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Speaker 1: My house of growing up was very very Colombian focused, man,

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Speaker 1: because my parents were obviously first to Canada and I

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Speaker 1: was born and I was born in Toronto. But in

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Speaker 1: the house we maintained like a real connection to our roots.

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Speaker 1: I wasn't allowed to speak English at home and food man,

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Speaker 1: my mom's a best like the Wickedly. I'm spoiled. I'm aware,

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Speaker 1: I'm very spoiled when I come home. Still like Banalist

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Speaker 1: DOESO yeah, he pick it by Tarrello's Doors down my

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Speaker 1: list delete. She's like Cosina.

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Speaker 2: From Futuro Media. It's Latino Usa. I'm Maria in Josa today.

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Speaker 2: How Grammy nominated artist Jesse Reyes sings from the song

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Speaker 2: There's this funny thing that can have happened when adult

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Speaker 2: children leave the nest and then come back for a visit.

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Speaker 1: My parents still when I go home, I'm still like,

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Speaker 1: I'm sure they still think I'm two feet tall inside,

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Speaker 1: you know.

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Speaker 2: One day, Jesse Rayes was in her parents' kitchen in Toronto, Canada,

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Speaker 2: trying to post on Instagram for her one point five

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Speaker 2: million followers.

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Speaker 1: I was trying to do a story of missing in

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Speaker 1: a cover and as I started singing my Mom's like

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Speaker 1: trying to talk to me about telling me Natalie like

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Speaker 1: certain things in the kitchen that type of way, and

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Speaker 1: I'm like, wait, And then I tried recording again, iom

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Speaker 1: o theatine post, I stop on your study, let's just

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Speaker 1: interrupted again. I'm like, oh, look, it's all in like

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Speaker 1: a sequence. So yeah, they still I still get it.

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Speaker 1: And if we're not just from them, for my brother,

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Speaker 1: for my cousins, because I'm the youngest wife to hear

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Speaker 1: it from everybody.

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Speaker 2: These moments of levity with her tight knit family keep

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Speaker 2: the twenty eight year old singer honest, even in the

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Speaker 2: midst of her meteoric rise from sold out shows.

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Speaker 1: Okay, I'm sorry, I gotta get out of my.

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Speaker 3: Feeling how many.

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Speaker 2: To high profile late night television performances.

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Speaker 4: He is a rising singer songwriter whose debut EP Kiddo

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Speaker 4: has amassed over thirty million streams worldwide, a while making

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Speaker 4: horror late night television debut performing figures Please Welcome Jesse Raise.

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Speaker 2: The artist has gained a following for her rich sound

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Speaker 2: tinged with popinari b that's paired with a soulful voice

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Speaker 2: and brutally vulnerable lyrics say.

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Speaker 3: I gave you I to Die and You Gave Me

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Speaker 3: Game Vega.

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Speaker 2: In twenty sixteen, one of her first singles, Figures, premiered

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Speaker 2: on Beats one Radio by Apple Vega. Last year, Jesse

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Speaker 2: received her first Grammy nomination in the Best Urban Contemporary

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Speaker 2: Album category for her ep being Human in Public and

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Speaker 2: in true to Jesse form, her parents were the first

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Speaker 2: ones to break the news to her by showing up

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Speaker 2: at her hotel door and waking her up.

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Speaker 4: Grammy, I swear Being Human in Public, Best Urban Contemporary Album, Girl.

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Speaker 4: Let's go.

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Speaker 2: In this How I Made It segment where we highlight

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Speaker 2: Latino creators and the work they make. Jesse talks about

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Speaker 2: the role of music in her childhood, how she writes

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Speaker 2: through her own emotional pain, and how even when her

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Speaker 2: fans sing along to her sadist songs, she feels more

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Speaker 2: connected to them than ever.

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Speaker 3: Here's Jesse rays early on I fell in love with music.

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Speaker 3: My dad plays.

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Speaker 1: He always played at home, and like on a Sunday morning,

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Speaker 1: I remember waking up to hearing him practicing, and I

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Speaker 1: hear miss me.

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Speaker 2: It's foremostly post.

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Speaker 1: Be my way, And then I go up and start

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Speaker 1: singing with him. He's to sing that one needs to

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Speaker 1: sing sing me.

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Speaker 3: Something said.

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Speaker 1: It's funny because he dedicates that song to my mom

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Speaker 1: because they have a big age gap. They have like

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Speaker 1: a ten year age cup. So he sings that to her,

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Speaker 1: which is funny. But he used to sing that too

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Speaker 1: all the time. He still does. He got the guitar,

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Speaker 1: but non and have fun My name is Jesse Rayes,

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Speaker 1: and I sing sad songs. I know Earleon that I

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Speaker 1: love music and being around it because of my dad

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Speaker 1: really helped to figure that out. But I guess writing wise,

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Speaker 1: it wasn't until I was in grade seven that I

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Speaker 1: started learning about poetry. And then my first heartbreak when

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Speaker 1: I when I was like sixteen, I I couldn't be

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Speaker 1: in class because I'd cry.

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Speaker 3: I couldn't like I had a hard time with my

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Speaker 3: first heartbreak.

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Speaker 1: I was still writing music, but like I'd been writing

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Speaker 1: music since I was little, since I was eleven, and

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Speaker 1: mixing it with poetry. But when I was sixteen, that's

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Speaker 1: the first time that I made somebody cry with my song.

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Speaker 3: It was it was an experience for me. I was like, what, like,

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Speaker 3: I just I don't, I don't know. It was just new.

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Speaker 1: It was new and it was strange. And it was

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Speaker 1: interesting and it was crazy. I'm crazy what's side? And

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Speaker 1: crazy for crying and I'm crazy. Loon Far Away its

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Speaker 1: originally a long distance love song. It's having love for somebody,

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Speaker 1: being in love with somebody, and being kept apart by distance.

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Speaker 3: Hand on the Bible. I think you're the love of

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Speaker 3: my life.

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Speaker 1: Maybe because it hop on a flight to fire me,

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Speaker 1: I feel like I needed a night beside me. You're

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Speaker 1: still the world the way, and you're still waiting for

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Speaker 1: your papers, but feeling like the government wants us to

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Speaker 1: break up.

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Speaker 3: I phone x x X face time saves us. I

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Speaker 3: feel what you.

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Speaker 1: Feel when you're following, when you're following.

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Speaker 3: When you're following.

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Speaker 1: Once the song was done, the one line that kept

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Speaker 1: sticking out to me was the government wants us to

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Speaker 1: break up. I remember crying because I'd watched this interview

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Speaker 1: and I saw this little girl bawling, and all I

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Speaker 1: could see was me and thinking about how I care

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Speaker 1: about my family.

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Speaker 3: And all of that. So I wanted to make a moment.

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Speaker 1: I wanted to make this potent moment that was viscerally

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Speaker 1: connected to that line. And then I like the fact

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Speaker 1: that the song on its own stands alone. The song

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Speaker 1: on its own stands alone as this like sad distance

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Speaker 1: love story and the video. The video is just a

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Speaker 1: depiction of the immigration crisis is going on, about separating

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Speaker 1: Latino families, about the negative Latino stereotypes that we have

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Speaker 1: to fight against, about.

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Speaker 3: The prejudice, about all of that.

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Speaker 1: So I like the idea that those are so different

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Speaker 1: and on the opposite sides of the spectrum, but they're

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Speaker 1: symbiotic because they have to exist together. And there's a

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Speaker 1: topic of conversation often that like musicians or artists have

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Speaker 1: a responsibility to be politically vocal and all these things, But.

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Speaker 3: I don't.

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Speaker 1: It's not that preconceived for me, because it would feel

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Speaker 1: inauthentic for me. It's just about being honest, and this

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Speaker 1: honestly hurts right now. Sometimes when you're singing the song,

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Speaker 1: it's like it's like a wound you're trying to heal,

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Speaker 1: but then you keep opening the wound every time you sing.

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Speaker 3: So it's difficult, but it's interesting. It's a moment. It's

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Speaker 3: a spiritual moment between me and friends that I've never met.

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Speaker 1: Fake guys out on the bad guys. I can't learn

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Speaker 1: to trust figures.

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Speaker 3: You say, sorry you.

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Speaker 1: Want sing you thinks you know? Figures was inspired by

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Speaker 1: a low point in my life. It was heartbreak. I

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Speaker 1: was sad. I was across the world that I was

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Speaker 1: in Sweden at the time. I like cried in the studio.

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Speaker 1: I broke down.

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Speaker 3: It was a mess. I was drinking, I was skinny

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Speaker 3: as hell. It was sad. There was a lot of

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Speaker 3: songs I wrote that week.

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Speaker 1: I don't know if it makes me feel better, but

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Speaker 1: I don't like once I write a song, at least

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Speaker 1: you're busy. It's not even just like better, but busy,

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Speaker 1: because then at least you're doing something that keeps your

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Speaker 1: mind off the pain. The reason I don't write a

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Speaker 1: lot of happy songs is because happiness is like eating

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Speaker 1: a cake. Happiness is like eating something you love, something

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Speaker 1: that you like, soulful, like you put it in and

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Speaker 1: it's like you just feel good and you like that

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Speaker 1: in your body and you like the feeling. But heartbreak,

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Speaker 1: heartbreak is like poison. Heartbreak is like eating like just

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Speaker 1: just the grossest like fifty year old like egg that

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Speaker 1: got left out or something, and you have it in

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Speaker 1: you and it's not even you don't even have to

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Speaker 1: think about throwing up. Your body just does it. I

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Speaker 1: feel like that's why sad songs come out of me,

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Speaker 1: because it just hurts so bad and I just I

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Speaker 1: don't know, maybe I want it out, maybe I just

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Speaker 1: I don't know, but it comes out. It just comes out.

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Speaker 1: There are songs that I hear now that I'm like,

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Speaker 1: I wish I could hug myself because I hear how

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Speaker 1: hard I am and I know it was for dumb reasons.

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Speaker 1: But you're human, so your heart gets the best of

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Speaker 1: you and you go on this wave and you're standing

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Speaker 1: on the edge and you don't know what to do,

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Speaker 1: and then God willing you grow.

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Speaker 3: But when you hear that moment.

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Speaker 1: And you're looking at yourself and you're learning to love

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Speaker 1: yourself more, you just want to hug yourself and be like,

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Speaker 1: it'll be okay.

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Speaker 3: You're gonna be okay. But there's two sides.

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Speaker 1: I'm happy I was able to make at the money.

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Speaker 1: He makes some money, makes some shows off of heartbreak.

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Speaker 1: I'm happy I was able to flip that, to flip

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Speaker 1: that l into a W and I'll keep it moving

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Speaker 1: because this is what I want to do with my life.

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Speaker 1: But it's also hard because every time I sing every

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Speaker 1: time I sing.

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Speaker 3: It's that.

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Speaker 1: It's it's like if you have a wound and you're

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Speaker 1: trying to heal it, but every time you sing, you're

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Speaker 1: sticking your fingers in an open wound and it's bleeding.

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Speaker 1: But then at the same time, the play Devil's Advocate.

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Speaker 1: When I'm at a show and I'm doing that and

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Speaker 1: I'm singing, and I'm way, I'm like ten meters into

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Speaker 1: my heart and I feel like crying. That's me going

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Speaker 1: away in the past. And then I come back to

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Speaker 1: the present because I hear people singing, and then I

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Speaker 1: open my eyes and I see people singing back to me.

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Speaker 5: What what?

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Speaker 3: What is s?

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Speaker 4: What is that?

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Speaker 3: Every day?

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Speaker 1: And I'm not alone in that pain anymore? And now

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Speaker 1: it's us and it's my dreams, and it's all of that.

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Speaker 1: It's such a juxtaposition. It's such an incredible contrast because

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Speaker 1: it's like pain and dreams just behind.

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Speaker 3: My list.

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Speaker 2: The words of Colombian Canadian singer Jesse Rey Is. Her

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Speaker 2: debut album, titled Before Love Came to Kill Us, is

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Speaker 2: out now, and dear listener, we have a very special

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Speaker 2: treat for you. Jesse stopped by the Latino USA offices

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Speaker 2: a while ago pre Pandemic, and she played a live

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Speaker 2: acoustic version of one of the songs off her Grammy

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Speaker 2: nominated EP, Being Human in Public. So here's a special

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Speaker 2: treat from our Live from Latino USA series. We're gonna

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Speaker 2: leave you with Jesse Reyes performing her song Sola.

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Speaker 1: Te coveenano listen machines. It's willows that he really said

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Speaker 1: siety away and can do mamatic nWay just in fighttas

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Speaker 1: courses give me fight and got the body a complais.

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Speaker 1: It's just so feally, it's just so Santas. It's just

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Speaker 1: so wueness were dona and catch us no singing.

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Speaker 3: Us no path in the.

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Speaker 1: So not body a complasion.

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Speaker 4: No, so.

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Speaker 1: My combienion dies Sony and Dolson s seeada so you

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Speaker 1: nagi love lando. So sito is a statement to perform.

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Speaker 1: It's a all my my consume, you know, take care

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Speaker 1: of kmfundi soietyp Mama doesn't fight datatas calls us in

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Speaker 1: may freta sodras lomas.

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Speaker 3: It's just so far, it's.

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Speaker 1: Just so Santas. It's just so weird nice perdona and

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Speaker 1: cachaas no sing say us no be the the.

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Speaker 3: Do not by a complasor no Sory cy Bo the movie.

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Speaker 3: It's just Sophie.

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Speaker 5: It's just so said that it's just some petsp donant God, Jos,

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Speaker 5: no singing us.

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Speaker 3: No be Dinner.

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Speaker 1: Jo, not body a complas, so.

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Speaker 3: The movie, no Sorcity.

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Speaker 2: To view the rest of Jesse Reyes Live from Latino

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Speaker 2: USA performance, visit our website Latino Usa dot org. This

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Speaker 2: episode was produced by Janeyamoca and edited by Sophia Palisa Ka.

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Speaker 2: The Latino USA team includes Niel Massias, Andre Lopez Cruzado,

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Speaker 2: Julieta Martinelli, Alisa s Carce, Gili Montalgo, Alejandra Saasa, Rinaldo

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Speaker 2: Leos Junior, and Julia Rocha, with help from Marta Martinez

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Speaker 2: and Raoul Berees. Our engineers are Stephanie Lebou, Julia Caruso,

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Speaker 2: and Leah Shaw, with help from Elishiba YouTube. Our digital

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Speaker 2: editor is Luis Luna. Our theme music was composed by Sayings.

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Speaker 2: If you like the music you heard on this episode,

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Speaker 2: stop by Latinousa dot org and check out our weekly

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Speaker 2: Spotify playlist. I'm your host and executive producer marieo Hoosa

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Speaker 2: Join us again on our next episode. And in the meanwhile,

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Speaker 2: I'll see you on all of our social media A

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Speaker 2: star Approxima Jao.

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Speaker 6: Latino USA is made possible in part by the Heisin

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Speaker 6: Simons Foundation, unlocking knowledge, opportunity and possibilities more at hsfoundation

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Speaker 6: dot org, the Ford Foundation, working with visionaries on the

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Speaker 6: front lines of social change worldwide, and the John D.

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Speaker 6: And Catherine T. MacArthur Foundation. My parents come on tour

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Speaker 6: with me, but they love it. Mur Yeah.

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Speaker 3: Fun.

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Speaker 1: They can definitely catch them at shows with both flags

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Speaker 1: Colomen and Canadian flags.

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Speaker 3: That's funny.

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Speaker 2: I'm Maria Noojosa. Next time on Latino USA, we take

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Speaker 2: you to Los Angele, a city that sits on the

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Speaker 2: largest urban oil field in the country. The story of

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Speaker 2: one young Latina who decides to take on the powerful

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Speaker 2: oil industry.

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Speaker 6: I feel like they don't see me as the threat,

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Speaker 6: but I know that isn't true and they'll just have

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Speaker 6: to find that out on their own.

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Speaker 2: That's next time on Latino USA.