WEBVTT - One of the Good Guys with Sam Jaeger

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<v Speaker 1>Welcome everyone to this edition of Amy and TJ. Today,

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<v Speaker 1>we are talking to one of the biggest stars of

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<v Speaker 1>one of the biggest and all time greatest whose series.

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<v Speaker 1>And it's one of the only shows that TJ and

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<v Speaker 1>I don't watch together.

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<v Speaker 2>Why is that?

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<v Speaker 3>Uh, you know what? I don't know?

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<v Speaker 4>And I am so curious to hear what he thinks

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<v Speaker 4>about this, because, for whatever reason, it just naturally I

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<v Speaker 4>didn't gravitate towards this show. I respect it, I loved

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<v Speaker 4>the actors in it. Not Why did I not?

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<v Speaker 3>I really don't know.

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<v Speaker 1>I think it's because men are pretty dang evil. Most

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<v Speaker 1>of the men are like, ridiculously evil in this series.

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<v Speaker 2>Can I tell you how that could be intimidating to men.

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<v Speaker 4>I didn't know the plot of the show until recently.

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<v Speaker 4>You broke it all down for me, and I said, oh,

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<v Speaker 4>that's it.

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<v Speaker 1>Elizabeth moss Is is this star this show? Of course,

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<v Speaker 1>we're talking about the Second Tale. And you've watched a

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<v Speaker 1>lot of things that she's in.

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<v Speaker 2>You like her, you love her. You watch things when

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<v Speaker 2>you see an actor or an actress that you respect,

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<v Speaker 2>but you never I don't know we're drawn into this.

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<v Speaker 4>But you've gotten me on board now and I can't

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<v Speaker 4>wait to watch. But we're talking to one of the

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<v Speaker 4>few good guys on the show.

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<v Speaker 2>You this this is fun.

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<v Speaker 1>Actually, So this is the final season for any fan

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<v Speaker 1>out there, you know, this season six, the final season

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<v Speaker 1>of The Handmaid's Tale. I've watched every single episode religiously.

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<v Speaker 1>And our next guest was started on season two and

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<v Speaker 1>he was a recurring character. But you know what, it's

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<v Speaker 1>got to be such a huge compliment when you're a

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<v Speaker 1>you're a recurring character, and you're so good that people

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<v Speaker 1>want more that you then become a main character seasons four,

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<v Speaker 1>five and now season six.

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<v Speaker 2>So I think maybe people can piece together.

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<v Speaker 1>We want to welcome the amazing and talented Sam Jager

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<v Speaker 1>aka Mark, one of the good guys of The Handmaid's Tale,

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<v Speaker 1>to the podcast.

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<v Speaker 2>Thanks for being with me.

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<v Speaker 4>And let's say congratulate. That's a hell of a compliment. Really,

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<v Speaker 4>she explained, that's a hell of a compliment, an incredible setup.

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<v Speaker 5>Can you set me up for every interview I do

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<v Speaker 5>for the rest.

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<v Speaker 6>Of my life unless you hide girl, I'd be happy

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<v Speaker 6>to but no huge fan and seriously, I was actually

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<v Speaker 6>so curious as an actor and even maybe as a

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<v Speaker 6>human when you're on a show that truly is about,

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<v Speaker 6>perhaps even a cautionary tale of what evil and power

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<v Speaker 6>and misogyny can do to a society, to.

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<v Speaker 1>Play literally one of the only guys who isn't evil

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<v Speaker 1>or a rapist, or you name any horrible thing you

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<v Speaker 1>can think of about what the worst thing a man

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<v Speaker 1>could do, and you're one of the good guys.

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<v Speaker 2>What's that feel like?

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<v Speaker 5>You know what's so funny is I'm still like, for

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<v Speaker 5>the first few seasons I was on this, people were

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<v Speaker 5>still like, I don't know about this Mark guy.

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<v Speaker 3>What's his.

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<v Speaker 5>And I think because they've been so maybe scarred for

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<v Speaker 5>so many horrific antagonists on our show being white men,

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<v Speaker 5>I think they were like, oh man, this guy's going

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<v Speaker 5>to turn on everybody. And while he is very political,

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<v Speaker 5>I think that's what you know. They people don't know

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<v Speaker 5>where he stood for a long time, and hopefully by

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<v Speaker 5>this final season they know that Mark is truly a

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<v Speaker 5>guy who's trying to save what's left a democracy in

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<v Speaker 5>this horrific landscape.

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<v Speaker 4>So you said, people are still trying to figure it out,

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<v Speaker 4>But what was the turn? Is there anything you would

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<v Speaker 4>point to as a turning point or maybe even an

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<v Speaker 4>episode people really reacted to.

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<v Speaker 3>What was the turning point?

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<v Speaker 4>Do you think where maybe the writers the producer saw

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<v Speaker 4>more in you or was it always expected that you

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<v Speaker 4>were going to take on a larger role.

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<v Speaker 5>I think I think they just kept bringing me back

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<v Speaker 5>because they liked the chemistry I had with Yvonne, and

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<v Speaker 5>it was an interesting side that we didn't get to

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<v Speaker 5>see from her. You know, her character, Serena plays this

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<v Speaker 5>kind of matriarch within Gilead, which is this you know,

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<v Speaker 5>government that's religiously you know, kind of centered that has

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<v Speaker 5>taken over the United States and now most of North America.

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<v Speaker 5>And so it's one of those storylines that they thought, oh,

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<v Speaker 5>we can see a little more humanity in this woman

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<v Speaker 5>who seems so evil and evil.

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<v Speaker 1>It's about you, said, matriarch. I was thinking self righteous,

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<v Speaker 1>b I d H. And it's true your character made

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<v Speaker 1>us feel something for her because you saw a number

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<v Speaker 1>of goodness in her right.

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<v Speaker 5>Well, you know, when I first got this this role,

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<v Speaker 5>I looked back at the only scene that had a

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<v Speaker 5>flashback of her, and it showed her before Gilead, and yes,

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<v Speaker 5>she was kind of self righteous, but she was also

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<v Speaker 5>this powerful feminine in a way and I thought, that's

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<v Speaker 5>that's the woman this character is going to fall in

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<v Speaker 5>love with and try to hold on to who that

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<v Speaker 5>is and still hope for that. And one of the

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<v Speaker 5>things I think Handmaid's Tale has gotten better about is

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<v Speaker 5>the first seasons and throughout it is it can be.

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<v Speaker 5>I don't want to say it's hard to watch, because

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<v Speaker 5>it's a pretty riveting show, but it's it's visceral, and

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<v Speaker 5>it's it's you know, it's pretty gripping and graphic and engaging.

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<v Speaker 5>And so I think one of the things that they,

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<v Speaker 5>you know, that we liked in this early, you know,

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<v Speaker 5>early on was Mark comes in and he's got this

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<v Speaker 5>this compassion and this humanity and this this hope that

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<v Speaker 5>our show I think needed, you know. And here we

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<v Speaker 5>are in the final season and we're you know, kind

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<v Speaker 5>of congratulating and rewarding our fame for sticking with us

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<v Speaker 5>this long because it is.

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<v Speaker 1>It's Sam, because I hadn't thought about that at all,

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<v Speaker 1>but you did offer, like that hope that all men

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<v Speaker 1>aren't terrible.

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<v Speaker 2>I mean, there are a couple like Luke. The character

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<v Speaker 2>of Luke.

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<v Speaker 1>Is it is it a good guy Nick, even though

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<v Speaker 1>he is with Gilliad, is also a good guy.

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<v Speaker 2>So there are a few of you, but so far,

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<v Speaker 2>so few and far between. Yeah, I would say a

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<v Speaker 2>single character on the show is evil.

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<v Speaker 1>But I hadn't thought about how you were able to

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<v Speaker 1>bring out a warmth to the character of Serena that

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<v Speaker 1>you know, she was the woman that everyone loved to

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<v Speaker 1>hate for the first couple of seasons because she was

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<v Speaker 1>just so terrible and so awful. Uh, but you actually

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<v Speaker 1>were Are you one of the few? I guess You've

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<v Speaker 1>got the love story with Nick and Elizabeth Moss's character

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<v Speaker 1>uh in June, but you're kind of the only other

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<v Speaker 1>love story really in the entire series, I suppose.

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<v Speaker 5>So, yes, yes, And you know what's interesting is the show.

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<v Speaker 5>What I loved about that dynamic. The show is written

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<v Speaker 5>that these two characters are so protected and so diplomatic

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<v Speaker 5>and love to be the smartest person in every room,

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<v Speaker 5>and I think that's what they're kind of drawn to

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<v Speaker 5>about each other. And so it's kind of almost like

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<v Speaker 5>Victorian writing. You know that these two you can get

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<v Speaker 5>a sense that there's an attraction there, but they don't

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<v Speaker 5>come out and say it. And we kind of keep

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<v Speaker 5>that going throughout our series, which is I think what

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<v Speaker 5>makes it even more intriguing because it's not like Luke

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<v Speaker 5>and June or June and you know that we can

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<v Speaker 5>see them, you know, kind of navigate one another.

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<v Speaker 4>You'll use words what, riveting, captivating, visceral to describe the show.

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<v Speaker 4>And I'm again I've admitted here I haven't gone through

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<v Speaker 4>the seasons like you have. What is the what is

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<v Speaker 4>the upside the takeaway from the show. Does it leave

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<v Speaker 4>people at some point at the end of the seasons

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<v Speaker 4>with some message or some feeling of hope, Because I'll

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<v Speaker 4>admit Sam so much of what she's explained to me

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<v Speaker 4>like whoa, that's heavy.

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<v Speaker 2>It's fear, it's cautionary, like.

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<v Speaker 5>Why would watch this? Yeah? Yeah, you know, I think

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<v Speaker 5>one thing I love and one thing I keep trying

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<v Speaker 5>to get across as we, you know, share this last

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<v Speaker 5>season with fans is the show I think was vilified

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<v Speaker 5>early on as this sort of anti right wing or

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<v Speaker 5>anti conservative show, and at its core, it's really people

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<v Speaker 5>trying to be compassionate understanding. It's a diverse cast, and

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<v Speaker 5>it does show kind of a cautionary tale for what

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<v Speaker 5>happens when we try to corral people in a democratic society,

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<v Speaker 5>and so there are a lot of parallels with what's

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<v Speaker 5>going on nowadays. But the underlining thing for me growing

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<v Speaker 5>up in you know, I went to church. I sang

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<v Speaker 5>in the church choir from like sixth grade until I

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<v Speaker 5>graduated high school. So that was a part of, you know,

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<v Speaker 5>my upbringing in Ohio. And the thing about the main characters, Serena,

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<v Speaker 5>although she's very you know, I've spoken about her very

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<v Speaker 5>rigid view of faith and God, June is always seeking

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<v Speaker 5>God and trusting and hoping, and that's her faith in

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<v Speaker 5>a higher power. And that's one of the things I

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<v Speaker 5>think has gotten lost over the years and one of

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<v Speaker 5>the things that for me, you know, I keep coming

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<v Speaker 5>back to. It's not trying to look down at people.

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<v Speaker 5>It's trying to say, this is if you were in

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<v Speaker 5>this scenario. And this is the great thing about TV.

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<v Speaker 5>You can't do this in film is show nuance. In film,

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<v Speaker 5>it's either this guy's a bad guy and that guy's

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<v Speaker 5>a good guy. But we get to see how people

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<v Speaker 5>who are you know, who are fallible, still tried to

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<v Speaker 5>make amends. And that's one thing I love exploring with

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<v Speaker 5>our show that I feel like our show does better

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<v Speaker 5>than almost any other show.

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<v Speaker 4>Thank you saying that was a bunch much better sales

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<v Speaker 4>job than she gave me, and to me, thank you

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<v Speaker 4>for that.

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<v Speaker 3>Now, okay, but.

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<v Speaker 1>That really was a beautiful way to describe the arc

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<v Speaker 1>of the show as well. I mean, the first season

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<v Speaker 1>is just like but then honestly, you came in second

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<v Speaker 1>the second season, and I feel like that did bring

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<v Speaker 1>in some.

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<v Speaker 4>Of the art. Did you hear how she did it

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<v Speaker 4>the first season was that's usually her sales. To me, man,

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<v Speaker 4>that's a sales bitch.

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<v Speaker 1>Obviously, you would have had to have watched the first season,

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<v Speaker 1>I would imagine, at least after or at least before

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<v Speaker 1>signing on. What did you think of the first season

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<v Speaker 1>compared to the others when you jumped in.

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<v Speaker 5>I was just so taken, first of all, because it's

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<v Speaker 5>so stylistically dynamic compared to any other show, you know,

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<v Speaker 5>And a lot of times you'll see characters in the

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<v Speaker 5>like the bottom corner of a frame and then there's

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<v Speaker 5>a giant window behind them or a giant wall, and

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<v Speaker 5>it's just the way it shows all people kind of

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<v Speaker 5>kind of confined by even the frame we're watching them,

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<v Speaker 5>and so everything is really just almost set up like

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<v Speaker 5>a painting and so I think that can be That's

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<v Speaker 5>the first thing that I noticed about our show. But

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<v Speaker 5>I just feel like they they updated a book that

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<v Speaker 5>was written, you know, when I was a kid, and

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<v Speaker 5>it made it present day. It made it, it made

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<v Speaker 5>it more urgent. It made it also feel like this

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<v Speaker 5>could happen to us at any moment. And so I

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<v Speaker 5>think that's one of the things that's that's hard for

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<v Speaker 5>people because they keep coming back to, oh this could

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<v Speaker 5>you know, this could happen? Or is this happening? And

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<v Speaker 5>that's always a conversation with our show, and that's also

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<v Speaker 5>you know, the fun thing about our show is that's

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<v Speaker 5>a conversation or our writers have with the audience, you know, because.

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<v Speaker 2>It's so true.

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<v Speaker 1>That's what all of us when we're talking after we watch,

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<v Speaker 1>like could that happen here?

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<v Speaker 2>Oh my god?

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<v Speaker 1>And for people who don't know specifically who your character is,

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<v Speaker 1>you are a representative of the US government that's in

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<v Speaker 1>exile because this Gilead, this community has taken over all

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<v Speaker 1>of the United States, where women are property, they have

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<v Speaker 1>no rights, and that's a very broad stroke there, but

0:12:36.360 --> 0:12:40.680
<v Speaker 1>you are representing what the US used to be. How

0:12:40.720 --> 0:12:44.000
<v Speaker 1>do you engage in those conversations, because, especially in today's

0:12:44.040 --> 0:12:47.880
<v Speaker 1>political climate, but certainly even when this show began, that's

0:12:47.880 --> 0:12:49.920
<v Speaker 1>got to be something that people come up and talk

0:12:49.960 --> 0:12:51.680
<v Speaker 1>to you about all the time.

0:12:51.760 --> 0:12:52.680
<v Speaker 2>How do you handle that?

0:12:53.480 --> 0:12:57.319
<v Speaker 5>Right? Well, you know, I got into I got into

0:12:57.360 --> 0:13:02.000
<v Speaker 5>acting because I love, you know, I love understanding people

0:13:02.000 --> 0:13:04.520
<v Speaker 5>that aren't like me. You know, I grew up. My

0:13:04.679 --> 0:13:08.280
<v Speaker 5>siblings all do something different. They're all in service, you know,

0:13:08.400 --> 0:13:11.600
<v Speaker 5>one's a nurse, one with a guidance counselor and works

0:13:11.640 --> 0:13:16.400
<v Speaker 5>with a church, and ones in an officer. And I'm

0:13:16.559 --> 0:13:21.240
<v Speaker 5>always referencing, you know, I always pull from those stories.

0:13:21.520 --> 0:13:24.720
<v Speaker 5>And my job is to empathize with people that I

0:13:24.720 --> 0:13:28.559
<v Speaker 5>wouldn't normally empathize with. And you know, if the great

0:13:28.559 --> 0:13:30.720
<v Speaker 5>thing about being an actor is I have to try

0:13:30.720 --> 0:13:34.360
<v Speaker 5>and figure out what compels the other side to make

0:13:34.400 --> 0:13:38.720
<v Speaker 5>the choices they do. So while I don't often agree,

0:13:39.640 --> 0:13:42.280
<v Speaker 5>I do understand where things are coming from. As hard

0:13:42.280 --> 0:13:45.800
<v Speaker 5>as it is, it's my job, and I think hopefully

0:13:45.840 --> 0:13:47.760
<v Speaker 5>one of the things that we do on our show

0:13:47.880 --> 0:13:52.040
<v Speaker 5>is try to offer that conversation with people and show

0:13:52.160 --> 0:13:55.840
<v Speaker 5>what it's like for people that don't look like like

0:13:56.000 --> 0:14:00.320
<v Speaker 5>us or have the same you know, religious identity is

0:14:00.400 --> 0:14:02.679
<v Speaker 5>us what it's like on the other side of the fence.

0:14:03.760 --> 0:14:08.400
<v Speaker 4>I'm curious how that happened your your siblings, right, nurse, guidance,

0:14:08.480 --> 0:14:12.520
<v Speaker 4>counselor officer, I mean literally out there saving the world.

0:14:14.360 --> 0:14:17.080
<v Speaker 4>Really tell me I explain those dynamics. Clearly your parents

0:14:17.080 --> 0:14:21.080
<v Speaker 4>are doing something extremely right. But how do they all

0:14:21.200 --> 0:14:24.240
<v Speaker 4>up end up there? And here you are.

0:14:25.840 --> 0:14:27.120
<v Speaker 5>Well, I'm the baby of the family.

0:14:27.360 --> 0:14:31.280
<v Speaker 4>Ah, so you could, you could do.

0:14:31.240 --> 0:14:31.920
<v Speaker 6>Whatever you want.

0:14:32.760 --> 0:14:40.760
<v Speaker 5>And I was also ignored, you know. I know my

0:14:40.960 --> 0:14:45.640
<v Speaker 5>parents just love and we're fascinated and continue to be

0:14:45.760 --> 0:14:50.960
<v Speaker 5>fascinated by what makes their children tick. That it's not

0:14:51.040 --> 0:14:54.480
<v Speaker 5>just me that it's you know, although I have kind

0:14:54.480 --> 0:14:58.040
<v Speaker 5>of an extraordinary path. They love what my sisters do,

0:14:58.160 --> 0:15:00.520
<v Speaker 5>when my brother does, and they support and have an

0:15:00.520 --> 0:15:02.560
<v Speaker 5>interest in that. And that's one thing that I try

0:15:02.560 --> 0:15:05.320
<v Speaker 5>to carry out with my children. I try to figure

0:15:05.360 --> 0:15:10.240
<v Speaker 5>out what they love about living and nurture that. And

0:15:10.320 --> 0:15:13.160
<v Speaker 5>so I'm grateful to my parents. You know, I almost

0:15:13.360 --> 0:15:15.960
<v Speaker 5>I grew up thinking, you know, when I was a

0:15:16.000 --> 0:15:18.680
<v Speaker 5>young actor starting off, I thought, man, you know what,

0:15:19.160 --> 0:15:23.120
<v Speaker 5>I'm not tortured enough. All these great actors have all

0:15:23.200 --> 0:15:27.400
<v Speaker 5>this background where they had horrific, you know, childhoods with

0:15:27.760 --> 0:15:32.040
<v Speaker 5>abusive parents, and I kind of need that. And now

0:15:32.080 --> 0:15:34.280
<v Speaker 5>all these years later, I'm like, no, I don't have

0:15:34.320 --> 0:15:37.200
<v Speaker 5>any baggage. I get to come to something and not

0:15:37.360 --> 0:15:40.760
<v Speaker 5>feel like I need to protect some aspect of my

0:15:40.880 --> 0:15:43.280
<v Speaker 5>personality to perform, right, you know.

0:15:43.960 --> 0:15:44.880
<v Speaker 3>That's good parenting.

0:15:45.200 --> 0:15:48.120
<v Speaker 4>Right, And even on a show, Sam, you're on a

0:15:48.200 --> 0:15:52.200
<v Speaker 4>show that every guy is bad and you're still the

0:15:52.240 --> 0:15:53.360
<v Speaker 4>good guy.

0:15:54.640 --> 0:15:58.000
<v Speaker 1>It sounds like you can un in and you know

0:15:58.160 --> 0:16:01.440
<v Speaker 1>exactly right, that's awesome that you're meant to play your

0:16:01.600 --> 0:16:06.320
<v Speaker 1>entire life? What is what's when you have a show

0:16:06.360 --> 0:16:09.600
<v Speaker 1>that heavy and that dark? What is it like when

0:16:09.640 --> 0:16:11.480
<v Speaker 1>the cameras aren't rolling among the cast?

0:16:11.640 --> 0:16:13.640
<v Speaker 2>Do you do you? Is it? Is it? Do you

0:16:13.760 --> 0:16:17.239
<v Speaker 2>break the tension with laughter? And and uh frivilty?

0:16:17.320 --> 0:16:19.800
<v Speaker 1>Like? What is it like behind the scenes in between

0:16:20.640 --> 0:16:21.520
<v Speaker 1>all of the acting?

0:16:22.960 --> 0:16:28.000
<v Speaker 5>So fun? I mean, people on our show not only

0:16:28.040 --> 0:16:31.240
<v Speaker 5>are have all of us directed. So we come to it.

0:16:31.440 --> 0:16:34.200
<v Speaker 5>We come to it like what's the best way other story?

0:16:34.360 --> 0:16:36.080
<v Speaker 5>You know, we get we get out of you know,

0:16:36.120 --> 0:16:38.000
<v Speaker 5>we try to get as much ego out of the

0:16:38.040 --> 0:16:41.000
<v Speaker 5>way as possible. We're protective of our characters and where

0:16:41.000 --> 0:16:43.320
<v Speaker 5>their journey is. But we also trust the writing at

0:16:43.360 --> 0:16:47.880
<v Speaker 5>this point, and we just show up and uh, everybody works,

0:16:48.000 --> 0:16:50.640
<v Speaker 5>you know, everybody is good work, and they come in

0:16:50.720 --> 0:16:53.560
<v Speaker 5>ready to ready to play. And on a you know,

0:16:53.600 --> 0:16:56.520
<v Speaker 5>on a show that's so serious, I feel like, boy,

0:16:56.560 --> 0:16:59.080
<v Speaker 5>I don't know if we'd survive if we were really

0:16:59.120 --> 0:17:02.160
<v Speaker 5>heavy handed Courtard so no.

0:17:02.200 --> 0:17:03.600
<v Speaker 2>Med acting going on behind this?

0:17:03.720 --> 0:17:05.680
<v Speaker 5>Oh thank goodness, Oh my god.

0:17:06.480 --> 0:17:09.320
<v Speaker 2>I mean I was wondering, you know, I mean, how

0:17:09.440 --> 0:17:12.919
<v Speaker 2>you handle that? Because that is some heavy stuff.

0:17:13.359 --> 0:17:16.480
<v Speaker 5>You know, it's so funny. I love I actually love

0:17:16.600 --> 0:17:20.840
<v Speaker 5>a lot of method acting and actor but I've worked

0:17:20.840 --> 0:17:25.879
<v Speaker 5>with one or two and it's so much work, not

0:17:26.720 --> 0:17:30.280
<v Speaker 5>just for them, but I was a method actor and

0:17:30.320 --> 0:17:33.480
<v Speaker 5>I saw we were doing this scene and I saw

0:17:33.600 --> 0:17:37.199
<v Speaker 5>one of the camera crew say his name as his

0:17:37.320 --> 0:17:41.119
<v Speaker 5>actual name, and I saw ooh, and he got up

0:17:41.160 --> 0:17:43.520
<v Speaker 5>and walked around the room and I saw him like

0:17:43.560 --> 0:17:46.359
<v Speaker 5>whisper in the camera guy's ear to you know, to

0:17:46.440 --> 0:17:47.920
<v Speaker 5>say his character's name.

0:17:47.920 --> 0:17:50.159
<v Speaker 7>And he was like, oh, I'm so sorry, sorry of course,

0:17:50.600 --> 0:17:52.960
<v Speaker 7>And I just thought, man, this is way too much

0:17:53.000 --> 0:17:56.160
<v Speaker 7>work for everybody else. How about you just show up

0:17:56.240 --> 0:18:00.400
<v Speaker 7>and pretend because you're already like there's if you're gonna

0:18:00.440 --> 0:18:02.680
<v Speaker 7>be that method, just what you're going to walk into

0:18:02.680 --> 0:18:03.800
<v Speaker 7>a room and be like what are.

0:18:03.720 --> 0:18:09.120
<v Speaker 5>These cameras doing in here? Like just if you're gonna

0:18:09.160 --> 0:18:11.480
<v Speaker 5>be method, then just to be like, what what am

0:18:11.480 --> 0:18:21.160
<v Speaker 5>I on a stage? I'm in I'm in seventeenth century England? Guys,

0:18:21.440 --> 0:18:23.679
<v Speaker 5>just get over yourselves.

0:18:25.760 --> 0:18:30.520
<v Speaker 4>Yeah, okay, all right, that is I.

0:18:32.040 --> 0:18:34.240
<v Speaker 2>Take don't take yourself so seriously, right.

0:18:35.000 --> 0:18:39.760
<v Speaker 5>No, because you have to be exponentially better at acting

0:18:40.480 --> 0:18:42.960
<v Speaker 5>to have people be like, yeah, I'll work with that

0:18:43.040 --> 0:18:48.320
<v Speaker 5>guy again. But he's like, I mean, you got to

0:18:48.359 --> 0:18:50.520
<v Speaker 5>be like Daniel day Lewis, where it's just like, okay,

0:18:50.560 --> 0:18:54.120
<v Speaker 5>he's unbelievable. So we can put up with that because

0:18:54.600 --> 0:18:56.520
<v Speaker 5>the product is amazed.

0:18:56.160 --> 0:18:58.280
<v Speaker 2>It's so funny, you all time favorite actor.

0:18:58.400 --> 0:19:00.159
<v Speaker 1>So yes, and I knew he was a method actor,

0:19:00.160 --> 0:19:02.760
<v Speaker 1>but to your point, yes, he's kind of earned the

0:19:02.840 --> 0:19:05.040
<v Speaker 1>right to be that because it's just that good.

0:19:06.440 --> 0:19:09.280
<v Speaker 5>And I think also a generous and kind spirit as well.

0:19:09.400 --> 0:19:12.040
<v Speaker 5>So I don't you know, you know, they're not all

0:19:12.359 --> 0:19:15.600
<v Speaker 5>you know, it's like Gilead, they're not all bad on

0:19:15.640 --> 0:19:16.160
<v Speaker 5>the hand.

0:19:16.240 --> 0:19:20.399
<v Speaker 4>Fail see, he has done such a better job of

0:19:20.440 --> 0:19:23.680
<v Speaker 4>pitching this show. Well, he's got me very curious about

0:19:23.720 --> 0:19:26.160
<v Speaker 4>the show. Can I pick it up in his seasons

0:19:26.200 --> 0:19:28.680
<v Speaker 4>and be okay? Or I need some backstory season.

0:19:28.359 --> 0:19:30.520
<v Speaker 1>Two I can tell you, and you know how I

0:19:30.560 --> 0:19:34.320
<v Speaker 1>love to talk. Oh yeah, fill in the blanks for

0:19:34.359 --> 0:19:36.200
<v Speaker 1>you during a quiet moment.

0:19:36.960 --> 0:19:38.920
<v Speaker 5>I don't know if you want. I mean it needs

0:19:38.920 --> 0:19:40.960
<v Speaker 5>to be. It sounds like it needs to be your show.

0:19:41.080 --> 0:19:43.920
<v Speaker 5>You need to find a way to make it, make it.

0:19:43.880 --> 0:19:45.480
<v Speaker 3>Makes a good point. Okay, help us with that?

0:19:45.600 --> 0:19:48.080
<v Speaker 4>All right there, I assume you have to get the Yeah,

0:19:48.080 --> 0:19:50.119
<v Speaker 4>plenty of fans out there, plenty of folks probably come

0:19:50.160 --> 0:19:53.119
<v Speaker 4>up to you on the street. Do you what is

0:19:53.200 --> 0:19:57.800
<v Speaker 4>the divide between your male and female viewership? It was

0:19:57.840 --> 0:20:01.520
<v Speaker 4>hard to find it online, But what's your understanding of

0:20:02.119 --> 0:20:04.840
<v Speaker 4>the number? Is the percentage of female viewership versus male?

0:20:06.640 --> 0:20:10.720
<v Speaker 5>I'm sure it's female driven, but I think it's a

0:20:10.800 --> 0:20:14.480
<v Speaker 5>show that couples like to watch to get some couples.

0:20:14.600 --> 0:20:17.160
<v Speaker 2>Other couple, sam great, yes.

0:20:17.200 --> 0:20:21.520
<v Speaker 5>Other couples. Yeah, can't can't do it. But yeah, I

0:20:22.080 --> 0:20:24.800
<v Speaker 5>actually don't know the numbers. I mean that's yeah.

0:20:25.000 --> 0:20:27.280
<v Speaker 1>I wish more women come up to you than men, obviously,

0:20:27.280 --> 0:20:29.480
<v Speaker 1>probably just because they think you're cute. But would you

0:20:29.520 --> 0:20:30.720
<v Speaker 1>say that's a fair statement.

0:20:31.440 --> 0:20:35.000
<v Speaker 5>I wouldn't even say that that. No, I don't get

0:20:35.359 --> 0:20:38.600
<v Speaker 5>I don't. I'm pretty daft when it comes to people

0:20:38.680 --> 0:20:43.399
<v Speaker 5>hitting on me. So I I've always been just and

0:20:43.560 --> 0:20:45.960
<v Speaker 5>even as a celebrity, I walk around and when people

0:20:46.000 --> 0:20:49.000
<v Speaker 5>like smile at me, I just assume they're being overly nice,

0:20:49.080 --> 0:20:52.200
<v Speaker 5>not because they recognize me from something or you know.

0:20:52.880 --> 0:20:56.040
<v Speaker 5>But as for the as for the fans who come up,

0:20:56.240 --> 0:20:59.280
<v Speaker 5>I would say it's I would say it's fifty to fifty.

0:20:59.400 --> 0:21:01.639
<v Speaker 2>Really, whoa, that's why?

0:21:02.119 --> 0:21:05.600
<v Speaker 1>Now do you get recognized more for The Handmaid's Tale?

0:21:05.680 --> 0:21:08.760
<v Speaker 2>Maybe because it's recent or from Parenthood.

0:21:10.880 --> 0:21:14.000
<v Speaker 5>That's still probably fifty to fifty you know, a little

0:21:14.040 --> 0:21:16.560
<v Speaker 5>more for Handmaid's Tale in the last couple of years.

0:21:16.600 --> 0:21:20.359
<v Speaker 1>But that makes sense that are you surprised by just

0:21:20.480 --> 0:21:23.320
<v Speaker 1>the still kind of rabid fan base that Parenthood still has.

0:21:23.480 --> 0:21:26.360
<v Speaker 1>I mean, I'm reading people are constantly asking you if

0:21:26.359 --> 0:21:29.240
<v Speaker 1>you'd be participating in a reboot or a sequel or

0:21:29.560 --> 0:21:34.159
<v Speaker 1>people want more. I mean that show ended ten years ago, correct.

0:21:34.840 --> 0:21:39.600
<v Speaker 5>Yeah, I think it remains relevant because people keep having babies,

0:21:41.680 --> 0:21:47.199
<v Speaker 5>so we're always trying to you know, figure out. You know,

0:21:47.240 --> 0:21:50.439
<v Speaker 5>we want something that feels like am I insane? Or

0:21:50.560 --> 0:21:55.760
<v Speaker 5>is this job absolutely ludicrous? Because every time my wife

0:21:55.760 --> 0:21:58.720
<v Speaker 5>and I had a kid, it's like two years in

0:21:58.800 --> 0:22:02.480
<v Speaker 5>we're like, wait, how have we survived as a species?

0:22:03.119 --> 0:22:06.560
<v Speaker 5>Like this is so moments of this are so unbearable

0:22:06.600 --> 0:22:09.919
<v Speaker 5>that I don't know how our species was able to

0:22:09.960 --> 0:22:12.920
<v Speaker 5>be like, hey, let's do this again, but without fail.

0:22:13.000 --> 0:22:16.560
<v Speaker 5>We always forget because babies are adorable and because we

0:22:16.640 --> 0:22:19.680
<v Speaker 5>get the value eventually that we're just like, yeah, let's

0:22:19.720 --> 0:22:20.639
<v Speaker 5>keep having kids.

0:22:20.960 --> 0:22:24.720
<v Speaker 2>You know, I know, I saw a survey. I think

0:22:24.720 --> 0:22:27.080
<v Speaker 2>it was ten. We're all parents here.

0:22:27.720 --> 0:22:30.760
<v Speaker 1>Mine are much older now, twenty two and almost nineteen

0:22:30.840 --> 0:22:34.160
<v Speaker 1>actually this weekend. But I saw a survey that said

0:22:34.280 --> 0:22:37.520
<v Speaker 1>people I think they surveyed people in their fifties and

0:22:37.640 --> 0:22:41.399
<v Speaker 1>said people who were happy, what their happy quotion was,

0:22:41.800 --> 0:22:48.399
<v Speaker 1>And resoundingly, people who didn't have kids were happier. No, and.

0:22:57.119 --> 0:22:59.800
<v Speaker 5>I've read those I've read those studies as well. But

0:22:59.840 --> 0:23:05.679
<v Speaker 5>my submission is this, Yes, they're happier, but if you

0:23:05.800 --> 0:23:10.359
<v Speaker 5>have a child, your heart basically you know that the

0:23:10.440 --> 0:23:14.800
<v Speaker 5>DNA DNA of being a parent is I'm going to

0:23:14.880 --> 0:23:18.400
<v Speaker 5>give bring somebody into the world, and basically my heart

0:23:18.480 --> 0:23:21.680
<v Speaker 5>is going to go walking around on the outside and

0:23:22.000 --> 0:23:26.760
<v Speaker 5>just knowing that there's always in trepidation, a caution and

0:23:27.040 --> 0:23:30.080
<v Speaker 5>a worry that goes along with being a parent, which

0:23:30.080 --> 0:23:34.840
<v Speaker 5>I think accounts for you know, you know, i'd you know,

0:23:35.160 --> 0:23:38.159
<v Speaker 5>and I'll I'll happily trade that for the joy that,

0:23:38.440 --> 0:23:41.479
<v Speaker 5>you know, the bittersweet joy that these boys bring me.

0:23:41.640 --> 0:23:44.680
<v Speaker 5>I mean, oh my gosh, sometimes they're just talking to me.

0:23:44.760 --> 0:23:47.159
<v Speaker 5>I got, I got, I got three sons and a

0:23:47.200 --> 0:23:50.960
<v Speaker 5>step daughter, and my boys even at every age. You know,

0:23:51.000 --> 0:23:53.040
<v Speaker 5>if you have the right perspective as a parent, you're

0:23:53.080 --> 0:23:59.280
<v Speaker 5>just like my teenager says things that are so adorably teenage,

0:23:59.840 --> 0:24:03.399
<v Speaker 5>you know, like only a teenager could say that, and

0:24:03.480 --> 0:24:07.560
<v Speaker 5>so you know he's got to relish whatever stage they're at,

0:24:07.680 --> 0:24:10.200
<v Speaker 5>because it is fleeting for sure.

0:24:10.440 --> 0:24:11.920
<v Speaker 3>What are the ages there in the house.

0:24:13.160 --> 0:24:15.800
<v Speaker 5>So I've got quite a gap. We've got an eight

0:24:15.880 --> 0:24:19.280
<v Speaker 5>year old boy, a ten year old boy, and a

0:24:19.400 --> 0:24:23.320
<v Speaker 5>fourteen year old boy. And then my stepdaughter is thirty, so,

0:24:23.560 --> 0:24:27.760
<v Speaker 5>oh my goodness, and the poor thing. She has two

0:24:27.800 --> 0:24:30.880
<v Speaker 5>brothers on her dad's side as well, so she has

0:24:31.080 --> 0:24:33.160
<v Speaker 5>five five brothers.

0:24:33.240 --> 0:24:36.840
<v Speaker 4>Oh my goodness, you get all those numbing the numbers

0:24:36.880 --> 0:24:43.680
<v Speaker 4>together still eight ten, fourteen and thirty thirty, Yeah.

0:24:43.200 --> 0:24:45.119
<v Speaker 3>That's a gap. Is a thirty year old upstairs in

0:24:45.119 --> 0:24:45.760
<v Speaker 3>the house too?

0:24:45.800 --> 0:24:51.040
<v Speaker 5>And no, thankfully she's in he's in DC with her husband,

0:24:52.280 --> 0:24:55.239
<v Speaker 5>and I don't worry about her, you know, putting her

0:24:55.240 --> 0:24:58.280
<v Speaker 5>clothes on in the morning and you know the water,

0:24:58.600 --> 0:24:59.359
<v Speaker 5>So that's great.

0:25:00.920 --> 0:25:04.600
<v Speaker 1>I do love how you put that that the worry

0:25:04.680 --> 0:25:07.200
<v Speaker 1>that does it does weigh on you. And then also

0:25:07.280 --> 0:25:09.800
<v Speaker 1>the guilt for me. Maybe I don't know if that's

0:25:09.840 --> 0:25:12.840
<v Speaker 1>just moms, but it's like that constantly. But those moments,

0:25:13.040 --> 0:25:16.240
<v Speaker 1>I would also say they're happier because sometimes you don't

0:25:16.280 --> 0:25:19.080
<v Speaker 1>know what you don't know, so they don't know what

0:25:19.119 --> 0:25:19.679
<v Speaker 1>they're missing.

0:25:19.800 --> 0:25:21.280
<v Speaker 2>Is a is a one way to look at it.

0:25:21.320 --> 0:25:23.840
<v Speaker 3>To all those folks that don't have kids, Yes, but.

0:25:23.800 --> 0:25:25.760
<v Speaker 2>Maybe they're laughing at me because they don't know what

0:25:25.800 --> 0:25:26.359
<v Speaker 2>I'm missing.

0:25:27.280 --> 0:25:30.240
<v Speaker 3>Yes, single fifty, no kids, that sounds.

0:25:29.960 --> 0:25:33.680
<v Speaker 1>Awesome, free existence with a much bigger bank account.

0:25:33.960 --> 0:25:35.960
<v Speaker 4>No, do you really think there's a fifty year old

0:25:36.280 --> 0:25:39.800
<v Speaker 4>single folks run around going yay, I'm so glad I

0:25:39.920 --> 0:25:40.520
<v Speaker 4>never got married.

0:25:40.520 --> 0:25:43.280
<v Speaker 3>I'm glad I never had kids. Oh yeah, they look great.

0:25:43.320 --> 0:25:47.919
<v Speaker 4>Okay, I didn't know that.

0:25:47.320 --> 0:25:49.320
<v Speaker 1>So all right, So what I know you said, You've

0:25:49.560 --> 0:25:52.959
<v Speaker 1>you've got some directing on your resume.

0:25:53.080 --> 0:25:53.760
<v Speaker 2>So what's next?

0:25:53.800 --> 0:25:55.560
<v Speaker 1>Where do you uh, where do you want to take

0:25:55.560 --> 0:25:58.639
<v Speaker 1>your career? Handmaid's Tale the last episode.

0:25:58.680 --> 0:26:01.960
<v Speaker 2>We haven't seen it yet. We're very excited about it.

0:26:02.000 --> 0:26:02.840
<v Speaker 2>But what's next?

0:26:02.840 --> 0:26:05.600
<v Speaker 1>And how did it feel to say goodbye to this

0:26:05.840 --> 0:26:06.880
<v Speaker 1>juggernaut of a show.

0:26:07.760 --> 0:26:13.919
<v Speaker 5>Yeah, well, I mean I chose a nomadic career, so

0:26:14.040 --> 0:26:17.359
<v Speaker 5>trying to figure out what's next is always you know,

0:26:17.600 --> 0:26:22.280
<v Speaker 5>trying to make peace with being momentarily unemployed is part

0:26:22.280 --> 0:26:25.439
<v Speaker 5>of the battle and just and just accepting. You know,

0:26:25.520 --> 0:26:27.120
<v Speaker 5>this is a rare time I get to be home

0:26:27.160 --> 0:26:30.959
<v Speaker 5>with my kids after traveling to Toronto for years. So

0:26:32.280 --> 0:26:35.040
<v Speaker 5>you know, I'm I'm I'm writing another project that's a

0:26:35.080 --> 0:26:38.399
<v Speaker 5>film noir set in Los Angeles, and and that's a

0:26:40.200 --> 0:26:44.280
<v Speaker 5>that's just kind of my you know, part of one

0:26:44.320 --> 0:26:47.400
<v Speaker 5>of my favorite kind of genres of film. I realized,

0:26:47.520 --> 0:26:52.040
<v Speaker 5>and this is weird, speaking of like, you know, terrible

0:26:52.080 --> 0:26:56.040
<v Speaker 5>men in our you know, in our I realized earlier

0:26:56.040 --> 0:26:58.600
<v Speaker 5>on that all of my favorite films are the same film,

0:26:58.800 --> 0:27:01.359
<v Speaker 5>which is about some guys trying to save a woman

0:27:01.560 --> 0:27:05.480
<v Speaker 5>that should not be saved, and they're all film noir,

0:27:05.680 --> 0:27:10.359
<v Speaker 5>like the conversation by Coppola or Vertigo or in a

0:27:10.480 --> 0:27:13.119
<v Speaker 5>town where you're just like, I know where you're headed,

0:27:13.160 --> 0:27:17.400
<v Speaker 5>but just don't Yeah, just don't know that that direction.

0:27:17.680 --> 0:27:20.439
<v Speaker 5>So film noir for me has always been just so

0:27:20.600 --> 0:27:22.399
<v Speaker 5>fascinating and I don't know what it says about me

0:27:22.440 --> 0:27:23.120
<v Speaker 5>that I'm you.

0:27:23.040 --> 0:27:26.840
<v Speaker 3>Know, you'll say that's exactly his role in.

0:27:27.480 --> 0:27:31.080
<v Speaker 1>You literally just described your character's role with who was

0:27:31.119 --> 0:27:32.040
<v Speaker 1>trying to save a woman?

0:27:34.800 --> 0:27:36.480
<v Speaker 2>You just described.

0:27:36.280 --> 0:27:42.119
<v Speaker 5>Yes, yes, I don't know. Maybe this is good that

0:27:42.160 --> 0:27:45.160
<v Speaker 5>I didn't put these two together until after I've done

0:27:45.160 --> 0:27:48.080
<v Speaker 5>shooting this whole series. I mean, maybe I gone into

0:27:48.119 --> 0:27:52.199
<v Speaker 5>every scene like, guys, we can't my character wouldn't say this,

0:27:52.440 --> 0:27:56.520
<v Speaker 5>or I can't go down this road. I'm glad. Oh,

0:27:56.560 --> 0:28:01.800
<v Speaker 5>I'm glad we're doing this interview now. Yeah. Oh, And

0:28:01.840 --> 0:28:06.440
<v Speaker 5>you know, finishing up the show was was so wonderful.

0:28:06.480 --> 0:28:09.680
<v Speaker 5>I got to be especially these last two episodes, I

0:28:10.119 --> 0:28:13.679
<v Speaker 5>feel like are great television and I'm so excited for

0:28:13.720 --> 0:28:16.720
<v Speaker 5>the fans to watch. But I got to be a

0:28:16.760 --> 0:28:20.040
<v Speaker 5>part of some scenes that are one of some of

0:28:20.080 --> 0:28:23.479
<v Speaker 5>the most important of our series, and they're goodbyes that

0:28:23.640 --> 0:28:27.879
<v Speaker 5>not just with my but other characters. And you know,

0:28:28.000 --> 0:28:32.520
<v Speaker 5>I just it was I'm so grateful to be working

0:28:32.520 --> 0:28:35.840
<v Speaker 5>with these people. You know, to work on anything period

0:28:35.880 --> 0:28:38.000
<v Speaker 5>as a miracle as an actor, but to work with

0:28:38.040 --> 0:28:43.280
<v Speaker 5>people you admire that you know are good people out

0:28:43.280 --> 0:28:45.320
<v Speaker 5>in the world, that's so rare.

0:28:46.600 --> 0:28:50.920
<v Speaker 1>I love just hearing your enthusiasm for this lifelong career

0:28:50.920 --> 0:28:55.360
<v Speaker 1>you've had and your gratitude for it. And I'm so

0:28:55.440 --> 0:28:58.000
<v Speaker 1>excited to watch the last couple of episodes. I think

0:28:58.080 --> 0:29:00.160
<v Speaker 1>the last one drops May twenty seven for anyone who

0:29:00.200 --> 0:29:02.880
<v Speaker 1>wants to know. But I also I think t J

0:29:03.000 --> 0:29:06.720
<v Speaker 1>and I can pass along sometimes what it's like to

0:29:06.760 --> 0:29:10.560
<v Speaker 1>have even unexpected momentary lapses in employment.

0:29:12.760 --> 0:29:14.440
<v Speaker 2>We experienced that a couple of years ago.

0:29:14.480 --> 0:29:19.160
<v Speaker 1>And the cool thing is it breeds creative new doors.

0:29:19.280 --> 0:29:22.080
<v Speaker 1>You know, things that you weren't even expecting could happen

0:29:22.120 --> 0:29:24.800
<v Speaker 1>or what happened to and you find yourself in the

0:29:24.840 --> 0:29:27.600
<v Speaker 1>position that you never thought. So I think sometimes those

0:29:27.640 --> 0:29:30.760
<v Speaker 1>moments are the greatest ones of our careers because you

0:29:30.840 --> 0:29:33.480
<v Speaker 1>get to go into a new direction that you might not.

0:29:33.440 --> 0:29:34.280
<v Speaker 2>Have even anticipated.

0:29:34.320 --> 0:29:36.120
<v Speaker 4>What we could have used as counsel two years ago.

0:29:38.320 --> 0:29:41.720
<v Speaker 5>So you guys, I've landed in the right spot, I think.

0:29:42.040 --> 0:29:44.440
<v Speaker 2>Well, we know you will too.

0:29:44.600 --> 0:29:46.800
<v Speaker 1>We cannot wait to see what else you have in

0:29:46.800 --> 0:29:49.880
<v Speaker 1>store for us, because we will be consuming it. Sam Jager,

0:29:50.160 --> 0:29:52.680
<v Speaker 1>it was such a pleasure speaking to you. It was

0:29:52.760 --> 0:29:54.720
<v Speaker 1>so lovely to get to know you as a person

0:29:54.880 --> 0:29:57.640
<v Speaker 1>and to know you're almost exactly like your character, which

0:29:57.680 --> 0:29:58.200
<v Speaker 1>is kind of cool.

0:29:58.600 --> 0:30:03.480
<v Speaker 5>A good guy guy, well, who should not rescue women

0:30:03.480 --> 0:30:04.600
<v Speaker 5>that don't need rescue.

0:30:06.680 --> 0:30:10.160
<v Speaker 1>Well, congratulations on all your success and we can't see

0:30:10.440 --> 0:30:11.600
<v Speaker 1>can't wait to see what you do next.

0:30:11.760 --> 0:30:15.280
<v Speaker 5>Thank you. Thanks for having me bank carry that