WEBVTT - Ghost with Nicole Byer

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<v Speaker 1>On The Bechdel Cast. The questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zef in best

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<v Speaker 1>start changing it with the Bechdel Cast. Hi, Welcome to

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<v Speaker 1>the Bechtel Cast. My name is Jamie, my name is Caitlin.

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<v Speaker 1>Welcome to a very spooky episode. I wanted the confidence

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<v Speaker 1>to open with a spooky but I did not. Um.

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<v Speaker 1>Welcome to the Beachdel Cast. This is our podcast where

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<v Speaker 1>we talk about the role of women in movies. Hey,

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<v Speaker 1>why is it called the Bechdel Cast Because it's inspired

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<v Speaker 1>by the Bechdel Test by Mr Jerry Bechdel. Jerry Tyrone Bechdel.

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<v Speaker 1>I'm man, just kidding. Alison Bechdel developed a test whereby

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<v Speaker 1>two women in a movie have to talk to each other,

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<v Speaker 1>they have to have names. First of all, they have

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<v Speaker 1>to talk to each other. Their conversation has to be

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<v Speaker 1>about some thing other than a man. Is this too

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<v Speaker 1>much to ask of any movie? Usually? Yeah, I wouldn't

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<v Speaker 1>think so. But you think it would just be really

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<v Speaker 1>easy to write two women into your story and have

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<v Speaker 1>them talk about a fucking sandwich or something. Yeah, Hey,

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<v Speaker 1>nice sandwich. Thank you. My name is Carrie. My name

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<v Speaker 1>is Carrie Done. Two women named carry talking about a

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<v Speaker 1>sandwich that passes one of them. One of them c

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<v Speaker 1>A R y the other one spells at c A

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<v Speaker 1>R R I E. Yeah. But still this never happened.

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<v Speaker 1>I don't know why I'm so angry so far, but

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<v Speaker 1>I'm I have a Mike's Hard. I have a Mike's

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<v Speaker 1>Hard Lemonade. You never have a Mike's Hard lemonade. I

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<v Speaker 1>know we both have one. For the record, I love

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<v Speaker 1>when people who listen to the podcast tweet pictures of

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<v Speaker 1>them drinking Mike's Hard Lemonade to us, just to check

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<v Speaker 1>in and be like, hey, we're supporting the brand that

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<v Speaker 1>you've never received any financial support from. You just happened

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<v Speaker 1>to be a fan of their products. And to you, guys,

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<v Speaker 1>I say, hey, thank you. Keep enjoying the Mike's brand.

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<v Speaker 1>I know waiting at us with your photo of it

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<v Speaker 1>Mike's Hard Lemonade. Answer our tweets, please send us a

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<v Speaker 1>case enable us. Anyways, it's got a nice cold Mike's

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<v Speaker 1>Hard Lemonade in hand, strawberry lemonade. Baby Aristotle was giving

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<v Speaker 1>us a hard time about it, because he was like,

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<v Speaker 1>isn't that the bad flavor? And it's like, well, isn't

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<v Speaker 1>every flavor the bad flavor of misade? So true tastes

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<v Speaker 1>like my problematic past. Speaking of problems now anyway, Hey,

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<v Speaker 1>let's introduce our guest. Hey, I'm excited for it to

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<v Speaker 1>talk about today's movie, and it'll explain the spooky the

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<v Speaker 1>failed spooky motif. We did a great job. But hey,

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<v Speaker 1>before we talk about that, let's introduce our guests. You've

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<v Speaker 1>got a terrific comedian, very funny lady. You know we're

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<v Speaker 1>from Girl Code on MTV. That cute dogs, Nicole Buyers.

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<v Speaker 1>I love how the original segue was speaking of problematic here.

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<v Speaker 1>I know it didn't make any sense. I was like,

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<v Speaker 1>this is a dumb transition. Now I liked it, and

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<v Speaker 1>I wish you had an abandon and I wish you

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<v Speaker 1>had doubled down, Like this woman is a real problem.

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<v Speaker 1>She got here five minutes late. She's bad. She's not

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<v Speaker 1>drinking a Mike's hard lemonade. She's a bad potato only

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<v Speaker 1>because we didn't offer you one. No, it's okay, I'm

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<v Speaker 1>gonna go to the gym after this. Oh you're a

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<v Speaker 1>better woman than we are. We're literally going to get

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<v Speaker 1>another mix. That's the plan. So we're talking about the

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<v Speaker 1>movie Ghosts. When did you first see the movie? Um,

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<v Speaker 1>I don't remember how old I was, but I assume

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<v Speaker 1>maybe like eight, maybe seven, maybe six. I was very young.

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<v Speaker 1>A lot of the things went over my head. But

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<v Speaker 1>I just loved Whoopie Goldberg. I thought she was so

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<v Speaker 1>funny in it. And then I loved Patrick Swaze. I

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<v Speaker 1>was like, oh man, he makes my downstairs quiver. And

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<v Speaker 1>then I would just I just watched that movie so

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<v Speaker 1>many times. Would you say it's one of your favorites,

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<v Speaker 1>it's my favorite favorite of all? Yeah? I love it.

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<v Speaker 1>I had seen it, I think probably for the first

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<v Speaker 1>time in college. Remembered the very famous pottery fox. Of course,

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<v Speaker 1>I didn't remember much else about it many years past,

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<v Speaker 1>and then I rewatched it again for this episode, and

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<v Speaker 1>I was like, oh, ship, this is a good movie.

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<v Speaker 1>It's a great movie that would never get made today, right,

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<v Speaker 1>Yeah it is. So. It's funny, it's scary, it's sweet.

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<v Speaker 1>I love it. It holds up, it does. I was

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<v Speaker 1>a little nervous because I watched it with my mom.

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<v Speaker 1>I think when I was like a young teen aby

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<v Speaker 1>thirteen or fourteen, and I remember loving it and being

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<v Speaker 1>like maybe I was just a babe, but I was

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<v Speaker 1>like I was a little bit afraid of it, but

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<v Speaker 1>I was also a little bit turned on. But it

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<v Speaker 1>like it has everything, has everything you could possibly want,

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<v Speaker 1>but it holds up in a pretty major I was

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<v Speaker 1>like so pleasantly surprised that how much fun it was

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<v Speaker 1>to say, And if you just analyze it from like

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<v Speaker 1>a storytelling screenwriting standpoint, it's really well crafted. Like you mentioned,

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<v Speaker 1>this movie would never be made today, which yes it

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<v Speaker 1>would not. But also a movie just came out called

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<v Speaker 1>a Ghost Story starring Ruoney Mara and Casey Affleck, and

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<v Speaker 1>the problematic, speaking of problematics, the log line is in

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<v Speaker 1>this singular exploration of legacy, love loss in the enormity

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<v Speaker 1>of existence, a recently diceased, white sheeted ghost returns to

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<v Speaker 1>his suburban home to try to reconnect with his bereft

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<v Speaker 1>wife to find white like an old school. That's the

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<v Speaker 1>movie poster. And I bet you it's not a comedy

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<v Speaker 1>and it should be. Like a woman turns around in

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<v Speaker 1>her bedroom and she's like a child ghost chicker tree

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<v Speaker 1>in my bedroom yeah, yeah, look up, this is the

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<v Speaker 1>movie covered in a sheet. What is it? I mean,

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<v Speaker 1>I'm all for covering Casey have like in a sheet

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<v Speaker 1>wherever he may be. What is it called a ghost story?

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<v Speaker 1>A ghost story? Oh Man, bad HANDA hilarious came out

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<v Speaker 1>July seven. Okay, it has sent on rotten tomatoes. Oh

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<v Speaker 1>I just shall we go see it? Honestly, maybe we

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<v Speaker 1>should go see it. But Roger Ebert gave it four

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<v Speaker 1>out of four. I don't buy it's not even alive.

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<v Speaker 1>But really, yeah, it was his website. Probably I thought

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<v Speaker 1>Siskel was dead or they both? Did? They know who's

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<v Speaker 1>reviewing movies? Who we are? Who's a roper? Roper? Al? Oh? Fuck?

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<v Speaker 1>I really confused with two people? Who's roper? Replaced Cisco

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<v Speaker 1>and Siskel died? Oh so who replaced Ebert? No one?

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<v Speaker 1>You can't replace Ebert. I wonder if they're like arguing

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<v Speaker 1>in Heaven't like, how come I got replaced? Replaceable? But

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<v Speaker 1>he sings it like replaced every time you're irreplaceable. It

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<v Speaker 1>reminds me of my freshman in high school history teacher,

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<v Speaker 1>because that was when that song came out. She would

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<v Speaker 1>try to connect with us by asking us to pass

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<v Speaker 1>all our homework to the left to the left and

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<v Speaker 1>then would turn this song on while we would pass

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<v Speaker 1>our homework. What an awful job? What a terrible do

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<v Speaker 1>you have to try to? Like? She sat at home.

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<v Speaker 1>I was like, how can I get through Beyonce? Beyonce

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<v Speaker 1>will help me teach the love of science. Now I

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<v Speaker 1>just need to develop a lesson plan that involves the left.

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<v Speaker 1>Sad shout out to Miss McCray. You did your best anyway, Jamie.

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<v Speaker 1>When did you first se this movie? I saw it

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<v Speaker 1>when I was probably around the Miss McCray era. My

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<v Speaker 1>mom sometimes would just choose a summer night to show

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<v Speaker 1>us one of her weird, horny movies. This was one

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<v Speaker 1>of them that she'd had on cassette. And then she's like, Jamie,

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<v Speaker 1>I think that because she knew that I had a

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<v Speaker 1>thing for Patrick Swayze, and she for some reason was like,

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<v Speaker 1>that's good because you and Patrick Swayze have the same birthday.

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<v Speaker 1>And my mom believes fun fact about my mom, she

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<v Speaker 1>thinks everyone who has the same birthday shares a part

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<v Speaker 1>of each other's soul. So she believed she believed because

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<v Speaker 1>Patrick Swayzy was alive at the time. She believed that

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<v Speaker 1>Patrick Swayzy and I had in August eighteenth connection and

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<v Speaker 1>that I should see the movie, and I thought I

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<v Speaker 1>loved it. So me and Michael Jackson had a connection.

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<v Speaker 1>We were both born on August twenty night. Yeah, both

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<v Speaker 1>of your birthdays are coming up pretty soon? Are you

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<v Speaker 1>a liover go? I'm a Leo. Oh, I'm a virgo.

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<v Speaker 1>I've been wronged by virgos in the past. Oh well,

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<v Speaker 1>I'll push you down the stairs. Let's keep the trend

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<v Speaker 1>going my way out. I'm just like your leg will

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<v Speaker 1>splint her out of your body, just like in the Beguild.

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<v Speaker 1>Just go in the Beguild. That doesn't pass the back

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<v Speaker 1>to old test, does it? Um? I don't even remember.

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<v Speaker 1>It was such a terrible movie that I've blocked it

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<v Speaker 1>from memory. It's a wild movie, right, It's like set

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<v Speaker 1>during the Silver War and there's no black people, and

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<v Speaker 1>there's yeah, the Sofia couple of the couple in their

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<v Speaker 1>original version. It's just like way more interesting and better,

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<v Speaker 1>and it's not all white people. We shouldn't be the

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<v Speaker 1>Silver War era. It was like in Virginia pretty heavily black.

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<v Speaker 1>Granted we were in the background picking up things but

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<v Speaker 1>like just put us in there. Yeah. No, Sofia couple

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<v Speaker 1>is like, I don't know how it's going to be

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<v Speaker 1>white blonde, Yes, Sofia a couple of games all the

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<v Speaker 1>shrug and she was like, we don't know what she

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<v Speaker 1>really was she like asked about Yeah, I mean she

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<v Speaker 1>very intentionally wrote out the only black character and yeah,

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<v Speaker 1>she's unnoticed. She's unnoticed. Wow. Yeah, So she like had

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<v Speaker 1>to like a thought in her brain and she was like, oh,

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<v Speaker 1>I'll just get rid of that problem her. I mean,

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<v Speaker 1>her excuse was like, well, I don't know how to

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<v Speaker 1>write a black character. It's like, well, then talk to

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<v Speaker 1>someone do your job. But also, dummy, all you have

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<v Speaker 1>to do if they're not speaking in like the language

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<v Speaker 1>of the time, you just cast a black person in

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<v Speaker 1>that part. Do you know what I'm saying. If she

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<v Speaker 1>didn't know how to write slave talk like and if

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<v Speaker 1>nobody else is speaking the way they spoke back, then

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<v Speaker 1>you just write that character the way you write the

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<v Speaker 1>white people and then cast a black person. That's like

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<v Speaker 1>people like I don't know how to write women. Just

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<v Speaker 1>write a man and then change his name from Jason

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<v Speaker 1>to Allison, and then you have a woman congratulations, very easy.

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<v Speaker 1>Everyone is horny and tortured regards of Yeah, Sofia couple

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<v Speaker 1>is unnoticed. She's unnoticed. But let's talk about the movie.

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<v Speaker 1>Ghost Goes is a fun movie that doesn't suck the

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<v Speaker 1>way that Beguiled does. So I'll do the recap of

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<v Speaker 1>Ghost Molly Molly Jensen. Molly Jensen is married to Sam Waite.

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<v Speaker 1>They're not married yet. Oh sorry, Oh yeah, they never

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<v Speaker 1>get married and never get married because he goes on her. Yeah,

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<v Speaker 1>he ghosted her the Ultimate ghost in Ultimate Ghost Her,

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<v Speaker 1>but then like hung around. Yeah, he's like every fucking

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<v Speaker 1>man of now right, Like, I don't want to be together,

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<v Speaker 1>but I'm going to scare you and I have to

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<v Speaker 1>follow your every Move's gonna watch you. Another man comes

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<v Speaker 1>in your house, I'm going to scare him away and

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<v Speaker 1>follow him home. I'm gonna learn how to kick a can.

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<v Speaker 1>Oh man, I'm mad. I think we pretty much already

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<v Speaker 1>recaped love the kick a can scene, the whole montage

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<v Speaker 1>where he learns how to be a better ghost montage. Honestly,

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<v Speaker 1>if someone knows how to do this, please put that

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<v Speaker 1>whole sequence to other with milans make a man that song,

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<v Speaker 1>I'll make a man. How do you? I would really

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<v Speaker 1>love it. There's also just like, okay, I know that

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<v Speaker 1>we didn't even get one sentence into the recap, but

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<v Speaker 1>there's so many fun one scene character actors in this movie.

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<v Speaker 1>The hospital ghost who presently hangs out it waits for

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<v Speaker 1>other ghosts. No, he's waiting for his wife to die. Yeah?

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<v Speaker 1>Oh does he is that what he meant by that? Okay?

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<v Speaker 1>Because then he just watches a man die in the

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<v Speaker 1>surgery table in his life, Yeah, that's gonna happen, just like,

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<v Speaker 1>thank you so much. And then there's a scary subway ghost.

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<v Speaker 1>Oh my god, guy's incredible. One flew over the cuckoo's nest.

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<v Speaker 1>He's perfect. You think I jumped always pushed me, which

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<v Speaker 1>I guess I do anything for. Who are you? Who

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<v Speaker 1>sent you? Joe? It's my love it? Suicide again right

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<v Speaker 1>onto that train, but this time he's dead. I love it.

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<v Speaker 1>Oh wait, do you want to do the really fast?

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<v Speaker 1>So Molly and Sam are together. They live in its nice, new,

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<v Speaker 1>huge fucking apartment in New York City. How do they

0:13:19.640 --> 0:13:22.600
<v Speaker 1>afford it while he's a rich banker? Fine? They're out

0:13:22.600 --> 0:13:25.640
<v Speaker 1>one night and they get mugged and he gets murdered

0:13:25.679 --> 0:13:29.280
<v Speaker 1>and they think it's just like a random killing, and

0:13:29.520 --> 0:13:34.080
<v Speaker 1>his spirit stays behind. He's a ghost now, but Molly

0:13:34.160 --> 0:13:37.840
<v Speaker 1>can't see him. So he goes to a psychic, Odo

0:13:37.880 --> 0:13:41.040
<v Speaker 1>May Brown played by Whoopi Goldberg, and he starts to

0:13:41.120 --> 0:13:44.599
<v Speaker 1>figure out that this murder was actually like an intentional

0:13:44.840 --> 0:13:48.360
<v Speaker 1>First Whoopee is a psychic who's faking it the whole time.

0:13:48.760 --> 0:13:52.439
<v Speaker 1>So then Patrick Sweezy Sam Weed is giving like audio commentary,

0:13:52.480 --> 0:13:54.920
<v Speaker 1>like give me a brick, and then she's like, who

0:13:55.040 --> 0:13:58.000
<v Speaker 1>is it? Huh? And her sisters are like, what's happening?

0:13:58.600 --> 0:14:00.680
<v Speaker 1>And then he's like, say my name Sam Wait, Say

0:14:00.720 --> 0:14:03.880
<v Speaker 1>my name Sam wait. And then she's like then she

0:14:03.960 --> 0:14:08.160
<v Speaker 1>runs to a closet and then and then her sisters

0:14:08.200 --> 0:14:16.200
<v Speaker 1>go some queen. Her sister's there's so funny, there's no

0:14:16.400 --> 0:14:18.319
<v Speaker 1>she's talking to a white man again. We gotta called

0:14:18.360 --> 0:14:23.520
<v Speaker 1>the doctor. It's so funny, it's great. So he goes

0:14:23.560 --> 0:14:25.680
<v Speaker 1>to her to try to because it turns out that

0:14:25.720 --> 0:14:29.320
<v Speaker 1>she can actually like communicate with the dead, the spirits

0:14:29.320 --> 0:14:32.640
<v Speaker 1>who have who She has that crazy backstory like the

0:14:32.680 --> 0:14:35.760
<v Speaker 1>more you learn about you're just like this woman has

0:14:36.000 --> 0:14:40.440
<v Speaker 1>lived a very interesting way. Yeah, So He goes to

0:14:40.640 --> 0:14:44.360
<v Speaker 1>her to be like, can you communicate to Molly for me?

0:14:44.440 --> 0:14:46.560
<v Speaker 1>Because I gonna warn her that she's in danger. Because

0:14:46.560 --> 0:14:48.840
<v Speaker 1>he starts to figure out that he was set up

0:14:48.880 --> 0:14:53.520
<v Speaker 1>and he was murdered intentionally because his friend Carl Carl

0:14:53.640 --> 0:14:58.920
<v Speaker 1>was so hot. Carl Carl, I suppose he takes his

0:14:58.960 --> 0:15:03.080
<v Speaker 1>shirt off. He's sure. Tony Goldwin, I had like my

0:15:03.160 --> 0:15:06.480
<v Speaker 1>sexual awakening watching this movie. But then odom A Brown

0:15:06.520 --> 0:15:09.560
<v Speaker 1>goes to Molly after Molly like doesn't answer, and then

0:15:09.760 --> 0:15:12.600
<v Speaker 1>she's talking to Molly and then Sam's like, tell her

0:15:12.680 --> 0:15:14.320
<v Speaker 1>she's in danger, and she's like, I tell her my

0:15:14.400 --> 0:15:17.760
<v Speaker 1>own way. She goes Molly, you and danger girl. It's

0:15:17.800 --> 0:15:22.920
<v Speaker 1>another favorite line reading of mine. It's so good. It

0:15:22.960 --> 0:15:24.680
<v Speaker 1>took me a while. It took me till midway in

0:15:24.680 --> 0:15:27.400
<v Speaker 1>the movie. I'm like, oh my god, it's fits from Scandal,

0:15:28.760 --> 0:15:33.200
<v Speaker 1>And then I got horny. He plays the president. Yes,

0:15:33.360 --> 0:15:39.920
<v Speaker 1>he's the president on Scandal. Has a badass, beautiful man.

0:15:42.000 --> 0:15:44.640
<v Speaker 1>I saw her once in the airport and I almost died.

0:15:45.200 --> 0:15:47.160
<v Speaker 1>I don't get star struck, and I don't think I was.

0:15:47.200 --> 0:15:49.720
<v Speaker 1>I was just like, I don't want to open my

0:15:49.800 --> 0:15:56.120
<v Speaker 1>p I just love him. Oh, God, he's great. You

0:15:56.120 --> 0:15:58.880
<v Speaker 1>did get to see him shirtless, which I forgot if

0:15:58.920 --> 0:16:00.840
<v Speaker 1>you were if you did in this movie, and I

0:16:00.880 --> 0:16:03.640
<v Speaker 1>was like, well, thank god. Because he spills the coffee

0:16:03.680 --> 0:16:06.640
<v Speaker 1>on himself because I think he's trying to seduce Smolly.

0:16:06.760 --> 0:16:09.480
<v Speaker 1>But I don't understand why he's trying to seduce Molly.

0:16:09.760 --> 0:16:13.080
<v Speaker 1>Oh no, that is gibolical. No, it's to get her

0:16:13.200 --> 0:16:17.560
<v Speaker 1>on his side, Odo May says anything. She's already slept

0:16:17.560 --> 0:16:20.240
<v Speaker 1>with him, so she feels an allegiance to him. That's

0:16:20.320 --> 0:16:22.880
<v Speaker 1>so fucked up. And I can't believe I've watched that

0:16:22.920 --> 0:16:26.800
<v Speaker 1>movie a hundred times and just now unders him. I

0:16:26.840 --> 0:16:29.960
<v Speaker 1>feel very dumb. No, I mean it's not super explicit,

0:16:30.080 --> 0:16:34.360
<v Speaker 1>but perfect. He's a manipulative That's that's what it is

0:16:34.400 --> 0:16:36.720
<v Speaker 1>to me. It's just like it. But it turns out

0:16:36.760 --> 0:16:40.840
<v Speaker 1>he is a bad guy. He's trying to He hired

0:16:40.920 --> 0:16:45.040
<v Speaker 1>money Willie Lopez to not murder Sam Weet, just steal

0:16:45.160 --> 0:16:47.960
<v Speaker 1>his bank book with like codes in it because he's

0:16:48.080 --> 0:16:51.120
<v Speaker 1>like laundering money. But then Willie Lopez couldn't get it,

0:16:51.120 --> 0:16:53.960
<v Speaker 1>so Willie Lopez accidentally kills him. So then they're having

0:16:53.960 --> 0:16:56.080
<v Speaker 1>a conversation. He's like, you murdered. Hi, man, He's like,

0:16:56.400 --> 0:17:00.880
<v Speaker 1>did you won't feel free? And yeah, And at first

0:17:00.920 --> 0:17:03.240
<v Speaker 1>I was feeling for for Willy Lopez, but then at

0:17:03.240 --> 0:17:05.640
<v Speaker 1>the end you find out when you see Willie Lopez

0:17:05.640 --> 0:17:08.960
<v Speaker 1>go to Hell, all the blood rises from the floor

0:17:08.960 --> 0:17:11.560
<v Speaker 1>and it's like, oh, this man has killed and that's

0:17:11.560 --> 0:17:14.080
<v Speaker 1>why he's got that bear clow tattoo and the like

0:17:14.160 --> 0:17:17.240
<v Speaker 1>it's like a tear drop tattoo. Fact. Willy Lopez. I

0:17:17.240 --> 0:17:19.919
<v Speaker 1>cannot remember his actual his like real life name, but

0:17:19.960 --> 0:17:25.720
<v Speaker 1>he's a comic. He was, Yes, he stand up and

0:17:25.760 --> 0:17:27.760
<v Speaker 1>he was like pretty funny. I watched a couple of clips.

0:17:27.920 --> 0:17:33.520
<v Speaker 1>Hell yeah he did his Oh yeah he died. His

0:17:33.560 --> 0:17:37.400
<v Speaker 1>Wikipedia picture is just a picture of him from Ghost. Yeah.

0:17:37.520 --> 0:17:41.879
<v Speaker 1>It's literally like Ricky Vellis that looks like the picture

0:17:41.960 --> 0:17:44.680
<v Speaker 1>when he's looking in the mirror when Sam we makes

0:17:44.680 --> 0:17:46.760
<v Speaker 1>it all foggy and writes boot, I literally have seen

0:17:46.760 --> 0:17:49.440
<v Speaker 1>this movie so many times there. That was one of

0:17:49.520 --> 0:17:51.520
<v Speaker 1>the things that stood out to me. That scene when

0:17:51.560 --> 0:17:55.280
<v Speaker 1>like Willie is like basically going through a series of

0:17:55.359 --> 0:17:59.520
<v Speaker 1>rooms before he's hit by three cars at one. But

0:17:59.560 --> 0:18:01.800
<v Speaker 1>they're like a practical effect in this movie are really

0:18:01.800 --> 0:18:04.679
<v Speaker 1>they're really great, Like she flying off the walls and

0:18:04.720 --> 0:18:07.040
<v Speaker 1>the and the boo and you're just like, funk, this

0:18:07.119 --> 0:18:09.800
<v Speaker 1>is like really it is a well done as movie.

0:18:09.800 --> 0:18:12.320
<v Speaker 1>It was scary. I remember like that that freaked me

0:18:12.359 --> 0:18:14.800
<v Speaker 1>out when I was a little The beginning scares me

0:18:15.520 --> 0:18:18.800
<v Speaker 1>when they because they're in the new apartment they're renovating

0:18:18.840 --> 0:18:22.399
<v Speaker 1>it and it's Carl, Molly and Sam and they're like

0:18:22.640 --> 0:18:26.200
<v Speaker 1>hitting through this thing and then like as like light happens,

0:18:26.200 --> 0:18:30.359
<v Speaker 1>a big noise happens, and I still I'm like, oh,

0:18:30.480 --> 0:18:33.320
<v Speaker 1>and it's not the scariest part of the movie, no,

0:18:33.520 --> 0:18:35.560
<v Speaker 1>but but I get it's like and it's kind of

0:18:35.560 --> 0:18:41.199
<v Speaker 1>like foreshadowing. Yeah. So he goes to Otomey is like

0:18:41.480 --> 0:18:44.800
<v Speaker 1>your dead boyfriend, Sam Weed is communicating to you through me,

0:18:44.880 --> 0:18:46.680
<v Speaker 1>and here's everything he's saying. And at first she doesn't

0:18:46.720 --> 0:18:50.080
<v Speaker 1>believe otomy, and then she starts to come around. She's like, hey, maybe,

0:18:50.880 --> 0:18:55.199
<v Speaker 1>but then meanwhile Carl is manipulating her into being like, actually, no,

0:18:55.440 --> 0:18:58.959
<v Speaker 1>you're crazy, you're not here, like go start real. And

0:18:59.000 --> 0:19:01.400
<v Speaker 1>then they still to just piece more and more things.

0:19:01.440 --> 0:19:06.439
<v Speaker 1>Soone they don't believe, don't believe her. And that woman said, honey,

0:19:06.640 --> 0:19:08.840
<v Speaker 1>if you go start watching me every day, I'd never

0:19:08.880 --> 0:19:11.720
<v Speaker 1>take a shower again, and then walks away and I

0:19:11.800 --> 0:19:15.080
<v Speaker 1>was like, you can't, you're so rude, which is technically

0:19:15.160 --> 0:19:18.240
<v Speaker 1>a scene that by our rules passes the back del Well,

0:19:18.280 --> 0:19:22.480
<v Speaker 1>she doesn't have a name's just an officer. She's not

0:19:22.520 --> 0:19:24.639
<v Speaker 1>giving a name. Well, we'll get there later. One of

0:19:24.640 --> 0:19:26.359
<v Speaker 1>the coolest things about this movie for me was the

0:19:26.400 --> 0:19:29.679
<v Speaker 1>fact that, like in most movies, it's very hard to

0:19:29.720 --> 0:19:32.879
<v Speaker 1>identify what everyone's motivation is at every point in the movie.

0:19:33.240 --> 0:19:36.520
<v Speaker 1>But for this, like every main character is super motivated

0:19:36.720 --> 0:19:38.879
<v Speaker 1>in a way that makes a ton of sense, Like

0:19:39.640 --> 0:19:43.560
<v Speaker 1>down to the fact that Patrick Swayze low key kind

0:19:43.600 --> 0:19:46.520
<v Speaker 1>of blackmails Whoopi Goldberg into continuing to work with him,

0:19:46.520 --> 0:19:49.280
<v Speaker 1>and she has stuff at steak, and me Moore has

0:19:49.480 --> 0:19:53.040
<v Speaker 1>stuff at steak because she, I mean, everyone around her

0:19:53.080 --> 0:19:55.240
<v Speaker 1>saying something different. And it would be so easy to

0:19:55.280 --> 0:19:59.840
<v Speaker 1>just write her characters like this lady's grieving and she

0:20:00.119 --> 0:20:02.800
<v Speaker 1>things ghost surreal, but like she's taking in all the

0:20:02.800 --> 0:20:05.560
<v Speaker 1>information and doing the best she can, just being gaslighted

0:20:05.560 --> 0:20:10.119
<v Speaker 1>by Tony freaking Goldwin. And like it's just every character

0:20:10.200 --> 0:20:13.080
<v Speaker 1>has like a very specific It's so each scene is

0:20:13.119 --> 0:20:17.199
<v Speaker 1>like a sketch because each character has a game and

0:20:17.600 --> 0:20:20.560
<v Speaker 1>everyone plays their game, and it's like, if it's true,

0:20:20.600 --> 0:20:24.040
<v Speaker 1>what else is true? Like all of Odomy Brown scenes

0:20:24.240 --> 0:20:27.760
<v Speaker 1>to meet our sketches, they heightened perfectly, and you blow

0:20:27.760 --> 0:20:29.600
<v Speaker 1>out the world and you get out, and then like

0:20:29.640 --> 0:20:33.119
<v Speaker 1>the next scene heightens what she's doing. So like when

0:20:33.160 --> 0:20:35.520
<v Speaker 1>I learned how to write sketches, I would watch Ghost

0:20:35.560 --> 0:20:38.159
<v Speaker 1>a lot because I was like, these are perfect, like

0:20:38.280 --> 0:20:41.280
<v Speaker 1>especially when they're in the bank and sam Weed is

0:20:41.280 --> 0:20:43.720
<v Speaker 1>whispering to Odomy and she's like, why are you whispering?

0:20:44.000 --> 0:20:48.080
<v Speaker 1>That is such a funny specific because like she remembers

0:20:48.080 --> 0:20:49.800
<v Speaker 1>she was talking to a ghost and has to do

0:20:49.960 --> 0:20:54.920
<v Speaker 1>like x Y and it's my favorite moment. Uh No,

0:20:55.080 --> 0:20:57.399
<v Speaker 1>you're right though, Like if you just isolate every scene,

0:20:57.400 --> 0:21:02.120
<v Speaker 1>it's just like every scene serves a purpose, it heightens well. Yeah,

0:21:02.119 --> 0:21:04.960
<v Speaker 1>everything is just a very well crafted story. I'm kind

0:21:04.960 --> 0:21:07.240
<v Speaker 1>of upset with myself that I didn't like, revisit it

0:21:07.320 --> 0:21:10.560
<v Speaker 1>sooner and pay more change into it. It works on

0:21:10.600 --> 0:21:14.639
<v Speaker 1>every level, and the romance is really good and I

0:21:14.680 --> 0:21:18.080
<v Speaker 1>get it and I love that to me more sort of,

0:21:18.280 --> 0:21:21.080
<v Speaker 1>I mean for the most part immediately before he dies, granted,

0:21:21.320 --> 0:21:24.880
<v Speaker 1>but basically proposes to Patrick Swayzy and he's like, hey,

0:21:25.080 --> 0:21:27.119
<v Speaker 1>I don't have any jewelry on me, but I do.

0:21:27.280 --> 0:21:29.320
<v Speaker 1>We should get married, you know, and and and that's

0:21:29.320 --> 0:21:31.640
<v Speaker 1>like I want to talk about that scene. Yeah, yeah,

0:21:31.800 --> 0:21:34.600
<v Speaker 1>I think the recap is done. He's a ghost. He's

0:21:34.640 --> 0:21:38.160
<v Speaker 1>a ghost. He gets murdered in a billowy burgundy shirt

0:21:38.240 --> 0:21:40.040
<v Speaker 1>that he used to wear for the rest of his

0:21:41.000 --> 0:21:45.320
<v Speaker 1>chucked into his pants. What happens, What happens to the

0:21:45.359 --> 0:21:48.760
<v Speaker 1>world if he untuch, I don't know, it would explode

0:21:49.240 --> 0:21:51.320
<v Speaker 1>and maybe he untucked and then it magically goes back

0:21:51.359 --> 0:21:54.040
<v Speaker 1>in because that's the way he died. And I like

0:21:54.080 --> 0:21:57.680
<v Speaker 1>in the Santa Claus where he shaves off his beard back.

0:21:58.280 --> 0:22:01.880
<v Speaker 1>I love that this schizophrenic subway gust. It's like, your

0:22:01.920 --> 0:22:04.879
<v Speaker 1>shirts not real, your body is not real. But he

0:22:04.960 --> 0:22:07.600
<v Speaker 1>references the shirt specifically, and it's like, thank you. I've

0:22:07.600 --> 0:22:11.840
<v Speaker 1>been thinking about what a great outfit to die in.

0:22:12.440 --> 0:22:15.119
<v Speaker 1>For sure. Yeah, he woren't to the play. They went

0:22:15.200 --> 0:22:18.960
<v Speaker 1>to go see Macbeth Mabeth another grade. He fell asleep

0:22:19.040 --> 0:22:23.320
<v Speaker 1>and he was snoring, but anyway, so yeah, he finally

0:22:23.359 --> 0:22:27.080
<v Speaker 1>convinces to help Molly talk to the thing and they

0:22:27.080 --> 0:22:29.879
<v Speaker 1>figured all the thing out, and the ministery, the murder

0:22:29.920 --> 0:22:32.959
<v Speaker 1>gets solved, and then all the bad guys die and

0:22:33.000 --> 0:22:38.879
<v Speaker 1>then finally Sam's spirit can ascend Molly. It's amazing the

0:22:39.000 --> 0:22:42.199
<v Speaker 1>love inside you get to take it with you, and

0:22:42.240 --> 0:22:47.760
<v Speaker 1>then he goes up to heaven. I was weeping. It's

0:22:48.040 --> 0:22:52.000
<v Speaker 1>really touching, it really is. And there was and and

0:22:52.040 --> 0:22:54.760
<v Speaker 1>this was while I was watching the movie because I

0:22:54.880 --> 0:22:58.520
<v Speaker 1>love Swazie. We after all share each other soul Annway

0:22:59.119 --> 0:23:02.480
<v Speaker 1>and then in August eighteenth cents. But I I did

0:23:02.520 --> 0:23:05.159
<v Speaker 1>posit at one point because every time I watched the

0:23:05.160 --> 0:23:07.560
<v Speaker 1>scene between Patrick Swayze and Whoopi Goldberg, I'm like, oh,

0:23:07.640 --> 0:23:09.840
<v Speaker 1>for sure they were real life friends, like you can

0:23:09.880 --> 0:23:12.360
<v Speaker 1>just yes, that's how she got the job. Patrick Swayzey

0:23:12.560 --> 0:23:14.639
<v Speaker 1>was like, I won't do this movie unless Whoopi Goldberg

0:23:14.680 --> 0:23:17.040
<v Speaker 1>does this movie. Yeah. Then I read some article that

0:23:17.080 --> 0:23:19.720
<v Speaker 1>Tina Turner was like one of the original choices and

0:23:19.760 --> 0:23:21.480
<v Speaker 1>then the reference tinga turn in the movie. But I

0:23:21.520 --> 0:23:23.800
<v Speaker 1>don't know how true that is, and I didn't get that.

0:23:23.840 --> 0:23:26.240
<v Speaker 1>I started reading. I looked up and this is like

0:23:26.440 --> 0:23:29.280
<v Speaker 1>slightly more bid, and like, I bet Whoopie Goldberg had

0:23:29.320 --> 0:23:33.119
<v Speaker 1>a great tearful public appearance after Patrick Swayze's death. And

0:23:33.160 --> 0:23:35.840
<v Speaker 1>I watched what she said several days after on the view,

0:23:36.200 --> 0:23:39.560
<v Speaker 1>and it was check it out YouTube dot com, YouTube

0:23:39.560 --> 0:23:42.640
<v Speaker 1>dot com. I've never been to that website. It's it's

0:23:42.640 --> 0:23:47.720
<v Speaker 1>a new cool It's just short clips of your favorite

0:23:47.760 --> 0:23:50.800
<v Speaker 1>song of history and time. I better get it. It's

0:23:50.800 --> 0:23:55.440
<v Speaker 1>pretty cool. It's pretty cool. Whoopi Goldberg basically credits quite

0:23:55.440 --> 0:23:58.560
<v Speaker 1>a bit of her success to Patrick Swayze. Is like

0:23:58.840 --> 0:24:01.439
<v Speaker 1>vouching for a year, want to fucking oscar for it,

0:24:02.119 --> 0:24:06.520
<v Speaker 1>and became a legitimate movie star. And I can't think

0:24:06.560 --> 0:24:09.440
<v Speaker 1>of another bankable black movie star like that. I mean,

0:24:09.960 --> 0:24:12.800
<v Speaker 1>she's she's one of a kind in everyone, but I

0:24:12.800 --> 0:24:16.959
<v Speaker 1>didn't realize the role Swazy had and man, and she

0:24:17.000 --> 0:24:20.240
<v Speaker 1>also said, fun fact this Swazy loves to moon his

0:24:20.359 --> 0:24:27.520
<v Speaker 1>close stars, like whenever she was saying, like, she cited

0:24:27.560 --> 0:24:30.080
<v Speaker 1>a specific scene where it's her and Swayzie and and

0:24:30.119 --> 0:24:32.720
<v Speaker 1>it's like, you're the shots are back and forth between

0:24:32.720 --> 0:24:34.280
<v Speaker 1>a tight shot on her and a tight shot on him,

0:24:34.520 --> 0:24:36.080
<v Speaker 1>and She's like, whenever it was like a shot on

0:24:36.240 --> 0:24:39.199
<v Speaker 1>just me. Swazie was off on the side moon and

0:24:39.280 --> 0:24:42.760
<v Speaker 1>me making me laugh. What a goofball, what a warrior

0:24:42.880 --> 0:24:47.320
<v Speaker 1>arrest in paradise and you're just like they were good friends.

0:24:47.160 --> 0:24:51.000
<v Speaker 1>That makes me so happy because they had they have

0:24:51.160 --> 0:24:54.440
<v Speaker 1>such a great chemistry together. It's so it's so much

0:24:54.520 --> 0:24:57.560
<v Speaker 1>fun to watch them together. I don't know, it makes

0:24:57.560 --> 0:24:58.960
<v Speaker 1>me feel like a kid to be like, oh, man,

0:24:59.000 --> 0:25:00.960
<v Speaker 1>I hope they're really friends in real life. But it

0:25:01.000 --> 0:25:05.200
<v Speaker 1>may be they were really friends in real life. But okay,

0:25:05.200 --> 0:25:06.919
<v Speaker 1>So I wanted to talk about that scene where she

0:25:07.040 --> 0:25:11.400
<v Speaker 1>effectively proposes to him. It's right before he gets murdered,

0:25:12.000 --> 0:25:15.080
<v Speaker 1>which is just more great writing. I never started telling

0:25:15.320 --> 0:25:19.119
<v Speaker 1>chance to get married, but she's like, I want to

0:25:19.119 --> 0:25:21.159
<v Speaker 1>marry you. I've been thinking about a lot, and I

0:25:21.160 --> 0:25:23.320
<v Speaker 1>think we should just do it. And he's like, well,

0:25:23.359 --> 0:25:25.800
<v Speaker 1>you never wanted to talk about it. So the implication

0:25:25.920 --> 0:25:28.960
<v Speaker 1>is that maybe he proposed, or maybe he was just like, hey,

0:25:29.040 --> 0:25:30.800
<v Speaker 1>are we gonna get married? Like what's going on? And

0:25:30.840 --> 0:25:34.880
<v Speaker 1>she's like, well, no, like which I like because so

0:25:34.960 --> 0:25:40.200
<v Speaker 1>often in movies and just society in general, this idea

0:25:40.840 --> 0:25:43.560
<v Speaker 1>is put forth that if you're in a hetero relationship,

0:25:43.880 --> 0:25:46.080
<v Speaker 1>women are just like I can't wait to get married

0:25:46.119 --> 0:25:47.440
<v Speaker 1>and want to get me so much and I can't

0:25:47.480 --> 0:25:49.359
<v Speaker 1>wait till it happens. I just want to have to

0:25:49.400 --> 0:25:51.560
<v Speaker 1>sit around and wait till he asks me. And I

0:25:51.600 --> 0:25:53.159
<v Speaker 1>can't wait for that day because it's gonna be the

0:25:53.160 --> 0:25:55.359
<v Speaker 1>best day in my life. And just so I like

0:25:55.480 --> 0:25:57.720
<v Speaker 1>that she was the one who was like, actually, I

0:25:57.720 --> 0:26:00.000
<v Speaker 1>don't want to talk about it. It's not important to

0:26:00.040 --> 0:26:02.280
<v Speaker 1>me right now. And then finally it was on her

0:26:02.400 --> 0:26:04.840
<v Speaker 1>terms where she's like hey, She's like I thought about

0:26:04.840 --> 0:26:07.679
<v Speaker 1>it and I'm ready. Yeah. Yeah, I think Molly is

0:26:08.000 --> 0:26:10.000
<v Speaker 1>you can like write her off. Is like just like

0:26:10.040 --> 0:26:14.000
<v Speaker 1>this whiny, sad, widowed woman, but like she's pretty complex.

0:26:14.000 --> 0:26:16.879
<v Speaker 1>She's got short hair, which is the baldest woman is

0:26:16.960 --> 0:26:22.160
<v Speaker 1>in charge, and then she has her own business. She's

0:26:22.160 --> 0:26:25.520
<v Speaker 1>like a pretty successful sculptor. She wears masculine clothing, she

0:26:25.520 --> 0:26:27.800
<v Speaker 1>wears like overalls and stuff, but then she has like

0:26:27.840 --> 0:26:32.040
<v Speaker 1>a soft feminine sign and then she proposes to her boyfriend. Yeah, like,

0:26:32.119 --> 0:26:35.119
<v Speaker 1>I I like her character. I like that she and

0:26:35.200 --> 0:26:36.639
<v Speaker 1>then like the fact that she did go to the

0:26:36.680 --> 0:26:38.919
<v Speaker 1>police to talk about a ghost. Takes a lot of

0:26:38.960 --> 0:26:42.280
<v Speaker 1>balls to be like, well, I mean I don't know,

0:26:42.320 --> 0:26:44.639
<v Speaker 1>this ship seems true. Let me fucking figure this out.

0:26:44.840 --> 0:26:48.280
<v Speaker 1>And she was like totally aware of how crazy she sounds.

0:26:48.359 --> 0:26:51.199
<v Speaker 1>She's like, I know this sounds so stupid, but like

0:26:51.320 --> 0:26:53.800
<v Speaker 1>I gotta hear me out. And it was also the

0:26:53.840 --> 0:26:56.480
<v Speaker 1>way that the scenes between her and outamate and we'll

0:26:56.560 --> 0:27:00.560
<v Speaker 1>get to also Patrick Spacey play out was also believable,

0:27:00.600 --> 0:27:03.720
<v Speaker 1>and that she does not respond to Odamy the first time,

0:27:04.119 --> 0:27:09.080
<v Speaker 1>because that was probably scary and confusing, but then eventually,

0:27:09.119 --> 0:27:12.399
<v Speaker 1>I mean it, that seemed like a realistic betrayal of

0:27:12.600 --> 0:27:15.320
<v Speaker 1>grief of like, Okay, there's been enough specifics and like,

0:27:15.920 --> 0:27:17.840
<v Speaker 1>what do I have to lose by just listening to

0:27:17.920 --> 0:27:19.600
<v Speaker 1>this person a little bit? And that sort of is

0:27:19.640 --> 0:27:23.520
<v Speaker 1>like and even down to like the shirtless Tony Goldwin

0:27:23.800 --> 0:27:26.800
<v Speaker 1>the deceiver, that's a very common and that was something

0:27:26.840 --> 0:27:30.000
<v Speaker 1>that and not to get personal, but like that was

0:27:30.040 --> 0:27:33.560
<v Speaker 1>something that resonated with me specifically of like the deceased

0:27:33.600 --> 0:27:37.680
<v Speaker 1>man's best friend trying to look out for not quite

0:27:37.720 --> 0:27:40.280
<v Speaker 1>the widow, but basically the widow of his best friend.

0:27:40.800 --> 0:27:43.919
<v Speaker 1>I feel like that's sort of a normalized thing of like, well,

0:27:44.320 --> 0:27:46.919
<v Speaker 1>if his friend can't take care of her, then you know,

0:27:47.080 --> 0:27:48.840
<v Speaker 1>he'll take care of her. And I think that that's

0:27:48.840 --> 0:27:50.960
<v Speaker 1>a creepy thing and the reason that my uncle Butch

0:27:51.040 --> 0:27:53.480
<v Speaker 1>is in my life and I hate Uncle Butch, but

0:27:54.000 --> 0:27:58.240
<v Speaker 1>he's the Tony Goldwin except a liar and not hot.

0:28:00.040 --> 0:28:03.119
<v Speaker 1>But anyways, I but it was even realistic how those

0:28:03.160 --> 0:28:05.520
<v Speaker 1>scenes played out between the two of them. Of like,

0:28:06.520 --> 0:28:11.160
<v Speaker 1>you know that dem Moore's characters really isolated herself from people,

0:28:11.720 --> 0:28:13.760
<v Speaker 1>and Tony Goldwyn is one of the only people she

0:28:13.840 --> 0:28:16.800
<v Speaker 1>really trusts and has a connection with because she knew

0:28:16.880 --> 0:28:19.639
<v Speaker 1>and and so even the fact that they might have

0:28:19.720 --> 0:28:28.040
<v Speaker 1>hooked up if Patrick Swayzy hadn't overture of himself remember me. Oh.

0:28:28.160 --> 0:28:31.399
<v Speaker 1>Then also, Carl was pushing Molly so hard to like

0:28:31.560 --> 0:28:34.160
<v Speaker 1>get over it. I feel like that happens a lot

0:28:34.240 --> 0:28:37.119
<v Speaker 1>when a loved one passes away. The people around you

0:28:37.119 --> 0:28:38.960
<v Speaker 1>were like, you have to move on. It's like well,

0:28:39.400 --> 0:28:41.120
<v Speaker 1>and I like that she like slapped him at one

0:28:41.160 --> 0:28:44.200
<v Speaker 1>point and she was like, no, Carl, and it was like, yeah, Carl,

0:28:44.320 --> 0:28:46.320
<v Speaker 1>let her fucking grieve, even though I know that, like

0:28:46.360 --> 0:28:50.480
<v Speaker 1>you murdered her boyfriend, Like if you hadn't let her grieve,

0:28:50.760 --> 0:28:54.760
<v Speaker 1>still be wrong even if you murder. Yeah. Oh, I'd

0:28:54.760 --> 0:28:57.200
<v Speaker 1>like to propose a new movie role that I noticed

0:28:57.200 --> 0:29:00.240
<v Speaker 1>in this movie The Man in the Loosest Khakis is

0:29:00.360 --> 0:29:06.600
<v Speaker 1>up to something before and well because Patrick Swayze, who

0:29:06.640 --> 0:29:08.200
<v Speaker 1>in their right mind would put a pair of loose

0:29:08.280 --> 0:29:12.640
<v Speaker 1>khakis on Patrick Swayze, He's got the bus but the

0:29:12.680 --> 0:29:15.160
<v Speaker 1>butt of the center so there, so he's in tight

0:29:15.280 --> 0:29:17.960
<v Speaker 1>pants the whole time. But Tony Goldwin, they they like

0:29:18.160 --> 0:29:21.720
<v Speaker 1>to put him in loser. Yeah, I guess I gotta

0:29:22.120 --> 0:29:24.520
<v Speaker 1>go and attention to that. You know what scene. I

0:29:24.560 --> 0:29:28.160
<v Speaker 1>really love the elevator scene in the beginning, it's like

0:29:28.200 --> 0:29:31.200
<v Speaker 1>towards the beginning, they're like, in the elevator they talk

0:29:31.280 --> 0:29:34.240
<v Speaker 1>about how Karl needs to pay off his Mustang. They

0:29:34.280 --> 0:29:36.320
<v Speaker 1>get in the elevator and then he starts coughing and

0:29:36.400 --> 0:29:40.680
<v Speaker 1>he's like the doctor says, it's contagious, and uh, I

0:29:40.760 --> 0:29:45.320
<v Speaker 1>do that often. I won't do sickness. But when I'm

0:29:45.320 --> 0:29:47.520
<v Speaker 1>in an elevator with my roommate, I'll look at him

0:29:47.520 --> 0:29:50.040
<v Speaker 1>and I'll go, why won't you just have a baby

0:29:50.120 --> 0:29:52.360
<v Speaker 1>with me? And he goes, now is not the time,

0:29:52.360 --> 0:29:55.800
<v Speaker 1>and I'm like, please, when is the time to talk? John?

0:29:55.840 --> 0:30:00.400
<v Speaker 1>I love you? And then he always like, it's into

0:30:00.400 --> 0:30:02.520
<v Speaker 1>exactly what I want, even though he doesn't mean to it.

0:30:02.600 --> 0:30:05.800
<v Speaker 1>He'll be like I'm never taking elevated with you again,

0:30:05.880 --> 0:30:08.800
<v Speaker 1>and I'm like why are we fighting? And he's like

0:30:08.920 --> 0:30:11.880
<v Speaker 1>stop it. And then people are always like, oh no,

0:30:13.680 --> 0:30:17.320
<v Speaker 1>that's very funny. That's a great scene because it's basically

0:30:17.680 --> 0:30:19.960
<v Speaker 1>it's like it uses a diversion so that we won't

0:30:20.040 --> 0:30:24.920
<v Speaker 1>suspect Carl is this evil militias there showing how close

0:30:25.000 --> 0:30:29.000
<v Speaker 1>they are. The movie is really well written and very

0:30:29.040 --> 0:30:33.280
<v Speaker 1>well executed. It's a great movie. I was blown at

0:30:33.280 --> 0:30:35.920
<v Speaker 1>how many different points. I'm like, wow, I didn't I

0:30:36.000 --> 0:30:39.400
<v Speaker 1>forgot that part happened. And that's so smart because every

0:30:39.440 --> 0:30:43.040
<v Speaker 1>scene has a purpose that never happens never. It's so well.

0:30:43.080 --> 0:30:47.360
<v Speaker 1>It's so famous for the pottery Fox scene, which actually

0:30:47.560 --> 0:30:53.160
<v Speaker 1>makes me furious because but it's so horny. She's sculpting

0:30:53.720 --> 0:30:57.920
<v Speaker 1>az if you will out of clay and he puts

0:30:57.960 --> 0:31:00.520
<v Speaker 1>his hand into it, sucks it up, and she's just

0:31:00.560 --> 0:31:05.120
<v Speaker 1>like okay. But I feel like she did a good

0:31:05.200 --> 0:31:09.240
<v Speaker 1>job of being like, huh, well it's not now, because

0:31:09.240 --> 0:31:11.360
<v Speaker 1>she does get a little terse with him, and I

0:31:11.400 --> 0:31:14.080
<v Speaker 1>was like, oh, I like that. That's like a real relationship.

0:31:14.120 --> 0:31:16.240
<v Speaker 1>I would have like elbowed him in the face and

0:31:16.320 --> 0:31:19.360
<v Speaker 1>been like fuck you, you ruined, but but then you

0:31:19.400 --> 0:31:21.520
<v Speaker 1>win and get to funk. When I was little, I

0:31:21.560 --> 0:31:24.000
<v Speaker 1>was like, why aren't their hands dirty? How did they

0:31:24.120 --> 0:31:27.080
<v Speaker 1>did they clean? What makes me furious? So they get

0:31:27.080 --> 0:31:29.560
<v Speaker 1>all that, they get all I know, I know, but

0:31:29.720 --> 0:31:32.080
<v Speaker 1>I just well, I want to see a tense scene

0:31:32.080 --> 0:31:35.040
<v Speaker 1>of penersuavy and for me more washing their hands and

0:31:35.280 --> 0:31:38.960
<v Speaker 1>we're going to hook. So even before that, when they're

0:31:38.960 --> 0:31:40.640
<v Speaker 1>like getting their hands all dirty, I just and it's

0:31:40.640 --> 0:31:42.760
<v Speaker 1>supposed to be very hot because they're running on their

0:31:42.800 --> 0:31:45.320
<v Speaker 1>hands on each other and getting each other more laid.

0:31:46.240 --> 0:31:48.719
<v Speaker 1>To me, that so grows. I think sex should be

0:31:48.760 --> 0:31:52.640
<v Speaker 1>in a sterile environment, in a white room. We're not

0:31:52.680 --> 0:31:58.560
<v Speaker 1>all gonna pods unchane melody playing while their little fingies

0:31:58.560 --> 0:32:03.320
<v Speaker 1>are touching. And I think no part of two people's

0:32:03.360 --> 0:32:06.560
<v Speaker 1>bodies should touch during sex except for their genitals. I

0:32:06.600 --> 0:32:10.760
<v Speaker 1>think people should just be far, just farm and just

0:32:10.760 --> 0:32:14.440
<v Speaker 1>just rusting and receiving. Yes, that is how I think

0:32:14.480 --> 0:32:16.800
<v Speaker 1>sex should be. So this scene here's a fun to

0:32:17.280 --> 0:32:19.560
<v Speaker 1>Really I asked my old roommate Evan to take my

0:32:19.640 --> 0:32:24.719
<v Speaker 1>virginity and he said okay, and he's gay, and I

0:32:24.800 --> 0:32:26.800
<v Speaker 1>was like, okay, but I don't want you to touch

0:32:26.840 --> 0:32:29.800
<v Speaker 1>me because that might change our relationship. So I was like,

0:32:29.880 --> 0:32:32.720
<v Speaker 1>I will wear a crotchless le a tart or like

0:32:32.760 --> 0:32:36.440
<v Speaker 1>a snap crotch last, and you can interview that way,

0:32:36.680 --> 0:32:38.600
<v Speaker 1>but do not touch my titties, and do not touch

0:32:38.640 --> 0:32:41.080
<v Speaker 1>my face and don't kiss me. We didn't end up

0:32:41.120 --> 0:32:45.560
<v Speaker 1>having sex because I had too many rules. He was like,

0:32:45.600 --> 0:32:48.600
<v Speaker 1>I can't just like do my thing, and I was like, no, no,

0:32:48.680 --> 0:32:54.440
<v Speaker 1>absolutely not the best. Yes, it was definitely for the best.

0:32:55.080 --> 0:32:56.800
<v Speaker 1>It would have been fun for either one of us.

0:32:56.840 --> 0:32:58.280
<v Speaker 1>You've been like I wish you were a man. I'd

0:32:58.320 --> 0:33:00.000
<v Speaker 1>be like, I wish you were a straight man who

0:33:00.040 --> 0:33:09.600
<v Speaker 1>loved me. Well, anyway, that that the part where he's

0:33:09.600 --> 0:33:12.400
<v Speaker 1>where is it? Hope that wasn't a masterpiece did make

0:33:12.440 --> 0:33:14.360
<v Speaker 1>me laugh because I was trying to like in my head,

0:33:14.400 --> 0:33:16.320
<v Speaker 1>I'm like, what if she had done like what if

0:33:16.360 --> 0:33:18.280
<v Speaker 1>she was an oil painter? And he just was like,

0:33:20.040 --> 0:33:23.800
<v Speaker 1>wasn't a masterpiece? Would you like to fuck me? I

0:33:23.840 --> 0:33:26.080
<v Speaker 1>mean that's with any creative job. I imagine she was

0:33:26.080 --> 0:33:27.960
<v Speaker 1>doing a stand up show and he walked on stage

0:33:28.040 --> 0:33:31.040
<v Speaker 1>was like, I hope you weren't trying to have a

0:33:31.040 --> 0:33:35.960
<v Speaker 1>good set. Yeah, or if she was a surgeon, he

0:33:36.720 --> 0:33:39.719
<v Speaker 1>just came in and stuck his hand and a body.

0:33:40.400 --> 0:33:45.480
<v Speaker 1>This wasn't a casualty. He heckled her pottery. But okay,

0:33:45.520 --> 0:33:49.520
<v Speaker 1>here's a plot. Hole does bother me? He passes away.

0:33:49.640 --> 0:33:52.320
<v Speaker 1>It seems like he's pretty well off. He's doing well

0:33:52.320 --> 0:33:55.440
<v Speaker 1>in his profession. There's a promotion on the table, etcetera.

0:33:56.160 --> 0:33:58.239
<v Speaker 1>They just moved into this really nice apartment. Are we

0:33:58.320 --> 0:34:02.000
<v Speaker 1>to expect on a potter sal She can afford this

0:34:02.040 --> 0:34:07.160
<v Speaker 1>apartment by herself life insurance and then they do packages

0:34:07.200 --> 0:34:09.520
<v Speaker 1>when people die. They give you a bunch of money

0:34:09.719 --> 0:34:12.239
<v Speaker 1>to loved ones when you have a good job. And

0:34:12.320 --> 0:34:15.640
<v Speaker 1>then if they had sold any assets, so like if

0:34:15.640 --> 0:34:18.439
<v Speaker 1>they each owned a home and sold it or whatever,

0:34:18.440 --> 0:34:20.759
<v Speaker 1>she would get the money from his house, so it

0:34:20.800 --> 0:34:25.760
<v Speaker 1>could work. Yesbsolutely yeh. Dead people with good jobs usually

0:34:26.160 --> 0:34:27.880
<v Speaker 1>take care of you, Okay, Because it was like I

0:34:27.920 --> 0:34:29.600
<v Speaker 1>didn't want her to move, but I was just like,

0:34:29.640 --> 0:34:34.000
<v Speaker 1>how that's a great apartment. They live in New York

0:34:34.040 --> 0:34:37.640
<v Speaker 1>and she has like a Also, remember it's the eighties

0:34:38.000 --> 0:34:43.200
<v Speaker 1>or the early nineties and he and he works in

0:34:43.280 --> 0:34:46.920
<v Speaker 1>finance in some ways, so we're to believe he like cats. Okay,

0:34:47.160 --> 0:34:49.600
<v Speaker 1>that brings up a point I wanted to talk about.

0:34:49.760 --> 0:34:53.920
<v Speaker 1>He never offers to nor pays what Pio Goldberg's character

0:34:54.000 --> 0:34:58.319
<v Speaker 1>for all of her services. Oh no, he should be

0:34:58.360 --> 0:35:01.520
<v Speaker 1>like like a mutual well kind I mean, no, a

0:35:01.600 --> 0:35:04.880
<v Speaker 1>ghost can't pay you. Well, but he could have been like, hey, Molly,

0:35:04.920 --> 0:35:07.520
<v Speaker 1>throw her a bone. Well, I think she's gonna be

0:35:07.560 --> 0:35:09.879
<v Speaker 1>fine because she can hear ghosts and she can charge more.

0:35:11.960 --> 0:35:14.239
<v Speaker 1>Remember when he goes back and she was like, I

0:35:14.239 --> 0:35:17.319
<v Speaker 1>got ghosts from New Jersey coming in. And then uh,

0:35:18.320 --> 0:35:22.160
<v Speaker 1>that woman was just like where's the money. And then

0:35:22.160 --> 0:35:24.799
<v Speaker 1>that man jumps in her money and wouldn't you do

0:35:24.880 --> 0:35:27.720
<v Speaker 1>to your hair? Do you like it? It's autumn sunra.

0:35:28.040 --> 0:35:31.920
<v Speaker 1>That's so good. It's very funny. But I think she

0:35:32.840 --> 0:35:35.480
<v Speaker 1>because he did help her. He showed her that she

0:35:35.600 --> 0:35:38.520
<v Speaker 1>can speak to dead people, so then she will always

0:35:38.560 --> 0:35:42.640
<v Speaker 1>be busy and she can charge so much money. Sure,

0:35:42.960 --> 0:35:45.640
<v Speaker 1>I still I think that he should have offered to pay,

0:35:46.120 --> 0:35:48.279
<v Speaker 1>especially because he kind of teases her with like you're

0:35:48.280 --> 0:35:51.440
<v Speaker 1>going to get formed, or like he doesn't tease her.

0:35:52.080 --> 0:35:55.080
<v Speaker 1>He shouldn't know how much money he was murdered for.

0:35:55.520 --> 0:35:58.640
<v Speaker 1>He just knew it was money. So then when that's

0:35:58.640 --> 0:36:00.879
<v Speaker 1>why when the guy goes, oh, you are taking out

0:36:00.880 --> 0:36:04.040
<v Speaker 1>four million dollars and she goes four million? Do say yes?

0:36:04.280 --> 0:36:08.160
<v Speaker 1>Say yes? How would you like that? Tess in twenties?

0:36:08.360 --> 0:36:11.040
<v Speaker 1>Excuse me? Cash? She has check? I think a cash

0:36:11.080 --> 0:36:15.080
<v Speaker 1>she has check is best. I love it. I her

0:36:15.120 --> 0:36:21.160
<v Speaker 1>outfit that hole, It's like it's perfect. And she's like,

0:36:21.200 --> 0:36:23.000
<v Speaker 1>you don't like my outfit. He's like, no, I love

0:36:23.080 --> 0:36:26.680
<v Speaker 1>it's great. Don't change, Nicole. I want to see your

0:36:26.680 --> 0:36:30.040
<v Speaker 1>one woman show where you just reenact the entire movie

0:36:30.040 --> 0:36:32.960
<v Speaker 1>of GHOL. I mean, if they ever do a remix

0:36:33.000 --> 0:36:36.000
<v Speaker 1>and I am not casting it, I will literally end

0:36:36.000 --> 0:36:43.600
<v Speaker 1>my love. I love it so much. I just got overwhelmed. Well,

0:36:43.719 --> 0:36:47.040
<v Speaker 1>I mean, and also, we haven't talked about Odomay his

0:36:47.080 --> 0:36:50.320
<v Speaker 1>first outfit with the fun when her sister opens, oh, no,

0:36:50.400 --> 0:36:56.800
<v Speaker 1>one's in the door, and then and think, or no,

0:36:57.000 --> 0:37:00.000
<v Speaker 1>is it bronze? Or is it is it like maybe

0:37:00.000 --> 0:37:03.360
<v Speaker 1>a closet is orange? Maybe, but she's had a metallic

0:37:03.400 --> 0:37:07.839
<v Speaker 1>like golden robe. And then and then does this amazing

0:37:08.040 --> 0:37:11.520
<v Speaker 1>Oh god, and Patrick Swayze as most of like most

0:37:11.560 --> 0:37:15.440
<v Speaker 1>scenes in the movie, lurking, Patrick Swayzy really mastered a

0:37:15.480 --> 0:37:20.359
<v Speaker 1>resting expression in this movie, just like yeah, but but

0:37:20.400 --> 0:37:22.200
<v Speaker 1>in a way that was very You're like, you know,

0:37:22.280 --> 0:37:26.680
<v Speaker 1>he really is listening. He really is listening in that

0:37:27.000 --> 0:37:33.840
<v Speaker 1>beautiful bergun t shirt billowing, very billowing billowing. So we

0:37:33.920 --> 0:37:39.360
<v Speaker 1>talked a lot about Molly being a pretty complex character.

0:37:39.440 --> 0:37:44.160
<v Speaker 1>She's a little boring, especially when you compare her everybody

0:37:44.160 --> 0:37:46.839
<v Speaker 1>else in the movie she has. She's working with a lot.

0:37:47.120 --> 0:37:51.279
<v Speaker 1>Like growing up, I'd be like Molly, but then like

0:37:51.320 --> 0:37:53.000
<v Speaker 1>as I got older, I was like, oh no. She

0:37:53.120 --> 0:37:55.840
<v Speaker 1>was literally dealing with the love of her life, dying

0:37:55.920 --> 0:37:58.040
<v Speaker 1>and trying to figure out this woman who says she

0:37:58.080 --> 0:38:00.319
<v Speaker 1>can hear him, and then a best friend he was like,

0:38:00.400 --> 0:38:03.560
<v Speaker 1>it's okay, come on, touch my body. And you know,

0:38:05.280 --> 0:38:07.480
<v Speaker 1>she's got a new house. It's a lot. She's dealing

0:38:07.480 --> 0:38:11.520
<v Speaker 1>with so much and she's still and she continues working.

0:38:11.560 --> 0:38:14.000
<v Speaker 1>And also they renovated it. It was fixed. It was

0:38:14.080 --> 0:38:16.839
<v Speaker 1>like just like an empty space. So I'm sure they

0:38:16.840 --> 0:38:23.399
<v Speaker 1>got it very cheaply, great time to die sway renovating stressful. Yeah.

0:38:23.480 --> 0:38:27.040
<v Speaker 1>I I was not like particularly impressed by her, like

0:38:27.320 --> 0:38:31.720
<v Speaker 1>because everything she does in the context of what happens

0:38:31.719 --> 0:38:34.520
<v Speaker 1>in the story and makes sense, and her reactions pretty

0:38:34.560 --> 0:38:37.480
<v Speaker 1>much universally makes sense to me. But things are usually

0:38:37.560 --> 0:38:41.080
<v Speaker 1>happening to her versus her doing things like she goes

0:38:41.160 --> 0:38:44.120
<v Speaker 1>to the police, but that doesn't really yield anything. It's

0:38:44.160 --> 0:38:46.239
<v Speaker 1>mostly we I feel like most things we see with her,

0:38:46.280 --> 0:38:50.959
<v Speaker 1>she's receiving information right, so it's like, you know, which

0:38:51.000 --> 0:38:55.200
<v Speaker 1>makes sense because she's not really Sam Weeds, the protagonist

0:38:55.360 --> 0:39:02.640
<v Speaker 1>of this story, makes sense that he's the one driving

0:39:02.719 --> 0:39:04.919
<v Speaker 1>the story. So the fact that she does pretty much

0:39:04.920 --> 0:39:09.759
<v Speaker 1>anything that influences anything is good because often women in

0:39:09.800 --> 0:39:13.080
<v Speaker 1>a story are just there is a set piece, really

0:39:13.239 --> 0:39:15.440
<v Speaker 1>just oh I look hot and I'm here to look

0:39:15.480 --> 0:39:18.040
<v Speaker 1>at and uh, that's all I have to Women in

0:39:18.040 --> 0:39:20.880
<v Speaker 1>this movie are treated well. I think. I think they're

0:39:21.000 --> 0:39:24.880
<v Speaker 1>well written, and they serve a purpose. Even that cop

0:39:24.920 --> 0:39:29.560
<v Speaker 1>being so nasty sets the tone of how Odemy is

0:39:29.600 --> 0:39:31.759
<v Speaker 1>going to be treated in that scene, because then the

0:39:31.840 --> 0:39:35.560
<v Speaker 1>other cop is like, we have her file, and it's like, oh,

0:39:35.680 --> 0:39:38.400
<v Speaker 1>oh no, and then it makes the audience even start

0:39:38.440 --> 0:39:41.200
<v Speaker 1>to well, not even doubt because we know, we know.

0:39:41.320 --> 0:39:43.279
<v Speaker 1>But when you're like, oh, ship, this may not work

0:39:43.320 --> 0:39:46.400
<v Speaker 1>out because ode May has a record and Will Lopez

0:39:46.520 --> 0:39:50.520
<v Speaker 1>is clean, we understand why Molly then might start to

0:39:50.760 --> 0:39:54.000
<v Speaker 1>question her own reality of what's happening, and we're so

0:39:54.040 --> 0:39:57.280
<v Speaker 1>it's like fuck. So it's like, really a great victory

0:39:57.320 --> 0:40:00.640
<v Speaker 1>when she starts to believe ode may again because we

0:40:00.760 --> 0:40:05.719
<v Speaker 1>see like she used to fake ideas. Con artist makes sense. Yeah, yeah,

0:40:05.960 --> 0:40:09.040
<v Speaker 1>it's we're so horny for this movie. It's such a

0:40:09.040 --> 0:40:11.319
<v Speaker 1>good movie. I can't remember who I just watched it with,

0:40:11.360 --> 0:40:15.280
<v Speaker 1>but they're like, yep, holds up, yeah, I have some

0:40:15.280 --> 0:40:20.720
<v Speaker 1>some fun behind the scenes facts about tell them so.

0:40:21.120 --> 0:40:24.960
<v Speaker 1>In terms of possible casting, Deme Moore's character could have

0:40:25.000 --> 0:40:28.880
<v Speaker 1>been Julia Roberts right, which would have made sense for

0:40:28.880 --> 0:40:32.120
<v Speaker 1>the time, but thank god Harrison Ford was the original pick.

0:40:33.680 --> 0:40:36.920
<v Speaker 1>But then and this really brings the view in and

0:40:36.920 --> 0:40:39.399
<v Speaker 1>brings whoop be back, you know. But I guess the

0:40:39.440 --> 0:40:42.600
<v Speaker 1>director or the writer I think exactly which I saw

0:40:42.640 --> 0:40:47.280
<v Speaker 1>an interview with Patrick Swayze where he openly cried about

0:40:47.440 --> 0:40:49.799
<v Speaker 1>the death of his father and they were like, Wow,

0:40:49.880 --> 0:40:53.680
<v Speaker 1>what a hot man being sad in public. We've got

0:40:53.680 --> 0:40:56.160
<v Speaker 1>to have him as as Sam Wheat, And so that's

0:40:56.160 --> 0:40:58.880
<v Speaker 1>how Patrick Swayze got the part. And then Patrick Swayze,

0:40:59.280 --> 0:41:03.680
<v Speaker 1>I guess Oprah was the original pick for to May Yeah,

0:41:03.760 --> 0:41:06.799
<v Speaker 1>and they really wanted her, but Patrick Swayzey was like,

0:41:06.880 --> 0:41:09.360
<v Speaker 1>you've gotta cast Whoopee and then what we had some

0:41:09.360 --> 0:41:12.600
<v Speaker 1>amazing Oprah would have been just so different. I don't

0:41:12.600 --> 0:41:15.040
<v Speaker 1>know if that role would have been funny, right, I

0:41:15.040 --> 0:41:17.080
<v Speaker 1>don't think. And that's the thing is, I did not

0:41:17.360 --> 0:41:19.640
<v Speaker 1>realize that. I just didn't have like I didn't recognize

0:41:19.640 --> 0:41:22.040
<v Speaker 1>the name. But the I feel like the reason that

0:41:22.239 --> 0:41:25.440
<v Speaker 1>Whoopie works so well in this movie and is like

0:41:25.480 --> 0:41:27.920
<v Speaker 1>directed so well, and that this movie has so many

0:41:27.920 --> 0:41:31.320
<v Speaker 1>funny moments is because it's the same director as Airplane

0:41:31.320 --> 0:41:34.160
<v Speaker 1>and The Naked Gun. Oh. I didn't know. There's like

0:41:34.239 --> 0:41:38.000
<v Speaker 1>just like a bunch of famous older comedy movies. Um,

0:41:38.040 --> 0:41:42.400
<v Speaker 1>what a versatile director. That guy who directed it, Jerry

0:41:43.160 --> 0:41:46.920
<v Speaker 1>Jerry Jerry Zucker, Yes, and then Robert Zemeckis I think

0:41:46.960 --> 0:41:49.359
<v Speaker 1>was a producer on it. He was involved. He did

0:41:49.400 --> 0:41:52.919
<v Speaker 1>a Back to the Future is another favorite of mine.

0:41:55.560 --> 0:41:59.160
<v Speaker 1>It's my all time favorite. I just watched it last night. Really,

0:41:59.800 --> 0:42:02.279
<v Speaker 1>I watch that there's like five movies that I will

0:42:02.280 --> 0:42:05.520
<v Speaker 1>watch forever. I can do what you're able to do

0:42:05.560 --> 0:42:10.000
<v Speaker 1>with ghosts basically reciting the entire script, all the dialogue.

0:42:10.000 --> 0:42:12.560
<v Speaker 1>I can do that with Back to the Future. Such

0:42:12.560 --> 0:42:16.640
<v Speaker 1>a great movie. Another very well crafted story, is it?

0:42:16.800 --> 0:42:19.879
<v Speaker 1>It's a wild story? Well the first one, Like there's

0:42:19.920 --> 0:42:22.920
<v Speaker 1>so much plant and payoff in that story, and just

0:42:22.960 --> 0:42:27.000
<v Speaker 1>like every little detail gets paid off later on. Like

0:42:27.320 --> 0:42:31.440
<v Speaker 1>so I like the third one better than the second one. Honestly,

0:42:31.480 --> 0:42:33.760
<v Speaker 1>the second one kind of sucks. I like the second

0:42:33.760 --> 0:42:35.600
<v Speaker 1>half of the second The second half of the second

0:42:35.600 --> 0:42:39.200
<v Speaker 1>one is good because when he goes back to and

0:42:39.239 --> 0:42:41.480
<v Speaker 1>then the wild wild last that's fun. I like it.

0:42:41.840 --> 0:42:45.200
<v Speaker 1>That was that was three? Yeah, I go it goes

0:42:45.480 --> 0:42:49.040
<v Speaker 1>one three two for me. Fair, I've got another effect

0:42:49.040 --> 0:42:52.080
<v Speaker 1>about ghost Please please tell us this is This is

0:42:52.160 --> 0:42:54.680
<v Speaker 1>fun and sort of speaks to um what we were

0:42:54.680 --> 0:42:58.160
<v Speaker 1>talking about earlier of just like just write a female character. Um.

0:42:58.280 --> 0:43:04.280
<v Speaker 1>Originally Otomy was written as a white male psychic character. Yeah,

0:43:04.480 --> 0:43:08.719
<v Speaker 1>the first draft of this movie, right, I don't think

0:43:08.719 --> 0:43:10.800
<v Speaker 1>I've ever met Oh no, that's a lot. Well, no,

0:43:10.880 --> 0:43:13.560
<v Speaker 1>he read my tarot cards, but like he was really

0:43:13.719 --> 0:43:18.600
<v Speaker 1>I don't I've never read my cards were New Orleans.

0:43:18.920 --> 0:43:21.160
<v Speaker 1>It's very strange, that is, Yeah, how did he fall

0:43:21.200 --> 0:43:23.359
<v Speaker 1>into that? It was very bad? I handed him all

0:43:23.360 --> 0:43:25.960
<v Speaker 1>the tarot cards upside down somehow, because he was like,

0:43:26.000 --> 0:43:27.799
<v Speaker 1>handing to me anyway you want. So I twisted a

0:43:27.840 --> 0:43:30.560
<v Speaker 1>bunch of them around and he went, huh, I don't

0:43:30.560 --> 0:43:32.759
<v Speaker 1>know what that means. And I was like that you're

0:43:32.760 --> 0:43:36.239
<v Speaker 1>bad at this. You're very bad at your job. They're

0:43:36.800 --> 0:43:40.120
<v Speaker 1>straight men should not be allowed to read cards. They

0:43:40.160 --> 0:43:43.759
<v Speaker 1>just shouldn't honestly, shouldn't be allowed to do anything in society. Yeah,

0:43:44.320 --> 0:43:49.040
<v Speaker 1>noticed banned them from Ghost By apparently was written as

0:43:49.239 --> 0:43:52.760
<v Speaker 1>a white male character. And then the writers of stand

0:43:52.800 --> 0:43:56.680
<v Speaker 1>By Me, for some reason, there was some sort of conversation.

0:43:56.760 --> 0:44:00.240
<v Speaker 1>You mean that movie was almost exclusively straight white man.

0:44:00.480 --> 0:44:05.719
<v Speaker 1>You know, suggestions come from strange places. But they suggested, hey,

0:44:05.800 --> 0:44:09.040
<v Speaker 1>that's an interesting character. What if it was a woman.

0:44:09.280 --> 0:44:12.560
<v Speaker 1>And then the writer wrote otomy and the world was

0:44:12.600 --> 0:44:16.440
<v Speaker 1>better off. So it's really not that difficult, and in fact,

0:44:16.640 --> 0:44:22.600
<v Speaker 1>usually your output will benefit from another good female character.

0:44:22.719 --> 0:44:25.680
<v Speaker 1>Do you think Molly and Otomy Brown retain a friendship

0:44:25.680 --> 0:44:33.759
<v Speaker 1>and go remember that ghost The Molly otomy seemed that

0:44:33.880 --> 0:44:36.879
<v Speaker 1>we as an audience don't get to see, Oh man,

0:44:37.560 --> 0:44:44.000
<v Speaker 1>where is that? I love to watch them because let's

0:44:44.040 --> 0:44:46.759
<v Speaker 1>Samy use her body and then they like dance and

0:44:46.880 --> 0:44:50.719
<v Speaker 1>I think kiss right now, almost just stay there. I

0:44:50.719 --> 0:44:54.040
<v Speaker 1>mean it's intimate, it's very intimate. But you get the

0:44:54.080 --> 0:44:59.520
<v Speaker 1>beginning with Odomy's red fingernails as they like intertwined, so

0:44:59.600 --> 0:45:01.879
<v Speaker 1>you know that this is the deal, Like it's not

0:45:02.000 --> 0:45:04.880
<v Speaker 1>just like they're closing their eyes and like they're making

0:45:04.960 --> 0:45:08.320
<v Speaker 1>physical contact. And then cut too, and and the scene

0:45:08.320 --> 0:45:11.440
<v Speaker 1>that I like very clearly remembered was like, you know,

0:45:11.960 --> 0:45:16.000
<v Speaker 1>like Swazie and to me reuniting beautiful and you're crying,

0:45:16.080 --> 0:45:20.080
<v Speaker 1>but you just gotta go that whoopee is the one.

0:45:20.840 --> 0:45:22.759
<v Speaker 1>And then you see at the end of that scene

0:45:22.760 --> 0:45:25.080
<v Speaker 1>there's a very quick shot of them, you know, because

0:45:25.080 --> 0:45:27.839
<v Speaker 1>then Tony goldans like hey, I'm about to die. And

0:45:27.880 --> 0:45:30.960
<v Speaker 1>then and then you see them like physically separate. So

0:45:30.960 --> 0:45:34.000
<v Speaker 1>you're like, oh that all happened. Why not just inter

0:45:34.080 --> 0:45:36.920
<v Speaker 1>cut some of it for for us? And I was

0:45:37.040 --> 0:45:38.560
<v Speaker 1>I was like, oh, yeah, whoopy and to me are

0:45:38.560 --> 0:45:40.640
<v Speaker 1>at the same height. How did it work? How did

0:45:40.719 --> 0:45:45.359
<v Speaker 1>she nestle her sweet little head? Gotta just suspend that disbelief.

0:45:45.960 --> 0:45:48.120
<v Speaker 1>I did want to see that though. Well that brings

0:45:48.160 --> 0:45:51.920
<v Speaker 1>up another point where men are always trying to control

0:45:51.960 --> 0:45:55.680
<v Speaker 1>women's bodies. They're always trying to enter you. And the

0:45:55.719 --> 0:46:01.520
<v Speaker 1>scene she gives, but earlier she not give consent. Orlando

0:46:01.600 --> 0:46:09.080
<v Speaker 1>did not get consent. Nando, Like God, I forgot his

0:46:09.160 --> 0:46:12.520
<v Speaker 1>name was Orlando? Oh, Nando, You can't be jumping into

0:46:12.520 --> 0:46:15.560
<v Speaker 1>a bout as you know, that WAPs you out. I

0:46:15.640 --> 0:46:20.319
<v Speaker 1>love that's a rule that this movie. Yeah, when they

0:46:20.360 --> 0:46:22.920
<v Speaker 1>follow it, and it pays off later on because then

0:46:23.000 --> 0:46:26.000
<v Speaker 1>Sam's like, I'm too tired and too weak, and then

0:46:26.280 --> 0:46:29.680
<v Speaker 1>those cars get in trouble. But then you hear and

0:46:29.719 --> 0:46:33.360
<v Speaker 1>he like push his carl and then all the ghosts.

0:46:33.560 --> 0:46:36.400
<v Speaker 1>I liked in that big scene where suddenly out of

0:46:36.440 --> 0:46:40.000
<v Speaker 1>May is an actual psychic and now she's there's like

0:46:40.080 --> 0:46:42.319
<v Speaker 1>a million people in her room. All the ghosts are

0:46:42.640 --> 0:46:46.040
<v Speaker 1>friends and they all know each other out. But then

0:46:46.040 --> 0:46:49.279
<v Speaker 1>there's weird like it's just like the regular world where

0:46:49.320 --> 0:46:52.920
<v Speaker 1>there's like the scary schizophrenic guy who hangs out at

0:46:52.960 --> 0:46:55.319
<v Speaker 1>the tracks, but there's also a community that you can

0:46:55.360 --> 0:46:58.320
<v Speaker 1>hang in, like there's all sorts of people. Here's a

0:46:58.480 --> 0:47:01.560
<v Speaker 1>question and I don't know the answer. It's not a trick.

0:47:02.200 --> 0:47:08.879
<v Speaker 1>Are there any female ghosts in the movie and dead husbands? Yeah? Yeah, yeah,

0:47:08.960 --> 0:47:11.200
<v Speaker 1>it's kind of hard to tell in that scene because

0:47:11.400 --> 0:47:15.239
<v Speaker 1>at sam Wat's funeral, he sees a ghost walks through

0:47:15.239 --> 0:47:18.520
<v Speaker 1>the grave. And then when all when she tells all

0:47:18.560 --> 0:47:21.000
<v Speaker 1>the ghosts to get out, I believe I saw someone

0:47:21.000 --> 0:47:23.480
<v Speaker 1>in a skirt walk through the wall. That's yes, But

0:47:23.560 --> 0:47:28.840
<v Speaker 1>there are no like real female ghosts who have a

0:47:28.880 --> 0:47:31.719
<v Speaker 1>effect on the movie. They don't. They don't get they

0:47:31.719 --> 0:47:34.960
<v Speaker 1>don't get Orlando moments. I mean when I'm glad Orlando,

0:47:35.040 --> 0:47:37.319
<v Speaker 1>because that was like one of my that made me

0:47:37.400 --> 0:47:40.239
<v Speaker 1>laugh really hard when well, I was annoyed that he like,

0:47:40.520 --> 0:47:45.000
<v Speaker 1>without what these permission, enters your body, which is like,

0:47:45.600 --> 0:47:50.000
<v Speaker 1>can we call it rape? But not ghost? Ghost rules

0:47:50.000 --> 0:47:54.360
<v Speaker 1>are confusing, which are confusing that I loved that. I

0:47:54.440 --> 0:47:58.120
<v Speaker 1>love the first time that Patrick Swayze someone like walks

0:47:58.160 --> 0:48:00.440
<v Speaker 1>through him with his with their guts and You're like, no,

0:48:00.520 --> 0:48:07.200
<v Speaker 1>Patrick Swayzy can see poorly random body animation. What a curse?

0:48:07.280 --> 0:48:09.400
<v Speaker 1>I forgot that happened. And I love that he was

0:48:09.480 --> 0:48:12.319
<v Speaker 1>so scared to go through he'd be like, oh no,

0:48:12.800 --> 0:48:14.759
<v Speaker 1>oh no. Then he leaps through the door and he's

0:48:14.800 --> 0:48:16.120
<v Speaker 1>like and he like looks back at the door and

0:48:16.239 --> 0:48:19.520
<v Speaker 1>was like, yeah, dude, you're fucking ghost. What don't you

0:48:19.640 --> 0:48:22.000
<v Speaker 1>get And then when he goes to the turnstile for

0:48:22.040 --> 0:48:23.839
<v Speaker 1>the first time and he like stops and looks back.

0:48:24.239 --> 0:48:27.719
<v Speaker 1>You're a ghost. Keep going, he's new, he doesn't know

0:48:29.600 --> 0:48:32.920
<v Speaker 1>every single time or yeah, whenever he sticks his head through,

0:48:32.960 --> 0:48:35.359
<v Speaker 1>something's like is this safe? Yes, and you're like, you're

0:48:35.400 --> 0:48:39.840
<v Speaker 1>a goddamn ghost. You are fine, You're fine. There's a

0:48:39.880 --> 0:48:43.759
<v Speaker 1>lot of great Swayzy reaction shot when he finds when

0:48:43.760 --> 0:48:46.200
<v Speaker 1>he finds out Carl is betraying him the first I

0:48:46.320 --> 0:48:49.120
<v Speaker 1>thought you were my friends, right, But but first that

0:48:49.239 --> 0:48:53.319
<v Speaker 1>long shot of just Swayze's eyes watering, like, but I

0:48:53.400 --> 0:48:58.800
<v Speaker 1>thought friendship was forever, so beautiful. Oh, this movie is

0:48:58.840 --> 0:49:02.239
<v Speaker 1>so fun and I love really some woman knows where

0:49:02.239 --> 0:49:04.120
<v Speaker 1>you live. A lot of women know where I live.

0:49:08.000 --> 0:49:11.799
<v Speaker 1>Can we talk about the climactic sequence at the end,

0:49:11.960 --> 0:49:15.279
<v Speaker 1>whenever Carl's like banging on the door he breaks in.

0:49:15.520 --> 0:49:19.720
<v Speaker 1>Sam is all weak because he's just been inside of May.

0:49:19.760 --> 0:49:22.479
<v Speaker 1>And then Molly and Otomy are kind of like left

0:49:22.480 --> 0:49:24.480
<v Speaker 1>to fend for themselves for a few minutes and they

0:49:24.520 --> 0:49:27.120
<v Speaker 1>go up to the roof and there's a moment where

0:49:27.239 --> 0:49:32.480
<v Speaker 1>Molly tackles Carl Um when yeah, like Carl's kind of

0:49:32.560 --> 0:49:37.080
<v Speaker 1>attacking oto May, Molly attacks him, gets away, but then

0:49:37.080 --> 0:49:40.200
<v Speaker 1>he holds a gun to Molly's head. Then Sam needs

0:49:40.239 --> 0:49:43.160
<v Speaker 1>to save her. It always bugs me when a man

0:49:43.480 --> 0:49:45.360
<v Speaker 1>needs to save a woman because it's a trope that

0:49:45.400 --> 0:49:49.399
<v Speaker 1>happens again and again. Yes, but I do think those

0:49:49.400 --> 0:49:51.760
<v Speaker 1>women were smart enough that they could have saved themselves

0:49:52.040 --> 0:49:55.680
<v Speaker 1>if given enough time. Yeah, I think so. I think

0:49:55.719 --> 0:49:58.000
<v Speaker 1>they could have figured something out because I do think

0:49:58.000 --> 0:50:00.520
<v Speaker 1>they were strong women. But yes, then Sam comes and

0:50:00.560 --> 0:50:03.800
<v Speaker 1>he flicks the gun away, and then he pushes Carl,

0:50:04.600 --> 0:50:07.839
<v Speaker 1>and then I mean Carl kind of kills himself because

0:50:08.040 --> 0:50:11.080
<v Speaker 1>because he flings that look and it hits the window

0:50:11.239 --> 0:50:14.759
<v Speaker 1>and then the glass falls down and impales him. And

0:50:14.800 --> 0:50:18.080
<v Speaker 1>then his little thing he wipes down the window and

0:50:18.120 --> 0:50:22.840
<v Speaker 1>he's like his death is like hilariously gruesome. It's very gruesome.

0:50:23.360 --> 0:50:26.160
<v Speaker 1>That was what I that most scared me the first

0:50:26.200 --> 0:50:29.160
<v Speaker 1>time I shot like Carl's I remember having dreams about

0:50:29.160 --> 0:50:32.000
<v Speaker 1>it because it was so It's weird with this movie

0:50:32.040 --> 0:50:34.600
<v Speaker 1>because they do like get a ship and a fucking

0:50:34.680 --> 0:50:36.680
<v Speaker 1>there every once in a that they don't need to

0:50:36.880 --> 0:50:38.920
<v Speaker 1>and they don't need to impale him like that. But

0:50:38.960 --> 0:50:40.879
<v Speaker 1>I'm so glad to know, but I'm glad they did.

0:50:42.040 --> 0:50:44.760
<v Speaker 1>And then when he comes up from his dead body

0:50:44.760 --> 0:50:48.359
<v Speaker 1>and he's like, hey Sam, and it's like what you

0:50:48.400 --> 0:50:52.759
<v Speaker 1>can't know? You know what just happened? Were not cool? No,

0:50:52.960 --> 0:50:55.360
<v Speaker 1>you guys can't be friends now you're both dead, and

0:50:55.400 --> 0:51:00.960
<v Speaker 1>he's like, oh, Carl. And then the little little mentors,

0:51:02.080 --> 0:51:05.360
<v Speaker 1>like those things scared me when I was little. I

0:51:05.400 --> 0:51:08.560
<v Speaker 1>was like, I hope they don't get me in my bed. Yeah. Yeah,

0:51:08.680 --> 0:51:12.000
<v Speaker 1>they're just little de mentors. Yeah. Then they make that noise.

0:51:16.520 --> 0:51:20.560
<v Speaker 1>And my favorite part is when Willie Lopez gets hit

0:51:20.600 --> 0:51:24.279
<v Speaker 1>by three cars and then they like show him dead

0:51:24.400 --> 0:51:26.960
<v Speaker 1>and then you hear in the background that dude is dead.

0:51:30.120 --> 0:51:33.520
<v Speaker 1>It's obviously an extra who is just like someone needs

0:51:33.560 --> 0:51:36.040
<v Speaker 1>to say I want to say it, I'll say it.

0:51:36.239 --> 0:51:39.120
<v Speaker 1>And he probably said it every take and someone probably

0:51:39.160 --> 0:51:41.200
<v Speaker 1>was like, hey, man, don't say that again. But then

0:51:41.239 --> 0:51:42.759
<v Speaker 1>they saw it, like the dailies were like, oh no,

0:51:42.840 --> 0:51:44.560
<v Speaker 1>that's a that's great. We have to keep it. You

0:51:44.600 --> 0:51:48.359
<v Speaker 1>know what. This guy's getting his sad probably from that

0:51:48.440 --> 0:51:51.600
<v Speaker 1>dude is dead. He went from being a featured extra

0:51:52.040 --> 0:51:58.200
<v Speaker 1>to it's good for him. Perfect. Can we talk about

0:51:58.239 --> 0:52:02.319
<v Speaker 1>how okay. So it's implied in the movie that cats

0:52:02.480 --> 0:52:07.880
<v Speaker 1>can see or sense ghosts because Sam we figures it

0:52:07.920 --> 0:52:10.360
<v Speaker 1>out and then he uses it to advantage to scare

0:52:10.400 --> 0:52:15.000
<v Speaker 1>off Will Lopez. So I would just like to, for

0:52:15.120 --> 0:52:18.160
<v Speaker 1>the record, just remind everyone that cats do have eight

0:52:18.280 --> 0:52:22.080
<v Speaker 1>nipples and they can see ghosts nipples. This has been

0:52:22.120 --> 0:52:29.440
<v Speaker 1>cat facts with Caitlin. Eight nipples ghosts and you didn't

0:52:29.440 --> 0:52:32.279
<v Speaker 1>realize how many nipples you've grazed And it was a

0:52:32.360 --> 0:52:36.960
<v Speaker 1>boycat boycats. That was your question, all question. Yeah, you're

0:52:37.160 --> 0:52:44.160
<v Speaker 1>stand by it. All mammal male, female, gender non binary

0:52:44.200 --> 0:52:49.160
<v Speaker 1>animals and people. All mammals have nipples because all embryos

0:52:49.600 --> 0:52:53.640
<v Speaker 1>start out as female and grow little nipples, and then

0:52:53.920 --> 0:52:57.880
<v Speaker 1>a certain like hormone is introduced in the womb to

0:52:58.440 --> 0:53:01.399
<v Speaker 1>determine whether or not it's it ends up being maybe

0:53:02.680 --> 0:53:05.120
<v Speaker 1>it's probably like a litter of kittens thing like cats

0:53:05.160 --> 0:53:07.319
<v Speaker 1>have tend to have so many babies at once that

0:53:07.440 --> 0:53:10.239
<v Speaker 1>they need more nipples. There's a direct correlation to like

0:53:10.440 --> 0:53:14.759
<v Speaker 1>how many offspring a mammal has at a time to

0:53:14.880 --> 0:53:19.520
<v Speaker 1>how many nipples they So we're only twins, two little nippies. Yeah,

0:53:20.040 --> 0:53:24.479
<v Speaker 1>you should be double fisted. Honestly, humans should only have

0:53:24.640 --> 0:53:29.920
<v Speaker 1>one boob, imagine because we only have usually one baby

0:53:29.960 --> 0:53:33.400
<v Speaker 1>at a time. So I'm going to campaign for a

0:53:33.440 --> 0:53:37.680
<v Speaker 1>one boob movement. Well, then I should have no titties.

0:53:37.760 --> 0:53:40.959
<v Speaker 1>I don't want babies upset me. I want to pull

0:53:41.040 --> 0:53:45.040
<v Speaker 1>my boobs and have one good one great tips. I

0:53:45.120 --> 0:53:49.839
<v Speaker 1>want to have one decup instead, and said to too

0:53:49.880 --> 0:53:55.520
<v Speaker 1>little midgets, it's fine, it's it's manageable in the heat.

0:53:55.560 --> 0:53:57.680
<v Speaker 1>I accept it. I mean, yeah, big old titties in

0:53:57.719 --> 0:54:00.080
<v Speaker 1>the heat. That can't be fun. Right, I want and

0:54:00.120 --> 0:54:04.319
<v Speaker 1>I want in the winter. But keep time of year.

0:54:04.360 --> 0:54:09.520
<v Speaker 1>I'm grateful this time of year. I count my blessings. Yeah. Well,

0:54:09.680 --> 0:54:14.799
<v Speaker 1>this has been a very enlightening des Niptalk Nip Nip

0:54:14.880 --> 0:54:20.040
<v Speaker 1>nip Talk, nip Talk, nip slash talk. That's the name

0:54:20.080 --> 0:54:22.319
<v Speaker 1>of this podcast. There we go. Hey, let's talk about

0:54:22.360 --> 0:54:26.080
<v Speaker 1>whether or not ghost passes the Bechtel test. I see,

0:54:26.160 --> 0:54:28.839
<v Speaker 1>I I haven't told this, but I think it does.

0:54:29.080 --> 0:54:32.960
<v Speaker 1>I think it technically. Okay, are you your point please? Um? Well,

0:54:33.000 --> 0:54:35.800
<v Speaker 1>I wrote in a few different places. You're right. I didn't.

0:54:36.280 --> 0:54:38.520
<v Speaker 1>I didn't think that the police scene doesn't pass because

0:54:38.520 --> 0:54:41.279
<v Speaker 1>the officer doesn't have a name. Do we ever find

0:54:41.280 --> 0:54:46.719
<v Speaker 1>out Odemy's sisters names, because there's an extreme I do

0:54:46.760 --> 0:54:49.920
<v Speaker 1>not think they do have names. They do have names.

0:54:50.080 --> 0:54:52.480
<v Speaker 1>I just I by the time it occurred to me

0:54:52.560 --> 0:54:54.520
<v Speaker 1>that I should have known their names, it was too late.

0:54:54.600 --> 0:54:57.080
<v Speaker 1>And you were right. Because they have a conversation about

0:54:57.120 --> 0:55:00.279
<v Speaker 1>our cineo hall oh wait, that's a man by our rules.

0:55:00.280 --> 0:55:01.919
<v Speaker 1>They just have to have There has to be two

0:55:01.960 --> 0:55:05.319
<v Speaker 1>lines of dialogue where they talk about yeah, and they

0:55:05.320 --> 0:55:08.000
<v Speaker 1>talk about Otomy, and they talk about like, I don't

0:55:08.000 --> 0:55:09.160
<v Speaker 1>I don't have the quote in front of me, but

0:55:09.160 --> 0:55:12.720
<v Speaker 1>they're like, oh, you know, she finally got the power

0:55:12.800 --> 0:55:15.400
<v Speaker 1>or whatever. And then there's a response that also has

0:55:15.440 --> 0:55:18.200
<v Speaker 1>to do with Otomy, and I wish I had written

0:55:18.200 --> 0:55:20.560
<v Speaker 1>down the exact exchange, but I think I because I

0:55:20.760 --> 0:55:24.879
<v Speaker 1>detailed all of these they technically don't have names. They

0:55:24.920 --> 0:55:27.360
<v Speaker 1>don't they are credited and I am dB as Odomy's

0:55:27.360 --> 0:55:30.399
<v Speaker 1>sister and Odomy's sister. So those scenes where there are

0:55:30.440 --> 0:55:34.200
<v Speaker 1>women interacting. It starts off with Otomy and Mrs Santiago,

0:55:34.920 --> 0:55:37.480
<v Speaker 1>who does have a name, but they talk only about

0:55:38.040 --> 0:55:41.279
<v Speaker 1>Mrs Santiago's dead husband, so that does not pass. Then

0:55:41.320 --> 0:55:45.000
<v Speaker 1>we've got odom May and her sisters. During the scene

0:55:45.040 --> 0:55:47.680
<v Speaker 1>where Sam is all like, I'm a ghost and you

0:55:47.719 --> 0:55:49.840
<v Speaker 1>can hear me, and now you have the gift that

0:55:49.880 --> 0:55:52.560
<v Speaker 1>you didn't think you had, her sisters are like, oh,

0:55:52.680 --> 0:55:55.160
<v Speaker 1>she's talking crazy. She hit her head harder than we thought.

0:55:55.320 --> 0:55:57.280
<v Speaker 1>The other ones like she was talking to nobody before

0:55:57.480 --> 0:56:00.160
<v Speaker 1>she even hit her head, So that would pack as

0:56:00.160 --> 0:56:02.640
<v Speaker 1>the test if we knew their names, but we don't.

0:56:02.880 --> 0:56:06.600
<v Speaker 1>Then we've got Auto May calling Molly on the phone

0:56:06.640 --> 0:56:08.239
<v Speaker 1>to be like, I'm a spiritual reader and I have

0:56:08.280 --> 0:56:11.600
<v Speaker 1>a message from your friend Sam doesn't pass. Talking about Sam.

0:56:11.920 --> 0:56:14.439
<v Speaker 1>Then the scene where Automy goes to Molly's apartment, same

0:56:14.480 --> 0:56:18.240
<v Speaker 1>thing doesn't pass because they only talk about Sam and

0:56:18.400 --> 0:56:20.520
<v Speaker 1>all the things like because she's trying to convince her

0:56:20.880 --> 0:56:25.080
<v Speaker 1>I've got your dad friend. Then we've got the cop

0:56:25.239 --> 0:56:28.000
<v Speaker 1>who is the woman who is all like, I'm never

0:56:28.000 --> 0:56:30.640
<v Speaker 1>going to take my clothes off again. If there's ghosts everywhere,

0:56:31.640 --> 0:56:33.560
<v Speaker 1>we don't know her name does not pass. And then

0:56:33.600 --> 0:56:36.880
<v Speaker 1>we've got Auto May in the psychic shop talking to

0:56:37.719 --> 0:56:40.840
<v Speaker 1>another lady who's trying to communicate with her dead husband.

0:56:41.040 --> 0:56:43.920
<v Speaker 1>They either only talk about a man. Either way, that

0:56:43.960 --> 0:56:46.799
<v Speaker 1>woman is not named I have. I have like a

0:56:46.840 --> 0:56:51.000
<v Speaker 1>sneaking feeling that there is, and I wasn't doing the

0:56:51.520 --> 0:56:54.120
<v Speaker 1>close enough notes that that I should have been doing.

0:56:54.520 --> 0:56:56.600
<v Speaker 1>But I do think that there is an exchange in

0:56:56.600 --> 0:57:01.880
<v Speaker 1>this movie somewhere that likely technically passes. But I don't

0:57:01.880 --> 0:57:07.279
<v Speaker 1>think that that between and Molly. Yes, probably, but I

0:57:07.320 --> 0:57:11.399
<v Speaker 1>think it happens. They always talk about Sam. But if

0:57:11.440 --> 0:57:13.440
<v Speaker 1>I mean, but even if there's like the next I

0:57:13.480 --> 0:57:15.680
<v Speaker 1>think an exchange the lines between them of like do

0:57:15.719 --> 0:57:19.640
<v Speaker 1>you believe yes or no? Like that is the type

0:57:19.640 --> 0:57:22.400
<v Speaker 1>of exchange that would pass, right, It would be, but

0:57:22.480 --> 0:57:25.800
<v Speaker 1>it would be so fleeting right right, it's yeah, it's

0:57:25.840 --> 0:57:30.000
<v Speaker 1>one of those if it's barely right. I think this

0:57:30.240 --> 0:57:33.080
<v Speaker 1>does pretty right by its female characters. I think they're

0:57:33.080 --> 0:57:36.680
<v Speaker 1>both well developed and because like May is just such

0:57:36.680 --> 0:57:39.600
<v Speaker 1>a like dynamic character, just like she's so fun and

0:57:39.640 --> 0:57:42.880
<v Speaker 1>fun to watch, and Molly is also again she's dealing

0:57:42.920 --> 0:57:46.360
<v Speaker 1>with a lot of ship, but she's serving the story.

0:57:47.040 --> 0:57:50.040
<v Speaker 1>So I think the movie treats its female characters well,

0:57:50.360 --> 0:57:54.280
<v Speaker 1>but I don't think it passes the Bechdel tests because

0:57:54.360 --> 0:57:57.240
<v Speaker 1>every conversation where women are talking, they're either not named

0:57:57.440 --> 0:58:01.840
<v Speaker 1>or they're talking about Sam. So that is my stance.

0:58:01.920 --> 0:58:05.479
<v Speaker 1>But as we've only Swaysy weren't such a lurker, right,

0:58:06.760 --> 0:58:09.080
<v Speaker 1>or if we just got maybe like a scene of

0:58:09.120 --> 0:58:14.640
<v Speaker 1>Aftermath after Sam goes to heaven and then is like, well,

0:58:14.800 --> 0:58:17.400
<v Speaker 1>it's nice meeting you. You want to get some ice cream?

0:58:17.560 --> 0:58:20.840
<v Speaker 1>You owe me money. I did a lot of work

0:58:20.880 --> 0:58:23.680
<v Speaker 1>for Sam, and please give me a hundred dollars that

0:58:23.760 --> 0:58:25.720
<v Speaker 1>could pass the test. And also she would get the

0:58:25.720 --> 0:58:28.600
<v Speaker 1>money I feel she's entitled to. And I don't think

0:58:28.640 --> 0:58:31.760
<v Speaker 1>that dem would be stingy about it. No, she'd be like,

0:58:31.880 --> 0:58:36.680
<v Speaker 1>she'd be like, and also, here's a weird pottery I made.

0:58:37.040 --> 0:58:39.280
<v Speaker 1>I mean, she helps save her life. To me, was

0:58:39.560 --> 0:58:43.520
<v Speaker 1>going to get murdered by Willy Lopez otherwise, so or

0:58:43.680 --> 0:58:47.240
<v Speaker 1>Carl or car Yeah, one or the other. But as

0:58:47.280 --> 0:58:51.520
<v Speaker 1>we've often mentioned, the Bechtel test isn't necessarily like, it's

0:58:51.560 --> 0:58:53.920
<v Speaker 1>not the end all be all, like if this movie

0:58:54.000 --> 0:58:56.400
<v Speaker 1>does pass the test, it's great to women, and if

0:58:56.440 --> 0:59:00.640
<v Speaker 1>it doesn't, it's bad like shitty movies. It's like like, like,

0:59:00.800 --> 0:59:04.840
<v Speaker 1>what the guild, But aren't they Oh, I guess they're

0:59:04.840 --> 0:59:08.200
<v Speaker 1>not constantly talking about Colin Farrell. There's like three scenes

0:59:08.280 --> 0:59:12.320
<v Speaker 1>where they're like, let's talk about our French lessons. Here's

0:59:12.360 --> 0:59:15.480
<v Speaker 1>a fun one that passes. Sister act Yes, and I

0:59:15.520 --> 0:59:18.440
<v Speaker 1>love that that. It's a there's a real Whoopie Goldberg

0:59:18.680 --> 0:59:21.360
<v Speaker 1>career Foreshadow and Ghost where they're like, give the money

0:59:21.400 --> 0:59:24.720
<v Speaker 1>to the nuns and she's like, no, none suck. For

0:59:24.880 --> 0:59:27.439
<v Speaker 1>some variation on that, Nicle probably knows the exact line,

0:59:27.760 --> 0:59:32.000
<v Speaker 1>give money to a bunch of nuns. They can't even like,

0:59:32.040 --> 0:59:36.120
<v Speaker 1>they can't even buy panny y. That was a great

0:59:36.160 --> 0:59:39.800
<v Speaker 1>like end ending line to a senior, always end on

0:59:39.800 --> 0:59:42.520
<v Speaker 1>a button. I'm trying to think of other favorite movies

0:59:42.560 --> 0:59:47.240
<v Speaker 1>and if they pass, are probably not. Twang Foo passes,

0:59:47.560 --> 0:59:53.680
<v Speaker 1>Thanks for everything, Julie Newmar, we see my cousin Vinny

0:59:54.240 --> 0:59:56.960
<v Speaker 1>does not pass. I wouldn't think so. I haven't seen

0:59:57.000 --> 0:59:58.680
<v Speaker 1>it in a long time. I think Mercy to me

0:59:58.840 --> 1:00:02.280
<v Speaker 1>is the only female archer who speaks. I don't think

1:00:02.280 --> 1:00:04.919
<v Speaker 1>there's another woman for her. I've not seen it, but

1:00:05.040 --> 1:00:08.640
<v Speaker 1>that sounds about right. Eddie passies. Another Whoopie Goldberg movie,

1:00:08.760 --> 1:00:12.880
<v Speaker 1>Eddie that passes because she has a friend and they

1:00:12.920 --> 1:00:17.200
<v Speaker 1>talk about basketball. A nice white lady. I like how

1:00:17.240 --> 1:00:19.480
<v Speaker 1>this movie. I mean, there's not a whole lot of

1:00:19.600 --> 1:00:22.200
<v Speaker 1>like tackling race in this movie. But there's a few

1:00:22.200 --> 1:00:25.360
<v Speaker 1>different lines where Odom will be like you're a white guy,

1:00:25.360 --> 1:00:28.040
<v Speaker 1>aren't you? Like and then and then she sees a

1:00:28.040 --> 1:00:30.439
<v Speaker 1>picture of Sam and she's like, oh, you're cute, cute

1:00:30.600 --> 1:00:34.560
<v Speaker 1>white guy. Yeah, and then oh yeah the line where

1:00:34.560 --> 1:00:38.600
<v Speaker 1>she's basically like, uh wait I wrote down when Whoopy

1:00:38.600 --> 1:00:41.120
<v Speaker 1>goldbergs like you know are you? Are you hit? And

1:00:41.120 --> 1:00:45.919
<v Speaker 1>then she's just like literally like a white guy? Why me? Like, well,

1:00:46.040 --> 1:00:49.320
<v Speaker 1>I don't. It doesn't truly tackle race, but it does

1:00:49.600 --> 1:00:53.240
<v Speaker 1>tackle that like she lives in a bad area and

1:00:53.280 --> 1:00:56.560
<v Speaker 1>a murderer lives in her neighborhood, and this white guy

1:00:56.640 --> 1:01:00.760
<v Speaker 1>is very concerned about his white fiance who lives in

1:01:00.800 --> 1:01:04.120
<v Speaker 1>a good area. So I think, I don't it's does

1:01:04.200 --> 1:01:06.960
<v Speaker 1>It doesn't tackle race at all, but like I it

1:01:07.000 --> 1:01:09.960
<v Speaker 1>does tackle like she's like, oh shit, like there's bad

1:01:09.960 --> 1:01:12.560
<v Speaker 1>ship happening in my neighborhood and I'm hoping out this

1:01:12.600 --> 1:01:17.520
<v Speaker 1>white man like you're dead. Yeah, I think let's write

1:01:17.520 --> 1:01:20.200
<v Speaker 1>the movie. We we rate each movie on our Nipple

1:01:20.280 --> 1:01:25.520
<v Speaker 1>scale nipple scale of one to eight. We should adjust

1:01:25.560 --> 1:01:27.920
<v Speaker 1>it for cats. For any movie with a cat in it,

1:01:28.040 --> 1:01:30.720
<v Speaker 1>we should know, but we do. On a scale of

1:01:30.720 --> 1:01:34.520
<v Speaker 1>one to five nipples. No animals have only five nipples,

1:01:34.600 --> 1:01:37.920
<v Speaker 1>unless maybe they started out with six or eight and

1:01:38.160 --> 1:01:42.520
<v Speaker 1>some of them were surly them off. Oh boy, I

1:01:42.520 --> 1:01:45.240
<v Speaker 1>would hate having my nipples are removed. Yeah, I give

1:01:45.280 --> 1:01:48.160
<v Speaker 1>it five Little nippies. It's literally my favorite movie in

1:01:48.160 --> 1:01:50.200
<v Speaker 1>the whole world world. We we we rate it on our

1:01:50.560 --> 1:01:54.960
<v Speaker 1>it's portrayal of female Yeah, I stand by Drive Little Nippies.

1:01:55.640 --> 1:01:57.840
<v Speaker 1>I think the women are great in the movie. I'm

1:01:57.840 --> 1:02:02.240
<v Speaker 1>going to give it four. It get some marks off.

1:02:02.360 --> 1:02:05.000
<v Speaker 1>I don't like that the women have to be saved

1:02:05.040 --> 1:02:07.080
<v Speaker 1>by Sam at the end. That's a trump that's always

1:02:07.080 --> 1:02:10.920
<v Speaker 1>gonna bug me. It's still Sam driving the story it is.

1:02:11.200 --> 1:02:15.360
<v Speaker 1>He's the protagonist, so that makes sense. But I feel like, maybe,

1:02:16.160 --> 1:02:18.160
<v Speaker 1>I don't know, Molly couldn't maybe have a little more

1:02:18.200 --> 1:02:21.000
<v Speaker 1>to do or because she is kind of passive. There's

1:02:21.000 --> 1:02:24.920
<v Speaker 1>also a scene where Willie Lopez is like watching her undress,

1:02:25.120 --> 1:02:28.240
<v Speaker 1>which I guess, like, sure, that's to communicate to the

1:02:28.280 --> 1:02:31.720
<v Speaker 1>audience she's in danger, this is scary. But then Odamy

1:02:31.840 --> 1:02:36.640
<v Speaker 1>tells her, yeah, he watched you undressing. Whatever. But that

1:02:36.760 --> 1:02:39.760
<v Speaker 1>scene like didn't really need to happen, like, we don't.

1:02:39.800 --> 1:02:43.000
<v Speaker 1>Why do we have to see like a voyeuristic naked

1:02:43.080 --> 1:02:47.000
<v Speaker 1>lady scene. She's not. She's also think it paints how

1:02:47.080 --> 1:02:51.560
<v Speaker 1>gross Willie is. Yeah, but and then he gets scratched

1:02:51.600 --> 1:02:56.200
<v Speaker 1>by a cat, which does have eight nipples, so in

1:02:56.240 --> 1:02:59.800
<v Speaker 1>a way, it's an eight out of it. But yeah,

1:02:59.800 --> 1:03:05.720
<v Speaker 1>I think that Molly and especially Otomy are just really interesting,

1:03:06.560 --> 1:03:12.040
<v Speaker 1>multidimensional characters that are enjoyable to watch. And there wasn't

1:03:12.080 --> 1:03:15.200
<v Speaker 1>any moment where I was just like, well, I don't

1:03:15.240 --> 1:03:18.080
<v Speaker 1>like this. There are opportunities where it could pass the

1:03:18.120 --> 1:03:22.320
<v Speaker 1>Bechdel test, but there the whole thing is about a man,

1:03:23.040 --> 1:03:27.440
<v Speaker 1>their relationship otomy, and Molly's relationship is completely contextualized by

1:03:27.600 --> 1:03:31.520
<v Speaker 1>this man. So if they talked about other stuff, would

1:03:31.520 --> 1:03:34.600
<v Speaker 1>it make sense for the movie? Maybe not, but I

1:03:34.640 --> 1:03:36.600
<v Speaker 1>don't know. Just throw a line in there. Oh did

1:03:36.640 --> 1:03:40.360
<v Speaker 1>you watch Oprah yesterday? Yeah? I loved it? How about you? Too? Bad?

1:03:40.440 --> 1:03:45.400
<v Speaker 1>She didn't get this part that's gonna happen? Yeah, I'll

1:03:45.400 --> 1:03:48.720
<v Speaker 1>get I'll give it a ford to based on I mean,

1:03:49.080 --> 1:03:52.880
<v Speaker 1>the two main female characters are both and I wouldn't

1:03:52.880 --> 1:03:54.960
<v Speaker 1>have said this for Molly the last time I saw it,

1:03:54.960 --> 1:03:59.000
<v Speaker 1>but after seeing her this time through our are both

1:03:59.040 --> 1:04:02.880
<v Speaker 1>really well developed and have very clear, strong motivations and

1:04:03.600 --> 1:04:08.000
<v Speaker 1>their storylines. Although they are propelled forward by men, they

1:04:08.040 --> 1:04:11.640
<v Speaker 1>seem like two independent women with heads on their shoulders

1:04:11.720 --> 1:04:14.280
<v Speaker 1>and deal with problems in a way that makes sense. Yeah,

1:04:14.280 --> 1:04:18.040
<v Speaker 1>I mean basically just uh, the one nip off based

1:04:18.040 --> 1:04:21.680
<v Speaker 1>on missed opportunities and less so having to do with

1:04:21.720 --> 1:04:23.320
<v Speaker 1>Odomy and while because I feel like it would be

1:04:23.320 --> 1:04:26.040
<v Speaker 1>disingenuous to the story if they like ended up being

1:04:26.240 --> 1:04:29.360
<v Speaker 1>best friends like that that would not happen in real life,

1:04:29.640 --> 1:04:32.720
<v Speaker 1>but missed opportunities more in terms of it would have

1:04:32.760 --> 1:04:35.520
<v Speaker 1>been very easy to give Otomy's sisters names. It would

1:04:35.520 --> 1:04:38.440
<v Speaker 1>have been very easy to not have almost all male ghosts.

1:04:38.440 --> 1:04:41.040
<v Speaker 1>It would have you know, it would have been very

1:04:41.040 --> 1:04:45.240
<v Speaker 1>easy to flip one of um Odomy's clients into a

1:04:45.280 --> 1:04:47.240
<v Speaker 1>man trying to talk to his wife, you know, like

1:04:47.520 --> 1:04:50.280
<v Speaker 1>they're just little stuff like that. Uh. Four nipples. I'm

1:04:50.280 --> 1:04:55.800
<v Speaker 1>gonna give two to both of Otomy's unnamed sisters. I

1:04:55.840 --> 1:04:58.800
<v Speaker 1>do like that of the women with speaking roles in

1:04:58.840 --> 1:05:03.680
<v Speaker 1>this movie, they are almost all women of color because

1:05:03.720 --> 1:05:08.720
<v Speaker 1>it's o May her sister's Mrs Santiago. Molly's kind of

1:05:08.760 --> 1:05:12.560
<v Speaker 1>the only white woman. Yeah, you don't very much of

1:05:12.920 --> 1:05:15.320
<v Speaker 1>her world, which is like interesting, like you get the

1:05:16.360 --> 1:05:19.040
<v Speaker 1>you get that, like Sam's a Wall Street broker or whatever.

1:05:19.120 --> 1:05:20.800
<v Speaker 1>But then like they spent a lot of time in

1:05:20.840 --> 1:05:23.800
<v Speaker 1>Brooklyn in Prospect Park, I think is where it would

1:05:23.800 --> 1:05:27.160
<v Speaker 1>be like, which was like not gentrified, so like everybody

1:05:27.160 --> 1:05:28.840
<v Speaker 1>on the street as a person of color, like it

1:05:28.880 --> 1:05:31.800
<v Speaker 1>was on the subway to I think they did a

1:05:31.840 --> 1:05:36.640
<v Speaker 1>great job of depicting New York because so many movies

1:05:36.680 --> 1:05:38.520
<v Speaker 1>will be in New York and they'll be like in

1:05:38.560 --> 1:05:40.360
<v Speaker 1>Brooklyn and it's like filled with white people. I'm like,

1:05:40.440 --> 1:05:43.240
<v Speaker 1>I don't know where you are, but now I do.

1:05:43.360 --> 1:05:48.800
<v Speaker 1>Now it's any part of Brooklyn very gentrified. Take some notes.

1:05:49.760 --> 1:05:53.080
<v Speaker 1>So how dare you have a Civil war movie without

1:05:53.200 --> 1:05:58.080
<v Speaker 1>somebody being like, here's your tea. It's like, come on now, Nicole,

1:05:58.320 --> 1:06:02.360
<v Speaker 1>thank you so much for paying. Thanks for Heavy, It's

1:06:02.400 --> 1:06:04.840
<v Speaker 1>been a blast. Where can people find you online? He

1:06:05.000 --> 1:06:10.520
<v Speaker 1>seeing on Twitter and Instagram at Nicole Buyer for both.

1:06:10.880 --> 1:06:13.640
<v Speaker 1>I have a Facebook page because I had a show

1:06:13.640 --> 1:06:15.760
<v Speaker 1>an MTV called Lucy exactly in a call that got canceled.

1:06:15.800 --> 1:06:19.120
<v Speaker 1>But it's being resurrected by Facebook, so you can look

1:06:19.160 --> 1:06:21.480
<v Speaker 1>for that soon. And you can look at my fan

1:06:21.520 --> 1:06:25.680
<v Speaker 1>page and I'll I guess update it great. There's only

1:06:25.680 --> 1:06:27.560
<v Speaker 1>two pictures up. I don't know how to do it,

1:06:28.840 --> 1:06:31.160
<v Speaker 1>but yeah, so you can find me out and I

1:06:31.240 --> 1:06:33.680
<v Speaker 1>perform all over l A. I usually tweet about it

1:06:33.760 --> 1:06:37.840
<v Speaker 1>and I tour, so look for them tweets. Look for

1:06:37.840 --> 1:06:40.560
<v Speaker 1>those tweets. Speaking at tweets, you can follow us on

1:06:40.560 --> 1:06:43.760
<v Speaker 1>Twitter at becktel Cast. You can email us at the

1:06:43.800 --> 1:06:46.080
<v Speaker 1>backtel Cast at gmail dot com. Anytime you're drinking a

1:06:46.120 --> 1:06:49.280
<v Speaker 1>Mike's Hard List now let us know. Also, you can

1:06:49.400 --> 1:06:53.200
<v Speaker 1>donate money to us. We have some production costs and

1:06:53.280 --> 1:06:55.560
<v Speaker 1>we gotta keep we gotta survive, we gotta keep going

1:06:56.440 --> 1:07:01.040
<v Speaker 1>with hit us up on papal. Donate a dollar, two dollars,

1:07:01.200 --> 1:07:04.560
<v Speaker 1>three dollars, three thousand dollars. Thanks to your generosity, I

1:07:04.600 --> 1:07:07.800
<v Speaker 1>was able to pay my student loans this month. Really,

1:07:08.000 --> 1:07:10.160
<v Speaker 1>to be clear, they did not pay my student loans,

1:07:10.200 --> 1:07:12.040
<v Speaker 1>but because we didn't need to absorb the cost of

1:07:12.080 --> 1:07:15.360
<v Speaker 1>the podcast this month, I could pay my students. Yeah,

1:07:15.360 --> 1:07:19.560
<v Speaker 1>I keep giving them money. So go to PayPal dot me, backslash,

1:07:19.800 --> 1:07:22.560
<v Speaker 1>backtel Cast and you can throw us a few dollars,

1:07:22.560 --> 1:07:25.520
<v Speaker 1>that would be great. We'd so appreciate it. Again, Nicole,

1:07:25.560 --> 1:07:27.520
<v Speaker 1>thanks for being here. It's been a lot having me

1:07:28.000 --> 1:07:32.720
<v Speaker 1>have a great time. And men don't ghost on women. No,

1:07:32.960 --> 1:07:36.320
<v Speaker 1>don't call us back, calling back, call us back. But

1:07:36.400 --> 1:07:39.320
<v Speaker 1>also feel free to die. Yeah, it just dies longing

1:07:39.360 --> 1:07:42.480
<v Speaker 1>to leave us some money, all right. Bye,