1 00:00:01,120 --> 00:00:04,200 Speaker 1: Welcome to the iHeartRadio and Coast to Coast AM paranormal 2 00:00:04,240 --> 00:00:07,520 Speaker 1: podcast network. Now get ready for us Strange Things with 3 00:00:07,640 --> 00:00:08,720 Speaker 1: Joshua P. Warren. 4 00:00:13,840 --> 00:00:17,159 Speaker 2: Welcome to our podcast. Please be aware the thoughts and 5 00:00:17,200 --> 00:00:21,200 Speaker 2: opinions expressed by the host are their thoughts and opinions 6 00:00:21,200 --> 00:00:26,440 Speaker 2: only and do not reflect those of iHeartMedia, iHeartRadio, Coast 7 00:00:26,440 --> 00:00:30,880 Speaker 2: to Coast AM, employees of Premiere Networks, or their sponsors 8 00:00:30,880 --> 00:00:34,120 Speaker 2: and associates. We would like to encourage you to do 9 00:00:34,159 --> 00:00:55,400 Speaker 2: your own research and discover the subject matter for yourself. 10 00:00:55,760 --> 00:01:02,920 Speaker 1: Ready to be amazed by the Wizard of Weird Warren. 11 00:01:10,120 --> 00:01:13,520 Speaker 1: I am Joshua B. Warren, and each week on this show, 12 00:01:14,080 --> 00:01:18,440 Speaker 1: I'll be bringing you brand new mind blowing content, news, exercises, 13 00:01:18,920 --> 00:01:22,360 Speaker 1: and weird experiments you can do at home, and a 14 00:01:22,440 --> 00:01:28,759 Speaker 1: lot more on this edition of the show. Amazing happy endings. 15 00:01:29,959 --> 00:01:35,399 Speaker 1: Plus what does it really mean to raise your vibration? 16 00:01:35,720 --> 00:01:37,400 Speaker 1: You know, you hear people say that all the time. 17 00:01:37,560 --> 00:01:40,600 Speaker 1: Become more spiritual, Do this, It's good for you, It'll 18 00:01:40,720 --> 00:01:44,840 Speaker 1: raise your vibration. What does that actually mean? Well, it's 19 00:01:44,880 --> 00:01:47,120 Speaker 1: a it's a good, legitimate question, and we're going to 20 00:01:47,160 --> 00:01:53,800 Speaker 1: dig into that and probably some other weird things, just 21 00:01:53,840 --> 00:01:57,160 Speaker 1: depending on how much time I have, you know, sometimes 22 00:01:57,160 --> 00:02:00,680 Speaker 1: I just start talking and just I just see where 23 00:02:00,720 --> 00:02:04,760 Speaker 1: it goes. But let's jump into Amazing Happy Endings because 24 00:02:04,800 --> 00:02:08,120 Speaker 1: I mentioned this recently on one of my podcasts. This 25 00:02:08,200 --> 00:02:12,160 Speaker 1: is a new book project for me I am putting 26 00:02:12,160 --> 00:02:16,440 Speaker 1: together in anthology. I want your stories. I'm talking to you, Yes, 27 00:02:16,520 --> 00:02:20,120 Speaker 1: you listening to me. I want your story to be 28 00:02:20,200 --> 00:02:25,760 Speaker 1: a part of this collection. It's called Amazing Happy Endings, 29 00:02:26,160 --> 00:02:32,000 Speaker 1: True Stories to make you smile. And there are only 30 00:02:32,040 --> 00:02:34,119 Speaker 1: four rules if you have a story that you want 31 00:02:34,160 --> 00:02:37,240 Speaker 1: to submit to be in this poot. Rule number one 32 00:02:37,600 --> 00:02:42,239 Speaker 1: is your story must be true. Rule number two, your 33 00:02:42,280 --> 00:02:46,680 Speaker 1: story must be short, ideally no more than a few paragraphs. 34 00:02:47,480 --> 00:02:52,040 Speaker 1: Number three, your story must be amazing. And number four, 35 00:02:53,000 --> 00:02:58,239 Speaker 1: your story must have a happy ending. And since I 36 00:02:58,280 --> 00:03:01,320 Speaker 1: announced this, oh, let me tell you what, the stories 37 00:03:01,360 --> 00:03:04,280 Speaker 1: have just come pouring in. And I am so excited. 38 00:03:04,320 --> 00:03:08,640 Speaker 1: I'm so happy because if you submit a story, and 39 00:03:08,760 --> 00:03:12,760 Speaker 1: of course I have a team of people, some editors 40 00:03:12,760 --> 00:03:14,880 Speaker 1: and various people in addition to myself, who are going 41 00:03:14,960 --> 00:03:17,040 Speaker 1: to read over everything and we're going to figure out 42 00:03:17,080 --> 00:03:19,680 Speaker 1: which ones need to be kind of edited and whipped 43 00:03:19,680 --> 00:03:21,920 Speaker 1: into shape and then put into the book. If we 44 00:03:22,000 --> 00:03:25,320 Speaker 1: pick one of your stories, well then you get a 45 00:03:25,360 --> 00:03:30,320 Speaker 1: free copy of the book. And I'm thinking about maybe 46 00:03:30,360 --> 00:03:34,080 Speaker 1: throwing in some other cool, free little surprises for you 47 00:03:34,120 --> 00:03:35,800 Speaker 1: as well. You know me, I like to do that 48 00:03:35,880 --> 00:03:39,520 Speaker 1: kind of thing. But a portion of all seals when 49 00:03:39,520 --> 00:03:42,560 Speaker 1: the book comes out will go to various charities, and 50 00:03:42,640 --> 00:03:46,240 Speaker 1: it's all about helping you feel good, helping all of 51 00:03:46,320 --> 00:03:50,200 Speaker 1: us feel good. We need that nowadays, don't we. If 52 00:03:50,240 --> 00:03:53,520 Speaker 1: you want to submit a story, go to Amazinghappy Endings 53 00:03:53,520 --> 00:03:57,560 Speaker 1: dot com. Amazing Happy Endings dot com. But let me 54 00:03:57,760 --> 00:04:00,560 Speaker 1: read to you some of the story worries that have 55 00:04:00,640 --> 00:04:04,400 Speaker 1: come in so far to give you an idea of 56 00:04:05,160 --> 00:04:07,480 Speaker 1: what this book is going to be like. All right, 57 00:04:07,520 --> 00:04:11,600 Speaker 1: And then this again, I just picked two or three 58 00:04:11,880 --> 00:04:15,960 Speaker 1: a handful out of the Giant's tack. So here is 59 00:04:16,160 --> 00:04:22,520 Speaker 1: one from a doctor, a doctor named Mitchell Max Dolnig, 60 00:04:22,960 --> 00:04:29,240 Speaker 1: and he he is in Texas, and he's talking about 61 00:04:29,279 --> 00:04:31,880 Speaker 1: the incident that happened to him in nineteen ninety two. 62 00:04:31,920 --> 00:04:36,160 Speaker 1: He says, after seeing a run of emergency room patients, 63 00:04:36,880 --> 00:04:39,400 Speaker 1: I had gone back to the call room and was 64 00:04:39,440 --> 00:04:44,640 Speaker 1: in a deep, deep sleep Suddenly, I literally jumped out 65 00:04:44,640 --> 00:04:48,920 Speaker 1: of bed, yelling at myself to run. Damn it, run man, 66 00:04:49,200 --> 00:04:52,560 Speaker 1: move it. It was my own self telling me to 67 00:04:52,680 --> 00:04:56,760 Speaker 1: run like I never had before. As I slipped my 68 00:04:56,839 --> 00:05:01,359 Speaker 1: bare feet into my shoes, I asked, run where my 69 00:05:01,440 --> 00:05:05,839 Speaker 1: own voice answered, just start running, move it. I almost 70 00:05:05,880 --> 00:05:09,039 Speaker 1: started running barefoot, but I did not know where I 71 00:05:09,120 --> 00:05:13,360 Speaker 1: was going, almost being pulled at every corner, I ran 72 00:05:13,400 --> 00:05:17,400 Speaker 1: through corridors and hallways and came out in the er. 73 00:05:18,920 --> 00:05:23,120 Speaker 1: The receptionist exclaimed, Doctor Dolnig, there are no patients, and 74 00:05:23,200 --> 00:05:26,800 Speaker 1: why are you here? She likely saw my messed up 75 00:05:26,839 --> 00:05:31,400 Speaker 1: hair and my disheveled appearance. As I took three steps forward, 76 00:05:32,160 --> 00:05:38,360 Speaker 1: I said, aloud with determinism, I don't know. And I 77 00:05:38,480 --> 00:05:43,520 Speaker 1: kicked a metal door open, which revealed the body of 78 00:05:43,560 --> 00:05:48,839 Speaker 1: a man lying on the ground. I called Code blue 79 00:05:49,240 --> 00:05:53,919 Speaker 1: and we rushed the lifeless body into trauma. He was flatline, 80 00:05:54,279 --> 00:06:00,720 Speaker 1: essentially dead, but after a round of cardiac drugs, intubation, 81 00:06:01,279 --> 00:06:08,320 Speaker 1: and defibrillation, he completely awoke, seemingly unscathed. He had been 82 00:06:08,360 --> 00:06:12,200 Speaker 1: experiencing chest pain and decided to drive himself to the hospital, 83 00:06:12,640 --> 00:06:15,880 Speaker 1: but collapsed trying to make it in there, and it 84 00:06:15,920 --> 00:06:20,440 Speaker 1: was unnoticed one or two minutes later. His chances of 85 00:06:20,480 --> 00:06:25,039 Speaker 1: recovery would have been dismal. I had never kicked doors 86 00:06:25,080 --> 00:06:28,320 Speaker 1: open in the hospital or acted like that before or since, 87 00:06:28,560 --> 00:06:32,600 Speaker 1: and I don't know how that had occurred. To this day, 88 00:06:34,120 --> 00:06:43,560 Speaker 1: the gentleman had a complete recovery. Now, you see, folks, 89 00:06:43,600 --> 00:06:50,760 Speaker 1: true short, amazing, happy ending this. You know how nice 90 00:06:50,760 --> 00:06:53,120 Speaker 1: it is to get stories like this flooding in from 91 00:06:53,400 --> 00:06:56,000 Speaker 1: real people all over the world. I love it, I 92 00:06:56,040 --> 00:06:59,839 Speaker 1: love it. Thank you for that, doctor Mitchell, Max Dolming. 93 00:07:01,000 --> 00:07:04,000 Speaker 1: I'm going to read you some more of these, and uh, 94 00:07:04,200 --> 00:07:06,200 Speaker 1: of course you know i'll pause when when breaks come up. 95 00:07:06,240 --> 00:07:10,720 Speaker 1: But oh, here's this one really made me smile. Okay, 96 00:07:10,760 --> 00:07:14,800 Speaker 1: this comes from Molly Ann Kasden, and she is an 97 00:07:14,800 --> 00:07:20,360 Speaker 1: intuitive medium and she lives in Georgia now, but this 98 00:07:20,480 --> 00:07:23,000 Speaker 1: incident happened to her when she was living in California 99 00:07:23,080 --> 00:07:25,320 Speaker 1: back in nineteen ninety five. I'll tell you something about 100 00:07:25,400 --> 00:07:30,880 Speaker 1: Molly Kasden. She when my birthday, it was October twenty fifth, 101 00:07:31,040 --> 00:07:32,840 Speaker 1: and of course she's a big fan of the show, 102 00:07:33,280 --> 00:07:36,200 Speaker 1: and she gave me a wonderful gift. She recorded a 103 00:07:36,240 --> 00:07:41,000 Speaker 1: private reading and sent it to me, and of course 104 00:07:41,000 --> 00:07:43,120 Speaker 1: on my birthday. One of the things I wanted to 105 00:07:43,160 --> 00:07:45,880 Speaker 1: do was get away from media and just turn off 106 00:07:45,880 --> 00:07:48,240 Speaker 1: my cell phone because I'm always bombarded. But I saw 107 00:07:48,240 --> 00:07:50,000 Speaker 1: that she sent me that I go, I better watch this, 108 00:07:50,400 --> 00:07:54,000 Speaker 1: and I watched this video and she said some very 109 00:07:54,040 --> 00:07:57,000 Speaker 1: strange things that didn't make sense to her or me 110 00:07:57,120 --> 00:08:03,040 Speaker 1: at the time exactly, but I them and before over 111 00:08:03,080 --> 00:08:06,840 Speaker 1: the next twenty four hours, it all made sense. And basically, 112 00:08:07,040 --> 00:08:10,840 Speaker 1: in a nutshell, I went to spend my birthday in 113 00:08:10,920 --> 00:08:15,120 Speaker 1: a big, fancy resort and casino, and she was picking 114 00:08:15,200 --> 00:08:18,600 Speaker 1: up on something that was directing me toward a certain 115 00:08:18,640 --> 00:08:21,800 Speaker 1: machine where I hit a jackpot and made a lot 116 00:08:21,800 --> 00:08:26,560 Speaker 1: of money. So that gives you a little insight into 117 00:08:26,920 --> 00:08:29,480 Speaker 1: Molly Ann Kesden. I'm sure she will be on this 118 00:08:29,600 --> 00:08:31,640 Speaker 1: program at some point in the future, but listen to 119 00:08:31,800 --> 00:08:38,160 Speaker 1: her story. She said. The line wound around the huge 120 00:08:38,280 --> 00:08:43,520 Speaker 1: industrial building at least twice. As I lumbered towards the 121 00:08:43,600 --> 00:08:48,640 Speaker 1: incredibly fit, fresh and youthful five hundred or so competitors, 122 00:08:49,000 --> 00:08:52,520 Speaker 1: I stuck out as a fat, sore thumb. Although I 123 00:08:52,559 --> 00:08:55,559 Speaker 1: was only about twenty five, I seemed ancient in comparison 124 00:08:55,600 --> 00:08:58,760 Speaker 1: to the late teens and early twenty hopefuls, all vying 125 00:08:58,840 --> 00:09:02,880 Speaker 1: to be part of the elite cast. Okay, so she's 126 00:09:02,920 --> 00:09:06,200 Speaker 1: auditioning here, she says. As we stood around wearing labels 127 00:09:06,200 --> 00:09:10,000 Speaker 1: with numbers on them, mine was five twenty five, I 128 00:09:10,080 --> 00:09:15,120 Speaker 1: observed these willowy youngsters stretching, practicing dance moves, and sipping 129 00:09:15,160 --> 00:09:19,240 Speaker 1: their bottle bottles of designer water while I sweated in 130 00:09:19,320 --> 00:09:24,000 Speaker 1: my frunty jacket and slacks. I figured I'd be mucking 131 00:09:24,040 --> 00:09:28,400 Speaker 1: around in a mini mouse costume. Oh I should also, 132 00:09:30,360 --> 00:09:34,199 Speaker 1: I should mention, Okay, this is at Anaheim, California. She's 133 00:09:34,240 --> 00:09:37,600 Speaker 1: at disney Land. So like, if we've added this, and 134 00:09:37,679 --> 00:09:39,720 Speaker 1: I'm sure we will, we'll point out, like this is 135 00:09:39,720 --> 00:09:44,079 Speaker 1: happening at Disneyland. Otherwise you're like, why is she gonna 136 00:09:44,120 --> 00:09:47,520 Speaker 1: be in a mini mouse? Anyway, she goes, I figured 137 00:09:47,559 --> 00:09:50,679 Speaker 1: she's auditioning at Disneyland, she says. I figured I'd be 138 00:09:50,760 --> 00:09:54,200 Speaker 1: mucking around in a mini mouse costume. But as I 139 00:09:54,240 --> 00:09:58,480 Speaker 1: waited in line and overheard the experienced conversations, I realized 140 00:09:58,480 --> 00:10:01,800 Speaker 1: this was a bigger deal. We went before a panel 141 00:10:01,800 --> 00:10:03,920 Speaker 1: of judges and groups of twenty while they looked at 142 00:10:03,920 --> 00:10:06,080 Speaker 1: each of us and said, either you stay or you go? 143 00:10:06,679 --> 00:10:09,719 Speaker 1: And I had no clue what specifically they were looking for, 144 00:10:09,840 --> 00:10:12,760 Speaker 1: but I knew I was definitely not going to be 145 00:10:12,800 --> 00:10:16,960 Speaker 1: able to compete with these lithe and lovely ladies. I 146 00:10:17,080 --> 00:10:23,120 Speaker 1: weighed over three hundred pounds at five feet tall, frumpy, sweaty, 147 00:10:23,480 --> 00:10:27,640 Speaker 1: and obviously uncomfortable. And when I stepped forward, the panel 148 00:10:27,679 --> 00:10:32,720 Speaker 1: whispered to each other amongst giggles, it's not a good sign. 149 00:10:33,679 --> 00:10:39,680 Speaker 1: But then one of them said, you stay. I wasn't 150 00:10:39,720 --> 00:10:42,120 Speaker 1: sure if I was happy or being tricked at that point. 151 00:10:43,240 --> 00:10:47,199 Speaker 1: Over the next few days, they triaged the candidates, dismissing 152 00:10:47,280 --> 00:10:50,760 Speaker 1: actors at each stage of the auditions. By the third day, 153 00:10:51,679 --> 00:10:54,840 Speaker 1: there were about one hundred candidates left, and yes, I 154 00:10:55,040 --> 00:10:59,760 Speaker 1: was one of them. Prepared with snacks and dressed more 155 00:10:59,800 --> 00:11:03,080 Speaker 1: up appropriately for movement. I felt positive about the upcoming 156 00:11:03,080 --> 00:11:07,160 Speaker 1: portion displaying our dancing abilities. I had little formal training, 157 00:11:07,240 --> 00:11:10,680 Speaker 1: but I was always rhythmic and able to boogie. My 158 00:11:10,800 --> 00:11:15,080 Speaker 1: confidence disintegrated as they outlined a dance routine with difficult 159 00:11:15,160 --> 00:11:20,040 Speaker 1: ballet moves and waltzing. I was awkward and bumping into others, 160 00:11:20,480 --> 00:11:25,120 Speaker 1: becoming the laughing stock of the auditions. Okay, we're going 161 00:11:25,160 --> 00:11:27,719 Speaker 1: to take a break. This does not sound like it's 162 00:11:27,760 --> 00:11:30,600 Speaker 1: going to have a happy ending, does it. She thinks 163 00:11:30,640 --> 00:11:34,439 Speaker 1: she's becoming the laughing stock of the auditions. But there 164 00:11:34,520 --> 00:11:37,120 Speaker 1: is a happy ending, and I'll tell you that ending 165 00:11:37,800 --> 00:11:41,000 Speaker 1: when we come back from this break. I also want 166 00:11:41,040 --> 00:11:45,200 Speaker 1: to emphasize something to you. I do all kinds of 167 00:11:45,240 --> 00:11:47,920 Speaker 1: interesting projects and I give away all kinds of cool 168 00:11:47,960 --> 00:11:52,119 Speaker 1: free stuff that I don't talk about on this podcast. 169 00:11:52,160 --> 00:11:54,880 Speaker 1: The only way you get to know about it is 170 00:11:54,880 --> 00:11:58,480 Speaker 1: if you go to Joshuapwarren dot com. There is no 171 00:11:58,600 --> 00:12:01,880 Speaker 1: period after the P. When you tie in Joshuapwarren dot com. 172 00:12:02,240 --> 00:12:05,840 Speaker 1: Right there on the homepage, you'll see a little bank 173 00:12:05,880 --> 00:12:08,559 Speaker 1: where you can type in your email address and hit submit. 174 00:12:09,320 --> 00:12:12,600 Speaker 1: When you do that, you become a subscriber to my 175 00:12:12,720 --> 00:12:15,560 Speaker 1: free e newsletter, and I will keep you informed about 176 00:12:15,600 --> 00:12:19,880 Speaker 1: these things that are only for Free E Newsletter subscribers. 177 00:12:19,920 --> 00:12:21,760 Speaker 1: I write each one of these with my own fingers. 178 00:12:21,760 --> 00:12:24,200 Speaker 1: And by the way, as soon as you hit that submit, 179 00:12:24,240 --> 00:12:28,319 Speaker 1: but you will get an automated email from me with 180 00:12:28,400 --> 00:12:33,120 Speaker 1: some instant online gifts to help start making your life 181 00:12:33,120 --> 00:12:37,000 Speaker 1: more magical, so you get to see many more amazing, 182 00:12:37,600 --> 00:12:43,120 Speaker 1: happy Endings Joshuapwarren dot com and also follow me on 183 00:12:43,160 --> 00:12:48,840 Speaker 1: Twitter at Joshua P. Warren. You're listening to Strange Things 184 00:12:49,200 --> 00:12:54,640 Speaker 1: on the iHeartRadio and Coast to Coast AM Paranormal Podcast Network, 185 00:12:55,440 --> 00:13:36,400 Speaker 1: and I will be right back. Welcome back to Strange 186 00:13:36,679 --> 00:13:41,199 Speaker 1: Things on the iHeartRadio and Coast to Coast a M 187 00:13:41,559 --> 00:13:46,360 Speaker 1: Paranormal Podcast Network. I'm your host, Joshua P. Warren, the 188 00:13:46,400 --> 00:13:50,920 Speaker 1: Wizard of Weird, beaming into your wormhole brain from my 189 00:13:51,080 --> 00:13:55,480 Speaker 1: studio in Sin City, Las Vegas, Nevada, where every day 190 00:13:55,559 --> 00:13:59,600 Speaker 1: is golden and every night is silver. And I love 191 00:14:00,640 --> 00:14:05,840 Speaker 1: these amazing, happy ending stories because often you get to 192 00:14:06,080 --> 00:14:12,240 Speaker 1: see synchronicity play out, and it reminds you that there 193 00:14:12,360 --> 00:14:16,800 Speaker 1: does seem to be some kind of grand design here 194 00:14:17,720 --> 00:14:22,160 Speaker 1: that we are all experiencing little by little, bit by bit, 195 00:14:22,240 --> 00:14:26,080 Speaker 1: glimpse by glimpse, and whether it's a bad thing that's 196 00:14:26,120 --> 00:14:28,520 Speaker 1: going to happen or a good thing that's going to happen, 197 00:14:28,600 --> 00:14:30,800 Speaker 1: it seems like there is a design and you just 198 00:14:30,880 --> 00:14:34,280 Speaker 1: never know which way it's going to turn out. But 199 00:14:35,160 --> 00:14:40,240 Speaker 1: maybe you can influence it, and maybe you can you 200 00:14:40,280 --> 00:14:42,280 Speaker 1: can shape it in your favor a little bit We'll 201 00:14:42,280 --> 00:14:46,880 Speaker 1: talk more about that later, but yes, Strange Coincidences is 202 00:14:46,920 --> 00:14:49,160 Speaker 1: one of my favorite books. It's a Ripley's Believe It 203 00:14:49,280 --> 00:14:52,560 Speaker 1: or Not book that was published ooh back in the day. 204 00:14:52,920 --> 00:14:56,600 Speaker 1: Let's see looks like nineteen ninety and on the front 205 00:14:57,200 --> 00:14:59,840 Speaker 1: they have an illustration of a pilgrim standing on a 206 00:14:59,840 --> 00:15:04,040 Speaker 1: sh with the Native American in front of him, and 207 00:15:04,120 --> 00:15:08,520 Speaker 1: it says, when the pilgrims landed in sixteen twenty, they 208 00:15:08,560 --> 00:15:14,440 Speaker 1: were greeted by an Indian who spoke English. And of 209 00:15:14,480 --> 00:15:17,360 Speaker 1: course we recently had Thanksgiving, and so I posted that 210 00:15:18,160 --> 00:15:21,520 Speaker 1: on my social media and a lot of people had 211 00:15:21,520 --> 00:15:23,840 Speaker 1: a lot of interesting thoughts about that. But you know, 212 00:15:23,920 --> 00:15:26,240 Speaker 1: it's like some people are like, well, duh, everybody knew that, 213 00:15:26,280 --> 00:15:29,680 Speaker 1: and then other people were like, is this true. That's 214 00:15:29,720 --> 00:15:32,320 Speaker 1: how it goes. But let's get back to some of 215 00:15:32,360 --> 00:15:37,000 Speaker 1: these brand new, fresh stories that nobody's ever heard submitted 216 00:15:37,040 --> 00:15:41,840 Speaker 1: for my Amazing Happy Endings book project. And again I 217 00:15:41,880 --> 00:15:43,680 Speaker 1: hope you'll contribute. I want your story if you go 218 00:15:43,680 --> 00:15:46,360 Speaker 1: to Amazing Happy Endings dot com. Let's get back to 219 00:15:46,400 --> 00:15:50,400 Speaker 1: Mollie's story. She's been auditioning here in nineteen ninety five 220 00:15:50,440 --> 00:15:55,760 Speaker 1: at Disneyland, and she's dancing, and she said that she's 221 00:15:55,880 --> 00:15:58,240 Speaker 1: becoming the laughing stock of the auditions as far as 222 00:15:58,280 --> 00:16:00,520 Speaker 1: she can tell. And then she goes on to say 223 00:16:00,920 --> 00:16:05,560 Speaker 1: the moment came for my group of ten to perform 224 00:16:05,720 --> 00:16:10,720 Speaker 1: the tune from Sleeping Beauty, and I could barely remember, 225 00:16:10,960 --> 00:16:15,280 Speaker 1: much less execute the routine. The music began and I 226 00:16:15,320 --> 00:16:19,000 Speaker 1: started out strong. However, as the music swelled to the 227 00:16:19,040 --> 00:16:23,600 Speaker 1: more difficult parts, I became lost and clumsy, and at 228 00:16:23,600 --> 00:16:27,320 Speaker 1: that point I just said, screw this, and I began 229 00:16:27,400 --> 00:16:32,760 Speaker 1: doing silly dance moves disco jitterbug, the Charleston, the bump, 230 00:16:33,120 --> 00:16:39,440 Speaker 1: the Hitgchehiker, etc. I smiled brightly as I died a 231 00:16:39,480 --> 00:16:44,240 Speaker 1: small death inside, telling myself to just have fun. Who 232 00:16:44,480 --> 00:16:52,040 Speaker 1: cares about the outcome? As the music ended, Drenched, humiliated 233 00:16:52,320 --> 00:16:56,760 Speaker 1: and horrified at my compulsive behavior, I scurried back to 234 00:16:56,840 --> 00:17:00,920 Speaker 1: the side and sat down on the floor, bursting into 235 00:17:00,960 --> 00:17:07,720 Speaker 1: tears from embarrassment. Then I heard a clap, then applause. 236 00:17:09,080 --> 00:17:13,080 Speaker 1: Actors gathered around me, telling me how fabulous, cute and 237 00:17:13,200 --> 00:17:16,720 Speaker 1: funny I was in the middle of a sincere group hug. 238 00:17:17,680 --> 00:17:20,439 Speaker 1: The panel deliberated and then asked me up to the 239 00:17:20,440 --> 00:17:27,520 Speaker 1: table first, Mollie. Someone said that was the best audition 240 00:17:27,640 --> 00:17:33,439 Speaker 1: we have ever seen. Your energy, humor and decision to 241 00:17:33,520 --> 00:17:36,600 Speaker 1: let it all out is why we are going to 242 00:17:36,720 --> 00:17:46,280 Speaker 1: cast you as the Fairy Godmother here at Disneyland. Congratulations. 243 00:17:46,640 --> 00:17:50,800 Speaker 1: I got to be the first Fairy Godmother in Disney 244 00:17:51,280 --> 00:17:54,439 Speaker 1: history to mingle among the guests in the park. I 245 00:17:54,520 --> 00:17:57,480 Speaker 1: not only got to work in the happiest place on Earth, 246 00:17:58,560 --> 00:18:01,760 Speaker 1: I got to have the happy face on Earth. To 247 00:18:01,840 --> 00:18:06,919 Speaker 1: this day, anytime I am feeling unsure of myself, I remember, 248 00:18:07,760 --> 00:18:15,120 Speaker 1: being me is always the right answer. Bibbity bobbity boo. 249 00:18:16,720 --> 00:18:20,280 Speaker 1: Did you see that one coming? That's great, isn't it? 250 00:18:20,760 --> 00:18:24,400 Speaker 1: Thank you, Molly. You know it's so fun to read 251 00:18:24,480 --> 00:18:27,480 Speaker 1: these stories. All right? How about this one? This comes 252 00:18:27,480 --> 00:18:30,080 Speaker 1: from James Colonna. I tell you what. He's another fan 253 00:18:30,119 --> 00:18:33,280 Speaker 1: of the show. And he also he's been listening for 254 00:18:33,280 --> 00:18:37,199 Speaker 1: a long time, and he lives in Pennsylvania, and he 255 00:18:37,320 --> 00:18:41,080 Speaker 1: is a conductor and composer, and he has had tremendous 256 00:18:41,119 --> 00:18:44,200 Speaker 1: success using the wishing machines. As you don't know about 257 00:18:44,200 --> 00:18:46,639 Speaker 1: the Wishing machines, just go to the Curiosity Shop on 258 00:18:46,640 --> 00:18:48,800 Speaker 1: my website and you'll see what I'm talking about. He's 259 00:18:48,800 --> 00:18:51,760 Speaker 1: had tremendous success, so I was really eager to see 260 00:18:51,800 --> 00:18:53,520 Speaker 1: what his story was going to be. And here it is. 261 00:18:53,880 --> 00:18:57,360 Speaker 1: He says. In nineteen ninety two, I was in college 262 00:18:57,440 --> 00:19:01,359 Speaker 1: pursuing my music degree. I just completed my enlistment in 263 00:19:01,359 --> 00:19:03,720 Speaker 1: the US Army and was now struggling to pay my 264 00:19:03,800 --> 00:19:07,520 Speaker 1: college tuition on the GI bill and student loans. My 265 00:19:07,640 --> 00:19:10,960 Speaker 1: parents went car shopping and while at the dealer shop, 266 00:19:11,080 --> 00:19:16,160 Speaker 1: they played a promotional game to put for gold. Okay, 267 00:19:16,480 --> 00:19:21,040 Speaker 1: my father, oh, to put I'm sorry, I said, not 268 00:19:21,040 --> 00:19:24,040 Speaker 1: put I'm reading this stuff fresh. You know, to putt so, 269 00:19:24,119 --> 00:19:27,240 Speaker 1: you know, like you're putting like at minigolf. Okay, So 270 00:19:27,359 --> 00:19:30,280 Speaker 1: to putt for gold putt. I guess it's so, he says. 271 00:19:30,280 --> 00:19:33,800 Speaker 1: My father sank the putt five times, each time earning 272 00:19:33,840 --> 00:19:36,880 Speaker 1: an entry to win a new car. So you get 273 00:19:36,880 --> 00:19:41,040 Speaker 1: to just you have success with the putting, you get 274 00:19:41,040 --> 00:19:44,480 Speaker 1: a chance of winning a car, so he said. One afternoon, 275 00:19:44,480 --> 00:19:46,800 Speaker 1: I received a call that my name was drawn to 276 00:19:46,840 --> 00:19:49,800 Speaker 1: win the car at a promotional event, and my mother 277 00:19:49,840 --> 00:19:52,280 Speaker 1: and I talked about what we would do if I 278 00:19:52,320 --> 00:19:55,400 Speaker 1: won the car. Well, we had two options. The keep 279 00:19:55,440 --> 00:19:59,399 Speaker 1: the car or trade it back in for cash value 280 00:20:00,080 --> 00:20:03,480 Speaker 1: to help pay for my tuition and that of my siblings. 281 00:20:04,800 --> 00:20:08,640 Speaker 1: The night arrived and I, along with my mother, attended 282 00:20:08,680 --> 00:20:11,639 Speaker 1: the dinner at the fancy country club, and before we 283 00:20:11,680 --> 00:20:14,800 Speaker 1: sat down, I was standing on the balcony watching the sunset. 284 00:20:15,600 --> 00:20:22,639 Speaker 1: To my surprise, I saw two very large angels on 285 00:20:22,880 --> 00:20:29,080 Speaker 1: both sides of the sun. I put my intention into 286 00:20:29,080 --> 00:20:32,760 Speaker 1: the sunset, and a woman's voice sweetly spoke to me. 287 00:20:33,200 --> 00:20:40,000 Speaker 1: The voice sib quote, choose the key with teeth on 288 00:20:40,200 --> 00:20:47,399 Speaker 1: both sides. We sat down for dinner and I was 289 00:20:47,440 --> 00:20:50,440 Speaker 1: introduced to the other two contestants. One was an elderly 290 00:20:50,520 --> 00:20:54,040 Speaker 1: couple and the other a couple in their thirties. Well, 291 00:20:54,080 --> 00:20:57,199 Speaker 1: the moment arrived and the three contestants were called outside. 292 00:20:57,280 --> 00:20:59,480 Speaker 1: Next to the car. It was a Dodge and Trepid, 293 00:21:00,600 --> 00:21:02,840 Speaker 1: and this pretty woman walked out with the trade that 294 00:21:02,880 --> 00:21:07,760 Speaker 1: had three keys. The announcer began quote, all our contestants 295 00:21:07,840 --> 00:21:10,120 Speaker 1: need to do is put the key in the ignition 296 00:21:10,240 --> 00:21:14,000 Speaker 1: and if it starts the car, they win. End quote. Well, 297 00:21:14,040 --> 00:21:16,120 Speaker 1: the woman with the tray walked to the elderly couple 298 00:21:16,160 --> 00:21:19,040 Speaker 1: and they chose a key with no teeth. Then she 299 00:21:19,119 --> 00:21:20,919 Speaker 1: walked to the next couple and they chose a key 300 00:21:21,000 --> 00:21:23,960 Speaker 1: with teeth only halfway up one side of the shift. 301 00:21:24,440 --> 00:21:26,760 Speaker 1: And as they chose their keys, I stared down at 302 00:21:26,760 --> 00:21:29,639 Speaker 1: the key with teeth on both sides. This is the 303 00:21:29,720 --> 00:21:33,240 Speaker 1: key that remained, and I reached down for that final key, 304 00:21:33,840 --> 00:21:37,280 Speaker 1: and that's when the female voice in my head said softly, 305 00:21:37,960 --> 00:21:42,959 Speaker 1: you already won. In the same order as we chose keys. 306 00:21:42,960 --> 00:21:46,679 Speaker 1: We went to the car to try to start the engine. 307 00:21:46,800 --> 00:21:51,639 Speaker 1: The elderly couple nothing, mid thirties couple nothing. Then I 308 00:21:51,720 --> 00:21:56,680 Speaker 1: sat down and started the car up. Yes, I won 309 00:21:56,840 --> 00:22:00,639 Speaker 1: the car. We sold the car back to the dealer 310 00:22:00,680 --> 00:22:02,960 Speaker 1: a week later and took the cash value to pay 311 00:22:02,960 --> 00:22:06,399 Speaker 1: for my and my siblings college tuition. I think I 312 00:22:06,480 --> 00:22:10,280 Speaker 1: won because I never thought of myself, but what the 313 00:22:10,440 --> 00:22:15,280 Speaker 1: money could do for all of us. The universe is 314 00:22:15,359 --> 00:22:23,240 Speaker 1: a friendly place that wants me to be happy and successful. 315 00:22:24,480 --> 00:22:32,639 Speaker 1: How do you like that one, folks? Thank you? Jim Klowna, Pennsylvania. Okay, 316 00:22:32,720 --> 00:22:34,080 Speaker 1: let me see if I can squeeze one more in 317 00:22:34,160 --> 00:22:39,080 Speaker 1: before this next break. This one's oh, this is somebodys 318 00:22:39,240 --> 00:22:41,479 Speaker 1: get really paranormal like that one had angels in this 319 00:22:41,560 --> 00:22:44,240 Speaker 1: is this is a parent more paranormal one. This comes 320 00:22:44,240 --> 00:22:48,480 Speaker 1: from Daniel I guess his last name was pronounced Moulinau, 321 00:22:49,440 --> 00:22:53,760 Speaker 1: and he lives in Florida. He's a financial advisor and 322 00:22:53,800 --> 00:22:55,920 Speaker 1: this is something that happened to him in Washington, DC 323 00:22:56,040 --> 00:22:58,639 Speaker 1: in nineteen ninety six. He says, in the fall of 324 00:22:58,720 --> 00:23:00,919 Speaker 1: ninety six, my wife and I were living in a 325 00:23:00,960 --> 00:23:04,680 Speaker 1: beautiful turn of the century log cabin and the suburbs 326 00:23:04,680 --> 00:23:08,359 Speaker 1: of Washington, d C. One night, she was out of town, 327 00:23:09,160 --> 00:23:12,200 Speaker 1: so it was the dog and myself to fend for ourselves. 328 00:23:13,680 --> 00:23:16,600 Speaker 1: At bedtime, I let the pump out to take care 329 00:23:16,640 --> 00:23:20,000 Speaker 1: of his final business for the day. The house was 330 00:23:20,040 --> 00:23:23,760 Speaker 1: surrounded by acres of woods, and the pooch decided he 331 00:23:23,840 --> 00:23:27,960 Speaker 1: was going to stay outside for the night. After calling 332 00:23:28,000 --> 00:23:32,520 Speaker 1: for some time, I reluctantly went to bed. At around 333 00:23:32,600 --> 00:23:36,320 Speaker 1: two a m. I was awoken by a strange sound. 334 00:23:37,400 --> 00:23:40,840 Speaker 1: From my bed, I could see the old wooden front 335 00:23:40,880 --> 00:23:45,040 Speaker 1: door of the cabin slowly creak open, exactly like in 336 00:23:45,119 --> 00:23:49,600 Speaker 1: the old horror movies they would portray it so well, 337 00:23:49,880 --> 00:23:53,520 Speaker 1: and standing in the figure excuse me, Standing in the 338 00:23:53,680 --> 00:23:58,840 Speaker 1: doorway was a female figure in a flowing white dress 339 00:23:59,400 --> 00:24:05,440 Speaker 1: with head hung low, time froze. I could not move 340 00:24:05,480 --> 00:24:09,320 Speaker 1: a muscle or speak a word, and after an intense effort, 341 00:24:09,359 --> 00:24:12,479 Speaker 1: I managed to croak out my wife's name, and this 342 00:24:12,560 --> 00:24:15,520 Speaker 1: got the world moving again. And a split second, the 343 00:24:15,520 --> 00:24:19,399 Speaker 1: figure flew from the door and into my room, and 344 00:24:19,520 --> 00:24:24,959 Speaker 1: there was a huge pounce on my bed and there 345 00:24:26,400 --> 00:24:31,480 Speaker 1: was the dog on my bed. A ghost had brought 346 00:24:31,520 --> 00:24:35,080 Speaker 1: my pet home and opened the door for him. He 347 00:24:35,480 --> 00:24:38,920 Speaker 1: was as happy as could be. I was deeply shaken. 348 00:24:40,000 --> 00:24:42,040 Speaker 1: We moved out of that house a few months later, 349 00:24:42,640 --> 00:24:45,760 Speaker 1: but the event will forever be etched into my mind 350 00:24:46,280 --> 00:24:50,119 Speaker 1: and has led me on a life of paranormal research 351 00:24:50,320 --> 00:25:00,399 Speaker 1: and discovery. True story. Thank you, Daniel. People. When we 352 00:25:00,440 --> 00:25:06,600 Speaker 1: come back, I'll read one more of these and then 353 00:25:06,640 --> 00:25:08,720 Speaker 1: I'm going to get into what does it mean? Why 354 00:25:08,800 --> 00:25:12,919 Speaker 1: is this important? Raising your vibration, I'm Joshua Pete Warren. 355 00:25:13,960 --> 00:25:18,080 Speaker 1: You're listening to Strange Things on the iHeartRadio and Coast 356 00:25:18,080 --> 00:25:22,560 Speaker 1: to Coast AM Paranormal Podcast Network. I'll be back right 357 00:25:22,600 --> 00:26:03,320 Speaker 1: after this. We come back to Strange Things on the 358 00:26:03,359 --> 00:26:09,000 Speaker 1: iHeartRadio and Coast to Coast AM Paranormal Podcast Network. I'm 359 00:26:09,040 --> 00:26:11,920 Speaker 1: your host, Joshua Pete Warren, and this is the show 360 00:26:12,560 --> 00:26:18,560 Speaker 1: where the unusual becomes usual. And this is a reminder 361 00:26:20,040 --> 00:26:24,800 Speaker 1: when you are judging your life and the world, look 362 00:26:24,840 --> 00:26:28,920 Speaker 1: outside your own door and see the world as it 363 00:26:29,080 --> 00:26:32,760 Speaker 1: really is. Don't be dominated by the fear mongering that 364 00:26:32,800 --> 00:26:39,240 Speaker 1: surrounds us that is pure evil, because fear is always 365 00:26:39,600 --> 00:26:44,920 Speaker 1: the path to the dark side. Always. And I find 366 00:26:44,920 --> 00:26:48,399 Speaker 1: it refreshing to read some of these stories coming in 367 00:26:48,440 --> 00:26:54,119 Speaker 1: that have an amazing happy ending, and they don't necessarily 368 00:26:54,160 --> 00:26:56,320 Speaker 1: have to be paranormal. And yet it almost seems like 369 00:26:56,320 --> 00:26:59,960 Speaker 1: that when something amazing happens in life, it just kind 370 00:26:59,960 --> 00:27:04,560 Speaker 1: of kind of seems like there is something paranormal going on. 371 00:27:04,600 --> 00:27:12,240 Speaker 1: You know, you're watching that design, that strange organization materialize 372 00:27:13,000 --> 00:27:16,840 Speaker 1: before your eyes. So here is one more amazing, happy 373 00:27:17,520 --> 00:27:22,680 Speaker 1: ending story. And this comes from pam Bert in Salem, Oregon, 374 00:27:23,520 --> 00:27:26,760 Speaker 1: and she is retired and this happened in twenty eighteen. 375 00:27:27,440 --> 00:27:30,199 Speaker 1: She writes, I was out in the yard doing a 376 00:27:30,240 --> 00:27:34,760 Speaker 1: little light yard work on a fall day. The house 377 00:27:34,800 --> 00:27:37,399 Speaker 1: I lived in at that time had a large deck 378 00:27:37,520 --> 00:27:41,919 Speaker 1: under several fir trees, so I was sweeping fur needles 379 00:27:41,920 --> 00:27:45,520 Speaker 1: off the deck and taking them around the end of 380 00:27:45,560 --> 00:27:50,240 Speaker 1: the house. To a bin. I came back from dumping 381 00:27:50,280 --> 00:27:52,280 Speaker 1: a load of needles to the back of my house 382 00:27:54,320 --> 00:27:59,200 Speaker 1: and I saw my mother, who had died about eight 383 00:27:59,359 --> 00:28:04,840 Speaker 1: years before or sitting on my back deck at the 384 00:28:04,880 --> 00:28:09,840 Speaker 1: patio table and smiling at me. Okay, did you get 385 00:28:09,840 --> 00:28:13,760 Speaker 1: that she sees the spirit of her mother who died 386 00:28:13,760 --> 00:28:17,960 Speaker 1: eight years ago? She goes on to write, I was stunned, 387 00:28:18,600 --> 00:28:22,119 Speaker 1: but in control enough to stop and check myself. Was 388 00:28:22,119 --> 00:28:27,520 Speaker 1: I overworked? No, I just started overheated. No, it was 389 00:28:27,560 --> 00:28:31,880 Speaker 1: a beautiful fall day. But Mom just sat there smiling 390 00:28:31,880 --> 00:28:39,160 Speaker 1: at me, almost laughing. Really, I said Mom, and started 391 00:28:39,160 --> 00:28:41,480 Speaker 1: to move towards as fast as I could, but she 392 00:28:41,680 --> 00:28:47,320 Speaker 1: just slowly faded away before I could reach her. The 393 00:28:47,320 --> 00:28:51,479 Speaker 1: one thing that made me realize I really saw. What 394 00:28:51,520 --> 00:28:55,000 Speaker 1: I saw was that she was holding a drink of something, 395 00:28:55,400 --> 00:28:59,080 Speaker 1: a glass in her hand. Now, when I moved into 396 00:28:59,120 --> 00:29:02,720 Speaker 1: the house a few months before, I had thrown out 397 00:29:02,920 --> 00:29:09,240 Speaker 1: all my mismatched drinking glasses and all new matching blue glasses, 398 00:29:09,920 --> 00:29:13,040 Speaker 1: and my mom's drink was not in one of those glasses. 399 00:29:13,680 --> 00:29:21,720 Speaker 1: She brought her own. So you see amazing happy endings. 400 00:29:22,440 --> 00:29:25,320 Speaker 1: It covers a wide range, and I'll read some more 401 00:29:25,320 --> 00:29:28,640 Speaker 1: of these from time to time as the project proceeds. 402 00:29:29,120 --> 00:29:32,400 Speaker 1: But I hope you'll submit a story. And if you 403 00:29:32,480 --> 00:29:35,160 Speaker 1: have a story that's true, that's short, no more than 404 00:29:35,200 --> 00:29:37,840 Speaker 1: a few paragraphs, that's amazing, that has a happy ending, 405 00:29:37,880 --> 00:29:41,240 Speaker 1: go to Amazinghappy Endings dot com to submit your story 406 00:29:41,360 --> 00:29:44,280 Speaker 1: right now. I'm collecting stories right now, and I understand 407 00:29:44,280 --> 00:29:46,760 Speaker 1: this is a podcast and by the time you hear it, 408 00:29:46,760 --> 00:29:49,640 Speaker 1: it might be too late. But I'm recording this right now. 409 00:29:49,960 --> 00:29:53,040 Speaker 1: It's early December of twenty twenty one. I hope that 410 00:29:53,120 --> 00:30:00,120 Speaker 1: you're able to go ahead and participate. And also, of 411 00:30:00,120 --> 00:30:02,160 Speaker 1: all the stories we've gotten, one guy said that he 412 00:30:02,200 --> 00:30:05,080 Speaker 1: went to the website and he typed his story in 413 00:30:05,880 --> 00:30:09,360 Speaker 1: and then something went wrong on his computer or the 414 00:30:09,360 --> 00:30:13,960 Speaker 1: website or whatever and he lost it. So I recommend 415 00:30:14,240 --> 00:30:17,360 Speaker 1: when you write your story, you know, write it somewhere 416 00:30:17,400 --> 00:30:19,320 Speaker 1: where you can save it, write it in whatever your 417 00:30:19,320 --> 00:30:23,040 Speaker 1: word processor is, or write it in an email and 418 00:30:23,160 --> 00:30:25,320 Speaker 1: send it to yourself or something like that, so that 419 00:30:25,520 --> 00:30:28,560 Speaker 1: if you are going to submit it, if something goes 420 00:30:28,600 --> 00:30:32,520 Speaker 1: wrong and you don't just lose your work. But Amazing 421 00:30:32,520 --> 00:30:36,320 Speaker 1: Happy Endings dot com or go to Joshua P. Warren 422 00:30:36,480 --> 00:30:38,959 Speaker 1: dot com and currently you will find a link at 423 00:30:38,960 --> 00:30:40,840 Speaker 1: the top of the homepage that will take you there 424 00:30:41,240 --> 00:30:43,760 Speaker 1: and you'll see all the instructions. I cannot wait till 425 00:30:43,760 --> 00:30:47,120 Speaker 1: this is done and this book comes out next year, 426 00:30:47,560 --> 00:30:50,120 Speaker 1: and it's just going to be it's going to be wonderful. 427 00:30:50,200 --> 00:30:52,480 Speaker 1: We all need this. And again, all of you who 428 00:30:52,520 --> 00:30:55,720 Speaker 1: get your story selected, you're going to get a free 429 00:30:55,720 --> 00:30:58,040 Speaker 1: book and probably some other cool stuff from me. I 430 00:30:58,080 --> 00:31:03,680 Speaker 1: think it's important for us to focus on these types 431 00:31:03,680 --> 00:31:08,080 Speaker 1: of stories because it helps us raise our vibration. And 432 00:31:08,400 --> 00:31:12,840 Speaker 1: I got an email from someone a few months ago. 433 00:31:12,880 --> 00:31:15,080 Speaker 1: I've been meaning to bring this up, and I forget 434 00:31:15,520 --> 00:31:18,280 Speaker 1: who it was, but the person said, you know, I 435 00:31:18,360 --> 00:31:21,760 Speaker 1: really want to be a more spiritual person. And I 436 00:31:21,960 --> 00:31:24,400 Speaker 1: read books and I listen to these shows, and everybody's 437 00:31:24,440 --> 00:31:27,120 Speaker 1: talking about raising your vibration, but I don't understand what 438 00:31:27,160 --> 00:31:30,120 Speaker 1: that means. What exactly does that mean to raise your vibration? 439 00:31:32,000 --> 00:31:35,400 Speaker 1: And that's a very good, legitimate question. So I thought 440 00:31:35,400 --> 00:31:37,120 Speaker 1: about it, and here is what I came up with. 441 00:31:37,360 --> 00:31:41,560 Speaker 1: Is the best way to answer this. I think of 442 00:31:41,600 --> 00:31:50,920 Speaker 1: it in terms of light. So light is an electromagnetic 443 00:31:51,000 --> 00:31:57,840 Speaker 1: radiation that's vibrating, that's pulsing. When you have no light, 444 00:31:57,960 --> 00:32:03,479 Speaker 1: you have the absence of light, have darkness. When you 445 00:32:03,520 --> 00:32:07,440 Speaker 1: look out into outer space and it's dark, you're looking 446 00:32:07,480 --> 00:32:12,479 Speaker 1: at what William Shatner described as death. Okay, that's cold, 447 00:32:13,120 --> 00:32:19,000 Speaker 1: lifeless darkness out there. That's death, the absence of light, 448 00:32:19,160 --> 00:32:22,840 Speaker 1: no vibration. And it's interesting when you look at this 449 00:32:22,880 --> 00:32:26,920 Speaker 1: from a biblical perspective. Of course, the Bible starts out 450 00:32:26,960 --> 00:32:29,600 Speaker 1: with in the Book of Genesis, it says, and in 451 00:32:29,640 --> 00:32:34,160 Speaker 1: the beginning God created the heaven and the earth, and 452 00:32:34,240 --> 00:32:37,520 Speaker 1: the earth was without form and void, and darkness was 453 00:32:37,600 --> 00:32:41,840 Speaker 1: upon the face of the deep, and the spirit of 454 00:32:41,880 --> 00:32:45,160 Speaker 1: God moved upon the face of the waters. And God said, 455 00:32:45,480 --> 00:32:50,360 Speaker 1: let there be light. And there was light. And God 456 00:32:50,400 --> 00:32:54,520 Speaker 1: saw the light and it was good. And God divided 457 00:32:54,520 --> 00:32:56,920 Speaker 1: the light from the darkness. Now, whether or not you 458 00:32:56,960 --> 00:32:59,880 Speaker 1: believe in the Bible, just about every religion and tradition 459 00:33:00,080 --> 00:33:04,360 Speaker 1: has some version of this concept that light is the 460 00:33:04,360 --> 00:33:13,920 Speaker 1: predecessor to life. The absence of vibration is it's just silence, 461 00:33:14,040 --> 00:33:22,160 Speaker 1: it's stillness. Light is a pulsation and a low vibration. 462 00:33:22,360 --> 00:33:27,280 Speaker 1: Light appears to our eyes as the color red. And 463 00:33:27,280 --> 00:33:29,640 Speaker 1: then if you increase the vibration or the pulsation a 464 00:33:29,680 --> 00:33:31,680 Speaker 1: little bit. It goes up to orange, and then you 465 00:33:31,720 --> 00:33:33,640 Speaker 1: increase it a little more, and it goes to yellow, 466 00:33:33,640 --> 00:33:35,320 Speaker 1: and you increase it a little more, and it goes 467 00:33:35,360 --> 00:33:39,520 Speaker 1: to green, and then you increase it more and it 468 00:33:39,560 --> 00:33:41,840 Speaker 1: goes to blue, and then indigo and the violet. And 469 00:33:41,880 --> 00:33:44,080 Speaker 1: in fact, I have had some of these, you know, 470 00:33:44,200 --> 00:33:46,880 Speaker 1: I've done experiments with parasigmatics two point zero where I'm 471 00:33:46,920 --> 00:33:48,760 Speaker 1: able to take a beam of light whether it's a 472 00:33:48,840 --> 00:33:52,360 Speaker 1: laser or whatever, and shining at a sensor, and that 473 00:33:52,520 --> 00:33:58,640 Speaker 1: sensor will translate that color of light into a sound. 474 00:33:59,440 --> 00:34:03,600 Speaker 1: So move it from red and it sounds like boooooo, 475 00:34:04,120 --> 00:34:06,400 Speaker 1: and then you go to orange and goes and then 476 00:34:06,400 --> 00:34:09,080 Speaker 1: you go to yeller, and then you can if you 477 00:34:09,080 --> 00:34:12,680 Speaker 1: go through red, orange, yellow, green, blue, he goes oOoOO. 478 00:34:14,719 --> 00:34:22,160 Speaker 1: You hear that rise? Okay, that rise and vibration and 479 00:34:23,760 --> 00:34:28,880 Speaker 1: thinking negative thoughts condense and lower your spiritual vibration and 480 00:34:28,920 --> 00:34:32,040 Speaker 1: closer to that state of darkness, that state of death, 481 00:34:32,560 --> 00:34:36,880 Speaker 1: and thinking about positive thoughts expands and increases your spiritual 482 00:34:36,960 --> 00:34:41,319 Speaker 1: vibration into the realm of life. So negativity is a 483 00:34:41,320 --> 00:34:45,120 Speaker 1: low vibration and positivity is a high vibration. You could 484 00:34:45,120 --> 00:34:49,480 Speaker 1: also think of it this way, if it's helpful. The 485 00:34:49,600 --> 00:34:53,480 Speaker 1: higher your vibration, the more you are removed from the 486 00:34:53,560 --> 00:34:57,799 Speaker 1: dense physical world, and the more removed you are, the 487 00:34:57,880 --> 00:35:02,440 Speaker 1: less you are bogged down by the animalistic fears and 488 00:35:02,480 --> 00:35:06,600 Speaker 1: the dense stresses that come from being a spirit in 489 00:35:06,640 --> 00:35:12,520 Speaker 1: the material world. As Sting would probably say, so, instead 490 00:35:12,520 --> 00:35:15,680 Speaker 1: of being a spirit that's closely trapped and bogged down 491 00:35:16,000 --> 00:35:18,799 Speaker 1: closer to that lower vibration, closer to that state of 492 00:35:18,840 --> 00:35:23,319 Speaker 1: darkness and death, you're trying to rise above it. And 493 00:35:23,360 --> 00:35:25,360 Speaker 1: you can even look at this very practically when it 494 00:35:25,400 --> 00:35:29,839 Speaker 1: comes to brain wave activity that you know you've heard 495 00:35:29,880 --> 00:35:32,960 Speaker 1: me talk about this before, that you know your brain 496 00:35:34,200 --> 00:35:37,720 Speaker 1: can go through four basic states of delta, theta, alpha, 497 00:35:37,760 --> 00:35:42,120 Speaker 1: a beta, and those states are determined by the frequency 498 00:35:42,200 --> 00:35:45,040 Speaker 1: by the vibration at which the electricity is pulsing through 499 00:35:45,080 --> 00:35:48,319 Speaker 1: your brain, and at each type of frequency you feel 500 00:35:48,360 --> 00:35:51,440 Speaker 1: a different way. If you want to learn more about that, 501 00:35:51,520 --> 00:35:54,320 Speaker 1: go to the Curiosity Shop at Joshua Pwarren dot com 502 00:35:54,320 --> 00:35:57,400 Speaker 1: and read the section about the Tibetan emos. The Tibetan 503 00:35:57,400 --> 00:36:03,120 Speaker 1: emos and I am very enthusiastic about this because, believe 504 00:36:03,120 --> 00:36:08,160 Speaker 1: it or not, I am naturally an extremely pessimistic, negative person. 505 00:36:08,200 --> 00:36:11,879 Speaker 1: That's how I was born. And I learned these things 506 00:36:11,920 --> 00:36:14,120 Speaker 1: about how to raise your vibration because I wanted to 507 00:36:14,160 --> 00:36:17,040 Speaker 1: overcome it and that does not come naturally to me. 508 00:36:17,800 --> 00:36:19,480 Speaker 1: And that is why I share with all of you 509 00:36:19,640 --> 00:36:21,400 Speaker 1: the things that I've learned. If it can help me, 510 00:36:21,960 --> 00:36:24,640 Speaker 1: then I'm hoping it can help you. It's a choice, 511 00:36:25,200 --> 00:36:29,080 Speaker 1: it's a hard won choice to overcome a natural negative state, 512 00:36:30,520 --> 00:36:33,560 Speaker 1: and you have to struggle every day to stay optimistic, 513 00:36:33,719 --> 00:36:38,680 Speaker 1: especially when you're bombarded constantly by negative news in the media. 514 00:36:38,840 --> 00:36:42,080 Speaker 1: I mean, why do we ultimately feel negative well duds? 515 00:36:42,120 --> 00:36:44,560 Speaker 1: Because we know how the story ends. We all get 516 00:36:44,600 --> 00:36:47,600 Speaker 1: to die, and that's enough to make you say, well, 517 00:36:47,640 --> 00:36:50,360 Speaker 1: what the heck are we doing all this for. Look, 518 00:36:50,960 --> 00:36:53,480 Speaker 1: I don't know exactly. I have my theories. I think 519 00:36:53,480 --> 00:36:58,440 Speaker 1: it's a big classroom we're all being taught, and I 520 00:36:58,480 --> 00:37:02,719 Speaker 1: think school sucks. But you've heard my theories. But I 521 00:37:02,760 --> 00:37:05,480 Speaker 1: try to overcome my logical mind that says we're all 522 00:37:05,520 --> 00:37:07,880 Speaker 1: gonna die, so what's the point. And I try to 523 00:37:07,920 --> 00:37:11,600 Speaker 1: redirect my thoughts on enjoying the time I have while 524 00:37:11,600 --> 00:37:17,040 Speaker 1: I'm here. It's a choice, a mental training exercise. But 525 00:37:17,120 --> 00:37:19,439 Speaker 1: if you can do it. If you can do it, 526 00:37:19,600 --> 00:37:22,120 Speaker 1: you'll be able to take a deep breath and enjoy 527 00:37:22,160 --> 00:37:26,960 Speaker 1: that ride before it ends. Can you relax and enjoy 528 00:37:27,040 --> 00:37:29,040 Speaker 1: the ride. We're going to take a break when we 529 00:37:29,160 --> 00:37:31,520 Speaker 1: come back. A few more thoughts on this, and then 530 00:37:31,560 --> 00:37:36,840 Speaker 1: some weird holiday stuff. I'm Joshua Pete Warren. You're listening 531 00:37:36,840 --> 00:37:40,799 Speaker 1: to Strange Things on the iHeartRadio and Coast to Coast 532 00:37:40,880 --> 00:38:00,279 Speaker 1: AM Paranormal Podcast Network. I'll be back after these important messages. 533 00:38:26,960 --> 00:38:29,680 Speaker 1: Welcome back to the final segment of this edition of 534 00:38:29,800 --> 00:38:35,240 Speaker 1: Strange Things on the iHeartRadio and Coast to Coast I AM 535 00:38:35,280 --> 00:38:40,080 Speaker 1: Paranormal Podcast Network. I am your host, Joshua P. Warren, 536 00:38:41,120 --> 00:38:45,680 Speaker 1: and I am recording this December of twenty twenty one, 537 00:38:45,840 --> 00:38:50,040 Speaker 1: and I've been telling you about just how weird Christmas 538 00:38:50,120 --> 00:38:53,040 Speaker 1: traditions are, so I want to squeeze some of these 539 00:38:53,080 --> 00:38:57,600 Speaker 1: in here before the end of the show. And one 540 00:38:57,640 --> 00:38:59,799 Speaker 1: of the great things about being in my position is 541 00:38:59,840 --> 00:39:03,480 Speaker 1: that I'm not sitting here talking to you as an 542 00:39:03,600 --> 00:39:07,880 Speaker 1: historical authority. This is more like drunk history. I'm just 543 00:39:07,920 --> 00:39:11,480 Speaker 1: sort of giving you some of what I've recollected and 544 00:39:11,520 --> 00:39:14,239 Speaker 1: some of what I've looked up. I don't have to 545 00:39:14,239 --> 00:39:17,400 Speaker 1: be one hundred percent correct. I can just inspire you 546 00:39:17,440 --> 00:39:21,120 Speaker 1: to do your own research. But so many of the 547 00:39:21,160 --> 00:39:25,000 Speaker 1: modern day traditions that we have were really based upon 548 00:39:26,000 --> 00:39:30,920 Speaker 1: the ancient Catholic Church moving throughout Europe and trying to 549 00:39:31,040 --> 00:39:37,000 Speaker 1: convert pagans over to Christianity. And it's my understanding, and 550 00:39:37,040 --> 00:39:38,640 Speaker 1: again I don't have the info right in front of me, 551 00:39:38,680 --> 00:39:43,120 Speaker 1: it's my understanding that a lot of the pagan cultures 552 00:39:43,280 --> 00:39:48,360 Speaker 1: in Europe used to consider of the evergreen tree sacred 553 00:39:49,440 --> 00:39:51,800 Speaker 1: because it was one of the few things that remained 554 00:39:52,800 --> 00:39:56,800 Speaker 1: full of life and vibrants all year long, even through 555 00:39:57,560 --> 00:40:02,040 Speaker 1: the harsh dead winter. And so you can see why 556 00:40:02,080 --> 00:40:05,919 Speaker 1: that would be a holy thing. And so to say 557 00:40:05,920 --> 00:40:09,960 Speaker 1: they worshiped evergreen trees might be going a bit far, 558 00:40:10,080 --> 00:40:12,960 Speaker 1: but they definitely helped them in higher regard. And so, 559 00:40:14,040 --> 00:40:17,719 Speaker 1: for example, there was one of these Catholic saints who 560 00:40:17,800 --> 00:40:21,840 Speaker 1: basically said, look, I guess he was a priest at 561 00:40:21,880 --> 00:40:24,440 Speaker 1: the time, I don't remember, but anyway, but he basically said, like, look, 562 00:40:24,840 --> 00:40:26,480 Speaker 1: when you see a bunch of people who are more 563 00:40:26,560 --> 00:40:29,520 Speaker 1: or less worshiping a tree. You can cut that tree 564 00:40:29,560 --> 00:40:32,440 Speaker 1: down and tell them, hey, you all are wrong. You're 565 00:40:32,480 --> 00:40:34,319 Speaker 1: going to go to Hades or whatever, but you're not 566 00:40:34,360 --> 00:40:36,880 Speaker 1: going to win over any hearts and minds that way. 567 00:40:37,280 --> 00:40:39,560 Speaker 1: You're better off to go up to that tree and 568 00:40:39,719 --> 00:40:43,520 Speaker 1: consecrate it and say this is a part of God's 569 00:40:43,560 --> 00:40:46,600 Speaker 1: creation art, you know, Jesus creation, et cetera. And so 570 00:40:48,120 --> 00:40:50,359 Speaker 1: then you just they just sort of morph into your 571 00:40:50,400 --> 00:40:53,960 Speaker 1: tradition and that's why you see that crossover so often. 572 00:40:55,560 --> 00:40:58,680 Speaker 1: And so of course we have this image of Santa Claus, 573 00:41:00,080 --> 00:41:03,600 Speaker 1: and not only is he based in large part on 574 00:41:03,760 --> 00:41:09,600 Speaker 1: the Catholic Saint Nicholas, but the idea of Saint Nicholas 575 00:41:09,640 --> 00:41:14,800 Speaker 1: is also combined with these old European concepts of Father 576 00:41:14,960 --> 00:41:20,520 Speaker 1: Christmas sort of an old man with long white hair 577 00:41:20,640 --> 00:41:25,239 Speaker 1: who brings the snowy season with him. And also the 578 00:41:25,400 --> 00:41:31,719 Speaker 1: Dutch version of Saint Nicholas they called him Center Claus. 579 00:41:31,760 --> 00:41:34,279 Speaker 1: And again we're talking about just an old man with 580 00:41:34,360 --> 00:41:37,040 Speaker 1: a long white beard to represent winter. And also you 581 00:41:37,080 --> 00:41:40,160 Speaker 1: know how Catholics, some of these priests they wear these 582 00:41:40,239 --> 00:41:45,680 Speaker 1: big pointy hats called miters. So the idea was that 583 00:41:45,760 --> 00:41:50,759 Speaker 1: Saint Nicholas would wear some kind of a miter, a 584 00:41:50,760 --> 00:41:53,239 Speaker 1: big red miter, and that's why we end up with 585 00:41:53,320 --> 00:41:55,640 Speaker 1: this guy with a long white beard and a big 586 00:41:55,719 --> 00:42:01,920 Speaker 1: red pointy hat. And then of course he lives. Well, 587 00:42:02,080 --> 00:42:05,000 Speaker 1: this tradition says that he, you know, he was traveling 588 00:42:05,040 --> 00:42:10,319 Speaker 1: around the northern parts, you know, up there in the 589 00:42:10,360 --> 00:42:15,480 Speaker 1: old European northern mountains where it was very snowy and 590 00:42:15,520 --> 00:42:19,880 Speaker 1: where they also believed it elves a lot, you know, 591 00:42:20,160 --> 00:42:24,640 Speaker 1: especially in these Scandinavian countries, and so that mythology just 592 00:42:24,719 --> 00:42:26,920 Speaker 1: kind of got morphed in because yes, he's going to 593 00:42:26,960 --> 00:42:31,720 Speaker 1: come and bring presents, and he is a magical spirit, 594 00:42:32,160 --> 00:42:35,719 Speaker 1: and so he's got these other magical spirits that work 595 00:42:35,760 --> 00:42:37,839 Speaker 1: with him, and now the elves are involved, and then well, 596 00:42:38,080 --> 00:42:40,120 Speaker 1: well okay, well how does he get around? Well, what 597 00:42:40,200 --> 00:42:43,160 Speaker 1: else lives up there? Reindeer? We got reindeer up in 598 00:42:43,320 --> 00:42:47,120 Speaker 1: big northern snowy places, eh. And so it all just 599 00:42:47,239 --> 00:42:52,400 Speaker 1: kind of becomes sort of an ad hoc combination of 600 00:42:52,880 --> 00:42:56,440 Speaker 1: traditions that get sort of retold and retold, and you 601 00:42:56,560 --> 00:43:01,600 Speaker 1: end up with this image of this magical man with 602 00:43:01,600 --> 00:43:04,960 Speaker 1: the long white beard, Father Christmas, who's got the red 603 00:43:05,000 --> 00:43:07,799 Speaker 1: pointy hap, and he's got elves helping him make the 604 00:43:07,840 --> 00:43:10,320 Speaker 1: little treats for you, and he flies around with the reindeer, 605 00:43:10,320 --> 00:43:14,359 Speaker 1: and he comes into your house, et cetera. But one 606 00:43:14,360 --> 00:43:17,160 Speaker 1: thing that's kind of surprising is that I was reading 607 00:43:17,280 --> 00:43:21,680 Speaker 1: about some of the unusual traditions that we have around 608 00:43:21,760 --> 00:43:25,239 Speaker 1: the Christmas season, and one of them, of course, has 609 00:43:25,280 --> 00:43:31,080 Speaker 1: to do with kissing under the missletoe. And of course, 610 00:43:31,160 --> 00:43:40,640 Speaker 1: missletoe is the common name for oh gosh, obligate hemi, 611 00:43:40,960 --> 00:43:44,440 Speaker 1: parasitic plants and the order of santalis. I'm sure that 612 00:43:44,480 --> 00:43:48,279 Speaker 1: meant a lot to you, didn't I. This is from Wikipedia. Anyway, 613 00:43:48,480 --> 00:43:51,320 Speaker 1: Here's what was surprising. I was reading about why people 614 00:43:51,920 --> 00:44:03,759 Speaker 1: kiss under missletoe, and it's really kind of dirty. This 615 00:44:03,840 --> 00:44:05,960 Speaker 1: is a family we want this to be a family 616 00:44:06,520 --> 00:44:10,600 Speaker 1: friendly show, so I'm not going to get too detailed here, 617 00:44:11,920 --> 00:44:15,640 Speaker 1: but it basically says here the missletoe is relevant to 618 00:44:15,680 --> 00:44:22,239 Speaker 1: several cultures. Pagan cultures regarded the white berries as symbols 619 00:44:22,280 --> 00:44:28,319 Speaker 1: of male fertility, with the seeds resembling this is where 620 00:44:28,360 --> 00:44:30,359 Speaker 1: you can go and look up the rest on your own, 621 00:44:30,640 --> 00:44:38,719 Speaker 1: all right, And apparently you know this goes We don't 622 00:44:38,760 --> 00:44:42,359 Speaker 1: know exactly how far it goes back, but it says 623 00:44:42,440 --> 00:44:47,399 Speaker 1: the Romans associated mistletoe with peace and understanding and hung 624 00:44:47,440 --> 00:44:52,200 Speaker 1: it over doorways to protect the household. In the Christian era, 625 00:44:52,840 --> 00:44:56,160 Speaker 1: missletoe in the Western world became associated with Christmas as 626 00:44:56,160 --> 00:45:00,799 Speaker 1: a decoration under which lovers are expected to kiss, as 627 00:45:00,920 --> 00:45:08,000 Speaker 1: well as with protection from witches and demons. Huh did 628 00:45:08,000 --> 00:45:11,879 Speaker 1: you know that? It says. Missletoe continued to be associated 629 00:45:11,880 --> 00:45:15,680 Speaker 1: with fertility and vitality through the Middle Ages, and by 630 00:45:15,680 --> 00:45:18,400 Speaker 1: the eighteenth century it had also become incorporated into Christmas 631 00:45:18,440 --> 00:45:21,640 Speaker 1: celebrations around the world. The custom of kissing under the 632 00:45:21,680 --> 00:45:25,680 Speaker 1: missletoe is referred to as popular among servants in the 633 00:45:25,760 --> 00:45:32,400 Speaker 1: late eighteenth century England. So they say, if you know 634 00:45:32,440 --> 00:45:34,880 Speaker 1: you're If you approach somebody under the missletoe and you 635 00:45:34,920 --> 00:45:36,919 Speaker 1: want to kiss them and they refuse to take the kiss, 636 00:45:36,960 --> 00:45:43,160 Speaker 1: it's bad luck for everybody. Not a very PC tradition. Huh. 637 00:45:43,360 --> 00:45:45,279 Speaker 1: But yeah, you can. You can look more of that 638 00:45:45,360 --> 00:45:47,319 Speaker 1: up on your own. But you know, again, I don't 639 00:45:47,320 --> 00:45:50,120 Speaker 1: want to spend too much time on this stuff because yeah, 640 00:45:50,200 --> 00:45:52,560 Speaker 1: right now it may be Christmas time when I'm recording this, 641 00:45:52,680 --> 00:45:56,200 Speaker 1: but these podcasts are just going to be around forever 642 00:45:56,239 --> 00:45:59,680 Speaker 1: and ever and ever, and so you never know when 643 00:46:00,040 --> 00:46:03,160 Speaker 1: a person's going to be listening. But we've talked about 644 00:46:03,200 --> 00:46:06,000 Speaker 1: a lot. I've talked about a lot on this podcast 645 00:46:06,080 --> 00:46:10,840 Speaker 1: regarding I don't know, the idea that it's good to 646 00:46:10,960 --> 00:46:15,719 Speaker 1: focus on positive things and it's good to raise your 647 00:46:15,760 --> 00:46:18,359 Speaker 1: positive energy, and holidays are supposed to help us do that. 648 00:46:19,360 --> 00:46:21,600 Speaker 1: And it reminds me of this passage from my book 649 00:46:21,760 --> 00:46:24,280 Speaker 1: Use the Force, a Jedi's Guide to the Law of Attraction, 650 00:46:26,120 --> 00:46:30,120 Speaker 1: page seventy five. Listen to this. Your entire body is 651 00:46:30,200 --> 00:46:33,560 Speaker 1: so much in sync with the universe that it acts 652 00:46:33,600 --> 00:46:38,279 Speaker 1: like a binary vessel, contracting when things feel tense and 653 00:46:38,400 --> 00:46:41,799 Speaker 1: relaxing when things feel good and peaceful. There is an 654 00:46:41,960 --> 00:46:44,759 Speaker 1: entire fil devoted to this study. Anyway, these kinds of 655 00:46:44,800 --> 00:46:49,000 Speaker 1: reactions can even be observed in the most basic life forms. 656 00:46:49,800 --> 00:46:52,640 Speaker 1: I once wrote a rhyming, illustrated children's book called The 657 00:46:52,640 --> 00:46:57,360 Speaker 1: Lonely Ameiva. It included colorful characters, characters like Larry the 658 00:46:57,400 --> 00:47:01,799 Speaker 1: Hairy Parimesium and Gina Euglina. Anyway, but as I did 659 00:47:01,840 --> 00:47:07,000 Speaker 1: research for this playful, microscopic landscape, I realized something interesting 660 00:47:07,040 --> 00:47:11,400 Speaker 1: about amibas. They are just organic sacs without brains or 661 00:47:11,440 --> 00:47:16,760 Speaker 1: nervous systems, and nonetheless they are extremely reactive. They tense 662 00:47:16,840 --> 00:47:21,320 Speaker 1: up and move away from water with an incompatible temperature 663 00:47:21,520 --> 00:47:28,880 Speaker 1: or salinity. They relax, expand and thrive, and even actively 664 00:47:28,960 --> 00:47:32,800 Speaker 1: hunt prey. And though our bodies are much more complex 665 00:47:32,880 --> 00:47:35,400 Speaker 1: than those of amoba's, the same principles apply to our 666 00:47:35,440 --> 00:47:40,239 Speaker 1: automatic reactions. We also tense up or relax immediately when 667 00:47:40,239 --> 00:47:45,120 Speaker 1: faced with a particular scenario. It is this innate, subconscious 668 00:47:45,160 --> 00:47:48,239 Speaker 1: awareness of our surroundings that most quickly taps into what 669 00:47:48,400 --> 00:47:52,600 Speaker 1: is right or wrong, and that is why throughout the 670 00:47:52,600 --> 00:47:56,960 Speaker 1: Star Wars series, Jedis are asked to search their feelings 671 00:47:57,520 --> 00:48:02,200 Speaker 1: more than their minds. Leave it at that. This is 672 00:48:02,239 --> 00:48:06,000 Speaker 1: what I mean by vibration. Raising your vibration when you 673 00:48:06,040 --> 00:48:08,640 Speaker 1: think about something, when you think about a person, or 674 00:48:08,680 --> 00:48:13,239 Speaker 1: a situation, or an opportunity, anything, any idea, does it 675 00:48:13,320 --> 00:48:17,040 Speaker 1: make you feel like you want to contract and pull 676 00:48:17,120 --> 00:48:22,760 Speaker 1: back or expand. That's it at the most basic level. 677 00:48:23,120 --> 00:48:25,800 Speaker 1: That is what you want. You want to go for 678 00:48:25,960 --> 00:48:29,000 Speaker 1: things that make you feel like you're expanding. That is 679 00:48:29,040 --> 00:48:33,720 Speaker 1: what raising your vibration is all about. And that is why. 680 00:48:34,080 --> 00:48:36,839 Speaker 1: We need a lot of positivity in our lives right 681 00:48:36,880 --> 00:48:40,640 Speaker 1: now to combat the darkness, and so let me raise 682 00:48:40,640 --> 00:48:43,680 Speaker 1: your vibration. I'm about to play for you the good 683 00:48:43,680 --> 00:48:46,840 Speaker 1: Fortune Tone. Okay, you're ready. This will bring you some 684 00:48:46,880 --> 00:48:50,200 Speaker 1: good fortune. Take a deep breath if you can close 685 00:48:50,200 --> 00:48:55,160 Speaker 1: your eyes. It's twenty seconds. Here is the good Fortune Tone. 686 00:49:19,520 --> 00:49:23,120 Speaker 1: That's it for this edition of the show. Follow me 687 00:49:23,239 --> 00:49:27,920 Speaker 1: on Twitter at Joshua P. Warren, Plus visit Joshua Pwarren 688 00:49:28,000 --> 00:49:30,880 Speaker 1: dot com to sign up for my free e newsletter 689 00:49:31,280 --> 00:49:35,000 Speaker 1: to receive a free instant gift, and check out the 690 00:49:35,000 --> 00:49:39,800 Speaker 1: cool stuff in the Curiosity Shop all at Joshuapwarren dot com. 691 00:49:40,160 --> 00:49:42,520 Speaker 1: I have a fun one lined up for you next time, 692 00:49:42,680 --> 00:49:46,640 Speaker 1: I promise. So please tell all your friends to subscribe 693 00:49:46,719 --> 00:49:50,959 Speaker 1: to this show and to always remember the Golden Rule. 694 00:49:51,840 --> 00:49:55,840 Speaker 1: Thank you for listening, Thank you for your interest and support. 695 00:49:56,120 --> 00:49:59,719 Speaker 1: Thank you for staying curious, and I will talk to 696 00:49:59,760 --> 00:50:05,400 Speaker 1: you again soon. You've been listening to Strange Things on 697 00:50:05,480 --> 00:50:11,000 Speaker 1: the iHeartRadio and Coast to Coast AM Paranormal podcast Network. 698 00:50:26,840 --> 00:50:30,120 Speaker 2: Well, if you like this episode of Strange Things, wait 699 00:50:30,200 --> 00:50:33,040 Speaker 2: till you hear the next one. Thank you for listening. 700 00:50:33,120 --> 00:50:38,040 Speaker 2: To the iHeartRadio and coast to coast AM Paranormal podcast network.