WEBVTT - Beyond the Lights with Maya Williams

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<v Speaker 1>On The Bechdel Cast. The questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? It's the patriarchy, zeph

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<v Speaker 1>and bast start changing it with the Bechdel Cast.

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<v Speaker 2>Caitlin, you've got second place in the singing contest.

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<v Speaker 3>No, no, you're happy about it.

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<v Speaker 2>Oh yay, Now smash your trophy. You're not a champion,

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<v Speaker 2>no of us. Right, that's that's the part I'm not

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<v Speaker 2>happy about Mini Driver as bully mother. You hate to

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<v Speaker 2>see it. I think that was a strong intro. It

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<v Speaker 2>did go as it tends to do. It went a

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<v Speaker 2>little Australian at the end, but that's that's okay. Where

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<v Speaker 2>this is a safe place. Because one guy told Caitlyn

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<v Speaker 2>they had a good Australian accent, and I chose to

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<v Speaker 2>also take that as applying to me.

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<v Speaker 3>So yeah, of course, of course we are a unit.

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<v Speaker 3>We are one.

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<v Speaker 2>We are a unit. Look at that unit, and that unit.

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<v Speaker 3>Is called the Bechdel Cast. And I'm Caitlin Dorante and.

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<v Speaker 2>I'm Jamie Loftus the other half of the unit. And yes,

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<v Speaker 2>this is our podcast where we take a look at

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<v Speaker 2>your favorite movies using an intersectional feminist lens, using the

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<v Speaker 2>Bechdel Test as a jumping off point for a discussion.

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<v Speaker 2>But wait a second, Caitlin, what's the Bechdel test?

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<v Speaker 3>All?

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<v Speaker 2>Is it a Minnie driver yelling at her daughter to

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<v Speaker 2>smash a trophy? Because spoiler alert, yes it is.

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<v Speaker 3>It does pass. Yeah. So the Bechdel test commonly known

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<v Speaker 3>as the Bechdel Wallace test because Alison Bechdel created it

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<v Speaker 3>in collaboration with her friend Liz Wallace. It first appeared

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<v Speaker 3>in Alison Bechdel's comic Dix to Watch out For. And

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<v Speaker 3>it's a medium metric that has many versions. The one

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<v Speaker 3>that we use is this, do two characters of a

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<v Speaker 3>marginalized gender have names? Do they speak to each other?

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<v Speaker 3>Is that conversation about something other than a man and

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<v Speaker 3>a little caveat that we add is is the conversation

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<v Speaker 3>narratively important in some way or is it just throw

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<v Speaker 3>away dialogue? Because ideally it's a nice, juicy conversation.

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<v Speaker 2>It's got to have the juice. Yeah, And today we

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<v Speaker 2>are covering a director we've covered many many and by

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<v Speaker 2>many I think I mean too possibly three.

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<v Speaker 3>Well, love and basketball.

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<v Speaker 2>Yes, and the woman King, the woman King right, So

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<v Speaker 2>this is three, this is three. Little does this director

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<v Speaker 2>know that she's about to get her Bechdel cast Letterman jacket,

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<v Speaker 2>which is a third appearance, Honor. We are covering Beyond

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<v Speaker 2>the Lights today, a twenty fourteen movie directed by Gina

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<v Speaker 2>Prince Bythwood, and we have a returning guest. It's true.

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<v Speaker 3>They are a religious, black, multiracial, non binary suicide survivor

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<v Speaker 3>who is currently the seventh Poet Laureate of Portland, Maine.

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<v Speaker 3>I said, mained, mained, that's not the name of the state.

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<v Speaker 3>Air debut poetry collection, Judas and Suicide, was selected as

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<v Speaker 3>a finalist for the New England Book Award. They also

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<v Speaker 3>have a second poetry collection, Refused a second Date. They

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<v Speaker 3>recently published essays in venues such as LGBTQ, Nation, Stylist,

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<v Speaker 3>and Full Stop, as well as interviews in Black Girl Nerds.

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<v Speaker 3>Maya was one of three artists of color selected to

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<v Speaker 3>represent Maine in the Kennedy Center's Arts Across America series

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<v Speaker 3>in twenty twenty, and they were also selected as one

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<v Speaker 3>of the Advocates Champions of Pride in twenty twenty two.

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<v Speaker 3>You can follow her at Maya williamspoet dot com. It's

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<v Speaker 3>Maya Williams.

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<v Speaker 2>Say, well back, welcome back.

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<v Speaker 4>I'm sorry it's not dear Evan Hanson. But also I'm

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<v Speaker 4>not sorry that.

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<v Speaker 3>It's okay.

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<v Speaker 2>Honestly, I think that there's a few people out there

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<v Speaker 2>breathing a sigh of relief that they have escaped the

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<v Speaker 2>clutches of Evan Hanson this time, just this time, Maya

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<v Speaker 2>will be back and you will experience the majesty of

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<v Speaker 2>Evan Hanson. God, I really wish we could all watch

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<v Speaker 2>that movie together.

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<v Speaker 3>I've never seen it, so I don't even know what

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<v Speaker 3>people are talking about when they talk about it, or like,

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<v Speaker 3>obviously know what the I know it's a movie, but

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<v Speaker 3>I don't know, brave why people talk about it.

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<v Speaker 2>There's so many ways to watch that movie. There's just okay,

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<v Speaker 2>I every watch a poem, but no, today we're talking

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<v Speaker 2>about Beyond the Lights. Maya, what is your history and

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<v Speaker 2>connection with this movie with the filmmaker you know Dealers twice.

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<v Speaker 4>Yeah, I've seen I've seen this movie for the first

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<v Speaker 4>time my freshman year of college, and I was obsessed

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<v Speaker 4>with it at the time because I was like, oh

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<v Speaker 4>my god, by racial representation, oh my god, mental help.

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<v Speaker 4>And then and then come to adulthood of like, oh

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<v Speaker 4>I don't like how she's in love with the cop. Yeah,

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<v Speaker 4>but we'll get into that, and and yeah, it's very

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<v Speaker 4>familiar with this director's work. I got to cover the

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<v Speaker 4>Secret life of Bees on the on the Black Girl

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<v Speaker 4>Film podcast and that was a real joy and a

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<v Speaker 4>real treat. Said, movies really good, has its fails like

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<v Speaker 4>any other movie, but yeah, enjoyed that. And yeah, I

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<v Speaker 4>watched this movie twice in preparation for this, and I

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<v Speaker 4>couldn't find a commentary to like delve into. So I

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<v Speaker 4>just spent a lot of my time just reading interviews

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<v Speaker 4>and watching like featurette interviews. So so no commentary tidbits

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<v Speaker 4>from me today. But it'll still be your name.

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<v Speaker 2>I really that's like of the many things that we've

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<v Speaker 2>lost in the like lack of physical media, and I

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<v Speaker 2>feel like I have to keep saying, like I need

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<v Speaker 2>to issue a formal apology to all of my friends

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<v Speaker 2>and lovers who I roasted for having too many DVDs

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<v Speaker 2>at their house, including Caitlin, because you were all right,

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<v Speaker 2>you were all right. I was wrong.

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<v Speaker 3>I accept your apologize.

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<v Speaker 2>I'm really big for him. But I feel like one

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<v Speaker 2>of the many things we've lost is the art of

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<v Speaker 2>the commentary track. They just don't happen. It's embarrassing. I mean,

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<v Speaker 2>we do get you know, we've gained letterboxed interviews, we've

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<v Speaker 2>gained round tables, but we've lost the commentary. I just

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<v Speaker 2>feel like we got to bring it back.

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<v Speaker 3>What was the Ben Affleck commentary that was hilarious? Was

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<v Speaker 3>it for Armageddon?

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<v Speaker 2>It was for I think it was for Armageddon, Yeah,

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<v Speaker 2>where he was just and then there's also a really

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<v Speaker 2>good one yeah, where he's just like roasting specifically from

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<v Speaker 2>a science perspective, which is just like, I don't know.

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<v Speaker 2>Sometimes I'm reminded that, like Ben Affleck is like a

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<v Speaker 2>pretty smart person, and it kind of like rattles. It

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<v Speaker 2>rattles me every time I re learned that where sometimes

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<v Speaker 2>you early you hear him speaking fluent Spanish, You're like, wow,

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<v Speaker 2>ben Affleck is objectively smarter than me. That's wild. I mean,

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<v Speaker 2>this isn't passing the Bectel test whatsoever. No, but do

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<v Speaker 2>you remember when he had that cardboard cutout of Anna

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<v Speaker 2>to Armis on his lawn when they were dating. Oh

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<v Speaker 2>my god, I feel like that passed out of the

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<v Speaker 2>cultural memory way too fast. First of all, that they

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<v Speaker 2>did date, it was like a pandemic relationship. Yeah, and

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<v Speaker 2>that like I guess that his kids liked her, which

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<v Speaker 2>is great, but that like led to for some reason,

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<v Speaker 2>there was a time during lockdown where there was a

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<v Speaker 2>cardboard cutout of Anna to Armis on the lawn that

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<v Speaker 2>the kids were like playing with.

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<v Speaker 3>That's uch weird.

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<v Speaker 2>I feel like I'm remembering that basically correctly.

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<v Speaker 3>No, I believe you.

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<v Speaker 2>Okay, Well, anyway, what's your history with Beyond the Lives, Caitlin?

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<v Speaker 3>I had not seen it before, so this was my

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<v Speaker 3>first watch. And yeah, that's kind of it. I think

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<v Speaker 3>there's some interesting things about it that I enjoyed, and

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<v Speaker 3>then there's other things that I didn't enjoy so much,

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<v Speaker 3>and we'll dive into that further. Yeah, but yeah, short

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<v Speaker 3>history with it. What about you, Jamie?

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<v Speaker 2>Yeah, I also had not This movie was not on

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<v Speaker 2>my radar, which is I thought was kind of bizarre

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<v Speaker 2>because I'm like a fan of Gina Prince Bythwood. I

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<v Speaker 2>just I don't know, I don't know if like, I'm

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<v Speaker 2>sure I heard about it when it came out, but

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<v Speaker 2>this movie just missed me. I'm not really sure what happened.

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<v Speaker 2>It was successful and it was well reviewed, so I

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<v Speaker 2>guess I don't know. Twenty fourteen I was. I guess

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<v Speaker 2>I was like working at a bakery. I don't know,

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<v Speaker 2>I was at a bakery. It missed me.

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<v Speaker 3>Well, it was well reviewed, but it only made like

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<v Speaker 3>fourteen million at the box office, so it's not as

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<v Speaker 3>though a lot of people went and saw this and

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<v Speaker 3>that this was like a super popular movie.

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<v Speaker 2>But it's like, I guess. All I would say was

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<v Speaker 2>like it's it wasn't like a flop by any means,

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<v Speaker 2>but yeah, I this one missed missed me. I had

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<v Speaker 2>a fun time, based on the very vague title, figuring

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<v Speaker 2>out what genre was which actually does speak to what

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<v Speaker 2>a prolific and what's the word I'm looking for? Like,

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<v Speaker 2>when you hear that Gina Prince Bithwood has directed a movie,

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<v Speaker 2>you know you're probably gonna like it. But she directs

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<v Speaker 2>across so many genres that I was like, I don't

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<v Speaker 2>really know what to expect from this, and it surprised me.

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<v Speaker 2>I'm excited to talk about it because I think that

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<v Speaker 2>there's a lot of stuff about it that stands out

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<v Speaker 2>in a way that I really liked. There the copaganda

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<v Speaker 2>kind of took me by surprise. Yeah, and like how

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<v Speaker 2>specific the propaganda got. We were like, you know how

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<v Speaker 2>the LAPD is really good at handling domestic violence situations.

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<v Speaker 2>And you're like, hold on, no, wait a second. But

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<v Speaker 2>there's a lot of things to like about this movie.

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<v Speaker 2>And also I just feel like, I don't know, like

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<v Speaker 2>the twenty fourteen noess of this movie because of like

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<v Speaker 2>what a pop culture focus movie it is was fun.

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<v Speaker 2>You were like, for some reason, for some reason, Don

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<v Speaker 2>Lemon participates in the climax of this movie. Don Lemon

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<v Speaker 2>is at the peak of the movie. I was like

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<v Speaker 2>live texting the movie to someone else. I was like,

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<v Speaker 2>you're never gonna believe who makes a cameo at the

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<v Speaker 2>emotional climax of the movie. It is Don Lemon. There's

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<v Speaker 2>a lot of people in this movie who have since

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<v Speaker 2>been disgraced. It just was very twenty fourteen in a

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<v Speaker 2>lot of ways. Don Lemon's at the climax of it.

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<v Speaker 2>I just like Don Lemon spoke at by college graduation.

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<v Speaker 2>It just really taking me back to like college era. Yeah,

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<v Speaker 2>my college graduation. The two people who spoke were Don

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<v Speaker 2>Lemon and Jay Leno deeply cursed event. But I would

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<v Speaker 2>love to know what those two people talked about backstage. Anyways,

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<v Speaker 2>this movie is weird. I think this movie is weird.

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<v Speaker 2>I didn't love it, but I think that there's a

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<v Speaker 2>lot to like about it and I'm excited to talk

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<v Speaker 2>about it.

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<v Speaker 3>Well, shall we do that?

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<v Speaker 2>Let's shall do that.

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<v Speaker 3>Let's take a quick break first, and then we'll come

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<v Speaker 3>back for the recap.

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<v Speaker 2>And we're back.

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<v Speaker 3>Okay. So before the recap, I will place a content

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<v Speaker 3>warning for suicide, sexual assault, and domestic violence. So the

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<v Speaker 3>story opens in South London in nineteen ninety eight. We

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<v Speaker 3>meet Nony Jean. She's mixed. She is black and white,

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<v Speaker 3>and her white mom, Macy, played by Mini Driver.

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<v Speaker 2>Jump Scare, did not see Mini Driver coming.

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<v Speaker 4>No.

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<v Speaker 3>She takes Noni to a black owned hair salon because

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<v Speaker 3>Noni is performing in a talent contest the following day

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<v Speaker 3>and Macy doesn't know how to style black hair, while.

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<v Speaker 4>A radio recording about Princess Diana plays in the back.

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<v Speaker 2>Yeah, God, I love it. There should be because in

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<v Speaker 2>general this movie is like not. I just I think

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<v Speaker 2>there should be like a good supercut of like clunky

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<v Speaker 2>historical signifier moments, because that's when where you're like, oh,

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<v Speaker 2>is it nineteen ninety seven? I feel like there's so

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<v Speaker 2>many movies that they're also like randomly apropos of nothing.

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<v Speaker 2>They're like, are you afraid of Y two K? Just

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<v Speaker 2>to let you know, like what it is anyways.

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<v Speaker 3>Yeah, yep, okay. So then we see Noni at the

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<v Speaker 3>talent contest. She does an amazing job singing Blackbird by

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<v Speaker 3>Nina Simone and she gets first runner up, but her

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<v Speaker 3>mom is furious that the judges picked another girl as

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<v Speaker 3>the winner.

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<v Speaker 2>Which, yeah, while this scene that Minnie driver through was

0:13:20.880 --> 0:13:24.200
<v Speaker 2>embarrassing and unfair giving it to I think her name

0:13:24.240 --> 0:13:27.320
<v Speaker 2>is Little Tammy. She was robbed.

0:13:27.720 --> 0:13:30.160
<v Speaker 4>She was robbed, Yeah, oh yeah, robbed by a bunch

0:13:30.200 --> 0:13:33.920
<v Speaker 4>of white girls in like very shiny clothes, ye and like,

0:13:34.320 --> 0:13:37.160
<v Speaker 4>which of course becomes very telling as to the trajectory

0:13:37.200 --> 0:13:39.520
<v Speaker 4>for Noni, but like, yeah, we can get into that

0:13:39.640 --> 0:13:40.720
<v Speaker 4>more later, but right.

0:13:41.080 --> 0:13:43.440
<v Speaker 3>The point is though, that Macie puts a lot of

0:13:43.480 --> 0:13:47.439
<v Speaker 3>pressure on Noni to be a winner, to be the best.

0:13:47.920 --> 0:13:50.760
<v Speaker 3>We cut to Noni as an adult. She's played by

0:13:50.880 --> 0:13:54.679
<v Speaker 3>google Batha Rah. She is now a hip hop artist,

0:13:55.160 --> 0:13:57.800
<v Speaker 3>like a breakout, like on the cusp of being like

0:13:57.840 --> 0:14:02.640
<v Speaker 3>an enormous record breaking star. We see a very horny

0:14:02.760 --> 0:14:03.679
<v Speaker 3>music video.

0:14:03.720 --> 0:14:06.800
<v Speaker 2>Of hers, which also is like, so I was like, uh,

0:14:06.960 --> 0:14:08.440
<v Speaker 2>twenty fourteen.

0:14:10.559 --> 0:14:16.160
<v Speaker 3>Gary, she wins her first Billboard Award for a song

0:14:16.520 --> 0:14:21.560
<v Speaker 3>she performed with her boyfriend Kid Culprit. And also there's

0:14:21.560 --> 0:14:24.120
<v Speaker 3>a one hundred percent chance I will accidentally call him

0:14:24.200 --> 0:14:26.400
<v Speaker 3>kid Cutty. It's just gonna happen there.

0:14:26.680 --> 0:14:30.360
<v Speaker 2>Well. And also it's like it's also MGK, which is

0:14:30.680 --> 0:14:34.080
<v Speaker 2>also another jump scare that you're just like, okay, MIDI driver.

0:14:34.360 --> 0:14:37.040
<v Speaker 2>I can accept that I like Manny, but then MGK

0:14:37.280 --> 0:14:41.000
<v Speaker 2>and it's like twenty fourteen MGK, and he's clearly trying

0:14:41.000 --> 0:14:44.920
<v Speaker 2>to like soft launch a movie career. It's just like,

0:14:45.080 --> 0:14:46.240
<v Speaker 2>what is happening? Wow.

0:14:46.480 --> 0:14:51.000
<v Speaker 3>Here's my little anecdote about that is that when I

0:14:51.040 --> 0:14:53.960
<v Speaker 3>saw him in this movie, I did not recognize him

0:14:54.000 --> 0:14:57.160
<v Speaker 3>because I don't know what Machine Gun Kelly looks like

0:14:57.360 --> 0:15:00.400
<v Speaker 3>or who that even really is. I recognize the name,

0:15:00.440 --> 0:15:02.840
<v Speaker 3>but then when I was like looking through the credits

0:15:02.840 --> 0:15:05.800
<v Speaker 3>on IMDb, I was like, wait, what machine Gun Kelly?

0:15:05.920 --> 0:15:08.400
<v Speaker 3>I know that name? Who is that person? And then

0:15:08.440 --> 0:15:11.280
<v Speaker 3>I realized he plays Kid culprit, and I'm.

0:15:11.080 --> 0:15:14.560
<v Speaker 2>Like, oh, so he's outside of like making a lot

0:15:14.600 --> 0:15:18.080
<v Speaker 2>of bad music. He is most I think most famous

0:15:18.120 --> 0:15:21.680
<v Speaker 2>for being in a really kind of intense public relationship

0:15:21.680 --> 0:15:26.440
<v Speaker 2>with Megan Fox. Oh Gotsie. My brush with Machine Gun

0:15:26.520 --> 0:15:28.160
<v Speaker 2>Kelly was when I was working at a haunted hay

0:15:28.240 --> 0:15:33.000
<v Speaker 2>Ride and he and Megan Fox took like a huge

0:15:33.240 --> 0:15:35.000
<v Speaker 2>like like not a limo but like a big like

0:15:35.360 --> 0:15:38.680
<v Speaker 2>uber triple, like a really nice car to the hay

0:15:38.760 --> 0:15:41.640
<v Speaker 2>Ride and paid like three hundred dollars to get the

0:15:41.760 --> 0:15:45.760
<v Speaker 2>VIP experience. Oh gosh, I was like doing my little

0:15:45.800 --> 0:15:49.720
<v Speaker 2>scary thing. And then uh and then a tractor, like

0:15:49.760 --> 0:15:53.840
<v Speaker 2>a hay ride tractor full of only Megan Fox and

0:15:53.960 --> 0:15:58.320
<v Speaker 2>Machine Gun Kelly past and they didn't get scared because

0:15:58.320 --> 0:15:59.120
<v Speaker 2>it wasn't scary.

0:15:59.440 --> 0:16:02.400
<v Speaker 3>Whoa, I guess you should have done a better job, Jamie.

0:16:02.960 --> 0:16:05.840
<v Speaker 2>It was really humbling, and seeing Machine Gun Kelly kind

0:16:05.880 --> 0:16:07.080
<v Speaker 2>of brings me to a dark place.

0:16:08.120 --> 0:16:12.200
<v Speaker 3>Sorry. Well, anyway, he's in the movie playing Kid Cutty

0:16:12.360 --> 0:16:16.880
<v Speaker 3>or something. Okay, So Noni's first album is dropping in

0:16:16.920 --> 0:16:19.800
<v Speaker 3>a few weeks, and again she's like on the precipice

0:16:19.840 --> 0:16:23.080
<v Speaker 3>of like extreme she's already famous, but She's like about

0:16:23.120 --> 0:16:26.360
<v Speaker 3>to be a huge, huge star. Her mom, Macy is

0:16:26.520 --> 0:16:29.880
<v Speaker 3>there and she's still very, very intense, and she is

0:16:29.960 --> 0:16:36.240
<v Speaker 3>now Nony's manager. That night, Nony goes into her hotel

0:16:36.320 --> 0:16:40.880
<v Speaker 3>room in Beverly Hills. She's sitting on the railing of

0:16:40.920 --> 0:16:47.680
<v Speaker 3>a balcony and she attempts suicide, but a cop named

0:16:47.960 --> 0:16:53.080
<v Speaker 3>Officer cas Nicol played by Nate Parker saves her and

0:16:53.240 --> 0:16:57.800
<v Speaker 3>they have this moment where they look at each other meaningfully.

0:16:58.440 --> 0:17:02.760
<v Speaker 3>And then in the aftermath of this suicide attempt, more

0:17:02.800 --> 0:17:06.560
<v Speaker 3>cops have shown up, including Kaz's dad, who is the

0:17:06.600 --> 0:17:09.200
<v Speaker 3>police captain played by Danny Glover.

0:17:09.320 --> 0:17:11.000
<v Speaker 2>I'm scared Danny Glover of.

0:17:11.720 --> 0:17:13.920
<v Speaker 3>Saw One fame, that.

0:17:14.000 --> 0:17:21.040
<v Speaker 2>Is, as we're always saying, his most iconic roles, most

0:17:21.160 --> 0:17:25.480
<v Speaker 2>famous for being like, who is Jig Saw?

0:17:27.720 --> 0:17:28.040
<v Speaker 4>People?

0:17:28.160 --> 0:17:32.000
<v Speaker 3>People are just like Danny Glover, oh of sol Saw One.

0:17:32.600 --> 0:17:35.800
<v Speaker 2>He doesn't make it to Saw It too, unfortunately. I

0:17:35.800 --> 0:17:38.639
<v Speaker 2>would love if they. I mean, there's been ten at

0:17:38.680 --> 0:17:42.880
<v Speaker 2>this point, bring him back for eleven. Right, the cannon's

0:17:42.920 --> 0:17:46.320
<v Speaker 2>a mess. You like, you won't be disturbing anything, and

0:17:46.560 --> 0:17:50.240
<v Speaker 2>and you know Jigsaw would love to see him.

0:17:50.680 --> 0:17:51.800
<v Speaker 3>Oh, tell me about it.

0:17:51.920 --> 0:17:54.360
<v Speaker 2>Yeah, anyways, Danny Glover's in this movie.

0:17:54.200 --> 0:17:59.680
<v Speaker 3>Yes, and he's telling his son, Officer Kaz, to lie

0:18:00.040 --> 0:18:00.840
<v Speaker 3>out what happened.

0:18:00.960 --> 0:18:04.199
<v Speaker 2>Who's and also Kaz I'm not mistaken in saying that

0:18:04.280 --> 0:18:06.440
<v Speaker 2>Kaz says it's short for Kazam.

0:18:06.840 --> 0:18:08.800
<v Speaker 4>That's correct. Yeah, I was.

0:18:08.760 --> 0:18:12.159
<v Speaker 2>Looking through the letterbox. Also follow me on letterbox. I

0:18:12.359 --> 0:18:17.880
<v Speaker 2>just don't account it's Jamie alert. But I was looking

0:18:17.920 --> 0:18:20.320
<v Speaker 2>through letterbox to see if anyone makes note of the

0:18:20.320 --> 0:18:24.879
<v Speaker 2>fact that our romantic lead is named Kazam, which is

0:18:24.920 --> 0:18:27.919
<v Speaker 2>a joke that only appears once. I think that, like

0:18:28.520 --> 0:18:31.880
<v Speaker 2>it comes back one more time where she's like, wow, Kazam,

0:18:31.960 --> 0:18:33.480
<v Speaker 2>you sure know how to kiss, and it was like,

0:18:34.359 --> 0:18:35.200
<v Speaker 2>his name's Kazam.

0:18:35.359 --> 0:18:38.200
<v Speaker 3>His name is Kazam. He says that he was named

0:18:38.200 --> 0:18:43.160
<v Speaker 3>that because his parents thought it sounded African, and then

0:18:43.560 --> 0:18:46.639
<v Speaker 3>we just breeze past the rest of all of that, right.

0:18:46.480 --> 0:18:48.760
<v Speaker 2>And then you're like, okay, well, he is too old

0:18:48.840 --> 0:18:52.239
<v Speaker 2>to be named after the genie that Shack played, So

0:18:52.560 --> 0:18:55.960
<v Speaker 2>I guess that that is out right, but it would

0:18:56.000 --> 0:18:59.160
<v Speaker 2>be wild in my head, Cannon, he was named after

0:19:00.119 --> 0:19:04.119
<v Speaker 2>Shack Gemie. Oh wow, remember that?

0:19:04.520 --> 0:19:08.479
<v Speaker 3>And you know what, it's high time we cover that movie.

0:19:09.480 --> 0:19:12.320
<v Speaker 2>Honestly kind of shocking that we have it COVID Kazam.

0:19:12.400 --> 0:19:16.199
<v Speaker 2>I really I cannot tell you a thing that happened

0:19:16.200 --> 0:19:17.920
<v Speaker 2>in that movie, but I know that I was really

0:19:17.960 --> 0:19:18.480
<v Speaker 2>into it.

0:19:18.640 --> 0:19:20.920
<v Speaker 3>I saw it at a drive in movie theater, and

0:19:21.400 --> 0:19:23.120
<v Speaker 3>I also couldn't tell you a single thing.

0:19:23.359 --> 0:19:27.359
<v Speaker 2>But definitely Shaq's name is Kazam in that movie. Yeah,

0:19:27.400 --> 0:19:31.720
<v Speaker 2>so there are two movie characters named Kazam.

0:19:31.720 --> 0:19:34.960
<v Speaker 3>But isn't there that Mandela effect thing where people are like,

0:19:35.080 --> 0:19:36.639
<v Speaker 3>wasn't his character's name Shazam?

0:19:37.119 --> 0:19:37.320
<v Speaker 4>Oh?

0:19:37.480 --> 0:19:39.840
<v Speaker 2>Is that? Oh my gosh, is that?

0:19:39.960 --> 0:19:40.320
<v Speaker 4>I think?

0:19:40.440 --> 0:19:40.600
<v Speaker 1>So?

0:19:40.840 --> 0:19:42.400
<v Speaker 3>Does that sound familiar?

0:19:42.520 --> 0:19:43.520
<v Speaker 2>I'm not familiar with that.

0:19:43.800 --> 0:19:46.000
<v Speaker 3>Hang on, I have to look this up. This is important.

0:19:47.040 --> 0:19:51.160
<v Speaker 2>This is a good episode already, we're like an ad

0:19:51.359 --> 0:19:54.760
<v Speaker 2>armist cardboard cutout Kazam.

0:19:55.119 --> 0:20:00.000
<v Speaker 3>Although, oh no, wait, it's not Shack, it's sin Sinbad. Wait,

0:20:00.600 --> 0:20:01.960
<v Speaker 3>hang on, no, it's.

0:20:02.000 --> 0:20:07.240
<v Speaker 2>It's definitely Shack. It's definitely sha is Sinbad Shazam and

0:20:07.520 --> 0:20:12.720
<v Speaker 2>Shaq is cousin. Maybe Wait what, No, Shazam is.

0:20:14.320 --> 0:20:17.359
<v Speaker 3>That superhero movie from DC? Oh what am I thinking?

0:20:17.480 --> 0:20:21.280
<v Speaker 3>There's I swear to goodness, there's some I believe Pandela

0:20:21.280 --> 0:20:22.040
<v Speaker 3>effect thing here.

0:20:22.320 --> 0:20:26.679
<v Speaker 2>I believe something about like Mandela Effect Sinbad rings a

0:20:26.760 --> 0:20:27.600
<v Speaker 2>vague bell.

0:20:27.840 --> 0:20:33.960
<v Speaker 3>Right, okay, okay, anyway, let's move along. Okay. So Officer

0:20:34.080 --> 0:20:37.400
<v Speaker 3>Danny Glover is telling has I.

0:20:37.320 --> 0:20:39.600
<v Speaker 2>Just found a Reddit post from seven years ago on

0:20:39.800 --> 0:20:44.240
<v Speaker 2>our slash Mandela Effect titled the Sinbad Genie Movie. So

0:20:44.400 --> 0:20:49.040
<v Speaker 2>you are okayat let's see. Okay. Even the people involved,

0:20:49.040 --> 0:20:51.720
<v Speaker 2>like Sinbad himself, claim there is no such thing, but

0:20:51.840 --> 0:20:54.520
<v Speaker 2>everyone I talk to remembers it in some fashion if

0:20:54.520 --> 0:20:58.080
<v Speaker 2>they're old enough to hit the demographic. So this is

0:20:58.080 --> 0:21:01.720
<v Speaker 2>someone who is convinced there is a sin genie movie.

0:21:01.320 --> 0:21:05.800
<v Speaker 3>I also, okay, I knew it. There's okay, we all

0:21:05.840 --> 0:21:08.200
<v Speaker 3>remember if if we're old enough.

0:21:08.359 --> 0:21:10.720
<v Speaker 2>Well, I'm gonna text it to you. I'm gonna just

0:21:10.760 --> 0:21:13.040
<v Speaker 2>so we can link it in the description. This feels relevant,

0:21:13.160 --> 0:21:17.400
<v Speaker 2>Yeah it does, all right, all right, anyway, sorry the movie, yes,

0:21:17.400 --> 0:21:20.160
<v Speaker 2>it's Gina fritz Bythewood set herself up for this by

0:21:20.240 --> 0:21:25.480
<v Speaker 2>naming her romantic lead Kazam. She did. Yeah, yeah, okay.

0:21:25.600 --> 0:21:30.600
<v Speaker 3>So Officer Danny Glover is telling kaz to lie about

0:21:30.600 --> 0:21:34.520
<v Speaker 3>what happened that NONI had too much to drink and

0:21:34.640 --> 0:21:37.679
<v Speaker 3>she slipped on accident in order to kind of like

0:21:37.840 --> 0:21:42.800
<v Speaker 3>protect her image Titanic vibes big time. Okay, and I

0:21:42.960 --> 0:21:45.560
<v Speaker 3>slipped and I would have gone overboard if if.

0:21:45.520 --> 0:21:50.439
<v Speaker 2>Jester kazam Here hadn't saved me and almost went over himself.

0:21:51.600 --> 0:21:54.880
<v Speaker 3>Okay, the Titanic parallels in this movie, and I don't okay,

0:21:55.119 --> 0:21:58.560
<v Speaker 3>I don't want to make light of suicide or suicidal ideation,

0:21:58.800 --> 0:22:02.639
<v Speaker 3>but specific around this plot point, there are so many

0:22:03.160 --> 0:22:10.040
<v Speaker 3>Titanic parallels that I will insist on saying, yes, okay, okay, anyway, okay.

0:22:10.080 --> 0:22:12.560
<v Speaker 3>So kaz is like, no, I don't want to lie

0:22:12.600 --> 0:22:14.879
<v Speaker 3>about this, like she should be in the hospital, she

0:22:14.960 --> 0:22:18.439
<v Speaker 3>needs help, but he is pressured to go ahead with

0:22:18.720 --> 0:22:21.600
<v Speaker 3>this lie at a press conference, and so now he's

0:22:21.720 --> 0:22:27.520
<v Speaker 3>very disappointed in NONI and like this situation, this fabrication,

0:22:28.359 --> 0:22:33.720
<v Speaker 3>and despite what was claimed at this press conference, the media,

0:22:33.880 --> 0:22:36.919
<v Speaker 3>the fans, everyone is still speculating that it was a

0:22:36.960 --> 0:22:42.919
<v Speaker 3>suicide attempt and because of the sex symbol image that

0:22:43.080 --> 0:22:48.120
<v Speaker 3>the music industry has cultivated for a suicide attempt quote

0:22:48.200 --> 0:22:53.639
<v Speaker 3>unquote tarnishes that image. So the record label wants to

0:22:54.080 --> 0:22:58.840
<v Speaker 3>push her album release back, but Macy negotiates with the

0:22:58.920 --> 0:23:01.440
<v Speaker 3>label to keep it as is, so now there's even

0:23:01.480 --> 0:23:05.480
<v Speaker 3>more pressure on Noni to get people to forget about

0:23:05.480 --> 0:23:11.119
<v Speaker 3>this story that's still circulating around the news. Meanwhile, kaz

0:23:11.320 --> 0:23:13.560
<v Speaker 3>is receiving a lot of attention since he was the

0:23:13.560 --> 0:23:18.200
<v Speaker 3>person who saved Noni, and he has public exposure now

0:23:18.359 --> 0:23:21.560
<v Speaker 3>for speaking at that press conference, and he is being

0:23:21.720 --> 0:23:26.600
<v Speaker 3>encouraged to leverage this and use it to elevate himself

0:23:26.640 --> 0:23:30.720
<v Speaker 3>as a political candidate because he has aspirations as a politician.

0:23:31.600 --> 0:23:35.199
<v Speaker 3>He then goes to pay a visit to Noni to

0:23:35.480 --> 0:23:39.359
<v Speaker 3>apologize for how he behaved after the press conference, and

0:23:39.400 --> 0:23:43.000
<v Speaker 3>they're vibing again, and she's like, let's get out of here.

0:23:43.720 --> 0:23:46.280
<v Speaker 3>So they run away from her mom and all the

0:23:46.320 --> 0:23:49.960
<v Speaker 3>popparazzi and they go to get some food and they

0:23:50.000 --> 0:23:54.479
<v Speaker 3>watch some planes take off at Lax, you know, really

0:23:54.760 --> 0:23:56.680
<v Speaker 3>fun activity. I think we can all agree.

0:23:56.440 --> 0:23:59.359
<v Speaker 2>It was something that made me laugh because there I

0:23:59.400 --> 0:24:01.639
<v Speaker 2>mean this and I say this with love. There's a

0:24:01.680 --> 0:24:05.480
<v Speaker 2>lot of moments that are very corny. One of these

0:24:05.520 --> 0:24:10.600
<v Speaker 2>moments is when they're in the car an officer Kazam

0:24:10.920 --> 0:24:13.280
<v Speaker 2>is like, you're cold. You should wear my jacket, and

0:24:13.320 --> 0:24:15.840
<v Speaker 2>I was like, or turn the heat on in the car.

0:24:16.560 --> 0:24:21.320
<v Speaker 2>The fuck are you talking about it? She was like,

0:24:23.480 --> 0:24:25.280
<v Speaker 2>And if I was yeah, if I was notny, I'd

0:24:25.280 --> 0:24:28.040
<v Speaker 2>be like, uh no, I don't need your crusty jacket.

0:24:28.119 --> 0:24:31.040
<v Speaker 2>Can you play your heat? Gross?

0:24:31.320 --> 0:24:34.120
<v Speaker 3>I wonder because throughout the movie he's like, well, we'll

0:24:34.119 --> 0:24:38.960
<v Speaker 3>get there, but he's very judgy about different things. Yes,

0:24:39.119 --> 0:24:41.080
<v Speaker 3>And I wonder if it was him kind of implying

0:24:41.640 --> 0:24:45.280
<v Speaker 3>you're showing too much skin in that revealing outfit, like

0:24:45.520 --> 0:24:46.720
<v Speaker 3>let me cover you up.

0:24:47.160 --> 0:24:49.840
<v Speaker 2>It's so like, I don't know, this is another movie

0:24:50.280 --> 0:24:53.000
<v Speaker 2>that it's wild. It's almost ten years old, and you

0:24:53.080 --> 0:24:56.840
<v Speaker 2>can like feel in a good way. How like the

0:24:56.880 --> 0:24:59.640
<v Speaker 2>way that characters are written, even in this director's movie

0:24:59.680 --> 0:25:03.600
<v Speaker 2>sp it has like significantly evolved for sure.

0:25:04.720 --> 0:25:08.639
<v Speaker 3>In any case, they're at the airport and they're vibing

0:25:09.320 --> 0:25:13.160
<v Speaker 3>until she finds a business card of a tabloid journalist

0:25:13.280 --> 0:25:17.439
<v Speaker 3>who was offering kas money for the exclusive story on

0:25:17.480 --> 0:25:21.679
<v Speaker 3>what really happened that night at the balcony, and so

0:25:21.880 --> 0:25:26.320
<v Speaker 3>Noni assumes his intentions aren't great. He doesn't like what

0:25:26.359 --> 0:25:28.920
<v Speaker 3>she's implying, so now things are pretty tense between them,

0:25:29.160 --> 0:25:32.520
<v Speaker 3>and he drops her off at the house she recently

0:25:32.560 --> 0:25:36.440
<v Speaker 3>bought in Beverly Hills question Mark and he's like, okay, bye,

0:25:36.480 --> 0:25:38.800
<v Speaker 3>and she's like, actually, wait, I do trust you, and

0:25:38.920 --> 0:25:42.479
<v Speaker 3>let's kiss. So they do and then he leaves and

0:25:42.520 --> 0:25:47.640
<v Speaker 3>goes home, and his dad, Danny Glover, is like, be careful.

0:25:47.840 --> 0:25:51.159
<v Speaker 3>You're trying to be a politician, but she's not first

0:25:51.320 --> 0:25:52.440
<v Speaker 3>lady material.

0:25:52.880 --> 0:25:56.920
<v Speaker 4>Yeah. Like, and so as a professional cop, like you're

0:25:57.119 --> 0:26:01.159
<v Speaker 4>more so concerned for your son's political image that the

0:26:01.240 --> 0:26:05.719
<v Speaker 4>fact that your son, a fellow police officer, is dating

0:26:05.800 --> 0:26:12.440
<v Speaker 4>someone who he's saved, Like, that's that what It's really bizarre?

0:26:12.840 --> 0:26:15.359
<v Speaker 2>Yeah, I mean, and I had to keep challenging. I'm like,

0:26:15.720 --> 0:26:17.960
<v Speaker 2>is am I like bringing twenty twenty four brain to

0:26:18.000 --> 0:26:21.720
<v Speaker 2>the way that the media cycles work? Or is it

0:26:21.800 --> 0:26:25.720
<v Speaker 2>like written a little behind the time it came out?

0:26:25.760 --> 0:26:27.439
<v Speaker 2>And I'm not totally sure because yeah, I'm like, in

0:26:27.480 --> 0:26:31.960
<v Speaker 2>my mind, if that happens, any establishment person, which his

0:26:32.080 --> 0:26:35.320
<v Speaker 2>dad is, would be like, great, go with this. Like

0:26:35.560 --> 0:26:38.680
<v Speaker 2>you know, I don't know, people love when popstars date

0:26:38.920 --> 0:26:41.200
<v Speaker 2>cops unless they're young. It would like, do you remember

0:26:41.200 --> 0:26:43.320
<v Speaker 2>when Lana del Rey dated a cop that didn't go

0:26:43.560 --> 0:26:47.359
<v Speaker 2>very well? She really lost she really lost some people

0:26:47.400 --> 0:26:50.119
<v Speaker 2>on that one. But it's like that maybe it was

0:26:50.160 --> 0:26:52.480
<v Speaker 2>like we weren't at that point in discourse yet where

0:26:52.720 --> 0:26:55.200
<v Speaker 2>your young fans, if they found out your dating a cop,

0:26:55.200 --> 0:26:58.960
<v Speaker 2>would be like, oh not really. Into this era.

0:26:59.119 --> 0:27:03.960
<v Speaker 3>Fourteen, the cops were perceived more favorably by like the

0:27:04.080 --> 0:27:05.639
<v Speaker 3>general public.

0:27:05.320 --> 0:27:07.119
<v Speaker 4>Which is why I have so many questions about the

0:27:07.320 --> 0:27:11.359
<v Speaker 4>ethical dilemma around around that, Yeah.

0:27:11.040 --> 0:27:13.919
<v Speaker 2>It seems like a wind win. I don't know. This

0:27:14.000 --> 0:27:17.359
<v Speaker 2>MOVIEE is like attempting to say things about pr relationships

0:27:17.359 --> 0:27:19.399
<v Speaker 2>that I think is interesting, but I was a little

0:27:19.440 --> 0:27:20.640
<v Speaker 2>confused on like where.

0:27:20.480 --> 0:27:24.240
<v Speaker 3>It landed right anyway, So Danny Glover is like, you

0:27:24.280 --> 0:27:27.520
<v Speaker 3>shouldn't be hanging out with her, it's bad for your career,

0:27:28.200 --> 0:27:32.240
<v Speaker 3>but NONI and Kaz keep seeing each other anyway. There's

0:27:32.240 --> 0:27:36.000
<v Speaker 3>a montage where she's doing different like you know, learning

0:27:36.080 --> 0:27:39.200
<v Speaker 3>dance choreography and like doing a make a Wish thing

0:27:39.359 --> 0:27:42.000
<v Speaker 3>and photo shoots and he's there every step of the way.

0:27:42.040 --> 0:27:45.879
<v Speaker 3>But like we foreshadowed, he's being like pretty judgy about

0:27:46.240 --> 0:27:50.760
<v Speaker 3>quite a bit of it in a way that whatever,

0:27:50.800 --> 0:27:53.520
<v Speaker 3>we'll get there. But he's like, wow, the lyrics to

0:27:53.560 --> 0:27:57.560
<v Speaker 3>your songs also are like buh, and she's like, yeah,

0:27:57.640 --> 0:28:00.960
<v Speaker 3>I wish I could write songs with more meaning full lyrics,

0:28:00.960 --> 0:28:03.160
<v Speaker 3>and he's like, okay, do it, and she's like, look

0:28:03.160 --> 0:28:06.359
<v Speaker 3>at my box full of basically like just a little

0:28:06.440 --> 0:28:09.440
<v Speaker 3>handwritten notes of lyrics that have come to her, which

0:28:09.520 --> 0:28:14.439
<v Speaker 3>honestly sharing that with anyone else brave. I would not.

0:28:15.640 --> 0:28:19.040
<v Speaker 3>That's just me. That would be like someone like looking

0:28:19.080 --> 0:28:22.080
<v Speaker 3>through my joke notebook. God, wouldn't wouldn't be me, wouldn't

0:28:22.119 --> 0:28:22.760
<v Speaker 3>be sharing that.

0:28:23.000 --> 0:28:26.920
<v Speaker 4>Yeah, I gotta share a clean dressed yeah something if

0:28:26.920 --> 0:28:28.080
<v Speaker 4>someone's interested.

0:28:27.680 --> 0:28:31.240
<v Speaker 2>In seriously that maybe a little sacks hey. I was

0:28:31.280 --> 0:28:34.359
<v Speaker 2>like wow, Like Nodi is really like needing connection with

0:28:34.400 --> 0:28:37.840
<v Speaker 2>someone so much that she'll like take a risk and

0:28:37.880 --> 0:28:41.120
<v Speaker 2>show something that vulnerable with like objectively. At this point

0:28:41.160 --> 0:28:45.640
<v Speaker 2>in the movie, some guy.

0:28:44.200 --> 0:28:48.240
<v Speaker 3>Right, And then also Kaz is like what about Kid

0:28:48.320 --> 0:28:51.719
<v Speaker 3>Culprit And she's like, yeah, he's kind of my boyfriend

0:28:52.200 --> 0:28:56.400
<v Speaker 3>and he's like, okay, what about us. So then Nony

0:28:56.680 --> 0:28:59.840
<v Speaker 3>breaks up with kid Culprit and he seems very chill

0:28:59.840 --> 0:29:02.520
<v Speaker 3>about it, and they still have a working relationship.

0:29:03.120 --> 0:29:06.840
<v Speaker 4>He does say a phrase you use the press, don't

0:29:06.920 --> 0:29:10.560
<v Speaker 4>let the press use you, right, Yeah, so that's for

0:29:10.640 --> 0:29:13.400
<v Speaker 4>like a later see that at the same time, like yeah,

0:29:13.440 --> 0:29:16.240
<v Speaker 4>the later scene. Still it confuses me, and that it

0:29:16.280 --> 0:29:18.600
<v Speaker 4>doesn't confuse me, But we'll, I know, we keep saying

0:29:18.640 --> 0:29:21.480
<v Speaker 4>we'll get to that. It's there's so much, like.

0:29:22.680 --> 0:29:23.840
<v Speaker 2>So there's so much.

0:29:23.920 --> 0:29:27.760
<v Speaker 3>Yeah, yeah, anyway, that will kind of come to a

0:29:27.840 --> 0:29:31.520
<v Speaker 3>head in a moment. But first, Noni does a sexy

0:29:31.600 --> 0:29:36.320
<v Speaker 3>little surprise for kaz by blindfolding him and taking him

0:29:36.400 --> 0:29:38.560
<v Speaker 3>on a private jet because he's never been on a

0:29:38.600 --> 0:29:39.360
<v Speaker 3>plane before.

0:29:39.960 --> 0:29:45.000
<v Speaker 2>I was weirdly like not comfortable with her behavior. Let

0:29:45.080 --> 0:29:49.360
<v Speaker 2>me off, let me off the plate, and she's like no, no, babe.

0:29:49.480 --> 0:29:53.120
<v Speaker 2>I'm like, yes, babe, and then she like is.

0:29:53.040 --> 0:29:56.880
<v Speaker 3>Ignoring all of his like very obvious signals that he's

0:29:57.000 --> 0:29:59.280
<v Speaker 3>very uncomfortable and then has sex with him.

0:29:59.680 --> 0:30:03.200
<v Speaker 2>Yeah, it's a consent issue, and it's a like basic

0:30:03.320 --> 0:30:05.040
<v Speaker 2>human safety issue.

0:30:05.160 --> 0:30:06.640
<v Speaker 3>I was really grossed up by that.

0:30:06.720 --> 0:30:09.720
<v Speaker 2>I can't believe I'm defending Officer Kazam in this, but like,

0:30:10.120 --> 0:30:12.640
<v Speaker 2>let him off the plane, absolutely, let him off the plane.

0:30:12.720 --> 0:30:20.040
<v Speaker 3>Yeah sure, Yeah. And then Nannie does a live performance backstage,

0:30:20.080 --> 0:30:22.840
<v Speaker 3>though her mom Macy is like, hey, kaz you're not

0:30:22.880 --> 0:30:25.800
<v Speaker 3>good for my daughter because every time people see you together,

0:30:26.280 --> 0:30:29.040
<v Speaker 3>they see her on that balcony you know who's better

0:30:29.040 --> 0:30:31.040
<v Speaker 3>for her is Kid Cuddy or whatever?

0:30:31.120 --> 0:30:31.760
<v Speaker 4>Kid Culprit.

0:30:32.040 --> 0:30:34.920
<v Speaker 2>I know that's how you know Minnie Driver is a

0:30:35.000 --> 0:30:37.200
<v Speaker 2>villain where she's like, you know, who'd be a great

0:30:37.240 --> 0:30:41.200
<v Speaker 2>boyfriend for you? Machine Gun Kelly. You're like, no good

0:30:41.280 --> 0:30:43.920
<v Speaker 2>parent would choose that for their child. Right.

0:30:44.400 --> 0:30:48.520
<v Speaker 3>Meanwhile, though, on stage at this performance, there's this situation

0:30:48.640 --> 0:30:51.000
<v Speaker 3>where the choreography was supposed to be that she was

0:30:51.040 --> 0:30:55.000
<v Speaker 3>gonna remove her jacket during the performance, she decides to

0:30:55.080 --> 0:30:58.479
<v Speaker 3>keep it on. Kid Culprit is then like trying to

0:30:58.840 --> 0:31:02.640
<v Speaker 3>like forcibly rem He's also becoming very violent and like

0:31:03.120 --> 0:31:07.720
<v Speaker 3>rapee on stage, and then he takes the mic and

0:31:07.760 --> 0:31:10.680
<v Speaker 3>he's just like, you know, hey, everyone, she didn't break

0:31:10.760 --> 0:31:13.040
<v Speaker 3>up with me. I broke up with her, and that's

0:31:13.080 --> 0:31:16.600
<v Speaker 3>why she tried to jump off the balcony. It's really disgusting.

0:31:16.880 --> 0:31:21.800
<v Speaker 3>And then a fight breaks out between Kaz and Kid Culprit.

0:31:22.480 --> 0:31:26.720
<v Speaker 3>So Danny Glover is disappointed in Kaz for jeopardizing his

0:31:26.720 --> 0:31:28.000
<v Speaker 3>political career.

0:31:28.000 --> 0:31:30.480
<v Speaker 4>Sounding like every black dad in the world, So you

0:31:30.520 --> 0:31:31.440
<v Speaker 4>a thug now.

0:31:34.680 --> 0:31:38.440
<v Speaker 3>And then Macy's also disappointed in Nony for reasons I'm

0:31:38.480 --> 0:31:40.719
<v Speaker 3>not even sure what is happening.

0:31:40.720 --> 0:31:43.920
<v Speaker 4>There, but she calls her a bloody cliche and it

0:31:44.040 --> 0:31:45.960
<v Speaker 4>sort of goes back to like what she said earlier

0:31:46.000 --> 0:31:49.600
<v Speaker 4>about like, well, listen, Britney Spears and Kanye West still

0:31:49.720 --> 0:31:52.160
<v Speaker 4>had these stunts that they came out with albums like

0:31:52.200 --> 0:31:53.280
<v Speaker 4>what makes Nony any different?

0:31:53.480 --> 0:31:54.920
<v Speaker 2>M Yeah right.

0:31:55.560 --> 0:31:58.400
<v Speaker 3>Anyway, all this is getting to Nony and she has

0:31:58.640 --> 0:32:01.840
<v Speaker 3>a breakdown. Kaz comforts her and then he takes her

0:32:01.920 --> 0:32:04.800
<v Speaker 3>on this like relaxing getaway to Mexico.

0:32:05.200 --> 0:32:05.360
<v Speaker 4>Oh.

0:32:05.480 --> 0:32:10.960
<v Speaker 2>Then we get a huge like it's like a montage.

0:32:11.000 --> 0:32:14.640
<v Speaker 2>It is like a five minute montage of them eating

0:32:14.720 --> 0:32:20.560
<v Speaker 2>one food, getting one kiss. You're just like, yeah, Vibe Vibe,

0:32:20.560 --> 0:32:22.880
<v Speaker 2>it's a ViBe's montage. They're on the beach.

0:32:23.360 --> 0:32:28.680
<v Speaker 3>You might even say, she's going beyond the lights. Wow,

0:32:28.880 --> 0:32:34.160
<v Speaker 3>all of those flashing paparazzi photos, all the lights, camera.

0:32:34.000 --> 0:32:38.080
<v Speaker 2>Action, all the lights, camera Jackson remember him?

0:32:39.320 --> 0:32:41.560
<v Speaker 3>No, but we feel it.

0:32:42.560 --> 0:32:43.360
<v Speaker 2>We have to keep going.

0:32:45.160 --> 0:32:48.720
<v Speaker 4>The movie was originally titled Blackbird, and then it got

0:32:48.800 --> 0:32:49.960
<v Speaker 4>changed to Beyond the Lights.

0:32:50.080 --> 0:32:54.240
<v Speaker 2>Yeah, yes, right, Which I wonder what that what the

0:32:54.280 --> 0:32:56.680
<v Speaker 2>reasoning was on that, because I think Blackbird makes way

0:32:56.720 --> 0:33:00.320
<v Speaker 2>worse since it feels like more a tune to what

0:33:00.360 --> 0:33:02.320
<v Speaker 2>the clear like to what the movie is. And also

0:33:02.400 --> 0:33:07.200
<v Speaker 2>she sings this song fifty times beyond the lights. They

0:33:07.200 --> 0:33:10.080
<v Speaker 2>don't say that once in the movie. Therefore, how could

0:33:10.120 --> 0:33:10.760
<v Speaker 2>it be the title?

0:33:10.880 --> 0:33:13.840
<v Speaker 3>How could it be the title? Okay, So they're doing

0:33:13.880 --> 0:33:15.840
<v Speaker 3>all this stuff, and then there's a scene where they

0:33:16.000 --> 0:33:19.000
<v Speaker 3>sing karaoke and this is one of the times that

0:33:19.080 --> 0:33:22.800
<v Speaker 3>Noni sings Blackbird, just like she did when she was

0:33:22.840 --> 0:33:26.360
<v Speaker 3>a kid at the talent contest. But someone has recorded

0:33:26.400 --> 0:33:29.080
<v Speaker 3>her singing this and they've posted it on the internet.

0:33:29.520 --> 0:33:34.080
<v Speaker 3>So Macy figures out where Nonie is, as does the paparazzi,

0:33:34.200 --> 0:33:37.520
<v Speaker 3>so they all kind of like crash her quiet get away,

0:33:38.440 --> 0:33:42.240
<v Speaker 3>and Noni and her mom seem to have a tender

0:33:42.320 --> 0:33:46.719
<v Speaker 3>moment for once, and then Macy's like, okay, back to

0:33:46.760 --> 0:33:51.200
<v Speaker 3>the grind, and Noni's like, okay, let's go. But Kaz

0:33:51.360 --> 0:33:53.840
<v Speaker 3>is like, no, things are just gonna go back to

0:33:53.880 --> 0:33:56.960
<v Speaker 3>the way they were, which was like very toxic for you.

0:33:57.440 --> 0:34:01.040
<v Speaker 4>He also sounds really judgy, Yeah, yeah, shaming her.

0:34:01.080 --> 0:34:03.360
<v Speaker 2>He's judging her, and he's also like, I know what's

0:34:03.360 --> 0:34:05.440
<v Speaker 2>best for you, and I'm like, surely the plot won't

0:34:05.960 --> 0:34:07.920
<v Speaker 2>enforce this reality, but.

0:34:08.040 --> 0:34:12.239
<v Speaker 3>What it does, so yeah, they like argue, and then

0:34:12.320 --> 0:34:15.920
<v Speaker 3>he breaks up with her. So Noni and Kaz returned

0:34:15.920 --> 0:34:20.799
<v Speaker 3>to La but separately, and Noni with this video of

0:34:20.840 --> 0:34:24.440
<v Speaker 3>her singing Blackbird, fans are seeing this new side of her.

0:34:24.600 --> 0:34:28.640
<v Speaker 3>So she wants to record a new song for the

0:34:28.719 --> 0:34:32.360
<v Speaker 3>upcoming album, something that she writes because she's like, I

0:34:32.480 --> 0:34:35.040
<v Speaker 3>have something to say and people seem to want to

0:34:35.080 --> 0:34:38.279
<v Speaker 3>hear it, and it seems like her mom advocates for

0:34:38.480 --> 0:34:42.240
<v Speaker 3>her in a meeting with the label, but it turns

0:34:42.280 --> 0:34:45.839
<v Speaker 3>out that Macy was full of shit. So Noni confronts

0:34:45.840 --> 0:34:50.240
<v Speaker 3>Macy about how she controlled every aspect of Nonie's life

0:34:50.239 --> 0:34:52.600
<v Speaker 3>and career and how she turned her into this like

0:34:52.760 --> 0:34:57.480
<v Speaker 3>sexy product to be sold and consumed, and then Noni

0:34:57.600 --> 0:35:00.000
<v Speaker 3>fires Macy as her manager.

0:35:00.440 --> 0:35:04.759
<v Speaker 2>Oh it is like yeah, the also like twenty fourteen,

0:35:05.680 --> 0:35:09.040
<v Speaker 2>I feel like it was a high for like Mamager representation.

0:35:09.320 --> 0:35:13.360
<v Speaker 2>We had like the Kardashians approaching their peak. I was like, wow,

0:35:13.360 --> 0:35:16.880
<v Speaker 2>interesting putting a Mamager character. Also very mid twenty ten's

0:35:17.000 --> 0:35:22.919
<v Speaker 2>decision firing the Mamager awesome. Yeah.

0:35:22.960 --> 0:35:27.040
<v Speaker 3>Meanwhile, Kaz is gearing up to announce his candidacy, as

0:35:27.239 --> 0:35:29.320
<v Speaker 3>I think he's going to be running for city council

0:35:29.440 --> 0:35:31.520
<v Speaker 3>person in La cool.

0:35:31.760 --> 0:35:34.680
<v Speaker 2>That's what we need, another cop on city council.

0:35:35.719 --> 0:35:40.640
<v Speaker 3>Yeah, seriously. Nony approaches him to try to make up,

0:35:41.000 --> 0:35:44.680
<v Speaker 3>but he brushes her off, saying that what they had

0:35:45.040 --> 0:35:48.680
<v Speaker 3>started on a lie, so it was never going to work.

0:35:48.920 --> 0:35:51.959
<v Speaker 2>And again it's just like oh right. A fundamental part

0:35:51.960 --> 0:35:55.160
<v Speaker 2>of Officer Kazam is that he values the truth.

0:35:56.440 --> 0:36:00.600
<v Speaker 3>I just I don't know, because politicians are famously obsessed

0:36:00.600 --> 0:36:01.880
<v Speaker 3>with telling the truth.

0:36:02.160 --> 0:36:02.279
<v Speaker 4>Right.

0:36:02.480 --> 0:36:06.400
<v Speaker 2>The LAPD really gets away with a lot in this movie,

0:36:06.920 --> 0:36:10.000
<v Speaker 2>The famously honest laped right.

0:36:11.440 --> 0:36:14.920
<v Speaker 3>Okay, So then Noni goes on TV. Her label wants

0:36:14.920 --> 0:36:18.560
<v Speaker 3>her to dispel the myth that she attempted suicide once

0:36:18.600 --> 0:36:22.200
<v Speaker 3>and for all, but instead she tells the truth. She

0:36:22.280 --> 0:36:26.840
<v Speaker 3>says that she was attempting suicide and she realized that

0:36:27.000 --> 0:36:29.680
<v Speaker 3>she had to stop trying to be someone who she

0:36:29.840 --> 0:36:33.440
<v Speaker 3>wasn't and now she's living her authentic life.

0:36:33.640 --> 0:36:38.120
<v Speaker 2>This is where that Don Lemons becomes integral to the plot,

0:36:38.320 --> 0:36:39.080
<v Speaker 2>right right.

0:36:40.120 --> 0:36:44.840
<v Speaker 3>Kaz sees this interview and he's proud that she finally

0:36:45.040 --> 0:36:49.560
<v Speaker 3>is telling the truth. Then Noni does a concert in

0:36:49.760 --> 0:36:53.760
<v Speaker 3>the UK where she performs a song that she wrote,

0:36:54.280 --> 0:36:58.560
<v Speaker 3>which pays homage to Nina Simone's Blackbird, and then Kaz

0:36:58.719 --> 0:37:02.200
<v Speaker 3>shows up and he's like, hey, I love you, by

0:37:02.239 --> 0:37:04.799
<v Speaker 3>the way, and she's like, cool, I love you too,

0:37:05.400 --> 0:37:10.160
<v Speaker 3>and that's how the movie ends. So let's take a

0:37:10.239 --> 0:37:24.080
<v Speaker 3>quick break and we will come back to discuss.

0:37:24.040 --> 0:37:29.600
<v Speaker 2>And we're back, okay. Yeah, I mean, is there anywhere

0:37:29.680 --> 0:37:33.520
<v Speaker 2>that jumps out to you for a starting point here?

0:37:33.600 --> 0:37:36.760
<v Speaker 2>Oh my god, no pressure.

0:37:36.800 --> 0:37:40.759
<v Speaker 4>No, like, it's like so much like. Yeah, And I

0:37:40.800 --> 0:37:44.480
<v Speaker 4>do feel like we need to talk specifically about Nathan

0:37:44.719 --> 0:37:49.759
<v Speaker 4>Parker because because his personal life is is relevant to

0:37:50.440 --> 0:37:50.960
<v Speaker 4>the movie.

0:37:51.360 --> 0:37:55.600
<v Speaker 2>So yeah, Nate Parker, if you don't remember, this was

0:37:55.760 --> 0:37:59.520
<v Speaker 2>a huge point of discussion, I believe five ish years

0:37:59.560 --> 0:38:06.360
<v Speaker 2>ago now, was a prominent actor and filmmaker who had

0:38:06.640 --> 0:38:12.400
<v Speaker 2>assaulted and raped a student while in college in the

0:38:12.560 --> 0:38:17.160
<v Speaker 2>late nineties early two thousands, and was found guilty in

0:38:17.200 --> 0:38:21.480
<v Speaker 2>the early two thousands of having done this. As we

0:38:21.840 --> 0:38:27.000
<v Speaker 2>see very often, this resulted in a small settlement for

0:38:27.200 --> 0:38:31.880
<v Speaker 2>the survivor and a slap on the wrist for Nate Parker. Essentially,

0:38:31.960 --> 0:38:37.120
<v Speaker 2>he moved schools and went on to obviously thrive significantly.

0:38:37.960 --> 0:38:41.080
<v Speaker 2>This story became I think it became a huge cultural

0:38:41.080 --> 0:38:45.520
<v Speaker 2>talking point in twenty nineteen, although the information was always available,

0:38:46.160 --> 0:38:49.239
<v Speaker 2>but it became a cultural talking point post me too,

0:38:49.760 --> 0:38:52.840
<v Speaker 2>essentially after he had been a working filmmaker for some time,

0:38:53.520 --> 0:38:56.760
<v Speaker 2>and it also came out. I don't remember the exact

0:38:56.760 --> 0:38:59.120
<v Speaker 2>timeline of this, but it was found out when it

0:38:59.160 --> 0:39:02.880
<v Speaker 2>became a discussion point that the person he had raped

0:39:02.960 --> 0:39:05.279
<v Speaker 2>had taken their own life several.

0:39:05.040 --> 0:39:06.920
<v Speaker 4>Years before, in twenty twelve.

0:39:07.040 --> 0:39:10.719
<v Speaker 2>Yeah, in twenty yeah, and like right, maybe maybe I'm

0:39:10.719 --> 0:39:13.160
<v Speaker 2>getting the timeline wrong, and this was coming, this was

0:39:13.200 --> 0:39:15.279
<v Speaker 2>happening when his birth of the twenty.

0:39:15.280 --> 0:39:19.040
<v Speaker 4>Became Yeah, okay, now twenty sixteen, Yeah.

0:39:19.200 --> 0:39:21.120
<v Speaker 2>Okay, So it's actually a little bit ahead of the

0:39:21.160 --> 0:39:23.520
<v Speaker 2>me too movement. Wow, I can't believe it was that

0:39:23.880 --> 0:39:27.759
<v Speaker 2>long ago, God time, but yes, that that the woman

0:39:27.800 --> 0:39:31.000
<v Speaker 2>he dessaulted had taken her own life back in twenty twelve.

0:39:32.160 --> 0:39:37.040
<v Speaker 2>This did absolutely impact his career, but I feel like

0:39:37.080 --> 0:39:39.960
<v Speaker 2>it has sort of fallen out of the conversation to

0:39:40.000 --> 0:39:43.040
<v Speaker 2>the point where, honestly, when I it took me a

0:39:43.080 --> 0:39:46.200
<v Speaker 2>second tilt for my brain to catch up. I was like, oh,

0:39:46.400 --> 0:39:50.600
<v Speaker 2>that's Nate Parker, and oh oh oh, like there and

0:39:50.960 --> 0:39:56.040
<v Speaker 2>particularly with the subject matter of this movie. His presence

0:39:56.200 --> 0:40:01.200
<v Speaker 2>is like really difficult to stomach in context that he

0:40:01.320 --> 0:40:04.320
<v Speaker 2>is the one who is I mean, I take issue

0:40:04.360 --> 0:40:08.799
<v Speaker 2>with the concept of like his being the rescuer in

0:40:08.840 --> 0:40:13.000
<v Speaker 2>the first place, but given the actor and his history,

0:40:13.239 --> 0:40:13.920
<v Speaker 2>like it's just.

0:40:15.560 --> 0:40:20.759
<v Speaker 3>It's gross, horrifying. And I mean the relationship between his

0:40:21.000 --> 0:40:26.640
<v Speaker 3>character and Noni plays out in a way that I

0:40:26.719 --> 0:40:32.600
<v Speaker 3>find very unsettling as well. I mean, like we mentioned,

0:40:32.640 --> 0:40:36.440
<v Speaker 3>there are some Titanic parallels. The beginning of their relationship

0:40:36.520 --> 0:40:43.360
<v Speaker 3>feels very like Jack and Rose coded. Where So, for example,

0:40:43.840 --> 0:40:48.440
<v Speaker 3>Noni and Rose, they start off the movie in a

0:40:48.600 --> 0:40:54.080
<v Speaker 3>relationship with a shitty, rich white guy. Both women feel

0:40:54.160 --> 0:40:59.320
<v Speaker 3>intense pressure from society and from their mothers to stay

0:40:59.320 --> 0:41:05.040
<v Speaker 3>with this guy. Both women attempt suicide. Then, in both cases,

0:41:05.360 --> 0:41:10.680
<v Speaker 3>a man who comes from more humble beginnings intervenes in

0:41:10.760 --> 0:41:16.080
<v Speaker 3>her suicide attempt and saves her. There's encouragement in both

0:41:16.320 --> 0:41:21.160
<v Speaker 3>stories to lie that this was a suicide attempt. The

0:41:21.560 --> 0:41:25.360
<v Speaker 3>man who intervened will go on to become the woman's

0:41:25.480 --> 0:41:31.000
<v Speaker 3>new boyfriend, and he will help the woman escape that

0:41:31.280 --> 0:41:33.879
<v Speaker 3>world that she felt trapped in and break free from

0:41:33.920 --> 0:41:38.120
<v Speaker 3>all the pressure and live a new, more authentic life.

0:41:38.400 --> 0:41:44.919
<v Speaker 3>So very, very just titanic these stuff happening here, even

0:41:44.920 --> 0:41:48.880
<v Speaker 3>some of the dialogue where Rose says at one point,

0:41:49.320 --> 0:41:50.920
<v Speaker 3>I feel like I'm standing in the middle of a

0:41:50.960 --> 0:41:53.839
<v Speaker 3>crowded room screaming at the top of my lungs and

0:41:53.880 --> 0:41:56.719
<v Speaker 3>no one even looks up and none he says, I

0:41:56.760 --> 0:41:59.000
<v Speaker 3>feel like I'm suffocating in the middle of the street

0:41:59.120 --> 0:42:00.640
<v Speaker 3>and no one can see me dying.

0:42:00.920 --> 0:42:05.680
<v Speaker 2>And you're like, it's an updated yes, But I just

0:42:05.760 --> 0:42:08.560
<v Speaker 2>wanted to take it back for a second because I'm

0:42:08.560 --> 0:42:11.640
<v Speaker 2>glad that you brought up Nate Parker's criminal history and

0:42:11.719 --> 0:42:17.040
<v Speaker 2>history of assaulting women. I guess what, going into this

0:42:17.320 --> 0:42:21.000
<v Speaker 2>viewing and knowing that, how does that inform how the

0:42:21.000 --> 0:42:22.880
<v Speaker 2>subject matter is treated in the movie? Does it make

0:42:22.920 --> 0:42:25.520
<v Speaker 2>a difference for you. I'm just curious on your take

0:42:25.560 --> 0:42:25.839
<v Speaker 2>on that.

0:42:26.040 --> 0:42:30.120
<v Speaker 4>Yeah, it's like Gudo. Prince Midwood has always like like

0:42:30.200 --> 0:42:32.880
<v Speaker 4>in like previous interviews and like previous commentary and stuff,

0:42:32.880 --> 0:42:34.920
<v Speaker 4>for like The Secret Life of Bees, Like she'd always

0:42:34.920 --> 0:42:37.399
<v Speaker 4>talk about like how he was such a nice guy

0:42:38.040 --> 0:42:41.359
<v Speaker 4>and like he was very respectful of like the love

0:42:41.400 --> 0:42:44.520
<v Speaker 4>interest he was paired with in her films. But it's

0:42:44.600 --> 0:42:48.960
<v Speaker 4>just very disappointing because like these consensual interactions does not

0:42:49.160 --> 0:42:52.920
<v Speaker 4>erase the huge, huge amount of lack of consent in

0:42:53.000 --> 0:42:55.000
<v Speaker 4>two thousand and one when he was at Penn State.

0:42:55.560 --> 0:42:58.719
<v Speaker 4>And it's also quite heartbreaking because like he gets to

0:42:58.760 --> 0:43:02.400
<v Speaker 4>make movies again, and you have these actors and filmmakers

0:43:02.440 --> 0:43:05.000
<v Speaker 4>going like, oh, he's he's learned his lesson, like he's

0:43:05.120 --> 0:43:07.680
<v Speaker 4>going through a lot of learning and da da da,

0:43:08.280 --> 0:43:11.200
<v Speaker 4>and it's just so sad and it's so weird seeing

0:43:11.320 --> 0:43:16.799
<v Speaker 4>like the concert scene where kid culprit is is assaulting

0:43:16.960 --> 0:43:19.480
<v Speaker 4>Nony and then Nate Parker's character is framed as the

0:43:19.560 --> 0:43:24.040
<v Speaker 4>hero in that situation and it's very unsettling to watch.

0:43:24.120 --> 0:43:27.359
<v Speaker 4>And and also it also doesn't help that like another way,

0:43:27.520 --> 0:43:30.000
<v Speaker 4>like kid Culprit's character is sort of foreshadowing like in

0:43:30.080 --> 0:43:32.560
<v Speaker 4>the in like the Sexy music video in the beginning,

0:43:33.040 --> 0:43:36.759
<v Speaker 4>he's he's like strangling Nony a little bit, And I

0:43:36.840 --> 0:43:38.600
<v Speaker 4>just have so many questions around, like how were you

0:43:39.000 --> 0:43:44.000
<v Speaker 4>directed in this? And also like Judah Prince Bithewood, like

0:43:44.160 --> 0:43:47.600
<v Speaker 4>I have not agreed with how she likes to place

0:43:47.600 --> 0:43:50.560
<v Speaker 4>her actors in situations without their permission in order to

0:43:50.560 --> 0:43:53.360
<v Speaker 4>get them in the role like she she plays Jennifer

0:43:53.400 --> 0:43:56.400
<v Speaker 4>Hudson in a store where white men are calling her

0:43:56.400 --> 0:43:58.120
<v Speaker 4>the Edward in order to prepare her for the Secret

0:43:58.160 --> 0:44:02.239
<v Speaker 4>Life of Bees and then for Beyond the Lights. She

0:44:02.400 --> 0:44:06.160
<v Speaker 4>placed Googa Babathra in Nate Parker in this situation where

0:44:06.280 --> 0:44:09.319
<v Speaker 4>paparazzi show up and he has to take care of

0:44:09.360 --> 0:44:11.400
<v Speaker 4>her unexpectedly.

0:44:11.360 --> 0:44:13.919
<v Speaker 2>And also like, I don't know, like, given Nate Parker's history,

0:44:13.960 --> 0:44:17.800
<v Speaker 2>I'm like, don't leave him alone with cugoo, right, But yeah,

0:44:17.880 --> 0:44:21.239
<v Speaker 2>I saw that referenced in a Vulture interview that she

0:44:21.320 --> 0:44:24.080
<v Speaker 2>did around the release of this movie, and it was like,

0:44:24.239 --> 0:44:27.840
<v Speaker 2>I honestly like, I was surprised. I wonder if she

0:44:27.920 --> 0:44:29.799
<v Speaker 2>still does stuff like that. I guess I don't know

0:44:29.840 --> 0:44:31.960
<v Speaker 2>how you would do that for the woman King, But

0:44:33.600 --> 0:44:37.879
<v Speaker 2>it felt almost like Blair Witch Project production approaches, where

0:44:37.880 --> 0:44:40.080
<v Speaker 2>it's like, I'm just gonna leave you in the woods.

0:44:40.280 --> 0:44:42.759
<v Speaker 2>Won't that be fun? Yeah? I mean, thank you for

0:44:43.680 --> 0:44:45.720
<v Speaker 2>your insight on that. And I'm realizing that the reason

0:44:45.719 --> 0:44:47.840
<v Speaker 2>that I thought this had taken place in twenty nineteen

0:44:47.960 --> 0:44:50.439
<v Speaker 2>is because that's the last time he directed a movie. Yep,

0:44:51.120 --> 0:44:55.239
<v Speaker 2>so he has since in fact directed movies since this

0:44:55.360 --> 0:45:01.439
<v Speaker 2>became a publicly known story and he's currently filming another one.

0:45:02.000 --> 0:45:04.680
<v Speaker 2>So if you you know, here's your daily reminder that

0:45:05.560 --> 0:45:09.840
<v Speaker 2>cancelation isn't a thing, right, Yeah, but I thought it was.

0:45:09.920 --> 0:45:15.000
<v Speaker 2>I don't know. I as far as the way suicidality

0:45:15.040 --> 0:45:17.920
<v Speaker 2>and mental health is treated in this movie, it was

0:45:17.960 --> 0:45:19.799
<v Speaker 2>a little it was like all over the place for

0:45:19.960 --> 0:45:23.560
<v Speaker 2>me where I think that, like, this movie does have

0:45:23.680 --> 0:45:28.200
<v Speaker 2>something to say about how I mean, it felt like

0:45:28.280 --> 0:45:31.479
<v Speaker 2>in line with a lot of pop stars stories of

0:45:31.680 --> 0:45:38.040
<v Speaker 2>how extremely constrictive and controlled Nonie's life is, and how

0:45:38.239 --> 0:45:41.440
<v Speaker 2>that pressure and being forced in all these directions she

0:45:41.480 --> 0:45:43.800
<v Speaker 2>doesn't want to go in, it has an extreme adverse

0:45:43.800 --> 0:45:46.279
<v Speaker 2>effect on her mental health to the point where she's

0:45:46.320 --> 0:45:49.719
<v Speaker 2>driven to this place. I guess I wish that the

0:45:50.600 --> 0:45:53.120
<v Speaker 2>it's a romance movie, so this was never gonna happen.

0:45:53.400 --> 0:45:55.520
<v Speaker 2>I just wish it had spent a little more time

0:45:56.200 --> 0:45:58.399
<v Speaker 2>analyzing that. It felt like the way that that ends

0:45:58.480 --> 0:45:59.560
<v Speaker 2>up being analyzed asn't a.

0:45:59.480 --> 0:46:05.239
<v Speaker 5>Pretty surfacy kind of way that allows a lot of

0:46:05.280 --> 0:46:09.600
<v Speaker 5>the abusive people kind of off the hook a little bit.

0:46:09.880 --> 0:46:11.560
<v Speaker 2>I was surprised. I was. I think that if this

0:46:11.640 --> 0:46:15.879
<v Speaker 2>movie was made today, NONI would more likely cut her

0:46:15.920 --> 0:46:18.520
<v Speaker 2>mom out of her life and not just out of

0:46:18.560 --> 0:46:22.080
<v Speaker 2>her business. I felt like Macie maybe got off a

0:46:22.080 --> 0:46:24.880
<v Speaker 2>little easy, but that's that's just my opinion.

0:46:24.880 --> 0:46:27.000
<v Speaker 3>I guess I got the impression that she did cut

0:46:27.000 --> 0:46:29.319
<v Speaker 3>her out of her life because like she's not.

0:46:29.880 --> 0:46:31.640
<v Speaker 2>Or I guess what I've more referred to as like

0:46:31.719 --> 0:46:35.799
<v Speaker 2>how the neighbor or hairstylist that she grew up near

0:46:36.520 --> 0:46:39.080
<v Speaker 2>was sort of encouraging her, like your mom loves you,

0:46:39.640 --> 0:46:41.879
<v Speaker 2>she'd love to see you sometime. Like it just felt

0:46:41.920 --> 0:46:45.920
<v Speaker 2>like that door was not completely closed. I don't know.

0:46:46.920 --> 0:46:51.360
<v Speaker 3>My big concern about it is something we were starting

0:46:51.400 --> 0:46:54.600
<v Speaker 3>to touch on, which is to me an implication that

0:46:55.760 --> 0:47:00.319
<v Speaker 3>she is almost cured of her suicidal ideation because of

0:47:00.360 --> 0:47:04.560
<v Speaker 3>the romance of a man. I also thought, and you know,

0:47:04.600 --> 0:47:07.560
<v Speaker 3>you might feel different ways about this, but we never

0:47:07.640 --> 0:47:12.520
<v Speaker 3>see her getting or seeking actual medical help or like

0:47:12.640 --> 0:47:15.360
<v Speaker 3>getting help from mental health professionals.

0:47:15.680 --> 0:47:18.160
<v Speaker 2>She only mentioned but she says that she says this,

0:47:18.360 --> 0:47:20.960
<v Speaker 2>but I'm getting help. You're like, don't know if that's

0:47:21.040 --> 0:47:22.160
<v Speaker 2>useful to know what that means?

0:47:22.680 --> 0:47:25.320
<v Speaker 3>Right, Like, what does that mean? Is that even true?

0:47:25.840 --> 0:47:29.120
<v Speaker 3>And it would have been so helpful because you know,

0:47:29.160 --> 0:47:32.759
<v Speaker 3>there's still so much stigma around therapy and mental health

0:47:32.800 --> 0:47:35.440
<v Speaker 3>in general. It was even worse ten years ago when

0:47:35.440 --> 0:47:37.640
<v Speaker 3>this movie came out. It would have been very nice

0:47:37.640 --> 0:47:41.759
<v Speaker 3>to see a character seeking and getting that help with

0:47:41.880 --> 0:47:45.120
<v Speaker 3>her mental health on screen. The movie just glosses over

0:47:45.160 --> 0:47:49.080
<v Speaker 3>it and basically just implies, you know, she was cured

0:47:49.120 --> 0:47:52.080
<v Speaker 3>of this speak and it's the same thing that Titanic does. Really,

0:47:53.000 --> 0:47:58.320
<v Speaker 3>she's cured of her suicidal ideation because this man helps

0:47:58.360 --> 0:48:03.960
<v Speaker 3>to set her free. And I don't like that implication.

0:48:04.480 --> 0:48:08.080
<v Speaker 4>There's there's an interview where Regina Prince Begwood is like, yeah,

0:48:08.120 --> 0:48:10.279
<v Speaker 4>I didn't I didn't want to make a film where

0:48:10.280 --> 0:48:13.000
<v Speaker 4>it just looks like she's saved by a man and

0:48:13.040 --> 0:48:16.360
<v Speaker 4>it's like, well, well you did you did for him? Like,

0:48:16.800 --> 0:48:19.120
<v Speaker 4>and she and she had talked about like if I

0:48:19.120 --> 0:48:21.960
<v Speaker 4>wanted to take a more realistic approach, like it would

0:48:22.000 --> 0:48:25.160
<v Speaker 4>have been a thing where Kas died on the job

0:48:25.560 --> 0:48:29.799
<v Speaker 4>and Nony lost him through that way, and I'm like,

0:48:29.800 --> 0:48:32.680
<v Speaker 4>like you, like like I would have been totally fine

0:48:33.000 --> 0:48:37.680
<v Speaker 4>with like their narrative ending when like Nony comes to

0:48:37.719 --> 0:48:40.719
<v Speaker 4>his house and is like thanks and like and yeah,

0:48:40.760 --> 0:48:43.439
<v Speaker 4>he's he's judging when he's all like this start line,

0:48:44.280 --> 0:48:46.560
<v Speaker 4>But like I've I totally would have been fine with

0:48:47.080 --> 0:48:50.000
<v Speaker 4>just ending it a breakup and she continues to thrive

0:48:50.040 --> 0:48:53.120
<v Speaker 4>in her music career without him. That's what I would

0:48:53.160 --> 0:48:54.600
<v Speaker 4>have loved so much better.

0:48:55.200 --> 0:48:58.839
<v Speaker 2>Yeah, Like it's just I totally agree with with your

0:48:58.880 --> 0:49:01.960
<v Speaker 2>beds Nay. Like I do feel like in the last

0:49:02.000 --> 0:49:06.279
<v Speaker 2>half hour of the movie, she becomes more self motivated

0:49:06.280 --> 0:49:08.080
<v Speaker 2>and is starting to make her own choices. But it

0:49:08.200 --> 0:49:12.239
<v Speaker 2>starts very late in the movie for me, Like it

0:49:12.640 --> 0:49:15.360
<v Speaker 2>I think after they get back from the trip in Mexico,

0:49:16.280 --> 0:49:19.000
<v Speaker 2>that is, that's sort of the first time in the

0:49:19.040 --> 0:49:21.040
<v Speaker 2>movie that I can think of that you see Nony

0:49:21.840 --> 0:49:24.640
<v Speaker 2>start to make her own choices. They're not all good choices,

0:49:24.640 --> 0:49:29.880
<v Speaker 2>but they're choices, right because because i Am is telling her like,

0:49:29.920 --> 0:49:31.560
<v Speaker 2>don't go back with your mom, and she's like, well

0:49:31.640 --> 0:49:34.799
<v Speaker 2>I want to, and like deviates from what she's being

0:49:34.800 --> 0:49:36.680
<v Speaker 2>told to do. But prior to that, it's like she

0:49:36.880 --> 0:49:39.560
<v Speaker 2>is being shepherded in all these ways, which I know

0:49:39.680 --> 0:49:43.279
<v Speaker 2>is consistent with the character because how she's set up

0:49:43.280 --> 0:49:47.040
<v Speaker 2>her life is extremely controlled. But in terms of like

0:49:47.400 --> 0:49:49.920
<v Speaker 2>telling this story, I sort of wanted to see her.

0:49:50.840 --> 0:49:52.440
<v Speaker 2>I don't know, Like, I just don't feel like I

0:49:52.520 --> 0:49:54.680
<v Speaker 2>know her as well as the movie is telling me

0:49:54.800 --> 0:49:59.000
<v Speaker 2>that I know. And because of like the context and

0:49:59.040 --> 0:50:02.680
<v Speaker 2>tone of the movie, you could have a therapist in

0:50:02.960 --> 0:50:06.480
<v Speaker 2>this movie easily and it would be helpful as a

0:50:06.560 --> 0:50:10.640
<v Speaker 2>viewer to understand. And by the time we learn more

0:50:10.760 --> 0:50:14.520
<v Speaker 2>about her childhood outside of the opening scene, it almost

0:50:14.600 --> 0:50:19.480
<v Speaker 2>feels like kind of too late to get into because

0:50:19.719 --> 0:50:24.560
<v Speaker 2>I think that, like Macy is behaving cartoon villain the

0:50:24.680 --> 0:50:28.040
<v Speaker 2>entire movie, and like is I think that that is,

0:50:28.120 --> 0:50:32.120
<v Speaker 2>Like we don't get a lot of movies about mothers

0:50:32.160 --> 0:50:36.200
<v Speaker 2>and daughters period, much less a mother with a biracial daughter. Like,

0:50:36.280 --> 0:50:38.799
<v Speaker 2>there's a lot of things happening in this movie that

0:50:38.840 --> 0:50:40.920
<v Speaker 2>you don't often see, but I feel like it takes

0:50:40.960 --> 0:50:43.719
<v Speaker 2>so late in the movie to underst I don't know.

0:50:43.800 --> 0:50:45.640
<v Speaker 2>I just felt like there were things I was missing

0:50:45.640 --> 0:50:48.440
<v Speaker 2>that the movie thought I had the whole time, and

0:50:48.480 --> 0:50:51.120
<v Speaker 2>it fills in that space that I would like to

0:50:51.200 --> 0:50:54.520
<v Speaker 2>know about, and like the opportunity this movie has to

0:50:54.600 --> 0:50:57.080
<v Speaker 2>comment on stardom and it fills it up with this

0:50:57.160 --> 0:51:00.399
<v Speaker 2>like love story with a cop that I was not

0:51:00.480 --> 0:51:03.239
<v Speaker 2>really rooting for it at any point I kept wanting, like,

0:51:04.160 --> 0:51:06.960
<v Speaker 2>no need to like break out on her own, go

0:51:07.000 --> 0:51:10.000
<v Speaker 2>to Mexico by yourself, meet someone in Mexico like it,

0:51:10.120 --> 0:51:14.560
<v Speaker 2>just because even the trip was like Kaz's idea and

0:51:14.600 --> 0:51:18.279
<v Speaker 2>it's all his idea, and I just don't like, yeah

0:51:18.280 --> 0:51:23.160
<v Speaker 2>it I think that, you know, he certainly poses less

0:51:23.320 --> 0:51:28.080
<v Speaker 2>of an immediate exploitational harm to her than her mother does.

0:51:28.080 --> 0:51:30.759
<v Speaker 2>But it does feel like going from one set of

0:51:30.760 --> 0:51:34.400
<v Speaker 2>controlling hands to another exactly in a way that doesn't

0:51:34.400 --> 0:51:37.000
<v Speaker 2>really feel challenged by the movie and makes me feel

0:51:37.080 --> 0:51:41.360
<v Speaker 2>for NONI I'm like, she's got a like clean house completely,

0:51:41.600 --> 0:51:44.080
<v Speaker 2>including the boyfriend. It would feel.

0:51:43.800 --> 0:51:46.400
<v Speaker 3>Good, especially because he's also the one that kind of

0:51:46.600 --> 0:51:49.799
<v Speaker 3>suggests Slash gives her the idea sort of that she

0:51:49.840 --> 0:51:51.960
<v Speaker 3>should write her own songs, And.

0:51:51.920 --> 0:51:53.680
<v Speaker 2>I'm like, how is that his idea?

0:51:54.040 --> 0:51:55.160
<v Speaker 3>How is it his idea?

0:51:55.840 --> 0:51:59.480
<v Speaker 2>What it just I feel like, yeah, there's I think

0:51:59.520 --> 0:52:04.279
<v Speaker 2>there's a real important and like, I like showing it

0:52:04.320 --> 0:52:08.239
<v Speaker 2>makes sense to me that Nody's character would be fragile

0:52:08.600 --> 0:52:11.799
<v Speaker 2>in many ways, and I think, you know, like when

0:52:11.840 --> 0:52:13.680
<v Speaker 2>we've talked about this on the show a million times,

0:52:13.719 --> 0:52:16.600
<v Speaker 2>how women and fems when they're put in lead roles.

0:52:16.920 --> 0:52:20.680
<v Speaker 2>I think the over correction of she's, you know, girl

0:52:20.680 --> 0:52:23.480
<v Speaker 2>bossing around in a way that like doesn't really square

0:52:23.600 --> 0:52:27.360
<v Speaker 2>with how she was raised, in what she's experienced, but

0:52:27.440 --> 0:52:31.440
<v Speaker 2>it still feels like it. She doesn't have enough agency

0:52:31.480 --> 0:52:34.200
<v Speaker 2>to the point where she's a global pop star and

0:52:34.239 --> 0:52:36.080
<v Speaker 2>it has never occurred to her to write her own

0:52:36.200 --> 0:52:38.560
<v Speaker 2>song and she has to be told by an LAPD

0:52:38.719 --> 0:52:41.960
<v Speaker 2>officer named Kazam, and like, I just don't buy it.

0:52:42.360 --> 0:52:46.520
<v Speaker 2>I don't like that as a plot point. I don't

0:52:46.600 --> 0:52:46.880
<v Speaker 2>like it.

0:52:47.800 --> 0:52:50.759
<v Speaker 4>I wish she had more interactions with other women and

0:52:50.840 --> 0:52:54.560
<v Speaker 4>fems in the industry. Like all we get is her

0:52:54.680 --> 0:52:58.120
<v Speaker 4>walking past Shaka Khana Shaka Khan going I like your hair,

0:52:58.640 --> 0:53:00.120
<v Speaker 4>and that's all that's all we get.

0:53:00.480 --> 0:53:04.480
<v Speaker 2>Which is delightful, But we're like, I want more, I

0:53:04.600 --> 0:53:05.280
<v Speaker 2>want more.

0:53:05.520 --> 0:53:08.400
<v Speaker 3>Yeah, why doesn't she have any friends?

0:53:09.239 --> 0:53:11.719
<v Speaker 2>I feel like you could explain that away by like

0:53:11.800 --> 0:53:13.960
<v Speaker 2>the level of control her mom house. But even like

0:53:14.560 --> 0:53:19.040
<v Speaker 2>a fellow pop star, like there's I don't know even

0:53:19.200 --> 0:53:23.600
<v Speaker 2>even uh extremely sheltered and controlled pop stars. No other

0:53:23.760 --> 0:53:25.759
<v Speaker 2>sheltered and controlled pop.

0:53:25.520 --> 0:53:28.920
<v Speaker 3>Stars they could commiserate about that.

0:53:29.080 --> 0:53:33.399
<v Speaker 2>They collaborate all the time, exactly, and that's a way

0:53:33.440 --> 0:53:37.440
<v Speaker 2>more interesting story. I can't get past the cop thing.

0:53:37.800 --> 0:53:41.719
<v Speaker 2>I just like it's so difficult, Like could he could be?

0:53:41.800 --> 0:53:45.480
<v Speaker 2>I it like even if it bugs me less if

0:53:45.520 --> 0:53:50.600
<v Speaker 2>he's just an aspiring politician and I know that, Like again,

0:53:50.760 --> 0:53:53.800
<v Speaker 2>there's no I will never understand why that was the decision,

0:53:54.200 --> 0:53:58.279
<v Speaker 2>but I like they share this common theme that their

0:53:58.360 --> 0:54:01.799
<v Speaker 2>lives are predetermined, and through this relationship they need to

0:54:01.840 --> 0:54:04.840
<v Speaker 2>bust out of these expectations that their parents have for

0:54:04.880 --> 0:54:06.920
<v Speaker 2>them and how their lives should go. I get that

0:54:06.920 --> 0:54:10.719
<v Speaker 2>that is there like parallel. I don't understand why he

0:54:10.800 --> 0:54:11.719
<v Speaker 2>has to be a cap.

0:54:12.520 --> 0:54:16.600
<v Speaker 3>My guess is that as this story was being crafted,

0:54:16.600 --> 0:54:21.719
<v Speaker 3>it was like, well, under what circumstances would she get saved?

0:54:22.440 --> 0:54:25.480
<v Speaker 3>Because that seemed to be like writer director Gina Prince

0:54:25.560 --> 0:54:28.319
<v Speaker 3>Bythewood wanted that to be the kind of impetus for

0:54:28.400 --> 0:54:31.399
<v Speaker 3>this relationship to form. So it's like, Okay, well someone

0:54:31.440 --> 0:54:34.560
<v Speaker 3>needs to save her. Who would save her? A cop

0:54:34.760 --> 0:54:37.879
<v Speaker 3>that's kind of acting as a bodyguard. Yeah, that makes sense.

0:54:37.920 --> 0:54:39.440
<v Speaker 3>And it's like, well, no, it doesn't have to be

0:54:39.480 --> 0:54:42.080
<v Speaker 3>that number one. It doesn't have to be any man

0:54:42.120 --> 0:54:47.120
<v Speaker 3>who saved you or intervenes in some kind of you know, violence,

0:54:47.160 --> 0:54:50.440
<v Speaker 3>whether it's self inflicted or otherwise, you don't need to

0:54:50.480 --> 0:54:53.640
<v Speaker 3>fall in love with them. But so many movies present

0:54:53.719 --> 0:54:56.160
<v Speaker 3>that as like, well, this man saved this woman, so

0:54:56.320 --> 0:54:59.759
<v Speaker 3>obviously she's gonna end up with him. That doesn't have

0:54:59.760 --> 0:55:03.240
<v Speaker 3>to be the case. I don't you know. I respect

0:55:03.320 --> 0:55:07.319
<v Speaker 3>Gina Prince Bythewood as a filmmaker, and of course, my

0:55:07.400 --> 0:55:11.399
<v Speaker 3>guess is just like tropes beget tropes, she set out

0:55:11.400 --> 0:55:14.640
<v Speaker 3>to write a love story. I was watching an interview

0:55:15.160 --> 0:55:19.960
<v Speaker 3>with Variety that she was giving, and she said that

0:55:20.000 --> 0:55:21.680
<v Speaker 3>she wanted to write a love story and that she

0:55:21.800 --> 0:55:24.600
<v Speaker 3>was interested in what was going on in the music

0:55:24.640 --> 0:55:27.279
<v Speaker 3>industry at the time, especially in regards to how it

0:55:27.360 --> 0:55:29.879
<v Speaker 3>treats women. And she's like, okay, I can marry these

0:55:29.880 --> 0:55:33.359
<v Speaker 3>two ideas together. That's my story. And so she set

0:55:33.360 --> 0:55:36.239
<v Speaker 3>out specifically to write a love story. And you know

0:55:36.280 --> 0:55:40.160
<v Speaker 3>when filmmakers write stories, they're like, okay, how do these go?

0:55:40.400 --> 0:55:44.000
<v Speaker 3>Like what how does a movie love story go? And

0:55:44.280 --> 0:55:47.680
<v Speaker 3>my guess is just you know, you're inspired by previous

0:55:47.960 --> 0:55:53.279
<v Speaker 3>similar movies and stories, and then we ended up with this.

0:55:54.120 --> 0:55:56.839
<v Speaker 2>Yeah, I'm sorry, I don't mean to like completely drag her.

0:55:57.520 --> 0:55:58.920
<v Speaker 4>No, no, no, especially.

0:55:58.640 --> 0:56:00.200
<v Speaker 2>Because it's like where I don't know, it's like where

0:56:00.239 --> 0:56:02.920
<v Speaker 2>we live and and I don't know even if the

0:56:02.960 --> 0:56:06.160
<v Speaker 2>cops stuff was more in the background than it is,

0:56:06.239 --> 0:56:07.920
<v Speaker 2>but it goes out of the way to show you

0:56:08.280 --> 0:56:11.680
<v Speaker 2>how good he is in the context of his job,

0:56:11.800 --> 0:56:15.680
<v Speaker 2>for sure. Like, especially the domestic violence thing really bothered me.

0:56:17.160 --> 0:56:19.480
<v Speaker 2>It was really frustrating. Yeah, that there's this didn't even

0:56:19.560 --> 0:56:23.480
<v Speaker 2>come up in the recap really because it's not necessary.

0:56:23.960 --> 0:56:27.200
<v Speaker 2>But there there's two different times where you see there's

0:56:27.200 --> 0:56:31.840
<v Speaker 2>a domestic violence situation and I couldn't tell what neighborhood

0:56:31.840 --> 0:56:33.240
<v Speaker 2>it was supposed to be, but in a low income

0:56:33.280 --> 0:56:37.319
<v Speaker 2>neighbor neighborhood in La that officer Kazam is sent to

0:56:37.920 --> 0:56:42.319
<v Speaker 2>and he solves the problems, which like the cops and

0:56:42.360 --> 0:56:47.160
<v Speaker 2>specifically the LAPD famously do not do. And it's like

0:56:47.360 --> 0:56:49.760
<v Speaker 2>they cut to this story twice.

0:56:49.880 --> 0:56:52.080
<v Speaker 4>And the second time he's not in uniform. It's like,

0:56:52.360 --> 0:56:54.560
<v Speaker 4>can you like liability for that?

0:56:55.480 --> 0:56:59.560
<v Speaker 3>Right? He's not on duty. Yeah, there's the scene where

0:56:59.560 --> 0:57:05.000
<v Speaker 3>he's trying to basically convince the local pastors to like

0:57:05.200 --> 0:57:09.680
<v Speaker 3>endorse his political candidacy and he's talking about, you know, oh,

0:57:09.760 --> 0:57:12.680
<v Speaker 3>the violence in this community, and if I am elected,

0:57:12.760 --> 0:57:16.760
<v Speaker 3>I'll turn it all around. But he's referring to like

0:57:16.800 --> 0:57:21.200
<v Speaker 3>the violence you see on screen, is this like one

0:57:21.280 --> 0:57:24.000
<v Speaker 3>case of domestic violence, which of course is you know,

0:57:24.360 --> 0:57:28.800
<v Speaker 3>very real and very serious. But again, cops historically don't

0:57:29.040 --> 0:57:33.240
<v Speaker 3>respond well to those situations. And there's no mention if

0:57:33.240 --> 0:57:36.600
<v Speaker 3>he's talking about violence, there's no mention of police brutality,

0:57:36.680 --> 0:57:40.440
<v Speaker 3>the targets black and brown people. The movie's just general

0:57:40.480 --> 0:57:42.960
<v Speaker 3>opinion of cops is like no, no, no, they're the

0:57:43.000 --> 0:57:46.480
<v Speaker 3>good guys. They're serving and protecting and they're the heroes

0:57:46.560 --> 0:57:50.600
<v Speaker 3>and then they're gonna do the right thing every time, right.

0:57:50.680 --> 0:57:53.040
<v Speaker 2>I thought it was interesting that, like I get I

0:57:53.080 --> 0:57:55.320
<v Speaker 2>don't know, maybe I'm overthinking it at this point, but

0:57:55.440 --> 0:57:58.720
<v Speaker 2>if we're like talking the parallels between the two characters

0:57:58.760 --> 0:58:03.640
<v Speaker 2>who are in they're both being pushed by these institutions

0:58:03.680 --> 0:58:05.760
<v Speaker 2>to do things that they don't want to do. But

0:58:05.920 --> 0:58:08.800
<v Speaker 2>like what its presented with on Officer Kazam's side is

0:58:08.800 --> 0:58:10.800
<v Speaker 2>that he's pushed to be a politician, and it's the

0:58:10.800 --> 0:58:15.080
<v Speaker 2>politician system that is bad. But if he just wants

0:58:15.120 --> 0:58:18.400
<v Speaker 2>to be a cop, that's fine. Where it's like if

0:58:18.440 --> 0:58:20.320
<v Speaker 2>she doesn't like and she just wants to be a

0:58:20.360 --> 0:58:22.920
<v Speaker 2>singer songwriter, And I was like, we just like singer

0:58:23.000 --> 0:58:28.280
<v Speaker 2>songwriter and LAPD officer. It's not the same thing. I

0:58:28.400 --> 0:58:31.400
<v Speaker 2>just I don't know, Like obviously you know, like I

0:58:32.000 --> 0:58:35.040
<v Speaker 2>like that, you know the system that is trying to

0:58:35.040 --> 0:58:38.760
<v Speaker 2>push him into uh basically you know, like doing the

0:58:38.800 --> 0:58:42.400
<v Speaker 2>politician thing and using all of the connections and altering

0:58:42.440 --> 0:58:44.440
<v Speaker 2>how you behave and what you say and what you

0:58:44.560 --> 0:58:48.240
<v Speaker 2>do to serve getting a position that is like all

0:58:48.320 --> 0:58:52.920
<v Speaker 2>very well taken and mirrors no Need's experience as well.

0:58:53.400 --> 0:58:55.520
<v Speaker 2>But I don't know, And that's all I'll say about it.

0:58:55.520 --> 0:58:58.280
<v Speaker 2>But the I don't know. I kept trying to be

0:58:58.400 --> 0:59:00.920
<v Speaker 2>like shifting at my head to be like he's a

0:59:00.960 --> 0:59:04.320
<v Speaker 2>security guard basically, he's basically a bodyguard. But the movie

0:59:04.400 --> 0:59:07.440
<v Speaker 2>does not let you do that. It keeps big like

0:59:07.560 --> 0:59:10.920
<v Speaker 2>and he is great at this job that is noble

0:59:10.960 --> 0:59:15.280
<v Speaker 2>and effective. And I don't know, very twenty fourteen, And

0:59:15.320 --> 0:59:16.720
<v Speaker 2>that's I guess I'll say about it.

0:59:16.840 --> 0:59:21.600
<v Speaker 3>Yeah, something I think the movie handles better is the

0:59:22.840 --> 0:59:30.080
<v Speaker 3>examination of the sexualization and commodification of entertainers in general,

0:59:30.120 --> 0:59:34.240
<v Speaker 3>but especially women and fans of their artistic talent and

0:59:34.280 --> 0:59:37.080
<v Speaker 3>of their bodies to be clear, As we've always said

0:59:37.120 --> 0:59:40.600
<v Speaker 3>on the show, we don't have a problem with an

0:59:40.760 --> 0:59:46.600
<v Speaker 3>entertainer or any adult person being sexy, wearing sexy clothes,

0:59:46.800 --> 0:59:51.400
<v Speaker 3>showing skin. I sound so old, making art about sex

0:59:51.480 --> 0:59:52.240
<v Speaker 3>all that kind of stuff.

0:59:52.240 --> 0:59:53.480
<v Speaker 2>Who's machine gun?

0:59:53.560 --> 0:59:58.040
<v Speaker 4>Kelly and Gina Prince Bishy talks about that in interviews too,

0:59:58.440 --> 1:00:00.680
<v Speaker 4>where she said, like, I do believe there are there

1:00:00.720 --> 1:00:04.760
<v Speaker 4>are pop stars who are genuine about like toning their sexuality,

1:00:04.800 --> 1:00:07.600
<v Speaker 4>and she's like, I just take issue with like those

1:00:07.640 --> 1:00:09.800
<v Speaker 4>who are pressured into it when they don't need.

1:00:09.680 --> 1:00:10.600
<v Speaker 2>To be exactly.

1:00:10.640 --> 1:00:15.520
<v Speaker 3>It's all about, like, is the sexiness on the artists' terms?

1:00:15.600 --> 1:00:18.440
<v Speaker 3>Are they consenting to this image that's being presented of them?

1:00:18.480 --> 1:00:21.320
<v Speaker 3>Are they being given agency and choice in the matter,

1:00:21.560 --> 1:00:23.480
<v Speaker 3>or is it being foisted on them? And as we

1:00:23.600 --> 1:00:27.320
<v Speaker 3>learn throughout the movie, this like sex symbol image for

1:00:27.640 --> 1:00:31.600
<v Speaker 3>Nony was foisted on her by her mother, by her mom,

1:00:31.680 --> 1:00:34.680
<v Speaker 3>by her record label. Yeah, and she desperately wants to

1:00:34.720 --> 1:00:38.480
<v Speaker 3>be seen the way that she wants to be seen,

1:00:38.680 --> 1:00:41.400
<v Speaker 3>not how the music industry wants to see her. And

1:00:41.440 --> 1:00:44.240
<v Speaker 3>she wants to you know, be able to for the

1:00:44.400 --> 1:00:48.240
<v Speaker 3>artist slash musician side of her to be more authentic

1:00:48.400 --> 1:00:51.000
<v Speaker 3>to who she is, but she can't because of all

1:00:51.000 --> 1:00:53.720
<v Speaker 3>the pressure that's coming at her from all these directions,

1:00:54.640 --> 1:00:57.800
<v Speaker 3>and it's all wearing on her so much, this lack

1:00:57.840 --> 1:01:00.960
<v Speaker 3>of autonomy and agency and every thing that she and

1:01:01.000 --> 1:01:03.480
<v Speaker 3>she feels so trapped by it that it leads her

1:01:03.520 --> 1:01:08.720
<v Speaker 3>to attempt suicide. And I think that's pretty effective commentary

1:01:08.800 --> 1:01:12.960
<v Speaker 3>on just the music industry and the media and the

1:01:13.000 --> 1:01:18.000
<v Speaker 3>way that you know, record labels and paparazzi and how

1:01:18.560 --> 1:01:23.360
<v Speaker 3>all of that exploits artists and musicians and again her

1:01:23.600 --> 1:01:27.880
<v Speaker 3>mom and the response she gets from fans on social media,

1:01:28.000 --> 1:01:32.720
<v Speaker 3>like there's just so much weighing on her. Yeah, And

1:01:33.240 --> 1:01:35.680
<v Speaker 3>I thought that was handled pretty well.

1:01:36.040 --> 1:01:36.360
<v Speaker 2>Yeah.

1:01:36.680 --> 1:01:39.800
<v Speaker 4>I liked how they involved when it came to like

1:01:39.880 --> 1:01:43.000
<v Speaker 4>the movie making process. They involve people who who have

1:01:43.080 --> 1:01:46.760
<v Speaker 4>worked with pop stars that such the choreographer Lorienne Gibson,

1:01:47.440 --> 1:01:51.280
<v Speaker 4>who's the inspiration behind the movie Honey really.

1:01:51.320 --> 1:01:53.880
<v Speaker 2>Yeah, Oh my god, Jessica Alba.

1:01:54.200 --> 1:01:58.400
<v Speaker 4>She plays Jessica Alba's rival, even though like, looking back

1:01:58.440 --> 1:02:00.560
<v Speaker 4>on it, I'm like, you could you just you deserve

1:02:00.720 --> 1:02:04.400
<v Speaker 4>to play you in your own movie, Like Jessica album

1:02:04.520 --> 1:02:07.600
<v Speaker 4>was chosen to play you. That for me, I'm like,

1:02:07.720 --> 1:02:12.400
<v Speaker 4>oh that that sucks. That is not non black person

1:02:12.480 --> 1:02:16.960
<v Speaker 4>gets to play you in a boom about you. But anyways,

1:02:17.840 --> 1:02:22.080
<v Speaker 4>between conversations between the choreographer and the director, like the

1:02:22.120 --> 1:02:25.200
<v Speaker 4>word that they said kept coming up was the word ratchet,

1:02:25.200 --> 1:02:28.720
<v Speaker 4>which made me laugh. As far as like being as

1:02:28.760 --> 1:02:33.120
<v Speaker 4>intentional with realistic aspects of the of like choreography as possible,

1:02:33.160 --> 1:02:36.000
<v Speaker 4>which I thought was very cool. And at the same

1:02:36.040 --> 1:02:39.200
<v Speaker 4>time though it's like the lyrics are so oft the nose,

1:02:39.680 --> 1:02:42.040
<v Speaker 4>like treat me like your object.

1:02:42.400 --> 1:02:47.040
<v Speaker 2>Right, there's I love I love songs written to make

1:02:47.080 --> 1:02:50.280
<v Speaker 2>a point in a movie because they're they're so uncanny Valley,

1:02:50.400 --> 1:02:54.320
<v Speaker 2>they're like stick your face in it, and you're like, okay,

1:02:54.600 --> 1:03:00.040
<v Speaker 2>it's not quite giving a song that exists, but but

1:03:00.640 --> 1:03:04.640
<v Speaker 2>I see where you're point. Yeah. I thought that the

1:03:05.080 --> 1:03:07.760
<v Speaker 2>way that those things were treated felt like to be

1:03:07.920 --> 1:03:09.800
<v Speaker 2>like the strength of the movie and like when I

1:03:09.880 --> 1:03:12.320
<v Speaker 2>wish there'd been more of like I would have happily

1:03:12.320 --> 1:03:18.720
<v Speaker 2>swapped out the majority of the romance for another pop

1:03:18.760 --> 1:03:23.480
<v Speaker 2>star character to play off of, or someone within the industry,

1:03:23.480 --> 1:03:25.560
<v Speaker 2>because it felt like these good points were made about

1:03:25.560 --> 1:03:27.600
<v Speaker 2>the industry, but they were all made by like this

1:03:27.680 --> 1:03:31.120
<v Speaker 2>outside party quote unquote every man in a way that

1:03:31.160 --> 1:03:33.760
<v Speaker 2>felt like it would be better illustrated to just like

1:03:34.000 --> 1:03:35.600
<v Speaker 2>it's a lot of telling where you could have had

1:03:35.640 --> 1:03:38.600
<v Speaker 2>a lot of showing, but you still get like a

1:03:38.640 --> 1:03:41.760
<v Speaker 2>lot of interesting things that I feel like have aged

1:03:42.360 --> 1:03:46.840
<v Speaker 2>very well as information around the lives of pop stars

1:03:46.840 --> 1:03:49.960
<v Speaker 2>that we grew up with continued to come out, like

1:03:50.040 --> 1:03:53.960
<v Speaker 2>she's emotionally abused by a stage parent from a very

1:03:54.120 --> 1:03:58.680
<v Speaker 2>young age and is clearly profited on by a stage

1:03:58.720 --> 1:04:00.760
<v Speaker 2>parent who does not have her best interested at heart.

1:04:00.880 --> 1:04:04.360
<v Speaker 2>That's a very common thing. I thought that like, also

1:04:04.480 --> 1:04:09.920
<v Speaker 2>like the little parts of after she attempts suicide, she

1:04:10.000 --> 1:04:12.800
<v Speaker 2>is not only told that she needs to walk it

1:04:12.920 --> 1:04:16.240
<v Speaker 2>back to save her career, she also has to actively

1:04:16.280 --> 1:04:20.480
<v Speaker 2>and repeatedly apologize to her fans. And the way that

1:04:20.520 --> 1:04:22.760
<v Speaker 2>it happens it feels like pretty in step with what

1:04:22.880 --> 1:04:24.960
<v Speaker 2>happened in the mid twenty tens. I feel like the

1:04:24.960 --> 1:04:28.360
<v Speaker 2>more there it would be an even more cynical approach now.

1:04:28.400 --> 1:04:31.760
<v Speaker 2>But then it's like, I, you know, excessive drinking is

1:04:31.800 --> 1:04:34.520
<v Speaker 2>no joke, kids, and I apologize, and like you see

1:04:34.560 --> 1:04:36.800
<v Speaker 2>pop stars doing that today with people who have young

1:04:36.840 --> 1:04:41.520
<v Speaker 2>fan bases, if they display humanity in any way, or

1:04:41.560 --> 1:04:43.960
<v Speaker 2>if they're like a person will into their twenties or

1:04:44.040 --> 1:04:46.920
<v Speaker 2>thirties that are like having a night out, they have

1:04:46.960 --> 1:04:50.200
<v Speaker 2>to apologize to children. And it's just like this very

1:04:50.280 --> 1:04:52.880
<v Speaker 2>very twisted thing and the way I mean it's a

1:04:52.880 --> 1:04:55.040
<v Speaker 2>little on the noes how she's criticized by the media,

1:04:55.080 --> 1:04:58.640
<v Speaker 2>because it's also clear that like Gail King is having

1:04:58.720 --> 1:05:06.400
<v Speaker 2>fun doing this fake interview, but it felt close enough

1:05:06.640 --> 1:05:11.280
<v Speaker 2>to reality. The record store exactly, the record label executives.

1:05:11.320 --> 1:05:14.280
<v Speaker 2>Maybe felt a little over the top cartoon villain to me,

1:05:15.400 --> 1:05:17.880
<v Speaker 2>but nobody is supposed to be the girl every guy

1:05:17.960 --> 1:05:20.600
<v Speaker 2>wants to be like that. You're just it is a

1:05:20.600 --> 1:05:23.640
<v Speaker 2>little over it, but but the spirit of it felt

1:05:23.800 --> 1:05:26.200
<v Speaker 2>true of like how controlled her life had to be

1:05:26.880 --> 1:05:29.360
<v Speaker 2>and the way that I mean, I think especially and

1:05:29.400 --> 1:05:31.920
<v Speaker 2>there's been a fair amount of public conversation about this,

1:05:32.240 --> 1:05:37.800
<v Speaker 2>about how black women in entertainment are treated and discarded,

1:05:38.200 --> 1:05:41.600
<v Speaker 2>where you know, it's it feels clear in the writing,

1:05:41.640 --> 1:05:44.920
<v Speaker 2>the performance, and the story that Noni is scaling an

1:05:45.000 --> 1:05:48.760
<v Speaker 2>even steeper hill in terms of how she has to

1:05:48.800 --> 1:05:51.760
<v Speaker 2>conduct herself to be quote unquote respected as a pop star,

1:05:51.920 --> 1:05:55.320
<v Speaker 2>which I feel comes out really clearly in the through

1:05:55.360 --> 1:05:58.640
<v Speaker 2>line about her hair and like a big turning point

1:05:58.640 --> 1:06:03.640
<v Speaker 2>in her character story, as when she takes out the lavender,

1:06:04.160 --> 1:06:06.440
<v Speaker 2>the lavender weave that she's been wearing for most of

1:06:06.480 --> 1:06:09.720
<v Speaker 2>the movie when they're on vacation in Mexico and she

1:06:09.840 --> 1:06:13.440
<v Speaker 2>starts just having natural hair, and that's like a big

1:06:13.760 --> 1:06:15.600
<v Speaker 2>I feel like that was the churning point for me

1:06:15.640 --> 1:06:18.920
<v Speaker 2>where I was like, I started to feel really invested.

1:06:18.960 --> 1:06:21.000
<v Speaker 2>But she's so helpless for so much of the.

1:06:21.000 --> 1:06:26.840
<v Speaker 3>Movie in a way that's like you understand why she

1:06:27.800 --> 1:06:30.920
<v Speaker 3>feels helpless, and you know, we know that she feels

1:06:31.080 --> 1:06:34.840
<v Speaker 3>trapped and she doesn't have the autonomy and agency that

1:06:35.120 --> 1:06:38.400
<v Speaker 3>she wants, but also the movie rights her in certain

1:06:38.440 --> 1:06:40.840
<v Speaker 3>ways that she doesn't.

1:06:41.560 --> 1:06:41.960
<v Speaker 2>I don't know.

1:06:42.000 --> 1:06:44.400
<v Speaker 3>It's this complicated thing, and I don't want to sound

1:06:44.440 --> 1:06:46.920
<v Speaker 3>like I'm victim blaming, where like, oh, why didn't she

1:06:47.040 --> 1:06:49.680
<v Speaker 3>just advocate for herself all the time, Like that's a

1:06:49.840 --> 1:06:53.600
<v Speaker 3>very difficult thing to do when you're so repressed by

1:06:53.760 --> 1:06:58.080
<v Speaker 3>everyone around you, you don't have the ability to do

1:06:58.120 --> 1:06:59.640
<v Speaker 3>that a lot of the time.

1:07:00.000 --> 1:07:02.440
<v Speaker 2>But I don't know, So I doesn't think it's more

1:07:02.560 --> 1:07:04.960
<v Speaker 2>the like because I agree, And I don't mean to

1:07:05.240 --> 1:07:07.640
<v Speaker 2>sound like I'm like, well, why doesn't she just I

1:07:07.640 --> 1:07:10.920
<v Speaker 2>think that the thing for me is more like it

1:07:10.960 --> 1:07:15.880
<v Speaker 2>feels like the suggestion is that cop boyfriend is the solution,

1:07:16.080 --> 1:07:18.440
<v Speaker 2>right or right, and it suggests and that at that

1:07:18.480 --> 1:07:22.240
<v Speaker 2>point it's been heavily suggested that that is the solution

1:07:23.080 --> 1:07:25.120
<v Speaker 2>for over an hour and.

1:07:25.320 --> 1:07:31.280
<v Speaker 3>Right, Yeah, yes, I uh just wanted to touch a little

1:07:31.320 --> 1:07:36.000
<v Speaker 3>bit more on the relationship between Noni and her mother,

1:07:36.200 --> 1:07:40.800
<v Speaker 3>where we see the pressure that Macy puts on Noni

1:07:40.960 --> 1:07:43.560
<v Speaker 3>from the time that she's a little kid, making her

1:07:43.720 --> 1:07:48.200
<v Speaker 3>throw away her you know, runner up trophy, and then

1:07:48.240 --> 1:07:50.120
<v Speaker 3>from that point on we see all the ways in

1:07:50.160 --> 1:07:55.240
<v Speaker 3>which her mother controls Nonie's life or is complicit in

1:07:55.280 --> 1:08:01.720
<v Speaker 3>this like music industry false image of Noni, where we

1:08:01.760 --> 1:08:07.360
<v Speaker 3>see things like after Nony's suicide attempt, Macy clearly doesn't

1:08:07.400 --> 1:08:11.040
<v Speaker 3>know how to process this and responds with anger and

1:08:11.080 --> 1:08:15.400
<v Speaker 3>disappointment rather than concern or compassion.

1:08:16.280 --> 1:08:18.280
<v Speaker 4>Look at all you have, you have, you have nothing.

1:08:18.600 --> 1:08:19.439
<v Speaker 3>Nothing to cry.

1:08:20.439 --> 1:08:21.719
<v Speaker 2>She's fucking awful.

1:08:21.800 --> 1:08:22.000
<v Speaker 4>Yeah.

1:08:22.080 --> 1:08:27.080
<v Speaker 3>Yeah, we see Macy controlling what Nony eats. We see her.

1:08:27.160 --> 1:08:29.160
<v Speaker 2>That I thought was really well doe like in terms

1:08:29.200 --> 1:08:32.040
<v Speaker 2>of how subtle it was where there's a scene happening

1:08:32.080 --> 1:08:35.679
<v Speaker 2>and she takes out the fried food yea and throws

1:08:35.680 --> 1:08:38.439
<v Speaker 2>it at like just stuff, and Nony doesn't flinch. This

1:08:38.479 --> 1:08:41.600
<v Speaker 2>is clearly routine tappers, right. Yeah.

1:08:41.840 --> 1:08:45.000
<v Speaker 3>We see that scene during a photo shoot where Nony

1:08:45.160 --> 1:08:48.000
<v Speaker 3>is told to take off her top or her jacket

1:08:48.120 --> 1:08:51.320
<v Speaker 3>and she's not wearing anything underneath, and she's visibly uncomfortable,

1:08:51.400 --> 1:08:53.599
<v Speaker 3>but Macy's like, yeah, do it.

1:08:53.439 --> 1:08:56.160
<v Speaker 4>Like yeah, and Macy even asks like can we get

1:08:56.200 --> 1:08:58.320
<v Speaker 4>are you planning on doing a full body shot?

1:08:58.520 --> 1:09:01.920
<v Speaker 3>Like yeah, right, right, right right. You know, you see

1:09:01.960 --> 1:09:06.120
<v Speaker 3>Macy trying to control Nonie's romantic life and wants her

1:09:06.160 --> 1:09:08.880
<v Speaker 3>to be with kid Culprit, which is also we learn

1:09:08.960 --> 1:09:13.320
<v Speaker 3>that that was like a fabrication by the label, like

1:09:13.520 --> 1:09:16.840
<v Speaker 3>oh they got together for press quote unquote, and then

1:09:16.920 --> 1:09:21.439
<v Speaker 3>it seemed like it turned into something more real whatever

1:09:21.479 --> 1:09:25.000
<v Speaker 3>that even means between in a relationship with a machine

1:09:25.040 --> 1:09:28.760
<v Speaker 3>gun Kelly. But you know, Macy's trying to control that

1:09:28.880 --> 1:09:32.800
<v Speaker 3>aspect of Nonie's life, just all these different things, and

1:09:32.840 --> 1:09:36.240
<v Speaker 3>then like later on when Macy it seems like there's

1:09:36.280 --> 1:09:39.559
<v Speaker 3>a tender moment between them and it seems like Macy

1:09:39.680 --> 1:09:42.599
<v Speaker 3>is advocating for Nonie in the meeting with the label.

1:09:42.760 --> 1:09:46.519
<v Speaker 3>Turns out it was all an act. It was just

1:09:47.280 --> 1:09:49.439
<v Speaker 3>Macy doing the thing that she always does, which is

1:09:49.479 --> 1:09:56.439
<v Speaker 3>manipulating and controlling. I do think that Macy cares for

1:09:56.720 --> 1:09:59.160
<v Speaker 3>and loves her daughter, she just doesn't do it in

1:09:59.160 --> 1:10:01.479
<v Speaker 3>a healthy way at all. She doesn't love and support

1:10:01.479 --> 1:10:03.839
<v Speaker 3>Noni the way that she needs to be love and supported,

1:10:04.080 --> 1:10:08.479
<v Speaker 3>which is a very, you know, familiar thing for many people.

1:10:08.720 --> 1:10:11.680
<v Speaker 3>That's what a lot of parent child relationships are like,

1:10:11.760 --> 1:10:14.200
<v Speaker 3>or just what a lot of relationships are like in general.

1:10:14.760 --> 1:10:18.200
<v Speaker 3>So I appreciated that it was I think a pretty

1:10:18.600 --> 1:10:27.880
<v Speaker 3>realistic exploration of that dynamic where Macy is quote unquote

1:10:28.000 --> 1:10:32.920
<v Speaker 3>there for Noni, but in the most toxic way imaginable

1:10:33.320 --> 1:10:36.719
<v Speaker 3>and not having her best interests at heart, not because

1:10:36.720 --> 1:10:41.920
<v Speaker 3>she's necessarily like inherently evil, she just does she And

1:10:41.960 --> 1:10:44.200
<v Speaker 3>then we get the backstory that kind of informs a

1:10:44.200 --> 1:10:47.639
<v Speaker 3>lot of this, where Macy had Noni when she was

1:10:47.800 --> 1:10:51.160
<v Speaker 3>a teenager and she had no support system when she

1:10:51.200 --> 1:10:52.240
<v Speaker 3>was trying to raise her.

1:10:52.560 --> 1:10:55.160
<v Speaker 2>Did y'all have I don't know. I guess again, I

1:10:56.320 --> 1:11:00.920
<v Speaker 2>was as we were, is that scene was really interesting

1:11:01.320 --> 1:11:03.960
<v Speaker 2>to me because it's the first scene that we don't

1:11:03.960 --> 1:11:09.200
<v Speaker 2>see Macie being outwardly abusive. She is being emotionally manipulative, right, Yeah,

1:11:09.240 --> 1:11:11.760
<v Speaker 2>but not in the aggressive way that we've kind of

1:11:11.800 --> 1:11:14.560
<v Speaker 2>gotten used to seeing her. I do kind of and

1:11:14.960 --> 1:11:16.760
<v Speaker 2>I know that that sets up kind of the bait

1:11:16.760 --> 1:11:20.439
<v Speaker 2>and switch of Noni. I don't blame Noni for going

1:11:20.479 --> 1:11:23.360
<v Speaker 2>back with her mom, because it feels very clear that

1:11:23.439 --> 1:11:26.360
<v Speaker 2>like she wants to believe the best in her mom

1:11:26.439 --> 1:11:29.680
<v Speaker 2>in a way that seems really painful. I guess. I

1:11:29.840 --> 1:11:32.720
<v Speaker 2>just like I was trying to like get I was like,

1:11:32.760 --> 1:11:35.360
<v Speaker 2>what is the utility of holding that story back from

1:11:35.439 --> 1:11:38.080
<v Speaker 2>us for so long? Like, I don't know, I wonder

1:11:38.120 --> 1:11:41.960
<v Speaker 2>if you view like how it affects the movie if

1:11:41.960 --> 1:11:44.439
<v Speaker 2>that scene comes earlier. I didn't. I guess it felt

1:11:44.439 --> 1:11:47.800
<v Speaker 2>like a twisted like it was presented like a not

1:11:47.840 --> 1:11:49.479
<v Speaker 2>like a twist, But I just was I don't know,

1:11:49.520 --> 1:11:51.280
<v Speaker 2>I don't feel one particular way about it. But I

1:11:51.320 --> 1:11:53.599
<v Speaker 2>was like, it's interesting that that comes up so late

1:11:53.640 --> 1:11:55.240
<v Speaker 2>in the movie, because it's like, part of what I'm

1:11:55.240 --> 1:11:58.800
<v Speaker 2>missing with Nonie's character is like an understanding of her

1:11:58.920 --> 1:12:03.160
<v Speaker 2>outside of that first scene, Yeah, which is clear what

1:12:03.200 --> 1:12:05.639
<v Speaker 2>the dynamic is, but it would have just been nice

1:12:05.720 --> 1:12:08.200
<v Speaker 2>to know because it just helps you understand her better.

1:12:08.240 --> 1:12:08.640
<v Speaker 2>I don't know.

1:12:09.280 --> 1:12:12.240
<v Speaker 4>I have so much to say about Macy, please okay,

1:12:12.360 --> 1:12:15.960
<v Speaker 4>because what I appreciate about the hair scene in the beginning,

1:12:16.120 --> 1:12:19.479
<v Speaker 4>she doesn't say do my daughter's hair. She says show me.

1:12:20.120 --> 1:12:22.559
<v Speaker 4>She says, show me how to do my daughter's hair.

1:12:23.160 --> 1:12:26.599
<v Speaker 4>And Gina Prince Mirkwood talks about like being adopted by

1:12:26.640 --> 1:12:29.959
<v Speaker 4>white parents and her white parents sacretary to the hairdresser,

1:12:30.040 --> 1:12:33.400
<v Speaker 4>going like help, please help, And again I'm not I'm

1:12:33.439 --> 1:12:35.840
<v Speaker 4>not saying this to excuse any of her behavior in

1:12:35.880 --> 1:12:41.320
<v Speaker 4>the movie, but like witnessing her her black child, the

1:12:41.360 --> 1:12:45.120
<v Speaker 4>only black child amongst an array of white girls and

1:12:45.280 --> 1:12:49.080
<v Speaker 4>very shiny outfits who are dancing or hula hooping the

1:12:49.080 --> 1:12:52.880
<v Speaker 4>majority of the time, and that being prioritized over her

1:12:53.080 --> 1:12:55.840
<v Speaker 4>over her daughter, like that having like a sense, like

1:12:55.880 --> 1:12:59.040
<v Speaker 4>a sense of valid like I said that anger is

1:12:59.240 --> 1:13:02.879
<v Speaker 4>as valid where where she's like that hula hooping that's bullshit.

1:13:02.960 --> 1:13:06.000
<v Speaker 4>I actually like appreciated like she's yelling about that instead

1:13:06.000 --> 1:13:08.599
<v Speaker 4>of yelling directly at her daughter, but then she does

1:13:08.680 --> 1:13:11.120
<v Speaker 4>yell directly. I had at her daughter going like chuck

1:13:11.200 --> 1:13:14.840
<v Speaker 4>it with the trophy and that's very sad, and I'm like.

1:13:15.040 --> 1:13:19.519
<v Speaker 2>Sang it like oh it's I like that she's written

1:13:19.560 --> 1:13:23.200
<v Speaker 2>to be so frustrating though, like sorry continue and yeah.

1:13:23.240 --> 1:13:26.040
<v Speaker 4>So then you see her black daughter with like with

1:13:26.120 --> 1:13:29.160
<v Speaker 4>like a weave that's straight hair, and like for the

1:13:29.160 --> 1:13:32.400
<v Speaker 4>scene in the kitchen, Nondy mentions a nose job, not

1:13:32.600 --> 1:13:34.880
<v Speaker 4>just the weave. So so it's like, oh, like, so

1:13:35.000 --> 1:13:37.920
<v Speaker 4>your white mom is continuing to tell you over the years,

1:13:37.960 --> 1:13:41.240
<v Speaker 4>like here's how you make yourself more European for this

1:13:41.600 --> 1:13:45.000
<v Speaker 4>music industry and like, and I think that's where like

1:13:45.120 --> 1:13:47.519
<v Speaker 4>kid culprit comes in too, because like Big Sean was

1:13:47.600 --> 1:13:49.840
<v Speaker 4>up for the part, but he didn't get it and

1:13:49.920 --> 1:13:52.560
<v Speaker 4>he ended up like just having that short scene with

1:13:52.640 --> 1:13:55.400
<v Speaker 4>Nony going like hey you good. And I have mixed

1:13:55.400 --> 1:13:58.000
<v Speaker 4>feelings about it because because on one end, it's it's like

1:13:58.520 --> 1:14:01.840
<v Speaker 4>I would have appreciated one with more talent in the role,

1:14:02.439 --> 1:14:05.759
<v Speaker 4>but at the same time, like casting casting a white

1:14:05.920 --> 1:14:09.040
<v Speaker 4>rapper and a white mom choosing the white rapper for

1:14:09.120 --> 1:14:13.519
<v Speaker 4>her biracial daughter sort of makes sense, especially like when

1:14:13.520 --> 1:14:15.600
<v Speaker 4>it comes to this white rapper garnering a lot of

1:14:15.640 --> 1:14:18.560
<v Speaker 4>success and it's like he is your key to success,

1:14:19.360 --> 1:14:21.679
<v Speaker 4>and again not saying this at all to like excuse

1:14:21.720 --> 1:14:25.320
<v Speaker 4>any of that behavior, and yet no falling in love

1:14:25.360 --> 1:14:29.000
<v Speaker 4>with a with a black man, and then Macy going like,

1:14:30.120 --> 1:14:31.200
<v Speaker 4>I don't trust.

1:14:31.000 --> 1:14:33.800
<v Speaker 3>You, Frank, I trust the white guy. I want my

1:14:33.920 --> 1:14:35.320
<v Speaker 3>daughter to pay with the white guy.

1:14:36.000 --> 1:14:38.719
<v Speaker 2>And again, you can't hit that point home more clearly

1:14:38.800 --> 1:14:42.000
<v Speaker 2>than choosing machine Gun Kelly to be the white guy

1:14:42.040 --> 1:14:46.120
<v Speaker 2>that you put your trust in. Yeah, that scene I

1:14:46.120 --> 1:14:49.080
<v Speaker 2>thought was I was glad that we got a scene

1:14:49.320 --> 1:14:54.760
<v Speaker 2>between Officer Kazam and Macy. I Again, it's like I

1:14:54.800 --> 1:14:58.160
<v Speaker 2>wish that it wasn't more clear cut that it's like

1:14:58.320 --> 1:15:01.639
<v Speaker 2>he is the right choice and she's the wrong choice,

1:15:01.680 --> 1:15:03.840
<v Speaker 2>because it's I think there's an argument that they're may

1:15:03.880 --> 1:15:08.040
<v Speaker 2>be both the wrong choice and exactly NONI needs to

1:15:08.080 --> 1:15:12.479
<v Speaker 2>spend some time with herself and not in someone else's

1:15:12.560 --> 1:15:18.599
<v Speaker 2>quote unquote clutches or whatever. But I yeah, I love

1:15:19.280 --> 1:15:21.680
<v Speaker 2>that sort of analysis of the character where it's like

1:15:21.760 --> 1:15:26.680
<v Speaker 2>she's she's really challenging, and I just don't think I've

1:15:26.680 --> 1:15:30.320
<v Speaker 2>seen a lot of characters like her in movies before,

1:15:30.360 --> 1:15:33.320
<v Speaker 2>and because and she's also objectively they're not shying away

1:15:33.320 --> 1:15:35.760
<v Speaker 2>from the fact that she's an abusive parent, Like she's

1:15:35.800 --> 1:15:41.400
<v Speaker 2>an abusive stage parent who fundamentally is willing to glaze

1:15:41.479 --> 1:15:45.400
<v Speaker 2>over what is good for her daughter by and justifying

1:15:45.479 --> 1:15:48.360
<v Speaker 2>it with like a survival thing when they're clearly past

1:15:48.400 --> 1:15:51.320
<v Speaker 2>the point of needing to be survival in mind, You're

1:15:51.520 --> 1:15:55.599
<v Speaker 2>doing well, And I love, I really liked what Noni

1:15:55.680 --> 1:16:00.000
<v Speaker 2>says when she confronts her, Like makes the argument that is,

1:16:00.040 --> 1:16:03.120
<v Speaker 2>it's like, so much of this is for you. It's

1:16:03.160 --> 1:16:05.479
<v Speaker 2>not all for me in the way that you're presenting

1:16:05.560 --> 1:16:07.080
<v Speaker 2>and in the way that I think we hear about

1:16:07.080 --> 1:16:09.920
<v Speaker 2>a lot of stage parent stories of like I did

1:16:09.920 --> 1:16:12.599
<v Speaker 2>this for you, I did this to protect you. And

1:16:12.640 --> 1:16:15.800
<v Speaker 2>it's like she and NONI was like, I was telling

1:16:15.800 --> 1:16:18.479
<v Speaker 2>you what I that this wasn't working. I forget the wording,

1:16:18.520 --> 1:16:20.680
<v Speaker 2>but like I was telling you something was wrong when

1:16:20.680 --> 1:16:23.200
<v Speaker 2>I was standing on that balcony and you yes. And

1:16:23.920 --> 1:16:26.639
<v Speaker 2>Macy pressures her to say that nothing's wrong, because Macy

1:16:26.760 --> 1:16:29.639
<v Speaker 2>cannot deal with the world in which something is wrong.

1:16:30.360 --> 1:16:36.360
<v Speaker 2>And I can also see how a parent deludes themselves

1:16:36.360 --> 1:16:40.200
<v Speaker 2>into needing to believe that to the detriment of their kid.

1:16:40.240 --> 1:16:42.080
<v Speaker 2>I mean it's just I don't know. I still feel

1:16:42.080 --> 1:16:44.240
<v Speaker 2>like Macy got off a little easy, but it's also

1:16:44.400 --> 1:16:48.280
<v Speaker 2>like a dynamic that I haven't seen portrayed in movies,

1:16:48.360 --> 1:16:51.599
<v Speaker 2>especially because we just so rarely get mother daughter dynamics

1:16:51.600 --> 1:16:55.120
<v Speaker 2>in movies at all, and to see it and not

1:16:55.240 --> 1:16:58.519
<v Speaker 2>have it be like a clean ending of like my

1:16:58.680 --> 1:17:00.760
<v Speaker 2>mama is my life, which I feel like when we

1:17:00.800 --> 1:17:03.439
<v Speaker 2>do get mothers and daughters, it often goes that way.

1:17:03.640 --> 1:17:06.760
<v Speaker 2>It's like not allowed to be messy or complicated, And

1:17:07.160 --> 1:17:09.200
<v Speaker 2>I really like, I think Gina Prince Bidwood does this

1:17:09.400 --> 1:17:12.440
<v Speaker 2>across her work, is like not afraid to get into

1:17:12.960 --> 1:17:19.000
<v Speaker 2>a messy mother daughter scenario. I really appreciate that about her.

1:17:21.000 --> 1:17:25.280
<v Speaker 3>Does anyone have anything else they'd like to discuss?

1:17:25.840 --> 1:17:32.120
<v Speaker 4>Gonna check my notes, make sure got everything. At one point,

1:17:32.320 --> 1:17:36.759
<v Speaker 4>Kaz says to Nony when Nony chose the songwriting notes,

1:17:37.120 --> 1:17:41.639
<v Speaker 4>he says, I've interacted with sea word able to seaword people,

1:17:42.600 --> 1:17:45.840
<v Speaker 4>and I can tell your your sea word and like

1:17:45.880 --> 1:17:48.439
<v Speaker 4>she laughs it off, and I'm like, we're supposed to

1:17:48.479 --> 1:17:50.000
<v Speaker 4>be rooting for this guy.

1:17:50.640 --> 1:17:51.519
<v Speaker 1>What then?

1:17:51.560 --> 1:17:55.040
<v Speaker 4>And then later when his dad says that sea word

1:17:55.160 --> 1:17:57.760
<v Speaker 4>broad and he's like, don't talk about her like that.

1:17:57.880 --> 1:18:00.200
<v Speaker 4>It's like, you talked about her like that, What are

1:18:00.240 --> 1:18:02.320
<v Speaker 4>you talking about to her face?

1:18:02.720 --> 1:18:08.280
<v Speaker 3>Yeah? Imagine like showing the most vulnerable thing you've ever

1:18:08.280 --> 1:18:11.120
<v Speaker 3>put to paper, and like, you know, just like things

1:18:11.160 --> 1:18:15.599
<v Speaker 3>about your feelings and even just showing anything you've written

1:18:15.760 --> 1:18:19.439
<v Speaker 3>to someone if you're a writer is scary. And then

1:18:19.680 --> 1:18:26.679
<v Speaker 3>he is like, wow, you seem yeah, ablest word and

1:18:27.360 --> 1:18:30.240
<v Speaker 3>she's like ha ha ha, and it's like, sir, just

1:18:30.439 --> 1:18:33.679
<v Speaker 3>all the men in her life were horrible because again

1:18:34.479 --> 1:18:36.080
<v Speaker 3>kid Culprit like.

1:18:36.400 --> 1:18:38.680
<v Speaker 2>Yeah, I mean the thing that grows me out the

1:18:38.680 --> 1:18:41.400
<v Speaker 2>most about him outside of obviously the scene where he

1:18:41.640 --> 1:18:45.840
<v Speaker 2>assaults her on national television, which again no ne needs

1:18:45.840 --> 1:18:50.280
<v Speaker 2>to be rescued from anyways. This it's like the first

1:18:50.320 --> 1:18:52.599
<v Speaker 2>scene that he's in and he tells her to keep

1:18:52.600 --> 1:18:55.920
<v Speaker 2>it tight and her mom does not flinch. She's like, yep,

1:18:56.000 --> 1:18:58.960
<v Speaker 2>no issue with this because her mom's also constantly policing

1:18:58.960 --> 1:19:02.120
<v Speaker 2>her body and you're just like, yeah, nasty.

1:19:02.439 --> 1:19:07.160
<v Speaker 3>So the scene where Nony breaks up with kid Culprit,

1:19:07.640 --> 1:19:10.640
<v Speaker 3>he's he seems like he handles it okay. He's like,

1:19:11.479 --> 1:19:13.679
<v Speaker 3>I won't shed a tear about it, but I thought

1:19:13.680 --> 1:19:16.600
<v Speaker 3>we had something good and she's like, we were just

1:19:16.720 --> 1:19:19.639
<v Speaker 3>kind of hooking up, like nothing deeper was happening.

1:19:19.680 --> 1:19:23.960
<v Speaker 2>But she's like, Mary, I loved I loved leave. Hearing

1:19:24.000 --> 1:19:26.120
<v Speaker 2>it in the in a British accent too, like we

1:19:26.160 --> 1:19:28.600
<v Speaker 2>would text in and then we were hitting it, and

1:19:28.600 --> 1:19:32.360
<v Speaker 2>then we would text it about hitting it. I was like, wow, Wow,

1:19:32.520 --> 1:19:34.760
<v Speaker 2>it sounds so fancy when you say it like that.

1:19:35.479 --> 1:19:38.040
<v Speaker 3>But then when we see kid Culprit again, you learn

1:19:38.120 --> 1:19:40.800
<v Speaker 3>that he did not handle that rejection well at all.

1:19:41.200 --> 1:19:46.760
<v Speaker 3>His male ego is particularly fragile, and it was very shattered,

1:19:46.920 --> 1:19:51.800
<v Speaker 3>to the point where he lashes out aggressively and violently

1:19:51.880 --> 1:19:54.200
<v Speaker 3>and he sexual assaults her on stage in front of

1:19:54.280 --> 1:19:59.439
<v Speaker 3>thousands of people, which her mother says nothing about as

1:19:59.479 --> 1:19:59.920
<v Speaker 3>it's happened.

1:20:00.040 --> 1:20:03.519
<v Speaker 2>My mother shames her afterwards and is like, well look

1:20:03.560 --> 1:20:05.679
<v Speaker 2>what happened, as if. And I think that what she's

1:20:05.680 --> 1:20:09.000
<v Speaker 2>implying there is like, because you broke up with him,

1:20:09.240 --> 1:20:12.360
<v Speaker 2>this is the consequence, and you're just like fuck.

1:20:12.200 --> 1:20:15.920
<v Speaker 3>You, yeah, anything else.

1:20:16.680 --> 1:20:20.720
<v Speaker 4>I wish there was more focus on, like how sexism

1:20:20.800 --> 1:20:25.320
<v Speaker 4>clearly affects Nony more than Kaz because like he like

1:20:25.400 --> 1:20:28.920
<v Speaker 4>in his politician world, like he's fine because like you

1:20:29.040 --> 1:20:32.080
<v Speaker 4>lose the pastors, but he gets the youth vote and

1:20:32.200 --> 1:20:36.120
<v Speaker 4>like not even putting into consideration how like Nony basically

1:20:36.439 --> 1:20:40.400
<v Speaker 4>lost her job, like was dropped from the label, just

1:20:40.439 --> 1:20:41.679
<v Speaker 4>to like get back on the label.

1:20:41.720 --> 1:20:46.360
<v Speaker 2>But still like yeah, he's just on like an extended vacation.

1:20:47.000 --> 1:20:49.400
<v Speaker 2>Like he's just like because he calls, He's like, hey,

1:20:49.960 --> 1:20:53.000
<v Speaker 2>I'll be back soon, and you're like, his job is, yeah,

1:20:53.040 --> 1:20:56.120
<v Speaker 2>his job is at no point is that risk? Really,

1:20:56.280 --> 1:21:01.200
<v Speaker 2>he's just more no Danny Glover, Dad, I don't want that.

1:21:01.400 --> 1:21:05.200
<v Speaker 2>And Danny Glover's like, oh, I should be in another

1:21:05.360 --> 1:21:10.040
<v Speaker 2>Saw movie. That's how he reacts to most people in

1:21:10.360 --> 1:21:14.120
<v Speaker 2>every movie said Saw. Yeah, He's like, you know, now

1:21:14.160 --> 1:21:16.720
<v Speaker 2>that you say that, I really it's high time I'm

1:21:16.720 --> 1:21:19.720
<v Speaker 2>in Saw eleven. Oh.

1:21:20.560 --> 1:21:25.440
<v Speaker 4>Only there's apparently like some deleted like set a dialogue

1:21:25.479 --> 1:21:30.040
<v Speaker 4>where like Kaz tells nobody about the death of his mom,

1:21:30.400 --> 1:21:33.200
<v Speaker 4>like where the director says that in an interview and

1:21:33.240 --> 1:21:36.440
<v Speaker 4>I'm like, what.

1:21:36.439 --> 1:21:38.960
<v Speaker 2>Well, they do like reference that in one Danny Glover

1:21:38.960 --> 1:21:40.280
<v Speaker 2>scene where he's like, I don't want to be a

1:21:40.320 --> 1:21:44.280
<v Speaker 2>heartbroken old man, and you're like, first time I'm hearing

1:21:44.840 --> 1:21:47.160
<v Speaker 2>the mom is dead, So that makes sense. That that

1:21:47.240 --> 1:21:53.599
<v Speaker 2>was reference at some other point this movie what.

1:21:55.439 --> 1:21:58.639
<v Speaker 4>It's interesting, and she talks about how like it got

1:21:58.720 --> 1:22:02.280
<v Speaker 4>scrapped because like working with her husband helps her. She

1:22:02.320 --> 1:22:04.080
<v Speaker 4>says something along the lines of like, oh, working with

1:22:04.120 --> 1:22:06.679
<v Speaker 4>my husband helps me like get rid of certain drafts

1:22:06.720 --> 1:22:09.760
<v Speaker 4>that I don't need, as well as like highlighting what

1:22:09.840 --> 1:22:12.960
<v Speaker 4>love and respect could look like. And I don't want

1:22:12.960 --> 1:22:16.720
<v Speaker 4>to dig so much at Judah Prinsbythe's personal life. But

1:22:16.760 --> 1:22:20.240
<v Speaker 4>at the same time, it's like, so I have questions

1:22:20.320 --> 1:22:24.280
<v Speaker 4>because we have this black love story that is not good,

1:22:24.560 --> 1:22:26.519
<v Speaker 4>and the black love story and love and basketball was

1:22:26.520 --> 1:22:29.280
<v Speaker 4>also not good. And you've mentioned like your husband has

1:22:29.280 --> 1:22:31.519
<v Speaker 4>helped you with that, Like I just have so many

1:22:31.600 --> 1:22:37.240
<v Speaker 4>follow up questions about like what what your ideal romance is.

1:22:37.280 --> 1:22:39.960
<v Speaker 4>And I know that there was like conversations earlier about

1:22:40.000 --> 1:22:43.360
<v Speaker 4>like tropes come from like other points of media and

1:22:43.400 --> 1:22:45.639
<v Speaker 4>so on and so forth. At and at the same time,

1:22:45.720 --> 1:22:49.600
<v Speaker 4>it's like one of the trophy things in your romantic

1:22:49.760 --> 1:22:53.120
<v Speaker 4>relationship that you were reflecting in your film.

1:22:52.880 --> 1:22:57.520
<v Speaker 2>Right, makes you wonder it sure does.

1:22:59.680 --> 1:23:03.960
<v Speaker 3>Well well. This movie does pass the Bechdel test a lot,

1:23:04.600 --> 1:23:10.360
<v Speaker 3>a lot. Many of the conversations are between a woman

1:23:10.680 --> 1:23:12.120
<v Speaker 3>and her abusive mother.

1:23:13.240 --> 1:23:18.840
<v Speaker 2>Yep, but it does pass.

1:23:20.120 --> 1:23:24.880
<v Speaker 3>Are there any other passes between or besides those two characters.

1:23:24.840 --> 1:23:28.600
<v Speaker 2>No, which I feel like is a sign that it

1:23:28.640 --> 1:23:32.520
<v Speaker 2>would be I understand that it is in keeping with

1:23:31.920 --> 1:23:34.839
<v Speaker 2>the music industry that there are a lot of men

1:23:35.400 --> 1:23:37.639
<v Speaker 2>at the top. That's part of why these issues are

1:23:37.680 --> 1:23:41.040
<v Speaker 2>so perpetuated and unchallenged in a long term. It would

1:23:41.080 --> 1:23:43.800
<v Speaker 2>have been nice to give her a woman within the

1:23:43.880 --> 1:23:45.760
<v Speaker 2>music industry to talk to. I think it would have

1:23:45.800 --> 1:23:48.080
<v Speaker 2>like more strongly enforced a lot of the themes that

1:23:48.120 --> 1:23:51.839
<v Speaker 2>the movie's handling well and getting, like the romantic interest

1:23:51.880 --> 1:23:54.880
<v Speaker 2>cops take on the music industry. I guess I just

1:23:55.000 --> 1:23:57.320
<v Speaker 2>wasn't very interested in his takes.

1:23:57.720 --> 1:24:01.599
<v Speaker 3>Right, there are two friends of it seems that get

1:24:01.720 --> 1:24:04.920
<v Speaker 3>introduced but then quickly disappear from the story. It's the

1:24:04.960 --> 1:24:07.880
<v Speaker 3>people who are like following her to the hotel room

1:24:08.040 --> 1:24:08.719
<v Speaker 3>early on.

1:24:09.240 --> 1:24:12.400
<v Speaker 2>Right right, and they're like, aha, she's drunk, which is

1:24:12.479 --> 1:24:15.599
<v Speaker 2>also weird because it's like said by Macie later, maybe

1:24:15.600 --> 1:24:18.840
<v Speaker 2>it's just that like Nony does drink and her mom

1:24:18.880 --> 1:24:20.800
<v Speaker 2>doesn't know about it, but her friends are like, hah,

1:24:20.960 --> 1:24:23.080
<v Speaker 2>she's drunk. But then we're later told you don't drink

1:24:23.280 --> 1:24:23.760
<v Speaker 2>because in.

1:24:23.720 --> 1:24:27.040
<v Speaker 4>The beginning, one of the friends tells Noni when she

1:24:27.120 --> 1:24:29.160
<v Speaker 4>after she was a Billboard Awards, she's in the car.

1:24:29.320 --> 1:24:31.760
<v Speaker 4>I didn't notice this until the second time I watched this,

1:24:32.320 --> 1:24:34.639
<v Speaker 4>but like one of the friends go, whoa, our girl

1:24:34.720 --> 1:24:36.840
<v Speaker 4>is in bibing So.

1:24:37.320 --> 1:24:38.439
<v Speaker 2>Not that line.

1:24:38.640 --> 1:24:42.160
<v Speaker 3>Wow, So that does imply that she doesn't normally drink.

1:24:42.479 --> 1:24:46.800
<v Speaker 6>So okay, okay, I missed that line. I mean, either

1:24:46.880 --> 1:24:50.880
<v Speaker 6>God bless that line. Either way, she does have a

1:24:50.880 --> 1:24:53.920
<v Speaker 6>female friend. The other guy or the other person seems

1:24:53.920 --> 1:24:55.840
<v Speaker 6>to be a man. I think he's a gay man

1:24:55.880 --> 1:24:58.439
<v Speaker 6>because he's talking about a man he's attracted or he's

1:24:58.439 --> 1:25:00.880
<v Speaker 6>you know, he's queer. And it's like, where are those friends.

1:25:01.080 --> 1:25:05.080
<v Speaker 6>Why aren't they helping in some way? Where's their support

1:25:05.120 --> 1:25:08.120
<v Speaker 6>that they could be giving. What's going on there? The

1:25:08.160 --> 1:25:11.840
<v Speaker 6>movie doesn't seem to care very much anyway. We've got

1:25:12.120 --> 1:25:15.360
<v Speaker 6>a nipple scale to rate the movie on. Yeah, our

1:25:15.400 --> 1:25:19.200
<v Speaker 6>scale of zero to five nipples based on examining the

1:25:19.200 --> 1:25:25.080
<v Speaker 6>movie through an intersectional feminist lens. For me, oh, I

1:25:25.520 --> 1:25:29.960
<v Speaker 6>wish I could give this more because I do like

1:25:30.280 --> 1:25:36.040
<v Speaker 6>Gina Prince Bethwood's work generally, and I appreciate that she's

1:25:36.120 --> 1:25:39.400
<v Speaker 6>one of the few directors who is a black woman

1:25:39.520 --> 1:25:44.439
<v Speaker 6>who's getting mainstream movies out there.

1:25:44.720 --> 1:25:47.200
<v Speaker 2>And even so, like it's still I mean, as we

1:25:47.320 --> 1:25:50.360
<v Speaker 2>talked about on our episode on The Women King last year,

1:25:50.520 --> 1:25:54.519
<v Speaker 2>is still not getting the amount of institutional respect that

1:25:54.520 --> 1:25:57.559
<v Speaker 2>she deserves from award bodies and for sure, Yeah, check

1:25:57.560 --> 1:25:59.799
<v Speaker 2>out our episode on The Women King for more discussion

1:25:59.840 --> 1:26:00.200
<v Speaker 2>on that.

1:26:02.000 --> 1:26:07.320
<v Speaker 3>So I wish she had made a movie that there

1:26:07.360 --> 1:26:10.160
<v Speaker 3>wasn't so much to criticize a belt, but it's so

1:26:10.479 --> 1:26:14.559
<v Speaker 3>And I'm surprised that this movie is so uncritical of

1:26:15.040 --> 1:26:18.800
<v Speaker 3>police based on who the director, the writer, director is,

1:26:19.520 --> 1:26:24.599
<v Speaker 3>the romance, and the movie in the implications of it,

1:26:24.760 --> 1:26:28.080
<v Speaker 3>not enough development of the Nony character, all these things,

1:26:28.880 --> 1:26:32.400
<v Speaker 3>you know, not great. I do appreciate what the movie

1:26:32.600 --> 1:26:40.160
<v Speaker 3>has to say about the commodification of women, but it

1:26:40.280 --> 1:26:43.400
<v Speaker 3>just doesn't quite tip the scales enough. So I think

1:26:43.760 --> 1:26:46.720
<v Speaker 3>I'll just say two point five nipples. I'll give one

1:26:46.760 --> 1:26:55.240
<v Speaker 3>to Google Batha Raw, I'll give one to Minie Driver.

1:26:55.880 --> 1:26:57.880
<v Speaker 3>I like her as far as I know. I hope

1:26:57.880 --> 1:27:00.640
<v Speaker 3>she's not done or said anything problematic.

1:27:00.680 --> 1:27:01.240
<v Speaker 2>You never know.

1:27:01.840 --> 1:27:04.040
<v Speaker 3>It's so hard to keep track of everybody.

1:27:03.720 --> 1:27:06.360
<v Speaker 2>As far as I know, she's still with us.

1:27:06.720 --> 1:27:10.080
<v Speaker 3>Yeah, and of course I'll give my half nipple to

1:27:10.479 --> 1:27:12.479
<v Speaker 3>Danny Glover of Saw one fame.

1:27:12.920 --> 1:27:16.719
<v Speaker 2>I'm also gonna give this two and a half. Yeah.

1:27:16.760 --> 1:27:19.679
<v Speaker 2>I mean, I am a Gina Prince by Food fan.

1:27:20.160 --> 1:27:22.240
<v Speaker 2>This is just like not my favorite from her, and

1:27:22.320 --> 1:27:26.400
<v Speaker 2>it hasn't aged well in many regards, some of which

1:27:26.439 --> 1:27:29.040
<v Speaker 2>were within her control, some of which weren't. I feel

1:27:29.040 --> 1:27:30.920
<v Speaker 2>like I've come down hard on this. I don't know.

1:27:31.000 --> 1:27:35.240
<v Speaker 2>I like twenty fourteen still feels too late for such

1:27:35.240 --> 1:27:39.400
<v Speaker 2>an aggressive lapd cop hero love story. I know that,

1:27:39.600 --> 1:27:42.280
<v Speaker 2>like obviously, if this movie was made today, there would

1:27:42.280 --> 1:27:45.400
<v Speaker 2>be a number of things that would not be the

1:27:45.439 --> 1:27:49.000
<v Speaker 2>way that they are, Nate Parker's casting to begin with, right,

1:27:49.520 --> 1:27:52.000
<v Speaker 2>and that the world has changed a lot since this

1:27:52.040 --> 1:27:53.639
<v Speaker 2>movie came out. So I hope it didn't come down

1:27:53.640 --> 1:27:55.360
<v Speaker 2>too hard on it. I really am a big fan

1:27:55.400 --> 1:27:57.960
<v Speaker 2>of this writer director. I just did not really I

1:27:58.000 --> 1:27:59.840
<v Speaker 2>don't know where I think this movie does work is

1:27:59.880 --> 1:28:03.800
<v Speaker 2>a commentary on Like we've talked about the commodification of

1:28:03.880 --> 1:28:07.200
<v Speaker 2>women and fem's bodies in entertainment and the sort of

1:28:07.760 --> 1:28:10.920
<v Speaker 2>zero sum game for someone who wants to make art

1:28:10.960 --> 1:28:14.559
<v Speaker 2>on their own terms and be successful. Those parts worked.

1:28:15.080 --> 1:28:18.760
<v Speaker 2>The romance didn't really hit for me. I'm pro like

1:28:19.200 --> 1:28:23.120
<v Speaker 2>learning yourself better through a romantic relationship, but we just

1:28:23.160 --> 1:28:27.960
<v Speaker 2>didn't really see anything outside of that. It just which

1:28:28.120 --> 1:28:30.680
<v Speaker 2>just leads the viewer to believe that it was the

1:28:30.800 --> 1:28:34.920
<v Speaker 2>romantic relationship that caused all of these things, which doesn't

1:28:34.960 --> 1:28:39.000
<v Speaker 2>feel fair to Nonie's character. Let's see, Okay, see, I'm

1:28:39.000 --> 1:28:41.880
<v Speaker 2>going to go two point five. I'm going to give

1:28:41.880 --> 1:28:44.000
<v Speaker 2>one to Google, I'm going to give one to Mini,

1:28:44.040 --> 1:28:47.080
<v Speaker 2>and I'm going to give my half to Jigsaw.

1:28:47.479 --> 1:28:52.440
<v Speaker 3>Wow yes, Wow, yes, Maya, how about you, I'm gonna.

1:28:52.160 --> 1:28:54.840
<v Speaker 4>Give it three. I'm going to give it three because,

1:28:54.840 --> 1:28:58.000
<v Speaker 4>like it's it's very much not perfect as far as

1:28:58.360 --> 1:29:01.840
<v Speaker 4>like this in the entire Roman's angle and the copy

1:29:01.960 --> 1:29:04.880
<v Speaker 4>Gana and like so many other things that we've talked about.

1:29:05.200 --> 1:29:08.200
<v Speaker 4>But I just really appreciate the amount of black women

1:29:08.280 --> 1:29:11.640
<v Speaker 4>involved in the making of the movie, and like it

1:29:11.880 --> 1:29:16.839
<v Speaker 4>took so long to get made because Judah Prince Bythewood

1:29:16.920 --> 1:29:19.640
<v Speaker 4>was advocating for Google to be in the role, like

1:29:19.720 --> 1:29:22.280
<v Speaker 4>even though like a bunch of singers and songwriters had

1:29:22.280 --> 1:29:24.559
<v Speaker 4>auditioned for the role, she wanted Google Mabuthro in it,

1:29:24.600 --> 1:29:27.040
<v Speaker 4>even though she had a musical theater background, and this

1:29:27.080 --> 1:29:28.880
<v Speaker 4>was before she got cast it in Bell and before

1:29:28.920 --> 1:29:33.120
<v Speaker 4>her like career skyrocketed between twenty and fourteen and twenty sixteen,

1:29:33.479 --> 1:29:35.400
<v Speaker 4>and it was a black woman who was like, Yeah,

1:29:35.439 --> 1:29:37.519
<v Speaker 4>I see the promise in this film and like in

1:29:37.640 --> 1:29:41.080
<v Speaker 4>like BT films got to like showcase it. So I

1:29:41.120 --> 1:29:44.000
<v Speaker 4>really appreciate the amount of fighting for this film that happened,

1:29:44.280 --> 1:29:46.200
<v Speaker 4>even though it does make me sad that like Guda

1:29:46.280 --> 1:29:48.800
<v Speaker 4>Prince Bythewood like fought so much more for like Gugu

1:29:48.880 --> 1:29:52.960
<v Speaker 4>Mabuthra than what she did for Sinai Lathan for love

1:29:52.960 --> 1:29:55.439
<v Speaker 4>in basketball. Who does make a please cameo in this

1:29:55.600 --> 1:29:58.439
<v Speaker 4>in this movie? So I assume these are fine, but

1:29:58.640 --> 1:30:02.280
<v Speaker 4>like when they've worked together again like after that, so yeah,

1:30:02.320 --> 1:30:05.280
<v Speaker 4>again I assume things are fine. But still it's like.

1:30:05.800 --> 1:30:08.240
<v Speaker 2>Wow, where's her cameo?

1:30:08.600 --> 1:30:09.799
<v Speaker 3>I missed it at.

1:30:09.680 --> 1:30:14.479
<v Speaker 4>The BET Awards right before they right before they perform

1:30:14.560 --> 1:30:17.879
<v Speaker 4>on stage, like where they're walking the red carpet and stuff. Yeah,

1:30:17.880 --> 1:30:20.280
<v Speaker 4>like we see her for like two seconds like posing,

1:30:20.520 --> 1:30:25.160
<v Speaker 4>so she doesn't have a speaking role and yeah, just

1:30:25.400 --> 1:30:28.559
<v Speaker 4>loving how Mini Driver took on their role, even though

1:30:28.560 --> 1:30:30.040
<v Speaker 4>a lot of actresses were like, I don't want to

1:30:30.080 --> 1:30:33.760
<v Speaker 4>take on this role. She's evil and minie drivers like,

1:30:33.760 --> 1:30:36.080
<v Speaker 4>I don't give a fuck about your perception of me.

1:30:36.160 --> 1:30:37.960
<v Speaker 4>I'm gonna be of service to this movie.

1:30:38.600 --> 1:30:40.920
<v Speaker 2>Yeah, she's like a mini fucking drive.

1:30:41.160 --> 1:30:45.040
<v Speaker 3>Like Yeah, I was in the phantomm of the two

1:30:45.080 --> 1:30:45.920
<v Speaker 3>thousand and four.

1:30:47.400 --> 1:30:49.840
<v Speaker 4>She has a sticky background too, which I didn't know

1:30:49.880 --> 1:30:52.639
<v Speaker 4>for like the longest time, and would have been interesting

1:30:52.680 --> 1:30:54.839
<v Speaker 4>to see if like that could have been included.

1:30:55.160 --> 1:30:58.200
<v Speaker 2>I don't know she's in. She was in Gross Point

1:30:58.360 --> 1:31:02.960
<v Speaker 2>Playing Yeah Anyway, amongst other hits.

1:31:04.760 --> 1:31:08.960
<v Speaker 4>And there's another interview where the director talks about almost

1:31:09.320 --> 1:31:11.640
<v Speaker 4>losing a loved one to suicide and therefore wanting to

1:31:11.640 --> 1:31:14.320
<v Speaker 4>put that in the in the Stories film and I

1:31:14.439 --> 1:31:16.519
<v Speaker 4>and I in the film Stori excuse me, And I

1:31:16.520 --> 1:31:20.400
<v Speaker 4>can appreciate that, even though it's not perfect and like,

1:31:21.000 --> 1:31:24.800
<v Speaker 4>and she's touched on suicide and a lot of her films,

1:31:24.840 --> 1:31:27.840
<v Speaker 4>like whether she's written them or directed them, And I

1:31:27.880 --> 1:31:31.160
<v Speaker 4>find that an interesting pattern for her and her work,

1:31:31.560 --> 1:31:34.719
<v Speaker 4>Like she she was supposed to be adapting a story

1:31:34.760 --> 1:31:37.559
<v Speaker 4>that was about mental illness, but then it got passed

1:31:37.600 --> 1:31:42.080
<v Speaker 4>to a white dude. I'm upset about that because like

1:31:42.200 --> 1:31:45.200
<v Speaker 4>the novelist or something like wanted to work work with

1:31:45.280 --> 1:31:48.040
<v Speaker 4>him instead, because like Mark Ruffalo had said, like this

1:31:48.080 --> 1:31:53.320
<v Speaker 4>guy's great. A screw that up. So so yeah, I'm

1:31:53.320 --> 1:31:57.679
<v Speaker 4>giving three nipples. I'm gonna give one to I wrote

1:31:57.680 --> 1:32:01.920
<v Speaker 4>this down. I'm gonna give one for Google, Pabetha and

1:32:01.960 --> 1:32:05.000
<v Speaker 4>Minnie Driver to share. I'm gonna give one to the

1:32:05.080 --> 1:32:09.840
<v Speaker 4>choreographer Lauren Gibson and Gina Prince Bythewood to share. And

1:32:09.880 --> 1:32:14.720
<v Speaker 4>I'm gonna give one to Chaka Khan. Yeah, and the

1:32:14.760 --> 1:32:17.800
<v Speaker 4>actor Darryl Stevens who plays the queer black man in

1:32:17.840 --> 1:32:23.000
<v Speaker 4>the beginning we barely hell yeah, And I said, like,

1:32:23.120 --> 1:32:25.360
<v Speaker 4>maybe I would give it three point five if I

1:32:25.400 --> 1:32:29.240
<v Speaker 4>could give likeo point five to Shaka Khan's assistant being

1:32:29.360 --> 1:32:36.840
<v Speaker 4>credited that she never liked two seconds. But yeah, somewhere

1:32:36.840 --> 1:32:39.920
<v Speaker 4>between three three and a half. It is my official answer.

1:32:40.280 --> 1:32:42.320
<v Speaker 4>And Caitlin, you were gonna say something.

1:32:42.600 --> 1:32:45.799
<v Speaker 3>Oh no, I was just gonna thank you for joining

1:32:45.880 --> 1:32:50.800
<v Speaker 3>us on this episode, Thanks for returning, and where can

1:32:50.840 --> 1:32:55.400
<v Speaker 3>people check out your stuff? Plug away?

1:32:55.400 --> 1:32:59.400
<v Speaker 4>Thank you. Folks can follow me at m doub sixteen,

1:33:00.160 --> 1:33:05.160
<v Speaker 4>MDUBB one six on Instagram and Twitter, and I have

1:33:05.160 --> 1:33:09.160
<v Speaker 4>the website Maya williamspoet dot com. I have a second

1:33:09.240 --> 1:33:12.160
<v Speaker 4>book out, which again, thank you again for having me

1:33:12.320 --> 1:33:15.160
<v Speaker 4>again just because like for we did Perks of Being

1:33:15.160 --> 1:33:17.840
<v Speaker 4>a Wallflower. First book came out was Using a Suicide.

1:33:18.320 --> 1:33:20.639
<v Speaker 4>We're doing Beyond the Lights. Second book that came out,

1:33:20.920 --> 1:33:24.200
<v Speaker 4>it's a book poetry collection called Refused a Second Date,

1:33:24.920 --> 1:33:28.599
<v Speaker 4>and it's about racism and dating, mental health and dating

1:33:28.840 --> 1:33:32.320
<v Speaker 4>and like intergenerational and dating patterns between myself and my mom,

1:33:32.680 --> 1:33:35.519
<v Speaker 4>my mom, who's actually on the cover of this collection,

1:33:36.200 --> 1:33:37.880
<v Speaker 4>and I'm still happy that she said yes.

1:33:37.800 --> 1:33:39.559
<v Speaker 2>An incredible picture, Thank you.

1:33:40.280 --> 1:33:45.000
<v Speaker 4>Yeah, and my mom is biracial, which plays a huge

1:33:45.040 --> 1:33:47.519
<v Speaker 4>role into why I identify as black and multi racial.

1:33:47.880 --> 1:33:51.160
<v Speaker 4>And again, like seeing Beyond the Lights and seeing multiracial

1:33:51.400 --> 1:33:54.400
<v Speaker 4>representation like when we were getting like a spike of

1:33:54.439 --> 1:33:57.840
<v Speaker 4>it between twenty fourteen and twenty sixteen was really impactful.

1:33:58.439 --> 1:34:02.640
<v Speaker 4>And yeah, please please buy my book. Hell yes, this

1:34:02.720 --> 1:34:05.360
<v Speaker 4>one's through different publisher, Harbor Editions.

1:34:05.439 --> 1:34:11.439
<v Speaker 3>Very nice and you can follow us on Instagram and

1:34:11.600 --> 1:34:17.360
<v Speaker 3>Twitter at Bechdel Cast. You can subscribe to our Matreon

1:34:17.680 --> 1:34:20.759
<v Speaker 3>where you get two bonus episodes every single month, always

1:34:20.800 --> 1:34:25.640
<v Speaker 3>centering an awesome theme that's so cool and good and

1:34:25.680 --> 1:34:28.040
<v Speaker 3>always has a really good, awesome name.

1:34:28.320 --> 1:34:32.040
<v Speaker 2>Like the Pinocchio Wars.

1:34:32.720 --> 1:34:36.080
<v Speaker 3>We just wrapped up Dance Somber. We covered a couple

1:34:36.200 --> 1:34:37.040
<v Speaker 3>dance movies.

1:34:37.320 --> 1:34:38.240
<v Speaker 2>Can you believe it?

1:34:38.560 --> 1:34:38.880
<v Speaker 3>Can you?

1:34:41.280 --> 1:34:42.280
<v Speaker 2>Honey? Got brought up?

1:34:42.320 --> 1:34:45.559
<v Speaker 3>That's another dance movie that we will have to add

1:34:45.600 --> 1:34:50.519
<v Speaker 3>to the list. Yes, And that can be found at

1:34:50.760 --> 1:34:54.719
<v Speaker 3>Patreon dot com slash Bechtel Cast, and it's five dollars

1:34:54.760 --> 1:34:57.280
<v Speaker 3>a month and gets you access to the entire back

1:34:57.400 --> 1:34:59.280
<v Speaker 3>catalog of bonus episodes.

1:35:00.560 --> 1:35:03.960
<v Speaker 2>You can get our merch over at teapublic dot com

1:35:03.960 --> 1:35:07.519
<v Speaker 2>slash the Bechdel Cast. And again we'll also be linking

1:35:08.120 --> 1:35:12.479
<v Speaker 2>where you can buy Maya's work because we're just simply

1:35:12.520 --> 1:35:16.400
<v Speaker 2>big fans over here. Thank you, and yeah, it's an

1:35:16.439 --> 1:35:19.120
<v Speaker 2>honor that you joined us again. Thank you so much.

1:35:19.720 --> 1:35:22.360
<v Speaker 4>Always happy to join you'all again. Thank you both so much.

1:35:22.640 --> 1:35:26.599
<v Speaker 3>Yay, Now let's go on stage and sing a song.

1:35:27.680 --> 1:35:31.280
<v Speaker 2>Wow power Flat Dick, Bye bye bye.

1:35:31.080 --> 1:35:33.320
<v Speaker 6>Way we happened to the British access by Oh.

1:35:35.800 --> 1:35:39.120
<v Speaker 3>The Bechdel Cast is a production of iHeartMedia, hosted by

1:35:39.160 --> 1:35:43.040
<v Speaker 3>Caitlin Dorante and Jamie Loftis, produced by Sophie Lichterman, edited

1:35:43.120 --> 1:35:46.320
<v Speaker 3>by Mola Board. Our theme song was composed by Mike

1:35:46.439 --> 1:35:50.799
<v Speaker 3>Kaplan with vocals by Catherine Volskrosenski. Our logo and merch

1:35:50.960 --> 1:35:53.920
<v Speaker 3>is designed by Jamie Loftis and a special thanks to

1:35:53.960 --> 1:35:58.360
<v Speaker 3>Aristotle Acevedo. For more information about the podcast, please visit

1:35:58.400 --> 1:35:59.920
<v Speaker 3>link Tree Slash Bechdel Cast