1 00:00:02,960 --> 00:00:06,440 Speaker 1: Welcome everyone to this edition of Amy and TJ. Today, 2 00:00:06,480 --> 00:00:09,399 Speaker 1: we are talking to one of the biggest stars of 3 00:00:09,440 --> 00:00:15,120 Speaker 1: one of the biggest and all time greatest whose series. 4 00:00:15,960 --> 00:00:19,079 Speaker 1: And it's one of the only shows that TJ and 5 00:00:19,120 --> 00:00:20,680 Speaker 1: I don't watch together. 6 00:00:20,960 --> 00:00:21,439 Speaker 2: Why is that? 7 00:00:21,880 --> 00:00:23,320 Speaker 3: Uh, you know what? I don't know? 8 00:00:23,440 --> 00:00:25,840 Speaker 4: And I am so curious to hear what he thinks 9 00:00:25,880 --> 00:00:30,560 Speaker 4: about this, because, for whatever reason, it just naturally I 10 00:00:30,640 --> 00:00:34,440 Speaker 4: didn't gravitate towards this show. I respect it, I loved 11 00:00:34,560 --> 00:00:37,720 Speaker 4: the actors in it. Not Why did I not? 12 00:00:38,120 --> 00:00:39,239 Speaker 3: I really don't know. 13 00:00:39,600 --> 00:00:42,800 Speaker 1: I think it's because men are pretty dang evil. Most 14 00:00:42,800 --> 00:00:46,800 Speaker 1: of the men are like, ridiculously evil in this series. 15 00:00:46,880 --> 00:00:49,400 Speaker 2: Can I tell you how that could be intimidating to men. 16 00:00:49,520 --> 00:00:51,960 Speaker 4: I didn't know the plot of the show until recently. 17 00:00:52,040 --> 00:00:54,480 Speaker 4: You broke it all down for me, and I said, oh, 18 00:00:54,520 --> 00:00:54,920 Speaker 4: that's it. 19 00:00:55,720 --> 00:00:58,920 Speaker 1: Elizabeth moss Is is this star this show? Of course, 20 00:00:58,920 --> 00:01:01,880 Speaker 1: we're talking about the Second Tale. And you've watched a 21 00:01:01,880 --> 00:01:02,800 Speaker 1: lot of things that she's in. 22 00:01:02,880 --> 00:01:06,360 Speaker 2: You like her, you love her. You watch things when 23 00:01:06,360 --> 00:01:08,600 Speaker 2: you see an actor or an actress that you respect, 24 00:01:08,800 --> 00:01:11,360 Speaker 2: but you never I don't know we're drawn into this. 25 00:01:11,400 --> 00:01:13,880 Speaker 4: But you've gotten me on board now and I can't 26 00:01:13,880 --> 00:01:15,560 Speaker 4: wait to watch. But we're talking to one of the 27 00:01:15,560 --> 00:01:16,600 Speaker 4: few good guys on the show. 28 00:01:16,600 --> 00:01:18,440 Speaker 2: You this this is fun. 29 00:01:18,280 --> 00:01:20,479 Speaker 1: Actually, So this is the final season for any fan 30 00:01:20,520 --> 00:01:23,080 Speaker 1: out there, you know, this season six, the final season 31 00:01:23,120 --> 00:01:26,440 Speaker 1: of The Handmaid's Tale. I've watched every single episode religiously. 32 00:01:27,080 --> 00:01:30,720 Speaker 1: And our next guest was started on season two and 33 00:01:30,760 --> 00:01:33,760 Speaker 1: he was a recurring character. But you know what, it's 34 00:01:33,760 --> 00:01:35,800 Speaker 1: got to be such a huge compliment when you're a 35 00:01:36,080 --> 00:01:39,279 Speaker 1: you're a recurring character, and you're so good that people 36 00:01:39,319 --> 00:01:44,479 Speaker 1: want more that you then become a main character seasons four, 37 00:01:44,920 --> 00:01:46,959 Speaker 1: five and now season six. 38 00:01:47,040 --> 00:01:49,720 Speaker 2: So I think maybe people can piece together. 39 00:01:50,360 --> 00:01:54,400 Speaker 1: We want to welcome the amazing and talented Sam Jager 40 00:01:54,480 --> 00:01:58,880 Speaker 1: aka Mark, one of the good guys of The Handmaid's Tale, 41 00:01:58,960 --> 00:01:59,840 Speaker 1: to the podcast. 42 00:02:00,400 --> 00:02:01,200 Speaker 2: Thanks for being with me. 43 00:02:01,240 --> 00:02:04,600 Speaker 4: And let's say congratulate. That's a hell of a compliment. Really, 44 00:02:04,680 --> 00:02:07,480 Speaker 4: she explained, that's a hell of a compliment, an incredible setup. 45 00:02:07,840 --> 00:02:10,640 Speaker 5: Can you set me up for every interview I do 46 00:02:10,720 --> 00:02:11,399 Speaker 5: for the rest. 47 00:02:11,160 --> 00:02:13,280 Speaker 6: Of my life unless you hide girl, I'd be happy 48 00:02:13,320 --> 00:02:16,560 Speaker 6: to but no huge fan and seriously, I was actually 49 00:02:17,120 --> 00:02:19,720 Speaker 6: so curious as an actor and even maybe as a 50 00:02:19,800 --> 00:02:22,880 Speaker 6: human when you're on a show that truly is about, 51 00:02:23,760 --> 00:02:26,760 Speaker 6: perhaps even a cautionary tale of what evil and power 52 00:02:26,800 --> 00:02:30,240 Speaker 6: and misogyny can do to a society, to. 53 00:02:30,280 --> 00:02:34,280 Speaker 1: Play literally one of the only guys who isn't evil 54 00:02:34,960 --> 00:02:38,200 Speaker 1: or a rapist, or you name any horrible thing you 55 00:02:38,200 --> 00:02:39,800 Speaker 1: can think of about what the worst thing a man 56 00:02:39,840 --> 00:02:41,880 Speaker 1: could do, and you're one of the good guys. 57 00:02:41,919 --> 00:02:43,000 Speaker 2: What's that feel like? 58 00:02:44,520 --> 00:02:47,600 Speaker 5: You know what's so funny is I'm still like, for 59 00:02:47,639 --> 00:02:51,200 Speaker 5: the first few seasons I was on this, people were 60 00:02:51,240 --> 00:02:54,440 Speaker 5: still like, I don't know about this Mark guy. 61 00:02:55,000 --> 00:02:55,600 Speaker 3: What's his. 62 00:02:57,040 --> 00:02:59,880 Speaker 5: And I think because they've been so maybe scarred for 63 00:03:00,440 --> 00:03:07,200 Speaker 5: so many horrific antagonists on our show being white men, 64 00:03:07,480 --> 00:03:09,320 Speaker 5: I think they were like, oh man, this guy's going 65 00:03:09,400 --> 00:03:13,080 Speaker 5: to turn on everybody. And while he is very political, 66 00:03:13,160 --> 00:03:15,560 Speaker 5: I think that's what you know. They people don't know 67 00:03:15,600 --> 00:03:19,120 Speaker 5: where he stood for a long time, and hopefully by 68 00:03:19,160 --> 00:03:22,360 Speaker 5: this final season they know that Mark is truly a 69 00:03:22,400 --> 00:03:25,959 Speaker 5: guy who's trying to save what's left a democracy in 70 00:03:27,120 --> 00:03:29,280 Speaker 5: this horrific landscape. 71 00:03:29,320 --> 00:03:31,240 Speaker 4: So you said, people are still trying to figure it out, 72 00:03:31,320 --> 00:03:33,640 Speaker 4: But what was the turn? Is there anything you would 73 00:03:33,639 --> 00:03:36,320 Speaker 4: point to as a turning point or maybe even an 74 00:03:36,360 --> 00:03:37,960 Speaker 4: episode people really reacted to. 75 00:03:38,040 --> 00:03:39,160 Speaker 3: What was the turning point? 76 00:03:39,240 --> 00:03:42,400 Speaker 4: Do you think where maybe the writers the producer saw 77 00:03:42,480 --> 00:03:45,240 Speaker 4: more in you or was it always expected that you 78 00:03:45,280 --> 00:03:46,800 Speaker 4: were going to take on a larger role. 79 00:03:48,080 --> 00:03:51,400 Speaker 5: I think I think they just kept bringing me back 80 00:03:51,440 --> 00:03:54,720 Speaker 5: because they liked the chemistry I had with Yvonne, and 81 00:03:55,200 --> 00:03:57,680 Speaker 5: it was an interesting side that we didn't get to 82 00:03:57,720 --> 00:04:01,480 Speaker 5: see from her. You know, her character, Serena plays this 83 00:04:01,560 --> 00:04:05,080 Speaker 5: kind of matriarch within Gilead, which is this you know, 84 00:04:05,320 --> 00:04:12,800 Speaker 5: government that's religiously you know, kind of centered that has 85 00:04:13,360 --> 00:04:18,480 Speaker 5: taken over the United States and now most of North America. 86 00:04:18,640 --> 00:04:22,960 Speaker 5: And so it's one of those storylines that they thought, oh, 87 00:04:23,000 --> 00:04:25,200 Speaker 5: we can see a little more humanity in this woman 88 00:04:25,279 --> 00:04:29,040 Speaker 5: who seems so evil and evil. 89 00:04:29,240 --> 00:04:32,920 Speaker 1: It's about you, said, matriarch. I was thinking self righteous, 90 00:04:33,120 --> 00:04:37,280 Speaker 1: b I d H. And it's true your character made 91 00:04:37,360 --> 00:04:40,160 Speaker 1: us feel something for her because you saw a number 92 00:04:40,240 --> 00:04:42,960 Speaker 1: of goodness in her right. 93 00:04:43,320 --> 00:04:47,040 Speaker 5: Well, you know, when I first got this this role, 94 00:04:47,120 --> 00:04:50,080 Speaker 5: I looked back at the only scene that had a 95 00:04:50,120 --> 00:04:54,200 Speaker 5: flashback of her, and it showed her before Gilead, and yes, 96 00:04:54,240 --> 00:04:56,680 Speaker 5: she was kind of self righteous, but she was also 97 00:04:56,720 --> 00:05:02,680 Speaker 5: this powerful feminine in a way and I thought, that's 98 00:05:02,800 --> 00:05:05,120 Speaker 5: that's the woman this character is going to fall in 99 00:05:05,160 --> 00:05:08,800 Speaker 5: love with and try to hold on to who that 100 00:05:09,080 --> 00:05:12,680 Speaker 5: is and still hope for that. And one of the 101 00:05:12,720 --> 00:05:16,600 Speaker 5: things I think Handmaid's Tale has gotten better about is 102 00:05:16,880 --> 00:05:20,840 Speaker 5: the first seasons and throughout it is it can be. 103 00:05:21,800 --> 00:05:23,320 Speaker 5: I don't want to say it's hard to watch, because 104 00:05:23,320 --> 00:05:27,360 Speaker 5: it's a pretty riveting show, but it's it's visceral, and 105 00:05:27,400 --> 00:05:34,000 Speaker 5: it's it's you know, it's pretty gripping and graphic and engaging. 106 00:05:34,360 --> 00:05:37,240 Speaker 5: And so I think one of the things that they, 107 00:05:37,400 --> 00:05:40,480 Speaker 5: you know, that we liked in this early, you know, 108 00:05:40,560 --> 00:05:45,359 Speaker 5: early on was Mark comes in and he's got this 109 00:05:45,360 --> 00:05:49,320 Speaker 5: this compassion and this humanity and this this hope that 110 00:05:49,760 --> 00:05:53,680 Speaker 5: our show I think needed, you know. And here we 111 00:05:53,720 --> 00:05:57,479 Speaker 5: are in the final season and we're you know, kind 112 00:05:57,480 --> 00:06:01,280 Speaker 5: of congratulating and rewarding our fame for sticking with us 113 00:06:01,360 --> 00:06:06,760 Speaker 5: this long because it is. 114 00:06:04,760 --> 00:06:07,800 Speaker 1: It's Sam, because I hadn't thought about that at all, 115 00:06:07,880 --> 00:06:10,880 Speaker 1: but you did offer, like that hope that all men 116 00:06:10,960 --> 00:06:11,480 Speaker 1: aren't terrible. 117 00:06:11,480 --> 00:06:13,200 Speaker 2: I mean, there are a couple like Luke. The character 118 00:06:13,240 --> 00:06:13,799 Speaker 2: of Luke. 119 00:06:13,720 --> 00:06:17,600 Speaker 1: Is it is it a good guy Nick, even though 120 00:06:17,640 --> 00:06:20,680 Speaker 1: he is with Gilliad, is also a good guy. 121 00:06:20,720 --> 00:06:23,560 Speaker 2: So there are a few of you, but so far, 122 00:06:24,800 --> 00:06:30,120 Speaker 2: so few and far between. Yeah, I would say a 123 00:06:30,160 --> 00:06:32,640 Speaker 2: single character on the show is evil. 124 00:06:32,880 --> 00:06:34,680 Speaker 1: But I hadn't thought about how you were able to 125 00:06:34,680 --> 00:06:38,240 Speaker 1: bring out a warmth to the character of Serena that 126 00:06:38,320 --> 00:06:40,159 Speaker 1: you know, she was the woman that everyone loved to 127 00:06:40,200 --> 00:06:42,400 Speaker 1: hate for the first couple of seasons because she was 128 00:06:42,480 --> 00:06:47,359 Speaker 1: just so terrible and so awful. Uh, but you actually 129 00:06:47,360 --> 00:06:49,240 Speaker 1: were Are you one of the few? I guess You've 130 00:06:49,279 --> 00:06:52,679 Speaker 1: got the love story with Nick and Elizabeth Moss's character 131 00:06:53,279 --> 00:06:56,599 Speaker 1: uh in June, but you're kind of the only other 132 00:06:56,640 --> 00:07:01,839 Speaker 1: love story really in the entire series, I suppose. 133 00:07:01,440 --> 00:07:05,520 Speaker 5: So, yes, yes, And you know what's interesting is the show. 134 00:07:05,920 --> 00:07:08,880 Speaker 5: What I loved about that dynamic. The show is written 135 00:07:09,120 --> 00:07:12,480 Speaker 5: that these two characters are so protected and so diplomatic 136 00:07:12,680 --> 00:07:16,239 Speaker 5: and love to be the smartest person in every room, 137 00:07:16,440 --> 00:07:18,560 Speaker 5: and I think that's what they're kind of drawn to 138 00:07:18,640 --> 00:07:21,280 Speaker 5: about each other. And so it's kind of almost like 139 00:07:21,480 --> 00:07:24,800 Speaker 5: Victorian writing. You know that these two you can get 140 00:07:24,840 --> 00:07:27,559 Speaker 5: a sense that there's an attraction there, but they don't 141 00:07:27,720 --> 00:07:30,360 Speaker 5: come out and say it. And we kind of keep 142 00:07:30,520 --> 00:07:33,680 Speaker 5: that going throughout our series, which is I think what 143 00:07:33,840 --> 00:07:37,440 Speaker 5: makes it even more intriguing because it's not like Luke 144 00:07:37,720 --> 00:07:42,160 Speaker 5: and June or June and you know that we can 145 00:07:42,440 --> 00:07:45,240 Speaker 5: see them, you know, kind of navigate one another. 146 00:07:48,200 --> 00:07:52,960 Speaker 4: You'll use words what, riveting, captivating, visceral to describe the show. 147 00:07:53,080 --> 00:07:55,480 Speaker 4: And I'm again I've admitted here I haven't gone through 148 00:07:55,480 --> 00:07:58,720 Speaker 4: the seasons like you have. What is the what is 149 00:07:58,760 --> 00:08:01,240 Speaker 4: the upside the takeaway from the show. Does it leave 150 00:08:01,280 --> 00:08:03,240 Speaker 4: people at some point at the end of the seasons 151 00:08:03,880 --> 00:08:07,040 Speaker 4: with some message or some feeling of hope, Because I'll 152 00:08:07,040 --> 00:08:09,000 Speaker 4: admit Sam so much of what she's explained to me 153 00:08:09,480 --> 00:08:11,520 Speaker 4: like whoa, that's heavy. 154 00:08:11,320 --> 00:08:13,120 Speaker 2: It's fear, it's cautionary, like. 155 00:08:13,160 --> 00:08:18,000 Speaker 5: Why would watch this? Yeah? Yeah, you know, I think 156 00:08:18,640 --> 00:08:21,120 Speaker 5: one thing I love and one thing I keep trying 157 00:08:21,280 --> 00:08:26,680 Speaker 5: to get across as we, you know, share this last 158 00:08:26,680 --> 00:08:30,760 Speaker 5: season with fans is the show I think was vilified 159 00:08:30,760 --> 00:08:35,120 Speaker 5: early on as this sort of anti right wing or 160 00:08:35,320 --> 00:08:41,040 Speaker 5: anti conservative show, and at its core, it's really people 161 00:08:41,640 --> 00:08:46,600 Speaker 5: trying to be compassionate understanding. It's a diverse cast, and 162 00:08:46,640 --> 00:08:52,280 Speaker 5: it does show kind of a cautionary tale for what 163 00:08:52,440 --> 00:08:58,520 Speaker 5: happens when we try to corral people in a democratic society, 164 00:08:59,120 --> 00:09:01,880 Speaker 5: and so there are a lot of parallels with what's 165 00:09:01,920 --> 00:09:07,520 Speaker 5: going on nowadays. But the underlining thing for me growing 166 00:09:07,640 --> 00:09:11,439 Speaker 5: up in you know, I went to church. I sang 167 00:09:11,440 --> 00:09:13,920 Speaker 5: in the church choir from like sixth grade until I 168 00:09:13,960 --> 00:09:16,800 Speaker 5: graduated high school. So that was a part of, you know, 169 00:09:17,040 --> 00:09:21,800 Speaker 5: my upbringing in Ohio. And the thing about the main characters, Serena, 170 00:09:22,040 --> 00:09:26,120 Speaker 5: although she's very you know, I've spoken about her very 171 00:09:27,160 --> 00:09:32,880 Speaker 5: rigid view of faith and God, June is always seeking 172 00:09:33,600 --> 00:09:37,840 Speaker 5: God and trusting and hoping, and that's her faith in 173 00:09:37,880 --> 00:09:40,079 Speaker 5: a higher power. And that's one of the things I 174 00:09:40,120 --> 00:09:42,360 Speaker 5: think has gotten lost over the years and one of 175 00:09:42,360 --> 00:09:44,800 Speaker 5: the things that for me, you know, I keep coming 176 00:09:44,840 --> 00:09:47,040 Speaker 5: back to. It's not trying to look down at people. 177 00:09:47,120 --> 00:09:49,800 Speaker 5: It's trying to say, this is if you were in 178 00:09:49,800 --> 00:09:52,679 Speaker 5: this scenario. And this is the great thing about TV. 179 00:09:52,840 --> 00:09:55,480 Speaker 5: You can't do this in film is show nuance. In film, 180 00:09:55,480 --> 00:09:57,720 Speaker 5: it's either this guy's a bad guy and that guy's 181 00:09:57,720 --> 00:10:00,400 Speaker 5: a good guy. But we get to see how people 182 00:10:00,480 --> 00:10:04,920 Speaker 5: who are you know, who are fallible, still tried to 183 00:10:05,440 --> 00:10:08,400 Speaker 5: make amends. And that's one thing I love exploring with 184 00:10:08,440 --> 00:10:10,760 Speaker 5: our show that I feel like our show does better 185 00:10:10,800 --> 00:10:12,880 Speaker 5: than almost any other show. 186 00:10:13,400 --> 00:10:16,680 Speaker 4: Thank you saying that was a bunch much better sales 187 00:10:16,760 --> 00:10:21,839 Speaker 4: job than she gave me, and to me, thank you 188 00:10:21,880 --> 00:10:22,200 Speaker 4: for that. 189 00:10:22,320 --> 00:10:23,880 Speaker 3: Now, okay, but. 190 00:10:24,000 --> 00:10:27,679 Speaker 1: That really was a beautiful way to describe the arc 191 00:10:27,760 --> 00:10:30,000 Speaker 1: of the show as well. I mean, the first season 192 00:10:30,120 --> 00:10:33,760 Speaker 1: is just like but then honestly, you came in second 193 00:10:34,080 --> 00:10:36,200 Speaker 1: the second season, and I feel like that did bring 194 00:10:36,200 --> 00:10:36,400 Speaker 1: in some. 195 00:10:36,440 --> 00:10:38,520 Speaker 4: Of the art. Did you hear how she did it 196 00:10:38,559 --> 00:10:42,720 Speaker 4: the first season was that's usually her sales. To me, man, 197 00:10:42,800 --> 00:10:43,679 Speaker 4: that's a sales bitch. 198 00:10:44,400 --> 00:10:46,760 Speaker 1: Obviously, you would have had to have watched the first season, 199 00:10:47,200 --> 00:10:49,760 Speaker 1: I would imagine, at least after or at least before 200 00:10:49,800 --> 00:10:52,120 Speaker 1: signing on. What did you think of the first season 201 00:10:52,400 --> 00:10:54,360 Speaker 1: compared to the others when you jumped in. 202 00:11:03,760 --> 00:11:06,600 Speaker 5: I was just so taken, first of all, because it's 203 00:11:06,679 --> 00:11:10,800 Speaker 5: so stylistically dynamic compared to any other show, you know, 204 00:11:10,920 --> 00:11:13,280 Speaker 5: And a lot of times you'll see characters in the 205 00:11:13,400 --> 00:11:17,040 Speaker 5: like the bottom corner of a frame and then there's 206 00:11:17,080 --> 00:11:19,920 Speaker 5: a giant window behind them or a giant wall, and 207 00:11:19,960 --> 00:11:23,480 Speaker 5: it's just the way it shows all people kind of 208 00:11:23,960 --> 00:11:26,600 Speaker 5: kind of confined by even the frame we're watching them, 209 00:11:26,640 --> 00:11:29,719 Speaker 5: and so everything is really just almost set up like 210 00:11:29,800 --> 00:11:33,600 Speaker 5: a painting and so I think that can be That's 211 00:11:33,640 --> 00:11:37,080 Speaker 5: the first thing that I noticed about our show. But 212 00:11:37,679 --> 00:11:40,800 Speaker 5: I just feel like they they updated a book that 213 00:11:41,000 --> 00:11:45,600 Speaker 5: was written, you know, when I was a kid, and 214 00:11:45,640 --> 00:11:48,480 Speaker 5: it made it present day. It made it, it made 215 00:11:48,520 --> 00:11:51,560 Speaker 5: it more urgent. It made it also feel like this 216 00:11:51,640 --> 00:11:55,840 Speaker 5: could happen to us at any moment. And so I 217 00:11:55,880 --> 00:11:58,560 Speaker 5: think that's one of the things that's that's hard for 218 00:11:58,679 --> 00:12:01,079 Speaker 5: people because they keep coming back to, oh this could 219 00:12:01,360 --> 00:12:03,760 Speaker 5: you know, this could happen? Or is this happening? And 220 00:12:03,920 --> 00:12:06,280 Speaker 5: that's always a conversation with our show, and that's also 221 00:12:06,880 --> 00:12:09,000 Speaker 5: you know, the fun thing about our show is that's 222 00:12:09,000 --> 00:12:14,719 Speaker 5: a conversation or our writers have with the audience, you know, because. 223 00:12:14,440 --> 00:12:15,000 Speaker 2: It's so true. 224 00:12:15,040 --> 00:12:17,040 Speaker 1: That's what all of us when we're talking after we watch, 225 00:12:17,120 --> 00:12:18,120 Speaker 1: like could that happen here? 226 00:12:18,200 --> 00:12:18,920 Speaker 2: Oh my god? 227 00:12:19,400 --> 00:12:22,320 Speaker 1: And for people who don't know specifically who your character is, 228 00:12:22,400 --> 00:12:26,000 Speaker 1: you are a representative of the US government that's in 229 00:12:26,120 --> 00:12:30,600 Speaker 1: exile because this Gilead, this community has taken over all 230 00:12:30,640 --> 00:12:32,640 Speaker 1: of the United States, where women are property, they have 231 00:12:32,720 --> 00:12:35,960 Speaker 1: no rights, and that's a very broad stroke there, but 232 00:12:36,360 --> 00:12:40,680 Speaker 1: you are representing what the US used to be. How 233 00:12:40,720 --> 00:12:44,000 Speaker 1: do you engage in those conversations, because, especially in today's 234 00:12:44,040 --> 00:12:47,880 Speaker 1: political climate, but certainly even when this show began, that's 235 00:12:47,880 --> 00:12:49,920 Speaker 1: got to be something that people come up and talk 236 00:12:49,960 --> 00:12:51,680 Speaker 1: to you about all the time. 237 00:12:51,760 --> 00:12:52,680 Speaker 2: How do you handle that? 238 00:12:53,480 --> 00:12:57,319 Speaker 5: Right? Well, you know, I got into I got into 239 00:12:57,360 --> 00:13:02,000 Speaker 5: acting because I love, you know, I love understanding people 240 00:13:02,000 --> 00:13:04,520 Speaker 5: that aren't like me. You know, I grew up. My 241 00:13:04,679 --> 00:13:08,280 Speaker 5: siblings all do something different. They're all in service, you know, 242 00:13:08,400 --> 00:13:11,600 Speaker 5: one's a nurse, one with a guidance counselor and works 243 00:13:11,640 --> 00:13:16,400 Speaker 5: with a church, and ones in an officer. And I'm 244 00:13:16,559 --> 00:13:21,240 Speaker 5: always referencing, you know, I always pull from those stories. 245 00:13:21,520 --> 00:13:24,720 Speaker 5: And my job is to empathize with people that I 246 00:13:24,720 --> 00:13:28,559 Speaker 5: wouldn't normally empathize with. And you know, if the great 247 00:13:28,559 --> 00:13:30,720 Speaker 5: thing about being an actor is I have to try 248 00:13:30,720 --> 00:13:34,360 Speaker 5: and figure out what compels the other side to make 249 00:13:34,400 --> 00:13:38,720 Speaker 5: the choices they do. So while I don't often agree, 250 00:13:39,640 --> 00:13:42,280 Speaker 5: I do understand where things are coming from. As hard 251 00:13:42,280 --> 00:13:45,800 Speaker 5: as it is, it's my job, and I think hopefully 252 00:13:45,840 --> 00:13:47,760 Speaker 5: one of the things that we do on our show 253 00:13:47,880 --> 00:13:52,040 Speaker 5: is try to offer that conversation with people and show 254 00:13:52,160 --> 00:13:55,840 Speaker 5: what it's like for people that don't look like like 255 00:13:56,000 --> 00:14:00,320 Speaker 5: us or have the same you know, religious identity is 256 00:14:00,400 --> 00:14:02,679 Speaker 5: us what it's like on the other side of the fence. 257 00:14:03,760 --> 00:14:08,400 Speaker 4: I'm curious how that happened your your siblings, right, nurse, guidance, 258 00:14:08,480 --> 00:14:12,520 Speaker 4: counselor officer, I mean literally out there saving the world. 259 00:14:14,360 --> 00:14:17,080 Speaker 4: Really tell me I explain those dynamics. Clearly your parents 260 00:14:17,080 --> 00:14:21,080 Speaker 4: are doing something extremely right. But how do they all 261 00:14:21,200 --> 00:14:24,240 Speaker 4: up end up there? And here you are. 262 00:14:25,840 --> 00:14:27,120 Speaker 5: Well, I'm the baby of the family. 263 00:14:27,360 --> 00:14:31,280 Speaker 4: Ah, so you could, you could do. 264 00:14:31,240 --> 00:14:31,920 Speaker 6: Whatever you want. 265 00:14:32,760 --> 00:14:40,760 Speaker 5: And I was also ignored, you know. I know my 266 00:14:40,960 --> 00:14:45,640 Speaker 5: parents just love and we're fascinated and continue to be 267 00:14:45,760 --> 00:14:50,960 Speaker 5: fascinated by what makes their children tick. That it's not 268 00:14:51,040 --> 00:14:54,480 Speaker 5: just me that it's you know, although I have kind 269 00:14:54,480 --> 00:14:58,040 Speaker 5: of an extraordinary path. They love what my sisters do, 270 00:14:58,160 --> 00:15:00,520 Speaker 5: when my brother does, and they support and have an 271 00:15:00,520 --> 00:15:02,560 Speaker 5: interest in that. And that's one thing that I try 272 00:15:02,560 --> 00:15:05,320 Speaker 5: to carry out with my children. I try to figure 273 00:15:05,360 --> 00:15:10,240 Speaker 5: out what they love about living and nurture that. And 274 00:15:10,320 --> 00:15:13,160 Speaker 5: so I'm grateful to my parents. You know, I almost 275 00:15:13,360 --> 00:15:15,960 Speaker 5: I grew up thinking, you know, when I was a 276 00:15:16,000 --> 00:15:18,680 Speaker 5: young actor starting off, I thought, man, you know what, 277 00:15:19,160 --> 00:15:23,120 Speaker 5: I'm not tortured enough. All these great actors have all 278 00:15:23,200 --> 00:15:27,400 Speaker 5: this background where they had horrific, you know, childhoods with 279 00:15:27,760 --> 00:15:32,040 Speaker 5: abusive parents, and I kind of need that. And now 280 00:15:32,080 --> 00:15:34,280 Speaker 5: all these years later, I'm like, no, I don't have 281 00:15:34,320 --> 00:15:37,200 Speaker 5: any baggage. I get to come to something and not 282 00:15:37,360 --> 00:15:40,760 Speaker 5: feel like I need to protect some aspect of my 283 00:15:40,880 --> 00:15:43,280 Speaker 5: personality to perform, right, you know. 284 00:15:43,960 --> 00:15:44,880 Speaker 3: That's good parenting. 285 00:15:45,200 --> 00:15:48,120 Speaker 4: Right, And even on a show, Sam, you're on a 286 00:15:48,200 --> 00:15:52,200 Speaker 4: show that every guy is bad and you're still the 287 00:15:52,240 --> 00:15:53,360 Speaker 4: good guy. 288 00:15:54,640 --> 00:15:58,000 Speaker 1: It sounds like you can un in and you know 289 00:15:58,160 --> 00:16:01,440 Speaker 1: exactly right, that's awesome that you're meant to play your 290 00:16:01,600 --> 00:16:06,320 Speaker 1: entire life? What is what's when you have a show 291 00:16:06,360 --> 00:16:09,600 Speaker 1: that heavy and that dark? What is it like when 292 00:16:09,640 --> 00:16:11,480 Speaker 1: the cameras aren't rolling among the cast? 293 00:16:11,640 --> 00:16:13,640 Speaker 2: Do you do you? Is it? Is it? Do you 294 00:16:13,760 --> 00:16:17,239 Speaker 2: break the tension with laughter? And and uh frivilty? 295 00:16:17,320 --> 00:16:19,800 Speaker 1: Like? What is it like behind the scenes in between 296 00:16:20,640 --> 00:16:21,520 Speaker 1: all of the acting? 297 00:16:22,960 --> 00:16:28,000 Speaker 5: So fun? I mean, people on our show not only 298 00:16:28,040 --> 00:16:31,240 Speaker 5: are have all of us directed. So we come to it. 299 00:16:31,440 --> 00:16:34,200 Speaker 5: We come to it like what's the best way other story? 300 00:16:34,360 --> 00:16:36,080 Speaker 5: You know, we get we get out of you know, 301 00:16:36,120 --> 00:16:38,000 Speaker 5: we try to get as much ego out of the 302 00:16:38,040 --> 00:16:41,000 Speaker 5: way as possible. We're protective of our characters and where 303 00:16:41,000 --> 00:16:43,320 Speaker 5: their journey is. But we also trust the writing at 304 00:16:43,360 --> 00:16:47,880 Speaker 5: this point, and we just show up and uh, everybody works, 305 00:16:48,000 --> 00:16:50,640 Speaker 5: you know, everybody is good work, and they come in 306 00:16:50,720 --> 00:16:53,560 Speaker 5: ready to ready to play. And on a you know, 307 00:16:53,600 --> 00:16:56,520 Speaker 5: on a show that's so serious, I feel like, boy, 308 00:16:56,560 --> 00:16:59,080 Speaker 5: I don't know if we'd survive if we were really 309 00:16:59,120 --> 00:17:02,160 Speaker 5: heavy handed Courtard so no. 310 00:17:02,200 --> 00:17:03,600 Speaker 2: Med acting going on behind this? 311 00:17:03,720 --> 00:17:05,680 Speaker 5: Oh thank goodness, Oh my god. 312 00:17:06,480 --> 00:17:09,320 Speaker 2: I mean I was wondering, you know, I mean, how 313 00:17:09,440 --> 00:17:12,919 Speaker 2: you handle that? Because that is some heavy stuff. 314 00:17:13,359 --> 00:17:16,480 Speaker 5: You know, it's so funny. I love I actually love 315 00:17:16,600 --> 00:17:20,840 Speaker 5: a lot of method acting and actor but I've worked 316 00:17:20,840 --> 00:17:25,879 Speaker 5: with one or two and it's so much work, not 317 00:17:26,720 --> 00:17:30,280 Speaker 5: just for them, but I was a method actor and 318 00:17:30,320 --> 00:17:33,480 Speaker 5: I saw we were doing this scene and I saw 319 00:17:33,600 --> 00:17:37,199 Speaker 5: one of the camera crew say his name as his 320 00:17:37,320 --> 00:17:41,119 Speaker 5: actual name, and I saw ooh, and he got up 321 00:17:41,160 --> 00:17:43,520 Speaker 5: and walked around the room and I saw him like 322 00:17:43,560 --> 00:17:46,359 Speaker 5: whisper in the camera guy's ear to you know, to 323 00:17:46,440 --> 00:17:47,920 Speaker 5: say his character's name. 324 00:17:47,920 --> 00:17:50,159 Speaker 7: And he was like, oh, I'm so sorry, sorry of course, 325 00:17:50,600 --> 00:17:52,960 Speaker 7: And I just thought, man, this is way too much 326 00:17:53,000 --> 00:17:56,160 Speaker 7: work for everybody else. How about you just show up 327 00:17:56,240 --> 00:18:00,400 Speaker 7: and pretend because you're already like there's if you're gonna 328 00:18:00,440 --> 00:18:02,680 Speaker 7: be that method, just what you're going to walk into 329 00:18:02,680 --> 00:18:03,800 Speaker 7: a room and be like what are. 330 00:18:03,720 --> 00:18:09,120 Speaker 5: These cameras doing in here? Like just if you're gonna 331 00:18:09,160 --> 00:18:11,480 Speaker 5: be method, then just to be like, what what am 332 00:18:11,480 --> 00:18:21,160 Speaker 5: I on a stage? I'm in I'm in seventeenth century England? Guys, 333 00:18:21,440 --> 00:18:23,679 Speaker 5: just get over yourselves. 334 00:18:25,760 --> 00:18:30,520 Speaker 4: Yeah, okay, all right, that is I. 335 00:18:32,040 --> 00:18:34,240 Speaker 2: Take don't take yourself so seriously, right. 336 00:18:35,000 --> 00:18:39,760 Speaker 5: No, because you have to be exponentially better at acting 337 00:18:40,480 --> 00:18:42,960 Speaker 5: to have people be like, yeah, I'll work with that 338 00:18:43,040 --> 00:18:48,320 Speaker 5: guy again. But he's like, I mean, you got to 339 00:18:48,359 --> 00:18:50,520 Speaker 5: be like Daniel day Lewis, where it's just like, okay, 340 00:18:50,560 --> 00:18:54,120 Speaker 5: he's unbelievable. So we can put up with that because 341 00:18:54,600 --> 00:18:56,520 Speaker 5: the product is amazed. 342 00:18:56,160 --> 00:18:58,280 Speaker 2: It's so funny, you all time favorite actor. 343 00:18:58,400 --> 00:19:00,159 Speaker 1: So yes, and I knew he was a method actor, 344 00:19:00,160 --> 00:19:02,760 Speaker 1: but to your point, yes, he's kind of earned the 345 00:19:02,840 --> 00:19:05,040 Speaker 1: right to be that because it's just that good. 346 00:19:06,440 --> 00:19:09,280 Speaker 5: And I think also a generous and kind spirit as well. 347 00:19:09,400 --> 00:19:12,040 Speaker 5: So I don't you know, you know, they're not all 348 00:19:12,359 --> 00:19:15,600 Speaker 5: you know, it's like Gilead, they're not all bad on 349 00:19:15,640 --> 00:19:16,160 Speaker 5: the hand. 350 00:19:16,240 --> 00:19:20,399 Speaker 4: Fail see, he has done such a better job of 351 00:19:20,440 --> 00:19:23,680 Speaker 4: pitching this show. Well, he's got me very curious about 352 00:19:23,720 --> 00:19:26,160 Speaker 4: the show. Can I pick it up in his seasons 353 00:19:26,200 --> 00:19:28,680 Speaker 4: and be okay? Or I need some backstory season. 354 00:19:28,359 --> 00:19:30,520 Speaker 1: Two I can tell you, and you know how I 355 00:19:30,560 --> 00:19:34,320 Speaker 1: love to talk. Oh yeah, fill in the blanks for 356 00:19:34,359 --> 00:19:36,200 Speaker 1: you during a quiet moment. 357 00:19:36,960 --> 00:19:38,920 Speaker 5: I don't know if you want. I mean it needs 358 00:19:38,920 --> 00:19:40,960 Speaker 5: to be. It sounds like it needs to be your show. 359 00:19:41,080 --> 00:19:43,920 Speaker 5: You need to find a way to make it, make it. 360 00:19:43,880 --> 00:19:45,480 Speaker 3: Makes a good point. Okay, help us with that? 361 00:19:45,600 --> 00:19:48,080 Speaker 4: All right there, I assume you have to get the Yeah, 362 00:19:48,080 --> 00:19:50,119 Speaker 4: plenty of fans out there, plenty of folks probably come 363 00:19:50,160 --> 00:19:53,119 Speaker 4: up to you on the street. Do you what is 364 00:19:53,200 --> 00:19:57,800 Speaker 4: the divide between your male and female viewership? It was 365 00:19:57,840 --> 00:20:01,520 Speaker 4: hard to find it online, But what's your understanding of 366 00:20:02,119 --> 00:20:04,840 Speaker 4: the number? Is the percentage of female viewership versus male? 367 00:20:06,640 --> 00:20:10,720 Speaker 5: I'm sure it's female driven, but I think it's a 368 00:20:10,800 --> 00:20:14,480 Speaker 5: show that couples like to watch to get some couples. 369 00:20:14,600 --> 00:20:17,160 Speaker 2: Other couple, sam great, yes. 370 00:20:17,200 --> 00:20:21,520 Speaker 5: Other couples. Yeah, can't can't do it. But yeah, I 371 00:20:22,080 --> 00:20:24,800 Speaker 5: actually don't know the numbers. I mean that's yeah. 372 00:20:25,000 --> 00:20:27,280 Speaker 1: I wish more women come up to you than men, obviously, 373 00:20:27,280 --> 00:20:29,480 Speaker 1: probably just because they think you're cute. But would you 374 00:20:29,520 --> 00:20:30,720 Speaker 1: say that's a fair statement. 375 00:20:31,440 --> 00:20:35,000 Speaker 5: I wouldn't even say that that. No, I don't get 376 00:20:35,359 --> 00:20:38,600 Speaker 5: I don't. I'm pretty daft when it comes to people 377 00:20:38,680 --> 00:20:43,399 Speaker 5: hitting on me. So I I've always been just and 378 00:20:43,560 --> 00:20:45,960 Speaker 5: even as a celebrity, I walk around and when people 379 00:20:46,000 --> 00:20:49,000 Speaker 5: like smile at me, I just assume they're being overly nice, 380 00:20:49,080 --> 00:20:52,200 Speaker 5: not because they recognize me from something or you know. 381 00:20:52,880 --> 00:20:56,040 Speaker 5: But as for the as for the fans who come up, 382 00:20:56,240 --> 00:20:59,280 Speaker 5: I would say it's I would say it's fifty to fifty. 383 00:20:59,400 --> 00:21:01,639 Speaker 2: Really, whoa, that's why? 384 00:21:02,119 --> 00:21:05,600 Speaker 1: Now do you get recognized more for The Handmaid's Tale? 385 00:21:05,680 --> 00:21:08,760 Speaker 2: Maybe because it's recent or from Parenthood. 386 00:21:10,880 --> 00:21:14,000 Speaker 5: That's still probably fifty to fifty you know, a little 387 00:21:14,040 --> 00:21:16,560 Speaker 5: more for Handmaid's Tale in the last couple of years. 388 00:21:16,600 --> 00:21:20,359 Speaker 1: But that makes sense that are you surprised by just 389 00:21:20,480 --> 00:21:23,320 Speaker 1: the still kind of rabid fan base that Parenthood still has. 390 00:21:23,480 --> 00:21:26,360 Speaker 1: I mean, I'm reading people are constantly asking you if 391 00:21:26,359 --> 00:21:29,240 Speaker 1: you'd be participating in a reboot or a sequel or 392 00:21:29,560 --> 00:21:34,159 Speaker 1: people want more. I mean that show ended ten years ago, correct. 393 00:21:34,840 --> 00:21:39,600 Speaker 5: Yeah, I think it remains relevant because people keep having babies, 394 00:21:41,680 --> 00:21:47,199 Speaker 5: so we're always trying to you know, figure out. You know, 395 00:21:47,240 --> 00:21:50,439 Speaker 5: we want something that feels like am I insane? Or 396 00:21:50,560 --> 00:21:55,760 Speaker 5: is this job absolutely ludicrous? Because every time my wife 397 00:21:55,760 --> 00:21:58,720 Speaker 5: and I had a kid, it's like two years in 398 00:21:58,800 --> 00:22:02,480 Speaker 5: we're like, wait, how have we survived as a species? 399 00:22:03,119 --> 00:22:06,560 Speaker 5: Like this is so moments of this are so unbearable 400 00:22:06,600 --> 00:22:09,919 Speaker 5: that I don't know how our species was able to 401 00:22:09,960 --> 00:22:12,920 Speaker 5: be like, hey, let's do this again, but without fail. 402 00:22:13,000 --> 00:22:16,560 Speaker 5: We always forget because babies are adorable and because we 403 00:22:16,640 --> 00:22:19,680 Speaker 5: get the value eventually that we're just like, yeah, let's 404 00:22:19,720 --> 00:22:20,639 Speaker 5: keep having kids. 405 00:22:20,960 --> 00:22:24,720 Speaker 2: You know, I know, I saw a survey. I think 406 00:22:24,720 --> 00:22:27,080 Speaker 2: it was ten. We're all parents here. 407 00:22:27,720 --> 00:22:30,760 Speaker 1: Mine are much older now, twenty two and almost nineteen 408 00:22:30,840 --> 00:22:34,160 Speaker 1: actually this weekend. But I saw a survey that said 409 00:22:34,280 --> 00:22:37,520 Speaker 1: people I think they surveyed people in their fifties and 410 00:22:37,640 --> 00:22:41,399 Speaker 1: said people who were happy, what their happy quotion was, 411 00:22:41,800 --> 00:22:48,399 Speaker 1: And resoundingly, people who didn't have kids were happier. No, and. 412 00:22:57,119 --> 00:22:59,800 Speaker 5: I've read those I've read those studies as well. But 413 00:22:59,840 --> 00:23:05,679 Speaker 5: my submission is this, Yes, they're happier, but if you 414 00:23:05,800 --> 00:23:10,359 Speaker 5: have a child, your heart basically you know that the 415 00:23:10,440 --> 00:23:14,800 Speaker 5: DNA DNA of being a parent is I'm going to 416 00:23:14,880 --> 00:23:18,400 Speaker 5: give bring somebody into the world, and basically my heart 417 00:23:18,480 --> 00:23:21,680 Speaker 5: is going to go walking around on the outside and 418 00:23:22,000 --> 00:23:26,760 Speaker 5: just knowing that there's always in trepidation, a caution and 419 00:23:27,040 --> 00:23:30,080 Speaker 5: a worry that goes along with being a parent, which 420 00:23:30,080 --> 00:23:34,840 Speaker 5: I think accounts for you know, you know, i'd you know, 421 00:23:35,160 --> 00:23:38,159 Speaker 5: and I'll I'll happily trade that for the joy that, 422 00:23:38,440 --> 00:23:41,479 Speaker 5: you know, the bittersweet joy that these boys bring me. 423 00:23:41,640 --> 00:23:44,680 Speaker 5: I mean, oh my gosh, sometimes they're just talking to me. 424 00:23:44,760 --> 00:23:47,159 Speaker 5: I got, I got, I got three sons and a 425 00:23:47,200 --> 00:23:50,960 Speaker 5: step daughter, and my boys even at every age. You know, 426 00:23:51,000 --> 00:23:53,040 Speaker 5: if you have the right perspective as a parent, you're 427 00:23:53,080 --> 00:23:59,280 Speaker 5: just like my teenager says things that are so adorably teenage, 428 00:23:59,840 --> 00:24:03,399 Speaker 5: you know, like only a teenager could say that, and 429 00:24:03,480 --> 00:24:07,560 Speaker 5: so you know he's got to relish whatever stage they're at, 430 00:24:07,680 --> 00:24:10,200 Speaker 5: because it is fleeting for sure. 431 00:24:10,440 --> 00:24:11,920 Speaker 3: What are the ages there in the house. 432 00:24:13,160 --> 00:24:15,800 Speaker 5: So I've got quite a gap. We've got an eight 433 00:24:15,880 --> 00:24:19,280 Speaker 5: year old boy, a ten year old boy, and a 434 00:24:19,400 --> 00:24:23,320 Speaker 5: fourteen year old boy. And then my stepdaughter is thirty, so, 435 00:24:23,560 --> 00:24:27,760 Speaker 5: oh my goodness, and the poor thing. She has two 436 00:24:27,800 --> 00:24:30,880 Speaker 5: brothers on her dad's side as well, so she has 437 00:24:31,080 --> 00:24:33,160 Speaker 5: five five brothers. 438 00:24:33,240 --> 00:24:36,840 Speaker 4: Oh my goodness, you get all those numbing the numbers 439 00:24:36,880 --> 00:24:43,680 Speaker 4: together still eight ten, fourteen and thirty thirty, Yeah. 440 00:24:43,200 --> 00:24:45,119 Speaker 3: That's a gap. Is a thirty year old upstairs in 441 00:24:45,119 --> 00:24:45,760 Speaker 3: the house too? 442 00:24:45,800 --> 00:24:51,040 Speaker 5: And no, thankfully she's in he's in DC with her husband, 443 00:24:52,280 --> 00:24:55,239 Speaker 5: and I don't worry about her, you know, putting her 444 00:24:55,240 --> 00:24:58,280 Speaker 5: clothes on in the morning and you know the water, 445 00:24:58,600 --> 00:24:59,359 Speaker 5: So that's great. 446 00:25:00,920 --> 00:25:04,600 Speaker 1: I do love how you put that that the worry 447 00:25:04,680 --> 00:25:07,200 Speaker 1: that does it does weigh on you. And then also 448 00:25:07,280 --> 00:25:09,800 Speaker 1: the guilt for me. Maybe I don't know if that's 449 00:25:09,840 --> 00:25:12,840 Speaker 1: just moms, but it's like that constantly. But those moments, 450 00:25:13,040 --> 00:25:16,240 Speaker 1: I would also say they're happier because sometimes you don't 451 00:25:16,280 --> 00:25:19,080 Speaker 1: know what you don't know, so they don't know what 452 00:25:19,119 --> 00:25:19,679 Speaker 1: they're missing. 453 00:25:19,800 --> 00:25:21,280 Speaker 2: Is a is a one way to look at it. 454 00:25:21,320 --> 00:25:23,840 Speaker 3: To all those folks that don't have kids, Yes, but. 455 00:25:23,800 --> 00:25:25,760 Speaker 2: Maybe they're laughing at me because they don't know what 456 00:25:25,800 --> 00:25:26,359 Speaker 2: I'm missing. 457 00:25:27,280 --> 00:25:30,240 Speaker 3: Yes, single fifty, no kids, that sounds. 458 00:25:29,960 --> 00:25:33,680 Speaker 1: Awesome, free existence with a much bigger bank account. 459 00:25:33,960 --> 00:25:35,960 Speaker 4: No, do you really think there's a fifty year old 460 00:25:36,280 --> 00:25:39,800 Speaker 4: single folks run around going yay, I'm so glad I 461 00:25:39,920 --> 00:25:40,520 Speaker 4: never got married. 462 00:25:40,520 --> 00:25:43,280 Speaker 3: I'm glad I never had kids. Oh yeah, they look great. 463 00:25:43,320 --> 00:25:47,919 Speaker 4: Okay, I didn't know that. 464 00:25:47,320 --> 00:25:49,320 Speaker 1: So all right, So what I know you said, You've 465 00:25:49,560 --> 00:25:52,959 Speaker 1: you've got some directing on your resume. 466 00:25:53,080 --> 00:25:53,760 Speaker 2: So what's next? 467 00:25:53,800 --> 00:25:55,560 Speaker 1: Where do you uh, where do you want to take 468 00:25:55,560 --> 00:25:58,639 Speaker 1: your career? Handmaid's Tale the last episode. 469 00:25:58,680 --> 00:26:01,960 Speaker 2: We haven't seen it yet. We're very excited about it. 470 00:26:02,000 --> 00:26:02,840 Speaker 2: But what's next? 471 00:26:02,840 --> 00:26:05,600 Speaker 1: And how did it feel to say goodbye to this 472 00:26:05,840 --> 00:26:06,880 Speaker 1: juggernaut of a show. 473 00:26:07,760 --> 00:26:13,919 Speaker 5: Yeah, well, I mean I chose a nomadic career, so 474 00:26:14,040 --> 00:26:17,359 Speaker 5: trying to figure out what's next is always you know, 475 00:26:17,600 --> 00:26:22,280 Speaker 5: trying to make peace with being momentarily unemployed is part 476 00:26:22,280 --> 00:26:25,439 Speaker 5: of the battle and just and just accepting. You know, 477 00:26:25,520 --> 00:26:27,120 Speaker 5: this is a rare time I get to be home 478 00:26:27,160 --> 00:26:30,959 Speaker 5: with my kids after traveling to Toronto for years. So 479 00:26:32,280 --> 00:26:35,040 Speaker 5: you know, I'm I'm I'm writing another project that's a 480 00:26:35,080 --> 00:26:38,399 Speaker 5: film noir set in Los Angeles, and and that's a 481 00:26:40,200 --> 00:26:44,280 Speaker 5: that's just kind of my you know, part of one 482 00:26:44,320 --> 00:26:47,400 Speaker 5: of my favorite kind of genres of film. I realized, 483 00:26:47,520 --> 00:26:52,040 Speaker 5: and this is weird, speaking of like, you know, terrible 484 00:26:52,080 --> 00:26:56,040 Speaker 5: men in our you know, in our I realized earlier 485 00:26:56,040 --> 00:26:58,600 Speaker 5: on that all of my favorite films are the same film, 486 00:26:58,800 --> 00:27:01,359 Speaker 5: which is about some guys trying to save a woman 487 00:27:01,560 --> 00:27:05,480 Speaker 5: that should not be saved, and they're all film noir, 488 00:27:05,680 --> 00:27:10,359 Speaker 5: like the conversation by Coppola or Vertigo or in a 489 00:27:10,480 --> 00:27:13,119 Speaker 5: town where you're just like, I know where you're headed, 490 00:27:13,160 --> 00:27:17,400 Speaker 5: but just don't Yeah, just don't know that that direction. 491 00:27:17,680 --> 00:27:20,439 Speaker 5: So film noir for me has always been just so 492 00:27:20,600 --> 00:27:22,399 Speaker 5: fascinating and I don't know what it says about me 493 00:27:22,440 --> 00:27:23,120 Speaker 5: that I'm you. 494 00:27:23,040 --> 00:27:26,840 Speaker 3: Know, you'll say that's exactly his role in. 495 00:27:27,480 --> 00:27:31,080 Speaker 1: You literally just described your character's role with who was 496 00:27:31,119 --> 00:27:32,040 Speaker 1: trying to save a woman? 497 00:27:34,800 --> 00:27:36,480 Speaker 2: You just described. 498 00:27:36,280 --> 00:27:42,119 Speaker 5: Yes, yes, I don't know. Maybe this is good that 499 00:27:42,160 --> 00:27:45,160 Speaker 5: I didn't put these two together until after I've done 500 00:27:45,160 --> 00:27:48,080 Speaker 5: shooting this whole series. I mean, maybe I gone into 501 00:27:48,119 --> 00:27:52,199 Speaker 5: every scene like, guys, we can't my character wouldn't say this, 502 00:27:52,440 --> 00:27:56,520 Speaker 5: or I can't go down this road. I'm glad. Oh, 503 00:27:56,560 --> 00:28:01,800 Speaker 5: I'm glad we're doing this interview now. Yeah. Oh, And 504 00:28:01,840 --> 00:28:06,440 Speaker 5: you know, finishing up the show was was so wonderful. 505 00:28:06,480 --> 00:28:09,680 Speaker 5: I got to be especially these last two episodes, I 506 00:28:10,119 --> 00:28:13,679 Speaker 5: feel like are great television and I'm so excited for 507 00:28:13,720 --> 00:28:16,720 Speaker 5: the fans to watch. But I got to be a 508 00:28:16,760 --> 00:28:20,040 Speaker 5: part of some scenes that are one of some of 509 00:28:20,080 --> 00:28:23,479 Speaker 5: the most important of our series, and they're goodbyes that 510 00:28:23,640 --> 00:28:27,879 Speaker 5: not just with my but other characters. And you know, 511 00:28:28,000 --> 00:28:32,520 Speaker 5: I just it was I'm so grateful to be working 512 00:28:32,520 --> 00:28:35,840 Speaker 5: with these people. You know, to work on anything period 513 00:28:35,880 --> 00:28:38,000 Speaker 5: as a miracle as an actor, but to work with 514 00:28:38,040 --> 00:28:43,280 Speaker 5: people you admire that you know are good people out 515 00:28:43,280 --> 00:28:45,320 Speaker 5: in the world, that's so rare. 516 00:28:46,600 --> 00:28:50,920 Speaker 1: I love just hearing your enthusiasm for this lifelong career 517 00:28:50,920 --> 00:28:55,360 Speaker 1: you've had and your gratitude for it. And I'm so 518 00:28:55,440 --> 00:28:58,000 Speaker 1: excited to watch the last couple of episodes. I think 519 00:28:58,080 --> 00:29:00,160 Speaker 1: the last one drops May twenty seven for anyone who 520 00:29:00,200 --> 00:29:02,880 Speaker 1: wants to know. But I also I think t J 521 00:29:03,000 --> 00:29:06,720 Speaker 1: and I can pass along sometimes what it's like to 522 00:29:06,760 --> 00:29:10,560 Speaker 1: have even unexpected momentary lapses in employment. 523 00:29:12,760 --> 00:29:14,440 Speaker 2: We experienced that a couple of years ago. 524 00:29:14,480 --> 00:29:19,160 Speaker 1: And the cool thing is it breeds creative new doors. 525 00:29:19,280 --> 00:29:22,080 Speaker 1: You know, things that you weren't even expecting could happen 526 00:29:22,120 --> 00:29:24,800 Speaker 1: or what happened to and you find yourself in the 527 00:29:24,840 --> 00:29:27,600 Speaker 1: position that you never thought. So I think sometimes those 528 00:29:27,640 --> 00:29:30,760 Speaker 1: moments are the greatest ones of our careers because you 529 00:29:30,840 --> 00:29:33,480 Speaker 1: get to go into a new direction that you might not. 530 00:29:33,440 --> 00:29:34,280 Speaker 2: Have even anticipated. 531 00:29:34,320 --> 00:29:36,120 Speaker 4: What we could have used as counsel two years ago. 532 00:29:38,320 --> 00:29:41,720 Speaker 5: So you guys, I've landed in the right spot, I think. 533 00:29:42,040 --> 00:29:44,440 Speaker 2: Well, we know you will too. 534 00:29:44,600 --> 00:29:46,800 Speaker 1: We cannot wait to see what else you have in 535 00:29:46,800 --> 00:29:49,880 Speaker 1: store for us, because we will be consuming it. Sam Jager, 536 00:29:50,160 --> 00:29:52,680 Speaker 1: it was such a pleasure speaking to you. It was 537 00:29:52,760 --> 00:29:54,720 Speaker 1: so lovely to get to know you as a person 538 00:29:54,880 --> 00:29:57,640 Speaker 1: and to know you're almost exactly like your character, which 539 00:29:57,680 --> 00:29:58,200 Speaker 1: is kind of cool. 540 00:29:58,600 --> 00:30:03,480 Speaker 5: A good guy guy, well, who should not rescue women 541 00:30:03,480 --> 00:30:04,600 Speaker 5: that don't need rescue. 542 00:30:06,680 --> 00:30:10,160 Speaker 1: Well, congratulations on all your success and we can't see 543 00:30:10,440 --> 00:30:11,600 Speaker 1: can't wait to see what you do next. 544 00:30:11,760 --> 00:30:15,280 Speaker 5: Thank you. Thanks for having me bank carry that