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Speaker 1: Good morning in usc yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo.

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Speaker 2: Yo yo yo yo yo yo.

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Speaker 1: Jess is out today. What's up, Lauren?

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Speaker 3: Ain't good morning?

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Speaker 4: Try to make up a little bit, charlamagn's running a

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Speaker 4: little late and it's Tuesday.

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Speaker 3: You gearing me better? Nah?

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Speaker 1: A little little more, a little more value.

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Speaker 3: That's all I got here.

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Speaker 1: Yeah, you're good there right there, It's perfect. What's up, Laura.

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Speaker 3: I'm at Delaware State.

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Speaker 1: I got a radio station.

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Speaker 3: Stop playing with us.

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Speaker 1: I'm just joking.

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Speaker 3: We have a radio station. D radio station. I'm broadcasting

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Speaker 3: mine from Delaware.

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Speaker 5: State University this morning because I'm speaking at convocation.

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Speaker 1: Now, what is convocation?

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Speaker 4: For people that that didn't go to college or didn't

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Speaker 4: go to HBCU, break that down.

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Speaker 5: Well, convocation is like the official welcoming ceremony for the

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Speaker 5: student body. So it sets the tone for the school year.

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Speaker 5: It welcomes the new student and the new student body.

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Speaker 5: And it's kind of like that like motivation that like

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Speaker 5: go into the year and conquer. So you they have

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Speaker 5: people coming speak to the students and this year.

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Speaker 3: I was accent.

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Speaker 1: That's that Delaware State Radio station went right right out.

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Speaker 3: I'm back. I heard you the whole time.

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Speaker 4: We're never at Hampton, but go ahead, go ahead, and

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Speaker 4: I'm just oh my god. So you said you're gonna

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Speaker 4: be speaking to the students today. What's one thing that

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Speaker 4: you're gonna tell the students out there? For any students

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Speaker 4: that this is their first year, what's one thing you're

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Speaker 4: gonna tell them.

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Speaker 5: I'm gonna talk about vision and why vision is important

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Speaker 5: now their first day on campus up until the point

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Speaker 5: that they leave, and how that worked out for me.

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Speaker 5: Just to motivate them to have some fun. But you know,

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Speaker 5: don't forget why they're why they're here, okay.

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Speaker 4: Also tell them to step outside the box. That's one

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Speaker 4: thing I wish I did when I went to college.

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Speaker 4: I wish I would have took classes of courses that

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Speaker 4: was outside of my major, outside of my comfort zone.

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Speaker 4: Maybe take a class in politics, maybe take a class

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Speaker 4: in psychology, maybe it take a class and I don't know,

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Speaker 4: whatever it may be.

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Speaker 1: Just to step outside the box.

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Speaker 4: Because you know, once you're in college, it's paid for

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Speaker 4: for that semester, so you might as well take as

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Speaker 4: many classes as you possibly can and learn as much

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Speaker 4: because once you're out, you're gonna go back. Like, damn,

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Speaker 4: I wish I would have. I wish i'd have took

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Speaker 4: that politic class. I wish I would have took that

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Speaker 4: that whatever class or you know, whatever it means. I

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Speaker 4: always help people step outside the box. Take a class

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Speaker 4: that you might not be interested in, but I'm sure

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Speaker 4: it could open up so much for you.

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Speaker 1: You know.

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Speaker 5: Yeah, that's true also too, because you never know what

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Speaker 5: you need. Like when I first came to Dellastate, I

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Speaker 5: was a criminal justice. I was trying to do political

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Speaker 5: science and law. My mom was like, you need to

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Speaker 5: know the law, and I was like, no, I don't

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Speaker 5: work in entertainment. And how many court cases we'd be.

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Speaker 1: Talking about, right?

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Speaker 4: I wish I had to take law classes as well,

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Speaker 4: just to understand easier to break down. You know, of

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Speaker 4: course we have to study it and read over and

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Speaker 4: over and over. But I wish I would have definitely

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Speaker 4: took some law classes as well.

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Speaker 6: Well.

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Speaker 5: I'm glad you got out, you know, being a DJ

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Speaker 5: as a major, not ever really going to class because

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Speaker 5: you know the way that happens.

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Speaker 4: She dropped through mine was being as management in marketing

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Speaker 4: was Excuse me, there was no DJ as in major.

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Speaker 1: Yeah.

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Speaker 5: Stay, it's a little different. We actually go to class

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Speaker 5: and we have a good time. But we actually go

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Speaker 5: to class here. So you know, I'm gonna make sure

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Speaker 5: I let the students know that DJ Envy who went

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Speaker 5: to school for bowling.

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Speaker 3: You know, I told them to step outside the box.

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Speaker 1: At least we have for at least we have.

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Speaker 4: A bowling team. I'll show you guys don't. But let's

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Speaker 4: get the show cracking. We have front page news with Mimi.

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Speaker 4: She should be joining us. You'll be breaking everything down.

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Speaker 4: Charlamine to be here in a second, so don't go anywhere.

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Speaker 4: It's the breakfast club. Good morning, and let's get in

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Speaker 4: some front page news. Start off with sports and Monday

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Speaker 4: Night football.

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Speaker 1: If I can to beat the biz. Twenty seven twenty four,

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Speaker 1: what's up me Me?

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Speaker 3: Good morning, y'all.

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Speaker 7: So a lot to unpack this morning, some new Jeffrey

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Speaker 7: Epstein breaking news. We start in Washington, where lawmakers have

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Speaker 7: released a two hundred and thirty eight page birthday book

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Speaker 7: once gifted to Jeffrey Epstein for his fiftieth birthday back

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Speaker 7: in two thousand and three an inside is a note

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Speaker 7: allegedly written and signed by President Donald Trump. Now, the book,

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Speaker 7: put together by Gallaine Maxwell, contains other handwritten notes, sketches,

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Speaker 7: and messages from Epstein's high profile circle of friends and associates.

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Speaker 7: Trump's page, formatted like a conversation between him and Epstein,

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Speaker 7: references two men having a conversation, and it ends with

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Speaker 7: the line, pal is a wonderful thing, Happy birthday, and

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Speaker 7: may every day be another wonderful secret. Now this isn't

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Speaker 7: the first time we've heard about this note. The Wall

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Speaker 7: Street Journal they first reported on this back in July,

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Speaker 7: and at the time Trump he called it a fake

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Speaker 7: and filed a ten billion dollar defamation lawsuit against the paper.

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Speaker 3: But this is the first time the image has been.

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Speaker 7: Publicly released as part of Epstein's estate documents handed over

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Speaker 7: to the House Oversight Committee. Now the White House they

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Speaker 7: are pushing back Press Secretary Caroline Levitch. She wrote a

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Speaker 7: statement on social media saying President Trump did not draw

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Speaker 7: the picture and he did not sign it. Now when

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Speaker 7: the Wall Street Journal that when they first broke this story,

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Speaker 7: reporters caught up with the President as he was boarding

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Speaker 7: Air Force one and pressed him for a response, let's

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Speaker 7: listen to that exchange.

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Speaker 6: I said, I don't even know what they're talking about.

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Speaker 1: Now, somebody could have written a letter and used my name,

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Speaker 1: but that's happened a lot, and it wasn't him. He's

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Speaker 1: saying to somebody else that drew that letter and wrote

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Speaker 1: that letter's.

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Speaker 3: Own, exactly have you seen that letter?

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Speaker 1: V yes? The drawing, yes, I have.

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Speaker 3: That's hard too. He's odd too.

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Speaker 7: So it's just that outline of a nude woman's body

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Speaker 7: with the secret and so lawmakers are asking, you know,

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Speaker 7: what is this secret that they're talking about? And so, uh, yesterday,

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Speaker 7: House Speaker Mike Johnson, he said he's now walking back

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Speaker 7: his comments, saying that Trump acted as an FBI informant

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Speaker 7: during the Epstein investigation, and he's clarifying that.

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Speaker 3: Let's listen to what he had to say.

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Speaker 8: Well, I was referring as on that long conversation was

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Speaker 8: what the victims of kin He said, more than a

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Speaker 8: decade ago, President Trump keeps Epstein out.

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Speaker 5: Of Marilano, and he was one of the only people

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Speaker 5: on the only prominent people.

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Speaker 1: As everyone has reported, President Trump let everybody about.

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Speaker 3: Him that he was willing to pull law enforcement.

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Speaker 1: Go after this guy who was a disgusting of child

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Speaker 1: abus sex trafficker. All the helliga since that's what they heard.

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Speaker 1: So the President was helpful in that. I don't know

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Speaker 1: if I use the ric terminology, but that's a common

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Speaker 1: knowledge and everybody knows that. So there is much ado

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Speaker 1: about nothing.

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Speaker 7: So it just seems that more documents and more things

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Speaker 7: keep coming out. Republicans are having to walk back their comments.

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Speaker 7: They're having to deny what we can see with our

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Speaker 7: own eyes, and so we'll continue to see what's happening.

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Speaker 7: A bipartisan group of House Democrats, they're still pushing for

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Speaker 7: the release of additional Epstein files. Meanwhile, Trump is reportedly

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Speaker 7: still dismissing all of this and calling it a democratic hoax.

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Speaker 1: Nation. Never stop talking about it. I keep saying it

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Speaker 1: over and over.

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Speaker 9: Treated the way, Uh, you know, Republicans be treating transgenders

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Speaker 9: and sports right. I don't believe that painting, and I'm

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Speaker 9: gonna be honest to see that drawing believe it. I

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Speaker 9: think that I think that somebody, I think somebody down

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Speaker 9: with Trump planted that.

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Speaker 1: To make it seem so great.

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Speaker 9: It seems like because once you've debunk that and proved

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Speaker 9: that it's fake, and maybe people everything looking at everything else.

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Speaker 9: It just seems too It just seems too damn silly

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Speaker 9: to be real. I'm not saying that it's not a

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Speaker 9: silly administration. It just seems too silly to be real.

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Speaker 9: I thought that months ago. I said that month ago

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Speaker 9: when that letter first came up.

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Speaker 3: Yeah.

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Speaker 9: Well, And while the.

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Speaker 7: White House continues facing fallout from the Epstein revelations, the

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Speaker 7: Trump administration just scored a major legal victory at the

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Speaker 7: Supreme Court, one that could have sweeping implications for immigration

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Speaker 7: enforcement here in California. On Monday, the Court lifted a

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Speaker 7: lower judge's limits on immigration stops in the Los Angeles area,

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Speaker 7: allowing federal agents to once again stop and question people

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Speaker 7: based on factors like speaking Spanish, the type of work

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Speaker 7: they do, or even being present in locations where undocumented

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Speaker 7: migrants are believed to gather. The administration had asked for

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Speaker 7: an emergency intervention, calling the restrictions a straight jacket on

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Speaker 7: its enforcement efforts in southern California.

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Speaker 6: Now.

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Speaker 7: The order was split six to three, with the court's

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Speaker 7: conservative siding with.

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Speaker 3: The Trump administration.

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Speaker 7: Just as Brett Cavanaugh wrote separately, suggest the plaintiffs likely

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Speaker 7: have no legal right to sue, and predicting the administration

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Speaker 7: will likely prevail in the broader case. But in a

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Speaker 7: sharp descent, Justice Sonya sord of Mayor she warned the

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Speaker 7: ruling opens a door to racial profiling. She wrote, we

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Speaker 7: should not have to live in a country where the

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Speaker 7: government can seize anyone who looks Latino, speaks Spanish, and.

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Speaker 3: Appears that work a low wage job.

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Speaker 7: She was joined by Justices Elena Kagan and Kadanji Brown Jackson.

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Speaker 7: The ruling it tosses out a July decision from a

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Speaker 7: Biden appointed judge who put limits on immigration stops in

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Speaker 7: southern California, and that judge said agents can't rely on race,

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Speaker 7: the type of work that you do, or physical location.

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Speaker 7: But this new ruling now will apply to Central District

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Speaker 7: of California. That's an area where nearly twenty million people live.

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Speaker 1: So what's new other than they made it legal.

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Speaker 9: Like they've always racially profiled people, they just can't get

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Speaker 9: in trouble for it. Now they're just saying it out

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Speaker 9: loud and putting it on the books that you know,

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Speaker 9: we're not going to be punishing nobody if they do

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Speaker 9: get caught doing it.

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Speaker 1: But this is always happening.

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Speaker 3: Absolutely with civil rights groups.

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Speaker 7: They filed they lawsuits and things like that after it

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Speaker 7: was happening here in California, after Ice was here in

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Speaker 7: California and they had that downtown raid and all the

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Speaker 7: things that they were doing.

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Speaker 3: And so this is just the react. This is just

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Speaker 3: what happened from that lawsuit.

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Speaker 1: All right, well, thank you, Mimi. We'll see you next hour.

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Speaker 1: Everybody else, get it off your chest eight.

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Speaker 4: Hundred five eight five one five one. If you need

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Speaker 4: to vent, call us up right now again. Phone lines

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Speaker 4: eight hundred five eight five one oh five one is

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Speaker 4: the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. This is your time to

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Speaker 1: get it off your chest, whether you're mad or blessed.

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Speaker 1: I hate the way did you walk, the way did

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Speaker 1: you talk?

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Speaker 6: I hate the way did you dress?

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Speaker 1: Everything? When me is best? Call up now eight hundred

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Speaker 1: five eight five five one. I'm what the coach of philing? Hello,

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Speaker 1: who's this.

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Speaker 10: Brefast Club?

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Speaker 1: What's up? Get it off your chest? Brother?

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Speaker 11: Hey?

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Speaker 12: Yo?

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Speaker 10: Two things. First thing is that I just want to

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Speaker 10: parts up. Good morning Charlotte, Maagne, good morning, and the

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Speaker 10: good morning uh jes to get in Good morning.

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Speaker 3: Ll cool Ban good morning.

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Speaker 10: I just want to say that, you know, like I

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Speaker 10: just want to put out to you that you know,

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Speaker 10: the administration that we have running America, they need to

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Speaker 10: be aware that everything around Donald Trump throws down. I

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Speaker 10: guess they haven't learned with the shumakap but for the

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Speaker 10: most part, you know, he's the only one that has community,

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Speaker 10: so all his climate part that's rolling with him, pulling

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Speaker 10: it down when it's changes, Mam. I just also want

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Speaker 10: to say I want to give a shout out to

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Speaker 10: my beautiful wife, SHAWNA. Sanders, my son TJ. Tyler, Terant Jojo,

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Speaker 10: I love you guys, have a blessed day.

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Speaker 13: And CHARLOA Magne.

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Speaker 1: Yes, sir, I'm.

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Speaker 10: Trying to stay on top of my mental health out here,

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Speaker 10: my brother, and I'm just calling. I got in through

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Speaker 10: a few times and I'll never ask you. And if possible,

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Speaker 10: I can get one of your great books.

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Speaker 1: Absolutely, you can get a book, man. Man, that's easy.

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Speaker 1: That's an easy call. Where you live at I live

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Speaker 1: along Island. Well, you should come to win County.

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Speaker 9: Well, you should come to my fifth annual Mental Wealth Expo.

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Speaker 9: It's happening Saturday, October eleventh in Newark, New Jersey at

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Speaker 9: the Joel and Diane bloom Well. It's an event center.

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Speaker 9: It's a day of mental health education and healing. It's

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Speaker 9: a free event from eleven am to four pm. We

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Speaker 9: got some of the best mental health professionals in the country,

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Speaker 9: from Debbie Brown to Jason Wilson, the doctor Alfrey Breeland, Noble,

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Speaker 9: doctor j Barnett. They're all gonna be there. Man So

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Speaker 9: and it's a free eventually. You should pull up, y'are.

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Speaker 10: Pulling up, Sola. Man, I'm coming to see you, remember me,

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Speaker 10: man be you. MVY loves you's been following you. Ll cool,

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Speaker 10: bab you stay big, doing what you do.

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Speaker 1: Just how'd you do? You have a good one, brother,

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Speaker 1: Hold on and listen.

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Speaker 9: You can go to mentalwealthexpo dot com, the register the ten.

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Speaker 9: You don't have to register the ten, but they recommend it.

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Speaker 1: Hello. Who's this Hey?

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Speaker 6: This is Mike from Florida MJ Mike, Yes, Mike from

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Speaker 6: Sadam from Jersey City.

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Speaker 1: What's up, Mike? Get off your chest?

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Speaker 6: Mike yeah, MV. I've been say hello to everybody, but

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Speaker 6: the year you have your car show, and I know

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Speaker 6: they'd be asking you to come to California, Chicago, Detroit.

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Speaker 6: This is what I was thinking. Take all your celebrity friends,

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Speaker 6: have them send pictures to you to your email or

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Speaker 6: whatever from you know, even from California Chicago, right, and

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Speaker 6: instead of you shipping your cars there have the car

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Speaker 6: shows there with their cars, and then your Eastern friends

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Speaker 6: they can be on the you know, on the on

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Speaker 6: the thing as well, and then you can have your

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Speaker 6: car shows in different cities next year without all that

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Speaker 6: cost of you shipping your cars. Do you understand what

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Speaker 6: I mean?

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Speaker 1: Yep, I see what you're saying.

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Speaker 4: Like the only problem is when I do these car

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Speaker 4: shows in different cities, it's not just picking up and

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Speaker 4: taking cars. It's like, if you really think about it,

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Speaker 4: it's like a moving circus. So you know, when you

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Speaker 4: go with the circus, go from city to city, they

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Speaker 4: got to take everything, not just the animals, not just

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Speaker 4: the people, but the rides and attractions. So it's the

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Speaker 4: same thing. We take the rides and attractions as well.

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Speaker 4: So we take the car. Is the velvet ropes, the setups,

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Speaker 4: the breakfast club, fake studios, the picture arrangements, all that

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Speaker 4: we go from city to city. So it's not just

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Speaker 4: taking cars. If that was it that we could do that.

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Speaker 4: It's like, like I said, we move, it's a whole production.

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Speaker 4: It's not just we move one thing. It's it's it's

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Speaker 4: a big production.

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Speaker 6: Oh I didn't know that. I'm sorry, but I think

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Speaker 6: it was just a suggestion.

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Speaker 12: It's something, you know, something to think about, you know,

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Speaker 12: appreciate it.

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Speaker 6: Even still, Like with your West Coast friends, they can

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Speaker 6: they could send their pictures of their cars and at

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Speaker 6: least they can be represented in your car shows, you know,

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Speaker 6: because I know you have friends on the West Coast

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Speaker 6: who would love to have their cars featured in your

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Speaker 6: in your car shows, but it costs so much, like

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Speaker 6: you say the Senate.

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Speaker 4: Yeah, we're gonna get and we're gonna get on the

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Speaker 4: West Coast. And if you've never been in my car show,

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Speaker 4: all the cars this day is not mine. So there's

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Speaker 4: like two hundred cars, so a lot of cars. Most

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Speaker 4: cars are from the regional area that we pull up in.

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Speaker 4: But we're gonna we're gonna expand more and more and more.

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Speaker 4: People love the car show. And we've been, you know,

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Speaker 4: talking to a bunch of different car clubs. So we're

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Speaker 4: gonna were gonna start branding on to the West Side

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Speaker 4: and West Coast and stuff like that. I think next

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Speaker 4: year we're doing Carolina, Dallas, Virginia again, so we're gonna

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Speaker 4: hit a couple more Marcus brother.

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Speaker 6: But thank you you guys, have a nice day and

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Speaker 6: say hello, hello to the club.

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Speaker 4: Hey Red, okay, definitely, he said, hey, Red, get it

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Speaker 4: off your shot.

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Speaker 1: He shouted you like he grabs your butt before.

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Speaker 6: Right.

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Speaker 9: He shouted, y'all like you're hitting you acting like you

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Speaker 9: don't know him. You know what I'm saying. You know

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Speaker 9: what I'm saying. He hitt and he saw.

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Speaker 1: Red and Redd he don't know him. He red like

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Speaker 1: you don't know me. Eight hundred and five eight five

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Speaker 1: one on five one. It's the Breakfast Club. Good morning,

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Speaker 1: the Breakfast Club, Wake up, wake up, as your time

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Speaker 1: to get it off your chest? Really your matter blast.

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Speaker 1: We want to hear from you on the Breakfast Club. Hello,

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Speaker 1: who's this?

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Speaker 3: What's going on?

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Speaker 6: This?

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Speaker 10: Aaron Walking?

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Speaker 2: Good morning and me? Good morning, Lauren, Good morning, Charlae Mane,

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Speaker 2: how y'all doing, Aaron?

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Speaker 1: Are you doing, sir? Get it off your chest? Brother?

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Speaker 2: Not much, man, I just wanted to call laying let

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Speaker 2: everybody know I got an interview today for my dream

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Speaker 2: job all Heart Radio out here in Orlando. Man, so

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Speaker 2: just then you know what the prayers for me? Hope

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Speaker 2: I get this position?

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Speaker 1: What station one on four point.

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Speaker 4: Five one four five on on that station were on

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Speaker 4: one o four.

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Speaker 1: Good luck man, yep, appreciate it.

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Speaker 13: Now.

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Speaker 2: I got another thing I want to get off my chest.

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Speaker 2: Y'all heard that new Justin B album?

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Speaker 1: No, I ain't heard it yet, slap manh.

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00:15:25,600 --> 00:15:27,160
Speaker 2: Yeah, y'all got to get on it. Man.

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Speaker 10: It's given me like some.

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Speaker 2: Old like some Michael Jackson's not down in like Michael Jackson,

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Speaker 2: but it gives me like that Michael Jackson love. Just

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Speaker 2: the people did the same on that album. Man, y'all

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Speaker 2: got to check it out.

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Speaker 1: I heard it, man, I'm gonna listen. I ain't even

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Speaker 1: heard nobody talking about it. This is the first time

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Speaker 1: I heard somebody mentioned right, I don't know.

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Speaker 2: We just did the same the sure.

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Speaker 1: Yeah, this is the second album. I think it like

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Speaker 1: three four weeks.

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Speaker 4: Lord reported that it was supposed to come out I

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Speaker 4: think last Friday at midnight, but then come out to

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Speaker 4: about three forty am.

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Speaker 1: And nobody listening, and by nobody I mean me.

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Speaker 3: First of all night. We talked about it last week. Also, Charlotte, I.

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Speaker 1: Remember when I said you remember remember now you're that

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Speaker 1: now you. I remember when Nihilis said it.

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Speaker 3: I think it's my height. You know when I speak

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Speaker 3: at your little all.

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Speaker 1: First of all, your edges look fake this morning.

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Speaker 3: My edges are very real. You're just macaze, growing and

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00:16:14,680 --> 00:16:17,480
Speaker 3: very glowing. You like nothing that's good, glowing and progressing.

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Speaker 1: Okay, listen, did you see that story about how they

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Speaker 1: won't let you. There's an all girls school in Jamaica

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00:16:24,760 --> 00:16:25,280
Speaker 1: that bands that.

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Speaker 3: Just yes, I did, and we will talk about it later.

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00:16:28,040 --> 00:16:30,840
Speaker 1: Belonging the house not on feheads. That's funny as hell

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Speaker 1: because I used to always tell uh girls when they

400
00:16:33,560 --> 00:16:35,480
Speaker 1: had their bands. I'd be like, yo, I'm pulling back

401
00:16:35,520 --> 00:16:42,160
Speaker 1: like blinds, damn nasty. Hello, Hello, Hey, what's your name?

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Speaker 10: Man?

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00:16:43,680 --> 00:16:47,040
Speaker 1: The name clip? What's up? Man?

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00:16:47,080 --> 00:16:50,240
Speaker 10: I just don't want to shot myself out. Goodring, Come on, everybody,

405
00:16:50,480 --> 00:16:51,560
Speaker 10: law love y'all.

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Speaker 5: Man, just.

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Speaker 10: Rolling in this morning.

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Speaker 1: My birthday, Happy birthday, burgo man. My brother is longer

409
00:17:01,360 --> 00:17:05,160
Speaker 1: than me. Our birthday is that's what's up? Yeah?

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00:17:05,240 --> 00:17:06,399
Speaker 10: Yeah, man, appreciate it.

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Speaker 14: Man.

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00:17:06,640 --> 00:17:08,800
Speaker 1: I just want to say, what's up, so you got

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Speaker 1: we appreciate you, brother.

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00:17:11,720 --> 00:17:15,640
Speaker 15: I got one more thing for your ye then go,

415
00:17:19,680 --> 00:17:20,920
Speaker 15: y'all be flirting with each other.

416
00:17:20,960 --> 00:17:23,080
Speaker 1: Man, what do you mean you a lot lizard, Envy

417
00:17:24,200 --> 00:17:27,760
Speaker 1: flirting with Yes, you do. We used to be on

418
00:17:27,760 --> 00:17:30,159
Speaker 1: the road. That would be out funny home poor a

419
00:17:30,200 --> 00:17:33,080
Speaker 1: lot lizen. No, damn not lit me me. That's not funny.

420
00:17:33,080 --> 00:17:35,720
Speaker 1: So I'm laughing. Hello, who is this? Hey?

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00:17:35,760 --> 00:17:36,080
Speaker 3: Can you guy?

422
00:17:36,160 --> 00:17:38,400
Speaker 1: Jeremy? What's up? Brother? Get it off your chest?

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00:17:38,640 --> 00:17:41,800
Speaker 12: Morning morning Envy, Charlotte made who's there.

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00:17:41,760 --> 00:17:44,640
Speaker 3: Laura Rosa, Yes, yes, good morning.

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Speaker 12: Good morning Hey. I just want to tell you guys,

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00:17:47,000 --> 00:17:49,320
Speaker 12: I appreciate you guys very very much. I wanted to

427
00:17:49,320 --> 00:17:51,679
Speaker 12: give a shout out to me and my wife. We

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00:17:51,960 --> 00:17:55,520
Speaker 12: celebrated our eleven year anniversary yesterday being married.

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Speaker 1: Out of that congratulations, thank you, Thank you guys, Dah.

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00:18:00,960 --> 00:18:03,080
Speaker 12: I wanted to tell you guys too, I appreciate everything

431
00:18:03,119 --> 00:18:04,840
Speaker 12: that you guys have put out. Charlotte Maagne.

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00:18:05,240 --> 00:18:07,680
Speaker 16: Everything he put out with mental health has definitely helped

433
00:18:07,680 --> 00:18:09,880
Speaker 16: me work on myself and helped me put a foundation

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00:18:09,960 --> 00:18:14,160
Speaker 16: for my family, my boys, and then Envy your book.

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00:18:14,200 --> 00:18:16,320
Speaker 16: I haven't read the second one. I read the first one,

436
00:18:16,640 --> 00:18:19,520
Speaker 16: but it's definitely helped me in my marriage out a ton.

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00:18:19,760 --> 00:18:21,560
Speaker 12: So thank you guys for being so vulnerable.

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00:18:21,560 --> 00:18:22,280
Speaker 16: I appreciate it.

439
00:18:22,320 --> 00:18:23,919
Speaker 1: Thank you brother, we try. I appreciate you.

440
00:18:23,960 --> 00:18:24,080
Speaker 6: Man.

441
00:18:24,119 --> 00:18:26,240
Speaker 1: Where you call it from?

442
00:18:26,600 --> 00:18:27,280
Speaker 12: Call from dever.

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00:18:27,880 --> 00:18:30,040
Speaker 9: Oh okay, I'm gonna invite you to my mental health exts.

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00:18:30,040 --> 00:18:31,560
Speaker 9: But but you might not be out on this side

445
00:18:31,560 --> 00:18:32,520
Speaker 9: on October eleven.

446
00:18:34,119 --> 00:18:36,040
Speaker 12: Man, don't you don't know how bad I've been wanting

447
00:18:36,080 --> 00:18:37,920
Speaker 12: to go to. I'm definitely gonna make it up there

448
00:18:37,960 --> 00:18:38,400
Speaker 12: one year.

449
00:18:38,800 --> 00:18:40,040
Speaker 16: I'll just talk to my wife about it.

450
00:18:40,080 --> 00:18:41,439
Speaker 1: I want to make it up there one year.

451
00:18:41,320 --> 00:18:42,800
Speaker 10: At least to go and check it out.

452
00:18:42,840 --> 00:18:44,520
Speaker 12: But I'll definitely make it up one of these years

453
00:18:44,600 --> 00:18:45,080
Speaker 12: now for sure.

454
00:18:45,160 --> 00:18:47,040
Speaker 1: Yes, sir, thank appreciate you. Brother. Have a go on,

455
00:18:47,480 --> 00:18:48,520
Speaker 1: get it off your chest.

456
00:18:48,600 --> 00:18:51,119
Speaker 4: Eight hundred and five eight five one five one. Now

457
00:18:51,119 --> 00:18:52,960
Speaker 4: we got the latest Lauren coming up? Are we talking.

458
00:18:52,760 --> 00:18:53,679
Speaker 1: About we do?

459
00:18:53,760 --> 00:18:56,720
Speaker 5: We're gonna talk about fifty cent because do nothing pissed

460
00:18:56,760 --> 00:18:59,960
Speaker 5: Dame dash off more than fifty cent and Cameron teaming up.

461
00:19:00,680 --> 00:19:03,080
Speaker 5: Let us know yesterday he got the rights to bring

462
00:19:03,119 --> 00:19:05,200
Speaker 5: paid for television in a series.

463
00:19:05,400 --> 00:19:06,439
Speaker 3: So we're gonna talk about it.

464
00:19:06,520 --> 00:19:08,320
Speaker 1: What are you at Lord Delaware?

465
00:19:08,359 --> 00:19:10,520
Speaker 3: I'm at Delaware State University.

466
00:19:10,880 --> 00:19:13,120
Speaker 1: What's that towel behind you? That say? What's that saying

467
00:19:13,160 --> 00:19:14,080
Speaker 1: behind you? That talent?

468
00:19:14,160 --> 00:19:18,520
Speaker 5: You always minded business the wrong way? You got something

469
00:19:18,520 --> 00:19:19,320
Speaker 5: to say to us.

470
00:19:19,280 --> 00:19:22,399
Speaker 1: Who look like the.

471
00:19:24,200 --> 00:19:24,800
Speaker 7: E s you?

472
00:19:24,960 --> 00:19:25,679
Speaker 3: It is a banner.

473
00:19:25,800 --> 00:19:28,960
Speaker 5: It is very much a banner. The studio radio station,

474
00:19:29,080 --> 00:19:30,840
Speaker 5: the d E s U a radio station.

475
00:19:31,040 --> 00:19:33,480
Speaker 4: Yo, you should really donate to that radio station. You

476
00:19:33,480 --> 00:19:34,640
Speaker 4: should get a mind.

477
00:19:34,640 --> 00:19:35,640
Speaker 1: I'm thinking the same thing.

478
00:19:35,680 --> 00:19:35,840
Speaker 14: Man.

479
00:19:35,920 --> 00:19:39,199
Speaker 5: Let me yesterday, y'all big money. Why don't y'all, you know,

480
00:19:39,240 --> 00:19:40,320
Speaker 5: contribute something on the air.

481
00:19:40,600 --> 00:19:42,000
Speaker 3: Somethings can hold into it?

482
00:19:42,720 --> 00:19:44,560
Speaker 1: How much? How much what the sign is cost? Because

483
00:19:44,600 --> 00:19:45,280
Speaker 1: that looks crazy?

484
00:19:45,320 --> 00:19:47,679
Speaker 5: Man, I think they need a good like what I'm looking.

485
00:19:47,920 --> 00:19:50,200
Speaker 5: Miss miss Abra Peren is here, who's one of the

486
00:19:50,200 --> 00:19:50,800
Speaker 5: heads of mass Come.

487
00:19:50,840 --> 00:19:53,120
Speaker 3: How much y'all need to hear? She said? How much

488
00:19:53,160 --> 00:19:53,600
Speaker 3: y'all got?

489
00:19:53,680 --> 00:19:58,200
Speaker 1: So we'll talk about it. That that signs look crazy?

490
00:19:58,200 --> 00:20:00,400
Speaker 1: At least get your step around m man.

491
00:20:00,480 --> 00:20:05,879
Speaker 5: Yeah, don't know, don't step or repeat them? Okay, damn it.

492
00:20:07,359 --> 00:20:09,960
Speaker 1: Never University never.

493
00:20:11,080 --> 00:20:14,840
Speaker 5: First of all, do not discourage the HBCU students. Okay,

494
00:20:15,080 --> 00:20:17,400
Speaker 5: you're here from motivation today.

495
00:20:17,480 --> 00:20:19,119
Speaker 1: All right, well we come back. We got the latest

496
00:20:19,119 --> 00:20:21,879
Speaker 1: with Lauren. It's the Breakfast Club. Good Morning, the Breakfast

497
00:20:21,920 --> 00:20:25,680
Speaker 1: Club owning everybody.

498
00:20:25,720 --> 00:20:28,840
Speaker 4: It's DJ n V, Jess, Hilarry and Charlamagne the Guy.

499
00:20:28,880 --> 00:20:30,720
Speaker 4: We are the Breakfast Club. Let's get to the latest

500
00:20:30,720 --> 00:20:31,119
Speaker 4: with Lauren.

501
00:20:31,600 --> 00:20:35,280
Speaker 1: Laren be coming with straight fast. She gets them from

502
00:20:35,320 --> 00:20:37,600
Speaker 1: somebody that knows, somebody to detail.

503
00:20:37,960 --> 00:20:40,040
Speaker 3: I'm a homegirl that knows a little bit about everything.

504
00:20:40,960 --> 00:20:44,439
Speaker 1: She'd be having the latest on the Big la The

505
00:20:44,520 --> 00:20:47,240
Speaker 1: Latest with Lauren la Rosa. Sometimes you have fact, sometimes

506
00:20:47,240 --> 00:20:49,399
Speaker 1: you have details. Sometimes you have a little bit of everything.

507
00:20:49,560 --> 00:20:52,520
Speaker 1: It's the latest on the Breakfast Club. Talk to me.

508
00:20:54,040 --> 00:20:56,920
Speaker 5: Well, fifty cent will be bringing the Colt Classic paid

509
00:20:56,920 --> 00:20:59,360
Speaker 5: and full back, and it will be a TV series.

510
00:20:59,680 --> 00:21:02,600
Speaker 5: He and ounce yesterday. He says, I now have the

511
00:21:02,680 --> 00:21:05,080
Speaker 5: rights to pay it in full. I'm developing it into

512
00:21:05,200 --> 00:21:08,240
Speaker 5: a premium TV show. If you like Godfather of Harlem,

513
00:21:08,240 --> 00:21:11,760
Speaker 5: you're gonna love this. Cam set to executive produce alongside

514
00:21:11,800 --> 00:21:14,480
Speaker 5: me if you want and get Adam I'm out of

515
00:21:14,520 --> 00:21:15,120
Speaker 5: the Country.

516
00:21:15,520 --> 00:21:17,560
Speaker 1: Classic movie. I wonder how they turned that into a

517
00:21:17,600 --> 00:21:19,680
Speaker 1: TV show, though you could just do that whole era,

518
00:21:19,840 --> 00:21:21,119
Speaker 1: because that whole era is interesting.

519
00:21:21,160 --> 00:21:23,040
Speaker 9: So it'd be like a prequel before Paid in Full

520
00:21:23,160 --> 00:21:24,960
Speaker 9: kind of well, it could be a prequel, then it

521
00:21:25,000 --> 00:21:26,679
Speaker 9: could go into Paid in Full, but just break it

522
00:21:26,720 --> 00:21:28,399
Speaker 9: down a little more, you know what I mean, all

523
00:21:28,400 --> 00:21:29,800
Speaker 9: those scenes that you break down, you know.

524
00:21:30,680 --> 00:21:33,720
Speaker 5: Yeah, it could also go after too, like or like

525
00:21:33,760 --> 00:21:35,840
Speaker 5: you know, there's so many ways you could tell that story.

526
00:21:36,560 --> 00:21:39,600
Speaker 1: After one of them got killed, one of them went

527
00:21:39,640 --> 00:21:40,320
Speaker 1: to jail.

528
00:21:40,760 --> 00:21:45,200
Speaker 4: But bigger than them. It's it's a whole era. So

529
00:21:45,359 --> 00:21:47,280
Speaker 4: after that other people.

530
00:21:47,280 --> 00:21:51,240
Speaker 1: About Rory, I think it's about the era. I think so. Yeah.

531
00:21:51,280 --> 00:21:54,760
Speaker 5: So Cameron reposted fifty as well. He said, so we've

532
00:21:54,800 --> 00:21:56,919
Speaker 5: been talking about this for a few months now and

533
00:21:56,960 --> 00:22:00,320
Speaker 5: it's almost time things fifty cent for the opportunity were.

534
00:22:00,160 --> 00:22:01,000
Speaker 3: Going to burn it down.

535
00:22:02,520 --> 00:22:04,720
Speaker 5: Listen, if you got to get anybody involved, you get

536
00:22:04,720 --> 00:22:05,720
Speaker 5: fifty butt, y'all know.

537
00:22:06,000 --> 00:22:06,520
Speaker 3: Dame Dasher.

538
00:22:06,520 --> 00:22:08,760
Speaker 5: If you guys don't remember, a few years ago, it's

539
00:22:08,760 --> 00:22:11,359
Speaker 5: back in twenty twenty one, page six of did an

540
00:22:11,440 --> 00:22:13,560
Speaker 5: article because Dame Dash had been talking a lot about

541
00:22:13,640 --> 00:22:16,880
Speaker 5: the fact that he was writing a sequel to Paid

542
00:22:16,920 --> 00:22:17,200
Speaker 5: in Full.

543
00:22:17,280 --> 00:22:17,920
Speaker 3: He had talked.

544
00:22:17,760 --> 00:22:20,360
Speaker 5: About finally not having writer's block and wanting to bring

545
00:22:20,400 --> 00:22:21,879
Speaker 5: it to the screen the right way, and at that

546
00:22:22,040 --> 00:22:24,480
Speaker 5: time Cam had also mentioned he was open to it

547
00:22:24,560 --> 00:22:26,880
Speaker 5: and that there was some conversations as well. So Dame

548
00:22:27,000 --> 00:22:29,800
Speaker 5: Dash yesterday, when all this news and people were celebrating

549
00:22:29,840 --> 00:22:32,880
Speaker 5: and reposting and posting Cam, Dame Dash posted a video

550
00:22:32,920 --> 00:22:33,399
Speaker 5: and response.

551
00:22:33,440 --> 00:22:34,600
Speaker 3: Let's take a listen to Dame Dash.

552
00:22:35,240 --> 00:22:38,280
Speaker 8: Cam just made a post major announcement. I want to

553
00:22:38,320 --> 00:22:44,080
Speaker 8: congratulate him for making fifty his new boss. So congratulations, Cam,

554
00:22:44,359 --> 00:22:47,400
Speaker 8: fifty is now your new boss and you're proud of it.

555
00:22:48,080 --> 00:22:49,840
Speaker 1: Congratulations.

556
00:22:50,119 --> 00:22:52,120
Speaker 9: So question, I know Dame will hear this, So I'm

557
00:22:52,160 --> 00:22:55,119
Speaker 9: asking if fifty has the rights now? Who had the

558
00:22:55,200 --> 00:22:58,280
Speaker 9: rights before? I'm assuming it was Dame Dash who had

559
00:22:58,280 --> 00:23:00,200
Speaker 9: the rights before. So did he lose control old of

560
00:23:00,240 --> 00:23:03,320
Speaker 9: the rights because of his Chapter seven bankruptcy filing, because

561
00:23:03,359 --> 00:23:06,040
Speaker 9: you know you have to surrender like key rights to

562
00:23:06,080 --> 00:23:08,200
Speaker 9: satisfy credits credits that would happened.

563
00:23:09,400 --> 00:23:13,480
Speaker 5: Well, I did ask Dame you know what happened from

564
00:23:13,520 --> 00:23:15,560
Speaker 5: that time until now? But I have not heard back

565
00:23:15,600 --> 00:23:17,280
Speaker 5: on that yet, so I haven't answered to that soon.

566
00:23:17,359 --> 00:23:20,400
Speaker 5: But I know in the bankruptcy filing that you're talking about,

567
00:23:20,400 --> 00:23:23,640
Speaker 5: that that went down, you know the end the last week,

568
00:23:24,359 --> 00:23:27,000
Speaker 5: he mentioned that he has no Dame Dash mentioned that

569
00:23:27,040 --> 00:23:29,040
Speaker 5: he has no monthly income, no house, no car, no

570
00:23:29,440 --> 00:23:33,440
Speaker 5: publicly traded stocks, retirement accounts, only about four or a

571
00:23:33,440 --> 00:23:35,840
Speaker 5: little over four thousand dollars in worldly possessions, and he

572
00:23:35,880 --> 00:23:39,440
Speaker 5: listed his assets as like guns, first jewelry up that

573
00:23:39,680 --> 00:23:42,800
Speaker 5: equal up to like twenty five hundred dollars, TV's computers,

574
00:23:42,840 --> 00:23:45,040
Speaker 5: some electronics, and one hundred dollars cash in hand.

575
00:23:45,440 --> 00:23:47,040
Speaker 3: Didn't mention any rights or assets.

576
00:23:47,040 --> 00:23:49,640
Speaker 5: And I know when we did the last story about

577
00:23:49,720 --> 00:23:51,439
Speaker 5: remember he had to they were saying that he had

578
00:23:51,440 --> 00:23:53,080
Speaker 5: to put up some of his movies and you know,

579
00:23:53,160 --> 00:23:56,159
Speaker 5: just different things that he owned for some of his

580
00:23:56,240 --> 00:23:57,320
Speaker 5: prior debts.

581
00:23:57,359 --> 00:23:58,600
Speaker 3: This was not mentioned either.

582
00:23:59,160 --> 00:24:01,439
Speaker 9: But yeah, I'm just trying to figure out, you know,

583
00:24:01,440 --> 00:24:03,680
Speaker 9: how did he lose How did he lose the rights

584
00:24:03,680 --> 00:24:04,320
Speaker 9: to paid in full?

585
00:24:04,400 --> 00:24:06,440
Speaker 1: Or did he or did he even own the rights

586
00:24:06,440 --> 00:24:07,720
Speaker 1: to pay in full? Because I just want to know

587
00:24:07,760 --> 00:24:08,240
Speaker 1: the business.

588
00:24:08,240 --> 00:24:10,320
Speaker 9: Like Dame is always teaching the business, He's always teaching

589
00:24:10,359 --> 00:24:11,720
Speaker 9: about ownership and being a boss.

590
00:24:11,760 --> 00:24:13,239
Speaker 1: So I just want to know how did fifty end

591
00:24:13,320 --> 00:24:16,680
Speaker 1: up getting the rights? Because I thought Dame had the rights.

592
00:24:16,680 --> 00:24:17,960
Speaker 1: I would assume I don't know, But.

593
00:24:17,920 --> 00:24:20,160
Speaker 4: Are we still talking about this boss conversation?

594
00:24:20,320 --> 00:24:20,399
Speaker 1: Like?

595
00:24:20,480 --> 00:24:21,960
Speaker 4: Is that a conversation that we're still having. That's the

596
00:24:22,000 --> 00:24:23,880
Speaker 4: first thing you said fifty sentences His boss with fifty said,

597
00:24:23,880 --> 00:24:25,720
Speaker 4: that's his partner on it. He's EZP and with him,

598
00:24:25,720 --> 00:24:28,639
Speaker 4: So I guess they're partners. But I hate this boss

599
00:24:28,680 --> 00:24:30,760
Speaker 4: conversation because I hate the fact that people be.

600
00:24:30,760 --> 00:24:32,840
Speaker 1: Like, I don't need no boss, I don't want no boss.

601
00:24:33,040 --> 00:24:35,160
Speaker 4: Well, sometimes not having the boss will lead you into

602
00:24:35,200 --> 00:24:37,720
Speaker 4: foreclosure and only having assets to lead up to twenty

603
00:24:37,760 --> 00:24:40,520
Speaker 4: four hundred dollars. Yeah, you can't keep having this boss

604
00:24:40,560 --> 00:24:44,960
Speaker 4: conversation without having a real conversation about entrepreneurship and what

605
00:24:45,000 --> 00:24:46,200
Speaker 4: you need to do as an entrepreneur.

606
00:24:46,600 --> 00:24:48,200
Speaker 1: We can't keep out of the commis. They posted that

607
00:24:48,240 --> 00:24:50,879
Speaker 1: old clipper him getting at you on Breakfast Club. I

608
00:24:50,920 --> 00:24:52,920
Speaker 1: ain't see that long time. A little hot this morning. Now.

609
00:24:52,920 --> 00:24:55,280
Speaker 1: That clip is amazing. That clip is amazing.

610
00:24:55,320 --> 00:24:57,240
Speaker 4: If you have if you see what happens within ten

611
00:24:57,320 --> 00:24:58,720
Speaker 4: years and then you look at that clip, you'd.

612
00:24:58,600 --> 00:25:01,280
Speaker 1: Be like, oh, somebody else, somebody had a bad decision.

613
00:25:02,560 --> 00:25:04,440
Speaker 3: Well I will.

614
00:25:04,840 --> 00:25:07,080
Speaker 9: Dame should be happy that the rights to paid in

615
00:25:07,160 --> 00:25:09,840
Speaker 9: full went to another black man, and he should be

616
00:25:09,840 --> 00:25:12,320
Speaker 9: happy that that black man decided to make another black man.

617
00:25:12,359 --> 00:25:14,800
Speaker 9: The executive producer of the film, not to mention Cam

618
00:25:14,880 --> 00:25:16,040
Speaker 9: was to start of the original film.

619
00:25:16,080 --> 00:25:17,600
Speaker 1: That sounded like good black business to me.

620
00:25:17,800 --> 00:25:21,560
Speaker 5: Yeah, collaborate, I agree, And I think the way that

621
00:25:21,720 --> 00:25:24,320
Speaker 5: I mean, Kim has always been, you know, a great storyteller,

622
00:25:24,320 --> 00:25:27,080
Speaker 5: but he's been dominating content for so long. Him teamed

623
00:25:27,119 --> 00:25:29,160
Speaker 5: up with fifty, I'm really excited to see the way

624
00:25:29,160 --> 00:25:31,639
Speaker 5: that they tell the story as well, too, y, you

625
00:25:31,640 --> 00:25:32,320
Speaker 5: know what I mean.

626
00:25:32,160 --> 00:25:33,600
Speaker 1: And it's unity and group operation.

627
00:25:33,720 --> 00:25:36,240
Speaker 9: How can you not be happy at the fact that

628
00:25:36,440 --> 00:25:38,800
Speaker 9: a black man got the rights to a film and

629
00:25:38,880 --> 00:25:41,639
Speaker 9: decided to make another black man. The executive producer, like,

630
00:25:41,680 --> 00:25:45,280
Speaker 9: you know, people at the top are collaborate, are collaborating

631
00:25:45,600 --> 00:25:46,800
Speaker 9: people at the bottom of compete.

632
00:25:46,880 --> 00:25:47,760
Speaker 1: Yeah, And that's what I said.

633
00:25:47,800 --> 00:25:50,280
Speaker 4: And it's only right, Like the story's based out of

634
00:25:50,280 --> 00:25:52,720
Speaker 4: hallm fifty centers from Queen's Like, it's only right that

635
00:25:52,760 --> 00:25:54,879
Speaker 4: you get somebody from Harlem that can oversee, that can

636
00:25:54,920 --> 00:25:57,320
Speaker 4: tell the stories, that was there, that heard the story.

637
00:25:57,440 --> 00:26:01,719
Speaker 1: He was original the movies. It's a small ass move,

638
00:26:01,760 --> 00:26:04,040
Speaker 1: it's the smartest move, you know, And man, like I said,

639
00:26:04,080 --> 00:26:05,520
Speaker 1: maybe Dame can explain it, you know, I mean, because

640
00:26:05,520 --> 00:26:07,199
Speaker 1: I just I just want to know the business, like,

641
00:26:07,240 --> 00:26:11,160
Speaker 1: you know, who had the rights before fifty acquired him?

642
00:26:11,200 --> 00:26:14,880
Speaker 1: If Dame had the rights, how did he lose it

643
00:26:15,000 --> 00:26:17,159
Speaker 1: or did he sell it to fifty? Like what happened? Like,

644
00:26:17,200 --> 00:26:18,720
Speaker 1: I just want to know. I wanted not I want

645
00:26:18,720 --> 00:26:20,760
Speaker 1: to teach us, boss stupid.

646
00:26:21,320 --> 00:26:24,440
Speaker 5: Sure he will respond, well, no, last time I talked

647
00:26:24,440 --> 00:26:26,080
Speaker 5: to Dame, though, he said he wants a verbal fair

648
00:26:26,160 --> 00:26:28,280
Speaker 5: one with you, charlottege. So I'm sure this will definitely

649
00:26:28,280 --> 00:26:31,320
Speaker 5: make him explain or have a conversation about what that was.

650
00:26:31,400 --> 00:26:34,200
Speaker 1: I'm sure he said pause after he said that, and.

651
00:26:34,200 --> 00:26:35,520
Speaker 3: He said he probably did.

652
00:26:35,560 --> 00:26:38,120
Speaker 1: I just want to be taught, boss, God damn, why

653
00:26:38,440 --> 00:26:42,800
Speaker 1: I'm not seeking knowledge? Boss? Stop calling a black man boss,

654
00:26:44,080 --> 00:26:48,040
Speaker 1: mean man, there was some knowledge, man, that's all. You

655
00:26:48,119 --> 00:26:52,600
Speaker 1: want to be taught? All right? This guy's stupid, cass.

656
00:26:52,600 --> 00:26:54,360
Speaker 4: The ladies went on. When we come back, we got

657
00:26:54,400 --> 00:26:57,359
Speaker 4: front page. Dudes, it's the Breakfast Club. Good morning, the

658
00:26:57,480 --> 00:27:01,679
Speaker 4: Breakfast Club. Your mornings will never be the same. Warning

659
00:27:01,720 --> 00:27:05,520
Speaker 4: everybody is j NV Jess Hilaris Charlamagne, the guy we

660
00:27:05,600 --> 00:27:08,280
Speaker 4: are to breakfast club. Law l Rosa is here as well.

661
00:27:08,400 --> 00:27:12,040
Speaker 4: She's actually broadcasting from Delaware State University. And let's get

662
00:27:12,040 --> 00:27:14,640
Speaker 4: back in some front page news. Now some quick sports.

663
00:27:14,880 --> 00:27:18,280
Speaker 4: The Vikings meet the Bands on Monday Night Football twenty seven,

664
00:27:18,480 --> 00:27:19,400
Speaker 4: twenty four.

665
00:27:19,440 --> 00:27:20,040
Speaker 1: What that mean me?

666
00:27:20,400 --> 00:27:21,200
Speaker 3: Good morning, y'all.

667
00:27:21,240 --> 00:27:25,040
Speaker 7: So the IRS is putting taxpayers on alert warning that

668
00:27:25,160 --> 00:27:28,359
Speaker 7: viral tax tacks on TikTok and other social platforms have

669
00:27:28,520 --> 00:27:31,719
Speaker 7: already cost Americans more than one hundred and sixty two

670
00:27:31,800 --> 00:27:35,000
Speaker 7: million dollars in penalties. So here's the latest scam. There

671
00:27:35,000 --> 00:27:36,640
Speaker 7: are two of the here's two of the biggest ones

672
00:27:36,680 --> 00:27:39,040
Speaker 7: right now. The agency says that people are falling for

673
00:27:39,320 --> 00:27:43,000
Speaker 7: misleading advice about the Sick and Family Leave Credit and

674
00:27:43,080 --> 00:27:46,600
Speaker 7: the fuel tax credit. So the Sick and Family Leave credit,

675
00:27:46,640 --> 00:27:49,440
Speaker 7: it was created during the pandemic to help to help

676
00:27:49,520 --> 00:27:51,080
Speaker 7: self employee workers.

677
00:27:51,320 --> 00:27:54,200
Speaker 3: So I think freelancers, ride shair drivers, small.

678
00:27:53,920 --> 00:27:56,600
Speaker 7: Business owners who couldn't work in twenty twenty or twenty

679
00:27:56,640 --> 00:27:58,520
Speaker 7: twenty one because they were sick with COVID, or they

680
00:27:58,520 --> 00:28:00,240
Speaker 7: were caring for a loved one.

681
00:28:00,080 --> 00:28:02,680
Speaker 3: Or they were just home with the kids while daycares

682
00:28:02,720 --> 00:28:04,159
Speaker 3: were closed. But here's the issue.

683
00:28:04,160 --> 00:28:07,639
Speaker 7: TikTok experts are now telling everyone that they can claim

684
00:28:07,680 --> 00:28:11,080
Speaker 7: that credit right now on their current tax returns, and

685
00:28:11,119 --> 00:28:14,040
Speaker 7: that's wrong because that credit expired in twenty twenty one

686
00:28:14,400 --> 00:28:17,960
Speaker 7: and it never applied to traditional workers. And the second

687
00:28:17,960 --> 00:28:20,679
Speaker 7: red the red flag that we're seeing is the fuel

688
00:28:20,720 --> 00:28:23,200
Speaker 7: tax credit. Now, this tax credit was designed for off

689
00:28:23,280 --> 00:28:27,359
Speaker 7: highway businesses meeting farmers, truckers, and businesses that use fuel

690
00:28:27,440 --> 00:28:31,080
Speaker 7: for things like tractors, construction, and generators. But social media

691
00:28:31,119 --> 00:28:34,119
Speaker 7: influencers they're claiming anyone can use it to get a

692
00:28:34,119 --> 00:28:35,520
Speaker 7: bigger refund.

693
00:28:35,520 --> 00:28:37,359
Speaker 3: So to put just gas in your.

694
00:28:37,200 --> 00:28:39,480
Speaker 7: Car, you can use the tax fuel refund, and that

695
00:28:39,560 --> 00:28:42,600
Speaker 7: is incorrect. The IRS says if you're driving on a

696
00:28:42,600 --> 00:28:45,880
Speaker 7: public road, you don't qualify. And so there's been a

697
00:28:46,000 --> 00:28:50,320
Speaker 7: surge in questionable refund claims. It's leading to delayed claims,

698
00:28:50,360 --> 00:28:53,760
Speaker 7: denied claims, five thousand dollars in fines and an audit.

699
00:28:53,880 --> 00:28:56,960
Speaker 7: And so tax experts say, if it sounds too good

700
00:28:56,960 --> 00:28:59,440
Speaker 7: to be true, it probably is. And the bottom line is,

701
00:28:59,440 --> 00:29:03,360
Speaker 7: don't let tick talk do your taxes. And just a reminder,

702
00:29:03,400 --> 00:29:05,600
Speaker 7: as we would you say, Charlamagne, I was just gonna.

703
00:29:05,400 --> 00:29:08,280
Speaker 9: Say between TikTok and these so called financial gurus giving

704
00:29:08,360 --> 00:29:10,479
Speaker 9: y'all tips on how to avoid paying Uncle Sam.

705
00:29:10,640 --> 00:29:12,080
Speaker 1: All of y'all gonna end up in jail.

706
00:29:12,280 --> 00:29:14,560
Speaker 9: And I feel sorry for these people because they are

707
00:29:14,600 --> 00:29:17,880
Speaker 9: really looking for information and they are just simply getting misinformed.

708
00:29:17,960 --> 00:29:21,680
Speaker 1: Like actual go to actual tax experts. You know, in America,

709
00:29:21,680 --> 00:29:23,440
Speaker 1: you got to spend a little bit of money to

710
00:29:23,480 --> 00:29:25,040
Speaker 1: save a little bit of money and to make a

711
00:29:25,040 --> 00:29:26,440
Speaker 1: little bit of money. So I know that you know,

712
00:29:26,720 --> 00:29:28,600
Speaker 1: you may not want to pay somebody to do your taxes,

713
00:29:28,640 --> 00:29:30,880
Speaker 1: but go get somebody who actually knows what they're doing,

714
00:29:31,080 --> 00:29:33,680
Speaker 1: an actual expert, to do your goddamn taxes.

715
00:29:33,960 --> 00:29:35,280
Speaker 3: Yeah, and that's what they're saying.

716
00:29:35,280 --> 00:29:37,920
Speaker 7: They're saying, talk to a real CPA or tax pro

717
00:29:38,040 --> 00:29:40,280
Speaker 7: And as we just as a reminder, if you filed

718
00:29:40,320 --> 00:29:42,440
Speaker 7: for an extension, October fifteenth.

719
00:29:42,160 --> 00:29:43,720
Speaker 3: Is the deadline to get those in.

720
00:29:44,160 --> 00:29:46,760
Speaker 7: And if you are in a disaster relief area like

721
00:29:46,760 --> 00:29:49,960
Speaker 7: a wildfire area, though that date will also apply to you.

722
00:29:49,960 --> 00:29:52,400
Speaker 7: You have into October fifteenth to get your taxes in.

723
00:29:52,800 --> 00:29:56,640
Speaker 7: And this story for this morning is just right on time.

724
00:29:56,680 --> 00:30:00,320
Speaker 7: As Lauren is at Delaware State, New York City just

725
00:30:00,680 --> 00:30:05,240
Speaker 7: made history opening the first HBCU focused preparatory high school

726
00:30:05,400 --> 00:30:09,680
Speaker 7: in a major US city. Now, the HBCU Early College

727
00:30:09,720 --> 00:30:12,040
Speaker 7: Prep High School is located in Jamaica, Queens.

728
00:30:12,120 --> 00:30:14,560
Speaker 3: It is designed to expose students to.

729
00:30:14,480 --> 00:30:19,120
Speaker 7: The culture, the legacy the opportunity offered by HBCUs. The

730
00:30:19,160 --> 00:30:23,080
Speaker 7: principal doctor Asia Johnson. She is a proud Delaware State

731
00:30:23,160 --> 00:30:25,880
Speaker 7: University graduate. She says the goal is simple to give

732
00:30:25,920 --> 00:30:30,240
Speaker 7: students a head start and a broader vision for their futures. Now,

733
00:30:30,280 --> 00:30:33,560
Speaker 7: interest in the school has been overwhelming. There were only

734
00:30:33,600 --> 00:30:35,880
Speaker 7: one hundred seats available this year, but more than a

735
00:30:36,000 --> 00:30:38,960
Speaker 7: thousand students applied. To get in, students had to submit

736
00:30:39,000 --> 00:30:43,040
Speaker 7: an essay solving a community issue in healthcare or technology

737
00:30:43,360 --> 00:30:46,360
Speaker 7: and record a two minute video explaining why they plan

738
00:30:46,520 --> 00:30:49,080
Speaker 7: to or how they plan to use their degree and

739
00:30:49,120 --> 00:30:52,200
Speaker 7: how they plan to give back. Starting in eleventh grade,

740
00:30:52,240 --> 00:30:56,640
Speaker 7: students can take online courses taught by Delaware State University professors,

741
00:30:56,960 --> 00:31:00,160
Speaker 7: earning up to sixty four credits. That's the equivalent of

742
00:31:00,200 --> 00:31:03,440
Speaker 7: an Associates degree before they even graduate high school, and

743
00:31:03,520 --> 00:31:07,720
Speaker 7: so students are guaranteed even better. Students are guaranteed admission

744
00:31:07,760 --> 00:31:09,840
Speaker 7: into DSU once they complete the program.

745
00:31:09,960 --> 00:31:12,560
Speaker 3: So, Lauren, your school is doing big things.

746
00:31:12,640 --> 00:31:15,200
Speaker 7: I went to Howard, so shout out to all HBCUs.

747
00:31:15,200 --> 00:31:17,480
Speaker 7: But Delaware State on this one is doing great things.

748
00:31:17,560 --> 00:31:19,120
Speaker 9: I want to say, if we want to encourage kids

749
00:31:19,120 --> 00:31:21,560
Speaker 9: to go to HBCU, should Delaware State be the leader?

750
00:31:21,600 --> 00:31:24,320
Speaker 1: I mean, I feel like I'm just saying Howard.

751
00:31:24,440 --> 00:31:26,160
Speaker 9: I can see Howard, I can see I can even

752
00:31:26,160 --> 00:31:29,840
Speaker 9: see Hampton, I can see South Carolina State. But Delaware like, like, seriously, like,

753
00:31:29,920 --> 00:31:31,120
Speaker 9: should they be the leaders on this?

754
00:31:31,200 --> 00:31:32,880
Speaker 1: Stop it? This is your moment.

755
00:31:32,960 --> 00:31:33,240
Speaker 3: Leaders.

756
00:31:33,320 --> 00:31:35,040
Speaker 5: Yes, they should be the leaders, because you know what

757
00:31:35,120 --> 00:31:38,400
Speaker 5: happens when Delaware State becomes the leader of the conversation.

758
00:31:38,600 --> 00:31:40,840
Speaker 5: We get more people like me to come and work

759
00:31:40,880 --> 00:31:43,520
Speaker 5: with you. I just got a note from the radio

760
00:31:43,520 --> 00:31:45,880
Speaker 5: station too. They wanted y'all to know. This is the

761
00:31:45,920 --> 00:31:48,640
Speaker 5: renovated station after COVID, so they have no equipment now.

762
00:31:49,480 --> 00:31:50,480
Speaker 3: But they're mighty.

763
00:31:53,960 --> 00:31:55,920
Speaker 1: At nothing about the equipment. We're talking about that little.

764
00:31:58,360 --> 00:32:00,800
Speaker 5: Because the breakfast club is going to spun answer some

765
00:32:01,160 --> 00:32:04,080
Speaker 5: branding in here. That's what they're hearing, that's what they're beautiful.

766
00:32:04,360 --> 00:32:06,080
Speaker 1: That's a football game, Toyle.

767
00:32:06,120 --> 00:32:11,360
Speaker 4: That's from the game, the football team, the station, but

768
00:32:11,520 --> 00:32:13,800
Speaker 4: on the real doctor Ajan Johnson, who is running at

769
00:32:13,840 --> 00:32:17,000
Speaker 4: in South in South Jamaica, Queens. Uh uh if you're

770
00:32:17,000 --> 00:32:19,280
Speaker 4: out there listening, you know, Queens is my borough. That's

771
00:32:19,280 --> 00:32:21,640
Speaker 4: where I'm from. I would love and I'm sure I

772
00:32:21,640 --> 00:32:23,239
Speaker 4: will bring Lauren with us. We would love to come

773
00:32:23,280 --> 00:32:25,440
Speaker 4: down and talk to students. Whenever you need us, we

774
00:32:25,520 --> 00:32:27,560
Speaker 4: will be there for you. I love what you're doing

775
00:32:27,600 --> 00:32:29,840
Speaker 4: and the fact that you're incouraging students to go to

776
00:32:30,000 --> 00:32:32,560
Speaker 4: HBCU's the only reason I went to a HBCU was

777
00:32:32,720 --> 00:32:34,360
Speaker 4: I've seen a different world and that encouraged me.

778
00:32:34,400 --> 00:32:38,080
Speaker 1: I thought, to me, a different world was was Hampton University,

779
00:32:38,120 --> 00:32:39,840
Speaker 1: and that was the reason why I went. So the

780
00:32:39,880 --> 00:32:40,480
Speaker 1: fact that.

781
00:32:40,360 --> 00:32:42,400
Speaker 4: If you need us, we will be there. You can

782
00:32:42,440 --> 00:32:44,000
Speaker 4: d m us, you can call our people. If you

783
00:32:44,080 --> 00:32:46,440
Speaker 4: from Queens, I'm sure that you know somebody that knows

784
00:32:46,440 --> 00:32:49,600
Speaker 4: somebody that knows my mama. So please uh here this stuff.

785
00:32:49,600 --> 00:32:51,280
Speaker 4: We would love to support you and all that you

786
00:32:51,400 --> 00:32:53,400
Speaker 4: are doing. I love what you're doing, even though you

787
00:32:53,440 --> 00:32:54,080
Speaker 4: went to Delawest.

788
00:32:54,200 --> 00:32:56,239
Speaker 5: Actually I'm in contact with her already. If y'all are

789
00:32:56,240 --> 00:32:57,760
Speaker 5: a call back, okay, all right.

790
00:32:57,680 --> 00:32:59,960
Speaker 1: We'd love to thank you for that story. Maybe yes.

791
00:33:00,240 --> 00:33:01,800
Speaker 3: Absolutely. All right, y'all.

792
00:33:01,800 --> 00:33:04,040
Speaker 7: Well that's your front page news I Memi Brown, follow

793
00:33:04,120 --> 00:33:06,560
Speaker 7: me on social app Meme Brown TV, and for more

794
00:33:06,600 --> 00:33:09,760
Speaker 7: news coverage, follow the Black Information Network or download the

795
00:33:09,760 --> 00:33:13,000
Speaker 7: free iHeartRadio app and visit BI innews dot com.

796
00:33:13,120 --> 00:33:16,240
Speaker 1: Thank you so much. You know it's so crazy, Charlamagne,

797
00:33:16,400 --> 00:33:19,960
Speaker 1: you lineup. No. Lauren talks about everything.

798
00:33:20,040 --> 00:33:23,840
Speaker 4: She talks about Delawiz football team, she talks about Delawariz parties.

799
00:33:24,080 --> 00:33:25,240
Speaker 1: She talks about everything.

800
00:33:25,280 --> 00:33:28,760
Speaker 4: But here's a graduate of Delaware State doctor doing some big.

801
00:33:28,560 --> 00:33:30,280
Speaker 1: Things, and you ain't mentioned that one time.

802
00:33:31,160 --> 00:33:37,480
Speaker 17: I just sa yeah, because wait, I gotta have Lauren's

803
00:33:37,480 --> 00:33:39,640
Speaker 17: back on this, because we talked about this yesterday, so

804
00:33:39,720 --> 00:33:42,240
Speaker 17: I had we talked to you know, I knew she

805
00:33:42,400 --> 00:33:43,200
Speaker 17: wanted to do it.

806
00:33:43,120 --> 00:33:44,960
Speaker 3: So we talked about you got to give Lauren some credit.

807
00:33:45,040 --> 00:33:46,760
Speaker 3: She already knew. She just saved it for me.

808
00:33:46,920 --> 00:33:49,040
Speaker 5: It's okay. They just like to hate and you know

809
00:33:49,120 --> 00:33:51,320
Speaker 5: you know how they do black women. Well me, you're new,

810
00:33:51,520 --> 00:33:53,520
Speaker 5: so you don't know. But girl, we gonna need each other.

811
00:33:53,520 --> 00:33:56,440
Speaker 5: Because if Charlottae is Charlemagne Envy goes in and out,

812
00:33:56,480 --> 00:33:57,760
Speaker 5: you know he had black Damn.

813
00:33:58,160 --> 00:34:00,920
Speaker 1: I'm not having black and full black. But right anyway,

814
00:34:00,960 --> 00:34:01,680
Speaker 1: thank you so much.

815
00:34:01,680 --> 00:34:04,600
Speaker 4: Now when we come back, Danielle dead Wiler will be

816
00:34:04,680 --> 00:34:07,760
Speaker 4: joining us actress, and also all T Throwing will be

817
00:34:07,800 --> 00:34:08,239
Speaker 4: joining us.

818
00:34:08,239 --> 00:34:10,560
Speaker 1: And don't go anywhere. It's the Breakfast Club. Good Morning.

819
00:34:10,600 --> 00:34:13,319
Speaker 1: That new movie forty Acres is out right now. The

820
00:34:13,480 --> 00:34:17,120
Speaker 1: Breakfast Club Good morning.

821
00:34:17,160 --> 00:34:20,879
Speaker 4: Everybody's the DJ n V Jess hilarious, Chelamaane the guy.

822
00:34:20,920 --> 00:34:23,200
Speaker 4: We are the Breakfast Club. La La Rosa is here

823
00:34:23,280 --> 00:34:25,799
Speaker 4: as well. We got some special guests in the building. Yes,

824
00:34:25,880 --> 00:34:29,040
Speaker 4: indeed we have Danielle did Wilder welcome, and we have

825
00:34:29,120 --> 00:34:30,040
Speaker 4: all TI Throwing welcome.

826
00:34:30,080 --> 00:34:30,279
Speaker 14: Brother.

827
00:34:31,000 --> 00:34:32,640
Speaker 1: How are you feeling this morning? How y'all both feeling

828
00:34:32,640 --> 00:34:32,959
Speaker 1: this morning?

829
00:34:32,960 --> 00:34:35,920
Speaker 18: Beautiful? Really great, We're happy to be together.

830
00:34:36,360 --> 00:34:38,120
Speaker 1: Yeah. I know y'all here to talk about forty acres,

831
00:34:38,120 --> 00:34:41,440
Speaker 1: but I gotta tell you a phenomenal job. Until phenomenal

832
00:34:41,520 --> 00:34:44,600
Speaker 1: job until you know. I always wondered about that role

833
00:34:45,400 --> 00:34:50,640
Speaker 1: because it tells one of history's most painful stories. How

834
00:34:50,640 --> 00:34:53,279
Speaker 1: did you prepare emotionally for that role?

835
00:34:54,400 --> 00:34:59,320
Speaker 18: The way I prepare for anything. It's vigorous research. I

836
00:34:59,400 --> 00:35:03,280
Speaker 18: just grew up in Atlanta and so the civil rights community.

837
00:35:03,800 --> 00:35:06,719
Speaker 18: Uh in Atlanta has reared me. I did you know

838
00:35:06,840 --> 00:35:11,120
Speaker 18: volunteerism with the Southern Christian Leadership Conference as a kid

839
00:35:11,160 --> 00:35:15,800
Speaker 18: went to Cascade United Methodist Church, which doctor REVN. Lowry

840
00:35:16,120 --> 00:35:18,720
Speaker 18: who partnered with doctor Martin Luther King at the time

841
00:35:18,920 --> 00:35:21,400
Speaker 18: during that you know, pivotal time. You know, those are

842
00:35:21,400 --> 00:35:25,080
Speaker 18: people who are critical in defining my life and understanding

843
00:35:25,200 --> 00:35:28,960
Speaker 18: of society and community and so all of that kind

844
00:35:29,040 --> 00:35:33,480
Speaker 18: of like that intuitive uh personal history as well as uh,

845
00:35:33,640 --> 00:35:36,919
Speaker 18: you know, academic knowledge and history about that the era

846
00:35:37,360 --> 00:35:42,200
Speaker 18: went into creating that role, and and and just staying

847
00:35:42,280 --> 00:35:46,640
Speaker 18: rigorous with the relationships with Chenoya who directed it, and

848
00:35:46,640 --> 00:35:49,799
Speaker 18: and and the family and just it's been such a

849
00:35:49,840 --> 00:35:50,759
Speaker 18: palpable thing for me.

850
00:35:50,920 --> 00:35:52,880
Speaker 1: Once you tap into a role like that, like playing

851
00:35:52,880 --> 00:35:54,960
Speaker 1: the mother of em matel how do you get that

852
00:35:55,360 --> 00:35:56,959
Speaker 1: out of you? How do you just go down?

853
00:35:57,800 --> 00:35:58,720
Speaker 18: I don't know anything.

854
00:35:58,880 --> 00:35:59,080
Speaker 9: Uh.

855
00:35:59,200 --> 00:36:02,239
Speaker 18: That that is visceral like that that stays with you.

856
00:36:02,400 --> 00:36:05,400
Speaker 18: It's a wounded scar of sorts and you walk with it.

857
00:36:05,440 --> 00:36:07,440
Speaker 18: And I mean that's the beauty of it, right, Like

858
00:36:08,360 --> 00:36:10,279
Speaker 18: I get to talk about this all the time. I

859
00:36:10,280 --> 00:36:13,080
Speaker 18: get to talk the history of the work and how

860
00:36:13,080 --> 00:36:16,520
Speaker 18: it's supposed to have this residual effect, this kind of echo,

861
00:36:17,160 --> 00:36:19,040
Speaker 18: and it'll be in conversation with any work that I

862
00:36:19,160 --> 00:36:22,279
Speaker 18: do moving forward. So I'm curating in that capacity.

863
00:36:22,320 --> 00:36:23,719
Speaker 4: I wanted to go back, if you don't mind, I

864
00:36:23,719 --> 00:36:26,040
Speaker 4: wanted to what made you want to be an actress?

865
00:36:26,080 --> 00:36:26,160
Speaker 14: Like?

866
00:36:26,160 --> 00:36:28,080
Speaker 1: What was the thing? What did you see on television?

867
00:36:28,080 --> 00:36:29,759
Speaker 1: What play did you go see? What did your mom?

868
00:36:29,760 --> 00:36:31,560
Speaker 1: Is still you say this is what I want to do.

869
00:36:32,040 --> 00:36:34,600
Speaker 18: No, it's just been in my life. I've been acting

870
00:36:34,600 --> 00:36:37,640
Speaker 18: and performing since I was a child. My mom made

871
00:36:37,640 --> 00:36:39,719
Speaker 18: sure that myself and my siblings are always a part

872
00:36:39,760 --> 00:36:43,880
Speaker 18: of arts oriented things. Atlanta, Black Atlanta, Black arts Atlanta

873
00:36:44,000 --> 00:36:47,200
Speaker 18: in the eighties is just pivotal, right. So I started

874
00:36:47,200 --> 00:36:52,600
Speaker 18: in dance and naturally segued into theater through critical cultural

875
00:36:52,640 --> 00:36:56,480
Speaker 18: markers in the city, Total Dance Theater, Gary Harrison Studios,

876
00:36:57,840 --> 00:37:00,200
Speaker 18: saw Jamandi productions all the time. I grew up as

877
00:37:00,200 --> 00:37:04,600
Speaker 18: a Kenny Leon's True Colors Theater Company young artists. So

878
00:37:05,400 --> 00:37:08,800
Speaker 18: this has just been which it should be right for children,

879
00:37:08,840 --> 00:37:11,120
Speaker 18: it should be for people in general. The arts is

880
00:37:11,320 --> 00:37:13,800
Speaker 18: just a part of our lives. It came a critical

881
00:37:13,880 --> 00:37:19,080
Speaker 18: moment after academic pursuits that oh, I'm missing something and

882
00:37:19,120 --> 00:37:21,040
Speaker 18: I had to return. And so one of the first

883
00:37:21,040 --> 00:37:23,160
Speaker 18: things that I did when I was making the professional

884
00:37:23,160 --> 00:37:27,000
Speaker 18: return was for Colored Girls, and Jasmine God directed it,

885
00:37:27,080 --> 00:37:29,600
Speaker 18: and so it's just bushed from there.

886
00:37:29,840 --> 00:37:31,520
Speaker 1: Oh oh, this is a question for both of y'all right,

887
00:37:31,520 --> 00:37:33,040
Speaker 1: because you know, going back to the Till thing a

888
00:37:33,040 --> 00:37:34,960
Speaker 1: little bit, but also talking about forty eight kres, what

889
00:37:35,000 --> 00:37:38,239
Speaker 1: did Till teach you about the responsibility of storytelling.

890
00:37:40,360 --> 00:37:42,600
Speaker 18: I don't know if Till taught me that responsibility. I

891
00:37:42,640 --> 00:37:48,880
Speaker 18: think it's just always been present. Our history is integral,

892
00:37:49,120 --> 00:37:54,680
Speaker 18: Our history is just it's a brilliant thing that's a

893
00:37:54,719 --> 00:37:58,520
Speaker 18: part of everything that I do, everything that we do,

894
00:37:59,360 --> 00:38:01,759
Speaker 18: and which which is the way that it works in

895
00:38:01,840 --> 00:38:05,799
Speaker 18: forty right, like she is teaching the children not just

896
00:38:05,880 --> 00:38:13,800
Speaker 18: about how to survive, but how to synthesize history, with culture,

897
00:38:13,960 --> 00:38:17,440
Speaker 18: with agriculture, with you know, all of the qualities of life.

898
00:38:17,480 --> 00:38:19,600
Speaker 18: It is a spherical thing. Everything is connected.

899
00:38:20,000 --> 00:38:23,920
Speaker 13: Yeah, they're roots of survival in the film. It's not

900
00:38:24,000 --> 00:38:27,319
Speaker 13: just rooted in they can kick some ass, they've got

901
00:38:27,320 --> 00:38:31,120
Speaker 13: military might, but the important thing is is that it's

902
00:38:31,239 --> 00:38:34,680
Speaker 13: rooted in their their preservation of their culture, you know

903
00:38:34,680 --> 00:38:35,080
Speaker 13: what I mean.

904
00:38:35,160 --> 00:38:38,040
Speaker 1: That's also surviving for them, and it's very much.

905
00:38:37,880 --> 00:38:40,640
Speaker 13: That's why in the film, it's like you see the family,

906
00:38:41,040 --> 00:38:43,000
Speaker 13: they're all about their.

907
00:38:43,200 --> 00:38:47,080
Speaker 1: Culture, their their history. Like the book reports that she

908
00:38:47,160 --> 00:38:48,440
Speaker 1: gets them to the indeed.

909
00:38:48,120 --> 00:38:50,120
Speaker 13: That you have to know yourself as you're surviving, as

910
00:38:50,160 --> 00:38:52,160
Speaker 13: you're moving forward, because you're the only ones that we're

911
00:38:52,160 --> 00:38:54,560
Speaker 13: going to do that. It's you know, the language that

912
00:38:54,600 --> 00:38:57,280
Speaker 13: they have, you know what I mean, Galen, the father's

913
00:38:57,320 --> 00:39:01,160
Speaker 13: passing down his language, the agricultural practices, it's all rooted

914
00:39:01,239 --> 00:39:04,000
Speaker 13: in their history. And that's how this family is truly

915
00:39:04,040 --> 00:39:05,120
Speaker 13: surviving in the future.

916
00:39:05,360 --> 00:39:08,440
Speaker 18: And yeah, they're truly joyful right just sitting down telling

917
00:39:08,480 --> 00:39:11,879
Speaker 18: stories while she's doing their hair, or the games at

918
00:39:11,920 --> 00:39:14,319
Speaker 18: dinner time, like critical things that people talk about that

919
00:39:14,360 --> 00:39:17,399
Speaker 18: they don't necessarily get anymore, Like let's just sit down

920
00:39:17,440 --> 00:39:20,759
Speaker 18: and be a family and play and enjoy each other.

921
00:39:20,880 --> 00:39:24,560
Speaker 18: Like those things are are what people are fighting for.

922
00:39:24,840 --> 00:39:27,840
Speaker 5: Yeah, yeah, in a time right now where like so

923
00:39:27,880 --> 00:39:29,560
Speaker 5: many of our spaces and like the things that you

924
00:39:29,600 --> 00:39:31,440
Speaker 5: guys are talking about pasting all like our stories, our

925
00:39:31,480 --> 00:39:35,440
Speaker 5: history are being like quieted by certain people creating this

926
00:39:35,520 --> 00:39:37,600
Speaker 5: film for you guys, how did you pick and choose

927
00:39:37,960 --> 00:39:40,360
Speaker 5: what you wanted to teach us through it because we

928
00:39:40,480 --> 00:39:42,120
Speaker 5: learned so much, but there was so much we need

929
00:39:42,120 --> 00:39:43,719
Speaker 5: to know in order to be able to preserve our

930
00:39:43,760 --> 00:39:44,600
Speaker 5: history at.

931
00:39:44,440 --> 00:39:49,920
Speaker 1: This I mean for me, Yeah, for me, honestly, it

932
00:39:49,960 --> 00:39:51,759
Speaker 1: came very organically. It really.

933
00:39:52,040 --> 00:39:55,040
Speaker 13: It really wasn't like choices. It was just like, you know,

934
00:39:55,080 --> 00:39:58,759
Speaker 13: my mother. You know, the echo of the relationship in

935
00:39:58,800 --> 00:40:01,520
Speaker 13: the film between Haley and Manny is like it's an

936
00:40:01,560 --> 00:40:04,480
Speaker 13: echo of me and my mother. And and you know,

937
00:40:05,920 --> 00:40:07,840
Speaker 13: she came to Canada as a as a as a

938
00:40:07,840 --> 00:40:11,000
Speaker 13: Trinidadian immigrant, you know what I mean. And she, you know,

939
00:40:11,120 --> 00:40:13,440
Speaker 13: as much as people love to think that Canada is

940
00:40:13,520 --> 00:40:15,799
Speaker 13: like this, you know bass, you know, like you know,

941
00:40:15,960 --> 00:40:18,120
Speaker 13: racial whatever, it wasn't.

942
00:40:18,239 --> 00:40:19,879
Speaker 1: It wasn't in the seventies, you know what I'm saying.

943
00:40:19,880 --> 00:40:22,640
Speaker 13: So she came here, it was very much like she

944
00:40:22,760 --> 00:40:25,799
Speaker 13: experienced a lot of discrimination and she was like, you

945
00:40:25,880 --> 00:40:28,839
Speaker 13: have to be prepared for this world. And from the jump,

946
00:40:28,880 --> 00:40:30,800
Speaker 13: my mom was like, I don't trust these institutions to

947
00:40:30,880 --> 00:40:34,480
Speaker 13: teach you your history. So you're gonna do book reports.

948
00:40:34,520 --> 00:40:36,160
Speaker 13: Why are you going to school? Why are you doing whatever?

949
00:40:36,200 --> 00:40:38,240
Speaker 13: You're gonna do book reports. You're gonna learn some culture.

950
00:40:38,600 --> 00:40:40,200
Speaker 13: You're gonna read you know what I'm saying. You're gonna

951
00:40:40,239 --> 00:40:43,480
Speaker 13: read parable, You're gonna You're gonna you know. So, So

952
00:40:43,600 --> 00:40:46,560
Speaker 13: all of those things were directly from my life that

953
00:40:46,719 --> 00:40:49,719
Speaker 13: I just I gave to Haley, passed down to.

954
00:40:49,680 --> 00:40:52,080
Speaker 1: Her children, you know what I mean. And and just.

955
00:40:52,000 --> 00:40:55,279
Speaker 13: That that understanding of who you are will preserve you

956
00:40:55,360 --> 00:40:57,960
Speaker 13: as we move forward, because as they try to erase us,

957
00:40:58,000 --> 00:41:00,719
Speaker 13: we are the only ones that gonna keep our stories

958
00:41:01,480 --> 00:41:03,560
Speaker 13: prevalent and and and important to our.

959
00:41:03,480 --> 00:41:04,280
Speaker 1: To our descendants.

960
00:41:04,320 --> 00:41:04,480
Speaker 6: You know.

961
00:41:04,560 --> 00:41:06,600
Speaker 4: So now you tell a lot of stories. Canadian directors

962
00:41:06,600 --> 00:41:08,480
Speaker 4: tell a lot of stories. You started with music videos.

963
00:41:08,960 --> 00:41:11,879
Speaker 4: Why is the Canadian I so good at telling those

964
00:41:11,960 --> 00:41:14,439
Speaker 4: music videos, which goes to television, which goes to film.

965
00:41:14,480 --> 00:41:16,319
Speaker 1: Why is that? Because we can name a list of

966
00:41:16,760 --> 00:41:20,200
Speaker 1: Canadian directors. Yeah, you know, I don't know. That's that's

967
00:41:20,200 --> 00:41:21,000
Speaker 1: a real good question.

968
00:41:21,160 --> 00:41:26,640
Speaker 13: Because I took my influences from some of the greats,

969
00:41:26,840 --> 00:41:31,200
Speaker 13: some Hype Williams, you know what I mean. And I

970
00:41:31,239 --> 00:41:33,640
Speaker 13: know you're talking about the legacy of director X you

971
00:41:33,719 --> 00:41:37,360
Speaker 13: know what I mean. But I think Canada has a

972
00:41:37,520 --> 00:41:43,000
Speaker 13: very interesting perspective. We're very close to y'all and our

973
00:41:43,040 --> 00:41:46,640
Speaker 13: culture is heavily influenced by America, but we're very sort

974
00:41:46,640 --> 00:41:50,040
Speaker 13: of diverse. And this is this this people from all

975
00:41:50,080 --> 00:41:52,800
Speaker 13: over the world that come to Canada, and in Canada

976
00:41:52,840 --> 00:41:55,080
Speaker 13: you bring your culture and you you keep your culture

977
00:41:55,440 --> 00:41:59,600
Speaker 13: and then we celebrate people's culture. So the influences come

978
00:41:59,640 --> 00:42:01,640
Speaker 13: from all all over the place. And we look at

979
00:42:01,760 --> 00:42:04,560
Speaker 13: the world in a way and and so you know,

980
00:42:04,800 --> 00:42:07,520
Speaker 13: we're picking and choosing different things, and so the influences

981
00:42:07,520 --> 00:42:09,399
Speaker 13: come from all those places. And I think that's why

982
00:42:09,480 --> 00:42:12,000
Speaker 13: that in a way we can we can kind of

983
00:42:12,719 --> 00:42:14,000
Speaker 13: pull from everybody.

984
00:42:14,920 --> 00:42:17,239
Speaker 9: Oh t, how do you balance creating entertainment but also

985
00:42:17,360 --> 00:42:19,520
Speaker 9: having deeple messages in it.

986
00:42:19,520 --> 00:42:22,400
Speaker 13: It's just something that's organic to me, you know, coming

987
00:42:22,440 --> 00:42:24,560
Speaker 13: from the history that I just talked about with my

988
00:42:24,600 --> 00:42:27,280
Speaker 13: mother and stuff like that. Stuff is in me where

989
00:42:27,719 --> 00:42:31,560
Speaker 13: I realize the importance of it because of what she

990
00:42:31,760 --> 00:42:34,879
Speaker 13: instilled in us. So I want to make sure that

991
00:42:35,239 --> 00:42:39,120
Speaker 13: you know, it's reflective of of that. Knowing that our

992
00:42:39,160 --> 00:42:42,719
Speaker 13: history and and things should they shouldn't be infused in

993
00:42:42,760 --> 00:42:45,960
Speaker 13: what we do, to make sure that we get I

994
00:42:45,960 --> 00:42:48,239
Speaker 13: get a chance to tell a story, I'm gonna make

995
00:42:48,280 --> 00:42:50,880
Speaker 13: a count I'm gonna make it, you know what I mean, Like,

996
00:42:51,080 --> 00:42:52,000
Speaker 13: I'm not wasting it.

997
00:42:52,360 --> 00:42:54,240
Speaker 1: But at the same time, I grew up.

998
00:42:54,520 --> 00:42:57,359
Speaker 13: On Spielberg and you know what I'm saying, Spike Lee

999
00:42:57,480 --> 00:43:01,000
Speaker 13: and and and James Cameron. You know. So I'm a

1000
00:43:01,040 --> 00:43:02,719
Speaker 13: comic book nerd, you know what I mean. So I

1001
00:43:02,760 --> 00:43:05,279
Speaker 13: grew up on X Men, you know, so, and these

1002
00:43:05,280 --> 00:43:08,239
Speaker 13: things were entertaining. So I'm like, well, I want to

1003
00:43:08,280 --> 00:43:11,000
Speaker 13: do both. I want to entertain and then I want

1004
00:43:11,040 --> 00:43:12,839
Speaker 13: you to I want you to walk away. I want

1005
00:43:12,840 --> 00:43:14,839
Speaker 13: you to take the movie home with you. I want

1006
00:43:14,880 --> 00:43:17,359
Speaker 13: you to walk away thinking about it the next couple

1007
00:43:17,400 --> 00:43:17,840
Speaker 13: of days.

1008
00:43:17,920 --> 00:43:18,799
Speaker 1: You know. I want you to.

1009
00:43:18,760 --> 00:43:21,480
Speaker 13: Want to talk about it with people. You know, there's

1010
00:43:21,480 --> 00:43:24,080
Speaker 13: a lot of films out here. You know, people are

1011
00:43:24,120 --> 00:43:26,520
Speaker 13: craving that. I feel there's a wave happening right now,

1012
00:43:26,520 --> 00:43:28,920
Speaker 13: you know what I mean. People are craving original stuff

1013
00:43:28,920 --> 00:43:32,120
Speaker 13: that they're tired of seeing such and such four and five.

1014
00:43:32,880 --> 00:43:34,880
Speaker 13: You know what I mean, Like, you know, and you

1015
00:43:34,920 --> 00:43:37,520
Speaker 13: see you see the Brother you know, Ryan Cooler coming

1016
00:43:37,560 --> 00:43:41,560
Speaker 13: with the Sinners, you know, you see you know, even

1017
00:43:41,680 --> 00:43:44,520
Speaker 13: even Zach Kraigor with the Weapons movie. You know, it's

1018
00:43:44,560 --> 00:43:48,080
Speaker 13: just like people are interested in give me something different.

1019
00:43:48,400 --> 00:43:51,400
Speaker 1: Very frustrating though, Yeah, because that should have always been

1020
00:43:51,480 --> 00:43:53,480
Speaker 1: the way in Hollywood, because whenever you see the things

1021
00:43:53,520 --> 00:43:56,600
Speaker 1: that really pop off and break through, it's really something new.

1022
00:43:56,680 --> 00:43:58,920
Speaker 1: I've never had seen Game of Thrones before. Yeah, right,

1023
00:43:58,960 --> 00:44:00,719
Speaker 1: you know what I mean. I like, it's the thing.

1024
00:44:00,960 --> 00:44:03,120
Speaker 9: I've of course centers, but I've never seen those type

1025
00:44:03,120 --> 00:44:05,880
Speaker 9: of things. I never understood why Hollywood didn't want to

1026
00:44:05,880 --> 00:44:08,759
Speaker 9: be original, Like it was a time where originality seemed

1027
00:44:08,760 --> 00:44:09,799
Speaker 9: to be, like, I don't want to take a risk

1028
00:44:09,880 --> 00:44:13,879
Speaker 9: on that what's considered safe.

1029
00:44:12,719 --> 00:44:16,880
Speaker 1: It's turned into theme parks. Right, It's like this is

1030
00:44:16,880 --> 00:44:19,759
Speaker 1: for everybody. Come on the ride.

1031
00:44:19,960 --> 00:44:22,279
Speaker 13: You've seen it before, you know what it is, so

1032
00:44:22,440 --> 00:44:25,480
Speaker 13: come pay your money for it. And I don't know it's.

1033
00:44:25,160 --> 00:44:27,880
Speaker 18: I mean, there's something too cereal. I think the ceial

1034
00:44:28,440 --> 00:44:31,239
Speaker 18: framework is interesting to people. I just think that there

1035
00:44:31,280 --> 00:44:34,879
Speaker 18: isn't that era is shifting. There is a great level

1036
00:44:34,880 --> 00:44:39,440
Speaker 18: of fatigue, and the world is wanting something that is

1037
00:44:39,480 --> 00:44:44,799
Speaker 18: more rupturous, something fresh, something that is more political or

1038
00:44:46,400 --> 00:44:50,840
Speaker 18: deeply personal and just more queered and strange and weird.

1039
00:44:50,960 --> 00:44:54,359
Speaker 18: Those kinds of things are have always been uh, in

1040
00:44:54,440 --> 00:44:56,920
Speaker 18: the in the in the framework, you know, it's just

1041
00:44:56,960 --> 00:44:59,240
Speaker 18: about those things rising to the surface.

1042
00:44:59,520 --> 00:45:02,000
Speaker 1: For folks, do you feel like you get presented like

1043
00:45:02,160 --> 00:45:03,200
Speaker 1: nothing but dark roles?

1044
00:45:03,320 --> 00:45:03,960
Speaker 18: No, not at all.

1045
00:45:04,040 --> 00:45:04,920
Speaker 1: Okay, so I.

1046
00:45:04,880 --> 00:45:11,960
Speaker 18: Have a slate of madness coming back. Like the last

1047
00:45:12,000 --> 00:45:15,920
Speaker 18: three things I've done have been straight up comedy, dark, grounded,

1048
00:45:17,000 --> 00:45:20,799
Speaker 18: slapsticky kind of uh. Like, I get the gamut, and

1049
00:45:20,840 --> 00:45:23,560
Speaker 18: I am curating for that. I mean, we're not. There

1050
00:45:23,600 --> 00:45:27,160
Speaker 18: is no one dimensionality ever, you know, And I'm interdisciplinary

1051
00:45:27,160 --> 00:45:28,360
Speaker 18: and all of the work that I do.

1052
00:45:28,520 --> 00:45:29,880
Speaker 1: You do that on purpose because you don't want to

1053
00:45:29,880 --> 00:45:31,560
Speaker 1: be like typecast as the person that you.

1054
00:45:31,480 --> 00:45:33,960
Speaker 18: Can't who typecasting? Who ain't nobody going to type yeas me?

1055
00:45:34,280 --> 00:45:36,520
Speaker 18: I get to I'm creating. I am working with a

1056
00:45:36,560 --> 00:45:38,560
Speaker 18: team of people who know who I am at my core.

1057
00:45:38,640 --> 00:45:43,000
Speaker 18: I'm building from my inner world and I select accordingly.

1058
00:45:43,800 --> 00:45:45,880
Speaker 5: And when you say that, you mean you're also creating

1059
00:45:45,920 --> 00:45:47,600
Speaker 5: projects too. That put you in different lice, because I

1060
00:45:47,600 --> 00:45:48,000
Speaker 5: know you're.

1061
00:45:47,840 --> 00:45:51,840
Speaker 18: Either yes, yes, yes, developing works. I'm in a performance

1062
00:45:51,960 --> 00:45:57,040
Speaker 18: art realm. I'm in an experimental film realm. I'm things

1063
00:45:57,080 --> 00:45:59,520
Speaker 18: take time, we come out right, like a project could

1064
00:45:59,520 --> 00:46:01,640
Speaker 18: develop over the course of two to five years or

1065
00:46:01,680 --> 00:46:06,919
Speaker 18: more and whatnot. But I am intentionally circling a lot

1066
00:46:06,960 --> 00:46:10,680
Speaker 18: of different genres because I want us to be witnessed

1067
00:46:10,760 --> 00:46:13,640
Speaker 18: in all kinds of life. Everything that I do will

1068
00:46:13,680 --> 00:46:17,279
Speaker 18: not be the lovable woman, right, Everything that I do

1069
00:46:17,360 --> 00:46:22,239
Speaker 18: will not be the villain. However, everything in that spectrum,

1070
00:46:22,360 --> 00:46:24,360
Speaker 18: the full range of that is my interest.

1071
00:46:24,680 --> 00:46:27,759
Speaker 1: I've heard you referred to as a multidisciplinary artist.

1072
00:46:27,920 --> 00:46:33,120
Speaker 18: Yeah, multi disciplined. I mean just multiple inter between moving

1073
00:46:33,160 --> 00:46:37,120
Speaker 18: between worlds. We all do sometimes, you know, folks because

1074
00:46:37,160 --> 00:46:39,799
Speaker 18: of capitalism in a certain kind of way, laying you,

1075
00:46:40,440 --> 00:46:42,879
Speaker 18: but you can veer off. I mean, it's just don't

1076
00:46:42,920 --> 00:46:44,520
Speaker 18: hit no other cars in the mist of doing.

1077
00:46:44,320 --> 00:46:45,799
Speaker 1: It, you know what I mean.

1078
00:46:46,120 --> 00:46:48,720
Speaker 5: The film talks or is very doubt about black women

1079
00:46:49,000 --> 00:46:52,000
Speaker 5: or black mothers fighting for their families, protecting their families

1080
00:46:52,040 --> 00:46:54,120
Speaker 5: to the end, and I think that's always a conversation

1081
00:46:54,200 --> 00:46:56,640
Speaker 5: with black women about like how protecting and nurturing we

1082
00:46:56,680 --> 00:46:58,800
Speaker 5: can be. But what do you want black women to

1083
00:46:58,840 --> 00:47:00,640
Speaker 5: take away from this film about how to protect and

1084
00:47:00,680 --> 00:47:03,200
Speaker 5: take care of themselves in order to take care of family.

1085
00:47:03,239 --> 00:47:07,600
Speaker 18: That's so appropriate because in one of the scenes her

1086
00:47:07,960 --> 00:47:14,279
Speaker 18: Galen talks about her deserving reprieve and that kind of

1087
00:47:14,560 --> 00:47:20,360
Speaker 18: joy and release and and we've I mean over the

1088
00:47:20,640 --> 00:47:22,400
Speaker 18: slate of films that I have done, which is the

1089
00:47:22,440 --> 00:47:26,360
Speaker 18: assumption that you know, I do things that are trauma

1090
00:47:26,440 --> 00:47:29,800
Speaker 18: driven or different, you know, just black women in complete

1091
00:47:29,840 --> 00:47:33,360
Speaker 18: ner toll turmoil there. I think that there's a diversity

1092
00:47:33,400 --> 00:47:36,040
Speaker 18: of things emotionally that are happening, and we deserve to

1093
00:47:36,280 --> 00:47:39,680
Speaker 18: explore the other emotions just as much. I don't think

1094
00:47:39,680 --> 00:47:41,879
Speaker 18: that it's a take your hands off and completely live

1095
00:47:41,920 --> 00:47:45,200
Speaker 18: in utter soft era life. Sure one would love that,

1096
00:47:45,280 --> 00:47:48,319
Speaker 18: but I don't think that struggle is ever. There's never

1097
00:47:48,480 --> 00:47:51,440
Speaker 18: an end mark to it, you know, just like healing

1098
00:47:51,560 --> 00:47:54,600
Speaker 18: isn't there's no end there's no there's no there's no

1099
00:47:54,960 --> 00:47:57,200
Speaker 18: this is the death, this is it. You've made it.

1100
00:47:57,200 --> 00:48:00,640
Speaker 18: It's continuous. And so I think there's it is continuous

1101
00:48:00,680 --> 00:48:04,680
Speaker 18: effort to diversify the manner in which you distribute labor,

1102
00:48:07,160 --> 00:48:11,560
Speaker 18: to encourage others to have a greater independence and autonomy

1103
00:48:11,560 --> 00:48:13,640
Speaker 18: and the way that they move through the world, and

1104
00:48:14,080 --> 00:48:18,000
Speaker 18: just and giving that over and still doing our work

1105
00:48:18,360 --> 00:48:19,200
Speaker 18: for ourselves.

1106
00:48:19,360 --> 00:48:22,560
Speaker 4: So I was gonna ask you when numbers are concerned, right,

1107
00:48:22,560 --> 00:48:24,800
Speaker 4: everybody looks at box office when it comes to movies.

1108
00:48:25,040 --> 00:48:28,279
Speaker 4: That doesn't necessarily say how successful a movie is. But

1109
00:48:28,360 --> 00:48:30,399
Speaker 4: for some people it guess, how does that affect mind

1110
00:48:30,440 --> 00:48:32,200
Speaker 4: frame when you're doing these type of movies.

1111
00:48:32,640 --> 00:48:35,320
Speaker 13: I'm not in Hollywood, so I'm independent film, you know

1112
00:48:35,360 --> 00:48:35,759
Speaker 13: what I mean.

1113
00:48:35,880 --> 00:48:39,160
Speaker 1: So that's not what defines it for me.

1114
00:48:39,840 --> 00:48:43,600
Speaker 13: You know, and money comes and goes, So I think

1115
00:48:43,640 --> 00:48:46,319
Speaker 13: about legacy and I think about telling a story that's

1116
00:48:46,320 --> 00:48:47,200
Speaker 13: going to stay with people.

1117
00:48:47,239 --> 00:48:48,520
Speaker 1: Like I said, I want to make a film that

1118
00:48:48,680 --> 00:48:49,800
Speaker 1: you take.

1119
00:48:49,600 --> 00:48:51,479
Speaker 13: Home, you walk with it in your in your head,

1120
00:48:52,239 --> 00:48:54,239
Speaker 13: and to me, that means the most important thing.

1121
00:48:54,239 --> 00:48:58,560
Speaker 1: And I if it's there and people.

1122
00:48:58,320 --> 00:49:01,879
Speaker 13: Talk about it, you know, independent film lifeblood is word

1123
00:49:01,920 --> 00:49:04,680
Speaker 13: of mouth. That's how independent film has always been. So

1124
00:49:05,280 --> 00:49:08,120
Speaker 13: people start talking about it, they spreading it, and other

1125
00:49:08,120 --> 00:49:10,960
Speaker 13: people find it, and you know, that's a beautiful thing

1126
00:49:11,000 --> 00:49:14,720
Speaker 13: when that happened. So I don't mind that, you know, Like, look,

1127
00:49:15,800 --> 00:49:19,360
Speaker 13: you know, on other projects, it may be the benchmark,

1128
00:49:19,400 --> 00:49:23,280
Speaker 13: and that's cool. You're doing something with a studio, that's cool, sure,

1129
00:49:23,480 --> 00:49:27,240
Speaker 13: But with this, it's just about does this film resonate

1130
00:49:27,320 --> 00:49:30,200
Speaker 13: and stay with the people, and does it spread and

1131
00:49:30,320 --> 00:49:31,040
Speaker 13: make people think?

1132
00:49:31,160 --> 00:49:33,719
Speaker 1: That's the most important thing for me. But you're an

1133
00:49:33,719 --> 00:49:36,319
Speaker 1: independent film because you're still gonna need funding. Fair So

1134
00:49:36,360 --> 00:49:38,640
Speaker 1: how do you, you know, get these people to continue to

1135
00:49:38,640 --> 00:49:41,839
Speaker 1: fund this great work that you're doing if it's not an.

1136
00:49:41,800 --> 00:49:45,080
Speaker 13: ROI well, I'll say this, like I think, for this

1137
00:49:45,160 --> 00:49:47,960
Speaker 13: being my first film, the important thing is to is

1138
00:49:48,000 --> 00:49:50,160
Speaker 13: to let them know that I got a voice, and

1139
00:49:50,200 --> 00:49:50,840
Speaker 13: this is what I'm.

1140
00:49:50,719 --> 00:49:51,480
Speaker 1: Interested in saying.

1141
00:49:52,200 --> 00:49:55,880
Speaker 13: And I think people understand in the movie business, they understand,

1142
00:49:56,560 --> 00:49:59,320
Speaker 13: you know, this was independent, This wasn't back by a studio,

1143
00:49:59,400 --> 00:50:02,200
Speaker 13: didn't have a pro more budget. You know, normal studio

1144
00:50:02,200 --> 00:50:05,320
Speaker 13: pictures have a budget equal to their budget to promote

1145
00:50:05,320 --> 00:50:08,680
Speaker 13: the stands right, So people understand that and they go, cool,

1146
00:50:09,080 --> 00:50:09,920
Speaker 13: he's got a voice.

1147
00:50:10,400 --> 00:50:13,000
Speaker 1: Hopefully God willing, they want to work with me.

1148
00:50:13,440 --> 00:50:16,239
Speaker 13: And then and then you know that other money part

1149
00:50:16,320 --> 00:50:17,600
Speaker 13: that'll come when the bank comes.

1150
00:50:17,600 --> 00:50:20,040
Speaker 1: You know what I mean? Do you think great work

1151
00:50:20,320 --> 00:50:22,680
Speaker 1: is sometimes pointed? Because I even think about like Till right,

1152
00:50:22,760 --> 00:50:25,279
Speaker 1: Like they talk about, you know, Till got snubbed by

1153
00:50:25,880 --> 00:50:28,040
Speaker 1: the Oscars, and they talked about, you know, Till might

1154
00:50:28,080 --> 00:50:31,239
Speaker 1: have suffered from Bolkeness fatigue, and you know they were

1155
00:50:31,239 --> 00:50:32,839
Speaker 1: saying it was a box office point.

1156
00:50:32,840 --> 00:50:35,000
Speaker 9: They were saying all of these different things in regards

1157
00:50:35,040 --> 00:50:37,839
Speaker 9: to this just great body of work.

1158
00:50:38,440 --> 00:50:40,120
Speaker 1: Do you think that that can play a role into

1159
00:50:40,160 --> 00:50:40,399
Speaker 1: it too?

1160
00:50:41,600 --> 00:50:47,280
Speaker 18: Anybody listening to that? What's the snub? We're having continuous

1161
00:50:47,320 --> 00:50:53,400
Speaker 18: conversation about the work, about the themes about you know,

1162
00:50:53,719 --> 00:50:56,879
Speaker 18: you you you dealing with it in the frame, right

1163
00:50:57,040 --> 00:51:00,799
Speaker 18: on the computer, in the theater wherever you're watching it,

1164
00:51:00,960 --> 00:51:03,640
Speaker 18: and then people are connecting to it outside. They just

1165
00:51:03,920 --> 00:51:06,000
Speaker 18: you know, August was just here, you know. I just

1166
00:51:06,160 --> 00:51:09,120
Speaker 18: talked to Mistevor, who helps with the who runs the

1167
00:51:09,440 --> 00:51:15,880
Speaker 18: the Mattel Foundation. They're having continuous, you know, conversation about it.

1168
00:51:15,920 --> 00:51:18,920
Speaker 18: This is since nineteen fifty five, you know, and so

1169
00:51:19,200 --> 00:51:22,480
Speaker 18: you know, extending what this means to think about survival.

1170
00:51:22,840 --> 00:51:25,680
Speaker 18: I don't know when forty takes place, but forty's in

1171
00:51:25,760 --> 00:51:30,480
Speaker 18: the dystopic future, which feels very like now. And so

1172
00:51:30,800 --> 00:51:34,160
Speaker 18: just the ability to bring this end of the spectrum

1173
00:51:34,160 --> 00:51:36,880
Speaker 18: to this end of the spectrum, that's what's happening. You know,

1174
00:51:36,920 --> 00:51:40,560
Speaker 18: It's not there's no snubbing. Snubbing isn't possible if we

1175
00:51:40,640 --> 00:51:44,320
Speaker 18: are creating something and we are creating the conversation around it.

1176
00:51:44,719 --> 00:51:46,399
Speaker 5: I know when the US snub happened. I don't want

1177
00:51:46,400 --> 00:51:49,680
Speaker 5: to get her name wrong, but the director of till Chanoya, Yeah, Chanoya.

1178
00:51:50,000 --> 00:51:52,279
Speaker 5: She had posted she had posted on her Instagram and

1179
00:51:52,320 --> 00:51:54,719
Speaker 5: it wasn't directly in response, but the timing people took

1180
00:51:54,760 --> 00:51:57,640
Speaker 5: it as a responsible She talked about how Hollywood, you know,

1181
00:51:57,680 --> 00:52:01,759
Speaker 5: treats back on the horribly and they pushed white male stereotype.

1182
00:52:02,920 --> 00:52:05,960
Speaker 5: Do you feel like that's changing? Has changed since the

1183
00:52:06,200 --> 00:52:07,600
Speaker 5: since the snub? I know you don't care about the

1184
00:52:07,600 --> 00:52:09,560
Speaker 5: sub but has that changed in the work that you're

1185
00:52:09,600 --> 00:52:11,080
Speaker 5: doing or do you think it will change?

1186
00:52:11,160 --> 00:52:14,319
Speaker 18: I think that we have always been present creating the

1187
00:52:14,360 --> 00:52:16,000
Speaker 18: significant works for ourselves.

1188
00:52:16,280 --> 00:52:17,160
Speaker 1: The funding may.

1189
00:52:17,000 --> 00:52:20,080
Speaker 18: Not look the same, the ubiquity of it and the

1190
00:52:20,080 --> 00:52:22,000
Speaker 18: marketing of it may not look the same, but there

1191
00:52:22,040 --> 00:52:26,120
Speaker 18: are plenty of black women in a variety of other

1192
00:52:26,120 --> 00:52:30,520
Speaker 18: people of color joining the fold of making the stuff

1193
00:52:30,560 --> 00:52:31,480
Speaker 18: that we want to see.

1194
00:52:32,200 --> 00:52:33,080
Speaker 1: There is no.

1195
00:52:35,560 --> 00:52:39,600
Speaker 18: True idea of us like not being able to push,

1196
00:52:39,920 --> 00:52:43,480
Speaker 18: you know, towards the center. We are the center period,

1197
00:52:43,920 --> 00:52:50,279
Speaker 18: right and should there be more support, yes, but you can't.

1198
00:52:50,360 --> 00:52:52,680
Speaker 18: You can't hold down what's already you know.

1199
00:52:53,320 --> 00:52:55,120
Speaker 1: Moving up, moving, that's dope.

1200
00:52:55,520 --> 00:52:58,640
Speaker 9: How do y'all see storytelling as a tool for social transfers?

1201
00:52:59,360 --> 00:53:01,560
Speaker 9: That's like the art are going to be very important

1202
00:53:01,640 --> 00:53:04,720
Speaker 9: to us moving forward, especially with them just taking history

1203
00:53:05,040 --> 00:53:05,680
Speaker 9: out of everything.

1204
00:53:06,520 --> 00:53:08,839
Speaker 1: Always always been, always has been, you know.

1205
00:53:08,960 --> 00:53:12,839
Speaker 13: It's it's uh, it's a it's a foundation of of.

1206
00:53:14,400 --> 00:53:16,040
Speaker 1: Like as as we're talking about.

1207
00:53:16,280 --> 00:53:18,680
Speaker 13: Of our history and inspiring the future, you know what

1208
00:53:18,719 --> 00:53:22,080
Speaker 13: I mean. It's it's it's it's vital, you know. And

1209
00:53:22,080 --> 00:53:26,759
Speaker 13: and for people to see things and reintroduce them to

1210
00:53:26,880 --> 00:53:29,200
Speaker 13: ideas that maybe they don't That's that's the important thing.

1211
00:53:29,280 --> 00:53:32,000
Speaker 13: Is like as as as a younger generation comes out,

1212
00:53:32,440 --> 00:53:37,000
Speaker 13: they don't have to fight the trials and tribulations that

1213
00:53:37,080 --> 00:53:38,719
Speaker 13: like my mother had to fight. I didn't have to

1214
00:53:38,719 --> 00:53:39,440
Speaker 13: fight some.

1215
00:53:39,320 --> 00:53:40,120
Speaker 1: Of those things.

1216
00:53:40,280 --> 00:53:43,480
Speaker 13: But it's important to make sure that people understand them

1217
00:53:43,640 --> 00:53:46,600
Speaker 13: because if they don't understand it, then they're coming out

1218
00:53:46,960 --> 00:53:49,680
Speaker 13: with a certain sense of ignorance to the world and

1219
00:53:49,840 --> 00:53:53,319
Speaker 13: may not think that certain things are are present, you know,

1220
00:53:54,840 --> 00:53:59,960
Speaker 13: and and racism and discrimination and the isms are there

1221
00:54:00,040 --> 00:54:02,720
Speaker 13: whether you whether you recognize them or not, they're there.

1222
00:54:03,239 --> 00:54:06,000
Speaker 13: So it's I think it's vital for art to keep

1223
00:54:06,080 --> 00:54:11,520
Speaker 13: speaking from our perspective so that it's like, oh no,

1224
00:54:11,719 --> 00:54:13,680
Speaker 13: you got to know how to handle these things for

1225
00:54:13,800 --> 00:54:14,839
Speaker 13: future generations.

1226
00:54:14,680 --> 00:54:15,720
Speaker 1: It's just it's vital.

1227
00:54:16,280 --> 00:54:19,560
Speaker 18: No, it's just a beautiful poetic looping right. I remember

1228
00:54:19,960 --> 00:54:23,200
Speaker 18: doing this. It wasn't technically a play. It was like

1229
00:54:23,239 --> 00:54:26,239
Speaker 18: a dance exhibition with that was called Women Hold Up

1230
00:54:26,280 --> 00:54:30,120
Speaker 18: Half the Sky right as a kid with total dance theater.

1231
00:54:30,560 --> 00:54:33,120
Speaker 18: And I learned about four little girls in that piece.

1232
00:54:34,320 --> 00:54:36,920
Speaker 18: And then there was also this poem from Nikki Giovanni

1233
00:54:36,920 --> 00:54:41,600
Speaker 18: in the piece Capitola Williams delivered that hard and then

1234
00:54:41,640 --> 00:54:45,239
Speaker 18: that makes me connect to Okay, then I'm doing till right.

1235
00:54:45,360 --> 00:54:49,640
Speaker 18: Like these stories, these fragments jump you know, between us,

1236
00:54:49,680 --> 00:54:52,440
Speaker 18: right and oh okay, Nikki Giovanni, Tupac right, and so

1237
00:54:52,480 --> 00:54:54,799
Speaker 18: then Tupac raps about this and then this you are

1238
00:54:54,880 --> 00:54:58,360
Speaker 18: to find the fragment and then expand upon it. I

1239
00:54:58,400 --> 00:55:02,520
Speaker 18: think that that it's not just just in the art, right,

1240
00:55:02,560 --> 00:55:05,160
Speaker 18: the art that whatever it is that you're connected to,

1241
00:55:05,239 --> 00:55:07,560
Speaker 18: whether it's in hip hop or whether it's in a film,

1242
00:55:07,920 --> 00:55:11,759
Speaker 18: you take whatever is magnifying for you in your mind,

1243
00:55:11,880 --> 00:55:16,040
Speaker 18: and then you are to to to dig deeper, you

1244
00:55:16,080 --> 00:55:20,880
Speaker 18: are to read more about it. This is the beauty

1245
00:55:20,880 --> 00:55:23,520
Speaker 18: of art. Art takes a single thing and it is

1246
00:55:23,600 --> 00:55:26,279
Speaker 18: to it is to make it. It's it's supposed to

1247
00:55:26,400 --> 00:55:29,279
Speaker 18: enable you to loop things further into the fold. For

1248
00:55:29,880 --> 00:55:32,879
Speaker 18: everything is deeply connected if we but seek it out,

1249
00:55:32,960 --> 00:55:34,239
Speaker 18: if we but make the.

1250
00:55:34,200 --> 00:55:37,319
Speaker 1: Effort absolutely, How do you decide when a story is

1251
00:55:37,520 --> 00:55:42,480
Speaker 1: worth the emotional toll it takes on creators and the

1252
00:55:42,520 --> 00:55:44,239
Speaker 1: audience because art can be healing, but it can also

1253
00:55:44,320 --> 00:55:53,000
Speaker 1: reopen or wounds. Yeah, you mean for me? Yea where

1254
00:55:53,040 --> 00:55:57,200
Speaker 1: t I'm gonna.

1255
00:55:57,239 --> 00:55:57,800
Speaker 2: I'm gonna.

1256
00:55:58,560 --> 00:56:02,160
Speaker 18: I'm gonna give everything to a thing if I choose

1257
00:56:02,200 --> 00:56:07,000
Speaker 18: to do it. And we talk a lot about recovery.

1258
00:56:07,200 --> 00:56:09,080
Speaker 18: I mean, I think it's something for me. Now I'm

1259
00:56:09,080 --> 00:56:12,239
Speaker 18: al sabbatical, y'all. Man, were I supposed to be here?

1260
00:56:13,080 --> 00:56:18,799
Speaker 18: Like it's I'm making conscious choices even more along, you know,

1261
00:56:19,040 --> 00:56:21,320
Speaker 18: just along the trajectory of the career, right like trying

1262
00:56:21,360 --> 00:56:23,400
Speaker 18: to make sure that I am well and I'm okay

1263
00:56:23,719 --> 00:56:25,680
Speaker 18: in the midst of the things that I choose to do.

1264
00:56:25,719 --> 00:56:28,400
Speaker 18: That's why I did three comedy maze things though in

1265
00:56:28,440 --> 00:56:32,200
Speaker 18: the course of the last year. But the other things

1266
00:56:32,200 --> 00:56:35,360
Speaker 18: are really valuable because you have to refield the cup

1267
00:56:36,560 --> 00:56:40,759
Speaker 18: or you have nothing to give, or it suffers, or

1268
00:56:41,360 --> 00:56:46,040
Speaker 18: you know whatnot. But I am consciously moving things around

1269
00:56:47,080 --> 00:56:49,040
Speaker 18: to do stuff so that I can be Okay, I

1270
00:56:49,080 --> 00:56:50,960
Speaker 18: also have a child, I also have a family. I

1271
00:56:51,000 --> 00:56:53,120
Speaker 18: need to be with them. I need to This is

1272
00:56:53,160 --> 00:56:57,600
Speaker 18: not just for me. This is for a greater community.

1273
00:56:58,600 --> 00:56:59,840
Speaker 1: And knowing how.

1274
00:57:00,080 --> 00:57:03,000
Speaker 18: How the community response to that thing just in I mean,

1275
00:57:03,280 --> 00:57:05,440
Speaker 18: we're constantly referring back to till But like you know,

1276
00:57:05,480 --> 00:57:10,200
Speaker 18: you talked about not wanting to traumatize or trigger in

1277
00:57:10,280 --> 00:57:12,200
Speaker 18: the experience of the things. There are all kinds of

1278
00:57:12,239 --> 00:57:17,080
Speaker 18: ways to tell a story and not not take people

1279
00:57:17,160 --> 00:57:19,800
Speaker 18: down into a into an experience. In a certain kind

1280
00:57:19,800 --> 00:57:23,320
Speaker 18: of way. You can you can tell a story and

1281
00:57:23,320 --> 00:57:27,640
Speaker 18: and and with nuance and modification in a certain kind

1282
00:57:27,640 --> 00:57:29,800
Speaker 18: of way bring them into the fold of the thing.

1283
00:57:30,120 --> 00:57:33,200
Speaker 18: It doesn't have to be utterly du you know, drudgery

1284
00:57:33,280 --> 00:57:36,440
Speaker 18: and treacherous the way that it makes yourself or the

1285
00:57:36,520 --> 00:57:38,880
Speaker 18: audience feel well.

1286
00:57:38,920 --> 00:57:40,960
Speaker 1: Definitely go check out the film forty eight. Yes, and

1287
00:57:40,960 --> 00:57:49,080
Speaker 1: we appreciate you guys and everywhere you know. All right, Well,

1288
00:57:49,200 --> 00:57:51,800
Speaker 1: Daniel Deadwiler, Artie Throwing, thank you so much for joining us.

1289
00:57:51,880 --> 00:57:55,520
Speaker 1: Thank you much. Good morning everybody.

1290
00:57:55,600 --> 00:57:58,800
Speaker 4: It's DJ Envy, Jess Hilariyus, Charlamagne, the God.

1291
00:57:58,840 --> 00:58:01,160
Speaker 1: We are to Breakfast Club. It's a weird building, man,

1292
00:58:01,160 --> 00:58:02,800
Speaker 1: like the way some dude, what do you do?

1293
00:58:03,320 --> 00:58:06,840
Speaker 9: Everybody when you walking through your you know, place of work,

1294
00:58:07,280 --> 00:58:09,720
Speaker 9: and you hear somebody at their desk and they just

1295
00:58:09,800 --> 00:58:11,360
Speaker 9: sitting there, And when you walk by, the go.

1296
00:58:13,400 --> 00:58:16,720
Speaker 1: Who did that? I don't want to say, but it

1297
00:58:16,800 --> 00:58:19,439
Speaker 1: was a guy. What was he thinking about Drake? Yes,

1298
00:58:19,520 --> 00:58:24,320
Speaker 1: he loves Drake and he loves screaming, that's all I'll say. Okay, okay,

1299
00:58:24,480 --> 00:58:25,000
Speaker 1: all right.

1300
00:58:25,520 --> 00:58:27,000
Speaker 9: And I didn't even want to look to see if

1301
00:58:27,040 --> 00:58:28,880
Speaker 9: something was wrong with him because there's one of them

1302
00:58:28,920 --> 00:58:31,360
Speaker 9: noises where you feel like somebody's saying it just to

1303
00:58:31,360 --> 00:58:32,920
Speaker 9: get your attention. And one thing about me, if you

1304
00:58:33,000 --> 00:58:35,160
Speaker 9: sit next to me inside, I ain't finna ask you

1305
00:58:35,160 --> 00:58:35,560
Speaker 9: what's wrong?

1306
00:58:35,760 --> 00:58:40,960
Speaker 1: Neither salute to Obo. All right, well, let's get to

1307
00:58:40,960 --> 00:58:43,560
Speaker 1: the latest with Lauren. Lauren be kind of a straight

1308
00:58:43,640 --> 00:58:48,480
Speaker 1: that she gets them to somebody that knows somebody gets detail.

1309
00:58:48,840 --> 00:58:50,920
Speaker 3: I'm a longs a little bit about everything.

1310
00:58:51,840 --> 00:58:55,800
Speaker 1: She'd be having the latest on you. Just the latest

1311
00:58:55,800 --> 00:58:58,200
Speaker 1: with Lauren la Rosa. Sometimes you have fact, sometimes you

1312
00:58:58,200 --> 00:59:00,600
Speaker 1: have details. Sometimes you have a little bit of tolist.

1313
00:59:00,640 --> 00:59:03,400
Speaker 1: The leaders they're on the breakfast clubs to me.

1314
00:59:04,520 --> 00:59:07,680
Speaker 5: So there are reports right now that Britney Spears is

1315
00:59:07,760 --> 00:59:14,360
Speaker 5: living in dog poop. So uh so friends of Britney Spears, Yes, so,

1316
00:59:14,440 --> 00:59:17,680
Speaker 5: friends of Britney Spears and sources clothes have spoken to

1317
00:59:17,920 --> 00:59:20,120
Speaker 5: the Daily Mail and according to those friends and sources,

1318
00:59:20,200 --> 00:59:22,360
Speaker 5: they're saying that the mansion that Britney Spears has been

1319
00:59:22,640 --> 00:59:24,480
Speaker 5: or lives in where she makes all those videos where

1320
00:59:24,480 --> 00:59:26,960
Speaker 5: she's dancing and trailing and doing all the things, it's

1321
00:59:27,000 --> 00:59:28,479
Speaker 5: currently covered in dog poop.

1322
00:59:28,520 --> 00:59:30,880
Speaker 3: It's just a complete mess now.

1323
00:59:31,240 --> 00:59:33,720
Speaker 5: To give some background concepts, you guys, remember Britney Spears

1324
00:59:33,760 --> 00:59:35,600
Speaker 5: was in that conservativeship and there was a whole free

1325
00:59:35,600 --> 00:59:37,920
Speaker 5: Britney movement. I was down with the movement. I wanted

1326
00:59:37,960 --> 00:59:41,560
Speaker 5: Britt free until Britt was free. But now what is

1327
00:59:41,560 --> 00:59:44,880
Speaker 5: happening is she has friends and close you know, you know,

1328
00:59:44,880 --> 00:59:46,720
Speaker 5: people close to her and sources that are coming out

1329
00:59:46,960 --> 00:59:50,240
Speaker 5: and saying that she's basically spiraling and that she's going

1330
00:59:50,280 --> 00:59:53,120
Speaker 5: through allegedly spiraling, that she's going through an episode right now.

1331
00:59:53,600 --> 00:59:55,800
Speaker 5: And from reports they say this is something that happens

1332
00:59:55,800 --> 00:59:57,440
Speaker 5: with her all the time, that they've seen over and

1333
00:59:57,480 --> 00:59:59,640
Speaker 5: over again. So there are some people who don't plan

1334
00:59:59,680 --> 01:00:01,840
Speaker 5: it inner. There are other people that are saying that

1335
01:00:01,840 --> 01:00:04,160
Speaker 5: they are terrified for her future and she is not

1336
01:00:04,320 --> 01:00:07,000
Speaker 5: doing well. Her house is a mess, She does not

1337
01:00:07,080 --> 01:00:09,520
Speaker 5: clean up after her dogs. She has several dogs, She

1338
01:00:09,920 --> 01:00:12,640
Speaker 5: doesn't have someone there cleaning every day, and she just

1339
01:00:12,720 --> 01:00:15,960
Speaker 5: isn't functioning like an adult would function at this point.

1340
01:00:16,040 --> 01:00:17,800
Speaker 1: How do you know her staff just didn't get deported.

1341
01:00:20,720 --> 01:00:22,360
Speaker 3: I don't, good question. I don't know.

1342
01:00:22,920 --> 01:00:24,720
Speaker 4: It can't be sanitary though, I mean, they got to

1343
01:00:24,720 --> 01:00:26,560
Speaker 4: bring somebody in there to make sure it's not dog

1344
01:00:26,600 --> 01:00:28,320
Speaker 4: poop if there is dog poop all over the place,

1345
01:00:28,360 --> 01:00:30,280
Speaker 4: because the amount of disease at that point that she

1346
01:00:30,320 --> 01:00:32,640
Speaker 4: could have or that could be in and around that place,

1347
01:00:32,640 --> 01:00:34,680
Speaker 4: and if her kids come by, they need to make

1348
01:00:34,720 --> 01:00:36,680
Speaker 4: sure that somebody, like Charla Maaye said, comes in and

1349
01:00:36,680 --> 01:00:37,439
Speaker 4: make sure it's clean.

1350
01:00:37,640 --> 01:00:39,160
Speaker 9: What if it's he half or not. Now, if it's

1351
01:00:39,200 --> 01:00:41,360
Speaker 9: her poop is really a problem. Okay, If it's her poop,

1352
01:00:41,400 --> 01:00:42,560
Speaker 9: you got to commit her immediately.

1353
01:00:43,160 --> 01:00:44,800
Speaker 4: Even if it's dog poop and she's just letting the

1354
01:00:44,840 --> 01:00:47,000
Speaker 4: dog poop sit there. You know, dog poop smells and

1355
01:00:47,040 --> 01:00:48,960
Speaker 4: you can live in that all day long, So don't.

1356
01:00:49,120 --> 01:00:51,120
Speaker 1: Clean no more. When you've been that rich that long,

1357
01:00:51,360 --> 01:00:53,520
Speaker 1: you know what I mean, having used to people waiting

1358
01:00:53,600 --> 01:00:55,240
Speaker 1: on your hand and foot, and then your whole team

1359
01:00:55,240 --> 01:00:57,080
Speaker 1: get deportedt your whole staff get the poison, do that

1360
01:00:57,120 --> 01:00:57,680
Speaker 1: type of stuff.

1361
01:00:57,720 --> 01:00:59,640
Speaker 4: You know how to clean dog poop and that smell

1362
01:00:59,680 --> 01:01:02,040
Speaker 4: has to be horrible. It creates maggots and all that

1363
01:01:02,080 --> 01:01:05,280
Speaker 4: other nasty stuff. And if that is the case, does

1364
01:01:05,280 --> 01:01:08,200
Speaker 4: she need to go back into conservative ships?

1365
01:01:09,160 --> 01:01:10,560
Speaker 1: This is true, that's a masking, I said. If it

1366
01:01:10,640 --> 01:01:11,960
Speaker 1: is true, hold.

1367
01:01:11,800 --> 01:01:13,720
Speaker 5: On, wait, because there was a video that was posted

1368
01:01:14,520 --> 01:01:16,959
Speaker 5: not too long ago which kind of sparked concerns because

1369
01:01:17,000 --> 01:01:19,760
Speaker 5: you guys, if you ever seen any Britny Spirits dancing video,

1370
01:01:19,840 --> 01:01:22,000
Speaker 5: she's she always shows where she's at, like she doesn't

1371
01:01:22,000 --> 01:01:23,439
Speaker 5: take the phone and show you, but you can see

1372
01:01:23,440 --> 01:01:25,560
Speaker 5: her background. So in the background on one of those

1373
01:01:25,600 --> 01:01:29,080
Speaker 5: dancing videos, it was very cluttered. The caption said she

1374
01:01:29,280 --> 01:01:31,360
Speaker 5: was playing around with lighting and going to go clean

1375
01:01:31,440 --> 01:01:33,840
Speaker 5: up her house right away. But that's what main fans

1376
01:01:33,880 --> 01:01:35,960
Speaker 5: really concerned because of the way that the background her

1377
01:01:35,960 --> 01:01:36,800
Speaker 5: busins clutter.

1378
01:01:37,120 --> 01:01:40,600
Speaker 9: Yeah, God forbid, somebody's doing a little spring cleaning, fall cleaning,

1379
01:01:40,640 --> 01:01:41,360
Speaker 9: whatever the hell it is.

1380
01:01:41,360 --> 01:01:42,200
Speaker 1: And they got a little clutter.

1381
01:01:42,280 --> 01:01:44,600
Speaker 4: You see some of these people's lives when they go live,

1382
01:01:44,640 --> 01:01:47,160
Speaker 4: you see that clearness.

1383
01:01:47,520 --> 01:01:49,400
Speaker 5: I don't know if y'all understand how the Britney fan,

1384
01:01:49,600 --> 01:01:52,200
Speaker 5: the Britney Spears fans, and the Free Britney movement went

1385
01:01:52,280 --> 01:01:53,680
Speaker 5: Like y'all weren't in the midst of it.

1386
01:01:53,720 --> 01:01:55,400
Speaker 3: I was there. I know.

1387
01:01:55,480 --> 01:01:59,280
Speaker 5: These people are kind of low key. They were marching

1388
01:01:59,280 --> 01:02:01,680
Speaker 5: in the streets to La Baby. It was a real thing, okay,

1389
01:02:02,120 --> 01:02:04,240
Speaker 5: but they're a bit they take it a bit overboard,

1390
01:02:04,320 --> 01:02:07,080
Speaker 5: Like there were fans saying that they saw things on

1391
01:02:07,120 --> 01:02:09,040
Speaker 5: the ground that they were saying were the dog poop.

1392
01:02:09,080 --> 01:02:11,920
Speaker 5: Now that these reports have allegedly come out, but that

1393
01:02:12,240 --> 01:02:14,520
Speaker 5: fans are concerned and now these reports are surfacing, and

1394
01:02:14,520 --> 01:02:16,800
Speaker 5: but they've been concerned because she's been dancing and twirling

1395
01:02:16,840 --> 01:02:18,680
Speaker 5: and doing all these things, and there's been reports of

1396
01:02:18,680 --> 01:02:21,280
Speaker 5: her going through these episodes over the you know the time,

1397
01:02:21,360 --> 01:02:23,240
Speaker 5: since she's you know, been.

1398
01:02:23,200 --> 01:02:26,640
Speaker 9: Been screaming this about Brittany for years and she seems

1399
01:02:26,640 --> 01:02:28,480
Speaker 9: to always bounce back or be fine.

1400
01:02:28,520 --> 01:02:31,400
Speaker 1: So I don't you know, yeah, I understand your understand

1401
01:02:31,400 --> 01:02:33,560
Speaker 1: your spirits team, what's the what's the spirits are team

1402
01:02:33,600 --> 01:02:34,800
Speaker 1: the Spears. What are they call it?

1403
01:02:35,400 --> 01:02:36,479
Speaker 3: It's the Free Brittany movement.

1404
01:02:36,520 --> 01:02:39,720
Speaker 9: I don't know, she don't have a team like Rihanna got,

1405
01:02:39,720 --> 01:02:41,600
Speaker 9: the Navy beyond got to be high with Brittany got.

1406
01:02:42,520 --> 01:02:42,920
Speaker 3: I don't know.

1407
01:02:42,960 --> 01:02:44,919
Speaker 5: I just know I came around the Free Britney movement

1408
01:02:45,280 --> 01:02:46,880
Speaker 5: time on. They called now that she freeze.

1409
01:02:46,960 --> 01:02:48,640
Speaker 9: I understand the concern, but you know, it's just a

1410
01:02:48,680 --> 01:02:50,640
Speaker 9: little dog pulling the mansion allegedly.

1411
01:02:50,920 --> 01:02:51,520
Speaker 14: But she has a.

1412
01:02:51,520 --> 01:02:53,440
Speaker 4: Boyfriend, and she had a boyfriend at one time. Somebody

1413
01:02:53,440 --> 01:02:54,720
Speaker 4: has to be coming in and out of the house.

1414
01:02:55,000 --> 01:02:55,400
Speaker 1: Somebody.

1415
01:02:55,520 --> 01:02:58,080
Speaker 5: Yeah, well, so, yeah, she was with she was with

1416
01:02:58,480 --> 01:03:01,680
Speaker 5: sam Asguary. They separate that that was like a whole

1417
01:03:01,720 --> 01:03:03,840
Speaker 5: thing that she was. Yeah, she's you know, she's been

1418
01:03:03,880 --> 01:03:06,280
Speaker 5: living her life. But I don't know. I can't answer

1419
01:03:06,320 --> 01:03:08,240
Speaker 5: that question of why no one has coming and cleaned,

1420
01:03:08,320 --> 01:03:09,800
Speaker 5: but I will say fans were concerned.

1421
01:03:09,840 --> 01:03:12,840
Speaker 3: And now.

1422
01:03:16,960 --> 01:03:20,439
Speaker 5: Me moving on, So another report speaking of mansions, because

1423
01:03:20,480 --> 01:03:22,800
Speaker 5: this all started at Kylie Jenner's mansion and now we

1424
01:03:22,880 --> 01:03:26,440
Speaker 5: are here. So Megda Stallion, there are reports right now

1425
01:03:26,520 --> 01:03:30,640
Speaker 5: that in the Megda Stallion defamation case against a blogger,

1426
01:03:31,080 --> 01:03:34,440
Speaker 5: uh that Kylie Jenner and Joe Budden will potentially be

1427
01:03:34,480 --> 01:03:36,720
Speaker 5: called to the stand because they have been listed on

1428
01:03:36,840 --> 01:03:41,440
Speaker 5: a witness list. Now this is well for Kylie Jenner people.

1429
01:03:41,640 --> 01:03:45,200
Speaker 5: You know, everything started at her home. So yeah, so

1430
01:03:45,240 --> 01:03:49,080
Speaker 5: there's a blogger, her name is Milograms and uh, this.

1431
01:03:49,000 --> 01:03:50,400
Speaker 3: Blogger, I'm sorry Malagro.

1432
01:03:50,920 --> 01:03:54,800
Speaker 5: Milagro actually has been reporting on different things and Megda

1433
01:03:54,840 --> 01:03:58,360
Speaker 5: Stallion is alleging that she only reports negative things. And

1434
01:03:58,520 --> 01:04:00,360
Speaker 5: there's a whole it's a whole defamation case that she's

1435
01:04:00,400 --> 01:04:03,560
Speaker 5: working allegedly with Tory Lanes to disparature in the media.

1436
01:04:03,640 --> 01:04:05,840
Speaker 3: So basically the defensive side.

1437
01:04:05,880 --> 01:04:09,600
Speaker 5: So Malagro's side wants to call certain people to the

1438
01:04:09,600 --> 01:04:12,360
Speaker 5: witness list because they're trying to establish their storyline. And

1439
01:04:12,360 --> 01:04:15,320
Speaker 5: I'm assuming they're calling Kylie because everything or with Tory

1440
01:04:15,440 --> 01:04:19,320
Speaker 5: Lanes and Megda Science started at Kylie's house, you know,

1441
01:04:19,440 --> 01:04:21,400
Speaker 5: the pool and then the car and all the things.

1442
01:04:21,480 --> 01:04:22,920
Speaker 3: I'm not with Joe Budden.

1443
01:04:23,080 --> 01:04:25,320
Speaker 5: I believe it's just you know, probably about like reports

1444
01:04:25,440 --> 01:04:29,040
Speaker 5: in different conversations that he's had on platforms. But yeah,

1445
01:04:29,280 --> 01:04:31,280
Speaker 5: but witness lists, I will say, just because your listen

1446
01:04:31,320 --> 01:04:32,720
Speaker 5: doesn't mean you have to show up, or you do

1447
01:04:32,760 --> 01:04:33,240
Speaker 5: show up.

1448
01:04:33,200 --> 01:04:35,000
Speaker 1: Isn't Aiden Ross on it too? I see they were

1449
01:04:35,000 --> 01:04:35,720
Speaker 1: trying to serve him.

1450
01:04:36,320 --> 01:04:38,440
Speaker 5: So I did see that Aiden Ross mentioned in the

1451
01:04:38,480 --> 01:04:41,160
Speaker 5: stream that he was trying to be served or they

1452
01:04:41,160 --> 01:04:43,000
Speaker 5: were trying to serve him allegedly, and this was done

1453
01:04:43,000 --> 01:04:46,080
Speaker 5: through like a band that showed up to a property

1454
01:04:46,120 --> 01:04:48,560
Speaker 5: that he has. But I reached out to confirm that

1455
01:04:48,560 --> 01:04:50,960
Speaker 5: that was actually in relation to this case, and from

1456
01:04:50,960 --> 01:04:52,920
Speaker 5: what I was told, I'm not clear on whether it

1457
01:04:52,920 --> 01:04:55,520
Speaker 5: was in relation. But he did say himself that that

1458
01:04:55,600 --> 01:05:00,360
Speaker 5: was what happened. Yeah, So well, I guess, see what

1459
01:05:00,400 --> 01:05:01,760
Speaker 5: happens here and see who gets up saying. But I

1460
01:05:01,760 --> 01:05:03,760
Speaker 5: know in the beginning of a Tory Lanez and Megdae

1461
01:05:03,760 --> 01:05:07,000
Speaker 5: Stallion's case, the original case which Tory is now locked

1462
01:05:07,040 --> 01:05:10,560
Speaker 5: up for, Kylie Jenner was listed on a potential witness

1463
01:05:10,640 --> 01:05:12,280
Speaker 5: list and that didn't happen.

1464
01:05:12,280 --> 01:05:13,720
Speaker 3: They didn't let her come in to court.

1465
01:05:14,320 --> 01:05:15,919
Speaker 1: All right, what else you got, man?

1466
01:05:16,000 --> 01:05:18,080
Speaker 4: What about Kay? I see Kyle's not doing big things

1467
01:05:18,160 --> 01:05:19,120
Speaker 4: on the stream.

1468
01:05:19,360 --> 01:05:20,400
Speaker 3: Yeah, so we do have Kai.

1469
01:05:20,520 --> 01:05:22,800
Speaker 1: So this is what day six, Day seven or something

1470
01:05:22,800 --> 01:05:23,360
Speaker 1: like that. Day eight.

1471
01:05:24,320 --> 01:05:25,120
Speaker 3: Let me tell you something.

1472
01:05:25,160 --> 01:05:27,360
Speaker 5: At this point, Kyle s NAT's dream is like it's

1473
01:05:27,400 --> 01:05:29,680
Speaker 5: like the New Variety show. Everybody's there, a boy's pulling

1474
01:05:29,760 --> 01:05:33,160
Speaker 5: up so over the Over the last couple days, KYS

1475
01:05:33,200 --> 01:05:35,800
Speaker 5: and I has had a few different guests on the stream,

1476
01:05:35,840 --> 01:05:39,320
Speaker 5: but recently he had Kiki Palmer, but they thought she

1477
01:05:39,400 --> 01:05:40,160
Speaker 5: was Mary J. Blige.

1478
01:05:40,240 --> 01:05:42,080
Speaker 3: Let's say a listen, it makes something.

1479
01:05:41,880 --> 01:05:48,360
Speaker 1: Happen, real, real love.

1480
01:05:49,280 --> 01:05:58,680
Speaker 14: Someone that's at my heart free, you know it's me

1481
01:05:59,000 --> 01:06:02,680
Speaker 14: Mary J's.

1482
01:06:05,160 --> 01:06:08,080
Speaker 9: That's my type of carrying on. Kigy just fell right

1483
01:06:08,120 --> 01:06:10,880
Speaker 9: into it. Kiky just fell right into it. She ain't

1484
01:06:10,880 --> 01:06:13,000
Speaker 9: try to correct the young man. She's just like, Nope,

1485
01:06:13,000 --> 01:06:13,360
Speaker 9: that's me.

1486
01:06:13,480 --> 01:06:15,800
Speaker 1: You see somebody mom texting me like that's not married BLI.

1487
01:06:17,040 --> 01:06:18,520
Speaker 5: Yeah, but it made me feel I don't know why.

1488
01:06:18,520 --> 01:06:21,200
Speaker 5: That made me feel old because he thought that people

1489
01:06:21,760 --> 01:06:25,480
Speaker 5: you didn't know the ka is the younger, the young

1490
01:06:25,600 --> 01:06:27,800
Speaker 5: like one of the younger streamers that hangs with Kaye.

1491
01:06:28,240 --> 01:06:33,000
Speaker 9: But you old compared to them, thirteen years older than them.

1492
01:06:33,080 --> 01:06:37,440
Speaker 1: Yes, you're old compared to them. You're old, right, And

1493
01:06:37,440 --> 01:06:39,360
Speaker 1: I'm sure he made no disrespect. He really thought that

1494
01:06:39,440 --> 01:06:42,760
Speaker 1: was Mary. You are a d s U alumni, A right,

1495
01:06:43,760 --> 01:06:49,720
Speaker 1: there's young alumni to one of them. Okay, hold you

1496
01:06:49,760 --> 01:06:52,800
Speaker 1: thirty four thirty six. You thirty four thirty six.

1497
01:06:53,120 --> 01:06:55,400
Speaker 3: I'm thirty three. What is happening right now?

1498
01:06:55,400 --> 01:06:57,640
Speaker 1: How do we get Okay, I'm a year off, all right? Man,

1499
01:06:57,840 --> 01:06:58,360
Speaker 1: So you're.

1500
01:06:58,240 --> 01:07:01,000
Speaker 3: Thirteen thirty three and young alumni.

1501
01:07:01,120 --> 01:07:04,280
Speaker 5: Don't do that nothing about you being fifty two and

1502
01:07:04,520 --> 01:07:05,000
Speaker 5: fifty one.

1503
01:07:05,000 --> 01:07:07,200
Speaker 9: And I am happy to be this age, okay, but

1504
01:07:07,280 --> 01:07:09,080
Speaker 9: you are not young alumni and I'm not fifty two

1505
01:07:09,120 --> 01:07:09,840
Speaker 9: young forty seven.

1506
01:07:10,240 --> 01:07:12,480
Speaker 1: Okay, you'll know what I'm right, trust.

1507
01:07:12,200 --> 01:07:17,160
Speaker 4: Me, Yeah, you'll know when I'm going to I'm pulling

1508
01:07:17,160 --> 01:07:20,000
Speaker 4: straight lay anything.

1509
01:07:19,960 --> 01:07:20,360
Speaker 1: All right.

1510
01:07:21,000 --> 01:07:22,800
Speaker 3: You don't tell your age, and you don't tell your

1511
01:07:22,840 --> 01:07:23,520
Speaker 3: true hair color.

1512
01:07:23,760 --> 01:07:27,840
Speaker 1: Damn wow, did drop on the lad That's what I'm

1513
01:07:27,880 --> 01:07:30,480
Speaker 1: talking about. Lauren called out the Dominican for the lining,

1514
01:07:30,640 --> 01:07:32,800
Speaker 1: all right, because when I said, I just sound like

1515
01:07:32,840 --> 01:07:35,120
Speaker 1: I'm hating you are already Maybe you a coming in

1516
01:07:35,120 --> 01:07:41,120
Speaker 1: here with that thing drawing on. Excuse me what you say?

1517
01:07:42,040 --> 01:07:43,880
Speaker 5: I said, you hating because you can't find your lining.

1518
01:07:44,200 --> 01:07:46,040
Speaker 5: It's never it's not there. We ain't seen it in

1519
01:07:46,080 --> 01:07:46,880
Speaker 5: a few years.

1520
01:07:47,640 --> 01:07:49,400
Speaker 4: This place is nasty, all right. Well, that is the

1521
01:07:49,480 --> 01:07:51,400
Speaker 4: latest with Lauren Charlane, who giving a donkey too.

1522
01:07:51,560 --> 01:07:54,000
Speaker 9: Before after the hour we need a junior sender the

1523
01:07:54,080 --> 01:07:56,280
Speaker 9: name Eric Schmidt to come to the front of the congregation.

1524
01:07:56,360 --> 01:07:58,280
Speaker 4: We'd like to have a word with him. All right,

1525
01:07:58,360 --> 01:08:00,320
Speaker 4: we'll get to that next. It's the breakfast club morning.

1526
01:08:02,040 --> 01:08:09,080
Speaker 1: You're like to enter the breakfast club. It's time. Don't

1527
01:08:09,120 --> 01:08:16,479
Speaker 1: given of donkeys around here? Yes, you are a donkey?

1528
01:08:16,760 --> 01:08:17,240
Speaker 1: What the hell?

1529
01:08:18,160 --> 01:08:18,519
Speaker 3: What the he?

1530
01:08:21,800 --> 01:08:30,519
Speaker 1: Some donkey to days? Just saw himself? Oh man, Charla mane.

1531
01:08:30,560 --> 01:08:32,280
Speaker 1: Who you giving donady to do? Your name?

1532
01:08:33,080 --> 01:08:36,000
Speaker 9: Woa robh for nine donkey the day for two day

1533
01:08:36,000 --> 01:08:39,439
Speaker 9: September ninth, goes the Missouri senator junior No, Missouri Junior

1534
01:08:39,560 --> 01:08:41,760
Speaker 9: Senator Eric schmich okay.

1535
01:08:41,840 --> 01:08:42,000
Speaker 1: Now.

1536
01:08:42,120 --> 01:08:45,519
Speaker 9: Eric was speaking at the fifth Annual National Conservatism Conference

1537
01:08:45,520 --> 01:08:49,280
Speaker 9: in Washington, and he posed the question, the question is

1538
01:08:49,880 --> 01:08:53,920
Speaker 9: what is an American? Would you like to hear some

1539
01:08:54,040 --> 01:08:55,200
Speaker 9: of his answer, Let's listen.

1540
01:08:55,800 --> 01:08:59,679
Speaker 11: The Conninal Army soldiers dying of frost fight at Valley Forge.

1541
01:08:59,840 --> 01:09:03,519
Speaker 11: The pilgrims struggling to survive in the hard winter soil

1542
01:09:03,560 --> 01:09:07,000
Speaker 11: of Plymouth. The Pioneers striking out from Missouri for the

1543
01:09:07,040 --> 01:09:11,599
Speaker 11: wild and dangerous Frontier. The outnumbered Kentucky settlers repelling wave

1544
01:09:11,640 --> 01:09:14,760
Speaker 11: after wave of Indian war band attacks from beyond the

1545
01:09:14,760 --> 01:09:17,960
Speaker 11: stockade walls. All of them will be astonished to hear

1546
01:09:18,560 --> 01:09:20,880
Speaker 11: that they were only fighting for a proposition.

1547
01:09:21,439 --> 01:09:22,320
Speaker 1: They believed they.

1548
01:09:22,200 --> 01:09:26,200
Speaker 11: Were fighting for a nation, a homeland for themselves and

1549
01:09:26,320 --> 01:09:31,360
Speaker 11: their descendants. They fought, they bled, they struggled, they died

1550
01:09:31,479 --> 01:09:35,280
Speaker 11: for us. They built this country for us. America, in

1551
01:09:35,400 --> 01:09:39,080
Speaker 11: all its glory, is their gift to us, handed down

1552
01:09:39,200 --> 01:09:43,280
Speaker 11: across the generations. It belongs to us. It's our birthright.

1553
01:09:43,479 --> 01:09:47,839
Speaker 11: It's our heritage, our destiny. If America is everything and everyone,

1554
01:09:47,920 --> 01:09:50,080
Speaker 11: then it is nothing and no one at all. When

1555
01:09:50,080 --> 01:09:53,280
Speaker 11: they tear down our statues and monuments, mock our history,

1556
01:09:53,680 --> 01:09:58,040
Speaker 11: and insult our traditions, they're attacking our future as well

1557
01:09:58,080 --> 01:10:02,600
Speaker 11: as our past by changing this stories we tell about ourselves.

1558
01:10:03,080 --> 01:10:05,680
Speaker 11: They believe they can build a new America with the

1559
01:10:05,760 --> 01:10:09,839
Speaker 11: new myths, new people. But America doesn't belong to them.

1560
01:10:10,120 --> 01:10:13,719
Speaker 11: It belongs to us. It's our home. It's a heritage

1561
01:10:13,720 --> 01:10:16,200
Speaker 11: and trusted to us by our ancestors. It's a way

1562
01:10:16,240 --> 01:10:19,720
Speaker 11: of life that is ours and only ours. If we disappear,

1563
01:10:20,280 --> 01:10:23,120
Speaker 11: then America, too will cease to exist.

1564
01:10:25,040 --> 01:10:27,160
Speaker 1: There's a lot there. Let's unpack.

1565
01:10:27,640 --> 01:10:31,400
Speaker 9: Let's discuss if America is everything and everyone, then it

1566
01:10:31,479 --> 01:10:33,240
Speaker 9: is nothing at all. If you listen to what I

1567
01:10:33,360 --> 01:10:38,000
Speaker 9: just played, Senator Schmidt kept saying America doesn't belong to them,

1568
01:10:38,040 --> 01:10:40,320
Speaker 9: it belongs to us. He said, America is a nation

1569
01:10:40,920 --> 01:10:44,479
Speaker 9: and a people with its own distinct history and heritage

1570
01:10:44,479 --> 01:10:49,280
Speaker 9: and interest. Listen, man, there are some white people, I said,

1571
01:10:49,439 --> 01:10:52,439
Speaker 9: some white people in this country who believe in white

1572
01:10:52,479 --> 01:10:54,519
Speaker 9: replacement theory. Okay, I don't have time to tell you

1573
01:10:54,560 --> 01:10:56,720
Speaker 9: what white replacement theory is, but it's the claim that

1574
01:10:57,000 --> 01:11:01,320
Speaker 9: white populations are deliberately being replaced by non white people.

1575
01:11:01,439 --> 01:11:04,960
Speaker 9: Not to mention, the Census Project back in twenty eighteen

1576
01:11:05,000 --> 01:11:08,120
Speaker 9: projected that white people will become the minority by twenty

1577
01:11:08,280 --> 01:11:11,479
Speaker 9: forty five. Ever since that came out, okay, the plan

1578
01:11:11,520 --> 01:11:14,839
Speaker 9: has been in motion by some white people to ensure

1579
01:11:15,080 --> 01:11:17,000
Speaker 9: that don't happen. You know, I love putting on my

1580
01:11:17,080 --> 01:11:21,200
Speaker 9: tenfoil pooh shisty mask. Okay, I love a good conspiracy theory.

1581
01:11:21,200 --> 01:11:24,519
Speaker 9: But when that census project came out, and prior to that,

1582
01:11:24,760 --> 01:11:27,240
Speaker 9: getting eight years of a black president, then they turned

1583
01:11:27,240 --> 01:11:30,240
Speaker 9: around and almost elected a woman. Some white male said

1584
01:11:30,479 --> 01:11:37,439
Speaker 9: no way, hose, literally, no Jose, no, Julio, no one,

1585
01:11:38,000 --> 01:11:41,960
Speaker 9: no jamal okay, no, come on out.

1586
01:11:42,240 --> 01:11:42,439
Speaker 6: Now.

1587
01:11:42,520 --> 01:11:44,799
Speaker 1: I see the headline. I see the headline going around

1588
01:11:44,800 --> 01:11:47,800
Speaker 1: on Instagram. It says Eric Schmidt says America is for

1589
01:11:47,880 --> 01:11:51,080
Speaker 1: white people only. Now everybody is gonna run with that headline,

1590
01:11:51,160 --> 01:11:53,639
Speaker 1: and then Eric's gonna go on Fox News and say

1591
01:11:53,640 --> 01:11:56,400
Speaker 1: the radical left is losing their woke minds.

1592
01:11:56,720 --> 01:11:59,519
Speaker 9: I never said that, and he's right, he didn't. But

1593
01:11:59,600 --> 01:12:00,200
Speaker 9: here's the thing.

1594
01:12:00,640 --> 01:12:04,320
Speaker 1: He never said who us is? And that's the game. Okay,

1595
01:12:04,360 --> 01:12:08,120
Speaker 1: when a politician leaves us undefined, it's because they know

1596
01:12:08,280 --> 01:12:11,320
Speaker 1: exactly who they're talking to, and the people he's talking

1597
01:12:11,400 --> 01:12:14,760
Speaker 1: to they know that messages for them as well. And

1598
01:12:14,840 --> 01:12:22,439
Speaker 1: spoiler alert, if you're black, brown, legal, immigrant, LGBT, envy, Jewish, Muslim,

1599
01:12:22,520 --> 01:12:24,080
Speaker 1: chances are you not in that either?

1600
01:12:24,280 --> 01:12:27,200
Speaker 9: Okay, you not in that us? All right, that's all

1601
01:12:27,320 --> 01:12:30,479
Speaker 9: Eric Schmidt just gave. Okay, he gave us. Are they

1602
01:12:30,560 --> 01:12:33,120
Speaker 9: not like us? With absolutely zero seasoning?

1603
01:12:33,320 --> 01:12:37,000
Speaker 1: Okay, what happened to America being conceived in liberty and

1604
01:12:37,040 --> 01:12:40,920
Speaker 1: dedicated to the proposition that all men are created equal? Okay?

1605
01:12:40,960 --> 01:12:43,439
Speaker 9: What happened to America being inclusive? I mean it never

1606
01:12:43,479 --> 01:12:45,960
Speaker 9: really was, but damn it. At least we was fake trying.

1607
01:12:46,240 --> 01:12:46,760
Speaker 1: Okay.

1608
01:12:47,120 --> 01:12:50,120
Speaker 9: Now you got people like Eric Schmidt saying straight up

1609
01:12:50,160 --> 01:12:51,960
Speaker 9: this country is for us, and he's.

1610
01:12:51,760 --> 01:12:56,360
Speaker 1: Saying it over and over and over again. That's not inclusive.

1611
01:12:56,800 --> 01:12:57,960
Speaker 1: That's exclusive.

1612
01:12:58,200 --> 01:13:01,360
Speaker 9: And when you're speaking at a national can servatism conference,

1613
01:13:01,400 --> 01:13:05,800
Speaker 9: forgive us if we think US starts sounding like shorthand

1614
01:13:06,080 --> 01:13:08,920
Speaker 9: for white males only. Okay, by the way, no matter

1615
01:13:08,920 --> 01:13:12,400
Speaker 9: how much you attempt to clarify this, it's gonna sound

1616
01:13:12,400 --> 01:13:16,000
Speaker 9: like racially coded rhetoric straight out that we want segregation again,

1617
01:13:16,080 --> 01:13:19,280
Speaker 9: starter pack. Okay, the US you talking about aren't the

1618
01:13:19,320 --> 01:13:21,800
Speaker 9: ones who make the best tackles on Tuesday and jerk

1619
01:13:21,840 --> 01:13:24,400
Speaker 9: chicken on Saturday. Okay, he's talking about the US that

1620
01:13:24,520 --> 01:13:26,920
Speaker 9: seasons food with a pinch of salt and a pinch

1621
01:13:27,000 --> 01:13:31,240
Speaker 9: of prayer. Okay, if America is everything and everyone is

1622
01:13:31,439 --> 01:13:33,040
Speaker 9: nothing at all, that's.

1623
01:13:32,840 --> 01:13:34,280
Speaker 1: What he said, didn't he say that? Can I hear

1624
01:13:34,320 --> 01:13:34,880
Speaker 1: that part again?

1625
01:13:35,400 --> 01:13:38,040
Speaker 11: They believe they can build a new America with the

1626
01:13:38,080 --> 01:13:42,040
Speaker 11: new myths, new people. But America doesn't belong to them.

1627
01:13:42,479 --> 01:13:46,040
Speaker 11: It belongs to us. It's our home, It's a heritage

1628
01:13:46,040 --> 01:13:48,519
Speaker 11: and trusted to us by our ancestors. It's a way

1629
01:13:48,560 --> 01:13:52,080
Speaker 11: of life that is ours and only ours. If we disappear,

1630
01:13:52,600 --> 01:13:54,960
Speaker 11: then America too will cease to exist.

1631
01:13:55,640 --> 01:13:56,880
Speaker 1: That's not is that we have the other part?

1632
01:13:58,080 --> 01:13:59,840
Speaker 9: Oh well, he had the line, he said, the line

1633
01:13:59,840 --> 01:14:03,360
Speaker 9: of America is everything and everyone, it's nothing at all.

1634
01:14:03,880 --> 01:14:04,120
Speaker 1: Eric.

1635
01:14:04,439 --> 01:14:10,599
Speaker 9: If America is not everything and everyone, then it's nothing

1636
01:14:10,640 --> 01:14:11,040
Speaker 9: at all.

1637
01:14:11,200 --> 01:14:14,160
Speaker 1: Okay. Where do we realize that we are the good,

1638
01:14:14,439 --> 01:14:18,679
Speaker 1: the bad, and the ugly, Okay, all wrapped in the one.

1639
01:14:18,760 --> 01:14:21,400
Speaker 1: That's what makes this That's what makes this country great. Okay.

1640
01:14:21,439 --> 01:14:25,880
Speaker 9: The hope for America is actually in our history, which

1641
01:14:25,880 --> 01:14:27,160
Speaker 9: is why I don't know why we keep trying to

1642
01:14:27,200 --> 01:14:31,880
Speaker 9: hide it. Okay, let's look at it, deal with it,

1643
01:14:32,400 --> 01:14:33,240
Speaker 9: and move forward.

1644
01:14:33,520 --> 01:14:35,719
Speaker 1: Okay. You can't heal what you don't reveal.

1645
01:14:35,800 --> 01:14:38,840
Speaker 9: The melting pot that is America is what makes this

1646
01:14:38,960 --> 01:14:40,400
Speaker 9: is what makes this country incredible.

1647
01:14:40,400 --> 01:14:40,639
Speaker 1: Okay.

1648
01:14:40,640 --> 01:14:42,800
Speaker 9: The great American melting pot filled with a little bit

1649
01:14:42,840 --> 01:14:45,639
Speaker 9: of everything is what makes this country amazing. And Eric,

1650
01:14:45,760 --> 01:14:48,240
Speaker 9: please don't gas like folks and backtrack on what you

1651
01:14:48,280 --> 01:14:52,160
Speaker 9: said and tell us that you know we saw you

1652
01:14:52,320 --> 01:14:55,280
Speaker 9: say something that you didn't say. Because when somebody keeps

1653
01:14:55,280 --> 01:14:59,280
Speaker 9: saying America is for us, but never tells you who

1654
01:14:59,400 --> 01:14:59,800
Speaker 9: US is.

1655
01:15:00,080 --> 01:15:02,920
Speaker 1: Trust me, you already know who they talking about. Okay.

1656
01:15:02,920 --> 01:15:05,120
Speaker 9: If it don't sound like it includes you, then it

1657
01:15:05,120 --> 01:15:07,439
Speaker 9: probably doesn't. And that's why we got to call this

1658
01:15:07,520 --> 01:15:12,000
Speaker 9: language what it is, coded racism wrapped up in patriotism. Okay,

1659
01:15:12,040 --> 01:15:14,599
Speaker 9: America ain't supposed to be about us versus them.

1660
01:15:14,840 --> 01:15:17,720
Speaker 1: It's supposed to be about we the people. But some

1661
01:15:17,840 --> 01:15:21,120
Speaker 1: folks like Eric don't want we. They just want us.

1662
01:15:21,600 --> 01:15:27,120
Speaker 1: And anyone who doesn't want us together, well they don't

1663
01:15:27,120 --> 01:15:31,200
Speaker 1: believe in America anyway at all. Please give junior Senator

1664
01:15:31,400 --> 01:15:32,439
Speaker 1: from Eric Schmidt.

1665
01:15:32,680 --> 01:15:34,519
Speaker 9: Now, what if I keep saying that for Please give

1666
01:15:34,560 --> 01:15:37,519
Speaker 9: the junior Senator Eric Schmidt the biggest he hall.

1667
01:15:42,120 --> 01:15:46,000
Speaker 1: All right, it's for us. I'll thank you for that

1668
01:15:46,080 --> 01:15:48,439
Speaker 1: donkey today, But never tell us who the US is.

1669
01:15:50,640 --> 01:15:53,599
Speaker 1: Now what you know who they're talking about? Of course,

1670
01:15:53,840 --> 01:15:55,640
Speaker 1: if it don't sound like it includes you, then they

1671
01:15:55,680 --> 01:15:58,599
Speaker 1: probably don't. That's all I'm saying. No, that's all I'm saying.

1672
01:15:58,640 --> 01:16:00,320
Speaker 1: All Right, Well, thank you for that donkey. Day.

1673
01:16:00,360 --> 01:16:03,080
Speaker 4: Now let's open up the phone lines eight hundred five

1674
01:16:03,120 --> 01:16:04,880
Speaker 4: eight five, one oh five one. We were having this

1675
01:16:04,920 --> 01:16:07,800
Speaker 4: convote yesterday during the latest with Lauren. We were talking

1676
01:16:07,800 --> 01:16:10,880
Speaker 4: about Carmelo his Hall of Fame speech.

1677
01:16:10,920 --> 01:16:12,840
Speaker 9: It was an incredible speech, dropping the clues bombs for

1678
01:16:12,880 --> 01:16:15,160
Speaker 9: Carmelo and amazing speech.

1679
01:16:15,240 --> 01:16:18,200
Speaker 1: One of my favorite Nicks ever? Why would you call

1680
01:16:18,280 --> 01:16:18,639
Speaker 1: him that?

1681
01:16:19,000 --> 01:16:19,040
Speaker 14: What?

1682
01:16:19,640 --> 01:16:24,360
Speaker 1: Oh? You said? Nick? My bad? Was like, why would

1683
01:16:24,360 --> 01:16:26,400
Speaker 1: you just say that? After what I just said, after

1684
01:16:26,439 --> 01:16:28,320
Speaker 1: what I just did give done today? Why would you

1685
01:16:28,360 --> 01:16:31,080
Speaker 1: just say my favorite nigga? Ever? I know I heard

1686
01:16:31,160 --> 01:16:34,040
Speaker 1: him wrong. I'm sorry New York Knicks. Yes, I understand.

1687
01:16:34,240 --> 01:16:36,240
Speaker 1: What's wrong with you? What's wrong with you? What's wrong

1688
01:16:36,280 --> 01:16:37,880
Speaker 1: with you? So? What is the question?

1689
01:16:37,920 --> 01:16:40,520
Speaker 4: We were talking about it and a question that everybody

1690
01:16:40,560 --> 01:16:43,160
Speaker 4: asked and we seen online and Charlemagne even asked yesterday,

1691
01:16:43,320 --> 01:16:46,679
Speaker 4: was he did not shout out lah?

1692
01:16:47,120 --> 01:16:47,200
Speaker 13: Oh?

1693
01:16:47,280 --> 01:16:47,519
Speaker 14: Yeah?

1694
01:16:47,600 --> 01:16:49,800
Speaker 1: Yeah? I asked why he didn't shout out yeah? I

1695
01:16:49,840 --> 01:16:50,439
Speaker 1: thought he did.

1696
01:16:50,560 --> 01:16:52,679
Speaker 3: I just I just I swear. I'm like, there's no way.

1697
01:16:52,840 --> 01:16:55,439
Speaker 5: He mentioned single mothers and the women in his life,

1698
01:16:55,479 --> 01:16:57,040
Speaker 5: like there's no way, but he didn't.

1699
01:16:58,040 --> 01:16:58,840
Speaker 1: So what is the question?

1700
01:16:58,960 --> 01:17:03,400
Speaker 4: Eight hundred five five one five one. I've seen it trending, Yes,

1701
01:17:03,479 --> 01:17:07,280
Speaker 4: Lauren being messy? Uh And the question is what Laurenssie.

1702
01:17:07,000 --> 01:17:09,360
Speaker 5: I'm just for me I just felt like at least

1703
01:17:09,360 --> 01:17:11,599
Speaker 5: a thank you or like, you know, because I think

1704
01:17:11,680 --> 01:17:14,280
Speaker 5: you know, she played a big role in holding it

1705
01:17:14,320 --> 01:17:16,479
Speaker 5: down so he could have the right mindset to go

1706
01:17:16,520 --> 01:17:17,720
Speaker 5: and do a lot of the things he did. I

1707
01:17:17,720 --> 01:17:20,320
Speaker 5: think that's that conversation happens a lot with the women

1708
01:17:20,360 --> 01:17:22,320
Speaker 5: being overlooked in those instances. So even if it wasn't

1709
01:17:22,360 --> 01:17:23,920
Speaker 5: La La, I would be saying this, I'm not being messy.

1710
01:17:23,960 --> 01:17:25,960
Speaker 5: I'm being a woman and being honest.

1711
01:17:26,040 --> 01:17:28,120
Speaker 4: So you're saying, he shouted out his coaches, he shouted

1712
01:17:28,160 --> 01:17:30,599
Speaker 4: out his peoples, he shouted out his moms, he shouted

1713
01:17:30,600 --> 01:17:32,760
Speaker 4: out his pops, he shouted at everybody around him.

1714
01:17:32,800 --> 01:17:35,120
Speaker 1: But you're asking, how can we just shout out his wife,

1715
01:17:35,200 --> 01:17:36,160
Speaker 1: his ex wife.

1716
01:17:36,320 --> 01:17:36,800
Speaker 13: His x y.

1717
01:17:36,920 --> 01:17:38,800
Speaker 3: I'm asking, you know, am I Tripp?

1718
01:17:38,800 --> 01:17:42,040
Speaker 5: And did La La deserve a thank you or something

1719
01:17:42,080 --> 01:17:44,080
Speaker 5: and acknowledgement of some sort in that Hall of Fame

1720
01:17:44,080 --> 01:17:45,880
Speaker 5: speech because of the role she played in his life

1721
01:17:45,920 --> 01:17:46,320
Speaker 5: and career.

1722
01:17:46,680 --> 01:17:49,200
Speaker 1: Okay, eight hundred five eight five one oh five one,

1723
01:17:49,240 --> 01:17:52,680
Speaker 1: let's discuss. It's the Breakfast Club. Good morning, the Breakfast

1724
01:17:52,680 --> 01:17:55,439
Speaker 1: Club Morning.

1725
01:17:55,479 --> 01:17:59,080
Speaker 4: Everybody is DJ Envyes hilarious, Charlamagne the guy.

1726
01:17:59,160 --> 01:18:01,160
Speaker 1: We are the Breakfast Club. Let's get to the latest

1727
01:18:01,160 --> 01:18:06,120
Speaker 1: with Lauren. Lauren be coming straight fas she gets them.

1728
01:18:06,280 --> 01:18:08,599
Speaker 1: Somebody that knows, somebody gets the details.

1729
01:18:08,880 --> 01:18:10,960
Speaker 3: I'm a girl that knows a little bit about everything.

1730
01:18:11,880 --> 01:18:14,439
Speaker 9: She'd be having the latest on you.

1731
01:18:13,800 --> 01:18:17,760
Speaker 1: The Latest with Lauren la Rosa. Sometimes you have fact,

1732
01:18:17,840 --> 01:18:19,960
Speaker 1: sometimes you have details. Sometimes you have a little bit

1733
01:18:19,960 --> 01:18:28,479
Speaker 1: of everything. The lad on the Breakfast Club talk to me, hell, hello, hello.

1734
01:18:29,360 --> 01:18:33,160
Speaker 9: This girl is retarded. You know, she has no idea

1735
01:18:33,200 --> 01:18:34,720
Speaker 9: that we're on the air right now. She got her

1736
01:18:34,760 --> 01:18:37,080
Speaker 9: head down. Moody text her man.

1737
01:18:37,520 --> 01:18:42,360
Speaker 1: Lauren, Hello, Lawn, Lauren. Yes, we're live. You know we live.

1738
01:18:42,439 --> 01:18:45,719
Speaker 1: We're live. What an embarrassment you are?

1739
01:18:46,120 --> 01:18:51,840
Speaker 9: Radio wanted embarrassment, Radio Jesus as you as you broadcast

1740
01:18:51,960 --> 01:18:53,120
Speaker 9: from your alma mater.

1741
01:18:54,120 --> 01:18:56,519
Speaker 6: Attention on what's.

1742
01:18:56,320 --> 01:18:58,120
Speaker 3: Your alma minter Charlagne, you got one?

1743
01:18:58,400 --> 01:19:01,200
Speaker 1: What does that really? Wait a minute. I have an

1744
01:19:01,200 --> 01:19:02,439
Speaker 1: honorary degree in scolans Sate.

1745
01:19:02,400 --> 01:19:08,479
Speaker 5: University campus for four years, completed credits, did classes, took tests.

1746
01:19:08,479 --> 01:19:10,040
Speaker 3: I don't want to hear nothing about that, so leave

1747
01:19:10,080 --> 01:19:10,519
Speaker 3: me alone.

1748
01:19:10,560 --> 01:19:12,920
Speaker 5: I was over here prepping for my segment because Delawares

1749
01:19:13,160 --> 01:19:14,920
Speaker 5: University has soald me to be well prepared as I

1750
01:19:14,960 --> 01:19:15,960
Speaker 5: put my mark on the world.

1751
01:19:16,040 --> 01:19:16,920
Speaker 3: Do you have something to say.

1752
01:19:18,600 --> 01:19:24,400
Speaker 1: A couple of them? Wow? Wow, yeah, I know.

1753
01:19:26,439 --> 01:19:27,760
Speaker 3: We appreciate the honoraries.

1754
01:19:28,160 --> 01:19:29,160
Speaker 1: Yeah, for sure.

1755
01:19:31,880 --> 01:19:32,200
Speaker 3: Ready to.

1756
01:19:34,280 --> 01:19:40,720
Speaker 5: Okay, sorry, sorry, sorry.

1757
01:19:36,760 --> 01:19:38,240
Speaker 1: I listen.

1758
01:19:38,280 --> 01:19:41,040
Speaker 3: I was calling over to Jamaica. Okay, what.

1759
01:19:43,040 --> 01:19:45,200
Speaker 1: Come on? Reset, let's go? All right, go lord and go.

1760
01:19:46,560 --> 01:19:49,559
Speaker 5: So I did call over to Jamaica. There's a story

1761
01:19:49,680 --> 01:19:52,840
Speaker 5: that's going viral right now. Saint Andrew's High School for

1762
01:19:52,880 --> 01:19:56,599
Speaker 5: Girls over in Jamaica is a school that has posted

1763
01:19:56,640 --> 01:19:59,439
Speaker 5: online that the girls coming into their school are not

1764
01:19:59,479 --> 01:20:04,400
Speaker 5: allowed to you wear their edges laid so. The post says, reminder,

1765
01:20:04,479 --> 01:20:07,000
Speaker 5: students please be advised that weren't that The wearing of

1766
01:20:07,120 --> 01:20:11,679
Speaker 5: edges is now officially banned on campus. Remember, curtains belong

1767
01:20:11,760 --> 01:20:14,920
Speaker 5: in the house, not on foreheads flooding emoji.

1768
01:20:15,320 --> 01:20:17,439
Speaker 1: Now, what's the science behind this? Lord? Like, what is

1769
01:20:17,479 --> 01:20:18,439
Speaker 1: the reason why?

1770
01:20:18,640 --> 01:20:18,760
Speaker 13: Like?

1771
01:20:18,800 --> 01:20:21,000
Speaker 1: I like, what's the what's the reason? Does it block

1772
01:20:21,040 --> 01:20:23,280
Speaker 1: their knowledge? Is it come in the curtains blocks your brain?

1773
01:20:23,439 --> 01:20:23,519
Speaker 6: Like?

1774
01:20:23,520 --> 01:20:25,080
Speaker 1: What's the problem.

1775
01:20:25,800 --> 01:20:27,960
Speaker 5: Well, they say that they want to keep their they

1776
01:20:28,000 --> 01:20:35,080
Speaker 5: want their girls to keep their looks neat in school. Ready,

1777
01:20:31,680 --> 01:20:37,560
Speaker 5: h Now, not your other people's I know you're not

1778
01:20:37,680 --> 01:20:40,040
Speaker 5: talking about mind maybe the girl. They felt like the

1779
01:20:40,080 --> 01:20:41,400
Speaker 5: girls were overdoing it a bit.

1780
01:20:41,479 --> 01:20:41,840
Speaker 3: I don't know.

1781
01:20:41,960 --> 01:20:43,600
Speaker 5: When I went over, they told me I had to

1782
01:20:43,640 --> 01:20:45,400
Speaker 5: talk to the principal, but the principle was preparing for

1783
01:20:45,439 --> 01:20:47,559
Speaker 5: a presentation right now, wouldn't get on the phone with me.

1784
01:20:47,760 --> 01:20:49,000
Speaker 3: The only thing I did find.

1785
01:20:48,800 --> 01:20:50,920
Speaker 4: Out was I can't believe you could call Jamaica this

1786
01:20:51,080 --> 01:20:54,000
Speaker 4: time in the morning, but ahead it's morning.

1787
01:20:54,040 --> 01:20:54,840
Speaker 3: They're starting school.

1788
01:20:54,880 --> 01:20:56,160
Speaker 4: But now, when you put it like that, I guess

1789
01:20:56,160 --> 01:20:59,040
Speaker 4: they want everything to be uniform. Just like in some schools,

1790
01:20:59,400 --> 01:21:01,800
Speaker 4: boys can have facial hair. They can't have mustaches, they

1791
01:21:01,840 --> 01:21:04,080
Speaker 4: can't have any type of facial hair. It's not allowed.

1792
01:21:04,080 --> 01:21:05,920
Speaker 4: I guess it's kind of like that high school.

1793
01:21:05,920 --> 01:21:08,920
Speaker 1: I don't blame you in high school.

1794
01:21:08,960 --> 01:21:11,640
Speaker 4: Not allowed to have a mustache in some schools.

1795
01:21:10,960 --> 01:21:13,519
Speaker 1: And that's Saint Andrew's High right, that's the name of

1796
01:21:13,520 --> 01:21:14,120
Speaker 1: the high school.

1797
01:21:14,520 --> 01:21:16,920
Speaker 5: Yes, it is called Yeah, it's Saint Andrew's High School

1798
01:21:16,960 --> 01:21:17,360
Speaker 5: for Girls.

1799
01:21:17,640 --> 01:21:18,599
Speaker 3: That is the name of the school.

1800
01:21:18,640 --> 01:21:22,080
Speaker 1: Saluta Nicole Slutha the Cole White, a good friend of us.

1801
01:21:22,360 --> 01:21:26,439
Speaker 1: That's her alma mater. Okay, I just found well, I saw.

1802
01:21:27,680 --> 01:21:30,559
Speaker 5: No they What they told me though, was that because

1803
01:21:30,560 --> 01:21:32,120
Speaker 5: I asked, well, what happens if the girls lay their

1804
01:21:32,160 --> 01:21:35,000
Speaker 5: edges didn't come to school despite your posting, they said

1805
01:21:35,000 --> 01:21:37,440
Speaker 5: that detention is the result.

1806
01:21:37,240 --> 01:21:40,080
Speaker 1: That's messed up. Now, I do think some people take

1807
01:21:40,120 --> 01:21:42,320
Speaker 1: too much time creating edges, like some of you all

1808
01:21:42,360 --> 01:21:44,679
Speaker 1: so busy the tangle in that last strand of babyhead

1809
01:21:44,720 --> 01:21:46,800
Speaker 1: with a fine tooth comb looking like an old ball

1810
01:21:46,880 --> 01:21:49,080
Speaker 1: white man, you know, with a comb over stretching that

1811
01:21:49,280 --> 01:21:52,160
Speaker 1: last strand like red riches make it seem like you

1812
01:21:52,160 --> 01:21:53,120
Speaker 1: got more edges than you've got.

1813
01:21:53,240 --> 01:21:55,400
Speaker 4: Now, that could be a distraction, Yeah, but I guess

1814
01:21:55,439 --> 01:21:57,720
Speaker 4: it's I guess it's a private school type of thing,

1815
01:21:57,760 --> 01:21:59,840
Speaker 4: and there's certain they want everything to be uniform. Like

1816
01:22:00,000 --> 01:22:02,200
Speaker 4: like I said, I remember when Logan played football in

1817
01:22:02,240 --> 01:22:04,080
Speaker 4: high school. They could not have a mustache or face.

1818
01:22:04,320 --> 01:22:06,439
Speaker 4: You had to shave it off. And I know sometimes

1819
01:22:06,439 --> 01:22:06,720
Speaker 4: I know.

1820
01:22:07,160 --> 01:22:10,479
Speaker 9: Edges though edges is part of your hair, like woman

1821
01:22:10,479 --> 01:22:12,800
Speaker 9: supposed to do. What is it not if you ain't

1822
01:22:12,800 --> 01:22:13,559
Speaker 9: got no edges.

1823
01:22:13,400 --> 01:22:15,880
Speaker 1: Like slick back? I guess like that's Lauren, what do

1824
01:22:15,920 --> 01:22:16,519
Speaker 1: you do with no edges?

1825
01:22:16,560 --> 01:22:20,240
Speaker 5: Learn you can slip them, slip them back like you

1826
01:22:20,280 --> 01:22:22,040
Speaker 5: don't happen. They don't have to slick down. You can

1827
01:22:22,040 --> 01:22:23,040
Speaker 5: slick them back, it's up to you.

1828
01:22:23,040 --> 01:22:23,840
Speaker 1: But I just I don't know.

1829
01:22:23,880 --> 01:22:26,040
Speaker 5: I never understand stuff like this because I feel like,

1830
01:22:26,080 --> 01:22:27,760
Speaker 5: I mean, that should be your personal choice of how

1831
01:22:27,800 --> 01:22:29,479
Speaker 5: you want to wear your hair. Like, I don't understand

1832
01:22:29,479 --> 01:22:32,559
Speaker 5: how it interrupts the learning process. But maybe there's something

1833
01:22:32,560 --> 01:22:34,280
Speaker 5: more that goes into it too, because some schools do

1834
01:22:34,520 --> 01:22:38,040
Speaker 5: uniforms because they want to stop one student from you know,

1835
01:22:38,080 --> 01:22:40,519
Speaker 5: maybe there's like a bullying thing happening, or we don't know.

1836
01:22:40,600 --> 01:22:42,280
Speaker 5: I did try to get the answer to that, but

1837
01:22:42,880 --> 01:22:45,200
Speaker 5: they're preparing for presentation, so shout out to their school

1838
01:22:45,560 --> 01:22:47,639
Speaker 5: and getting their students ready. They said back to school

1839
01:22:47,720 --> 01:22:49,120
Speaker 5: was happening. They got other things to focus on.

1840
01:22:49,200 --> 01:22:51,000
Speaker 9: Lauren just brought up a good point, because what is

1841
01:22:51,080 --> 01:22:52,680
Speaker 9: what about the bullying because you know, I don't know

1842
01:22:52,720 --> 01:22:54,280
Speaker 9: if that happens in high school, but there are a

1843
01:22:54,280 --> 01:22:56,720
Speaker 9: lot of women who don't have edges simply because they

1844
01:22:56,800 --> 01:22:59,559
Speaker 9: can't grow any like they have received the airline people.

1845
01:22:59,360 --> 01:23:01,839
Speaker 1: Bullying on your You cadn't grow here. Mhm.

1846
01:23:02,520 --> 01:23:04,040
Speaker 3: That is not what I meant.

1847
01:23:04,560 --> 01:23:06,040
Speaker 1: That's what I told her. What did you talk. What

1848
01:23:06,080 --> 01:23:06,880
Speaker 1: you mean when you say bullying.

1849
01:23:06,960 --> 01:23:10,920
Speaker 5: I meant because like different girls like their edges different ways,

1850
01:23:10,960 --> 01:23:13,719
Speaker 5: and sometimes the edges can be a little overdone, where

1851
01:23:13,760 --> 01:23:18,160
Speaker 5: like you laying too now you're learning laying it, like

1852
01:23:18,200 --> 01:23:20,000
Speaker 5: you laying it the wrong way. That's what I was

1853
01:23:20,080 --> 01:23:22,479
Speaker 5: maybe thinking. But again I'm speculating here because I didn't

1854
01:23:22,479 --> 01:23:23,200
Speaker 5: get answer.

1855
01:23:22,960 --> 01:23:23,400
Speaker 3: To the question.

1856
01:23:23,680 --> 01:23:25,560
Speaker 9: Well, I was thinking about the people who, you know,

1857
01:23:25,640 --> 01:23:27,559
Speaker 9: the young ladies who don't have no edges, like their

1858
01:23:27,560 --> 01:23:29,720
Speaker 9: forehead is a full court with no out of bounce lines.

1859
01:23:30,000 --> 01:23:32,040
Speaker 1: Like That's what I'm thinking about in this moment.

1860
01:23:32,080 --> 01:23:34,000
Speaker 4: Yeah, sometimes it looks stupid, like when they sometimes when

1861
01:23:34,000 --> 01:23:35,519
Speaker 4: the edges come down to your cheek and all, that.

1862
01:23:35,600 --> 01:23:36,280
Speaker 1: Just looks crazy.

1863
01:23:36,640 --> 01:23:39,840
Speaker 9: Yeah, man, But but I mean, but then I can

1864
01:23:39,880 --> 01:23:41,200
Speaker 9: see when you ain't got no edges and you can

1865
01:23:41,240 --> 01:23:42,920
Speaker 9: get you get bullied for it, you know what I'm saying.

1866
01:23:43,000 --> 01:23:45,080
Speaker 9: Like some you're calling yourself a queen, but your crown

1867
01:23:45,120 --> 01:23:46,439
Speaker 9: keep slipping because they ain't got no grip.

1868
01:23:46,520 --> 01:23:48,280
Speaker 1: You stupid? But is it more understandable?

1869
01:23:48,320 --> 01:23:49,800
Speaker 4: Let me ask you, Lawrence, since you are woman, it's

1870
01:23:49,800 --> 01:23:53,320
Speaker 4: it more understandable if they're trying to keep things uniform, right,

1871
01:23:53,360 --> 01:23:55,439
Speaker 4: like I said, like, you know, you know even with

1872
01:23:55,520 --> 01:23:57,519
Speaker 4: skirt size, his skirt size have to be this side.

1873
01:23:57,560 --> 01:24:00,200
Speaker 1: Socks have to be to this lens. Like there's certain

1874
01:23:59,280 --> 01:24:02,599
Speaker 1: thing why you work.

1875
01:24:02,479 --> 01:24:05,400
Speaker 9: About when I'm laughing, why you won't never let unk

1876
01:24:05,479 --> 01:24:06,160
Speaker 9: enjoy yourself?

1877
01:24:06,720 --> 01:24:09,320
Speaker 3: Ain't nothing in Envy's question funny.

1878
01:24:10,240 --> 01:24:11,080
Speaker 1: Just answer them listening.

1879
01:24:11,680 --> 01:24:13,400
Speaker 5: I don't think there's anything that you're trying to keep

1880
01:24:13,439 --> 01:24:17,080
Speaker 5: things uniform. But I'm always gonna ask questions when anybody

1881
01:24:17,320 --> 01:24:20,559
Speaker 5: is trying to police away a physical appearance of a person,

1882
01:24:20,960 --> 01:24:23,720
Speaker 5: especially woman in her hair, Like I just personally, I

1883
01:24:23,800 --> 01:24:25,600
Speaker 5: just my first question, why would do the edges do?

1884
01:24:25,800 --> 01:24:27,840
Speaker 5: Like what does that? You know, my niece loves the

1885
01:24:27,920 --> 01:24:30,240
Speaker 5: lay edges. I'll be telling her she kind of got

1886
01:24:30,240 --> 01:24:32,080
Speaker 5: to relax a little bit. But you know, that's the

1887
01:24:32,080 --> 01:24:33,280
Speaker 5: thing that the girls are doing.

1888
01:24:33,640 --> 01:24:36,559
Speaker 9: So but people are saying that if you're not from Jamaica,

1889
01:24:36,600 --> 01:24:39,360
Speaker 9: you wouldn't understand because their schools are very.

1890
01:24:39,120 --> 01:24:42,120
Speaker 1: Traditional and they have a lot of different rules.

1891
01:24:42,120 --> 01:24:44,559
Speaker 4: So you know, but I wonder how that is because

1892
01:24:44,560 --> 01:24:46,519
Speaker 4: you know, sometimes you know, in certain schools you weren't

1893
01:24:46,520 --> 01:24:48,960
Speaker 4: allowed to have dreads. Remember that that that dreads were

1894
01:24:48,960 --> 01:24:50,680
Speaker 4: banned and you couldn't have dreads and they changed that

1895
01:24:51,120 --> 01:24:51,920
Speaker 4: a couple of years ago.

1896
01:24:51,960 --> 01:24:53,519
Speaker 1: So I just feel like you're putting too much pressure

1897
01:24:53,520 --> 01:24:55,559
Speaker 1: on on these young ladies to have to care about

1898
01:24:55,600 --> 01:24:58,240
Speaker 1: something else that you know, you really shouldn't have to

1899
01:24:58,280 --> 01:25:00,320
Speaker 1: think about, right other than once you do your head

1900
01:25:00,320 --> 01:25:02,200
Speaker 1: come to school like this is your hair stopping you

1901
01:25:02,200 --> 01:25:04,320
Speaker 1: from learning? Is it distracting other kids?

1902
01:25:04,680 --> 01:25:04,760
Speaker 6: Like?

1903
01:25:04,840 --> 01:25:08,320
Speaker 9: Who cares whether you have veges? That don't have veges? Okay,

1904
01:25:08,600 --> 01:25:10,720
Speaker 9: all right, I just know we couldn't do that up there.

1905
01:25:11,000 --> 01:25:14,920
Speaker 5: Huh what would you do if they started being in

1906
01:25:14,960 --> 01:25:16,160
Speaker 5: color spread iHeart?

1907
01:25:16,400 --> 01:25:21,439
Speaker 1: Oh damn, Lauren shooting this one dropping Lauren, Damn. I'm

1908
01:25:21,439 --> 01:25:23,519
Speaker 1: not gonna lie. You do look stupid. I mean you

1909
01:25:23,560 --> 01:25:26,200
Speaker 1: know it's been looking stupid alway.

1910
01:25:27,240 --> 01:25:29,519
Speaker 5: Your barbera pulls up on campus a lot. If your

1911
01:25:29,560 --> 01:25:33,280
Speaker 5: barber couldn't pull up and save the racer of that, well.

1912
01:25:33,280 --> 01:25:35,479
Speaker 9: See the difference is I don't try to I like

1913
01:25:35,560 --> 01:25:38,200
Speaker 9: having a baldy and just be I can No, you

1914
01:25:38,360 --> 01:25:40,960
Speaker 9: don't got a line that drew?

1915
01:25:42,520 --> 01:25:43,400
Speaker 3: Was it for excellence?

1916
01:25:43,400 --> 01:25:46,120
Speaker 5: Because these this school is making sure that they say

1917
01:25:46,200 --> 01:25:48,040
Speaker 5: this is their you know, level of excellence that they

1918
01:25:48,080 --> 01:25:50,360
Speaker 5: want for their young women was your baldy by choice

1919
01:25:50,439 --> 01:25:51,639
Speaker 5: or that was your choice of excellence.

1920
01:25:51,640 --> 01:25:54,400
Speaker 1: I don't have no edges, so I decided to go ball.

1921
01:25:54,479 --> 01:25:57,840
Speaker 1: All right, guys. V NB ain't got no edges, but

1922
01:25:57,880 --> 01:26:00,160
Speaker 1: he decided to let somebody draw a line on. I

1923
01:26:00,200 --> 01:26:01,880
Speaker 1: do have my ed that's just sketch a line on.

1924
01:26:01,960 --> 01:26:03,880
Speaker 1: I do have my edges. But thank you very much.

1925
01:26:03,920 --> 01:26:05,840
Speaker 1: That is the latest with Lauren. You know, we can

1926
01:26:05,840 --> 01:26:06,439
Speaker 1: see you right.

1927
01:26:07,960 --> 01:26:11,280
Speaker 4: About like it's like we see them look look. But anyway,

1928
01:26:11,880 --> 01:26:14,000
Speaker 4: we got the people's choice mixed up. Next, Lauren is

1929
01:26:14,000 --> 01:26:19,240
Speaker 4: broadcasting from fourteenth grade. Delaware State University. Was just repet now,

1930
01:26:21,520 --> 01:26:27,639
Speaker 4: yeah club, good morning, everybody is DJA, n v jess hilarious,

1931
01:26:27,680 --> 01:26:29,639
Speaker 4: charlamage the god we are the breakfast club.

1932
01:26:29,760 --> 01:26:32,919
Speaker 1: Now Lauren lo Rosa. She's out at Delaware State University

1933
01:26:33,000 --> 01:26:33,719
Speaker 1: of Alma Mata.

1934
01:26:34,120 --> 01:26:37,959
Speaker 5: Yes out there. Yeah, so shout out to Delaware University.

1935
01:26:38,000 --> 01:26:40,519
Speaker 5: I'll be speaking at the convocation today, welcoming in the

1936
01:26:40,560 --> 01:26:43,879
Speaker 5: new student body. And I'm here at the Mascolm department

1937
01:26:43,920 --> 01:26:46,200
Speaker 5: at the d E s U Radio station, which is

1938
01:26:46,240 --> 01:26:48,800
Speaker 5: crazy because I don't remember the last time I was here,

1939
01:26:48,800 --> 01:26:49,400
Speaker 5: but it did not.

1940
01:26:49,400 --> 01:26:49,800
Speaker 1: Look like this.

1941
01:26:49,920 --> 01:26:52,760
Speaker 5: So they began changing things. And you know, miss Abra

1942
01:26:52,840 --> 01:26:55,599
Speaker 5: Parene isn't here with me. She was the first class

1943
01:26:55,640 --> 01:26:58,880
Speaker 5: I ever had in college. And then one of the

1944
01:26:58,880 --> 01:27:01,000
Speaker 5: engineers for the ready station isn't here with me as

1945
01:27:01,040 --> 01:27:01,280
Speaker 5: well too.

1946
01:27:01,320 --> 01:27:02,080
Speaker 3: He wanted to say hello.

1947
01:27:02,200 --> 01:27:03,880
Speaker 1: So image your question. You said you don't know the

1948
01:27:03,960 --> 01:27:06,559
Speaker 1: last time you've been there, Lauren, Why haven't you been there?

1949
01:27:06,840 --> 01:27:08,720
Speaker 3: I haven't been in the radio station. I've been on.

1950
01:27:09,360 --> 01:27:10,920
Speaker 3: I was here not too long ago.

1951
01:27:10,920 --> 01:27:13,040
Speaker 5: I come back here all the time, but I haven't

1952
01:27:13,080 --> 01:27:14,599
Speaker 5: been in the radio station in a while.

1953
01:27:15,000 --> 01:27:17,360
Speaker 1: Yeah, okay, what they're gonna do about that towel man?

1954
01:27:18,080 --> 01:27:19,200
Speaker 1: Don get some better signage?

1955
01:27:20,479 --> 01:27:22,240
Speaker 5: Yeah, you said you was gonna You said you was

1956
01:27:22,280 --> 01:27:23,719
Speaker 5: gonna do you want to come over here to see?

1957
01:27:23,960 --> 01:27:26,679
Speaker 3: Yeah, okay, come over here. You said y'all was gonna donate.

1958
01:27:26,840 --> 01:27:27,639
Speaker 3: Y'all been the job.

1959
01:27:27,840 --> 01:27:30,519
Speaker 1: I can't do nothing for the d s U Radio

1960
01:27:31,080 --> 01:27:33,000
Speaker 1: before I do it for South Carolina State? What did

1961
01:27:33,040 --> 01:27:34,200
Speaker 1: your step? And repeat? We got you.

1962
01:27:34,200 --> 01:27:36,639
Speaker 5: You have money, you gave you got an endowment fund

1963
01:27:36,640 --> 01:27:37,479
Speaker 5: at South Carolina State.

1964
01:27:37,560 --> 01:27:40,840
Speaker 1: Right, that's right? And you feeling your name?

1965
01:27:41,000 --> 01:27:43,840
Speaker 19: Good morning everyone in the breakfast club. My name is

1966
01:27:43,880 --> 01:27:46,240
Speaker 19: Kamarai shields a kids, total package. That might be the

1967
01:27:46,240 --> 01:27:48,080
Speaker 19: first time here in the same I promised it won't

1968
01:27:48,120 --> 01:27:51,519
Speaker 19: be last. Your manager here at the Issue Radio. We

1969
01:27:51,600 --> 01:27:52,880
Speaker 19: just want to say thank you, Lauren for.

1970
01:27:52,800 --> 01:27:55,320
Speaker 1: Stopping buying you into our facilities. Welcome home.

1971
01:27:55,560 --> 01:27:57,439
Speaker 5: Thank you. They've been here with me. Y'all been here

1972
01:27:57,439 --> 01:27:59,479
Speaker 5: since four thirty in the morning. Right hear and everything

1973
01:27:59,479 --> 01:27:59,880
Speaker 5: ready up?

1974
01:28:00,439 --> 01:28:03,759
Speaker 1: His radio name is a total package. Total package, Yes, sir, okay,

1975
01:28:03,800 --> 01:28:05,600
Speaker 1: saluting you. Man. You keep doing what you're doing. What

1976
01:28:05,600 --> 01:28:07,000
Speaker 1: do you ultimately want to do? Young brother?

1977
01:28:07,200 --> 01:28:09,880
Speaker 19: Ultimately I wanted to get in the voiceover It's been

1978
01:28:10,000 --> 01:28:12,200
Speaker 19: one of my biggest dreams. But honestly, being an on

1979
01:28:12,280 --> 01:28:15,519
Speaker 19: air personality is honestly inspired by you, Charlamagne, because it's

1980
01:28:15,520 --> 01:28:17,439
Speaker 19: been watching you ever since you were on Guy Code

1981
01:28:17,439 --> 01:28:19,840
Speaker 19: and watching how you always get back to the community.

1982
01:28:19,880 --> 01:28:21,599
Speaker 1: So you're one of my big inspirations. Man.

1983
01:28:21,640 --> 01:28:23,679
Speaker 9: I appreciate that, my brother, and I'm gonna tell you something.

1984
01:28:23,680 --> 01:28:27,320
Speaker 9: The voiceover world is a very dope world to be in.

1985
01:28:27,400 --> 01:28:29,479
Speaker 9: And it's interesting to hear you say that as a

1986
01:28:29,520 --> 01:28:31,920
Speaker 9: young person, because a lot of young people don't realize

1987
01:28:31,920 --> 01:28:34,720
Speaker 9: how much money you can make being a voiceover guy.

1988
01:28:34,880 --> 01:28:36,320
Speaker 9: You know what I'm saying. It's like you can make

1989
01:28:36,360 --> 01:28:38,000
Speaker 9: a lot of money being a voice over person. If

1990
01:28:38,000 --> 01:28:41,000
Speaker 9: you ever listen to like radio stations or certain commercial boys,

1991
01:28:41,120 --> 01:28:42,599
Speaker 9: like you know, we're probably making a lot of money

1992
01:28:42,640 --> 01:28:46,599
Speaker 9: right now. That dude that goes to Philly, I can't

1993
01:28:46,640 --> 01:28:50,160
Speaker 9: remember the name commercial me, Like, I know you do the.

1994
01:28:50,080 --> 01:28:52,719
Speaker 1: Top Lucky Lucky Lucky. He make a lot of money.

1995
01:28:52,720 --> 01:28:55,240
Speaker 19: Like Lucky Lucky makes back and he has his own

1996
01:28:55,360 --> 01:28:58,400
Speaker 19: recording studio and everything, and he always makes it off

1997
01:28:58,439 --> 01:29:01,040
Speaker 19: the dome. And I'm like, that is straight money I

1998
01:29:01,040 --> 01:29:01,639
Speaker 19: will make.

1999
01:29:01,840 --> 01:29:04,080
Speaker 9: And that can be you total package. Great, stay in

2000
01:29:04,120 --> 01:29:05,800
Speaker 9: that lane, brother, Good luck, brother.

2001
01:29:05,720 --> 01:29:08,000
Speaker 1: Thank you both. All right, man, anyway we can help you,

2002
01:29:08,040 --> 01:29:09,880
Speaker 1: we will. We're not like Lauren. That's right.

2003
01:29:09,960 --> 01:29:12,880
Speaker 3: He asks for the sign in here and some other things.

2004
01:29:13,040 --> 01:29:15,440
Speaker 19: You know, this spring was definitely hot with you, Charlamagne.

2005
01:29:15,520 --> 01:29:16,720
Speaker 19: You're talking about a sign here.

2006
01:29:16,880 --> 01:29:22,000
Speaker 1: I'm I'm I don't discuss problems without creating solutions. So

2007
01:29:22,000 --> 01:29:23,840
Speaker 1: we're gonna fit. We're gonna make We're gonna fix that.

2008
01:29:24,000 --> 01:29:25,800
Speaker 1: You're gonna fix that. We're gonna fix that. We're gonna

2009
01:29:25,840 --> 01:29:27,559
Speaker 1: hold you to it. I got you. We're gonna fix that.

2010
01:29:27,760 --> 01:29:29,400
Speaker 3: You ain't in person. He literally, it's not a lot

2011
01:29:29,479 --> 01:29:29,880
Speaker 3: to hold to.

2012
01:29:30,320 --> 01:29:32,840
Speaker 1: My goodness, all right, I'm definitely gonna do it, and

2013
01:29:32,840 --> 01:29:34,360
Speaker 1: I'm gonna do it just to spite Lauren, because I

2014
01:29:34,360 --> 01:29:37,000
Speaker 1: want her to walk into her college campus radio station

2015
01:29:37,080 --> 01:29:39,599
Speaker 1: all the time and have to think of me. She

2016
01:29:39,600 --> 01:29:43,519
Speaker 1: can't escape. She can't escape no matter where she goes.

2017
01:29:43,680 --> 01:29:47,639
Speaker 1: It's gonna pain her to hear people on campus say, damn, man,

2018
01:29:47,720 --> 01:29:49,960
Speaker 1: got us a nice sign, Lauren. Now the pressure is

2019
01:29:49,960 --> 01:29:50,800
Speaker 1: on you to do something.

2020
01:29:50,880 --> 01:29:56,040
Speaker 3: Lauren is here and Laura is doing everything.

2021
01:29:57,160 --> 01:29:59,360
Speaker 1: For her for the radio. Anyway, what do you say,

2022
01:29:59,400 --> 01:29:59,960
Speaker 1: go to the package.

2023
01:30:00,439 --> 01:30:02,160
Speaker 19: She's gonna be coming back soon enough so we can

2024
01:30:02,200 --> 01:30:04,240
Speaker 19: do a radio interview with her for here on the

2025
01:30:04,360 --> 01:30:04,960
Speaker 19: radio anyway.

2026
01:30:05,000 --> 01:30:06,160
Speaker 1: Oh dope, dope, that's dope.

2027
01:30:06,200 --> 01:30:08,400
Speaker 4: It's time to get up out of here now. Send

2028
01:30:08,439 --> 01:30:10,320
Speaker 4: all I love to everybody in Delaware State University.

2029
01:30:10,360 --> 01:30:10,559
Speaker 15: Lauren.

2030
01:30:10,600 --> 01:30:11,760
Speaker 1: I know we joke a lot, but you know we

2031
01:30:11,800 --> 01:30:13,120
Speaker 1: support the HBCUs.

2032
01:30:13,560 --> 01:30:15,120
Speaker 4: While you're down there, bring me back a helmet so

2033
01:30:15,120 --> 01:30:17,040
Speaker 4: I can have a helmet up here in the station.

2034
01:30:17,520 --> 01:30:19,280
Speaker 1: You know, God damn well, if she bring a helmet

2035
01:30:19,320 --> 01:30:20,920
Speaker 1: up here, that's gonna be one helmet. Short that the

2036
01:30:20,960 --> 01:30:23,479
Speaker 1: team's gonna have. You know they need all the helmets.

2037
01:30:24,080 --> 01:30:25,799
Speaker 1: You know they need all the helmets.

2038
01:30:26,040 --> 01:30:29,479
Speaker 5: You're right, Delaware State and we won our first game.

2039
01:30:29,560 --> 01:30:31,920
Speaker 3: Not to go shout out to Deshan Jackson.

2040
01:30:31,560 --> 01:30:32,040
Speaker 1: And the team.

2041
01:30:32,320 --> 01:30:34,840
Speaker 4: Congratulations though, But I'm serious. I want a helmet so

2042
01:30:34,880 --> 01:30:36,519
Speaker 4: I can play helmets up there. I've been trying to

2043
01:30:36,560 --> 01:30:39,000
Speaker 4: get a collect a bunch of HBCU helmets and put

2044
01:30:39,080 --> 01:30:39,960
Speaker 4: them up here in the studio.

2045
01:30:40,200 --> 01:30:42,880
Speaker 3: All right, frozen right now, But got you You.

2046
01:30:42,840 --> 01:30:43,639
Speaker 1: Got a positive note.

2047
01:30:43,680 --> 01:30:45,240
Speaker 9: I do have a positive note that comes from the

2048
01:30:45,240 --> 01:30:48,400
Speaker 9: Great Maya angelou Man. But first I want to tell

2049
01:30:48,400 --> 01:30:52,080
Speaker 9: people to please keep in mind. October eleventh, I'm doing

2050
01:30:52,120 --> 01:30:54,120
Speaker 9: my fifth annual Mental.

2051
01:30:53,800 --> 01:30:57,120
Speaker 1: Wealth Expo in Newark, New Jersey. Okay, it's gonna be at.

2052
01:30:57,080 --> 01:31:00,400
Speaker 9: The Joel and Diane Bloom Wellness and Events Center at

2053
01:31:00,400 --> 01:31:04,880
Speaker 9: the New Jersey Institute of Technology Saturday, October eleven from

2054
01:31:04,880 --> 01:31:06,760
Speaker 9: eleven am to four pm. It is an honor a

2055
01:31:06,800 --> 01:31:08,920
Speaker 9: World Mental Health Day. It is a day of mental

2056
01:31:08,920 --> 01:31:12,080
Speaker 9: health education and healing, and it is a free event.

2057
01:31:12,160 --> 01:31:13,720
Speaker 9: I would not even want to do this event if

2058
01:31:13,760 --> 01:31:16,560
Speaker 9: I couldn't do it for free. So go to mentalwealthexpo

2059
01:31:16,680 --> 01:31:18,240
Speaker 9: dot com register to attend.

2060
01:31:18,240 --> 01:31:21,240
Speaker 1: You don't have to register, but it is recommended.

2061
01:31:21,320 --> 01:31:24,320
Speaker 9: But we'll see y'all Saturday, October eleven, from eleven am

2062
01:31:24,360 --> 01:31:27,639
Speaker 9: to four pm. Joel and Diane Bloom Wellness and Event Center,

2063
01:31:27,760 --> 01:31:30,519
Speaker 9: New Jersey Institute of Technology in Newark, New Jersey. My

2064
01:31:30,560 --> 01:31:33,559
Speaker 9: fifth annual Mental Health Expo. Now the positive note comes

2065
01:31:33,560 --> 01:31:36,759
Speaker 9: from Maya Angelou. She said, if you don't like something,

2066
01:31:36,920 --> 01:31:39,719
Speaker 9: change it. If you can't change it, change your attitude

2067
01:31:39,720 --> 01:31:41,800
Speaker 9: about it. Have a blessed day, Breakfast Club.

2068
01:31:42,640 --> 01:31:43,760
Speaker 1: I'm finish for y'all. Done,