WEBVTT - Rebecca (Part 2)

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<v Speaker 1>Have you ever had a partner who just could not

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<v Speaker 1>let go of their X? I'm willing to bet Daphne

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<v Speaker 1>du Maurier did. This is Popcorn Book Club. I'm Danis Schwartz,

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<v Speaker 1>joined as always by Jennifer Wright, Kamadunqua, Tan Tran, and

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<v Speaker 1>Melissa Hunter, and we're continuing our conversation about the novel.

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<v Speaker 1>Rebecca is a very sociopath thing to do. I'm just saying,

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<v Speaker 1>it's like, I'm so happy that my husband's going to

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<v Speaker 1>murder me and then his life will be ruined. She

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<v Speaker 1>knew how to arrange a party, she knew how to

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<v Speaker 1>arrange a floral arrangement, she knew how to orchestrate a murder.

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<v Speaker 1>I'm realizing now we didn't even talk about the plot,

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<v Speaker 1>but there really is very little plot in one sentence.

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<v Speaker 1>In one sentence, Uh, the second Mrs de Winter, who's

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<v Speaker 1>the narrator we never know, start as a paid companion

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<v Speaker 1>to an awful American in Monte Carlo. She meets this

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<v Speaker 1>was paid by and doubt I can't wait. That really

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<v Speaker 1>so fun. She meets uh, a handsome widower named Max

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<v Speaker 1>to Winter, whose first wife died in a mysterious accident

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<v Speaker 1>that no one wants to talk about. She goes back

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<v Speaker 1>to Manderley, his ancestral home, finds it haunted by the

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<v Speaker 1>everyone's memory of how fabulous Rebecca was. And then, as

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<v Speaker 1>we mentioned, we find out that she was I don't

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<v Speaker 1>want to say sociopath, but had tendencies that the lay

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<v Speaker 1>person might call a sociopath. Uh. She and Maxim never

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<v Speaker 1>were in love. She was a wild philanderer and had

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<v Speaker 1>many lovers, and Mrs Danvers was loyal to her the

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<v Speaker 1>entire time. And Max murdered her because she said she

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<v Speaker 1>was pregnant with uh Jack's baby. But then spoiler alert twist,

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<v Speaker 1>she wasn't actually pregnant. She was never pregnant. She had

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<v Speaker 1>uterine cancer I believe, or cancer of some sort. And

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<v Speaker 1>so the whole thing, she was trying to gone girl

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<v Speaker 1>and trick Max into murdering her so at least she

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<v Speaker 1>would go quick and then maybe Mac would get in trouble. Right, Yeah, yeah,

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<v Speaker 1>that's good summary. I was like, I'll just do it

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<v Speaker 1>super fast, get it out of the way. I was

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<v Speaker 1>just gonna say, like the whole gone girl part of it,

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<v Speaker 1>it made me really happy that at least Rebecca got

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<v Speaker 1>her last joke you know, and that she like died smiling.

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<v Speaker 1>It's just so it is a very sociopath thing to do.

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<v Speaker 1>I'm just saying, it's like, I'm so happy that my

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<v Speaker 1>husband's going to murder me and then his life will

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<v Speaker 1>be ruined. But yeah, it was, I mean, it was

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<v Speaker 1>very she she got it, she got hers in, she's

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<v Speaker 1>gonna die, She's gonna go out for a little. She

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<v Speaker 1>knew how to arrange a party, she knew how to

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<v Speaker 1>arrange a floral arrangement, do a decorade of room. She

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<v Speaker 1>knew how to orchestrate a murder. Side and again, like

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<v Speaker 1>I know that the second Mrs de Winter really wants

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<v Speaker 1>to believe that Rebecca was a sociopath, and Um and

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<v Speaker 1>Maxim and apparently I do too, and Max I really

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<v Speaker 1>want as this woman is associate paths. But Max a

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<v Speaker 1>list two people that can super confirm that Rebecca was

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<v Speaker 1>a sociopath for him, and it's Frank and it's his sister. Um.

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<v Speaker 1>His sister does not seem to play into the idea

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<v Speaker 1>of like Rebecca was the sociopath, we're also glad she's

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<v Speaker 1>Dand his sister calls the second missister went about the phone.

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<v Speaker 1>It's like she never would have committed suicide. This is crazy.

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<v Speaker 1>You should look into it. That's not the way you

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<v Speaker 1>behave if you think, I'm so glad this sociopaths is,

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<v Speaker 1>but it was the sociopath. But also think they were murdered.

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<v Speaker 1>But I still don't think they do. She deserved to

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<v Speaker 1>be murdered. And I also think for me, it was

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<v Speaker 1>just about Danny's description of her and made her and

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<v Speaker 1>I think I think she hit it. Rebecca even hid

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<v Speaker 1>it from the sister. I think the sister was sort

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<v Speaker 1>of charmed by her public face but didn't like her

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<v Speaker 1>because she maybe slept with her husband. She definitely went

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<v Speaker 1>after the husband. So don't think that Beatrice was on herself.

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<v Speaker 1>So Beatrice was sort of like I'm sure she was

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<v Speaker 1>always like publicly charming to Beatrice, but then like Stuft

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<v Speaker 1>with her husband said, she's like, no, I don't like her,

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<v Speaker 1>but like she might like she sucks, but like she

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<v Speaker 1>was always chilling. Yeah, I think Beatrice and her brother

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<v Speaker 1>killed her. I think I don't think so. I think

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<v Speaker 1>she's very nice. I thought I thought Beatrice was was

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<v Speaker 1>one of the few redeeming characters in the book. Like

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<v Speaker 1>she was very, very nice to the new Mrs Dewinter

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<v Speaker 1>tried to like help her out whenever she could. When

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<v Speaker 1>the whole dress thing happened, she was the only one

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<v Speaker 1>who was like, hey girl, come on, let's take this

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<v Speaker 1>off till out per minute. Uh. And you know we've

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<v Speaker 1>all had that, you know, I have experienced dressing up

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<v Speaker 1>for Halloween and becoming a bit of a mess and

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<v Speaker 1>then your friend is helping you in contume, which is hilarious.

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<v Speaker 1>So the thought of her like running around like in

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<v Speaker 1>her fully culturally appropriate apple boy. But oh boy, but

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<v Speaker 1>like that image to me is very funny to like

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<v Speaker 1>help help a gal pal out when you're like fully

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<v Speaker 1>in halloween costume. Is that's fun? Good job? Yeah? Oh yeah?

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<v Speaker 1>Can we also just talk more about Mrs dan Verse,

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<v Speaker 1>who plis? I think you accurately clocked, Wasn't you said

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<v Speaker 1>the most interesting character in the book? Uh? Tian, what

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<v Speaker 1>are your what are your dan Verse feelings? I mean,

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<v Speaker 1>after after you learn that, like she clearly knows that

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<v Speaker 1>this this very close person of her was murdered by

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<v Speaker 1>this man. Like the fact that she is even being

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<v Speaker 1>remotely chill about it, I'm like, she's really holding it together,

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<v Speaker 1>Like I know she's kind of mean and cold to

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<v Speaker 1>the Mrs the new Mrs de Winter, but I find

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<v Speaker 1>it to be I have a question, do we think

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<v Speaker 1>we're sure Mrs Danvers thinks it's murder or did she

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<v Speaker 1>actually believe it was a voting accident. I think she believes.

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<v Speaker 1>I think it's because like they talk about how Rebecca

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<v Speaker 1>is so proficient at sailing that she like she wouldn't

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<v Speaker 1>have had mistakes. And I also think that confirmation to

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<v Speaker 1>me in retrospect was her having Jack come over when

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<v Speaker 1>when Maxim was out and like make sure everyone else

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<v Speaker 1>was out because they want to talk ship. They want

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<v Speaker 1>to talk it and be like, yeah, she didn't. Like

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<v Speaker 1>they want to talk about how she got murdered and

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<v Speaker 1>what to do about it, And I think she was

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<v Speaker 1>laying in wait, you really don't think it's that. I

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<v Speaker 1>think mus really wants to believe that Rebecca had what

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<v Speaker 1>would be for her a good death. U that Rebecca

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<v Speaker 1>never wanted to grow old, she she was so strong,

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<v Speaker 1>like the Mrs Dancrews wants to think the only thing

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<v Speaker 1>that could conquer this indomitable woman is she talks about

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<v Speaker 1>how like, yeah, she didn't die for a man. The

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<v Speaker 1>scene that could take her UM, and I think, as

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<v Speaker 1>someone who is Rebecca's mother and maybe love her UM,

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<v Speaker 1>that's really tolerable for her. And I think she just

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<v Speaker 1>wants to get together with jack because jack Um and

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<v Speaker 1>Rebecca had this really close relationship, and she also had

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<v Speaker 1>a really close relationship with Rebecca. Like the only way

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<v Speaker 1>that they can kind of remember her is if they

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<v Speaker 1>get together and tell stories about her, which is sad

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<v Speaker 1>but makes perfect sense. And the reason I think all

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<v Speaker 1>of this is because if Mrs Andrews had no one

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<v Speaker 1>that Maxim killed her, she would have burned down that

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<v Speaker 1>house of media, like she would not have weighted until

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<v Speaker 1>he was all and I take it back. I also

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<v Speaker 1>think that, like, just like you said, that monologue she's

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<v Speaker 1>giving when she's suicide murdering the second Mrs de Winter,

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<v Speaker 1>she makes it very clear that she thinks it was

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<v Speaker 1>an accident. I full believe that Mrs Danvers has some

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<v Speaker 1>sort of sexual tension with Rebecca, like that was immediately,

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<v Speaker 1>especially in that segment where she talks about how like, oh,

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<v Speaker 1>sex was just a game for her, it was all

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<v Speaker 1>a game, And I'm like, oh, did you play the

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<v Speaker 1>game and lose? Maybe I'm so sorry um. But I

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<v Speaker 1>think that Mrs Danvers is fascinating in the art of

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<v Speaker 1>psychological warfare in a way that is not fair to

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<v Speaker 1>the new Mrs Winter, because it's like she went out

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<v Speaker 1>to the battlefield wearing like her fuzzy slippers and Mrs

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<v Speaker 1>Danvers is like a trained Amazon warrior from Greek mythology.

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<v Speaker 1>It's not a fair fight. And I think that it's

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<v Speaker 1>really fascinating to watch that dynamic, and it sort of

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<v Speaker 1>mirrors the fact that there's this also uneven dynamic between

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<v Speaker 1>Maxim and the new Mrs de Winters, and she's like

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<v Speaker 1>at both terms. The person who's supposed to help her

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<v Speaker 1>with the household stuff so that she can try and

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<v Speaker 1>even out her relations with Maxim is like psychologically trying

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<v Speaker 1>to annihilate her. And I find that dynamic really intriguing,

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<v Speaker 1>which is why I said I think that there are

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<v Speaker 1>some really interesting things about the story. I just did

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<v Speaker 1>not like the way that the things were written, and

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<v Speaker 1>so I'm excited to see the adaptations. And I think

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<v Speaker 1>that's the thing about an adaptation. Sometimes you'll like a

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<v Speaker 1>book and not like the movie, and something like a

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<v Speaker 1>movie and not like a book. I will say about

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<v Speaker 1>dan versus. One thing that I wanted to say about

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<v Speaker 1>why I find her so fascinating is this kind of

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<v Speaker 1>reframing of her throughout the book. And because in the

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<v Speaker 1>beginning she is the ultimate antagonist. She's like the living,

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<v Speaker 1>breathing version of like, this is Rebecca's home, I'm going

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<v Speaker 1>to make your life a living hell for our narrator.

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<v Speaker 1>And I hated her, and you know, I understood she

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<v Speaker 1>was pissed, but she's channeling it to the wrong person. Like,

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<v Speaker 1>if you're pissed Maxim got over Rebecca so fast, be

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<v Speaker 1>mad at Maxim. Don't be mean to this poor girl. Uh,

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<v Speaker 1>And that I mean and the fancy dress thing. It's

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<v Speaker 1>like the end the day after with her like literally

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<v Speaker 1>being like killing herself. But but then it's this whole

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<v Speaker 1>flip of like she's realizing, you know, as Jennifer Riley

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<v Speaker 1>point out pointed out that that Rebecca did not die

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<v Speaker 1>on her own accord, that Maxim killed her. And it's

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<v Speaker 1>this building mounting evidence and just this horrible, great new

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<v Speaker 1>kind of grief for her, for this mother who like

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<v Speaker 1>essentially mother who lost her child. And and then she

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<v Speaker 1>becomes kind of the protagonist at the end in a

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<v Speaker 1>weird way of like being like, oh, the system is

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<v Speaker 1>not going to get this man, so I am going

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<v Speaker 1>to ruin his life. And I loved that arc. Nobody

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<v Speaker 1>treats her like a mother who lost her child, and

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<v Speaker 1>that is infuriating to me. She from acency and people

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<v Speaker 1>are all like, oh, dead, you will run the estate.

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<v Speaker 1>She's clever, We'll fire her if she doesn't do a

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<v Speaker 1>good job for you. Um No, like this, this woman

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<v Speaker 1>is clearly clinging to Manderly because it is the last

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<v Speaker 1>remnant of her child. That's why I think the psychological

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<v Speaker 1>warfare is warned well from from Danny's From Danny's perspective,

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<v Speaker 1>Max bring it on. You know her, his beloved wife,

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<v Speaker 1>who's the most amazing person in the world dies in

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<v Speaker 1>tragic ways. He's almost like good riddens, and then less

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<v Speaker 1>than a year later brings home this teenage nobody to

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<v Speaker 1>where Rebecca lived. The outrage, Yeah, I just felt like

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<v Speaker 1>the outrage was misplaced on this for naive girl, that's like,

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<v Speaker 1>what's going on. I'm so sorry for existing and not

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<v Speaker 1>being mad at Maxim who like brings you don't know,

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<v Speaker 1>you choose, Yeah, just in advance. If I die, your

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<v Speaker 1>mysterious circumstances, and Daniel marry somebody else who was nineteen

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<v Speaker 1>and under your burned down my fucking house. That went

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<v Speaker 1>without saying okay, yeah, yeah, yeah, take it out on

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<v Speaker 1>another woman, honestly, for burning down the house of any

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<v Speaker 1>man over the age of forty that marries a woman

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<v Speaker 1>under the age of twenty, regardless of prior relationships. Just

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<v Speaker 1>burn it down. Just burn it. It's not normal. I

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<v Speaker 1>don't think that I think that there's something going on there.

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<v Speaker 1>I personally think that we should take breaks from this discussion,

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<v Speaker 1>much like I took a break from reading the book. Okay,

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<v Speaker 1>we're back with Popcorn book Club. On one character that

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<v Speaker 1>we haven't mentioned yet, but who I think is also

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<v Speaker 1>a Beatrice and it's very sweet, is Frank the property manager. Well,

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<v Speaker 1>I love very sweet and very nice to the second

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<v Speaker 1>Mrs de Winter. And you get the impression that Rebecca

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<v Speaker 1>made unwanted advantage to him and he did not know

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<v Speaker 1>how to handle it. He truly did not know. She

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<v Speaker 1>was the most beautiful woman I bet creature. But also

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<v Speaker 1>he was very complicit in the whole dang thing. I

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<v Speaker 1>think he's the only one who really knew what happened.

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<v Speaker 1>Uh oh yeah, I guess he did so. I he

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<v Speaker 1>did cover a murder. He did. He also seems like

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<v Speaker 1>that like the buddy of like the hot, like popular

0:13:48.960 --> 0:13:54.720
<v Speaker 1>quarterback that's always like wanting to be like he wants.

0:13:54.920 --> 0:13:58.440
<v Speaker 1>Oh yeah, I was thinking of Michael Sarah if they

0:13:58.440 --> 0:14:02.560
<v Speaker 1>had made this in two thousand seven. I do like

0:14:02.880 --> 0:14:07.280
<v Speaker 1>that him driving her back from the inquest after she

0:14:07.360 --> 0:14:09.959
<v Speaker 1>fainted and they're both in the car, not sure if

0:14:10.000 --> 0:14:14.720
<v Speaker 1>the other one knows that Maxim murdered her. Yeah, they

0:14:14.760 --> 0:14:17.880
<v Speaker 1>both know that Maxim murdered this lady, and they both

0:14:17.920 --> 0:14:19.880
<v Speaker 1>want him to get away with it. They have to

0:14:19.920 --> 0:14:25.880
<v Speaker 1>communicate that somehow. Okay, we actually, oh my god, there's

0:14:25.880 --> 0:14:28.000
<v Speaker 1>woulda be so good with the modern apptation because with

0:14:28.080 --> 0:14:31.480
<v Speaker 1>like Instagram, you always know like how beautiful your new

0:14:31.560 --> 0:14:38.680
<v Speaker 1>boyfriend or husband's X was. Yeah, yeah, that there was

0:14:38.760 --> 0:14:41.760
<v Speaker 1>something when she when she's like, I'm just gonna go

0:14:42.040 --> 0:14:44.600
<v Speaker 1>to the West Wing. I'm not gonna look, I'm just

0:14:44.600 --> 0:14:47.080
<v Speaker 1>gonna go. It felt like somebody like I'm just gonna

0:14:47.400 --> 0:14:50.120
<v Speaker 1>check her Instagram. I'm just gonna look for one second.

0:14:50.160 --> 0:14:53.760
<v Speaker 1>I'm not going to go back to two thirteen. Absolutely not.

0:14:53.880 --> 0:14:56.960
<v Speaker 1>That's crazy, who would do that? And just to see

0:14:56.960 --> 0:15:00.680
<v Speaker 1>her body, what does it say? Oh my gosh, oh

0:15:00.720 --> 0:15:03.800
<v Speaker 1>I love it her profile because just like Rebecca's if

0:15:03.800 --> 0:15:05.640
<v Speaker 1>all her Instagram is just her on the boat, like

0:15:05.680 --> 0:15:09.480
<v Speaker 1>it's just her on the sailing. Rebecca is a wellness

0:15:11.360 --> 0:15:13.760
<v Speaker 1>but she writes. She writes thank you notes in fountain

0:15:13.800 --> 0:15:17.280
<v Speaker 1>pen with like homemade baked goods that she sends everything

0:15:18.720 --> 0:15:22.640
<v Speaker 1>feeling that girl. What's her name? Who started? Who founded

0:15:22.720 --> 0:15:28.480
<v Speaker 1>moon Juice? Amanda shawntal Bacon's her? That's that's like. But

0:15:28.520 --> 0:15:35.040
<v Speaker 1>I think fundamentally and like the aesthetic of it, I

0:15:35.040 --> 0:15:37.920
<v Speaker 1>think she's like very classy like that, like the bo

0:15:38.320 --> 0:15:41.040
<v Speaker 1>and the handwritten notes, and like she knows she's like

0:15:41.040 --> 0:15:46.520
<v Speaker 1>a handwritten toastess. Has wonderful parties, like themed parties. She's fun. Yeah,

0:15:46.760 --> 0:15:50.280
<v Speaker 1>I want her. I want her handwriting as a font.

0:15:50.480 --> 0:15:53.080
<v Speaker 1>Like that should be a good marketing campaign for this

0:15:53.120 --> 0:15:56.160
<v Speaker 1>because the way they describe it looks gorgeous. Who do

0:15:56.160 --> 0:16:00.080
<v Speaker 1>we think the dan Verses in modern modern day? I

0:16:00.080 --> 0:16:04.560
<v Speaker 1>think the casting is actually perfect. I think Kristin Stewart

0:16:05.640 --> 0:16:09.640
<v Speaker 1>so good. She's going to be really good. Yeah, that's

0:16:09.640 --> 0:16:13.920
<v Speaker 1>a very good one. I'm just now I'm really disappointed

0:16:14.040 --> 0:16:16.800
<v Speaker 1>that and Owd plays the lady at the beginning, because

0:16:16.800 --> 0:16:20.160
<v Speaker 1>she's only at the beginning and I want more and

0:16:20.400 --> 0:16:23.840
<v Speaker 1>owed you know, she'll chew up the furniture. They'll just

0:16:23.880 --> 0:16:25.680
<v Speaker 1>be like, all right, and Dowd, why don't you do

0:16:25.720 --> 0:16:27.640
<v Speaker 1>one for fun like that, she just gets to go

0:16:27.680 --> 0:16:34.520
<v Speaker 1>on some runs. Yeah, that this marriage was not gonna

0:16:34.560 --> 0:16:38.760
<v Speaker 1>work out. I mean she was. She wasn't wrong, but

0:16:38.880 --> 0:16:41.440
<v Speaker 1>she was wrong for the reason she wasn't wrong, you

0:16:41.480 --> 0:16:46.160
<v Speaker 1>know what I mean, Like she was being a jealous necessarily,

0:16:46.560 --> 0:16:48.600
<v Speaker 1>like looking out for her and being like, hey, sweetie,

0:16:48.640 --> 0:16:50.240
<v Speaker 1>I know that you don't have a mom, and I

0:16:50.320 --> 0:16:52.680
<v Speaker 1>know that I've been kind of shitty in that respect,

0:16:52.840 --> 0:16:55.520
<v Speaker 1>but like, don't marry a dude you met on vacation

0:16:55.800 --> 0:17:02.320
<v Speaker 1>three weeks ago. That's really good everyone. Uh look, I

0:17:02.360 --> 0:17:06.679
<v Speaker 1>don't know that under normal circumstancesively be though, like otherwise, okay,

0:17:06.800 --> 0:17:12.399
<v Speaker 1>if this hadn't happened, No, don't marry a stranger. Don't

0:17:12.480 --> 0:17:18.719
<v Speaker 1>marry you got married, Daniel, and I knew we were

0:17:18.720 --> 0:17:22.600
<v Speaker 1>getting married very early on. But okay, that's but you

0:17:22.800 --> 0:17:26.040
<v Speaker 1>did not marry That's that's a good one. But I

0:17:26.040 --> 0:17:30.720
<v Speaker 1>didn't said I was not like a penniless wife who

0:17:30.880 --> 0:17:34.240
<v Speaker 1>was being trained to be a companion, which, by the way,

0:17:34.359 --> 0:17:39.280
<v Speaker 1>is not a real job. Um whose like the greatest

0:17:39.440 --> 0:17:43.240
<v Speaker 1>possibility was I was gonna keep trappling with this lady

0:17:43.400 --> 0:17:46.840
<v Speaker 1>and they she's gonna leave you, and they have no skills.

0:17:48.040 --> 0:17:50.400
<v Speaker 1>I figured it out the modern day equivalent. Sorry, she's

0:17:50.400 --> 0:17:55.960
<v Speaker 1>a personal assistant. She's a personal assistant. Yeah, yeah, that's

0:17:55.960 --> 0:18:00.359
<v Speaker 1>a real thing. That's like, okay, yeah, well that was

0:18:00.359 --> 0:18:06.840
<v Speaker 1>a thing. Then if Maxim had not been a murderer whatever,

0:18:06.840 --> 0:18:09.280
<v Speaker 1>her life had been worse than even if this is

0:18:09.320 --> 0:18:14.160
<v Speaker 1>like a loveless, weird marriage with housekeeper who will tell

0:18:14.280 --> 0:18:21.760
<v Speaker 1>you to kill yourself. Yeah, her, like she had an

0:18:21.760 --> 0:18:24.240
<v Speaker 1>option to just go to maximum. It's like, Okay, this

0:18:24.359 --> 0:18:27.200
<v Speaker 1>lady is crazy. She tried to push me out away,

0:18:27.359 --> 0:18:29.159
<v Speaker 1>trying to push me out a window. We have to

0:18:29.440 --> 0:18:33.359
<v Speaker 1>fire her. We'll hire somebody new. She'll be good too,

0:18:33.440 --> 0:18:36.280
<v Speaker 1>It'll be fine. But I think also we forgetting that,

0:18:36.320 --> 0:18:39.520
<v Speaker 1>like even before until the murder thing came to light,

0:18:39.880 --> 0:18:43.720
<v Speaker 1>Maxim was a terrible husband to her, terrible, but her

0:18:43.760 --> 0:18:47.360
<v Speaker 1>life is terrible, and terrible has to accommodate Mrs van Hopper,

0:18:47.680 --> 0:18:51.200
<v Speaker 1>who is a terrible boy and who she's very attractive

0:18:51.240 --> 0:18:53.720
<v Speaker 1>to Maxim, but like, what if she then meets someone

0:18:53.720 --> 0:18:56.800
<v Speaker 1>who treats her he was that bad. I think that

0:18:56.920 --> 0:19:00.680
<v Speaker 1>Mrs van Hopper was like kind of a ship employer,

0:19:01.280 --> 0:19:05.639
<v Speaker 1>but not in like a completely abusive way like this.

0:19:05.920 --> 0:19:08.080
<v Speaker 1>I know I've been using the term psychological warfare, but

0:19:08.080 --> 0:19:10.280
<v Speaker 1>I feel like Maximum is also engaging in that to

0:19:10.359 --> 0:19:12.560
<v Speaker 1>some degree, in terms of like she's like, oh, well,

0:19:12.560 --> 0:19:14.720
<v Speaker 1>he didn't have time to say that he loved me,

0:19:15.440 --> 0:19:23.600
<v Speaker 1>I'll say it later. Yeah, look a lot older than he.

0:19:23.840 --> 0:19:26.440
<v Speaker 1>But Jennifer, she couldn't meet He's not the last. He

0:19:26.560 --> 0:19:29.720
<v Speaker 1>doesn't seem to be great way twenty years and then

0:19:29.760 --> 0:19:36.080
<v Speaker 1>you wait, I'm sorry. Was that the defense? Yeah, I

0:19:36.080 --> 0:19:45.560
<v Speaker 1>mean she could get someone else to like, and he's

0:19:45.600 --> 0:19:49.280
<v Speaker 1>definitely going to Maria Murder and Jennifer Wein did talk

0:19:49.359 --> 0:19:52.640
<v Speaker 1>about this, we were texting a little bit. Her devotion

0:19:52.720 --> 0:19:55.280
<v Speaker 1>to Maxim is sort of similar to like a Mrs

0:19:55.320 --> 0:20:00.320
<v Speaker 1>Danvers to Rebecca, Like she instantly becomes obsessed with acts

0:20:00.320 --> 0:20:03.560
<v Speaker 1>and is totally on board and justifies everything he says

0:20:03.600 --> 0:20:06.320
<v Speaker 1>and does in a way that is unhealthy. I mean,

0:20:06.440 --> 0:20:09.280
<v Speaker 1>it's it's right for her because there was no alternative.

0:20:09.320 --> 0:20:11.800
<v Speaker 1>But in a dream world, you stay with Mrs van

0:20:11.840 --> 0:20:15.160
<v Speaker 1>Hopper and then meet a nice, normal accountant who treats

0:20:15.200 --> 0:20:19.200
<v Speaker 1>you well. She was never going to be is what

0:20:19.240 --> 0:20:21.320
<v Speaker 1>the book should have been. This is what the book

0:20:21.320 --> 0:20:23.160
<v Speaker 1>should have been. She should have gone to New York

0:20:23.520 --> 0:20:26.080
<v Speaker 1>with Mrs van Hopper, and then when she got to

0:20:26.119 --> 0:20:28.520
<v Speaker 1>New York, she should have saved up all her money,

0:20:28.920 --> 0:20:32.640
<v Speaker 1>left her employ gone out into the city to be

0:20:32.880 --> 0:20:39.880
<v Speaker 1>a city gal in New York. And yeah, met a fabulous, wonderful,

0:20:39.960 --> 0:20:43.320
<v Speaker 1>mysterious woman who was like a socialite in the New

0:20:43.440 --> 0:20:48.439
<v Speaker 1>York City like hot scene named Rebecca, and she learned

0:20:48.600 --> 0:20:52.879
<v Speaker 1>how to be a cool it girl from Rebecca. This

0:20:53.040 --> 0:20:56.720
<v Speaker 1>is then Rebecca Mysterious. It is very gossip girl. And

0:20:56.800 --> 0:21:01.320
<v Speaker 1>then Rebecca mysteriously disappears and it's about her remembering her

0:21:01.320 --> 0:21:07.440
<v Speaker 1>friend Rebecca. Hey, Karama, why are you telling this very

0:21:07.480 --> 0:21:10.240
<v Speaker 1>good book that you should write. Write that book, everybody.

0:21:10.680 --> 0:21:12.600
<v Speaker 1>We need to cut that out, and the need to

0:21:12.640 --> 0:21:20.159
<v Speaker 1>write that book from Twilight. Not that, not that it

0:21:20.200 --> 0:21:21.919
<v Speaker 1>will be much better than that. But you know, I

0:21:22.040 --> 0:21:27.000
<v Speaker 1>love Twilight. Complete meant I loved Twilight. I'm a twyheart,

0:21:27.840 --> 0:21:31.760
<v Speaker 1>but I meant fifty great, it's not, you know, but

0:21:32.000 --> 0:21:34.000
<v Speaker 1>I will I will say it does feel like this

0:21:34.160 --> 0:21:37.080
<v Speaker 1>whole book is, or the beginning of the book is

0:21:37.160 --> 0:21:40.760
<v Speaker 1>just like the lesson as trust your instincts, like it,

0:21:41.680 --> 0:21:43.879
<v Speaker 1>you know. And she just keeps like, I highlighted this

0:21:43.960 --> 0:21:48.720
<v Speaker 1>one little section where it's like, um, then they suddenly

0:21:48.720 --> 0:21:51.040
<v Speaker 1>decided to get married in there. It was such an adventure.

0:21:51.080 --> 0:21:52.880
<v Speaker 1>I smiled to myself as I had my knees bla.

0:21:53.520 --> 0:21:55.439
<v Speaker 1>I was to be Mrs Winter. It was foolish to

0:21:55.480 --> 0:21:57.280
<v Speaker 1>go on having that pain in the pit of my

0:21:57.359 --> 0:22:00.080
<v Speaker 1>stomach when I was so happy. Nerves, of course, and

0:22:00.119 --> 0:22:05.199
<v Speaker 1>I just highlighted it and said, red flag when you

0:22:05.320 --> 0:22:08.760
<v Speaker 1>have the nerves in the pit of your stomach, runaway. Yeah.

0:22:08.880 --> 0:22:10.639
<v Speaker 1>My mom taught me always trust your gut, and then

0:22:10.640 --> 0:22:13.119
<v Speaker 1>she told me several stories of people who were murdered

0:22:13.160 --> 0:22:15.280
<v Speaker 1>when they didn't trust their gut. When I was like

0:22:15.320 --> 0:22:17.680
<v Speaker 1>a teenager, She's like, so trust your gut otherwise you'll

0:22:17.720 --> 0:22:21.800
<v Speaker 1>be murdered. Yeah, that's a good mom. Okay, let's take

0:22:21.960 --> 0:22:35.880
<v Speaker 1>a brief moment here for an head break. So we're

0:22:35.920 --> 0:22:44.080
<v Speaker 1>back with Popcorn Book Club for My Heart Radio. She

0:22:44.240 --> 0:22:46.199
<v Speaker 1>was so obsessed that she was willing to be like,

0:22:46.280 --> 0:22:51.600
<v Speaker 1>I'll just I'll just be your friends a dog. I

0:22:51.640 --> 0:22:56.000
<v Speaker 1>don't care. I know you're you're still not over. Part

0:22:56.040 --> 0:22:59.280
<v Speaker 1>that I did highly that I thought was absolutely crazy

0:22:59.760 --> 0:23:02.640
<v Speaker 1>was where she was like in that exact conversation when

0:23:02.680 --> 0:23:05.359
<v Speaker 1>she's like, I know you love Rebecca so much, and

0:23:05.359 --> 0:23:09.480
<v Speaker 1>he goes, what why would you think I loved Rebecca?

0:23:10.119 --> 0:23:15.600
<v Speaker 1>Why would you not red flag? Why would your wife

0:23:15.840 --> 0:23:21.920
<v Speaker 1>think that you loved your fabulous ex wife? He's like, what,

0:23:22.160 --> 0:23:27.200
<v Speaker 1>you stupid idiot, you thought I loved my wife. Here's

0:23:27.240 --> 0:23:30.200
<v Speaker 1>the thing about red flags. I feel like, if there

0:23:30.200 --> 0:23:34.000
<v Speaker 1>are some red flags, but there are an exponentially larger

0:23:34.080 --> 0:23:36.479
<v Speaker 1>number of green flags, you can kind of forgive some

0:23:36.520 --> 0:23:40.359
<v Speaker 1>of the red flags, but maxim to winter at zero

0:23:40.600 --> 0:23:49.600
<v Speaker 1>green rich rich, handsome, nice house, rich rich rich rich flags.

0:23:49.800 --> 0:23:52.800
<v Speaker 1>That is an economic state of being, that's not a

0:23:52.840 --> 0:23:56.480
<v Speaker 1>green flags. I'm just saying those are his only positive attributes.

0:23:57.320 --> 0:24:00.240
<v Speaker 1>There's a bow Jack Horseman quote that goes some thing

0:24:00.359 --> 0:24:03.159
<v Speaker 1>like when you're looking through looking at the world through

0:24:03.240 --> 0:24:07.920
<v Speaker 1>rose colored glasses, all the red flags just look like flags, um,

0:24:07.960 --> 0:24:09.520
<v Speaker 1>And I feel like that's what it is. Like. She

0:24:09.640 --> 0:24:13.160
<v Speaker 1>was so smitten by this handsome man with a good

0:24:13.280 --> 0:24:16.480
<v Speaker 1>jaw line and a and Amanda Manderley that it's like,

0:24:16.920 --> 0:24:19.280
<v Speaker 1>I don't know what these flags are there just flags.

0:24:19.800 --> 0:24:24.000
<v Speaker 1>I love flags someone giving her attention for the first

0:24:24.000 --> 0:24:26.000
<v Speaker 1>time in her life and like talking to her like

0:24:26.040 --> 0:24:30.520
<v Speaker 1>an equal and not as a employ And I think

0:24:30.560 --> 0:24:32.760
<v Speaker 1>on some levels she wants it, Like she wants the

0:24:32.800 --> 0:24:36.600
<v Speaker 1>waiters to be more respectful of her when she's at

0:24:36.600 --> 0:24:39.920
<v Speaker 1>the hotel. Dare she doesn't want people just throwing a

0:24:40.040 --> 0:24:46.439
<v Speaker 1>cold ham at her. Yeah, that's so very understandable. But

0:24:46.520 --> 0:24:49.600
<v Speaker 1>she also hasty of like alright, like I'll skip over

0:24:49.720 --> 0:24:53.040
<v Speaker 1>all the hard parts of becoming an adult. It'll just

0:24:53.119 --> 0:24:55.800
<v Speaker 1>skip to the part where I'm in my mid thirties

0:24:55.840 --> 0:24:58.280
<v Speaker 1>and I'm the lady of the house and everybody respects

0:24:58.320 --> 0:25:00.720
<v Speaker 1>me and thinks I'm fabulous. I will say, as someone

0:25:00.760 --> 0:25:03.879
<v Speaker 1>who has dated older people, that is like a fantasy

0:25:03.920 --> 0:25:07.760
<v Speaker 1>that I share, and it never goes Well, I keep

0:25:07.760 --> 0:25:13.439
<v Speaker 1>telling you to stop doing I've stopped. Yeah, enjoy being young, Benome.

0:25:14.440 --> 0:25:17.160
<v Speaker 1>It only took five years for you to start listening

0:25:17.200 --> 0:25:21.720
<v Speaker 1>to jump in. I only ever dated, I don't think

0:25:22.840 --> 0:25:26.199
<v Speaker 1>because the fantasy. Well, I also don't want to pretend

0:25:26.240 --> 0:25:28.919
<v Speaker 1>I'm interested in a boyfriend playing video games for like

0:25:28.960 --> 0:25:33.080
<v Speaker 1>two hours. Um, you don't like watching boys play video games?

0:25:33.240 --> 0:25:37.320
<v Speaker 1>Jen No, And I don't say it comfortable. I'm married now,

0:25:37.400 --> 0:25:44.000
<v Speaker 1>it doesn't matter. The secret is out. Yeah. I don't

0:25:44.000 --> 0:25:46.560
<v Speaker 1>think Maxim says like one good thing to her. And

0:25:46.680 --> 0:25:49.199
<v Speaker 1>I'm like, thinking about back on the book, I don't think.

0:25:49.480 --> 0:25:52.439
<v Speaker 1>I don't think he says like one decent or like

0:25:52.560 --> 0:25:57.120
<v Speaker 1>even complimentary, like when he proposed to it, he calls

0:25:57.119 --> 0:26:01.400
<v Speaker 1>her a silly little fool. He and like even when

0:26:01.400 --> 0:26:05.600
<v Speaker 1>he finally tells her that like she has murdered or

0:26:05.640 --> 0:26:09.200
<v Speaker 1>he has murdered Rebecca, his like blind that I thought

0:26:09.240 --> 0:26:11.600
<v Speaker 1>was very funny was him being like, and I'd make

0:26:11.640 --> 0:26:16.240
<v Speaker 1>you a mother, like after never talk about like anything

0:26:16.240 --> 0:26:18.679
<v Speaker 1>about their relationship. That's like the first thing that he

0:26:20.000 --> 0:26:22.520
<v Speaker 1>There was one scene where she's like, she's like getting

0:26:22.520 --> 0:26:24.480
<v Speaker 1>ready to go meet someone, and she was very to

0:26:24.520 --> 0:26:26.560
<v Speaker 1>care about it, and she was like, is my like

0:26:26.680 --> 0:26:29.120
<v Speaker 1>skirt or harrokaite? And He's like, yeah, whatever, it's fine.

0:26:30.520 --> 0:26:33.879
<v Speaker 1>I do you know. I'm looking at the director and

0:26:33.880 --> 0:26:36.480
<v Speaker 1>and you know, I'm sure he's very good, but it

0:26:37.359 --> 0:26:40.719
<v Speaker 1>I think this movie I wish they had hired a

0:26:40.760 --> 0:26:43.920
<v Speaker 1>female director for this movie, because I do think what

0:26:44.040 --> 0:26:47.160
<v Speaker 1>I want to experience in a movie like this is

0:26:47.400 --> 0:26:54.600
<v Speaker 1>that feeling of being so clouded by infatuation and and

0:26:54.800 --> 0:26:57.840
<v Speaker 1>this first feeling of love as a young woman that

0:26:57.920 --> 0:27:01.840
<v Speaker 1>you ignore the things that scare you and you ignore

0:27:02.000 --> 0:27:07.040
<v Speaker 1>your intuition. And I feel like it's very different the

0:27:07.080 --> 0:27:11.320
<v Speaker 1>way you know women being afraid of men like that

0:27:11.480 --> 0:27:14.440
<v Speaker 1>is a very real thing that they might kill you,

0:27:14.520 --> 0:27:17.720
<v Speaker 1>which in this case he does kills him a woman.

0:27:17.760 --> 0:27:21.800
<v Speaker 1>But I just feel like we've a lot of women

0:27:21.840 --> 0:27:25.840
<v Speaker 1>have been in this situation of like being totally infatuated

0:27:25.880 --> 0:27:29.560
<v Speaker 1>with a very scary bad man, and I feel like

0:27:29.600 --> 0:27:32.080
<v Speaker 1>it would be but the feeling of it of like

0:27:32.119 --> 0:27:34.920
<v Speaker 1>the twist of like, look at this perfect prince charming

0:27:35.600 --> 0:27:37.840
<v Speaker 1>and then like the reality sets in when she goes

0:27:37.880 --> 0:27:41.600
<v Speaker 1>to Manderley, Like I love that, and I hope that

0:27:41.600 --> 0:27:46.080
<v Speaker 1>that he does service to it. It's such a female story.

0:27:46.240 --> 0:27:49.000
<v Speaker 1>I agree. Yeah. I think one of the things that

0:27:49.080 --> 0:27:51.280
<v Speaker 1>I noticed and we talked a little bit about it,

0:27:51.359 --> 0:27:55.720
<v Speaker 1>Mrs Danvers has all this misplaced rage and disappointment with

0:27:56.600 --> 0:28:00.119
<v Speaker 1>Mr de Winter that she then just dumps onto the

0:28:00.119 --> 0:28:02.720
<v Speaker 1>new Mrs de Winter, and I think that it's really

0:28:02.760 --> 0:28:07.720
<v Speaker 1>interesting how this, even almost a hundred years ago, has

0:28:07.800 --> 0:28:11.200
<v Speaker 1>that aspect of women are mean to each other because

0:28:11.240 --> 0:28:14.680
<v Speaker 1>they can't be mean to men. And I think that

0:28:15.240 --> 0:28:18.760
<v Speaker 1>getting into that, I do wish that there were a

0:28:18.800 --> 0:28:21.600
<v Speaker 1>female director because I think that showing that and I'm

0:28:21.640 --> 0:28:23.560
<v Speaker 1>not saying that a male director cannot do that. I

0:28:23.600 --> 0:28:26.440
<v Speaker 1>mean a man directed Mean Girls, which is a classic

0:28:26.960 --> 0:28:30.800
<v Speaker 1>of women meet girls being mean to each other because

0:28:30.800 --> 0:28:34.480
<v Speaker 1>they can't be mean to men. Um. But I do

0:28:34.640 --> 0:28:37.320
<v Speaker 1>think that there is something about that that is so

0:28:37.600 --> 0:28:43.360
<v Speaker 1>ingrained in people who are raised female. Yes, And I

0:28:43.440 --> 0:28:47.160
<v Speaker 1>think like the changing the subject slightly from gender. I

0:28:47.160 --> 0:28:51.080
<v Speaker 1>think the class issue. I hope that the film covers

0:28:51.120 --> 0:28:54.800
<v Speaker 1>that and and dials home because I do think that

0:28:54.960 --> 0:28:57.600
<v Speaker 1>is a very important element of the book that's in

0:28:57.920 --> 0:29:02.360
<v Speaker 1>mostly in subtext, in the major class and power differential

0:29:02.760 --> 0:29:06.960
<v Speaker 1>between Max and his wife and Mrs Danvers and the

0:29:07.160 --> 0:29:12.920
<v Speaker 1>restricted behaviors that come with that. Yeah, and I hope

0:29:12.920 --> 0:29:17.680
<v Speaker 1>that he hold like this director doesn't make Army Hammer person.

0:29:18.280 --> 0:29:21.760
<v Speaker 1>I think they're going they're going to make it a romance. Well,

0:29:21.960 --> 0:29:24.120
<v Speaker 1>I think that Army Hammer was kind of shitty, and

0:29:24.160 --> 0:29:25.640
<v Speaker 1>I mean, he was very shitty, but I think that

0:29:25.680 --> 0:29:27.600
<v Speaker 1>they actually did a good job of showing him as

0:29:27.640 --> 0:29:36.320
<v Speaker 1>shitty and sorry to bother you. Yeah, but yeah, but

0:29:36.400 --> 0:29:39.400
<v Speaker 1>I hope, I hope that that stays true, because like

0:29:39.440 --> 0:29:42.400
<v Speaker 1>there's not there's really nothing charming about Maxim in this book,

0:29:43.000 --> 0:29:45.239
<v Speaker 1>and I think it could be really easy for an

0:29:45.240 --> 0:29:50.760
<v Speaker 1>adaptation to inject some sort of like charm to him,

0:29:50.800 --> 0:29:54.800
<v Speaker 1>so that I hope. A preview for the director said

0:29:54.840 --> 0:29:57.280
<v Speaker 1>that he wanted to make Conversion that's more about love,

0:29:58.200 --> 0:30:04.560
<v Speaker 1>um and very I mean, it's about exaction in an

0:30:04.640 --> 0:30:09.080
<v Speaker 1>interesting way. But Maxim de Winter does not strike me

0:30:09.120 --> 0:30:14.120
<v Speaker 1>as sexy. Um. Rebecca strikes me as impossibly so like

0:30:14.680 --> 0:30:18.520
<v Speaker 1>just like a woman whom everybody would want to sleep with. Yes,

0:30:18.560 --> 0:30:24.000
<v Speaker 1>every Rachel is a great example. Yeah. Um, Maxim strikes

0:30:24.080 --> 0:30:29.960
<v Speaker 1>me as frosty and detached and as like Prince Charles

0:30:30.080 --> 0:30:34.160
<v Speaker 1>kind of like like this like a sexual like so

0:30:34.240 --> 0:30:38.000
<v Speaker 1>well bred that they're just like a non entity. Yeah yeah,

0:30:38.000 --> 0:30:42.640
<v Speaker 1>I want to a sexuality. No no, no no, no, so sorry,

0:30:42.840 --> 0:30:48.680
<v Speaker 1>that's you're completely correct, um de sexualized when the framing

0:30:49.840 --> 0:30:52.520
<v Speaker 1>And but I will say that, like what I like

0:30:52.680 --> 0:30:56.600
<v Speaker 1>about the start of the story is that she does

0:30:56.760 --> 0:31:01.040
<v Speaker 1>meet him on vacation, and it's all through her perspective,

0:31:01.200 --> 0:31:04.320
<v Speaker 1>Like we as the reader, can see that he is

0:31:04.800 --> 0:31:08.840
<v Speaker 1>an interesting and perhaps dangerous but we're in her head

0:31:09.000 --> 0:31:12.480
<v Speaker 1>of like imagining a life. And I do think I

0:31:12.520 --> 0:31:15.080
<v Speaker 1>love the idea of meeting someone on vacation and then

0:31:15.120 --> 0:31:17.200
<v Speaker 1>you go back to real life and it's like, oh no,

0:31:17.360 --> 0:31:20.680
<v Speaker 1>they suck, like the idea of the prince charming of

0:31:20.760 --> 0:31:23.880
<v Speaker 1>Cinderella and then you go back to the palace after

0:31:24.000 --> 0:31:27.200
<v Speaker 1>what's supposed to be happily ever after and it's just

0:31:27.440 --> 0:31:32.800
<v Speaker 1>terrible and fraught. Um, I mean, none of the Protestants

0:31:32.840 --> 0:31:36.760
<v Speaker 1>actually get married. All he all he offers her is

0:31:36.840 --> 0:31:50.800
<v Speaker 1>status and did Tristan Yeah, yeah she's still married. Good job,

0:31:51.560 --> 0:31:54.360
<v Speaker 1>not that getting divorces a bad job, but married just

0:31:54.880 --> 0:31:59.680
<v Speaker 1>yea working good for you. Yeah. Clearly she could listened

0:31:59.800 --> 0:32:02.560
<v Speaker 1>to who the people were on the show and paid attention.

0:32:03.000 --> 0:32:04.760
<v Speaker 1>I was like, oh, I think that I could build

0:32:04.760 --> 0:32:07.120
<v Speaker 1>a life with this person as opposed to this person

0:32:07.200 --> 0:32:10.120
<v Speaker 1>is hot. Right now we have the fantasy suite, let's

0:32:10.120 --> 0:32:13.560
<v Speaker 1>do this making decisions that I think it was fine.

0:32:14.200 --> 0:32:20.200
<v Speaker 1>This episode is sponsored Christ forever. I do think it

0:32:20.280 --> 0:32:23.800
<v Speaker 1>was also before the Bachelor became such a property that

0:32:23.840 --> 0:32:26.680
<v Speaker 1>it's like you're now an influencer, that's your job. This

0:32:26.800 --> 0:32:29.479
<v Speaker 1>was like back before then you became Instagram famous, when

0:32:29.520 --> 0:32:32.400
<v Speaker 1>it's like, these are just normal people we have. He's

0:32:32.440 --> 0:32:35.520
<v Speaker 1>a pilot or whatever. It's not an Instagram influencer who's

0:32:35.520 --> 0:32:38.800
<v Speaker 1>already been on six seasons of The Bachelor. Okay, so

0:32:38.920 --> 0:32:42.280
<v Speaker 1>in terms of Bachelor architects, since we're now on the Bachelor,

0:32:42.480 --> 0:32:45.800
<v Speaker 1>I don't watch The Bachelor. I have never seen The Bachelor.

0:32:46.240 --> 0:32:48.880
<v Speaker 1>I've seen many things about The Bachelor, so I have

0:32:48.920 --> 0:32:51.120
<v Speaker 1>a working knowledge of it. But I did watch Unreal

0:32:51.600 --> 0:32:56.520
<v Speaker 1>and they have all those different like like wifie villains,

0:32:56.920 --> 0:32:59.959
<v Speaker 1>let's get cut all that stuff. Talking about the characters

0:33:00.000 --> 0:33:03.080
<v Speaker 1>of this book, the new Mrs de Winter, who do

0:33:03.120 --> 0:33:05.000
<v Speaker 1>we think that she is? Do we think she's wifely?

0:33:05.080 --> 0:33:06.680
<v Speaker 1>I know that she gets the guy, but I don't

0:33:06.680 --> 0:33:08.920
<v Speaker 1>see her as a wife. She's the weird and scure

0:33:09.040 --> 0:33:15.160
<v Speaker 1>virgin who and this is Unreal character who like is

0:33:15.200 --> 0:33:18.000
<v Speaker 1>too awkward to like wear a bikini on their group

0:33:18.120 --> 0:33:21.880
<v Speaker 1>date and get to cut? Yeah, yeah, I love that.

0:33:21.880 --> 0:33:26.240
<v Speaker 1>That is absolutely true. And then who's Rebecca? I don't know,

0:33:26.280 --> 0:33:29.800
<v Speaker 1>how can we all like she wins. Heaven. We all

0:33:29.840 --> 0:33:34.080
<v Speaker 1>know a man who dated incredibly interesting women and then

0:33:34.080 --> 0:33:37.320
<v Speaker 1>they break up and then the next woman they date

0:33:37.640 --> 0:33:45.600
<v Speaker 1>is like a pale meeting insipid person who like says, oh, asparagus,

0:33:45.640 --> 0:33:51.120
<v Speaker 1>I've never seen that before. Sorry, that was kind of question.

0:33:52.560 --> 0:33:56.600
<v Speaker 1>Is that plucked from life? That's are like, very very real.

0:33:57.760 --> 0:33:59.880
<v Speaker 1>Maybe she lived in a food desert and was not.

0:34:00.480 --> 0:34:03.960
<v Speaker 1>It's true, it's very it's you know what, that's so true.

0:34:04.080 --> 0:34:09.920
<v Speaker 1>That's like a fertile crescent of produce. And we're also

0:34:10.000 --> 0:34:13.080
<v Speaker 1>lucky that we've seen a fracas, but also like maybe

0:34:13.080 --> 0:34:19.720
<v Speaker 1>she could have seen it in a picture. It seems

0:34:19.760 --> 0:34:22.200
<v Speaker 1>like you just don't like this woman, and this is

0:34:22.320 --> 0:34:27.440
<v Speaker 1>kind of you. I do sound you know what. She

0:34:27.520 --> 0:34:30.200
<v Speaker 1>sounds like a wet boy, like you know, sometimes you

0:34:30.239 --> 0:34:31.920
<v Speaker 1>don't like somebody, and it's like, oh, look at the

0:34:31.920 --> 0:34:40.640
<v Speaker 1>way she choose gum horrible. You know, I get a job. Yeah,

0:34:41.000 --> 0:34:43.960
<v Speaker 1>when you love someone, they no matter what they do.

0:34:44.880 --> 0:34:49.760
<v Speaker 1>I think we hold producer of the show. Is Rebecca

0:34:49.960 --> 0:34:54.480
<v Speaker 1>wins the show for sure? Then I think Rebecca's runner up? No,

0:34:54.719 --> 0:35:01.839
<v Speaker 1>I think next season, Oh, no up? And then she yes,

0:35:02.080 --> 0:35:05.040
<v Speaker 1>I think she wins. But then they break up, but

0:35:05.120 --> 0:35:07.399
<v Speaker 1>she then makes it a sob story about how he

0:35:07.480 --> 0:35:12.520
<v Speaker 1>dumped her and left her completely blindsided, and then she's bachelorette.

0:35:12.640 --> 0:35:16.719
<v Speaker 1>She wouldn't lose a competition. See I think. I think

0:35:17.000 --> 0:35:20.359
<v Speaker 1>Rebecca is one of the like hot ones. But then

0:35:20.400 --> 0:35:22.960
<v Speaker 1>she starts in like an a fair relationship with one

0:35:23.000 --> 0:35:30.000
<v Speaker 1>of the Vietnam and doesn't even did happen. It's happened

0:35:30.000 --> 0:35:35.000
<v Speaker 1>in Vietnam, it happened in Australia too. I agree. I

0:35:35.000 --> 0:35:37.520
<v Speaker 1>feel like she wants to play the game to win,

0:35:37.680 --> 0:35:39.560
<v Speaker 1>and to play the game to win for her is

0:35:39.640 --> 0:35:42.359
<v Speaker 1>not getting the man. It's getting to be the next

0:35:42.360 --> 0:35:47.320
<v Speaker 1>bachelor at because that will extend the life of her career. Um. Yeah,

0:35:47.400 --> 0:35:49.399
<v Speaker 1>and she wants to have control. And so then when

0:35:49.440 --> 0:35:51.640
<v Speaker 1>she picks the guy there, it's like, okay, we can

0:35:51.680 --> 0:35:54.160
<v Speaker 1>be famous together as long as you don't sunk up

0:35:54.160 --> 0:35:57.200
<v Speaker 1>my ship, like I'll put you on my Instagram. I mean,

0:35:57.760 --> 0:36:00.480
<v Speaker 1>it's a pretty good deal she made with Maxim. I mean,

0:36:00.760 --> 0:36:05.080
<v Speaker 1>she was straightforward about it. She's like, this is the deal.

0:36:05.360 --> 0:36:08.640
<v Speaker 1>It wasn't a deal because she kind of forced it

0:36:08.640 --> 0:36:12.719
<v Speaker 1>on you. Yeah, that's true. But he was chill about

0:36:12.760 --> 0:36:15.720
<v Speaker 1>it because she had like a sex attack by the scene,

0:36:15.840 --> 0:36:22.279
<v Speaker 1>like we net All and Shack. He didn't get rid

0:36:22.320 --> 0:36:25.799
<v Speaker 1>of it. Yeah, well that's because he can't go down

0:36:25.880 --> 0:36:30.200
<v Speaker 1>to it, like it's too horrifying for one Okay, I

0:36:30.280 --> 0:36:35.800
<v Speaker 1>mean the tragedy in this book extends to Mrs Danvers

0:36:35.880 --> 0:36:39.400
<v Speaker 1>and the second Missister Winter, obviously, but it also extends

0:36:39.440 --> 0:36:43.200
<v Speaker 1>to the limitations placed on Rebecca. Like Rebecca is clearly

0:36:43.280 --> 0:36:45.720
<v Speaker 1>somebody who if she was alive today would be running

0:36:45.719 --> 0:36:49.000
<v Speaker 1>a fortune. Like she wanted the money in the house.

0:36:49.040 --> 0:36:51.880
<v Speaker 1>She did not want to have to commit herself to

0:36:51.960 --> 0:36:56.800
<v Speaker 1>this one man who was kind of dealt and Danvers said,

0:36:57.080 --> 0:36:59.359
<v Speaker 1>like she they always said, you should have been born

0:36:59.400 --> 0:37:02.960
<v Speaker 1>a boy and like it. In that time, It's like

0:37:03.040 --> 0:37:05.560
<v Speaker 1>that's the only way she could have lived the independent

0:37:05.600 --> 0:37:09.359
<v Speaker 1>life she desired was to be a man. She had

0:37:09.400 --> 0:37:12.080
<v Speaker 1>to marry well in order to have the life that

0:37:12.160 --> 0:37:15.799
<v Speaker 1>she wanted. And it's again why I don't know how

0:37:15.920 --> 0:37:18.439
<v Speaker 1>much better the second this is de Wint's life would

0:37:18.440 --> 0:37:20.880
<v Speaker 1>have been if she had a very maxim like maybe

0:37:20.920 --> 0:37:23.319
<v Speaker 1>she would have met a nice person in New York

0:37:23.360 --> 0:37:27.120
<v Speaker 1>that she made it pretty she met she win. Yes,

0:37:27.680 --> 0:37:30.279
<v Speaker 1>she made it clear she was not interested in those

0:37:30.280 --> 0:37:33.160
<v Speaker 1>man that she hated younger man who were always asking

0:37:33.200 --> 0:37:39.680
<v Speaker 1>her like do you like hot music? Yeah? I understandably

0:37:39.800 --> 0:37:42.040
<v Speaker 1>she doesn't want to go out to jazz clubs. Yeah.

0:37:42.080 --> 0:37:45.320
<v Speaker 1>She wasn't looking for a nice boy. She wanted a daddy,

0:37:45.400 --> 0:37:50.319
<v Speaker 1>a murder daddy, a murder daddy. I think, Jennifer, that's

0:37:50.360 --> 0:37:53.319
<v Speaker 1>really poignant with Rebecca is like, yeah, she wanted a

0:37:53.360 --> 0:37:55.759
<v Speaker 1>certain life that if she was a man, would have

0:37:56.840 --> 0:37:59.480
<v Speaker 1>been allowed to live, which is just like throw amazing

0:37:59.520 --> 0:38:05.640
<v Speaker 1>parties and have sex with whoever you want. Yeah, Jay Gatsby, Yeah,

0:38:06.360 --> 0:38:08.239
<v Speaker 1>the sex with whoever you want, because he just wants

0:38:08.239 --> 0:38:12.440
<v Speaker 1>to have sex. Yeah, and he just wants to have

0:38:12.480 --> 0:38:15.040
<v Speaker 1>sex with his shirts. But but if but if Jay

0:38:15.320 --> 0:38:19.719
<v Speaker 1>was Rebecca, he would be hot enough to seduce her. Yeah.

0:38:19.960 --> 0:38:26.080
<v Speaker 1>Perhaps perhaps Indeed. I have thoroughly enjoyed this, uh, the

0:38:26.160 --> 0:38:29.759
<v Speaker 1>intellectual discourse of the Bachelor and which people they would be.

0:38:29.760 --> 0:38:31.480
<v Speaker 1>And I want to thank you all for going down

0:38:31.560 --> 0:38:36.239
<v Speaker 1>that road with me. And who would Maximate, Oh, he

0:38:36.239 --> 0:38:39.560
<v Speaker 1>would have been cut in the first episode. I think

0:38:39.760 --> 0:38:42.400
<v Speaker 1>I think they would have made Maxim would be a

0:38:42.400 --> 0:38:45.520
<v Speaker 1>bachelor that you're like, this dude's a third string quarterback.

0:38:45.560 --> 0:38:50.680
<v Speaker 1>For an NFL. I think that anybody's hands on the

0:38:50.719 --> 0:38:53.800
<v Speaker 1>producers would have realized, osh it, he's so boring. We

0:38:53.920 --> 0:38:56.120
<v Speaker 1>have to cut around him and make the women really

0:38:56.280 --> 0:38:59.240
<v Speaker 1>interesting and seem toxic because he has nothing to offer

0:39:00.080 --> 0:39:04.880
<v Speaker 1>up but he's Yeah. I think if Maxim were on

0:39:04.920 --> 0:39:07.720
<v Speaker 1>the Bachelorette, he would make it through the first couple

0:39:07.760 --> 0:39:10.200
<v Speaker 1>of rounds of cuts, but then he would get into

0:39:10.239 --> 0:39:15.120
<v Speaker 1>a huge fist fight with another person with another contestant,

0:39:15.320 --> 0:39:17.920
<v Speaker 1>and then he wouldn't get cut. He would leave in

0:39:17.960 --> 0:39:20.160
<v Speaker 1>a huff, and then he would do like an expose

0:39:20.400 --> 0:39:24.239
<v Speaker 1>on about what really happened. I don't know. I think

0:39:24.239 --> 0:39:27.960
<v Speaker 1>he talked about his house incessantly and it might get

0:39:28.120 --> 0:39:31.239
<v Speaker 1>him to the episode where they go home to meet

0:39:31.280 --> 0:39:38.000
<v Speaker 1>the family, because and the producers really wanted. And I

0:39:38.040 --> 0:39:41.040
<v Speaker 1>also think he would still be a widow, which would

0:39:41.040 --> 0:39:44.840
<v Speaker 1>be really interesting on the Bachelor, Like that's the whole angle,

0:39:45.080 --> 0:39:46.799
<v Speaker 1>and he would be able to use that as like

0:39:47.000 --> 0:39:49.520
<v Speaker 1>she's like, oh, he needs a new a new wife,

0:39:49.719 --> 0:39:52.000
<v Speaker 1>and I need a murder daddy. So it would work

0:39:52.000 --> 0:39:55.120
<v Speaker 1>out for a while. One quick question when he is

0:39:55.440 --> 0:39:58.440
<v Speaker 1>murdering her and she's like, I'm pregnant with Jack's baby.

0:39:58.480 --> 0:40:00.239
<v Speaker 1>What you're gonna do about it? I'm gonna raise him

0:40:00.239 --> 0:40:04.600
<v Speaker 1>a mander, Like, um, is he so scared? Like could

0:40:04.680 --> 0:40:07.000
<v Speaker 1>he not get a divorce? Like I know the scandal

0:40:07.160 --> 0:40:10.160
<v Speaker 1>was that she would turn everyone against him, but he

0:40:10.280 --> 0:40:13.640
<v Speaker 1>literally was like that scandal was so outrageous to him

0:40:13.800 --> 0:40:18.200
<v Speaker 1>that he had to uh murder her. The one thing

0:40:18.360 --> 0:40:22.759
<v Speaker 1>that the Second Winter have in common. Obsessed with how

0:40:22.800 --> 0:40:27.120
<v Speaker 1>other people might. Yeah, Remeba does not seem to like

0:40:27.160 --> 0:40:31.319
<v Speaker 1>Rebecca will suck people in cottage any day because she's like,

0:40:31.360 --> 0:40:33.320
<v Speaker 1>I will turn people against you when we get divorced.

0:40:33.360 --> 0:40:37.000
<v Speaker 1>It's like she had waries, he had her moonlight, the

0:40:37.000 --> 0:40:42.480
<v Speaker 1>moonlight picnics. Okay, that's an orgy. I mean, I feel

0:40:42.480 --> 0:40:46.600
<v Speaker 1>like he made that choice because again patriarchy, he knew, Like,

0:40:46.840 --> 0:40:48.600
<v Speaker 1>I think he knows he could get away with this.

0:40:49.040 --> 0:40:52.640
<v Speaker 1>He is like the epitome of that. The town centers

0:40:52.680 --> 0:40:56.440
<v Speaker 1>around him, and like they all want to be in

0:40:56.520 --> 0:40:59.520
<v Speaker 1>good with Maxim the like magistrate and like all of

0:40:59.520 --> 0:41:01.480
<v Speaker 1>those men and so like, I think he did it

0:41:01.520 --> 0:41:04.960
<v Speaker 1>because he knew he could. Divorce would be a scandal. Yeah,

0:41:05.040 --> 0:41:09.200
<v Speaker 1>a divorce would be I think that if she was Indeed,

0:41:09.200 --> 0:41:12.320
<v Speaker 1>because we have to remember, he genuinely believes that she's pregnant.

0:41:12.920 --> 0:41:16.919
<v Speaker 1>Her pregnancy and therefore the air is still legitimate even

0:41:16.920 --> 0:41:22.040
<v Speaker 1>if he divorces her. Right, I don't pretend to know

0:41:22.200 --> 0:41:26.600
<v Speaker 1>how upper white people lived in England. I think I

0:41:26.600 --> 0:41:30.520
<v Speaker 1>think that's us made it clear that Jack was her

0:41:30.560 --> 0:41:33.880
<v Speaker 1>lover and it was Jack's baby, and maximum Hannah slept

0:41:33.880 --> 0:41:37.200
<v Speaker 1>those three years, which might happen like Jack seems just

0:41:37.239 --> 0:41:40.520
<v Speaker 1>think if he going to get married. Also, before you

0:41:40.600 --> 0:41:44.799
<v Speaker 1>murder her, get a second opinion or a first opinion. Well,

0:41:45.000 --> 0:41:47.919
<v Speaker 1>she knew, I mean, that's the whole thing. She knew

0:41:47.960 --> 0:41:51.360
<v Speaker 1>exactly what she was doing. She knew exactly what to say,

0:41:51.560 --> 0:41:54.600
<v Speaker 1>and that would corner him because she knows that he

0:41:54.680 --> 0:41:58.440
<v Speaker 1>deep down he's a bad murder guy, and that like

0:41:58.840 --> 0:42:02.239
<v Speaker 1>he cares about the status and Manderley more than he

0:42:02.280 --> 0:42:07.839
<v Speaker 1>cares about her life. And and so she taunted him

0:42:07.840 --> 0:42:14.719
<v Speaker 1>into it. I wonder was and maybe this is obvious,

0:42:14.840 --> 0:42:17.839
<v Speaker 1>but I hadn't really thought about until now. The letter

0:42:17.920 --> 0:42:23.840
<v Speaker 1>to Jack was that so that um Jack would discover

0:42:24.480 --> 0:42:30.520
<v Speaker 1>Maxim and he would go to prison. Yes, I never

0:42:30.680 --> 0:42:35.080
<v Speaker 1>thought about that. That's great that come to the moon

0:42:35.200 --> 0:42:38.960
<v Speaker 1>like cottage and maybe you would catch him in the act.

0:42:40.520 --> 0:42:43.560
<v Speaker 1>Or it could be that she really genuinely was going

0:42:43.640 --> 0:42:45.520
<v Speaker 1>to tell him that she had like cancer because she

0:42:45.600 --> 0:42:48.640
<v Speaker 1>did to some extent care about him and he was

0:42:48.680 --> 0:42:52.560
<v Speaker 1>her cousin. Yeah, yeah, well maybe maybe it was more

0:42:52.600 --> 0:42:57.160
<v Speaker 1>in retrospect. Maybe when Maxim came down there, she was

0:42:57.160 --> 0:43:00.879
<v Speaker 1>saying all this because because you're right, like Maxim would

0:43:00.880 --> 0:43:04.280
<v Speaker 1>get away with it, but he but Rebecca probably thinks

0:43:04.719 --> 0:43:07.239
<v Speaker 1>Jack is coming up here. He I'm going to get

0:43:07.320 --> 0:43:09.960
<v Speaker 1>him to kill me, and then he's going to get caught.

0:43:10.040 --> 0:43:12.000
<v Speaker 1>He doesn't think he's gonna get caught, but he's gonna

0:43:12.000 --> 0:43:15.960
<v Speaker 1>get caught. And stupid, stupid Jack had like a drinking night, right,

0:43:16.400 --> 0:43:22.279
<v Speaker 1>Yeah he was alcohol Boys. You know, when if your

0:43:22.320 --> 0:43:25.279
<v Speaker 1>alcohol consumption gets in the way of you stopping your

0:43:25.400 --> 0:43:28.319
<v Speaker 1>lover cousin's murder, you might want to get to a

0:43:28.400 --> 0:43:31.239
<v Speaker 1>meeting or talk to a dop. That's when you know

0:43:31.320 --> 0:43:35.839
<v Speaker 1>it's that's your rough bottom when when Rebecca's where Rebecca's

0:43:35.880 --> 0:43:40.239
<v Speaker 1>body is on rock bottle. I did love the name

0:43:40.280 --> 0:43:46.600
<v Speaker 1>of the boat was I returned perfect spooky detail, Johivian.

0:43:47.440 --> 0:43:49.560
<v Speaker 1>I didn't even want to try the French, so thank you.

0:43:51.800 --> 0:43:54.160
<v Speaker 1>This is also I don't know if you guys have

0:43:54.200 --> 0:43:56.160
<v Speaker 1>read Jane Eyre, but like Jane Eyre is another one

0:43:56.200 --> 0:44:00.359
<v Speaker 1>where a husband treats his first wife appallingly and then

0:44:00.400 --> 0:44:05.439
<v Speaker 1>we're sort of ok, yeah, like yeah, she has such

0:44:05.560 --> 0:44:10.200
<v Speaker 1>fiery blood, Oh my god, and the house also burned down. Ye. Well,

0:44:10.239 --> 0:44:12.440
<v Speaker 1>actually there was talk, so I don't know if you

0:44:12.520 --> 0:44:16.000
<v Speaker 1>all heard about this, but I did some reading on

0:44:16.400 --> 0:44:23.080
<v Speaker 1>Daphne and she was accused of plagiarism by a Brazilian

0:44:23.200 --> 0:44:26.880
<v Speaker 1>author named Carolina Nabuco, who wrote a book called a

0:44:27.040 --> 0:44:30.920
<v Speaker 1>success aora Um in nineteen thirty four, which was I

0:44:30.960 --> 0:44:35.760
<v Speaker 1>believe three or four years before Rebecca was published, and um.

0:44:35.960 --> 0:44:38.640
<v Speaker 1>One of the things that she kind of used to

0:44:38.719 --> 0:44:41.879
<v Speaker 1>her advantage when she was accused of this plagiarism was well,

0:44:41.960 --> 0:44:44.640
<v Speaker 1>Jane Eyre deals with similar things, like it's not a

0:44:44.719 --> 0:44:49.560
<v Speaker 1>new idea, but like it was a whole situation where

0:44:49.760 --> 0:44:52.560
<v Speaker 1>Carolina Nabuco was like, I'm not going to sign any

0:44:52.560 --> 0:44:54.880
<v Speaker 1>of the paperwork that your agents keep sending to me,

0:44:55.000 --> 0:44:59.040
<v Speaker 1>saying that the coincidences are just coincidences, like the similarities

0:44:59.200 --> 0:45:02.760
<v Speaker 1>are real, and you plagiarized me and Daphne Dumourier actually

0:45:02.800 --> 0:45:05.239
<v Speaker 1>wrote to the New York Times because the New York

0:45:05.239 --> 0:45:08.239
<v Speaker 1>Times had suggested that it was maybe plagiarized in their

0:45:08.280 --> 0:45:12.400
<v Speaker 1>review of Rebecca, and she wrote a letter to the

0:45:12.480 --> 0:45:16.120
<v Speaker 1>editor and she's like, can you not excuse you? And

0:45:16.600 --> 0:45:19.399
<v Speaker 1>she was like, maybe it was just a coincidence because

0:45:19.440 --> 0:45:22.439
<v Speaker 1>we're dealing with similar themes. Did you ever think about that? Like,

0:45:22.800 --> 0:45:25.719
<v Speaker 1>do you even think bro Um? And I mean, this

0:45:25.800 --> 0:45:29.440
<v Speaker 1>book is exactly like that. It is, Honestly, if it's

0:45:29.440 --> 0:45:31.920
<v Speaker 1>plagiarized from anything, it's Jane Eyre, which is that you

0:45:32.000 --> 0:45:34.399
<v Speaker 1>fall in love with an older, mysterious man who's very

0:45:34.440 --> 0:45:37.080
<v Speaker 1>cold to you find out he was an asshole to

0:45:37.680 --> 0:45:41.000
<v Speaker 1>his first wife, who was crazy. It's all her fault.

0:45:41.040 --> 0:45:43.799
<v Speaker 1>She deserved it. And then the house burns down and

0:45:44.040 --> 0:45:46.800
<v Speaker 1>a success Saura. I'm probably pronouncing it wrong because I

0:45:46.840 --> 0:45:50.960
<v Speaker 1>do not speak Portuguese, but that was also adapted. It

0:45:51.000 --> 0:45:56.279
<v Speaker 1>was adapted into a telenovela in the seventies worth checking out,

0:45:56.400 --> 0:45:59.840
<v Speaker 1>especially if anyone speaks Portuguese or can read Portuguese. That

0:46:00.000 --> 0:46:03.920
<v Speaker 1>would be fun. Yeah, I did not know that. I

0:46:04.160 --> 0:46:13.000
<v Speaker 1>also wrote The Birds, just getting all of his Yeah, yeah,

0:46:13.040 --> 0:46:15.520
<v Speaker 1>when I started reading it. When I started reading it.

0:46:15.520 --> 0:46:17.800
<v Speaker 1>I was like, yeah, no, she she wrote the birds.

0:46:17.840 --> 0:46:22.520
<v Speaker 1>This is the same plodding. Oh no. I read The

0:46:22.560 --> 0:46:27.239
<v Speaker 1>Birds after I finished this because I'm so excited, and uh,

0:46:27.800 --> 0:46:30.160
<v Speaker 1>it's so much better than the movie. I liked it

0:46:30.280 --> 0:46:34.160
<v Speaker 1>so much. It was It's very short. It's a really

0:46:34.360 --> 0:46:38.520
<v Speaker 1>like little quick short story that we'll keep you awake

0:46:38.560 --> 0:46:42.320
<v Speaker 1>at night. So it's great. Question does it doesn't vilify

0:46:42.520 --> 0:46:46.080
<v Speaker 1>birds as much as the movie? Because I like birds

0:46:46.120 --> 0:46:48.440
<v Speaker 1>a lot, and I feel like the birds are unfairly

0:46:48.440 --> 0:46:54.400
<v Speaker 1>maligned by the films birds. If you relate two in

0:46:54.480 --> 0:46:59.640
<v Speaker 1>the book the humans say are murdering, I would say

0:46:59.640 --> 0:47:01.400
<v Speaker 1>it would out her Win Birch for you. If you

0:47:01.480 --> 0:47:03.680
<v Speaker 1>say this when you're like, yeah, I must see golf,

0:47:04.520 --> 0:47:07.080
<v Speaker 1>then yeah, it's a great moment for you. It's like

0:47:07.080 --> 0:47:11.000
<v Speaker 1>a moment from the Birch Rise office. Okay, I do

0:47:11.120 --> 0:47:18.319
<v Speaker 1>like bird solidarity. Birds aren't time is now? Yeah? Send

0:47:18.360 --> 0:47:21.880
<v Speaker 1>it there. Like, just because there are some murdering birds

0:47:21.880 --> 0:47:24.600
<v Speaker 1>in one book doesn't mean all birds are murderers, you know,

0:47:24.800 --> 0:47:32.000
<v Speaker 1>Like right, it's okay, think about it like a zombie apocalypse. Yeah,

0:47:32.120 --> 0:47:34.960
<v Speaker 1>house birds are not murderers, but in this book they

0:47:35.000 --> 0:47:39.759
<v Speaker 1>all become murderers, and you know, I appreciate you assuaging

0:47:39.800 --> 0:47:42.960
<v Speaker 1>my fears. I follow the Audubon Society on Twitter like

0:47:42.960 --> 0:47:48.840
<v Speaker 1>a you and Jonathan Brandon. At least, don't ever compare

0:47:48.840 --> 0:47:50.920
<v Speaker 1>me to Jonathan for you do you go bird watch?

0:47:50.960 --> 0:47:53.239
<v Speaker 1>Do you go bird watching? I do not go birdwatching.

0:47:53.320 --> 0:47:56.360
<v Speaker 1>But okay, so you know those scooters that were everywhere

0:47:56.360 --> 0:48:01.560
<v Speaker 1>bird scooters? Yeah, I went to those are not birds. No.

0:48:01.719 --> 0:48:04.680
<v Speaker 1>I went to acting class and my scene partner was like, hey,

0:48:04.680 --> 0:48:06.040
<v Speaker 1>how are you? And I was like, I'm good. How

0:48:06.120 --> 0:48:07.600
<v Speaker 1>was your weekend? And he was like, oh, I went

0:48:07.640 --> 0:48:09.960
<v Speaker 1>birding this weekend And I was like really, And I

0:48:10.000 --> 0:48:12.920
<v Speaker 1>didn't know that he meant like riding a bird scooter.

0:48:13.000 --> 0:48:15.399
<v Speaker 1>I thought he went bird watching. And then he thought

0:48:15.400 --> 0:48:18.040
<v Speaker 1>I was a nerd because I was like, tell me

0:48:18.080 --> 0:48:22.640
<v Speaker 1>about the birds you saw? You know movie that I

0:48:22.840 --> 0:48:25.640
<v Speaker 1>watched on a plane called The Big Year. It's just

0:48:25.840 --> 0:48:29.560
<v Speaker 1>about um the year when um. I guess people in

0:48:29.560 --> 0:48:32.080
<v Speaker 1>the Audubon Society all try to see how many birds

0:48:32.080 --> 0:48:35.240
<v Speaker 1>they watch? Me here, you like birds and bird watching?

0:48:35.239 --> 0:48:37.719
<v Speaker 1>You got? I watched it on a plane. It was

0:48:37.760 --> 0:48:40.719
<v Speaker 1>pretty pleasant. Dyna made fun of me once because I

0:48:40.719 --> 0:48:43.080
<v Speaker 1>had pet birds growing up. Yeah, I think I don't.

0:48:43.200 --> 0:48:50.000
<v Speaker 1>I don't think birds belong in homes, pet belongs, but

0:48:50.080 --> 0:48:56.080
<v Speaker 1>birds can fly. Okay, No, my my ex girlfriend had

0:48:56.120 --> 0:49:00.520
<v Speaker 1>a bird, and I then it was weird it about it,

0:49:00.640 --> 0:49:04.320
<v Speaker 1>So I think you mean, I mean they scare but

0:49:04.920 --> 0:49:07.840
<v Speaker 1>we did. We didn't have a bird that was that

0:49:07.920 --> 0:49:10.960
<v Speaker 1>we had to give away to a bird sanctuary because

0:49:11.239 --> 0:49:14.000
<v Speaker 1>honey Pie, who had named her, turned out to be

0:49:14.200 --> 0:49:17.120
<v Speaker 1>a male bird who was that we didn't know for

0:49:17.360 --> 0:49:19.480
<v Speaker 1>years was a male bird and was squawking all the

0:49:19.480 --> 0:49:22.960
<v Speaker 1>time because he was horny and needed to mate um.

0:49:23.000 --> 0:49:28.960
<v Speaker 1>And so honey Pie went to a bird he got made,

0:49:28.960 --> 0:49:31.120
<v Speaker 1>which is better because we also had cats, and those

0:49:31.120 --> 0:49:34.319
<v Speaker 1>cats terrorized poor Honeypie. What if we all wrote an

0:49:34.320 --> 0:49:37.360
<v Speaker 1>adaptation of the birds, but it's the scooters. It's a

0:49:37.400 --> 0:49:41.600
<v Speaker 1>modern adaptation, and the scooters are coming to kill you.

0:49:42.920 --> 0:49:46.400
<v Speaker 1>Why are we giving away this gold on air sand

0:49:46.600 --> 0:49:51.440
<v Speaker 1>might cut that out? Imagine how terrifying, Imagine how terrifying

0:49:51.440 --> 0:49:54.560
<v Speaker 1>it would be to see a barrage of bird scooters

0:49:54.560 --> 0:49:58.040
<v Speaker 1>coming at you with no riders, just like I'm already

0:49:58.080 --> 0:50:00.759
<v Speaker 1>seeing the handlebars like treated like eyes. So they may

0:50:00.800 --> 0:50:03.840
<v Speaker 1>come across the court like they peer around a corner

0:50:03.840 --> 0:50:05.399
<v Speaker 1>and just like come at you, I'm gonna write. I'll

0:50:05.400 --> 0:50:08.040
<v Speaker 1>write it, I'll write it all write Okay, great, great, great.

0:50:12.640 --> 0:50:14.600
<v Speaker 1>That's our show for the week. Thank you so much

0:50:14.640 --> 0:50:17.040
<v Speaker 1>for listening. I'm Danish Schwartz and you can find me

0:50:17.080 --> 0:50:19.799
<v Speaker 1>on Twitter at Danis Schwartz with three z s. You

0:50:19.840 --> 0:50:23.800
<v Speaker 1>can follow Jennifer Wright at jen Ashley Wright Karama, Donqua

0:50:23.960 --> 0:50:27.919
<v Speaker 1>is at Karama Drama, Melissa Hunter is at Melissa ft

0:50:28.200 --> 0:50:30.880
<v Speaker 1>W and Tian Tran is smart enough to have gotten

0:50:30.880 --> 0:50:33.640
<v Speaker 1>off Twitter, but she is on Insta at Hank Tina.

0:50:33.880 --> 0:50:37.080
<v Speaker 1>Our executive producer is Christopher Hessiotis and we're produced and

0:50:37.200 --> 0:50:40.919
<v Speaker 1>edited by Mike John's special thanks to David Wasserman. Next

0:50:40.960 --> 0:50:43.279
<v Speaker 1>week it'll be screen time. We'll take a look at

0:50:43.280 --> 0:50:48.239
<v Speaker 1>Alfred Hitchcock's film adaptation of Rebecca, and if you want

0:50:48.239 --> 0:50:51.919
<v Speaker 1>to plan ahead, we'll be watching the rest of Lovecraft

0:50:52.000 --> 0:50:56.400
<v Speaker 1>Country on HBO and then moving on to V for Vendetta.

0:50:56.640 --> 0:51:04.560
<v Speaker 1>Popcorn Book Club is a production of I Heart Radio