1 00:00:00,120 --> 00:00:02,360 Speaker 1: I used to be with Amy Heckerling years ago, and 2 00:00:02,440 --> 00:00:06,440 Speaker 1: Amy Heckerling wrote a movie about twelve thirteen years ago 3 00:00:07,760 --> 00:00:12,120 Speaker 1: with uh that Paul Rudd's character, and it was heavily 4 00:00:12,119 --> 00:00:12,640 Speaker 1: based on me. 5 00:00:12,680 --> 00:00:15,040 Speaker 2: It was obvious, so obvious. 6 00:00:15,640 --> 00:00:17,759 Speaker 1: And then there was a little bit she wanted me 7 00:00:17,800 --> 00:00:21,639 Speaker 1: to play just for fun, just for it. So this 8 00:00:21,760 --> 00:00:24,320 Speaker 1: is the line you could never write. My agent called 9 00:00:24,360 --> 00:00:26,400 Speaker 1: me and said, did you read it? I said yeah, 10 00:00:26,440 --> 00:00:30,040 Speaker 1: and she said I know what you're thinking. I said, yeah, 11 00:00:30,080 --> 00:00:32,720 Speaker 1: what's that? And she said, you want to play you, 12 00:00:33,280 --> 00:00:35,440 Speaker 1: but you can't play you because Paul Rudd is you. 13 00:00:37,040 --> 00:00:39,159 Speaker 1: Just parse that for a second. I didn't want to 14 00:00:39,159 --> 00:00:42,440 Speaker 1: play me because it was me at thirty. But I said, 15 00:00:42,680 --> 00:00:45,040 Speaker 1: say that again and she said, I know that when 16 00:00:45,080 --> 00:00:47,760 Speaker 1: you read the script, you recognize that that character was you, 17 00:00:48,240 --> 00:00:50,120 Speaker 1: and you probably want to be you, but you can't 18 00:00:50,120 --> 00:00:53,160 Speaker 1: be you because Paul Rudd is you. And I said, 19 00:00:53,920 --> 00:00:59,279 Speaker 1: that is literally genius. That's like a high coup. I 20 00:00:59,320 --> 00:01:02,160 Speaker 1: can't believe you said that. Say it one more time 21 00:01:02,200 --> 00:01:05,760 Speaker 1: and it was profound and I said, no, that's not 22 00:01:05,800 --> 00:01:07,520 Speaker 1: what I was thinking. What I was thinking is that 23 00:01:07,640 --> 00:01:09,240 Speaker 1: the little role she wants me to play is that 24 00:01:09,360 --> 00:01:10,759 Speaker 1: niece is nothing. 25 00:01:10,760 --> 00:01:11,679 Speaker 2: I don't want to do it. 26 00:01:12,400 --> 00:01:14,600 Speaker 1: I wasn't thinking. I was actually it's actually nicely written, 27 00:01:14,640 --> 00:01:16,400 Speaker 1: and Paul would be great in it. I never saw 28 00:01:16,440 --> 00:01:18,920 Speaker 1: the movie, but that would be lovely and it's a 29 00:01:19,000 --> 00:01:20,479 Speaker 1: lovely complimentary, you know. 30 00:01:20,560 --> 00:01:22,399 Speaker 2: Portrait to me. But no, that's not what I was thinking. 31 00:01:22,400 --> 00:01:25,200 Speaker 1: But thank you for saying that, because in what other 32 00:01:25,280 --> 00:01:26,840 Speaker 1: business would somebody say. 33 00:01:27,880 --> 00:01:30,920 Speaker 2: Stephen, you can't be you. Paul Rudd is you. I 34 00:01:30,920 --> 00:01:32,240 Speaker 2: know you want to be you, but you can't be 35 00:01:32,319 --> 00:01:32,920 Speaker 2: you because. 36 00:01:32,680 --> 00:01:40,319 Speaker 3: Paul probably the most crystalline example of art imitating life. 37 00:01:40,440 --> 00:01:47,320 Speaker 1: Yeah yeah, yeah, I mean it was yourself. You can't 38 00:01:47,360 --> 00:01:49,200 Speaker 1: be you because somebody else is being you. I know 39 00:01:49,240 --> 00:01:49,840 Speaker 1: you want to be you. 40 00:01:51,480 --> 00:01:53,600 Speaker 2: I remember the first time I ever played myself. 41 00:01:53,680 --> 00:01:57,280 Speaker 1: It was on this Pamela Anderson show called VIP Right, 42 00:01:57,920 --> 00:02:01,440 Speaker 1: and I was playing Bronson Pinchot. It never aired because 43 00:02:01,840 --> 00:02:06,160 Speaker 1: there was it rained on the set and uh, everybody's 44 00:02:06,160 --> 00:02:11,079 Speaker 1: saying on the walkies, screw it now, the that fire 45 00:02:11,160 --> 00:02:13,079 Speaker 1: chief is going to come and get in our faces. 46 00:02:13,120 --> 00:02:15,640 Speaker 2: I hope he slips and dies. He heard it, so 47 00:02:15,680 --> 00:02:16,359 Speaker 2: he closed the thing. 48 00:02:16,440 --> 00:02:18,160 Speaker 1: He closed it down, and I had to get on 49 00:02:18,200 --> 00:02:19,960 Speaker 1: a plane and go to Europe, so that yes, on 50 00:02:20,040 --> 00:02:23,079 Speaker 1: an open mic they said it. He was like, okay, yeah, yeah, 51 00:02:23,160 --> 00:02:25,040 Speaker 1: you don't like me and you But anyway, I was 52 00:02:25,080 --> 00:02:29,079 Speaker 1: playing myself and the very first take of the very 53 00:02:29,080 --> 00:02:29,840 Speaker 1: first time, I was. 54 00:02:29,760 --> 00:02:33,600 Speaker 3: Like, what do I do? It was? 55 00:02:33,720 --> 00:02:35,600 Speaker 1: I was too I was, you know, in my forties. 56 00:02:35,639 --> 00:02:39,480 Speaker 1: I was like choked, like what what does that mean? 57 00:02:39,880 --> 00:02:41,560 Speaker 1: It never would have occurred to me to do nothing, 58 00:02:42,280 --> 00:02:44,360 Speaker 1: because it said in the script Bronson pincho and then 59 00:02:44,440 --> 00:02:46,880 Speaker 1: Bronson Pinchot said something and I didn't know what to 60 00:02:46,919 --> 00:02:48,760 Speaker 1: do and I so happy it didn't air. 61 00:02:49,560 --> 00:02:50,680 Speaker 2: I completely choked. 62 00:02:51,240 --> 00:02:51,560 Speaker 3: I was. 63 00:02:51,800 --> 00:02:56,040 Speaker 1: I was, I was like, what, Like what if I 64 00:02:56,080 --> 00:02:56,600 Speaker 1: do it wrong? 65 00:02:57,040 --> 00:02:57,280 Speaker 3: Right? 66 00:02:57,560 --> 00:03:00,480 Speaker 1: But of course you can't do it if you're if 67 00:03:00,520 --> 00:03:02,640 Speaker 1: you're you, if you're you, you can't you can do 68 00:03:02,760 --> 00:03:05,400 Speaker 1: no wrong. But it was but that there you go, 69 00:03:05,440 --> 00:03:07,640 Speaker 1: because when it was finally me in my house and 70 00:03:07,680 --> 00:03:10,440 Speaker 1: I would come down in my pajamas and the director 71 00:03:10,480 --> 00:03:12,400 Speaker 1: would say, okay, just cut for one second. 72 00:03:13,800 --> 00:03:16,280 Speaker 2: You know, you're in your pajamas and I go, yeah, 73 00:03:16,400 --> 00:03:16,920 Speaker 2: I he'd. 74 00:03:16,760 --> 00:03:19,400 Speaker 1: Say, and you know, your hair looks a little bit 75 00:03:19,480 --> 00:03:22,960 Speaker 1: like Elsa Lanchester and Pride of Frankenstein do with. 76 00:03:29,120 --> 00:03:33,120 Speaker 3: Trading those bad lips. It's so bad, it's good. It's 77 00:03:33,160 --> 00:03:43,520 Speaker 3: twa guilty lassness. This sun it's so bad, it's good bad. 78 00:03:46,320 --> 00:03:49,520 Speaker 3: Or we didn't watch my sex scene in Zebra Lounge. 79 00:03:49,600 --> 00:03:52,280 Speaker 1: Oh no, I need some I need I need lotion 80 00:03:52,440 --> 00:03:52,680 Speaker 1: for that. 81 00:03:52,920 --> 00:03:55,760 Speaker 3: Okay, look at him take that in. 82 00:03:56,200 --> 00:03:58,680 Speaker 1: That was that was of the best tastes I've ever seen. 83 00:03:58,840 --> 00:04:03,360 Speaker 1: I need lotion for that. Okay, okay, way way in, 84 00:04:03,760 --> 00:04:06,480 Speaker 1: you went a mile back into your Sarahbellum. I just 85 00:04:06,520 --> 00:04:08,360 Speaker 1: said the first thing that came to my head, and 86 00:04:08,400 --> 00:04:09,560 Speaker 1: you just time traveled. 87 00:04:12,320 --> 00:04:15,240 Speaker 3: That was so much fun. You you like went in 88 00:04:15,720 --> 00:04:19,880 Speaker 3: because I had this plan. Oh yeah, but it went 89 00:04:19,880 --> 00:04:22,520 Speaker 3: like that. But I think you might respect this. It 90 00:04:22,560 --> 00:04:27,680 Speaker 3: went like this. There's what I remember of when I 91 00:04:27,720 --> 00:04:32,320 Speaker 3: first saw you. Yeah, and then there's what I've seen 92 00:04:32,400 --> 00:04:34,720 Speaker 3: because I remember sn L and different stuff, you know 93 00:04:34,760 --> 00:04:35,080 Speaker 3: what I mean. 94 00:04:35,160 --> 00:04:37,440 Speaker 2: Just just yeah, you know what I mean, the scrap book. 95 00:04:37,600 --> 00:04:41,080 Speaker 3: But now I got a fangirl just quickly. Because all 96 00:04:41,200 --> 00:04:45,840 Speaker 3: the other layers or frequencies that you operate in in 97 00:04:45,880 --> 00:04:50,200 Speaker 3: your life, you know, acting coach, you know, uh, a 98 00:04:50,320 --> 00:04:55,120 Speaker 3: voiceover artist, different thing, yeah, you know, but all that 99 00:04:55,120 --> 00:05:01,200 Speaker 3: stuff you're you're you're more complex. I think, oh yeah, right, 100 00:05:01,480 --> 00:05:03,400 Speaker 3: I think did people see you? Oh yeah, you know 101 00:05:03,880 --> 00:05:06,360 Speaker 3: that fascinates me. But here's why I'm going to land 102 00:05:06,360 --> 00:05:09,520 Speaker 3: the plane the first time I ever saw you with 103 00:05:09,640 --> 00:05:10,240 Speaker 3: Eddie Murphy. 104 00:05:10,400 --> 00:05:11,279 Speaker 2: Yeah okay. 105 00:05:13,440 --> 00:05:14,960 Speaker 3: And I'm going to be an ass to make a 106 00:05:14,960 --> 00:05:17,720 Speaker 3: point because I'm already getting in trouble with this podcast 107 00:05:17,720 --> 00:05:19,520 Speaker 3: because I'm like saying I'm not supposed to say, because 108 00:05:19,560 --> 00:05:21,560 Speaker 3: it's just I'm really being honest about my opinion about 109 00:05:21,560 --> 00:05:23,800 Speaker 3: stuff because I've been around for thirty five that's what 110 00:05:23,800 --> 00:05:26,359 Speaker 3: people love. Well, I'm I'm just being me now and 111 00:05:26,400 --> 00:05:30,719 Speaker 3: I'm a grandpa. And so so that said, I remember 112 00:05:31,520 --> 00:05:35,800 Speaker 3: you performing if that's an okay word used in your character, 113 00:05:36,320 --> 00:05:42,200 Speaker 3: and I remember you were, So I don't want to say. 114 00:05:42,360 --> 00:05:45,760 Speaker 3: It's interesting what you said previously about what you said 115 00:05:45,800 --> 00:05:48,360 Speaker 3: about the acting coach thing, where you say, oh, I 116 00:05:48,839 --> 00:05:51,719 Speaker 3: kind of lean more towards kind of finding it in 117 00:05:51,760 --> 00:05:57,479 Speaker 3: its authenticity improvisationally in the exploration because when I watched it, 118 00:05:58,440 --> 00:06:00,880 Speaker 3: when I watched that's where I'm going. So what I watched, 119 00:06:00,880 --> 00:06:04,360 Speaker 3: Serge the very fight, the first time you ever see 120 00:06:04,440 --> 00:06:07,120 Speaker 3: this thing, if you know acting and I know acting, 121 00:06:08,160 --> 00:06:11,880 Speaker 3: it was fascinating to watch even it's a comedy, right, 122 00:06:11,920 --> 00:06:14,920 Speaker 3: So how Eddie's playing off of you in that ping 123 00:06:15,000 --> 00:06:19,800 Speaker 3: pong response thing, however organic that is, however improvisational it is, 124 00:06:19,839 --> 00:06:25,320 Speaker 3: it doesn't matter. You were so locked. I'm getting chills, 125 00:06:25,360 --> 00:06:28,680 Speaker 3: my hair on my arms standing enough, dude, you were locked. 126 00:06:29,520 --> 00:06:32,840 Speaker 3: You were so doing it. It was funny to watch 127 00:06:32,920 --> 00:06:36,280 Speaker 3: Eddie go like this, like what they kept in the 128 00:06:36,320 --> 00:06:39,800 Speaker 3: movie when he was out of character, because you were 129 00:06:39,839 --> 00:06:43,200 Speaker 3: so in character. That's powerful, bro so for me as 130 00:06:43,240 --> 00:06:49,240 Speaker 3: an actor for that character to be overlooked, in my opinion, 131 00:06:50,040 --> 00:06:53,400 Speaker 3: from what you had to do. I kissed your d 132 00:06:53,440 --> 00:06:55,320 Speaker 3: in Macy's window just now to make a point, But 133 00:06:55,360 --> 00:06:58,000 Speaker 3: to make a point I want young people to hear 134 00:06:58,040 --> 00:07:01,680 Speaker 3: from you now and say, look, I did this, I 135 00:07:01,760 --> 00:07:04,800 Speaker 3: focused on this. This is what I did. And if 136 00:07:04,880 --> 00:07:07,600 Speaker 3: and if that's as simple as the funny guy would before, 137 00:07:08,760 --> 00:07:12,760 Speaker 3: oh yes, But process for this is as simple as Steven. 138 00:07:12,800 --> 00:07:14,640 Speaker 3: It's my imagination. I'm a kid in the sandbox and 139 00:07:14,680 --> 00:07:17,200 Speaker 3: I just play and and and and Luckily, hopefully I'm 140 00:07:17,240 --> 00:07:18,960 Speaker 3: gonna work with people who are gonna catch what I 141 00:07:19,000 --> 00:07:21,720 Speaker 3: do when I throw my brilliance. Great. If that's been 142 00:07:21,760 --> 00:07:24,600 Speaker 3: your whole career, which I doubt. I think there's some 143 00:07:24,680 --> 00:07:28,880 Speaker 3: work that happened. So I just want to hear that 144 00:07:29,160 --> 00:07:33,600 Speaker 3: from you, Like, what do you do now when you 145 00:07:33,640 --> 00:07:37,000 Speaker 3: want to perform as a character, to get into a 146 00:07:37,080 --> 00:07:41,120 Speaker 3: place of that focus of that thing. 147 00:07:41,600 --> 00:07:41,760 Speaker 2: Oh. 148 00:07:41,840 --> 00:07:44,680 Speaker 1: I was describing it to somebody just the other day 149 00:07:44,720 --> 00:07:48,320 Speaker 1: because I was on set and I had to see 150 00:07:49,120 --> 00:07:53,640 Speaker 1: somebody on the floor that had been I just walked 151 00:07:53,640 --> 00:07:56,640 Speaker 1: into the room and this person was murdered and I 152 00:07:56,640 --> 00:07:58,240 Speaker 1: had to react to several different ways because it's a 153 00:07:58,280 --> 00:08:00,680 Speaker 1: murder mystery. So we had to shoot three different versions, 154 00:08:00,720 --> 00:08:04,160 Speaker 1: one where I discovered him and didn't know who had 155 00:08:04,240 --> 00:08:07,440 Speaker 1: murdered him, and one where I had murdered him, and 156 00:08:07,880 --> 00:08:12,080 Speaker 1: one where I didn't know what had happened. And you know, 157 00:08:12,120 --> 00:08:13,200 Speaker 1: there's a million and it's. 158 00:08:13,040 --> 00:08:14,640 Speaker 2: A very stylish show. 159 00:08:14,760 --> 00:08:17,480 Speaker 1: There's shafts of life coming through the Venetian blinds, and 160 00:08:17,520 --> 00:08:20,080 Speaker 1: there's this, and there's that. Now, when I was twenty five, 161 00:08:21,640 --> 00:08:24,400 Speaker 1: I remember myself saying, Okay, I don't I can't see 162 00:08:24,400 --> 00:08:26,560 Speaker 1: any anybody. I don't want to see anything, so I 163 00:08:26,640 --> 00:08:31,320 Speaker 1: need black drapes so I don't see anything but that body, okay, 164 00:08:31,920 --> 00:08:34,400 Speaker 1: And if anybody you know makes a sound, im gonna 165 00:08:34,400 --> 00:08:35,719 Speaker 1: have to do another take, and I had all the 166 00:08:36,080 --> 00:08:36,480 Speaker 1: going on. 167 00:08:36,720 --> 00:08:38,559 Speaker 3: That was your process then, No, it. 168 00:08:38,559 --> 00:08:41,319 Speaker 1: Was my profit process, kind of like a couple of 169 00:08:41,400 --> 00:08:45,040 Speaker 1: years in right, And I just did it in one 170 00:08:45,120 --> 00:08:48,959 Speaker 1: take and the director said, okay, wonderful. Now do one 171 00:08:48,960 --> 00:08:50,599 Speaker 1: where you're the murderer. And I did another one I 172 00:08:50,720 --> 00:08:54,320 Speaker 1: want to take and somebody said, how do you do that? 173 00:08:54,400 --> 00:08:56,880 Speaker 1: Because how do you do that? And I said, oh, 174 00:08:56,960 --> 00:09:02,200 Speaker 1: it's simple. I'm in a I'm in a in the podcast, 175 00:09:02,240 --> 00:09:04,199 Speaker 1: and there's some bright lights, and there's somebody I know 176 00:09:04,280 --> 00:09:08,199 Speaker 1: for yours that I like, and there's always been going on, 177 00:09:08,760 --> 00:09:11,040 Speaker 1: and I have to focus on this bottle. So instead 178 00:09:11,080 --> 00:09:13,800 Speaker 1: of pretending that there's no distractions, I just imagine that 179 00:09:13,880 --> 00:09:18,440 Speaker 1: this bottle is my mother's and she drank from it, 180 00:09:18,520 --> 00:09:21,559 Speaker 1: and it's just been discovered, and that means that her 181 00:09:21,600 --> 00:09:23,920 Speaker 1: lips touched that, and and her she's in there, and 182 00:09:24,240 --> 00:09:26,640 Speaker 1: so now I'm just gonna be with this bottle and it. 183 00:09:26,840 --> 00:09:27,440 Speaker 2: All goes away. 184 00:09:28,160 --> 00:09:29,000 Speaker 3: It used to be I. 185 00:09:28,960 --> 00:09:31,640 Speaker 2: Wanted it to go away and somebody else to take 186 00:09:31,640 --> 00:09:32,080 Speaker 2: it away. 187 00:09:32,240 --> 00:09:34,760 Speaker 3: Can I ask you a question? Yeah, okay, So would 188 00:09:34,760 --> 00:09:40,600 Speaker 3: you say that your talent is to do with your 189 00:09:40,679 --> 00:09:45,559 Speaker 3: own singular imagination. Yeah right, but. 190 00:09:45,640 --> 00:09:46,320 Speaker 2: As it's. 191 00:09:48,760 --> 00:09:50,800 Speaker 3: But it's not the same bronze and hold on. I 192 00:09:50,840 --> 00:09:54,280 Speaker 3: played McManus and the usual suspects. So I had a character, 193 00:09:54,640 --> 00:09:57,160 Speaker 3: I had a backstory, and he was this and he 194 00:09:57,200 --> 00:09:59,760 Speaker 3: did that, and he worked with Benizio's character, and I 195 00:10:00,040 --> 00:10:04,000 Speaker 3: had all of that for my own self self. You know. 196 00:10:04,120 --> 00:10:06,640 Speaker 3: Then get to the words and say the words and 197 00:10:06,760 --> 00:10:07,520 Speaker 3: my process. 198 00:10:09,400 --> 00:10:15,120 Speaker 1: But serge, oh, he was my makeup artist. 199 00:10:15,200 --> 00:10:18,280 Speaker 3: Cheap. I did a cheapy movie. 200 00:10:18,480 --> 00:10:23,920 Speaker 1: In the Caribbean called Last Resort. I think lost Resources. 201 00:10:23,960 --> 00:10:27,719 Speaker 1: I want that and my makeup artists, we have to 202 00:10:27,720 --> 00:10:30,120 Speaker 1: find out who the makeup artist would come into the 203 00:10:30,200 --> 00:10:32,880 Speaker 1: room and she wore sunglasses and she had a cowboy 204 00:10:32,920 --> 00:10:34,240 Speaker 1: hat and she was Israeli. 205 00:10:34,480 --> 00:10:37,080 Speaker 2: She had no bones, she was just all cartilage. 206 00:10:37,320 --> 00:10:39,839 Speaker 1: She had sunglasses and she made her own T shirt 207 00:10:39,840 --> 00:10:42,280 Speaker 1: with these little like everything was slit and turned out 208 00:10:42,280 --> 00:10:42,920 Speaker 1: a bead. 209 00:10:42,800 --> 00:10:44,400 Speaker 2: And she was this character. 210 00:10:45,120 --> 00:10:48,360 Speaker 1: And she would come in with sunglasses and started my 211 00:10:48,360 --> 00:10:49,960 Speaker 1: makeup and I'd say, hold on, let's say it. 212 00:10:50,000 --> 00:10:51,679 Speaker 2: Hold on, how can you see. 213 00:10:54,400 --> 00:11:00,400 Speaker 1: How can you see what color I am if you're 214 00:11:00,880 --> 00:11:04,040 Speaker 1: wearing sunglasses while you put on my makeup? 215 00:11:05,120 --> 00:11:07,280 Speaker 3: And she said she said. 216 00:11:07,320 --> 00:11:10,440 Speaker 2: She didn't even stop. She said, shut up, don't be stupid. 217 00:11:10,840 --> 00:11:13,000 Speaker 1: She just kept doing it, and I was like, I 218 00:11:13,040 --> 00:11:15,320 Speaker 1: do not like this attitude. And her hands were like 219 00:11:15,400 --> 00:11:17,360 Speaker 1: we're like this, and she just was she'd had no 220 00:11:17,480 --> 00:11:19,800 Speaker 1: cartilage and she just she just is gonna be her way. 221 00:11:20,280 --> 00:11:23,120 Speaker 1: And then another day she ordered some eggs and they 222 00:11:23,120 --> 00:11:24,120 Speaker 1: didn't come very soon. 223 00:11:24,160 --> 00:11:25,120 Speaker 2: We were all having a lessons. 224 00:11:25,160 --> 00:11:29,959 Speaker 1: She said she she's awful and I thought, owtful. That's 225 00:11:29,960 --> 00:11:32,680 Speaker 1: because that's the way the word looks. And she was 226 00:11:32,760 --> 00:11:35,680 Speaker 1: just sulky and didn't care and she was all so 227 00:11:35,720 --> 00:11:37,199 Speaker 1: I started with her, and it was. 228 00:11:37,160 --> 00:11:40,800 Speaker 2: Lily and I. They couldn't find anybody. 229 00:11:41,080 --> 00:11:44,800 Speaker 1: The character was American, character was not foreign, right, and 230 00:11:44,840 --> 00:11:47,840 Speaker 1: they said, we can't find anyone. Started with awful. Yeah, 231 00:11:47,920 --> 00:11:51,000 Speaker 1: started with awful. They couldn't find anybody. And I said, 232 00:11:51,760 --> 00:11:53,800 Speaker 1: you know, I'll tell you why. I think you can't 233 00:11:53,840 --> 00:11:57,440 Speaker 1: find anyone. Because it's nineteen eighty four. That was the year, 234 00:11:57,920 --> 00:12:01,800 Speaker 1: and the character was written as a generic gay shop 235 00:12:01,840 --> 00:12:04,760 Speaker 1: boy who Eddie would come in and smack around, not physically, 236 00:12:04,800 --> 00:12:08,120 Speaker 1: but like, you know, insulting. He said, that's probably why, 237 00:12:08,440 --> 00:12:09,960 Speaker 1: and they said, well, do you have an idea. I said, 238 00:12:14,200 --> 00:12:15,840 Speaker 1: just give me like a couple of days. So I 239 00:12:15,880 --> 00:12:17,440 Speaker 1: was walking around looking at looking at and also and 240 00:12:17,440 --> 00:12:19,280 Speaker 1: I heard Lily's voice, so that I'm gonna start with Lily. 241 00:12:19,679 --> 00:12:20,839 Speaker 2: She started with Lily. 242 00:12:21,080 --> 00:12:21,640 Speaker 3: But I didn't. 243 00:12:21,800 --> 00:12:23,800 Speaker 1: I end up really playing her. I used her accent 244 00:12:23,800 --> 00:12:28,160 Speaker 1: on her body, her cartilaginous body. But then he actually 245 00:12:28,240 --> 00:12:31,840 Speaker 1: was he actually was not her. She wasn't friendly like that. 246 00:12:32,520 --> 00:12:36,839 Speaker 1: The friendliness and the playfulness just developed because because of 247 00:12:36,840 --> 00:12:38,679 Speaker 1: the way Eddie was looking at man, I wanted. 248 00:12:38,400 --> 00:12:38,960 Speaker 2: To win him over. 249 00:12:39,000 --> 00:12:40,600 Speaker 1: But anyway, that was the improv. 250 00:12:41,120 --> 00:12:41,800 Speaker 2: That was the improv. 251 00:12:42,800 --> 00:12:48,240 Speaker 1: But but that is just because I so what I 252 00:12:48,280 --> 00:12:53,040 Speaker 1: do quite often, especially now, is I come in with 253 00:12:53,240 --> 00:12:58,480 Speaker 1: zero game plans zero, and I just keep saying what's missing, 254 00:12:59,280 --> 00:13:01,920 Speaker 1: what's missing? So sometimes I go, all right, everything's missing 255 00:13:01,960 --> 00:13:07,000 Speaker 1: because you suck. And then sometimes I'm like, oh, that's fun. 256 00:13:07,200 --> 00:13:11,280 Speaker 1: Like she's just like I'm just feeling my way and 257 00:13:11,320 --> 00:13:12,880 Speaker 1: I see this other actor. He looked at me like 258 00:13:13,120 --> 00:13:15,480 Speaker 1: I kind of scared her, So okay, like I can 259 00:13:15,520 --> 00:13:17,440 Speaker 1: be a little bit like whatever I did to scare 260 00:13:17,480 --> 00:13:19,080 Speaker 1: her all those two was a tiny bit more. 261 00:13:19,200 --> 00:13:20,319 Speaker 2: And so now that. 262 00:13:20,360 --> 00:13:24,920 Speaker 1: I have a little credibility which I didn't have when 263 00:13:24,960 --> 00:13:27,280 Speaker 1: I was twenty five. I don't It doesn't scare h 264 00:13:27,320 --> 00:13:29,240 Speaker 1: when if I come in with no game plan and 265 00:13:29,280 --> 00:13:31,800 Speaker 1: I'm just like, Okay, so I'm playing this character who's 266 00:13:32,280 --> 00:13:35,400 Speaker 1: sixty five and dressed like he's four in these shorts, 267 00:13:35,440 --> 00:13:37,080 Speaker 1: so that could be fun. So maybe I'll sit like 268 00:13:37,120 --> 00:13:39,400 Speaker 1: this and even be weirder, and then I just kind 269 00:13:39,400 --> 00:13:46,600 Speaker 1: of play with it and then you'll discover it. I 270 00:13:46,720 --> 00:13:49,960 Speaker 1: was doing a series called The Chilling Adventures of Sabrina. 271 00:13:50,200 --> 00:13:53,240 Speaker 1: I was playing the principal, and there were all these 272 00:13:53,240 --> 00:13:54,959 Speaker 1: young girls and I called him into my office and 273 00:13:55,640 --> 00:13:57,680 Speaker 1: they were all not all girls. One of them was 274 00:13:57,400 --> 00:14:01,240 Speaker 1: a was A was a non binary human being. So 275 00:14:01,280 --> 00:14:03,280 Speaker 1: they were all there and I kept thinking, what what 276 00:14:03,400 --> 00:14:05,480 Speaker 1: is he? What's SOI villainous about him? I couldn't imagine. 277 00:14:05,480 --> 00:14:07,240 Speaker 1: I couldn't imagine. And then there was a scene. There 278 00:14:07,240 --> 00:14:08,679 Speaker 1: was a moment where I said, and then we're going 279 00:14:08,760 --> 00:14:11,200 Speaker 1: to like trash this book, Lolita, We're going to get 280 00:14:11,280 --> 00:14:13,840 Speaker 1: rid of it. And I thought he likes young girls, 281 00:14:14,320 --> 00:14:16,680 Speaker 1: so I just started to look at them like yeah, 282 00:14:16,720 --> 00:14:19,440 Speaker 1: and the director came in and said, Okay, you found something. 283 00:14:19,960 --> 00:14:22,520 Speaker 2: Don't do anymore. But I love it. 284 00:14:22,560 --> 00:14:24,600 Speaker 1: I just was like, what, I know, he's supposed to 285 00:14:24,600 --> 00:14:27,800 Speaker 1: be an ass, but why what is it? And I 286 00:14:27,920 --> 00:14:29,320 Speaker 1: just started to play the scene. I was like, well, 287 00:14:29,360 --> 00:14:31,440 Speaker 1: you'll find it, and I did. I was like, yum, 288 00:14:32,000 --> 00:14:35,320 Speaker 1: oh that's so inappropriate. You can just like love young 289 00:14:35,360 --> 00:14:37,720 Speaker 1: girls and that's why they're in your office. And then 290 00:14:37,960 --> 00:14:40,840 Speaker 1: and so it was, and he goes, it's so sick, Bronson, 291 00:14:41,000 --> 00:14:41,360 Speaker 1: do not. 292 00:14:41,320 --> 00:14:42,360 Speaker 2: Play any more of it. 293 00:14:43,040 --> 00:14:46,120 Speaker 1: But but wow, because it didn't say it in the. 294 00:14:46,080 --> 00:14:47,720 Speaker 2: Scrib I said, what's what's the problem with the guy? 295 00:14:47,720 --> 00:14:48,680 Speaker 2: What's so bad about him? 296 00:14:48,760 --> 00:14:52,760 Speaker 1: He said, you know, he's just energy, He's just but 297 00:14:52,840 --> 00:14:55,520 Speaker 1: that I found it by by just running over the 298 00:14:55,520 --> 00:14:57,720 Speaker 1: word lolita, and I was like, oh, yes, okay, so 299 00:14:57,760 --> 00:14:58,760 Speaker 1: there is so I'm. 300 00:14:59,440 --> 00:15:02,560 Speaker 3: This is what was the girl's name with the first 301 00:15:02,560 --> 00:15:05,680 Speaker 3: word again, Liz? What was it? Lily? Is that the 302 00:15:05,720 --> 00:15:08,000 Speaker 3: girl's name with the makeup artistan? Yeah? 303 00:15:08,040 --> 00:15:10,160 Speaker 1: And then later on I did a movie with her, 304 00:15:10,200 --> 00:15:12,720 Speaker 1: another movie with her, and by that time I had 305 00:15:12,760 --> 00:15:15,280 Speaker 1: said in several interviews that it was based on Lily 306 00:15:15,320 --> 00:15:21,480 Speaker 1: ben Yayere. And there she was and she was like no, no, 307 00:15:21,560 --> 00:15:24,360 Speaker 1: She was like, you're so brilliant, And I said, well, 308 00:15:24,440 --> 00:15:26,520 Speaker 1: thank you. You know, I started I based on you. 309 00:15:26,640 --> 00:15:30,280 Speaker 1: She goes, I know, and she was and it was great, 310 00:15:30,360 --> 00:15:31,200 Speaker 1: you know, there she was. 311 00:15:31,400 --> 00:15:33,960 Speaker 3: You don't realize there was a little no cartilage even 312 00:15:35,040 --> 00:15:35,960 Speaker 3: in the performance. 313 00:15:36,240 --> 00:15:38,920 Speaker 1: Yeah, yeah, no, I started with her. She was the 314 00:15:38,960 --> 00:15:41,680 Speaker 1: flower of the cake. I didn't use the same icing, 315 00:15:42,600 --> 00:15:43,960 Speaker 1: but she was the base. 316 00:15:44,200 --> 00:15:45,840 Speaker 3: Was there anyone else? Yes? 317 00:15:45,920 --> 00:15:48,960 Speaker 1: There was a guy who sold me my first car, 318 00:15:49,040 --> 00:15:53,040 Speaker 1: my very first car, and he was also was Raeli. 319 00:15:53,440 --> 00:15:56,640 Speaker 1: And when I was driving off, he also had no bones. 320 00:15:57,840 --> 00:16:03,320 Speaker 1: But as I was driving off, he said, remember unleaded. 321 00:16:02,960 --> 00:16:07,520 Speaker 2: For unleaded, and I was like, unleaded. That is delightful. Unleaded, 322 00:16:07,560 --> 00:16:08,680 Speaker 2: remember unleaded? 323 00:16:09,200 --> 00:16:11,800 Speaker 1: Like that was the basis, Just like say the words 324 00:16:11,880 --> 00:16:14,080 Speaker 1: kind of the way they look and kind of have 325 00:16:14,120 --> 00:16:14,800 Speaker 1: no bones. 326 00:16:15,400 --> 00:16:17,640 Speaker 3: Just just get rid of your bones. That's amazing. 327 00:16:18,280 --> 00:16:20,280 Speaker 1: And sometimes it works and sometimes it doesn't. 328 00:16:22,040 --> 00:16:28,240 Speaker 3: Uh uh. In character creation, it is like when we 329 00:16:28,240 --> 00:16:31,320 Speaker 3: were kids and you were playing with army men. It 330 00:16:31,400 --> 00:16:37,520 Speaker 3: is that childlike kind of very similitude. When you're little, 331 00:16:37,680 --> 00:16:38,640 Speaker 3: you hear you. 332 00:16:38,560 --> 00:16:40,360 Speaker 1: Hear the suggestion in your head and you don't think 333 00:16:40,400 --> 00:16:43,000 Speaker 1: anything of it. It's when you get to be thirty 334 00:16:43,120 --> 00:16:47,560 Speaker 1: and the whisper says, you know, sit in a funny way, 335 00:16:47,600 --> 00:16:49,920 Speaker 1: and then you go into I don't care right now. 336 00:16:49,840 --> 00:16:52,960 Speaker 3: Is there's a lot of young people who just heard 337 00:16:53,000 --> 00:17:01,520 Speaker 3: from you that here's kind of this you know twister 338 00:17:02,160 --> 00:17:07,640 Speaker 3: where I heard this and my hand landed on blue circle. Yeah, 339 00:17:07,640 --> 00:17:09,880 Speaker 3: and then I heard that and my foot landed on 340 00:17:10,400 --> 00:17:12,800 Speaker 3: yellow square and I heard you know what I mean. 341 00:17:12,880 --> 00:17:15,919 Speaker 3: It's just so cool that you're pros because I do 342 00:17:16,040 --> 00:17:19,240 Speaker 3: that similarly in my own where I go, Okay, who's 343 00:17:19,280 --> 00:17:23,000 Speaker 3: the guy what pops into my head? Okay, yeah, yeah, yeah, 344 00:17:23,200 --> 00:17:25,520 Speaker 3: maybe he was in shin Faine. You know when I 345 00:17:25,560 --> 00:17:28,320 Speaker 3: did usual sus I had shin Faine on my knuckles. 346 00:17:28,720 --> 00:17:31,240 Speaker 3: No one asked me a word about it. One reporter 347 00:17:31,440 --> 00:17:33,600 Speaker 3: doing a press Chunkert was like, yeah, I know, if 348 00:17:33,600 --> 00:17:35,639 Speaker 3: you have shin Faine on your knuckles, there is the 349 00:17:35,720 --> 00:17:38,360 Speaker 3: character mcnas. I've said there going thank you so much 350 00:17:38,400 --> 00:17:41,440 Speaker 3: for you know. The thing is, it just goes. 351 00:17:41,560 --> 00:17:44,560 Speaker 1: It's like, it's great when they don't notice because they're 352 00:17:44,600 --> 00:17:47,359 Speaker 1: taking the whole gestalt of the character instead of the 353 00:17:47,400 --> 00:17:48,280 Speaker 1: little bitty bits. 354 00:17:48,600 --> 00:17:48,719 Speaker 4: Right. 355 00:17:48,880 --> 00:17:51,200 Speaker 1: The other thing, I know that you've had this experience 356 00:17:51,480 --> 00:17:54,200 Speaker 1: as you get older at the beginning you're like, I 357 00:17:54,840 --> 00:17:56,359 Speaker 1: just want to hear the whisper. I don't want to 358 00:17:56,359 --> 00:17:59,240 Speaker 1: hear anything else. Nowadays, a director will come. 359 00:17:59,200 --> 00:18:03,640 Speaker 2: Up and go, okay, so I love everything that's going on. 360 00:18:04,359 --> 00:18:09,040 Speaker 2: What if he's just a little. 361 00:18:08,760 --> 00:18:11,560 Speaker 1: Bit sneakier On the show I'm doing now, which is 362 00:18:11,560 --> 00:18:12,320 Speaker 1: a murder mystery. 363 00:18:12,359 --> 00:18:15,679 Speaker 2: My wonderful director who I love, will come. 364 00:18:15,560 --> 00:18:18,600 Speaker 1: In and she's just a little sprite and she'll go, Ronnie, 365 00:18:19,280 --> 00:18:23,320 Speaker 1: it's really good. Could you be more murdery? And I'm like, 366 00:18:23,480 --> 00:18:27,520 Speaker 1: oh god, yes and murdery and then she goes with 367 00:18:27,640 --> 00:18:30,159 Speaker 1: any other actor. I would have tried to come up 368 00:18:30,160 --> 00:18:32,040 Speaker 1: with a more grown up word, but I knew you 369 00:18:32,080 --> 00:18:32,600 Speaker 1: would like it. 370 00:18:33,680 --> 00:18:34,880 Speaker 3: Do I like it? 371 00:18:35,280 --> 00:18:37,439 Speaker 1: And then I do it more murdery and she's like, 372 00:18:37,440 --> 00:18:38,880 Speaker 1: oh god, that was a murdery yeah. 373 00:18:39,000 --> 00:18:41,399 Speaker 2: Yeah, And so it's like we're kids playing. 374 00:18:41,520 --> 00:18:44,399 Speaker 1: But the nice thing about getting older is that the 375 00:18:45,240 --> 00:18:48,120 Speaker 1: little the little whisper can come from her head too. 376 00:18:48,520 --> 00:18:50,880 Speaker 1: And when I was younger, I was like, he has 377 00:18:50,960 --> 00:18:54,480 Speaker 1: to be just mine, otherwise it's inauthentic. And now you know, 378 00:18:54,560 --> 00:18:59,000 Speaker 1: there's there's everyone. As I say to young actors, and 379 00:18:59,040 --> 00:19:01,679 Speaker 1: I'm like, you have a lovely sieve up here, it 380 00:19:01,720 --> 00:19:04,760 Speaker 1: will sive out the crap. So if somebody comes up 381 00:19:04,760 --> 00:19:09,560 Speaker 1: and says you're gonna do You're gonna you're gonna play Bronson, 382 00:19:09,560 --> 00:19:14,399 Speaker 1: Pinchow and Steven Baldwin. Okay, but I want you to 383 00:19:14,400 --> 00:19:18,119 Speaker 1: play Bronson as a drug addict. If that's a crappy 384 00:19:18,160 --> 00:19:20,080 Speaker 1: idea and it doesn't go with what you're doing, you 385 00:19:20,160 --> 00:19:22,080 Speaker 1: just it just gets sivved out. You can say, oh, 386 00:19:22,080 --> 00:19:25,720 Speaker 1: maybe he means bronze is kind of uninhibited, like it'll 387 00:19:26,040 --> 00:19:29,000 Speaker 1: there's a lovely natural sieve. And you know, when we're young, 388 00:19:29,520 --> 00:19:33,080 Speaker 1: we think that, uh, a direction that feels a little 389 00:19:33,320 --> 00:19:36,000 Speaker 1: clunky is gonna hurt what we're doing. But it turns 390 00:19:36,000 --> 00:19:40,640 Speaker 1: out there's this amazing you know, like finer than than 391 00:19:40,640 --> 00:19:42,679 Speaker 1: the than the civiews for Tea leaves. 392 00:19:42,400 --> 00:19:44,000 Speaker 2: That just it's like it's just sives it out. 393 00:19:44,040 --> 00:19:51,440 Speaker 3: It's okay, listen, I remember your scenes in those films, 394 00:19:51,560 --> 00:19:54,000 Speaker 3: and and of course you've won many Emmys. 395 00:19:54,040 --> 00:19:57,000 Speaker 1: Correct, No, not a one I was nominated. 396 00:19:57,200 --> 00:20:01,440 Speaker 3: Okay, so that's what I read. Forgive me. But even there, 397 00:20:03,600 --> 00:20:08,280 Speaker 3: over a pretty significant arc of three and a half decades. 398 00:20:09,680 --> 00:20:14,600 Speaker 1: Four you've done forty two years close enough, not even 399 00:20:14,840 --> 00:20:16,280 Speaker 1: not so not close. 400 00:20:16,680 --> 00:20:17,280 Speaker 2: I'm just kidding. 401 00:20:17,280 --> 00:20:19,119 Speaker 3: I was off by seven years. That's good for the 402 00:20:19,119 --> 00:20:19,920 Speaker 3: youngest Baldwin. 403 00:20:21,400 --> 00:20:22,359 Speaker 2: That was really funny. 404 00:20:24,119 --> 00:20:27,520 Speaker 3: But I just think you play certain roles in certain 405 00:20:27,920 --> 00:20:31,800 Speaker 3: performances in certain films and they pop and people remember them. Yeah, 406 00:20:32,240 --> 00:20:36,080 Speaker 3: it's unavoidable. But I'm just saying that for me, your 407 00:20:36,280 --> 00:20:40,920 Speaker 3: character in those films is the most memorable. I really 408 00:20:41,080 --> 00:20:44,040 Speaker 3: will say that without you, you know, and you know, 409 00:20:44,560 --> 00:20:48,480 Speaker 3: coming up, we watched certain people certain people. So in 410 00:20:48,520 --> 00:20:51,720 Speaker 3: other words, I have this weird little filing cabinet in 411 00:20:51,760 --> 00:20:56,320 Speaker 3: my mind of actors and performances like Jonathan Lithgal. You're 412 00:20:56,359 --> 00:21:00,120 Speaker 3: in the Jonathan Lithgow league with me, and that's a compliment. 413 00:20:59,720 --> 00:21:02,200 Speaker 2: Thank you, Because he's He's wonderful nobody. 414 00:21:02,200 --> 00:21:06,200 Speaker 3: He's better than de Niro, He's better than Puccinos. 415 00:21:06,280 --> 00:21:07,640 Speaker 2: He's also fearless. 416 00:21:07,680 --> 00:21:09,640 Speaker 3: They can never do what he can. 417 00:21:09,960 --> 00:21:12,640 Speaker 1: He's also fearless and a gentleman, which is a rare, 418 00:21:13,480 --> 00:21:16,600 Speaker 1: Such a gentleman. He's such an old fashioned gentleman. 419 00:21:16,960 --> 00:21:19,600 Speaker 3: Ex brilliant emotor. 420 00:21:20,040 --> 00:21:22,479 Speaker 1: You know what's great also is he doesn't because this 421 00:21:22,520 --> 00:21:24,479 Speaker 1: is something I was taught and I really believe in. 422 00:21:25,560 --> 00:21:29,840 Speaker 1: I it's not necessary, but it's sure is wonderful when 423 00:21:29,840 --> 00:21:32,840 Speaker 1: they're like, like, you don't have to show the work, 424 00:21:32,840 --> 00:21:34,200 Speaker 1: and you don't have to pat yourself on the back, 425 00:21:34,200 --> 00:21:36,919 Speaker 1: and you don't have to be like I'm weird, you know, 426 00:21:37,040 --> 00:21:39,000 Speaker 1: like it's just like it's what we do. So you 427 00:21:39,040 --> 00:21:40,919 Speaker 1: have your little pack and has your oil paints, and 428 00:21:40,960 --> 00:21:42,840 Speaker 1: you paint a picture and then you peck it up 429 00:21:42,880 --> 00:21:43,960 Speaker 1: and go to go to dinner. 430 00:21:44,240 --> 00:21:46,359 Speaker 2: There are some people that are like actory all day long. 431 00:21:46,600 --> 00:21:50,119 Speaker 1: One of the things I used to go to the 432 00:21:50,160 --> 00:21:52,560 Speaker 1: catered lunch at audible dot Com in New York and 433 00:21:52,560 --> 00:21:56,680 Speaker 1: there's all these narrators and I finally started to sit 434 00:21:56,720 --> 00:21:58,280 Speaker 1: with my back to the room because they would come 435 00:21:58,320 --> 00:22:01,040 Speaker 1: up and do the narrator voice, which I can't. So 436 00:22:01,160 --> 00:22:02,760 Speaker 1: they come up and you're sitting there and you're like, 437 00:22:02,840 --> 00:22:05,360 Speaker 1: this is pretty good or arugula. And then somebody comes 438 00:22:05,440 --> 00:22:07,439 Speaker 1: up and this is a woman, by the way, or 439 00:22:07,440 --> 00:22:08,800 Speaker 1: it could be a man, but in this case is 440 00:22:08,840 --> 00:22:09,680 Speaker 1: the woman, and they'll go. 441 00:22:10,880 --> 00:22:14,720 Speaker 4: Stephen, I absolutely adore your audio work, and I think 442 00:22:15,840 --> 00:22:19,280 Speaker 4: you're doing your audio voice and I'm not interested. Why 443 00:22:19,280 --> 00:22:22,520 Speaker 4: don't you talk to me about your vagina candle? I mean, 444 00:22:22,600 --> 00:22:24,680 Speaker 4: it's like, what are you doing? And they do their 445 00:22:24,760 --> 00:22:27,600 Speaker 4: they do their narrative voice. I'm like, I don't want 446 00:22:27,680 --> 00:22:30,840 Speaker 4: your narrative voice. I personally have a voice that sounds 447 00:22:30,920 --> 00:22:34,040 Speaker 4: like a mosquito, but I can use it in different ways. 448 00:22:34,320 --> 00:22:37,080 Speaker 4: I'm not gonna do my acting voice all day for 449 00:22:37,160 --> 00:22:39,880 Speaker 4: you and impress you. It's like, stop, you know. 450 00:22:39,880 --> 00:22:44,080 Speaker 3: I'm so sorry. And what exactly does a mosquito's voice 451 00:22:44,119 --> 00:22:45,200 Speaker 3: sound like anything? 452 00:22:45,240 --> 00:22:48,159 Speaker 1: Yeah? Like hi, Hi, Stephen. You know, it's just like, 453 00:22:48,240 --> 00:22:50,120 Speaker 1: it's just like a mosquito. When you're camping and there's 454 00:22:50,160 --> 00:22:52,160 Speaker 1: a mosquito and you're just about to go to sleep 455 00:22:52,200 --> 00:22:53,640 Speaker 1: and there's a mosquito that goes. 456 00:22:56,240 --> 00:23:01,439 Speaker 3: I'm here, you won't forget me. You we're not going 457 00:23:01,480 --> 00:23:02,320 Speaker 3: to sleep now. 458 00:23:02,359 --> 00:23:05,080 Speaker 1: But you know, there's those people that we know them 459 00:23:05,119 --> 00:23:07,880 Speaker 1: and we're not we're not of that tribe, but they're 460 00:23:07,920 --> 00:23:11,200 Speaker 1: you're on a set with them and they're like, you're 461 00:23:11,200 --> 00:23:15,720 Speaker 1: playing a character named Dufus, and they never don't call 462 00:23:15,760 --> 00:23:17,600 Speaker 1: you dufus. It's like, dude, you don't need to do that. 463 00:23:17,800 --> 00:23:22,399 Speaker 1: It really is when they say rolling, that's whine. But 464 00:23:22,560 --> 00:23:25,560 Speaker 1: I really, really, and I've worked with people that that 465 00:23:25,680 --> 00:23:27,320 Speaker 1: you know and then their character doesn't like you, so 466 00:23:27,359 --> 00:23:28,879 Speaker 1: they treat like shit for twelve weeks. 467 00:23:29,000 --> 00:23:31,120 Speaker 2: Don't do that. Let's just have some. 468 00:23:31,080 --> 00:23:34,440 Speaker 3: Pizza and then myself and my trailer, I just with 469 00:23:34,600 --> 00:23:35,800 Speaker 3: those folks. I just go up. 470 00:23:36,119 --> 00:23:39,719 Speaker 1: I'll tell you who's cured me of that forever. I 471 00:23:39,880 --> 00:23:42,040 Speaker 1: was doing a movie called The Langeleres where I was 472 00:23:42,080 --> 00:23:47,240 Speaker 1: a demented killer demented, and I was thirty, like young, 473 00:23:47,400 --> 00:23:51,200 Speaker 1: early thirties, and I was really locked in my trailer nobody, please. 474 00:23:50,960 --> 00:23:52,119 Speaker 2: Don't let anyone near me. 475 00:23:52,840 --> 00:23:57,040 Speaker 1: It was right after Perfect Strangers. So I'm like, I don't, 476 00:23:57,119 --> 00:23:59,840 Speaker 1: I can't, I can't. So all of a sudden, nobody 477 00:24:00,080 --> 00:24:02,879 Speaker 1: knows how. And I saw the ad go this little 478 00:24:02,880 --> 00:24:07,399 Speaker 1: tiny grandma and her great granddaughter who was two or three. 479 00:24:08,000 --> 00:24:09,840 Speaker 1: They came up to me. I was under the wing 480 00:24:09,880 --> 00:24:12,240 Speaker 1: of a plane, and they went, could we take a picture? 481 00:24:12,760 --> 00:24:13,639 Speaker 2: And I looked at them for. 482 00:24:13,600 --> 00:24:15,800 Speaker 1: A second, and I saw the ad behind them going 483 00:24:16,320 --> 00:24:18,800 Speaker 1: please don't kill me, and I went, aren't. 484 00:24:18,600 --> 00:24:21,080 Speaker 2: You scared of all this blood? I was covered with blood? 485 00:24:21,119 --> 00:24:23,840 Speaker 1: And they said no, And then I don't know how 486 00:24:23,880 --> 00:24:26,160 Speaker 1: they got through the barricades, and then they went away, 487 00:24:26,200 --> 00:24:28,159 Speaker 1: and I thought, well, you're certainly not gonna yell at 488 00:24:28,200 --> 00:24:30,320 Speaker 1: like a little granny and a granddaughter, and now you're 489 00:24:30,359 --> 00:24:33,240 Speaker 1: just just fine in the scene. So that's interesting. So 490 00:24:33,320 --> 00:24:34,879 Speaker 1: I forgot about it, and then I was like, you know, 491 00:24:35,160 --> 00:24:38,240 Speaker 1: the barricades. Then they came back. I don't know how 492 00:24:38,280 --> 00:24:40,199 Speaker 1: they got through. Maybe they might not have even been 493 00:24:40,280 --> 00:24:42,520 Speaker 1: real people. They might have just been sent from heaven. 494 00:24:42,720 --> 00:24:45,320 Speaker 1: They might have been apparitions to knock me. So they 495 00:24:45,320 --> 00:24:48,040 Speaker 1: came back like two days later and they said, now 496 00:24:48,040 --> 00:24:48,679 Speaker 1: will you sign it? 497 00:24:48,680 --> 00:24:50,120 Speaker 2: And I said, of course I will. 498 00:24:50,720 --> 00:24:52,359 Speaker 3: And then they went away. 499 00:24:52,640 --> 00:24:54,920 Speaker 1: Maybe they weren't even real. And after that I would 500 00:24:54,920 --> 00:24:56,440 Speaker 1: just horse around all the time and then I'd be 501 00:24:56,480 --> 00:24:57,040 Speaker 1: the murderer. 502 00:24:57,240 --> 00:24:58,399 Speaker 3: And that they cured. 503 00:24:58,160 --> 00:25:01,960 Speaker 1: Me that that little girl who's forty and her grandma 504 00:25:02,000 --> 00:25:04,720 Speaker 1: who's now in heaven, they just showed up once I 505 00:25:04,760 --> 00:25:07,200 Speaker 1: didn't one hundred percent get the message. And then they 506 00:25:07,240 --> 00:25:10,560 Speaker 1: came back and they knocked it out of me permanently. 507 00:25:10,800 --> 00:25:14,520 Speaker 1: I was like, if you can, obviously you're not going 508 00:25:14,600 --> 00:25:17,400 Speaker 1: to yell at them, and obviously you just got right 509 00:25:17,400 --> 00:25:19,399 Speaker 1: back to your work, so apparently you don't need all that. 510 00:25:20,000 --> 00:25:23,920 Speaker 1: And I just stopped a little little teeny girl who's 511 00:25:23,960 --> 00:25:28,000 Speaker 1: like forty now they didn't even register, like why why 512 00:25:28,040 --> 00:25:30,960 Speaker 1: wouldn't you go talk to him? That's Balki, And so 513 00:25:31,080 --> 00:25:33,479 Speaker 1: they didn't, and I was like, okay, done, I get it, 514 00:25:33,520 --> 00:25:36,600 Speaker 1: Thank you Universe. First telegram didn't quite get it. Second 515 00:25:36,600 --> 00:25:40,200 Speaker 1: telegram fine, and uh to the point that there's a 516 00:25:40,240 --> 00:25:43,159 Speaker 1: fantastic actor in it, blonde guy, David Morse, you know, 517 00:25:43,240 --> 00:25:47,840 Speaker 1: David Morse, David Morse, very well, stunning actor, and he's 518 00:25:47,840 --> 00:25:50,359 Speaker 1: in it. And he had been with me for you know, 519 00:25:50,400 --> 00:25:54,320 Speaker 1: six weeks until I had this epiphany, and he was, 520 00:25:54,400 --> 00:25:56,320 Speaker 1: you know, really into my process and everything, and then 521 00:25:56,320 --> 00:25:59,200 Speaker 1: all of a sudden I was like, mister goofball. And 522 00:25:59,280 --> 00:26:00,879 Speaker 1: I said to him once he was looking at me, 523 00:26:01,200 --> 00:26:05,159 Speaker 1: and I said, you know, David, you remind me of 524 00:26:05,320 --> 00:26:08,160 Speaker 1: when it was still possible to go into up into 525 00:26:08,200 --> 00:26:10,760 Speaker 1: the Statue of Liberty. You remind me of like there's 526 00:26:10,760 --> 00:26:12,800 Speaker 1: two fun people looking out of the eyes of the 527 00:26:12,840 --> 00:26:15,200 Speaker 1: Statue of Liberty, and you're the Statue of Liberty, but 528 00:26:15,240 --> 00:26:17,600 Speaker 1: there's a couple of fun people in there. And he said, 529 00:26:17,680 --> 00:26:20,440 Speaker 1: you remind me of my brother. And I'm going to 530 00:26:20,520 --> 00:26:23,000 Speaker 1: have to ask you to stop looking inside me and 531 00:26:23,040 --> 00:26:26,359 Speaker 1: being goofy, because I want to just like, that's too 532 00:26:26,400 --> 00:26:28,919 Speaker 1: weird that you know, and he said, and he was 533 00:26:28,960 --> 00:26:31,080 Speaker 1: so kind. He goes, I'm just gonna you remind me 534 00:26:31,119 --> 00:26:33,600 Speaker 1: way too much of my brother. You're too insightful, and 535 00:26:33,640 --> 00:26:34,800 Speaker 1: you're being very goofy. 536 00:26:34,880 --> 00:26:36,360 Speaker 2: So can I ask. 537 00:26:36,160 --> 00:26:38,359 Speaker 1: You, like as a friend, to just now keep your 538 00:26:38,400 --> 00:26:39,959 Speaker 1: distance for the rest of the movie. 539 00:26:40,440 --> 00:26:43,960 Speaker 3: So I I bistically and respectfully. 540 00:26:44,040 --> 00:26:46,359 Speaker 1: Yet it was so great and he was so David. 541 00:26:46,920 --> 00:26:49,399 Speaker 1: So anyway for the rest of the movie, I did 542 00:26:49,480 --> 00:26:50,960 Speaker 1: because I love the way he asked me. 543 00:26:51,000 --> 00:26:51,720 Speaker 2: And I got sent. 544 00:26:52,040 --> 00:26:53,200 Speaker 3: And the very last. 545 00:26:53,000 --> 00:26:55,920 Speaker 1: Day we were shooting way out on a tarmac. And 546 00:26:55,960 --> 00:26:57,840 Speaker 1: on the very last day they said, hold on, can 547 00:26:57,880 --> 00:27:00,320 Speaker 1: you hold on one second? Somebody wants to see you, 548 00:27:00,359 --> 00:27:02,439 Speaker 1: And this golf cart comes up. Now we were shooting 549 00:27:02,440 --> 00:27:04,760 Speaker 1: way out on a tarmac, this golf cart because I 550 00:27:05,320 --> 00:27:09,439 Speaker 1: and it's David in drag with the mustache, in drag 551 00:27:09,520 --> 00:27:12,919 Speaker 1: as a nurse, just to show me that he just 552 00:27:13,000 --> 00:27:13,840 Speaker 1: loved goofiness. 553 00:27:13,840 --> 00:27:14,879 Speaker 2: But not for that movie. 554 00:27:15,240 --> 00:27:18,320 Speaker 1: Right, It just breaks my heart to even remember how 555 00:27:18,480 --> 00:27:20,040 Speaker 1: how wonderful it is because. 556 00:27:20,040 --> 00:27:21,480 Speaker 2: He did it the right way. 557 00:27:22,680 --> 00:27:25,120 Speaker 1: You know, we will give anyone the we're actors, We'll 558 00:27:25,119 --> 00:27:27,760 Speaker 1: give anyone the shirts off our backs. But don't don't 559 00:27:27,800 --> 00:27:31,280 Speaker 1: say hey, keep your distance, goofball, just say it's just 560 00:27:31,480 --> 00:27:33,040 Speaker 1: it's great, but I need so. 561 00:27:33,080 --> 00:27:36,000 Speaker 2: Then he comes in drag to the set in. 562 00:27:36,119 --> 00:27:39,240 Speaker 1: Nurses and a nurse off it with nylons, just to 563 00:27:39,280 --> 00:27:41,000 Speaker 1: make me laugh and to make me know that he 564 00:27:41,080 --> 00:27:45,040 Speaker 1: got me right. And and then this little granddaughter and 565 00:27:44,600 --> 00:27:48,159 Speaker 1: the granny and they knock, they knocked it right out of. 566 00:27:50,200 --> 00:27:50,240 Speaker 3: It. 567 00:27:50,440 --> 00:27:51,640 Speaker 2: Just I was just like. 568 00:27:51,600 --> 00:27:55,840 Speaker 1: They're from they're literally messengers. They're saying, don't waste your time. 569 00:27:56,080 --> 00:27:58,280 Speaker 1: You don't need it, you don't need anything. Once you 570 00:27:58,359 --> 00:28:00,280 Speaker 1: know what you're doing, you can pop in, you can 571 00:28:00,320 --> 00:28:04,240 Speaker 1: pop out. And it was such a gift because I 572 00:28:04,280 --> 00:28:06,919 Speaker 1: never I've never done I don't do any prep nowadays none. 573 00:28:07,680 --> 00:28:09,480 Speaker 1: I used to do how to be an hour and 574 00:28:09,520 --> 00:28:13,640 Speaker 1: a half in Pitch Dark and it's done. I get it. 575 00:28:13,760 --> 00:28:15,879 Speaker 1: I don't need it. I guess it's kind of just. 576 00:28:16,119 --> 00:28:19,719 Speaker 1: But this that little girl, wherever she is, I love it. 577 00:28:19,800 --> 00:28:24,840 Speaker 4: Yeah. 578 00:28:25,320 --> 00:28:27,119 Speaker 1: I think the one bad movie would have to be 579 00:28:27,119 --> 00:28:30,440 Speaker 1: from a place of darkness, unless it's Kung Fu and Titties. 580 00:28:32,040 --> 00:28:35,080 Speaker 3: I'm sorry once again, kung Fu and Titties. Is that 581 00:28:35,160 --> 00:28:35,679 Speaker 3: a title? 582 00:28:35,880 --> 00:28:38,440 Speaker 2: Yeah, I don't even know what it's about. 583 00:28:38,520 --> 00:28:40,120 Speaker 1: They just asked me if I would do it for 584 00:28:40,160 --> 00:28:42,160 Speaker 1: a few thousand dollars in cash, and I said yeah. 585 00:28:42,280 --> 00:28:44,520 Speaker 1: And I remember they did do kung fu in the movie. No, 586 00:28:44,680 --> 00:28:46,360 Speaker 1: they wrapped garbage bags around my legs. 587 00:28:46,360 --> 00:28:47,200 Speaker 3: I don't remember why. 588 00:28:47,800 --> 00:28:50,800 Speaker 1: I was a homeless guy who was also possibly an Indian. 589 00:28:50,840 --> 00:28:54,160 Speaker 1: I don't remember anything about it except that the heat 590 00:28:54,200 --> 00:28:56,200 Speaker 1: went off and it was really cold, and I had 591 00:28:56,200 --> 00:28:57,239 Speaker 1: garbage bags around my left. 592 00:28:57,200 --> 00:29:01,400 Speaker 2: But it was called kung Fu and Titties. And I 593 00:29:01,440 --> 00:29:03,040 Speaker 2: don't think you're gonna find a worst movie. 594 00:29:03,720 --> 00:29:04,800 Speaker 3: Is it? Is it on YouTube? 595 00:29:04,880 --> 00:29:07,680 Speaker 2: I have no idea. You played a character called the beaver. 596 00:29:08,880 --> 00:29:09,320 Speaker 2: There you go. 597 00:29:09,560 --> 00:29:12,120 Speaker 1: I don't remember anything about it. I don't remember if 598 00:29:12,160 --> 00:29:13,480 Speaker 1: I have if I had garbage. 599 00:29:13,680 --> 00:29:15,720 Speaker 3: I don't think your one bad movie. 600 00:29:15,400 --> 00:29:17,400 Speaker 2: Is from a place of darkness. 601 00:29:17,600 --> 00:29:19,440 Speaker 3: No, kung Fu and titties. 602 00:29:19,760 --> 00:29:23,040 Speaker 1: Well, I don't even know what it probably is, but 603 00:29:23,120 --> 00:29:26,480 Speaker 1: it But but the second the second second place goes 604 00:29:26,520 --> 00:29:27,920 Speaker 1: to from a place of darkness. 605 00:29:27,960 --> 00:29:31,720 Speaker 3: Wonderful and it could that could be reversed. That's the 606 00:29:32,000 --> 00:29:34,120 Speaker 3: experience here. We're trying to get to the bottom of 607 00:29:35,280 --> 00:29:36,680 Speaker 3: what's the third one I gave you? 608 00:29:36,840 --> 00:29:37,160 Speaker 2: Strike. 609 00:29:38,800 --> 00:29:39,760 Speaker 3: Oh, is that bad? 610 00:29:40,120 --> 00:29:41,000 Speaker 2: I've never seen it. 611 00:29:45,120 --> 00:29:47,880 Speaker 1: Here's twice in one interview. 612 00:29:47,920 --> 00:29:51,280 Speaker 3: He's like, kind of crowned two freaking victories. Here here, 613 00:29:51,640 --> 00:29:52,160 Speaker 3: here's good. 614 00:29:52,240 --> 00:29:57,160 Speaker 1: Let me say, oh, is that that's kind of a bad. 615 00:29:56,960 --> 00:29:59,360 Speaker 3: Movie because it's so bad? 616 00:29:59,680 --> 00:29:59,840 Speaker 1: Is it? 617 00:30:00,200 --> 00:30:00,760 Speaker 2: I've never seen it? 618 00:30:00,760 --> 00:30:04,000 Speaker 1: Well, I was told this potentially. But here's the story 619 00:30:04,000 --> 00:30:06,120 Speaker 1: of the Strike. I didn't read the script. I was 620 00:30:06,200 --> 00:30:11,680 Speaker 1: up in the country doing that renovation show. I was 621 00:30:11,840 --> 00:30:15,640 Speaker 1: so out of touch with showbiz. I didn't have an agent, 622 00:30:16,760 --> 00:30:20,520 Speaker 1: and I was recording audiobooks in my house and I 623 00:30:20,560 --> 00:30:22,320 Speaker 1: said to the audio engineer, I don't know what these 624 00:30:22,360 --> 00:30:24,080 Speaker 1: people want, but you deal with them. 625 00:30:24,360 --> 00:30:26,520 Speaker 2: And so here was this. It was the Strike. But 626 00:30:26,640 --> 00:30:27,200 Speaker 2: it gets better. 627 00:30:27,360 --> 00:30:29,880 Speaker 1: So he's got this nine inch beard, and he used 628 00:30:29,920 --> 00:30:32,400 Speaker 1: to like before he started to do books with me, 629 00:30:32,520 --> 00:30:35,480 Speaker 1: he would like deliver weed, you know, before it was legal. 630 00:30:36,080 --> 00:30:38,440 Speaker 1: And so he's like, he want you to do I said, 631 00:30:38,440 --> 00:30:41,440 Speaker 1: all right, So I went out. I never read the script. 632 00:30:42,120 --> 00:30:44,360 Speaker 1: I just read my scenes and I would say to 633 00:30:44,760 --> 00:30:47,360 Speaker 1: the director, Oh, so the director's cuban, and he goes, 634 00:30:47,840 --> 00:30:54,440 Speaker 1: you are the peapot, and I said, I know what pivot. 635 00:30:54,240 --> 00:30:56,480 Speaker 1: He meant that even though the part wasn't that big. 636 00:30:56,520 --> 00:30:58,440 Speaker 1: I was the pivot of all the characters. I was 637 00:30:58,440 --> 00:31:02,320 Speaker 1: where that the story pivot is right. So the script 638 00:31:02,400 --> 00:31:04,560 Speaker 1: was the script was a little bit awkward, and I 639 00:31:04,600 --> 00:31:07,760 Speaker 1: said to him, you want, I think you want to 640 00:31:07,800 --> 00:31:10,200 Speaker 1: trust me to just let me just improvise it. Let 641 00:31:10,240 --> 00:31:11,680 Speaker 1: me just make my own words up. 642 00:31:12,240 --> 00:31:12,600 Speaker 2: Okay. 643 00:31:13,560 --> 00:31:16,680 Speaker 1: So because it was it was like, you know, it's 644 00:31:16,800 --> 00:31:19,120 Speaker 1: like written like in the idiom of a guy. 645 00:31:19,000 --> 00:31:21,800 Speaker 3: That in you're coaching class. Now you tell the kids 646 00:31:21,920 --> 00:31:25,640 Speaker 3: that they should read the script. Yes, just because you 647 00:31:26,400 --> 00:31:28,040 Speaker 3: have to. You have to know how to do it 648 00:31:28,040 --> 00:31:29,080 Speaker 3: before you know how to undo it. 649 00:31:29,080 --> 00:31:32,320 Speaker 1: So anyway, I'm doing this movie with Pabot, and the 650 00:31:32,400 --> 00:31:36,040 Speaker 1: woman playing the lead role, she said to me, you know, 651 00:31:36,680 --> 00:31:39,680 Speaker 1: I don't know if you're now you're kind of good 652 00:31:39,720 --> 00:31:41,840 Speaker 1: in this. I said, yeah, well, I don't have an agent. 653 00:31:41,880 --> 00:31:43,480 Speaker 1: Then she said, oh, I could get you an agent 654 00:31:43,520 --> 00:31:47,320 Speaker 1: in five five seconds with like one daily. I said, 655 00:31:47,360 --> 00:31:50,240 Speaker 1: do it, and she did. So that's how I got 656 00:31:50,240 --> 00:31:53,640 Speaker 1: my manager. And after I got my manager, I moved 657 00:31:53,640 --> 00:31:55,040 Speaker 1: back here to take care of my mother. 658 00:31:55,080 --> 00:31:56,720 Speaker 2: And the manager said to get me work right and left. 659 00:31:56,760 --> 00:31:58,200 Speaker 2: And then there's an agent came. 660 00:31:58,080 --> 00:31:59,520 Speaker 1: To see me as something and he said, I would 661 00:31:59,640 --> 00:32:03,480 Speaker 1: never have believed that was you because it was so good. 662 00:32:03,560 --> 00:32:04,720 Speaker 1: I was singing, and what. 663 00:32:04,720 --> 00:32:06,440 Speaker 3: Year was that? Please me? 664 00:32:08,240 --> 00:32:10,800 Speaker 1: Six seven years ago? And so I said, oh, I'm 665 00:32:10,840 --> 00:32:12,600 Speaker 1: so good that you couldn't believe it. How am I 666 00:32:12,680 --> 00:32:15,720 Speaker 1: so good that you would represent me? And he goes, oh, oh, yes, 667 00:32:16,160 --> 00:32:18,720 Speaker 1: So that's how it happened. It happened from a movie 668 00:32:18,720 --> 00:32:22,920 Speaker 1: called The Strike that I never read. I just lived 669 00:32:22,960 --> 00:32:25,960 Speaker 1: my way through it. And I remember there was a 670 00:32:26,000 --> 00:32:28,240 Speaker 1: guy playing my best friend in it. And he said 671 00:32:28,280 --> 00:32:31,000 Speaker 1: to me one day, because how random actors are, he goes, 672 00:32:31,880 --> 00:32:34,120 Speaker 1: he was a lovely guy, and he said. We were 673 00:32:34,120 --> 00:32:37,600 Speaker 1: waiting to make an entrance, and he said, have you 674 00:32:37,600 --> 00:32:42,120 Speaker 1: ever seen one of those porn movies where somebody and 675 00:32:42,160 --> 00:32:46,560 Speaker 1: then she has to She's like, how come they don't wretch? 676 00:32:47,080 --> 00:32:49,320 Speaker 1: And then we walked on and I hope that scenees 677 00:32:49,360 --> 00:32:52,320 Speaker 1: in it because I'm I'm laughing so hard and it 678 00:32:52,400 --> 00:32:55,200 Speaker 1: tells you that it is better than any other beat 679 00:32:55,280 --> 00:32:56,920 Speaker 1: of like that. We're best friends. He just said that 680 00:32:57,000 --> 00:32:58,800 Speaker 1: to me. He really wanted to know. He wasn't trying 681 00:32:58,800 --> 00:33:00,800 Speaker 1: to make me laugh. It was like they don't gag 682 00:33:00,920 --> 00:33:04,200 Speaker 1: in rich. Then we walked on. I was like, that 683 00:33:04,360 --> 00:33:07,440 Speaker 1: is the most amazing, Like it's such a gift. You 684 00:33:07,480 --> 00:33:09,240 Speaker 1: just said that to me because you're kind of bored 685 00:33:09,280 --> 00:33:11,200 Speaker 1: and the kind of like, I just it just came 686 00:33:11,240 --> 00:33:14,120 Speaker 1: to you. And I'm dying as we come on, and 687 00:33:14,120 --> 00:33:15,720 Speaker 1: I guess we're supposed to have just had lunch. 688 00:33:15,720 --> 00:33:18,560 Speaker 2: I never read it, so I don't know all I haven't. 689 00:33:18,600 --> 00:33:20,160 Speaker 3: We're almost done. 690 00:33:20,040 --> 00:33:23,320 Speaker 1: Almost I have a please go to So you've played 691 00:33:23,480 --> 00:33:25,400 Speaker 1: Sara's actually five times now. 692 00:33:25,320 --> 00:33:26,080 Speaker 3: Four no three. 693 00:33:27,040 --> 00:33:30,360 Speaker 1: I was in Cop one, sat out Cop two, did 694 00:33:30,400 --> 00:33:31,920 Speaker 1: Cop three, and this is Cop. 695 00:33:31,720 --> 00:33:33,880 Speaker 2: Four, so I'm in three of four. But you didn't 696 00:33:33,920 --> 00:33:36,520 Speaker 2: do the pilot that they pilot. Yeah, there was. They 697 00:33:36,600 --> 00:33:39,600 Speaker 2: tried to reboot it with Brandon T. Jackson. You've never 698 00:33:39,640 --> 00:33:40,120 Speaker 2: heard of that. 699 00:33:40,200 --> 00:33:44,880 Speaker 1: Wow, Wow, it's in your IMDb credits. Well you know 700 00:33:44,920 --> 00:33:47,400 Speaker 1: it's like, oh that's the Wikipedia. Oh wow, that must 701 00:33:47,440 --> 00:33:50,160 Speaker 1: be I remember my mother saying to me once she 702 00:33:50,240 --> 00:33:51,640 Speaker 1: I went home and she was kind. 703 00:33:51,480 --> 00:33:53,440 Speaker 2: Of like ticked off, and I go, what's wrong. 704 00:33:53,760 --> 00:33:57,520 Speaker 1: She goes, the next time you get engaged to be married, 705 00:33:57,600 --> 00:34:00,200 Speaker 1: maybe you'll tell your own mother. And I said, I'm 706 00:34:00,200 --> 00:34:03,080 Speaker 1: not engaged, and she goes, well, your aunt saw it 707 00:34:03,120 --> 00:34:07,080 Speaker 1: on Wikipedia, and I said, oh, well, maybe she needs 708 00:34:07,200 --> 00:34:08,760 Speaker 1: a mental douche. 709 00:34:08,440 --> 00:34:10,880 Speaker 2: Because it's not the Bible. 710 00:34:11,520 --> 00:34:13,279 Speaker 3: She was like mad that. I was like, I'm not. 711 00:34:13,440 --> 00:34:15,719 Speaker 3: She didn't even understand that Wikipedia works, which is people 712 00:34:15,800 --> 00:34:17,600 Speaker 3: can add it. They can add whatever they want any 713 00:34:17,640 --> 00:34:18,440 Speaker 3: almost anyone can. 714 00:34:18,600 --> 00:34:20,320 Speaker 1: IMDb is supposed to be a little bit more rigid 715 00:34:20,440 --> 00:34:22,080 Speaker 1: or like, it's still I. 716 00:34:22,080 --> 00:34:23,040 Speaker 2: Didn't even read that stuff. 717 00:34:23,120 --> 00:34:27,160 Speaker 1: I mean, first of all, I don't even remember what 718 00:34:27,200 --> 00:34:29,279 Speaker 1: I've done, because it's only what you're doing right now 719 00:34:29,360 --> 00:34:31,360 Speaker 1: that matters. And you know, you can be like you 720 00:34:31,360 --> 00:34:34,400 Speaker 1: can be Dame Judy Dench and if you're having a 721 00:34:34,400 --> 00:34:38,400 Speaker 1: bad day, then you're having a bad day, right You're 722 00:34:38,520 --> 00:34:41,160 Speaker 1: just literally every day is an audition. I don't know 723 00:34:41,160 --> 00:34:43,920 Speaker 1: if you remember, but you know, once I was out 724 00:34:43,960 --> 00:34:45,840 Speaker 1: of my period where I was offer only, I felt 725 00:34:45,840 --> 00:34:47,240 Speaker 1: so injured that I had to audition. 726 00:34:47,280 --> 00:34:49,120 Speaker 2: But it's like, yeah, but every day is an audition. 727 00:34:49,239 --> 00:34:51,399 Speaker 1: Every day you go in and you do your big 728 00:34:51,400 --> 00:34:55,600 Speaker 1: scene and it's like you can see people literally thinking, God, 729 00:34:55,680 --> 00:34:57,960 Speaker 1: damn it, he's good, or you can see them thinking 730 00:34:58,560 --> 00:34:59,160 Speaker 1: when's he going to. 731 00:34:59,160 --> 00:35:00,000 Speaker 2: Pull out the good stuff? 732 00:35:00,080 --> 00:35:02,680 Speaker 1: You can see it, So every day is an audition. 733 00:35:02,840 --> 00:35:05,759 Speaker 1: Every day of your entire career, every every performance of 734 00:35:05,800 --> 00:35:08,200 Speaker 1: a play, every take, every everything. 735 00:35:08,680 --> 00:35:10,240 Speaker 2: You know, it's all an audition. 736 00:35:10,360 --> 00:35:12,520 Speaker 1: And if you if you're if you're B plus and 737 00:35:12,560 --> 00:35:14,759 Speaker 1: you want to be a plus ash the best you 738 00:35:14,800 --> 00:35:18,000 Speaker 1: got that day, then your B plus. 739 00:35:18,400 --> 00:35:22,040 Speaker 5: That's just who you are. I have a cornball question. Yeah, yes, 740 00:35:22,480 --> 00:35:26,480 Speaker 5: And this is kind of like my m Night Shalaman 741 00:35:26,680 --> 00:35:30,120 Speaker 5: talent here, stay with me. He is I can read people. 742 00:35:30,239 --> 00:35:30,879 Speaker 5: What's his name? 743 00:35:31,080 --> 00:35:32,480 Speaker 3: I could M Night Shandel. 744 00:35:32,640 --> 00:35:34,000 Speaker 2: No, but you can't have a name M. 745 00:35:34,560 --> 00:35:39,720 Speaker 1: It's okay unless you're anti M. 746 00:35:38,520 --> 00:35:41,640 Speaker 2: And he's so good. 747 00:35:42,880 --> 00:35:46,080 Speaker 3: Yeah, so I could read people a little bit. Yeah, 748 00:35:46,480 --> 00:35:50,439 Speaker 3: if you haven't already written some stuff. And I don't 749 00:35:50,480 --> 00:35:53,520 Speaker 3: mean you with a pen or clicking your fingers, I 750 00:35:53,560 --> 00:36:00,560 Speaker 3: mean you sitting with almost like a sonographer who's a 751 00:36:00,640 --> 00:36:05,640 Speaker 3: writer who records it and just sits with you in talks. 752 00:36:07,080 --> 00:36:11,759 Speaker 3: Because I think, my friend, if you start taking some 753 00:36:11,840 --> 00:36:12,520 Speaker 3: of these. 754 00:36:13,920 --> 00:36:19,400 Speaker 5: Nuggets you mean, autobiographical, no, whatever you want, that you 755 00:36:19,560 --> 00:36:22,879 Speaker 5: have a very unique gift of really well. 756 00:36:22,920 --> 00:36:26,680 Speaker 3: I think your imagination is very special, and I think 757 00:36:26,719 --> 00:36:32,120 Speaker 3: if you applied it to storytelling, creating your own original 758 00:36:32,320 --> 00:36:36,480 Speaker 3: Bronson stories for whatever reason, I think you should explore that. 759 00:36:36,880 --> 00:36:40,480 Speaker 3: Oh right, because I understand the process. I just explained 760 00:36:40,520 --> 00:36:42,239 Speaker 3: I wrote two books. I can't write a book to 761 00:36:42,280 --> 00:36:46,000 Speaker 3: save my ass. I can spell Massapequa because it's where 762 00:36:46,040 --> 00:36:48,680 Speaker 3: I'm from. Okay, but that's about it. 763 00:36:49,840 --> 00:36:54,080 Speaker 2: Yeah, where is it in New England? In New England? 764 00:36:54,239 --> 00:36:56,719 Speaker 3: No, that's the southern shore of Long Island New York 765 00:36:57,280 --> 00:36:59,320 Speaker 3: South Shore? Are they one? The fifty yard line of 766 00:36:59,360 --> 00:37:02,839 Speaker 3: Long Islands, straight south on the Great South Bay. It's 767 00:37:02,880 --> 00:37:06,680 Speaker 3: called Oh that said. I'm not a writer. I can't 768 00:37:06,719 --> 00:37:10,640 Speaker 3: write a screenplay, but I can create ideas. I can 769 00:37:10,719 --> 00:37:16,759 Speaker 3: create a concept. Like right now, I'm writing something that 770 00:37:16,880 --> 00:37:19,720 Speaker 3: we may do in India that's very similar to Beverly 771 00:37:19,800 --> 00:37:24,760 Speaker 3: Hills Cop actually in just the baseline, you know, fish 772 00:37:24,800 --> 00:37:29,720 Speaker 3: out of water scenario, you know, two law enforcement guys 773 00:37:30,360 --> 00:37:32,600 Speaker 3: fish out of water. There's been many of those films. 774 00:37:32,719 --> 00:37:35,439 Speaker 3: I just was talking to the writer. We're almost done 775 00:37:35,440 --> 00:37:39,480 Speaker 3: with the treatment. You know, I want that thing. I 776 00:37:39,560 --> 00:37:42,400 Speaker 3: must have that thing Bronson. And I'm talking to the 777 00:37:42,400 --> 00:37:44,200 Speaker 3: writer and I go, you know, like when Bronson was 778 00:37:44,239 --> 00:37:45,960 Speaker 3: in the movie and he would he did and the 779 00:37:46,000 --> 00:37:48,400 Speaker 3: cup like you know when Mail Gibson does the point 780 00:37:49,280 --> 00:37:51,160 Speaker 3: but by the time it's over, he's already got the 781 00:37:51,200 --> 00:37:54,520 Speaker 3: gun in the guy's face. So you can't stop to 782 00:37:54,760 --> 00:37:58,800 Speaker 3: wonder why that three stooges bit worked. Same with Bronson. 783 00:37:59,040 --> 00:38:01,640 Speaker 3: When Bronson does something and in the performance, it's like 784 00:38:01,880 --> 00:38:04,000 Speaker 3: it's a little bit of this roller coaster that is 785 00:38:04,000 --> 00:38:07,000 Speaker 3: not the big fast one. It's the CREEPI or slow 786 00:38:07,040 --> 00:38:10,520 Speaker 3: one when you were a little kid. The way it's 787 00:38:10,560 --> 00:38:13,160 Speaker 3: it's really fun. As I'm right, you know, talking to 788 00:38:13,200 --> 00:38:17,040 Speaker 3: this writer, I'm saying this, This idea of doing this 789 00:38:17,160 --> 00:38:22,000 Speaker 3: concept now but set in Mumbai should be just like 790 00:38:22,200 --> 00:38:28,160 Speaker 3: it felt back when those movies told these stories that 791 00:38:28,200 --> 00:38:31,359 Speaker 3: there was a zaniness to the action comedy, but there 792 00:38:31,400 --> 00:38:34,600 Speaker 3: was this authenticity where the characters loved each other at 793 00:38:34,600 --> 00:38:36,319 Speaker 3: the end, you know what I mean, they cared for 794 00:38:36,400 --> 00:38:39,800 Speaker 3: each other. Now there is no character. There's this I 795 00:38:39,800 --> 00:38:42,040 Speaker 3: don't know. I never that's the next interview. 796 00:38:43,320 --> 00:38:47,200 Speaker 1: I think I saw The Favorite with Olivia Coleman and 797 00:38:47,239 --> 00:38:49,959 Speaker 1: what was that like seven eight years ago? Oh boy, 798 00:38:50,200 --> 00:38:53,160 Speaker 1: I never go because I can't stand to be disappointed. 799 00:38:58,280 --> 00:39:00,680 Speaker 1: Did you see that movie? The it was all about 800 00:39:00,719 --> 00:39:04,560 Speaker 1: World War two and the like the nineteen no, no, no, 801 00:39:04,600 --> 00:39:07,120 Speaker 1: it was uh, it was just one word. It was 802 00:39:07,160 --> 00:39:09,759 Speaker 1: like the amazing battle that was like that. 803 00:39:10,760 --> 00:39:12,919 Speaker 3: Let me ask you a question, what could you ever 804 00:39:13,000 --> 00:39:16,480 Speaker 3: do this, like live on a stage with film students? 805 00:39:16,520 --> 00:39:19,239 Speaker 1: Of course, wouldn't that be I'll tell you what I 806 00:39:19,320 --> 00:39:22,120 Speaker 1: just did. That hurt my heart. We did the fortieth 807 00:39:22,160 --> 00:39:26,600 Speaker 1: anniversary screening and Q and a of risky business and 808 00:39:26,680 --> 00:39:31,600 Speaker 1: it was unfortunately moderated by somebody who I swear to 809 00:39:31,680 --> 00:39:33,359 Speaker 1: talk like this, And this was the question he had 810 00:39:33,400 --> 00:39:34,360 Speaker 1: for Rebecca the morning. 811 00:39:35,080 --> 00:39:35,880 Speaker 3: Does he talk like this? 812 00:39:35,960 --> 00:39:40,240 Speaker 1: And because the question was so tacky, it literally literally 813 00:39:40,280 --> 00:39:46,080 Speaker 1: gutted me like a deer. So, Rebecca, I suppose you 814 00:39:46,120 --> 00:39:51,319 Speaker 1: know that this week and Tom Cruise is opening in 815 00:39:51,360 --> 00:39:58,560 Speaker 1: the latest installment of Mission, then, and what does it 816 00:39:58,640 --> 00:40:02,320 Speaker 1: feel like to be opening Nothing? 817 00:40:03,160 --> 00:40:03,359 Speaker 2: Well? 818 00:40:03,600 --> 00:40:10,960 Speaker 1: Tom is an interneh word for word, and he spoke 819 00:40:11,040 --> 00:40:15,399 Speaker 1: so slowly that you could feel the creeping toward you. 820 00:40:16,280 --> 00:40:18,600 Speaker 3: And it was like, but did he literally say how 821 00:40:18,640 --> 00:40:20,080 Speaker 3: does it feel to be opening in Nothing? 822 00:40:20,440 --> 00:40:22,880 Speaker 1: Just about I'm telling you you can ask anybody that 823 00:40:22,960 --> 00:40:25,799 Speaker 1: was there and the thing that I did. There's a 824 00:40:25,800 --> 00:40:28,960 Speaker 1: whole audience there and we're all dying. It's like, dude, 825 00:40:29,680 --> 00:40:31,640 Speaker 1: so I just did this? He was like, where that 826 00:40:31,719 --> 00:40:37,759 Speaker 1: light is and I just went like, I just did 827 00:40:37,800 --> 00:40:40,680 Speaker 1: the biggest theatrical take. Is all I could do for Rebecca. 828 00:40:41,400 --> 00:40:44,120 Speaker 1: To her credit, she said, well, I don't know. 829 00:40:44,239 --> 00:40:47,439 Speaker 2: Maybe I should have jumped out of more airplanes, right? 830 00:40:47,520 --> 00:40:48,200 Speaker 3: Did she say that? 831 00:40:48,200 --> 00:40:50,719 Speaker 1: Could? That's the word for word. But the thing of 832 00:40:50,760 --> 00:40:53,239 Speaker 1: it is, it's like, dude, shut up, we don't need 833 00:40:53,280 --> 00:40:57,440 Speaker 1: you moderating. The other thing that happened was that all 834 00:40:57,480 --> 00:41:00,160 Speaker 1: the good stories were not told because all all the 835 00:41:00,160 --> 00:41:03,400 Speaker 1: good stories are politically incorrect. Like the time they were 836 00:41:03,440 --> 00:41:06,720 Speaker 1: shooting the sex scene and I crept up in between 837 00:41:06,719 --> 00:41:10,120 Speaker 1: the flats and watched them and then got caught. I 838 00:41:10,120 --> 00:41:12,200 Speaker 1: could not tell that story because no one asked. I 839 00:41:12,360 --> 00:41:15,200 Speaker 1: climbed up, you know, in between the flats, in between 840 00:41:15,200 --> 00:41:21,000 Speaker 1: the furniture pads, and watched them. And Rebecca had had 841 00:41:21,120 --> 00:41:23,680 Speaker 1: some white wine to get in the mood. 842 00:41:24,239 --> 00:41:24,880 Speaker 3: I told her this. 843 00:41:24,920 --> 00:41:26,600 Speaker 2: I told her it's been forty years. I was like, 844 00:41:26,680 --> 00:41:29,359 Speaker 2: can we still be friends? And she said, what did 845 00:41:29,400 --> 00:41:29,680 Speaker 2: you do? 846 00:41:31,080 --> 00:41:33,719 Speaker 1: It was a closed set and I crept on with 847 00:41:33,840 --> 00:41:37,080 Speaker 1: Shara Denaesy that played her buddy in it, and I 848 00:41:37,160 --> 00:41:40,000 Speaker 1: said in shera and I crept up and we watched. 849 00:41:40,680 --> 00:41:42,480 Speaker 1: And then when you were taking off your underwear. You 850 00:41:42,560 --> 00:41:44,920 Speaker 1: kind of stumbled and then we were laughing. 851 00:41:44,920 --> 00:41:46,200 Speaker 2: So her we got caught and. 852 00:41:46,120 --> 00:41:49,040 Speaker 1: She said, well, I guess it's been forty years. I 853 00:41:49,040 --> 00:41:51,080 Speaker 1: guess I can forgive you since I never knew. And 854 00:41:51,080 --> 00:41:52,560 Speaker 1: it was like, you have to that's me be foury years. 855 00:41:52,600 --> 00:41:54,440 Speaker 3: But anyway, did you see them naked? 856 00:41:54,800 --> 00:41:54,880 Speaker 1: No? 857 00:41:55,760 --> 00:42:00,399 Speaker 3: But anyway, did you see Tom's butt? No? 858 00:42:00,480 --> 00:42:03,000 Speaker 1: He was he was out of the shots. She was, 859 00:42:03,600 --> 00:42:07,120 Speaker 1: I don't know where he was. But all the good 860 00:42:07,200 --> 00:42:11,239 Speaker 1: stories were all edited, so they would say, so, how 861 00:42:11,239 --> 00:42:13,600 Speaker 1: did you get this part so and so? And I 862 00:42:13,600 --> 00:42:16,759 Speaker 1: would think, oh, well, and of course it was like, 863 00:42:16,840 --> 00:42:19,280 Speaker 1: well there was I had some good buzz. It's like, Naydan, 864 00:42:20,400 --> 00:42:25,200 Speaker 1: you did this. And all the good stories were untellable, 865 00:42:25,680 --> 00:42:29,600 Speaker 1: and the questions were from this guy, tell me Steve, 866 00:42:29,800 --> 00:42:32,800 Speaker 1: then what like having a blue shirt. 867 00:42:32,880 --> 00:42:34,840 Speaker 2: I was like, dude, shut up and die. 868 00:42:35,239 --> 00:42:39,000 Speaker 1: And the questions were terrible and the answers were were 869 00:42:39,200 --> 00:42:42,960 Speaker 1: so denuded of so I was like, this is the 870 00:42:42,960 --> 00:42:45,279 Speaker 1: first I'll never do another one. Of course, they'll I'll 871 00:42:45,280 --> 00:42:47,319 Speaker 1: be dead by the fiftieth one. But why are we 872 00:42:47,360 --> 00:42:51,560 Speaker 1: doing this when all the good questions are not being asked? 873 00:42:51,600 --> 00:42:56,560 Speaker 1: And all the answers are just bleached of content, like 874 00:42:56,600 --> 00:42:59,279 Speaker 1: this isn't fun. It's been forty years, you should be 875 00:42:59,280 --> 00:43:01,800 Speaker 1: able to tell. But the stuff that really went on, 876 00:43:01,920 --> 00:43:02,960 Speaker 1: that story that wasn't. 877 00:43:02,760 --> 00:43:07,400 Speaker 2: Told, well, we'll have to get on stage. No, this 878 00:43:07,600 --> 00:43:09,120 Speaker 2: is all juicy. 879 00:43:09,200 --> 00:43:12,880 Speaker 1: I mean it's all it was a movie about. You know, 880 00:43:12,960 --> 00:43:15,600 Speaker 1: there was all these beautiful prostitutes and they were I 881 00:43:15,640 --> 00:43:17,960 Speaker 1: don't know why, but they sectioned them off. We were 882 00:43:18,000 --> 00:43:21,120 Speaker 1: literally like I was twenty three, Tom was twenty. So 883 00:43:21,120 --> 00:43:24,840 Speaker 1: they sectioned them off in this tenth of furniture pads 884 00:43:24,920 --> 00:43:27,680 Speaker 1: and they were just in there doing the wildest stuff. 885 00:43:27,840 --> 00:43:29,719 Speaker 1: And that was the tip of the iceberg that was 886 00:43:29,800 --> 00:43:33,279 Speaker 1: during the filming. Yeah, and then there was this nice 887 00:43:33,320 --> 00:43:36,399 Speaker 1: young actor who was playing the most innocent of all 888 00:43:36,880 --> 00:43:38,759 Speaker 1: I think he was I think he was seventeen or 889 00:43:38,760 --> 00:43:39,439 Speaker 1: something at the time. 890 00:43:39,800 --> 00:43:40,600 Speaker 3: Business. 891 00:43:41,120 --> 00:43:44,080 Speaker 1: It was the young guy, Raphael Sabarge and he's he 892 00:43:44,239 --> 00:43:46,560 Speaker 1: was playing the young the youngest, the most innocent looking 893 00:43:46,640 --> 00:43:47,439 Speaker 1: of all of us kids. 894 00:43:47,440 --> 00:43:51,160 Speaker 2: And he was Now I'll tell you later real quick. 895 00:43:51,239 --> 00:43:53,319 Speaker 1: So how long were you guys watching How long were 896 00:43:53,320 --> 00:43:55,480 Speaker 1: you there before you got caught watching the sex scene? 897 00:43:55,760 --> 00:43:56,760 Speaker 2: Twenty five minutes? 898 00:43:56,800 --> 00:43:59,480 Speaker 1: Oh wow, and and the thing is, I was laughing 899 00:43:59,560 --> 00:44:03,040 Speaker 1: so hard because I couldn't believe. First of all, we 900 00:44:03,080 --> 00:44:05,480 Speaker 1: sneaked down and that was fun, but then she had 901 00:44:05,560 --> 00:44:07,400 Speaker 1: high heels on it, and she's taking off all her clothes, 902 00:44:07,400 --> 00:44:09,520 Speaker 1: and then when the underwear got down to her ankles, 903 00:44:10,040 --> 00:44:12,640 Speaker 1: she was supposed to like get it off elegantly, but 904 00:44:12,680 --> 00:44:17,080 Speaker 1: she kind of slipped because you can't. I myself, I'm 905 00:44:17,120 --> 00:44:20,279 Speaker 1: proud to say now I'm ashamed to say that I've 906 00:44:20,320 --> 00:44:24,400 Speaker 1: never been loopy on white wine and high heels naked. 907 00:44:25,080 --> 00:44:29,080 Speaker 1: I mean, it's it's to try. But she just, you know, 908 00:44:29,160 --> 00:44:31,480 Speaker 1: she kind of and and I love Rebecca. She's so 909 00:44:31,520 --> 00:44:33,719 Speaker 1: wonderful in that movie, and so I find it. I 910 00:44:33,719 --> 00:44:36,680 Speaker 1: finally came clean to her and she's so she's like 911 00:44:37,440 --> 00:44:41,000 Speaker 1: for real. I said, that's so funny, I know, and 912 00:44:41,320 --> 00:44:43,680 Speaker 1: she you know. But the thing that was great is 913 00:44:44,080 --> 00:44:46,160 Speaker 1: I always say to people like, I don't really know 914 00:44:46,200 --> 00:44:48,360 Speaker 1: what my religion is, but if I had to worship anything, 915 00:44:48,400 --> 00:44:52,520 Speaker 1: it would be time, because time really does solve everything. 916 00:44:52,719 --> 00:44:55,759 Speaker 2: So she looked at me and she was like, for real, bro, 917 00:44:56,160 --> 00:44:57,680 Speaker 2: I said, yeah, she goes. 918 00:44:59,239 --> 00:45:02,239 Speaker 1: Forty years and I can't even like rev up, like 919 00:45:02,360 --> 00:45:05,880 Speaker 1: getting mad long ago was this forty years that you 920 00:45:05,920 --> 00:45:08,799 Speaker 1: were having this conversation with her, oh, you know, five 921 00:45:08,840 --> 00:45:09,640 Speaker 1: months ago or something. 922 00:45:09,920 --> 00:45:13,520 Speaker 2: And she looks fabulous. She does she's a you know. 923 00:45:13,600 --> 00:45:14,040 Speaker 2: I'll tell you. 924 00:45:14,040 --> 00:45:17,680 Speaker 1: The other thing I learned about Rebecca is you must 925 00:45:17,680 --> 00:45:22,520 Speaker 1: know this too, that however good looking you are, the 926 00:45:22,520 --> 00:45:24,800 Speaker 1: camera does a final focus. 927 00:45:25,120 --> 00:45:29,400 Speaker 2: It adds five percent to what you have. So people 928 00:45:30,200 --> 00:45:31,319 Speaker 2: that are just. 929 00:45:31,880 --> 00:45:34,759 Speaker 1: Amazing looking in the room, they go a little out there. 930 00:45:34,800 --> 00:45:38,320 Speaker 1: They're like fruit that's overripe. Rebecca in person was a 931 00:45:38,880 --> 00:45:41,400 Speaker 1: beautiful woman, but there was something and then the camera 932 00:45:41,520 --> 00:45:43,799 Speaker 1: just went. And so when you would look at her, 933 00:45:44,280 --> 00:45:46,160 Speaker 1: she'd be talking to her and then you'd, you know, 934 00:45:46,200 --> 00:45:47,680 Speaker 1: someone would say, hey, you want to see what's going 935 00:45:47,680 --> 00:45:51,040 Speaker 1: They didn't have video play back then, you know, but 936 00:45:51,280 --> 00:45:52,759 Speaker 1: they would one to look in the in the lens 937 00:45:52,800 --> 00:45:55,160 Speaker 1: and it was like, who's this vision? Because the camera 938 00:45:55,360 --> 00:45:59,440 Speaker 1: just finishes you. And if you start out amazing, it's 939 00:45:59,480 --> 00:46:01,480 Speaker 1: a it's like you know, when there's too much sugar 940 00:46:01,480 --> 00:46:04,600 Speaker 1: in your coffee, it's it just goes. It has to 941 00:46:04,680 --> 00:46:07,600 Speaker 1: do that one thing. And she was the most extraordinary 942 00:46:07,640 --> 00:46:10,200 Speaker 1: example I ever saw of that, because she was a 943 00:46:10,320 --> 00:46:12,920 Speaker 1: riveting woman in person, but on screen it was like, 944 00:46:12,960 --> 00:46:15,239 Speaker 1: what is happening with these eyes and these cheek ones 945 00:46:15,280 --> 00:46:16,120 Speaker 1: and these lips. 946 00:46:16,360 --> 00:46:16,880 Speaker 3: And this. 947 00:46:18,280 --> 00:46:20,440 Speaker 2: Other world like she had another world equality in it. 948 00:46:20,520 --> 00:46:21,719 Speaker 3: And that was. 949 00:46:23,200 --> 00:46:25,080 Speaker 2: But she really had the Jena se Kua r. 950 00:46:26,160 --> 00:46:32,719 Speaker 1: She was amazing and and mysterious, so mysterious. She was 951 00:46:32,800 --> 00:46:36,040 Speaker 1: so mysterious in a great way. So was Patricia on 952 00:46:36,200 --> 00:46:38,000 Speaker 1: to a mess. It's like I can't figure her out, 953 00:46:38,000 --> 00:46:46,480 Speaker 1: but the camera understood her. You will find this eccentric. 954 00:46:46,520 --> 00:46:49,880 Speaker 1: But I wish I was intimidated by you when we 955 00:46:49,920 --> 00:46:51,560 Speaker 1: worked on that movie all those years ago. I wish 956 00:46:51,600 --> 00:46:53,839 Speaker 1: I'd known you were fun. I didn't know you were fun. 957 00:46:53,880 --> 00:46:56,439 Speaker 1: I thought I thought you were kind of a chic movie. 958 00:46:56,520 --> 00:46:59,560 Speaker 3: It's stutter you're meeting me now, But I wish I 959 00:46:59,560 --> 00:47:01,080 Speaker 3: had it better. 960 00:47:01,160 --> 00:47:03,200 Speaker 1: We might have It looks like you would be fun, 961 00:47:03,320 --> 00:47:05,200 Speaker 1: but I didn't. 962 00:47:04,280 --> 00:47:05,759 Speaker 3: I I could. 963 00:47:06,320 --> 00:47:09,040 Speaker 1: I you just a little glossy and a little bit 964 00:47:09,080 --> 00:47:12,200 Speaker 1: a little bit like you know, famous famousy And I, uh, 965 00:47:13,239 --> 00:47:15,440 Speaker 1: it's a it's funny because I can see you in 966 00:47:15,440 --> 00:47:16,680 Speaker 1: my mind's eye how you are that? 967 00:47:16,960 --> 00:47:19,799 Speaker 2: And I remember I never really spoke to you much. 968 00:47:19,920 --> 00:47:23,400 Speaker 3: If all, you and I are on similar parallels now, 969 00:47:24,600 --> 00:47:27,560 Speaker 3: I've been kind of out of the mainstream, kind of 970 00:47:27,600 --> 00:47:30,680 Speaker 3: haven't had an agent, you know, blah blah blah, blah blah. 971 00:47:30,719 --> 00:47:32,560 Speaker 3: In the last fifteen twenty years, I've kind of worked 972 00:47:32,840 --> 00:47:40,040 Speaker 3: doing charity stuff, charity media, creating documentaries like paying bills, 973 00:47:40,080 --> 00:47:42,680 Speaker 3: doing this, you know, living a little bit well. I 974 00:47:42,719 --> 00:47:46,040 Speaker 3: wanted to get my kids married, which which all worked 975 00:47:46,040 --> 00:47:50,279 Speaker 3: out fabulously. But but all of that said, I just 976 00:47:50,320 --> 00:47:53,640 Speaker 3: think it's and there's no other way to say it 977 00:47:53,680 --> 00:47:55,680 Speaker 3: other than to just say it, which is, I think 978 00:47:56,000 --> 00:47:59,239 Speaker 3: it's a fascinating time in Hollywood with when somebody like 979 00:47:59,320 --> 00:48:04,680 Speaker 3: you can have to come back into the normalcy of 980 00:48:04,760 --> 00:48:10,359 Speaker 3: this matrix of the industry. Uh, in the process that 981 00:48:10,440 --> 00:48:14,720 Speaker 3: you did, I just I mean, it's a miracle anything 982 00:48:14,719 --> 00:48:16,759 Speaker 3: ever gets done, you know what I mean? But you 983 00:48:16,840 --> 00:48:19,279 Speaker 3: just again, no, no, I'm having this. 984 00:48:19,600 --> 00:48:23,040 Speaker 1: Let me finish, ok, Steve, Steve, are you telling me 985 00:48:23,080 --> 00:48:24,120 Speaker 1: that you need to finish? 986 00:48:24,480 --> 00:48:25,359 Speaker 2: And that's fucked up? 987 00:48:25,760 --> 00:48:28,440 Speaker 1: Well, because this is my show, I know, I know, 988 00:48:28,960 --> 00:48:29,600 Speaker 1: I'm just kidding. 989 00:48:29,600 --> 00:48:30,239 Speaker 3: What my point is? 990 00:48:31,640 --> 00:48:32,560 Speaker 2: I never have a point. 991 00:48:32,600 --> 00:48:35,520 Speaker 3: Please, you gotta take your class, by the way, yeah, 992 00:48:35,640 --> 00:48:41,080 Speaker 3: because it would be pointless. Sorry. Anyway, hopefully the last time. 993 00:48:41,400 --> 00:48:44,080 Speaker 1: You do have and you always have had since you 994 00:48:44,120 --> 00:48:48,480 Speaker 1: were like the first done thinking the most mischievous eyes 995 00:48:48,560 --> 00:48:50,520 Speaker 1: that ever were mischievous. 996 00:48:50,120 --> 00:48:53,640 Speaker 2: In anybody's head. They look mischievous before you even get mischievous. 997 00:48:54,440 --> 00:48:57,040 Speaker 1: And it's so funny to see that you really are 998 00:48:57,040 --> 00:49:03,879 Speaker 1: incredibly mischievous. Go ahead, uh for so mischievous you look 999 00:49:03,960 --> 00:49:07,840 Speaker 1: like that decided that he wasn't going to deliver presence, 1000 00:49:08,600 --> 00:49:11,919 Speaker 1: just presence, that. 1001 00:49:11,960 --> 00:49:15,160 Speaker 3: Is literally what you because we really didn't get your 1002 00:49:15,239 --> 00:49:15,839 Speaker 3: chicken in rest. 1003 00:49:16,200 --> 00:49:18,359 Speaker 2: Wow, that's funny. 1004 00:49:18,760 --> 00:49:20,760 Speaker 3: Do you know? Do you that would be funny? 1005 00:49:20,960 --> 00:49:23,040 Speaker 1: Do you? I think all the time on sets and 1006 00:49:23,160 --> 00:49:25,200 Speaker 1: like people will come up and go, okay, hold on, 1007 00:49:25,920 --> 00:49:29,320 Speaker 1: and I'm like, we had polaroids for continuity in the eighties. 1008 00:49:29,840 --> 00:49:31,960 Speaker 1: We had polaroids and you couldn't see anything because they're 1009 00:49:31,960 --> 00:49:32,520 Speaker 1: all blown out. 1010 00:49:33,040 --> 00:49:34,440 Speaker 2: They're just they're useless. 1011 00:49:34,880 --> 00:49:39,680 Speaker 3: Next year, each quarter of next year, you and I 1012 00:49:39,680 --> 00:49:46,120 Speaker 3: should agree to take like three days and make a 1013 00:49:46,160 --> 00:49:46,920 Speaker 3: short film. 1014 00:49:47,120 --> 00:49:47,920 Speaker 2: Oh done. 1015 00:49:48,120 --> 00:49:51,840 Speaker 3: We should do four short films next year. Yes, where 1016 00:49:52,000 --> 00:49:55,719 Speaker 3: you conceptualize and listen to me, dude, I will go 1017 00:49:56,000 --> 00:49:58,200 Speaker 3: full blown pee wee herman with you. 1018 00:49:58,280 --> 00:50:00,360 Speaker 1: All right, I've got my first one at me in 1019 00:50:00,360 --> 00:50:02,080 Speaker 1: the movie I like that, and I caught that. But 1020 00:50:02,120 --> 00:50:04,200 Speaker 1: I'll tell you what. The first one is two pieces 1021 00:50:04,239 --> 00:50:07,600 Speaker 1: of lnt in Madonna's ass crack, and we're just we're 1022 00:50:07,640 --> 00:50:09,440 Speaker 1: just two pieces of lint in her ass crack. 1023 00:50:09,560 --> 00:50:11,080 Speaker 2: And and it's backstage. 1024 00:50:11,360 --> 00:50:15,080 Speaker 1: That would be very right after the show, so we're 1025 00:50:15,080 --> 00:50:16,000 Speaker 1: sticky to each other. 1026 00:50:17,680 --> 00:50:20,080 Speaker 3: I never thought of that. That would be a great improv. 1027 00:50:20,120 --> 00:50:22,760 Speaker 1: I mean, and we're just we're just we're just stuck 1028 00:50:22,800 --> 00:50:26,080 Speaker 1: to each other, and we're like, God Almighty, and. 1029 00:50:26,080 --> 00:50:27,200 Speaker 3: We're gonna make. 1030 00:50:29,160 --> 00:50:31,480 Speaker 1: I have to peet and I have to get out 1031 00:50:31,520 --> 00:50:34,760 Speaker 1: of this light. Man. This is like being on the Mars. 1032 00:50:35,800 --> 00:50:40,200 Speaker 1: It's like being on Mars, you know, and Mars. 1033 00:50:40,040 --> 00:50:42,480 Speaker 2: Ends up looking like Chatsworth. Isn't that weird? 1034 00:50:43,760 --> 00:50:46,440 Speaker 1: Like when they finally got the rover up there and 1035 00:50:46,480 --> 00:50:47,560 Speaker 1: they're showing it and they're. 1036 00:50:47,400 --> 00:50:49,400 Speaker 3: Like woo, and I'm. 1037 00:50:49,239 --> 00:50:51,520 Speaker 1: Like, that just looks like the rocky part of Chatsworth. 1038 00:50:51,880 --> 00:50:54,200 Speaker 1: That's literally what what you see from the one eighteen 1039 00:50:54,480 --> 00:50:58,640 Speaker 1: Orange Dirt and Rocks. Oh, it was really really fun. 1040 00:50:59,600 --> 00:51:00,800 Speaker 1: Thirty years in the making. 1041 00:51:02,120 --> 00:51:04,600 Speaker 3: What is the what is the. 1042 00:51:04,520 --> 00:51:06,319 Speaker 1: Year of that movie? Because it had to be at 1043 00:51:06,400 --> 00:51:07,759 Speaker 1: least there's more than jury. 1044 00:51:08,160 --> 00:51:08,359 Speaker 4: Yeah. 1045 00:51:08,800 --> 00:51:14,439 Speaker 3: Four had to be more like, oh no, no, no way. 1046 00:51:15,440 --> 00:51:20,040 Speaker 1: I got married and Necker came out in ninety five. 1047 00:51:20,239 --> 00:51:25,320 Speaker 3: I love it. You can't remember your toast pincho. 1048 00:51:25,960 --> 00:51:27,120 Speaker 1: Do you want to do you wanna fly? 1049 00:51:27,440 --> 00:51:28,040 Speaker 3: Yeah? Buddy? 1050 00:51:28,160 --> 00:51:29,920 Speaker 1: Do you want to plug the new Beverly Hills cop 1051 00:51:30,200 --> 00:51:34,960 Speaker 1: Beverly Hills cop axel F is the name of it. 1052 00:51:34,880 --> 00:51:36,759 Speaker 1: It is not Beverly Hills cop for it's Axial Beverly 1053 00:51:36,840 --> 00:51:37,920 Speaker 1: Hills cop axual F. 1054 00:51:38,280 --> 00:51:40,440 Speaker 3: Oh wow, on. 1055 00:51:40,280 --> 00:51:43,560 Speaker 2: What like on a screen near you? 1056 00:51:43,760 --> 00:51:47,400 Speaker 3: Can I bless you right now? Okay? Because because I 1057 00:51:47,440 --> 00:51:52,800 Speaker 3: did this with one other persons, Johnny, paying attention, John John, 1058 00:51:54,200 --> 00:51:58,960 Speaker 3: Do you know who Taron Manning is? Taron Manning. She's 1059 00:51:58,960 --> 00:52:02,520 Speaker 3: a musician that became an actor. And I had some 1060 00:52:02,680 --> 00:52:08,919 Speaker 3: wordrobe that I acquired for hosting this program, like Lonely Ghost. 1061 00:52:09,200 --> 00:52:11,399 Speaker 3: I like wearing Lonely Ghost. I just like the Lonely Ghost. 1062 00:52:12,120 --> 00:52:19,040 Speaker 3: But this other company called Reconstruct takes clothing like your shorts, 1063 00:52:19,480 --> 00:52:21,879 Speaker 3: and they'll take the shorts and like on here, they'll 1064 00:52:21,880 --> 00:52:24,120 Speaker 3: take another piece of colony and put like a lining 1065 00:52:24,160 --> 00:52:29,880 Speaker 3: on it, so they redesign existing clothing. So I would 1066 00:52:29,920 --> 00:52:33,200 Speaker 3: like to give you the second the second time I'm 1067 00:52:33,239 --> 00:52:40,600 Speaker 3: doing this uh uh camo kimono, so don't move, don't 1068 00:52:40,600 --> 00:52:48,040 Speaker 3: move or go pee and then I'm going to give 1069 00:52:48,080 --> 00:52:57,320 Speaker 3: you a camo. Thank you very much, Sprouts and Fitcho, 1070 00:52:57,960 --> 00:53:00,000 Speaker 3: thank you for being on one. 1071 00:53:00,400 --> 00:53:03,799 Speaker 5: It's it's twisted tampam thing, the. 1072 00:53:03,960 --> 00:53:07,319 Speaker 3: Richa saxam guilty pleasures. 1073 00:53:07,400 --> 00:53:09,680 Speaker 5: This suner soon it's. 1074 00:53:09,560 --> 00:53:13,720 Speaker 3: So bad, it's good, the one bad, the only sugar