WEBVTT - RHOA: Kenya No Moore

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<v Speaker 1>Welcoup to Reality with the King. It's me Carlos Kings,

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<v Speaker 1>the King of Reality TV and one of the most

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<v Speaker 1>sought after executive producers in reality television with over ten

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<v Speaker 1>years a production experience. Twice a week on Reality with

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<v Speaker 1>the King, we'll sit down with my friends across the

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<v Speaker 1>entertainment industry, recap our favorite reality shows and revisit unforgettable

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<v Speaker 1>moments that we are still talking and tweeting about high

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<v Speaker 1>rain drops.

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<v Speaker 2>Let's have a real conversation.

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<v Speaker 1>Does that Claude and I do not prep what we're

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<v Speaker 1>gonna talk about?

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<v Speaker 2>We do?

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<v Speaker 1>We Actually, I literally have no idea what're they're about

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<v Speaker 1>to say? So let's bring on the one the only

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<v Speaker 1>dustin Raw.

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<v Speaker 3>Yeah, yeah, yeah, yeah, hell yeah. I've been waiting for tonight.

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<v Speaker 4>When I tell you I've been with I feel like

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<v Speaker 4>Jennifer Lopez waiting for tonight. Oh okay, I've been waiting.

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<v Speaker 4>God damn it. What's up?

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<v Speaker 3>Blows you doing?

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<v Speaker 2>You who needs no introduction? Apparently I'm so jealous.

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<v Speaker 5>Everyone's getting so accept me, Carlos. You look like even

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<v Speaker 5>one out all weekend. I look at that happy smile,

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<v Speaker 5>so happy. I love it. I love it. Hey, I

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<v Speaker 5>miss y'all, this is gonna be a great show.

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<v Speaker 1>I am Wow, ladies, gentlemen, gays and bays. The moment

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<v Speaker 1>you've all been waiting for. We are now going to

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<v Speaker 1>get into the most explosive, highly anticipated episode, the most

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<v Speaker 1>controversial episode probably in the history of the Real Housewives

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<v Speaker 1>of Atlanta. This episode I watch with baited breath, and

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<v Speaker 1>I watched it twice because I really the thing is

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<v Speaker 1>that I watched it the first time and I was

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<v Speaker 1>like watching it as like you know, Peyton, like what's

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<v Speaker 1>gonna happen because we already know what happened. Then I

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<v Speaker 1>watched it again to make sure that I was able

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<v Speaker 1>to understand everything, and I did. So I want to

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<v Speaker 1>get into it before we get into the moment that

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<v Speaker 1>happened between Kenya and and brit and everything.

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<v Speaker 2>That went down at Kenya. More hair Spa.

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<v Speaker 1>I want to get into more Hairy Care, LaToya, Hobbs, all,

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<v Speaker 1>the team twirl is the is in the chat. I

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<v Speaker 1>love you guys, Okay, So look, I do want to

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<v Speaker 1>first start off Claudia and Dustin. Kelly, I love you Kelly, Kelly.

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<v Speaker 1>You are raining as my number one favorite newbie. But Kelly,

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<v Speaker 1>baby doll. Angela Oakley is coming for your spot, and

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<v Speaker 1>I'm just being Kelly. I love you, but I got

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<v Speaker 1>to be honest with you. Angela is coming for your spot, Kelly. Sorry,

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<v Speaker 1>we'll see she surpasses you. But as of Doc Kelly,

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<v Speaker 1>you are still Carlos.

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<v Speaker 2>King's number one favorite newbie.

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<v Speaker 1>Angela Oakley scenes when it comes to her daughter and Claudia,

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<v Speaker 1>Dustin would love you to take take it from here.

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<v Speaker 2>I just want to say that.

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<v Speaker 1>I think Angela Oakley is such a natural and to

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<v Speaker 1>see her talk to her daughter and to discuss things

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<v Speaker 1>about going on in their dynamic, she is giving us

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<v Speaker 1>great personal story and I am here for all of it.

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<v Speaker 1>So get into Angela. Okay, Claudia and y'all agree with me,

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<v Speaker 1>disagree with me. What are your thoughts on her?

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<v Speaker 5>I think she's a great cast member being part of

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<v Speaker 5>this group. I don't see her like leading her own show,

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<v Speaker 5>but I see her as being a stand up star

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<v Speaker 5>in an ensemble cast because she's not Rah rah rah.

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<v Speaker 5>She's not there, but she's subtle about it. And like

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<v Speaker 5>Dustin was saying, just now, we want to see real

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<v Speaker 5>life stuff, and she plays right into that. And I

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<v Speaker 5>don't think she's playing. That's why it's good. You could

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<v Speaker 5>tell Charles kind of doesn't play ball with her sometimes

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<v Speaker 5>and kind of throws her off. That's real. Sometimes in

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<v Speaker 5>relationship you want your guy to be all fawning a

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<v Speaker 5>little you. And he made the you know, not help

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<v Speaker 5>when her gets up out of the truck or load

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<v Speaker 5>the stuff up. He'll do stuff like that. But guess

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<v Speaker 5>what real relationships are like that. And then we got

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<v Speaker 5>the conversation with her daughter, and she didn't know that

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<v Speaker 5>her daughter got married. It seemed like the cameras weren't

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<v Speaker 5>even really there. The way her taught her daughter did

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<v Speaker 5>not come off as performative. Her daughter came off like

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<v Speaker 5>they were caught on camera, not like they were playing

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<v Speaker 5>for camera. And I really liked, right, didn't it feel

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<v Speaker 5>very very real? And you're like, damn, like y'all talk

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<v Speaker 5>about some real shit. I like you doesn't get so

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<v Speaker 5>sick and tired. And this is what kind of irritated

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<v Speaker 5>me when I was in reality TV. Everybody acts like

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<v Speaker 5>their life is always on ten. It's always a designer bag,

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<v Speaker 5>it's always a har mess, it's always a top notch event,

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<v Speaker 5>it's always Bentley's and rolls voices, and it's not some

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<v Speaker 5>days it's real life stuff where you're mad you're Maddia

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<v Speaker 5>daughter because she didn't tell you. Sometimes you think her

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<v Speaker 5>daughter should share with your mom, her mom. That is

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<v Speaker 5>what makes the average person who does not live like

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<v Speaker 5>affluent like that want to rock with y'all and want

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<v Speaker 5>to care about your People are not going to relate.

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<v Speaker 5>And I would tell people on some other reality shows

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<v Speaker 5>I worked on, stop you're playing above the heads of

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<v Speaker 5>your viewers, Like, you can't assume everyone like that, that's

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<v Speaker 5>unrelatable something of that stuff. But that family stuff is

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<v Speaker 5>relable to everyone, no matter what income level you're on, Like,

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<v Speaker 5>we can relate to that, and I liked it. I

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<v Speaker 5>was here for that.

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<v Speaker 4>Yeah, speaking further to the relatability piece that I think

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<v Speaker 4>is Angela's superpower, right, they said, yeah, she is married

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<v Speaker 4>to Charles Oakley, and if you're a person of a

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<v Speaker 4>certain age, you know who the fuck Charles Oakley is,

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<v Speaker 4>And if you know anything about sports, you do, so

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<v Speaker 4>you know what that means for her to be his wife.

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<v Speaker 4>And there are she has the quirks that make housewives

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<v Speaker 4>memorable and that make us like certain housewives. Prime example,

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<v Speaker 4>it's the little shit she does. She was washing her

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<v Speaker 4>face and that scene in the bathroom, washing her face

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<v Speaker 4>using a little pad or something, and she had her

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<v Speaker 4>hair pulled back in a ponytail, like black woman. I

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<v Speaker 4>got a mother, and my parents been married fifty five years,

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<v Speaker 4>so I've seen my mother do this for a long time,

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<v Speaker 4>pull her her hair back in that ponytail to wash

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<v Speaker 4>her face and call my daddy while she's in the mirror.

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<v Speaker 4>And it was something about the way Angela called Charles's

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<v Speaker 4>name twice when she was washing her face. She said Charles,

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<v Speaker 4>then she said Charles. She called him like that, the

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<v Speaker 4>way she said Charles that second time. That's the kind

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<v Speaker 4>of shit that endears us to a housewife. It's very natural,

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<v Speaker 4>it's very real, it's very relatable, and I'm enjoying her.

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<v Speaker 4>I'm enjoying this season overall. But yes, I agree with

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<v Speaker 4>you that Kelly is a great, great force to be

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<v Speaker 4>wrecking with on this cast. She is the stuff housewives

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<v Speaker 4>are made of. And Angela Oakley is a very nice

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<v Speaker 4>surprise for me as a viewer of this show. I'm

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<v Speaker 4>thoroughly enjoying the two of them.

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<v Speaker 5>Kelly was is fun and at one point I thought

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<v Speaker 5>she was gonna be not fake. But like at first

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<v Speaker 5>she sat down with Kenya and them with the other girls,

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<v Speaker 5>and then when she went with her with Britt, she

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<v Speaker 5>definitely showed her like loyalty to Britt, Like how she

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<v Speaker 5>walked out of the event, and that's hard to do

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<v Speaker 5>because you're knew you kind of want to you kind

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<v Speaker 5>of got in with it. The olgi's like you, and

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<v Speaker 5>like it showed that she has some about her. She's

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<v Speaker 5>not a big stand on what she believes. She's not

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<v Speaker 5>kind of going with the flow. She's not flippity floppity.

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<v Speaker 5>She's kind of standing on something. And you know, I

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<v Speaker 5>did like that about her.

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<v Speaker 4>Yeah, I agree, she's short so she'd be looking up,

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<v Speaker 4>but she know where she's.

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<v Speaker 3>Going and I like that about her. I liked that

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<v Speaker 3>about Kelly.

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<v Speaker 4>That Kelly she's a good addition to this cast. So

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<v Speaker 4>let's shoot the ship, right, since we got to talk

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<v Speaker 4>about it, let's talk about it. I I like Bret sorry,

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<v Speaker 4>and I feel like me liking.

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<v Speaker 2>You have to apologize for that.

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<v Speaker 4>I feel like me liking Kenya and wanting Kenya to

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<v Speaker 4>still be a part of this cast, and me feeling

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<v Speaker 4>like it was wrong that Kenya was released from the

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<v Speaker 4>filming schedule.

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<v Speaker 3>Me not agreeing with that does not mean.

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<v Speaker 4>That I have to not appreciate what I think feel

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<v Speaker 4>Britt Edie brings to this cast.

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<v Speaker 3>So that's where let's.

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<v Speaker 2>Get into it. Let's let's let's have real conversation.

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<v Speaker 1>One thing about all of us is we're very honest,

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<v Speaker 1>and we don't say the things that are popular for

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<v Speaker 1>the court of public opinion to approve us.

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<v Speaker 2>Right, we say what's real.

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<v Speaker 1>And and one thing about all three of us, y'all, y'all, y'all,

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<v Speaker 1>y'all will catch on later that we're right, right, I said,

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<v Speaker 1>I said day one. I like Britt, I like Kelly,

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<v Speaker 1>I like Angela, I like all the new girls.

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<v Speaker 2>I've known Shemir for years. I've always loved her.

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<v Speaker 1>The thing with Britt is this, and I do like Britt,

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<v Speaker 1>and I still like Britt, and I want to have

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<v Speaker 1>real conversation. You can like somebody and it doesn't mean

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<v Speaker 1>you dislike the other person, and vice versa. So that's

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<v Speaker 1>what it is. I think Britt is a great housewife.

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<v Speaker 1>Now with that being said, let's get into the first

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<v Speaker 1>scene with Britt, Shemiah, and Angela. I'm going to be

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<v Speaker 1>honest how I felt. I felt Britt was performative in

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<v Speaker 1>that scene. To me come across authentic.

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<v Speaker 2>I didn't. I didn't think. I didn't think the.

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<v Speaker 1>I have been doing reality television for twenty years. Okay,

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<v Speaker 1>put some respect on my name. I know what the

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<v Speaker 1>fuck I'll be talking about. Y'all don't have to agree

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<v Speaker 1>with me, and that's fine. I think it's fun with y'all.

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<v Speaker 1>Don't because I ain't losing those sleep And if you

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<v Speaker 1>and if you are a critical thinker, you would maybe

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<v Speaker 1>sometimes be like he knows a little bit more than

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<v Speaker 1>the average Joe.

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<v Speaker 2>Right.

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<v Speaker 1>When I watched that scene between Shamiyah, Angela and Britt,

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<v Speaker 1>and I like Britt and I and I think Britt's

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<v Speaker 1>a great housewife. Again, it came across performative where I

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<v Speaker 1>think Britt came into the scene feeling like she had

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<v Speaker 1>to be apologetic. I believe because I've been doing I

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<v Speaker 1>know how this should works. I believe some phone calls

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<v Speaker 1>were made and Britt was They were like, girl, you boom.

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<v Speaker 1>I did, but girl ain't a good look, and I

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<v Speaker 1>think she had to Well, I don't want whatever I

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<v Speaker 1>felt like Britt was trying to do damage control on

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<v Speaker 1>the comment that she made right and I didn't buy it.

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<v Speaker 1>I didn't buy it. I didn't buy it in that scene.

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<v Speaker 2>I didn't. I didn't did.

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<v Speaker 1>I felt nothing and the work of Winnie Houston, I

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<v Speaker 1>have nothing. I had nothing to feel. People Bryson fell

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<v Speaker 1>the fire, I felt nothing. You know, changing faces stroked

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<v Speaker 1>me up, struck me down. I wasn't stroked. I felt nothing.

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<v Speaker 1>I didn't feel anything, and I did. I agree with you.

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<v Speaker 5>I thought it was very fake and to me, it

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<v Speaker 5>made me feel like she's not right for the show. Actually, okay,

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<v Speaker 5>like we just praised Kelly for standing on business. If

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<v Speaker 5>that's what you felt, then stand on that ship. Yeah

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<v Speaker 5>I should have said that about a gun. I'm not

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<v Speaker 5>sorry that I checked her because I don't like her.

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<v Speaker 5>It's very obvious she is not like Kenya. Since day one,

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<v Speaker 5>it's very obvious that she has been looking for a

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<v Speaker 5>reason to go off, and at that dinner where Kenya

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<v Speaker 5>gave her a hug and patter, which is not that

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<v Speaker 5>big of a deal, gave her her excuse to be mad,

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<v Speaker 5>be big mad. She got the phone calls because let

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<v Speaker 5>me tell you this, well, not tell you this, because

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<v Speaker 5>y'all know this. This is episode four, right, four or

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<v Speaker 5>five five five, So this may have been shot pretty

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<v Speaker 5>early on where you don't really know if you're solidified, right,

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<v Speaker 5>because you don't really know. They film you, you're a

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<v Speaker 5>new girl, you film, and then later on through filming,

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<v Speaker 5>maybe she was still it wasn't all the way locked in, right, Carlos,

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<v Speaker 5>Like you can be filming and then it's not locked in.

0:11:41.720 --> 0:11:45.240
<v Speaker 5>So maybe it was like she was testing you want

0:11:45.240 --> 0:11:48.800
<v Speaker 5>to be kept around here, play the game? Because it

0:11:48.800 --> 0:11:51.400
<v Speaker 5>felt how were you so crunked for four episodes and

0:11:51.520 --> 0:11:54.480
<v Speaker 5>all of a sudden it all like I've never seen

0:11:54.480 --> 0:11:58.200
<v Speaker 5>anyone change their stances. We just talked to Heavenly, what

0:11:58.400 --> 0:12:01.280
<v Speaker 5>twelve years they're still doing this same shit. You think

0:12:01.320 --> 0:12:03.480
<v Speaker 5>someone in four episodes is really gonna have a change

0:12:03.480 --> 0:12:07.319
<v Speaker 5>of heart. No, I think that was job security, which

0:12:07.320 --> 0:12:09.439
<v Speaker 5>I get it, Britt. I'm not even like coming for

0:12:09.520 --> 0:12:11.800
<v Speaker 5>you on that. I understand it's a great opportunity. You

0:12:11.840 --> 0:12:13.400
<v Speaker 5>probably want to be on this for a long time.

0:12:13.600 --> 0:12:15.280
<v Speaker 5>You got on. I get why you would do it,

0:12:15.360 --> 0:12:18.360
<v Speaker 5>but it definitely felt like like fake, like I'm gonna

0:12:18.360 --> 0:12:20.760
<v Speaker 5>say what I gotta say just to get through this,

0:12:21.200 --> 0:12:22.440
<v Speaker 5>but I don't feel it.

0:12:22.360 --> 0:12:24.079
<v Speaker 3>She could have been slicker about it. You know what

0:12:24.160 --> 0:12:24.560
<v Speaker 3>I'm saying.

0:12:24.559 --> 0:12:26.840
<v Speaker 4>If you're gonna be performative, put on a show, you

0:12:26.880 --> 0:12:29.280
<v Speaker 4>know what I'm saying that, And she did not do that.

0:12:29.559 --> 0:12:32.520
<v Speaker 4>I think the body posturing while she was talking, when

0:12:32.559 --> 0:12:36.320
<v Speaker 4>she was doing like this and saying I didn't I mean,

0:12:36.760 --> 0:12:38.600
<v Speaker 4>you know, all of that shit, it was just it

0:12:38.640 --> 0:12:42.400
<v Speaker 4>did not come off as genuine. I agree, And I

0:12:42.440 --> 0:12:45.920
<v Speaker 4>feel like, so let's talk about what we were robbed of, right.

0:12:45.960 --> 0:12:48.120
<v Speaker 4>I feel like, with Kenya making an exit this early

0:12:48.160 --> 0:12:51.199
<v Speaker 4>in the season, we were robbed of an interesting ass.

0:12:51.240 --> 0:12:51.360
<v Speaker 5>For you.

0:12:51.679 --> 0:12:55.160
<v Speaker 4>Y'all want drama, y'all want fireworks, Let Britt and Kenya

0:12:55.240 --> 0:12:57.520
<v Speaker 4>go at it for the whole damn season. I feel

0:12:57.559 --> 0:12:59.480
<v Speaker 4>like we were robbed of that, you know what I'm saying.

0:12:59.559 --> 0:13:03.920
<v Speaker 4>I feel like brit as a newbie with a unique

0:13:04.000 --> 0:13:09.680
<v Speaker 4>vocal tone, fashion sense, and enough balls to get into

0:13:09.720 --> 0:13:11.800
<v Speaker 4>a verbal back and forth with somebody. She had the

0:13:11.880 --> 0:13:15.800
<v Speaker 4>makings of a likable villain very early on in the season,

0:13:15.920 --> 0:13:18.080
<v Speaker 4>and I think she just played her cards wrong. She

0:13:18.120 --> 0:13:20.480
<v Speaker 4>came in way too high at the bank and she

0:13:20.679 --> 0:13:24.600
<v Speaker 4>was starting shit with Kenya, and she actually gave Kenya

0:13:24.640 --> 0:13:27.760
<v Speaker 4>an opportunity to be clean and look good. She gave

0:13:27.840 --> 0:13:31.599
<v Speaker 4>Kenya an opportunity to ignore her, not feed into her antics,

0:13:31.880 --> 0:13:33.880
<v Speaker 4>turn her back on her, and let her spiral out

0:13:33.880 --> 0:13:36.640
<v Speaker 4>of control, which is exactly what happened when she became

0:13:36.760 --> 0:13:40.280
<v Speaker 4>Yosemite brit and she started twirling them guns verbally, you

0:13:40.280 --> 0:13:42.160
<v Speaker 4>know what I'm saying, with her mouth and talking about

0:13:42.240 --> 0:13:46.040
<v Speaker 4>pistols and shit. Kenya made her spiral by ignoring her,

0:13:46.360 --> 0:13:49.080
<v Speaker 4>and that was disappointing to me. I'm like, damn, you

0:13:49.160 --> 0:13:52.199
<v Speaker 4>a speaking to Whitney Houston. Didn't we almost have it all?

0:13:52.280 --> 0:13:55.160
<v Speaker 4>You know what I'm saying. We almost had a good

0:13:55.320 --> 0:13:58.160
<v Speaker 4>new motherfucker on the show. Who really could, you know

0:13:58.160 --> 0:14:02.280
<v Speaker 4>what I'm saying, be a beautiful and we just arrived

0:14:02.320 --> 0:14:04.160
<v Speaker 4>at that, and I think it's going way too far.

0:14:04.320 --> 0:14:05.920
<v Speaker 4>I think she was way out of line for talking

0:14:05.960 --> 0:14:08.120
<v Speaker 4>about pistols. Kenya was way out of the line for

0:14:08.160 --> 0:14:11.400
<v Speaker 4>showing the picture of her allegedly sucking dick. That's ridiculous.

0:14:11.440 --> 0:14:13.280
<v Speaker 4>You can't do that, you know what I'm saying.

0:14:13.440 --> 0:14:14.240
<v Speaker 3>It's it's just not.

0:14:14.880 --> 0:14:16.760
<v Speaker 5>They were both dead ass wrong, and I know you

0:14:17.000 --> 0:14:19.120
<v Speaker 5>expect me to sit up hear and just defend Kenya

0:14:19.320 --> 0:14:21.240
<v Speaker 5>to that. I don't. I've never been like that. No,

0:14:21.360 --> 0:14:23.440
<v Speaker 5>it was definitely wrong. It went too far, and it

0:14:23.480 --> 0:14:26.240
<v Speaker 5>took a beautiful moment, like the way it was being

0:14:26.280 --> 0:14:29.800
<v Speaker 5>set up and that event. How beautiful was Kenya with

0:14:29.840 --> 0:14:30.840
<v Speaker 5>that banging dress?

0:14:31.320 --> 0:14:34.720
<v Speaker 1>You were there, I was there, but that so I

0:14:34.760 --> 0:14:42.600
<v Speaker 1>want I want to ask you this. That's fine, Claudia,

0:14:42.840 --> 0:14:45.440
<v Speaker 1>Claudia if their defense, Claudia.

0:14:45.960 --> 0:14:48.800
<v Speaker 5>I left, I left before that happened.

0:14:48.800 --> 0:14:52.400
<v Speaker 2>I just off teeth. I do want to ask you this.

0:14:52.760 --> 0:14:59.680
<v Speaker 1>You actually were president for Kenya Moore's hairspot grand opening, right,

0:14:59.760 --> 0:15:03.920
<v Speaker 1>the celebration of this amazing brick and mortar that.

0:15:03.920 --> 0:15:05.760
<v Speaker 2>She was able to do on her own, which is.

0:15:05.720 --> 0:15:07.680
<v Speaker 3>A huge feet beautiful.

0:15:07.760 --> 0:15:08.280
<v Speaker 2>You were there.

0:15:09.040 --> 0:15:14.400
<v Speaker 1>Can you explain to us the temperature in the room

0:15:14.720 --> 0:15:17.880
<v Speaker 1>while you were there, because obviously you're not on the show,

0:15:17.960 --> 0:15:20.720
<v Speaker 1>so you don't know, like what the dynamics of everybody.

0:15:20.760 --> 0:15:23.800
<v Speaker 1>But was the tension in the earth thick? Did you

0:15:23.840 --> 0:15:26.960
<v Speaker 1>feel like something weird was going on or what? What

0:15:27.160 --> 0:15:30.520
<v Speaker 1>did you see? Now my hindsight, you're like, oh, I

0:15:30.640 --> 0:15:32.920
<v Speaker 1>now see why that was the crazy thing.

0:15:33.000 --> 0:15:36.640
<v Speaker 5>There was no clues, there was no indication, it was

0:15:36.720 --> 0:15:39.600
<v Speaker 5>none of that Kenya was pleasant. I didn't think that

0:15:39.680 --> 0:15:42.800
<v Speaker 5>she was like wait for the next ten minutes, like

0:15:42.880 --> 0:15:48.240
<v Speaker 5>stick around something, gave no hints, nothing, I mean, it

0:15:48.360 --> 0:15:51.400
<v Speaker 5>was like all good vibes like I you know, I

0:15:52.000 --> 0:15:54.520
<v Speaker 5>did not see it coming. I did not taken pictures

0:15:54.560 --> 0:15:57.560
<v Speaker 5>like by the beautiful flower wall. It was none of that.

0:15:57.640 --> 0:16:02.600
<v Speaker 5>So I'm just like when Kenya not let on at

0:16:02.640 --> 0:16:05.520
<v Speaker 5>all at all, at all.

0:16:05.360 --> 0:16:07.160
<v Speaker 4>I wasn't even there, and I feel the same way.

0:16:07.440 --> 0:16:09.880
<v Speaker 4>It's so crazy because and I know I can't be

0:16:09.960 --> 0:16:11.880
<v Speaker 4>the only person that feels like this, but it's like

0:16:11.920 --> 0:16:14.320
<v Speaker 4>we know what happened, but we still don't know what happened.

0:16:14.720 --> 0:16:16.640
<v Speaker 4>It still doesn't make sense to me, Like none of

0:16:16.640 --> 0:16:19.640
<v Speaker 4>their few doesn't make sense. I just feel like we

0:16:19.760 --> 0:16:21.000
<v Speaker 4>arrived at a conclusion.

0:16:21.080 --> 0:16:21.720
<v Speaker 3>You know what I'm saying.

0:16:22.280 --> 0:16:27.560
<v Speaker 4>There was no there was no story built to introduce

0:16:27.680 --> 0:16:28.280
<v Speaker 4>them as.

0:16:29.760 --> 0:16:30.120
<v Speaker 3>Rival.

0:16:30.200 --> 0:16:32.240
<v Speaker 4>There's just nothing. I just feel like they had a

0:16:32.280 --> 0:16:34.880
<v Speaker 4>bad night and the next thing we know, it's dick

0:16:35.000 --> 0:16:38.480
<v Speaker 4>sucking posters. So it just all I don't I just

0:16:38.520 --> 0:16:40.000
<v Speaker 4>feel confused.

0:16:39.480 --> 0:16:40.600
<v Speaker 3>About the whole situation.

0:16:41.040 --> 0:16:44.640
<v Speaker 1>I think Porscha clocked it for listen. For me, I thought, okay,

0:16:44.800 --> 0:16:48.720
<v Speaker 1>so we watched the scene where it was Porscha, Kelly

0:16:48.840 --> 0:16:52.320
<v Speaker 1>and Kenya, and they were there to support Kenya as

0:16:52.360 --> 0:16:57.240
<v Speaker 1>she was testing models for her events. When they started

0:16:57.240 --> 0:17:02.040
<v Speaker 1>recapping what was happening with the night before with Angela

0:17:02.040 --> 0:17:04.960
<v Speaker 1>Oakley's event, Brit saying the pistol thing, all those things.

0:17:06.000 --> 0:17:08.199
<v Speaker 1>I think a lot of people miss Porscha's point, and

0:17:08.200 --> 0:17:11.040
<v Speaker 1>I want to address it because I felt like Porscha

0:17:11.119 --> 0:17:16.600
<v Speaker 1>clocked it and I don't think people really clocked it

0:17:16.640 --> 0:17:19.439
<v Speaker 1>the way Porsche did. And the moment Portia said this,

0:17:19.560 --> 0:17:23.160
<v Speaker 1>I was like, finally somebody said it, and I'm paraphrase

0:17:23.240 --> 0:17:25.680
<v Speaker 1>what Portia said, So please watch the show. But Porsche

0:17:25.880 --> 0:17:32.080
<v Speaker 1>pretty much intimated that. Look, Brient watched the show. Brent

0:17:32.280 --> 0:17:35.240
<v Speaker 1>knows who Kenya Moore is. Kenya Moore is one of

0:17:35.320 --> 0:17:38.560
<v Speaker 1>the most iconic, legendary reality starts in the history of

0:17:38.600 --> 0:17:44.000
<v Speaker 1>the world. Right, And it's okay to have preconceived notions

0:17:44.600 --> 0:17:46.560
<v Speaker 1>going into the show. And the reason why I said

0:17:46.600 --> 0:17:48.920
<v Speaker 1>it's okay, and hear me out when I say this,

0:17:49.680 --> 0:17:55.040
<v Speaker 1>it's hard to walk into a show that you've watched

0:17:55.520 --> 0:17:59.320
<v Speaker 1>without having it and anybody who says that if you

0:17:59.320 --> 0:18:03.200
<v Speaker 1>haven't watched it, that's one thing Brit coming into this show.

0:18:03.840 --> 0:18:05.840
<v Speaker 1>She clearly knew who Kenya Moore was, and we all

0:18:06.040 --> 0:18:10.199
<v Speaker 1>have seen Kenya Moore clips Portia clocked it where she's like,

0:18:10.359 --> 0:18:15.280
<v Speaker 1>I think Brit was like, I know what Kenya gives

0:18:15.320 --> 0:18:18.400
<v Speaker 1>and that's not about to be me. And that's why

0:18:18.480 --> 0:18:23.720
<v Speaker 1>I was saying last week, Brit Britt. In my opinion,

0:18:23.920 --> 0:18:26.000
<v Speaker 1>I felt like Brett did not want to be the

0:18:26.000 --> 0:18:27.679
<v Speaker 1>girl that Kenyamore read.

0:18:28.440 --> 0:18:33.200
<v Speaker 2>Right, and she wanted to make that very clear.

0:18:33.800 --> 0:18:36.800
<v Speaker 1>Kenya Moore clocked it last week, and that's why she said,

0:18:36.840 --> 0:18:40.560
<v Speaker 1>you want a moment, because the reason why you're confused, Dustine,

0:18:40.600 --> 0:18:42.720
<v Speaker 1>the reason why Claudia is confused, the reason why the

0:18:42.760 --> 0:18:45.080
<v Speaker 1>six thousand people in this room are confused, and the

0:18:45.119 --> 0:18:47.600
<v Speaker 1>reason why some of the audience is confused is because

0:18:48.160 --> 0:18:50.679
<v Speaker 1>it went from zero to sixty in a matter of

0:18:50.760 --> 0:18:55.520
<v Speaker 1>two seconds. And then Claudia clocked it earlier, which is

0:18:55.600 --> 0:18:58.120
<v Speaker 1>like to be on a ten and to go down

0:18:58.119 --> 0:19:02.080
<v Speaker 1>to a zero. I know how this works. And sometimes

0:19:02.160 --> 0:19:06.199
<v Speaker 1>Claudia am I lying when when some of these girls

0:19:06.200 --> 0:19:07.960
<v Speaker 1>are on the ten, it takes a week to get

0:19:08.080 --> 0:19:11.760
<v Speaker 1>down to an eight and and and I think that's

0:19:11.800 --> 0:19:15.119
<v Speaker 1>why it was hard for people to digest it, and

0:19:15.160 --> 0:19:18.000
<v Speaker 1>I think that's the reason why we're so confused. But

0:19:18.080 --> 0:19:20.360
<v Speaker 1>I think Portia clocked it, and I wanted to say that,

0:19:21.000 --> 0:19:24.600
<v Speaker 1>and look, I think Kenya, in my opinion, I think

0:19:24.720 --> 0:19:34.320
<v Speaker 1>Kenya knew that. Okay, this girl wants to establish her

0:19:34.400 --> 0:19:35.639
<v Speaker 1>position on this show.

0:19:35.960 --> 0:19:40.440
<v Speaker 2>And there's nothing wrong with that, right, Claudia.

0:19:40.160 --> 0:19:42.919
<v Speaker 1>Is right in some cases, not all, butun in some

0:19:43.880 --> 0:19:46.600
<v Speaker 1>you are kind of auditioning for a few months.

0:19:47.359 --> 0:19:51.480
<v Speaker 2>Kenya Moore has said it publicly that she was.

0:19:51.800 --> 0:19:54.040
<v Speaker 1>Season five, she was on the she was she was

0:19:54.080 --> 0:19:58.160
<v Speaker 1>filming without being a housewife, and she was like, Okay,

0:19:58.200 --> 0:20:00.600
<v Speaker 1>now look, if y'all want me cold, I don't about

0:20:00.640 --> 0:20:03.160
<v Speaker 1>it here. So I think you guys have to look

0:20:03.160 --> 0:20:05.560
<v Speaker 1>at things like that. And that's why I want to

0:20:05.640 --> 0:20:11.119
<v Speaker 1>least give brit some grace too, in terms of you

0:20:11.200 --> 0:20:16.000
<v Speaker 1>have this big opportunity and you want to be able

0:20:16.040 --> 0:20:17.240
<v Speaker 1>to solidify your position.

0:20:18.359 --> 0:20:22.680
<v Speaker 5>But that was like such a trash way of doing it.

0:20:22.760 --> 0:20:24.879
<v Speaker 5>Like you know what, I don't like. I don't like

0:20:25.000 --> 0:20:28.560
<v Speaker 5>false confidence because leading up to that, you that bitch,

0:20:28.600 --> 0:20:30.879
<v Speaker 5>you got the husband, you got this, you the baddie

0:20:30.880 --> 0:20:33.160
<v Speaker 5>that's been doing videos since your high school, you got

0:20:33.160 --> 0:20:35.199
<v Speaker 5>this that and the third, if you have confidence in

0:20:35.240 --> 0:20:38.600
<v Speaker 5>yourself and you know you're dope, right, you shouldn't have

0:20:38.640 --> 0:20:40.359
<v Speaker 5>to do all of that. You shouldn't have to like

0:20:40.720 --> 0:20:43.880
<v Speaker 5>fight with this girl like that. Like Kenya, listen, Keny

0:20:44.000 --> 0:20:45.320
<v Speaker 5>can be a lot of things, and she can run

0:20:45.359 --> 0:20:46.960
<v Speaker 5>people the wrong way, and she can talk herself, and

0:20:47.000 --> 0:20:48.720
<v Speaker 5>she can easily get under your skin. You know why.

0:20:48.880 --> 0:20:52.520
<v Speaker 5>She's very smart and she's very patient, and she usually

0:20:52.560 --> 0:20:55.160
<v Speaker 5>doesn't make these kind of miscalculations. That's why I'm actually

0:20:55.240 --> 0:20:58.040
<v Speaker 5>kind of shocked that she did this. So it's like

0:20:59.160 --> 0:21:01.359
<v Speaker 5>maybe she felt like, you know, amongst the new girls,

0:21:01.440 --> 0:21:03.600
<v Speaker 5>like damn, I'm with the new batch of girls, but

0:21:03.680 --> 0:21:06.240
<v Speaker 5>they just as bad, if not more, like and bad

0:21:06.280 --> 0:21:08.560
<v Speaker 5>meaning good, you know what I mean. So let me

0:21:08.640 --> 0:21:10.240
<v Speaker 5>just go, let me just go tip a tap with

0:21:10.240 --> 0:21:12.280
<v Speaker 5>the queen. Maybe she thought she was like, you know,

0:21:13.000 --> 0:21:15.000
<v Speaker 5>you know, people think that I came for Nani and

0:21:15.040 --> 0:21:16.640
<v Speaker 5>that was what got me on, and I really didn't.

0:21:16.720 --> 0:21:18.359
<v Speaker 5>It truly was in the moment, and that was an

0:21:18.520 --> 0:21:21.440
<v Speaker 5>organic moment, and it going there with a preconceived notion

0:21:21.640 --> 0:21:24.520
<v Speaker 5>or an agenda. It definitely felt from early on that

0:21:24.600 --> 0:21:27.119
<v Speaker 5>she had an agenda, and that's what makes a whack.

0:21:27.440 --> 0:21:29.720
<v Speaker 5>Going in with an agenda to me is just as

0:21:29.760 --> 0:21:33.639
<v Speaker 5>whack is having a pre rehearsed read that is like,

0:21:33.800 --> 0:21:36.520
<v Speaker 5>that is whack. That's like I'm gonna wait for the

0:21:36.560 --> 0:21:39.480
<v Speaker 5>right moment to drop this, this, this, this, this, No,

0:21:39.840 --> 0:21:43.240
<v Speaker 5>if you really are that bitch, that girl, you should

0:21:43.280 --> 0:21:45.240
<v Speaker 5>be that confident that I'm smart, I'm quick, and i

0:21:45.280 --> 0:21:47.040
<v Speaker 5>know how to clock shit and I'll be able to

0:21:47.080 --> 0:21:49.919
<v Speaker 5>respond appropriately with the right amount of force in the moment,

0:21:50.160 --> 0:21:52.040
<v Speaker 5>and that's what makes you a good housewife. Now you

0:21:52.080 --> 0:21:56.720
<v Speaker 5>look unhinged. Now, you we don't even feel like I mean, yeah,

0:21:56.760 --> 0:21:58.720
<v Speaker 5>it was fucked up what happened with Kenya, what Kenya

0:21:58.760 --> 0:22:01.040
<v Speaker 5>did to brit but we I just don't really felt

0:22:01.080 --> 0:22:04.000
<v Speaker 5>bad for either one of them now because they both

0:22:04.160 --> 0:22:06.120
<v Speaker 5>kind of did some shit that was like too far.

0:22:07.080 --> 0:22:11.040
<v Speaker 4>They did, And you're one hundred percent right about Britt

0:22:11.280 --> 0:22:13.639
<v Speaker 4>just doing things for the sake of doing them, and

0:22:13.680 --> 0:22:15.920
<v Speaker 4>it actually her behavior at the dinner at the bank

0:22:15.960 --> 0:22:19.600
<v Speaker 4>contradicted what she expressed to Angela when they went for

0:22:19.640 --> 0:22:21.879
<v Speaker 4>that walk, and she told her that, you know, I

0:22:21.920 --> 0:22:24.040
<v Speaker 4>feel a certain energy from Kenya and basically, if she

0:22:24.080 --> 0:22:26.719
<v Speaker 4>fuck with me again, I'm on her ass right. You

0:22:26.760 --> 0:22:28.840
<v Speaker 4>can feel that way, but it doesn't mean you have

0:22:28.880 --> 0:22:31.480
<v Speaker 4>to seek or pursue or look for an argument or

0:22:31.480 --> 0:22:35.120
<v Speaker 4>a confrontation. You just wait until, hopefully it doesn't ever

0:22:35.160 --> 0:22:38.280
<v Speaker 4>present itself. But you wait until someone has, you know,

0:22:38.600 --> 0:22:40.840
<v Speaker 4>offended you in that way and you checked their ass.

0:22:41.080 --> 0:22:43.920
<v Speaker 4>Kenya had done nothing to her, She said nothing offensive

0:22:43.920 --> 0:22:46.600
<v Speaker 4>to her at that dinner. She was actually very pleasant

0:22:46.640 --> 0:22:50.720
<v Speaker 4>with her, and so BRIT's behavior did appear unhensed and

0:22:50.880 --> 0:22:54.360
<v Speaker 4>out of place and motivated by a desire to not

0:22:54.440 --> 0:22:55.000
<v Speaker 4>get punked.

0:22:55.040 --> 0:22:56.880
<v Speaker 3>You ain't gonna get me. I ain't gonna be the one,

0:22:56.920 --> 0:22:57.080
<v Speaker 3>you know.

0:22:57.160 --> 0:22:59.560
<v Speaker 4>It felt like that, and that's never entertaining. When you

0:22:59.560 --> 0:23:01.919
<v Speaker 4>could have just sat there, been cool with all these ladies.

0:23:01.960 --> 0:23:04.639
<v Speaker 4>Look beautiful, she's gorgeous. She could have just looked beautiful.

0:23:04.840 --> 0:23:09.119
<v Speaker 4>And if Kenya decided did present that energy, then it

0:23:09.119 --> 0:23:11.040
<v Speaker 4>would have made sense to the viewers for her to

0:23:11.040 --> 0:23:13.800
<v Speaker 4>meet her at that level and let the chips fall

0:23:13.840 --> 0:23:16.399
<v Speaker 4>where they may. But Britt was on one, she was

0:23:16.440 --> 0:23:19.199
<v Speaker 4>turned up, and unfortunately this is where it ended. I

0:23:19.240 --> 0:23:22.400
<v Speaker 4>don't think Kenya should have been suspended. I don't think

0:23:22.400 --> 0:23:25.199
<v Speaker 4>what she did warranted being removed from the cast. Now,

0:23:25.240 --> 0:23:27.800
<v Speaker 4>I wasn't sucking dick on the posters, so maybe it's

0:23:27.800 --> 0:23:30.040
<v Speaker 4>not up to me, you know what I'm saying to

0:23:30.200 --> 0:23:32.720
<v Speaker 4>say that, But I don't feel like what she did.

0:23:33.080 --> 0:23:34.800
<v Speaker 3>We didn't see the picture as viewers.

0:23:34.840 --> 0:23:37.240
<v Speaker 4>The people that were there saw it, So I'm sure

0:23:37.320 --> 0:23:39.480
<v Speaker 4>that was terrible for her, and I can't speak to

0:23:39.520 --> 0:23:41.399
<v Speaker 4>what that means to her. But as far as the

0:23:41.440 --> 0:23:43.399
<v Speaker 4>shit that these women have done to each other on

0:23:43.440 --> 0:23:46.640
<v Speaker 4>this show up until now, a lot of other terrible

0:23:46.680 --> 0:23:49.000
<v Speaker 4>things have happened and we haven't seen people lose their

0:23:49.119 --> 0:23:51.439
<v Speaker 4>jobs over it. So I felt like that was a

0:23:51.440 --> 0:23:54.199
<v Speaker 4>little misaligned. And I hope to see Kenya hopefully at

0:23:54.200 --> 0:23:57.119
<v Speaker 4>the reunion and back on the cast next season so

0:23:57.119 --> 0:24:00.440
<v Speaker 4>we can watch the story forward unplayed. Don't get to

0:24:00.440 --> 0:24:02.919
<v Speaker 4>see what happened, We don't get to see them figure

0:24:02.920 --> 0:24:05.040
<v Speaker 4>it out. We didn't get to see either one of

0:24:05.040 --> 0:24:07.280
<v Speaker 4>them be accountable for their actions for real, for real.

0:24:07.359 --> 0:24:10.320
<v Speaker 4>So hopefully we get to see Kenya at the reunion

0:24:10.359 --> 0:24:13.040
<v Speaker 4>and we get to watch their story play out fully

0:24:13.440 --> 0:24:14.960
<v Speaker 4>next season. That's my hope.

0:24:15.600 --> 0:24:18.720
<v Speaker 5>Can I give advice to anyone that wants to do television?

0:24:18.760 --> 0:24:21.040
<v Speaker 5>I know I'm not like I was a one season person,

0:24:21.080 --> 0:24:24.080
<v Speaker 5>but I don't care about that. I know television, and

0:24:24.160 --> 0:24:28.280
<v Speaker 5>I know human nature, and I know I'm intelligent. No

0:24:28.520 --> 0:24:36.800
<v Speaker 5>housewife has ever become iconic from anything physical or threatening someone.

0:24:37.119 --> 0:24:40.159
<v Speaker 5>You are iconic when you have some measure of restraint,

0:24:40.240 --> 0:24:44.119
<v Speaker 5>when you murder with your words, by looking fabulous, not

0:24:44.359 --> 0:24:47.520
<v Speaker 5>cussing someone out and being rah rah and go and

0:24:47.760 --> 0:24:52.919
<v Speaker 5>going low. When you can look gorgeous, wealthy, affluent, classy,

0:24:53.119 --> 0:24:55.520
<v Speaker 5>but say some shit that gets to your soul and

0:24:55.560 --> 0:24:59.000
<v Speaker 5>gets you together, those are iconic. Or when you're fun,

0:24:59.240 --> 0:25:01.800
<v Speaker 5>like we're still saying leaks the ghetto, like we still

0:25:01.800 --> 0:25:04.200
<v Speaker 5>saying that, we still talk about white refrigerators, we still

0:25:04.200 --> 0:25:06.080
<v Speaker 5>talk about a lot of the other reason that people

0:25:06.119 --> 0:25:09.639
<v Speaker 5>have said, like who said that or whatever? Like you

0:25:09.680 --> 0:25:12.119
<v Speaker 5>know all those things, you know what I mean, Like

0:25:12.240 --> 0:25:15.720
<v Speaker 5>because those were like those are memorable moments. We don't

0:25:15.800 --> 0:25:18.280
<v Speaker 5>talk about horse or dragon Can you buy her hair?

0:25:18.400 --> 0:25:20.600
<v Speaker 5>Because that was violent. That was a dark spot in

0:25:20.640 --> 0:25:23.040
<v Speaker 5>the history of house spots. We're not gonna talk about

0:25:23.040 --> 0:25:25.720
<v Speaker 5>Britney much longer after this, after we get through the season,

0:25:26.000 --> 0:25:28.760
<v Speaker 5>it's gonna be a dark spot on the history of

0:25:28.840 --> 0:25:31.399
<v Speaker 5>the franchise. It's going to be the cute moments that

0:25:31.440 --> 0:25:34.520
<v Speaker 5>we can repeat amongst our friends in our group chats.

0:25:34.760 --> 0:25:37.720
<v Speaker 5>That's what makes you an iconic housewife. We want to

0:25:37.760 --> 0:25:39.720
<v Speaker 5>have fun and be able to repeat some of your lines.

0:25:39.840 --> 0:25:41.960
<v Speaker 5>Ain't no one want to repeat where's my pistol? Wear

0:25:42.000 --> 0:25:44.200
<v Speaker 5>my whips? And no one's gonna want to repeat putting

0:25:44.200 --> 0:25:46.440
<v Speaker 5>someone's dick sucking pitches on the poster either, So I'm

0:25:46.440 --> 0:25:48.600
<v Speaker 5>gonna keep it fair. I wish they would get back

0:25:48.600 --> 0:25:51.920
<v Speaker 5>to knowing, like the things that are memorable are when

0:25:51.960 --> 0:25:56.000
<v Speaker 5>they have they lasted upon you, but they also exercise

0:25:56.040 --> 0:25:58.000
<v Speaker 5>some restraint when you know, a bitch could whoop you ass,

0:25:58.119 --> 0:25:59.600
<v Speaker 5>but she whipped your ass with her words.

0:26:00.160 --> 0:26:03.080
<v Speaker 4>I also didn't understand how somebody got to if somebody

0:26:03.119 --> 0:26:06.400
<v Speaker 4>said they're gonna shoot you, wouldn't posting pictures of them

0:26:06.440 --> 0:26:08.280
<v Speaker 4>sucking dick make them want to shoot you some more?

0:26:08.520 --> 0:26:09.960
<v Speaker 4>You know what I'm saying, I don't. I just don't

0:26:10.000 --> 0:26:13.840
<v Speaker 4>understand how that was. That was the defense move, you

0:26:13.880 --> 0:26:15.240
<v Speaker 4>know what I'm saying. I just I don't know.

0:26:15.320 --> 0:26:17.200
<v Speaker 3>I just think it was. It just didn't make sense

0:26:17.240 --> 0:26:17.600
<v Speaker 3>to me, And I.

0:26:18.080 --> 0:26:19.879
<v Speaker 2>Mean, listen, it's the reason why.

0:26:20.560 --> 0:26:22.480
<v Speaker 1>As I was watching the episode and I wanted to

0:26:22.520 --> 0:26:23.280
<v Speaker 1>watch it twice.

0:26:23.600 --> 0:26:27.120
<v Speaker 2>And you know, when the when the event.

0:26:26.880 --> 0:26:32.440
<v Speaker 1>Started, you're seeing like the spotous, gorgeous, right beautiful, and

0:26:32.560 --> 0:26:34.000
<v Speaker 1>it looks beautiful.

0:26:34.320 --> 0:26:36.119
<v Speaker 2>And one of the things that.

0:26:37.640 --> 0:26:40.280
<v Speaker 1>I even took like, wow, this is great is the

0:26:40.359 --> 0:26:44.000
<v Speaker 1>fact that everybody did show up to support her, because

0:26:44.040 --> 0:26:47.320
<v Speaker 1>you know, a lot of those things don't happen. So

0:26:47.359 --> 0:26:52.960
<v Speaker 1>we see Kelly and Britt arrive together. I'm gonna start

0:26:52.960 --> 0:26:53.960
<v Speaker 1>by saying this, I'm gonna.

0:26:53.760 --> 0:26:54.400
<v Speaker 2>Finish it later.

0:26:55.720 --> 0:26:59.960
<v Speaker 1>In my opinion, Kelly was the MVP in this episode

0:27:00.000 --> 0:27:05.199
<v Speaker 1>code because that's the type of friend you want, you know,

0:27:05.359 --> 0:27:11.040
<v Speaker 1>like like Kelly, it's some listen the movie, there's something

0:27:11.040 --> 0:27:11.680
<v Speaker 1>about Mary.

0:27:11.800 --> 0:27:12.960
<v Speaker 2>There is something.

0:27:12.600 --> 0:27:16.160
<v Speaker 1>About Kelly where I just feel like she's so natural

0:27:16.240 --> 0:27:19.880
<v Speaker 1>and everything Kelly has done so far this season as

0:27:19.920 --> 0:27:22.080
<v Speaker 1>a human being when it comes to my friends, I

0:27:22.119 --> 0:27:23.719
<v Speaker 1>would have done the same thing in terms of like

0:27:24.119 --> 0:27:27.320
<v Speaker 1>having their back and being supportive when you felt like

0:27:27.359 --> 0:27:31.080
<v Speaker 1>your friend was being was being read, whatever the case

0:27:31.119 --> 0:27:31.399
<v Speaker 1>may be.

0:27:31.760 --> 0:27:33.040
<v Speaker 2>So anyway, have to.

0:27:33.040 --> 0:27:36.640
<v Speaker 1>Say, looking at Kingya's event, a lot of the comments

0:27:36.640 --> 0:27:40.840
<v Speaker 1>are saying this that it's a shame that it happened

0:27:40.880 --> 0:27:45.520
<v Speaker 1>at her event due to the celebratory nature of what

0:27:45.640 --> 0:27:49.920
<v Speaker 1>the accomplishment means. You've said it, Claudia said it, I've

0:27:49.960 --> 0:27:53.080
<v Speaker 1>said it. There's nobody saying what Kenya did was right.

0:27:53.480 --> 0:27:56.880
<v Speaker 1>We all collectively have said it last week, and we'll

0:27:56.920 --> 0:27:59.320
<v Speaker 1>say it again this week, and I'll say it. What

0:27:59.480 --> 0:28:04.320
<v Speaker 1>Kenya did was not okay. It was wrong. It was

0:28:04.520 --> 0:28:08.560
<v Speaker 1>unfortunate right. Two wrongs do not make a right. I

0:28:08.680 --> 0:28:12.280
<v Speaker 1>said what brit said is wrong. What Kenya did is wrong.

0:28:12.720 --> 0:28:17.240
<v Speaker 1>Two wrongs do not make a right. I wish Kenya

0:28:17.240 --> 0:28:20.720
<v Speaker 1>would have given her a read that would have, like

0:28:20.760 --> 0:28:27.000
<v Speaker 1>Claudia said, solidified the force multiplier that she is right

0:28:27.400 --> 0:28:31.320
<v Speaker 1>in a perfect world. I think that should have taken place.

0:28:31.760 --> 0:28:34.800
<v Speaker 1>Kenya Moore herself has said on tammeron Hall that.

0:28:34.840 --> 0:28:35.480
<v Speaker 2>She was wrong.

0:28:36.119 --> 0:28:39.240
<v Speaker 1>I don't see why people listen if the person who

0:28:39.240 --> 0:28:42.600
<v Speaker 1>did it is saying I was wrong and I should

0:28:42.640 --> 0:28:46.680
<v Speaker 1>have done something better. I don't think it's I don't

0:28:46.720 --> 0:28:49.560
<v Speaker 1>think it's bad for anyone else to be like, we

0:28:49.680 --> 0:28:52.240
<v Speaker 1>agree with you. It was a bad thing to do.

0:28:53.600 --> 0:28:57.400
<v Speaker 1>Based on what occurred and based on what led up

0:28:57.440 --> 0:29:02.560
<v Speaker 1>to it, it's evident that when it comes to King's

0:29:02.640 --> 0:29:06.680
<v Speaker 1>placed on the show, she is somebody that is irreplaceable.

0:29:08.000 --> 0:29:10.440
<v Speaker 1>When it comes to what the network decided to do.

0:29:11.080 --> 0:29:13.720
<v Speaker 1>I tell people this all the time. No one believes

0:29:13.760 --> 0:29:18.160
<v Speaker 1>me because it is what it is. The dismissal of

0:29:18.240 --> 0:29:21.360
<v Speaker 1>anybody is at the hands of the network. We don't

0:29:21.360 --> 0:29:26.840
<v Speaker 1>have Carlos King producers, production companies, We don't have a

0:29:26.960 --> 0:29:30.760
<v Speaker 1>say on the power to hi or fire anybody. Everything

0:29:30.920 --> 0:29:35.920
<v Speaker 1>is at the hands We can give our opinion with anything,

0:29:36.080 --> 0:29:39.800
<v Speaker 1>right Claudia. I've said this story before. I fought for Clauda.

0:29:39.840 --> 0:29:40.960
<v Speaker 2>I'm like, I want her in the name.

0:29:42.120 --> 0:29:44.960
<v Speaker 1>Ultimately, it's not my decision, do you know what I mean?

0:29:45.040 --> 0:29:47.880
<v Speaker 1>But I can have a point of view because I'm

0:29:47.880 --> 0:29:50.880
<v Speaker 1>respected in this game. But at the end of the day,

0:29:51.640 --> 0:29:54.280
<v Speaker 1>the network and they said it on the title card.

0:29:54.560 --> 0:29:58.960
<v Speaker 1>They and it's say the production company and a name producers.

0:29:59.440 --> 0:30:04.600
<v Speaker 1>It says the network decided to not move forward with

0:30:04.760 --> 0:30:07.120
<v Speaker 1>continuing the filming with Kenya.

0:30:07.480 --> 0:30:08.880
<v Speaker 2>It was their decision.

0:30:09.360 --> 0:30:13.000
<v Speaker 1>I don't have a say in it. That's how the

0:30:13.360 --> 0:30:16.200
<v Speaker 1>business does work, and you guys are seeing that again

0:30:16.360 --> 0:30:20.400
<v Speaker 1>what I say is true. But anyways, when it comes

0:30:20.440 --> 0:30:23.520
<v Speaker 1>to but I want to ask the two of you this,

0:30:24.520 --> 0:30:27.200
<v Speaker 1>when it comes to Kenya's actions, Listen let's have a

0:30:27.240 --> 0:30:31.280
<v Speaker 1>real conversation. Based on what I've seen on social media,

0:30:31.480 --> 0:30:36.520
<v Speaker 1>it is split think she deserved to be removed of

0:30:36.600 --> 0:30:40.720
<v Speaker 1>her duties. There's fifty percent who believed she shouldn't have been.

0:30:41.520 --> 0:30:44.960
<v Speaker 1>Where do the two of you lie within that? Do

0:30:45.000 --> 0:30:47.280
<v Speaker 1>you think that should have been the case?

0:30:48.160 --> 0:30:51.600
<v Speaker 5>Thank you, sweethearts. Do I think she had been she'd

0:30:51.680 --> 0:30:52.320
<v Speaker 5>been taken off?

0:30:52.360 --> 0:30:52.520
<v Speaker 3>Now?

0:30:52.520 --> 0:30:57.640
<v Speaker 5>I don't because this is what I'm gonna say about

0:30:57.680 --> 0:31:01.000
<v Speaker 5>Kenya when I look at her history on the franchise,

0:31:01.560 --> 0:31:03.320
<v Speaker 5>Kenya has been at the receiving end of a lot

0:31:03.360 --> 0:31:06.000
<v Speaker 5>of foul shit that other people were kicked off for.

0:31:06.720 --> 0:31:09.280
<v Speaker 5>Kenya has every right to be a little paranoid about

0:31:09.320 --> 0:31:10.960
<v Speaker 5>threats of violence when she was beat up on the

0:31:10.960 --> 0:31:15.000
<v Speaker 5>show and no one really did nothing, And you know,

0:31:15.160 --> 0:31:17.600
<v Speaker 5>I know people are watching tonight, and I'm just gonna

0:31:17.640 --> 0:31:20.680
<v Speaker 5>that's what I think. Like if I it's much like

0:31:20.720 --> 0:31:22.640
<v Speaker 5>I feel like Mimi feels like she's like, when am

0:31:22.640 --> 0:31:24.440
<v Speaker 5>I gonna win on this show? When am I going

0:31:24.520 --> 0:31:25.800
<v Speaker 5>to get the edit? When am I going to get

0:31:25.800 --> 0:31:27.640
<v Speaker 5>the protection? When am I when is it going to

0:31:27.720 --> 0:31:30.040
<v Speaker 5>be like protect Kenya? So she's had a deal with

0:31:30.120 --> 0:31:32.560
<v Speaker 5>a lot of stuff that has come to lean on

0:31:32.640 --> 0:31:36.000
<v Speaker 5>her doorstep and deal with it and play good and

0:31:36.000 --> 0:31:38.320
<v Speaker 5>still play along with everybody else. And she did, and

0:31:38.360 --> 0:31:41.320
<v Speaker 5>she did. Now you can make it argument and say

0:31:41.360 --> 0:31:44.560
<v Speaker 5>she deserves some of that smoke for her mouth. I

0:31:44.560 --> 0:31:46.680
<v Speaker 5>said earlier, it should never resort to violence on This

0:31:46.720 --> 0:31:48.480
<v Speaker 5>is the Housewives. It is not really love and hip hop,

0:31:48.640 --> 0:31:51.360
<v Speaker 5>This is not Zeus. So you should be able to

0:31:51.520 --> 0:31:53.800
<v Speaker 5>have a talk the biggest shit on the show and

0:31:53.840 --> 0:31:56.120
<v Speaker 5>not get you asked beat on the show, and not

0:31:56.240 --> 0:31:58.800
<v Speaker 5>have someone threatened you with a weapon. So I will

0:31:58.840 --> 0:32:00.520
<v Speaker 5>say she's been on the receiving end and she's had

0:32:00.560 --> 0:32:02.160
<v Speaker 5>to deal with a lot. Now, if you don't like her,

0:32:02.200 --> 0:32:04.600
<v Speaker 5>you're gonna say, well, it's a bit deserved it because

0:32:04.600 --> 0:32:06.920
<v Speaker 5>she runs her mouth. If you do have some kind

0:32:06.920 --> 0:32:08.720
<v Speaker 5>of grace or you can say, think of things like

0:32:09.480 --> 0:32:12.280
<v Speaker 5>and take it, take it personal feelings out out of it.

0:32:12.560 --> 0:32:14.960
<v Speaker 5>You could say, you know what, I could see how

0:32:15.120 --> 0:32:19.520
<v Speaker 5>she might snap eventually, Keenya has been dragged and embarrassed

0:32:19.560 --> 0:32:22.480
<v Speaker 5>in a in a gown in a reunion in front

0:32:22.480 --> 0:32:25.080
<v Speaker 5>of millions of people, and how to keep quiet about

0:32:25.080 --> 0:32:28.720
<v Speaker 5>it for a very long time. So with that thing said,

0:32:28.840 --> 0:32:31.640
<v Speaker 5>I could see why she would overreact to a talk

0:32:31.720 --> 0:32:34.000
<v Speaker 5>of a gun, threats of a gun, all that kind

0:32:34.040 --> 0:32:36.040
<v Speaker 5>of stuff. I can see how that would be. Doesn't

0:32:36.080 --> 0:32:42.040
<v Speaker 5>make it right, no one, No, the I hate for

0:32:42.200 --> 0:32:45.440
<v Speaker 5>her that is brilliant and smart as calculating how she is.

0:32:45.720 --> 0:32:48.800
<v Speaker 5>That she let a newbie get her jammed up where

0:32:48.800 --> 0:32:50.800
<v Speaker 5>she lost her position and the newbie still on the show.

0:32:50.920 --> 0:32:54.480
<v Speaker 5>That's the tragic the end, that that that opening in

0:32:54.560 --> 0:32:58.200
<v Speaker 5>her salon was so beautiful and now it's forever marred

0:32:58.440 --> 0:33:02.520
<v Speaker 5>with that night and it's not going to help your business.

0:33:02.560 --> 0:33:05.600
<v Speaker 5>Like I felt when when Brittany came up to her,

0:33:05.600 --> 0:33:07.760
<v Speaker 5>even if the apology to me was kind of fake, right,

0:33:07.800 --> 0:33:12.040
<v Speaker 5>it was like scrambling grasping for straw at straw to

0:33:12.080 --> 0:33:15.920
<v Speaker 5>keep her job. I thought for a moment like, damn, Ken,

0:33:15.960 --> 0:33:17.440
<v Speaker 5>you could go that was the moment. You could go

0:33:17.520 --> 0:33:18.960
<v Speaker 5>left right now and say you know what, let me

0:33:19.000 --> 0:33:21.640
<v Speaker 5>abort my plan, or let me go right and just

0:33:22.120 --> 0:33:24.000
<v Speaker 5>stay fucking and do it anyways. And when she stuck

0:33:24.040 --> 0:33:26.800
<v Speaker 5>with it, I'm like, damn it. I would rather have

0:33:26.800 --> 0:33:29.520
<v Speaker 5>seen her, like Carlos said, get her together verbally. It

0:33:29.520 --> 0:33:32.240
<v Speaker 5>would have been such an iconic season with those two

0:33:32.280 --> 0:33:34.440
<v Speaker 5>going back and forth. If no more gun threats were made,

0:33:35.040 --> 0:33:36.640
<v Speaker 5>you know what I mean, it would have been we

0:33:36.680 --> 0:33:40.640
<v Speaker 5>got deprived, we lost seeing an epic battle, and Brittany

0:33:40.640 --> 0:33:42.600
<v Speaker 5>would have been elevated to not Kenya's level, but she

0:33:42.640 --> 0:33:44.880
<v Speaker 5>would have been elevated. And I think now she kind

0:33:44.880 --> 0:33:48.320
<v Speaker 5>of goes down, no pun intended, no pun intended, but

0:33:48.480 --> 0:33:51.160
<v Speaker 5>her value goes down on the show.

0:33:52.600 --> 0:33:54.240
<v Speaker 2>Chow, we are just getting started.

0:34:05.800 --> 0:34:08.600
<v Speaker 1>This is reality with the King, and I'm Carlos King.

0:34:09.080 --> 0:34:10.920
<v Speaker 1>Let's get back into the show.

0:34:13.200 --> 0:34:15.239
<v Speaker 4>I thought that, okay, So I think a couple of

0:34:15.280 --> 0:34:19.320
<v Speaker 4>things happened right. Number one, britt was absolutely doing damage control,

0:34:19.600 --> 0:34:23.080
<v Speaker 4>and that's why those apologies, the conversation in Smia's home,

0:34:23.480 --> 0:34:26.400
<v Speaker 4>none of that, you know, read as believable to me,

0:34:26.600 --> 0:34:29.360
<v Speaker 4>even some of the way that she was speaking with

0:34:29.440 --> 0:34:31.480
<v Speaker 4>Kelly when they were in that sprinter ride, which I

0:34:31.520 --> 0:34:33.200
<v Speaker 4>loved the fact that Kelly picked her up in that

0:34:33.239 --> 0:34:35.680
<v Speaker 4>sprinter and they had champagne. We're getting back to the

0:34:35.719 --> 0:34:38.239
<v Speaker 4>things that make Real Housewives of Atlanta feel like real

0:34:38.280 --> 0:34:41.799
<v Speaker 4>Housewives of Atlanta. But I didn't believe Bridg's disposition the

0:34:41.840 --> 0:34:47.000
<v Speaker 4>car either. To me, she was obviously playing to trying

0:34:47.000 --> 0:34:50.000
<v Speaker 4>to create a certain perception of herself and trying to

0:34:50.000 --> 0:34:52.040
<v Speaker 4>appear remorseful, you know what I mean, But it just

0:34:52.120 --> 0:34:55.680
<v Speaker 4>wasn't authentic. I also think this. I keep hearing a

0:34:55.680 --> 0:34:59.520
<v Speaker 4>conversation about the fact that people feel like Kenya may

0:34:59.560 --> 0:35:03.080
<v Speaker 4>have missed opportunity to make the focus of the night

0:35:03.120 --> 0:35:05.880
<v Speaker 4>her salon and the opening of it. I think that

0:35:05.960 --> 0:35:08.319
<v Speaker 4>Kenya was trying to do just that by pulling that

0:35:08.360 --> 0:35:10.960
<v Speaker 4>stunt at the opening of her hairspot. I think she

0:35:12.080 --> 0:35:14.640
<v Speaker 4>presumed and assumed that that was going to be an

0:35:14.840 --> 0:35:18.279
<v Speaker 4>iconic Housewives of of Atlanta moment that would be for

0:35:18.400 --> 0:35:22.560
<v Speaker 4>remembered forever when she got britz ass. But it backfired

0:35:22.560 --> 0:35:26.320
<v Speaker 4>in the worst possible way. It took the focus completely

0:35:26.360 --> 0:35:28.759
<v Speaker 4>off of her salon and on the stupid shit that

0:35:28.800 --> 0:35:30.880
<v Speaker 4>she did in response to Britz Antics.

0:35:31.080 --> 0:35:33.799
<v Speaker 3>And it was just sad to see. I like both

0:35:33.800 --> 0:35:34.480
<v Speaker 3>of these ladies.

0:35:34.600 --> 0:35:39.960
<v Speaker 4>Kenya Moore is, without a doubt, a big part and

0:35:40.040 --> 0:35:42.800
<v Speaker 4>a big reason that we and watch and talk about

0:35:42.800 --> 0:35:44.799
<v Speaker 4>this show to this day. She came on that show

0:35:44.840 --> 0:35:47.759
<v Speaker 4>in season five and changed it forever. We can't argue

0:35:47.840 --> 0:35:50.160
<v Speaker 4>about that. I didn't want to see her go out

0:35:50.200 --> 0:35:50.720
<v Speaker 4>this way.

0:35:51.280 --> 0:35:53.239
<v Speaker 3>My hope. We can't do nothing we can't go back and.

0:35:53.160 --> 0:35:55.760
<v Speaker 4>Put her in the damn episodes, right, So my hope

0:35:55.800 --> 0:35:58.840
<v Speaker 4>is that listen her and Bravo the powers that we

0:35:58.920 --> 0:36:01.279
<v Speaker 4>can have some sort of converse sation. She can end

0:36:01.360 --> 0:36:03.800
<v Speaker 4>up at the reunion and back on the cast, receiving

0:36:03.960 --> 0:36:06.120
<v Speaker 4>season seventeen, so we can see this story play out.

0:36:06.320 --> 0:36:09.160
<v Speaker 4>But to me, it's not helping matters when you're doing

0:36:09.200 --> 0:36:12.240
<v Speaker 4>things like reposting an Ai picture of you with tape

0:36:12.239 --> 0:36:15.600
<v Speaker 4>over your mouth that says justice for Kenya. That's not helping.

0:36:16.000 --> 0:36:19.320
<v Speaker 4>That's not helping. You've been in the business too long, Kenya.

0:36:19.680 --> 0:36:22.560
<v Speaker 4>You know how this works. Get like Nini said, get

0:36:22.560 --> 0:36:24.400
<v Speaker 4>your team to help you out. Get the people on

0:36:24.480 --> 0:36:26.279
<v Speaker 4>the phone that need to be on the phone to

0:36:26.360 --> 0:36:30.400
<v Speaker 4>have a proper negotiation and a proper conversation with the

0:36:30.440 --> 0:36:32.239
<v Speaker 4>powers that be to bring you back to this cast

0:36:32.239 --> 0:36:35.040
<v Speaker 4>where you belong. Because I feel the absence of her

0:36:35.520 --> 0:36:38.680
<v Speaker 4>in these episodes. I feel the absence of her confessional scenes.

0:36:39.040 --> 0:36:42.080
<v Speaker 4>I feel the absence of scenes of her daughter, beautiful daughter,

0:36:42.120 --> 0:36:44.239
<v Speaker 4>running around that house. We haven't seen the pools she

0:36:44.280 --> 0:36:46.880
<v Speaker 4>put in our house. We ain't seen shit, you know

0:36:46.880 --> 0:36:50.440
<v Speaker 4>what I'm saying. I can feel the void of her

0:36:50.480 --> 0:36:53.200
<v Speaker 4>participation in the show, and it sucks. I wanted to

0:36:53.200 --> 0:36:56.239
<v Speaker 4>see her and Porschau be friends. I wanted to see that.

0:36:57.160 --> 0:36:59.359
<v Speaker 1>To pick it back off of that, when I saw

0:36:59.400 --> 0:37:04.080
<v Speaker 1>her in port with Kelly, you know film as they

0:37:04.120 --> 0:37:08.960
<v Speaker 1>were testing out the models. I love that scene the most.

0:37:09.400 --> 0:37:13.080
<v Speaker 1>Their friendship there, They're the beginning of their friendship. That

0:37:13.120 --> 0:37:15.160
<v Speaker 1>seemed to be so natural and they and I think

0:37:15.160 --> 0:37:20.240
<v Speaker 1>they both understood, like how magical that the two women

0:37:20.719 --> 0:37:24.480
<v Speaker 1>who came in season five are not the anchors of

0:37:24.560 --> 0:37:27.879
<v Speaker 1>this show. Like that's something, you know what I'm saying,

0:37:27.920 --> 0:37:30.759
<v Speaker 1>Like like, if you look at sports, hey, Claudia, if

0:37:30.760 --> 0:37:34.080
<v Speaker 1>you look at sports, it's sort of like the rookies

0:37:34.719 --> 0:37:37.239
<v Speaker 1>having an opportunity to be in the starting five and

0:37:37.719 --> 0:37:41.160
<v Speaker 1>leading the team, like and and I felt that those

0:37:41.239 --> 0:37:45.600
<v Speaker 1>two women understood that assignment and was like, we're gonna

0:37:45.600 --> 0:37:48.480
<v Speaker 1>get along as long as we can because we know

0:37:48.560 --> 0:37:49.280
<v Speaker 1>how this works.

0:37:49.320 --> 0:37:53.640
<v Speaker 2>But I agree with you. I was looking forward to that.

0:37:54.520 --> 0:37:55.920
<v Speaker 1>I do want to ask the two of you this

0:37:56.880 --> 0:37:59.920
<v Speaker 1>when before I get to that, I at least want

0:37:59.920 --> 0:38:02.239
<v Speaker 1>to have I want to lighten the mood a little bit.

0:38:04.560 --> 0:38:07.960
<v Speaker 1>Can we talk about my favorite RuPaul drag Race moment

0:38:07.960 --> 0:38:13.560
<v Speaker 1>that Kenya gave with yeah the dust, I mean, look,

0:38:14.000 --> 0:38:15.480
<v Speaker 1>let me light up the mood up a little bit.

0:38:17.800 --> 0:38:23.080
<v Speaker 1>I rewound that five times because I felt like Kenya

0:38:23.200 --> 0:38:27.360
<v Speaker 1>was troiling her bathroom and it was like it was

0:38:27.440 --> 0:38:33.000
<v Speaker 1>to me, it was it was so housewife like, noted.

0:38:33.280 --> 0:38:35.840
<v Speaker 1>It was just like I mean coded, it was housewife

0:38:35.880 --> 0:38:38.920
<v Speaker 1>codd what she did with the with the dust, Like

0:38:39.840 --> 0:38:42.920
<v Speaker 1>I love that. I love the quote of Megan Thiss Stallion.

0:38:43.040 --> 0:38:45.760
<v Speaker 1>I'm that bitch still that bitch, will forever be that bitch,

0:38:46.239 --> 0:38:49.719
<v Speaker 1>Like I wish it was like just that because to me,

0:38:50.440 --> 0:38:52.520
<v Speaker 1>it made me laugh and it just made me love

0:38:52.760 --> 0:38:53.759
<v Speaker 1>her even more.

0:38:53.800 --> 0:38:55.520
<v Speaker 5>And that's why she k like that's the kind of

0:38:55.520 --> 0:38:57.759
<v Speaker 5>stuff that we missed about the Housewives, Like more of that,

0:38:57.880 --> 0:39:00.160
<v Speaker 5>less of this ghetto shit that has been happening. And

0:39:00.200 --> 0:39:02.680
<v Speaker 5>I want to say this about the friendship between Porscha

0:39:02.920 --> 0:39:08.120
<v Speaker 5>and Kenya. See that feels real because it took years

0:39:08.160 --> 0:39:12.280
<v Speaker 5>to get here, you know, basically, Britt try to force

0:39:12.320 --> 0:39:14.880
<v Speaker 5>that like moment, like try to get the whole you know,

0:39:15.320 --> 0:39:19.400
<v Speaker 5>one eighty in one episode. No, like there's been like

0:39:19.440 --> 0:39:22.400
<v Speaker 5>I remember being at Kenya's baby shower and Porscha was

0:39:22.400 --> 0:39:23.960
<v Speaker 5>there and we took a picture of all of us

0:39:23.960 --> 0:39:25.680
<v Speaker 5>and I was like, damn, okay, that was the beginning.

0:39:25.680 --> 0:39:28.200
<v Speaker 5>And it wasn't like great, great, but it was better

0:39:28.520 --> 0:39:32.000
<v Speaker 5>and over the years. That is a real relationship. That's

0:39:32.040 --> 0:39:35.040
<v Speaker 5>what makes reality shows good. When you have people that

0:39:35.320 --> 0:39:38.520
<v Speaker 5>like you can show an evolution. They were at this point,

0:39:38.640 --> 0:39:41.200
<v Speaker 5>they got to this point, and then they're slowly getting back.

0:39:41.400 --> 0:39:44.000
<v Speaker 5>That's what happens in real life. And real life, you

0:39:44.000 --> 0:39:45.879
<v Speaker 5>don't go to one lunch with someone and in your

0:39:45.920 --> 0:39:48.600
<v Speaker 5>back best friends again because it's cameras on you, or

0:39:48.640 --> 0:39:51.240
<v Speaker 5>because you want Andy Cohen to keep you on the series,

0:39:51.520 --> 0:39:52.920
<v Speaker 5>Like get the fuck out of here with that, Like

0:39:52.960 --> 0:39:55.400
<v Speaker 5>that was fake and she should have known better. And

0:39:55.400 --> 0:39:57.680
<v Speaker 5>and really, if she really wanted to apologize to Kenya,

0:39:58.160 --> 0:40:00.400
<v Speaker 5>I mean, she could have like told her purduce. She

0:40:00.400 --> 0:40:02.560
<v Speaker 5>could have said, hey, let me let me call her

0:40:02.600 --> 0:40:05.359
<v Speaker 5>and be like, listen, before we go on camera, I

0:40:05.400 --> 0:40:06.640
<v Speaker 5>want you know that this is real and I'm not

0:40:06.680 --> 0:40:08.560
<v Speaker 5>doing it from a moment because Keny's gonna clock that

0:40:08.840 --> 0:40:11.600
<v Speaker 5>right away. Keny's gonna clock that you're trying to have

0:40:11.680 --> 0:40:13.920
<v Speaker 5>this fake mama with me. It ain't real. I probably

0:40:13.960 --> 0:40:16.760
<v Speaker 5>haven't heard from you since the gun thing, you probably

0:40:16.760 --> 0:40:18.719
<v Speaker 5>did not try to reach out at all. So you're

0:40:18.719 --> 0:40:20.319
<v Speaker 5>gonna do this at my event, so I can see

0:40:20.320 --> 0:40:22.239
<v Speaker 5>why can you be like f that because I already

0:40:22.280 --> 0:40:24.239
<v Speaker 5>got something for you now saying it was right because

0:40:24.280 --> 0:40:26.640
<v Speaker 5>it still wasn't. But you got to just think about like,

0:40:26.920 --> 0:40:29.080
<v Speaker 5>she knows the game, she's been there for a long time,

0:40:29.640 --> 0:40:31.640
<v Speaker 5>and Britt, I don't know who gave her the advice

0:40:32.400 --> 0:40:34.319
<v Speaker 5>that that would be a good idea. But if you

0:40:34.400 --> 0:40:35.919
<v Speaker 5>pissed some one off and the first time they see

0:40:35.920 --> 0:40:37.799
<v Speaker 5>it was on camera, they know you're just trying to

0:40:37.800 --> 0:40:39.560
<v Speaker 5>control the scene. You're trying to get the scene, trying

0:40:39.560 --> 0:40:40.200
<v Speaker 5>to get that moment.

0:40:40.800 --> 0:40:42.440
<v Speaker 3>Yeah, I agree, it does.

0:40:43.080 --> 0:40:46.000
<v Speaker 4>It makes no I'm not even gonna offer no commentary

0:40:46.040 --> 0:40:47.239
<v Speaker 4>on the antics of it all.

0:40:47.480 --> 0:40:49.080
<v Speaker 3>I'll just say feel fake.

0:40:49.560 --> 0:40:51.040
<v Speaker 5>It's like your man just cheat on you. But it

0:40:51.080 --> 0:40:52.799
<v Speaker 5>comes home with like some flowers and you're like, no,

0:40:53.600 --> 0:40:54.879
<v Speaker 5>it's gonna take some more than that.

0:40:55.480 --> 0:40:58.000
<v Speaker 3>And that's what I mean. We were robbed of all

0:40:58.040 --> 0:40:58.319
<v Speaker 3>of that.

0:40:58.360 --> 0:41:00.520
<v Speaker 4>We ain't seen none of that, no kind of We

0:41:00.560 --> 0:41:02.840
<v Speaker 4>didn't see them talk through anything or work through anything,

0:41:02.840 --> 0:41:07.200
<v Speaker 4>and it just feels very interrupted. As a viewer, right,

0:41:07.200 --> 0:41:11.399
<v Speaker 4>it feels very like our viewering experience has been disrupted

0:41:11.680 --> 0:41:14.759
<v Speaker 4>by Kenya's exit, as opposed to it making sense as

0:41:14.760 --> 0:41:18.040
<v Speaker 4>to why she's off the show. Even with the view

0:41:18.120 --> 0:41:21.680
<v Speaker 4>into the salon escapade that we saw, and even with

0:41:22.160 --> 0:41:25.880
<v Speaker 4>the apology tour that britt attempted to start, it still

0:41:25.920 --> 0:41:29.520
<v Speaker 4>feels incomplete. So again, we can't do nothing about the past.

0:41:29.560 --> 0:41:32.080
<v Speaker 4>The show's in the can already and being there currently.

0:41:32.600 --> 0:41:35.120
<v Speaker 4>I just hope that they bring Kenya to this reunion

0:41:36.080 --> 0:41:39.080
<v Speaker 4>on the stage with the ladies in person, face to face,

0:41:39.120 --> 0:41:41.120
<v Speaker 4>so that we can see this group of women talk

0:41:41.200 --> 0:41:43.719
<v Speaker 4>that moment out. I really hope we get to see that.

0:41:44.120 --> 0:41:46.680
<v Speaker 4>And I want Kenya back on the show. And what

0:41:47.040 --> 0:41:48.919
<v Speaker 4>I want Kenya back on the cast full time.

0:41:49.760 --> 0:41:52.920
<v Speaker 5>I do Brittany should Brittany should have not done that

0:41:52.960 --> 0:41:55.399
<v Speaker 5>at Kenya's event, just like Kenya should have not done

0:41:55.440 --> 0:41:58.680
<v Speaker 5>that at Hurry been sabotaging herself. But britt you should

0:41:58.680 --> 0:42:00.160
<v Speaker 5>have reached out to her and had a one on

0:42:00.200 --> 0:42:03.440
<v Speaker 5>one lunch if you may be supervised with Angela or

0:42:03.480 --> 0:42:06.080
<v Speaker 5>someone that you trust and as a mediator, but that

0:42:06.160 --> 0:42:08.600
<v Speaker 5>would show that listen, I really or again a side

0:42:08.640 --> 0:42:11.640
<v Speaker 5>phone conversation I really mean this. I'm really sorry. I

0:42:12.040 --> 0:42:13.960
<v Speaker 5>don't want to make this look like just a scene,

0:42:14.200 --> 0:42:16.399
<v Speaker 5>just something where she could you know, she'd be able

0:42:16.440 --> 0:42:18.320
<v Speaker 5>to tell she since here. But once she got to

0:42:18.360 --> 0:42:20.400
<v Speaker 5>her event, Keny was paying her desk, she was like whatever,

0:42:20.480 --> 0:42:22.440
<v Speaker 5>ignored the hell out of her because she had a

0:42:22.520 --> 0:42:25.040
<v Speaker 5>mindset that she's about to ruin this girl. And then

0:42:25.120 --> 0:42:27.120
<v Speaker 5>that's what happened at ruining herself unfortunately.

0:42:27.200 --> 0:42:28.640
<v Speaker 2>Yeah. Well, and that's the thing.

0:42:28.680 --> 0:42:30.759
<v Speaker 1>So and I want to get into that, because what

0:42:30.880 --> 0:42:34.080
<v Speaker 1>no one is talking about that we will is the

0:42:34.080 --> 0:42:39.000
<v Speaker 1>fact that not thinking all spiritual all Mother Night Live.

0:42:39.360 --> 0:42:45.200
<v Speaker 1>But y'all know me, but God is in everything. And

0:42:45.400 --> 0:42:48.200
<v Speaker 1>I was listen, and I'm being very honest, I say this,

0:42:49.960 --> 0:42:54.279
<v Speaker 1>thank God Britt wasn't there. And I do mean that,

0:42:55.000 --> 0:42:58.840
<v Speaker 1>the fact that she decided to leave based on Kenya

0:42:58.920 --> 0:43:02.719
<v Speaker 1>paying her dust. I was happy that Brent was not

0:43:02.840 --> 0:43:08.399
<v Speaker 1>subjected to seeing that, because I would not have wanted

0:43:08.440 --> 0:43:12.160
<v Speaker 1>that for her, for you know, to deal with with

0:43:12.320 --> 0:43:12.799
<v Speaker 1>seeing that.

0:43:13.440 --> 0:43:15.040
<v Speaker 3>You know, I'm happy.

0:43:15.680 --> 0:43:18.919
<v Speaker 1>I'm happy she wasn't able to see it herself. And

0:43:18.920 --> 0:43:22.879
<v Speaker 1>and and again I'm I'm grateful and thankful that Brent

0:43:23.120 --> 0:43:25.160
<v Speaker 1>had the sense to be like she's paying me dust

0:43:25.239 --> 0:43:27.839
<v Speaker 1>let me leave, right. So I wanted to address that,

0:43:28.440 --> 0:43:32.879
<v Speaker 1>because God forbid, she was there. I think I think

0:43:32.880 --> 0:43:35.040
<v Speaker 1>this would be I'll just say this, This probably would

0:43:35.080 --> 0:43:38.919
<v Speaker 1>have been a very different conversation. And I'll now now

0:43:39.120 --> 0:43:41.200
<v Speaker 1>the other ladies were there, and I want to talk

0:43:41.239 --> 0:43:43.320
<v Speaker 1>about this with you, guys.

0:43:45.440 --> 0:43:46.640
<v Speaker 2>I want a friend like Kelly.

0:43:47.360 --> 0:43:50.200
<v Speaker 1>I want a friend who was a friend to my

0:43:50.320 --> 0:43:53.520
<v Speaker 1>faith and behind my back, you know, And I want

0:43:53.520 --> 0:43:56.600
<v Speaker 1>I want, I want to really focus on the decision

0:43:56.680 --> 0:44:01.640
<v Speaker 1>that Kelly made. Kelly has no issues with Kenya. Kelly

0:44:01.800 --> 0:44:06.279
<v Speaker 1>was even there while Kenya was auditioning folks. Kelly saw

0:44:06.360 --> 0:44:08.799
<v Speaker 1>one poster board and she said, I'm out. I'm I'm

0:44:08.800 --> 0:44:12.400
<v Speaker 1>not I'm not doing this. I will I'm not doing this.

0:44:12.400 --> 0:44:17.080
<v Speaker 1>This is my girl. We came here together. You want

0:44:17.120 --> 0:44:22.600
<v Speaker 1>a friend like Kelly. Now, unfortunately Kelly and are friends today,

0:44:22.760 --> 0:44:26.040
<v Speaker 1>which we'll see what happens with that. But you want

0:44:26.040 --> 0:44:29.360
<v Speaker 1>a friend like Kelly who did that so she left.

0:44:29.760 --> 0:44:32.480
<v Speaker 2>The other ladies were watching what was going on.

0:44:35.360 --> 0:44:37.759
<v Speaker 1>I want to talk about the ladies reaction to it,

0:44:38.320 --> 0:44:41.760
<v Speaker 1>because I know all well, I don't know all those girls.

0:44:41.800 --> 0:44:43.520
<v Speaker 1>I know Portia and Cynthia so let me just be

0:44:43.600 --> 0:44:44.879
<v Speaker 1>And yeah, I know those two.

0:44:45.840 --> 0:44:47.600
<v Speaker 2>I know Porscha and Cynthia.

0:44:47.239 --> 0:44:51.600
<v Speaker 1>Well, and I could tell that in their minds they

0:44:51.640 --> 0:44:57.440
<v Speaker 1>were like, what is what is? What is this about

0:44:57.480 --> 0:45:00.640
<v Speaker 1>to be? And Clauda, you weren't there at that moment.

0:45:00.680 --> 0:45:04.000
<v Speaker 1>But when it came to the ladies' reactions, they all

0:45:04.040 --> 0:45:07.520
<v Speaker 1>decided to leave and Cynthia stayed back. And I want

0:45:07.560 --> 0:45:09.520
<v Speaker 1>to get into Cynthia because she's not only a friend

0:45:09.520 --> 0:45:12.840
<v Speaker 1>of mine, she's the friends of y'all two. Cynthia was

0:45:12.880 --> 0:45:16.080
<v Speaker 1>the only person who came up to Kenyon said baby,

0:45:16.160 --> 0:45:16.760
<v Speaker 1>that ain't.

0:45:16.520 --> 0:45:19.080
<v Speaker 2>It like You're better than this? I love you.

0:45:19.160 --> 0:45:22.759
<v Speaker 1>I'll clark you tomorrow. But what did y'all think about

0:45:22.760 --> 0:45:23.840
<v Speaker 1>the girl's reactions to this?

0:45:26.800 --> 0:45:31.600
<v Speaker 5>They were right, they were right. You know, it's good

0:45:31.600 --> 0:45:33.960
<v Speaker 5>to have friends that are ride to die, but are

0:45:34.000 --> 0:45:35.520
<v Speaker 5>they really your friend if they don't tell you when

0:45:35.520 --> 0:45:40.799
<v Speaker 5>you're wrong? You know what I mean? And I it

0:45:40.840 --> 0:45:42.880
<v Speaker 5>wasn't a good look for Kenya and we know she

0:45:42.920 --> 0:45:46.040
<v Speaker 5>can do so much better. I will say on a

0:45:45.480 --> 0:45:48.759
<v Speaker 5>technical part of this, as far as the whole revenge point,

0:45:48.840 --> 0:45:50.719
<v Speaker 5>is it true that those images were images that were

0:45:50.719 --> 0:45:53.600
<v Speaker 5>already online on a movie that Britt made. Is that true?

0:45:54.560 --> 0:45:56.920
<v Speaker 1>That's all a last I'll be honest with you. I

0:45:57.000 --> 0:46:00.000
<v Speaker 1>don't know, and I've been very honest. I am a journalist,

0:46:00.200 --> 0:46:03.840
<v Speaker 1>Hey Portsche, I am a journalist. I am not spending

0:46:03.880 --> 0:46:09.160
<v Speaker 1>my time looking for I don't know. I think at

0:46:09.200 --> 0:46:11.799
<v Speaker 1>the end of the day, what's wrong is wrong. But

0:46:11.840 --> 0:46:15.640
<v Speaker 1>I don't Carlos King, I have no idea.

0:46:16.040 --> 0:46:18.759
<v Speaker 5>I always want to think about what was in someone's mind.

0:46:18.880 --> 0:46:22.280
<v Speaker 5>Because Kenye's smart, right, so for to like just find

0:46:22.320 --> 0:46:24.960
<v Speaker 5>some pitches that were private to post some I don't

0:46:25.000 --> 0:46:27.200
<v Speaker 5>think she'd be dumb enough to do that. I think

0:46:27.200 --> 0:46:30.000
<v Speaker 5>they from what I've been hearing, I could be wrong.

0:46:30.920 --> 0:46:33.200
<v Speaker 5>Those were images that were on the Internet already and

0:46:33.200 --> 0:46:35.200
<v Speaker 5>she blew them up. And I'm thinking that's why maybe

0:46:35.239 --> 0:46:37.320
<v Speaker 5>she thought, well, they're already out there. I'm not really

0:46:37.360 --> 0:46:40.319
<v Speaker 5>committing that crime. But it's not being viewed like that.

0:46:40.360 --> 0:46:42.000
<v Speaker 5>It's being viewed as it is revenge porn.

0:46:42.239 --> 0:46:43.279
<v Speaker 2>Well, that's the thing. I think.

0:46:43.280 --> 0:46:48.680
<v Speaker 1>It's one of those things where there's so many definitions.

0:46:48.719 --> 0:46:49.560
<v Speaker 1>I'm not a lawyer.

0:46:50.440 --> 0:46:52.719
<v Speaker 2>I don't have squire behind my last name.

0:46:53.360 --> 0:46:56.960
<v Speaker 1>There's things that we all are discovering.

0:46:57.040 --> 0:46:58.879
<v Speaker 2>It's like, oh, that's illegal. That's legal.

0:46:58.920 --> 0:47:02.200
<v Speaker 1>I I'm just saying I don't know. I don't know

0:47:02.239 --> 0:47:05.080
<v Speaker 1>the definition, but I do want to say this. I

0:47:05.239 --> 0:47:08.920
<v Speaker 1>always go back to what we saw. Yeah, the network

0:47:09.000 --> 0:47:13.719
<v Speaker 1>did not say the RP word in terms of her dismissal.

0:47:14.360 --> 0:47:18.440
<v Speaker 1>They didn't say that, right, The network, from my understanding,

0:47:18.520 --> 0:47:21.839
<v Speaker 1>as of today at eight fifty one Eastern Stentar time,

0:47:22.320 --> 0:47:25.239
<v Speaker 1>have not used that words as a cost for her dismissal.

0:47:25.800 --> 0:47:28.359
<v Speaker 1>So that's that's And I'm not saying it is it.

0:47:28.400 --> 0:47:30.520
<v Speaker 1>I'm not saying it Isn't it. All I'm saying is

0:47:30.560 --> 0:47:34.239
<v Speaker 1>based on what we saw as viewers, those words have

0:47:34.360 --> 0:47:35.120
<v Speaker 1>not been used.

0:47:36.040 --> 0:47:37.960
<v Speaker 5>Would it make a difference to it? Does it make

0:47:37.960 --> 0:47:40.520
<v Speaker 5>a difference And I'm asking you to your opinion on this.

0:47:41.160 --> 0:47:44.560
<v Speaker 5>If these are images that britt already had online as

0:47:44.560 --> 0:47:46.880
<v Speaker 5>a cam girl, like if she was doing web that

0:47:47.000 --> 0:47:49.040
<v Speaker 5>web point stuff and they were out there and ken

0:47:49.120 --> 0:47:52.120
<v Speaker 5>you made copiism to embarrass her, is that that's not

0:47:52.200 --> 0:47:54.360
<v Speaker 5>revenge point? Is that revenge porn? Do y'all know?

0:47:54.440 --> 0:47:56.560
<v Speaker 2>I don't. I don't. I don't know the law.

0:47:56.840 --> 0:47:58.239
<v Speaker 3>Yeah, I'm unclear with the law.

0:47:58.280 --> 0:48:01.040
<v Speaker 4>And I actually don't even think that it was necessarily

0:48:01.080 --> 0:48:04.839
<v Speaker 4>the issue. I think that whether it classified underneath that,

0:48:06.400 --> 0:48:09.640
<v Speaker 4>underneath that, or a lot right, I think the issue

0:48:09.680 --> 0:48:12.520
<v Speaker 4>is more so the violation of whatever code of conduct

0:48:12.640 --> 0:48:15.400
<v Speaker 4>exists when it comes to nudity, shit like that, whatever.

0:48:16.600 --> 0:48:16.839
<v Speaker 3>You know.

0:48:17.239 --> 0:48:20.400
<v Speaker 4>Her behavior violated some sort of code of conduct and

0:48:20.440 --> 0:48:22.520
<v Speaker 4>they chose and like they said, they used. Speaking of

0:48:22.560 --> 0:48:25.600
<v Speaker 4>the language used, they said, due to Kenya's behavior.

0:48:26.000 --> 0:48:26.719
<v Speaker 3>You know what I mean.

0:48:27.120 --> 0:48:28.680
<v Speaker 1>I'm not gonna say because at the end of the day,

0:48:28.800 --> 0:48:30.800
<v Speaker 1>the thing is this, and we all said this earlier.

0:48:31.320 --> 0:48:35.400
<v Speaker 1>Wrong is wrong, right, regardless of the definition of word was.

0:48:35.480 --> 0:48:36.520
<v Speaker 2>I think wrong is wrong.

0:48:36.640 --> 0:48:39.280
<v Speaker 1>I think at the end of the day, to show

0:48:39.360 --> 0:48:44.440
<v Speaker 1>it is just wrong. And again it's something that Kenya

0:48:44.480 --> 0:48:47.200
<v Speaker 1>has admitted to it being wrong. But to answer your

0:48:47.280 --> 0:48:50.400
<v Speaker 1>question was the valid question. I don't know the definition

0:48:51.200 --> 0:48:54.160
<v Speaker 1>of what was going on, but wrong is wrong and

0:48:54.200 --> 0:48:58.360
<v Speaker 1>that's that. But I do want to say this part

0:48:58.400 --> 0:49:04.319
<v Speaker 1>about it too. Cynthia Belly is getting dragged on social media,

0:49:04.360 --> 0:49:06.719
<v Speaker 1>and I do want to address that you two are

0:49:06.760 --> 0:49:07.359
<v Speaker 1>friends with her.

0:49:07.440 --> 0:49:08.680
<v Speaker 2>I'm friends with her as well.

0:49:10.000 --> 0:49:14.640
<v Speaker 1>There is a discourse happening on social media as relates

0:49:14.640 --> 0:49:21.359
<v Speaker 1>to Cynthia Bailey's comments, not only on the show, but

0:49:21.800 --> 0:49:26.399
<v Speaker 1>what she has said in a recent interview, Kenya Moore

0:49:26.480 --> 0:49:27.759
<v Speaker 1>and synth and Belly have not.

0:49:27.800 --> 0:49:29.360
<v Speaker 2>Spoken since the incident.

0:49:30.320 --> 0:49:33.160
<v Speaker 1>They have not spoken, and that's what Cynthia Bailly has said.

0:49:34.680 --> 0:49:38.400
<v Speaker 1>Cynthia in some cases being called a good friend that

0:49:38.520 --> 0:49:40.200
<v Speaker 1>a good friend tells you to your face, like girl,

0:49:40.239 --> 0:49:40.600
<v Speaker 1>I love you.

0:49:40.680 --> 0:49:43.720
<v Speaker 2>This ain't it. Some people are saying Syntha's a flip flopper.

0:49:43.880 --> 0:49:47.000
<v Speaker 1>They're they're they're using clips of Ninnis saying Cynthia blows

0:49:47.000 --> 0:49:49.880
<v Speaker 1>with the wind, blows right. These are things people are

0:49:49.920 --> 0:49:52.839
<v Speaker 1>saying online as two people who know synth and Billy

0:49:52.960 --> 0:49:54.040
<v Speaker 1>very well, like I do.

0:49:54.640 --> 0:49:55.680
<v Speaker 2>What are your thoughts on that?

0:49:55.719 --> 0:50:00.239
<v Speaker 1>Do you think Cynthia Belly handled this the way as

0:50:00.280 --> 0:50:02.040
<v Speaker 1>a friend that you would want her to.

0:50:02.880 --> 0:50:05.919
<v Speaker 4>I was at Watch What Happens Live with Cynthia when

0:50:05.920 --> 0:50:09.280
<v Speaker 4>she taped that episode. I heard everything she said about

0:50:10.040 --> 0:50:13.640
<v Speaker 4>her current state of her friendship with Kenya. Cynthia expressed

0:50:13.640 --> 0:50:16.520
<v Speaker 4>how much love she had for Kenya. She did make

0:50:16.600 --> 0:50:18.840
<v Speaker 4>note of the fact that they haven't spoken since the incident,

0:50:19.040 --> 0:50:21.719
<v Speaker 4>even though she has reached out several times to Kenya,

0:50:21.800 --> 0:50:24.399
<v Speaker 4>and she also respected Kenya's space with that she got

0:50:24.440 --> 0:50:27.520
<v Speaker 4>her grace. She said, Listen, Kenya's got a lot going on,

0:50:27.560 --> 0:50:30.000
<v Speaker 4>and I understand that she maybe needs some space right now.

0:50:30.239 --> 0:50:32.440
<v Speaker 4>She knows I love her and I'm here whenever she

0:50:32.600 --> 0:50:35.560
<v Speaker 4>wants to talk. So she didn't go on television saying

0:50:36.400 --> 0:50:38.120
<v Speaker 4>I ain't talked to Kenya. I don't fuck with Kenya,

0:50:38.120 --> 0:50:39.680
<v Speaker 4>that I was fucked up what she did. No, she

0:50:39.719 --> 0:50:43.400
<v Speaker 4>was a Cynthia. We've always seen her be all that shit.

0:50:43.480 --> 0:50:46.560
<v Speaker 4>That conversation that people are having about Cynthia flip flopping again.

0:50:46.640 --> 0:50:48.280
<v Speaker 3>You can't start a story in the middle.

0:50:49.560 --> 0:50:52.640
<v Speaker 4>Let's not go back into the Housewives cannon and see

0:50:52.719 --> 0:50:56.640
<v Speaker 4>all the times that Kenya tried to embarrass Cynthia on television,

0:50:57.120 --> 0:50:59.200
<v Speaker 4>rolling the car window up in her face and shit,

0:50:59.239 --> 0:51:00.680
<v Speaker 4>when Cynthia was trying to talk to her in that

0:51:00.760 --> 0:51:05.160
<v Speaker 4>parking lot, antagonizing her and going way too far, cracking jokes.

0:51:05.160 --> 0:51:07.360
<v Speaker 4>When they did dinner in the sky and she was

0:51:07.440 --> 0:51:11.920
<v Speaker 4>questioning Cynthia Badger and heard them questions about her wine knowledge.

0:51:11.920 --> 0:51:16.479
<v Speaker 4>When she was opening up the Bailey the wine cellar,

0:51:16.520 --> 0:51:19.960
<v Speaker 4>the Bailey wine cellar. Let's not forget when Kenya almost

0:51:19.960 --> 0:51:22.640
<v Speaker 4>spilled the beans and then played coy, did I do

0:51:22.680 --> 0:51:24.279
<v Speaker 4>that and put her finger in the corner of her

0:51:24.320 --> 0:51:28.239
<v Speaker 4>mouth when she alluded to and hinted at Cynthia's ex

0:51:28.320 --> 0:51:31.120
<v Speaker 4>husband Mike proposing to her on camera. This is not

0:51:31.200 --> 0:51:34.279
<v Speaker 4>a situation where Cynthia is just not being a good

0:51:34.280 --> 0:51:36.400
<v Speaker 4>friend to Kenya. She was a great friend to Kenya.

0:51:36.520 --> 0:51:38.160
<v Speaker 4>She kept it real in her face and told her

0:51:38.160 --> 0:51:40.400
<v Speaker 4>in the moment, I love you. That was fucked up.

0:51:40.440 --> 0:51:42.479
<v Speaker 4>I got your back, and I'm gonna talk to you later.

0:51:42.840 --> 0:51:46.040
<v Speaker 4>She has never trashed Kenya behind this. She said she

0:51:46.120 --> 0:51:48.680
<v Speaker 4>thought Kenya was above that and if that equates to

0:51:48.719 --> 0:51:50.640
<v Speaker 4>a bad friend and some people, then so be it.

0:51:50.760 --> 0:51:52.680
<v Speaker 4>But it don't equate to being a bad friend to me.

0:51:52.800 --> 0:51:55.440
<v Speaker 4>And I'm biased as fuck because I love Cynthia in

0:51:55.480 --> 0:51:58.960
<v Speaker 4>real life, So I'm not gonna you know, make no,

0:51:59.480 --> 0:52:02.480
<v Speaker 4>I'm gonna be clear about that. I'm on Cynthia's side.

0:52:02.520 --> 0:52:05.280
<v Speaker 4>It's personal for me because I know she's a good person,

0:52:05.760 --> 0:52:07.799
<v Speaker 4>she's a good friend. So I'm not even gonna play

0:52:07.840 --> 0:52:10.839
<v Speaker 4>them games. It is what it is like. I love

0:52:10.880 --> 0:52:13.160
<v Speaker 4>that's my friend. I do the same for any of

0:52:13.200 --> 0:52:13.840
<v Speaker 4>my friends.

0:52:13.840 --> 0:52:17.960
<v Speaker 2>So Dustin is so Detroit. I love him.

0:52:18.560 --> 0:52:21.239
<v Speaker 1>Listen, Claudia, because a lot of people don't say it.

0:52:21.360 --> 0:52:23.200
<v Speaker 1>I love it, dust is like, and at the end

0:52:23.239 --> 0:52:25.520
<v Speaker 1>of the day, she's my friend, and I stay by

0:52:25.760 --> 0:52:28.200
<v Speaker 1>like I love that dust it is. I will say

0:52:28.239 --> 0:52:32.200
<v Speaker 1>this in real life, Dustin is a great friend, and

0:52:32.320 --> 0:52:35.799
<v Speaker 1>you would want a friend like Dustin. Dustin rise for

0:52:35.880 --> 0:52:40.799
<v Speaker 1>his friend. And Dustin will also tell you like that,

0:52:40.840 --> 0:52:42.640
<v Speaker 1>ain't it that? Ain't it?

0:52:42.680 --> 0:52:43.520
<v Speaker 2>So we'll go ahead.

0:52:43.560 --> 0:52:47.080
<v Speaker 5>Claudia, I kind of don't really know. I feel like

0:52:47.080 --> 0:52:49.480
<v Speaker 5>they've been off since they did Ultimate Girls Trip and

0:52:49.520 --> 0:52:51.239
<v Speaker 5>I heard a little bit from Cynthia a little bit

0:52:51.239 --> 0:52:53.480
<v Speaker 5>of Kenya, and I just don't know where it started.

0:52:53.520 --> 0:52:55.680
<v Speaker 5>Because depending on who you talk to, you're gonna get

0:52:55.680 --> 0:52:58.520
<v Speaker 5>a kind of a slightly different version of events, right

0:52:59.239 --> 0:53:05.200
<v Speaker 5>and so, and that's another show I didn't watch. I'm

0:53:05.239 --> 0:53:08.600
<v Speaker 5>just going by my personal conversations with them, like they've

0:53:08.600 --> 0:53:12.440
<v Speaker 5>been off for a while. You know, It's like, depending

0:53:12.440 --> 0:53:15.000
<v Speaker 5>on whose perspective is from, you can say that's wrong.

0:53:15.080 --> 0:53:16.759
<v Speaker 5>You're you know, when you're talking to your friend and

0:53:16.800 --> 0:53:19.319
<v Speaker 5>they tell you what someone did to them and you're like, man,

0:53:19.400 --> 0:53:21.640
<v Speaker 5>fuck that bitch, Like, yeah, they they did your dirty.

0:53:21.640 --> 0:53:23.000
<v Speaker 5>But then you talk to the other person and they

0:53:23.000 --> 0:53:25.080
<v Speaker 5>tell you, well, this is what I felt went wrong.

0:53:25.120 --> 0:53:28.080
<v Speaker 5>So it's like, damn, So I really don't know, but

0:53:28.239 --> 0:53:31.080
<v Speaker 5>I do like, no matter what if if Cynthia really

0:53:31.080 --> 0:53:34.360
<v Speaker 5>feels this way about Kenya or not publicly, she's she

0:53:34.719 --> 0:53:38.799
<v Speaker 5>is like presenting like you know, it's like she's not

0:53:38.840 --> 0:53:40.759
<v Speaker 5>trying to like throw her on the bus, like she's like,

0:53:40.840 --> 0:53:43.239
<v Speaker 5>I don't like it, but she still said she did

0:53:43.320 --> 0:53:46.319
<v Speaker 5>still still speak some positivity into Kenya, and I don't

0:53:46.320 --> 0:53:48.480
<v Speaker 5>think they've been in a positive place for a long time,

0:53:48.600 --> 0:53:53.040
<v Speaker 5>is what I'm saying. So it's like I respect people

0:53:53.080 --> 0:53:55.680
<v Speaker 5>that listen. Y'all know we ain't been cool for years,

0:53:55.680 --> 0:53:58.280
<v Speaker 5>for real, for real, for real, but we're not giving

0:53:58.280 --> 0:53:59.920
<v Speaker 5>that to all y'all. We can have when we're right,

0:54:00.040 --> 0:54:02.279
<v Speaker 5>you can talk. And I don't know why or if

0:54:02.440 --> 0:54:04.960
<v Speaker 5>you know Kenya has been avoiding Cynthia's calls or what

0:54:05.000 --> 0:54:07.759
<v Speaker 5>that's about and why, I am curious to know that,

0:54:08.200 --> 0:54:10.520
<v Speaker 5>but I do believe that as it all goes back

0:54:10.560 --> 0:54:13.279
<v Speaker 5>to Ultimate Girls Trip, I think their friendship to me

0:54:14.280 --> 0:54:17.399
<v Speaker 5>was repiably damaged on that show and it's never gonna

0:54:17.400 --> 0:54:20.239
<v Speaker 5>be the same as it was before. And I think

0:54:20.360 --> 0:54:23.240
<v Speaker 5>Cynthia is keeping a cue And still you know Cynthia's

0:54:23.200 --> 0:54:26.000
<v Speaker 5>is still gonna, you know, say positive things, especially on

0:54:26.040 --> 0:54:29.040
<v Speaker 5>the show to her, But I do I did catch

0:54:29.080 --> 0:54:32.000
<v Speaker 5>when that online. It's like they you know, they're trying

0:54:32.000 --> 0:54:34.200
<v Speaker 5>to throw it, make it like that Cynthia flip flop.

0:54:34.360 --> 0:54:37.040
<v Speaker 5>She's not really having her friend's back. You can have

0:54:37.320 --> 0:54:40.600
<v Speaker 5>your friends back and still tell them they're wrong. That

0:54:40.719 --> 0:54:44.200
<v Speaker 5>is definitely possible. It's hard, but it is definitely, you know.

0:54:44.600 --> 0:54:46.560
<v Speaker 5>I don't know, I hate it because they were like

0:54:46.920 --> 0:54:48.920
<v Speaker 5>when I was around them before, they were so like

0:54:49.040 --> 0:54:51.080
<v Speaker 5>they really did fuck with each other. But I think

0:54:51.160 --> 0:54:53.200
<v Speaker 5>I think too much has happened between them since.

0:54:53.760 --> 0:54:56.239
<v Speaker 1>Yeah, and I do think it's I did watch AUTI

0:54:56.320 --> 0:54:59.640
<v Speaker 1>Mcgirl's Trip. It was the first installment of it, and

0:55:00.040 --> 0:55:03.520
<v Speaker 1>their friendship was tested, and they even said it it

0:55:03.560 --> 0:55:06.120
<v Speaker 1>was tested during that time, and I don't think things

0:55:06.120 --> 0:55:07.040
<v Speaker 1>were the same with that.

0:55:07.440 --> 0:55:09.239
<v Speaker 2>But before I let you guys go, I.

0:55:09.239 --> 0:55:15.319
<v Speaker 1>Do want to read Kenya Moore's final statement and to

0:55:15.360 --> 0:55:19.360
<v Speaker 1>get her thoughts on this. So Kenya posted this on

0:55:19.360 --> 0:55:24.719
<v Speaker 1>our Instagram with the montage video of her at her hairspot.

0:55:25.080 --> 0:55:28.239
<v Speaker 1>Kenya said, I quote, you have been my besties for

0:55:28.320 --> 0:55:32.000
<v Speaker 1>the last twelve years and I love and appreciate you

0:55:32.080 --> 0:55:35.759
<v Speaker 1>so much. Last year, you cried with me when all

0:55:35.800 --> 0:55:37.960
<v Speaker 1>of my hard work from the salon was cut by

0:55:38.000 --> 0:55:39.680
<v Speaker 1>production and none of it was shown.

0:55:40.480 --> 0:55:41.560
<v Speaker 2>I want to thank all.

0:55:41.400 --> 0:55:43.640
<v Speaker 1>Of my friends who showed up for me and who

0:55:43.719 --> 0:55:47.040
<v Speaker 1>support me on a regular basis, who loved me down.

0:55:47.560 --> 0:55:50.239
<v Speaker 1>Miss Lawrence, thank you for gracing us with your presence.

0:55:50.680 --> 0:55:52.880
<v Speaker 1>You're a star. I'll hope to turn our segment to

0:55:52.920 --> 0:55:56.520
<v Speaker 1>a TV show. God willing. She thanked her event planner

0:55:56.560 --> 0:56:00.880
<v Speaker 1>Events by Monet. She thanked the gorgeous models. She also

0:56:01.000 --> 0:56:05.799
<v Speaker 1>said to the cast of Real Housepots of Atlanta Season sixteen,

0:56:06.719 --> 0:56:10.400
<v Speaker 1>I wish you all an incredible season. To my friends

0:56:10.400 --> 0:56:14.160
<v Speaker 1>and family, thanks for loving me, flaws and awe. Thank

0:56:14.200 --> 0:56:17.279
<v Speaker 1>you to all the studying women who have patronized Kenya

0:56:17.320 --> 0:56:20.799
<v Speaker 1>moore hairspot. I love making you look beautiful. Love and

0:56:20.880 --> 0:56:23.480
<v Speaker 1>blessings to all of you.

0:56:24.280 --> 0:56:25.719
<v Speaker 3>That's good. That's good.

0:56:25.800 --> 0:56:28.440
<v Speaker 4>I like the piece that she added in about wishing

0:56:28.480 --> 0:56:31.400
<v Speaker 4>to cast a successful season. You know, that's the kind

0:56:31.440 --> 0:56:34.120
<v Speaker 4>of energy you want to see from Kenya again. I'm

0:56:34.160 --> 0:56:36.480
<v Speaker 4>a person who think is fucked up that she was released.

0:56:36.520 --> 0:56:38.920
<v Speaker 4>I think she deserves to be there and needs to

0:56:38.920 --> 0:56:41.399
<v Speaker 4>be there to complete the story. So I don't think

0:56:41.440 --> 0:56:43.759
<v Speaker 4>she deserves to be released from the series, and I

0:56:43.800 --> 0:56:46.359
<v Speaker 4>wanted to see her make her way back, hopefully that's

0:56:46.400 --> 0:56:47.520
<v Speaker 4>my hope.

0:56:48.400 --> 0:56:50.719
<v Speaker 5>I think this statement sounds like someone that knows she's

0:56:50.760 --> 0:56:55.600
<v Speaker 5>never coming back. Honestly, that's what that sounds like. That

0:56:55.800 --> 0:56:58.879
<v Speaker 5>she sounds to me defeated. It sounds like I'm trying

0:56:58.880 --> 0:57:02.600
<v Speaker 5>to put on a strong front like okay, but you know,

0:57:02.920 --> 0:57:05.240
<v Speaker 5>I wish all the best, like the link. The language,

0:57:05.280 --> 0:57:07.680
<v Speaker 5>to me like it sounds like a goodbye, like a

0:57:07.719 --> 0:57:10.719
<v Speaker 5>final goodbye. That doesn't sound like, you know, Kenya leaves

0:57:10.760 --> 0:57:13.759
<v Speaker 5>little breck harms like you know, you never know. There's

0:57:13.800 --> 0:57:15.680
<v Speaker 5>none of that in the statement. It does feel like

0:57:15.719 --> 0:57:18.760
<v Speaker 5>it's a rap forever. And but Kenya does have the

0:57:18.800 --> 0:57:21.840
<v Speaker 5>personality to do something else on her own, another show

0:57:21.840 --> 0:57:24.200
<v Speaker 5>on her own. I hope she does do that. But

0:57:24.400 --> 0:57:26.480
<v Speaker 5>it does sound like it's we're not getting her back,

0:57:26.520 --> 0:57:29.680
<v Speaker 5>and I do feel like, you know, we're gonna be disappointed.

0:57:29.760 --> 0:57:32.880
<v Speaker 5>I'll be I will, I will eat my words if

0:57:32.920 --> 0:57:35.439
<v Speaker 5>I'm wrong, you know, But I do feel like this

0:57:35.520 --> 0:57:38.320
<v Speaker 5>is a good vibe, and I don't It is kind

0:57:38.320 --> 0:57:40.240
<v Speaker 5>of like weird to me that the one that talked

0:57:40.240 --> 0:57:44.800
<v Speaker 5>about the gun didn't really get held accountable. Yes, Kenya

0:57:44.800 --> 0:57:47.480
<v Speaker 5>should have been held accountable, but one side of accountability

0:57:47.520 --> 0:57:49.200
<v Speaker 5>is not really accountability, is favoritism.

0:57:49.640 --> 0:57:52.040
<v Speaker 4>Do you think it feel final because it was her

0:57:52.120 --> 0:57:53.520
<v Speaker 4>last episode this season?

0:57:53.560 --> 0:57:53.800
<v Speaker 3>Though?

0:57:53.880 --> 0:57:56.440
<v Speaker 4>Because I sense the I sensed the final nature of

0:57:56.760 --> 0:57:59.720
<v Speaker 4>the tone of the message. But in my mind it

0:57:59.800 --> 0:58:01.760
<v Speaker 4>maybe you can help me with how I'm looking at this,

0:58:01.880 --> 0:58:04.800
<v Speaker 4>but I don't. It didn't feel like I'm not on

0:58:04.920 --> 0:58:08.040
<v Speaker 4>this show. Maybe the for twelve seasons part or whatever,

0:58:08.560 --> 0:58:11.080
<v Speaker 4>but I just felt like that was a message to

0:58:11.080 --> 0:58:14.280
<v Speaker 4>close off her participation in this season. But you're saying

0:58:14.320 --> 0:58:17.320
<v Speaker 4>you feel like it means she's done with the show forever.

0:58:17.520 --> 0:58:18.880
<v Speaker 4>That's the feeling you got.

0:58:19.160 --> 0:58:21.920
<v Speaker 5>Yeah, that's what I just my opinion. I'm wrong once

0:58:22.000 --> 0:58:23.919
<v Speaker 5>or twice a year, so you know, I'm just say

0:58:24.880 --> 0:58:28.560
<v Speaker 5>I don't know, you know, but I feel like twice

0:58:28.560 --> 0:58:32.400
<v Speaker 5>a year it does feel like again, I just think

0:58:32.400 --> 0:58:37.479
<v Speaker 5>it's bad, a bad message to like put out there

0:58:38.120 --> 0:58:41.200
<v Speaker 5>from production, Like certain things, the things that seem to

0:58:41.240 --> 0:58:45.760
<v Speaker 5>not get people suspended or fired gets allowed. That to

0:58:45.800 --> 0:58:49.640
<v Speaker 5>me is scarier. Yeah, I can take that how you

0:58:49.680 --> 0:58:53.320
<v Speaker 5>want to, but you know, not to take away I

0:58:53.400 --> 0:58:56.320
<v Speaker 5>know some people like you're defending her. I'm not defending Kenya.

0:58:56.920 --> 0:58:59.520
<v Speaker 5>I've said it multiple times. Is wrong. She ruined her

0:58:59.520 --> 0:59:03.479
<v Speaker 5>own moment. It hurt herself. Why make your moment about

0:59:03.480 --> 0:59:05.440
<v Speaker 5>your salon about this bitch so you didn't even know her.

0:59:05.440 --> 0:59:07.240
<v Speaker 5>And I'm not saying bitch like I'm palling bitch. I'm

0:59:07.280 --> 0:59:09.640
<v Speaker 5>just saying how we talk sometimes. You know, it took

0:59:09.640 --> 0:59:12.680
<v Speaker 5>away from your moment, like if I'm getting an award

0:59:12.720 --> 0:59:14.480
<v Speaker 5>for something, I'm not going to give someone that I

0:59:14.560 --> 0:59:17.120
<v Speaker 5>don't like my moment when it should all be about

0:59:17.120 --> 0:59:20.280
<v Speaker 5>celebrating me. And I think that was a huge miscalculation,

0:59:20.480 --> 0:59:22.600
<v Speaker 5>like y'all, Like y'all said, she probably thought that was

0:59:22.600 --> 0:59:24.160
<v Speaker 5>gonna jump off the salon and make oh this is

0:59:24.200 --> 0:59:26.320
<v Speaker 5>what I happened, that epic scene happened, and it didn't

0:59:26.360 --> 0:59:27.920
<v Speaker 5>work out like that for and I think I do

0:59:27.960 --> 0:59:30.120
<v Speaker 5>think it was a miscalculation. Think it was wrong, It

0:59:30.160 --> 0:59:33.040
<v Speaker 5>wasn't good, and Kenya, it's smarter than that. That's why

0:59:33.040 --> 0:59:35.640
<v Speaker 5>I'm still surprised that she did this. She could have

0:59:35.680 --> 0:59:37.560
<v Speaker 5>done this so many other ways, but hey, we don't know.

0:59:37.840 --> 0:59:40.040
<v Speaker 5>And we also and the reason why I brought up

0:59:40.040 --> 0:59:42.600
<v Speaker 5>her other issues on the show, like her being attacked

0:59:42.600 --> 0:59:44.040
<v Speaker 5>and all the other things and stuff she had to

0:59:44.080 --> 0:59:46.280
<v Speaker 5>live with for years. You hiring men to be on

0:59:46.280 --> 0:59:48.440
<v Speaker 5>the show. She's been humiliated for many, many years on

0:59:48.480 --> 0:59:51.200
<v Speaker 5>the show. Okay, So I guess that's why sometimes I

0:59:51.200 --> 0:59:53.720
<v Speaker 5>give it a little bit like I'm not making excuses.

0:59:54.000 --> 0:59:56.360
<v Speaker 5>I just like to get into people's mind, like what

0:59:56.400 --> 0:59:59.280
<v Speaker 5>would make someone or how would this make me feel

0:59:59.280 --> 1:00:02.520
<v Speaker 5>if I was that person? So you know what I'm saying, like,

1:00:03.040 --> 1:00:06.280
<v Speaker 5>and please don't mistaken that for me making excuses for people.

1:00:06.480 --> 1:00:09.680
<v Speaker 5>I just am into the psychology of why people do

1:00:09.960 --> 1:00:13.240
<v Speaker 5>and what headspace they are in to make them do

1:00:13.320 --> 1:00:16.439
<v Speaker 5>these things. It's easy to sit on our couches eating

1:00:16.440 --> 1:00:19.560
<v Speaker 5>out popcorn. Never in these situations say well she should

1:00:19.560 --> 1:00:22.440
<v Speaker 5>have done this, and well you haven't been there where

1:00:21.760 --> 1:00:25.080
<v Speaker 5>you talk. You be vulnerable. A bunch of mother people

1:00:25.120 --> 1:00:27.560
<v Speaker 5>clown you for that. You be vulnerable your love life.

1:00:27.600 --> 1:00:29.560
<v Speaker 5>You marry this guy, you get clown for that. You

1:00:29.560 --> 1:00:32.280
<v Speaker 5>get punished by the network for not sharing your marriage.

1:00:32.360 --> 1:00:34.960
<v Speaker 5>You get physically assaulted on a stage, they don't suspend

1:00:34.960 --> 1:00:36.760
<v Speaker 5>the other girl, and you get clown and you get

1:00:36.800 --> 1:00:39.520
<v Speaker 5>to ask beat on TV, like many, many, many, things

1:00:39.520 --> 1:00:43.040
<v Speaker 5>over many many years, she's had to eat, right, Does

1:00:43.080 --> 1:00:45.479
<v Speaker 5>that justifyer doing this someone else? No, But I'm trying

1:00:45.480 --> 1:00:46.720
<v Speaker 5>to get her mindset.

1:00:46.760 --> 1:00:49.560
<v Speaker 4>Of course, she says, somebody else eating on these posters.

1:00:51.080 --> 1:00:53.480
<v Speaker 4>She said, somebody else is gonna be eating on these posters.

1:00:55.760 --> 1:00:57.560
<v Speaker 5>I'm just thinking that she snapped. Did she say, you

1:00:57.640 --> 1:00:59.959
<v Speaker 5>know what, that's it? I don't know, but I'm trying

1:00:59.920 --> 1:01:05.320
<v Speaker 5>to get into the headspace the networks dig. What're you saying?

1:01:05.400 --> 1:01:06.880
<v Speaker 3>She was like, I'm tired of having to set the

1:01:06.920 --> 1:01:09.560
<v Speaker 3>networks dig. Then it hit her like, right.

1:01:10.440 --> 1:01:12.440
<v Speaker 5>She had to that wasn't in the moment. Things She

1:01:12.480 --> 1:01:15.280
<v Speaker 5>had to find those pictures, get an investigative print those

1:01:15.280 --> 1:01:18.400
<v Speaker 5>pictures up, pick the size of the poster board, the thickness,

1:01:20.000 --> 1:01:22.800
<v Speaker 5>all those things, and present them. And then she still

1:01:22.800 --> 1:01:24.960
<v Speaker 5>had many chances to get off the off ramp to

1:01:25.680 --> 1:01:27.920
<v Speaker 5>a board mission and she didn't. So I want to know.

1:01:27.960 --> 1:01:29.960
<v Speaker 5>I'm curious as to the mindset of what made her

1:01:30.040 --> 1:01:31.920
<v Speaker 5>finally say that's it. I'm going to go to this

1:01:32.040 --> 1:01:33.320
<v Speaker 5>level and be extreme.

1:01:34.360 --> 1:01:36.040
<v Speaker 2>Yeah, And that's the reason why I listen.

1:01:36.840 --> 1:01:38.960
<v Speaker 1>I don't know what Kenya Plans are doing in terms

1:01:39.000 --> 1:01:42.840
<v Speaker 1>of doing interviews or anything. After this, but I will

1:01:42.880 --> 1:01:47.000
<v Speaker 1>implore people to watch her Tameron Hall interview because she

1:01:47.160 --> 1:01:50.600
<v Speaker 1>did talk about a lot of this to Claudia. And

1:01:50.640 --> 1:01:53.920
<v Speaker 1>I think the other thing too, is it was at

1:01:53.960 --> 1:01:56.560
<v Speaker 1>that at the moment of her Tamra Hall interview, it

1:01:56.600 --> 1:01:58.880
<v Speaker 1>was it was still fresh.

1:01:59.160 --> 1:02:00.720
<v Speaker 2>I don't know how many months afterwards.

1:02:00.720 --> 1:02:03.080
<v Speaker 1>It was a few months afterwards, but it was still

1:02:03.120 --> 1:02:06.320
<v Speaker 1>fresh for her, And I think that's why you should

1:02:06.320 --> 1:02:09.200
<v Speaker 1>watch it. Not you, but like people should watch it

1:02:09.360 --> 1:02:12.960
<v Speaker 1>because it will give you some ideas of how she feels.

1:02:13.080 --> 1:02:15.439
<v Speaker 1>But look, I think at the end of the day,

1:02:16.240 --> 1:02:20.240
<v Speaker 1>Kenya Moore is meant to be on somebody's television screen,

1:02:20.320 --> 1:02:23.439
<v Speaker 1>whether it's continue on with the show or or doing

1:02:23.520 --> 1:02:26.640
<v Speaker 1>other things. This is not the last you'll see of

1:02:26.760 --> 1:02:28.520
<v Speaker 1>Kenya more.

1:02:29.000 --> 1:02:31.720
<v Speaker 5>Are you gonna interview her again? Like since like after.

1:02:31.480 --> 1:02:36.160
<v Speaker 4>This, she needs to come on here with us, so

1:02:36.320 --> 1:02:37.720
<v Speaker 4>to bring her ass on next Monday.

1:02:39.520 --> 1:02:41.400
<v Speaker 5>The interview you're not telling us and that's gonna be

1:02:41.400 --> 1:02:42.520
<v Speaker 5>the one you drop next Monday.

1:02:43.720 --> 1:02:46.720
<v Speaker 1>Oh, first of all, I'm dropping one to I'm dropping

1:02:46.920 --> 1:02:49.760
<v Speaker 1>an interview tomorrow any more.

1:02:49.800 --> 1:02:54.640
<v Speaker 5>Haircare. He's not answering Dustin. You see that.

1:02:56.000 --> 1:03:00.440
<v Speaker 1>You guys are so funny anyways, Claudia, dust is anything

1:03:00.560 --> 1:03:03.600
<v Speaker 1>else you want to talk about your fans in terms

1:03:03.640 --> 1:03:07.000
<v Speaker 1>of supporting you stuff you have going on?

1:03:07.760 --> 1:03:08.760
<v Speaker 5>Did you interview Kenya?

1:03:10.360 --> 1:03:11.000
<v Speaker 2>No, I have not.

1:03:11.520 --> 1:03:13.240
<v Speaker 5>Will you can we get that? I think you would

1:03:13.240 --> 1:03:14.240
<v Speaker 5>be You'd be great for that.

1:03:14.840 --> 1:03:16.080
<v Speaker 2>You're well listen.

1:03:16.280 --> 1:03:18.920
<v Speaker 1>I love you more than you know, and that's very

1:03:18.960 --> 1:03:19.760
<v Speaker 1>scaroty you to say.

1:03:19.800 --> 1:03:20.960
<v Speaker 2>I appreciate that. Thank you.

1:03:21.600 --> 1:03:23.600
<v Speaker 3>We'll see you for part two of your interview with her.

1:03:23.720 --> 1:03:30.200
<v Speaker 4>But yeah, no, just catch the friends on podcast every Wednesday,

1:03:30.240 --> 1:03:33.240
<v Speaker 4>Everywhere Podcasts or her. Catch me and my baby Evanie

1:03:33.320 --> 1:03:37.080
<v Speaker 4>k Williams on Holding Court with edmie k Williams on

1:03:37.120 --> 1:03:40.040
<v Speaker 4>Wednesdays and Fridays. Now we drop two times a week

1:03:40.440 --> 1:03:43.040
<v Speaker 4>and go see my sister Claudia Jordan and games people

1:03:43.080 --> 1:03:46.160
<v Speaker 4>play her killing it in And you look really good

1:03:46.200 --> 1:03:49.880
<v Speaker 4>on your press run too, Claudia, you did, really did.

1:03:50.320 --> 1:03:53.840
<v Speaker 5>I got ten pounds, so thank you very much. Catch

1:03:53.880 --> 1:03:56.760
<v Speaker 5>me on Wednesdays on accidentally informed. I'm so sad I

1:03:56.760 --> 1:03:58.600
<v Speaker 5>didn't shout out the podcast last week. I was just

1:03:58.600 --> 1:04:01.560
<v Speaker 5>thinking about the play and everything Erica. We love Erica.

1:04:01.600 --> 1:04:03.080
<v Speaker 5>We all gotta hang out that, we gotta do this.

1:04:03.120 --> 1:04:05.720
<v Speaker 5>Maybe when we all go go see Carlos. We can

1:04:05.760 --> 1:04:08.400
<v Speaker 5>double date when we go see Callos in that one city.

1:04:10.440 --> 1:04:14.480
<v Speaker 5>The city, but you know who you are if you're watching.

1:04:17.720 --> 1:04:21.960
<v Speaker 5>But yeah, check out the show. We all text you tickets,

1:04:22.720 --> 1:04:27.000
<v Speaker 5>yes and uh yeah, the accidentally informed on Wednesdays. Please

1:04:27.000 --> 1:04:28.440
<v Speaker 5>we gotta run that. We're just starting out for to

1:04:28.480 --> 1:04:30.720
<v Speaker 5>run those numbers up and games women play. We are

1:04:30.880 --> 1:04:34.120
<v Speaker 5>in Detroit this weekend, and we are in Columbus, Ohio

1:04:34.200 --> 1:04:38.400
<v Speaker 5>on Sunday, and then we'll be in Atlanta soon. So yeah,

1:04:38.440 --> 1:04:39.160
<v Speaker 5>thank you so.

1:04:39.160 --> 1:04:46.080
<v Speaker 2>Much, Thank you for listening to Reality with the King.

1:04:46.520 --> 1:04:52.240
<v Speaker 1>New episodes drop on Tuesdays and Thursdays. Share, comment, follow,

1:04:52.440 --> 1:04:54.919
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1:04:55.240 --> 1:04:57.440
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1:04:57.480 --> 1:05:00.920
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1:05:01.000 --> 1:05:05.640
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1:05:05.920 --> 1:05:09.400
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1:05:09.400 --> 1:05:13.440
<v Speaker 1>get all of my visuals, baby, my expressions. Yes, and

1:05:13.560 --> 1:05:16.960
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1:05:16.960 --> 1:05:22.800
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1:05:22.840 --> 1:05:26.280
<v Speaker 1>with the King is a production of Kingdom Rain Entertainment,

1:05:27.000 --> 1:05:30.920
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1:05:41.760 --> 1:05:43.880
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