00:43:01,440 Speaker 1: thirteen thirteen, Taylor. You are you do. I mean, you're 794 00:43:01,440 --> 00:43:02,120 Speaker 1: Michael Jackson. 795 00:43:02,440 --> 00:43:04,680 Speaker 3: But see the thing about Taylor, all about the work, 796 00:43:05,160 --> 00:43:08,280 Speaker 3: all about the work. Talk about your favorite Taylor Swift moment. 797 00:43:08,840 --> 00:43:11,160 Speaker 1: Honestly, why did The first thing that popped to my 798 00:43:11,200 --> 00:43:13,320 Speaker 1: head was her turning around to a large crowd. 799 00:43:13,719 --> 00:43:15,960 Speaker 3: That's it like back in the day, like speak. 800 00:43:15,760 --> 00:43:19,319 Speaker 1: Now era, when she first started doing yeah, and she 801 00:43:19,360 --> 00:43:26,000 Speaker 1: would go, she would turn around and go number twelve Cleopatra. 802 00:43:28,160 --> 00:43:33,359 Speaker 3: I don't know, it's kind of not that pretty flop looks. 803 00:43:33,760 --> 00:43:37,360 Speaker 3: Look at Cleopatra and not Elizabeth Taylor as Cleopatra. Cleopatra 804 00:43:37,600 --> 00:43:38,840 Speaker 3: and she looked fine. 805 00:43:39,200 --> 00:43:41,960 Speaker 1: We'll never really know what she looked like. What we do. 806 00:43:42,080 --> 00:43:44,360 Speaker 1: There have been paintings and sculptures of her, but we 807 00:43:44,440 --> 00:43:48,920 Speaker 1: assume that it had to be something because you know, Mark, Anthony, Julius, Caesar, 808 00:43:49,520 --> 00:43:50,440 Speaker 1: all these men. 809 00:43:50,400 --> 00:43:52,000 Speaker 3: Fell I think she was a Nepo baby. 810 00:43:52,080 --> 00:43:53,000 Speaker 1: I think she was Nepo. 811 00:43:53,200 --> 00:43:53,680 Speaker 3: I think she was. 812 00:43:54,560 --> 00:43:55,160 Speaker 1: But that does. 813 00:43:55,160 --> 00:43:57,320 Speaker 3: Qualify her, No, not at all. 814 00:43:57,760 --> 00:44:02,040 Speaker 1: That's but that's why number Remember eleven, Elton Johnson, john 815 00:44:02,560 --> 00:44:04,800 Speaker 1: and you can tell everybody that you were number eleven 816 00:44:04,840 --> 00:44:07,439 Speaker 1: on the iconic four hundred. He still has his finger 817 00:44:07,520 --> 00:44:11,600 Speaker 1: on the pulse. Yeah, because he said two words chapel roone. 818 00:44:11,400 --> 00:44:17,560 Speaker 3: Chapel rone after we did. Yeah, Elton John, you are 819 00:44:18,680 --> 00:44:23,840 Speaker 3: one of music's greatest ever ever and you will always 820 00:44:24,000 --> 00:44:25,040 Speaker 3: be famous as well. 821 00:44:25,320 --> 00:44:27,920 Speaker 1: You always be famous as well. A goodbye Yellow Brick Road. 822 00:44:28,000 --> 00:44:30,440 Speaker 1: You know, I used to think that Crocodile Rock was 823 00:44:30,640 --> 00:44:33,000 Speaker 1: the best song of all time, and I still think it. 824 00:44:34,080 --> 00:44:46,479 Speaker 6: Period number ten, we're in the top ten. 825 00:44:46,960 --> 00:44:50,680 Speaker 1: Sana, you have brought so many gifts to the world. 826 00:44:51,040 --> 00:44:52,879 Speaker 1: And I'm not saying that as a metaphor. I'm saying 827 00:44:52,880 --> 00:44:56,040 Speaker 1: that literally, you were synonymous with gifts. Can you think 828 00:44:56,200 --> 00:44:59,800 Speaker 1: about any more positive vibe than that, any any better 829 00:45:00,040 --> 00:45:03,120 Speaker 1: message in that? To be synonymous with the giving of gifts? 830 00:45:03,440 --> 00:45:06,640 Speaker 3: Oh my god, I could cry Santa for people to 831 00:45:06,760 --> 00:45:14,399 Speaker 3: argue as a culture is he real? That is iconography? Yeah, 832 00:45:14,520 --> 00:45:15,400 Speaker 3: it doesn't matter. 833 00:45:15,880 --> 00:45:18,440 Speaker 1: It doesn't matter if he's real or not. You're not 834 00:45:18,480 --> 00:45:22,200 Speaker 1: happy when you see him. Straight white men won number nine, 835 00:45:22,800 --> 00:45:31,040 Speaker 1: number nine day talk about your girl. You are look sheep. 836 00:45:31,400 --> 00:45:36,640 Speaker 3: She put crack in her music. 837 00:45:38,080 --> 00:45:45,000 Speaker 1: That's it. I about a dime of a broken un. 838 00:45:45,440 --> 00:45:48,520 Speaker 3: The voice of an angel, the demeanor of an angel, 839 00:45:48,680 --> 00:45:53,759 Speaker 3: thetail of a honeytail, of an icon. Wait till y'all 840 00:45:53,760 --> 00:45:56,399 Speaker 3: see Wicked. Oh brother, it's about to. 841 00:45:56,360 --> 00:46:02,360 Speaker 1: Give number eight. Sarah Jessica park Parker. I mean, I 842 00:46:02,400 --> 00:46:05,960 Speaker 1: think the most iconic three named person that ever lived. First, 843 00:46:06,000 --> 00:46:10,600 Speaker 1: let's say that, Okay, you can't just be Carrie Bradshaw either, 844 00:46:11,040 --> 00:46:14,480 Speaker 1: like you have to you have she represented all the 845 00:46:14,520 --> 00:46:17,440 Speaker 1: women of New York City. They said, we're rooting for 846 00:46:17,520 --> 00:46:20,359 Speaker 1: her even when she's fucked up. And there were whole 847 00:46:20,400 --> 00:46:23,480 Speaker 1: seasons where she was sparks up. The first anti hero, 848 00:46:23,920 --> 00:46:25,040 Speaker 1: Don Draper. 849 00:46:24,880 --> 00:46:28,560 Speaker 3: Don Draper found no Tony Soprano, No, no way. 850 00:46:29,040 --> 00:46:31,839 Speaker 1: Carrie Bradshaw was the first real complexity on. 851 00:46:31,800 --> 00:46:34,520 Speaker 3: Television, and now was Sarah Deesica Parker number seven. 852 00:46:35,239 --> 00:46:40,000 Speaker 1: Beyonce spoke for all the single ladies the same way 853 00:46:40,040 --> 00:46:41,880 Speaker 1: that Sarah Doesaka spoke for all the women in New 854 00:46:41,920 --> 00:46:45,759 Speaker 1: York City. Beyonce said, ah, the single ladies, and we responded, ah, 855 00:46:45,800 --> 00:46:46,680 Speaker 1: the single ladies. 856 00:46:47,120 --> 00:46:49,040 Speaker 3: And there was a call to action, put. 857 00:46:49,000 --> 00:46:52,560 Speaker 1: Your hands up. The moment that Beyonce, the self titled 858 00:46:52,640 --> 00:46:55,960 Speaker 1: came out. You know how it's BC before Christ, it 859 00:46:56,000 --> 00:46:58,960 Speaker 1: should be b B before Beyonce. 860 00:46:59,600 --> 00:47:04,040 Speaker 3: So there's BK C and then there's there's a period 861 00:47:04,080 --> 00:47:09,239 Speaker 3: between a case, but that's still B B yeah. Number 862 00:47:09,480 --> 00:47:15,719 Speaker 3: six Glick, Oh my god, they say now that the 863 00:47:15,800 --> 00:47:18,960 Speaker 3: good interview doesn't exist anymore. It's not relevant. It is 864 00:47:19,000 --> 00:47:23,800 Speaker 3: alive and well in Jimmy Glick. This man is asking 865 00:47:23,840 --> 00:47:28,480 Speaker 3: the hard questions, getting food stuck in his gullet mid interview. 866 00:47:29,760 --> 00:47:32,480 Speaker 1: Jimminy is a fearless journalist, and they said they didn't exist. 867 00:47:32,640 --> 00:47:36,840 Speaker 1: It's Jimminy and Alex Cooper. Oh my god, they stand 868 00:47:36,880 --> 00:47:38,560 Speaker 1: together as our two green. 869 00:47:40,080 --> 00:47:40,279 Speaker 6: Yeah. 870 00:47:40,360 --> 00:47:42,879 Speaker 1: Three that I would love to see that view. 871 00:47:43,520 --> 00:47:47,160 Speaker 3: Number three, Number five Garland. 872 00:47:52,520 --> 00:48:02,040 Speaker 1: Silence. It's a moment of silence. So it wasn't very good. 873 00:48:02,920 --> 00:48:03,600 Speaker 1: It was really good. 874 00:48:03,719 --> 00:48:06,879 Speaker 3: I flopped my Judy Eliza and my Judy. Oh my god. 875 00:48:07,040 --> 00:48:08,760 Speaker 1: I think you want to know why because there's only 876 00:48:08,840 --> 00:48:13,520 Speaker 1: one of each. Don't ever talk to me about nepos again. 877 00:48:13,600 --> 00:48:15,000 Speaker 1: Because of Liza and Judy. 878 00:48:15,200 --> 00:48:18,480 Speaker 3: You're right, nepo baby is a concept, doesn't matter. I 879 00:48:18,560 --> 00:48:21,719 Speaker 3: root for Maya Hawker. I'm a Mayahawk fan. 880 00:48:22,160 --> 00:48:27,480 Speaker 1: Number four Die, Oh Cooke, thank you for coming into 881 00:48:27,520 --> 00:48:29,480 Speaker 1: my life. I was laid on this one. 882 00:48:29,719 --> 00:48:32,440 Speaker 3: That's okay. There will never be another beverage for me. 883 00:48:33,600 --> 00:48:36,080 Speaker 3: I will say, you know, it's an honorable mention what. 884 00:48:38,360 --> 00:48:40,439 Speaker 1: He showed us as Celsius. What flavor is that? Because 885 00:48:40,480 --> 00:48:42,200 Speaker 1: I'm a big Arctic Vibe fan. 886 00:48:42,320 --> 00:48:45,120 Speaker 3: Green apple cherry, Oh okay. 887 00:48:45,239 --> 00:48:47,160 Speaker 1: Green apple cherry. It's very aggressive. 888 00:48:47,560 --> 00:48:51,680 Speaker 3: Elsius is the reason that I'm able to be anywhere. 889 00:48:51,239 --> 00:48:53,720 Speaker 1: In my life. But thank you, Dia Coke, Thank you Dka. 890 00:48:53,880 --> 00:49:01,200 Speaker 1: We're in the top three, number three. Lady Little Monsters 891 00:49:01,320 --> 00:49:02,120 Speaker 1: are so proud of. 892 00:49:02,040 --> 00:49:08,000 Speaker 3: You single handedly changed the pop musical landscape, culture landscape, 893 00:49:08,000 --> 00:49:10,200 Speaker 3: real period pop culture landscape. 894 00:49:11,719 --> 00:49:12,239 Speaker 1: It does it. 895 00:49:12,400 --> 00:49:15,239 Speaker 3: I mean it just it should be you know how 896 00:49:15,239 --> 00:49:20,200 Speaker 3: they have BC, it should be b lg in more. 897 00:49:20,040 --> 00:49:24,720 Speaker 1: Ways than one. You know, every single time you do anything, 898 00:49:24,800 --> 00:49:27,760 Speaker 1: it's interesting, it's serrated. In the words of Bowen Yang, 899 00:49:28,040 --> 00:49:31,600 Speaker 1: it is legendary. It is Lady Gaga. You are a 900 00:49:31,680 --> 00:49:34,800 Speaker 1: one of once in a lifetime icon. You're one of 901 00:49:34,840 --> 00:49:37,240 Speaker 1: a kind. And if there could be one hundred people 902 00:49:37,280 --> 00:49:39,480 Speaker 1: in a room, but if Lady Gaga's in the room, 903 00:49:39,520 --> 00:49:41,440 Speaker 1: there's only one lady one Lady Gaga. 904 00:49:41,480 --> 00:49:43,400 Speaker 3: There could be one hundred Lady Gaga's in the room, 905 00:49:43,520 --> 00:49:45,000 Speaker 3: and I would be happy. 906 00:49:45,239 --> 00:49:54,280 Speaker 1: I would be overwhelmed. Winy oh God. First of all, 907 00:49:54,880 --> 00:49:57,520 Speaker 1: the truly like, it's hard to not say that Oprah 908 00:49:57,520 --> 00:50:01,280 Speaker 1: Winfrey is number one, but the fact is Oprah Winfrey. 909 00:50:01,960 --> 00:50:03,640 Speaker 1: Like remember when she gave that speech at the Golden 910 00:50:03,640 --> 00:50:07,240 Speaker 1: Globes and everyone was like, be president please. Everyone was like, fully, 911 00:50:08,040 --> 00:50:11,920 Speaker 1: come on, who's to say that she shouldn't be She 912 00:50:12,040 --> 00:50:12,680 Speaker 1: can save us? 913 00:50:13,920 --> 00:50:17,319 Speaker 3: And they say that the song that I think it 914 00:50:17,400 --> 00:50:20,520 Speaker 3: was Nickelback wrote for Spider Man. 915 00:50:20,400 --> 00:50:28,360 Speaker 1: And they say that here says not wait, thank you? 916 00:50:28,400 --> 00:50:31,319 Speaker 3: Oprah has a song about Oprah sung through Oprah's point 917 00:50:31,320 --> 00:50:32,439 Speaker 3: of view, and bro. 918 00:50:32,520 --> 00:50:37,120 Speaker 1: You don't Oprah number one number one? Wait before we 919 00:50:37,160 --> 00:50:39,640 Speaker 1: get into it, So this is number one on the 920 00:50:39,800 --> 00:50:42,960 Speaker 1: Iconic four hundred. We've made it. What do you say? 921 00:50:43,600 --> 00:50:47,400 Speaker 1: We just, without saying who it is, play this person's 922 00:50:47,400 --> 00:50:47,960 Speaker 1: I don't think so. 923 00:50:47,920 --> 00:50:52,120 Speaker 3: Honey, right now, that is an incredible idea. Let's play it. 924 00:50:52,680 --> 00:50:53,920 Speaker 7: I don't think so, honey. 925 00:50:53,960 --> 00:50:54,320 Speaker 1: Listen. 926 00:50:54,560 --> 00:50:58,799 Speaker 7: I can't with the overhead lighting. Oh why do they 927 00:50:58,880 --> 00:51:02,040 Speaker 7: do it to us? I shouldn't even say us, because 928 00:51:02,040 --> 00:51:04,399 Speaker 7: it's not us, it's me. I'm the one that gets 929 00:51:04,400 --> 00:51:13,160 Speaker 7: the most torture by the hideous lighting in every elevator, doorway, gyms. 930 00:51:13,320 --> 00:51:14,440 Speaker 1: That I go to. The gym. 931 00:51:14,520 --> 00:51:18,040 Speaker 7: But I'm just saying it's hideous. Lighting the sun. I mean, 932 00:51:18,080 --> 00:51:20,960 Speaker 7: the sun is okay if it's at sunset, and then 933 00:51:21,080 --> 00:51:23,319 Speaker 7: I will gladly go outside and put the you know, 934 00:51:23,880 --> 00:51:26,319 Speaker 7: there's a hat on or whatever, and that'll be pretty 935 00:51:26,320 --> 00:51:29,840 Speaker 7: because it's sunlight caressing your skin. But it's bad for you, 936 00:51:29,880 --> 00:51:32,400 Speaker 7: so you gotta be careful of that. But overhead lighting, 937 00:51:32,440 --> 00:51:35,080 Speaker 7: I don't think so, honey, Please stop it. Every place 938 00:51:35,120 --> 00:51:37,879 Speaker 7: I go, I shut the lights, turn them out. 939 00:51:38,120 --> 00:51:41,600 Speaker 1: I don't want to see them. No more, yes, no more, honey, 940 00:51:42,600 --> 00:51:44,919 Speaker 1: one more thing. Overhead lighting. 941 00:51:44,960 --> 00:51:46,000 Speaker 7: It makes me sick. 942 00:51:49,719 --> 00:51:51,560 Speaker 1: The fact that we got Rhona Carries, I don't think 943 00:51:52,120 --> 00:51:53,200 Speaker 1: overhead lighting is. 944 00:51:54,200 --> 00:51:57,800 Speaker 3: So now you know, the number one person on the 945 00:51:58,000 --> 00:52:01,720 Speaker 3: iconic four hundred the guests next week is the one, 946 00:52:02,360 --> 00:52:05,840 Speaker 3: the only, the most iconic person in culture. 947 00:52:07,840 --> 00:52:15,440 Speaker 1: More right, the Queen of Christmas, biggest female solo artists 948 00:52:15,480 --> 00:52:19,680 Speaker 1: of all time, I mean, the blueprint for what it 949 00:52:19,719 --> 00:52:23,040 Speaker 1: means to be like truly, all the girls copied her 950 00:52:23,080 --> 00:52:27,600 Speaker 1: singing when she came out like just and she's on our. 951 00:52:27,800 --> 00:52:29,839 Speaker 3: Show, and she's on our fucking show. I mean, this 952 00:52:30,000 --> 00:52:34,879 Speaker 3: is like another loop closed, honestly, and it was such 953 00:52:34,880 --> 00:52:37,839 Speaker 3: a fun interview. We were so grateful we had such 954 00:52:37,840 --> 00:52:41,000 Speaker 3: a good time with her. We hope you enjoy. And 955 00:52:41,280 --> 00:52:43,279 Speaker 3: she's going on tour again, so check her out. She 956 00:52:43,360 --> 00:52:47,080 Speaker 3: has a line of merch coming out. 957 00:52:47,360 --> 00:52:49,640 Speaker 1: Oh and you know, the snow globes were sitting on 958 00:52:49,680 --> 00:52:51,800 Speaker 1: the table in front of her, and they are beautiful 959 00:52:51,840 --> 00:52:55,200 Speaker 1: and they're bigger than you think. Gorgeous, gorgeous pieces for 960 00:52:55,280 --> 00:52:58,239 Speaker 1: your home. I am so excited for that episode to 961 00:52:58,239 --> 00:53:01,920 Speaker 1: come out. I am beyond floord that we even got 962 00:53:01,920 --> 00:53:04,239 Speaker 1: the opportunity to breathe the same air as her. She 963 00:53:04,440 --> 00:53:08,960 Speaker 1: is the number one person I'm icon of four hundred 964 00:53:09,040 --> 00:53:10,800 Speaker 1: and I think everyone knows that it's true. 965 00:53:11,000 --> 00:53:14,080 Speaker 3: Everyone knows that it's true. There's no disputing it. Four 966 00:53:14,160 --> 00:53:18,400 Speaker 3: hundred episodes and more of Lost Culturistas. We thank you 967 00:53:18,440 --> 00:53:21,400 Speaker 3: for celebrating with us in this way. We hope you enjoyed. 968 00:53:21,520 --> 00:53:25,919 Speaker 1: I counted this episode is four hundred and forty, so. 969 00:53:25,840 --> 00:53:29,640 Speaker 3: We're already almost halfway to five hundred. 970 00:53:29,960 --> 00:53:32,600 Speaker 1: We'll see you soon, way sooner than you know. It'll 971 00:53:32,640 --> 00:53:34,920 Speaker 1: be five hundred, and we'll figure out some more bullshit 972 00:53:34,960 --> 00:53:38,000 Speaker 1: to do, hopefully in a studio that doesn't lose our audio. Yeah, 973 00:53:38,000 --> 00:53:40,520 Speaker 1: we'll see in about a year. Love you so much, 974 00:53:40,640 --> 00:53:42,960 Speaker 1: and can I tell you something. We made this list, 975 00:53:43,000 --> 00:53:45,040 Speaker 1: but you are the number one person on my list. 976 00:53:45,160 --> 00:53:47,320 Speaker 1: You're the number one person on my list. 977 00:53:47,840 --> 00:53:51,160 Speaker 3: I love you so much. Matt Rogers, love you, Bowen Yang. 978 00:53:51,760 --> 00:53:54,320 Speaker 3: You are the star of my life of culture. To me, 979 00:53:54,440 --> 00:53:57,479 Speaker 3: you are the most talented, the funniest person ever to live. 980 00:53:57,719 --> 00:54:00,840 Speaker 3: And I'm just so lucky to be a friend, to 981 00:54:00,880 --> 00:54:03,239 Speaker 3: be a collaborator with you, and to share a zoom 982 00:54:03,239 --> 00:54:03,480 Speaker 3: with you. 983 00:54:04,239 --> 00:54:06,960 Speaker 1: To say that the feeling is mutual would be of 984 00:54:07,560 --> 00:54:12,120 Speaker 1: That would be to put it mildly. Who didn't make 985 00:54:12,120 --> 00:54:14,400 Speaker 1: the list, But I guess like we've already highlighted her 986 00:54:14,480 --> 00:54:17,399 Speaker 1: in such a way. Just understand, Mandy, you're you won 987 00:54:17,400 --> 00:54:20,200 Speaker 1: the lifetime of Cultural Awards better than the list? Do 988 00:54:20,200 --> 00:54:25,080 Speaker 1: you know what I mean? Better than the list? Oppenheimer 989 00:54:25,120 --> 00:54:29,719 Speaker 1: was on the list? Girl? Well, I mean do we 990 00:54:29,800 --> 00:54:30,960 Speaker 1: end every episode with a song? 991 00:54:31,400 --> 00:54:34,960 Speaker 3: Like every episode with the song? And speaking of heroes, 992 00:54:35,480 --> 00:54:38,760 Speaker 3: we sing a song about heroes earlier. This is another one. 993 00:54:39,080 --> 00:54:39,960 Speaker 7: This is a he. 994 00:54:42,280 --> 00:54:48,319 Speaker 1: If you look inside, you don't have to be afraid. 995 00:54:53,120 --> 00:54:55,000 Speaker 1: And if you want to hear how that song was written, 996 00:54:56,520 --> 00:55:05,959 Speaker 1: listen next week, but when Mariah carries on last last. 997 00:55:05,960 --> 00:55:08,319 Speaker 3: Cultesis is the production by Will Ferrell's Big Money Players 998 00:55:08,320 --> 00:55:10,320 Speaker 3: and The Heart Radio Podcasts. 999 00:55:09,680 --> 00:55:13,000 Speaker 1: Created and hosted by Matt Rodgers and Bowen Yang. Executive 1000 00:55:13,040 --> 00:55:16,719 Speaker 1: produced by Anna Hasnier and Hans Sony, produced by Becker Ramos, 1001 00:55:16,800 --> 00:55:19,640 Speaker 1: edited mixed by Doug Babymomi Flaboord and our music is 1002 00:55:19,640 --> 00:55:28,279 Speaker 1: by Henry Komirski. Hey everybody, it's me Matt Rodgers, letting 1003 00:55:28,320 --> 00:55:30,279 Speaker 1: you know. Tickets are on sale now to see me 1004 00:55:30,360 --> 00:55:33,480 Speaker 1: on tour, the Prince of Christmas Tour that is, I'm 1005 00:55:33,480 --> 00:55:35,880 Speaker 1: doing my whole album Have You Heard of Christmas? Plus 1006 00:55:35,920 --> 00:55:38,400 Speaker 1: a lot more with the whole band all throughout December. 1007 00:55:38,600 --> 00:55:42,400 Speaker 1: Go to www dot Matt rodgersoficial dot com to see 1008 00:55:42,400 --> 00:55:43,480 Speaker 1: me in a city near you