1 00:00:00,280 --> 00:00:03,160 Speaker 1: This is just a quick announcement. We're dropping an episode 2 00:00:03,200 --> 00:00:06,360 Speaker 1: of the new podcast That Scene with yours truly, Dan 3 00:00:06,440 --> 00:00:09,319 Speaker 1: Patrick right here on your feed. Listen to That Scene 4 00:00:09,320 --> 00:00:11,920 Speaker 1: with Dan Patrick and your other favorite podcast in the 5 00:00:11,960 --> 00:00:15,880 Speaker 1: Amazon Music Mobile app, on your web browser or any 6 00:00:15,960 --> 00:00:20,000 Speaker 1: Echo device. In this episode, Adam Sandler and his longtime 7 00:00:20,000 --> 00:00:22,880 Speaker 1: writing partner Tim Hurley. He talk about this scene in 8 00:00:22,920 --> 00:00:27,240 Speaker 1: Happy Gilmour where Happy fights Bob Barker. I hope you enjoy. 9 00:00:29,120 --> 00:00:31,320 Speaker 1: Do you like that? Old man? You want a piece 10 00:00:31,360 --> 00:00:34,680 Speaker 1: of me? I don't want a piece of you. I 11 00:00:34,720 --> 00:00:41,479 Speaker 1: want the whole thing, all right. Who takes credit for 12 00:00:42,920 --> 00:00:47,280 Speaker 1: deciding to go with Bob Barker in that role? Well Hurley, 13 00:00:47,320 --> 00:01:00,880 Speaker 1: He initially wrote, Ed McMahon, Right, yeah, Dan Patrick, And 14 00:01:00,960 --> 00:01:05,440 Speaker 1: this is IMDb's That Scene, an Amazon original. The podcast 15 00:01:05,520 --> 00:01:08,160 Speaker 1: where I talked to some of Hollywood's top actors, directors, 16 00:01:08,160 --> 00:01:11,080 Speaker 1: and producers about some of their most iconic scenes that 17 00:01:11,120 --> 00:01:14,880 Speaker 1: have defined their careers, help shape the cinematic landscape, and 18 00:01:15,120 --> 00:01:18,560 Speaker 1: have even become fixtures in pop culture today. On the show, 19 00:01:18,760 --> 00:01:21,679 Speaker 1: I have Adam Sandler Yellow and his writing partner Tim 20 00:01:21,760 --> 00:01:26,640 Speaker 1: Hurley as we discuss that scene in Happy Gilmore. We're 21 00:01:26,680 --> 00:01:30,200 Speaker 1: Happy Fights Bob Barker. Tim and Adam met in college 22 00:01:30,200 --> 00:01:32,880 Speaker 1: at NYU, where they were roommates. Tim was studying to 23 00:01:32,920 --> 00:01:35,960 Speaker 1: be an accountant and a lawyer, but somehow Adam convinced 24 00:01:36,040 --> 00:01:38,720 Speaker 1: him to write jokes for his stand up acts. When 25 00:01:38,800 --> 00:01:42,160 Speaker 1: Adam was picked up by Saturday Night Live, Tim continued 26 00:01:42,200 --> 00:01:45,039 Speaker 1: to collaborate with him and became a staff writer and 27 00:01:45,120 --> 00:01:48,800 Speaker 1: eventually a producer. Adam and Tim have since collaborated on 28 00:01:48,880 --> 00:01:52,200 Speaker 1: twenty two movies that have grows to combine three billion 29 00:01:52,240 --> 00:02:02,120 Speaker 1: dollars at the worldwide box office. How did you come 30 00:02:02,200 --> 00:02:06,480 Speaker 1: up with the idea for Happy Gilmore Stand? That was 31 00:02:06,520 --> 00:02:09,919 Speaker 1: the Sam Man? That was lucky because my dad was 32 00:02:09,960 --> 00:02:12,720 Speaker 1: a great golfer and we were at a driving range 33 00:02:12,919 --> 00:02:16,040 Speaker 1: and one of my best friends from growing up, Kyle 34 00:02:16,160 --> 00:02:20,800 Speaker 1: McDonough who played the pro hockey in Norway, and his 35 00:02:20,880 --> 00:02:25,880 Speaker 1: brother Hughby played for the Islanders and works for the Kings, 36 00:02:25,960 --> 00:02:28,960 Speaker 1: and it's just a great hockey family, great great people 37 00:02:28,960 --> 00:02:31,919 Speaker 1: to mcdonnah's. But Kyle came to the driving range with 38 00:02:32,080 --> 00:02:35,400 Speaker 1: me and my dad and he didn't golf that much, 39 00:02:35,560 --> 00:02:39,440 Speaker 1: but he was swinging the club and banging it so far, 40 00:02:39,919 --> 00:02:42,480 Speaker 1: and my father was like, man, those hockey risks coming 41 00:02:42,600 --> 00:02:46,000 Speaker 1: handy and that kind of stuff, And then I just 42 00:02:46,440 --> 00:02:48,239 Speaker 1: called Hurling one time. I said it, maybe it'd be 43 00:02:48,240 --> 00:02:52,560 Speaker 1: funny if did a movie about a hockey player and 44 00:02:52,760 --> 00:02:55,520 Speaker 1: because he plays hockey, he can drive the ball really 45 00:02:55,560 --> 00:03:00,320 Speaker 1: far and he's not making it into the NHL these 46 00:03:00,760 --> 00:03:04,400 Speaker 1: obsess would becoming an HL guy, but in the meantime 47 00:03:04,480 --> 00:03:07,359 Speaker 1: to pay the bills, he gets on the pro tour 48 00:03:07,520 --> 00:03:09,760 Speaker 1: something like that, right, Hurles, Yeah, yeah. And this was 49 00:03:09,800 --> 00:03:11,880 Speaker 1: before Billy came out, and we kind of like, I 50 00:03:11,919 --> 00:03:14,440 Speaker 1: think Bob Simons was pushing us to make another movie 51 00:03:14,480 --> 00:03:16,280 Speaker 1: because you know, you never know, you gotta get the 52 00:03:16,280 --> 00:03:18,280 Speaker 1: next movie going before the first one comes out, because 53 00:03:18,280 --> 00:03:20,520 Speaker 1: you never know how the first one's gonna do. So 54 00:03:21,320 --> 00:03:24,880 Speaker 1: that was definitely our best idea. And even though I 55 00:03:24,919 --> 00:03:27,040 Speaker 1: mean we were both golfed a little bit, we weren't 56 00:03:27,040 --> 00:03:29,000 Speaker 1: like crazy golfers, but we could see how funny it 57 00:03:29,000 --> 00:03:31,520 Speaker 1: would be. But the fact that you're starting a movie 58 00:03:31,520 --> 00:03:33,560 Speaker 1: and you don't you haven't finished the other movie, or 59 00:03:33,600 --> 00:03:36,880 Speaker 1: you don't even know, like the expectation level, how high 60 00:03:37,040 --> 00:03:40,200 Speaker 1: was it after Billy Madison when you're gonna do Happy Gilmore, 61 00:03:40,880 --> 00:03:43,360 Speaker 1: I think it was, like you said, URLs. I think 62 00:03:43,360 --> 00:03:45,920 Speaker 1: it was like protection, like, let's get this sucker going 63 00:03:46,640 --> 00:03:49,880 Speaker 1: before that other one comes out, Billy, because if it 64 00:03:49,920 --> 00:03:52,840 Speaker 1: doesn't do well, they're gonna take this all away from us. 65 00:03:52,840 --> 00:03:55,600 Speaker 1: And I swear to you, Danny, we kind of lived 66 00:03:55,640 --> 00:03:59,080 Speaker 1: like that for twenty years. We were like every movie 67 00:03:59,080 --> 00:04:00,960 Speaker 1: we made, we were like, well, you know what, maybe 68 00:04:01,040 --> 00:04:03,400 Speaker 1: we should get a deal on this next one, because 69 00:04:03,400 --> 00:04:05,160 Speaker 1: who knows what the hell's gonna happen, So we will 70 00:04:05,760 --> 00:04:08,240 Speaker 1: constantly and we're finally at the point now where we go, 71 00:04:08,400 --> 00:04:11,240 Speaker 1: ah're probably gonna let us do one, so let's we 72 00:04:11,320 --> 00:04:13,440 Speaker 1: can com down a little bit, right. Who takes credit 73 00:04:13,520 --> 00:04:17,400 Speaker 1: for deciding to go with Bob Barker in that role? Well, harly, 74 00:04:17,480 --> 00:04:25,520 Speaker 1: He initially wrote Ed McMahon, right, yeah, okay, when he 75 00:04:25,640 --> 00:04:28,320 Speaker 1: says that you're gonna hey, by the way, your character 76 00:04:28,520 --> 00:04:34,160 Speaker 1: is gonna fight Ed McMahon, it's just funny thinking about it. 77 00:04:34,279 --> 00:04:36,640 Speaker 1: But what are you thinking about as the person who's 78 00:04:36,640 --> 00:04:39,000 Speaker 1: got to pull it off? That was the best because 79 00:04:39,040 --> 00:04:42,159 Speaker 1: we loved Ed McMahon, We love Johnny and I remember 80 00:04:42,240 --> 00:04:45,800 Speaker 1: being so young and cocky then that we literally would 81 00:04:45,839 --> 00:04:48,600 Speaker 1: say when we sent it to Ed McMahon. We'd be like, 82 00:04:48,760 --> 00:04:50,680 Speaker 1: of course she's gonna do it. It would be good, 83 00:04:51,120 --> 00:04:54,080 Speaker 1: would be good for him. We're like, this is good 84 00:04:54,120 --> 00:04:56,359 Speaker 1: for his career, for him to be in a movie 85 00:04:57,760 --> 00:05:02,200 Speaker 1: movie getting hurt of this right with me? But but 86 00:05:02,440 --> 00:05:05,560 Speaker 1: that was good and then and I know Appataw was 87 00:05:06,400 --> 00:05:09,960 Speaker 1: jamming on that with us too, and with in the 88 00:05:10,000 --> 00:05:13,040 Speaker 1: first draft, I just wrote, um, you know, after all 89 00:05:13,040 --> 00:05:16,040 Speaker 1: the insults back and forth and McMahon happy beat the 90 00:05:16,080 --> 00:05:17,200 Speaker 1: hell out of each other, and then it was on 91 00:05:17,279 --> 00:05:20,680 Speaker 1: to the next scene. Right, but then all the prices wrong. 92 00:05:20,720 --> 00:05:22,000 Speaker 1: But I don't know if that was you were Apatow, 93 00:05:22,080 --> 00:05:25,240 Speaker 1: That definitely wasn't I think that was Appata So Judd 94 00:05:25,279 --> 00:05:27,560 Speaker 1: Apatow was helping you with the script a this. Yeah. 95 00:05:27,600 --> 00:05:30,920 Speaker 1: He was my roommate in In in the La And 96 00:05:31,080 --> 00:05:34,320 Speaker 1: then and then we were getting moving on this movie. 97 00:05:34,360 --> 00:05:37,520 Speaker 1: And then Jed came up to Vancouver and did a 98 00:05:37,839 --> 00:05:39,800 Speaker 1: couple of weeks of jamming with us. It was it 99 00:05:39,960 --> 00:05:42,320 Speaker 1: was fun. This is all we cared about was comedy. 100 00:05:42,760 --> 00:05:44,280 Speaker 1: I think all you have to do is room with 101 00:05:44,360 --> 00:05:47,599 Speaker 1: you and then you get a job for life, don't you. Adam, Yeah, yeah, 102 00:05:48,080 --> 00:05:51,040 Speaker 1: that's what early he would say please help me. We 103 00:05:51,160 --> 00:05:52,920 Speaker 1: had a couple of roommates that I don't know where 104 00:05:52,920 --> 00:05:57,520 Speaker 1: there roommates that aren't aren't in the business, that are 105 00:05:58,320 --> 00:06:02,560 Speaker 1: doing some uh what bush Emmy does and Billy Madison 106 00:06:02,680 --> 00:06:05,240 Speaker 1: staring at our names wondering that did kill us or not? 107 00:06:05,400 --> 00:06:09,240 Speaker 1: Why did McMahon turn it down? He probably never even 108 00:06:09,320 --> 00:06:11,800 Speaker 1: saw it. He's his manager. Probably wouldn't like now, why 109 00:06:11,839 --> 00:06:15,560 Speaker 1: would he? I have my guy around this Adam Sandler guy, 110 00:06:16,040 --> 00:06:18,800 Speaker 1: invite him and roll around on the grass. But then 111 00:06:19,120 --> 00:06:24,760 Speaker 1: Bob Barka read it and his first response and I 112 00:06:24,880 --> 00:06:29,520 Speaker 1: know he probably tells everybody this, um wash. I'll do it, 113 00:06:29,720 --> 00:06:33,839 Speaker 1: but I have to win the fight. And he because 114 00:06:33,920 --> 00:06:37,520 Speaker 1: he fought his next door neighbor was was Chuck Norland, 115 00:06:37,960 --> 00:06:40,480 Speaker 1: and so he said, I trained with Chuck. We we 116 00:06:41,040 --> 00:06:44,839 Speaker 1: train every night and he helps me moving my punges 117 00:06:44,880 --> 00:06:47,480 Speaker 1: and my kicks, and I would love to do this, 118 00:06:47,640 --> 00:06:50,840 Speaker 1: but I have to win this this right, And we 119 00:06:50,960 --> 00:06:52,360 Speaker 1: were like, oh yeah, I think we had to do 120 00:06:52,440 --> 00:06:55,200 Speaker 1: a rewrite because it was that I beat the hell 121 00:06:55,240 --> 00:06:57,400 Speaker 1: out of him. And then I think because he wanted 122 00:06:57,440 --> 00:07:00,320 Speaker 1: to win, we we changed it to him not yeah, 123 00:07:01,200 --> 00:07:03,479 Speaker 1: oh no, I knock him out who wins the fight? 124 00:07:04,080 --> 00:07:06,800 Speaker 1: He does, No, he does. He walks, Yeah, he walks away. 125 00:07:07,279 --> 00:07:09,200 Speaker 1: Oh he does. That's right, that's right. That's where he 126 00:07:09,240 --> 00:07:13,160 Speaker 1: gives you the price is wrong. That's right. Oh. I 127 00:07:13,280 --> 00:07:15,840 Speaker 1: say the price is wrong to him and I head 128 00:07:15,880 --> 00:07:19,120 Speaker 1: butt him or something or something like that. You headbut him. Yeah. 129 00:07:19,280 --> 00:07:22,680 Speaker 1: Do you remember doing this movie? Yes? That was that 130 00:07:22,800 --> 00:07:26,080 Speaker 1: a great golf course in Vancouver, big bit what was 131 00:07:26,120 --> 00:07:31,280 Speaker 1: it called Bear something Bear Golf Club? And uh, and 132 00:07:31,480 --> 00:07:34,480 Speaker 1: we we were rolling around. It was the greatest time. 133 00:07:34,520 --> 00:07:37,080 Speaker 1: And he had a stunt man, Yes, stut man. I 134 00:07:37,120 --> 00:07:39,360 Speaker 1: would do some of the roll and that guy was 135 00:07:39,440 --> 00:07:41,240 Speaker 1: like forty two years old. We were like, what the 136 00:07:41,320 --> 00:07:44,880 Speaker 1: hell happened? I think Bob seventy you don't look like 137 00:07:45,000 --> 00:07:47,240 Speaker 1: him at all. They would put the silver wig on him. 138 00:07:47,240 --> 00:07:49,640 Speaker 1: Then they were like, we couldn't get anyone seventies to 139 00:07:49,760 --> 00:07:51,680 Speaker 1: roll around on the ground and get We didn't know 140 00:07:51,760 --> 00:07:53,680 Speaker 1: what we were doing back then. How tough was it 141 00:07:53,880 --> 00:07:57,400 Speaker 1: to plan that script, that choreography. We got there early 142 00:07:57,440 --> 00:08:00,040 Speaker 1: in the morning, did it kind of beat beat with 143 00:08:00,120 --> 00:08:03,320 Speaker 1: Dennis Dougan the director, And uh, we did it in 144 00:08:03,480 --> 00:08:07,080 Speaker 1: the morning, right, I wasn't there that day. Oh, oh, yeah, 145 00:08:07,120 --> 00:08:09,640 Speaker 1: you were busy. Yeah, hardly. He was there every day 146 00:08:10,200 --> 00:08:12,240 Speaker 1: on Billy Madison and then all of a sudden was 147 00:08:12,360 --> 00:08:15,440 Speaker 1: like he'd show up once every two weeks. Yeah, you guys, 148 00:08:15,440 --> 00:08:16,960 Speaker 1: it was right in the wedding singer. That's what I 149 00:08:17,040 --> 00:08:20,680 Speaker 1: was doing. I take it easy here like he was 150 00:08:20,760 --> 00:08:25,360 Speaker 1: writing then what I was doing. But when you now, 151 00:08:25,440 --> 00:08:27,480 Speaker 1: how much do you allow Bob Barker to say what 152 00:08:27,600 --> 00:08:29,720 Speaker 1: he wants to say? That hell scripted? Was that scene? 153 00:08:29,920 --> 00:08:32,959 Speaker 1: I think we I think we wrote it pretty verbatim 154 00:08:33,040 --> 00:08:35,400 Speaker 1: for Bob and he was cool and yeah he didn't. 155 00:08:35,440 --> 00:08:37,680 Speaker 1: We were like, oh, I wonder if he's gonna say winner. 156 00:08:37,760 --> 00:08:40,520 Speaker 1: And then when he said at then we were everyone 157 00:08:40,679 --> 00:08:43,000 Speaker 1: was applauding and hugging him and it was like the 158 00:08:43,120 --> 00:08:46,319 Speaker 1: greatest moment. Yeah, anybody get hurt? No, I don't think 159 00:08:46,360 --> 00:08:48,319 Speaker 1: I may. I think I fell on my head. It 160 00:08:48,400 --> 00:08:50,439 Speaker 1: was slippery that morning because of the morning. Do I 161 00:08:50,480 --> 00:08:53,400 Speaker 1: think I slipped and hit my head? But did? The 162 00:08:53,440 --> 00:08:56,280 Speaker 1: adrenaline kept me going. I was too excited that I 163 00:08:56,360 --> 00:08:59,679 Speaker 1: was doing a movie. Do you have Burned Lundquist in 164 00:08:59,800 --> 00:09:03,400 Speaker 1: that seen as the announcer? He is the best? Yeah? Okay, 165 00:09:03,559 --> 00:09:06,000 Speaker 1: now you pitched this to Verne Linquist. I think our 166 00:09:06,040 --> 00:09:08,240 Speaker 1: friend Jack was like he was very into sports, and 167 00:09:08,360 --> 00:09:10,280 Speaker 1: he was he was one of the producers, and he 168 00:09:10,360 --> 00:09:12,079 Speaker 1: was very excited to have Verne in the movie. Like 169 00:09:12,120 --> 00:09:14,520 Speaker 1: we thought, oh, we'll cast somebody and he's like, no, no, 170 00:09:14,600 --> 00:09:16,079 Speaker 1: we gotta have Verne in the movie. And then Jack 171 00:09:16,160 --> 00:09:18,760 Speaker 1: was in the movie. He played Jack Beard vern vern 172 00:09:19,080 --> 00:09:22,000 Speaker 1: Arne got there that morning and said, now, if if 173 00:09:22,240 --> 00:09:24,160 Speaker 1: we want to make this real, I would have someone 174 00:09:24,200 --> 00:09:26,400 Speaker 1: I would be talking to, you know, And we didn't 175 00:09:26,440 --> 00:09:29,640 Speaker 1: have anybody there. And then one of us said, Jack, 176 00:09:30,200 --> 00:09:32,200 Speaker 1: you know, you know golf, So you said, he goes, oh, 177 00:09:32,320 --> 00:09:37,080 Speaker 1: no talking. So so Jack is your long time producing partner, 178 00:09:37,200 --> 00:09:40,880 Speaker 1: Jack Garraputo. Back then he was just an associate producer. 179 00:09:40,920 --> 00:09:44,240 Speaker 1: Then he became our producing partner and he was one 180 00:09:44,280 --> 00:09:48,200 Speaker 1: of our best friends from NYU. Jack knows more about 181 00:09:48,240 --> 00:09:50,480 Speaker 1: sports than everybody, so, but he did not want to 182 00:09:50,520 --> 00:09:52,319 Speaker 1: be an actor at all. So when we said be 183 00:09:52,520 --> 00:09:54,360 Speaker 1: with Verne, he was like, yeah, but I don't want 184 00:09:54,400 --> 00:09:55,880 Speaker 1: to talk. So then we made that part of the 185 00:09:56,000 --> 00:09:58,320 Speaker 1: thing that he nods and does that kind of thing. 186 00:09:58,800 --> 00:10:01,040 Speaker 1: Why is it I'm under the pressure that you offered 187 00:10:01,080 --> 00:10:05,720 Speaker 1: that role to Keith Oberman. Maybe we did. Was definitely 188 00:10:05,800 --> 00:10:09,280 Speaker 1: offered some of our movies, right, Danny, you said to me, hey, 189 00:10:09,360 --> 00:10:12,160 Speaker 1: next time you want somebody. I saw you at the 190 00:10:12,240 --> 00:10:15,520 Speaker 1: Knicks game. Yeah, and you were out in the bowels 191 00:10:15,600 --> 00:10:19,240 Speaker 1: of Madison Square Garden and I walked out and I said, hey, 192 00:10:19,320 --> 00:10:23,600 Speaker 1: san Man, you go Danny Patrick And I said what's up? 193 00:10:23,679 --> 00:10:27,280 Speaker 1: And he goes your boy me, Oh, oh yeah, he 194 00:10:27,440 --> 00:10:29,679 Speaker 1: was coming or something, yes, And then he didn't must 195 00:10:29,800 --> 00:10:31,600 Speaker 1: it must have been that. It must have been Burns 196 00:10:31,800 --> 00:10:34,680 Speaker 1: all right. And then he didn't fly three days prior. 197 00:10:34,880 --> 00:10:38,240 Speaker 1: And then you said, yeah, your boy Oberman was supposed 198 00:10:38,280 --> 00:10:41,280 Speaker 1: to play the role in Happy Gilmour And I go, 199 00:10:41,559 --> 00:10:45,240 Speaker 1: if you ever need somebody, I'm always available. And then 200 00:10:45,320 --> 00:10:48,240 Speaker 1: you go, You're in my next movie. You got a 201 00:10:48,360 --> 00:10:51,680 Speaker 1: mustache on your play police officer and so I wasn't 202 00:10:51,679 --> 00:10:54,040 Speaker 1: in Little Nikki. I think that was your next one. 203 00:10:54,080 --> 00:10:56,959 Speaker 1: And then you cast me in the Longest Yard or 204 00:10:57,160 --> 00:10:59,480 Speaker 1: oh no, waterboy got to play myself and the water 205 00:10:59,520 --> 00:11:02,760 Speaker 1: Boy you you were incredible with the whole U me 206 00:11:02,920 --> 00:11:07,400 Speaker 1: smashing records for the most sacks something like that. Now't 207 00:11:07,440 --> 00:11:09,640 Speaker 1: you say what is in the water? You wrote that 208 00:11:09,760 --> 00:11:14,000 Speaker 1: butter is in the water. Yeah yeah, and by where 209 00:11:14,200 --> 00:11:17,600 Speaker 1: whatever you call it something by you Louisiana. Yeah, yeah, yeah, 210 00:11:17,840 --> 00:11:21,520 Speaker 1: when did you know that that scene? Because that feels 211 00:11:21,559 --> 00:11:24,000 Speaker 1: like that's the scene that really stands out in Happy Gilmour, 212 00:11:24,360 --> 00:11:27,760 Speaker 1: Well certainly stands out in my day to day life. 213 00:11:27,840 --> 00:11:32,000 Speaker 1: When I'm walking walking anywhere, I'll hear about where's Bob Barker? 214 00:11:32,080 --> 00:11:36,640 Speaker 1: Right here? Where's Bob Barking? More than anything in my life, really, yeah, yeah, 215 00:11:36,720 --> 00:11:40,440 Speaker 1: for sure of all your movies. Oh yeah, yeah, yeah, 216 00:11:40,520 --> 00:11:44,320 Speaker 1: without a doubt every age. I had some man say 217 00:11:44,360 --> 00:11:47,280 Speaker 1: to me at a restaurant two nights ago, and he 218 00:11:47,480 --> 00:11:51,240 Speaker 1: was like the nicest older man he goes. I raised 219 00:11:51,520 --> 00:11:53,880 Speaker 1: my kids on happy to get on, and I tell 220 00:11:53,960 --> 00:11:58,280 Speaker 1: my grandchildren and I teach them life lessons with I say, now, 221 00:11:58,480 --> 00:12:02,200 Speaker 1: look at Happy when he's upset, he can't play well, 222 00:12:02,760 --> 00:12:06,559 Speaker 1: but when he gets to his happy place and he 223 00:12:06,679 --> 00:12:08,880 Speaker 1: needs to be calm, And I tell my grandkids that 224 00:12:09,040 --> 00:12:10,920 Speaker 1: all the time. It's so funny, man, I don't know 225 00:12:11,040 --> 00:12:13,880 Speaker 1: how that happened. We can't all drive the ball as 226 00:12:13,960 --> 00:12:16,640 Speaker 1: far as Happy Gilmore, But thankfully for the rest of us, 227 00:12:16,720 --> 00:12:20,559 Speaker 1: Callaway Golf has created the new Big Bertha B twenty one. 228 00:12:21,080 --> 00:12:24,080 Speaker 1: Because truth is, there's a ton of distance trapped inside 229 00:12:24,120 --> 00:12:26,880 Speaker 1: your swing. You just need the technology of Big Bertha 230 00:12:26,960 --> 00:12:29,920 Speaker 1: to unlock it. And it's pretty simple. A straighter ball 231 00:12:30,080 --> 00:12:33,120 Speaker 1: equals a longer ball. So Callaway built a whole family 232 00:12:33,200 --> 00:12:36,439 Speaker 1: of Big Bertha drivers, Irons, woods and hybrids with a 233 00:12:36,520 --> 00:12:40,200 Speaker 1: new formula for forgiveness. Big Bertha was designed to reduce 234 00:12:40,280 --> 00:12:44,679 Speaker 1: sidespin while generating an insane amount of ball speed, leading 235 00:12:44,720 --> 00:12:47,960 Speaker 1: to straighter shots off the tea. That's how you unleash 236 00:12:48,000 --> 00:12:51,319 Speaker 1: your innerdistance. That's how you drive like Happy Gilmore and 237 00:12:51,440 --> 00:12:54,520 Speaker 1: Callaway made Big Bertha iron so forgiving you can practically 238 00:12:54,600 --> 00:12:56,319 Speaker 1: hit him anywhere on the face and the ball just 239 00:12:56,520 --> 00:12:59,680 Speaker 1: launches no matter your swing. Big Bertha gives every shot 240 00:12:59,800 --> 00:13:02,839 Speaker 1: more distance. Big Bertha is a full family of long, 241 00:13:02,960 --> 00:13:05,959 Speaker 1: forgiving and really easy to hit clubs. So say allow 242 00:13:06,120 --> 00:13:08,920 Speaker 1: to the fair way again, introduce yourself to the green, 243 00:13:09,280 --> 00:13:12,600 Speaker 1: because this is distance any way you swing it. Unlock 244 00:13:12,640 --> 00:13:16,640 Speaker 1: your innerdistance today at Callaway Golf dot Com. Slash Big Bertha. 245 00:13:17,040 --> 00:13:19,559 Speaker 1: But you know you do have life lessons here in 246 00:13:19,600 --> 00:13:21,599 Speaker 1: your first two movies. I mean not that it's a 247 00:13:21,679 --> 00:13:24,760 Speaker 1: life lesson to being a bomb Marker. But you know 248 00:13:24,840 --> 00:13:28,400 Speaker 1: Billy Madison life lessons, there's anti bullying, and then you're, 249 00:13:28,880 --> 00:13:32,640 Speaker 1: you know, this altruistic good guy happy go more eventually 250 00:13:32,760 --> 00:13:36,839 Speaker 1: where you're trying to make money, say Grandma's house there. 251 00:13:37,200 --> 00:13:41,520 Speaker 1: But really I see through this this facade. There's always 252 00:13:41,640 --> 00:13:45,080 Speaker 1: a beautiful woman who's involved in this that you're really 253 00:13:45,160 --> 00:13:47,760 Speaker 1: trying to impress the same thing with Billy Madison and 254 00:13:47,920 --> 00:13:50,920 Speaker 1: with Happy Gilmour. Yes, yes, I've always done it for 255 00:13:50,960 --> 00:13:54,800 Speaker 1: the wrong reason about it's always kind of resistance. That 256 00:13:54,880 --> 00:13:57,480 Speaker 1: seems like the studio because we thought after Billy Madison, 257 00:13:57,559 --> 00:13:59,559 Speaker 1: like now that we've made a success like that, the 258 00:13:59,640 --> 00:14:01,719 Speaker 1: studio wouldn't give us notes anymore, and it felt like 259 00:14:01,760 --> 00:14:03,480 Speaker 1: they gave us more notes. So we always were trying 260 00:14:03,520 --> 00:14:05,760 Speaker 1: to figure out, okay, like in Billy, like why would 261 00:14:05,800 --> 00:14:08,719 Speaker 1: this girl ever like Billy when he well he does 262 00:14:08,800 --> 00:14:12,280 Speaker 1: his heat paste and throw stuff, and so we needed 263 00:14:12,360 --> 00:14:14,000 Speaker 1: that scene, you know, But that was sort of at 264 00:14:14,080 --> 00:14:15,880 Speaker 1: the behest of the studio to do something like that. 265 00:14:15,920 --> 00:14:17,959 Speaker 1: I mean, I'm not sure, but it sounds like a 266 00:14:18,000 --> 00:14:21,920 Speaker 1: studio sort of thing. Yeah, I still I can't imagine that. 267 00:14:22,160 --> 00:14:24,760 Speaker 1: Did you do a table read with Bob Barker. I 268 00:14:24,800 --> 00:14:27,760 Speaker 1: don't think so. I don't think Bob was casting. I 269 00:14:27,880 --> 00:14:31,520 Speaker 1: think we did a table read and I remember Covert 270 00:14:31,640 --> 00:14:34,640 Speaker 1: was playing the homeless Caddy. Oh that's right, Alan Covert, 271 00:14:34,640 --> 00:14:37,200 Speaker 1: who was a producer, collaborator of yours for a long 272 00:14:37,240 --> 00:14:40,640 Speaker 1: long time. Anybody else you found a little difficult or 273 00:14:40,680 --> 00:14:44,840 Speaker 1: trickier to get on board. I remember Chris McDonald when 274 00:14:44,920 --> 00:14:47,800 Speaker 1: he was Shooter McGavin and we were trying to talk 275 00:14:47,880 --> 00:14:49,880 Speaker 1: him into doing the movie because he didn't take it 276 00:14:50,000 --> 00:14:52,480 Speaker 1: right away. He was was that great movie he was 277 00:14:52,560 --> 00:14:57,120 Speaker 1: in with Semani, but he was. He was in the 278 00:14:57,160 --> 00:15:00,080 Speaker 1: same hotel as us. Yeah, and we saw him. We 279 00:15:00,160 --> 00:15:01,880 Speaker 1: met him and we had lunch with him, and we 280 00:15:02,000 --> 00:15:03,840 Speaker 1: were like, we got this movie, we're doing it. We 281 00:15:03,880 --> 00:15:06,320 Speaker 1: would love you to be the guy. And he was 282 00:15:06,440 --> 00:15:09,800 Speaker 1: kind of like just in a different league than us 283 00:15:09,960 --> 00:15:12,320 Speaker 1: because he was working with movie stars and we were 284 00:15:12,360 --> 00:15:16,680 Speaker 1: still goofy. And then he finally said yeah. But and 285 00:15:16,800 --> 00:15:19,240 Speaker 1: then I remember on this Scenymore, I break the bottle 286 00:15:19,320 --> 00:15:22,640 Speaker 1: and I go, you know, I threatened him with a bottle. 287 00:15:22,920 --> 00:15:26,480 Speaker 1: In real life, Chris McDonald's a tough dude, so he 288 00:15:26,680 --> 00:15:30,080 Speaker 1: was he was like, I don't know man, I'm afraid 289 00:15:30,160 --> 00:15:33,000 Speaker 1: of this guy. Like he was always a little like 290 00:15:33,040 --> 00:15:35,320 Speaker 1: because I was three inches shorter than him and he 291 00:15:35,480 --> 00:15:38,280 Speaker 1: looked like he was bigger than me. He was always like, 292 00:15:38,400 --> 00:15:40,360 Speaker 1: I gotta be afraid of this guy. I'm like, yeah, 293 00:15:40,920 --> 00:15:44,320 Speaker 1: he probably have been scared of a crazy person before. 294 00:15:44,400 --> 00:15:46,880 Speaker 1: It doesn't matter how big. There he'd be like, yeah, 295 00:15:47,000 --> 00:15:49,680 Speaker 1: but wow, I gotta be afraid to you, like wow. 296 00:15:50,680 --> 00:15:52,520 Speaker 1: He was having a hard time with that for a minute, 297 00:15:52,520 --> 00:15:54,560 Speaker 1: but that was such I mean, that's what he's known 298 00:15:54,680 --> 00:15:58,160 Speaker 1: for now, right, Oh yeah, he's shooter, He's he's great, 299 00:15:58,320 --> 00:16:01,880 Speaker 1: he's great, and when he's one of the family member 300 00:16:01,960 --> 00:16:04,160 Speaker 1: for life. I do remember it was it was a 301 00:16:04,280 --> 00:16:06,720 Speaker 1: moment to get Chris to say yes, right, hurl. He 302 00:16:06,800 --> 00:16:09,240 Speaker 1: did what may even know. He saw us in the 303 00:16:09,320 --> 00:16:11,280 Speaker 1: lobby at one point, and after we had asked him, 304 00:16:11,280 --> 00:16:12,560 Speaker 1: and he saw us and he turned around the other 305 00:16:12,600 --> 00:16:16,880 Speaker 1: way and it didn't see it. We changed yeah, yeah, yeah, yeah. 306 00:16:16,920 --> 00:16:19,400 Speaker 1: I think it was just just he was hanging out 307 00:16:19,440 --> 00:16:22,800 Speaker 1: with the real players and then he saw how did 308 00:16:22,880 --> 00:16:26,520 Speaker 1: we were being our movie I don't know. And then 309 00:16:26,560 --> 00:16:30,280 Speaker 1: you get lines like you eat pieces for breakfast. That's right, 310 00:16:30,520 --> 00:16:33,240 Speaker 1: that's the only line me and Hurla. He fight over 311 00:16:33,640 --> 00:16:35,400 Speaker 1: who wrote it. He says he wrote it, and I 312 00:16:35,520 --> 00:16:37,440 Speaker 1: think I wrote it. Yeah, No, I wrote it, and 313 00:16:37,480 --> 00:16:42,120 Speaker 1: you think you wrote it. I'll give it to you, Hurl, 314 00:16:42,720 --> 00:16:45,520 Speaker 1: you give it to me. I earned it. You're in 315 00:16:45,560 --> 00:16:47,560 Speaker 1: big trouble, though, Pal. I eat pieces of like you 316 00:16:47,680 --> 00:16:51,800 Speaker 1: for breakfast. You eat pieces for breakfast. We kind of 317 00:16:51,840 --> 00:16:54,800 Speaker 1: do it different every movie. Sometimes sometimes I'm very involved, 318 00:16:54,840 --> 00:16:58,280 Speaker 1: sometimes I'm less involved. Sometimes we concoct the whole thing 319 00:16:58,440 --> 00:17:02,360 Speaker 1: very much together. Sometimes we're riding another person's script that 320 00:17:02,720 --> 00:17:08,000 Speaker 1: we need to put in our voice. There's no like this. Danny. 321 00:17:08,320 --> 00:17:11,159 Speaker 1: I'm on the phone with him. I'll say something like 322 00:17:11,320 --> 00:17:15,440 Speaker 1: maybe happy goes. You eat pieces for breakfast, then Hurley 323 00:17:15,520 --> 00:17:20,560 Speaker 1: he thinks he wrote it. That's how it works. Let 324 00:17:20,640 --> 00:17:25,679 Speaker 1: it go, Sam Man, let it go. You got your 325 00:17:25,760 --> 00:17:31,080 Speaker 1: Independent Spirit Award. Oh yeah, let's hear more about that. Yeah, 326 00:17:31,200 --> 00:17:36,880 Speaker 1: it's right here next to me. Let me say hello. Period. Yeah, 327 00:17:37,040 --> 00:17:40,000 Speaker 1: that was the start the launching of Ben Stiller. What 328 00:17:40,760 --> 00:17:43,160 Speaker 1: how much did you know about Stiller? And who wrote 329 00:17:43,240 --> 00:17:47,280 Speaker 1: his lines as the orderly? That was an apatat thing, right. Yeah, 330 00:17:47,920 --> 00:17:50,000 Speaker 1: I got the news. We're extending Arts and Craft time 331 00:17:50,040 --> 00:17:56,760 Speaker 1: by four hours today. My fingers hurt. My fingers hurt. 332 00:17:57,040 --> 00:18:01,640 Speaker 1: Oh well, your backs gonna hurt because you just put 333 00:18:01,720 --> 00:18:06,320 Speaker 1: landscaping duty. Anybody else's fingers hurt? I think I think 334 00:18:06,320 --> 00:18:09,080 Speaker 1: that was an Appeta thing. Apataw and Ben Wood tight. 335 00:18:09,240 --> 00:18:13,000 Speaker 1: But I knew Ben when I was very young on MTV. 336 00:18:13,119 --> 00:18:15,360 Speaker 1: I knew him when I was like eighteen. And then 337 00:18:15,560 --> 00:18:18,560 Speaker 1: when APPATAI was in Vancouver doing the jams with us, 338 00:18:19,200 --> 00:18:22,920 Speaker 1: he said, man, we should show Grandma more right, No, no, 339 00:18:23,040 --> 00:18:26,359 Speaker 1: because I do remember. We had the air conditioning dropping 340 00:18:26,440 --> 00:18:30,159 Speaker 1: on the lady, the lady going mesta mista. Well they 341 00:18:30,200 --> 00:18:33,840 Speaker 1: air conditioners broken, getting a little warm. We'll just let 342 00:18:33,920 --> 00:18:37,280 Speaker 1: the kid fix it for you, all right. You got 343 00:18:37,359 --> 00:18:47,119 Speaker 1: the little twisty aps and ain't doing it, mister, mister 344 00:18:48,440 --> 00:18:52,000 Speaker 1: off of me, mister hang on, I'll be right down. 345 00:18:52,359 --> 00:18:57,159 Speaker 1: But the mista mestre that was from my real My 346 00:18:57,680 --> 00:19:01,359 Speaker 1: poor grandma lived in made My of the East Nursing 347 00:19:01,440 --> 00:19:04,920 Speaker 1: Home in Brooklyn, and I went to NYU. And every 348 00:19:05,000 --> 00:19:08,400 Speaker 1: time I visited Grandma in Brooklyn, I would get off 349 00:19:08,480 --> 00:19:11,159 Speaker 1: the elevator and there was an older woman and she 350 00:19:11,440 --> 00:19:16,040 Speaker 1: would scream at me, me, me, to get me out 351 00:19:16,160 --> 00:19:19,119 Speaker 1: of here. And I'd be like, oh my god, I 352 00:19:19,160 --> 00:19:21,520 Speaker 1: would be so shook up. For on my first five 353 00:19:21,560 --> 00:19:24,960 Speaker 1: minutes with my grandmother, I would always be like, lady one, 354 00:19:25,040 --> 00:19:27,520 Speaker 1: Oh she wants out. Man, what the hell am I doing? 355 00:19:27,560 --> 00:19:29,760 Speaker 1: I gotta help that lady escape. I'm telling you that 356 00:19:29,880 --> 00:19:32,080 Speaker 1: this place is perfect. You're gonna make friends. And no time. 357 00:19:42,000 --> 00:19:46,320 Speaker 1: Did you keep your Boston Bruins jersey from Happy Gilmore. 358 00:19:46,960 --> 00:19:49,879 Speaker 1: It's somewhere. It's somewhere. It's at a hard rock or so. 359 00:19:50,000 --> 00:19:52,320 Speaker 1: I think it went to a hard rock What was 360 00:19:52,359 --> 00:19:55,200 Speaker 1: the place on on fifty seven Street? Not hard rock? 361 00:19:55,240 --> 00:19:59,000 Speaker 1: To want a planet Hollywood, I think, But they keep 362 00:19:59,040 --> 00:20:00,880 Speaker 1: the great track of that stuff. Back in the day, 363 00:20:01,040 --> 00:20:03,119 Speaker 1: they'd had like wardrobe sales on the last day and 364 00:20:03,160 --> 00:20:05,080 Speaker 1: you could buy like stuff from the wardrobe for like 365 00:20:05,119 --> 00:20:08,919 Speaker 1: a dollar and stuff. Really. Back then, I would say, hey, 366 00:20:08,920 --> 00:20:11,399 Speaker 1: I want to keep this. They'd be like, no, you can't. 367 00:20:12,400 --> 00:20:15,199 Speaker 1: And now in my great career, I go, hey, I'm 368 00:20:15,320 --> 00:20:19,600 Speaker 1: keeping this thing. I guess, but I I like that 369 00:20:19,760 --> 00:20:22,520 Speaker 1: hockey stick should be in the Hockey Hall of Fame. 370 00:20:22,880 --> 00:20:27,520 Speaker 1: Oh yeah, no, that's that that Odyssey putter. Odyssey made 371 00:20:27,600 --> 00:20:29,840 Speaker 1: those putters for us, and they gave me, like twenty 372 00:20:29,880 --> 00:20:32,480 Speaker 1: of them. My father put it up. It's actually in 373 00:20:32,720 --> 00:20:36,520 Speaker 1: my house above the fireplace. Is that putter? Were you 374 00:20:36,600 --> 00:20:39,399 Speaker 1: any good at golf? I was okay. I used to 375 00:20:39,480 --> 00:20:42,399 Speaker 1: play a lot. I mean I would shoot low nineties 376 00:20:42,480 --> 00:20:46,520 Speaker 1: back then. Now I'm terrible, But my father was shooting 377 00:20:47,320 --> 00:20:50,320 Speaker 1: in the low seventies. New kidding. Yeah, he was great. 378 00:20:50,400 --> 00:20:53,320 Speaker 1: My father used to gamble, and uh, I think he 379 00:20:54,000 --> 00:20:56,719 Speaker 1: you know, had like a six handicap and and uh, 380 00:20:57,560 --> 00:20:59,960 Speaker 1: this was definitely my father's obsession. Me and my brother 381 00:21:00,000 --> 00:21:02,399 Speaker 1: they used to go out with my father play golf. 382 00:21:02,760 --> 00:21:05,239 Speaker 1: We play like four or five holes and then we say, 383 00:21:05,320 --> 00:21:07,360 Speaker 1: can we just drive and watch you? Because we both 384 00:21:07,400 --> 00:21:12,119 Speaker 1: tune out? Who picked your caddie? That was Hurley? He 385 00:21:12,320 --> 00:21:14,639 Speaker 1: wrote that the Covid of it all? And didn't you 386 00:21:14,760 --> 00:21:17,200 Speaker 1: write it's Alan Covid? Hurls? Is that how that happened? 387 00:21:17,200 --> 00:21:19,480 Speaker 1: Because I forget what he wasn't in Billy or he 388 00:21:19,480 --> 00:21:21,520 Speaker 1: was supposed to be something. Billy in the studio wouldn't 389 00:21:21,560 --> 00:21:22,800 Speaker 1: let us have him. So I think we felt like 390 00:21:22,840 --> 00:21:25,200 Speaker 1: we owed him a little bit. What happened was he 391 00:21:25,359 --> 00:21:29,680 Speaker 1: was originally Norm McDonald's best friend. It was Covid and 392 00:21:30,200 --> 00:21:33,359 Speaker 1: norm In Billy Madison and then they wouldn't let us 393 00:21:33,400 --> 00:21:36,520 Speaker 1: have COVID, so it ended up being a Mark Beltzman, 394 00:21:36,560 --> 00:21:38,600 Speaker 1: who was a great guy and he's hilarious and he 395 00:21:38,760 --> 00:21:43,640 Speaker 1: is funnier than COVID. You heard, Hey, let's not kick 396 00:21:43,720 --> 00:21:47,679 Speaker 1: COVERD when he's down COVID to it. Then hey, well, 397 00:21:47,760 --> 00:21:50,840 Speaker 1: thanks for getting together. I appreciate it. Wish Hurley he 398 00:21:50,880 --> 00:21:52,920 Speaker 1: would have gotten a little more airtime here, but Tom 399 00:21:53,359 --> 00:21:59,400 Speaker 1: I loved cutting him off. Thank you, guys, And it's 400 00:21:59,440 --> 00:22:02,680 Speaker 1: been a play and you know who wrote it deep 401 00:22:02,720 --> 00:22:19,720 Speaker 1: in yard that you couldn't guys, Bye bye bye. Listen 402 00:22:19,800 --> 00:22:23,359 Speaker 1: to That Scene with Dan Patrick and other favorite podcast 403 00:22:23,480 --> 00:22:26,680 Speaker 1: in the Amazon Music Mobile app on your web browser 404 00:22:26,880 --> 00:22:29,080 Speaker 1: or any Echo device. Then make sure to follow us 405 00:22:29,119 --> 00:22:33,160 Speaker 1: to get more episodes featuring celebrities like David Spade, Olivia Newton, 406 00:22:33,280 --> 00:22:37,800 Speaker 1: John will Farrell, and Brian Cranston. Only on Amazon Music. 407 00:22:38,480 --> 00:22:42,640 Speaker 1: I am DB's That Scene with Dan Patrick was created, hosted, 408 00:22:42,720 --> 00:22:45,520 Speaker 1: and produced by me Dan Patrick. It's also produced by 409 00:22:45,560 --> 00:22:49,359 Speaker 1: Brendan Pike, edited by Nathan Moody, and executive produced by 410 00:22:49,400 --> 00:22:53,480 Speaker 1: Paul Anderson, Nick Panella and Andrew Greenwood for Workhouse Media. 411 00:22:53,840 --> 00:22:56,720 Speaker 1: I am DB's that scene with Dan Patrick. It's a 412 00:22:56,760 --> 00:23:00,200 Speaker 1: production of Dan Patrick Productions and I am dB in 413 00:23:00,280 --> 00:23:02,119 Speaker 1: association with Workhouse Media.